1
00:00:01,000 --> 00:00:04,520
Speaker 1: Look man, Oh I see you? Why why? Oh? And

2
00:00:04,640 --> 00:00:13,880
Speaker 1: look over there? How is that culture? Yes, goodness, let's calling.

3
00:00:14,200 --> 00:00:20,279
Speaker 1: I have to give my congratulations. Oh, come to my vipress,

4
00:00:20,320 --> 00:00:25,680
Speaker 1: my advice, my book dress. Come on, I'm so happy.

5
00:00:25,880 --> 00:00:29,160
Speaker 1: By now you'll all heard the news. Matt is in

6
00:00:29,200 --> 00:00:33,199
Speaker 1: the Showtime pilot written by Minese Jeremy Bailer. I love

7
00:00:33,240 --> 00:00:36,000
Speaker 1: this for you. It's true. I am super excited to

8
00:00:36,040 --> 00:00:38,400
Speaker 1: be a part of it. It is just a pilot, um,

9
00:00:38,440 --> 00:00:41,239
Speaker 1: but it's very excited and it buzz is reaching a

10
00:00:41,360 --> 00:00:44,720
Speaker 1: din honey. And I mean the show has civil Shepherd.

11
00:00:44,800 --> 00:00:48,760
Speaker 1: Can we talk about civil Shepherd? Vanessa Beyer? I mean,

12
00:00:48,840 --> 00:00:52,440
Speaker 1: who these people crazy? We were saying before we got on, Like,

13
00:00:52,680 --> 00:00:54,920
Speaker 1: if I heard about the show, I would be dying

14
00:00:54,960 --> 00:00:57,400
Speaker 1: to watch it. It's essentially like the Devil Wores product

15
00:00:57,440 --> 00:01:01,320
Speaker 1: at QBC. Is really the best way I can describe it. Um,

16
00:01:01,400 --> 00:01:04,319
Speaker 1: And it's so funny, so funny, and I would be

17
00:01:04,680 --> 00:01:06,600
Speaker 1: dead for this as a viewer. But we were talking

18
00:01:06,640 --> 00:01:08,960
Speaker 1: before we came on. It's so hard to watch yourself

19
00:01:09,040 --> 00:01:12,000
Speaker 1: do anything that I'm I hope I'm able to watch

20
00:01:12,040 --> 00:01:15,240
Speaker 1: it like for real and enjoy how good it's going

21
00:01:15,280 --> 00:01:17,880
Speaker 1: to be and not just be like am I goodness,

22
00:01:17,959 --> 00:01:20,400
Speaker 1: Oh my god. I don't think you've ever had an

23
00:01:20,440 --> 00:01:25,120
Speaker 1: issue with like what your intention is on set translating

24
00:01:25,160 --> 00:01:28,399
Speaker 1: to what you're successfully executing what you set out to do.

25
00:01:28,680 --> 00:01:31,240
Speaker 1: There's some of us out there, myself included, where we're

26
00:01:31,240 --> 00:01:34,680
Speaker 1: like I thought I was doing this, but instead on

27
00:01:34,840 --> 00:01:37,320
Speaker 1: camera and after the edit this this is the best

28
00:01:37,360 --> 00:01:39,840
Speaker 1: take they had. It's me going like this, It's like,

29
00:01:40,200 --> 00:01:42,959
Speaker 1: it's crazy. Well, no, I first of all, you always

30
00:01:43,080 --> 00:01:46,880
Speaker 1: nail literally and I got a girl you were shooting

31
00:01:46,920 --> 00:01:48,520
Speaker 1: something this week and I got a text from a

32
00:01:48,600 --> 00:01:51,040
Speaker 1: producer that's a friend that said Bone just really knows

33
00:01:51,080 --> 00:01:54,640
Speaker 1: how to nail a take. And I was like, Thatt

34
00:01:54,760 --> 00:01:58,360
Speaker 1: Witaker said back, oh, that's very nice, because you did

35
00:01:58,400 --> 00:02:01,440
Speaker 1: a little role on Else five ever, which, by the way,

36
00:02:01,520 --> 00:02:03,960
Speaker 1: is going to be such a funny fucking show on Peacock.

37
00:02:04,160 --> 00:02:05,600
Speaker 1: We have to talk about this. It's gonna be a

38
00:02:05,600 --> 00:02:07,840
Speaker 1: great show. All the casting has been announced, so we

39
00:02:07,880 --> 00:02:12,239
Speaker 1: can say it's Sarah Brelli's Renee Lee s Goldsberry, Busy Phillips,

40
00:02:12,240 --> 00:02:16,240
Speaker 1: and Paula pell which, come the fuck on. They play

41
00:02:16,320 --> 00:02:18,880
Speaker 1: like they used to be like a big Spice Girls

42
00:02:18,919 --> 00:02:23,880
Speaker 1: type huge pop girl band and they make a comeback. Essentially,

43
00:02:23,919 --> 00:02:27,400
Speaker 1: it's like a sort of really pasteurized version of the story.

44
00:02:27,560 --> 00:02:32,720
Speaker 1: Would pasteurized be the pasteurized I think works my gesture, Queen,

45
00:02:32,840 --> 00:02:35,680
Speaker 1: you did not flop with that usage. What do I

46
00:02:35,760 --> 00:02:42,239
Speaker 1: mean to say when I said pastor? Yeah? Sure, but anyway,

47
00:02:42,320 --> 00:02:44,640
Speaker 1: you did a little part on it. And I literally

48
00:02:44,639 --> 00:02:46,399
Speaker 1: it's funny that you say we don't think you nail

49
00:02:46,440 --> 00:02:49,120
Speaker 1: takes because I literally received a text that said he

50
00:02:49,240 --> 00:02:51,920
Speaker 1: nails take. I think what you're saying is it is

51
00:02:51,960 --> 00:02:56,120
Speaker 1: hard to watch yourself because you never It's it's just hard. Well, um,

52
00:02:56,120 --> 00:02:58,560
Speaker 1: I think like like Joe Firestone said this once in

53
00:02:58,560 --> 00:03:00,040
Speaker 1: an interview and I was just like, oh, she's a

54
00:03:00,160 --> 00:03:02,639
Speaker 1: right where it's like it's hard to watch yourself because

55
00:03:02,639 --> 00:03:06,040
Speaker 1: you see yourself like faking something and it just looks

56
00:03:06,080 --> 00:03:09,200
Speaker 1: so unnatural that you're like, you see yourself faking something.

57
00:03:09,320 --> 00:03:12,359
Speaker 1: That's an interesting way to say, and you're just like, oh,

58
00:03:12,440 --> 00:03:13,960
Speaker 1: I can't do it, I can't do it. You know

59
00:03:14,160 --> 00:03:16,079
Speaker 1: you know who else is like this never watched a

60
00:03:16,120 --> 00:03:20,080
Speaker 1: single episode of Gray's Anatomy. Sandra, Yeah, yeah, yeah, yeah,

61
00:03:20,240 --> 00:03:22,440
Speaker 1: I've heard her say that. I get it and miss

62
00:03:22,440 --> 00:03:25,720
Speaker 1: miss some Miss kristen Wig also never watched us and

63
00:03:25,800 --> 00:03:28,200
Speaker 1: now when she was on, which I think is remarkable.

64
00:03:28,320 --> 00:03:31,080
Speaker 1: I kind of get it, and I do think it's

65
00:03:31,320 --> 00:03:33,320
Speaker 1: it's hard because you want to at least check in

66
00:03:33,400 --> 00:03:35,600
Speaker 1: for yourself that you did well. But I can't think

67
00:03:35,640 --> 00:03:38,240
Speaker 1: of enough times where I was happy seeing myself on

68
00:03:38,320 --> 00:03:40,080
Speaker 1: camera that I think it's good for me, you know

69
00:03:40,120 --> 00:03:43,000
Speaker 1: what I mean, Like, neither mean me. It's just not

70
00:03:43,080 --> 00:03:45,640
Speaker 1: It's not like I don't. I don't. I genuinely don't

71
00:03:45,760 --> 00:03:49,080
Speaker 1: do it to watch myself. I don't care about it

72
00:03:49,280 --> 00:03:53,040
Speaker 1: like I I like. I enjoy acting and performing, but

73
00:03:53,160 --> 00:03:55,480
Speaker 1: it's not something I want to consume myself doing at

74
00:03:55,480 --> 00:03:59,280
Speaker 1: any time. So interesting, Well, Jesture, I'm so happy for you.

75
00:03:59,320 --> 00:04:02,600
Speaker 1: I'm so excited. Thank you, Flop. I really appreciate that

76
00:04:02,720 --> 00:04:05,760
Speaker 1: flop and you telling me that day, I was like,

77
00:04:05,800 --> 00:04:07,240
Speaker 1: there's no way this day is going to be bad.

78
00:04:07,280 --> 00:04:09,600
Speaker 1: I remember you told me on a Saturday when I

79
00:04:09,640 --> 00:04:11,520
Speaker 1: was going I think it was for the Christian MC

80
00:04:11,600 --> 00:04:13,040
Speaker 1: do a leap show that you that you got the call.

81
00:04:13,200 --> 00:04:14,680
Speaker 1: I think it was. Yeah, I told you that day

82
00:04:14,720 --> 00:04:17,039
Speaker 1: we were talking that was that was a fun that

83
00:04:17,120 --> 00:04:20,960
Speaker 1: was a fun finding out you were gonna be TP

84
00:04:21,200 --> 00:04:23,200
Speaker 1: by Do and Kristen and also be getting to share

85
00:04:23,240 --> 00:04:25,680
Speaker 1: that news. It was a good text. It was a

86
00:04:25,760 --> 00:04:27,840
Speaker 1: very good text exchange. I was just I was going

87
00:04:27,880 --> 00:04:30,600
Speaker 1: in that morning being like, you know what, there's a

88
00:04:30,680 --> 00:04:33,560
Speaker 1: chance it gets cut, but as there always is, and

89
00:04:33,600 --> 00:04:36,200
Speaker 1: it was kind of white knuckling it for for that possibility.

90
00:04:36,200 --> 00:04:37,680
Speaker 1: But then you telling me that you booked this. I

91
00:04:37,720 --> 00:04:39,320
Speaker 1: was like, there's no way this day is going to

92
00:04:39,400 --> 00:04:42,200
Speaker 1: be bad because my friend got this thing that he

93
00:04:42,200 --> 00:04:47,120
Speaker 1: wanted support. It's called Sister Support and it's a front

94
00:04:47,240 --> 00:04:50,719
Speaker 1: runner of the title of that sister support. Sister, I

95
00:04:50,720 --> 00:04:52,480
Speaker 1: want to support you. What are you said? You were

96
00:04:52,480 --> 00:04:54,480
Speaker 1: watching something on Peacock recently, but it's not saved by

97
00:04:54,480 --> 00:04:56,200
Speaker 1: the bell? Is it? Is it something new? Okay, so

98
00:04:56,240 --> 00:04:59,679
Speaker 1: we just didn't add for Peacock and no shade to Peacock.

99
00:05:00,120 --> 00:05:04,359
Speaker 1: But I streamed something on a different streamer platform and

100
00:05:04,400 --> 00:05:07,799
Speaker 1: I was very excited that I did. And I enjoyed

101
00:05:07,839 --> 00:05:10,120
Speaker 1: this more than I thought I would. And I have

102
00:05:10,279 --> 00:05:14,240
Speaker 1: dragged this person before because I usually can't consume their stuff.

103
00:05:14,400 --> 00:05:17,680
Speaker 1: Anna Kendrick, she was really good in love life and

104
00:05:17,760 --> 00:05:21,080
Speaker 1: I really enjoyed love Life. Okay, girl, I don't think

105
00:05:21,120 --> 00:05:25,320
Speaker 1: sisters can support I'm not going to get any sisters.

106
00:05:26,480 --> 00:05:29,040
Speaker 1: I don't know. Okay, can I say something. I dragged

107
00:05:29,080 --> 00:05:31,039
Speaker 1: my ass to watch this because it's been out for

108
00:05:31,200 --> 00:05:33,040
Speaker 1: Why did you? Why did you watch it in the

109
00:05:33,080 --> 00:05:36,640
Speaker 1: first place. I'm telling you to watch nine days I've

110
00:05:36,680 --> 00:05:39,159
Speaker 1: been watching. Okay, you are being an idiot, because can

111
00:05:39,160 --> 00:05:41,039
Speaker 1: I tell you something? So I got so in my

112
00:05:41,080 --> 00:05:43,480
Speaker 1: head about like acting in a show that I said,

113
00:05:43,520 --> 00:05:47,600
Speaker 1: I can't watch another episode of reality show because it's

114
00:05:47,640 --> 00:05:50,360
Speaker 1: not what I need to be watching, because I'm gonna

115
00:05:50,680 --> 00:05:52,960
Speaker 1: like I I literally got scared for a second when

116
00:05:52,960 --> 00:05:56,200
Speaker 1: I was watching so much reality, Like, am I forgetting

117
00:05:56,360 --> 00:05:58,560
Speaker 1: what I'm supposed to be doing? Like when I go

118
00:05:58,680 --> 00:06:01,080
Speaker 1: to work eventually, and I feel like I forgot how

119
00:06:01,080 --> 00:06:04,200
Speaker 1: to act because I've been watching so much ninety day.

120
00:06:04,279 --> 00:06:06,200
Speaker 1: I don't think, Yeah, it makes sense, but I don't

121
00:06:06,240 --> 00:06:10,839
Speaker 1: think you should overload yourself with exemplary stuff. I was

122
00:06:10,880 --> 00:06:13,039
Speaker 1: just like, I need to watch something where there's acting.

123
00:06:13,720 --> 00:06:17,960
Speaker 1: So and so. You chose love Life, and for some reason,

124
00:06:18,040 --> 00:06:19,679
Speaker 1: I was just like I didn't want to watch anything

125
00:06:19,680 --> 00:06:23,680
Speaker 1: too challenging, And I was like let's just try Love Life,

126
00:06:23,760 --> 00:06:25,679
Speaker 1: because I read the description for it and it actually

127
00:06:25,680 --> 00:06:28,800
Speaker 1: appealed to me. It's like every episode is about a

128
00:06:28,839 --> 00:06:32,200
Speaker 1: different relationship in her twenties that like defined her love

129
00:06:32,240 --> 00:06:35,320
Speaker 1: life like as a whole in the macro. I ended

130
00:06:35,400 --> 00:06:39,120
Speaker 1: up really liking it. I I don't think it's like perfect,

131
00:06:39,520 --> 00:06:42,279
Speaker 1: but I will say it was fun to relive my

132
00:06:42,360 --> 00:06:45,440
Speaker 1: twenties in New York. And it really made me miss

133
00:06:45,480 --> 00:06:48,760
Speaker 1: nostalgic for being in my twenties and being in New York.

134
00:06:48,880 --> 00:06:51,320
Speaker 1: I don't need that right now, not in the pandemic.

135
00:06:51,360 --> 00:06:53,120
Speaker 1: I don't want to be reminded of the life that

136
00:06:53,240 --> 00:06:56,240
Speaker 1: was before. But it didn't make me feel bad. It

137
00:06:56,279 --> 00:06:59,640
Speaker 1: only made me feel nostalgic in a good way. You're unwell,

138
00:07:00,080 --> 00:07:02,080
Speaker 1: you are unwor I think I haven't. You think I

139
00:07:02,120 --> 00:07:04,919
Speaker 1: have wellness. I think you have disease. I don't know

140
00:07:04,960 --> 00:07:07,360
Speaker 1: about so I guess I listen. I know. There was

141
00:07:07,440 --> 00:07:09,279
Speaker 1: no point at which I thought I could convince you

142
00:07:09,320 --> 00:07:12,520
Speaker 1: to watch Love Life. I'm just saying I did enjoy it,

143
00:07:12,560 --> 00:07:14,760
Speaker 1: and I did watch ten episodes of it in a

144
00:07:14,840 --> 00:07:17,840
Speaker 1: row in one sitting. I'm on with the episodes MoMA

145
00:07:17,920 --> 00:07:21,160
Speaker 1: thirty three. Sometimes you get a twenty eight in there

146
00:07:21,160 --> 00:07:22,840
Speaker 1: You're like, I wonder what was cut out of that one?

147
00:07:22,960 --> 00:07:26,640
Speaker 1: Silent questions in your head. You understand, Yes, that range.

148
00:07:26,680 --> 00:07:28,320
Speaker 1: I guess they'd call it a half hour. I guess

149
00:07:28,360 --> 00:07:30,800
Speaker 1: i'd even call it a sitcom. I just didn't even

150
00:07:30,840 --> 00:07:34,360
Speaker 1: call it a sitcom. And that's basically what a half

151
00:07:34,360 --> 00:07:38,120
Speaker 1: hour is at this point. Sorry, Mandalorian, you're a sitcom? Yeah,

152
00:07:38,240 --> 00:07:41,600
Speaker 1: one division that's actually not just masquerading as a sitcom.

153
00:07:41,760 --> 00:07:45,160
Speaker 1: She's a sitcom. She's a sitcom. Honey, Well, I'm glad

154
00:07:45,200 --> 00:07:47,600
Speaker 1: that you see. I'm not. I've not been in a

155
00:07:47,640 --> 00:07:51,680
Speaker 1: place to be primed to consume something new. I but

156
00:07:51,840 --> 00:07:54,320
Speaker 1: you did recently love something that I want to talk about?

157
00:07:54,400 --> 00:07:55,920
Speaker 1: Did I What are we talking about? Well? First, can

158
00:07:55,920 --> 00:07:57,640
Speaker 1: we talk about something that I did not like? And

159
00:07:57,680 --> 00:07:59,320
Speaker 1: I think can? You been getting a lot of requests.

160
00:07:59,320 --> 00:08:02,480
Speaker 1: I don't know. I probably know the answer to this, Um,

161
00:08:02,520 --> 00:08:08,119
Speaker 1: I'm probably getting some skewed um request, Like the numbers

162
00:08:08,120 --> 00:08:10,120
Speaker 1: are probably skewed towards me because people are like your

163
00:08:10,120 --> 00:08:12,760
Speaker 1: Asian you should watch Bling Empire? Had people told you

164
00:08:12,760 --> 00:08:15,040
Speaker 1: to watch Bling Bling Empire? Of course they have, And

165
00:08:15,120 --> 00:08:18,400
Speaker 1: I did. I turned it on. Honestly, I had just

166
00:08:18,440 --> 00:08:20,840
Speaker 1: like Marathon ninety day and I was like, let's try

167
00:08:20,880 --> 00:08:23,640
Speaker 1: something else. And I turned Bling Empire on at the

168
00:08:23,720 --> 00:08:25,440
Speaker 1: end of the night, and I was like, this is

169
00:08:25,440 --> 00:08:27,280
Speaker 1: gonna be this is gonna be something I have to

170
00:08:27,320 --> 00:08:30,960
Speaker 1: start a night with. Yes, that's fair, because I couldn't.

171
00:08:31,000 --> 00:08:32,520
Speaker 1: I was like literally falling asleep and I was like,

172
00:08:32,559 --> 00:08:34,320
Speaker 1: I don't want to do this to this show. I

173
00:08:34,320 --> 00:08:37,079
Speaker 1: would rather like actually consume and meet the characters straight up.

174
00:08:37,240 --> 00:08:38,760
Speaker 1: So let me let me try it again on a

175
00:08:38,840 --> 00:08:42,280
Speaker 1: day when I'm fresh. Well, honestly, yes, you should be

176
00:08:42,320 --> 00:08:46,240
Speaker 1: fresh to like take in these people, because to me,

177
00:08:46,320 --> 00:08:49,880
Speaker 1: it's important for everyone to understand. I don't think I

178
00:08:49,880 --> 00:08:54,680
Speaker 1: can watch the show past episode one because you meet Matt,

179
00:08:54,760 --> 00:08:58,559
Speaker 1: you meet well, there's there's one guy who's like the surrogate.

180
00:08:58,600 --> 00:09:00,600
Speaker 1: He's kind of like the crushale, like he's like coming

181
00:09:00,640 --> 00:09:06,839
Speaker 1: into from from their previous work. Well, it's the same

182
00:09:06,840 --> 00:09:10,880
Speaker 1: producers from Kardashians, which is which is fun. But you

183
00:09:10,920 --> 00:09:14,200
Speaker 1: have this one guy who's this like it's great Asian

184
00:09:14,280 --> 00:09:17,800
Speaker 1: Himbo representation. He's just such a good looking guy who's

185
00:09:17,800 --> 00:09:20,600
Speaker 1: a dumbass. I'm picturing him walking into rooms like Crochelle,

186
00:09:20,600 --> 00:09:23,520
Speaker 1: like with his shoulders raised like smiling like that's ce.

187
00:09:23,559 --> 00:09:27,160
Speaker 1: Oh my god, I miss I missed selling Sunset me too.

