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Speaker 1: Listen to shut every single day.

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Speaker 2: Yeah, breakfast club.

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Speaker 3: God, damn it, the breakfast club.

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Speaker 1: Put that ass up on a breakfast club.

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Speaker 3: Brady, I can't say breakfast club without the breathless Club.

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Speaker 4: You're like this rare air.

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Speaker 3: She got platforms and partners all over the place with this.

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Speaker 3: Your man is so high.

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Speaker 1: People want to be in business with the breaks. Fuck.

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Speaker 1: I don't think white people know how popular you guys.

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Speaker 3: DJ Envy, Charlemagne, the god.

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Speaker 2: You guys really are like the hip hop early morning,

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Speaker 2: late night talk to yah.

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Speaker 1: I know what you're talking about. Yo, Good morning.

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Speaker 5: Usa yo yo yo yo yo yo yo yo yo

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Speaker 5: yo yo yo yo yo yo yo yo yo yo

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Speaker 5: yo yo yo yo yo yo yo yo yo yo

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Speaker 5: yo yo yo yo.

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Speaker 6: Yo Charlamagne, the gods to the planet is Friday, Yes,

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Speaker 6: it's Friday, hey yo.

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Speaker 1: With my candle light then we took my candle out

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Speaker 1: of here. This garbage is over.

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Speaker 6: It's a rap, can't I was done done, done, done, done,

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Speaker 6: done done done. Well, good morning everybody. Hopefully you guys

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Speaker 6: are feeling good. It's a Friday, a weekend is here,

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Speaker 6: and I'm very excited about today. One of the icons

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Speaker 6: and legends from Run, DMCJM Master J will be joining us.

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Speaker 1: D MC will be here Hollis Queen's Own.

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Speaker 7: Now.

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Speaker 6: The reason I'm excited about this and the reason this

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Speaker 6: means so much is Run DMC was the first first

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Speaker 6: hip hop record that my mom bought for me when

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Speaker 6: I was a kid. I was a child, and you know,

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Speaker 6: my mom bought me a Run DMC record. And I

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Speaker 6: would see Run and I would see DMC, and I

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Speaker 6: would see Jmaster J at Macy's and at the Coliseum

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Speaker 6: and Queens and TSS which.

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Speaker 1: Is a store that was like Walmart Target back.

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Speaker 6: Then, and I would see them all the time, and

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Speaker 6: I would see them represent in my borough. He Run

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Speaker 6: actually went to my zone school, which was Andrew Jackson,

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Speaker 6: so I would see him all the time.

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Speaker 1: So to see the success and how they grew up

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Speaker 1: and how they blew up and how they became so big.

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Speaker 6: To get a chance to actually talk to them and

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Speaker 6: running to them and actually talk to him as peers

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Speaker 6: all the time, it's always amazing.

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Speaker 1: So I can't wait for this conversation with DMC. Well,

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Speaker 1: you know they got a new documentary.

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Speaker 5: Run DMC has a documentary coming on an NBC Peacock

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Speaker 5: called Kings from Queens and the.

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Speaker 1: Premis February first, So he's coming up here to talk

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Speaker 1: about that.

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Speaker 5: Damn wow about that and a salute to the O

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Speaker 5: G veteran comedian Earthquake. He'll be here this morning as well. Okay,

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Speaker 5: so we got an action packed Friday for you today.

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Speaker 5: That's right, action packed Friday. And I'm gonna tell you something, man.

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Speaker 5: Life is a spoof by Okay. I don't know if

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Speaker 5: Aaron Magruder is the executive producer.

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Speaker 3: Of this life.

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Speaker 5: I don't know if it's Dave Chappelle and Neil Brennan.

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Speaker 5: I don't know if it's Dawayne's brothers. But life is

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Speaker 5: a spoof. And you cannot tell me that God does

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Speaker 5: not have a sense of humor, you know how?

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Speaker 8: I know?

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Speaker 5: Number one he made me okay, and number two. Every

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Speaker 5: hour on the hour this morning on the Breakfast Club,

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Speaker 5: we're playing a song called Fart. Yes we Are, that's

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Speaker 5: the name of the record, Fart. I don't know if

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Speaker 5: y'all ever seen the movie Idiocracy, but you should. Okay,

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Speaker 5: there's a fantastic film, and it really really really really

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Speaker 5: really shows us exactly where we are in society right now. Okay, okay,

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Speaker 5: all right, when all the young engine here is excited,

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Speaker 5: I see v over there she policies from Ice, Spice, Ice.

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Speaker 6: It's called farts, that's right, okay, and then we have

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Speaker 6: front page news next. So let's get into farts.

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Speaker 5: Remember I'm I was born in nineteen hundred and seventy eight,

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Speaker 5: so I can give a damn about this.

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Speaker 1: Okay, all right, I'm just telling you that life is

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Speaker 1: a spoof. All right, all right, Well let's get into

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Speaker 1: it right now. Well let's call it. I think you

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Speaker 1: know it's not It's called fart. What is it in

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Speaker 1: the system?

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Speaker 2: Right?

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Speaker 1: And the systems sticky this is. But it's also called

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Speaker 1: fart and you think you the ish and then prohibay

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Speaker 1: says fart. Let's go. Life is a spoof, man, I'm

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Speaker 1: telling you.

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Speaker 5: Executive produced by the Waynas Brothers, Aaron mcgrude, Dave Schappello,

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Speaker 5: Neil Brennan.

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Speaker 1: That was fart, ladies and gentlemen.

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Speaker 3: Yes it was.

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Speaker 1: That's what we've gotten to. That was fart.

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Speaker 5: Drop a fart five spice rad Okay, d you gotta

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Speaker 5: find it.

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Speaker 1: He got it there, go.

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Speaker 5: Drop a fought for spice, right, alright, Ice spice. Well,

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Speaker 5: let's get into front page news.

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Speaker 1: Good morning Test, good morning DJ, and the good morning Charlie.

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Speaker 1: Mane of God, he said, Now let's up to some

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Speaker 1: quick sports.

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Speaker 2: Now.

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Speaker 6: Yesterday they announced the All Star starters. Lebron made history

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Speaker 6: being the twentieth All Star Games. So salute to Lebron James.

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Speaker 5: Drop a bomb for him, not a part thank you.

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Speaker 5: We would, we would, we don't. We have no reason

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Speaker 5: to drop a fart for Lebron James. Just making sure, Okay,

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Speaker 5: salute to Lebron James, twenty twenty years in the league,

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Speaker 5: twentieth All Star Games. I mean for him to be

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Speaker 5: this good, for this long, never seen it before. It

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Speaker 5: was a craz You've never seen it before. Steph wasn't

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Speaker 5: a starter this year. So it was Lebron, Joker, Kevin Durant,

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Speaker 5: Luca and shah M And in the East it was Giannis,

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Speaker 5: Joel Embiid, Jason Tatum, Damian Lillard, and Tyrese HALLI I

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Speaker 5: don't know why Steph Curry is having a great season.

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Speaker 5: I don't know why he didn't.

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Speaker 2: I don't know.

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Speaker 1: You know, Oklahoma City thunder guard Shot was picked over him.

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Speaker 5: No superdope, but who do you know it's it's well,

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Speaker 5: you got Luca, you got Kevin Durant, you got Joker,

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Speaker 5: you got Lebron.

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Speaker 1: It's tough one, all right, just votes? Yeah, what up, Tess?

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Speaker 3: What's going on?

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Speaker 8: D c B.

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Speaker 1: Let's the morn again. Let's jump right into Donald Trump.

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Speaker 4: Yeah.

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Speaker 9: Two days after winning New Hampshire GOP presidential primary, Donald

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Speaker 9: Trump returned to a Manhattan federal courthouse. Of The trial

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Speaker 9: centers on Trump's twenty nineteen comments about E.

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Speaker 1: G And Carrol.

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Speaker 9: That's the writer who won a civil verdict last year

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Speaker 9: over Trump who sexually assaulted her, who claims he sexually

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Speaker 9: assaulted her in the mid nineteen nineties and then he

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Speaker 9: defamed her when she first publicly accused him. So I

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Speaker 9: remember she sued because of what he had said about her.

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Speaker 9: So she is seeking ten million dollars.

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Speaker 1: Here is what happened. When he took the stand.

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Speaker 10: On the stand for maybe five minutes in total, and

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Speaker 10: before he testified, the judge spent about ten minutes going

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Speaker 10: back and forth with the attorneys over what he would

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Speaker 10: permit the questions to be. It was during that moment,

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Speaker 10: before the jury was in the room, that Donald Trump

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Speaker 10: spoke more than he even did on the stand, and

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Speaker 10: he said audibly out loud, I never met the woman.

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Speaker 10: I do not know who this woman is.

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Speaker 2: I was not at the trial.

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Speaker 10: I don't know who this woman is. The judge told

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Speaker 10: him to keep his voice down. Once they worked out

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Speaker 10: exactly the questions that his attorney would be allowed to

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Speaker 10: ask him, just three they called the jury in. Trump

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Speaker 10: went up on the stand, stood at the side, raised

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Speaker 10: his hand, said he swore to tell the truth, the

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Speaker 10: whole truth, and nothing about the truth, and then sat

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Speaker 10: down to give his testimony.

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Speaker 9: So let's say it close and argumentsal schedule for Friday morning,

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Speaker 9: which is today. The jury of nine may have the

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Speaker 9: case by lunchtime. They're saying, you know, they can never

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Speaker 9: say when the jury is going to actually come back,

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Speaker 9: but they said, you know, typically juries don't like to

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Speaker 9: go over the weekend having to come back on Monday,

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Speaker 9: so this could be returned pretty quickly to determine, you know,

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Speaker 9: what that settlement amount will be, or will know on Monday,

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Speaker 9: one of the two. But going to President of the

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Speaker 9: United States was I'm saying, yesterday.

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Speaker 1: I thought he already had to pay a ten million dollars. Yeah,

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Speaker 1: he did.

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Speaker 4: That was it.

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Speaker 1: He did.

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Speaker 6: He had to pay her ready, but just about because

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Speaker 6: he kept going. So he had to pay the ten

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Speaker 6: million dollars. And then last year he said something else

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Speaker 6: about it, so they took him back for another defamation trial.

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Speaker 9: For another defamation trial because he kept talking. Probably will

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Speaker 9: continue to talk after this as well.

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Speaker 6: Go back to your will be another definition another defamation.

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Speaker 6: Jesus Christ. All right, that was your ex President Donald Trump.

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Speaker 1: Thank you, tesz. What we doing next hour?

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Speaker 9: Next hour, we're going to talk about New York City

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Speaker 9: is the first to designate social media as toxic, So

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Speaker 9: we're gonna talk about that. We're gonna talk about how

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Speaker 9: some parents are also, you know, saying that TikTok is

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Speaker 9: promoting unrealistic beauty as well. So a little social media

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Speaker 9: conversation and depression and how that's affecting our kids.

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Speaker 6: All Right, we'll get it off your chest. Eight undrink

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Speaker 6: I eight five one oh five to one. If you

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Speaker 6: need the vent or something's on your mind, call us

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Speaker 6: up right now again. Eight hundred five eight five one

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Speaker 6: oh five to one.

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Speaker 1: It's the breakfast Club. Good morning, the Breakfast Club. That's

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Speaker 1: a new day.

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Speaker 3: Is your time to get it off your chest. Way up,

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Speaker 3: whether you're.

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Speaker 1: Man or blest, time to get up and get something.

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Speaker 3: Call up now. Eight hundred five eight five one o

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Speaker 3: five one. We want to hear from you on the

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Speaker 3: breakfast club.

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Speaker 1: Hello, who's this?

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Speaker 7: Every Hey?

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Speaker 1: Travel you been. I ain't heard from you since the

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Speaker 1: Cowboys loss. I've been looking for you.

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Speaker 7: Wait, the Cowboys lows.

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Speaker 3: I didn't know the Cowboys lawns me neither.

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Speaker 1: What is he talking about? Draft?

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Speaker 3: I've been looking for you. Know what you talk about.

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Speaker 1: Trave You still going to the super Bowl. I'm just asking.

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Speaker 6: I just want to just know you was before he

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Speaker 6: was like, I'm going to Super Bowl, Charlamagne, get the sweet.

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Speaker 2: So I just want to know, my god, you gotta

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Speaker 2: shut up.

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Speaker 1: Your giants didn't even make the playoffs. I'm talking to.

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Speaker 7: Trick, like, shut up two weeks ago and let it go.

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Speaker 8: Trap.

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Speaker 5: Don't let nobody whose team didn't make the playoffs say

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Speaker 5: anything to you, bro.

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Speaker 1: So I guess you're not going. I guess you're not going.

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Speaker 1: Are the Giants going to the super Bowl? Are the

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Speaker 1: Giants going?

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Speaker 6: We're going to the same place to the Cowboys going

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Speaker 6: because we went to the playoffs.

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Speaker 1: So you're not going to the playoff exactly, so you're

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Speaker 1: not going on her travel. Good morning, good.

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Speaker 7: Morning, good morning. I'm calling to get a shout out

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Speaker 7: to my twin brother. He listens to y'all every single morning.

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Speaker 7: When he locked up.

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Speaker 11: He got eighteen years left, but he.

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Speaker 7: Wanted to be give him a little shout out. Free

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Speaker 7: my brother twet shot them boys and greens girl, and yeah,

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Speaker 7: give my little brother, give my brother shout out this morning, the.

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Speaker 1: Boys in Green's Greensville present. Oh okay, okay, okay.

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Speaker 5: The way you said it's not essential, he was like,

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Speaker 5: shout out to them boys in Greensville.

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Speaker 1: They be sending your pictures. Trap Jesus Christ.

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Speaker 5: Travel travel to go a little weekend, instant travel, want

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Speaker 5: to go do a little shoplifting, to do a little weekend,

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Speaker 5: get a little weekend.

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Speaker 1: And I did.

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Speaker 7: I did, And that was cool.

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Speaker 3: I was.

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Speaker 7: I was ready to get out. I didn't care about.

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Speaker 3: Nobody in there.

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Speaker 1: Really Okay, yeah that was a yeah.

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Speaker 3: So shout out to the boy.

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Speaker 7: Yes, yes, have a.

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Speaker 1: Good day, my brother. I draft all right, Joe, Hello,

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Speaker 1: who's this? It's Tyler from Hey Tyler, get it off

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Speaker 1: your chest, Tyler.

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Speaker 3: Hey.

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Speaker 7: I was just I was just falling to say.

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Speaker 4: Man, y'all can't put that Ice Fight song in the lineup.

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Speaker 7: Man, that was horrible.

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Speaker 1: That's New York City babies wrong. That's New York City's

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Speaker 1: finals right there.

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Speaker 7: Man, I know, I know y'all in New York. Man,

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Speaker 7: I ain't South Carolina.

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Speaker 8: Was hold on?

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Speaker 1: Let me tell you that I'm from South Carolina. Okay,

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Speaker 1: DJ Interviews.

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Speaker 3: From New York.

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Speaker 1: I'm from the Queens. He rapping for the city all

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Speaker 1: day every day, so they're gonna play Ice Spikes every

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Speaker 1: hour on the hour. Fart.

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Speaker 5: Yeah, man, y y'all can't play that, man, you know,

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Speaker 5: you know it gotta be bad if I'm driving home

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Speaker 5: from work in the rain and I had to call

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Speaker 5: and get that off. Salute the Ice Spice. She's a

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Speaker 5: young woman doing her thing. You know, music gets some objective.

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Speaker 1: Okay, yeah, de fine, de fine, But that that's a

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Speaker 1: man is How old are you? How old are you? Three?

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Speaker 11: My man already told me I was old, so that's

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Speaker 11: why I feel that way.

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Speaker 1: But I'm old too, so definitely, you know all you

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Speaker 1: do all you simply said. You know it's not for me.

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Speaker 1: You know what I'm saying. I said, some little ice spice.

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Speaker 1: All right, brother, get it off your chest eight.

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Speaker 6: Hundred five eight five one oh five one. If you

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Speaker 6: need to hit this up now, it's the Breakfast Club.

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Speaker 6: Good morning, the Breakfast Club. But this is your time

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Speaker 6: to get it off your chest. Eight hundred five eight

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Speaker 6: five one o five one. We want to hear from

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Speaker 6: you on the Breakfast Club A lot.

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Speaker 3: Who's this?

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Speaker 11: Pas family? This is Prince Creed from the seven five

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Speaker 11: christ Lovers. Happy New Year.

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Speaker 1: Man, how do you hear Pa?

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Speaker 3: Pa?

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Speaker 1: Do it to you brother?

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Speaker 11: Happy New Year's listen. I'm excited to say this, man,

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Speaker 11: we got some I think the NFL got it right.

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Speaker 11: Give me to say this. It is five black tech

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Speaker 11: coaching in the NFL. So I think they're starting to

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Speaker 11: realize that you've got to go black and young this five.

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Speaker 3: And I'm loving that.

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Speaker 11: I'm loving that the NFL, these owners are finally realizing

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Speaker 11: that you need some black coaches in there to coach

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Speaker 11: a league that dominantly ran and controlled and by the

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Speaker 11: black players the athletes.

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Speaker 8: Right.

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Speaker 11: So here's what I'm asking you, Charlamagne. Since we are

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Speaker 11: Cowboys fans, right, and Jeffy is never going to get

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Speaker 11: it right at all, I'm thinking that we should boycott

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Speaker 11: this year and rock with all on any of the

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Speaker 11: teams with the black coaches, which you think Charlamagne is

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Speaker 11: with me.

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Speaker 1: Or what I'm rocking with the Cowboys.

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Speaker 5: I'm rooting for everybody black always. But I could never

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Speaker 5: root for another football team. I just I couldn't.

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Speaker 7: But I did.

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Speaker 3: I did want.

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Speaker 5: I did want Jerry Jones a couple of years ago

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Speaker 5: to hire Eric Eric Vinemy.

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Speaker 1: Man, Yeah, I'm not. I'm trying to.

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Speaker 11: I'm trying to stick in with my boys. Man. I've

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Speaker 11: been rocking since I was you know, I'm kidding for men.

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Speaker 11: I've been a kid cowboy. But it seemed like we

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Speaker 11: ain't getting it right.

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Speaker 1: Man. Yeah, I'm forty five.

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Speaker 11: I can't come this time.

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Speaker 4: Man.

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Speaker 11: I'm getting this anxiety, being depressed, and my mental health

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Speaker 11: is very important, you know, man.

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Speaker 3: Right anyway, look, Charla Mane, look this.

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Speaker 11: Fourth annual Mental Wellness Export. I put myself down as

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Speaker 11: a volunteer.

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Speaker 3: Man.

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Speaker 11: I'm want to follow up.

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Speaker 4: Man.

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Speaker 11: I'm gonna be there anyway, man, but I want to

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Speaker 11: be working.

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Speaker 5: Man.

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Speaker 11: I want to help out, you know what I'm saying.

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Speaker 11: So I don't know the timeline you guys have to

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Speaker 11: get back with people that want to volunteer. But I'm

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Speaker 11: just putting it back in your head. Man, I'm coming

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Speaker 11: up there again, but I want to work.

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Speaker 5: Okay, it's gonna be in October, so I'll make sure

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Speaker 5: to tell a good sister, doctor Alfie, to look out

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Speaker 5: for you.

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Speaker 3: Man.

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Speaker 5: We make sure we get you as a volunteer. Thank

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Speaker 5: you for that too, brother. I appreciate that.

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Speaker 11: Live without family. Y'all have a blessed today, man, you too.

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Speaker 1: All right, get it off your chest.

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Speaker 6: Eight hundred and five eighty five, one oh five to one.

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Speaker 6: Now when we come back, somebody else has some things

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Speaker 6: to get off a chest, right, Oh.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 5: Somebody. Somebody called in. Somebody called in. They said they

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Speaker 5: want to get some things off their chest.

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Speaker 12: Man.

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Speaker 5: Her name is Meghan the Stallion. Oh yeah, yeah, I haven't.

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Speaker 5: I haven't heard the new record because I'm old, you know.

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Speaker 5: So I think the record came out at midnight, so

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Speaker 5: I was I was in good, deep rem sleep by

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Speaker 5: that point.

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Speaker 1: I was knocked out. I just had got home.

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Speaker 5: I was knocked the f out when I woke up

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Speaker 5: this morning. You know, I like to listen to the

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Speaker 5: nineties R and B.

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Speaker 1: Siah J.

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Speaker 5: Roberts, the Bishop td TDJ. So I haven't heard the

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Speaker 5: record yet, but she wants to call in to get

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Speaker 5: some things off her chest.

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Speaker 6: Okay, all right, So when we come back, Meghan the Stallion,

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Speaker 6: we'll be checking in and we'll play her record.

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Speaker 1: We'll play her new record that she released last night.

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Speaker 1: So don't go anywhere. It's the Breakfast Club. Good Morning,

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Speaker 1: the Breakfast Club. I'm on Everybody's DJ n V, Charlamagne

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Speaker 1: the God. We are the Breakfast Club. No, it's so

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Speaker 1: interesting must that.

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Speaker 5: You know, we do a segment every morning called get

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Speaker 5: It Off Your Chests where people get to call in

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Speaker 5: and you know, they can tell us, you know, why

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Speaker 5: they feel blessed, why they're happy, but they can also

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Speaker 5: call an event and get things off their chest. And

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Speaker 5: a young woman who's from Houston, Texas called in this morning.

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Speaker 5: Her name is Megan Making making the STYLLIU. I think, yeah,

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Speaker 5: making this Thue.

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Speaker 1: Let's get to the room. Call name or you gossip chatting?

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Speaker 3: Is the rumor report?

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Speaker 1: I mean, I guess we're on the Breakfast Club. This

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Speaker 1: is where the tea.

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Speaker 6: Spells right right, Ladies and gentlemen, began The Stallion. Good morning,

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Speaker 6: Good morning, Megan. Is it too early for you?

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Speaker 1: How are you? First of all?

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Speaker 4: Oh my god, First of all, I'm up, but God, Dane.

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Speaker 2: You in l A.

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Speaker 1: So it's it's three hours beforehand, so it's early early

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Speaker 1: out there.

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Speaker 4: Yeah, I'm up specifically for.

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Speaker 1: Mean. I appreciate that so much.

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Speaker 3: Man.

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Speaker 1: And you know you put out this record called his

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Speaker 1: could you could you tell us what the name means?

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Speaker 4: First of all, Basically, you know when a snake feels

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Speaker 4: like you've been playing and like doing a whole bunch

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Speaker 4: of swam, it's basically telling you to back off, like

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Speaker 4: I hear you, I see you get about me now,

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Speaker 4: basically that's what it means.

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Speaker 5: Now, you put out this warning, and you said every

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Speaker 5: time I get mentioned, when of y'all you ask, gets

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Speaker 5: twenty four hours attention.

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Speaker 1: I'm finna get this my chest and lay the rest right?

403
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Speaker 4: So is it for usual?

404
00:16:18,320 --> 00:16:21,600
Speaker 5: How do you handle that without giving the negativity light

405
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Speaker 5: but still speaking up and defending yourself.

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Speaker 4: It's for these bitches or these holes and holes are

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Speaker 4: like men or women. Every time one of these mothers

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Speaker 4: making it say your name, they get twenty four hours

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Speaker 4: of attention. Basically, I understand what y'all doing, and I

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Speaker 4: want y'all to get up off me now.

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Speaker 1: Actually, she said, you something else, do.

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Speaker 4: Something different, use another tactic, this one getting old.

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Speaker 1: Actually she said, call y'all. And I think I think

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Speaker 1: the people we should.

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Speaker 4: Play roy mother because it's really like a noun that's

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Speaker 4: for men or women.

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Speaker 1: True and bites too. I get it.

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Speaker 4: It's gender neutral.

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Speaker 1: Now I haven't heard the record yet. Are you saying names?

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Speaker 4: I'm saying a hit dog on holler, that's it.

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Speaker 1: God damn. So it's multiple people.

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Speaker 4: Yeah, whoever feel it?

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Speaker 1: Okay, did Lindsey low hands daddy get a shot?

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Speaker 3: Oh?

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Speaker 1: God?

426
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Speaker 4: Why Lindsey low Head daddy won't smoke with me? God,

427
00:17:23,520 --> 00:17:26,919
Speaker 4: dang Liz Daddy. So like I ain't you know if

428
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Speaker 4: he if he gets astray, he gets a stray.

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Speaker 1: Damn.

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Speaker 5: I need you to walk away from your phone, Megan, Okay,

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Speaker 5: because you know these be on you for no reason.

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Speaker 5: So just be prepared for all the smoke and all

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Speaker 5: the comments, but just walk away because because.

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Speaker 4: They're gonna act like it's unprovoked. You know, I'm gonna

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Speaker 4: take a little nap and I'm gonna wake back up,

436
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Speaker 4: and I'm gonna see what they have to say.

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00:17:45,080 --> 00:17:47,600
Speaker 5: Just don't get on Instagram live. Megan let the record

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Speaker 5: set herself block her live.

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00:17:50,240 --> 00:17:51,560
Speaker 1: Okay if you're.

440
00:17:51,400 --> 00:17:54,360
Speaker 4: Listening social media on my phone, so it'll be okay.

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00:17:54,280 --> 00:17:56,960
Speaker 1: Good, good, good good. Let's get into the record right now.

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Speaker 6: And you're gonna be seeing this suit and I know

443
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Speaker 6: you were just calling to say us the record and

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Speaker 6: hopefully you'll come up here and we'll talk to you soon.

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Speaker 3: Correct.

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Speaker 4: Oh, oh, absolutely positively.

447
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Speaker 5: We're gonna lay it out for you when you come.

