WEBVTT - The Bonsai Tree

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey you welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>today we're gonna be talking about Bond Side. Now, Rob,

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<v Speaker 1>I hope you don't mind if I share a bit

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<v Speaker 1>of trivia about you with the listeners. I don't know

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<v Speaker 1>if you've ever made clear on this show before, but

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<v Speaker 1>you are a very caring plant keeper. You've for a

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<v Speaker 1>long time at work had a wonderful little flower on

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<v Speaker 1>your desk, and often, like if you're out of town,

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<v Speaker 1>you would ask me to drop an ice cube on it,

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<v Speaker 1>which I think I always remembered to do whenever you

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<v Speaker 1>asked me. Um. But but yeah, I appreciate the care

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<v Speaker 1>and tenderness you show for the plant kingdom. Well, Um,

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<v Speaker 1>I appreciate that, Joe. I guess you could also say

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<v Speaker 1>I just I managed not to kill an orchid, uh

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<v Speaker 1>that that I was charged with. Um, it was my

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<v Speaker 1>my father in law's orchid. And yeah, I say so.

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<v Speaker 1>I lived on my desk get work there and it

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<v Speaker 1>would have an ice cube every now and then to

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<v Speaker 1>keep it hydrated. And I would ask you or sometimes

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<v Speaker 1>the uh Scott who's sat next to me to to

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<v Speaker 1>do it. Um, and uh, yeah, I managed not to

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<v Speaker 1>kill it. And there is something kind of satisfying about

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<v Speaker 1>having this kind of like long term relationship with a plant.

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<v Speaker 1>This this nurturing, you know, even if it's very slight

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<v Speaker 1>nurturing and not like a you know, not a real

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<v Speaker 1>high maintenance plant. Um. You know, it seems like a

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<v Speaker 1>pretty sturdy species that I had grown there. Uh and

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<v Speaker 1>now it's growing in my bathroom, um, since I'm not

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<v Speaker 1>in the office anymore. But yeah, it's it is very,

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<v Speaker 1>very satisfying to to be involved in a in a

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<v Speaker 1>nurturing relationship with a plant like that, just as it

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<v Speaker 1>is so frustrating and and potentially depressing to have the

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<v Speaker 1>opposite relationship relationship with the plant. You know, I think

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<v Speaker 1>we've all had that as well, where like, oh my gosh,

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<v Speaker 1>I cannot keep this thing alive, this plant just wants

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<v Speaker 1>to die or I am just horrible at it. Now.

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<v Speaker 1>One thing you may not have considered, and I apologize

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<v Speaker 1>if this is an overly intimate thought, but whenever you

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<v Speaker 1>have a plant growing in a bathroom, and we have

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<v Speaker 1>plants growing in our bathrooms, you have to assume that

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<v Speaker 1>they are making their cells as they continue to photosynthesize

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<v Speaker 1>from the lights over the sinc they are making their

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<v Speaker 1>cells out of some percentage of carbon that comes out

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<v Speaker 1>of your like toilet emissions and so forth, probably, right,

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<v Speaker 1>I guess. So, I mean that's I mean, that's I

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<v Speaker 1>guess it's good. Right, You're you're exposing them to to

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<v Speaker 1>more of the natural world even though they're an indoor plant. Yeah,

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<v Speaker 1>I never thought about that before. Um well, I mean,

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<v Speaker 1>so if it's mainly carbon dioxide, I assume it's probably

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<v Speaker 1>more what you're breathing out, but I don't know. Farts

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<v Speaker 1>probably have some CO two content, right, I guess. But

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<v Speaker 1>then again, if it's if it's farts the plants want,

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<v Speaker 1>then they really want a fully packed office environment again, right,

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<v Speaker 1>I mean, I mean there's I can't possibly offer it

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<v Speaker 1>the the you know, the kind of hum it was

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<v Speaker 1>probably accustomed to. Well, so I'm excited to talk about

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<v Speaker 1>Bond said today. I have never myself taking care of

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<v Speaker 1>a bonsai tree. I have, uh, I have tried to.

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<v Speaker 1>I guess, I don't know if this was this would count.

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<v Speaker 1>I have tried to take care of a sort of

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<v Speaker 1>potted tree of sorts. I don't know if would actually

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<v Speaker 1>count as bonsai, but I failed. I just I killed it.

