WEBVTT - Katie Lowes & Guillermo Díaz

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<v Speaker 1>How was that filming together? It was that fun as hell.

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<v Speaker 1>It was so much fun. I say that about nobody else.

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<v Speaker 1>By the way, the times on the show that I

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<v Speaker 1>got to torture people or have crazy like on camera

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<v Speaker 1>sex with Quinn were the most fun ever. You know

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<v Speaker 1>what it means real. Debbie Allen directed the first episode

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<v Speaker 1>where we had to I smack your face, then you

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<v Speaker 1>grab my cheeks so that I can't speak. You're like

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<v Speaker 1>hurting my face and oh I smacked him so hard

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<v Speaker 1>his ears was ringing. It was all my earing for

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<v Speaker 1>like half an hour. I've talked about this on other shows,

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<v Speaker 1>but I was like, Katie, smack me for real, like

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<v Speaker 1>do it for real, for real? And then I was like,

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<v Speaker 1>what did you say, Debbie? Like I couldn't hear. Hi.

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<v Speaker 1>My name is Katie Lows and I really liked this podcast.

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<v Speaker 1>Hi guys, my name is Giermo Diaz and I just

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<v Speaker 1>watched a rat run across my backyard twice. Well, hello everyone,

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<v Speaker 1>and welcome back here to Off the Beat. I am

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<v Speaker 1>your host, Brian Baumgartner, and today is a very special

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<v Speaker 1>day because today we have not one, but two exciting guests.

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<v Speaker 1>That's right, it's a threesome Katie Lowe's and Guillermo Diaz. Now.

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<v Speaker 1>I met Katie and Guermo for the first time today,

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<v Speaker 1>but they met a decade ago on the set of Scandal,

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<v Speaker 1>one of the most popular shows well, certainly in the

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<v Speaker 1>last decade, and for good reason. It has politics, it

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<v Speaker 1>has drama, but most of all, it has Katie and Guermo.

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<v Speaker 1>Now they're actually starting their own Scandal podcast called Unpacking

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<v Speaker 1>the Toolbox. I've heard the trailer and it is fantastic.

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<v Speaker 1>Lots of scandal, but that's expected. They're here today to

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<v Speaker 1>talk about their early days as actors struggling in New York,

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<v Speaker 1>their time on Scandal, what it means to be a

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<v Speaker 1>part of the Shondaland universe, and both of their most

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<v Speaker 1>recent shows, Law and Order Organized Crime for Guillermo and

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<v Speaker 1>the most talked about show of the last year, Inventing

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<v Speaker 1>Anna for Katie. They're delightful together. I didn't even need

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<v Speaker 1>to be here, but guess what I was. So here

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<v Speaker 1>they are Katie Lowe's and Guillermo Diaz. Bubbalue, I love it,

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<v Speaker 1>Bubble Bubble and squee Cook get every more from the nut. Hi, guys,

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<v Speaker 1>how are you good? How are you. I'm good. I mean,

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<v Speaker 1>you know I'm lurking in the background, so I hear.

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<v Speaker 1>I mean, we should keep the conversation going. Arm You're

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<v Speaker 1>going to Vegas this weekend. That's fantastic. I am No,

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<v Speaker 1>You're not like a Vegas dude to me, but like maybe,

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<v Speaker 1>And I'm always learning new things from this friendship. Yeah.

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<v Speaker 1>I love Vegas. I really love it. I mean I

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<v Speaker 1>can't go for more than like two days, you know

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<v Speaker 1>what I mean. But I'm excited. We're gonna see the

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<v Speaker 1>Michael Jackson show out there. Oh it's so good. I

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<v Speaker 1>saw it. I did. Oh nice. Yeah, I'm super excited

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<v Speaker 1>about that. Saw it. And you know what's so funny?

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<v Speaker 1>Did you guys watch the Chris Rock special? Yes? I

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<v Speaker 1>haven't seen it, but I've heard about it. Yes. It

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<v Speaker 1>got me thinking because he was saying how like people

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<v Speaker 1>are selectively outraged out or outrage and He's like, why

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<v Speaker 1>are we allowed to watch Michael listen to Michael Jackson

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<v Speaker 1>but we're not allowed to listen to R Kelly? Do

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<v Speaker 1>you know what I mean? Like, anyway, whatever you feel

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<v Speaker 1>about that, I'm not trying to be provocative right now,

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<v Speaker 1>but I'm like, I'm trying to ask You're trying to

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<v Speaker 1>be provocative, but ask that question in myself because I've

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<v Speaker 1>seen the Michael Jackson Show and I love Michael Jackson music,

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<v Speaker 1>and then I and I know what he's done, and

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<v Speaker 1>then I would never see a musical about R Kelly. No.

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<v Speaker 1>So I just, yeah, I don't know what's happening in

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<v Speaker 1>my brain. Yeah, it's crazy that he presented that. And

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<v Speaker 1>then it makes you, it really makes you think, yeah, yeah,

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<v Speaker 1>and like everybody's different what they feel, because I have

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<v Speaker 1>friends who are like, we'll walk off a dancelor of

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<v Speaker 1>Michael Jackson comes on really one hundred percent, like they

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<v Speaker 1>are like, absolutely not. I don't endorse support any of

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<v Speaker 1>this music. This person was incredibly sick and and just

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<v Speaker 1>broke laws and hurt people and children, and so I'm

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<v Speaker 1>out and I'm like, fuck, I'm a bad person. I'm

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<v Speaker 1>just like doing the moonwalk like my best impression in

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<v Speaker 1>the I mean, Gammo, this sounds like kind of an

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<v Speaker 1>indictment of you. How are you feeling right now about

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<v Speaker 1>to go to Vegas and watch the show. Oh my god,

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<v Speaker 1>that's right? What the fuck? Man? Well, I've seen it

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<v Speaker 1>and was just saying I was endorsing it because I

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<v Speaker 1>loved it amazing. Um, you guys, I mean I have

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<v Speaker 1>to start with what is secretly wrong with Bellamy Young.

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<v Speaker 1>I just had the opportunity to work with her. She

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<v Speaker 1>seems way too kind a person. There must be something

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<v Speaker 1>work with her on. We're working on a new show,

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<v Speaker 1>The Other Black Girl for Hulu. Yes, I find her

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<v Speaker 1>way too delightful, So there must be something wrong with her,

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<v Speaker 1>there is it? There is your hate a vegan unless

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<v Speaker 1>you hate vegans or you hate animal lovers. Those would

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<v Speaker 1>be the only things to check. She loves animals and

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<v Speaker 1>she doesn't eat them. Okay. Other than that, she's pretty

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<v Speaker 1>gloriously perfect. Yeah, but you're you're feeling, you're thinking is

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<v Speaker 1>correct because when I first met her, I thought the

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<v Speaker 1>same too. I was like, this is a way too

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<v Speaker 1>like is this real? And then you come to find

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<v Speaker 1>out years later that she's that exact same person every

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<v Speaker 1>single day with you, and she's just she has the

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<v Speaker 1>biggest heart and the most loving kind person. I know

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<v Speaker 1>she really is, but she is. She's pretty fantastic. She's

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<v Speaker 1>pretty fantastic. She's exceptional. Also, it's like disarming, like I

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<v Speaker 1>don't know where you're from. Originally Brian, but I don't know,

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<v Speaker 1>like a lot of like Southern bells, like say she's

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<v Speaker 1>belly but okay, so she's like I was like, the

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<v Speaker 1>what the hell is this? Like I'm from New York.

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<v Speaker 1>I've never met women that are like that, Like like

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<v Speaker 1>she's very Oh god, Josh Milenet used to drive him

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<v Speaker 1>so crazy on Scandal because she's a big hugger and

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<v Speaker 1>kiss her and very warm. But she also she's just

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<v Speaker 1>the person on our WhatsApp like Scandal change. She knows

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<v Speaker 1>everybody's birthday, everybody's anniversary, and it is like so conscious

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<v Speaker 1>about that. It's like pretty remarkable. Is that a Southern

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<v Speaker 1>thing you're from there, Brian? Is that a Southern woman thing? Um?

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<v Speaker 1>I mean my mom does that, so I guess yes, yeah.

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<v Speaker 1>I mean it's blue Mountain cards generally, blue Mountain messages.

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<v Speaker 1>Generally it's those from my aunt Maureen. What are those?

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<v Speaker 1>That's a blue Mountain message? I don't know what that is.

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<v Speaker 1>It's a it's basically I mean, it's still a kind gesture,

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<v Speaker 1>which I guess. I guess it's more effort than just

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<v Speaker 1>a text, if that's what Bellamy does. But it is

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<v Speaker 1>a virtual card that you open usually has some sort

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<v Speaker 1>of dancing flower flower yes, and it says like wishing

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<v Speaker 1>you a great day. It's like an e card. But

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<v Speaker 1>the company is called Blue Mountain, and I that is

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<v Speaker 1>classic in my family as well. Yes, all right, I

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<v Speaker 1>want to go back to your childhood. I want to

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<v Speaker 1>go back to your time growing up, both of you,

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<v Speaker 1>each of you. When did you start becoming interested in

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<v Speaker 1>the arts? Are acting? Gee, Guillermo? For me, it happened

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<v Speaker 1>when I was in high school. I was a sophomore

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<v Speaker 1>in high school and I did a talent show where

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<v Speaker 1>we did a medley of songs by the Beastie Boys

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<v Speaker 1>and I played Mike d And it was the first

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<v Speaker 1>time I was on stage, and I just fell in

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<v Speaker 1>love with performing, and I thought, this is what I

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<v Speaker 1>want to do. And then from that point on, I

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<v Speaker 1>just really really focused on pursuing it. I bought Backstage.

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<v Speaker 1>There used to be a newspaper called Backstage, and you know,

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<v Speaker 1>you circle the auditions and open calls and all that stuff.

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<v Speaker 1>I did a ton of extra work and background work

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<v Speaker 1>and do it in films, and I just I really

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<v Speaker 1>just wanted to act, and I pounded the pavement and

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<v Speaker 1>I just I you know, and I just kept going.

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<v Speaker 1>So that's that's how it started for me. But let

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<v Speaker 1>me ask you this, so you can You're on a

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<v Speaker 1>talent show stage as the Beastie Boys, Like, what was

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<v Speaker 1>the impetus behind wanting to do that? Or? Right? You

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<v Speaker 1>just kind of conned by your friends into doing this somewhat.

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<v Speaker 1>I didn't even I didn't even want to be in

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<v Speaker 1>the Talent show. But one of the guys dropped out

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<v Speaker 1>that was playing Mike d and my friends were like, Garamo,

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<v Speaker 1>you please just do this for us, do as this

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<v Speaker 1>solid And I was like, all right, And that's sort

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<v Speaker 1>of how it happened. So I wasn't even looking for it.

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<v Speaker 1>I wasn't even thinking about, you know, wanting to do

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<v Speaker 1>the Talent show. It just sort of fell in my lap.

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<v Speaker 1>And then it was it was a you know, really

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<v Speaker 1>exciting surprise that I that I loved it so much?

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<v Speaker 1>Did you kill? It? Was the audience, like in the pod,

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<v Speaker 1>I have it, I have it, it's recorded, like I

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<v Speaker 1>have it, I have it on tape. Yeah it's on

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<v Speaker 1>a VHS. Yeah, well but you haven't changed it over yet. Yeah,

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<v Speaker 1>you got to change it over. You haven't to an

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<v Speaker 1>electronic file. Let me tell you something, Gearmo, Oh my god,

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<v Speaker 1>you can't. This is not going to survive. If you've

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<v Speaker 1>moved from it might be messed up to New York compartment.

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<v Speaker 1>This is gonna get you know, damaged in some way.

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<v Speaker 1>I know, I know, I really, I'm going to transfer

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<v Speaker 1>it over. There's there's a photo on my Instagram of

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<v Speaker 1>us three dressed like the Beastie Boys from that night.

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<v Speaker 1>If you scroll through on my Instagram, there's a photo

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<v Speaker 1>your life and then and then years later. Fun fact,

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<v Speaker 1>years later, I did a movie called Half Baked and

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<v Speaker 1>Tamer Davis directed it, and she I couldn't believe that

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<v Speaker 1>she was married to Mike d And I got to

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<v Speaker 1>tell this story to Mike d into, Tama Davis and too,

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<v Speaker 1>Dave Chappelle, and that's amazing. Yeah, you have said in

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<v Speaker 1>the past that hiding the fact that you were gay

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<v Speaker 1>growing up gave you a crash course in acting. Can

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<v Speaker 1>you can you talk to me a little bit about

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<v Speaker 1>that or why you feel that way it did? Man?

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<v Speaker 1>You know, when you're when you're growing up in in

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<v Speaker 1>in New York City and Washington Heights in the eighties,

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<v Speaker 1>you know, we I did a lot of lying a

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<v Speaker 1>lot of lying, a lot of hiding, a lot of

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<v Speaker 1>you know, just suppressing all all things gay that I

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<v Speaker 1>knew I was, and and it really does it makes

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<v Speaker 1>you It made me a really good actor because I,

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<v Speaker 1>you know, I just sort of, you know, rolled along

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<v Speaker 1>throughout my world acting like I wasn't gay, and it

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<v Speaker 1>just sort of helped my acting. And it's sort of

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<v Speaker 1>a messed up thing to think about, you know what

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<v Speaker 1>I mean, because I was I was hurting inside in

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<v Speaker 1>the fact that I was hiding and lying to my parents,

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<v Speaker 1>to friends like that was all really sad to me,

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<v Speaker 1>but it was it was a performance I had to

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<v Speaker 1>keep keep doing and keep up if I wanted to

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<v Speaker 1>sort of you know, survive for lack of a better word,

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<v Speaker 1>and you know where I grew up, you know. I

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<v Speaker 1>also think it sort of relates so much to like

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<v Speaker 1>Gammo's had the most incredible run of playing so many

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<v Speaker 1>different types of parts. But you've played a lot of

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<v Speaker 1>like super tough, fucked up, like jail con you know,

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<v Speaker 1>drug dealers, all this stuff, And I feel like it's

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<v Speaker 1>so authentic because it's probably taps into you covering growing

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<v Speaker 1>up in like a tougher neighborhood, and you know, pretending

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<v Speaker 1>to be like a really tough kind of exterior person. Absolutely. Yeah,

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<v Speaker 1>And you've played gay characters in your in your career also.

