1 00:00:11,880 --> 00:00:14,360 Speaker 1: Hey, everybody, another episode of In the Weeds. I'm going 2 00:00:14,400 --> 00:00:16,560 Speaker 1: to start with something that went kind of viral this 3 00:00:16,680 --> 00:00:20,400 Speaker 1: last week. I didn't expect it to and some folks 4 00:00:20,400 --> 00:00:23,720 Speaker 1: were angry, some folks weren't, but you always hear the 5 00:00:23,760 --> 00:00:27,040 Speaker 1: anger the loudest. And on the last episode, I was 6 00:00:27,080 --> 00:00:30,920 Speaker 1: talking about whenever I do an interview with someone and 7 00:00:30,960 --> 00:00:32,640 Speaker 1: they come in and there is a gift take in 8 00:00:32,680 --> 00:00:36,720 Speaker 1: the interview, meaning I've only got so much inventory here, 9 00:00:36,760 --> 00:00:40,640 Speaker 1: so much time on a show, and they want to 10 00:00:40,680 --> 00:00:43,879 Speaker 1: promote something, and so when they come in, I'll let 11 00:00:43,880 --> 00:00:45,519 Speaker 1: them promote what they're here to promote. That's why they 12 00:00:45,520 --> 00:00:48,280 Speaker 1: came in, and they are going to give me some 13 00:00:48,320 --> 00:00:50,839 Speaker 1: good content. That's why I'm having them on. And then 14 00:00:50,880 --> 00:00:53,519 Speaker 1: that's kind of the dance. And I talked about that, 15 00:00:53,560 --> 00:00:56,200 Speaker 1: and I said, I'm going to let you promote your 16 00:00:56,200 --> 00:00:58,680 Speaker 1: thing if I'm going to let you come in on 17 00:00:58,720 --> 00:01:02,000 Speaker 1: the show. And I had four or five artists that 18 00:01:02,040 --> 00:01:04,720 Speaker 1: got pretty pissed off about that, going, well, we don't 19 00:01:04,720 --> 00:01:09,440 Speaker 1: need to come in on your show. You're right, you 20 00:01:09,600 --> 00:01:13,520 Speaker 1: absolutely don't need to come in on my show. You don't. 21 00:01:13,640 --> 00:01:17,399 Speaker 1: Nobody needs me, nobody needs any one thing anymore. Is 22 00:01:17,440 --> 00:01:21,120 Speaker 1: what's crazy. Ten years ago, I would go, Yep, you 23 00:01:21,200 --> 00:01:27,920 Speaker 1: definitely need this show. You don't need any single entity 24 00:01:28,560 --> 00:01:31,600 Speaker 1: to promote something. Heck, you could almost need nothing if 25 00:01:31,600 --> 00:01:34,080 Speaker 1: you catch the algorithm a few times. And that wasn't 26 00:01:34,080 --> 00:01:36,880 Speaker 1: my point with that. My point was, if you're going 27 00:01:36,920 --> 00:01:40,320 Speaker 1: to come in and want to talk about your project, 28 00:01:40,880 --> 00:01:43,399 Speaker 1: don't just only talk about your project over and over again, 29 00:01:43,440 --> 00:01:46,399 Speaker 1: because my audience doesn't want to hear that. And I've 30 00:01:46,480 --> 00:01:49,920 Speaker 1: got to serve the people that are listening to me 31 00:01:50,000 --> 00:01:53,880 Speaker 1: through podcasts, through Netflix, through the radio show, whatever I'm in. 32 00:01:54,600 --> 00:01:56,840 Speaker 1: So that happened, and I had some artists to reach out. 33 00:01:57,000 --> 00:01:58,880 Speaker 1: One really big artist reached out was kind of pissed 34 00:01:58,880 --> 00:02:00,920 Speaker 1: off about it, meaning I said, oh, I don't need 35 00:02:00,960 --> 00:02:03,480 Speaker 1: your show. You're right, you don't need my show. I 36 00:02:03,520 --> 00:02:07,000 Speaker 1: completely agree, but if you do want to come in 37 00:02:07,000 --> 00:02:10,400 Speaker 1: on the show, it's fair for you to give me 38 00:02:10,880 --> 00:02:14,160 Speaker 1: if I'm going to give you. So that happened, But 39 00:02:14,200 --> 00:02:16,120 Speaker 1: what that was met with is what was crazy, because 40 00:02:16,160 --> 00:02:19,160 Speaker 1: I definitely thought it was kind of weird that some 41 00:02:19,240 --> 00:02:23,280 Speaker 1: artists reached out about that. So negatively, I started to 42 00:02:23,280 --> 00:02:28,680 Speaker 1: have people reach out that host pretty Big pot one two, 43 00:02:28,720 --> 00:02:31,720 Speaker 1: pretty Big podcasts, A couple guys that do radio shows. 44 00:02:32,280 --> 00:02:36,320 Speaker 1: One really famous sports writer hit me up and said 45 00:02:36,480 --> 00:02:39,240 Speaker 1: thank you for saying that. So it was a weird 46 00:02:39,280 --> 00:02:42,880 Speaker 1: week with that. I didn't expect that to go kind 47 00:02:42,880 --> 00:02:45,440 Speaker 1: of viral, and I did see too, Aaron Watson had 48 00:02:45,480 --> 00:02:48,720 Speaker 1: posted it, kind of reposted it. You know how you 49 00:02:48,720 --> 00:02:51,040 Speaker 1: do a duet and you keep it up on one 50 00:02:51,040 --> 00:02:53,000 Speaker 1: half and then you're on the other half. Sometimes you 51 00:02:53,040 --> 00:02:55,320 Speaker 1: say stuff and he was just like looking at it, 52 00:02:55,440 --> 00:02:59,880 Speaker 1: and he's always, you know, being funny, causing trouble. But 53 00:03:00,440 --> 00:03:02,480 Speaker 1: and I like Aaron. We had definitely got to a 54 00:03:02,480 --> 00:03:04,720 Speaker 1: fight a long time ago, but we're so over that. 55 00:03:04,760 --> 00:03:07,160 Speaker 1: He's been on the show multiple times. I enjoy the guy, 56 00:03:07,480 --> 00:03:11,400 Speaker 1: and I enjoy especially like what he does as an artist, 57 00:03:11,440 --> 00:03:14,600 Speaker 1: being independent, right, like the guy grinds. But I know 58 00:03:14,639 --> 00:03:16,160 Speaker 1: what he was doing. He was setting me up so 59 00:03:16,200 --> 00:03:18,280 Speaker 1: these other folks would be bashing me in his comments, 60 00:03:18,280 --> 00:03:20,720 Speaker 1: and boy did they. One person said that guy is 61 00:03:20,760 --> 00:03:26,359 Speaker 1: so overrated, and I really enjoyed that because that means 62 00:03:26,360 --> 00:03:30,120 Speaker 1: I'm rated high, and thank you. If I'm overrated, I'm 63 00:03:30,200 --> 00:03:35,240 Speaker 1: rated high. Thank you very much. Makes me so happy 64 00:03:35,280 --> 00:03:38,920 Speaker 1: that I'm overrated. People are rating me too high. That's 65 00:03:38,920 --> 00:03:40,680 Speaker 1: a weird thing that happened for the last episode, So 66 00:03:40,840 --> 00:03:44,880 Speaker 1: that's what's up. Artists got mad. Listeners and other people 67 00:03:44,880 --> 00:03:47,119 Speaker 1: that do podcasts and radio shows did not get mad. 68 00:03:47,560 --> 00:03:50,040 Speaker 1: Did not expect that to be a topic on Today's 69 00:03:50,040 --> 00:03:52,280 Speaker 1: in the Weeds. So if you've never seen the show before, 70 00:03:52,320 --> 00:03:54,400 Speaker 1: I talk about stuff that nobody should care about. This 71 00:03:54,440 --> 00:03:56,760 Speaker 1: is the show that's in the Weeds about my career, 72 00:03:56,840 --> 00:04:00,600 Speaker 1: the industry, the music industry, and I never would think 73 00:04:00,600 --> 00:04:04,160 Speaker 1: anyone would stream a single episode and who cares everything? 74 00:04:04,160 --> 00:04:06,120 Speaker 1: I'm gonna doing that after this? Who cares? Change it? 75 00:04:06,200 --> 00:04:08,040 Speaker 1: Change to go to the next YouTube video because this 76 00:04:08,080 --> 00:04:12,240 Speaker 1: is all gonna be so boring. Next up, what's the 77 00:04:12,280 --> 00:04:15,360 Speaker 1: hardest conversation you have ever had to have with an employee? 78 00:04:16,080 --> 00:04:19,440 Speaker 1: And I'm pulling these from the comments section of my 79 00:04:19,520 --> 00:04:22,880 Speaker 1: YouTube page. You guys are great at going and writing 80 00:04:22,880 --> 00:04:24,520 Speaker 1: comments there and I just copy and paste them over 81 00:04:24,560 --> 00:04:26,240 Speaker 1: for the next show, So thank you for doing that. 82 00:04:27,600 --> 00:04:29,920 Speaker 1: The hardest conversation that I think I've had to have 83 00:04:30,200 --> 00:04:32,800 Speaker 1: was with Amy, who is my co host, who was 84 00:04:32,839 --> 00:04:36,160 Speaker 1: on an episode a couple ago, and she was going 85 00:04:36,200 --> 00:04:40,719 Speaker 1: through a lot in her life. Her mom had died, 86 00:04:41,320 --> 00:04:45,080 Speaker 1: her dad was sick, she was going through she's now divorced. 