WEBVTT - David Adjaye

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<v Speaker 1>Welcome to River Cafe, Table four, a production of iHeartRadio

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<v Speaker 1>and Adamized Studios.

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<v Speaker 2>So I can't see David, I can see you in

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<v Speaker 2>my mind's I have you right in the center of

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<v Speaker 2>my mind.

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<v Speaker 3>I can see you too, You're in the center of

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<v Speaker 3>my heart. David Aja is a close friend and a

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<v Speaker 3>great architect. Everything he does, his buildings, his office, how

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<v Speaker 3>he works with clients, how he creates a family is

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<v Speaker 3>done with ethos, social concerns and the highest possible values.

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<v Speaker 4>He's in Ghana right now. I am in London, but

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<v Speaker 4>here we are together.

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<v Speaker 3>When you go to Rome, which you in the city,

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<v Speaker 3>you and I both love, and you go in the

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<v Speaker 3>spring to restaurants, they serve artichokes in so many different ways.

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<v Speaker 3>They boil them, they raise them. But the romana are

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<v Speaker 3>these kind of slow cloped arto jokes. Whole the stem

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<v Speaker 3>and meet the whole thing.

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<v Speaker 2>Killer. I love vegetable, so it's perfect artichokes. A la

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<v Speaker 2>romana serve six twelve small or six large violetta artichokes

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<v Speaker 2>with their stalks. Prepare the artichoke, but leave them whole.

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<v Speaker 2>Scoop out the choke with a teaspoon as each artichoke

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<v Speaker 2>is prepared. Place in a bowl of cold water with

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<v Speaker 2>the juice of two lemons for the herbs. Mix together

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<v Speaker 2>the parsley, mint, crush, garlic, and six tablespoons of olive

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<v Speaker 2>oil and season well. Drain the artichokes. Press the herb

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<v Speaker 2>mixture inside the center of each archer choke. Pour two

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<v Speaker 2>hundred and fifteen mili liters of olive oil into a

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<v Speaker 2>saucepan large enough to contain all the artichokes. Put the

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<v Speaker 2>artichokes stuffed side down, jam together so they stay upright.

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<v Speaker 2>Scatter any excess herb stuffing over the top. Add water

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<v Speaker 2>to come to one third of the way up the globes,

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<v Speaker 2>and bring to a boil. Reduce the heat. Cover with

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<v Speaker 2>a sheet of greasepoop paper, and place the lid on top.

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<v Speaker 2>Cook gently for about thirty minutes, or until the water

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<v Speaker 2>is evaporated and the autichokes have begun to brown at

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<v Speaker 2>the bottom and are tender. Serve with lemon wedges.

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<v Speaker 3>Autochokes are romana. They're the whole artichoke. I like to

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<v Speaker 3>put them over a sort of high heat so that

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<v Speaker 3>you get the crispiness on the outside. They almost I

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<v Speaker 3>always think they're kind of like eating candy because of

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<v Speaker 3>the caramelized nature the outer leaves. They're quite sweet in

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<v Speaker 3>a way. And when you go to rome which you

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<v Speaker 3>and I both love, and you go in the spring

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<v Speaker 3>to restaurants, they serve autichokes in so many different ways.

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<v Speaker 3>They boil them, they braize them. But the Romana are

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<v Speaker 3>these kind of slow cooked artichokes whole with the stem.

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<v Speaker 3>They're delicious. Are you vegetarian?

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<v Speaker 2>I'm vegetarian with a ten percent pescatarian. If it's really

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<v Speaker 2>great seafood.

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<v Speaker 3>And you don't eat dairy, right.

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<v Speaker 2>I don't eat dairy. Yeah, dairy's completely off, David.

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<v Speaker 3>I was just thinking that you are in Ghana. I'm

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<v Speaker 3>in London and I was thinking about the market in Ghana.

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<v Speaker 3>Are there artichokes? Are there huge amount of vegetables? Is

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<v Speaker 3>it seafood? Do you go to the market. What's it like?

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<v Speaker 2>Yes, you get a lot of fresh produce made by

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<v Speaker 2>very local producers. Most Genians go to markets still and

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<v Speaker 2>buy fresh produce every week every day. Yeah, it's an

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<v Speaker 2>amazing thing. I don't get to go as much as

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<v Speaker 2>I would love to, but whenever I've been, I've always

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<v Speaker 2>been sort of thrilled by the kind of variety and

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<v Speaker 2>the diversity. It's also on the coast, so there's excellent

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<v Speaker 2>fish here. Even though I'm a vegetarian, I you know,

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<v Speaker 2>when there's a fresh catch, I'm always tempted. The family's

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<v Speaker 2>always tempted. We always get fresh, fresh fish.

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<v Speaker 3>Is there one large market or are there lots all

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<v Speaker 3>over the city.

