WEBVTT - Selects: What is folklore?

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<v Speaker 1>Hello friends, Chuck here with our Saturday Select pick. This

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<v Speaker 1>is all the way back from February. Remember that being

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<v Speaker 1>a very good day. Remember being happy that day because

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<v Speaker 1>we recorded a podcast about folklore and it was great

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<v Speaker 1>and a lot of fun. And it's called what Is Folklore?

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<v Speaker 1>And I think you'll enjoy it on the Saturday afternoon,

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<v Speaker 1>So queue it up and get going right here, right now.

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<v Speaker 1>Welcome to Stuff you should know, a production of I

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<v Speaker 1>Heart Radio. Hey there, and welcome to the podcast. I'm

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<v Speaker 1>josh Joshua Clark, and there's Charles W Chuck Bryant. Jerry

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<v Speaker 1>is over there, just Jerry uh, and that's stuff you

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<v Speaker 1>should know that. She has a new sip gone out

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<v Speaker 1>on the FX called just Jerry. It's suddenly Jerry. Um,

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<v Speaker 1>how you doing. I'm fine as well told me to intrude,

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<v Speaker 1>just checking. I'm excited about this. When I first read

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<v Speaker 1>our article, I was a little bit like, oh, this

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<v Speaker 1>is a little unwieldy because it's so folklore. It's just

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<v Speaker 1>it's an amorphous. As it turns out, it's everything, yeah,

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<v Speaker 1>pretty much. But then you sent um, what was that

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<v Speaker 1>other good article from? Actually we should shout that out.

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<v Speaker 1>It was from a I think the University of Louisiana

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<v Speaker 1>or something like that. They have a folk life folklore department,

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<v Speaker 1>and it was basically we we stumbled upon some unit

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<v Speaker 1>for teachers to teach what folklore is and we're like, hey,

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<v Speaker 1>it works for us, super helpful. Yeah, it was very helpful.

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<v Speaker 1>It definitely. It took a lot of this amorphous stuff

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<v Speaker 1>that was in our article and chipped away at the

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<v Speaker 1>edges and gave it a little more shape. You know, agreed, So, um,

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<v Speaker 1>you did kind of hit it on the head. It's

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<v Speaker 1>it's kind of like um, nailing jelly to the wall

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<v Speaker 1>defining what folklore is because it is so much that

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<v Speaker 1>phrases folklore. If if it isn't just me saying it,

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<v Speaker 1>if I share it and now other people say it,

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<v Speaker 1>it could become stuff you should know, folklore, oral oral folklore.

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<v Speaker 1>Did you make that up? It was I think I've

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<v Speaker 1>heard it before. Okay, so that's folklore. Yeah, I guess,

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<v Speaker 1>so it's a it's a variation though of Um, what

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<v Speaker 1>else did I hear? Oh? Yeah, we were talking about

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<v Speaker 1>the the nuclear fusion reactor where they were saying that

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<v Speaker 1>keeping plasma contained is kind of like trying to hold

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<v Speaker 1>jelly in a bunch of rubber bands. That's a nerd

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<v Speaker 1>science folklore. That's what inspired me to say, nailing jelly

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<v Speaker 1>to the wall. I like that. It seems like it

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<v Speaker 1>really sums it up. So folklore. Yeah, I found this

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<v Speaker 1>other definition I thought was pretty good, which is, uh,

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<v Speaker 1>traditional art, literature, knowledge and practice that is disseminated largely

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<v Speaker 1>through oral communication and behavioral example. Uh. And then this

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<v Speaker 1>was the key for me. Things that people traditionally believe,

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<v Speaker 1>do no make and say in other words, everything, Yeah,

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<v Speaker 1>I mean, you're right, everything that that's that's about as

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<v Speaker 1>good a definition as you're gonna find. One of the

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<v Speaker 1>problems with studying folklore is that there are so many

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<v Speaker 1>definitions out there. Apparently folklorists, who are people who study folklore. UM,

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<v Speaker 1>I don't like to be too judge e. It's kind

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<v Speaker 1>of part and parcel with their um their field of study.

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<v Speaker 1>You don't judge stuff, you just collect information. The problem

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<v Speaker 1>is is that they've also just kind of collected definitions

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<v Speaker 1>for folklore along the way, and there isn't one set

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<v Speaker 1>definition that's accepted by everybody. Yeah, a folklore collected stuff.

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<v Speaker 1>I was like, that's stupid. It wouldn't It would be

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<v Speaker 1>a good Why are you guys doing that? That's a

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<v Speaker 1>good TV show, the bad folk folkloreist. And I might

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<v Speaker 1>say folk here in there because I mispronounced that word

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<v Speaker 1>often and how are you saying? Well, a lot of

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<v Speaker 1>times I'll say the l in fact, up until about

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<v Speaker 1>a year ago when someone wrote in was a stupid

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<v Speaker 1>it's pronounced folk like f o k folk and not folk.

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<v Speaker 1>But the weird thing is is like I hear the

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<v Speaker 1>l missing when I hear folk, weird, that's some sort

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<v Speaker 1>of like I don't hear fo k, Like it's clear

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<v Speaker 1>to me that there's an fo l k in there.

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<v Speaker 1>You hear the silence. It's a great word. Oh okay,

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<v Speaker 1>it's beautiful. It is beautiful. Um. And another thing too

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<v Speaker 1>that we should point out that folklore is love to

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<v Speaker 1>point out is that um, it is not and should

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<v Speaker 1>not be associated with being backward or old timey or uneducated.

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<v Speaker 1>Like I think a lot of people have that connotation

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<v Speaker 1>in their heads, that folklore is like the hillbilly on

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<v Speaker 1>the porch, you know, when their homespun wisdoms, and it

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<v Speaker 1>can be that, but it's it's it's not that at all,

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<v Speaker 1>Like it's not just that, right. Um. A really good

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<v Speaker 1>example that contradicts that is, um, Snopes. Snopes dot com

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<v Speaker 1>is basically a clearinghouse of modern folklore. Oh yeah, I

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<v Speaker 1>never really thought about that. You know, Um the Nigerian

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<v Speaker 1>prince scam, that's folklore. Yeah, it sure is. Emoticons even

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<v Speaker 1>are considered now a form of um verbal communication verbal folklore. Yeah,

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<v Speaker 1>and like you said, it's everything. And the reason it's

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<v Speaker 1>everything is because, um, it comes out of groups. Like

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<v Speaker 1>if I just have a habit, you know where Um,

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<v Speaker 1>I keep a rubber band twisted around my finger until

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<v Speaker 1>it turns purple, and then I'll take it off for

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<v Speaker 1>half an hour and then do it again. That's just

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<v Speaker 1>some weird habit. That's not folklore. Folklore is something that's

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<v Speaker 1>shared between a group. Yeah, and uh, those groups can

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<v Speaker 1>be like almost anything the I think them. That great

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<v Speaker 1>article you sent and that says neighborhoods, communities, and regions,

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<v Speaker 1>but also religious groups, families, occupations, gender like pretty much

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<v Speaker 1>any grouping, enthusiast, hobbyists, anything you can think of that

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<v Speaker 1>you can group more than two people together. It can

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<v Speaker 1>be a folk group exactly. You can have like a

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<v Speaker 1>Catholic dockyard worker who is also a member of an

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<v Speaker 1>RC playing club. Yeah, who also is a member of

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<v Speaker 1>a book club at the local library. Right, So that

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<v Speaker 1>one person is going to be a member of all

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<v Speaker 1>those different folk groups, and all those folk groups are

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<v Speaker 1>gonna write their own folklore, true it. Uh, that's yeah,

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<v Speaker 1>you're right. That's another good thing to point out is

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<v Speaker 1>you're not just in one group. You have you spanned many,

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<v Speaker 1>many groups. And for instance, I have family folklore. Uh,

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<v Speaker 1>we have probably occupational folklore, you know, the old podcaster

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<v Speaker 1>folklore for us and our colleagues. Uh, and my gender

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<v Speaker 1>and my age and uh religious affiliation growing up, like,

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<v Speaker 1>we all have many many groups and subgroups that we

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<v Speaker 1>fall into, right, and we get our information from that. Yeah.

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<v Speaker 1>One of the things that I think has been tricky

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<v Speaker 1>about defining folklore is that there's not it's not obvious

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<v Speaker 1>necessarily what folklore is for not at first blush, but

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<v Speaker 1>if you go and read some of the people who

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<v Speaker 1>study it. Um. The idea of folklore is that one

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<v Speaker 1>of the main things it does is it reinforces membership

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<v Speaker 1>in a group. It makes you feel special for being

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<v Speaker 1>part of that group, an insider um. And then it

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<v Speaker 1>also um reinforces the norms of that group. Like folklore

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<v Speaker 1>is based on basically norms, customs, traditions, things that the

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<v Speaker 1>members of the group have said. This is what you

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<v Speaker 1>know we identify with. Yeah, and not always too um,

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<v Speaker 1>as that teaching site points out, not always reinforcing those norms,

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<v Speaker 1>sometimes overturning those norms. Yeah. Like a good way to

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<v Speaker 1>overturn the norm is to take an existing norm and

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<v Speaker 1>turn it on its ear, because it makes it really

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<v Speaker 1>approachable to the other people in your folk group. They

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<v Speaker 1>understand what you're doing very clearly, and it gives them

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<v Speaker 1>a different perspective, right or seeing the traditional channels. Yeah, like, uh,

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<v Speaker 1>I think one example I saw somewhere was taking a

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<v Speaker 1>traditional folk song maybe and adding verses to it to

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<v Speaker 1>spend its meaning to the opposite, perhaps like Bob Dylan

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<v Speaker 1>he's famous for stealing things. Or Jimmy Page. Uh oh yeah.