87 00:04:45,680 --> 00:04:49,360 Speaker 1: There was a lot going on and I just had 88 00:04:49,360 --> 00:04:51,760 Speaker 1: to tell her she needed to go away and go 89 00:04:51,800 --> 00:04:57,520 Speaker 1: get herself right. And we do a show where we're 90 00:04:57,640 --> 00:05:01,159 Speaker 1: there and we're consistent five days a week. We do 91 00:05:01,160 --> 00:05:04,800 Speaker 1: a countdown on Saturday podcast. We want to be there 92 00:05:04,839 --> 00:05:08,440 Speaker 1: for you and whenever it's in your rhythm right that 93 00:05:08,440 --> 00:05:10,479 Speaker 1: that's my goal. When you're having your rhythm, I'm going 94 00:05:10,560 --> 00:05:12,520 Speaker 1: to be there for you so you can be entertained, 95 00:05:12,600 --> 00:05:14,200 Speaker 1: or you can learn, or you can do Because I 96 00:05:14,240 --> 00:05:16,719 Speaker 1: have podcasts that I do that with that if they're off, 97 00:05:16,720 --> 00:05:19,600 Speaker 1: I'm like, the whole day's messed up. So I want 98 00:05:19,600 --> 00:05:24,760 Speaker 1: to be that for you guys. And so even within 99 00:05:24,880 --> 00:05:31,000 Speaker 1: my show, I rarely miss. Something really crazy has to 100 00:05:31,000 --> 00:05:33,080 Speaker 1: happened for me to miss. But I don't think the 101 00:05:33,120 --> 00:05:36,360 Speaker 1: show members should live to that same standard. If I'm 102 00:05:36,400 --> 00:05:39,760 Speaker 1: not there, the show does not go on. Contractually, if 103 00:05:39,760 --> 00:05:42,440 Speaker 1: I'm not there, the show doesn't go or rerun runs 104 00:05:43,640 --> 00:05:47,120 Speaker 1: and I hate reruns. Even we go on vacation. We 105 00:05:47,160 --> 00:05:49,479 Speaker 1: create full new shows for you guys, because I know 106 00:05:49,560 --> 00:05:51,280 Speaker 1: what it's like. I am a consumer, so I know 107 00:05:51,360 --> 00:05:54,720 Speaker 1: when my when my show's out, and messages with my day. 108 00:05:55,200 --> 00:06:02,320 Speaker 1: So because of the expectation that I set, which is 109 00:06:02,720 --> 00:06:05,840 Speaker 1: show up on time every time, good attitude, work as 110 00:06:05,880 --> 00:06:07,760 Speaker 1: hard as a person next to you. I think it's 111 00:06:07,800 --> 00:06:10,280 Speaker 1: really hard for some people on the show to go, oh, 112 00:06:10,279 --> 00:06:13,359 Speaker 1: I should take a break, I should leave. And so 113 00:06:13,640 --> 00:06:16,520 Speaker 1: with Amy, it was you're going through a lot, I'll 114 00:06:16,560 --> 00:06:19,679 Speaker 1: see you in two months, I'll see you in three months. 115 00:06:20,600 --> 00:06:23,960 Speaker 1: And that was hard because I knew she might take 116 00:06:24,000 --> 00:06:27,120 Speaker 1: it in a way of oh, I'm not wanted here 117 00:06:27,800 --> 00:06:30,760 Speaker 1: or I'm not needed when it was precisely the opposite, 118 00:06:31,160 --> 00:06:33,240 Speaker 1: when it was a year so wanted here and so 119 00:06:33,440 --> 00:06:36,120 Speaker 1: needed here. I need you to get good for you, 120 00:06:36,160 --> 00:06:38,120 Speaker 1: because if you're not good for you, you're not good 121 00:06:38,120 --> 00:06:42,240 Speaker 1: for me. And that was a difficult conversation because I 122 00:06:42,279 --> 00:06:46,279 Speaker 1: had to make sure that she felt about it how 123 00:06:46,320 --> 00:06:49,040 Speaker 1: I felt about it, because it could have easily been 124 00:06:49,040 --> 00:06:52,600 Speaker 1: construed another way, especially because I don't miss I mean, 125 00:06:52,640 --> 00:06:54,320 Speaker 1: there are people that will come in on the show sick, 126 00:06:54,360 --> 00:06:56,160 Speaker 1: I don't. You should not come in. If you're sick, 127 00:06:56,520 --> 00:06:58,120 Speaker 1: you should not come in. If you have family drama, 128 00:06:58,240 --> 00:06:59,920 Speaker 1: you should not come in. If anything is in the way, 129 00:07:00,120 --> 00:07:01,359 Speaker 1: I need you to be the best version of you. 130 00:07:01,600 --> 00:07:01,760 Speaker 2: Now. 131 00:07:01,760 --> 00:07:05,880 Speaker 1: Do I live by that myself? No, because I kind 132 00:07:05,880 --> 00:07:07,919 Speaker 1: of can't. And it's what I signed up for. And 133 00:07:07,960 --> 00:07:10,880 Speaker 1: I'm okay with that now. If something's real bad, okay, 134 00:07:12,120 --> 00:07:15,280 Speaker 1: Like one of the crazier stories is I remember. And 135 00:07:15,320 --> 00:07:18,520 Speaker 1: by the way, this is me talking and I'm not bragging, 136 00:07:19,040 --> 00:07:23,560 Speaker 1: but it's me talking about how unhealthy I am about 137 00:07:23,560 --> 00:07:25,640 Speaker 1: this because I think all of mine comes from insecurity. 138 00:07:26,400 --> 00:07:31,960 Speaker 1: Meaning if I'm late, and I'm late over time, I 139 00:07:32,040 --> 00:07:34,640 Speaker 1: think that my job performance is going to go down. 140 00:07:34,960 --> 00:07:37,280 Speaker 1: And if it goes down because I'm late and I'm 141 00:07:37,320 --> 00:07:39,160 Speaker 1: not focused, I will then lose my job. And if 142 00:07:39,160 --> 00:07:41,160 Speaker 1: I lose my job, I will have no money and 143 00:07:41,200 --> 00:07:43,920 Speaker 1: I'll be back where I grew up. That's my constant fear, 144 00:07:43,960 --> 00:07:47,240 Speaker 1: has been my fear of my whole life. It's not rational, 145 00:07:47,360 --> 00:07:50,560 Speaker 1: but that does not mean that it's not real. And 146 00:07:50,640 --> 00:07:56,679 Speaker 1: so I'm there and all of my success is based 147 00:07:56,720 --> 00:08:02,200 Speaker 1: on being insecure. And so so if I'm sick, I 148 00:08:02,240 --> 00:08:04,920 Speaker 1: purposefully have my desk and tabled away from everybody else 149 00:08:04,960 --> 00:08:07,920 Speaker 1: in that room so I don't get them sick. And 150 00:08:07,960 --> 00:08:10,520 Speaker 1: if I can pick my feet up, I go in, 151 00:08:10,680 --> 00:08:12,160 Speaker 1: and I owe it to them to go in. I'm 152 00:08:12,200 --> 00:08:16,520 Speaker 1: the leader. It's not all. Everything's not the same. You 153 00:08:16,520 --> 00:08:18,200 Speaker 1: can look at a football team. Every player's not treated 154 00:08:18,240 --> 00:08:20,200 Speaker 1: the same. They shouldn't be treated the same. Everybody on 155 00:08:20,560 --> 00:08:24,280 Speaker 1: my show is not treated the same because people bring 156 00:08:24,440 --> 00:08:27,560 Speaker 1: different things to the show and also there are different personalities, 157 00:08:28,520 --> 00:08:31,560 Speaker 1: and so for me, as a leader, I got to 158 00:08:31,560 --> 00:08:34,160 Speaker 1: be there. I remember getting a call and this is 159 00:08:34,200 --> 00:08:35,920 Speaker 1: crazy because I don't think about this often. I remember 160 00:08:35,960 --> 00:08:39,880 Speaker 1: getting a call from my sister during my morning show, 161 00:08:40,440 --> 00:08:42,040 Speaker 1: and for someone to call me during the morning show 162 00:08:42,080 --> 00:08:44,800 Speaker 1: is a bit weird because anybody that knows me knows 163 00:08:45,400 --> 00:08:51,120 Speaker 1: from five am until around ten thirty or eleven, I'm 164 00:08:51,160 --> 00:08:55,680 Speaker 1: doing the show. So just text me unless something's wrong, 165 00:08:55,760 --> 00:08:57,959 Speaker 1: than call me. And my sister called and then it 166 00:08:58,000 --> 00:08:59,640 Speaker 1: went away, and then should call it again, And I 167 00:08:59,679 --> 00:09:01,520 Speaker 1: knew I'm my head immediately my mom died. I just 168 00:09:01,600 --> 00:09:06,680 Speaker 1: knew my mom wasn't sick. She'd had some trouble with 169 00:09:06,920 --> 00:09:10,000 Speaker 1: addiction over the years, and it had been recently had 170 00:09:10,000 --> 00:09:14,160 Speaker 1: some problem. She was just out of rehab, not having 171 00:09:14,240 --> 00:09:18,120 Speaker 1: completed it, but just had left it. But I knew 172 00:09:18,160 --> 00:09:19,520 Speaker 1: what she called the second time during the show that 173 00:09:19,559 --> 00:09:22,000 Speaker 1: my mom died. I remember answering the phone and in 174 00:09:22,000 --> 00:09:23,240 Speaker 1: my head, I said, I'm going to get some bad 175 00:09:23,280 --> 00:09:25,800 Speaker 1: news here. Whatever is said through that phone, I am 176 00:09:25,840 --> 00:09:27,679 Speaker 1: not going to let it affect me because I've got 177 00:09:27,760 --> 00:09:30,640 Speaker 1: to finish the show and I'm i going to say 178 00:09:30,640 --> 00:09:32,360 Speaker 1: anything to anybody else, and we're going to finish the 179 00:09:32,400 --> 00:09:34,520 Speaker 1: show and we'll talk about it later. And I picked 180 00:09:34,520 --> 00:09:36,120 Speaker 1: it up and my sister was crying and she goes, hey, 181 00:09:36,120 --> 00:09:40,360 Speaker 1: mom died. And I was like, I knew it. And 182 00:09:40,400 --> 00:09:45,120 Speaker 1: I was like, okay, oh no, and I wasn't like 183 00:09:45,160 --> 00:09:48,440 Speaker 1: that to her. I said, what happened? They said that 184 00:09:48,520 --> 00:09:52,800 Speaker 1: they found her in the trailer so and so founder 185 00:09:52,840 --> 00:09:57,360 Speaker 1: and I was like, so, you're like, what can I 186 00:09:57,400 --> 00:09:59,880 Speaker 1: do right now? She said nothing right now, We'll call 187 00:09:59,920 --> 00:10:01,920 Speaker 1: you later with whatever. I said, okay, great, just call 188 00:10:02,000 --> 00:10:03,719 Speaker 1: me as soon as you know, which was going to 189 00:10:03,760 --> 00:10:06,160 Speaker 1: be afternoon. I'd be out of work, hung it up, 190 00:10:06,240 --> 00:10:08,640 Speaker 1: went right back to the show and did the rest 191 00:10:08,679 --> 00:10:11,160 Speaker 1: of the show. And that's not a brag, that's a 192 00:10:15,000 --> 00:10:20,520 Speaker 1: that's unhealthy. It was unhealthy. It's probably unhealthy that I 193 00:10:20,679 --> 00:10:24,160 Speaker 1: hold myself to an unfair standard like that. Now, as 194 00:10:24,160 --> 00:10:26,200 Speaker 1: soon as the show is over, like eleven thirty or twelve. 195 00:10:26,200 --> 00:10:27,520 Speaker 1: I told him. I was like, my mom died, and 196 00:10:27,559 --> 00:10:30,840 Speaker 1: she was like, that's what that call was. I'm like yeah, 197 00:10:30,880 --> 00:10:33,800 Speaker 1: And so then I started crying and then I missed 198 00:10:34,440 --> 00:10:37,679 Speaker 1: a day of work. I wish I could tell me 199 00:10:38,080 --> 00:10:41,720 Speaker 1: back then to chill the f out, just like that 200 00:10:41,760 --> 00:10:44,520 Speaker 1: would be advice that I would give myself back then, 201 00:10:45,200 --> 00:10:49,400 Speaker 1: chill the f out. If you're sick or something bad happens, 202 00:10:49,480 --> 00:10:51,520 Speaker 1: it's okay to take a couple of days. But all 203 00:10:51,559 --> 00:10:57,040 Speaker 1: of my success has been heavily rooted in fear of failure. 