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Speaker 1: We's adding and what's adding and what's adding?

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Speaker 2: It's another episode against the Chronicles podcast with the boy

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Speaker 2: big steal of my dog yuh about too? You know what, man,

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Speaker 2: motherfucker's is crazy. I looked at somebody. They was talking

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Speaker 2: about why he's album selves, right, you know, they were

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Speaker 2: saying he sold eight thousand albums his first week or whatever.

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Speaker 2: And you know, I don't understand the streaming shit the

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Speaker 2: way it is though. I just think the record industry

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Speaker 2: is almost dead when it comes to that streaming shit.

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Speaker 2: But they were trying to blame Kendrick, and they was

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Speaker 2: pretty much seeing that, you know, all the people that

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Speaker 2: supported him, he hasn't supported them many And I was

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Speaker 2: like thinking, what the fuck can Kendrick do?

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Speaker 1: Well, it's him.

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Speaker 2: Posting a motherfucker's album gonna make them niggas go out

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Speaker 2: and stream, you know, twenty thousand, thirty thousand albums.

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Speaker 3: Well, that's how they think hip hop works today. You know,

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Speaker 3: everybody gotta verify everybody and then that's how you get

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Speaker 3: on or that's how your shit is has worked a

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Speaker 3: little better, so, you know, and then people feel it's

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Speaker 3: an obligation or some shit like that.

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Speaker 1: You know why nigga didn't post his record or some

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Speaker 1: shit like that.

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Speaker 3: So I guess because you know, Hyje showed up at

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Speaker 3: the Kendrick concert or you know, because he chose to

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Speaker 3: go to the concert or whatever, everybody associates that with, well,

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Speaker 3: the Drake situation or whatever. And now people feel like, well,

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Speaker 3: since why g showed up, then you Kendrick should be

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Speaker 3: posting his record. You give me which is which is

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Speaker 3: no guarantee, and then it's not even like that, but

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Speaker 3: people feel that's how significant sh it's supposed to be.

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Speaker 3: You get me. Uh, I started, I started getting that

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Speaker 3: though you know, I've never posted people's ship, you know,

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Speaker 3: and then people attest that to it must be a problem.

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Speaker 3: You feel me, well, so and so record came out,

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Speaker 3: and how come you ain't posted so and so record,

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Speaker 3: and uh, chills record came out or somebody I know

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Speaker 3: close came out and I come, this record ain't all

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Speaker 3: over your page and all over and I just never

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Speaker 3: you know, tripped off of that. But you know, people

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Speaker 3: look at that and they look for that. It's verification nowadays,

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Speaker 3: you know, especially especially in the hip hop community. You know,

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Speaker 3: this nigga post this nigga's record, so that's official. This

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Speaker 3: nigga posts this nigga's record, so that's official. Oh you

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Speaker 3: didn't see so and so post his record, so they

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Speaker 3: must got beef or it must be a problem.

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Speaker 2: You get me, man, I'm gonna tell people right now, Man,

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Speaker 2: that shit sound goofy. It sound retarded. First of all,

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Speaker 2: social media don't even work that way. It's like if

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Speaker 2: you post, if you make a post on social media.

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Speaker 1: Even with all the.

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Speaker 2: Fans that Kendrick got on there, him posting a YG record,

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Speaker 2: him posting so and So's record, him posting this nigga's record. Now,

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Speaker 2: I'm sure it may get some lights and some attention,

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Speaker 2: but the likelihood of them people actually go on there

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Speaker 2: streaming that album is like, it's probably not gonna happen

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Speaker 2: because this is.

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Speaker 1: Kendrick Lamar pages.

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Speaker 2: First of all, they did just to fuck with Kendrick

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Speaker 2: Lamar and everything else he got going on. They don't

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Speaker 2: care about his they don't care about his homeboys. You

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Speaker 2: feel what I'm saying. Now, If he won't do without

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Speaker 2: the goodness of his heart, that's cool, But I don't

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Speaker 2: think it's gonna be enough to make a motherfucker.

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Speaker 1: Go go to Platinum.

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Speaker 2: Because they had like, if Kendrick post on this page,

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Speaker 2: the shit just gonna go up. Oh man, motherfucker's it's

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Speaker 2: gonna be the highest training, the debut or whatever. Man,

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Speaker 2: what it deals, man, is why she has a significant

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Speaker 2: enough audience to where if he posted shit on his

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Speaker 2: page and it deal what it did, it probably wouldn't

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Speaker 2: gonna do no different than what Kendrick.

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Speaker 1: How many fatherers? Why she got?

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Speaker 2: He probably got a million, right, probably got a million

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Speaker 2: followers right here, pop and do so if it didn't

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Speaker 2: crack off of his page? What the fuck make you

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Speaker 2: think it's gonna be? It's gonna do when Kendrick posted,

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Speaker 2: I think, man, what's happening is?

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Speaker 1: Man?

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Speaker 3: Motherfuckers just don't got a shit to talk about. Well,

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Speaker 3: like I said, it's a form of of I guess verification.

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Speaker 3: You know, like when Instagram first came and everybody was

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Speaker 3: hyped on the blue check shit. You know you gotta

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Speaker 3: have a blue chach. You ain't got the blue check,

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Speaker 3: then you ain't official. And you know now that they

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Speaker 3: charge for the shit people is like, non, fuck that

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Speaker 3: blue check. It ain't even I don't give a fuck.

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Speaker 3: So it's it's the new form it's the generational bullshit.

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Speaker 3: It's how people feel like it makes shit authentic. So

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Speaker 3: and so post that nigga's record, so you know, it

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Speaker 3: makes people feel like like like, Okay, all the Kendrick fans,

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Speaker 3: like you said, all the Kendricks fans are gonna run

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Speaker 3: out and buy Rogi's record now because Kendrick posted the record.

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Speaker 3: But I don't, like you said, I don't understand that.

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Speaker 3: That don't make us have beef or we cool or

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Speaker 3: were not cool. It's just that nigga shit. I ain't

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Speaker 3: post a nigga record like no mean, you know, it's

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Speaker 3: just another form of how they try to attach bullsh

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Speaker 3: it on top of bullshit.

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Speaker 2: Man, I'm gonna tell you this. I got niggas the

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Speaker 2: fuck with every day, like for real, for real. They

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Speaker 2: have never once posted the podcast or shared the podcast.

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Speaker 2: Now what they will do, They'll like some ship here

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Speaker 2: then whatever. I don't look at it like them do

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Speaker 2: my homies or whatever. They don't have no reason too.

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Speaker 2: It's like some shit can be kind of disingenuous though, man,

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Speaker 2: and I don't look at them. Motherfucker's not being my homeboy.

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Speaker 2: If they don't, if they don't repost no ship. They don't.

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Speaker 3: Back in the days, like we didn't have social media,

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Speaker 3: we had uh, we had we had press, we had magazines,

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Speaker 3: we had newspapers. So uh, you know, I would drop

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Speaker 3: a record, you know, and we had this thing where

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Speaker 3: everybody knew when everybody was dropping new records, right, you know,

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Speaker 3: everybody you drop on Friday.

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Speaker 1: Right.

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Speaker 3: So I'm friends with a lot of niggas in the industry,

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Speaker 3: and I didn't go picking up magazines to see when

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Speaker 3: Scarface did an interview. If he's talking about the MC

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Speaker 3: eight record that just came out, you give me. His interview.

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Speaker 3: Is for his interview, you get his promotions. For his promotion,

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Speaker 3: is for his promotion, you get me. And and niggas,

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Speaker 3: I guess, tend to forget this is a friendly competition thing.

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Speaker 3: I'm trying to sell records, you get me. So if

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Speaker 3: I'm in the process of trying to keep my own

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Speaker 3: shit on fire, I've got time to mention another niggas shit.

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Speaker 3: I'm in the same game as you. Right, don't need

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Speaker 3: any b for anything. But if I got to, if

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Speaker 3: I got an interview with the Source or La Times

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Speaker 3: or or Rolling Stone, I'm not finn to go in

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Speaker 3: there and then give them a whole section and about

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Speaker 3: but have y'all heard that Scarface record and that motherfucker

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Speaker 3: is hard?

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Speaker 1: Man?

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Speaker 3: Man, they got you get me. It's like, okay, look

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Speaker 3: like you lost your mind, right, Like, ain't you here

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Speaker 3: to promote Joe shit and get your units off? But

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Speaker 3: for the last thirty minutes you've been talking about Scarface's

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Speaker 3: record or Spice's record or you get me. So it's

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Speaker 3: not it's not mandatory. It's a friendly gesture. If a

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Speaker 3: nigga want to use his platform to you know, get

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Speaker 3: that brotherly love off, you get me. Niggas call them say,

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Speaker 3: oh that's the home need blah blah blah, I'm a

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Speaker 3: post uh. And most of the time niggas do it

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Speaker 3: because they either got a song with a nigga or

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Speaker 3: they trying to fuck with the nigga or they just

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Speaker 3: you know, bumped into each other and some business is

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Speaker 3: finna go down. So that's the new form of of

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Speaker 3: of advertisement for a motherfucker. You get me, hey man,

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Speaker 3: you know my record coming out? You know that's what

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Speaker 3: niggas do. Niggas hit me up in my DMS and

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Speaker 3: slide need ay video or they record or whatever some

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Speaker 3: niggas even and you know, trying to throw you some

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Speaker 3: bread by doing it.

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Speaker 1: You get me.

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Speaker 3: It's the new form of promotion. A eight my single

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Speaker 3: just dropped. How much you charge me to post it

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Speaker 3: in your stories on your page and shit like?

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Speaker 2: But again that's not genuine, no dog, It's like, I

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Speaker 2: don't think people understand the way social media work.

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Speaker 1: Like me. I got a lot of Homeboy's right to

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Speaker 1: do different shit.

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Speaker 2: I made sure they ship to our stories, but it's

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Speaker 2: because I support what they do and I may have

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Speaker 2: saw it and I like it or whatever, and I

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Speaker 2: posted you feel what I mean?

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Speaker 1: Sometimes I don't.

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Speaker 2: I don't do that for everybody because at the end

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Speaker 2: of the day, we got shit off you that we're

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Speaker 2: doing it.

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Speaker 1: I'm trying to get off you.

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Speaker 2: Feel what I'm saying, so that this thing ain't even

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Speaker 2: gonna say.

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Speaker 1: And I just think the moment you start letting.

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Speaker 2: Motherfuckers pay you for anything that's outside of a brand, dog, it's.

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Speaker 1: Just a slippery slope.

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Speaker 2: Next thing, you know, you got a whole page fully

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Speaker 2: just everybody else's ship.

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Speaker 3: Yeah, yeah, because niggas will take advantage of that ship. Yeah,

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Speaker 3: niggas that get to hit you man, Yeah, man, can

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Speaker 3: I pay you like next thing?

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Speaker 1: You know?

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Speaker 3: You done turned into a promoter or an advertiser and

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Speaker 3: ship you get.

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Speaker 1: Me, That's what I'm saying.

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Speaker 3: And you can have projects coming out, but you so

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Speaker 3: motherfucking took a couple of dollars because sew and sold

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Speaker 3: the page. I don't want to turn into no advertise

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Speaker 3: or promoter. I'm the artist. You feel me, and niggas

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Speaker 3: shouldn't A nigga shouldn't be offended if you don't postate ship.

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Speaker 3: I don't mean nothing by it, nigga. My page is

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Speaker 3: for me. You feel me. Now, if it's something connected

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Speaker 3: into my business and nigga's making money and we're doing something,

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Speaker 3: it's different now if me and my nigga got a

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Speaker 3: collective project together, a joint project, and then of course

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Speaker 3: I'm gonna promote that motherfucker. But I ain't making no

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Speaker 3: money off of your record, you know.

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Speaker 2: Like for example, you know Charlemagne, now nine percent of

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Speaker 2: the time he's share our shit.

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Speaker 1: Like if I post something about the show or whatever,

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Speaker 1: he is shared.

201
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Speaker 2: Every once in a while, he don't. I don't get mad,

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Speaker 2: I don't get upset. I don't feel no kind of way.

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Speaker 2: It's just that's just what it is. I'm pretty sure

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Speaker 2: with all the shit Charlemagne got going on, it ain't

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Speaker 2: a thing like he thinking, hmm, let me go see

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Speaker 2: what Stevelm got going on so I can support it. No, man,

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Speaker 2: that dude support us about letting us have.

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Speaker 1: The situation we have. That's how I look at it.

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Speaker 3: You feel me and the network promotes us on certain shit.

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Speaker 3: So that's what I'm saying.

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Speaker 1: We might.

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Speaker 3: We might every now and then get a personal post

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Speaker 3: from Charlemagne or he might hit me up or you

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Speaker 3: up and you know, repost the page on some of

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Speaker 3: that type of ship.

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Speaker 1: But that's what the network does.

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Speaker 3: You get me, lack effect promote us because we have

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Speaker 3: a partnership or whatever. But I'm not looking for Charlemagne

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Speaker 3: to post my album when it dropped. You get me like,

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Speaker 3: that's not you know, he might just do that, but

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Speaker 3: you which is yeah, which is which is? Which is cool?

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Speaker 3: But I don't get mad if you know, me and

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Speaker 3: Premo been friends for decades. That's my nigga. I don't

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Speaker 3: get mad at promote don't post my record.

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Speaker 1: You get me.

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Speaker 3: If you do, and not saying that he won't because

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Speaker 3: he'll go to his stories and postalship. But I'm like,

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Speaker 3: I'm not I'm not looking for that.

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Speaker 1: You get me.

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Speaker 3: I have a gang of friends in the industry, and

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Speaker 3: when I dropped something I've never looked at, you know.

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Speaker 3: But like I said, still, that's the new form of

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Speaker 3: of how people do shit today. You know, how how

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Speaker 3: how shit is verified today. It's very important to motherfuckers.

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Speaker 3: And so people look at that and feel like it's

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Speaker 3: some like him, and you know, people, I bet I

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Speaker 3: bet you he regret uh not back in Drake now,

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Speaker 3: seeing that Kendrick didn't post his record and his record

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Speaker 3: only sold a certain amount of copies and blah blah blah,

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Speaker 3: like people was really like silly with that bullshit, Like

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Speaker 3: like that's really what affected the situation because I went

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Speaker 3: because I went to the power out and I went

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Speaker 3: to represent. You know, Kendrick is the homiet, but you

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Speaker 3: know I went to represent as far as a whole content.