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<v Speaker 1>And that's why I'm partially envious of of the dedicated

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<v Speaker 1>and regular care that you always showed to your orchid. Well,

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<v Speaker 1>I would say that, you know, well, whatever however you

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<v Speaker 1>classify that care, bonds I is certainly on it on

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<v Speaker 1>an entirely different level. It is up on the top

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<v Speaker 1>of the mountain. We're talking about the pinnacle of of

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<v Speaker 1>caring for a plant, and uh, yeah, this is this

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<v Speaker 1>is one. This is an episode I've wanted to do

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<v Speaker 1>for a while. I think my experience with bonds I

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<v Speaker 1>have never owned a bonds Ie or cared for a

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<v Speaker 1>bonds Ie, but my experience with him with him is

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<v Speaker 1>probably similar to a lot of people's out there. My

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<v Speaker 1>first exposure was almost certainly watching the Karate Kid as

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<v Speaker 1>a child, uh, and seeing that, oh, Mr Miyagi has

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<v Speaker 1>has bonsai plants. Those are neat uh. And then maybe

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<v Speaker 1>I don't know, maybe they popped up on a reading

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<v Speaker 1>rainbow or something at some point I don't recall. But

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<v Speaker 1>then much much later, uh, I you know, I was

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<v Speaker 1>I was traveling and I was visiting, but believe one

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<v Speaker 1>place in San Francisco, in another place in San Diego

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<v Speaker 1>where I got to see a multitude of bonsai plants

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<v Speaker 1>with you know, identification information as well as age. And

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<v Speaker 1>it was just really amazing to behold these things, these

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<v Speaker 1>these ancient trees that that you feel should be gigantic,

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<v Speaker 1>but they are in miniature and they are alive, and

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<v Speaker 1>they are just meticulously cared for and crafted. Uh. And yeah,

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<v Speaker 1>there's this there's this kind of magical aura to them

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<v Speaker 1>and this and this age, this kind of condensed age,

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<v Speaker 1>you know. Um, so they're they're really special to just behold.

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<v Speaker 1>And then when you read a little bit about caring

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<v Speaker 1>for them, yeah, it also uh that just adds to

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<v Speaker 1>your level of appreciation when you read about the culture

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<v Speaker 1>involved in it. And uh and so yeah, I wanted

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<v Speaker 1>to do an episode on this for a while, and

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<v Speaker 1>then I've kind of forgotten about it. I think we

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<v Speaker 1>pitched it as part of a deal with a UM,

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<v Speaker 1>a Japanese automobile company that we're gonna advertise with us,

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<v Speaker 1>and and then that didn't happen. I forgot about it.

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<v Speaker 1>But then I ended up watching Cobra Kai on Netflix,

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<v Speaker 1>which also has the bonsai trees in it, and uh

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<v Speaker 1>and I was reminded, Oh, yeah, we we should do

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<v Speaker 1>a bonsai episode. Got bonds I bouncing around in the brain. Okay,

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<v Speaker 1>so maybe you can answer a question that I'm sure

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<v Speaker 1>a lot of people are wondering. What is it? What

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<v Speaker 1>makes the strict definition of a bonsai tree? What makes

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<v Speaker 1>a bonsai tree different than any potted plant? Well, um,

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<v Speaker 1>based on my understanding of it, I would say that

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<v Speaker 1>the big thing to do is you sort of have

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<v Speaker 1>to back up and think about it not just as

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<v Speaker 1>caring for a tree and growing for a tree and

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<v Speaker 1>nurturing a tree, but it's also just it's also steeped

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<v Speaker 1>in just like the basics of art and design, you know,

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<v Speaker 1>because arn't in design, you know, very often sit around

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<v Speaker 1>the manipulation of the natural world or natural resources to

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<v Speaker 1>some form that is esthetically pleasing and perhaps even philosophical

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<v Speaker 1>or theologically engaging as well. You know, we take stone

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<v Speaker 1>and we craft into the likeness of a human or

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<v Speaker 1>some sort of humanoid figure of myth or legend. Trees

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<v Speaker 1>are cut down in hun and then the raw material

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<v Speaker 1>is carved into all manner of forms and functions. But

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<v Speaker 1>as for the control of living plants that brings us,

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<v Speaker 1>of course to agriculture and cultivation. Um and and human

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<v Speaker 1>works are pretty grand in this realm as well. I mean,

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<v Speaker 1>you look at what we we have done for generations

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<v Speaker 1>and generations with agriculture and cultivation. But the Bond Japanese

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<v Speaker 1>Bonds Eye tree, it is the pinnacle of plant cultivation.

