WEBVTT - Mini Crush #85

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

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<v Speaker 1>welcome to Movie Crush. I'm Chuck. I'm no, thank you, sir.

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<v Speaker 1>May I have another mini crush? Yes, you haven't even

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<v Speaker 1>seen that movie, have you. I I've tried watching it, Chuck.

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<v Speaker 1>Just that's your ref though that you're dropping. Well, isn't

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<v Speaker 1>that where they get the spankings? Yeah, Kevin Bacon. Kevin

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<v Speaker 1>Bacon's in that. Yeah, he's one of the spankers, the spanker.

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<v Speaker 1>I think he's getting spanked. Yeah, I think he's getting Yeah,

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<v Speaker 1>I don't know. I think we've talked about this. No,

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<v Speaker 1>I know, I know what I talked about with it

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<v Speaker 1>was my friend Harry who was visiting me, who went

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<v Speaker 1>to see Fantastic. You heard a King Gizzard in the

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<v Speaker 1>Lizard Wizard, Chuck, I have a very unfortunate name there. Amazing.

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<v Speaker 1>They're the best live band I've ever seen in my life,

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<v Speaker 1>the best among among the top three. Yeah, it's just

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<v Speaker 1>I mean, I don't know how. They're just like so

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<v Speaker 1>tight and it's like, you know, yeah, they're they're very psychedelic.

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<v Speaker 1>If you can't tell about the name, but they don't

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<v Speaker 1>stop like they just like their songs kind of blend

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<v Speaker 1>into the next one. And they have two drummers and

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<v Speaker 1>just it was the tabernacle, which is a used to

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<v Speaker 1>be a church, and it was a pit like I'd

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<v Speaker 1>never seen before. It looked like a swirling yes yes

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<v Speaker 1>down on the ship. It was really fun. Um. I

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<v Speaker 1>can just picture you there allinol. Yeah. And we like

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<v Speaker 1>their new record sounds like early Metallica. It's very thrash metal.

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<v Speaker 1>And then like they put out six records in I think,

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<v Speaker 1>and they're all independently recorded and released and distributed. They

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<v Speaker 1>have their own label, um, and they're all good records.

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<v Speaker 1>Some of them are just like super proggy cyc Rocks.

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<v Speaker 1>Some of them are kind of more jazz. Some of

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<v Speaker 1>them are sort of more electronic e Like they're all

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<v Speaker 1>over the place. Come out man, right, Um, I'll check

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<v Speaker 1>it out. I gotta get past that name. Yeah, just

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<v Speaker 1>call him, call him King Gizz. So that's what the

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<v Speaker 1>giz heads call him. Oh, I think its head dude.

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<v Speaker 1>People follow them on tour. They're like, I believe it

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<v Speaker 1>worship It sounds like a band. People would follow him there,

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<v Speaker 1>but I'm not. I'm not that guy though. Like I

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<v Speaker 1>I saw this band Silent Scene and let that too.

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<v Speaker 1>But I went to the first time. His friend just

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<v Speaker 1>told me about him and I said the same thing.

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<v Speaker 1>I said, I've heard of that name. It's so sort

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<v Speaker 1>of so stupid sounding. Maybe it's good. And I went

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<v Speaker 1>and it just blew my mind. I've seen every time

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<v Speaker 1>I could. I've seen three times. Is my third time Sea. Yeah.

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<v Speaker 1>You know, sometimes a band name, well you'll think it's

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<v Speaker 1>kind of a dumb name, is a stupid band name,

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<v Speaker 1>and I see, I love that. Um. When I first

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<v Speaker 1>heard I remember the day my friend Chris Cox handed

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<v Speaker 1>me a Modest Mouse c d Um Lonesome Crowded West,

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<v Speaker 1>and I went, that's the worst band name I've ever heard,

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<v Speaker 1>Modest Mouse And ended up being a huge, huge fan

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<v Speaker 1>band up until a certain point and then not as much. Yeah.

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<v Speaker 1>They they never really just like Tank though, I mean

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<v Speaker 1>even like float On. It is like it's a pretty

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<v Speaker 1>damn good song. You know. It was fine. That's when

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<v Speaker 1>I was sort of started to wayne and I don't

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<v Speaker 1>like the up popular I didn't, but I didn't love

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<v Speaker 1>those albums as much. Yeah. That and just to go

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<v Speaker 1>back around what I was saying, the conversation was happ

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<v Speaker 1>with my friend Harry, who, by the way, he's a

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<v Speaker 1>guy who owned a record store in my hometown turned

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<v Speaker 1>me onto so much formative music for me when I

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<v Speaker 1>was younger, and he's one of these like life for

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<v Speaker 1>music snob types who are very hard to get them

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<v Speaker 1>excited about something. I turned him onto King Gizzard and

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<v Speaker 1>he went out and bought all of their stuff on

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<v Speaker 1>vinyl and they have a pile of records. He doesn't

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<v Speaker 1>do that, and he came specifically for this show and

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<v Speaker 1>he had an absolute blastem right now. That's how I

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<v Speaker 1>praise if your music is not print liked it. And

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<v Speaker 1>he's the one who said, I just don't understand Animal

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<v Speaker 1>House because I don't get the frame of reference because

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<v Speaker 1>I wasn't how we went down this rabbit hole because

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<v Speaker 1>you know, I wasn't around during that time that up

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<v Speaker 1>of comedy was sort of more prevalent. And it's just

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<v Speaker 1>as something that maybe like either clicks for you or

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<v Speaker 1>it doesn't, and it it doesn't for me. Got you

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<v Speaker 1>by the way, No, I want to isolate that, uh

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<v Speaker 1>that sound. I don't think that show we did last

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<v Speaker 1>Friday was the best. Have you listened to it? No? Yeah, okay,

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<v Speaker 1>it wasn't the best. We were clearly, you know, shuffling,

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<v Speaker 1>trying to trying to get some material. It was fine.

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<v Speaker 1>I thought it was cool, but you know, people like

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<v Speaker 1>we actually try in here, we do try, and uh,

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<v Speaker 1>I don't think it was our best episode. But your

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<v Speaker 1>sound that you made in the Mandalorian trailer when Verner

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<v Speaker 1>Hertzog's voice happened, I want to isolate that sound and

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<v Speaker 1>then use it as recurring. Uh, it's it's been done.

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<v Speaker 1>It's been dubbed the noel Helm scream. Did you see

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<v Speaker 1>that on the On the message, somebody said that the

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<v Speaker 1>noel Helm scream? And I also I very rarely chime in,

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<v Speaker 1>uh negatively ever, we even when people are like trashing

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<v Speaker 1>something online. But somebody said something to the effect of

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<v Speaker 1>like he made that scream for Verner Herzog. I'm like,

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<v Speaker 1>what are you implying? What are you getting at? What's

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<v Speaker 1>your point? Thousand times? Yes, yeah, I think there was.

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<v Speaker 1>There was. There was just such a inherently negative comment

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<v Speaker 1>with no qualifications whatsoever. I just wanted to chime in

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<v Speaker 1>and be like, what's your problem, buddy? Yeah, that is

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<v Speaker 1>weird because Verner Herzog's speaking voice is universally loved and exactly.

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<v Speaker 1>It's like saying you made that voice over that sound

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<v Speaker 1>over here and Christopher walking like exactly. It's an iconic voice.

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<v Speaker 1>But for me, I love the voice. I love hearing

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<v Speaker 1>it out of context like that with a cut to

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<v Speaker 1>black and you hear Vernon. Of course, I had a

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<v Speaker 1>legitimate human emotion. I was sitting here and witnessed it

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<v Speaker 1>and thought it was like one of the funniest things.

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<v Speaker 1>I felt feels in my heart place for that one.

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<v Speaker 1>But I also I like Verner Herzel. He's one of

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<v Speaker 1>the rare filmmakers that is amazing, documentaries amazing and narrative.