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00:18:09,320 --> 00:18:11,000
Speaker 5: Just tell her what you need. We have, we have

449
00:18:11,160 --> 00:18:14,840
Speaker 5: drinks for you everything. We're gonna have a nice We're

450
00:18:14,840 --> 00:18:16,280
Speaker 5: gonna make it a nice comments. So we're gonna have

451
00:18:16,280 --> 00:18:17,240
Speaker 5: a nice kickback.

452
00:18:16,960 --> 00:18:17,359
Speaker 1: When you come.

453
00:18:17,640 --> 00:18:18,960
Speaker 4: Oh, thank you so much.

454
00:18:19,240 --> 00:18:21,040
Speaker 1: All right, man, right, well, let's get into the record

455
00:18:21,119 --> 00:18:24,200
Speaker 1: right now. It's called hiss. It's making a Stallion and

456
00:18:24,280 --> 00:18:25,640
Speaker 1: we appreciate you checking in this morning.

457
00:18:26,000 --> 00:18:30,880
Speaker 6: Thank y'all, NV Charlamagne the God we are the Breakfast

458
00:18:30,960 --> 00:18:32,879
Speaker 6: Club Negative Stallions just checked in.

459
00:18:33,000 --> 00:18:34,440
Speaker 1: She permitted her joint hiss.

460
00:18:34,600 --> 00:18:36,440
Speaker 5: Yeah, I mean all is fair and loving rap, like

461
00:18:36,560 --> 00:18:38,359
Speaker 5: everybody has the right to live there. True, that's my

462
00:18:38,440 --> 00:18:40,680
Speaker 5: first time here and hearing the record. I just wish

463
00:18:40,760 --> 00:18:43,119
Speaker 5: she would have named names. That's my only critique. But

464
00:18:44,040 --> 00:18:45,760
Speaker 5: the reason I think she didn't name name because I

465
00:18:45,760 --> 00:18:49,760
Speaker 5: think that's just debate. I think she's responding to some things,

466
00:18:49,800 --> 00:18:51,600
Speaker 5: getting some things off her chest subliminally.

467
00:18:51,840 --> 00:18:54,800
Speaker 1: But that's just an advertising that's like the that's like

468
00:18:54,880 --> 00:18:55,800
Speaker 1: the jab, the jab.

469
00:18:56,240 --> 00:18:59,360
Speaker 6: But you know what, I love when people do records

470
00:18:59,480 --> 00:19:01,400
Speaker 6: right and do songs right, because that's what hip hop

471
00:19:01,520 --> 00:19:03,840
Speaker 6: was built off of, saying I'm the best and I'm

472
00:19:03,920 --> 00:19:04,600
Speaker 6: this person I'm not.

473
00:19:05,000 --> 00:19:06,600
Speaker 1: I love it when it stays in the music.

474
00:19:06,680 --> 00:19:08,520
Speaker 5: Yeah, instead of running the social media and just getting

475
00:19:08,560 --> 00:19:09,800
Speaker 5: on live or sending our tweets.

476
00:19:10,119 --> 00:19:12,320
Speaker 1: Put in some bars, Put it in some bars.

477
00:19:12,359 --> 00:19:13,879
Speaker 6: That's what it's about, right, It's supposed to be a

478
00:19:13,920 --> 00:19:16,080
Speaker 6: play on words and who's better lyrically, right, because that's

479
00:19:16,080 --> 00:19:18,360
Speaker 6: what it's about, who's the better rapper, that's what they're

480
00:19:18,359 --> 00:19:18,679
Speaker 6: going at.

481
00:19:18,760 --> 00:19:20,360
Speaker 1: So the fact that she did it in the song

482
00:19:20,600 --> 00:19:21,440
Speaker 1: I'm excited about.

483
00:19:21,480 --> 00:19:21,680
Speaker 3: Yeah.

484
00:19:21,680 --> 00:19:23,639
Speaker 1: I have no idea. Idea who was dancing on TikTok

485
00:19:23,680 --> 00:19:26,920
Speaker 1: making all Kelly go viral? I have no idea.

486
00:19:27,320 --> 00:19:29,200
Speaker 5: I'm sure party got some shots in there because I

487
00:19:29,200 --> 00:19:31,320
Speaker 5: heard a lot of talk about exodus, But I definitely

488
00:19:31,359 --> 00:19:32,600
Speaker 5: heard Tory Lane get some shots.

489
00:19:32,920 --> 00:19:35,080
Speaker 1: I don't after that, I'm lost, so confused.

490
00:19:35,960 --> 00:19:37,840
Speaker 5: I'm gonna go and just shade rooms in the Hollywood

491
00:19:37,880 --> 00:19:40,240
Speaker 5: unlocks and let y'all younger, just decipher.

492
00:19:40,000 --> 00:19:41,119
Speaker 1: This for me, decipher for you.

493
00:19:42,160 --> 00:19:45,000
Speaker 6: All right, all right, Well, Nicki Minaj responded, already, we'll

494
00:19:45,000 --> 00:19:46,160
Speaker 6: play that in the next room.

495
00:19:46,240 --> 00:19:48,440
Speaker 1: Yeah, what what what what did you say about Nicki

496
00:19:48,440 --> 00:19:49,480
Speaker 1: in that. I don't know.

497
00:19:49,760 --> 00:19:51,120
Speaker 3: I gotta break it down. I gotta read.

498
00:19:51,119 --> 00:19:53,920
Speaker 1: I don't know. I don't know. I got that. I

499
00:19:53,960 --> 00:19:55,359
Speaker 1: don't know. We got to decipher this. I don't know.

500
00:19:55,400 --> 00:19:57,879
Speaker 6: I gotta I gotta read it. But yeah, she responded, already,

501
00:19:57,880 --> 00:19:59,800
Speaker 6: we'll get that on in the next hour. And coming

502
00:19:59,880 --> 00:20:02,040
Speaker 6: up next we got front page News and then DMC

503
00:20:02,160 --> 00:20:04,360
Speaker 6: from Run. DMC will be joining us this morning. It's

504
00:20:04,359 --> 00:20:04,960
Speaker 6: a breakfast club.

505
00:20:05,000 --> 00:20:06,080
Speaker 1: Good morning morning.

506
00:20:06,160 --> 00:20:09,480
Speaker 6: Everybody is dj NV Charlemagne the God. We are to

507
00:20:09,520 --> 00:20:11,960
Speaker 6: breakfast club. Let's get in some front page news.

508
00:20:13,160 --> 00:20:17,080
Speaker 1: What's up test going on? Dj MB charlemagnea god, he said,

509
00:20:17,600 --> 00:20:20,440
Speaker 1: Let's talk social media this morning. Huh Yeah.

510
00:20:20,520 --> 00:20:23,320
Speaker 9: New York City is the first to designate social media

511
00:20:23,400 --> 00:20:27,080
Speaker 9: as environmentally toxic. Now, we talked about how toxic social

512
00:20:27,119 --> 00:20:28,879
Speaker 9: media is when New York said they are going to

513
00:20:28,960 --> 00:20:31,960
Speaker 9: where they have issued an advisory officially designating it as

514
00:20:32,080 --> 00:20:35,520
Speaker 9: a toxic place. In response to the danger social media

515
00:20:35,680 --> 00:20:38,280
Speaker 9: poses to mental health of young people, the city's Department

516
00:20:38,320 --> 00:20:42,639
Speaker 9: of Health and Mental Hygiene issued an advisory identifying unrestricted

517
00:20:42,720 --> 00:20:45,760
Speaker 9: access to and use to and the use of social

518
00:20:45,800 --> 00:20:49,200
Speaker 9: media as a public health hazard. So social media companies

519
00:20:49,240 --> 00:20:52,200
Speaker 9: are increasingly being blamed for high rates of depression, suicide,

520
00:20:52,240 --> 00:20:53,560
Speaker 9: and other mental health.

521
00:20:53,359 --> 00:20:54,560
Speaker 4: Issues in youth.

522
00:20:54,720 --> 00:20:57,080
Speaker 9: So they literally put it on the books as a

523
00:20:57,200 --> 00:21:00,160
Speaker 9: toxic place. And I think you guys will probably agree how.

524
00:21:00,119 --> 00:21:01,680
Speaker 1: Much they spends on that study, because I could have

525
00:21:01,720 --> 00:21:02,080
Speaker 1: told him that.

526
00:21:02,119 --> 00:21:06,399
Speaker 5: Ten years ago, behalf of whatever they paid. Okay, all right,

527
00:21:06,480 --> 00:21:08,800
Speaker 5: Which is why I only do Instagram. I don't do Twitter,

528
00:21:08,840 --> 00:21:10,720
Speaker 5: I don't do Facebook. I don't do tik tak. I

529
00:21:10,760 --> 00:21:14,000
Speaker 5: don't let my kids use social media TikTok, turt whatever.

530
00:21:14,200 --> 00:21:16,680
Speaker 5: I don't let my kids use social media at all. Yes,

531
00:21:17,000 --> 00:21:19,159
Speaker 5: Like dug, social media is one of the most toxic

532
00:21:19,200 --> 00:21:19,760
Speaker 5: places ever.

533
00:21:19,840 --> 00:21:20,520
Speaker 1: Think about it like this.

534
00:21:20,800 --> 00:21:23,640
Speaker 5: You got all of these miserable people, all of these

535
00:21:23,800 --> 00:21:26,320
Speaker 5: hurt people, all of these people that are in pain.

536
00:21:26,680 --> 00:21:31,000
Speaker 5: They get online every day and project that pain onto everybody.

537
00:21:31,080 --> 00:21:35,240
Speaker 5: You just got collective pain, hurt, and misery being projected

538
00:21:35,320 --> 00:21:37,320
Speaker 5: on social media, which is strange to me when people

539
00:21:37,600 --> 00:21:40,680
Speaker 5: go to social media looking for something good. That's not

540
00:21:40,760 --> 00:21:44,000
Speaker 5: what social media is even designed for, especially nowadays, when

541
00:21:44,040 --> 00:21:47,920
Speaker 5: you know the algorithm literally caters to the seven deadly sins.

542
00:21:47,920 --> 00:21:50,000
Speaker 5: I did a whole conversation with this with my man.

543
00:21:51,400 --> 00:21:53,159
Speaker 5: We did it with Cale Newport. We had him on here.

544
00:21:53,200 --> 00:21:55,320
Speaker 1: He put out a great book called Digital Minimalism.

545
00:21:55,440 --> 00:21:58,600
Speaker 5: But also my man from the documentary The Social The

546
00:21:58,720 --> 00:22:01,119
Speaker 5: Social Network, I remember his name right now, but I

547
00:22:01,160 --> 00:22:02,920
Speaker 5: had him on my I think I had me on

548
00:22:02,960 --> 00:22:04,640
Speaker 5: birth Club. I had him on my my talk show,

549
00:22:04,680 --> 00:22:06,640
Speaker 5: to God's on the Truth on Comedy Central too, talking

550
00:22:06,640 --> 00:22:10,200
Speaker 5: about it like social media literally the algorithms cater to

551
00:22:10,320 --> 00:22:12,159
Speaker 5: the seven deadly things.

552
00:22:12,600 --> 00:22:13,240
Speaker 1: That is a fact.

553
00:22:14,160 --> 00:22:15,000
Speaker 2: Yeah, it's successful.

554
00:22:15,080 --> 00:22:17,560
Speaker 9: I also enjoyed your conversation you guys had with Kevin

555
00:22:17,600 --> 00:22:19,959
Speaker 9: Gates this week, you know, talking about how he had

556
00:22:20,000 --> 00:22:22,560
Speaker 9: to unplug and how you know it affected him and

557
00:22:22,880 --> 00:22:24,399
Speaker 9: he kind of getting called up in his head with that,

558
00:22:24,560 --> 00:22:27,080
Speaker 9: and so another story just wanted since we're talking about

559
00:22:27,080 --> 00:22:30,920
Speaker 9: social media parents, since Charlomagne called tac but TikTok for

560
00:22:31,040 --> 00:22:33,760
Speaker 9: more than twelve thousand parents are urging TikTok to clearly

561
00:22:33,840 --> 00:22:37,680
Speaker 9: label AI generated influencers who could pass as real people

562
00:22:37,760 --> 00:22:40,480
Speaker 9: to viewers. Now, these parents, they started an online petition

563
00:22:40,680 --> 00:22:44,000
Speaker 9: to say that they're concerned that these AI perfected faces

564
00:22:44,080 --> 00:22:48,160
Speaker 9: and bodies are giving you know, teens, unrealistic beauty standards.

565
00:22:48,200 --> 00:22:51,280
Speaker 9: So they're asking that they clearly labeling they're supposed to

566
00:22:51,320 --> 00:22:53,320
Speaker 9: be labeling this stuff is AI, but they said they're

567
00:22:53,359 --> 00:22:55,960
Speaker 9: not catching it fast enough, they're not doing enough. They're

568
00:22:55,960 --> 00:22:58,639
Speaker 9: saying that virtual influencers have been around for years, but

569
00:22:58,760 --> 00:23:03,160
Speaker 9: the newest flosive growth of generated AI technology has made

570
00:23:03,160 --> 00:23:06,280
Speaker 9: it harder for people to identify real from faith. So

571
00:23:06,760 --> 00:23:08,880
Speaker 9: just another point because both of these stories we're talking

572
00:23:08,920 --> 00:23:11,000
Speaker 9: about youth. But you guys brought up an interesting point

573
00:23:11,000 --> 00:23:13,560
Speaker 9: about adults. This is not I mean, adults are actually

574
00:23:13,720 --> 00:23:18,159
Speaker 9: also you know, being six percent of adults eighty one

575
00:23:18,200 --> 00:23:20,760
Speaker 9: percent of teens use social media and it is a

576
00:23:20,840 --> 00:23:25,320
Speaker 9: growing population of anxiety depression do to social media. It's

577
00:23:25,359 --> 00:23:26,040
Speaker 9: a real thing.

578
00:23:26,119 --> 00:23:29,160
Speaker 1: You really literally have to unplug man get off.

579
00:23:29,880 --> 00:23:32,600
Speaker 5: Honestly, I'm I'm I'm working on just getting my way

580
00:23:32,640 --> 00:23:34,880
Speaker 5: off all together, you know what I mean. But yeah,

581
00:23:36,119 --> 00:23:39,200
Speaker 5: like I said, social networks do best when they tap

582
00:23:39,320 --> 00:23:41,520
Speaker 5: into one of the seven deadly said. There's so many

583
00:23:41,680 --> 00:23:43,760
Speaker 5: articles that have been written on it, so many books

584
00:23:43,800 --> 00:23:46,960
Speaker 5: that have been written on it, so many whistleblowers in Silicon.

585
00:23:46,720 --> 00:23:49,200
Speaker 1: Valley talk about it, how they literally.

586
00:23:50,480 --> 00:23:55,160
Speaker 5: Cater to greed and in vanity and you know, gluttony,

587
00:23:55,320 --> 00:23:58,720
Speaker 5: like I'm telling you, it's it's the devil, you know

588
00:23:59,040 --> 00:23:59,320
Speaker 5: it is.

589
00:23:59,800 --> 00:24:02,040
Speaker 6: And I'm grateful that, you know, I got six kids

590
00:24:02,080 --> 00:24:03,760
Speaker 6: that my two oldest, and not own it like that.

591
00:24:03,880 --> 00:24:06,239
Speaker 6: They could really care less about it. The only thing

592
00:24:06,320 --> 00:24:09,080
Speaker 6: I would say is, and I know TikTok is not

593
00:24:09,160 --> 00:24:11,720
Speaker 6: the answer. But my daughters, the younger ones, they like

594
00:24:11,800 --> 00:24:13,560
Speaker 6: to dance and they like to do the dance moves

595
00:24:13,600 --> 00:24:15,879
Speaker 6: and share with their friends, but they do it in

596
00:24:15,960 --> 00:24:17,480
Speaker 6: a place where it's a safe place because they send

597
00:24:17,480 --> 00:24:18,960
Speaker 6: it to each other. I don't know if there's an

598
00:24:19,000 --> 00:24:21,160
Speaker 6: app where kids can do that and have a good

599
00:24:21,200 --> 00:24:22,920
Speaker 6: time doing it. Because my daughter likes to dance to

600
00:24:23,040 --> 00:24:25,199
Speaker 6: music that's out, whether it's old and new, whether it's

601
00:24:25,280 --> 00:24:28,159
Speaker 6: doing you know, dance from her troop stuff or cheering,

602
00:24:28,600 --> 00:24:30,680
Speaker 6: and that is something that I like because they're just

603
00:24:30,760 --> 00:24:31,520
Speaker 6: having fun as kids.

604
00:24:31,560 --> 00:24:32,960
Speaker 1: Like yesterday my daughter was dancing.

605
00:24:32,720 --> 00:24:35,040
Speaker 6: And happy, right and she did her own routine and

606
00:24:35,280 --> 00:24:37,040
Speaker 6: she was able to share with her friends, you know,

607
00:24:37,119 --> 00:24:39,800
Speaker 6: in her school. But the other stuff where people can

608
00:24:39,920 --> 00:24:42,720
Speaker 6: leave comments and complaints and say I don't like you

609
00:24:42,840 --> 00:24:45,159
Speaker 6: because it is or even try to lure these kids in,

610
00:24:45,640 --> 00:24:46,720
Speaker 6: that's what I don't don't.

611
00:24:46,720 --> 00:24:49,080
Speaker 5: I don't think the pros and social media outwag to

612
00:24:49,160 --> 00:24:51,040
Speaker 5: cons and I know we're not going to realize we're

613
00:24:51,040 --> 00:24:52,760
Speaker 5: not going to realize that. I mean, some of us

614
00:24:52,760 --> 00:24:54,760
Speaker 5: are realizing that now and have already realized that, but

615
00:24:54,840 --> 00:24:57,560
Speaker 5: the majority of society's not gonna realize that until in

616
00:24:57,600 --> 00:24:58,000
Speaker 5: the future.

617
00:24:58,040 --> 00:24:58,960
Speaker 1: But it's gonna be too late.

618
00:24:59,200 --> 00:25:01,399
Speaker 5: Like literally right now, I was people waking up and

619
00:25:01,440 --> 00:25:04,040
Speaker 5: they're getting on social media waiting to know how to

620
00:25:04,080 --> 00:25:07,480
Speaker 5: feel about something right, Like like for example, megann the

621
00:25:07,480 --> 00:25:09,880
Speaker 5: Stallion put out his which we just listen to. It's

622
00:25:09,920 --> 00:25:12,159
Speaker 5: people who listen to that record and instead of just

623
00:25:12,240 --> 00:25:14,480
Speaker 5: going with how they feel, like some people might initially

624
00:25:14,520 --> 00:25:15,600
Speaker 5: be like, oh I like that record.

625
00:25:15,760 --> 00:25:17,600
Speaker 1: Some people might initially be like, oh, I don't like

626
00:25:17,680 --> 00:25:18,159
Speaker 1: that record.

627
00:25:18,320 --> 00:25:20,520
Speaker 5: But they're gonna wait to see what the majority of

628
00:25:20,600 --> 00:25:24,000
Speaker 5: people on social media say before they form their conclusion.

629
00:25:24,359 --> 00:25:26,600
Speaker 1: That's God, that's whack. But that's that's everything.

630
00:25:26,680 --> 00:25:29,920
Speaker 6: That's People do that with politics, people do that with interviews,

631
00:25:29,960 --> 00:25:31,960
Speaker 6: people do that with what's going on in the world.

632
00:25:32,080 --> 00:25:32,920
Speaker 1: They do that all the time.

633
00:25:33,000 --> 00:25:35,600
Speaker 6: It's like they go to the popular opinion, and whatever

634
00:25:35,640 --> 00:25:37,199
Speaker 6: the popular opinion is, that's what they do.

635
00:25:37,280 --> 00:25:40,160
Speaker 5: Well, whatever the popular opinion on social media. Correct, social

636
00:25:40,200 --> 00:25:42,520
Speaker 5: media is not reflective of the real life world.

637
00:25:42,640 --> 00:25:46,520
Speaker 1: Absolutely, it's it's a small it's a small, small, small

638
00:25:46,640 --> 00:25:49,480
Speaker 1: portion of what's actually going on in the real world.

639
00:25:49,720 --> 00:25:51,399
Speaker 6: And the sad thing about it all is, when you

640
00:25:51,440 --> 00:25:53,320
Speaker 6: think about it, I think a lot of people lose

641
00:25:53,359 --> 00:25:56,920
Speaker 6: their lives in social media, right. They don't necessarily live

642
00:25:57,000 --> 00:25:59,159
Speaker 6: in the moment, right, They don't get to really you know,

643
00:25:59,200 --> 00:26:01,040
Speaker 6: we always talk about smell of flowers. They don't get

644
00:26:01,040 --> 00:26:02,439
Speaker 6: a chance to smell the flowers, you know what I mean.

645
00:26:02,760 --> 00:26:04,159
Speaker 6: And I think, like you said, I think we need

646
00:26:04,200 --> 00:26:05,920
Speaker 6: to get to a point where we have to I

647
00:26:05,960 --> 00:26:08,800
Speaker 6: don't want to say ban, but limit how people, you know,

648
00:26:08,920 --> 00:26:10,000
Speaker 6: indulge in social media.

649
00:26:10,760 --> 00:26:13,120
Speaker 9: Well, Japan, we talked about this story before. They don't

650
00:26:13,160 --> 00:26:15,879
Speaker 9: allow you know, they only allow certain content you know,

651
00:26:15,960 --> 00:26:17,200
Speaker 9: to their children on TikTok.

652
00:26:17,280 --> 00:26:17,399
Speaker 3: You know.

653
00:26:17,520 --> 00:26:19,720
Speaker 9: So there is when you look at the United States

654
00:26:19,800 --> 00:26:22,119
Speaker 9: and kind of you know, go everything can go in

655
00:26:23,000 --> 00:26:24,760
Speaker 9: and be on social media. That's to your point when

656
00:26:24,760 --> 00:26:26,480
Speaker 9: you're saying, because she'll be an app just for dance

657
00:26:26,520 --> 00:26:29,119
Speaker 9: and eventually the mess of you know, get good put in.

658
00:26:29,200 --> 00:26:30,919
Speaker 9: So that's a big debate that they're having about TikTok,

659
00:26:30,960 --> 00:26:32,760
Speaker 9: you know, even on the on the policies level. But

660
00:26:32,840 --> 00:26:34,399
Speaker 9: if you just go to any restaurant and look at

661
00:26:34,440 --> 00:26:37,200
Speaker 9: couples constantly scroll and scroll and scroll and scroll and scroll.

662
00:26:37,240 --> 00:26:39,120
Speaker 9: It we just really got to put the phone down

663
00:26:39,119 --> 00:26:42,560
Speaker 9: at some point. I'm guilty of it myself. So well

664
00:26:42,680 --> 00:26:44,320
Speaker 9: you're scrolling now, Djambi.

665
00:26:44,119 --> 00:26:47,000
Speaker 1: Now somebody just text me. That's the producers that just

666
00:26:47,080 --> 00:26:50,359
Speaker 1: texted me. All right, well that is Front Page News.

667
00:26:50,440 --> 00:26:52,199
Speaker 1: That's right to take your task and.

668
00:26:52,200 --> 00:26:54,320
Speaker 5: Make sure you subscribed to tailing figure out podcasts it's

669
00:26:54,359 --> 00:26:56,200
Speaker 5: great shot and on Chase of podcasts on the blackfact

670
00:26:56,200 --> 00:26:58,960
Speaker 5: iHeart Radio podcast network and follow as testling figure on

671
00:26:59,000 --> 00:27:00,119
Speaker 5: on all social media flyf on.

672
00:27:00,440 --> 00:27:02,639
Speaker 6: Actually they were text me because DMC is coming up

673
00:27:02,680 --> 00:27:04,400
Speaker 6: next and I'm about to do a run DMC mix,

674
00:27:04,640 --> 00:27:05,879
Speaker 6: and they asked me, can I do it now?

675
00:27:06,119 --> 00:27:08,000
Speaker 1: All right? So no, man, we don't hear no DMC.

676
00:27:08,080 --> 00:27:10,119
Speaker 1: You want to hit fart, No, we can play run

677
00:27:10,200 --> 00:27:13,639
Speaker 1: DMC mix. This play fart, No DMC mixed. This morning.

678
00:27:14,400 --> 00:27:17,760
Speaker 6: DMC from Run DMCMSDJ will be joining us this morning.

679
00:27:17,840 --> 00:27:19,200
Speaker 6: We're gonna kick it with him. They got a three

680
00:27:19,280 --> 00:27:21,000
Speaker 6: part documentary that's coming out.

681
00:27:22,520 --> 00:27:25,399
Speaker 1: That's right. So when we come back, DMC in the

682
00:27:25,520 --> 00:27:28,440
Speaker 1: place to be. I went to Saint John's University.

683
00:27:28,840 --> 00:27:31,160
Speaker 6: I dressed all right. You know what I'm talking about, DMC.

684
00:27:31,240 --> 00:27:32,960
Speaker 6: When we come back, it's the breakfast Little Morning.

685
00:27:33,200 --> 00:27:34,600
Speaker 3: The breakfast Club.

686
00:27:36,720 --> 00:27:37,000
Speaker 1: Morning.

687
00:27:37,040 --> 00:27:40,280
Speaker 6: Everybody is d J n V Charlamagne to God. We

688
00:27:40,400 --> 00:27:42,480
Speaker 6: are the Breakfast Club. We got a special guest in

689
00:27:42,560 --> 00:27:43,000
Speaker 6: the building.

690
00:27:43,240 --> 00:27:45,440
Speaker 5: We say special a lot, but this is this is

691
00:27:45,560 --> 00:27:47,760
Speaker 5: one of those special special special gutther.

692
00:27:47,920 --> 00:27:51,359
Speaker 1: Icon a legend. Absolutely means a lot to me, ladies

693
00:27:51,359 --> 00:27:54,240
Speaker 1: and gentlemen. D MC, yo, what's up. It's good to

694
00:27:54,280 --> 00:27:55,160
Speaker 1: be brother.

