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Speaker 1: This is your week up, Call Up Breakfast Club to

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Speaker 1: show you love to hate from the East to the

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Speaker 1: West Coast. D J m vi ageli Ye Charlomagne, the

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Speaker 1: Ruler show on the planet. This is where I respect

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Speaker 1: this show because this is a voice of society. Chames

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Speaker 1: in the game. Guys are the coveted morning show. But

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Speaker 1: y'all earn impacting the culture week up in the morning,

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Speaker 1: and at want to hear that. Breakfast the World's most

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Speaker 1: Dangerous morning show. And good Morning Usa joji yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo.

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Speaker 1: Good morning angela Ye Charlomagne, the guy. Peace of the

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Speaker 1: planet is Tuesday. Yes, it's Tuesday. Yes. I messed up

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Speaker 1: with then like or this morning because I was riding

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Speaker 1: in the work listening the Oprah Super Soul podcast like

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Speaker 1: I like to do, and then I stopped because I

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Speaker 1: remember I wanted to listen to the close Septic Re mix. Okay,

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Speaker 1: how was that? It's dopey? It's really got busy. Eminem

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Speaker 1: got busy, pressure got busy. It seems like Eminem's responding

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Speaker 1: to a lot of the criticism that his album was

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Speaker 1: trash and Walk on Water was trash. Oh, he did

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Speaker 1: a new verse and everything did a new verse. Absolutely, yes, absolutely,

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Speaker 1: the new Worse. But he absolutely smoked that record. He did.

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Speaker 1: But I'm not going to let it describe me from

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Speaker 1: the fact that Revival was trash though, and Walk on

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Speaker 1: Water was trash in your opinion. In my opinion, you're

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Speaker 1: the whole Revival. I didn't hear it. Absolutely, he does

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Speaker 1: have one record on that that's real dope with Alicia Keys,

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Speaker 1: because I feel like everything he's been trying to say

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Speaker 1: about Trump and politics and being woke he said in

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Speaker 1: that record, Okay, but other than that, I'm not here

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Speaker 1: for third goood Marshal Matters. No, I'm not here for

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Speaker 1: that wombbage. Well, I think it's great when people have

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Speaker 1: some beliefs that they want to express, and I love

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Speaker 1: when white people used their privilege to combat prejudice. But

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Speaker 1: you can still be dope when you do it. But

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Speaker 1: I'll get the remix on. In a mix remixes dope though,

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Speaker 1: he smoked that. I'll definitely get that on. And we

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Speaker 1: got some special guests joining us. We as the cast

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Speaker 1: of Den of thieves joining us. That's how fifty cent?

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Speaker 1: That's uh oh, Shay Jackson Junior. That's Gerard Butler and

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Speaker 1: and pards Dash from Orange is the new black Listen,

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Speaker 1: I didn't know Jerard Butler was such a sex symbody.

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Speaker 1: When said Butler, what's coming up here? I I was excited.

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Speaker 1: I'm not talking about his status, I said, I didn't

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Speaker 1: know he was such a sex symbol. Lady ladies loved

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Speaker 1: draw You see three hundred, that's part of the reason

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Speaker 1: why he shows penis. No, he's like half naked on

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Speaker 1: the whole thing. You ever seen three hundred? No, I

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Speaker 1: have it that. Really, there's nothing about a bunch of

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Speaker 1: white guys going crazy killing people that incites me. Sorry,

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Speaker 1: I said, great movie. I was wonderful. I'm sure it is.

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Speaker 1: B didn't watch it. Okay, all right, well let's get

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Speaker 1: the show cracking front page news. What we're talking about, Yes,

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Speaker 1: let's talk about investors and Apple. They want Apple to

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Speaker 1: fight iPhone addiction among kids, and we'll give you some

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Speaker 1: of those numbers. And guess what if you take this

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Speaker 1: as a man that is linked to infertility, we'll tell

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Speaker 1: you what you need to be aware of. Okay, and

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Speaker 1: also from the Source magazine. Yeah, I could try now,

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Speaker 1: I don't think anything to work. But from the Source magazine.

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Speaker 1: Lindell McMillan will be joining us too. We'll kick it

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Speaker 1: with him as well. Lot It's the Breakfast Club. Good

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Speaker 1: morning morning. Everybody is DJ Envy Angela Ye, Charlemagne the guy.

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Speaker 1: We are the Breakfast Club. Let's getting some front page

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Speaker 1: news now. We gotta sleut Alabama. Last night they beat

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Speaker 1: Georgia for the national championship. They came back there with

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Speaker 1: down I think seven nothing was the seven nothing or

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Speaker 1: six nothing? They came back in one last night, So

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Speaker 1: congratulations to him. Their quarterback is actually a freshman from Hawaii.

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Speaker 1: I can't pronounce his name, but it's like what he

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Speaker 1: is from Hawaii? Yeah, sleut Alabama. I started to watch

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Speaker 1: that game, but then I saw Donald Trump Wall got

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Speaker 1: on the field. When I saw Dope forty five come

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Speaker 1: out there, I was like, you know what, I'm gonna

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Speaker 1: drink this tea and go to sleep. I'm drink the

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Speaker 1: South Stop team and relax. All right, Now, where you

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Speaker 1: want to start? You want to start with your president year?

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Speaker 1: Where you wanta go, Well, let's start talking about Apple now,

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Speaker 1: and investors in the Apple They have about two billion

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Speaker 1: dollars in funds that they own about two billion dollars

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Speaker 1: in Apple stock between them. They want Apple to actually

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Speaker 1: work on fighting iPhone addiction among kids. Now, what they

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Speaker 1: have found is that there's a lot of detrimental effects

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Speaker 1: of smartphone addiction that includes being less attentive in class,

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Speaker 1: insufficient sleep, and a higher risk of depression and suicide.

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Speaker 1: They did an open letter that was posted online over

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Speaker 1: the weekend, and they want Apple to set an example

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Speaker 1: about the obligations of technology companies to their youngest customers.

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Speaker 1: So basically, add some parental controls to their devices, limited

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Speaker 1: time kids can spend on them, and what content they

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Speaker 1: can access. I'm gonna be totally honest with you. That's

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Speaker 1: not Apples Apple's fault. Yeah, that's like saying that, you know,

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Speaker 1: alcohol companies have to do that, cigarette companies have to

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Speaker 1: do that. Like, no, people need to regulate their kids iPhones.

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Speaker 1: It's not that they have to. But what they're saying

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Speaker 1: is that they could really set an example to the

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Speaker 1: whole industry. Apple respond and you know, they said, we

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Speaker 1: are committed to meeting and exceeding our customers expectations, especially

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Speaker 1: when it comes to protecting kids. Yeah, they're gonna try

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Speaker 1: to please anybody, but that's the parents. That is absolutely

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Speaker 1: not Apple's responsibility to monitor your kid's iPhone. Even with

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Speaker 1: my daughter, My daughter is only allowed to play on

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Speaker 1: the iPhone maybe an hour a day, and it's usually

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Speaker 1: some type of learning app or something like that. But yeah,

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Speaker 1: I limit that Apple. You treat the iPhone the same

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Speaker 1: way our parents used to treat TV. You've been in

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Speaker 1: front of that TV too long? Now, boy, what I'm saying,

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Speaker 1: go read a book or something. Are you doing? Now?

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Speaker 1: Do it? Now? With my kids? My kids get like

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Speaker 1: an hour TV a week. All right? And let's talk

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Speaker 1: about ibprofen. Ibprofen is paining carelers is pain relievers like

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Speaker 1: advil and motrin, and what they are saying that it

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Speaker 1: has been linked to maile fertility. So if you take

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Speaker 1: that in doses, and a lot of athletes use that,

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Speaker 1: some of them use it every day. Some young men

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Speaker 1: developed a hormonal condition that is linked to reduce fertility.

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Speaker 1: But they did say if you take a small amount

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Speaker 1: that it can be reversible, So just be careful if

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Speaker 1: you're taking that. So I BROF makes you less front

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Speaker 1: of Yeah, I'll take it frequently, Antonio Crimardian to take

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Speaker 1: a lot that has never taken and levered his life.

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Speaker 1: All right, anything else we're talking about in front page news,

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Speaker 1: I know that's it. Okay, all right, now get it

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Speaker 1: off your chest? Is next eight hundred five eight five

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Speaker 1: one oh five one. If you're upset you need to vent,

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Speaker 1: hit us up right now. Maybe you had a bad

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Speaker 1: night or bad morning and you want to vent a

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Speaker 1: little bit, or maybe you feel blessed. You want to

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Speaker 1: spread some positivity. Call us right now. Phone line to

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Speaker 1: wide open. Eight hundred five eight five one o five one,

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Speaker 1: Hit us up right now. It's the breakfast Club. Good morning,

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Speaker 1: the breakfast Club. The kiddings, pick up the mother mother

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Speaker 1: phone and die. This is your time to get it

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Speaker 1: off your chest. Whether you're mad or we want to

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Speaker 1: hear from you on the Breakfast Club. But you better

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Speaker 1: have the same energy. How about who's this Hey, ma'mna

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Speaker 1: get it off your chests. I feel it. I'm blessed

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Speaker 1: because I'm a hard working woman, I'm a white man.

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Speaker 1: I just cliblate it and some something with my master,

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Speaker 1: and then months later I received a great job on

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Speaker 1: the base. So I feel that at the beending the

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Speaker 1: United States vettering for so long, I was like, that's

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Speaker 1: a blessing to me, because yesterday it was the worst.

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Speaker 1: I get almost to work and I had to blow out.

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Speaker 1: Blow out? What you mean, like on my car? My yes,

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Speaker 1: the car that I drive. They don't even get your

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Speaker 1: spare tire. So I was like, I had to get

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Speaker 1: my car toned. And I was like, oh my god,

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Speaker 1: I'm going to lat the word. And this is my

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Speaker 1: first month later. Oh damn, well, congratulations baby, sound like

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Speaker 1: I don't know what the hell was she talking about.

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Speaker 1: I don't know. She says, you got to work out

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Speaker 1: to blow out. I thought the Dominican did her head? Hello?

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Speaker 1: Who's this? Hey? This is the Annapolis Hey, what's up?

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Speaker 1: Get gone chests? Hey? Before I get it off my chest?

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Speaker 1: Is Angela there? Nope? Hey Angela? You don't remember me,

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Speaker 1: but I was the guy that I was blowing you

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Speaker 1: walk on Twitter for um, put your crabs Instagram? Okay?

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Speaker 1: Is it? What is your Twitter? It's a black guy

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Speaker 1: or something. It's a black man. Hire yourself a black man,

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Speaker 1: Travis taking. I'm sorry. Yeah, as a boyfriend, Yeah, I

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Speaker 1: understand that boy. He's seem like a cool guy, just

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Speaker 1: want to be his friend, but that that don't gotta

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Speaker 1: no more. Basically, if he getting next to trap, you

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Speaker 1: can convince trapped and cheat. That's what you're trying to say. No,

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Speaker 1: I'm so he got a great personality. It turn out

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Speaker 1: to cool. First, I just wanted my circle to be

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Speaker 1: you know, with people that's cool like that. But let

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Speaker 1: me get off your circle. Y'all. Y'all, y'all been next.

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Speaker 1: Y'alln't got time for it, So it's important, okay. Um.

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Speaker 1: I was on social media yesterday and I saw that

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Speaker 1: nifty uh, what's his name, nifty Hustle Hustle, yeah him that, Yeah,

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Speaker 1: he gonna get up on social media and say that

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Speaker 1: if you're um a homosexual man, that you're not a

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Speaker 1: real black man. And I just thought that was that

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Speaker 1: soul suit, like even if you don't agree with the lifestyle,

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Speaker 1: you don't gotta you know, social media and bad mouth

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Speaker 1: of game really say that, we gotta. We're gonna get

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Speaker 1: into that. We'll tell you exactly what he said and

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Speaker 1: we'll talk about that just for you this morning. I

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Speaker 1: didn't see it really, I don't sound like that. I

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Speaker 1: just want to say, I see that you're also uncircumcised.

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Speaker 1: Why is that? How did you see that? He tweeted it?

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Speaker 1: Why did you hang up on him? So getting his

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Speaker 1: gracious get it off your chests eight hundred five eight

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Speaker 1: five one oh five one. If you're upset and you

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Speaker 1: need to vent, it's the breakfast club the morning, the

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Speaker 1: breakfast club. Wake up, wake up, wake y'all. This is

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Speaker 1: your time to get it off your chest, you madam blast.

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Speaker 1: We want to hear from you on the breakfast block. Hello,

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Speaker 1: who's this hi? Y'all? Hey, get off your chests. Yeah,

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Speaker 1: y'all do that to me all the time. We want

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Speaker 1: to get me a hole and a bunch of those commercially. Okay,

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Speaker 1: we're back, we're back. We're back. There, you go, get

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Speaker 1: it off your chests. Mama, where was Star? First of all,

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Speaker 1: happy knew you're so happy to talk to y'all so

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Speaker 1: long happy, So it was happy belated birthday. I'm into

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Speaker 1: the league anyway. I'm mad because I called yaw and

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Speaker 1: I was on the hall, just like how y'all got

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Speaker 1: that commercial? I got that commercial the whole time. So

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Speaker 1: I heard y'all talking the other people asking them why

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Speaker 1: I ain't mad, But I couldn't even get on the

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Speaker 1: phone and tell y'all why I'm mad. I'm listening to y'all.

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Speaker 1: Then I have to started listening. So I was on

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Speaker 1: holl I was on that. I was on y'all B

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Speaker 1: line for like twenty minutes. I'm super for hanging. But

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Speaker 1: you know a lot of Pika club anyways, I love

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Speaker 1: the big club. What is the back? You know? What

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Speaker 1: did you shouting? I don't start this the new year

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Speaker 1: to act right today? You need to get to this.

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Speaker 1: I don't even make sense. You know when you don't

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Speaker 1: make sense, you don't make sense. To take a lot

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Speaker 1: of let my week for vacation. How about to ask

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Speaker 1: damn every every year, every every day, every morning, short

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Speaker 1: America shouting out now what you shouldn't do it? Everybody

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Speaker 1: else came back on time. You come back on time.

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Speaker 1: I'm gonna my day just like the white man use

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Speaker 1: his Well you're white, you always gonna be like. I'll

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Speaker 1: be like like, yo, all us chill out at black

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Speaker 1: gets black? Right, come on eat the forus this morning?

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Speaker 1: Where you mad? I don't know how you call because

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Speaker 1: the shadow that shame for me, I call it a

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Speaker 1: good moan. It wasn't a good all I ask you

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Speaker 1: to do all I ask you to do because you

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Speaker 1: turned and white on us. That's the problem. You act

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Speaker 1: like what that word you we seeing all the time

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Speaker 1: about those those white black people or whatever. You don't

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Speaker 1: know what you say, anyway to say. But all I

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Speaker 1: ask you to do is call us the breakfast Club

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Speaker 1: bc bk is Brooklyn B feels like mer face? How

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Speaker 1: about that? My g all right, mama, go shave your arms. Okay,

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Speaker 1: go shave Hello. You gotta know you're gonna take a

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Speaker 1: black teel. How about that whack peel? Wax over your

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Speaker 1: little Okay, this is guys, go right, wax over your

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Speaker 1: little thing. Okay. I know you want to have a

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Speaker 1: little extra fur because it's cold out, but shaved. Hello,

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Speaker 1: This for something, everybody, Chad. People are asking about you

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Speaker 1: all morning. I told him you're taking trial, but they

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Speaker 1: don't care. We're Charlemagne. I'm I'm pissed right now, and

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Speaker 1: I got to talk about He probably a friend of

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Speaker 1: your show, and I'm gonna be careing Nipsey Hustle. Okay,

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Speaker 1: what happened now? To tell us he called to talk

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Speaker 1: about Nipsey Hustle too. Okay, yes, I did so this year.

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Speaker 1: I'm sorry, y'all know. Nipsey Hustle put this picture and

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Speaker 1: he posted on his Instagram. There's three things they pinpointed

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Speaker 1: in his little caption that he didn't see within the picture.

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Speaker 1: And he said that he didn't see a black violet man,

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Speaker 1: he didn't see a black man that was an abandoner,

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Speaker 1: and he didn't see a black homosexual man. Now, the

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Speaker 1: problem that I had with that is that he thinks

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Speaker 1: putting that picture up there, with all of those young

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Speaker 1: men within that picture, it just reminds me of growing

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Speaker 1: up where I didn't have anybody there to represent me,

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Speaker 1: and he thinks it's a good thing that. I don't

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Speaker 1: know if he thinks that because you're homosexual, you can't

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Speaker 1: shape and inform the young mind of a black man.

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Speaker 1: But there are a lot of successful black gay men

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Speaker 1: out there in this world that can definitely talk to

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Speaker 1: young black men like I don't know if he think

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Speaker 1: they were sitting there talking about sets to them, but

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Speaker 1: they are a lot of successful black gay men who

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Speaker 1: can shape, you know, the mind of young black men

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Speaker 1: out there in this world. All right, I think he

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Speaker 1: was trying to explain himself. So yeah, I saw his explanation.

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Speaker 1: I mean, I don't even know what the Nipcy Hustle

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Speaker 1: situation is, but I mean, yeah, you're absolutely right when

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Speaker 1: you say that black gay men can shape the minds

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Speaker 1: of other black gay in I mean, last time I check,

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Speaker 1: wasn't James Baldwin gay? And not only that, you don't

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Speaker 1: even have to feel like I'm about black gay men

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Speaker 1: shaping in the minds of other black gay men. Yeah,

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Speaker 1: just shaping the minds of young black men period. Oh

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Speaker 1: I meant other black men period. You know what the

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Speaker 1: hell I meant, traff. But but yeah, I mean, last

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Speaker 1: last time I checked James Baldwin was was gay. I mean,

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Speaker 1: I can't think of a more brilliant mind than him.

