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Speaker 1: Okay, stop the song, right, we stop it.

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Speaker 2: Normally, what we used to do, yes, we would tell

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Speaker 2: a story.

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Speaker 1: This has been a part of the show for a

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Speaker 1: long time, that we start the show by telling the

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Speaker 1: story over the song. Used to be like a beloved

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Speaker 1: section of the show that people enjoyed. We ran out

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Speaker 1: of stories to tell and things to say long ago.

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Speaker 2: It's a exercise. Yeah, so one thing for this episode.

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Speaker 2: There's a lot we want to do for this episode,

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Speaker 2: but one thing we wanted to do was get some

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Speaker 2: help from you. You tell stories, correct your storyteller?

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Speaker 3: I mean, I mean I write them effectively.

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Speaker 2: Legend of both printed in spoken word is that.

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Speaker 3: I don't like I would never do like a moth

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Speaker 3: or anything like that. You know where people you think?

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Speaker 2: So, David, you have to do a mom.

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Speaker 1: Shots fired at the moth. I wouldn't want to be

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Speaker 1: the moth.

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Speaker 2: Right now, you must do the moth.

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Speaker 3: I've never seen the moth either. Have you ever seen them?

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Speaker 2: I saw.

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Speaker 1: The Mothman prophecies. Do you remember this film with Richard.

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Speaker 3: Gear the Mothman Prophecies?

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Speaker 2: Yes? Do you call this film? And that's a story

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Speaker 2: and that was a story?

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Speaker 3: Huh?

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Speaker 1: A legend passed down through time of the Killer Mothman,

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Speaker 1: and Richard gear was investigating it in the film. But that's,

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Speaker 1: I guess, not the moth that you meant, which is fine.

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Speaker 1: I haven't seen it, but I have heard.

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Speaker 3: I met gentle cousin of the butterfly.

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Speaker 2: The moth is gentler than the butterfly, and the butterfly

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Speaker 2: is the buttersive nasty cousins.

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Speaker 1: The pretty colors have given a reputation perhaps for being

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Speaker 1: a sweetheart.

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Speaker 3: Well, what's interesting is where I live in England in

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Speaker 3: the summertime in English, in the late summer, butterflies coming

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Speaker 3: into the house and they hide in the rafter and

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Speaker 3: they become dormant. And then when the heat, when you

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Speaker 3: turn the heat on in the winter, they kind of

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Speaker 3: come back to life and they try to get out

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Speaker 3: out the windows. So you'll have butterflies and flies, uh,

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Speaker 3: plastered against all the windows trying to get out, and

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Speaker 3: you let them out and they're just gonna die because

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Speaker 3: it's too cold for him. And then five minutes later

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Speaker 3: you have a whole new group there. Mmm, okay, And

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Speaker 3: that's what seasons.

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Speaker 1: But and then the moth, to me, the moth is

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Speaker 1: not gentle you see I'm wearing a sweater. I'm moth

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Speaker 1: bait baby. I mean, they would really go at this

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Speaker 1: pretty aggressively.

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Speaker 3: Do you have moth problems here?

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Speaker 2: I do?

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Speaker 3: You do?

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Speaker 1: Unfortunately?

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Speaker 2: I do?

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Speaker 3: Oh in England have to be And you know what

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Speaker 3: else they like? They like taxidermy. Mmm, they like it,

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Speaker 3: and they'll lay their eggs in the taxi army and

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Speaker 3: completely just.

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Speaker 1: What are the tax ermy? Will begin to come to now,

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Speaker 1: let's let's wait, let's compare collections. Let's compare a collection.

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Speaker 1: What are you?

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Speaker 2: What are you working with in your place? What kind

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Speaker 2: of taxidermy?

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Speaker 1: Or we talk of game?

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Speaker 3: Well, I'll I had a chipmunk that my sister gave me,

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Speaker 3: and I was getting ready to leave town for a

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Speaker 3: couple of months, and I had it in a cabinet

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Speaker 3: and I just looked in the cabinet and I saw

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Speaker 3: a worm drop out of it.

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Speaker 2: Wow.

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Speaker 3: And so I put a bell jar over it. And

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Speaker 3: I came back two months later, and all the fur

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Speaker 3: was going and it just looked like it was made

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Speaker 3: out of white leather, and then the holes started to

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Speaker 3: appear in the leather and anyway, moths in their larva

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Speaker 3: completely destroyed this tax fim.

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Speaker 1: Oh, it's like something out of the Mothmann prophecy.

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Speaker 2: Just the one chipmunk you have? You got a lot

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Speaker 2: more stuff.

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Speaker 3: Three? Yeah, I have other things, Okay.

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Speaker 2: I have a lot of dogs.

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Speaker 3: Taxidermy dogs, a lot of a I have a little

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Speaker 3: Yorkshire Terrier okay, in a case. And normally I wouldn't

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Speaker 3: have name case Yeah, we named it Casey. Normally we

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Speaker 3: wouldn't name things like that. But he's and he's sitting

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Speaker 3: on a little piece of carpet like he's probably eighty

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Speaker 3: years old, and he's just waiting for his master to return.

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Speaker 3: And he has wonderful eyes. And and we have some

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Speaker 3: poppies and they were Victorian. So they would take the

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Speaker 3: puppies and drown and then start them, yes, and put

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Speaker 3: them in these shadow, you know, little environments and put

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Speaker 3: them in a box like a.

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Speaker 2: Die around acting out scenes from I guess what kind

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Speaker 2: of the what are some of the great Victorian? Is

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Speaker 2: there anything?

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Speaker 3: These just look like they're in a in a kind

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Speaker 3: of an old kennel, you know, with like a prison. Actually,

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Speaker 3: they look like they're in a dog prison.

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Speaker 1: I have many versions of the Noble Bug, the Mighty beetle,

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Speaker 1: the stag beetle, and I have these preserved and they're

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Speaker 1: put into scenes as well, but they're usually doing human activities.

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Speaker 1: So the bug might be reading a speech at a podium,

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Speaker 1: or the bug might be sitting down to enjoy a

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Speaker 1: cereal and he has his little crooked with a tiny

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Speaker 1: spoon put into his pincer. These are my taxidermy. I

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Speaker 1: don't have anything with fur because I you don't want

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Speaker 1: the moth problems that you described.

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Speaker 3: Well, another thing, there was this guy who had a

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Speaker 3: Victorian guy who did these elaborate taxing army scenes, and

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Speaker 3: he had like a guinea pig classroom and like twenty

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Speaker 3: five guinea pigs in the classroom, and there was a

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Speaker 3: stern teacher, and there was you know, the lazy student,

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Speaker 3: and the student with his hand raise and they did

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Speaker 3: a kitten wedding. Okay, so from this guy, he he

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Speaker 3: had a museum and then they dismantled the museum because

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Speaker 3: people weren't interested anymore. And Damien Hirst, the artist, bought

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Speaker 3: a lot of the stuff. But I found squirrels sword fighting, said,

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Speaker 3: oh I owned that.

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Speaker 1: I just have kittens smoking in the boys room. A

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Speaker 1: couple of kittens, leather jackets on kick back. You know

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Speaker 1: it's between class and you know that the bell has

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Speaker 1: already rung.

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Speaker 2: I would love to talk Taxi Derby all day.

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Speaker 1: We have to introduce her adding in the story. Sorry,

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Speaker 1: we're our guest of courses. David Sdaris, who's in many books.

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Speaker 2: Yes, you have written about many being colleagues with Santa Claus,

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Speaker 2: going to France, going to Tokyo, and many other things.

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Speaker 2: Does this Crison speak on this growing? That's correct, growing up,

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Speaker 2: growing up, partly.

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Speaker 3: Growing old, growing or growing heavy can have written about.

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Speaker 2: Uh yeah, but you're also you're famous for you write

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Speaker 2: these things and then you say them as well, which

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Speaker 2: many of your peers too afraid. Dean Coot's another like

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Speaker 2: legend of the printed word. Nobody wants to hear him

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Speaker 2: say these these books you you say them.

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Speaker 1: Well.

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Speaker 3: I think part of it is like I would never

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Speaker 3: go to a theater and read something that's an hour long,

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Speaker 3: because if you're in an audience, you're not really to

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Speaker 3: it and you're just kind of stuck there. So I'll

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Speaker 3: read maybe little pieces eight things. No, I don't believe

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Speaker 3: in like reading part of something, but I just write

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Speaker 3: short things. Well, I have a twelve page attention span.

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Speaker 1: Do you know that I've seen you at the theater?

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Speaker 2: Oh?

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Speaker 1: Yeah, well this is a bit of gotcha journalism. In fact,

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Speaker 1: do you call going to the Ridgewood Playhouse around two.

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Speaker 3: Thousand and five in Ridgewood, Connecticut? Yes, correct, that's funny. Hmm.

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Speaker 3: I was just back at the Ridgewood Playhouse a couple

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Speaker 3: months ago.

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Speaker 1: Has it changed since our time we spent there?

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Speaker 3: Not a bit.

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Speaker 1: Well that's good because if it ain't broke, wow, don't

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Speaker 1: fix it. Yeah, we were there. I believe I was

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Speaker 1: wearing sort of a unique blazer and you complimented me

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Speaker 1: on it. I got my book signed, I was with

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Speaker 1: my sister. We saw some deer on the way home.

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Speaker 3: Did we did? I know it was your sister?

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Speaker 1: Maybe. We talked about your sister her a bit as well.

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Speaker 3: I always love it when people came with their brothers sister. Yeah,

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Speaker 3: the sweetest thing. Yeah, that was a family affairs, when

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Speaker 3: families do things together.

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Speaker 1: Yeah, that's the last thing we probably did together. Really, yeah,

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Speaker 1: on two thousand and five. But it was good. We

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Speaker 1: don't want to spoil it by trying to do something else.

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Speaker 1: They called it off after that, We just saw a

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Speaker 1: deer on the way home, which was pretty exciting. Then

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Speaker 1: we parked, shook hands, went our separate ways.

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Speaker 2: That's how you did it. But we'll always have the

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Speaker 2: Ridgewood Playhouse. You don't wait for it to just like

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Speaker 2: peter out. After that, you just say, we've had a

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Speaker 2: great brother sister thing.

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Speaker 1: Hell of a run. You end on a high note.

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Speaker 1: This is interesting. Possibly for it you mentioned you were

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Speaker 1: doing Kimmel tonight. If you really score, like if you

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Speaker 1: say something that just lands hard, just stand up and

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Speaker 1: walk leave, just leave, leave them wanting more.

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Speaker 3: I would have run. Anyways, do you think anyone's ever

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Speaker 3: done there and walk off?

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Speaker 1: If they haven't? Even better?

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Speaker 3: And I was wondering too, do you think anyone's ever

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Speaker 3: vomited on a show like that?

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Speaker 2: No?

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Speaker 3: On on a talk show like.

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Speaker 2: That, almost everyone does.

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Speaker 1: Certainly I've seen them get the host be vomited on

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Speaker 1: by various funny animals.

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Speaker 3: But it must, I mean, given the amount of talk shows,

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Speaker 3: amount of guests.

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Speaker 1: Somebody must have thrown up. Well, especially on Kimmel ware they.

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Speaker 2: Used to have an open bar or in their pants.

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Speaker 1: Maybe they may have gone to the bat.

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Speaker 2: It's actually like they cut it out, but it's rude

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Speaker 2: if you don't do it.

