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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I Heart Radio and his drinks as motherfucking podcast Mason,

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Speaker 1: He's a legendary queen's rapper. He'sagre's your boy in no

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Speaker 1: r E. He's a Miami hip hop pioneer, up his

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Speaker 1: DJ e f N. Together they drinking up with some

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Speaker 1: of the biggest players in the most professional, unprofessional podcast.

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Speaker 1: And yet number one sort for drunk fast drink is

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Speaker 1: New year Z. That's for Drink Champs, Drink up the

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Speaker 1: would it good be? Hopefully it should be? This is

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Speaker 1: your point in O R What up is d J

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Speaker 1: e f N? And this hip Drink Camps? Where is he?

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Speaker 1: Row Radio? Big ship? And Uh? This I would like

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Speaker 1: to say, is I guess not? I guess I'm sure

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Speaker 1: quite possibly. Uh this is one of the specialist episodes.

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Speaker 1: I don't know specialist. It's not a word, not the

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Speaker 1: way I used it. Um when we die second, deteriorate

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Speaker 1: and put it together and take a part and put

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Speaker 1: together album album that in a lot of ways, you know,

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Speaker 1: I wouldn't be here, A lot of people sitting at

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Speaker 1: this table wouldn't be here. This show probably wouldn't exist.

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Speaker 1: Um that that legal marijuana that's standing in front you

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Speaker 1: might not exist. Uh, you know once of this beautiful

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Speaker 1: things that we got going on, whenn't is this for

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Speaker 1: this album? But putting this album together with a lot

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Speaker 1: of people don't know was it was a lot of kinks.

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Speaker 1: It was a lot of things behind the scenes, a

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Speaker 1: lot of things in front to see means. So when

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Speaker 1: I thought about it, I said, wow, this we're coming up.

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Speaker 1: I wanted to invite people, not only the artists, because

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Speaker 1: a lot of times when something is great, people always

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Speaker 1: credit the artists and they don't understand that people that's behind,

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Speaker 1: Who's who's helping booking these sessions, who's calling these producers,

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Speaker 1: who's putting it together, who's cutting the check? Pick up

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Speaker 1: Edward Holmes, I don't know why I just thought of happen.

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Speaker 1: Don't know how to think of the counting. I'm a

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Speaker 1: foul guy. I don't know why it's just crossing me.

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Speaker 1: But but you don't everyone marketing to retail. You don't

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Speaker 1: know how good this is until you don't have it.

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Speaker 1: You know. I can't remember working in this record label

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Speaker 1: that I'm about the you know, introduce and it was

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Speaker 1: like twelve workers, and I've you know, I remember getting

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Speaker 1: things done. I remember going to label after that with

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Speaker 1: three thousand workers, and the market of the New Warkmer

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Speaker 1: booked me to the same town as the retail department,

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Speaker 1: and and then the raidar of department book at the

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Speaker 1: same time, and I was like, don't you motherfucker's cap

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Speaker 1: on the came I realized no, they don't. So being

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Speaker 1: on this little boutique label meant something. So in case

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Speaker 1: you don't know what I'm doing right now, what we're

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Speaker 1: doing is we're not only introducing the War Report, people

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Speaker 1: who signed it, to people who put it together, the

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Speaker 1: people who you know was there when the group first

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Speaker 1: got fromm and the people who did it. But we're

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Speaker 1: gonna uh show some love to that album. So in

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Speaker 1: case you don't know who we talked about right now,

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Speaker 1: to my right, to my left, we got made him

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Speaker 1: motherfucking in the build that makes me, Greg Taylor, Greg Taylor,

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Speaker 1: made him good, damn it, uh Martin motherfucking more. We

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Speaker 1: got the motherfucking guy that put it all together and

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Speaker 1: made it all happen, Neil motherfucker. Then we got Geno

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Speaker 1: Sims I think was like the intern. He was like

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Speaker 1: he was like the real Nick got the front desks

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Speaker 1: and ship. You know, even from that said the big one,

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Speaker 1: and then from that and then even before me and

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Speaker 1: Poem actually got together, this was one guy who knew

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Speaker 1: Capone and there was one guy who knew Norry and

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Speaker 1: on on that level. Put it all together. In case

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Speaker 1: you don't know, we talk about talking about tragedy, motherfucker's

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Speaker 1: and the last but not least God did that. We

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Speaker 1: shared a lot of marijuana and jail and we smoked

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Speaker 1: Bible papers together. I'm not proud of this. It's just

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Speaker 1: something that's happened. And now we are home together. I

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Speaker 1: just had a daughter graduate college who well you know

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Speaker 1: what I'm saying. So case you don't know Capone and

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Speaker 1: Noriega not Compone, I'm gonna obviously start with you because

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Speaker 1: this has been these famous stories of how we met

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Speaker 1: and what we met because really, really what what was

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Speaker 1: our first plans when we first met each other in jail? Well,

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Speaker 1: I really first plans was basketball? Like it was it was.

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Speaker 1: It was basically like, Yo, how can I get you

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Speaker 1: to my side of my jail to play basketball with me?

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Speaker 1: Because you're nice, but your side of the jail got

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Speaker 1: no players, but y'all want the championship because you was

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Speaker 1: on the team. I pick up Sherman the world like

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Speaker 1: it was. It was intricate, possible because he was like

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Speaker 1: your mimi. He was like your mommi because yeah, yeah,

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Speaker 1: let's give it up. Alo was my novel. It wasn't

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Speaker 1: for then too. We won't be together. And Billy Wade

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Speaker 1: like church, church, church church when we met at church,

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Speaker 1: and it was like all that was our past time.

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Speaker 1: But we had to have a common ground where we

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Speaker 1: could meet and that was the basketball call. So yes,

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Speaker 1: side of the jail having to play my side of

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Speaker 1: the jail. We had Kurt James who played with Magic Johnson.

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Speaker 1: By the way, Kirk James was dopey, went Toto University

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Speaker 1: of Michigan, went to the NBA, blew his knee out.

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Speaker 1: It became correction office. So if that's what you want

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Speaker 1: to call it. Hello, You guys didn't know each other

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Speaker 1: before jail. This is this is where the first time.

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Speaker 1: But I knew of him because the school that he

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Speaker 1: got kicked out of, I got kicked out. I went

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Speaker 1: to do that. It's terrible, but he got kicked out.

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Speaker 1: I think you got kicked out, graduated graduate. When he

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Speaker 1: left there, I went to one. And that's like the

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Speaker 1: first time my encountered with Queen's Ridge period because although

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Speaker 1: it wasn't Queen's Bridge, it was bliss. Yeah. So that's

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Speaker 1: a seven train, seven train and then you actually see

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Speaker 1: you guys projects. But I really didn't know I had.

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Speaker 1: I had met somebody name l J. Yes, okay, so

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Speaker 1: he was finishing. But like it's basically like, you know,

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Speaker 1: what's crazy is that when you look at it, like,

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Speaker 1: you know, our age, we've grown now and all that.

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Speaker 1: But we was like neck and neck of life high school,

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Speaker 1: the junior high school I went to, he went to

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Speaker 1: after I graduate. The jail that I went to he

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Speaker 1: went to after I left. I want to know. So

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Speaker 1: we was writing neck and neck or meeting each other,

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Speaker 1: but we didn't meet to Hall of Valley. We didn't

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Speaker 1: get to that level. And then it was straight basketball.

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Speaker 1: We never talked about music. It was straight basketball. And

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Speaker 1: then I got him pulled to the college dome. He

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Speaker 1: trying trying to floor, you know, but you know, I

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Speaker 1: got my brother pulled to my house and shout out

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Speaker 1: to shot is out there right now. He was with

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Speaker 1: us there's a lot of people that I met in

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Speaker 1: the fifteen six t old age bracket that we're still together.

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Speaker 1: Now that's a but this is one of the things

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Speaker 1: that made it. One of the brothers that made a difference.

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Speaker 1: But you know, we got to basketball, and then the

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Speaker 1: first time we met, he was like, you don't play

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Speaker 1: no deal on me. I don't play no deal on you.

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Speaker 1: We had had from then, you know, we got we

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Speaker 1: got him pulled to my house, shout out to pans.

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Speaker 1: You know, yeah, you know what I'm saying. He got

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Speaker 1: he got a pull to the crib. And then from

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Speaker 1: there was history. We never talked, music, was basketball, selling drugs.

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Speaker 1: It was it. And that became my best friend in

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Speaker 1: jail besides what is exactly but but okay, now coming home, No, no,

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Speaker 1: that that's that's in jail. But coming home now we

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Speaker 1: spend all time now coming home. You and compone knew

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Speaker 1: each other prior to seeing each other upstate, Because when

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Speaker 1: did y'all first seeing each other? Didn y'll see each

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Speaker 1: other in Yorktown? Or where was y'all like, y'all, Now,

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Speaker 1: I wasn't I wasn't short. I was doing one thing,

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Speaker 1: and then he was in New York doing another and

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Speaker 1: my man, Wonderful, Wonderful hooked us up together. I came

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Speaker 1: to the studio and Tragic, Yeah, wonder formula, no no

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Speaker 1: nomber league from Southside. Okay, okay, but he was like trash.

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Speaker 1: It was like, you know what I'm not, I'm not

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Speaker 1: really feeling that ship. Let's get the funk out of here.

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Speaker 1: And we left by the way. Jam Mass and J

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Speaker 1: was there, studio Jams and J Studio. We boog east

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Speaker 1: in peace, rest in piece. We boogied on very carefully,

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Speaker 1: and we became at that point because as I remember, y'all,

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Speaker 1: y'all unless your daughter you walked in, that's my wife

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Speaker 1: by because I was like, it was I know you,

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Speaker 1: I know, I know, and these guys can attest to

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Speaker 1: me because y'all was like the horny month on b

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Speaker 1: First of all, no question, that's you know, I don't

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Speaker 1: investigative reporter, right my lady I'm talking to but you know, yeah,

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Speaker 1: we're not gonna let you slide like you wasn't. You

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Speaker 1: didn't have to. Ye had the pocket. I used to

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Speaker 1: hang out with book Rock. I had the pocket else, yes,

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Speaker 1: nor know what I'm saying is so what was what

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Speaker 1: was initially? Yeah, just be clear because just because you're

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Speaker 1: from Queen's Bridge don't mean you get along. That's true,

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Speaker 1: you know what I'm saying. And you from an enemy

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Speaker 1: block almost right, you're from Vernon, y'all, from an enemy

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Speaker 1: block according to his block, and you from an enemy

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Speaker 1: block according to your block. M you're talking about the ship?

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Speaker 1: What do you want to be great outside? But so

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Speaker 1: what I'm saying this y'all, y'all the time, y'all link up?

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Speaker 1: How does this? It was like, it was like this

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Speaker 1: man um okay, I think it was wonderful. He's like, Yo,

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Speaker 1: you don't know my man, you know? And I was like,

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Speaker 1: now who that good one? So he was now who that?

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Speaker 1: He was like, Yo, that's ky. I was like, because

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Speaker 1: you know, it sounds a little a little younger than me.

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Speaker 1: So I'm like, it's like a rose, sir, than anybody

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Speaker 1: else wants from Champagne. What do you guys? You know

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Speaker 1: you're like some champagne? Would you what would you like?

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Speaker 1: You know? I heard you ain't drinking a long time today.

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Speaker 1: There was four years ago, so so but I guess

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Speaker 1: I think you stood me. I guess what was what

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Speaker 1: was it like, Um, wasn't the fact that you know

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Speaker 1: what I'm saying. Uh, it was the queen's weird thing

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Speaker 1: or was it not? It was just we vibed like

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Speaker 1: we vibed in Um that was a queen'st thing. Because

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Speaker 1: if I don't know trash like I know trash queens Bridge,

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Speaker 1: that I won't have went down. It wasn't a queensbridt

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Speaker 1: thing for me. It was because I didn't know him.

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Speaker 1: I knew a story of him. So when the story

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Speaker 1: got put from me, I was like, oh, that's saying

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Speaker 1: that's the number man. I mean at the time, whatever

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Speaker 1: piece of the big, big, big big b the o G.

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Speaker 1: Can't you do love him? Um? Yeah? So I was like, oh,

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Speaker 1: I heard that story, that's what. Yeah. So I was like,

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Speaker 1: I heard that story. I remember the story, and I'm

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Speaker 1: shooting the police. I didn't say that, but I just

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Speaker 1: remember the story. I remember a specific story and this

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Speaker 1: story that story. So when I heard that story, I

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Speaker 1: was like, oh, wre that Sun. I'm looking at him

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Speaker 1: like you know, look, I mean he looked all you know,

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Speaker 1: and me and him clicked up and m man just

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Speaker 1: clicked up. Were is separable since then? And um, there's

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Speaker 1: been a lot going on since then. Okay, so now boom,

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Speaker 1: moving on to you. Now, how do you in tragedy

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Speaker 1: even link up? Did you have a relationship or was

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Speaker 1: that Martin Moore? Well, I actually knew Trash because you know,

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Speaker 1: I promoted you know, his records because until round the

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Speaker 1: little music that's been round the glow was really popping,

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Speaker 1: and you were signed. It was tough. Yeah, heaven, you know. So,

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Speaker 1: so he had a deal. So we met and I

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Speaker 1: was promoting and stuff. Then Martin brought the guys and

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Speaker 1: he said, you know Trash. Yeah, he brought the guys in,

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Speaker 1: brought you guys in. You know what I'm saying. You

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Speaker 1: guys had a relationship prior to that, yeah, yeah, okay, yeah, yeah,

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Speaker 1: already been formed or not yet, just around the globe,

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Speaker 1: round the globe, and Martin originally started working around the

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Speaker 1: globe music. It was radio promotion. He was not a

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Speaker 1: good plot listening to the old tag thing and when

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Speaker 1: you cool, I mean classic, classic, classic, and what was

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Speaker 1: that college radio at the time. That's interesting, man, that's

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Speaker 1: what so. So okay, so Martin would be my radio

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Speaker 1: promoter and someone would come in and be ready to

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Speaker 1: you know, pay, you know, pay us to promote director

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Speaker 1: Martin be like, it's okay, It's like at least he'sn't

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Speaker 1: gonna work very tough. I said, I want to start

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Speaker 1: up label, and when I do, I want to bring

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Speaker 1: you in on that side. And you know, kicking strain.

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Speaker 1: So Marty and I go back along. He has a

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Speaker 1: tough Clen't you tell me my girls don't calm down? Good?

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Speaker 1: I said, I'm I'm gonna try to go too fast

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Speaker 1: to go back to that. So okay, I'm doing understand Now,

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Speaker 1: how about you and Martin? Did you know him? I've

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Speaker 1: seen Martin around, like, you know, we're in the same

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Speaker 1: kind of we're in the same arena sort of speak.

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Speaker 1: So I would see Martin around, but you know, Mark

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Speaker 1: is quiet, and then I wasn't really too much of

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Speaker 1: a social person in that way if I know you,

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Speaker 1: but I definitely remember seeing him, and so when it

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Speaker 1: made it easier to like kind of paulay a meeting

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Speaker 1: with him and connect with him, you know what I'm saying,

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Speaker 1: because he was always always smooth and quiet. But it

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Speaker 1: was it was good motion for us to line up

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Speaker 1: and me to come through and play the ship for him,

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Speaker 1: and when I played it for him, he was feeling it,

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Speaker 1: know what I'm saying, definitely feeling Okay. Now I made

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Speaker 1: him same question almost did you have a relationship with Neil?

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Speaker 1: How did how did this this happen? I meant Neil

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Speaker 1: to Martin? Okay, So me and Martin did UH and

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Speaker 1: Yu together. I used to listen to like you was

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Speaker 1: in the cage radio. Now I noticed you say, Yeah,

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Speaker 1: I STI listened to like all like the underground radio shows.

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Speaker 1: And I used to listen to him when I was

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Speaker 1: in high school. So when I got into n y U,

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Speaker 1: I gave a tape and I said, Yo, you need

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Speaker 1: a d J. I need to DJ. He was like, oh, world,

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Speaker 1: all right, listen to t is that you kind of right?

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Speaker 1: And then he brought me on and that we did

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Speaker 1: the show together and I didn't want you okay, And

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Speaker 1: then I brought him on. He prought me on twice. Now,

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Speaker 1: how did you get him just involved with this? Well,

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Speaker 1: it's crazy because it was it was actually two ways, right, Okay.

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Speaker 1: So I used to hustle with a guy by the

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Speaker 1: name of el nessl Nest my man. Yes, who's friends

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Speaker 1: with Jula? Yeah, yeah, you know from my hood. But

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Speaker 1: me and Alice the hustle together and once to nine

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Speaker 1: and he was like, Yo, I'm doing my thing in

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Speaker 1: radio boom boom, you know. And I was like, yeah,

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Speaker 1: I'm trying to get into music, but I want work

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Speaker 1: behind the scenes. So he was like, yo, you come up,

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Speaker 1: just you know, come up and figure out the day

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Speaker 1: to come up. So I was like, all right, cool.

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Speaker 1: So then when I went up, I started in and

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Speaker 1: I went into Kylin Williams. I know Colin Williams through

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Speaker 1: Pete Rock and I was cool with Pete and his

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Speaker 1: brother grab from when I used to try to get

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Speaker 1: you know, wrap and get into music because used to rap. Yeah,

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Speaker 1: I heard about that. It was good. It was it

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Speaker 1: was to cowing. That was cowing the m messing and

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Speaker 1: you know wims and started off with that and you know,

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Speaker 1: answer the phones ordering you tuna, milks and all that.

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Speaker 1: Pluck you pluck you, suck you luck. You know the

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Speaker 1: guy who did Animal Doug Onna pluck you. He owns

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Speaker 1: pluck you right now. Yeah, the guy who did it,

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Speaker 1: the guy did this kid you. Oh yeah, he brought

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Speaker 1: you and he was just working at at the time. No,

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Speaker 1: this skit he's figuring out. He figured out he was

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Speaker 1: the first, like vibral not being environed. We got to

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Speaker 1: you just get helped him buying. Yes, George, that's the

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Speaker 1: real right. So because I look at Rockefeller, right, and

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Speaker 1: you got all these beautiful stories, you say, all right, cool,

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Speaker 1: but this all comes from this one tree. When you

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Speaker 1: got you know, airing over here and all this, and

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Speaker 1: I look at that penalty, I said, wow, we got

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Speaker 1: we had a lot of great people who work that penalty.

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Speaker 1: Did y'all know that this little boutique label was the

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Speaker 1: magical label? Did you know that? Now? Well, I knew

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Speaker 1: we were doing some special stuff and and I just

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Speaker 1: you know, you just felt the vibe. So yeah, I

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Speaker 1: knew something special was happening. Uh Did I know it

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Speaker 1: would be sitting here twenty five years? Uh? No? Who

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Speaker 1: could have imagined that drinking drink one rose rose or

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Speaker 1: I'm drinking the goal, give the goal, given the goal,

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Speaker 1: Keep drinking the rose Rose tras you want to get

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Speaker 1: some rolls? You know all of this getting the rolls.

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Speaker 1: Eg she didn't want TV. We're gonna make I don't

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Speaker 1: know he wants the rose the rose with you? Brother?

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Speaker 1: Come on, let's go. You can probably do one. It's okay,

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Speaker 1: it's okay, whatever whatever you want. Okay, So foom, Because

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Speaker 1: wasn't the label before you moved on? What's in it

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Speaker 1: on twenty five street? That first street? Yeah, that's that's

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Speaker 1: where street all the flowers used to be outside a

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Speaker 1: lot of comment, Oh it's real, it's very really tracks

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Speaker 1: kind of going back like some time to say one thing.

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Speaker 1: So penalty started, and you know, you know really with

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Speaker 1: round the Blow, it was really popping in those days.

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Speaker 1: So Martin was actually the first person I brought over

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Speaker 1: to the penalty. So round the Blow it was on

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Speaker 1: twenty eight Street. And then when penalty started popping, then

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Speaker 1: I started moving the people from around the globe to

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Speaker 1: the label. But you know, twenty street was was great

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Speaker 1: to us. And then we st far on and that

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00:20:13,000 --> 00:20:16,040
Speaker 1: was next to job. That's right down to the factory studios,

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Speaker 1: down the plot Form VI, which was of course the

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Speaker 1: street which was up the block, and of course the

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Speaker 1: street from No but wasn't we had the rooftop. Right

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Speaker 1: at the rooftop, we had the roof. Let me see

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Speaker 1: you out there all the time. We didn't have no

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Speaker 1: place to hang out. We knew we could go to

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Speaker 1: twenty Street on the roof, hang out the plug A

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Speaker 1: freedom there, like you said, it was a freedom there.

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Speaker 1: And I think that's one of the important things about

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Speaker 1: a label light Penalty, because when you have a boutique label,

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Speaker 1: it's not generic. There's not people afraid to take chances

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Speaker 1: sometimes lessons more like you said earlier, the ten people there,

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Speaker 1: three thousand people over there, but the three thousand people

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Speaker 1: couldn't get it right because the ten were focused and

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Speaker 1: they were willing to take chances. And that's what games

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Speaker 1: labels like that. And I gotta commend you know, Neil

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00:21:12,400 --> 00:21:15,960
Speaker 1: vaughtin Mayhem, Bubba Gino. That's what gave labels like that

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Speaker 1: a strength because they weren't afraid to take chances. Other

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Speaker 1: labels like that assisted only other labels that that assisted

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Speaker 1: like that def Jam did later started, but I would

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Speaker 1: give it to Loud. Yeah. Actually, Steve, Steve knew how

347
00:21:31,520 --> 00:21:38,680
Speaker 1: to what's the fractionally la Yes, yes, yes, but yes, yes, yes, raucus.

348
00:21:39,000 --> 00:21:42,520
Speaker 1: But the Penalty already have its Tommy Boy distribution when

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Speaker 1: you started. Yeah, I mean I started, and then I

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Speaker 1: did the deal with Tom Hillman Tommy Boy. I had

351
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Speaker 1: another Lay. But before that Assault Records at the DFC

352
00:21:52,520 --> 00:21:56,159
Speaker 1: that was part of Atlantic. That's right. So and then

353
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Speaker 1: I didn't make money from it, and I spent all

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Speaker 1: my own money promoting and I said, oh, this doesn't work.

355
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Speaker 1: Can I went. I went to to you know, Atlantic,

356
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Speaker 1: and said, hey, let's change the deal. It's like, nah,

357
00:22:04,440 --> 00:22:06,560
Speaker 1: we're good. So that's when I did the deal. I

358
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Speaker 1: started another label because they owned the name I was

359
00:22:10,040 --> 00:22:13,000
Speaker 1: in business with him, I started Penalty. And since since

360
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Speaker 1: I was promoting a lot of the Tommy Boy records

361
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Speaker 1: back then, it just kind of made sense. So boom,

362
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Speaker 1: get to it. We established everyone knows each other. That

363
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Speaker 1: is that is good about Okay, now crazy, No, I want.

364
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Speaker 1: I wanted This is why I wanted to start Trash.

365
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Speaker 1: And I actually wanted to access in front of the

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Speaker 1: trash just because even when I were announcing that I

367
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Speaker 1: was signing with Trag, right, Trag had a certain repetition, Right,

368
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Speaker 1: he had a certain like yo, it was certain things

369
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Speaker 1: that came with doing business with Trad. Did that was

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Speaker 1: that ever reflected on y'all? Like when you heard about

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Speaker 1: the group, did you did you hear about the group

372
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Speaker 1: or did you hear about you? Know, like things that

373
00:22:59,400 --> 00:23:03,960
Speaker 1: happened was was attached to track? Not really. I I

374
00:23:04,119 --> 00:23:06,760
Speaker 1: really love Trash, so I had a relationship and so

375
00:23:07,200 --> 00:23:09,639
Speaker 1: I didn't I didn't know that didn't That wasn't a

376
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Speaker 1: factor at all, you know, how about you? Yeah? Not

377
00:23:13,320 --> 00:23:16,359
Speaker 1: for me, it didn't really it wasn't a factor. I mean,

378
00:23:16,480 --> 00:23:19,600
Speaker 1: it wasn't really like relevant to be signed. It was

379
00:23:19,640 --> 00:23:21,919
Speaker 1: just like the music was there. It was like, all right,

380
00:23:22,040 --> 00:23:25,080
Speaker 1: that's it. It wasn't even his business. Antics wasn't even

381
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Speaker 1: a factory. And didn't you write gard because for the

382
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Speaker 1: most part, you're you're knowing more than the label. You

383
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Speaker 1: know what I'm saying. There already a legend. What made

384
00:23:35,600 --> 00:23:38,240
Speaker 1: you say? I'm sorry? But the thing about it is

385
00:23:38,320 --> 00:23:41,159
Speaker 1: that like Trash had a vision and what I liked

386
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Speaker 1: when he came, he laid it out and I was sold.

387
00:23:45,040 --> 00:23:47,200
Speaker 1: I was like, okay, now I get it. I heard

388
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Speaker 1: the music. But then when he came and laid it

389
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Speaker 1: out and laid out the vision, I was like, okay,

390
00:23:51,560 --> 00:23:54,040
Speaker 1: this is this is we could work with this. Because

391
00:23:54,359 --> 00:23:56,200
Speaker 1: hold up, I think that you guys are jumping a

392
00:23:56,280 --> 00:23:58,159
Speaker 1: little bit because we are how do you how do

393
00:23:58,200 --> 00:24:00,240
Speaker 1: you get to the to the group to start with, Like,

394
00:24:00,359 --> 00:24:03,159
Speaker 1: how do you say these two sounds good together? This

395
00:24:03,280 --> 00:24:05,240
Speaker 1: is a group? No, no, okay, I would get to

396
00:24:05,320 --> 00:24:07,360
Speaker 1: that part, but this is the part I was trying

397
00:24:07,400 --> 00:24:10,080
Speaker 1: to get to what DRAS was the same way. It

398
00:24:10,240 --> 00:24:15,359
Speaker 1: was a chance and a risk for Penalty to kind

399
00:24:15,400 --> 00:24:18,880
Speaker 1: of fun with a new uh group. It was also

400
00:24:18,960 --> 00:24:22,440
Speaker 1: a risk for tras reputation to funk with a new

401
00:24:22,520 --> 00:24:25,000
Speaker 1: group too. You understand I'm saying. So what I'm trying

402
00:24:25,040 --> 00:24:26,880
Speaker 1: to ascuve me a new label too. So what I'm

403
00:24:26,880 --> 00:24:28,840
Speaker 1: trying to say is what made you say that? You

404
00:24:28,920 --> 00:24:32,080
Speaker 1: know what? Because at the time there were other labels

405
00:24:32,119 --> 00:24:35,120
Speaker 1: that existed like that, but there was the Terrificans or whatever.

406
00:24:35,200 --> 00:24:38,560
Speaker 1: There wasn't no other base penalty on. I didn't. I didn't.

407
00:24:38,680 --> 00:24:41,800
Speaker 1: I didn't. I appreciate you saying that too, but you

408
00:24:41,880 --> 00:24:45,080
Speaker 1: know it's wow. I didn't. Let I look at everything

409
00:24:45,160 --> 00:24:49,040
Speaker 1: like music. Sometimes that's to my default because life is life,

410
00:24:49,080 --> 00:24:51,000
Speaker 1: you know what I'm saying. But I don't like when

411
00:24:51,040 --> 00:24:53,040
Speaker 1: I choose to beat. I don't choose to beat. I

412
00:24:53,160 --> 00:24:55,760
Speaker 1: let to beat choose me. So I don't necessarily go

413
00:24:55,880 --> 00:24:58,600
Speaker 1: and be like what it was is I let the

414
00:24:58,640 --> 00:25:01,159
Speaker 1: ship talk to me. I'm going over here, going there.

415
00:25:01,200 --> 00:25:04,240
Speaker 1: I'm seeing how different labels work. I'm coming off a

416
00:25:04,280 --> 00:25:07,440
Speaker 1: situation with Molly don't dispect love Molly, but it was

417
00:25:07,480 --> 00:25:10,320
Speaker 1: a type of situation that taught me a lot the hallway.

418
00:25:10,320 --> 00:25:12,480
Speaker 1: You know what I'm saying, Three ways the best lessons

419
00:25:12,520 --> 00:25:14,880
Speaker 1: to pay lesson you can learn, you know, by way

420
00:25:14,960 --> 00:25:19,000
Speaker 1: of time and money and you know whatever and all

421
00:25:19,080 --> 00:25:21,520
Speaker 1: the above. So it's like going through that whole chamber

422
00:25:21,560 --> 00:25:24,360
Speaker 1: with Molly. I was like, Yo, you know, I want

423
00:25:24,400 --> 00:25:26,359
Speaker 1: to do I want to do things how I see it,

424
00:25:26,440 --> 00:25:29,960
Speaker 1: how how music should be and how the artists should be.

425
00:25:30,240 --> 00:25:32,680
Speaker 1: I didn't fully have it down. I kind of went along,

426
00:25:32,960 --> 00:25:35,000
Speaker 1: you know, learn as I went along too a lot

427
00:25:35,440 --> 00:25:38,320
Speaker 1: and then learn later after it's done, so to speak.

428
00:25:38,920 --> 00:25:40,960
Speaker 1: So but I let it talk to me, and I'm

429
00:25:41,040 --> 00:25:45,280
Speaker 1: going around two different labels. But I'm I'm kind of

430
00:25:45,359 --> 00:25:46,720
Speaker 1: you know what I'm saying, you know how you never

431
00:25:47,080 --> 00:25:50,560
Speaker 1: so I'm going around, but I'm really not asking what

432
00:25:50,760 --> 00:25:53,040
Speaker 1: I really want. I'm kind of just feeling people out

433
00:25:53,400 --> 00:25:55,399
Speaker 1: because I feel like by the time I get to

434
00:25:55,520 --> 00:25:57,720
Speaker 1: what I want, I don't know how to ask for it.

435
00:25:58,000 --> 00:26:01,360
Speaker 1: You know, stand I'm saying, you get me. So I'm

436
00:26:01,400 --> 00:26:03,879
Speaker 1: going around and I'm like, alright, cool, you know, and

437
00:26:03,920 --> 00:26:06,520
Speaker 1: it's just before you even got involved to picture right

438
00:26:06,560 --> 00:26:08,320
Speaker 1: that that's that's the same thing we was trying to keep.

439
00:26:09,040 --> 00:26:14,119
Speaker 1: Let's go, let's go out ready, and we all comes.

440
00:26:15,320 --> 00:26:19,720
Speaker 1: I'm basically working with him. Describe if you're gonna let's

441
00:26:19,720 --> 00:26:25,680
Speaker 1: come out. Okay, Um, I gotta take it from I

442
00:26:25,800 --> 00:26:32,399
Speaker 1: come home, come on from Yeah, go to Queen's Bridge.

443
00:26:33,440 --> 00:26:41,040
Speaker 1: It tell me homies on the rhynd who ya't know

444
00:26:41,160 --> 00:26:44,520
Speaker 1: that ship? That's why they went to I got you.

445
00:26:46,440 --> 00:26:51,600
Speaker 1: So after that I find out they got a record

446
00:26:51,640 --> 00:26:57,520
Speaker 1: the Faith Moving Okay, okay, listen, I'll went you ask

447
00:26:57,560 --> 00:27:02,560
Speaker 1: you kind of jump out. You got to realize Attle,

448
00:27:02,720 --> 00:27:06,119
Speaker 1: That's how it looked for me. But but this is

449
00:27:06,200 --> 00:27:08,879
Speaker 1: before you even okay, he had he didn't have a

450
00:27:08,920 --> 00:27:12,080
Speaker 1: record deal, right. What it was is we had like

451
00:27:12,119 --> 00:27:17,240
Speaker 1: a bullshit demo deal. We had demo deal. We have believers, Yeah,

452
00:27:17,280 --> 00:27:24,480
Speaker 1: we have believe yeah, Paul, Yeah, so we dog faith

453
00:27:24,720 --> 00:27:27,159
Speaker 1: faith you know what I mean? Around at that time

454
00:27:28,840 --> 00:27:32,760
Speaker 1: wasn't chall Sup, He wasn't chall Super. He wasn't directly

455
00:27:32,800 --> 00:27:36,520
Speaker 1: attached to us like faith Tim Dog. Tim took it

456
00:27:36,640 --> 00:27:39,800
Speaker 1: upon himself to say, I'm wonderful, but but Tim Dog's

457
00:27:39,840 --> 00:27:42,080
Speaker 1: thinking with p Tim Dogg too, but moving on him,

458
00:27:43,200 --> 00:27:47,040
Speaker 1: good dude, because he didn't say, look, I can't give

459
00:27:47,040 --> 00:27:50,200
Speaker 1: you a deal. He didn't say I don't want to

460
00:27:50,240 --> 00:27:52,200
Speaker 1: give you a deal. He said, I can't bring you

461
00:27:52,280 --> 00:27:54,520
Speaker 1: over here your type of music. But I see what

462
00:27:54,640 --> 00:27:57,480
Speaker 1: you're doing, so I'm giving And it wasn't demo deal.

463
00:27:57,640 --> 00:27:59,480
Speaker 1: He said, I'm gonna give you a demo deal. Basically,

464
00:27:59,480 --> 00:28:17,080
Speaker 1: you know that your motherfucker lies. The motherfucker keep something

465
00:28:17,160 --> 00:28:26,560
Speaker 1: right on that. I'm gonna track hold on continual. I

466
00:28:26,600 --> 00:28:28,360
Speaker 1: gotta get that book. I'm not get that new book

467
00:28:28,400 --> 00:28:34,000
Speaker 1: you reading. So anyway anyway, so boy, we do um

468
00:28:34,240 --> 00:28:37,119
Speaker 1: we go and do um we go and do a

469
00:28:37,480 --> 00:28:40,959
Speaker 1: get the cream. We're gonna do get the cream right,

470
00:28:41,040 --> 00:28:45,320
Speaker 1: So um mine your fucking demo deals like it's a

471
00:28:45,400 --> 00:28:52,880
Speaker 1: stack and studio it's okay, um so boom, I'm I'm

472
00:28:52,920 --> 00:28:55,240
Speaker 1: working with. I had told I boy, I had told

473
00:28:55,280 --> 00:29:01,640
Speaker 1: a Beat Machine n PC and how you gonna get

474
00:29:02,680 --> 00:29:05,040
Speaker 1: you wasn't giving them none of your star And then

475
00:29:05,080 --> 00:29:08,720
Speaker 1: he had to try money. Somebody gotta pay for this.

476
00:29:09,200 --> 00:29:14,240
Speaker 1: I always shoot back, baby, so so, yeah, so we

477
00:29:14,360 --> 00:29:18,760
Speaker 1: were working with Ayatola. But this dude, like, you know, respectfully,

478
00:29:19,160 --> 00:29:22,960
Speaker 1: he's in and out. He's in and out. You know,

479
00:29:23,120 --> 00:29:25,880
Speaker 1: he's sometime he comes through, sometimes he doesn't. Ever some

480
00:29:25,960 --> 00:29:29,520
Speaker 1: street ship, he's always there, you know, might be studient,

481
00:29:29,680 --> 00:29:31,520
Speaker 1: he might be like, yo, I gotta go run out

482
00:29:31,520 --> 00:29:33,360
Speaker 1: of the town, or even I gotta go do some

483
00:29:33,480 --> 00:29:36,800
Speaker 1: other things, you know whatever. So and I'm getting that

484
00:29:36,960 --> 00:29:39,560
Speaker 1: vibe that because at the time he's nice to me,

485
00:29:40,680 --> 00:29:42,560
Speaker 1: he's still greatus. But by the time he's nice and

486
00:29:42,600 --> 00:29:45,000
Speaker 1: I'm like, yo, what are you going bro? So he's

487
00:29:45,040 --> 00:29:48,040
Speaker 1: like yo, um you know, that's when he brings you up.

488
00:29:49,720 --> 00:29:52,000
Speaker 1: So I'm like, Yo, that wasn't the fucking plan, son,

489
00:29:52,040 --> 00:29:56,000
Speaker 1: what are you doing? And so now I'm like, man,

490
00:29:56,200 --> 00:29:58,680
Speaker 1: so it kind of it kind of throws me off

491
00:29:58,680 --> 00:30:01,600
Speaker 1: for a little second because it was like, you know,

492
00:30:01,800 --> 00:30:05,040
Speaker 1: just sneaking put it on, yeah, because you're not having it,

493
00:30:05,280 --> 00:30:07,800
Speaker 1: like you hate doing your curveball through me a curveball,

494
00:30:07,840 --> 00:30:12,800
Speaker 1: so especially a nigger, you don't know. Yeah, this was

495
00:30:12,880 --> 00:30:16,240
Speaker 1: just this to just man. To me, it gets interested

496
00:30:16,320 --> 00:30:19,400
Speaker 1: because I'm like, you know, you're not yeah, man, Like

497
00:30:19,480 --> 00:30:23,440
Speaker 1: what funk that dude? And did did he tell you

498
00:30:23,480 --> 00:30:26,160
Speaker 1: what I was from that time? Okay, I co continue

499
00:30:26,480 --> 00:30:28,160
Speaker 1: because I didn't even Soon as he was saying that,

500
00:30:28,200 --> 00:30:29,720
Speaker 1: I was like, we might you ain't going on. We

501
00:30:29,800 --> 00:30:32,600
Speaker 1: might be in a crab doing whatever we're doing. He's like, yo, black,

502
00:30:33,160 --> 00:30:35,800
Speaker 1: I don't ask nothing. I kind of wanted to forget

503
00:30:35,840 --> 00:30:38,440
Speaker 1: about it, so I'm not gonna feed this ship. But

504
00:30:38,560 --> 00:30:40,520
Speaker 1: I keep, you know, every now and then I thought them, like, yo,

505
00:30:40,600 --> 00:30:43,880
Speaker 1: y'all go back and do some more songs. He's like, yo,

506
00:30:44,040 --> 00:30:48,720
Speaker 1: but my maid, my man, my man. And I'm like, alright.

507
00:30:48,800 --> 00:30:51,080
Speaker 1: So he's like, yo, I don't know. Time just flew

508
00:30:51,160 --> 00:30:52,800
Speaker 1: and he's like, yo, my man's coming home with me.

509
00:30:53,160 --> 00:30:55,840
Speaker 1: I was thinking, man, you're telling me about Like yeah,

510
00:30:55,840 --> 00:31:04,600
Speaker 1: I'm like, she's a fun nigger, you know that, so

511
00:31:05,120 --> 00:31:07,560
Speaker 1: fun that so whore. We go ahead the train station

512
00:31:07,880 --> 00:31:11,360
Speaker 1: and it's that I met when he was probably like

513
00:31:11,560 --> 00:31:16,480
Speaker 1: tanning some ship because trying to save a little brother.

514
00:31:17,440 --> 00:31:18,640
Speaker 1: And you know, at the time, I was in a

515
00:31:18,680 --> 00:31:21,240
Speaker 1: different school of thought. No saying I got I got

516
00:31:21,320 --> 00:31:23,120
Speaker 1: the white on. You know, I'm saying that Jollo bed

517
00:31:23,200 --> 00:31:26,240
Speaker 1: the koufy, you know what I'm saying. She's like, I

518
00:31:26,360 --> 00:31:29,480
Speaker 1: go I go, actually go to his crib because she's like, yeah,

519
00:31:29,520 --> 00:31:31,440
Speaker 1: I see you always look like a positive Go talk

520
00:31:31,560 --> 00:31:35,000
Speaker 1: to my brother like you're reminded me that DMS kit.

521
00:31:35,400 --> 00:31:38,240
Speaker 1: He's like you, I know you you need to go

522
00:31:38,360 --> 00:31:43,880
Speaker 1: to gloss. It was just like your eyes over, you

523
00:31:43,920 --> 00:31:47,040
Speaker 1: need to find yourself. So we're not having that kids

524
00:31:47,160 --> 00:31:51,080
Speaker 1: as funny as hell. So long story logo, I go

525
00:31:51,240 --> 00:31:55,040
Speaker 1: to the crib means the bell this thinking comes out

526
00:31:55,040 --> 00:31:58,640
Speaker 1: on the Norway right or the mag and the're like, hey,

527
00:31:58,720 --> 00:32:02,360
Speaker 1: let's she's just brotherfucker Like. So when I go on

528
00:32:02,400 --> 00:32:06,960
Speaker 1: to train station, I'm like, oh, ship this dude. And

529
00:32:07,040 --> 00:32:08,640
Speaker 1: I don't know. It was just it was no more

530
00:32:08,760 --> 00:32:12,200
Speaker 1: question just but now it's like I gotta see what

531
00:32:12,400 --> 00:32:15,560
Speaker 1: he got. It wasn't like I'm denini ni no more.

532
00:32:15,920 --> 00:32:18,920
Speaker 1: It was like I say, he's kind of he's fucked up.

533
00:32:19,000 --> 00:32:21,440
Speaker 1: You know what I'm saying. We'll get it long so

534
00:32:23,680 --> 00:32:25,880
Speaker 1: we this a little time goes by, we're building, kicking it,

535
00:32:26,000 --> 00:32:29,400
Speaker 1: throwing back back and forth. Ideas were going the studio.

536
00:32:29,560 --> 00:32:34,719
Speaker 1: I I grabbed Jay Supreme for Queen's Bridge, who happened

537
00:32:34,760 --> 00:32:37,440
Speaker 1: to produce Damn That every big dude from Queen's Bridge's

538
00:32:37,480 --> 00:32:40,000
Speaker 1: first demo. That was Hot Day's little guy or No,

539
00:32:40,440 --> 00:32:47,360
Speaker 1: I wouldn't say that partner right so so so um Yeah,

540
00:32:47,480 --> 00:32:50,480
Speaker 1: Jay supreme beautiful dude. Still working him to this day.

541
00:32:50,680 --> 00:32:54,160
Speaker 1: We're actually working on the project. But I bron we

542
00:32:54,240 --> 00:32:57,080
Speaker 1: got to beat first. That's when tape are still rocking.

543
00:32:57,760 --> 00:33:01,360
Speaker 1: We got to beat first. Well happened million talking so

544
00:33:01,560 --> 00:33:03,880
Speaker 1: so so um? Which is I think it was a

545
00:33:04,000 --> 00:33:06,600
Speaker 1: great dope song. I don't even remember why we didn't

546
00:33:06,600 --> 00:33:09,280
Speaker 1: put on the album What happened money that you gotta

547
00:33:09,280 --> 00:33:14,240
Speaker 1: figure that realized also too, that wasn't part of them.

548
00:33:15,080 --> 00:33:17,720
Speaker 1: Yeah that was wasn't No, it wasn't. But I'm gonna

549
00:33:17,720 --> 00:33:19,200
Speaker 1: tell you what happened Mill was one of my favorite

550
00:33:19,240 --> 00:33:21,520
Speaker 1: sessions that you could pick up right, But what was

551
00:33:21,760 --> 00:33:25,080
Speaker 1: this isative joint? Yes, wait a minute, let me let

552
00:33:25,120 --> 00:33:32,040
Speaker 1: me do the solo that I come to your record.

553
00:33:32,080 --> 00:33:35,120
Speaker 1: He jumps on my record. I was working on a

554
00:33:35,160 --> 00:33:37,680
Speaker 1: whole another record with butt naked tim go yeah, and

555
00:33:37,800 --> 00:33:41,000
Speaker 1: he pulls up to the session. Yeah, and Jason Frage

556
00:33:41,440 --> 00:33:44,720
Speaker 1: as music. This beats in the session and then I'm

557
00:33:44,760 --> 00:33:48,480
Speaker 1: like my brother said, I forget all my souls. We

558
00:33:49,360 --> 00:33:53,280
Speaker 1: was actually trying to get you on the soundtrack. The soundtrack.

559
00:33:54,840 --> 00:33:57,200
Speaker 1: I forgot the soundtrack, but at the of the day

560
00:33:57,880 --> 00:34:01,960
Speaker 1: I was doing a soundtrack reak. It didn't slam one

561
00:34:02,040 --> 00:34:06,480
Speaker 1: of them. Yeah, but Solund pulled up and it was

562
00:34:06,600 --> 00:34:11,840
Speaker 1: like my niggas hit the funny ship out of everything that.

563
00:34:11,920 --> 00:34:19,600
Speaker 1: I still never heard him around either. I never on God,

564
00:34:19,840 --> 00:34:24,160
Speaker 1: you never rhymed together. Yeah when you heard me, I'm saying.

565
00:34:24,719 --> 00:34:27,839
Speaker 1: You know what I'm saying is like when you wrong

566
00:34:28,000 --> 00:34:34,400
Speaker 1: on like like that in the studio, studio time right now,

567
00:34:34,680 --> 00:34:36,560
Speaker 1: you're right. I still don't know what slum could do.

568
00:34:36,680 --> 00:34:38,399
Speaker 1: I'm notching form, but I don't know if that ship

569
00:34:38,480 --> 00:34:45,160
Speaker 1: was understand me was gonna resonate to the boom, y'all vouching, vouching, vouching,

570
00:34:46,160 --> 00:34:48,120
Speaker 1: and then me, I'm sip of five and thousand times

571
00:34:48,280 --> 00:34:50,520
Speaker 1: every rhyme I got here. I don't. I don't got

572
00:34:50,600 --> 00:34:52,719
Speaker 1: the rhymes down here. I got it all here. So

573
00:34:52,760 --> 00:34:55,239
Speaker 1: I'm not only sticking it from from from from head,

574
00:34:55,280 --> 00:34:58,359
Speaker 1: but I'm sticking it from head ahead. The old ship

575
00:34:58,520 --> 00:35:04,000
Speaker 1: was was that sound that session? My nigger was SI,

576
00:35:04,160 --> 00:35:07,200
Speaker 1: it wasn't like we see we got I wanted you

577
00:35:07,239 --> 00:35:10,680
Speaker 1: to finish. He was saying, I fall back and move

578
00:35:10,760 --> 00:35:21,360
Speaker 1: forward blood. So so here, so now we in power play,

579
00:35:22,480 --> 00:35:27,360
Speaker 1: we get Jay Jason Prima come through. And this is

580
00:35:27,520 --> 00:35:30,440
Speaker 1: my first time really hearing Nory like because you know what,

581
00:35:30,600 --> 00:35:33,520
Speaker 1: like he said, we were I heard him when we

582
00:35:33,680 --> 00:35:35,880
Speaker 1: be in a crib and we just be playing beets

583
00:35:36,480 --> 00:35:39,880
Speaker 1: and you know, he spent some ship, but I didn't.

584
00:35:39,920 --> 00:35:41,960
Speaker 1: I couldn't put him together right away in my mind.

585
00:35:41,960 --> 00:35:44,120
Speaker 1: I couldn't. I couldn't grasp it, you know what I'm saying. Like,

586
00:35:45,160 --> 00:35:49,480
Speaker 1: So now we're in the studio, it's different, and now

587
00:35:49,560 --> 00:35:51,840
Speaker 1: I need to see if he understands structure. Now I

588
00:35:51,920 --> 00:35:54,520
Speaker 1: need to see if you know what I'm saying. But

589
00:35:54,640 --> 00:35:56,719
Speaker 1: he was just wow, like his ship was all over

590
00:35:56,800 --> 00:35:59,520
Speaker 1: the place, but it was raw and you know it's

591
00:35:59,560 --> 00:36:02,960
Speaker 1: no it's old, like he said, you know, um whatever

592
00:36:03,000 --> 00:36:08,960
Speaker 1: the words you used, UMZ got tricks. We get back

593
00:36:09,000 --> 00:36:12,319
Speaker 1: to that. But I like that, you know what I'm

594
00:36:12,320 --> 00:36:14,840
Speaker 1: saying because to me, not because it's wild or whatever,

595
00:36:15,200 --> 00:36:18,280
Speaker 1: because to me, like at that time, I'm very passionate

596
00:36:18,360 --> 00:36:20,360
Speaker 1: about music. You know what I'm saying, And to me,

597
00:36:20,560 --> 00:36:23,360
Speaker 1: that comes from a real place that I relate to

598
00:36:24,080 --> 00:36:27,120
Speaker 1: you know what I'm saying. Like, so as I'm listening,

599
00:36:27,160 --> 00:36:29,279
Speaker 1: I'm like, oh shoot, but I'm like, yo, this ship

600
00:36:29,520 --> 00:36:33,279
Speaker 1: his his voice sounds bugged to me. It kind of

601
00:36:33,320 --> 00:36:35,320
Speaker 1: reminded me of like when Sham was here and he

602
00:36:35,400 --> 00:36:38,600
Speaker 1: said when him and Marlin listened to rock Himsel, and

603
00:36:38,680 --> 00:36:42,320
Speaker 1: it was like, Yo, what it's so over there that

604
00:36:42,480 --> 00:36:45,680
Speaker 1: it's like because poone is nice, but Poe has that

605
00:36:45,880 --> 00:36:49,520
Speaker 1: Queen's Bridge vein in them. He has that vein. But

606
00:36:49,760 --> 00:36:53,120
Speaker 1: Norri came from the place that he couldn't take what

607
00:36:53,360 --> 00:36:56,360
Speaker 1: he has from you know what I'm saying, it's different.

608
00:36:57,120 --> 00:36:59,840
Speaker 1: So it's like more or less he the fallstab and

609
00:37:00,040 --> 00:37:02,319
Speaker 1: you know, for for contrary to what belief is out there.

610
00:37:02,360 --> 00:37:04,560
Speaker 1: I never wrote no rhymes phone. I helped him with

611
00:37:04,600 --> 00:37:07,920
Speaker 1: his rhymes. I never wrote his rhymes, but help with

612
00:37:18,400 --> 00:37:23,000
Speaker 1: I don't know, don't understanding that he didn't always he

613
00:37:23,040 --> 00:37:28,320
Speaker 1: always get like listen, I don't want you to know

614
00:37:28,400 --> 00:37:30,920
Speaker 1: what it was. So again I'd like to know what

615
00:37:31,000 --> 00:37:35,600
Speaker 1: his doors like is good. I'm not afraid. I gotta

616
00:37:35,600 --> 00:37:39,000
Speaker 1: tell listen, I gotta tell the truth. But when I

617
00:37:39,120 --> 00:37:43,319
Speaker 1: say help, I mean it in a respectful sense. Listen,

618
00:37:43,440 --> 00:37:49,239
Speaker 1: stop playing man, I know he'd listen. It's my brother,

619
00:37:49,560 --> 00:37:52,279
Speaker 1: Well listen, because you know what it's because of a

620
00:37:52,400 --> 00:37:55,360
Speaker 1: lot of like a lot of ship came up and

621
00:37:55,480 --> 00:37:58,759
Speaker 1: you know, been around us, surrounding us. Ship surrounds me too.

622
00:37:58,880 --> 00:38:02,680
Speaker 1: That didn't say he happen. But I don't care about that.

623
00:38:02,760 --> 00:38:06,120
Speaker 1: I care about my brothers and my brothers seeing where

624
00:38:06,160 --> 00:38:08,239
Speaker 1: I'm coming from, and I gotta see where they come from.

625
00:38:08,280 --> 00:38:11,080
Speaker 1: That's and that's reality. All that outside ship I don't

626
00:38:11,120 --> 00:38:13,600
Speaker 1: care about. So I want to make clarity now because

627
00:38:13,800 --> 00:38:15,520
Speaker 1: this is something I brung up. You didn't bring it up,

628
00:38:15,520 --> 00:38:17,520
Speaker 1: but I want to bring it up now. Has to

629
00:38:17,600 --> 00:38:19,839
Speaker 1: say when I helped you, I helped to a song

630
00:38:20,000 --> 00:38:24,760
Speaker 1: structures like or put here, that's how you can stuck

631
00:38:24,840 --> 00:38:26,759
Speaker 1: up up or like blood money when that was my

632
00:38:26,840 --> 00:38:29,840
Speaker 1: first ball, my uh my verse saying you know what,

633
00:38:30,120 --> 00:38:33,520
Speaker 1: that should be the hook. So now when I say that, yeah,

634
00:38:34,040 --> 00:38:36,080
Speaker 1: but that's the truth, whether you accept it or not,

635
00:38:36,160 --> 00:38:38,680
Speaker 1: it's the truth that I'm just speaking the truth. You

636
00:38:38,719 --> 00:38:40,800
Speaker 1: don't have to keep doing that. You know what you know,

637
00:38:41,520 --> 00:38:46,600
Speaker 1: because listen, I'm saying that, but I'm saying that it

638
00:38:46,719 --> 00:38:49,439
Speaker 1: can't be sad no more. Because when I'm talking about

639
00:38:49,440 --> 00:38:54,279
Speaker 1: my people's or what we did. It's like I'm not

640
00:38:54,520 --> 00:38:58,360
Speaker 1: speaking it to to I'm not speaking it for the outside.

641
00:38:58,719 --> 00:39:01,360
Speaker 1: You understand I'm saying I do. But but but you

642
00:39:01,440 --> 00:39:04,440
Speaker 1: gotta realize how people how people take it. And you're right,

643
00:39:04,560 --> 00:39:07,080
Speaker 1: and you're right because you gotta realize. When we looked

644
00:39:07,120 --> 00:39:09,760
Speaker 1: at the Worried Poor album, you look at the credits,

645
00:39:10,360 --> 00:39:18,920
Speaker 1: it says sweet public and sweet well sweet says you

646
00:39:19,040 --> 00:39:22,960
Speaker 1: know Percy Chapman. People all the back like wait a minute,

647
00:39:23,920 --> 00:39:26,279
Speaker 1: wait a minute, you see what's going on. This is

648
00:39:26,360 --> 00:39:28,920
Speaker 1: how this is. That's how that's how Kane was credited

649
00:39:29,200 --> 00:39:31,640
Speaker 1: on busines Mark records. This is how such such people's

650
00:39:31,640 --> 00:39:36,040
Speaker 1: credits so automatically. That's how people took that, especially when

651
00:39:36,080 --> 00:39:38,239
Speaker 1: it's on records that you wear it on. You know,

652
00:39:38,280 --> 00:39:40,000
Speaker 1: What's what I'm saying, So like I can see that

653
00:39:40,120 --> 00:39:42,400
Speaker 1: they say it like all right, cool parole violators, that's

654
00:39:42,480 --> 00:39:45,719
Speaker 1: nory trash and and have it. So so we gotta

655
00:39:45,760 --> 00:39:48,520
Speaker 1: we gotta realize it's me personally. When we went through

656
00:39:48,560 --> 00:39:51,560
Speaker 1: our discrepancies and he was like, yo, you know how

657
00:39:51,600 --> 00:39:53,759
Speaker 1: the value said that. That's how what people did. People

658
00:39:53,920 --> 00:39:57,040
Speaker 1: came in and and and and that's how they that's

659
00:39:57,040 --> 00:40:01,200
Speaker 1: how they put it together, and that Yeah, what's tough

660
00:40:01,280 --> 00:40:03,560
Speaker 1: because I didn't know how to go to every interview

661
00:40:03,640 --> 00:40:06,719
Speaker 1: and be like what Nigga didn't and didn't and didn't

662
00:40:06,719 --> 00:40:08,799
Speaker 1: and never and not only that, Let's just be clear.

663
00:40:10,640 --> 00:40:13,480
Speaker 1: You know, our e album the next year was more

664
00:40:13,600 --> 00:40:17,560
Speaker 1: successful than the war reports. So if I was to say, well,

665
00:40:17,800 --> 00:40:19,800
Speaker 1: if that's happened, what the fund wo happened went in

666
00:40:19,880 --> 00:40:23,800
Speaker 1: our eat what, it will automatically make it look like

667
00:40:24,200 --> 00:40:28,080
Speaker 1: I'm sitting on my partner and jail. So I literally

668
00:40:28,200 --> 00:40:30,759
Speaker 1: for comorable for a minute, because it would be like

669
00:40:30,800 --> 00:40:32,799
Speaker 1: I'm sitting on the Warrior for like a totally different vein.

670
00:40:32,840 --> 00:40:35,520
Speaker 1: Though nobody's gotta realize this is my life that I'm living.

