WEBVTT - The Happier We'll Be

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<v Speaker 1>My goodness, is that sunny? Sunny? Thank you for the

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<v Speaker 1>wonder in your face. During one of our interviews, I

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<v Speaker 1>surprised Raffie with a special guest. Oh ma, look this

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<v Speaker 1>is Sunny. Hi, Hi is sunny. And who else? My

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<v Speaker 1>wife val joined too. It's so wonderful to meet you.

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<v Speaker 1>Pleasure her entire life. She's been listening to you, Raffie.

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<v Speaker 1>At this moment. Through the screen, I see a version

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<v Speaker 1>of Raffie that I haven't really seen up close before.

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<v Speaker 1>I wish I could hold her. Oh, that would be

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<v Speaker 1>the best to lovely. Look at Look at how alert

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<v Speaker 1>and awake she is. Wow. He transforms into Raffie the

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<v Speaker 1>children's entertainer, and he pulls out all the stops. Thanks

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<v Speaker 1>so Lord, thanks for their sun in the sky. He sings,

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<v Speaker 1>he talks in silly voices, he barks like a dog.

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<v Speaker 1>He's in his element, and I can't help but think

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<v Speaker 1>about how he never had kids of his own. It's

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<v Speaker 1>everyone's personal choice, really, you know. In my case, my

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<v Speaker 1>albums felt like my kids. The amount of labor or

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<v Speaker 1>the effort, you know, taking care of them as they

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<v Speaker 1>as they came into the world. Even though Rappie didn't

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<v Speaker 1>raise his own kids in a way he raised us.

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<v Speaker 1>So many people associate him with their favorite childhood memories.

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<v Speaker 1>But is that enough? You know, are you only just

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<v Speaker 1>going to remember me for my six little ducks and

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<v Speaker 1>apples and bananas and baby bug? Or are you going

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<v Speaker 1>to look at the rest of my life as well?

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<v Speaker 1>Are you going to look at my second career, my

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<v Speaker 1>child honoring work. What about my thirty years as a

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<v Speaker 1>climate activist? Will you take a look at where all

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<v Speaker 1>this music and you know, advocacy, activism was coming from.

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<v Speaker 1>What what was it about? Will you see the coherence

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<v Speaker 1>in it? The Earth and Child link. I'm Chris Garcia

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<v Speaker 1>and this is Finding Raffie, a ten part series from

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<v Speaker 1>My Heart Radio and Fatherly in partnership with Rococo Punch

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<v Speaker 1>about the life, philosophy, and the work of Raffie, the

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<v Speaker 1>man behind the music. For the last two years, Raffie,

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<v Speaker 1>who's seventy three, has been writing out the pandemic at

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<v Speaker 1>home on a small island off the coast of Vancouver

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<v Speaker 1>with his dog Luna. No concerts, not much socializing. If

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<v Speaker 1>you're looking for Raffie, your best bet is Twitter. He's

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<v Speaker 1>super active there promoting his organization, the Raffie Foundation for

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<v Speaker 1>child honoring and expressing his thoughts on all sorts of things,

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<v Speaker 1>climate change, vaccines, fascism, and the war on Ukraine. In

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<v Speaker 1>a recent tweet, he called the war genocidal and referred

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<v Speaker 1>to Vladimir Putin's actions as one man's evil epic harm

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<v Speaker 1>in Russia and beyond. But he also life tweets ice

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<v Speaker 1>hockey games and shares pictures of the sunrise. And he's

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<v Speaker 1>still making music, still writing songs with a message. Don't

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<v Speaker 1>people marching striking for climate black lives matter? Of course

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<v Speaker 1>they matter. Lack loves matter to me in this time

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<v Speaker 1>of turning, this time of yearning feel the way of democracy.

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<v Speaker 1>For someone who has spent a lifetime connecting with people,

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<v Speaker 1>I imagine the isolation has been especially hard and it's

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<v Speaker 1>given him ample time to think, especially about how he

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<v Speaker 1>wants to be remembered. Here's my producer Andrea, asking him

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<v Speaker 1>about that. What do you hope your legacy is. I've

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<v Speaker 1>been toying with the idea of asking my fans how

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<v Speaker 1>they would celebrate my passing. It's not a question that

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<v Speaker 1>one would lightly put to one's fans. If one day

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<v Speaker 1>you hear on the news celebrated children's entertainer Raphie has

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<v Speaker 1>passed away at the age of blah blah blah from

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<v Speaker 1>whatever melody was right. I imagine there would be a

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<v Speaker 1>couple of days of outpourings of love from fans, you

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<v Speaker 1>know how it is that you hear in media and

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<v Speaker 1>so on, and then life goes on as it should.