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<v Speaker 1>Uh And and I think that Brad Dunning described this

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<v Speaker 1>exceptionally well for the New York Times back in two

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<v Speaker 1>thousand two. Uh they wrote, quote, but it's more than

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<v Speaker 1>just an issue of control, simple for it simply for

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<v Speaker 1>the sake of control. As nature spins wildly downward, there

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<v Speaker 1>is an example of man controlling, conquering, nurturing, and respecting

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<v Speaker 1>nature on an extremely uh reverential level. By constantly thwarting

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<v Speaker 1>the growth of new saplings, the bonsai gardener, through pinching, cutting,

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<v Speaker 1>and splitting new growth, forces the tree's branches to strain

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<v Speaker 1>in any direction to succeed. With additional help from restraining wires,

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<v Speaker 1>the tree is manipulated into prematurely aged shape over time,

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<v Speaker 1>sometimes a lot of time. Prize specimens can be several

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<v Speaker 1>hundred years old, so bonsai is not just a potted plant.

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<v Speaker 1>But it's a tree that's grown in a confined environment

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<v Speaker 1>with this spirit of artistic shaping. Yes, yeah, and uh

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<v Speaker 1>and and along and you know, certain traditional like you

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<v Speaker 1>get into like what kind of pot is used, etcetera.

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<v Speaker 1>And then of also know what species is used. Uh,

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<v Speaker 1>you know, as as is often the case with with

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<v Speaker 1>this particularly you know Japanese artistry, there are a lot

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<v Speaker 1>of very particular details in the cultivation. And you know

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<v Speaker 1>it comes down to things like what are their traditional

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<v Speaker 1>shears that one should use, what are the best shears? Uh,

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<v Speaker 1>that sort of thing. Um. Another thing that's interesting about

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<v Speaker 1>bonsai trees to me, and I think this comes through

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<v Speaker 1>through all this pruning and shaping and everything, is that, um,

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<v Speaker 1>a bonsai tree does not just look like a sapling

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<v Speaker 1>or like a young tree. There is a particular style

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<v Speaker 1>of miniaturization that comes about through the long sustained care

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<v Speaker 1>of this this small plant, which is that it is

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<v Speaker 1>a tiny version of a tree that looks like a

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<v Speaker 1>shrunken adult version of the same tree rather than just

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<v Speaker 1>a sapling or young growth. Does that make sense? Yeah,

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<v Speaker 1>and exactly that they're like this ancient dwarf and uh

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<v Speaker 1>and it and it a lot of the reasons that

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<v Speaker 1>this is attractive to us, I feel like they almost

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<v Speaker 1>deny or that they defy rather um, you know, easy explanation.

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<v Speaker 1>You know, there's something obviously about the world at large

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<v Speaker 1>made small that we're always fascinated. And you know we

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<v Speaker 1>love miniatures, be it, you know, miniature miniature soldiers, miniature tanks,

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<v Speaker 1>miniature cities, maps, etcetera. Uh. And in fact, one of

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<v Speaker 1>the the the origin stories for the Bonsai trees that

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<v Speaker 1>will touch on has to do with that, like the

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<v Speaker 1>idea of like make make the world at large small

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<v Speaker 1>enough for me to behold it. Uh. But then also

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<v Speaker 1>there is something too about like the ancient made small

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<v Speaker 1>like it it reminds me of so many myths of

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<v Speaker 1>like tiny little old men, you know, that have some

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<v Speaker 1>sort of magical powers, you know, little folks. Yeah, and

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<v Speaker 1>there's something of the of the fairy world, you know

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<v Speaker 1>in that that you know, non culturally distinct manner to

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<v Speaker 1>the Bonds eye tree. Now. Um, there are of course

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<v Speaker 1>true bonds eyes created in accordance with the Japanese tradition. Uh.

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<v Speaker 1>And there are various tears that follow that fall below

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<v Speaker 1>the standard, with one of the most notorious being the

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<v Speaker 1>sort of bonds Ie that sometimes is sold at malls,

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<v Speaker 1>grocery stores, and street fairs. And these, according to Stephen

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<v Speaker 1>Or in New York Times, Garden Q and a Into

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<v Speaker 1>thousand nine are a curse upon the name of bonds I. Uh.

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<v Speaker 1>These are typically young rooted juniper tree cuttings in a

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<v Speaker 1>decorative pot. Uh. So not true bonds eyes will get

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<v Speaker 1>into what true bonds I really consists of in a bit,

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<v Speaker 1>but people will buy these. They think they have a

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<v Speaker 1>bond's eye. It looks neat, they bring it home, and

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<v Speaker 1>then they're devastated when it dies in a few months.