671
00:40:35,520 --> 00:40:37,480
Speaker 1: So I'm just telling you what I was receiving from

672
00:40:37,560 --> 00:40:39,800
Speaker 1: my end when I was walking and after you know,

673
00:40:39,960 --> 00:40:41,880
Speaker 1: blood type had dropped to things like that, you know

674
00:40:41,920 --> 00:40:44,520
Speaker 1: what I'm saying. So I'm glad what you said, um

675
00:40:45,360 --> 00:40:53,640
Speaker 1: and uh yeah, I'm glad. I'm good. I'm glad. It's

676
00:40:53,760 --> 00:40:56,840
Speaker 1: very it's very personal to me. It's very personal to

677
00:40:56,920 --> 00:41:00,320
Speaker 1: be because because of that fact that it'd because I

678
00:41:00,360 --> 00:41:02,719
Speaker 1: didn't understand publishing at the time, and when people brow

679
00:41:02,880 --> 00:41:04,719
Speaker 1: that up to me, well why his name is on

680
00:41:04,760 --> 00:41:06,520
Speaker 1: the publishing head? Why his name? And then who the

681
00:41:06,800 --> 00:41:08,840
Speaker 1: sweets twelbo two? You know what I'm saying that, So

682
00:41:08,920 --> 00:41:11,920
Speaker 1: I'm like that they still thinking some other guy sweet

683
00:41:11,960 --> 00:41:14,200
Speaker 1: twelbow twy, it wasn't crack. And that's what I was like.

684
00:41:15,520 --> 00:41:18,759
Speaker 1: And that's something like that's some of them. That's I

685
00:41:18,800 --> 00:41:21,360
Speaker 1: want to say this and and and and um and

686
00:41:21,440 --> 00:41:24,560
Speaker 1: respected that right. That's part of the reason why when

687
00:41:24,600 --> 00:41:27,719
Speaker 1: you wanted out to deal, I didn't want nothing. You

688
00:41:27,800 --> 00:41:29,600
Speaker 1: know what I'm saying. I didn't want nothing. Him and

689
00:41:29,640 --> 00:41:32,759
Speaker 1: the lawyer at the time, Reggiald say, who came on

690
00:41:32,880 --> 00:41:38,480
Speaker 1: your show and live keep it green? Though, I'm gonna

691
00:41:38,560 --> 00:41:41,759
Speaker 1: keep it green because I'm in my skin so infactual,

692
00:41:42,080 --> 00:41:45,440
Speaker 1: so you know what I mean. Like, that's why when

693
00:41:45,600 --> 00:41:48,200
Speaker 1: when it was time for I still part, I didn't.

694
00:41:48,239 --> 00:41:51,000
Speaker 1: I didn't. I don't want to do that because honestly,

695
00:41:51,400 --> 00:41:53,120
Speaker 1: like I said, I was still learning a lot as

696
00:41:53,160 --> 00:41:56,960
Speaker 1: I went along. So and I know that now, you know,

697
00:41:57,600 --> 00:41:59,239
Speaker 1: but it's still a little you know, it's still a

698
00:41:59,280 --> 00:42:03,560
Speaker 1: little same ship. I see, I see the speak at all.

699
00:42:04,400 --> 00:42:07,800
Speaker 1: I'm good, right, good? But that but I need you

700
00:42:07,880 --> 00:42:09,520
Speaker 1: to go with me with that. Yeah, I don't know

701
00:42:09,600 --> 00:42:12,160
Speaker 1: you're good. I'm great, I'm great. Yeah, we need I

702
00:42:12,239 --> 00:42:14,240
Speaker 1: need you to be good with me today. I don't agree.

703
00:42:14,320 --> 00:42:21,840
Speaker 1: I'm change. No, but that's like as a person. You know,

704
00:42:22,120 --> 00:42:25,440
Speaker 1: um and what I'm saying. People said that about him

705
00:42:25,480 --> 00:42:28,840
Speaker 1: too because of the publishing there. Yeah, that was the

706
00:42:30,719 --> 00:42:32,120
Speaker 1: only reason. Why do you go to it? Because I

707
00:42:32,200 --> 00:42:41,560
Speaker 1: was like, here't haveing this record? Ship? He got gaze

708
00:42:42,680 --> 00:42:46,440
Speaker 1: I was. I was speaking to him. He's like, I'm

709
00:42:46,480 --> 00:42:50,080
Speaker 1: speaking to him. You must have been rolling with possession

710
00:42:50,640 --> 00:42:53,719
Speaker 1: was a super Yeah? Did that film? Is that? I'm

711
00:42:53,760 --> 00:42:56,520
Speaker 1: coming in on your im telling you and be like, yo,

712
00:42:56,640 --> 00:42:59,800
Speaker 1: let's make a ship. What about that time went to

713
00:42:59,880 --> 00:43:04,840
Speaker 1: the show? You spit on the car, disrespectful y'all. We

714
00:43:05,520 --> 00:43:07,920
Speaker 1: go to go, y'all go to see what I'll be.

715
00:43:07,960 --> 00:43:11,040
Speaker 1: I can't bring motherfucking who was it real? And who

716
00:43:11,160 --> 00:43:15,520
Speaker 1: is it? Who is it? Stuff? Stuff? You did? Get

717
00:43:15,560 --> 00:43:18,120
Speaker 1: out of here? I said this, thinking crazy, he get

718
00:43:18,200 --> 00:43:20,960
Speaker 1: the I don't remember none of that. I tell you

719
00:43:21,080 --> 00:43:32,799
Speaker 1: who We're not sting ship. You should will make us

720
00:43:32,840 --> 00:43:36,080
Speaker 1: brothers right now. If it wasn't for them days. We

721
00:43:36,120 --> 00:43:40,080
Speaker 1: wouldn't have these days like the misunderstanding days, them days

722
00:43:40,160 --> 00:43:42,480
Speaker 1: where it was left Frank killed be the days was

723
00:43:42,560 --> 00:43:50,279
Speaker 1: like Paul them days made it's just called warrant this

724
00:43:50,400 --> 00:43:52,680
Speaker 1: thick still on the car. Then he just get out

725
00:43:52,719 --> 00:44:00,879
Speaker 1: of left friend and we was on the highwackets later

726
00:44:01,000 --> 00:44:04,160
Speaker 1: nigger straight up. When we as an NC like that,

727
00:44:04,280 --> 00:44:06,080
Speaker 1: we wished my nigga was in. But then you know,

728
00:44:06,160 --> 00:44:08,000
Speaker 1: it was a whole bunch of ship that made us

729
00:44:08,160 --> 00:44:11,239
Speaker 1: us that was going on. Okay, I mean jail no

730
00:44:11,480 --> 00:44:13,560
Speaker 1: funk that. Yeah, two niggers put me in the most

731
00:44:13,600 --> 00:44:17,840
Speaker 1: long position because I gotta call him and listen to

732
00:44:17,920 --> 00:44:20,520
Speaker 1: what he's saying. And I'm saying, just be clear that

733
00:44:21,080 --> 00:44:24,160
Speaker 1: I said, you said. But I was the more imporn

734
00:44:24,239 --> 00:44:33,640
Speaker 1: person at the time. I was the mort my shop.

735
00:44:35,600 --> 00:44:41,080
Speaker 1: It ain't my job. He wasn't. How to get that

736
00:44:41,200 --> 00:44:44,480
Speaker 1: back to the down we don't want to imagine. Yeah,

737
00:44:45,120 --> 00:44:56,880
Speaker 1: I got okay, so boom, Let's let's get back to

738
00:44:56,960 --> 00:44:59,919
Speaker 1: the Let's get back to the origin the album be called.

739
00:45:00,120 --> 00:45:05,320
Speaker 1: When I first heard Martin is you heard us on

740
00:45:05,719 --> 00:45:09,240
Speaker 1: master Flex. That's a lot, that's a lot way before

741
00:45:09,320 --> 00:45:13,600
Speaker 1: that stretching stretch don't you know what the funny thing

742
00:45:13,719 --> 00:45:16,080
Speaker 1: is like? So I heard it. I was just you know,

743
00:45:16,440 --> 00:45:17,800
Speaker 1: so to back up a little bit, you know, I

744
00:45:17,880 --> 00:45:19,840
Speaker 1: was doing an underground college radio show, so I was

745
00:45:19,840 --> 00:45:21,959
Speaker 1: always intuned to what was happening on the streets music

746
00:45:22,040 --> 00:45:24,719
Speaker 1: glass or whatever I had heard about you. I had

747
00:45:24,840 --> 00:45:27,000
Speaker 1: never heard anything. In the fact, I had read the

748
00:45:27,160 --> 00:45:31,440
Speaker 1: article about your vibe. I think Sasha or wrote it.

749
00:45:32,000 --> 00:45:35,560
Speaker 1: It was it was a bucked out article because it

750
00:45:35,680 --> 00:45:39,000
Speaker 1: was like but anyway, then I eventually got the demo

751
00:45:39,120 --> 00:45:41,759
Speaker 1: tape and what Trag was saying, what stood out to

752
00:45:41,840 --> 00:45:44,120
Speaker 1: me on that demo tape was your offward style, but

753
00:45:44,239 --> 00:45:46,440
Speaker 1: it was different. It was like something that I was like, oh,

754
00:45:46,560 --> 00:45:48,640
Speaker 1: ship because you know, it was like a regular record,

755
00:45:48,840 --> 00:45:50,359
Speaker 1: but it was it was this was what I'm talking about,

756
00:45:50,440 --> 00:45:54,759
Speaker 1: l A l A right hand together, but then your voice,

757
00:45:54,800 --> 00:45:56,239
Speaker 1: your tone, all other I was like, oh this ship

758
00:45:56,360 --> 00:45:59,000
Speaker 1: is this is this is different. This stood out and

759
00:45:59,320 --> 00:46:02,160
Speaker 1: you know, my mind framing that time, you know, doing

760
00:46:02,239 --> 00:46:04,400
Speaker 1: underground radio, doing all other stuff, it was like it

761
00:46:04,480 --> 00:46:06,120
Speaker 1: was dope. I was like, this is cool. And then

762
00:46:06,280 --> 00:46:08,520
Speaker 1: that's how you know, I got tracked to come in

763
00:46:08,640 --> 00:46:11,000
Speaker 1: and but I heard about y'all like do the vibe

764
00:46:11,040 --> 00:46:14,000
Speaker 1: on the underground like stretch. Okay, you know what I'm saying, Stretched,

765
00:46:16,000 --> 00:46:21,680
Speaker 1: fat man, big big part of my career, the fact

766
00:46:21,800 --> 00:46:31,719
Speaker 1: fact of so a lot of people. So it was like,

767
00:46:31,840 --> 00:46:33,160
Speaker 1: you know, y'all was bumbling up. It was a lot

768
00:46:33,160 --> 00:46:35,920
Speaker 1: of people with just like stretched, you know, and then

769
00:46:36,000 --> 00:46:37,800
Speaker 1: you know, tragic and then like the article on this

770
00:46:37,840 --> 00:46:40,040
Speaker 1: other stuff. Now, when I say an article in the magazine,

771
00:46:40,120 --> 00:46:42,480
Speaker 1: remind you this is before social media right now. It

772
00:46:42,600 --> 00:46:45,960
Speaker 1: was the social you had to you know, physical cop

773
00:46:46,360 --> 00:46:50,640
Speaker 1: It was like twelve lines. It was like at the time,

774
00:46:50,880 --> 00:46:55,880
Speaker 1: right by the way, let me just be clear. At

775
00:46:55,920 --> 00:46:59,600
Speaker 1: the time NAS came out, change the trajectory of how

776
00:46:59,719 --> 00:47:02,480
Speaker 1: quick is hip hop is supposed to sound? How's Queen's

777
00:47:02,520 --> 00:47:04,719
Speaker 1: hip hop? You know, we was just coming through this

778
00:47:04,960 --> 00:47:09,360
Speaker 1: detriment to disaster from a guy in CARSS one took amout.

779
00:47:09,600 --> 00:47:13,200
Speaker 1: The bridge is over, the NAS comes and we store

780
00:47:13,280 --> 00:47:18,359
Speaker 1: us our whole, you know, prod. Then this other group

781
00:47:18,440 --> 00:47:22,000
Speaker 1: comes out mob deep and there's no other group to

782
00:47:22,120 --> 00:47:26,120
Speaker 1: compare us to. So I remember the first three articles. Yeah,

783
00:47:26,320 --> 00:47:28,520
Speaker 1: we were small deep looks we were small deep regents

784
00:47:31,760 --> 00:47:40,600
Speaker 1: were exactly remember the exact remember mother, I'm saying it

785
00:47:40,719 --> 00:47:50,520
Speaker 1: was quasi mob deep. I don't even know what I'm like,

786
00:47:50,800 --> 00:47:58,160
Speaker 1: like like like a south of deep, like a that

787
00:47:58,360 --> 00:48:00,960
Speaker 1: was before they knew where we are. We you were affiliated,

788
00:48:01,120 --> 00:48:09,359
Speaker 1: like like this is how it was, this is how,

789
00:48:09,880 --> 00:48:12,600
Speaker 1: this is how it works. People need something to compare

790
00:48:12,719 --> 00:48:16,359
Speaker 1: something to, they need a gauge and that that At

791
00:48:16,400 --> 00:48:18,719
Speaker 1: that time, I didn't. It just offended me because I'm like, no,

792
00:48:18,920 --> 00:48:21,320
Speaker 1: we're not piece to have it. That's my brother. I

793
00:48:21,400 --> 00:48:24,200
Speaker 1: love him, love mother, I love his mother, Rest in peace,

794
00:48:24,280 --> 00:48:26,439
Speaker 1: Killer Black. I love this whole family. I love his sister.

795
00:48:26,800 --> 00:48:29,239
Speaker 1: That's my little brother. You know what I'm saying, but

796
00:48:29,480 --> 00:48:33,480
Speaker 1: evolveing me because we're going so hard and kind of

797
00:48:33,560 --> 00:48:36,640
Speaker 1: like how you felt about Queen's bench and left frack.

798
00:48:37,520 --> 00:48:40,080
Speaker 1: I don't want to be. You gotta understand, I'm the

799
00:48:40,120 --> 00:48:42,919
Speaker 1: big brother. I don't want to be is my little brother.

800
00:48:43,400 --> 00:48:45,560
Speaker 1: I don't want me and minds to be associated in

801
00:48:45,600 --> 00:48:48,120
Speaker 1: that way like we're trying to bite off of his nation.

802
00:48:49,000 --> 00:48:50,719
Speaker 1: And when you're struggling and you're trying to get to

803
00:48:50,760 --> 00:48:53,800
Speaker 1: a point and you know in yourself what it is

804
00:48:54,040 --> 00:48:56,480
Speaker 1: and what you have, it could be offensive. But now

805
00:48:56,520 --> 00:48:59,880
Speaker 1: that we oh do we don't understand that. Motherfucker's just

806
00:49:00,040 --> 00:49:02,240
Speaker 1: didn't know how to place it or he just didn't

807
00:49:02,280 --> 00:49:05,600
Speaker 1: understand it. Sometimes like that, you have situations where people

808
00:49:05,640 --> 00:49:09,160
Speaker 1: bring a particular you know, sound to someone and they

809
00:49:09,520 --> 00:49:11,080
Speaker 1: just don't even know what to do with it, and

810
00:49:11,160 --> 00:49:13,200
Speaker 1: they'll dead you, but you think they're dead, and you

811
00:49:13,360 --> 00:49:15,359
Speaker 1: they just push you on to go somewhere else where

812
00:49:15,360 --> 00:49:17,880
Speaker 1: you're supposed to be. Yeah, it'd be Craig. So when

813
00:49:17,920 --> 00:49:20,200
Speaker 1: they wrote that was like, oh, ship the fun because

814
00:49:20,239 --> 00:49:22,400
Speaker 1: you know, we're back in the hood. And then you

815
00:49:22,480 --> 00:49:25,000
Speaker 1: know when he's looking at and he's tried, like you know,

816
00:49:25,600 --> 00:49:28,320
Speaker 1: and he's trying to be like sunning them. But I

817
00:49:28,600 --> 00:49:32,319
Speaker 1: know what I'm listening to way different or give me wrong,

818
00:49:32,400 --> 00:49:36,160
Speaker 1: p and halves nice, but this is way different. It's

819
00:49:36,200 --> 00:49:39,879
Speaker 1: coming from a different place sonically, physically, it's coming from

820
00:49:39,880 --> 00:49:43,360
Speaker 1: the same place halfway sonically, is coming from a different

821
00:49:43,920 --> 00:49:47,040
Speaker 1: place in a different a certain kind of sincerity. The

822
00:49:47,160 --> 00:49:50,680
Speaker 1: best thing for us is that me and his brother

823
00:49:50,800 --> 00:49:54,800
Speaker 1: sounded totally different and complimented each of course, if we

824
00:49:54,920 --> 00:49:58,160
Speaker 1: sounded the same, it would have been like yeah, because

825
00:49:58,360 --> 00:50:01,000
Speaker 1: you know, even though Pier has sounds a little different.

826
00:50:01,440 --> 00:50:03,680
Speaker 1: They still sound the same, Still get the same, Kat,

827
00:50:03,800 --> 00:50:05,759
Speaker 1: You're still get to say, Man, this fulk is like

828
00:50:06,960 --> 00:50:10,400
Speaker 1: totally the tone him and peace tone is the rhythm.

829
00:50:10,520 --> 00:50:12,440
Speaker 1: You know what I'm saying. They're tone the same, but

830
00:50:12,840 --> 00:50:17,040
Speaker 1: he's stereo. So y'all, ship is like this the stereo,

831
00:50:17,800 --> 00:50:19,160
Speaker 1: you know what I'm saying. When we didn't have familar,

832
00:50:19,160 --> 00:50:21,080
Speaker 1: that's what I ain't feeling that. That's what I ain't finished.

833
00:50:21,719 --> 00:50:28,319
Speaker 1: That's what I ain't I was going to tell me. God,

834
00:50:28,320 --> 00:50:30,680
Speaker 1: I'm telling you you said, but I wanted to do that.

835
00:50:31,080 --> 00:50:43,399
Speaker 1: This sorry shot earlier, You shoot my later. Um, when

836
00:50:43,440 --> 00:50:45,400
Speaker 1: we're in the studio, we had power play, which is

837
00:50:45,480 --> 00:50:48,840
Speaker 1: now called in your ear action. Remember asked Pirou the

838
00:50:49,080 --> 00:50:53,480
Speaker 1: parole question them? Um, they took over power play from

839
00:50:53,480 --> 00:50:56,279
Speaker 1: Patrick and them. You remember Patrick and them power play

840
00:50:56,360 --> 00:50:59,920
Speaker 1: from back in the days where they did uh Finding's Cherry,

841
00:51:00,760 --> 00:51:05,479
Speaker 1: where they did pay them full, where they did strictly business. Listen.

842
00:51:05,560 --> 00:51:09,360
Speaker 1: All of the some of the greatest hip hop landmark

843
00:51:09,440 --> 00:51:12,440
Speaker 1: of albums, staples of albums came out of the studio

844
00:51:13,640 --> 00:51:15,080
Speaker 1: which I used to go to when I was young

845
00:51:15,160 --> 00:51:17,080
Speaker 1: and delivered things from a Man and Dirty Red in

846
00:51:17,160 --> 00:51:21,160
Speaker 1: my projects to Patrick to the owner. I never thought

847
00:51:23,320 --> 00:51:25,400
Speaker 1: so I never was. I was like a ten of Levin,

848
00:51:25,880 --> 00:51:27,600
Speaker 1: but when I was going there was like, oh ship,

849
00:51:27,800 --> 00:51:29,719
Speaker 1: I wanted to be in there, but never thought that.

850
00:51:29,880 --> 00:51:32,680
Speaker 1: I'm being there with my brother's later on myself. So

851
00:51:33,520 --> 00:51:38,400
Speaker 1: we're doing illegal life and acts comes out and he's like, yo,

852
00:51:39,719 --> 00:51:42,880
Speaker 1: the man, it's ill. She mean, he was like he

853
00:51:43,040 --> 00:51:48,279
Speaker 1: rhymes and starrio. So I'm like, oh shit, I kind

854
00:51:48,320 --> 00:51:51,120
Speaker 1: of didn't hear that ship that the whole term and

855
00:51:51,200 --> 00:51:54,160
Speaker 1: so long, like I forgot what that mint. I'm like,

856
00:51:54,360 --> 00:51:56,839
Speaker 1: that's why. Then they get just sham funny but ill,

857
00:51:56,960 --> 00:51:59,280
Speaker 1: like you know what I'm saying. It's like he's almost

858
00:51:59,320 --> 00:52:02,160
Speaker 1: he gotta walk told him almost like I can't explain,

859
00:52:02,200 --> 00:52:04,680
Speaker 1: you know what I mean. So I'm listening to this thing. Now,

860
00:52:04,719 --> 00:52:06,840
Speaker 1: I'm listening to him like, oh that's all, and the

861
00:52:06,920 --> 00:52:11,840
Speaker 1: ship is off. He rhymes, He rhymes off. If anybody

862
00:52:11,840 --> 00:52:15,480
Speaker 1: I could compare to, like rhythmically, it would kind of

863
00:52:15,560 --> 00:52:18,759
Speaker 1: be like p a little bit in that sense. Pe

864
00:52:19,040 --> 00:52:21,759
Speaker 1: rhymes off, but you wouldn't match it because of the tones.

865
00:52:21,800 --> 00:52:25,400
Speaker 1: They got to. His mom told he's the stereo. You

866
00:52:25,520 --> 00:52:29,440
Speaker 1: understand the signs. Good looking man yea. Let me just

867
00:52:29,480 --> 00:52:31,960
Speaker 1: say how I kind of remembered that. I kind of

868
00:52:32,040 --> 00:52:34,000
Speaker 1: remember that this is how, And you tell me if

869
00:52:34,160 --> 00:52:37,080
Speaker 1: if I'm wrong, and I could be, I could be

870
00:52:37,400 --> 00:52:39,040
Speaker 1: like a little bit wrong, but I know I noticed

871
00:52:39,080 --> 00:52:42,640
Speaker 1: this fact. I think you describe poems like yo, it

872
00:52:42,800 --> 00:52:46,160
Speaker 1: is like the Games, the Burden, the Knobs. Then Homeboys. Yeah,

873
00:52:46,200 --> 00:52:49,960
Speaker 1: I did say that a Homeboys and your man in

874
00:52:50,080 --> 00:52:54,759
Speaker 1: stereo did happen as you said stereo? You're telling truth?

875
00:52:56,640 --> 00:52:58,719
Speaker 1: You said stereo? And he was like, because I was

876
00:52:58,760 --> 00:53:00,880
Speaker 1: walking to the back, I think I was what did

877
00:53:00,880 --> 00:53:03,600
Speaker 1: they call us at air hustling? Yeah, and we was

878
00:53:03,680 --> 00:53:06,200
Speaker 1: in the hallway parts like little Stu. That's a fact

879
00:53:06,200 --> 00:53:11,799
Speaker 1: that a little like he was wanting about you, you're

880
00:53:11,840 --> 00:53:13,880
Speaker 1: gonna do that. That's the shot. You can block the

881
00:53:14,160 --> 00:53:18,040
Speaker 1: ding out. You know what I'm saying. You're figuring that.

882
00:53:18,080 --> 00:53:21,560
Speaker 1: That's a fact. But now moving on, Now, moving on,

883
00:53:23,160 --> 00:53:25,799
Speaker 1: we have this demo. Now when you stepped to them,

884
00:53:25,880 --> 00:53:30,520
Speaker 1: you have a demo already. Yo, I'm not gonna I'm

885
00:53:30,520 --> 00:53:32,840
Speaker 1: not gonna lie. I got the l A late demoment

886
00:53:34,040 --> 00:53:38,840
Speaker 1: was yeah, because I don't remember. Isn't that what scored

887
00:53:40,400 --> 00:53:45,400
Speaker 1: white pass? You guys pressed up. That's the post had it,

888
00:53:48,440 --> 00:53:51,719
Speaker 1: that's game. Yeah's rest and his mother palms up to

889
00:53:52,040 --> 00:53:55,399
Speaker 1: S's moms passion. We actually soon as I get back, Yeah,

890
00:53:56,360 --> 00:54:01,960
Speaker 1: resting stress. Stretch actually went to his family. Is I know,

891
00:54:02,080 --> 00:54:05,279
Speaker 1: but this is not the country. This is before the

892
00:54:05,400 --> 00:54:09,440
Speaker 1: stretch Um and Banto's family factor came in because I

893
00:54:09,480 --> 00:54:14,200
Speaker 1: didn't tell y'all because the family do so so so

894
00:54:14,480 --> 00:54:17,319
Speaker 1: um I gave. I didn't tell y'all at the time

895
00:54:17,520 --> 00:54:19,640
Speaker 1: because you know, at the time he was going around

896
00:54:19,719 --> 00:54:22,200
Speaker 1: and you don't want to tell. It's like having an

897
00:54:22,320 --> 00:54:25,400
Speaker 1: army and you're about to go to war, but I

898
00:54:25,560 --> 00:54:29,640
Speaker 1: lost a couple of battles on a faction, A piece

899
00:54:29,680 --> 00:54:31,839
Speaker 1: of the army lost a battle over here. You don't

900
00:54:31,840 --> 00:54:34,399
Speaker 1: want to keep telling mother's because they lose more rack.

901
00:54:35,480 --> 00:54:37,759
Speaker 1: You gotta motivate, you know what I'm saying. So it's

902
00:54:37,800 --> 00:54:39,520
Speaker 1: certain ships that would go there and shot out that

903
00:54:39,560 --> 00:54:42,400
Speaker 1: will be said that I wouldn't necessarily say because I

904
00:54:42,520 --> 00:54:44,520
Speaker 1: know I'm like yo in my mind. First of all,

905
00:54:44,520 --> 00:54:47,840
Speaker 1: I'm gonna take a person if I see something nobody's

906
00:54:47,840 --> 00:54:51,879
Speaker 1: gonna deny me, flex and tell you that nobody's gonna

907
00:54:51,920 --> 00:54:54,160
Speaker 1: deny me. Once I believe it. My ship is like this,

908
00:54:54,960 --> 00:54:57,040
Speaker 1: and I died for that ship. You know what I'm saying.

909
00:54:57,080 --> 00:54:59,520
Speaker 1: So it's like, yo, alright, cool, I don't want to

910
00:54:59,600 --> 00:55:06,320
Speaker 1: tell him that I brung it overhead, and you know what,

911
00:55:06,360 --> 00:55:18,760
Speaker 1: I want to but because I think that's interesting, interesting,

912
00:55:19,040 --> 00:55:24,919
Speaker 1: that's that's shoving. Because yeah, because yeah, like you can't

913
00:55:25,040 --> 00:55:28,360
Speaker 1: you can't throw that in the air. For some young dudes,

914
00:55:28,440 --> 00:55:31,640
Speaker 1: that's I mean, he's just coming off the street, you know,

915
00:55:31,760 --> 00:55:33,880
Speaker 1: and they may not be may not be able to

916
00:55:34,000 --> 00:55:36,520
Speaker 1: decipher that and break that down without making them discover

917
00:55:36,600 --> 00:55:39,680
Speaker 1: So any long story, long ago, that's when I started

918
00:55:39,719 --> 00:55:43,680
Speaker 1: looking at like he actually you asked and about having

919
00:55:43,719 --> 00:55:46,040
Speaker 1: a vision or whatever. Like I said, I ain't gonna

920
00:55:46,080 --> 00:55:48,759
Speaker 1: lie's gonna say you no Christmas gifts because a lot

921
00:55:48,840 --> 00:55:50,759
Speaker 1: of times what it was is I would go off

922
00:55:50,840 --> 00:55:55,359
Speaker 1: the feedback. So I might have brung it over here,

923
00:55:56,320 --> 00:55:58,120
Speaker 1: that motherfucker might have shot it down, But think I'll

924
00:55:58,160 --> 00:56:00,320
Speaker 1: bring over here. And they said, yo, you know what,

925
00:56:00,480 --> 00:56:01,800
Speaker 1: I don't even want to bring it over here. But

926
00:56:01,840 --> 00:56:03,279
Speaker 1: I see what you're doing here. Let's just give you

927
00:56:03,360 --> 00:56:06,400
Speaker 1: something to help you out balance the scales. I'm like,

928
00:56:06,840 --> 00:56:09,239
Speaker 1: I'm taking all this in it. But when I by

929
00:56:09,280 --> 00:56:11,319
Speaker 1: the time I got the Martin, you know, I didn't

930
00:56:11,360 --> 00:56:13,280
Speaker 1: bring a demo. Now I don't know why. I remember

931
00:56:14,000 --> 00:56:16,800
Speaker 1: because I started saying, you know, you know what, I

932
00:56:16,920 --> 00:56:19,800
Speaker 1: don't make this ship like I'm like, I'm pitching something.

933
00:56:20,320 --> 00:56:23,239
Speaker 1: People won't take it in necessarily. But if I'm making

934
00:56:23,280 --> 00:56:26,520
Speaker 1: like I'm hitting them with some exclusive ship, they'll take

935
00:56:26,600 --> 00:56:30,520
Speaker 1: more time to appreciate for what it is. And I

936
00:56:30,640 --> 00:56:32,920
Speaker 1: remember because I was like, Yo, this thing is like

937
00:56:32,960 --> 00:56:36,239
Speaker 1: stretching Barbica just now, not like that. But you know

938
00:56:36,280 --> 00:56:39,560
Speaker 1: what I'm saying, y'all to use the underground, right so,

939
00:56:39,800 --> 00:56:41,239
Speaker 1: and you know where I'm home at, you know what

940
00:56:41,280 --> 00:56:44,560
Speaker 1: I'm saying. So I was like, you know what, give

941
00:56:44,680 --> 00:56:47,640
Speaker 1: give certain he's hit him with just the fucking song, Like,

942
00:56:48,120 --> 00:56:50,759
Speaker 1: don't try to make no demo, because initially we try to.

943
00:56:50,880 --> 00:56:53,600
Speaker 1: We try to go and put um and do the

944
00:56:53,600 --> 00:56:55,560
Speaker 1: ship for Puffs mix tasks, right that was for the

945
00:56:55,560 --> 00:56:58,160
Speaker 1: Bad Boy, and that ship like had me like damn,

946
00:56:58,440 --> 00:57:01,759
Speaker 1: that ship was like very discouraging. I really wanted I

947
00:57:01,840 --> 00:57:05,040
Speaker 1: really wanted us to make that that fucking you know

948
00:57:05,160 --> 00:57:08,239
Speaker 1: that that that car right there for Yeah, he did,

949
00:57:08,520 --> 00:57:10,759
Speaker 1: but we didn't necessarily make it. You know what I'm saying,

950
00:57:11,520 --> 00:57:24,280
Speaker 1: do that. You know I can't another thing case some point,

951
00:57:24,920 --> 00:57:27,880
Speaker 1: another thing, put some ship, just be it gets greater later.

952
00:57:28,440 --> 00:57:30,360
Speaker 1: But you know what I'm saying on for for me

953
00:57:31,080 --> 00:57:34,040
Speaker 1: seeing that, seeing what what we was doing, seeing what

954
00:57:34,120 --> 00:57:37,120
Speaker 1: we had, I just wanted us to keep it not

955
00:57:37,320 --> 00:57:40,160
Speaker 1: so much orthodox so we didn't get shot down. So

956
00:57:40,320 --> 00:57:42,240
Speaker 1: dude like we went to the sauce and went to

957
00:57:42,360 --> 00:57:44,960
Speaker 1: different dudes, not straight away from me, because that old

958
00:57:45,000 --> 00:57:47,640
Speaker 1: co is side, that old coined side with around that

959
00:57:47,760 --> 00:57:50,600
Speaker 1: same time, because now we're going to give it. I

960
00:57:50,640 --> 00:57:53,480
Speaker 1: forgot who it was the end of that sauce. No, no,

961
00:57:53,720 --> 00:58:00,240
Speaker 1: that's fine to check him vibe who No, No, it

962
00:58:00,320 --> 00:58:06,280
Speaker 1: was a rare rich rich but he was the editor.

963
00:58:06,360 --> 00:58:08,440
Speaker 1: Now he wasn't the editor of music editor like he

964
00:58:08,480 --> 00:58:15,840
Speaker 1: was he was. He went on the world from eminem. Yeah,

965
00:58:16,840 --> 00:58:21,280
Speaker 1: rig morally. So you know at the time, all these

966
00:58:21,360 --> 00:58:24,120
Speaker 1: things is put a little moving put this ship. I'm

967
00:58:24,160 --> 00:58:25,920
Speaker 1: not looking at it how I would look at it now,

968
00:58:26,040 --> 00:58:29,520
Speaker 1: like like a commander and be like old you know,

969
00:58:29,880 --> 00:58:32,320
Speaker 1: old press is good press. I didn't look at it

970
00:58:32,440 --> 00:58:35,400
Speaker 1: like that. I'm too so personally connected to I'm like Yo,

971
00:58:35,480 --> 00:58:39,320
Speaker 1: these motherfucker's ship. So now when we get the Vibe ship,

972
00:58:41,600 --> 00:58:45,960
Speaker 1: that's that's what's crazy, because you know it was crazy.

973
00:58:47,040 --> 00:58:49,760
Speaker 1: We we it felt I felt in that article, in

974
00:58:49,800 --> 00:58:52,160
Speaker 1: that interview he was trying to like at least I was.

975
00:58:52,240 --> 00:58:55,760
Speaker 1: I was trying to prove something and I went too far.

976
00:58:57,680 --> 00:59:00,440
Speaker 1: You said that it was crazy, right, I went too far,

977
00:59:00,920 --> 00:59:04,080
Speaker 1: slimmy jin because go ahead and tell him. You know,

978
00:59:04,160 --> 00:59:06,600
Speaker 1: I was pulled shirt and shot out. Then then because

979
00:59:07,280 --> 00:59:09,600
Speaker 1: I wasn't looking at your listen, this ship could come back.

980
00:59:09,920 --> 00:59:12,520
Speaker 1: He picked up the gun and got about putting his nick.

981
00:59:14,480 --> 00:59:18,120
Speaker 1: I came in and tell the truth. It was say

982
00:59:23,080 --> 00:59:28,320
Speaker 1: takes but the artist, wo happened? Two Dud was in

983
00:59:28,360 --> 00:59:30,960
Speaker 1: the room. Three D in the room, so I was,

984
00:59:31,280 --> 00:59:33,120
Speaker 1: I was in the fucking room. Yeah, I was like

985
00:59:33,240 --> 00:59:35,800
Speaker 1: my three He has a green others so in the

986
00:59:35,840 --> 00:59:41,000
Speaker 1: prophets wasazing to me green cop and he had a Microway,

987
00:59:42,080 --> 00:59:45,640
Speaker 1: ain't dry, everyone want dry? I love this guy's rich.

988
00:59:50,720 --> 00:59:53,800
Speaker 1: You know what I said. I didn't want I looked.

989
00:59:53,880 --> 00:59:59,160
Speaker 1: It was like nine eleven to breathe everywhere. Mind you,

990
00:59:59,240 --> 01:00:05,280
Speaker 1: we gotta act like we do this ship ply funny

991
01:00:06,080 --> 01:00:11,880
Speaker 1: basically for the room okay, there it wasn't there all

992
01:00:12,000 --> 01:00:17,200
Speaker 1: the same gun, Let's just be clear, it's why you accident.

993
01:00:17,280 --> 01:00:21,040
Speaker 1: I just let be gun. I don't know about this ship.

994
01:00:22,760 --> 01:00:34,560
Speaker 1: You know about this? You're right boy? Still because stars

995
01:00:34,840 --> 01:00:38,040
Speaker 1: should do our documentary. He needs to know it. Yes,

996
01:00:38,200 --> 01:00:42,840
Speaker 1: he needs to go the flowers stops shouldn't do. I

997
01:00:42,920 --> 01:00:45,920
Speaker 1: just don't understand why you didn't say he was in

998
01:00:46,000 --> 01:00:53,680
Speaker 1: the crib and the dumb separate yourself. I'm spared he

999
01:00:53,800 --> 01:01:03,960
Speaker 1: probably visiting. Don't let him do it today? We all okay,

1000
01:01:05,520 --> 01:01:09,640
Speaker 1: they can't hold hold on, hold on because there's another thing.

1001
01:01:10,400 --> 01:01:13,800
Speaker 1: Why it to aplicating into penalty. That was a big campaign.

1002
01:01:13,880 --> 01:01:17,760
Speaker 1: A part of our thing was people kept calling me

1003
01:01:18,240 --> 01:01:20,120
Speaker 1: because like I just seen on the train station. Man,

1004
01:01:20,160 --> 01:01:22,600
Speaker 1: I've gett that ship down and I'm just like what

1005
01:01:23,520 --> 01:01:25,600
Speaker 1: And I'm to about four weeks because you know, obviously

1006
01:01:25,640 --> 01:01:28,520
Speaker 1: back then we didn't have to we didn't have Instagram,

1007
01:01:28,640 --> 01:01:31,120
Speaker 1: so people were calling me or whatever I had, like,

1008
01:01:31,400 --> 01:01:34,960
Speaker 1: I don't I don't think two ways of I would

1009
01:01:35,160 --> 01:01:41,320
Speaker 1: call him. They're not fully telling me the story, so

1010
01:01:41,440 --> 01:01:43,240
Speaker 1: let's it went on for weeks because they think it

1011
01:01:43,240 --> 01:01:46,640
Speaker 1: ain't holding me down. They're like, yo, man, I've seen

1012
01:01:46,720 --> 01:01:51,720
Speaker 1: that ship. I was like, what. Meanwhile, when draft was

1013
01:01:51,840 --> 01:01:56,160
Speaker 1: doing was putting up a bone and no want tip

1014
01:01:56,280 --> 01:02:00,920
Speaker 1: post and myself I was he was on supposed trying

1015
01:02:00,920 --> 01:02:06,040
Speaker 1: to put you first. You gotta check. I'm just telling

1016
01:02:06,080 --> 01:02:09,120
Speaker 1: you these if you still about the course. So what

1017
01:02:09,240 --> 01:02:12,439
Speaker 1: I didn't know for weeks were there are a people

1018
01:02:12,520 --> 01:02:15,360
Speaker 1: that was calling me. It was warning me if you

1019
01:02:15,440 --> 01:02:24,080
Speaker 1: gotta realize they're speaking cold. That just saying, but I

1020
01:02:24,120 --> 01:02:25,840
Speaker 1: want No one called me north at the time like

1021
01:02:26,440 --> 01:02:32,160
Speaker 1: some people say, Um, you know, I saw and I heard,

1022
01:02:33,320 --> 01:02:35,240
Speaker 1: so you know, when I concene it, I tore it down.

1023
01:02:36,040 --> 01:02:40,080
Speaker 1: So I'm listening and I'm trying to like, what are

1024
01:02:40,120 --> 01:02:42,520
Speaker 1: they but I can't. And then this one call and

1025
01:02:42,640 --> 01:02:45,520
Speaker 1: it gets more decoded. Y'all saw it was only one

1026
01:02:45,600 --> 01:02:49,200
Speaker 1: last I took it down. It wasn't till a week

1027
01:02:49,360 --> 01:02:51,560
Speaker 1: later that I was actually got to see the post

1028
01:02:51,640 --> 01:02:55,240
Speaker 1: of myself where I'm like, wait a minute, No one

1029
01:02:55,400 --> 01:02:59,480
Speaker 1: told me about this promotion and then I found out,

1030
01:03:00,560 --> 01:03:02,840
Speaker 1: but I don't know about it. But I didn't know

1031
01:03:03,040 --> 01:03:06,600
Speaker 1: about this. We didn't know. I didn't know. First of all,

1032
01:03:07,600 --> 01:03:09,280
Speaker 1: we had to put up our posters. I didn't know

1033
01:03:09,440 --> 01:03:13,600
Speaker 1: that you know, omar agent to five, but Leave the

1034
01:03:13,720 --> 01:03:16,400
Speaker 1: chic was actually the people that was out there. You know,

1035
01:03:16,440 --> 01:03:18,600
Speaker 1: it's just putting it and it's gonna do it. So

1036
01:03:18,760 --> 01:03:20,480
Speaker 1: by the way, but it came to me even though

1037
01:03:20,560 --> 01:03:23,480
Speaker 1: I knew of it. I didn't. You don't understand what

1038
01:03:23,600 --> 01:03:26,320
Speaker 1: it was. I didn't understand because of the cold cold

1039
01:03:26,360 --> 01:03:29,800
Speaker 1: it was. It was a straight up saying y'all and

1040
01:03:29,920 --> 01:03:35,160
Speaker 1: took it down. That arguably, I don't know how much

1041
01:03:35,160 --> 01:03:39,479
Speaker 1: money that took, but that arguably it was a cheap

1042
01:03:39,920 --> 01:03:42,360
Speaker 1: just as much. Boss, that's an camp. Let me say

1043
01:03:43,040 --> 01:03:48,600
Speaker 1: how much. But you know what the next step was

1044
01:03:48,760 --> 01:03:52,160
Speaker 1: that made it even ella After that was the who

1045
01:03:52,200 --> 01:03:56,520
Speaker 1: the fund is components thinking it was okay, all right,

1046
01:03:56,560 --> 01:04:00,320
Speaker 1: but but this is the origin. I don't want leave.

1047
01:04:01,320 --> 01:04:04,240
Speaker 1: You came to us for a coast. I believe you.

1048
01:04:04,520 --> 01:04:07,080
Speaker 1: You just yeah, I didn't, and then you just did it.

1049
01:04:07,360 --> 01:04:09,520
Speaker 1: So I came to you and I said, listen, I'm

1050
01:04:09,560 --> 01:04:11,920
Speaker 1: gonna do something. You know what it was, thank you?

1051
01:04:13,000 --> 01:04:15,160
Speaker 1: But I should know what they were talking about, yeah,

1052
01:04:15,200 --> 01:04:17,200
Speaker 1: because I just I was like, ye'a all gonna do

1053
01:04:17,280 --> 01:04:20,200
Speaker 1: some one and sign. He was like, yeah, whatever, But

1054
01:04:20,640 --> 01:04:23,320
Speaker 1: I was, I was I had the bro go to

1055
01:04:23,440 --> 01:04:28,040
Speaker 1: the go to the library and duplicate this is a library.

1056
01:04:28,080 --> 01:04:31,080
Speaker 1: We didn't have computers like that public library in the

1057
01:04:31,160 --> 01:04:33,200
Speaker 1: way some of these guys over here when you said librries,

1058
01:04:33,240 --> 01:04:40,040
Speaker 1: like what then is that duplicate an actual one of

1059
01:04:40,160 --> 01:04:43,800
Speaker 1: FBI wanted post. Yeah, because I had I had to

1060
01:04:43,800 --> 01:04:45,800
Speaker 1: get your photo. I told you how to get past.

1061
01:04:46,400 --> 01:04:52,320
Speaker 1: But look, h picture it was the water poster. Yeah.

1062
01:04:52,400 --> 01:04:56,280
Speaker 1: You know, so when he's choling out when he says,

1063
01:04:57,280 --> 01:05:00,440
Speaker 1: dudes just talking and cold because they thought of wanting

1064
01:05:00,480 --> 01:05:04,080
Speaker 1: posts were rare. Yeah, but I said, if you have

1065
01:05:04,200 --> 01:05:13,440
Speaker 1: any information regarding these suspecs, it was hot always sort

1066
01:05:13,480 --> 01:05:18,240
Speaker 1: of far. It was hot ninety seven and and then

1067
01:05:19,000 --> 01:05:22,560
Speaker 1: simultaneously that's when we came with a Lane like right

1068
01:05:22,640 --> 01:05:25,760
Speaker 1: after that, and it kind of worked together. Man kind

1069
01:05:25,800 --> 01:05:29,400
Speaker 1: of worked out. Man kind of worked out. Yeah, and

1070
01:05:29,560 --> 01:05:32,080
Speaker 1: and and if you think about it, l A l

1071
01:05:32,160 --> 01:05:35,000
Speaker 1: A Tupac after it's a part of that record with

1072
01:05:35,080 --> 01:05:37,960
Speaker 1: Tupac because it's part to us. He's like, whoever else

1073
01:05:38,080 --> 01:05:43,400
Speaker 1: was one of y'all? Yeah, you kind of know that

1074
01:05:43,600 --> 01:05:46,600
Speaker 1: offended me. Now, this stuff that he didn't just us,

1075
01:05:46,680 --> 01:05:49,800
Speaker 1: you know, you know, ided me Wnna be honest with you.

1076
01:05:50,760 --> 01:05:52,520
Speaker 1: I never take my glasses. I don't want anybody to

1077
01:05:52,560 --> 01:05:57,000
Speaker 1: really really listen. I'm fifty fifty with that, fifty fifty

1078
01:05:57,120 --> 01:06:00,400
Speaker 1: with me, says I wanted Park to this us. Yeah, ye,

1079
01:06:01,200 --> 01:06:02,680
Speaker 1: persis like I don't know if I would have been

1080
01:06:02,760 --> 01:06:05,920
Speaker 1: able to take it. Yeah, Like I don't know, Like

1081
01:06:06,920 --> 01:06:10,480
Speaker 1: I don't know back then, like like right now, like

1082
01:06:10,560 --> 01:06:13,000
Speaker 1: I know how to respond because now I know how

1083
01:06:13,040 --> 01:06:17,760
Speaker 1: to funk with my Instagram. Yeah, I understanding that, you

1084
01:06:17,840 --> 01:06:19,400
Speaker 1: know what, I canna understand that too. That's what I

1085
01:06:19,480 --> 01:06:22,520
Speaker 1: tell you that if the all the way Greenberry, I

1086
01:06:22,680 --> 01:06:24,680
Speaker 1: was like I even told you as recently like not

1087
01:06:24,880 --> 01:06:27,800
Speaker 1: jumping off but everything Coin signs playing like Yo, man,

1088
01:06:28,040 --> 01:06:30,680
Speaker 1: I'm proud of you. I mean that I'm saying, I'm

1089
01:06:30,680 --> 01:06:32,000
Speaker 1: proud of both of you. But I'm proud of you

1090
01:06:32,080 --> 01:06:35,320
Speaker 1: because I understand what this ship takes in a sense

1091
01:06:35,400 --> 01:06:38,280
Speaker 1: like coming from that that the fabric we come from,

1092
01:06:39,560 --> 01:06:41,680
Speaker 1: and not taking a certain ship personal because I would

1093
01:06:41,720 --> 01:06:45,000
Speaker 1: get comments in my hand start swaying because because I

1094
01:06:45,040 --> 01:06:47,200
Speaker 1: don't know where I come from, you don't know you're

1095
01:06:47,240 --> 01:06:50,080
Speaker 1: throwing Frank sin ship on my ship. Like I know

1096
01:06:50,080 --> 01:06:54,240
Speaker 1: what I'm saying at the time because because I don't

1097
01:06:54,320 --> 01:06:56,480
Speaker 1: understand how to how to how to take that in

1098
01:06:56,600 --> 01:07:05,360
Speaker 1: you know what I'm saying. These dudes just ensuing say

1099
01:07:05,440 --> 01:07:08,760
Speaker 1: crazy ship, and I'm like the fun But now I

1100
01:07:08,920 --> 01:07:13,680
Speaker 1: thought high because you don't know about the block button.

1101
01:07:14,400 --> 01:07:17,840
Speaker 1: It's amazing. Oh yeah, hell yeah, but you gotta get it,

1102
01:07:18,400 --> 01:07:21,320
Speaker 1: No freaking gotta get a hit block because then you

1103
01:07:21,360 --> 01:07:31,960
Speaker 1: don't know what the black with the blood he say. Okay, Mail,

1104
01:07:32,040 --> 01:07:34,520
Speaker 1: I heard you say that earlier. Who the fun? The

1105
01:07:34,680 --> 01:07:38,080
Speaker 1: component Noriega stickers. You guys had windoms up those clickers

1106
01:07:38,240 --> 01:07:40,720
Speaker 1: as well. Oh no, this just came along after the

1107
01:07:40,800 --> 01:07:43,440
Speaker 1: music came after the music. Okay, and the music is

1108
01:07:44,920 --> 01:07:49,720
Speaker 1: pretty earlier undertaking a single. Yeah, first Dames on the

1109
01:07:49,760 --> 01:07:53,640
Speaker 1: single and we just blooded this ship every fun everything'll

1110
01:07:53,640 --> 01:07:57,120
Speaker 1: see it today. I still westside of you gotta be

1111
01:07:57,240 --> 01:08:01,200
Speaker 1: a dirty cremace clicker. You might. I've seen a few plas.

1112
01:08:01,240 --> 01:08:03,200
Speaker 1: What's the single? What's the single that you're saying? Is

1113
01:08:03,240 --> 01:08:11,680
Speaker 1: it l a late life legal stick you stick you? Yes,

1114
01:08:11,800 --> 01:08:17,000
Speaker 1: it was stick had the ready great sticker stick you got.

1115
01:08:19,640 --> 01:08:22,200
Speaker 1: They was hitting us after label told they're gonna do something.

1116
01:08:22,240 --> 01:08:25,640
Speaker 1: That's what we're going to that was the craziest thing

1117
01:08:25,720 --> 01:08:29,439
Speaker 1: of the record was round, Like we really wanted to stick.

1118
01:08:30,360 --> 01:08:46,439
Speaker 1: We're not right, but we definitely it wasn't It was definitely. Man,

1119
01:08:46,960 --> 01:08:49,280
Speaker 1: I was just sucking stick you with the red and

1120
01:08:49,400 --> 01:08:52,960
Speaker 1: silver sticking. That's fact. That's a factual. I think we

1121
01:08:53,040 --> 01:08:55,000
Speaker 1: did like a half a million just in New York.

1122
01:08:55,640 --> 01:09:07,760
Speaker 1: That makes a drink many because um, you know, Neil,

1123
01:09:07,800 --> 01:09:14,160
Speaker 1: I'm gonna tell you something. The whole time being on Penalty,

1124
01:09:14,880 --> 01:09:20,439
Speaker 1: the success that Penalty had, I never knew it was

1125
01:09:20,520 --> 01:09:30,559
Speaker 1: an independently that it was a major felt yeah things

1126
01:09:30,680 --> 01:09:36,479
Speaker 1: where Yeah, that's the fact. I can test that, that's

1127
01:09:36,479 --> 01:09:39,240
Speaker 1: a fact. I mean, that's why I was, you know,

1128
01:09:39,280 --> 01:09:41,519
Speaker 1: so louting you earlier, because that's what I was trying

1129
01:09:41,560 --> 01:09:45,879
Speaker 1: to establish, was you know, And that's with no disrespect

1130
01:09:45,920 --> 01:09:48,280
Speaker 1: to anybody else that was on Penalty prior to us.

1131
01:09:48,320 --> 01:09:50,760
Speaker 1: I think, um to pick up the law Finesse was

1132
01:09:50,920 --> 01:09:54,080
Speaker 1: also I also invited here and also was on the

1133
01:09:54,160 --> 01:09:57,120
Speaker 1: Worry for the album. I mean, but wow, but I

1134
01:09:57,360 --> 01:10:01,160
Speaker 1: didn't know any like what what alreadywhere at that time,

1135
01:10:01,880 --> 01:10:06,680
Speaker 1: and that at this time, although Mark Deep was a

1136
01:10:06,880 --> 01:10:10,200
Speaker 1: very underground based group, they was coming back with hardware

1137
01:10:10,800 --> 01:10:12,240
Speaker 1: you know they was coming back with that, you know

1138
01:10:12,280 --> 01:10:14,800
Speaker 1: what I mean? So what what what? What was it

1139
01:10:15,360 --> 01:10:18,040
Speaker 1: trying to depend again, like just to just to kind

1140
01:10:18,080 --> 01:10:20,400
Speaker 1: of like circulate around it again. It's like and I

1141
01:10:20,520 --> 01:10:22,760
Speaker 1: gotta you know, we all go through our things, but

1142
01:10:22,880 --> 01:10:25,560
Speaker 1: I gotta I gotta say thank you for giving me

1143
01:10:25,560 --> 01:10:34,240
Speaker 1: a chance. Man, Well, I you go through things, thank

1144
01:10:34,240 --> 01:10:37,000
Speaker 1: you to give me a chance. I'm tlings tucking my stomach,

1145
01:10:37,200 --> 01:10:39,880
Speaker 1: but you know, I'm you know what I'm saying because

1146
01:10:40,280 --> 01:10:42,519
Speaker 1: when you look back, like you said something deep, man,

1147
01:10:42,720 --> 01:10:47,040
Speaker 1: sometime you get off and I'm saying free. So you

1148
01:10:47,120 --> 01:10:49,639
Speaker 1: said you don't realize that you have to lose it. Yeah,

1149
01:10:50,000 --> 01:10:53,240
Speaker 1: So when I looked at now, I'm like, damn, yo,

1150
01:10:54,439 --> 01:10:57,439
Speaker 1: I would do anything. Had that right now, you don't

1151
01:10:57,479 --> 01:11:00,760
Speaker 1: have people and take chances anymore. It's phone your lady,

1152
01:11:01,080 --> 01:11:03,760
Speaker 1: the music and phone your lady. He took a chance

1153
01:11:03,800 --> 01:11:07,960
Speaker 1: for somebody. Well appreciate the analytics. And it's it's so

1154
01:11:08,160 --> 01:11:11,920
Speaker 1: different again, you know, for for for us, he didn't

1155
01:11:11,920 --> 01:11:14,599
Speaker 1: even have a demo. It's like, wow, you know, who

1156
01:11:14,680 --> 01:11:17,559
Speaker 1: does that? Like who does that? Hold? He just says

1157
01:11:17,600 --> 01:11:21,880
Speaker 1: something so crazy right now, every just said he didn't

1158
01:11:21,920 --> 01:11:24,639
Speaker 1: even have a demo. I don't know, he said, Now,

1159
01:11:25,880 --> 01:11:30,040
Speaker 1: analytics numbers, it's not a and R. It's research. But

1160
01:11:30,160 --> 01:11:32,720
Speaker 1: you know what, as we say that, you know what,

1161
01:11:34,960 --> 01:11:37,560
Speaker 1: it's so deeper though, as when we say that, we

1162
01:11:37,640 --> 01:11:43,320
Speaker 1: gotta look at us, and he gets you can't just look.

1163
01:11:43,479 --> 01:11:46,200
Speaker 1: That's why ship is not being broken. That's why I

1164
01:11:46,280 --> 01:11:49,000
Speaker 1: gotta say this, Anther cut you. That's why ship is

1165
01:11:49,080 --> 01:11:52,000
Speaker 1: not changings. Drink up too, because it's not for me.

1166
01:11:52,160 --> 01:11:55,000
Speaker 1: Everybody's going over a good time. And they say math

1167
01:11:55,080 --> 01:11:57,960
Speaker 1: don't lie. But the gut no saying that the soul

1168
01:11:58,120 --> 01:12:01,600
Speaker 1: is gone, the oland is gone to fucking you know,

1169
01:12:02,200 --> 01:12:06,719
Speaker 1: the instincts like survival. It's instincts, you know what I'm saying.

1170
01:12:06,800 --> 01:12:09,760
Speaker 1: It's innate, it's natural. The naturality of the ship is

1171
01:12:10,080 --> 01:12:15,080
Speaker 1: being lost because it's all about analytics. Analytics constitutes dollars

1172
01:12:15,120 --> 01:12:17,800
Speaker 1: which we gotta make. But you made money just off

1173
01:12:17,880 --> 01:12:20,280
Speaker 1: your instincts. I think that makes you greater later, know

1174
01:12:20,280 --> 01:12:22,840
Speaker 1: what I'm saying, anything count, but that's real ship. But

1175
01:12:23,000 --> 01:12:25,840
Speaker 1: remember Matt does a lot. Because it's proven that they

1176
01:12:25,960 --> 01:12:31,639
Speaker 1: paying for that. Math paid for that for It's not math,

1177
01:12:32,080 --> 01:12:38,160
Speaker 1: you know what I'm saying, Paying for number, numbers for numbers. Yeah,

1178
01:12:38,760 --> 01:12:42,559
Speaker 1: but it's not actually math can for numbers alternate side,

1179
01:12:42,640 --> 01:12:49,479
Speaker 1: it's altering, altering pay to getting to change. Imagine how

1180
01:12:49,600 --> 01:12:52,519
Speaker 1: much how many creative or how many artists were losing

1181
01:12:52,560 --> 01:12:55,280
Speaker 1: because no one's taking a chance on the gut field

1182
01:12:56,640 --> 01:12:58,720
Speaker 1: on what they hear. We're just going off of these

1183
01:12:58,800 --> 01:13:01,439
Speaker 1: numbers that are bought and so. And that's what I said,

1184
01:13:01,479 --> 01:13:03,640
Speaker 1: Let's keep it because dudes like, YO, this money. I

1185
01:13:03,760 --> 01:13:05,720
Speaker 1: was like, Yo, but these dude believe in the ship.