188
00:09:27,920 --> 00:09:30,120
Speaker 1: But no, but no, just listen. So but you watch

189
00:09:30,120 --> 00:09:35,640
Speaker 1: Bling Empire and then it's just volleying you with these

190
00:09:35,679 --> 00:09:39,920
Speaker 1: things that are like I mean, okay, it's basically like, hey,

191
00:09:39,960 --> 00:09:44,040
Speaker 1: this guy is my friend. He's a billionaire because his

192
00:09:44,240 --> 00:09:46,760
Speaker 1: parents are in the oil and gas industry, and oh

193
00:09:46,800 --> 00:09:50,880
Speaker 1: my god, we stand that queen and a shay because, um,

194
00:09:51,160 --> 00:09:52,800
Speaker 1: you don't want to mess with her because she's a

195
00:09:52,800 --> 00:09:57,080
Speaker 1: billionaire from selling tanks and from arms deals. Don't mess

196
00:09:57,120 --> 00:10:00,120
Speaker 1: with her because I guess you'll get killed, because you

197
00:10:00,120 --> 00:10:03,680
Speaker 1: could die with her, because you could die. But it's

198
00:10:03,720 --> 00:10:08,679
Speaker 1: literally like billionaires. This is like the ethical wealth question, right,

199
00:10:08,679 --> 00:10:10,840
Speaker 1: It's like billions shouldn't exist. We all know this, but

200
00:10:10,880 --> 00:10:13,280
Speaker 1: it's like I don't think. I think that also applies

201
00:10:13,280 --> 00:10:15,600
Speaker 1: to television shows, where it's like I don't want to

202
00:10:15,640 --> 00:10:19,559
Speaker 1: watch these people enjoy themselves. Well, you'll notice like the

203
00:10:19,920 --> 00:10:24,400
Speaker 1: aspirational wealth part of reality shows, like it used to

204
00:10:24,440 --> 00:10:27,360
Speaker 1: be a lot more important than it is. But even no,

205
00:10:27,480 --> 00:10:29,920
Speaker 1: but I think there's like a sweet spot where it's

206
00:10:29,920 --> 00:10:32,720
Speaker 1: like the Real Housewives. A lot of them Beverly Hills

207
00:10:32,800 --> 00:10:34,360
Speaker 1: is like the exception, but a lot of them I

208
00:10:34,400 --> 00:10:38,160
Speaker 1: think work because it's like these women have These women

209
00:10:38,360 --> 00:10:41,040
Speaker 1: have a net worth of like a media net worth

210
00:10:41,080 --> 00:10:44,640
Speaker 1: of like let's say eight hundred thousand dollars. Let's just

211
00:10:44,679 --> 00:10:47,960
Speaker 1: say that. Literally, they're they're well, like they're comfortable, but

212
00:10:48,160 --> 00:10:52,920
Speaker 1: they will need They understandably would want more. I guess right,

213
00:10:52,960 --> 00:10:55,720
Speaker 1: even though like all personal wealth and individual wealth, they're

214
00:10:55,720 --> 00:10:59,320
Speaker 1: still hungry. They're still hungry. They're still hungry. The women

215
00:10:59,800 --> 00:11:02,080
Speaker 1: they this This is the thing though, is that is that?

216
00:11:02,120 --> 00:11:04,000
Speaker 1: Like an and Adressen was putting this out, she was like,

217
00:11:04,200 --> 00:11:07,760
Speaker 1: it's these people can't on Bling Empire, can't manufacture conflict

218
00:11:07,800 --> 00:11:11,640
Speaker 1: because all of their needs are met. They're billionaires. What

219
00:11:11,840 --> 00:11:14,160
Speaker 1: do they like there's nothing for them to really fight about,

220
00:11:14,160 --> 00:11:15,760
Speaker 1: Like at least on selling Sunset, it's like, oh, it's

221
00:11:15,760 --> 00:11:18,800
Speaker 1: a workplace thing, like this person might sell that property

222
00:11:18,840 --> 00:11:21,679
Speaker 1: before that person, Like that's the stakes are already built

223
00:11:21,679 --> 00:11:25,160
Speaker 1: in Bling Empire. It's like these rich people being like, hey,

224
00:11:25,240 --> 00:11:27,720
Speaker 1: you were that same Cardian necklace that I did at

225
00:11:27,760 --> 00:11:31,040
Speaker 1: that party. How dare you? It's like I don't understand

226
00:11:31,080 --> 00:11:34,480
Speaker 1: this at all. The conflict is literally that small, but

227
00:11:34,559 --> 00:11:37,360
Speaker 1: to them that big. Yes, it's like literally in the

228
00:11:37,360 --> 00:11:41,280
Speaker 1: first episode, it's like she's she wore a necklace that

229
00:11:41,400 --> 00:11:43,880
Speaker 1: I have in my collection and it's like wait what.

230
00:11:44,000 --> 00:11:46,560
Speaker 1: And then there's one guy who like clearly has bipolar

231
00:11:46,559 --> 00:11:50,079
Speaker 1: disorder and it's weird and he like fucking like shouts

232
00:11:50,080 --> 00:11:52,080
Speaker 1: down his girlfriend in a way that is like not okay,

233
00:11:52,240 --> 00:11:54,920
Speaker 1: and like but everything. But then but people are literally

234
00:11:54,960 --> 00:11:56,679
Speaker 1: damning me being like you should stick with it though,

235
00:11:56,679 --> 00:11:58,880
Speaker 1: because kay And actually becomes a really good friend. I'm like, no,

236
00:11:59,480 --> 00:12:02,760
Speaker 1: stop it. This is like like, don't normalize. You can't

237
00:12:02,840 --> 00:12:06,400
Speaker 1: humanize these people. You cannot. Yeah, I think that that's

238
00:12:06,440 --> 00:12:09,520
Speaker 1: not gonna Without having seen it, I'll say it doesn't

239
00:12:09,679 --> 00:12:12,600
Speaker 1: sound like something that can sustain itself, because I do

240
00:12:12,679 --> 00:12:17,240
Speaker 1: believe that in order to create, um, something that's gonna

241
00:12:17,559 --> 00:12:20,320
Speaker 1: keep people invested over a long period of time, you

242
00:12:20,400 --> 00:12:24,679
Speaker 1: do need high stakes conflict. Like ultimately in selling Sunset,

243
00:12:24,720 --> 00:12:28,360
Speaker 1: like the lead character gets divorced and he's a huge

244
00:12:28,400 --> 00:12:31,480
Speaker 1: Hollywood star and there's a main antagonist and that's why

245
00:12:31,480 --> 00:12:34,760
Speaker 1: we're watching and that's why we're gonna keep watching and

246
00:12:34,920 --> 00:12:38,040
Speaker 1: it doesn't sound like anything has been presented so far

247
00:12:38,640 --> 00:12:41,520
Speaker 1: that feels substantial. But apparently this Cane person is an icon.

248
00:12:42,320 --> 00:12:44,920
Speaker 1: No Cane is whatever, but people, the icon of the

249
00:12:44,960 --> 00:12:50,000
Speaker 1: show is this woman Anna, who again billionaire from Arms Deals,

250
00:12:50,600 --> 00:12:54,600
Speaker 1: and it's like, yes, she's fierce girl boss. She you're

251
00:12:54,679 --> 00:12:58,840
Speaker 1: right way She's like it's crazy to me and like

252
00:12:58,880 --> 00:13:02,000
Speaker 1: you cannot like snap your like wag your fingers, snap,

253
00:13:02,040 --> 00:13:06,520
Speaker 1: snap snap for this person who like bad force in

254
00:13:06,559 --> 00:13:09,200
Speaker 1: the world. Yeah, that's it is. So, I mean that's

255
00:13:09,280 --> 00:13:13,440
Speaker 1: literally everything. I mean, that's that's what's actually it's it's

256
00:13:13,480 --> 00:13:15,760
Speaker 1: it's everything to an extent. But I feel like it's

257
00:13:16,200 --> 00:13:18,720
Speaker 1: I feel like you could ethically watch Beverly Hills and

258
00:13:18,760 --> 00:13:21,840
Speaker 1: be like, oh, these women, even though they're rich and wealthy,

259
00:13:21,840 --> 00:13:26,120
Speaker 1: like there's still something interesting crackling there. But like, well,

260
00:13:26,160 --> 00:13:31,400
Speaker 1: they didn't acquire their means by like lethal ends exactly exactly,

261
00:13:31,480 --> 00:13:34,920
Speaker 1: and it's like whatever require their ends by lethal means.

262
00:13:34,960 --> 00:13:38,280
Speaker 1: That's what I meant to say, Okay, girl yes, correct.

263
00:13:38,320 --> 00:13:40,440
Speaker 1: I just want to make sure that I'm speaking clearly,

264
00:13:40,880 --> 00:13:44,280
Speaker 1: um speaking of girl boss energy. What I was referencing

265
00:13:44,320 --> 00:13:47,680
Speaker 1: before that you lost your referencing something speaking of Girl

266
00:13:47,720 --> 00:13:52,400
Speaker 1: Boss Energy Promising Young Woman, everyone's talking about you're about

267
00:13:52,440 --> 00:13:55,800
Speaker 1: to drag I'm not going to. Literally, I'm not going

268
00:13:55,840 --> 00:13:57,600
Speaker 1: to drag you. But I did want to talk about

269
00:13:57,640 --> 00:14:01,480
Speaker 1: the movie because because it's I'm having an interesting um

270
00:14:01,520 --> 00:14:04,760
Speaker 1: experience with it in terms of how it's being received

271
00:14:05,040 --> 00:14:07,959
Speaker 1: on a wide scale and by critics organizations and on

272
00:14:08,240 --> 00:14:11,120
Speaker 1: the internet. Really because the Enginet is going crazy for

273
00:14:11,160 --> 00:14:14,000
Speaker 1: this movie, and I'm really not surprised. But I think

274
00:14:14,080 --> 00:14:17,400
Speaker 1: what happened for me with Promising Young Woman is I

275
00:14:17,440 --> 00:14:22,120
Speaker 1: saw it getting all these screenplay awards um by critics organizations,

276
00:14:22,120 --> 00:14:26,080
Speaker 1: and it's now a frontrunner for the OSCAR for Best Screenplay.

277
00:14:26,360 --> 00:14:29,000
Speaker 1: And I think I combined that knowledge with the fact

278
00:14:29,000 --> 00:14:31,640
Speaker 1: that it's Carrie Mulligan, who I think of as very prestige,

279
00:14:32,480 --> 00:14:36,120
Speaker 1: but it's not. It's not a prestiging movie. Well I

280
00:14:36,160 --> 00:14:39,720
Speaker 1: don't think it in the way that like things usually are.

281
00:14:39,880 --> 00:14:41,680
Speaker 1: But the fact of the matter is it is earning

282
00:14:41,720 --> 00:14:43,480
Speaker 1: a lot of awards, buzzing a lot of attention. So

283
00:14:43,520 --> 00:14:45,640
Speaker 1: I kind of went into it with that. And while

284
00:14:45,680 --> 00:14:49,680
Speaker 1: I think the movie is like it really says something

285
00:14:49,760 --> 00:14:52,760
Speaker 1: different and it's bold and it's it really. I thought

286
00:14:52,800 --> 00:14:55,280
Speaker 1: the music was incredible, and I thought there's just a

287
00:14:55,320 --> 00:14:57,960
Speaker 1: lot of um promise being shown in it. Not to

288
00:14:58,040 --> 00:15:02,720
Speaker 1: make a like obviously little off the title, but the

289
00:15:02,800 --> 00:15:05,800
Speaker 1: screenplay at points just doesn't work at all, Like like

290
00:15:05,880 --> 00:15:09,920
Speaker 1: there's a couple of moments where it's so convenient and

291
00:15:10,080 --> 00:15:14,680
Speaker 1: things are happening by such happenstance, and just these character

292
00:15:14,920 --> 00:15:18,160
Speaker 1: moves that we're supposed to accept that just don't work

293
00:15:18,200 --> 00:15:22,120
Speaker 1: for me. So to see it, see it winning screenplay awards,

294
00:15:22,320 --> 00:15:24,280
Speaker 1: and I can get into it specifically, but I did

295
00:15:24,320 --> 00:15:27,240
Speaker 1: just want to say that I do think everyone should

296
00:15:27,280 --> 00:15:28,720
Speaker 1: watch it, and I want to say we're going to

297
00:15:28,800 --> 00:15:31,320
Speaker 1: spoil it, and you should not keep listening to this

298
00:15:31,720 --> 00:15:33,320
Speaker 1: if you want to watch the movie. I just want

299
00:15:33,320 --> 00:15:35,480
Speaker 1: to say that, flat out, are we gonna spoil it?

300
00:15:35,520 --> 00:15:38,360
Speaker 1: I think I think we around the plant. I mean,

301
00:15:38,800 --> 00:15:40,720
Speaker 1: I think I know one specific scene that you're talking

302
00:15:40,960 --> 00:15:44,920
Speaker 1: which is between Alison Brie and Carrie Mulligan's character in

303
00:15:44,960 --> 00:15:47,280
Speaker 1: the living room. I think it's important in order to

304
00:15:47,320 --> 00:15:49,120
Speaker 1: talk about why this doesn't work. I don't. I don't.

305
00:15:49,160 --> 00:15:50,640
Speaker 1: This is what I mean. It's like I don't want

306
00:15:50,640 --> 00:15:53,480
Speaker 1: to be just this person that's saying this movie doesn't work,

307
00:15:53,920 --> 00:15:56,120
Speaker 1: I would be I would rather be able to share

308
00:15:56,360 --> 00:16:00,480
Speaker 1: why I think the script is lacking. Um. And don't

309
00:16:00,520 --> 00:16:02,640
Speaker 1: get me wrong, I had the time of my life

310
00:16:02,640 --> 00:16:05,200
Speaker 1: watching a lot of it, and I think Carrie Mulligan

311
00:16:05,320 --> 00:16:07,960
Speaker 1: is incredible, and I really like Emerald Finelle. I think

312
00:16:07,960 --> 00:16:10,800
Speaker 1: she's an incredible writer and an actress. I just thought

313
00:16:10,840 --> 00:16:17,800
Speaker 1: this screenplay is getting so much like official, like getting

314
00:16:17,840 --> 00:16:22,320
Speaker 1: all of these institutional kids. Yeah, um, which is also

315
00:16:22,440 --> 00:16:25,400
Speaker 1: not like I mean, yeah, I mean, it's it's it's

316
00:16:25,800 --> 00:16:29,360
Speaker 1: it's signals something, but it also like who cares about awards?

317
00:16:29,360 --> 00:16:32,400
Speaker 1: And I'm just kidding to quote Pat Regan words awards

318
00:16:32,400 --> 00:16:34,960
Speaker 1: are silly. But I just want to say before we

319
00:16:35,080 --> 00:16:39,480
Speaker 1: launched in this discussion, and my overarching feeling about this

320
00:16:40,040 --> 00:16:42,520
Speaker 1: this movie is that, uh, I see the flaws for

321
00:16:42,640 --> 00:16:45,160
Speaker 1: what they are. I enjoy it as a piece of

322
00:16:45,280 --> 00:16:48,560
Speaker 1: entertainment on its you know face, I guess, But then

323
00:16:49,600 --> 00:16:52,920
Speaker 1: I just I think what it's saying about gender relations

324
00:16:52,960 --> 00:16:56,360
Speaker 1: in the way that they're dire right now, it was

325
00:16:56,480 --> 00:16:59,880
Speaker 1: very interesting and absolutely was like kind of welded with

326
00:17:00,120 --> 00:17:02,760
Speaker 1: entertainment value of the film. So yeah, I think that

327
00:17:02,800 --> 00:17:06,920
Speaker 1: it's an amazing debut for her. There you go, But okay,

328
00:17:07,000 --> 00:17:12,000
Speaker 1: not this alright, So spoiler alert, Hi everybody, um skip

329
00:17:12,000 --> 00:17:15,680
Speaker 1: ahead to in this episode if you want to listen

330
00:17:15,720 --> 00:17:18,320
Speaker 1: to the rest of this episode. Spoiler free for promising

331
00:17:18,359 --> 00:17:21,320
Speaker 1: young women because we are about to spoil. Okay, thanks bite.

332
00:17:22,040 --> 00:17:25,440
Speaker 1: Watching that was the last tendency. Minutes of it were

333
00:17:25,480 --> 00:17:31,000
Speaker 1: so shocking and it was just so incredibly visceral that

334
00:17:31,680 --> 00:17:33,480
Speaker 1: I had to sit with it for a second because

335
00:17:33,600 --> 00:17:38,040
Speaker 1: I loved how bold it was. It's it's crazy to

336
00:17:38,119 --> 00:17:41,119
Speaker 1: me that she had to die. But the way that

337
00:17:41,200 --> 00:17:44,720
Speaker 1: it gets there is we're supposed to believe that Alison

338
00:17:44,760 --> 00:17:47,560
Speaker 1: Brias kept all of her phones that she's ever had,

339
00:17:49,400 --> 00:17:56,119
Speaker 1: and and that you I'm sorry, but because that's true,

340
00:17:56,840 --> 00:17:58,720
Speaker 1: the script is no and void for me when it

341
00:17:58,760 --> 00:18:02,480
Speaker 1: comes to awards recognition, because that is crazy and you

342
00:18:02,600 --> 00:18:04,760
Speaker 1: don't have the climax or the end of the movie

343
00:18:05,240 --> 00:18:10,960
Speaker 1: without that, and so this needed another pass. Unfortunately, I

344
00:18:11,040 --> 00:18:14,760
Speaker 1: don't fully disagree. I don't fully disagree at all. In fact,

345
00:18:14,800 --> 00:18:16,840
Speaker 1: I'm like, pretty much all the way they're with you,

346
00:18:16,880 --> 00:18:19,600
Speaker 1: I just think I don't know if there was some

347
00:18:19,680 --> 00:18:23,960
Speaker 1: intentionality to the way that Emerald Vanelle wrote this grip

348
00:18:24,040 --> 00:18:27,640
Speaker 1: to be like, oh, the moral code of this world

349
00:18:28,000 --> 00:18:32,000
Speaker 1: is so fucked up, and so the sequence of events

350
00:18:32,040 --> 00:18:35,719
Speaker 1: that lead up to this tragic, brutal thing are also

351
00:18:36,440 --> 00:18:41,399
Speaker 1: almost nonsensical because there there there's something nonsensical about gender

352
00:18:41,400 --> 00:18:44,159
Speaker 1: relations to begin with. I can, but that's that's a stretch.

353
00:18:44,240 --> 00:18:47,040
Speaker 1: I realized that. And and people have also pointed out

354
00:18:47,080 --> 00:18:48,879
Speaker 1: it's like, yeah, she goes to med school with her

355
00:18:48,880 --> 00:18:51,520
Speaker 1: best friend, where frat parties are like all the rage.

356
00:18:51,760 --> 00:18:56,000
Speaker 1: That's another one. That's another one I I see. And

357
00:18:56,119 --> 00:18:59,320
Speaker 1: I sort of retorted back to someone. I was just like, well,

358
00:18:59,359 --> 00:19:02,920
Speaker 1: maybe in the world of this movie, med school is

359
00:19:02,960 --> 00:19:06,600
Speaker 1: an undergrad in America. Maybe maybe that's that's the realm.

360
00:19:06,640 --> 00:19:09,560
Speaker 1: But I'm just saying like, well, and I totally agree.

361
00:19:09,600 --> 00:19:13,400
Speaker 1: I totally agree that it could be that. No, no,

362
00:19:13,400 --> 00:19:17,120
Speaker 1: no, no no, it could be I don't think it is. Um,

363
00:19:17,280 --> 00:19:20,040
Speaker 1: I just think we could have figured out that there

364
00:19:20,080 --> 00:19:23,359
Speaker 1: was a video. Gretta suggested maybe the lawyer is the

365
00:19:23,400 --> 00:19:25,399
Speaker 1: one that has the video, like when she goes to

366
00:19:25,400 --> 00:19:28,560
Speaker 1: Alfred who plays the lawyer, like he says, I'm sorry.

367
00:19:28,840 --> 00:19:30,679
Speaker 1: I was the only person that could have bought this

368
00:19:30,720 --> 00:19:32,840
Speaker 1: from happening, and I've been sitting on this and that's

369
00:19:32,880 --> 00:19:35,600
Speaker 1: why I feel guilty. To me, that's like an easy fix,

370
00:19:36,400 --> 00:19:38,800
Speaker 1: and it's also another way that it can be a

371
00:19:38,880 --> 00:19:42,560
Speaker 1: man stepping on them. But so this Allison briefing, I

372
00:19:43,600 --> 00:19:45,200
Speaker 1: had it under contract that she needed to be in

373
00:19:45,240 --> 00:19:48,960
Speaker 1: at least two scenes. I mean, that's a shame because

374
00:19:49,200 --> 00:19:51,240
Speaker 1: because I thought the movie worked so much better with

375
00:19:51,320 --> 00:19:53,199
Speaker 1: just the one, because I thought Allison Bree was so

376
00:19:53,280 --> 00:19:56,080
Speaker 1: great and that scenes, and I thought that really the

377
00:19:56,119 --> 00:19:59,760
Speaker 1: whole cast was great. UM. And I loved so much

378
00:20:00,040 --> 00:20:03,040
Speaker 1: of the humor. I love the use of music, Like

379
00:20:03,080 --> 00:20:04,879
Speaker 1: when it opened on that remix of boys and all

380
00:20:04,920 --> 00:20:07,120
Speaker 1: the Khakis were dancing around. I was packed, Like I

381
00:20:07,160 --> 00:20:09,480
Speaker 1: was like so on board that first shot of her

382
00:20:09,480 --> 00:20:12,359
Speaker 1: in the red chair that was iconic. There was a

383
00:20:12,400 --> 00:20:15,080
Speaker 1: lot of really great stuff here, and I do think

384
00:20:15,119 --> 00:20:19,639
Speaker 1: the fact that it is such a bold choice at

385
00:20:19,680 --> 00:20:23,920
Speaker 1: the end UM does say something. I will say there

386
00:20:23,920 --> 00:20:25,840
Speaker 1: have been a lot of pieces of art like this

387
00:20:25,920 --> 00:20:29,800
Speaker 1: that have gotten overlooked, such as the show Sweet Vicious

388
00:20:29,840 --> 00:20:33,280
Speaker 1: from MTV, which was created by Jim Kayton Robinson. This

389
00:20:33,840 --> 00:20:37,440
Speaker 1: does owe something to those things, like because and also

390
00:20:37,520 --> 00:20:39,439
Speaker 1: you know, we've seen this type of thing before with

391
00:20:39,520 --> 00:20:43,080
Speaker 1: Girl with the Dragon Tattoo, and we've seen um, you

392
00:20:43,119 --> 00:20:49,040
Speaker 1: know women, yes, women radicalized or galvanized by things that

393
00:20:49,080 --> 00:20:51,720
Speaker 1: have happened to friends of theirs or themselves, like in

394
00:20:51,520 --> 00:20:54,600
Speaker 1: in their actions moving forward towards the patriarchy. We've seen this,

395
00:20:55,119 --> 00:20:57,640
Speaker 1: but I think this is the first time that people

396
00:20:57,640 --> 00:21:00,520
Speaker 1: are really talking about it. And I think that there

397
00:21:00,600 --> 00:21:03,200
Speaker 1: is a lot of credit due to her Emerald Finnell,

398
00:21:03,560 --> 00:21:07,119
Speaker 1: and I am a huge fan, but I just don't

399
00:21:07,160 --> 00:21:12,760
Speaker 1: know if the best thing for her and this movie

400
00:21:13,480 --> 00:21:16,800
Speaker 1: is like, let's give this particular script an OSCAR for

401
00:21:16,880 --> 00:21:20,160
Speaker 1: Best Original Screenplay because it's just not a tight script.