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<v Speaker 2>Or is it there's a main market, which is the

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<v Speaker 2>city market, but there are lots of small markets all

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<v Speaker 2>over the city, so there are local sort of little

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<v Speaker 2>stalls and places that you can get it. But there's

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<v Speaker 2>a main market called Makala Market in the center of

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<v Speaker 2>the city, which is the main hive of activity. What

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<v Speaker 2>are the vegetables that you The vegetables have different shapes

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<v Speaker 2>and colors, sometimes the same names, but very different shapes

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<v Speaker 2>and colors. Yeah, there's a kind of incredible, you know

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<v Speaker 2>that lovely kind of aroma of markets which you see

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<v Speaker 2>all over the world. There's a kind of African version

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<v Speaker 2>of that, which is dense and incredible colors and things

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<v Speaker 2>like that. Ashley, my wife is obsessed with the markets,

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<v Speaker 2>so she's always sneaking off to go look at what's new.

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<v Speaker 2>What's also wonderful about these markets is the way in

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<v Speaker 2>which you understand the seasonality of produce, which is so

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<v Speaker 2>clear here. Foods come in seasons and waves, and you know,

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<v Speaker 2>you suddenly get something and everybody wants it for the

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<v Speaker 2>next few months and then it's gone.

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<v Speaker 3>And then it's gone. That's something I think.

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<v Speaker 2>Something exactly and that is a new thing. You know.

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<v Speaker 2>London is something where you can get things all the

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<v Speaker 2>time and you forget about seeonality. Yeah, and that's something

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<v Speaker 2>we're really enjoying about our crowd that things come and

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<v Speaker 2>go depending on when they're in season. It's really beautiful.

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<v Speaker 3>What's it like there now? Is it warm? Is it bring?

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<v Speaker 2>Yes? Yes? Because Ghana is on the equator more or less,

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<v Speaker 2>we're really always between something like twenty and thirty five

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<v Speaker 2>degrees At worst, it's like thirty five, but it's never

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<v Speaker 2>below twenty. You know, twenty. People are wearing jumpers here

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<v Speaker 2>because they think it's cold, and we're always laughing when

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<v Speaker 2>they say it's cold, Like, really, it's relative.

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<v Speaker 3>How does it feel being there? What does it feel like.

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<v Speaker 2>Now we've been here a couple of years and it's

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<v Speaker 2>it's still really lovely. We're really enjoying it very much.

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<v Speaker 2>It's a totally different atmosphere, but it's one that you know,

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<v Speaker 2>is really very special. Gettian's are very warm, so it's

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<v Speaker 2>a very kind of social culture that's very much about

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<v Speaker 2>you know, it takes a village to look after a family.

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<v Speaker 2>So there's a kind of friendliness that people you know,

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<v Speaker 2>have care for each other that I really really love.

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<v Speaker 2>We're still discovering it, you know, Acros the city we

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<v Speaker 2>know very well. The country. We're sort of traveling around

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<v Speaker 2>now to really understand. And it's wonderful to just to

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<v Speaker 2>go with the kids to you know, my father's ancestral

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<v Speaker 2>village or my mother's ancestral village and just to see

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<v Speaker 2>these places for them to see it. Yeah, it's kind

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<v Speaker 2>of great.

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<v Speaker 3>Tell me the story of your family, your parents.

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<v Speaker 2>Yeah, So Ghana, you know, a quick set of history.

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<v Speaker 2>Ghana was you know, colonial outpost. It was one of

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<v Speaker 2>the first Sub Saharan country to gain independence in the

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<v Speaker 2>late fifties fifty seven to be exact. And my father

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<v Speaker 2>was part of a sort of royal family in a

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<v Speaker 2>sort of a farming village called ad Also and the

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<v Speaker 2>then Prime minister President and Krumer sort of asked for

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<v Speaker 2>all the sort of learned characters to go into education

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<v Speaker 2>and go into government immediately. They were sort of brought

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<v Speaker 2>in when the British left. So my father was part

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<v Speaker 2>of that first wave of moving from the village and

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<v Speaker 2>coming to the city and you know, working in the

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<v Speaker 2>various departments and finally getting to be accepted in the

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<v Speaker 2>diplomatic corps. He met my mother in Akra. She was

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<v Speaker 2>also kind of came from the village and sort of

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<v Speaker 2>started working in the city. They met, they fell in love.

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<v Speaker 2>My father was good at his job, I guess, and

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<v Speaker 2>was quickly given the position of going on a posting

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<v Speaker 2>to East Africa, and that's where we were born. So

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<v Speaker 2>myself and my brothers were all born in East Africa.

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<v Speaker 2>I was born in Tanzania, brothers born in Kenya and Uganda,

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<v Speaker 2>and then we came back to Ghana for a few years.

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<v Speaker 2>So I had a few years in Ghana and I

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<v Speaker 2>had wonderful sort of memories of just that time, and

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<v Speaker 2>it was the sort of childhood memory of you know,

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<v Speaker 2>my earliest home, you know, growing up with a co

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<v Speaker 2>coach garden.

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<v Speaker 3>What year was that, David, This would.

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<v Speaker 2>Have been in the seventies, in the early seventies, And

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<v Speaker 2>then we moved from there. My father then was reposted

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<v Speaker 2>to North Africa and the Middle East before we came

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<v Speaker 2>to England in the late seventies.