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<v Speaker 1>It's just the way things are right. And what I've

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<v Speaker 1>been wondering is, and I hope that you can sense

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<v Speaker 1>this isn't my ego speaking. What I'm wondering is if

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<v Speaker 1>tens of millions of people have my music living in

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<v Speaker 1>their hearts and minds in a profound way. You know,

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<v Speaker 1>those people who say that my music was the soundtrack

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<v Speaker 1>of their childhood, and that they're younger hearing it still

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<v Speaker 1>every day from a very young age in their formative years.

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<v Speaker 1>So my question is, might there be a way of

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<v Speaker 1>a It's an emotional question. Might there be a way

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<v Speaker 1>of guiding or or a way of conspiring together how

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<v Speaker 1>my passing might be held in the hearts of minds

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<v Speaker 1>of people so as to move them to make the

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<v Speaker 1>bold choices towards planetary survival in the climate emergency age,

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<v Speaker 1>towards sustainability and restoration of ecosystems and the ecosystems on

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<v Speaker 1>which our lives depend on this beleaguered planet. Is there

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<v Speaker 1>a way that my passing conserve a greater purpose than

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<v Speaker 1>just saying some nice things to me, you know, uh

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<v Speaker 1>in public for a couple of days. That's kind of

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<v Speaker 1>what I'm asking. Of course, I can't answer Raphael's question.

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<v Speaker 1>I want to, but I can't. And what strikes me

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<v Speaker 1>the most when hearing him contemplate his legacy, is that

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<v Speaker 1>this is a man looking back on a life, a

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<v Speaker 1>full life, a meaningful life, and he's will never stopped

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<v Speaker 1>wondering can I do more? It was almost fifty years

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<v Speaker 1>ago when Ralphie started making music for kids, and since then,

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<v Speaker 1>generations of his fans have passed his music down to

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<v Speaker 1>their children. Ralphie calls them Beluga grads, kind of like

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<v Speaker 1>Jimmy Buffett and his parrot heads. I came across a

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<v Speaker 1>variety of them, Prime Minister Justin Trudeau, poet Leopoldine, core

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<v Speaker 1>filmmaker Sean k rob and Chris Hayes of MSNBC. There's

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<v Speaker 1>a specific genius required in adults who make stuff the

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<v Speaker 1>kids love, and he has it clearly you get older

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<v Speaker 1>and then you have your own kids, and lo and

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<v Speaker 1>behold you find that Baby Beluga is still absolutely slaps

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<v Speaker 1>as the kids say, I could be like unconscious and

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<v Speaker 1>be reciting, you know, Baby Beluga. Mina Harris is a

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<v Speaker 1>Beluga grad to. She's a lawyer, activists, children's book author,

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<v Speaker 1>and founder of the fashion and entertainment company Phenomenal. Shake

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<v Speaker 1>my silly is out, apples and bananas will be all

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<v Speaker 1>be woo um down by the bay. Oh my god,

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<v Speaker 1>we're seeing that in our house so much. And I

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<v Speaker 1>think Raphy's adult fans, those who are sharing his music

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<v Speaker 1>with their own children, like Chris and Mina, they have

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<v Speaker 1>something in common similar parenting values. It's really about, you know,

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<v Speaker 1>respecting children right, respecting their big ideas, their their feelings,

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<v Speaker 1>and really understanding and appreciating that they're quite capable and insightful.

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<v Speaker 1>Talk about your feelings, talk about when you're sad, don't

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<v Speaker 1>bottle things up inside, listen, be kind, reach out to people,

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<v Speaker 1>enjoy word play and funny jokes and rhymes, and be

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<v Speaker 1>curious about the world. And all those values are like

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<v Speaker 1>to me really enduring the way I was raised and

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<v Speaker 1>the way that we're definitely you know, trying to raise

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<v Speaker 1>our own kids. Is that you know, you don't baby them, right,

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<v Speaker 1>We don't sugarcoat things. We never had a kiddie table

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<v Speaker 1>in my house, right, Like you sat at the dinner

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<v Speaker 1>table and you were expected to, you know, yes, listen

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<v Speaker 1>and learn, and if you had a contribution to make,

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<v Speaker 1>to do that and you know, to have a well

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<v Speaker 1>supported argument and to you know, be ready to have

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<v Speaker 1>a conversation engaging you know, kids in that right and

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<v Speaker 1>not assuming that you know, they can't understand or they

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<v Speaker 1>can't make some sort of contribution. You know. I think

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<v Speaker 1>his contribution as well is really about, you know, helping

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<v Speaker 1>kids to sort of process and embrace this complicated world,

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<v Speaker 1>but doing so with joy and and positivity. Yeah, you know,

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<v Speaker 1>I've always loved Raffe's music growing up. Loved his albums,

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<v Speaker 1>all of his songs, but Baby Blugo was extra special.

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<v Speaker 1>I loved that song. Lindsay Monroe isn't just a Raffe fan.