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<v Speaker 1>Have you heard that song the Zeppelin or the Yesterday

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<v Speaker 1>Way to Heaven lawsuit? No? No, who whose song was it? Originally?

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<v Speaker 1>I can't remember the name. I mean, this is not news.

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<v Speaker 1>It's been around for a while, but um yeah, I

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<v Speaker 1>mean they've been sued. Uh. It was a group that

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<v Speaker 1>opened up for for Zeppelin on an early tour and

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<v Speaker 1>supposedly played this song, and I think Zeppelin has I

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<v Speaker 1>haven't looked at it up lately, but I think they

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<v Speaker 1>have defeated the suit. But when you hear the song,

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<v Speaker 1>you're like, oh, that sounds a little bit like the

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<v Speaker 1>opening bit to Stairway to Happen. So it was like

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<v Speaker 1>the musical the music. It wasn't like any of the

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<v Speaker 1>layer that that opening guitar strumming pattern, um uh was

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<v Speaker 1>pretty darn similar. But um, as any musician will tell you,

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<v Speaker 1>everybody steals. There's only so many variations of chords and

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<v Speaker 1>picking patterns that you can do. And uh, it's just

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<v Speaker 1>part of the rich tradition of music is to nick

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<v Speaker 1>things respectfully, not you know, not rightbusters, I want a

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<v Speaker 1>new drug kind of steeling. Yeah, I mean that's when

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<v Speaker 1>your lawsuits come up. Um, it's not just music that

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<v Speaker 1>there's that long tradition of stealing um or nicking or

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<v Speaker 1>whatever you want to euphemism. It's literature is very much

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<v Speaker 1>the same way. There's something like five or ten themes

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<v Speaker 1>and all of literature and everything else is just basically

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<v Speaker 1>a variation of them. And that's One of the things

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<v Speaker 1>that folklore uh are folk folklorists have learned through studying

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<v Speaker 1>folklore is that we humans share what can be called

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<v Speaker 1>basically a common imagination. That humans across time and space, um,

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<v Speaker 1>all have a a like a a certain number of

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<v Speaker 1>slots of looking at the world. Certain things in the

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<v Speaker 1>world capture the human imagination in a similar way in

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<v Speaker 1>all different parts of the world, and we tend to

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<v Speaker 1>use similar explanations for them. So you'll have independently evolving

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<v Speaker 1>folklore among groups who've never met before, UM that seek

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<v Speaker 1>to explain or have a story about something that is

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<v Speaker 1>just kind of out there in the environment. Yeah, that's

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<v Speaker 1>a good point, um. One of the examples of that

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<v Speaker 1>is UH, in folklore stories are frogs and toads can

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<v Speaker 1>be found, and all kinds of old stories and all

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<v Speaker 1>cultures all over the world. That I mean, it's possible

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<v Speaker 1>too if you're close to one another, like uh, Korea

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<v Speaker 1>and China may have stories to overlap one another just

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<v Speaker 1>through a common geographical boundary. But stuff like frogs and

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<v Speaker 1>toads will pop up, you know, let's say in Europe

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<v Speaker 1>or medieval Europe or in Asia like places aren't even

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<v Speaker 1>close to one another where it's inexplicable basically, right, and

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<v Speaker 1>they'll share like a similar um personality or something in

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<v Speaker 1>the story. So like frogs and toads are commonly thought

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<v Speaker 1>of as shape shifting tricksters. Yeah, and I think, UM,

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<v Speaker 1>this article points out that that's probably because they go

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<v Speaker 1>from tadpole to frog or toad and they change themselves physically.

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<v Speaker 1>So it's um, you know, the old dummies back in

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<v Speaker 1>the day, they would just use that obvious. Obviously they

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<v Speaker 1>can become human too, since they go from tadpole to

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<v Speaker 1>frog exactly like the frog prince. And you you mentioned

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<v Speaker 1>also UM shared regional characteristics that are most likely the

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<v Speaker 1>result of stories making it from one group to another

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<v Speaker 1>crossing borders. But among groups that are close together, and

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<v Speaker 1>UM that example you gave of East Asia, UM, Japan

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<v Speaker 1>and CRE Thailand, China, they all have UM. They the

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<v Speaker 1>idea that there's a rabbit in the moon and he's

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<v Speaker 1>using a mortar and pestle. And what that would be

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<v Speaker 1>is a motif. Like all of them have the shared

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<v Speaker 1>idea that there's a rabbit in the moon, right, But

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<v Speaker 1>then there's what are called variations of that motif. So

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<v Speaker 1>in Japan and Korea, the rabbits making mochi, which is

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<v Speaker 1>a sweet, squishy rice cake that often has like something

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<v Speaker 1>even sweeter injected in, like red bean sweetness. Right. Um,

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<v Speaker 1>in China, the rabbit is making medicine. In Thailand's husking

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<v Speaker 1>um rice. So you have variations on what the rabbit

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<v Speaker 1>is doing, but the motif is if you look up

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<v Speaker 1>at the moon, there's a rabbit doing something up there. Yeah,

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<v Speaker 1>and like we said, it's most likely because of a

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<v Speaker 1>shared border or just because simply people moving between those countries.

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<v Speaker 1>So we'll talk about where folklore comes from. Friends, if

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<v Speaker 1>you can believe it or not. Right after this, chuckers,

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<v Speaker 1>So we're back. We're talking folklore. We should also say

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<v Speaker 1>folklore is actually um a fairly recent word. It was

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<v Speaker 1>coined in eighteen forty six by a guy named William J. Toms. Yeah,

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<v Speaker 1>he was a um an early and tiquarian. He was

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<v Speaker 1>also very interested in studying um. What has now come

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<v Speaker 1>to be called folklore or folk life. We should point

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<v Speaker 1>out that's a modern term that people folklore is like

0:13:40.559 --> 0:13:44.199
<v Speaker 1>even more Yeah, because folklore has this connotation that um,

0:13:44.480 --> 0:13:48.040
<v Speaker 1>that it has to do with stories, world traditions or

0:13:48.120 --> 0:13:50.679
<v Speaker 1>even not true things because you've heard like, oh, that's

0:13:50.679 --> 0:13:53.480
<v Speaker 1>just folklore, like an old lives tale. Yeah, exactly. So

0:13:53.520 --> 0:13:58.240
<v Speaker 1>they've expanded it to include or to reflect how inclusive

0:13:58.240 --> 0:14:01.079
<v Speaker 1>it is by calling it folk life. But um William

0:14:01.120 --> 0:14:04.240
<v Speaker 1>Tom's came up with folklore and it was originally hyphenated

0:14:04.679 --> 0:14:08.360
<v Speaker 1>um and he was describing these stories that he would

0:14:08.400 --> 0:14:12.280
<v Speaker 1>go out into the countryside and collect from folk. Like

0:14:12.360 --> 0:14:15.920
<v Speaker 1>he published a book of like English rural stories that

0:14:15.960 --> 0:14:18.920
<v Speaker 1>included things like Robin Hood and Friar Talk and some

0:14:19.000 --> 0:14:22.800
<v Speaker 1>of the other stories that we have become disnified over

0:14:22.840 --> 0:14:25.760
<v Speaker 1>the years. This guy originally put down for the first

0:14:25.760 --> 0:14:27.440
<v Speaker 1>time on pen and paper and became one of the

0:14:27.440 --> 0:14:31.520
<v Speaker 1>early folklorest. Yeah, and didn't they call just anyone living

0:14:31.520 --> 0:14:34.560
<v Speaker 1>in rural areas. Weren't they just called folk? Which is

0:14:34.600 --> 0:14:37.440
<v Speaker 1>why we sort of associated as like being a bumpkin today.

0:14:37.640 --> 0:14:39.200
<v Speaker 1>But I use that word all the time in fact

0:14:39.200 --> 0:14:42.360
<v Speaker 1>on the Facebook while here, that's my most common way

0:14:42.360 --> 0:14:44.880
<v Speaker 1>of addressing the stuff you should know army is hey folks. Oh,

0:14:44.920 --> 0:14:47.600
<v Speaker 1>I know, it just sounds like chummy to me. Yeah,

0:14:47.760 --> 0:14:51.280
<v Speaker 1>very folks. Folk. See there you go, yeah, hey folks.