402
00:21:20,520 --> 00:21:24,280
Speaker 1: So then your your issue is not with the movie.

403
00:21:24,400 --> 00:21:26,560
Speaker 1: I mean it is, no, no, no, no, it is

404
00:21:26,720 --> 00:21:30,199
Speaker 1: because because because the script is not But I was

405
00:21:30,200 --> 00:21:32,560
Speaker 1: gonna say, but your your issue is also with the

406
00:21:32,880 --> 00:21:37,680
Speaker 1: critical response to and the awards sort of, Um, the

407
00:21:37,680 --> 00:21:40,040
Speaker 1: just just just like it's not commensurate with the quality

408
00:21:40,040 --> 00:21:41,879
Speaker 1: of the screenplay that the fact that it's getting all

409
00:21:41,880 --> 00:21:44,199
Speaker 1: this awards recognition. To be honest with you, yes, I

410
00:21:44,240 --> 00:21:48,040
Speaker 1: think that there is not there's I'm really surprised to

411
00:21:48,080 --> 00:21:53,440
Speaker 1: see critics make less of the scripts obvious flaws because

412
00:21:53,600 --> 00:21:56,680
Speaker 1: but also not because who wants to be out there

413
00:21:56,760 --> 00:21:59,719
Speaker 1: being like this movie has problems, you know what, I like,

414
00:22:00,080 --> 00:22:02,960
Speaker 1: I don't. I don't even I want everyone to go

415
00:22:03,000 --> 00:22:04,840
Speaker 1: see the movie. Like That's why I'm talking about it

416
00:22:04,880 --> 00:22:07,679
Speaker 1: this much, because it's it's provoking so much conversation. I

417
00:22:07,760 --> 00:22:10,560
Speaker 1: do think what it's saying is so important about how

418
00:22:10,640 --> 00:22:14,760
Speaker 1: violence against women, like it is it is truly a virus,

419
00:22:14,880 --> 00:22:17,720
Speaker 1: that is that everyone is infected with, like it's just

420
00:22:18,160 --> 00:22:22,600
Speaker 1: and even when a woman is it is just she

421
00:22:22,760 --> 00:22:26,320
Speaker 1: just can you can never come back from violence from

422
00:22:26,400 --> 00:22:29,159
Speaker 1: men because it's so ever present. It gets buried, it

423
00:22:29,200 --> 00:22:33,000
Speaker 1: gets forgotten, it gets completely erased. Yeah, yeah, I mean

424
00:22:33,080 --> 00:22:37,080
Speaker 1: I feel like the burning, like like create them creaming,

425
00:22:37,280 --> 00:22:41,720
Speaker 1: creamating her body in the end was so shocking and

426
00:22:41,720 --> 00:22:45,480
Speaker 1: and violent. But but you know, there's something maybe you

427
00:22:45,480 --> 00:22:47,000
Speaker 1: can say is on the nose about it, But it

428
00:22:47,080 --> 00:22:49,720
Speaker 1: is just kind of the statement of the whole film,

429
00:22:49,760 --> 00:22:52,639
Speaker 1: which is that it's like it is so relatively easy

430
00:22:52,720 --> 00:22:56,480
Speaker 1: for the patriarchy, these two men to burn this corpse

431
00:22:56,520 --> 00:23:00,000
Speaker 1: of a woman, Yes, to eliminate evident, just to eliminate

432
00:23:00,160 --> 00:23:02,960
Speaker 1: the history and the record of any violence that's been

433
00:23:03,080 --> 00:23:05,840
Speaker 1: enacted upon her, and they did it without thinking about it,

434
00:23:05,960 --> 00:23:07,920
Speaker 1: you know what I mean. That's another thing I've actually

435
00:23:08,000 --> 00:23:10,679
Speaker 1: there's been some comment from people I know that are like,

436
00:23:11,160 --> 00:23:12,760
Speaker 1: some of the performances are all over the board, like

437
00:23:12,800 --> 00:23:14,840
Speaker 1: the men were too big. I don't think the men

438
00:23:14,880 --> 00:23:18,719
Speaker 1: were too big men. This this is how some predatory

439
00:23:18,840 --> 00:23:21,560
Speaker 1: men are, Like, that's that's how they are. And they

440
00:23:21,600 --> 00:23:25,679
Speaker 1: would absolutely the second another man says to them, you

441
00:23:25,720 --> 00:23:28,520
Speaker 1: didn't do anything wrong, You're fine, We're going to handle this.

442
00:23:28,800 --> 00:23:31,920
Speaker 1: Of course they believe it because they get away with it.

443
00:23:32,080 --> 00:23:34,640
Speaker 1: So I thought that that was actually a great observation

444
00:23:34,680 --> 00:23:36,399
Speaker 1: in the movie. I thought the way that she depicted

445
00:23:36,480 --> 00:23:39,879
Speaker 1: men across the board was great, and I love so

446
00:23:40,040 --> 00:23:42,840
Speaker 1: much about this, but it just it's it's I have

447
00:23:42,880 --> 00:23:45,000
Speaker 1: a problem with the fact that like that we're not

448
00:23:45,040 --> 00:23:47,520
Speaker 1: talking about some of the scriptlas. And another one I

449
00:23:47,600 --> 00:23:50,920
Speaker 1: had is that in the scene with Christopher Men's plas,

450
00:23:50,960 --> 00:23:53,600
Speaker 1: she basically says to him every week I go to

451
00:23:53,680 --> 00:23:56,120
Speaker 1: a club and I do this, and this is explicitly

452
00:23:56,119 --> 00:23:58,920
Speaker 1: what I do. And I'm like, you are overstating so

453
00:23:59,000 --> 00:24:00,639
Speaker 1: much right now, and I one it is who is

454
00:24:00,680 --> 00:24:03,280
Speaker 1: that a note from like that made it seem like

455
00:24:03,320 --> 00:24:05,320
Speaker 1: they need to make it more clear. They didn't. It

456
00:24:05,359 --> 00:24:08,040
Speaker 1: probably was from Universal or focus fe it was probably

457
00:24:08,080 --> 00:24:10,320
Speaker 1: it probably was a studio it. It feels like that,

458
00:24:11,040 --> 00:24:14,800
Speaker 1: which sucks. And I mean like people who have been

459
00:24:14,840 --> 00:24:16,680
Speaker 1: on that side of it, like I haven't, but people

460
00:24:16,760 --> 00:24:18,280
Speaker 1: have been on that side of it, like hate it.

461
00:24:18,320 --> 00:24:24,040
Speaker 1: When I think, um, with her body being burned, I'm like,

462
00:24:24,320 --> 00:24:27,639
Speaker 1: this is the don't because I've heard people say that

463
00:24:27,680 --> 00:24:29,240
Speaker 1: like totally it doesn't know what it's all over the

464
00:24:29,240 --> 00:24:30,679
Speaker 1: place and all this stuff, and I'm like, I think

465
00:24:30,720 --> 00:24:32,720
Speaker 1: it's all intentional the way that it is like so

466
00:24:34,119 --> 00:24:38,480
Speaker 1: maximalist about it maybe, or there's just it's it's very overstimulating.

467
00:24:38,840 --> 00:24:42,000
Speaker 1: Oh I and I love that about it. It feels

468
00:24:42,040 --> 00:24:48,159
Speaker 1: like it's there's some like Tarantino aspect. Maybe we're like

469
00:24:48,240 --> 00:24:51,360
Speaker 1: it's it's gratuitous. And yeah, even with like the Roman

470
00:24:51,440 --> 00:24:54,320
Speaker 1: numerals like flash, it felt like kill Bill. It felt

471
00:24:54,359 --> 00:24:57,280
Speaker 1: like that same vengeance was driving her. And I feel

472
00:24:57,320 --> 00:25:02,680
Speaker 1: like the reality of this world is so cartoonist or

473
00:25:02,720 --> 00:25:06,520
Speaker 1: like I just think, um, some of it, some of

474
00:25:06,520 --> 00:25:08,720
Speaker 1: it is intentional, the way that it's like, okay, wait,

475
00:25:08,760 --> 00:25:11,040
Speaker 1: the phone's been sitting there for eight years and she

476
00:25:11,080 --> 00:25:16,480
Speaker 1: went to that Yeah yeah, yeah, okay, but but sister

477
00:25:16,560 --> 00:25:20,359
Speaker 1: supports sisters. Yeah no. But the thing is, like, I

478
00:25:20,359 --> 00:25:23,160
Speaker 1: would rather we talk about a movie like this than

479
00:25:23,200 --> 00:25:25,880
Speaker 1: anything else, and so I'm so happy it's out there,

480
00:25:26,480 --> 00:25:29,120
Speaker 1: But I like, I don't know, I just I don't

481
00:25:29,119 --> 00:25:31,879
Speaker 1: think when people are afraid to criticize something in a

482
00:25:32,080 --> 00:25:36,520
Speaker 1: constructive way that that that's good for art I just

483
00:25:36,560 --> 00:25:39,560
Speaker 1: don't think it isn't so if we're afraid to say

484
00:25:39,640 --> 00:25:42,159
Speaker 1: what's really up with some things in this movie because

485
00:25:42,160 --> 00:25:45,440
Speaker 1: we want this movie to do well, Like, that's not

486
00:25:45,600 --> 00:25:49,480
Speaker 1: good for for creators or for artists who are going

487
00:25:49,560 --> 00:25:51,879
Speaker 1: to have an extremely long career. And she will be

488
00:25:51,960 --> 00:25:56,240
Speaker 1: around forever because Emerald is brilliant. She's brilliant. But you know,

489
00:25:56,480 --> 00:25:59,040
Speaker 1: I think you're putting something out there that's very good,

490
00:25:59,080 --> 00:26:02,119
Speaker 1: which is you can want this movie to do well

491
00:26:02,359 --> 00:26:06,920
Speaker 1: and be recognized, but you can also point out, yeah,

492
00:26:07,200 --> 00:26:10,600
Speaker 1: what's you know, what's what's happening? You should get a

493
00:26:10,640 --> 00:26:14,639
Speaker 1: letterboxed girl. Maybe I should. I don't know. I'm just

494
00:26:14,720 --> 00:26:17,400
Speaker 1: kind of now for some reason lately, I am into

495
00:26:17,440 --> 00:26:20,639
Speaker 1: watching a lot and it's I almost feel kind of

496
00:26:20,720 --> 00:26:24,320
Speaker 1: crazy being so hard on that movie because like I

497
00:26:24,359 --> 00:26:27,240
Speaker 1: did really enjoy watching it, and I fucking love that

498
00:26:27,320 --> 00:26:30,040
Speaker 1: it goes for it and I also love that it's

499
00:26:30,040 --> 00:26:32,280
Speaker 1: like written by a young woman who has like something

500
00:26:32,280 --> 00:26:34,719
Speaker 1: to say, and I love Carrie Mulligan in it, and

501
00:26:34,840 --> 00:26:37,320
Speaker 1: I really want her to do more modern things. I

502
00:26:37,359 --> 00:26:39,320
Speaker 1: know she was so good at that. She was so

503
00:26:39,359 --> 00:26:42,040
Speaker 1: good and sure her performance is incredible, and I just

504
00:26:42,080 --> 00:26:45,119
Speaker 1: I'm such a huge fan of hers that there's just

505
00:26:45,200 --> 00:26:49,160
Speaker 1: like if there's little things that need to be like changed,

506
00:26:49,280 --> 00:26:51,080
Speaker 1: Like I just think it's a bummer that they weren't

507
00:26:51,480 --> 00:26:54,600
Speaker 1: you have you seen Manari yet? No? I can't figure

508
00:26:54,640 --> 00:26:56,320
Speaker 1: out how to watch it. How did you watch it?

509
00:26:56,359 --> 00:26:59,200
Speaker 1: Did you watch screener? I got a screener link, but um, okay,

510
00:26:59,240 --> 00:27:00,840
Speaker 1: I got I gotta look. I'm sure I have a link.

511
00:27:01,640 --> 00:27:03,160
Speaker 1: I'm sure I think you have a link somewhere where

512
00:27:03,200 --> 00:27:06,919
Speaker 1: you can, you know, ask around, poke around politely. I

513
00:27:06,960 --> 00:27:09,480
Speaker 1: also would say this promising young woman is a lot

514
00:27:09,560 --> 00:27:15,040
Speaker 1: better than love life. That's that is the thing that

515
00:27:15,080 --> 00:27:16,800
Speaker 1: we're not talking about. Is it. That is like the

516
00:27:16,880 --> 00:27:20,200
Speaker 1: reference which is is it better than love life? Yes?

517
00:27:20,240 --> 00:27:22,040
Speaker 1: And the answer is yes. I just I just was

518
00:27:22,080 --> 00:27:24,720
Speaker 1: expecting absolutely nothing with love life, and so I was

519
00:27:24,760 --> 00:27:28,960
Speaker 1: blown away when I felt gratified at Anywhere Away promising

520
00:27:29,040 --> 00:27:31,159
Speaker 1: young woman I was told would be the script of

521
00:27:31,200 --> 00:27:32,800
Speaker 1: the year, and then I was like, what about that?

522
00:27:40,359 --> 00:27:41,680
Speaker 1: What do you think is the script of the year

523
00:27:41,720 --> 00:27:44,600
Speaker 1: so far? Do do you have a pick? Honestly, I haven't.

524
00:27:44,640 --> 00:27:46,560
Speaker 1: I haven't seen enough. I haven't. I haven't. I haven't

525
00:27:46,600 --> 00:27:48,400
Speaker 1: seen enough. Yeah, I mean neither. What do you like?

526
00:27:49,040 --> 00:27:51,840
Speaker 1: I heard the Trial of the Chicago Seven is fantastic.

527
00:27:51,920 --> 00:27:54,960
Speaker 1: I need to I need to watch that, um because

528
00:27:54,960 --> 00:27:58,240
Speaker 1: it is Oscar, Susan Girl, It's Oscars, and I can't

529
00:27:58,240 --> 00:28:00,560
Speaker 1: believe we're in it, but it's it's just not I

530
00:28:00,600 --> 00:28:04,080
Speaker 1: mean no disrespect to the films that are in contention.

531
00:28:04,320 --> 00:28:08,200
Speaker 1: I just feel like it's just such a weird year. Yeah,

532
00:28:08,240 --> 00:28:12,840
Speaker 1: they may win again. They're saying she uh Francis may

533
00:28:12,880 --> 00:28:16,320
Speaker 1: win a third Oscar. Well, Chloe's out is also winning

534
00:28:16,560 --> 00:28:19,280
Speaker 1: every director awards, so we may have. We may see

535
00:28:19,280 --> 00:28:21,600
Speaker 1: her win Best Director at the Oscars, and people that

536
00:28:21,640 --> 00:28:25,880
Speaker 1: have seen Nomad Lands say it's absolutely incredible. I can't wait.

537
00:28:26,200 --> 00:28:28,199
Speaker 1: Did did we did we point this out when it

538
00:28:28,240 --> 00:28:31,400
Speaker 1: came out and we were like, we're a sequel will

539
00:28:31,440 --> 00:28:36,440
Speaker 1: win some awards. Miss Maria back has also been killing

540
00:28:36,440 --> 00:28:39,280
Speaker 1: it with the critics awards and supporting actress, so this

541
00:28:39,360 --> 00:28:42,200
Speaker 1: is usually a good sign that there's like the critics

542
00:28:42,200 --> 00:28:44,400
Speaker 1: have obviously chosen her as the one they would like

543
00:28:44,520 --> 00:28:47,560
Speaker 1: to see at least nominated, but there's this there's this

544
00:28:47,600 --> 00:28:50,240
Speaker 1: whole thing where it's like the way you get nominated

545
00:28:50,600 --> 00:28:53,320
Speaker 1: at the Oscars is pretty much if your peers vote

546
00:28:53,320 --> 00:28:55,400
Speaker 1: for you, and people in the actual industry vote for your,

547
00:28:55,440 --> 00:28:57,840
Speaker 1: not critics, and you're like, we don't know if she

548
00:28:57,920 --> 00:29:00,959
Speaker 1: has peers to speak of, Well, I don't know if

549
00:29:01,000 --> 00:29:03,560
Speaker 1: she has pure support, Like I don't know if every everyone,

550
00:29:03,840 --> 00:29:06,320
Speaker 1: everyone in the academy is gonna like put her on

551
00:29:06,360 --> 00:29:09,040
Speaker 1: their list the same way. It's like I wonder, like

552
00:29:09,080 --> 00:29:11,840
Speaker 1: the critics are awarding promising on women the Screenplay Awards,

553
00:29:11,880 --> 00:29:14,400
Speaker 1: but I wonder if other writers are going to look

554
00:29:14,400 --> 00:29:16,360
Speaker 1: at the script and say, yes, this is what I

555
00:29:16,400 --> 00:29:19,000
Speaker 1: would vote for. Like, I just wonder if other actors

556
00:29:19,440 --> 00:29:23,560
Speaker 1: know Maria Bakalova enough or saw Borat enough to vote

557
00:29:23,560 --> 00:29:26,120
Speaker 1: for her for the award. I fucking hope, so, I

558
00:29:26,160 --> 00:29:29,160
Speaker 1: hope so too. Um, I haven't seen one night in Miami.

559
00:29:29,240 --> 00:29:33,080
Speaker 1: I have to you and I love Ms Regina Regina,

560
00:29:33,360 --> 00:29:35,560
Speaker 1: I mean she They've been talking about her all year.

561
00:29:35,600 --> 00:29:37,080
Speaker 1: You know what else I really want to see is

562
00:29:37,200 --> 00:29:42,760
Speaker 1: UM Malcolm and Marie with Marie with Zendia and UM

563
00:29:42,840 --> 00:29:46,360
Speaker 1: John David Washington. I haven't seen The Father, The Father.

564
00:29:46,400 --> 00:29:48,880
Speaker 1: I should check out people rave about The Father. I

565
00:29:48,920 --> 00:29:53,040
Speaker 1: heard Olivia Coleman. I'm looking at the film Experience. We

566
00:29:53,040 --> 00:29:55,320
Speaker 1: should have Nathaniel back on. We got to have him

567
00:29:55,320 --> 00:29:58,840
Speaker 1: back on UM. And honestly, it's been such an interesting

568
00:29:58,960 --> 00:30:02,720
Speaker 1: year for the whole Oscar season. Because I realized this

569
00:30:02,840 --> 00:30:04,760
Speaker 1: the other day because I did my sack. I was

570
00:30:04,800 --> 00:30:07,520
Speaker 1: on the nominating committee for SAG TV, so I was

571
00:30:07,520 --> 00:30:12,240
Speaker 1: looking at like an awards schedule, and um, the Oscars

572
00:30:12,240 --> 00:30:15,920
Speaker 1: are in April. That's like, that's crazy. All the way

573
00:30:16,000 --> 00:30:18,840
Speaker 1: into the year. It's gonna be literally we're going to

574
00:30:18,880 --> 00:30:22,840
Speaker 1: the damn beach. Okay wait, I'm looking at Nathaniel's prediction

575
00:30:22,880 --> 00:30:25,640
Speaker 1: index for best supporting this is this is just cracking

576
00:30:25,640 --> 00:30:29,640
Speaker 1: me up. Marie Bacalova, Borat, Ellen Burston, Pieces of a Woman,

577
00:30:29,800 --> 00:30:34,120
Speaker 1: Glenn Close, Olivia Coleman, The Father, Amanda's Eye Freed, make

578
00:30:34,200 --> 00:30:37,440
Speaker 1: I'm like, this is the most first of all lovely,

579
00:30:37,480 --> 00:30:40,880
Speaker 1: all white selection, but I'm just like this random asked

580
00:30:40,920 --> 00:30:43,080
Speaker 1: group of names, and Maria Bacalo is at the very top.

581
00:30:43,120 --> 00:30:45,840
Speaker 1: I don't know if is that alphabetical. Uh, it might

582
00:30:45,880 --> 00:30:48,200
Speaker 1: be alphabetical, but he does he does do a very

583
00:30:48,200 --> 00:30:50,240
Speaker 1: in depth analysis, and I think he's got her like

584
00:30:50,280 --> 00:30:53,120
Speaker 1: pretty much on the bubble. But they're saying that it's

585
00:30:53,160 --> 00:30:55,520
Speaker 1: gonna be like pretty much a cake walk for Amanda

586
00:30:55,560 --> 00:30:58,479
Speaker 1: Cipher this year for Mink, She's she's a lock on

587
00:30:58,800 --> 00:31:01,880
Speaker 1: Nathaniel's list, but from her ya um, she's the critics

588
00:31:01,960 --> 00:31:04,120
Speaker 1: choice in a very likely Golden Globe nomination will boost

589
00:31:04,120 --> 00:31:08,160
Speaker 1: her profile. But Oscar really goes for improv comedy that Daniel.

590
00:31:08,760 --> 00:31:11,520
Speaker 1: I mean. The thing about her performance though, is it's like, yes,

591
00:31:11,560 --> 00:31:14,360
Speaker 1: it was improv comedy, but but it's also like you

592
00:31:14,400 --> 00:31:16,480
Speaker 1: can't tell me that she didn't put herself out there

593
00:31:16,520 --> 00:31:20,160
Speaker 1: more than anyone else ever. Has she had to hit

594
00:31:20,200 --> 00:31:24,200
Speaker 1: like these emotional beats and moments really really hard, And

595
00:31:24,280 --> 00:31:25,880
Speaker 1: I think she nailed each one. Like when she's in

596
00:31:25,880 --> 00:31:29,440
Speaker 1: the car with the babysitter, um, when she's with fucking Rudy,

597
00:31:29,560 --> 00:31:32,400
Speaker 1: it's like it's crazy. She is a star. She is

598
00:31:32,600 --> 00:31:34,560
Speaker 1: That was a great movie, and she is what you

599
00:31:34,600 --> 00:31:38,920
Speaker 1: walk away thinking about. And I think that literally she

600
00:31:39,040 --> 00:31:41,720
Speaker 1: put herself in her room with Rudy Giuliani and went

601
00:31:41,840 --> 00:31:44,959
Speaker 1: was willing to go there, and also was so funny

602
00:31:45,000 --> 00:31:49,360
Speaker 1: and touching throughout she fostered that relationship with her babysitter,

603
00:31:50,000 --> 00:31:54,200
Speaker 1: Um that was unbelievable. And I'm sorry, but you're talking

604
00:31:54,240 --> 00:31:58,280
Speaker 1: about being convincing. She gives this woman for weeks or

605
00:31:58,400 --> 00:32:01,480
Speaker 1: months and the and the woman was like really hurt

606
00:32:01,560 --> 00:32:04,240
Speaker 1: by it. Did you see this well? I saw another

607
00:32:04,280 --> 00:32:06,880
Speaker 1: interview with Maria where she said that they had a conversation.