204 00:10:57,920 --> 00:10:59,880 Speaker 1: And it's okay to fail, and I failed a lot, 205 00:11:00,280 --> 00:11:02,280 Speaker 1: but I don't want I don't want to fail. I've 206 00:11:02,320 --> 00:11:05,440 Speaker 1: written books on failure, and I don't think failing's not fun. 207 00:11:05,679 --> 00:11:07,600 Speaker 1: Sometimes people go, oh, you're the guy that likes to fail. 208 00:11:09,080 --> 00:11:11,200 Speaker 1: You're the person that likes to have diarrhea. No, you, 209 00:11:11,240 --> 00:11:14,160 Speaker 1: nobody likes to have it. I don't want to have it, 210 00:11:14,240 --> 00:11:16,320 Speaker 1: but I've had it so many times. I know that 211 00:11:16,880 --> 00:11:19,880 Speaker 1: it's going to happen, and I'm probably going to get 212 00:11:19,920 --> 00:11:22,880 Speaker 1: better because of it once the pain of it goes away. 213 00:11:23,440 --> 00:11:27,360 Speaker 1: Like my biggest fear is failing and not learning anything 214 00:11:27,440 --> 00:11:30,000 Speaker 1: from it. My biggest fear is not failing. Other than 215 00:11:30,000 --> 00:11:31,760 Speaker 1: that one hundred times, I'll do that one hundred more. 216 00:11:32,559 --> 00:11:36,240 Speaker 1: The fear is when I do fail, I get nothing 217 00:11:36,320 --> 00:11:40,120 Speaker 1: from it and I'm the same person. That's a fear. 218 00:11:41,520 --> 00:11:44,280 Speaker 1: And the hardest conversation I had was to tell somebody 219 00:11:44,480 --> 00:11:47,080 Speaker 1: the opposite of what I did, which was, you need 220 00:11:47,120 --> 00:11:50,280 Speaker 1: to go away for a long time because I need 221 00:11:50,320 --> 00:11:53,559 Speaker 1: you to be you. You don't need to do this 222 00:11:53,720 --> 00:11:56,760 Speaker 1: right now. So it's a long answer to that question, 223 00:11:57,520 --> 00:11:59,160 Speaker 1: but that was it. That's the hardest one because I 224 00:11:59,200 --> 00:12:02,400 Speaker 1: needed her to know she was valued and loved, and 225 00:12:02,440 --> 00:12:04,719 Speaker 1: she also needed to leave for a long time, and 226 00:12:04,800 --> 00:12:11,800 Speaker 1: those that juxtaposition doesn't feel linear at all. All right. 227 00:12:11,840 --> 00:12:17,600 Speaker 1: Other questions, if someone secretly filmed your average Tuesday, what 228 00:12:17,600 --> 00:12:21,319 Speaker 1: would surprise people? I don't know if anyone will be surprised. 229 00:12:21,320 --> 00:12:23,199 Speaker 1: But I'm actually recording this on a Tuesday, so I 230 00:12:23,240 --> 00:12:26,160 Speaker 1: can tell you what the day is like today. I 231 00:12:26,200 --> 00:12:29,719 Speaker 1: woke up at four point fifteen this morning. As soon 232 00:12:29,760 --> 00:12:34,160 Speaker 1: as I wake up, there's no shower, there's no slow stroll. 233 00:12:34,400 --> 00:12:37,959 Speaker 1: It's like this, oh God, And then I just start 234 00:12:38,000 --> 00:12:41,080 Speaker 1: hammering away to get everything done, I get to work. 235 00:12:41,760 --> 00:12:45,440 Speaker 1: I do the actual live show until around nine thirty AM. 236 00:12:45,440 --> 00:12:47,360 Speaker 1: It goes on until ten, but some of our East 237 00:12:47,360 --> 00:12:49,719 Speaker 1: Coast affiliates check out, so because it's ten thirty on 238 00:12:49,760 --> 00:12:52,280 Speaker 1: the East Coast. So we then we go live for 239 00:12:52,320 --> 00:12:56,320 Speaker 1: an hour on YouTube. After we've done the show and recording. 240 00:12:56,880 --> 00:12:59,000 Speaker 1: I do all that stuff at the studio until around 241 00:13:00,000 --> 00:13:03,840 Speaker 1: twelve thirty twelve forty five. I've started to have to 242 00:13:03,840 --> 00:13:05,840 Speaker 1: bring a little bit of lunch with me. I never 243 00:13:05,920 --> 00:13:08,320 Speaker 1: would do that. I have to bring my lunch, but 244 00:13:08,880 --> 00:13:11,320 Speaker 1: I'm bringing something to eat to work guy now, especially 245 00:13:11,360 --> 00:13:15,360 Speaker 1: on Monday and Tuesday, because I will go from where 246 00:13:15,360 --> 00:13:20,199 Speaker 1: we do the iHeart work to here where we shoot 247 00:13:20,240 --> 00:13:23,120 Speaker 1: the NFL Show and the Netflix shows. It's some studios 248 00:13:23,120 --> 00:13:26,880 Speaker 1: that we built here myself. I didn't build it, but 249 00:13:27,360 --> 00:13:30,360 Speaker 1: they're mine. I own them. I mean Dylan and Brandon 250 00:13:30,400 --> 00:13:34,520 Speaker 1: and Reid built them. It doesn't matter regardless. I come 251 00:13:34,559 --> 00:13:36,719 Speaker 1: here on a Tuesday. After I finish that, I leave 252 00:13:36,760 --> 00:13:39,400 Speaker 1: there about twelve forty I get here at one. From 253 00:13:39,440 --> 00:13:42,560 Speaker 1: one to two, I do the NFL Show with Matt Castle. 254 00:13:43,160 --> 00:13:47,760 Speaker 1: As soon as that's over, I will hop into this, 255 00:13:48,679 --> 00:13:51,200 Speaker 1: which is some sort of hour recording. I'm recording in 256 00:13:51,200 --> 00:13:53,439 Speaker 1: the weeds today, which is what we're doing. After this, 257 00:13:53,600 --> 00:13:56,199 Speaker 1: I will go to therapy. So I'll do this until 258 00:13:56,200 --> 00:13:58,640 Speaker 1: about three. I'll get to therapy at three thirty, three 259 00:13:58,720 --> 00:14:01,880 Speaker 1: thirty to four thirty. I get home around four forty five. 260 00:14:02,240 --> 00:14:05,640 Speaker 1: I will work out from four forty five until five thirty, 261 00:14:05,640 --> 00:14:07,640 Speaker 1: only forty five minutes because the baby's bath is a 262 00:14:07,679 --> 00:14:09,439 Speaker 1: five forty five and I got fifteen minutes to do 263 00:14:09,480 --> 00:14:12,080 Speaker 1: a shower to make sure the baby can get a bath, 264 00:14:12,120 --> 00:14:14,200 Speaker 1: and I'm in there. I'm half the hands in the 265 00:14:14,240 --> 00:14:16,280 Speaker 1: baby bath. Then i start working on the next day 266 00:14:16,400 --> 00:14:22,080 Speaker 1: shows because I've got a bobbycast tomorrow and the radio show. 267 00:14:22,160 --> 00:14:24,320 Speaker 1: Just it's all that. So if you ask me a Tuesday, 268 00:14:24,600 --> 00:14:27,120 Speaker 1: that's what a Tuesday is. But I'm not whining about it. 269 00:14:27,240 --> 00:14:30,600 Speaker 1: I enjoy it. I just wish my eating was a 270 00:14:30,600 --> 00:14:33,040 Speaker 1: little better. On a Tuesday, I have to find little holes. 271 00:14:33,080 --> 00:14:34,920 Speaker 1: If you ask me on a Thursday, it's a little 272 00:14:35,760 --> 00:14:38,000 Speaker 1: a little easier. I like to get ahead on Monday 273 00:14:38,040 --> 00:14:39,760 Speaker 1: and Tuesday, especially because if something happened, when I get 274 00:14:39,760 --> 00:14:41,200 Speaker 1: sick or something, I can't do a show on Thursday 275 00:14:41,240 --> 00:14:43,480 Speaker 1: or Friday. This is me being a neurotic. I like 276 00:14:43,560 --> 00:14:48,600 Speaker 1: to have enough done that I have that leeway. At 277 00:14:48,640 --> 00:14:51,600 Speaker 1: what point in money stop motivating you day to day? 278 00:14:52,520 --> 00:14:55,040 Speaker 1: And that's a great question. The answer is it literally 279 00:14:55,080 --> 00:14:57,360 Speaker 1: never has one time in my life motivated me day 280 00:14:57,360 --> 00:15:00,400 Speaker 1: to day, and I think if I had any money 281 00:15:00,560 --> 00:15:04,960 Speaker 1: it'd be different. Growing up, I feel extremely blessed at 282 00:15:04,960 --> 00:15:07,080 Speaker 1: this point in my life that I was so poor 283 00:15:07,120 --> 00:15:10,040 Speaker 1: growing up, And that is a weird thing to say, 284 00:15:10,440 --> 00:15:13,640 Speaker 1: but I was never motivated by money because I never 285 00:15:13,720 --> 00:15:17,080 Speaker 1: had money. I never needed to maintain anything. It was 286 00:15:17,440 --> 00:15:22,160 Speaker 1: all up up from here. So for me, it is awesome. 287 00:15:22,920 --> 00:15:25,480 Speaker 1: If I can have a job I love, that's all 288 00:15:25,520 --> 00:15:26,760 Speaker 1: that mattered. If I could pay the bills and have 289 00:15:26,840 --> 00:15:29,280 Speaker 1: a job I love, that's all that mattered. Now did 290 00:15:29,320 --> 00:15:32,720 Speaker 1: I think I was going to be successful. Absolutely, You've 291 00:15:32,760 --> 00:15:34,560 Speaker 1: got to be crazy to have to do a job 292 00:15:34,640 --> 00:15:40,960 Speaker 1: like this. But money has motivated me none day to 293 00:15:41,080 --> 00:15:43,960 Speaker 1: day because you would think earlier on when you had less, 294 00:15:44,000 --> 00:15:49,040 Speaker 1: it would more never, and then when I got more never, 295 00:15:49,480 --> 00:15:50,120 Speaker 1: it just doesn't. 296 00:15:50,280 --> 00:15:50,360 Speaker 3: Now. 297 00:15:50,440 --> 00:15:53,400 Speaker 1: Do I have more now than before, of course, but 298 00:15:53,560 --> 00:15:55,680 Speaker 1: I don't think that I've ever worked harder than I 299 00:15:55,680 --> 00:16:00,640 Speaker 1: do now, at least consistent hours. I don't travel as much, 300 00:16:01,080 --> 00:16:04,080 Speaker 1: mostly because we do the show on Netflix, and I 301 00:16:04,160 --> 00:16:07,240 Speaker 1: do two sports podcasts and the Bible. There's a lot, right, 302 00:16:07,480 --> 00:16:09,760 Speaker 1: but it's awesome, like I couldn't and I have a 303 00:16:09,800 --> 00:16:15,400 Speaker 1: great team, and so I'm not saying, look at me, 304 00:16:15,440 --> 00:16:17,680 Speaker 1: look how hard I work. I'm saying, man, I'm so 305 00:16:17,840 --> 00:16:21,480 Speaker 1: fortunate to get to work this hard and never been 306 00:16:21,480 --> 00:16:25,160 Speaker 1: motivated by money. Not motivated by money now at all. 307 00:16:25,960 --> 00:16:28,200 Speaker 1: But that's probably because I have it. Wiseman once said, 308 00:16:29,680 --> 00:16:34,960 Speaker 1: having money is not everything. Not having it is true. 309 00:16:34,960 --> 00:16:40,760 Speaker 1: Words have never been spoken. That's a hip hop first. 