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<v Speaker 3>Food wise, it sounds very exotic to have had Tantana

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<v Speaker 3>and in North African food and Ghana before you were

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<v Speaker 3>sent into the food of England. I think hows childhood

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<v Speaker 3>memories of food stay with you forever, the food that

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<v Speaker 3>you go back to and that you love.

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<v Speaker 2>Yeah. No, I have a very eclectic sense of water

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<v Speaker 2>is possible as food and the different varieties, you know.

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<v Speaker 2>I still love East Indian sort of cuisine with the

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<v Speaker 2>way in which it's sort of you know, And that

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<v Speaker 2>was all East Africa. I guess that must have been,

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<v Speaker 2>you know, the sort of huge influence of the Indian

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<v Speaker 2>community on East End.

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<v Speaker 3>What is that like? Is it very spicy.

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<v Speaker 2>Massalas and spicy massalas and doughs and flavored meats and

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<v Speaker 2>fishes and vegetables. And then there's Ghana which is really

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<v Speaker 2>root vegetables and soups, really very soup based and fisial

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<v Speaker 2>meat if you had money. And then North Africa with

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<v Speaker 2>its incredible messes and bread, you know. And so I

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<v Speaker 2>had all that before coming to England and coming into

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<v Speaker 2>England just when that sort of beginning with the transformation

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<v Speaker 2>of you know, I sort of remember the Conrade Shop

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<v Speaker 2>and all these sort of places where you know, food

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<v Speaker 2>was suddenly in discovering Italian food in London. That was

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<v Speaker 2>kind of the moment when it was like, oh my god,

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<v Speaker 2>you know, and the transformation of Italian food into English

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<v Speaker 2>food and the sort of love affair that started with

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<v Speaker 2>that which led me to you when you yes, and

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<v Speaker 2>you know as my favorite restaurant in London of course.

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<v Speaker 3>But did you have home cooking? Did your mother cook,

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<v Speaker 3>did your father cook? Or do you remember her being

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<v Speaker 3>in the kitchen?

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<v Speaker 2>Yes?

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<v Speaker 3>I always think of somebody that really loves food and

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<v Speaker 3>wants to know what the next meal is going to be.

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<v Speaker 3>You stayed with us. What are we eating?

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<v Speaker 2>Yeah?

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<v Speaker 3>What are we having? And so as a child, was

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<v Speaker 3>your mother was that part of her love and attention

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<v Speaker 3>to you?

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<v Speaker 2>My mother did cook, and we were three boys, and

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<v Speaker 2>she was very determined that we would from a very

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<v Speaker 2>early age understand cooking and be in love with it.

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<v Speaker 2>So I think I remember being like ten eleven and

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<v Speaker 2>my mother when we came to England, you know, her

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<v Speaker 2>going all right, now you're going to learn how to

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<v Speaker 2>make food for yourself. So she's sort of frog marches

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<v Speaker 2>in the kitchen and just started to really unfold the

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<v Speaker 2>idea of heat and cooking and doing things and to

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<v Speaker 2>feel really comfortable. And she made us watch her do things,

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<v Speaker 2>so all three of us know how to cook, which

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<v Speaker 2>was something that she really instilled in us, as in,

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<v Speaker 2>I don't mean that we're chefs, but in any way,

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<v Speaker 2>but we're comfortable good cook.

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<v Speaker 3>Now you're your food, You're good, you're a good cut.

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<v Speaker 2>We know we were comfortable with the sort of you know, frying, boiling,

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<v Speaker 2>baking sort of things, and that came from her. And

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<v Speaker 2>you know, I think because we traveled so much, she

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<v Speaker 2>always made us Ganian food and it was a kind

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<v Speaker 2>of constant for her. So she always unfolded a kind

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<v Speaker 2>of weekly menu, actually very rarely varied, but it was

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<v Speaker 2>a kind of like weekends we had these soups and

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<v Speaker 2>these things called fufu, and then week with what food

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<v Speaker 2>is that kind of yam and cassava sort of dumpling.

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<v Speaker 2>It's like it tastes like nyoki, but a gigantic nyoki

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<v Speaker 2>with soups and fishes and meats. Poured on it, and

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<v Speaker 2>that was the kind of weekend and special. But then

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<v Speaker 2>in the week you would have things like jeelof which

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<v Speaker 2>is rice with tomato bays and vegetables and you know,

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<v Speaker 2>foods in it and vegetables, et cetera. And she'd sort

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<v Speaker 2>of be very methodical about it. And I used to

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<v Speaker 2>at some point I used to think, God, can we

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<v Speaker 2>shift these things? You know? And now like I do

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<v Speaker 2>it with my kids. It's something that we do. You do, yeah,

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<v Speaker 2>and it's really quite beautiful.

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<v Speaker 3>Did your mother ever cook British food? Machine interested in that.