695
00:27:56,440 --> 00:27:57,720
Speaker 5: He came in here with a lot of product to

696
00:27:57,840 --> 00:28:01,720
Speaker 5: your children, and he got his memoir and he got

697
00:28:01,800 --> 00:28:02,719
Speaker 5: the cookies.

698
00:28:03,560 --> 00:28:04,040
Speaker 3: DMC.

699
00:28:04,359 --> 00:28:06,000
Speaker 1: Daryl makes cookies.

700
00:28:06,720 --> 00:28:07,760
Speaker 2: For all of you out there.

701
00:28:07,840 --> 00:28:11,200
Speaker 8: We will have the vegan, we will have the gluten free,

702
00:28:11,640 --> 00:28:14,359
Speaker 8: but we will have a protein cookie for people in

703
00:28:14,440 --> 00:28:17,280
Speaker 8: the gyms. And we started with chocolate chip, but we're

704
00:28:17,280 --> 00:28:21,280
Speaker 8: gonna have chocolate chip, double chocolate, sugar cookie, oatmeal, oatmeal

705
00:28:21,400 --> 00:28:22,040
Speaker 8: raisin in the whole.

706
00:28:22,080 --> 00:28:23,640
Speaker 1: Now, do you remember your first cookie in life?

707
00:28:24,160 --> 00:28:28,200
Speaker 2: My first year, my first cookie was a butter cookie.

708
00:28:28,840 --> 00:28:31,560
Speaker 8: There was this place in Queens in Long Island called

709
00:28:31,720 --> 00:28:35,560
Speaker 8: Cows where everybody used to get the milk from member Goals,

710
00:28:35,600 --> 00:28:37,680
Speaker 8: and he used to have the cows. Then the cow

711
00:28:37,840 --> 00:28:40,760
Speaker 8: they used to milk the cows and calendar real cows.

712
00:28:40,800 --> 00:28:42,440
Speaker 8: The cows was in there and they used to bring

713
00:28:42,520 --> 00:28:44,720
Speaker 8: the milk bottles by and you would buy the milk.

714
00:28:44,760 --> 00:28:47,520
Speaker 8: So it's this place called Goals, and they sold cookies

715
00:28:47,600 --> 00:28:48,760
Speaker 8: and candies and stuff like that.

716
00:28:48,960 --> 00:28:51,080
Speaker 6: But I've always loved cookies. I want to start from

717
00:28:51,080 --> 00:28:54,280
Speaker 6: the beginning. Of course, I'm from Queens and what run

718
00:28:54,440 --> 00:28:55,920
Speaker 6: DMC meant to me.

719
00:28:56,240 --> 00:28:57,600
Speaker 3: Was everything right wow.

720
00:28:58,040 --> 00:29:00,840
Speaker 6: I went to school on Holis Save Francis Saint Jokminan

721
00:29:00,920 --> 00:29:02,959
Speaker 6: right on Holland Cross Street from p thirty four right

722
00:29:03,600 --> 00:29:06,040
Speaker 6: and to see brothers from my neighborhood, make it out

723
00:29:06,080 --> 00:29:07,800
Speaker 6: and become international.

724
00:29:07,280 --> 00:29:08,720
Speaker 3: Stars with everything. Wow.

725
00:29:08,800 --> 00:29:09,480
Speaker 1: But not only that.

726
00:29:10,160 --> 00:29:13,520
Speaker 6: This was the day before social media, so running into

727
00:29:13,600 --> 00:29:16,800
Speaker 6: your favorite celebrity was everything, right. I remember running into

728
00:29:17,160 --> 00:29:19,920
Speaker 6: to Run and yourself at TSS.

729
00:29:19,520 --> 00:29:21,680
Speaker 1: And oh to Square story, that's right.

730
00:29:22,640 --> 00:29:24,640
Speaker 6: And you've given me an autograph on the back of

731
00:29:24,640 --> 00:29:26,760
Speaker 6: an envelope, you know, because autographs meant the most.

732
00:29:26,800 --> 00:29:27,400
Speaker 1: I still have it now.

733
00:29:27,480 --> 00:29:27,640
Speaker 4: Wow.

734
00:29:27,760 --> 00:29:30,920
Speaker 6: So let's let's talk how you got into music and

735
00:29:31,000 --> 00:29:33,920
Speaker 6: what made DMC start rapping and how did you hook

736
00:29:34,000 --> 00:29:36,040
Speaker 6: up with Run being from Holland Street.

737
00:29:36,400 --> 00:29:39,640
Speaker 8: So for me, I first started as a DJ because

738
00:29:39,760 --> 00:29:42,239
Speaker 8: there was this thing going around called flash tapes. Did

739
00:29:42,280 --> 00:29:44,640
Speaker 8: you have the flash tapes with flashed and equipment? So

740
00:29:45,240 --> 00:29:47,880
Speaker 8: flash tapes came into queens and it was the block

741
00:29:47,960 --> 00:29:50,600
Speaker 8: parties and stuff like that. So me and my brother

742
00:29:50,680 --> 00:29:53,560
Speaker 8: we got DJ equipment, wanted to be DJs. In my basement,

743
00:29:53,600 --> 00:29:54,440
Speaker 8: I was grand asked to.

744
00:29:54,440 --> 00:29:56,520
Speaker 3: Get high because you had to get high.

745
00:29:56,720 --> 00:29:58,440
Speaker 8: Yeah, that was my name. Grandma has to get high

746
00:29:58,440 --> 00:30:00,560
Speaker 8: because you didn't need old English. So we because my

747
00:30:00,680 --> 00:30:03,200
Speaker 8: music qu was intoxicate you. Oh, that's what it was

748
00:30:03,240 --> 00:30:05,280
Speaker 8: in my brain. Prior to that was just a kid

749
00:30:05,360 --> 00:30:06,440
Speaker 8: that read comic books.

750
00:30:06,480 --> 00:30:07,040
Speaker 1: Now I'm like you.

751
00:30:07,160 --> 00:30:09,760
Speaker 8: I went to Catholic school. But the first thing for

752
00:30:09,920 --> 00:30:13,840
Speaker 8: hip hop boy is the DJ thing. So I wanted

753
00:30:13,840 --> 00:30:17,040
Speaker 8: to be like Grandmaster Flash. So my brother he was

754
00:30:17,120 --> 00:30:19,160
Speaker 8: only when I was allowed to go to Jamaica Avenue

755
00:30:19,200 --> 00:30:21,320
Speaker 8: to the record store. I was still a young kid.

756
00:30:21,800 --> 00:30:24,200
Speaker 8: So he brought home Rappers and Light. You know that

757
00:30:24,360 --> 00:30:26,960
Speaker 8: was hip hop first on the record. So Rappers and

758
00:30:27,040 --> 00:30:29,720
Speaker 8: Light then attract me, except for the Big Bank Hand Cryme,

759
00:30:29,800 --> 00:30:31,920
Speaker 8: which I found out was dope because it was written

760
00:30:31,960 --> 00:30:34,800
Speaker 8: by one of the dope seas from the street, Grandmaster Cares.

761
00:30:34,960 --> 00:30:37,000
Speaker 2: But I didn't know that that a golkur safes game.

762
00:30:37,360 --> 00:30:39,080
Speaker 8: But this is the life changing thing that made me

763
00:30:39,120 --> 00:30:42,200
Speaker 8: start writing, I'm Grandmaster get high in my basement on

764
00:30:42,360 --> 00:30:44,440
Speaker 8: the DJ planing is then I put you and two together.

765
00:30:44,760 --> 00:30:46,840
Speaker 8: I'm a kid trying to piece all of this together.

766
00:30:47,200 --> 00:30:51,400
Speaker 8: So Grandmaster Flash has five mcs that he plays the

767
00:30:51,520 --> 00:30:54,200
Speaker 8: music for, so I put the needle on this record.

768
00:30:54,280 --> 00:30:56,600
Speaker 8: It didn't open up hip hop and then it wasn't

769
00:30:56,680 --> 00:30:58,840
Speaker 8: no R and B. This thing set It was a

770
00:30:58,960 --> 00:31:01,680
Speaker 8: party nine. Every anybody was breaking in the hogs. What'

771
00:31:01,760 --> 00:31:03,920
Speaker 8: screaming in the base was shaking in and won't be

772
00:31:04,120 --> 00:31:07,160
Speaker 8: long till everybody's not on that flashes on the bee

773
00:31:07,440 --> 00:31:08,240
Speaker 8: box going.

774
00:31:08,280 --> 00:31:10,480
Speaker 3: And I'm going, oh my god, what the hell is this?

775
00:31:10,720 --> 00:31:17,960
Speaker 8: And don't and shout out identicals Italian, Caucasian, Japanese, Spanish, Indian,

776
00:31:18,120 --> 00:31:23,200
Speaker 8: Negro v at the knees, MC dis jockeys, y'all fly kid.

777
00:31:23,280 --> 00:31:26,800
Speaker 3: I went running. Give me a pen, Alfred, give me

778
00:31:26,880 --> 00:31:27,200
Speaker 3: a pen.

779
00:31:27,400 --> 00:31:30,880
Speaker 8: So I just started writing rhymes for myself. So I

780
00:31:31,000 --> 00:31:34,200
Speaker 8: was a grandmaster get high, and I was MC easy d.

781
00:31:34,400 --> 00:31:36,680
Speaker 8: Because my name starts with the DN, it's easy for

782
00:31:36,760 --> 00:31:38,760
Speaker 8: me to write my rhymes. So that's all I'm doing

783
00:31:38,800 --> 00:31:42,600
Speaker 8: in my basement, writing rhymes. Joseph Simmons, we went to

784
00:31:42,680 --> 00:31:46,160
Speaker 8: the same Catholic high school, Saint Pascal Bayline. He was

785
00:31:46,200 --> 00:31:47,360
Speaker 8: always in the other class.

786
00:31:47,480 --> 00:31:47,920
Speaker 3: We didn't know.

787
00:31:48,000 --> 00:31:50,160
Speaker 8: We only knew each other, Hey Daryl, Hey Joe, because

788
00:31:50,160 --> 00:31:52,040
Speaker 8: the only reason we knew each other it was two

789
00:31:52,200 --> 00:31:55,400
Speaker 8: classes each. It was kindergarten you together, but then when

790
00:31:55,440 --> 00:31:57,480
Speaker 8: you go to first grade it's one one and one two.

791
00:31:57,880 --> 00:31:59,480
Speaker 8: So I was always in the two classes.

792
00:31:59,520 --> 00:32:00,560
Speaker 3: He was in the one.

793
00:32:01,000 --> 00:32:03,840
Speaker 2: So in eighth grade where that happened. This is Destiny.

794
00:32:05,400 --> 00:32:07,800
Speaker 8: We went to Catholic school, so you know this, All

795
00:32:07,880 --> 00:32:10,560
Speaker 8: the kids would come to my backyard and play basketball

796
00:32:10,600 --> 00:32:12,680
Speaker 8: after school to be safe. And I don't have to

797
00:32:12,720 --> 00:32:14,760
Speaker 8: go to one ninety two at Jamaica Park to get

798
00:32:14,840 --> 00:32:16,200
Speaker 8: them money and get bullying and tease.

799
00:32:16,320 --> 00:32:16,360
Speaker 3: No.

800
00:32:16,760 --> 00:32:20,240
Speaker 2: So one day Joey shows up alone with his basketball,

801
00:32:20,440 --> 00:32:22,160
Speaker 2: so we play ball. You know what I'm saying. Joe

802
00:32:22,320 --> 00:32:22,560
Speaker 2: is good.

803
00:32:22,640 --> 00:32:24,640
Speaker 8: Joe and Jay. I wasn't the ball. I just had

804
00:32:24,800 --> 00:32:29,520
Speaker 8: to remember. So we played ball. After we played very good.

805
00:32:29,680 --> 00:32:32,520
Speaker 8: He was left handed, very good. His failure, you can

806
00:32:32,600 --> 00:32:35,360
Speaker 8: speak to him. He loved doctor Jay. He run was nice.

807
00:32:35,920 --> 00:32:37,920
Speaker 2: Jay was nice. I'm comic book.

808
00:32:37,760 --> 00:32:39,640
Speaker 8: And I'm awkward, but I'm just trying to fit in

809
00:32:39,760 --> 00:32:41,960
Speaker 8: and I press the guys and come on, I need

810
00:32:42,040 --> 00:32:42,400
Speaker 8: a friend.

811
00:32:42,520 --> 00:32:44,640
Speaker 3: Sold Dad put her in there, kid.

812
00:32:44,720 --> 00:32:46,960
Speaker 2: You know what I'm saying. So after we played ball,

813
00:32:47,560 --> 00:32:50,360
Speaker 2: he comes in change Purpose and Destiny. He comes in.

814
00:32:50,880 --> 00:32:54,640
Speaker 2: He sees me and my brother's turntables and he goes, yo.

815
00:32:54,680 --> 00:32:56,880
Speaker 8: You do that, and I go no, because that was

816
00:32:56,960 --> 00:32:59,040
Speaker 8: my thing. I didn't want nobody, And he goes Joe

817
00:32:59,320 --> 00:33:01,920
Speaker 8: my brother's Simmons. You ever see the flyers and some

818
00:33:02,000 --> 00:33:03,880
Speaker 8: up on the telephone polls and the tree. My my

819
00:33:04,000 --> 00:33:06,440
Speaker 8: brothers Russell Russ and he manages his Curtis blow and

820
00:33:06,520 --> 00:33:07,280
Speaker 8: Jimmy Spicy, and.

821
00:33:07,280 --> 00:33:09,120
Speaker 3: He goes on, oh so now I'm a little opening.

822
00:33:09,200 --> 00:33:11,640
Speaker 8: I'm like what, and he goes, yeah, I'm DJ run

823
00:33:11,840 --> 00:33:13,920
Speaker 8: And in the summertime, when it's no school, I go

824
00:33:14,080 --> 00:33:15,800
Speaker 8: all around New York City and to try to state

825
00:33:15,880 --> 00:33:17,640
Speaker 8: that area. They called me the son of cord is

826
00:33:17,680 --> 00:33:19,360
Speaker 8: blowing up right, And I said, and I go, whoa

827
00:33:19,560 --> 00:33:21,280
Speaker 8: something more? I said, I could do it a little bit,

828
00:33:21,440 --> 00:33:23,400
Speaker 8: and he goes, show me something. So I go over

829
00:33:23,520 --> 00:33:26,880
Speaker 8: to the turn tables and I do the super sperm equipment.

830
00:33:26,560 --> 00:33:29,400
Speaker 3: Soup poop soup. So it's like, yodde this goodness.

831
00:33:29,640 --> 00:33:31,960
Speaker 8: So now the plan was this. Now we got something

832
00:33:32,000 --> 00:33:35,160
Speaker 8: else in common besides ball after school. My parents would

833
00:33:35,160 --> 00:33:37,360
Speaker 8: get home at four o'clock. We get out of school

834
00:33:37,400 --> 00:33:39,800
Speaker 8: two ten, so we go play ball for half an hour.

835
00:33:39,840 --> 00:33:42,200
Speaker 8: Then we go in the basement in DJ for I'm

836
00:33:42,280 --> 00:33:45,800
Speaker 8: forty five minutes. So that became the routine. One particular

837
00:33:45,960 --> 00:33:48,240
Speaker 8: day and it was my turn to DJ and I

838
00:33:48,400 --> 00:33:50,440
Speaker 8: look over at Joe and he's sitting on the couch

839
00:33:50,480 --> 00:33:53,040
Speaker 8: in the basement and he gots my rhyme book that

840
00:33:53,160 --> 00:33:56,200
Speaker 8: was like having my diary, you know what I'm saying.

841
00:33:56,680 --> 00:33:58,480
Speaker 3: I left it on the coffee table.

842
00:33:58,640 --> 00:34:00,560
Speaker 8: Usually I would put it under the couch Joe when

843
00:34:00,560 --> 00:34:02,760
Speaker 8: I knew Joe was coming because the rhyme book was

844
00:34:02,840 --> 00:34:05,160
Speaker 8: my thing talking about me being MC eazy D.

845
00:34:05,640 --> 00:34:07,560
Speaker 3: So he finds it and I'm running over there trying

846
00:34:07,600 --> 00:34:08,160
Speaker 3: to get it from me.

847
00:34:08,120 --> 00:34:10,440
Speaker 2: And he's like no, no, no, wait, wait D. And

848
00:34:10,520 --> 00:34:12,239
Speaker 2: he was like, yo, you rode all of this and

849
00:34:12,320 --> 00:34:14,000
Speaker 2: I was like, yeah, you know, it's like a hobby.

850
00:34:14,040 --> 00:34:15,720
Speaker 8: And he just looks at me and I'll never forget

851
00:34:15,760 --> 00:34:20,960
Speaker 8: the day slow motion when my brother Russell lets me

852
00:34:21,480 --> 00:34:26,480
Speaker 8: make a record, I'm putting you in my group and

853
00:34:26,920 --> 00:34:29,000
Speaker 8: dinner and went in one air and out the other

854
00:34:29,040 --> 00:34:31,480
Speaker 8: because I'm like, yo in yo, I don't do this

855
00:34:31,640 --> 00:34:32,080
Speaker 8: for real.

856
00:34:32,239 --> 00:34:32,759
Speaker 5: You do that?

857
00:34:32,880 --> 00:34:35,680
Speaker 2: You yo the flashers and he said, no, D, don't

858
00:34:35,680 --> 00:34:37,560
Speaker 2: worry about it. So that was in eighth grade.

859
00:34:37,640 --> 00:34:41,640
Speaker 8: We graduated running Jay went to Andrew Jackson High School.

860
00:34:41,360 --> 00:34:42,439
Speaker 1: And Jackson the first school.

861
00:34:42,480 --> 00:34:47,279
Speaker 2: I took three trains and two buses all the way

862
00:34:47,320 --> 00:34:50,000
Speaker 2: to Rice High School one hundred and twenty fourth Street

863
00:34:50,040 --> 00:34:53,839
Speaker 2: in lymtics now ninth grade, tenth grade, eleventh grade, twelfth grade.

864
00:34:54,160 --> 00:34:58,080
Speaker 2: I graduate from Rice High School, send my resume out

865
00:34:58,120 --> 00:35:00,799
Speaker 2: to Saint John's University, and a couple of college come

866
00:35:00,880 --> 00:35:03,880
Speaker 2: home into mail. There's a letter to me, mister Darn McDaniels.

867
00:35:03,920 --> 00:35:05,239
Speaker 2: I opened it up before my mother.

868
00:35:05,600 --> 00:35:08,520
Speaker 8: Mister Daryl McDaniels will probager inform you you're going to

869
00:35:08,560 --> 00:35:09,799
Speaker 8: Saint John's University.

870
00:35:09,880 --> 00:35:12,279
Speaker 2: What oh, this is crazy, It's funny. My mother and

871
00:35:12,400 --> 00:35:13,040
Speaker 2: father come home.

872
00:35:13,120 --> 00:35:16,640
Speaker 8: I run past them down to the basement to write

873
00:35:16,640 --> 00:35:18,960
Speaker 8: a rhyme, and I say, min got I ran to

874
00:35:19,040 --> 00:35:20,080
Speaker 8: the basement to check this out.

875
00:35:20,120 --> 00:35:22,719
Speaker 2: I write this round. I'm dmc in the place to be.

876
00:35:22,960 --> 00:35:25,120
Speaker 3: I went to the City John's University. I rate the

877
00:35:25,200 --> 00:35:28,759
Speaker 3: rhyme right that was. I was a class of eighty two.

878
00:35:29,960 --> 00:35:33,960
Speaker 2: In June of eighty two. The phone rings. It's Joe

879
00:35:34,520 --> 00:35:35,319
Speaker 2: jo d what's up?

880
00:35:35,400 --> 00:35:35,560
Speaker 3: Man?

881
00:35:35,760 --> 00:35:37,960
Speaker 8: Now you know we've seen each other, but he calls

882
00:35:38,000 --> 00:35:42,040
Speaker 8: this particularly Remember four years ago, Yeah, when I said

883
00:35:42,080 --> 00:35:44,799
Speaker 8: if I make a uh huh, grab your rhyme book,

884
00:35:44,840 --> 00:35:47,360
Speaker 8: We're going to the studio to make a record. We

885
00:35:47,480 --> 00:35:50,880
Speaker 8: go to Green Street Recording Studio right here and we

886
00:35:51,000 --> 00:35:53,120
Speaker 8: go down there. We make this like that and that's

887
00:35:53,160 --> 00:35:55,200
Speaker 8: the way it is. And in the B side, Sucker

888
00:35:55,320 --> 00:35:57,840
Speaker 8: M sees Wow here I am today.

889
00:35:57,960 --> 00:35:58,200
Speaker 11: Wow.

890
00:35:58,560 --> 00:36:00,759
Speaker 1: All right, we got more with DMC from Run DMC.

891
00:36:00,920 --> 00:36:03,080
Speaker 6: When we come back though movies to Breakfast Club, Good

892
00:36:03,120 --> 00:36:07,560
Speaker 6: morning morning, everybody is dj n V Charlamage the guy

893
00:36:07,640 --> 00:36:09,440
Speaker 6: we are the Breakfast Club. We're still kicking it with

894
00:36:09,520 --> 00:36:11,400
Speaker 6: DMC from Run DMC, Charlamagne.

895
00:36:11,440 --> 00:36:13,359
Speaker 5: You don't wanted to ask you when it comes to MC,

896
00:36:13,520 --> 00:36:16,600
Speaker 5: and how do you properly rank hip hop MC's because

897
00:36:16,719 --> 00:36:21,680
Speaker 5: just like in basketball, skills have changed throughout the years, right,

898
00:36:21,840 --> 00:36:24,759
Speaker 5: you know, so how you rank a rapper from the

899
00:36:24,920 --> 00:36:28,920
Speaker 5: eighties with somebody from the nineties or the two thousands, Like,

900
00:36:28,960 --> 00:36:30,120
Speaker 5: how do you do that?

901
00:36:30,320 --> 00:36:33,279
Speaker 8: There's no go there can't you can't say that this

902
00:36:33,400 --> 00:36:36,360
Speaker 8: is a goal because everybody's so good get you know,

903
00:36:36,520 --> 00:36:39,080
Speaker 8: people always say it's funny. Throughout the years, people would

904
00:36:39,080 --> 00:36:42,520
Speaker 8: ask me who's better Eminem and jay Z Chuck, d okay,

905
00:36:42,640 --> 00:36:45,360
Speaker 8: that didn't say so you know if you tell that,

906
00:36:45,440 --> 00:36:47,200
Speaker 8: you know what I'm saying this, dude, Chuck said up

907
00:36:47,280 --> 00:36:50,759
Speaker 8: so versatile say it without Rome, which is without run

908
00:36:50,880 --> 00:36:51,279
Speaker 8: this book.

909
00:36:51,360 --> 00:36:53,480
Speaker 2: Me and Rick Rubin. Shout out to Rick Robat.

910
00:36:53,760 --> 00:36:54,640
Speaker 3: We tried to do this.

911
00:36:54,840 --> 00:36:57,720
Speaker 2: Nobody ever did this. And now let's talk about skills.

912
00:36:58,000 --> 00:37:01,000
Speaker 2: I'm so versatile, say it overbeat.

913
00:37:00,600 --> 00:37:04,080
Speaker 1: Boosh boosh, got boo boos, got boosh boom.

914
00:37:05,880 --> 00:37:09,640
Speaker 8: I'm so versatile, said without rhyme, which is why they're

915
00:37:09,680 --> 00:37:12,719
Speaker 8: after me. And they're on my back looking over my

916
00:37:12,960 --> 00:37:16,200
Speaker 8: shoulder to see what I write. They hear what I say,

917
00:37:16,400 --> 00:37:19,200
Speaker 8: and they want to know why why they could never

918
00:37:19,560 --> 00:37:24,760
Speaker 8: compete on this level. Superstar status is my domain. Understand

919
00:37:24,840 --> 00:37:28,320
Speaker 8: my rhythm, my patterns of lectures, and then you'll know

920
00:37:28,560 --> 00:37:34,120
Speaker 8: why I'm on the run. That one verse trump's every generation.

921
00:37:34,600 --> 00:37:35,560
Speaker 2: So how do you rate them?

922
00:37:35,680 --> 00:37:38,799
Speaker 8: Seasonal rhymes for the effect that they have when they're

923
00:37:38,840 --> 00:37:41,120
Speaker 8: on the stage and when they're in that crowd.

924
00:37:41,280 --> 00:37:41,960
Speaker 3: That's how you do it.

925
00:37:42,719 --> 00:37:46,480
Speaker 8: See what Melly Mail battled eminem You know what I'm

926
00:37:46,520 --> 00:37:48,520
Speaker 8: saying That the mal came out with that thing. Somebody

927
00:37:48,600 --> 00:37:52,360
Speaker 8: said it sounds like somebody. Ai Mail's response to that.

928
00:37:53,000 --> 00:37:56,560
Speaker 2: All Male had to do was do you when I wanted? When?

929
00:37:56,640 --> 00:37:59,440
Speaker 2: When Pete Rock produced us, Pete Rock produced Down with

930
00:37:59,480 --> 00:38:02,279
Speaker 2: the King with the Kings. The eighties changed, the eighty

931
00:38:02,520 --> 00:38:03,600
Speaker 2: nineties changed hip hop.

932
00:38:03,719 --> 00:38:07,160
Speaker 8: What Run the MC did for Aerosmith, y'all brought Aerosmith back.