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<v Speaker 1>He's a great actor. He's just a smart, fascinating Yeah,

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<v Speaker 1>and I'm a huge, huge fan of it. Totally, dude,

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<v Speaker 1>I'm way down with that. Could you imagine if we

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<v Speaker 1>could get him on the show. Oh god, you would

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<v Speaker 1>have to sit down that I could not just do

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<v Speaker 1>that interview without you in the room. I would love, dude,

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<v Speaker 1>I would I would be very that would be very upset. Yeah,

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<v Speaker 1>you do a good burner. I tried to what if

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<v Speaker 1>you could interview Werner Herzok in character as Werner Herzog.

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<v Speaker 1>That's too much a black hole would open up and

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<v Speaker 1>swallow up. Maybe next April Fools, we'll get a we'll

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<v Speaker 1>get Kevin Pollack on it. Come to brush up on

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<v Speaker 1>his you know, he is a great urner, is your boy,

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<v Speaker 1>Paul F. Tompkins, He is Werner on comedy bank Bag.

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<v Speaker 1>It's a recurring thing. Yeah, that's p F. T He

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<v Speaker 1>might do it all right, here we go, No, we're

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<v Speaker 1>gonna We're gonna start off with the social studies about

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<v Speaker 1>social regions and places where movies are set that they

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<v Speaker 1>really just nailed. And basically I'm sort of asking, like,

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<v Speaker 1>has a movie ever been made from about the place

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<v Speaker 1>where you were from that just really really nailed it?

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<v Speaker 1>Does that make sense? Yeah? And how? Because that's a

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<v Speaker 1>big deal when someone especially if it's not like New

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<v Speaker 1>York City, although that's coming up in a second, So

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<v Speaker 1>when someone makes a movie about the place where you're from,

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<v Speaker 1>there could be a lot of nerves going in that

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<v Speaker 1>film for how your place is portrayed. Absolutely, you know, yeah,

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<v Speaker 1>I mean it's like, I mean, you know, with Atlanta,

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<v Speaker 1>it's a little different, I guess because so much of

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<v Speaker 1>is filmed here and the identity of the city is

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<v Speaker 1>very like you know, it's it's not about Atlanta. But

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<v Speaker 1>then you had a movie like Baby Driver, which I

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<v Speaker 1>went into a little bit trepidacious. Only how are they

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<v Speaker 1>going to make us everyone have Southern Actually they did

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<v Speaker 1>a little bit of that, not too much. Well that's true,

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<v Speaker 1>that not too much. Lead female with the waitress she

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<v Speaker 1>sort of did. Alright, let's get it going here. Uh oh.

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<v Speaker 1>Our oldest friend Jenna van Valen Um, funny farm. I

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<v Speaker 1>lived in a small town in New Hampshire for twenty years.

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<v Speaker 1>Most hilarious accurate depiction of locals. Yeah, I could totally

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<v Speaker 1>see that. Djokoski says Zodiac for the Bay Area in nostalgia,

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<v Speaker 1>even though the events were before his time. Um. One

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<v Speaker 1>of our oldest of friends, Lisa to share a says Ladybird. Um,

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<v Speaker 1>I mean only big movie based in Secretary. Yeah, that's

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<v Speaker 1>that's kind of cool when that happens. You know, they

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<v Speaker 1>recently did a thing four did it the promotional thing

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<v Speaker 1>where they projected movies that were based in places in

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<v Speaker 1>on billboards in those places and had people come and

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<v Speaker 1>it was like free screenings and they did um uh

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<v Speaker 1>good time. And I believe in queens and queens Boulevards

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<v Speaker 1>and they that's so good. And they did the The

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<v Speaker 1>Spectacular Now, which is an at in Athens, and they

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<v Speaker 1>did that an Athene and they did they did Um

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<v Speaker 1>Lady Burden in Sacramento. It was a cool thing. It

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<v Speaker 1>was all about tying the film to the place, for sure.

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<v Speaker 1>One of our old friends, Louis Silva says, not a movie,

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<v Speaker 1>but King of the Hill on Garland, Texas is pretty

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<v Speaker 1>spot on. One of our old friends, Kelly Butler Olson

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<v Speaker 1>k BO says, the Good Place another TV show of

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<v Speaker 1>Jacksonville is pretty hilarious. Interesting. I didn't know what was

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<v Speaker 1>set there. I have to check that out. The Good Place,

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<v Speaker 1>that's what she said, Jacksonville. But it's not meant to

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<v Speaker 1>be a place though. I mean, it's like it's like,

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<v Speaker 1>is it shot and Jacksonville Maybe that might be it.

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<v Speaker 1>We're specifically talking about places that are like, this is

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<v Speaker 1>the place sort of oh, and she qualifies it. I'm sorry, KBO.

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<v Speaker 1>She says, not quite what you're looking for. So it's

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<v Speaker 1>an adjacent comment. I'll tell you. Another good one is

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<v Speaker 1>The Florida Projects, Yeah, which is a fantastic film. Boy

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<v Speaker 1>really nails that, really nails it, and it's a tough

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<v Speaker 1>interstate motel scene in central Florida. You were there. I

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<v Speaker 1>spent a week there in Orlando, very strange place because

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<v Speaker 1>it exists like solely for the purpose of feeding this

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<v Speaker 1>kind of tourist machine. Right, It's interesting. It's almost like

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<v Speaker 1>not a real place. But we found this dive bar

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<v Speaker 1>called Cheers that we hung out in, like after all

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<v Speaker 1>the hullabaloo stuff at the hotels, and that's where like

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<v Speaker 1>all the kind of local people hang hung out. And

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<v Speaker 1>it was neat to actually go from being in these

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<v Speaker 1>convention centers and these like phony kind of like hotel

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<v Speaker 1>ballrooms where people are from all over the place to

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<v Speaker 1>being in like, Okay, here's what the Orlando people are like, right,

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<v Speaker 1>and they were great. That's good. Do you make some friends? Yeah,

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<v Speaker 1>of course always. Uh let me see here. This is

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<v Speaker 1>funny enough to where I'm going to read it even

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<v Speaker 1>though it's a gag comment. Our old friend j J

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<v Speaker 1>Forbinos is train spotting. Perfect view of Columbus, Ohio. That's funny.

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<v Speaker 1>Let me see here. Christy Richardson says coal miner's daughter

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<v Speaker 1>was filmed near she lives pretty good job showing how

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<v Speaker 1>hard scrabble Appealachian Appalachian life can be Melanie Kaupman, Always

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<v Speaker 1>Sunny in Philadelphia gets a surprising amount, right, Jane, Oh,

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<v Speaker 1>this is one of my favorite movies. Jana Rife. It's Gersta.

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<v Speaker 1>Hear that name, Noel, you know what's coming up? Uh? No, run,

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<v Speaker 1>Lola run ah, yes, lo La Rent. Lola Rent says,

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<v Speaker 1>excellent depiction of what my beloved Berlin feels like. I

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<v Speaker 1>love that movie, Rata. I think I said that right.

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<v Speaker 1>Douglas Thompson says Snowtown really nailed a low economic housing situation.

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<v Speaker 1>I don't know that show or a movie rather. Jennifer

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<v Speaker 1>Mudge one of our old friends. Um, I'm stuck with

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<v Speaker 1>period pieces from long before I was alive, movies like

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<v Speaker 1>Robot Coop and eight Mile. So what is that Detroit? Yes, yes,

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<v Speaker 1>of course, yeah she didn't say Detroit. I guess it's

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<v Speaker 1>just a given A mile is like is the area?

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<v Speaker 1>I think? Yeah, enjoy it. It was a good movie

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<v Speaker 1>for sure. R I p Curtis Hansen. Man's so sad

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<v Speaker 1>that he's gone. Such a great filmmaker. That's right, which

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<v Speaker 1>I'm sorry he was the directory. I know that. Yeah,

0:12:20.160 --> 0:12:24.680
<v Speaker 1>I'm almost positive. Although of a mile. Yeah, right, didn't

0:12:24.679 --> 0:12:27.320
<v Speaker 1>he direct that? I thought it was somebody else. You

0:12:27.400 --> 0:12:29.760
<v Speaker 1>might be right, Yeah, Curtis has Yeah, what what else

0:12:29.760 --> 0:12:32.960
<v Speaker 1>did he do? Well? He did my one of my

0:12:33.000 --> 0:12:37.240
<v Speaker 1>favorite movies all time, Wonder Boys. That's right. I love

0:12:37.360 --> 0:12:40.839
<v Speaker 1>Wonder Boy, but I like Confidential of course, the Hand

0:12:40.840 --> 0:12:43.880
<v Speaker 1>that Rocks the Cradle Wild. I like Confidential as a

0:12:43.920 --> 0:12:46.679
<v Speaker 1>favorite as well. That'll be coming up soon. Everyone on

0:12:46.800 --> 0:12:49.800
<v Speaker 1>the film noir series with Scottie. I'm plotting it out

0:12:49.800 --> 0:12:51.800
<v Speaker 1>and all I've been cutting it too close. So I

0:12:51.840 --> 0:12:54.160
<v Speaker 1>got a bunch of people lined up for filmmaker series. Nice.