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Speaker 1: Not only that, you can have a you can have

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Speaker 1: a down lemon talk to the young minds, you James Baldwin,

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Speaker 1: the down women. Okay, but I understand what you're saying,

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Speaker 1: all right, Like stop, you'll get into it this morning

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Speaker 1: because a lot of people were very passionate about this topic.

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Speaker 1: Thank you, traft and and and then let Nipsey know,

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Speaker 1: like he's also the same person that a couple of

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Speaker 1: years ago he agreed with somebody on Instagram that black

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Speaker 1: women are disgrace to our culture, like Nipty the lands

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Speaker 1: person that they had me talking about who and you're crip,

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Speaker 1: like boy stop, I don't even know if having this

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Speaker 1: trump and stuff is true. I haven't heard these things

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Speaker 1: about it was on his Instagram. He he did so

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Speaker 1: he didn't say that about women. I don't know about

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Speaker 1: the woman's thing. But all right, we'll get into that later.

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Speaker 1: I get it off at chus eight drew five eight

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Speaker 1: five one oh five one, and we got rumors on

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Speaker 1: the way. All right, what's since everybody's talking about Nipsey hustling,

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Speaker 1: what he had to say on social media. Let's get

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Speaker 1: into that, all right, all and we'll keep a lock.

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Speaker 1: This to Breakfast Club the morning, the Breakfast Club. It

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Speaker 1: ain't safe, it ain't safe, it ain't safe the morning.

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Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne, the guy we

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Speaker 1: are the Breakfast Club. Let's get to the rumors. Let's

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Speaker 1: talk the weekend. She's filling the team. This is the

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Speaker 1: rumor report with Angela Yee on the Breakfast Club. Well,

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Speaker 1: the weekend had been working with H and M. He

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Speaker 1: did some collections with them in the past, and he

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Speaker 1: did the host selected by the Weekend, and he was

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Speaker 1: very upset over the ad controversy with H and M

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Speaker 1: where the young black man had on young black boy

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Speaker 1: had on a coolest monkey in the jungle hoodie. Now,

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Speaker 1: he tweeted out, woke up this morning shocked and embarrassed

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Speaker 1: by this photo. I'm deeply offended and will not be

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Speaker 1: working with H and M anymore. So that's it, hey,

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Speaker 1: once again, H and M, you have all these culturally

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Speaker 1: coolest people working for you, clearly because somebody could have

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Speaker 1: spotted that and told you that was gonna be a problem.

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Speaker 1: But more importantly, Weekend, don't give the money back, all right?

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Speaker 1: Drop H ANDM, but please keep the check out, right

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Speaker 1: did he say he was giving the money back. I'm

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Speaker 1: just throwing it out there just in case. Don't give

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Speaker 1: the money back they ask for the money back, like nope.

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Speaker 1: All right. Now, Joey Badass has joint title. He's going

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Speaker 1: to be doing a new podcast. He said, I have

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Speaker 1: a podcast called forty seven Minutes coming to title real soon.

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Speaker 1: If retweet, if you'll tune in to hear me talk

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Speaker 1: about is from hip hop, politics, spirituality, and whatever the

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Speaker 1: f else I want. So I'm gonna be mad at

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Speaker 1: that at all. Smooth the Joy Badass. I like that guy. Man,

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Speaker 1: you put out a real dope album last year. Yes,

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Speaker 1: And speaking about putting out dope music and other products,

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Speaker 1: Kat Williams is doing a stand up and it's called

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Speaker 1: Great America and that's going to be on Netflix on

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Speaker 1: January sixteenth. That's from his tour that he did last year.

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Speaker 1: Here is a little snippet right, used to be some

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Speaker 1: black white people. Let me just say, y'all hard terrible

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Speaker 1: at all out the shaky La science Hard Coup said.

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Speaker 1: The leagues are real, but the news is fake. That's

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Speaker 1: why the police bull you over when you tell him

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Speaker 1: the blood ain't real. But the smoke kid. Netflix has

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Speaker 1: really cornered the market on comedy specials. They've been doing

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Speaker 1: that thing with comedy specials. I don't want to see that.

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Speaker 1: I'm here for the Cat Williams comedy special absolutely, even

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Speaker 1: though he called me Charlomagne the Dog, but I'm still here. Still.

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Speaker 1: I haven't heard him doing it in a while, but

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Speaker 1: I'm here for it. Wellet's January sixteenth, all right, Now,

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Speaker 1: let's get into what a lot of people were calling

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Speaker 1: up about this morning. It's a black man on Twitter

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Speaker 1: called and Trav called in and they were mad about

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Speaker 1: these comments by Nipsey Hustle. Now Nipsey Hustle posted a

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Speaker 1: picture and it's a you know, a whole group of

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Speaker 1: young black men in the room, and he said, demonstration

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Speaker 1: speaks louder than conversation. They're gonna feed us every image

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Speaker 1: of our men and boys, but this one no hyper violent,

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Speaker 1: no homosexual, no abandoners, just strong black men and young men.

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Speaker 1: Respect to my big homie for leading with love and intelligence.

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Speaker 1: God is with us. Who can go against us? All right? Well,

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Speaker 1: this caused a firestorm, and he was going back and

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Speaker 1: forth with Deray. He said, I ain't got to be

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Speaker 1: politically correct because I ain't standing on nobody else's platform.

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Speaker 1: I believe in love and acceptance. But you ain't going

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Speaker 1: to piss on my head and tell me it's raining none.

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Speaker 1: I see what's going on, y'all. Shoot two Victory Lap

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Speaker 1: February sixteen, twenty eighteen. Ray McKesson, the activist, Yeah, dificions.

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Speaker 1: Now that's who he was going back and forth with

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Speaker 1: because basically Dray said, you listed three qualities as equally negative, violent, gay,

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Speaker 1: an abandoner, and as the opposite of strong. What made

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Speaker 1: you assume everyone in the picture was straight? Are you

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Speaker 1: saying that to be against homophobia is to succumb to

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Speaker 1: the mainstream media now, Nipsey responded, I listed three qualities

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Speaker 1: overrepresented in the mainstream media's narrative of what a black

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Speaker 1: man is. Point out the first lie, I never assumed

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Speaker 1: they were all straight. I noted that they weren't being

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Speaker 1: framed by the media as gay, and I have no

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Speaker 1: opinion about what a person's sexual preferences. That's the guy

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Speaker 1: given right and I'm not God. Now, if we can't

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Speaker 1: agree that life imitates art and the balance representation of

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Speaker 1: our people is important, then we will agree to disagree

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Speaker 1: and wish each other the best. Well both sides, the

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Speaker 1: LGBT community and Nipsey are essentially saying the same thing,

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Speaker 1: don't stereotype us. Nipsey is saying the media often overrepresents

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Speaker 1: these stereotypical images of black men, super thug, super gay,

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Speaker 1: super debut, and the gay men are telling Nipsy, don't

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Speaker 1: stereotype bus because a lot of us look like the

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Speaker 1: guys posted in that picture. So They're both essentially saying

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Speaker 1: the same thing. No stereotype. Now, Derey responded, I've never

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Speaker 1: thought that gay black men were overrepresented in the media.

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Speaker 1: But the original point is that gay is not a

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Speaker 1: bad thing, not synonymous with a violent abandoner, and not

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Speaker 1: the opposite of strong. So you know, Nipsey was just

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Speaker 1: trying to point out that he does not look down

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Speaker 1: on gay people at all. He loves all God's children,

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Speaker 1: all right, So that is just the synopsis of what happened.

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Speaker 1: In case you missed it. I'm Angela Yee and that

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Speaker 1: is your rumor report. A right now, when we come back,

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Speaker 1: we have the cast of Den of Thieves in the building,

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Speaker 1: fifty cent O'shay Jackson, Junior, Gerard Butler and Pablo Shronner,

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Speaker 1: and we need d And speaking of stereotyping gay, we

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Speaker 1: need to find out why fifty is always trying to

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Speaker 1: stereotype Puffy as a gay man. All right, we need

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Speaker 1: to get to the bottom of this. God damn my goodness.

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Speaker 1: All right, when we come back, keep a locked as

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Speaker 1: to Breakfast Club co Morning. More than everybody is DJ Envy,

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Speaker 1: Angela Yee, Charlomagne, the guy. We are the breakfast club.

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Speaker 1: We got some special guests in the building. You know,

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Speaker 1: fifty always up to something. I'm here, baby, cast of

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Speaker 1: Dead of Thieves, Jackson Butler and go on stairs. You

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Speaker 1: get that a lot. I get it. Sometimes you don't

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Speaker 1: wear it in real life. I don't bring it. I

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Speaker 1: don't travel with it. Tell us about this flick Den

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Speaker 1: of Thieves. Oh man, it's action pack is You're gonna

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Speaker 1: see a different version the Butler. You've never seen this version.

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Speaker 1: It's a whole new character, whole new energy. It's a

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Speaker 1: bad man bad man. Yeah. So you're a corrupt police officer. Yeah,

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Speaker 1: you're saying. I wouldn't call myself a corrupt police officer.

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Speaker 1: You know, I'm just doing doing my job. But I

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Speaker 1: like this bad man. Yeah, I think that's Listen. That's

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Speaker 1: the cool thing about it. As you you know, there's

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Speaker 1: no real good or badness. You know, you kind of

419
00:20:54,320 --> 00:20:55,960
Speaker 1: follow the bad guys as much as you do the

420
00:20:56,000 --> 00:20:57,760
Speaker 1: good guys. You know, you're kind of get both sides

421
00:20:57,800 --> 00:21:00,440
Speaker 1: of the stories. So, yeah, you see the impact living

422
00:21:00,440 --> 00:21:04,040
Speaker 1: the lights that we do takes on. And I definitely

423
00:21:04,240 --> 00:21:09,480
Speaker 1: I'm living a pretty dark dark life. You do on

424
00:21:09,640 --> 00:21:12,480
Speaker 1: cops in America, do that because the cops can be

425
00:21:12,520 --> 00:21:14,480
Speaker 1: real crooked here. Well, we just hung out with a

426
00:21:14,480 --> 00:21:17,680
Speaker 1: lot of cops. We hung out with Sheriff's department cop,

427
00:21:17,800 --> 00:21:20,600
Speaker 1: some detectives start with them, went through the stories, went

428
00:21:20,680 --> 00:21:23,920
Speaker 1: on the road with them, and you know, just kind

429
00:21:23,960 --> 00:21:26,119
Speaker 1: of heard where they were coming from. See some of

430
00:21:26,200 --> 00:21:27,679
Speaker 1: the cases they've had to deal with, you know, they

431
00:21:27,720 --> 00:21:29,679
Speaker 1: kind of impact that has on their lives. Yeah, exactly

432
00:21:29,760 --> 00:21:31,680
Speaker 1: where you know, where they have to go talking about

433
00:21:31,720 --> 00:21:34,920
Speaker 1: when they're dealing with some dodging characters. Um, you know,

434
00:21:35,080 --> 00:21:37,080
Speaker 1: when when you're dealing with the worst kind of people,

435
00:21:37,119 --> 00:21:38,879
Speaker 1: then sometimes you've got to be as bad as them,

436
00:21:38,960 --> 00:21:40,119
Speaker 1: you know, if you want to win. And that's what

437
00:21:40,240 --> 00:21:42,480
Speaker 1: this movie is about. It is about It's about two

438
00:21:42,640 --> 00:21:44,920
Speaker 1: different tribes that want to win and they're both willing

439
00:21:45,000 --> 00:21:47,360
Speaker 1: to go, you know, do what it takes to get there.

440
00:21:47,600 --> 00:21:51,040
Speaker 1: Now with the iconic movie three hundred right, iconic movie?

441
00:21:51,359 --> 00:21:53,200
Speaker 1: What made you want to work with Hip Hop Royalty

442
00:21:53,240 --> 00:21:55,119
Speaker 1: and Hip Hop Legends over there? Did you listen to

443
00:21:55,200 --> 00:21:59,120
Speaker 1: fifty cents mus before? Of course he did, of course.

444
00:22:00,080 --> 00:22:06,000
Speaker 1: Side I get money, I love fifty I do, Yeah,

445
00:22:06,040 --> 00:22:08,760
Speaker 1: I do. I mean, and I've actually you know I've

446
00:22:08,800 --> 00:22:11,119
Speaker 1: worked with Ludigris, I've worked with Jamie Foxx, you know

447
00:22:12,040 --> 00:22:16,240
Speaker 1: hip hop. But I'm always on the rise. And finally

448
00:22:16,280 --> 00:22:21,119
Speaker 1: I've got to work with fifty. I have made no

449
00:22:21,400 --> 00:22:24,120
Speaker 1: it's um listen to be honest. To get these guys

450
00:22:24,160 --> 00:22:27,040
Speaker 1: in the movie, it's been awesome. I think people are

451
00:22:27,080 --> 00:22:28,960
Speaker 1: way more excited about him being in the movie than me,

452
00:22:29,040 --> 00:22:31,760
Speaker 1: so I'll take it all all the way to the bike.

453
00:22:31,880 --> 00:22:37,040
Speaker 1: But not true. It was not quite true. They are

454
00:22:37,119 --> 00:22:40,080
Speaker 1: really excited about you being in the movie. I'm excited

455
00:22:40,160 --> 00:22:43,320
Speaker 1: to be there, you know. But nobody at the Source

456
00:22:43,400 --> 00:22:52,200
Speaker 1: hosted screening tonight is coming for but name. But when

457
00:22:52,200 --> 00:22:56,880
Speaker 1: they see like, oh that's what's your name? Oh yeah,

458
00:22:56,960 --> 00:23:03,119
Speaker 1: you're that dude. It was certified. It certifies things. It

459
00:23:03,280 --> 00:23:07,240
Speaker 1: looking okay. See it was asking questions earlier on like

460
00:23:07,280 --> 00:23:08,800
Speaker 1: when you gonna get draw on on power. I was like,

461
00:23:08,880 --> 00:23:13,040
Speaker 1: chill get the money for they start jump ahead of it.

462
00:23:13,520 --> 00:23:15,840
Speaker 1: They had the money to make it, make it makes sense.

463
00:23:15,920 --> 00:23:18,600
Speaker 1: But he was like, you know what are you talking about.

464
00:23:18,640 --> 00:23:20,520
Speaker 1: Let me see what it is first to do it.

465
00:23:20,600 --> 00:23:23,000
Speaker 1: But I'm like, you know how like if I ain't

466
00:23:23,040 --> 00:23:25,879
Speaker 1: got the bag, I don't really start the conversation, especially

467
00:23:25,880 --> 00:23:29,720
Speaker 1: if you respect the man, because to feed that family,

468
00:23:29,760 --> 00:23:32,120
Speaker 1: to feed everything else. So you come when the bank

469
00:23:32,240 --> 00:23:37,240
Speaker 1: is so, I just gave you the bag that was

470
00:23:37,280 --> 00:23:44,040
Speaker 1: just for me. I'm gonna cover you know, watch the

471
00:23:44,080 --> 00:23:47,120
Speaker 1: bound back now you was down back, I was down.

472
00:23:48,720 --> 00:23:50,639
Speaker 1: I said, get back, like what was going on here?

473
00:23:50,720 --> 00:23:53,960
Speaker 1: I don't feel like me right now? You know, do

474
00:23:54,040 --> 00:23:56,160
Speaker 1: you feel like you could potentially rob a bank after

475
00:23:56,240 --> 00:24:02,560
Speaker 1: filming a movie like this and learning how incriminates yourself? Yeah?

476
00:24:02,600 --> 00:24:05,480
Speaker 1: I have all the plots out the Federal Reserve, but

477
00:24:06,880 --> 00:24:09,600
Speaker 1: their security gives me in fifty and Ocean are coming

478
00:24:09,720 --> 00:24:12,920
Speaker 1: after them, you know they didn't. Usually the people who

479
00:24:13,000 --> 00:24:15,840
Speaker 1: do rob banks rob them several times. Right, They were

480
00:24:15,920 --> 00:24:19,760
Speaker 1: very nice to give away a few times. Just a

481
00:24:19,760 --> 00:24:24,200
Speaker 1: little research because I always think that's interesting as had

482
00:24:24,240 --> 00:24:25,760
Speaker 1: to rob a bank, because you have to make it

483
00:24:25,800 --> 00:24:28,760
Speaker 1: as realistic as possible. Yeah, yeah, we tried to be

484
00:24:28,880 --> 00:24:31,879
Speaker 1: very realistic. Obviously they're you know, Christian Goody gas Are,

485
00:24:31,880 --> 00:24:34,840
Speaker 1: director did a lot of research and the scenes that

486
00:24:34,880 --> 00:24:38,520
Speaker 1: take place inside the Federal Reserve are thoroughly researched um

487
00:24:38,760 --> 00:24:41,280
Speaker 1: and it looks amazing. It looks like just like the

488
00:24:41,600 --> 00:24:45,040
Speaker 1: real location so um. But you know, you got a

489
00:24:45,080 --> 00:24:48,399
Speaker 1: hope that places like the Federal Reserve gets some secrets

490
00:24:48,440 --> 00:24:52,680
Speaker 1: to themselves. But I went to the Federal Reserve and

491
00:24:52,720 --> 00:25:01,240
Speaker 1: I gotta say, there's no rob but not bank thirty

492
00:25:01,280 --> 00:25:05,600
Speaker 1: million cash away a day? Is that true? Truly? Yeah?

493
00:25:05,920 --> 00:25:07,280
Speaker 1: I don't know how much they do a day, but

494
00:25:07,440 --> 00:25:11,600
Speaker 1: that particular one in LA has literally trillions of dollars

495
00:25:11,920 --> 00:25:14,639
Speaker 1: at any one time. They shredded all the old bills.