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<v Speaker 1>She's also a children's musician. I am kind. I'll be

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<v Speaker 1>your friend, will you be mine? I can share a smile.

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<v Speaker 1>I am kind. When they first met, Rafi encouraged Lindsay

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<v Speaker 1>to write a song for kids like her children, Jack,

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<v Speaker 1>Emma and mem who all have autism. So I went

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<v Speaker 1>home and I wrote I Am Kind, which is the

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<v Speaker 1>title song to my first album. I was so nervous

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<v Speaker 1>to share it with him. I thought, Oh, my goodness,

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<v Speaker 1>I don't know if this is any good. You know,

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<v Speaker 1>he's such a children's music icon. But I sent him

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<v Speaker 1>the song and he loved it, and from there he

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<v Speaker 1>just encouraged me to keep writing. I Am Brave, I

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<v Speaker 1>do it feel afraid I can do the hard things.

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<v Speaker 1>After Rapie heard the song, he signed Lindsay to Troubadour.

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<v Speaker 1>She's the only other artist on his label. I think

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<v Speaker 1>that while I do right with narrow diverse kids and

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<v Speaker 1>families in mind, I really do right for all children.

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<v Speaker 1>I try to have a message, like a social story

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<v Speaker 1>in my songs. Uh For example, on my newest album,

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<v Speaker 1>I have a song called flexible and easy Going. And

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<v Speaker 1>while you know my neurodiverse family certainly needs that reminder

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<v Speaker 1>to always be flexible in all situations and easy going,

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<v Speaker 1>I think that all children really could benefit from that reminder.

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<v Speaker 1>So my music is for everyone. Although I write with

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<v Speaker 1>autistic children in mind, I feel myself getting upset, and

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<v Speaker 1>I remember not to fret. Those things can change without

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<v Speaker 1>me knowing. But I could be flexible in need see going, Yeah,

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<v Speaker 1>I can be flexible in need. Ze Going. Music really

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<v Speaker 1>activates like both the left and right atmospheres of your brain,

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<v Speaker 1>and it's it's a good way to help really remember

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<v Speaker 1>a lesson and really um internalize it. So I think

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<v Speaker 1>that in singing about these things, the melody sticks in

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<v Speaker 1>your head and you sing it to yourself throughout the day,

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<v Speaker 1>and it's a great way to remember the message that

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<v Speaker 1>the song is carrying. Yeah, I could be flexible in need.

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<v Speaker 1>Lindsay is clearly an extension of Raffi's musical tradition, and

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<v Speaker 1>by signing her to Troubadour, producing her albums and collaborating

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<v Speaker 1>with her, it feels like Raffie is giving her his

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<v Speaker 1>seal of approval that Lindsay and other artists like her

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<v Speaker 1>are what Raffi wants the future of children's music to be.

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<v Speaker 1>But Raffie and lindsay style of music isn't at the

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<v Speaker 1>forefront of the genre anymore. Children's music has blown up

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<v Speaker 1>since Raffie came into the picture in the seventies, and

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<v Speaker 1>that singer songwriter vibe is up against the massive Disney machine,

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<v Speaker 1>huge hit makers like Pink Fong, Congratulations You Know Have

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<v Speaker 1>Baby Sharks Stuck in Your Head, and the behea myth

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<v Speaker 1>known as Coco Melon, among so many others. Rafie continues

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<v Speaker 1>to push for a more child centric and non commercial

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<v Speaker 1>path in children's entertainment, and Lindsay is the perfect person

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<v Speaker 1>to follow in Raphy's footsteps. But she just has her

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<v Speaker 1>own natural songwriting style which I love and love to support.

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<v Speaker 1>I think she has an important voice and the niche

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<v Speaker 1>of kindness and caring that now hopefully we can spread

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<v Speaker 1>through this music, because we sure needed in our society.

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<v Speaker 1>Talking with his fans, learning about what they've gone on

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<v Speaker 1>to do, who they've gone on to be. I can

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<v Speaker 1>see Raffie's legacy in action. It may not lead to

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<v Speaker 1>the elimination of fossil fuels or a world without conflict,

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<v Speaker 1>but his life's work is evident in the day to day,

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<v Speaker 1>around the kitchen table, at singalongs and at bedtime. It's

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<v Speaker 1>a good start when your goal is to heal the world.