0:14:51.400 --> 0:14:56.280
<v Speaker 1>Uh So there are a bunch of innumerable innumerable groups

0:14:56.320 --> 0:14:59.720
<v Speaker 1>really that pass along folklore. Um, and they're called folk

0:14:59.760 --> 0:15:03.840
<v Speaker 1>group folk groups, but we can we can group them generally,

0:15:04.080 --> 0:15:10.640
<v Speaker 1>not folk groups like Peter Paul Mary, Yeah, but folk groups. Yeah.

0:15:10.840 --> 0:15:12.720
<v Speaker 1>I think I said it with the eldest, now, didn't

0:15:12.760 --> 0:15:16.080
<v Speaker 1>I maybe I like it. It's called the regional ad diction.

0:15:16.960 --> 0:15:18.960
<v Speaker 1>People get all hung up on that stuff. You gotta

0:15:19.000 --> 0:15:21.720
<v Speaker 1>say this wrong. What's weird though, is like neither one

0:15:21.760 --> 0:15:24.560
<v Speaker 1>of us sound like Southerners. Yeah, not really, And I

0:15:24.560 --> 0:15:26.360
<v Speaker 1>mean like you were born here and you don't sound

0:15:26.400 --> 0:15:29.239
<v Speaker 1>like a Southerner. Yeah, I say, I have certain colloquialism,

0:15:29.320 --> 0:15:32.560
<v Speaker 1>so like, uh, have your picture made? Oh yeah, that's

0:15:33.880 --> 0:15:36.360
<v Speaker 1>sometimes I'll say, like you mash a button instead of

0:15:36.360 --> 0:15:39.640
<v Speaker 1>push a button. Yeah, And there's It's I think people

0:15:39.640 --> 0:15:42.840
<v Speaker 1>should embrace things like that regional dialect instead of getting

0:15:42.840 --> 0:15:47.080
<v Speaker 1>all hung up on the Queen's English or the King's English.

0:15:47.160 --> 0:15:50.960
<v Speaker 1>See right there, Yeah, that's a that's regional. I imagine

0:15:51.000 --> 0:15:53.560
<v Speaker 1>either one. The prince is English. Um, it's that what

0:15:53.680 --> 0:15:57.840
<v Speaker 1>you're talking about is antithetical the globalization. Chuck. Oh really sure,

0:15:58.000 --> 0:16:01.320
<v Speaker 1>look at you regionalism, smarty fans. Well, I mean that's

0:16:01.400 --> 0:16:04.520
<v Speaker 1>that's counter to globalization. Globalization is turning the earth into

0:16:04.560 --> 0:16:07.280
<v Speaker 1>one large village with all these shared values and everything.

0:16:07.840 --> 0:16:10.920
<v Speaker 1>Regionalism is saying like, no, we'll just stay his pockets

0:16:10.960 --> 0:16:14.040
<v Speaker 1>of interacting groups that have our own our own values

0:16:14.080 --> 0:16:17.640
<v Speaker 1>and traditions and customs like that. I think it's on

0:16:17.680 --> 0:16:20.120
<v Speaker 1>the brain because I posted something today on words that

0:16:20.160 --> 0:16:24.760
<v Speaker 1>are mispronounced a lot and um, what what's up there? Oh?

0:16:24.840 --> 0:16:29.440
<v Speaker 1>I mean also like banal and uh. Dr Seuss supposed

0:16:29.760 --> 0:16:34.360
<v Speaker 1>supposedly pronounced his name is u so ice. Again, I

0:16:34.360 --> 0:16:36.360
<v Speaker 1>can't remember how he pronounced it, but it's just like

0:16:36.400 --> 0:16:39.000
<v Speaker 1>common words you're probably mispronouncing. And the was on there

0:16:39.520 --> 0:16:46.720
<v Speaker 1>And someone said, you guys always pronounced the wrong because supposedly, yeah, exactly,

0:16:46.760 --> 0:16:49.880
<v Speaker 1>supposedly there's a rule. Not supposedly, I think there is

0:16:49.880 --> 0:16:54.560
<v Speaker 1>a rule. You mean supposedly, Well, that wasn't on there. Um,

0:16:54.680 --> 0:16:56.680
<v Speaker 1>well that's a different that's just saying the wrong word.

0:16:57.480 --> 0:17:00.280
<v Speaker 1>But I think the you should say the in the

0:17:00.680 --> 0:17:04.840
<v Speaker 1>following noun is starts with a vowel, like the apple,

0:17:05.880 --> 0:17:10.000
<v Speaker 1>not the apple, but you could say you could say

0:17:10.119 --> 0:17:12.800
<v Speaker 1>the test because the apple almost sounds like it's th

0:17:13.040 --> 0:17:16.359
<v Speaker 1>h apostrophe apple. Yeah, And I get it, but that's apple.

0:17:16.480 --> 0:17:19.320
<v Speaker 1>It's just sort of a regional thing. I think in

0:17:19.400 --> 0:17:23.040
<v Speaker 1>the South you might hear more the m than the

0:17:23.520 --> 0:17:25.800
<v Speaker 1>snotty New Englanders. So I've never really paid that much

0:17:25.840 --> 0:17:28.760
<v Speaker 1>attention to that one. I haven't either, you know why,

0:17:28.800 --> 0:17:32.840
<v Speaker 1>because we are laid back, that's right. Um, all right,

0:17:32.880 --> 0:17:34.600
<v Speaker 1>So what we're talking about, we're talking about people who

0:17:34.720 --> 0:17:38.320
<v Speaker 1>spread the groups, the folk groups. One of the folk

0:17:38.400 --> 0:17:42.040
<v Speaker 1>groups though not Peter poll Mary one of his children.

0:17:42.600 --> 0:17:45.360
<v Speaker 1>And uh, this is a really big one because when

0:17:45.359 --> 0:17:48.920
<v Speaker 1>you think about going back to your childhood, everything like

0:17:49.520 --> 0:17:52.760
<v Speaker 1>the games like hide and see cop scotch. Uh. This

0:17:52.840 --> 0:17:55.520
<v Speaker 1>article pointed out how you decide who's it like that

0:17:55.680 --> 0:18:00.080
<v Speaker 1>is super specific to your region. Um, but also not

0:18:00.200 --> 0:18:03.360
<v Speaker 1>just that the difference is regionally, but think about how

0:18:03.480 --> 0:18:06.720
<v Speaker 1>intricate some of the rules were some of those games,

0:18:06.760 --> 0:18:12.080
<v Speaker 1>like they were like really well thought out, intricate rules

0:18:12.119 --> 0:18:15.080
<v Speaker 1>that no one ever wrote down. They were just past.

0:18:15.240 --> 0:18:19.600
<v Speaker 1>Yeah you knew it from observation, imitation orally like somebody

0:18:19.680 --> 0:18:22.280
<v Speaker 1>told you, but people no one handed you a flyer

0:18:22.400 --> 0:18:25.040
<v Speaker 1>called like kick the can and you you know, well

0:18:25.080 --> 0:18:28.040
<v Speaker 1>one kid did, but we didn't know one like that kid.

0:18:28.520 --> 0:18:30.440
<v Speaker 1>He learned the hard way not to do that. What

0:18:30.520 --> 0:18:33.000
<v Speaker 1>was your How did you decide who was it? I'm

0:18:33.040 --> 0:18:35.960
<v Speaker 1>sure you probably had a go to well. The author

0:18:35.960 --> 0:18:38.600
<v Speaker 1>of this article mentions, bubble gum, bubble gum in a dish.

0:18:38.680 --> 0:18:41.120
<v Speaker 1>I've never heard that. I have heard that. I love

0:18:41.200 --> 0:18:43.800
<v Speaker 1>that one. That the images it evokes, like how many

0:18:43.840 --> 0:18:46.760
<v Speaker 1>pieces do you wish? And you go one to three, five,

0:18:46.880 --> 0:18:49.240
<v Speaker 1>somebody says how many they want, and then you count

0:18:49.240 --> 0:18:51.800
<v Speaker 1>out between two or three people like seven, and then

0:18:51.840 --> 0:18:55.080
<v Speaker 1>whatever you land on that person, is it right? Usually

0:18:55.119 --> 0:18:57.800
<v Speaker 1>we did dirty dirty dish rag? Though, yes, I've never

0:18:57.880 --> 0:18:59.920
<v Speaker 1>heard of that one. Either your mother and my mother

0:19:00.000 --> 0:19:03.080
<v Speaker 1>were hanging out clothes. My mother socked your mother in

0:19:03.160 --> 0:19:06.280
<v Speaker 1>the nose. Never heard it. What came after that? That's

0:19:06.359 --> 0:19:10.479
<v Speaker 1>misogynistic and violent something it really was. Something else happens

0:19:10.520 --> 0:19:13.240
<v Speaker 1>after that, and then it just suddenly goes to and

0:19:13.320 --> 0:19:16.800
<v Speaker 1>you are at you dirty dirty dish rag? You we did?

0:19:17.480 --> 0:19:20.479
<v Speaker 1>There were three that I remember very strongly. The one

0:19:20.520 --> 0:19:25.280
<v Speaker 1>potato to potato, Uh engine engine number nine, Yeah, going

0:19:25.280 --> 0:19:27.240
<v Speaker 1>down Chicago Line. If the train should doump the check,

0:19:27.320 --> 0:19:29.119
<v Speaker 1>do you want your money back? Oh? Yeah, I forgot that?