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<v Speaker 1>But but I just think you're you're really good with

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<v Speaker 1>a gun. You've done so much gun work. You've done

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<v Speaker 1>so much, so much work. Can somebody pull that for

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<v Speaker 1>the tape? Can somebody pull that for the tape? You've

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<v Speaker 1>done a lot of gun gun work. Yeah, that's that's yeah. Um.

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<v Speaker 1>But you've also every time you're in like a jail suit, like,

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<v Speaker 1>haven't you been? Because I've been convent a few times

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<v Speaker 1>and you're like, this is my fifties. Yeah a million times. Yes,

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<v Speaker 1>I've done law and order like five six times, and

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<v Speaker 1>you know, five out of the six I've been a

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<v Speaker 1>convict in a in an orange jumpsuit. We neither murdered

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<v Speaker 1>someone or raped someone or yeah me pedophile, Brian. Our

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<v Speaker 1>right is our rite of passage is doing law and

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<v Speaker 1>order if you're especially in New York, right, that is

0:13:28.800 --> 0:13:32.160
<v Speaker 1>a rite of path. Yeah, it really is. Uh, Katie,

0:13:32.160 --> 0:13:34.840
<v Speaker 1>what about you? When did you start thinking this was

0:13:34.880 --> 0:13:37.720
<v Speaker 1>your path? Oh? My god, damn it. I got the

0:13:37.760 --> 0:13:41.000
<v Speaker 1>bug like very early. I just always was one of

0:13:41.000 --> 0:13:44.360
<v Speaker 1>those you could probably tell annoying little girls who was

0:13:44.440 --> 0:13:49.520
<v Speaker 1>just looking for attention and applause, and my parents probably

0:13:49.679 --> 0:13:51.880
<v Speaker 1>messed up the other direction, telling me that I was

0:13:52.040 --> 0:13:57.800
<v Speaker 1>special too often. But in all honest you, my mom

0:13:57.920 --> 0:14:01.360
<v Speaker 1>like always danced as her like workout, like I grew

0:14:01.440 --> 0:14:04.160
<v Speaker 1>up in Queens and my mom was a mover, like

0:14:04.200 --> 0:14:06.320
<v Speaker 1>she just she's a yoga teacher now, but she just

0:14:06.320 --> 0:14:08.240
<v Speaker 1>was always a mover. So we were always in like

0:14:08.720 --> 0:14:12.040
<v Speaker 1>mommy daughter dance class on Thursdays at like five, and

0:14:12.920 --> 0:14:15.760
<v Speaker 1>I just remember being in little like recitals when I

0:14:15.840 --> 0:14:18.880
<v Speaker 1>was three, four, five, six, seven, And you know, then

0:14:18.960 --> 0:14:21.800
<v Speaker 1>in fourth grade, I got Dorothy and the Wizard of Oz.

0:14:21.800 --> 0:14:25.600
<v Speaker 1>Like it just was never I never questioned. When I

0:14:25.640 --> 0:14:28.320
<v Speaker 1>was twelve. I grew up right outside the city and

0:14:28.320 --> 0:14:30.840
<v Speaker 1>I remember screaming, crying, begging my dad for an agent.

0:14:30.960 --> 0:14:35.800
<v Speaker 1>He was like ab so that, like he was like

0:14:35.960 --> 0:14:38.680
<v Speaker 1>absolutely not. If you want to do the school plays

0:14:38.720 --> 0:14:41.280
<v Speaker 1>and you know, community theater and you want to go

0:14:41.360 --> 0:14:44.320
<v Speaker 1>to dance class, I will support that wholeheartedly. And even

0:14:44.320 --> 0:14:46.080
<v Speaker 1>if you decide to major in it and go to

0:14:46.200 --> 0:14:49.400
<v Speaker 1>school for it, I will also support that, which at

0:14:49.440 --> 0:14:51.440
<v Speaker 1>the time I didn't realize what a gift. That was

0:14:52.200 --> 0:14:54.280
<v Speaker 1>until I ended up going to school and realized how

0:14:54.280 --> 0:14:57.280
<v Speaker 1>many kids. Parents were like, there's no way. But by

0:14:57.320 --> 0:14:58.640
<v Speaker 1>the way, now that I have kids, I'm like they

0:14:58.640 --> 0:15:02.960
<v Speaker 1>weren't wrong, but anyway, But but my dad was like,

0:15:03.000 --> 0:15:06.240
<v Speaker 1>there's no way you're doing anything professional until you decide

0:15:06.280 --> 0:15:08.880
<v Speaker 1>as an adult that that's the path you want to follow.

0:15:09.000 --> 0:15:11.000
<v Speaker 1>But like, you're going to be a regular kid. And

0:15:12.040 --> 0:15:15.520
<v Speaker 1>so I did every little role from chorus to this that,

0:15:15.600 --> 0:15:18.040
<v Speaker 1>and then when I started doing it professionally, I was like,

0:15:18.040 --> 0:15:21.760
<v Speaker 1>oh my god, this sucks. This is so hard. Like

0:15:22.520 --> 0:15:25.440
<v Speaker 1>I didn't realize like I had always been such the

0:15:25.440 --> 0:15:27.680
<v Speaker 1>goody two shoe people. Please are like the best in

0:15:27.720 --> 0:15:29.840
<v Speaker 1>my class. Get the monologue, this, that and the other thing.

0:15:29.880 --> 0:15:33.320
<v Speaker 1>And then it was like record scratch stop. At like

0:15:33.400 --> 0:15:36.560
<v Speaker 1>twenty one, it was like, you're never working. You're going

0:15:36.600 --> 0:15:39.200
<v Speaker 1>to be a waitress for a decade. You are going

0:15:39.280 --> 0:15:43.160
<v Speaker 1>to fucking fight for this tooth and nail, and you

0:15:43.200 --> 0:15:46.400
<v Speaker 1>will work harder than you've ever worked for this dream

0:15:46.440 --> 0:15:49.240
<v Speaker 1>that a lot of other people have. And it took

0:15:49.880 --> 0:15:53.560
<v Speaker 1>ten years before and also probably fifteen auditions in front

0:15:53.560 --> 0:15:57.000
<v Speaker 1>of Seanna Rhymes. Although she'll say to you I Katie

0:15:57.040 --> 0:15:58.920
<v Speaker 1>just came in. No, no, no, that was like my

0:16:01.200 --> 0:16:03.160
<v Speaker 1>I had been on private Practice, I had been on Grays,

0:16:03.200 --> 0:16:04.960
<v Speaker 1>I had done all of it. I had tested for

0:16:05.040 --> 0:16:08.320
<v Speaker 1>her previous shows. But Scandal was really the thing where

0:16:08.360 --> 0:16:11.400
<v Speaker 1>I was like, Oh, I can stop my side hustle.

0:16:11.720 --> 0:16:13.520
<v Speaker 1>I don't have to nanny, I don't have to be

0:16:13.560 --> 0:16:15.640
<v Speaker 1>a personal assistant. I don't have to be a fucking

0:16:15.720 --> 0:16:19.880
<v Speaker 1>caterer all of these things right. Meanwhile, my parents were

0:16:19.920 --> 0:16:24.280
<v Speaker 1>just always very supportive but felt, I think, really nervous,

0:16:24.320 --> 0:16:26.520
<v Speaker 1>Like I remember being twenty eight and like fighting for

0:16:26.560 --> 0:16:29.520
<v Speaker 1>health insurance and you know, driving my rent a wreck

0:16:29.600 --> 0:16:32.640
<v Speaker 1>around in Los Angeles looking at my Thomas guide of

0:16:32.640 --> 0:16:35.080
<v Speaker 1>how to get to my third rejection of the day,

0:16:35.120 --> 0:16:37.680
<v Speaker 1>and my parents were like, I don't know how long

0:16:38.840 --> 0:16:41.720
<v Speaker 1>this is going to go. And to be honest, I

0:16:41.720 --> 0:16:44.520
<v Speaker 1>don't know if I got I respect so many I

0:16:44.560 --> 0:16:48.120
<v Speaker 1>have wonderfully talented friends in their forties and fifties who

0:16:48.120 --> 0:16:50.160
<v Speaker 1>are still fighting that fight, and I don't know if

0:16:50.160 --> 0:16:51.760
<v Speaker 1>I would have had it in me. I don't know.

0:16:52.360 --> 0:16:54.480
<v Speaker 1>I'd like to think so like I'm an artist and

0:16:54.520 --> 0:16:58.920
<v Speaker 1>an actor through and through, but man, that sucked. Yeah,

0:16:58.960 --> 0:17:03.120
<v Speaker 1>it's tough. It's really tough. But in terms of your path,

0:17:03.280 --> 0:17:05.600
<v Speaker 1>you decided to go to TISH. I assume that's what

0:17:05.640 --> 0:17:09.000
<v Speaker 1>you're referring to and your parents supporting you, Yeah, through Tish.

0:17:09.080 --> 0:17:13.320
<v Speaker 1>Don't believe that were you process based at that point

0:17:13.680 --> 0:17:17.679
<v Speaker 1>or were you or was it about the business? I

0:17:17.800 --> 0:17:20.639
<v Speaker 1>was not about the business at all. I was the

0:17:20.720 --> 0:17:24.360
<v Speaker 1>weird experimental theater wing like rolling around on the floor

0:17:24.400 --> 0:17:27.360
<v Speaker 1>working with like thinking I was making the greatest art

0:17:27.440 --> 0:17:30.800
<v Speaker 1>that's ever been created in the Tri State area. Like

0:17:31.680 --> 0:17:36.120
<v Speaker 1>everybody got body lice. It was awesome. Like we were

0:17:36.160 --> 0:17:40.560
<v Speaker 1>writing our names and permanent markers, holding umbrellas naked. It

0:17:40.640 --> 0:17:43.000
<v Speaker 1>was so crazy. Tish was so expensive and the best

0:17:43.040 --> 0:17:45.560
<v Speaker 1>thing they ever gave. They would be like, here's fifty bucks,

0:17:45.600 --> 0:17:47.480
<v Speaker 1>Like go make a play, Like you're lucky that we

0:17:47.560 --> 0:17:50.879
<v Speaker 1>gave you a little black box theater with forty seats,

0:17:50.880 --> 0:17:54.760
<v Speaker 1>and god did we make the most of it. I thought.

0:17:54.800 --> 0:17:57.520
<v Speaker 1>But my parents, who always loved that I did musicals,

0:17:57.520 --> 0:17:59.800
<v Speaker 1>they came to one of my first Tish plays where

0:17:59.840 --> 0:18:03.120
<v Speaker 1>I took my top off and someone had to masturbate

0:18:03.240 --> 0:18:06.480
<v Speaker 1>in the play, and I remember my parents sitting in

0:18:06.520 --> 0:18:10.480
<v Speaker 1>the front row being like, oh, my god, and it's

0:18:10.520 --> 0:18:12.600
<v Speaker 1>a great play. It's bay Rout like Mercytoma did it

0:18:12.640 --> 0:18:14.880
<v Speaker 1>off Broadway, like it's super legit, Like I'm not like

0:18:14.920 --> 0:18:17.679
<v Speaker 1>it was a fucking it's a great play. But they're like,

0:18:17.760 --> 0:18:21.359
<v Speaker 1>this is not Hello Dolly, what happened to Guys and

0:18:21.600 --> 0:18:25.879
<v Speaker 1>Dolls or Carousel or like Pirates and Pansans? And I

0:18:25.960 --> 0:18:28.520
<v Speaker 1>was like, um, mom, I am an artist. Now I

0:18:28.520 --> 0:18:32.840
<v Speaker 1>am a drama nature, this is drama. My boobs are

0:18:32.840 --> 0:18:35.360
<v Speaker 1>going to be out. Thank god the iPhone didn't exist then,

0:18:35.400 --> 0:18:39.320
<v Speaker 1>you know, thank god, thank god. I was just naked

0:18:39.320 --> 0:18:43.400
<v Speaker 1>all the time, all up on that stage, just naked naked.

0:18:45.880 --> 0:18:48.399
<v Speaker 1>Did you, guys, do you feel like growing up in

0:18:48.440 --> 0:18:54.880
<v Speaker 1>New York influenced you and your esthetic, your career paths,

0:18:55.000 --> 0:19:00.560
<v Speaker 1>your desire to create naked art. I think I think

0:19:00.600 --> 0:19:04.560
<v Speaker 1>growing up in New York certainly gave me an edge

0:19:04.840 --> 0:19:07.400
<v Speaker 1>that I, um, you know, at the time. I don't

0:19:07.440 --> 0:19:09.719
<v Speaker 1>know if I appreciated it as much at the time

0:19:10.320 --> 0:19:14.560
<v Speaker 1>as I do now. But similar to Katie, I joined

0:19:14.560 --> 0:19:17.240
<v Speaker 1>a theater company called Labyrinth. We did the same sort

0:19:17.240 --> 0:19:20.600
<v Speaker 1>of thing we would, you know, we had a sort

0:19:20.640 --> 0:19:24.240
<v Speaker 1>of a rundown space on fifty third Street between like

0:19:24.280 --> 0:19:27.800
<v Speaker 1>tenth and eleventh Avenue, and we would go backstage where

0:19:27.800 --> 0:19:30.520
<v Speaker 1>there were bags of old masks and costumes and we

0:19:30.520 --> 0:19:34.560
<v Speaker 1>would dress up and do kabuki makeup and then get

0:19:34.560 --> 0:19:37.160
<v Speaker 1>on the stage and perform and move however we wanted

0:19:37.160 --> 0:19:39.520
<v Speaker 1>to move. And and a lot of those artists are

0:19:39.520 --> 0:19:45.520
<v Speaker 1>like Daphne Rubin, Vega, David Zaya's, Philip symour Hoffman, John like,

0:19:45.680 --> 0:19:49.400
<v Speaker 1>it was all Stephen Dlee Gergiz who who is an

0:19:49.400 --> 0:19:52.800
<v Speaker 1>amazing playwright. And so this was the group of people

0:19:52.840 --> 0:19:55.280
<v Speaker 1>that I was rolling around just like U Katie on

0:19:55.320 --> 0:19:59.040
<v Speaker 1>this like you know, old like dusty stage. But it

0:19:59.440 --> 0:20:01.840
<v Speaker 1>and again we were we were in in New York

0:20:01.880 --> 0:20:04.320
<v Speaker 1>City in the early nineties doing this. So it was

0:20:04.480 --> 0:20:08.320
<v Speaker 1>you know, I remember going to the theater and being like, okay,

0:20:08.400 --> 0:20:10.080
<v Speaker 1>I hope I don't get mugged. I had to walk

0:20:10.080 --> 0:20:12.399
<v Speaker 1>really fast and I have to, you know, keep my

0:20:12.440 --> 0:20:14.240
<v Speaker 1>head down. And it was it was it was a

0:20:14.760 --> 0:20:17.200
<v Speaker 1>journey to the theater hoping you weren't going to get

0:20:17.280 --> 0:20:20.320
<v Speaker 1>jumped by someone at at nine point, which happened a

0:20:20.359 --> 0:20:22.879
<v Speaker 1>lot in New York. But but again that gave I

0:20:22.920 --> 0:20:25.280
<v Speaker 1>think that gave me a certain and all of us

0:20:25.400 --> 0:20:28.440
<v Speaker 1>in that group gave us a certain edge which I

0:20:28.480 --> 0:20:31.480
<v Speaker 1>love so much, and I move through, you know, the

0:20:31.520 --> 0:20:34.200
<v Speaker 1>rest of my career even now. I moved around in

0:20:34.240 --> 0:20:36.840
<v Speaker 1>the world with that inside me, and I love that.