0:12:54.679 --> 0:12:58.240
<v Speaker 1>I haven't had many interviews come through for like you know, well,

0:12:58.280 --> 0:13:00.200
<v Speaker 1>you know what, Chuck and I don't really care, but

0:13:00.200 --> 0:13:02.840
<v Speaker 1>but maybe maybe it's time to just change the format

0:13:02.880 --> 0:13:04.320
<v Speaker 1>of the show and just be a little more open

0:13:04.360 --> 0:13:07.200
<v Speaker 1>about it. Well, that's already happened. What's happening. Have you

0:13:07.240 --> 0:13:11.720
<v Speaker 1>discussed this? Yeah, it's it's just filmmaker series, film series.

0:13:12.320 --> 0:13:14.320
<v Speaker 1>People that can come through town and get interviews in

0:13:15.080 --> 0:13:18.160
<v Speaker 1>you and I goofing on. People love it. It's free

0:13:18.160 --> 0:13:21.120
<v Speaker 1>form radio. It's that's exactly right. People love it. I

0:13:21.160 --> 0:13:22.960
<v Speaker 1>always love freeform. People who love it love I mean,

0:13:22.960 --> 0:13:24.600
<v Speaker 1>I'm just saying like, and it's it's, it's. I don't

0:13:24.600 --> 0:13:28.200
<v Speaker 1>think anyone is tuning in with an expectation like I mean, honestly,

0:13:28.280 --> 0:13:29.880
<v Speaker 1>the more open ended it is, I think the more

0:13:29.920 --> 0:13:32.840
<v Speaker 1>adaptable it is for everybody. People who heard. We've heard

0:13:32.840 --> 0:13:34.679
<v Speaker 1>some people who are like, Oh, if I don't know

0:13:34.800 --> 0:13:36.720
<v Speaker 1>the celebrity or I don't know the movie, then I'm

0:13:36.840 --> 0:13:39.120
<v Speaker 1>going to be less inclined to listen with this. It's

0:13:39.160 --> 0:13:41.800
<v Speaker 1>like there's something for everybody, and now everyone knows Scotty

0:13:41.920 --> 0:13:45.199
<v Speaker 1>and Casey and Pam. Pam. She needs to get back

0:13:45.240 --> 0:13:48.600
<v Speaker 1>in here. I've been asking and asking. She's busy, nol.

0:13:49.040 --> 0:13:51.720
<v Speaker 1>That's why Pam hasn't been on everybody. Michael Reads as

0:13:51.760 --> 0:13:56.559
<v Speaker 1>Witness Lancaster, Pennsylvania really nailed it. The Amish refused to

0:13:56.600 --> 0:14:00.880
<v Speaker 1>watch it. Well, I don't think Amish do they issue

0:14:00.920 --> 0:14:06.880
<v Speaker 1>all media. I think they have some particularly strict rules

0:14:06.920 --> 0:14:11.199
<v Speaker 1>around like see Witness, yeah, or like Room Room Springer

0:14:11.280 --> 0:14:13.520
<v Speaker 1>is the thing where they let the kids go and

0:14:13.559 --> 0:14:15.640
<v Speaker 1>go bat shit out in the real world and then

0:14:15.679 --> 0:14:18.000
<v Speaker 1>they come back. Some of them never come back. There's

0:14:18.000 --> 0:14:22.320
<v Speaker 1>a whole documentary about that called The Devil's Playgrounds. Devil's playgrounds, right.

0:14:23.400 --> 0:14:25.680
<v Speaker 1>Don Morris, one of rold pals, agrees with you. Nol

0:14:25.720 --> 0:14:29.680
<v Speaker 1>on the Florida Project, very dark side of central Florida

0:14:29.760 --> 0:14:33.760
<v Speaker 1>towns Lee Leonard says, Zach and Mary make a porno

0:14:33.960 --> 0:14:37.520
<v Speaker 1>nails the East Berg. A lot of movies set in Pittsburgh.

0:14:37.520 --> 0:14:41.040
<v Speaker 1>I've noticed that's where mind Hunter is shot. You've been

0:14:41.040 --> 0:14:43.520
<v Speaker 1>watching the season two. No, I'm trying to finish season one.

0:14:43.600 --> 0:14:45.360
<v Speaker 1>I fell off, even though it's really good. I just

0:14:45.400 --> 0:14:47.240
<v Speaker 1>had a lot going on, and I've been, I've been.

0:14:47.720 --> 0:14:49.640
<v Speaker 1>I'm back in so I'm trying to finish season one

0:14:49.680 --> 0:14:51.760
<v Speaker 1>and then dive right into season two. You've seen, I

0:14:51.760 --> 0:14:53.840
<v Speaker 1>think in through like three episodes of season two, and

0:14:53.840 --> 0:14:56.920
<v Speaker 1>it's all about the Atlantic Shop murders, uh and more. Yeah,

0:14:56.960 --> 0:14:58.680
<v Speaker 1>of course, but that's a big fact that they're just

0:14:59.400 --> 0:15:02.120
<v Speaker 1>it takes every episodes to even get to that because

0:15:02.120 --> 0:15:04.120
<v Speaker 1>there's other stuff going on, you and there's some Manson

0:15:04.160 --> 0:15:06.520
<v Speaker 1>stuff too. Yeah. I mean, I'm just now realizing the

0:15:06.520 --> 0:15:08.680
<v Speaker 1>show is sort of a which is a great idea

0:15:08.720 --> 0:15:11.280
<v Speaker 1>because true crime and all that stuff is such a

0:15:11.280 --> 0:15:13.400
<v Speaker 1>big thing right now. It's like, hey, let's make a movie.

0:15:13.480 --> 0:15:16.520
<v Speaker 1>It's like an all star game, right, and just trot

0:15:16.560 --> 0:15:20.120
<v Speaker 1>out every single because a lot of these timelines overlap

0:15:20.720 --> 0:15:25.640
<v Speaker 1>of either these people in prison that they're interviewing or

0:15:25.840 --> 0:15:29.880
<v Speaker 1>showing the real time stuff of people that haven't been

0:15:29.880 --> 0:15:31.880
<v Speaker 1>caught yet of course, so that's kind of one of

0:15:31.880 --> 0:15:33.760
<v Speaker 1>the fun parts of the show. Yeah, I was looking

0:15:33.760 --> 0:15:36.960
<v Speaker 1>because in the first season it's one particular guy they

0:15:37.040 --> 0:15:39.760
<v Speaker 1>keep showing mainly, but they do other and they do others. No,

0:15:39.920 --> 0:15:41.600
<v Speaker 1>I just mean the guy that's showing in real time

0:15:41.680 --> 0:15:43.200
<v Speaker 1>doing this thing. He's the guy that works for the

0:15:43.280 --> 0:15:47.080
<v Speaker 1>security company, right, and that's what they're doing so far

0:15:47.160 --> 0:15:48.720
<v Speaker 1>in this one as well. Has he end up being

0:15:48.720 --> 0:15:50.360
<v Speaker 1>the Is he the b t K Killer? Is that

0:15:50.360 --> 0:15:52.560
<v Speaker 1>who that's supposed to be season two? In season one,

0:15:53.560 --> 0:15:55.880
<v Speaker 1>there's a guy that they show and the cold opens

0:15:56.560 --> 0:15:59.680
<v Speaker 1>works for a home security company, and you just kind

0:15:59.680 --> 0:16:02.560
<v Speaker 1>of show him progressing through, but but then he doesn't

0:16:02.600 --> 0:16:05.560
<v Speaker 1>really come up like in the actual show. Okay, I'm

0:16:05.600 --> 0:16:08.120
<v Speaker 1>having a hard time remembering season one now because they

0:16:08.520 --> 0:16:10.720
<v Speaker 1>took so long in between. Yeah, the b t K

0:16:10.920 --> 0:16:13.320
<v Speaker 1>is in season two, so maybe it was the same guy.