1186
01:13:06,400 --> 01:13:08,759
Speaker 1: Who's gonna put out tea on WI is the first single?

1187
01:13:09,160 --> 01:13:11,400
Speaker 1: You can't tell me. I don't killing nobody say I

1188
01:13:11,520 --> 01:13:14,760
Speaker 1: know the ship. You can't tell me. Another lady at

1189
01:13:14,840 --> 01:13:18,080
Speaker 1: that time put a single when they wanted that. I

1190
01:13:18,200 --> 01:13:21,120
Speaker 1: was like, Yo, these motherfucker's understand because because I was like,

1191
01:13:21,240 --> 01:13:29,320
Speaker 1: that's the one. To that point, we were on a

1192
01:13:29,400 --> 01:13:32,519
Speaker 1: different wavelengths. Like you know this guy Nil when he

1193
01:13:32,720 --> 01:13:34,960
Speaker 1: you know, plucked me out of college to work out

1194
01:13:35,040 --> 01:13:37,680
Speaker 1: round the globe. He was like, you know, I'm here

1195
01:13:37,720 --> 01:13:41,160
Speaker 1: from New York. But he he was like promoting like

1196
01:13:41,360 --> 01:13:43,960
Speaker 1: ice Cube, promoting like shipped from the Dirty South, like

1197
01:13:44,080 --> 01:13:46,519
Speaker 1: before it was popular in New York. My my ears

1198
01:13:46,560 --> 01:13:48,200
Speaker 1: were like tuning into what was happening in New York.

1199
01:13:48,280 --> 01:13:52,320
Speaker 1: But he was promoting records from all over this you

1200
01:13:52,360 --> 01:14:02,320
Speaker 1: know what I'm saying. I mean, it's the first time

1201
01:14:02,360 --> 01:14:04,600
Speaker 1: I heard about getting different wavelength in terms of just

1202
01:14:04,720 --> 01:14:07,360
Speaker 1: just just finding like like you said, zoning into like

1203
01:14:07,760 --> 01:14:09,680
Speaker 1: the gut and zoning it into that and not not

1204
01:14:09,800 --> 01:14:12,360
Speaker 1: the math and magic. He did have math, Mark, you

1205
01:14:12,439 --> 01:14:16,360
Speaker 1: have only this budget to sign and an album. That's

1206
01:14:16,400 --> 01:14:19,040
Speaker 1: why a lot of ship didn't get signed. One thing

1207
01:14:19,080 --> 01:14:23,040
Speaker 1: I'll tell you that you make it makes sense, it

1208
01:14:23,120 --> 01:14:26,439
Speaker 1: make money, You'll find it, You'll find And I had

1209
01:14:26,479 --> 01:14:29,760
Speaker 1: to learn that later on. But you know, because of

1210
01:14:29,800 --> 01:14:32,240
Speaker 1: the war report to tell you the truth, and I

1211
01:14:32,320 --> 01:14:37,760
Speaker 1: say this, um um, I was telling Diego earlier or

1212
01:14:38,040 --> 01:14:40,559
Speaker 1: or Diego broke it up and I was sitting there.

1213
01:14:40,600 --> 01:14:43,240
Speaker 1: I was like, yo, to this day, you know, I

1214
01:14:43,320 --> 01:14:44,800
Speaker 1: knew how, I knew how I knew how to not

1215
01:14:44,960 --> 01:14:48,320
Speaker 1: play with the budget because of what trash tragic And

1216
01:14:48,360 --> 01:14:50,920
Speaker 1: then like listen, I dude, like what are y'all doing?

1217
01:14:51,120 --> 01:14:53,800
Speaker 1: Like I'm saying that, And and Mark, you know because

1218
01:14:53,880 --> 01:14:56,519
Speaker 1: later on in Good Life and and Neil, I would

1219
01:14:56,560 --> 01:14:59,479
Speaker 1: never play with the studio because of the war report.

1220
01:15:00,160 --> 01:15:03,960
Speaker 1: So it was such a so so so must magical

1221
01:15:04,120 --> 01:15:08,200
Speaker 1: session was what was your favorite session? You know, being

1222
01:15:08,200 --> 01:15:12,600
Speaker 1: a part of a witnessing one of my favorite. You know, man,

1223
01:15:12,640 --> 01:15:17,800
Speaker 1: you're going to pack. You can't. You can't do it,

1224
01:15:21,520 --> 01:15:24,599
Speaker 1: to be honest, you can't even you can't even really

1225
01:15:25,320 --> 01:15:29,360
Speaker 1: like the sessions was so crazy. It's all the hallway action,

1226
01:15:29,720 --> 01:15:31,920
Speaker 1: like you know what I'm saying, like, and and then

1227
01:15:32,040 --> 01:15:35,040
Speaker 1: on top of that, I wasn't really like official staff,

1228
01:15:35,080 --> 01:15:37,080
Speaker 1: so it was like you don't want to overstep or whatever,

1229
01:15:37,240 --> 01:15:40,200
Speaker 1: but you know, like just seeing your guys and just

1230
01:15:40,400 --> 01:15:42,280
Speaker 1: doing it, and you know, of course being part of

1231
01:15:42,320 --> 01:15:44,400
Speaker 1: the you know when we did the reunion and n

1232
01:15:44,600 --> 01:15:50,280
Speaker 1: R E and all of that ship right yo yo,

1233
01:15:50,400 --> 01:15:52,280
Speaker 1: I was gonna say parself. I was gonna say that

1234
01:15:52,360 --> 01:15:56,599
Speaker 1: because you want the hallway action was crazy. That's why

1235
01:15:56,680 --> 01:15:59,439
Speaker 1: when he asked you, I just don't thought. I was like, oh, ship,

1236
01:16:00,080 --> 01:16:06,080
Speaker 1: remember it was a session. Is that unique forty seven

1237
01:16:06,120 --> 01:16:10,599
Speaker 1: street stop? That such ship forty seven seven or one

1238
01:16:10,640 --> 01:16:16,799
Speaker 1: forty forty seventh Street and Broadway seventh frogs seven frogs,

1239
01:16:17,680 --> 01:16:21,200
Speaker 1: so barrels over some barrels. Tony Rome was across the street.

1240
01:16:21,240 --> 01:16:24,800
Speaker 1: So we upend up. I didn't know that white some creem.

1241
01:16:25,800 --> 01:16:27,439
Speaker 1: Did you creep over there and get a rap beef

1242
01:16:27,600 --> 01:16:31,280
Speaker 1: rim to the coast? Slow? No, I was gonna me

1243
01:16:31,760 --> 01:16:36,960
Speaker 1: your buzzet was pluck you and fucking get to out.

1244
01:16:39,880 --> 01:16:42,360
Speaker 1: They was checking it from town cars. I'm tying the

1245
01:16:42,439 --> 01:16:48,400
Speaker 1: real I remember coming in. You showed me to stay well,

1246
01:16:51,800 --> 01:16:58,280
Speaker 1: keep out. I was gonna budget. Now, let's keep it Greensbury.

1247
01:16:58,720 --> 01:17:02,000
Speaker 1: Let's keep it Greenberry. Now. I woke into Nelson trying

1248
01:17:02,040 --> 01:17:04,120
Speaker 1: I gonna talk to you. Don't talk to me like that.

1249
01:17:05,240 --> 01:17:06,560
Speaker 1: They don't know what did you don't talk to me

1250
01:17:06,680 --> 01:17:08,320
Speaker 1: like that? He said, you're trying to got the chunk.

1251
01:17:08,400 --> 01:17:12,600
Speaker 1: John's on the office and the office and I was like,

1252
01:17:12,720 --> 01:17:18,320
Speaker 1: you know what, what is this? What I'm only talking about, yo?

1253
01:17:18,439 --> 01:17:24,960
Speaker 1: The budget for the car? Getting getting serious, I said, yo, man,

1254
01:17:25,280 --> 01:17:27,000
Speaker 1: And then he showed me. I think it had like

1255
01:17:27,120 --> 01:17:30,040
Speaker 1: a had like an addressing ship like where at the

1256
01:17:30,160 --> 01:17:36,599
Speaker 1: time he stopped the correct don't even a house. You're

1257
01:17:36,640 --> 01:17:39,160
Speaker 1: taking this car and go for your man, and this

1258
01:17:39,560 --> 01:17:44,679
Speaker 1: it wasn't really well this door. It was like crazy

1259
01:17:44,760 --> 01:17:47,880
Speaker 1: for that ship cause only two hours he went there.

1260
01:17:48,000 --> 01:17:56,320
Speaker 1: I went to connect to McDonald's over the trying. I said, amazing,

1261
01:17:57,080 --> 01:18:00,680
Speaker 1: talk to Morton about it. You were talking at the time.

1262
01:18:02,920 --> 01:18:10,920
Speaker 1: So I'm like, yo, chicken wing budget house. So that's

1263
01:18:11,000 --> 01:18:12,639
Speaker 1: kind of like when he was like, yo, bringing brother.

1264
01:18:12,840 --> 01:18:15,280
Speaker 1: She has a lot of alue shit. I'm like, my fun,

1265
01:18:15,720 --> 01:18:18,439
Speaker 1: you didn't bringing things to the show case ten sax

1266
01:18:19,600 --> 01:18:29,560
Speaker 1: chicken wings chicken. Yeah. So okay, boom, now we we

1267
01:18:30,600 --> 01:18:33,040
Speaker 1: was it from Flex because I know you said you

1268
01:18:33,080 --> 01:18:36,240
Speaker 1: didn't discover something funk Flex, but we did a classic

1269
01:18:36,479 --> 01:18:41,320
Speaker 1: monument to funk flex freestyle and then that's kind of

1270
01:18:41,680 --> 01:18:43,559
Speaker 1: what set it off right before too. I think that's

1271
01:18:43,600 --> 01:18:47,600
Speaker 1: when we did it deal and m M, I remember this.

1272
01:18:47,880 --> 01:18:50,120
Speaker 1: I ain't gonna lie. That seems kind of I don't

1273
01:18:50,240 --> 01:18:55,160
Speaker 1: remember Jaggie that around, like because I remember going to

1274
01:18:55,320 --> 01:18:57,519
Speaker 1: see Flex. You know what a big he was there

1275
01:18:57,560 --> 01:18:59,880
Speaker 1: that there. No, this is later, this is later, okay,

1276
01:19:00,760 --> 01:19:03,920
Speaker 1: and this is a little later because I remember just

1277
01:19:04,080 --> 01:19:06,639
Speaker 1: even get him to getting him to like even Flex

1278
01:19:06,760 --> 01:19:11,560
Speaker 1: was fronting on us listen to the record and he

1279
01:19:11,680 --> 01:19:14,720
Speaker 1: says it to this day, you don't like So I

1280
01:19:14,880 --> 01:19:17,840
Speaker 1: remember him fronting on the record and I'm like, oh, bro, like,

1281
01:19:17,960 --> 01:19:20,519
Speaker 1: who is doing like you can't do this. You have

1282
01:19:20,680 --> 01:19:22,840
Speaker 1: to a lot of things. He is not a lie,

1283
01:19:23,240 --> 01:19:25,160
Speaker 1: and he seems like when I've seen the research that

1284
01:19:26,439 --> 01:19:28,760
Speaker 1: when I'm telling you telling me all the time. So

1285
01:19:29,760 --> 01:19:32,679
Speaker 1: I'm like, yo, bro, you can't. You can't like fronting

1286
01:19:32,760 --> 01:19:35,280
Speaker 1: this record right here because one you didn't never listen

1287
01:19:35,360 --> 01:19:38,320
Speaker 1: to it. Because I can tell you you don't have

1288
01:19:38,439 --> 01:19:40,559
Speaker 1: nothing to say about it. You know how somebody who

1289
01:19:40,600 --> 01:19:42,679
Speaker 1: gives somebody something. But you want me to defending flex

1290
01:19:42,760 --> 01:19:45,240
Speaker 1: without defending let me let me get because because this

1291
01:19:45,320 --> 01:19:48,439
Speaker 1: is because in essence, I'm really complimenting it when I

1292
01:19:48,560 --> 01:19:51,960
Speaker 1: when I get through it, because you know, you give

1293
01:19:52,000 --> 01:19:55,880
Speaker 1: somebody something and normally if they funked with it, they're

1294
01:19:55,920 --> 01:19:58,200
Speaker 1: gonna tell you why they're not gonna funk with it.

1295
01:19:59,160 --> 01:20:02,120
Speaker 1: He didn't do that, just like yo, because so am

1296
01:20:02,120 --> 01:20:03,880
Speaker 1: I like, oh, you ain't even listen to the ship.

1297
01:20:04,560 --> 01:20:06,960
Speaker 1: But I was like all right, cool. I was like, alright, cool,

1298
01:20:07,000 --> 01:20:08,800
Speaker 1: I see how I gotta do this. Dude. I'm gonna

1299
01:20:09,160 --> 01:20:11,240
Speaker 1: just be in his face every time you look up.

1300
01:20:11,439 --> 01:20:13,360
Speaker 1: I'm not gonna say nothing to him. I'm not gonna

1301
01:20:13,360 --> 01:20:15,600
Speaker 1: ask him to play it again. Every he's gonna know

1302
01:20:15,680 --> 01:20:17,640
Speaker 1: when he looks at me why I'm here, and we

1303
01:20:17,760 --> 01:20:19,760
Speaker 1: just walk away, you know what I'm saying. So I

1304
01:20:19,840 --> 01:20:23,439
Speaker 1: would go anywhere he was at. I win, can't break out.

1305
01:20:27,640 --> 01:20:30,040
Speaker 1: I pop up at the tunnel sometimes if I have

1306
01:20:30,160 --> 01:20:32,880
Speaker 1: no money, we keep it greenberry. But I got just

1307
01:20:33,040 --> 01:20:35,519
Speaker 1: enough to get a bottle. And if you win the tonnel,

1308
01:20:35,920 --> 01:20:38,760
Speaker 1: the floor was like in Boof was up there, and

1309
01:20:38,800 --> 01:20:41,920
Speaker 1: I'd go like this, so he can't. He can't not

1310
01:20:42,120 --> 01:20:45,840
Speaker 1: look at me because he's like this now reflects me

1311
01:20:45,960 --> 01:20:48,720
Speaker 1: here and they don't drink, but take your yeah, and

1312
01:20:48,800 --> 01:20:53,400
Speaker 1: I want you to take it bottle and I break out.

1313
01:20:53,640 --> 01:20:56,640
Speaker 1: Kept doing that for dumb low and then we went

1314
01:20:56,720 --> 01:20:58,400
Speaker 1: up too hot Lady Cheven. Now this is when we

1315
01:20:58,439 --> 01:21:01,479
Speaker 1: go to Hani Chevon and he's like yo, y'all off

1316
01:21:01,560 --> 01:21:04,840
Speaker 1: to the side a little bit. And obviously I can

1317
01:21:04,880 --> 01:21:07,000
Speaker 1: tell he didn't really know us, because even me before

1318
01:21:07,040 --> 01:21:08,679
Speaker 1: saying because he was like, yoh man, I don't really

1319
01:21:08,720 --> 01:21:10,639
Speaker 1: feel it. But you know what, That's why I say.

1320
01:21:11,040 --> 01:21:14,040
Speaker 1: He's official in his way and he's a leo like me,

1321
01:21:14,760 --> 01:21:15,920
Speaker 1: so he got to be calling it. You know what

1322
01:21:15,920 --> 01:21:20,360
Speaker 1: I'm saying, so factual you already know. So I was

1323
01:21:20,479 --> 01:21:23,040
Speaker 1: like something came to me like, there's a lot of

1324
01:21:23,120 --> 01:21:25,280
Speaker 1: magic in this album. Man, it's just just ship to me.

1325
01:21:26,840 --> 01:21:29,560
Speaker 1: When he said that, something came to my mind that

1326
01:21:29,760 --> 01:21:33,160
Speaker 1: happened that I happened to be in the room when

1327
01:21:33,200 --> 01:21:35,920
Speaker 1: they bring him the wood chain record. I remember what

1328
01:21:36,040 --> 01:21:38,639
Speaker 1: he said. He was like, Yo, that's gonna never go nowhere.

1329
01:21:39,600 --> 01:21:45,720
Speaker 1: Well so now I'm like, he's like, yeah, I said, Yo,

1330
01:21:46,280 --> 01:21:49,439
Speaker 1: you said wood change weren't going to where he was stuck.

1331
01:21:51,680 --> 01:21:57,800
Speaker 1: That's how you he said. But that's you're for the brows.

1332
01:22:00,800 --> 01:22:06,040
Speaker 1: I couldn't saying now Flix gave it to him any

1333
01:22:06,120 --> 01:22:09,040
Speaker 1: any any fucking that's when we went up there, and

1334
01:22:09,120 --> 01:22:12,960
Speaker 1: we went up there. Big was there? No? Big was

1335
01:22:13,120 --> 01:22:15,840
Speaker 1: that was that? That wasn't that time? Anyway, he plays

1336
01:22:15,880 --> 01:22:19,000
Speaker 1: the record, I aven fun. He plays the record, and

1337
01:22:19,720 --> 01:22:24,519
Speaker 1: after he played the record, he it wasn't It wasn't

1338
01:22:24,600 --> 01:22:27,200
Speaker 1: till wide though. It wasn't nilling what you know what

1339
01:22:27,320 --> 01:22:32,519
Speaker 1: it was. I wasn't even note that fun see that

1340
01:22:32,680 --> 01:22:34,600
Speaker 1: this time is shaky. I remember my ship at that

1341
01:22:34,840 --> 01:22:36,720
Speaker 1: a time of shaky because a lot was going on,

1342
01:22:37,680 --> 01:22:39,080
Speaker 1: a lot was there was a lot of stretch in

1343
01:22:39,120 --> 01:22:42,680
Speaker 1: the air. Because Phil woke with me, because I was

1344
01:22:42,680 --> 01:22:46,360
Speaker 1: about to go. I was about to go earlier on

1345
01:22:48,160 --> 01:22:54,320
Speaker 1: Uh it was paradox and that's why. That's why Martin

1346
01:22:54,880 --> 01:22:56,640
Speaker 1: convinced me. It's like, yo, you gotta put that on

1347
01:22:56,720 --> 01:22:59,280
Speaker 1: them or album. I didn't want to do it because

1348
01:22:59,280 --> 01:23:02,600
Speaker 1: I didn't want you take away from my manch I

1349
01:23:02,640 --> 01:23:04,720
Speaker 1: didn't want to take it that record. I didn't want

1350
01:23:04,720 --> 01:23:08,280
Speaker 1: to take away from my mask me every day to

1351
01:23:08,360 --> 01:23:10,360
Speaker 1: put that. And I was like, now because in my mind,

1352
01:23:10,479 --> 01:23:13,439
Speaker 1: I didn't want people I'm not trying to at the time,

1353
01:23:13,479 --> 01:23:16,640
Speaker 1: you want to overshadow him. Because I was like, no,

1354
01:23:16,720 --> 01:23:18,720
Speaker 1: I don't want to problem. I gotta stop before a

1355
01:23:18,720 --> 01:23:21,240
Speaker 1: little bit because Doug Paradise was still after to or what.

1356
01:23:22,320 --> 01:23:29,680
Speaker 1: It was still a telling why before whatever the drying was,

1357
01:23:31,000 --> 01:23:32,920
Speaker 1: because you know what I wanta tell you? Why don't

1358
01:23:33,080 --> 01:23:36,280
Speaker 1: combredation was before because him get it definitely before the

1359
01:23:36,640 --> 01:23:39,760
Speaker 1: album because they forced me to get that third verse

1360
01:23:39,840 --> 01:23:41,320
Speaker 1: when I felt like, yeah, I remember that. I felt like,

1361
01:23:41,360 --> 01:23:43,840
Speaker 1: Doug Paradise is perfect with just your poem, and it

1362
01:23:44,000 --> 01:23:45,960
Speaker 1: was like, you know, to make it a component Mariaga record,

1363
01:23:46,240 --> 01:23:48,360
Speaker 1: I would have to get on that recordly right, because

1364
01:23:48,840 --> 01:23:52,559
Speaker 1: he was already like flex already into it. I gave

1365
01:23:52,600 --> 01:23:55,639
Speaker 1: him the DJ. It was like it had that old

1366
01:23:55,680 --> 01:24:01,080
Speaker 1: school that short day, so like that I gotta be

1367
01:24:01,280 --> 01:24:03,840
Speaker 1: you know, it was it, But what it was, I'll

1368
01:24:03,880 --> 01:24:06,320
Speaker 1: tell you what it was. We were still working on

1369
01:24:06,400 --> 01:24:10,600
Speaker 1: the album. We did tell on why it wasn't in

1370
01:24:10,720 --> 01:24:12,439
Speaker 1: that form way. We was even raid to choose this.

1371
01:24:14,439 --> 01:24:18,760
Speaker 1: Suld added later too, Yeah, because because in my mind

1372
01:24:18,840 --> 01:24:21,920
Speaker 1: till on what came out first. I remember that I

1373
01:24:22,000 --> 01:24:33,000
Speaker 1: too came out. It wasn't before we did it was right,

1374
01:24:33,880 --> 01:24:36,519
Speaker 1: you got no, that's right. I remember that I came

1375
01:24:36,560 --> 01:24:38,160
Speaker 1: out when I was in YAP. That's right. I was

1376
01:24:38,200 --> 01:24:40,479
Speaker 1: getting sick as remember I used to Right, we shot

1377
01:24:40,600 --> 01:24:42,559
Speaker 1: the video, but we did the same I was going

1378
01:24:42,600 --> 01:24:45,920
Speaker 1: away like a week in a week were going away,

1379
01:24:46,520 --> 01:24:49,639
Speaker 1: That's right. We did try the way that that weekend

1380
01:24:49,720 --> 01:24:51,720
Speaker 1: before we shot the video, and I want to say

1381
01:24:51,840 --> 01:24:57,200
Speaker 1: thank you for crash hit cars still making it away

1382
01:24:58,760 --> 01:25:02,720
Speaker 1: was definitely after but yeah, because we didn't. I kicked.

1383
01:25:02,920 --> 01:25:04,760
Speaker 1: I kicked the judge in the face. The judge in

1384
01:25:04,760 --> 01:25:10,840
Speaker 1: the face. Oh yeah, yeah, we have switched actor. But

1385
01:25:10,960 --> 01:25:12,479
Speaker 1: I told you, but I'm told him. I was like,

1386
01:25:12,600 --> 01:25:14,080
Speaker 1: I'm kind of big and ship. I don't think I

1387
01:25:14,080 --> 01:25:17,360
Speaker 1: should jump and run with the boots on and I'm

1388
01:25:17,360 --> 01:25:20,160
Speaker 1: just gonna stop on his glass top test. I didn't

1389
01:25:20,200 --> 01:25:22,519
Speaker 1: say that. I didn't say that. He was like, now

1390
01:25:22,600 --> 01:25:25,800
Speaker 1: he'll be fine. I'm running down the aisle like this,

1391
01:25:25,920 --> 01:25:28,120
Speaker 1: you know, in the court it goes like this, I'm

1392
01:25:28,200 --> 01:25:30,320
Speaker 1: jumping on the test, but I'm supposed to fake to

1393
01:25:30,479 --> 01:25:35,400
Speaker 1: kick kick split this whole ship up. She was crazy.

1394
01:25:35,520 --> 01:25:40,360
Speaker 1: But but I remember stunt perrumps. Yeah, I don't remember

1395
01:25:40,360 --> 01:25:43,560
Speaker 1: because I didn't getting shot for that, so probably I

1396
01:25:43,640 --> 01:25:47,560
Speaker 1: was probably like that record. It was all like that

1397
01:25:47,640 --> 01:25:50,880
Speaker 1: record that's crazy because it was that's like the moving parts,

1398
01:25:50,960 --> 01:25:52,920
Speaker 1: you know what I'm saying, Like those are all remember

1399
01:25:52,920 --> 01:25:54,800
Speaker 1: in the beginning, when you do something that you don't

1400
01:25:54,800 --> 01:25:57,800
Speaker 1: want to do, if it feels crazy, like like I was,

1401
01:25:58,240 --> 01:26:02,240
Speaker 1: what did I have? Yeah? And I was telling him, oh, no,

1402
01:26:02,920 --> 01:26:06,160
Speaker 1: was the record that I didn't like. I wasn't pushing

1403
01:26:06,920 --> 01:26:10,280
Speaker 1: he sad head, It was ain't right, Okay, okay, okay,

1404
01:26:10,280 --> 01:26:12,240
Speaker 1: do you know what I like? You know, you put

1405
01:26:12,280 --> 01:26:18,479
Speaker 1: it like I always playing it to him. How sometimes

1406
01:26:18,520 --> 01:26:20,720
Speaker 1: you can make a record, put a budget behind it,

1407
01:26:20,880 --> 01:26:24,800
Speaker 1: and then you could not like the process of not

1408
01:26:24,920 --> 01:26:27,400
Speaker 1: like it. And that was pretty much what Doug Paroday

1409
01:26:27,439 --> 01:26:29,000
Speaker 1: Stiff and me. It wasn't like I made the record

1410
01:26:29,080 --> 01:26:30,599
Speaker 1: or have anything to do with the record. But once

1411
01:26:30,600 --> 01:26:33,640
Speaker 1: in the backup came out, I kind of was like, yo,

1412
01:26:33,760 --> 01:26:35,519
Speaker 1: let them shine, like you know what I mean, Like

1413
01:26:35,680 --> 01:26:38,599
Speaker 1: it's cool. And then um, when the when the label

1414
01:26:39,439 --> 01:26:42,720
Speaker 1: was forcing me to because it was crazy because here

1415
01:26:42,760 --> 01:26:48,599
Speaker 1: in small labels forced you to do things I wouldn't

1416
01:26:48,600 --> 01:26:51,400
Speaker 1: say make sense to me. They said, you listen, this

1417
01:26:51,560 --> 01:26:54,760
Speaker 1: is a component. Yeah, you know what I mean. So, um,

1418
01:26:55,080 --> 01:26:58,599
Speaker 1: and I did it. It was which is crazy if

1419
01:26:58,640 --> 01:27:03,000
Speaker 1: you were you remember that verse that I used on

1420
01:27:03,479 --> 01:27:07,080
Speaker 1: the Paradise was the verse that I used on the

1421
01:27:07,160 --> 01:27:12,040
Speaker 1: original I'm leaving. This is original I'm leaving. It's the

1422
01:27:12,160 --> 01:27:14,840
Speaker 1: same exact because I came in and they were like

1423
01:27:15,439 --> 01:27:20,080
Speaker 1: that's that's no, and I was like really another, alright, cool,

1424
01:27:20,160 --> 01:27:23,320
Speaker 1: So when they though Paradise, I used the same exact verse,

1425
01:27:23,720 --> 01:27:27,920
Speaker 1: and you know, eventually, um, I was wrong. Paradise worked

1426
01:27:29,040 --> 01:27:36,040
Speaker 1: unique studios right easy, LP Boom going to Trash just disappeared.

1427
01:27:36,520 --> 01:27:40,240
Speaker 1: We don't know where they were at. Were stapped that earlier.

1428
01:27:40,520 --> 01:27:46,160
Speaker 1: We can't that y'all be disappearing Like I'm mic and

1429
01:27:46,240 --> 01:27:51,679
Speaker 1: the halfs are doing a little crazy days. Don't be blinding,

1430
01:27:51,760 --> 01:27:54,880
Speaker 1: don't be blocking. I'm speaking to you in the phone.

1431
01:27:54,880 --> 01:28:00,800
Speaker 1: You like, yoh, okay, you remember, like I'm in this

1432
01:28:01,120 --> 01:28:03,720
Speaker 1: this green E s three hunting, so I'll come over.

1433
01:28:03,760 --> 01:28:05,080
Speaker 1: I'm like, Who's whip is this? Because I know it's

1434
01:28:05,080 --> 01:28:06,920
Speaker 1: not your with like this is nausious with I'm like,

1435
01:28:06,960 --> 01:28:09,920
Speaker 1: I'm a nastis with what's going on? And you pushed

1436
01:28:10,360 --> 01:28:12,720
Speaker 1: play on a cassette and it's I'm leaving when you

1437
01:28:12,880 --> 01:28:16,200
Speaker 1: just came back from messing with Dre. I promise you.

1438
01:28:16,520 --> 01:28:21,120
Speaker 1: I said things about it like okay, let me let me,

1439
01:28:21,240 --> 01:28:23,799
Speaker 1: let me describe to this is this is exactly what happened.

1440
01:28:24,560 --> 01:28:29,439
Speaker 1: Oh I was at my mother's house and my mother

1441
01:28:29,560 --> 01:28:32,840
Speaker 1: played this record. Oh don't let it go to your

1442
01:28:32,880 --> 01:28:38,160
Speaker 1: head now using no no, not at the time what

1443
01:28:38,240 --> 01:28:42,439
Speaker 1: they before? You never know they use that record before

1444
01:28:43,720 --> 01:28:45,559
Speaker 1: the time you're talking about when when you made I'm

1445
01:28:45,640 --> 01:28:48,320
Speaker 1: leaving brand Newbian's already made it and trust me, trash

1446
01:28:48,400 --> 01:28:52,200
Speaker 1: this me is waiting more than meat me on this one.

1447
01:28:52,920 --> 01:28:59,000
Speaker 1: I made it first. What don't coach? I know that's yeah,

1448
01:28:59,040 --> 01:29:02,240
Speaker 1: I made that early. Would that beat call? I'm leaving,

1449
01:29:02,240 --> 01:29:04,640
Speaker 1: I would call easy LP. Trust me, this was my

1450
01:29:04,800 --> 01:29:09,160
Speaker 1: first time producing the record. I'm not wrong with this

1451
01:29:09,360 --> 01:29:13,120
Speaker 1: fun you used that, and you use that beat me out.

1452
01:29:15,439 --> 01:29:23,519
Speaker 1: Different part of this is mine. Yeah, stop that, man,

1453
01:29:25,920 --> 01:29:29,400
Speaker 1: you talking about what was happening. Okay, So I couldn't

1454
01:29:29,439 --> 01:29:36,000
Speaker 1: get you all. You couldn't get get Jo. I heard

1455
01:29:36,040 --> 01:29:41,280
Speaker 1: it do dom Doom to Doom, to Doom, easy LP,

1456
01:29:41,439 --> 01:29:43,680
Speaker 1: easy LP. So I know exactly because that's all I

1457
01:29:43,800 --> 01:29:50,519
Speaker 1: knew was Dom do doom and easy For some reason

1458
01:29:50,800 --> 01:29:57,400
Speaker 1: exactly that you said, uh Sam mask, I think you're

1459
01:29:57,400 --> 01:29:59,120
Speaker 1: saying that because it was right around the corner from

1460
01:29:59,280 --> 01:30:02,760
Speaker 1: right track. So that's where me and y'allp we went.

1461
01:30:03,000 --> 01:30:07,640
Speaker 1: We did it. The record came on and for some

1462
01:30:07,760 --> 01:30:12,320
Speaker 1: reason I did, I'm leaving on the next thing. I

1463
01:30:12,439 --> 01:30:15,960
Speaker 1: don't know, man, I don't be back again. Yeah, pray

1464
01:30:16,080 --> 01:30:21,280
Speaker 1: for me. I'm damn man, I tell for me. And

1465
01:30:21,320 --> 01:30:24,240
Speaker 1: I mean I thought I killed it. I killed this

1466
01:30:24,439 --> 01:30:29,840
Speaker 1: ship walking and he was like, yo, that's y'all. I

1467
01:30:29,960 --> 01:30:31,960
Speaker 1: just walked through too. I was laterly he was like

1468
01:30:32,080 --> 01:30:41,360
Speaker 1: that ship whack I did not right? You know what?

1469
01:30:41,520 --> 01:30:43,800
Speaker 1: Did not say? It was back? Don't don't lie. You

1470
01:30:43,880 --> 01:30:46,320
Speaker 1: know what you know what, I'm wrong for putting it

1471
01:30:46,400 --> 01:30:49,280
Speaker 1: that harshy. You definitely said something more, but she took it.

1472
01:30:49,640 --> 01:30:52,320
Speaker 1: You took it that I heard that is whack. That's

1473
01:30:52,320 --> 01:30:54,479
Speaker 1: what I heard. You didn't hear what you wanted to hear.

1474
01:30:54,760 --> 01:30:57,240
Speaker 1: That's what he didn't hear when he wanted to hear it.

1475
01:30:57,600 --> 01:31:00,840
Speaker 1: So I was like, damn, oh, listen, hold on, capone,

1476
01:31:00,840 --> 01:31:06,320
Speaker 1: ain't packed me up. So I was like this just me.

1477
01:31:06,400 --> 01:31:10,840
Speaker 1: It was hard, and then trying to say, like you

1478
01:31:12,840 --> 01:31:14,880
Speaker 1: what you just see? You just see it was good.

1479
01:31:15,120 --> 01:31:22,720
Speaker 1: I said, I like the record, butts just so, I'm like, man,

1480
01:31:22,800 --> 01:31:26,400
Speaker 1: I noticed records. I noticed records something, bro, I know

1481
01:31:26,640 --> 01:31:31,160
Speaker 1: this is some poem. You're gonna get a castro. This

1482
01:31:31,360 --> 01:31:34,840
Speaker 1: is actually if you wouldn't have said you didn't like

1483
01:31:34,960 --> 01:31:39,840
Speaker 1: that record, they were me you know that, So thank

1484
01:31:39,880 --> 01:31:46,479
Speaker 1: you for not like it. I'm being I'm being funny.

1485
01:31:46,600 --> 01:31:48,320
Speaker 1: Let me just finished. I bet I'm being funny. I

1486
01:31:48,400 --> 01:31:50,560
Speaker 1: am being funny. Don't take it like that. But what

1487
01:31:50,720 --> 01:31:53,759
Speaker 1: happened was this was my first time because I started

1488
01:31:53,800 --> 01:31:57,479
Speaker 1: to understand that pop Daddy doesn't really produce. Pup Daddy

1489
01:31:57,800 --> 01:32:00,160
Speaker 1: takes something that he thinks it's dope. Brings it to

1490
01:32:00,280 --> 01:32:03,439
Speaker 1: someone at someone helps create his vision for it. I

1491
01:32:03,600 --> 01:32:06,439
Speaker 1: wasn't say that. I was trying to do what you

1492
01:32:06,520 --> 01:32:10,680
Speaker 1: compared to You said, we sample like Havoc and not

1493
01:32:10,840 --> 01:32:12,320
Speaker 1: like puff Daddy, and you let me just tell you

1494
01:32:12,439 --> 01:32:15,640
Speaker 1: something for the moment. Definitely right, No, but you know

1495
01:32:15,720 --> 01:32:18,080
Speaker 1: what I did say that, and like I said, I'm

1496
01:32:18,080 --> 01:32:20,400
Speaker 1: not always fucking right. I can take one of two

1497
01:32:20,439 --> 01:32:21,960
Speaker 1: or three four, but but I don't even know I

1498
01:32:22,080 --> 01:32:23,880
Speaker 1: was just right. I like that. I like my hundreds

1499
01:32:23,920 --> 01:32:28,800
Speaker 1: just right. So I like I said, fucking I said

1500
01:32:28,880 --> 01:32:33,000
Speaker 1: fucking just just a friend was whack. I was a

1501
01:32:33,120 --> 01:32:39,559
Speaker 1: bad call. That was a bad I those words, those words.

1502
01:32:39,600 --> 01:32:42,200
Speaker 1: I'm not always right. I'm accountable for my ship. I

1503
01:32:42,240 --> 01:32:44,800
Speaker 1: ain't gonna throw the rocket high in my hand. But

1504
01:32:44,920 --> 01:32:46,880
Speaker 1: you would have made n O R E regardless because

1505
01:32:46,880 --> 01:32:49,160
Speaker 1: it was guesting for you to make it. Yes, take you.

1506
01:32:49,320 --> 01:32:52,040
Speaker 1: I appreciate that, respect that as well. But what I'm

1507
01:32:52,040 --> 01:32:54,120
Speaker 1: trying to tell you was that was the motivation was

1508
01:32:54,240 --> 01:32:57,000
Speaker 1: because I sat there and I was like, yeah, this

1509
01:32:57,160 --> 01:32:59,880
Speaker 1: is a record. I felt fitted I was ready for

1510
01:33:00,080 --> 01:33:03,439
Speaker 1: Neptunes almost before the Neptune's because I was sitting back

1511
01:33:03,520 --> 01:33:11,479
Speaker 1: like Martin Oh, I think, I think, I think what

1512
01:33:11,680 --> 01:33:15,320
Speaker 1: that was is like this how just how I take

1513
01:33:15,400 --> 01:33:18,640
Speaker 1: is my my my perspectives, we need it. You was

1514
01:33:18,760 --> 01:33:20,920
Speaker 1: like and because you said it to it, that's why

1515
01:33:21,040 --> 01:33:23,360
Speaker 1: I'll admit it. You say, Yo, that was when it's

1516
01:33:23,400 --> 01:33:27,800
Speaker 1: your first time ventuming out side of influence and you

1517
01:33:27,960 --> 01:33:30,880
Speaker 1: see your independence as a mean, it's a great feeling

1518
01:33:31,520 --> 01:33:34,439
Speaker 1: and you gotta get that because and I understand that

1519
01:33:34,560 --> 01:33:36,640
Speaker 1: you just said it. So that was You're going, oh,

1520
01:33:36,840 --> 01:33:40,040
Speaker 1: ship on boom boom, I'm putting this whole ship the

1521
01:33:40,160 --> 01:33:43,960
Speaker 1: yellow And I get that now. At the time, I

1522
01:33:44,000 --> 01:33:47,640
Speaker 1: ain't get that. I'm just hearing what the original vision was.

1523
01:33:48,439 --> 01:33:50,040
Speaker 1: So that's in my head, you know what I'm saying,

1524
01:33:50,439 --> 01:33:53,120
Speaker 1: and that's what got us at that point. But division

1525
01:33:53,200 --> 01:33:57,280
Speaker 1: evolves and that's just fucking life. But you know, you

1526
01:33:57,360 --> 01:34:00,840
Speaker 1: know I was grateful for because you know, the next

1527
01:34:00,880 --> 01:34:07,519
Speaker 1: session just like that identical was bloody money was um

1528
01:34:09,840 --> 01:34:14,120
Speaker 1: unique studios. I'm sorr because I don't know, I feel

1529
01:34:14,120 --> 01:34:17,120
Speaker 1: like I keep blowing y'all luck, but y'all when your

1530
01:34:17,560 --> 01:34:19,280
Speaker 1: blowing me, y'all was doing. But just make sure you

1531
01:34:19,400 --> 01:34:21,840
Speaker 1: telling you, yeah, you know the school yourself from your

1532
01:34:21,880 --> 01:34:37,559
Speaker 1: true y'all was late crazy, he was sky talk man.

1533
01:34:38,160 --> 01:34:45,040
Speaker 1: He was never late. Yeah, never sticky. That's this is.

1534
01:34:46,439 --> 01:34:52,840
Speaker 1: Let me be late man. Now, this guy you get

1535
01:34:53,080 --> 01:35:06,479
Speaker 1: for show the phone, don't tell me truth, don't. I'm

1536
01:35:06,479 --> 01:35:08,519
Speaker 1: gonna be honest. I'm gonna be honest to tell you

1537
01:35:08,520 --> 01:35:11,400
Speaker 1: the truth I know to tell you, to tell you,

1538
01:35:11,640 --> 01:35:13,320
Speaker 1: I'm gonna be honest. I'm gonna be honest with y'all

1539
01:35:13,439 --> 01:35:16,559
Speaker 1: to tell y'all was more experience than me in the studio.

1540
01:35:17,080 --> 01:35:18,840
Speaker 1: So I can't say y'all took it for granted or

1541
01:35:18,880 --> 01:35:21,800
Speaker 1: something like that. But y'all kind of game there when

1542
01:35:21,880 --> 01:35:24,760
Speaker 1: y'all wanted to, when y'all wanted to, when I was

1543
01:35:25,160 --> 01:35:29,040
Speaker 1: when y'all said I would be there at five. I

1544
01:35:29,080 --> 01:35:31,160
Speaker 1: don't need that at four or forty five and be

1545
01:35:31,240 --> 01:35:33,160
Speaker 1: scared to say I was there, Earl, bro, I can't

1546
01:35:33,200 --> 01:35:35,479
Speaker 1: come here and you talk to come here. I can

1547
01:35:35,560 --> 01:35:38,479
Speaker 1: come there at six o'clock. I'm gonna call you and

1548
01:35:38,680 --> 01:35:41,200
Speaker 1: like y you at the studio studios at four. I

1549
01:35:41,240 --> 01:35:43,600
Speaker 1: don't need to be that form. I need to be

1550
01:35:43,760 --> 01:35:46,320
Speaker 1: there before closing to make sure it's good. I don't

1551
01:35:46,360 --> 01:35:49,120
Speaker 1: need to be there for I gave you to make tools. Well,

1552
01:35:49,160 --> 01:35:59,640
Speaker 1: I gotta be there for you. Rushed to be like

1553
01:35:59,760 --> 01:36:04,360
Speaker 1: you're okay, okay, straight that, but don't do like you was.

1554
01:36:04,680 --> 01:36:08,800
Speaker 1: You know what I'm saying. I'm with y'all, what dolf.

1555
01:36:09,720 --> 01:36:12,000
Speaker 1: What I'm trying to tell you is a lot of

1556
01:36:12,080 --> 01:36:14,120
Speaker 1: the solo records, Let's just be clear, a lot of

1557
01:36:14,160 --> 01:36:17,320
Speaker 1: the solo records that were made on the album from me,

1558
01:36:19,240 --> 01:36:22,080
Speaker 1: it was because I was just sitting there, boy listening. No,

1559
01:36:22,360 --> 01:36:24,759
Speaker 1: it wasn't because you're seen that boy sitting there, because

1560
01:36:25,160 --> 01:36:27,400
Speaker 1: you was from me. I'm making seem like he was

1561
01:36:27,560 --> 01:36:33,639
Speaker 1: action I'm talking to exactly this board is he was. Boy?

1562
01:36:33,800 --> 01:36:36,599
Speaker 1: You know what I listen? You were with the one

1563
01:36:36,640 --> 01:36:39,200
Speaker 1: about to go to jail. Yes, yes, very true. You

1564
01:36:39,280 --> 01:36:41,439
Speaker 1: went to Jersey and now you're about to go to

1565
01:36:41,520 --> 01:36:43,479
Speaker 1: a real prison. You aren't the one about to go.

1566
01:36:44,240 --> 01:36:47,160
Speaker 1: This man to tell you we we both was like

1567
01:36:47,280 --> 01:36:49,360
Speaker 1: your son, you gotta make records and I'm gonna keep you.

1568
01:36:49,800 --> 01:36:51,679
Speaker 1: I wasn't late even before he was going to jail

1569
01:36:51,720 --> 01:37:01,960
Speaker 1: to come. Is the even guy here? I don't talking wine,

1570
01:37:02,280 --> 01:37:07,320
Speaker 1: Come on, wine, I ain't killed Lake with black. Don't

1571
01:37:07,360 --> 01:37:10,920
Speaker 1: go ron, No, don't know what it's not Norm's a

1572
01:37:10,960 --> 01:37:14,519
Speaker 1: beast like he's a hard worker. Right, so he's like

1573
01:37:15,040 --> 01:37:17,760
Speaker 1: you never said after you, So I think you said

1574
01:37:17,760 --> 01:37:19,559
Speaker 1: you're just like no, no, no no, I can take

1575
01:37:19,560 --> 01:37:24,120
Speaker 1: a couple man and Crimina. I'm saying it's the same thing. Bro.

1576
01:37:24,600 --> 01:37:28,120
Speaker 1: Hold on one second, mom, keeping green mind. She think

1577
01:37:28,120 --> 01:37:30,840
Speaker 1: you ain't shot up that receion on time, brocause you

1578
01:37:31,000 --> 01:37:32,960
Speaker 1: called me a couple of times with it. You just

1579
01:37:33,040 --> 01:37:43,720
Speaker 1: say that exclude don't stop it, don't do that, stop that,

1580
01:37:45,120 --> 01:37:56,439
Speaker 1: don't come on serious, that serious dominant finger. I to

1581
01:37:56,680 --> 01:38:01,120
Speaker 1: save my tokens. If I just saved my tokens. Now

1582
01:38:01,439 --> 01:38:05,160
Speaker 1: your seven Street, you know why I love to go

1583
01:38:05,240 --> 01:38:09,720
Speaker 1: to Manhattan at that? Oh my god, y LL need

1584
01:38:09,760 --> 01:38:12,800
Speaker 1: to rewrite them. Buy you with me? Got me? I

1585
01:38:13,760 --> 01:38:18,480
Speaker 1: can't be with that rable mans you know super Shakespeare

1586
01:38:18,600 --> 01:38:33,880
Speaker 1: in slie version, y'all are you? But that's so funny.

1587
01:38:34,160 --> 01:38:35,800
Speaker 1: That's what was my side of the Oh my god,

1588
01:38:36,280 --> 01:38:39,160
Speaker 1: everyone have the old side of the check. But that

1589
01:38:39,240 --> 01:38:41,439
Speaker 1: where I was to know back then? You know that

1590
01:38:42,640 --> 01:38:44,880
Speaker 1: you know what the fucking MoMA che side she right? Now?

1591
01:38:45,240 --> 01:38:49,880
Speaker 1: Technology level the playing field with everything, right. I wish

1592
01:38:50,040 --> 01:38:54,719
Speaker 1: I wouldn't recorded every game be it the start difference,

1593
01:38:58,760 --> 01:39:07,400
Speaker 1: Oh my god, make itself look amazing. It's almost as

1594
01:39:07,400 --> 01:39:10,439
Speaker 1: if he thinks, somebody before the ship comes in the table,

1595
01:39:11,040 --> 01:39:15,200
Speaker 1: I'm scary. Man's scary. It looks like he said, I

1596
01:39:15,320 --> 01:39:18,320
Speaker 1: have studio. Wait where you guys know. I'm gonna be honest.

1597
01:39:19,800 --> 01:39:23,960
Speaker 1: I was really bu I really really, I was really glassed.

1598
01:39:24,040 --> 01:39:29,160
Speaker 1: You know what it was not Listen, listen, Let's just

1599
01:39:29,400 --> 01:39:33,519
Speaker 1: be clear. It wasn't. I don't know. No matter how

1600
01:39:33,640 --> 01:39:36,439
Speaker 1: much I say this, it doesn't mean if it if

1601
01:39:36,479 --> 01:39:40,200
Speaker 1: it comes off in a crazy way. But Wayne's bridge

1602
01:39:40,320 --> 01:39:49,040
Speaker 1: was privileged, had bro nobody, nobody. Let me tell you

1603
01:39:49,160 --> 01:39:53,320
Speaker 1: something I have the same day, he said, the same day,

1604
01:39:55,120 --> 01:39:58,240
Speaker 1: not a more report episode. Listen, this is the same

1605
01:39:58,360 --> 01:40:02,000
Speaker 1: not because now the this real brothers coming to I mean,

1606
01:40:02,120 --> 01:40:05,439
Speaker 1: it's not a scripted politically correction. It's the same man.

1607
01:40:05,640 --> 01:40:07,840
Speaker 1: It's how we get him in the ship. Listen, go

1608
01:40:08,000 --> 01:40:10,640
Speaker 1: back a few episodes. The same man says, you know,

1609
01:40:10,720 --> 01:40:12,920
Speaker 1: but Queen's reasoning his hate each oller. So when you

1610
01:40:13,040 --> 01:40:16,560
Speaker 1: say we had this and that you call you. You

1611
01:40:16,680 --> 01:40:19,360
Speaker 1: obviously said in previous I love how you put oranges

1612
01:40:19,400 --> 01:40:21,240
Speaker 1: and apples together. It's not gonna work, though, though. Let

1613
01:40:21,280 --> 01:40:26,880
Speaker 1: me just tell listen, it's just nose right used to

1614
01:40:26,920 --> 01:40:31,559
Speaker 1: go to quez Queens because artists used to see Maddie

1615
01:40:31,640 --> 01:40:35,760
Speaker 1: see on the hill with other neighborhood you want to

1616
01:40:35,800 --> 01:40:39,280
Speaker 1: see Maddie see the guy who signed fucking Baggy Smalls

1617
01:40:39,800 --> 01:40:44,160
Speaker 1: and Marthy hanging out in the most drug infested corn

1618
01:40:44,240 --> 01:40:49,599
Speaker 1: all right America. Because because because this is the time

1619
01:40:49,680 --> 01:40:54,479
Speaker 1: for Queens was now west, the artist wasn't necessarily being unified.

1620
01:40:55,080 --> 01:40:57,760
Speaker 1: This is why a lot was going on because if

1621
01:40:57,800 --> 01:41:01,080
Speaker 1: I went that though, yeah, but but but that's the

1622
01:41:01,160 --> 01:41:02,720
Speaker 1: reality of it, you know what I'm saying, Like I

1623
01:41:02,840 --> 01:41:06,080
Speaker 1: was surprised. I'm gonna say, there's a lot of things

1624
01:41:06,160 --> 01:41:09,800
Speaker 1: happen because they were meant to happen because it was

1625
01:41:09,920 --> 01:41:12,439
Speaker 1: so much backstory ship going on that people don't know

1626
01:41:12,560 --> 01:41:15,679
Speaker 1: about that. And there's certain things I'm not gonna get

1627
01:41:16,000 --> 01:41:19,960
Speaker 1: deeply into because of my technity level and what I am.

1628
01:41:20,040 --> 01:41:21,920
Speaker 1: Like I'm I'm you know, I'm a journalist as well,

1629
01:41:22,439 --> 01:41:24,280
Speaker 1: but I'm not gonna go too deep in certain things

1630
01:41:24,320 --> 01:41:27,040
Speaker 1: because we're friends, were family. But it was a lot

1631
01:41:27,120 --> 01:41:30,679
Speaker 1: of behind the scenes ship going on that people didn't realize.

1632
01:41:31,280 --> 01:41:35,439
Speaker 1: And to me, if that weren't there. Things could have

1633
01:41:35,520 --> 01:41:38,000
Speaker 1: went different directions. They obviously went when it was supposed

1634
01:41:38,000 --> 01:41:42,080
Speaker 1: to beat, but there was a lot of work because

1635
01:41:43,320 --> 01:41:45,720
Speaker 1: you know, I'm looking at we're looking at working with

1636
01:41:45,840 --> 01:41:48,599
Speaker 1: have but if I was ship going on with other

1637
01:41:48,720 --> 01:41:51,120
Speaker 1: people in his camp with my people, so to speak,

1638
01:41:51,800 --> 01:41:53,400
Speaker 1: and no, Like that's why I gotta say, you know,

1639
01:41:53,520 --> 01:41:57,599
Speaker 1: I gotta thank nas, thank you Bro. I gotta thank

1640
01:41:57,680 --> 01:42:00,720
Speaker 1: I gotta thank nwas for getting on calm down, all

1641
01:42:00,800 --> 01:42:05,000
Speaker 1: these things are moving punsh I gotta think having because

1642
01:42:05,080 --> 01:42:07,920
Speaker 1: even with a lot of back ship, that ship going on,

1643
01:42:09,720 --> 01:42:12,960
Speaker 1: brother hold on as far as brother, as far as

1644
01:42:13,680 --> 01:42:16,479
Speaker 1: us what he's kind of like, you know, his entourage

1645
01:42:16,520 --> 01:42:19,519
Speaker 1: trying to speak, Yo, the bro still came through for me.

1646
01:42:20,439 --> 01:42:22,800
Speaker 1: We asked them to guess And when you look at

1647
01:42:22,840 --> 01:42:27,519
Speaker 1: that in retrospect compared to now, that's an amazing thing

1648
01:42:27,880 --> 01:42:31,519
Speaker 1: for this is to happen, It's amazing. Don't forget that, bro,

1649
01:42:31,760 --> 01:42:34,320
Speaker 1: because she could have gone. It could be a lot

1650
01:42:34,360 --> 01:42:37,360
Speaker 1: of alternate realities and in his front from people. Don't

1651
01:42:37,400 --> 01:42:40,200
Speaker 1: forget that, like that ship was were apartment. You know

1652
01:42:40,200 --> 01:42:43,439
Speaker 1: what I'm saying, Like she could have That's like how

1653
01:42:43,479 --> 01:42:45,840
Speaker 1: many times they have like the universe just came together. Now,

1654
01:42:45,960 --> 01:42:48,800
Speaker 1: not to get too deep, but its reality, like all

1655
01:42:48,880 --> 01:42:51,280
Speaker 1: of these things going on that y'all don't even know about.

1656
01:42:51,439 --> 01:42:54,400
Speaker 1: But they're still showing up. Got got feelings to its

1657
01:42:54,400 --> 01:42:57,880
Speaker 1: each other for deep ship, we're still showing up. That's

1658
01:42:57,920 --> 01:43:00,839
Speaker 1: deep to me. That's beautiful because you got it's amazing,

1659
01:43:00,960 --> 01:43:07,360
Speaker 1: right unless you behind the mask here? That was she

1660
01:43:07,640 --> 01:43:14,080
Speaker 1: right and the preference I thought that was we're all wrong.

1661
01:43:14,439 --> 01:43:17,559
Speaker 1: She she kind of came up with that whole cursion.

1662
01:43:21,040 --> 01:43:26,120
Speaker 1: I don't remember that story here, who's the trader? I'll

1663
01:43:26,120 --> 01:43:36,720
Speaker 1: go all that, yeah, revealing, revealing right saying it's a

1664
01:43:36,800 --> 01:43:42,040
Speaker 1: beautiful soul right here because because yeah, all right, So

1665
01:43:42,160 --> 01:43:45,240
Speaker 1: by the way, this is this is what this is.

1666
01:43:45,320 --> 01:43:47,960
Speaker 1: This is what a lot of people don't know. One

1667
01:43:49,280 --> 01:43:53,320
Speaker 1: we bagged Queen's bars niggas not to come into the

1668
01:43:53,439 --> 01:43:56,439
Speaker 1: left right niggas picture. This is the one thing that

1669
01:43:56,600 --> 01:44:08,080
Speaker 1: us in both pictures this twenty is little secret. Uh

1670
01:44:09,479 --> 01:44:13,240
Speaker 1: you know know was in the VOCs is no brother

1671
01:44:13,600 --> 01:44:16,840
Speaker 1: So that was a joke. The trader park that no room,

1672
01:44:16,960 --> 01:44:27,280
Speaker 1: the trader part. He pulls the trader, you know, I

1673
01:44:27,400 --> 01:44:30,040
Speaker 1: know what I'm saying. He's like you know what I'm saying.

1674
01:44:32,400 --> 01:44:35,360
Speaker 1: Let's try. We took the picture. We said, everybody from

1675
01:44:35,439 --> 01:44:38,800
Speaker 1: Q say, you stay on your QB side. Everybody from

1676
01:44:38,920 --> 01:44:41,040
Speaker 1: left back may surely you stay on the left back side.

1677
01:44:41,240 --> 01:44:44,719
Speaker 1: There's one person this whole thing that is in both

1678
01:44:47,120 --> 01:44:49,719
Speaker 1: I'm so glad no one knew this ship. I thought

1679
01:44:49,800 --> 01:44:52,800
Speaker 1: this was I was one of the you know I was.

1680
01:44:52,960 --> 01:44:55,680
Speaker 1: I went to the art director, you know I was.

1681
01:44:57,840 --> 01:45:02,840
Speaker 1: He say, vacation right there, a little no one else,

1682
01:45:04,080 --> 01:45:08,920
Speaker 1: but you don't know what it is. Bottom g it's

1683
01:45:08,920 --> 01:45:21,320
Speaker 1: your cousin, sir Bottom. Yes, yes, good, name's Wally. See Wally,

1684
01:45:21,360 --> 01:45:24,920
Speaker 1: I'm creamy right in the middle. And then Wally all right,

1685
01:45:25,280 --> 01:45:40,120
Speaker 1: keep me all right? So traded. Yes, it starts from there,

1686
01:45:40,400 --> 01:45:46,920
Speaker 1: starts the story. Yeah, it starts from their things. He's

1687
01:45:46,960 --> 01:45:51,519
Speaker 1: the origin story. Let's go. So, what's the arch diirectic name?