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Speaker 1: It makes the hosts feel powerful for you to go

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Speaker 1: in ship on the couch and they'll edit it, or

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Speaker 1: they'll at least cover the noise up a little bit

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Speaker 1: with like Jimmy coughing.

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Speaker 2: But they will.

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Speaker 1: If you don't do it, they sort of feel like, oh,

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Speaker 1: this guy doesn't think I'm anything.

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Speaker 3: Somebody showed me a little video clip yesterday. It was

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Speaker 3: Whoopy Goldberg on the View. She farted on the View.

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Speaker 2: And they just left that right end there, and.

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Speaker 3: Then she owned up to it. And I would have

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Speaker 3: pretended it was a chair noise or something. I never

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Speaker 3: would have admitted it.

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Speaker 1: Well, the cushion that bears her name is perhaps an

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Speaker 1: indication that she's very proud of that sound. Yeah, I

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Speaker 1: mean she's lining her own pockets because that's moving units

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Speaker 1: to see her do it on the View. It's really

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Speaker 1: free advertising.

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Speaker 2: Let's talk about the master's class.

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Speaker 1: Yes, and we're here, we've arrived at the main premise.

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Speaker 2: You've done this.

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Speaker 3: I did a masterclass.

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Speaker 2: It is on the satirical art.

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Speaker 1: It's on an essay and.

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Speaker 3: Truth and and storytelling. Wow, yeah, I impart some wisdom.

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Speaker 2: Now oh you do.

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Speaker 1: Now we yep, we want people to buy the cow,

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Speaker 1: so let's not give them too much milk. But maybe

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Speaker 1: just a drop.

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Speaker 2: Was one little one milk, just one nug.

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Speaker 3: Okay, try this on if you want to be a writer.

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Speaker 2: Okay, huh right, I disagree, right, no matter what I

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Speaker 2: disagree with writers, right, they love to write.

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Speaker 3: If you have a cut on your finger.

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Speaker 1: Huh right, go ahead and right right about the cut of.

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Speaker 3: Your hands and use the blood right.

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Speaker 1: With the cast, right on the cast. Sign your name

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Speaker 1: on your cast.

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Speaker 3: If you're in a wheelchair and you can't do anything

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Speaker 3: from your chin down right with a chopsticker in your mouth.

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Speaker 1: The sessions right on the cast. Draw this to ces.

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Speaker 1: You know, do do whatever it takes.

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Speaker 3: But you know, you meet a lot of people who say, oh,

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Speaker 3: if I had time or I want to write, You know,

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Speaker 3: you make the time if you for what you want

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Speaker 3: to do.

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Speaker 1: If you want to my wrong, I think so, yeah,

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Speaker 1: Hayes thinks you're wrong, and I'd love to hear his

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Speaker 1: sign of it, because frankly, I've known hay a lot

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Speaker 1: longer and I trust.

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Speaker 2: Him, so I all you have to do is say

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Speaker 2: that you're doing it. You don't have to actually do it. Yes,

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Speaker 2: I tell every I say to everyone, I'm right.

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Speaker 1: I'm working on something. Actually do anything getting really good?

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Speaker 3: Did you go to college?

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Speaker 1: No, not particularly didn't.

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Speaker 2: No, Well it's not college per se. It's like it's

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Speaker 2: sort of a different.

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Speaker 1: Yeah, I wouldn't think of it as just a college.

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Speaker 2: It's well, I like, I don't know, you want to

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Speaker 2: just describe it.

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Speaker 1: It's a little castle in Boston.

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Speaker 2: Oh, but like it's not like you wouldn't say, like, oh,

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Speaker 2: I went to college.

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Speaker 1: Like it's a little different from that you went to Harvard. Well,

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Speaker 1: you know, I don't like to say it that way he.

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Speaker 2: Matriculate was that he went there.

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Speaker 3: He absolutely kills me. Everyone I know who went to Harvard.

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Speaker 3: Then did you go to school? Yeah, I went to

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Speaker 3: school in Massadonta.

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Speaker 1: You little some little castle, And I say, I lived

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Speaker 1: in a castle in Boston, And me and all my

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Speaker 1: friends just made each other laugh and we wrote all

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Speaker 1: the funniest ideas in the world and all and we're

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Speaker 1: making fun of everything.

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Speaker 3: But what Joe was saying, I went to Harvard, Like if.

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Speaker 1: I went to Harvard, I wouldn't know. I've never said it.

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Speaker 3: I would say it.

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Speaker 1: Yeah, you would say, I mean what I do.

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Speaker 2: Say?

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Speaker 3: Yeah, if I went to Yale, I would say I

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Speaker 3: went to Yale, and I would feel pretty good about it.

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Speaker 3: And I would say, you know what, I went to Princeton.

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Speaker 1: You'd say, me and all my cronies. We give each

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Speaker 1: other jobs. No, I wouldn't just live it.

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Speaker 3: I wouldn't feel guilty about it.

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Speaker 1: No, I'm not saying it. Feel guilty about it.

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Speaker 3: They to feel guilty about something so many people would

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Speaker 3: like to do, and then you do it, and then

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Speaker 3: you feel all bad and guilty and ashamed about it.

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Speaker 3: Here them all bullshit.

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Speaker 2: No, I agree. I mean, like, there's no like, like

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Speaker 2: the fact that you took a spot of a more

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Speaker 2: deserving person because of factors totally unrelated, like your ability

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Speaker 2: systemic because general Marrit she uses yeah, large of hundreds

293
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Speaker 2: of years of of racism for historical oppression, and it's

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Speaker 2: making me bored, and I'm bored.

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Speaker 1: Please come on. We gave the huscar a parasite. That's fixed.

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Speaker 2: That's a big one. Did you say that in the

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Speaker 2: Master Cud? That's a big one too. Go to Harvard's

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Speaker 2: humor and storytelling. I mean she probably should have started with.

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Speaker 1: Uh, lampoon.

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Speaker 3: Everything I'm a honorary member is that of the Harvard Lampoon.

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Speaker 1: You go mix it up with the boys in the Castle.

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Speaker 3: Of the Hasty puddingcome.

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Speaker 1: Oh yes, and I have seen that.

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Speaker 3: I have seen that, and I didn't go and I

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Speaker 3: didn't go to college there.

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Speaker 1: Mm hmm.

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Speaker 2: That's what honorary And you know.

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Speaker 3: What, I'll tell you something else. I gave the graduation

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Speaker 3: speech at Princeton.

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Speaker 1: Take that, oh wow, and sticking it to him.

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Speaker 2: And you didn't go there either, didn't go to the

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Speaker 2: eating club, didn't go there either? Where'd you go?

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Speaker 3: I went to the Western Carolina University in Halloween, North Carolina,

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Speaker 3: and then I went to Kent State for a year,

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Speaker 3: and then I went to the Art Institute of Chicago.

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Speaker 1: Mm. Nice.

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Speaker 3: And anyone can get to any of these schools.

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Speaker 1: Mm hmm.

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Speaker 2: That's a that's a museum.

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Speaker 3: The School of the Art Institut, So it's like a school.

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Speaker 2: I've been there. I don't really think it is.

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Speaker 1: And he's actually been there.

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Speaker 3: So there's some classrooms attached to the museum.

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Speaker 2: Okay, okay, yeah, I didn't remember seeing that. Talking about

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Speaker 2: the apple Head, it's in the back who is an apple?

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Speaker 2: He's not. Okay, I just want sorry. I don't know

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Speaker 2: how much you paid to go there. But the guy

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Speaker 2: whose head is an apple is not a teacher.

329
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Speaker 3: Oh that my Greek painting is not a teacher.

330
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Speaker 2: I know that's not a teacher. That is it's just

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Speaker 2: a paint.

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Speaker 1: Yeah, yeah, I understand you. Apple for teacher is like

333
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Speaker 1: a whole thing. Yeah, this must be the best teacher.

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00:16:05,920 --> 00:16:07,920
Speaker 1: He got so many apples his head became one. But

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Speaker 1: I do think that somebody took you for a ride.

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Speaker 3: Unfortunately, Well, I you're making You know, if if I

337
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Speaker 3: had to draw your picture and I had try as

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Speaker 3: hard as I could, it wouldn't It would look like

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00:16:23,760 --> 00:16:27,080
Speaker 3: one of those really bad police sketches. So I it

340
00:16:27,120 --> 00:16:31,240
Speaker 3: was never particularly talented. But they let me in.

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Speaker 1: Yeah, and congratulations, And here you are now your teacher,

342
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Speaker 1: aren't you? Because you're class and the master class.

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Speaker 2: Give us one another a little milk, little grind it up,

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Speaker 2: all right?

345
00:16:46,400 --> 00:16:51,600
Speaker 3: Uh, when your when your book comes out?

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Speaker 1: Okay, yes he skipped a little bit, but that's great.

347
00:16:57,400 --> 00:16:59,640
Speaker 3: Yeah, okay, so you're a writer. I like the confidence,

348
00:16:59,800 --> 00:17:01,600
Speaker 3: and you write a book and then when your book

349
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Speaker 3: comes out and you go to a bookstore, Yeah, to

350
00:17:04,920 --> 00:17:07,600
Speaker 3: do a reading of your book. Uh huh, write them

351
00:17:07,600 --> 00:17:09,679
Speaker 3: a thankular the bookstore.

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00:17:09,880 --> 00:17:13,600
Speaker 1: Yeah, and leave it in the book. It's a secret.

353
00:17:14,520 --> 00:17:18,080
Speaker 1: And then no, okay, the mail it to him. Okay,

354
00:17:19,040 --> 00:17:19,600
Speaker 1: little tip.

355
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Speaker 2: And then Troy, who works there, is maybe slipping a

356
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Speaker 2: little recommended tag under.

357
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Speaker 1: Suddenly you're popping up and it's.

358
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Speaker 2: Like a little hand drawn sketch of Troy and he's like, oh,

359
00:17:33,119 --> 00:17:37,760
Speaker 2: I never laughed, like the spat my milk everywhere, laughs

360
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Speaker 2: so hard.

361
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Speaker 3: Sometimes you go back to the bookstore and they say, oh,

362
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Speaker 3: we have the postcard you sent us the last time,

363
00:17:43,400 --> 00:17:45,760
Speaker 3: and then it's pinned to a wall in the employee

364
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Speaker 3: break room with other things on top of it.

365
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Speaker 1: Oh right, yeah, guitar lessons and stuff lost.

366
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Speaker 2: It's supposed to be out in front. What's what are something?

367
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Speaker 2: What are any stores? Best bookstore? Go, yeah, best bookstore.

368
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Speaker 2: Rank them Harvard Bookstore number one, that's easy.

369
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Speaker 3: I was at the Harvard Bookstore once. I was signing

370
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Speaker 3: books one time and this woman came up and I said,

371
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Speaker 3: when was the last time you touched a monkey? And

372
00:18:17,480 --> 00:18:20,119
Speaker 3: she said, and it was just a stupid question, and

373
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Speaker 3: she said, can you smell it on me. And she

374
00:18:22,840 --> 00:18:25,560
Speaker 3: worked for a place that's right outside of Boston that

375
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Speaker 3: trains monkeys to act as servants for quadriplegics.

376
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Speaker 1: Oh, and it was crazy, monkey.

377
00:18:31,840 --> 00:18:34,720
Speaker 3: It was crazy. And so she invited me to the center.