933
00:38:07,280 --> 00:38:10,120
Speaker 8: Steven Tyland, Joe pay Yes, they did the same thing

934
00:38:10,160 --> 00:38:12,239
Speaker 8: that we did for Aerosmith. Pete Rock did for us

935
00:38:12,280 --> 00:38:14,640
Speaker 8: when now at the King we was. We wasn't participation,

936
00:38:14,800 --> 00:38:16,520
Speaker 8: we wasn't on the chart, we was in the we

937
00:38:16,640 --> 00:38:19,319
Speaker 8: wasn't on MTV no more so Pete Rob brings us back.

938
00:38:19,360 --> 00:38:21,480
Speaker 8: When I remember going in this session with Pete Rock

939
00:38:21,520 --> 00:38:23,120
Speaker 8: and he said, d you ain't gotta be m and

940
00:38:23,280 --> 00:38:26,000
Speaker 8: m ain't gotta be jay Z none gotta be cool Rock,

941
00:38:26,120 --> 00:38:26,920
Speaker 8: give me that DMC.

942
00:38:27,480 --> 00:38:28,240
Speaker 3: So I was like, okay.

943
00:38:28,360 --> 00:38:29,839
Speaker 8: He asked me, what are you doing right now? I'm

944
00:38:29,880 --> 00:38:32,080
Speaker 8: taking the toys, I'm raking the land. I keep a

945
00:38:32,160 --> 00:38:34,279
Speaker 8: hard call because it's dope, man. She's all the roughest,

946
00:38:34,320 --> 00:38:36,400
Speaker 8: toughest words and a rope damn not meant for a

947
00:38:36,480 --> 00:38:37,600
Speaker 8: hole like it sold damn.

948
00:38:37,560 --> 00:38:38,640
Speaker 2: Second sucking sez.

949
00:38:39,040 --> 00:38:41,160
Speaker 8: So all male had to do when you talk about

950
00:38:41,280 --> 00:38:43,840
Speaker 8: Ray and all male had to do is what he

951
00:38:43,960 --> 00:38:46,279
Speaker 8: did on pump pumped me up to battle that.

952
00:38:46,520 --> 00:38:48,520
Speaker 2: Don't try to to flip it up, but I can't

953
00:38:48,520 --> 00:38:52,040
Speaker 2: even move like, don't try to see.

954
00:38:52,360 --> 00:38:55,879
Speaker 8: When I went to Rice, I realized what these kids.

955
00:38:56,320 --> 00:38:59,680
Speaker 8: The celebration of hip hop wasn't a fifty year celebration.

956
00:39:00,080 --> 00:39:02,840
Speaker 8: It was a goddamn lie. The celebration that we just

957
00:39:02,960 --> 00:39:06,239
Speaker 8: had was the forty four year celebration of recorded rap.

958
00:39:06,440 --> 00:39:09,960
Speaker 8: Because they set his cool HERK seventy three and they

959
00:39:10,080 --> 00:39:12,880
Speaker 8: jumped to seventy nine. All the record making mother, they

960
00:39:12,960 --> 00:39:14,960
Speaker 8: didn't talk about what I came in there, all the

961
00:39:15,200 --> 00:39:16,040
Speaker 8: n this and that and this is.

962
00:39:16,360 --> 00:39:19,520
Speaker 2: You didn't hit you only no mo d from battling LLL.

963
00:39:19,760 --> 00:39:22,400
Speaker 8: You didn't him more with the treacherous three, who is

964
00:39:22,600 --> 00:39:25,319
Speaker 8: just as dope as Scarface and just as dope as Drake.

965
00:39:25,520 --> 00:39:27,400
Speaker 2: So how do you rate them? You can't rate them.

966
00:39:27,520 --> 00:39:29,160
Speaker 2: You got to go and see what they do and

967
00:39:29,280 --> 00:39:30,400
Speaker 2: put these mothers in the.

968
00:39:30,440 --> 00:39:33,640
Speaker 8: Class by themselves. Mel Mel had to do them. M

969
00:39:33,719 --> 00:39:36,280
Speaker 8: and M rappers might be willing, but they ain't able

970
00:39:36,280 --> 00:39:39,000
Speaker 8: because I was their king. Straight from my cradle. Screamed

971
00:39:39,040 --> 00:39:41,680
Speaker 8: in hollowod shook my rattle, drimped out of feeding them

972
00:39:41,719 --> 00:39:44,480
Speaker 8: all in battle. There was no food in my silver spoon.

973
00:39:44,560 --> 00:39:46,319
Speaker 8: But I grew up hard, and I grew up soon.

974
00:39:46,440 --> 00:39:48,640
Speaker 8: I'm a righteous king and I'm hungry too, and I

975
00:39:48,760 --> 00:39:50,200
Speaker 8: eat a punkster rap like you.

976
00:39:50,719 --> 00:39:52,120
Speaker 2: I met kid, that's all mal.

977
00:39:51,960 --> 00:39:53,880
Speaker 1: He did play game.

978
00:39:55,680 --> 00:39:59,120
Speaker 8: The fifty yard old sh Now, go in there and

979
00:39:59,239 --> 00:40:01,239
Speaker 8: do what you I was sitting on the corner, just

980
00:40:01,440 --> 00:40:04,000
Speaker 8: wasting my time when I realized it was the King

981
00:40:04,120 --> 00:40:04,600
Speaker 8: of the rhyme.

982
00:40:04,640 --> 00:40:06,959
Speaker 2: I got on the microphone and what do you see?

983
00:40:07,120 --> 00:40:09,000
Speaker 3: The rest was my legacy.

984
00:40:09,160 --> 00:40:11,000
Speaker 8: I was born to be the king of this hip

985
00:40:11,040 --> 00:40:14,400
Speaker 8: hop's thing with stallions and medallions and diamond rings on

986
00:40:14,560 --> 00:40:16,640
Speaker 8: a mansion in a yacht, cool minion and gold.

987
00:40:16,680 --> 00:40:20,319
Speaker 2: Because rap is the game that I control. I'm like Shakespeare.

988
00:40:20,400 --> 00:40:22,879
Speaker 8: I'm a pion there and I may rap something people

989
00:40:22,960 --> 00:40:25,200
Speaker 8: wanted to hear see before I came. It was the

990
00:40:25,280 --> 00:40:27,319
Speaker 8: same old thing with the ball that they do all

991
00:40:27,440 --> 00:40:29,719
Speaker 8: that street call game. So if you ever letting me

992
00:40:29,840 --> 00:40:32,200
Speaker 8: make this clear, if you ever think that, I'm going

993
00:40:32,280 --> 00:40:33,000
Speaker 8: out of here.

994
00:40:35,040 --> 00:40:37,480
Speaker 2: So people ain't no mel from the record. See, I'm

995
00:40:37,560 --> 00:40:39,080
Speaker 2: such a fan. I don't care.

996
00:40:39,160 --> 00:40:40,880
Speaker 3: I don't care about you on your record.

997
00:40:41,480 --> 00:40:45,240
Speaker 8: I'm not Scarface, I'm not NICs, But for Scarface, Bumpy

998
00:40:45,320 --> 00:40:47,759
Speaker 8: Knuckle and Koojie Rap to tell me, Yo, D you're

999
00:40:47,920 --> 00:40:50,520
Speaker 8: the best you cut the head off the devil.

1000
00:40:50,320 --> 00:40:51,759
Speaker 2: And see you can't rate it.

1001
00:40:51,840 --> 00:40:53,680
Speaker 8: You know what I'm saying for them to tell me that,

1002
00:40:54,480 --> 00:40:57,560
Speaker 8: so you can't you can't rate it. So what run

1003
00:40:57,640 --> 00:40:58,520
Speaker 8: DMC did is this.

1004
00:40:58,960 --> 00:41:01,160
Speaker 3: Let me calm down when you see this dog.

1005
00:41:01,160 --> 00:41:02,520
Speaker 1: Got to turn back to Bruce Bannett.

1006
00:41:04,160 --> 00:41:05,759
Speaker 3: Yes, actually I'll get excited about this.

1007
00:41:06,880 --> 00:41:09,600
Speaker 2: I gave you what run DMC. We didn't create it.

1008
00:41:09,640 --> 00:41:12,560
Speaker 2: People go, we know hip hop is before you, but

1009
00:41:12,719 --> 00:41:13,320
Speaker 2: you're created.

1010
00:41:13,480 --> 00:41:13,520
Speaker 3: No.

1011
00:41:13,880 --> 00:41:16,960
Speaker 2: Run MC is the pioneers of recorded rap. We took

1012
00:41:17,040 --> 00:41:19,680
Speaker 2: if you listen to Adidas, we took the beat from

1013
00:41:19,719 --> 00:41:23,040
Speaker 2: the street as it was. Everybody else was wearing tracks suits,

1014
00:41:23,040 --> 00:41:25,840
Speaker 2: everybody else was wearing didas, everybody else was wearing Gazelle'.

1015
00:41:25,840 --> 00:41:28,320
Speaker 8: Everybody else was kangos, Ganna cars, sheepskins and off. We

1016
00:41:28,400 --> 00:41:30,440
Speaker 8: took the beat from the street. We took the culture

1017
00:41:30,480 --> 00:41:32,200
Speaker 8: from the street. Because of MTV.

1018
00:41:32,320 --> 00:41:34,239
Speaker 2: We put it on TV for all a ce. That

1019
00:41:34,560 --> 00:41:36,080
Speaker 2: was our pioneering role.

1020
00:41:36,280 --> 00:41:37,040
Speaker 3: That's what we did.

1021
00:41:37,160 --> 00:41:41,200
Speaker 8: But Mel is just as dope as Pun. Now, everybody

1022
00:41:41,239 --> 00:41:42,960
Speaker 8: would say, eminem Andre.

1023
00:41:42,800 --> 00:41:44,160
Speaker 2: Three thousand, what about Pun?

1024
00:41:44,920 --> 00:41:45,120
Speaker 11: Yeah?

1025
00:41:45,200 --> 00:41:49,080
Speaker 8: Absolutely, Nobody never puts him in the top five hundred.

1026
00:41:49,120 --> 00:41:53,040
Speaker 8: This is gonna blow your mind in the top five

1027
00:41:54,200 --> 00:41:58,680
Speaker 8: from just from Andre three thousand and Lauren Hill never

1028
00:41:58,800 --> 00:42:01,040
Speaker 8: had a rap verse. And what I mean by that

1029
00:42:01,320 --> 00:42:04,880
Speaker 8: is Emminem fans, jay Z fans, Run fans, everybody else

1030
00:42:04,920 --> 00:42:08,200
Speaker 8: get us all right. Lauryn Hill and Andre three thousand

1031
00:42:08,280 --> 00:42:10,800
Speaker 8: never got it all right. Lauren Hill is in the

1032
00:42:10,920 --> 00:42:11,680
Speaker 8: top five of.

1033
00:42:11,840 --> 00:42:14,560
Speaker 2: MC's And if you don't believe me, just go listen

1034
00:42:14,680 --> 00:42:18,080
Speaker 2: to what's out there available and tell me what dude

1035
00:42:18,440 --> 00:42:19,440
Speaker 2: is better than her.

1036
00:42:19,520 --> 00:42:21,640
Speaker 3: Now, no, I can't. She's tho.

1037
00:42:21,719 --> 00:42:23,239
Speaker 5: I think the only thing they'll say about Andrea and

1038
00:42:23,320 --> 00:42:25,040
Speaker 5: Lauren is they didn't I don't agree with that with

1039
00:42:25,080 --> 00:42:26,760
Speaker 5: Andrey because he had the whole outcast catalog.

1040
00:42:26,800 --> 00:42:29,520
Speaker 1: With With laurenill say she didn't give us enough music, right.

1041
00:42:29,480 --> 00:42:31,440
Speaker 8: Right, right, But no, all I'm saying is just listening

1042
00:42:31,480 --> 00:42:34,120
Speaker 8: to what she did. I'm just saying that you got

1043
00:42:34,320 --> 00:42:37,839
Speaker 8: tape from Harlem Way, you got tapes from Harlem World

1044
00:42:37,920 --> 00:42:41,440
Speaker 8: with Spoony g coming into the Christmas Rap Convention with

1045
00:42:41,560 --> 00:42:44,239
Speaker 8: every MC in New York, and he didn't come spit

1046
00:42:44,360 --> 00:42:45,360
Speaker 8: no love rap stuff.

1047
00:42:45,520 --> 00:42:46,360
Speaker 1: He said just this.

1048
00:42:46,640 --> 00:42:49,680
Speaker 8: I appreciate this. For some of you MC's are taking

1049
00:42:49,760 --> 00:42:52,239
Speaker 8: a risk trying to take him a chair. But these

1050
00:42:52,320 --> 00:42:55,080
Speaker 8: guys had that thing. So for me, when I came in,

1051
00:42:55,200 --> 00:42:56,839
Speaker 8: I knew I wasn't the best. I know, I wasn't

1052
00:42:56,880 --> 00:42:58,759
Speaker 8: mal I know I wasn't even run.

1053
00:42:59,400 --> 00:43:01,759
Speaker 2: But my thing was, what was Spider Man do?

1054
00:43:03,080 --> 00:43:05,440
Speaker 3: What would the Hope do? What with the thor? So

1055
00:43:06,360 --> 00:43:06,840
Speaker 3: my hope?

1056
00:43:07,000 --> 00:43:10,399
Speaker 2: My whole presence in hip hop was Now that I'm

1057
00:43:10,440 --> 00:43:11,520
Speaker 2: doing comic books.

1058
00:43:11,520 --> 00:43:13,719
Speaker 3: People said, I know why I like you now.

1059
00:43:14,320 --> 00:43:19,320
Speaker 2: Thor is the son of Odin from Asgard, has a

1060
00:43:19,400 --> 00:43:21,880
Speaker 2: brother named Loki, and he has a hammer.

1061
00:43:22,280 --> 00:43:24,359
Speaker 8: I saw that, and I saw a hip hop dude.

1062
00:43:24,680 --> 00:43:27,880
Speaker 8: My old man at DMC can transform into the devastating

1063
00:43:27,920 --> 00:43:28,520
Speaker 8: my controller.

1064
00:43:28,840 --> 00:43:31,600
Speaker 2: My name is Daryl. I'm from Hollis.

1065
00:43:32,120 --> 00:43:34,839
Speaker 8: My father's name is excuse me, Byford, and I got

1066
00:43:34,880 --> 00:43:38,640
Speaker 8: a brother named Alfred, so I became son of Byford,

1067
00:43:38,760 --> 00:43:42,680
Speaker 8: brother of al Banner's my mother and runs my pal.

1068
00:43:43,080 --> 00:43:47,680
Speaker 8: It's McDaniels, not McDonald's. These rhymes are Darrel's, those Burghers

1069
00:43:47,719 --> 00:43:51,520
Speaker 8: are Ronald's. I ran down my family tree, so hip

1070
00:43:51,560 --> 00:43:55,440
Speaker 8: hop gave me away to be enthusiastic about who I

1071
00:43:55,560 --> 00:43:58,080
Speaker 8: am at whatever points in my life.

1072
00:43:58,120 --> 00:44:00,160
Speaker 6: All Right, when we come back, we got more with dm. See,

1073
00:44:00,239 --> 00:44:02,000
Speaker 6: let's get into a mini mix. It's the breakfast Club.

1074
00:44:02,040 --> 00:44:02,800
Speaker 1: Good morning Morning.

1075
00:44:02,840 --> 00:44:06,080
Speaker 6: Everybody's dj n V Charlamagne the guy. We are the

1076
00:44:06,120 --> 00:44:08,760
Speaker 6: breakfast Club. We're still kicking it with DMC from Run DMC.

1077
00:44:09,040 --> 00:44:11,759
Speaker 6: I gotta ask, so when Run DMC takes off, right

1078
00:44:11,920 --> 00:44:14,239
Speaker 6: in the world is looking at Run DMC. They're looking

1079
00:44:14,239 --> 00:44:16,879
Speaker 6: at these two black brothers on every TV screen.

1080
00:44:16,719 --> 00:44:19,560
Speaker 2: Three black brothers, three black brothers.

1081
00:44:20,080 --> 00:44:23,000
Speaker 1: Did y'all understand the impact and how was your mental

1082
00:44:23,040 --> 00:44:23,480
Speaker 1: during that time?

1083
00:44:23,520 --> 00:44:26,600
Speaker 6: Because y'all were kids from queens, from Hollis Than Now

1084
00:44:26,600 --> 00:44:29,680
Speaker 6: all of a sudden, YO were in every household selling

1085
00:44:29,719 --> 00:44:32,080
Speaker 6: out shoulders and concerts and it.

1086
00:44:32,160 --> 00:44:36,160
Speaker 2: Was the scariest thing ever. It was the scariest thing ever.

1087
00:44:36,280 --> 00:44:39,480
Speaker 8: But we knew Jay. Jay was funny. Jay's thing was Yo.

1088
00:44:39,560 --> 00:44:41,000
Speaker 8: We gotta watch out to day. We gotta watch what

1089
00:44:41,080 --> 00:44:42,320
Speaker 8: we say, we gotta watch what we do.

1090
00:44:42,480 --> 00:44:46,120
Speaker 2: Lit'sen. I sniffed more coke and the earth could put

1091
00:44:46,200 --> 00:44:47,440
Speaker 2: on the earth running.

1092
00:44:47,520 --> 00:44:49,160
Speaker 3: Jason smoked more weed.

1093
00:44:49,239 --> 00:44:51,400
Speaker 2: I drunk a case of old English today.

1094
00:44:51,560 --> 00:44:54,400
Speaker 8: Jeezus, but we know, yo, if they wearing glasses like

1095
00:44:54,520 --> 00:44:57,080
Speaker 8: Dan wearing had some tractions like us and Adidas like us.

1096
00:44:57,360 --> 00:44:59,040
Speaker 8: We can't be talking about you know what I'm saying.

1097
00:44:59,040 --> 00:45:01,799
Speaker 8: We knew we had a big influence, so that's why

1098
00:45:01,840 --> 00:45:04,279
Speaker 8: we was careful. So we had to figure out how

1099
00:45:04,360 --> 00:45:11,080
Speaker 8: could we be the hardest thing ever without being disrespectful, profane,

1100
00:45:11,440 --> 00:45:14,200
Speaker 8: and still relate to these brothers and sisters in the streets.

1101
00:45:14,600 --> 00:45:16,880
Speaker 2: That's why I came up. Most of our records were

1102
00:45:17,200 --> 00:45:20,880
Speaker 2: rhyme routines. You know, col Crush had It's us. You know,

1103
00:45:21,080 --> 00:45:24,200
Speaker 2: it's us, the Cold Crush. You know, the force some

1104
00:45:24,320 --> 00:45:27,120
Speaker 2: c's before they were to force some ds. We are

1105
00:45:28,000 --> 00:45:30,920
Speaker 2: called the for you put to be steal a melody.

1106
00:45:31,080 --> 00:45:36,120
Speaker 2: Let's steal Let's steal all anxign from from the New

1107
00:45:36,200 --> 00:45:39,440
Speaker 2: Year's thing. Oh, let's steal Let's steal Bob Dyling melody.

1108
00:45:39,680 --> 00:45:41,680
Speaker 2: We would steal melodies and you would make it over

1109
00:45:41,719 --> 00:45:42,440
Speaker 2: the hip hop beat.

1110
00:45:42,800 --> 00:45:45,480
Speaker 8: So when we got to that point and everybody was saying,

1111
00:45:45,600 --> 00:45:48,279
Speaker 8: rapture fad, it's going to be a commercial. And you

1112
00:45:48,360 --> 00:45:51,600
Speaker 8: know all the singers that hated us, not like the Ramones,

1113
00:45:51,960 --> 00:45:54,880
Speaker 8: not like lou Reed, not like Share, they loved this.

1114
00:45:55,000 --> 00:45:56,719
Speaker 2: I remember when we met Bond Joe. You guys are

1115
00:45:56,800 --> 00:45:59,719
Speaker 2: incredible but the critics and the journalists and a lot

1116
00:45:59,760 --> 00:46:02,680
Speaker 2: of so caught real magicians haters. So when I wrote

1117
00:46:02,680 --> 00:46:04,600
Speaker 2: it's tricky to rock a rhyme, I'm trying to tell

1118
00:46:04,640 --> 00:46:05,520
Speaker 2: you it's tricky to do.

1119
00:46:05,640 --> 00:46:08,560
Speaker 8: You this ain't easy, but to do that and maintain

1120
00:46:08,760 --> 00:46:11,680
Speaker 8: that level in this business that you're not accepting it.

1121
00:46:12,040 --> 00:46:14,160
Speaker 8: So for us, it was always a thing where okay,

1122
00:46:14,239 --> 00:46:16,560
Speaker 8: let's sit down. The first thing we have to do

1123
00:46:16,760 --> 00:46:20,239
Speaker 8: is what everybody's doing. We're gonna do something different. The

1124
00:46:20,400 --> 00:46:23,480
Speaker 8: first rappers didn't have rappers to look up to. Now

1125
00:46:23,680 --> 00:46:27,200
Speaker 8: there's flyers with meiling them with Sheepskins and Martincks and

1126
00:46:27,280 --> 00:46:28,840
Speaker 8: Godfather hats and Madiana.

1127
00:46:28,880 --> 00:46:29,439
Speaker 3: You know what I'm saying.

1128
00:46:29,680 --> 00:46:31,560
Speaker 8: The only one out of Melon Mal that stayed that,

1129
00:46:32,440 --> 00:46:34,040
Speaker 8: the only one out of the first five that was

1130
00:46:34,120 --> 00:46:35,520
Speaker 8: like me running Jay was Cowboy.

1131
00:46:36,280 --> 00:46:38,840
Speaker 3: There's a couple of times Cowboy put on some little.

1132
00:46:38,880 --> 00:46:41,319
Speaker 2: Tassels, but he didn't put on that other stuff when

1133
00:46:41,360 --> 00:46:43,600
Speaker 2: they got into showbiz. When this hip hop thing that

1134
00:46:43,719 --> 00:46:46,239
Speaker 2: nobody believed in gets to show biz, now number one,

1135
00:46:46,280 --> 00:46:49,240
Speaker 2: they're changing their delivery, they're changing their presentation, they changed

1136
00:46:49,320 --> 00:46:51,560
Speaker 2: who they really are to fit in. So when they

1137
00:46:51,640 --> 00:46:54,080
Speaker 2: get into showbiz. They don't not have no rappers to

1138
00:46:54,120 --> 00:46:56,080
Speaker 2: look up to because they're the first one. So if

1139
00:46:56,080 --> 00:46:58,799
Speaker 2: you look at Mail Africa, Baan Body. If you look

1140
00:46:58,840 --> 00:47:01,319
Speaker 2: at Africa, Baanbody and his nation so solid for us,

1141
00:47:01,360 --> 00:47:05,080
Speaker 2: they look like Parliament Funkadelic. If you look at Grandmaster Fashion,

1142
00:47:05,120 --> 00:47:07,000
Speaker 2: the first five moved in on them, they look like

1143
00:47:07,040 --> 00:47:09,120
Speaker 2: the sex Pistols. They look like the Rolling Stones, and

1144
00:47:09,160 --> 00:47:11,440
Speaker 2: they looked like Rick James because they in show I'm

1145
00:47:11,480 --> 00:47:12,560
Speaker 2: talking about the show business.

1146
00:47:12,680 --> 00:47:12,839
Speaker 3: NA.

1147
00:47:13,120 --> 00:47:14,759
Speaker 8: When me and Row was coming in, we was like

1148
00:47:15,400 --> 00:47:17,759
Speaker 8: the music business didn't let hip hop come in from

1149
00:47:17,800 --> 00:47:20,120
Speaker 8: me and run and Jay's perspective, he bringing this hip

1150
00:47:20,120 --> 00:47:21,879
Speaker 8: hop to the music business.

1151
00:47:21,600 --> 00:47:22,719
Speaker 3: Because nobody does it.

1152
00:47:23,080 --> 00:47:25,840
Speaker 2: So when we stopped, when Russell let me, oh, sucking

1153
00:47:25,880 --> 00:47:27,560
Speaker 2: seas a good dislike the Russell's whole thing.

1154
00:47:27,640 --> 00:47:30,120
Speaker 8: But you don't need wardrobe, you'll need wardrope. So me

1155
00:47:30,200 --> 00:47:31,920
Speaker 8: and rowand say, yeah, cool, but we ain't wearing that.

1156
00:47:33,120 --> 00:47:35,040
Speaker 1: Who y'all want to dress like the drug dealers or no,

1157
00:47:35,320 --> 00:47:35,760
Speaker 1: we want.

1158
00:47:35,640 --> 00:47:37,680
Speaker 2: To dress like jam Master J and DJ Hurricane.

1159
00:47:37,880 --> 00:47:40,600
Speaker 5: Now listen, DMC is here because there's a new three

1160
00:47:40,680 --> 00:47:42,880
Speaker 5: part documentaries on Peacock Kings.

1161
00:47:42,680 --> 00:47:44,480
Speaker 1: From Queens the Run DMC story.

1162
00:47:44,880 --> 00:47:46,880
Speaker 5: Right, So even though we getting all of this now,

1163
00:47:46,920 --> 00:47:48,720
Speaker 5: I still want y'all to go watch it on Peacock.

1164
00:47:49,080 --> 00:47:51,960
Speaker 5: But while we're here, just it's in depth on the Peacock,

1165
00:47:52,120 --> 00:47:54,560
Speaker 5: very in depth. Just for radio purposes. I want to

1166
00:47:54,560 --> 00:47:57,640
Speaker 5: ask you how Run DMC felt like Run DMC since

1167
00:47:57,680 --> 00:47:58,960
Speaker 5: the passing of jam Master Jay.

1168
00:47:59,160 --> 00:48:02,279
Speaker 3: No, not at all or not at all.

