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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin An iHeartRadio podcast.

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Speaker 1: Welcome to you, and That's what you Really miss podcast.

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Speaker 1: It's a recap. It's a season by episode thirteen new

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Speaker 1: directions recap. This one aired March fourteen.

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Speaker 2: Kevin Wow. Wow. The number one song in the country

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Speaker 2: was Happy by Pharrell. I feel like Happy. It was

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Speaker 2: just number one for an entire year. The number one

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Speaker 2: movie was Divergent. Did you see that? Definitely? Do you

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Speaker 2: read the series now?

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Speaker 1: I just see the movies.

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Speaker 2: I loved that series. I mean the books movies nice much.

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Speaker 1: Yeah they're not great, but they're easy watching.

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Speaker 2: Yes, I was very into the books. So Glee News.

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Speaker 2: On March twenty fifth, Glee the Music celebrating one hundred

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Speaker 2: episodes was released. The album featured teen tracks from episodes five,

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Speaker 2: twelve and five thirteen, as well as season five version

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Speaker 2: of total eclips of the Heart, which was cut from

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Speaker 2: five to thirteen. This was available on CD and digital download.

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Speaker 1: This was directed by Brad Fuchuk one and only and

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Speaker 1: there was a lot continuation of one hundred. Let's do

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Speaker 1: the songs. I'm Changing, which is a Mercedes Kurt song

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Speaker 1: which Amber will Gonna do It again?

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Speaker 2: Yes, Oh God, party all the time, Oh the Soul

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Speaker 2: Party Yes with Holly Holiday and then Will in the

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Speaker 2: new directions Loser Like Me performed by Alretie Blaine, seventeen

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Speaker 2: of the Graduates to be Graduates, Be Okay by Rachel

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Speaker 2: and Santana, Just give Me a Reason by quinnin Puck

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Speaker 2: and Don't Stop Believe In Again by Will Alumni and

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Speaker 2: the new directions.

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Speaker 1: It's funny I started and I was again again and

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Speaker 1: Total Eclipse of the Heart by Bonnie Tyler was performed

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Speaker 1: by April Rhodes and Will and was cut from the episode,

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Speaker 1: but like Kevin said, it's they kept it on the CD.

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Speaker 2: The CD, the Compact disc. So some fun facts. This

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Speaker 2: episode Jenna marks Tina's one hundredth appearance. Hooray you did it.

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Speaker 1: Just one behind yep, sadly, this episode features the sixth

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Speaker 1: before so Don't Stop Believe In so again, but it

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Speaker 1: was only the fourth to be released, so we've like done.

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Speaker 2: It and you know, rehearsals and yeah exactly, and every

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Speaker 2: release version Rachel has a solo of course.

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Speaker 1: This performance was filmed in February twenty fourth, twenty fourteen,

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Speaker 1: the day that the hundredth episode was celebrated on set.

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Speaker 2: Oh interesting, So total eclipse of the heart being cut

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Speaker 2: from the episode makes this episode the only one where

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Speaker 2: April Rhodes appears and doesn't sing into it with will

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Speaker 2: missed opportunity.

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Speaker 1: We always need more Christ and channowit singing always. April

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Speaker 1: saying I thought you'd never asked to Holly is a

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Speaker 1: reference to Holly's catchphrase. As stated in the substitute and.

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Speaker 2: Early scripts of season two, A storyline of Tina being

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Speaker 2: adopted was going to be included, but was eventually discarded,

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Speaker 2: and this episode she mentions having been adopted.

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Speaker 1: This episode marks the final appearances of April Rhodes, Holly Holiday,

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Speaker 1: and Marley Rose in the entire series.

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Speaker 2: WHOA, That's crazy?

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Speaker 1: WHOA?

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Speaker 2: I was wondering that watching I'm like this feels like

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Speaker 2: the end for a lot of characters. Yes. Yes. This

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Speaker 2: episode features the last appearances of Kitty, Jake, Ike, Puck, Quinn, Writer,

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Speaker 2: and Unique in season five h.

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Speaker 1: This is the last episode where Jake, Ryder, Unique, and

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Speaker 1: Kitty appear as main characters.

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Speaker 2: The voices of Puck, Artie, Santana, Kurt, Mercedes, Rachel, and

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Speaker 2: Finn are heard during a voiceover when Will says goodbye

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Speaker 2: and the Glee Club, with also voiceovers of everyone laughing Yes,

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Speaker 2: that good old tear jerker editing, you know so. The

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Speaker 2: episode summary for this sort of one hundred celebration Part two.

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Speaker 2: As the fate of Glee Club becomes a reality, April

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Speaker 2: and Holly plot a plan to save the new directions. Meanwhile,

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Speaker 2: Rachel and Santana attempt to make amends after their blowout fight.

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Speaker 1: Yeah, let's talk about that. So we we get a

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Speaker 1: wonderful duet from Mercedes and Kurt. It's very cute. We

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Speaker 1: haven't seen them together any quite a bit of time.

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Speaker 1: They do I am changing.

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Speaker 2: I like their whole little bit at the top of this,

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Speaker 2: they're just They're like, yeah, we got in a fight

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Speaker 2: over tots and it was really serious and we're so

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Speaker 2: glad you guys didn't have to witness this, because it's

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Speaker 2: so hard to see two best friends fighting. It just

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Speaker 2: made me hungry. The tots looked good.

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Speaker 1: We love tots. Rachel gets emotional during this. I mean

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Speaker 1: just ambising am this number.

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Speaker 2: It's I like their voices together too. Christ and Ambers's

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Speaker 2: voices are so different from one another. But when they harmonize,

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Speaker 2: they're very complimentary. Yeah.

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Speaker 1: Yeah, she gets emotional while watching Curtain Ver Cities perform

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Speaker 1: and so she in the bathroom gives Santana, confronts Santana

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Speaker 1: and says she wants to give her ten performances of

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Speaker 1: as an understudy. She's going to call out and then

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Speaker 1: you know, she can tell. She'll know an advance because

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Speaker 1: usually an understudy you go on pretty last minute, or

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Speaker 1: somebody sick, unless you know, right, unless they're on vacation.

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Speaker 1: So she's willing to give her ten performances as a

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Speaker 1: peace offering, and Santana says, no, she wants it all

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Speaker 1: and is coming for her. I do, I will say,

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Speaker 1: and obviously spoiler alert, she will make amends with this.

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Speaker 1: But like I will say, that was like actually kind

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Speaker 1: of rude, Like there was a peace offering and it

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Speaker 1: was like just take it.

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Speaker 2: Yeah. But you know, as I previously stated, I am

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Speaker 2: really into this thing, and I feel like every episode

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Speaker 2: they're just getting better and better. And also especially having

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Speaker 2: them around current high school students in the show, I

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Speaker 2: really feel like they're adults in a way that the

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Speaker 2: rest of us are not, and like there's a depth

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Speaker 2: to their performances in this and I'll see how they look.

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Speaker 2: And I thought it was interesting that she like didn't

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Speaker 2: accept a peace offering.

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Speaker 1: I thought so too. It seemed a character for her,

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Speaker 1: because generally Santana will say like, Okay, you're right, I

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Speaker 1: was wrong, Like let's you know, let buy on people. Yeah,

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Speaker 1: but it takes it takes a certain someone to get Santana,

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Speaker 1: which is.