310 00:16:41,200 --> 00:16:42,200 Speaker 1: You probably look that one up. 311 00:16:42,400 --> 00:16:56,560 Speaker 4: Hank Tight The Bobby Cast will be right back, and 312 00:16:56,680 --> 00:16:58,600 Speaker 4: we're back on the Bobby Cast. 313 00:16:59,640 --> 00:17:01,840 Speaker 1: Is it ever weird with people that you talk about 314 00:17:01,840 --> 00:17:07,080 Speaker 1: if you see them in public. I don't leave my 315 00:17:07,160 --> 00:17:11,680 Speaker 1: house a lot, so I usually don't see folks in public. 316 00:17:11,720 --> 00:17:17,120 Speaker 1: If I purposefully don't pursue going to something industry related 317 00:17:17,280 --> 00:17:20,439 Speaker 1: and I go to nothing industry related. At first, I 318 00:17:20,480 --> 00:17:22,680 Speaker 1: just didn't want to go because honestly, I didn't want 319 00:17:22,720 --> 00:17:27,800 Speaker 1: to have to be fake friends with people, or be 320 00:17:27,960 --> 00:17:31,879 Speaker 1: mid friends with people, and then have commentary about something 321 00:17:31,880 --> 00:17:34,880 Speaker 1: they're doing. Professionally because I felt like i'd pull punches, 322 00:17:35,440 --> 00:17:38,280 Speaker 1: like I really liked the person and they did something stupid, 323 00:17:39,320 --> 00:17:44,159 Speaker 1: illegal song kind of sucked. I decided I didn't want 324 00:17:44,200 --> 00:17:46,000 Speaker 1: to have to make that decision. I just wanted to 325 00:17:46,040 --> 00:17:51,479 Speaker 1: be true to the feelings I had, and so at 326 00:17:51,480 --> 00:17:54,640 Speaker 1: first I just really tried to become friends with nobody 327 00:17:54,720 --> 00:17:58,320 Speaker 1: in the industry. What's crazy is there's a lot of 328 00:17:58,359 --> 00:18:02,399 Speaker 1: great people here in this town, and so some people 329 00:18:03,119 --> 00:18:05,320 Speaker 1: that I think, I thought I shouldn't be friends with 330 00:18:05,359 --> 00:18:09,480 Speaker 1: them because I don't want to have industry friends. There's 331 00:18:09,520 --> 00:18:12,199 Speaker 1: awesome people, and I have friends that are amazing, that 332 00:18:12,400 --> 00:18:18,720 Speaker 1: are artists, that are famous artists, that are record label people. 333 00:18:18,880 --> 00:18:22,639 Speaker 1: I'd never wanted to But is it awkward if I 334 00:18:22,640 --> 00:18:24,520 Speaker 1: see him in the public. I can give you an example. 335 00:18:25,000 --> 00:18:27,320 Speaker 1: I a few weeks ago was saying some things. I 336 00:18:27,359 --> 00:18:39,400 Speaker 1: was doing some commentary on a a certain There's something 337 00:18:39,440 --> 00:18:41,800 Speaker 1: musical that happened that I thought kind of sucked, and 338 00:18:41,880 --> 00:18:46,600 Speaker 1: so I talked about it. Now it wasn't personal, and 339 00:18:46,640 --> 00:18:50,360 Speaker 1: then I saw the head of the label of the person, 340 00:18:50,359 --> 00:18:54,320 Speaker 1: and he was cold to me. And honestly, it's such 341 00:18:54,520 --> 00:18:56,719 Speaker 1: wrestling to me. I meaning when I'm on the air 342 00:18:56,720 --> 00:18:58,320 Speaker 1: and I'm talking about that stuff. It is not personal. 343 00:18:58,400 --> 00:19:02,200 Speaker 1: I forget about it when I leave. It's I do 344 00:19:02,240 --> 00:19:04,520 Speaker 1: feel that way, but it's faking that. I don't go 345 00:19:04,560 --> 00:19:07,920 Speaker 1: home thinking about it. I'm entertaining. So it's such wrestling 346 00:19:07,960 --> 00:19:10,480 Speaker 1: to me that when I saw this person that's ahead 347 00:19:10,480 --> 00:19:13,000 Speaker 1: of that label, I thought nothing of it, and I 348 00:19:13,040 --> 00:19:15,439 Speaker 1: was like, what's up, Hey, man, I rarely see anybody. 349 00:19:15,440 --> 00:19:18,000 Speaker 1: I like, great to see you. He's very cold to me, 350 00:19:18,080 --> 00:19:21,359 Speaker 1: and I couldn't figure out why. But he was so 351 00:19:21,520 --> 00:19:24,640 Speaker 1: cold that I thought something was up, and I said, 352 00:19:24,640 --> 00:19:27,399 Speaker 1: what have I done any And then I remember what 353 00:19:27,440 --> 00:19:32,359 Speaker 1: I said about said music, and I was like, oh, 354 00:19:32,440 --> 00:19:35,720 Speaker 1: he's pissed about that. But none of that stuff's ever 355 00:19:35,760 --> 00:19:37,879 Speaker 1: personal to me, but it can be to other people. 356 00:19:38,000 --> 00:19:39,920 Speaker 1: I get it, and you know what, maybe he should 357 00:19:39,920 --> 00:19:42,920 Speaker 1: have been cold to me, But yes, that can be awkward, 358 00:19:44,359 --> 00:19:46,000 Speaker 1: but for the most part, it's fine. I don't see 359 00:19:46,040 --> 00:19:50,720 Speaker 1: many people. Would you say most artists that we know 360 00:19:51,359 --> 00:19:54,359 Speaker 1: are good people are bad people? Well, that is a 361 00:19:54,400 --> 00:19:56,639 Speaker 1: weird question. I would say it's very much like people 362 00:19:56,640 --> 00:19:58,879 Speaker 1: you know in real life, Like I would put him 363 00:19:58,880 --> 00:20:02,560 Speaker 1: in that ratio because they're I'm not gonna say normal 364 00:20:02,760 --> 00:20:08,520 Speaker 1: because they have an abnormal job. But there are some 365 00:20:08,680 --> 00:20:12,840 Speaker 1: very famous artists that are the greatest people and that 366 00:20:13,160 --> 00:20:19,040 Speaker 1: with their whole heart. They lead, they give, they help, 367 00:20:19,440 --> 00:20:24,719 Speaker 1: they're humble. There are some that I look at and 368 00:20:24,760 --> 00:20:28,600 Speaker 1: I aspire to be more like because it's not a facade, 369 00:20:28,680 --> 00:20:30,240 Speaker 1: and sometimes they don't even put it out there at 370 00:20:30,280 --> 00:20:33,200 Speaker 1: all that they are that type of person. So, yes, 371 00:20:33,440 --> 00:20:38,800 Speaker 1: there's that. But there are also artists that are wildly famous, revered, 372 00:20:38,920 --> 00:20:42,800 Speaker 1: people love, and they are scum. And what's weird about 373 00:20:42,840 --> 00:20:46,000 Speaker 1: that is it's hard for me to look at any 374 00:20:46,119 --> 00:20:48,520 Speaker 1: article about them or Instagram about them and see all 375 00:20:48,520 --> 00:20:52,479 Speaker 1: the comments worshiping so and so, and I know in 376 00:20:52,520 --> 00:20:54,760 Speaker 1: real life what kind of person they are and how 377 00:20:54,800 --> 00:20:57,560 Speaker 1: they treat other people. So I'm not saying that the 378 00:20:57,600 --> 00:21:00,920 Speaker 1: whole industry is that at all, because there are probably 379 00:21:00,960 --> 00:21:06,080 Speaker 1: more A version A great than B. But there are 380 00:21:06,119 --> 00:21:10,359 Speaker 1: some that are so famous and they are bottom dwellers. 381 00:21:11,440 --> 00:21:13,280 Speaker 1: You get money or fame, it just makes you more 382 00:21:13,280 --> 00:21:15,760 Speaker 1: of who you were or who you really are. I 383 00:21:15,800 --> 00:21:17,440 Speaker 1: think it's what they say, if you give somebody a 384 00:21:17,480 --> 00:21:19,200 Speaker 1: bunch of money your fame, it just makes you more 385 00:21:19,240 --> 00:21:23,880 Speaker 1: of what you really are, and sometimes it is awesome 386 00:21:23,920 --> 00:21:28,040 Speaker 1: to see. And sometimes, man, there's one super famous artist 387 00:21:28,119 --> 00:21:32,119 Speaker 1: that is the worst. I'm talking about a bully treats 388 00:21:32,119 --> 00:21:35,960 Speaker 1: people bad. It doesn't matter. I don't want to. I'll 389 00:21:36,000 --> 00:21:37,640 Speaker 1: say something and you'll figure I don't because it doesn't 390 00:21:37,680 --> 00:21:41,439 Speaker 1: matter who it is. But for the most part, thumbs up. 391 00:21:41,480 --> 00:21:43,120 Speaker 1: For the most part, people are just normal anyway. I'm 392 00:21:43,119 --> 00:21:44,920 Speaker 1: not even gonna say like, they're not all the Pope 393 00:21:45,160 --> 00:21:49,919 Speaker 1: and they're not all Damien, but there are on both sides. 394 00:21:49,960 --> 00:21:51,600 Speaker 1: But there are a few. They are way, way, way 395 00:21:51,600 --> 00:21:56,800 Speaker 1: famous that people worship and they are garbage cans. It's crazy, 396 00:21:57,600 --> 00:22:01,120 Speaker 1: all right. Moving on, how are you doing on reading 397 00:22:01,280 --> 00:22:05,119 Speaker 1: comments only on Tuesdays? For the most part, that's what 398 00:22:05,160 --> 00:22:07,240 Speaker 1: I'm doing every once in a while because I do 399 00:22:07,359 --> 00:22:10,200 Speaker 1: giving Tuesday on my radio show, and I was doing 400 00:22:10,200 --> 00:22:13,640 Speaker 1: that to combat the negativity of my DMS generally speaking, 401 00:22:14,280 --> 00:22:15,679 Speaker 1: and so I find people that need help and I 402 00:22:15,680 --> 00:22:18,800 Speaker 1: help them. That's what's up. It was for me a 403 00:22:18,920 --> 00:22:21,919 Speaker 1: selfish mental health exercise to make me feel better on 404 00:22:21,960 --> 00:22:24,800 Speaker 1: social media. So I need something, I got, I'm av 405 00:22:24,800 --> 00:22:27,400 Speaker 1: in mom some money, and so that's been going for 406 00:22:27,440 --> 00:22:31,080 Speaker 1: about two and a half months now, and I like it. 407 00:22:31,119 --> 00:22:34,520 Speaker 1: It makes me feel good. Therefore it is it is selfish. 