WEBVTT - Yolk with Doak 8: Routing - Part 1

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<v Speaker 1>Welcome back to another edition of the Yoke with Doak.

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<v Speaker 1>This time Tom and I are joined by longtime Renaissance

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<v Speaker 1>golf associate Don Plasik. Don is a man of many talents,

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<v Speaker 1>and beyond golf course architecture, he is also behind much

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<v Speaker 1>of the Renaissance artwork, such as the routing maps and

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<v Speaker 1>the yardage books. Here's the first part of a two

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<v Speaker 1>part episode with Tom and Don about the soul of

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<v Speaker 1>a golf course, the routing and joy.

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<v Speaker 2>Tom Dolk is back and as usual he's not holding back.

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<v Speaker 2>But don't toss the yolk, and the famously candid Oak

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<v Speaker 2>doesn't pull any punches. How do I make natural looking? Contour?

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<v Speaker 2>Hire the biggest pool in the village and told him

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<v Speaker 2>to make it flat? First?

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<v Speaker 1>Overrated, underrated, rough.

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<v Speaker 2>Terribly overrated, over the earth. You know, I fell in

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<v Speaker 2>love with Cyprus Point when I was a teenager, partly

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<v Speaker 2>because that routing is so good. You know, you go through,

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<v Speaker 2>You go from the clubhouse by the ocean, through some

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<v Speaker 2>lynxy stuff, back into the trees, up into the dunes,

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<v Speaker 2>back out of the dunes, into the trees, back through

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<v Speaker 2>the lynxy stuff, and you wind up on the coast.

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<v Speaker 2>I mean you see the whole property. You know, it's

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<v Speaker 2>not just divided up into trees, lynks coast. You kind

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<v Speaker 2>of move back and forth between them. So it's a

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<v Speaker 2>spectacular way to see the property. It's like if you

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<v Speaker 2>were going to walk the property, that's the way you'd

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<v Speaker 2>walk it. Another one that I used as an example

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<v Speaker 2>of that in my book years ago was Cruden Bay

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<v Speaker 2>in Scotland. You know, you sort of start high up

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<v Speaker 2>the clubhouse is up by the town overlooking the lynx.

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<v Speaker 2>You play down into the lower land for two or

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<v Speaker 2>three holes, not so spectacular. Then all of a sudden

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<v Speaker 2>you're up right by the fourth tee is like right

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<v Speaker 2>up by a little inlet across from the fishing village,

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<v Speaker 2>So you play right along there for a hole, and

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<v Speaker 2>then you get up and you're playing along the big

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<v Speaker 2>dunes from like five to seven and eight. Then you

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<v Speaker 2>have to wind your way up a hill and play

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<v Speaker 2>across a field up at the top of it, and

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<v Speaker 2>then plunge back down into the lynx and go around.

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<v Speaker 2>So it's a big figure eight on a simple level,

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<v Speaker 2>but again it's moving through different styles of land and

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<v Speaker 2>it's probably exactly the way you'd walk the site if

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<v Speaker 2>I wanted to show you what that site was like,

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<v Speaker 2>and we were starting where the clubhouse was. We'd go

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<v Speaker 2>down to the one end, we'd go look at the

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<v Speaker 2>little village on the end, we'd walk back through the

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<v Speaker 2>big dunes, we'd go up the big valley where eight is,

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<v Speaker 2>and then we'd go over the field to get to

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<v Speaker 2>the other side.

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<v Speaker 1>Would would you prefer to have a course that's gotform

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<v Speaker 1>a uniform look and feel to it, or a lot

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<v Speaker 1>of different types of topography, whether it be an open

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<v Speaker 1>section or then into the woods and then you know,

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<v Speaker 1>maybe out into water, or have one landscape that's consistent throughout. Well.

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<v Speaker 2>I think I probably gave that away with the answer

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<v Speaker 2>to my last question. I'd prefer variety. I mean, ultimately,

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<v Speaker 2>what you're trying to get by routing a golf course

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<v Speaker 2>is variety. If you've got different looks to the terrain

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<v Speaker 2>and different parts of it that you go to, that's

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<v Speaker 2>a huge head start. Whereas if you've got you know,

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<v Speaker 2>if you got a typical parkland site it's something like Inverness,

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<v Speaker 2>then you've got to work a lot harder to make

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<v Speaker 2>the holes either hit the topography in different ways. Creates

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<v Speaker 2>the variety or change directions a lot, but that's hard

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<v Speaker 2>to do. When you get to a smaller and smaller site,

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<v Speaker 2>you wind up with more parallel holes. But in the end,

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<v Speaker 2>you're going for variety. So if the property has variety

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<v Speaker 2>to start with, that's a big head start.

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<v Speaker 1>So Mitchell Driver asks a good question here, how do

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<v Speaker 1>you know the routing you choose is the best for

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<v Speaker 1>the property? And how do you choose what directions holes go?

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<v Speaker 1>With over one thousand options.

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<v Speaker 2>The truth is you never know. That's one of the

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<v Speaker 2>most interesting things about it, you know. I compare it

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<v Speaker 2>to like doing routings is like doing a puzzle, you know,

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<v Speaker 2>like the first time you look at the Sunday New

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<v Speaker 2>York Times crossword puzzle, you go, well, this is impossible.

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<v Speaker 2>I could never finish this. And if you're persistent with it,

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<v Speaker 2>you get better at it over time and you understand

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<v Speaker 2>how things fit together better and it gets easier, and

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<v Speaker 2>eventually you can do it if you're reasonably smart. Doing

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<v Speaker 2>routings is the same. The only difference is they don't

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<v Speaker 2>print the answers in the paper the next weekend, so

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<v Speaker 2>you don't know whether the solution you've got that you

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<v Speaker 2>really like is really the best one. First of all,

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<v Speaker 2>it's all a matter of opinion. You know, different architects

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<v Speaker 2>would pick different you know, if we if I laid

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<v Speaker 2>out five different routings for a golf course, people would

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<v Speaker 2>have different opinions on what was the best. And then

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<v Speaker 2>besides that, it's like, okay, how much more how much

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<v Speaker 2>more time do I need to give this to really

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<v Speaker 2>be comfortable that's the best, And I and I don't

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<v Speaker 2>figure out a better way to put it together, and

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<v Speaker 2>I'll just you know, I could name a bunch of

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<v Speaker 2>examples of where you know, pisif Dunes. I thought I

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<v Speaker 2>had a pretty good routing, you know, first I went there. First,

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<v Speaker 2>I had the maps, and I played around with the

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<v Speaker 2>maps a little bit before I ever went there, and

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<v Speaker 2>I had a routing before I went there. I didn't

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<v Speaker 2>expect it to be the final routing. I hoped that

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<v Speaker 2>maybe I found a few holes that would wind up

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<v Speaker 2>in the final routing. So I took it out there

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<v Speaker 2>with me, and I'm there for like an hour, and

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<v Speaker 2>it's trash because, among other things, Bandon Dunes used three

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<v Speaker 2>or put three or four holes up into the map

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<v Speaker 2>that I was working off of, So that like completely

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<v Speaker 2>messed up some of you know, not only not only

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<v Speaker 2>did it take some holes out of what I wanted

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<v Speaker 2>to do, but it took out how I was connecting

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<v Speaker 2>holes together and where I was connecting holes together. So okay,

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<v Speaker 2>so that's trash, and it's like, oh damn. Now you

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<v Speaker 2>got to regroup and and try to look at this

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<v Speaker 2>fresh and you know, what can I say from this

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<v Speaker 2>first one, and how can I put that back together?

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<v Speaker 2>And you know, which of these holes do I like?

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<v Speaker 2>Off that first map that I did. There's three holes

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<v Speaker 2>that are on the on the golf course today, the sixth,

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<v Speaker 2>the short part four, the eleventh, the par three along

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<v Speaker 2>the coast, and I think the other one is the sixteenth.

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<v Speaker 2>I'm trying to remember for sure, but I'm pretty sure

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<v Speaker 2>it's the sixteenth. So so I did another routing that

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<v Speaker 2>had those holes in it and a few, you know,

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<v Speaker 2>quite a bit more of what's what's in the final

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<v Speaker 2>routing now. But we couldn't walk all the sight because

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<v Speaker 2>it was some of it was covered in gorse. Some

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<v Speaker 2>of it you could walk, and some of it was

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<v Speaker 2>just solid gorse and you couldn't really get through there.

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<v Speaker 2>A lot of the holes that are kind of on

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<v Speaker 2>that plane, the plane in the middle of the course,

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<v Speaker 2>number four along the coast, and all the holes in

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<v Speaker 2>and from that twelve and three that was just solid.

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<v Speaker 2>Couldn't couldn't walk through there. You know, we knew it

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<v Speaker 2>was pretty flat, but we couldn't see any features. And

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<v Speaker 2>then we did get around to the far side and

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<v Speaker 2>find where thirteen and fourteen were because you could walk

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<v Speaker 2>in there from from the north end, kind of from

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<v Speaker 2>where old McDonald is now. So you know, we had

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<v Speaker 2>that piece and then but then, you know, it was

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<v Speaker 2>still uncomfortable to mister Kaiser because we couldn't walk the

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<v Speaker 2>whole thing in order at all. So I had a

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<v Speaker 2>routing and over the you know, over the months while

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<v Speaker 2>we were waiting for the next step, you know, I

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<v Speaker 2>was I was convinced the routing was pretty good. There

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<v Speaker 2>were all kinds of questions about it. Oh, you've got

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<v Speaker 2>back to back part threes. I don't like the idea

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<v Speaker 2>back to back part threes. Honestly, I didn't really like

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<v Speaker 2>the idea of back to back part threes either. I'd

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<v Speaker 2>when I'd come up up with ten and eleven on

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<v Speaker 2>my very first plane before I saw the site. Ten

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<v Speaker 2>was a short part four, but ten t was in

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<v Speaker 2>the middle of one of david Kids fairways, so that

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<v Speaker 2>wouldn't work. So like five minutes after I was there,

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<v Speaker 2>I was like, well, either this is going to have

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<v Speaker 2>back to back par threes, or I'm just gonna not

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<v Speaker 2>use one of these great green sites because this is

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<v Speaker 2>the only way they fit together at all. So anyway,

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<v Speaker 2>you know, I had a routing that I liked, but

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<v Speaker 2>there were questions about it like that, and like the

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<v Speaker 2>other one was after number eleven on that previous routing,

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<v Speaker 2>the next hole went north, not inland where twelve is,

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<v Speaker 2>but along the coast where number four is, so it

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<v Speaker 2>connected up, you know. I basically I had ten, eleven, twelve, thirteen,

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<v Speaker 2>number differently, all along the coast, all headed north. And

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<v Speaker 2>one of mister Kaiser's pieces of feedback was, you know,

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<v Speaker 2>can't we get a whole play to the south along

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<v Speaker 2>the coast, not only because it's better for variety and

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<v Speaker 2>having the water on the right once, but more importantly,

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<v Speaker 2>you know, when people are there in the summer, the

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<v Speaker 2>wind's blown out of the north, and so having three

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<v Speaker 2>or four hole, say having all the most spectacular holes

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<v Speaker 2>playing dead into that wind would have been tough, you know, so,

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<v Speaker 2>And the only problem with trying to accommodate that request

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<v Speaker 2>was ten and eleven were clearly better playing to the north,

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<v Speaker 2>and thirteen was clearly better playing to the north. As

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<v Speaker 2>it turned out, four was better playing to the south.

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<v Speaker 2>But to make that work you have to get in

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<v Speaker 2>there in the middle, cross over in the routing, play

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<v Speaker 2>a hole south, then get back to the inland side,

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<v Speaker 2>and then do it again when you come around, play eleven,

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<v Speaker 2>cross away from the coast, have twelve cross again, and

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<v Speaker 2>play thirteen. So making those connections without having really long

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<v Speaker 2>walks from green to Tea was the toughest part of

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<v Speaker 2>it to figure out in the end, you know. But

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<v Speaker 2>we really didn't know that until they had a fire

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<v Speaker 2>and the gorse burned, and then we could walk the

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<v Speaker 2>whole thing in the order that we wanted to play it,

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<v Speaker 2>and I could see that four would be better playing

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<v Speaker 2>to the south. But then I had to figure out

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<v Speaker 2>you know, that wound up changing about six or seven

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<v Speaker 2>holes of the golf course to make the connections work

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<v Speaker 2>right to have that one hole play south. So you know,

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<v Speaker 2>I'd thought six months before that I had a really

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<v Speaker 2>good routing and it would be a great golf course.

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<v Speaker 2>And then six months later it turned out, no, this

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<v Speaker 2>routing is a lot better. You know, I just needed

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<v Speaker 2>out much more time to come up with it. Part

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<v Speaker 2>of it was not being able to walk it. But

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<v Speaker 2>you know what that taught me was you have to

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<v Speaker 2>take a step back. You know, no matter how good

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<v Speaker 2>you think the routing is, you probably need to like

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<v Speaker 2>go away for at least a couple of months and

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<v Speaker 2>just let it all soak in and then come back

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<v Speaker 2>and try to look at it with fresh eyes and

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<v Speaker 2>don't be so defensive that you've got it right the

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<v Speaker 2>first time you were there. It's a hard thing to do,

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<v Speaker 2>and at the end of the day you still never know, Okay,

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<v Speaker 2>this is the right thing to do. I'm positive of it.

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<v Speaker 2>You know somebody else could, you know, don could look

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<v Speaker 2>at it and go like you did for something we're

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<v Speaker 2>just working on now, why don't you switch the nines?

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<v Speaker 2>You know? And normally that's you get that conversation a

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<v Speaker 2>lot when you when you come back to the clubhouse

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<v Speaker 2>at nine, it's like, Okay, why why is this the

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<v Speaker 2>front nine? And why is this the back? I guarantee

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<v Speaker 2>you if you ask ten people, there's at least one

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<v Speaker 2>of them is going to think it's better the other

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<v Speaker 2>way around, and you also leave your self open to

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<v Speaker 2>the client deciding that it should be the other way around,

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<v Speaker 2>or changing it after the fact. I mean we both

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<v Speaker 2>know courses that they've changed at some point in their lives.