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Speaker 3: You know, that's where I'm from, That's where I represent.

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Speaker 3: That's why my presence I felt, you know, was there,

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Speaker 3: not not because I was.

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Speaker 1: Looking for Kendrick to If you get me, Kendrick.

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Speaker 3: Got a billion fans and I'm looking for him to

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Speaker 3: post my record on his page because I'm hoping that

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Speaker 3: some of that generates over to me, no my fans

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Speaker 3: and Kendrick fans fans, and if I get a few

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Speaker 3: of his or he get a few of minds by

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Speaker 3: us collaborating or me showing up whatever. But Nigga, I've

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Speaker 3: been doing this without Kendrick or you get me like

256
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Speaker 3: not saying this man got a fan base of his own.

257
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Speaker 3: I got my own fan base. You know, we not

258
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Speaker 3: even even in the same you know type of shit.

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Speaker 3: I do my shit, he do his shit. We just

260
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Speaker 3: happened to be two niggas from Compton affiliated from the

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Speaker 3: same side. So and I just felt like, you know,

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Speaker 3: it was showing love for the whole situation, but I

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Speaker 3: didn't look for it as Oh well in return, I

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Speaker 3: got a record coming out, you know, next month, So

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Speaker 3: when my record come out, I'm gonna need some of

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Speaker 3: that advertisement.

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Speaker 1: Like nah, nigga, Like, yeah, that's just one of the things. Man.

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Speaker 2: I think it's real lame. You know what else, I

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Speaker 2: think lame as fuck. Got like five things I just

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Speaker 2: think lame as hell. And today I was like really

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Speaker 2: losing my shit. They I think It's lame when niggas

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Speaker 2: start talking about other niggas money, which nigga don't have money.

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Speaker 2: You know, you got these niggas that both successful people, right,

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Speaker 2: You got one nigga saying, oh, this other nigga ain't

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Speaker 2: got no money because he cut his own grass. It's

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Speaker 2: just real weird shit dog like motherfucker's worried about other

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Speaker 2: niggas finances. I think it's lame as hell, man, when

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Speaker 2: these people go out and buy all these Instagram followers,

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Speaker 2: like the girl what's her name, Lie Spice, they said

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Speaker 2: she don't. I lost like five hundred some thousand followers

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Speaker 2: over just like the past week. And that's because the

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Speaker 2: motherfucking followers probably fake in the first place, right. I

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Speaker 2: just I just think that ship laan and say, hell man,

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Speaker 2: it's a lot of ship right now, man, to where

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Speaker 2: it seemed like if people think something can get him

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Speaker 2: a men of fame, man, I betical they canna suck

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Speaker 2: their mama's tity on camera.

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Speaker 1: Yeah.

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Speaker 3: I think it's weird, you know, I think it's weird

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Speaker 3: that a lot of of niggas who's supposed to be

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Speaker 3: with maturity are so interested in the next grown up nigga.

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Speaker 3: You feel me, I really don't give a fuck about

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Speaker 3: what the next nigga got going on, and not in that.

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Speaker 1: Tone, but I really don't give a fuck like that,

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Speaker 1: You get me.

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Speaker 3: I don't give a fuck a nigga told on so

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Speaker 3: and so or I don't give a fuck to know

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Speaker 3: that a nigga got three Bentley's and ooh that nigga

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Speaker 3: got this, and ooh that nigga got like I've never

300
00:17:09,040 --> 00:17:15,920
Speaker 3: been in I've never I've never been curious about another

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Speaker 3: man's status.

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Speaker 1: If we cool, we cool.

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Speaker 3: I don't give a fuck if you got a hundred

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Speaker 3: dollars or one hundred million. If we cool, we cool,

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Speaker 3: and if we not. I've never been one of those

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00:17:28,400 --> 00:17:31,000
Speaker 3: niggas who just sit back and be like, Man, this

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Speaker 3: nigga think he is ship because he got a hundred million.

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Speaker 3: You know, I might take cool that nigga made a

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Speaker 3: hundred million, that's him.

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Speaker 1: You get me. Count. I like to count niggas pockets. Man.

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Speaker 1: You give me because I'm too busy trying to count

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Speaker 1: my own. How many niggas?

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Speaker 2: And you can ask if you're going to, you don't

314
00:17:53,880 --> 00:17:56,320
Speaker 2: have to, if you don't want to, how many niggas

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Speaker 2: that you actually thought she was real cool with, like

316
00:17:58,800 --> 00:18:00,960
Speaker 2: from back in the day, like homies that you may

317
00:18:01,040 --> 00:18:04,359
Speaker 2: grew up with. How many friendships have you lost because

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Speaker 2: a nigga didn't think you were supporting him enough.

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Speaker 3: Well, only ran just for a certain amount of niggas

320
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Speaker 3: in a certain circle. So I've never been in a

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Speaker 3: position to where, you know, I guess saying like, you know,

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Speaker 3: supporting another man, because if you're a grown ass man,

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Speaker 3: you supposed to do what you gotta do right.

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Speaker 1: Now.

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Speaker 3: If you're struggling, motherfucking you got some addictions or some alcoholism,

326
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Speaker 3: or you got some problems, then it's always cool to

327
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Speaker 3: ask for help, and if you can help in some

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Speaker 3: type of way, then that's cool. But as a motherfucking

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Speaker 3: man who's supposed to get up every day and do

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Speaker 3: some kind of work and earn some kind of paycheck,

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Speaker 3: and that's what we're supposed to do, right.

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Speaker 1: I've never.

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00:19:14,359 --> 00:19:17,480
Speaker 3: Now if a nigga situation is what it is, I'm

334
00:19:17,480 --> 00:19:21,399
Speaker 3: gonna be like, nigga, that's cool. I mean, don't don't

335
00:19:21,440 --> 00:19:25,560
Speaker 3: feel disappointed in yourself, because you know there's some niggas

336
00:19:25,560 --> 00:19:28,760
Speaker 3: who just feel like like I always have that saying,

337
00:19:28,920 --> 00:19:32,960
Speaker 3: like today, everybody want to be motherfucking famous. Nobody wants

338
00:19:32,960 --> 00:19:37,720
Speaker 3: to be normal. And I know normal niggas. You get me.

339
00:19:38,080 --> 00:19:40,439
Speaker 3: I know normal niggas who get up in the morning

340
00:19:40,560 --> 00:19:44,720
Speaker 3: go punch your clock and WoT you won't and they

341
00:19:44,800 --> 00:19:47,800
Speaker 3: might just be living just as as great or as

342
00:19:47,840 --> 00:19:48,840
Speaker 3: fine as I am.

343
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Speaker 1: You get me able to send their kids to college college.

344
00:19:54,720 --> 00:19:58,040
Speaker 3: You know, some people kids ain't like me and yours,

345
00:19:58,480 --> 00:20:01,840
Speaker 3: where they play sports and earn scholarships and all that.

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00:20:02,280 --> 00:20:05,840
Speaker 1: It's a lot. It's it's people normal, so the ain't

347
00:20:05,880 --> 00:20:08,320
Speaker 1: nothing wrong with that. There's nothing wrong with being normal.

348
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Speaker 3: I try to to associate myself, right, I try to

349
00:20:17,560 --> 00:20:22,480
Speaker 3: associate myself around motherfuckers who feel confident about who they

350
00:20:22,520 --> 00:20:27,919
Speaker 3: are period to where like like Nigga, I know you

351
00:20:28,040 --> 00:20:30,760
Speaker 3: a rapper and you done been around the world and

352
00:20:30,800 --> 00:20:32,680
Speaker 3: you done been here and been there.

353
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Speaker 1: But I'm fine with my status. You getting me.

354
00:20:37,000 --> 00:20:40,960
Speaker 3: I got me a nice bedroom house and I get

355
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Speaker 3: up and go to work every day and come home

356
00:20:43,680 --> 00:20:46,840
Speaker 3: and blah blah blah. But I don't need no motherfucking

357
00:20:46,920 --> 00:20:50,040
Speaker 3: pat on the back, Like, man, you're doing a great job.

358
00:20:50,200 --> 00:20:55,359
Speaker 1: What the fuck you mean? Yeah, you know.

359
00:20:57,400 --> 00:21:02,240
Speaker 3: Jealous niggas and niggas who hate, they're gonna be looking

360
00:21:02,240 --> 00:21:05,919
Speaker 3: for some crack congratulations from you. You're getting a nigga,

361
00:21:05,920 --> 00:21:09,200
Speaker 3: I just bought me truck and shoot booty wom and

362
00:21:09,480 --> 00:21:13,639
Speaker 3: and if we're gonna come, if you don't come through life,

363
00:21:14,000 --> 00:21:16,160
Speaker 3: oh man, that more fucker hard.

364
00:21:15,960 --> 00:21:18,840
Speaker 1: Man looking there. Wooty. I'm like, oh, you got a

365
00:21:18,880 --> 00:21:20,880
Speaker 1: new truck. Okay, that's cool.

366
00:21:21,160 --> 00:21:25,399
Speaker 3: Like like shit, a hard working man gonna be a

367
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Speaker 3: hard working man.

368
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Speaker 1: You feel me?

369
00:21:27,040 --> 00:21:29,760
Speaker 3: Still don't giving nigga, I don't need no pat on

370
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Speaker 3: the back for what I'm supposed to do.

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Speaker 1: Nigga, Well you know.

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Speaker 2: What it is, man, It's because people don't do shit

373
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Speaker 2: a lot of times for their own joy. Like if

374
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Speaker 2: I go out and buy a new truck, Like right now,

375
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Speaker 2: me and a wife is considering buying a new truck,

376
00:21:42,480 --> 00:21:46,239
Speaker 2: right right, that's an investment. But we not doing that

377
00:21:46,280 --> 00:21:49,040
Speaker 2: for nobody else but us. We not doing to drive

378
00:21:49,119 --> 00:21:50,960
Speaker 2: up and down the street. Oh look at what I got.

379
00:21:50,960 --> 00:21:53,520
Speaker 2: We doing it because hey, it may be time for

380
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Speaker 2: a new wi.

381
00:21:55,119 --> 00:21:55,320
Speaker 1: Right.

382
00:21:55,400 --> 00:21:57,320
Speaker 3: You're not looking for a nigga to walk up and

383
00:21:57,359 --> 00:22:00,680
Speaker 3: be like all steal nigga that gainst the crawling nigga.

384
00:22:00,760 --> 00:22:03,760
Speaker 3: You balling nigga, have got you a new truck? You

385
00:22:04,359 --> 00:22:07,080
Speaker 3: moving up and you ain't looking for that. I got

386
00:22:07,080 --> 00:22:10,439
Speaker 3: that new truck because me and my wife needed a

387
00:22:10,520 --> 00:22:13,240
Speaker 3: new truck, not because I'm trying to impress a nigga

388
00:22:13,359 --> 00:22:15,960
Speaker 3: or I'm looking for a nigga to peep out my

389
00:22:16,200 --> 00:22:20,320
Speaker 3: pockets or or whatever. Nigga, I just bought a new truck.

390
00:22:20,359 --> 00:22:22,239
Speaker 1: And you know what the silly ass shit about what

391
00:22:22,280 --> 00:22:22,920
Speaker 1: you just said.

392
00:22:22,960 --> 00:22:26,440
Speaker 2: He Sometimes if a nigga wear a new fucking pair

393
00:22:26,440 --> 00:22:30,040
Speaker 2: of shoes, Niggas looking at me, Oh man, that Gainst

394
00:22:30,080 --> 00:22:33,040
Speaker 2: the Chronicles shit is cracking. It's like, my nigga, I

395
00:22:33,080 --> 00:22:37,560
Speaker 2: got fifty other things I do besides Gainst the Chronicles and.

396
00:22:39,280 --> 00:22:39,560
Speaker 1: Truck.

397
00:22:41,280 --> 00:22:46,919
Speaker 3: Niggas associate entertainment with Welson right period. It just it

398
00:22:47,000 --> 00:22:47,720
Speaker 3: don't matter.

399
00:22:47,920 --> 00:22:48,600
Speaker 1: You get me.

400
00:22:49,800 --> 00:22:53,320
Speaker 3: You got the Gangster the Chronicles m C eight was rapping,

401
00:22:54,000 --> 00:23:00,000
Speaker 3: you know, blah blah blah. So you niggas got money.

402
00:23:00,520 --> 00:23:03,719
Speaker 3: And now that y'all in this world of where people

403
00:23:03,760 --> 00:23:07,720
Speaker 3: associate you know, podcasters making a gang of bread.

404
00:23:08,080 --> 00:23:10,600
Speaker 1: You feel me? So I'm gonna sew you.

405
00:23:10,640 --> 00:23:13,240
Speaker 2: What's fucking it up? Let me tell you what's fucking

406
00:23:13,240 --> 00:23:16,199
Speaker 2: it up, my nigga. All of these niggas go on

407
00:23:16,200 --> 00:23:20,480
Speaker 2: this motherfucker line. I got fifteen million dollars, I got

408
00:23:20,480 --> 00:23:23,199
Speaker 2: twenty million dollars, I got this neck. Now, some of

409
00:23:23,240 --> 00:23:25,399
Speaker 2: these cats it was getting paid. I'm not hating on

410
00:23:25,480 --> 00:23:27,399
Speaker 2: nothing of them. God bless the niggas who will was

411
00:23:27,440 --> 00:23:31,320
Speaker 2: getting a dog. But when you start thinking a ram

412
00:23:31,359 --> 00:23:35,119
Speaker 2: of reality, how do somebody make that money back? If

413
00:23:35,160 --> 00:23:37,879
Speaker 2: you give a nigga fifteen million dollars for something, what

414
00:23:37,920 --> 00:23:39,640
Speaker 2: are you giving it to them for? You usually give

415
00:23:39,720 --> 00:23:43,120
Speaker 2: somebody some money in the hopes of tripling or quadrupling

416
00:23:43,240 --> 00:23:43,640
Speaker 2: your money.

417
00:23:43,680 --> 00:23:47,480
Speaker 1: Am I right? Right? How do you make that much

418
00:23:47,560 --> 00:23:48,359
Speaker 1: money back? Dog?