408 00:22:34,600 --> 00:22:36,600 Speaker 1: Now I'm doing something for other people, and that's cool. 409 00:22:36,720 --> 00:22:38,879 Speaker 1: But yeah, it's a selfish thing because I'm doing it 410 00:22:38,880 --> 00:22:40,840 Speaker 1: because it makes me feel good. But do I love 411 00:22:40,880 --> 00:22:44,320 Speaker 1: that I can help people? Absolutely? I needed help, so 412 00:22:44,440 --> 00:22:47,880 Speaker 1: I do that a lot. So I will sometimes get 413 00:22:47,920 --> 00:22:50,840 Speaker 1: in late Monday evenings and look at that, but comments 414 00:22:50,840 --> 00:22:53,160 Speaker 1: for the most part only on Tuesdays. I can tell 415 00:22:53,200 --> 00:22:59,639 Speaker 1: you I did this podcast called Human School and the 416 00:22:59,720 --> 00:23:02,399 Speaker 1: guys that does the podcast his name is Miles, and 417 00:23:02,440 --> 00:23:07,520 Speaker 1: I know Miles a little bit, and we did it. 418 00:23:07,560 --> 00:23:09,360 Speaker 1: We recorded a couple months ago. I started to wonder 419 00:23:09,400 --> 00:23:12,080 Speaker 1: if it was ever coming out, and it finally came out. 420 00:23:12,160 --> 00:23:14,280 Speaker 1: And I when I'm a guest on something, it's hard 421 00:23:14,280 --> 00:23:15,640 Speaker 1: for me to go and look and see what people 422 00:23:15,640 --> 00:23:17,560 Speaker 1: are saying about me because I know I'm just just 423 00:23:17,560 --> 00:23:19,679 Speaker 1: gonna eat me up because I want my page. And 424 00:23:19,720 --> 00:23:21,600 Speaker 1: I went over and there were so many nice things 425 00:23:21,600 --> 00:23:25,639 Speaker 1: said about me. A little bit. It felt so foreign, 426 00:23:25,720 --> 00:23:28,240 Speaker 1: but it made me feel so good. And I was 427 00:23:28,280 --> 00:23:32,080 Speaker 1: so appreciative to anybody who commented anything nice about me, 428 00:23:32,119 --> 00:23:35,159 Speaker 1: because my expectation is not that my expectation is that 429 00:23:35,200 --> 00:23:39,280 Speaker 1: everybody hates me. If I get online, if I'm reading 430 00:23:39,320 --> 00:23:45,240 Speaker 1: something about me, I feel like everybody hates me. Now 431 00:23:45,440 --> 00:23:50,000 Speaker 1: that's my irrational brain talking. Because it my rational brain, 432 00:23:50,160 --> 00:23:53,840 Speaker 1: that other side goes that can't be true because you 433 00:23:53,920 --> 00:23:57,280 Speaker 1: have a very successful career talking to people about things 434 00:23:57,280 --> 00:24:00,840 Speaker 1: that you like, don't like, things that are funny, things 435 00:24:00,840 --> 00:24:05,840 Speaker 1: that are said, you help people, You have a large audience. 436 00:24:06,080 --> 00:24:08,920 Speaker 1: If people didn't like you, you wouldn't have a large audience. 437 00:24:09,320 --> 00:24:13,000 Speaker 1: So the irrational brain can a little bit combat the 438 00:24:13,000 --> 00:24:16,520 Speaker 1: irrational brain. But the irrational brain is that I'm so 439 00:24:16,680 --> 00:24:22,760 Speaker 1: disliked because all I see is being disliked because most people, 440 00:24:22,760 --> 00:24:24,720 Speaker 1: if they like something, don't write about it. And I'll go, hey, 441 00:24:24,720 --> 00:24:26,200 Speaker 1: this is great. How many times you go to a 442 00:24:26,200 --> 00:24:27,960 Speaker 1: restaurant it's awesome and then you go do a review 443 00:24:28,000 --> 00:24:30,600 Speaker 1: and it's like, hey, really good stuff there, love the pizza. 444 00:24:30,680 --> 00:24:33,640 Speaker 1: Almost never, unless like that's your thing reviewing, you never 445 00:24:33,680 --> 00:24:34,960 Speaker 1: do that. I wish I did more of that. I 446 00:24:34,960 --> 00:24:36,880 Speaker 1: don't do that. I wish I did more of writing 447 00:24:36,880 --> 00:24:39,080 Speaker 1: thank you notes. I'm stupid. I don't do that. Always 448 00:24:39,119 --> 00:24:40,840 Speaker 1: go I get a thank you note from someone and 449 00:24:40,840 --> 00:24:42,240 Speaker 1: I go, dang, this is so nice. I got a 450 00:24:42,280 --> 00:24:44,200 Speaker 1: thank you note. I'm gonna be a guy that writes 451 00:24:44,200 --> 00:24:45,920 Speaker 1: thank you notes now and then I lay it down 452 00:24:46,000 --> 00:24:47,440 Speaker 1: and I never even think about it again until I 453 00:24:47,440 --> 00:24:49,240 Speaker 1: get another thank you note. Then I'm like, I got 454 00:24:49,240 --> 00:24:51,080 Speaker 1: this thank you note, I should be thank you. No guy, 455 00:24:51,240 --> 00:24:52,560 Speaker 1: I'm gonna do it. Thank you No. I lay it 456 00:24:52,560 --> 00:24:54,280 Speaker 1: down and think about it. I get another thank you note, 457 00:24:54,320 --> 00:24:58,919 Speaker 1: and then it's rinse and repeat. So Tuesdays are for 458 00:24:58,960 --> 00:25:04,360 Speaker 1: the comments late Monday night sometimes when I'm doing Giving Tuesday. 459 00:25:04,720 --> 00:25:07,480 Speaker 1: But that this is not a promo for that podcast. 460 00:25:07,480 --> 00:25:09,480 Speaker 1: You can listen to it. It's not my podcast. But 461 00:25:09,560 --> 00:25:13,760 Speaker 1: I did guest on Human School and the comments were 462 00:25:13,800 --> 00:25:15,560 Speaker 1: so nice that it made me feel really good and 463 00:25:15,600 --> 00:25:20,320 Speaker 1: I appreciate, appreciated that. Have you ever had to edit 464 00:25:20,359 --> 00:25:24,120 Speaker 1: things out because of the company. I give you one 465 00:25:24,160 --> 00:25:27,679 Speaker 1: and a half examples. On my NFL show, we had 466 00:25:27,680 --> 00:25:30,080 Speaker 1: pac Man Jones on. He got in a lot of 467 00:25:30,080 --> 00:25:31,600 Speaker 1: trouble in the NFL, but he was a really good 468 00:25:31,600 --> 00:25:34,840 Speaker 1: defensive back. But he came in with Matt Castle and 469 00:25:34,840 --> 00:25:38,160 Speaker 1: I on my show called Lots to say a plus 470 00:25:38,200 --> 00:25:41,119 Speaker 1: plus guest I'm talking about. He was saying self that 471 00:25:41,160 --> 00:25:45,679 Speaker 1: even I was going, is he really saying? I believe him? 472 00:25:45,720 --> 00:25:47,639 Speaker 1: But it's he even in say they would smoke what 473 00:25:47,800 --> 00:25:50,359 Speaker 1: right before I get I mean, it was crazy. He 474 00:25:50,480 --> 00:25:54,560 Speaker 1: was such a great guest. The differences on that show, 475 00:25:55,240 --> 00:25:59,520 Speaker 1: I don't own it, like I'm that's I worked for 476 00:25:59,520 --> 00:26:01,760 Speaker 1: the NFL. Well in that show, I am a one 477 00:26:01,840 --> 00:26:07,399 Speaker 1: hundred percent hired employee, So I don't have any final cut, 478 00:26:07,480 --> 00:26:11,200 Speaker 1: say if they want it now. They've never edited anything before, 479 00:26:11,480 --> 00:26:13,119 Speaker 1: but that one they got and they said we have 480 00:26:13,160 --> 00:26:18,119 Speaker 1: to edit like twenty five percent of this out, And 481 00:26:18,160 --> 00:26:21,800 Speaker 1: I said, I get it. It was awesome, but I 482 00:26:21,800 --> 00:26:24,960 Speaker 1: got it. I understood why. But so that would be one. 483 00:26:25,200 --> 00:26:26,800 Speaker 1: There was another one. I'm not going to mention who. 484 00:26:27,080 --> 00:26:29,760 Speaker 1: But I was talking about some stuff on the air 485 00:26:30,200 --> 00:26:36,600 Speaker 1: and a literal artist called my CEO to complain, what's 486 00:26:36,640 --> 00:26:41,080 Speaker 1: wrong with you? A literal artist called my ceo to 487 00:26:41,119 --> 00:26:46,160 Speaker 1: complain about what I was saying about. It wasn't anything personal. 488 00:26:47,400 --> 00:26:49,960 Speaker 1: And so I get a call from somebody in corporate going, hey, 489 00:26:49,960 --> 00:26:53,600 Speaker 1: this happened. What do you think. I was like, I 490 00:26:53,680 --> 00:26:56,920 Speaker 1: just deleted it. I don't give a crap, Like I'm 491 00:26:56,960 --> 00:27:02,400 Speaker 1: not fighting to free hostages here, but this artist, big 492 00:27:02,480 --> 00:27:09,520 Speaker 1: artist called my boss, big boss to go. You know, 493 00:27:09,600 --> 00:27:13,399 Speaker 1: oh luck, we need said and take it down. We 494 00:27:13,520 --> 00:27:17,159 Speaker 1: took it down, Woissie. You don't know who it is. 495 00:27:17,280 --> 00:27:18,040 Speaker 5: Uh uh. 496 00:27:18,119 --> 00:27:19,720 Speaker 1: And it may not even been in the last six 497 00:27:19,760 --> 00:27:21,919 Speaker 1: months or so because I like to time shift everything 498 00:27:21,960 --> 00:27:25,200 Speaker 1: just in case. Thank you for all the comments. I 499 00:27:25,200 --> 00:27:27,320 Speaker 1: got it, man, I have a few more here. Is 500 00:27:27,320 --> 00:27:30,920 Speaker 1: there any show drama within the room that doesn't make 501 00:27:30,960 --> 00:27:35,359 Speaker 1: the air, Yes, and most of the time I don't 502 00:27:35,400 --> 00:27:40,320 Speaker 1: know about it. Any group dynamic with people that are close, 503 00:27:40,359 --> 00:27:43,840 Speaker 1: there's going to be drama. You're talking about We've been 504 00:27:43,840 --> 00:27:46,679 Speaker 1: together twenty years and then other new people are in, 505 00:27:46,720 --> 00:27:48,520 Speaker 1: and you know, we got eight or nine people that 506 00:27:48,640 --> 00:27:50,280 Speaker 1: do all kinds of stuff from the countdown to the 507 00:27:50,359 --> 00:27:53,359 Speaker 1: night show, to the morning show, to podcast to at commercial. 