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<v Speaker 2>Augusta changed, you know, most of the time, changing ten

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<v Speaker 2>or ten years into the game or twenty years into

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<v Speaker 2>the game. That's like the kiss of death because now

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<v Speaker 2>nobody can even remember what hole is what anymore. So

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<v Speaker 2>that's something you really want to get right at the

0:13:27.320 --> 0:13:32.120
<v Speaker 2>beginning and not change your mind on. You know, at

0:13:32.120 --> 0:13:35.280
<v Speaker 2>the stage we're at with this project, we still haven't

0:13:35.320 --> 0:13:39.120
<v Speaker 2>really shown anything to the client yet, so we're grinding

0:13:39.160 --> 0:13:42.120
<v Speaker 2>hard on which way is better because because we want

0:13:42.200 --> 0:13:43.960
<v Speaker 2>that to be the way we show it to the client,

0:13:44.000 --> 0:13:45.959
<v Speaker 2>because we don't want them to change it.

0:13:46.080 --> 0:13:49.800
<v Speaker 1>As the course I grew up of UNI playing change

0:13:49.840 --> 0:13:53.200
<v Speaker 1>their routing. They flipped it, and I like still describe

0:13:53.200 --> 0:13:55.719
<v Speaker 1>the holes in the old order because that's what I've

0:13:55.720 --> 0:13:57.959
<v Speaker 1>played the course the most with. So it's like I'm

0:13:58.000 --> 0:14:00.160
<v Speaker 1>talking to something. I'm like, oh ten, and they're like no,

0:14:00.280 --> 0:14:05.240
<v Speaker 1>what what? It's all different order. It's confusing don being

0:14:06.440 --> 0:14:10.720
<v Speaker 1>the artist that draws up plans. B Niblic had a

0:14:10.840 --> 0:14:17.200
<v Speaker 1>question about the property and a course's character and is

0:14:17.240 --> 0:14:22.360
<v Speaker 1>that determined by just sheerly the property, the routing or

0:14:22.440 --> 0:14:25.760
<v Speaker 1>is it the building process that you see it or

0:14:25.840 --> 0:14:26.720
<v Speaker 1>is it your drawings.

0:14:27.560 --> 0:14:30.280
<v Speaker 3>I would say it's not the drawings. I just have

0:14:30.800 --> 0:14:35.520
<v Speaker 3>the enviable job of being able to work on them.

0:14:36.080 --> 0:14:38.720
<v Speaker 3>That's one of my favorite things to do. But you

0:14:38.720 --> 0:14:43.880
<v Speaker 3>know that to try and answer that question is is difficult.

0:14:45.360 --> 0:14:48.720
<v Speaker 3>But I think that, you know, that's the craft of

0:14:48.760 --> 0:14:52.240
<v Speaker 3>the process, and that's what I've learned from Tom. You know,

0:14:52.320 --> 0:14:55.760
<v Speaker 3>every property is different. You can have a property that

0:14:56.240 --> 0:15:02.000
<v Speaker 3>is flat and constrained and really on first glance, doesn't

0:15:02.040 --> 0:15:04.320
<v Speaker 3>lend itself to golf. You know, the two I've had

0:15:04.360 --> 0:15:07.280
<v Speaker 3>the luxury of listening to Tom answer the questions and

0:15:07.400 --> 0:15:10.160
<v Speaker 3>sort of formulate some basic ideas. And you know, the

0:15:10.160 --> 0:15:13.120
<v Speaker 3>first thing that popped into my head was Garden City

0:15:13.200 --> 0:15:20.560
<v Speaker 3>and Marion. You know, those by definition don't lend themselves

0:15:20.560 --> 0:15:24.480
<v Speaker 3>to be great golf courses. They're odd, oddly shaped, there's

0:15:24.600 --> 0:15:29.360
<v Speaker 3>roads crossing everywhere, There's there's some sort of structure and

0:15:29.760 --> 0:15:35.200
<v Speaker 3>and things going on on all sides. There doesn't appear

0:15:35.240 --> 0:15:39.000
<v Speaker 3>to be much great golf in there, but that's when

0:15:39.480 --> 0:15:42.600
<v Speaker 3>you know, figuring out where the holes go to really

0:15:42.600 --> 0:15:45.200
<v Speaker 3>get the most out of the property, whatever the property

0:15:45.280 --> 0:15:50.920
<v Speaker 3>has to offer, that's where the real value and the

0:15:50.960 --> 0:15:54.280
<v Speaker 3>real architecture is. And then if you're able to take

0:15:54.880 --> 0:15:58.160
<v Speaker 3>the way the holes are configured and really make them

0:15:58.200 --> 0:16:01.320
<v Speaker 3>interesting tea to green in the in the third dimension,

0:16:02.120 --> 0:16:05.640
<v Speaker 3>greens and bunkers and contours and all of that kind

0:16:05.680 --> 0:16:11.280
<v Speaker 3>of stuff, then you really have something. But because every

0:16:11.400 --> 0:16:16.480
<v Speaker 3>property is different, we have the very good fortune of

0:16:16.720 --> 0:16:21.400
<v Speaker 3>working with Tom. He has people that really have a

0:16:21.440 --> 0:16:26.200
<v Speaker 3>lovely piece of ground, like the property in Bandon at

0:16:26.280 --> 0:16:29.680
<v Speaker 3>Pacific Dunes. And Tom has a reputation of really being

0:16:29.680 --> 0:16:33.320
<v Speaker 3>the guy to talk to open a dialogue with him

0:16:33.360 --> 0:16:35.800
<v Speaker 3>if the land is great, because he knows how to

0:16:35.840 --> 0:16:39.760
<v Speaker 3>find the most potential in the property. But you know,

0:16:39.800 --> 0:16:44.520
<v Speaker 3>some of the things I've had the luxury and enjoyment

0:16:44.520 --> 0:16:48.240
<v Speaker 3>of working on with Tom or properties that when you

0:16:48.280 --> 0:16:51.680
<v Speaker 3>first look at him, don't offer much. Texas Tech University

0:16:51.720 --> 0:16:55.640
<v Speaker 3>in Lubbock was on a rectangular piece of ground that

0:16:55.680 --> 0:16:59.400
<v Speaker 3>had three feet of fall. I mean there was nothing there.

0:16:59.440 --> 0:17:01.800
<v Speaker 3>I mean, you know, a blank canvas can be exciting,

0:17:01.840 --> 0:17:05.720
<v Speaker 3>but it can be daunting too. So you know, from

0:17:05.760 --> 0:17:09.359
<v Speaker 3>that all the way to Pacific Dunes, ta Eedy Cape, Kidnappers,

0:17:09.400 --> 0:17:13.040
<v Speaker 3>where you have these just epic pieces of property that

0:17:13.440 --> 0:17:17.440
<v Speaker 3>offer oceans of options. You know, to get that right,

0:17:17.600 --> 0:17:19.560
<v Speaker 3>there's a lot of pressure, but there's also a lot

0:17:19.560 --> 0:17:22.320
<v Speaker 3>of work involved in getting something really good out of

0:17:22.359 --> 0:17:26.720
<v Speaker 3>something that doesn't have any of those advantages. And and

0:17:26.880 --> 0:17:29.600
<v Speaker 3>like Tom was talking about earlier, you know, just the

0:17:29.680 --> 0:17:34.320
<v Speaker 3>idea of returning nines, that's a constraint in the equation

0:17:34.920 --> 0:17:38.360
<v Speaker 3>that limits you in what you can do, how far

0:17:38.480 --> 0:17:40.520
<v Speaker 3>you can get away from the clubhouse before you have

0:17:40.560 --> 0:17:43.760
<v Speaker 3>to turn around and come back. And listening to Tom

0:17:43.840 --> 0:17:49.160
<v Speaker 3>talk about Pacific Dunes, you know, bally Neil and Eastern

0:17:49.200 --> 0:17:52.399
<v Speaker 3>Colorado some of the best stuff that we've had a

0:17:52.480 --> 0:17:55.760
<v Speaker 3>chance to work on. Tom went off the map to

0:17:55.800 --> 0:17:59.159
<v Speaker 3>go get those extra holes, and that happened at Pacific Dunes,

0:17:59.200 --> 0:18:02.640
<v Speaker 3>it happened at bally Neil, and you know, he has

0:18:03.880 --> 0:18:06.800
<v Speaker 3>the ability to help a client understand that it's worth

0:18:07.480 --> 0:18:09.880
<v Speaker 3>going and getting those holes so that they can be

0:18:09.960 --> 0:18:12.280
<v Speaker 3>a part of the solution. I think one of the

0:18:12.320 --> 0:18:16.119
<v Speaker 3>really cool things Tom mentioned about the crossword puzzle that

0:18:16.480 --> 0:18:20.200
<v Speaker 3>popped into my head is Tom's right. The answers aren't

0:18:20.440 --> 0:18:22.520
<v Speaker 3>posted in the paper the next day. And I kind

0:18:22.520 --> 0:18:25.080
<v Speaker 3>of think of it as a Rubik's cube. You know,

0:18:25.160 --> 0:18:28.880
<v Speaker 3>when you get a jumbled Rubik's cube, there is a solution,

0:18:29.320 --> 0:18:31.760
<v Speaker 3>and there's an agreed upon solution, and you know, the

0:18:31.840 --> 0:18:34.360
<v Speaker 3>question is how fast can you get there? But when

0:18:34.359 --> 0:18:39.720
<v Speaker 3>you're out in golf holes, the solution is, like Tom said,

0:18:39.760 --> 0:18:42.440
<v Speaker 3>a complete matter of opinion. You know, you don't have

0:18:42.480 --> 0:18:43.879
<v Speaker 3>the red and the green and the white and the

0:18:43.920 --> 0:18:46.240
<v Speaker 3>blue all figured out. Yay, you did it.

0:18:46.240 --> 0:18:48.080
<v Speaker 2>It just doesn't work that way. And the other thing

0:18:48.160 --> 0:18:50.840
<v Speaker 2>is it's it's free form. I mean a crossword puzzle.

0:18:50.920 --> 0:18:55.439
<v Speaker 2>Somebody's determined the answers for you, and you don't go

0:18:55.680 --> 0:18:57.959
<v Speaker 2>out of the box, and you don't go off the page.

0:18:58.359 --> 0:19:01.520
<v Speaker 2>And with a golf course outing you can I mean

0:19:03.840 --> 0:19:06.800
<v Speaker 2>ninety nine point nine percent of people, except that it's

0:19:06.800 --> 0:19:09.399
<v Speaker 2>got to be eighteen holes. That would be a pretty

0:19:09.400 --> 0:19:11.840
<v Speaker 2>tough convention to fight, although there's a couple of people

0:19:11.880 --> 0:19:16.639
<v Speaker 2>trying to fight that convention now. But beyond that, there's

0:19:16.680 --> 0:19:19.280
<v Speaker 2>not really any rules or limits to it. I mean,

0:19:19.760 --> 0:19:23.840
<v Speaker 2>you know, one of the first one's boundaries we pushed against.

0:19:23.920 --> 0:19:26.520
<v Speaker 2>Black Forest is the first one where I went off

0:19:26.560 --> 0:19:28.840
<v Speaker 2>the page to find a couple holes. And that was

0:19:29.000 --> 0:19:31.640
<v Speaker 2>when I worked for Pete Dye. He told me at

0:19:31.640 --> 0:19:35.720
<v Speaker 2>the golf club in Columbus that he had like four

0:19:35.800 --> 0:19:38.720
<v Speaker 2>hundred acre farm to work with, and he went back

0:19:38.720 --> 0:19:41.440
<v Speaker 2>to the client and said, I got a really good routing,

0:19:41.480 --> 0:19:44.520
<v Speaker 2>except I need the two acres over there off the

0:19:44.560 --> 0:19:47.680
<v Speaker 2>property for one of the green sites. You know, you

0:19:47.760 --> 0:19:50.080
<v Speaker 2>got to buy that other two acres. Is four hundred

0:19:50.119 --> 0:19:54.800
<v Speaker 2>acres isn't enough, and you know, to be able to

0:19:54.880 --> 0:19:57.359
<v Speaker 2>look outside, you know, I have the freedom to do it.

0:19:57.400 --> 0:19:59.719
<v Speaker 2>Some clients would give you the big middle finger if

0:19:59.760 --> 0:20:02.800
<v Speaker 2>you all them. You know they're four hundred acres isn't enough.

0:20:02.880 --> 0:20:04.960
<v Speaker 2>But if you're trying to find the best solutions, sometimes

0:20:05.040 --> 0:20:07.679
<v Speaker 2>that's what it takes. So when we were working on

0:20:07.760 --> 0:20:13.640
<v Speaker 2>Black Forest a long time ago, I actually, you know,

0:20:14.480 --> 0:20:18.280
<v Speaker 2>it was the client owned seven thousand acres of woods.

0:20:18.680 --> 0:20:20.200
<v Speaker 2>So it gave me a topa map and there were

0:20:20.240 --> 0:20:24.040
<v Speaker 2>no property lines or anything on it, and I did

0:20:24.040 --> 0:20:26.679
<v Speaker 2>a routing and you know, you couldn't. You kind of

0:20:26.720 --> 0:20:29.000
<v Speaker 2>had to do the routing mostly off the topo there.

0:20:29.040 --> 0:20:31.919
<v Speaker 2>Because the woods were so thick you couldn't tell very

0:20:32.040 --> 0:20:34.840
<v Speaker 2>much when you were walking through about house this hole

0:20:34.920 --> 0:20:38.120
<v Speaker 2>going to look. I mean you really, you really had

0:20:38.119 --> 0:20:40.159
<v Speaker 2>to kind of understand the map and just take a

0:20:40.240 --> 0:20:42.320
<v Speaker 2>leap of faith. Okay, I know what this hole's doing,

0:20:42.800 --> 0:20:45.000
<v Speaker 2>so when it gets cleared out, it's going to be okay.