419
00:23:48,359 --> 00:23:50,320
Speaker 2: Because I look at some of these shows, bro, and

420
00:23:50,359 --> 00:23:52,920
Speaker 2: I'd be like, Okay, they maybe got a couple of

421
00:23:52,960 --> 00:23:55,840
Speaker 2: tickets for that shit. But all this shit about ten

422
00:23:55,840 --> 00:23:58,840
Speaker 2: to fifteen million dollars, dog is just crazy because it's

423
00:23:58,880 --> 00:24:01,520
Speaker 2: a lot of pocket watching I had. You know what,

424
00:24:01,840 --> 00:24:04,640
Speaker 2: I would say, more than anything that impacted this show

425
00:24:04,760 --> 00:24:08,399
Speaker 2: right here was niggas listening to bullshit when they was

426
00:24:08,440 --> 00:24:11,679
Speaker 2: a part of the show. Like you would think, Okay,

427
00:24:11,760 --> 00:24:15,040
Speaker 2: you're a part of this shit. You see what's going on,

428
00:24:15,960 --> 00:24:19,199
Speaker 2: he you've been over my house before. I have a

429
00:24:19,320 --> 00:24:21,879
Speaker 2: nice home. I have a cool home, but I'm not

430
00:24:22,040 --> 00:24:23,320
Speaker 2: living in the lap of luxury.

431
00:24:23,359 --> 00:24:24,080
Speaker 1: I don't have no.

432
00:24:24,200 --> 00:24:27,560
Speaker 2: Fifteen their room relations stay on the side of the

433
00:24:27,600 --> 00:24:31,600
Speaker 2: eels some mother fling where it's a regularized suburban home.

434
00:24:32,720 --> 00:24:34,119
Speaker 1: I am not doing it like that.

435
00:24:34,240 --> 00:24:36,520
Speaker 2: So when niggas would let that shit get to them,

436
00:24:36,800 --> 00:24:39,120
Speaker 2: Hey man, you talked, I'm talking about niggas that don't

437
00:24:39,160 --> 00:24:41,600
Speaker 2: have no clue about our business man. You know, he

438
00:24:41,680 --> 00:24:44,000
Speaker 2: went out and got about sixty seven million dollars from

439
00:24:44,000 --> 00:24:46,199
Speaker 2: the people. I'd be like, where is it that I

440
00:24:46,240 --> 00:24:49,119
Speaker 2: wish I had that sixty seven millionnig y'all talking about

441
00:24:49,480 --> 00:24:51,879
Speaker 2: people are really stuck on stupid nowadays.

442
00:24:51,920 --> 00:24:56,800
Speaker 1: Doog oh dub any damn thing. People believe anything that

443
00:24:56,880 --> 00:24:57,880
Speaker 1: you push in front of them.

444
00:24:58,400 --> 00:25:00,919
Speaker 2: I'm gonna tell you what I almost did, dog, and

445
00:25:00,960 --> 00:25:03,480
Speaker 2: I'd have probably got a gang and shit started. I

446
00:25:03,560 --> 00:25:05,480
Speaker 2: started one day to go to one of them open

447
00:25:05,520 --> 00:25:09,080
Speaker 2: houses for one of them nice ass, fancy ass crib somewhere,

448
00:25:09,600 --> 00:25:11,600
Speaker 2: and they had a camera come in and just follow

449
00:25:11,680 --> 00:25:14,800
Speaker 2: me like, yeah, I just put down this money on this,

450
00:25:15,000 --> 00:25:17,920
Speaker 2: and almost went out and rented me a motherfucking rose

451
00:25:18,000 --> 00:25:20,560
Speaker 2: rice or something for the weekend and just letting me

452
00:25:20,920 --> 00:25:23,200
Speaker 2: go out there and just kill theyselves looking at what I.

453
00:25:23,160 --> 00:25:23,679
Speaker 1: Got going on.

454
00:25:26,160 --> 00:25:29,119
Speaker 3: Yeah, and then niggas would have then niggas would have

455
00:25:29,160 --> 00:25:30,080
Speaker 3: really been on you.

456
00:25:31,400 --> 00:25:33,480
Speaker 2: That's what I'm saying. But then I said, man, you know,

457
00:25:33,680 --> 00:25:35,360
Speaker 2: you know the only Glasses told me. He said, man,

458
00:25:35,400 --> 00:25:36,840
Speaker 2: you do that you had to wind up doing something

459
00:25:36,840 --> 00:25:41,080
Speaker 2: to one of these dudes. Yeah, because jealousy runs far.

460
00:25:41,680 --> 00:25:45,320
Speaker 2: And you know, when you already have a situation where

461
00:25:45,359 --> 00:25:48,120
Speaker 2: motherfucker's where they're already trying to figure out some shit,

462
00:25:50,480 --> 00:25:53,920
Speaker 2: now you're giving a nigga a reason to uh spark

463
00:25:54,000 --> 00:25:58,480
Speaker 2: the flame, so to speak. Money turns motherfucker's jealous And

464
00:25:59,480 --> 00:26:04,439
Speaker 2: it's I'm fortunate that you know, you can be in

465
00:26:04,440 --> 00:26:07,080
Speaker 2: a situation like I said, you know, I'm just like

466
00:26:07,200 --> 00:26:11,120
Speaker 2: you or whatever. But then the minute you you do

467
00:26:11,240 --> 00:26:17,520
Speaker 2: something to work or whatever and enhance your fance, then

468
00:26:17,840 --> 00:26:20,159
Speaker 2: you become a victim of circumstance.

469
00:26:20,560 --> 00:26:24,800
Speaker 3: You feel me, because now everybody saw mother fucking curious

470
00:26:24,880 --> 00:26:28,600
Speaker 3: about what you got, that it's gonna be some niggas

471
00:26:28,600 --> 00:26:31,160
Speaker 3: out there jealous and want to take what you got.

472
00:26:31,200 --> 00:26:33,320
Speaker 1: It's just unfortunate when you.

473
00:26:33,600 --> 00:26:37,480
Speaker 2: Said you give me, I'm gonna tell you what it's

474
00:26:37,480 --> 00:26:39,160
Speaker 2: said about this shit an age.

475
00:26:39,200 --> 00:26:40,000
Speaker 1: You probably know this.

476
00:26:41,600 --> 00:26:43,720
Speaker 2: I think when I first when we first start doing

477
00:26:43,720 --> 00:26:48,080
Speaker 2: the Show Dog, I had a job the majority of

478
00:26:48,119 --> 00:26:51,840
Speaker 2: the time that we did the Show Dog, A good job.

479
00:26:52,280 --> 00:26:54,760
Speaker 2: I wouldn't just go walk away from you. Feel what

480
00:26:54,760 --> 00:26:57,320
Speaker 2: I mean? Because I have a future.

481
00:26:57,359 --> 00:26:57,560
Speaker 3: Dog.

482
00:26:57,600 --> 00:26:59,480
Speaker 2: There's certain plans I got. I want to live a

483
00:26:59,520 --> 00:27:02,120
Speaker 2: certain way when I get old. I'm already old, dog.

484
00:27:02,160 --> 00:27:04,879
Speaker 2: I have to have certain shit. I have a certain

485
00:27:04,880 --> 00:27:07,159
Speaker 2: standard living dog. In the way you achieve it. A

486
00:27:07,200 --> 00:27:10,600
Speaker 2: certain standard living is by working right. It's about working hard.

487
00:27:11,000 --> 00:27:13,800
Speaker 1: I have other things that I do to make money.

488
00:27:14,040 --> 00:27:17,720
Speaker 2: And I tell people just because you sit on your

489
00:27:17,760 --> 00:27:20,120
Speaker 2: tail feathers and you just go do this podcast once

490
00:27:20,119 --> 00:27:22,400
Speaker 2: a week or whatever, don't get mad at me because

491
00:27:22,440 --> 00:27:24,440
Speaker 2: I got some muscle about myself and I'm going to

492
00:27:24,480 --> 00:27:25,399
Speaker 2: go get more money.

493
00:27:25,520 --> 00:27:27,560
Speaker 1: Because my thing is this is seven days of the week.

494
00:27:27,600 --> 00:27:30,120
Speaker 2: And I always think, if you got too much idle time,

495
00:27:30,119 --> 00:27:31,080
Speaker 2: I ain't getting no money.

496
00:27:31,080 --> 00:27:32,639
Speaker 3: Dog, you can lose a little bit of money you

497
00:27:32,680 --> 00:27:37,480
Speaker 3: got exactly. Yeah, you got to be staying. You gotta

498
00:27:37,520 --> 00:27:41,560
Speaker 3: stay busy and y'all stay eyed on shit. It's something.

499
00:27:41,680 --> 00:27:45,280
Speaker 3: It's just some niggas don't have that drive, that incentive. So,

500
00:27:47,359 --> 00:27:49,600
Speaker 3: like I said, that's where a lot of jealousy comes

501
00:27:49,640 --> 00:27:54,520
Speaker 3: into play and a lot of situations that end up

502
00:27:54,520 --> 00:27:58,400
Speaker 3: on the wrong side because some niggas just can't handle

503
00:27:58,760 --> 00:28:07,879
Speaker 3: you know, some niggas just can't handle blessings for other niggas.

504
00:28:08,000 --> 00:28:12,560
Speaker 3: You feel me, Some niggas just can't handle it. You know,

505
00:28:12,960 --> 00:28:16,040
Speaker 3: they want you to stay broke, busted, and disgusted. You know,

506
00:28:16,400 --> 00:28:19,800
Speaker 3: that makes them happy to see you struggle, to see

507
00:28:19,840 --> 00:28:23,680
Speaker 3: you without And that's another one of our traits as

508
00:28:23,920 --> 00:28:29,679
Speaker 3: as as black people. You feel me, We love to

509
00:28:29,680 --> 00:28:32,040
Speaker 3: see a nigga downfall, you feel me.

510
00:28:32,680 --> 00:28:35,800
Speaker 1: Some niggas pray for it when you see it every

511
00:28:35,880 --> 00:28:36,760
Speaker 1: day on the internet.

512
00:28:37,359 --> 00:28:39,960
Speaker 2: How many times, like when you look at these sites, man,

513
00:28:39,960 --> 00:28:43,840
Speaker 2: when you look at the all hip hops, the complexes,

514
00:28:44,800 --> 00:28:49,720
Speaker 2: they're usually celebrating the motherfucker's downfall, something happening. You know,

515
00:28:49,960 --> 00:28:51,640
Speaker 2: I even looked at it with the kid that's the

516
00:28:51,720 --> 00:28:56,080
Speaker 2: quarterback seeoned Miller Moss them motherfuckers from TMZ pulled up

517
00:28:56,080 --> 00:28:58,960
Speaker 2: some shit that was from his freshman year about the

518
00:28:59,120 --> 00:29:02,040
Speaker 2: argument he had with this roommate. I'm like, man, y'all

519
00:29:02,040 --> 00:29:04,600
Speaker 2: can't congratulate the nigga on knocking off l s U.

520
00:29:05,040 --> 00:29:07,160
Speaker 2: So y'all want to go back and find some bull

521
00:29:07,280 --> 00:29:09,800
Speaker 2: shit about him. It's like, this sh is retarded. I'll

522
00:29:09,840 --> 00:29:13,360
Speaker 2: be honest with you. May sometimes I don't know how

523
00:29:13,440 --> 00:29:16,240
Speaker 2: much longer I can do this shit, my nigga, because

524
00:29:16,280 --> 00:29:17,240
Speaker 2: it's stupid.

525
00:29:18,040 --> 00:29:24,920
Speaker 3: Yeah, because times changed, man, times have changed to where

526
00:29:29,320 --> 00:29:39,120
Speaker 3: negativity is the ruler of content. Hating is the rule

527
00:29:39,200 --> 00:29:46,760
Speaker 3: of content on social media, and so it's heavily sought after.

528
00:29:47,200 --> 00:29:51,840
Speaker 3: You feel me, I don't want to come to congratulate, no,

529
00:29:52,000 --> 00:29:56,880
Speaker 3: motherfucking I mean, the motherfucker's gonna tune in if shit

530
00:29:57,040 --> 00:30:02,320
Speaker 3: is always positive. Nah, Negativity is what's gonna get us

531
00:30:02,360 --> 00:30:05,920
Speaker 3: the numbers and the views and the people to tune in.

532
00:30:06,440 --> 00:30:10,520
Speaker 3: So unfortunately we have to play that game, and a

533
00:30:10,560 --> 00:30:15,600
Speaker 3: lot of people, we got a lot of this you

534
00:30:15,680 --> 00:30:20,280
Speaker 3: know been you know we've been you know, we've been approached,

535
00:30:21,080 --> 00:30:26,680
Speaker 3: you know by by certain you know people that feels

536
00:30:26,880 --> 00:30:30,560
Speaker 3: like if we turn our show to a certain way,

537
00:30:31,440 --> 00:30:36,200
Speaker 3: then you know it'll get us more views, more more

538
00:30:36,400 --> 00:30:42,600
Speaker 3: whatever and always Uh, it was adamant about not being

539
00:30:42,680 --> 00:30:45,720
Speaker 3: those type of motherfuckers or not having the show go

540
00:30:45,880 --> 00:30:53,720
Speaker 3: that type of direction to where we we too, mature,

541
00:30:53,880 --> 00:30:58,800
Speaker 3: grown men who have been through you know, been through Ship.

542
00:30:59,080 --> 00:31:02,840
Speaker 3: You know, I was claiming the gang and selling dope

543
00:31:02,920 --> 00:31:06,280
Speaker 3: and doing that type of shit, you know, rapping about

544
00:31:06,400 --> 00:31:13,840
Speaker 3: situations or whatever. But we're mature now to where the

545
00:31:14,000 --> 00:31:17,880
Speaker 3: impact can be a little more positive with motherfuckers. But

546
00:31:19,840 --> 00:31:23,400
Speaker 3: a lot of motherfuckers, you know, everything is about what

547
00:31:23,520 --> 00:31:29,520
Speaker 3: they say. You know, everything's about the bag nowadays, and

548
00:31:29,560 --> 00:31:33,200
Speaker 3: whether it's negative or positive, Uh, if it's about the bag,

549
00:31:33,240 --> 00:31:36,400
Speaker 3: it's just about the bag. And a lot of a

550
00:31:36,440 --> 00:31:41,880
Speaker 3: lot of people have gone on the path of negativity

551
00:31:42,160 --> 00:31:47,240
Speaker 3: or controversy because, let's face it, niggas like to hear ship.