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<v Speaker 1>Since last June, Raffie and I have been getting to

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<v Speaker 1>know each other. I read his autobiography I've listened to

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<v Speaker 1>his music and watched his specials, and of course we've

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<v Speaker 1>had several video interviews where we've dug really deep. I

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<v Speaker 1>don't know if you know this about me, but one

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<v Speaker 1>of the things I'm known for, other than talking about

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<v Speaker 1>my Cuban American heritage and about growing up between two cultures,

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<v Speaker 1>is that I performed as my father was dying and

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<v Speaker 1>um my father had Alzheimer's for about ten years, and

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<v Speaker 1>and it was it was devastating. I performed hours after

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<v Speaker 1>I found out that my dad only had a couple

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<v Speaker 1>of days left to live. And as an artist and

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<v Speaker 1>creative person and a person who wears my heart on

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<v Speaker 1>my sleeve, I had to go out and I had

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<v Speaker 1>to perform. So when I was reading your book and

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<v Speaker 1>I found out that you were you were touring, when

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<v Speaker 1>you learned that your parents were seriously ill, like, what

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<v Speaker 1>was what was that like for you? Well, I, you know,

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<v Speaker 1>lived on the West Coast. They were in Toronto, and

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<v Speaker 1>I had concerts to do. I took my responsibility to

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<v Speaker 1>my fans, of course, seriously, and I tried to do

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<v Speaker 1>whatever I could while balancing flying to Toronto whenever possible

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<v Speaker 1>to look in on both my father and my mother

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<v Speaker 1>in their final weeks. I couldn't know that it was

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<v Speaker 1>their final weeks, but I you know, I knew I

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<v Speaker 1>had to see them as often as I could, so

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<v Speaker 1>I really took the time to do that. Ralphie opens

0:16:28.200 --> 0:16:32.360
<v Speaker 1>his autobiography with the death of his parents. He writes

0:16:32.400 --> 0:16:38.600
<v Speaker 1>about his mother, Lucy's diagnosis inoperable abdominal cancer. In their

0:16:38.640 --> 0:16:43.600
<v Speaker 1>final days, Lucy and Ralphie's father Ardo, we're both hospitalized.

0:16:44.760 --> 0:16:47.840
<v Speaker 1>Ralphie visited them frequently, but he didn't make it home

0:16:47.840 --> 0:16:53.840
<v Speaker 1>in time to say a final goodbye. Lucy and Artokavukian

0:16:54.320 --> 0:17:00.320
<v Speaker 1>died on Thursday October, within twelve hours of each other.

0:17:09.600 --> 0:17:13.760
<v Speaker 1>What did you learn about yourself after your parents died?

0:17:15.280 --> 0:17:18.679
<v Speaker 1>It's too broad a question. I'm sorry, You're right, it

0:17:18.760 --> 0:17:21.760
<v Speaker 1>is very it's too broad of a question. There's so

0:17:21.880 --> 0:17:26.479
<v Speaker 1>much to unpack an event like that. Well, what aspect

0:17:26.520 --> 0:17:28.080
<v Speaker 1>of it? Am I going to speak to it? In

0:17:28.119 --> 0:17:30.960
<v Speaker 1>this moment? Like, I mean, sure I remember a lot,

0:17:32.160 --> 0:17:35.919
<v Speaker 1>but like, what would you have me say? Your father

0:17:36.040 --> 0:17:40.640
<v Speaker 1>passes and you're you're suddenly a changed human being? Both

0:17:40.720 --> 0:17:42.800
<v Speaker 1>my parents passed on the same day. That was the

0:17:44.280 --> 0:17:50.040
<v Speaker 1>That's what the stunning event was was that I was

0:17:50.119 --> 0:17:54.560
<v Speaker 1>suddenly without either parents, and that's there's no preparation for that.

0:17:54.720 --> 0:18:09.560
<v Speaker 1>So I did my best. I started writing my autobiography,

0:18:09.600 --> 0:18:11.359
<v Speaker 1>is what I did. I felt it was the end

0:18:11.400 --> 0:18:19.440
<v Speaker 1>of an era. Well, you you dedicated your autobiography to them,

0:18:19.520 --> 0:18:23.200
<v Speaker 1>of course, and you spent a lot of your life

0:18:23.200 --> 0:18:27.720
<v Speaker 1>trying to understand your childhood and your relationship with them.

0:18:27.840 --> 0:18:32.399
<v Speaker 1>Did you feel closer to an understanding after they passed?

0:18:32.400 --> 0:18:35.320
<v Speaker 1>After you were in the Your understanding of my understanding

0:18:35.359 --> 0:18:38.359
<v Speaker 1>of both my parents and my life with them, you know,

0:18:39.400 --> 0:18:42.080
<v Speaker 1>was something that grew and evolved over the decades, and

0:18:42.160 --> 0:18:46.480
<v Speaker 1>after they passed, that process kept on happening. Of course.