508 00:27:53,480 --> 00:27:58,120 Speaker 1: Like there's a reason we all those people work there. Specifically, 509 00:27:58,119 --> 00:28:02,159 Speaker 1: there's one thing that people don't know I know about. 510 00:28:02,520 --> 00:28:04,080 Speaker 1: I don't want them to know that I know about 511 00:28:04,080 --> 00:28:08,119 Speaker 1: it because it is so dramatic within that unit of 512 00:28:08,160 --> 00:28:11,360 Speaker 1: my morning show that I don't want to be involved. 513 00:28:12,560 --> 00:28:15,400 Speaker 1: I don't want to be in anybody's drama. I myself 514 00:28:15,480 --> 00:28:18,000 Speaker 1: am not a drama queen too. I don't need to 515 00:28:18,000 --> 00:28:21,200 Speaker 1: know the drama. I hate tea. That's why I'd be terrible. 516 00:28:21,280 --> 00:28:23,760 Speaker 1: I'd be a terrible English person. I don't want your tea. 517 00:28:25,720 --> 00:28:28,639 Speaker 1: And so, yes, there's this one thing that happened a 518 00:28:28,640 --> 00:28:31,600 Speaker 1: while ago and it was thought. I never knew about it, 519 00:28:33,520 --> 00:28:36,600 Speaker 1: and it was significant and it went away, and I 520 00:28:36,680 --> 00:28:40,040 Speaker 1: know that it's back. But I never knew about it 521 00:28:40,040 --> 00:28:41,160 Speaker 1: the first time, so I can't know about it the 522 00:28:41,160 --> 00:28:44,920 Speaker 1: second time. But yeah, I know all about it, but 523 00:28:44,960 --> 00:28:46,640 Speaker 1: I don't want to talk about it to them, because 524 00:28:46,760 --> 00:28:49,360 Speaker 1: don't I don't want everybody to know I know. But yes, 525 00:28:49,720 --> 00:28:53,239 Speaker 1: it's also just a general group dynamic. Sure there are 526 00:28:53,280 --> 00:28:55,760 Speaker 1: issues to just anybody at work working together. You're gonna 527 00:28:55,800 --> 00:28:58,640 Speaker 1: have issues with people, But for the most part, no, 528 00:28:58,760 --> 00:29:02,000 Speaker 1: because I don't allow anything to affect the show. Anybody 529 00:29:02,080 --> 00:29:04,600 Speaker 1: comes in. If a single person is toxic to the 530 00:29:04,640 --> 00:29:10,200 Speaker 1: actual breath of the show, they're out immediately, goodbye, thank 531 00:29:10,240 --> 00:29:12,760 Speaker 1: you for your time serving. But you can't affect everybody 532 00:29:12,760 --> 00:29:14,480 Speaker 1: else trying to do their job in a positive way. 533 00:29:14,720 --> 00:29:17,120 Speaker 1: So for the most part, we have a very good culture. 534 00:29:17,480 --> 00:29:19,280 Speaker 1: I like to think I set a good culture. So 535 00:29:19,400 --> 00:29:21,920 Speaker 1: that's what's up? I should have been saying who these 536 00:29:21,920 --> 00:29:26,200 Speaker 1: are from? At Sea Buck two thousand, I remember reading 537 00:29:26,200 --> 00:29:28,400 Speaker 1: that you syndicated your show yourself. What does that mean? 538 00:29:30,920 --> 00:29:34,480 Speaker 1: When I was in Austin, Texas and I was doing mornings, 539 00:29:34,880 --> 00:29:38,720 Speaker 1: and I was just in Austin, Texas, I went to 540 00:29:38,920 --> 00:29:42,880 Speaker 1: a radio convention and I saw a little booth for 541 00:29:42,920 --> 00:29:45,640 Speaker 1: something called a com Rex. And the com Rex was 542 00:29:45,680 --> 00:29:47,840 Speaker 1: a little box. This is at the time that you 543 00:29:47,840 --> 00:29:49,640 Speaker 1: could do remote broadcasts from. So you go to a 544 00:29:49,680 --> 00:29:52,600 Speaker 1: mattress store, Hey, come on by, I'm crazy Bobby, and 545 00:29:52,720 --> 00:29:54,240 Speaker 1: the next six people to come by. You get free 546 00:29:54,280 --> 00:29:57,600 Speaker 1: movie passes and a meanie baby, and so you do 547 00:29:57,680 --> 00:29:59,160 Speaker 1: that kind of stuff. I'd go and do live event, 548 00:29:59,240 --> 00:30:02,600 Speaker 1: live remotes, and I thought, well, if the comrax can 549 00:30:02,640 --> 00:30:04,560 Speaker 1: go that far, like, how far can we stretch it? 550 00:30:04,680 --> 00:30:06,480 Speaker 1: Because I thought maybe I could get another affiliate in 551 00:30:06,520 --> 00:30:09,680 Speaker 1: a town close. And what I learned was you could 552 00:30:09,680 --> 00:30:11,440 Speaker 1: stretch the crap out of this thing, and you could 553 00:30:11,520 --> 00:30:13,920 Speaker 1: you could do one on the other. So I got 554 00:30:14,000 --> 00:30:16,320 Speaker 1: a com Rex signal, paid for two boxes. There were 555 00:30:16,320 --> 00:30:19,520 Speaker 1: two thousand dollars each, my own money, and I would 556 00:30:19,600 --> 00:30:22,560 Speaker 1: call stations and say, I will syndicate I'll do my 557 00:30:22,600 --> 00:30:24,880 Speaker 1: show on your station for free. I'll even pay for 558 00:30:24,880 --> 00:30:27,000 Speaker 1: the phone lines. I'll do everything for free. And I 559 00:30:27,040 --> 00:30:29,760 Speaker 1: got the boxes here you do nothing. And the first 560 00:30:29,760 --> 00:30:32,160 Speaker 1: city to ever say yes was Wichita, Kansas, and I 561 00:30:32,240 --> 00:30:35,000 Speaker 1: put two com Rex boxes together. It shot all the 562 00:30:35,040 --> 00:30:38,520 Speaker 1: way to Wichita, Kansas basically phone and we did our 563 00:30:38,560 --> 00:30:42,440 Speaker 1: show on there and we won. And so then Amarillo 564 00:30:42,520 --> 00:30:44,840 Speaker 1: and Lubbock were next. We were in Austin and I 565 00:30:44,880 --> 00:30:47,040 Speaker 1: bought two more com Rex boxes because just in one 566 00:30:47,040 --> 00:30:49,240 Speaker 1: each I had like nine comeracks. It's like smoking you 567 00:30:49,360 --> 00:30:51,800 Speaker 1: in the room. Just so we didn't have an engineer. 568 00:30:52,000 --> 00:30:54,200 Speaker 1: My company never said don't do it, but they didn't 569 00:30:54,200 --> 00:30:56,560 Speaker 1: know I was syndicating my show. But they were like, 570 00:30:56,600 --> 00:30:59,000 Speaker 1: you just I was twenty four years old in Austin. 571 00:30:59,440 --> 00:31:00,959 Speaker 1: They didn't know what was going on. They didn't care 572 00:31:01,000 --> 00:31:02,360 Speaker 1: what was going on because I wasn't in New York 573 00:31:02,400 --> 00:31:05,600 Speaker 1: or LA. They were just like, do your thing. It's cute. 574 00:31:05,720 --> 00:31:08,320 Speaker 1: You got a couple of boxes to do remotes from. 575 00:31:08,720 --> 00:31:10,720 Speaker 1: So yeah. At one point I had eight or nine 576 00:31:10,760 --> 00:31:13,200 Speaker 1: Comerx boxes and we were on in like twenty eight cities. 577 00:31:14,160 --> 00:31:19,600 Speaker 1: It was patched together by hangers and tape, not literally 578 00:31:19,680 --> 00:31:22,680 Speaker 1: but figuratively, and I didn't. I guess I didn't have 579 00:31:22,720 --> 00:31:26,560 Speaker 1: an engineer. But Elena, who was an intern later became 580 00:31:26,560 --> 00:31:28,760 Speaker 1: my executive producer. She had to learn how to engineer 581 00:31:28,760 --> 00:31:31,040 Speaker 1: all that crap, and so did I, and we would 582 00:31:31,040 --> 00:31:34,320 Speaker 1: do it and it was awesome. No, it was terrible 583 00:31:34,320 --> 00:31:35,920 Speaker 1: at the time, but it was awesome looking back at 584 00:31:36,000 --> 00:31:38,280 Speaker 1: it because how we were able to do that. I 585 00:31:38,320 --> 00:31:41,160 Speaker 1: think at one year, I made fifty thousand dollars is 586 00:31:41,200 --> 00:31:44,240 Speaker 1: my salary, and I spent thirty eight thousand dollars on equipment, 587 00:31:45,280 --> 00:31:48,600 Speaker 1: so I made twelve thousand dollars and if you take 588 00:31:48,640 --> 00:31:50,880 Speaker 1: taxes out, not even that. Man, those are the good 589 00:31:50,880 --> 00:31:53,000 Speaker 1: old days, though, I'm telling you, those are a good 590 00:31:53,120 --> 00:31:57,360 Speaker 1: fricking old days. So thank you for all your questions. 591 00:31:57,440 --> 00:32:00,520 Speaker 1: I have so many more. But I got ah because 592 00:32:00,520 --> 00:32:02,360 Speaker 1: my wife's car broke down and I gotta go pick 593 00:32:02,400 --> 00:32:04,640 Speaker 1: it up. And I just got a text going, hey, 594 00:32:04,640 --> 00:32:07,760 Speaker 1: you gotta go or can you please come? And so 595 00:32:08,320 --> 00:32:10,280 Speaker 1: she's back home, her car broke down. I gotta go 596 00:32:10,320 --> 00:32:12,600 Speaker 1: and meet somebody and we're gonna go probably tow it 597 00:32:12,680 --> 00:32:14,440 Speaker 1: or jump it or something. I don't know. But thank 598 00:32:14,480 --> 00:32:17,160 Speaker 1: you for watching in the Weeds. Please put a comment 599 00:32:17,200 --> 00:32:19,200 Speaker 1: down below if you enjoy the show. If you're listening 600 00:32:19,240 --> 00:32:21,520 Speaker 1: on podcasts, put a comment in the what depends on 601 00:32:21,840 --> 00:32:24,160 Speaker 1: what you're listening on. On Spotify, they have comments, and 602 00:32:24,240 --> 00:32:26,000 Speaker 1: I'll go through and I'll find it. I'll copy and 603 00:32:26,040 --> 00:32:29,800 Speaker 1: we'll do this again next week. And also check out 604 00:32:29,800 --> 00:32:33,160 Speaker 1: our show called Hosts, where I bring on other hosts. 