552
00:31:48,840 --> 00:31:51,960
Speaker 3: It takes a It takes a different type of motherfucker

553
00:31:52,560 --> 00:31:58,920
Speaker 3: who can keep themselves away from bullshit, you know, because

554
00:31:58,960 --> 00:32:02,040
Speaker 3: as an average one the fucker, we like to see

555
00:32:02,080 --> 00:32:05,640
Speaker 3: some some niggas caught up. We like to see some

556
00:32:05,720 --> 00:32:09,560
Speaker 3: niggas broke down, We like to see some some some

557
00:32:09,880 --> 00:32:17,000
Speaker 3: violence whatever whatever. So to be able to uh not

558
00:32:17,240 --> 00:32:21,520
Speaker 3: steer yourself in that direction, that takes a lot, uh,

559
00:32:22,920 --> 00:32:25,680
Speaker 3: And that's why we have a certain audience. You know,

560
00:32:25,800 --> 00:32:28,360
Speaker 3: even though you know, we to gangst the chronicles and

561
00:32:28,400 --> 00:32:33,800
Speaker 3: we talked to niggas about their their their their days

562
00:32:33,840 --> 00:32:37,920
Speaker 3: of old, or whether a nigga is still affiliated or

563
00:32:38,080 --> 00:32:41,120
Speaker 3: not affiliated, or some of his tales from the hood,

564
00:32:41,280 --> 00:32:43,920
Speaker 3: or we still try to take it in a manner

565
00:32:43,920 --> 00:32:47,040
Speaker 3: where niggas has grown, you feel me, Yeah, really.

566
00:32:46,960 --> 00:32:49,720
Speaker 2: Gotta be about growth, because we damn for damn sure

567
00:32:49,800 --> 00:32:53,720
Speaker 2: can't have no no motherfuckers this old up here voting

568
00:32:53,800 --> 00:32:54,560
Speaker 2: active game bang.

569
00:32:54,720 --> 00:32:56,120
Speaker 1: That should look ridiculous.

570
00:32:57,920 --> 00:33:05,600
Speaker 3: Man, Exactly, we at a certain status where people expect

571
00:33:05,680 --> 00:33:13,160
Speaker 3: certain shit, and you know, me to where I've come from,

572
00:33:13,560 --> 00:33:15,760
Speaker 3: I just you know, I just think it's a better

573
00:33:15,880 --> 00:33:19,680
Speaker 3: position to be able to be mature and show maturity

574
00:33:19,720 --> 00:33:23,520
Speaker 3: and growth and show that even yeah I was connected

575
00:33:23,560 --> 00:33:28,880
Speaker 3: to the streets or this ship whatever, but still niggas

576
00:33:28,920 --> 00:33:33,080
Speaker 3: are my age.

577
00:33:33,880 --> 00:33:35,920
Speaker 1: Not not to cut you off, gud, not to cut

578
00:33:35,920 --> 00:33:36,600
Speaker 1: you off, my gun.

579
00:33:37,520 --> 00:33:41,000
Speaker 2: But when you had your situation with quick, did your

580
00:33:41,040 --> 00:33:42,040
Speaker 2: record sales go up?

581
00:33:45,760 --> 00:33:49,360
Speaker 3: I wouldn't look at it as record sales went up.

582
00:33:53,480 --> 00:33:57,520
Speaker 3: I just looked at it as as and I never

583
00:33:57,800 --> 00:34:00,920
Speaker 3: I didn't even pay attention to that, like, oh, how

584
00:34:00,920 --> 00:34:06,160
Speaker 3: many more records I sold because niggas was beefing. If anything,

585
00:34:06,880 --> 00:34:12,759
Speaker 3: I looked at it like like a side thing you

586
00:34:12,880 --> 00:34:17,400
Speaker 3: give me, because Quick was one side. I was the

587
00:34:17,480 --> 00:34:20,760
Speaker 3: other side. So that's what I looked at it as.

588
00:34:21,000 --> 00:34:26,399
Speaker 3: I never looked at it as as a money come up,

589
00:34:26,880 --> 00:34:31,640
Speaker 3: you feel me, and that that some of that is

590
00:34:31,680 --> 00:34:34,759
Speaker 3: the aspect of today ship you give me.

591
00:34:35,120 --> 00:34:38,680
Speaker 1: Yeah, but that's what I was leading to because I think.

592
00:34:38,600 --> 00:34:42,920
Speaker 3: Yeah, I didn't I didn't, Yeah, I didn't beef with

593
00:34:43,200 --> 00:34:47,160
Speaker 3: I didn't beef thinking, Oh, if I start beefing with

594
00:34:47,200 --> 00:34:51,040
Speaker 3: a nigga, I'm finna sell two million more records.

595
00:34:51,560 --> 00:34:54,279
Speaker 2: I never looked at it like that. When do you

596
00:34:54,320 --> 00:34:57,120
Speaker 2: think that ship started? Can't come into it in the play.

597
00:34:57,160 --> 00:35:00,200
Speaker 2: I think it was when because fifty came in the

598
00:35:00,239 --> 00:35:02,880
Speaker 2: game angry as a motherfucker, right, and you know, he

599
00:35:02,920 --> 00:35:05,279
Speaker 2: was attacking a lot of motherfuckers people. He felt that

600
00:35:05,560 --> 00:35:08,640
Speaker 2: might have slowed his career down because you know, it

601
00:35:08,680 --> 00:35:10,319
Speaker 2: took him a while to get on. He went through

602
00:35:10,320 --> 00:35:12,920
Speaker 2: some shit. So I think Dongboy had a problem and

603
00:35:12,960 --> 00:35:15,799
Speaker 2: he was letting motherfuckers know anyan motherfucker that they had

604
00:35:15,840 --> 00:35:19,040
Speaker 2: it in for him previously he was getting in that ass.

605
00:35:19,640 --> 00:35:21,880
Speaker 2: I think when he came in and people saw the

606
00:35:21,920 --> 00:35:24,279
Speaker 2: way that he was successful, dog, they just started a

607
00:35:24,360 --> 00:35:28,680
Speaker 2: whole motherfucking trend. And people always liked bullshit motherfuckers like

608
00:35:28,760 --> 00:35:32,040
Speaker 2: the train Wreck. You think about Jerry Springer, some of

609
00:35:32,080 --> 00:35:34,800
Speaker 2: the messiest shit that don't been successful. Jerry Springer was

610
00:35:34,840 --> 00:35:39,759
Speaker 2: on TV for about fifteen years though doing bullshit. You are,

611
00:35:40,040 --> 00:35:40,880
Speaker 2: Maury Povish.

612
00:35:45,080 --> 00:35:48,680
Speaker 3: I think the dynamic of that shit change and came

613
00:35:48,840 --> 00:35:55,279
Speaker 3: in the era of the some of the young artists

614
00:35:55,560 --> 00:36:02,000
Speaker 3: who started feeling like, you know, I could dis a

615
00:36:02,080 --> 00:36:06,080
Speaker 3: nigga and the popularity of this thing will get me

616
00:36:06,239 --> 00:36:13,680
Speaker 3: more sales. You know that Takashi shit, when when Takashi

617
00:36:13,800 --> 00:36:17,640
Speaker 3: came out and you just had niggas, you know, like

618
00:36:17,719 --> 00:36:20,400
Speaker 3: I said, I used to have niggas that would that

619
00:36:20,560 --> 00:36:23,360
Speaker 3: would try to get me on songs and they would

620
00:36:23,400 --> 00:36:26,080
Speaker 3: just be like, Oh, I'm just gonna diss so and so,

621
00:36:27,120 --> 00:36:30,040
Speaker 3: and I'd be like, y'all got beef, Like no, I

622
00:36:30,040 --> 00:36:33,600
Speaker 3: don't know him, but because he's popular and that's how

623
00:36:33,640 --> 00:36:37,840
Speaker 3: it goes. I feel it would get me more popularity, faster,

624
00:36:38,160 --> 00:36:41,879
Speaker 3: known faster if I just dissed the nigga. That era

625
00:36:42,080 --> 00:36:46,600
Speaker 3: came about maybe fifteen years to go or ten years ago,

626
00:36:46,680 --> 00:36:50,080
Speaker 3: when niggas started feeling like I could diss a nigga

627
00:36:50,520 --> 00:36:55,040
Speaker 3: and it's gonna gather me more fans and more you

628
00:36:55,120 --> 00:37:03,080
Speaker 3: get me, because I met. We We didn't this motherfuckers

629
00:37:03,120 --> 00:37:06,640
Speaker 3: to feel like, oh, I'm fin the battle. I'm finna

630
00:37:06,680 --> 00:37:09,960
Speaker 3: start a battle with nig because if that was the case,

631
00:37:10,400 --> 00:37:13,959
Speaker 3: it'd been niggas behind closed doors going like, nigga, shit,

632
00:37:14,360 --> 00:37:18,160
Speaker 3: let us start a beef a nigga. It's gonna generate

633
00:37:18,360 --> 00:37:21,719
Speaker 3: two three million more record sales. You get me, and

634
00:37:21,800 --> 00:37:24,840
Speaker 3: we split that shit down the middle. It'll been conjured

635
00:37:24,920 --> 00:37:31,800
Speaker 3: up because it's the money thing. But I didn't start

636
00:37:31,920 --> 00:37:35,680
Speaker 3: no beef because I thought I would sell a million

637
00:37:35,760 --> 00:37:36,560
Speaker 3: more records.

638
00:37:36,840 --> 00:37:40,440
Speaker 1: You get me. Beef just happened because that's that's just

639
00:37:40,480 --> 00:37:41,200
Speaker 1: what it was.

640
00:37:42,000 --> 00:37:43,719
Speaker 2: That was the only beef you ever had in your

641
00:37:43,760 --> 00:37:45,920
Speaker 2: recor wouldn't it. Yeah, I didn't.

642
00:37:46,320 --> 00:37:49,040
Speaker 3: If I had any other beefs with niggas, it was

643
00:37:49,120 --> 00:37:53,279
Speaker 3: on some old small under the table. Who the hell

644
00:37:53,320 --> 00:37:56,200
Speaker 3: are you shit? You know, our motherfuckers just be They

645
00:37:56,239 --> 00:37:58,200
Speaker 3: wake up in the morning and go oho the fuck

646
00:37:58,320 --> 00:38:01,040
Speaker 3: is still I don't like that to fuck that nigga,

647
00:38:01,640 --> 00:38:03,920
Speaker 3: But you don't take that shit serious to where you're

648
00:38:03,960 --> 00:38:07,600
Speaker 3: thinking some shit just slide by. Like I said, a

649
00:38:07,640 --> 00:38:09,520
Speaker 3: lot of the times, all you gotta do is be

650
00:38:09,680 --> 00:38:14,160
Speaker 3: quiet and don't respond to a lot of the little bullshit.

651
00:38:14,560 --> 00:38:19,919
Speaker 3: And the way I tell motherfuckers all the time, dog

652
00:38:20,040 --> 00:38:23,040
Speaker 3: that if you gonna be in any branch of entertainment,

653
00:38:24,080 --> 00:38:27,520
Speaker 3: you have to prepare for a motherfucker not feeling you

654
00:38:27,560 --> 00:38:30,359
Speaker 3: are not liking what you do. And I laugh all

655
00:38:30,400 --> 00:38:33,040
Speaker 3: the time, dog, because I don't get a whole bunch

656
00:38:33,080 --> 00:38:34,879
Speaker 3: of shit, But I get a nigga not only.

657
00:38:34,760 --> 00:38:37,440
Speaker 1: Even look at comments. First of all, I get a.

658
00:38:37,480 --> 00:38:39,960
Speaker 2: Nigga that may come in and say, you know what,

659
00:38:40,760 --> 00:38:42,920
Speaker 2: I'd like to show better when it was so and so,

660
00:38:43,080 --> 00:38:44,000
Speaker 2: and I'll be laughing.

661
00:38:44,080 --> 00:38:45,040
Speaker 1: I like my nigga.

662
00:38:45,600 --> 00:38:47,520
Speaker 2: You know that was five years ago, right, and you

663
00:38:47,600 --> 00:38:50,640
Speaker 2: still commenting on some shit that's going on. Right, it's

664
00:38:50,640 --> 00:38:53,160
Speaker 2: twenty twenty four. You're talking about some shit that happened

665
00:38:53,160 --> 00:38:54,400
Speaker 2: back in twenty nineteen.

666
00:38:55,719 --> 00:38:57,520
Speaker 3: A lot of niggas do that shit just to get

667
00:38:57,520 --> 00:39:00,279
Speaker 3: a response out of you, because then they can go

668
00:39:00,400 --> 00:39:03,719
Speaker 3: around and go show people. Look I was getting into

669
00:39:03,760 --> 00:39:06,440
Speaker 3: it with Steal. They don't give a fuck that they

670
00:39:06,560 --> 00:39:09,319
Speaker 3: finna bring up some shit from ten years ago. I

671
00:39:09,320 --> 00:39:13,359
Speaker 3: don't care, but it gets them a chance to.

672
00:39:13,560 --> 00:39:13,960
Speaker 1: I call it.

673
00:39:14,160 --> 00:39:17,560
Speaker 3: Man, it's give a nigga five minutes a fame, you

674
00:39:17,640 --> 00:39:21,279
Speaker 3: feel me? And sometimes I wouldn't let niggas just had

675
00:39:21,360 --> 00:39:24,240
Speaker 3: a five minutes of fame because what you're talking about

676
00:39:24,400 --> 00:39:27,439
Speaker 3: is irrelevant right now, it don't even matter.

677
00:39:27,640 --> 00:39:30,719
Speaker 1: And then the second thing is who the fuck are you?

678
00:39:31,840 --> 00:39:35,160
Speaker 2: I tell you you gotta laugh at some of that shit, though.

679
00:39:35,160 --> 00:39:36,759
Speaker 2: I'm gonna tell you what a nigga did to meet

680
00:39:36,760 --> 00:39:40,600
Speaker 2: one day. Dog. First, he came on the Pegs and said,

681
00:39:40,600 --> 00:39:43,200
Speaker 2: I only fuck with the show because eight. I said,

682
00:39:43,280 --> 00:39:45,200
Speaker 2: that's cool, my nigga. I said, that's why I put

683
00:39:45,280 --> 00:39:47,800
Speaker 2: him on the show, because I said that nigga's puking.