0:20:55.080 --> 0:20:57.480
<v Speaker 1>When you get out of school and you start auditioning

0:20:57.480 --> 0:21:01.959
<v Speaker 1>for things, Guillermo for you struggles early on? Did you

0:21:02.000 --> 0:21:08.280
<v Speaker 1>find it? Um, Yes, you're not my God. Absolutely, it

0:21:08.359 --> 0:21:11.040
<v Speaker 1>was a you know, I mean, talking about it now,

0:21:11.080 --> 0:21:13.320
<v Speaker 1>it sounds like it was something that happened very quickly.

0:21:13.720 --> 0:21:16.200
<v Speaker 1>It took I think it took even longer than ten years.

0:21:16.240 --> 0:21:19.520
<v Speaker 1>For me. It was it was constantly pounding the pavement

0:21:19.560 --> 0:21:22.760
<v Speaker 1>and you know, dealing with rejection and again, like I

0:21:22.760 --> 0:21:25.200
<v Speaker 1>said earlier, doing I did a ton of extra work.

0:21:25.400 --> 0:21:28.200
<v Speaker 1>I was doing extra work on student films. That's how

0:21:28.240 --> 0:21:36.880
<v Speaker 1>fucking films on podcast did we curse? But yeah, that's

0:21:36.880 --> 0:21:39.719
<v Speaker 1>how That's how like down low I was. But you know,

0:21:39.760 --> 0:21:42.600
<v Speaker 1>with all that set, I loved it. I still loved it.

0:21:42.600 --> 0:21:46.560
<v Speaker 1>It was still so much fun and exciting and exhilarating

0:21:46.560 --> 0:21:48.520
<v Speaker 1>to be in front of the camera whenever I was

0:21:48.640 --> 0:21:51.640
<v Speaker 1>or on stage. But yeah, it was a constant, constant,

0:21:51.640 --> 0:21:54.280
<v Speaker 1>constant struggle. Even I mean, Katie, I think I'll agree

0:21:54.320 --> 0:21:57.760
<v Speaker 1>with me. Like even now, it's a constant struggle. Now

0:21:57.960 --> 0:22:02.720
<v Speaker 1>had three huge rejections last week. Oh god, I'm got it.

0:22:03.000 --> 0:22:06.360
<v Speaker 1>My god, I'm still doing this like yeah, I mean

0:22:06.560 --> 0:22:10.199
<v Speaker 1>just dragged over the coals for like a while just

0:22:10.280 --> 0:22:12.480
<v Speaker 1>to get like a big fat no at the end

0:22:12.480 --> 0:22:15.719
<v Speaker 1>of it all. It's like, oh my god, but you

0:22:15.760 --> 0:22:19.480
<v Speaker 1>know what I just I think you have to be

0:22:19.560 --> 0:22:23.040
<v Speaker 1>like I don't know. I don't want to say stupid,

0:22:23.640 --> 0:22:30.280
<v Speaker 1>that's not right. But there's some like faith, hope, naivete,

0:22:30.280 --> 0:22:32.680
<v Speaker 1>whatever it is to think that like this day is

0:22:32.680 --> 0:22:36.080
<v Speaker 1>going to be different, or this opportunity is going to

0:22:36.160 --> 0:22:38.960
<v Speaker 1>be different. It's different. Now, Yes, I think you're right,

0:22:39.440 --> 0:22:40.959
<v Speaker 1>Like there has to be something where it's like I

0:22:41.000 --> 0:22:44.919
<v Speaker 1>think someone might give me a shot, Like yeah, I

0:22:44.960 --> 0:22:47.280
<v Speaker 1>also think what we were asking before about the New

0:22:47.359 --> 0:22:49.880
<v Speaker 1>York edge. I remember moving to LA and being like,

0:22:50.520 --> 0:22:54.480
<v Speaker 1>is anybody doing anything? Like I remember like New York

0:22:55.040 --> 0:23:00.840
<v Speaker 1>you're at like you're early two things. You fight for

0:23:00.880 --> 0:23:03.320
<v Speaker 1>your place, like like if this is a contest of

0:23:03.320 --> 0:23:05.720
<v Speaker 1>like how hard you can work, Like I feel like

0:23:05.760 --> 0:23:09.440
<v Speaker 1>New Yorkers work pretty hard to get what they want,

0:23:09.600 --> 0:23:12.040
<v Speaker 1>you know. And I remember moving out to Los Angeles

0:23:12.080 --> 0:23:14.199
<v Speaker 1>and so many people were calling themselves actors, but they

0:23:14.200 --> 0:23:17.960
<v Speaker 1>weren't doing anything. Like I was like, Okay, I'm in class,

0:23:17.960 --> 0:23:19.320
<v Speaker 1>and then I go to waitressing the I'm gonna go

0:23:19.320 --> 0:23:20.960
<v Speaker 1>to babysitting and then I'm gonna try to meet this

0:23:21.000 --> 0:23:23.600
<v Speaker 1>person and then maybe this casting director will have lunch

0:23:23.640 --> 0:23:25.720
<v Speaker 1>with me, and then maybe they'll give me a babysitting job,

0:23:25.760 --> 0:23:27.240
<v Speaker 1>and then I'm gonna go back to acting class, and

0:23:27.240 --> 0:23:29.480
<v Speaker 1>then I'm gonna try to keep my body in mental

0:23:29.480 --> 0:23:32.040
<v Speaker 1>health and shape. Like I just remember like studying my

0:23:32.119 --> 0:23:34.920
<v Speaker 1>auditions and things like that, and I started a theater company,

0:23:34.960 --> 0:23:37.240
<v Speaker 1>and like you know, I was just like hustling, And

0:23:37.640 --> 0:23:39.720
<v Speaker 1>I feel like that always gave me such an edge

0:23:39.800 --> 0:23:42.320
<v Speaker 1>because there were so many people out in LA who

0:23:42.320 --> 0:23:47.160
<v Speaker 1>were just far more laid back and chill. I feel

0:23:47.160 --> 0:23:50.880
<v Speaker 1>like people in LA were all sort of hyper focused

0:23:50.920 --> 0:23:54.840
<v Speaker 1>on like a really great head shot. Yeah, like you know,

0:23:55.760 --> 0:23:59.280
<v Speaker 1>that sort of superficial type of stuff as opposed to

0:23:59.359 --> 0:24:03.360
<v Speaker 1>like really like finding work and working on monologues or

0:24:03.400 --> 0:24:05.359
<v Speaker 1>finding a you know what, theater to do a plan

0:24:05.640 --> 0:24:09.240
<v Speaker 1>or stuff like that. Yeah. But I think not just

0:24:09.400 --> 0:24:13.760
<v Speaker 1>in acting or theater, but in the world, in whatever

0:24:13.800 --> 0:24:18.240
<v Speaker 1>business that you're in, the amount of work outside of

0:24:18.320 --> 0:24:20.959
<v Speaker 1>doing the thing that you do to prepare you to

0:24:21.119 --> 0:24:24.199
<v Speaker 1>do the thing that you do is so important and

0:24:24.359 --> 0:24:28.120
<v Speaker 1>doesn't get enough credit. You hear the word lucky a lot,

0:24:28.359 --> 0:24:32.080
<v Speaker 1>or like right place at the right time, or you

0:24:32.280 --> 0:24:35.679
<v Speaker 1>met the right person or whatever. But I think all

0:24:35.720 --> 0:24:38.840
<v Speaker 1>of those things are a product of all of that

0:24:38.960 --> 0:24:42.920
<v Speaker 1>work that you're doing outside of the thing that you're

0:24:42.920 --> 0:24:47.639
<v Speaker 1>trying to do. I completely agree. Sometimes I'm like lucky

0:24:47.720 --> 0:24:49.240
<v Speaker 1>enough to go in and I like talk to a

0:24:49.320 --> 0:24:51.959
<v Speaker 1>little Like I said, I started a theater company like

0:24:53.000 --> 0:24:56.439
<v Speaker 1>sixteen years ago, and I go in sometimes to like

0:24:56.520 --> 0:24:59.520
<v Speaker 1>classrooms of like twenty like younger actors, and I'm like,

0:24:59.560 --> 0:25:01.840
<v Speaker 1>what are you you doing though? Like nine to If

0:25:01.880 --> 0:25:04.560
<v Speaker 1>this is your job, right and you're going to work

0:25:04.600 --> 0:25:06.680
<v Speaker 1>at least forty hours a week on this, you should more,

0:25:06.800 --> 0:25:09.520
<v Speaker 1>by the way, Like what does that mean if you

0:25:09.560 --> 0:25:11.920
<v Speaker 1>don't have someone paying you right now currently to act?

0:25:12.040 --> 0:25:14.600
<v Speaker 1>Like what are the hours filled with? And to me,

0:25:14.800 --> 0:25:19.800
<v Speaker 1>that's also like therapy walking all of that stuff. But

0:25:19.840 --> 0:25:23.000
<v Speaker 1>I'm like, this is such a mental physical game of

0:25:23.040 --> 0:25:28.640
<v Speaker 1>like longevity and stability and being able to when opportunity

0:25:28.720 --> 0:25:31.920
<v Speaker 1>does finally knock to be able to show up with

0:25:32.119 --> 0:25:34.800
<v Speaker 1>all of the work you've done on yourself and on

0:25:34.880 --> 0:25:37.920
<v Speaker 1>the an an acting itself, and you're ready to be there.

0:25:37.960 --> 0:25:41.600
<v Speaker 1>Because I have also seen people sabotage the shit out

0:25:41.600 --> 0:25:46.880
<v Speaker 1>of those opportunities, like badly because the outside stuff that

0:25:46.920 --> 0:25:51.320
<v Speaker 1>you work on was not there. I mean it's wild, yeah,

0:25:51.320 --> 0:25:53.440
<v Speaker 1>And I think, you know, I always you know, because

0:25:53.480 --> 0:25:56.440
<v Speaker 1>I did. I did theater for a number of years

0:25:56.440 --> 0:25:59.840
<v Speaker 1>and really thought that that was my path path. And

0:25:59.840 --> 0:26:03.080
<v Speaker 1>I say, now, when I moved to Los Angeles, I

0:26:03.119 --> 0:26:06.000
<v Speaker 1>was still an actor, but I felt like I changed

0:26:06.040 --> 0:26:13.320
<v Speaker 1>careers because for me, the business work outside, be it networking,

0:26:13.520 --> 0:26:17.520
<v Speaker 1>be it what's happening in the world of film and television,

0:26:17.800 --> 0:26:22.879
<v Speaker 1>is equally, if not more important than all of that stuff. Yep, No,

0:26:23.000 --> 0:26:25.880
<v Speaker 1>it's a big The business side of it is also huge.

0:26:25.880 --> 0:26:27.439
<v Speaker 1>I mean, oh my god, Like you said, some of

0:26:27.480 --> 0:26:31.159
<v Speaker 1>these greatest actors I went to school with didn't have

0:26:31.200 --> 0:26:34.520
<v Speaker 1>the business head or the business savvy of like how

0:26:34.720 --> 0:26:39.760
<v Speaker 1>to make a business of yourself and sell yourself. I

0:26:39.760 --> 0:26:42.440
<v Speaker 1>mean there's also all of that. I mean, it's it's

0:26:43.920 --> 0:26:47.800
<v Speaker 1>a lot. You've got to have a very odd combination

0:26:47.880 --> 0:26:51.200
<v Speaker 1>of like artists and artistry and at the same time

0:26:52.480 --> 0:26:55.919
<v Speaker 1>this business sense and this business savvy of how to

0:26:56.119 --> 0:26:59.600
<v Speaker 1>work it that's authentic and feels good to you. I mean,

0:26:59.640 --> 0:27:01.959
<v Speaker 1>I used to waitress at a restaurant, and bless her

0:27:02.000 --> 0:27:05.200
<v Speaker 1>when my best friends used to write her fucking website

0:27:05.200 --> 0:27:07.680
<v Speaker 1>with her reel on every check because we would wait

0:27:07.720 --> 0:27:12.199
<v Speaker 1>on Ryan Murphy and the creator of Batman, and Cullen

0:27:12.320 --> 0:27:15.720
<v Speaker 1>and Justin Timberlake, I mean a freaking everybody. This was

0:27:15.760 --> 0:27:19.760
<v Speaker 1>the power hour lunch spot, and that never felt authentic

0:27:19.800 --> 0:27:23.560
<v Speaker 1>to me, Like I just like I could talk and

0:27:23.560 --> 0:27:25.520
<v Speaker 1>and be like, hey, I just had an audition, you know,

0:27:25.560 --> 0:27:28.000
<v Speaker 1>like something barely that and I used to come home

0:27:28.000 --> 0:27:30.399
<v Speaker 1>and feel like shit that I was missing my opportunity.

0:27:30.560 --> 0:27:32.560
<v Speaker 1>And she totally got a job out of that. She

0:27:32.600 --> 0:27:36.040
<v Speaker 1>got a nine episode recurring part. I would have I

0:27:36.040 --> 0:27:40.480
<v Speaker 1>would have gone on that on that website. She's good.