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<v Speaker 2>Once in a while she'd make something. Yeah, I mean

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<v Speaker 2>she'd make a roast for you know, at Christmas, we

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<v Speaker 2>had a hybrid, so it was like the sort of

0:11:49.160 --> 0:11:52.520
<v Speaker 2>you know, we in a family loved pies, so apple

0:11:52.559 --> 0:11:54.920
<v Speaker 2>pies and things like that would be made by my mum.

0:11:55.480 --> 0:11:58.079
<v Speaker 2>So there were certain things that were treats from the

0:11:58.120 --> 0:12:00.160
<v Speaker 2>world that we were in that it was part of

0:12:00.320 --> 0:12:02.240
<v Speaker 2>the sort of the thing. But you know, we were

0:12:02.280 --> 0:12:05.480
<v Speaker 2>at school, so we were having school meals and so

0:12:05.520 --> 0:12:07.080
<v Speaker 2>she was like, Okay, you're getting English food. I want

0:12:07.120 --> 0:12:08.920
<v Speaker 2>to make sure that you still understand the food of.

0:12:08.960 --> 0:12:11.560
<v Speaker 3>Your Yeah, yeah, do you cook now.

0:12:11.640 --> 0:12:13.640
<v Speaker 2>You know, I love I love cooking. I don't get

0:12:13.880 --> 0:12:16.720
<v Speaker 2>as much chance to cook as I would like to. Ashley,

0:12:16.840 --> 0:12:19.680
<v Speaker 2>my wife loves to kind of cook, so she wants

0:12:19.720 --> 0:12:22.280
<v Speaker 2>to lead that I do. On the weekends, I have

0:12:22.640 --> 0:12:24.840
<v Speaker 2>one day where I cook for the entire family. So

0:12:24.920 --> 0:12:28.320
<v Speaker 2>I have a Sunday a Sunday sort of meal that

0:12:28.360 --> 0:12:30.760
<v Speaker 2>I always make. And you know what is it? But

0:12:30.960 --> 0:12:34.640
<v Speaker 2>you cook, it's just vegetables and a kind of pasta

0:12:35.200 --> 0:12:37.400
<v Speaker 2>and bits. So I kind of make a kind of

0:12:37.800 --> 0:12:40.880
<v Speaker 2>a hybrid, but it's really I kind of get market vegetables.

0:12:40.920 --> 0:12:43.160
<v Speaker 2>What I do is I kind of I finish off

0:12:43.240 --> 0:12:45.200
<v Speaker 2>the week whatever's left over, and I kind of make

0:12:45.240 --> 0:12:49.960
<v Speaker 2>it into this flavored sort of stew pasta thing with

0:12:50.040 --> 0:12:51.000
<v Speaker 2>other sort of supports.

0:12:51.720 --> 0:12:54.000
<v Speaker 3>How do the kids come and cook with you? Do

0:12:54.120 --> 0:12:54.679
<v Speaker 3>they cook?

0:12:54.840 --> 0:12:57.280
<v Speaker 2>Yes? They do. Now. They love coming in and wanting

0:12:57.320 --> 0:13:01.199
<v Speaker 2>to get involved. And it's always just green vegetables, every

0:13:01.240 --> 0:13:03.320
<v Speaker 2>green that we can find. So we're looking at peas

0:13:03.440 --> 0:13:07.040
<v Speaker 2>and cabbage and broccoli, and you know, we're boiling them

0:13:07.200 --> 0:13:09.480
<v Speaker 2>and we're sort of there's this calenders that are used

0:13:09.520 --> 0:13:11.600
<v Speaker 2>in Ghana, so we then sort of crushed them in

0:13:11.600 --> 0:13:13.760
<v Speaker 2>the calendar to make a paste green and then we

0:13:13.800 --> 0:13:16.480
<v Speaker 2>add flavors to it and stuff. It's become a little thing.

0:13:16.920 --> 0:13:20.760
<v Speaker 3>We're trying to think how we met, and I think, well,

0:13:20.800 --> 0:13:22.560
<v Speaker 3>you could tell the story, but wasn't it I thought

0:13:22.559 --> 0:13:27.040
<v Speaker 3>it was that Richard was so so impressed and so

0:13:27.920 --> 0:13:30.400
<v Speaker 3>in all of your work. I don't think he taught you,

0:13:30.480 --> 0:13:32.160
<v Speaker 3>but you knew him when you were a student or

0:13:32.280 --> 0:13:33.920
<v Speaker 3>was it after the graduate? Oh?

0:13:34.000 --> 0:13:37.680
<v Speaker 2>Yeah, Richard was an icon forever. But he really entered

0:13:37.840 --> 0:13:40.240
<v Speaker 2>my life sort of directly as a person when I

0:13:40.280 --> 0:13:43.199
<v Speaker 2>started my career sort of sort of early two thousand

0:13:43.600 --> 0:13:46.000
<v Speaker 2>and I made this house called the Electra House and

0:13:46.120 --> 0:13:48.280
<v Speaker 2>that's right, yeah, And it was published in Domus and

0:13:48.320 --> 0:13:51.160
<v Speaker 2>he saw it and he really loved it and called

0:13:51.280 --> 0:13:52.720
<v Speaker 2>me to talk to him about it. And that's I

0:13:52.720 --> 0:13:54.920
<v Speaker 2>think that's where we first met, Ruth. That was around

0:13:54.960 --> 0:13:57.600
<v Speaker 2>that time, and it's an incredible journey.