1688
01:45:51,600 --> 01:45:57,400
Speaker 1: He went on, Eric, Eric, It's Erica the architect. The

1689
01:45:57,439 --> 01:46:02,679
Speaker 1: polls the more import um. He's very easy, he's don't

1690
01:46:02,760 --> 01:46:06,960
Speaker 1: doing the stage, very good, very successful. It's really successful.

1691
01:46:07,560 --> 01:46:09,120
Speaker 1: And by the way, he kept working with us just

1692
01:46:09,280 --> 01:46:11,840
Speaker 1: because of this. He was just like, yeah, I'm blown

1693
01:46:11,920 --> 01:46:14,360
Speaker 1: up and way beyond this down and will be y'all

1694
01:46:14,400 --> 01:46:16,320
Speaker 1: messing with y'all. But I'm gonna still sunk with y'all

1695
01:46:16,360 --> 01:46:29,599
Speaker 1: because Eric. Eric. So what happened was after I came

1696
01:46:29,680 --> 01:46:32,559
Speaker 1: to him and he showed me, he showed the picture,

1697
01:46:33,960 --> 01:46:37,720
Speaker 1: someone from my hood took the stand. Oh, I don't

1698
01:46:37,760 --> 01:46:39,800
Speaker 1: know if he took the stand on the word is

1699
01:46:39,920 --> 01:46:44,120
Speaker 1: he snitched on that. I look at the inside of

1700
01:46:44,160 --> 01:46:54,760
Speaker 1: my album cover. I'm like, wow, yeah, I can't do this.

1701
01:46:55,040 --> 01:47:00,440
Speaker 1: He should? We should? Wow? Eric? Was this mean what Wally?

1702
01:47:00,560 --> 01:47:04,720
Speaker 1: He goes? Wally was in both pictures that we got

1703
01:47:04,760 --> 01:47:12,880
Speaker 1: bigger problems we eventually forgotten, but he said so we

1704
01:47:13,080 --> 01:47:15,880
Speaker 1: we We was obviously it's just my fault. It was

1705
01:47:16,240 --> 01:47:19,200
Speaker 1: give me, it's my problem. So they probably didn't reach

1706
01:47:19,240 --> 01:47:21,080
Speaker 1: you all at all. And he hit me and said,

1707
01:47:21,680 --> 01:47:24,240
Speaker 1: why don't we sellow him out? And I was like,

1708
01:47:24,400 --> 01:47:26,360
Speaker 1: sell a wet him out? And I was like, what

1709
01:47:26,479 --> 01:47:29,240
Speaker 1: does that mean? Like the like when they do the

1710
01:47:29,320 --> 01:47:33,439
Speaker 1: girls girls. He's like, yes, like that and I was

1711
01:47:33,520 --> 01:47:36,000
Speaker 1: like a cool And then he sent me our image

1712
01:47:36,000 --> 01:47:37,680
Speaker 1: and it was like great at first. Then the next

1713
01:47:37,760 --> 01:47:40,280
Speaker 1: image was black and then the next image he sent

1714
01:47:40,400 --> 01:47:43,040
Speaker 1: it and he put snitch on it, and I was

1715
01:47:43,080 --> 01:47:45,040
Speaker 1: like damn, because we don't really know if he snitched.

1716
01:47:45,080 --> 01:47:47,960
Speaker 1: We know he gave up information, you know, but we

1717
01:47:48,040 --> 01:47:50,760
Speaker 1: didn't know if he full fledg was dead. And then

1718
01:47:51,040 --> 01:47:52,479
Speaker 1: they was like, all right, cool, So they said how

1719
01:47:52,479 --> 01:47:55,040
Speaker 1: about Trader, and I was like, that's perfect, and we

1720
01:47:55,200 --> 01:47:58,280
Speaker 1: went there and that was it. But we never actually

1721
01:47:58,439 --> 01:48:07,760
Speaker 1: corrected the real cousin. It's not this is just me

1722
01:48:07,880 --> 01:48:11,519
Speaker 1: and him is not right? You mean trying to call it?

1723
01:48:14,120 --> 01:48:18,320
Speaker 1: What's it doing? Is going has going up? That's y'all.

1724
01:48:19,439 --> 01:48:26,840
Speaker 1: I'm not it's never gonna right now. Crazy, we didn't know. Listen,

1725
01:48:26,880 --> 01:48:31,320
Speaker 1: I'm gonna ask y'all this whole time, I'm thinking, I'm singing, y'all, actress,

1726
01:48:31,600 --> 01:48:44,519
Speaker 1: I was no, you gonna remember remember no right you

1727
01:48:44,840 --> 01:48:49,600
Speaker 1: winding cloud. He took this very girl d do it

1728
01:48:50,760 --> 01:48:56,280
Speaker 1: wrong and it all starts and how that's how it

1729
01:48:56,400 --> 01:48:59,680
Speaker 1: looks you just starting everybody right? No, no, you just

1730
01:48:59,800 --> 01:49:08,439
Speaker 1: try was jous Crazy said it was the original question. Yea,

1731
01:49:08,800 --> 01:49:13,360
Speaker 1: when he tradized. I didn't meet with him because of

1732
01:49:13,400 --> 01:49:15,200
Speaker 1: the trade. I met with him because he said, I

1733
01:49:15,320 --> 01:49:18,280
Speaker 1: got a problem. You gotta remember, he's in the middle

1734
01:49:18,280 --> 01:49:20,479
Speaker 1: of the hood, left back and Queens Ridge. I remember

1735
01:49:20,560 --> 01:49:24,320
Speaker 1: he brought the sand because there was no sand. So

1736
01:49:24,360 --> 01:49:27,479
Speaker 1: we're in the middle of Quez which he's making sand

1737
01:49:27,760 --> 01:49:41,680
Speaker 1: and Nicks isn't sitting around like a lot, So that's

1738
01:49:41,720 --> 01:49:45,479
Speaker 1: what I'm saying. I'm not even sure if you got

1739
01:49:45,600 --> 01:49:47,519
Speaker 1: to pick out the cn them pictures. I know you

1740
01:49:47,560 --> 01:49:49,680
Speaker 1: guys to figure out promo pictures. I remember that. It's

1741
01:49:49,680 --> 01:49:51,719
Speaker 1: one of my favorite memories. Me and You're sitting around

1742
01:49:51,760 --> 01:49:54,240
Speaker 1: with a nicheck picking out us with a nail on.

1743
01:49:54,360 --> 01:49:57,240
Speaker 1: We thought we was flying, that I was flying and

1744
01:49:57,360 --> 01:50:03,360
Speaker 1: got the favor races. Definitely was that shouts? So did

1745
01:50:03,400 --> 01:50:05,240
Speaker 1: you did you get to pick out the worried pork pictures?

1746
01:50:05,560 --> 01:50:07,880
Speaker 1: What you mean? I got to see the prototyest, but

1747
01:50:07,920 --> 01:50:10,920
Speaker 1: I didn't get the Actually, remember I was getting stickers

1748
01:50:11,120 --> 01:50:14,360
Speaker 1: on notebooks. They don't tell me you traded you saw

1749
01:50:14,479 --> 01:50:18,479
Speaker 1: that live or you knew that. I knew I was

1750
01:50:18,720 --> 01:50:24,080
Speaker 1: physically there because you were when it was a metal system, right. Yeah,

1751
01:50:24,200 --> 01:50:31,960
Speaker 1: I don't know me up with the wily ship, but

1752
01:50:32,040 --> 01:50:34,000
Speaker 1: that's my man. By the way, I did the ron

1753
01:50:34,120 --> 01:50:37,120
Speaker 1: artest because I know the riches. I know the origin

1754
01:50:37,800 --> 01:50:41,040
Speaker 1: now being that, But I was getting all my promo

1755
01:50:41,160 --> 01:50:43,800
Speaker 1: work or notebooks because you can't have stickers and jail.

1756
01:50:44,479 --> 01:50:46,439
Speaker 1: It would send me a black and white notebook and

1757
01:50:46,600 --> 01:50:50,439
Speaker 1: sent me proves to approve like you like this like this, Yeah,

1758
01:50:51,880 --> 01:50:56,439
Speaker 1: so I had ten fifteen black and white notebooks and jail.

1759
01:50:57,960 --> 01:51:02,120
Speaker 1: Actually my prototype. You know what's crazy about you is

1760
01:51:02,479 --> 01:51:04,840
Speaker 1: um And I didn't realize this to the other day. Um,

1761
01:51:06,160 --> 01:51:09,599
Speaker 1: like you were becoming a star, and as you became

1762
01:51:09,680 --> 01:51:12,280
Speaker 1: a star, you were I was just I was just

1763
01:51:12,360 --> 01:51:16,400
Speaker 1: saying that I'm talking a solo over school ball man

1764
01:51:16,479 --> 01:51:19,600
Speaker 1: so Cayron and ship that year he actually coming to

1765
01:51:19,720 --> 01:51:23,640
Speaker 1: but he was like he was like your son, like

1766
01:51:23,800 --> 01:51:27,880
Speaker 1: besides slick Ring, which is which is because slick Ring

1767
01:51:28,960 --> 01:51:31,880
Speaker 1: made it. Then he went to jail. Poet is like

1768
01:51:31,960 --> 01:51:35,280
Speaker 1: probably the first one making it in there and came

1769
01:51:35,439 --> 01:51:39,000
Speaker 1: home to the situation most dudes come home to a burnout.

1770
01:51:39,720 --> 01:51:43,000
Speaker 1: The career is over. He matter of fact, he is

1771
01:51:43,080 --> 01:51:45,719
Speaker 1: the first one. But when I describe with the burnout

1772
01:51:45,800 --> 01:51:50,320
Speaker 1: is burnout is basically you're at your best, get locked

1773
01:51:50,400 --> 01:51:51,880
Speaker 1: up and you come on when you find it out

1774
01:51:51,920 --> 01:51:54,280
Speaker 1: because you can't keep up with the pipeline. You know

1775
01:51:54,280 --> 01:51:56,240
Speaker 1: what I'm saying. So I call it you know what

1776
01:51:56,240 --> 01:51:59,400
Speaker 1: I'm saying, so he's the first nobody. Nobody even looks

1777
01:51:59,439 --> 01:52:02,559
Speaker 1: at that, he's the first one to do that because

1778
01:52:02,800 --> 01:52:05,120
Speaker 1: I thought about Slick right too when when when Kyro

1779
01:52:05,280 --> 01:52:07,360
Speaker 1: was talking to me solo, so going to me, I'm like,

1780
01:52:07,479 --> 01:52:09,759
Speaker 1: n slick Rink ain't even really do that because slick

1781
01:52:09,840 --> 01:52:13,479
Speaker 1: Rink was made all me. Who wasn't the seventy made

1782
01:52:14,920 --> 01:52:16,840
Speaker 1: so that that to me, that was kind of all

1783
01:52:16,960 --> 01:52:20,400
Speaker 1: like that makes it gives another interesting dynamic to his

1784
01:52:20,520 --> 01:52:23,479
Speaker 1: career because nobody else did that before. But how did

1785
01:52:23,520 --> 01:52:26,080
Speaker 1: you how did you feel? Like it's the crazy thing

1786
01:52:26,200 --> 01:52:30,479
Speaker 1: though when the hour Dreil came that changed didn't changed

1787
01:52:30,520 --> 01:52:34,839
Speaker 1: my whole life because it's started in jail. Like my success.

1788
01:52:35,479 --> 01:52:38,200
Speaker 1: His success started in the street. My started in jail.

1789
01:52:38,640 --> 01:52:42,200
Speaker 1: The CEO start treating me different, the negat start treating

1790
01:52:42,320 --> 01:52:48,240
Speaker 1: there when bad. Both was you know like at the

1791
01:52:48,320 --> 01:52:50,840
Speaker 1: end of the day, it's you know, same ship, but

1792
01:52:51,200 --> 01:52:54,320
Speaker 1: you still felt the success in there. Yeah, because at

1793
01:52:54,320 --> 01:52:57,840
Speaker 1: the end of it done this when I'm okay back

1794
01:52:58,920 --> 01:53:01,280
Speaker 1: and for me as an end pay the label. So

1795
01:53:01,439 --> 01:53:03,000
Speaker 1: so I didn't even know that that you had a case.

1796
01:53:03,720 --> 01:53:13,080
Speaker 1: So like we were little job, we kept out one

1797
01:53:13,280 --> 01:53:23,960
Speaker 1: two three. I'm sorry, he's gonna go away when you

1798
01:53:26,840 --> 01:53:30,840
Speaker 1: help the process of instead take that chance. When he

1799
01:53:30,960 --> 01:53:34,680
Speaker 1: was ready to get stay to take that chick here,

1800
01:53:34,760 --> 01:53:36,760
Speaker 1: I know you wouldn't have that. It's like, we're gonna

1801
01:53:36,800 --> 01:53:40,400
Speaker 1: take that chick. You girls going. You crashed your car

1802
01:53:40,800 --> 01:53:43,719
Speaker 1: on the house. We got out in car and still

1803
01:53:43,800 --> 01:53:46,360
Speaker 1: made it to my car, brand new Infinity at that time.

1804
01:53:54,080 --> 01:53:56,600
Speaker 1: So how did you find out? Was he ejail? No,

1805
01:53:56,800 --> 01:53:59,840
Speaker 1: he wasn't a jail. It was like a weekly he said,

1806
01:54:02,920 --> 01:54:13,240
Speaker 1: so likeway everybody at least fried. But I didn't know

1807
01:54:13,320 --> 01:54:17,160
Speaker 1: what was going on. So so finally, you know, you know,

1808
01:54:17,240 --> 01:54:20,360
Speaker 1: he's being sentenced. So I was going to court. I'll

1809
01:54:20,400 --> 01:54:23,040
Speaker 1: never get in this day. So I smashed my car,

1810
01:54:23,720 --> 01:54:26,880
Speaker 1: got in a cab, made it to the courthouse, left

1811
01:54:26,920 --> 01:54:34,520
Speaker 1: the car and left the car away. Show up. I

1812
01:54:34,840 --> 01:54:37,720
Speaker 1: show up and there's this judge, his gray haired guy,

1813
01:54:37,880 --> 01:54:42,720
Speaker 1: it's like really conservative guy, and um, you know, and

1814
01:54:42,760 --> 01:54:46,280
Speaker 1: he's ready to be sentenced. And I said, excuse me,

1815
01:54:46,840 --> 01:54:50,960
Speaker 1: uh you know, the attorney said, here's someone that wants

1816
01:54:51,040 --> 01:55:00,520
Speaker 1: to DRUGA five money's levin. I'm a was the kidding.

1817
01:55:04,200 --> 01:55:10,480
Speaker 1: He's part of the Capon area, A wrap room. I said, yes,

1818
01:55:10,520 --> 01:55:14,880
Speaker 1: a matter of fact, you know they wrapped and um so,

1819
01:55:15,160 --> 01:55:17,000
Speaker 1: so I pleaded to him, I said, you know, we're

1820
01:55:17,040 --> 01:55:24,680
Speaker 1: finishing up the War Report album because we need to

1821
01:55:24,880 --> 01:55:29,480
Speaker 1: we need to shoot a video. Was still finishing the

1822
01:55:29,600 --> 01:55:33,200
Speaker 1: record and so so we gave us more time. Then

1823
01:55:33,600 --> 01:55:37,080
Speaker 1: the judge got sick, so one week turned into what

1824
01:55:37,400 --> 01:55:40,920
Speaker 1: like months months, like three months later, so we're able

1825
01:55:40,960 --> 01:55:44,560
Speaker 1: to finish the bulk of the album where to shoot

1826
01:55:44,600 --> 01:55:49,840
Speaker 1: the video. But it was just crazy. It's crazy, crazy time.

1827
01:55:49,920 --> 01:55:52,400
Speaker 1: So see here we are twenty five years later talking

1828
01:55:52,440 --> 01:55:59,040
Speaker 1: about this. It's a classic. I don't know. Hello, Look,

1829
01:55:59,040 --> 01:56:02,640
Speaker 1: I want to run. The realist Hollywood would change everything

1830
01:56:03,640 --> 01:56:06,880
Speaker 1: was when MTV came to jail to interview me when

1831
01:56:06,920 --> 01:56:10,200
Speaker 1: he trapped n O r E. That changed my life

1832
01:56:10,440 --> 01:56:13,560
Speaker 1: bro like like they didn't believe me, Like they didn't

1833
01:56:13,600 --> 01:56:16,480
Speaker 1: believe until it was real, like when pop they knew pop.

1834
01:56:17,040 --> 01:56:20,000
Speaker 1: So when MTV came to interview pocket was nothing big.

1835
01:56:20,440 --> 01:56:22,800
Speaker 1: But imagine the nigga like me that got an underground

1836
01:56:22,840 --> 01:56:25,880
Speaker 1: album that niggas is hearing niggas by the cassents, but

1837
01:56:26,000 --> 01:56:30,280
Speaker 1: an EMTI motherfucker me come to the jail. I was

1838
01:56:31,400 --> 01:56:34,600
Speaker 1: a year later, I was two pot a year and

1839
01:56:34,640 --> 01:56:38,720
Speaker 1: a half later the niggative interview. The first time was

1840
01:56:38,880 --> 01:56:42,320
Speaker 1: pop thinking to anybody. The second time was Jail Collins.

1841
01:56:43,240 --> 01:56:50,160
Speaker 1: Jail was a max. He was a medium, not that ship.

1842
01:56:51,200 --> 01:56:54,960
Speaker 1: Way different, way different. That's when Neil let me call

1843
01:56:54,960 --> 01:56:59,240
Speaker 1: it thirty times a day and I could call right

1844
01:56:59,360 --> 01:57:03,520
Speaker 1: right Jay man. You know, you know that you know

1845
01:57:03,560 --> 01:57:05,960
Speaker 1: what it was like. You know that the Afro man.

1846
01:57:06,400 --> 01:57:13,840
Speaker 1: You know. I ain't know that something that For some reason,

1847
01:57:15,760 --> 01:57:19,800
Speaker 1: when I remember, I remember me first meeting Deferred do

1848
01:57:20,000 --> 01:57:22,760
Speaker 1: you and my friend d boss And I can't remember

1849
01:57:23,080 --> 01:57:25,600
Speaker 1: whether it was you who told me to go to

1850
01:57:25,640 --> 01:57:29,240
Speaker 1: the Deferred and get the shirts or was it the

1851
01:57:29,440 --> 01:57:31,600
Speaker 1: boss so told me to get the shirts and you

1852
01:57:31,760 --> 01:57:34,040
Speaker 1: co signed and said, yo, that's the pretty good to go.

1853
01:57:36,120 --> 01:57:42,800
Speaker 1: I thought it was the first. I thought it was

1854
01:57:43,520 --> 01:57:46,800
Speaker 1: um the black and yellow four or four shirts, but

1855
01:57:46,840 --> 01:57:49,960
Speaker 1: did not realize no, so it had to be after

1856
01:57:50,040 --> 01:57:52,400
Speaker 1: components in jail. It was, it was, it was, it

1857
01:57:52,520 --> 01:57:54,680
Speaker 1: was after, but it was like I forgot, I gave up.

1858
01:57:54,680 --> 01:57:56,960
Speaker 1: I think I was talking at you and Carolin about

1859
01:57:57,000 --> 01:58:00,480
Speaker 1: it because Calin just took over marketing or something, because

1860
01:58:00,600 --> 01:58:03,560
Speaker 1: also I was crazy. Was we had got penalty hoodies

1861
01:58:03,640 --> 01:58:07,120
Speaker 1: made and deferred made those two. Okay, that's what it was.

1862
01:58:07,200 --> 01:58:09,240
Speaker 1: Then I think, okay, he made those. That was the

1863
01:58:09,440 --> 01:58:13,400
Speaker 1: that was he think that was the first right? Yeah?

1864
01:58:16,320 --> 01:58:21,080
Speaker 1: Question for gas station? Yeah, Willie Bergers, what was up

1865
01:58:21,160 --> 01:58:24,600
Speaker 1: up the block to the left A fact, that's what

1866
01:58:24,760 --> 01:58:27,920
Speaker 1: y'all did? That scene from paying them full at did

1867
01:58:28,040 --> 01:58:33,560
Speaker 1: Now we did that on one f three. Unless we did,

1868
01:58:34,160 --> 01:58:38,000
Speaker 1: y'all don't want to funk with us right there video,

1869
01:58:46,160 --> 01:58:53,280
Speaker 1: So okay, now that's what we're on. Boom noil Martin,

1870
01:58:53,480 --> 01:58:59,440
Speaker 1: I imagine Martin and made him telling you because somehow

1871
01:59:00,120 --> 01:59:04,600
Speaker 1: I tried to probably contested this. I have no idea

1872
01:59:04,680 --> 01:59:08,720
Speaker 1: what happened with till on way we threw it out.

1873
01:59:09,000 --> 01:59:11,440
Speaker 1: I did not feel like the record reacted. But this

1874
01:59:11,600 --> 01:59:13,760
Speaker 1: is me talking to you now. I was the experienced

1875
01:59:13,800 --> 01:59:15,880
Speaker 1: person that knows how a record is supposed to react.

1876
01:59:16,360 --> 01:59:20,520
Speaker 1: But back then I did not feel like, like the

1877
01:59:20,560 --> 01:59:25,360
Speaker 1: records so done. But then I don't know where people

1878
01:59:25,480 --> 01:59:30,440
Speaker 1: saying they're hitting people to tunnel over yea in the

1879
01:59:30,560 --> 01:59:35,000
Speaker 1: head with till Till and why right, because this is

1880
01:59:35,040 --> 01:59:37,480
Speaker 1: how it felt to me. I'm outside of looking in

1881
01:59:37,600 --> 01:59:41,440
Speaker 1: you guys, are actually the analytical people, but holding it

1882
01:59:41,480 --> 01:59:42,680
Speaker 1: doesn't me try to make my point and then you

1883
01:59:42,840 --> 01:59:46,240
Speaker 1: you're tearing in. It felt like there was months set

1884
01:59:46,280 --> 01:59:49,760
Speaker 1: with Bob with til I was actually playing, but it

1885
01:59:49,800 --> 01:59:53,120
Speaker 1: wasn't muthy where by Way actually was successful as a record.

1886
01:59:53,520 --> 01:59:58,440
Speaker 1: Then it actually became successful and it fell regional because

1887
01:59:59,280 --> 02:00:01,600
Speaker 1: we had no internet, We had no we had no

1888
02:00:01,720 --> 02:00:03,880
Speaker 1: idea that what was going on on the other shop

1889
02:00:04,080 --> 02:00:05,560
Speaker 1: or in North count In order for it to get

1890
02:00:05,640 --> 02:00:09,920
Speaker 1: back into the time, it took means to travel to

1891
02:00:10,040 --> 02:00:12,760
Speaker 1: be like, wait a minute, maybe I do have when

1892
02:00:12,800 --> 02:00:15,720
Speaker 1: we do have something right when it was was the

1893
02:00:15,800 --> 02:00:19,320
Speaker 1: time that you guys knew that maybe this maybe we

1894
02:00:19,440 --> 02:00:22,520
Speaker 1: have something to remember We were going to release another

1895
02:00:22,560 --> 02:00:26,960
Speaker 1: record right right close right to this, but before all

1896
02:00:27,040 --> 02:00:33,320
Speaker 1: of that we had an internal office like close up

1897
02:00:33,480 --> 02:00:40,040
Speaker 1: or you have to have predominantly most of the albumsbut

1898
02:00:40,320 --> 02:00:43,640
Speaker 1: the video um so. But then there was um um

1899
02:00:43,840 --> 02:00:49,960
Speaker 1: and Marie Emery was written like and she was like,

1900
02:00:50,240 --> 02:00:53,360
Speaker 1: if y'all go closely, you're gonna kill them. She's like,

1901
02:00:53,440 --> 02:00:55,000
Speaker 1: that record is crazy that y'all need to go with

1902
02:00:55,080 --> 02:00:57,040
Speaker 1: you and with why she was adamant about it. She

1903
02:00:57,120 --> 02:01:02,040
Speaker 1: was so told me a woman. Wo yes, a woman

1904
02:01:02,800 --> 02:01:12,160
Speaker 1: pick got because you were really even really thinking and

1905
02:01:12,280 --> 02:01:15,960
Speaker 1: then when when she started it totally made sense of

1906
02:01:16,160 --> 02:01:19,000
Speaker 1: y'all with with what we was really trying to up

1907
02:01:19,800 --> 02:01:22,200
Speaker 1: and summed up what they weren't in and like in

1908
02:01:22,280 --> 02:01:24,040
Speaker 1: the process of making that record, you know, making it

1909
02:01:24,160 --> 02:01:26,240
Speaker 1: with you know Nashima or that the whole part you

1910
02:01:26,240 --> 02:01:28,000
Speaker 1: know it was Tope, like you know they knew how

1911
02:01:28,040 --> 02:01:30,920
Speaker 1: to make records. That you brought that seam to the table, right.

1912
02:01:32,040 --> 02:01:35,440
Speaker 1: But if you listen to t Y and you hear

1913
02:01:35,440 --> 02:01:38,360
Speaker 1: in the background rest in peace, that was my bomber.

1914
02:01:39,600 --> 02:01:44,000
Speaker 1: I went to cutties one day on Passes the Hillside

1915
02:01:44,040 --> 02:01:45,560
Speaker 1: and I was getting the head cut. I was in

1916
02:01:45,640 --> 02:01:48,160
Speaker 1: the chair and we had a session right before that

1917
02:01:48,280 --> 02:01:50,360
Speaker 1: to go to hit um h hit What was that

1918
02:01:50,440 --> 02:01:57,480
Speaker 1: shot high factory? No no, no, no, no back So

1919
02:01:57,640 --> 02:02:00,400
Speaker 1: boom I was getting a haircut, resting he's my man

1920
02:02:00,520 --> 02:02:06,120
Speaker 1: Sean Brown. He started saying something anything that crazy old

1921
02:02:06,200 --> 02:02:08,160
Speaker 1: school I ain't no by the Garlige kid ship while

1922
02:02:08,160 --> 02:02:10,840
Speaker 1: he cut my head and I'm like, and I just

1923
02:02:10,920 --> 02:02:16,600
Speaker 1: heard him going hello, So I'll said, yo, come to

1924
02:02:16,720 --> 02:02:22,240
Speaker 1: the studio and say this. In the background, He's like what,

1925
02:02:23,440 --> 02:02:26,600
Speaker 1: and I said, but we did it. Remember he came in,

1926
02:02:26,840 --> 02:02:28,960
Speaker 1: but I wanted to soul road that. You can't really

1927
02:02:29,040 --> 02:02:31,440
Speaker 1: make out what he was said. Remember, and I gotta

1928
02:02:31,480 --> 02:02:34,720
Speaker 1: thank Dr Dre because Dr Dre gave me that, Like,

1929
02:02:35,400 --> 02:02:38,760
Speaker 1: let me start putting moving prost. It sounds in the music.

1930
02:02:39,240 --> 02:02:42,400
Speaker 1: So then my little man was like, yo, son, I

1931
02:02:42,560 --> 02:02:47,440
Speaker 1: ran to his violin. Who so he's like, Yo, you

1932
02:02:47,480 --> 02:02:50,080
Speaker 1: gotta listen to this ship. I tried, don't you claiming

1933
02:02:50,120 --> 02:02:59,160
Speaker 1: the violinist? No, no, no, no, no, listen, listen, listen, listen,

1934
02:02:59,560 --> 02:03:05,840
Speaker 1: little chill time about that, because you want to take

1935
02:03:05,880 --> 02:03:18,920
Speaker 1: it if you didn't write every kick everything, you didn't

1936
02:03:18,920 --> 02:03:31,680
Speaker 1: write everything, I want to right, listen Jesus. Well, So look,

1937
02:03:31,800 --> 02:03:41,120
Speaker 1: so so she was talker not see put the violet?

1938
02:03:41,360 --> 02:03:45,000
Speaker 1: Yeah she put that in the violet. Yeah, but were

1939
02:03:45,080 --> 02:03:47,440
Speaker 1: just throwing it around like yo, my man could know

1940
02:03:47,680 --> 02:03:51,160
Speaker 1: what was Agent two five? It was Asian two five,

1941
02:03:51,320 --> 02:03:54,720
Speaker 1: little like so, but he had a great contept. Yeah,

1942
02:03:54,800 --> 02:03:57,200
Speaker 1: I'm not listen, I'm telling truth, man, I ain't taking

1943
02:03:57,280 --> 02:03:59,560
Speaker 1: up from nobody because I've got minds. I've put minds

1944
02:03:59,600 --> 02:04:02,000
Speaker 1: in out. It was Agent two five. That was my

1945
02:04:02,080 --> 02:04:04,720
Speaker 1: little man, said, your son of mental ranch on violinists,

1946
02:04:04,880 --> 02:04:08,400
Speaker 1: you know people that played instruments on the train agent

1947
02:04:08,440 --> 02:04:11,360
Speaker 1: two fives to the violinist. So I said, why are

1948
02:04:11,400 --> 02:04:13,440
Speaker 1: you why you He was like, I don't know violets ill.

1949
02:04:13,640 --> 02:04:16,440
Speaker 1: So we spoke to that she and not she put

1950
02:04:16,480 --> 02:04:20,840
Speaker 1: that in me. That's facts you not she on the phone. Yeah,

1951
02:04:21,520 --> 02:04:27,120
Speaker 1: but you under puffy. It was producers. His mindset and

1952
02:04:27,240 --> 02:04:30,120
Speaker 1: making records was crazy. So that was an experience within itself.

1953
02:04:30,200 --> 02:04:37,600
Speaker 1: Like he didn't know if she was. Yeah, that was

1954
02:04:37,720 --> 02:04:47,640
Speaker 1: not that obviously downtown. Yeah, what studio was that with?

1955
02:04:48,200 --> 02:04:51,440
Speaker 1: Then why all that radio at that point, right, because

1956
02:04:51,440 --> 02:04:53,280
Speaker 1: it is the opposite of you didn't have that. You

1957
02:04:53,320 --> 02:04:55,720
Speaker 1: didn't have you know, Internet, you didn't have you know.

1958
02:04:55,840 --> 02:04:58,040
Speaker 1: So okay, we have to shoot a video and we

1959
02:04:58,080 --> 02:05:00,560
Speaker 1: got to get it on radio. It was service. We

1960
02:05:00,640 --> 02:05:04,080
Speaker 1: serviced radio. It's like no, it's like, we can't play

1961
02:05:04,120 --> 02:05:07,040
Speaker 1: this record. And so it took a one. I mean

1962
02:05:07,320 --> 02:05:11,280
Speaker 1: shows played it, right, So so the video played, but

1963
02:05:11,400 --> 02:05:17,600
Speaker 1: it took a one. Main commercials commercially was crazy commercial.

1964
02:05:18,400 --> 02:05:21,919
Speaker 1: How you were commercial before that? It was way commercial?

1965
02:05:22,240 --> 02:05:24,120
Speaker 1: But she was she but she was like, yo, this

1966
02:05:24,360 --> 02:05:27,040
Speaker 1: is these guys right, and like, if y'all go with this,

1967
02:05:27,120 --> 02:05:28,840
Speaker 1: you're gonna take them out of the zone. Like so

1968
02:05:29,000 --> 02:05:31,520
Speaker 1: I I was like, this is it right, let's let's

1969
02:05:31,600 --> 02:05:33,880
Speaker 1: you know the reason why I signed you guys, because

1970
02:05:33,920 --> 02:05:35,760
Speaker 1: because of that reason, like we wanted to see it

1971
02:05:35,800 --> 02:05:38,240
Speaker 1: when why that's what we wanted and that set the tone.

1972
02:05:38,800 --> 02:05:42,080
Speaker 1: But then you're taking and you're figuring out, this is

1973
02:05:42,120 --> 02:05:46,280
Speaker 1: how we get the radio ultimately this happening closer. That's

1974
02:05:47,560 --> 02:05:49,720
Speaker 1: that's what I mean. That's what I mean. That's why

1975
02:05:49,800 --> 02:05:52,360
Speaker 1: when I had that day it was a claw kim Bergeon. Correct,

1976
02:05:52,600 --> 02:06:01,520
Speaker 1: that's why that's right. Remake that afterwards. Remember I need

1977
02:06:01,600 --> 02:06:04,800
Speaker 1: even going with that, We're trying to work so hard.

1978
02:06:04,920 --> 02:06:08,320
Speaker 1: You got to work at a bunch of like probably

1979
02:06:08,800 --> 02:06:18,839
Speaker 1: up probably not records Up. I had the false Compora

1980
02:06:18,920 --> 02:06:27,000
Speaker 1: do that record, don't love poem Poe did because class

1981
02:06:28,520 --> 02:06:31,160
Speaker 1: But you said, this needs to be you. That's who

1982
02:06:31,240 --> 02:06:35,800
Speaker 1: you are? Yeah like that, No, not like that slam

1983
02:06:35,920 --> 02:06:40,440
Speaker 1: Come on, I ain't the word puma just just throughout

1984
02:06:40,560 --> 02:06:43,240
Speaker 1: making the record, I mean, it was so much drama

1985
02:06:43,360 --> 02:06:45,880
Speaker 1: and it was to the record today and you really

1986
02:06:46,000 --> 02:06:50,280
Speaker 1: get it and it's a special record. It's really you guys. Factor.

1987
02:06:50,560 --> 02:06:54,200
Speaker 1: Commercial records like commercial success did were closer, you thought

1988
02:06:54,280 --> 02:06:58,680
Speaker 1: hustle if you were to win closer, let the label

1989
02:06:58,760 --> 02:07:01,240
Speaker 1: saying we need a radio it was the label, No

1990
02:07:01,480 --> 02:07:06,760
Speaker 1: I'm the r. But what the thing is like? Right?

1991
02:07:06,880 --> 02:07:10,960
Speaker 1: So the balance is this, right, So you gotta like

1992
02:07:11,240 --> 02:07:13,280
Speaker 1: the the artist has a vision. And when you came

1993
02:07:13,320 --> 02:07:14,680
Speaker 1: to me with a vision, it's like, all right, this

1994
02:07:14,720 --> 02:07:17,040
Speaker 1: is what we're gonna try to see through. Right. But

1995
02:07:17,160 --> 02:07:19,080
Speaker 1: then there's also like all right, yeah, we want some

1996
02:07:19,120 --> 02:07:21,320
Speaker 1: commercial success. We're gonna try to take this record. That's

1997
02:07:21,360 --> 02:07:23,080
Speaker 1: why we did a lot of those remixes. But the

1998
02:07:23,200 --> 02:07:24,760
Speaker 1: thing that when it came, we came back to the

1999
02:07:24,840 --> 02:07:27,360
Speaker 1: core of what's seeing it was and that's what went why.

2000
02:07:27,520 --> 02:07:29,600
Speaker 1: And that's what she called out when she said that

2001
02:07:30,160 --> 02:07:33,080
Speaker 1: that needs a lot of sense. And then that's what

2002
02:07:33,200 --> 02:07:36,400
Speaker 1: we went with why and that said the tone to

2003
02:07:37,480 --> 02:07:40,040
Speaker 1: sign the artist. Right now, I'm not going with you

2004
02:07:40,160 --> 02:07:45,840
Speaker 1: on but but listen that that was the time, That

2005
02:07:45,960 --> 02:07:47,600
Speaker 1: was the time that there was a time and place

2006
02:07:47,640 --> 02:07:49,800
Speaker 1: for that. But that's probably why would work because you

2007
02:07:49,840 --> 02:07:54,480
Speaker 1: wouldn't we talking about you know, it's it's it's it's

2008
02:07:54,520 --> 02:07:56,640
Speaker 1: one million percent correct because what I'm trying to say,

2009
02:07:56,720 --> 02:07:59,680
Speaker 1: is the thing about penalty? What makes penalty and I

2010
02:07:59,760 --> 02:08:02,080
Speaker 1: want to give it to a penalty in its totality

2011
02:08:02,760 --> 02:08:06,320
Speaker 1: is that it had to be you guys together sitting

2012
02:08:06,400 --> 02:08:10,920
Speaker 1: there and saying that trag is happy, and you stopped

2013
02:08:10,920 --> 02:08:13,040
Speaker 1: me if I'm wrong, it's happy for getting us out

2014
02:08:13,120 --> 02:08:15,760
Speaker 1: the hood, like y'all fucking you know what, maybe if

2015
02:08:15,800 --> 02:08:17,880
Speaker 1: we pick a wrong record or not, but if you

2016
02:08:17,920 --> 02:08:20,840
Speaker 1: get them out of the hood, that's a success. Me.

2017
02:08:21,040 --> 02:08:23,520
Speaker 1: If I get out of the hood, that's a success. You,

2018
02:08:23,840 --> 02:08:25,839
Speaker 1: if you get out of the hood, that's a success.

2019
02:08:27,760 --> 02:08:30,400
Speaker 1: What What What made y'all say let's keep it real

2020
02:08:30,680 --> 02:08:34,280
Speaker 1: with the hood? Because easily, like right now, if I

2021
02:08:34,320 --> 02:08:37,480
Speaker 1: have a find an artist right now and she or

2022
02:08:37,600 --> 02:08:41,240
Speaker 1: he wants to go away with the commercial success that

2023
02:08:41,480 --> 02:08:47,120
Speaker 1: I could identify with personally me, I know what Super Dug,

2024
02:08:47,200 --> 02:08:49,720
Speaker 1: did I know what I even Kindle? Did I know

2025
02:08:49,800 --> 02:08:52,360
Speaker 1: what Homeboy? Did? I know what certain records did, Funk

2026
02:08:52,400 --> 02:08:54,600
Speaker 1: with us did for me. But I don't know what

2027
02:08:54,720 --> 02:08:57,160
Speaker 1: this record can do. But you said the key word,

2028
02:08:57,200 --> 02:09:01,640
Speaker 1: did right? Think about that? That's sound? That sounded sound.

2029
02:09:01,720 --> 02:09:04,280
Speaker 1: It was a translation. We heard that record and we

2030
02:09:04,360 --> 02:09:07,480
Speaker 1: came to Miamie to do that record. Right, you wait

2031
02:09:07,560 --> 02:09:09,280
Speaker 1: until I get to Miamie to do that record. That

2032
02:09:09,360 --> 02:09:18,440
Speaker 1: was the main focus because to me that wasn't that

2033
02:09:18,600 --> 02:09:22,320
Speaker 1: was traditional underground New York. But we did that traditional

2034
02:09:22,400 --> 02:09:25,400
Speaker 1: underground New York and went for ads and well, well

2035
02:09:25,480 --> 02:09:27,400
Speaker 1: the thing is in my background and around the club

2036
02:09:27,680 --> 02:09:31,000
Speaker 1: I had in w A and Easy and all these

2037
02:09:31,120 --> 02:09:36,080
Speaker 1: and all were concerned. We were trying to turn you

2038
02:09:36,200 --> 02:09:41,480
Speaker 1: into something that that's mad important. I want to shave

2039
02:09:41,560 --> 02:09:45,200
Speaker 1: it again. When I said, he just brought up the

2040
02:09:45,200 --> 02:09:48,280
Speaker 1: whole scenario. When I went into the office, you had

2041
02:09:48,320 --> 02:09:50,480
Speaker 1: to go in the conference room was in the back.

2042
02:09:51,760 --> 02:09:53,720
Speaker 1: He caught me in the conference from first. You guys

2043
02:09:53,800 --> 02:09:56,480
Speaker 1: came in later and when you came in and dog

2044
02:09:56,680 --> 02:10:00,040
Speaker 1: the stereos right here and the tables here, no to

2045
02:10:00,040 --> 02:10:01,840
Speaker 1: get because I went around to the end of the table.

2046
02:10:02,680 --> 02:10:05,280
Speaker 1: This motherfucking guy for me now man, because he was

2047
02:10:05,320 --> 02:10:07,440
Speaker 1: always coming and I'd be like, damn, no, I don't,

2048
02:10:07,440 --> 02:10:09,720
Speaker 1: I don't. But later on a lot of those things

2049
02:10:10,160 --> 02:10:13,200
Speaker 1: turn out the work out. But I didn't see that vision.

2050
02:10:13,560 --> 02:10:15,880
Speaker 1: But when he said we want to go with I

2051
02:10:15,880 --> 02:10:18,840
Speaker 1: didn't choose that single. But when they said but he said,

2052
02:10:18,880 --> 02:10:20,600
Speaker 1: they want to go into and why I was like, yo,

2053
02:10:22,720 --> 02:10:26,640
Speaker 1: they understand because while you're making the project, you know,

2054
02:10:26,880 --> 02:10:30,440
Speaker 1: like I didn't see everything until I heard it in

2055
02:10:30,560 --> 02:10:34,440
Speaker 1: the body. I don't know if that's making sex. Like yeah,

2056
02:10:34,560 --> 02:10:36,040
Speaker 1: the head and told it. I had to hear the

2057
02:10:36,160 --> 02:10:37,840
Speaker 1: body to know. I you know what I'm saying. Like,

2058
02:10:38,320 --> 02:10:41,480
Speaker 1: when you're doing a project, some people go in they

2059
02:10:41,640 --> 02:10:45,120
Speaker 1: you know, they specifically make this type of single for that,

2060
02:10:45,840 --> 02:10:50,000
Speaker 1: Like we were making a project like we're talking about before. Yeah,

2061
02:10:50,080 --> 02:10:56,960
Speaker 1: it was like you embrace SNOOP, you embraced DMX, you

2062
02:10:57,080 --> 02:11:01,120
Speaker 1: embraced POT because they bring you into their world. When

2063
02:11:01,160 --> 02:11:03,000
Speaker 1: you do a body of work and you're bringing the

2064
02:11:03,120 --> 02:11:06,760
Speaker 1: people into your world where you formulate and set up singles,

2065
02:11:07,200 --> 02:11:09,600
Speaker 1: you're catering a little more to them, and it could work.

2066
02:11:10,440 --> 02:11:13,040
Speaker 1: Your lifespan may be different. It depending on what your

2067
02:11:13,080 --> 02:11:15,720
Speaker 1: goal is. You may want to beg I'm make a

2068
02:11:15,760 --> 02:11:17,680
Speaker 1: formulate and get it. I don't know what your goal is.

2069
02:11:17,920 --> 02:11:20,080
Speaker 1: But when you make your body at work, it becomes

2070
02:11:20,160 --> 02:11:23,960
Speaker 1: a timeless peace because within that body of work, you

2071
02:11:24,160 --> 02:11:27,760
Speaker 1: identify with who you are. You give the world a

2072
02:11:27,880 --> 02:11:31,520
Speaker 1: piece of yourself. That's why That's why I respectfully. And

2073
02:11:31,560 --> 02:11:34,760
Speaker 1: I'm gonna saying this some people. I love Biggie Man.

2074
02:11:34,920 --> 02:11:37,960
Speaker 1: That was a new biggie. I didn't know pop, but

2075
02:11:38,080 --> 02:11:41,600
Speaker 1: they both taught me something. Pot gave you a piece

2076
02:11:41,640 --> 02:11:44,440
Speaker 1: of his roner abilities. I believe big an't really have

2077
02:11:44,600 --> 02:11:47,480
Speaker 1: enough time to give you all of himself. He had

2078
02:11:47,520 --> 02:11:51,160
Speaker 1: a great influence over him Puff, but yet it's still

2079
02:11:51,320 --> 02:11:54,360
Speaker 1: it was an influence, so you didn't really get all

2080
02:11:54,440 --> 02:11:57,840
Speaker 1: of big Pop was kind of like a low at times.

2081
02:11:58,640 --> 02:12:00,240
Speaker 1: So you got on the Pot. And I think we

2082
02:12:00,440 --> 02:12:03,120
Speaker 1: just to relate it to and why to what I

2083
02:12:03,160 --> 02:12:05,440
Speaker 1: always tell an artist, I need to hear a song

2084
02:12:06,120 --> 02:12:10,400
Speaker 1: that identifies you till till why was their? I d

2085
02:12:10,640 --> 02:12:15,160
Speaker 1: like the fucking driver's license and identified everything. It was

2086
02:12:15,240 --> 02:12:18,920
Speaker 1: a total sum of everything that makes sense. That's what

2087
02:12:19,040 --> 02:12:22,480
Speaker 1: I wanted. It wouldn't work on a commercial or the

2088
02:12:22,760 --> 02:12:31,240
Speaker 1: major record, no record label, just like protect your Neck

2089
02:12:31,280 --> 02:12:34,200
Speaker 1: wouldn't have worked to any worldasion. I got a question

2090
02:12:34,240 --> 02:12:37,680
Speaker 1: for you, Trash, real quick. Hearing you talk, hearing the

2091
02:12:37,760 --> 02:12:40,200
Speaker 1: passion that you talk. Even when these records first came out,

2092
02:12:40,240 --> 02:12:42,120
Speaker 1: Look this record right here, in particular, it was your

2093
02:12:42,160 --> 02:12:47,440
Speaker 1: record right It felt like you were ushering in Compona Oriega,

2094
02:12:47,600 --> 02:12:50,080
Speaker 1: I was that was that was what I had hearing everything.

2095
02:12:50,480 --> 02:12:53,760
Speaker 1: Did you feel compon Origo was component Oriegan tragedy? Was

2096
02:12:53,840 --> 02:12:57,040
Speaker 1: that really a group in your mind? I did. I

2097
02:12:57,120 --> 02:12:58,960
Speaker 1: did feel that way at the time because I feel

2098
02:12:59,000 --> 02:13:02,400
Speaker 1: like I had make up for him. I felt like

2099
02:13:02,440 --> 02:13:05,760
Speaker 1: I had to cover for him because he wasn't listening.

2100
02:13:05,880 --> 02:13:07,720
Speaker 1: I'm like, yo, you gotta, you gotta You're about to

2101
02:13:07,840 --> 02:13:11,120
Speaker 1: go in. I'm dead ass man. You gotta go in

2102
02:13:11,320 --> 02:13:13,840
Speaker 1: and do some songs because it's gonna just you. It

2103
02:13:13,880 --> 02:13:16,200
Speaker 1: wouldn't matter will not being seen an album. It's gonna

2104
02:13:16,200 --> 02:13:18,960
Speaker 1: be a Norri album. He's working. You gotta go in

2105
02:13:19,000 --> 02:13:21,880
Speaker 1: and do some son That's why it was hard. But

2106
02:13:22,120 --> 02:13:24,640
Speaker 1: he wounded up doing capon Ball, but he he probably

2107
02:13:24,720 --> 02:13:27,320
Speaker 1: might not did that. His mom was. He knew he

2108
02:13:27,360 --> 02:13:30,080
Speaker 1: had to go do time, and he was just yeah

2109
02:13:30,440 --> 02:13:32,520
Speaker 1: he had. If he had been here, you would have

2110
02:13:32,600 --> 02:13:36,000
Speaker 1: taken more of the executive role, totally totally, but him

2111
02:13:36,080 --> 02:13:39,720
Speaker 1: going keep it greeting. I didn't want around, it want around,

2112
02:13:40,440 --> 02:13:45,280
Speaker 1: but I'm glad because I had to. You wouldn't do

2113
02:13:45,360 --> 02:14:02,280
Speaker 1: one good came down some time. No, that's the deep

2114
02:14:02,320 --> 02:14:04,600
Speaker 1: question it was, and it was it was it was

2115
02:14:05,240 --> 02:14:09,000
Speaker 1: it was put Cooney, That's what I said. Dan. It's

2116
02:14:09,040 --> 02:14:11,920
Speaker 1: kind of like he's like, it's kind of good for me,

2117
02:14:12,800 --> 02:14:16,440
Speaker 1: you know. But by the time I signed CNN, and

2118
02:14:16,680 --> 02:14:19,480
Speaker 1: I've been doing this for a long time already, but

2119
02:14:19,760 --> 02:14:22,640
Speaker 1: in my career, it's probably the most special project that

2120
02:14:22,680 --> 02:14:25,600
Speaker 1: I've ever been associated with. And that's why we're here.

2121
02:14:26,360 --> 02:14:28,160
Speaker 1: Uh and you listen to it now. I was in

2122
02:14:28,240 --> 02:14:30,000
Speaker 1: the studio a few weeks ago and with a bunch

2123
02:14:30,040 --> 02:14:32,320
Speaker 1: of drill rappers and and they're talking about their ship,

2124
02:14:32,440 --> 02:14:34,000
Speaker 1: and I said, you got to hear the War of Recourse.

2125
02:14:40,120 --> 02:14:43,760
Speaker 1: So it's like, you know, so I'm really proud of

2126
02:14:43,880 --> 02:14:46,960
Speaker 1: you guys, and proud to be talking about this twenty

2127
02:14:47,040 --> 02:14:49,600
Speaker 1: five years later. It's amazing to me what we're proud

2128
02:14:49,640 --> 02:14:52,400
Speaker 1: of you guys were actually did you guys was a

2129
02:14:52,480 --> 02:14:56,240
Speaker 1: part of our journey, My journey, all of our journey,

2130
02:14:56,280 --> 02:14:58,000
Speaker 1: and we want to give you all y'all flowers in

2131
02:14:58,160 --> 02:15:07,160
Speaker 1: y'all y'all bag pretty come on, come on, I want

2132
02:15:07,200 --> 02:15:10,280
Speaker 1: to stay that you get mine. You know, as I

2133
02:15:10,400 --> 02:15:12,960
Speaker 1: look back and things, I might have been a little

2134
02:15:13,000 --> 02:15:15,000
Speaker 1: rough friend of Edges, but I gotta beat now. I'm

2135
02:15:15,040 --> 02:15:21,880
Speaker 1: serious man, I want to buy ship. You're gonna be there.

2136
02:15:22,200 --> 02:15:29,839
Speaker 1: You on service, brother, Oh that's what stuff? Okay, flowers

2137
02:15:31,000 --> 02:15:42,560
Speaker 1: you know you and you know I'm gonna be completed.

2138
02:15:42,560 --> 02:15:44,080
Speaker 1: We didn't get her out to the one that gets

2139
02:15:44,120 --> 02:15:53,080
Speaker 1: flowers to my man. I don't like to think about

2140
02:15:53,400 --> 02:15:57,560
Speaker 1: but you know, you know, I just want to say something, um,

2141
02:15:59,040 --> 02:16:03,920
Speaker 1: because this whole and he is beautiful for me, you know,

2142
02:16:04,040 --> 02:16:08,120
Speaker 1: even even the spa scrimping seas and scrimping, you know,

2143
02:16:08,680 --> 02:16:10,640
Speaker 1: all that ship, all that ship. Like if I thought

2144
02:16:10,640 --> 02:16:15,320
Speaker 1: about it the other day, and I probably wouldn't change

2145
02:16:15,840 --> 02:16:19,560
Speaker 1: much like if I said, you'll do it all over again,

2146
02:16:21,680 --> 02:16:30,000
Speaker 1: I would change the two things. If if in retrospect,

2147
02:16:30,120 --> 02:16:33,800
Speaker 1: it doesn't matter what all the champs it brought us here,

2148
02:16:34,959 --> 02:16:37,600
Speaker 1: it brought up for this happy woman. That's why today tragic.

2149
02:16:38,360 --> 02:16:41,400
Speaker 1: You know I might have called you today. Why don't

2150
02:16:41,400 --> 02:16:44,760
Speaker 1: I have a called any grown man my life? Okay?

2151
02:16:46,400 --> 02:16:51,800
Speaker 1: And it's because one I do listen to the fans.

2152
02:16:52,800 --> 02:16:54,520
Speaker 1: And sometimes when I listen to the fans and the

2153
02:16:54,640 --> 02:16:56,840
Speaker 1: fast and we'll say something like the Worrid for why

2154
02:16:56,840 --> 02:16:59,080
Speaker 1: are you gonna you know, pick up the Worrid for

2155
02:16:59,280 --> 02:17:03,480
Speaker 1: without thinking love track you know the war report is

2156
02:17:03,640 --> 02:17:11,800
Speaker 1: in it's your babies, thanks, and it's everyone's baby here.

2157
02:17:13,760 --> 02:17:17,879
Speaker 1: Actually the parents unarrest sounds a little crazy, Okay, I'm

2158
02:17:17,879 --> 02:17:23,600
Speaker 1: like little, so little, It's okay, it's all right, But

2159
02:17:23,720 --> 02:17:29,960
Speaker 1: it's also everyone's you know. Um, I listened to it

2160
02:17:30,080 --> 02:17:32,960
Speaker 1: the other day, Listen to it today, listen to it.

2161
02:17:33,720 --> 02:17:38,800
Speaker 1: And it's really a masterpiece. It's really a classics, really

2162
02:17:38,879 --> 02:17:42,560
Speaker 1: something that stood out to the test of time. And

2163
02:17:42,720 --> 02:17:45,360
Speaker 1: what's funny is hell about it. It's when I made

2164
02:17:45,440 --> 02:17:53,520
Speaker 1: it out when we collectively because if I say that ship,

2165
02:17:57,200 --> 02:18:00,560
Speaker 1: so I'm saying it together because that's because I'm talking.

2166
02:18:01,720 --> 02:18:06,520
Speaker 1: But what I'm saying is when you was really I

2167
02:18:06,760 --> 02:18:12,640
Speaker 1: really despised this guy named and it wasn't nothing personally,

2168
02:18:13,840 --> 02:18:17,560
Speaker 1: it was he was representing the exact opposite he would representing.

2169
02:18:18,320 --> 02:18:26,760
Speaker 1: We were thirty tims, scuffed, come under the tap, kicking

2170
02:18:26,879 --> 02:18:39,879
Speaker 1: judges and they notices shooting. Hey manna, I'm waiting. Then

2171
02:18:40,320 --> 02:18:44,360
Speaker 1: here's this, here's this guy's exact opposite. And for us

2172
02:18:44,440 --> 02:18:47,560
Speaker 1: to come back twenty five years later and to be

2173
02:18:47,640 --> 02:18:51,960
Speaker 1: sitting here with the people behind the scenes, people whatever

2174
02:18:52,000 --> 02:18:54,080
Speaker 1: was in front of the scenes, people that lived the

2175
02:18:54,160 --> 02:18:57,760
Speaker 1: scenes us said, you know, be able to sit here

2176
02:18:57,800 --> 02:19:01,600
Speaker 1: and have drinks. It's a beautiful thing. Life goes on

2177
02:19:02,080 --> 02:19:06,080
Speaker 1: to beat Martin's son that to be I would like

2178
02:19:06,160 --> 02:19:10,040
Speaker 1: to meet your wife oficially his wife. Finally, this is

2179
02:19:10,200 --> 02:19:13,920
Speaker 1: beautiful that this is this is actually grown man ship

2180
02:19:16,160 --> 02:19:19,000
Speaker 1: and it's not what it's not what we signed up

2181
02:19:19,120 --> 02:19:25,640
Speaker 1: for everyone for their own self. You know, this is

2182
02:19:25,680 --> 02:19:28,720
Speaker 1: why this show Drink Champ is so beautiful is because

2183
02:19:29,480 --> 02:19:31,640
Speaker 1: it's not really about me and yeah, finish about giving

2184
02:19:31,760 --> 02:19:34,680
Speaker 1: everyone else and for us to sit down right now.

2185
02:19:34,760 --> 02:19:37,720
Speaker 1: This is just a beautiful moment. Amazing. It's amazing that

2186
02:19:37,879 --> 02:19:40,160
Speaker 1: I personally made these phone calls like a not too

2187
02:19:40,280 --> 02:19:43,360
Speaker 1: high bro. There's not one person that can say, yo,

2188
02:19:43,480 --> 02:19:47,160
Speaker 1: you know what? Um. You know, I called everyone individually.

2189
02:19:47,240 --> 02:19:49,440
Speaker 1: I wanted everyone to be here, and I wanted everyone

2190
02:19:49,480 --> 02:19:52,560
Speaker 1: to get their flowers. You know what y'all actually are

2191
02:19:52,640 --> 02:19:57,240
Speaker 1: getting because it's really uh, if it wasn't for Mayhem.

2192
02:19:58,360 --> 02:20:03,520
Speaker 1: Mayhem is, in my most famous skit ever, a solid

2193
02:20:03,640 --> 02:20:07,000
Speaker 1: dude man. Man. He was a solid dude man, always sad.