1169
00:48:03,000 --> 00:48:05,000
Speaker 8: People always say, oh, it could be an album and

1170
00:48:05,080 --> 00:48:07,320
Speaker 8: a tour and my joke, but they get it. This

1171
00:48:07,440 --> 00:48:09,839
Speaker 8: only way you could shut people up. Run DMC will

1172
00:48:09,920 --> 00:48:17,000
Speaker 8: tour when the Beatles get back together. You know what

1173
00:48:17,040 --> 00:48:20,879
Speaker 8: I'm saying, it's Paul and it can't happen now when

1174
00:48:20,920 --> 00:48:24,720
Speaker 8: we do show up, it's not Run DMC. It's Reverend

1175
00:48:24,840 --> 00:48:27,520
Speaker 8: Running King DMC, the two members who used to be

1176
00:48:27,600 --> 00:48:29,000
Speaker 8: in that band Jay.

1177
00:48:29,680 --> 00:48:32,279
Speaker 2: It can't it can't. Run DMC don't exist without Jay.

1178
00:48:32,880 --> 00:48:34,560
Speaker 8: You know what I'm saying. If you want to know

1179
00:48:34,640 --> 00:48:36,480
Speaker 8: who Run DMC is, go back and look at all

1180
00:48:36,520 --> 00:48:38,920
Speaker 8: the videos. Listen to the record that's Run DMC. Me

1181
00:48:38,960 --> 00:48:41,720
Speaker 8: and Run are the two surviving members of that band.

1182
00:48:43,360 --> 00:48:45,960
Speaker 1: It's the same in this generation with the Migos, God

1183
00:48:46,040 --> 00:48:48,040
Speaker 1: Bless take Off like it.

1184
00:48:49,880 --> 00:48:51,920
Speaker 8: Even if you make the record is something weird that

1185
00:48:52,000 --> 00:48:53,960
Speaker 8: the only way that run MC could co exist as

1186
00:48:53,960 --> 00:48:55,719
Speaker 8: a group, it's a brilliant thing.

1187
00:48:55,880 --> 00:48:57,680
Speaker 3: We would have to reform a new band.

1188
00:48:58,440 --> 00:49:01,000
Speaker 8: If you look at David grow loved to Rock du Zoo,

1189
00:49:01,160 --> 00:49:03,400
Speaker 8: Paul McCartney left the Beatles, he didn't try to keep

1190
00:49:03,400 --> 00:49:04,560
Speaker 8: the The Beatles.

1191
00:49:04,280 --> 00:49:07,640
Speaker 2: Legacy is untouchable like run DMC. But when Paul went sol,

1192
00:49:07,760 --> 00:49:10,919
Speaker 2: he start Paul McCartney and ring like I got a band.

1193
00:49:11,000 --> 00:49:13,920
Speaker 2: Now I do all my catalog live, live drummer guitars.

1194
00:49:13,960 --> 00:49:16,760
Speaker 2: It's called DMC and the l racers to give homage

1195
00:49:16,800 --> 00:49:19,560
Speaker 2: to raising Hell. So if you look at sound Guard

1196
00:49:19,640 --> 00:49:22,359
Speaker 2: and Audio State, they all morphed you know what I'm saying.

1197
00:49:22,440 --> 00:49:24,279
Speaker 2: So hopefully hip hop will get to that. Will can

1198
00:49:24,360 --> 00:49:24,520
Speaker 2: we go?

1199
00:49:24,680 --> 00:49:24,799
Speaker 3: Now?

1200
00:49:25,120 --> 00:49:27,520
Speaker 8: Now we have to figure out how once you get

1201
00:49:27,600 --> 00:49:30,080
Speaker 8: into the stadiums, you gotta figure out how do you

1202
00:49:30,160 --> 00:49:33,120
Speaker 8: keep the legacy going if you're still a cohesive man,

1203
00:49:33,440 --> 00:49:35,200
Speaker 8: or how do you continue on? When you look at

1204
00:49:35,520 --> 00:49:38,600
Speaker 8: people that used to play for Crusby still young and Nash,

1205
00:49:38,640 --> 00:49:41,600
Speaker 8: when you look at when you look at Pink Floyd,

1206
00:49:42,040 --> 00:49:44,160
Speaker 8: the two dudes from the band, they do their own things.

1207
00:49:44,239 --> 00:49:45,680
Speaker 2: Maybe once in a while they'll show up.

1208
00:49:45,760 --> 00:49:48,400
Speaker 8: So if you see me and run you singing, Oh shoot,

1209
00:49:48,440 --> 00:49:51,360
Speaker 8: Paul McCartney played with Ringo last night, so they answer

1210
00:49:51,360 --> 00:49:51,719
Speaker 8: your question.

1211
00:49:51,840 --> 00:49:54,080
Speaker 2: Charlotte may know. It's no Run DMC without jam. That's

1212
00:49:54,120 --> 00:49:58,239
Speaker 2: a j because every record is Run DMC and jam.

1213
00:49:58,360 --> 00:49:59,040
Speaker 2: That's the jam.

1214
00:49:59,120 --> 00:50:01,640
Speaker 3: That's a J. And and the funny joke is when

1215
00:50:01,680 --> 00:50:02,200
Speaker 3: we first.

1216
00:50:02,080 --> 00:50:04,439
Speaker 8: Started out, people thought we was an R and B group,

1217
00:50:04,719 --> 00:50:07,440
Speaker 8: but nobody could Jay come out by itself with some

1218
00:50:07,560 --> 00:50:08,600
Speaker 8: turnative ladies.

1219
00:50:08,640 --> 00:50:11,480
Speaker 2: Gentlemen, I'm jim dat run about now, boom, throw your head,

1220
00:50:11,560 --> 00:50:12,320
Speaker 2: call me, I'll.

1221
00:50:12,200 --> 00:50:13,080
Speaker 3: Come out check the mics.

1222
00:50:13,880 --> 00:50:16,920
Speaker 2: No, they couldn't mess with us. So to ask me,

1223
00:50:17,040 --> 00:50:18,520
Speaker 2: did I see hip hop doing this?

1224
00:50:19,200 --> 00:50:19,239
Speaker 4: No?

1225
00:50:19,760 --> 00:50:21,479
Speaker 3: Why because I was doing it there.

1226
00:50:22,040 --> 00:50:24,200
Speaker 1: You gotta come back because we gotta have a long conversation.

1227
00:50:24,280 --> 00:50:25,680
Speaker 1: I know you have to go. I'll come back with

1228
00:50:25,800 --> 00:50:28,960
Speaker 1: more cookies, with more cookies. I just got to ask

1229
00:50:29,040 --> 00:50:31,839
Speaker 1: one more question. I know you said rink on Drink Champs. Yes,

1230
00:50:32,120 --> 00:50:33,920
Speaker 1: was run DMC supposed to be in the call with

1231
00:50:34,000 --> 00:50:34,799
Speaker 1: Tupac the Mighty.

1232
00:50:34,960 --> 00:50:35,160
Speaker 9: Yeah?

1233
00:50:35,200 --> 00:50:39,960
Speaker 2: Well yeah, that's so many people. So many people was like, yo, dude,

1234
00:50:40,280 --> 00:50:43,200
Speaker 2: here's what happened. We get a call from Sug Night.

1235
00:50:43,719 --> 00:50:46,359
Speaker 8: They wanted us run DMC to perform at the app

1236
00:50:46,440 --> 00:50:48,040
Speaker 8: What was the name of the club in Vegas? The

1237
00:50:48,160 --> 00:50:53,759
Speaker 8: sixth with the club that they own the ship, Yes,

1238
00:50:53,880 --> 00:50:54,600
Speaker 8: in Vegas.

1239
00:50:54,719 --> 00:50:55,319
Speaker 2: Or we get a call.

1240
00:50:55,880 --> 00:50:59,239
Speaker 8: Shug says, Yo, me and Park are coming to get

1241
00:50:59,320 --> 00:51:03,080
Speaker 8: the guys. Pop wants y'all to ride with him to

1242
00:51:03,200 --> 00:51:05,520
Speaker 8: the show and to the after party. Now cool, this

1243
00:51:05,600 --> 00:51:08,000
Speaker 8: is true story, and this is a beautiful jam Master

1244
00:51:08,120 --> 00:51:11,399
Speaker 8: Jay's story. So he calls and says, Eric, I'm coming

1245
00:51:11,440 --> 00:51:14,480
Speaker 8: to get the guys, right. Eric goes, Nah, Sug, y'all

1246
00:51:14,560 --> 00:51:17,040
Speaker 8: go by yourselves. We'll meet y'all there later. We'll meet

1247
00:51:17,040 --> 00:51:19,680
Speaker 8: you all at the after party later. And Sure goes

1248
00:51:19,920 --> 00:51:23,359
Speaker 8: why in the true story this you're gonna laugh? Eric goes,

1249
00:51:23,400 --> 00:51:26,560
Speaker 8: because jam Master J is getting dressed. So that's why

1250
00:51:26,640 --> 00:51:28,600
Speaker 8: we didn't ride. At least we might have been in

1251
00:51:28,680 --> 00:51:31,000
Speaker 8: the car with the gunshots because Pop. There was no

1252
00:51:31,120 --> 00:51:33,759
Speaker 8: way Jay and Pop ain't ride into the after Jay

1253
00:51:34,000 --> 00:51:37,479
Speaker 8: was that dude, So maybe I mean run me something else.

1254
00:51:38,000 --> 00:51:39,920
Speaker 3: But Jay might have been in the car.

1255
00:51:40,080 --> 00:51:41,920
Speaker 8: Let me rephrase that what I said on here, J

1256
00:51:42,040 --> 00:51:44,440
Speaker 8: would have do. But the reason why and you can

1257
00:51:44,520 --> 00:51:48,359
Speaker 8: talk talk to King asking King will say, Jay will

1258
00:51:48,480 --> 00:51:51,359
Speaker 8: keep you there for they will try on Gucci leather,

1259
00:51:51,600 --> 00:51:53,600
Speaker 8: this and that, sneakers, shure yo.

1260
00:51:53,640 --> 00:51:55,360
Speaker 3: For that's why we didn't even get a car with

1261
00:51:55,560 --> 00:51:55,880
Speaker 3: one hour.

1262
00:51:56,120 --> 00:51:58,640
Speaker 6: So love I love you Jay now February first, I

1263
00:51:58,680 --> 00:52:02,960
Speaker 6: didn't see story the document series. Check it out Thursday,

1264
00:52:03,000 --> 00:52:05,520
Speaker 6: February first on Peacock And we appreciate you.

1265
00:52:05,600 --> 00:52:06,200
Speaker 1: You appreciate you.

1266
00:52:06,320 --> 00:52:08,479
Speaker 8: Let thank you for having me here. I saw you'll

1267
00:52:08,480 --> 00:52:12,160
Speaker 8: have grandmass to flash in the building. See y'all a

1268
00:52:12,280 --> 00:52:14,080
Speaker 8: hip hop. Y'all a hip hop. The other people is

1269
00:52:14,160 --> 00:52:16,799
Speaker 8: just radio stations. Y'all a hip hop and your being

1270
00:52:17,000 --> 00:52:19,479
Speaker 8: appreciate that while you're doing everything else.

1271
00:52:20,200 --> 00:52:20,759
Speaker 3: Appreciate that.

1272
00:52:21,040 --> 00:52:22,239
Speaker 1: Up man, it's the breakfast Club.

1273
00:52:22,280 --> 00:52:23,239
Speaker 3: It's DMC.

1274
00:52:24,800 --> 00:52:27,799
Speaker 6: Moaning everybody. It's dj n V show up and the guy.

1275
00:52:27,880 --> 00:52:30,359
Speaker 6: We are the breakfast Club again. Salute to DMC from

1276
00:52:30,440 --> 00:52:31,279
Speaker 6: run DMC.

1277
00:52:31,120 --> 00:52:33,040
Speaker 5: Glue to the legend of DMC go. Get all his

1278
00:52:33,120 --> 00:52:35,320
Speaker 5: work too. He got his memoir Ten Ways Not to

1279
00:52:35,360 --> 00:52:39,200
Speaker 5: Commit Suicide. He got a comic book book MC Daryl

1280
00:52:39,320 --> 00:52:43,320
Speaker 5: makes comics. You got children's books. That's Darryl's dream. You

1281
00:52:43,400 --> 00:52:46,200
Speaker 5: got his cookies out. Daryl makes cookies. That's right, salute

1282
00:52:46,239 --> 00:52:48,800
Speaker 5: to the icon dmc man. Absolutely, let's get to the

1283
00:52:49,040 --> 00:52:51,080
Speaker 5: twenty five to fifty four numbers just went through the roof.

1284
00:52:51,360 --> 00:52:57,160
Speaker 5: Let's still hook Nicki Minaj, name or you gossip?

1285
00:52:57,400 --> 00:53:01,200
Speaker 3: When you chatty? Is the rumor report?

1286
00:53:01,280 --> 00:53:02,600
Speaker 1: I mean, I guess we're on the breakfast club. This

1287
00:53:02,600 --> 00:53:05,759
Speaker 1: is where the tea spells right. In the last hour,

1288
00:53:05,880 --> 00:53:08,040
Speaker 1: we played Megan thee Stallion's new record.

1289
00:53:08,120 --> 00:53:10,600
Speaker 6: It's called Hess. It was released last night at midnight.

1290
00:53:10,719 --> 00:53:13,560
Speaker 6: Meg called this morning to premiere the record.

1291
00:53:13,640 --> 00:53:14,239
Speaker 1: All right now.

1292
00:53:14,640 --> 00:53:18,000
Speaker 6: Nicki Minaj heard it and already jumped on I G

1293
00:53:18,280 --> 00:53:20,480
Speaker 6: Live and started talking about the record.

1294
00:53:20,880 --> 00:53:25,240
Speaker 1: Here's what Nicki Minaj said, Hey, uh, that bitch foot.

1295
00:53:29,719 --> 00:53:34,680
Speaker 3: Said the miss like six a pull of fixed boot

1296
00:53:35,200 --> 00:53:36,040
Speaker 3: the bitch.

1297
00:53:38,160 --> 00:53:43,279
Speaker 13: Good foot, No no, no, not three Grammys and can't

1298
00:53:43,320 --> 00:53:48,960
Speaker 13: find the beat No no, no, y'a the cheers the

1299
00:53:49,120 --> 00:53:54,239
Speaker 13: blood coot beat t a three no no no. If

1300
00:53:55,080 --> 00:53:57,800
Speaker 13: I gotta give you your lashes, bitch, I hope I

1301
00:53:58,000 --> 00:53:58,920
Speaker 13: was gotten back.

1302
00:53:58,800 --> 00:54:00,560
Speaker 14: To miss lyon ball.

1303
00:54:03,080 --> 00:54:05,359
Speaker 1: What the hell is happened? Okay? So I guess uh.

1304
00:54:05,560 --> 00:54:07,560
Speaker 6: While she was on Live, she played a part of

1305
00:54:07,680 --> 00:54:10,560
Speaker 6: a song called I Guess Bigfoot which is uh. I

1306
00:54:10,600 --> 00:54:12,160
Speaker 6: guess it was a diss record going and Megan she

1307
00:54:12,200 --> 00:54:14,920
Speaker 6: had to cut. I'm sure you know, Nicky's a strategic

1308
00:54:14,960 --> 00:54:16,399
Speaker 6: when she comes with her, so I'm sure that record

1309
00:54:16,480 --> 00:54:18,280
Speaker 6: was done a while ago. So she was talking about

1310
00:54:18,640 --> 00:54:20,720
Speaker 6: you know, I guess it's called Bigfoot.

1311
00:54:21,040 --> 00:54:21,759
Speaker 1: She also said this.

1312
00:54:26,640 --> 00:54:53,600
Speaker 14: Brilli plate I got the bum won a puny stupid listen,

1313
00:54:53,920 --> 00:54:55,520
Speaker 14: meg Get is from youthon though, So I mean, you

1314
00:54:55,600 --> 00:54:57,560
Speaker 14: know how you're not gonna be influenced by port Alphine's

1315
00:54:57,560 --> 00:54:58,680
Speaker 14: finest boy B and pim C.

1316
00:54:58,840 --> 00:55:00,600
Speaker 1: Come on, you g K dropping the mom for you

1317
00:55:00,680 --> 00:55:02,200
Speaker 1: to yes, that ain't that?

1318
00:55:02,239 --> 00:55:04,320
Speaker 5: Ain't you know that's not an insult to be you know,

1319
00:55:04,440 --> 00:55:05,920
Speaker 5: for somebody to say you sound like pimp see a

1320
00:55:05,960 --> 00:55:06,359
Speaker 5: butt beat?

1321
00:55:06,440 --> 00:55:06,520
Speaker 3: Now?

1322
00:55:06,640 --> 00:55:09,359
Speaker 5: Come on now, but listen, May when she called this morning,

1323
00:55:09,480 --> 00:55:13,000
Speaker 5: she said, uh, the hit dogs will hollow, so clearly made.

1324
00:55:13,239 --> 00:55:16,000
Speaker 1: I guess was talking about Nikki in his right Yes,

1325
00:55:16,120 --> 00:55:16,359
Speaker 1: I did?

1326
00:55:16,400 --> 00:55:16,560
Speaker 4: What what?

1327
00:55:16,680 --> 00:55:16,719
Speaker 3: What?

1328
00:55:16,840 --> 00:55:16,880
Speaker 8: What?

1329
00:55:16,960 --> 00:55:19,480
Speaker 1: What what are they saying? She said, I'm not breaking

1330
00:55:19,520 --> 00:55:21,760
Speaker 1: this down. Okay, well I'm.

1331
00:55:21,680 --> 00:55:25,719
Speaker 6: Not going to that to break down. Huh you got

1332
00:55:25,800 --> 00:55:28,160
Speaker 6: a nick you got the Nikki disclip o got let's

1333
00:55:28,160 --> 00:55:28,360
Speaker 6: hear it.

1334
00:55:30,480 --> 00:55:32,480
Speaker 1: She's mad at Megan's law. I don't really know what

1335
00:55:32,560 --> 00:55:34,280
Speaker 1: the part of me is, but I can't see y'all want.

1336
00:55:34,160 --> 00:55:39,160
Speaker 2: Me staring shoot never checked me, every chessue benchal we

1337
00:55:39,440 --> 00:55:40,200
Speaker 2: want to tress me.

1338
00:55:41,120 --> 00:55:43,080
Speaker 1: I'll wait for somebody to tell me. I don't know.

1339
00:55:43,880 --> 00:55:46,200
Speaker 5: But all is fair, All is fair in love and rap,

1340
00:55:46,280 --> 00:55:48,040
Speaker 5: and that's what that's what we say, right, Yes, we

1341
00:55:48,120 --> 00:55:49,360
Speaker 5: say that all the time. We say that when the

1342
00:55:49,400 --> 00:55:51,239
Speaker 5: guys do it, we say, you know, all this fair

1343
00:55:51,680 --> 00:55:56,120
Speaker 5: and love and rap. But when you see what Megan

1344
00:55:56,239 --> 00:55:59,000
Speaker 5: went through, right she was assaulted by a man's a

1345
00:55:59,040 --> 00:56:01,160
Speaker 5: man in prison right now, out for shooting the right

1346
00:56:01,520 --> 00:56:02,000
Speaker 5: Tory lane.

1347
00:56:02,280 --> 00:56:05,640
Speaker 1: So is that fair for another woman to make fun of?

1348
00:56:05,719 --> 00:56:10,080
Speaker 5: Because when the guys say those things, people get extremely upset.

1349
00:56:11,239 --> 00:56:13,759
Speaker 5: But people seem to be laughing with Nikki when she

1350
00:56:13,880 --> 00:56:16,600
Speaker 5: does it. I'm saying, I'm just pointing out the double

1351
00:56:16,600 --> 00:56:17,000
Speaker 5: standing here.

1352
00:56:17,160 --> 00:56:19,239
Speaker 6: I think when it comes to rap battle and things

1353
00:56:19,320 --> 00:56:22,600
Speaker 6: are thrown off the table, I think anything goes.

1354
00:56:22,719 --> 00:56:23,840
Speaker 1: I mean, it is what it is.

1355
00:56:24,120 --> 00:56:26,839
Speaker 6: These women are battling each other right now at this point.

1356
00:56:27,480 --> 00:56:30,520
Speaker 6: We've seen it with NASA's Etha, We've seen it with tupacs.

1357
00:56:30,560 --> 00:56:32,799
Speaker 6: Hit them up We've seen it with Jay Song. They

1358
00:56:32,880 --> 00:56:35,520
Speaker 6: are rapping, rapping. We've seen it with Remy Mall. They're rapping,

1359
00:56:35,920 --> 00:56:39,360
Speaker 6: they're using lyrics and they're playing. You don't have wordplay.

1360
00:56:39,440 --> 00:56:40,480
Speaker 1: So that's what it is.

1361
00:56:40,560 --> 00:56:40,719
Speaker 3: You know.

1362
00:56:41,000 --> 00:56:42,879
Speaker 5: Well, I hope all they all got your therapists on speed,

1363
00:56:43,040 --> 00:56:45,120
Speaker 5: because y'all be playing with each other's trauma like it's nothing.

1364
00:56:46,040 --> 00:56:48,200
Speaker 6: I mean, it's always been like that. But I just

1365
00:56:48,400 --> 00:56:51,160
Speaker 6: I would love for it to stay on record. Of course,

1366
00:56:51,239 --> 00:56:53,880
Speaker 6: come on, you know, that's that's what it will. We

1367
00:56:54,000 --> 00:56:57,160
Speaker 6: say that as the cle and I'm not saying like

1368
00:56:57,200 --> 00:56:59,080
Speaker 6: I expect people to shoot each other up a fight.

1369
00:56:59,360 --> 00:57:01,120
Speaker 6: I just don't want to hate the ig lives and

1370
00:57:01,160 --> 00:57:01,560
Speaker 6: them talking.

1371
00:57:01,600 --> 00:57:02,480
Speaker 3: I just like the music.

1372
00:57:03,000 --> 00:57:05,000
Speaker 1: I just I just point. I just like them. I

1373
00:57:05,120 --> 00:57:06,160
Speaker 1: like the music part of it.

1374
00:57:06,239 --> 00:57:08,080
Speaker 5: Now, I see, that's what you just said makes a

1375
00:57:08,120 --> 00:57:09,880
Speaker 5: lot of sense for twenty twenty four, because you know,

1376
00:57:09,920 --> 00:57:11,680
Speaker 5: a lot of times we say we hope it stays

1377
00:57:11,719 --> 00:57:14,320
Speaker 5: on records, we're talking about screen stuff. So in my

1378
00:57:14,440 --> 00:57:16,600
Speaker 5: mind about me being the old head I am, my

1379
00:57:16,720 --> 00:57:18,800
Speaker 5: mind immediately goes through that. But no, what you said

1380
00:57:18,880 --> 00:57:20,880
Speaker 5: just now makes a lot of sense keeping on music

1381
00:57:20,920 --> 00:57:23,560
Speaker 5: instead of tweets, tweets and the Instagram live because y'all

1382
00:57:23,600 --> 00:57:25,280
Speaker 5: used to like all of the women were throwing around

1383
00:57:25,320 --> 00:57:27,200
Speaker 5: some great insults at each other about a couple of

1384
00:57:27,280 --> 00:57:28,600
Speaker 5: years ago, and we were like, well, why this ain't

1385
00:57:28,640 --> 00:57:32,040
Speaker 5: all music, right, like when Cardi called JT prison pants

1386
00:57:32,080 --> 00:57:35,640
Speaker 5: and then Lotto called Nikki's super freaky grandma. Like I'm like,

1387
00:57:35,680 --> 00:57:38,440
Speaker 5: why y'all ain't making records? Like y'allous be making records.

1388
00:57:38,440 --> 00:57:40,480
Speaker 5: These are some good insults, that's right, you know.

1389
00:57:41,320 --> 00:57:41,560
Speaker 1: Yeah?

1390
00:57:41,600 --> 00:57:43,880
Speaker 5: Well, also Mary, even everything Nikki was doing this Now,

1391
00:57:43,880 --> 00:57:46,400
Speaker 5: I'm glad that those were bars, but a different thing.

1392
00:57:46,440 --> 00:57:48,800
Speaker 1: But then put the you put the UGK thing in

1393
00:57:48,880 --> 00:57:51,000
Speaker 1: some bars too, like you know what I mean? She

1394
00:57:51,120 --> 00:57:54,040
Speaker 1: was in the studio, yep. So we'll see absolutely now.

1395
00:57:54,120 --> 00:57:54,440
Speaker 1: Mary J.

1396
00:57:54,560 --> 00:57:56,800
Speaker 6: Blige says that she will not be in the Lover's

1397
00:57:56,880 --> 00:57:59,959
Speaker 6: in Friends festival. She said her inclusion was a mistake.

1398
00:58:00,560 --> 00:58:02,600
Speaker 6: She said, I'm beyond humble by the response from all

1399
00:58:02,640 --> 00:58:04,480
Speaker 6: of you about the announcements of me on Lovers and

1400
00:58:04,560 --> 00:58:07,920
Speaker 6: Friends Festival. Unfortunately, my inclusion was an error, as I

1401
00:58:07,960 --> 00:58:10,400
Speaker 6: will be busy in preparation for my Strength of a

1402
00:58:10,440 --> 00:58:13,440
Speaker 6: Woman's Summit. Just one week later, I have the greatest

1403
00:58:13,480 --> 00:58:15,000
Speaker 6: fans in the world and can't wait to see you

1404
00:58:15,120 --> 00:58:17,040
Speaker 6: in New York in a few short months.

1405
00:58:17,120 --> 00:58:17,440
Speaker 1: Mary J.