0:13:57.800 --> 0:14:02.000
<v Speaker 3>We met through architecture and food. That connection has lasted

0:14:02.040 --> 0:14:05.320
<v Speaker 3>through many years, and it was a period it seemed

0:14:05.320 --> 0:14:08.760
<v Speaker 3>that you were traveling an enormous amount fabulous places and

0:14:09.120 --> 0:14:12.880
<v Speaker 3>building buildings everywhere. Do you think about what the food

0:14:12.920 --> 0:14:14.800
<v Speaker 3>will be like in that city? Does it? Do you

0:14:14.840 --> 0:14:16.160
<v Speaker 3>start thinking where will I eat.

0:14:16.600 --> 0:14:19.440
<v Speaker 2>Yeah, No, I think I've practically designed you know, I

0:14:20.080 --> 0:14:23.560
<v Speaker 2>literally the food where I go to eat is intimately

0:14:23.600 --> 0:14:26.680
<v Speaker 2>linked with the places that I'm actually working, and what

0:14:26.720 --> 0:14:29.480
<v Speaker 2>I like to kind of have there is very important.

0:14:29.560 --> 0:14:31.640
<v Speaker 2>When I travel, It's not about anything but just having

0:14:31.680 --> 0:14:34.920
<v Speaker 2>to find places where the food is hard still and

0:14:34.960 --> 0:14:37.880
<v Speaker 2>that the food reflects something that really gives you a

0:14:37.960 --> 0:14:40.680
<v Speaker 2>sense of, you know, comfort where you are. It is

0:14:40.680 --> 0:14:43.400
<v Speaker 2>so important to me. I just detest traveling and eating

0:14:43.400 --> 0:14:45.760
<v Speaker 2>generic food. I really like to feel like I've sort

0:14:45.760 --> 0:14:48.400
<v Speaker 2>of arrived somewhere in that that food is part of

0:14:48.440 --> 0:14:51.520
<v Speaker 2>the place and I'm sort of engaging in that. Something

0:14:51.560 --> 0:14:53.680
<v Speaker 2>that's really nice and gonea now is it's all about

0:14:53.800 --> 0:14:57.120
<v Speaker 2>chefs making food in their homes, especially during this COVID

0:14:57.160 --> 0:14:59.440
<v Speaker 2>time for just like for just two or three people,

0:15:00.080 --> 0:15:02.800
<v Speaker 2>and that's been kind of amazing to experience. You just

0:15:02.840 --> 0:15:05.040
<v Speaker 2>get like half a dozen people invited, and it's in

0:15:05.040 --> 0:15:07.520
<v Speaker 2>the garden because the weather is so great. It's socially

0:15:07.560 --> 0:15:10.080
<v Speaker 2>distanced in the garden. You know, there's a chef called Selassian.

0:15:10.480 --> 0:15:12.200
<v Speaker 2>She has a kind of pop up Comadounia, and she's

0:15:12.240 --> 0:15:15.360
<v Speaker 2>doing incredible things with ganny and food, so she's been

0:15:15.360 --> 0:15:17.600
<v Speaker 2>a kind of whenever she does a real run to

0:15:18.280 --> 0:15:20.280
<v Speaker 2>go eat. So this idea of like eating in a

0:15:20.320 --> 0:15:22.640
<v Speaker 2>place where you know, where somebody really you know, I

0:15:22.680 --> 0:15:24.600
<v Speaker 2>think the best way to describe is that where the

0:15:24.640 --> 0:15:27.520
<v Speaker 2>food is hard, you know, it's not just product, not

0:15:27.600 --> 0:15:30.600
<v Speaker 2>just stuff, like exactly what you do. You've sort of

0:15:30.920 --> 0:15:33.320
<v Speaker 2>taught the world that Ruthie and I think it's it's

0:15:33.320 --> 0:15:36.720
<v Speaker 2>going around. I see versions of you in the younger

0:15:36.760 --> 0:15:40.080
<v Speaker 2>generations all around as they try to really connect with

0:15:40.120 --> 0:15:42.320
<v Speaker 2>food in a much more powerful way.

0:15:42.560 --> 0:15:44.720
<v Speaker 3>I think that is, you know, what does it mean

0:15:44.760 --> 0:15:46.720
<v Speaker 3>to go to a restaurant? What does it mean to

0:15:47.600 --> 0:15:51.000
<v Speaker 3>go with your friends? And something we've all missed enormously,

0:15:51.680 --> 0:15:54.440
<v Speaker 3>certainly when people have come back to the River Cafe

0:15:54.560 --> 0:15:57.640
<v Speaker 3>having been away for so long, it's quite emotion being

0:15:57.680 --> 0:15:58.520
<v Speaker 3>in a room with people.

0:15:58.560 --> 0:15:58.800
<v Speaker 5>Do that.