605 00:32:33,200 --> 00:32:37,800 Speaker 1: It's also very boring. We do boring shows here for 606 00:32:37,880 --> 00:32:41,600 Speaker 1: some reason. You guys are streaming them, so you keep 607 00:32:41,600 --> 00:32:44,800 Speaker 1: streaming them. I'll keep being boring. Stay weedy, everybody. I 608 00:32:44,840 --> 00:32:46,840 Speaker 1: said that last time, and then I thought I'll never 609 00:32:46,880 --> 00:32:48,720 Speaker 1: say that again, and then people re quoted me. I 610 00:32:48,720 --> 00:32:51,360 Speaker 1: ought to go and stay weedy. Stay weedy, everybody. All right, 611 00:32:51,400 --> 00:32:52,040 Speaker 1: We're in the Weeds. 612 00:32:52,080 --> 00:32:55,320 Speaker 4: Bye, everybody, hang ty the Bobby Cast. We'll be right 613 00:32:55,400 --> 00:33:08,440 Speaker 4: back and we're back on the Bobby Cast. 614 00:33:09,280 --> 00:33:09,560 Speaker 2: All right. 615 00:33:09,560 --> 00:33:12,000 Speaker 1: I want to play one of the podcasts here on 616 00:33:12,040 --> 00:33:14,920 Speaker 1: the old Nashville podcast Network. This is from movie Mike's 617 00:33:14,920 --> 00:33:17,560 Speaker 1: movie podcast, where he breaks down all the best and 618 00:33:17,600 --> 00:33:20,000 Speaker 1: worst new movies he watched for the whole month. And 619 00:33:20,000 --> 00:33:21,360 Speaker 1: he does this a lot to let you know what 620 00:33:21,400 --> 00:33:24,080 Speaker 1: movies to watch and what movies not to waste your 621 00:33:24,120 --> 00:33:27,400 Speaker 1: time on. Check out movie Mike's movie podcast. But here 622 00:33:27,440 --> 00:33:30,680 Speaker 1: it is what was the best movie in your opinion? 623 00:33:30,720 --> 00:33:33,520 Speaker 3: For June it is going to be on streaming and 624 00:33:33,560 --> 00:33:35,880 Speaker 3: that is voicemails for Isabella Netflix. 625 00:33:36,000 --> 00:33:38,640 Speaker 2: I talk about movies that made me emotional. That movie 626 00:33:38,720 --> 00:33:40,240 Speaker 2: kicks you right in the gonads. 627 00:33:40,320 --> 00:33:42,520 Speaker 5: It's so good. What is a movie about? 628 00:33:42,640 --> 00:33:45,680 Speaker 3: Okay, so it is about. This isn't a spoiler in 629 00:33:45,760 --> 00:33:48,280 Speaker 3: the trailer. It's in the trailer. Uh, there's a girl 630 00:33:48,280 --> 00:33:52,560 Speaker 3: who she is leaving voicemails for her late sister, like 631 00:33:52,760 --> 00:33:54,840 Speaker 3: just calling and like trying to stay in touch. And 632 00:33:54,880 --> 00:33:57,480 Speaker 3: then I gonna be thet way. But there's a guy 633 00:33:57,920 --> 00:34:02,520 Speaker 3: and a bit of romance. That's all you need to know. 634 00:34:02,560 --> 00:34:06,160 Speaker 2: And a lot of emotions. I think she is fantastic. 635 00:34:06,280 --> 00:34:08,000 Speaker 3: She is the rom com queen and it is a 636 00:34:08,080 --> 00:34:10,000 Speaker 3: rom com. There are some heavier moments, but it is 637 00:34:11,360 --> 00:34:12,840 Speaker 3: overarchingly a rom com. 638 00:34:13,160 --> 00:34:17,120 Speaker 2: Netflix like getting back to putting out really good rom coms. 639 00:34:17,480 --> 00:34:19,759 Speaker 5: They are. I think that's where they put out two 640 00:34:19,800 --> 00:34:21,200 Speaker 5: this month. We'll talk about the other one. It's not 641 00:34:21,200 --> 00:34:21,560 Speaker 5: my best. 642 00:34:21,719 --> 00:34:25,640 Speaker 2: Oh yeah, they should specialize in that because I feel 643 00:34:25,680 --> 00:34:28,719 Speaker 2: like rom coms, especially like this, are hard to sell 644 00:34:28,760 --> 00:34:33,360 Speaker 2: tickets to, but it doesn't mean we don't want these stories, 645 00:34:33,400 --> 00:34:34,160 Speaker 2: which I want. 646 00:34:34,160 --> 00:34:37,640 Speaker 3: The rom coms take me back to the early two thousands. 647 00:34:37,040 --> 00:34:39,400 Speaker 2: Which I think this is a great It kind of 648 00:34:39,400 --> 00:34:42,320 Speaker 2: has some elements of the early two thousands but feels 649 00:34:42,440 --> 00:34:46,640 Speaker 2: very fresh and modern and something that I didn't really 650 00:34:46,680 --> 00:34:49,560 Speaker 2: know I needed. And there were moments that very early 651 00:34:49,600 --> 00:34:52,399 Speaker 2: on they were able to establish a connection between these 652 00:34:52,480 --> 00:34:55,359 Speaker 2: characters and you feel for them instantly, which is really 653 00:34:55,360 --> 00:34:55,759 Speaker 2: hard to do. 654 00:34:56,000 --> 00:34:56,960 Speaker 5: I think it helps. 655 00:34:57,000 --> 00:34:59,279 Speaker 3: So it's Zoey deutschen Nick Robinson are the leads, and 656 00:34:59,280 --> 00:35:00,960 Speaker 3: they have known each other since high school. 657 00:35:01,280 --> 00:35:03,000 Speaker 5: Great, she used to have a crush on him in. 658 00:35:03,040 --> 00:35:06,040 Speaker 3: High school, and so I feel like that shared history 659 00:35:06,120 --> 00:35:10,200 Speaker 3: there made for such great on screen chemistry because they 660 00:35:10,280 --> 00:35:13,600 Speaker 3: have a history together, they know each other their friends, 661 00:35:13,640 --> 00:35:15,600 Speaker 3: Like I feel like that was like a safe space 662 00:35:15,640 --> 00:35:17,960 Speaker 3: for them to have that chemistry as characters. 663 00:35:18,320 --> 00:35:20,560 Speaker 2: Is it hard not to like go back to those 664 00:35:20,680 --> 00:35:22,000 Speaker 2: I mean, you have to go back to the feelings 665 00:35:22,000 --> 00:35:23,319 Speaker 2: you had when you had a crush on him. 666 00:35:23,280 --> 00:35:27,200 Speaker 3: Right, Yeah, And she's happily engaged in a relationship. But 667 00:35:27,239 --> 00:35:29,879 Speaker 3: it's like I think you can go back to that 668 00:35:30,040 --> 00:35:33,200 Speaker 3: and like, I think it's easier to play up like 669 00:35:33,239 --> 00:35:35,480 Speaker 3: you're not faking a crush on someone like you once 670 00:35:35,560 --> 00:35:37,680 Speaker 3: had it and you've been friends, like there's they've been 671 00:35:37,719 --> 00:35:41,919 Speaker 3: friends for like fourteen years, like there's a shared connection there. 672 00:35:42,360 --> 00:35:45,440 Speaker 2: The only thing and problem I had with this movie 673 00:35:45,640 --> 00:35:47,400 Speaker 2: is it's partly said in Austin. 674 00:35:47,160 --> 00:35:49,279 Speaker 5: Texas, which oh yeah, that was like a fake setting. 675 00:35:49,000 --> 00:35:52,319 Speaker 2: You were from. I lived there for seven years. They 676 00:35:52,320 --> 00:35:54,560 Speaker 2: did not portray Austin correctly that setting. 677 00:35:55,000 --> 00:35:56,319 Speaker 3: One of the best parts of the movie is that 678 00:35:56,440 --> 00:35:58,960 Speaker 3: Esti hym is one of the music supervised. Oh yeah, 679 00:35:58,960 --> 00:36:02,120 Speaker 3: and the music in that film phenomenal. 680 00:36:02,320 --> 00:36:06,400 Speaker 2: I think an underrated element that is probably expensive, but 681 00:36:06,480 --> 00:36:09,719 Speaker 2: having good songs at the right moments, like the perfect songs. 682 00:36:09,920 --> 00:36:12,200 Speaker 5: There are what two Taylor Swift songs in this movie. 683 00:36:12,560 --> 00:36:15,400 Speaker 2: They're not been three, might have been three. Yeah, that's expensive, 684 00:36:15,600 --> 00:36:16,160 Speaker 2: and I think that. 685 00:36:16,160 --> 00:36:17,520 Speaker 3: You know asked, he was like, could I get the 686 00:36:17,560 --> 00:36:20,239 Speaker 3: BFF discount? Can I get the friendship? 687 00:36:20,520 --> 00:36:22,840 Speaker 5: Can I use promo code BFF. 688 00:36:23,320 --> 00:36:27,879 Speaker 2: It's because I feel like studios don't want to pay 689 00:36:27,880 --> 00:36:29,840 Speaker 2: a lot to clear these songs, which is usually the 690 00:36:29,880 --> 00:36:33,279 Speaker 2: most expensive part or the unexpected expensive part of a 691 00:36:33,320 --> 00:36:36,200 Speaker 2: movie is getting a song cleared, and when a director 692 00:36:36,239 --> 00:36:38,960 Speaker 2: is putting together a movie, sometimes they just have a 693 00:36:39,040 --> 00:36:42,160 Speaker 2: song like place like as a placeholder, and they're like, 694 00:36:42,239 --> 00:36:44,120 Speaker 2: I would really love to get that song, but it's 695 00:36:44,120 --> 00:36:46,560 Speaker 2: so expensive, and oftentimes they have to go with a different, 696 00:36:46,640 --> 00:36:49,040 Speaker 2: cheaper song. But I feel like every song that was 697 00:36:49,080 --> 00:36:51,920 Speaker 2: included in this movie fit perfectly. 698 00:36:51,960 --> 00:36:53,920 Speaker 3: It's like the Summer I Turn Pretty. They use a 699 00:36:53,920 --> 00:36:56,880 Speaker 3: lot of Taylor Swift. Jenny Hahn uses that music budget 700 00:36:57,000 --> 00:36:59,640 Speaker 3: a lot of Taylor Swift, and then they had Scott 701 00:36:59,680 --> 00:37:03,720 Speaker 3: Street a Phoebe Bridgers last year, so like that was listen. 