496
00:25:14,680 --> 00:25:18,800
Speaker 1: Thirty million. Oh yeah, yeah, at least thirty million a day. Yeah,

497
00:25:19,680 --> 00:25:26,399
Speaker 1: it's very frustrating to be there when that happens. Just

498
00:25:26,600 --> 00:25:30,600
Speaker 1: passes a few. This is your first role since Great

499
00:25:30,600 --> 00:25:33,240
Speaker 1: out of Content. No, no, no, this is my third one. Yeah,

500
00:25:34,000 --> 00:25:36,800
Speaker 1: goes West, Indy. But this one, this, there's another Blockbusters

501
00:25:38,280 --> 00:25:39,760
Speaker 1: picked up, because you always make that seem like a

502
00:25:39,880 --> 00:25:43,960
Speaker 1: small oh yeah, you know Ingrid Goes West. I ended

503
00:25:44,040 --> 00:25:47,159
Speaker 1: up getting top ten performances at Sundance for that, and

504
00:25:47,320 --> 00:25:49,240
Speaker 1: you know that's a big deal with my family Sun Dance.

505
00:25:49,320 --> 00:25:51,480
Speaker 1: Don't really you know, be knocking on the Cube family

506
00:25:52,080 --> 00:25:57,680
Speaker 1: all the time. Oh no, please, he brought me life

507
00:26:01,359 --> 00:26:04,280
Speaker 1: to get that one up. Whose look at the look

508
00:26:04,320 --> 00:26:06,200
Speaker 1: at the names on the list. You know, I know

509
00:26:06,359 --> 00:26:09,120
Speaker 1: I need it. I needed when you go Indie after

510
00:26:09,359 --> 00:26:11,200
Speaker 1: something like Straight out of Compton. You know, I needed

511
00:26:11,240 --> 00:26:14,480
Speaker 1: another good upper cut to this combo. And you know

512
00:26:14,680 --> 00:26:17,640
Speaker 1: this is a you know, this is an action pack movie.

513
00:26:17,800 --> 00:26:20,200
Speaker 1: It lets me show my range as an actor, you know,

514
00:26:20,320 --> 00:26:23,520
Speaker 1: besides rapping and you know, dancing on stage and all that.

515
00:26:23,760 --> 00:26:26,320
Speaker 1: So it allowed me to show a different level of

516
00:26:26,400 --> 00:26:28,920
Speaker 1: my skills. And you know I got you see the

517
00:26:28,960 --> 00:26:31,360
Speaker 1: group I'm with. It just seemed like a home run,

518
00:26:31,400 --> 00:26:34,440
Speaker 1: so why not take it? The part two? The later.

519
00:26:36,160 --> 00:26:40,080
Speaker 1: It's gonna be bigger. Come on, now, that's a lot

520
00:26:40,119 --> 00:26:45,720
Speaker 1: of pressing. It's gonna be bigger. So up to a

521
00:26:45,800 --> 00:26:49,800
Speaker 1: great start. This is a rocket. Daddy had the music too, though.

522
00:26:49,800 --> 00:26:53,000
Speaker 1: I remember when you was on MG. Now I got

523
00:26:53,040 --> 00:26:57,760
Speaker 1: something coming for you. But don't worry, my uncle. Halftime

524
00:26:57,840 --> 00:27:00,960
Speaker 1: got me all right. We got more of the cast

525
00:27:01,000 --> 00:27:02,640
Speaker 1: and then the Thieves when we come back, don't move.

526
00:27:02,680 --> 00:27:08,800
Speaker 1: It's the Breakfast Club. Good Morning, the Breakfast Club, The Morning.

527
00:27:08,840 --> 00:27:12,399
Speaker 1: Everybody is dj Enzy, Angela Yee, Charlomagne the Guy. We

528
00:27:12,480 --> 00:27:15,320
Speaker 1: are the Breakfast Club. We have the cast of thenner Thieves,

529
00:27:15,400 --> 00:27:18,120
Speaker 1: a new movie in the building. Fifty cent Oh, Shay

530
00:27:18,240 --> 00:27:22,639
Speaker 1: Jackson Junior, Gerard Butler, and Pablo Schreiber. Yee, so fifty.

531
00:27:22,680 --> 00:27:24,960
Speaker 1: Would you be against playing the cop roll in this

532
00:27:25,080 --> 00:27:26,280
Speaker 1: movie or you feel like you got to be the

533
00:27:26,320 --> 00:27:29,320
Speaker 1: bad guy? I like the bad guys. Look I read

534
00:27:29,359 --> 00:27:32,000
Speaker 1: the script. I left the six six years ago. I

535
00:27:32,040 --> 00:27:39,480
Speaker 1: don't mind being typecasts. I'm a rapper mind the same

536
00:27:39,880 --> 00:27:43,520
Speaker 1: drugge is a little bigger. But this is That's how

537
00:27:43,600 --> 00:27:49,879
Speaker 1: I went. Okay, the whole energy like no getting it together.

538
00:27:50,920 --> 00:27:53,600
Speaker 1: Pablo guys show into it while we was training. Then

539
00:27:53,640 --> 00:27:56,760
Speaker 1: he was like Evan. He was like Evan Jones ched

540
00:27:56,880 --> 00:28:00,840
Speaker 1: the ball man. He's like, what the because he was

541
00:28:00,920 --> 00:28:03,520
Speaker 1: happening like chat the bab moments while we was like

542
00:28:03,640 --> 00:28:05,639
Speaker 1: doing the training and it was like it was it was.

543
00:28:06,160 --> 00:28:07,760
Speaker 1: He had us doing a lot of drills and a

544
00:28:07,800 --> 00:28:12,080
Speaker 1: lot of stuff that became like first nature for us.

545
00:28:12,160 --> 00:28:13,560
Speaker 1: Like by the time we got done in the first

546
00:28:13,600 --> 00:28:16,879
Speaker 1: two weeks, we was doing it and in a different setting.

547
00:28:16,960 --> 00:28:19,080
Speaker 1: We wasn't in the trees, it wasn't it was an

548
00:28:19,200 --> 00:28:21,920
Speaker 1: urban setting. But to get it right, we worked in

549
00:28:22,040 --> 00:28:29,080
Speaker 1: the process. Do you know who Chabob is? Okay, So

550
00:28:29,160 --> 00:28:34,440
Speaker 1: I it was what it was what I that's he

551
00:28:34,520 --> 00:28:36,640
Speaker 1: wasn't like a lot of scenes with was there any

552
00:28:36,720 --> 00:28:39,480
Speaker 1: pressure with him though, because since he's such an established actor, like,

553
00:28:39,520 --> 00:28:41,200
Speaker 1: you know, I gotta make sure I don't look bad

554
00:28:41,240 --> 00:28:44,520
Speaker 1: at all. I come like that all the time every day,

555
00:28:44,600 --> 00:28:47,480
Speaker 1: but especially when like because I did with righteous skill,

556
00:28:47,840 --> 00:28:51,160
Speaker 1: you know Denaro, since then, like I got de Naro

557
00:28:51,280 --> 00:28:53,360
Speaker 1: to do with freelances with me and I was like

558
00:28:53,440 --> 00:28:56,320
Speaker 1: a passion project. So because it was my I started

559
00:28:56,440 --> 00:29:00,320
Speaker 1: it and he was support him and force with following that, Jake,

560
00:29:00,760 --> 00:29:03,640
Speaker 1: I really didn't really feel pressure like that until like

561
00:29:04,120 --> 00:29:06,040
Speaker 1: when you just have to look back at all the

562
00:29:06,360 --> 00:29:09,400
Speaker 1: performances because got a lot of scenes I'm away from

563
00:29:09,480 --> 00:29:11,760
Speaker 1: me and I watch it and I'm like, and I

564
00:29:11,800 --> 00:29:14,040
Speaker 1: don't hear the accent, and I don't hear any of

565
00:29:14,080 --> 00:29:16,520
Speaker 1: this stuff that you see right now. You're not gonna

566
00:29:16,560 --> 00:29:18,600
Speaker 1: see this in the movie because it's a whole other

567
00:29:18,680 --> 00:29:21,840
Speaker 1: thing that he built, and it's what makes it exciting,

568
00:29:22,720 --> 00:29:24,040
Speaker 1: you know. I mean, I know when people see it's

569
00:29:24,040 --> 00:29:26,160
Speaker 1: gonna blow them away. And a lot of the in

570
00:29:26,240 --> 00:29:28,000
Speaker 1: the movie, I have a lot of one on one

571
00:29:28,280 --> 00:29:31,040
Speaker 1: where Gerard, so you know, me being the new dude,

572
00:29:32,520 --> 00:29:34,840
Speaker 1: and it was you know, of course that pressure is there,

573
00:29:34,880 --> 00:29:40,320
Speaker 1: but it's more like butterflies. Oh no, no, no't think

574
00:29:40,360 --> 00:29:46,120
Speaker 1: I get beat up enough. Conference. There's there's a scene

575
00:29:46,200 --> 00:29:50,120
Speaker 1: where you know, the police, uh have me and they're

576
00:29:50,320 --> 00:29:53,240
Speaker 1: choking me out, and you know, Gerard, being a professional

577
00:29:53,320 --> 00:29:55,080
Speaker 1: that he is, you know, he's not really trying to

578
00:29:55,120 --> 00:29:56,600
Speaker 1: put it on me, but I had to let him know.

579
00:29:56,680 --> 00:29:58,239
Speaker 1: You know, I've been a little brother before you can

580
00:29:58,320 --> 00:30:01,960
Speaker 1: choke me out, It's fine. So you know, we really

581
00:30:02,040 --> 00:30:03,880
Speaker 1: got down in that scene. And it's one of my

582
00:30:04,000 --> 00:30:06,560
Speaker 1: favorite scenes in the movie. And uh, you know, I

583
00:30:06,920 --> 00:30:09,200
Speaker 1: definitely felt the pressure, but did I not had them

584
00:30:09,240 --> 00:30:11,800
Speaker 1: my own? I gotta say I've made a lot of

585
00:30:11,840 --> 00:30:14,680
Speaker 1: movies where I've had to beat the people. I have

586
00:30:14,880 --> 00:30:17,600
Speaker 1: never had to beat the shout out of anybody as

587
00:30:17,680 --> 00:30:22,680
Speaker 1: much as he took it like a tripper, like I mean,

588
00:30:23,000 --> 00:30:27,120
Speaker 1: I was very very impressed, and talking about earlier his performance,

589
00:30:27,200 --> 00:30:30,440
Speaker 1: he I would sit at times watching him doing his thing,

590
00:30:31,160 --> 00:30:35,040
Speaker 1: and it would blow me away. Really, how seriously, how

591
00:30:35,640 --> 00:30:38,360
Speaker 1: every time you get something different, every time it would

592
00:30:38,360 --> 00:30:41,120
Speaker 1: be totally believable, and every time it would take me

593
00:30:41,200 --> 00:30:44,800
Speaker 1: by surprise, and and and pretty much every scene I

594
00:30:44,880 --> 00:30:47,760
Speaker 1: had with him. I was smacking him, punching him, choking. Yeah,

595
00:30:48,320 --> 00:30:53,120
Speaker 1: um never never not even never am never complained. He

596
00:30:53,240 --> 00:30:55,240
Speaker 1: just got on with it and termed, but you I

597
00:30:55,400 --> 00:30:57,160
Speaker 1: cube stunt. I'm sure you get hands put on you

598
00:30:57,240 --> 00:30:59,840
Speaker 1: growing up by a choked out he not Homer Simpson.

599
00:31:00,040 --> 00:31:05,760
Speaker 1: But you know it's it's for the art, you know.

600
00:31:05,960 --> 00:31:08,600
Speaker 1: I went to I went to college for for cinema.

601
00:31:08,680 --> 00:31:12,040
Speaker 1: You know, USC fight on so like, you know, I'm

602
00:31:12,080 --> 00:31:15,280
Speaker 1: a film student at heart, and I don't know that. Yeah,

603
00:31:15,320 --> 00:31:17,200
Speaker 1: a lot of the times when when you know you're

604
00:31:17,240 --> 00:31:19,400
Speaker 1: making your short films for for class or whatever, you

605
00:31:19,480 --> 00:31:22,600
Speaker 1: ain't got necessarily the budget or whatever. You got to

606
00:31:22,680 --> 00:31:24,080
Speaker 1: cheat some stuff. And I know a lot of the

607
00:31:24,160 --> 00:31:26,080
Speaker 1: times you gotta go for the scene if we want

608
00:31:26,120 --> 00:31:28,600
Speaker 1: to get out of here. And so you know, it's cool.

609
00:31:28,840 --> 00:31:31,000
Speaker 1: So everybody thinks it's neplatives and they think you just

610
00:31:31,080 --> 00:31:33,120
Speaker 1: popped up in the spirit out of content que suf,

611
00:31:33,240 --> 00:31:34,880
Speaker 1: but you actually put in at work. But yeah, I was.

612
00:31:34,960 --> 00:31:37,400
Speaker 1: I was at USC for two years before SHARRETA. Compton

613
00:31:37,520 --> 00:31:39,959
Speaker 1: was even being uh like talked about as a as

614
00:31:40,000 --> 00:31:43,360
Speaker 1: a serious film and during my second year, he you know,

615
00:31:43,440 --> 00:31:45,080
Speaker 1: he was like, yo, you know you want to do this,

616
00:31:45,640 --> 00:31:49,720
Speaker 1: and uh, from there it's blown up into something like

617
00:31:49,840 --> 00:31:53,080
Speaker 1: Dinner Thieves, where I feel passionate about it and I

618
00:31:53,200 --> 00:31:56,160
Speaker 1: love the story. And now you know they might start

619
00:31:56,240 --> 00:31:58,280
Speaker 1: taking your boys. People have a question if you could

620
00:31:58,320 --> 00:32:01,160
Speaker 1: really act simply because in the role of in the

621
00:32:01,320 --> 00:32:03,920
Speaker 1: movie you played your father. Of course, but that's that's

622
00:32:03,920 --> 00:32:06,840
Speaker 1: just them making it easy for me because your expectations

623
00:32:06,880 --> 00:32:09,479
Speaker 1: is so low. Your dad that role, he didn't even

624
00:32:09,520 --> 00:32:11,080
Speaker 1: want to give that to you. I haven't worn't for

625
00:32:11,120 --> 00:32:13,400
Speaker 1: two years for that, and then the Thieves for show

626
00:32:13,520 --> 00:32:16,160
Speaker 1: made me work as Donnie Wilson. I had. I definitely

627
00:32:16,200 --> 00:32:18,360
Speaker 1: have my hard days, and though I didn't complain in

628
00:32:18,440 --> 00:32:20,040
Speaker 1: front of you when I got in the car and

629
00:32:20,160 --> 00:32:24,840
Speaker 1: let your his problem is he doesn't shut up in

630
00:32:24,920 --> 00:32:28,400
Speaker 1: between the scenes. Now he goes on and he has

631
00:32:28,680 --> 00:32:31,040
Speaker 1: an amazing mind. He just goes on in these streams

632
00:32:31,080 --> 00:32:33,720
Speaker 1: of consciousness, and we look around, going is he talking

633
00:32:33,760 --> 00:32:38,160
Speaker 1: to You're actually talking to people when we're trying to

634
00:32:38,200 --> 00:32:40,800
Speaker 1: keep him intimidated everyone, and again whenever we just walk

635
00:32:40,880 --> 00:32:44,600
Speaker 1: over and slap him in the face, which he took

636
00:32:44,880 --> 00:32:55,120
Speaker 1: very well, and you'd finish and like literally he was

637
00:32:55,160 --> 00:32:59,600
Speaker 1: about to drop down to go anyway, y'all. I'm hungry man.

638
00:33:02,800 --> 00:33:05,840
Speaker 1: Really isn't as much an impact on him. I'm a

639
00:33:05,920 --> 00:33:07,800
Speaker 1: monster man. Now, let's talk about this scene that that

640
00:33:07,880 --> 00:33:09,960
Speaker 1: I've seen that they released that now, I'm a father

641
00:33:10,080 --> 00:33:12,720
Speaker 1: five Charlemagne's a father of two girls, and this scene

642
00:33:12,880 --> 00:33:16,240
Speaker 1: was real close to my heart. This seems now the

643
00:33:16,320 --> 00:33:18,440
Speaker 1: reason I laugh about this scene because I tell everybody

644
00:33:18,480 --> 00:33:20,200
Speaker 1: all the time when my daughter goes on home first date,

645
00:33:20,240 --> 00:33:23,640
Speaker 1: I'm really gonna call fifty by the house. And I

646
00:33:23,680 --> 00:33:25,320
Speaker 1: talked about this scene a little film. I'm gonna gi

647
00:33:25,360 --> 00:33:27,680
Speaker 1: him that. Look, they understand that I don't understand, right,

648
00:33:30,240 --> 00:33:32,120
Speaker 1: I will, look, I will do it, my man, don't

649
00:33:32,160 --> 00:33:34,880
Speaker 1: do this to yourself, you know. Like that. But the

650
00:33:34,960 --> 00:33:37,320
Speaker 1: scene was interesting because I had, like I got five

651
00:33:37,440 --> 00:33:40,520
Speaker 1: kids in the actual film, Like I feel like I'm

652
00:33:40,600 --> 00:33:43,080
Speaker 1: hiding myself from plain sight, you know what I mean.

653
00:33:43,160 --> 00:33:46,640
Speaker 1: While my partner have been away for some time, locked up.

654
00:33:47,080 --> 00:33:51,000
Speaker 1: We robbed things in the past, but his attitude got

655
00:33:51,120 --> 00:33:54,520
Speaker 1: him incarcerated. It's not the kind of guy that leaves

656
00:33:54,960 --> 00:33:58,520
Speaker 1: the people he came with. Okay, somebody else's mistake, you know,

657
00:33:58,720 --> 00:34:01,240
Speaker 1: leads him to the joint and then My daughter is

658
00:34:01,720 --> 00:34:07,760
Speaker 1: sixteen years old, so sweet sixteen seen, like, yo, my

659
00:34:07,840 --> 00:34:10,560
Speaker 1: baby right there, I know what this movie is about.