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Speaker 2: Why so Brittany surprises Santana with the one way ticket

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Speaker 2: to Lesbos Island. But Santana, you know, as they always

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Speaker 2: do for each other, they keep each other and check

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Speaker 2: their mental state, and which is I think the best

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Speaker 2: part about their relationship, Yes, is the way they understand

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Speaker 2: each other on a deep level. And I think the

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Speaker 2: writers are always really good at that. I feel like

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Speaker 2: they really understand them. Yes, And Santana points out like,

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Speaker 2: I'm pretty sure you're just trying to run away from

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Speaker 2: mit because you're not happy there, right, And so counterpoint

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Speaker 2: then Brittany's like, I'm pretty sure you don't actually want

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Speaker 2: to have this Broadway debut, even though you're fighting, literally

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Speaker 2: fighting Rachel so hard for it, because it's not your

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Speaker 2: actual dream, right, and frames it to her in a

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Speaker 2: way which I thought was very clever, and it's like

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Speaker 2: note to self, Remember this is sort of thinking, I'm

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Speaker 2: learning a lesson here about it may not be your

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Speaker 2: dream and walking away maybe the right thing to do,

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Speaker 2: how to re end in the situation, right. I also

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Speaker 2: loved when she walks in and there's all those lilies,

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Speaker 2: which is a Lesbians flower.

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Speaker 1: I also forgot when we did Loser Like Me that

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Speaker 1: that's why the lilies were in there. I remember being

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Speaker 1: like we were in like a very bare bones room

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Speaker 1: with flowers.

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Speaker 2: I'm also just really enjoying watching this version of Brittany.

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Speaker 2: Ever since Santana left, ever since they've broken up, Brittany

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Speaker 2: has sort of become I mean, remember how we found

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Speaker 2: like she was the Cheerio, she had the ponytail like

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Speaker 2: all the other cheerios. And now she's just sort of

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Speaker 2: like letting loose. She's like not glamorous in any way.

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Speaker 1: She's Wardrobes, yes.

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Speaker 2: Exactly, and I'm speaking of which I would like to

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Speaker 2: say Wardrobe clearly got the memo and they fixed Mercedes

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Speaker 2: end this episode.

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Speaker 1: Yeah, I probably amber being like, hey, guys, can we

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Speaker 1: do something about this?

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Speaker 2: Or Ryan? I think somebody said something because during I

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Speaker 2: am changing. I'm like, Okay, there we go. We're getting

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Speaker 2: back on track here, thank you very much. But I

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Speaker 2: do really like sort of Brittany's.

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Speaker 1: Oh yes, you know Hodgepodge. Like I think it's Brittany

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Speaker 1: coming into her own. She got to like kind of

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Speaker 1: go a little cup of crazy. She got to you know,

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Speaker 1: she she goes off the rails when Santana breaks up

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Speaker 1: with her, Like it's just like the whole thing gets unhinge,

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Speaker 1: and like it made it okay for her to be

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Speaker 1: a little bit unhinged.

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Speaker 2: Yeah, And I honestly think that props to Heather because

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Speaker 2: I think a lot of that yes was down to

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Speaker 2: like how Heather is playing the character. Now. It's not

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Speaker 2: like she had a moment and then she snapped back

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Speaker 2: to old Brittany. Right, It's like, now she had a moment.

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Speaker 2: She mentally she sort of got it together, but I

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Speaker 2: don't know the rest of her stayed the same. And

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Speaker 2: this new Brittany, Yeah, she's.

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Speaker 1: Still trying to figure out what she's doing, who she is,

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Speaker 1: and you know, they're telling her she's this genius and

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Speaker 1: she's supposed to go down this one route and go

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Speaker 1: to MIT and you know, do all these things, but

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Speaker 1: that's not what she loves, right.

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Speaker 2: And one of the best parts of their dynamics Santana

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Speaker 2: and Brittany is that Santana has always known she's a genius,

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Speaker 2: that Brittany's a genius, and Brittany gives her that good

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Speaker 2: advice about you don't actually want to do this show,

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Speaker 2: and she's like, see, you really are a genius, and

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Speaker 2: it's like, oh, break my heart. I know, you know.

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Speaker 1: And I think that's also like Heather and Niah, Yeah,

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Speaker 1: like they always saw each other in a different way.

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Speaker 1: They always like had their own little relationship off, you know,

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Speaker 1: to the side that we didn't even really see or

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Speaker 1: know about, Like they just had their friendship and then

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Speaker 1: they had their kids like around the same time and

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Speaker 1: like their boys, and so it was just this really

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Speaker 1: beautiful friendship that was kind of happening between the two

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Speaker 1: of them and this understanding and then we were seeing

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Speaker 1: like Santana and Brittany also kind of yes.

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Speaker 2: And I think maybe you're right. I think that does

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Speaker 2: add to the depth of like their closeness and calmness

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Speaker 2: and the scenes together because that's just how they were.

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Speaker 2: They had a deep, real understanding of one another. Outside

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Speaker 2: of the show. Yeah, it makes it so good. But

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Speaker 2: then we get back to Santana pulling out of the

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Speaker 2: show and Rachel almost looks like she was punched in

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Speaker 2: the guy like she's in shock.

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Speaker 1: Right right, Well, she's doing my thing finally, and I

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Speaker 1: think growth, Yeah, because it did. She really did come

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Speaker 1: after her in there, you know in a way that

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Speaker 1: was like it'd be like if Rachel went after this

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Speaker 1: role that Santana had gone, it would make more sense

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Speaker 1: to me. If the roles were reversed, it would have

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Speaker 1: made more sense.

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Speaker 2: Yeah, it was purely motivated by revenge and spier.

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Speaker 1: Yeah, yeah, versus.

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Speaker 2: The dream being fulfilled. Yeah, totally. You know, when you

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Speaker 2: grow up and there's a lot of talented people, like

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Speaker 2: quote unquote Divas, you know, you had big voices in

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Speaker 2: that room, and so it's like for some people, I think,

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Speaker 2: just like you know, when we did the hot Takes

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Speaker 2: episode and so and said Tina sort of represented that

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Speaker 2: person and musical theater, but that wasn't the teacher's favorite

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Speaker 2: and always sort of got shit on the underdog. The

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Speaker 2: underdog where if Rachel's always favored, that's going to do

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Speaker 2: something to all the other people in the room. Yes,

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Speaker 2: and so you have Santana in New York. She's still

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Speaker 2: around this person who she was always competing against, and

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Speaker 2: it's hard to grow out of that repetition, like the

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Speaker 2: habit of having to combat this person.

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Speaker 1: M hm.

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Speaker 2: And so it does make sense that she's on autopilot,

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Speaker 2: like Nope, I have to go after the same thing

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Speaker 2: because I can also do it. It's like, yeah, just

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Speaker 2: because you can doesn't mean you should.

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Speaker 1: Well, we did get this number, we get this musical

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Speaker 1: number by Rachel and Santana. I'd be Okay, they've made up.

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Speaker 1: They're showing everybody that they have come they have come together. Okay,

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Speaker 1: can we talk about Lias free Tan and this number?

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Speaker 1: Because I remember when we were shooting, I was like, wow,

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Speaker 1: she looks so tan and like much darker than the

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Speaker 1: rest of the episode.

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Speaker 2: Is the same as chumps.

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Speaker 1: That's what I was wondering.

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Speaker 2: I was like, it's probably some chums. I think that's

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Speaker 2: probably what happened.

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Speaker 1: Oh my god, Oh my god.

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Speaker 2: I also love it when these songs like in my head,

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Speaker 2: when I hear like, let's go do a song together,

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Speaker 2: I automatically think like, okay, which character chose this song?

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Speaker 2: And I always tried to imagine them listening to that

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Speaker 2: song of their free time.

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Speaker 1: That's funny, and so in this number, I'm like, who's listen.

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Speaker 2: Nobody's listening. They're not listening to us, neither of them.

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Speaker 2: It was like Santanna bumping it and her car being

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Speaker 2: like I gotta sing this with Rachel and.

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Speaker 1: Rachel's not listened to this either. I actually was like,

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Speaker 1: what is this song? I remember when they were filming

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Speaker 1: this and I was like, what is this song?

