1 00:00:02,040 --> 00:00:07,120 Speaker 1: Welcome to brain Stuff from How Stuff Works. Hey, brain Stuff, 2 00:00:07,160 --> 00:00:11,080 Speaker 1: Christian Sager. Here, when we're talking about TV, we're talking 3 00:00:11,119 --> 00:00:18,040 Speaker 1: about one big thing. Resolution, sharper images, crisper action, immaculate 4 00:00:18,079 --> 00:00:22,560 Speaker 1: detail in everything from sports to documentaries to video games. 5 00:00:22,840 --> 00:00:25,279 Speaker 1: In just a few years, we've seen the race move 6 00:00:25,640 --> 00:00:29,760 Speaker 1: from seven twenty to ten ADP, to four K and beyond. 7 00:00:30,200 --> 00:00:34,600 Speaker 1: And this brings us to today's question, does TV resolution matter? 8 00:00:35,040 --> 00:00:39,440 Speaker 1: Spoiler alert? The answer is yes, absolutely, or maybe a 9 00:00:39,440 --> 00:00:42,360 Speaker 1: better way to say it is yes absolutely, but with 10 00:00:42,440 --> 00:00:45,000 Speaker 1: a footnote. Before we get to all the weird stuff 11 00:00:45,040 --> 00:00:50,080 Speaker 1: that footnote represents, we need to understand resolution itself. Resolution 12 00:00:50,360 --> 00:00:54,480 Speaker 1: starts with the pixel. A pixel is the smallest possible 13 00:00:54,600 --> 00:00:57,960 Speaker 1: unit of a digital image, a single point of light. 14 00:00:58,320 --> 00:01:02,600 Speaker 1: When you hear manufacturers talk talking about resolution, they're describing 15 00:01:02,600 --> 00:01:05,400 Speaker 1: the number of pixels on a given screen. So an 16 00:01:05,400 --> 00:01:09,679 Speaker 1: old school cathode ray TV would display the equivalent of 17 00:01:09,800 --> 00:01:13,640 Speaker 1: three hundred thousand pixels on a screen, while an HDTV 18 00:01:14,040 --> 00:01:17,360 Speaker 1: could pack more than two million pixels into a screen. 19 00:01:17,880 --> 00:01:21,760 Speaker 1: The standard way for TV makers to classify resolution is 20 00:01:21,800 --> 00:01:25,440 Speaker 1: with numbers followed by a letter. The numbers indicate the 21 00:01:25,560 --> 00:01:29,160 Speaker 1: rows of horizontal pixels, So think four A D I, 22 00:01:29,720 --> 00:01:32,880 Speaker 1: ten A D P and so on. The bigger the number, 23 00:01:33,120 --> 00:01:36,160 Speaker 1: the more pixels on the screen. The letters at the 24 00:01:36,280 --> 00:01:39,680 Speaker 1: end of the numbers stand for I is interlaced and 25 00:01:39,800 --> 00:01:45,400 Speaker 1: P for progressive scan. The differences are important, but fairly complicated, 26 00:01:45,440 --> 00:01:48,400 Speaker 1: so let's save that one for another day. Using more 27 00:01:48,440 --> 00:01:52,200 Speaker 1: pixels to create an image creates a smoother, less blocky, 28 00:01:52,440 --> 00:01:55,640 Speaker 1: or pixelated image. So at first glance, it sounds as 29 00:01:55,640 --> 00:02:00,640 Speaker 1: if more pixels equal a better experience. Right, Not so fast, slick. 30 00:02:01,080 --> 00:02:05,120 Speaker 1: Here's where our footnote comes in. Pixel density itself is 31 00:02:05,200 --> 00:02:08,200 Speaker 1: not the only factor in the race toward a better 32 00:02:08,560 --> 00:02:12,040 Speaker 1: sharper image. If we're looking at resolution as the ability 33 00:02:12,080 --> 00:02:16,720 Speaker 1: to discern fine details, several other factors come into play. 34 00:02:16,800 --> 00:02:20,000 Speaker 1: For instance, what's the source of the image, what roll 35 00:02:20,080 --> 00:02:23,560 Speaker 1: does color play, how close or far are you from 36 00:02:23,600 --> 00:02:27,720 Speaker 1: the screen, and how big is the screen. For example, 37 00:02:27,760 --> 00:02:31,320 Speaker 1: if you're watching a small enough screen, say inches from 38 00:02:31,400 --> 00:02:34,239 Speaker 1: ten or more feet away, your I won't be able 39 00:02:34,280 --> 00:02:36,760 Speaker 1: to tell the difference between anything from four eighty to 40 00:02:36,840 --> 00:02:39,880 