0:15:58.960 --> 0:16:00.840
<v Speaker 3>Is there a certain restaurant you like or don't like

0:16:00.920 --> 0:16:02.640
<v Speaker 3>it that you feel comfortable in?

0:16:03.120 --> 0:16:03.320
<v Speaker 5>Yeah?

0:16:03.360 --> 0:16:06.320
<v Speaker 2>I'm very specific about the kinds of places that I

0:16:06.440 --> 0:16:07.240
<v Speaker 2>like and don't like.

0:16:07.440 --> 0:16:09.760
<v Speaker 3>Yeah, let's go for the positive. What do you like

0:16:09.800 --> 0:16:10.480
<v Speaker 3>in a restaurant?

0:16:10.760 --> 0:16:13.040
<v Speaker 2>I like it to have a certain kind of authenticity,

0:16:13.640 --> 0:16:17.320
<v Speaker 2>to feel like it's not trying to bamboozle me with effects,

0:16:17.840 --> 0:16:21.200
<v Speaker 2>but it's confident in itself and it's trying to reflect

0:16:21.240 --> 0:16:22.640
<v Speaker 2>a little bit of what its culture is.

0:16:22.960 --> 0:16:25.880
<v Speaker 3>And what about designing, Because you're in art, you've designed, Yeah,

0:16:25.960 --> 0:16:27.760
<v Speaker 3>public buildings, restaurants.

0:16:27.800 --> 0:16:30.800
<v Speaker 2>Have you designed that you I haven't designed a restaurant yet,

0:16:30.800 --> 0:16:34.240
<v Speaker 2>but I'm right now designing the restaurant for Princeton Art Museum.

0:16:34.360 --> 0:16:36.560
<v Speaker 2>That's that's probably the closest I'm getting to my first

0:16:36.560 --> 0:16:38.720
<v Speaker 2>I have a restaurant. Actually, ironically, do you.

0:16:38.680 --> 0:16:41.640
<v Speaker 3>Know what it will be like the restaurant in the museum.

0:16:41.760 --> 0:16:45.120
<v Speaker 2>Yeah, it's trying to really the things I said have

0:16:45.160 --> 0:16:47.480
<v Speaker 2>a certain kind of quality that has a certain sort

0:16:47.480 --> 0:16:49.400
<v Speaker 2>of openness. Is kind of has its own terrace, so

0:16:49.400 --> 0:16:52.120
<v Speaker 2>it's open onto a really beautiful terrace that overlooks the grounds.

0:16:52.720 --> 0:16:54.920
<v Speaker 2>Trying to make it feel not in any way that

0:16:54.960 --> 0:16:58.600
<v Speaker 2>it's exclusive, but it has a kind of egalitarian quality.

0:16:58.600 --> 0:17:01.520
<v Speaker 2>But it's really good quality as a kind of quality

0:17:01.560 --> 0:17:04.000
<v Speaker 2>in the kind of pieces that are around you, the

0:17:04.040 --> 0:17:05.720
<v Speaker 2>things that you touch, the things that you kind of

0:17:05.720 --> 0:17:08.199
<v Speaker 2>got next to. But it also kind of honest the

0:17:08.240 --> 0:17:11.080
<v Speaker 2>idea of food that it has a certain ritual quality

0:17:11.080 --> 0:17:12.879
<v Speaker 2>to it as well. I think that that's really lovely

0:17:12.920 --> 0:17:15.719
<v Speaker 2>in a restaurant that it feels like a ritual, very

0:17:15.760 --> 0:17:19.440
<v Speaker 2>important social ritual. It's not just totally casual. So it's

0:17:19.440 --> 0:17:22.840
<v Speaker 2>a kind of fine blend between being you know, somehow

0:17:23.240 --> 0:17:36.240
<v Speaker 2>serious but not looking too serious.

0:17:37.280 --> 0:17:40.160
<v Speaker 3>What's the project you're most excited about right now?

0:17:40.520 --> 0:17:44.919
<v Speaker 2>Gosh, we're doing projects. I love what I'm doing. The

0:17:44.920 --> 0:17:46.840
<v Speaker 2>Studio Museum in Harlem, I think is a very important

0:17:46.840 --> 0:17:50.879
<v Speaker 2>project for me. The Abu Dhabi Abrahamic Center is a

0:17:50.960 --> 0:17:53.760
<v Speaker 2>very important one. Building the National Cathedral for Ghana is

0:17:53.840 --> 0:17:56.320
<v Speaker 2>really like a dream. You know. It makes me remind

0:17:56.560 --> 0:17:59.280
<v Speaker 2>my father, who passed away five years ago. So being

0:17:59.320 --> 0:18:02.600
<v Speaker 2>back in his country and building a national monument for

0:18:02.640 --> 0:18:05.239
<v Speaker 2>this country is a great sort of humbling honor. So

0:18:05.320 --> 0:18:07.000
<v Speaker 2>there's some of the big highlights right now.