0:20:46.000 --> 0:20:48.520
<v Speaker 2>So i'd done a routing and they were starting to

0:20:48.560 --> 0:20:50.919
<v Speaker 2>cut center lines of the holes so we could walk it.

0:20:51.000 --> 0:20:55.080
<v Speaker 2>And the survey air comes by and I think Gil

0:20:55.160 --> 0:20:57.680
<v Speaker 2>Hanson and I were out there. The surveyor comes by

0:20:57.720 --> 0:21:03.200
<v Speaker 2>and goes, I think that sixth hole is is going

0:21:03.240 --> 0:21:06.960
<v Speaker 2>across into the state property, going over the property line.

0:21:06.960 --> 0:21:11.080
<v Speaker 2>And I said, what property line? You know, because there

0:21:11.119 --> 0:21:13.720
<v Speaker 2>was nothing on my map that showed a property line.

0:21:13.720 --> 0:21:16.080
<v Speaker 2>And I figured, well, the guy owns seven thousand acres,

0:21:16.320 --> 0:21:18.040
<v Speaker 2>so he's given me something in the middle of it.

0:21:18.119 --> 0:21:22.840
<v Speaker 2>But no, you know, there was there was a property line,

0:21:22.920 --> 0:21:25.800
<v Speaker 2>it wasn't showing on the map. And sure enough I'd

0:21:25.840 --> 0:21:28.800
<v Speaker 2>put one hole, you know, one hole going over by

0:21:28.840 --> 0:21:31.600
<v Speaker 2>one hundred yards, and another hole with the tea on

0:21:31.720 --> 0:21:34.920
<v Speaker 2>the state land coming back, and then another hole down

0:21:34.920 --> 0:21:37.920
<v Speaker 2>at the bottom that was really close like really close

0:21:37.960 --> 0:21:41.320
<v Speaker 2>to the property line. You know, the it was it

0:21:41.359 --> 0:21:43.840
<v Speaker 2>was state forest and it wasn't marked, and it wasn't fenced.

0:21:43.880 --> 0:21:45.840
<v Speaker 2>It was just out there in the middle of the woods.

0:21:46.280 --> 0:21:49.320
<v Speaker 2>So we had to like change a couple holes on

0:21:49.359 --> 0:21:51.280
<v Speaker 2>the fly, you know. We had to take the sixth

0:21:51.280 --> 0:21:55.359
<v Speaker 2>and the seventh holes and like angle them, you know,

0:21:55.520 --> 0:21:59.080
<v Speaker 2>like route them on more of a diagonal so you

0:21:59.080 --> 0:22:01.880
<v Speaker 2>could fit them in and be sure of the where

0:22:01.880 --> 0:22:06.199
<v Speaker 2>the property line was. And then the thirteenth hole, I

0:22:06.240 --> 0:22:08.840
<v Speaker 2>had the surveyor come out and I was like, Okay,

0:22:08.880 --> 0:22:10.880
<v Speaker 2>I don't want you to mark this thing and put

0:22:10.920 --> 0:22:13.240
<v Speaker 2>a bunch of flags or anything. I just want you

0:22:13.280 --> 0:22:15.320
<v Speaker 2>to show me this. You know, I got a tee

0:22:15.640 --> 0:22:17.800
<v Speaker 2>over here somewhere. I just want you to show me

0:22:17.840 --> 0:22:19.760
<v Speaker 2>where the line is so I don't go over it.

0:22:20.240 --> 0:22:22.080
<v Speaker 2>And he showed me and that the back of that

0:22:22.119 --> 0:22:27.879
<v Speaker 2>tea is about two feet on our property. But you know,

0:22:27.920 --> 0:22:29.359
<v Speaker 2>I didn't want to, you know, I didn't want to

0:22:29.359 --> 0:22:31.399
<v Speaker 2>build a fence and give it all away. I just

0:22:31.440 --> 0:22:33.240
<v Speaker 2>wanted to work as close as I could to the

0:22:33.400 --> 0:22:35.480
<v Speaker 2>edge without drawing any attention to it.

0:22:37.760 --> 0:22:41.639
<v Speaker 1>So when you've got this property, you win a job

0:22:42.680 --> 0:22:45.919
<v Speaker 1>or you're fighting for a job and you're you know,

0:22:45.960 --> 0:22:49.760
<v Speaker 1>presenting a plan, like where how do you start the

0:22:49.800 --> 0:22:51.879
<v Speaker 1>whole process of routing it?

0:22:52.000 --> 0:22:55.040
<v Speaker 2>Off? Course, First of all, I hate that. I hate

0:22:55.080 --> 0:22:58.920
<v Speaker 2>those jobs where they want four different architects to present

0:22:59.040 --> 0:23:04.080
<v Speaker 2>a plan because this is the most important part of

0:23:04.119 --> 0:23:06.960
<v Speaker 2>the job and the most time consuming part of it,

0:23:07.080 --> 0:23:09.320
<v Speaker 2>or should be one of the most time consuming parts

0:23:09.320 --> 0:23:12.240
<v Speaker 2>of it, and asking everybody to do it for free

0:23:12.280 --> 0:23:17.399
<v Speaker 2>as kind of not right on top of that, you know,

0:23:17.520 --> 0:23:19.719
<v Speaker 2>the people that are the people that are looking at

0:23:19.720 --> 0:23:22.080
<v Speaker 2>the maps, a lot of them don't know what they're

0:23:22.080 --> 0:23:25.359
<v Speaker 2>looking at. You know, if you walk them through the

0:23:25.400 --> 0:23:28.520
<v Speaker 2>golf course that you've routed, okay, they might have a

0:23:28.560 --> 0:23:31.280
<v Speaker 2>decent understanding of that, but just to look at the

0:23:31.359 --> 0:23:35.000
<v Speaker 2>map and say, oh, I really like this one, you know,

0:23:35.400 --> 0:23:39.480
<v Speaker 2>then they are responding to the artwork or they're responding

0:23:39.560 --> 0:23:44.640
<v Speaker 2>to oh, that looks like a cool hole, but they

0:23:44.640 --> 0:23:47.040
<v Speaker 2>can't see it in three D. They don't really know

0:23:47.080 --> 0:23:50.080
<v Speaker 2>how it's fit in the ground. Years ago, I sent

0:23:51.880 --> 0:23:56.040
<v Speaker 2>I sent like my first preliminary routing for Rock Creek

0:23:56.119 --> 0:24:00.400
<v Speaker 2>to our client, Bill Foley, and he called me. He's like, Oh,

0:24:00.480 --> 0:24:03.720
<v Speaker 2>this is really cool. I really love this fourth hole,

0:24:03.760 --> 0:24:05.960
<v Speaker 2>like playing through that valley up the hill and then

0:24:06.359 --> 0:24:08.240
<v Speaker 2>then the way you get that next hole over the

0:24:08.320 --> 0:24:10.640
<v Speaker 2>side hills and stuff. I'm like, hold on, you can

0:24:10.680 --> 0:24:13.720
<v Speaker 2>read a topo map. He's like yeah, I said, where

0:24:13.760 --> 0:24:15.520
<v Speaker 2>do you learn to do that? He said, west Point?

0:24:16.720 --> 0:24:18.560
<v Speaker 2>He went to school at West Point. And you know,

0:24:18.640 --> 0:24:21.480
<v Speaker 2>everybody in military officers they have to learn how to

0:24:21.520 --> 0:24:23.480
<v Speaker 2>read a topo map so they know where they're going.

0:24:23.920 --> 0:24:27.240
<v Speaker 2>He's the only client I've ever had that can really

0:24:27.280 --> 0:24:29.560
<v Speaker 2>read a topo map and see what the hell is

0:24:29.600 --> 0:24:35.920
<v Speaker 2>going on. So so start, you know, trying to sell something,

0:24:36.160 --> 0:24:38.840
<v Speaker 2>sell your ideas based on a drawing and a topo

0:24:38.960 --> 0:24:42.560
<v Speaker 2>map is really hard because the clients don't understand that well.

0:24:44.200 --> 0:24:48.440
<v Speaker 2>As for where you start, it's different for different projects.

0:24:48.560 --> 0:24:52.080
<v Speaker 2>I mean, honestly, for me at this point, it's just

0:24:52.119 --> 0:24:54.880
<v Speaker 2>like my eye is drawn to something on a topo map.

0:24:54.920 --> 0:24:59.200
<v Speaker 2>It's like, you know, if if you got really flat ground,

0:24:59.200 --> 0:25:01.840
<v Speaker 2>then you're looking for, okay, where is there a feature

0:25:01.920 --> 0:25:05.439
<v Speaker 2>that looks interesting because you're just desperate for something to

0:25:05.520 --> 0:25:08.680
<v Speaker 2>go go work off of. If you've got a really

0:25:08.720 --> 0:25:11.800
<v Speaker 2>steep site like rock Creek, it's like, okay, where is

0:25:12.280 --> 0:25:15.840
<v Speaker 2>where is. You know, we want variety, but we want

0:25:15.880 --> 0:25:19.199
<v Speaker 2>something that's that's got enough land that's flat enough that

0:25:19.240 --> 0:25:21.680
<v Speaker 2>we can build a golf course here, because a lot

0:25:21.680 --> 0:25:24.119
<v Speaker 2>of that site would have been way too steep. So

0:25:24.600 --> 0:25:27.080
<v Speaker 2>you know, we you know, we looked along the creek

0:25:27.800 --> 0:25:30.679
<v Speaker 2>and then we looked, like, that looks too steep. You know,

0:25:30.720 --> 0:25:32.680
<v Speaker 2>if we come down here, Okay, now there's some flat

0:25:32.720 --> 0:25:36.000
<v Speaker 2>land here, and then well there's a little canyon here,

0:25:36.040 --> 0:25:37.679
<v Speaker 2>and I don't know how we get through that and

0:25:37.760 --> 0:25:41.360
<v Speaker 2>come out the other side. So you know, that's kind

0:25:41.400 --> 0:25:44.080
<v Speaker 2>of you know, okay, let's get a bigger map of

0:25:44.119 --> 0:25:51.680
<v Speaker 2>this section and start working with it. But but then,

0:25:52.119 --> 0:25:54.880
<v Speaker 2>you know, and sometimes it starts with a clubhouse site

0:25:55.000 --> 0:25:58.000
<v Speaker 2>because they tell you where it is. I don't really

0:25:58.080 --> 0:26:02.560
<v Speaker 2>like starting that way because it limits your options. Like

0:26:02.640 --> 0:26:05.800
<v Speaker 2>Don was saying, you know, okay, if you're starting here,

0:26:06.280 --> 0:26:08.320
<v Speaker 2>then you've kind of got to start with the holes

0:26:08.359 --> 0:26:11.160
<v Speaker 2>around the clubhouse and make sure you've got you can

0:26:11.200 --> 0:26:17.280
<v Speaker 2>get out and get back. You know, you don't. We've

0:26:17.320 --> 0:26:19.560
<v Speaker 2>only done a couple that there was a building that

0:26:19.720 --> 0:26:23.240
<v Speaker 2>was going to be the clubhouse Stonewall. Both courses actually

0:26:23.320 --> 0:26:26.400
<v Speaker 2>had an existing building that they were going to use

0:26:26.400 --> 0:26:29.040
<v Speaker 2>for the clubhouse, so everything revolved around that in terms

0:26:29.040 --> 0:26:33.320
<v Speaker 2>of the design. And then there's ones like you know,

0:26:33.359 --> 0:26:36.919
<v Speaker 2>if you're working on a modest project public course or something,

0:26:37.720 --> 0:26:40.320
<v Speaker 2>you know the clubhouse is going to be like as

0:26:40.400 --> 0:26:42.920
<v Speaker 2>close to the where your access point is off the

0:26:43.000 --> 0:26:44.639
<v Speaker 2>road as possible, because you don't want to build a

0:26:44.680 --> 0:26:47.000
<v Speaker 2>half a million dollars worth of driveway to get back

0:26:47.040 --> 0:26:51.320
<v Speaker 2>in there. So you know, something like bally Neo, which

0:26:51.400 --> 0:26:55.040
<v Speaker 2>is built for not a lot of money, you know

0:26:55.119 --> 0:26:58.199
<v Speaker 2>that the clubhouse and the lodge and everything is like

0:26:59.119 --> 0:27:03.840
<v Speaker 2>the first good place coming in from the road that

0:27:05.480 --> 0:27:08.800
<v Speaker 2>you know you've got kind of a decent vantage point,

0:27:09.200 --> 0:27:13.760
<v Speaker 2>and the property spreads out enough that you could you

0:27:13.800 --> 0:27:16.080
<v Speaker 2>know that you could have four holes in and out

0:27:16.119 --> 0:27:19.040
<v Speaker 2>of there reasonably well, you know, you're you kind of

0:27:19.080 --> 0:27:22.879
<v Speaker 2>come over a couple of hills and then you park

0:27:22.920 --> 0:27:24.840
<v Speaker 2>in the lot in a little valley just before it.

0:27:24.880 --> 0:27:27.399
<v Speaker 2>But all those buildings sit up on a little ridge

0:27:27.400 --> 0:27:30.800
<v Speaker 2>that overlooks a bunch of stuff, and you know it

0:27:31.520 --> 0:27:34.440
<v Speaker 2>could have been anywhere on there. You know, sometimes when

0:27:34.440 --> 0:27:37.360
<v Speaker 2>you've got one thousand acres of sand dunes, it actually

0:27:37.400 --> 0:27:41.080
<v Speaker 2>helps you to say, okay, this reasonably this has to

0:27:41.160 --> 0:27:44.679
<v Speaker 2>start here, otherwise you could be looking around forever, you know,

0:27:44.800 --> 0:27:47.920
<v Speaker 2>find finding the one hundred and eighteen holes they found

0:27:47.920 --> 0:27:50.040
<v Speaker 2>at sand Hills. You know, that was kind of the

0:27:50.080 --> 0:27:53.000
<v Speaker 2>tough thing for Bill and Bennett. Sand Hills was the

0:27:53.080 --> 0:27:55.240
<v Speaker 2>lodge and everything was going to be down by the creek,

0:27:55.840 --> 0:28:00.320
<v Speaker 2>so they didn't have a place to start or finish.