684
00:39:47,880 --> 00:39:51,440
Speaker 2: I said, that's good, you know that's good. Then he

685
00:39:51,560 --> 00:39:53,640
Speaker 2: came back about it. I guess he thought I was

686
00:39:53,640 --> 00:39:55,320
Speaker 2: gonna be mad at something I like to come and

687
00:39:55,360 --> 00:39:57,080
Speaker 2: I said, I don't give a fuck my nigga. Good

688
00:39:57,160 --> 00:40:00,920
Speaker 2: shit keeps a port, you know. Then he came back

689
00:40:01,000 --> 00:40:04,200
Speaker 2: and said it y'all not gonna have that deal in

690
00:40:04,280 --> 00:40:06,640
Speaker 2: two months. I bet went two months. They about the crup,

691
00:40:06,760 --> 00:40:10,200
Speaker 2: y'all ass and you go to this nigga's page, doog,

692
00:40:10,320 --> 00:40:14,840
Speaker 2: this nigga got he following I think it's like fifteen

693
00:40:14,960 --> 00:40:18,920
Speaker 2: thousand people, man, and got one hundred followers, but he

694
00:40:19,040 --> 00:40:20,680
Speaker 2: following fifteen thousand people.

695
00:40:22,719 --> 00:40:26,080
Speaker 3: I said, this dude is miserable. Yeah, that's one of

696
00:40:26,160 --> 00:40:30,799
Speaker 3: those dudes who feel like like I said, first of all,

697
00:40:30,840 --> 00:40:34,920
Speaker 3: he just want attention and a lot of them shootout

698
00:40:35,080 --> 00:40:39,480
Speaker 3: comments because they looking for a response back because a

699
00:40:39,560 --> 00:40:42,400
Speaker 3: lot of the times, you know, that's what gets shit cracking,

700
00:40:42,560 --> 00:40:47,439
Speaker 3: negativity and you know, because you know, we first of all,

701
00:40:47,560 --> 00:40:54,600
Speaker 3: we men, and we feel like nigga pride involved nigga,

702
00:40:54,640 --> 00:40:58,000
Speaker 3: you ain't gonna. But I've learned to shape that type

703
00:40:58,040 --> 00:41:00,920
Speaker 3: of shit because a lot of the time it just

704
00:41:01,080 --> 00:41:03,840
Speaker 3: be again, niggas won't find minutes of fame.

705
00:41:04,040 --> 00:41:09,000
Speaker 1: And funny is hell to me. I've learned to deal

706
00:41:09,040 --> 00:41:10,520
Speaker 1: with what I tell.

707
00:41:10,640 --> 00:41:13,640
Speaker 3: What I say about that type of shit is is

708
00:41:14,200 --> 00:41:18,919
Speaker 3: I tell a nigga thank you, because I'm the type

709
00:41:18,920 --> 00:41:23,120
Speaker 3: of motherfucker who I can deal with criticism. And that's

710
00:41:23,160 --> 00:41:26,160
Speaker 3: what I take it as nigga, you say something about me,

711
00:41:26,320 --> 00:41:29,040
Speaker 3: I don't take that ship as a disc. I take

712
00:41:29,080 --> 00:41:32,839
Speaker 3: it as criticism. Okay, that's just telling me maybe something

713
00:41:32,920 --> 00:41:39,320
Speaker 3: I did you didn't like I might need because because

714
00:41:39,400 --> 00:41:42,640
Speaker 3: I'm not gonna go back and forth with you when

715
00:41:43,440 --> 00:41:49,680
Speaker 3: you are no significance to my standing. But by me

716
00:41:49,880 --> 00:41:52,480
Speaker 3: going back and forth with you right now on my

717
00:41:52,680 --> 00:41:56,560
Speaker 3: Instagram page of Facebook or any social media ship, uh,

718
00:41:57,000 --> 00:42:00,480
Speaker 3: it's giving you light. And then it's given you more

719
00:42:00,600 --> 00:42:04,160
Speaker 3: status than it is me even though my status is

720
00:42:04,280 --> 00:42:10,719
Speaker 3: already significant. It's making you spotlight because I'm gonna keep

721
00:42:10,800 --> 00:42:13,040
Speaker 3: going back. You donna diss me and you gonna say

722
00:42:13,120 --> 00:42:17,680
Speaker 3: some shit and my image or who you think I'm

723
00:42:17,680 --> 00:42:20,920
Speaker 3: supposed to be. I'm supposed to go out of the nigga.

724
00:42:21,120 --> 00:42:25,440
Speaker 3: You feel me, niggall, Fuck you, nigga, I'll see you, nigga.

725
00:42:25,440 --> 00:42:28,160
Speaker 3: I'm gonna pull out on you, nigga, I'll draw down

726
00:42:28,280 --> 00:42:31,880
Speaker 3: on you. I'm supposed to be the crazy, ballistic gangster.

727
00:42:32,760 --> 00:42:35,359
Speaker 1: You think that's what some shit?

728
00:42:36,320 --> 00:42:38,480
Speaker 3: Yeah, they want to they want Yeah, niggas want to

729
00:42:38,560 --> 00:42:43,680
Speaker 3: test you. And so when you turn around and you

730
00:42:43,880 --> 00:42:46,479
Speaker 3: hit a nigga with and usually I don't say shit.

731
00:42:47,040 --> 00:42:49,759
Speaker 3: I tell a nigga, do you know me? And I'm

732
00:42:49,800 --> 00:42:52,520
Speaker 3: saying it's cool. I take criticism because a lot of

733
00:42:52,640 --> 00:42:55,480
Speaker 3: times the niggas don't think you're gonna respond to them anyway.

734
00:42:56,400 --> 00:42:59,800
Speaker 3: They just want like just five minutes of fame. And

735
00:43:00,160 --> 00:43:02,000
Speaker 3: when you tell a nigga, do do you know me?

736
00:43:02,160 --> 00:43:04,800
Speaker 3: Because you're talking a lot of stuff. You're talking a

737
00:43:04,880 --> 00:43:09,480
Speaker 3: lot of ship about all my nigga, I was just

738
00:43:09,600 --> 00:43:12,520
Speaker 3: fucking around with you. I love your ship, man, Your

739
00:43:12,560 --> 00:43:14,600
Speaker 3: ship is the ship. That's what I mean.

740
00:43:16,760 --> 00:43:16,800
Speaker 1: That.

741
00:43:17,040 --> 00:43:19,040
Speaker 2: That's the promo team, man, nigga. I call them type

742
00:43:19,040 --> 00:43:21,040
Speaker 2: of niggas the promo team. You know what's a trip? Man,

743
00:43:21,080 --> 00:43:24,560
Speaker 2: I'm doing my podcast now. Everybody want a drump ship

744
00:43:24,760 --> 00:43:29,399
Speaker 2: and do all kinds of stuff. Oh shit, I got

745
00:43:29,480 --> 00:43:32,960
Speaker 2: the little I had to come upstairs. I got the

746
00:43:33,120 --> 00:43:36,200
Speaker 2: dogs and the ship hollering downstairs. I got them locked

747
00:43:36,239 --> 00:43:39,399
Speaker 2: in the kindle. It's all good because you know what, man,

748
00:43:39,480 --> 00:43:42,359
Speaker 2: it'll be quiet as hell all day, right and then

749
00:43:42,560 --> 00:43:46,239
Speaker 2: like everybody get to make a noise, turning shuit up,

750
00:43:46,280 --> 00:43:48,520
Speaker 2: creaking doors and all kind of shit, like.

751
00:43:48,600 --> 00:43:50,759
Speaker 3: Shit, well, I didn't know, you know, usually you not

752
00:43:50,920 --> 00:43:55,239
Speaker 3: here doing this motherfucking podcast. So we trying to be

753
00:43:55,320 --> 00:44:04,359
Speaker 3: as quiet as possible. But fuck that nigga. Oh, it's

754
00:44:04,400 --> 00:44:07,560
Speaker 3: all good people. You know, niggas got normal ship. That

755
00:44:07,760 --> 00:44:11,960
Speaker 3: just shows people that we still have some kind of

756
00:44:12,040 --> 00:44:13,959
Speaker 3: normalcy in our lives and ship.

757
00:44:14,200 --> 00:44:18,360
Speaker 1: You get me. Uh, we not uh, we're not in

758
00:44:18,480 --> 00:44:19,760
Speaker 1: the super setting.

759
00:44:20,480 --> 00:44:25,600
Speaker 3: You know, motherfucker's standing behind these cameras with with microphones

760
00:44:25,719 --> 00:44:27,480
Speaker 3: and ear plugs in and all.

761
00:44:27,640 --> 00:44:27,879
Speaker 1: Ship.

762
00:44:28,280 --> 00:44:31,320
Speaker 3: Were just some regular niggas. So this just shows that

763
00:44:31,520 --> 00:44:36,200
Speaker 3: we got regular lives because we can't make it to

764
00:44:36,680 --> 00:44:44,200
Speaker 3: the studio every every even though we you know, we

765
00:44:44,360 --> 00:44:46,520
Speaker 3: in the we in the studio and we're doing the

766
00:44:46,560 --> 00:44:50,520
Speaker 3: ship well. But sometimes you have to adjust. You know,

767
00:44:51,160 --> 00:44:54,080
Speaker 3: you might have a doctor's appointment, or your wife might

768
00:44:54,200 --> 00:44:58,120
Speaker 3: have something to do, or a nigga might not feel

769
00:44:58,360 --> 00:44:59,919
Speaker 3: like it because he litle under the web.

770
00:45:00,320 --> 00:45:02,600
Speaker 1: But don't mean I can't do it. I just don't

771
00:45:02,640 --> 00:45:03,520
Speaker 1: feel like driving.

772
00:45:03,640 --> 00:45:07,000
Speaker 2: And sometimes especially from where you coming from, Man, sometimes

773
00:45:07,040 --> 00:45:08,520
Speaker 2: I know you're getting that motherfucked car.

774
00:45:08,560 --> 00:45:10,600
Speaker 1: I'll be like, man, I don't feel like this.

775
00:45:11,719 --> 00:45:15,440
Speaker 3: Brought me a couple of blunts and and turn on

776
00:45:15,560 --> 00:45:18,839
Speaker 3: a movie or listen to some beats, and that's how

777
00:45:18,920 --> 00:45:21,680
Speaker 3: you pass the time while you roll it. But like

778
00:45:21,840 --> 00:45:28,480
Speaker 3: I said, speaking a niggas be normal. And like I said,

779
00:45:28,880 --> 00:45:31,720
Speaker 3: nigga be at home. Nigga at home right now and chilling.

780
00:45:31,840 --> 00:45:34,200
Speaker 3: And you know there's other ship that we had to

781
00:45:34,320 --> 00:45:38,600
Speaker 3: do that keeps us from making that dry. But we

782
00:45:38,800 --> 00:45:42,560
Speaker 3: still set up where we still can bring a nigga

783
00:45:42,600 --> 00:45:46,000
Speaker 3: to show. You might hear the wife talking in the background,

784
00:45:46,160 --> 00:45:50,400
Speaker 3: or some dogs barking, or some glasses breaking or just

785
00:45:51,080 --> 00:45:52,959
Speaker 3: but that's home.

786
00:45:53,200 --> 00:45:53,719
Speaker 1: You get me.

787
00:45:55,400 --> 00:45:58,719
Speaker 2: Hitting me in my inbox tomorrow talking about steal. I

788
00:45:58,840 --> 00:46:01,320
Speaker 2: got an audio jury here for you because you know,

789
00:46:01,440 --> 00:46:04,680
Speaker 2: what we're doing is live from our from our private

790
00:46:04,760 --> 00:46:08,640
Speaker 2: spots tonight. And you know why this shit all started

791
00:46:08,680 --> 00:46:11,560
Speaker 2: doing COVID actually because I said, man, you know what,

792
00:46:11,719 --> 00:46:14,360
Speaker 2: we can't get in the studios. So and I just

793
00:46:14,600 --> 00:46:16,440
Speaker 2: kind of perfected my shit over the years. You know,

794
00:46:16,520 --> 00:46:18,040
Speaker 2: got me a little set up in the corner of

795
00:46:18,080 --> 00:46:21,080
Speaker 2: the room, you know, right, I.

796
00:46:21,120 --> 00:46:23,719
Speaker 3: Mean it's a little I just put this spot to Yeah,

797
00:46:23,760 --> 00:46:25,439
Speaker 3: you know what I'm saying. You've seen my little shit.

798
00:46:25,520 --> 00:46:28,200
Speaker 3: There's just a little spot where you know, a nigga

799
00:46:28,320 --> 00:46:31,680
Speaker 3: kicking and smoke and would play the you know, get

800
00:46:31,760 --> 00:46:36,360
Speaker 3: on some little video game or record some little music.

801
00:46:36,800 --> 00:46:39,080
Speaker 3: And so I said, fucky, you might as well set

802
00:46:39,200 --> 00:46:42,400
Speaker 3: up something to where you know, anything could happen.

803
00:46:43,000 --> 00:46:46,319
Speaker 1: Yeah, we can gonna start doing your podcast. Ey now

804
00:46:46,360 --> 00:46:48,160
Speaker 1: I'm trying to give my ship cracking.

805
00:46:48,400 --> 00:46:52,560
Speaker 3: Uh. I'm gonna start with usually I just I gone

806
00:46:52,760 --> 00:46:56,120
Speaker 3: live on one of my little pages chatting with the

807
00:46:56,200 --> 00:46:58,400
Speaker 3: people for about thirty forty minutes.

808
00:46:58,760 --> 00:46:58,920
Speaker 1: You know.

809
00:46:59,080 --> 00:47:00,719
Speaker 3: We get up in the morning, in with a cup

810
00:47:00,800 --> 00:47:03,920
Speaker 3: of coffee with a blunt and just try to make

811
00:47:04,000 --> 00:47:09,319
Speaker 3: the rundown of the mornings, what niggas is getting into

812
00:47:10,320 --> 00:47:13,319
Speaker 3: for the week, whether you're in your car head at

813
00:47:13,360 --> 00:47:17,239
Speaker 3: the work, or you headed home from work, or you

814
00:47:17,440 --> 00:47:19,440
Speaker 3: just a nigga who up in the morning because you

815
00:47:19,560 --> 00:47:24,320
Speaker 3: got kids or pets or you know mothers and fathers

816
00:47:24,360 --> 00:47:27,160
Speaker 3: in laws or whatever. You know, like my mom, you know,

817
00:47:27,680 --> 00:47:30,000
Speaker 3: you like a guy. You know the gossip people. You

818
00:47:30,080 --> 00:47:32,680
Speaker 3: know how the ladies to sit up drink their coffee

819
00:47:32,719 --> 00:47:36,360
Speaker 3: and they robes and be talking about what or just

820
00:47:36,480 --> 00:47:39,040
Speaker 3: one of them ladies she liked to sit up and

821
00:47:39,160 --> 00:47:42,560
Speaker 3: she'll hit a nigga up every morning just to be like, hey,

822
00:47:42,680 --> 00:47:46,040
Speaker 3: what y'all doing, and you know it's gonna be hot

823
00:47:46,120 --> 00:47:49,560
Speaker 3: out there today, and you know, and talk about my

824
00:47:49,719 --> 00:47:54,879
Speaker 3: part too, talk about my brother or asks about what's

825
00:47:54,920 --> 00:47:57,960
Speaker 3: going on with Karan in school, and you know, just

826
00:47:58,040 --> 00:48:02,520
Speaker 3: one of them type so is normalcy is good, it's cool.