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Speaker 2: Yeah? I get it. In the end, it seems like

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Speaker 2: one of those things so sorry we Love You, one

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Speaker 2: of those things that they put into like iTunes of.

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Speaker 1: We're okay, Yes about being okay.

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Speaker 2: And it was popular. It was like growing on the

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Speaker 2: charts at the time. So yeah, I get it. They

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Speaker 2: sound great on it. I Also, what I really ended

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Speaker 2: up liking about it is that there's not it's not

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Speaker 2: a big number and we can actually just watch their

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Speaker 2: relationship and them acting.

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Speaker 1: Yeah.

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Speaker 2: I really appreciated that because that's what we needed to see.

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Speaker 2: They don't need to get up and dance. I like

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Speaker 2: that we could just see them, like you said, come

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Speaker 2: together and look at each other. And it's funny song.

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Speaker 2: I just love watching the two of them act opposite

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Speaker 2: one another.

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Speaker 1: Yeah, the chemistry is undeniable.

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Speaker 2: Yeah, they're both heavyweights, you know, and it's thrilling to watch.

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Speaker 2: It is, even like in this number. At first, I'm

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Speaker 2: like what is this? But you're like, no, yeah, let's

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Speaker 2: just see them act. They were just at each other's throats.

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Speaker 2: What are they doing now? Let me see it? And

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Speaker 2: they both sound so good on it.

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Speaker 1: They do, I mean, they're always so good, and it is.

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Speaker 2: All those o's like run things, scatting thing, which is crazy.

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Speaker 1: I thinks to that. You do like the extended version.

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Speaker 2: Yeah, they're both so good together. Again, just like Chris

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Speaker 2: and Amber, their voices sound so good together. Yeah, because

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Speaker 2: again they're very different. They're very different and can do

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Speaker 2: very different things. Yes, but they're so good.

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Speaker 1: I mean, like random my Parade is a perfect examples.

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Speaker 1: While we're in an empty glee club room, which we

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Speaker 1: should talk about. So the glee club is being disbanded once,

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Speaker 1: once and for all, but Holly Holliday and people are

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Speaker 1: still trying. They're plotting, they're still plotting. It's a funny

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Speaker 1: storyline and it's really sweet. I mean, Holly has all

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Speaker 1: these kind of like ideas to get the glee club

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Speaker 1: back together to keep it going, but it fails. But

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Speaker 1: she does enlist you to do this beautiful video that

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Speaker 1: we make for MI stissue, which I totally forgot about.

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Speaker 1: That scene with the two of you is very funny

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Speaker 1: and very cute. I mean, working with GP Dream number two,

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Speaker 1: you're like, oh, finally, it's so funny.

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Speaker 2: I had such a great time, honestly that I don't

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Speaker 2: know why I remember that. It was late at night

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Speaker 2: we were shooting that, and I remember it so clearly,

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Speaker 2: maybe because it was I think my only one on

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Speaker 2: one scene with her, right, But she and I bonded

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Speaker 2: so hard. We talked about Beyonce's self titled album Schoolboy Q.

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Speaker 2: The rapper was just like coming out of that time,

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Speaker 2: and she was a huge fan of Schoolboy Q and

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Speaker 2: was like like educating me on that and so like

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Speaker 2: I remember, you know, Roxy Roxy Hair. She was there,

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Speaker 2: like we were hanging out, like it was just I

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Speaker 2: don't a dream, it was. It was like just the

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Speaker 2: best because you know when it's late at night too

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Speaker 2: and they have like we were all hanging out in

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Speaker 2: the choir room and all the lights are dimmed and

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Speaker 2: like I was in the corner singing. I don't know why.

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Speaker 2: I always broke into song of Maxwell's version of a

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Speaker 2: Woman's Worth and I would be in the corner going

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Speaker 2: and Rocks would go yes, yeah, and she would stand

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Speaker 2: up and start like dancing, and then Gwynne's would come

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Speaker 2: in and we would start singing like drunken love. It

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Speaker 2: was just like a really joyous can.

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Speaker 1: Have those like late night shoots where everybody's just ready

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Speaker 1: to go home, but like you're there. You know you

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Speaker 1: got to be there, and I know it's a few people,

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Speaker 1: there's not that many, which is like feels a good treat.

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Speaker 1: It feels a good treat.

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Speaker 2: It does, And I didn't necessarily have like a lot

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Speaker 2: of I feel like a lot of one on one

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Speaker 2: scenes with people right mostly in like group settings totally,

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Speaker 2: and so it was nice to just like be chill

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Speaker 2: and hang out there. But speaking of the Holly Holiday,

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Speaker 2: that the first scene that Halley and April are in

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Speaker 2: and the teacher's lounge and then Sue comes in and

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Speaker 2: I was like, oh, yes, give me Sue and Holly

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Speaker 2: and they have that whole crazy like montage of them

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Speaker 2: doing things together. Like speaking of heavy hitters, like, are

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Speaker 2: you kidding me? They both look out of their minds.

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Speaker 2: It's so fun for that. Oh yes, do you know

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Speaker 2: what I mean? I also just love how goofy Gwyneth

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Speaker 2: it gets.

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Speaker 1: Yes, we know Kristen can do that, but like for

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Speaker 1: Gwinned's to be and her character play and the teacher,

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Speaker 1: it's you don't get to see Guennas do comedy all

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Speaker 1: that much.

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Speaker 2: And she's so good at it.

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Speaker 1: She's really good.

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Speaker 2: Can we talk about Temple Temple Brandon? It is? I

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Speaker 2: almost texted her about it. It's like, this is is

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Speaker 2: not this wild? And then she's she's doing God. She

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Speaker 2: walks in into that wig and then she does a

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Speaker 2: whole monologue, whips off the wig and then gives you

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Speaker 2: six sea face and then breaks into a.

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Speaker 1: Number, into a phone party number and that outphan.

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Speaker 2: Which, by the way, loved big fan of party all

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Speaker 2: the time, big fan. I loved this number.

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Speaker 1: Why were we there?

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Speaker 2: I don't know, and I'm furious about it.

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Speaker 1: I feel like we were and then we weren't. I

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Speaker 1: remember being like in this number and then.

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Speaker 2: Not being in this number interesting, but.

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Speaker 1: I do remember not having to work that day and

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Speaker 1: being relieved about it.

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Speaker 2: Same in hindsight watching this now.

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Speaker 1: Because it was a big day, but I would yeah,

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Speaker 1: I would have been like, oh.

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Speaker 2: Because I don't remember this number at all. I don't

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Speaker 2: remember ever seeing it. And she shows up in the

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Speaker 2: club and then you have Brittany and Hannah too, Oh

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Speaker 2: my god, yeah, just behind her and like bikinis Dan

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Speaker 2: sing and then they're on a pole dance. I'm like,

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Speaker 2: this is my dream. It's like all my favorite people

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Speaker 2: dancing at a club, like this is all I ever want.

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Speaker 1: I agree with you. In hindsight, I would have been like,

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Speaker 1: put me in, put me in, coach, put me in. Yeah,

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Speaker 1: during the time, thrilled not to be there. It doesn't

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Speaker 1: matter though, because the number was awesome. I loved it.

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Speaker 1: I will watch going to do anything.

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Speaker 2: She's so good on this song. I don't understand what's happening.

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Speaker 2: I was like, why is Gwyn's perfect for this song?

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Speaker 1: Now, It's true. It was a really good pick.

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Speaker 2: And the numbers great, Like, the number is really good,

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Speaker 2: that phone party delights, all the dancing.

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Speaker 1: They can sell it anything, they can sell anything.

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Speaker 2: It's also crazy, like taking your kids to a club,

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Speaker 2: like that's obviously illegal.