0:27:40.680 --> 0:27:44.639
<v Speaker 1>She went to a fucking great actor. Um. She has

0:27:44.680 --> 0:27:48.119
<v Speaker 1>since now retired from the business, but at the time

0:27:48.240 --> 0:27:51.240
<v Speaker 1>she was totally hustling. And so that's what I mean

0:27:51.240 --> 0:27:52.639
<v Speaker 1>to say, Like, you have to figure out how to

0:27:52.680 --> 0:27:55.360
<v Speaker 1>work the business like in a way that feels good

0:27:55.400 --> 0:27:58.919
<v Speaker 1>to you. For example, I was a babysitter nanny for

0:27:59.040 --> 0:28:03.120
<v Speaker 1>two big asking directors who have both are two out

0:28:03.119 --> 0:28:06.120
<v Speaker 1>of the three only casting directors in Hollywood who repeatedly

0:28:06.200 --> 0:28:12.240
<v Speaker 1>hire me nobody else really honestly, Like, I've been babysitting

0:28:12.240 --> 0:28:15.320
<v Speaker 1>and they've been family for me for fifteen years. Yeah,

0:28:15.320 --> 0:28:17.720
<v Speaker 1>but they wouldn't continue hiring you if you could if

0:28:17.760 --> 0:28:22.240
<v Speaker 1>you didn't deliver. Well, I got the job, the whole team,

0:28:22.400 --> 0:28:25.479
<v Speaker 1>But they're the ones that are the gate caears like

0:28:25.520 --> 0:28:28.359
<v Speaker 1>they get me in there, but luckily you're really good.

0:28:28.560 --> 0:28:31.240
<v Speaker 1>Like if you suck, they would have been like, oh damn,

0:28:31.280 --> 0:28:33.480
<v Speaker 1>we got it. Shouldn't we bring her in again? She's

0:28:33.520 --> 0:28:36.160
<v Speaker 1>really bad, you know what I mean? Well, that could

0:28:36.160 --> 0:28:38.440
<v Speaker 1>work the other way too. It's like I don't want

0:28:38.440 --> 0:28:43.640
<v Speaker 1>to lose my babysitter. Yes, that's true, so you maybe

0:28:43.880 --> 0:28:47.560
<v Speaker 1>here's the key. Be really nice and respectful and appear

0:28:47.720 --> 0:28:51.600
<v Speaker 1>to be artistic and be kind of a shitty babysitting. Right.

0:28:55.240 --> 0:28:57.120
<v Speaker 1>I look back and I'm like, oh my god, I

0:28:57.160 --> 0:28:59.320
<v Speaker 1>used to be smoking cigarettes out of the car with

0:28:59.520 --> 0:29:01.120
<v Speaker 1>like fly it out as soon as I would like

0:29:01.120 --> 0:29:03.200
<v Speaker 1>pick her up from school and then I would take

0:29:03.200 --> 0:29:05.120
<v Speaker 1>her to the zoo or whatever. But have like the

0:29:05.240 --> 0:29:07.640
<v Speaker 1>dude I was dating, like, come meet me at the zoo,

0:29:07.720 --> 0:29:10.640
<v Speaker 1>so I would be like double tasking, like babysitting and

0:29:10.840 --> 0:29:15.360
<v Speaker 1>going on a date. I'm not kidding. This is news

0:29:15.400 --> 0:29:18.160
<v Speaker 1>to me. I love this story. Oh my god, I

0:29:18.280 --> 0:29:22.760
<v Speaker 1>was twenty four and such a idiot. Wow. But whatever,

0:29:22.880 --> 0:29:24.719
<v Speaker 1>And they know it now like I'm not. I mean

0:29:24.760 --> 0:29:27.240
<v Speaker 1>I hope they do. If not, now they know, please

0:29:27.320 --> 0:29:29.640
<v Speaker 1>keep hiring me, keep please keep laying me on for you.

0:29:29.720 --> 0:29:36.400
<v Speaker 1>Thank you for you, Katie. Well, early on, I understand

0:29:36.800 --> 0:29:39.760
<v Speaker 1>you appeared on a couple of episodes of both The

0:29:39.840 --> 0:29:45.680
<v Speaker 1>Guiding Light and As the World Turns. Now, I know

0:29:45.800 --> 0:29:49.640
<v Speaker 1>that's not ultimately what you wanted to do for your career,

0:29:49.680 --> 0:29:52.360
<v Speaker 1>but talk to me a little bit about that experience.

0:29:52.520 --> 0:29:57.240
<v Speaker 1>Was it awful or did that teach you something? Yes? Well,

0:29:57.280 --> 0:29:59.800
<v Speaker 1>I got this crazy thing is I got really close

0:29:59.840 --> 0:30:02.400
<v Speaker 1>on both to having like that being my first job

0:30:02.400 --> 0:30:06.760
<v Speaker 1>out of college, like contract roles, like four year contract roles,

0:30:06.760 --> 0:30:09.440
<v Speaker 1>And I always look back and being like, oh my god,

0:30:09.480 --> 0:30:11.080
<v Speaker 1>I was so upset that I didn't get it because

0:30:11.080 --> 0:30:13.680
<v Speaker 1>the money would have been great. But I am relieved

0:30:13.720 --> 0:30:16.560
<v Speaker 1>I didn't get it because I think maybe I would

0:30:16.600 --> 0:30:19.120
<v Speaker 1>have stayed there forever, like maybe we still would know

0:30:19.440 --> 0:30:22.600
<v Speaker 1>Katie lows as who the hell knows what their names were,

0:30:22.640 --> 0:30:25.080
<v Speaker 1>but for fifty years, we're going to play that part anyway.

0:30:25.720 --> 0:30:29.200
<v Speaker 1>Oh no, it was awful. It was so embarrassing because

0:30:29.200 --> 0:30:31.240
<v Speaker 1>on both roles I had to oh, no, one, I

0:30:31.280 --> 0:30:34.400
<v Speaker 1>played a nurse that stole drugs and took them. So

0:30:34.440 --> 0:30:37.760
<v Speaker 1>that was exciting. That's a good part. The other one

0:30:37.840 --> 0:30:40.240
<v Speaker 1>was horrifying because I had to like have one of

0:30:40.280 --> 0:30:43.280
<v Speaker 1>those scenes where it's like Oopsie, I forgot my bathing

0:30:43.400 --> 0:30:45.920
<v Speaker 1>suit and like jump into a hot tub that's a

0:30:46.040 --> 0:30:49.960
<v Speaker 1>pretend lake with ferns around it, and I just remember

0:30:50.040 --> 0:30:52.880
<v Speaker 1>feeling so like I was in like a nude thong

0:30:53.080 --> 0:30:55.040
<v Speaker 1>and like the whole crew was around. It wasn't a

0:30:55.080 --> 0:30:57.840
<v Speaker 1>close set, and it was like I just didn't know

0:30:57.880 --> 0:31:00.200
<v Speaker 1>at the time what that was, and I was not

0:31:00.280 --> 0:31:03.880
<v Speaker 1>a comfortable like sexy actor. God, I've been naked. I've

0:31:04.120 --> 0:31:07.520
<v Speaker 1>on this podcast. It sounds like all I do, and

0:31:07.600 --> 0:31:09.760
<v Speaker 1>it is truly not. I had a brief moment in

0:31:09.800 --> 0:31:12.800
<v Speaker 1>my early twenties where this occurred and it has never

0:31:12.840 --> 0:31:16.040
<v Speaker 1>really again, so but I remember just feeling like so

0:31:16.120 --> 0:31:20.600
<v Speaker 1>embarrassed and felt so dumb, like I was like like

0:31:20.840 --> 0:31:23.800
<v Speaker 1>like just oh god, like my acting was terrible. And

0:31:24.760 --> 0:31:27.280
<v Speaker 1>but whatever, it's part, it's part of it. It's it's

0:31:27.280 --> 0:31:30.080
<v Speaker 1>a really just part of the whole thing. God, I

0:31:30.080 --> 0:31:31.880
<v Speaker 1>wish I had it on VHS. I don't know where.

0:31:32.280 --> 0:31:34.600
<v Speaker 1>Oh yeah, that would be good. I mean, I know

0:31:34.640 --> 0:31:36.920
<v Speaker 1>you only did a few episodes. But the thing that

0:31:37.040 --> 0:31:42.760
<v Speaker 1>I were you on soaps? No, No, But the thing

0:31:42.760 --> 0:31:45.360
<v Speaker 1>that I've always thought about it and heard about it

0:31:45.480 --> 0:31:49.800
<v Speaker 1>is in terms of getting a crash. Course of being

0:31:49.840 --> 0:31:53.040
<v Speaker 1>on camera soaps to me is up another level because

0:31:53.080 --> 0:31:58.360
<v Speaker 1>you're literally being handed pages, get one shot and it's

0:31:58.440 --> 0:32:03.120
<v Speaker 1>done eighty pages a day. They do eighty pages. They

0:32:03.200 --> 0:32:06.880
<v Speaker 1>don't block anything. Every blocking has either three moves you

0:32:06.880 --> 0:32:10.440
<v Speaker 1>could do. It's like a docy dough a like stack

0:32:10.560 --> 0:32:14.120
<v Speaker 1>shot like anything, because they can't move cameras. But it's

0:32:14.160 --> 0:32:17.239
<v Speaker 1>different than a multicam. It's not proscene, you know, it's

0:32:17.280 --> 0:32:20.640
<v Speaker 1>not proscenium staging, so there's only a few moves you

0:32:20.640 --> 0:32:23.880
<v Speaker 1>could do. And yeah, you get one shot, so you

0:32:24.000 --> 0:32:29.520
<v Speaker 1>cannot mess up your lines. It's I got those actors

0:32:29.720 --> 0:32:31.880
<v Speaker 1>and also they have to turn on the emotion and

0:32:31.920 --> 0:32:35.960
<v Speaker 1>the water works in one second, you can't pull out

0:32:35.960 --> 0:32:38.480
<v Speaker 1>the tear stick, and there ain't no tear sticks. It's

0:32:38.480 --> 0:32:41.360
<v Speaker 1>just like you just go and you're just it's really

0:32:42.360 --> 0:32:47.760
<v Speaker 1>really a wild place. Germo. You did not start on soabs,

0:32:48.160 --> 0:32:52.680
<v Speaker 1>but you did a series of episodes on what some

0:32:52.840 --> 0:32:59.880
<v Speaker 1>consider dark Horse greatest thing that ever existed, The Chappelle Show.

0:33:00.160 --> 0:33:04.000
<v Speaker 1>Talk to me a little bit about how that happened

0:33:04.680 --> 0:33:09.680
<v Speaker 1>and what that taught you. Early on, Well, I did

0:33:09.680 --> 0:33:12.120
<v Speaker 1>a movie, the movie I did with Dave Chappelle, Half Baked.

0:33:12.200 --> 0:33:15.880
<v Speaker 1>I did that, so Dave was you know, liked my

0:33:15.920 --> 0:33:19.600
<v Speaker 1>work and doug what I was doing and just brought me.

0:33:19.640 --> 0:33:21.760
<v Speaker 1>He was like, hey, I'm doing this show, Come do

0:33:21.840 --> 0:33:24.800
<v Speaker 1>the show with me. It just felt like a continuation

0:33:24.880 --> 0:33:27.000
<v Speaker 1>of playing, like we were playing when we did the

0:33:27.040 --> 0:33:31.320
<v Speaker 1>movie and he started Chappelle's Show, like if I remember correctly,

0:33:31.800 --> 0:33:34.320
<v Speaker 1>right after the film, and it just felt like we

0:33:34.440 --> 0:33:36.440
<v Speaker 1>just kept playing. You know, we were like these just

0:33:36.880 --> 0:33:41.200
<v Speaker 1>big goofballs and doing these like really provocative sketches that

0:33:41.360 --> 0:33:45.640
<v Speaker 1>Dave and Neil Brennan, who is his co writer, were writing.

0:33:45.760 --> 0:33:48.760
<v Speaker 1>You know, in one of the sketches, he the one

0:33:48.840 --> 0:33:51.600
<v Speaker 1>character uses the N word over and over and over,

0:33:51.680 --> 0:33:53.640
<v Speaker 1>and over and back in the day, they didn't bleep

0:33:53.800 --> 0:33:55.880
<v Speaker 1>the N word, and now if you watch the episodes,

0:33:55.880 --> 0:33:59.719
<v Speaker 1>it's bleeped. But you know, it wasn't It wasn't just

0:33:59.760 --> 0:34:02.920
<v Speaker 1>being used frivolously. It was used where there was a

0:34:03.600 --> 0:34:06.600
<v Speaker 1>you know, there was a lesson and behind all of it,

0:34:06.640 --> 0:34:09.759
<v Speaker 1>and it was so smart and the writing was so intelligent,

0:34:09.880 --> 0:34:12.960
<v Speaker 1>and yeah, I just I remember just feeling really really

0:34:13.080 --> 0:34:16.399
<v Speaker 1>lucky that that Dave gave me that opportunity to work

0:34:16.440 --> 0:34:18.719
<v Speaker 1>on that show with him. And it's funny because before that,

0:34:18.800 --> 0:34:21.160
<v Speaker 1>I had done a show called House of Buggin with

0:34:21.239 --> 0:34:24.120
<v Speaker 1>John Leguizamo, which was a sketch comedy show too, which

0:34:24.239 --> 0:34:26.560
<v Speaker 1>I don't think a lot of people sort of really

0:34:27.160 --> 0:34:29.160
<v Speaker 1>heard about or know about. But I feel like I

0:34:29.520 --> 0:34:33.839
<v Speaker 1>got more training there than I did. Like maybe that

0:34:33.960 --> 0:34:36.920
<v Speaker 1>sort of helped me to be able to do Chappelle

0:34:37.000 --> 0:34:39.279
<v Speaker 1>Show because it was a same sort of thing. John

0:34:39.320 --> 0:34:41.480
<v Speaker 1>Leguizamo sort of took me under his wing and then

0:34:41.520 --> 0:34:44.279
<v Speaker 1>brought me onto the show and we would perform it,

0:34:44.400 --> 0:34:47.680
<v Speaker 1>you know, every Thursday after rehearsing all week and wow

0:34:47.960 --> 0:34:50.560
<v Speaker 1>in front of a live audience, and we would do

0:34:50.600 --> 0:34:53.680
<v Speaker 1>all these different characters. Yeah, Gamma is one of those

0:34:53.680 --> 0:34:56.880
<v Speaker 1>actors that can literally do everything. It's so insane, Like,

0:34:57.120 --> 0:35:00.719
<v Speaker 1>I'm also the most insecure, freaking actor in person you

0:35:00.760 --> 0:35:03.759
<v Speaker 1>can ever imagine. I think that's why I'm constantly Like

0:35:03.800 --> 0:35:06.000
<v Speaker 1>me and Katie were talking about this the other day

0:35:06.000 --> 0:35:08.320
<v Speaker 1>because Katie's in an acting class and I was like, Katie,

0:35:08.320 --> 0:35:10.680
<v Speaker 1>I kind of want to go and you know, audit

0:35:10.719 --> 0:35:13.839
<v Speaker 1>the class and possible part of it, just to sort

0:35:13.840 --> 0:35:17.839
<v Speaker 1>of keep keep that instrument oiled up so I don't

0:35:17.880 --> 0:35:20.680
<v Speaker 1>get super anxious when I'm not working for long periods

0:35:20.680 --> 0:35:23.960
<v Speaker 1>of time, you know what I mean? Yeah, were you

0:35:24.040 --> 0:35:27.600
<v Speaker 1>aware working on the Chappelle Show, like before it comes

0:35:27.640 --> 0:35:30.399
<v Speaker 1>out or before it starts getting the attention it does

0:35:30.600 --> 0:35:35.280
<v Speaker 1>that what he was doing and talking about was different

0:35:35.280 --> 0:35:37.920
<v Speaker 1>and unique, not like any other job or for you,

0:35:38.040 --> 0:35:39.840
<v Speaker 1>was it a job and you got to play? Yeah?