378
00:18:34,800 --> 00:18:36,760
Speaker 3: So I went to the center, yep, and I was

379
00:18:36,800 --> 00:18:40,520
Speaker 3: in a room like twelve capuchin monkeys. They pull all

380
00:18:40,560 --> 00:18:44,560
Speaker 3: their teeth out so they can't bite quadrupolitics. And then

381
00:18:44,600 --> 00:18:46,640
Speaker 3: I did a benefit for them, and they said, anytime

382
00:18:46,680 --> 00:18:48,439
Speaker 3: you want a monkey, just let us know. So I

383
00:18:48,440 --> 00:18:50,320
Speaker 3: went to the Harvard bookstore and I said, I wouldn't

384
00:18:50,400 --> 00:18:53,320
Speaker 3: like a monkey. And one of the things the monkeys

385
00:18:53,320 --> 00:18:55,399
Speaker 3: are trying to do is turn pages in a book,

386
00:18:56,000 --> 00:18:58,479
Speaker 3: because if you're paralyzed, you can't do that, right. And

387
00:18:58,520 --> 00:19:01,639
Speaker 3: so I was at the podium and then the monkey

388
00:19:01,720 --> 00:19:03,960
Speaker 3: was with me, and then she pulled a book off

389
00:19:03,960 --> 00:19:05,920
Speaker 3: the shelf and she was turning pages in the book

390
00:19:05,920 --> 00:19:09,400
Speaker 3: and it looked like she could read. And no one

391
00:19:09,400 --> 00:19:11,080
Speaker 3: paid any attention to.

392
00:19:13,760 --> 00:19:18,439
Speaker 2: This new technology about like being able to whatever, use

393
00:19:18,480 --> 00:19:21,520
Speaker 2: your eyes to like turn the page of an electronic

394
00:19:21,560 --> 00:19:23,560
Speaker 2: book or something. Why do we just go back to

395
00:19:23,600 --> 00:19:25,840
Speaker 2: the old ways. It just have monkeys.

396
00:19:26,000 --> 00:19:27,720
Speaker 1: Just take the monkey's teeth out and put them on

397
00:19:27,760 --> 00:19:28,119
Speaker 1: the book.

398
00:19:28,560 --> 00:19:30,120
Speaker 3: Monkeys and diapers.

399
00:19:30,560 --> 00:19:33,240
Speaker 2: Yeah, like, why do we have to improve on this system?

400
00:19:33,240 --> 00:19:34,320
Speaker 2: It was working great.

401
00:19:34,520 --> 00:19:37,560
Speaker 1: If you're getting a writer, you hire a monkey with

402
00:19:37,680 --> 00:19:42,359
Speaker 1: no teeth to write, it's like so obvious. And then

403
00:19:42,400 --> 00:19:44,200
Speaker 1: it's like, oh, I'm going to fix it, like I'll

404
00:19:44,200 --> 00:19:47,040
Speaker 1: get a robot. It's like, I'm sorry, we already have monkeys.

405
00:19:47,640 --> 00:19:51,800
Speaker 1: So that is frustrating. You meet so many interesting people, David.

406
00:19:53,040 --> 00:19:55,359
Speaker 2: Just a magnet for this. That's a lesson. Really is

407
00:19:55,640 --> 00:19:58,640
Speaker 2: like if someone invites you to go to another location

408
00:19:58,880 --> 00:20:01,960
Speaker 2: in the book signing line, you have to go. Yeah.

409
00:20:02,200 --> 00:20:04,920
Speaker 1: If they say, hey, I work inside a secret laboratory,

410
00:20:05,160 --> 00:20:06,840
Speaker 1: you go with them immediately.

411
00:20:07,600 --> 00:20:09,159
Speaker 2: You have to convert that sale.

412
00:20:11,080 --> 00:20:16,440
Speaker 3: Well, have you spent much time with a monkey?

413
00:20:16,800 --> 00:20:20,440
Speaker 1: Me personally? Yeah, I got this big hairy ape over

414
00:20:20,480 --> 00:20:22,879
Speaker 1: here to my right, engine your Brett.

415
00:20:25,280 --> 00:20:26,359
Speaker 2: This is engineer Brett.

416
00:20:26,520 --> 00:20:30,720
Speaker 1: Yeah, up to quite a quite a bit of monkey shine.

417
00:20:31,320 --> 00:20:35,240
Speaker 3: Because I was asking people at book signings, you know

418
00:20:35,240 --> 00:20:37,760
Speaker 3: if they and I would love to hear from people

419
00:20:37,760 --> 00:20:40,800
Speaker 3: who have owned a monkey, because it used to be

420
00:20:40,960 --> 00:20:42,560
Speaker 3: and it's not this way now, but you could buy

421
00:20:42,560 --> 00:20:45,480
Speaker 3: a monkey in the mail and a monkey a living

422
00:20:45,480 --> 00:20:47,560
Speaker 3: monkey would be sent to your house, you know what.

423
00:20:47,800 --> 00:20:50,080
Speaker 3: The box would have breathing holes in and stuff. But

424
00:20:50,160 --> 00:20:52,600
Speaker 3: I met this this woman, and she had a monkey,

425
00:20:52,800 --> 00:20:56,080
Speaker 3: and it climbed up an electrical pole and then it

426
00:20:56,119 --> 00:20:59,440
Speaker 3: got electrocuted and the pole fell over onto her donkey.

427
00:20:59,480 --> 00:21:03,960
Speaker 3: And the donkey was named Jack Pop. So she lost

428
00:21:03,960 --> 00:21:06,439
Speaker 3: her monkey and her donkey in the same incident.

429
00:21:06,600 --> 00:21:08,800
Speaker 2: This was in a book signing line. Yeah. I can

430
00:21:08,800 --> 00:21:11,719
Speaker 2: just picture the person behind this conversation, who's like, well,

431
00:21:11,760 --> 00:21:16,520
Speaker 2: I got to make something up really fast, Like my

432
00:21:16,720 --> 00:21:17,639
Speaker 2: story sucks.

433
00:21:18,320 --> 00:21:20,959
Speaker 3: All the monkey stories had tragic endings.

434
00:21:21,920 --> 00:21:25,760
Speaker 1: Yeah, well, and such as life.

435
00:21:27,160 --> 00:21:28,560
Speaker 3: It's just not a good you.

436
00:21:28,560 --> 00:21:30,800
Speaker 1: Know, comedy is just monkeys plus time.

437
00:21:31,760 --> 00:21:33,520
Speaker 3: But it's like that, don't you think it's like that

438
00:21:33,600 --> 00:21:36,720
Speaker 3: with It's the same with people who have raccoons or

439
00:21:36,880 --> 00:21:38,760
Speaker 3: you know, when it's a baby, it's.

440
00:21:38,280 --> 00:21:40,359
Speaker 2: Those mail order raccoons to you remember those.

441
00:21:40,520 --> 00:21:43,200
Speaker 3: Well, then it gets to be breeding age, and then

442
00:21:43,200 --> 00:21:45,200
Speaker 3: it's just everything changes.

443
00:21:45,000 --> 00:21:50,080
Speaker 2: Yes, it becomes about different. The personality completely changes. Yes,

444
00:21:51,359 --> 00:21:54,760
Speaker 2: they become too horny to maintain his pets.

445
00:21:54,960 --> 00:22:00,879
Speaker 1: It's just a fact of raccoon life. I think the

446
00:22:00,960 --> 00:22:05,920
Speaker 1: solution really is you go to them. We're bringing these

447
00:22:06,000 --> 00:22:10,080
Speaker 1: raccoons into our homes. Mail you mail yourself to mail

448
00:22:10,119 --> 00:22:14,120
Speaker 1: yourself to the raccoon. That is when we'll really learn.

449
00:22:15,160 --> 00:22:18,000
Speaker 1: So we need to learn how to tell story. For

450
00:22:18,119 --> 00:22:24,040
Speaker 1: the top of the show, we still haven't done technically,

451
00:22:24,080 --> 00:22:26,520
Speaker 1: the show hasn't started. Which you've got a lot of time,

452
00:22:26,600 --> 00:22:31,760
Speaker 1: Is that correct? You're enjoying yourself.

453
00:22:33,200 --> 00:22:35,080
Speaker 3: Yeah, I'm going to talk to Andy.

454
00:22:35,720 --> 00:22:38,080
Speaker 1: You got any you got anything you're saving up for him,

455
00:22:38,280 --> 00:22:40,199
Speaker 1: something you don't want to give to us because you

456
00:22:40,200 --> 00:22:41,200
Speaker 1: you're saving it for Andy.

457
00:22:41,280 --> 00:22:41,960
Speaker 3: Oh yeah, a lot.

458
00:22:42,200 --> 00:22:44,600
Speaker 1: Okay, I can feel you hold him back.

459
00:22:44,960 --> 00:22:46,240
Speaker 2: It would be helpful to us.

460
00:22:46,760 --> 00:22:50,960
Speaker 3: I'm going to tell you here's my two cents worthy

461
00:22:51,680 --> 00:22:54,520
Speaker 3: all right, you have to stop talking at the same time.

462
00:22:54,720 --> 00:22:56,879
Speaker 3: If you're going to tell a story, either one of

463
00:22:56,920 --> 00:22:58,200
Speaker 3: you does which one the.

464
00:22:58,160 --> 00:23:00,480
Speaker 2: Other which one? Which one? Please pay But.

465
00:23:00,440 --> 00:23:02,600
Speaker 3: When two people are doing which one time, but you

466
00:23:02,600 --> 00:23:05,240
Speaker 3: have to pick. Well, he went to Harvard, so i'd

467
00:23:05,280 --> 00:23:09,920
Speaker 3: say him, Okay, he's more qualifying.

468
00:23:10,000 --> 00:23:12,520
Speaker 1: Yeah, you studied and where did you go again? Second

469
00:23:12,560 --> 00:23:13,439
Speaker 1: City Training School?

470
00:23:13,560 --> 00:23:18,000
Speaker 2: I'm totally yes, I'm totally Uh. I put myself through

471
00:23:18,080 --> 00:23:18,960
Speaker 2: Second City.

472
00:23:19,000 --> 00:23:19,840
Speaker 3: Really in Chicago.

473
00:23:20,000 --> 00:23:24,560
Speaker 2: Uh huh. Year what year, boy, I was ninety nine

474
00:23:24,600 --> 00:23:28,440
Speaker 2: to seven. Okay, I did the because.

475
00:23:28,160 --> 00:23:30,399
Speaker 3: My sister Amy was there. So why I was there?

476
00:23:30,960 --> 00:23:32,800
Speaker 3: I mean, you know, I want to go see her

477
00:23:32,840 --> 00:23:36,080
Speaker 3: and everything she I think did eighty five to ninety

478
00:23:36,560 --> 00:23:37,359
Speaker 3: she did.

479
00:23:37,880 --> 00:23:40,439
Speaker 2: I guess, just like doing shows there and stuff. I

480
00:23:40,440 --> 00:23:42,359
Speaker 2: feel like she didn't like really study there. She was

481
00:23:42,440 --> 00:23:45,720
Speaker 2: just kind of like performing and like from and doing.

482
00:23:45,800 --> 00:23:48,399
Speaker 3: Yeah, she did glass people up and then she was

483
00:23:48,440 --> 00:23:50,439
Speaker 3: in the touring company and then she was on main stage.