0:18:07.520 --> 0:18:12.480
<v Speaker 3>So, David, you've just won the Riba Gold Medal, and

0:18:12.720 --> 0:18:16.280
<v Speaker 3>I think about how brilliant that is for you, for

0:18:16.359 --> 0:18:19.200
<v Speaker 3>the people who've worked with you, for the work that you've done.

0:18:19.480 --> 0:18:22.320
<v Speaker 3>Thank you your speech and what you'll say and who

0:18:22.400 --> 0:18:25.080
<v Speaker 3>will speak with you. But I'm also thinking about what

0:18:25.119 --> 0:18:27.800
<v Speaker 3>we're going to eat afterwards when we have the party

0:18:27.840 --> 0:18:31.200
<v Speaker 3>for you, And so do you have some thoughts about

0:18:31.200 --> 0:18:33.080
<v Speaker 3>what you'd like to eat. Should we do a menu

0:18:33.200 --> 0:18:34.760
<v Speaker 3>right now? Do you have your piece of paper and.

0:18:34.800 --> 0:18:39.280
<v Speaker 2>Pen ruthy, I would be thrilled if you would design

0:18:39.320 --> 0:18:40.040
<v Speaker 2>a menu with me.

0:18:40.240 --> 0:18:43.240
<v Speaker 3>Okay, well, let's see. We're here. It's in May, isn't it.

0:18:43.240 --> 0:18:45.479
<v Speaker 3>It's the end of May. So that will be a

0:18:45.520 --> 0:18:48.760
<v Speaker 3>fantastic talking about the way you were talking about the

0:18:48.880 --> 0:18:52.920
<v Speaker 3>arrival and the departure of vegetables, and so the arrival

0:18:52.960 --> 0:18:56.600
<v Speaker 3>of May couldn't be a better season. They'll be beautiful melons,

0:18:56.720 --> 0:19:01.040
<v Speaker 3>they'll be asparagus, they'll be peas and green beans, and so,

0:19:01.880 --> 0:19:04.639
<v Speaker 3>in a way, I think we could start out with

0:19:04.920 --> 0:19:08.760
<v Speaker 3>a long table full of antipasity and vegetables.

0:19:08.800 --> 0:19:09.360
<v Speaker 2>We could have.

0:19:09.880 --> 0:19:14.160
<v Speaker 3>Asparagus with pramesan cheese and butter, and we could have

0:19:14.440 --> 0:19:18.320
<v Speaker 3>a zucchini that have been boiled and then marinated with mint,

0:19:19.200 --> 0:19:21.080
<v Speaker 3>and so we could start with that, which will get

0:19:21.160 --> 0:19:24.280
<v Speaker 3>us all into a very good mood. And then we

0:19:24.359 --> 0:19:26.920
<v Speaker 3>could have because I know you love tomato pasta.

0:19:26.640 --> 0:19:28.480
<v Speaker 2>Don't you, Yes, I do, one of my favorites.

0:19:29.040 --> 0:19:30.800
<v Speaker 3>But then you know, maybe that would be a time,

0:19:30.880 --> 0:19:33.000
<v Speaker 3>as you said, you save it for special occasions and

0:19:33.000 --> 0:19:35.800
<v Speaker 3>when it's particularly good. We could have fish, which we

0:19:35.800 --> 0:19:39.960
<v Speaker 3>could have a whole sea bass baked in salt. We

0:19:40.040 --> 0:19:43.000
<v Speaker 3>could have we could just decide a few days before

0:19:43.040 --> 0:19:47.160
<v Speaker 3>within what sea bass or turbot or if possible, wild salmon.

0:19:47.320 --> 0:19:51.840
<v Speaker 2>I'm just drooling to my mind is a flame with images.

0:19:54.200 --> 0:19:56.600
<v Speaker 3>And then let's see what else. What would you like

0:19:56.680 --> 0:19:57.240
<v Speaker 3>for dessert?

0:19:57.640 --> 0:19:59.800
<v Speaker 2>So I'm blackness in tolerance that you remember it. So

0:20:00.040 --> 0:20:02.280
<v Speaker 2>it has to be non dairy, if that's possible.

0:20:02.400 --> 0:20:04.080
<v Speaker 3>Okay, would you like a sorbet?

0:20:04.480 --> 0:20:05.680
<v Speaker 2>Sorbets are always great?

0:20:05.760 --> 0:20:07.240
<v Speaker 3>What food do you like?

0:20:07.480 --> 0:20:11.600
<v Speaker 2>Oh gosh, it's from lemons to I'm just a sorbet fan.

0:20:11.960 --> 0:20:14.000
<v Speaker 2>Sounds amazing, sounds amazing.

0:20:14.280 --> 0:20:17.959
<v Speaker 3>So we're talking about food. It's memory. It's very moving

0:20:18.080 --> 0:20:21.960
<v Speaker 3>to hear you say, how many years later, through all

0:20:22.000 --> 0:20:24.240
<v Speaker 3>the travels and all the work that you have memories

0:20:24.280 --> 0:20:28.040
<v Speaker 3>of your mother and meal times with your family, but

0:20:28.160 --> 0:20:31.240
<v Speaker 3>also being in the kitchen and the Ghanian and the

0:20:31.359 --> 0:20:35.960
<v Speaker 3>Tanzanian and the Northern African food. And now your children

0:20:36.000 --> 0:20:39.800
<v Speaker 3>were born in London, but they're living in Ghana. So

0:20:39.880 --> 0:20:42.159
<v Speaker 3>when you think if we were doing this interview with

0:20:42.240 --> 0:20:45.800
<v Speaker 3>them in thirty years time, what do you think their

0:20:45.840 --> 0:20:47.159
<v Speaker 3>memories will be a food.