0:35:39.880 --> 0:35:41.560
<v Speaker 1>I think it was a little bit of both. I

0:35:41.600 --> 0:35:44.759
<v Speaker 1>remember just having such a blast and everything being so

0:35:45.680 --> 0:35:49.040
<v Speaker 1>it was just so funny. I remember just like truly,

0:35:49.160 --> 0:35:53.160
<v Speaker 1>like sincerely cracking up shooting these sketches. But then also

0:35:53.200 --> 0:35:54.800
<v Speaker 1>in the back of my head, I was like, this

0:35:55.040 --> 0:35:58.440
<v Speaker 1>is this is like other level because it wasn't just

0:35:58.560 --> 0:36:02.760
<v Speaker 1>some sort of bs like comedy skit there was again

0:36:02.840 --> 0:36:06.279
<v Speaker 1>there was like a lesson and a point behind all

0:36:06.320 --> 0:36:09.160
<v Speaker 1>of it. So I remember thinking for sure that this

0:36:09.000 --> 0:36:13.640
<v Speaker 1>is something special. You know. Last thing pre Shondalanda have

0:36:13.719 --> 0:36:15.400
<v Speaker 1>to bring up to the two of you. On a

0:36:15.400 --> 0:36:18.440
<v Speaker 1>lot of my bios, it says that I was on

0:36:18.560 --> 0:36:22.240
<v Speaker 1>this little show and an uncredited role. This is, unfortunately

0:36:22.280 --> 0:36:27.319
<v Speaker 1>for me, false Both of you appeared in episodes of

0:36:27.360 --> 0:36:31.359
<v Speaker 1>The Sopranos. Were you were you Katie by the time

0:36:31.440 --> 0:36:33.120
<v Speaker 1>you got on? Were you a fan of the show?

0:36:33.239 --> 0:36:35.560
<v Speaker 1>It was the biggest show ever, Like it was the

0:36:35.560 --> 0:36:38.000
<v Speaker 1>biggest show ever. It was the biggest thing. You were aware? Yeah,

0:36:38.040 --> 0:36:39.799
<v Speaker 1>I was on season six, so it was already like

0:36:39.840 --> 0:36:41.600
<v Speaker 1>the biggest show ever. Like what I call my parents

0:36:41.640 --> 0:36:43.320
<v Speaker 1>to tell them I got one line on The Sopranos,

0:36:43.360 --> 0:36:49.120
<v Speaker 1>Like everyone was speechless, Yeah, you were on a two?

0:36:49.160 --> 0:36:51.600
<v Speaker 1>Who did you play? No, that's what I'm saying, A

0:36:51.719 --> 0:36:55.120
<v Speaker 1>false credit right on a bunch of bios. I don't know,

0:36:55.200 --> 0:36:58.319
<v Speaker 1>and I don't think who it is here, Brian that

0:36:58.440 --> 0:37:00.719
<v Speaker 1>they think that I was. It says I was in

0:37:00.760 --> 0:37:06.000
<v Speaker 1>an episode uncredited. I wasn't at all. I never was.

0:37:06.360 --> 0:37:10.640
<v Speaker 1>That's hilarious. I only got mine because actually Garm and

0:37:10.719 --> 0:37:12.279
<v Speaker 1>I just found out from each other that we were

0:37:12.360 --> 0:37:14.560
<v Speaker 1>on the soprano was like, we didn't know that. Yeah.

0:37:14.719 --> 0:37:16.239
<v Speaker 1>By the time I got on this Sprantos, it was

0:37:16.280 --> 0:37:18.200
<v Speaker 1>like a Law and Order but like times a million,

0:37:18.239 --> 0:37:19.719
<v Speaker 1>because it was one of the few shows that shot

0:37:19.719 --> 0:37:21.759
<v Speaker 1>in New York, so everybody was trying to get on it,

0:37:21.760 --> 0:37:25.000
<v Speaker 1>and also it was the biggest show, right. But I

0:37:25.000 --> 0:37:28.200
<v Speaker 1>had one line, and Steve Bushemi was directing the episode,

0:37:28.200 --> 0:37:30.160
<v Speaker 1>and I had to go to Silver Cup Studios and

0:37:30.200 --> 0:37:33.400
<v Speaker 1>go to the callback, and I was so nervous it

0:37:33.560 --> 0:37:37.960
<v Speaker 1>was insane, and I had to I smoke a cigarette

0:37:38.000 --> 0:37:40.080
<v Speaker 1>in the scene. And there I'm AJ's date to a

0:37:40.160 --> 0:37:43.520
<v Speaker 1>family wedding, and a tray of like oysters come around

0:37:44.160 --> 0:37:47.600
<v Speaker 1>and the you know, the wait staff says like, would

0:37:47.640 --> 0:37:50.319
<v Speaker 1>you like one? And I take a look, and I

0:37:50.400 --> 0:37:53.200
<v Speaker 1>inhale from my cigarette and I say, I don't eat fish,

0:37:53.200 --> 0:37:57.359
<v Speaker 1>and then I blow out the tocsins. Right, So it's

0:37:57.480 --> 0:38:00.520
<v Speaker 1>a joke line. But I was so young. I was

0:38:00.560 --> 0:38:02.200
<v Speaker 1>twenty one, it was like twenty two, like one of

0:38:02.200 --> 0:38:04.160
<v Speaker 1>my first jobs, and Bushmi just really didn't want a

0:38:04.239 --> 0:38:06.319
<v Speaker 1>kid coming and who didn't smoke so they were like,

0:38:06.400 --> 0:38:08.440
<v Speaker 1>do you smoke? And I was like yes, And I'm

0:38:08.480 --> 0:38:15.920
<v Speaker 1>pretty sure that's the only reason why I but because

0:38:15.920 --> 0:38:18.279
<v Speaker 1>it was a wedding, and the whole episode took place

0:38:18.280 --> 0:38:22.320
<v Speaker 1>in one scene in this wedding, in this wedding venue room,

0:38:22.800 --> 0:38:24.400
<v Speaker 1>and I was AJ's date, and I was sitting at

0:38:24.400 --> 0:38:27.720
<v Speaker 1>the family table. I was in the background in every scene.

0:38:27.760 --> 0:38:32.600
<v Speaker 1>So I shot for three weeks wow at Leonard's in

0:38:32.680 --> 0:38:35.560
<v Speaker 1>Long Island, which is where my cousin Michael got Botts,

0:38:35.640 --> 0:38:39.360
<v Speaker 1>Bob Mitzvod and my whole family came. They let my

0:38:39.400 --> 0:38:42.839
<v Speaker 1>whole family come to set. Really, I hung out with

0:38:43.080 --> 0:38:46.040
<v Speaker 1>you know, Tony Soprano in his trip, like the whole cast.

0:38:46.160 --> 0:38:48.120
<v Speaker 1>They put us up in hotels in Long Island. I

0:38:48.160 --> 0:38:51.120
<v Speaker 1>went out with all of them. It was remarkably fun,

0:38:51.160 --> 0:38:53.920
<v Speaker 1>and I actually became lifelong friends with Jamie Lynn Sigler,

0:38:53.920 --> 0:38:56.200
<v Speaker 1>who played Meadow. It's where we met and we've been

0:38:56.239 --> 0:39:02.120
<v Speaker 1>friends ever since. Yes, she and I are friends, too.

0:39:02.239 --> 0:39:06.399
<v Speaker 1>Surprised we haven't met me too, Brian. I know, it's

0:39:06.600 --> 0:39:29.040
<v Speaker 1>very interesting. Okay, before Scandal, you appeared on two other shows.

0:39:29.040 --> 0:39:33.120
<v Speaker 1>You mentioned it briefly before Gray's Anatomy and Private practice.

0:39:33.719 --> 0:39:37.360
<v Speaker 1>Were you all in on the Shonda land thing before

0:39:37.480 --> 0:39:40.160
<v Speaker 1>scandal or were these just jobs for you? When I

0:39:40.239 --> 0:39:43.120
<v Speaker 1>was like twenty four, I started watching Grey's Anatomy because

0:39:43.120 --> 0:39:44.759
<v Speaker 1>I had a best friend who was on it, and

0:39:44.800 --> 0:39:48.200
<v Speaker 1>I was like, I gotta get on a Shonda Rhime show.

0:39:48.360 --> 0:39:50.680
<v Speaker 1>Like that was like in my head, I was like

0:39:50.880 --> 0:39:53.760
<v Speaker 1>I just related to those women more than other women

0:39:53.800 --> 0:39:57.080
<v Speaker 1>on television shows. They looked like me, They looked like

0:39:57.280 --> 0:40:01.680
<v Speaker 1>normal people. They talked, kind of asked, they were really

0:40:01.760 --> 0:40:05.520
<v Speaker 1>like naturalistic, and like I just felt like, God, if

0:40:05.560 --> 0:40:07.480
<v Speaker 1>I could just get in front of Shanda Rhimes, I

0:40:07.560 --> 0:40:11.759
<v Speaker 1>think she might vibe my vibe, Like I think this

0:40:11.800 --> 0:40:13.680
<v Speaker 1>is a fit. And you know what's crazy? This girl

0:40:13.719 --> 0:40:16.920
<v Speaker 1>I used audition against all the time, Sarah Drew. We

0:40:17.000 --> 0:40:18.680
<v Speaker 1>used to always go head to head on everything. She

0:40:18.880 --> 0:40:21.960
<v Speaker 1>got April on Gray's Anatomy, and I was like, great,

0:40:22.080 --> 0:40:25.080
<v Speaker 1>get this girl out of here, give this girl a job,

0:40:25.320 --> 0:40:27.319
<v Speaker 1>And in my head, I was like, if she likes

0:40:27.320 --> 0:40:30.120
<v Speaker 1>Sarah Drew, she's definitely gonna like me, Like we could

0:40:30.160 --> 0:40:35.560
<v Speaker 1>play sisters. So yeah, I had the Shonda Rhymes bug.

0:40:35.760 --> 0:40:38.680
<v Speaker 1>Gray's Anatomy was a huge hit, and like maybe the Office,

0:40:38.719 --> 0:40:40.719
<v Speaker 1>like there were comedies, but there weren't a lot of

0:40:40.800 --> 0:40:46.319
<v Speaker 1>dramas where the leading ladies weren't like fucking alien gorgeous,

0:40:46.400 --> 0:40:48.680
<v Speaker 1>you know. And I was like, I can't. I knew

0:40:48.800 --> 0:40:51.480
<v Speaker 1>that that wasn't my type, you know, like I just

0:40:51.560 --> 0:40:53.239
<v Speaker 1>wasn't going to be able to do that. And then

0:40:53.280 --> 0:40:55.959
<v Speaker 1>I saw Grays and I you know, saw Sandra Oh

0:40:55.960 --> 0:40:59.120
<v Speaker 1>and Shandraw Wilson and not that they're not fucking gorgeous,

0:40:59.120 --> 0:41:02.880
<v Speaker 1>and Meredith Gray and and they're all fucking gorgeous, but

0:41:02.920 --> 0:41:05.719
<v Speaker 1>they were like also something else going on, and I

0:41:05.800 --> 0:41:10.200
<v Speaker 1>was like, okay, I relate. So yeah, it had been

0:41:10.200 --> 0:41:13.600
<v Speaker 1>in my head. What about you, Gamel, Were you a

0:41:13.600 --> 0:41:18.040
<v Speaker 1>fan of the shows Grey's Anatomy or Private Practice round

0:41:18.080 --> 0:41:19.879
<v Speaker 1>the other? And I do just want to note that,

0:41:20.000 --> 0:41:22.920
<v Speaker 1>you know, for like a decade, Grey's Anatomy aired on

0:41:23.120 --> 0:41:25.160
<v Speaker 1>the opposite of the Office, So I just want to

0:41:25.239 --> 0:41:29.280
<v Speaker 1>know what you were watching on Thursday nights at nine o'clock.

0:41:30.840 --> 0:41:36.040
<v Speaker 1>I was a huge fan of Grey's Anatomy. There you go. Yeah,

0:41:36.080 --> 0:41:39.480
<v Speaker 1>but now the Office, like my family, is obsessed with

0:41:39.520 --> 0:41:45.200
<v Speaker 1>the same, the same. They have it on in the background.