484
00:23:50,720 --> 00:23:50,960
Speaker 2: Right.

485
00:23:52,640 --> 00:23:55,760
Speaker 1: Yeah, he's had more of like a karate style training, yeah,

486
00:23:56,080 --> 00:23:59,680
Speaker 1: where he was like cleaning the chairs and yeah, making

487
00:23:59,720 --> 00:24:03,919
Speaker 1: the sessions and all that stuff. And he worked when Joyce.

488
00:24:04,080 --> 00:24:05,720
Speaker 2: Yeah, oh god, love Joyce.

489
00:24:05,840 --> 00:24:09,480
Speaker 1: Joyce. I've heard so much about Joyce from him.

490
00:24:09,600 --> 00:24:10,640
Speaker 2: Oh Joyce.

491
00:24:10,760 --> 00:24:13,159
Speaker 3: Everyone who ever went there could imitate Joyce.

492
00:24:13,640 --> 00:24:14,560
Speaker 2: Oh and and.

493
00:24:16,280 --> 00:24:19,520
Speaker 1: Here and wait until you hear the Joyce Okay, okay, right,

494
00:24:19,560 --> 00:24:21,760
Speaker 1: and Hayes leaving and Joyce is coming in.

495
00:24:21,920 --> 00:24:23,679
Speaker 2: So Joyce comes in and like first thing in the

496
00:24:23,680 --> 00:24:28,600
Speaker 2: morning every morning, So Joyce comes in? What's up? And

497
00:24:29,359 --> 00:24:31,479
Speaker 2: do you know, like do you not know her?

498
00:24:32,560 --> 00:24:34,320
Speaker 3: Yeah? But does this sound like her at all?

499
00:24:35,840 --> 00:24:40,120
Speaker 1: The impressions weren't his main also class that he took.

500
00:24:41,800 --> 00:24:45,080
Speaker 3: We know this woman in Japan and she does imitations

501
00:24:45,080 --> 00:24:47,919
Speaker 3: of people, like she'll imitate her husband. Oh, you have

502
00:24:48,320 --> 00:24:51,840
Speaker 3: dick toast, I like my toast thing. Oh, I don't

503
00:24:51,920 --> 00:24:55,320
Speaker 3: like the toast and it doesn't sound like anything like him.

504
00:24:55,440 --> 00:24:58,360
Speaker 3: And then we'll say, oh, do this person do hugh.

505
00:24:58,520 --> 00:25:02,919
Speaker 1: Oh when chopping, I mean like it's so bad.

506
00:25:05,600 --> 00:25:09,160
Speaker 3: Whollywood, Whollywood.

507
00:25:10,440 --> 00:25:13,199
Speaker 1: Now it's interesting you talked about your sister going to

508
00:25:13,960 --> 00:25:16,560
Speaker 1: uh Second City. When I met you in Ridgewood in

509
00:25:16,600 --> 00:25:19,520
Speaker 1: two thousand and five, I said, I'm just starting classes

510
00:25:19,560 --> 00:25:21,760
Speaker 1: at the Upright Citizens Brigade Theater and you said, oh,

511
00:25:21,840 --> 00:25:25,200
Speaker 1: what is that? And I said, your sister does shows

512
00:25:25,240 --> 00:25:28,000
Speaker 1: there and you said, I don't think so. Yeah, I

513
00:25:28,000 --> 00:25:28,960
Speaker 1: have never heard of that.

514
00:25:29,440 --> 00:25:32,359
Speaker 3: No, she didn't do shows there. She has done amy

515
00:25:32,560 --> 00:25:36,879
Speaker 3: it upgrades. She was never there. No, really, you know

516
00:25:36,960 --> 00:25:39,840
Speaker 3: I was there two weeks ago, okay in New York

517
00:25:39,880 --> 00:25:41,000
Speaker 3: because I have a young friend.

518
00:25:41,080 --> 00:25:43,160
Speaker 1: I'm one of the main guys who.

519
00:25:43,119 --> 00:25:46,040
Speaker 3: Took classes there, and it was his uh improv one

520
00:25:46,080 --> 00:25:48,840
Speaker 3: oh one uh huh.

521
00:25:48,119 --> 00:25:49,680
Speaker 1: And you went to his improv on one show.

522
00:25:49,920 --> 00:25:50,560
Speaker 3: Yeah I did.

523
00:25:50,680 --> 00:25:54,000
Speaker 1: Yeah, that's nice that anyone recognize you.

524
00:25:54,040 --> 00:25:58,080
Speaker 2: No, uh Betty Driver was up my improv one on

525
00:25:58,160 --> 00:26:00,840
Speaker 2: one show Who Driver.

526
00:26:02,240 --> 00:26:06,040
Speaker 1: Mini Forever a Mini drive and not just a driver

527
00:26:06,119 --> 00:26:08,920
Speaker 1: of a Mini Cooper like Paula Tompkins, but in fact

528
00:26:09,320 --> 00:26:13,520
Speaker 1: Mini from About a Boy the TV show Hook Hook

529
00:26:13,600 --> 00:26:16,040
Speaker 1: Dunk Dunk. Remember she said that Goodwill hunting.

530
00:26:19,440 --> 00:26:21,240
Speaker 3: We saw her in a lot of things.

531
00:26:21,520 --> 00:26:23,360
Speaker 2: Sure did, we sure did.

532
00:26:23,440 --> 00:26:26,040
Speaker 1: We've seen her speechless and she was at your show.

533
00:26:26,359 --> 00:26:27,640
Speaker 3: Did she come to see you or.

534
00:26:27,560 --> 00:26:36,600
Speaker 1: She well, ultimately you know, technically, yes, she did come

535
00:26:36,640 --> 00:26:38,760
Speaker 1: and she did see me, So she came to see me?

536
00:26:39,000 --> 00:26:41,800
Speaker 1: Was that her intention when she left the house? Certainly?

537
00:26:41,840 --> 00:26:44,840
Speaker 3: Not? Do you see uh? Do you see a lot

538
00:26:44,880 --> 00:26:48,160
Speaker 3: of stars? Like like who is the last star you saw?

539
00:26:48,560 --> 00:26:52,520
Speaker 1: Star at last star star Star star stars star?

540
00:26:52,680 --> 00:26:55,760
Speaker 2: Just trying to there's so many, I'm seeing so many

541
00:26:55,840 --> 00:26:57,840
Speaker 2: of them.

542
00:26:57,400 --> 00:27:00,000
Speaker 1: And who and it would help to know what you

543
00:27:00,040 --> 00:27:01,560
Speaker 1: who you consider a star is.

544
00:27:01,520 --> 00:27:05,479
Speaker 2: Patrick Warburt and a star? I don't know, Okay, I

545
00:27:05,480 --> 00:27:10,639
Speaker 2: haven't seen him. It's just like just a example. So no,

546
00:27:10,840 --> 00:27:16,399
Speaker 2: it sounds like no putty from Seinfeld the rules of engagement.

547
00:27:17,080 --> 00:27:21,760
Speaker 2: Mm hmm. Not a star. Let's find it. Let's find

548
00:27:21,760 --> 00:27:24,800
Speaker 2: it and Haiti zero in she would count okay, so

549
00:27:25,200 --> 00:27:28,040
Speaker 2: let's go. So that's too high, So it's somewhere in

550
00:27:28,040 --> 00:27:29,960
Speaker 2: between Patrick Warburn and Nan Hayes.

551
00:27:30,280 --> 00:27:33,040
Speaker 1: Okay, that might.

552
00:27:32,880 --> 00:27:33,520
Speaker 2: Be the line.

553
00:27:33,840 --> 00:27:35,960
Speaker 3: The last person I saw, and it was in New York,

554
00:27:36,080 --> 00:27:39,119
Speaker 3: was Anna Wintour, okay, And I saw her on the

555
00:27:39,160 --> 00:27:41,679
Speaker 3: street and I thought, wow, that person looks just like

556
00:27:41,720 --> 00:27:44,520
Speaker 3: Anna Wintour waiting to the store that she'd come out of.

557
00:27:44,560 --> 00:27:47,280
Speaker 3: And I said, with a window, and they said, yeah,

558
00:27:47,280 --> 00:27:48,359
Speaker 3: she comes in here all the time.

559
00:27:48,720 --> 00:27:51,479
Speaker 2: Yeah, that counts celebrity.

560
00:27:52,920 --> 00:27:53,240
Speaker 3: Class.

561
00:27:54,359 --> 00:27:56,359
Speaker 1: Ah, you.

562
00:27:57,920 --> 00:28:02,240
Speaker 2: Never did, James Corden. When you do that, the thing

563
00:28:02,320 --> 00:28:06,280
Speaker 2: to do is get so like he'll be offended if

564
00:28:06,280 --> 00:28:08,320
Speaker 2: you don't, get so nervous that you sneeze and like

565
00:28:08,400 --> 00:28:10,480
Speaker 2: a lot of snot comes.

566
00:28:10,200 --> 00:28:13,199
Speaker 1: Out and six or seven sneezes in a row, just

567
00:28:13,280 --> 00:28:16,640
Speaker 1: every time. Every time it seems as though you've recovered

568
00:28:16,760 --> 00:28:18,719
Speaker 1: and we're about to get back into the show, you

569
00:28:18,840 --> 00:28:23,080
Speaker 1: hit him with a big achu and that I think

570
00:28:23,800 --> 00:28:26,280
Speaker 1: wins him over in this way where it's like he

571
00:28:26,320 --> 00:28:29,560
Speaker 1: feels sorry for you. You seem to be very sick,

572
00:28:29,640 --> 00:28:31,560
Speaker 1: of course, so he keeps his distance a little bit

573
00:28:32,280 --> 00:28:34,919
Speaker 1: and then you can talk about whatever, because it's like

574
00:28:34,920 --> 00:28:35,920
Speaker 1: broken the time and trying.

575
00:28:36,040 --> 00:28:37,600
Speaker 2: Obviously you have a break.

576
00:28:37,800 --> 00:28:38,360
Speaker 1: Cry a lot.

577
00:28:38,520 --> 00:28:40,440
Speaker 3: Do you have a break a rib or a fracture rib?

578
00:28:40,840 --> 00:28:46,960
Speaker 1: Me not my own? So this is actually pushing me.

579
00:28:46,920 --> 00:28:53,560
Speaker 3: Brett that normally I think it feels really good to sneeze,

580
00:28:53,880 --> 00:28:55,320
Speaker 3: but if you have a broken.

581
00:28:55,080 --> 00:28:56,600
Speaker 1: Rib, got it forget.

582
00:28:57,920 --> 00:29:00,320
Speaker 3: And it's great fun and you know, like sometimes can.

583
00:29:00,240 --> 00:29:05,560
Speaker 2: Look at the don't like don't he's trying to find

584
00:29:05,840 --> 00:29:07,000
Speaker 2: like common ground with.

585
00:29:06,960 --> 00:29:10,560
Speaker 1: You if you're no idea, He's always trying to leverage

586
00:29:10,600 --> 00:29:12,760
Speaker 1: the guest against Okay.

587
00:29:12,280 --> 00:29:14,840
Speaker 3: Let's say we're on an airplane and I'm sitting next

588
00:29:14,880 --> 00:29:15,080
Speaker 3: to you.

589
00:29:15,480 --> 00:29:16,640
Speaker 2: Is what you're talking about.