0:28:01.240 --> 0:28:05.320
<v Speaker 1>So don in your opinion, what was what's been the

0:28:05.359 --> 0:28:12.320
<v Speaker 1>most difficult whole or aspect of a project to route

0:28:12.400 --> 0:28:14.760
<v Speaker 1>that you guys have had to find, you know, or

0:28:14.800 --> 0:28:18.000
<v Speaker 1>figure out, you know, the most difficult puzzle that you've

0:28:18.040 --> 0:28:18.959
<v Speaker 1>had to work around.

0:28:19.720 --> 0:28:22.560
<v Speaker 3>Wow, that's a that's a really great question. I think

0:28:24.640 --> 0:28:28.080
<v Speaker 3>the knee jerk reaction is to kind of think about

0:28:28.119 --> 0:28:32.040
<v Speaker 3>what have been some of the most challenging sites. I

0:28:32.040 --> 0:28:36.880
<v Speaker 3>think Stone Eagle definitely comes to mind. You know, that

0:28:36.960 --> 0:28:40.920
<v Speaker 3>was a that was a lunar property. I mean you

0:28:40.960 --> 0:28:45.240
<v Speaker 3>could you could spend three hours with the right equipment

0:28:45.320 --> 0:28:49.000
<v Speaker 3>trying to walk where a tee on a par four

0:28:49.160 --> 0:28:51.440
<v Speaker 3>was going to be and get yourself to the green

0:28:51.720 --> 0:28:56.840
<v Speaker 3>before anything started out there. And I remember the routing

0:28:56.920 --> 0:28:59.680
<v Speaker 3>that I think it was Tom Fazzio had for that

0:28:59.720 --> 0:29:04.960
<v Speaker 3>problem before we started looking at it, and what we

0:29:05.080 --> 0:29:08.880
<v Speaker 3>came up with could not have been more different for

0:29:09.320 --> 0:29:15.040
<v Speaker 3>many reasons. But you know, I think Tom's right. I

0:29:15.120 --> 0:29:17.920
<v Speaker 3>think one of the things he mentions about, you know,

0:29:17.960 --> 0:29:22.560
<v Speaker 3>a competitive routing process is there's so much value and

0:29:22.600 --> 0:29:26.920
<v Speaker 3>so much architecture in figuring out where the holes ought

0:29:26.920 --> 0:29:30.360
<v Speaker 3>to go. It seems it's difficult to sort of relinquish

0:29:30.400 --> 0:29:33.000
<v Speaker 3>that so early in the process on a project that

0:29:33.040 --> 0:29:35.280
<v Speaker 3>you might even not even get to do. And if

0:29:35.280 --> 0:29:38.000
<v Speaker 3>you put your best foot forward and really work at it,

0:29:39.720 --> 0:29:42.200
<v Speaker 3>to say that's not an integral part of making a

0:29:42.240 --> 0:29:46.760
<v Speaker 3>golf course great would be you know, that's a crazy understatement.

0:29:46.880 --> 0:29:50.920
<v Speaker 2>So I think it's like, you know, when you have

0:29:50.960 --> 0:29:55.200
<v Speaker 2>a contest route to design a golf course, that ignores

0:29:55.240 --> 0:29:57.840
<v Speaker 2>the fact that there's going to be all those iterations

0:29:57.880 --> 0:30:00.200
<v Speaker 2>between this one and the one that you wind up

0:30:00.080 --> 0:30:00.360
<v Speaker 2>up with.

0:30:00.560 --> 0:30:03.320
<v Speaker 1>It's like what we talked about in this stream Song

0:30:03.560 --> 0:30:07.080
<v Speaker 1>podcast was how much of your job is done in

0:30:07.160 --> 0:30:10.120
<v Speaker 1>the third dimension, and it's sculpture. So it's when you're

0:30:10.160 --> 0:30:12.600
<v Speaker 1>out constructing and there's so many changes that happened.

0:30:12.640 --> 0:30:15.280
<v Speaker 2>But even the routing process, you know, the routing process

0:30:15.320 --> 0:30:24.080
<v Speaker 2>is usually between ten and twenty days on site before

0:30:24.120 --> 0:30:26.600
<v Speaker 2>you're really you know, and you could, it could, it

0:30:26.600 --> 0:30:28.880
<v Speaker 2>can get broken up a whole bunch of different ways.

0:30:28.920 --> 0:30:31.840
<v Speaker 2>But you know, I'll go for four or five days

0:30:31.880 --> 0:30:33.920
<v Speaker 2>and play around with things, and then go away for

0:30:33.960 --> 0:30:35.720
<v Speaker 2>a while and then come back and do it again.

0:30:36.120 --> 0:30:37.960
<v Speaker 2>Maybe I've got it right by the second time, and

0:30:38.000 --> 0:30:40.520
<v Speaker 2>maybe I get to come back the third time, and

0:30:40.800 --> 0:30:44.840
<v Speaker 2>you know, maybe you know, you've got thing like the

0:30:44.920 --> 0:30:47.360
<v Speaker 2>thing that we're working on in California. Now you have

0:30:47.440 --> 0:30:50.280
<v Speaker 2>a routing that you like, but there are some wetlands conflicts,

0:30:50.280 --> 0:30:53.000
<v Speaker 2>so that you go back and talk to the engineers

0:30:53.000 --> 0:30:55.080
<v Speaker 2>and it's like, oh, we better not do that, or

0:30:55.160 --> 0:30:57.360
<v Speaker 2>it'll take two more years to get permits to build

0:30:57.360 --> 0:30:59.720
<v Speaker 2>this thing. So let's see if we can work around

0:30:59.720 --> 0:31:02.560
<v Speaker 2>these little things and change a couple more holes for that.

0:31:03.560 --> 0:31:06.000
<v Speaker 2>So it's just a lot of time input, you know,

0:31:06.080 --> 0:31:08.840
<v Speaker 2>before you get to the sculptural part. It's it's a

0:31:08.880 --> 0:31:12.200
<v Speaker 2>big part of what I do. And I would say

0:31:12.240 --> 0:31:18.440
<v Speaker 2>that you know roughly how important it is to the outcome.

0:31:19.320 --> 0:31:22.040
<v Speaker 2>You know, you start with a piece of land and

0:31:22.080 --> 0:31:24.720
<v Speaker 2>that's kind of you know, that limits what you're gonna do.

0:31:24.760 --> 0:31:26.920
<v Speaker 2>You're not gonna build a ten on the Doke scale

0:31:27.640 --> 0:31:29.560
<v Speaker 2>on a lot of pieces of ground. It takes a

0:31:29.560 --> 0:31:33.920
<v Speaker 2>special piece of ground. But then you know, you're not

0:31:33.960 --> 0:31:36.040
<v Speaker 2>gonna build a ten if you don't get the routing

0:31:36.200 --> 0:31:39.120
<v Speaker 2>really right. And then you're still not going to build

0:31:39.120 --> 0:31:42.000
<v Speaker 2>a ten even if you've got the routing right, unless

0:31:42.680 --> 0:31:45.760
<v Speaker 2>you do a great job shaping what you need to shape.

0:31:45.800 --> 0:31:47.760
<v Speaker 2>And you know the point of the routing is to

0:31:47.760 --> 0:31:49.520
<v Speaker 2>try to make it so you don't have to shape

0:31:49.520 --> 0:31:52.120
<v Speaker 2>so much, you know, so you don't have to rely

0:31:52.200 --> 0:31:55.280
<v Speaker 2>on that part so much. But but still it gets

0:31:55.280 --> 0:31:57.480
<v Speaker 2>something that's a nine or ten. All three of those

0:31:57.480 --> 0:32:01.520
<v Speaker 2>things have to come together. And you know, the last

0:32:01.520 --> 0:32:03.480
<v Speaker 2>two are the parts that we spend our time on,

0:32:04.480 --> 0:32:07.280
<v Speaker 2>and I'd say they're about equal and importance. You know,

0:32:07.560 --> 0:32:09.640
<v Speaker 2>I spend about as much time figuring out where the

0:32:09.640 --> 0:32:13.560
<v Speaker 2>holes go in the beginning as I do working on

0:32:13.680 --> 0:32:15.880
<v Speaker 2>shaping greens and stuff when we're out there. Obviously it

0:32:15.920 --> 0:32:18.400
<v Speaker 2>takes more time for the guys that work for me

0:32:18.480 --> 0:32:22.960
<v Speaker 2>to shape the greens, but my time working on it

0:32:23.040 --> 0:32:24.760
<v Speaker 2>with them is about the same.

0:32:25.440 --> 0:32:28.120
<v Speaker 3>I think that's one of the most interesting things that

0:32:29.080 --> 0:32:32.560
<v Speaker 3>in this dialogue is is what Tom was talking about.

0:32:32.600 --> 0:32:36.360
<v Speaker 3>To have the opportunity to have iterations, you know, because

0:32:36.400 --> 0:32:38.480
<v Speaker 3>if you do, if you have that autonomy and you

0:32:38.520 --> 0:32:41.920
<v Speaker 3>have a client that's willing to allow you to make

0:32:42.280 --> 0:32:45.680
<v Speaker 3>changes and adjustments as you go. Even if you are

0:32:45.880 --> 0:32:48.480
<v Speaker 3>rock solid on what you think the configuration of the

0:32:48.520 --> 0:32:51.400
<v Speaker 3>holes ought to be and you've done your best work,

0:32:51.640 --> 0:32:56.120
<v Speaker 3>there's still so many opportunities that happen during construction that

0:32:56.480 --> 0:33:00.840
<v Speaker 3>could be missed or not even pursued if you're you know,

0:33:00.960 --> 0:33:04.040
<v Speaker 3>white knuckled to what's drawn on a piece of paper.

0:33:04.080 --> 0:33:06.240
<v Speaker 3>And that's something we get a lot of fun out of.

0:33:06.360 --> 0:33:08.680
<v Speaker 3>Is you know what's behind a green site. You know,

0:33:08.720 --> 0:33:14.000
<v Speaker 3>if that green site moves fifteen yards any direction, what

0:33:14.080 --> 0:33:19.520
<v Speaker 3>you see beyond the putting surface is incredibly special and

0:33:19.640 --> 0:33:22.920
<v Speaker 3>before you didn't even know, you know, whatever. You know,

0:33:22.920 --> 0:33:26.720
<v Speaker 3>it could be a building, it could be a landscape feature,

0:33:26.760 --> 0:33:30.080
<v Speaker 3>a view, you know, a long range view, a piece

0:33:30.120 --> 0:33:33.720
<v Speaker 3>of vegetation that's just absolutely exquisite that didn't even show

0:33:33.800 --> 0:33:35.400
<v Speaker 3>up on the map, and you didn't even know it

0:33:35.440 --> 0:33:37.640
<v Speaker 3>was there until you spent some time walking around. And

0:33:37.720 --> 0:33:41.280
<v Speaker 3>it just not take advantage of that because you know,

0:33:41.720 --> 0:33:44.320
<v Speaker 3>the agreed upon routing is on the paper and we're

0:33:44.360 --> 0:33:48.120
<v Speaker 3>not going to deviate that. You know, I've seen watched

0:33:48.200 --> 0:33:52.480
<v Speaker 3>Tom work really hard to help clients understand that we're

0:33:52.480 --> 0:33:56.800
<v Speaker 3>only improving what we have. But you don't always have

0:33:56.880 --> 0:34:00.840
<v Speaker 3>someone that allows you to be for it to be

0:34:00.880 --> 0:34:03.800
<v Speaker 3>a fluid process during construction, and that's critical.

0:34:04.400 --> 0:34:06.760
<v Speaker 2>Yeah, if you look at you know, if you looked

0:34:06.800 --> 0:34:09.880
<v Speaker 2>at the final map that we drew of our final

0:34:10.000 --> 0:34:13.000
<v Speaker 2>routing plan before we start a project and then an

0:34:13.000 --> 0:34:16.279
<v Speaker 2>ass built, there will be a probably a couple holes

0:34:16.280 --> 0:34:18.319
<v Speaker 2>where the green is moved or something. You know, we

0:34:18.480 --> 0:34:21.000
<v Speaker 2>just we just find something that you know, even as

0:34:21.080 --> 0:34:23.640
<v Speaker 2>much time as we spend on the routing process, we're

0:34:23.680 --> 0:34:26.520
<v Speaker 2>out there and we get everything cleared and we're trying

0:34:26.520 --> 0:34:29.600
<v Speaker 2>to shape things. You know, sometimes it's not me. Sometimes

0:34:29.640 --> 0:34:30.920
<v Speaker 2>it's one of the guys that worked for me. It

0:34:30.960 --> 0:34:34.120
<v Speaker 2>was like, what if we moved it over there? And

0:34:35.239 --> 0:34:37.080
<v Speaker 2>it helps to be open to that, and it helps

0:34:37.080 --> 0:34:40.160
<v Speaker 2>when clients are comfortable with that, you know, that's what

0:34:40.239 --> 0:34:42.239
<v Speaker 2>we try to feel them out at the beginning. You

0:34:42.320 --> 0:34:45.839
<v Speaker 2>can be comfortable with us tinkering around and this. You know,

0:34:46.239 --> 0:34:48.719
<v Speaker 2>it's not going to work out to exactly seven and

0:34:48.800 --> 0:34:51.239
<v Speaker 2>eleven yards like it says right here, you know, we're

0:34:51.280 --> 0:34:55.560
<v Speaker 2>not going to change everything, but it's a process, so

0:34:55.560 --> 0:34:56.960
<v Speaker 2>it won't be exactly like this.