0:41:46.719 --> 0:41:51.120
<v Speaker 1>It's one of the greatest shows of all times. Oh, so, yeah,

0:41:51.160 --> 0:41:54.799
<v Speaker 1>I was a Filya for sure. You were. Yes, Were

0:41:54.840 --> 0:41:56.920
<v Speaker 1>you trying to get in the show? I mean no,

0:41:57.120 --> 0:41:58.920
<v Speaker 1>I mean, look it's sort of are just trying to

0:41:58.960 --> 0:42:01.880
<v Speaker 1>get a job? Yeah exactly. I mean but do you

0:42:01.920 --> 0:42:06.800
<v Speaker 1>remember your experience auditioning? I do. Yeah, it was very

0:42:06.840 --> 0:42:10.640
<v Speaker 1>it was you know, I had one audition I was

0:42:10.719 --> 0:42:15.320
<v Speaker 1>I was very reluctant to audition for the role because

0:42:15.440 --> 0:42:17.799
<v Speaker 1>I didn't understand why they wanted to see me. And

0:42:17.840 --> 0:42:20.520
<v Speaker 1>the character description was, you know, he was a lot

0:42:20.520 --> 0:42:25.439
<v Speaker 1>older and sort of described as a nebbish older guy

0:42:25.480 --> 0:42:27.879
<v Speaker 1>who was obsessed with figurines, and I was like, what

0:42:27.920 --> 0:42:30.120
<v Speaker 1>the hell is going on? Why am I going in

0:42:30.160 --> 0:42:34.560
<v Speaker 1>for this? Was never going to get in And now

0:42:34.600 --> 0:42:37.320
<v Speaker 1>I'm fifty one and I'm like fifties the new twenty

0:42:37.400 --> 0:42:40.840
<v Speaker 1>six like you. But I had that one audition and

0:42:41.280 --> 0:42:44.600
<v Speaker 1>I just went for it. And and yeah, I've tested

0:42:44.600 --> 0:42:47.799
<v Speaker 1>for other shows and it's been the most grueling and

0:42:47.960 --> 0:42:52.359
<v Speaker 1>nerve wracking experience. I'm sure Katie can agree with me. Ever,

0:42:53.080 --> 0:42:55.440
<v Speaker 1>but the fact that Shanda did not put us through

0:42:55.480 --> 0:43:00.680
<v Speaker 1>that fresh hell of testing over and over was so nice.

0:43:01.520 --> 0:43:03.240
<v Speaker 1>We talk to me about this, what are you talking

0:43:03.239 --> 0:43:06.719
<v Speaker 1>about there's no testing. No, I didn't test me either.

0:43:06.920 --> 0:43:09.920
<v Speaker 1>She didn't test anybody. I mean, they're What they did

0:43:10.280 --> 0:43:12.880
<v Speaker 1>was they would make an audition tape in Linda Lowe's

0:43:12.960 --> 0:43:15.160
<v Speaker 1>office and her you know, Linda Lowie cast Grays and

0:43:15.200 --> 0:43:18.960
<v Speaker 1>cast Scandal and cast Private and she would make the

0:43:19.000 --> 0:43:21.359
<v Speaker 1>tape in the office and Shawda would have her pick

0:43:21.360 --> 0:43:23.000
<v Speaker 1>and Linda would have her pick. They would be the

0:43:23.040 --> 0:43:25.640
<v Speaker 1>same person, and they would send it to ABC studio

0:43:25.680 --> 0:43:29.120
<v Speaker 1>and network to be nice for like approval. But like

0:43:29.200 --> 0:43:31.359
<v Speaker 1>they just sent the tape that you made in the room.

0:43:31.520 --> 0:43:33.640
<v Speaker 1>You never had to go to studio or network and

0:43:33.760 --> 0:43:37.319
<v Speaker 1>do the scene again. Yeah, Brian is like, yeah, it was.

0:43:37.520 --> 0:43:41.000
<v Speaker 1>And you know why because Linda Lowe is married to

0:43:41.120 --> 0:43:45.280
<v Speaker 1>Jeff Perry, who played Cyrus on Scandal. But Linda loves

0:43:45.320 --> 0:43:49.120
<v Speaker 1>actors and she's just like not going to fucking do that,

0:43:49.440 --> 0:43:52.160
<v Speaker 1>Like that's not her. At a certain point when they could,

0:43:52.280 --> 0:43:54.160
<v Speaker 1>when they got to a place of success that they

0:43:54.200 --> 0:43:56.200
<v Speaker 1>did not have to do that With ABC, they did not,

0:43:56.760 --> 0:44:01.920
<v Speaker 1>and we benefited from it, Yes we did. God, now

0:44:01.960 --> 0:44:06.360
<v Speaker 1>I really want to get into now that is that

0:44:06.600 --> 0:44:11.080
<v Speaker 1>is incredible? That is unbelievable. Yeah, it's it's insane. It's

0:44:11.200 --> 0:44:14.200
<v Speaker 1>really like. I auditioned once in the room, Shanda gave

0:44:14.239 --> 0:44:17.080
<v Speaker 1>me a redirection. I did the scene again. They taped

0:44:17.160 --> 0:44:19.400
<v Speaker 1>both taps, and then two weeks later she called me

0:44:19.400 --> 0:44:22.520
<v Speaker 1>into the office for what I thought was me going

0:44:22.560 --> 0:44:25.720
<v Speaker 1>to audition again, and she was sitting in the room

0:44:25.840 --> 0:44:28.279
<v Speaker 1>and I it was weird, and there was a tape

0:44:28.280 --> 0:44:29.799
<v Speaker 1>going and I was like, Okay, should I start the scene?

0:44:29.800 --> 0:44:30.920
<v Speaker 1>And she was like, oh, no, you don't have to.

0:44:30.960 --> 0:44:34.400
<v Speaker 1>I've already sent the tape that you made two weeks

0:44:34.400 --> 0:44:37.080
<v Speaker 1>ago to studio and network. You've already been approved, and

0:44:37.120 --> 0:44:39.920
<v Speaker 1>I'm going to give you the part. And they videotaped

0:44:39.960 --> 0:44:43.040
<v Speaker 1>it and I started ugly sobbing beyond fic belief, Brian

0:44:43.120 --> 0:44:45.719
<v Speaker 1>like boogers snot. I mean, I was running from my

0:44:45.840 --> 0:44:48.520
<v Speaker 1>fucking babysitting job from a family who didn't believe in diapers,

0:44:48.520 --> 0:44:50.720
<v Speaker 1>where the baby was just pooping in between my legs

0:44:50.719 --> 0:44:55.879
<v Speaker 1>over a toilet, and I had the sides in my

0:44:55.960 --> 0:44:59.640
<v Speaker 1>bag for another audition the next day. And I remember,

0:44:59.680 --> 0:45:03.160
<v Speaker 1>just like after they told me, and I was hysterical crying.

0:45:03.280 --> 0:45:06.080
<v Speaker 1>My agents didn't even know, nobody knew. Wait, why did

0:45:06.200 --> 0:45:08.640
<v Speaker 1>she call you back? In they wanted a videotape and

0:45:08.680 --> 0:45:10.799
<v Speaker 1>it's on the behind the scenes DVD of season one,

0:45:11.200 --> 0:45:15.600
<v Speaker 1>and I looked like a five year old and I

0:45:15.640 --> 0:45:18.480
<v Speaker 1>had to sit in my car. I remember after I

0:45:18.640 --> 0:45:20.160
<v Speaker 1>was sobbing and I was like, what do I do now?

0:45:20.160 --> 0:45:22.000
<v Speaker 1>And she was like, well, wardrobe is gonna call you

0:45:22.040 --> 0:45:23.480
<v Speaker 1>and there's gonna be a table read. And I was like,

0:45:23.480 --> 0:45:29.120
<v Speaker 1>there's gonna be a table and then she was like

0:45:29.160 --> 0:45:31.080
<v Speaker 1>and I said, this is the best day of my life.

0:45:31.120 --> 0:45:32.719
<v Speaker 1>And she was like, but you just got engaged. I

0:45:32.760 --> 0:45:36.719
<v Speaker 1>was like, this is way better. My Asian was a

0:45:36.719 --> 0:45:39.200
<v Speaker 1>horrible at a padic attack. I'm so scared to get married,

0:45:39.200 --> 0:45:42.560
<v Speaker 1>but I've been fighting for this my whole life, like god,

0:45:43.560 --> 0:45:45.759
<v Speaker 1>and even then, you know, like I think what was

0:45:45.800 --> 0:45:48.319
<v Speaker 1>so I'm sure I've been. It was probably similar with

0:45:48.360 --> 0:45:51.239
<v Speaker 1>the office actually, like we were never like, oh yeah

0:45:51.239 --> 0:45:53.479
<v Speaker 1>we're getting picked up again, Yeah we're a hit show.

0:45:53.560 --> 0:45:58.920
<v Speaker 1>Like we were all so fucking tired and grateful to

0:45:59.000 --> 0:46:02.839
<v Speaker 1>have a job and never ever took for granted, like

0:46:02.880 --> 0:46:06.080
<v Speaker 1>we were a shoe in so and she had something

0:46:06.200 --> 0:46:07.920
<v Speaker 1>she's caught on our podcast and said, you know, she

0:46:08.000 --> 0:46:11.239
<v Speaker 1>had a no asshole. She called our previous couple bosses

0:46:11.280 --> 0:46:15.200
<v Speaker 1>to vouch for us and our behavior and our personalities.

0:46:15.480 --> 0:46:19.719
<v Speaker 1>Oh yeah, she was pretty serious about putting together a

0:46:19.719 --> 0:46:24.359
<v Speaker 1>group of like nice people. Well, based on what I've

0:46:24.360 --> 0:46:28.240
<v Speaker 1>heard from Bellamy, everyone was they were It's really gross.

0:46:28.400 --> 0:46:30.719
<v Speaker 1>It's just gross. Like the press used to come up

0:46:30.760 --> 0:46:32.320
<v Speaker 1>to us and be at events and be like, do

0:46:32.360 --> 0:46:34.359
<v Speaker 1>you guys hang out with anybody else? Because we would

0:46:34.400 --> 0:46:39.359
<v Speaker 1>just sort of be with each other together after like

0:46:39.440 --> 0:46:41.839
<v Speaker 1>eight years, and they'd be like, but can you guys

0:46:41.840 --> 0:46:43.759
<v Speaker 1>go talk to me? Like no, we only just like

0:46:43.840 --> 0:46:48.360
<v Speaker 1>love each other. It was pretty magical from the audition

0:46:48.600 --> 0:46:51.520
<v Speaker 1>all the way through. That's so crazy, Like the shoe,

0:46:51.600 --> 0:46:53.360
<v Speaker 1>the other shoe never dropped where it was like and

0:46:53.560 --> 0:46:58.080
<v Speaker 1>that's when everything went south. Nope. Right. One of the

0:46:58.120 --> 0:47:02.200
<v Speaker 1>things that Bellamy said to me was that the cast

0:47:02.280 --> 0:47:06.520
<v Speaker 1>up scandal was like a bunch of theater kids totally.

0:47:07.040 --> 0:47:10.200
<v Speaker 1>I also think theater people for you, I think too

0:47:10.239 --> 0:47:13.560
<v Speaker 1>like I think theater people have this sense of the ensemble,

0:47:14.160 --> 0:47:18.640
<v Speaker 1>like it's something bigger than your own singular performance, which

0:47:18.680 --> 0:47:21.799
<v Speaker 1>I think is such a healthy way to for a

0:47:21.880 --> 0:47:24.880
<v Speaker 1>long running television show. It makes it so that yes,

0:47:24.960 --> 0:47:27.480
<v Speaker 1>I mean Kerrie Washington was obviously the star of Scandal,

0:47:27.840 --> 0:47:31.680
<v Speaker 1>But like, storylines move around so much when you've been

0:47:31.719 --> 0:47:33.440
<v Speaker 1>on the show, and I think so much of like

0:47:33.560 --> 0:47:37.239
<v Speaker 1>theater background is like this is an ensemble. This is

0:47:37.280 --> 0:47:40.319
<v Speaker 1>like their storyline this week and my storyline next year,

0:47:40.440 --> 0:47:42.919
<v Speaker 1>and like, you know, just really understanding that you're part

0:47:42.960 --> 0:47:48.360
<v Speaker 1>of a much bigger thing. Was there any conscious conversation

0:47:49.280 --> 0:47:55.600
<v Speaker 1>about differentiating it from other shows about politics that had

0:47:55.640 --> 0:47:59.560
<v Speaker 1>existed before, I mean, like West Wing or something. Well, yeah,

0:48:00.480 --> 0:48:02.480
<v Speaker 1>I mean Sanda was obsessed with she was a huge

0:48:02.480 --> 0:48:05.640
<v Speaker 1>West Wing fan, Okay, And I remember when Molina walked

0:48:05.640 --> 0:48:07.359
<v Speaker 1>on to set, Josh Mlene. It was the only time

0:48:07.400 --> 0:48:11.200
<v Speaker 1>I've seen her star struck in the last fifteen years. God,

0:48:11.239 --> 0:48:13.359
<v Speaker 1>it was so crazy to be on a political show then,

0:48:13.480 --> 0:48:16.560
<v Speaker 1>wasn't it. Gee? God? Yeah, yeah, yeah, But I don't

0:48:16.600 --> 0:48:18.719
<v Speaker 1>even I don't even remember any other I didn't watch

0:48:18.800 --> 0:48:20.799
<v Speaker 1>West Wing, but I don't even remember any other What

0:48:20.880 --> 0:48:23.480
<v Speaker 1>were the other political shows that were Were there even

0:48:23.560 --> 0:48:26.719
<v Speaker 1>any others on at the time? Well, no, I mean

0:48:26.880 --> 0:48:31.120
<v Speaker 1>Veep came on, yeah, and we all ended at the

0:48:31.160 --> 0:48:33.520
<v Speaker 1>same time. I remember reading some article in the New

0:48:33.600 --> 0:48:35.880
<v Speaker 1>York Times maybe or the LA Times where like as

0:48:35.880 --> 0:48:39.359
<v Speaker 1>soon as Trump got elected, VEEP ended and Shanda chose

0:48:39.440 --> 0:48:42.680
<v Speaker 1>to end Scandal because she was like, I'm doing a

0:48:42.760 --> 0:48:44.400
<v Speaker 1>terrible job quoting this. But she said something like, it's

0:48:44.440 --> 0:48:45.800
<v Speaker 1>one thing to write a political show when all the

0:48:45.880 --> 0:48:48.239
<v Speaker 1>lights are on in Washington, but when all the lights

0:48:48.239 --> 0:48:49.759
<v Speaker 1>are off in DC and we don't know what the

0:48:49.760 --> 0:48:52.839
<v Speaker 1>fuck is going on anymore, I can't write anything. I

0:48:52.880 --> 0:48:55.600
<v Speaker 1>can't do this world anymore. It was one of the

0:48:55.600 --> 0:48:58.520
<v Speaker 1>reasons she like, I mean, she always knew that Scandal

0:48:58.520 --> 0:49:01.319
<v Speaker 1>would have a beginning, middle, and end, but I know

0:49:01.400 --> 0:49:04.719
<v Speaker 1>that that did not help things at all. Yeah, it

0:49:04.840 --> 0:49:07.359
<v Speaker 1>was crazy. I remember the cast always being dropped into

0:49:07.440 --> 0:49:09.720
<v Speaker 1>DC for the White House Correspondent dinner, and it was insane.