590
00:29:17,360 --> 00:29:20,480
Speaker 3: And we're on an airplane and you're next to me

591
00:29:20,520 --> 00:29:23,400
Speaker 3: and I sneeze, What do you say? I say, God,

592
00:29:23,400 --> 00:29:26,320
Speaker 3: bless you. I don't say anything when someone sneezes and

593
00:29:26,360 --> 00:29:26,959
Speaker 3: I don't want them.

594
00:29:26,960 --> 00:29:31,800
Speaker 1: I don't make God. I don't I like, may God

595
00:29:31,920 --> 00:29:34,360
Speaker 1: carry you in his gentle arms, I say.

596
00:29:35,080 --> 00:29:39,520
Speaker 2: I just don't say may God forgive you.

597
00:29:40,000 --> 00:29:41,000
Speaker 1: I say God forgives.

598
00:29:41,320 --> 00:29:43,720
Speaker 3: I say sometimes when someone sneezes, the only this is

599
00:29:43,720 --> 00:29:47,120
Speaker 3: the only thing I ever say I have aids.

600
00:29:47,680 --> 00:29:52,040
Speaker 1: Wow you Okay, let them know.

601
00:29:52,080 --> 00:29:54,280
Speaker 3: No, just when they sneeze. I say I have aids

602
00:29:54,320 --> 00:29:57,840
Speaker 3: because I want them to feel better about feel bad

603
00:29:57,840 --> 00:29:58,640
Speaker 3: about themselves.

604
00:29:58,760 --> 00:30:01,880
Speaker 1: Okay, you know you appear to have a cold.

605
00:30:02,120 --> 00:30:04,200
Speaker 3: I have full blownades. That's what I say when someone

606
00:30:04,400 --> 00:30:05,520
Speaker 3: uses on a plane next to her.

607
00:30:05,760 --> 00:30:08,320
Speaker 2: Wow, and that must make them feel really nice, hm.

608
00:30:08,840 --> 00:30:10,840
Speaker 1: Because they go, oh, here, I was feeling bad for

609
00:30:10,920 --> 00:30:13,400
Speaker 1: myself that I sneezed. Yeah, I'm sitting next to a

610
00:30:13,400 --> 00:30:17,080
Speaker 1: guy with full bides and he's and he's sharing.

611
00:30:17,280 --> 00:30:20,040
Speaker 3: Yep, that's cool.

612
00:30:20,040 --> 00:30:23,600
Speaker 1: That opens it up in a big way. They may

613
00:30:23,680 --> 00:30:26,640
Speaker 1: respond to you with an uncomfortable truth, perhaps that they

614
00:30:26,640 --> 00:30:28,160
Speaker 1: wouldn't normally say to a stranger.

615
00:30:28,240 --> 00:30:30,680
Speaker 2: We haven't been for your book. We have to start

616
00:30:30,680 --> 00:30:33,360
Speaker 2: the show. We should. First of all, would really help

617
00:30:33,400 --> 00:30:35,760
Speaker 2: if you would tell Richter that what a good experience

618
00:30:35,800 --> 00:30:38,040
Speaker 2: you had here, please, because he's been refusing to do

619
00:30:38,120 --> 00:30:38,480
Speaker 2: the show.

620
00:30:39,360 --> 00:30:39,680
Speaker 3: Huh.

621
00:30:40,080 --> 00:30:43,320
Speaker 2: We get great guests, we get like we get we've

622
00:30:43,320 --> 00:30:44,560
Speaker 2: we've gotten good people.

623
00:30:44,880 --> 00:30:46,600
Speaker 1: If you could tell him that you had fun and

624
00:30:46,720 --> 00:30:50,840
Speaker 1: that we didn't talk at the same time, and then

625
00:30:50,880 --> 00:30:59,160
Speaker 1: it wasn't sort of a wall of Smarm's.

626
00:30:56,480 --> 00:30:57,280
Speaker 3: Not the right word.

627
00:30:57,400 --> 00:30:59,400
Speaker 2: Okay, I'd love to hear.

628
00:30:59,280 --> 00:30:59,760
Speaker 1: What it is.

629
00:31:00,800 --> 00:31:03,800
Speaker 2: Someone said it's like being in a in a car crash.

630
00:31:05,040 --> 00:31:07,960
Speaker 2: If you told him it's like, not like a car crash.

631
00:31:08,080 --> 00:31:12,880
Speaker 1: Yes, it's being in a safe car. Hmm mm hmm.

632
00:31:13,400 --> 00:31:15,960
Speaker 3: I think it's like being in a vacuum cleaner bag

633
00:31:17,560 --> 00:31:23,320
Speaker 3: while somebody is vacuuming a room that lots of cats

634
00:31:23,400 --> 00:31:26,600
Speaker 3: died in. That's what I think. It's like. Uh huh, Okay,

635
00:31:26,960 --> 00:31:31,360
Speaker 3: lots of cats died in like uh many years ago,

636
00:31:31,600 --> 00:31:35,560
Speaker 3: years ago, but it's still so it's not fresh rot,

637
00:31:35,720 --> 00:31:37,600
Speaker 3: but it's still diseased.

638
00:31:38,120 --> 00:31:38,520
Speaker 1: Yeah.

639
00:31:38,520 --> 00:31:41,160
Speaker 2: But for you and bone and flesh with your taxi

640
00:31:41,200 --> 00:31:44,800
Speaker 2: dermy collection, this to you is a is a compliment.

641
00:31:44,360 --> 00:31:47,200
Speaker 1: It's a project. Yeah, because then inside the vacuum back

642
00:31:47,200 --> 00:31:49,080
Speaker 1: you've got such an activity to put all these cat

643
00:31:49,120 --> 00:31:49,960
Speaker 1: bones back together.

644
00:31:50,080 --> 00:31:50,760
Speaker 2: That's a summer.

645
00:31:53,320 --> 00:31:57,160
Speaker 1: So you're welcome for what must be a cherish.

646
00:31:57,240 --> 00:31:58,120
Speaker 2: We have to begin.

647
00:31:58,320 --> 00:32:01,400
Speaker 1: We got to start the show. And now can I

648
00:32:01,440 --> 00:32:03,320
Speaker 1: ask before you did your master class, did you watch

649
00:32:03,320 --> 00:32:04,640
Speaker 1: a lot of the other master classes?

650
00:32:05,040 --> 00:32:05,640
Speaker 3: No? I didn't.

651
00:32:06,000 --> 00:32:09,280
Speaker 1: No, I didn't want to. I didn't want to be

652
00:32:09,320 --> 00:32:10,280
Speaker 1: influenced too heavily.

653
00:32:10,400 --> 00:32:13,320
Speaker 2: I will say it shows I've seen yours. It does

654
00:32:13,360 --> 00:32:17,960
Speaker 2: show a little bit you are facing the wrong way.

655
00:32:18,760 --> 00:32:20,840
Speaker 2: I think if you had watched some of the other ones,

656
00:32:21,160 --> 00:32:24,240
Speaker 2: it would you're not facing in the completely row direction. Yeah,

657
00:32:24,240 --> 00:32:29,520
Speaker 2: but definitely like ninety degrees soft center. Yeah, you're missing

658
00:32:29,640 --> 00:32:31,280
Speaker 2: and you I'm not totally in frame.

659
00:32:32,080 --> 00:32:32,480
Speaker 1: Mm hmm.

660
00:32:32,680 --> 00:32:34,920
Speaker 3: Okay, I asked you and the other ones did people

661
00:32:34,920 --> 00:32:35,520
Speaker 3: have clothes on?

662
00:32:36,080 --> 00:32:39,080
Speaker 2: Well, okay, so yes, but different ones from the ones

663
00:32:39,200 --> 00:32:39,640
Speaker 2: you have on.

664
00:32:40,760 --> 00:32:45,040
Speaker 1: Yeah, and it's and you keep saying like, dear reader,

665
00:32:47,160 --> 00:32:47,440
Speaker 1: you know.

666
00:32:47,440 --> 00:32:49,960
Speaker 3: Like sometimes people you say something you didn't even realize

667
00:32:50,040 --> 00:32:51,360
Speaker 3: it's a thing, and you're saying it.

668
00:32:51,760 --> 00:32:52,440
Speaker 1: Uh huh.

669
00:32:52,560 --> 00:32:52,880
Speaker 2: Yeah.

670
00:32:53,000 --> 00:32:55,720
Speaker 3: I listened to a little interview with Tom Perez, right,

671
00:32:55,800 --> 00:33:00,240
Speaker 3: head of the Democratic National Tom's a friend, and he

672
00:33:00,360 --> 00:33:03,520
Speaker 3: said the word conversation. I bet he said it twenty

673
00:33:03,600 --> 00:33:06,959
Speaker 3: times in four minute interview. Well, I think we need

674
00:33:06,960 --> 00:33:09,160
Speaker 3: to have a conversation, and I think that's all part

675
00:33:09,200 --> 00:33:11,560
Speaker 3: of the conversation. I think if we have a conversation

676
00:33:11,640 --> 00:33:15,560
Speaker 3: about and if I were the person interviewing, I would

677
00:33:15,600 --> 00:33:18,720
Speaker 3: stop and ever have said you have to stop saying conversations.

678
00:33:18,760 --> 00:33:20,240
Speaker 2: Well, I mean, but we all.

679
00:33:20,120 --> 00:33:25,160
Speaker 3: Do things we're not aware that we are doing. And

680
00:33:25,200 --> 00:33:27,600
Speaker 3: I guess the way to fix that, like, do you

681
00:33:27,640 --> 00:33:29,280
Speaker 3: listen to yourself on this podcast.

682
00:33:29,400 --> 00:33:31,440
Speaker 1: No, I've tried to avoid it for quite some time.

683
00:33:31,800 --> 00:33:35,160
Speaker 2: And someone is usually talking when I'm talking, so it's.

684
00:33:35,480 --> 00:33:38,360
Speaker 1: Yeah, I can't really hear myself there's someone else talking.

685
00:33:40,040 --> 00:33:44,280
Speaker 3: Why, Well, because I don't ever listen to myself. But

686
00:33:44,440 --> 00:33:48,160
Speaker 3: maybe it would be edit. Maybe maybe I should, and

687
00:33:48,200 --> 00:33:49,400
Speaker 3: maybe I'd realize were you.

688
00:33:49,360 --> 00:33:51,080
Speaker 1: Going to say gratifying? And then he thought we might

689
00:33:51,080 --> 00:33:51,720
Speaker 1: not know the word.

690
00:33:52,240 --> 00:33:54,080
Speaker 3: I wasn't sure if I was using it properly, is

691
00:33:54,120 --> 00:33:57,560
Speaker 3: what happened. But I thought maybe there are things that

692
00:33:57,640 --> 00:34:01,040
Speaker 3: I say. Because I did an interview and somebody said,

693
00:34:01,080 --> 00:34:03,760
Speaker 3: you know, you laughed at everything you said. I thought, oh,

694
00:34:03,800 --> 00:34:04,600
Speaker 3: that's the worst.

695
00:34:05,000 --> 00:34:12,680
Speaker 2: Never done that. We never never one of the worst crimes. Yeah.

696
00:34:12,800 --> 00:34:15,000
Speaker 1: No, we're not guilty of that, and it's not something

697
00:34:15,000 --> 00:34:17,840
Speaker 1: that turns people off about the show. So let's start

698
00:34:17,880 --> 00:34:21,680
Speaker 1: the show and let's get into We're gonna tell a story.