0:20:47.640 --> 0:20:50.159
<v Speaker 2>I think that I would love for them to feel

0:20:50.280 --> 0:20:53.800
<v Speaker 2>really connected to global cuisine, that they know the kind

0:20:53.800 --> 0:20:56.000
<v Speaker 2>of the different foods of the world in different parts

0:20:56.000 --> 0:20:59.040
<v Speaker 2>of the world, in different places, but they also understand

0:20:59.200 --> 0:21:02.600
<v Speaker 2>a strong part of their heritage, that they understand food

0:21:02.720 --> 0:21:06.439
<v Speaker 2>from West Africa, from Ghana specifically, and that they're able

0:21:06.520 --> 0:21:10.399
<v Speaker 2>to bridge those worlds, and that they remember, you know,

0:21:10.880 --> 0:21:13.719
<v Speaker 2>making food with us in the kitchen here in Ghana

0:21:13.800 --> 0:21:17.560
<v Speaker 2>and making amazing dishes and tasting new things and new

0:21:17.680 --> 0:21:21.560
<v Speaker 2>fruit and new things here that really trigger memories for

0:21:21.600 --> 0:21:23.160
<v Speaker 2>them about their lives.

0:21:24.359 --> 0:21:26.920
<v Speaker 3>There. You are, I don't know how many miles aways

0:21:27.440 --> 0:21:28.440
<v Speaker 3>from London, it's.

0:21:28.359 --> 0:21:34.199
<v Speaker 5>About six thousand miles, so six thousand miles away, and

0:21:34.440 --> 0:21:38.680
<v Speaker 5>we're talking about what's brought us clothes together in this

0:21:38.760 --> 0:21:42.720
<v Speaker 5>conversation is food and architecture and family and parents and

0:21:43.000 --> 0:21:45.720
<v Speaker 5>memories and childhood and our own children.

0:21:46.240 --> 0:21:50.239
<v Speaker 3>We give food for love, we give for caring. We

0:21:50.280 --> 0:21:54.320
<v Speaker 3>eat food together, and we also eat food for comfort.

0:21:54.560 --> 0:21:57.600
<v Speaker 3>What would you say your comfort food.

0:21:57.440 --> 0:22:01.160
<v Speaker 2>Is nothing grand. It goes back to memories of my mother,

0:22:01.240 --> 0:22:05.240
<v Speaker 2>but it really is. It's soups. It's vegetable soups that

0:22:05.320 --> 0:22:07.600
<v Speaker 2>my mother used to make I sort of make versions

0:22:07.600 --> 0:22:10.720
<v Speaker 2>of it myself, and it's funny. Being in the heat here,

0:22:10.720 --> 0:22:12.480
<v Speaker 2>I would have thought I would not have so many suits,

0:22:12.480 --> 0:22:14.400
<v Speaker 2>but I've actually become even more of a soup consumer.

0:22:14.800 --> 0:22:17.800
<v Speaker 2>And then she used to make this wonderful treat, which

0:22:17.920 --> 0:22:20.560
<v Speaker 2>in Ghana is called the buff roads. Essentially, it's a

0:22:20.640 --> 0:22:24.240
<v Speaker 2>doughnut of sort, but you'd make it yourself with a

0:22:24.320 --> 0:22:26.920
<v Speaker 2>kind of nutmeg and you know, flavor to it, and

0:22:27.200 --> 0:22:31.639
<v Speaker 2>it's sort of fried deep fried. But it's a lovely

0:22:31.720 --> 0:22:39.920
<v Speaker 2>treat and it's dangerous. It's a very sweet. Yeah. These

0:22:39.920 --> 0:22:42.680
<v Speaker 2>are two comfort foods that, yeah, things I love.

0:22:44.000 --> 0:22:46.000
<v Speaker 3>And you're my comfort and I love you.

0:22:46.440 --> 0:22:49.800
<v Speaker 2>Thank you, David, thank you, love you so much.

0:22:50.240 --> 0:22:51.000
<v Speaker 3>I love you too.

0:22:55.320 --> 0:22:58.760
<v Speaker 4>To visit the online shop of The River Cafe, go

0:22:58.880 --> 0:23:02.200
<v Speaker 4>to shop the River Care dot co dot uk.

0:23:07.760 --> 0:23:11.640
<v Speaker 1>Rivercafe Table four is a production of iHeartRadio and Adamized Studios.

0:23:12.080 --> 0:23:16.959
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:23:17.040 --> 0:23:19.280
<v Speaker 1>or wherever you listen to your favorite shows.