660
00:34:11,840 --> 00:34:14,800
Speaker 1: He's like, but that this the sweet sixteen and and

661
00:34:14,880 --> 00:34:19,000
Speaker 1: the her date is like a little football star. And

662
00:34:19,160 --> 00:34:23,040
Speaker 1: because he comes from you know, the Los Angeles, he

663
00:34:23,200 --> 00:34:26,480
Speaker 1: got that power roof thing going on. I see it

664
00:34:26,560 --> 00:34:33,680
Speaker 1: in this Uh yeah, And I'm looking like because I

665
00:34:33,760 --> 00:34:36,600
Speaker 1: know exactly what it is. It's come in and talk

666
00:34:36,640 --> 00:34:38,480
Speaker 1: to you for a minute, you know, explained to you,

667
00:34:38,760 --> 00:34:41,000
Speaker 1: and then it's it's I just trying to say at

668
00:34:41,040 --> 00:34:44,080
Speaker 1: the point that you see, I see that like at sixteen,

669
00:34:44,120 --> 00:34:46,440
Speaker 1: you know, the difference when you when you start to

670
00:34:46,520 --> 00:34:49,360
Speaker 1: not be so cool because your daddy, and then like

671
00:34:49,640 --> 00:34:52,800
Speaker 1: because her social circles growing and she started to you know,

672
00:34:52,920 --> 00:34:54,840
Speaker 1: have her friends and following the trend of things that

673
00:34:54,880 --> 00:34:58,399
Speaker 1: they are deciding to light. And at that point, I'm

674
00:34:58,440 --> 00:35:01,560
Speaker 1: identifying with how having to have that conversation with him

675
00:35:02,000 --> 00:35:04,400
Speaker 1: instead of speaking to her, you know what I mean,

676
00:35:04,440 --> 00:35:06,480
Speaker 1: Because there's a point that you that you gotta do that,

677
00:35:07,120 --> 00:35:09,600
Speaker 1: you know, like and then this is me and you

678
00:35:09,800 --> 00:35:13,759
Speaker 1: talking with him instead of her, because she's going I

679
00:35:13,880 --> 00:35:15,879
Speaker 1: hate you and everything that we know that she would

680
00:35:15,920 --> 00:35:18,960
Speaker 1: be feeling that she can't express to you at that

681
00:35:19,040 --> 00:35:22,520
Speaker 1: point because she still sees you like when she was

682
00:35:22,600 --> 00:35:27,239
Speaker 1: like eight. You know what I'm saying, Like like all

683
00:35:27,280 --> 00:35:29,799
Speaker 1: of that, you're just working past that. The same was good.

684
00:35:29,920 --> 00:35:32,120
Speaker 1: It was so much to work, so many layers to it.

685
00:35:33,080 --> 00:35:35,759
Speaker 1: You know, it came off for you. Good. We need

686
00:35:35,840 --> 00:35:39,520
Speaker 1: a room full of big Hawaiians to walk that's the

687
00:35:39,680 --> 00:35:42,040
Speaker 1: end of the store. If you have a room full

688
00:35:42,080 --> 00:35:45,600
Speaker 1: of big Hawaiians to walk your your girlfriend's sixteen year

689
00:35:45,600 --> 00:35:48,440
Speaker 1: old dat into, then at them all end happening. All right,

690
00:35:48,480 --> 00:35:50,160
Speaker 1: we got more with the cast of Dinner Thieves. When

691
00:35:50,200 --> 00:35:52,040
Speaker 1: we come back, don't move. It's the breakfast club the

692
00:35:52,160 --> 00:35:56,759
Speaker 1: morning morning. Everybody is DJ Nzy Angela Yee. Charlemagne the guy.

693
00:35:56,800 --> 00:35:59,120
Speaker 1: We all the breakfast club. We have the cast of

694
00:35:59,200 --> 00:36:01,800
Speaker 1: Dinner Thieves in the building. Charlemagne. That fifth, when you

695
00:36:02,080 --> 00:36:06,640
Speaker 1: continuously called Puff gay that in Hollywood, I don't call no,

696
00:36:06,719 --> 00:36:08,439
Speaker 1: I don't call I don't call him gay. I said,

697
00:36:08,960 --> 00:36:12,080
Speaker 1: let me read, let me read everything. Sorry, I can

698
00:36:12,120 --> 00:36:14,520
Speaker 1: no longer help you guys. Soon you will all be

699
00:36:14,680 --> 00:36:17,480
Speaker 1: gay and happy. You are all now left under leadership

700
00:36:17,480 --> 00:36:20,239
Speaker 1: of Puffy Daddy. Report to the Nearest Rainbow, then the

701
00:36:20,320 --> 00:36:35,799
Speaker 1: Thieves and petis jail No No, I part a reason. Listen, listen,

702
00:36:36,239 --> 00:36:38,920
Speaker 1: I'm on saying that because of what's his name? Interview

703
00:36:39,840 --> 00:36:42,480
Speaker 1: the Champion and he go when they do what are

704
00:36:42,480 --> 00:36:44,640
Speaker 1: you doing? He says things he doesn't even know what

705
00:36:44,800 --> 00:36:47,719
Speaker 1: he's saying, is like fruity, you know what I'm saying.

706
00:36:48,040 --> 00:36:51,320
Speaker 1: He says something fabulous and he gonna Yo, no, no,

707
00:36:51,600 --> 00:36:53,960
Speaker 1: but me and you win? Party like we need to party.

708
00:36:55,239 --> 00:36:57,800
Speaker 1: What are you talking about? What are you talking about?

709
00:37:00,280 --> 00:37:02,799
Speaker 1: Did say that to me? I get a little uncomfortable.

710
00:37:03,600 --> 00:37:05,600
Speaker 1: I get uncomfortable, like he said. He says something to

711
00:37:05,680 --> 00:37:08,680
Speaker 1: me one time a long time ago at Chris Nidy's wedding,

712
00:37:08,960 --> 00:37:11,400
Speaker 1: he told me to take me shopping. I looked at him, like,

713
00:37:11,440 --> 00:37:15,560
Speaker 1: what what you just saying? Let me move, man, before

714
00:37:15,560 --> 00:37:17,440
Speaker 1: I do something. You're gonna make me invest up the wooden.

715
00:37:17,719 --> 00:37:19,840
Speaker 1: Oh that's a nice gesture. Let me get out of

716
00:37:19,920 --> 00:37:23,960
Speaker 1: no dude to take test with a contest through did

717
00:37:24,080 --> 00:37:29,920
Speaker 1: not go decade. I remember when you say I've been

718
00:37:30,000 --> 00:37:35,320
Speaker 1: saying this, I've been saying that you've been when you

719
00:37:35,440 --> 00:37:37,840
Speaker 1: see when you see you see Jay kids put his

720
00:37:37,920 --> 00:37:42,239
Speaker 1: head down like while we stuck here right now and

721
00:37:42,360 --> 00:37:45,480
Speaker 1: the cameras roll everybody see. Don't to make like it's

722
00:37:45,520 --> 00:37:49,080
Speaker 1: just me man, let me do some a little fluffy stuff. Now,

723
00:37:49,160 --> 00:37:52,600
Speaker 1: you guys are hip hop beef. Okay, I hain't got

724
00:37:52,640 --> 00:37:57,719
Speaker 1: nothing to do with this about what do you want

725
00:37:57,760 --> 00:38:00,799
Speaker 1: to do with fabulous? That's nothing to do with draw

726
00:38:10,400 --> 00:38:16,080
Speaker 1: belt fabulous, dwelt fabulous. So well, it depends if you,

727
00:38:19,560 --> 00:38:22,000
Speaker 1: but doesn't never affect your relationship from Hollywood and like

728
00:38:22,080 --> 00:38:25,840
Speaker 1: fifth Stop, you know, gay bash, it doesn't constino that.

729
00:38:26,000 --> 00:38:29,399
Speaker 1: I'm just I'm poking at what he's saying. And plus

730
00:38:29,480 --> 00:38:32,080
Speaker 1: I'm a rapper. Don't give me mogul because when you

731
00:38:32,160 --> 00:38:35,320
Speaker 1: get mogul, you get in trouble. I'm not even like

732
00:38:36,560 --> 00:38:38,520
Speaker 1: I kind of people know what comes with fifty like

733
00:38:38,600 --> 00:38:41,080
Speaker 1: they kind of know what comes with you. It's been

734
00:38:41,239 --> 00:38:43,399
Speaker 1: very consistent, so you can't come to me and say,

735
00:38:43,719 --> 00:38:45,719
Speaker 1: why did you say this when I've been saying this

736
00:38:45,960 --> 00:38:51,320
Speaker 1: the entire time. Yeah times, I said. Now, let me

737
00:38:51,360 --> 00:38:53,399
Speaker 1: ask you guys this, when you finished filming for the day,

738
00:38:53,520 --> 00:38:55,480
Speaker 1: how long does it take to come down out of

739
00:38:55,520 --> 00:38:58,240
Speaker 1: your character? Because I'm sure sometimes you get into character

740
00:38:58,680 --> 00:39:06,440
Speaker 1: and you're probably feeling really angry and you know, so

741
00:39:14,880 --> 00:39:16,759
Speaker 1: you know, but a lot of the times, it's, uh,

742
00:39:16,920 --> 00:39:19,719
Speaker 1: it definitely, for sure, it is a difficult process, you

743
00:39:19,800 --> 00:39:22,040
Speaker 1: know because even when you go back to the to

744
00:39:22,160 --> 00:39:24,799
Speaker 1: the hotel and you're reading the scenes for the next day,

745
00:39:25,120 --> 00:39:27,160
Speaker 1: you know, you still got to stay in that mindset. So,

746
00:39:27,840 --> 00:39:30,239
Speaker 1: you know, a lot of the times when I'm home

747
00:39:30,400 --> 00:39:33,440
Speaker 1: from a film, I mean like a week or two

748
00:39:33,520 --> 00:39:36,800
Speaker 1: to get it off me, to get to the waking

749
00:39:36,920 --> 00:39:39,040
Speaker 1: up early, to be a set and and all those

750
00:39:39,160 --> 00:39:41,760
Speaker 1: things like that to get that offer. So it's probably

751
00:39:41,840 --> 00:39:44,360
Speaker 1: until the next film, until I got rid of Donnie,

752
00:39:44,480 --> 00:39:46,360
Speaker 1: you know, until I got that that that off me.

753
00:39:46,560 --> 00:39:49,520
Speaker 1: So it's it's it's definitely a process. It can be exhausted.

754
00:39:49,640 --> 00:39:52,320
Speaker 1: But everybody up here is a professional whip. When you

755
00:39:52,320 --> 00:39:53,959
Speaker 1: go back to the hotel, you go by yourself, because

756
00:39:53,960 --> 00:39:59,320
Speaker 1: I heard you smashing every chick in Hollywood heard this,

757
00:39:59,440 --> 00:40:04,799
Speaker 1: all right, Look, you mean, Bronte, A lot of times,

758
00:40:04,840 --> 00:40:06,359
Speaker 1: if I gotta get up early, you know, I gotta

759
00:40:06,400 --> 00:40:08,320
Speaker 1: get up early. I can't be going I gotta go

760
00:40:08,400 --> 00:40:15,000
Speaker 1: by myself and smashing the company. Butler said that when

761
00:40:15,000 --> 00:40:17,880
Speaker 1: the movie comes out January nineteenth, and we appreciate you

762
00:40:18,000 --> 00:40:20,080
Speaker 1: guys for joining us. Thing we got. I want to

763
00:40:20,080 --> 00:40:22,839
Speaker 1: I want to know about Optimom dropping Stars man. Yeah,

764
00:40:24,360 --> 00:40:27,400
Speaker 1: for the past week, they're just renegotiating and trying to

765
00:40:27,480 --> 00:40:29,719
Speaker 1: get you know, get it together before I start telling

766
00:40:29,760 --> 00:40:37,680
Speaker 1: people to just switch. Okay, I was on the phone.

767
00:40:38,200 --> 00:40:40,160
Speaker 1: I was on the phone. I called optim because I

768
00:40:40,200 --> 00:40:43,440
Speaker 1: couldn't believe it. I actually have a cable box ot.

769
00:40:43,920 --> 00:40:46,279
Speaker 1: I call them and I'm like, I don't want this

770
00:40:46,440 --> 00:40:49,239
Speaker 1: no more. Take this in the box back wherever you

771
00:40:49,320 --> 00:40:51,319
Speaker 1: want to put it, because it don't show me something,

772
00:40:51,400 --> 00:40:55,080
Speaker 1: don't my TV show? Yeah, And then I'm like, well,

773
00:40:55,120 --> 00:40:57,680
Speaker 1: I'm on the phone for like thirty minutes almost to

774
00:40:57,800 --> 00:40:59,680
Speaker 1: get this. It's like a pre tape thing that comes

775
00:40:59,760 --> 00:41:02,440
Speaker 1: on the expecting it and then it just just waiting.

776
00:41:02,480 --> 00:41:04,759
Speaker 1: You're sitting it waiting. You're waiting. You're waiting, man, I

777
00:41:05,080 --> 00:41:07,400
Speaker 1: don't want to change. I'm telling everybody move to Direct

778
00:41:07,440 --> 00:41:10,520
Speaker 1: TV if they don't have fixed the deal. Put me

779
00:41:10,600 --> 00:41:15,719
Speaker 1: on power Man, Put me on Power Man. We need

780
00:41:20,480 --> 00:41:23,160
Speaker 1: what's good. That's what I needed to hear. Give me

781
00:41:23,239 --> 00:41:28,160
Speaker 1: an American gods on Stars. Got me read the book

782
00:41:28,239 --> 00:41:35,120
Speaker 1: by Neil Gaming back the cast and then the thieves

783
00:41:35,160 --> 00:41:36,600
Speaker 1: that still come out of questions. You got to come

784
00:41:36,680 --> 00:41:39,120
Speaker 1: up with a boy yourself, O shake one day. I'm waiting, man,

785
00:41:39,200 --> 00:41:49,160
Speaker 1: as long as I get to kill Tom and all right,

786
00:41:49,200 --> 00:41:51,319
Speaker 1: it's the Breakfast Club. It's the cast and then the thieves.

787
00:41:51,360 --> 00:41:55,320
Speaker 1: Thank you, guys, Thank you guys, Thank you the Breakfast

788
00:41:55,400 --> 00:42:01,360
Speaker 1: Club wanting everybody is DJ N v Angela Ye Charlomagne,

789
00:42:01,360 --> 00:42:03,879
Speaker 1: the God We all the Breakfast Club. Shout to the Cast,

790
00:42:03,960 --> 00:42:07,000
Speaker 1: I dinner Thieves for joining us. Yes, fifty cent dried

791
00:42:07,120 --> 00:42:10,080
Speaker 1: butler point stash from Argins, The New Black, Pablo Shriver,

792
00:42:10,400 --> 00:42:13,759
Speaker 1: come Sha Jackson Junior. Now let see looks dope though. Yeah,

793
00:42:13,760 --> 00:42:15,120
Speaker 1: I'm gonna go check it out. I actually gonna go

794
00:42:15,160 --> 00:42:16,520
Speaker 1: see it tonight. I think they have like a little

795
00:42:16,560 --> 00:42:18,040
Speaker 1: screening today. I'm gonna check it out. When you got

796
00:42:18,160 --> 00:42:21,520
Speaker 1: a loaded cast like that, the movie better deliver better

797
00:42:21,600 --> 00:42:27,239
Speaker 1: what delivered. I wasn't committed to that set. I wasn't

798
00:42:27,239 --> 00:42:30,319
Speaker 1: committed to it. I guy gave up before I said delivered. Well,

799
00:42:30,400 --> 00:42:34,480
Speaker 1: let's get to the rumors. Let's talk chloroseptic. Listen, it's

800
00:42:34,600 --> 00:42:44,399
Speaker 1: just oh gosh, reports, it's the rum report. Breakfast Club. Well, well, well,

801
00:42:44,520 --> 00:42:49,120
Speaker 1: Eminem put out the Chlorosceptic Remix yesterday, and this is

802
00:42:49,160 --> 00:42:51,080
Speaker 1: the version that does have two chains on it. If

803
00:42:51,120 --> 00:42:53,760
Speaker 1: you remember, two chains got left off of the original

804
00:42:53,880 --> 00:42:57,440
Speaker 1: version that's on the revival album. Here is two chains

805
00:42:57,480 --> 00:43:00,480
Speaker 1: part take them to church. I'm talking to I'm a knack.

806
00:43:00,760 --> 00:43:03,319
Speaker 1: It's the return of the body snatch walking the spot man,

807
00:43:03,360 --> 00:43:06,680
Speaker 1: my woman smack who in a fruit fighting? I aim

808
00:43:06,719 --> 00:43:08,680
Speaker 1: with your Adam Sappram pull up, be in the candy

809
00:43:08,760 --> 00:43:11,520
Speaker 1: car eating the candy. Bart McGirt in the candy ever, Yo,

810
00:43:12,040 --> 00:43:14,319
Speaker 1: a lot of the ass all I aim with their goose.

811
00:43:14,880 --> 00:43:17,040
Speaker 1: All of these stones on my neck. They must have

812
00:43:17,080 --> 00:43:20,120
Speaker 1: lifted Medusa pocket with Pus. Of course, I just rammed

813
00:43:20,120 --> 00:43:23,040
Speaker 1: the part I'm supplin with Paul. I had been before.