699
00:34:22,680 --> 00:34:26,440
Speaker 1: So normally the formula for us has been this, We'll

700
00:34:26,480 --> 00:34:29,960
Speaker 1: say we'll be ignoring our guests completely, which I think

701
00:34:30,000 --> 00:34:34,680
Speaker 1: puts us on a good powerful level, and we will

702
00:34:34,719 --> 00:34:38,200
Speaker 1: be saying a story from the past where we were

703
00:34:38,200 --> 00:34:41,720
Speaker 1: hanging out with some famous celebrity. We'll take a pause

704
00:34:41,719 --> 00:34:44,719
Speaker 1: between the first and last name, so we might say

705
00:34:44,840 --> 00:34:49,640
Speaker 1: I was in a store with Anna Winter, and then

706
00:34:49,880 --> 00:34:54,080
Speaker 1: we will continue by saying some crazy activity we were

707
00:34:54,080 --> 00:34:55,920
Speaker 1: doing with them, and then we will totally run out

708
00:34:55,920 --> 00:34:58,200
Speaker 1: of steam and say, oh God. I pray that the

709
00:34:58,280 --> 00:35:02,160
Speaker 1: other person says something now because I had nothing else planned.

710
00:35:02,600 --> 00:35:05,520
Speaker 1: And sometimes they will, sometimes they won't, and sometimes it helps,

711
00:35:05,560 --> 00:35:08,719
Speaker 1: but usually even if they do, it doesn't help makes

712
00:35:08,719 --> 00:35:11,000
Speaker 1: it worse. Do you think that's a good formula for

713
00:35:11,040 --> 00:35:12,120
Speaker 1: starting yours show?

714
00:35:12,880 --> 00:35:13,760
Speaker 3: I think it's awful.

715
00:35:13,880 --> 00:35:17,080
Speaker 1: Yeah, it seems, and that's what we've been find and

716
00:35:17,120 --> 00:35:19,480
Speaker 1: we've done three hundred or something.

717
00:35:20,719 --> 00:35:22,640
Speaker 2: Yeah you want to see it?

718
00:35:23,680 --> 00:35:26,280
Speaker 1: No, okay, all we do it over the song?

719
00:35:26,400 --> 00:35:27,920
Speaker 3: Yeah, sounds awful.

720
00:35:28,600 --> 00:35:33,600
Speaker 1: Yeah it's pretty bad. So how would you change that?

721
00:35:35,239 --> 00:35:39,560
Speaker 3: I would say, I would have, like, you have a

722
00:35:39,600 --> 00:35:42,880
Speaker 3: theme song, right, and I'd play that for like four

723
00:35:42,920 --> 00:35:45,560
Speaker 3: seconds tops, and I'd say, so let's start the show,

724
00:35:46,120 --> 00:35:47,000
Speaker 3: and I would just start it.

725
00:35:47,080 --> 00:35:49,120
Speaker 1: You just say so let's start there, you're saying that

726
00:35:49,120 --> 00:35:50,320
Speaker 1: to the song, let's.

727
00:35:50,160 --> 00:35:53,680
Speaker 3: Start the show, and then each of you I'd put

728
00:35:53,719 --> 00:35:56,080
Speaker 3: a little note that said, don't talk while the other

729
00:35:56,120 --> 00:36:03,719
Speaker 3: person's talking. And and don't be ashamed you are, though,

730
00:36:04,520 --> 00:36:08,520
Speaker 3: don't be ashamed of my accomplishments. I would put that down. Okay,

731
00:36:08,880 --> 00:36:12,239
Speaker 3: maybe i'd put your little Harvard degree right there on

732
00:36:12,280 --> 00:36:18,040
Speaker 3: the wall, and your degree from Second City, the you know,

733
00:36:18,120 --> 00:36:20,759
Speaker 3: whatever they gave you when you graduated. Put that on

734
00:36:20,800 --> 00:36:23,520
Speaker 3: the wall and embrace it.

735
00:36:23,880 --> 00:36:27,839
Speaker 2: Yeah, a tattoo, mm hmm. It's like have you seen

736
00:36:27,920 --> 00:36:28,520
Speaker 2: water World?

737
00:36:28,640 --> 00:36:31,759
Speaker 1: Yeah, that's such a good Have you seen the movie

738
00:36:31,760 --> 00:36:33,400
Speaker 1: water Tattoo?

739
00:36:34,120 --> 00:36:39,360
Speaker 3: Graduate? I did? I saw a water World when it

740
00:36:39,400 --> 00:36:40,120
Speaker 3: came out like.

741
00:36:40,080 --> 00:36:46,600
Speaker 1: That and similar. Okay, so all right, So basically your

742
00:36:46,680 --> 00:36:50,080
Speaker 1: idea for fixing our story formula, as it were, is

743
00:36:50,120 --> 00:36:53,440
Speaker 1: to completely abandon it and possibly abandon the show we

744
00:36:53,520 --> 00:36:55,000
Speaker 1: are under contract Toxtent.

745
00:36:56,080 --> 00:37:00,279
Speaker 3: Also, if you're doing this for a living, you need

746
00:37:00,320 --> 00:37:02,319
Speaker 3: to prepare for it, you know. I mean, if you're

747
00:37:02,360 --> 00:37:07,080
Speaker 3: gonna tell a story at your introduction, you might want

748
00:37:07,120 --> 00:37:10,040
Speaker 3: to work on a few days in advance and actually

749
00:37:10,400 --> 00:37:15,040
Speaker 3: act like professionals and put some thought into it and

750
00:37:15,080 --> 00:37:15,880
Speaker 3: take some pride in it.

751
00:37:16,040 --> 00:37:20,080
Speaker 2: Yeah. I got a lot going on a few days

752
00:37:20,120 --> 00:37:20,800
Speaker 2: in advance.

753
00:37:21,200 --> 00:37:24,799
Speaker 1: The couple days before I do the show are always yeah,

754
00:37:25,000 --> 00:37:28,840
Speaker 1: I mean, I mean slammed David, I can't even I

755
00:37:28,880 --> 00:37:31,040
Speaker 1: could start going through it, but you your head would

756
00:37:31,080 --> 00:37:36,040
Speaker 1: spit because it's like nots so crazy slammed. So that

757
00:37:36,160 --> 00:37:37,360
Speaker 1: obviously doesn't work for me.

758
00:37:38,440 --> 00:37:44,280
Speaker 2: Like just like hygiene, dental care, car maintenance for these things,

759
00:37:44,360 --> 00:37:46,239
Speaker 2: just like really pile up.

760
00:37:46,400 --> 00:37:50,960
Speaker 1: Yeah, there's a rattling sound the pool. And I have

761
00:37:51,040 --> 00:37:55,400
Speaker 1: to say it as well that your advice is underestimating

762
00:37:55,719 --> 00:37:59,920
Speaker 1: I think the value we've found in keeping an ironic

763
00:38:00,120 --> 00:38:02,640
Speaker 1: distance and when the show does fail, which is often

764
00:38:02,680 --> 00:38:04,640
Speaker 1: going we don't even care. Yeah we did, we weren't

765
00:38:04,640 --> 00:38:07,319
Speaker 1: even trying. If I say, I've been working on this

766
00:38:07,360 --> 00:38:09,239
Speaker 1: for a couple of days and then I come out

767
00:38:09,280 --> 00:38:10,960
Speaker 1: with what I would likely come out with, which is

768
00:38:11,000 --> 00:38:14,480
Speaker 1: of a similar quality to what we do, that's humiliating

769
00:38:14,520 --> 00:38:14,759
Speaker 1: for me.

770
00:38:15,040 --> 00:38:17,200
Speaker 3: Yeah, so I see your point.

771
00:38:17,320 --> 00:38:18,600
Speaker 1: So that there's some.

772
00:38:19,360 --> 00:38:21,920
Speaker 3: That would be like the person who is the two

773
00:38:21,920 --> 00:38:25,319
Speaker 3: people who are supposed to host this show just had

774
00:38:25,320 --> 00:38:27,080
Speaker 3: a car accident and they asked us to do it.

775
00:38:27,239 --> 00:38:28,680
Speaker 1: We're stepping it every week.

776
00:38:28,880 --> 00:38:31,640
Speaker 3: We're feeling ever we've been worked in the entertainment industry,

777
00:38:31,880 --> 00:38:33,839
Speaker 3: hu and here we here we go.

778
00:38:35,800 --> 00:38:40,200
Speaker 1: That's interesting, Okay, that could work for me. Do you

779
00:38:40,239 --> 00:38:42,840
Speaker 1: think that after a couple of weeks people would start to.

780
00:38:42,800 --> 00:38:44,360
Speaker 2: Suspe let's try that, let's try that.

781
00:38:44,440 --> 00:38:54,520
Speaker 1: Lets lay yeah, hello, okay, hello, so this do we start? Now?

782
00:38:54,719 --> 00:38:55,520
Speaker 2: We start talking?

783
00:38:55,560 --> 00:38:55,759
Speaker 1: Now?

784
00:38:56,680 --> 00:38:57,640
Speaker 3: Okay, it hasn't been.

785
00:38:57,520 --> 00:39:02,720
Speaker 1: Four seconds, so hello, this is the show.

786
00:39:02,840 --> 00:39:04,440
Speaker 2: I guess we're okay.

787
00:39:04,680 --> 00:39:09,440
Speaker 1: Jesus wow, I wish this was happening under better circumstances.

788
00:39:09,440 --> 00:39:16,960
Speaker 1: Two men have died and just a horrific crash. Uh

789
00:39:17,000 --> 00:39:19,960
Speaker 1: we are, of course, Well do you want to go?

790
00:39:21,719 --> 00:39:26,680
Speaker 2: Yeah? I mean I didn't know these these people. No,

791
00:39:26,840 --> 00:39:30,000
Speaker 2: but like and so I don't feel equipped to memorialize them.

792
00:39:30,000 --> 00:39:32,680
Speaker 2: I don't know why I'm I'm doing this now. We

793
00:39:32,760 --> 00:39:35,040
Speaker 2: can't vilize them. We'll have a show to do. It

794
00:39:35,080 --> 00:39:36,080
Speaker 2: feels wrong not to.

795
00:39:36,560 --> 00:39:38,359
Speaker 1: Uh no, we should say something about them.

796
00:39:38,719 --> 00:39:39,280
Speaker 2: Uh Okay.

797
00:39:41,080 --> 00:39:46,279
Speaker 1: These men who were supposed to host the show, Yeah,

798
00:39:46,840 --> 00:39:48,440
Speaker 1: I'm sure had families.

799
00:39:49,480 --> 00:39:51,960
Speaker 2: Well I know its lou Diamond Phillips and James con

800
00:39:52,760 --> 00:39:55,000
Speaker 2: So they had so yes, so one of them had

801
00:39:55,239 --> 00:40:02,640
Speaker 2: Scott Scott, their son, famed photographer Scott con Tweeter from

802
00:40:03,040 --> 00:40:07,359
Speaker 2: Varsity Varsity Blues. One of the Oceans thirteen mm hmm.

803
00:40:07,920 --> 00:40:11,680
Speaker 2: One of those he like to blow things up and

804
00:40:11,719 --> 00:40:15,800
Speaker 2: then Lou Diamond Phillips you know on me ritchie valance.