608
00:32:07,240 --> 00:32:09,400
Speaker 1: Now it's all good, and like Maria and her had

609
00:32:09,400 --> 00:32:12,240
Speaker 1: this great relationship, but at the time that the movie

610
00:32:12,240 --> 00:32:14,760
Speaker 1: came out, this woman was like, I feel so deceived

611
00:32:14,880 --> 00:32:16,720
Speaker 1: and I and like my heart kind of heard. I

612
00:32:16,760 --> 00:32:19,000
Speaker 1: was like, fuck, oh, I was like I thought that

613
00:32:19,040 --> 00:32:21,160
Speaker 1: Borat like I thought that, you know, like Lynnell and

614
00:32:21,240 --> 00:32:24,959
Speaker 1: the first um Borat movie, like everyone was in on it.

615
00:32:26,280 --> 00:32:29,920
Speaker 1: But I guess with her it was different. Um everyone

616
00:32:30,080 --> 00:32:32,960
Speaker 1: in the first part. But I also think good for

617
00:32:33,000 --> 00:32:34,920
Speaker 1: Sasha Baron Cohen, I'm not to give credit to like

618
00:32:35,360 --> 00:32:40,080
Speaker 1: you know a man, but it's like a man but

619
00:32:40,160 --> 00:32:42,720
Speaker 1: in all the press stuff, like he has really championed

620
00:32:42,720 --> 00:32:45,960
Speaker 1: Maria and everything, he's just like she's incredible. She's the

621
00:32:45,960 --> 00:32:50,360
Speaker 1: fucking star. Like this movie is about her. Yeah, she's

622
00:32:50,480 --> 00:32:54,760
Speaker 1: She's absolutely the story of of that of that movie.

623
00:32:54,800 --> 00:32:56,680
Speaker 1: I mean, there's there's no doubt. And if she were

624
00:32:56,720 --> 00:32:58,880
Speaker 1: to win, I'd be thrilled. I don't think she will.

625
00:32:58,920 --> 00:33:01,200
Speaker 1: I think it feels like one of those things where

626
00:33:01,200 --> 00:33:04,680
Speaker 1: it's like they have the opportunity to give the award

627
00:33:04,760 --> 00:33:08,680
Speaker 1: to like a young starlett and so they probably will. Um.

628
00:33:08,720 --> 00:33:11,719
Speaker 1: It feels like they would love nothing more Hollywood than

629
00:33:11,800 --> 00:33:16,120
Speaker 1: to call Amanda cipherd an Oscar winner. Um. And they

630
00:33:16,160 --> 00:33:20,160
Speaker 1: have an opportunity, so they'll probably take that. But um,

631
00:33:20,200 --> 00:33:22,960
Speaker 1: if she gets nominated, I'll be really happy because I

632
00:33:23,000 --> 00:33:26,560
Speaker 1: always want there to be at least one solid comedy nomination.

633
00:33:26,680 --> 00:33:28,880
Speaker 1: Like I was one of the people that was saying

634
00:33:29,160 --> 00:33:32,160
Speaker 1: the years ago when Tiffany Hattrich was getting critics awards

635
00:33:32,200 --> 00:33:35,600
Speaker 1: for Girls Trip, I'm like, why not what other performance

636
00:33:35,640 --> 00:33:37,840
Speaker 1: was more entertaining? You know what I mean? Like she

637
00:33:37,960 --> 00:33:39,920
Speaker 1: nailed what she needs to do in terms of supporting

638
00:33:39,920 --> 00:33:44,280
Speaker 1: actress in a movie, like she was the comedic powerhouse

639
00:33:44,320 --> 00:33:48,400
Speaker 1: of that very successful movie. And if the goal is

640
00:33:48,560 --> 00:33:51,880
Speaker 1: to you know, recognize merit and those types of roles,

641
00:33:51,960 --> 00:33:55,160
Speaker 1: then why wouldn't you support something like that? I mean,

642
00:33:55,400 --> 00:33:59,640
Speaker 1: you know what I'm saying, I do he has Tier

643
00:33:59,720 --> 00:34:03,239
Speaker 1: two and Nathaniel hasn't Tier two. Um young junk who

644
00:34:03,280 --> 00:34:07,920
Speaker 1: plays the grandmother in Minoris to watch this movie. She's fantastic.

645
00:34:08,000 --> 00:34:09,640
Speaker 1: I mean that whole Yeah, I hope she gets that

646
00:34:09,760 --> 00:34:12,799
Speaker 1: whole cast. Unbelievable. It's because I was going into this

647
00:34:12,800 --> 00:34:16,600
Speaker 1: movie being like, okay, like Steven Jan's like the star. Um,

648
00:34:16,640 --> 00:34:20,720
Speaker 1: it's all five of them carrying that together. It's really

649
00:34:20,760 --> 00:34:24,360
Speaker 1: really crazy. I really hope that they that they um

650
00:34:24,640 --> 00:34:27,120
Speaker 1: do a better job this year with representation. If they're

651
00:34:27,120 --> 00:34:30,160
Speaker 1: going to nominate Manori, they should nominate the actors because

652
00:34:30,200 --> 00:34:33,719
Speaker 1: what happened with Parasite last year was like truly fucked up,

653
00:34:33,840 --> 00:34:36,880
Speaker 1: unacceptable because then it was because they didn't know or

654
00:34:37,000 --> 00:34:39,800
Speaker 1: learned the names. And if she has delivered a performance

655
00:34:39,800 --> 00:34:42,960
Speaker 1: that's disserving, that's deserving of an OSCAR nomination, she should

656
00:34:42,960 --> 00:34:45,920
Speaker 1: be there. I believe she has, like something happens to

657
00:34:45,960 --> 00:34:48,920
Speaker 1: that character. Um late in the film. I won't spoil it,

658
00:34:49,000 --> 00:34:52,279
Speaker 1: but like she like she just she just does it

659
00:34:52,480 --> 00:34:55,680
Speaker 1: so so well, performs it so well. Okay, Francis, he

660
00:34:55,680 --> 00:34:57,919
Speaker 1: has Francis, I'm just looking at actress and supporting. That's

661
00:34:57,960 --> 00:35:00,320
Speaker 1: doctress and supporting. I'm Francis mcdormant is a lot. Viola

662
00:35:00,360 --> 00:35:03,280
Speaker 1: is a lock. He's carry even as the Caribbean Zendeia

663
00:35:03,520 --> 00:35:05,640
Speaker 1: as as in the as the top tier. And so

664
00:35:05,719 --> 00:35:08,520
Speaker 1: the thing about the thing about Zendeia is the movie

665
00:35:08,920 --> 00:35:11,319
Speaker 1: now has come out, UM and it's not getting the

666
00:35:11,440 --> 00:35:15,319
Speaker 1: greatest reviews, but apparently she is phenomenal in it, and

667
00:35:15,360 --> 00:35:18,520
Speaker 1: they're just so obsessed with her right now. And there's

668
00:35:18,560 --> 00:35:20,680
Speaker 1: the industry. I think, after she have won the Emmy

669
00:35:20,760 --> 00:35:23,839
Speaker 1: and she's obviously so fucking good on Euphoria and why

670
00:35:23,840 --> 00:35:27,920
Speaker 1: wouldn't you want to UM, I think encourage and like

671
00:35:28,400 --> 00:35:31,400
Speaker 1: champion the fact that like she's this incredible young actress,

672
00:35:31,440 --> 00:35:35,000
Speaker 1: similar with Amanda Cipherd. I'm like it seems like if

673
00:35:35,040 --> 00:35:37,480
Speaker 1: she is good enough, we'd be hearing about it more.

674
00:35:37,520 --> 00:35:41,279
Speaker 1: And I hate I hate that, UM, one person can

675
00:35:41,320 --> 00:35:43,960
Speaker 1: win this many awards, but if she's fucking deserving of it.

676
00:35:43,960 --> 00:35:47,240
Speaker 1: Frances McDorman will win a third Oscar probably in this movie,

677
00:35:47,400 --> 00:35:50,759
Speaker 1: unless they give it to Viola Um who should have

678
00:35:50,800 --> 00:35:54,160
Speaker 1: a best actress or yet her her first step best actress.

679
00:35:54,160 --> 00:35:57,680
Speaker 1: That's right, Yeah, an interesting season. Well, Vanessa Kirby, do

680
00:35:57,719 --> 00:36:00,759
Speaker 1: you did you watch the Crown? I watched her seasons. Yeah, so,

681
00:36:00,840 --> 00:36:04,280
Speaker 1: Vanessa Kirby, did you know that she's known in England

682
00:36:04,320 --> 00:36:08,160
Speaker 1: as like the greatest stage actress of her generation. Yes,

683
00:36:08,200 --> 00:36:10,480
Speaker 1: I didn't know this. They consider her like to be

684
00:36:10,520 --> 00:36:15,239
Speaker 1: as good as Kate Blanchet, like they she's like she's incredible, yeah,

685
00:36:15,600 --> 00:36:20,719
Speaker 1: truly and and stunning unfortunately as unfortunately being shallow. I'm

686
00:36:20,760 --> 00:36:25,240
Speaker 1: just saying, like she's fucking gorgeous. A Glamazonian, Glamazonian, Glamazonian

687
00:36:25,320 --> 00:36:28,840
Speaker 1: young woman three historic l Amazone Glamazon huntress a D.

688
00:36:29,520 --> 00:36:33,240
Speaker 1: Vanessa Kirby. Is that it's actually it's rural culture number

689
00:36:34,080 --> 00:36:41,279
Speaker 1: fifty five. Vanessa Kirby is prehistoric Glamazon contress a D.

690
00:36:42,440 --> 00:36:45,160
Speaker 1: Is that can we quickly? Um, she's got a point.

691
00:36:45,360 --> 00:36:48,800
Speaker 1: She's got a point. She's a legend, She's an eye legend.

692
00:36:49,680 --> 00:36:53,640
Speaker 1: Is the moment? Now come on? Now? I wanted to

693
00:36:54,080 --> 00:36:56,920
Speaker 1: check in with you, about how you felt about Gaga's

694
00:36:57,120 --> 00:37:00,960
Speaker 1: national anthem after we discussed it on the last week's episode.

695
00:37:00,960 --> 00:37:04,359
Speaker 1: How did you feel about how she turned it? Well, you,

696
00:37:04,400 --> 00:37:06,800
Speaker 1: I don't think we did not discuss it. You let's

697
00:37:06,880 --> 00:37:10,319
Speaker 1: not erase history. You. I don't think so, honey. Her

698
00:37:10,760 --> 00:37:13,719
Speaker 1: I I don't think so, honey. The concept of twists

699
00:37:14,200 --> 00:37:16,279
Speaker 1: on the national and do you think do you feel

700
00:37:16,280 --> 00:37:19,399
Speaker 1: that she performed some twists. I don't think she did

701
00:37:19,520 --> 00:37:23,360
Speaker 1: much of a twist except what she went. Oh say,

702
00:37:23,760 --> 00:37:25,600
Speaker 1: she kind of gave it like a very much an

703
00:37:25,600 --> 00:37:30,319
Speaker 1: option on the Oh, she made it operatic, she made

704
00:37:30,320 --> 00:37:34,120
Speaker 1: it it was she was very patriotic. There were there

705
00:37:34,120 --> 00:37:38,440
Speaker 1: were enough flourishes in there that it felt like I

706
00:37:38,440 --> 00:37:42,440
Speaker 1: would I would say they constitute a twist because between

707
00:37:44,920 --> 00:37:50,360
Speaker 1: that's what it was. Oh, Doug is dragging her twist.

708
00:37:51,600 --> 00:37:53,560
Speaker 1: Do get in here, Doug, get in here. Yeah, get

709
00:37:53,600 --> 00:37:55,600
Speaker 1: in here. Actually this is good because he actually was

710
00:37:55,680 --> 00:37:59,160
Speaker 1: emailing me about what I thought about it, and he

711
00:37:59,440 --> 00:38:03,640
Speaker 1: did have some interesting takes. Do get into he sometimes

712
00:38:03,640 --> 00:38:05,839
Speaker 1: I do get I do get individual emails from Doug.

713
00:38:06,320 --> 00:38:08,520
Speaker 1: So never Okay, Well, first of all, we have to

714
00:38:08,560 --> 00:38:11,439
Speaker 1: address this. I've never gotten an individual email from Doug.

715
00:38:11,480 --> 00:38:15,640
Speaker 1: I guess I don't have a personality Michelle Vissage. He's

716
00:38:15,640 --> 00:38:17,799
Speaker 1: like Michelle Vissage talking to an Asian queen and let

717
00:38:17,880 --> 00:38:19,799
Speaker 1: him answer for himself. Why don't you why do you

718
00:38:19,840 --> 00:38:23,080
Speaker 1: sometimes email me and not bowing Well, Matt, you were

719
00:38:23,120 --> 00:38:27,319
Speaker 1: the one that brought up the Lady Gaga thing, so right,

720
00:38:27,480 --> 00:38:30,920
Speaker 1: I just figured, and I don't like the group emails

721
00:38:30,960 --> 00:38:33,560
Speaker 1: just because a lot of times when I get sent

722
00:38:33,640 --> 00:38:35,440
Speaker 1: on the group emails, I'm like, oh my god, will

723
00:38:35,480 --> 00:38:38,160
Speaker 1: you take me off this fucking group email. You figured

724
00:38:38,200 --> 00:38:40,520
Speaker 1: you didn't want to upset Bowen with something you weren't

725
00:38:40,560 --> 00:38:42,319
Speaker 1: sure he wanted to talk about. I didn't know if

726
00:38:42,360 --> 00:38:43,759
Speaker 1: you wanted to talk about it. I would have loved

727
00:38:43,800 --> 00:38:46,719
Speaker 1: to talk about it, very hurt. I actually loved it.

728
00:38:46,920 --> 00:38:51,799
Speaker 1: I thought, I from the Lady guy thing. Really, I

729
00:38:51,880 --> 00:38:56,040
Speaker 1: don't like people doing that song. I thought it was amazing. Okay,

730
00:38:56,040 --> 00:38:57,920
Speaker 1: so when you say the twist we're in the timing,

731
00:38:57,960 --> 00:39:00,560
Speaker 1: what do you mean you weren't dragging? No, no, no, no,

732
00:39:00,880 --> 00:39:05,040
Speaker 1: Like they were just their pauses and it was the

733
00:39:05,120 --> 00:39:08,600
Speaker 1: space that she was leaving was not typical in my

734
00:39:08,840 --> 00:39:11,239
Speaker 1: in my mind, not so much the melody I felt

735
00:39:11,239 --> 00:39:14,680
Speaker 1: like the melody was pretty pretty standard. It was just

736
00:39:14,719 --> 00:39:17,520
Speaker 1: like she left these little gaps and it was great.

737
00:39:17,719 --> 00:39:21,879
Speaker 1: I loved Okay and you felt it was art pop?

738
00:39:22,000 --> 00:39:24,840
Speaker 1: Is what you're saying? Yeah? Absolutely? Can you say the

739
00:39:24,880 --> 00:39:28,520
Speaker 1: words Lady Gaga doing the national anthem was art pop?

740
00:39:29,040 --> 00:39:33,440
Speaker 1: Lady Gaga doing the national anthem was art pop? What

741
00:39:33,480 --> 00:39:35,960
Speaker 1: do you really think that was? Believed it? What did

742
00:39:36,000 --> 00:39:37,920
Speaker 1: you think of Jlo? Doug? Yeah? What do you think

743
00:39:37,920 --> 00:39:42,399
Speaker 1: of Jalo's performance? I didn't really see it the way

744
00:39:42,440 --> 00:39:46,080
Speaker 1: I watched Lady Gaga. I I didn't see it live.

745
00:39:46,280 --> 00:39:49,200
Speaker 1: The Lady Gaga thing. I went and I watched it

746
00:39:49,360 --> 00:39:53,200
Speaker 1: three times in a row. I saw Jlo and I

747
00:39:53,239 --> 00:39:57,000
Speaker 1: went and I didn't make it through it. I think

748
00:39:57,040 --> 00:40:01,280
Speaker 1: she's a be rated singer and a be plush dancer.

749
00:40:01,480 --> 00:40:06,080
Speaker 1: I just don't be plus dancing is undenied. Don't don't

750
00:40:06,120 --> 00:40:08,879
Speaker 1: you don't do this, don't do that with Jennifer not

751
00:40:09,040 --> 00:40:13,120
Speaker 1: be puc okay. Saw Hans is pointing out, this man

752
00:40:13,239 --> 00:40:19,000
Speaker 1: hasn't seen hustlers. Hustlers? Did you want bowl last year? Doug?

753
00:40:19,080 --> 00:40:21,800
Speaker 1: You don't you got it? Before you make these claims,

754
00:40:21,880 --> 00:40:25,920
Speaker 1: you have to you have to get downloaded on the information.

755
00:40:26,000 --> 00:40:27,719
Speaker 1: That's all I'm saying. But this is this is also

756
00:40:27,760 --> 00:40:29,960
Speaker 1: when you remember this is someone who said he didn't

757
00:40:29,960 --> 00:40:33,759
Speaker 1: really know Celine Dion and despite the fact that he

758
00:40:33,800 --> 00:40:35,640
Speaker 1: was working on her album. You know what I mean,

759
00:40:35,760 --> 00:40:39,080
Speaker 1: Like that's like unbelievable. We have to accept and understand this. Man.

760
00:40:39,200 --> 00:40:41,040
Speaker 1: You have to see this is a part of the

761
00:40:41,120 --> 00:40:42,960
Speaker 1: unity in the country. You have to see people where

762
00:40:42,960 --> 00:40:46,879
Speaker 1: they're at. I know, and look, I've been in I've

763
00:40:47,040 --> 00:40:49,520
Speaker 1: I've had to work with a lot of engineers in

764
00:40:49,520 --> 00:40:52,799
Speaker 1: the last few months. They all put up, put up

765
00:40:52,800 --> 00:40:56,200
Speaker 1: their walls. You have to impress them, Doug. Doug always

766
00:40:56,239 --> 00:41:00,359
Speaker 1: puts out there this this this unscalable wall that you

767
00:41:00,400 --> 00:41:02,960
Speaker 1: have to really break through. You have to be Gaga

768
00:41:03,000 --> 00:41:05,400
Speaker 1: sing the damn national anthem with a bird on her chest.

769
00:41:06,080 --> 00:41:07,920
Speaker 1: What do you think of the birds? What do you think?

770
00:41:08,520 --> 00:41:10,919
Speaker 1: And the outfit ensemble that was fine? With the bird

771
00:41:11,280 --> 00:41:15,040
Speaker 1: it was it was interesting. I have never seen a

772
00:41:15,080 --> 00:41:17,480
Speaker 1: bird on an outfit like that. That was the first

773
00:41:17,560 --> 00:41:23,120
Speaker 1: for me. Ohole new one might say, Okay, well, Doug,

774
00:41:23,200 --> 00:41:25,440
Speaker 1: thank you, well, one more question before you go, did

775
00:41:25,560 --> 00:41:30,400
Speaker 1: you didn't watch the Katy Perry performance? Was good? Yeah,

776
00:41:30,680 --> 00:41:32,840
Speaker 1: it was good. It was good. It was it was

777
00:41:32,880 --> 00:41:36,040
Speaker 1: really it was very proud, it was very spirited. She

778
00:41:36,160 --> 00:41:41,120
Speaker 1: sent firework. It was the last moment of the election,

779
00:41:41,560 --> 00:41:45,600
Speaker 1: was Katie Perry singing fireworks. One thing I want to

780
00:41:45,600 --> 00:41:47,319
Speaker 1: to set you to say that before you go, is

781
00:41:47,360 --> 00:41:49,239
Speaker 1: you said you worked with Katy Perry once, and what

782
00:41:49,280 --> 00:41:52,239
Speaker 1: did you say about her? She's an amazing musician and

783
00:41:52,280 --> 00:41:55,480
Speaker 1: can sing her butt off. Yeah, dou you gotta check

784
00:41:55,480 --> 00:41:58,640
Speaker 1: out her MTV and plugged set. Excellent, really good. She

785
00:41:58,760 --> 00:42:02,400
Speaker 1: was a good guitar player. She's talented, she really is.

786
00:42:02,440 --> 00:42:04,800
Speaker 1: And I mean, I'm a Katie cat. I listened to

787
00:42:04,880 --> 00:42:07,040
Speaker 1: Daisy three times today. It was number two on my

788
00:42:07,080 --> 00:42:11,280
Speaker 1: most played Songs of and He's a star in the video?

789
00:42:11,520 --> 00:42:13,399
Speaker 1: Did you watch the video with Matt Matt with Matt

790
00:42:13,400 --> 00:42:15,520
Speaker 1: in itt I in her music video? Not the End

791
00:42:15,520 --> 00:42:18,960
Speaker 1: of the World anyway, you just don't really listen. Dock

792
00:42:19,000 --> 00:42:22,719
Speaker 1: doesn't listen. Bye dog, Thank you, go back to engineering

793
00:42:22,719 --> 00:42:27,759
Speaker 1: our show. Alright, So, um, that was as always illuminating,

794
00:42:28,120 --> 00:42:30,440
Speaker 1: you know, I think, well, first of all, we should

795
00:42:30,440 --> 00:42:34,520
Speaker 1: say yes, that was a moment that embodied unity in

796
00:42:34,560 --> 00:42:36,480
Speaker 1: the way that Joe Biden wants it I don't know

797
00:42:36,520 --> 00:42:38,520
Speaker 1: that unity is the thing that we need right now,

798
00:42:38,600 --> 00:42:40,040
Speaker 1: not to get to We don't have to get into

799
00:42:40,080 --> 00:42:43,040
Speaker 1: too much of a discussion about this, Queen go off,

800
00:42:43,080 --> 00:42:45,239
Speaker 1: because I I did want to talk about this a

801
00:42:45,280 --> 00:42:48,120
Speaker 1: little bit. Yeah, Queen, I think we gotta we have

802
00:42:48,280 --> 00:42:54,080
Speaker 1: to honestly like punish people who who want to like

803
00:42:54,600 --> 00:43:00,320
Speaker 1: endanger on a mass scale people's lives. That's all. That's it.