814
00:43:23,280 --> 00:43:25,239
Speaker 1: This is the same for Paul. This is the murder

815
00:43:25,360 --> 00:43:28,160
Speaker 1: Murder Patter Burner and your mother's shoulder done the afternoon,

816
00:43:28,600 --> 00:43:30,560
Speaker 1: Big Buddy win them back and then a lot of

817
00:43:30,640 --> 00:43:32,279
Speaker 1: duddy got a bunch of budding to get back and

818
00:43:32,320 --> 00:43:35,360
Speaker 1: they're getting the human track again, all right. Also fresher,

819
00:43:35,480 --> 00:43:37,400
Speaker 1: of course, because he's on the original is also on

820
00:43:37,520 --> 00:43:41,040
Speaker 1: the remix. And here's the freshest part. You mean your family,

821
00:43:41,040 --> 00:43:43,360
Speaker 1: don't do me no, just got there. They don't want this.

822
00:43:43,680 --> 00:43:47,160
Speaker 1: Didn't you do it a little? They shot out the wood,

823
00:43:47,200 --> 00:43:51,120
Speaker 1: they pay in the say hard in my head, Bobby,

824
00:43:51,200 --> 00:43:54,960
Speaker 1: my neighbor, that's a girl. The potatoes you m If

825
00:43:55,040 --> 00:43:59,000
Speaker 1: you don't think you're tell say okay, rip the wind?

826
00:43:59,080 --> 00:44:10,480
Speaker 1: I just you ever free tracks fresher, Okay, fresher not mad.

827
00:44:11,480 --> 00:44:14,440
Speaker 1: Now let's get into Eminem's versus. It looks like he's

828
00:44:14,480 --> 00:44:17,399
Speaker 1: been paying attention to what certain people have to say.

829
00:44:17,719 --> 00:44:20,120
Speaker 1: Why can't you be like mad Glamore? Why you always

830
00:44:20,160 --> 00:44:23,000
Speaker 1: gotta smack a horn? It's likely the psychiatric boards a

831
00:44:23,120 --> 00:44:26,040
Speaker 1: last restort. Something's gotta give dance for sure, Yet you

832
00:44:26,160 --> 00:44:28,600
Speaker 1: keep coming back for more. Not as raw as I was,

833
00:44:28,680 --> 00:44:31,520
Speaker 1: walk on water, sucks pit, suckingbody, getting cops on the

834
00:44:31,600 --> 00:44:33,360
Speaker 1: track listings. Had it fit before you heard it? So

835
00:44:33,440 --> 00:44:35,680
Speaker 1: you formed your verdict what you said with your arms cross,

836
00:44:35,760 --> 00:44:37,960
Speaker 1: did your little reaction videos and talked over the song

837
00:44:38,040 --> 00:44:42,640
Speaker 1: shown talk saying I lost it, amrvel but no days

838
00:44:42,680 --> 00:44:45,400
Speaker 1: to be glow ify catn sound the same? How to

839
00:44:45,560 --> 00:44:49,920
Speaker 1: cake hydrawn inspiration? How to cake well? Eminem absolutely smoked

840
00:44:49,920 --> 00:44:52,520
Speaker 1: to chloric sceptergree mix, but walk on Water was whacked

841
00:44:52,800 --> 00:44:55,120
Speaker 1: and the revival album is me Greg, I like walk

842
00:44:55,200 --> 00:44:57,040
Speaker 1: on Whatever? Are you done? Yes? I do, I'm kind

843
00:44:57,520 --> 00:45:00,640
Speaker 1: I definitely like like walk on Water. I don't really

844
00:45:00,719 --> 00:45:03,120
Speaker 1: let it. I mean, that wasn't for me. I thought

845
00:45:03,120 --> 00:45:04,719
Speaker 1: I thought that was just a radio record. But I

846
00:45:04,840 --> 00:45:06,680
Speaker 1: did like the Chloroceptic he killed the Clarion killed that.

847
00:45:06,760 --> 00:45:09,440
Speaker 1: But artists subjective though, like everything's not gonna like every

848
00:45:09,560 --> 00:45:11,960
Speaker 1: you do. Everybody's not gonna like everything and everything. But

849
00:45:12,360 --> 00:45:13,879
Speaker 1: I thought walk on the Water was wack. I thought

850
00:45:13,920 --> 00:45:15,600
Speaker 1: the revival album was weak. I do like the song

851
00:45:15,680 --> 00:45:18,799
Speaker 1: with Alicia Keys, but Eminem absolutely smoked that Chloroceptic reema.

852
00:45:18,960 --> 00:45:21,680
Speaker 1: Now it looks like he's talking about Joe Button on

853
00:45:21,800 --> 00:45:26,320
Speaker 1: the song in particular. Here's another Eminem part of Chloroseptic remix.

854
00:45:26,640 --> 00:45:28,840
Speaker 1: How many rats did our coo just spelled out, but

855
00:45:28,880 --> 00:45:30,600
Speaker 1: you're gonna admit out smokes and you was spelled dound

856
00:45:30,680 --> 00:45:32,560
Speaker 1: helpdound in my smoke suit. But in my slops to

857
00:45:32,719 --> 00:45:34,520
Speaker 1: it sound like everything else out because I don't keep

858
00:45:34,560 --> 00:45:36,319
Speaker 1: comparing to it only myself now when I can see

859
00:45:36,320 --> 00:45:37,680
Speaker 1: the fan with the fans and fell down but the

860
00:45:37,719 --> 00:45:39,279
Speaker 1: only way I care is if I let myself down.

861
00:45:39,320 --> 00:45:41,480
Speaker 1: But what have I vokes? Time to eat the vocals

862
00:45:41,520 --> 00:45:43,239
Speaker 1: in the shout pross. I know you still want me

863
00:45:43,280 --> 00:45:44,799
Speaker 1: to kill out thoats you hope, and the old slam

864
00:45:44,880 --> 00:45:46,680
Speaker 1: is gonna still out open fire on your whole camp

865
00:45:46,719 --> 00:45:48,319
Speaker 1: with the spit out roast too, So chill out. Note

866
00:45:48,320 --> 00:45:50,200
Speaker 1: your host putting roast meat with this shit out, wrote you.

867
00:45:50,400 --> 00:45:51,880
Speaker 1: Then I took a stand when the tan face and

868
00:45:51,920 --> 00:45:53,960
Speaker 1: practically come on some other fan base in half and

869
00:45:54,000 --> 00:45:56,319
Speaker 1: still I'm sold you. You just called not just trash,

870
00:45:56,400 --> 00:45:58,040
Speaker 1: thank God, a rap better when the odds of Stack

871
00:45:58,120 --> 00:46:00,160
Speaker 1: Revival whack. I don't like the Fombi track when he's

872
00:46:00,160 --> 00:46:02,759
Speaker 1: talking that garbage psycholocrat, what's the continent? What's what all

873
00:46:02,760 --> 00:46:08,399
Speaker 1: the conscious? Now? I was gonna say, well, we talked

874
00:46:08,440 --> 00:46:10,560
Speaker 1: about critiquing his album with his arms crossed like he

875
00:46:10,640 --> 00:46:12,600
Speaker 1: was talking about him on every Day Struggle. But Bizarre

876
00:46:13,120 --> 00:46:15,640
Speaker 1: and Joe Button had a back and forth on social media,

877
00:46:16,239 --> 00:46:18,600
Speaker 1: and Bizarre said, make sure you keep that same energy

878
00:46:18,680 --> 00:46:21,040
Speaker 1: at Joe Button. Don't get quiet now, eff and clown.

879
00:46:21,520 --> 00:46:23,399
Speaker 1: And this was why somebody got to be a clown,

880
00:46:23,400 --> 00:46:26,359
Speaker 1: because they critique in music though, and then Bizarre said,

881
00:46:26,360 --> 00:46:28,120
Speaker 1: it's a problem because you don't like the content. Where

882
00:46:28,160 --> 00:46:30,279
Speaker 1: the jokes and what Now you shouldn't have dismbed now

883
00:46:30,360 --> 00:46:33,880
Speaker 1: you should apologize now. Joe Button said, biz, I love you.

884
00:46:33,960 --> 00:46:35,800
Speaker 1: I will also beat the dog ish out of you

885
00:46:35,960 --> 00:46:39,560
Speaker 1: in Detroit. Joe didn't say that, and then yes he

886
00:46:39,640 --> 00:46:42,840
Speaker 1: did he did, and uh yeah, and Bizarre said this

887
00:46:43,400 --> 00:46:47,719
Speaker 1: this this disloyal bitch ass and where Joe Button talking

888
00:46:47,800 --> 00:46:49,520
Speaker 1: is we should never let you come around the squad.

889
00:46:49,520 --> 00:46:51,440
Speaker 1: We should have let swift punch y'all ask when he

890
00:46:51,480 --> 00:46:53,719
Speaker 1: had the chance. Why is he disloyal though? Because he's

891
00:46:53,760 --> 00:46:56,080
Speaker 1: critiquing music. Isn't that's what you want? He said? Never

892
00:46:56,160 --> 00:46:58,640
Speaker 1: bite the hand that feed you. I never like you anyway, chump,

893
00:46:58,719 --> 00:47:01,279
Speaker 1: Come on, man and crazy, how could I be down?

894
00:47:01,360 --> 00:47:03,520
Speaker 1: I remember that y'all want a bunch of yes men

895
00:47:03,560 --> 00:47:05,479
Speaker 1: around y'all? Shouldn't you if you if you had people

896
00:47:05,560 --> 00:47:07,360
Speaker 1: in the studio with you that actually told you that

897
00:47:07,440 --> 00:47:09,239
Speaker 1: the music sucked while you was doing it them and

898
00:47:09,280 --> 00:47:11,160
Speaker 1: you wouldn't have put out in music that sucked. See.

899
00:47:11,200 --> 00:47:13,040
Speaker 1: But this's the thing though, since and I kind of

900
00:47:13,080 --> 00:47:15,080
Speaker 1: get it right, and I agree with you if if

901
00:47:15,320 --> 00:47:17,160
Speaker 1: if Joe wanted to say he didn't like the album

902
00:47:17,320 --> 00:47:18,600
Speaker 1: or there was a problem with him, you should have

903
00:47:18,600 --> 00:47:23,480
Speaker 1: called him directly. Why, that's his job. That's God, that's

904
00:47:23,520 --> 00:47:25,480
Speaker 1: his man. That's just people. If you like, if I

905
00:47:25,680 --> 00:47:27,680
Speaker 1: like something that you do, right, I'm gonna call you

906
00:47:27,760 --> 00:47:33,600
Speaker 1: blake on the radio with it. Yeah, I'm so am

907
00:47:33,640 --> 00:47:35,840
Speaker 1: I And guess what, whether y'all like it or not.

908
00:47:35,960 --> 00:47:37,880
Speaker 1: Joe Budden is a media guy now, so when you're

909
00:47:37,920 --> 00:47:40,239
Speaker 1: a media guy, you have to speak about things that

910
00:47:40,280 --> 00:47:43,400
Speaker 1: are going on in the media, talking to call them first. No,

911
00:47:43,640 --> 00:47:49,759
Speaker 1: that's his God, have a conversations. No, that's not That's

912
00:47:49,800 --> 00:47:52,200
Speaker 1: why so much garbage comes out, and that's why your

913
00:47:52,239 --> 00:47:55,560
Speaker 1: people got all These people have real relationships with people,

914
00:47:55,680 --> 00:47:58,400
Speaker 1: and sometimes ratings matter more to people than real relationships.

915
00:47:58,400 --> 00:48:00,279
Speaker 1: I don't care about the relationships. I don't have any.

916
00:48:00,400 --> 00:48:02,120
Speaker 1: And that's why. And you know why, because you have

917
00:48:02,200 --> 00:48:04,120
Speaker 1: to be of the people or of the industry. And

918
00:48:04,120 --> 00:48:05,800
Speaker 1: when you're of the people, you are going to always

919
00:48:05,920 --> 00:48:09,120
Speaker 1: speak the way that regular people speak. Certain people don't

920
00:48:09,200 --> 00:48:11,440
Speaker 1: want I don't want to that you won't say bad

921
00:48:11,480 --> 00:48:14,799
Speaker 1: things about just because tell me they gave you an

922
00:48:14,840 --> 00:48:17,520
Speaker 1: opportunity that you won't go in on and tell all

923
00:48:17,560 --> 00:48:21,200
Speaker 1: the truth. Tell me who I already know for a fact,

924
00:48:21,320 --> 00:48:24,560
Speaker 1: who these people I would like to know when you

925
00:48:24,640 --> 00:48:27,440
Speaker 1: talk about when you talk about negative about winning, Yes

926
00:48:27,680 --> 00:48:31,719
Speaker 1: I have not like you would if it was somebody else. Oh,

927
00:48:31,960 --> 00:48:34,680
Speaker 1: I need to know anyway, Angela. And that's your everyone report.

928
00:48:36,000 --> 00:48:37,600
Speaker 1: You got to be of the industry of the people,

929
00:48:37,719 --> 00:48:39,400
Speaker 1: because when you're of the industry, you're gonna be like this,

930
00:48:39,520 --> 00:48:42,520
Speaker 1: compromising yourself and your opinions for what it's just music.

931
00:48:43,239 --> 00:48:45,520
Speaker 1: It is, it's just music. But if that's your guy,

932
00:48:45,640 --> 00:48:47,759
Speaker 1: give me a call stop it. I mean, maybe you did.

933
00:48:47,840 --> 00:48:53,040
Speaker 1: I don't know anyway, who are giving a down Everyone

934
00:48:53,080 --> 00:48:55,920
Speaker 1: who is attempting to label genuine is transphobic. They need

935
00:48:56,000 --> 00:48:57,440
Speaker 1: to come to the front of the carrugation. We like

936
00:48:57,520 --> 00:48:59,759
Speaker 1: to have a word with them police. All right, we'll

937
00:48:59,800 --> 00:49:02,080
Speaker 1: tell about this when we come back. Donkey. Today's up next.

938
00:49:02,120 --> 00:49:08,120
Speaker 1: It's the Breakfast Club. Good morning, Donkey. At times you

939
00:49:08,280 --> 00:49:19,560
Speaker 1: get dunky, you are adject I'm gonna fatten all that around.

940
00:49:19,600 --> 00:49:22,719
Speaker 1: Your want this man to Stoton blowers. Man they're waiting for.

941
00:49:22,800 --> 00:49:26,680
Speaker 1: Charlemagne had to make a judgment. Who was gonna be

942
00:49:26,760 --> 00:49:29,560
Speaker 1: on the Donkey of the day. They chose you because

943
00:49:29,600 --> 00:49:34,200
Speaker 1: the breakfast club bitches us donkey of the day to day. Yes,

944
00:49:34,360 --> 00:49:37,279
Speaker 1: donkey today for Tuesday January. Knife goes to everyone who

945
00:49:37,320 --> 00:49:41,080
Speaker 1: was attempting the label Genuine is transphobic because he rejected

946
00:49:41,120 --> 00:49:45,080
Speaker 1: the advances of celebrity Big Brother star India Willoby Now,

947
00:49:45,200 --> 00:49:48,240
Speaker 1: I was reading an article on pink News. The headline

948
00:49:48,320 --> 00:49:51,680
Speaker 1: is cbb's India, will it be branded a victim after

949
00:49:51,760 --> 00:49:54,680
Speaker 1: being rejected by Genuine Now. Pink News is based out

950
00:49:54,760 --> 00:49:57,320
Speaker 1: of the UK, and one line in the article says,

951
00:49:57,600 --> 00:50:00,920
Speaker 1: speaking to the rapper, will it be asked, would you

952
00:50:01,000 --> 00:50:03,719
Speaker 1: go out with a transsexual woman? First of all, Pink News,

953
00:50:03,840 --> 00:50:07,200
Speaker 1: every black musician in America is not a rapper, okay. Genuine,

954
00:50:07,239 --> 00:50:09,600
Speaker 1: along with Timberland, is the architect of the fat white

955
00:50:09,640 --> 00:50:12,160
Speaker 1: woman's national anthem, pony trop on a clude bombs for

956
00:50:12,200 --> 00:50:14,759
Speaker 1: genuine and dammit. Okay, he is an R and B

957
00:50:14,880 --> 00:50:17,200
Speaker 1: singer and he will be respected as such. Knock it off.

958
00:50:17,560 --> 00:50:20,560
Speaker 1: Now back to the matter at hand, India Willoughby asked Genuine,

959
00:50:20,600 --> 00:50:23,120
Speaker 1: would you go out with a transsexual woman? Honest question

960
00:50:23,520 --> 00:50:26,279
Speaker 1: led to a nice, healthy conversation. In fact, let's listen

961
00:50:26,360 --> 00:50:28,120
Speaker 1: to some of the conversation and listen to where it

962
00:50:28,160 --> 00:50:30,239
Speaker 1: went left. Let's throw the celebrity big brother to hear

963
00:50:30,280 --> 00:50:32,799
Speaker 1: what happened it. Would you go out with a transsexual woman?

964
00:50:33,040 --> 00:50:36,600
Speaker 1: I know? Personality? For me? Is this? I mean say

965
00:50:36,680 --> 00:50:38,600
Speaker 1: for me this is this is the problem because I

966
00:50:38,680 --> 00:50:41,320
Speaker 1: think I feel that a lot of guys would not

967
00:50:41,440 --> 00:50:44,200
Speaker 1: go out with somebody like me, normal woman because the

968
00:50:44,400 --> 00:50:46,840
Speaker 1: same I think that we live in such a binary

969
00:50:46,880 --> 00:50:50,040
Speaker 1: world where people think there's two options of gay and straight.

970
00:50:54,719 --> 00:50:58,200
Speaker 1: I'm gay, and I think that's why these conversations are important.