0:16:13.400 --> 0:16:15.200
<v Speaker 1>Maybe it's him and they're setting it up for season two.

0:16:15.640 --> 0:16:17.720
<v Speaker 1>That must be it. That must be it. I need

0:16:17.720 --> 0:16:20.280
<v Speaker 1>to go back and rewatch season one. That took way

0:16:20.280 --> 0:16:22.840
<v Speaker 1>too long of a break for me. I was quite

0:16:22.840 --> 0:16:24.840
<v Speaker 1>a while to the point where I was like, do

0:16:24.920 --> 0:16:27.720
<v Speaker 1>I even care anymore? It's dangerous ground. It can if

0:16:27.720 --> 0:16:31.160
<v Speaker 1>you take too much time between an album or a

0:16:31.240 --> 0:16:34.560
<v Speaker 1>movie or a TV show kind of time it right, No,

0:16:35.640 --> 0:16:39.280
<v Speaker 1>Tim Lanigan's is good while Hunting really nail Boston except

0:16:39.280 --> 0:16:43.360
<v Speaker 1>for the shitty fake accents. But those guys are from Boston. Yeah,

0:16:43.720 --> 0:16:46.960
<v Speaker 1>everyone from Boston still bags on the Yeah, I don't know.

0:16:47.120 --> 0:16:50.280
<v Speaker 1>What about the what about the the departed? How are

0:16:50.280 --> 0:16:54.640
<v Speaker 1>those accents the departed? I don't know. They probably get

0:16:54.680 --> 0:16:57.800
<v Speaker 1>backed on too exciting people in Boston unless you're it's

0:16:57.840 --> 0:17:00.160
<v Speaker 1>like any actor as a phony, even if they're like

0:17:00.360 --> 0:17:05.760
<v Speaker 1>from Southee. There you go, like that sounds about right. No.

0:17:05.960 --> 0:17:09.159
<v Speaker 1>I had eight lobster rolls on between Boston and Portland,

0:17:09.240 --> 0:17:11.960
<v Speaker 1>Maine over my long weekend. They're fantastic. Well, I was

0:17:11.960 --> 0:17:13.880
<v Speaker 1>trying to do a little thing where I could really

0:17:13.960 --> 0:17:16.440
<v Speaker 1>just see all the varieties and vote on my best

0:17:16.520 --> 0:17:18.800
<v Speaker 1>tour de lobster roll. And you know what my favorite

0:17:18.800 --> 0:17:21.919
<v Speaker 1>one was. I think it was a gourmet shop in

0:17:22.119 --> 0:17:26.800
<v Speaker 1>Cape Elizabeth, Maine, like just off to the side of

0:17:26.800 --> 0:17:30.000
<v Speaker 1>the road see Salt Gourmet Shop. They did the best

0:17:30.040 --> 0:17:32.719
<v Speaker 1>lobster roll the whole whole trip. It was so good.

0:17:33.240 --> 0:17:37.440
<v Speaker 1>I went to an incredible dive bar that's apparently really beloved.

0:17:37.800 --> 0:17:41.959
<v Speaker 1>I want to say, it's like Annie's Kitchen or something kitchen.

0:17:42.440 --> 0:17:44.840
<v Speaker 1>Where was it in Boston like it was in Cambridge?

0:17:44.840 --> 0:17:47.080
<v Speaker 1>It was? It was. It was very close to um

0:17:47.200 --> 0:17:49.840
<v Speaker 1>the garage that that that like shopping center where there's

0:17:49.840 --> 0:17:52.600
<v Speaker 1>like Newberry Comics is there. But anyway, it's it's a

0:17:52.640 --> 0:17:55.440
<v Speaker 1>dive bar, like legitimate dive bar. But you can get

0:17:55.480 --> 0:17:59.359
<v Speaker 1>a whole lobster at this dive bar. That doesn't surprised me.

0:17:59.400 --> 0:18:01.240
<v Speaker 1>And it's great. And I had the lobster all there

0:18:01.240 --> 0:18:04.000
<v Speaker 1>and it was it was fantastic. You could get lobsters

0:18:04.040 --> 0:18:07.200
<v Speaker 1>in the Portland Airport on your way home and they

0:18:07.200 --> 0:18:11.600
<v Speaker 1>would throw live lobsters in a box of I guess

0:18:11.640 --> 0:18:13.919
<v Speaker 1>there's dry ice in there and hand it to you

0:18:14.000 --> 0:18:17.040
<v Speaker 1>to get on the plane. Knoll live lobsters. Charlie's Kitchen,

0:18:17.119 --> 0:18:21.840
<v Speaker 1>Charlie in Harvard Square had square you know what else

0:18:21.880 --> 0:18:24.320
<v Speaker 1>they had in Portland, Maine and talk about charming me.

0:18:24.760 --> 0:18:28.360
<v Speaker 1>Charming the pants off of me is on a sidewalk

0:18:28.359 --> 0:18:31.040
<v Speaker 1>they will have like an oyster card. Yeah, like you

0:18:31.080 --> 0:18:32.680
<v Speaker 1>can just walk up and the guy will like shuck

0:18:32.680 --> 0:18:36.160
<v Speaker 1>you a couple of course that you'll slurp down. Love it. God,

0:18:36.359 --> 0:18:38.640
<v Speaker 1>you've been to the Kimble House here in Atlanta? Oh sure,

0:18:38.800 --> 0:18:41.600
<v Speaker 1>really good oysters. I can live on that stuff. No,

0:18:41.760 --> 0:18:45.760
<v Speaker 1>I could be a desert island survivor. I think I

0:18:45.800 --> 0:18:47.240
<v Speaker 1>think I could do it. You think so? Would just

0:18:47.320 --> 0:18:49.359
<v Speaker 1>oh just you, you would just chuck? You would be

0:18:49.560 --> 0:18:52.320
<v Speaker 1>I could live on shellfish and fish and seafood. Do

0:18:52.400 --> 0:18:55.879
<v Speaker 1>you think you could catch a fish they're handed chuck

0:18:56.200 --> 0:18:58.159
<v Speaker 1>or would you have to fashion yourself some sort of

0:18:58.200 --> 0:19:02.600
<v Speaker 1>implement the spear, perhaps sort of a fishing pole. Oh boy?

0:19:03.440 --> 0:19:06.760
<v Speaker 1>All right, now we're moving on to another regional thing.

0:19:06.880 --> 0:19:10.800
<v Speaker 1>But this is New York movies specifically, which movie really

0:19:11.040 --> 0:19:13.960
<v Speaker 1>nailed New York City? And I know it's not a movie, no,

0:19:14.160 --> 0:19:15.960
<v Speaker 1>but I'm always on record of saying the show High

0:19:16.000 --> 0:19:19.000
<v Speaker 1>Maintenance as doing one of the best jobs of nailing

0:19:19.240 --> 0:19:21.239
<v Speaker 1>what real modern day New York City is like than

0:19:21.280 --> 0:19:23.320
<v Speaker 1>anything else. I don't know, it's the show you'd like

0:19:23.400 --> 0:19:27.560
<v Speaker 1>to it's one I haven't seen really, Chuck, No, No,

0:19:27.720 --> 0:19:30.159
<v Speaker 1>I haven't yet. I've seen some of the web, you know,

0:19:30.200 --> 0:19:32.720
<v Speaker 1>the shorts or whatever, but I need to get into it.