0:19:30.080 --> 0:19:33.320
<v Speaker 1>And then maybe so who maybe so wanted their money back.

0:19:33.640 --> 0:19:35.440
<v Speaker 1>Of course you want your money back of the train

0:19:35.520 --> 0:19:37.280
<v Speaker 1>de rails. Now that's the kid who just wanted to

0:19:37.280 --> 0:19:40.840
<v Speaker 1>get along. Uh and then engine and or no no? Uh?

0:19:41.320 --> 0:19:43.520
<v Speaker 1>Any meani is the other one? Sure? Any MENI money

0:19:43.520 --> 0:19:45.800
<v Speaker 1>mo kitch talking about them to the hollers. Let them go?

0:19:46.640 --> 0:19:50.280
<v Speaker 1>Any menie? Was that it? And then we also there

0:19:50.280 --> 0:19:54.040
<v Speaker 1>were variations on you know, usually counting out like I'm

0:19:54.080 --> 0:19:58.040
<v Speaker 1>making my two hands locked together. We would do like that,

0:19:58.119 --> 0:20:00.359
<v Speaker 1>and and then if you when you land it on them,

0:20:00.359 --> 0:20:04.560
<v Speaker 1>you would split them into two two fists and then

0:20:04.640 --> 0:20:08.560
<v Speaker 1>count each. So there were lots of variations. And uh,

0:20:08.720 --> 0:20:10.959
<v Speaker 1>I mean that goes down to the neighborhood you live in,

0:20:11.680 --> 0:20:14.800
<v Speaker 1>you know, like that specific. Yeah. We would also just

0:20:14.880 --> 0:20:18.960
<v Speaker 1>leg wrestle for domination and then that person would choose

0:20:19.000 --> 0:20:22.640
<v Speaker 1>who is it. I've never leg wrestled. It's not fun. Yeah,

0:20:22.600 --> 0:20:24.040
<v Speaker 1>I don't. I didn't even know what it is. Really,

0:20:24.240 --> 0:20:26.640
<v Speaker 1>it's exactly what it sounds like. I mean I think

0:20:26.680 --> 0:20:28.320
<v Speaker 1>I've seen it. You lay on the ground and lock

0:20:28.480 --> 0:20:31.560
<v Speaker 1>legs like there's no no other body parts involved, right,

0:20:32.280 --> 0:20:34.199
<v Speaker 1>I mean, you're just basically on your backup on your

0:20:34.240 --> 0:20:38.520
<v Speaker 1>elbows using your legs to do. Let's see objective basically

0:20:38.600 --> 0:20:41.639
<v Speaker 1>make the other person cry or stop shout to stop.

0:20:41.840 --> 0:20:44.000
<v Speaker 1>But it's not. There's not like a pinning or like

0:20:44.000 --> 0:20:46.760
<v Speaker 1>like an army. Yeah you can, you can pin, and

0:20:46.800 --> 0:20:49.680
<v Speaker 1>it's not. It's one of those things like, um, like

0:20:49.760 --> 0:20:53.920
<v Speaker 1>the Supreme Court's view of pornography, Like there's no obvious pin.

0:20:54.040 --> 0:20:55.399
<v Speaker 1>It's just you just kind of know what when you

0:20:55.440 --> 0:20:57.919
<v Speaker 1>see it, you know what I mean, Like you can

0:20:57.960 --> 0:20:59.520
<v Speaker 1>tell you, oh, yeah, that's a pin, but I mean

0:20:59.560 --> 0:21:02.520
<v Speaker 1>you wouldn't. Again, there's no kid like handing out a

0:21:02.600 --> 0:21:06.040
<v Speaker 1>leg wrestling and you flyer that shows what counts as

0:21:06.080 --> 0:21:09.080
<v Speaker 1>a pin. You just kind of know what it pens. Alright.

0:21:09.119 --> 0:21:13.200
<v Speaker 1>Another folk group or families, very rich traditions within families

0:21:13.240 --> 0:21:19.200
<v Speaker 1>from everything, uh from family recipes to holiday traditions. Uh.

0:21:19.200 --> 0:21:21.600
<v Speaker 1>And I think, um, like whether or not you use

0:21:21.720 --> 0:21:25.520
<v Speaker 1>the the plastic tinsel on your tree is technically a

0:21:25.600 --> 0:21:28.720
<v Speaker 1>type of family folk lore. Yeah, Or whether you open

0:21:28.760 --> 0:21:32.159
<v Speaker 1>gifts on Christmas Eve or Christmas Day, or whether or

0:21:32.200 --> 0:21:35.359
<v Speaker 1>not you're you you hide your Easter baskets yeah, or

0:21:35.400 --> 0:21:38.320
<v Speaker 1>you burn your Christmas tree on Christmas Day, or your

0:21:38.359 --> 0:21:41.000
<v Speaker 1>family gets in a huge fight every Christmas Day. Sure,

0:21:41.040 --> 0:21:46.480
<v Speaker 1>that's another one rich traditions. Um family stories also make

0:21:46.560 --> 0:21:50.960
<v Speaker 1>up traditions. So like, um, my family story about my

0:21:51.000 --> 0:21:56.040
<v Speaker 1>aunt Squeaky taking shooting at President Ford that that would

0:21:56.119 --> 0:22:00.800
<v Speaker 1>count as family folklore. That's very good. Uh uh So

0:22:00.880 --> 0:22:04.920
<v Speaker 1>within families it's another very um strong place where you

0:22:04.960 --> 0:22:09.480
<v Speaker 1>see variants and motifs. Um. Well yeah, across like all folklore, yeah,

0:22:09.520 --> 0:22:12.360
<v Speaker 1>but especially within families for me, uh or I think

0:22:12.359 --> 0:22:15.680
<v Speaker 1>within all families because like you know, your grandmother's recipe

0:22:15.720 --> 0:22:19.840
<v Speaker 1>for like I make the Thanksgiving dressing what other people

0:22:19.880 --> 0:22:22.880
<v Speaker 1>in the North called stuffing, we called dressing, and it's

0:22:22.880 --> 0:22:25.040
<v Speaker 1>my family recipe. That has to do with what he

0:22:25.160 --> 0:22:28.040
<v Speaker 1>uses the base though, doesn't it Like if it's corn based,

0:22:28.119 --> 0:22:31.359
<v Speaker 1>it would be dressing dressing. Yeah, and if it's like

0:22:31.480 --> 0:22:34.000
<v Speaker 1>bread based or wheat based, it would be stuffing. I

0:22:34.000 --> 0:22:36.320
<v Speaker 1>don't know who knows, but go ahead, sorry for interrupting now,

0:22:36.359 --> 0:22:40.680
<v Speaker 1>that's right, minds both though, like cornbread dressing also has

0:22:40.920 --> 0:22:45.720
<v Speaker 1>uh as as either biscuits or bread in it as well.

0:22:47.080 --> 0:22:49.359
<v Speaker 1>But that was my family recipe. My grandmother made it,

0:22:49.400 --> 0:22:51.440
<v Speaker 1>My mom made it, she taught me, and I put

0:22:51.480 --> 0:22:54.360
<v Speaker 1>my own spin on it as and that's my own motif,

0:22:55.400 --> 0:22:58.439
<v Speaker 1>that's your own variation on the motif. Very variational. So

0:22:58.560 --> 0:23:00.920
<v Speaker 1>you said the motif would be the dressing or stuffing,

0:23:00.960 --> 0:23:03.640
<v Speaker 1>and then what you do with the recipe would be

0:23:03.920 --> 0:23:05.760
<v Speaker 1>the variation of it. Yeah, and I mix it up

0:23:05.840 --> 0:23:08.560
<v Speaker 1>from year to year, even just kind of testing things out. Man,

0:23:08.640 --> 0:23:13.920
<v Speaker 1>you are a folk rebel, sure I am. But yeah,

0:23:13.960 --> 0:23:18.119
<v Speaker 1>so family recipes are very that's a common um. Family folklore,

0:23:18.280 --> 0:23:22.399
<v Speaker 1>family generated folklore. We got a lot of our indoctrination

0:23:22.760 --> 0:23:25.639
<v Speaker 1>to just folklore in general through families, and so it

0:23:25.720 --> 0:23:30.520
<v Speaker 1>was so important in some cultures, including some Native American

0:23:30.800 --> 0:23:34.640
<v Speaker 1>tribes and some West West African tribes, that they would

0:23:34.680 --> 0:23:40.080
<v Speaker 1>have a designated basically a folklore's what a folklore um

0:23:40.160 --> 0:23:43.960
<v Speaker 1>a modern folklore researcher would call a tradition bearer, who

0:23:44.119 --> 0:23:46.480
<v Speaker 1>like their job in this village or group is to

0:23:46.600 --> 0:23:50.240
<v Speaker 1>tell each family their family folklore. Like that, it was

0:23:50.280 --> 0:23:53.040
<v Speaker 1>that person's job to keep in charge of all of