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Speaker 1: It was a dream sequence, Okay, it was a dream

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Speaker 1: sequence she gets in trouble for taking the kids. She

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Speaker 1: wasn't right.

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Speaker 2: I thought it was a dream and then she gets in.

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Speaker 1: Trouble. That's right, she always gets in trouble.

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Speaker 2: Yeah she does. I had the biggest smile on my face.

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Speaker 2: It was practically speaking, being in the wheelchair in the

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Speaker 2: phone party would not be ideal.

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Speaker 1: You would have been sliding all and I would.

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Speaker 2: Have been soaked in this film.

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Speaker 1: Yeah, you would have been underneath it that you actually

393
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Speaker 1: haven't seen you exactly.

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Speaker 2: Maybe that was part of the reason I wasn't in it.

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Speaker 1: But she enlists you for this amazing video that we do,

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Speaker 1: which is so sweet. I think it's sweet.

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Speaker 2: I think it's sweet.

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Speaker 1: I forgot about this. I remember Filly in this now

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Speaker 1: when we When I watched it, I was like, oh right,

400
00:23:59,240 --> 00:24:02,040
Speaker 1: I sat on the fire Roomen did that and Brad

401
00:24:02,080 --> 00:24:03,520
Speaker 1: shot them and they were really fast.

402
00:24:03,640 --> 00:24:08,480
Speaker 2: But I particularly loved yours. Like the composition of the

403
00:24:08,520 --> 00:24:11,520
Speaker 2: shot of yours is like I like that one.

404
00:24:12,200 --> 00:24:19,199
Speaker 1: I This episode, in its totality felt very final to me,

405
00:24:19,240 --> 00:24:22,479
Speaker 1: and I know I've said this before, like it felt

406
00:24:22,600 --> 00:24:25,840
Speaker 1: very final. And obviously we too take a huge shift

407
00:24:25,880 --> 00:24:28,800
Speaker 1: after this and this was my last episode as a

408
00:24:28,840 --> 00:24:33,359
Speaker 1: series regular and graduating, and Glee Club was standing in

409
00:24:33,359 --> 00:24:35,520
Speaker 1: the choir rooms going away and we just don't know

410
00:24:35,640 --> 00:24:37,560
Speaker 1: for when we're going to see this room again, right,

411
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Speaker 1: So like it did feel like really final, and so

412
00:24:42,640 --> 00:24:46,760
Speaker 1: watching that the video, it felt like mister Shoe watching

413
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Speaker 1: like the video and the pilot of like his first

414
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Speaker 1: you know, when he used to do this, and it

415
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Speaker 1: just it felt very Glee Pilot to me, and I

416
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Speaker 1: it made me emotional, even though through my tears, I

417
00:25:04,400 --> 00:25:08,120
Speaker 1: didn't really cry, but through my tears I I was like, oh,

418
00:25:08,280 --> 00:25:11,520
Speaker 1: don't stop again. But it was cute. It was really cute.

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Speaker 1: I thought it was like.

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Speaker 2: It worked. Don't stop. Made me emotional because it's like

421
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Speaker 2: the first time we're doing it without Corey.

422
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Speaker 1: I was like, I, well, that whole thing with like

423
00:25:21,440 --> 00:25:24,600
Speaker 1: Chris doing it was like weird. And then just doing

424
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Speaker 1: it with everybody who's ever done it, who was in

425
00:25:27,240 --> 00:25:32,560
Speaker 1: the Blue Club, You're like, wow, this is a big cast. Yeah,

426
00:25:32,600 --> 00:25:35,280
Speaker 1: but definitely felt like something was missing from it, Like yeah,

427
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Speaker 1: I feel like the was.

428
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Speaker 2: It was definitely strange. Yeah, but sentimentally I get it,

429
00:25:43,000 --> 00:25:45,960
Speaker 2: like it was, Yeah, it was really nice and I

430
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Speaker 2: also think slight redemption for all the Shoe hate, because

431
00:25:51,280 --> 00:25:53,959
Speaker 2: he did do a lot of good for these kids.

432
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Speaker 2: Execution maybe not so great most of the time, but

433
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Speaker 2: his intentions were always great, and so it was nice to,

434
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Speaker 2: I think, for him to have that moment. Also, the

435
00:26:07,760 --> 00:26:10,120
Speaker 2: the ad libs I was doing during Don't Stop were

436
00:26:11,200 --> 00:26:17,440
Speaker 2: so silly crazy. Yeah, what I was like, I don't

437
00:26:17,480 --> 00:26:18,440
Speaker 2: know if these work here.

438
00:26:19,000 --> 00:26:20,639
Speaker 1: I feel like every time we do it, they're like,

439
00:26:20,680 --> 00:26:24,680
Speaker 1: we have to do something different. Yeah, yeah, they bump

440
00:26:24,760 --> 00:26:28,760
Speaker 1: up the version. Yeah, something like sounded great, but it's

441
00:26:28,800 --> 00:26:31,040
Speaker 1: a funny to hear don't Stop.

442
00:26:31,359 --> 00:26:32,680
Speaker 2: Yeah. I was like, I don't know.

443
00:26:35,760 --> 00:26:38,760
Speaker 1: And then Sue and Will have this really nice scene

444
00:26:38,760 --> 00:26:41,200
Speaker 1: in the choir room before he leaves and does this

445
00:26:41,280 --> 00:26:43,720
Speaker 1: little bound leaves the choir room with just the chair.

446
00:26:44,400 --> 00:26:46,359
Speaker 1: We had to have that scene, Yeah.

447
00:26:46,800 --> 00:26:52,520
Speaker 2: And it was Sue was actually really like out of character,

448
00:26:52,960 --> 00:26:54,600
Speaker 2: and I don't mean that in a bad way this

449
00:26:54,640 --> 00:26:57,600
Speaker 2: whole episode where she was very understanding and consider it

450
00:26:57,680 --> 00:27:03,840
Speaker 2: of Shoe's feelings. Was told Holly in April to include

451
00:27:03,920 --> 00:27:07,919
Speaker 2: him with their experiment of singing in another club. Wanted

452
00:27:07,920 --> 00:27:10,840
Speaker 2: to soften the blow, but she was very adamant like, no,

453
00:27:10,960 --> 00:27:13,520
Speaker 2: Glee club is done, but I do feel bad for him.

454
00:27:14,440 --> 00:27:20,520
Speaker 1: Right, and then getting him the job interview and like, yeah.

455
00:27:19,240 --> 00:27:24,479
Speaker 2: She's really trying. There's also this Quinn Puck number where

456
00:27:24,720 --> 00:27:27,359
Speaker 2: she and Puck are boyfriend and girlfriend and they've never

457
00:27:27,840 --> 00:27:32,200
Speaker 2: actually dated officially, but she says she feels herself around

458
00:27:32,280 --> 00:27:33,720
Speaker 2: him and wants to give it a try. They do

459
00:27:33,760 --> 00:27:36,240
Speaker 2: a number, which I think works really well for them.

460
00:27:37,560 --> 00:27:42,640
Speaker 2: This storyline feels weird. Why I just want to know,

461
00:27:42,760 --> 00:27:47,399
Speaker 2: why just leave Quinn alone? Why let her have a break?

462
00:27:47,520 --> 00:27:49,760
Speaker 1: Why? Why?

463
00:27:50,400 --> 00:27:54,320
Speaker 2: I don't get it? But I don't here, No, I

464
00:27:54,359 --> 00:28:07,840
Speaker 2: don't know. But that's that Jenna. This episode sort of

465
00:28:07,880 --> 00:28:14,480
Speaker 2: starts off with Tina and needed to save the best

466
00:28:14,480 --> 00:28:18,840
Speaker 2: for last because Tina gets like a slow mo voiceover

467
00:28:18,960 --> 00:28:21,600
Speaker 2: walk down the hallways.