2194
02:20:07,680 --> 02:20:13,080
Speaker 1: I'm listening, you know, been a part of it. Geno

2195
02:20:13,240 --> 02:20:14,880
Speaker 1: has been a part of it. The Gino went on

2196
02:20:15,680 --> 02:20:18,560
Speaker 1: and you know, helped discover asap rocket And I said

2197
02:20:18,560 --> 02:20:22,440
Speaker 1: it in front of a sap rocket. Appreciate that, uh

2198
02:20:23,840 --> 02:20:27,320
Speaker 1: Neil as much things if you you you've done, mar

2199
02:20:27,400 --> 02:20:29,560
Speaker 1: and as much things as you've done. And and trash

2200
02:20:29,640 --> 02:20:32,120
Speaker 1: and one of one have triple bypass surgery or something

2201
02:20:32,160 --> 02:20:35,240
Speaker 1: like that. Yeah, but I had a serious surgery. I

2202
02:20:35,320 --> 02:20:39,160
Speaker 1: had serious Look good man, look good brother had ver

2203
02:20:39,280 --> 02:20:48,240
Speaker 1: cancer and I did it, so shot man. And so

2204
02:20:48,560 --> 02:20:50,960
Speaker 1: what I want to say is, um, but hold up.

2205
02:20:52,879 --> 02:20:56,640
Speaker 1: We you and e FN met because of penalty. I

2206
02:20:56,720 --> 02:20:59,760
Speaker 1: didn't know that. I was actually think of taking a

2207
02:21:00,280 --> 02:21:04,320
Speaker 1: calls you get him through the phone. Don't tell me this,

2208
02:21:04,520 --> 02:21:07,160
Speaker 1: don't Yes, well that's your book. He was trying to

2209
02:21:07,320 --> 02:21:09,119
Speaker 1: he was he was trying to get records and book

2210
02:21:09,160 --> 02:21:11,640
Speaker 1: a show. But that was after actually that was right

2211
02:21:11,680 --> 02:21:14,680
Speaker 1: after I met him. Yeah, but remember when they when

2212
02:21:14,720 --> 02:21:17,000
Speaker 1: you first came, I was like, yo, you need to

2213
02:21:17,040 --> 02:21:21,520
Speaker 1: get with it. To add to that, because I wanted

2214
02:21:21,600 --> 02:21:24,560
Speaker 1: that story. Is ill I met, I met you and

2215
02:21:24,760 --> 02:21:27,000
Speaker 1: you came to my store. It was you were on

2216
02:21:27,120 --> 02:21:31,120
Speaker 1: the interpend the promoter CNN and Poe was locked up

2217
02:21:31,800 --> 02:21:34,680
Speaker 1: and and and Phill the mayor promoting local promoter brought

2218
02:21:34,760 --> 02:21:36,040
Speaker 1: them because you know, back then you had to go

2219
02:21:36,080 --> 02:21:38,360
Speaker 1: to do in stores when you're doing doing runs in

2220
02:21:38,400 --> 02:21:40,080
Speaker 1: the club. And I was one of the few. We

2221
02:21:40,160 --> 02:21:42,480
Speaker 1: had Crazy Goods, one of the few hip hop stores

2222
02:21:42,760 --> 02:21:49,520
Speaker 1: and putting on the shirt Crazy he the shirt and

2223
02:21:49,680 --> 02:21:52,440
Speaker 1: then then I called penalty because I was like, I

2224
02:21:52,440 --> 02:21:54,480
Speaker 1: gotta get down with these dudes because y'all show much

2225
02:21:54,480 --> 02:21:56,879
Speaker 1: stub and and then HA did that phone call. Yeah,

2226
02:21:56,959 --> 02:21:59,120
Speaker 1: it was funny because it was new that, you know,

2227
02:22:00,280 --> 02:22:02,640
Speaker 1: I was always taking a poem called some poem, always

2228
02:22:02,760 --> 02:22:06,040
Speaker 1: called and when his ship run out, boom, you know

2229
02:22:06,120 --> 02:22:08,040
Speaker 1: his bangy, you're gonna call you back in five minutes.

2230
02:22:08,840 --> 02:22:19,560
Speaker 1: Then I got fool, he's still so he called the

2231
02:22:19,680 --> 02:22:21,920
Speaker 1: E F F coll and I was like, just hey,

2232
02:22:22,000 --> 02:22:24,800
Speaker 1: poem and I was like, yeah, who's this And then

2233
02:22:24,959 --> 02:22:27,320
Speaker 1: he was like, yo, I'm a DJ. No, just me

2234
02:22:27,480 --> 02:22:30,800
Speaker 1: just being me. We just connected over the phone and

2235
02:22:31,240 --> 02:22:35,000
Speaker 1: whenever he needed records, he wanted freestyles, and he was like,

2236
02:22:35,080 --> 02:22:36,520
Speaker 1: y'all want to book a show, and I was like,

2237
02:22:36,600 --> 02:22:40,280
Speaker 1: fuck it, We're gonna make it happen, which went through Viola.

2238
02:22:41,840 --> 02:22:44,000
Speaker 1: No look that show book was your first n R

2239
02:22:44,320 --> 02:22:48,120
Speaker 1: show out here. Yeah, and it was through Violator and

2240
02:22:48,200 --> 02:22:51,840
Speaker 1: then the White Lady. They called me a week before

2241
02:22:51,920 --> 02:22:54,760
Speaker 1: and said someone else was trying to book him. I

2242
02:22:54,879 --> 02:22:58,840
Speaker 1: just set the deposit that someone else was called and

2243
02:22:58,959 --> 02:23:01,480
Speaker 1: I was like, hell, I just said, my motherfuck deposit,

2244
02:23:01,640 --> 02:23:13,240
Speaker 1: we're doing this shop. That was But she always took

2245
02:23:13,280 --> 02:23:15,200
Speaker 1: care of me. Martin always took care of me. The

2246
02:23:15,200 --> 02:23:17,280
Speaker 1: whole team took care of me. Always been Martin. I

2247
02:23:17,400 --> 02:23:19,160
Speaker 1: know that I was always blowing you up for freestyles

2248
02:23:19,240 --> 02:23:22,000
Speaker 1: and and and everything that I did, the phone home

2249
02:23:22,080 --> 02:23:24,280
Speaker 1: show that you guys had me take care of here

2250
02:23:24,320 --> 02:23:26,840
Speaker 1: in Miami, that she was ill. It's always been a family.

2251
02:23:26,920 --> 02:23:30,480
Speaker 1: So yeah, he was always shouldn't really be connected, you know,

2252
02:23:31,320 --> 02:23:33,440
Speaker 1: she wouldn't be down the lane over to be like

2253
02:23:33,560 --> 02:23:37,320
Speaker 1: NAS albums. Wait, I mean, for me, it's really full

2254
02:23:37,360 --> 02:23:41,720
Speaker 1: circle to see this right now, it's just amazing. It's

2255
02:23:41,760 --> 02:23:45,760
Speaker 1: just I agree. I mean at the War Report lives

2256
02:23:45,840 --> 02:23:50,400
Speaker 1: on and let's live Stone, yeah, and then look at

2257
02:23:50,440 --> 02:23:54,560
Speaker 1: look and let's just let's just sting off the top, right. Okay,

2258
02:23:54,680 --> 02:23:58,320
Speaker 1: we can't like fully claim like an easy LP right

2259
02:23:58,400 --> 02:24:01,960
Speaker 1: because easy LP was already out with but give it

2260
02:24:02,080 --> 02:24:03,760
Speaker 1: up to him. He gave me a class of claw

2261
02:24:04,280 --> 02:24:08,320
Speaker 1: Clark camp. But this shout for this and then from

2262
02:24:08,400 --> 02:24:14,560
Speaker 1: that comes a Swiss Beats comes up for rap. Yeah,

2263
02:24:15,040 --> 02:24:20,400
Speaker 1: you know I was a dream. Chip Man comes in

2264
02:24:20,560 --> 02:24:24,640
Speaker 1: right more right. We got kids. We got Faye. Yeah,

2265
02:24:26,080 --> 02:24:32,240
Speaker 1: I like it, Like, ain't just a bad man. They

2266
02:24:32,280 --> 02:24:34,720
Speaker 1: got babies. They're gonna take the firm. H I know

2267
02:24:34,879 --> 02:24:38,280
Speaker 1: yours is minds is. He says, we're gonna working on

2268
02:24:38,320 --> 02:24:43,039
Speaker 1: the set right now, guys. Yeah, my son is working

2269
02:24:43,080 --> 02:24:48,920
Speaker 1: on the set. Yeah. We got we got we got

2270
02:24:49,000 --> 02:24:51,000
Speaker 1: a lot of we got a lot of pepn were

2271
02:24:51,080 --> 02:24:54,320
Speaker 1: Flowish man smoking and stuff. I got a lot of

2272
02:25:00,160 --> 02:25:05,080
Speaker 1: you know, you know what. But um, you know, I

2273
02:25:05,520 --> 02:25:10,640
Speaker 1: want to just in case individually, um, you know, one

2274
02:25:10,720 --> 02:25:15,520
Speaker 1: by one. You know, it's no problem in case I

2275
02:25:15,560 --> 02:25:19,840
Speaker 1: didn't individually, one by one, you know, thank everyone because

2276
02:25:19,920 --> 02:25:26,800
Speaker 1: that's important, is um. The journey. I used to be

2277
02:25:26,879 --> 02:25:29,520
Speaker 1: seeing people so much times and they talk about the

2278
02:25:29,560 --> 02:25:34,320
Speaker 1: beginning they took about and they're like they be getting

2279
02:25:34,320 --> 02:25:39,720
Speaker 1: the journey. The journeys were mixed, you know what I'm saying.

2280
02:25:40,879 --> 02:25:46,520
Speaker 1: Journey's life, the Journey's life. Yeah, the journey, yes, Hobby,

2281
02:25:48,400 --> 02:25:54,240
Speaker 1: But it's road. It's probably the hardest album. It's probably

2282
02:25:54,240 --> 02:25:57,120
Speaker 1: the hardest thing I've ever been a part of, but

2283
02:25:57,240 --> 02:26:01,160
Speaker 1: it's also the foundation of everything I've been a part of.

2284
02:26:02,360 --> 02:26:06,760
Speaker 1: So making the Worripor the Aroblem it was, I mean

2285
02:26:07,520 --> 02:26:10,440
Speaker 1: getting on the train, I not a jabs and ship.

2286
02:26:12,800 --> 02:26:14,240
Speaker 1: You don't know. When you don't, you don't know who

2287
02:26:14,240 --> 02:26:18,000
Speaker 1: You're starting to feel like the man. But you gotta

2288
02:26:18,040 --> 02:26:21,360
Speaker 1: hide it, yo, and you gotta go and be like, Man,

2289
02:26:21,400 --> 02:26:23,120
Speaker 1: I'm about to do a record with nas because you

2290
02:26:23,160 --> 02:26:27,760
Speaker 1: want to our trade. Like if I know that, I

2291
02:26:27,920 --> 02:26:31,320
Speaker 1: know how that feels. Bro. See that defines character. Bro,

2292
02:26:31,879 --> 02:26:34,360
Speaker 1: everybody want to make it? What the funk you wanted

2293
02:26:34,360 --> 02:26:38,520
Speaker 1: to do to make it bad? How hard will you go?

2294
02:26:38,800 --> 02:26:41,800
Speaker 1: Like how much I know? I know how far you go?

2295
02:26:42,080 --> 02:26:44,760
Speaker 1: I know how far you How far are you wanting

2296
02:26:44,760 --> 02:26:48,959
Speaker 1: to fight? Man? That's right because if you got anybody

2297
02:26:48,959 --> 02:26:51,120
Speaker 1: can talk this ship a lot of times. Man, we

2298
02:26:51,240 --> 02:26:53,280
Speaker 1: do things man, especially you know, not to jump off.

2299
02:26:53,320 --> 02:26:55,680
Speaker 1: I gotta be in chaligent little, especially with these kids.

2300
02:26:55,720 --> 02:26:59,680
Speaker 1: We do things to to kind of like over the

2301
02:26:59,800 --> 02:27:04,840
Speaker 1: next man, but not really because we want validation. But real,

2302
02:27:05,040 --> 02:27:08,000
Speaker 1: like to me, real achievement is looking at yourself and

2303
02:27:08,200 --> 02:27:11,320
Speaker 1: pulling that ship out when nobody's in the pleach is

2304
02:27:11,360 --> 02:27:14,160
Speaker 1: shearing for you? Can you do that? I can do that?

2305
02:27:15,240 --> 02:27:18,400
Speaker 1: Can you keep going? Everybody else is going like this.

2306
02:27:19,920 --> 02:27:23,240
Speaker 1: That's championship to me, you know what. I'm fit so

2307
02:27:23,400 --> 02:27:26,200
Speaker 1: so when I see this right here, I think about

2308
02:27:26,320 --> 02:27:30,640
Speaker 1: all the times dudes going through crazy ship, damnit dying,

2309
02:27:31,560 --> 02:27:34,440
Speaker 1: just everything's going because you but you want everything to

2310
02:27:34,520 --> 02:27:38,240
Speaker 1: go right right, You want everything to go right. But

2311
02:27:38,360 --> 02:27:41,320
Speaker 1: it is going right. It is going right. You know

2312
02:27:41,360 --> 02:27:44,320
Speaker 1: what I'm saying. It is going I'm gonna take me

2313
02:27:44,360 --> 02:27:52,880
Speaker 1: a Japanese della, y'all. I'm going backstrood Man tomboy. I'm

2314
02:27:52,920 --> 02:27:59,640
Speaker 1: a professional. I've got all the damn all the time

2315
02:28:00,240 --> 02:28:04,760
Speaker 1: you got. I'm about hol Yo Sun. I was like, Yo,

2316
02:28:04,879 --> 02:28:09,920
Speaker 1: this is a real Spanish thing. He's drinking, made about

2317
02:28:09,959 --> 02:28:21,400
Speaker 1: ten dollars, is about to go up only talking about

2318
02:28:23,560 --> 02:28:30,200
Speaker 1: but so so so, ma'am, because today I textually just

2319
02:28:30,320 --> 02:28:33,360
Speaker 1: make sure you was here. You send me a picture.

2320
02:28:35,800 --> 02:28:48,039
Speaker 1: This picture was of what, oh, what's dad? A Mike

2321
02:28:48,160 --> 02:29:00,240
Speaker 1: listure got masters. That's what's going on. I mean, the

2322
02:29:01,080 --> 02:29:05,600
Speaker 1: backups come one? What does that? Yo? What name is

2323
02:29:05,640 --> 02:29:15,560
Speaker 1: on that yog? That ship? A little version, That's what

2324
02:29:15,840 --> 02:29:19,960
Speaker 1: version is that though, that's the last version. Yo, this

2325
02:29:20,120 --> 02:29:24,080
Speaker 1: for radio. I gotta be O Studs studio. I know

2326
02:29:24,160 --> 02:29:27,400
Speaker 1: the logo. Oh that's the mastering plant right now? Yeah? Okay,

2327
02:29:27,560 --> 02:29:30,720
Speaker 1: what else is in the right? What else is going

2328
02:29:30,760 --> 02:29:41,680
Speaker 1: on there? Bro some some ideas of difference. You got

2329
02:29:41,800 --> 02:29:44,000
Speaker 1: a copy in that stage, you stay, take a copy

2330
02:29:44,040 --> 02:29:51,120
Speaker 1: of this happen? Hey, whatever happened that Wappy Guy and

2331
02:29:51,320 --> 02:29:59,600
Speaker 1: Candy record smarts from doing radio, we would get so

2332
02:29:59,720 --> 02:30:06,360
Speaker 1: many freestyle sas archive everyone literally no right, So at

2333
02:30:06,400 --> 02:30:12,040
Speaker 1: the end, yeah, the label got every great your work.

2334
02:30:12,640 --> 02:30:15,280
Speaker 1: It's amazing. It's great because you you would have to

2335
02:30:15,440 --> 02:30:29,920
Speaker 1: prove your work meaning tomorrow. Yeah, I don't know what's out. Yeah,

2336
02:30:30,320 --> 02:30:33,520
Speaker 1: I don't want to say. I'm I'm really happy to

2337
02:30:33,600 --> 02:30:37,360
Speaker 1: be here. Proud of you taking all these years and

2338
02:30:37,800 --> 02:30:41,640
Speaker 1: and pone and tragedy and you know this whole. It's

2339
02:30:41,640 --> 02:30:45,640
Speaker 1: an amazing team. So I love you. Guys sat up

2340
02:30:45,680 --> 02:30:48,400
Speaker 1: for an ely day. That ain't what you got the

2341
02:30:48,400 --> 02:30:51,520
Speaker 1: budancy What was the girl that he was light skinned? Monica?

2342
02:30:51,760 --> 02:31:00,200
Speaker 1: What was her name? Oh, Terry? Terry said yes, yes, yes, yes, yes, yes,

2343
02:31:00,320 --> 02:31:03,600
Speaker 1: I don't know. I don't I don't forget you ye,

2344
02:31:06,720 --> 02:31:14,200
Speaker 1: Christine at homes we can Carolyn Williams. You know we

2345
02:31:14,320 --> 02:31:21,600
Speaker 1: are Who else are we missing? Eldness said, talked about

2346
02:31:22,240 --> 02:31:26,160
Speaker 1: did chief Tyrone? We can't forget to Julie. We said

2347
02:31:26,160 --> 02:31:30,240
Speaker 1: that Julia early, that Julia was around. So yeah, Mama,

2348
02:31:30,360 --> 02:31:31,800
Speaker 1: you might have that cool and love to that to

2349
02:31:32,200 --> 02:31:42,600
Speaker 1: love stiver get caught in car manly too many. Grandma

2350
02:31:42,720 --> 02:31:47,000
Speaker 1: came from eight fort country. Grandma came from storing out

2351
02:31:47,040 --> 02:31:51,280
Speaker 1: the right sto out there country. Grandma came from superduck listen.

2352
02:31:51,800 --> 02:31:58,040
Speaker 1: I signed, Yes he was cheap back then, right, that's true.

2353
02:31:58,120 --> 02:32:06,240
Speaker 1: That speaking was like, okay, so Neil, let me just

2354
02:32:06,320 --> 02:32:10,240
Speaker 1: ask you. Yeah, and this is a real ship um

2355
02:32:10,480 --> 02:32:13,920
Speaker 1: which one of the saddest days of my life. I

2356
02:32:13,959 --> 02:32:22,080
Speaker 1: do you know? Yeah, I think we're about to drop union. Yea.

2357
02:32:25,000 --> 02:32:29,880
Speaker 1: We have this meeting and this meeting that Chris liked,

2358
02:32:29,879 --> 02:32:36,480
Speaker 1: he gobbed us to day we sit down this guy

2359
02:32:37,280 --> 02:32:41,440
Speaker 1: uh named Tom Simmerman. It's just down to what I SUCs.

2360
02:32:42,640 --> 02:32:47,000
Speaker 1: Penalty is no longer. You guys are coming. You guys

2361
02:32:47,080 --> 02:32:53,440
Speaker 1: are coming to I believe it was on't to me

2362
02:32:53,600 --> 02:32:55,720
Speaker 1: is that Mr Childs. But I believe and it was

2363
02:32:55,760 --> 02:32:57,600
Speaker 1: supposed to be my supposed to be my dinner, by

2364
02:32:57,640 --> 02:33:00,600
Speaker 1: the way, my dinner. So I don't you ever said

2365
02:33:00,640 --> 02:33:04,880
Speaker 1: this public or we've never covered this publicly. This is

2366
02:33:04,959 --> 02:33:09,560
Speaker 1: this is a meeting where a poem you correct me?

2367
02:33:09,720 --> 02:33:12,320
Speaker 1: Are we about to drop the reunion? Amal? This is

2368
02:33:12,480 --> 02:33:19,400
Speaker 1: right before before I think we we just we just yes,

2369
02:33:21,560 --> 02:33:24,080
Speaker 1: what is you going through? Because a lot of people

2370
02:33:24,240 --> 02:33:26,800
Speaker 1: just and this is beautiful for people that you know,

2371
02:33:26,840 --> 02:33:30,480
Speaker 1: it's gonna open up a company, bs CEO, do whatever,

2372
02:33:30,879 --> 02:33:34,840
Speaker 1: getting business people and then not realize what's what's going on,

2373
02:33:35,040 --> 02:33:39,040
Speaker 1: because I mean, obviously you were the eldest statesman at

2374
02:33:39,120 --> 02:33:42,800
Speaker 1: this time being a poem. Were really we just ride whatever,

2375
02:33:42,959 --> 02:33:46,520
Speaker 1: Neil said, whatever, whatever. But you went through something with

2376
02:33:46,879 --> 02:33:50,400
Speaker 1: with this and if you could share this story because

2377
02:33:50,680 --> 02:33:53,640
Speaker 1: you never showed him to the meeting, we kept looking like, well, okay,

2378
02:33:53,840 --> 02:33:55,800
Speaker 1: it was It was the hardest day of my life.

2379
02:33:56,200 --> 02:34:00,440
Speaker 1: It was one of them, and um, you know, and

2380
02:34:00,520 --> 02:34:03,039
Speaker 1: we had a huge rainstorm and my apartment got flooded

2381
02:34:03,120 --> 02:34:06,480
Speaker 1: that that weekend. It was just a very very difficult time.

2382
02:34:06,640 --> 02:34:11,920
Speaker 1: I went from being the man to not and in retrospect,

2383
02:34:13,120 --> 02:34:16,279
Speaker 1: it was a cleansing period of my life. I became

2384
02:34:17,040 --> 02:34:21,120
Speaker 1: stronger and I knew who I was more. But that

2385
02:34:21,240 --> 02:34:24,199
Speaker 1: time was really tough and and in business it's really tough,

2386
02:34:24,320 --> 02:34:26,320
Speaker 1: and it was it was cheaper to getting rid of

2387
02:34:26,400 --> 02:34:31,080
Speaker 1: me at that point, and um, and they exercise to

2388
02:34:31,160 --> 02:34:45,880
Speaker 1: buy out on the company and uh, hell whatever enough

2389
02:34:45,959 --> 02:34:50,680
Speaker 1: call whatever, because it's my baby, so my baby. It

2390
02:34:50,800 --> 02:34:53,520
Speaker 1: wasn't about it wasn't about it was it was it

2391
02:34:53,640 --> 02:34:58,040
Speaker 1: was who I was and you guys, we were part

2392
02:34:58,080 --> 02:35:01,520
Speaker 1: of that, that legacy, and it was a difficult time.

2393
02:35:01,680 --> 02:35:06,080
Speaker 1: But in retrospect um it was meant to be right

2394
02:35:06,360 --> 02:35:11,280
Speaker 1: for for those times and I'm looking back then my

2395
02:35:11,360 --> 02:35:15,640
Speaker 1: whole day in my life, but looking back years later,

2396
02:35:15,840 --> 02:35:18,480
Speaker 1: it was actually a cleansing period from me and I realized,

2397
02:35:19,200 --> 02:35:23,520
Speaker 1: you know, I wasn't defined by by all these other

2398
02:35:23,640 --> 02:35:26,320
Speaker 1: things and I could still be who I was, and

2399
02:35:26,400 --> 02:35:29,680
Speaker 1: I came back stronger than ever because at one point

2400
02:35:30,600 --> 02:35:37,880
Speaker 1: one of them because um this this was kind of like,

2401
02:35:38,680 --> 02:35:41,600
Speaker 1: I don't know if you felt like this. And we

2402
02:35:42,040 --> 02:35:45,080
Speaker 1: didn't understand business at this time. So when it was

2403
02:35:45,160 --> 02:35:47,360
Speaker 1: like you know what, usually guys are just tommy boy,

2404
02:35:48,040 --> 02:35:51,080
Speaker 1: we was like, well, why ain't Nil fighting? Like why

2405
02:35:51,240 --> 02:35:55,240
Speaker 1: is it Neil saying that they're not time boy, there

2406
02:35:55,400 --> 02:35:59,160
Speaker 1: are still penalty. We didn't obviously didn't understand business like that.

2407
02:35:59,240 --> 02:36:02,000
Speaker 1: And I felt like that with you at one point too,

2408
02:36:02,240 --> 02:36:06,720
Speaker 1: like when it was like, um, you know, all right, well,

2409
02:36:06,760 --> 02:36:09,000
Speaker 1: what by trash ain't fighting for me. You know he's

2410
02:36:09,080 --> 02:36:11,080
Speaker 1: gonna let me go. So I wanted to start with

2411
02:36:11,200 --> 02:36:14,000
Speaker 1: you with with this situation, and then with you if

2412
02:36:14,040 --> 02:36:17,480
Speaker 1: you got to the bathroom, I'm gonna say, but um,

2413
02:36:18,080 --> 02:36:20,879
Speaker 1: you know that was one of because we were so naive,

2414
02:36:21,360 --> 02:36:24,240
Speaker 1: We're like what so Nil was just gonna just give

2415
02:36:24,280 --> 02:36:27,680
Speaker 1: it up. And Chris Lanny, who was supposed to be

2416
02:36:27,879 --> 02:36:31,600
Speaker 1: are like mentor. He had never heard of his neither,

2417
02:36:32,520 --> 02:36:34,199
Speaker 1: but he had to wait until he left the meeting.

2418
02:36:34,280 --> 02:36:37,160
Speaker 1: He couldn't even give us something positive. And I mean

2419
02:36:37,200 --> 02:36:40,320
Speaker 1: it literally happened hours before that dinner, So you and

2420
02:36:40,480 --> 02:36:43,560
Speaker 1: Tom had never had any descripance. Hours before the dinner,

2421
02:36:44,760 --> 02:36:46,880
Speaker 1: we had this meeting. I was supposed to go to

2422
02:36:46,959 --> 02:36:50,280
Speaker 1: the dinner. I set up the dinner and and that's

2423
02:36:50,320 --> 02:36:54,600
Speaker 1: when they said we we had a we we haven't

2424
02:36:54,640 --> 02:36:59,760
Speaker 1: waited and all that stuff. And by the way, I

2425
02:36:59,879 --> 02:37:02,280
Speaker 1: was gonna fight to get it back. And I talked

2426
02:37:02,320 --> 02:37:06,320
Speaker 1: to my attorneys and it's like, oh, so you know,

2427
02:37:06,400 --> 02:37:12,240
Speaker 1: looking back all these years later, um most difficult period

2428
02:37:12,280 --> 02:37:15,960
Speaker 1: of my entire life. And if it wasn't for it

2429
02:37:16,080 --> 02:37:18,280
Speaker 1: wasn't for Miami. I came down to Miami. That's when

2430
02:37:18,320 --> 02:37:21,960
Speaker 1: I met Khalid, and I was thinking I got into

2431
02:37:22,000 --> 02:37:26,600
Speaker 1: business with him at that point and cool and great.

2432
02:37:27,320 --> 02:37:29,760
Speaker 1: So so it was it was a really and it

2433
02:37:29,879 --> 02:37:31,720
Speaker 1: was a wake up call for me. I need to

2434
02:37:31,720 --> 02:37:35,200
Speaker 1: be honest because you know, it was my baby, so

2435
02:37:35,400 --> 02:37:38,160
Speaker 1: the penalty of my baby and suddenly I didn't have

2436
02:37:38,280 --> 02:37:40,280
Speaker 1: it at that point. I ended up getting it back

2437
02:37:41,160 --> 02:37:43,280
Speaker 1: because I'm gonna tell you, as an outside I'm looking

2438
02:37:43,400 --> 02:37:45,720
Speaker 1: in and I was not an outside of looking and

2439
02:37:45,760 --> 02:37:48,080
Speaker 1: I was an insider that was inside. But I was

2440
02:37:48,160 --> 02:37:51,440
Speaker 1: probably like I didn't believe Tom Superman. Like what I

2441
02:37:51,600 --> 02:37:55,240
Speaker 1: thought was this was like a cahoose for him to

2442
02:37:55,360 --> 02:37:58,840
Speaker 1: just get rid of penalty. I didn't think that he

2443
02:37:59,000 --> 02:38:02,080
Speaker 1: actually fucked you over too, like I thought it was

2444
02:38:02,160 --> 02:38:04,959
Speaker 1: just Austin was being pucked over because what he said

2445
02:38:05,120 --> 02:38:07,960
Speaker 1: was you guys are making money. We just think you

2446
02:38:08,040 --> 02:38:10,520
Speaker 1: guys And he said it like like we told us

2447
02:38:10,560 --> 02:38:14,840
Speaker 1: a totally different It was saying I'm gonna take everybody

2448
02:38:14,920 --> 02:38:18,240
Speaker 1: that was working on your project from penalty. Oh yeah, okay, okay.

2449
02:38:18,280 --> 02:38:23,400
Speaker 1: It was supposed to the game, the game, that's the game,

2450
02:38:24,640 --> 02:38:28,680
Speaker 1: all the people, all the people around. Yeah, that's scary.

2451
02:38:31,600 --> 02:38:35,720
Speaker 1: If I look back over my years that day, that night,

2452
02:38:35,879 --> 02:38:37,840
Speaker 1: the dinner, I knew that dinner was happening because I

2453
02:38:37,879 --> 02:38:40,320
Speaker 1: set it up. The fact that I wasn't there, the

2454
02:38:40,440 --> 02:38:44,360
Speaker 1: fact we just didn't our business together, you know. Um,

2455
02:38:45,160 --> 02:38:46,840
Speaker 1: you know, it's like we see a lot of teeth,

2456
02:38:47,000 --> 02:38:54,440
Speaker 1: the telling us, telling us she was going there like

2457
02:38:55,000 --> 02:38:57,000
Speaker 1: she seen us from time because she's like, don't do it,

2458
02:38:57,240 --> 02:38:59,400
Speaker 1: don't do it. But look, I could totally relate to

2459
02:38:59,480 --> 02:39:03,480
Speaker 1: a Neil because like that's what it was with us,

2460
02:39:05,120 --> 02:39:09,160
Speaker 1: Like it was like, Yo, what the fund? You know

2461
02:39:09,160 --> 02:39:12,080
Speaker 1: what I'm saying, Like this is my little brothersh man,

2462
02:39:13,080 --> 02:39:15,800
Speaker 1: Like these my little brothers, Like I don't I don't, nah,

2463
02:39:15,920 --> 02:39:18,440
Speaker 1: we can't throw it like that, you know what I'm

2464
02:39:18,440 --> 02:39:20,720
Speaker 1: sharing looking at like what I went through, Like Molly,

2465
02:39:21,560 --> 02:39:24,440
Speaker 1: I'm like, who the fuck is this man? Like so

2466
02:39:24,520 --> 02:39:27,440
Speaker 1: when he came in front of me, I'm gonna let

2467
02:39:27,480 --> 02:39:30,160
Speaker 1: you tell it. Got you telling? Um? No? I mean

2468
02:39:30,360 --> 02:39:33,280
Speaker 1: you know that that was a whole experience for me

2469
02:39:33,440 --> 02:39:40,520
Speaker 1: because um M, I didn't I didn't know how harsh

2470
02:39:40,600 --> 02:39:44,160
Speaker 1: business was. I didn't know that today me and you

2471
02:39:44,320 --> 02:39:52,080
Speaker 1: can split up turkey and cheese salach tomorrow, that's what happens.

2472
02:39:52,920 --> 02:39:55,480
Speaker 1: And it was just like that, Like Tom Stillerman was

2473
02:39:55,959 --> 02:39:59,640
Speaker 1: um he was so nausealt about it, like you don't

2474
02:39:59,640 --> 02:40:01,600
Speaker 1: know what to all. I know, you guys hang out

2475
02:40:01,600 --> 02:40:03,959
Speaker 1: the penalty every day. And I was like, yeah, we enjoyed.

2476
02:40:04,000 --> 02:40:06,840
Speaker 1: You're talking about one I'm talking about. I was like, yeah,

2477
02:40:06,879 --> 02:40:08,400
Speaker 1: you know, I was getting to that because so so

2478
02:40:08,440 --> 02:40:09,959
Speaker 1: I was like, yeah, we enjoyed. He was like yeah,

2479
02:40:10,000 --> 02:40:14,280
Speaker 1: but we got a gym over and I'm not talking

2480
02:40:14,280 --> 02:40:19,240
Speaker 1: about the season. And by the time I was always

2481
02:40:19,320 --> 02:40:23,520
Speaker 1: really I'm like, okay, be blowing off. I have no idea.

2482
02:40:23,600 --> 02:40:26,880
Speaker 1: He's like, yeah, you you nobody else like you guys,

2483
02:40:26,959 --> 02:40:29,800
Speaker 1: and that's it. And then he's like, yeah, so you

2484
02:40:29,920 --> 02:40:32,920
Speaker 1: guys just don't go to penalty no more. That's crazy

2485
02:40:33,879 --> 02:40:38,960
Speaker 1: And you're not realizing what he's saying is everything that

2486
02:40:39,040 --> 02:40:41,760
Speaker 1: you've been doing for two and a half half years

2487
02:40:42,080 --> 02:40:47,240
Speaker 1: enjoying yourself over it's over. But everything having the penalty.

2488
02:40:48,320 --> 02:40:52,720
Speaker 1: While I was shocked every single. But for him to

2489
02:40:52,760 --> 02:40:57,920
Speaker 1: say he's gonna take the like immediate staff connected to

2490
02:40:58,600 --> 02:41:05,600
Speaker 1: that was that's that's something one like like that. It

2491
02:41:05,720 --> 02:41:08,039
Speaker 1: was like Neil Straight, So we automatically our guards just down.

2492
02:41:08,080 --> 02:41:11,000
Speaker 1: I was like, alright, cool, alright cool. And the staff

2493
02:41:11,080 --> 02:41:13,160
Speaker 1: at the media staff, everyone who works with a ponent,

2494
02:41:13,200 --> 02:41:16,320
Speaker 1: are they coming that one of them caring? Yeah, I

2495
02:41:16,400 --> 02:41:25,360
Speaker 1: heard that ship before Straight, but three were like word

2496
02:41:25,840 --> 02:41:30,080
Speaker 1: like cool cool, and they're giving us some great paper though,

2497
02:41:30,240 --> 02:41:33,640
Speaker 1: like it was like that was his thing, like you

2498
02:41:33,760 --> 02:41:37,000
Speaker 1: would throw me this in your face. Well I didn't

2499
02:41:37,040 --> 02:41:39,920
Speaker 1: know that that mean, And it was afterwards he just

2500
02:41:40,040 --> 02:41:42,640
Speaker 1: felt at that mean he was just letting slagors just

2501
02:41:42,800 --> 02:41:48,000
Speaker 1: be taking care of Yeah, he was warming to you

2502
02:41:48,080 --> 02:41:52,080
Speaker 1: gotta give yourselves, y'all were young and somebody trash. I

2503
02:41:52,160 --> 02:41:55,240
Speaker 1: wanted that phone call. I definitely wanted that phone quote

2504
02:41:55,240 --> 02:41:58,720
Speaker 1: for you now because I got explained to it through

2505
02:41:58,840 --> 02:42:02,840
Speaker 1: lawyers and do lawyers. They were like, you know what, um,

2506
02:42:03,680 --> 02:42:06,680
Speaker 1: you know now, be okay back on his feet. That's

2507
02:42:06,720 --> 02:42:09,760
Speaker 1: what the exact borders far back and sounds bad like that.

2508
02:42:10,360 --> 02:42:12,760
Speaker 1: So for me, if I have, if I have one

2509
02:42:13,440 --> 02:42:19,480
Speaker 1: my life that I didn't talk to anybody you guys,

2510
02:42:20,280 --> 02:42:25,480
Speaker 1: I actually disappeared. Leo Coles, did it to be yet

2511
02:42:27,120 --> 02:42:31,360
Speaker 1: because you did right into my life? Then he regrets them. Yeah,

2512
02:42:31,640 --> 02:42:33,800
Speaker 1: it's that I did. That's how when he wanted to

2513
02:42:36,400 --> 02:42:40,520
Speaker 1: give you that listen, you know what that crazy shit

2514
02:42:40,640 --> 02:42:43,160
Speaker 1: about that ship. If we would have talked, he gave

2515
02:42:43,480 --> 02:42:45,720
Speaker 1: us enough money, we could have brought ourselves bad. We

2516
02:42:45,760 --> 02:42:49,320
Speaker 1: could have said, you listen, you weren't looking at it

2517
02:42:49,360 --> 02:42:51,640
Speaker 1: like that. The money we bet on ourselves, he wasn't

2518
02:42:51,640 --> 02:42:53,520
Speaker 1: looking at it like guys. I think it was a

2519
02:42:53,560 --> 02:42:56,720
Speaker 1: lot of stuff going on. There was the atmosphere that

2520
02:42:57,480 --> 02:43:00,640
Speaker 1: bro bro you know, now brof you could come on everybody.

2521
02:43:02,000 --> 02:43:03,600
Speaker 1: That's a good point that you're making. And I got

2522
02:43:03,720 --> 02:43:06,720
Speaker 1: to say that before. But before that happened, I had

2523
02:43:06,840 --> 02:43:11,040
Speaker 1: left penalty. But I regret leaving you like I regret.

2524
02:43:11,080 --> 02:43:16,840
Speaker 1: I think I shot. It was somewhere. It was somewhere

2525
02:43:16,840 --> 02:43:25,440
Speaker 1: before epic was I remember a little dog right, because like, yeah,

2526
02:43:26,040 --> 02:43:29,120
Speaker 1: I think had I stayed, things probably would have played

2527
02:43:29,120 --> 02:43:30,920
Speaker 1: out a little bit different. I think I left. You know,

2528
02:43:31,080 --> 02:43:32,800
Speaker 1: Neil gave me my first shot, but I think that

2529
02:43:33,200 --> 02:43:36,240
Speaker 1: he actually offered me a fair deal to stay. But

2530
02:43:36,760 --> 02:43:39,280
Speaker 1: because I was young, didn't know, and chasing the check

2531
02:43:39,879 --> 02:43:42,440
Speaker 1: made a bad move, right, and it wasn't like the

2532
02:43:42,480 --> 02:43:44,560
Speaker 1: best thing. So I regret that. And we could have,

2533
02:43:44,680 --> 02:43:46,680
Speaker 1: you know, probably could have, you know, played out a

2534
02:43:46,720 --> 02:43:48,680
Speaker 1: little a lot of a lot of different I left, bam,

2535
02:43:48,840 --> 02:43:50,440
Speaker 1: I left, you know, I left, I left a lot

2536
02:43:50,480 --> 02:43:53,320
Speaker 1: of things on the table, unfinished business. I would stay

2537
02:43:53,480 --> 02:43:56,440
Speaker 1: right because there was still a lot to happen. But

2538
02:43:56,680 --> 02:43:58,360
Speaker 1: everything worked out the way it worked out of it

2539
02:43:59,040 --> 02:44:02,040
Speaker 1: to be money. So it is what it is, and

2540
02:44:02,120 --> 02:44:04,360
Speaker 1: we were here, we tell it in twenty five years.

2541
02:44:04,680 --> 02:44:06,360
Speaker 1: That's gonna keep it and keep it going and and

2542
02:44:06,560 --> 02:44:09,000
Speaker 1: and it's fun up to say now. But I'm glad

2543
02:44:09,040 --> 02:44:10,440
Speaker 1: that you said that was one of these Saturs days

2544
02:44:10,480 --> 02:44:17,200
Speaker 1: of your life. This is one of my. Yeah, it was.

2545
02:44:17,440 --> 02:44:21,720
Speaker 1: It was definitely changed with Edwin Holmes was the man,

2546
02:44:39,600 --> 02:44:41,320
Speaker 1: I will tell you something. I would tell you something,

2547
02:44:41,440 --> 02:44:44,760
Speaker 1: I tell what I would take something. I'm in Hollywood.

2548
02:44:44,840 --> 02:44:47,480
Speaker 1: I'm in Hollywood. I'm gonna take a shot of Japanese

2549
02:44:48,360 --> 02:44:53,600
Speaker 1: Japanese doc I'm in Hollywood. And it comes across the

2550
02:44:53,680 --> 02:45:01,480
Speaker 1: table after Entourage comes across the table, is what happens

2551
02:45:01,520 --> 02:45:07,640
Speaker 1: to what's going to be Empire with the series. Yeah, okay,

2552
02:45:07,720 --> 02:45:10,120
Speaker 1: these guys are sending to me. They sent me the script.

2553
02:45:10,200 --> 02:45:15,400
Speaker 1: I look at the script like this will never work. Sad,

2554
02:45:17,879 --> 02:45:23,680
Speaker 1: this story, it's so false. I was wrong. Just be clear,

2555
02:45:25,600 --> 02:45:34,880
Speaker 1: because what is it called? They fatitiously, factitiously described this

2556
02:45:35,040 --> 02:45:38,760
Speaker 1: story and sometimes the troop are so dope you don't

2557
02:45:38,800 --> 02:45:41,160
Speaker 1: need to add one or nothing to nothing to it.

2558
02:45:43,560 --> 02:45:46,320
Speaker 1: What I always wanted to do and always your light

2559
02:45:46,440 --> 02:45:52,240
Speaker 1: to do, was to recreate that penalty situation where it

2560
02:45:52,640 --> 02:45:56,400
Speaker 1: was exactly that where these hood artists came up to

2561
02:45:56,520 --> 02:46:02,440
Speaker 1: this little prestigious record label, got to get out the hood,

2562
02:46:02,600 --> 02:46:04,880
Speaker 1: but then makes some of the most amazing music they

2563
02:46:05,000 --> 02:46:08,640
Speaker 1: ever did, get the rollers, Like, that story has not

2564
02:46:08,760 --> 02:46:12,200
Speaker 1: been told. I've seen Entourage. I apologize. I felt short.

2565
02:46:13,360 --> 02:46:19,000
Speaker 1: Oh I've seen uh. I was just talking about Empire.

2566
02:46:20,000 --> 02:46:24,520
Speaker 1: God bless you guys. You came literally, But I was

2567
02:46:24,520 --> 02:46:27,920
Speaker 1: talking about the realness of the record label, like like

2568
02:46:28,040 --> 02:46:30,200
Speaker 1: the realness I would love to see something like you're

2569
02:46:30,240 --> 02:46:33,800
Speaker 1: going to management, the realness of going to a pal.

2570
02:46:34,680 --> 02:46:36,960
Speaker 1: You can maybe get a hood nigger like Geno and

2571
02:46:37,040 --> 02:46:39,720
Speaker 1: saying she's coming here to see and this nigga is

2572
02:46:39,720 --> 02:46:41,880
Speaker 1: sitting there eating the turkey, sandwich and like man with

2573
02:46:41,959 --> 02:46:48,680
Speaker 1: the Africa Aca sh and then you're smelling but in

2574
02:46:48,760 --> 02:46:51,600
Speaker 1: the background, but this school be incorporated in the front

2575
02:46:51,720 --> 02:46:58,160
Speaker 1: like this, And she's like, right, sometimes you don't have

2576
02:46:58,200 --> 02:47:01,840
Speaker 1: to exaggerate the truth that you can't make you up.

2577
02:47:02,120 --> 02:47:04,640
Speaker 1: You can't listen, it's a lot of ship. We're not

2578
02:47:04,760 --> 02:47:08,080
Speaker 1: even really like you can make you can't. They paid

2579
02:47:08,120 --> 02:47:11,080
Speaker 1: for ship like that, Like this ship is all organic.

2580
02:47:11,280 --> 02:47:13,920
Speaker 1: This is called Japanese del Yeah, but you know what,

2581
02:47:17,280 --> 02:47:21,840
Speaker 1: you know what though, That's how I felt, bro, That's

2582
02:47:21,879 --> 02:47:23,840
Speaker 1: how I felt when it came to me, like yo, someone,

2583
02:47:23,879 --> 02:47:28,520
Speaker 1: I'm like that ship was like a hard blow to me.

2584
02:47:28,640 --> 02:47:31,880
Speaker 1: So no freaky you know what I mean? Well, you

2585
02:47:32,360 --> 02:47:40,760
Speaker 1: will be honest, freeze whatever I want to disappear in life,

2586
02:47:41,840 --> 02:47:46,720
Speaker 1: calling whenever, whenever you want to disappear. You are the

2587
02:47:46,879 --> 02:47:54,440
Speaker 1: best disappearment act in America? Are you some time that

2588
02:47:55,280 --> 02:48:03,640
Speaker 1: everybody don't say I'm out but trash you are. No.

2589
02:48:03,800 --> 02:48:05,760
Speaker 1: You know what though, let me tell you this though, seriously,

2590
02:48:06,280 --> 02:48:10,000
Speaker 1: even listen all the way to time, my Paul, you

2591
02:48:10,080 --> 02:48:12,640
Speaker 1: can't say that stop he really can't cut it out

2592
02:48:12,840 --> 02:48:15,880
Speaker 1: about just stop. Look you cut it out with the

2593
02:48:16,040 --> 02:48:19,920
Speaker 1: games man vouch. I listened. He do vounce for me?

2594
02:48:20,160 --> 02:48:22,160
Speaker 1: He do vounce for me. You're not listening. I know,

2595
02:48:22,280 --> 02:48:28,640
Speaker 1: he vouch. You can manipulation like that. You know you

2596
02:48:28,680 --> 02:48:31,560
Speaker 1: don't say that because see like like I know my

2597
02:48:31,720 --> 02:48:34,960
Speaker 1: people's man, you're gonna sit there and you had to

2598
02:48:35,040 --> 02:48:37,959
Speaker 1: get that off. That my idea what you just said.

2599
02:48:39,680 --> 02:48:43,879
Speaker 1: I'm not gonna track you know what, I gonna talk

2600
02:48:43,879 --> 02:48:46,480
Speaker 1: to my brother. I can't wait on the shop. I

2601
02:48:46,560 --> 02:48:51,039
Speaker 1: want to talk to my brother like he can wait

2602
02:48:51,160 --> 02:48:53,520
Speaker 1: to throw that a we sh. I knew he was

2603
02:48:53,560 --> 02:48:56,400
Speaker 1: gonna whold act just that one. I said, he I

2604
02:48:56,480 --> 02:48:58,640
Speaker 1: was getting later said he might not throw that end,

2605
02:48:59,440 --> 02:49:03,400
Speaker 1: but that's we is now, I'm going to happen like one.

2606
02:49:03,440 --> 02:49:05,080
Speaker 1: They were not to bring it up. Think about this

2607
02:49:05,320 --> 02:49:09,160
Speaker 1: right at that time, who was dominating the music business?

2608
02:49:09,720 --> 02:49:16,760
Speaker 1: I said, right, that's why I said that opposite. That's

2609
02:49:16,760 --> 02:49:21,440
Speaker 1: why I said that topic and still made Yeah, that's

2610
02:49:21,440 --> 02:49:23,520
Speaker 1: why I said that that. I think that was kind

2611
02:49:23,560 --> 02:49:26,840
Speaker 1: of I know that was kind of lit, right, I said,

2612
02:49:26,879 --> 02:49:36,119
Speaker 1: cozy blow holes, stop your mosquito later, But I think

2613
02:49:36,160 --> 02:49:38,920
Speaker 1: that that was also like what was happening like publicly,

2614
02:49:39,120 --> 02:49:43,680
Speaker 1: like Masters was dancing whatever, singing but it was really

2615
02:49:43,760 --> 02:49:45,840
Speaker 1: there was this other thing happening, and that's where we

2616
02:49:46,000 --> 02:49:47,640
Speaker 1: was at. We was on this other way like it

2617
02:49:47,800 --> 02:49:50,480
Speaker 1: was on was that I'm gonna join them on the past.

2618
02:49:52,320 --> 02:49:59,000
Speaker 1: It was everybody, we're taking a bathroom break. Now what

2619
02:49:59,320 --> 02:50:58,440
Speaker 1: Japanese fat h m m h h h passes you

2620
02:50:58,560 --> 02:51:03,000
Speaker 1: knows you this character, I drink this jazy The one

2621
02:51:03,080 --> 02:51:05,520
Speaker 1: guy is in challenge on the glasses on trying to fly.

2622
02:51:07,080 --> 02:51:12,000
Speaker 1: Can't see a lot you all. Body's smarter than everybody

2623
02:51:12,000 --> 02:51:14,320
Speaker 1: in this rooms when you put it more yeah, yeah,

2624
02:51:15,760 --> 02:51:23,880
Speaker 1: joints have paid cheers, got your everybody, everybody. Yeah, I

2625
02:51:24,680 --> 02:51:30,440
Speaker 1: got going around the table, better health, a better time, health,

2626
02:51:30,520 --> 02:51:32,760
Speaker 1: more hearty, more sun show. Hould on got a shot,

2627
02:51:32,800 --> 02:51:34,440
Speaker 1: hold on, hold on, you give him a shot? Can

2628
02:51:34,440 --> 02:51:38,200
Speaker 1: you pass me that? Um and um? That's that Jamanu Sam,

2629
02:51:38,280 --> 02:51:47,040
Speaker 1: that's that Yapanese. Get that Yapanesy. Yeah, y'all got only

2630
02:51:47,120 --> 02:51:52,760
Speaker 1: got got done. Y'all matter fract You ain't telling y'all

2631
02:51:52,800 --> 02:51:54,920
Speaker 1: to walk through yeah past me because I'm gonna be

2632
02:51:54,959 --> 02:51:59,520
Speaker 1: out of you right yeah yeah, yeah, yeah, yeah, take do.

2633
02:52:00,000 --> 02:52:03,640
Speaker 1: That's what I'm talking about. Double im speaking of double

2634
02:52:03,680 --> 02:52:09,080
Speaker 1: with double one double more time cheers for us, cheers,

2635
02:52:09,240 --> 02:52:13,560
Speaker 1: appreciate you. I'm watching Small Chance episodes on my motherfucker's

2636
02:52:13,600 --> 02:52:26,680
Speaker 1: see it. Yeah ye yeah, yeah, it's nice. Being good

2637
02:52:28,240 --> 02:52:38,320
Speaker 1: is delicious, you see like the smooths throw you who Yeah,

2638
02:52:40,760 --> 02:52:53,080
Speaker 1: that's what you let me get that top you feel good? Yeah? Up?

2639
02:52:54,160 --> 02:53:00,080
Speaker 1: Everybody else? Yeah, cancel christ as someone who has the

2640
02:53:00,160 --> 02:53:08,040
Speaker 1: cat by the damn your fault. I'm talking, come on,

2641
02:53:08,280 --> 02:53:16,840
Speaker 1: come on, guys, the black right. So what do you

2642
02:53:16,879 --> 02:53:22,040
Speaker 1: remember question? Listen? Listen, listen, because out of all the

2643
02:53:22,120 --> 02:53:25,240
Speaker 1: records that we're on, one of the most famous precors,

2644
02:53:26,320 --> 02:53:31,440
Speaker 1: one of my most proudest, it's Bloody One. Not only

2645
02:53:31,480 --> 02:53:34,160
Speaker 1: he was there for that section, was actually on the wreck.

2646
02:53:34,240 --> 02:53:37,400
Speaker 1: When they say big ride, regulate the court, big ride,

2647
02:53:37,520 --> 02:53:40,800
Speaker 1: man child, we say all that on the record, not

2648
02:53:41,240 --> 02:53:44,120
Speaker 1: not only in the back I was talking, but you're

2649
02:53:44,160 --> 02:53:46,760
Speaker 1: actually talking with us in the background. What do you

2650
02:53:46,920 --> 02:53:49,600
Speaker 1: remember about Bloody One session? I didn't prep you on

2651
02:53:49,720 --> 02:53:53,920
Speaker 1: that point. Point one of the mics at them police, Yo,

2652
02:53:54,280 --> 02:53:57,880
Speaker 1: put this micro. I just wanted to just pointed at here. Yeah,

2653
02:53:59,240 --> 02:54:04,160
Speaker 1: that's a big n First of all, we was kids. Yeah,

2654
02:54:04,200 --> 02:54:05,560
Speaker 1: you know what I mean now that I look bad

2655
02:54:05,640 --> 02:54:08,480
Speaker 1: at it, it was just it was a special moment

2656
02:54:08,600 --> 02:54:11,840
Speaker 1: because you know what I mean me, you know, I'm

2657
02:54:12,400 --> 02:54:14,920
Speaker 1: I grew up in Queensbridge, left from Happy, I mean

2658
02:54:15,000 --> 02:54:18,760
Speaker 1: left friends friend was what of all the neighborhoods and

2659
02:54:19,480 --> 02:54:22,920
Speaker 1: y'all was already established in Lower Eleans City. So when

2660
02:54:23,040 --> 02:54:25,440
Speaker 1: he got his chance to when he got this platform

2661
02:54:25,560 --> 02:54:28,320
Speaker 1: the door, we were just so proud, like you know

2662
02:54:28,360 --> 02:54:30,360
Speaker 1: what I'm saying. Like even Kenney Smith used to be like,

2663
02:54:32,720 --> 02:54:35,199
Speaker 1: why are y'all so proud to be from Left Fract?

2664
02:54:35,320 --> 02:54:37,560
Speaker 1: Like it was because it really, like you know, what

2665
02:54:41,959 --> 02:54:46,760
Speaker 1: was left Frac wasn't Left Fract wasn't like y'all, but

2666
02:54:46,800 --> 02:54:49,960
Speaker 1: it wasn't in a salt place either, like for we

2667
02:54:50,080 --> 02:54:54,240
Speaker 1: had all the big name big names, Yankses and everything.

2668
02:54:55,120 --> 02:54:57,480
Speaker 1: But when he did it, it was like, oh man,

2669
02:54:57,680 --> 02:55:00,920
Speaker 1: like it was just we was just happy. But what

2670
02:55:01,160 --> 02:55:04,040
Speaker 1: people don't know. He used to go on the booth.

2671
02:55:05,560 --> 02:55:08,000
Speaker 1: He ain't go by myself. He used to bring like

2672
02:55:08,160 --> 02:55:17,560
Speaker 1: two people like that. But it marked out like he's like, yo,

2673
02:55:17,720 --> 02:55:21,720
Speaker 1: I remember he said, used to put me to the

2674
02:55:21,800 --> 02:55:30,400
Speaker 1: site was and sometimes money sometimes, oh money, especially money

2675
02:55:31,760 --> 02:55:35,040
Speaker 1: sometimes we will and that the blood money was the

2676
02:55:35,120 --> 02:55:37,520
Speaker 1: time for us to be will, But we're just proud

2677
02:55:37,680 --> 02:55:40,400
Speaker 1: man as you should be. See it. What a lot

2678
02:55:40,440 --> 02:55:44,320
Speaker 1: of people don't know what money he started writing rhymes

2679
02:55:44,400 --> 02:55:49,840
Speaker 1: and chaos. What that meant was I wrote rhymes. It's

2680
02:55:49,840 --> 02:55:52,480
Speaker 1: called k unit and k unit I had. I would

2681
02:55:52,640 --> 02:55:59,800
Speaker 1: only see the light. The light from the other people

2682
02:56:00,040 --> 02:56:08,160
Speaker 1: sound right, and then sorry for every lady that's in here,

2683
02:56:10,000 --> 02:56:14,120
Speaker 1: but it's hard to write rhymes with someone's jerking off

2684
02:56:14,240 --> 02:56:19,640
Speaker 1: next to all. See my home back comes out if

2685
02:56:19,680 --> 02:56:23,920
Speaker 1: you listen. Never said I said someone else's jerk when

2686
02:56:23,959 --> 02:56:35,119
Speaker 1: I was writing rhyme. That's that's what someone happened. Okay, okay, listen.

2687
02:56:35,160 --> 02:56:39,920
Speaker 1: I'm very confidence you got. But what I'm trying to

2688
02:56:40,000 --> 02:56:41,920
Speaker 1: tell you is how I started to do that was

2689
02:56:42,120 --> 02:56:44,880
Speaker 1: it was through chaos, it was through noise, it was

2690
02:56:44,920 --> 02:56:47,039
Speaker 1: through to the next problem. You gotta you gotta also

2691
02:56:47,120 --> 02:56:50,160
Speaker 1: realized it's also somebody sort of left that is cramped,

2692
02:56:50,280 --> 02:56:56,600
Speaker 1: crying for their mother because they want to be home. No,

2693
02:56:56,760 --> 02:57:08,280
Speaker 1: that's right, right, I got you, guys. What I'm saying,

2694
02:57:08,680 --> 02:57:14,720
Speaker 1: but Art is missing. It's saying his high rocks so

2695
02:57:15,320 --> 02:57:24,360
Speaker 1: chaos high d So A lot of people don't understand

2696
02:57:24,400 --> 02:57:32,440
Speaker 1: that got was normal for me going in and here

2697
02:57:32,520 --> 02:57:38,240
Speaker 1: in silence people. I needed to go on out and

2698
02:57:38,360 --> 02:57:43,800
Speaker 1: I needed to hear how I started to rhyme then,

2699
02:57:44,400 --> 02:57:47,599
Speaker 1: and then it made sense to me. Even even successful,

2700
02:57:48,080 --> 02:57:51,280
Speaker 1: even after being successful, like I'm real used to be like,

2701
02:57:51,920 --> 02:57:54,080
Speaker 1: you need these guys there, and I was like, nope,

2702
02:57:54,280 --> 02:57:57,240
Speaker 1: I just want to see them there to remember at

2703
02:57:57,320 --> 02:57:59,760
Speaker 1: these guys would be in there playing the piano like

2704
02:58:00,000 --> 02:58:05,160
Speaker 1: oh you know this ship picks up. Yeah yeah, yeah,

2705
02:58:06,080 --> 02:58:08,840
Speaker 1: but um that that actually soothed me. That created your

2706
02:58:08,879 --> 02:58:11,800
Speaker 1: comfort zone. That was your comfort zone. Yeah, makes sense.