0:18:47.320 --> 0:18:54.919
<v Speaker 1>You know, I understood better perhaps why they tried so

0:18:54.960 --> 0:18:58.240
<v Speaker 1>hard to keep the Armenian heritage alive in my life,

0:18:58.240 --> 0:19:02.840
<v Speaker 1>you know. But it principally I was filled with the

0:19:02.920 --> 0:19:06.639
<v Speaker 1>longing that came out of the love I had for

0:19:06.680 --> 0:19:08.359
<v Speaker 1>them and the love that they had for me. I

0:19:08.880 --> 0:19:16.160
<v Speaker 1>was clearly missing them terribly, and it's unlike any other

0:19:16.200 --> 0:19:21.600
<v Speaker 1>experience in life to lose one's parents, and I am.

0:19:21.680 --> 0:19:24.800
<v Speaker 1>I was glad to have an autobiography to write. Actually,

0:19:25.000 --> 0:19:27.600
<v Speaker 1>now that I think of it, that was a wonderful

0:19:27.720 --> 0:19:35.520
<v Speaker 1>way of remembering them, remembering their stories. I wanted to

0:19:35.560 --> 0:19:39.520
<v Speaker 1>pay respect to their life experience even as I wrote

0:19:39.520 --> 0:19:43.800
<v Speaker 1>about mine, because their life experience was formative for me,

0:19:44.920 --> 0:19:47.639
<v Speaker 1>not only as a young child, but in my adolescence

0:19:48.200 --> 0:19:52.080
<v Speaker 1>and adulthood. So hopefully I did some of that justice.

0:19:52.520 --> 0:19:57.200
<v Speaker 1>In the book, you write about reconnecting with your Armenian

0:19:57.280 --> 0:20:03.040
<v Speaker 1>heritage and finding a box full of artwork and textbooks

0:20:04.040 --> 0:20:06.439
<v Speaker 1>after your parents died. What can you tell me what

0:20:06.480 --> 0:20:10.840
<v Speaker 1>you found and what that was like. There were books

0:20:10.840 --> 0:20:17.000
<v Speaker 1>of Armenian paintings, master painters that and a little note

0:20:17.040 --> 0:20:21.840
<v Speaker 1>from my mother saying too, Raffie from from Lucy with love,

0:20:22.040 --> 0:20:26.600
<v Speaker 1>and so, you know, very touching and it was very moving.

0:20:26.960 --> 0:20:32.480
<v Speaker 1>These were the gifts you know that I inherited, souvenirs

0:20:32.560 --> 0:20:37.320
<v Speaker 1>from my parents life are cherished part of my memories

0:20:37.359 --> 0:20:41.800
<v Speaker 1>and they they are in my home now and they

0:20:42.400 --> 0:20:54.240
<v Speaker 1>nourish me. What happens after our parents die is that

0:20:54.320 --> 0:20:59.360
<v Speaker 1>we change our relationship with them, as we must, because

0:20:59.400 --> 0:21:02.400
<v Speaker 1>that relations and ship now is in our minds and hearts.

0:21:03.240 --> 0:21:09.320
<v Speaker 1>So we bring meaning to the past relationship with them

0:21:09.320 --> 0:21:14.679
<v Speaker 1>by the new reflections and contemplations of what it felt

0:21:14.760 --> 0:21:18.760
<v Speaker 1>like to be their offspring, and what we might have

0:21:18.800 --> 0:21:21.320
<v Speaker 1>wanted in this way or that way that we didn't

0:21:21.520 --> 0:21:25.280
<v Speaker 1>possibly get. We're making meaning of the past as we

0:21:25.520 --> 0:21:29.600
<v Speaker 1>rolled it into the future of a relationship that exists

0:21:29.600 --> 0:21:32.639
<v Speaker 1>in our memory of who these people were. It's a

0:21:32.720 --> 0:22:11.440
<v Speaker 1>beautiful process if you think about it. Before my dad's death,

0:22:11.720 --> 0:22:14.840
<v Speaker 1>the month of February was just a regular ass month.

0:22:19.040 --> 0:22:27.240
<v Speaker 1>M Now it's biblical. My dad was born on February

0:22:27.280 --> 0:22:34.160
<v Speaker 1>four and died on February seventy five years later. Then

0:22:34.280 --> 0:22:38.679
<v Speaker 1>last year, the month became even more loaded because Sonny

0:22:38.760 --> 0:22:46.840
<v Speaker 1>was born on February six. The lead up to her

0:22:46.840 --> 0:22:50.560
<v Speaker 1>birth was already a roller coaster of emotions, and that day,

0:22:51.040 --> 0:22:55.800
<v Speaker 1>February six, should have been the best day of my life,

0:22:57.600 --> 0:23:03.120
<v Speaker 1>but it wasn't, because that was the day I almost

0:23:03.160 --> 0:23:12.159
<v Speaker 1>lost my wife m After Sunny was born, Val and

0:23:12.200 --> 0:23:17.439
<v Speaker 1>I were overjoyed, crying happy tears. But then Val started

0:23:17.480 --> 0:23:21.000
<v Speaker 1>losing color and losing a lot of blood, and that