804
00:43:00,320 --> 00:43:04,120
Speaker 1: It's the billionaires ethics for me. Sorry, right, no, right.

805
00:43:04,160 --> 00:43:07,799
Speaker 1: I'm at least happy that after the insurrection, people are

806
00:43:07,840 --> 00:43:10,440
Speaker 1: calling them what they are, which is terrorists. I'm happy

807
00:43:10,480 --> 00:43:13,400
Speaker 1: that we're finally using that word to describe what the

808
00:43:13,520 --> 00:43:17,160
Speaker 1: passionate Trump base really is because this is what they

809
00:43:17,160 --> 00:43:20,239
Speaker 1: wanted to do the whole time, was takeover. They want

810
00:43:20,280 --> 00:43:22,920
Speaker 1: power for themselves just because the dictator is basically telling

811
00:43:22,920 --> 00:43:25,000
Speaker 1: them that they're entitled to it. This is what they

812
00:43:25,000 --> 00:43:27,279
Speaker 1: always were. So at least I'm happy that we are

813
00:43:27,320 --> 00:43:30,840
Speaker 1: finally fucking calling it flat out what they're doing. What

814
00:43:30,880 --> 00:43:33,759
Speaker 1: they're doing is domestic terror and inciting domestic terror. So

815
00:43:33,800 --> 00:43:37,640
Speaker 1: at least that but everyone that's still in the government

816
00:43:38,000 --> 00:43:41,399
Speaker 1: that was beating the drum of we we they need

817
00:43:41,440 --> 00:43:44,200
Speaker 1: to be out, and it's crazy that that part'still has

818
00:43:44,320 --> 00:43:47,360
Speaker 1: to be a discussion. But crews should be out, Holly

819
00:43:47,360 --> 00:43:50,319
Speaker 1: should be out, McCarthy should be out. These idiots like

820
00:43:50,760 --> 00:43:54,120
Speaker 1: Bobbert and Marjorie Taylor Green, who are these Q and

821
00:43:54,280 --> 00:43:58,000
Speaker 1: on at best Q and on sympathizing at worst literally

822
00:43:58,120 --> 00:44:02,359
Speaker 1: Q and on UM presentatives. It's just crazy that they're

823
00:44:02,400 --> 00:44:05,840
Speaker 1: there and you've got congress people trying to bring guns

824
00:44:05,840 --> 00:44:09,000
Speaker 1: onto the floor of the House of Representatives. I mean,

825
00:44:09,040 --> 00:44:11,759
Speaker 1: it's it's gotten to a point where it's like, you're

826
00:44:11,800 --> 00:44:17,880
Speaker 1: so right, we need to literally remove people who are

827
00:44:17,880 --> 00:44:21,279
Speaker 1: in positions of power if they believe these things. It's

828
00:44:21,320 --> 00:44:24,600
Speaker 1: not time for for quote unquote unity. We need to

829
00:44:24,960 --> 00:44:29,040
Speaker 1: unify behind the principle that this isn't acceptable. It's that

830
00:44:29,120 --> 00:44:33,000
Speaker 1: whole thing. Everyone's seen the infographics. But you can't tolerate

831
00:44:33,040 --> 00:44:40,200
Speaker 1: intolerance otherwise intolerance wins. And also and every attempted overthrow

832
00:44:40,239 --> 00:44:43,279
Speaker 1: of government that has happened in South America or in

833
00:44:43,280 --> 00:44:48,440
Speaker 1: Central America, that is that was incited by US imperialism. UM. Anytime,

834
00:44:49,360 --> 00:44:54,200
Speaker 1: anytime the fascist leaning party was not punished or snuffed out,

835
00:44:54,880 --> 00:44:58,319
Speaker 1: they ended up coming back with them with the with

836
00:44:58,400 --> 00:45:00,920
Speaker 1: the rage. It's it's we can't do this. I mean,

837
00:45:00,960 --> 00:45:04,000
Speaker 1: I'm already worried that, like there's this collective amnesia from

838
00:45:04,040 --> 00:45:06,319
Speaker 1: like January six already that it's like, Okay, now we're

839
00:45:06,320 --> 00:45:10,480
Speaker 1: in Joe Biden's America. Let's turn a new leaf. But um,

840
00:45:10,760 --> 00:45:13,000
Speaker 1: like have all that stuff on the underbelly and not

841
00:45:13,200 --> 00:45:15,680
Speaker 1: acknowledge it. That's the feeling that I get that is

842
00:45:15,719 --> 00:45:19,040
Speaker 1: kind of worrying me. It's gotten to a point where,

843
00:45:19,120 --> 00:45:21,600
Speaker 1: because the news cycles so fast, it feels like we

844
00:45:21,600 --> 00:45:24,120
Speaker 1: can move on and this is something we did a

845
00:45:24,160 --> 00:45:27,080
Speaker 1: really good job of like calling out for at least

846
00:45:27,120 --> 00:45:29,000
Speaker 1: a few days. But now it does seem like the

847
00:45:29,040 --> 00:45:33,000
Speaker 1: conversation has moved on to Wow, isn't it great that

848
00:45:33,040 --> 00:45:36,680
Speaker 1: the Press secretary is actually doing her job. It's like, yeah,

849
00:45:36,760 --> 00:45:40,080
Speaker 1: that is great, But we don't really have time to

850
00:45:40,239 --> 00:45:43,359
Speaker 1: get used to a positive new world, Like we need

851
00:45:43,440 --> 00:45:47,480
Speaker 1: to start fixing what is truly bad in this country

852
00:45:47,840 --> 00:45:52,480
Speaker 1: and and start understanding and and um reckoning with why

853
00:45:52,719 --> 00:45:58,560
Speaker 1: what just happened happened? Yeah, it's okay to think, oh wow,

854
00:45:58,560 --> 00:46:02,600
Speaker 1: it's so refreshing that people who are competent are back

855
00:46:03,000 --> 00:46:07,480
Speaker 1: in some institutional power position. But it's also like that

856
00:46:07,520 --> 00:46:10,000
Speaker 1: should not be like the thing to celebrate when it

857
00:46:10,040 --> 00:46:12,640
Speaker 1: should be. It should have been the normal thing anyway.

858
00:46:12,640 --> 00:46:15,400
Speaker 1: And even then, like having those people in those positions

859
00:46:15,800 --> 00:46:18,920
Speaker 1: is not itself and that positive anyway, I'm gonna I'm

860
00:46:18,960 --> 00:46:21,440
Speaker 1: saving this for my I don't think so, honey. In

861
00:46:21,480 --> 00:46:25,359
Speaker 1: some way, I think like Janet one six one was

862
00:46:25,520 --> 00:46:29,239
Speaker 1: like one of the darkest days of this whole fucking country,

863
00:46:29,760 --> 00:46:32,520
Speaker 1: and like this is this is my own personal vendetta,

864
00:46:32,600 --> 00:46:34,359
Speaker 1: this is my own personal bullshit, And I'm like, I

865
00:46:34,360 --> 00:46:39,160
Speaker 1: will remember the people who were like creating content that day.

866
00:46:39,640 --> 00:46:45,239
Speaker 1: All I'm saying, I'm like, guys and whatever, that's that's

867
00:46:45,239 --> 00:46:47,359
Speaker 1: just me being petty. But I'm like, we have to

868
00:46:47,440 --> 00:46:52,040
Speaker 1: like really sit with this horrendous thing that has happened.

869
00:46:52,680 --> 00:46:54,759
Speaker 1: Um that we can't and we can't even deal with

870
00:46:54,760 --> 00:46:56,239
Speaker 1: it in the way that's like this isn't who we are,

871
00:46:56,239 --> 00:46:58,200
Speaker 1: blah blah blah, Like that's not even true. It's like

872
00:46:58,320 --> 00:47:01,520
Speaker 1: we just have to like solve this. This is something

873
00:47:01,560 --> 00:47:03,799
Speaker 1: that we have to solve immediately, and that we can.

874
00:47:04,520 --> 00:47:06,680
Speaker 1: I mean a lot of people are going back and

875
00:47:06,719 --> 00:47:09,799
Speaker 1: forth about whether or not, well not really a lot

876
00:47:09,840 --> 00:47:11,399
Speaker 1: of people are going back and forth about it, which

877
00:47:11,440 --> 00:47:12,880
Speaker 1: is part of how I'm saying this, always that we

878
00:47:12,960 --> 00:47:15,319
Speaker 1: have to have this discussion. But whether or not an

879
00:47:15,320 --> 00:47:18,760
Speaker 1: impeachment is what the country needs right now, it's important

880
00:47:18,760 --> 00:47:23,120
Speaker 1: that everyone knows. And well, people were saying that about

881
00:47:23,160 --> 00:47:26,200
Speaker 1: the impeach and now about tradiction. But even if it's

882
00:47:26,239 --> 00:47:29,600
Speaker 1: not quote unquote possible to get seventeen senators that are

883
00:47:29,600 --> 00:47:32,280
Speaker 1: on the Republican side to agree to convict the president

884
00:47:32,320 --> 00:47:36,840
Speaker 1: of inciting an insurrection, it's it's it must we must

885
00:47:36,840 --> 00:47:39,800
Speaker 1: go through this process because it's so important that everyone

886
00:47:39,880 --> 00:47:50,520
Speaker 1: knows that no one is above the law. What are

887
00:47:50,520 --> 00:47:53,399
Speaker 1: you listening to? What's your music this day? Well, I'm

888
00:47:53,520 --> 00:47:58,120
Speaker 1: listening a lot to. UM actually made a new playlist

889
00:47:58,760 --> 00:48:03,120
Speaker 1: and it is is you know you're gonna you're gonna laugh.

890
00:48:03,520 --> 00:48:11,520
Speaker 1: But there has been discoveries recently that are very me

891
00:48:11,640 --> 00:48:15,920
Speaker 1: and that they're happening about four or five years late. UM,

892
00:48:15,960 --> 00:48:18,799
Speaker 1: And I'm embarrassed to say this. I'm really embarrassed to

893
00:48:18,800 --> 00:48:20,680
Speaker 1: say this, but unfortunately you did. You didn't know who

894
00:48:20,719 --> 00:48:24,399
Speaker 1: FKA Twigs was until very recently. I always knew who

895
00:48:24,400 --> 00:48:28,439
Speaker 1: FKA Twigs was, but then when everything came out about

896
00:48:29,000 --> 00:48:32,799
Speaker 1: child a buff with her um I I kind of,

897
00:48:32,840 --> 00:48:36,000
Speaker 1: for the first time ever, decided to like really listen

898
00:48:36,080 --> 00:48:39,480
Speaker 1: to her, and I am sucking obsessed with her. And

899
00:48:39,640 --> 00:48:43,200
Speaker 1: I feel embarrassed that it took that for me to

900
00:48:43,360 --> 00:48:47,359
Speaker 1: really investigate who she was. But I'm also angry at

901
00:48:47,400 --> 00:48:51,960
Speaker 1: you about it at Twigs, because I think that you

902
00:48:52,080 --> 00:48:57,600
Speaker 1: didn't you didn't have sister support for me. By no,

903
00:48:57,840 --> 00:49:02,360
Speaker 1: you did not have sister support. You did not provide No,

904
00:49:02,719 --> 00:49:07,600
Speaker 1: You're stupid, flop. I always give you what I am

905
00:49:07,640 --> 00:49:10,080
Speaker 1: sampling at the moment, and I'm giving you, I give

906
00:49:10,080 --> 00:49:12,080
Speaker 1: you a sampling many of what I am in consuming

907
00:49:12,080 --> 00:49:14,759
Speaker 1: at the moment, and you always push away. That's that's

908
00:49:14,760 --> 00:49:18,000
Speaker 1: what First of all, day, it's the same with Zelda.

909
00:49:18,120 --> 00:49:21,560
Speaker 1: It's the same with everything. First of all, here's what

910
00:49:21,640 --> 00:49:24,080
Speaker 1: you just did. You said Zelda, which I've played, you

911
00:49:24,120 --> 00:49:27,719
Speaker 1: said ninety day, which I'm literally patiently watching it. And

912
00:49:27,760 --> 00:49:29,799
Speaker 1: then you said, it's the same with everything, because you

913
00:49:29,840 --> 00:49:32,840
Speaker 1: realize there was nothing else you haven't sent me in

914
00:49:32,880 --> 00:49:35,120
Speaker 1: a long time that you're like, you need to listen

915
00:49:35,160 --> 00:49:37,400
Speaker 1: to this song. You have not, and it's you the

916
00:49:37,560 --> 00:49:42,200
Speaker 1: cooler half of this pairing. That's supposed to introduce me

917
00:49:42,280 --> 00:49:46,520
Speaker 1: to cool things like FK Twigs. I try to introduce

918
00:49:46,560 --> 00:49:48,560
Speaker 1: you to cool things all the time outside of music,

919
00:49:48,640 --> 00:49:52,560
Speaker 1: and I think that music is something so personal that

920
00:49:52,680 --> 00:49:55,719
Speaker 1: I don't want to infringe on your taste because we

921
00:49:55,760 --> 00:49:59,440
Speaker 1: have different listening and consuming diets. That's like a media

922
00:49:59,800 --> 00:50:02,560
Speaker 1: saw diets. I'm sorry, I'm I'm mixing my words up.

923
00:50:02,880 --> 00:50:05,120
Speaker 1: The way I feel about you right now can only

924
00:50:05,160 --> 00:50:10,160
Speaker 1: be described in the song Cellophane by FK Twigs. To

925
00:50:10,480 --> 00:50:20,480
Speaker 1: know it's a really good Twigs, it's really good Twigs um.

926
00:50:20,560 --> 00:50:23,319
Speaker 1: And also I I what what else is on this

927
00:50:23,360 --> 00:50:25,359
Speaker 1: playlist that you're four or five years later? Okay, we'll

928
00:50:25,360 --> 00:50:28,680
Speaker 1: get this, so it's Twigs. I have the easy Casey

929
00:50:29,320 --> 00:50:35,239
Speaker 1: Musgraves remix by TV. I've recently started discovering l King

930
00:50:35,719 --> 00:50:39,640
Speaker 1: because I liked the song the other night on Drag Race.

931
00:50:39,719 --> 00:50:42,000
Speaker 1: And then I found this song Americas Sweetheart, which I

932
00:50:42,040 --> 00:50:44,000
Speaker 1: didn't know it was like a huge hit, but I

933
00:50:44,040 --> 00:50:49,160
Speaker 1: love it now. Um Driver's License by Olivia Rodrigo Drag.

934
00:50:49,680 --> 00:50:54,040
Speaker 1: Then I have all the instrumental covers um from bridgertain

935
00:50:54,120 --> 00:50:58,160
Speaker 1: of those pop songs like girls like You, Thank You. Next,

936
00:50:58,200 --> 00:51:01,839
Speaker 1: I think they're really cute and honestly I out to them. Uh.

937
00:51:02,239 --> 00:51:05,320
Speaker 1: And then next on this playlist is a song called

938
00:51:05,360 --> 00:51:09,080
Speaker 1: Toy by Netta, which was recently showed to us by

939
00:51:09,120 --> 00:51:12,200
Speaker 1: a friend of the pod, Chris Schlicker, because she won

940
00:51:12,600 --> 00:51:16,280
Speaker 1: Eurovision with this song. The song is amazing, Netta Toy.

941
00:51:16,480 --> 00:51:19,239
Speaker 1: Everyone needs to listen to it. What what country was

942
00:51:19,280 --> 00:51:21,840
Speaker 1: she from? She was? She was Greek? I don't remember.

943
00:51:22,480 --> 00:51:25,839
Speaker 1: I don't remember. I don't want to say um, But

944
00:51:26,040 --> 00:51:28,280
Speaker 1: while you look that up, I've also got Netta bars

945
00:51:28,280 --> 00:51:35,680
Speaker 1: al I. Um, yeah, she was from Lisbon, Lisbon, Yes, yeah, Um.

946
00:51:35,880 --> 00:51:40,640
Speaker 1: Then I have remix um for some reason, for some reason,

947
00:51:40,680 --> 00:51:43,160
Speaker 1: You're making Me High by Tony Braxton. And then two

948
00:51:43,160 --> 00:51:46,160
Speaker 1: songs from the Promising Young Woman soundtrack, which are the

949
00:51:46,200 --> 00:51:51,120
Speaker 1: Boys remix by Charlie x X and the drow Low Remix.

950
00:51:51,440 --> 00:51:54,520
Speaker 1: And then Angel in the Morning which ends the movie

951
00:51:54,560 --> 00:51:57,640
Speaker 1: and I'm sucking obsessed with I'm started to make a correction.

952
00:51:58,080 --> 00:52:02,319
Speaker 1: Netta is uh is representing Israel and she is? It's

953
00:52:02,360 --> 00:52:06,600
Speaker 1: really um Okay, So what about you? What's your playlist recently?

954
00:52:07,080 --> 00:52:10,680
Speaker 1: Have you listened to Hotels by Jasmine Sullivan? Oh? Yes,

955
00:52:11,360 --> 00:52:13,399
Speaker 1: you have to listen to hotels. I've been really, I've

956
00:52:13,400 --> 00:52:15,960
Speaker 1: been putting on good days by says a lot. You

957
00:52:16,000 --> 00:52:19,120
Speaker 1: didn't happen to flick on the versus um with Kisha

958
00:52:19,200 --> 00:52:21,960
Speaker 1: Kole and Ashanti, did you? I didn't? Was it okay?

959
00:52:22,000 --> 00:52:24,479
Speaker 1: I don't really, I don't really. I I like both

960
00:52:24,520 --> 00:52:26,239
Speaker 1: of them, I don't really know them well enough to

961
00:52:26,280 --> 00:52:31,520
Speaker 1: appreciate that versus. Here's the thing, um I was. I

962
00:52:31,600 --> 00:52:34,640
Speaker 1: used to love Ashanti oh Shanty was it? And I

963
00:52:34,680 --> 00:52:37,800
Speaker 1: love Kisha Kole. I really liked both of their music

964
00:52:37,800 --> 00:52:40,440
Speaker 1: back in the day, and I kind of assumed that

965
00:52:40,520 --> 00:52:44,840
Speaker 1: Kisha Kole was gonna eat Ashanti up. That did not happen.

966
00:52:45,239 --> 00:52:49,480
Speaker 1: Um Ashanti sounded fucking great and I enjoyed it, but

967
00:52:49,520 --> 00:52:53,000
Speaker 1: the energy was a little bit weird, which this is

968
00:52:53,040 --> 00:52:55,600
Speaker 1: my thing with versus at all times. It's like you're

969
00:52:55,680 --> 00:52:58,319
Speaker 1: doing something which is one person pitted against each other

970
00:52:58,440 --> 00:53:00,160
Speaker 1: and it's I know, it's all in good fun and

971
00:53:00,160 --> 00:53:02,480
Speaker 1: it's just something to do for quarantine, but like some

972
00:53:02,560 --> 00:53:04,879
Speaker 1: people who are gonna feel a certain way about how

973
00:53:04,880 --> 00:53:07,000
Speaker 1: this goes, and the energy is gonna be weird. And

974
00:53:07,000 --> 00:53:08,719
Speaker 1: this is the first one I've watched where it felt

975
00:53:08,719 --> 00:53:13,000
Speaker 1: like the energy was weird between them. It is can

976
00:53:13,040 --> 00:53:16,160
Speaker 1: I say something? You can say anything. It's very cultural,

977
00:53:16,440 --> 00:53:18,319
Speaker 1: which was our I don't think so honey show where

978
00:53:18,360 --> 00:53:20,680
Speaker 1: we pitted people against each other. It was a battle.

979
00:53:20,680 --> 00:53:22,680
Speaker 1: It was t you were either on team Matter team Bowen,

980
00:53:23,440 --> 00:53:27,399
Speaker 1: and we used to be obsessed with being adversarial. That

981
00:53:27,480 --> 00:53:32,840
Speaker 1: was it was always fighting. It was Matt versus Bowen

982
00:53:33,440 --> 00:53:36,560
Speaker 1: on a team. It was night soap. It was it

983
00:53:37,040 --> 00:53:40,640
Speaker 1: was a cultural Yeah, it was adversarial, but that show

984
00:53:40,880 --> 00:53:43,200
Speaker 1: was a funny show and there was some iconic moments.

985
00:53:43,239 --> 00:53:50,400
Speaker 1: Annie Donley walking down the aisle, fucking look, Pat Regan's

986
00:53:51,080 --> 00:53:54,960
Speaker 1: his big win. Um, the feud between Annie Donley and

987
00:53:55,000 --> 00:53:59,600
Speaker 1: Michelle Collins, Judge Collins. Um. I just think it was

988
00:53:59,760 --> 00:54:03,680
Speaker 1: weird energy because people were really, actually genuinely hurt by

989
00:54:03,719 --> 00:54:06,600
Speaker 1: the competitive aspect of it. Oh yeah, I remember when

990
00:54:06,680 --> 00:54:08,920
Speaker 1: some people would lose the heartbreak in their eyes. I

991
00:54:09,000 --> 00:54:13,320
Speaker 1: just I'll never forget it. I get what I understood,

992
00:54:13,320 --> 00:54:15,680
Speaker 1: and I was like, oh, what have I done. I've

993
00:54:16,080 --> 00:54:18,440
Speaker 1: I've had a hand in making this person feel bad.

994
00:54:18,920 --> 00:54:23,000
Speaker 1: But but when you enter into the ball, understand there's

995
00:54:23,000 --> 00:54:27,360
Speaker 1: going to be a victor and a defeating. Um but

996
00:54:27,360 --> 00:54:31,800
Speaker 1: but that's the thing that bugged me about this versus.