0:19:32.760 --> 0:19:36.159
<v Speaker 1>I know that you're a huge fan. It makes sense though,

0:19:36.200 --> 0:19:38.359
<v Speaker 1>from the perspective that it's shown, right, isn't it shown

0:19:38.400 --> 0:19:41.520
<v Speaker 1>one from these bike guys that real New York It's

0:19:41.520 --> 0:19:44.719
<v Speaker 1>real New Yorkers. It's everyday stuff. It's neighborhood stuff. It's

0:19:44.760 --> 0:19:48.640
<v Speaker 1>nothing uh um, flashy about it. It's just real deal

0:19:49.160 --> 0:19:51.439
<v Speaker 1>with the ideas. That's one character who delivers weed to

0:19:51.480 --> 0:19:55.120
<v Speaker 1>lots of different customers. Yes, and that's sort of the framework.

0:19:56.080 --> 0:19:57.879
<v Speaker 1>Does it adventure outside of that? But what it is,

0:19:57.880 --> 0:20:00.720
<v Speaker 1>it's a show about New York stories, of course, told

0:20:00.720 --> 0:20:03.359
<v Speaker 1>through this guy's, you know, point of view, sort of

0:20:04.320 --> 0:20:08.879
<v Speaker 1>justin Eagles has Escape from New York. That's funny, he's laughing.

0:20:08.880 --> 0:20:10.800
<v Speaker 1>He said, for Texas, never been to New York. So

0:20:10.840 --> 0:20:14.760
<v Speaker 1>that's how much. That's how I envision it. Escape from

0:20:14.760 --> 0:20:16.800
<v Speaker 1>New York and all was coming up in a couple

0:20:16.840 --> 0:20:19.640
<v Speaker 1>of weeks on the show. Yeah, but by the time

0:20:19.640 --> 0:20:21.520
<v Speaker 1>this comes out, it might be kind of aligning because

0:20:21.680 --> 0:20:23.560
<v Speaker 1>Dan Bush is coming in and talk about that cool.

0:20:23.680 --> 0:20:26.920
<v Speaker 1>Can't wait Ethan you have an old Friends has Ghostbusters?

0:20:27.680 --> 0:20:34.240
<v Speaker 1>Ian lyons his Ghostbusters or Elf alright, Christopher Steiner's his

0:20:34.280 --> 0:20:38.879
<v Speaker 1>teenage Mutant Ninja Turtles? Are people talking with me a

0:20:38.920 --> 0:20:43.960
<v Speaker 1>little bit? Wendy White says Arthur one of my favorite movies. Wendy,

0:20:44.200 --> 0:20:46.480
<v Speaker 1>love it, love it, love it? The original or the remake?

0:20:47.200 --> 0:20:49.360
<v Speaker 1>What do you think? I don't know, she says, I've

0:20:49.359 --> 0:20:52.800
<v Speaker 1>seen neither. The original is a buloved all time classic comedy.

0:20:52.840 --> 0:20:54.960
<v Speaker 1>The remake was scarbage. Is the remakes one with what's

0:20:54.960 --> 0:20:58.919
<v Speaker 1>his face? No, Russell brands one of the other Russell.

0:21:00.240 --> 0:21:02.359
<v Speaker 1>I would love to see Russell Crowe and Arthur. That

0:21:02.400 --> 0:21:05.840
<v Speaker 1>would be really funny. Yeah, you just get drunk and

0:21:05.880 --> 0:21:10.280
<v Speaker 1>beat everybody up this typecast. That would be so good. Uh,

0:21:10.280 --> 0:21:13.399
<v Speaker 1>Emily Mica Thomas is do the right thing. Yeah, that

0:21:13.480 --> 0:21:17.240
<v Speaker 1>really nailed New York for sure. Oldri and Kala mh

0:21:17.240 --> 0:21:22.359
<v Speaker 1>says when Harry met Sally Vanessa Lopez of the Vanessa

0:21:22.400 --> 0:21:26.040
<v Speaker 1>Squad two hundred cigarettes and when Harry met Sally, what's

0:21:26.040 --> 0:21:29.000
<v Speaker 1>your favorite New York movie? No, I'm trying to think

0:21:29.000 --> 0:21:31.040
<v Speaker 1>about it, and I'll tell you one that is not.

0:21:31.240 --> 0:21:33.320
<v Speaker 1>It's it's it's New York as a stand in for

0:21:33.359 --> 0:21:35.320
<v Speaker 1>this kind of sci fi city. So this may sound

0:21:35.320 --> 0:21:38.560
<v Speaker 1>like I'm trolling, but I'm not. The movie Dark City. Um,

0:21:38.600 --> 0:21:40.760
<v Speaker 1>it's like, you know, set in the thirties or whatever.

0:21:40.840 --> 0:21:44.040
<v Speaker 1>It's Uh, it's really good. It has a Coney Island

0:21:44.160 --> 0:21:47.840
<v Speaker 1>kind of like place, and it's sort of captures sort

0:21:47.840 --> 0:21:51.600
<v Speaker 1>of the I don't know, the interesting dark kind of

0:21:51.640 --> 0:21:54.520
<v Speaker 1>like grittiness of New York in a fun way. Um,

0:21:54.560 --> 0:21:56.600
<v Speaker 1>but I think Taxi Driver is a really good New

0:21:56.640 --> 0:22:00.640
<v Speaker 1>York movie. I mean, kid, it really is very real

0:22:00.800 --> 0:22:03.080
<v Speaker 1>for the time and very like gritty, and it seems

0:22:03.160 --> 0:22:05.239
<v Speaker 1>very much shot on location. None of it's like, you know,

0:22:05.840 --> 0:22:09.399
<v Speaker 1>made up. It seems very it's attention to detail is

0:22:09.560 --> 0:22:14.080
<v Speaker 1>very honed in, very on location feel, you know, not

0:22:14.080 --> 0:22:17.280
<v Speaker 1>nothing that's like kind of phony about it. Nothing phony

0:22:17.320 --> 0:22:21.040
<v Speaker 1>about it, agreed. Old friend Chris Bobbitt says, scent of

0:22:21.040 --> 0:22:25.720
<v Speaker 1>a woman who a he typed that out. Dylan Nichols says,

0:22:25.760 --> 0:22:28.000
<v Speaker 1>gangs of New York. A lot of Scorsese in here,

0:22:28.000 --> 0:22:32.800
<v Speaker 1>of course. Joe f says the Royal tininbounds like Wes

0:22:32.880 --> 0:22:36.520
<v Speaker 1>Anderson's version of New York. Yeah, totally one of our

0:22:36.560 --> 0:22:40.120
<v Speaker 1>old friends. John Michalep says, Quick Change with Bill Murray

0:22:40.119 --> 0:22:44.159
<v Speaker 1>and Gina Davis and Randy Quaid. Yeah, that was a

0:22:44.200 --> 0:22:46.960
<v Speaker 1>good New York movie. Keeping the Faith with Ed Norton

0:22:47.160 --> 0:22:53.119
<v Speaker 1>says Jody Sells. Queen Paul Wilder says Manhattan. It's beautiful,

0:22:54.040 --> 0:22:59.040
<v Speaker 1>it's perfect, it's funny, it's complicated. The photography in that movie,

0:22:59.119 --> 0:23:03.399
<v Speaker 1>by I'm not mistaken, the great Gordon Willis gorgeous. You know.

0:23:03.520 --> 0:23:06.160
<v Speaker 1>Gordon Willis's nickname was I don't I'm not even familiar.