0:23:21.080 --> 0:23:26.280
<v Speaker 1>beautiful moment turned terrifying. The staff at the birthing center

0:23:26.280 --> 0:23:28.920
<v Speaker 1>had to call nine one one, and Val was rushed

0:23:28.960 --> 0:23:32.360
<v Speaker 1>to the hospital. I wasn't sure if I would ever

0:23:32.359 --> 0:23:45.800
<v Speaker 1>see her again, and I was left with our baby,

0:23:46.640 --> 0:23:49.520
<v Speaker 1>a brand new little girl I didn't want to name,

0:23:50.040 --> 0:23:59.120
<v Speaker 1>just in case I had to name her. Val At

0:23:59.160 --> 0:24:01.439
<v Speaker 1>that moment, I remembered the story my aunt told me

0:24:01.480 --> 0:24:04.199
<v Speaker 1>on a trip to Cuba. I told the story to

0:24:04.240 --> 0:24:09.920
<v Speaker 1>my producer Andrea during the anniversary week last month. When

0:24:09.960 --> 0:24:12.240
<v Speaker 1>I went to Cuba and talk to my aunt, my

0:24:12.359 --> 0:24:17.240
<v Speaker 1>dad's sister. She told me that my dad was born

0:24:17.359 --> 0:24:21.840
<v Speaker 1>feet first and almost killed his mom and because of that,

0:24:22.000 --> 0:24:25.720
<v Speaker 1>his dad resented him the rest of his life. But

0:24:25.800 --> 0:24:30.199
<v Speaker 1>my dad's dad was shitty to him because of the

0:24:30.240 --> 0:24:35.040
<v Speaker 1>effect he had on his mom. And in that moment,

0:24:35.240 --> 0:24:38.840
<v Speaker 1>knowing that that would be possible, I knew that I

0:24:38.880 --> 0:24:43.760
<v Speaker 1>wouldn't do it to Sunny in case whatever happened. They

0:24:43.760 --> 0:24:47.280
<v Speaker 1>don't really tell you how close death is to birth,

0:24:47.600 --> 0:24:52.800
<v Speaker 1>but every time, it's like so precarious, you know. And

0:24:52.840 --> 0:24:55.800
<v Speaker 1>it was the most frightening day of and the saddest day,

0:24:56.040 --> 0:24:59.399
<v Speaker 1>Like I would say, it's I'd never known a deep

0:24:59.440 --> 0:25:04.960
<v Speaker 1>sadness and feel like that since my dad. But none

0:25:05.000 --> 0:25:08.240
<v Speaker 1>of that came in the way of how I was much.

0:25:08.280 --> 0:25:12.040
<v Speaker 1>I was going to love this little girl, you know,

0:25:12.440 --> 0:25:16.240
<v Speaker 1>because I know my dad had a shitties childhood and

0:25:16.280 --> 0:25:20.360
<v Speaker 1>I never knew why, but the way my aunt explained it,

0:25:20.359 --> 0:25:22.919
<v Speaker 1>it seemed like it was it stemmed from the first

0:25:22.960 --> 0:25:26.320
<v Speaker 1>moment he walked into this earth and having a complicated

0:25:26.680 --> 0:25:30.720
<v Speaker 1>birth with his mom, And I'm like, I don't care

0:25:31.000 --> 0:25:37.240
<v Speaker 1>about that. I'm going to love her beyond this. It

0:25:37.240 --> 0:25:39.439
<v Speaker 1>almost felt like I was gonna love her for my

0:25:39.520 --> 0:26:10.280
<v Speaker 1>dad and of course for her everybody. Oh my god, no, Sunny. Yeah.

0:26:14.840 --> 0:26:20.600
<v Speaker 1>This February we celebrated Sunny's first birthday. The year has

0:26:20.640 --> 0:26:24.439
<v Speaker 1>been filled with sleepless nights and tremendous joys, and I

0:26:24.480 --> 0:26:27.440
<v Speaker 1>got to see Sunny grow from the sweet, squishy, little

0:26:27.480 --> 0:26:31.480
<v Speaker 1>baby blob to a kid who's got personality and sass

0:26:31.840 --> 0:26:52.200
<v Speaker 1>and the best smile in the world. Yeah, aside from

0:26:52.200 --> 0:26:55.280
<v Speaker 1>face masks and changing diapers, a few things in the

0:26:55.359 --> 0:26:58.040
<v Speaker 1>last year have been a constant for me. But for

0:26:58.080 --> 0:27:02.120
<v Speaker 1>the last nine months, I've all so had Raffi. It's

0:27:02.160 --> 0:27:05.000
<v Speaker 1>been both beautiful and strange to know that there's a

0:27:05.040 --> 0:27:07.359
<v Speaker 1>man in Western Canada that I could talk to you

0:27:07.400 --> 0:27:12.520
<v Speaker 1>about music, childhood, parenting, and our pasts, a man beloved

0:27:12.520 --> 0:27:17.000
<v Speaker 1>by generations of children, teachers, and parents. But I got

0:27:17.040 --> 0:27:20.159
<v Speaker 1>to know, not just the musician or the entertainer. I

0:27:20.200 --> 0:27:23.720
<v Speaker 1>got to know Rafi Cavukian, the man with a complex

0:27:23.800 --> 0:27:27.280
<v Speaker 1>history and a wholehearted love for the world around him.