1406
00:58:17,560 --> 00:58:20,400
Speaker 6: Blige and The Dream said the same. The show will

1407
00:58:20,400 --> 00:58:23,400
Speaker 6: be amazing, so with the amazing lineup. Unfortunately, I won't

1408
00:58:23,400 --> 00:58:26,240
Speaker 6: be able to perform this year, although my name is attached.

1409
00:58:26,440 --> 00:58:28,720
Speaker 1: Kill it bro Oh that's where it strength for Warming

1410
00:58:28,760 --> 00:58:30,560
Speaker 1: Festival gonna be this year. I guess it's gonna be leak.

1411
00:58:30,600 --> 00:58:32,000
Speaker 1: I guess that's announcement that which is dope?

1412
00:58:32,520 --> 00:58:37,280
Speaker 6: Okay, all right, well that is your rumor reports now

1413
00:58:37,320 --> 00:58:38,680
Speaker 6: Charla Man, who are giving that dwnkan two?

1414
00:58:38,800 --> 00:58:38,960
Speaker 9: Man?

1415
00:58:39,000 --> 00:58:41,040
Speaker 1: Far after the hour? Man, Let's talk about love, man,

1416
00:58:41,120 --> 00:58:43,240
Speaker 1: what you won't do dude?

1417
00:58:43,520 --> 00:58:44,080
Speaker 2: For love?

1418
00:58:44,200 --> 00:58:46,439
Speaker 1: Not just love being stupid in love?

1419
00:58:47,160 --> 00:58:49,360
Speaker 5: We need a man named Ain grad Singing to come

1420
00:58:49,440 --> 00:58:51,000
Speaker 5: to the front of the congregation because we'd like to

1421
00:58:51,040 --> 00:58:52,280
Speaker 5: have a word with him, because this might be the

1422
00:58:52,320 --> 00:58:54,480
Speaker 5: most stupidest in love story I've ever heard in my life.

1423
00:58:54,600 --> 00:58:57,840
Speaker 1: Okay, we will discuss all right, you ready ready for what?

1424
00:58:58,880 --> 00:59:03,240
Speaker 1: Which means? I spicy record listen?

1425
00:59:03,320 --> 00:59:04,840
Speaker 5: I ain't got no qualms with ice spice Man. I

1426
00:59:04,920 --> 00:59:06,600
Speaker 5: was born in nineteen hundred and seventy eight. I know

1427
00:59:06,640 --> 00:59:08,880
Speaker 5: when something isn't for me, okay, but I can also

1428
00:59:08,920 --> 00:59:11,520
Speaker 5: acknowledge when life does feel like a spoof. All right,

1429
00:59:11,600 --> 00:59:13,640
Speaker 5: So every hour on the hour, that's right here on

1430
00:59:13,680 --> 00:59:16,720
Speaker 5: the Breakfast Club far courtesy of I Heart Media, my

1431
00:59:16,880 --> 00:59:20,320
Speaker 5: Heart Radio's right. It's a record called Fart by Ice

1432
00:59:20,360 --> 00:59:22,840
Speaker 5: Spice Here you go, executive produced by Aaron mcgru to,

1433
00:59:22,880 --> 00:59:25,320
Speaker 5: Dave Chappelle, Neil Brennan and the Waynes Brothers.

1434
00:59:25,600 --> 00:59:26,800
Speaker 1: Boy, it's the Breakfast Club.

1435
00:59:27,760 --> 00:59:30,919
Speaker 3: The Breakfast Club, your mornings will never be the same.

1436
00:59:31,480 --> 00:59:33,600
Speaker 5: Your execution on the Donkey of the day is something

1437
00:59:33,640 --> 00:59:37,320
Speaker 5: to the whole the reason they gave me donkey other

1438
00:59:37,400 --> 00:59:38,840
Speaker 5: day and I deserve that. You need to know.

1439
00:59:39,440 --> 00:59:42,160
Speaker 1: You need to tell them. I am you have the boy,

1440
00:59:42,400 --> 00:59:42,960
Speaker 1: tell them.

1441
00:59:44,480 --> 00:59:47,840
Speaker 3: It's time for donkey. It's a read, but you're so

1442
00:59:48,000 --> 00:59:51,560
Speaker 3: good at Charlamage, Charlomagne.

1443
00:59:53,800 --> 00:59:55,480
Speaker 1: Solomon, Who do you give a dusk the other day?

1444
00:59:55,520 --> 00:59:55,880
Speaker 11: To man?

1445
00:59:56,120 --> 00:59:58,880
Speaker 5: Wow sexy red Donkey to day for Friday, January twenty

1446
00:59:58,920 --> 01:00:00,560
Speaker 5: six goes to A twenty six that's you old man

1447
01:00:00,840 --> 01:00:04,480
Speaker 5: named Angriage singh Okay Angriage, Angriage Angrige. He has been

1448
01:00:04,560 --> 01:00:09,360
Speaker 5: arrested after allegedly masquerading as his girlfriend so he could

1449
01:00:09,360 --> 01:00:10,560
Speaker 5: take an exam in her place.

1450
01:00:10,720 --> 01:00:13,600
Speaker 1: Listen to what the hell I just said to you?

1451
01:00:14,080 --> 01:00:16,720
Speaker 1: Angriage has been arrested after cross dressing.

1452
01:00:17,040 --> 01:00:20,480
Speaker 5: Okay, he decided to identify as his girlfriend in order

1453
01:00:20,560 --> 01:00:22,840
Speaker 5: to take an exam for her. Y'all don't listen to

1454
01:00:22,880 --> 01:00:24,760
Speaker 5: me or take me serious, because I got a list,

1455
01:00:24,880 --> 01:00:26,280
Speaker 5: So let's go to Vice News for the report.

1456
01:00:26,280 --> 01:00:26,560
Speaker 1: Please.

1457
01:00:26,840 --> 01:00:30,040
Speaker 15: Man arrested after impersonating his girlfriend to write an exam

1458
01:00:30,160 --> 01:00:32,800
Speaker 15: on her behalf. Anger Seeing from Punjab has been arrested

1459
01:00:32,840 --> 01:00:35,480
Speaker 15: after dressing as his girlfriend Paramaje Caul to set a

1460
01:00:35,560 --> 01:00:38,400
Speaker 15: health worker exam on her behalf. According to police, Sing

1461
01:00:38,480 --> 01:00:40,480
Speaker 15: took a fake idea along to take the test, but

1462
01:00:40,640 --> 01:00:43,520
Speaker 15: was caught after his fingerprints didn't match the correct candidates

1463
01:00:43,640 --> 01:00:47,000
Speaker 15: from biometric device. Coul has had her application turned down.

1464
01:00:47,720 --> 01:00:50,440
Speaker 1: You think, man, hit my Bobby call well? Man hit

1465
01:00:50,480 --> 01:00:51,640
Speaker 1: that what you want to do for love?

1466
01:00:51,720 --> 01:00:52,240
Speaker 3: On time? For me?

1467
01:00:52,320 --> 01:00:54,000
Speaker 1: Ready? Listen That whiteo kids thing came drop on the

1468
01:00:54,000 --> 01:00:55,080
Speaker 1: clue bump for Bobby cal Well.

1469
01:00:55,920 --> 01:00:59,080
Speaker 5: Listen, man, listen, I pray we all get the experience

1470
01:00:59,560 --> 01:01:01,000
Speaker 5: love on this level.

1471
01:01:01,080 --> 01:01:03,360
Speaker 1: I'm serious, even though he's getting done any day. I'm serious.

1472
01:01:03,360 --> 01:01:06,120
Speaker 1: I want all of us to experience love on this level.

1473
01:01:06,160 --> 01:01:09,000
Speaker 5: I understand he got arrested, and arrest is never good,

1474
01:01:09,080 --> 01:01:11,920
Speaker 5: but we all need to be stupid in love at

1475
01:01:12,040 --> 01:01:13,120
Speaker 5: least once in life.

1476
01:01:13,200 --> 01:01:15,880
Speaker 1: Okay. It's a lot of lessons to be learned when

1477
01:01:15,920 --> 01:01:17,120
Speaker 1: you've been stupid in love.

1478
01:01:17,320 --> 01:01:20,200
Speaker 5: Hopefully that stupidity doesn't cause you to do something like

1479
01:01:20,400 --> 01:01:23,160
Speaker 5: die or kill. But getting arrested because you decided to

1480
01:01:23,240 --> 01:01:25,800
Speaker 5: be trans for a test is so sweet.

1481
01:01:26,240 --> 01:01:28,440
Speaker 1: Okay, sweet and stupid, all right.

1482
01:01:28,520 --> 01:01:30,840
Speaker 12: His woman was trying to be a healthcare worker, and

1483
01:01:30,960 --> 01:01:34,680
Speaker 12: she already had failed the previous prerequisite exam, so even

1484
01:01:34,760 --> 01:01:38,200
Speaker 12: though he was her main sugar stain, he decided to

1485
01:01:38,280 --> 01:01:41,800
Speaker 12: be an undercover lover and go undercover as her shaved

1486
01:01:41,840 --> 01:01:45,760
Speaker 12: his facial hair, applied makeup, and got bussied up okay,

1487
01:01:46,160 --> 01:01:48,560
Speaker 12: and women's clothes and went to take the exam.

1488
01:01:48,640 --> 01:01:50,040
Speaker 1: You want to see a picture of him, I do.

1489
01:01:50,200 --> 01:01:51,720
Speaker 1: Let me show you a picture of them. Look at it,

1490
01:01:51,800 --> 01:01:54,520
Speaker 1: Look at look at look at you see you see

1491
01:01:55,600 --> 01:01:58,080
Speaker 1: you see. I'm all for equality. Okay.

1492
01:01:58,120 --> 01:02:00,280
Speaker 5: Women have been doing things like letting us hold their

1493
01:02:00,360 --> 01:02:03,040
Speaker 5: pe for years to pass pissed tests. If you've never

1494
01:02:03,080 --> 01:02:05,040
Speaker 5: had to pass a drug test, you probably can't relate,

1495
01:02:05,560 --> 01:02:07,320
Speaker 5: so to me, this is the next level of that.

1496
01:02:07,480 --> 01:02:11,240
Speaker 5: Now listen, if I'm his girlfriend, I'm flattered but also insulted,

1497
01:02:11,600 --> 01:02:14,480
Speaker 5: because how handsome does my boyfriend think I am? That

1498
01:02:14,640 --> 01:02:16,680
Speaker 5: he could just put on some makeup and passes me?

1499
01:02:16,960 --> 01:02:20,240
Speaker 5: How strong are my facal features? How define is my

1500
01:02:20,400 --> 01:02:22,360
Speaker 5: jaw lined? How many muscles do I have in or

1501
01:02:22,400 --> 01:02:24,520
Speaker 5: around my neck that would make my boyfriend think he

1502
01:02:24,600 --> 01:02:25,480
Speaker 5: could pass is me?

1503
01:02:25,760 --> 01:02:28,600
Speaker 1: She had to be thinking, Am I pretty? Is he handsome?

1504
01:02:28,920 --> 01:02:29,520
Speaker 1: Is he pretty?

1505
01:02:29,600 --> 01:02:32,560
Speaker 5: Am I handsome? Maybe we are both pretty handsome? And

1506
01:02:32,720 --> 01:02:35,080
Speaker 5: what kind of build is happening here on.

1507
01:02:35,200 --> 01:02:35,960
Speaker 3: The both of them?

1508
01:02:36,280 --> 01:02:37,720
Speaker 1: Does he have man breasts?

1509
01:02:38,000 --> 01:02:38,200
Speaker 2: Huh?

1510
01:02:38,400 --> 01:02:40,400
Speaker 1: Does he have the titties of todd hun? Does he

1511
01:02:40,480 --> 01:02:41,600
Speaker 1: have hips? Huns?

1512
01:02:41,640 --> 01:02:41,880
Speaker 2: He has?

1513
01:02:41,920 --> 01:02:45,160
Speaker 1: Stick as me? Stick to me?

1514
01:02:45,400 --> 01:02:47,120
Speaker 2: Look at me, king, look at me.

1515
01:02:48,080 --> 01:02:48,760
Speaker 1: You're not that thick?

1516
01:02:48,920 --> 01:02:52,520
Speaker 5: Now, Look I looked at the young man. Okay, he's pretty.

1517
01:02:52,760 --> 01:02:54,520
Speaker 5: I don't know if it's the makeup or the hair

1518
01:02:55,080 --> 01:02:57,720
Speaker 5: or his features are already soft, but he's pretty. Not

1519
01:02:57,840 --> 01:02:58,640
Speaker 5: as pretty as still.

1520
01:02:58,720 --> 01:03:01,960
Speaker 3: Vaughn says, I am Charlemagne. I think kind of have ah.

1521
01:03:03,240 --> 01:03:06,440
Speaker 16: He seemed like, oh he a little bit he seemed

1522
01:03:06,440 --> 01:03:08,520
Speaker 16: like a he have a kind of a womanly look.

1523
01:03:08,720 --> 01:03:12,800
Speaker 16: He's beautiful, that's right, You think that, dude. You tell

1524
01:03:12,840 --> 01:03:15,960
Speaker 16: me Charlemagne ain't fine, bro, I'm on that. Come on though,

1525
01:03:17,000 --> 01:03:18,760
Speaker 16: I think if you put a if he was in

1526
01:03:19,040 --> 01:03:23,280
Speaker 16: Japana a week, if he was a yeah, oh you

1527
01:03:23,360 --> 01:03:26,360
Speaker 16: put him in a wig dog some basketball players gonna.

1528
01:03:29,520 --> 01:03:31,640
Speaker 5: He not as fine as I would be if I

1529
01:03:31,800 --> 01:03:34,680
Speaker 5: decided to cross dress, which I would never word the

1530
01:03:34,760 --> 01:03:37,800
Speaker 5: cat Williams, but I can acknowledge Angriage is a decent

1531
01:03:37,840 --> 01:03:40,320
Speaker 5: looking lady boy, but still a lady boy nonetheless.

1532
01:03:40,440 --> 01:03:42,080
Speaker 1: And that's what got him in trouble.

1533
01:03:42,000 --> 01:03:46,919
Speaker 5: Because exam officials grew suspicious because his face didn't match

1534
01:03:47,000 --> 01:03:49,640
Speaker 5: the picture on the application for him, you think, and

1535
01:03:49,760 --> 01:03:53,080
Speaker 5: then authorities ran his biometrics and discovered they didn't match.

1536
01:03:53,400 --> 01:03:56,440
Speaker 1: And this is new. I just found this out.

1537
01:03:56,480 --> 01:03:58,920
Speaker 5: He wore a tennis skirt with no drawers, so somebody

1538
01:03:59,000 --> 01:04:01,320
Speaker 5: noticed his testicles hanging out of the tennis skirt and

1539
01:04:01,400 --> 01:04:02,080
Speaker 5: the jig was up.

1540
01:04:02,120 --> 01:04:03,600
Speaker 1: Shout, okay, shut out police.

1541
01:04:03,880 --> 01:04:07,720
Speaker 5: Police also accused his girlfriend of conspiring with her boyfriend,

1542
01:04:07,920 --> 01:04:10,080
Speaker 5: as they believed he wouldn't have been able to enact

1543
01:04:10,120 --> 01:04:13,480
Speaker 5: the deception without her consent and possible assistance. This might

1544
01:04:13,600 --> 01:04:16,240
Speaker 5: be the first time in human history that a woman

1545
01:04:16,760 --> 01:04:19,520
Speaker 5: encouraged and empowered her man.

1546
01:04:19,440 --> 01:04:21,800
Speaker 1: To cheat, and she was happy he did.

1547
01:04:22,320 --> 01:04:25,640
Speaker 5: And she also got held accountable for her role in

1548
01:04:25,760 --> 01:04:28,760
Speaker 5: his cheating because she encouraged it. And there you have it,

1549
01:04:29,760 --> 01:04:33,160
Speaker 5: the secret to healing the world. Please give Angerae sing

1550
01:04:33,440 --> 01:04:35,920
Speaker 5: and his girlfriend the sweet sound of the hamiltones.

1551
01:04:36,240 --> 01:04:39,600
Speaker 1: Oh no, you are the dog gee.

1552
01:04:40,960 --> 01:04:41,520
Speaker 3: Of the.

1553
01:04:45,560 --> 01:04:46,920
Speaker 1: Dog gee.

1554
01:04:48,280 --> 01:04:49,360
Speaker 7: All the day.

1555
01:04:50,560 --> 01:04:51,240
Speaker 5: Ye a.

1556
01:04:54,600 --> 01:04:55,200
Speaker 3: Couple of things.

1557
01:04:57,400 --> 01:05:00,200
Speaker 1: You're not that pretty, You're not that thick whe who

1558
01:05:00,720 --> 01:05:03,360
Speaker 1: chicks person in this room? And there's how many of

1559
01:05:03,440 --> 01:05:05,160
Speaker 1: us in it? One? Two street four or fight? Six

1560
01:05:05,280 --> 01:05:08,400
Speaker 1: of us in here? Okay, two women thinking and everybody

1561
01:05:08,520 --> 01:05:10,000
Speaker 1: in here play with me if you want to. Let's

1562
01:05:10,000 --> 01:05:15,400
Speaker 1: sit back down. Calf On what cap y'all couldn't fill

1563
01:05:15,400 --> 01:05:17,920
Speaker 1: out cap? He said, y'all can't fill out his sweating?

1564
01:05:21,120 --> 01:05:23,600
Speaker 3: I just I just been my dude.

1565
01:05:24,480 --> 01:05:25,760
Speaker 1: Come on into big Mac.

1566
01:05:27,120 --> 01:05:29,240
Speaker 5: Oh my goodness, Big Mac got an ass on the

1567
01:05:29,280 --> 01:05:35,000
Speaker 5: stumpy Mac got making the stallion ass for something. Jesus Christ,

1568
01:05:36,240 --> 01:05:41,960
Speaker 5: I'm not playing this game anymore. All right, all right,

1569
01:05:42,080 --> 01:05:45,480
Speaker 5: Well that was the donkey of the day. Look like

1570
01:05:45,800 --> 01:05:46,600
Speaker 5: it looks crazy.

1571
01:05:46,840 --> 01:05:47,360
Speaker 3: Oh lord.

1572
01:05:47,760 --> 01:05:51,120
Speaker 6: Now when we come back, Comedian Earthquake will be joining us. Yes, indeed,

1573
01:05:51,200 --> 01:05:53,080
Speaker 6: so we're gonna kick it with Earthquake when we come back.

1574
01:05:53,120 --> 01:05:55,000
Speaker 6: And then now let's here for Pastor.

1575
01:05:55,120 --> 01:05:57,960
Speaker 5: It's not say something now that you gotta break down

1576
01:05:58,000 --> 01:05:59,440
Speaker 5: this making the Stallion record. So you're gonna have to

1577
01:05:59,440 --> 01:06:02,360
Speaker 5: tell us all this limitals and everything. Okay, please, all right.

1578
01:06:02,400 --> 01:06:09,880
Speaker 5: It's the Breakfast Leve the Morning, the Breakfast Club, more thing.

1579
01:06:09,960 --> 01:06:10,400
Speaker 1: Everybody.

1580
01:06:10,440 --> 01:06:13,160
Speaker 6: It's Dan j n V Charlamagne the Guy. We are

1581
01:06:13,200 --> 01:06:15,320
Speaker 6: the Breakfast Club. We got a special guests in the building,

1582
01:06:17,480 --> 01:06:18,880
Speaker 6: Comedian Earthquake.

1583
01:06:18,960 --> 01:06:21,800
Speaker 3: Welcome brother thank you, Thank you, brothers. It's always an

1584
01:06:21,880 --> 01:06:23,160
Speaker 3: honor to be on this show.

1585
01:06:23,280 --> 01:06:23,440
Speaker 16: Man.

1586
01:06:23,520 --> 01:06:26,400
Speaker 3: I look forward to it. It's always a highlight when

1587
01:06:26,440 --> 01:06:28,560
Speaker 3: I come next with you, brothers. Man, happy to have

1588
01:06:28,680 --> 01:06:31,040
Speaker 3: you here. How are you feeling? First man, I'm blessed man.

1589
01:06:31,640 --> 01:06:35,280
Speaker 3: Life is good. Uh, things are good, careers popping. So

1590
01:06:35,400 --> 01:06:37,200
Speaker 3: I'm good man, I'm real good.

1591
01:06:37,720 --> 01:06:41,320
Speaker 5: You know your name came up when recently when Kat

1592
01:06:41,320 --> 01:06:45,120
Speaker 5: Williams did his interview with Shannon Shark. Yeah, well I

1593
01:06:45,200 --> 01:06:47,680
Speaker 5: want to talk about just that conversation period. What is

1594
01:06:47,720 --> 01:06:50,360
Speaker 5: that conversation done for black comedy.

1595
01:06:50,760 --> 01:06:53,160
Speaker 3: Comedy, I don't think anything because it wasn't no jokes

1596
01:06:53,200 --> 01:06:57,160
Speaker 3: in it. Understand, I'm in the joke telling business, you

1597
01:06:57,240 --> 01:06:59,560
Speaker 3: know what I mean. So it didn't do anything I

1598
01:06:59,720 --> 01:07:03,360
Speaker 3: think for comedy. Personally speaking, me and him was cool,

1599
01:07:03,520 --> 01:07:05,680
Speaker 3: So you know, I didn't. I didn't know where that

1600
01:07:05,840 --> 01:07:10,400
Speaker 3: came from. Certain thing he said about me, half was true,

1601
01:07:10,560 --> 01:07:14,000
Speaker 3: half was was a lie, you know, but to each

1602
01:07:14,040 --> 01:07:16,400
Speaker 3: his own. I don't you know, man, I don't even

1603
01:07:16,520 --> 01:07:19,360
Speaker 3: get into that part of it, because see, I'm a

1604
01:07:19,400 --> 01:07:21,040
Speaker 3: type of person. If I have a problem with you,

1605
01:07:21,360 --> 01:07:24,040
Speaker 3: Charla Mane, I'm gonna call you and Man the Man

1606
01:07:24,280 --> 01:07:26,960
Speaker 3: and we were gonna talk it out. We're gonna duke

1607
01:07:27,000 --> 01:07:29,000
Speaker 3: it out, but we're gonna handle it. Man the Man.

1608
01:07:29,080 --> 01:07:31,640
Speaker 3: I don't talk behind people back. And that's what social

1609
01:07:31,720 --> 01:07:34,360
Speaker 3: media is. If you go into a platform and talk

1610
01:07:34,400 --> 01:07:37,400
Speaker 3: about a person without you addressing them yourself, when you

1611
01:07:37,520 --> 01:07:40,440
Speaker 3: have opportunities to get in contact and let him let

1612
01:07:40,520 --> 01:07:43,120
Speaker 3: it be known. So you know, I don't get into that,

1613
01:07:43,280 --> 01:07:44,800
Speaker 3: you know what I mean. I let him believe what

1614
01:07:44,880 --> 01:07:45,640
Speaker 3: he needs to believe.

1615
01:07:46,080 --> 01:07:47,760
Speaker 6: Now you said you were cool, or you thought you

1616
01:07:47,880 --> 01:07:51,040
Speaker 6: were cool, Now do you. People are saying he did

1617
01:07:51,120 --> 01:07:53,520
Speaker 6: that to sell tickets. Some people said he was just venting,

1618
01:07:53,960 --> 01:07:55,280
Speaker 6: or some people it was just like it was just

1619
01:07:55,360 --> 01:07:57,680
Speaker 6: a lie just to create the controversy arounding, and you

1620
01:07:57,760 --> 01:07:59,000
Speaker 6: know what, it's just.

1621
01:07:59,160 --> 01:08:00,520
Speaker 1: It's just weird to just be like it just came

1622
01:08:00,560 --> 01:08:01,040
Speaker 1: out of nowhere.

1623
01:08:01,680 --> 01:08:04,120
Speaker 3: Well, I don't know what is the motivation on it

1624
01:08:04,280 --> 01:08:07,520
Speaker 3: on it. I of been in this business for thirty years.

1625
01:08:07,920 --> 01:08:10,960
Speaker 3: We as comedians have never did that type of thing

1626
01:08:11,200 --> 01:08:16,360
Speaker 3: ever before. We're not rappers, we don't have beefs. You

1627
01:08:16,520 --> 01:08:20,599
Speaker 3: have a disagreement with a comic, they usually we take

1628
01:08:20,680 --> 01:08:24,440
Speaker 3: it with the individual and handle it as such outside

1629
01:08:24,520 --> 01:08:27,320
Speaker 3: of just you know, doing that thing was the first

1630
01:08:27,400 --> 01:08:29,160
Speaker 3: time ever seeing it done. But we're on a new

1631
01:08:29,240 --> 01:08:31,759
Speaker 3: age now, you know what I mean. It's a different

1632
01:08:31,840 --> 01:08:33,920
Speaker 3: name and I don't know what the motivation of the

1633
01:08:33,960 --> 01:08:37,439
Speaker 3: brother is. When I first ran into Caddy, he was

1634
01:08:37,520 --> 01:08:41,080
Speaker 3: the most phenomenal doing things that have never been done

1635
01:08:41,120 --> 01:08:43,719
Speaker 3: in here. He was selling out Madison Square Darden type

1636
01:08:43,720 --> 01:08:46,960
Speaker 3: of arenas on Tuesdays and Wednesdays, and that was never

1637
01:08:47,080 --> 01:08:49,000
Speaker 3: I was coming into Oakland. They was like, you know,

1638
01:08:49,120 --> 01:08:51,680
Speaker 3: Kat gonna be here. I said, what I just got here,

1639
01:08:51,760 --> 01:08:53,320
Speaker 3: what are you going to do? He at this Friday?

1640
01:08:53,439 --> 01:08:53,479
Speaker 4: Like?

1641
01:08:53,600 --> 01:08:57,920
Speaker 3: No, he Tuesday, Wednesday, Thursday at with the Warriors player.