468
00:28:20,640 --> 00:28:23,720
Speaker 1: Her swan song. This is Tina's swan song? And why

469
00:28:23,760 --> 00:28:24,520
Speaker 1: does she get a swan?

470
00:28:24,760 --> 00:28:25,760
Speaker 2: She sure does?

471
00:28:26,119 --> 00:28:27,760
Speaker 1: So sweet, it's really sweet.

472
00:28:28,160 --> 00:28:30,920
Speaker 2: You're having this whole moment of your being rejected from

473
00:28:30,960 --> 00:28:34,000
Speaker 2: all these schools, even your backup schools, several of them.

474
00:28:34,480 --> 00:28:37,600
Speaker 2: You apply to Mitzvah University because you just want to

475
00:28:37,600 --> 00:28:40,800
Speaker 2: go to New York. Yeah, yes, yes, you just really

476
00:28:40,800 --> 00:28:42,200
Speaker 2: want to get to New York and you haven't heard

477
00:28:42,240 --> 00:28:47,160
Speaker 2: back from Brown. What was it like getting to do

478
00:28:47,800 --> 00:28:48,360
Speaker 2: all of this?

479
00:28:49,400 --> 00:28:53,080
Speaker 1: Well, it was Brad directing also, which was like full circle.

480
00:28:53,280 --> 00:28:56,800
Speaker 1: It's so fun to have him do the last episode,

481
00:28:56,920 --> 00:28:59,680
Speaker 1: like my technical last episode. It won't be my laugh,

482
00:29:00,160 --> 00:29:05,440
Speaker 1: but it was fun. It felt like it felt kind

483
00:29:05,440 --> 00:29:09,840
Speaker 1: of final for sure. Uh, but it was so exciting.

484
00:29:09,880 --> 00:29:12,240
Speaker 1: I think at the time I was like, I'm sure

485
00:29:12,280 --> 00:29:15,040
Speaker 1: I'll be back. I didn't feel like this was like

486
00:29:15,560 --> 00:29:20,239
Speaker 1: for me. The most fun was when Tina gets hit

487
00:29:20,280 --> 00:29:23,240
Speaker 1: in the head with the trophy, because like, when is

488
00:29:23,240 --> 00:29:28,360
Speaker 1: she not getting hit in the head? Yeah, yeah, I

489
00:29:28,520 --> 00:29:32,280
Speaker 1: had to. I loved shooting that scene. I remember doing

490
00:29:32,280 --> 00:29:34,360
Speaker 1: that one. That was really fun and it was like

491
00:29:34,440 --> 00:29:40,560
Speaker 1: everybody the Gang's all back together kind of thing, and yeah,

492
00:29:40,600 --> 00:29:43,440
Speaker 1: I don't know, I just felt it felt like Tina

493
00:29:43,520 --> 00:29:51,560
Speaker 1: was finally getting her time. It was so much fun

494
00:29:51,600 --> 00:29:56,840
Speaker 1: to shoot Oh god, the whole thing wigs that wig.

495
00:29:57,240 --> 00:30:01,280
Speaker 1: Such a big friends fan here.

496
00:30:00,280 --> 00:30:00,960
Speaker 2: Number one friends.

497
00:30:00,960 --> 00:30:04,560
Speaker 1: Man, it was like a dream to do that and

498
00:30:04,800 --> 00:30:06,800
Speaker 1: to do the fountain. I remember being like, we're not

499
00:30:06,840 --> 00:30:08,600
Speaker 1: going to get wet, We're not going to get wet,

500
00:30:08,800 --> 00:30:12,720
Speaker 1: and then we were all like were Kevin on the

501
00:30:12,760 --> 00:30:18,920
Speaker 1: float and like it was cold.

502
00:30:18,560 --> 00:30:19,600
Speaker 2: And dark and out.

503
00:30:19,680 --> 00:30:21,840
Speaker 1: I remember that and being like they're like get in

504
00:30:21,840 --> 00:30:24,000
Speaker 1: the fountain. We're like now, and then we were in

505
00:30:24,000 --> 00:30:24,560
Speaker 1: the fount. We're like.

506
00:30:26,560 --> 00:30:27,320
Speaker 2: It was really fun.

507
00:30:29,240 --> 00:30:32,080
Speaker 1: It was ridiculous. It was absolutely ridiculous. But I remember

508
00:30:32,080 --> 00:30:36,880
Speaker 1: shooting that whole series of things like all at night. Yeah,

509
00:30:36,880 --> 00:30:40,800
Speaker 1: it was my mind, like right, and it was fast.

510
00:30:41,640 --> 00:30:46,080
Speaker 1: It was really fast. But I loved chums. I thought

511
00:30:46,080 --> 00:30:49,480
Speaker 1: it was ridiculous. Again, it felt like another Tina prop

512
00:30:49,600 --> 00:30:52,320
Speaker 1: moment where everybody's kind of like in fully.

513
00:30:53,080 --> 00:30:55,480
Speaker 2: We did to go full sitcom and seeing everyone's version

514
00:30:55,560 --> 00:30:56,840
Speaker 2: of sitcom was great.

515
00:30:57,160 --> 00:31:00,120
Speaker 1: I love it. Yeah, that was really really fun. On

516
00:31:01,400 --> 00:31:03,840
Speaker 1: the fountain was the best though, Like the fact that

517
00:31:03,840 --> 00:31:07,200
Speaker 1: that's embedded somewhere in history that like we did what

518
00:31:07,240 --> 00:31:11,960
Speaker 1: the Friends opening did is like the ultimate dream for me.

519
00:31:12,200 --> 00:31:14,640
Speaker 2: And I love that. Tina con Chang's like created by

520
00:31:14,640 --> 00:31:17,280
Speaker 2: Tina Cone Chang, Starry, Tina co and Jang.

521
00:31:18,320 --> 00:31:19,960
Speaker 1: That's exactly how she would have.

522
00:31:20,400 --> 00:31:22,480
Speaker 2: Yeah, absolutely crazy on form.

523
00:31:23,320 --> 00:31:27,840
Speaker 1: And and then we all graduate. We all graduate, and

524
00:31:27,960 --> 00:31:31,040
Speaker 1: Tina tells everybody that she gets into Brown.

525
00:31:32,000 --> 00:31:34,360
Speaker 2: How exciting is Brown?

526
00:31:35,360 --> 00:31:40,440
Speaker 1: It feels like she had to get into Brown. I

527
00:31:40,520 --> 00:31:44,600
Speaker 1: also had to get into Brown needed. It just felt

528
00:31:44,640 --> 00:31:47,280
Speaker 1: like a really nice end off. I was grateful for it.

529
00:31:47,280 --> 00:31:49,240
Speaker 2: It was really nice. It was also nice as like

530
00:31:50,160 --> 00:31:54,600
Speaker 2: a viewer and as a fan of Tina. It was

531
00:31:54,800 --> 00:32:00,000
Speaker 2: nice to get all of that, especially like it felt

532
00:32:00,000 --> 00:32:02,440
Speaker 2: like this episode was honestly broken up into like quarters

533
00:32:02,480 --> 00:32:05,800
Speaker 2: because I felt like the episode ended so many times. Yes,

534
00:32:05,840 --> 00:32:08,960
Speaker 2: where it felt like this episode was longer, and I

535
00:32:09,000 --> 00:32:13,560
Speaker 2: mean that complimentary where they fit in so much and

536
00:32:13,600 --> 00:32:16,520
Speaker 2: none of it felt rushed. Where it did feel like

537
00:32:18,120 --> 00:32:20,440
Speaker 2: I got a lot of Tina, Like that storyline was

538
00:32:20,440 --> 00:32:24,240
Speaker 2: like serviced in a way that felt good and like

539
00:32:24,280 --> 00:32:26,760
Speaker 2: they didn't jip you of any of it, and having

540
00:32:26,760 --> 00:32:29,840
Speaker 2: a moment on stage and the graduation and like all

541
00:32:29,920 --> 00:32:33,520
Speaker 2: of that just felt really really nice.