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<v Speaker 1>So not a not an ancient dwarf tree or something

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<v Speaker 1>that will become an ancient dwarf tree, but just a

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<v Speaker 1>short lived trick. And this made me think of Cobra

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<v Speaker 1>Kai actually because in the TV show, um Ralph Maccio's character, uh,

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<v Speaker 1>you know from the first film is now a car

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<v Speaker 1>dealer and he has a car dealership and part of

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<v Speaker 1>his whole gimmick in the show is when you buy

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<v Speaker 1>a car, you also get this little bonds I plant

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<v Speaker 1>that he prepares, and I guess it's supposed to you know,

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<v Speaker 1>he's he's very meticulous character and he's all into the tradition.

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<v Speaker 1>So I guess it's supposed to be the case that

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<v Speaker 1>these are legitimate Bonsai trees that he's handing out to customers.

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<v Speaker 1>But it makes me wonder. I mean, yeah, I sell

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<v Speaker 1>nice cars, but I wonder it does the cynical side

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<v Speaker 1>of me um leaning into sort of these sort of

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<v Speaker 1>the cynical notes to that character in that show is like,

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<v Speaker 1>I wonder if these are just the cheap roadside bonds

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<v Speaker 1>eyes that he's handing out. You know, that would be

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<v Speaker 1>very car dealery. But you can always blame user error, right,

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<v Speaker 1>You can always just say, like, must not have taken

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<v Speaker 1>care of it, right, Yeah, better bring it back into

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<v Speaker 1>the shop. Well, apply that undercoating the true coat. Yeah,

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<v Speaker 1>you're gonna want that true code on your bond's eye. Yeah. Uh,

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<v Speaker 1>it's a fun show. Um well yeah, let's well, let's

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<v Speaker 1>keep going talking about bonds eyes. Then, So, at the

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<v Speaker 1>heart of the bonds I practice is just pure artistic

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<v Speaker 1>manipulation of a tree's growth. Trees, as you've probably noticed,

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<v Speaker 1>everyone grow in accordance to their genes, but also in

0:11:48.480 --> 0:11:51.880
<v Speaker 1>accordance to their surroundings. So this means the dictates of

0:11:51.960 --> 0:11:55.280
<v Speaker 1>water soil, and sun, various other limiting factors in their

0:11:55.320 --> 0:11:59.480
<v Speaker 1>immediate surroundings as well, such as other trees, human structures,

0:12:00.040 --> 0:12:02.880
<v Speaker 1>power lines. Uh. You know, as I think we all

0:12:02.920 --> 0:12:05.520
<v Speaker 1>can attest to, you can you can see some pretty

0:12:05.559 --> 0:12:08.120
<v Speaker 1>wonky trees out in the world, out in the forest

0:12:08.600 --> 0:12:11.760
<v Speaker 1>in urban environments, you know, where they do the best

0:12:11.800 --> 0:12:14.319
<v Speaker 1>they can with the with the constraints that are there.

0:12:15.000 --> 0:12:19.280
<v Speaker 1>Um And indeed they can produce natural examples of what

0:12:19.400 --> 0:12:22.720
<v Speaker 1>you can at least roughly classify as a bonsai tree.

0:12:22.800 --> 0:12:26.120
<v Speaker 1>For instance, if you were to travel down to a

0:12:26.160 --> 0:12:30.560
<v Speaker 1>place called Tate's Hell and uh, Tate's Hell State Forest

0:12:30.800 --> 0:12:33.520
<v Speaker 1>near Tallahassee, Florida, and I have to say I have

0:12:33.600 --> 0:12:35.640
<v Speaker 1>driven through it. I can't say I've actually visited, but

0:12:35.679 --> 0:12:38.040
<v Speaker 1>I did drive through it. Uh. There there is a

0:12:38.080 --> 0:12:41.959
<v Speaker 1>forest apparently of miniature cypress trees hundreds of years old,

0:12:42.320 --> 0:12:46.240
<v Speaker 1>covering acres and none more than fifteen feet tall, which, granted,

0:12:46.280 --> 0:12:48.320
<v Speaker 1>that's far bigger than what you might think of as

0:12:48.320 --> 0:12:51.560
<v Speaker 1>a bonsai tree a true bonsai tree, um. But bear

0:12:51.559 --> 0:12:54.520
<v Speaker 1>in mind that cypress trees of this variety and age

0:12:54.559 --> 0:12:56.960
<v Speaker 1>can reach heights of a hundred and fifty feet yes

0:12:57.000 --> 0:13:00.400
<v Speaker 1>old cypress trees can can be towering, and so there

0:13:00.400 --> 0:13:04.520
<v Speaker 1>are special conditions at work that keep this ancient forest

0:13:04.600 --> 0:13:06.480
<v Speaker 1>as short as it is. I was reading that most

0:13:06.480 --> 0:13:09.920
<v Speaker 1>of these trees are between um like six and fifteen

0:13:09.960 --> 0:13:12.080
<v Speaker 1>feet at maturity. I think a lot of them around

0:13:12.120 --> 0:13:15.600
<v Speaker 1>ten feet or so. Uh, and that it's very strange looking.