805
00:40:17,520 --> 00:40:22,280
Speaker 1: So instead we're here. Obviously we don't have the experience

806
00:40:22,280 --> 00:40:24,160
Speaker 1: that those men have with the entertainment industry. We are

807
00:40:24,160 --> 00:40:27,280
Speaker 1: flying blind a little bit. It is last minute. Uh

808
00:40:28,280 --> 00:40:31,560
Speaker 1: I hope, I'm using this microphone right, we have a

809
00:40:31,600 --> 00:40:35,560
Speaker 1: guest and just go and you just plase.

810
00:40:35,680 --> 00:40:38,440
Speaker 2: Yeah, it would really help us if you were just drowning.

811
00:40:40,719 --> 00:40:43,760
Speaker 2: How did you get booked on this on this show?

812
00:40:43,880 --> 00:40:45,560
Speaker 1: Uh? Huh? You do you want to talk about Lou?

813
00:40:46,960 --> 00:40:47,080
Speaker 3: Uh?

814
00:40:47,840 --> 00:40:51,000
Speaker 2: I is that a celebrity to you? Star?

815
00:40:52,000 --> 00:40:54,200
Speaker 3: The name is it's just like it's a I know

816
00:40:54,320 --> 00:40:56,799
Speaker 3: the name, Okay, I mean I don't. I don't know

817
00:40:56,840 --> 00:40:59,319
Speaker 3: the face really, but it's a celebrity name.

818
00:40:59,520 --> 00:40:59,759
Speaker 1: Yeah.

819
00:41:01,040 --> 00:41:04,800
Speaker 2: James con that's a that's I can picture him. Yeah.

820
00:41:05,200 --> 00:41:07,359
Speaker 3: If I saw him in all Way, I'd say that's

821
00:41:07,440 --> 00:41:07,919
Speaker 3: James Colin.

822
00:41:08,000 --> 00:41:10,160
Speaker 2: Do you want to eulogize him.

823
00:41:10,840 --> 00:41:13,880
Speaker 3: He was in Funny Lady, you know that sequel to

824
00:41:13,960 --> 00:41:14,560
Speaker 3: Funny Girl.

825
00:41:14,800 --> 00:41:16,759
Speaker 1: Yeah, yeah, yeah, thank you.

826
00:41:18,280 --> 00:41:20,640
Speaker 2: That's really powerful now that I didn't expect that.

827
00:41:22,280 --> 00:41:24,880
Speaker 1: I'm getting because.

828
00:41:24,880 --> 00:41:27,600
Speaker 2: He really was. He really was in the Funny Lady.

829
00:41:27,600 --> 00:41:30,319
Speaker 2: It's partially of course, the stress of hosting a show

830
00:41:30,400 --> 00:41:34,279
Speaker 2: that I have no familiarity with, but also to hear

831
00:41:34,280 --> 00:41:35,480
Speaker 2: that he was in funny lady.

832
00:41:36,200 --> 00:41:38,080
Speaker 3: Can you imagine knowing Barber Stroish?

833
00:41:38,239 --> 00:41:40,640
Speaker 2: Then mm hmmmm.

834
00:41:42,000 --> 00:41:48,440
Speaker 1: And here I go again. Ah, wow, that's that's hitting me.

835
00:41:50,760 --> 00:41:56,000
Speaker 1: I can't. I can't, but he could. Yeah, he didn't

836
00:41:56,000 --> 00:41:57,560
Speaker 1: even need to. And something's happening.

837
00:41:57,680 --> 00:42:00,680
Speaker 2: You do you want us to take credit for that?

838
00:42:01,480 --> 00:42:02,160
Speaker 2: Is that a good host?

839
00:42:02,239 --> 00:42:02,359
Speaker 3: Thing?

840
00:42:02,400 --> 00:42:05,040
Speaker 1: To dinner last night?

841
00:42:05,120 --> 00:42:08,520
Speaker 3: And I I went to dinner last night, Yeah, and

842
00:42:09,160 --> 00:42:11,520
Speaker 3: it was like stuff in a musket. I ate so

843
00:42:11,680 --> 00:42:16,960
Speaker 3: much food and so yeah, that's my stomach growling. I

844
00:42:16,960 --> 00:42:18,920
Speaker 3: don't feel like I ever need to eat again.

845
00:42:19,120 --> 00:42:24,000
Speaker 1: We often think of ourselves as weaponry, as guns, that

846
00:42:24,120 --> 00:42:27,680
Speaker 1: our words are bullets that we can use to attack

847
00:42:27,840 --> 00:42:29,160
Speaker 1: on fairness in our world.

848
00:42:29,200 --> 00:42:31,040
Speaker 2: I'm a three D printed machine gun.

849
00:42:33,160 --> 00:42:36,279
Speaker 1: I'm a trip stomach again, I'm a mighty tribuche and

850
00:42:36,280 --> 00:42:41,640
Speaker 1: I can only fire once every couple of minutes. But

851
00:42:41,840 --> 00:42:45,160
Speaker 1: it's one big bomb. I let off a big rock.

852
00:42:46,400 --> 00:42:51,399
Speaker 2: So what kind And you're a blunderbuss? Tell you were saying,

853
00:42:51,400 --> 00:42:52,160
Speaker 2: what kind of gun are you?

854
00:42:53,360 --> 00:42:53,840
Speaker 1: Oh?

855
00:42:53,960 --> 00:42:54,680
Speaker 3: Yeah, musket?

856
00:42:55,960 --> 00:42:56,520
Speaker 2: What kind of gun?

857
00:42:56,880 --> 00:42:57,280
Speaker 1: Precise.

858
00:42:58,640 --> 00:43:02,120
Speaker 3: I'm a thermone warhead. Wow.

859
00:43:03,920 --> 00:43:06,879
Speaker 1: Oh, speak on that, speak on that.

860
00:43:08,600 --> 00:43:13,360
Speaker 3: It's the biggest possible explosion, can take out half the earth.

861
00:43:15,360 --> 00:43:17,680
Speaker 3: You know, in a blink of an eye, you win.

862
00:43:18,840 --> 00:43:20,680
Speaker 1: Because it was a contest, and I guess Brent won.

863
00:43:27,120 --> 00:43:29,520
Speaker 2: That feels good. It feels like the standard, like the

864
00:43:29,960 --> 00:43:32,279
Speaker 2: bar for doing that kind of show where we are

865
00:43:32,320 --> 00:43:34,799
Speaker 2: replacing two dead men.

866
00:43:35,440 --> 00:43:38,600
Speaker 1: Yeah, and the people can change. Oh sure everywhere. It's

867
00:43:38,600 --> 00:43:40,080
Speaker 1: like we got pulled into this again.

868
00:43:40,160 --> 00:43:40,359
Speaker 3: Yeah.

869
00:43:40,400 --> 00:43:42,360
Speaker 1: Or do we ever reference that we've done it before?

870
00:43:42,640 --> 00:43:45,120
Speaker 2: No? I think every time it's a it's a fresh

871
00:43:45,160 --> 00:43:47,319
Speaker 2: start because no one will be coming back from the

872
00:43:47,400 --> 00:43:52,319
Speaker 2: last one. So every time the audience is new, what

873
00:43:52,400 --> 00:43:54,759
Speaker 2: are they gonna listen to the show again? Does that

874
00:43:54,880 --> 00:43:55,239
Speaker 2: work for you?

875
00:43:55,320 --> 00:43:55,640
Speaker 1: Kevin?

876
00:43:57,239 --> 00:43:59,520
Speaker 2: Don't just give a thumbs up, Kevin? Hey, guys, chef

877
00:43:59,600 --> 00:44:00,840
Speaker 2: Kevin here, that's great. Thanks?

878
00:44:01,120 --> 00:44:04,520
Speaker 1: Is do you want to hear any clips from my masterclass.

879
00:44:04,040 --> 00:44:06,680
Speaker 2: That could be good in the for David?

880
00:44:07,120 --> 00:44:10,440
Speaker 1: Yeah, Brett, you were there for it.

881
00:44:10,680 --> 00:44:11,320
Speaker 3: I was there.

882
00:44:11,760 --> 00:44:13,400
Speaker 1: Is there anything you want to hear? Particularly? Did you

883
00:44:13,440 --> 00:44:15,560
Speaker 1: listen to the two clips that Kevin sent us this morning?

884
00:44:15,840 --> 00:44:16,600
Speaker 1: And how did I know.

885
00:44:16,560 --> 00:44:16,919
Speaker 3: That you would?

886
00:44:17,040 --> 00:44:17,640
Speaker 2: Did not listen.

887
00:44:20,719 --> 00:44:23,759
Speaker 1: Well, uh, Kevin, what do you think you want to pay?

888
00:44:23,840 --> 00:44:26,319
Speaker 2: Pay one clip and then David can give just a

889
00:44:26,320 --> 00:44:29,200
Speaker 2: couple of and then he can do the master's class.

890
00:44:29,239 --> 00:44:31,840
Speaker 2: On the masters class, I send a different Can I

891
00:44:31,840 --> 00:44:32,960
Speaker 2: play a different clip? Please?

892
00:44:36,040 --> 00:44:38,239
Speaker 1: Did Kevin pick these clips? Can I say something something

893
00:44:38,239 --> 00:44:39,080
Speaker 1: about writer's block?

894
00:44:39,480 --> 00:44:39,719
Speaker 3: Please?

895
00:44:39,840 --> 00:44:40,279
Speaker 2: Do writer?

896
00:44:40,360 --> 00:44:41,760
Speaker 1: Does writer's block exist?

897
00:44:42,400 --> 00:44:42,680
Speaker 3: Sure?

898
00:44:42,760 --> 00:44:46,319
Speaker 1: Sure, yeah, sure of course it does. But I don't

899
00:44:46,320 --> 00:44:48,839
Speaker 1: believe in writer's block, right, and I don't and I

900
00:44:48,880 --> 00:44:50,800
Speaker 1: don't think that it does exist.

901
00:44:51,520 --> 00:44:54,239
Speaker 2: And somebody else have writers black? I say, no such thing.

902
00:44:54,400 --> 00:44:55,160
Speaker 1: Is it a real thing?

903
00:44:55,320 --> 00:44:55,600
Speaker 3: Yeah?

904
00:44:55,680 --> 00:44:58,040
Speaker 1: Of course, yes, of course, But do I believe in it?

905
00:44:58,120 --> 00:44:59,399
Speaker 2: But do I believe in writers block?

906
00:44:59,600 --> 00:45:01,880
Speaker 3: And that's you beat it is you don't believe in it?

907
00:45:02,000 --> 00:45:03,919
Speaker 2: Mm hm, and so like to buy my mouth.

908
00:45:06,719 --> 00:45:08,359
Speaker 3: So that's your masterclass.

909
00:45:08,480 --> 00:45:10,960
Speaker 1: Yeah? So I also was talking about.

910
00:45:10,760 --> 00:45:13,000
Speaker 3: Writing and really decisively.

911
00:45:13,640 --> 00:45:17,799
Speaker 1: Yes, Well what's your feeling on that?

912
00:45:18,320 --> 00:45:18,799
Speaker 2: Did you do?

913
00:45:18,800 --> 00:45:20,319
Speaker 1: Do you tackle writer's block at all?

914
00:45:20,680 --> 00:45:20,880
Speaker 2: You know?

915
00:45:21,120 --> 00:45:22,080
Speaker 1: Are you terrified of it?