2707
02:58:12,240 --> 02:58:15,200
Speaker 1: Every other artist exact opposite kick him on the move

2708
02:58:16,200 --> 02:58:22,440
Speaker 1: and there and everybodyself understand. If you listen to super Dog,

2709
02:58:22,560 --> 02:58:26,760
Speaker 1: you can tell that was like you couldn't have made

2710
02:58:26,840 --> 02:58:29,600
Speaker 1: that under your right mind, under the field. You gotta do.

2711
02:58:29,760 --> 02:58:32,640
Speaker 1: You gotta be when you feel comforable. Like when you

2712
02:58:32,760 --> 02:58:35,800
Speaker 1: first said it was like, yo, I forgot what show

2713
02:58:35,840 --> 02:58:38,920
Speaker 1: he was on. I'm not gonna say you, no, Christman,

2714
02:58:39,680 --> 02:58:43,400
Speaker 1: don't believe it. No mystery Gus. Listen to the radio.

2715
02:58:44,920 --> 02:58:48,440
Speaker 1: You said, I thought I had to go back to left.

2716
02:58:50,160 --> 02:58:53,880
Speaker 1: You said, nah, I usually need to defl the tragic

2717
02:58:53,959 --> 02:58:57,279
Speaker 1: to Miami. He's a walking project. I took that offensively

2718
02:58:57,360 --> 02:59:03,160
Speaker 1: at first hearing it, he meant, but you know, I

2719
02:59:03,240 --> 02:59:06,960
Speaker 1: didn't understand what he meant because you know he's remember that.

2720
02:59:07,560 --> 02:59:09,880
Speaker 1: But when I thought about it, I was like, that's

2721
02:59:09,920 --> 02:59:14,320
Speaker 1: a compliment. No, No, I'm serious, jo Side, I'm just

2722
02:59:14,400 --> 02:59:16,280
Speaker 1: not used to getting compliments from you. So you gott

2723
02:59:16,360 --> 02:59:20,360
Speaker 1: understand how I feel. No that. Yeah, but at the time,

2724
02:59:20,440 --> 02:59:24,400
Speaker 1: like you gotta understand you've it back then, Okay, I

2725
02:59:24,520 --> 02:59:26,480
Speaker 1: like how you trying to Listen. I didn't look at

2726
02:59:26,480 --> 02:59:28,720
Speaker 1: it like that. I like, what the fun? You always

2727
02:59:28,760 --> 02:59:33,320
Speaker 1: been like this? Yeah, every time I got another friend, right,

2728
02:59:33,400 --> 02:59:36,760
Speaker 1: he's been around he said, Hell, y'all always posture, And

2729
02:59:36,800 --> 02:59:40,199
Speaker 1: I said, now we just feel it's energy. Don't feel

2730
02:59:40,200 --> 02:59:44,760
Speaker 1: bad for him. He knows what he's doing. Listen, he's

2731
02:59:44,760 --> 02:59:49,160
Speaker 1: doing but no, no, what he's doing it. I'm seriously,

2732
02:59:50,240 --> 02:59:53,080
Speaker 1: I understand what you meant. But you know what I'm saying.

2733
02:59:53,120 --> 02:59:55,560
Speaker 1: I understand what you meant, and this is what I

2734
02:59:55,720 --> 02:59:59,119
Speaker 1: get from people one time and right now. Dudes, don't

2735
02:59:59,120 --> 03:00:03,880
Speaker 1: necessarily you know what to make me happy though that's

2736
03:00:03,879 --> 03:00:06,920
Speaker 1: for no money. He's act, but I want to do

2737
03:00:08,120 --> 03:00:11,200
Speaker 1: what I want to do. It. I don't know what

2738
03:00:11,280 --> 03:00:16,480
Speaker 1: he said. I would another. It would never be non seriously,

2739
03:00:16,760 --> 03:00:25,320
Speaker 1: there would never be another warrport. I know we just

2740
03:00:26,600 --> 03:00:29,120
Speaker 1: finally but I know whatever, But I know if we

2741
03:00:29,320 --> 03:00:33,120
Speaker 1: really went in and tapped that scene, I don't know,

2742
03:00:33,320 --> 03:00:37,560
Speaker 1: time is different. You have the infrastructure right wait, like

2743
03:00:37,600 --> 03:00:39,800
Speaker 1: it's giving me a feeling like that's the only way

2744
03:00:39,840 --> 03:00:41,800
Speaker 1: I think we should do it. If we're an't do

2745
03:00:41,879 --> 03:00:45,360
Speaker 1: it together, man, I think I think I think that's

2746
03:00:45,400 --> 03:00:59,280
Speaker 1: what act. What's yours? He said, chaos? What is the world? Then?

2747
03:00:59,400 --> 03:01:09,760
Speaker 1: Right now? Right? Let me what was your second? This

2748
03:01:09,879 --> 03:01:15,560
Speaker 1: is my brother, that's the same thing. I want to

2749
03:01:15,640 --> 03:01:19,920
Speaker 1: feel like I'm selling you because you know what another

2750
03:01:19,959 --> 03:01:22,200
Speaker 1: person in my poss like. I don't say that. I kid,

2751
03:01:22,360 --> 03:01:25,400
Speaker 1: but then that's not right. But try don't just do

2752
03:01:26,200 --> 03:01:30,440
Speaker 1: what I'm saying. How are you gonna do it? You

2753
03:01:30,520 --> 03:01:33,120
Speaker 1: gotta keep going. You're gonna be getting no no, no, no,

2754
03:01:34,560 --> 03:01:36,959
Speaker 1: hold whatever. Wait, let me say let me say, right,

2755
03:01:37,560 --> 03:01:46,440
Speaker 1: do not fault. He's he's gonna say he's been around

2756
03:01:46,480 --> 03:01:49,480
Speaker 1: with rob Yes, Paul, Paul, Paul. Yeah. Let me just

2757
03:01:49,560 --> 03:01:53,240
Speaker 1: say how you pulled me out my bed and you

2758
03:01:53,360 --> 03:01:58,840
Speaker 1: we went to dinner and remember that. This is what

2759
03:01:58,959 --> 03:02:01,360
Speaker 1: track says he's drop with the jew. You gotta keep

2760
03:02:01,400 --> 03:02:04,640
Speaker 1: that too. But you want me to stay whether I

2761
03:02:04,800 --> 03:02:12,960
Speaker 1: gave you what you're reading, I gave you what your phone,

2762
03:02:15,000 --> 03:02:17,560
Speaker 1: you know what I'm saying that, But I don't know

2763
03:02:17,800 --> 03:02:29,640
Speaker 1: what I'd be precarious. Let's move away time listening. I'm

2764
03:02:29,720 --> 03:02:31,960
Speaker 1: only gonna be here for a little while. Bro, Like

2765
03:02:32,120 --> 03:02:35,920
Speaker 1: my life is should mentioned on this stage. I shouldn't

2766
03:02:35,959 --> 03:02:37,800
Speaker 1: have to stay there. Listen, I don't even deal what

2767
03:02:37,840 --> 03:02:40,080
Speaker 1: I had to do. Man, Now do we understand what

2768
03:02:40,160 --> 03:02:43,160
Speaker 1: the fund this means? Because come on, listen, you know

2769
03:02:43,200 --> 03:02:44,840
Speaker 1: what I got. I gotta I gotta shake out. I

2770
03:02:44,879 --> 03:02:46,800
Speaker 1: got a family, man, you give it? You breaking me?

2771
03:02:47,400 --> 03:02:50,040
Speaker 1: Yea disaway? Wait, I gotta make moves. Wait a minute,

2772
03:02:50,480 --> 03:02:53,959
Speaker 1: when I come through? How to come through? Right sometime?

2773
03:02:54,360 --> 03:02:57,840
Speaker 1: Right sometime. It gets some point where we gotta leave

2774
03:02:57,879 --> 03:03:01,199
Speaker 1: that ship behind. Wait, we gotta leave that ship behind

2775
03:03:01,280 --> 03:03:04,960
Speaker 1: and we gotta move forward, moving forward, Slim, don't need

2776
03:03:05,040 --> 03:03:07,360
Speaker 1: to do this. Let's speak clear clear. This is why

2777
03:03:07,400 --> 03:03:09,640
Speaker 1: I'm bringing it up. Don't start deviating over there, but

2778
03:03:09,720 --> 03:03:12,520
Speaker 1: I'm going overhead. We never. I don't need to do this.

2779
03:03:13,120 --> 03:03:15,000
Speaker 1: This is why I'm bringing to the table now because

2780
03:03:15,000 --> 03:03:17,640
Speaker 1: we all like old but a lot of us feel

2781
03:03:17,640 --> 03:03:19,400
Speaker 1: a certain way, but a lot of us won't say it.

2782
03:03:19,800 --> 03:03:22,720
Speaker 1: I gotta say it to Slim because whether he likes

2783
03:03:22,760 --> 03:03:25,000
Speaker 1: it or not, I'm his brother. I'm not a cheerleader.

2784
03:03:25,440 --> 03:03:28,840
Speaker 1: I'm not a jesting here. We could bump head, guess

2785
03:03:28,879 --> 03:03:30,720
Speaker 1: what at we should know where the funk I'm coming

2786
03:03:30,800 --> 03:03:33,480
Speaker 1: from and think I know where it's coming from. It's

2787
03:03:33,520 --> 03:03:36,640
Speaker 1: not a danger to me. You might not like me

2788
03:03:37,000 --> 03:03:38,960
Speaker 1: all the time. I don't like you all the time.

2789
03:03:39,120 --> 03:03:41,600
Speaker 1: I'm always love you. And you're gonna tell me how

2790
03:03:41,680 --> 03:03:44,199
Speaker 1: you feel. I would like to hear how you feel

2791
03:03:44,240 --> 03:03:47,560
Speaker 1: all the time. Speak clear. Stop playing on games man,

2792
03:03:47,600 --> 03:03:49,640
Speaker 1: That's not what we got in this for. It was

2793
03:03:49,760 --> 03:03:53,240
Speaker 1: just us then evolved now to us. We could keep

2794
03:03:53,280 --> 03:03:56,200
Speaker 1: it us, but all that trash ship, it's not about that.

2795
03:03:56,280 --> 03:03:59,959
Speaker 1: It's about us moving forward. I want to move forward.

2796
03:04:00,120 --> 03:04:03,440
Speaker 1: Hold you gotta defend it. I love you you, listen,

2797
03:04:03,760 --> 03:04:06,040
Speaker 1: Let's move forward. Slip you don't need to do this

2798
03:04:08,480 --> 03:04:13,160
Speaker 1: nice if at some point right because basically I'm asking,

2799
03:04:14,720 --> 03:04:17,400
Speaker 1: I want to do it one more time. I do.

2800
03:04:18,600 --> 03:04:26,160
Speaker 1: I want to do it more time because sim you know, Slim,

2801
03:04:26,480 --> 03:04:28,440
Speaker 1: when when like you know what I'm in in a

2802
03:04:28,520 --> 03:04:31,920
Speaker 1: minute now. Yeah, I disappeared. I guess when you know

2803
03:04:32,000 --> 03:04:37,560
Speaker 1: what a minute? Right? Man? When I'm in it, I'm

2804
03:04:37,600 --> 03:04:39,720
Speaker 1: in it. Let's get in it one time, man, just

2805
03:04:39,959 --> 03:04:42,600
Speaker 1: one last time. You know why. I think if we

2806
03:04:42,720 --> 03:04:45,959
Speaker 1: put out harsh and minds in it with everybody here collectively,

2807
03:04:46,240 --> 03:04:51,520
Speaker 1: that's some What is Griselda? What is Grizelda? Let me

2808
03:04:51,520 --> 03:04:54,520
Speaker 1: ask you that. What is grise Elda? It's an extension

2809
03:04:57,480 --> 03:04:59,880
Speaker 1: that makes a good point. I mean it was a

2810
03:05:00,000 --> 03:05:04,760
Speaker 1: says us energy, keep the same energy going forward. However

2811
03:05:04,879 --> 03:05:07,160
Speaker 1: we did it like we we all are in an

2812
03:05:07,240 --> 03:05:10,040
Speaker 1: out or we're all doing whatever. It isn't that same

2813
03:05:10,280 --> 03:05:13,320
Speaker 1: energy of not trying to do something commercial ship or

2814
03:05:13,360 --> 03:05:18,800
Speaker 1: trying to do I'm not gonna energy. Man, was not speaking,

2815
03:05:19,840 --> 03:05:22,240
Speaker 1: Stop putting that disappears. I think it's know what, you

2816
03:05:22,320 --> 03:05:24,920
Speaker 1: got a public watching this and you're sucking up my back.

2817
03:05:25,520 --> 03:05:27,560
Speaker 1: Don't do that because you know what when you call

2818
03:05:27,680 --> 03:05:30,320
Speaker 1: me slap and you like, yo, pull up, I'm pulling up.

2819
03:05:30,440 --> 03:05:34,000
Speaker 1: It's true days the first day, but listen any other time,

2820
03:05:34,160 --> 03:05:38,160
Speaker 1: I'm pulling up on my own cord because listen now,

2821
03:05:38,200 --> 03:05:43,840
Speaker 1: I'm spectfully because that ship gotta stay with shot. Listen, man,

2822
03:05:43,959 --> 03:05:47,720
Speaker 1: this nigga is the shot. People. I'm not prying. You

2823
03:05:47,760 --> 03:05:49,200
Speaker 1: know what I'm saying. You know what I mean like,

2824
03:05:49,320 --> 03:05:52,440
Speaker 1: but listen, I'm going forward side. I'd like to say

2825
03:05:52,720 --> 03:05:55,360
Speaker 1: that what I mean by that you live in your

2826
03:05:55,400 --> 03:05:59,039
Speaker 1: own world and once want one thing about it. Two

2827
03:05:59,080 --> 03:06:02,160
Speaker 1: things for sure. I lived in my own More. What

2828
03:06:02,320 --> 03:06:04,800
Speaker 1: I started to realize is in order for me to

2829
03:06:05,000 --> 03:06:07,800
Speaker 1: cant to them the proster, I gotta respect every one

2830
03:06:08,080 --> 03:06:11,000
Speaker 1: other world. Going to that world I'm swing to I.

2831
03:06:11,120 --> 03:06:13,680
Speaker 1: I'm going on to Delian. In order to get there,

2832
03:06:13,800 --> 03:06:15,640
Speaker 1: I gotta say, I gotta say here. I gotta make

2833
03:06:15,680 --> 03:06:18,280
Speaker 1: sure everyone likes me along this way. But once I

2834
03:06:18,400 --> 03:06:22,480
Speaker 1: get here, then I'm gonna be out. I just got

2835
03:06:22,480 --> 03:06:24,920
Speaker 1: out a clip today, but I said, Yo, you know what,

2836
03:06:25,040 --> 03:06:26,480
Speaker 1: I don't need you to be like this. I don't

2837
03:06:26,520 --> 03:06:28,959
Speaker 1: need you. I'm gonna always show you love because I'm

2838
03:06:28,959 --> 03:06:31,879
Speaker 1: gonna be who I am. And that's that's the problem

2839
03:06:31,959 --> 03:06:35,920
Speaker 1: with us. It's it's it's like me, you and component

2840
03:06:36,160 --> 03:06:40,160
Speaker 1: for me, You and Trash. We have the same problem

2841
03:06:40,320 --> 03:06:44,360
Speaker 1: that Tank have and we three year of us these

2842
03:06:44,520 --> 03:06:49,120
Speaker 1: motherfucker's is nine. There's no way we should have the

2843
03:06:49,240 --> 03:06:52,640
Speaker 1: same complications when it comes to a goal. Now, hit

2844
03:06:52,720 --> 03:06:55,080
Speaker 1: me out. What I mean by that is back then

2845
03:06:55,200 --> 03:06:57,280
Speaker 1: when when Bessas said, you know, we need to have

2846
03:06:57,520 --> 03:06:59,960
Speaker 1: nineteen songs done by such and such and such, they've

2847
03:07:00,000 --> 03:07:02,200
Speaker 1: all looked at Risen, it was like, what the fun?

2848
03:07:03,280 --> 03:07:06,800
Speaker 1: But then they all individually got artists. And then when

2849
03:07:06,879 --> 03:07:10,600
Speaker 1: that's they tried to buy that same they understood. So

2850
03:07:10,800 --> 03:07:13,400
Speaker 1: we when we at when you that's why we we

2851
03:07:13,560 --> 03:07:16,240
Speaker 1: started this where we said, yo, you know what trash.

2852
03:07:16,560 --> 03:07:18,400
Speaker 1: You know how you taught us, how do we calld

2853
03:07:18,520 --> 03:07:21,320
Speaker 1: like how you you so eloquently put and how you

2854
03:07:21,440 --> 03:07:25,080
Speaker 1: helped me in those certain ways. That's exactly what it is.

2855
03:07:25,200 --> 03:07:28,400
Speaker 1: But now it's just like now it's just like now

2856
03:07:28,480 --> 03:07:30,520
Speaker 1: like let's suppose we had we we said, we really said,

2857
03:07:30,520 --> 03:07:32,520
Speaker 1: you know what, tomorrow, you know what, it's like I

2858
03:07:32,600 --> 03:07:36,199
Speaker 1: wanted some flysh it. We just do it. It's tomorrow,

2859
03:07:36,400 --> 03:07:39,440
Speaker 1: right boom. Now we're going to Bahamas. Tomm made him

2860
03:07:39,800 --> 03:07:42,000
Speaker 1: calls that we fucking reduces that he knows, you know,

2861
03:07:42,120 --> 03:07:48,480
Speaker 1: goes every producing, mar goes everything, Nil calls every you know,

2862
03:07:49,080 --> 03:07:52,040
Speaker 1: uh ceo connected we got and we do it and

2863
03:07:52,160 --> 03:07:55,440
Speaker 1: then poem doesn't show up. Do you understand that I'm

2864
03:07:55,520 --> 03:07:59,400
Speaker 1: not showing up this time, that's not a fact, just home.

2865
03:08:00,520 --> 03:08:03,960
Speaker 1: Only showing up this time affects me, then affects you,

2866
03:08:04,920 --> 03:08:08,520
Speaker 1: and then that's if you make a round. And then

2867
03:08:08,560 --> 03:08:12,040
Speaker 1: the thing about it is, it's so harder for me

2868
03:08:12,280 --> 03:08:15,039
Speaker 1: now if I'm the only one committed. That's say, if

2869
03:08:15,080 --> 03:08:19,440
Speaker 1: you guys are not. But if but we would have,

2870
03:08:19,560 --> 03:08:22,240
Speaker 1: would not in a sense of let me be exactly

2871
03:08:22,320 --> 03:08:24,880
Speaker 1: what I'm trying to say. If wait, if we haven't

2872
03:08:24,920 --> 03:08:27,080
Speaker 1: sex it at six o'clock and now this time you

2873
03:08:27,200 --> 03:08:30,680
Speaker 1: say you showed up at six o'clock your time, I'm

2874
03:08:30,760 --> 03:08:34,000
Speaker 1: there at four. I want that same commitment. I want

2875
03:08:34,080 --> 03:08:36,800
Speaker 1: that same what session want to give me a sam

2876
03:08:36,959 --> 03:08:40,000
Speaker 1: It's not it's not shut out because you don't. We

2877
03:08:40,040 --> 03:08:43,200
Speaker 1: don't just keeping it great like I don't I don't know,

2878
03:08:43,400 --> 03:08:47,160
Speaker 1: non stop stop stop, but just hear me out it is.

2879
03:08:47,240 --> 03:08:48,720
Speaker 1: It is just kind of getting a little personal. You

2880
03:08:48,760 --> 03:08:51,280
Speaker 1: don't gotta go through command. I'm not going through that.

2881
03:08:51,440 --> 03:08:53,720
Speaker 1: And it's kind of personal with me. If somebody says

2882
03:08:53,760 --> 03:08:57,440
Speaker 1: something like that, that like I'm not that I don't

2883
03:08:57,440 --> 03:08:58,920
Speaker 1: know what, but hit me out for sex, and then

2884
03:08:59,040 --> 03:09:00,600
Speaker 1: that but hit my point. I'm trying to make it.

2885
03:09:00,640 --> 03:09:03,360
Speaker 1: Let me let me, let me, let me clarify. See,

2886
03:09:03,400 --> 03:09:12,160
Speaker 1: the thing is like without in, it's just like it's

2887
03:09:12,200 --> 03:09:14,039
Speaker 1: just like not to say when you're not in, you're

2888
03:09:14,040 --> 03:09:15,560
Speaker 1: not in. Let to say when you're not in, you in.

2889
03:09:15,959 --> 03:09:19,720
Speaker 1: But the thing is, oh whan, I have to have

2890
03:09:19,840 --> 03:09:22,920
Speaker 1: the passion. I can't do nothing like I don't jerk

2891
03:09:22,959 --> 03:09:35,000
Speaker 1: off with Wait, you say you mean that I wanted,

2892
03:09:36,440 --> 03:09:47,000
Speaker 1: but I say, you know what, sion, You're show up

2893
03:09:48,040 --> 03:09:50,840
Speaker 1: out the kind of like you try to understand your

2894
03:09:50,879 --> 03:09:55,040
Speaker 1: influence a minute. Understand. It's just like it's just like

2895
03:09:55,160 --> 03:09:58,120
Speaker 1: when that show up. Stop. It's not that it's just

2896
03:09:58,280 --> 03:10:00,400
Speaker 1: not that don't do that. It's just that we all

2897
03:10:00,600 --> 03:10:09,280
Speaker 1: have certain commitments. Phone people are running. Today is the

2898
03:10:09,400 --> 03:10:14,280
Speaker 1: first time name name, No way if today is the

2899
03:10:14,320 --> 03:10:15,720
Speaker 1: second the name of folks, come on, I want you

2900
03:10:15,760 --> 03:10:20,000
Speaker 1: I wouldn't do that. You can't named name. I want

2901
03:10:20,080 --> 03:10:22,280
Speaker 1: you to because I only know I want to clean

2902
03:10:22,320 --> 03:10:24,240
Speaker 1: this up. I'm want to clean this upright because you

2903
03:10:24,360 --> 03:10:26,400
Speaker 1: put it in the air. And listen, don't put it

2904
03:10:26,440 --> 03:10:28,520
Speaker 1: in the air, because that you hold a shirt of

2905
03:10:28,600 --> 03:10:31,200
Speaker 1: form when you put it in the air. People run

2906
03:10:31,320 --> 03:10:34,760
Speaker 1: with that that's not necessarily good when it's not the hunt.

2907
03:10:35,200 --> 03:10:38,960
Speaker 1: True today is under true, today is a rue, but

2908
03:10:39,080 --> 03:10:41,640
Speaker 1: then today will be the one. Don't make don't make

2909
03:10:41,720 --> 03:10:43,920
Speaker 1: today seem like a two to three. It's like that,

2910
03:10:44,080 --> 03:10:46,640
Speaker 1: And don't jump on that because I'm not quitting. I'm

2911
03:10:46,680 --> 03:10:48,880
Speaker 1: not talking on anything. Don't do that. Don't do that.

2912
03:10:50,160 --> 03:11:04,360
Speaker 1: Bro't that what are we trying shot? Don't do that.

2913
03:11:04,840 --> 03:11:14,480
Speaker 1: We're talking about that, don't about talking about we connected. Listen, listen,

2914
03:11:14,640 --> 03:11:18,680
Speaker 1: don't understand. There's a time to place for everything right.

2915
03:11:19,320 --> 03:11:21,760
Speaker 1: Don't do that. A matter of fact, you're not gonna

2916
03:11:21,840 --> 03:11:22,960
Speaker 1: do that. You know what. Let me tell you why

2917
03:11:23,000 --> 03:11:25,160
Speaker 1: you're not gonna do that, because this is a public

2918
03:11:25,240 --> 03:11:27,960
Speaker 1: forum for sure. Don't listen. Man, you're not gonna do

2919
03:11:28,120 --> 03:11:31,200
Speaker 1: that because I'm not what I'm saying. What this boat.

2920
03:11:31,240 --> 03:11:33,320
Speaker 1: You're not gonna do that. Don't do that, because we

2921
03:11:33,520 --> 03:11:35,440
Speaker 1: do that. I look at something to play with like that.

2922
03:11:35,760 --> 03:11:39,640
Speaker 1: He said, turn out ship. He's and you're trying to

2923
03:11:39,720 --> 03:11:44,880
Speaker 1: allee you. But don't do that. I an't understanding. I

2924
03:11:45,000 --> 03:11:47,800
Speaker 1: am trusting because I don't understand that. I was gonna

2925
03:11:47,800 --> 03:11:49,880
Speaker 1: think about us this. We all gotta stept the all

2926
03:11:50,000 --> 03:11:53,680
Speaker 1: flows like me, like me, like me. Um, you know,

2927
03:11:53,959 --> 03:11:57,160
Speaker 1: when it came time for me to reach out and

2928
03:11:57,480 --> 03:12:00,840
Speaker 1: certain things, and when no one didn't reach out back

2929
03:12:00,879 --> 03:12:03,000
Speaker 1: to me, I would not that me. There's nothing wrong

2930
03:12:03,080 --> 03:12:07,520
Speaker 1: with that. It's that's that's that's exactly when. So what

2931
03:12:07,560 --> 03:12:09,880
Speaker 1: I'm trying to say is but let's just say it's

2932
03:12:09,879 --> 03:12:13,400
Speaker 1: just say it. Had you've been accessible at that time,

2933
03:12:13,720 --> 03:12:15,560
Speaker 1: I might have not been able to reach out. Had

2934
03:12:15,560 --> 03:12:18,600
Speaker 1: you been accessible at that time, we made you listen.

2935
03:12:19,600 --> 03:12:23,959
Speaker 1: Maybe I'm gonna think we're we're great where we are

2936
03:12:24,080 --> 03:12:27,039
Speaker 1: as completed. So we're saying moving forward. It wasn't say

2937
03:12:27,120 --> 03:12:31,600
Speaker 1: I was saying moving forward. I wasn't accessible because there

2938
03:12:31,680 --> 03:12:33,840
Speaker 1: was a time where we shouldn't have been accessible to

2939
03:12:34,120 --> 03:12:36,160
Speaker 1: we might have said some things that have made me worse.

2940
03:12:36,560 --> 03:12:40,760
Speaker 1: Let's keep it Blienbury. We both needed time for certain

2941
03:12:40,800 --> 03:12:44,680
Speaker 1: things at that time. Just keeping a green man time.

2942
03:12:44,920 --> 03:12:49,120
Speaker 1: Yeah I needed time. Okayverybody need time. But bro moving

2943
03:12:49,160 --> 03:12:53,120
Speaker 1: forward for REALM who can't see any time I'm not

2944
03:12:53,200 --> 03:12:56,000
Speaker 1: to be called I'm pulling up and you know I'm

2945
03:12:56,000 --> 03:12:58,760
Speaker 1: gonna even pull up even I don't like to hear

2946
03:12:58,840 --> 03:13:01,480
Speaker 1: this type of ship good. It's not true. And I'm

2947
03:13:01,480 --> 03:13:04,560
Speaker 1: gonna fight for every stand, so make sure when you

2948
03:13:04,720 --> 03:13:08,520
Speaker 1: throw a stain you're willing to really establish it was

2949
03:13:08,600 --> 03:13:14,400
Speaker 1: at stake. But I'm what did you stop with? Tragic?

2950
03:13:14,680 --> 03:13:17,520
Speaker 1: What did you start with starting that? And where is

2951
03:13:17,520 --> 03:13:20,840
Speaker 1: it going? But that's what's the You always received what

2952
03:13:21,040 --> 03:13:32,560
Speaker 1: you say. He just says you say. No, Let's let's

2953
03:13:32,560 --> 03:13:34,520
Speaker 1: say at my point if the point is not not

2954
03:13:34,720 --> 03:13:39,000
Speaker 1: not about disappearing, it's about like you know, engaging and

2955
03:13:39,120 --> 03:13:42,640
Speaker 1: being and being active. You listen, the reason why this

2956
03:13:42,800 --> 03:13:44,840
Speaker 1: all happened is the way you came to me. And

2957
03:13:45,040 --> 03:13:48,000
Speaker 1: when you rolled it out, you had a vision everything

2958
03:13:48,040 --> 03:13:52,320
Speaker 1: straight up and and you dropped. Listen, listen, let finished,

2959
03:13:52,400 --> 03:13:55,280
Speaker 1: let me finish. Listen, right, don't er people like that.

2960
03:13:56,879 --> 03:13:59,560
Speaker 1: I'm not saying that like that came over that, but

2961
03:13:59,760 --> 03:14:08,480
Speaker 1: I'm I'm talking. I mean, I'm not don't I don't

2962
03:14:08,480 --> 03:14:10,040
Speaker 1: do that. Don't do that. I didn't know what. I

2963
03:14:10,320 --> 03:14:12,680
Speaker 1: don't do it. You're not don't don't do that. I

2964
03:14:12,800 --> 03:14:15,560
Speaker 1: don't do that. You don't do that. It is that

2965
03:14:16,120 --> 03:14:20,320
Speaker 1: you're needed. Yeah, you're needed. That's a great way to

2966
03:14:20,360 --> 03:14:22,840
Speaker 1: put it. Great way, don't great, great morning and you

2967
03:14:22,879 --> 03:14:25,200
Speaker 1: need you? Yeah, gets a great way to put it.

2968
03:14:25,360 --> 03:14:27,360
Speaker 1: You you you can challenge me and you can met

2969
03:14:27,360 --> 03:14:29,320
Speaker 1: it verst and you can wear three in he was doing.

2970
03:14:29,360 --> 03:14:33,800
Speaker 1: He was problems like you're needed. I'm like, yo, trying

2971
03:14:37,680 --> 03:14:39,240
Speaker 1: cool cool. Let me bring it on you because now

2972
03:14:39,280 --> 03:14:41,000
Speaker 1: that you' bring it on yourself, we bring it on you.

2973
03:14:41,879 --> 03:14:44,280
Speaker 1: You let me do you The reason why? The reason

2974
03:14:44,360 --> 03:14:47,560
Speaker 1: why is is that what he said at that point.

2975
03:14:47,720 --> 03:14:50,120
Speaker 1: I couldn't compute it you, chill. I don't want to

2976
03:14:50,160 --> 03:14:52,920
Speaker 1: make it about anybody could beat I can't communicate and

2977
03:14:52,920 --> 03:14:56,920
Speaker 1: I couldn't say, yo, Slim, I need your help. Na's

2978
03:14:56,920 --> 03:14:58,880
Speaker 1: just cooling me to get him the firm. I don't

2979
03:14:59,080 --> 03:15:02,199
Speaker 1: can't relate to that. I don't know what to call Chill.

2980
03:15:03,720 --> 03:15:07,200
Speaker 1: You wanted us to prove it on us to prove

2981
03:15:07,480 --> 03:15:09,480
Speaker 1: and when I reached out, I was I had no

2982
03:15:09,600 --> 03:15:12,480
Speaker 1: one else to call. Told I don't want to say

2983
03:15:12,520 --> 03:15:14,560
Speaker 1: what you said to us well last time I spoke

2984
03:15:14,600 --> 03:15:16,560
Speaker 1: to you, But I'm not don't do that right now,

2985
03:15:16,720 --> 03:15:19,120
Speaker 1: will I'm not I'm not doing I know what I said.

2986
03:15:19,200 --> 03:15:22,360
Speaker 1: I'm not doing it. I'm ready to go both faces

2987
03:15:22,959 --> 03:15:25,360
Speaker 1: take both faces, and I remember I asked you to

2988
03:15:25,440 --> 03:15:28,680
Speaker 1: come with me to l A. I could not get

2989
03:15:28,720 --> 03:15:39,400
Speaker 1: your No. I never said that your fo. What I

2990
03:15:39,520 --> 03:15:41,680
Speaker 1: saying was what I side came to me out of

2991
03:15:41,800 --> 03:15:45,440
Speaker 1: nowhere in here, man, speak to me for months. Let's

2992
03:15:45,520 --> 03:15:47,560
Speaker 1: way around. You wouldn't get speak to me for one.

2993
03:15:47,600 --> 03:15:49,760
Speaker 1: You want to lead, Now you gotta understand, you will

2994
03:15:49,800 --> 03:15:54,600
Speaker 1: not understanding. Wait a minute, our medium's gone. Yes, agreed,

2995
03:15:54,680 --> 03:15:56,720
Speaker 1: you want to really like? Come on, man, I don't

2996
03:15:56,760 --> 03:15:58,720
Speaker 1: want to. I don't wonder what you like. I'm gonna

2997
03:15:58,720 --> 03:16:01,760
Speaker 1: be here. Come on, I'm done. I'm not the sort

2998
03:16:01,800 --> 03:16:03,680
Speaker 1: of things I'm not gonna saying. I'm looking at I'm

2999
03:16:03,720 --> 03:16:07,000
Speaker 1: not doing that. I'm not doing that. I'm not nothing.

3000
03:16:07,400 --> 03:16:11,400
Speaker 1: Slap me. And you was not speaking son the last time.

3001
03:16:11,440 --> 03:16:13,920
Speaker 1: I mean you stop speaking. You said some amazy ship

3002
03:16:14,560 --> 03:16:16,840
Speaker 1: back then. You took about twenty five years. Listen, but

3003
03:16:16,959 --> 03:16:19,120
Speaker 1: you're talking about tree five years ago. Okay, when you

3004
03:16:19,200 --> 03:16:20,640
Speaker 1: said you called me, was like, yeah, I want you

3005
03:16:20,680 --> 03:16:22,640
Speaker 1: to come to me, to l A. There's a reason

3006
03:16:22,720 --> 03:16:25,880
Speaker 1: why you Okay, I didn't hear that. Maybe maybe I

3007
03:16:25,959 --> 03:16:27,840
Speaker 1: didn't give you anybody. But let me just say something

3008
03:16:28,120 --> 03:16:30,600
Speaker 1: to say back then, I couldn't reach you back then,

3009
03:16:31,000 --> 03:16:34,080
Speaker 1: when I couldn't reach you for telling me you want

3010
03:16:34,120 --> 03:16:37,280
Speaker 1: to leave? Why would I don't want to? Right, I'll

3011
03:16:37,360 --> 03:16:41,040
Speaker 1: let you. I'll let you talk first. I like, I

3012
03:16:41,040 --> 03:16:45,760
Speaker 1: don't know. You gave up your opportunity. Okay, I got one,

3013
03:16:46,879 --> 03:16:49,320
Speaker 1: but hear me. I'll here's what. Here's what I'm trying

3014
03:16:49,360 --> 03:16:54,160
Speaker 1: to say. It is so wet, wrap up. Here's what

3015
03:16:54,200 --> 03:16:59,120
Speaker 1: I say it was back then, I wanted, I wanted

3016
03:16:59,200 --> 03:17:02,000
Speaker 1: to reach out and when the reach out wasn't available,

3017
03:17:02,400 --> 03:17:05,040
Speaker 1: That's how I took it. Now, I might have been

3018
03:17:05,160 --> 03:17:07,880
Speaker 1: describing it in the wrong way, but there's each of

3019
03:17:08,000 --> 03:17:12,160
Speaker 1: every individual here that has a trashy adopted You know how?

3020
03:17:13,200 --> 03:17:16,360
Speaker 1: You know how? First of well, don't do that. You

3021
03:17:16,480 --> 03:17:19,960
Speaker 1: know how disappeared on you. You have a disappear on me.

3022
03:17:21,040 --> 03:17:27,480
Speaker 1: Don't do that. Wait time, I stop, stop stopping. Then

3023
03:17:27,640 --> 03:17:31,000
Speaker 1: don't magnify the trash disappearance if you're wait a minute,

3024
03:17:31,240 --> 03:17:34,720
Speaker 1: when the movie disappearance eat on the other side of

3025
03:17:34,840 --> 03:17:37,160
Speaker 1: tan you bro. But the difference with trans this, I

3026
03:17:37,280 --> 03:17:39,360
Speaker 1: just don't bring that up. Lord as I get you.

3027
03:17:39,480 --> 03:17:43,400
Speaker 1: When I get you, now, what's what's the what's the

3028
03:17:43,520 --> 03:17:51,600
Speaker 1: bigger picture up? Don't do that. We're talk listen, stop

3029
03:17:51,720 --> 03:17:59,760
Speaker 1: doing that to me. Keep you keep because you don't.

3030
03:18:00,080 --> 03:18:01,920
Speaker 1: I don't do that, bro, I mean because you know

3031
03:18:02,000 --> 03:18:07,880
Speaker 1: how wants you're saying, it's the first time. I oh,

3032
03:18:08,120 --> 03:18:11,200
Speaker 1: don't see that. Take a baby, I would ever laugh

3033
03:18:12,360 --> 03:18:15,880
Speaker 1: telling it's beautiful. She gotta be say we just please.

3034
03:18:17,040 --> 03:18:19,280
Speaker 1: This is all that's all tracks. Tracks. You're taking a

3035
03:18:19,320 --> 03:18:20,920
Speaker 1: way to go. I'm playing around most of the ship.

3036
03:18:21,000 --> 03:18:24,160
Speaker 1: I'm playing around. But don't play like that because I'm

3037
03:18:24,200 --> 03:18:29,680
Speaker 1: not playing because you are playing. That's confused. It's still

3038
03:18:32,400 --> 03:18:35,760
Speaker 1: don't take its confus See, I don't know, I don't know,

3039
03:18:35,760 --> 03:18:38,640
Speaker 1: don't know like this wanting none of the table on,

3040
03:18:38,720 --> 03:18:41,160
Speaker 1: tap on my leg, this stick and kicking my want.

3041
03:18:44,800 --> 03:18:49,960
Speaker 1: That's how you're doing this ship. I love you. I

3042
03:18:54,000 --> 03:19:03,400
Speaker 1: try it crazy man. That's how felt like a tour

3043
03:19:03,640 --> 03:19:12,120
Speaker 1: part I just when coming age. Hell yeah, and you know,

3044
03:19:12,800 --> 03:19:15,280
Speaker 1: you know most of the parts. Playing around, but I

3045
03:19:15,360 --> 03:19:17,320
Speaker 1: think about it is what made the greatest, the whole

3046
03:19:17,360 --> 03:19:20,840
Speaker 1: collective for you know, as much as I can say

3047
03:19:22,720 --> 03:19:25,320
Speaker 1: around and I can say, yo, you know what, it

3048
03:19:25,480 --> 03:19:28,520
Speaker 1: wasn't a poem. You know, me and Trash wren't connected.

3049
03:19:29,360 --> 03:19:32,520
Speaker 1: It wasn't trash, Me and Neil weren't connected. It wasn't

3050
03:19:32,600 --> 03:19:38,120
Speaker 1: trash men. Um, Martin wouldn't connected, uh, and then made him,

3051
03:19:38,440 --> 03:19:40,560
Speaker 1: and then Gino felt like even though I would made him,

3052
03:19:40,560 --> 03:19:42,480
Speaker 1: and generally you know what I mean. You know, you

3053
03:19:42,520 --> 03:19:44,720
Speaker 1: know I did it opposite way. And we can say

3054
03:19:44,760 --> 03:19:46,680
Speaker 1: that because we can say that all day long, but

3055
03:19:46,840 --> 03:19:51,240
Speaker 1: it's it's really the collective that made it something special. Um.

3056
03:19:51,879 --> 03:19:53,760
Speaker 1: You know, as I was making the War Report, did

3057
03:19:53,800 --> 03:19:59,280
Speaker 1: I think I was making something special? No? I knew

3058
03:19:59,320 --> 03:20:03,720
Speaker 1: I was making some of that was unique. I didn't

3059
03:20:03,720 --> 03:20:06,040
Speaker 1: know who was gonna stand us at a time. The

3060
03:20:06,360 --> 03:20:12,760
Speaker 1: twenty five years later, I'll be still sitting here totally

3061
03:20:12,879 --> 03:20:19,280
Speaker 1: separate gigs, totally separate world, and be sitting here big

3062
03:20:19,400 --> 03:20:22,800
Speaker 1: in it up to these people, and I'm thankful for that.

3063
03:20:23,360 --> 03:20:26,920
Speaker 1: I'm grateful for it. Is it perfect? No, I think

3064
03:20:26,920 --> 03:20:31,760
Speaker 1: we proved tonight that it's not perfect. I think we

3065
03:20:31,879 --> 03:20:37,200
Speaker 1: proved that. But we got someone who's on the bo

3066
03:20:37,280 --> 03:21:00,560
Speaker 1: Report album. Yeah help us. We've always heard yeah, just

3067
03:21:00,640 --> 03:21:05,760
Speaker 1: fed with up? Everybody with up? What's going on? Piece

3068
03:21:05,800 --> 03:21:09,280
Speaker 1: of godna be else. I'm gonna be honest, um, and

3069
03:21:09,560 --> 03:21:12,760
Speaker 1: I would like you. I ain't sitting him on either, yes, okay,

3070
03:21:15,280 --> 03:21:22,160
Speaker 1: but I'm just now and I was a consumption that

3071
03:21:22,440 --> 03:21:30,640
Speaker 1: as an emphatical now but but just because he's basically

3072
03:21:30,720 --> 03:21:35,080
Speaker 1: god in case, one of the first people to show

3073
03:21:35,200 --> 03:21:41,360
Speaker 1: CNN U outside of vodka. Right, in my opinion, what's

3074
03:21:41,400 --> 03:21:48,840
Speaker 1: bostrack soundtrack studio? Was this sounds soundtracks? Yeah, I was

3075
03:21:48,920 --> 03:21:51,640
Speaker 1: your soundtracks day. He had a wins line. I was

3076
03:21:51,840 --> 03:21:53,880
Speaker 1: you had have red you had red Mind? In the

3077
03:21:53,959 --> 03:21:56,200
Speaker 1: scream was your soundtrack your red Mind? And man, I

3078
03:21:56,200 --> 03:21:58,800
Speaker 1: remember I was living in sound tracks at the back

3079
03:21:59,200 --> 03:22:07,000
Speaker 1: with CNN was my favorite. Okay, the first rapine wasn't

3080
03:22:07,120 --> 03:22:11,360
Speaker 1: wrack you had red Wine? And that we all because

3081
03:22:11,360 --> 03:22:16,080
Speaker 1: I was hating that really chicken, I was just being

3082
03:22:16,160 --> 03:22:25,760
Speaker 1: introduced to some flying Remember that's all. That driver's seat

3083
03:22:25,840 --> 03:22:33,120
Speaker 1: was done in soundtrack. It was what you do Now

3084
03:22:33,200 --> 03:22:36,360
Speaker 1: that's a unique to one on a street. Of course,

3085
03:22:36,400 --> 03:22:39,240
Speaker 1: from from that, when you like that definitely wasn't soundtrack, No,

3086
03:22:39,720 --> 03:22:49,640
Speaker 1: definitely soundtrack track. When I felt in love, when I

3087
03:22:49,800 --> 03:22:54,120
Speaker 1: was expressing how much I loved that album, I was

3088
03:22:54,200 --> 03:22:56,880
Speaker 1: living in soundtrack. That was already afterwards, me and Marv

3089
03:22:57,080 --> 03:23:00,360
Speaker 1: was actually living in soundtrack. So that's a were not

3090
03:23:00,480 --> 03:23:03,440
Speaker 1: We're not sound Yeah, that's the only stud I went

3091
03:23:03,520 --> 03:23:07,600
Speaker 1: for that remember, making no mistake with that. I remember

3092
03:23:07,720 --> 03:23:10,800
Speaker 1: my first four solo albums in that studio and tried

3093
03:23:10,879 --> 03:23:12,360
Speaker 1: to do some of the fifth one in there. But

3094
03:23:12,440 --> 03:23:14,680
Speaker 1: then they started to change the doing more movie scoring

3095
03:23:14,720 --> 03:23:18,800
Speaker 1: television ship, and they wasn't facilitating for you know, regular album,

3096
03:23:18,840 --> 03:23:23,360
Speaker 1: honest recording ship. They business started to get they would

3097
03:23:23,360 --> 03:23:27,400
Speaker 1: generate more revenue from television and movie scoring. Time was changing.

3098
03:23:28,680 --> 03:23:33,840
Speaker 1: But when we did Driver Seat, Norman told me what

3099
03:23:33,920 --> 03:23:36,560
Speaker 1: studio to come to. I don't remember the studio fight

3100
03:23:36,640 --> 03:23:46,240
Speaker 1: them out right, but you guys remember, But how did

3101
03:23:46,280 --> 03:23:49,480
Speaker 1: you guys meet? Though? Before that, I don't recall what

3102
03:23:49,600 --> 03:23:53,680
Speaker 1: the exact date was. I just knew, and I don't

3103
03:23:53,680 --> 03:24:01,560
Speaker 1: recall how I just knew Teal when that record was

3104
03:24:01,680 --> 03:24:05,320
Speaker 1: fucking me up. And the fact that Poem was in

3105
03:24:05,480 --> 03:24:09,440
Speaker 1: jail and had such a presence on the album. I

3106
03:24:09,480 --> 03:24:14,840
Speaker 1: ain't never seen that before, and the phone calls from

3107
03:24:14,879 --> 03:24:16,760
Speaker 1: the jail cell on the skits and all of that,

3108
03:24:17,680 --> 03:24:22,240
Speaker 1: that to me was a different type of camaraderie and

3109
03:24:23,320 --> 03:24:27,120
Speaker 1: loyalty and love and it was refreshing and it was

3110
03:24:27,320 --> 03:24:29,760
Speaker 1: it was It was interesting because I was like, yeah,

3111
03:24:31,320 --> 03:24:35,360
Speaker 1: is this allowed? But I was saying, like, could you

3112
03:24:35,440 --> 03:24:40,720
Speaker 1: actually be on the phone from the penut and then

3113
03:24:41,120 --> 03:24:43,600
Speaker 1: the ship is on the record when you know and

3114
03:24:43,680 --> 03:24:47,520
Speaker 1: jail they were called in everything, and I was definitely

3115
03:24:47,560 --> 03:24:51,320
Speaker 1: wondering if there was repercussions for that. I had a

3116
03:24:51,360 --> 03:24:55,160
Speaker 1: lot of questions, but I ain't really worried about anything.

3117
03:24:55,240 --> 03:24:57,000
Speaker 1: That wasn't for me to worry about. If they wasn't

3118
03:24:57,000 --> 03:24:59,160
Speaker 1: worried about it. They was doing whatever they was doing

3119
03:24:59,240 --> 03:25:02,000
Speaker 1: and I was just yeah, spunging it up and I

3120
03:25:02,160 --> 03:25:08,440
Speaker 1: was in love with it. And the way they sounded

3121
03:25:08,520 --> 03:25:13,360
Speaker 1: on these records, it was was weird because all of

3122
03:25:13,400 --> 03:25:16,840
Speaker 1: them sounded like it was similar but with different voice tones.

3123
03:25:18,320 --> 03:25:22,560
Speaker 1: Tragic Pone and Norri had a flow pattern that no

3124
03:25:22,720 --> 03:25:27,080
Speaker 1: one else was doing. It was like it was like

3125
03:25:28,200 --> 03:25:36,080
Speaker 1: this uh see me, see me smarised me, like it

3126
03:25:36,200 --> 03:25:41,440
Speaker 1: was this real like ship it was. It was. It

3127
03:25:41,600 --> 03:25:46,119
Speaker 1: was like it was like the Snarley, I don't give

3128
03:25:46,160 --> 03:25:52,840
Speaker 1: a fuck. I'm super criminal and I'm super unpolished to

3129
03:25:53,040 --> 03:25:58,720
Speaker 1: what politically correct ship was and We're still active enough

3130
03:25:58,760 --> 03:26:03,520
Speaker 1: to go back to jail. That's what they felt like, literally,

3131
03:26:04,280 --> 03:26:14,560
Speaker 1: and that album made me call Chris and say, that's

3132
03:26:14,600 --> 03:26:17,600
Speaker 1: the album that made me call Chris and say, nigger,

3133
03:26:19,120 --> 03:26:21,360
Speaker 1: if you don't sign them and make sure that they're

3134
03:26:21,360 --> 03:26:24,520
Speaker 1: on our team, I am going to be very angry

3135
03:26:24,560 --> 03:26:30,920
Speaker 1: at you. I called Chris and harassed him about snatching

3136
03:26:31,000 --> 03:26:34,080
Speaker 1: him up to be with Violator because Violator was the

3137
03:26:34,120 --> 03:26:37,800
Speaker 1: strongest team at the time, and Chris and him was

3138
03:26:37,840 --> 03:26:40,360
Speaker 1: already doing such a great job at getting me elite

3139
03:26:40,440 --> 03:26:43,040
Speaker 1: niggers to be a part of the team, and the

3140
03:26:43,160 --> 03:26:46,960
Speaker 1: more and more that the team got the greats at

3141
03:26:47,040 --> 03:26:50,480
Speaker 1: the time, the volkon of us coming together just looked

3142
03:26:50,520 --> 03:26:53,640
Speaker 1: super strong, and I just wanted to make sure that

3143
03:26:54,280 --> 03:26:57,040
Speaker 1: our team was the strongest, just coming from being a

3144
03:26:57,120 --> 03:27:00,200
Speaker 1: team player. I was always a part of groups, so,

3145
03:27:00,720 --> 03:27:03,439
Speaker 1: you know, leaders and then Flip Moan and then Violated,

3146
03:27:03,480 --> 03:27:05,880
Speaker 1: I'm like, Nick, I just want my team strong as

3147
03:27:05,920 --> 03:27:09,200
Speaker 1: a momfuck all the time. Whatever team I'm with, they

3148
03:27:09,240 --> 03:27:11,560
Speaker 1: gotta be the strongest team, you know what I'm saying.

3149
03:27:11,840 --> 03:27:14,360
Speaker 1: So that was the perspective at the time, and for me,

3150
03:27:15,160 --> 03:27:21,320
Speaker 1: I just was like what they was doing, it was

3151
03:27:21,440 --> 03:27:25,800
Speaker 1: like nobody could work with it and no capacity. I

3152
03:27:25,879 --> 03:27:30,879
Speaker 1: think I said, put a bogeye out in your face,

3153
03:27:31,040 --> 03:27:44,200
Speaker 1: astray face that because he kind of said it too,

3154
03:27:44,560 --> 03:27:56,400
Speaker 1: and he's off the No Bullshit DVD man Um being

3155
03:27:56,520 --> 03:28:01,680
Speaker 1: speaking Bill, Bill, you know what it was for me?

3156
03:28:02,320 --> 03:28:04,000
Speaker 1: It was like, you know a lot of dudes is

3157
03:28:04,080 --> 03:28:07,920
Speaker 1: popping and everybody we went to they didn't no way

3158
03:28:07,920 --> 03:28:13,560
Speaker 1: to support the movement. But she was popping. Smart than

3159
03:28:16,040 --> 03:28:17,520
Speaker 1: you know what I think because you just said it

3160
03:28:17,840 --> 03:28:20,400
Speaker 1: right there. But I didn't know all that about Chris

3161
03:28:21,080 --> 03:28:25,039
Speaker 1: was smart because you saw the future coming, no question

3162
03:28:25,160 --> 03:28:27,600
Speaker 1: you didn't. You could not be left out. Nah, And

3163
03:28:27,720 --> 03:28:31,920
Speaker 1: I couldn't believe it. I couldn't believe this, this talk

3164
03:28:32,640 --> 03:28:34,920
Speaker 1: and the way that the talk, the talk and the

3165
03:28:35,080 --> 03:28:39,160
Speaker 1: way that Queen's Bridge and left frac Ship. I'm not

3166
03:28:39,240 --> 03:28:43,480
Speaker 1: even I didn't understand why they was talking like that.

3167
03:28:45,480 --> 03:28:48,760
Speaker 1: It wasn't saying nothing that wasn't super different from what

3168
03:28:48,920 --> 03:28:51,600
Speaker 1: any of us were saying. It was how they were

3169
03:28:51,720 --> 03:28:57,560
Speaker 1: saying it. Everything had like this, Every ball had like

3170
03:28:59,200 --> 03:29:03,000
Speaker 1: it was like down word it went downward as the

3171
03:29:03,120 --> 03:29:09,160
Speaker 1: end of the back. It was like it was like yization.

3172
03:29:10,280 --> 03:29:13,119
Speaker 1: It was it was like like it's perspective not yo.

3173
03:29:14,760 --> 03:29:17,760
Speaker 1: It was so now. It was just like why these

3174
03:29:17,800 --> 03:29:24,320
Speaker 1: niggas just talking like this and then you change, get

3175
03:29:24,400 --> 03:29:28,680
Speaker 1: you away. It's like everything went from here to here

3176
03:29:34,720 --> 03:29:54,520
Speaker 1: mind nig trashed in on me like this when I

3177
03:29:54,640 --> 03:29:57,760
Speaker 1: was when I when I heard, I was like before sun,

3178
03:29:57,920 --> 03:29:59,680
Speaker 1: I was like, this is I heard the same ship

3179
03:29:59,760 --> 03:30:02,000
Speaker 1: you heard with that energy whatever it was, I was

3180
03:30:02,040 --> 03:30:08,520
Speaker 1: like it was but she was doing it too, soar Flowers,

3181
03:30:08,560 --> 03:30:10,360
Speaker 1: because let me just be clear. Let me just be clear.

3182
03:30:10,879 --> 03:30:16,440
Speaker 1: When that happened underground, I would hear people talk about us.

3183
03:30:16,480 --> 03:30:19,000
Speaker 1: I would hear people talk about our movement. No one

3184
03:30:19,160 --> 03:30:24,280
Speaker 1: publicly ever coastack Yeah, no one public. You know it's

3185
03:30:24,320 --> 03:30:27,680
Speaker 1: not let me say that, you can't hurt it. Yeah,

3186
03:30:27,760 --> 03:30:33,560
Speaker 1: that's what hurt is official Coast Listen what I was

3187
03:30:33,600 --> 03:30:36,959
Speaker 1: gonna say that's would hurt it because I'm not gonna

3188
03:30:37,000 --> 03:30:39,640
Speaker 1: sit here. I'm not gonna sit here. I'm not hitting

3189
03:30:39,720 --> 03:30:44,240
Speaker 1: down nobody. Don't down me. I'm not don't see it.

3190
03:30:44,520 --> 03:30:48,160
Speaker 1: I'm not know what I'm saying. I'm not gonna say it.

3191
03:30:48,760 --> 03:30:54,840
Speaker 1: Everybody I approached, I'm not gonna I'm not gonna say everybody.

3192
03:30:56,280 --> 03:31:00,480
Speaker 1: I'm not gonna say everybody approached that. But I closed

3193
03:31:00,520 --> 03:31:06,000
Speaker 1: doors was love. But in the public. You gotta understand

3194
03:31:06,120 --> 03:31:09,000
Speaker 1: something though about our city, right, which is an unfortunate

3195
03:31:09,120 --> 03:31:16,800
Speaker 1: reality about our city when she evolved from the public

3196
03:31:16,959 --> 03:31:20,000
Speaker 1: enemies and the llls and the run d m c s.

3197
03:31:20,480 --> 03:31:23,960
Speaker 1: You gotta remember them niggas didn't have clicks and they

3198
03:31:24,080 --> 03:31:27,000
Speaker 1: wasn't They just was trying to be the dopest niggers

3199
03:31:27,080 --> 03:31:29,240
Speaker 1: to contribute to hip hop in a significant way. But

3200
03:31:30,800 --> 03:31:34,199
Speaker 1: this is what I'm saying. See that change brought about

3201
03:31:34,280 --> 03:31:37,360
Speaker 1: two things, the blessing of putting new artists on and

3202
03:31:37,480 --> 03:31:42,760
Speaker 1: breaking artists and being an artist to do it. But

3203
03:31:42,879 --> 03:31:46,080
Speaker 1: this is what I'm saying. Let me add on, being

3204
03:31:46,160 --> 03:31:48,320
Speaker 1: an artist to put on an artist and break an

3205
03:31:48,400 --> 03:31:54,040
Speaker 1: artist was a new thing, right, you help champion that.