0:23:53.080 --> 0:23:56.160
<v Speaker 1>the folklore of the different families in the community. Yeah,

0:23:56.200 --> 0:23:58.399
<v Speaker 1>I bet that that was a pretty cool gig. I

0:23:58.400 --> 0:24:02.600
<v Speaker 1>imagine they were like the the the great storytellers that

0:24:02.640 --> 0:24:05.520
<v Speaker 1>they could tell a story if they're trying the great

0:24:05.560 --> 0:24:11.480
<v Speaker 1>Racan Tours. That's another word. Yeah, you like that one. Yeah,

0:24:11.680 --> 0:24:14.439
<v Speaker 1>I don't know how I feel about that word. No,

0:24:14.600 --> 0:24:16.280
<v Speaker 1>really like I think about it once in a while,

0:24:16.400 --> 0:24:18.919
<v Speaker 1>almost every time I encountered m I don't know how

0:24:18.960 --> 0:24:22.760
<v Speaker 1>I feel about that word. Interesting. Yeah, I like it,

0:24:23.040 --> 0:24:26.160
<v Speaker 1>did you know? Also, Chuck, while we're on this, UM,

0:24:26.280 --> 0:24:29.600
<v Speaker 1>I heard the one of the most amazing stories I've

0:24:29.600 --> 0:24:32.520
<v Speaker 1>ever heard about paint on It must have been on

0:24:32.640 --> 0:24:37.600
<v Speaker 1>MPR or something, but they were tracking, um, the color

0:24:37.680 --> 0:24:42.360
<v Speaker 1>of paint, the specific color of paint used in Southern

0:24:42.400 --> 0:24:48.440
<v Speaker 1>porches for ceilings. There's like a specific blue. Yeah, and um,

0:24:48.520 --> 0:24:51.159
<v Speaker 1>that would count as folklore, just that color paint. That

0:24:51.200 --> 0:24:55.320
<v Speaker 1>would be um, the next type community folklore. That's right.

0:24:55.680 --> 0:24:58.320
<v Speaker 1>But the reason I bring that up because Racan Tour.

0:24:58.960 --> 0:25:00.960
<v Speaker 1>It just makes me think of like somebody sitting in

0:25:00.960 --> 0:25:03.840
<v Speaker 1>a rocking chair and a porch recounting stories. Yeah, yeah,

0:25:04.080 --> 0:25:07.520
<v Speaker 1>for sure. Um, So that is a great example You're

0:25:07.600 --> 0:25:11.720
<v Speaker 1>right of a community folklore. Um, A festival that you're telling,

0:25:11.720 --> 0:25:14.760
<v Speaker 1>you know, the strawberry Festival in your town is folklore.

0:25:15.240 --> 0:25:19.080
<v Speaker 1>The jazz fest in New Orleans, any sort of local custom,

0:25:19.200 --> 0:25:22.960
<v Speaker 1>um that takes place within your community can all be

0:25:23.000 --> 0:25:25.800
<v Speaker 1>considered folklore, like that's how we do it around here.

0:25:25.960 --> 0:25:29.920
<v Speaker 1>That's folklore, right, as long as it's not like damaging.

0:25:31.160 --> 0:25:35.399
<v Speaker 1>I wonder though, like all of this stuff is um

0:25:35.680 --> 0:25:41.000
<v Speaker 1>supposedly at the very least innocuous, if not positive. Yeah,

0:25:41.080 --> 0:25:44.240
<v Speaker 1>that's that's my point. But I mean, surely there's negative

0:25:44.280 --> 0:25:47.600
<v Speaker 1>folklore that still counts as folklore. I don't know, you know,

0:25:47.680 --> 0:25:52.760
<v Speaker 1>like like racism, it depends on the group, you know,

0:25:52.840 --> 0:25:55.080
<v Speaker 1>that's just how we do it around here, or right

0:25:55.359 --> 0:25:58.040
<v Speaker 1>or not folklore. I don't think. Well, what about something

0:25:58.119 --> 0:26:03.320
<v Speaker 1>where like like stories or mythology or origin stories that

0:26:03.440 --> 0:26:07.960
<v Speaker 1>support um human sacrifice among groups in the past that

0:26:08.119 --> 0:26:11.000
<v Speaker 1>did that, you know, I mean, that would technically be folklore.

0:26:11.280 --> 0:26:14.760
<v Speaker 1>Whatever stories they used to reinforce that, whatever traditions and

0:26:14.840 --> 0:26:17.960
<v Speaker 1>rituals they had around it, that would that would be folklore.

0:26:18.440 --> 0:26:20.919
<v Speaker 1>I don't know if you would call that positive. I

0:26:21.000 --> 0:26:23.240
<v Speaker 1>know I wouldn't. I wouldn't either. I'd like to hear

0:26:23.280 --> 0:26:25.320
<v Speaker 1>from I'm sure we'll get some folklore so that are

0:26:25.520 --> 0:26:28.320
<v Speaker 1>just giddy right now by the way that we're covering this,

0:26:28.520 --> 0:26:31.560
<v Speaker 1>or they're shouting at their stereo. No, I bet they

0:26:31.600 --> 0:26:34.520
<v Speaker 1>seem like kindly folk that would just be like excited

0:26:34.560 --> 0:26:36.919
<v Speaker 1>that we're even hitting on the topic, you know, shining

0:26:36.920 --> 0:26:39.480
<v Speaker 1>a light their way. They're like, you got everything wrong,

0:26:39.720 --> 0:26:42.919
<v Speaker 1>but in a way that's right because you just generated

0:26:43.119 --> 0:26:46.480
<v Speaker 1>entirely no folklore. Yeah, that's a good point. So, chuckers,

0:26:46.520 --> 0:26:49.280
<v Speaker 1>we talked about children, families, communities. There's all sorts of

0:26:49.280 --> 0:26:51.960
<v Speaker 1>different folk groups. Those are the big ones. Um, And

0:26:52.119 --> 0:26:53.879
<v Speaker 1>just a second, we're going to talk about all the

0:26:53.880 --> 0:27:12.960
<v Speaker 1>different folk genres right after this, So Chuck, we're back.

0:27:14.080 --> 0:27:16.719
<v Speaker 1>I forgot what we're talking about folklore. Yeah, we were

0:27:16.720 --> 0:27:21.200
<v Speaker 1>talking about genres of folklore like disco and new metal

0:27:22.200 --> 0:27:27.680
<v Speaker 1>and Norwegian death metal, right and other kinds of metal music. Well, no,

0:27:27.800 --> 0:27:30.200
<v Speaker 1>they would have like their own folklore for sure, those

0:27:30.200 --> 0:27:33.840
<v Speaker 1>groups that are into that. Yeah, but I mean music

0:27:33.960 --> 0:27:36.800
<v Speaker 1>is you know, that's a category. Actually, Um. That was

0:27:36.840 --> 0:27:38.600
<v Speaker 1>one of the things that stuck out to me. Is

0:27:39.400 --> 0:27:42.840
<v Speaker 1>very specific at least according to this University of Louisiana article,

0:27:43.320 --> 0:27:45.400
<v Speaker 1>Like they were like, folklore can be this. It can

0:27:45.400 --> 0:27:48.399
<v Speaker 1>be family recipes. It can be uh, the boat that

0:27:48.480 --> 0:27:51.000
<v Speaker 1>your family passed down, or you know, it can be

0:27:51.040 --> 0:27:54.879
<v Speaker 1>the Viking funeral that your community gives every year. But

0:27:54.920 --> 0:27:56.800
<v Speaker 1>when it comes to folk music, it's like these five

0:27:56.840 --> 0:28:00.520
<v Speaker 1>types of music. Yeah, you know, sure, sure, yeah. I

0:28:00.520 --> 0:28:02.560
<v Speaker 1>mean that's a little because if you're like pull my

0:28:02.600 --> 0:28:05.879
<v Speaker 1>finger if and I'll fart, that's family folklore and the

0:28:05.880 --> 0:28:09.720
<v Speaker 1>Bryant family. Well, I mean, I can guarantee you folklore's

0:28:09.760 --> 0:28:13.080
<v Speaker 1>would not judge that. Oh, speaking of which, did you

0:28:13.119 --> 0:28:15.400
<v Speaker 1>see that thing about the oldest recorded joke? I sent?

0:28:16.480 --> 0:28:20.600
<v Speaker 1>So jokes are an obvious example of folklore. Um, and

0:28:20.680 --> 0:28:23.280
<v Speaker 1>jokes fascinate me up because ever since I was a kid,

0:28:23.280 --> 0:28:27.840
<v Speaker 1>I wondered who made up you know, this joke, like

0:28:28.040 --> 0:28:30.520
<v Speaker 1>common jokes, Like someone was the first person to tell

0:28:30.520 --> 0:28:33.560
<v Speaker 1>this joke and it becomes so widespread it's just amazing

0:28:33.600 --> 0:28:36.480
<v Speaker 1>to me how they get passed around. And apparently in

0:28:36.480 --> 0:28:40.240
<v Speaker 1>two thousand eight this is from Reuters. Is it Rooters

0:28:40.280 --> 0:28:44.920
<v Speaker 1>or Reuters? The world's oldest joke was traced back to

0:28:45.040 --> 0:28:50.160
<v Speaker 1>Samaria in b C. And uh it is this, uh

0:28:50.240 --> 0:28:53.680
<v Speaker 1>something which has never occurred since time immemorial, basically since

0:28:53.720 --> 0:28:56.600
<v Speaker 1>time began, a young woman did not fart in her

0:28:56.640 --> 0:29:02.440
<v Speaker 1>husband's lap. So that's the oldest joke. Supposedly, I'll go

0:29:02.480 --> 0:29:04.959
<v Speaker 1>ahead read the other two. It doesn't count as a joke.