0:49:09.760 --> 0:49:12.360
<v Speaker 1>We all got to meet Barack Obama and Michelle Obama

0:49:12.360 --> 0:49:15.040
<v Speaker 1>and Michelle Obamas all telling us so she watched Scandal

0:49:15.080 --> 0:49:17.560
<v Speaker 1>all day and it's her like thing to do on weekends,

0:49:17.560 --> 0:49:19.799
<v Speaker 1>And I just about died on the floor, Like I

0:49:19.880 --> 0:49:26.759
<v Speaker 1>just was like, this is insane. Yeah, yeah, your characters,

0:49:27.320 --> 0:49:31.120
<v Speaker 1>you guys had a little romance at one point. Oh yeah, yeah,

0:49:31.160 --> 0:49:38.040
<v Speaker 1>a very a very dark, dysfunctional, chaotic romance. I'm air

0:49:38.120 --> 0:49:40.600
<v Speaker 1>quoting if you would even call it a romance. I

0:49:40.600 --> 0:49:42.759
<v Speaker 1>think it was more of a I don't know, like

0:49:42.800 --> 0:49:45.680
<v Speaker 1>a crazy sort of connection that they had, and they

0:49:45.760 --> 0:49:49.279
<v Speaker 1>just lusted average after each other and we played like

0:49:49.440 --> 0:49:54.560
<v Speaker 1>crazy motherfucker's Like, so Garbo plays a spy, torturer, killer,

0:49:54.640 --> 0:49:56.359
<v Speaker 1>but he takes me under his wing and I get

0:49:56.400 --> 0:49:59.160
<v Speaker 1>really good also, and then we bone town USA for

0:49:59.200 --> 0:50:03.360
<v Speaker 1>like a bunch while. But it's like I was so delicate.

0:50:03.440 --> 0:50:06.799
<v Speaker 1>I was being delicate for a purpose so insane, and

0:50:06.880 --> 0:50:10.560
<v Speaker 1>now was that filming together? It was that fun. Hell,

0:50:10.680 --> 0:50:14.680
<v Speaker 1>it was fun. I say that about nobody else. By

0:50:14.719 --> 0:50:18.279
<v Speaker 1>the way, the times on the show that I got

0:50:18.320 --> 0:50:24.080
<v Speaker 1>to torture people or have crazy like on camera sex

0:50:24.120 --> 0:50:28.160
<v Speaker 1>with Quinn were the most fun ever. You know, it

0:50:28.239 --> 0:50:31.120
<v Speaker 1>was real. Debbie Allen directed the first episode where we

0:50:31.239 --> 0:50:35.240
<v Speaker 1>had to like I smack your face, then you grab

0:50:35.400 --> 0:50:37.920
<v Speaker 1>my cheeks so that I can't speak. You're like hurting

0:50:37.920 --> 0:50:40.000
<v Speaker 1>my face and oh I smacked him so hard his

0:50:40.080 --> 0:50:43.479
<v Speaker 1>ears was ringing, it wasing for like half an hour.

0:50:43.560 --> 0:50:46.080
<v Speaker 1>I've talked about this on other shows, but I was like, Katie,

0:50:46.120 --> 0:50:48.919
<v Speaker 1>smack me for real, like do it for real, for real?

0:50:48.960 --> 0:50:52.040
<v Speaker 1>And then I was like, what did you say? Debbie

0:50:52.320 --> 0:50:55.319
<v Speaker 1>like I couldn't he. I was like, we had been

0:50:55.360 --> 0:50:58.239
<v Speaker 1>friends for three years already and done three seasons when

0:50:58.239 --> 0:51:00.279
<v Speaker 1>our characters took a turn to get together or so,

0:51:01.080 --> 0:51:04.120
<v Speaker 1>we had a lot of actually like actory conversations where

0:51:04.120 --> 0:51:06.440
<v Speaker 1>we were like, we got to use a lot of tongue,

0:51:06.640 --> 0:51:11.240
<v Speaker 1>like these two are not this classic movie star TV

0:51:11.480 --> 0:51:14.839
<v Speaker 1>kissing bullshit where it's just a lot of lip. Like

0:51:14.920 --> 0:51:17.560
<v Speaker 1>we're fans of that, like we love watching Carrie and

0:51:17.600 --> 0:51:20.960
<v Speaker 1>Fits and Olivia do that. But for Quinn and Hawk,

0:51:21.000 --> 0:51:24.560
<v Speaker 1>they beat to a different drum. They're super weird, super

0:51:24.680 --> 0:51:28.600
<v Speaker 1>kinked out. They torture people for fun. So we were

0:51:28.640 --> 0:51:32.560
<v Speaker 1>like these to feel authentic to them, we have to

0:51:32.600 --> 0:51:35.760
<v Speaker 1>be weird. Yeah, And thank god we were so close

0:51:35.800 --> 0:51:38.960
<v Speaker 1>and we felt really safe and like able to go

0:51:39.000 --> 0:51:41.160
<v Speaker 1>there because I actually think it would have been really

0:51:41.320 --> 0:51:43.680
<v Speaker 1>weird had Quinn and Hawk just sort of done like

0:51:43.719 --> 0:51:48.480
<v Speaker 1>a PG thirteen sort of vibe like they were weird. Yeah.

0:51:48.560 --> 0:51:50.120
<v Speaker 1>I also feel like I don't know if I would

0:51:50.120 --> 0:51:51.719
<v Speaker 1>have been able to if we would have been able

0:51:51.760 --> 0:51:54.960
<v Speaker 1>to do this, if it wasn't you and I. I'm

0:51:55.040 --> 0:51:58.319
<v Speaker 1>trying to think if I had a different actor that

0:51:58.400 --> 0:52:00.200
<v Speaker 1>I was working with, I was playing Quinn. I don't

0:52:00.200 --> 0:52:02.279
<v Speaker 1>know if I would have felt so comfortable or to

0:52:02.400 --> 0:52:07.200
<v Speaker 1>be like, hey, Katie, like, let's at some point I

0:52:07.239 --> 0:52:09.719
<v Speaker 1>didn't even ask you, but I did. I spit on you.

0:52:10.000 --> 0:52:11.680
<v Speaker 1>But then afterwards I was like, oh my god, I'm

0:52:11.719 --> 0:52:13.919
<v Speaker 1>so sorry. You were like I don't care. Oh yeah,

0:52:14.080 --> 0:52:16.520
<v Speaker 1>we had already had the conversation like you could do anything,

0:52:16.560 --> 0:52:19.600
<v Speaker 1>like we were so game. We just felt very safe.

0:52:19.640 --> 0:52:26.360
<v Speaker 1>And did you have a safe word? No? No? What? Um?

0:52:26.400 --> 0:52:30.000
<v Speaker 1>So wait, did you take it further than the writers

0:52:30.200 --> 0:52:35.160
<v Speaker 1>had intended? Yeah? I think so. I think so too. Yeah,

0:52:35.239 --> 0:52:38.400
<v Speaker 1>but they wrote weird shit, so like we had already

0:52:38.560 --> 0:52:43.520
<v Speaker 1>licked each other's faces, he had pulled my teeth out

0:52:44.280 --> 0:52:48.600
<v Speaker 1>with fires that had already been in the script. So

0:52:48.680 --> 0:52:54.080
<v Speaker 1>it's like, yeah, maybe they didn't write spit or slap

0:52:54.200 --> 0:52:57.200
<v Speaker 1>or right that kind of thing, but we had already

0:52:57.320 --> 0:53:01.440
<v Speaker 1>gone to some really freaking weird, dark places. But I

0:53:01.480 --> 0:53:04.040
<v Speaker 1>do think we took it further than what they wrote. Yeah,

0:53:04.120 --> 0:53:09.839
<v Speaker 1>seven years together. Very difficult to say goodbye? How was

0:53:10.000 --> 0:53:13.480
<v Speaker 1>it for you all? I feel like it was difficult

0:53:13.520 --> 0:53:16.920
<v Speaker 1>to say goodbye to the show, but it wasn't difficult

0:53:16.920 --> 0:53:19.880
<v Speaker 1>to say goodbye to the I mean it was difficult,

0:53:19.880 --> 0:53:21.319
<v Speaker 1>but I felt like they're going to be in my

0:53:21.360 --> 0:53:24.719
<v Speaker 1>life forever, So that didn't feel like I was like

0:53:24.760 --> 0:53:27.839
<v Speaker 1>there was I was experiencing a loss as far as

0:53:27.880 --> 0:53:31.799
<v Speaker 1>the actors, but the show was. I mourned. I mean,

0:53:31.880 --> 0:53:34.200
<v Speaker 1>playing Huck for a long time, I'm still mourning it.

0:53:34.600 --> 0:53:37.000
<v Speaker 1>He's the greatest character of all time. You know, we

0:53:37.040 --> 0:53:39.520
<v Speaker 1>were really lucky. Shanda had told us a year before

0:53:40.360 --> 0:53:43.239
<v Speaker 1>that it was ending, so we had a lot of goodbyes,

0:53:43.320 --> 0:53:46.160
<v Speaker 1>We had a lot of last things. I feel like

0:53:47.360 --> 0:53:50.640
<v Speaker 1>I actually was kind of relieved, Like as weird as

0:53:50.640 --> 0:53:53.120
<v Speaker 1>that is, I just felt like we did it. Like

0:53:53.160 --> 0:53:55.840
<v Speaker 1>we did it well. We did the goodbyes, well, we

0:53:55.960 --> 0:53:59.720
<v Speaker 1>played our parts well, no one everyone left on amazing terms.

0:53:59.760 --> 0:54:01.480
<v Speaker 1>Like I just was so proud of us that we

0:54:01.600 --> 0:54:04.080
<v Speaker 1>all like laid our heads on the pillow at the

0:54:04.200 --> 0:54:07.759
<v Speaker 1>rap being like we fucking did that show. I was

0:54:07.800 --> 0:54:10.480
<v Speaker 1>like so proud. And not to say that it would

0:54:10.520 --> 0:54:12.279
<v Speaker 1>have taken a turn, you know, I think we could

0:54:12.280 --> 0:54:14.239
<v Speaker 1>have done it for a million more years, but we

0:54:14.280 --> 0:54:16.960
<v Speaker 1>really finished on a high, and that's what Shanda wanted.

0:54:17.440 --> 0:54:19.000
<v Speaker 1>And I do think it would have been different to

0:54:19.040 --> 0:54:22.560
<v Speaker 1>be on a political show under a different presidency. I do, like,

0:54:22.640 --> 0:54:25.600
<v Speaker 1>I think, you know, we were sort of in this

0:54:26.040 --> 0:54:30.520
<v Speaker 1>wonderful bubble of like Obama and the world looked different

0:54:30.520 --> 0:54:33.400
<v Speaker 1>and it was pre pandemic, and so I'm sort of

0:54:33.400 --> 0:54:35.799
<v Speaker 1>glad it ended where it did and they gave us

0:54:35.800 --> 0:54:40.120
<v Speaker 1>so many chances to say goodbye. Yeah. We're watching episodes

0:54:40.200 --> 0:54:42.520
<v Speaker 1>now of the show and Katie and I are like, um,

0:54:43.320 --> 0:54:45.839
<v Speaker 1>it's so much crazier in real life than we were

0:54:45.880 --> 0:54:49.160
<v Speaker 1>ever on the show politically wise. That you're right. I

0:54:49.200 --> 0:54:51.440
<v Speaker 1>don't know if it would have if it would have

0:54:51.480 --> 0:54:53.799
<v Speaker 1>even you know, resonated with people, it would have been

0:54:53.800 --> 0:54:57.200
<v Speaker 1>like vanilla. Yeah, I mean all the crazy stuff that's

0:54:57.239 --> 0:55:00.480
<v Speaker 1>going on. Yeah, Yeah, I don't know. Yeah, I don't know.

0:55:00.560 --> 0:55:03.400
<v Speaker 1>I think we got out with our heads held high

0:55:03.440 --> 0:55:06.520
<v Speaker 1>and we could be grateful for that. You have a

0:55:06.560 --> 0:55:12.799
<v Speaker 1>new podcast, Unpacking Toolbox. Yeah, about scandal? What what made

0:55:12.800 --> 0:55:19.160
<v Speaker 1>you want to dive back into it? Into office ladies? Okay?

0:55:19.200 --> 0:55:21.320
<v Speaker 1>And I was listening to all these other rewatch podcasts

0:55:21.360 --> 0:55:24.120
<v Speaker 1>and I was like, Yo, someone is definitely going to

0:55:24.239 --> 0:55:26.880
<v Speaker 1>jump on this scandal thing, and it should definitely be

0:55:26.960 --> 0:55:30.880
<v Speaker 1>me and Guermo. I had already had a podcast for

0:55:31.000 --> 0:55:33.600
<v Speaker 1>five years called Katie's Crib that's also produced by Shonda

0:55:33.680 --> 0:55:36.040
<v Speaker 1>Land Audio, and it's a parenting podcast and it was

0:55:36.040 --> 0:55:39.760
<v Speaker 1>the first one they had underneath Shonda Land's audio department.

0:55:40.280 --> 0:55:41.839
<v Speaker 1>So I just called them and I was like, do

0:55:41.880 --> 0:55:44.080
<v Speaker 1>you think you could do a scandal? Rewatch? I feel

0:55:44.080 --> 0:55:46.080
<v Speaker 1>like we have one hundred and twenty four episodes. The

0:55:46.120 --> 0:55:48.640
<v Speaker 1>Gladiators have been bored out of their minds with no

0:55:48.800 --> 0:55:52.000
<v Speaker 1>content for years since we went off the air. Garmo

0:55:52.080 --> 0:55:54.240
<v Speaker 1>and I love to hang out anyway, and we're funny

0:55:54.280 --> 0:55:56.400
<v Speaker 1>and cute even though you don't see us. Our voices

0:55:56.400 --> 0:56:00.400
<v Speaker 1>are delicious. Let's do this. I pitched it before I

0:56:00.440 --> 0:56:04.759
<v Speaker 1>even had like a yes from I didn't even tell Garma.