542
00:32:33,840 --> 00:32:34,560
Speaker 1: It felt that way.

543
00:32:35,320 --> 00:32:39,400
Speaker 2: It didn't feel I mean, you figured you were coming back,

544
00:32:40,560 --> 00:32:45,600
Speaker 2: but being able to go out with a storyline that

545
00:32:45,800 --> 00:32:50,240
Speaker 2: was good, Like did that all feel better? Like like

546
00:32:50,320 --> 00:32:51,120
Speaker 2: oh thank god?

547
00:32:51,800 --> 00:32:54,360
Speaker 1: Yeah. I mean the lead up too, from the beginning

548
00:32:54,360 --> 00:32:57,120
Speaker 1: of this season on, like it felt like I was

549
00:32:57,160 --> 00:33:01,760
Speaker 1: finally getting things and and she was a senior in

550
00:33:02,720 --> 00:33:05,120
Speaker 1: and so she was respected in a way from these

551
00:33:05,160 --> 00:33:07,920
Speaker 1: other classmates, and like, you know, I had gotten more

552
00:33:07,960 --> 00:33:11,480
Speaker 1: solos and more storylines, and so I wasn't going out

553
00:33:11,520 --> 00:33:14,600
Speaker 1: bitter in the way I would have gone out had

554
00:33:14,600 --> 00:33:20,640
Speaker 1: he ended this earlier. And yeah, I felt like I

555
00:33:20,680 --> 00:33:23,120
Speaker 1: had finally gotten a lot of the time that I wanted,

556
00:33:23,160 --> 00:33:27,280
Speaker 1: that I was like hoping for, And then this send

557
00:33:27,280 --> 00:33:29,040
Speaker 1: off was really nice, and it felt like a lot

558
00:33:29,080 --> 00:33:31,720
Speaker 1: of the show was feeling a bit final, like mister

559
00:33:31,760 --> 00:33:33,880
Speaker 1: Shu was kind of on its way out, and like

560
00:33:33,920 --> 00:33:36,240
Speaker 1: I wasn't the only one. So I just felt like,

561
00:33:37,920 --> 00:33:40,400
Speaker 1: you're right, like quarters of like things being tied up,

562
00:33:40,520 --> 00:33:42,920
Speaker 1: loose ends being tied up, this is where people are

563
00:33:42,960 --> 00:33:47,280
Speaker 1: heading now. But yeah, I did feel like this was

564
00:33:47,360 --> 00:33:49,560
Speaker 1: kind of I didn't know where where we're going though,

565
00:33:49,640 --> 00:33:51,600
Speaker 1: Like I didn't know when I was going to come back,

566
00:33:51,640 --> 00:33:53,240
Speaker 1: which was really weird.

567
00:33:53,960 --> 00:33:57,160
Speaker 2: Really, I will say, in the flip side to Tina's

568
00:33:57,320 --> 00:34:01,120
Speaker 2: story getting like a really good rap up, the new

569
00:34:01,200 --> 00:34:05,600
Speaker 2: kids that are all leaving had the opposite like they

570
00:34:06,400 --> 00:34:09,800
Speaker 2: it's just like peace never going to see you again.

571
00:34:10,760 --> 00:34:11,440
Speaker 1: It's wild.

572
00:34:11,640 --> 00:34:14,319
Speaker 2: It's really weird. They have one scene and it's only

573
00:34:14,360 --> 00:34:16,600
Speaker 2: a couple of them. I'm like, I don't.

574
00:34:17,800 --> 00:34:22,319
Speaker 1: Like what what they just have to mention it. There's

575
00:34:22,560 --> 00:34:25,120
Speaker 1: enough time in the episode.

576
00:34:26,040 --> 00:34:28,800
Speaker 2: It honestly felt like the camera just caught them talking

577
00:34:28,920 --> 00:34:29,640
Speaker 2: and then Kim.

578
00:34:30,800 --> 00:34:33,839
Speaker 1: Like, wait, wait, wait, by the way, turn the camera.

579
00:34:35,200 --> 00:34:37,880
Speaker 2: Justice for a loser like me. One hundredth episode version.

580
00:34:39,480 --> 00:34:41,399
Speaker 2: Because I love this version of the song.

581
00:34:41,680 --> 00:34:43,640
Speaker 1: To talk about that, I knew we were missing something.

582
00:34:43,800 --> 00:34:44,399
Speaker 2: I love it.

583
00:34:45,520 --> 00:34:50,160
Speaker 1: I love this one. I think hot take this was.

584
00:34:51,040 --> 00:34:51,920
Speaker 2: The better version.

585
00:34:54,400 --> 00:35:02,239
Speaker 1: Yeah, yes, agreed, definitely, And I love singing this with

586
00:35:02,280 --> 00:35:05,360
Speaker 1: you guys. I remember hearing the demo of this and

587
00:35:05,400 --> 00:35:08,360
Speaker 1: being like, yes.

588
00:35:07,760 --> 00:35:19,799
Speaker 2: Also, it's so funny just singing these lyrics slowly, that's right.

589
00:35:20,280 --> 00:35:24,279
Speaker 2: But also this version is not as good as it

590
00:35:24,360 --> 00:35:27,399
Speaker 2: is without the original version, obviously, because like you need

591
00:35:27,400 --> 00:35:35,279
Speaker 2: the context of that this version. This had just come

592
00:35:35,280 --> 00:35:38,960
Speaker 2: out like this, it would have not worked. I hope

593
00:35:38,960 --> 00:35:41,160
Speaker 2: people like this version. I really like it. The harmonies

594
00:35:41,160 --> 00:35:41,800
Speaker 2: are beautiful.

595
00:35:42,400 --> 00:35:48,000
Speaker 1: No, I think it's a really beautifully arranged song. And

596
00:35:48,560 --> 00:35:53,840
Speaker 1: like I or version, and it was just that one

597
00:35:53,880 --> 00:35:57,839
Speaker 1: was definitely one that felt like, oh, this is ending,

598
00:35:58,040 --> 00:36:00,680
Speaker 1: Like it felt like you know this there felt like

599
00:36:00,960 --> 00:36:03,560
Speaker 1: some kind of like final finality to it. And I

600
00:36:04,840 --> 00:36:07,239
Speaker 1: remember being sound and when we shot this but it

601
00:36:07,320 --> 00:36:09,600
Speaker 1: was also really pretty, just really really pretty, and I

602
00:36:09,600 --> 00:36:13,440
Speaker 1: remember like not really hearing it until the day, like

603
00:36:13,880 --> 00:36:15,560
Speaker 1: we only got that version in the morning.

604
00:36:15,640 --> 00:36:17,400
Speaker 2: Maybe yeah, because I.

605
00:36:17,400 --> 00:36:20,720
Speaker 1: Remember being like, whoa, this is great.

606
00:36:21,160 --> 00:36:23,759
Speaker 2: I mean I've mentioned this before, but also like being

607
00:36:23,800 --> 00:36:26,160
Speaker 2: able to hear those songs like played over the loud

608
00:36:26,160 --> 00:36:29,759
Speaker 2: PA on set was also just so cool. Yeah, it

609
00:36:29,840 --> 00:36:33,799
Speaker 2: really felt good. Also an honor to be included in

610
00:36:33,880 --> 00:36:40,080
Speaker 2: your trio. How lucky am I to find a senior?

611
00:36:40,120 --> 00:36:45,040
Speaker 1: It was this senior, Well you sound great on this

612
00:36:45,040 --> 00:36:46,240
Speaker 1: this is where the runs belong.