916
00:45:22,120 --> 00:45:25,480
Speaker 3: Tell you the truth. The way you can tell that

917
00:45:25,560 --> 00:45:28,200
Speaker 3: someone's not a real writer is that they ask you

918
00:45:28,239 --> 00:45:33,160
Speaker 3: about writer's block. No real writer ever ask somebody about

919
00:45:33,200 --> 00:45:36,840
Speaker 3: writer's block. It's only people who aren't that talk about it?

920
00:45:37,200 --> 00:45:40,040
Speaker 3: M You know what when there's Q and A like,

921
00:45:40,200 --> 00:45:42,680
Speaker 3: you know, people only say like, what are you doing

922
00:45:42,719 --> 00:45:46,799
Speaker 3: about writer's block? Then? Because I don't know anybody.

923
00:45:46,440 --> 00:45:49,120
Speaker 2: Who can say when they say that, you say, pack

924
00:45:49,200 --> 00:45:51,040
Speaker 2: your ship, pack the funk up.

925
00:45:51,320 --> 00:45:54,560
Speaker 3: You don't want to that's what you kind of want

926
00:45:54,560 --> 00:45:54,839
Speaker 3: to say.

927
00:45:54,840 --> 00:45:58,479
Speaker 2: I introduce you to the door, you go, you go, hey,

928
00:45:58,520 --> 00:46:02,359
Speaker 2: bud verse the blank page, call it.

929
00:46:02,400 --> 00:46:06,000
Speaker 3: But again, I like, you can call that fight and

930
00:46:06,040 --> 00:46:08,760
Speaker 3: you and in your masterclass, how you kind of repeat

931
00:46:08,800 --> 00:46:10,520
Speaker 3: that to really drive a point?

932
00:46:10,600 --> 00:46:12,680
Speaker 1: We repeat it a lot. I mean, that was one

933
00:46:12,719 --> 00:46:16,920
Speaker 1: of our tricks to kind of we had a time requirements.

934
00:46:16,080 --> 00:46:20,000
Speaker 2: Found how long I assumes for your master class as well.

935
00:46:20,000 --> 00:46:22,840
Speaker 2: In order to secure the financial compensation, you had to

936
00:46:22,880 --> 00:46:24,320
Speaker 2: fill a certain amount of time.

937
00:46:24,960 --> 00:46:26,840
Speaker 3: But it didn't feel like that. It just felt like

938
00:46:27,800 --> 00:46:31,080
Speaker 3: did you ever read Alan Carr's I Think The Easy

939
00:46:31,120 --> 00:46:31,360
Speaker 3: Way to.

940
00:46:31,360 --> 00:46:31,959
Speaker 1: Be Easy Working?

941
00:46:32,520 --> 00:46:32,759
Speaker 2: Yeah?

942
00:46:32,840 --> 00:46:34,960
Speaker 3: Any kind of repeat stuff over and over again, and

943
00:46:34,960 --> 00:46:38,399
Speaker 3: it kind of almost hypnotizes you by repeating things over

944
00:46:38,400 --> 00:46:40,160
Speaker 3: and over again, even though you're reading a book and

945
00:46:40,160 --> 00:46:41,240
Speaker 3: you're not talking to anybody.

946
00:46:42,000 --> 00:46:43,839
Speaker 1: You do in your masterclass, and that's what I did

947
00:46:43,840 --> 00:46:45,640
Speaker 1: in mine. Yeah. Is we repeated it so much that

948
00:46:45,760 --> 00:46:48,040
Speaker 1: ultimately you did and you walked away going.

949
00:46:48,080 --> 00:46:52,680
Speaker 3: What I walked away thinking, oh what writer's block?

950
00:46:53,000 --> 00:46:57,000
Speaker 1: Yeah exactly, yeah, no, thank you so much? Uh you

951
00:46:57,080 --> 00:47:04,680
Speaker 1: honor me? You want to play one more clip this

952
00:47:04,760 --> 00:47:10,479
Speaker 1: guy in gym here just as an overall note, miss

953
00:47:10,480 --> 00:47:14,080
Speaker 1: me with the bullshit today. Okay, I'm eating during miss

954
00:47:14,400 --> 00:47:16,439
Speaker 1: you could just miss me with all the bullshit, man,

955
00:47:17,719 --> 00:47:21,200
Speaker 1: just for today when we go into the script, which

956
00:47:21,200 --> 00:47:25,960
Speaker 1: we're going to get to with the bullshit, miss me

957
00:47:26,080 --> 00:47:33,239
Speaker 1: with that, please. So that's the repetitive trick that you

958
00:47:33,560 --> 00:47:36,719
Speaker 1: picked up on before.

959
00:47:37,680 --> 00:47:41,040
Speaker 3: And you know what that says to me? Bullshit? No,

960
00:47:41,160 --> 00:47:41,520
Speaker 3: thank you?

961
00:47:41,640 --> 00:47:45,160
Speaker 2: Yeah, and that was exactly pack your ship, get out

962
00:47:45,400 --> 00:47:48,160
Speaker 2: because I don't let that hit you where the good

963
00:47:48,160 --> 00:47:49,440
Speaker 2: Lord split it.

964
00:47:49,440 --> 00:47:51,880
Speaker 3: It's be gone bullshit.

965
00:47:53,160 --> 00:47:55,040
Speaker 2: And please go away.

966
00:47:55,239 --> 00:48:01,000
Speaker 1: Yeah. So what did you tend to eat during glasses? Hey?

967
00:48:01,320 --> 00:48:02,640
Speaker 3: What did I I ate?

968
00:48:02,680 --> 00:48:03,200
Speaker 2: Another word?

969
00:48:03,880 --> 00:48:09,160
Speaker 3: And for leaving, Uh tacos. I ate a lot of

970
00:48:09,200 --> 00:48:10,759
Speaker 3: tacos during Okay.

971
00:48:11,080 --> 00:48:14,800
Speaker 2: Uh see, now I did notice that I told you

972
00:48:14,880 --> 00:48:16,200
Speaker 2: I watch I did pick up on.

973
00:48:16,160 --> 00:48:19,040
Speaker 3: It, and then I said to them because a lot

974
00:48:19,040 --> 00:48:19,839
Speaker 3: of stuff.

975
00:48:19,600 --> 00:48:22,200
Speaker 2: Was spilling up hard tacos.

976
00:48:22,520 --> 00:48:24,680
Speaker 3: Yeah, they were hard tacos, and I said, what can

977
00:48:24,719 --> 00:48:26,000
Speaker 3: we do about this? And you know what they did.

978
00:48:26,000 --> 00:48:31,680
Speaker 3: They brought me takitos. They brought me taquitos, bite sized takeitos.

979
00:48:31,760 --> 00:48:35,839
Speaker 2: Yeah, and I noticed you did at first attempt to smoke.

980
00:48:35,520 --> 00:48:41,560
Speaker 3: Though, No, because I quit smoking, and so I just

981
00:48:41,840 --> 00:48:44,960
Speaker 3: ate the uh selfial takeitos.

982
00:48:45,280 --> 00:48:49,560
Speaker 1: And Hayes, would you like to apologize for a line? Okay,

983
00:48:49,560 --> 00:48:51,799
Speaker 1: because I've actually quit smoking too, and I did read

984
00:48:51,800 --> 00:48:56,360
Speaker 1: The Easy Way and what they did in that book

985
00:48:56,920 --> 00:48:59,360
Speaker 1: that I think is sort of what I've done in

986
00:48:59,400 --> 00:49:01,960
Speaker 1: my master us as well as a lot of smoking books,

987
00:49:01,960 --> 00:49:05,759
Speaker 1: say hey, here's what smoking is bad. Easy Way goes,

988
00:49:05,840 --> 00:49:08,839
Speaker 1: here's why you think smoking's good. And I'm gonna take

989
00:49:08,840 --> 00:49:11,200
Speaker 1: it away. Yeah, here's what you think you like. I'll

990
00:49:11,239 --> 00:49:13,680
Speaker 1: take it away. So some people say here's how you write.

991
00:49:14,040 --> 00:49:17,920
Speaker 1: I go, here's how you think you don't write. And

992
00:49:18,000 --> 00:49:18,760
Speaker 1: now that's gone.

993
00:49:18,800 --> 00:49:24,120
Speaker 3: Wow mm hmm, Well you move. Here's why you don't

994
00:49:24,120 --> 00:49:26,440
Speaker 3: think you right, because you said, here's.

995
00:49:26,200 --> 00:49:27,120
Speaker 1: Why, here's why you think.

996
00:49:27,280 --> 00:49:28,560
Speaker 3: Here's why you think you don't right.

997
00:49:28,640 --> 00:49:30,160
Speaker 1: Here's why you don't think you don't write right.

998
00:49:31,440 --> 00:49:32,399
Speaker 2: I gotta wrap it up.

999
00:49:32,680 --> 00:49:35,080
Speaker 1: I gotta wrap it up and the time is, yes,

1000
00:49:35,360 --> 00:49:36,080
Speaker 1: winding down.

1001
00:49:36,320 --> 00:49:39,520
Speaker 2: And that's why you bring someone, That's why you break

1002
00:49:39,640 --> 00:49:42,920
Speaker 2: someone to be a guest. We have so many people

1003
00:49:42,920 --> 00:49:46,040
Speaker 2: who's come along and it just goes on forever. It's

1004
00:49:46,120 --> 00:49:48,000
Speaker 2: bad for everybody.

1005
00:49:48,760 --> 00:49:53,200
Speaker 1: So okay, uh, so, thank you so much. We've loved

1006
00:49:53,280 --> 00:49:56,000
Speaker 1: having you. Any parting thoughts you fix the show? Of

1007
00:49:56,000 --> 00:49:57,839
Speaker 1: course we are now going to pretend that we are

1008
00:49:57,920 --> 00:50:01,799
Speaker 1: fill in hosts. Anything else you want to say about

1009
00:50:01,800 --> 00:50:04,239
Speaker 1: your experience here or that the listeners should take away

1010
00:50:04,280 --> 00:50:06,320
Speaker 1: with them, Well.

1011
00:50:06,239 --> 00:50:07,960
Speaker 3: You know what I would say to the listeners. I

1012
00:50:08,000 --> 00:50:10,239
Speaker 3: would say there are a lot of podcasts out there.

1013
00:50:10,840 --> 00:50:13,400
Speaker 3: That's what I would say to the listeners, and a

1014
00:50:13,440 --> 00:50:15,880
Speaker 3: lot of other things you could listen to. A whole

1015
00:50:16,040 --> 00:50:20,759
Speaker 3: world out there, sure to be learned, so uh, don't

1016
00:50:20,800 --> 00:50:21,719
Speaker 3: stick to any one thing.

1017
00:50:22,040 --> 00:50:24,440
Speaker 2: Yeah, Plug would probably explore.

1018
00:50:24,760 --> 00:50:25,799
Speaker 3: That's what I would say to them.

1019
00:50:25,920 --> 00:50:28,759
Speaker 2: Plug would be a better use of that time. I

1020
00:50:28,840 --> 00:50:31,399
Speaker 2: think that it's like plugging something up your road.

1021
00:50:32,239 --> 00:50:36,440
Speaker 1: But uh, it's done, is done. We obviously we do

1022
00:50:36,560 --> 00:50:38,760
Speaker 1: not edit the show. So thank you so much, David,

1023
00:50:39,040 --> 00:50:40,520
Speaker 1: Thank you, Bye bye.