971
00:50:58,280 --> 00:50:59,920
Speaker 1: And then I believe it's your choice too, Like I

972
00:51:00,239 --> 00:51:02,759
Speaker 1: would choose not to like that. Don't make me like

973
00:51:03,400 --> 00:51:06,880
Speaker 1: you would he would go out with another woman? Would

974
00:51:07,160 --> 00:51:08,879
Speaker 1: a woman? You would go out with a woman, Yes,

975
00:51:08,960 --> 00:51:11,279
Speaker 1: of course, But you would go with a transction woman? No,

976
00:51:11,719 --> 00:51:14,719
Speaker 1: I'm a woman, right to get about any teas or

977
00:51:14,760 --> 00:51:16,760
Speaker 1: anything in front of it. I'm just a woman, Okay,

978
00:51:17,080 --> 00:51:19,400
Speaker 1: So on that score, you would date me, wouldn't you not?

979
00:51:19,520 --> 00:51:21,440
Speaker 1: If you're telling me he was No, No, I'm not

980
00:51:21,520 --> 00:51:30,279
Speaker 1: telling you I'm trans a woman. Yeah, I think all

981
00:51:30,360 --> 00:51:33,360
Speaker 1: the unspoken things that you can read into both those

982
00:51:33,560 --> 00:51:38,840
Speaker 1: responses that come illustrate my case one hundred percent. Now

983
00:51:38,920 --> 00:51:41,200
Speaker 1: here's the thing. Genuine is getting all kinds of backlash,

984
00:51:41,280 --> 00:51:43,640
Speaker 1: people calling him transphobic. I don't think he was being

985
00:51:43,680 --> 00:51:46,359
Speaker 1: transphobic at all. If a black woman says I don't

986
00:51:46,440 --> 00:51:49,279
Speaker 1: date white men, does it make her prejudice? No, it

987
00:51:49,400 --> 00:51:51,879
Speaker 1: means you have the preference. Hell me, Charlemagne the God.

988
00:51:52,040 --> 00:51:54,800
Speaker 1: I've been hit on by gay men and rejected their advances.

989
00:51:54,920 --> 00:51:58,680
Speaker 1: Does that make me homophobic? No? It makes me married. Now.

990
00:51:58,719 --> 00:52:01,080
Speaker 1: I know what you're thinking, Well, if you weren't married, man,

991
00:52:01,080 --> 00:52:03,839
Speaker 1: would you give a gay guy a shot? Probably not, Okay,

992
00:52:03,880 --> 00:52:06,080
Speaker 1: we probably would still reject the advance. I just don't

993
00:52:06,120 --> 00:52:07,880
Speaker 1: see what a man could say to me to get

994
00:52:07,960 --> 00:52:10,120
Speaker 1: me up out of my box of brief brief, Okay,

995
00:52:10,120 --> 00:52:12,400
Speaker 1: all right, I just haven't heard the right words. All right,

996
00:52:12,719 --> 00:52:14,880
Speaker 1: all right, A little slick talking player hasn't pulled up

997
00:52:14,880 --> 00:52:16,400
Speaker 1: on me with the right game yet to get me

998
00:52:16,480 --> 00:52:18,360
Speaker 1: out of these sides. Thirty four fruited a little, so

999
00:52:18,440 --> 00:52:21,800
Speaker 1: you're not counting out now. I'm married. Now. The problem

1000
00:52:21,920 --> 00:52:23,960
Speaker 1: I have with this whole situation has nothing to do

1001
00:52:24,080 --> 00:52:26,759
Speaker 1: with India. Will it be being transsexual. In fact, I

1002
00:52:26,840 --> 00:52:28,600
Speaker 1: thought it was a healthy dialogue, and I think you

1003
00:52:28,600 --> 00:52:30,759
Speaker 1: should have those type of conversations with people who are

1004
00:52:30,840 --> 00:52:33,320
Speaker 1: different from you. That's actually what I live for. But

1005
00:52:33,440 --> 00:52:35,560
Speaker 1: the problem I have is at the end of this clip,

1006
00:52:35,840 --> 00:52:38,040
Speaker 1: when India will it Be tries to put her arms

1007
00:52:38,080 --> 00:52:40,520
Speaker 1: around Genuine and ask Genuine to give her a kiss.

1008
00:52:40,560 --> 00:52:42,719
Speaker 1: Let me hear just that part you would date man,

1009
00:52:43,440 --> 00:52:45,840
Speaker 1: not if you're telling me no, no, I'm not telling you.

1010
00:52:45,920 --> 00:52:55,319
Speaker 1: I'm trying to woman. Now, we are in the midst

1011
00:52:55,360 --> 00:52:58,439
Speaker 1: of a cultural revolution with times Up, Me Too. Women

1012
00:52:58,480 --> 00:53:02,719
Speaker 1: are rebelling against sexual sexual harassment, unwanted sexual advances in

1013
00:53:02,800 --> 00:53:05,400
Speaker 1: the workplace. Now, what I saw in this video was

1014
00:53:05,440 --> 00:53:07,600
Speaker 1: a man and a woman at work having a conversation,

1015
00:53:07,840 --> 00:53:10,399
Speaker 1: and then the conversation took in an inappropriate turn. Because

1016
00:53:10,480 --> 00:53:13,600
Speaker 1: India will be made an unwanted sexual advance towards Genuine,

1017
00:53:13,840 --> 00:53:17,480
Speaker 1: Let's switch the roles. What would the conversation be if

1018
00:53:17,600 --> 00:53:20,600
Speaker 1: Genuine mid conversation, tried to put his arms around a woman,

1019
00:53:20,920 --> 00:53:23,200
Speaker 1: tried to kiss her, and then when he was rejected,

1020
00:53:23,280 --> 00:53:25,479
Speaker 1: tried to shame said woman and make the woman feel

1021
00:53:25,520 --> 00:53:28,080
Speaker 1: bad for rejecting her. What if what if the optics

1022
00:53:28,120 --> 00:53:30,439
Speaker 1: were different. Okay, I thought that's what we were trying

1023
00:53:30,480 --> 00:53:32,840
Speaker 1: to eliminate all across the board. Is that not the

1024
00:53:32,960 --> 00:53:35,400
Speaker 1: reason people are wearing black as a show of solidarity

1025
00:53:35,560 --> 00:53:38,280
Speaker 1: against that kind of behavior. I don't care what gender

1026
00:53:38,320 --> 00:53:40,400
Speaker 1: a person is. Right is right, wrong is wrong. You

1027
00:53:40,440 --> 00:53:42,480
Speaker 1: can't go around trying to kiss on whoever you want,

1028
00:53:42,719 --> 00:53:46,040
Speaker 1: whenever you want, regardless of what your gender is. Period.

1029
00:53:46,280 --> 00:53:49,960
Speaker 1: Was genuine not being sexually harassed on TV? Was genuine

1030
00:53:50,040 --> 00:53:52,800
Speaker 1: not being sexually assaulted on TV? Yes? He was. And

1031
00:53:52,880 --> 00:53:54,920
Speaker 1: if someone tries to hug you and kiss you and

1032
00:53:55,000 --> 00:53:56,759
Speaker 1: you don't want them to hug you and kiss you,

1033
00:53:56,880 --> 00:53:59,880
Speaker 1: you can reject their advances and making someone believe they

1034
00:54:00,120 --> 00:54:03,319
Speaker 1: can't reject your advantage because they will receive backlash, then

1035
00:54:03,440 --> 00:54:06,280
Speaker 1: that is exactly why there is a times up movement

1036
00:54:06,440 --> 00:54:09,560
Speaker 1: in a me too movement going on right now. Please

1037
00:54:09,600 --> 00:54:12,720
Speaker 1: give everyone mad at Genuine for rejecting India Willibe's advance

1038
00:54:12,800 --> 00:54:17,799
Speaker 1: is the biggest he hall plice. I'm just saying, right,

1039
00:54:17,840 --> 00:54:19,520
Speaker 1: it's right, wrong, it's wrong. Right. You can't just try

1040
00:54:19,520 --> 00:54:22,719
Speaker 1: to kiss somebody or think somebody is forced to kiss

1041
00:54:22,760 --> 00:54:24,880
Speaker 1: you just because they want to prove a point I

1042
00:54:24,920 --> 00:54:27,080
Speaker 1: don't want to kiss you, don't kiss you. Don't touch me.

1043
00:54:27,120 --> 00:54:28,799
Speaker 1: If if I don't want you to touch me, don't

1044
00:54:28,840 --> 00:54:30,799
Speaker 1: touch me, keep your hands to yourself, keep your mouth

1045
00:54:30,840 --> 00:54:33,000
Speaker 1: to yourself. Simple. I thought that's what this was all about.

1046
00:54:33,040 --> 00:54:35,200
Speaker 1: I thought what this times up me too movement was

1047
00:54:35,200 --> 00:54:38,480
Speaker 1: all about? Period? All right? All right, well, thank you

1048
00:54:38,560 --> 00:54:43,000
Speaker 1: for that. Don kid today now just questions so never mind.

1049
00:54:43,280 --> 00:54:45,480
Speaker 1: Well no, because he said, nobody has slick talk him

1050
00:54:45,480 --> 00:54:48,880
Speaker 1: out of those boxes yet. I was looking. I like

1051
00:54:48,960 --> 00:54:52,880
Speaker 1: to look at things from all angles. Okay, all right,

1052
00:54:53,360 --> 00:54:56,479
Speaker 1: all right, all right, so you like the top angle

1053
00:54:56,640 --> 00:54:59,400
Speaker 1: about maybe back angle? I don't know, all right, all right,

1054
00:54:59,440 --> 00:55:01,360
Speaker 1: all right, he knock it off, all right, got me

1055
00:55:01,400 --> 00:55:05,959
Speaker 1: signing like par front drink chaps. Okay, all right, knock

1056
00:55:05,960 --> 00:55:10,279
Speaker 1: it right right, Nope, when we come back, you got it?

1057
00:55:10,600 --> 00:55:13,200
Speaker 1: What is it? Is it? Mc nattie right? Anyway, when

1058
00:55:13,200 --> 00:55:17,520
Speaker 1: we come back, we're gonna party any party with me, Yeah,

1059
00:55:17,880 --> 00:55:23,759
Speaker 1: any party with me? Yea. Lindell McMillan, the owner of

1060
00:55:23,840 --> 00:55:26,160
Speaker 1: the Source magazine, will be joining us. The Breakfast Club

1061
00:55:26,280 --> 00:55:27,799
Speaker 1: is on the cover of the Source. We're gonna talk

1062
00:55:27,840 --> 00:55:29,959
Speaker 1: to him, so don't move. It's the Breakfast Club God Morning,

1063
00:55:30,560 --> 00:55:37,839
Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy Angela Yee,

1064
00:55:38,000 --> 00:55:40,160
Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got

1065
00:55:40,239 --> 00:55:44,799
Speaker 1: some special guests in the building, special guests in the building. Yes, sir, Hey,

1066
00:55:45,239 --> 00:55:48,080
Speaker 1: Happy new Year, Happy New Year. Londella's the Jack of

1067
00:55:48,160 --> 00:55:51,200
Speaker 1: ball Trades is an entertainment attorney. But he is editing. No,

1068
00:55:51,280 --> 00:55:53,680
Speaker 1: you have to editing cheer. So yeah, oh yeah, that's

1069
00:55:53,680 --> 00:55:56,719
Speaker 1: a difference. Yes, that means that means I take out

1070
00:55:56,760 --> 00:55:59,600
Speaker 1: the trash. That means you pay the bills, you know,

1071
00:56:00,040 --> 00:56:02,759
Speaker 1: trying to make sure'all oversee editorial, try to build out

1072
00:56:02,840 --> 00:56:05,320
Speaker 1: digital everything. But he's a friend of ours. As you

1073
00:56:05,360 --> 00:56:07,680
Speaker 1: can see, we are on the cover of the Source

1074
00:56:07,760 --> 00:56:13,840
Speaker 1: Power thirty issue one that I don't care what nobody says,

1075
00:56:14,040 --> 00:56:15,960
Speaker 1: like you know, if you grew up in a certain era,

1076
00:56:16,120 --> 00:56:18,200
Speaker 1: the Source still means something to be on the cover.

1077
00:56:18,320 --> 00:56:20,680
Speaker 1: The Source still means something to me. We appreciate it.

1078
00:56:20,800 --> 00:56:24,160
Speaker 1: It's not only huge for the culture. You know, DJ's

1079
00:56:24,280 --> 00:56:27,520
Speaker 1: and radio personalities are very very important and have always

1080
00:56:27,600 --> 00:56:29,799
Speaker 1: been very very important, and I don't think they've ever

1081
00:56:29,880 --> 00:56:33,800
Speaker 1: really got their fair share of looks right, and so

1082
00:56:34,040 --> 00:56:36,200
Speaker 1: for us, putting us on you guys. On the cover

1083
00:56:36,880 --> 00:56:39,680
Speaker 1: was a statement that not only are y'all just been

1084
00:56:39,719 --> 00:56:44,280
Speaker 1: amazing for five consecutive years, number one four million listeners

1085
00:56:45,000 --> 00:56:48,600
Speaker 1: each and every day over eighty markets and one hundred

1086
00:56:48,600 --> 00:56:51,920
Speaker 1: and fifty countries. It's not only really a credit to

1087
00:56:52,440 --> 00:56:55,480
Speaker 1: you all. It's not about friendship, you know, it's about

1088
00:56:55,560 --> 00:56:58,480
Speaker 1: you guys just having amazing success, and we congratulate you

1089
00:56:58,600 --> 00:57:01,719
Speaker 1: so so much. That means a lot to all of

1090
00:57:01,840 --> 00:57:03,640
Speaker 1: us because I would have never imagined, like I said

1091
00:57:03,640 --> 00:57:05,839
Speaker 1: on Twitter, that I would ever be on the cover

1092
00:57:06,000 --> 00:57:08,400
Speaker 1: of the Source. Yes, so it's not something I ever

1093
00:57:08,520 --> 00:57:10,600
Speaker 1: envisioned in my life. Well, I do have to ask

1094
00:57:10,680 --> 00:57:14,040
Speaker 1: the question, yes, yes, this quality is not the usual

1095
00:57:14,120 --> 00:57:15,880
Speaker 1: Source quality on the cover of this from right here?

1096
00:57:15,920 --> 00:57:17,920
Speaker 1: Who said that? Though? When you get that the logo

1097
00:57:18,120 --> 00:57:20,400
Speaker 1: is the same logo we always have on the logo

1098
00:57:20,480 --> 00:57:22,680
Speaker 1: picture is not to say look at this look at

1099
00:57:22,760 --> 00:57:26,240
Speaker 1: this quality picture, and look at this quality picture. Let's

1100
00:57:26,280 --> 00:57:28,960
Speaker 1: look at the quality. You can see the difference. So

1101
00:57:29,120 --> 00:57:31,200
Speaker 1: we tried to put a filter, We tried to put

1102
00:57:31,280 --> 00:57:33,480
Speaker 1: it like a cool filter on it, and it kind

1103
00:57:33,520 --> 00:57:35,919
Speaker 1: of just brought you a little into the orange land.

1104
00:57:36,360 --> 00:57:38,000
Speaker 1: So we wanted to do something cool, But we also

1105
00:57:38,040 --> 00:57:41,680
Speaker 1: wanted to make it look like nineteen ninety so in

1106
00:57:41,800 --> 00:57:45,440
Speaker 1: nineteen ninety seven, yes, that's we made it closer to

1107
00:57:45,560 --> 00:57:47,360
Speaker 1: what it looks like in ninety seven. So I saw

1108
00:57:47,360 --> 00:57:50,600
Speaker 1: a little comments out there about wow, this looks like Yesterdare.

1109
00:57:50,840 --> 00:57:53,520
Speaker 1: That was the intent, all you idiots, No said, let's

1110
00:57:53,520 --> 00:57:55,320
Speaker 1: talk about that for us. But there was so many

1111
00:57:55,360 --> 00:57:58,160
Speaker 1: people on social media saying this looks like a nineteen

1112
00:57:58,280 --> 00:58:03,600
Speaker 1: ninety throwback at the top special edition throwback cover. We

1113
00:58:03,880 --> 00:58:06,600
Speaker 1: we we redid the firm source cover from n eighteen

1114
00:58:06,760 --> 00:58:09,880
Speaker 1: ninety seven. Yes, not for a part in my hand.

1115
00:58:09,920 --> 00:58:12,760
Speaker 1: For a reason. That's why there's a part of my party.

1116
00:58:14,760 --> 00:58:16,600
Speaker 1: Just normally, let me be as stupid as a people.

1117
00:58:16,720 --> 00:58:18,440
Speaker 1: Let me tell you something as a people, and and

1118
00:58:18,680 --> 00:58:22,680
Speaker 1: and and otherwise. Success brings critique. That's a fact. You know.

1119
00:58:22,720 --> 00:58:25,040
Speaker 1: It's a beautiful thing. It comes from low levels, it

1120
00:58:25,120 --> 00:58:28,120
Speaker 1: comes from even the most high levels. Success brings critique.

1121
00:58:28,120 --> 00:58:29,840
Speaker 1: It's all part of the game. Malcolm Ix said, if

1122
00:58:29,880 --> 00:58:31,560
Speaker 1: you don't have no critics, you likely have no success.

1123
00:58:32,000 --> 00:58:34,360
Speaker 1: There you go, Now, what's the significance of the covers? Man?