0:34:57.760 --> 0:35:00.680
<v Speaker 1>I think if you think about the way Pine Valley

0:35:00.760 --> 0:35:05.200
<v Speaker 1>was built, that routing had to have gone through hundreds

0:35:05.200 --> 0:35:08.680
<v Speaker 1>of iterations with all of the feedback that Crump got

0:35:08.680 --> 0:35:12.400
<v Speaker 1>from different architects, and then Colt came in and tweaked

0:35:12.440 --> 0:35:15.120
<v Speaker 1>some stuff like and that's a perfect example of you know,

0:35:15.160 --> 0:35:18.879
<v Speaker 1>a golf course. Then it wasn't as time sensitive as

0:35:18.920 --> 0:35:21.000
<v Speaker 1>now where you got to kind of you get a project,

0:35:21.040 --> 0:35:23.480
<v Speaker 1>you want to get it done on a timeline.

0:35:23.520 --> 0:35:25.000
<v Speaker 2>That one was.

0:35:25.040 --> 0:35:28.920
<v Speaker 1>Built over a long period of time, but that the

0:35:29.040 --> 0:35:31.000
<v Speaker 1>routing had to have changed.

0:35:30.960 --> 0:35:33.560
<v Speaker 2>Right and the you know, the interesting thing about the

0:35:34.200 --> 0:35:37.480
<v Speaker 2>timeline that you talked about is the usually in the

0:35:37.560 --> 0:35:43.359
<v Speaker 2>routing phase, clients are not in a hurry. They own

0:35:43.400 --> 0:35:45.319
<v Speaker 2>the land or they've got an option on the land

0:35:45.440 --> 0:35:48.879
<v Speaker 2>or whatever, but you know, they're not really spending much

0:35:48.920 --> 0:35:51.239
<v Speaker 2>money on it until the next phase. You know, once

0:35:51.280 --> 0:35:53.640
<v Speaker 2>construction starts, they wanted to be done and they wanted

0:35:53.719 --> 0:35:56.360
<v Speaker 2>to be open because they've spent all this money. But

0:35:56.360 --> 0:35:58.400
<v Speaker 2>but in the routing phase, you still kind of you

0:35:58.480 --> 0:36:01.719
<v Speaker 2>got time to tink around and try to figure something out.

0:36:02.400 --> 0:36:06.279
<v Speaker 2>And you know, I can't remember very many projects we've

0:36:06.320 --> 0:36:08.040
<v Speaker 2>done where they were in such a hurry to build

0:36:08.040 --> 0:36:11.440
<v Speaker 2>a golf course that you know, that were like rushing

0:36:11.480 --> 0:36:13.719
<v Speaker 2>through the routing and not sure that we've got the

0:36:13.760 --> 0:36:16.799
<v Speaker 2>best thing. There might be one or two that just

0:36:17.480 --> 0:36:20.960
<v Speaker 2>you know, well Stonewall, you know, Tom Fazio had already

0:36:21.000 --> 0:36:23.960
<v Speaker 2>done a routing and they had permits for that. So

0:36:24.880 --> 0:36:26.840
<v Speaker 2>they asked me. They told me I could change it

0:36:26.880 --> 0:36:32.640
<v Speaker 2>a little bit, but without changing you know, it had

0:36:32.640 --> 0:36:35.560
<v Speaker 2>to be changes I could make without changing all the

0:36:35.719 --> 0:36:40.000
<v Speaker 2>like erosion control work that they had permits for that

0:36:40.120 --> 0:36:42.759
<v Speaker 2>was that sort of tied back to where the routing is.

0:36:43.480 --> 0:36:47.440
<v Speaker 2>So there wasn't there weren't you know. We didn't start

0:36:47.480 --> 0:36:49.719
<v Speaker 2>over on that routing. We started with what they had

0:36:49.760 --> 0:36:51.440
<v Speaker 2>and figured out how we could tweak it to make

0:36:51.440 --> 0:36:51.840
<v Speaker 2>it better.

0:36:54.239 --> 0:36:58.879
<v Speaker 1>So we got a lot of questions from young architects

0:36:59.080 --> 0:37:01.200
<v Speaker 1>and architects and general about your routing.

0:37:02.360 --> 0:37:04.920
<v Speaker 2>So well, I mean, it's you know, it's such a

0:37:04.960 --> 0:37:07.120
<v Speaker 2>hard thing to learn. I mean, I only in the

0:37:07.160 --> 0:37:11.239
<v Speaker 2>time I spent with Pete die He gave me like

0:37:11.320 --> 0:37:14.360
<v Speaker 2>three hours one day on a plan for the Honors

0:37:14.400 --> 0:37:16.000
<v Speaker 2>course that he was working on when I was working

0:37:16.040 --> 0:37:19.120
<v Speaker 2>at Long Cove, just showed me kind of what he'd done,

0:37:19.160 --> 0:37:20.960
<v Speaker 2>and he, you know, he made it look like he'd

0:37:20.960 --> 0:37:24.120
<v Speaker 2>done it all that morning, but I'm sure he hadn't.

0:37:24.560 --> 0:37:26.880
<v Speaker 2>I'm sure he had taken a while, but that that

0:37:27.000 --> 0:37:29.040
<v Speaker 2>was really the only time he ever spent with me

0:37:29.200 --> 0:37:33.400
<v Speaker 2>talking about routings. I mean, it's not a well documented process.

0:37:33.719 --> 0:37:36.279
<v Speaker 2>So everybody in the business is like, Jesus, how do

0:37:36.320 --> 0:37:38.360
<v Speaker 2>you do this? How can I figure out how to

0:37:38.400 --> 0:37:41.640
<v Speaker 2>do this better? And really being better as a matter

0:37:41.680 --> 0:37:43.880
<v Speaker 2>of practice, And the hard thing for a young person

0:37:44.000 --> 0:37:46.840
<v Speaker 2>is getting practice. You don't get in on the ground

0:37:46.840 --> 0:37:49.880
<v Speaker 2>floor very often to see what happens. You know, you

0:37:49.960 --> 0:37:52.319
<v Speaker 2>get there when you're starting to build a golf course.

0:37:54.719 --> 0:38:00.319
<v Speaker 1>Riley John's wants to know about your philosophy regards or

0:38:00.320 --> 0:38:03.880
<v Speaker 1>regarding routing and the ebbs and flows of a golf round,

0:38:04.600 --> 0:38:07.719
<v Speaker 1>and is there a type of balance or rhythm that

0:38:07.760 --> 0:38:10.719
<v Speaker 1>you try and achieve, and if so, how.

0:38:14.920 --> 0:38:18.880
<v Speaker 2>I think that's I think getting a having a rhythm

0:38:19.000 --> 0:38:21.600
<v Speaker 2>to the golf chorus that has some character to it

0:38:21.680 --> 0:38:24.680
<v Speaker 2>is important. I don't think you can start with one

0:38:24.719 --> 0:38:27.760
<v Speaker 2>in mind, you know, like I don't think people write

0:38:27.840 --> 0:38:33.879
<v Speaker 2>songs thinking about the whole flow of them. They get

0:38:33.880 --> 0:38:37.239
<v Speaker 2>a couple of little pieces that they like, and then

0:38:37.280 --> 0:38:39.360
<v Speaker 2>they try to figure out how to put those pieces

0:38:39.400 --> 0:38:44.600
<v Speaker 2>together in a beautiful way. It's very similar to that.

0:38:44.640 --> 0:38:47.760
<v Speaker 2>You have to start with a few holes and once

0:38:47.800 --> 0:38:51.319
<v Speaker 2>you've got that part, then you're like, Okay, now do

0:38:51.400 --> 0:38:52.880
<v Speaker 2>I want to start there or do I want to

0:38:52.920 --> 0:38:57.399
<v Speaker 2>start over here? And you know, and then you know,

0:38:57.719 --> 0:39:00.399
<v Speaker 2>what do I need in between these things to make

0:39:00.480 --> 0:39:04.520
<v Speaker 2>it all fit together? You know, both fit together physically

0:39:05.160 --> 0:39:09.319
<v Speaker 2>and that experience fit together. But you know, I mean,

0:39:09.360 --> 0:39:11.520
<v Speaker 2>great golf course is very different from one or another

0:39:11.680 --> 0:39:15.880
<v Speaker 2>one to another, like I guess, but Saint Andrews and

0:39:15.920 --> 0:39:18.400
<v Speaker 2>Marian are both they're very different pieces of the property,

0:39:18.400 --> 0:39:20.640
<v Speaker 2>but they're both kind of the same. It's kind of

0:39:20.680 --> 0:39:23.480
<v Speaker 2>hard at the beginning, easy in the middle, and then

0:39:23.520 --> 0:39:27.400
<v Speaker 2>it gets hard at the end. Again. Yeah, but that's

0:39:27.480 --> 0:39:32.680
<v Speaker 2>not that's not it's it's very atypical for a championship

0:39:32.719 --> 0:39:35.120
<v Speaker 2>golf course to have a stretch like the loop at

0:39:35.160 --> 0:39:38.000
<v Speaker 2>Saint Andrews or those middle holes at Marion where you've

0:39:38.000 --> 0:39:40.840
<v Speaker 2>got all the short part fours in a row that

0:39:40.840 --> 0:39:43.759
<v Speaker 2>that it goes that short for that long most architects thing. No,

0:39:43.800 --> 0:39:46.040
<v Speaker 2>I don't want to do that, you know, I want

0:39:46.080 --> 0:39:49.839
<v Speaker 2>it to keep mixing back and forth on a more

0:39:49.880 --> 0:39:53.279
<v Speaker 2>regular kind of wave. You know. I've heard people say, well,

0:39:53.320 --> 0:39:56.360
<v Speaker 2>the cool thing about Augusta is that you you don't

0:39:56.400 --> 0:40:01.319
<v Speaker 2>play part fours in a row until you get to

0:40:01.360 --> 0:40:03.279
<v Speaker 2>like nine and ten. You know, it goes four or

0:40:03.320 --> 0:40:09.120
<v Speaker 2>five four three four, three four or five. Personally, I

0:40:09.160 --> 0:40:12.920
<v Speaker 2>don't think that's important at all, And I almost believe

0:40:13.000 --> 0:40:16.120
<v Speaker 2>the opposite, Like some of my favorite stretches of my

0:40:16.160 --> 0:40:19.560
<v Speaker 2>own courses are three or four good par fours in

0:40:19.600 --> 0:40:23.680
<v Speaker 2>a row. You know, that's almost maybe you're going out

0:40:23.719 --> 0:40:26.360
<v Speaker 2>on a limb a little more, But you know, I

0:40:26.400 --> 0:40:29.560
<v Speaker 2>think it's important from the rhythm of like, you know,

0:40:30.040 --> 0:40:33.200
<v Speaker 2>getting people hitting driver on a bunch of holes in

0:40:33.239 --> 0:40:35.160
<v Speaker 2>a row and getting in a rhythm for doing it.

0:40:35.760 --> 0:40:38.960
<v Speaker 2>You know, Like I don't like a routing. I've built

0:40:38.960 --> 0:40:45.160
<v Speaker 2>courses with five par threes, but I don't like it

0:40:45.200 --> 0:40:48.040
<v Speaker 2>when they come like every other hole, because you really

0:40:48.040 --> 0:40:50.160
<v Speaker 2>get out of a rhythm for a hitting driver. It's

0:40:50.200 --> 0:40:56.640
<v Speaker 2>just like, oh, another par three, and so you know,

0:40:56.719 --> 0:40:58.680
<v Speaker 2>going back to basics, I don't think you can I

0:40:58.719 --> 0:41:01.520
<v Speaker 2>don't think you pre plan what that flow is, but

0:41:01.600 --> 0:41:02.800
<v Speaker 2>I do think it's important.

0:41:02.960 --> 0:41:07.160
<v Speaker 3>I think what Tom mentioned about music too. Invariably, when

0:41:07.200 --> 0:41:10.279
<v Speaker 3>we have any of these kinds of dialogues, music kind

0:41:10.280 --> 0:41:15.800
<v Speaker 3>of creeps in and it's Music's a part of the

0:41:15.920 --> 0:41:19.400
<v Speaker 3>artistic process, and it's a big part of on site

0:41:19.400 --> 0:41:22.120
<v Speaker 3>work too for all of us. And I think there's

0:41:22.160 --> 0:41:25.040
<v Speaker 3>a you know that you talk about if you're trying

0:41:25.040 --> 0:41:27.600
<v Speaker 3>for flow and what kind of flow and what's good

0:41:27.600 --> 0:41:30.640
<v Speaker 3>and what's not. There's a cadence. There are opening holes

0:41:30.680 --> 0:41:33.440
<v Speaker 3>that just really perform well as opening holes because they

0:41:33.480 --> 0:41:37.440
<v Speaker 3>make you interested and comfortable at the beginning. And you know,

0:41:37.480 --> 0:41:40.960
<v Speaker 3>there's all kinds of philosophies about how you know how

0:41:41.000 --> 0:41:43.880
<v Speaker 3>to ease into around and save the best for last,

0:41:43.960 --> 0:41:46.120
<v Speaker 3>and you spend some of that in the middle and

0:41:46.160 --> 0:41:48.400
<v Speaker 3>all of that, and that's where the expertise and the

0:41:48.480 --> 0:41:54.160
<v Speaker 3>experience comes from on deciding how much weight those things carry.