613
00:36:46,880 --> 00:36:52,680
Speaker 2: Yes, I do have a dream, oh that maybe we

614
00:36:52,719 --> 00:36:55,879
Speaker 2: can convince Darren to have us at Elsiefest or something.

615
00:36:55,920 --> 00:36:56,760
Speaker 1: To sing this song.

616
00:36:57,080 --> 00:37:02,120
Speaker 2: I would like to do this song and breakaway. Well

617
00:37:02,480 --> 00:37:05,520
Speaker 2: that's my dream is that we're able to do this

618
00:37:05,800 --> 00:37:11,040
Speaker 2: note now, so my voice maybe those of you listening

619
00:37:11,080 --> 00:37:13,440
Speaker 2: can go bug Darren and suggest it, like it didn't

620
00:37:13,440 --> 00:37:13,880
Speaker 2: come from me.

621
00:37:13,960 --> 00:37:16,000
Speaker 1: I love that we could totally do elsie Fest. He

622
00:37:16,120 --> 00:37:19,360
Speaker 1: owed Darren because of elsie Fest still owes me a

623
00:37:19,360 --> 00:37:22,600
Speaker 1: really big favor. He's always said I owe you one

624
00:37:23,040 --> 00:37:25,839
Speaker 1: after elsie Fest because I came in learned that song

625
00:37:25,880 --> 00:37:28,160
Speaker 1: in the day when and second at night. It was like,

626
00:37:28,200 --> 00:37:32,720
Speaker 1: I really owe you one and I've never claimed that favor.

627
00:37:33,000 --> 00:37:33,680
Speaker 2: Is this the favor?

628
00:37:34,040 --> 00:37:36,520
Speaker 1: And it's going to be full circle because it's Elsie Fast.

629
00:37:36,800 --> 00:37:38,520
Speaker 2: Yeah, like, is this what you want to use it on?

630
00:37:39,000 --> 00:37:42,880
Speaker 1: Let me let us sing mover like me, that's the favor.

631
00:37:46,200 --> 00:37:48,360
Speaker 2: Would you rather do breakaway or lose? You like me?

632
00:37:50,080 --> 00:37:52,879
Speaker 1: Breakaway? But I think the loser like me, I could

633
00:37:52,880 --> 00:37:57,239
Speaker 1: sing better. Lives really are breakaway?

634
00:37:56,640 --> 00:37:59,360
Speaker 2: And I don't know, Yeah, I like, I don't know

635
00:37:59,400 --> 00:38:01,520
Speaker 2: if those these are coming out. I don't know if

636
00:38:01,520 --> 00:38:08,880
Speaker 2: I'm hitting that bridge live right exactly. I don't know

637
00:38:08,880 --> 00:38:13,480
Speaker 2: if that's coming out exactly. I don't know. I know

638
00:38:14,400 --> 00:38:17,719
Speaker 2: me we could do on stools, you know, exactly.

639
00:38:17,320 --> 00:38:19,160
Speaker 1: Pretty easy. That would have been a noncore song in

640
00:38:19,200 --> 00:38:19,799
Speaker 1: the in the tour.

641
00:38:20,040 --> 00:38:22,640
Speaker 2: Yes, oh I'm furious we never could do that on tour.

642
00:38:23,800 --> 00:38:25,240
Speaker 2: That would have been so much fun.

643
00:38:27,320 --> 00:38:29,560
Speaker 1: Whatever. We got to get us all together to do that.

644
00:38:29,719 --> 00:38:30,759
Speaker 1: We just hang out and do it.

645
00:38:31,480 --> 00:38:32,440
Speaker 2: Yeah, I think we should.

646
00:38:33,640 --> 00:38:36,480
Speaker 1: Yeah, just fly to LA to New York. Can do it.

647
00:38:38,840 --> 00:38:39,759
Speaker 2: He just doesn't know yet.

648
00:38:41,719 --> 00:38:45,120
Speaker 1: Okay, let's rate some numbers. Yes, that's the episode. That

649
00:38:45,480 --> 00:38:51,600
Speaker 1: episode Latina's last and a lot of People's last and

650
00:38:51,719 --> 00:38:54,520
Speaker 1: the last of the I really enjoyed this episode, though

651
00:38:54,960 --> 00:38:55,239
Speaker 1: I did.

652
00:38:55,560 --> 00:38:57,839
Speaker 2: I really liked it. I think it was better than

653
00:38:57,880 --> 00:38:58,880
Speaker 2: the episode before.

654
00:38:59,320 --> 00:39:02,920
Speaker 1: Agreed, it has a more emotion.

655
00:39:04,120 --> 00:39:06,960
Speaker 2: Okay, I am changing A.

656
00:39:08,520 --> 00:39:13,239
Speaker 1: Party all the time plus A plus plus like me,

657
00:39:13,920 --> 00:39:22,560
Speaker 1: A plus plus yes, be okay, they know no, they

658
00:39:22,600 --> 00:39:30,000
Speaker 1: sound really good plus y plus B plus give me

659
00:39:30,000 --> 00:39:30,759
Speaker 1: a reason.

660
00:39:39,680 --> 00:39:44,680
Speaker 2: Don't believe in b Yeah whatever.

661
00:39:44,840 --> 00:39:46,680
Speaker 1: I give it a name just because it's it's a

662
00:39:47,560 --> 00:39:55,760
Speaker 1: give it a tan because it's don't supply Yeah, sure, okay, okay,

663
00:39:55,800 --> 00:40:01,319
Speaker 1: let's do some tarty taking cringe, romans, cheese, I mean,

664
00:40:01,360 --> 00:40:07,799
Speaker 1: Temple Grandon. It is the one. It's the one. I'm trying,

665
00:40:07,840 --> 00:40:10,720
Speaker 1: not going to say anything else. Best dance move, party

666
00:40:10,719 --> 00:40:12,080
Speaker 1: all the time, party.

667
00:40:11,760 --> 00:40:15,640
Speaker 2: All the time, like getting in there, those body rolls.

668
00:40:17,640 --> 00:40:20,120
Speaker 1: It's just it's a party. It's actual natural.

669
00:40:20,560 --> 00:40:22,960
Speaker 2: Had a teacher dancing on a pole at a foam

670
00:40:22,960 --> 00:40:24,279
Speaker 2: party with students.

671
00:40:28,400 --> 00:40:29,280
Speaker 1: Oh god.

672
00:40:30,800 --> 00:40:37,719
Speaker 2: Best song was like me, yes, I mean but like

673
00:40:37,760 --> 00:40:41,120
Speaker 2: me A party all the time would be second, though.

674
00:40:41,680 --> 00:40:45,600
Speaker 1: Yeah, and best performance by a prop.

675
00:40:47,480 --> 00:40:50,360
Speaker 2: The wigs, the wigs during the.

676
00:40:50,400 --> 00:40:54,400
Speaker 1: Sings, and the trophy the note now oh yeah, and

677
00:40:54,480 --> 00:40:59,360
Speaker 1: the phone, Oh the phone and the matching track suits

678
00:40:59,440 --> 00:41:05,160
Speaker 1: and really, Sue doing and this is okay all the.

679
00:41:05,239 --> 00:41:08,680
Speaker 2: Lot of props. Shout out to the props department this episode,

680
00:41:08,920 --> 00:41:11,760
Speaker 2: that props best lying.

681
00:41:12,200 --> 00:41:20,680
Speaker 1: Oh man, this is the great this is a great one, Sue.

682
00:41:21,360 --> 00:41:23,560
Speaker 1: The best thing about your dad and the and that

683
00:41:23,680 --> 00:41:26,440
Speaker 1: horrible perm of his is that no matter how talentless

684
00:41:26,480 --> 00:41:29,440
Speaker 1: and the shape and ugly, miserable or sexually ambiguous you are,

685
00:41:29,920 --> 00:41:30,880
Speaker 1: he will still love you.