0:23:06.240 --> 0:23:08.800
<v Speaker 1>He's one of the great cinematographers. His nickname, I believe,

0:23:08.920 --> 0:23:13.520
<v Speaker 1>was the um Master of Darkness, now Lord of Darkness,

0:23:14.359 --> 0:23:18.640
<v Speaker 1>Prince of Darkness, Prince of Darkness, because he was dark

0:23:18.680 --> 0:23:21.639
<v Speaker 1>frames very dark. He's I mean, there are some shots

0:23:21.640 --> 0:23:24.240
<v Speaker 1>in Manhattan that you can barely see. Shout the Godfather,

0:23:24.359 --> 0:23:30.159
<v Speaker 1>Annie Hall, all the President's men, Clute, the Godfather too cheese,

0:23:30.280 --> 0:23:32.680
<v Speaker 1>that's intimidating, Clute. Was that one that you mentioned that

0:23:32.720 --> 0:23:35.040
<v Speaker 1>I'd never heard of a sound? Fascinating? I really want

0:23:35.040 --> 0:23:37.840
<v Speaker 1>to check out The Devil's Own Purple Rose of Cairo

0:23:37.960 --> 0:23:42.159
<v Speaker 1>start us Memories, Broadway, Danny Rose interiors. Most of the

0:23:42.200 --> 0:23:47.400
<v Speaker 1>Woody Allen stuff, the paper Chase, Little Murders, the money Pit,

0:23:48.680 --> 0:23:55.120
<v Speaker 1>presumed innocent boy. That is really a intimidating resume from

0:23:55.160 --> 0:23:58.800
<v Speaker 1>the late Great Gordon Willis died five years ago. Nol

0:23:59.800 --> 0:24:03.720
<v Speaker 1>Uh one fine day, says Amanda Patterson. Mini tour of

0:24:03.720 --> 0:24:07.200
<v Speaker 1>New York with a nice little story. Tanya Boyd says

0:24:07.240 --> 0:24:16.400
<v Speaker 1>home alone too, and uh, elf down. Castellanano, Sorry, Castellano,

0:24:16.680 --> 0:24:19.880
<v Speaker 1>one of our old friends says Barefoot in the Park. Yeah,

0:24:19.920 --> 0:24:24.399
<v Speaker 1>that was such a good movie. Christopher Renny says, and

0:24:24.480 --> 0:24:28.200
<v Speaker 1>let's finish it up with Chad Burnt with the Devil's Advocate.

0:24:29.760 --> 0:24:39.399
<v Speaker 1>Great New York movie. I'm going to finish it off

0:24:39.400 --> 0:24:41.160
<v Speaker 1>the day with people asked them what they were looking

0:24:41.160 --> 0:24:43.520
<v Speaker 1>forward to for the rest of the year. Uh, like

0:24:43.640 --> 0:24:47.280
<v Speaker 1>movies coming out in the fall holiday season. But I

0:24:47.280 --> 0:24:50.360
<v Speaker 1>don't know if you've noticed how bad it's been lately. Yeah,

0:24:50.400 --> 0:24:53.280
<v Speaker 1>I guess so. I don't know. Post summer prefall lull.

0:24:53.440 --> 0:24:54.679
<v Speaker 1>Is that what they call it? Is that where they

0:24:54.760 --> 0:24:57.240
<v Speaker 1>dumped the shitty movies? Yeah, and I'm sure there is

0:24:57.280 --> 0:25:00.000
<v Speaker 1>a name within the industry for this time of year,

0:25:00.440 --> 0:25:02.760
<v Speaker 1>but it's the worst, Like after Once upon a time

0:25:02.760 --> 0:25:05.639
<v Speaker 1>in Hollywood came out. It's kind of been ship the dregs,

0:25:05.680 --> 0:25:08.160
<v Speaker 1>the dull drums, the dog days, the dog days of Summer,

0:25:08.240 --> 0:25:10.399
<v Speaker 1>that's probably what they call it. But I posted a

0:25:10.440 --> 0:25:14.160
<v Speaker 1>thing from Collider uh of movie releases for the rest

0:25:14.160 --> 0:25:15.960
<v Speaker 1>of the year, and this is when all the good

0:25:15.960 --> 0:25:17.560
<v Speaker 1>stuff comes out. So I was kind of curious, what

0:25:17.560 --> 0:25:23.320
<v Speaker 1>are you looking forward to? Nothing springs directly to mind,

0:25:23.440 --> 0:25:26.400
<v Speaker 1>but I'm sure that if I don't, let's hear some

0:25:26.400 --> 0:25:28.920
<v Speaker 1>some upcoming picks. One of our oldest friends, Greta Coning,

0:25:28.920 --> 0:25:31.720
<v Speaker 1>says Little Women, I totally want to see that. That

0:25:31.760 --> 0:25:35.000
<v Speaker 1>trailer looks great, and it's the follow up the Joker movie.

0:25:35.040 --> 0:25:38.320
<v Speaker 1>I'm very much looking forward to the Joker movie and

0:25:38.359 --> 0:25:40.080
<v Speaker 1>I want to see nothing more. In fact, that last

0:25:40.119 --> 0:25:42.919
<v Speaker 1>trailer was too much, so so good, so good. It

0:25:42.920 --> 0:25:45.040
<v Speaker 1>looks like a combination of Taxi Driver and The King

0:25:45.040 --> 0:25:48.359
<v Speaker 1>of Comedy. Sure, I mean, I think it was. It

0:25:48.520 --> 0:25:51.720
<v Speaker 1>very much wears that on its sleeve. Heather Ingram says

0:25:51.760 --> 0:25:55.320
<v Speaker 1>the Rise of Skywalker, of course, Brett Giles again stays

0:25:55.359 --> 0:25:59.119
<v Speaker 1>Star Wars. Michelle Johnson says Zombie Land too, and a

0:25:59.160 --> 0:26:02.399
<v Speaker 1>beautiful day in the name Buhborhood I'm not excited about

0:26:02.440 --> 0:26:06.520
<v Speaker 1>that one. No, No, he doesn't. It's weird casting to me.

0:26:06.520 --> 0:26:08.320
<v Speaker 1>I don't get it. I just I just see Tom Hanks.

0:26:09.440 --> 0:26:12.240
<v Speaker 1>That's that's how I see. I don't know stuff. Alex

0:26:12.280 --> 0:26:16.280
<v Speaker 1>Kavanaugh says, uh, really ready for Brad Pitt and the

0:26:16.359 --> 0:26:19.720
<v Speaker 1>thoughtful sci fi ad Astra that does look good. Haven't

0:26:19.720 --> 0:26:22.200
<v Speaker 1>heard that one? Wait? No, I have, yes, I have

0:26:22.840 --> 0:26:27.120
<v Speaker 1>space space pretty cool. Terry Kalajo, our old friend, says,

0:26:27.440 --> 0:26:29.199
<v Speaker 1>I just saw the trailers for Doctor Sleep in the

0:26:29.320 --> 0:26:33.160
<v Speaker 1>Terminator movie. Um, but really down in Abbey, hands down,

0:26:33.520 --> 0:26:36.639
<v Speaker 1>there's a Downton Navvy movie. Really, I can't wait. Cool.

0:26:36.720 --> 0:26:38.600
<v Speaker 1>Doctor Sleep is the sequel to The Shiny Yeah, and

0:26:38.600 --> 0:26:40.320
<v Speaker 1>I did read that book and it's cool. And then

0:26:40.320 --> 0:26:43.159
<v Speaker 1>the trailer looks greatly very much shot in Atlanta too.

0:26:43.160 --> 0:26:44.960
<v Speaker 1>There's actually a scene where you can see it in

0:26:45.000 --> 0:26:49.960
<v Speaker 1>the trailer. That's the Plaza Movie Theater are thought of

0:26:49.960 --> 0:26:54.480
<v Speaker 1>another one, um The Lighthouse, which is with the Robert

0:26:54.480 --> 0:26:56.000
<v Speaker 1>Eggers who did The Witch who we I think we

0:26:56.080 --> 0:26:58.320
<v Speaker 1>both very enjoyed his new one. That's sort of an

0:26:58.320 --> 0:27:03.080
<v Speaker 1>existential love Aftian horror nightmare taking place on a maroon

0:27:03.200 --> 0:27:06.000
<v Speaker 1>on island with the lighthouse and black and white shot

0:27:06.000 --> 0:27:08.280
<v Speaker 1>in a weird aspect ratio, like it's like a tall

0:27:08.320 --> 0:27:11.440
<v Speaker 1>frame but skinny frame, like a lighthouse. Yeah. I was

0:27:11.440 --> 0:27:13.720
<v Speaker 1>talking to Casey. He saw it that can and said

0:27:13.720 --> 0:27:15.560
<v Speaker 1>it was great. Yeah, I can't wait. You know, I

0:27:15.560 --> 0:27:21.359
<v Speaker 1>wrote a script like that, so you can't wait, you did, Yeah,

0:27:21.560 --> 0:27:23.639
<v Speaker 1>like a bottle movie like that. Like I wanted to

0:27:23.680 --> 0:27:25.560
<v Speaker 1>try and write a thriller. I'd never written a thriller,

0:27:25.600 --> 0:27:27.199
<v Speaker 1>so it was sort of like an exercise. And like

0:27:27.640 --> 0:27:31.240
<v Speaker 1>five years ago, Yeah, I wrote a period piece lighthouse,

0:27:31.720 --> 0:27:36.000
<v Speaker 1>sort of thriller murder, and then this came out, and

0:27:36.080 --> 0:27:38.680
<v Speaker 1>not that anything was never gonna happen with mine anyway,

0:27:38.760 --> 0:27:41.320
<v Speaker 1>but it surely can't now. Yeah, it's dead in the water.