827
00:48:02,640 --> 00:48:04,800
Speaker 1: Ain't nothing wrong with it? You try to be that.

828
00:48:06,000 --> 00:48:08,879
Speaker 3: Hey, y'all will gonna ask you. You don't fuck with tob,

829
00:48:09,000 --> 00:48:13,120
Speaker 3: do you. I watched Toby to Be has a lot

830
00:48:13,160 --> 00:48:18,080
Speaker 3: of movies there. That old school ship you give me, that's.

831
00:48:18,800 --> 00:48:21,759
Speaker 1: You don't watch on there? You watch the Hood. I

832
00:48:21,800 --> 00:48:25,520
Speaker 1: don't like. I don't like. I don't like because a

833
00:48:25,600 --> 00:48:30,920
Speaker 1: lot of them aren't quality.

834
00:48:32,880 --> 00:48:36,840
Speaker 3: I get embarrassed by ship easy bye bye, you know,

835
00:48:38,160 --> 00:48:40,680
Speaker 3: by ghetto ship, even a nigga from the ghetto.

836
00:48:41,320 --> 00:48:48,480
Speaker 1: It embarrasses the watch shows. But the the homie rich

837
00:48:48,640 --> 00:48:52,440
Speaker 1: watches this. He loves them. You know, I don't. I

838
00:48:52,480 --> 00:48:54,600
Speaker 1: don't hook the mothers dog some of that.

839
00:48:56,280 --> 00:48:59,320
Speaker 3: I told the homie about your little Project because I

840
00:48:59,400 --> 00:49:03,440
Speaker 3: think that was on there, and uh, he watched it.

841
00:49:03,520 --> 00:49:06,160
Speaker 3: He said it was pretty good. The little Tails, the

842
00:49:06,239 --> 00:49:08,359
Speaker 3: little Tails from the Hood type of shit.

843
00:49:08,920 --> 00:49:12,000
Speaker 2: Yeah, yeah, that was I had fun with that. The

844
00:49:12,080 --> 00:49:17,040
Speaker 2: block trilogies, Yeah yeah, he thought that was pretty good.

845
00:49:17,200 --> 00:49:20,320
Speaker 3: So, you know, some of the movies are or or

846
00:49:20,920 --> 00:49:25,759
Speaker 3: quality enough to wear niggas can watch him and appreciate,

847
00:49:26,040 --> 00:49:28,000
Speaker 3: you know, the storylines and all that.

848
00:49:28,600 --> 00:49:31,560
Speaker 1: Now he's got some cheesy ones too. Now, oh, some

849
00:49:31,719 --> 00:49:33,120
Speaker 1: of the motherfuckers be cheesy.

850
00:49:33,239 --> 00:49:36,040
Speaker 2: U saw this one my nigga the other night to

851
00:49:36,120 --> 00:49:38,799
Speaker 2: where motherfucker got shot and fried by You know how

852
00:49:38,800 --> 00:49:41,719
Speaker 2: they show the guns the big flames coming off the motherfuckers.

853
00:49:41,800 --> 00:49:44,560
Speaker 1: Yeah, yeah, yeah, yeah, niggas got shot. He didn't have

854
00:49:44,719 --> 00:49:45,759
Speaker 1: no holes in his shirt.

855
00:49:45,840 --> 00:49:48,320
Speaker 2: You know, usually if somebody gets shredded with a semi

856
00:49:48,840 --> 00:49:52,160
Speaker 2: they shirt gonna be right off chests, open up. Dude

857
00:49:52,280 --> 00:49:54,400
Speaker 2: had look like they pour some hot sauce on his

858
00:49:54,480 --> 00:49:57,000
Speaker 2: T shirt or something and the homies is holding them

859
00:49:57,280 --> 00:49:59,680
Speaker 2: and when he passed out, it went, oh you can.

860
00:50:01,400 --> 00:50:03,800
Speaker 2: I said, wow, they put you can sound effect in

861
00:50:03,840 --> 00:50:06,640
Speaker 2: there when the homie got shot. So some of that

862
00:50:06,760 --> 00:50:09,000
Speaker 2: shit be so bad that to be entertaining. But I'm

863
00:50:09,000 --> 00:50:11,000
Speaker 2: gonna tell you it's a few good flicks I like

864
00:50:11,080 --> 00:50:13,160
Speaker 2: on that. I want to start doing it. I want

865
00:50:13,200 --> 00:50:15,120
Speaker 2: to bring back the hood movie of the Week, Dog

866
00:50:15,160 --> 00:50:18,800
Speaker 2: the Weeks to doing the radio show Dog right. So

867
00:50:19,080 --> 00:50:21,040
Speaker 2: you have to start watching. You got to start watching

868
00:50:21,080 --> 00:50:23,040
Speaker 2: some of them, hoove, You got to start watching some

869
00:50:23,120 --> 00:50:26,279
Speaker 2: of the ghettowass movies on tippy. I fucked with this

870
00:50:26,360 --> 00:50:28,680
Speaker 2: ship on their course, sir. It's a few movies out

871
00:50:28,800 --> 00:50:31,800
Speaker 2: like this ship called Circumstances. That was pretty good. It

872
00:50:31,920 --> 00:50:36,239
Speaker 2: was Shocked pretty good too. Circumstances was good. The other

873
00:50:36,320 --> 00:50:39,359
Speaker 2: ship I watched, it's the nigga out here named Big John.

874
00:50:39,520 --> 00:50:41,160
Speaker 2: I don't know a lot of people might follow Big

875
00:50:41,239 --> 00:50:44,360
Speaker 2: Jobs channel. He do a lot of the skits. He

876
00:50:44,480 --> 00:50:47,560
Speaker 2: got a little series on there called My Roommate Pays.

877
00:50:47,320 --> 00:50:49,919
Speaker 3: All the Bills. That shit funny. Is a motherfucker too, dog,

878
00:50:51,520 --> 00:50:55,000
Speaker 3: it's about it. If you got a good storyline and

879
00:50:55,120 --> 00:50:58,880
Speaker 3: you got some good cameras and uh, you know the

880
00:51:00,000 --> 00:51:02,879
Speaker 3: break down of what the ship is about, it's pretty good.

881
00:51:04,200 --> 00:51:06,320
Speaker 3: There could be a lot of good little you know,

882
00:51:07,280 --> 00:51:08,200
Speaker 3: I want you when we.

883
00:51:08,239 --> 00:51:11,719
Speaker 2: Get off the night, little dog, when we get off,

884
00:51:11,960 --> 00:51:15,319
Speaker 2: go watch that Circumstances ship. It's like apart one, two, three,

885
00:51:15,360 --> 00:51:18,160
Speaker 2: and four. I watched all the motherfuckers, right, because this

886
00:51:18,239 --> 00:51:22,719
Speaker 2: is a little twist, that motherfucker right, and watch Big

887
00:51:22,880 --> 00:51:25,480
Speaker 2: Jos ship. He got some shit that's funny called My

888
00:51:25,680 --> 00:51:28,080
Speaker 2: Roommate Pays All the Bills. It's like he did this

889
00:51:28,200 --> 00:51:31,319
Speaker 2: nigga that got an apartment, right, so the homey move

890
00:51:31,400 --> 00:51:33,440
Speaker 2: in with him. He got a two bedroom. Homey move

891
00:51:33,480 --> 00:51:37,759
Speaker 2: in with him, right, and he's like, you know, it's

892
00:51:37,800 --> 00:51:39,720
Speaker 2: all good at first, come on in. And they watched

893
00:51:39,760 --> 00:51:42,400
Speaker 2: the fight and fting chicks off and everything like that.

894
00:51:42,640 --> 00:51:45,360
Speaker 2: So the one homie that moved that, the one homie

895
00:51:45,400 --> 00:51:48,160
Speaker 2: loses job. The nigga asked you to move in. Some

896
00:51:48,320 --> 00:51:51,200
Speaker 2: dudes start tripping. That's why he left this other roommate.

897
00:51:51,239 --> 00:51:53,160
Speaker 2: He said, man, you ain't got no job. He came

898
00:51:53,200 --> 00:51:55,319
Speaker 2: home from work one day. The dude was in there

899
00:51:55,360 --> 00:51:58,040
Speaker 2: on the xbox or whatever. He said, Man, why you're

900
00:51:58,080 --> 00:52:00,719
Speaker 2: not at work. He's like, I lost my job. Dude

901
00:52:00,800 --> 00:52:03,040
Speaker 2: goes in the room, grabs his bag like you know,

902
00:52:03,080 --> 00:52:04,600
Speaker 2: he got his suitcase already packed.

903
00:52:04,600 --> 00:52:06,800
Speaker 1: He's like, I ain't going through this no more. I'm gone.

904
00:52:07,160 --> 00:52:09,000
Speaker 1: And he's like, hold on, man, it's just a little

905
00:52:09,160 --> 00:52:10,479
Speaker 1: you know, small little latch.

906
00:52:10,680 --> 00:52:13,640
Speaker 2: I'm about to get through this and shit, So dude

907
00:52:13,719 --> 00:52:15,919
Speaker 2: don't find a job, and no boy wind up coming

908
00:52:16,000 --> 00:52:16,479
Speaker 2: for the rent.

909
00:52:16,840 --> 00:52:18,719
Speaker 1: He started telling this nigga he can't go out on

910
00:52:18,880 --> 00:52:19,560
Speaker 1: dates no more.

911
00:52:19,640 --> 00:52:22,280
Speaker 2: He can't have no women over the crib. He's like nigga,

912
00:52:22,320 --> 00:52:24,160
Speaker 2: you ain't got time to be messing with no females.

913
00:52:24,239 --> 00:52:26,320
Speaker 2: You need to go find a job. That shit funny

914
00:52:26,320 --> 00:52:29,160
Speaker 2: as a motherfucker. Though, you gotta watch that shit. I'm

915
00:52:29,200 --> 00:52:31,319
Speaker 2: not to tell her Onie to peak that shit out.

916
00:52:31,440 --> 00:52:33,920
Speaker 2: He liked the movies and then he'll give me the

917
00:52:34,560 --> 00:52:40,200
Speaker 2: rundown and the great. Yeah, you gotta teh tell rich

918
00:52:40,320 --> 00:52:42,320
Speaker 2: Asks to check that motherfucker out. Richard be on a

919
00:52:42,440 --> 00:52:44,040
Speaker 2: rich probably already know about that shit.

920
00:52:44,640 --> 00:52:48,319
Speaker 1: Ye'all might ask him because he probably already know about it. Hey,

921
00:52:48,560 --> 00:52:50,239
Speaker 1: I don't know if you remember me seeing this.

922
00:52:51,400 --> 00:52:54,080
Speaker 2: You remember I told you about three years ago when

923
00:52:54,120 --> 00:52:57,640
Speaker 2: that Ice Spice rapper first came out the girl right,

924
00:52:58,239 --> 00:52:59,960
Speaker 2: and I said, if she don't get better at her

925
00:53:00,400 --> 00:53:03,480
Speaker 2: and start really taking her music series, she gonna wind

926
00:53:03,560 --> 00:53:05,239
Speaker 2: up being then OnlyFans model or something.

927
00:53:07,600 --> 00:53:10,040
Speaker 1: Her shit is really starting to implode right now.

928
00:53:10,160 --> 00:53:12,520
Speaker 2: Man, I don't know why people getting this game doll

929
00:53:12,600 --> 00:53:14,840
Speaker 2: to think all they gotta do is shake their ass, niggle,

930
00:53:14,920 --> 00:53:15,759
Speaker 2: get some money.

931
00:53:17,440 --> 00:53:24,200
Speaker 3: Or a Gavity career. That's gonna sayple mind. That's because

932
00:53:26,320 --> 00:53:28,359
Speaker 3: and I don't even want to call it hip hop

933
00:53:29,239 --> 00:53:35,799
Speaker 3: rap music. Rap music has become a thing of imagery,

934
00:53:36,480 --> 00:53:42,319
Speaker 3: you feel me. Like a lot of people say, fake

935
00:53:42,400 --> 00:53:48,440
Speaker 3: it till you make it. It's never been an issue

936
00:53:48,480 --> 00:53:55,520
Speaker 3: of having talent, because you don't build your career in

937
00:53:55,840 --> 00:54:01,920
Speaker 3: hip hop off of sexuality, you feel me. Hip hop's

938
00:54:01,920 --> 00:54:07,000
Speaker 3: supposed to be about lyricism, beats, you know, break dancing,

939
00:54:07,520 --> 00:54:09,279
Speaker 3: DJing and all that shit.

940
00:54:09,560 --> 00:54:13,200
Speaker 1: Back in the days, it was never about.

941
00:54:16,000 --> 00:54:23,480
Speaker 3: The ass and pussy and the flotation, the twerking and

942
00:54:24,320 --> 00:54:28,480
Speaker 3: my pussy, my ass. It was never about that. So

943
00:54:30,840 --> 00:54:36,440
Speaker 3: exploiting the sexuality for a lot of female rappers dumb

944
00:54:36,640 --> 00:54:39,520
Speaker 3: down the program. And what I say dumb down the

945
00:54:39,640 --> 00:54:47,839
Speaker 3: program is because if you're smart, motherfucking you intelligent, then

946
00:54:47,960 --> 00:54:55,719
Speaker 3: you know motherfucker's not talented, right, But niggas dumb themselves

947
00:54:55,960 --> 00:55:02,120
Speaker 3: down to applaud the music because I like the bitch's ass,

948
00:55:03,400 --> 00:55:10,040
Speaker 3: I like the way she looked. Okay, So then, bitch,

949
00:55:10,040 --> 00:55:14,680
Speaker 3: you ain't gonna be a rapper. If you want, motherfuckers

950
00:55:14,840 --> 00:55:17,800
Speaker 3: just look at you. You get me, you'd be a stripper.