0:41:54.200 --> 0:41:56.759
<v Speaker 3>And I think if you take that music analogy and

0:41:56.880 --> 0:41:58.799
<v Speaker 3>just take it to the next step. You know, you

0:41:58.840 --> 0:42:01.840
<v Speaker 3>start with a a rhythm and a melody that you like,

0:42:01.920 --> 0:42:04.239
<v Speaker 3>and you have some lyric that you're trying to work

0:42:04.280 --> 0:42:06.240
<v Speaker 3>in there. But I think One of the cool things

0:42:06.239 --> 0:42:09.640
<v Speaker 3>that I've learned working for Tom is the bridge in

0:42:09.680 --> 0:42:13.879
<v Speaker 3>the song, and the bridge is that hole, or maybe

0:42:13.960 --> 0:42:16.880
<v Speaker 3>a couple of holes that allow you to build the

0:42:17.000 --> 0:42:19.799
<v Speaker 3>really natural stuff on a site. But you have to

0:42:19.800 --> 0:42:22.640
<v Speaker 3>connect them somehow. And when there's not a natural connection

0:42:22.760 --> 0:42:26.120
<v Speaker 3>with another hole that's just laying there, sometimes you got

0:42:26.120 --> 0:42:30.000
<v Speaker 3>to take a big leap of faith and move the

0:42:30.040 --> 0:42:33.120
<v Speaker 3>big furniture in the room to get it all to work,

0:42:33.320 --> 0:42:36.359
<v Speaker 3>and then try as to your best to cover your

0:42:36.400 --> 0:42:39.239
<v Speaker 3>tracks at the end. I mean, I'm looking at just

0:42:39.360 --> 0:42:42.440
<v Speaker 3>the pictures on the wall here. The sixth that Stone Eagles,

0:42:42.440 --> 0:42:46.120
<v Speaker 3>a short par four that's uphill and was not a

0:42:46.120 --> 0:42:49.120
<v Speaker 3>golf hole in its native state by any stretch. The

0:42:49.640 --> 0:42:57.040
<v Speaker 3>fourth at a par five at Suncadia at Tumble Creek

0:42:57.440 --> 0:43:02.640
<v Speaker 3>in Washington was a hugely of faith, but it allowed

0:43:03.120 --> 0:43:07.280
<v Speaker 3>a connection between holes that were really very very natural.

0:43:07.840 --> 0:43:11.160
<v Speaker 3>And then you spend a lot of your time and

0:43:11.200 --> 0:43:15.319
<v Speaker 3>effort and your resources getting that hole to look and

0:43:15.360 --> 0:43:19.720
<v Speaker 3>play and feel commensurate with all the other natural stuff.

0:43:19.840 --> 0:43:22.439
<v Speaker 3>And you know, often that's how you get the best

0:43:22.440 --> 0:43:24.279
<v Speaker 3>out of a property is build a hole that's not

0:43:24.320 --> 0:43:26.840
<v Speaker 3>really there so that you can max out on the

0:43:26.880 --> 0:43:29.640
<v Speaker 3>stuff that's really good naturally.

0:43:29.440 --> 0:43:32.080
<v Speaker 2>Instead of having to do a little work to a

0:43:32.120 --> 0:43:34.759
<v Speaker 2>bunch of holes, having a bunch of holes that are

0:43:34.760 --> 0:43:36.480
<v Speaker 2>there and just having to do a lot of work

0:43:36.520 --> 0:43:39.800
<v Speaker 2>to one hole. Sometimes that's a better alternative. It's funny

0:43:39.840 --> 0:43:41.600
<v Speaker 2>to me that we're talking about music, because I'm like,

0:43:43.320 --> 0:43:46.000
<v Speaker 2>you know, I would finish in last place on the

0:43:46.080 --> 0:43:52.200
<v Speaker 2>music Apptitude test in any group, not just among my guys,

0:43:52.600 --> 0:43:57.960
<v Speaker 2>you know. And yet you know Brian Solanik, who works

0:43:58.120 --> 0:43:59.960
<v Speaker 2>for me, plays in a band a little bit on this,

0:44:00.320 --> 0:44:02.839
<v Speaker 2>Jeff Bradley, who builds bunkers for Bill and Benn as

0:44:02.880 --> 0:44:05.879
<v Speaker 2>a drummer. Eric Iverson who works for me, his dad

0:44:06.000 --> 0:44:09.799
<v Speaker 2>was a jazz musician. So and and my favorite one,

0:44:09.880 --> 0:44:15.080
<v Speaker 2>Kay Golby, whose dad was not a musician. Kai Kai

0:44:15.160 --> 0:44:16.960
<v Speaker 2>did an interview with some many years ago and they

0:44:16.960 --> 0:44:21.040
<v Speaker 2>asked him what is the best technical innovation that you

0:44:21.160 --> 0:44:24.839
<v Speaker 2>have seen since you started in the business thirty years ago,

0:44:24.920 --> 0:44:29.040
<v Speaker 2>and he said the iPod, because instead of sitting in

0:44:29.080 --> 0:44:33.680
<v Speaker 2>a bulldozer all day, stuck with your thoughts or the

0:44:34.200 --> 0:44:38.160
<v Speaker 2>bad local radio station, you can listen to whatever you

0:44:38.200 --> 0:44:42.080
<v Speaker 2>want while you're out there, and it's the work turns

0:44:42.080 --> 0:44:43.000
<v Speaker 2>out a lot better.

0:44:43.880 --> 0:44:46.279
<v Speaker 1>Is a state of mind. They're and there, you know,

0:44:46.400 --> 0:44:50.080
<v Speaker 1>it's it's an artistics And I was.

0:44:50.080 --> 0:44:51.839
<v Speaker 2>Never you know, the little bit of time that I

0:44:52.160 --> 0:44:54.920
<v Speaker 2>that I did shaping for the dies and at like

0:44:54.960 --> 0:44:57.880
<v Speaker 2>a high point where I shaped the greens myself. I

0:44:57.960 --> 0:45:00.160
<v Speaker 2>never thought about music when I was out there. I

0:45:00.239 --> 0:45:04.399
<v Speaker 2>was always thinking about Fortunately, I was thinking about all

0:45:04.400 --> 0:45:08.680
<v Speaker 2>these places that i'd been in the UK relatively recently,

0:45:08.719 --> 0:45:11.400
<v Speaker 2>And you know, I'd be working along thinking about one place,

0:45:12.040 --> 0:45:14.359
<v Speaker 2>and then after a while I get half done with him,

0:45:14.360 --> 0:45:16.880
<v Speaker 2>I'm like, oh, this is starting to remind me of

0:45:16.920 --> 0:45:20.799
<v Speaker 2>something else. But I had so many of those experiences

0:45:20.840 --> 0:45:23.399
<v Speaker 2>so fresh in my mind from like the last two

0:45:23.480 --> 0:45:26.480
<v Speaker 2>or three years before that, it was really easy to

0:45:26.520 --> 0:45:29.239
<v Speaker 2>have the free flow and change your mind on the flot.

0:45:29.480 --> 0:45:33.480
<v Speaker 3>I think that's one of the great things of being

0:45:33.520 --> 0:45:36.800
<v Speaker 3>around Tom and the other fellas. From the very start.

0:45:36.880 --> 0:45:39.520
<v Speaker 3>Tom has always encouraged us when we were working somewhere

0:45:39.560 --> 0:45:43.680
<v Speaker 3>to go see what else there is to see, And boy,

0:45:43.719 --> 0:45:47.840
<v Speaker 3>when you do that in the UK, there's just there's countless, countless,

0:45:48.520 --> 0:45:52.240
<v Speaker 3>infinite number of precedent studies for how do you handle

0:45:52.320 --> 0:45:54.520
<v Speaker 3>this tight corner of the property. How do you get

0:45:54.520 --> 0:45:57.640
<v Speaker 3>in and out of there in a safe way that's

0:45:57.800 --> 0:46:02.240
<v Speaker 3>good for golf, that's interesting and memorable and not too awkward.

0:46:02.840 --> 0:46:07.000
<v Speaker 3>And there are precedents for nearly every solution if you

0:46:07.040 --> 0:46:10.520
<v Speaker 3>look hard enough for them, and then you know, the

0:46:10.960 --> 0:46:15.040
<v Speaker 3>challenge is to decide is that an appropriate solution here too?

0:46:15.160 --> 0:46:17.879
<v Speaker 3>Can you take the spirit of how it works in

0:46:17.960 --> 0:46:20.520
<v Speaker 3>the British Isles and bring it to wherever you are

0:46:20.560 --> 0:46:23.919
<v Speaker 3>and get it to work as effectively because the little

0:46:24.000 --> 0:46:29.960
<v Speaker 3>nuances about why it works are not realized in plan view.

0:46:30.000 --> 0:46:32.560
<v Speaker 3>There's a lot of in the third dimension that's going

0:46:32.640 --> 0:46:34.920
<v Speaker 3>on there, the timing of the hole, the distance of

0:46:34.960 --> 0:46:38.160
<v Speaker 3>the shot into a tight corner, and you know, people

0:46:38.520 --> 0:46:40.640
<v Speaker 3>waiting as a group to play back out of that

0:46:40.760 --> 0:46:43.239
<v Speaker 3>space for example. All of that's really got to be

0:46:43.320 --> 0:46:46.840
<v Speaker 3>working well in order for you to take that idea

0:46:46.320 --> 0:46:51.600
<v Speaker 3>and make an iteration of that somewhere else. But you

0:46:51.640 --> 0:46:54.600
<v Speaker 3>have to have a pretty solid understanding of why it

0:46:54.640 --> 0:46:58.160
<v Speaker 3>works well before you can pull it off somewhere else.

0:46:58.200 --> 0:47:01.400
<v Speaker 2>And it's an example of that. I mean, if you

0:47:01.400 --> 0:47:05.520
<v Speaker 2>look at the Irish courses, nearly all the famous Irish courses,

0:47:05.560 --> 0:47:09.759
<v Speaker 2>there's one hole where you step off a green back

0:47:09.800 --> 0:47:12.000
<v Speaker 2>onto a tee and then hit the t shot across

0:47:12.040 --> 0:47:15.239
<v Speaker 2>that the green that you just played, perfect example, and

0:47:15.239 --> 0:47:18.480
<v Speaker 2>you're like, how the hell does that work? You know

0:47:18.520 --> 0:47:20.839
<v Speaker 2>it's bally Bunyon. You played down to the third green

0:47:21.680 --> 0:47:24.239
<v Speaker 2>and then I think originally the fourth hole was shorter there,

0:47:24.280 --> 0:47:26.440
<v Speaker 2>but they, you know, they they figured out, hey, we

0:47:26.480 --> 0:47:28.919
<v Speaker 2>could put a tee the other side of this green

0:47:28.960 --> 0:47:31.279
<v Speaker 2>and just hit over the green after people play number

0:47:31.320 --> 0:47:34.960
<v Speaker 2>three and it works just fine. And with Hinch has one,

0:47:35.640 --> 0:47:40.520
<v Speaker 2>I think dude, Beeg has two or three. Nearly all

0:47:40.560 --> 0:47:43.759
<v Speaker 2>those courses have something like that, and and you're like, well,

0:47:43.760 --> 0:47:46.319
<v Speaker 2>how the hell does that work? And people not sneak up.

0:47:46.320 --> 0:47:48.320
<v Speaker 2>And you know why it works is because it's because

0:47:48.360 --> 0:47:50.480
<v Speaker 2>the hole you've put, the first hole that you played,

0:47:50.520 --> 0:47:53.279
<v Speaker 2>is nearly always a par three. So when you get off,

0:47:53.320 --> 0:47:55.160
<v Speaker 2>when you walk off the green of the next tee,

0:47:55.280 --> 0:47:58.160
<v Speaker 2>the other guys are still two hundred yards away and

0:47:58.239 --> 0:48:00.200
<v Speaker 2>they're not going to be right up on you. If

0:48:00.400 --> 0:48:02.360
<v Speaker 2>it was the other way around, if you played a

0:48:02.400 --> 0:48:04.440
<v Speaker 2>part five and then you wanted to go back and

0:48:04.480 --> 0:48:06.319
<v Speaker 2>play to a part three where you might have to wait,

0:48:06.400 --> 0:48:07.319
<v Speaker 2>that wouldn't work at all.

0:48:08.280 --> 0:48:10.640
<v Speaker 1>That's That's what I was like thinking in my head

0:48:10.760 --> 0:48:13.279
<v Speaker 1>is like, well you'd have you couldn't have something that

0:48:13.360 --> 0:48:16.080
<v Speaker 1>you regularly wait on. I bet doing it. Like if

0:48:16.120 --> 0:48:18.800
<v Speaker 1>you have a short par five that a lot of

0:48:18.840 --> 0:48:21.480
<v Speaker 1>people are waiting to get home into that you that

0:48:21.520 --> 0:48:24.680
<v Speaker 1>would be another good one to have play over a green.

0:48:25.440 --> 0:48:28.080
<v Speaker 2>Yes and no, Yes and no, because you also get

0:48:28.160 --> 0:48:30.839
<v Speaker 2>groups where they're like fifty yards away ready to chip

0:48:30.880 --> 0:48:33.960
<v Speaker 2>onto the green when you're when you're done. So so

0:48:34.560 --> 0:48:37.640
<v Speaker 2>you know, the only really, the only way where the

0:48:37.760 --> 0:48:40.000
<v Speaker 2>dance worked really well is when it's a part three.

0:48:40.280 --> 0:48:42.000
<v Speaker 2>Then you can then you can put the tea anywhere

0:48:42.000 --> 0:48:42.760
<v Speaker 2>you want around.

0:48:42.560 --> 0:48:44.960
<v Speaker 1>The green or somebody's backyard course.

0:48:44.920 --> 0:48:47.480
<v Speaker 2>Or somebody that yeah, or a place like Terry Edy

0:48:47.520 --> 0:48:49.680
<v Speaker 2>that gets twenty rounds a day. You can do whatever.