0:56:05.040 --> 0:56:07.640
<v Speaker 1>You knew I was gonna be like, hell, yeah, I hope. So.

0:56:07.760 --> 0:56:10.480
<v Speaker 1>I mean, he's the busiest actor and he's very very

0:56:10.480 --> 0:56:12.920
<v Speaker 1>in demand and everybody wants him. But I was like, dude,

0:56:13.280 --> 0:56:19.560
<v Speaker 1>you could just stay at home, so in yeah, that's awesome. Yeah.

0:56:19.600 --> 0:56:21.840
<v Speaker 1>I know you're not on Twitter that much anymore, Katie,

0:56:21.840 --> 0:56:24.520
<v Speaker 1>but I still am. And the amount of people that

0:56:24.560 --> 0:56:27.680
<v Speaker 1>are listening to the podcast and are flipping out over

0:56:27.760 --> 0:56:30.480
<v Speaker 1>it and are still excited about it, and have started

0:56:30.520 --> 0:56:35.600
<v Speaker 1>to rewatch Scandal on my heart is remarkable. The other thing, Brian,

0:56:35.680 --> 0:56:38.640
<v Speaker 1>like the Office that everyone's like watching it now and

0:56:38.680 --> 0:56:41.439
<v Speaker 1>you're probably getting like Gray's Anatomy has all these new

0:56:41.520 --> 0:56:44.280
<v Speaker 1>teenagers that are literally starting grays Anomy from the beginning.

0:56:44.560 --> 0:56:48.160
<v Speaker 1>The Office is having the same thing. And Scandal I

0:56:48.200 --> 0:56:52.200
<v Speaker 1>didn't know until us rewatching it one hundred percent holds

0:56:52.280 --> 0:56:58.000
<v Speaker 1>up yes and works and his wonderful ride of TV

0:56:58.400 --> 0:57:00.560
<v Speaker 1>and I'm just like, it's on Hulu. You guys can

0:57:00.600 --> 0:57:03.240
<v Speaker 1>stream this, like I'm watching all the other hot shows

0:57:03.239 --> 0:57:05.439
<v Speaker 1>that are nominated for every fucking Emmy under the sun,

0:57:05.520 --> 0:57:10.399
<v Speaker 1>and like skin Fills a great show. Yeah, is it

0:57:10.440 --> 0:57:13.960
<v Speaker 1>fun to go back and rewatch? Do you remember it?

0:57:13.719 --> 0:57:16.400
<v Speaker 1>It was? It was a scary at first to think

0:57:16.440 --> 0:57:19.400
<v Speaker 1>about having to go and start to watch all these episodes,

0:57:19.440 --> 0:57:21.080
<v Speaker 1>But now so much time has passed, I feel like

0:57:21.120 --> 0:57:24.800
<v Speaker 1>I'm watching someone else, and that's really really nice, do

0:57:24.840 --> 0:57:26.160
<v Speaker 1>you know what I mean? Like I feel like I'm

0:57:26.200 --> 0:57:29.640
<v Speaker 1>a true Scandal fan now a gladiator and I'm able

0:57:29.760 --> 0:57:33.560
<v Speaker 1>to just enjoy it, you know, without any of my

0:57:33.720 --> 0:57:36.640
<v Speaker 1>critical brain jumping in and being like why did you

0:57:36.680 --> 0:57:38.400
<v Speaker 1>do that like that? Or why did you say that

0:57:38.440 --> 0:57:41.200
<v Speaker 1>line like that, I'm I'm just sitting back and enjoying it.

0:57:41.240 --> 0:57:44.560
<v Speaker 1>And it's so freaking good and I'm so good, You're

0:57:44.880 --> 0:57:50.240
<v Speaker 1>so good. It's also the perfect amount of time, Like

0:57:50.280 --> 0:57:53.840
<v Speaker 1>I think it's been ten years since the first season,

0:57:53.960 --> 0:57:56.800
<v Speaker 1>so we're I'm I don't remember, I'm like, who is that?

0:57:56.960 --> 0:58:00.600
<v Speaker 1>Like this is so long ago. And like you said,

0:58:00.640 --> 0:58:03.000
<v Speaker 1>I don't really remember a lot of the scenes that

0:58:03.080 --> 0:58:07.200
<v Speaker 1>I shot, but I do remember the behind the scene stuff,

0:58:07.280 --> 0:58:12.480
<v Speaker 1>right vary, Yes, yes, yeah, same, that's awesome. That's awesome. Yeah,

0:58:12.480 --> 0:58:19.040
<v Speaker 1>you're awesome, Brian, You're awesome, Brian, stop it keep going. Um.

0:58:19.120 --> 0:58:23.960
<v Speaker 1>As Katie mentioned Gammo, you're the busiest man in television recently.

0:58:24.240 --> 0:58:28.760
<v Speaker 1>Law and Order Organized Crime? How was that? It was?

0:58:28.880 --> 0:58:31.280
<v Speaker 1>It was? It was trippy, but at the same time,

0:58:31.320 --> 0:58:35.360
<v Speaker 1>it's a universe that I always feel comfortable in when

0:58:35.360 --> 0:58:38.240
<v Speaker 1>they invite me back. And it was a blast, and

0:58:38.240 --> 0:58:40.520
<v Speaker 1>and you know, and and in this Law and Order

0:58:40.760 --> 0:58:43.960
<v Speaker 1>Organized Crime, I was not playing a criminal. I was playing, yes,

0:58:44.160 --> 0:58:49.520
<v Speaker 1>a detective look at you, which which baby's grown up.

0:58:49.800 --> 0:58:57.040
<v Speaker 1>Oh but he was still he was still a crooked Yeah. Um,

0:58:57.120 --> 0:58:59.800
<v Speaker 1>And I got to, you know, to act with chrism

0:59:00.000 --> 0:59:03.680
<v Speaker 1>Tony and uh Mauritia Hargete and Iced Tea because there

0:59:03.680 --> 0:59:06.800
<v Speaker 1>was a lot of crossover with Lawn Order SVU, so

0:59:06.880 --> 0:59:09.120
<v Speaker 1>it was it was really really fun. And I don't

0:59:09.120 --> 0:59:10.919
<v Speaker 1>know if I'm going back. I was recurring on the show.

0:59:10.960 --> 0:59:12.960
<v Speaker 1>I don't know if I'm going back. But Life of

0:59:13.040 --> 0:59:19.200
<v Speaker 1>an Actor, folks, Life of an Actor. Yeah, and Katie,

0:59:19.360 --> 0:59:23.480
<v Speaker 1>you of course were in the most talked about show

0:59:23.840 --> 0:59:29.320
<v Speaker 1>of twenty twenty two in inventing Anna john Land. Thanks

0:59:29.320 --> 0:59:37.000
<v Speaker 1>for having me to the universe. Were you surprised by

0:59:37.440 --> 0:59:41.000
<v Speaker 1>all of the discussion of that. It's so bizarre to me.

0:59:41.160 --> 0:59:43.360
<v Speaker 1>People are like the most obsessed with that story of

0:59:43.360 --> 0:59:45.720
<v Speaker 1>all time. I truly was not, And I've talked about

0:59:45.720 --> 0:59:48.040
<v Speaker 1>this with Shawn, like she's obsessed with the story and

0:59:48.040 --> 0:59:50.640
<v Speaker 1>people are obsessed with Anna Delbie. I'm like, this bitch

0:59:50.720 --> 0:59:54.680
<v Speaker 1>is a psycho and a sociopath and not kind and

0:59:54.960 --> 0:59:57.400
<v Speaker 1>broke laws and like get her out of here, Like

0:59:57.440 --> 1:00:00.240
<v Speaker 1>I don't understand, but I get I don't know. People

1:00:00.240 --> 1:00:01.880
<v Speaker 1>are I mean, people talk to me every day. I

1:00:01.920 --> 1:00:03.600
<v Speaker 1>get a text about like did you hear what's happening

1:00:03.760 --> 1:00:05.360
<v Speaker 1>with Anna Delvi? Like she's doing this now? I'm like,

1:00:05.440 --> 1:00:08.600
<v Speaker 1>I don't care. Gave her a goddamn show she got

1:00:08.680 --> 1:00:13.520
<v Speaker 1>they gave her. Yeah, she's a criminal. I don't I

1:00:13.600 --> 1:00:16.360
<v Speaker 1>never was like that. O'b says it. Look, I was

1:00:16.600 --> 1:00:18.760
<v Speaker 1>so thrilled to be part of the story, and I'm

1:00:18.800 --> 1:00:21.880
<v Speaker 1>so glad the show was wildly successful. And Julia Garner,

1:00:21.920 --> 1:00:24.120
<v Speaker 1>I would act with her if she was reading the

1:00:24.120 --> 1:00:26.959
<v Speaker 1>phone book. She's so genius. And Laverne Cox and Anna

1:00:27.000 --> 1:00:29.520
<v Speaker 1>Clumsky and I mean, the cast was ridiculous, and of

1:00:29.560 --> 1:00:32.120
<v Speaker 1>course Shawna. The writing was wonderful and I got to

1:00:32.640 --> 1:00:35.720
<v Speaker 1>play a part that was so difficult, and I got

1:00:35.760 --> 1:00:37.440
<v Speaker 1>to go to Morocco for a month and stay in

1:00:37.480 --> 1:00:39.560
<v Speaker 1>the hotel where my character was conned, and I took

1:00:39.600 --> 1:00:43.120
<v Speaker 1>my whole family and it was the shit. That's awesome.

1:00:43.360 --> 1:00:45.200
<v Speaker 1>But I feel like that was my swan song playing

1:00:45.200 --> 1:00:51.120
<v Speaker 1>a twenty seven year old like I forty me too,

1:00:51.680 --> 1:00:56.840
<v Speaker 1>Like I can't like whoa. It's so fascinating though, because

1:00:57.080 --> 1:00:59.040
<v Speaker 1>there were a couple of years ago it was the

1:00:59.600 --> 1:01:03.480
<v Speaker 1>murder Duck serious stuff. You know, there was some you know,

1:01:03.960 --> 1:01:07.040
<v Speaker 1>murderer in the Wisconsin town. I think it was called

1:01:07.080 --> 1:01:09.760
<v Speaker 1>like that was the thing. And then last year. It

1:01:09.840 --> 1:01:12.440
<v Speaker 1>was like all of the con things and I have

1:01:12.520 --> 1:01:20.400
<v Speaker 1>to say, I'm drop out, the uber Vanting, the tender Swindler,

1:01:20.880 --> 1:01:23.959
<v Speaker 1>all of these stories about these people who are just

1:01:24.640 --> 1:01:29.840
<v Speaker 1>horribly deceptive people doing terrible things to people. And I'm

1:01:29.880 --> 1:01:32.439
<v Speaker 1>a little bit like you where I'm like, I don't

1:01:32.520 --> 1:01:35.280
<v Speaker 1>understand why we just don't take these people and lock

1:01:35.360 --> 1:01:38.320
<v Speaker 1>them away. I don't either. I yeah, I was. It

1:01:38.400 --> 1:01:40.240
<v Speaker 1>was never a big thing for me, but that was

1:01:40.320 --> 1:01:42.200
<v Speaker 1>like for the job. Well, it was a great show

1:01:42.280 --> 1:01:45.880
<v Speaker 1>with a great performance by you. And uh, I had

1:01:45.920 --> 1:01:48.720
<v Speaker 1>to cry a lot. You had to cry a lot

1:01:48.760 --> 1:01:51.680
<v Speaker 1>a lot, but you got the stick. So you did

1:01:51.880 --> 1:01:56.479
<v Speaker 1>You didn't You didn't. I have like an hour's worth.

1:01:56.480 --> 1:01:58.400
<v Speaker 1>It takes in me with that one. If that and

1:01:58.400 --> 1:02:06.800
<v Speaker 1>then I'm like ted, Yeah, you guys are awesome. Thank

1:02:06.840 --> 1:02:08.720
<v Speaker 1>you so much for taking the time to hang out

1:02:08.760 --> 1:02:16.280
<v Speaker 1>with me Unpacking the Toolbox. If you're a Scandal fan,

1:02:16.680 --> 1:02:21.320
<v Speaker 1>or even if you're not totally right now, check out

1:02:21.480 --> 1:02:24.520
<v Speaker 1>the podcast because that will enable you to definitely check

1:02:24.560 --> 1:02:29.280
<v Speaker 1>out Scandal. You guys, thank you so much, Come back anytime.

1:02:29.640 --> 1:02:46.360
<v Speaker 1>Thank you, Brian, Bye everybody. Katie Giermo, you guys are

1:02:46.360 --> 1:02:49.280
<v Speaker 1>the best. Thank you so much, good luck on the

1:02:49.320 --> 1:02:53.600
<v Speaker 1>podcast Unpacking the Toolbox, and thank you so much for

1:02:53.680 --> 1:02:59.040
<v Speaker 1>joining me and telling me juiciest scandal ever, because that

1:02:59.160 --> 1:03:02.520
<v Speaker 1>is definitely it just happened. Listeners make sure to tune

1:03:02.560 --> 1:03:05.880
<v Speaker 1>in to their podcast and come back here next week

1:03:06.000 --> 1:03:09.960
<v Speaker 1>for more stories Off the Beat. It can't come soon enough,

1:03:10.120 --> 1:03:22.160
<v Speaker 1>and have a great week everyone. Off the Beat is

1:03:22.200 --> 1:03:26.600
<v Speaker 1>hosted an executive produced by me Bryan Baumgartner, alongside our

1:03:26.640 --> 1:03:31.240
<v Speaker 1>executive producer Langley. Our senior producer is Diego Tapia. Our

1:03:31.280 --> 1:03:35.200
<v Speaker 1>producers are Liz Hayes, Hannah Harris, and Emily Carr. Our

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<v Speaker 1>talent producer is Ryan Papa Zachary, and our intern is

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<v Speaker 1>Sammy Katz. Our theme song Bubble and Squeak, performed by

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<v Speaker 1>the one and only Creed Bratton