1124
00:58:34,360 --> 00:58:38,120
Speaker 1: Because this is doctor Dre and Jimmy yaven billionaires and

1125
00:58:38,280 --> 00:58:46,360
Speaker 1: you got these guys billionaire scrapping pennies together. Like why

1126
00:58:46,480 --> 00:58:48,960
Speaker 1: these two on the cover, Well, one made a billion dollars,

1127
00:58:49,040 --> 00:58:55,560
Speaker 1: the other made billions of views. Billions follows. But the

1128
00:58:55,840 --> 00:58:59,960
Speaker 1: significance is power in all respects, right, um, against starting

1129
00:59:00,000 --> 00:59:02,800
Speaker 1: and starting with you guys, I mean you know this

1130
00:59:02,960 --> 00:59:05,040
Speaker 1: again the fifth consecutive year. I take a lot of

1131
00:59:05,160 --> 00:59:08,040
Speaker 1: I take a lot of flack for acknowledging your work,

1132
00:59:08,160 --> 00:59:11,640
Speaker 1: but you know, the men lie women line numbers don't lie. Um,

1133
00:59:12,040 --> 00:59:16,240
Speaker 1: And the influence of what you all have done is amazing.

1134
00:59:16,320 --> 00:59:18,480
Speaker 1: And it's not just it's not just you guys, but

1135
00:59:18,640 --> 00:59:21,360
Speaker 1: you guys represent the the best of it as a

1136
00:59:21,440 --> 00:59:23,560
Speaker 1: collective team. I always come up here and talk about

1137
00:59:23,560 --> 00:59:26,080
Speaker 1: the importance of a team. You guys put y'all team

1138
00:59:26,120 --> 00:59:28,680
Speaker 1: together so they can have group and individual success. But

1139
00:59:28,760 --> 00:59:32,760
Speaker 1: there are other people, whether it's Greg Street in Atlanta, BUSHMANNY, Detroit, Baybay,

1140
00:59:32,840 --> 00:59:35,000
Speaker 1: and Dallas. All of these people work and they get

1141
00:59:35,080 --> 00:59:36,880
Speaker 1: up every day. You know, you've got people here in

1142
00:59:36,920 --> 00:59:40,000
Speaker 1: this market obviously who also you know, put in their work.

1143
00:59:40,280 --> 00:59:42,320
Speaker 1: But you all have represent the best of it. And

1144
00:59:42,360 --> 00:59:45,640
Speaker 1: I wanted to acknowledge the Radio DJ's respect to dre

1145
00:59:45,800 --> 00:59:49,400
Speaker 1: and and um, Jimmy ivey, what can you say? Right?

1146
00:59:49,640 --> 00:59:51,960
Speaker 1: What can you say about these these guys? These guys

1147
00:59:52,000 --> 00:59:55,000
Speaker 1: have done it and reinvented themselves in multiple ways. And

1148
00:59:55,240 --> 00:59:59,080
Speaker 1: the defiant ones became the giant ones. And interesting the

1149
00:59:59,200 --> 01:00:01,640
Speaker 1: n Jimmy IV and announced it, well he didn't announce

1150
01:00:01,640 --> 01:00:04,440
Speaker 1: it yet, but they did announce in Billboard that he's

1151
01:00:04,480 --> 01:00:07,000
Speaker 1: going to be stepping away, stepping down from Apple, yes

1152
01:00:07,320 --> 01:00:09,080
Speaker 1: later on this year. Now, what the hell does that mean?

1153
01:00:09,160 --> 01:00:11,280
Speaker 1: They said, he because he shares a fully invested so

1154
01:00:11,320 --> 01:00:13,680
Speaker 1: you can finally cash out. Basically, well, yeah, basically. You know,

1155
01:00:13,760 --> 01:00:16,520
Speaker 1: when you do a major acquisition, such as the one

1156
01:00:16,640 --> 01:00:23,080
Speaker 1: that Apple made of Beats, typically you add in a

1157
01:00:23,240 --> 01:00:26,440
Speaker 1: clause and a covenant for the key executives to remain

1158
01:00:26,520 --> 01:00:28,320
Speaker 1: a part of a company for a period of time

1159
01:00:28,360 --> 01:00:30,280
Speaker 1: so that they can continue to success of the company.

1160
01:00:30,440 --> 01:00:32,440
Speaker 1: If you buy a major company and you cut off

1161
01:00:32,480 --> 01:00:36,320
Speaker 1: to the executive team, you lose a lot of institutional

1162
01:00:36,440 --> 01:00:39,440
Speaker 1: business knowledge, right, and so their agreements that they had

1163
01:00:39,440 --> 01:00:41,280
Speaker 1: to have in place to allow them to stay. But

1164
01:00:41,440 --> 01:00:45,360
Speaker 1: Jimmy kind of alludes to what his future may be,

1165
01:00:45,640 --> 01:00:48,840
Speaker 1: and one inspires him as well as Dre and I

1166
01:00:48,880 --> 01:00:52,840
Speaker 1: think it's a very power powerful conversation between he and

1167
01:00:52,960 --> 01:00:55,440
Speaker 1: I in terms of what power is. My first question

1168
01:00:55,640 --> 01:00:57,680
Speaker 1: was what is power to you? He says, well, I

1169
01:00:57,800 --> 01:01:01,480
Speaker 1: think it's not about power. It's more about just being great.

1170
01:01:02,000 --> 01:01:04,919
Speaker 1: And if you're great, you have power no matter where

1171
01:01:04,960 --> 01:01:07,880
Speaker 1: you work, what you do. If you go into a

1172
01:01:07,920 --> 01:01:10,280
Speaker 1: situation with someone with more power but you're great at

1173
01:01:10,320 --> 01:01:13,000
Speaker 1: what you do, then you have to be respected. They're

1174
01:01:13,000 --> 01:01:15,760
Speaker 1: gonna respect you because if they don't, someone else will.

1175
01:01:15,840 --> 01:01:17,760
Speaker 1: All right, we have more with Londell McMillan when we

1176
01:01:17,840 --> 01:01:20,800
Speaker 1: come back, don't move. It's the breakfast club. Go Morning Morning.

1177
01:01:20,840 --> 01:01:24,120
Speaker 1: Everybody is dj N v Angela Yee. Chalomagne the guy.

1178
01:01:24,200 --> 01:01:26,000
Speaker 1: We all the breakfast club. We have the owner of

1179
01:01:26,080 --> 01:01:29,120
Speaker 1: the source, Londell McMillan in the building. Chalomagne. Now, what

1180
01:01:29,440 --> 01:01:31,360
Speaker 1: did hold meet on four four four when he said

1181
01:01:31,440 --> 01:01:34,680
Speaker 1: Lindelle McMillan must be color blood. You have to ask

1182
01:01:34,760 --> 01:01:37,200
Speaker 1: whole for about what he meant. I would only be

1183
01:01:37,320 --> 01:01:40,640
Speaker 1: speculating on what would make a wise man who's an

1184
01:01:40,680 --> 01:01:44,880
Speaker 1: incredible artist, who's known me probably thirty five forty years.

1185
01:01:45,040 --> 01:01:47,560
Speaker 1: We grew up in a similar neighborhood. What he would

1186
01:01:47,600 --> 01:01:50,919
Speaker 1: make something about being color blind would mean when I've

1187
01:01:50,960 --> 01:01:55,040
Speaker 1: been like an activist in a community organizer and the

1188
01:01:55,200 --> 01:01:59,680
Speaker 1: civil rights, human rights leader and advocate and champion for

1189
01:01:59,800 --> 01:02:03,840
Speaker 1: our in this culture longer than anybody I know, when

1190
01:02:03,840 --> 01:02:06,520
Speaker 1: you handle Princess of State. Yeah, I think Hold was

1191
01:02:06,600 --> 01:02:09,280
Speaker 1: upset over I guess the handling of Princess of State

1192
01:02:09,320 --> 01:02:12,040
Speaker 1: because the line after that was the guy had slave

1193
01:02:12,120 --> 01:02:13,800
Speaker 1: written on his face. Do you think he wanted his

1194
01:02:13,920 --> 01:02:17,240
Speaker 1: masters with his masters? Well, again, you have to ask Hole,

1195
01:02:17,360 --> 01:02:19,520
Speaker 1: because I was the guy who got slave off his face.

1196
01:02:20,120 --> 01:02:22,920
Speaker 1: Prince hired me. Prince hired me to get him out

1197
01:02:22,960 --> 01:02:26,640
Speaker 1: of the contract with Warner Brothers, and he called me

1198
01:02:26,760 --> 01:02:30,000
Speaker 1: the Emancipator. And I asked Prince when I first met him,

1199
01:02:30,000 --> 01:02:32,680
Speaker 1: how do we get that slave off your face? Prince said,

1200
01:02:33,560 --> 01:02:36,400
Speaker 1: you get me free, I'll take slave off my face.

1201
01:02:36,720 --> 01:02:38,439
Speaker 1: By the way, he never used to look at people

1202
01:02:38,520 --> 01:02:42,000
Speaker 1: directly in the eye. He didn't know well. And then

1203
01:02:42,240 --> 01:02:44,760
Speaker 1: he looked me in the eye and said, you get

1204
01:02:44,840 --> 01:02:48,440
Speaker 1: me free, I'll take slave off my face. So then

1205
01:02:48,480 --> 01:02:50,880
Speaker 1: I said to my brother, I said, because I'm twenty

1206
01:02:50,920 --> 01:02:54,200
Speaker 1: six years old, I'm nothing to lose. From the street.

1207
01:02:54,840 --> 01:02:57,800
Speaker 1: I said, freedom is not free. You think Harriet Tubman

1208
01:02:57,840 --> 01:03:00,760
Speaker 1: and join the truth. Fredie Talley's woke up one day

1209
01:03:00,800 --> 01:03:02,880
Speaker 1: says they weren't free. We're gonna have to fight for freedom.

1210
01:03:03,360 --> 01:03:05,600
Speaker 1: He says, I'm ready to fight. We went and we

1211
01:03:05,680 --> 01:03:09,560
Speaker 1: were successful. I went from his lawyer to his manager

1212
01:03:10,280 --> 01:03:13,200
Speaker 1: to his partner. You know, the facts are clear. We

1213
01:03:13,320 --> 01:03:17,920
Speaker 1: had a historic relationship. The legacy is just unprecedented. The

1214
01:03:18,040 --> 01:03:23,080
Speaker 1: things we achieve, everyone who knows the business acknowledges. So

1215
01:03:23,240 --> 01:03:24,919
Speaker 1: you have to ask him about that. You know, again,

1216
01:03:24,960 --> 01:03:31,760
Speaker 1: he's making an album's clever lyrics, but factually it didn't

1217
01:03:31,760 --> 01:03:34,120
Speaker 1: have the merit. But you know again, I knew that

1218
01:03:34,200 --> 01:03:37,360
Speaker 1: brother for a long time, and I've refrained from being

1219
01:03:37,400 --> 01:03:43,200
Speaker 1: critical of him for a long time. Well he Marcy,

1220
01:03:43,280 --> 01:03:46,200
Speaker 1: He's Marcy. I'm Tompkins next door, summed us right behind.

1221
01:03:46,280 --> 01:03:48,920
Speaker 1: It were all back to back, Saint Junior High School,

1222
01:03:49,240 --> 01:03:52,280
Speaker 1: Saint Junior High School, and you know, I'm I'm so

1223
01:03:52,480 --> 01:03:55,720
Speaker 1: happy for his success. So you know, they got this

1224
01:03:55,880 --> 01:03:59,880
Speaker 1: thing called family feu. When the family fused, all nobody went.

1225
01:04:00,560 --> 01:04:03,160
Speaker 1: In many respects, we have to see ourselves as a family,

1226
01:04:04,320 --> 01:04:07,560
Speaker 1: particularly when you know each other you know he's got children.

1227
01:04:07,920 --> 01:04:10,120
Speaker 1: I mean he even came to my daughter's baby shower

1228
01:04:10,200 --> 01:04:11,880
Speaker 1: back in the day. We all, we know each other,

1229
01:04:12,120 --> 01:04:16,120
Speaker 1: We're not best of friends by any stretch, but when

1230
01:04:16,160 --> 01:04:19,480
Speaker 1: the family fused, nobody wins. When you're taking shots at

1231
01:04:19,560 --> 01:04:22,520
Speaker 1: Jay back would have been something that would have just

1232
01:04:22,680 --> 01:04:25,840
Speaker 1: continued to rumble. And I think we got to show

1233
01:04:25,920 --> 01:04:30,160
Speaker 1: conflict resolution better than that. You know, have y'all, folks,

1234
01:04:30,760 --> 01:04:33,080
Speaker 1: did y'all speak at all, because I mean he even

1235
01:04:33,080 --> 01:04:34,760
Speaker 1: said that, you know that he was upset because y'a

1236
01:04:34,760 --> 01:04:36,800
Speaker 1: also tickets to walk from Prince's house. Did you have

1237
01:04:36,800 --> 01:04:40,000
Speaker 1: anything to do with that? Well, yeah, I actually advised.

1238
01:04:40,080 --> 01:04:42,240
Speaker 1: First of all, I wasn't the lawyer. I was the

1239
01:04:42,360 --> 01:04:45,800
Speaker 1: business manager of the estate at that time. Okay, I

1240
01:04:45,960 --> 01:04:49,640
Speaker 1: now manage half of the heirs of the estate. But

1241
01:04:49,800 --> 01:04:53,240
Speaker 1: anyone that knew Prince really knew that. Prince left instructions

1242
01:04:53,840 --> 01:04:57,120
Speaker 1: to leave Paisley Park as a museum. He left instructions

1243
01:04:57,120 --> 01:04:59,919
Speaker 1: to at least twenty thirty people, so that was a fact.

1244
01:05:00,000 --> 01:05:02,120
Speaker 1: I mean, in fact, he started writing out the plans

1245
01:05:02,200 --> 01:05:05,120
Speaker 1: for that. So everything was what he explicitly said he

1246
01:05:05,200 --> 01:05:08,640
Speaker 1: wanted done with respect to Paisley Park. Regrettably, he didn't

1247
01:05:08,720 --> 01:05:10,360
Speaker 1: leave a will because that way it would have ended

1248
01:05:10,360 --> 01:05:12,720
Speaker 1: a lot of conversations. You know. Again, you got to

1249
01:05:12,760 --> 01:05:15,760
Speaker 1: ask Jay what he meant, and asked the people who

1250
01:05:15,840 --> 01:05:18,640
Speaker 1: probably advised Jack. You know, I believe, I believe, I

1251
01:05:18,720 --> 01:05:23,600
Speaker 1: believe Jay probably was getting misinformation and information because you know,

1252
01:05:23,720 --> 01:05:26,200
Speaker 1: Jay usually doesn't get pressed by things like that from

1253
01:05:26,240 --> 01:05:28,760
Speaker 1: what I what I've seen in my dealings with him,

1254
01:05:28,800 --> 01:05:31,919
Speaker 1: he's usually a very cool, cool guy. You know again,

1255
01:05:31,960 --> 01:05:36,040
Speaker 1: I wanted to keep keep any beasts directly, but if

1256
01:05:36,080 --> 01:05:39,200
Speaker 1: he wants to talk about it privately or publicly, you

1257
01:05:39,240 --> 01:05:40,600
Speaker 1: want to come up here and talk about it, we

1258
01:05:40,680 --> 01:05:43,160
Speaker 1: can have that conversation. Was it state soon title at

1259
01:05:43,200 --> 01:05:46,120
Speaker 1: one time? Yeah? Now why was that? Because we all

1260
01:05:46,160 --> 01:05:49,439
Speaker 1: seen Prince witold and I thought he wanted his music

1261
01:05:49,480 --> 01:05:51,880
Speaker 1: to title and then when he passed, it was suing him.

1262
01:05:52,280 --> 01:05:55,080
Speaker 1: It's my understanding, um, and I haven't seen all the agreements.

1263
01:05:55,160 --> 01:05:57,080
Speaker 1: My understanding that Prince made a deal with him, a

1264
01:05:57,160 --> 01:06:00,320
Speaker 1: deal for a couple of albums, but not for his

1265
01:06:00,360 --> 01:06:02,800
Speaker 1: own entire catalogue, but not for the entire Collague to

1266
01:06:02,880 --> 01:06:04,720
Speaker 1: my knowledge. But that was the estate. You got to

1267
01:06:04,720 --> 01:06:07,080
Speaker 1: ask the state lawyers and his lawyers. I think perhaps

1268
01:06:07,200 --> 01:06:10,920
Speaker 1: what happened is some suggested that because there was a lawsuit,

1269
01:06:11,280 --> 01:06:14,040
Speaker 1: that my hands and fingerprints were all all on that.

1270
01:06:14,440 --> 01:06:17,160
Speaker 1: But again you have to ask him. But I could

1271
01:06:17,160 --> 01:06:22,200
Speaker 1: just tell you this, if anybody leaves their family in

1272
01:06:22,280 --> 01:06:25,880
Speaker 1: the state, you should want somebody like me making sure

1273
01:06:26,320 --> 01:06:29,360
Speaker 1: that we are protecting it and monetizing it so your

1274
01:06:29,400 --> 01:06:32,880
Speaker 1: family doesn't lose it. Right if you don't. We created

1275
01:06:32,880 --> 01:06:35,000
Speaker 1: almost one hundred million dollars. The same kid who went

1276
01:06:35,040 --> 01:06:37,600
Speaker 1: to junior high school with him created almost one hundred

1277
01:06:37,640 --> 01:06:40,160
Speaker 1: million dollars in less than nine months, so that the

1278
01:06:40,320 --> 01:06:43,480
Speaker 1: irs don't back up a big yellow truck to the

1279
01:06:43,560 --> 01:06:47,280
Speaker 1: purple building and take his assets. You know who does that?

1280
01:06:47,800 --> 01:06:51,000
Speaker 1: You know? So when people talk about seeing green in

1281
01:06:51,080 --> 01:06:54,760
Speaker 1: the purple eyes me being able to generate revenue, make money.

1282
01:06:54,880 --> 01:06:57,320
Speaker 1: That's a great thing because typically when I came into

1283
01:06:57,400 --> 01:06:59,040
Speaker 1: the business, they said you had to go to the

1284
01:06:59,080 --> 01:07:01,560
Speaker 1: white lawyers in order to make money and get deals.