951
00:55:18,800 --> 00:55:21,719
Speaker 3: You could be a hooker, you feel me. If you

952
00:55:21,920 --> 00:55:26,320
Speaker 3: want to exploit your pussy, your ass, your titties type

953
00:55:26,360 --> 00:55:29,320
Speaker 3: of shit, And you know what man hip hop was

954
00:55:29,360 --> 00:55:34,360
Speaker 3: about hip hop was about and beats and shit, and

955
00:55:35,640 --> 00:55:41,080
Speaker 3: niggas figured out a way to curve the motherfucking you know,

956
00:55:41,480 --> 00:55:45,719
Speaker 3: like the bridge. You know you've seen them. You've seen

957
00:55:45,840 --> 00:55:49,160
Speaker 3: the motherfucking thor movies or something. They got the bridge

958
00:55:49,320 --> 00:55:53,520
Speaker 3: right that shoots them up to the home. Shit, Well,

959
00:55:53,600 --> 00:55:56,360
Speaker 3: niggas found a way to curve that bridge into another

960
00:55:56,480 --> 00:55:57,640
Speaker 3: motherfucking position.

961
00:55:58,600 --> 00:56:04,280
Speaker 1: Niggas figured out niggas like pussy and ass.

962
00:56:04,800 --> 00:56:08,120
Speaker 2: Right, Yeah, but you know what I think eight and

963
00:56:08,200 --> 00:56:10,919
Speaker 2: I don't want it because I she is a young girl,

964
00:56:11,040 --> 00:56:12,960
Speaker 2: dog and she probably young enough to be me and

965
00:56:13,040 --> 00:56:15,280
Speaker 2: your daughter. Not that I dout necessary want to dissert,

966
00:56:15,840 --> 00:56:18,920
Speaker 2: but I felt like if when shit like that happened,

967
00:56:18,920 --> 00:56:20,680
Speaker 2: it ain't her fault. She's trying to get some money.

968
00:56:21,200 --> 00:56:23,360
Speaker 2: It's some nigga, one of these dumb ass niggas of

969
00:56:23,400 --> 00:56:25,600
Speaker 2: these labels don told her that that was gonna be

970
00:56:25,680 --> 00:56:28,440
Speaker 2: the way. That's just lazy A and R and I mean,

971
00:56:28,480 --> 00:56:31,040
Speaker 2: instead of getting her some writer's dog and really getting

972
00:56:31,080 --> 00:56:33,879
Speaker 2: her songs shit together, like I'm gonna tell you, dog

973
00:56:34,200 --> 00:56:35,759
Speaker 2: Biddy used to write for Little Kim.

974
00:56:36,280 --> 00:56:38,799
Speaker 1: He had heard the way she was sexy, but her

975
00:56:38,960 --> 00:56:45,360
Speaker 1: music was serious though when you say.

976
00:56:47,440 --> 00:56:52,640
Speaker 3: You say her music is, I think of people who

977
00:56:52,760 --> 00:57:03,160
Speaker 3: get into that situation, like, first of all, you get it. Yeah,

978
00:57:03,200 --> 00:57:06,080
Speaker 3: I liked the little Kim because she could. I was

979
00:57:06,200 --> 00:57:11,040
Speaker 3: interested in the rap I was of course. Of course,

980
00:57:11,480 --> 00:57:14,759
Speaker 3: niggas liked the picture with the legs open showing the

981
00:57:14,880 --> 00:57:18,720
Speaker 3: pussy and ship. Of course, because like I said, niggas

982
00:57:18,800 --> 00:57:22,880
Speaker 3: like pussy and ass and whatever whatever, And that could

983
00:57:22,920 --> 00:57:26,640
Speaker 3: have been as simple as on the cover of a

984
00:57:26,760 --> 00:57:28,320
Speaker 3: Playboy magazine.

985
00:57:28,520 --> 00:57:29,040
Speaker 1: You get me.

986
00:57:29,520 --> 00:57:33,000
Speaker 3: I didn't buy your record because you was on the cover,

987
00:57:33,240 --> 00:57:37,760
Speaker 3: half Nigga. I bought your record because I generally.

988
00:57:37,680 --> 00:57:39,720
Speaker 1: Liked it some of it. I liked the album.

989
00:57:43,960 --> 00:57:44,160
Speaker 2: Yeah.

990
00:57:44,240 --> 00:57:49,160
Speaker 1: They did the same thing with Ice Spike's girl Dog Nigga. Nigga,

991
00:57:49,200 --> 00:57:51,000
Speaker 1: what what what was? What was my ship?

992
00:57:51,080 --> 00:57:54,800
Speaker 3: I used to bang all the time, Nigga. Peter Piper

993
00:57:54,880 --> 00:57:56,840
Speaker 3: pecked them up at you beg Nigga. I used to

994
00:57:57,040 --> 00:58:03,479
Speaker 3: bang that ship off like platte Nigga. That bitch was hard.

995
00:58:05,240 --> 00:58:07,360
Speaker 2: She was hard as a mother fucker dog. And that's

996
00:58:07,400 --> 00:58:10,080
Speaker 2: what I'm saying. They just got the industry, don't got

997
00:58:10,120 --> 00:58:10,560
Speaker 2: to where they.

998
00:58:10,560 --> 00:58:13,600
Speaker 3: Got so lazy bitch or whatever that was Nigga that

999
00:58:13,680 --> 00:58:17,840
Speaker 3: motherfucker was hard. So, like I said, I was interested

1000
00:58:17,920 --> 00:58:25,560
Speaker 3: in her music, not her sexuality. MC like Queen, Latifa,

1001
00:58:25,760 --> 00:58:31,040
Speaker 3: Salt and Pepper, you know yo yo uh, I was

1002
00:58:31,240 --> 00:58:35,960
Speaker 3: interested in their music, not was the bitches fine hell y? Yeah,

1003
00:58:36,680 --> 00:58:42,040
Speaker 3: but I wasn't into that shit. I like bitches was hard.

1004
00:58:42,760 --> 00:58:46,840
Speaker 3: They could rap you feel me as me and as

1005
00:58:46,960 --> 00:58:51,280
Speaker 3: niggas in the rap game. I respected them for their lyricism,

1006
00:58:51,800 --> 00:58:55,480
Speaker 3: not because some of them was trying to be you know.

1007
00:58:56,200 --> 00:59:01,280
Speaker 3: And that's what I think was respected because our females

1008
00:59:01,320 --> 00:59:05,080
Speaker 3: didn't have to get down like that. You get me, rage,

1009
00:59:05,160 --> 00:59:10,040
Speaker 3: didn't have to get down like that, like Latifa, Money Love,

1010
00:59:10,560 --> 00:59:15,640
Speaker 3: Salt and Pepper, you feel me, all all the female

1011
00:59:16,000 --> 00:59:21,080
Speaker 3: artists that represented hip hop didn't have to exploit sexuality.

1012
00:59:21,360 --> 00:59:22,200
Speaker 1: It's busy.

1013
00:59:23,120 --> 00:59:25,800
Speaker 3: They just got busy, you know. Lil Kim did it.

1014
00:59:25,960 --> 00:59:30,160
Speaker 3: You know whatever, It's all good. But again, I listened

1015
00:59:30,200 --> 00:59:35,640
Speaker 3: to Little Kim because of rap, not because damn this

1016
00:59:35,800 --> 00:59:38,520
Speaker 3: bitch on the cover with her legs spread open and

1017
00:59:38,680 --> 00:59:39,280
Speaker 3: you give me.

1018
00:59:40,720 --> 00:59:42,080
Speaker 1: That was just like, you know what.

1019
00:59:42,320 --> 00:59:44,920
Speaker 2: That might have been the conversation starter for some people,

1020
00:59:45,400 --> 00:59:48,160
Speaker 2: but when you heard her music, it was serious, like

1021
00:59:48,320 --> 00:59:51,360
Speaker 2: she was rapping. It's like, I'm gonna tell you what

1022
00:59:51,440 --> 00:59:54,560
Speaker 2: happened with ice spice A. It was a and artist

1023
00:59:54,600 --> 00:59:56,920
Speaker 2: signed her rite. She probably had some songs that was

1024
00:59:56,960 --> 01:00:00,320
Speaker 2: buzzing or whatever, and he just made her double down

1025
01:00:00,400 --> 01:00:02,600
Speaker 2: on the sex. Well instead of getting the writers in

1026
01:00:02,720 --> 01:00:05,760
Speaker 2: there and getting the best producers and writers and say, Okay,

1027
01:00:06,880 --> 01:00:09,320
Speaker 2: we gotta make you a sustainable career. You feel what

1028
01:00:09,360 --> 01:00:13,000
Speaker 2: I mean, it's gonna last, if you know, because I'm

1029
01:00:13,160 --> 01:00:16,520
Speaker 2: I'm pretty sure. But I wonder if she, you know,

1030
01:00:17,800 --> 01:00:22,000
Speaker 2: and a lot of them who you know it's on

1031
01:00:22,200 --> 01:00:27,919
Speaker 2: that bandwagon. I wonder if they started their their their

1032
01:00:28,080 --> 01:00:33,000
Speaker 2: love for hip hop on the on genuine on genuine,

1033
01:00:33,360 --> 01:00:39,200
Speaker 2: you feel me like, oh, I'm not rapping about my

1034
01:00:39,360 --> 01:00:42,040
Speaker 2: ass and my pussy. I'm fin the bust a hard

1035
01:00:42,200 --> 01:00:44,400
Speaker 2: rap as a female, well.

1036
01:00:44,320 --> 01:00:48,440
Speaker 1: You know what, she has the love for hip.

1037
01:00:48,200 --> 01:00:52,280
Speaker 3: Hop before a motherfucker figure that you can make a

1038
01:00:52,400 --> 01:00:55,160
Speaker 3: million dollars if you show your g string and shake

1039
01:00:55,280 --> 01:00:58,360
Speaker 3: your ass and talk about your wet pussy and whatever,

1040
01:00:58,840 --> 01:01:01,680
Speaker 3: you make a million dollars was quicker. You probably can

1041
01:01:01,760 --> 01:01:05,960
Speaker 3: make five. So was that do you think that was

1042
01:01:06,040 --> 01:01:12,760
Speaker 3: the question or was that the conversation? Because how do

1043
01:01:12,920 --> 01:01:17,280
Speaker 3: you approach the situation of going as an A and R.

1044
01:01:18,880 --> 01:01:23,480
Speaker 3: Do you approach the female artist on that aspect like

1045
01:01:25,240 --> 01:01:27,640
Speaker 3: or or you took man, I want to sign you

1046
01:01:27,720 --> 01:01:32,160
Speaker 3: because you are hard ass motherfucking female, are you? Or

1047
01:01:32,520 --> 01:01:35,960
Speaker 3: as you as a nigga who's been an executive? Do

1048
01:01:36,080 --> 01:01:40,400
Speaker 3: you look at a female like that and go, Okay,

1049
01:01:42,000 --> 01:01:45,240
Speaker 3: she's okay as far as with the rap, but look

1050
01:01:45,320 --> 01:01:49,000
Speaker 3: at her features. We could sell this motherfuck on? How

1051
01:01:49,200 --> 01:01:52,320
Speaker 3: do you how do you approach that as a as a.

1052
01:01:54,160 --> 01:01:54,440
Speaker 1: Artist?

1053
01:01:54,520 --> 01:01:56,920
Speaker 2: She got on because she had a little producer that

1054
01:01:57,040 --> 01:02:00,400
Speaker 2: she met in Talents, right, right, I would have kept

1055
01:02:00,440 --> 01:02:03,360
Speaker 2: he on that same fast because she had a few

1056
01:02:03,480 --> 01:02:06,200
Speaker 2: songs that were suggested, but they was clever.

1057
01:02:06,560 --> 01:02:07,920
Speaker 1: She was clever at first. Right.

1058
01:02:08,080 --> 01:02:10,320
Speaker 2: She had a song called Munch and I thought it

1059
01:02:10,400 --> 01:02:12,440
Speaker 2: was interesting, you know, talking about a nigga eating her

1060
01:02:12,480 --> 01:02:13,160
Speaker 2: pussy or whatever.

1061
01:02:13,280 --> 01:02:18,640
Speaker 1: Right, Yeah, but much is still on the sexual exploitation.

1062
01:02:19,240 --> 01:02:20,400
Speaker 2: Yeah, it was ill.

1063
01:02:20,880 --> 01:02:22,160
Speaker 1: Do you feel.

1064
01:02:24,040 --> 01:02:27,920
Speaker 3: You would have made as much money or or whatever

1065
01:02:28,440 --> 01:02:33,600
Speaker 3: off of her if you didn't push the sexuality with her?

1066
01:02:34,160 --> 01:02:38,479
Speaker 3: You getting me man, a song about a nigga eating

1067
01:02:38,560 --> 01:02:41,840
Speaker 3: your pussy. We just gonna make a hard female rap

1068
01:02:41,960 --> 01:02:44,280
Speaker 3: about you being a hard female rapper.

1069
01:02:44,560 --> 01:02:47,640
Speaker 1: We're not gonna talk about pussy and ass. See, I'm

1070
01:02:47,640 --> 01:02:50,480
Speaker 1: gonna tell you something that this is what gota do it?

1071
01:02:51,640 --> 01:02:55,040
Speaker 3: Are you minus in more money in sales by going

1072
01:02:55,840 --> 01:02:57,120
Speaker 3: we're not gonna make much.

1073
01:02:57,560 --> 01:02:59,160
Speaker 1: This is the way you want to do it. This

1074
01:02:59,240 --> 01:03:00,200
Speaker 1: is the way you gotta do it.

1075
01:03:00,200 --> 01:03:02,680
Speaker 2: Can see, I'm gonna tell you you can't go too

1076
01:03:02,880 --> 01:03:05,280
Speaker 2: hardcore hip hop with a girl like him, because you

1077
01:03:05,360 --> 01:03:07,919
Speaker 2: remember the one girl that they were saying was gonna

1078
01:03:07,920 --> 01:03:09,760
Speaker 2: be the same your of New York, the one girl

1079
01:03:09,840 --> 01:03:11,880
Speaker 2: that had the one song she was rapping on hard.

1080
01:03:13,160 --> 01:03:15,680
Speaker 1: She she's working now, she ain't got no.

1081
01:03:15,880 --> 01:03:24,760
Speaker 3: She didn't that like I said, because girl that was

1082
01:03:24,760 --> 01:03:27,000
Speaker 3: gonna be there was gonna be what was her name?