3206
03:31:54,680 --> 03:31:57,760
Speaker 1: What I'm saying is what also started to happen in

3207
03:31:57,840 --> 03:32:04,840
Speaker 1: the process is code of ethics change. So now you

3208
03:32:04,959 --> 03:32:10,280
Speaker 1: got artists putting on artists and it becoming a challenge

3209
03:32:10,360 --> 03:32:15,039
Speaker 1: between the artists because you're not just an executive, you're

3210
03:32:15,040 --> 03:32:20,320
Speaker 1: an artist too. It's difficult, It's very difficult because it's different.

3211
03:32:20,480 --> 03:32:24,440
Speaker 1: Fact a lot of artists that's trying to be artists. Still,

3212
03:32:24,760 --> 03:32:31,920
Speaker 1: while you can competitiveness, you can't the competitive nature of

3213
03:32:32,080 --> 03:32:35,240
Speaker 1: New York Motherfucker's in particularly, I mean it's everywhere, but

3214
03:32:35,320 --> 03:32:41,200
Speaker 1: in New York, right was also the death of New

3215
03:32:41,280 --> 03:32:44,840
Speaker 1: York still having clicks. New York don't click up the

3216
03:32:44,920 --> 03:32:51,680
Speaker 1: way everybody it's now. You know, if I signed, if

3217
03:32:51,720 --> 03:32:53,640
Speaker 1: I ain't helping you, if you ain't signed to me,

3218
03:32:54,760 --> 03:32:58,959
Speaker 1: that's what it became. So it's like, if I can't

3219
03:32:59,000 --> 03:33:01,960
Speaker 1: profit from you, blow up. I'm not. I ain't fucking

3220
03:33:02,040 --> 03:33:05,000
Speaker 1: with you, when that's not the way it's supposed to be.

3221
03:33:06,120 --> 03:33:09,480
Speaker 1: If we the city, rep the city and not even

3222
03:33:09,680 --> 03:33:12,879
Speaker 1: the city, just rep was dope because you ain't gotta

3223
03:33:12,920 --> 03:33:16,000
Speaker 1: even be from the city, The rep was dope. O

3224
03:33:16,160 --> 03:33:19,160
Speaker 1: T Genesis ain't from New York, but he was dope

3225
03:33:19,200 --> 03:33:22,720
Speaker 1: to me. Rock did get a from New York. She's

3226
03:33:22,760 --> 03:33:27,240
Speaker 1: from Jersey. She's incredible. To me, I don't give a

3227
03:33:27,360 --> 03:33:29,959
Speaker 1: funk were you from because the way I was raised

3228
03:33:30,440 --> 03:33:33,000
Speaker 1: was the goal at the end of the day, was

3229
03:33:33,080 --> 03:33:35,280
Speaker 1: to make sure that our contribution to the culture was

3230
03:33:35,320 --> 03:33:41,360
Speaker 1: a significant one. So contribute, keep doing your job to

3231
03:33:41,520 --> 03:33:45,160
Speaker 1: advance and push the culture forward. Get your emotions and

3232
03:33:45,200 --> 03:33:47,760
Speaker 1: your ego out the way. The greatest niggas that were

3233
03:33:47,879 --> 03:33:52,240
Speaker 1: artists that became executives, and I used this one motherfucker

3234
03:33:52,280 --> 03:33:57,560
Speaker 1: as an example. It's dre because he was an artist,

3235
03:33:58,760 --> 03:34:04,440
Speaker 1: but Dre had no problem making sure he broke every

3236
03:34:04,520 --> 03:34:12,000
Speaker 1: nigga from the first album Snoop, Game five, Eminem. He

3237
03:34:12,400 --> 03:34:14,640
Speaker 1: he may not even work on any more albums after

3238
03:34:14,680 --> 03:34:17,400
Speaker 1: the first one, but he'll make sure that first ship

3239
03:34:17,640 --> 03:34:20,879
Speaker 1: is so phenomenal you don't even need to call them

3240
03:34:20,920 --> 03:34:24,880
Speaker 1: no more. And the crazy ship is the crazy ship

3241
03:34:25,040 --> 03:34:28,920
Speaker 1: is he does it so consistently that he could put

3242
03:34:28,959 --> 03:34:33,080
Speaker 1: out one album every twenty years, that's the fact. And

3243
03:34:33,200 --> 03:34:36,360
Speaker 1: at the end of the day, making such a stellar

3244
03:34:36,440 --> 03:34:41,200
Speaker 1: success and such a significant contribution to the culture that

3245
03:34:41,440 --> 03:34:44,520
Speaker 1: is comfortable with not even trying to compete. He's so

3246
03:34:44,680 --> 03:34:48,360
Speaker 1: relevant without it, and it's bols up looks bigger than

3247
03:34:48,440 --> 03:34:51,640
Speaker 1: everyone's and his bag still ends up being bigger than everyone's.

3248
03:34:51,920 --> 03:34:55,440
Speaker 1: Not because he's robbing anybody, because he's not. He's out

3249
03:34:55,480 --> 03:34:57,760
Speaker 1: the way he after the first one. So whatever you

3250
03:34:57,879 --> 03:35:01,680
Speaker 1: do with whoever else that way that pockets sliced up

3251
03:35:01,879 --> 03:35:05,840
Speaker 1: was between you and them. He ain't even involved. But

3252
03:35:06,040 --> 03:35:08,520
Speaker 1: you you know, he's still you know the label that

3253
03:35:08,879 --> 03:35:13,240
Speaker 1: is you're signed to. Yeah, whatever amount of albums that

3254
03:35:13,440 --> 03:35:15,440
Speaker 1: gotta come out after that, that's still after math. He

3255
03:35:15,520 --> 03:35:19,160
Speaker 1: get his cut because he's a part of that deal structure,

3256
03:35:19,520 --> 03:35:22,080
Speaker 1: but you still make all your decisions that you want.

3257
03:35:22,600 --> 03:35:26,480
Speaker 1: And he said, like this, but but but but with

3258
03:35:26,680 --> 03:35:31,120
Speaker 1: that being said, it didn't matter if it was Eminem

3259
03:35:31,160 --> 03:35:35,320
Speaker 1: from Detroit, Game from l A Fifth from New York,

3260
03:35:36,280 --> 03:35:40,880
Speaker 1: Kendrick from l A Bus Rhymes from New York, Mary J.

3261
03:35:41,040 --> 03:35:44,240
Speaker 1: Blige from New York that didn't come out, so that

3262
03:35:45,640 --> 03:35:48,200
Speaker 1: we talked him out. The ship that came out, you know,

3263
03:35:50,640 --> 03:35:55,039
Speaker 1: he delivered because of what was dope and it wasn't

3264
03:35:55,040 --> 03:35:58,200
Speaker 1: about Nigga. I ain't helping you if you ain't signed

3265
03:35:58,240 --> 03:36:03,560
Speaker 1: to me, And that's what's important. A lot of these

3266
03:36:03,600 --> 03:36:05,959
Speaker 1: other cities you don't even know how to be signed

3267
03:36:06,000 --> 03:36:10,279
Speaker 1: to each other, but they will rhyme on five albums

3268
03:36:10,720 --> 03:36:13,400
Speaker 1: of different projects with each other to make sure they

3269
03:36:13,560 --> 03:36:19,920
Speaker 1: keep each other up motherfucking right and jumping every video

3270
03:36:21,680 --> 03:36:25,520
Speaker 1: and pull up to each other's shows and go to

3271
03:36:25,640 --> 03:36:29,879
Speaker 1: the fashion shows together and they'll go to the each

3272
03:36:29,879 --> 03:36:33,000
Speaker 1: other crab and it's it's beautiful to see that. And

3273
03:36:33,120 --> 03:36:37,080
Speaker 1: that's the ship New York mission. Now there's a lot

3274
03:36:37,160 --> 03:36:39,160
Speaker 1: of the newer motherfucker's that's doing that, and I'm glad

3275
03:36:39,160 --> 03:36:42,360
Speaker 1: it's getting back to that. But fit like the crew

3276
03:36:42,560 --> 03:36:46,400
Speaker 1: I love lift fit Nigger. Let's shout Davy, shout Joe, shout,

3277
03:36:48,800 --> 03:36:51,840
Speaker 1: funk you me. And they're showing with that camaraderie and

3278
03:36:51,959 --> 03:36:55,200
Speaker 1: that coming together to form a new voltron is about

3279
03:36:55,280 --> 03:36:58,320
Speaker 1: in the current time and space. And it's important to

3280
03:36:58,400 --> 03:37:00,600
Speaker 1: see that. You know what I'm saying. And I love

3281
03:37:01,280 --> 03:37:04,400
Speaker 1: you know, Fabio moving and shaking the way he moved

3282
03:37:04,400 --> 03:37:06,600
Speaker 1: when I loved. I have to show it over there

3283
03:37:06,720 --> 03:37:10,480
Speaker 1: or six times straight I pulled up to that. You say,

3284
03:37:10,520 --> 03:37:12,880
Speaker 1: you're not drinking, but we do know you just celebrated

3285
03:37:12,920 --> 03:37:22,080
Speaker 1: your birthdays. A little thank you man. They get a

3286
03:37:22,160 --> 03:37:26,160
Speaker 1: chance to build with the last time rest peace bis services. Yeah, yeah,

3287
03:37:26,480 --> 03:37:30,080
Speaker 1: last time. I ain't really bear with you because yeah

3288
03:37:30,120 --> 03:37:32,040
Speaker 1: you us with scritch and look how many with a

3289
03:37:32,160 --> 03:37:36,720
Speaker 1: launched since bisch rest in peace because you know I'm

3290
03:37:36,760 --> 03:37:40,520
Speaker 1: having about cooking the government and just it's not it

3291
03:37:40,560 --> 03:37:42,920
Speaker 1: shouldn't be all about the money, especially if you're getting

3292
03:37:42,920 --> 03:37:44,960
Speaker 1: the coming. No no, no, no, no no no, no

3293
03:37:45,360 --> 03:37:47,640
Speaker 1: wait on wait, it's something. I love it. That's what

3294
03:37:47,720 --> 03:37:51,080
Speaker 1: I'm saying. This is what I'm saying. I'm gonna listen

3295
03:37:51,280 --> 03:37:54,600
Speaker 1: so late the bag by all means way so to

3296
03:37:54,680 --> 03:37:56,959
Speaker 1: late the bag by all means, but also the back

3297
03:37:57,040 --> 03:38:00,200
Speaker 1: come when when they see the value in the clean

3298
03:38:00,600 --> 03:38:03,680
Speaker 1: of unity. Some tithing to bagg is not just a dollar,

3299
03:38:04,080 --> 03:38:06,280
Speaker 1: but the bagg is a unity, and it shows a

3300
03:38:06,360 --> 03:38:10,000
Speaker 1: greater false that I'm bringing that dollar. Listen, you eat,

3301
03:38:10,040 --> 03:38:14,000
Speaker 1: it's clear you're eating right now. And let's put this

3302
03:38:14,200 --> 03:38:19,160
Speaker 1: and compare with other cities like I'll see them. Ali,

3303
03:38:19,240 --> 03:38:21,480
Speaker 1: you put an artist on the com up like you

3304
03:38:21,720 --> 03:38:26,880
Speaker 1: did twenty five small years ago. Look, that's small and

3305
03:38:26,959 --> 03:38:29,960
Speaker 1: it's times. I made that mistake. I'm gonna keep you

3306
03:38:30,000 --> 03:38:32,959
Speaker 1: greenberry this time. I made that. I made that mistake,

3307
03:38:33,000 --> 03:38:37,240
Speaker 1: good prodigy. I made that mistake with fifty you know,

3308
03:38:37,800 --> 03:38:41,400
Speaker 1: just being fixated on my way of seeing things. But

3309
03:38:41,560 --> 03:38:45,879
Speaker 1: that's very important to see tomorrow because where you're at

3310
03:38:45,959 --> 03:38:50,160
Speaker 1: today could change tomorrow. And that's the artifact. And aside

3311
03:38:50,240 --> 03:38:52,880
Speaker 1: from that, not out of fear, but no, man, the

3312
03:38:53,080 --> 03:38:57,240
Speaker 1: culture is amazing. This ship save your life, all of

3313
03:38:57,400 --> 03:39:04,400
Speaker 1: us exactly to save my life. Should know that fact.

3314
03:39:04,920 --> 03:39:06,840
Speaker 1: It's saved your life. I know it for a fact.

3315
03:39:07,360 --> 03:39:11,800
Speaker 1: We gotta support those if we feel them, but let's

3316
03:39:11,879 --> 03:39:15,080
Speaker 1: not not feel them because they're not signed us and

3317
03:39:15,120 --> 03:39:22,080
Speaker 1: we're not automatic. But let's question, don't pointing about the

3318
03:39:22,120 --> 03:39:25,720
Speaker 1: bag that I'm talking about, right, is that it's important.

3319
03:39:26,959 --> 03:39:30,040
Speaker 1: And as I get to these different times in my

3320
03:39:30,800 --> 03:39:35,600
Speaker 1: way of thinking, as I continue to grow, I realized

3321
03:39:35,640 --> 03:39:40,960
Speaker 1: that that ship is also used against us our love

3322
03:39:41,040 --> 03:39:43,360
Speaker 1: and our passion and just doing ship because we feel it.

3323
03:39:45,800 --> 03:39:49,879
Speaker 1: N I realized something a long time ago. Our feeling

3324
03:39:51,120 --> 03:39:54,280
Speaker 1: and our love is the most valuable ship in existence,

3325
03:39:55,280 --> 03:39:57,280
Speaker 1: and the only reason why it is even revenue to

3326
03:39:57,320 --> 03:39:59,760
Speaker 1: be generated is because of our love and our passion.

3327
03:40:00,680 --> 03:40:03,640
Speaker 1: And these niggers always been profited and capitalizing off of it.

3328
03:40:04,280 --> 03:40:07,680
Speaker 1: And we'll be the last ones to profit and capitalize

3329
03:40:07,720 --> 03:40:10,800
Speaker 1: in the same way if we ever do. And that's

3330
03:40:10,840 --> 03:40:13,280
Speaker 1: a that's a valid point, that's making. That's what I'm saying.

3331
03:40:13,320 --> 03:40:15,720
Speaker 1: Are you gotta get you gotta get paid for your value,

3332
03:40:15,720 --> 03:40:18,240
Speaker 1: You gotta get paid for your test. Everything I'm gonna

3333
03:40:18,240 --> 03:40:24,920
Speaker 1: get you. I'm gonna get you a perfect example. It

3334
03:40:25,000 --> 03:40:28,080
Speaker 1: ain't nothing to do something as a slap ain't nothing.

3335
03:40:28,800 --> 03:40:31,879
Speaker 1: And on the slop with the artists, right, you know, brother,

3336
03:40:31,959 --> 03:40:33,400
Speaker 1: pull up, be like yo, let me get a verse

3337
03:40:33,920 --> 03:40:36,160
Speaker 1: and you funk with that motherfucker and they hot too,

3338
03:40:36,240 --> 03:40:39,279
Speaker 1: and give me a version return. Cool, We don't exchange

3339
03:40:39,320 --> 03:40:44,959
Speaker 1: no bread, right, the equal values in the sense I'm

3340
03:40:45,000 --> 03:40:49,680
Speaker 1: about to make the point that point, so we do

3341
03:40:49,840 --> 03:40:52,520
Speaker 1: this because we love each other. Right, But then this

3342
03:40:52,720 --> 03:40:58,280
Speaker 1: love appreciated by everybody that is getting the money, right,

3343
03:40:58,440 --> 03:41:00,720
Speaker 1: they don't give a funk about that. What they actually

3344
03:41:00,800 --> 03:41:04,720
Speaker 1: give a funk about is how they're able to monitor

3345
03:41:05,400 --> 03:41:12,480
Speaker 1: and monetize and exploit that love because with all of

3346
03:41:12,560 --> 03:41:16,400
Speaker 1: that love, that's gonna benefit everybody else. The niggas are

3347
03:41:16,400 --> 03:41:18,200
Speaker 1: still looking at you and say, all right, well, this

3348
03:41:18,400 --> 03:41:21,400
Speaker 1: is the deal structure you got with us, and based

3349
03:41:21,440 --> 03:41:25,680
Speaker 1: on your expenditures here, no matter how much that's generated

3350
03:41:25,720 --> 03:41:31,040
Speaker 1: as a revenue under this deal structure, and don't matter

3351
03:41:31,080 --> 03:41:34,040
Speaker 1: how many records are sold based on what you might

3352
03:41:34,120 --> 03:41:36,920
Speaker 1: have did as a deal, based on what you might

3353
03:41:37,000 --> 03:41:41,800
Speaker 1: have agreed to signing do, you still might not make

3354
03:41:41,879 --> 03:41:44,760
Speaker 1: no money. So so so what I'm saying to you

3355
03:41:45,000 --> 03:41:48,279
Speaker 1: is that's the only part that gotta start getting changed,

3356
03:41:48,600 --> 03:41:50,959
Speaker 1: especially because I think that that value that we think

3357
03:41:51,000 --> 03:41:54,960
Speaker 1: of love like we undervalue in ourselves, that value of

3358
03:41:55,080 --> 03:41:58,120
Speaker 1: love is not the monitor you know, like where we

3359
03:41:58,160 --> 03:42:02,280
Speaker 1: should be getting, but it is, but it is. It's

3360
03:42:02,360 --> 03:42:07,120
Speaker 1: the source of the monetary problem. We ain't doing what

3361
03:42:07,200 --> 03:42:09,840
Speaker 1: we're supposed to do to make sure that we're the

3362
03:42:10,000 --> 03:42:17,240
Speaker 1: benefactors as the source recipients. We're not the post that

3363
03:42:17,360 --> 03:42:20,440
Speaker 1: we ain't post to be the last one to laugh

3364
03:42:20,480 --> 03:42:23,640
Speaker 1: to the bank. If you even get a chance to giggle,

3365
03:42:24,520 --> 03:42:27,920
Speaker 1: let alone laugh to the bank, nigger. That's all I'm saying.

3366
03:42:28,720 --> 03:42:32,040
Speaker 1: If I'm coming in here with this brilliant creation and

3367
03:42:32,160 --> 03:42:34,360
Speaker 1: I'm sharing it with somebody that I love, and they're

3368
03:42:34,400 --> 03:42:39,960
Speaker 1: sharing that ship with me, we're supposed to be the

3369
03:42:40,120 --> 03:42:43,120
Speaker 1: first ones to last, and we're supposed to be able

3370
03:42:43,120 --> 03:42:46,480
Speaker 1: to allocate who else laughs based on not with discretion,

3371
03:42:46,680 --> 03:42:49,280
Speaker 1: so we lived. Wait wait, that's deep. If we came

3372
03:42:49,360 --> 03:42:53,680
Speaker 1: in right with that, then the people we're sharing it with,

3373
03:42:54,959 --> 03:42:58,120
Speaker 1: if then that's reciprocating that, then what is it? What

3374
03:42:58,280 --> 03:43:00,880
Speaker 1: I'm saying is it needs to change age based on

3375
03:43:00,959 --> 03:43:03,760
Speaker 1: the way it's been. The way it's been is that

3376
03:43:05,160 --> 03:43:10,040
Speaker 1: I just won continuing to be that after all of

3377
03:43:10,080 --> 03:43:14,720
Speaker 1: this time and then ain't changing. Something's wrong, And who

3378
03:43:14,920 --> 03:43:16,840
Speaker 1: is the fault of that wrong? It got to be

3379
03:43:16,959 --> 03:43:20,360
Speaker 1: you at this point, because what I'm saying to myself is,

3380
03:43:20,959 --> 03:43:24,840
Speaker 1: you know, as I'm celebrating this, this new cycle amount

3381
03:43:24,879 --> 03:43:27,560
Speaker 1: of son I'm like, damn, you know, my mother would

3382
03:43:27,560 --> 03:43:33,400
Speaker 1: be like your bust. You've been around, Yeah, you know

3383
03:43:33,480 --> 03:43:37,720
Speaker 1: what the beautiful thing is of being around? How dangerous

3384
03:43:37,800 --> 03:43:41,640
Speaker 1: I am now because I ain't learning as I go

3385
03:43:41,760 --> 03:43:46,480
Speaker 1: along no more. I'm mastered this ship as I was

3386
03:43:46,560 --> 03:43:48,800
Speaker 1: going along. So now that ship that I'm gonna apply,

3387
03:43:49,959 --> 03:43:53,440
Speaker 1: it's gonna sting a little differently when I apply it

3388
03:43:53,560 --> 03:43:56,039
Speaker 1: now because I'm the fucking me I get this ship.

3389
03:43:56,800 --> 03:44:01,960
Speaker 1: I ain't Daniel San no more. Next So so so

3390
03:44:02,120 --> 03:44:04,360
Speaker 1: that's the beauty of what I'm getting ready to do,

3391
03:44:05,959 --> 03:44:10,000
Speaker 1: live my best life and apply it. It's like the

3392
03:44:10,120 --> 03:44:13,880
Speaker 1: gods when they say knowledge, wisdom, and understanding. You Knowledge

3393
03:44:13,959 --> 03:44:17,080
Speaker 1: is to look with listening observed. Wisdom is to speak wild.

3394
03:44:17,160 --> 03:44:19,680
Speaker 1: The understanding is a reflection of knowledge and wisdom. And

3395
03:44:19,800 --> 03:44:22,760
Speaker 1: it's the best part. Right wise, understanding the best part.

3396
03:44:22,920 --> 03:44:28,720
Speaker 1: It's the absence of confusion pass a peace. Understanding is

3397
03:44:28,760 --> 03:44:32,240
Speaker 1: the absence of confusion because it brings about peace. Of course,

3398
03:44:32,280 --> 03:44:34,600
Speaker 1: you can't have understanding without the peace. You can't have.

3399
03:44:35,120 --> 03:44:38,160
Speaker 1: You can't have peace without understanding. So this is what

3400
03:44:38,240 --> 03:44:41,960
Speaker 1: I'm saying. When you understand, that's when you live in

3401
03:44:42,040 --> 03:44:46,160
Speaker 1: your most peaceful space. That's when you're your happiest. That's

3402
03:44:46,200 --> 03:44:50,520
Speaker 1: when you're the most potential threat because the motherfucker now

3403
03:44:50,640 --> 03:44:55,720
Speaker 1: no part of me, Almighty, the motherfucker Now, No, we

3404
03:44:55,800 --> 03:44:57,920
Speaker 1: ain't really able to fool list nigger the way we

3405
03:44:58,040 --> 03:45:01,160
Speaker 1: used to. We ain't a able to take advantage of

3406
03:45:01,240 --> 03:45:04,800
Speaker 1: the small funcker the way we used to. Sometimes that's

3407
03:45:04,840 --> 03:45:09,800
Speaker 1: a beautiful thing, because motherfucker's respect that will find the

3408
03:45:09,920 --> 03:45:12,920
Speaker 1: experience actually that much more pleasurable as long as they

3409
03:45:13,000 --> 03:45:17,600
Speaker 1: come around respecting that ship that they know they shouldn't

3410
03:45:17,640 --> 03:45:19,480
Speaker 1: play with the way they used to when we didn't

3411
03:45:19,520 --> 03:45:23,160
Speaker 1: know better. So now that they know, you know, just

3412
03:45:23,320 --> 03:45:25,080
Speaker 1: come to me and let's do this thing that we're

3413
03:45:25,080 --> 03:45:27,440
Speaker 1: supposed to do the light way. See, the only time

3414
03:45:27,480 --> 03:45:29,240
Speaker 1: it's gonna be a problem is if you know that

3415
03:45:29,360 --> 03:45:32,800
Speaker 1: I know the funky way is something you shouldn't do.

3416
03:45:32,959 --> 03:45:34,760
Speaker 1: But you try to bring the funk wey way around

3417
03:45:34,800 --> 03:45:37,640
Speaker 1: me anyway, that's when it's wrong because now you're insulting

3418
03:45:37,680 --> 03:45:42,360
Speaker 1: the intelligence, and you're insulting what you know. Even before

3419
03:45:42,440 --> 03:45:49,080
Speaker 1: you chose to bring the funkery around, had the opportunity

3420
03:45:49,160 --> 03:45:52,320
Speaker 1: to say to yourself, I'm not gonna bring the funky,

3421
03:45:52,800 --> 03:45:56,440
Speaker 1: but disregarded that and still brought the fun cry. Now

3422
03:45:57,560 --> 03:46:00,880
Speaker 1: there's a problem. It's a different kind of accountability because

3423
03:46:00,920 --> 03:46:04,640
Speaker 1: see again, if we're gonna deal with the degree justice,

3424
03:46:05,200 --> 03:46:07,440
Speaker 1: which is the tenth degree and it's a premuphabet is

3425
03:46:07,520 --> 03:46:10,720
Speaker 1: the reward penalty for one's access it these So you

3426
03:46:10,800 --> 03:46:12,760
Speaker 1: do the right ship, you give awarded for it, you

3427
03:46:12,879 --> 03:46:17,160
Speaker 1: do the function, you get peenule. That's it. Just do

3428
03:46:17,280 --> 03:46:19,800
Speaker 1: what you know is right, especially when you're dealing with me.

3429
03:46:20,360 --> 03:46:22,760
Speaker 1: You're dealing with an normy, you're dealing with a track,

3430
03:46:22,840 --> 03:46:25,400
Speaker 1: you're dealing with a poom. We're celebrating twenty five years

3431
03:46:25,400 --> 03:46:35,200
Speaker 1: of CNN, right. The beauty of this celebration is the

3432
03:46:35,320 --> 03:46:42,280
Speaker 1: motherfucker's you created. CNN learned so much that there's now

3433
03:46:42,320 --> 03:46:48,240
Speaker 1: our drink Champs, right, Yeah, and the drink Champs came

3434
03:46:48,280 --> 03:46:52,680
Speaker 1: about as a result of the function that they got

3435
03:46:52,760 --> 03:47:01,080
Speaker 1: tired of dealing with CNN. You give me a So

3436
03:47:01,640 --> 03:47:05,280
Speaker 1: this is what I'm saying. They are now applying the

3437
03:47:05,560 --> 03:47:10,760
Speaker 1: mastered level of themselves. We need the dummies, that is learning.

3438
03:47:10,800 --> 03:47:12,640
Speaker 1: As we're going alone, we're bumping out my head the

3439
03:47:12,680 --> 03:47:14,920
Speaker 1: same way Nigga one or two of them speaking out

3440
03:47:14,959 --> 03:47:17,560
Speaker 1: still stay different. And even me when I'm tired of

3441
03:47:17,680 --> 03:47:22,720
Speaker 1: hitting my head like this man right, let me stop

3442
03:47:22,800 --> 03:47:24,560
Speaker 1: winning in this brick roll burro when I could dig

3443
03:47:24,640 --> 03:47:28,800
Speaker 1: into that ship climate go around the motherfucker going through

3444
03:47:28,879 --> 03:47:31,720
Speaker 1: this ship hurt though, and I'm tired of that hurt.

3445
03:47:32,080 --> 03:47:47,480
Speaker 1: So let me celebrate and be a drink champ man,

3446
03:47:48,280 --> 03:47:49,800
Speaker 1: you know what I mean. And I'm grateful that I

3447
03:47:49,920 --> 03:47:53,000
Speaker 1: was even able to be a part of becoming a

3448
03:47:53,160 --> 03:47:56,960
Speaker 1: fan of some ship from its inception. Yeall did that

3449
03:47:57,040 --> 03:48:00,240
Speaker 1: ship to me? I caused a whole piece of God.

3450
03:48:00,240 --> 03:48:04,000
Speaker 1: I ain't gonna front. I used to ride around with

3451
03:48:04,200 --> 03:48:08,800
Speaker 1: a few people. I used to play this ship all

3452
03:48:08,840 --> 03:48:14,680
Speaker 1: the time, just to drive. Sometimes we would drive through

3453
03:48:14,760 --> 03:48:19,280
Speaker 1: left racking queensbridges to see if what the funk we

3454
03:48:19,440 --> 03:48:25,480
Speaker 1: was hearing was happening. I'm not gonna front. I'm like,

3455
03:48:25,520 --> 03:48:30,160
Speaker 1: he's flatbush nigger. So ain't no hood too different from

3456
03:48:30,240 --> 03:48:33,600
Speaker 1: the hood that I was raised in. But there's definitely

3457
03:48:33,720 --> 03:48:37,120
Speaker 1: different aesthetics, and the ship I was hearing was a

3458
03:48:37,240 --> 03:48:42,879
Speaker 1: little different, and I wanted to understand why when there's

3459
03:48:42,920 --> 03:48:45,960
Speaker 1: so much sick that we identified with each other hoods

3460
03:48:46,920 --> 03:48:50,199
Speaker 1: and in each otherhoods. What the funk got them sprinkling

3461
03:48:50,240 --> 03:48:54,520
Speaker 1: the salt at this amount differently from how we sprinkle.

3462
03:48:54,560 --> 03:48:59,920
Speaker 1: I was salt and ADOBEO and this pepper they see

3463
03:49:00,040 --> 03:49:03,320
Speaker 1: and they food a little different. But this ship still

3464
03:49:03,440 --> 03:49:05,320
Speaker 1: tastes banging. I'm gonna still pull up to the same

3465
03:49:05,440 --> 03:49:08,400
Speaker 1: yard man spot to get that season and then left

3466
03:49:08,520 --> 03:49:11,360
Speaker 1: rack in Queensbridge because they still got official yard nakers

3467
03:49:11,360 --> 03:49:14,520
Speaker 1: out there, like they're doing Flatbush. They cook up just

3468
03:49:14,680 --> 03:49:18,520
Speaker 1: might be a little different. You know what I'm saying.

3469
03:49:18,560 --> 03:49:20,880
Speaker 1: I want to taste their ship or I'm coming through.

3470
03:49:21,880 --> 03:49:25,840
Speaker 1: And ultimately, man, I didn't get to see nothing that

3471
03:49:25,880 --> 03:49:30,080
Speaker 1: I heard on the records. Maybe I wasn't supposed to exactly,

3472
03:49:30,360 --> 03:49:34,920
Speaker 1: because that was that was It wasn't supposed to lead

3473
03:49:35,120 --> 03:49:37,920
Speaker 1: right there, right but but but but but but with

3474
03:49:38,080 --> 03:49:41,240
Speaker 1: that being said, it made the desire grow that much more.

3475
03:49:41,480 --> 03:49:44,320
Speaker 1: It's like absence makes the heart grow fonder. Right, So

3476
03:49:44,680 --> 03:49:47,000
Speaker 1: the more I couldn't see it was the more that

3477
03:49:47,080 --> 03:49:49,600
Speaker 1: I wanted to see it through the work. So the music,

3478
03:49:49,720 --> 03:49:59,360
Speaker 1: the visuals, the freestyles, That's my point. I wasn't a postman.

3479
03:49:59,400 --> 03:50:01,720
Speaker 1: I wasn't come a dude, I wasn't supposed to come

3480
03:50:01,760 --> 03:50:04,600
Speaker 1: through at the time when the bullshit was happening. It

3481
03:50:04,760 --> 03:50:07,480
Speaker 1: was another plan for me and I needed this beef.

3482
03:50:08,240 --> 03:50:11,560
Speaker 1: I needed to be exempt from the ship now I

3483
03:50:11,600 --> 03:50:16,720
Speaker 1: ain't needed to be in an eye of stone nagger respectfully. Yeah,

3484
03:50:17,080 --> 03:50:20,360
Speaker 1: you know, I'm so so again. Man. Like I said,

3485
03:50:20,360 --> 03:50:22,440
Speaker 1: I ain't sticking around long. I think I'm long winded

3486
03:50:22,480 --> 03:50:34,280
Speaker 1: and not show my block. Everybody say something, you just say,

3487
03:50:34,680 --> 03:50:39,640
Speaker 1: you know, being a part of this legendary you know

3488
03:50:40,440 --> 03:50:43,240
Speaker 1: for twenty five years, which I didn't leaven though. It's

3489
03:50:43,360 --> 03:50:45,520
Speaker 1: twenty five and it's not even until next month. So

3490
03:50:45,600 --> 03:50:54,920
Speaker 1: let's just just just hold one, you know, earliest on,

3491
03:50:55,400 --> 03:50:57,800
Speaker 1: you know, me me, me sitting back and me just

3492
03:50:58,120 --> 03:51:05,640
Speaker 1: just just paying attention to what happened from the outside then,

3493
03:51:06,400 --> 03:51:09,360
Speaker 1: because I know tragic opponent's gonna like till me for

3494
03:51:09,440 --> 03:51:12,320
Speaker 1: this later. But you know, Queen's Bears is a very

3495
03:51:12,400 --> 03:51:16,600
Speaker 1: privileged hood. Although you know they might be privileged, not

3496
03:51:16,640 --> 03:51:19,240
Speaker 1: in a way that you guys think, but they had

3497
03:51:19,320 --> 03:51:25,080
Speaker 1: imp shan they had you know, mally had pretty established

3498
03:51:25,440 --> 03:51:30,280
Speaker 1: not privilege privileges, you know what established like that. I

3499
03:51:30,360 --> 03:51:37,280
Speaker 1: like that a lot of people putting privilege man like, yeah, right, yeah, okay,

3500
03:51:37,480 --> 03:51:42,480
Speaker 1: if you in Manhattan does not constitute Shane Rhymes moll work.

3501
03:51:42,680 --> 03:51:46,080
Speaker 1: But I got to start to say that. They quickly no, no, no, no, no,

3502
03:51:46,240 --> 03:51:52,680
Speaker 1: I got because Molly wasn't privilege. Molly work that constituted

3503
03:51:53,040 --> 03:51:55,800
Speaker 1: ninety percent of hip hop for a certain generation. That's

3504
03:51:55,840 --> 03:51:57,840
Speaker 1: not a privilege. That's work. I just gotta say that.

3505
03:51:58,880 --> 03:52:01,400
Speaker 1: And and difference, you know what I agree, I agree with,

3506
03:52:02,120 --> 03:52:04,120
Speaker 1: But let me just try to make the point that

3507
03:52:04,120 --> 03:52:08,560
Speaker 1: I was trying to make, and you know, sitting there

3508
03:52:08,880 --> 03:52:14,720
Speaker 1: and trying to to uh calculate and put together and

3509
03:52:15,000 --> 03:52:16,560
Speaker 1: let's be clear because I want to I want to

3510
03:52:16,640 --> 03:52:18,680
Speaker 1: want to be very careful what I say right now

3511
03:52:19,200 --> 03:52:23,640
Speaker 1: because the brother mother speak about has passed away. H

3512
03:52:25,240 --> 03:52:30,400
Speaker 1: One thing about Prodigy was he was a product of Queens,

3513
03:52:30,440 --> 03:52:35,000
Speaker 1: but he's also a product of blowing down and a

3514
03:52:35,080 --> 03:52:37,720
Speaker 1: lot of people from you heard Sugar Ones, a lot

3515
03:52:37,760 --> 03:52:41,880
Speaker 1: of people you heard from what was then the Twitter

3516
03:52:42,800 --> 03:52:47,480
Speaker 1: or then the Instagram. People was like he's from and

3517
03:52:47,560 --> 03:52:51,320
Speaker 1: it differentiated him immediately because people were saying, wait a minute,

3518
03:52:51,680 --> 03:52:54,080
Speaker 1: there's some people who say it when queens rid. Then

3519
03:52:54,080 --> 03:52:56,320
Speaker 1: then some people say it from left back. I didn't

3520
03:52:56,600 --> 03:53:01,240
Speaker 1: be that guy, not that what he did was wrong,

3521
03:53:01,400 --> 03:53:03,440
Speaker 1: because I don't I don't know what he's passed away.

3522
03:53:03,520 --> 03:53:05,800
Speaker 1: We can't ask him why he did what he did

3523
03:53:05,880 --> 03:53:08,840
Speaker 1: or what he But I wanted to be different, and

3524
03:53:08,960 --> 03:53:12,280
Speaker 1: I wanted to be I wanted to represent the people

3525
03:53:12,440 --> 03:53:16,000
Speaker 1: who wrot up with me, whether they were proud of

3526
03:53:16,080 --> 03:53:18,000
Speaker 1: me or whether they're like, he's just come back and

3527
03:53:18,040 --> 03:53:21,360
Speaker 1: he's he's ship. I wanted them to still claim that too.

3528
03:53:22,440 --> 03:53:25,040
Speaker 1: So what we did with the War Report was we

3529
03:53:25,240 --> 03:53:29,880
Speaker 1: came in and we said we're gonna un uh. This

3530
03:53:30,000 --> 03:53:35,960
Speaker 1: is my mother, my friend. Nowadays he says we're unapologetically black,

3531
03:53:37,480 --> 03:53:47,000
Speaker 1: But we were unapologizically, unapologetically. We were unapologized. Let me

3532
03:53:47,080 --> 03:53:52,600
Speaker 1: just finishing apologized. We were unapologetically. We were unapologetically to

3533
03:53:52,640 --> 03:53:58,960
Speaker 1: War Report. We actually came together and then with these

3534
03:53:58,960 --> 03:54:01,320
Speaker 1: people that's behind us, means all these brothers that was

3535
03:54:01,360 --> 03:54:04,320
Speaker 1: behind the scenes. That's why y'all here, That's why um

3536
03:54:05,280 --> 03:54:10,360
Speaker 1: y'all understood. Y'all understood this platform, you understood this body

3537
03:54:10,520 --> 03:54:15,040
Speaker 1: of work, and you stood by it. And for that

3538
03:54:15,640 --> 03:54:19,000
Speaker 1: for a person that, like like we were saying earlier,

3539
03:54:19,920 --> 03:54:21,720
Speaker 1: I believe you said. Anybody we said, if you're not

3540
03:54:21,800 --> 03:54:27,080
Speaker 1: signed me didn't fuck you. This is probably the first.

3541
03:54:27,200 --> 03:54:29,720
Speaker 1: This is the first artist, not probably the excuse me,

3542
03:54:29,920 --> 03:54:35,120
Speaker 1: M take that out. This was the first artist that

3543
03:54:35,280 --> 03:54:39,760
Speaker 1: stepped up that I'm working with them. But then let's

3544
03:54:39,800 --> 03:54:43,760
Speaker 1: just be clear, we got accused of some crazy shoot

3545
03:54:43,760 --> 03:54:46,520
Speaker 1: out and said that happen, so that at that point

3546
03:54:47,200 --> 03:54:49,400
Speaker 1: it was exactly the time to say, get the funk

3547
03:54:49,440 --> 03:54:53,840
Speaker 1: away from U. But guess what not not not the

3548
03:54:53,880 --> 03:54:58,920
Speaker 1: country like like for me, and I know how it is.

3549
03:54:59,560 --> 03:55:01,440
Speaker 1: That's why. But you know what, I know the staff

3550
03:55:01,560 --> 03:55:03,640
Speaker 1: of me, you love me, but it stabbing of me

3551
03:55:03,720 --> 03:55:06,480
Speaker 1: because they know what I'm not. I'm not gonna say

3552
03:55:06,480 --> 03:55:09,320
Speaker 1: it was politically correct all the time. And you know what,

3553
03:55:09,520 --> 03:55:14,520
Speaker 1: no one can respect his contribution actually made a contribution

3554
03:55:14,720 --> 03:55:18,360
Speaker 1: to be killing. That's why when he spoke, I didn't

3555
03:55:18,400 --> 03:55:21,240
Speaker 1: really say so much. A lot of people would come

3556
03:55:21,280 --> 03:55:24,880
Speaker 1: on and talk and I may that's my nature. You

3557
03:55:24,920 --> 03:55:27,840
Speaker 1: don't gotta like me, like you said somewhere earlier, I'm

3558
03:55:27,880 --> 03:55:31,800
Speaker 1: not here to be liked. I'm not. I'm not here

3559
03:55:31,840 --> 03:55:33,840
Speaker 1: to be like. I figured that out a long time ago.

3560
03:55:34,680 --> 03:55:37,440
Speaker 1: But when he spoke, I don't know if you noticed

3561
03:55:37,480 --> 03:55:41,960
Speaker 1: the temperature change, because he actually showed up for me,

3562
03:55:42,240 --> 03:55:45,920
Speaker 1: for us, he showed up. I want to set the

3563
03:55:46,000 --> 03:55:50,400
Speaker 1: first I went to why I remember the studio? What

3564
03:55:50,560 --> 03:55:54,960
Speaker 1: I really love about this moment y'all showed up for me.

3565
03:55:57,680 --> 03:56:01,280
Speaker 1: I was really trying to help my artists only tell

3566
03:56:01,320 --> 03:56:03,480
Speaker 1: me to rhyme on the record. Yeah, let's Spliff shine

3567
03:56:05,000 --> 03:56:07,360
Speaker 1: like that's a whole of the thing. People ain't people,

3568
03:56:07,520 --> 03:56:12,520
Speaker 1: but that's what I'm saying. Like I talked on the record,

3569
03:56:12,880 --> 03:56:15,040
Speaker 1: You don't think I wanted to rhyme when that motherfucker

3570
03:56:15,080 --> 03:56:20,360
Speaker 1: I was. I was frustrated that was so stupid of

3571
03:56:20,440 --> 03:56:25,120
Speaker 1: Fife was not playing on that album Playboy, And I

3572
03:56:25,280 --> 03:56:27,560
Speaker 1: was living with the b too while Spliff was writing

3573
03:56:27,640 --> 03:56:29,720
Speaker 1: that rap, and I sat in the studio and I

3574
03:56:29,840 --> 03:56:34,760
Speaker 1: was thirsty the black time. It's not even I was

3575
03:56:34,880 --> 03:56:37,720
Speaker 1: on everybody ship at the time, so I didn't felt

3576
03:56:37,760 --> 03:56:43,960
Speaker 1: weird to be told to fall back. But Spliff having

3577
03:56:44,000 --> 03:56:47,200
Speaker 1: that moment meant more than me, just in the same way.

3578
03:56:48,600 --> 03:56:51,320
Speaker 1: You know, I needed rampage to get on, and I

3579
03:56:51,760 --> 03:56:55,560
Speaker 1: said puff and he's ramped on flaving Yard and said

3580
03:56:55,880 --> 03:56:57,760
Speaker 1: Nika said all right, well the money I was gonna

3581
03:56:57,840 --> 03:57:01,040
Speaker 1: pay you if you want to ramp on the record

3582
03:57:01,120 --> 03:57:04,680
Speaker 1: that bad and you just gotta rhyme for free to Okay,

3583
03:57:04,760 --> 03:57:07,720
Speaker 1: fuck it, I'm gonna make the sacrifice. I want to

3584
03:57:07,760 --> 03:57:11,240
Speaker 1: put my niggers in position. So I thank y'all for

3585
03:57:11,400 --> 03:57:17,160
Speaker 1: putting giving an opportunity to Spliff to be able to

3586
03:57:17,240 --> 03:57:21,840
Speaker 1: be a part of a milestone. You were Spliff was

3587
03:57:21,960 --> 03:57:32,760
Speaker 1: behind the walls in the same though, so dish. The

3588
03:57:32,920 --> 03:57:35,480
Speaker 1: correlation of this ship is so crazy. I'm trying to

3589
03:57:35,560 --> 03:57:42,560
Speaker 1: tell Yeah, and it's a different level of deep rooted.

3590
03:57:44,160 --> 03:57:48,200
Speaker 1: That's beautiful. So thank you all for letting Spliff live

3591
03:57:48,400 --> 03:57:59,600
Speaker 1: and and I love y'all direct relationship from behind the

3592
03:57:59,720 --> 03:58:04,560
Speaker 1: wall to the street and our relationships separate from that,

3593
03:58:05,640 --> 03:58:09,280
Speaker 1: our relationship before seeing in You know what I'm saying.

3594
03:58:09,360 --> 03:58:12,200
Speaker 1: It's like I mean, it's it's so much moving parts

3595
03:58:13,280 --> 03:58:18,600
Speaker 1: that brought the ship together again. Congratulations to the twenty

3596
03:58:18,680 --> 03:58:45,040
Speaker 1: five anniversary. I'm gone thank you to like, um, yeah,

3597
03:58:45,040 --> 03:58:51,280
Speaker 1: I'm the wrapper it up. But that's okay, post that's

3598
03:58:51,280 --> 03:59:51,240
Speaker 1: what we h It was great. That was great. Let

3599
03:59:51,240 --> 03:59:54,120
Speaker 1: me just be honest. Let be honest, man, um No,

3600
03:59:54,240 --> 03:59:57,160
Speaker 1: I do I think everyone individually earlier, but this is

3601
03:59:57,200 --> 03:59:59,800
Speaker 1: not it's not it's not like fully thank you ship

3602
04:00:00,040 --> 04:00:02,240
Speaker 1: like at all, because this is this is real ship,

3603
04:00:02,360 --> 04:00:04,000
Speaker 1: like you know, me looking at the history and me

3604
04:00:04,160 --> 04:00:08,120
Speaker 1: looking at where everything has started, where everything is going,

3605
04:00:08,240 --> 04:00:11,640
Speaker 1: and where everything is going to. Without this beginning, it

3606
04:00:11,680 --> 04:00:15,480
Speaker 1: wouldn't have been anything. And I want to be thankful

3607
04:00:15,640 --> 04:00:18,840
Speaker 1: to each and every one of your individuals participated who

3608
04:00:18,880 --> 04:00:21,400
Speaker 1: took a part of it, even down to Raheem from

3609
04:00:21,520 --> 04:00:24,480
Speaker 1: just saying you know, we're like the court on bloody

3610
04:00:24,520 --> 04:00:28,600
Speaker 1: money to you know, you know, yeah that part too,

3611
04:00:29,480 --> 04:00:35,920
Speaker 1: the budge pr budget, you know, to Trash telling us

3612
04:00:35,960 --> 04:00:39,080
Speaker 1: to control the budgets and say, you know what, if

3613
04:00:39,120 --> 04:00:42,040
Speaker 1: you guys keep you know, bullshitting your time in the studio,

3614
04:00:43,120 --> 04:00:47,760
Speaker 1: it won't work out. And I don't know Geno Sam's

3615
04:00:47,840 --> 04:00:52,160
Speaker 1: to some of those calls to Nail from being the

3616
04:00:52,320 --> 04:00:57,680
Speaker 1: you know, the big balls from March from um being

3617
04:00:57,760 --> 04:01:00,320
Speaker 1: the guy that was the go to guy and then

3618
04:01:00,440 --> 04:01:03,960
Speaker 1: hiring the next go to guy. Uh, I can be

3619
04:01:04,280 --> 04:01:08,240
Speaker 1: more thankful, you know, uh for everybody that's here in

3620
04:01:08,320 --> 04:01:12,000
Speaker 1: the presence. I want to thank you all individually, you know,

3621
04:01:12,480 --> 04:01:14,120
Speaker 1: I mean, you know, you don't have to go home

3622
04:01:14,160 --> 04:01:24,520
Speaker 1: on anything that you know we still get drunk off camera. No,

3623
04:01:24,640 --> 04:01:27,360
Speaker 1: But the thing is, Um, I wanted the people to

3624
04:01:27,400 --> 04:01:29,600
Speaker 1: see the commodity. I wanted the people to see that

3625
04:01:29,800 --> 04:01:36,680
Speaker 1: me and trash Um can still and we do that.

3626
04:01:36,920 --> 04:01:38,560
Speaker 1: We do that every day, like when we speak to

3627
04:01:38,640 --> 04:01:41,840
Speaker 1: each other's family. It's real ship. Um. He doesn't always

3628
04:01:41,840 --> 04:01:43,800
Speaker 1: agree with me. I don't always agree with him, but

3629
04:01:43,960 --> 04:01:47,120
Speaker 1: that's life. I don't always agree with Capon and Capone

3630
04:01:47,200 --> 04:01:50,880
Speaker 1: don't always agree with me. But it's between us, me

3631
04:01:51,000 --> 04:01:54,360
Speaker 1: and mar and me and man so on and so forth.

3632
04:01:54,560 --> 04:01:58,960
Speaker 1: But you know, so forth. But but we've all been

3633
04:01:59,040 --> 04:02:04,200
Speaker 1: able to do with each other. Pause and outside of

3634
04:02:05,360 --> 04:02:08,120
Speaker 1: you know, the Warri port has been remarkable, and I

3635
04:02:08,240 --> 04:02:12,040
Speaker 1: just wanted to thank everything for taking this time to

3636
04:02:12,160 --> 04:02:15,800
Speaker 1: come back and just you know, salute this masterpiece. You

3637
04:02:15,840 --> 04:02:17,600
Speaker 1: know what I'm saying, because I called her the master

3638
04:02:17,840 --> 04:02:27,840
Speaker 1: is here. Here we are. You're gonna take the lead.

3639
04:02:27,920 --> 04:02:31,160
Speaker 1: Supreme comes to you and wants to do a clothing,

3640
04:02:32,360 --> 04:02:35,720
Speaker 1: they'll take it to go away. Ship is a masterpiece,

3641
04:02:35,920 --> 04:02:40,040
Speaker 1: straight up, Yes, is a master I think that I

3642
04:02:40,160 --> 04:02:44,040
Speaker 1: take Supreme nose how to see the value in something, yes,

3643
04:02:44,440 --> 04:02:48,360
Speaker 1: which was already seen wait before Supreme. Okay, so let's

3644
04:02:48,360 --> 04:02:50,400
Speaker 1: take one thing. Let's get up out of here. Um

3645
04:02:50,560 --> 04:02:53,280
Speaker 1: let's start with you, man, say one thing and get

3646
04:02:53,320 --> 04:02:55,200
Speaker 1: up out of the head. Whatever you want to say.

3647
04:02:55,240 --> 04:02:58,560
Speaker 1: It could be more than one thing, I think. I think,

3648
04:02:58,640 --> 04:03:02,960
Speaker 1: honestly this was for a moment of men and women

3649
04:03:03,040 --> 04:03:06,360
Speaker 1: coming together to make something classic, not understanding what it

3650
04:03:06,600 --> 04:03:09,400
Speaker 1: was at the moment, but we believed in something and

3651
04:03:09,520 --> 04:03:12,280
Speaker 1: we came together and we did that. And to come

3652
04:03:12,360 --> 04:03:15,960
Speaker 1: back together and circle back to that is impeccable. I

3653
04:03:16,080 --> 04:03:20,360
Speaker 1: think that from the all the producers, the beats, the rhymes,

3654
04:03:20,880 --> 04:03:24,400
Speaker 1: the different cadences, the flows from one left and the

3655
04:03:24,480 --> 04:03:27,520
Speaker 1: shifty right on time trash, I mean, man on man,

3656
04:03:27,640 --> 04:03:30,160
Speaker 1: this this is this is something special. I'm glad to

3657
04:03:30,280 --> 04:03:33,520
Speaker 1: have participated in the small way that I did, and

3658
04:03:34,320 --> 04:03:36,400
Speaker 1: to be around all of y'all and the circle back

3659
04:03:36,440 --> 04:03:40,560
Speaker 1: to this was was dynamite. So I appreciate everyone. And

3660
04:03:44,400 --> 04:03:47,200
Speaker 1: I went out to know if my kids sie fragging

3661
04:03:47,280 --> 04:03:50,280
Speaker 1: Queen's raided the show when we remade the worry for it,

3662
04:03:50,720 --> 04:03:53,120
Speaker 1: you know what I mean I did recently recently definitely

3663
04:03:53,640 --> 04:03:55,760
Speaker 1: ahead Martin, let's say what you gotta say. No, all

3664
04:03:55,920 --> 04:03:57,520
Speaker 1: all I have to say is really simple, man. Like

3665
04:03:57,840 --> 04:04:00,680
Speaker 1: you know, I'm glad that I was, you know, put

3666
04:04:00,800 --> 04:04:03,400
Speaker 1: in in the place God put me there at the

3667
04:04:03,480 --> 04:04:06,720
Speaker 1: time to just bring this together traged for like you know,

3668
04:04:07,080 --> 04:04:09,880
Speaker 1: just you know, having a vision. But I'm just glad

3669
04:04:09,960 --> 04:04:12,800
Speaker 1: to just you know, be there at the moment to

3670
04:04:12,920 --> 04:04:15,600
Speaker 1: help y'all see your vision right and just you know,

3671
04:04:16,040 --> 04:04:18,560
Speaker 1: keep you know, keep moving things, you know forward. I'm

3672
04:04:18,600 --> 04:04:20,040
Speaker 1: just glad I was there at the moment in time.

3673
04:04:20,080 --> 04:04:21,800
Speaker 1: It was just a moment of time and space or whatever,

3674
04:04:21,880 --> 04:04:25,080
Speaker 1: and then we just everything that's the world's collided, whether

3675
04:04:25,120 --> 04:04:27,960
Speaker 1: it was good, bad, ugly, but we're here and this

3676
04:04:28,080 --> 04:04:30,400
Speaker 1: is beautiful and I'm thankful that I was just able

3677
04:04:30,480 --> 04:04:33,600
Speaker 1: to just put everyone in position to this move how

3678
04:04:33,640 --> 04:04:46,880
Speaker 1: we need to move moving forward. As I'm not gonna

3679
04:04:46,880 --> 04:04:53,960
Speaker 1: take your comfie, but I'm really happy, proud. I'm proud

3680
04:04:54,000 --> 04:04:58,880
Speaker 1: of all of you, know you guys and what you've

3681
04:04:58,960 --> 04:05:03,840
Speaker 1: done with your line because from twenty five years ago,

3682
04:05:04,560 --> 04:05:08,240
Speaker 1: to see what everyone is doing with your families and

3683
04:05:09,280 --> 04:05:13,040
Speaker 1: how you're affecting the culture, I'm so proud. And it's

3684
04:05:13,160 --> 04:05:16,760
Speaker 1: it's a wonderful moment for me personally, and I'm really

3685
04:05:16,800 --> 04:05:18,640
Speaker 1: happy to be here and I want to thank you.

3686
04:05:22,520 --> 04:05:25,720
Speaker 1: It's just trying to say though, thanks for the you know,

3687
04:05:25,920 --> 04:05:29,440
Speaker 1: the open arms of the brotherhood everybody. Yeah, you know what,

3688
04:05:29,480 --> 04:05:35,720
Speaker 1: I'm now giving me my first official paid y'all he

3689
04:05:35,840 --> 04:05:44,080
Speaker 1: set of yea, yeah, like I was trying to figure

3690
04:05:44,160 --> 04:05:48,520
Speaker 1: it out at trying to figure it especially, like like

3691
04:05:48,840 --> 04:05:52,440
Speaker 1: I was literally hustling, and it said I'm working to

3692
04:05:52,520 --> 04:05:56,160
Speaker 1: record story and in turn that penalty and fast forward.

3693
04:05:57,320 --> 04:05:59,360
Speaker 1: So you know, I just want to give thanks, and

3694
04:05:59,720 --> 04:06:03,600
Speaker 1: you know, I think, you know again, follow your passion,

3695
04:06:04,760 --> 04:06:08,280
Speaker 1: get productive and everything else to follow, and y'all just

3696
04:06:08,400 --> 04:06:12,680
Speaker 1: keep doing what you're doing. And it's open door here, yo,

3697
04:06:13,920 --> 04:06:21,560
Speaker 1: let's do it again. No track. I just want to

3698
04:06:21,600 --> 04:06:38,480
Speaker 1: introduce my new album you only at the time, seriously, now, man,

3699
04:06:38,600 --> 04:06:45,000
Speaker 1: it's been a lot of well paid lessons, man, a

3700
04:06:45,040 --> 04:06:50,560
Speaker 1: lot of well paid lessons. Glad to see like, glad

3701
04:06:50,640 --> 04:06:54,200
Speaker 1: to see like the vision come alive and even go

3702
04:06:54,480 --> 04:06:58,480
Speaker 1: further than what the initial vision was. She'll called them flowers.

3703
04:06:59,520 --> 04:07:04,120
Speaker 1: Know what I'm saying to reflex shop um, right and wrong,

3704
04:07:04,240 --> 04:07:08,040
Speaker 1: up and down. I love everybody's shaving more. Don't play

3705
04:07:08,080 --> 04:07:12,240
Speaker 1: with me, no more, no no, because I love you.