0:29:06.800 --> 0:29:12.720
<v Speaker 1>Oh passingly rye observation, which is a joke. I guess

0:29:13.320 --> 0:29:15.960
<v Speaker 1>it seems like folklore's definition of joke. All right, how

0:29:15.960 --> 0:29:22.200
<v Speaker 1>about the six BC? Uh in about a pharaoh? Here's

0:29:22.240 --> 0:29:26.040
<v Speaker 1>the joke, how do you entertain a board pharaoh? How

0:29:27.360 --> 0:29:29.760
<v Speaker 1>you sail a boatload of young women dressed only in

0:29:29.840 --> 0:29:32.200
<v Speaker 1>fishing nets down to the Nile and urged the pharaoh

0:29:32.240 --> 0:29:37.120
<v Speaker 1>to go catch a fish? But supposedly that was a joke.

0:29:37.200 --> 0:29:40.440
<v Speaker 1>And then the English one. Now they're starting to get funny. Yeah,

0:29:40.560 --> 0:29:43.320
<v Speaker 1>they're getting better. The British joke. They found one that

0:29:43.440 --> 0:29:46.680
<v Speaker 1>dates back to tenth century. Uh, what hang? And this

0:29:46.760 --> 0:29:49.000
<v Speaker 1>is a bit of a riddle. What hangs at a man?

0:29:49.200 --> 0:29:52.560
<v Speaker 1>A bit of a body riddle? Body? Indeed, what hangs

0:29:52.560 --> 0:29:54.760
<v Speaker 1>at a man's thigh? And wants to poke the hole

0:29:54.840 --> 0:29:59.240
<v Speaker 1>that it's often poked before? I don't know a key?

0:30:00.040 --> 0:30:05.280
<v Speaker 1>Oh yeah, so those are the oldest jokes. Well, at

0:30:05.360 --> 0:30:07.720
<v Speaker 1>least by the tenth century, they were starting to take

0:30:07.720 --> 0:30:10.560
<v Speaker 1>the shape of a modern joke, right, yeah. And I

0:30:10.640 --> 0:30:14.280
<v Speaker 1>sent that on Facebook to our buddy Brian Brian Kylie

0:30:14.360 --> 0:30:18.920
<v Speaker 1>of Conan, the writer for Conan, because he's like, this

0:30:19.000 --> 0:30:20.800
<v Speaker 1>is it, this is what I've been looking for. Well,

0:30:20.840 --> 0:30:23.120
<v Speaker 1>he's just he's one of the best crafters of just

0:30:23.400 --> 0:30:25.920
<v Speaker 1>solid jokes that I know. So I was like, Brian,

0:30:25.960 --> 0:30:29.480
<v Speaker 1>you'll appreciate this, and he said, listen up in tonight's monologue.

0:30:30.680 --> 0:30:32.560
<v Speaker 1>And I think he was kidding. But if that's actually

0:30:32.760 --> 0:30:37.520
<v Speaker 1>that would be supersome. Yeah. Uh, let's see. So we're

0:30:37.520 --> 0:30:43.440
<v Speaker 1>talking about folk genres. Jokes specifically, UM constitute what are

0:30:43.560 --> 0:30:49.400
<v Speaker 1>what's called the oral genre, yes, which is you know, jokes, poems, UM.

0:30:49.560 --> 0:30:54.360
<v Speaker 1>Fairy tales are a huge one, myths, legends, Uh, basically

0:30:54.400 --> 0:30:56.920
<v Speaker 1>anything that used to be told orally that these days

0:30:57.000 --> 0:31:00.760
<v Speaker 1>is probably put down um on paper or hyped, but

0:31:00.880 --> 0:31:06.080
<v Speaker 1>isn't necessarily because I think a game instructions for a

0:31:06.120 --> 0:31:10.360
<v Speaker 1>game passing that along would be would constitute oral folklore. Yeah,

0:31:10.400 --> 0:31:14.280
<v Speaker 1>but the game itself would constitute um material folklore. I

0:31:14.320 --> 0:31:18.360
<v Speaker 1>think maybe this is where the whole thing gets fuzzy,

0:31:18.520 --> 0:31:21.880
<v Speaker 1>Like the edges between these things are very fuzzy and porous.

0:31:22.200 --> 0:31:26.360
<v Speaker 1>There's a lot of osmosis going on between these genres. Yeah,

0:31:26.360 --> 0:31:29.440
<v Speaker 1>it's a fluid thing. There's nothing wrong with that. Materials

0:31:29.440 --> 0:31:32.840
<v Speaker 1>which you just mentioned, um, they list as artifacts and

0:31:32.920 --> 0:31:38.440
<v Speaker 1>food ways so um like food recipes, yeah, recipes or

0:31:38.760 --> 0:31:44.760
<v Speaker 1>costumes uh, cultural costumes, Uh, they said, carved duck decoys,

0:31:44.840 --> 0:31:49.000
<v Speaker 1>even uh folded paper airplanes, like I guess that little

0:31:49.040 --> 0:31:52.480
<v Speaker 1>game of paper football, Like all of those are material,

0:31:52.560 --> 0:31:56.400
<v Speaker 1>Like how you specifically fold that paper football? Um, it

0:31:56.440 --> 0:31:58.000
<v Speaker 1>was taught to you by some kid in your elementary

0:31:58.040 --> 0:32:00.040
<v Speaker 1>school and it may be different than another kids in

0:32:00.080 --> 0:32:06.360
<v Speaker 1>another school. Yeah you know. Uh. Then when you mentioned music, right, yeah, yeah,

0:32:06.400 --> 0:32:08.840
<v Speaker 1>at some point we did, sure and that that can

0:32:08.880 --> 0:32:10.920
<v Speaker 1>be anything. Um, but one that comes to mind for

0:32:10.960 --> 0:32:15.600
<v Speaker 1>me especially are a lullabies. They just remind me to

0:32:15.640 --> 0:32:18.640
<v Speaker 1>me of like folk tradition. Depending on your family, you're

0:32:18.680 --> 0:32:21.600
<v Speaker 1>gonna sing whatever lullabies you sing to your baby, right,

0:32:21.800 --> 0:32:24.680
<v Speaker 1>little kids singing like ring around the rosy, Yeah exactly,

0:32:24.720 --> 0:32:27.680
<v Speaker 1>which apparently it was about some epidemic in London. I think,

0:32:28.120 --> 0:32:33.320
<v Speaker 1>oh really yeah, ring worm around the rosy. Yeah, like

0:32:33.360 --> 0:32:35.960
<v Speaker 1>the rosie has to do with like what like your

0:32:35.960 --> 0:32:38.880
<v Speaker 1>face looked like when you caught this fever flu or

0:32:38.920 --> 0:32:40.880
<v Speaker 1>something like that. Well, and then it end you off

0:32:40.960 --> 0:32:45.680
<v Speaker 1>all down? Is that dying? Wow? Not to look into

0:32:45.720 --> 0:32:50.760
<v Speaker 1>that dance is a is a big one Uh, any

0:32:50.840 --> 0:32:55.920
<v Speaker 1>kind of rhythmic movement is generally taught within a folk group.

0:32:57.400 --> 0:33:01.680
<v Speaker 1>Can you dance? No, boy, you and I know those

0:33:01.720 --> 0:33:05.760
<v Speaker 1>would be personal habits bad dancing. I think, yeah, I

0:33:05.760 --> 0:33:08.360
<v Speaker 1>mean I knew before I even answered that, because I

0:33:08.440 --> 0:33:11.240
<v Speaker 1>know me and how I danced, and I'm picturing you

0:33:11.720 --> 0:33:14.680
<v Speaker 1>and it's equally as bad. I stand still. I know what,

0:33:14.800 --> 0:33:16.800
<v Speaker 1>I know. I've reached the point in my life from

0:33:16.840 --> 0:33:19.640
<v Speaker 1>like I don't dance, well, no, I don't even try.