1642
01:08:57,960 --> 01:09:00,320
Speaker 3: I was like, oh my god. And then you know,

1643
01:09:00,760 --> 01:09:03,000
Speaker 3: his acting skills was on top because he was on

1644
01:09:03,200 --> 01:09:06,400
Speaker 3: Hill Street Blues doing the things. So I've always admired

1645
01:09:06,920 --> 01:09:10,000
Speaker 3: you know, his his his work and what it is.

1646
01:09:10,160 --> 01:09:12,920
Speaker 3: But see, I'm I don't get into all that because

1647
01:09:12,960 --> 01:09:15,000
Speaker 3: I'm in the joke telling business, and as long as

1648
01:09:15,040 --> 01:09:17,680
Speaker 3: we're talking about jokes, I don't. That's the only thing

1649
01:09:17,760 --> 01:09:19,840
Speaker 3: that I am into. I ain't in the pimp game,

1650
01:09:19,960 --> 01:09:22,000
Speaker 3: I ain't in the drug game, ain't and in none

1651
01:09:22,040 --> 01:09:24,559
Speaker 3: of that. I'm into the joke. So you have anything

1652
01:09:24,600 --> 01:09:26,680
Speaker 3: to say to me or anything to see me, it

1653
01:09:26,720 --> 01:09:28,680
Speaker 3: should be right there in that category because that's the

1654
01:09:28,760 --> 01:09:31,719
Speaker 3: only only thing that I am involved in the public

1655
01:09:32,400 --> 01:09:34,840
Speaker 3: platform of it. So the rest of that he can keep.

1656
01:09:35,160 --> 01:09:36,640
Speaker 1: Why do you say you can't read? Where did that

1657
01:09:36,680 --> 01:09:37,560
Speaker 1: come from? I don't know.

1658
01:09:38,200 --> 01:09:41,000
Speaker 3: I mean you y'all didn't get terresta Ruti. First of all,

1659
01:09:41,000 --> 01:09:43,479
Speaker 3: it's a lie because I couldn't. I used to be

1660
01:09:43,520 --> 01:09:49,200
Speaker 3: a WBLS radio in radio, and everybody in radio wants

1661
01:09:49,240 --> 01:09:51,880
Speaker 3: to be like y'all to be syndicated. But if you're

1662
01:09:51,920 --> 01:09:55,560
Speaker 3: not syndicated and you just got one goddamn station, the

1663
01:09:55,640 --> 01:09:58,720
Speaker 3: only way you get some money off live reads in

1664
01:09:58,880 --> 01:10:01,280
Speaker 3: traffic and the rest. So it came to that and

1665
01:10:01,360 --> 01:10:05,000
Speaker 3: another thing. Ninth grade, I was picked to go to

1666
01:10:05,600 --> 01:10:12,639
Speaker 3: Georgetown and the upper Bound program Brown program. The only

1667
01:10:12,800 --> 01:10:16,040
Speaker 3: reason I didn't make open Brown program is when they

1668
01:10:16,080 --> 01:10:18,800
Speaker 3: took me on the tour. They let me taste a

1669
01:10:18,920 --> 01:10:22,840
Speaker 3: fresh donut for the first time and I ate it.

1670
01:10:22,920 --> 01:10:26,000
Speaker 3: I'm like, oh my god, freshman, weeze oieng juiced, and

1671
01:10:26,120 --> 01:10:27,960
Speaker 3: I said, you can have all these They said yeah.

1672
01:10:28,080 --> 01:10:30,040
Speaker 3: I said, y'all keep on walking around. Let's stay right

1673
01:10:30,080 --> 01:10:34,479
Speaker 3: here near these donuts because I'm used to eating the

1674
01:10:34,520 --> 01:10:38,840
Speaker 3: Hostess donuts, the little pack, but I never had like

1675
01:10:38,960 --> 01:10:42,280
Speaker 3: a Dunken one. I'm like, oh my god, this is delicious.

1676
01:10:42,520 --> 01:10:45,000
Speaker 3: So yeah, I was upper Bound program to be picked

1677
01:10:45,040 --> 01:10:47,320
Speaker 3: out of Georgetown to go to Georgetown in the ninth grade.

1678
01:10:47,360 --> 01:10:47,720
Speaker 2: I don't know.

1679
01:10:48,080 --> 01:10:51,840
Speaker 3: Also in the military as an air traffic controller, could

1680
01:10:51,880 --> 01:10:53,680
Speaker 3: have been air cock controller. But I wanted to get

1681
01:10:53,720 --> 01:10:55,920
Speaker 3: out my mother house. I said, what job can I

1682
01:10:56,080 --> 01:10:57,880
Speaker 3: leave today? To leave her houses? Say you can be

1683
01:10:57,880 --> 01:11:00,240
Speaker 3: a traffic troller. You can come back in US six

1684
01:11:00,320 --> 01:11:02,080
Speaker 3: months and we leave. I said, now I need to

1685
01:11:02,160 --> 01:11:05,439
Speaker 3: leave today. What you got they said, loaded nuclear weapons.

1686
01:11:05,479 --> 01:11:06,439
Speaker 3: I said, I take it.

1687
01:11:07,800 --> 01:11:09,120
Speaker 1: The load nuclear we head man.

1688
01:11:09,160 --> 01:11:11,120
Speaker 3: I dropped while I'm trying to see two live crew

1689
01:11:11,360 --> 01:11:16,160
Speaker 3: man no real talk boxed their force space. Yeah, trying

1690
01:11:16,200 --> 01:11:18,960
Speaker 3: to see too live crew. When when Luke first came out,

1691
01:11:19,000 --> 01:11:21,200
Speaker 3: we dropped that. Because you have to change the ordinance,

1692
01:11:21,960 --> 01:11:23,680
Speaker 3: the disguise from the rushing.

1693
01:11:24,160 --> 01:11:25,840
Speaker 1: You dropped the bombs. He can get out to the club.

1694
01:11:26,080 --> 01:11:29,839
Speaker 3: No. I told him I wanted to go see Luke Friday.

1695
01:11:29,880 --> 01:11:32,040
Speaker 3: They put me on the schedule. I had already said

1696
01:11:32,040 --> 01:11:34,200
Speaker 3: I'm not going, so they said, go out there, change

1697
01:11:34,320 --> 01:11:36,559
Speaker 3: the ordinance and then you can leave. Of course, I've

1698
01:11:36,560 --> 01:11:38,840
Speaker 3: been doing this for ten years. I'm like, all right,

1699
01:11:39,120 --> 01:11:41,080
Speaker 3: we don't need this. I put it up and we

1700
01:11:41,200 --> 01:11:43,960
Speaker 3: tell it moves the racket and everything. We ain't put

1701
01:11:44,000 --> 01:11:47,519
Speaker 3: all the grease fitting. It came down, hit boom. Everybody ran.

1702
01:11:47,600 --> 01:11:48,560
Speaker 3: I said, what y'all running for?

1703
01:11:49,560 --> 01:11:50,960
Speaker 2: This is a nuke.

1704
01:11:51,320 --> 01:11:56,120
Speaker 3: I'll say, you hit the round. I kiss somebody here.

1705
01:11:56,479 --> 01:11:58,200
Speaker 2: Listen to me, mate, This is.

1706
01:11:58,240 --> 01:12:01,080
Speaker 3: God, honest truth. God take my time from everything on.

1707
01:12:01,439 --> 01:12:04,280
Speaker 3: My name is in the Pentagon under broken arrow? You

1708
01:12:04,479 --> 01:12:07,400
Speaker 3: understand what I'm Yes, Why do they call you broken that?

1709
01:12:07,479 --> 01:12:09,360
Speaker 3: For that's what happened. When you drop a nuke on

1710
01:12:09,439 --> 01:12:11,559
Speaker 3: the in the country, it's called it broken arrow. When

1711
01:12:11,600 --> 01:12:16,160
Speaker 3: it's a new on your own, friendly soil and everything

1712
01:12:16,320 --> 01:12:19,840
Speaker 3: is an accident, it's called broken right now? You know? Well, no, man,

1713
01:12:19,960 --> 01:12:24,599
Speaker 3: it's just you know, I told him, you understand. I'm

1714
01:12:24,640 --> 01:12:28,960
Speaker 3: in Boxtall, Louisiana Street, Port, Louisiana. This when Luke was

1715
01:12:28,960 --> 01:12:30,679
Speaker 3: at the height is this thing? You had one hundred

1716
01:12:30,680 --> 01:12:33,680
Speaker 3: and fifty bad chicks. I said, I'm going, and they

1717
01:12:33,800 --> 01:12:36,479
Speaker 3: sent me out here and changed the ordinance on the plane.

1718
01:12:36,800 --> 01:12:37,960
Speaker 3: So they brung it on itself.

1719
01:12:38,240 --> 01:12:39,680
Speaker 1: But the new clearly didn't go off.

1720
01:12:39,840 --> 01:12:42,599
Speaker 3: No, nuclear weapons are some of the most safest ordinance

1721
01:12:42,680 --> 01:12:44,640
Speaker 3: that you got. Conventionals the more different because they got

1722
01:12:44,720 --> 01:12:47,519
Speaker 3: to drop at a certain height and then it hit

1723
01:12:47,600 --> 01:12:51,400
Speaker 3: the uh safe thing safe Martin, It's the most safety.

1724
01:12:51,439 --> 01:12:53,160
Speaker 3: But everybody ran and then.

1725
01:12:55,920 --> 01:12:57,439
Speaker 1: Nah, we was on the flight line.

1726
01:12:57,840 --> 01:12:59,920
Speaker 3: We was on the flight line on the B fifty two,

1727
01:13:00,360 --> 01:13:02,719
Speaker 3: and you put it in the bomb bait to change

1728
01:13:02,760 --> 01:13:05,960
Speaker 3: it out, and it came down and hit the ground boom.

1729
01:13:06,080 --> 01:13:08,680
Speaker 3: Everybody ran. I was like, what y'all running for? And

1730
01:13:08,800 --> 01:13:10,840
Speaker 3: then they came and got me. Base commander came and

1731
01:13:10,920 --> 01:13:14,120
Speaker 3: then they took us to the UH, to the hospital

1732
01:13:14,240 --> 01:13:16,679
Speaker 3: to do drug tests and everything to see if we high.

1733
01:13:17,200 --> 01:13:19,360
Speaker 3: I ain't find nothing but in competence in my blood.

1734
01:13:19,439 --> 01:13:21,880
Speaker 3: And then they put me on the snack bomb. They

1735
01:13:21,880 --> 01:13:24,320
Speaker 3: don't let me touch no more more nukes, no more

1736
01:13:24,560 --> 01:13:27,080
Speaker 3: planes or nothing. And people were like, A you stuck.

1737
01:13:27,120 --> 01:13:29,479
Speaker 3: I said, man, I don't care. E five get the

1738
01:13:29,560 --> 01:13:32,400
Speaker 3: same amount of money as loading bombs as an E

1739
01:13:32,560 --> 01:13:35,840
Speaker 3: five that passed out coffee. So the check ain't changed.

1740
01:13:35,840 --> 01:13:36,799
Speaker 3: It ain't hurt my feelings.

1741
01:13:37,080 --> 01:13:38,760
Speaker 1: I don't know, man. A lot of people are gonna say, man,

1742
01:13:39,640 --> 01:13:41,080
Speaker 1: cat might have been right, man, you might have had

1743
01:13:41,120 --> 01:13:41,719
Speaker 1: to read something.

1744
01:13:48,920 --> 01:13:51,800
Speaker 3: No boy, that when Luke was hot, Man, he was

1745
01:13:51,920 --> 01:13:54,320
Speaker 3: on field Donnie or one of them things showing them

1746
01:13:54,400 --> 01:13:57,160
Speaker 3: just shaking in everything. And I was like, man, they

1747
01:13:57,280 --> 01:13:59,400
Speaker 3: finally gonna do a concert that one hundred and fifty

1748
01:14:00,080 --> 01:14:02,719
Speaker 3: Streetport was a small town. Bowser City was a small

1749
01:14:02,800 --> 01:14:04,960
Speaker 3: town in that way, and we had no black women

1750
01:14:05,040 --> 01:14:08,479
Speaker 3: that looked that good in my in my eyesight, So

1751
01:14:08,520 --> 01:14:10,160
Speaker 3: I was looking forward to it, and I told him

1752
01:14:10,200 --> 01:14:12,599
Speaker 3: I wasn't going, so they put us out there. Shout

1753
01:14:12,640 --> 01:14:16,680
Speaker 3: out to uh Sergeant Anderson who called me about two

1754
01:14:16,720 --> 01:14:20,040
Speaker 3: weeks ago. He was also on the team when we

1755
01:14:20,160 --> 01:14:21,719
Speaker 3: dropped the new Well listen.

1756
01:14:21,560 --> 01:14:22,960
Speaker 1: You know you got to prove things to the internet.

1757
01:14:23,000 --> 01:14:25,200
Speaker 1: So go ahead and read that read that's a live

1758
01:14:25,240 --> 01:14:26,080
Speaker 1: reading read out loud.

1759
01:14:26,439 --> 01:14:36,679
Speaker 3: Cat whim is a liar to play.

1760
01:14:37,960 --> 01:14:40,000
Speaker 1: We got more of a comedian earthquake when we come back.

1761
01:14:40,040 --> 01:14:42,320
Speaker 1: Don't move. It's the Breakfast Club, Good Morning, wanting everybody.

1762
01:14:42,360 --> 01:14:45,840
Speaker 1: It's DJ Envy charlamagnea guy. We are the Breakfast Club.

1763
01:14:45,880 --> 01:14:47,600
Speaker 1: Were still kicking it with comedian earthquake.

1764
01:14:47,720 --> 01:14:47,960
Speaker 2: True.

1765
01:14:48,200 --> 01:14:50,120
Speaker 1: You know, one thing that's been coming up recently is

1766
01:14:50,200 --> 01:14:51,280
Speaker 1: comedian stealing jokes.

1767
01:14:51,400 --> 01:14:54,120
Speaker 6: Now, it seems like that would seem kind of something

1768
01:14:54,200 --> 01:14:56,760
Speaker 6: that's normal, because you know, if you're talking about a car,

1769
01:14:56,960 --> 01:14:59,760
Speaker 6: or you're talking about black versus white, it seems like

1770
01:14:59,760 --> 01:15:01,160
Speaker 6: a lot it So has that happened to you.

1771
01:15:01,479 --> 01:15:04,320
Speaker 3: I've been robbed more than any comedian on Earth I have.

1772
01:15:04,600 --> 01:15:07,040
Speaker 3: I have friends that have taken my jokes. I have

1773
01:15:07,200 --> 01:15:09,439
Speaker 3: friends that have called me and told me they have

1774
01:15:09,520 --> 01:15:11,960
Speaker 3: taken my jokes. I write another one you know what

1775
01:15:12,000 --> 01:15:14,200
Speaker 3: I mean. This is what I it's thing go to

1776
01:15:14,320 --> 01:15:16,920
Speaker 3: do it happens. That's why I do not look at

1777
01:15:17,040 --> 01:15:21,759
Speaker 3: other comedians perform, because I don't physically write. I mentally write.

1778
01:15:22,000 --> 01:15:24,240
Speaker 3: So I don't want to be contaminated with the thought.

1779
01:15:24,400 --> 01:15:28,560
Speaker 3: You could sit here and see another comedian tell a

1780
01:15:28,680 --> 01:15:31,600
Speaker 3: joke and subconsciously is it'll be into you. Then you

1781
01:15:31,680 --> 01:15:34,439
Speaker 3: could sit here and get on stage and riff and

1782
01:15:34,520 --> 01:15:36,400
Speaker 3: come up with and think you came up with it,

1783
01:15:36,920 --> 01:15:40,559
Speaker 3: but you previously saw somebody else do it. That's what happened.

1784
01:15:40,640 --> 01:15:45,520
Speaker 3: Sometimes we all it's only certain many subjects that is discovered.

1785
01:15:45,600 --> 01:15:48,280
Speaker 3: This is your version of oj Trut, this is your

1786
01:15:48,479 --> 01:15:51,439
Speaker 3: version of Trump, This is your version of Joe Biden,

1787
01:15:51,800 --> 01:15:54,400
Speaker 3: you know what I mean. So this happens me myself.

1788
01:15:54,880 --> 01:15:59,280
Speaker 3: I just continue, you know, I just replenish as they diminish,

1789
01:15:59,479 --> 01:16:01,559
Speaker 3: and I just keep on going with it. The way

1790
01:16:01,640 --> 01:16:05,040
Speaker 3: I keep myself from even for that ever happening to me.

1791
01:16:05,439 --> 01:16:07,120
Speaker 3: I don't watch other comedians I've heard.

1792
01:16:07,120 --> 01:16:09,320
Speaker 5: I've heard people say that I found that video with

1793
01:16:09,439 --> 01:16:12,240
Speaker 5: a Bernie Mac very interesting because Bernie Mack was like,

1794
01:16:13,040 --> 01:16:15,320
Speaker 5: people are going to take your jokes. Don't say your

1795
01:16:15,400 --> 01:16:18,560
Speaker 5: jokes around other comedians, especially the younger ones when the

1796
01:16:18,640 --> 01:16:19,800
Speaker 5: veterans are around.

1797
01:16:19,640 --> 01:16:21,840
Speaker 3: Well veteran and the rest of them. But see, it's

1798
01:16:21,920 --> 01:16:24,400
Speaker 3: beautiful with me is and I'm blessed that I don't

1799
01:16:24,439 --> 01:16:26,559
Speaker 3: have to go to a club to work a joke out.

1800
01:16:27,080 --> 01:16:29,559
Speaker 3: You see what I'm saying. I can, I can mentally

1801
01:16:29,720 --> 01:16:32,639
Speaker 3: see this is gonna work, and I can I can

1802
01:16:33,240 --> 01:16:36,280
Speaker 3: apply it to my regular show as I'm doing it,

1803
01:16:36,560 --> 01:16:38,599
Speaker 3: take one out, put a new one there, and continue

1804
01:16:38,640 --> 01:16:42,120
Speaker 3: to make the rotation go. Certain comedians don't have that process.

1805
01:16:42,320 --> 01:16:45,040
Speaker 3: They have to actually write it down and then try

1806
01:16:45,160 --> 01:16:48,120
Speaker 3: it on the stage. And then you have comedians in

1807
01:16:48,200 --> 01:16:51,320
Speaker 3: the back. Oh I like that, and then they'll give

1808
01:16:51,400 --> 01:16:55,120
Speaker 3: you the thought pattern. They would give you their version

1809
01:16:55,240 --> 01:16:57,600
Speaker 3: of that thought pattern. This is what I would have

1810
01:16:57,680 --> 01:17:00,439
Speaker 3: said if I thought of that. You know I still

1811
01:17:00,520 --> 01:17:03,040
Speaker 3: in too, so you know they sit there, but you

1812
01:17:03,280 --> 01:17:05,240
Speaker 3: just it's occupational hazard.

1813
01:17:05,479 --> 01:17:07,559
Speaker 5: You think the d m V area gets the credit

1814
01:17:07,960 --> 01:17:11,479
Speaker 5: it deserves for being a comedy hotspot. No, we have

1815
01:17:11,600 --> 01:17:16,799
Speaker 5: something the great Martin Dave Me, Tommy Davis, and Tony Woods.

1816
01:17:17,400 --> 01:17:19,720
Speaker 3: It's a lot of Donelle.

1817
01:17:25,720 --> 01:17:26,240
Speaker 1: Donell.

1818
01:17:26,520 --> 01:17:28,840
Speaker 3: You know these are my we we are in there

1819
01:17:29,120 --> 01:17:32,639
Speaker 3: we're in DC is what is a hard market. It's

1820
01:17:32,680 --> 01:17:35,280
Speaker 3: compared to like New York. You they don't give you

1821
01:17:35,479 --> 01:17:39,240
Speaker 3: nothing in DC. If you ain't funny, then they're gonna

1822
01:17:39,320 --> 01:17:41,880
Speaker 3: let you know right there and they'll wait until you

1823
01:17:42,120 --> 01:17:47,400
Speaker 3: succeed before they give your accolades. To big break my

1824
01:17:47,520 --> 01:17:50,519
Speaker 3: totality of my career or just sat down point at

1825
01:17:50,520 --> 01:17:54,639
Speaker 3: that time, Comicview. Comicview was my big break. That's where

1826
01:17:54,720 --> 01:17:58,160
Speaker 3: Airbody and I could tell uh Quake fans when they

1827
01:17:58,240 --> 01:18:00,599
Speaker 3: come say I want to put your air Mama name.

1828
01:18:01,200 --> 01:18:03,080
Speaker 3: You know when I know that, and I mean they

1829
01:18:03,240 --> 01:18:04,880
Speaker 3: was original Quake fans.

1830
01:18:05,280 --> 01:18:08,200
Speaker 1: How do you feel about them bringing back comic You think.

1831
01:18:08,080 --> 01:18:08,479
Speaker 2: That it was?

1832
01:18:08,680 --> 01:18:10,960
Speaker 3: It was great. I was there when they was filming

1833
01:18:11,120 --> 01:18:14,479
Speaker 3: with Mike and keV. Any platform that allowed the gendre

1834
01:18:14,640 --> 01:18:19,320
Speaker 3: to expreay and give opportunities, I'm all for and I participated.

1835
01:18:19,360 --> 01:18:21,439
Speaker 3: And I've done that my whole crib with my radio

1836
01:18:21,520 --> 01:18:24,320
Speaker 3: show and me doing the club and everything else to

1837
01:18:24,479 --> 01:18:27,560
Speaker 3: expand it because it's a great opt form. It's you know,

1838
01:18:28,040 --> 01:18:30,280
Speaker 3: I don't this vitually all that's going on now is

1839
01:18:30,400 --> 01:18:32,880
Speaker 3: not what the job description of. We bring joy and

1840
01:18:33,000 --> 01:18:34,800
Speaker 3: sit here and make people laugh.

1841
01:18:35,680 --> 01:18:38,800
Speaker 5: Is it true that Kim Whitley ghosted you after you

1842
01:18:39,920 --> 01:18:42,719
Speaker 5: after you put it down putting that an air quote?

1843
01:18:42,840 --> 01:18:47,439
Speaker 3: Yeah, yeah, I get her on that. Yeah, man used

1844
01:18:47,479 --> 01:18:50,560
Speaker 3: today for a version. She ghost me out there, she

1845
01:18:50,720 --> 01:18:55,880
Speaker 3: hit me and left me. Hey man, I'm a king.

1846
01:18:58,280 --> 01:19:00,880
Speaker 3: I don't pay for that as satisfy. You got to

1847
01:19:10,560 --> 01:19:11,479
Speaker 3: I'm king, Jeffrey.

1848
01:19:11,600 --> 01:19:11,840
Speaker 10: Now you.

1849
01:19:14,000 --> 01:19:15,080
Speaker 3: Take care of the king man.

1850
01:19:16,439 --> 01:19:19,400
Speaker 1: The one time thing, Oh yeah, we did it one time,

1851
01:19:19,680 --> 01:19:20,040
Speaker 1: Kim is.

1852
01:19:20,240 --> 01:19:22,920
Speaker 3: But Kim did more for me than anything when I

1853
01:19:23,120 --> 01:19:26,720
Speaker 3: first had my biggest break, but for that time my

1854
01:19:26,880 --> 01:19:31,000
Speaker 3: TV show on ABC, and Kim came and helped me

1855
01:19:31,680 --> 01:19:35,120
Speaker 3: navigate through that because it was I had a lot

1856
01:19:35,160 --> 01:19:38,439
Speaker 3: of people around me that wasn't good for me. And

1857
01:19:38,840 --> 01:19:42,040
Speaker 3: she came in and showed me how to do TV

1858
01:19:42,880 --> 01:19:46,880
Speaker 3: and reiterated what I know now is you know, I'm

1859
01:19:46,920 --> 01:19:51,080
Speaker 3: not an actor. I'm a movie star. And there's a difference.

1860
01:19:51,320 --> 01:19:53,800
Speaker 1: You know, A conversation that that that always comes up

1861
01:19:53,960 --> 01:19:56,040
Speaker 1: is black comedians wearing a dress?

1862
01:19:56,360 --> 01:19:56,599
Speaker 2: True?

1863
01:19:57,280 --> 01:19:58,600
Speaker 1: Why and what's your thoughts on it?

1864
01:19:59,240 --> 01:20:03,160
Speaker 3: It's hard when white dudes. Marlla Wayde said it so personally.

1865
01:20:03,200 --> 01:20:05,080
Speaker 3: When white dudes do it, man, their genius.

1866
01:20:05,120 --> 01:20:05,680
Speaker 1: When we do it.

1867
01:20:05,720 --> 01:20:08,240
Speaker 3: It's has something to do with our manhood. You know,

1868
01:20:08,880 --> 01:20:12,559
Speaker 3: it's it's art if it's a hit and it's funny.

1869
01:20:13,080 --> 01:20:15,800
Speaker 3: White Chicks was great, Big Mama House was great.

1870
01:20:16,240 --> 01:20:16,840
Speaker 1: You know what I mean?

1871
01:20:17,360 --> 01:20:20,439
Speaker 3: I know Marty, Marty is one of the manniest man's

1872
01:20:20,720 --> 01:20:21,479
Speaker 3: man's There is.

1873
01:20:23,840 --> 01:20:27,320
Speaker 1: Narry Johnson, basketball player, Grandmama, my.

1874
01:20:27,400 --> 01:20:34,680
Speaker 3: Mama, Flip Wilson, Geraldine understand bigger than Killer, kill you,

1875
01:20:35,479 --> 01:20:38,880
Speaker 3: the whole nine. And so it's just another, you know,

1876
01:20:39,280 --> 01:20:42,400
Speaker 3: another way to take shots at people that they want to.