702 00:37:04,600 --> 00:37:07,080 Speaker 3: She's in Songwriting Hall of Fame for a reason. Her 703 00:37:07,200 --> 00:37:10,360 Speaker 3: music goes to so many moments. It was like perfectly done. 704 00:37:10,400 --> 00:37:14,200 Speaker 2: All right, my best For June, I'm gonna go with Tuoner, 705 00:37:14,840 --> 00:37:16,760 Speaker 2: Oh yeah, which was a movie we saw. 706 00:37:16,640 --> 00:37:18,080 Speaker 5: That at the very beginning of the movie. I totally 707 00:37:18,120 --> 00:37:18,680 Speaker 5: forgot about that. 708 00:37:18,719 --> 00:37:20,680 Speaker 2: It was kind of crammed in there at the beginning 709 00:37:20,760 --> 00:37:22,840 Speaker 2: of the month. I feel like didn't get the promo 710 00:37:23,000 --> 00:37:26,600 Speaker 2: it deserved. But one that we just kind of saw 711 00:37:26,760 --> 00:37:29,240 Speaker 2: on a whim on a Sunday, where like, let's. 712 00:37:29,080 --> 00:37:30,240 Speaker 5: Let's go watch it. We saw the trailer. 713 00:37:30,320 --> 00:37:30,879 Speaker 1: It look good. 714 00:37:31,160 --> 00:37:34,239 Speaker 2: What the movie is about. It's about a guy who 715 00:37:34,360 --> 00:37:37,400 Speaker 2: works as a piano tuner. He has a condition where 716 00:37:37,800 --> 00:37:41,080 Speaker 2: essentially he is allergic to sounds, but makes him a 717 00:37:41,080 --> 00:37:46,200 Speaker 2: fantastic piano tuner. He was also like a prodigy at piano, 718 00:37:46,320 --> 00:37:49,600 Speaker 2: but due to his health issues, can't live out his 719 00:37:49,680 --> 00:37:51,360 Speaker 2: dream and you learn more about that in the movie. 720 00:37:51,719 --> 00:37:55,359 Speaker 5: But then he discovers that because he's very sensitive to sounds. 721 00:37:55,520 --> 00:37:57,799 Speaker 3: She was not even allergic to it, yes, but he's 722 00:37:57,800 --> 00:38:00,520 Speaker 3: sensitive to where like he can hear them mollest of 723 00:38:00,560 --> 00:38:01,960 Speaker 3: noises and it bothers him. 724 00:38:02,000 --> 00:38:05,480 Speaker 2: So he wears like these really big headphones all the 725 00:38:05,520 --> 00:38:08,520 Speaker 2: time to kind of help protect his ears. But then 726 00:38:08,560 --> 00:38:11,560 Speaker 2: he discovers after his friend Dustin Hoffman in the movie, 727 00:38:11,600 --> 00:38:16,160 Speaker 2: who was like a ray of sunshine in this after 728 00:38:16,200 --> 00:38:19,080 Speaker 2: he has a bit of an accident, he discovers that 729 00:38:19,320 --> 00:38:20,759 Speaker 2: he can crack safes. 730 00:38:20,680 --> 00:38:24,280 Speaker 5: Because he can hear when you're turning. 731 00:38:24,320 --> 00:38:28,520 Speaker 3: Apparently there's like a latch where the mechanisms go past 732 00:38:28,600 --> 00:38:30,280 Speaker 3: each other and you can hear that if you listen 733 00:38:30,360 --> 00:38:32,760 Speaker 3: really really really really really carefully. And he's like hyper 734 00:38:32,880 --> 00:38:34,560 Speaker 3: sensitive to sound, so he could hear that so he 735 00:38:34,640 --> 00:38:36,200 Speaker 3: learns how to crack safes on YouTube. 736 00:38:36,239 --> 00:38:38,000 Speaker 5: You can learn anything on YouTube. 737 00:38:37,880 --> 00:38:42,640 Speaker 2: YouTube university, so he learns how to do that turns 738 00:38:42,680 --> 00:38:46,360 Speaker 2: to a life of crime but doing something good, and 739 00:38:46,400 --> 00:38:49,279 Speaker 2: then you have all the trials and tribulations that come 740 00:38:49,320 --> 00:38:49,640 Speaker 2: with that. 741 00:38:50,200 --> 00:38:54,040 Speaker 5: You get a love interest, and he's balancing a new romance. 742 00:38:54,560 --> 00:38:57,920 Speaker 2: I love movies where it is good people doing bad things, 743 00:38:58,320 --> 00:38:59,160 Speaker 2: where you do. 744 00:38:59,120 --> 00:39:01,920 Speaker 5: Love that because he is You're like wanting him to 745 00:39:01,920 --> 00:39:02,480 Speaker 5: get away with it. 746 00:39:02,600 --> 00:39:06,560 Speaker 2: Yeah, And I find this conflict within myself of I'm 747 00:39:06,640 --> 00:39:09,640 Speaker 2: rooting for him, but if I knew him in real life, 748 00:39:09,680 --> 00:39:11,640 Speaker 2: I'd be like, dude, that is a bad dude. 749 00:39:11,719 --> 00:39:14,560 Speaker 3: That's like what was the movie or training Tatum lives 750 00:39:14,560 --> 00:39:17,160 Speaker 3: in the toys r Us Rufman Rufman, and you. 751 00:39:17,160 --> 00:39:18,319 Speaker 5: Like want him to get away with it. 752 00:39:18,320 --> 00:39:21,359 Speaker 2: It's like they're criminals, but they're so charming and good 753 00:39:21,480 --> 00:39:24,439 Speaker 2: lugging that you're like, you wanted me to get away 754 00:39:24,440 --> 00:39:24,640 Speaker 2: with it. 755 00:39:24,680 --> 00:39:26,799 Speaker 5: But that is also the power of good storytelling. 756 00:39:27,000 --> 00:39:31,239 Speaker 2: If a movie can make you feel empathy for a 757 00:39:31,320 --> 00:39:36,160 Speaker 2: character who is doing rather awful and illegal things, that 758 00:39:36,320 --> 00:39:37,359 Speaker 2: is good storytelling. 759 00:39:37,520 --> 00:39:38,800 Speaker 5: I love Leo Woodall. 760 00:39:39,000 --> 00:39:40,680 Speaker 3: I feel like in the past few years he has 761 00:39:40,680 --> 00:39:43,600 Speaker 3: done some incredible roles White Lotus, he did Prime on 762 00:39:43,680 --> 00:39:44,360 Speaker 3: Apple TV. 763 00:39:45,840 --> 00:39:50,759 Speaker 5: He was in Nuremberg. Needed this. Yeah, I think he's 764 00:39:50,800 --> 00:39:52,319 Speaker 5: popping off right now. I think he's great. 765 00:39:52,320 --> 00:39:56,800 Speaker 3: And he and Meghan Faye from also from White Lotus 766 00:39:56,880 --> 00:39:57,880 Speaker 3: and The Bold Type, they. 767 00:39:57,719 --> 00:39:58,480 Speaker 5: Make a great couple. 768 00:39:58,680 --> 00:40:00,880 Speaker 2: This movie is perfect if you love thrillers, which is 769 00:40:00,960 --> 00:40:04,120 Speaker 2: up there in like my top three genres where the 770 00:40:04,160 --> 00:40:07,600 Speaker 2: only thing I would hold against this movie there's nothing 771 00:40:07,880 --> 00:40:12,080 Speaker 2: novel that happens. It is by the books kind of 772 00:40:12,080 --> 00:40:14,319 Speaker 2: a standard thriller, but it's done so well. 773 00:40:14,040 --> 00:40:17,239 Speaker 5: But it's novel in that like the Price is. Yeah, 774 00:40:17,239 --> 00:40:20,439 Speaker 5: but as far as like the actual story, I don't 775 00:40:20,480 --> 00:40:21,640 Speaker 5: need everyone to rewrite. 776 00:40:21,840 --> 00:40:23,960 Speaker 3: Yeah, I don't know if something, if it's not broken, 777 00:40:24,360 --> 00:40:25,280 Speaker 3: don't fix it. 778 00:40:25,280 --> 00:40:27,759 Speaker 5: It's not going to win an Oscar, but it won 779 00:40:27,800 --> 00:40:28,200 Speaker 5: my heart. 780 00:40:28,360 --> 00:40:31,520 Speaker 3: I think the actors made the movie like the performances 781 00:40:31,640 --> 00:40:33,560 Speaker 3: that we're stand out performances. 782 00:40:33,719 --> 00:40:35,560 Speaker 2: And then we're walking out and who do we see? 783 00:40:36,320 --> 00:40:38,920 Speaker 2: Keith Urban going to watch a movie on a normal 784 00:40:39,239 --> 00:40:40,279 Speaker 2: Sunday afternoon. 785 00:40:40,640 --> 00:40:43,000 Speaker 3: He was in front of us, and we did that 786 00:40:43,080 --> 00:40:45,840 Speaker 3: thing where we can just exchange a look when we 787 00:40:45,880 --> 00:40:47,359 Speaker 3: see someone famous, and we. 788 00:40:47,360 --> 00:40:48,799 Speaker 5: Just kind of like look at each other and we're like, 789 00:40:48,760 --> 00:40:50,640 Speaker 5: did you clock that? Am I am? I seeing what 790 00:40:50,640 --> 00:40:51,200 Speaker 5: you're seeing? 791 00:40:51,719 --> 00:40:53,640 Speaker 2: And then that's it held the door up and for us, 792 00:40:53,680 --> 00:40:55,879 Speaker 2: he was very under the radar, very under the radar, 793 00:40:56,040 --> 00:40:58,160 Speaker 2: which I wanted to ask him what he thought of it, 794 00:40:58,239 --> 00:41:00,759 Speaker 2: because it had like a musical element to it, it 795 00:41:00,760 --> 00:41:02,319 Speaker 2: had the action element to it. 796 00:41:03,239 --> 00:41:04,400 Speaker 5: Obviously he's a musician. 797 00:41:04,480 --> 00:41:06,680 Speaker 3: I'm like, I just saw a TikTok the other day 798 00:41:06,680 --> 00:41:08,600 Speaker 3: that he apparently pulled up in his Rolls Royce to 799 00:41:08,640 --> 00:41:09,160 Speaker 3: a Jenny's. 800 00:41:09,160 --> 00:41:10,480 Speaker 5: Have you seen that one? And he was eating ice 801 00:41:10,520 --> 00:41:12,440 Speaker 5: cream in his Yeah, and he like gets. 802 00:41:12,200 --> 00:41:14,279 Speaker 3: In his Rolls Royce, which it's very confusing because the 803 00:41:14,320 --> 00:41:16,080 Speaker 3: door's open weird in that, and I'm like, that's how 804 00:41:16,080 --> 00:41:16,920 Speaker 3: you know a car's fancy. 805 00:41:17,040 --> 00:41:18,840 Speaker 5: The doors don't open the right way. I feel like 806 00:41:18,840 --> 00:41:19,960 Speaker 5: I'd be like, huh. 807 00:41:19,840 --> 00:41:21,600 Speaker 2: Yeah, they said he was eating ice cream in his 808 00:41:21,719 --> 00:41:23,120 Speaker 2: Rolls Royce for like thirty minutes. 809 00:41:23,239 --> 00:41:25,680 Speaker 5: Yeah, what a life? What a life? 810 00:41:26,000 --> 00:41:27,759 Speaker 2: But very nice he held the door open for him, 811 00:41:27,800 --> 00:41:31,160 Speaker 2: he did. I would have given Tuner a four out 812 00:41:31,160 --> 00:41:33,920 Speaker 2: of five. Thanks for listening to the Bobby cast. 813 00:41:34,239 --> 00:41:36,960 Speaker 4: Share this episode with a friend because they don't pay 814 00:41:36,960 --> 00:41:37,759 Speaker 4: to advertise US