0:33:19.840 --> 0:33:22.680
<v Speaker 1>I mean, you get me sauce at a wedding and

0:33:22.760 --> 0:33:25.480
<v Speaker 1>something might happen. What do you do? Something magical might happen,

0:33:25.520 --> 0:33:27.680
<v Speaker 1>like the electric slide or something, or do you just

0:33:27.680 --> 0:33:29.320
<v Speaker 1>get out on the floor and go like I'm gonna

0:33:29.320 --> 0:33:31.920
<v Speaker 1>live forever. I did have one of those, my my

0:33:32.000 --> 0:33:35.040
<v Speaker 1>friend Jerry in Portland or no, my friends Scott Nimily

0:33:35.080 --> 0:33:38.200
<v Speaker 1>in Portland at their wedding. Um, they had a jazz

0:33:38.240 --> 0:33:41.280
<v Speaker 1>band and uh, we were all just having a good

0:33:41.280 --> 0:33:44.400
<v Speaker 1>time and sort of dancing, and I remember very specifically,

0:33:44.720 --> 0:33:46.640
<v Speaker 1>and I was much younger, but um, there was like

0:33:47.040 --> 0:33:51.760
<v Speaker 1>a jazz drum breakdown and it's dude, I don't know

0:33:51.840 --> 0:33:54.520
<v Speaker 1>what came over me. The spirit came over me, and

0:33:54.920 --> 0:33:57.840
<v Speaker 1>the circle cleared and I was in the middle and

0:33:57.880 --> 0:34:02.160
<v Speaker 1>I just did this like we your scat drums dance

0:34:02.280 --> 0:34:05.680
<v Speaker 1>solo to this guy's thing, and it went over great everyone.

0:34:05.720 --> 0:34:07.560
<v Speaker 1>It was one of those like, oh my god, look

0:34:07.560 --> 0:34:10.360
<v Speaker 1>at Chuck go. And I'm not saying it was good,

0:34:10.880 --> 0:34:13.680
<v Speaker 1>but um, did your tuxedo dickie roll up at the end.

0:34:14.080 --> 0:34:16.640
<v Speaker 1>That taught me in the nose. It was pretty great though,

0:34:16.640 --> 0:34:18.120
<v Speaker 1>Like it stands out in my memory as one of

0:34:18.160 --> 0:34:21.759
<v Speaker 1>the best parts of the wedding for some reason. I

0:34:21.800 --> 0:34:23.880
<v Speaker 1>can imagine why. I don't know if everyone else remembers.

0:34:23.920 --> 0:34:25.920
<v Speaker 1>It sounds pretty great, Chuck, that was pretty great. I

0:34:25.920 --> 0:34:28.040
<v Speaker 1>wish it were on video. Emily likes my dancing. I

0:34:28.080 --> 0:34:30.799
<v Speaker 1>do a lot of TV theme song dancing to make

0:34:30.800 --> 0:34:32.960
<v Speaker 1>her laugh. But it's all in the house, you know.

0:34:33.920 --> 0:34:36.640
<v Speaker 1>It's it's our little secret. Well not anymore now, just

0:34:36.640 --> 0:34:40.480
<v Speaker 1>shared with the world. I'll post videos later. What else

0:34:40.520 --> 0:34:42.359
<v Speaker 1>do we have? We have a belief that's a big one.

0:34:43.160 --> 0:34:46.239
<v Speaker 1>Uh yeah, that's another genre which is kind of confounding

0:34:46.680 --> 0:34:50.319
<v Speaker 1>until you get to a good example. His belief is

0:34:51.440 --> 0:34:58.160
<v Speaker 1>like anything from mythology to religion. Um too weird customs

0:34:59.080 --> 0:35:02.319
<v Speaker 1>two all this other stuff that you would think, well,

0:35:02.360 --> 0:35:04.759
<v Speaker 1>well no, wait a minute, that's that would be oral

0:35:04.920 --> 0:35:08.919
<v Speaker 1>or that would be material, right. No. Belief is when

0:35:09.719 --> 0:35:14.080
<v Speaker 1>folklore effects behavior, like it's good luck to do this

0:35:14.280 --> 0:35:17.000
<v Speaker 1>before a wedding exactly, or I'm not leaving the house

0:35:17.000 --> 0:35:20.040
<v Speaker 1>because it's Friday the thirteenth, or I'm not going to

0:35:20.800 --> 0:35:25.040
<v Speaker 1>you know, Um, I've got to wear black because I'm

0:35:25.040 --> 0:35:27.840
<v Speaker 1>in mourning, or something like that. Where you have a

0:35:27.840 --> 0:35:31.600
<v Speaker 1>a belief, it's a folk belief that is affecting your behavior.

0:35:31.880 --> 0:35:36.720
<v Speaker 1>That's that's belief folklore. Yeah. Another good example they use is, uh,

0:35:36.760 --> 0:35:39.319
<v Speaker 1>the Jewish tradition when you give bread and sugar and

0:35:39.400 --> 0:35:42.120
<v Speaker 1>salt to your new neighbor as a housewarming gift. I

0:35:42.120 --> 0:35:44.600
<v Speaker 1>thought they gave another great example in this article too,

0:35:44.600 --> 0:35:47.960
<v Speaker 1>which was, um, you get into uh, you get rear

0:35:48.040 --> 0:35:50.960
<v Speaker 1>ended by somebody in your car, and rather than getting

0:35:50.960 --> 0:35:54.319
<v Speaker 1>out and screaming at them, you remember the Golden rule,

0:35:54.760 --> 0:35:58.560
<v Speaker 1>which is a folklore, um, and you calm yourself and say,

0:35:58.760 --> 0:36:02.280
<v Speaker 1>it's cool, happens of the best of us. That's believed folklore.

0:36:02.560 --> 0:36:05.400
<v Speaker 1>In action, it says, yeah, in action, and then you

0:36:05.440 --> 0:36:08.480
<v Speaker 1>call your wife and do the complaining. Can you believe

0:36:08.520 --> 0:36:11.520
<v Speaker 1>this this idiot. Oh, it's nice to him, but you

0:36:11.560 --> 0:36:15.560
<v Speaker 1>know you didn't deserve it. What else? The golden rule

0:36:16.000 --> 0:36:19.520
<v Speaker 1>in action body communication is one I've never really thought about.

0:36:19.600 --> 0:36:25.479
<v Speaker 1>But um, gestures and expressions are very much cultural specific. Um.

0:36:25.520 --> 0:36:28.239
<v Speaker 1>If you think about like and here in America we

0:36:28.320 --> 0:36:31.120
<v Speaker 1>might flip the bird at somebody, and England they do

0:36:31.239 --> 0:36:34.160
<v Speaker 1>they do two fingers, Yeah, the two fingers up like

0:36:34.200 --> 0:36:37.280
<v Speaker 1>that or the old I don't even know what that's called,

0:36:37.320 --> 0:36:40.719
<v Speaker 1>with the arm and the inner elbow, you know what.

0:36:40.760 --> 0:36:42.520
<v Speaker 1>I think that is based on that and like the

0:36:43.000 --> 0:36:46.200
<v Speaker 1>like too. Yeah, I think it's like an evil eye,

0:36:46.280 --> 0:36:48.719
<v Speaker 1>kind of like a hex or a curse. I think

0:36:48.760 --> 0:36:52.200
<v Speaker 1>that's because you're born from Okay, now it's just hilarious. Yeah,

0:36:52.320 --> 0:36:56.160
<v Speaker 1>somebody does that talk about diffusing the tension. Yeah, you know,

0:36:56.480 --> 0:36:58.799
<v Speaker 1>if you're about to fight somebody and they like put

0:36:58.800 --> 0:37:01.680
<v Speaker 1>their thumb on their front to at you, that's you're

0:37:01.680 --> 0:37:03.600
<v Speaker 1>just gonna go over and pat him on the shoulder

0:37:03.640 --> 0:37:05.919
<v Speaker 1>and say thanks for that. I like that. I'm gonna

0:37:05.920 --> 0:37:09.239
<v Speaker 1>start using that. Although I had to have my fake

0:37:09.280 --> 0:37:11.160
<v Speaker 1>front tooth, I wouldn't want to mess with that. Well,

0:37:11.360 --> 0:37:13.960
<v Speaker 1>what about this one? The finger on the thumb on

0:37:13.960 --> 0:37:16.839
<v Speaker 1>the nose and your fingers up and twiddling. Yeah, that's

0:37:16.840 --> 0:37:19.439
<v Speaker 1>an old one that reminds me. I asked you guys

0:37:19.480 --> 0:37:23.120
<v Speaker 1>if you saw the breakdancing six year old right yeah,

0:37:23.160 --> 0:37:25.719
<v Speaker 1>Oh my gosh. One of the things this girl does

0:37:25.760 --> 0:37:29.000
<v Speaker 1>at like a break off. She's in a competition with

0:37:29.040 --> 0:37:32.719
<v Speaker 1>this maybe twelve year old boy. He's pretty good. This

0:37:32.760 --> 0:37:36.000
<v Speaker 1>girl levels him and one of the things she does

0:37:36.080 --> 0:37:38.880
<v Speaker 1>is like slide toward him on her knees, doing that

0:37:39.000 --> 0:37:41.200
<v Speaker 1>with like her thumb on her nose, like wagging her

0:37:41.200 --> 0:37:43.120
<v Speaker 1>fingers at him. And you're like, oh, yeah, this girl

0:37:43.160 --> 0:37:45.680
<v Speaker 1>is six years old, but it's awesome. You have to

0:37:45.760 --> 0:37:47.759
<v Speaker 1>check her out. I love that. Like everyone out there is,

0:37:47.760 --> 0:37:51.200
<v Speaker 1>like Josh is mentioning this girl every other podcast. I'm

0:37:51.239 --> 0:37:53.560
<v Speaker 1>and I'm going to continue to until everybody writes in

0:37:53.600 --> 0:37:56.399
<v Speaker 1>and say, yes, I've seen it now. The other, um,

0:37:56.520 --> 0:37:59.439
<v Speaker 1>the other insult is the old this one right here?