Speaker 1: four K. The farther you are away from the image source, 41 00:02:40,040 --> 00:02:43,160 Speaker 1: the smoother the picture appears. As for the size of 42 00:02:43,160 --> 00:02:46,239 Speaker 1: the screen, well, sure, you could have a twenty inch 43 00:02:46,320 --> 00:02:48,959 Speaker 1: TV with ten e D line resolution and it would 44 00:02:49,000 --> 00:02:52,000 Speaker 1: still have the same number of pixels as a fifty 45 00:02:52,040 --> 00:02:56,600 Speaker 1: five inch TV with otherwise identical specs, but the pixels 46 00:02:56,639 --> 00:03:01,880 Speaker 1: would be physically smaller. So in this context, size definitely matters. 47 00:03:02,120 --> 00:03:05,160 Speaker 1: If you put a h D t V with seven 48 00:03:05,160 --> 00:03:09,160 Speaker 1: twenty line resolution next to another h D t V 49 00:03:09,360 --> 00:03:11,360 Speaker 1: with ten e D, you may not be able to 50 00:03:11,360 --> 00:03:14,560 Speaker 1: tell the difference between the two. These are just a 51 00:03:14,639 --> 00:03:18,200 Speaker 1: few of the pertinent factors in the overall equation. There's 52 00:03:18,200 --> 00:03:21,840 Speaker 1: another big question here too. Does the human eye have 53 00:03:21,960 --> 00:03:25,880 Speaker 1: a resolution limit? How many individual pixels can the human 54 00:03:25,960 --> 00:03:30,040 Speaker 1: eye perceive? And that's a tricky question to our eyes 55 00:03:30,080 --> 00:03:33,200 Speaker 1: are not cameras. Instead, they're an initial step to an 56 00:03:33,200 --> 00:03:38,680 Speaker 1: intricate process involving loads of unconscious estimation and guesswork in 57 00:03:38,680 --> 00:03:41,680 Speaker 1: our brains. It is true that after a certain point, 58 00:03:41,840 --> 00:03:45,960 Speaker 1: the human eye is unable to differentiate or appreciate the 59 00:03:46,000 --> 00:03:51,000 Speaker 1: differences between some pixel densities. With the right source, material, equipment, 60 00:03:51,080 --> 00:03:54,600 Speaker 1: and viewing distance, four K really can make a difference. 61 00:03:54,880 --> 00:03:56,880 Speaker 1: For example, if you're sitting a few feet from a 62 00:03:56,920 --> 00:04:00,560 Speaker 1: sixty inch four K television with an ultra high definition 63 00:04:00,640 --> 00:04:03,400 Speaker 1: video feed, you'll be able to tell if it suddenly 64 00:04:03,440 --> 00:04:08,480 Speaker 1: switches to regular HD or brace yourself standard definition. The 65 00:04:08,640 --> 00:04:12,480 Speaker 1: limits of HD TV aren't a failure of technology. There 66 00:04:12,520 --> 00:04:15,200 Speaker 1: a limit of our biology. If we can't tell the 67 00:04:15,240 --> 00:04:20,120 Speaker 1: difference between a lower resolution in TV and an HD version, 68 00:04:20,480 --> 00:04:23,360 Speaker 1: then there's not much incentive to buy the latest ultra 69 00:04:23,480 --> 00:04:27,080 Speaker 1: high definition TV set. But this isn't the end of 70 00:04:27,080 --> 00:04:31,000 Speaker 1: the story. The race for higher resolution continues. Cameras that 71 00:04:31,040 --> 00:04:34,040 Speaker 1: shooting four K have already become the norm, and each 72 00:04:34,200 --> 00:04:40,040 Speaker 1: year bring new innovations. These ultra high definition technologies may 73 00:04:40,080 --> 00:04:42,840 Speaker 1: not make for a better picture on a home television, 74 00:04:43,120 --> 00:04:45,880 Speaker 1: but in a movie theater it makes a big difference, 75 00:04:46,120 --> 00:04:48,599 Speaker 1: and in the future we might not care as much 76 00:04:48,600 --> 00:04:53,280 Speaker 1: about resolution. It's possible that other technologies like high dynamic 77 00:04:53,440 --> 00:05:02,120 Speaker 1: range may become the next big thing. Check out the 78 00:05:02,120 --> 00:05:04,440 Speaker 1: brainsaff channel on YouTube, and for more on this and 79 00:05:04,520 --> 00:05:20,800 Speaker 1: thousands of other topics, visit how stuff works dot com.