686
00:41:32,200 --> 00:41:36,000
Speaker 2: Yeah. I think that's it. Also, we got to hear

687
00:41:36,040 --> 00:41:38,240
Speaker 2: some of your long Island accent, oh.

688
00:41:38,120 --> 00:41:45,920
Speaker 1: A little bit. Also horrible Blade's calling Tinico and crazy.

689
00:41:46,440 --> 00:41:48,080
Speaker 1: I was like, why isn't anybody.

690
00:41:48,000 --> 00:41:51,960
Speaker 2: That I thought the exact same thing. I was like,

691
00:41:52,200 --> 00:41:53,719
Speaker 2: why are we just using that now?

692
00:41:54,680 --> 00:41:57,279
Speaker 1: The whole video, Like the one liners were really good,

693
00:41:57,640 --> 00:42:02,360
Speaker 1: Like everybody's everybody's performance is really good. Your right Deliveries.

694
00:42:03,760 --> 00:42:04,680
Speaker 2: Performance MVP.

695
00:42:05,880 --> 00:42:10,239
Speaker 1: Oh god, they're all so good. It was so good.

696
00:42:10,480 --> 00:42:13,960
Speaker 1: I want to give it to Heather and and Naya,

697
00:42:14,080 --> 00:42:15,000
Speaker 1: But I also like.

698
00:42:15,640 --> 00:42:17,839
Speaker 2: I want to give it toa and Naya.

699
00:42:18,200 --> 00:42:22,360
Speaker 1: Lee and Nyah, Gwyneth, you, Matt, Like it was a

700
00:42:22,400 --> 00:42:25,160
Speaker 1: really solid episode. I think we give it to everybody.

701
00:42:25,160 --> 00:42:26,319
Speaker 2: I think it's an ensemble win.

702
00:42:26,680 --> 00:42:28,680
Speaker 1: Yeah, I think it's this is a saga a word

703
00:42:28,760 --> 00:42:31,560
Speaker 1: from that's ensemble where everybody's included.

704
00:42:32,480 --> 00:42:36,319
Speaker 2: Yeah. We have two shit we found on tiktoks this

705
00:42:36,400 --> 00:42:40,440
Speaker 2: week because there's so many good ones. I love these

706
00:42:40,880 --> 00:42:47,279
Speaker 2: so much. Okay, so this first one is by for

707
00:42:47,440 --> 00:42:52,560
Speaker 2: brain rot asking CHATCHYBT what ice cream flavors? The Glee

708
00:42:52,600 --> 00:43:00,880
Speaker 2: characters are Rachel Barry is vanilla and it has picture

709
00:43:00,880 --> 00:43:09,640
Speaker 2: of them, Quinn Is Sachi, Finn Hudson, Rocky Road, Santana

710
00:43:09,680 --> 00:43:16,719
Speaker 2: Lopez spicy chocolate, Brittany S Pierce cotton candy. I also

711
00:43:16,760 --> 00:43:20,520
Speaker 2: love the photos that they used for this. Mercedes showns butter,

712
00:43:20,520 --> 00:43:29,160
Speaker 2: pecan and say Sam Evans cookies and cream. Now here's

713
00:43:29,200 --> 00:43:35,360
Speaker 2: where he gets a little racist. Tina Cohen Chang green tea,

714
00:43:37,480 --> 00:43:42,080
Speaker 2: and then it also gets a little homophobic Urd Hummel lavender.

715
00:43:42,840 --> 00:43:46,720
Speaker 1: Oh okay, Blaine Anderson salted caramel.

716
00:43:48,600 --> 00:43:51,640
Speaker 2: I mean chat GiB Ta is based off of yeah

717
00:43:51,680 --> 00:43:52,000
Speaker 2: you know.

718
00:43:51,960 --> 00:43:54,560
Speaker 1: They can they can do that? Who will do that?

719
00:43:54,719 --> 00:43:59,080
Speaker 2: Sou sevester lemon sorbet just phenomenal. Really, this is how

720
00:43:59,120 --> 00:44:04,000
Speaker 2: you should use chatci I think good. Okay, and another

721
00:44:04,000 --> 00:44:07,239
Speaker 2: one it's also food related. Someone's making bagels and this

722
00:44:07,360 --> 00:44:09,920
Speaker 2: is where my bagel's giving glea season three smooth criminal

723
00:44:10,000 --> 00:44:13,279
Speaker 2: to it. They're playing with the criminals. The bagels are

724
00:44:13,280 --> 00:44:19,960
Speaker 2: just circling each other. I don't know why. It's so good.

725
00:44:21,880 --> 00:44:26,000
Speaker 2: It's so good, but you see it. You got it.

726
00:44:26,040 --> 00:44:31,840
Speaker 2: You gotta see it to believe it and turn the

727
00:44:31,880 --> 00:44:39,680
Speaker 2: sound on. That's my foodie habibi, So go look at that.

728
00:44:42,040 --> 00:44:45,600
Speaker 2: Just phenomenal work. You know, people are so creative. I

729
00:44:45,680 --> 00:44:48,799
Speaker 2: love it. Thank you for joining us. That was really nice.

730
00:44:48,840 --> 00:44:52,880
Speaker 2: It was fun. Love that episode so great, and congrats

731
00:44:52,920 --> 00:44:56,880
Speaker 2: to you and Tina for you did it. One hundred

732
00:44:56,880 --> 00:44:58,000
Speaker 2: episodes and you're out.

733
00:44:58,560 --> 00:45:02,080
Speaker 1: Can't wait to see, uh what the rest of the series? Holes?

734
00:45:02,520 --> 00:45:04,839
Speaker 2: So starting next episode? Do you think you haven't seen

735
00:45:04,840 --> 00:45:05,840
Speaker 2: any of these episodes?

736
00:45:07,800 --> 00:45:09,520
Speaker 1: Yeah?

737
00:45:09,600 --> 00:45:11,719
Speaker 2: Next episode is Don't Sleep in the Subway.

738
00:45:11,840 --> 00:45:17,080
Speaker 1: Oh my god, I don't I've never seen any of these. Wow, Jenny,

739
00:45:17,400 --> 00:45:18,680
Speaker 1: I've never seen any of these.

740
00:45:19,000 --> 00:45:24,040
Speaker 2: Next episode I think is a good one, do I get?

741
00:45:24,880 --> 00:45:25,279
Speaker 2: I don't know.

742
00:45:25,440 --> 00:45:27,480
Speaker 1: Well, no, that's not the next one, but there's one

743
00:45:27,520 --> 00:45:29,600
Speaker 1: after that. Okay, it soon though.

744
00:45:29,719 --> 00:45:34,279
Speaker 2: Yeah. So next week, Alreadie, Sam and Blaine moved to

745
00:45:34,320 --> 00:45:38,359
Speaker 2: New York m Yeah, we'll get into it.

746
00:45:39,080 --> 00:45:42,000
Speaker 1: See, the Trio is no longer the trio. You're you

747
00:45:42,120 --> 00:45:42,680
Speaker 1: are the trio.

748
00:45:42,760 --> 00:45:46,600
Speaker 2: Now you're right got you out of there. I had

749
00:45:46,640 --> 00:45:49,359
Speaker 2: to make some moves. Well, we'll see you next week.

750
00:45:49,440 --> 00:45:53,200
Speaker 2: And that's what you really missed. Thanks for listening and

751
00:45:53,360 --> 00:45:56,000
Speaker 2: follow us on Instagram at and that's what you really

752
00:45:56,000 --> 00:45:58,160
Speaker 2: miss pod. Make sure to write us a review and

753
00:45:58,280 --> 00:46:01,960
Speaker 2: leave us five stars. See next time. And yeah, I