0:48:50.360 --> 0:48:53.839
<v Speaker 2>Stone Eagle, we've got one of those that they don't

0:48:53.920 --> 0:48:55.799
<v Speaker 2>use the tea much. It's only a back tee. But

0:48:56.239 --> 0:48:58.160
<v Speaker 2>you know, after eight you can go up to the

0:48:58.239 --> 0:49:02.279
<v Speaker 2>right and number nine or for number ninety and hit

0:49:02.360 --> 0:49:06.080
<v Speaker 2>diagonally back over eat green. That's a better angle for

0:49:06.160 --> 0:49:08.840
<v Speaker 2>that hole. But you can't have everybody on it because

0:49:08.920 --> 0:49:10.799
<v Speaker 2>you can't make the traffic flow work.

0:49:13.880 --> 0:49:17.759
<v Speaker 1>J Blosi wants to know if you could describe a

0:49:18.400 --> 0:49:23.960
<v Speaker 1>instance where you gave up on like a great hole

0:49:24.360 --> 0:49:25.920
<v Speaker 1>in order to make a better course.

0:49:28.760 --> 0:49:32.680
<v Speaker 2>I try to forget about those things after and on

0:49:32.760 --> 0:49:35.839
<v Speaker 2>top of that, you know, you don't when I give

0:49:35.880 --> 0:49:38.239
<v Speaker 2>one away, it's like then then there's a whole bunch

0:49:38.280 --> 0:49:40.440
<v Speaker 2>of people that are like, oh, you made the wrong decision.

0:49:40.640 --> 0:49:43.640
<v Speaker 2>You should have kept that hole. So it's like when

0:49:43.640 --> 0:49:45.520
<v Speaker 2>you you know, when you talk about it, it's like,

0:49:46.000 --> 0:49:47.840
<v Speaker 2>you know, it's like the kiss of death for the

0:49:47.840 --> 0:49:55.319
<v Speaker 2>golf course. So there's one that I'll talk about that.

0:49:56.360 --> 0:49:59.080
<v Speaker 2>It only it changed one hole, but it changed the

0:49:59.200 --> 0:50:02.719
<v Speaker 2>character of the golf course a lot. Originally at Cape Kidnappers,

0:50:03.880 --> 0:50:06.760
<v Speaker 2>after the twelfth green, you know, now there's a little

0:50:07.120 --> 0:50:09.480
<v Speaker 2>one hundred and thirty yard part three with the tee

0:50:09.800 --> 0:50:14.919
<v Speaker 2>right behind twelve green, and you play this little short

0:50:14.960 --> 0:50:17.680
<v Speaker 2>part three which just feels like the cliff edge off

0:50:17.719 --> 0:50:19.560
<v Speaker 2>the world. Just to the left of the green, there's

0:50:19.600 --> 0:50:21.560
<v Speaker 2>like a bunker that's about five feet wide, and then

0:50:21.600 --> 0:50:25.359
<v Speaker 2>it's gone. And then fourteenth hole is a short part four.

0:50:26.480 --> 0:50:30.759
<v Speaker 2>And our original green site for that part three was

0:50:31.600 --> 0:50:35.400
<v Speaker 2>one hundred feet below where the green is now on

0:50:35.440 --> 0:50:38.120
<v Speaker 2>this little piece of land that was like hanging off

0:50:38.160 --> 0:50:41.560
<v Speaker 2>the cliffs, but there was enough room down there for

0:50:41.600 --> 0:50:47.959
<v Speaker 2>a green, and it would have been the most spectacular

0:50:48.000 --> 0:50:49.560
<v Speaker 2>hole on the golf course. It would have been one

0:50:49.560 --> 0:50:52.680
<v Speaker 2>of the most spectacular holes in the world. It would

0:50:52.680 --> 0:50:54.480
<v Speaker 2>have been one of the most scary holes in the

0:50:54.480 --> 0:50:56.520
<v Speaker 2>world to play because we had to push the tee

0:50:56.640 --> 0:51:01.880
<v Speaker 2>even closer to the cliff edge and you could barely see,

0:51:02.239 --> 0:51:05.000
<v Speaker 2>you know, where the where the little shoulder is going

0:51:05.120 --> 0:51:07.880
<v Speaker 2>up to the present green. You could barely see around

0:51:07.920 --> 0:51:09.719
<v Speaker 2>the corner of that to see down to where this

0:51:09.840 --> 0:51:16.320
<v Speaker 2>green was, so you know, to you know, scary, to

0:51:16.760 --> 0:51:19.799
<v Speaker 2>scary to just stand literally stand on the tee would

0:51:19.800 --> 0:51:25.000
<v Speaker 2>have been scary, scary to build, uh, And then the

0:51:25.080 --> 0:51:28.160
<v Speaker 2>kicker was really tough to get down there and back.

0:51:28.600 --> 0:51:30.560
<v Speaker 2>I mean, most of the rest of Cape Kidnappers is

0:51:30.600 --> 0:51:34.080
<v Speaker 2>pretty easily walkable. There's a couple of ravines, but there's

0:51:34.080 --> 0:51:37.440
<v Speaker 2>bridges across them, so you never have a really downhill

0:51:37.520 --> 0:51:40.479
<v Speaker 2>or uphill walk on the whole golf course. And that

0:51:41.440 --> 0:51:44.400
<v Speaker 2>would have been a huge break. You know, just hiking

0:51:44.440 --> 0:51:46.440
<v Speaker 2>one hundred feedback up the hill would have been tough.

0:51:47.360 --> 0:51:50.560
<v Speaker 2>And then you'd been kind of out of breath, and

0:51:50.600 --> 0:51:53.360
<v Speaker 2>it would have taken five minutes, you know, so it

0:51:53.360 --> 0:51:55.400
<v Speaker 2>would have it would have been a big break in

0:51:55.440 --> 0:51:58.600
<v Speaker 2>the routing as opposed to the way it is now.

0:51:59.000 --> 0:52:01.640
<v Speaker 2>We play thirteen, you're done, you walk right onto fourteen,

0:52:01.680 --> 0:52:08.600
<v Speaker 2>t you keep going seamless. So we debated that hole

0:52:08.640 --> 0:52:11.560
<v Speaker 2>for a long time. We didn't really have the thirteenth

0:52:11.600 --> 0:52:13.520
<v Speaker 2>all the way it is now. We hadn't really figured

0:52:13.560 --> 0:52:15.400
<v Speaker 2>that out as an option. We were going to go

0:52:15.520 --> 0:52:18.280
<v Speaker 2>down below, and the more we looked at it, the more,

0:52:18.320 --> 0:52:20.760
<v Speaker 2>you know, we were like, could you build a little

0:52:20.800 --> 0:52:23.080
<v Speaker 2>like tram to get down there and back up so

0:52:23.160 --> 0:52:25.399
<v Speaker 2>people don't have to walk uphill on our feet because

0:52:25.440 --> 0:52:27.000
<v Speaker 2>there's no way to get a car path down there.

0:52:27.000 --> 0:52:28.960
<v Speaker 2>It was just you know, a steep and then it

0:52:29.000 --> 0:52:37.080
<v Speaker 2>was too small down there. And then the final nail

0:52:37.120 --> 0:52:39.279
<v Speaker 2>in the coffin of going down there was there were

0:52:39.320 --> 0:52:41.640
<v Speaker 2>a couple where the little Green site was. There were

0:52:41.640 --> 0:52:45.560
<v Speaker 2>a couple of moundy rolls down there, and we looked

0:52:45.560 --> 0:52:48.839
<v Speaker 2>at those and we were like, that could be an

0:52:48.920 --> 0:52:52.960
<v Speaker 2>archaeology site. That's the kind of place that the Maoris

0:52:53.120 --> 0:52:57.880
<v Speaker 2>might have had a little you know, very defensible, you know,

0:52:58.920 --> 0:53:01.040
<v Speaker 2>that could be an archaeoligical site. And if that's an

0:53:01.120 --> 0:53:04.360
<v Speaker 2>archaeological site and we get into it, this whole project

0:53:04.480 --> 0:53:09.200
<v Speaker 2>is gonna get delayed for quite a while, plus bad karma.

0:53:09.320 --> 0:53:12.879
<v Speaker 2>So so that was the final straw that Okay, we're

0:53:12.920 --> 0:53:16.600
<v Speaker 2>not going down there. Let's figure out some other way

0:53:16.680 --> 0:53:19.120
<v Speaker 2>to get it to have another hole in here so

0:53:19.160 --> 0:53:24.200
<v Speaker 2>we can make this work. But it was a spectacular hole,

0:53:24.480 --> 0:53:27.120
<v Speaker 2>and it's hard to even show people because you have

0:53:27.160 --> 0:53:29.240
<v Speaker 2>to even to show. So I tried to show somebody

0:53:29.320 --> 0:53:31.920
<v Speaker 2>the last time I was there where that hole was,

0:53:32.520 --> 0:53:35.799
<v Speaker 2>and just even walking close enough to the cliff that

0:53:35.840 --> 0:53:38.960
<v Speaker 2>you could see it was uncomfortable for me. So I'm like,

0:53:39.520 --> 0:53:42.040
<v Speaker 2>good thing I didn't build that. It would have you know,

0:53:42.040 --> 0:53:44.080
<v Speaker 2>it would have sucked all the air out of all

0:53:44.120 --> 0:53:44.720
<v Speaker 2>the other holes.

0:53:46.239 --> 0:53:51.680
<v Speaker 1>When is a long walk from like a green to tea, okay, like.

0:53:52.960 --> 0:53:58.960
<v Speaker 2>When it's beautiful number one and you know, like you know,

0:53:59.080 --> 0:54:01.440
<v Speaker 2>if you're a long walk from green to tea is

0:54:01.560 --> 0:54:06.200
<v Speaker 2>like across a development street, that's bad. You know. I'd

0:54:06.320 --> 0:54:08.239
<v Speaker 2>rather set it up so you can hit across the

0:54:08.320 --> 0:54:11.000
<v Speaker 2>streets so you don't think about the walk so much.

0:54:11.520 --> 0:54:13.720
<v Speaker 2>You know, every time you've got a break between green

0:54:13.800 --> 0:54:19.240
<v Speaker 2>and tea. That's lengthy. You know, I'm trying to avoid

0:54:19.239 --> 0:54:22.120
<v Speaker 2>those as much as possible in normal circumstances, because you

0:54:22.160 --> 0:54:25.799
<v Speaker 2>get distracted, you look at your damn cell phone, you

0:54:25.840 --> 0:54:28.680
<v Speaker 2>get out of the flow of playing golf. So if

0:54:28.680 --> 0:54:32.040
<v Speaker 2>you can avoid that, that's the ideal. If you can't

0:54:32.080 --> 0:54:36.200
<v Speaker 2>avoid it, but you're on the path from the fourth

0:54:36.239 --> 0:54:38.640
<v Speaker 2>green to the fifty at Barn Google, where you're right

0:54:38.680 --> 0:54:41.319
<v Speaker 2>on top of the dunes looking at the ocean for

0:54:41.360 --> 0:54:46.359
<v Speaker 2>the first time you get a pass. Nobody looks at

0:54:46.400 --> 0:54:48.400
<v Speaker 2>their cell phone there, except maybe to grab it and

0:54:48.440 --> 0:54:53.919
<v Speaker 2>take a picture of a wallaby. Keep kidnappers. Going from

0:54:54.040 --> 0:54:58.439
<v Speaker 2>fifteen green along the edge out to that sixteenth tee

0:54:58.440 --> 0:55:02.800
<v Speaker 2>to play back. That's spectacular. We didn't plan that originally,

0:55:03.560 --> 0:55:05.279
<v Speaker 2>you know. We were going to have the fifteenth green

0:55:05.320 --> 0:55:08.160
<v Speaker 2>a little shorter and the sixteenth was going to be

0:55:08.160 --> 0:55:11.640
<v Speaker 2>a short part four. And then client was worried about

0:55:11.680 --> 0:55:15.799
<v Speaker 2>making the golf course longer, and I looked for I

0:55:15.880 --> 0:55:17.520
<v Speaker 2>was looking for a place where I could get one

0:55:17.560 --> 0:55:20.600
<v Speaker 2>hundred yards just like that, and I found that tea

0:55:20.640 --> 0:55:22.719
<v Speaker 2>and said, oh okay, we could put a back tea there.

0:55:23.320 --> 0:55:25.680
<v Speaker 2>It was just going to be a back tea. And

0:55:25.719 --> 0:55:29.080
<v Speaker 2>then I went away and mister Robertson came back and

0:55:29.120 --> 0:55:31.520
<v Speaker 2>he brought his wife and they both walked out to

0:55:31.520 --> 0:55:33.799
<v Speaker 2>see where that tea was. And she walked out there

0:55:33.800 --> 0:55:36.120
<v Speaker 2>and took one look at it and said, everybody should

0:55:36.160 --> 0:55:39.080
<v Speaker 2>come back here, this most beautiful place on the golf course,

0:55:39.120 --> 0:55:42.200
<v Speaker 2>and this walk is spectacular, so everybody, you know, let's

0:55:42.200 --> 0:55:44.880
<v Speaker 2>try to make that. So it went from a short

0:55:44.920 --> 0:55:47.840
<v Speaker 2>part four with a silly long back tea to a

0:55:47.880 --> 0:55:52.080
<v Speaker 2>short part five where everybody was on that tee. But

0:55:52.280 --> 0:55:54.360
<v Speaker 2>to do it, you know, we had to do a

0:55:54.360 --> 0:55:56.120
<v Speaker 2>lot more work in the fairway to make the whole

0:55:56.200 --> 0:55:58.359
<v Speaker 2>work because now you know, now we had to worry

0:55:58.400 --> 0:56:00.359
<v Speaker 2>about somebody who could only get one hundred years from

0:56:00.400 --> 0:56:04.400
<v Speaker 2>that tee, and it was really the land that you

0:56:04.440 --> 0:56:06.560
<v Speaker 2>would have hit into was really steep. So we had

0:56:06.560 --> 0:56:09.200
<v Speaker 2>to do a lot of work on sixteen to make

0:56:09.239 --> 0:56:13.280
<v Speaker 2>it work. But clearly, when you know when you've got

0:56:13.320 --> 0:56:17.799
<v Speaker 2>something that's going to keep the golfer's attention because it's beautiful,

0:56:18.400 --> 0:56:21.760
<v Speaker 2>a long walk is no big deal. Where you don't

0:56:21.800 --> 0:56:27.040
<v Speaker 2>have that, I would I would rather now have a

0:56:27.080 --> 0:56:33.799
<v Speaker 2>blind te shot that you play right away and then

0:56:33.880 --> 0:56:36.879
<v Speaker 2>walk up and get get the view on your way

0:56:36.920 --> 0:56:41.160
<v Speaker 2>to your ball, instead of walking one hundred yards to

0:56:41.280 --> 0:56:44.200
<v Speaker 2>have the view from the tee. The sixth hole of

0:56:44.239 --> 0:56:47.759
<v Speaker 2>bally Neal is like that. We were originally going to

0:56:47.840 --> 0:56:50.759
<v Speaker 2>put the tea up on the dune and then I

0:56:50.920 --> 0:56:53.760
<v Speaker 2>just we had too many. We had too many elevated

0:56:53.800 --> 0:56:57.080
<v Speaker 2>tea shots. You know, it's a windy place. There was

0:56:57.120 --> 0:56:58.880
<v Speaker 2>only the back. It was only going to be the

0:56:58.880 --> 0:57:02.279
<v Speaker 2>back tee that was up there. So eventually I just went,

0:57:02.360 --> 0:57:04.960
<v Speaker 2>you know, it's not even let's just let's just make

0:57:05.000 --> 0:57:07.680
<v Speaker 2>the t shot blind. Everybody's going to see the hole

0:57:07.719 --> 0:57:10.279
<v Speaker 2>soon enough. Anyway, it's not the prettiest of you on

0:57:10.280 --> 0:57:12.400
<v Speaker 2>the golf course. We're not giving up anything by not

0:57:12.440 --> 0:57:13.080
<v Speaker 2>having that tea.