1083
01:03:27,080 --> 01:03:27,280
Speaker 2: Nothing?

1084
01:03:27,600 --> 01:03:33,439
Speaker 3: I was like Scarlett, Scarlet, scar I'm gonna tell you something.

1085
01:03:33,840 --> 01:03:37,280
Speaker 3: She was the rough on the corner, you know, fuck

1086
01:03:37,440 --> 01:03:39,920
Speaker 3: that ship. And the next thing you know, she started

1087
01:03:39,920 --> 01:03:43,920
Speaker 3: getting her hair done and leather skirts and pants and

1088
01:03:44,440 --> 01:03:47,640
Speaker 3: you know, won't to wear eye heels and all that

1089
01:03:47,800 --> 01:03:52,200
Speaker 3: ship and yeah, it put her on quiet because it's

1090
01:03:52,400 --> 01:03:57,520
Speaker 3: like what happened? So I get what you said, but

1091
01:03:57,760 --> 01:04:02,520
Speaker 3: it's that the failure of what female rappers become is

1092
01:04:02,640 --> 01:04:06,880
Speaker 3: because now everyone is expected to speak on ass pussy

1093
01:04:07,520 --> 01:04:10,720
Speaker 3: and getting money and fucking and nigga and all that

1094
01:04:10,880 --> 01:04:11,479
Speaker 3: type of shit.

1095
01:04:12,240 --> 01:04:13,240
Speaker 1: Is that what is?

1096
01:04:13,360 --> 01:04:17,680
Speaker 3: That's what it's been turned to because it seems like

1097
01:04:18,600 --> 01:04:23,240
Speaker 3: the females who just come out to spit are in

1098
01:04:23,440 --> 01:04:27,680
Speaker 3: no type of competition or even talk with the females

1099
01:04:27,720 --> 01:04:30,040
Speaker 3: who want to exploit sexuality.

1100
01:04:31,160 --> 01:04:33,800
Speaker 2: Mm hmmm. I'm gonna tell you, you know who got

1101
01:04:33,840 --> 01:04:35,880
Speaker 2: the perfect balance of this shit. I'm gonna tell you

1102
01:04:35,920 --> 01:04:39,600
Speaker 2: who the hardest, who my favorite young female is in

1103
01:04:39,640 --> 01:04:42,840
Speaker 2: the game. Now. I think Glow really as hard as

1104
01:04:42,880 --> 01:04:46,360
Speaker 2: the motherfucker dog. She got that shit perfect. Yeah, I

1105
01:04:46,520 --> 01:04:48,880
Speaker 2: like me some Glow. I like me some Yeah Glow.

1106
01:04:49,600 --> 01:04:49,840
Speaker 2: It is.

1107
01:04:51,320 --> 01:04:57,720
Speaker 3: It's catchy and it's not too fucking it's not too

1108
01:04:57,880 --> 01:04:59,760
Speaker 3: sexual exactly.

1109
01:05:00,240 --> 01:05:02,040
Speaker 2: And I think that's where they killed him, because you

1110
01:05:02,200 --> 01:05:06,880
Speaker 2: check this out right, Scarlet came out so hard dog,

1111
01:05:08,400 --> 01:05:10,480
Speaker 2: I almost would if I was her in her all

1112
01:05:10,520 --> 01:05:12,680
Speaker 2: the kind of double down because she had the respect

1113
01:05:12,720 --> 01:05:14,800
Speaker 2: of all the niggas, like Jady kissing all them was

1114
01:05:14,800 --> 01:05:15,360
Speaker 2: fucking whatever.

1115
01:05:17,680 --> 01:05:20,080
Speaker 3: It's like niggas got tired of seeing, you know how

1116
01:05:20,160 --> 01:05:24,080
Speaker 3: niggas get tired of shit and like man, all our

1117
01:05:24,160 --> 01:05:28,280
Speaker 3: females want to be you know, all our females want

1118
01:05:28,320 --> 01:05:29,440
Speaker 3: to be in the strip clubs.

1119
01:05:29,680 --> 01:05:31,000
Speaker 1: You give me like.

1120
01:05:32,560 --> 01:05:38,000
Speaker 3: And New York had a very good representation of female

1121
01:05:38,120 --> 01:05:41,920
Speaker 3: kire pile you get me like I said. You had

1122
01:05:42,080 --> 01:05:46,080
Speaker 3: Queen Latifa, you had him see Light, you had money Love,

1123
01:05:46,280 --> 01:05:50,360
Speaker 3: you had Salt and pepper, you had motherfucking Little Kim.

1124
01:05:50,600 --> 01:05:55,080
Speaker 3: Foxy Brown was a spinner, you know, and and and

1125
01:05:55,440 --> 01:06:00,600
Speaker 3: and all the ones before rock Sanne Chante fucking the

1126
01:06:00,720 --> 01:06:03,919
Speaker 3: real rock saying, and you had you had a good

1127
01:06:04,080 --> 01:06:12,200
Speaker 3: representation female limb ce's And I think that because of

1128
01:06:12,400 --> 01:06:18,160
Speaker 3: the exploitation of sexuality with the you know now we

1129
01:06:18,360 --> 01:06:24,320
Speaker 3: got fucking we got Nicki Minaj, sex sexy, we got

1130
01:06:24,520 --> 01:06:30,680
Speaker 3: Cardier records, she had records, but it's still was on sexuality.

1131
01:06:32,600 --> 01:06:35,640
Speaker 3: She might have not, I don't think, you know, it

1132
01:06:35,880 --> 01:06:41,440
Speaker 3: was as fierce as other females. But you still when

1133
01:06:41,480 --> 01:06:44,440
Speaker 3: you saw Nicki Minaj, you thought sexuality.

1134
01:06:44,800 --> 01:06:48,800
Speaker 2: You feel, take something that's interesting. Though, you would have

1135
01:06:48,840 --> 01:06:51,520
Speaker 2: think you would have thought Curti beat on release. You

1136
01:06:51,560 --> 01:06:53,920
Speaker 2: would have thought Curry b on releast five or six

1137
01:06:54,040 --> 01:06:57,800
Speaker 2: hip hop albums, right, She ain't released the album since

1138
01:06:57,840 --> 01:07:00,560
Speaker 2: that first one. Though that first one was just so big.

1139
01:07:01,040 --> 01:07:02,800
Speaker 2: I heard she's scared to put out a new album.

1140
01:07:02,880 --> 01:07:07,000
Speaker 2: Though she's scared, is go fluck? Well, a lot of

1141
01:07:07,080 --> 01:07:10,720
Speaker 2: people are scared of that. Uh that that sophomore slump.

1142
01:07:11,360 --> 01:07:13,080
Speaker 1: You get me? When when did that?

1143
01:07:13,600 --> 01:07:18,480
Speaker 3: That album came out in twenty nineteen, but both they on.

1144
01:07:19,520 --> 01:07:23,479
Speaker 3: Some people don't want to Uh you know, I'm cool.

1145
01:07:24,120 --> 01:07:26,560
Speaker 3: You know some niggas go to the NFL. You think

1146
01:07:26,600 --> 01:07:29,080
Speaker 3: they're gonna be there ten fifteen years. Nigga played three

1147
01:07:29,160 --> 01:07:33,240
Speaker 3: four years and be like Nick, I'll retire and a

1148
01:07:33,320 --> 01:07:35,760
Speaker 3: lot of people and like I said, when she can

1149
01:07:35,840 --> 01:07:40,000
Speaker 3: still go out and do shows, And yeah, Carty ain't

1150
01:07:40,040 --> 01:07:40,800
Speaker 3: necessarily got it.

1151
01:07:41,040 --> 01:07:43,160
Speaker 1: She might be smart for doing it, because you know,

1152
01:07:43,640 --> 01:07:44,200
Speaker 1: the moment she.

1153
01:07:44,280 --> 01:07:46,000
Speaker 2: Put a new album out and they don't do that,

1154
01:07:46,160 --> 01:07:49,520
Speaker 2: well it goes they forget about everything you did before that.

1155
01:07:50,160 --> 01:07:53,360
Speaker 1: Yeah, so you over that yellow one. I like it

1156
01:07:53,480 --> 01:07:53,680
Speaker 1: like that.

1157
01:07:54,160 --> 01:07:56,480
Speaker 2: And you know what, I think Carti got action. I

1158
01:07:56,560 --> 01:07:58,680
Speaker 2: think Cardi got action. She come with the right record.

1159
01:07:58,920 --> 01:08:00,760
Speaker 2: I think Cardi was a on the five star.

1160
01:08:02,360 --> 01:08:05,800
Speaker 3: Well, yeah, I said, it's it's a lot of it

1161
01:08:06,200 --> 01:08:10,240
Speaker 3: isn't you know? All just associated to the music. It's

1162
01:08:10,360 --> 01:08:14,400
Speaker 3: it's star power, it's being able to come from you know,

1163
01:08:14,600 --> 01:08:18,480
Speaker 3: reality TV and you know and and step.

1164
01:08:18,320 --> 01:08:19,120
Speaker 1: On that mark.

1165
01:08:19,160 --> 01:08:23,400
Speaker 3: And that's what did And I don't know, she was

1166
01:08:23,479 --> 01:08:27,160
Speaker 3: real marketable to to the people as far as that

1167
01:08:27,400 --> 01:08:30,360
Speaker 3: type of ship went, you know, the love and hip

1168
01:08:30,400 --> 01:08:32,880
Speaker 3: hops and the and the reality TV.

1169
01:08:33,439 --> 01:08:36,400
Speaker 2: Well, I'm gonna tell you, Curtie got people. Even though

1170
01:08:36,479 --> 01:08:39,720
Speaker 2: she was a stripper and she you know, flex her sexuality.

1171
01:08:40,720 --> 01:08:44,080
Speaker 2: Curdie b got a real likable personality. I think people

1172
01:08:44,200 --> 01:08:47,160
Speaker 2: actually liked her. You feel what I'm saying, Yeah, because

1173
01:08:47,240 --> 01:08:48,360
Speaker 2: she was her.

1174
01:08:50,640 --> 01:08:57,400
Speaker 3: Her gettoleness was realness and and and reality to a

1175
01:08:57,520 --> 01:09:00,559
Speaker 3: lot of people who are still ghetto.

1176
01:09:00,840 --> 01:09:01,400
Speaker 1: You feel me.

1177
01:09:03,080 --> 01:09:06,599
Speaker 3: She wasn't afraid of her ghettleness, what people would call

1178
01:09:07,400 --> 01:09:09,439
Speaker 3: too urban or to ghetto.

1179
01:09:09,640 --> 01:09:10,240
Speaker 1: You feel me.

1180
01:09:10,720 --> 01:09:14,360
Speaker 3: The way she talked her subjects, the way she acted,

1181
01:09:14,800 --> 01:09:18,479
Speaker 3: she wasn't embarrassed by it because this is me, this

1182
01:09:18,680 --> 01:09:22,560
Speaker 3: is you get me. Once she turned the camera on

1183
01:09:23,400 --> 01:09:27,240
Speaker 3: and she knew America picked up on it. Oh I

1184
01:09:27,360 --> 01:09:31,440
Speaker 3: feeling really it was like, oh, we love this motherfucker

1185
01:09:31,680 --> 01:09:34,760
Speaker 3: because a lot of people like that, like keep it real,

1186
01:09:35,040 --> 01:09:37,200
Speaker 3: like but you you a stripper and you do this

1187
01:09:37,400 --> 01:09:40,200
Speaker 3: and you do that, and that's what that's what I

1188
01:09:40,360 --> 01:09:45,160
Speaker 3: think the dynamic of when you know, our female rap

1189
01:09:45,320 --> 01:09:50,800
Speaker 3: went to that because she was proud of who she was. Nigga,

1190
01:09:50,840 --> 01:09:52,760
Speaker 3: I don't give a fuck. I'm proud of who I

1191
01:09:52,880 --> 01:09:56,799
Speaker 3: am and I'm not a lot of people. For years,

1192
01:09:57,120 --> 01:10:02,240
Speaker 3: you know, it was never proud to be a stripper.

1193
01:10:02,400 --> 01:10:06,439
Speaker 3: It was never you know, celebrated to be ghetto. It

1194
01:10:06,560 --> 01:10:10,240
Speaker 3: was never celebrated to be you know. But once you

1195
01:10:10,360 --> 01:10:14,160
Speaker 3: got reality TV and people could turn on the TV

1196
01:10:14,360 --> 01:10:19,080
Speaker 3: and see themselves, so to speak, you get me. You know,

1197
01:10:19,200 --> 01:10:22,840
Speaker 3: the regular homegirl who going to the strip club every

1198
01:10:23,000 --> 01:10:26,720
Speaker 3: day because she got kids at home and driving the

1199
01:10:26,840 --> 01:10:31,200
Speaker 3: bucket around and you know, trying to you want that

1200
01:10:31,439 --> 01:10:32,760
Speaker 3: resignated what it canst.

1201
01:10:32,840 --> 01:10:36,040
Speaker 1: It's a gang of the motherfuckers out there. You get me.

1202
01:10:36,640 --> 01:10:38,840
Speaker 2: And Cardi B Is like she cool, man, you know what,

1203
01:10:40,439 --> 01:10:43,640
Speaker 2: I got a homegrowler do podcasting. Carti actually fucked with her,

1204
01:10:43,800 --> 01:10:46,280
Speaker 2: like she said something nice about Cardy and Curdie actually

1205
01:10:46,320 --> 01:10:48,760
Speaker 2: invited her to some shit and fuck with her like

1206
01:10:48,960 --> 01:10:53,720
Speaker 2: Carti is a regular person. Why you know, but man,

1207
01:10:53,800 --> 01:10:56,599
Speaker 2: that's what it is, man, shit Man, Well, I guess

1208
01:10:58,120 --> 01:10:59,040
Speaker 2: we don't hit her time.

1209
01:10:59,160 --> 01:11:03,240
Speaker 3: Eight Yeah, we all good. I guess we got the

1210
01:11:03,400 --> 01:11:07,200
Speaker 3: dogs marching at the motherfucker hell yeah.

1211
01:11:07,240 --> 01:11:08,880
Speaker 2: Well I'm on you, my nigga. Hey, y'all, thanks for

1212
01:11:08,960 --> 01:11:13,000
Speaker 2: tuning in. We are with y'all next week. Jill were gone.

1213
01:11:17,000 --> 01:11:17,040
Speaker 1: H