0:27:27.320 --> 0:27:30.040
<v Speaker 1>It's a version of Raffie. He sometimes shares with the world,

0:27:30.600 --> 0:27:33.719
<v Speaker 1>but that's often overshadowed by a song about a baby whale.

0:27:34.920 --> 0:27:38.000
<v Speaker 1>When we were talking about legacy, I also asked him

0:27:38.040 --> 0:27:40.840
<v Speaker 1>about how he wanted to be remembered as a person.

0:27:41.640 --> 0:27:46.240
<v Speaker 1>Icon decide as Rafi Cavukian, the Egyptian born kid who

0:27:46.280 --> 0:27:48.480
<v Speaker 1>made his first guitar out of a box and rubber

0:27:48.560 --> 0:27:51.679
<v Speaker 1>bands and obsessed over his hair as a teenager, the

0:27:51.760 --> 0:27:56.600
<v Speaker 1>son of Ardo and Lucy, brother to Ownig and Annie. Well,

0:27:56.720 --> 0:27:59.040
<v Speaker 1>I want to be remembered as the playful person that

0:27:59.119 --> 0:28:05.800
<v Speaker 1>I am, the lifelong learner, the curious child. I think

0:28:05.800 --> 0:28:10.280
<v Speaker 1>a deeper question, which is whose am I? Whose child

0:28:10.359 --> 0:28:14.960
<v Speaker 1>am I? Yes, I'm the biological child of two parents,

0:28:15.720 --> 0:28:21.159
<v Speaker 1>but I'm also the child of life's longing for itself.

0:28:21.720 --> 0:28:24.320
<v Speaker 1>As Kelly GiB Brown said in his book The Prophet

0:28:25.240 --> 0:28:28.320
<v Speaker 1>Gibbron said, your children are not your own. They come

0:28:29.280 --> 0:28:33.439
<v Speaker 1>through you, but they're not of you. I took that

0:28:33.520 --> 0:28:38.200
<v Speaker 1>in and I asked the question then, of whom am I?

0:28:39.000 --> 0:28:43.080
<v Speaker 1>And the answer isn't very difficult. Really, it leads you

0:28:43.160 --> 0:28:49.280
<v Speaker 1>to the mystery of existence, of creation. I'm a child

0:28:50.120 --> 0:28:55.280
<v Speaker 1>of the universe. I'm a child of creation. Oh okay,

0:28:56.360 --> 0:29:03.400
<v Speaker 1>what a rich hairca really all right? How expensive? How

0:29:03.800 --> 0:29:07.840
<v Speaker 1>how beautiful? And how connecting to all of life on

0:29:07.880 --> 0:29:15.719
<v Speaker 1>this earth. You see, after nearly a year of reflection

0:29:15.960 --> 0:29:20.600
<v Speaker 1>and introspection about Raffie and his work, this sentiment is

0:29:20.640 --> 0:29:23.120
<v Speaker 1>what will stick with me the most from our time together.

0:29:24.360 --> 0:29:35.320
<v Speaker 1>My child is not me. When Sunny came along, I

0:29:35.360 --> 0:29:37.440
<v Speaker 1>could not wait to see what kind of person she'd

0:29:37.440 --> 0:29:40.880
<v Speaker 1>grow into. Would she be left handed and silly like me,

0:29:41.400 --> 0:29:45.080
<v Speaker 1>or really tall and love ranch dressing like Val. When

0:29:45.080 --> 0:29:47.680
<v Speaker 1>she figured out how to unlock my phone, I thought, Wow,

0:29:47.720 --> 0:29:50.720
<v Speaker 1>she's going to be a cyber security expert. And when

0:29:50.720 --> 0:29:52.680
<v Speaker 1>I saw her in a swimming pool for the first time,

0:29:53.080 --> 0:29:57.000
<v Speaker 1>I thought she was destined for the Summer Olympics. And yeah,

0:29:57.160 --> 0:30:04.760
<v Speaker 1>there was fear there too. Would my trauma become her trauma?