997
00:54:31,840 --> 00:54:33,520
Speaker 1: I was like, oh, they don't look like they're having fun.

998
00:54:33,600 --> 00:54:35,440
Speaker 1: Like they were on their phone. The other one was

999
00:54:35,480 --> 00:54:38,680
Speaker 1: singing no, that's not acceptable. It was there was this

1000
00:54:38,760 --> 00:54:41,640
Speaker 1: one screen grab of like Kesha Cole like belting a

1001
00:54:41,680 --> 00:54:48,600
Speaker 1: note and Ashanti face in her phone. It was I rude, rude,

1002
00:54:49,120 --> 00:54:51,680
Speaker 1: But they were both They're both great, but I thought

1003
00:54:51,680 --> 00:54:54,960
Speaker 1: Ashanti was left with the upper hand. Let me finish

1004
00:54:55,200 --> 00:54:59,879
Speaker 1: Jasmine Selevant Hotels um you know what album from last year.

1005
00:54:59,880 --> 00:55:01,880
Speaker 1: They came at that that I slept on and then

1006
00:55:01,920 --> 00:55:03,560
Speaker 1: I think a lot of us, No I'm not. I'm

1007
00:55:03,560 --> 00:55:08,920
Speaker 1: not speaking for everybody. Victoria Moune Jaguar incredible album. I

1008
00:55:08,920 --> 00:55:10,600
Speaker 1: took an edible the other night and I just like,

1009
00:55:10,719 --> 00:55:12,719
Speaker 1: put that album on. I was like, I was like,

1010
00:55:12,760 --> 00:55:14,480
Speaker 1: I've heard once the one song she does with kale I.

1011
00:55:14,560 --> 00:55:15,920
Speaker 1: I haven't listened to the rest of the album. Put

1012
00:55:15,920 --> 00:55:19,200
Speaker 1: it on. I was like, oh my god, I am

1013
00:55:19,960 --> 00:55:24,160
Speaker 1: the girls are vibing. Victoria's that the reason for the season,

1014
00:55:24,200 --> 00:55:26,360
Speaker 1: reason for the season. And I have to say, the

1015
00:55:26,400 --> 00:55:30,640
Speaker 1: only person I've described with that descriptor recently was Noma

1016
00:55:31,320 --> 00:55:35,319
Speaker 1: from the undoing, So I say we I would. I

1017
00:55:35,360 --> 00:55:38,840
Speaker 1: was just gonna say, because she's begun to engage on

1018
00:55:38,880 --> 00:55:42,160
Speaker 1: social media. She's she's I think she loves social media

1019
00:55:42,560 --> 00:55:44,920
Speaker 1: and she there's a lot to talk to her about.

1020
00:55:45,160 --> 00:55:48,759
Speaker 1: We can talk to you about Harry Potter. Oh girl, Yes,

1021
00:55:49,480 --> 00:55:52,640
Speaker 1: there's some I I really have been obsessed with with

1022
00:55:52,719 --> 00:55:55,600
Speaker 1: Noma ever since the undoing, But there's so many interviews

1023
00:55:55,600 --> 00:56:00,840
Speaker 1: of her um where she you can just she such

1024
00:56:00,880 --> 00:56:04,040
Speaker 1: like she has this quality about it that is like

1025
00:56:04,120 --> 00:56:06,520
Speaker 1: Betty Gilb and that is like I'm trying to think

1026
00:56:06,520 --> 00:56:09,120
Speaker 1: of other people like these actresses who are just like

1027
00:56:09,360 --> 00:56:13,759
Speaker 1: earthy and like present alive, present alive. It's like, yeah,

1028
00:56:13,760 --> 00:56:16,920
Speaker 1: it's a present like just like understand their the core

1029
00:56:17,040 --> 00:56:19,120
Speaker 1: of their being in a way that is like so

1030
00:56:19,239 --> 00:56:22,040
Speaker 1: thrilling to see. And I think I think Nomah really,

1031
00:56:22,640 --> 00:56:25,280
Speaker 1: I think she really embodies that. Oh. So, your wish

1032
00:56:25,320 --> 00:56:29,120
Speaker 1: list for this year is as follows Natalie Portman and

1033
00:56:29,160 --> 00:56:32,200
Speaker 1: Nomads fenty and any Sandberg. So we have a long

1034
00:56:32,280 --> 00:56:36,319
Speaker 1: list and here's the thing everyone, we we're gonna be

1035
00:56:36,400 --> 00:56:39,560
Speaker 1: doing like weirdly enough, less guests. I think we're doing

1036
00:56:39,600 --> 00:56:41,399
Speaker 1: this thing now. What we're doing a guest and then

1037
00:56:41,480 --> 00:56:43,400
Speaker 1: just us, and then a guest and then just us.

1038
00:56:43,480 --> 00:56:46,520
Speaker 1: I know that many people's favorite narrative of the podcast

1039
00:56:46,640 --> 00:56:50,080
Speaker 1: is what are they doing now? So this is just

1040
00:56:50,120 --> 00:56:54,640
Speaker 1: to let you know that's what we're doing. No, I'm

1041
00:56:54,680 --> 00:56:57,120
Speaker 1: just saying I think we're constantly talking about like maybe

1042
00:56:57,120 --> 00:57:00,320
Speaker 1: we'll do this, or maybe we'll do that. Yes, yes, yes, no,

1043
00:57:00,520 --> 00:57:02,480
Speaker 1: this is the cadence that we're going to try out

1044
00:57:02,520 --> 00:57:07,440
Speaker 1: for a bit, see how it goes. I wanted to

1045
00:57:07,480 --> 00:57:10,200
Speaker 1: I wanted to bring something up which we have not discussed,

1046
00:57:10,520 --> 00:57:12,560
Speaker 1: but the sex in the City of it all. We

1047
00:57:12,640 --> 00:57:15,760
Speaker 1: are both such fans and we haven't gotten a chance

1048
00:57:15,800 --> 00:57:17,960
Speaker 1: to talk about the fact that they're rebooting it. There

1049
00:57:18,000 --> 00:57:21,959
Speaker 1: literally was a teaser released. Of course, this film will

1050
00:57:22,080 --> 00:57:27,800
Speaker 1: not have the character of Samantha. Yeah, it's it's sorry movie.

1051
00:57:27,800 --> 00:57:30,320
Speaker 1: Did I call it a movie? Yeah? You said, well, okay,

1052
00:57:31,080 --> 00:57:33,920
Speaker 1: what I will really first of all, everything is a film. Uh,

1053
00:57:33,960 --> 00:57:37,600
Speaker 1: This this limited series, I guess or series. I don't

1054
00:57:37,600 --> 00:57:39,400
Speaker 1: know how long Ago will not have Samantha. And I

1055
00:57:39,520 --> 00:57:41,240
Speaker 1: needed to know what your take is on all this.

1056
00:57:42,200 --> 00:57:46,439
Speaker 1: I think I don't think it's worth it. I think

1057
00:57:46,480 --> 00:57:50,080
Speaker 1: you're missing, You're missing there's I mean, it depends on

1058
00:57:50,160 --> 00:57:53,320
Speaker 1: how they handle the absence and how they address it.

1059
00:57:53,800 --> 00:57:56,560
Speaker 1: I don't know that it's possible for something narratively to

1060
00:57:56,640 --> 00:58:00,200
Speaker 1: exist that's sattuty that would be satisfying to see and like,

1061
00:58:00,280 --> 00:58:03,280
Speaker 1: oh wow, okay, I accept this. I'm going to waunch

1062
00:58:03,320 --> 00:58:07,360
Speaker 1: these three women. Maybe they can't, they can't replace, they

1063
00:58:07,360 --> 00:58:10,440
Speaker 1: can't add a fourth person in, but it's it's a

1064
00:58:10,480 --> 00:58:13,360
Speaker 1: weird thing for me, unless unless the whole thing is

1065
00:58:13,400 --> 00:58:17,000
Speaker 1: about Samantha not being in the group anymore, you know

1066
00:58:17,000 --> 00:58:19,680
Speaker 1: what I'm saying, And even then the absence is like

1067
00:58:19,800 --> 00:58:23,720
Speaker 1: so central no matter what, there's no option where it's

1068
00:58:23,760 --> 00:58:29,200
Speaker 1: not the thing that everyone is thinking about. I would agree.

1069
00:58:29,680 --> 00:58:31,840
Speaker 1: I think that if she's not going to be there,

1070
00:58:32,000 --> 00:58:34,360
Speaker 1: it can't be a thing of she's in l a

1071
00:58:34,640 --> 00:58:37,439
Speaker 1: or she's in another country, or she's busy, because we've

1072
00:58:37,520 --> 00:58:40,280
Speaker 1: literally already seen a narrative where that's true, and we

1073
00:58:40,400 --> 00:58:44,640
Speaker 1: know that she keeps in touch with them constantly. So unfortunately,

1074
00:58:44,760 --> 00:58:46,800
Speaker 1: I do think they're going to have to kill off

1075
00:58:46,800 --> 00:58:50,160
Speaker 1: the character for it to work. And there's no world

1076
00:58:50,360 --> 00:58:54,520
Speaker 1: in which that's not the focus of the narrative exactly.

1077
00:58:54,760 --> 00:58:58,680
Speaker 1: They are so crucial together as a foursome and she

1078
00:58:58,880 --> 00:59:02,120
Speaker 1: is such an integral part of the show. Um, not

1079
00:59:02,240 --> 00:59:03,840
Speaker 1: just the humor of the show, but the soul of

1080
00:59:03,880 --> 00:59:07,439
Speaker 1: the show. Why the show works, um as a as

1081
00:59:07,480 --> 00:59:10,400
Speaker 1: a sounding board for carry, as like a vestige of carry,

1082
00:59:10,440 --> 00:59:14,560
Speaker 1: an extension of carry. Um. You need Samantha, and I

1083
00:59:14,600 --> 00:59:19,280
Speaker 1: think that loss has to be something that we we

1084
00:59:19,440 --> 00:59:23,960
Speaker 1: as carry. If she's are like Avatar, go through, we must.

1085
00:59:24,640 --> 00:59:27,040
Speaker 1: I agree with you. You know, it's also interesting that

1086
00:59:27,080 --> 00:59:29,360
Speaker 1: they can't really work around is that they can't. They

1087
00:59:29,400 --> 00:59:31,400
Speaker 1: either have to kill off the character or they have

1088
00:59:31,480 --> 00:59:34,960
Speaker 1: to write in something where it's like there was a

1089
00:59:34,960 --> 00:59:40,600
Speaker 1: falling out, but it's just it wouldn't really be believable

1090
00:59:40,680 --> 00:59:45,000
Speaker 1: because because Kim controlls whole thing. Is. Throughout my entire

1091
00:59:45,080 --> 00:59:47,520
Speaker 1: time working on that show with those women, I felt

1092
00:59:47,600 --> 00:59:49,600
Speaker 1: left out. I felt blah blah blah, felt blah blah blah.

1093
00:59:49,600 --> 00:59:52,000
Speaker 1: That was like a long standing sort of like long

1094
00:59:52,080 --> 00:59:55,440
Speaker 1: simmering conflict with sex in the city. It's like the

1095
00:59:55,480 --> 00:59:58,960
Speaker 1: best most touching part of the first movie. And tell

1096
00:59:59,000 --> 01:00:00,560
Speaker 1: me if you agree with me, tell me if this

1097
01:00:00,600 --> 01:00:04,080
Speaker 1: is sister support is when they're in Mexico and carries

1098
01:00:04,080 --> 01:00:06,920
Speaker 1: in bed and Samantha comes over with the tray of

1099
01:00:06,920 --> 01:00:10,320
Speaker 1: food and like feeds Carrie. You don't do you know

1100
01:00:10,360 --> 01:00:13,040
Speaker 1: that moment not just not just smiles she she just

1101
01:00:13,040 --> 01:00:15,520
Speaker 1: smiles and she's like feeds her, just like feeds her.

1102
01:00:15,520 --> 01:00:17,280
Speaker 1: And I'm just like that is I think Joel and

1103
01:00:17,280 --> 01:00:19,360
Speaker 1: I agree, like that is like our favorite part of

1104
01:00:19,360 --> 01:00:22,840
Speaker 1: the movie. Yeah, I think that with me. No, no, no,

1105
01:00:22,960 --> 01:00:26,280
Speaker 1: I mean there's a huge emotional like pillar of the

1106
01:00:26,320 --> 01:00:28,760
Speaker 1: movie and the and the fact that like we watched

1107
01:00:28,800 --> 01:00:31,920
Speaker 1: this woman go beyond best friend. She's family, like the

1108
01:00:31,960 --> 01:00:34,640
Speaker 1: four of them our family, and so that they're not

1109
01:00:34,680 --> 01:00:37,120
Speaker 1: going to have a falling out, you know what I mean,

1110
01:00:37,560 --> 01:00:40,760
Speaker 1: not when Samantha is in her sixties, you know what

1111
01:00:40,800 --> 01:00:44,160
Speaker 1: I mean? I just or or who knows, you know

1112
01:00:44,200 --> 01:00:47,760
Speaker 1: what I mean. Like I've enjoyed the show for years,

1113
01:00:47,840 --> 01:00:52,240
Speaker 1: and the content since the show ended invariably, Like I

1114
01:00:52,640 --> 01:00:55,120
Speaker 1: loved the first movie for what it was. The second

1115
01:00:55,120 --> 01:00:58,960
Speaker 1: movie I don't think we needed. But um, when we're

1116
01:00:58,960 --> 01:01:01,080
Speaker 1: doing a limited SERI is afterwards and it's not going

1117
01:01:01,160 --> 01:01:05,360
Speaker 1: to have Samantha. I just think we we have to

1118
01:01:05,480 --> 01:01:07,800
Speaker 1: engage with that fact that she's not gonna be there,

1119
01:01:07,840 --> 01:01:11,960
Speaker 1: and you know, a lot of the show does examine

1120
01:01:11,960 --> 01:01:15,160
Speaker 1: what it's like to age as a woman, and obviously

1121
01:01:15,680 --> 01:01:18,320
Speaker 1: a part of any person's experience as you age, as

1122
01:01:18,360 --> 01:01:22,320
Speaker 1: you lose people. So maybe you know, if I'm gonna

1123
01:01:22,320 --> 01:01:24,640
Speaker 1: be really optimistic here, it'll be something really good for

1124
01:01:24,680 --> 01:01:27,160
Speaker 1: the series because it gives the women something to explore

1125
01:01:27,160 --> 01:01:30,120
Speaker 1: on a very deep emotional level, and it is also

1126
01:01:30,200 --> 01:01:33,000
Speaker 1: going to change the dynamic, so that in in a

1127
01:01:33,040 --> 01:01:35,520
Speaker 1: way it could be a gift for the narrative. But

1128
01:01:35,640 --> 01:01:37,520
Speaker 1: then you also have to contend with the fact that

1129
01:01:37,560 --> 01:01:39,400
Speaker 1: we know what it's like when Samantha is there, and

1130
01:01:39,440 --> 01:01:42,280
Speaker 1: it's so fun, and she is the really the reason

1131
01:01:42,360 --> 01:01:45,200
Speaker 1: for so much of the comedy of that show. A

1132
01:01:45,280 --> 01:01:49,000
Speaker 1: majority I completely agree. I have nothing to add also,

1133
01:01:49,080 --> 01:01:51,440
Speaker 1: just like I feel like I feel like, you know what,

1134
01:01:51,640 --> 01:01:54,640
Speaker 1: it'll be a good thing if it makes Carrie realized

1135
01:01:54,680 --> 01:01:57,160
Speaker 1: she needs the divorce big because I do think that

1136
01:01:57,160 --> 01:02:00,880
Speaker 1: that that needs to end. Sure who who? I know

1137
01:02:01,040 --> 01:02:03,800
Speaker 1: we're saying that no one could replace Samantha, who could

1138
01:02:03,840 --> 01:02:08,160
Speaker 1: be the fourth woman who in the already existing cannon

1139
01:02:08,240 --> 01:02:10,960
Speaker 1: of sex in the City would be a good replacement.

1140
01:02:11,040 --> 01:02:13,960
Speaker 1: I think either Amy Sadarris or Margaret Margaret show and

1141
01:02:14,000 --> 01:02:17,440
Speaker 1: they already existing Cannon. Honestly, I don't think there is

1142
01:02:17,480 --> 01:02:20,920
Speaker 1: someone in the already existing kinda. So this is what

1143
01:02:20,960 --> 01:02:23,560
Speaker 1: I'll say if if it was going to be anything,

1144
01:02:24,400 --> 01:02:26,240
Speaker 1: they need to make a new friend, and it needs

1145
01:02:26,280 --> 01:02:32,760
Speaker 1: to be Vivica Fox. Yes, yes, yes, because I'm not

1146
01:02:32,800 --> 01:02:37,000
Speaker 1: seeing enough color. I'm not seeing enough color. And when

1147
01:02:37,000 --> 01:02:41,000
Speaker 1: I started the series, it's our job. I'm not seeing

1148
01:02:41,080 --> 01:02:44,400
Speaker 1: enough color. We've only talked on the podcast about how

1149
01:02:44,840 --> 01:02:48,400
Speaker 1: Matt has added that lilt and that inflection to that

1150
01:02:49,000 --> 01:02:56,040
Speaker 1: quote quote unquote where it's enough color. I'm not Ellen

1151
01:02:56,080 --> 01:02:58,880
Speaker 1: Pompeo goes, I'm not seeing enough color. But we have

1152
01:02:59,400 --> 01:03:06,000
Speaker 1: twisted the auditory memory of this. I didn't see it

1153
01:03:06,040 --> 01:03:08,920
Speaker 1: when I came in here, when I came in here today,

1154
01:03:09,000 --> 01:03:12,360
Speaker 1: and I didn't see it when I gave near today.

1155
01:03:13,640 --> 01:03:18,360
Speaker 1: Name another legend, another legend, um one more thing I

1156
01:03:18,400 --> 01:03:20,200
Speaker 1: wanted to ask you about before you jumped into I

1157
01:03:20,240 --> 01:03:23,160
Speaker 1: don't think so, honey, um, Yes, thank you for driving

1158
01:03:23,200 --> 01:03:26,200
Speaker 1: the conversation today. By the way, girl sister support we girls.

1159
01:03:26,280 --> 01:03:28,400
Speaker 1: Sometimes on these culture catchups, I just want to hit

1160
01:03:28,440 --> 01:03:31,840
Speaker 1: the cultural items because sometimes the girls, the readers, they

1161
01:03:31,840 --> 01:03:35,360
Speaker 1: get a little edgy with us afterwards when we haven't

1162
01:03:35,360 --> 01:03:39,760
Speaker 1: discussed it. Okay, you're right. So I this touched down

1163
01:03:39,760 --> 01:03:44,040
Speaker 1: in the news just today. Um so Disneyland, did you

1164
01:03:44,080 --> 01:03:50,400
Speaker 1: hear they're gonna revamp the Jungle Cruise because it's so

1165
01:03:51,280 --> 01:03:54,040
Speaker 1: basically this is part of like a whole initiative that

1166
01:03:54,080 --> 01:03:55,800
Speaker 1: the company is going through where you know, they're changing

1167
01:03:55,840 --> 01:03:59,840
Speaker 1: Splash Mountain, the Princess Tiana and Friends. It's now going

1168
01:03:59,880 --> 01:04:03,000
Speaker 1: to be like a um Princess in the Frog thing,

1169
01:04:03,720 --> 01:04:06,960
Speaker 1: and the Jungle Cruise is finally taking out all of

1170
01:04:07,000 --> 01:04:11,400
Speaker 1: its like very racist depiction of natives, um and just

1171
01:04:11,480 --> 01:04:13,760
Speaker 1: changing the narrative so that those things aren't in there.

1172
01:04:14,040 --> 01:04:16,480
Speaker 1: And I was just thinking to myself about how like

1173
01:04:16,560 --> 01:04:18,800
Speaker 1: that entire area of the park, like which is like

1174
01:04:19,400 --> 01:04:24,160
Speaker 1: um frontier Land and eventure Land, it's entirely about colonialism.

1175
01:04:24,200 --> 01:04:27,760
Speaker 1: It's about imperialism. Yeah, it's just interesting that like finally

1176
01:04:27,800 --> 01:04:29,360
Speaker 1: we're waking up to this. And then I thought about

1177
01:04:29,360 --> 01:04:32,560
Speaker 1: the Hall of Presidents, which has just had Trump giving

1178
01:04:32,600 --> 01:04:35,440
Speaker 1: speeches every single day in Disney World for the past

1179
01:04:35,560 --> 01:04:38,560
Speaker 1: four years, I guess, and now they're putting it down

1180
01:04:38,560 --> 01:04:40,880
Speaker 1: so they can build the Joe Biden animatronic. But I'm like,

1181
01:04:41,200 --> 01:04:44,560
Speaker 1: maybe we should just get fucking rid of this and

1182
01:04:44,680 --> 01:04:51,360
Speaker 1: like revamp the entire thing because it's not acceptable. No you,

1183
01:04:51,600 --> 01:04:56,120
Speaker 1: oh my god, you should have played um BioShock Infinite

1184
01:04:56,320 --> 01:05:01,080
Speaker 1: where it's truly like it's this, it's this, It's just

1185
01:05:01,200 --> 01:05:03,640
Speaker 1: like game that takes place and I want to say, like,

1186
01:05:03,760 --> 01:05:07,880
Speaker 1: let's say the thirties, forties, fifties even um that takes

1187
01:05:07,880 --> 01:05:11,400
Speaker 1: place on this steam Punky l o L city in

1188
01:05:11,440 --> 01:05:15,440
Speaker 1: the sky called Columbia, and basically like it's this like

1189
01:05:15,880 --> 01:05:20,640
Speaker 1: place where um, this one guy I forget his name, Um, Hans,

1190
01:05:20,680 --> 01:05:23,040
Speaker 1: did you play it? Maybe Hans can fill in the

1191
01:05:23,040 --> 01:05:25,680
Speaker 1: details here, Yeah, okay, Hans, what was that guy's name? Oh?