0:57:14.320 --> 0:57:19.680
<v Speaker 3>I think that the concept of walking and walkability is

0:57:19.720 --> 0:57:23.720
<v Speaker 3>an integral part of all of it. I think everyone

0:57:23.800 --> 0:57:26.520
<v Speaker 3>in Tom's camp is, you know, there's little there's little

0:57:26.600 --> 0:57:29.360
<v Speaker 3>voices that you're listening to while you're trying to figure

0:57:29.360 --> 0:57:33.040
<v Speaker 3>out where the holes go, and one of them invariably

0:57:33.240 --> 0:57:35.880
<v Speaker 3>is is how how can we get this to be

0:57:35.960 --> 0:57:40.480
<v Speaker 3>as walkable as possible? And you know that the connection

0:57:40.640 --> 0:57:43.480
<v Speaker 3>that Tom mentioned of getting to highs and lows and

0:57:43.920 --> 0:57:46.640
<v Speaker 3>and stuff like that. It seems like if you can

0:57:46.760 --> 0:57:49.320
<v Speaker 3>sell it, if it's worth it when you get there,

0:57:49.760 --> 0:57:51.080
<v Speaker 3>you know, if you have to work at it a

0:57:51.120 --> 0:57:54.040
<v Speaker 3>little bit. Most of most sites that are flat are

0:57:54.520 --> 0:57:57.840
<v Speaker 3>walkable by virtue of the fact that they're flat. But

0:57:57.920 --> 0:58:01.200
<v Speaker 3>the more interesting sites often have a couple of climbs

0:58:01.200 --> 0:58:04.000
<v Speaker 3>and things like that. So you have to figure out

0:58:04.080 --> 0:58:08.040
<v Speaker 3>you climbing while you're playing golf, are you climbing in

0:58:08.160 --> 0:58:11.280
<v Speaker 3>between playing golf? And when you can get those climbs

0:58:11.320 --> 0:58:14.960
<v Speaker 3>like Tom's talking about while you're playing golf, it's better

0:58:15.000 --> 0:58:18.160
<v Speaker 3>because you don't notice it as much. You're still doing

0:58:18.200 --> 0:58:20.520
<v Speaker 3>as much physical effort as you need to to get

0:58:20.560 --> 0:58:22.640
<v Speaker 3>from point A to point B, but your ball's in

0:58:22.720 --> 0:58:25.880
<v Speaker 3>play and that presents differently to a golfer than it

0:58:25.880 --> 0:58:27.680
<v Speaker 3>does when it's in your pocket and you're on your

0:58:27.680 --> 0:58:30.000
<v Speaker 3>way to the next tee. And I think that's one

0:58:30.000 --> 0:58:33.400
<v Speaker 3>of the high level things that we have learned from

0:58:33.400 --> 0:58:37.000
<v Speaker 3>Tom and work really hard on. Is it isn't routing.

0:58:37.040 --> 0:58:40.880
<v Speaker 3>Isn't just the tee, the landing area and the green.

0:58:41.440 --> 0:58:46.680
<v Speaker 3>It's how the holes relate to each other, the proximity

0:58:46.720 --> 0:58:49.680
<v Speaker 3>of the green to the next tee, to the back

0:58:49.720 --> 0:58:51.760
<v Speaker 3>t to the forwardeen, you know, trying to get them

0:58:51.800 --> 0:58:54.320
<v Speaker 3>to fit together so they're intimate and close but in

0:58:54.320 --> 0:58:58.120
<v Speaker 3>a way that's safe and interesting at the same time.

0:58:58.480 --> 0:59:01.520
<v Speaker 3>And that it's a lot of work too, you know,

0:59:01.600 --> 0:59:06.120
<v Speaker 3>there's there's and you figure that out during construction where

0:59:06.120 --> 0:59:09.480
<v Speaker 3>Tom spends so much time in walking and looking around

0:59:09.560 --> 0:59:14.280
<v Speaker 3>and getting all those things as intimate as possible, but

0:59:14.440 --> 0:59:17.840
<v Speaker 3>doing it in a safe and thoughtful way. And that's

0:59:17.960 --> 0:59:19.560
<v Speaker 3>there's a lot of artwork there too.

0:59:19.480 --> 0:59:22.800
<v Speaker 2>Don't you think, Hey, well, there's there's two things in

0:59:22.880 --> 0:59:25.840
<v Speaker 2>modern golf that have that have made that a lot

0:59:25.880 --> 0:59:30.080
<v Speaker 2>harder for most architects on most courses. One is if

0:59:30.080 --> 0:59:32.200
<v Speaker 2>you're trying to get to seventy two hundred yards of

0:59:32.280 --> 0:59:36.320
<v Speaker 2>the back or seventy five hundred or whatever. And you know,

0:59:36.800 --> 0:59:40.080
<v Speaker 2>I mean we're still building most courses for you know,

0:59:40.120 --> 0:59:42.400
<v Speaker 2>the white teas are sixty five hundred yards plus or

0:59:42.440 --> 0:59:45.440
<v Speaker 2>minds sixty two hundred, sixty five hundred. You know, the

0:59:45.520 --> 0:59:48.240
<v Speaker 2>further from the from that tee to the back tee,

0:59:48.680 --> 0:59:51.480
<v Speaker 2>the harder it is to get both of them close

0:59:51.520 --> 0:59:54.760
<v Speaker 2>to the last screen. It just doesn't work. So you know,

0:59:54.840 --> 0:59:57.000
<v Speaker 2>if you're thinking about the back tea first, which a

0:59:57.000 --> 1:00:02.400
<v Speaker 2>lot of good players who are designers do, then every

1:00:02.440 --> 1:00:04.680
<v Speaker 2>hole is an eighty or one hundred yard walk from

1:00:04.680 --> 1:00:07.200
<v Speaker 2>the green to the middle tee where most people are playing.

1:00:08.080 --> 1:00:11.360
<v Speaker 2>And if you're thinking about the middle tea and getting

1:00:11.360 --> 1:00:14.800
<v Speaker 2>that close, then the further you have to go back,

1:00:14.840 --> 1:00:17.840
<v Speaker 2>the harder it is to find an angle where it's safe.

1:00:18.360 --> 1:00:21.320
<v Speaker 2>You know, you can't, you can't do what Saint Andrews

1:00:21.320 --> 1:00:24.280
<v Speaker 2>does and just go back right alongside the previous fairway.

1:00:24.760 --> 1:00:27.520
<v Speaker 2>You know that if people were playing there on a

1:00:27.560 --> 1:00:31.760
<v Speaker 2>busy every busy day from the Open Championship tease, people

1:00:31.760 --> 1:00:34.080
<v Speaker 2>would get killed every day because the back teas are

1:00:34.120 --> 1:00:37.560
<v Speaker 2>like fifty sixty eighty yards short of the green on

1:00:37.600 --> 1:00:40.800
<v Speaker 2>the right, the whole way around, right where every average

1:00:40.840 --> 1:00:46.280
<v Speaker 2>player loses their second shot to the green. So you know,

1:00:46.840 --> 1:00:48.680
<v Speaker 2>the longer you try to make the golf course from

1:00:48.720 --> 1:00:51.200
<v Speaker 2>the back tees, the harder it is to get the

1:00:51.320 --> 1:00:54.280
<v Speaker 2>intimacy right. And then and then the other one is

1:00:54.320 --> 1:00:56.840
<v Speaker 2>cart passed. You know, once you assume that people are

1:00:56.840 --> 1:00:59.080
<v Speaker 2>going to be in cart then you really don't care

1:00:59.200 --> 1:01:03.760
<v Speaker 2>whether they're close together or not. It doesn't make you

1:01:03.760 --> 1:01:07.840
<v Speaker 2>put them far apart, but when you stop paying attention

1:01:07.920 --> 1:01:10.360
<v Speaker 2>to whether they're close together or not, you lose the

1:01:10.400 --> 1:01:11.160
<v Speaker 2>thread entirely.

1:01:12.520 --> 1:01:15.920
<v Speaker 1>I imagine. Maintenance is another thing that goes into it

1:01:15.960 --> 1:01:18.680
<v Speaker 1>a little bit, in the sense of if the greens

1:01:18.720 --> 1:01:23.000
<v Speaker 1>are close by, it's it's less gas, easier, faster to maintain,

1:01:23.400 --> 1:01:26.840
<v Speaker 1>easier to mow greens, or you know, does it does

1:01:26.880 --> 1:01:28.560
<v Speaker 1>that play a role in routing at all?

1:01:29.560 --> 1:01:32.560
<v Speaker 2>A little Maybe not as much as you're thinking there,

1:01:32.600 --> 1:01:39.400
<v Speaker 2>but yeah, I mean, you know, for maintenance, the old

1:01:39.440 --> 1:01:43.400
<v Speaker 2>style courses were you know, you've got a bunch of

1:01:43.440 --> 1:01:46.320
<v Speaker 2>parallel holes and you can mow green you don't necessarily

1:01:46.320 --> 1:01:49.480
<v Speaker 2>mow all the greens in order, because it's because it's

1:01:49.600 --> 1:01:53.040
<v Speaker 2>it's much faster to hop from this green across the

1:01:53.040 --> 1:01:55.080
<v Speaker 2>next tee to the green that's coming back the other

1:01:55.080 --> 1:01:57.800
<v Speaker 2>way two holes later, and you just there's a you know,

1:01:57.840 --> 1:02:00.760
<v Speaker 2>you can get around much quicker. Where As you know,

1:02:00.800 --> 1:02:04.520
<v Speaker 2>the modern courses that are all stretched out and every

1:02:04.520 --> 1:02:07.440
<v Speaker 2>hole is a beautiful view. You pretty much have to

1:02:07.520 --> 1:02:10.680
<v Speaker 2>maintain the golf course in the order that you play it,

1:02:10.760 --> 1:02:13.240
<v Speaker 2>and so the mainest guys are going all the way

1:02:13.240 --> 1:02:15.520
<v Speaker 2>around the golf course every day to get it done.

1:02:15.440 --> 1:02:18.680
<v Speaker 1>Yeah, I was thinking about Mackenzie and how he'd have

1:02:18.800 --> 1:02:22.120
<v Speaker 1>like five greens all within like sure if he drew

1:02:22.160 --> 1:02:23.880
<v Speaker 1>a four hundred yard circle, there'd be.

1:02:24.040 --> 1:02:26.240
<v Speaker 2>I was just I was just at the Valley Club

1:02:26.280 --> 1:02:30.040
<v Speaker 2>the other day. You know, they had a flood event.

1:02:30.200 --> 1:02:33.160
<v Speaker 2>They're a month ago, and they were trying to put

1:02:33.160 --> 1:02:36.720
<v Speaker 2>the pieces back together. That five feet of mud come

1:02:36.760 --> 1:02:39.240
<v Speaker 2>across one of the greens. But that course, there's a

1:02:39.280 --> 1:02:43.000
<v Speaker 2>couple of little hills that he just maxed out as

1:02:43.040 --> 1:02:45.200
<v Speaker 2>many holes as you could possibly get around him. So

1:02:45.240 --> 1:02:47.480
<v Speaker 2>this there's this one hill in the middle of the

1:02:47.480 --> 1:02:51.000
<v Speaker 2>property that the third green sits right into the foot

1:02:51.000 --> 1:02:53.360
<v Speaker 2>of it. The fourth t is elevated, play on off it,

1:02:53.760 --> 1:02:56.480
<v Speaker 2>fifth hole plays past it, seventh hole comes back to

1:02:56.520 --> 1:02:58.680
<v Speaker 2>the foot of it, the eighth tea is on it,

1:02:59.200 --> 1:03:01.000
<v Speaker 2>the tenth green comes up to the foot of it,

1:03:01.040 --> 1:03:03.040
<v Speaker 2>and the eleventh tea is on it. So three of

1:03:03.160 --> 1:03:05.880
<v Speaker 2>the four Part three is the tea is on that hill.

1:03:06.560 --> 1:03:09.840
<v Speaker 1>You've been listening to the fried Egg podcast, we do

1:03:09.920 --> 1:03:11.080
<v Speaker 1>the digging for you.