0:30:06.640 --> 0:30:10.120
<v Speaker 1>But what Rafie is saying is that Sonny is already

0:30:10.160 --> 0:30:13.920
<v Speaker 1>a whole person. She'll find her own path in this world,

0:30:14.800 --> 0:30:18.400
<v Speaker 1>and it will be her own. And if we discount

0:30:18.440 --> 0:30:21.880
<v Speaker 1>our kids as half formed people, we miss including them

0:30:21.920 --> 0:30:25.320
<v Speaker 1>where it matters the most. If we want to create

0:30:25.360 --> 0:30:29.040
<v Speaker 1>a better, healthier world, we need to see our smallest,

0:30:29.160 --> 0:30:34.320
<v Speaker 1>most vulnerable members of society as people. That's what respect is.

0:30:34.960 --> 0:30:39.120
<v Speaker 1>It's not just manners or civility. It's acknowledgement of our

0:30:39.200 --> 0:30:41.920
<v Speaker 1>true selves, of our needs and the needs of others

0:30:42.760 --> 0:30:47.000
<v Speaker 1>and of each other. Can we live holistically and not

0:30:47.160 --> 0:30:51.880
<v Speaker 1>in silos? Can we live in communion with each other

0:30:53.040 --> 0:30:59.080
<v Speaker 1>and not in division? Can we seek connectedness as our

0:31:00.040 --> 0:31:05.760
<v Speaker 1>lack of belonging to something greater than ourselves. Can we

0:31:05.840 --> 0:31:18.640
<v Speaker 1>enjoy these riches? Is this not what we're here for? Alright?

0:31:18.680 --> 0:31:24.520
<v Speaker 1>So any girl? Are you ready to do this? Okay, Well,

0:31:24.600 --> 0:31:31.240
<v Speaker 1>here we go. The more we get together together together,

0:31:32.000 --> 0:31:36.720
<v Speaker 1>The more we get together, the happy you will be.

0:31:36.720 --> 0:31:41.480
<v Speaker 1>For your friends are my friends, and my friends are yours.

0:31:42.160 --> 0:31:50.280
<v Speaker 1>The more we get together, the happier will be. Finding

0:31:50.360 --> 0:31:53.120
<v Speaker 1>Raffie is a production of I Heart Radio and Fatherly

0:31:53.280 --> 0:31:57.160
<v Speaker 1>in partnership with Rococo Punch. It's produced by Catherine Finalosa,

0:31:57.520 --> 0:32:01.200
<v Speaker 1>Meredith Hannig, and James Trout. Production and assistance from Charlotte

0:32:01.200 --> 0:32:05.360
<v Speaker 1>Livingston Alex french Is our story consultant. Our senior producer

0:32:05.480 --> 0:32:09.480
<v Speaker 1>is Andrea Swahe Emily foremant As our editor. Fact checking

0:32:09.480 --> 0:32:13.560
<v Speaker 1>by Andrea Lopez Grusado. So many thanks to all the

0:32:13.600 --> 0:32:16.800
<v Speaker 1>people who helped us make this project, including Bert Simpson,

0:32:17.160 --> 0:32:21.600
<v Speaker 1>Linda Steele, Susan Johnston, Diana Bain, Dana Etma and the

0:32:21.640 --> 0:32:25.160
<v Speaker 1>team at the Raffi Foundation for Child Honoring, Stephen Kirchen,

0:32:25.480 --> 0:32:29.479
<v Speaker 1>Maggie Grossberg, Donna Franken, Andrew Berman, and the teams at

0:32:29.520 --> 0:32:37.520
<v Speaker 1>the Bustle Digital Group and I Heart Radio. I also

0:32:37.560 --> 0:32:40.640
<v Speaker 1>want to personally thank my wife Foul and my beautiful

0:32:40.680 --> 0:32:43.680
<v Speaker 1>baby Sunny, my mom and dad, I'm This, and Anna

0:32:43.720 --> 0:32:47.520
<v Speaker 1>Garcia deb and Jeff Aames, Ryan Pettigrew at Night for

0:32:47.640 --> 0:32:52.520
<v Speaker 1>US Studios, and everybody at Rococo Punch and Fatherly. Rafe's

0:32:52.600 --> 0:32:55.840
<v Speaker 1>music is courtesy of Troubadour Music Special thanks to Kim

0:32:55.920 --> 0:33:01.160
<v Speaker 1>Lay at Troubadour, and last, but certainly not least, thank you, Raffie.

0:33:01.640 --> 0:33:06.600
<v Speaker 1>Come More We get together. Our executive producers are Jessica

0:33:06.640 --> 0:33:10.680
<v Speaker 1>Alpert and John Parotti at Rococo Punch, Ty Trimble, Mike

0:33:10.760 --> 0:33:14.880
<v Speaker 1>Rothman and Jeff Eisenman at fatherly and me. Chris Garcia,

0:33:15.560 --> 0:33:19.960
<v Speaker 1>thank you for listening. Are we get together, the happy

0:33:20.360 --> 0:33:27.000
<v Speaker 1>will be h? I do you think