1192
01:05:25,720 --> 01:05:28,240
Speaker 1: Com Stock right there? So this is I love what

1193
01:05:28,360 --> 01:05:30,760
Speaker 1: Hans is just present right away that you know he's listening.

1194
01:05:31,000 --> 01:05:33,320
Speaker 1: I know, you know he's listening, Hans. Hans looks really

1195
01:05:33,320 --> 01:05:36,880
Speaker 1: good today. He really did. Everyone Everyone look up Hans's wedding.

1196
01:05:37,280 --> 01:05:38,840
Speaker 1: Is that you know what you know, what's you know?

1197
01:05:38,920 --> 01:05:41,240
Speaker 1: What's so interesting that he looked? They know he said

1198
01:05:41,280 --> 01:05:44,920
Speaker 1: no when good? They look so good. When you type

1199
01:05:44,920 --> 01:05:49,560
Speaker 1: in last cultures and to search, Hans pops up. Producer

1200
01:05:49,600 --> 01:05:55,280
Speaker 1: Hans everyone. I mean, Hans is a good name. Hans.

1201
01:05:56,320 --> 01:05:59,000
Speaker 1: It's because we talk about you constantly. So something like

1202
01:05:59,240 --> 01:06:01,080
Speaker 1: back on in the Forever Dog days, when we would

1203
01:06:01,120 --> 01:06:05,680
Speaker 1: say HPJ Hot Producer Joe Joe, all the fans would

1204
01:06:05,720 --> 01:06:08,040
Speaker 1: always be asking, it's not happening for me, what's not

1205
01:06:08,120 --> 01:06:14,000
Speaker 1: happening lost Cultures. He's apparently typing it in literally, Hans,

1206
01:06:14,040 --> 01:06:16,120
Speaker 1: I'm telling you what happens. If I do it right now,

1207
01:06:16,160 --> 01:06:19,120
Speaker 1: it will pop up, open up, open up, open up,

1208
01:06:19,200 --> 01:06:22,320
Speaker 1: um incognito mode, and go to Google dot com, and

1209
01:06:22,320 --> 01:06:26,200
Speaker 1: we're gonna lost culture estas I'm telling you it does, Hans. Yeah,

1210
01:06:25,840 --> 01:06:28,760
Speaker 1: I see Hans on on an incognito like. It's not

1211
01:06:28,800 --> 01:06:31,880
Speaker 1: even algorithms to my own searched history. I see it.

1212
01:06:32,280 --> 01:06:37,360
Speaker 1: Lost culture Cultures does Hans. It's literally the third thing

1213
01:06:37,400 --> 01:06:40,880
Speaker 1: it says, Last colturesas podcast, last culture to top two hundred,

1214
01:06:41,160 --> 01:06:45,400
Speaker 1: Lost Colturas Hans, Hans star and I'm really happy that

1215
01:06:45,440 --> 01:06:48,160
Speaker 1: it's and also Lost colturreesas. Doug is up here too,

1216
01:06:48,520 --> 01:06:51,320
Speaker 1: dog An, what about Anna we need Anna love? Everyone

1217
01:06:51,360 --> 01:06:53,720
Speaker 1: starts searching for lost culturess Anna, we need we need

1218
01:06:53,760 --> 01:06:57,200
Speaker 1: some Anna love. Um. But it's also that it says

1219
01:06:57,280 --> 01:07:00,120
Speaker 1: lost culturesa Survivor watch order. So the girls are are

1220
01:07:00,160 --> 01:07:04,920
Speaker 1: doing that, they're seeking it out. Um, Okay, the autofile,

1221
01:07:04,920 --> 01:07:06,720
Speaker 1: that's what we're saying. Yes, the Auto Phil, that's what

1222
01:07:06,800 --> 01:07:08,320
Speaker 1: he said. Do you mean the Auto Phil. Yes, the

1223
01:07:08,320 --> 01:07:10,840
Speaker 1: Auto Phil. We do mean the auto fil Um. Wow,

1224
01:07:10,880 --> 01:07:16,800
Speaker 1: I'm before Matt Rogers. Okay. Um. Basically, it's like it's

1225
01:07:16,800 --> 01:07:19,360
Speaker 1: not a theme park, but it is just like separate

1226
01:07:19,360 --> 01:07:22,960
Speaker 1: space that celebrates and like venerates America in a way

1227
01:07:22,960 --> 01:07:29,000
Speaker 1: that is completely darkly like glorifying like slavery, and like

1228
01:07:29,080 --> 01:07:31,120
Speaker 1: it's like this is what the Founding Fathers would have wanted,

1229
01:07:31,360 --> 01:07:33,000
Speaker 1: Like this is the only city in America that the

1230
01:07:33,000 --> 01:07:35,880
Speaker 1: Founding Fathers would have been proud of. It's like truly,

1231
01:07:36,960 --> 01:07:40,360
Speaker 1: it's roughly the description right right, Hans. But anyway, like

1232
01:07:40,560 --> 01:07:42,919
Speaker 1: that game L O L woke me up to like

1233
01:07:43,240 --> 01:07:45,200
Speaker 1: that ship before like any book, and now I get

1234
01:07:45,240 --> 01:07:46,960
Speaker 1: to like read about all this stuff. Like that was

1235
01:07:46,960 --> 01:07:48,640
Speaker 1: the game where I was like, oh, all of America

1236
01:07:48,760 --> 01:07:52,800
Speaker 1: is like darkly darkly white supremacist, and I mean I

1237
01:07:52,920 --> 01:07:54,960
Speaker 1: knew that before, but like this was just like a

1238
01:07:55,000 --> 01:07:57,480
Speaker 1: weird like way in to be like oh, like yeah,

1239
01:07:57,640 --> 01:08:01,280
Speaker 1: the things at Disneyland and Disney World that like celebrate

1240
01:08:01,360 --> 01:08:05,080
Speaker 1: American history in a way that like looks past all

1241
01:08:05,120 --> 01:08:09,000
Speaker 1: of like the violent brutal stuff is like should not exist.

1242
01:08:09,040 --> 01:08:10,760
Speaker 1: I don't know, not that it shouldn't exist, but like

1243
01:08:11,800 --> 01:08:15,400
Speaker 1: it's just I don't know, it should be reconceived absolutely,

1244
01:08:15,440 --> 01:08:20,120
Speaker 1: And that's when you realize like, of course, um, Americans

1245
01:08:20,120 --> 01:08:25,640
Speaker 1: have this insane ego and believe that arsal resistant to

1246
01:08:25,800 --> 01:08:29,280
Speaker 1: change in these areas because we've been inundated with even

1247
01:08:29,320 --> 01:08:33,840
Speaker 1: in Disney World, which for someone that's from like suburbs,

1248
01:08:33,880 --> 01:08:36,799
Speaker 1: like product of like you know, baby boomer generation American

1249
01:08:36,880 --> 01:08:40,439
Speaker 1: dream whatever like from then on, like is the picture

1250
01:08:40,640 --> 01:08:45,000
Speaker 1: of idealic society. And how you celebrate quote unquote other

1251
01:08:45,040 --> 01:08:49,519
Speaker 1: cultures like is to experience like something like you like

1252
01:08:49,600 --> 01:08:52,639
Speaker 1: you would in Disney World. And literally it's like their

1253
01:08:52,640 --> 01:08:56,920
Speaker 1: depiction of natives is disgusting, Like Splash Mountain like is

1254
01:08:56,960 --> 01:09:00,000
Speaker 1: based on a racist movie, like and that's the most

1255
01:09:00,000 --> 01:09:02,840
Speaker 1: popular attraction there. It's like all these little things and

1256
01:09:02,880 --> 01:09:06,479
Speaker 1: we've just been We've had an animatronic in Disney World

1257
01:09:06,520 --> 01:09:12,000
Speaker 1: that's Trump performing every day like it's crazy, and that's

1258
01:09:12,080 --> 01:09:14,120
Speaker 1: they can't have him. They can't have him speak anymore,

1259
01:09:14,200 --> 01:09:16,200
Speaker 1: Like they can make it so that he doesn't say

1260
01:09:16,200 --> 01:09:19,519
Speaker 1: anything and he just sits there. I mean that's I

1261
01:09:19,560 --> 01:09:22,559
Speaker 1: started to change dot org position years ago do not

1262
01:09:22,760 --> 01:09:27,000
Speaker 1: do not build a Trump animatronic, and it got some traction.

1263
01:09:27,479 --> 01:09:30,840
Speaker 1: Disney did not listen. In fact, Joe Walsh, who ran

1264
01:09:30,880 --> 01:09:34,679
Speaker 1: for president, posted it and said the liberally look at them.

1265
01:09:34,880 --> 01:09:37,720
Speaker 1: They've gotten more ridiculous than ever. And then he ran

1266
01:09:37,840 --> 01:09:41,519
Speaker 1: against Trump as like, I'm the Republican anti to Trump,

1267
01:09:41,520 --> 01:09:43,719
Speaker 1: and he was like he fully tried to drag me online,

1268
01:09:44,200 --> 01:09:47,400
Speaker 1: and I was like, thanks for the boost. Remember before

1269
01:09:47,439 --> 01:09:50,320
Speaker 1: Andrew Breitbart died, he tried to drag me online too,

1270
01:09:50,360 --> 01:09:53,559
Speaker 1: and it was just like bitch and he died and

1271
01:09:53,600 --> 01:09:57,120
Speaker 1: as a result, he died. As a result, he died. Um,

1272
01:09:57,120 --> 01:09:58,840
Speaker 1: all right, is a timebrand? I think so, honey. I

1273
01:09:58,880 --> 01:10:02,719
Speaker 1: suppose it is, Oh my god, okay, this is fun.

1274
01:10:02,800 --> 01:10:04,320
Speaker 1: This is I don't think, so, honey, Matt, what does

1275
01:10:04,360 --> 01:10:07,519
Speaker 1: I don't think so, honey. You always ask, and I

1276
01:10:07,560 --> 01:10:10,800
Speaker 1: feel like they know, but I will say, because if

1277
01:10:10,840 --> 01:10:14,000
Speaker 1: there's just one person that's listening that doesn't know, it's

1278
01:10:14,040 --> 01:10:17,080
Speaker 1: worth it for them, you know, if this changes one heart.

1279
01:10:17,400 --> 01:10:19,280
Speaker 1: And that's what I said when I started this podcast

1280
01:10:19,320 --> 01:10:20,920
Speaker 1: with you. I was like, you know what, but I'll

1281
01:10:20,920 --> 01:10:23,200
Speaker 1: do the podcast with you because if it changes one

1282
01:10:23,280 --> 01:10:26,800
Speaker 1: person's mind, if it changes one person's heart, if it

1283
01:10:26,840 --> 01:10:31,040
Speaker 1: makes one person realize within themselves that they need to change,

1284
01:10:31,080 --> 01:10:33,040
Speaker 1: it will have been worth it. Do you know that?

1285
01:10:33,120 --> 01:10:35,000
Speaker 1: Do you love that? Do you love that? Seling dionce

1286
01:10:35,080 --> 01:10:37,120
Speaker 1: on One Heart? I love that song? Do you know

1287
01:10:37,120 --> 01:10:42,800
Speaker 1: how it goes? Can you sing one Heart? Keep you wondered?

1288
01:10:43,280 --> 01:10:47,200
Speaker 1: They do it and they love so so way through

1289
01:10:47,400 --> 01:10:50,400
Speaker 1: the night. Listen to it. I've never heard it, but

1290
01:10:50,479 --> 01:10:53,439
Speaker 1: I love it based on the way you sound. Do

1291
01:10:53,479 --> 01:10:54,960
Speaker 1: you know what song I love? The other night? That

1292
01:10:55,000 --> 01:10:56,720
Speaker 1: I was and I'm actually gonna listening to it after

1293
01:10:56,720 --> 01:10:58,800
Speaker 1: the lane? It was, Yes, it was selling. It was

1294
01:10:58,920 --> 01:11:11,839
Speaker 1: the reasons, Oh yeah, every day incredible you there is?

1295
01:11:12,840 --> 01:11:20,799
Speaker 1: Oh my god, can we get god? Oh my god,

1296
01:11:21,479 --> 01:11:26,200
Speaker 1: Selene Dion, what a treasure? Anyway, I don't think so, honey.

1297
01:11:26,280 --> 01:11:28,920
Speaker 1: Is one minute of ranting against something in pop culture

1298
01:11:29,320 --> 01:11:32,800
Speaker 1: that we don't like, and you say I don't think

1299
01:11:32,840 --> 01:11:35,400
Speaker 1: so honey while you do it, which a lot of

1300
01:11:35,680 --> 01:11:37,840
Speaker 1: our readers last week got a little upset at Tricks

1301
01:11:37,840 --> 01:11:41,000
Speaker 1: even tell who I don't think so, honey. But what

1302
01:11:41,040 --> 01:11:42,559
Speaker 1: I would say to Tricks even tell him? Not say

1303
01:11:42,560 --> 01:11:44,680
Speaker 1: I don't think so honey. She doesn't need to and

1304
01:11:44,720 --> 01:11:49,280
Speaker 1: she get what a fun episode that was, Jesus very fun.

1305
01:11:50,160 --> 01:11:51,920
Speaker 1: But this is I don't think, so, honey. Would you

1306
01:11:51,960 --> 01:11:55,480
Speaker 1: like to go first today? You're gonna go first? Oh

1307
01:11:55,479 --> 01:11:57,280
Speaker 1: my god, Well, I think that's a bad omen. I

1308
01:11:57,280 --> 01:12:00,400
Speaker 1: think that means things are going to be back words

1309
01:12:00,680 --> 01:12:05,919
Speaker 1: for everyone. Oh my Gokay, listen, uh, I feel confident

1310
01:12:06,120 --> 01:12:09,320
Speaker 1: that it will go forwards. And so I feel so

1311
01:12:09,360 --> 01:12:11,400
Speaker 1: confident that will go forwards that at this time I

1312
01:12:11,439 --> 01:12:15,400
Speaker 1: have no hesitation when I press go on this bowen Yanks.

1313
01:12:15,400 --> 01:12:17,960
Speaker 1: I don't think so honey. Your time starts now. I

1314
01:12:18,000 --> 01:12:22,040
Speaker 1: don't think so, honey. Celebrating Joe Biden reversing the trans

1315
01:12:22,080 --> 01:12:25,920
Speaker 1: military band, who is this actually helping. I'm not saying

1316
01:12:25,960 --> 01:12:29,040
Speaker 1: that there aren't trans people who want to join the military.

1317
01:12:29,160 --> 01:12:32,519
Speaker 1: That person exists, Those people exist in our country. But

1318
01:12:34,160 --> 01:12:40,120
Speaker 1: just wanting to abolish the police is incompatible with glorifying,

1319
01:12:40,200 --> 01:12:44,320
Speaker 1: celebrating the military industrial complex in wanting people to join it.

1320
01:12:44,840 --> 01:12:49,360
Speaker 1: Because we're doing fine we're doing more than okay with

1321
01:12:49,439 --> 01:12:52,600
Speaker 1: the way things are right now. Um, I don't know

1322
01:12:52,600 --> 01:12:56,320
Speaker 1: if you've heard, but defense spending and defense budgets are

1323
01:12:57,240 --> 01:13:00,320
Speaker 1: sort of the biggest money suck that is kind trees

1324
01:13:00,520 --> 01:13:04,799
Speaker 1: ever ever had. We don't need to celebrate the idea

1325
01:13:04,880 --> 01:13:08,200
Speaker 1: that trance people get to be part of this terrible, terrible, terrible,

1326
01:13:08,280 --> 01:13:11,639
Speaker 1: nefarious force in the world. Patty Harrison said it best. Um,

1327
01:13:11,680 --> 01:13:13,519
Speaker 1: I don't want to be invited to the party, but

1328
01:13:13,720 --> 01:13:16,599
Speaker 1: um it's I'm hurt that I still wasn't invited to

1329
01:13:16,840 --> 01:13:20,120
Speaker 1: right or wrong doesn't make it right even still, And

1330
01:13:20,160 --> 01:13:23,880
Speaker 1: that's one minute. That's a very interesting take. Bone Yang.

1331
01:13:24,800 --> 01:13:26,160
Speaker 1: I think it's a take that a lot of people

1332
01:13:26,200 --> 01:13:28,360
Speaker 1: are sharing the today. I mean so so yeah, we're

1333
01:13:28,360 --> 01:13:30,439
Speaker 1: recording this on Monday. I think over the weekend that's

1334
01:13:30,439 --> 01:13:34,000
Speaker 1: when dre Biden repealed a reversed I'm sorry the band,

1335
01:13:34,760 --> 01:13:41,960
Speaker 1: and like it makes sense that it is a good thing.

1336
01:13:42,040 --> 01:13:44,240
Speaker 1: It's on a net positive right, it's a good thing,

1337
01:13:44,280 --> 01:13:47,400
Speaker 1: and that there's equality in terms of THEA and all

1338
01:13:47,400 --> 01:13:49,960
Speaker 1: and all forms is bad and so I guess like

1339
01:13:50,240 --> 01:13:53,040
Speaker 1: in terms of like, yes, you're honor. This is why

1340
01:13:53,160 --> 01:13:56,960
Speaker 1: we're supporting this like any discrimination should have no place

1341
01:13:56,960 --> 01:14:00,479
Speaker 1: in any workforce. So I understand why people are And

1342
01:14:00,520 --> 01:14:02,240
Speaker 1: also there's a lot of people out there that want

1343
01:14:02,280 --> 01:14:04,280
Speaker 1: to serve their country and you know what I mean,

1344
01:14:04,800 --> 01:14:07,519
Speaker 1: And so yes, everyone should have an equal opportunity to

1345
01:14:07,600 --> 01:14:10,559
Speaker 1: do that. But what you're saying is totally true, which

1346
01:14:10,640 --> 01:14:14,120
Speaker 1: is it's the same thing as people celebrating the fact

1347
01:14:14,120 --> 01:14:17,600
Speaker 1: that we have our first black defense secretary where and

1348
01:14:17,640 --> 01:14:21,080
Speaker 1: then people are like, oh, yeah, now I I'm so

1349
01:14:21,200 --> 01:14:27,360
Speaker 1: touched that I'm represented, um and like now I can

1350
01:14:27,400 --> 01:14:29,880
Speaker 1: now little kids can grow up and be an aspire

1351
01:14:29,920 --> 01:14:35,760
Speaker 1: to be defense secretaries like Hares. It's just it's just

1352
01:14:35,840 --> 01:14:37,640
Speaker 1: really it's just really weird to me. And it's that

1353
01:14:37,720 --> 01:14:41,000
Speaker 1: meme of like, you know, you know, Democrats having like

1354
01:14:41,680 --> 01:14:44,760
Speaker 1: a plane, like a bomber airplane with like BLM and

1355
01:14:44,840 --> 01:14:47,120
Speaker 1: the Pride flag on it. It's like, wait, it's like

1356
01:14:47,160 --> 01:14:52,720
Speaker 1: we're still we're still like um funding the destabilization of

1357
01:14:52,720 --> 01:14:56,040
Speaker 1: other governments worldwide, and it's it's just I don't know, Yeah,

1358
01:14:56,080 --> 01:14:58,680
Speaker 1: it's like America put on like a hot dress. I

1359
01:14:58,880 --> 01:15:03,120
Speaker 1: was like, like, didn't didn't like um do their hair,

1360
01:15:03,479 --> 01:15:06,760
Speaker 1: you know what I mean. That's exactly right, it's like

1361
01:15:06,840 --> 01:15:09,600
Speaker 1: we still we still know it's you, and you're still shitty.

1362
01:15:09,640 --> 01:15:11,120
Speaker 1: Why did you come to the party of this week?

1363
01:15:11,360 --> 01:15:13,960
Speaker 1: It's between like my dress that says pride. It's like

1364
01:15:14,240 --> 01:15:19,200
Speaker 1: it's a cute dress, but you're still shitty. You're still shitty.

1365
01:15:19,360 --> 01:15:22,800
Speaker 1: You shouldn't have come this way. No, thank you, that's

1366
01:15:22,880 --> 01:15:29,599
Speaker 1: exactly right. Are you ready? Do you think I'm so stupid?

1367
01:15:29,880 --> 01:15:33,799
Speaker 1: I think I will never, ever, ever stop telling you

1368
01:15:34,040 --> 01:15:37,599
Speaker 1: how you are like one of the smartest people I know. Okay, well,

1369
01:15:37,640 --> 01:15:40,519
Speaker 1: then I think you'll like my I don't think so honey. Okay, girl,

1370
01:15:40,680 --> 01:15:42,479
Speaker 1: this is Matt Rodgers. I don't think so honey. As

1371
01:15:42,520 --> 01:15:45,400
Speaker 1: time starts now, I don't think so honey. For remote,

1372
01:15:46,160 --> 01:15:48,880
Speaker 1: in order to work my TV, it's four remote. I

1373
01:15:48,960 --> 01:15:51,120
Speaker 1: have to turn on the TV with one remote, then

1374
01:15:51,160 --> 01:15:53,120
Speaker 1: you have to turn on the cable with another remote.

1375
01:15:53,280 --> 01:15:56,120
Speaker 1: Go over. Then there's the Apple TV remote, and there's

1376
01:15:56,200 --> 01:15:59,680
Speaker 1: more remotes for volume and ship. I don't think so

1377
01:16:00,720 --> 01:16:04,880
Speaker 1: that the remote are often small. The Apple team everyone

1378
01:16:05,000 --> 01:16:07,920
Speaker 1: is so small it could literally go away. Not only

1379
01:16:07,960 --> 01:16:11,760
Speaker 1: am I responsible for four different remotes my four children,

1380
01:16:12,080 --> 01:16:15,479
Speaker 1: but now some of them are small and easy to lose.

1381
01:16:16,280 --> 01:16:21,320
Speaker 1: I need one remote, one remote to rule them all,

1382
01:16:21,720 --> 01:16:25,920
Speaker 1: because four is a crowd, and it's a crowd on

1383
01:16:26,000 --> 01:16:29,360
Speaker 1: my coffee table, which already has other things on it.