3706
04:07:12,320 --> 04:07:18,280
Speaker 1: You know why, man, it's not easy to see these dudes. Man,

3707
04:07:19,280 --> 04:07:23,240
Speaker 1: it's not it's not easy to see these dudes. But

3708
04:07:23,400 --> 04:07:27,280
Speaker 1: to see these dudes like that's a brutiful thing. Man.

3709
04:07:28,760 --> 04:07:32,920
Speaker 1: I'm proud of these dudes. I'm not here to validate nothing.

3710
04:07:33,480 --> 04:07:36,360
Speaker 1: My stretch might be a little longer than yours or

3711
04:07:36,440 --> 04:07:41,520
Speaker 1: anybody else said. Because I was privy, you're from the

3712
04:07:41,560 --> 04:07:43,880
Speaker 1: beginning for And that's not an ego thing. I'm not.

3713
04:07:43,960 --> 04:07:46,680
Speaker 1: He's and guard out. But so it's all to see

3714
04:07:48,520 --> 04:07:51,680
Speaker 1: these dudes like not just Snory know we got drinks,

3715
04:07:51,720 --> 04:07:58,800
Speaker 1: chance and all that. Even Poe for po lit, how

3716
04:07:58,840 --> 04:08:04,080
Speaker 1: do you say or went to college? I don't think

3717
04:08:04,160 --> 04:08:11,320
Speaker 1: you really mother first in Peach Baba Holly, what that

3718
04:08:11,440 --> 04:08:14,040
Speaker 1: means she was mother? And what that really means? Man?

3719
04:08:15,280 --> 04:08:25,400
Speaker 1: What man ship? Man? For me? I look at it

3720
04:08:25,560 --> 04:08:28,520
Speaker 1: like this. I ain't have to take my brother with me.

3721
04:08:29,760 --> 04:08:33,480
Speaker 1: He had to take me away him. So for everybody

3722
04:08:33,640 --> 04:08:35,480
Speaker 1: saying you know, you know you put this together, you

3723
04:08:35,600 --> 04:08:37,960
Speaker 1: did this, or or no, we didn't leave you nor

3724
04:08:38,120 --> 04:08:42,280
Speaker 1: now we did, no pan of backness when we do

3725
04:08:42,400 --> 04:08:45,680
Speaker 1: your main brothers, so all us, all us. I love

3726
04:08:45,800 --> 04:08:48,560
Speaker 1: the twenty five, I love this, but each one of

3727
04:08:48,640 --> 04:08:51,840
Speaker 1: your twenty for my mom's dad. Y'all sat up the flowers.

3728
04:08:52,000 --> 04:08:55,840
Speaker 1: Y'all asked to pay for my mom's funeral. Y'all, y'all.

3729
04:08:55,920 --> 04:08:58,800
Speaker 1: This ship in my ways, that penalty was was not

3730
04:08:58,920 --> 04:09:02,160
Speaker 1: a regulabeor for me when I went to jail. It

3731
04:09:02,280 --> 04:09:07,720
Speaker 1: wasn't for penalty. My mom's goed what three months before that? Yeah,

3732
04:09:08,280 --> 04:09:13,320
Speaker 1: about set for me. It's different than ships. Different, So

3733
04:09:14,440 --> 04:09:18,520
Speaker 1: you know I was. I wasn't totally alone, you know.

3734
04:09:18,560 --> 04:09:20,760
Speaker 1: I mean, I'm the only child, no brother, no sisters.

3735
04:09:21,960 --> 04:09:24,040
Speaker 1: My mom's died in all the house, my dad and

3736
04:09:24,280 --> 04:09:27,840
Speaker 1: all motherfucker's, each one of y'all proved to me that

3737
04:09:28,240 --> 04:09:30,960
Speaker 1: this ship is bigger than these flowers. It's bigger than

3738
04:09:31,080 --> 04:09:34,640
Speaker 1: norious breaking in trag is bringing in me. This was

3739
04:09:34,680 --> 04:09:37,600
Speaker 1: about a family. So I want to say this one thing.

3740
04:09:38,480 --> 04:09:42,960
Speaker 1: I love y'all. Thank you my brother, thanking Mail, thank

3741
04:09:43,040 --> 04:09:46,320
Speaker 1: you Mart, thank you him, thank you GENA especially fucking

3742
04:09:46,400 --> 04:09:53,720
Speaker 1: game all y'all. Right, Now he held he needed it,

3743
04:09:54,120 --> 04:09:59,760
Speaker 1: held you. I will cry, bro, we collect call. You

3744
04:09:59,840 --> 04:10:08,040
Speaker 1: know I accepted the way down. Okay, I'm saying I'm

3745
04:10:08,160 --> 04:10:11,600
Speaker 1: telling you something came visit me. I had a girl

3746
04:10:11,680 --> 04:10:14,280
Speaker 1: at the time, he will make sure she flew from Atlanta,

3747
04:10:14,880 --> 04:10:19,240
Speaker 1: flew up to the jail, flew back to Nigger. Was

3748
04:10:19,520 --> 04:10:23,600
Speaker 1: never nothing that this brother right here. I said, Joe,

3749
04:10:24,240 --> 04:10:28,360
Speaker 1: I need a funding Cherry Red s C four thirty cool.

3750
04:10:35,240 --> 04:10:38,400
Speaker 1: He said that. I said I needed that ship, and

3751
04:10:38,520 --> 04:10:42,200
Speaker 1: he said, you want to Cherry Red SC four dirty

3752
04:10:42,280 --> 04:10:48,320
Speaker 1: cool night. And I said, because I had that fucking

3753
04:10:48,400 --> 04:10:51,800
Speaker 1: picture on myself for three years, I want that car.

3754
04:10:52,280 --> 04:10:54,560
Speaker 1: And I came home when I had the car, and

3755
04:10:55,280 --> 04:10:57,560
Speaker 1: then he fucking drove me around for like two weeks

3756
04:10:57,720 --> 04:11:00,120
Speaker 1: and said, wait, you can't drive me around to be

3757
04:11:00,240 --> 04:11:03,760
Speaker 1: at w you have to say time the card right,

3758
04:11:04,920 --> 04:11:07,120
Speaker 1: real real ship up the man, that's the real ship.

3759
04:11:07,120 --> 04:11:11,200
Speaker 1: I would think, y'all man because of that Salehi, y'all,

3760
04:11:19,000 --> 04:11:22,080
Speaker 1: this ship is different. So anybody was on the street,

3761
04:11:22,680 --> 04:11:27,000
Speaker 1: everybody had their time. But the fucking notebooks were telling me,

3762
04:11:27,280 --> 04:11:30,480
Speaker 1: this is your artwork, this is what do you want this?

3763
04:11:30,880 --> 04:11:34,240
Speaker 1: The seals had no idea that I was getting fucking

3764
04:11:34,440 --> 04:11:37,480
Speaker 1: artwork pitches or notebooks. They just wondering why I got

3765
04:11:37,600 --> 04:11:40,480
Speaker 1: taped fucking black and white note what you're sticks on

3766
04:11:41,640 --> 04:11:47,720
Speaker 1: the fresh sharts involved, Thank for me, thank you to me,

3767
04:11:55,800 --> 04:12:00,080
Speaker 1: be it better right here. I was expecting. Man, you

3768
04:12:00,160 --> 04:12:04,880
Speaker 1: are my friends literally through these sessions. I only had

3769
04:12:04,880 --> 04:12:07,640
Speaker 1: two other friends that was literally through these sessions. Their

3770
04:12:07,720 --> 04:12:12,520
Speaker 1: name was Brown and Staff definitely are well documented throughout

3771
04:12:12,600 --> 04:12:16,480
Speaker 1: my My My music problem is Brown and Staff on

3772
04:12:16,640 --> 04:12:24,040
Speaker 1: both step battle have to come on ste And it's

3773
04:12:24,120 --> 04:12:27,320
Speaker 1: one other person who wasn't a part of our crew,

3774
04:12:27,440 --> 04:12:30,600
Speaker 1: but it's a part of them. To the round Jay Rock,

3775
04:12:30,760 --> 04:12:38,400
Speaker 1: we ain't going win in yeah yeah when yeah you

3776
04:12:38,560 --> 04:12:42,840
Speaker 1: tell us your ye not your womanies one of one

3777
04:12:42,920 --> 04:12:45,960
Speaker 1: of your great of y'all, let's y'all ago, let's yaller

3778
04:12:46,680 --> 04:12:50,200
Speaker 1: one of your young memories of the war for that's

3779
04:12:50,240 --> 04:12:55,600
Speaker 1: the studios, and they got the school. So many so

3780
04:12:55,680 --> 04:13:00,800
Speaker 1: many yeah, sorry, so many. I remember like he was

3781
04:13:00,920 --> 04:13:10,840
Speaker 1: do ye be good to grandmas and mother, fucking father,

3782
04:13:11,080 --> 04:13:14,880
Speaker 1: shoot up broad got so many stuffs, remember too, by

3783
04:13:15,040 --> 04:13:22,160
Speaker 1: kiss mother, my phone up years smuggling, give us some one,

3784
04:13:22,200 --> 04:13:25,680
Speaker 1: give us once, give us someone everyone everyone else came.

3785
04:13:27,280 --> 04:13:29,800
Speaker 1: But but in the steet I got one LAPPI stee,

3786
04:13:30,120 --> 04:13:32,680
Speaker 1: okay tell and there's something abody else. So I don't know,

3787
04:13:33,280 --> 04:13:36,200
Speaker 1: we know it's almost blow. We was just smoking me

3788
04:13:36,600 --> 04:13:39,320
Speaker 1: brother steff me brother stuff we throw the white castle

3789
04:13:39,360 --> 04:13:43,680
Speaker 1: and plays bullat Bard. So by tomorrow, by tomorrow like

3790
04:13:43,880 --> 04:13:50,360
Speaker 1: cows be mad, sheeps like, yo, we're gonna borgy concept casting.

3791
04:13:51,640 --> 04:13:54,280
Speaker 1: And I wasn't this bit that I was playing both

3792
04:13:54,560 --> 04:13:58,800
Speaker 1: a little sim he was all skinny, so little summer,

3793
04:13:58,840 --> 04:14:04,800
Speaker 1: you know, so being proud like slowing town selling skinny.

3794
04:14:05,080 --> 04:14:10,040
Speaker 1: He's a skinny man, like about want to ahead, yo.

3795
04:14:10,200 --> 04:14:14,040
Speaker 1: So like I dropped something on the floor, it's step

3796
04:14:14,240 --> 04:14:16,800
Speaker 1: was eating one bite and throwing all this burgers on

3797
04:14:17,000 --> 04:14:28,080
Speaker 1: the floor. Hold say something something thing, man. They go

3798
04:14:28,360 --> 04:14:30,720
Speaker 1: like me and Bart had a problem before. And I

3799
04:14:30,800 --> 04:14:39,440
Speaker 1: apologize like I was remember Remember I would funny. That's

3800
04:14:39,480 --> 04:14:41,560
Speaker 1: a problem. I was a kid, And I apologize and

3801
04:14:41,600 --> 04:14:49,960
Speaker 1: I'm sorry. I want to say something. Yeah, Man. As

3802
04:14:50,000 --> 04:14:54,080
Speaker 1: a mixtape DJ in Miami, trying to trying to compete

3803
04:14:54,120 --> 04:14:56,800
Speaker 1: with these mixtapes coming from New York, the clues, the

3804
04:14:56,880 --> 04:14:59,200
Speaker 1: Tony touches, the s and s is and do wops,

3805
04:14:59,200 --> 04:15:02,400
Speaker 1: all these guys, I'm trying to get like the most

3806
04:15:02,560 --> 04:15:06,520
Speaker 1: underground ship that I can get my hands on. And

3807
04:15:06,680 --> 04:15:09,600
Speaker 1: CNN was that when I was able the white label

3808
04:15:09,680 --> 04:15:11,520
Speaker 1: of the L A l A and everything everything I

3809
04:15:11,560 --> 04:15:14,560
Speaker 1: can get hold you and then I hear and there's

3810
04:15:14,560 --> 04:15:17,760
Speaker 1: a Latino. I hear this guy throwing these Spanish words.

3811
04:15:18,360 --> 04:15:21,400
Speaker 1: He's not throwing for the right ways, but pretty Spanish.

3812
04:15:26,320 --> 04:15:30,840
Speaker 1: You know, we don't care. Just throw some Spanish working talking.

3813
04:15:31,480 --> 04:15:43,200
Speaker 1: We don't care if Mago doesn't belong there. I was like, oh,

3814
04:15:43,560 --> 04:15:46,640
Speaker 1: he's actually Pugan, but you know what speaking it's bad.

3815
04:15:49,480 --> 04:15:52,560
Speaker 1: But that that just it just I love the War Report.

3816
04:15:52,640 --> 04:15:56,560
Speaker 1: It means so much. And eventually to meet you know,

3817
04:15:56,840 --> 04:15:59,600
Speaker 1: on the on the promo room for the War Report,

3818
04:16:00,720 --> 04:16:02,800
Speaker 1: and then to be a part of like everything after that,

3819
04:16:02,960 --> 04:16:04,920
Speaker 1: and then actually become a part of the street team

3820
04:16:05,000 --> 04:16:08,680
Speaker 1: for Penalty and Tommy Boys, It's just it's just crazy

3821
04:16:08,760 --> 04:16:12,160
Speaker 1: to me. And this is this is why we have simps, guys.

3822
04:16:12,240 --> 04:16:15,280
Speaker 1: This is what drink Chance is that it's It's War

3823
04:16:15,400 --> 04:16:20,440
Speaker 1: Report and it comes to Miami and we all connect

3824
04:16:20,560 --> 04:16:30,280
Speaker 1: and then you have drink Chance. Before I'm gonna finish

3825
04:16:30,320 --> 04:16:33,800
Speaker 1: it out, let me say one thing, because I never

3826
04:16:33,920 --> 04:16:35,760
Speaker 1: get me for the flowers. I wish I had a

3827
04:16:35,840 --> 04:16:38,600
Speaker 1: thing to give you when I first came home in

3828
04:16:38,680 --> 04:16:44,320
Speaker 1: ninet made me feel so comfortable. You was five, get

3829
04:16:44,360 --> 04:17:00,520
Speaker 1: about it was not even born. Mind, It's as you are.

3830
04:17:00,600 --> 04:17:08,360
Speaker 1: Save absolutely to save people for nighty nights with you. Yeah.

3831
04:17:08,960 --> 04:17:12,320
Speaker 1: That says a lot about your character. That says a

3832
04:17:12,400 --> 04:17:15,200
Speaker 1: lot about your upbringing. That says a lot about dressing.

3833
04:17:16,600 --> 04:17:20,520
Speaker 1: And I appreciate you. You know, I've got you right now.

3834
04:17:20,640 --> 04:17:28,240
Speaker 1: It's about you push push push you right crazy there

3835
04:17:28,320 --> 04:17:31,040
Speaker 1: you go? How many how many knights? Howse with y'all?

3836
04:17:32,600 --> 04:17:38,240
Speaker 1: Y'all you're dirty things with you Charlie's games. Let's be

3837
04:17:41,200 --> 04:17:49,120
Speaker 1: to things. Why did you say choi Johnny with Jollie?

3838
04:17:54,400 --> 04:17:56,080
Speaker 1: You don't do that? Don't make me put you to

3839
04:17:59,080 --> 04:18:03,120
Speaker 1: see that. Want to tell because I gotta tell out.

3840
04:18:03,240 --> 04:18:05,520
Speaker 1: Even when I was quiet, when I was using what

3841
04:18:05,560 --> 04:18:10,560
Speaker 1: should amazing? You kidding about me? The same like people?

3842
04:18:10,600 --> 04:18:14,520
Speaker 1: That was stick your face everything absolutely nice stead he's

3843
04:18:14,520 --> 04:18:17,240
Speaker 1: straight up with down Syna be fast. But I also

3844
04:18:17,480 --> 04:18:23,280
Speaker 1: want you to thank you. Yeah, and you giving meat flower,

3845
04:18:23,480 --> 04:18:26,880
Speaker 1: I'm talking about living out with living out. You're sign

3846
04:18:26,960 --> 04:18:34,720
Speaker 1: here you saw doubly eat nan. I'm rubbing up that

3847
04:18:35,280 --> 04:18:46,120
Speaker 1: eat that yeah, yeah, oh yeah, I think most amazing. Yea,

3848
04:18:53,280 --> 04:18:57,040
Speaker 1: why do you wait a minute? What you did? I

3849
04:18:57,160 --> 04:19:02,720
Speaker 1: go do? Couple Deceber fifteen, two thousand and fifteen, we

3850
04:19:02,960 --> 04:19:05,760
Speaker 1: bumped into each other and we're talking this is New

3851
04:19:05,880 --> 04:19:11,280
Speaker 1: Jersey and New Jersey Sheraton Hotel, and you said, yeah,

3852
04:19:11,400 --> 04:19:14,480
Speaker 1: I'm I'm working on this, this podcast I got, I

3853
04:19:14,600 --> 04:19:17,520
Speaker 1: got a food show. I'm doing this. It's not a third.

3854
04:19:17,560 --> 04:19:19,840
Speaker 1: I was like, word, I yo, that sounds kind of great.

3855
04:19:20,000 --> 04:19:24,480
Speaker 1: Let's dope, this's not a third. And to see seven

3856
04:19:24,560 --> 04:19:28,480
Speaker 1: years later what you did, like literally, it wasn't like

3857
04:19:28,640 --> 04:19:31,760
Speaker 1: you said, it's it's coming, but to see that it

3858
04:19:32,080 --> 04:19:37,680
Speaker 1: happened to the degree that it did was impeccable. Brother.

3859
04:19:37,800 --> 04:19:40,880
Speaker 1: So I just want to say, we gotta acknowledge you

3860
04:19:41,160 --> 04:19:48,320
Speaker 1: for putting this together and making it happen. You. I'm

3861
04:19:48,320 --> 04:19:50,480
Speaker 1: gonna do it, hawking. I'm gonna do this with it.

3862
04:19:53,080 --> 04:19:56,520
Speaker 1: And I wanted, I wanted to stalk with you, but

3863
04:19:56,560 --> 04:19:59,400
Speaker 1: I'm gonna do it even more with me. I'll off

3864
04:19:59,440 --> 04:20:06,120
Speaker 1: from him whoo because him and his family had did

3865
04:20:06,240 --> 04:20:09,880
Speaker 1: something for me. Come on that we're here. That didn't

3866
04:20:10,000 --> 04:20:14,600
Speaker 1: that didn't even make sense when at the time was

3867
04:20:15,640 --> 04:20:22,800
Speaker 1: I was known as the tough guy right played for

3868
04:20:22,880 --> 04:20:27,200
Speaker 1: Aime High and then aim High fired and found out

3869
04:20:28,080 --> 04:20:31,240
Speaker 1: found out was selling crack. What's aim High? Game High

3870
04:20:31,400 --> 04:20:38,120
Speaker 1: is with Kenny Anderson and Kenney Smith like a program. Yeah,

3871
04:20:38,240 --> 04:20:41,520
Speaker 1: I don't know, no problem. We we're gonna limit. Nick continued,

3872
04:20:42,280 --> 04:20:44,560
Speaker 1: Get the motion, come on, get the motion of the

3873
04:20:44,680 --> 04:20:49,000
Speaker 1: Papa Bottle brother over there. I feel like I feel

3874
04:20:49,000 --> 04:20:54,840
Speaker 1: like it's your bout Mottle the first time, A special

3875
04:20:55,760 --> 04:21:08,240
Speaker 1: special things over here. So I started and I started back.

3876
04:21:09,080 --> 04:21:14,920
Speaker 1: I started, Yeah, so I started in. What happened was

3877
04:21:16,040 --> 04:21:20,440
Speaker 1: aim High got rid of me, I muting fobb out

3878
04:21:20,480 --> 04:21:22,840
Speaker 1: what I was doing. And it's like say that saysn't work.

3879
04:21:23,400 --> 04:21:28,360
Speaker 1: It doesn't work out where I was a high, went

3880
04:21:28,480 --> 04:21:33,160
Speaker 1: to Coney Allen and then they realized Coney Allen don't

3881
04:21:33,200 --> 04:21:38,120
Speaker 1: have the same rule. They let their gangsters play on

3882
04:21:38,200 --> 04:21:47,400
Speaker 1: their team. Was just except that Mrs Smith immediately came

3883
04:21:47,440 --> 04:21:50,880
Speaker 1: back to the hood and said, you're back on him.

3884
04:21:54,960 --> 04:22:01,000
Speaker 1: Don't care. I don't want to sound like that because

3885
04:22:01,120 --> 04:22:03,000
Speaker 1: it made it sound like he cool. He didn't know

3886
04:22:03,200 --> 04:22:05,480
Speaker 1: what I was doing, but he knew I want to

3887
04:22:05,560 --> 04:22:07,840
Speaker 1: suck and he knew that he needed people. Was wasn't

3888
04:22:07,840 --> 04:22:12,120
Speaker 1: suckers on the team when you're gonna play? And Marl Burrow,

3889
04:22:12,920 --> 04:22:21,600
Speaker 1: that was all right, right, right stuff my mom holding Marf.

3890
04:22:21,680 --> 04:22:28,280
Speaker 1: I just iris, whatever, little top, little soup you were

3891
04:22:28,360 --> 04:22:36,080
Speaker 1: in back, go back to my hood. M and Brown

3892
04:22:36,440 --> 04:22:42,640
Speaker 1: was walking and Whenbrel was walking, Yeah, gotta come hang out.

3893
04:22:44,760 --> 04:22:52,000
Speaker 1: I ruined him. Needs life. One man was saying, cash,

3894
04:22:52,080 --> 04:22:56,200
Speaker 1: you're not popping that at all like a champagne. I'm

3895
04:22:56,200 --> 04:23:10,280
Speaker 1: gonna let shoot shot up. I'm not scaring hour Betty.

3896
04:23:10,320 --> 04:23:22,800
Speaker 1: You shot. I think it's crazy. I'm bouting for you. Wo.

3897
04:23:26,280 --> 04:23:44,520
Speaker 1: That was that was quick. Yeas one hurts. No, I

3898
04:23:44,640 --> 04:23:48,560
Speaker 1: didn't hear them. That don't guy's fret boy, But I

3899
04:23:48,680 --> 04:23:53,560
Speaker 1: didn't fight out here, be going to guys spend our

3900
04:23:53,680 --> 04:23:59,400
Speaker 1: dj H. I think I stole it from you right

3901
04:23:59,480 --> 04:24:06,640
Speaker 1: this week my dead. I'm not gonna thank you. So

3902
04:24:07,680 --> 04:24:10,000
Speaker 1: just being honest, I feel like he was using him wrong.

3903
04:24:13,200 --> 04:24:23,960
Speaker 1: Chip was using I'm not doing that. Come on, it's

3904
04:24:24,040 --> 04:24:29,320
Speaker 1: really pretty dry. Yeah, he just wanted to pick up

3905
04:24:29,320 --> 04:24:41,360
Speaker 1: pop your girls. Keep it real reasons, listen, keep it real. Yeah,

3906
04:24:41,440 --> 04:24:44,240
Speaker 1: when he met you, ill keep putting Miami and we

3907
04:24:44,360 --> 04:24:49,760
Speaker 1: live with week together. This terrible. It's kind of listen,

3908
04:24:49,880 --> 04:24:53,880
Speaker 1: what's keep it reacting? You back home? He just wanted

3909
04:24:53,920 --> 04:25:01,280
Speaker 1: you to chick. That's that's that's what, that's who we

3910
04:25:01,360 --> 04:25:17,120
Speaker 1: all say he's just the ball like mass te. Yeah,

3911
04:25:17,720 --> 04:25:19,640
Speaker 1: you believe in me and asked me up feeling in

3912
04:25:19,720 --> 04:25:21,920
Speaker 1: one day. But he also left you when he didn't paid.

3913
04:25:22,120 --> 04:25:28,800
Speaker 1: He didn't paid. This is where story like it. But

3914
04:25:28,920 --> 04:25:36,160
Speaker 1: who answer your text messages? I love what the hell

3915
04:25:36,240 --> 04:25:40,520
Speaker 1: can answers? You know, I don't talk about pol I'm

3916
04:25:40,520 --> 04:25:45,720
Speaker 1: talking about general. I like text messages. I like you

3917
04:25:46,520 --> 04:26:00,240
Speaker 1: see what are we? The way may you was what

3918
04:26:00,600 --> 04:26:09,280
Speaker 1: you want to ReOC You remember a reno? It was

3919
04:26:09,360 --> 04:26:20,280
Speaker 1: a set up. Jermaine Debreen name was djamb really straight?

3920
04:26:23,080 --> 04:26:27,120
Speaker 1: How take it, bron But by the way, this is

3921
04:26:27,800 --> 04:26:31,560
Speaker 1: this is let me be honest, neither be first time

3922
04:26:32,200 --> 04:26:36,280
Speaker 1: we all were approaching a number one record, getting there

3923
04:26:36,760 --> 04:26:41,440
Speaker 1: and Jermaine Debris says, I'm remixing the record. Your record

3924
04:26:41,960 --> 04:26:47,920
Speaker 1: is just Jamine's gonna remix super He says, it's the nil.

3925
04:26:48,560 --> 04:26:53,240
Speaker 1: When I'm at the ball and you know at this time, Jermaine,

3926
04:26:53,440 --> 04:26:57,040
Speaker 1: we have Jamaine the remix remix at that time. But

3927
04:26:57,200 --> 04:26:59,120
Speaker 1: I don't want no one to remix on record. I

3928
04:26:59,240 --> 04:27:03,680
Speaker 1: want these type shirt nudes, but these chokers, I want

3929
04:27:03,720 --> 04:27:05,560
Speaker 1: them to do the remix, but I can't tell us

3930
04:27:05,560 --> 04:27:08,840
Speaker 1: to deal all the time, He's like, glory, perfect ship

3931
04:27:09,800 --> 04:27:12,080
Speaker 1: that you made the bread into the remix. But I'm

3932
04:27:12,120 --> 04:27:20,840
Speaker 1: looking like the mo and then let's give him my

3933
04:27:20,880 --> 04:27:23,240
Speaker 1: father my dog curry on Neil Schmart, you got a

3934
04:27:23,280 --> 04:27:34,080
Speaker 1: little bit. First time that yeah, I was so like no,

3935
04:27:34,520 --> 04:27:37,960
Speaker 1: and then the next I don't remember. Remember this, y'all all?

3936
04:27:38,080 --> 04:27:42,720
Speaker 1: Remember this? You made the prisons little remix. It's a

3937
04:27:42,800 --> 04:27:46,040
Speaker 1: super dug put the brat on it? Yo? Who has

3938
04:27:46,120 --> 04:28:02,400
Speaker 1: that remix? Nah? Mah, your how are you? I can't.

3939
04:28:05,680 --> 04:28:07,840
Speaker 1: I would come in here. I listened to that ship.

3940
04:28:07,960 --> 04:28:16,960
Speaker 1: When I can here, I was like to show the stuff,

3941
04:28:16,960 --> 04:28:22,880
Speaker 1: and I'm like Teuta the way I just put that together.

3942
04:28:23,440 --> 04:28:27,280
Speaker 1: I described it as if I was offended from the

3943
04:28:27,400 --> 04:28:34,160
Speaker 1: brat in Jamaine. Remis wasn't offended. I just mentioned Rema

3944
04:28:35,720 --> 04:28:42,320
Speaker 1: REMI else and I can't remember who it was. It

3945
04:28:42,920 --> 04:28:46,200
Speaker 1: probably wasn't. No one here who rob the remixed, But

3946
04:28:46,320 --> 04:28:50,880
Speaker 1: everyone else was like it wasn't and it was your

3947
04:28:52,760 --> 04:28:57,680
Speaker 1: I don't remember it. Did your man remember it? And

3948
04:28:57,800 --> 04:29:11,520
Speaker 1: that never? No? Tell me what the cad to Sall

3949
04:29:11,720 --> 04:29:20,520
Speaker 1: River track it was. I don't know because when you

3950
04:29:20,640 --> 04:29:27,240
Speaker 1: got that box and I would away, I love the

3951
04:29:27,400 --> 04:29:30,600
Speaker 1: corn doing I was like me in the pre fat

3952
04:29:30,640 --> 04:29:34,960
Speaker 1: and I love him to fight, don't know. It was

3953
04:29:35,000 --> 04:29:39,480
Speaker 1: like we were nothing. You don't it was really real.

3954
04:29:39,640 --> 04:29:43,760
Speaker 1: It was. It was really a car. I'm in the

3955
04:29:43,880 --> 04:29:48,000
Speaker 1: car heading to do a cart. I was drinking Brady

3956
04:29:48,080 --> 04:29:55,240
Speaker 1: straight and we called him Moisius. And I can remember

3957
04:29:55,440 --> 04:29:58,280
Speaker 1: me just listening to it and just say, and by

3958
04:29:58,320 --> 04:30:02,280
Speaker 1: the way, I love what stuff but no, but you

3959
04:30:02,440 --> 04:30:06,560
Speaker 1: know know stuff. I went further. I was versed it

3960
04:30:07,320 --> 04:30:14,160
Speaker 1: disclosing exactly who knows you? Well? You do, but at

3961
04:30:14,200 --> 04:30:18,440
Speaker 1: the time Superdog is so big that they could have

3962
04:30:18,560 --> 04:30:23,320
Speaker 1: easily manipulated me. Said, probably you don't know the story.

3963
04:30:23,560 --> 04:30:25,840
Speaker 1: Y'all do know the story because y'all was there no

3964
04:30:26,040 --> 04:30:32,280
Speaker 1: record for the record. So then that happens. I paid

3965
04:30:32,360 --> 04:30:39,840
Speaker 1: for thee It was yos like this guys and gives

3966
04:30:40,040 --> 04:30:45,120
Speaker 1: us a new version of super Dog and my middle verse,

3967
04:30:45,240 --> 04:30:51,560
Speaker 1: which I love what's gone and the practice in there. Wow.

3968
04:30:51,880 --> 04:30:53,680
Speaker 1: And I listened to the ship and I was like,

3969
04:30:54,440 --> 04:30:58,680
Speaker 1: holy shit, I'm about to be commercial. I think I

3970
04:30:58,760 --> 04:31:01,880
Speaker 1: think the brack killed it. I want to hear it. No, no, no,

3971
04:31:02,240 --> 04:31:05,600
Speaker 1: killed it. But it just remember, wasn't aligned of what

3972
04:31:05,800 --> 04:31:07,840
Speaker 1: we were doing. I think you said that earlier what

3973
04:31:07,960 --> 04:31:10,800
Speaker 1: we were doing, and I was like, they fell victim.

3974
04:31:12,480 --> 04:31:14,640
Speaker 1: I said, we didn't put it out, except you never

3975
04:31:14,800 --> 04:31:18,200
Speaker 1: wanted out and you always said you don't want it,

3976
04:31:18,680 --> 04:31:21,640
Speaker 1: and just happened. I didn't want it, and for years

3977
04:31:21,840 --> 04:31:27,240
Speaker 1: I thought you made the creation. You probably probably he

3978
04:31:27,360 --> 04:31:30,640
Speaker 1: was no, no, but but he went to remind me

3979
04:31:30,760 --> 04:31:33,080
Speaker 1: like I hated you. He probably was upset. I would

3980
04:31:33,080 --> 04:31:35,520
Speaker 1: see it when he was like, you ain't take my remix. Motherfucker.

3981
04:31:35,720 --> 04:31:46,840
Speaker 1: He was shot. You know how big is made weird? Yeah, people, Yeah,

3982
04:31:47,560 --> 04:32:04,480
Speaker 1: you're right, party only. But Jermane Donna, I was saying,

3983
04:32:04,480 --> 04:32:08,120
Speaker 1: I was telling Nil that we flew down. Remember Card

3984
04:32:09,000 --> 04:32:11,960
Speaker 1: did two records with Jermaine, so I flew down with them.

3985
04:32:12,400 --> 04:32:17,200
Speaker 1: But Koda and Nelly at the time, so we flew

3986
04:32:17,240 --> 04:32:21,360
Speaker 1: in dirty. He plays the record, plays Nelly to Jermaine.

3987
04:32:21,680 --> 04:32:25,600
Speaker 1: Jermaine's like, yeah, he's cool. No, no, no, because meanwhile

3988
04:32:25,640 --> 04:32:29,480
Speaker 1: went down there in Jamaine has Ferrari. Here's like ridiculous whips,

3989
04:32:29,600 --> 04:32:33,280
Speaker 1: like bowl of car keys of like before the bow

3990
04:32:33,400 --> 04:32:38,120
Speaker 1: of the car, ridiculous at the time, ridiculous, crossing radio.

3991
04:32:38,320 --> 04:32:43,640
Speaker 1: It happened ridiculous and then he passes on Nelly and

3992
04:32:43,800 --> 04:32:47,200
Speaker 1: he does these records for this is Jermaine. He passes

3993
04:32:47,320 --> 04:32:50,560
Speaker 1: on Nelly, he does. But watch this as we're driving down,

3994
04:32:51,080 --> 04:32:54,440
Speaker 1: We're like, wow, that's crazy. Who's whose house is that.

3995
04:32:54,760 --> 04:32:56,760
Speaker 1: They're like, oh, that's a Vanda holy Field. It says

3996
04:32:56,800 --> 04:33:02,400
Speaker 1: Avanda holy Field Way, and its mile that's Rick Ross's correct.

3997
04:33:02,840 --> 04:33:06,840
Speaker 1: Probably that he bought was the name of it was

3998
04:33:06,960 --> 04:33:12,520
Speaker 1: promis Land. When I tell you miles land and property.

3999
04:33:12,640 --> 04:33:15,440
Speaker 1: The property was made in the back like way down

4000
04:33:15,520 --> 04:33:19,040
Speaker 1: there and wild property. And Jermaine was not too far

4001
04:33:19,160 --> 04:33:22,320
Speaker 1: from that. He had a he had a crip. He

4002
04:33:22,360 --> 04:33:26,120
Speaker 1: still lived there too. Oh ridiculous. So at the time

4003
04:33:26,800 --> 04:33:29,800
Speaker 1: he we presented Nellie and it's that not we but

4004
04:33:29,919 --> 04:33:34,800
Speaker 1: coulda presented Nellie and this to learn correct And he said, no,

4005
04:33:34,960 --> 04:33:36,960
Speaker 1: I'm not sing with him. And at the end of

4006
04:33:37,000 --> 04:33:39,800
Speaker 1: the day, Nelly y'all obviously got signed blew off the

4007
04:33:40,240 --> 04:33:46,680
Speaker 1: third crazy crazy Yeah net least fingerpop everything, Everything all

4008
04:33:46,800 --> 04:33:58,280
Speaker 1: comes back to everything, alter ending of everything. Nellie not quick,

4009
04:33:58,919 --> 04:34:06,160
Speaker 1: that's a little more to live on her couch. Dream

4010
04:34:06,200 --> 04:34:10,520
Speaker 1: chain was a fairytale. Finger Pupping is the ending popping

4011
04:34:11,240 --> 04:34:21,280
Speaker 1: listen man pop is a great thing. Fig But we

4012
04:34:21,400 --> 04:34:24,400
Speaker 1: know Fi, I just want to say it one more time.

4013
04:34:24,440 --> 04:34:31,360
Speaker 1: We reiterate everything, Oh Warri pass from so much success

4014
04:34:31,440 --> 04:34:40,640
Speaker 1: and so much joyous, so much whatever whatever that where

4015
04:34:40,640 --> 04:34:46,000
Speaker 1: we're here right now, it's a result of it. I've

4016
04:34:46,040 --> 04:34:49,840
Speaker 1: never I've never made this album and said, you know it,

4017
04:34:49,919 --> 04:34:52,400
Speaker 1: twenty five years later, I'm gonna be able to Spanish

4018
04:34:52,480 --> 04:34:56,640
Speaker 1: block listening to the flock because I just feel like

4019
04:34:56,680 --> 04:35:01,000
Speaker 1: the Spanish music playing right behind it. Part bears everywhere.

4020
04:35:05,080 --> 04:35:08,800
Speaker 1: Twenty five years later, with this, their trash fund up

4021
04:35:08,800 --> 04:35:15,000
Speaker 1: with this we signed up for five years ago, we

4022
04:35:15,160 --> 04:35:21,200
Speaker 1: all did. But you know what, ah, I can especially

4023
04:35:21,320 --> 04:35:25,080
Speaker 1: thinking trash, you know, for putting up for both for

4024
04:35:25,280 --> 04:35:30,520
Speaker 1: us prior to y'all being professionally being able to put

4025
04:35:30,600 --> 04:35:38,520
Speaker 1: up for us. But we're here and very thankful everything

4026
04:35:38,560 --> 04:35:42,120
Speaker 1: I went through, even the bad ship, the good ship,

4027
04:35:43,160 --> 04:35:46,440
Speaker 1: the medium ship, that's you, you know, the ship in between,

4028
04:35:46,560 --> 04:35:56,399
Speaker 1: like my whole and that little area is okay. Man,

4029
04:36:03,360 --> 04:36:12,120
Speaker 1: all been watching the football game and just scare usc

4030
04:36:12,360 --> 04:36:23,560
Speaker 1: fantastic say that. I'm not very serious. Man, Who do

4031
04:36:23,600 --> 04:36:26,600
Speaker 1: you watching basketball? I don't. I don't watch basketball. I

4032
04:36:26,720 --> 04:36:31,560
Speaker 1: watched no I watched basketball. I watched listen guy basketball

4033
04:36:33,919 --> 04:36:38,440
Speaker 1: coming in. But what I'm saying is, I'm very, very

4034
04:36:38,680 --> 04:36:43,000
Speaker 1: very thankful. But everyone who've been here, everyone who's Kaman,

4035
04:36:43,200 --> 04:36:50,080
Speaker 1: everyone who's a part of this album, because um, it

4036
04:36:50,160 --> 04:36:59,720
Speaker 1: truly is legendary. Mark speak on my life, legendary mark

4037
04:37:00,520 --> 04:37:05,559
Speaker 1: a lot of people's life, not just all. I had

4038
04:37:05,600 --> 04:37:10,320
Speaker 1: no idea talking about shooting somebody in my projects selling

4039
04:37:10,440 --> 04:37:16,200
Speaker 1: drugs to the person's art twenty five years later when

4040
04:37:16,240 --> 04:37:20,560
Speaker 1: we considered art, because I didn't put it in in

4041
04:37:20,640 --> 04:37:23,040
Speaker 1: the foul way. I put it in the artistic way.

4042
04:37:26,759 --> 04:37:31,079
Speaker 1: And it's beautiful. It's beautiful for being seeing what everyone

4043
04:37:31,240 --> 04:37:39,640
Speaker 1: has done their life leaving this coming back and again

4044
04:37:39,720 --> 04:37:45,280
Speaker 1: I'm thankful. Thankful my partner who was a fan of

4045
04:37:45,360 --> 04:37:50,559
Speaker 1: it prior to me meeting him, we didn't know me. Uh.

4046
04:37:51,200 --> 04:37:56,880
Speaker 1: Thank you for my DJ butch Uh who was from

4047
04:37:56,919 --> 04:37:59,800
Speaker 1: the other side of Queens and said, these guys are

4048
04:37:59,800 --> 04:38:03,440
Speaker 1: took about everything they're talking about because he knew exactly.

4049
04:38:03,919 --> 04:38:07,240
Speaker 1: Thank for for one of my closest friends who was

4050
04:38:07,280 --> 04:38:09,680
Speaker 1: a basketball player, who I probably sucked up with your

4051
04:38:09,720 --> 04:38:19,080
Speaker 1: basketball career a little bit, like a little bit. And

4052
04:38:19,200 --> 04:38:22,720
Speaker 1: then you know, you know what I'm thinking, my other,

4053
04:38:22,960 --> 04:38:28,079
Speaker 1: my other partner because the moment we met each other,

4054
04:38:28,360 --> 04:38:32,480
Speaker 1: we really just locked in. It was just like, you

4055
04:38:32,560 --> 04:38:36,960
Speaker 1: know what, fuck it, We're going do what the fun

4056
04:38:37,120 --> 04:38:40,840
Speaker 1: we want to do. And we did it, and we

4057
04:38:40,919 --> 04:38:43,440
Speaker 1: continue to do it. You're kind of doing it more

4058
04:38:43,520 --> 04:38:46,600
Speaker 1: than me. You keep doing them. Ship. I'm like, why

4059
04:38:54,040 --> 04:38:57,160
Speaker 1: you cant to you let me about your life and

4060
04:38:57,360 --> 04:39:00,120
Speaker 1: you you know the same ship with you. I got

4061
04:39:00,200 --> 04:39:06,360
Speaker 1: a question this guy saying with you know, you know, um,

4062
04:39:08,000 --> 04:39:10,760
Speaker 1: at one point, I can remember you learning the game,

4063
04:39:11,400 --> 04:39:14,120
Speaker 1: then you you venturing out, and then when you learning

4064
04:39:14,200 --> 04:39:17,199
Speaker 1: the game when you're home, then you know what's the game?

4065
04:39:17,600 --> 04:39:22,040
Speaker 1: It was two different things. Yeah, it was two different

4066
04:39:22,080 --> 04:39:23,600
Speaker 1: things that you learned in the game when you were

4067
04:39:23,600 --> 04:39:25,360
Speaker 1: supposed to learn the game, and then when you learn

4068
04:39:25,440 --> 04:39:28,680
Speaker 1: the game when your own And from Paul to Asap

4069
04:39:29,360 --> 04:39:32,920
Speaker 1: and for me to see your transitions, for me to

4070
04:39:32,960 --> 04:39:36,919
Speaker 1: see how calm and how collective you are now it's

4071
04:39:36,919 --> 04:39:47,520
Speaker 1: a beautiful thing. And I salute you know. We always

4072
04:39:47,800 --> 04:39:50,680
Speaker 1: want to give you more of your flowers than you deserve,

4073
04:39:52,840 --> 04:39:56,200
Speaker 1: because everyone here has said it. You know, we didn't

4074
04:39:56,240 --> 04:39:57,720
Speaker 1: we we didn't kind of know you was like the

4075
04:39:57,759 --> 04:40:02,320
Speaker 1: oracle back there. In fact, that's that's who you wind

4076
04:40:02,440 --> 04:40:07,920
Speaker 1: up being you, wind up being the or anybody who's

4077
04:40:07,919 --> 04:40:11,120
Speaker 1: sort of matrix. It was the art was a bad mother,

4078
04:40:13,600 --> 04:40:16,720
Speaker 1: good way in a great way, great way because you

4079
04:40:16,800 --> 04:40:22,200
Speaker 1: got you got good dog and the being. That's who

4080
04:40:22,280 --> 04:40:27,720
Speaker 1: you are for that's who you are. And we love that.

4081
04:40:28,160 --> 04:40:33,440
Speaker 1: I thank you, We love that, and we continue to

4082
04:40:33,520 --> 04:40:37,440
Speaker 1: love that. We continue to embrace it. Whether it's in

4083
04:40:37,520 --> 04:40:41,600
Speaker 1: your face or not in your face. Everyone comes around

4084
04:40:41,680 --> 04:40:46,600
Speaker 1: and says, you know what, Yeah, it was right. He

4085
04:40:46,720 --> 04:40:58,360
Speaker 1: might have been cheaty rights be responsible, responsible, So it's

4086
04:40:58,400 --> 04:41:12,440
Speaker 1: good that same responsible I tried. I tried to do

4087
04:41:12,640 --> 04:41:14,600
Speaker 1: a whole another record label. I try to make a

4088
04:41:14,640 --> 04:41:17,760
Speaker 1: whole other name. That my only thing that they said

4089
04:41:17,800 --> 04:41:26,920
Speaker 1: about me, said they I couldn't tell the thing, but

4090
04:41:27,080 --> 04:41:36,480
Speaker 1: I said, say he was sack. I keep playing about

4091
04:41:39,000 --> 04:41:42,640
Speaker 1: and I couldn't. I didn't want to call you so much,

4092
04:41:43,560 --> 04:41:45,280
Speaker 1: And then you called me that day. He was like,

4093
04:41:45,360 --> 04:41:46,760
Speaker 1: the man, but do you want to be at the

4094
04:41:46,840 --> 04:41:49,520
Speaker 1: Hip Hop Museum? I was like, just come to see me,

4095
04:41:51,400 --> 04:41:54,880
Speaker 1: because it was that same day Martin Mom. Moving on

4096
04:41:55,000 --> 04:42:01,160
Speaker 1: to you, Marian, I wanted to see you. I want

4097
04:42:01,240 --> 04:42:04,800
Speaker 1: to hang out with you. I wonder we generate everything

4098
04:42:04,919 --> 04:42:10,120
Speaker 1: that we did what makes me even more proud. What

4099
04:42:10,720 --> 04:42:20,280
Speaker 1: is tonight? She brought your wife? Hey man, you want

4100
04:42:21,320 --> 04:42:24,080
Speaker 1: my sign works here, but all my sons work for

4101
04:42:24,120 --> 04:42:30,080
Speaker 1: me somewhere. It's abound, but working for you because they're good.

4102
04:42:30,200 --> 04:42:34,200
Speaker 1: Are you paying them? Probably? I pay everybody keeps out.

4103
04:42:35,120 --> 04:42:38,160
Speaker 1: I pay the light. I don't even know why, but

4104
04:42:40,080 --> 04:42:45,480
Speaker 1: I but you know you to bring your family. I

4105
04:42:45,560 --> 04:42:50,160
Speaker 1: mean that in the world to me because you know, um,

4106
04:42:53,040 --> 04:42:57,360
Speaker 1: everything that we all went through all have better, right,

4107
04:42:57,440 --> 04:43:05,800
Speaker 1: a great memory. Yeah, for you to come you feel

4108
04:43:05,880 --> 04:43:09,560
Speaker 1: so okay made me feel like, you know what this

4109
04:43:09,680 --> 04:43:12,079
Speaker 1: is where we're supposed to move on to. Where we're

4110
04:43:12,080 --> 04:43:14,720
Speaker 1: supposed to go on to the next chapter of our

4111
04:43:14,840 --> 04:43:18,600
Speaker 1: life is our family. Is supposed to know our family sure,

4112
04:43:18,960 --> 04:43:22,040
Speaker 1: like like y'all y'r wife supposed to go coming out,

4113
04:43:24,520 --> 04:43:27,880
Speaker 1: get a bag or get a meal with my wife

4114
04:43:28,520 --> 04:43:31,840
Speaker 1: about calling up what I love about me and Fat

4115
04:43:31,919 --> 04:43:34,000
Speaker 1: Joe's relationship. I don't think me and Fat Joe's ever

4116
04:43:34,040 --> 04:43:37,920
Speaker 1: been on the phone. That's podcast our wives just told

4117
04:43:37,960 --> 04:43:39,400
Speaker 1: to me. I don't know why we think we get

4118
04:43:39,560 --> 04:43:44,760
Speaker 1: ambinos ship, but I actually enjoy it. And that's where

4119
04:43:44,960 --> 04:43:54,520
Speaker 1: me and you just go back for sure made him

4120
04:43:55,759 --> 04:44:00,920
Speaker 1: was ironically because when Martin left you kind of like yeah,

4121
04:44:01,040 --> 04:44:09,039
Speaker 1: you was, yeah, stay, that's why you got hold all

4122
04:44:09,080 --> 04:44:12,000
Speaker 1: the deaths. I've looked. I looked. I was like, yo,

4123
04:44:12,280 --> 04:44:14,520
Speaker 1: what's the word for that? I think was that it's

4124
04:44:14,560 --> 04:44:22,440
Speaker 1: a mos here some else, which was real, right, because

4125
04:44:22,800 --> 04:44:24,760
Speaker 1: that's real because if you think about it, if you

4126
04:44:24,800 --> 04:44:27,960
Speaker 1: were just Head for the worrid for very next album

4127
04:44:28,200 --> 04:44:31,000
Speaker 1: is r correct and if you listen to the r

4128
04:44:31,080 --> 04:44:34,320
Speaker 1: E skits, it's malfit as to me, it's you and

4129
04:44:34,520 --> 04:44:37,640
Speaker 1: Jungle straight up. A lot of people don't know that.

4130
04:44:39,480 --> 04:44:42,440
Speaker 1: And by the way, I bumped into with Jungle, with

4131
04:44:43,080 --> 04:44:50,760
Speaker 1: uh Andreesian Horrowitch with Ben Horwood, whole other thing. It's

4132
04:44:50,840 --> 04:44:56,800
Speaker 1: crazy there. But I'm at dinners and events and it's

4133
04:44:56,840 --> 04:44:59,720
Speaker 1: that Dirk with Ben and his family and feat your

4134
04:44:59,759 --> 04:45:02,960
Speaker 1: home into so Fie Horwitz and and meeting and that

4135
04:45:03,120 --> 04:45:07,320
Speaker 1: the double doubling back with Jungle, Like remember when we

4136
04:45:07,400 --> 04:45:08,960
Speaker 1: did to start a third and remember I called you.

4137
04:45:09,040 --> 04:45:10,560
Speaker 1: We was at the dinner. I was like, Yo, you

4138
04:45:10,600 --> 04:45:14,720
Speaker 1: don't in the dirt. So I say that to say

4139
04:45:16,720 --> 04:45:20,160
Speaker 1: proud of you, thank you, because through the grape vibe,

4140
04:45:20,919 --> 04:45:24,160
Speaker 1: it wasn't through just the Worridport through the grapevine. Everybody said,

4141
04:45:24,200 --> 04:45:26,480
Speaker 1: you know, I'm good your man, it's doing No, I'm

4142
04:45:26,520 --> 04:45:33,600
Speaker 1: good this guy. I'm like, no, because luckily I'm doing

4143
04:45:33,720 --> 04:45:38,320
Speaker 1: great myself. I'm just going to tap in man made

4144
04:45:38,400 --> 04:45:40,760
Speaker 1: him is doing But at the time, I know the

4145
04:45:40,840 --> 04:45:43,160
Speaker 1: norms and they didn't do that. Then then people start

4146
04:45:43,200 --> 04:45:53,160
Speaker 1: calling you Greg and I said, to your first or

4147
04:45:53,280 --> 04:45:56,800
Speaker 1: last name, you did and I was like, what I was?

4148
04:45:57,600 --> 04:46:00,400
Speaker 1: I was, I'm so proud. I'm not not I was.

4149
04:46:00,960 --> 04:46:03,920
Speaker 1: I am so proud, and I'm so proud of this

4150
04:46:04,240 --> 04:46:07,480
Speaker 1: gene of just us being able to sit here and

4151
04:46:07,640 --> 04:46:15,400
Speaker 1: maintain this um camaraderie that's right, to be able to

4152
04:46:15,480 --> 04:46:18,960
Speaker 1: continue to represent the Worrid for it. I remember me

4153
04:46:19,240 --> 04:46:22,440
Speaker 1: Um sitting there with one of our producers, no producers,

4154
04:46:22,520 --> 04:46:25,640
Speaker 1: ask him, well, are you going to do a concert

4155
04:46:25,759 --> 04:46:31,120
Speaker 1: for it? And today's episode confined that I would definitely

4156
04:46:32,560 --> 04:46:38,600
Speaker 1: doing one concert. Now my leggers fucked up. We'll figure

4157
04:46:38,640 --> 04:46:47,200
Speaker 1: it out, like they're just going to the studios. Shouldn't

4158
04:46:47,400 --> 04:47:05,160
Speaker 1: under right, Yeah, I ain't gonna lots don't really. I

4159
04:47:05,280 --> 04:47:11,760
Speaker 1: could literally write it fast like radio. I would write

4160
04:47:12,240 --> 04:47:14,440
Speaker 1: the real ship. But the thing you think you ain't

4161
04:47:14,480 --> 04:47:23,680
Speaker 1: gonna do that. Listen, listen, but but what but but

4162
04:47:24,080 --> 04:47:28,800
Speaker 1: but real ship? Because I want everyone to know that, Oh,

4163
04:47:29,759 --> 04:47:33,120
Speaker 1: everything I said is not play around everything. It's really

4164
04:47:33,680 --> 04:47:37,520
Speaker 1: to live and to do it and to help with

4165
04:47:38,080 --> 04:47:40,360
Speaker 1: frags said earlier. Do you say you want to do

4166
04:47:40,440 --> 04:47:43,039
Speaker 1: it again? As I would love to do it again.

4167
04:47:44,280 --> 04:47:47,079
Speaker 1: I would love to do it again in a version

4168
04:47:49,280 --> 04:47:53,640
Speaker 1: I can do that studio. So I'm going to behind

4169
04:47:53,720 --> 04:47:59,240
Speaker 1: his brother, Like is the right spot different from me?

4170
04:47:59,600 --> 04:48:01,080
Speaker 1: You got to be in the city. They're gonna need

4171
04:48:01,160 --> 04:48:08,680
Speaker 1: the city to run. It just comes this difference that

4172
04:48:10,560 --> 04:48:14,960
Speaker 1: you gotta be in the city. You gotta be you

4173
04:48:15,040 --> 04:48:21,680
Speaker 1: want to go, but it's crazy street ninety guys, wat y'all,

4174
04:48:22,200 --> 04:48:27,440
Speaker 1: don't York a talent watching? You gonna mark read the

4175
04:48:27,560 --> 04:48:35,640
Speaker 1: beat anywhere and pick your beat and go somewhere, right, Picky,

4176
04:48:35,800 --> 04:48:37,240
Speaker 1: you gotta pick the beats in New York and be

4177
04:48:37,320 --> 04:48:41,840
Speaker 1: angry because I don't do it to do what produces

4178
04:48:42,440 --> 04:48:48,520
Speaker 1: next schools in the hood. Let's do what we do it? Ship,

4179
04:48:48,720 --> 04:48:50,640
Speaker 1: You do that day, I gotta high out of the

4180
04:48:50,720 --> 04:48:55,759
Speaker 1: next year, the next in the Yeah, I'm gonna doll.

4181
04:48:56,400 --> 04:49:07,480
Speaker 1: Don't you help talking to you? It's just gonna. Let's

4182
04:49:07,520 --> 04:49:15,520
Speaker 1: go to s Let's go. I've been ships all your feet.

4183
04:49:15,600 --> 04:49:26,160
Speaker 1: You know I got you. No, No, I'll never go back. No, guys, Toronto,

4184
04:49:26,200 --> 04:49:29,719
Speaker 1: I think it's a good place. You gotta do. Yo,

4185
04:49:29,880 --> 04:49:32,040
Speaker 1: we gotta go back to Power Play Man. Come on, man,

4186
04:49:32,080 --> 04:49:34,800
Speaker 1: they still got the reels, EP and d reels on

4187
04:49:34,960 --> 04:49:40,480
Speaker 1: the floor. Man there, let's go get a minute in

4188
04:49:40,520 --> 04:49:43,480
Speaker 1: the museum. You see how I roll. Let's come on.

4189
04:49:45,240 --> 04:49:47,239
Speaker 1: That's why we should looking it out. Already got him

4190
04:49:47,240 --> 04:49:51,320
Speaker 1: because I want to go to bell Are Man's they

4191
04:49:51,400 --> 04:49:58,880
Speaker 1: go there. Let's go like a picture of Thanks for

4192
04:49:59,000 --> 04:50:01,480
Speaker 1: joining us for another episode of Drink Champs, hosted by

4193
04:50:01,560 --> 04:50:03,720
Speaker 1: Yours Truly, d j e f N and n O

4194
04:50:03,919 --> 04:50:05,919
Speaker 1: r E. Please make sure to follow us on all

4195
04:50:05,960 --> 04:50:09,640
Speaker 1: our socials. Let's add drink Champs across all platforms at

4196
04:50:09,680 --> 04:50:13,600
Speaker 1: the Real Noriegan, I g at Noriega on Twitter, mine

4197
04:50:13,680 --> 04:50:16,520
Speaker 1: is at Who's Crazy on I g at d J

4198
04:50:16,720 --> 04:50:19,240
Speaker 1: e f N on Twitter, and most importantly, stay up

4199
04:50:19,280 --> 04:50:22,440
Speaker 1: to date with the latest releases, news and merged by

4200
04:50:22,480 --> 04:50:30,960
Speaker 1: going to drink Champs dot com. For more podcasts from

4201
04:50:31,000 --> 04:50:35,080
Speaker 1: my Heart Radio, visit the iHeart Radio app, Apple podcast

4202
04:50:35,320 --> 04:50:37,200
Speaker 1: or wherever you listen to your favorite shows,