1877
01:20:42,640 --> 01:20:47,120
Speaker 3: And what what's heartbreaking for me is as younger comedians,

1878
01:20:47,120 --> 01:20:49,920
Speaker 3: that's taking these shots at the people that paved the

1879
01:20:50,000 --> 01:20:52,439
Speaker 3: way for them, and it's sick.

1880
01:20:52,560 --> 01:20:55,040
Speaker 5: Now, talk to just about the between being broken in

1881
01:20:55,120 --> 01:20:56,640
Speaker 5: debt because you said at one point you were in

1882
01:20:57,080 --> 01:20:58,000
Speaker 5: the whole for three million.

1883
01:20:58,600 --> 01:21:02,400
Speaker 3: Yeah, man, see being broke that means you just ain't

1884
01:21:02,400 --> 01:21:04,920
Speaker 3: got no money. And that means even if you got

1885
01:21:05,000 --> 01:21:06,519
Speaker 3: some money, I give it to somebody else.

1886
01:21:09,520 --> 01:21:10,559
Speaker 1: I'm saying that's.

1887
01:21:10,479 --> 01:21:13,360
Speaker 3: The difference on it. And I was in depth because

1888
01:21:13,400 --> 01:21:15,960
Speaker 3: I was playing the game a lot of entertainers do.

1889
01:21:16,360 --> 01:21:18,920
Speaker 3: When I blow, I will take care of Uncle Sam

1890
01:21:19,080 --> 01:21:22,200
Speaker 3: during that time, and it never came you know what

1891
01:21:22,280 --> 01:21:27,160
Speaker 3: I mean. And Uncle Sam don't play. So now you

1892
01:21:27,240 --> 01:21:30,439
Speaker 3: know it didn't come to fruition on that point of

1893
01:21:30,520 --> 01:21:32,840
Speaker 3: blowing at that point. So now I just put the

1894
01:21:32,880 --> 01:21:36,080
Speaker 3: money to the side. And knowing him, you know, around April,

1895
01:21:36,479 --> 01:21:39,440
Speaker 3: I'm gonna get molested financially.

1896
01:21:41,360 --> 01:21:43,880
Speaker 1: Uncle Sam come. Oh, he comes, and they average up,

1897
01:21:43,880 --> 01:21:45,560
Speaker 1: they don't average it damage.

1898
01:21:45,560 --> 01:21:47,800
Speaker 3: And they let you. And see the thing about Uncle Sam,

1899
01:21:47,920 --> 01:21:51,000
Speaker 3: so good about it. He a sleeper sale. He allows

1900
01:21:51,200 --> 01:21:55,479
Speaker 3: you not to pay him until you fall off. Then

1901
01:21:55,520 --> 01:21:58,000
Speaker 3: he comes. See, and it's not the money that you

1902
01:21:58,240 --> 01:22:02,400
Speaker 3: owe him that gets you. It's the pilodies and it's

1903
01:22:02,479 --> 01:22:05,680
Speaker 3: usually more than the principal. So the best thing is

1904
01:22:05,800 --> 01:22:07,840
Speaker 3: so I'm like, okay. Once it took me to get

1905
01:22:07,840 --> 01:22:10,320
Speaker 3: out of it took me about six years to get

1906
01:22:10,360 --> 01:22:12,040
Speaker 3: to uh, to get out of that home.

1907
01:22:12,080 --> 01:22:15,280
Speaker 5: Oh uncle saying three million, Yeah, older them three million dollars.

1908
01:22:15,439 --> 01:22:18,880
Speaker 5: Jesus Christ got all of it on there. You know,

1909
01:22:19,280 --> 01:22:21,640
Speaker 5: Lord have Mercer earthquake. We appreciate you for joining us,

1910
01:22:21,640 --> 01:22:23,719
Speaker 5: brother man, thank you all for having me. Please follow

1911
01:22:23,800 --> 01:22:26,120
Speaker 5: me at the real earthquake. And I love you brother.

1912
01:22:26,240 --> 01:22:28,679
Speaker 5: Keep doing what you're doing. Man, you too, my brother

1913
01:22:28,800 --> 01:22:31,519
Speaker 5: God bless y'all, it's earthquake. It's the Breakfast Club. Good morning,

1914
01:22:32,240 --> 01:22:36,559
Speaker 5: the Breakfast Club. Morning everybody.

1915
01:22:36,600 --> 01:22:39,880
Speaker 1: It's j MV. Charlamagne the God. We are the Breakfast Club.

1916
01:22:39,920 --> 01:22:55,160
Speaker 1: It's time for past the oaks. Yeah, DJ comes send.

1917
01:22:56,960 --> 01:22:57,479
Speaker 3: What's uping?

1918
01:22:57,600 --> 01:22:59,360
Speaker 1: Not like at l what's up?

1919
01:22:59,479 --> 01:22:59,719
Speaker 9: Guys?

1920
01:23:00,240 --> 01:23:01,439
Speaker 1: You know people are calling me that.

1921
01:23:01,560 --> 01:23:01,680
Speaker 2: Now.

1922
01:23:02,000 --> 01:23:07,560
Speaker 1: Atlanta a combination a little. When I remember what you

1923
01:23:07,560 --> 01:23:10,479
Speaker 1: got done there, I think four more, no, three more,

1924
01:23:10,640 --> 01:23:15,960
Speaker 1: three more three more about three. I really like it, though, Like, yeah,

1925
01:23:16,000 --> 01:23:16,320
Speaker 1: I just did.

1926
01:23:16,520 --> 01:23:20,120
Speaker 17: I just love R and B with Keith bt Keith

1927
01:23:20,200 --> 01:23:22,599
Speaker 17: Thomas bt B cox a lot.

1928
01:23:22,840 --> 01:23:25,439
Speaker 1: Oh yeah, my whole girl. A portion was por and

1929
01:23:25,560 --> 01:23:29,280
Speaker 1: she pulled up. I really like Atlanta. It's it's different.

1930
01:23:29,320 --> 01:23:32,880
Speaker 1: It's different. New York's like party scene. I don't need

1931
01:23:32,920 --> 01:23:33,680
Speaker 1: you to like it too much.

1932
01:23:33,680 --> 01:23:36,760
Speaker 17: Okay, well no, I still like New York as well,

1933
01:23:36,800 --> 01:23:38,400
Speaker 17: but it's just different. And it's cool to be around

1934
01:23:38,439 --> 01:23:40,479
Speaker 17: your people. We all speak the same language.

1935
01:23:40,520 --> 01:23:42,360
Speaker 5: But you're tired of being around all these Spanish people

1936
01:23:42,360 --> 01:23:43,920
Speaker 5: in New York City. You can't take it no more.

1937
01:23:44,160 --> 01:23:47,120
Speaker 17: That's not what I said at all anyway, But being

1938
01:23:47,240 --> 01:23:49,960
Speaker 17: in Atlanta, I think it's only right that I start

1939
01:23:50,000 --> 01:23:53,600
Speaker 17: off with this new lotto and Anisia record called back Outside.

1940
01:23:55,800 --> 01:23:59,720
Speaker 5: A lot of something the other day, I don't know,

1941
01:23:59,760 --> 01:24:03,120
Speaker 5: it was something ticktack and she she might have been

1942
01:24:03,200 --> 01:24:05,479
Speaker 5: dancing to this song and it was hurling her and

1943
01:24:05,520 --> 01:24:06,360
Speaker 5: all her homegirls.

1944
01:24:06,560 --> 01:24:07,960
Speaker 1: And I was like, see, I like that energy. It

1945
01:24:08,000 --> 01:24:08,679
Speaker 1: was just the energy.

1946
01:24:09,680 --> 01:24:11,840
Speaker 6: It's TikTok. And I see she got a record. You know,

1947
01:24:11,920 --> 01:24:13,599
Speaker 6: jay Loo dropped the record too. She got a record.

1948
01:24:16,600 --> 01:24:19,479
Speaker 17: That Anicia is from her her hometown, so she's like

1949
01:24:19,880 --> 01:24:22,960
Speaker 17: bringing in the next dope generation even though she's still young,

1950
01:24:23,000 --> 01:24:23,519
Speaker 17: fresher hot.

1951
01:24:24,880 --> 01:24:27,920
Speaker 1: What dance was that, Charlamne, there's a lot of I

1952
01:24:27,960 --> 01:24:28,479
Speaker 1: don't think that.

1953
01:24:30,920 --> 01:24:34,800
Speaker 17: She was that look cool as The next record I'm

1954
01:24:34,800 --> 01:24:36,519
Speaker 17: gonna go with is with Rock Forrey and I and

1955
01:24:36,600 --> 01:24:37,120
Speaker 17: Lil Wayne.

1956
01:24:37,240 --> 01:24:38,920
Speaker 1: It's called with Sad Baby.

1957
01:24:39,960 --> 01:24:44,120
Speaker 5: That is one of the most toxic, hardest lines that

1958
01:24:44,240 --> 01:24:45,240
Speaker 5: before a thousand dollars.

1959
01:24:45,320 --> 01:24:52,360
Speaker 1: I call it my grandbaby. God damn Wing went crazy.

1960
01:24:52,479 --> 01:24:58,760
Speaker 1: That's sick? What ever that was called it my grand baby?

1961
01:24:59,479 --> 01:25:01,040
Speaker 1: That is? You like that line?

1962
01:25:01,200 --> 01:25:01,240
Speaker 3: No?

1963
01:25:01,439 --> 01:25:03,560
Speaker 17: I mean it's why would you want to call a

1964
01:25:03,640 --> 01:25:06,400
Speaker 17: woman that you the only line that you remembered from

1965
01:25:06,479 --> 01:25:08,680
Speaker 17: the record That's what stuck after me just now? Is

1966
01:25:08,720 --> 01:25:10,320
Speaker 17: that how you pronounced with baby?

1967
01:25:11,080 --> 01:25:14,400
Speaker 1: Say five thousand dollars? Called it my grandbaby? Okay, well

1968
01:25:14,560 --> 01:25:16,280
Speaker 1: that different? What's that baby?

1969
01:25:16,560 --> 01:25:18,400
Speaker 17: I'm trying to say it in the best New Orleans

1970
01:25:18,479 --> 01:25:21,559
Speaker 17: accent I can, Robert and not a little Wait, all right,

1971
01:25:21,840 --> 01:25:23,920
Speaker 17: then I'm gonna go with you were talking about Bobby

1972
01:25:23,960 --> 01:25:26,040
Speaker 17: Coott Well earlier, a white guy who can sing. It's

1973
01:25:26,080 --> 01:25:28,320
Speaker 17: this other guy named Jamison that I just discovered, and

1974
01:25:28,400 --> 01:25:29,799
Speaker 17: he got this new record called love.

1975
01:25:29,720 --> 01:25:34,519
Speaker 1: Me Sound Like a Little Little You're white? His name

1976
01:25:34,640 --> 01:25:35,759
Speaker 1: is what Jameson?

1977
01:25:35,880 --> 01:25:38,080
Speaker 5: Can't be white and be named after Darkling j M

1978
01:25:38,280 --> 01:25:40,240
Speaker 5: S nine. You can't be white and named after Donk

1979
01:25:40,479 --> 01:25:41,759
Speaker 5: call him absolute or something.

1980
01:25:43,920 --> 01:25:44,160
Speaker 8: You can.

1981
01:25:44,240 --> 01:25:45,759
Speaker 1: I'm not calling that white man James.

1982
01:25:48,439 --> 01:25:50,559
Speaker 5: Yes, I don't believe that what his mom and daddy

1983
01:25:50,640 --> 01:25:53,160
Speaker 5: names I don't know as Jake, what his real name is,

1984
01:25:53,560 --> 01:25:56,880
Speaker 5: Jesus Christ, you know what?

1985
01:25:57,200 --> 01:26:00,920
Speaker 1: But get into him. He's heavy, neo soul alternative that

1986
01:26:01,080 --> 01:26:01,679
Speaker 1: he's a vibe.

1987
01:26:01,880 --> 01:26:03,559
Speaker 17: And then, last, but not least, I got to shout

1988
01:26:03,560 --> 01:26:06,519
Speaker 17: out this meg record hiss that has caused the whole

1989
01:26:06,600 --> 01:26:09,200
Speaker 17: tobacco online. I saw you guys talking about it in

1990
01:26:09,240 --> 01:26:10,000
Speaker 17: the room or report.

1991
01:26:10,160 --> 01:26:11,040
Speaker 1: Well, Meghan called up.

1992
01:26:11,120 --> 01:26:12,960
Speaker 5: She called up this morning and she's asked her what

1993
01:26:13,080 --> 01:26:15,240
Speaker 5: she gonna be naming names, and she said, look, all

1994
01:26:15,360 --> 01:26:15,880
Speaker 5: all the hit.

1995
01:26:15,840 --> 01:26:18,600
Speaker 1: Dogs gonna hollow. Well, obviously, Nikki, I didn't know it

1996
01:26:18,680 --> 01:26:21,839
Speaker 1: was obviously that was that was obviously.

1997
01:26:21,960 --> 01:26:23,639
Speaker 17: But I woke up this morning I saw it online.

1998
01:26:23,720 --> 01:26:26,120
Speaker 17: So she started off the record with these hoes, don't

1999
01:26:26,160 --> 01:26:28,880
Speaker 17: be mad at Meghan. These hoes be mad at Meghan's law.

2000
01:26:29,200 --> 01:26:31,479
Speaker 17: So Meghan's Law is the name of a federal law

2001
01:26:31,520 --> 01:26:34,519
Speaker 17: in the US requiring law enforcement authorities to make information

2002
01:26:34,600 --> 01:26:37,599
Speaker 17: available to public regarding registered sex offenders.

2003
01:26:37,640 --> 01:26:40,479
Speaker 1: And that's sick. Okay. She didn't have no line for

2004
01:26:40,600 --> 01:26:43,600
Speaker 1: party or the baby. Who's the woman dancing? Who's the

2005
01:26:43,600 --> 01:26:45,719
Speaker 1: woman that made R Kelly go viral on TikTok? Who's

2006
01:26:45,720 --> 01:26:45,920
Speaker 1: that for?

2007
01:26:47,920 --> 01:26:49,599
Speaker 17: Don't write nothing else down Japan?

2008
01:26:50,120 --> 01:26:52,599
Speaker 1: So much to say on schedule conjugal visits or something.

2009
01:26:52,800 --> 01:26:57,120
Speaker 1: I don't see nothing about R Kelly retarded. It's getting weird.

2010
01:26:59,080 --> 01:27:00,800
Speaker 1: Oh we didn't play the right. Oh, let's hear it.

2011
01:27:01,040 --> 01:27:02,479
Speaker 5: I didn't even hear him making his long line when

2012
01:27:02,479 --> 01:27:03,840
Speaker 5: I first heard it. Now I heard it, make all

2013
01:27:03,880 --> 01:27:06,560
Speaker 5: the sense in the world. Oh yeah, she said that

2014
01:27:06,680 --> 01:27:09,200
Speaker 5: was dancing, making all Kelly go viral. Men who hate

2015
01:27:09,240 --> 01:27:11,479
Speaker 5: on bbls and have the same scars. So those are

2016
01:27:11,479 --> 01:27:12,800
Speaker 5: a couple of the distances. Of course, we know what

2017
01:27:12,880 --> 01:27:14,920
Speaker 5: the JPEGs and money conjugal visit line is.

2018
01:27:14,960 --> 01:27:17,360
Speaker 1: That's the Tory. Hey man, all's fair and love and rap.

2019
01:27:17,439 --> 01:27:19,120
Speaker 5: I mean, listen, I was born in nineteen hundred and

2020
01:27:19,160 --> 01:27:21,720
Speaker 5: seventy eight, So there's nothing that somebody's gonna say on

2021
01:27:21,760 --> 01:27:23,960
Speaker 5: a rap record that's gonna offend me. I just want

2022
01:27:24,000 --> 01:27:26,640
Speaker 5: everybody to keep the same energy for everybody, because it

2023
01:27:26,680 --> 01:27:29,280
Speaker 5: feels like there's a double standard a lot of the time.

2024
01:27:29,479 --> 01:27:32,160
Speaker 5: Question Nyland, is it fair for Nikki to do the

2025
01:27:32,200 --> 01:27:34,960
Speaker 5: big foot line making fun of a woman who got

2026
01:27:34,960 --> 01:27:35,599
Speaker 5: shot in the foot?

2027
01:27:36,160 --> 01:27:39,360
Speaker 1: It's fair? I mean, there's no fair, Okay, I'm just.

2028
01:27:39,400 --> 01:27:42,240
Speaker 5: Asking, just asking because because because when guys do what,

2029
01:27:42,280 --> 01:27:44,200
Speaker 5: everybody gets upset, because there's been guys that have done

2030
01:27:44,240 --> 01:27:45,200
Speaker 5: that to make too well.

2031
01:27:45,280 --> 01:27:47,360
Speaker 17: I think people are going harder on men doing it

2032
01:27:47,479 --> 01:27:48,280
Speaker 17: because it's a man.

2033
01:27:48,200 --> 01:27:50,160
Speaker 1: Who shot her, or maybe it was a random shot.

2034
01:27:50,280 --> 01:27:54,320
Speaker 1: But shouldn't a woman feel more infudite but a woman experience?

2035
01:27:54,439 --> 01:27:58,519
Speaker 17: But I feel like there should be no gender on empathy,

2036
01:27:58,680 --> 01:28:01,439
Speaker 17: Like you should just have empathies towards somebody going towards something,

2037
01:28:01,479 --> 01:28:03,120
Speaker 17: regardless if it's a man versus woman.

2038
01:28:03,439 --> 01:28:05,439
Speaker 1: But like what you're saying, it's war.

2039
01:28:05,600 --> 01:28:07,360
Speaker 5: So it's kind of like and by the way, we're

2040
01:28:07,400 --> 01:28:09,519
Speaker 5: all full of it because everybody can say something that

2041
01:28:09,600 --> 01:28:13,120
Speaker 5: hurts your feelings. I don't have any feelings that I show,

2042
01:28:14,520 --> 01:28:18,560
Speaker 5: so you'll never see me. You don't react like that

2043
01:28:18,720 --> 01:28:22,080
Speaker 5: in public. But everybody has something that is their thumb

2044
01:28:22,120 --> 01:28:24,559
Speaker 5: screw that will like piss them off in some way.

2045
01:28:24,560 --> 01:28:28,320
Speaker 1: Ship, So are you saying that the law saying, we're

2046
01:28:28,360 --> 01:28:28,880
Speaker 1: all saying.

2047
01:28:29,120 --> 01:28:32,160
Speaker 5: We're all saying all fair and loving war until somebody

2048
01:28:32,240 --> 01:28:35,120
Speaker 5: says something we don't like about us, and then we're

2049
01:28:35,160 --> 01:28:36,320
Speaker 5: like that person went too far.

2050
01:28:37,040 --> 01:28:44,240
Speaker 1: That's what I'm saying. Yeah, it's messy, it's messy. It's mess.

2051
01:28:44,320 --> 01:28:46,200
Speaker 1: It ain't no point to try to make any logical

2052
01:28:46,240 --> 01:28:48,600
Speaker 1: sense of it. It's mess. It's a whole bunch of

2053
01:28:48,760 --> 01:28:50,519
Speaker 1: noise and people are entertained.

2054
01:28:50,600 --> 01:28:52,080
Speaker 17: But do you think it's going to be just like

2055
01:28:52,160 --> 01:28:54,719
Speaker 17: a Because you think it's gonna be mad beef records

2056
01:28:54,800 --> 01:28:57,720
Speaker 17: coming now for I think I'm all for if they

2057
01:28:57,800 --> 01:29:00,840
Speaker 17: keep it in the before that as long as if

2058
01:29:00,880 --> 01:29:03,240
Speaker 17: you said something earlier, that's true when we say keep

2059
01:29:03,320 --> 01:29:04,160
Speaker 17: it on the records.

2060
01:29:04,240 --> 01:29:07,080
Speaker 5: Nowadays, we're not even talking about street stuff. Now we're

2061
01:29:07,080 --> 01:29:08,840
Speaker 5: talking about don't do none of the goofy stuff like

2062
01:29:08,880 --> 01:29:11,320
Speaker 5: go to social media and get on Instagram live, don't

2063
01:29:11,400 --> 01:29:14,320
Speaker 5: be tweeting, don't be doing sketches, getting that booth and

2064
01:29:14,400 --> 01:29:15,160
Speaker 5: make some records.

2065
01:29:15,280 --> 01:29:18,640
Speaker 17: Yeah, well, yes, thank you guys, and make sure if

2066
01:29:18,680 --> 01:29:21,000
Speaker 17: you guys are in La Grammy Weekend, we're gonna be

2067
01:29:21,040 --> 01:29:24,040
Speaker 17: kicking it office Certified Vibe Live, which is of course

2068
01:29:24,080 --> 01:29:25,920
Speaker 17: to spin off of the past the Arc segment and

2069
01:29:25,960 --> 01:29:27,640
Speaker 17: it's an R and B night. So we actually have

2070
01:29:27,720 --> 01:29:30,799
Speaker 17: Grammy nominated artist Kenyon Dixon here in the stage, followed

2071
01:29:30,840 --> 01:29:35,519
Speaker 17: by Josh Levi, Leighton Green, Odena Daru, Jack Freeman. So

2072
01:29:35,640 --> 01:29:37,000
Speaker 17: we have a good little lineup. So to make sure

2073
01:29:37,000 --> 01:29:38,519
Speaker 17: you guys pull up on me at the Peppermint Club.

2074
01:29:38,880 --> 01:29:40,160
Speaker 1: All right, thank you, Nala.

2075
01:29:40,240 --> 01:29:41,840
Speaker 6: When we come back, we got the People's Choice mix.

2076
01:29:41,880 --> 01:29:44,320
Speaker 6: It's the Breakfast Club. Good Morning, the Breakfast Club. Your

2077
01:29:44,400 --> 01:29:48,439
Speaker 6: mornings will never be the same. Good morning, everybody in

2078
01:29:48,520 --> 01:29:52,120
Speaker 6: stej n V Charlamagne de goud We are the Breakfast Club.

2079
01:29:52,360 --> 01:29:54,560
Speaker 1: We got a salute to DMC from run DMC for

2080
01:29:54,680 --> 01:29:57,160
Speaker 1: joining us this morning, the legend DMC. Man, make sure

2081
01:29:57,200 --> 01:29:59,320
Speaker 1: you go get everything DMC got out, DMC.

2082
01:30:00,040 --> 01:30:02,280
Speaker 5: Darrow makes comics, he got a comic book out, he

2083
01:30:02,360 --> 01:30:04,919
Speaker 5: got his memoir out Ten Ways and Not Commit Suicide.

2084
01:30:05,080 --> 01:30:07,519
Speaker 5: He got a children's book out, Daryl's Dream. And he's

2085
01:30:07,560 --> 01:30:09,200
Speaker 5: got cookies DMC cookies.

2086
01:30:10,439 --> 01:30:11,400
Speaker 1: Arrol makes cookies.

2087
01:30:11,479 --> 01:30:11,639
Speaker 2: Man.

2088
01:30:11,920 --> 01:30:14,360
Speaker 5: I love to see people you know, creating product and

2089
01:30:14,400 --> 01:30:18,200
Speaker 5: pushing their product. So salute to the icon DMC. All right,

2090
01:30:18,320 --> 01:30:22,800
Speaker 5: and they got their documentary documentary February first, called Doctor

2091
01:30:22,840 --> 01:30:25,400
Speaker 5: Series on Pea Cock King from Queens.

2092
01:30:25,479 --> 01:30:28,439
Speaker 1: That's right. And also Earthquake, oh.

2093
01:30:28,400 --> 01:30:31,080
Speaker 5: Man, Salute to the good brother Earthquake Man, hilarious, one

2094
01:30:31,120 --> 01:30:33,280
Speaker 5: of the best out here, doing it always for years,

2095
01:30:33,320 --> 01:30:37,280
Speaker 5: from def Comedy Jam, the BT Comic View to you

2096
01:30:37,360 --> 01:30:39,920
Speaker 5: know everything he's doing now he's got a show on

2097
01:30:40,040 --> 01:30:41,880
Speaker 5: serious satellite radio Quake's House.

2098
01:30:42,040 --> 01:30:43,439
Speaker 1: So salute to the good brother Earthquake.

2099
01:30:43,880 --> 01:30:44,240
Speaker 3: All right.

2100
01:30:44,479 --> 01:30:45,080
Speaker 1: When we come back.

2101
01:30:45,120 --> 01:30:48,880
Speaker 6: Positive notice to Breakfast Club, Good morning Wanning everybody, adj NV,

2102
01:30:49,120 --> 01:30:49,880
Speaker 6: Charlamage the guy.

2103
01:30:49,960 --> 01:30:51,559
Speaker 1: We are the Breakfast Club. Is shot to get hu

2104
01:30:51,560 --> 01:30:53,040
Speaker 1: out of here. Charlamon, you've got a positive note?

2105
01:30:53,240 --> 01:30:55,200
Speaker 5: I do, man, and you know the positive note is

2106
01:30:55,400 --> 01:30:58,280
Speaker 5: just about no one when to move on, right knowing

2107
01:30:58,320 --> 01:30:58,880
Speaker 5: when to move on.

2108
01:30:59,040 --> 01:30:59,960
Speaker 1: So so it's it's simple.

2109
01:31:00,439 --> 01:31:02,519
Speaker 5: It's okay to walk out of someone's life if you

2110
01:31:02,680 --> 01:31:05,080
Speaker 5: don't feel like you belong in it anymore.

2111
01:31:05,400 --> 01:31:08,240
Speaker 1: Have a blessed day, breakfast club bitches, do y'all finished

2112
01:31:08,320 --> 01:31:08,840
Speaker 1: or y'all done