1384
01:16:29,360 --> 01:16:33,960
Speaker 1: It's like insane for remote. And also I'm sorry, but

1385
01:16:34,120 --> 01:16:36,880
Speaker 1: the fact of the matter is this LG remote, I'm

1386
01:16:36,880 --> 01:16:40,000
Speaker 1: gonna drag you. It's chaotic and a lot of these

1387
01:16:40,040 --> 01:16:42,599
Speaker 1: remotes have different sensitivities, so it's different adjustments. I don't

1388
01:16:42,600 --> 01:16:45,280
Speaker 1: think it's wanting too much work. It's like math and

1389
01:16:45,400 --> 01:16:52,439
Speaker 1: that's one minute. It's like math. I absolutely agree with you. Roku.

1390
01:16:53,760 --> 01:16:59,960
Speaker 1: The Roku is too much Apple and what's the fourth okay,

1391
01:17:00,000 --> 01:17:01,400
Speaker 1: able to see? That's why I don't do cable. That's

1392
01:17:01,400 --> 01:17:03,160
Speaker 1: why I do the YouTube TV so that I can

1393
01:17:03,200 --> 01:17:05,360
Speaker 1: at least control and on the same remote as the

1394
01:17:05,360 --> 01:17:08,719
Speaker 1: Apple TV, which is yes, too small. This is so tiny.

1395
01:17:08,760 --> 01:17:10,479
Speaker 1: This is one of the smallest things in America. The

1396
01:17:10,600 --> 01:17:12,519
Speaker 1: way that's one of the smallest things in America. The

1397
01:17:12,600 --> 01:17:16,640
Speaker 1: way I've lost that thing and gotten so panicked. I'm like,

1398
01:17:16,760 --> 01:17:18,160
Speaker 1: how will I control the TV? I don't want to

1399
01:17:18,160 --> 01:17:23,120
Speaker 1: do it through my phone? Nightmare. They need to make

1400
01:17:23,240 --> 01:17:26,479
Speaker 1: that remote, that's specific remote, bigger. Look at this, here's

1401
01:17:26,479 --> 01:17:29,559
Speaker 1: the thing. If a remote is smaller than a dick,

1402
01:17:29,640 --> 01:17:32,840
Speaker 1: I'd be excited about it needs to be bigger. Every

1403
01:17:32,880 --> 01:17:34,519
Speaker 1: remote needs to be the size of a good dick.

1404
01:17:34,560 --> 01:17:37,640
Speaker 1: And I'm looking at this Apple TV remote and if

1405
01:17:37,720 --> 01:17:39,760
Speaker 1: I saw a penis erect that was this big, I'd

1406
01:17:39,800 --> 01:17:45,040
Speaker 1: be like, I mean, I might lose it in my mouth. Yeah,

1407
01:17:45,040 --> 01:17:49,720
Speaker 1: I might, This might go missing in my There you go.

1408
01:17:49,960 --> 01:17:53,400
Speaker 1: Can I ask you a question, a personal question? Yeah,

1409
01:17:53,439 --> 01:18:00,600
Speaker 1: what is your like sexual vitality right now? Are you

1410
01:18:00,640 --> 01:18:04,439
Speaker 1: feeling horny? I'm so I'm not. I'm so glad you

1411
01:18:04,479 --> 01:18:06,800
Speaker 1: asked this. I went to this of the book sort

1412
01:18:06,800 --> 01:18:10,720
Speaker 1: of a green light um in Brooklyn. I picked up

1413
01:18:10,760 --> 01:18:13,000
Speaker 1: a few books. I picked up De Transition Baby, which

1414
01:18:13,000 --> 01:18:15,439
Speaker 1: I'm really excited to keep reading and I'm really enjoying

1415
01:18:15,439 --> 01:18:18,799
Speaker 1: it so far. M the novel. And then I bought

1416
01:18:18,840 --> 01:18:21,479
Speaker 1: a book called Getting It. I forget who's written by,

1417
01:18:21,479 --> 01:18:25,000
Speaker 1: but it's this really nice, thick handbook on like ethical

1418
01:18:25,040 --> 01:18:27,160
Speaker 1: hooking up. There's a book called The Ethical Slab, which

1419
01:18:27,200 --> 01:18:30,160
Speaker 1: is classic, but this is like a really fun dare

1420
01:18:30,200 --> 01:18:33,719
Speaker 1: I say, like very millennial designed book that it's about

1421
01:18:33,760 --> 01:18:37,080
Speaker 1: like modern hook up culture and like a way too

1422
01:18:37,240 --> 01:18:41,920
Speaker 1: like really considerately approached casual sex and like understand the

1423
01:18:41,960 --> 01:18:44,760
Speaker 1: reasons why you specifically the reasons you want to hook

1424
01:18:44,840 --> 01:18:49,759
Speaker 1: up with people, um, and how to like it really

1425
01:18:49,800 --> 01:18:54,480
Speaker 1: like builds this foundation on like consent and um disclosures

1426
01:18:54,479 --> 01:18:57,120
Speaker 1: and all this stuff. It's great. I'm reading this now

1427
01:18:57,160 --> 01:18:58,920
Speaker 1: and I'm and I'm getting horny, and I'm like, okay,

1428
01:18:59,160 --> 01:19:02,519
Speaker 1: even me reading about hooking up is getting me horny.

1429
01:19:02,560 --> 01:19:04,519
Speaker 1: I don't I'm not saying that like I'm and I'm

1430
01:19:04,560 --> 01:19:09,280
Speaker 1: like enacting, I'm acting on my sexual vitality um recently,

1431
01:19:09,360 --> 01:19:12,160
Speaker 1: but I've been horny. You should read this book and

1432
01:19:12,160 --> 01:19:15,080
Speaker 1: maybe it'll get you horny. I'm surprised that Love Life

1433
01:19:15,120 --> 01:19:17,280
Speaker 1: didn't get you horned up. And literally there were some

1434
01:19:17,320 --> 01:19:19,559
Speaker 1: scenes in it which were like her getting railed, and

1435
01:19:19,600 --> 01:19:21,760
Speaker 1: I was just like, I really shouldn't horned up right now.

1436
01:19:21,800 --> 01:19:23,879
Speaker 1: But I'm just like, good for her. I'm so excited

1437
01:19:23,920 --> 01:19:26,920
Speaker 1: for her. YEA, Ordinarily I'd be like, I gotta stop

1438
01:19:27,000 --> 01:19:33,519
Speaker 1: this to pump one out. I got to stop the show.

1439
01:19:33,880 --> 01:19:37,840
Speaker 1: It's so horny. I got the pump one. Oh my god,

1440
01:19:37,960 --> 01:19:40,680
Speaker 1: you're being that is this is this is what I'm

1441
01:19:40,680 --> 01:19:46,480
Speaker 1: picking up from that I was gonna say Barbara streisand

1442
01:19:46,880 --> 01:19:51,080
Speaker 1: and um Tim Platt, our friend to our friend Tim Platt,

1443
01:19:51,400 --> 01:19:54,400
Speaker 1: pump one out that it really is a good a

1444
01:19:54,439 --> 01:19:57,599
Speaker 1: good combination of Barbara streisand a a Muppet or a

1445
01:19:57,640 --> 01:20:01,800
Speaker 1: sousany Street character. He he's, he's, he's worked with at

1446
01:20:01,800 --> 01:20:05,360
Speaker 1: the Sesame Street Workshop. I love Can we say Sesame

1447
01:20:05,400 --> 01:20:10,040
Speaker 1: Street is such culture? I fucking I mean we sound

1448
01:20:10,120 --> 01:20:12,519
Speaker 1: like shell were sharp. There's no there's no bigger Sesame

1449
01:20:12,560 --> 01:20:16,639
Speaker 1: Street fanatic than Chile Sharp that I love that, but

1450
01:20:16,640 --> 01:20:19,080
Speaker 1: but we love Sesame Street. Oh are you kidding me?

1451
01:20:19,080 --> 01:20:22,479
Speaker 1: Me stuck at home on sick days, not having cable.

1452
01:20:23,280 --> 01:20:26,400
Speaker 1: I was fucking fourteen years old, still watching Sesame Streets,

1453
01:20:26,439 --> 01:20:33,519
Speaker 1: still getting my kicks. Oh yeah, oh yeah, Dark Monster

1454
01:20:34,439 --> 01:20:40,160
Speaker 1: Cookie Monster name another legend. Cookie was one of the

1455
01:20:40,200 --> 01:20:43,439
Speaker 1: biggest icons of my childhood because he knew what he wanted.

1456
01:20:43,960 --> 01:20:49,080
Speaker 1: He was unapologetic about it, but he wasn't antagonizing anyone.

1457
01:20:49,800 --> 01:20:52,880
Speaker 1: He was just like, I'm so sorry, I miss me

1458
01:20:53,000 --> 01:20:55,240
Speaker 1: se Cookie. I have to eat I have to eat it.

1459
01:20:55,960 --> 01:21:00,240
Speaker 1: He wanted it so bad and he said he set

1460
01:21:00,320 --> 01:21:01,920
Speaker 1: me as I am. And if that's part of unity

1461
01:21:02,040 --> 01:21:05,080
Speaker 1: is seeing people where they are and Cookie wanted cookie,

1462
01:21:05,760 --> 01:21:11,439
Speaker 1: and Cookie also was saying to the children, let's eat

1463
01:21:11,520 --> 01:21:17,640
Speaker 1: vegetables now and then too. And Cookie is she has

1464
01:21:17,680 --> 01:21:22,840
Speaker 1: a point. She's a legend, she is the moment. Now,

1465
01:21:22,920 --> 01:21:25,000
Speaker 1: come on, now, I was gonna say one thing about

1466
01:21:25,000 --> 01:21:27,720
Speaker 1: Cookie Monster, and I forgot. Well she's blue, Well, she's

1467
01:21:27,720 --> 01:21:31,599
Speaker 1: blue so good with kids. The kids love, the kids

1468
01:21:31,600 --> 01:21:36,360
Speaker 1: are addicted to, addicted to Cookie Monster. And I just

1469
01:21:37,360 --> 01:21:39,920
Speaker 1: I were singling out Cookie Monster. There are other sesame

1470
01:21:40,000 --> 01:21:43,080
Speaker 1: street people that grouch will stand the test of time,

1471
01:21:43,479 --> 01:21:46,040
Speaker 1: stand the test of time, Elmo, you can get a little,

1472
01:21:46,120 --> 01:21:49,920
Speaker 1: much can get unless is the spotlight, I think, and

1473
01:21:50,080 --> 01:21:53,320
Speaker 1: we can get very annoying. And and it's now we

1474
01:21:53,400 --> 01:21:56,439
Speaker 1: said it, and now we said it. Big Bird is,

1475
01:21:56,560 --> 01:22:00,960
Speaker 1: Big Bird is stoner Icon chill icon. Girls are vibing

1476
01:22:01,200 --> 01:22:04,439
Speaker 1: when Big Bird is around. Yes, big Bird is a legend.

1477
01:22:05,040 --> 01:22:08,040
Speaker 1: Big Bird is a legend. She's an icon. She she's

1478
01:22:08,080 --> 01:22:13,000
Speaker 1: a legend the moment. Come on now, did you see

1479
01:22:13,040 --> 01:22:17,559
Speaker 1: the trailer the little clip from Wendy Williams biopic Don't worry?

1480
01:22:17,640 --> 01:22:19,439
Speaker 1: It is the scene where she's dressed as a statur

1481
01:22:19,479 --> 01:22:23,439
Speaker 1: of liberty and a fainting spell. Don't worry. It's that

1482
01:22:23,760 --> 01:22:27,400
Speaker 1: don't worry. The actress gives you Wendy, don't worry. There

1483
01:22:27,479 --> 01:22:30,160
Speaker 1: is dramatic underscoring underneath it. It's clear this is a

1484
01:22:30,240 --> 01:22:32,880
Speaker 1: huge pot point in the film. I don't want anyone

1485
01:22:32,920 --> 01:22:35,160
Speaker 1: to worry. I just didn't want anyone to worry about

1486
01:22:35,160 --> 01:22:41,439
Speaker 1: the way worry. Don't worry My Williams. Have you you've

1487
01:22:41,439 --> 01:22:44,200
Speaker 1: seen the It was just so much good Wendy stuff.

1488
01:22:44,360 --> 01:22:46,519
Speaker 1: I mean, I'm just kind of I might be preaching

1489
01:22:46,560 --> 01:22:49,559
Speaker 1: to the choir, but you have to look up at

1490
01:22:49,560 --> 01:22:52,080
Speaker 1: our listeners and to my sister Matt. But there's just

1491
01:22:52,160 --> 01:22:54,400
Speaker 1: so many good videos. I've showed you the video of

1492
01:22:54,680 --> 01:22:58,000
Speaker 1: um Her walking out to the studio into silence and

1493
01:22:58,040 --> 01:23:01,400
Speaker 1: people it's just and then and then like Wendy Williams

1494
01:23:01,400 --> 01:23:03,880
Speaker 1: with no sound and then just what I think, it's

1495
01:23:03,920 --> 01:23:06,000
Speaker 1: so funny and it doesn't really make any sense. But

1496
01:23:06,040 --> 01:23:08,000
Speaker 1: have you seen the one where it's the Halloween Show

1497
01:23:08,520 --> 01:23:11,639
Speaker 1: and they she said, she's talking, she's doing hot topics,

1498
01:23:12,080 --> 01:23:16,240
Speaker 1: but they cut remember in the audience who was wearing

1499
01:23:16,280 --> 01:23:19,720
Speaker 1: like a full on like zombie mask that covers their

1500
01:23:19,920 --> 01:23:23,120
Speaker 1: entire ft and it looks terrified. And when they must

1501
01:23:23,120 --> 01:23:25,360
Speaker 1: see the monitor from where she's sitting because she's talking,

1502
01:23:25,360 --> 01:23:27,320
Speaker 1: and she goes, so anyway, and then they cut to

1503
01:23:27,360 --> 01:23:31,519
Speaker 1: this audite whatever and it's a full zombie. Then got

1504
01:23:31,560 --> 01:23:34,760
Speaker 1: back to day. She goes and everyone knows what I'm

1505
01:23:34,760 --> 01:23:37,000
Speaker 1: talking about? Who's listening to readers? They go, she goes,

1506
01:23:37,439 --> 01:23:42,920
Speaker 1: what was that? We know? Looking up right now, it'll

1507
01:23:42,960 --> 01:23:46,240
Speaker 1: take two seconds. Look at Wendy Williams. What was that?

1508
01:23:46,240 --> 01:23:52,720
Speaker 1: That's all I have from lover? What was that was that?

1509
01:23:51,760 --> 01:23:58,599
Speaker 1: It's it's so funny. It's eight seconds long. Perfect hold on, yes,

1510
01:23:58,880 --> 01:24:01,280
Speaker 1: I hope I don't get an ad. Bitch. YouTube was

1511
01:24:01,280 --> 01:24:03,400
Speaker 1: popping off with the ads lately and really pissing me.

1512
01:24:03,479 --> 01:24:05,200
Speaker 1: You have to get the extension that blocks the ad.

1513
01:24:06,520 --> 01:24:13,519
Speaker 1: What was that? Wait? Wait, wait to watch it again?

1514
01:24:15,439 --> 01:24:21,920
Speaker 1: What was that? And you know what what was that that?

1515
01:24:22,920 --> 01:24:26,800
Speaker 1: It's very it's very sward. I'm so glad we brought

1516
01:24:26,800 --> 01:24:29,080
Speaker 1: this back up last week when Trixie was on, but um,

1517
01:24:29,240 --> 01:24:33,479
Speaker 1: it's very breaking. Leg What did you say? What did

1518
01:24:33,479 --> 01:24:37,479
Speaker 1: you say to me? I said, no, I'm not gonna

1519
01:24:37,760 --> 01:24:42,360
Speaker 1: I'm gonna get you. That's what I'm gonna. Did you see?

1520
01:24:42,439 --> 01:24:44,720
Speaker 1: Oh my god, I guess I guess Tiffany Poward said

1521
01:24:44,760 --> 01:24:50,360
Speaker 1: something transphobic, and she had this woman's sage on her

1522
01:24:50,400 --> 01:24:55,120
Speaker 1: Instagram Live to like walk her through what she had done. Um,

1523
01:24:55,120 --> 01:24:59,040
Speaker 1: it was really she had a moment. I heard that

1524
01:24:59,120 --> 01:25:02,479
Speaker 1: she really like she was illuminated by something and that

1525
01:25:02,600 --> 01:25:04,920
Speaker 1: like it was like it was an interesting moment where

1526
01:25:04,920 --> 01:25:09,759
Speaker 1: she learned. You know, she you know, she she's trying

1527
01:25:09,800 --> 01:25:12,439
Speaker 1: to take the right steps. And she gave space on

1528
01:25:12,479 --> 01:25:16,960
Speaker 1: her Instagram Live to this um trans woman stage who

1529
01:25:17,000 --> 01:25:19,160
Speaker 1: like really didn't let her off took She was like,

1530
01:25:19,160 --> 01:25:20,719
Speaker 1: I want you to know I'm upset with you because

1531
01:25:20,720 --> 01:25:23,880
Speaker 1: what you did was transphobic, and this is I'm willing

1532
01:25:23,920 --> 01:25:26,360
Speaker 1: to come on here and have this um conversation with

1533
01:25:26,360 --> 01:25:28,120
Speaker 1: you and engage with you because that's I think how

1534
01:25:28,160 --> 01:25:30,920
Speaker 1: we're all going to get better. But it's not really

1535
01:25:31,080 --> 01:25:33,240
Speaker 1: up to me right now to like accept your apology.

1536
01:25:33,680 --> 01:25:36,080
Speaker 1: And Tiffany did a couple of times did try to

1537
01:25:36,120 --> 01:25:38,599
Speaker 1: exonerate herself, but you know, this woman's age was very

1538
01:25:38,640 --> 01:25:42,480
Speaker 1: paste patient and overall, I think it was a good discussion,

1539
01:25:42,640 --> 01:25:44,680
Speaker 1: but I did watch the whole thing. It was it

1540
01:25:44,760 --> 01:25:48,880
Speaker 1: was interesting to see Tiffany Pollard grapple with this She's

1541
01:25:48,920 --> 01:25:51,479
Speaker 1: someone who has a capacity to become president of the

1542
01:25:51,600 --> 01:25:56,760
Speaker 1: United States. That anti course correct sort of in that way.

1543
01:25:57,400 --> 01:25:59,760
Speaker 1: Of course, you know, we shouldn't be surprised that someone

1544
01:25:59,760 --> 01:26:03,439
Speaker 1: would push back. Um, but it seems like it sounds

1545
01:26:03,479 --> 01:26:07,720
Speaker 1: like overall the directionality of it is positive work. I mean,

1546
01:26:07,760 --> 01:26:09,840
Speaker 1: from where it was to where it is. Yet I

1547
01:26:09,880 --> 01:26:13,120
Speaker 1: don't exactly know what she did and I didn't I'm

1548
01:26:13,280 --> 01:26:14,880
Speaker 1: I think it's something that she did on her new

1549
01:26:14,920 --> 01:26:18,400
Speaker 1: reality show. But but it seems like she was willing

1550
01:26:18,439 --> 01:26:22,360
Speaker 1: to start a journey, which is good. That's great. Listen,

1551
01:26:22,400 --> 01:26:26,160
Speaker 1: bo another one in the basket, Another one in the basket.

1552
01:26:26,439 --> 01:26:29,360
Speaker 1: I was I was gonna just do it again. I'm

1553
01:26:29,360 --> 01:26:30,800
Speaker 1: not gonna break like I'm gonna get the part. That's

1554
01:26:30,800 --> 01:26:36,200
Speaker 1: what I'm gonna do. Amazing. What was that? What was that?

1555
01:26:38,920 --> 01:26:43,360
Speaker 1: It's very you What was that? What was that? When?

1556
01:26:43,920 --> 01:26:47,320
Speaker 1: Isn't whenever whenever? She I'm apps, Candian says, you know,

1557
01:26:47,360 --> 01:26:49,439
Speaker 1: Tanasha is really getting into it. Was such and such

1558
01:26:52,680 --> 01:26:59,920
Speaker 1: perfect Jonas pretty good children didn't look so good at

1559
01:26:59,920 --> 01:27:05,320
Speaker 1: the Emmys. It's so funny that when they cut to

1560
01:27:05,320 --> 01:27:08,320
Speaker 1: her audience now, which is just like ten people spread

1561
01:27:08,320 --> 01:27:10,800
Speaker 1: out wearing how you doing masks and they're just like

1562
01:27:10,960 --> 01:27:13,200
Speaker 1: nodding and clapping along and you can't see their mouth

1563
01:27:13,240 --> 01:27:15,880
Speaker 1: and just their open open eyes looking at Wendy like,

1564
01:27:16,000 --> 01:27:23,599
Speaker 1: mm hmmm, alright girl, Um another one in the basket. Um.

1565
01:27:24,200 --> 01:27:27,200
Speaker 1: I think that um, we should end this podcast the

1566
01:27:27,240 --> 01:27:31,519
Speaker 1: way that Katy Perry ended the election cycle with this song.

1567
01:27:33,160 --> 01:27:37,760
Speaker 1: Do you feel like a plastic bag drifting through the

1568
01:27:37,920 --> 01:27:44,840
Speaker 1: wind again? Do you ever feel so paper thin like

1569
01:27:45,000 --> 01:27:52,160
Speaker 1: a house of cards? Do you have feel already very

1570
01:27:52,280 --> 01:27:56,200
Speaker 1: deep screams and no anyone seems to hear a thing.

1571
01:27:57,040 --> 01:28:00,080
Speaker 1: Do you know that there's still a chance? Were you?

1572
01:28:00,400 --> 01:28:06,400
Speaker 1: Because this fucking new You just gotta knight the light,

1573
01:28:08,080 --> 01:28:18,800
Speaker 1: live shine, just this night likeness July because it's very

1574
01:28:18,840 --> 01:28:26,519
Speaker 1: horrified you work came to find your word, let him go.

1575
01:28:29,200 --> 01:28:34,120
Speaker 1: I was just showing grout the sky For more of

1576
01:28:34,120 --> 01:28:37,400
Speaker 1: that song. Listened to Firework by Katy Perry on the

1577
01:28:37,439 --> 01:28:41,760
Speaker 1: album Teenage Dream, Bye Bye,