0:27:41.440 --> 0:27:45.040
<v Speaker 1>It looks really cool. Um Yeah, I think I think

0:27:45.440 --> 0:27:49.359
<v Speaker 1>Robert Agress is a very interesting young filmmaker to watch

0:27:49.400 --> 0:27:53.800
<v Speaker 1>kind of you know, I think so too, David Eckers. No,

0:27:54.119 --> 0:27:56.840
<v Speaker 1>Robert Robert Davi is the is the writer, and I

0:27:56.880 --> 0:28:00.879
<v Speaker 1>don't think there's any relation. I don't think there is either. Yeah,

0:28:00.880 --> 0:28:03.280
<v Speaker 1>Michael Reads says, Jojo Rabbit, that is a new one

0:28:03.320 --> 0:28:07.160
<v Speaker 1>from Takewa. Anything that guy puts out I will watch

0:28:07.240 --> 0:28:08.879
<v Speaker 1>till the End of Time. He's got a weird one

0:28:08.880 --> 0:28:11.119
<v Speaker 1>coming out. I saw trailer for Jojoe Rabbit. Is it

0:28:11.240 --> 0:28:15.000
<v Speaker 1>the Nazi one? Yeah? It looks crazy. It looks really crazy.

0:28:15.600 --> 0:28:18.160
<v Speaker 1>Will he is on my number one list of like

0:28:18.760 --> 0:28:21.160
<v Speaker 1>I will go see anything he ever does. Yeah, he's fantastic.

0:28:21.200 --> 0:28:23.800
<v Speaker 1>He's doing the voice of one of the droids in

0:28:23.840 --> 0:28:26.040
<v Speaker 1>an upcoming Star Wars property. I don't remember if it's

0:28:26.080 --> 0:28:28.399
<v Speaker 1>the movie or if it's the new movie, or if

0:28:28.400 --> 0:28:30.639
<v Speaker 1>it's one of the Disney Plus things, but he's fully

0:28:30.760 --> 0:28:33.920
<v Speaker 1>voicing one of the droids with his voice that the

0:28:34.240 --> 0:28:36.119
<v Speaker 1>talks a lot. That's weird because he just did that

0:28:36.119 --> 0:28:39.320
<v Speaker 1>in Star Wars he did. Yeah, Well that's what must

0:28:39.320 --> 0:28:40.440
<v Speaker 1>of what I'm talking about. What do you mean, which

0:28:40.440 --> 0:28:43.000
<v Speaker 1>what did he do? He did a voice and uh

0:28:43.240 --> 0:28:44.800
<v Speaker 1>oh no, and one of the and one of the

0:28:44.800 --> 0:28:46.800
<v Speaker 1>Marble movies, didn't he Yeah, he was the voice of

0:28:46.840 --> 0:28:49.480
<v Speaker 1>the rock Monster, the Rock Guy, and and and the Thoora.

0:28:49.560 --> 0:28:53.640
<v Speaker 1>That's what I was thinking. He directed Ragnarok, right, he

0:28:53.720 --> 0:28:56.280
<v Speaker 1>directed that one, and he was the voice in that one. Yes, Okay,

0:28:56.360 --> 0:28:58.360
<v Speaker 1>that's what I'm thinking. It's a good movie. Carolyn Gas

0:28:58.440 --> 0:29:00.400
<v Speaker 1>and the Old Friends says downt Nabby as well and

0:29:00.520 --> 0:29:05.680
<v Speaker 1>dr Sleep and Star Wars. Genevan Valen says Cats. I

0:29:05.720 --> 0:29:08.280
<v Speaker 1>still refused to believe that the trailers for Cats are real.

0:29:09.560 --> 0:29:12.280
<v Speaker 1>I don't know cats, but that trailer looked pretty interesting

0:29:12.320 --> 0:29:15.960
<v Speaker 1>to me. It just looks terrifying and nightmare fuel ish

0:29:16.040 --> 0:29:20.120
<v Speaker 1>and uncanny valley bizarre. Who asked for this movie? Ish?

0:29:20.160 --> 0:29:22.000
<v Speaker 1>You know, I think people are excited about it. That's

0:29:24.040 --> 0:29:26.480
<v Speaker 1>the Internet is upset about it. That's what I saw

0:29:26.600 --> 0:29:28.680
<v Speaker 1>the Internet being thrilled to. He did. It's gonna be

0:29:28.720 --> 0:29:32.040
<v Speaker 1>It's maybe polarizing, but that's gonna be smash it. I'll

0:29:32.040 --> 0:29:33.800
<v Speaker 1>tell you the thing about Cats. You said you're not

0:29:33.840 --> 0:29:36.480
<v Speaker 1>a cats person, right, Well you're a cat person, but

0:29:36.520 --> 0:29:39.440
<v Speaker 1>not a cat's person. Yeah. I saw it when I

0:29:39.480 --> 0:29:42.080
<v Speaker 1>was pretty young, and I'm really in the Broadway Love

0:29:42.200 --> 0:29:44.280
<v Speaker 1>Lay Miss Love fam of the opera, Little that stuff.

0:29:44.520 --> 0:29:46.520
<v Speaker 1>I saw Cats, and I was like, what the funk

0:29:46.600 --> 0:29:48.560
<v Speaker 1>is this? I'm sure I don't get it. I don't

0:29:48.560 --> 0:29:51.200
<v Speaker 1>know who this is for. It's not for me, you know, Um,

0:29:51.240 --> 0:29:54.280
<v Speaker 1>it's just a bunch of weird dancing cats kind of

0:29:54.560 --> 0:30:02.720
<v Speaker 1>spouting nonsense poetry. You know. Sorry, t any Cats fans

0:30:02.760 --> 0:30:05.400
<v Speaker 1>out there. Tell me why I'm wrong, Tell me, tell

0:30:05.440 --> 0:30:07.320
<v Speaker 1>me why I'm wrong. Yeah, well, we'll start a threat

0:30:07.320 --> 0:30:09.320
<v Speaker 1>on that. I want to hear it. Caleb Bryant, our

0:30:09.320 --> 0:30:15.240
<v Speaker 1>old friend, says lighthouse Uh. Natalie Royce Boyer says Joker.

0:30:15.440 --> 0:30:19.160
<v Speaker 1>I can't wait, with like five exclamation points. She's very excited,

0:30:19.520 --> 0:30:24.880
<v Speaker 1>so is Nicole Rogers housetead about Joker. Frozen two comes

0:30:24.960 --> 0:30:28.040
<v Speaker 1>from Ali Ann people looking forward to that. There's a

0:30:28.080 --> 0:30:31.000
<v Speaker 1>lot of people talking about the Joker on here, nol

0:30:31.440 --> 0:30:36.760
<v Speaker 1>it looks incredible. Todd Phillips of Hangover fame and a

0:30:36.760 --> 0:30:40.680
<v Speaker 1>lot of kind of kind of broad comedies like you

0:30:40.680 --> 0:30:43.120
<v Speaker 1>guys start in Atlanta on the movie that shot here,

0:30:43.240 --> 0:30:45.560
<v Speaker 1>the road Trip. Road Trip? Think that was his first movie?