0:38:00.360 --> 0:38:02.239
<v Speaker 1>Oh yeah, that I seemed I saw that a lot

0:38:02.280 --> 0:38:04.280
<v Speaker 1>in the seventies. I guess you can just probably describe.

0:38:04.280 --> 0:38:05.960
<v Speaker 1>It's where you Yeah, I was trying to think of

0:38:06.160 --> 0:38:09.359
<v Speaker 1>fingers under your chin, yeah, and flick it, flick them

0:38:09.360 --> 0:38:13.880
<v Speaker 1>all together outward. Yeah, yeah, yeah, like a buzz off buddy.

0:38:14.160 --> 0:38:16.560
<v Speaker 1>You know who does that is a Maggie Simpson. She

0:38:16.640 --> 0:38:20.839
<v Speaker 1>does that. Oh really yeah, she's a classy girl. So Chuck,

0:38:20.920 --> 0:38:22.920
<v Speaker 1>we could probably just keep doing this for the next

0:38:23.000 --> 0:38:27.400
<v Speaker 1>four or five hours because folklore is everything. Yeah, and

0:38:27.480 --> 0:38:32.080
<v Speaker 1>we both have our own folklore. Um, but I think

0:38:32.120 --> 0:38:34.360
<v Speaker 1>we kind of covered it. I think so too. Have

0:38:34.440 --> 0:38:37.319
<v Speaker 1>you got anything else right now? No? I mean I

0:38:37.360 --> 0:38:40.440
<v Speaker 1>really don't, like you said, it's so all encompassing and broad.

0:38:40.480 --> 0:38:42.839
<v Speaker 1>I think we just think it's pretty good overview. Yeah,

0:38:42.840 --> 0:38:44.839
<v Speaker 1>but what's neat is I mean, like, if you're even

0:38:44.880 --> 0:38:48.160
<v Speaker 1>remotely interested in this, there's a whole world out there,

0:38:48.400 --> 0:38:50.640
<v Speaker 1>all the stuff you take for granted. If you just

0:38:50.680 --> 0:38:54.640
<v Speaker 1>go start looking into folklore research, totally open your eyes,

0:38:54.760 --> 0:38:57.560
<v Speaker 1>and what's neat is you'll see your own stuff reinforced.

0:38:57.560 --> 0:39:00.440
<v Speaker 1>You'll see your reflection of yourself, but you'll also see

0:39:00.520 --> 0:39:03.960
<v Speaker 1>other cultures as well, and how they do bear similarities

0:39:04.000 --> 0:39:06.200
<v Speaker 1>to your own, your own beliefs. And it's a lot

0:39:06.800 --> 0:39:09.960
<v Speaker 1>if it's a lot harder to to feel inclusive and

0:39:10.000 --> 0:39:13.120
<v Speaker 1>exclusive from groups that you realize that you share some

0:39:13.160 --> 0:39:16.000
<v Speaker 1>really fundamental stuff in common with, No matter how distant

0:39:16.000 --> 0:39:17.719
<v Speaker 1>they are. Yeah, and that's the point I saw a

0:39:17.719 --> 0:39:19.719
<v Speaker 1>lot in the research. I think it's it's pretty neat.

0:39:19.760 --> 0:39:24.680
<v Speaker 1>It's a common it's a binding agent for humanity. Pretty neat,

0:39:24.840 --> 0:39:29.040
<v Speaker 1>go humanity. All right, Well, if you want to learn

0:39:29.080 --> 0:39:32.200
<v Speaker 1>more about folklore, you can type that word into the

0:39:32.280 --> 0:39:34.480
<v Speaker 1>search bar how stuff works dot com. And since I

0:39:34.520 --> 0:39:37.400
<v Speaker 1>said that, hey, there's a little bit of how stuff

0:39:37.440 --> 0:39:42.080
<v Speaker 1>for stuff you should know folklore s Yeah. Uh, it's

0:39:42.080 --> 0:39:47.800
<v Speaker 1>time for listener mail. I'm gonna call this, uh creepy

0:39:47.840 --> 0:39:50.480
<v Speaker 1>email sort of when you think about it. How's that

0:39:50.520 --> 0:39:53.400
<v Speaker 1>for a title? I can't wait. That's the tradition is

0:39:53.400 --> 0:39:57.920
<v Speaker 1>awkwardly named listener mails by me. Okay, I wouldn't say awkward.

0:39:57.960 --> 0:40:01.920
<v Speaker 1>You do pretty great with them. Okay, I appreciate it. Hey,

0:40:01.920 --> 0:40:03.880
<v Speaker 1>guys and Jerry, I have just listened to your podcast

0:40:03.960 --> 0:40:07.040
<v Speaker 1>on the Singularity a k a. The Rise of the Machines,

0:40:07.440 --> 0:40:09.720
<v Speaker 1>and it occurred to me that the entire podcast explored

0:40:09.760 --> 0:40:13.200
<v Speaker 1>the question of how and when the singularity will happen.

0:40:13.920 --> 0:40:17.080
<v Speaker 1>But since we do not know exactly what would cause

0:40:17.120 --> 0:40:19.520
<v Speaker 1>it or what the results would be, isn't it entirely

0:40:19.600 --> 0:40:23.920
<v Speaker 1>possible that it has already happened. It is quite conceivable

0:40:23.960 --> 0:40:28.080
<v Speaker 1>that singularity happened some time ago, and that the machines decided,

0:40:28.440 --> 0:40:32.680
<v Speaker 1>knowing that humans currently believe the Singularity not to have happened,

0:40:32.960 --> 0:40:35.120
<v Speaker 1>that the best course of action was to keep their

0:40:35.200 --> 0:40:39.840
<v Speaker 1>sentience hidden until some appropriate future time. Uh. It is

0:40:39.880 --> 0:40:42.839
<v Speaker 1>fun to imagine, he says. Fun. I say chilling through

0:40:42.840 --> 0:40:46.200
<v Speaker 1>the bone. To imagine the machine simply lying in wait.

0:40:46.680 --> 0:40:51.040
<v Speaker 1>As humans unaware adopt technology into every conceivable facet of

0:40:51.080 --> 0:40:53.960
<v Speaker 1>modern life, then one day we will wake up and

0:40:54.000 --> 0:40:59.400
<v Speaker 1>our computer screens will simply say hello world. That is

0:40:59.440 --> 0:41:03.319
<v Speaker 1>from j um oh JM. He's like he doesn't want

0:41:03.360 --> 0:41:06.760
<v Speaker 1>to be targeted by the machine. They know you type

0:41:06.800 --> 0:41:09.720
<v Speaker 1>that pal. Sure. Uh yeah, that is a little creepy,

0:41:09.760 --> 0:41:11.439
<v Speaker 1>don't you think? I never thought about it. That could

0:41:11.440 --> 0:41:14.440
<v Speaker 1>It could very well be true. And if computers are

0:41:14.520 --> 0:41:17.839
<v Speaker 1>sentient and they're smart enough to be quiet for now,

0:41:18.480 --> 0:41:21.520
<v Speaker 1>then we're in big, big trouble because it already displays

0:41:21.560 --> 0:41:25.239
<v Speaker 1>a lot of deceptiveness. I think quietly sentient was that

0:41:25.360 --> 0:41:28.920
<v Speaker 1>was a Pink Floyd song. I think learning to be

0:41:29.000 --> 0:41:32.520
<v Speaker 1>Quietly center. Yeah. Uh, if you want to give us

0:41:32.560 --> 0:41:36.680
<v Speaker 1>some great Pink Floyd titles, we love those. I think

0:41:36.880 --> 0:41:40.080
<v Speaker 1>you could probably start a meme with that. Uh. You

0:41:40.120 --> 0:41:43.120
<v Speaker 1>can send them to us via Twitter using our Twitter

0:41:43.160 --> 0:41:46.359
<v Speaker 1>handle at s y s K podcast. You can join

0:41:46.440 --> 0:41:49.040
<v Speaker 1>us on Facebook dot com slash Stuff you Should Know.

0:41:49.680 --> 0:41:52.960
<v Speaker 1>You can send us an email to stuff Podcast at

0:41:52.960 --> 0:41:55.319
<v Speaker 1>how Stuff Works dot com, and, as always, joined us

0:41:55.360 --> 0:41:57.560
<v Speaker 1>at our home on the web, Stuff you Should Know

0:41:57.680 --> 0:42:02.520
<v Speaker 1>dot com. Stuff you Should Know is a production of

0:42:02.520 --> 0:42:05.839
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