1285
01:07:02,080 --> 01:07:05,080
Speaker 1: So when I make money for my clients, that should

1286
01:07:05,080 --> 01:07:09,240
Speaker 1: be celebrated. That shouldn't be you know, ridicule. What are

1287
01:07:09,280 --> 01:07:12,120
Speaker 1: your thoughts about Russell Simmons, Because I'm sure you know him.

1288
01:07:12,160 --> 01:07:15,080
Speaker 1: I love Russell Simmons and you know, everything that's happening

1289
01:07:15,120 --> 01:07:17,880
Speaker 1: with him step having to step away from his businesses, well,

1290
01:07:17,920 --> 01:07:20,919
Speaker 1: I think that when when things come up from many,

1291
01:07:21,000 --> 01:07:26,240
Speaker 1: many years ago, I think that you know, you've got

1292
01:07:26,360 --> 01:07:29,360
Speaker 1: to look at first of all what happened, and people

1293
01:07:29,440 --> 01:07:31,920
Speaker 1: have to take responsibility. So for him stepping down and

1294
01:07:32,000 --> 01:07:34,240
Speaker 1: taking responsibility, I think it was the right thing for

1295
01:07:34,360 --> 01:07:36,760
Speaker 1: him to do. It's interesting that, you know, one of

1296
01:07:36,840 --> 01:07:39,840
Speaker 1: the people who claim that he did something that did

1297
01:07:39,960 --> 01:07:41,960
Speaker 1: something wrong is a very was a client and very

1298
01:07:42,000 --> 01:07:44,800
Speaker 1: close friend of mine as well. But at the same time,

1299
01:07:45,120 --> 01:07:47,360
Speaker 1: people make mistakes, they have to learn from it. The

1300
01:07:47,480 --> 01:07:49,960
Speaker 1: time is up for those mistakes and people have to

1301
01:07:50,000 --> 01:07:54,040
Speaker 1: be responsible. I think Russell maybe one of many, many

1302
01:07:54,160 --> 01:07:57,160
Speaker 1: people in power, and that goes back to the power

1303
01:07:57,200 --> 01:07:59,120
Speaker 1: of thirty issue. We got a big story on that,

1304
01:07:59,400 --> 01:08:03,920
Speaker 1: on what's a reasonable standard, legal standard and just social standard,

1305
01:08:04,000 --> 01:08:05,560
Speaker 1: on how you deal with each other. It's a big

1306
01:08:05,680 --> 01:08:08,680
Speaker 1: story and that a big, big story. How do you

1307
01:08:08,760 --> 01:08:10,520
Speaker 1: deal with it though, because I mean legally, there's nothing

1308
01:08:10,600 --> 01:08:13,480
Speaker 1: Russell can do to prove he didn't do it. He

1309
01:08:13,680 --> 01:08:16,200
Speaker 1: says he didn't do anything, and the court of public opinion,

1310
01:08:16,200 --> 01:08:17,640
Speaker 1: there's nothing you can do to prove he didn't do

1311
01:08:17,680 --> 01:08:20,560
Speaker 1: it either. Well, the way lawsuits work is that the

1312
01:08:20,920 --> 01:08:25,520
Speaker 1: plaintiff has to bring the first set of set of complaints.

1313
01:08:26,120 --> 01:08:28,040
Speaker 1: They have to start, and then you have to rebut

1314
01:08:28,160 --> 01:08:31,439
Speaker 1: that with an answer. So depending on what these people

1315
01:08:31,560 --> 01:08:34,720
Speaker 1: may bring will determine how he responds. But I'm not

1316
01:08:34,880 --> 01:08:37,240
Speaker 1: in his case, and I'm not a sexual harassment lawyer,

1317
01:08:38,360 --> 01:08:40,599
Speaker 1: but I think that these things are going to work

1318
01:08:40,640 --> 01:08:42,640
Speaker 1: themselves out, and I think that this is a very

1319
01:08:42,720 --> 01:08:46,519
Speaker 1: powerful and important cultural moment. I'm very glad that is here.

1320
01:08:46,640 --> 01:08:49,639
Speaker 1: You know, I have a daughter, and even if I didn't,

1321
01:08:50,040 --> 01:08:52,519
Speaker 1: right is right, and you know, putting anybody in a

1322
01:08:52,640 --> 01:08:58,440
Speaker 1: situation where they feel trapped and beat down is inappropriate.

1323
01:08:59,120 --> 01:09:02,080
Speaker 1: And I think this is a this is an amazing time.

1324
01:09:02,160 --> 01:09:05,160
Speaker 1: But I do want to say that, um, there were

1325
01:09:05,240 --> 01:09:09,519
Speaker 1: so many others that actually abuse the power. Um, and

1326
01:09:10,160 --> 01:09:12,080
Speaker 1: we need to did you see what older said, let's

1327
01:09:12,080 --> 01:09:13,680
Speaker 1: give a shout out to let's give a handle over.

1328
01:09:14,160 --> 01:09:18,360
Speaker 1: What she did was amazing, Uh? And UM, I just

1329
01:09:18,479 --> 01:09:21,800
Speaker 1: think not only is she right, but I think what

1330
01:09:21,960 --> 01:09:25,200
Speaker 1: the sisters did with the Women's March right after Trump

1331
01:09:25,800 --> 01:09:29,200
Speaker 1: was elected, you know, Uh, and we give a shout

1332
01:09:29,240 --> 01:09:33,839
Speaker 1: out to uh Tamick Mallory, Lenda saw Sore, Carmen Perez,

1333
01:09:34,000 --> 01:09:36,560
Speaker 1: Janee Ingram and all of the women who put in

1334
01:09:36,640 --> 01:09:39,439
Speaker 1: that work. Um, it's just it's just the right time

1335
01:09:39,800 --> 01:09:42,240
Speaker 1: to say enough is enough and it's been time or

1336
01:09:42,320 --> 01:09:45,799
Speaker 1: enough is enough. All right, thank you, Thank you everybody

1337
01:09:45,920 --> 01:09:48,160
Speaker 1: to thank you for everybody to come on us. We

1338
01:09:48,200 --> 01:09:51,840
Speaker 1: definitely appreciate that. The source right now, it's on your

1339
01:09:51,920 --> 01:09:53,800
Speaker 1: news stands, and thank you again for joining us. Thank

1340
01:09:53,800 --> 01:09:56,160
Speaker 1: you so always a pleasure. All right, it's the Breakfast Club.

1341
01:09:56,520 --> 01:10:02,560
Speaker 1: De Vic Billy God Bless the Breakfast Club one and

1342
01:10:02,600 --> 01:10:05,960
Speaker 1: everybody is DJ Envy, angela Ye, Charlemagne the guy. We

1343
01:10:06,000 --> 01:10:08,280
Speaker 1: are the Breakfast Club. Let's get to the rumors. Let's

1344
01:10:08,320 --> 01:10:20,080
Speaker 1: talk Joe Button. This is the rumor report with angela year. Well,

1345
01:10:20,120 --> 01:10:23,400
Speaker 1: we talked this morning about Joe Button versus Bizarre. They

1346
01:10:23,439 --> 01:10:25,080
Speaker 1: had it back and forth and that's Bizarre from D

1347
01:10:25,200 --> 01:10:28,520
Speaker 1: twelve and this is all over Joe Button trashing Eminem's

1348
01:10:28,520 --> 01:10:31,280
Speaker 1: album revival. Well now fifty sent has posted a picture

1349
01:10:31,320 --> 01:10:33,160
Speaker 1: of Joe Button and said that was a bad idea.

1350
01:10:33,600 --> 01:10:35,640
Speaker 1: Look you got a little ass wepon coming. It's not

1351
01:10:35,720 --> 01:10:38,040
Speaker 1: a big deal. You will get over it, hashtagged in

1352
01:10:38,160 --> 01:10:41,439
Speaker 1: a Thieves January. I know Eminem is your guy, but

1353
01:10:41,520 --> 01:10:44,479
Speaker 1: if anyone should understand, critique of other people's art is

1354
01:10:44,520 --> 01:10:48,160
Speaker 1: fifty cent. Okay, come on, who doesn't fifty cent get

1355
01:10:48,200 --> 01:10:50,000
Speaker 1: that when he needs to get at somebody about their

1356
01:10:50,120 --> 01:10:52,240
Speaker 1: music or their clothes or whatever. Why are you acting

1357
01:10:52,240 --> 01:10:55,400
Speaker 1: like Joe Button said something personal personal about Eminem Melty

1358
01:10:55,479 --> 01:10:58,679
Speaker 1: and what he does. Everybody's manifift. Okay, I'm just saying

1359
01:10:58,720 --> 01:11:00,600
Speaker 1: that the music is whack. Is whack? All right? M

1360
01:11:00,720 --> 01:11:02,720
Speaker 1: album was mid grade. Walk on Water was whacked to

1361
01:11:02,800 --> 01:11:04,640
Speaker 1: some people. I don't see the problem. And this is

1362
01:11:04,680 --> 01:11:06,200
Speaker 1: exactly why you have to be up the people and

1363
01:11:06,280 --> 01:11:07,960
Speaker 1: not of the industry, because when you up the industry,

1364
01:11:08,120 --> 01:11:12,720
Speaker 1: they feel like you can't critique their art. All right, Well,

1365
01:11:12,720 --> 01:11:14,599
Speaker 1: we'll talk more about that later. Now let's talk about

1366
01:11:14,600 --> 01:11:17,240
Speaker 1: Doctor Dre and Jimmy I veen. They could make seven

1367
01:11:17,360 --> 01:11:20,519
Speaker 1: hundred million dollars when that Apple stock vest. They've really

1368
01:11:20,560 --> 01:11:22,479
Speaker 1: got quite a bit of money. They got four hundred

1369
01:11:22,520 --> 01:11:25,479
Speaker 1: million dollars in stock back in twenty fourteen, but now

1370
01:11:25,560 --> 01:11:27,880
Speaker 1: they could be worth even more. That's all because of

1371
01:11:27,960 --> 01:11:32,280
Speaker 1: a nineteen percent average rise over three and a quarter. Yesh, Yeah,

1372
01:11:32,479 --> 01:11:35,400
Speaker 1: it's no joke, right. The dpin includes bombs for Doctor

1373
01:11:35,479 --> 01:11:38,760
Speaker 1: Dre and Jimmy IV. Absolutely never forget fifty cent once

1374
01:11:38,760 --> 01:11:41,720
Speaker 1: said f Jimmy IRV. Yeah, he was upset about the

1375
01:11:41,880 --> 01:11:45,360
Speaker 1: headphones deal situation. I'm just saying, if I remember properly,

1376
01:11:45,960 --> 01:11:49,240
Speaker 1: all right, Yo. Gotti has previewed a snippet of Cardi

1377
01:11:49,320 --> 01:11:53,000
Speaker 1: b a collaboration that he has with her now. He

1378
01:11:53,040 --> 01:11:55,880
Speaker 1: went on his Instagram Live to preview that single. We

1379
01:11:55,960 --> 01:11:58,000
Speaker 1: don't know what the name of the song is, but

1380
01:11:58,200 --> 01:12:00,519
Speaker 1: we put together just so you can hear some highlights

1381
01:12:00,680 --> 01:12:05,720
Speaker 1: of what he put on his life around that. I'm

1382
01:12:06,400 --> 01:12:20,479
Speaker 1: what I'm doing. Only she's looking promote, all right. That's

1383
01:12:20,520 --> 01:12:22,880
Speaker 1: just it's on Instagram lives, so it's not too clear.

1384
01:12:23,400 --> 01:12:25,759
Speaker 1: Cardi got a lot of music out now. She's working

1385
01:12:26,040 --> 01:12:28,160
Speaker 1: that Bruno Mars song. Though, Man, I don't want to

1386
01:12:28,160 --> 01:12:29,760
Speaker 1: be petty. What do you think Nicki Minaj is mad?

1387
01:12:29,800 --> 01:12:31,920
Speaker 1: Your gott He didn't call her for that feature. Somebody

1388
01:12:31,920 --> 01:12:34,400
Speaker 1: did raking up saying the first one they got a

1389
01:12:34,479 --> 01:12:38,360
Speaker 1: nice little track record features. I'm just saying, no, no,

1390
01:12:38,760 --> 01:12:44,320
Speaker 1: you're sor yeah, you're gonna be is he gonna be

1391
01:12:44,439 --> 01:12:46,360
Speaker 1: mad at her if she does a collaboration with somebody

1392
01:12:46,400 --> 01:12:48,200
Speaker 1: else besides him? I mean, it is what it is.

1393
01:12:48,320 --> 01:12:50,200
Speaker 1: They do those kind of records together though, that kind

1394
01:12:50,240 --> 01:12:52,360
Speaker 1: I sound like the kind of record that traditionally your

1395
01:12:52,479 --> 01:12:55,040
Speaker 1: Gotti and Nicki. They got one on this album. They

1396
01:12:55,080 --> 01:12:57,760
Speaker 1: got raking up on this album. Right, Just listen some

1397
01:12:57,840 --> 01:13:00,000
Speaker 1: things out there. The only thing is against the petty

1398
01:13:00,160 --> 01:13:03,360
Speaker 1: all seeing with sticks. No, no, because everybody does collaborations,

1399
01:13:03,400 --> 01:13:05,519
Speaker 1: but the artists. You're not only obligated to work with

1400
01:13:05,600 --> 01:13:10,120
Speaker 1: one person. All right. Now, Kanye did something great, used

1401
01:13:10,120 --> 01:13:12,960
Speaker 1: it by the name of Debbie Rebel. What Kanye did,

1402
01:13:13,080 --> 01:13:14,280
Speaker 1: he did a good deed. She said, this girl in

1403
01:13:14,360 --> 01:13:16,840
Speaker 1: my town had cancer, and Kanye called her a couple

1404
01:13:16,880 --> 01:13:18,599
Speaker 1: of days ago to wrap for her. I think Kim

1405
01:13:18,720 --> 01:13:21,559
Speaker 1: was there too. Wasn't even blasted on social media or anything.

1406
01:13:21,640 --> 01:13:24,400
Speaker 1: She passed yesterday. I have so much respect for him though,

1407
01:13:24,720 --> 01:13:27,280
Speaker 1: making her happy in the last moments. Isn't that a

1408
01:13:27,280 --> 01:13:31,200
Speaker 1: beautiful for Kanye West. I think I'm ready for Kanye

1409
01:13:31,320 --> 01:13:33,200
Speaker 1: this year. I think I'm ready for a two dollars

1410
01:13:33,200 --> 01:13:36,840
Speaker 1: and eighteen yeasy season right now. According to Debbie, she

1411
01:13:37,200 --> 01:13:40,760
Speaker 1: said that it was Kanye's fan site team Kanye Daily

1412
01:13:40,800 --> 01:13:44,200
Speaker 1: that helped make that phone call possible. All right, LaVar

1413
01:13:44,320 --> 01:13:46,920
Speaker 1: Ball's Big Baller brand got an F rating from the

1414
01:13:47,040 --> 01:13:50,439
Speaker 1: Better Business Bureau. Now they're saying that they received thirty

1415
01:13:50,479 --> 01:13:53,120
Speaker 1: two formal complaints in forty four negative customer reviews with

1416
01:13:53,240 --> 01:13:56,960
Speaker 1: zero positive reviews, and they're saying that it's just the

1417
01:13:57,040 --> 01:14:00,120
Speaker 1: company doesn't offer refunds. One person said, I purchased two

1418
01:14:00,160 --> 01:14:01,519
Speaker 1: items and was told there will be a one to

1419
01:14:01,640 --> 01:14:03,479
Speaker 1: two week delay. I've been waiting six weeks now, and

1420
01:14:03,520 --> 01:14:05,320
Speaker 1: when I asked why it was taking so long, I

1421
01:14:05,520 --> 01:14:10,559
Speaker 1: was called a small baller. Did you ever get your

1422
01:14:10,560 --> 01:14:12,960
Speaker 1: stuff that you order? Charlomagne, No, I still haven't gotten

1423
01:14:12,960 --> 01:14:16,120
Speaker 1: my slide. I definitely ordered to pay Big Baller slides.

1424
01:14:16,240 --> 01:14:18,760
Speaker 1: I haven't received him. It'll it'll come in soon. It's

1425
01:14:18,760 --> 01:14:21,880
Speaker 1: a small company they're starting, so they gotta respond to

1426
01:14:21,960 --> 01:14:23,960
Speaker 1: people though. That's one of the main things. At least,

1427
01:14:24,000 --> 01:14:27,000
Speaker 1: like responding and be like, listen, you know your shipment

1428
01:14:27,040 --> 01:14:29,240
Speaker 1: will be there in six weeks. Sorry for the delay.

1429
01:14:29,360 --> 01:14:31,280
Speaker 1: You can't not respond. They told me that want to

1430
01:14:31,320 --> 01:14:32,840
Speaker 1: be in a couple of weeks, so I ain't trip

1431
01:14:33,080 --> 01:14:35,439
Speaker 1: I wanted you know, all right, Well, some people haven't

1432
01:14:35,600 --> 01:14:39,840
Speaker 1: a summer leaf. I guess getting any all right, Well

1433
01:14:39,840 --> 01:14:42,559
Speaker 1: I'm Anjela Yee and that is your rumor report. All right,

1434
01:14:42,640 --> 01:14:45,519
Speaker 1: thank you, miss ye now shout to revote. We'll see

1435
01:14:45,520 --> 01:14:47,760
Speaker 1: you guys tomorrow. Everybody else, let's start to mix off

1436
01:14:48,120 --> 01:14:52,720
Speaker 1: with that Chloroseptic remix featuring Fresher and two Chains. Right,

1437
01:14:52,720 --> 01:14:54,479
Speaker 1: we'll get that on now it's the Breakfast Club. Good morning,