0:30:45.560 --> 0:30:48.400
<v Speaker 1>That's right? Was that with Tom Green? Oh? I think

0:30:48.440 --> 0:30:50.480
<v Speaker 1>he might have been in that. Yeah, I know Breck

0:30:50.560 --> 0:30:52.680
<v Speaker 1>and Meyer was in it. Yeah, if I'm not mistaken,

0:30:52.720 --> 0:30:55.240
<v Speaker 1>I'll tell you what Todd Phillips first thing is, I

0:30:55.320 --> 0:30:59.800
<v Speaker 1>might not know. So yeah, g g Allen documentary. Yeah

0:31:00.200 --> 0:31:01.760
<v Speaker 1>that have you ever seen it? No? I heard it's

0:31:01.800 --> 0:31:05.479
<v Speaker 1>great though, I mean great, you know in quote fingers,

0:31:05.520 --> 0:31:07.120
<v Speaker 1>I won't even tell you what the I mean. It's

0:31:07.160 --> 0:31:11.200
<v Speaker 1>a good documentary. I wish I could. I mean, I

0:31:11.200 --> 0:31:16.000
<v Speaker 1>could say what the opening shot is involve poop close

0:31:16.120 --> 0:31:20.360
<v Speaker 1>but yeah, I don't want to even say it, And

0:31:20.400 --> 0:31:22.000
<v Speaker 1>I can say anything on the show. I really can't

0:31:22.160 --> 0:31:24.760
<v Speaker 1>want to say that. If I'll tell you off, Mike, Yeah,

0:31:24.840 --> 0:31:26.720
<v Speaker 1>case for just I for anyone that doesn't know, I

0:31:26.760 --> 0:31:29.480
<v Speaker 1>didn't just say poop out of nowhere. Gigi Allen was

0:31:29.520 --> 0:31:31.880
<v Speaker 1>known for flinging his own poop. He was this punk

0:31:31.960 --> 0:31:34.640
<v Speaker 1>rock and smearing himself with it's really really gross blood

0:31:34.800 --> 0:31:37.360
<v Speaker 1>punk rock singer, kind of performance artist, I don't know

0:31:37.400 --> 0:31:39.280
<v Speaker 1>what you call him. And he's a singer in a band, yeah,

0:31:39.560 --> 0:31:44.400
<v Speaker 1>the Murder Junkie. There's an episode of our sister podcast,

0:31:44.440 --> 0:31:47.880
<v Speaker 1>Disgrace Land, all about Gigia. I need to hear that. Yeah.

0:31:48.360 --> 0:31:51.160
<v Speaker 1>I'm going to be in a conversation with Jake Brennan

0:31:51.200 --> 0:31:55.000
<v Speaker 1>in Atlanta for his book premiere at Acapella Books. Actually

0:31:55.000 --> 0:31:57.479
<v Speaker 1>it's sponsored by Acapella Books. I think it's the Highland

0:31:57.520 --> 0:31:59.200
<v Speaker 1>in everybody. I love that place. So if you're in

0:31:59.200 --> 0:32:00.520
<v Speaker 1>Atlanta and you want to come see Jake and I

0:32:00.520 --> 0:32:04.080
<v Speaker 1>talked about his book, What is That? October twenty nine, Tuesday,

0:32:04.400 --> 0:32:06.200
<v Speaker 1>Great I'll be there, and I think maybe I'm gonna

0:32:06.200 --> 0:32:08.440
<v Speaker 1>try to rip you guys into grabbing a bite afterwards

0:32:08.480 --> 0:32:10.600
<v Speaker 1>or something. Oh yeah, let's do it, all right. I'm

0:32:10.600 --> 0:32:13.000
<v Speaker 1>all about it, all right. I think that's it everyone.

0:32:14.200 --> 0:32:16.160
<v Speaker 1>That's the movies you're looking forward to. I'm looking forward

0:32:16.200 --> 0:32:20.640
<v Speaker 1>to The Joker and Star Wars for sure. Um. I'm

0:32:20.680 --> 0:32:22.880
<v Speaker 1>gonna go see Cats just to annoy Knoll. I want

0:32:22.880 --> 0:32:25.240
<v Speaker 1>to see it. Here we go. It's chapter two. I

0:32:25.240 --> 0:32:27.280
<v Speaker 1>forgot about that. That'll be good. I'm looking forward to that.

0:32:27.280 --> 0:32:30.520
<v Speaker 1>That's coming right up. I think it's pretty soon in

0:32:30.600 --> 0:32:35.520
<v Speaker 1>the Lighthouse. Should be a good holiday season. Oh, another

0:32:35.520 --> 0:32:37.600
<v Speaker 1>one real quick before we go. It's called Knives Out,

0:32:38.760 --> 0:32:41.800
<v Speaker 1>Ryan Dave, Ryan Johnson who did Brick and you know,

0:32:41.840 --> 0:32:44.400
<v Speaker 1>the most recent Star Wars movie. But it's like a

0:32:44.480 --> 0:32:49.920
<v Speaker 1>clue type caper murder mystery in a house or the Detective.

0:32:50.280 --> 0:32:52.720
<v Speaker 1>It looks really good all over that. And Ryan Johnson,

0:32:52.720 --> 0:32:54.680
<v Speaker 1>who is not directing the new Star Wars movie. We

0:32:54.800 --> 0:32:56.440
<v Speaker 1>got raked over the coals for that one. He's not.

0:32:56.600 --> 0:32:59.200
<v Speaker 1>I thought he might not say it's back to J. J. Abrams.

0:33:00.240 --> 0:33:02.880
<v Speaker 1>It makes sense. Yeah, we got we got thrashed for

0:33:02.960 --> 0:33:05.520
<v Speaker 1>not knowing we got a good Even though he said

0:33:05.560 --> 0:33:07.720
<v Speaker 1>I'm not into Star Wars, people still were like, no,

0:33:07.920 --> 0:33:10.480
<v Speaker 1>doesn't know a Star Wars Now, I I questioned that

0:33:10.520 --> 0:33:12.920
<v Speaker 1>it was Ryan Johnson. To be fair, you probably you

0:33:13.000 --> 0:33:15.080
<v Speaker 1>doubled down on it. So I said, Chuck, you seem

0:33:15.160 --> 0:33:17.480
<v Speaker 1>so confident. I'm gonna just go along with you. But

0:33:17.520 --> 0:33:19.120
<v Speaker 1>you know we're gonna do to No, I've got a

0:33:19.120 --> 0:33:21.080
<v Speaker 1>bunch of shows on the books. We're gonna start a

0:33:21.600 --> 0:33:23.800
<v Speaker 1>it's finally happening everyone. We're gonna start a Star Wars

0:33:23.840 --> 0:33:28.120
<v Speaker 1>film series with Holly, with Holly Fry and I think

0:33:28.440 --> 0:33:30.640
<v Speaker 1>I'll do the first one with just Holly, and then

0:33:30.640 --> 0:33:33.600
<v Speaker 1>it feels like we should open that one up to

0:33:33.800 --> 0:33:36.440
<v Speaker 1>some more roundtable type stuff. I would enjoy that because

0:33:36.440 --> 0:33:38.440
<v Speaker 1>I want to get you two in a room we're friends,

0:33:38.480 --> 0:33:41.040
<v Speaker 1>to debate the really you and all of your friends friends.

0:33:41.120 --> 0:33:45.320
<v Speaker 1>Thanks for telling me. What I mean is I'm not

0:33:45.400 --> 0:33:48.600
<v Speaker 1>afraid to call her on her fandoms. Well, I'd love

0:33:48.640 --> 0:33:50.800
<v Speaker 1>to get you guys talking about the prequels, so maybe

0:33:50.840 --> 0:33:53.760
<v Speaker 1>she'd sit in. Yeah, she defends those to the bitter end.

0:33:53.800 --> 0:33:55.240
<v Speaker 1>I love that. I'll just sit there and sort of

0:33:55.680 --> 0:33:57.240
<v Speaker 1>my head will be back and forth like the thinnest

0:33:57.280 --> 0:33:59.800
<v Speaker 1>Men'll be fun, all right, everyone, thanks for listening, and

0:34:00.080 --> 0:34:16.560
<v Speaker 1>we'll see you next week. Bye. For more podcasts for

0:34:16.640 --> 0:34:19.719
<v Speaker 1>my heart Radio, visit the I heart Radio app, Apple Podcasts,

0:34:19.800 --> 0:34:21.600
<v Speaker 1>or wherever you listen to your favorite shows.