0:13:15.640 --> 0:13:18.280
<v Speaker 1>I found one picture that's like an aerial shot of

0:13:18.360 --> 0:13:23.320
<v Speaker 1>this dwarf cypress forest that is surrounded by many other trees.

0:13:23.360 --> 0:13:25.440
<v Speaker 1>I think the story goes that at some point there

0:13:25.480 --> 0:13:28.040
<v Speaker 1>was a company that was harvesting a lot of the

0:13:28.040 --> 0:13:30.319
<v Speaker 1>trees from the area. I think maybe for logging or

0:13:30.360 --> 0:13:33.280
<v Speaker 1>maybe to clear land for something, but um. But when

0:13:33.280 --> 0:13:36.360
<v Speaker 1>they reached the dwarf cypress forest, they realized that that

0:13:36.520 --> 0:13:39.679
<v Speaker 1>they that this was something unusual and worth preserving. So

0:13:39.720 --> 0:13:43.360
<v Speaker 1>they they stopped a lot of their their shaping of

0:13:43.400 --> 0:13:45.000
<v Speaker 1>the land at the edge of this thing. And it

0:13:45.000 --> 0:13:47.240
<v Speaker 1>did end up getting preserved when the state bought it

0:13:47.280 --> 0:13:50.840
<v Speaker 1>and turned it into a state forest. But a sidebar

0:13:50.920 --> 0:13:53.839
<v Speaker 1>on Tate's Hell, because I had to know what was

0:13:53.920 --> 0:13:56.400
<v Speaker 1>up with that name, and I looked into it, and

0:13:56.440 --> 0:14:00.000
<v Speaker 1>I actually was rewarded with some very excellent Florida swamp

0:14:00.040 --> 0:14:03.720
<v Speaker 1>ump lore, alright, let's have it. Well. So I was

0:14:03.920 --> 0:14:07.080
<v Speaker 1>reading about it in this book called Florida Lore by

0:14:07.280 --> 0:14:12.720
<v Speaker 1>Karen Schnuir Neil, published in and she points out, first

0:14:12.720 --> 0:14:15.360
<v Speaker 1>of all, there is a song by the old Florida

0:14:15.440 --> 0:14:18.880
<v Speaker 1>folk singer Will McLean about tates Hell and it it

0:14:18.960 --> 0:14:22.520
<v Speaker 1>tells the same story as the legend that I'm about

0:14:22.520 --> 0:14:25.200
<v Speaker 1>to explain. But it's also one of those old style

0:14:25.280 --> 0:14:28.680
<v Speaker 1>folk songs that starts with the section that is not singing,

0:14:28.760 --> 0:14:30.840
<v Speaker 1>but it's kind of rapping. I don't know exactly what

0:14:30.880 --> 0:14:35.000
<v Speaker 1>you call it, like fast rhythmic rhyming talking before the

0:14:35.320 --> 0:14:39.200
<v Speaker 1>tune kicks in, where he says, like, listen, good people

0:14:39.200 --> 0:14:40.960
<v Speaker 1>to a story I'll tell of a great swamp in

0:14:40.960 --> 0:14:44.080
<v Speaker 1>Florida place called Tate's Hell. Yeah. Yeah, it's sort of

0:14:44.160 --> 0:14:47.160
<v Speaker 1>like the pre folk song ramble. Sometimes I guess it rhymes,

0:14:47.280 --> 0:14:50.720
<v Speaker 1>oftentimes it does not. But you hear it from from

0:14:50.720 --> 0:14:53.080
<v Speaker 1>a number of practitioners of the craft. I know Phil

0:14:53.080 --> 0:14:54.560
<v Speaker 1>Elks would do it a lot. You know, he's kind

0:14:54.560 --> 0:14:56.160
<v Speaker 1>of working out. He's like, all right, I listening this tune,

0:14:56.160 --> 0:14:58.080
<v Speaker 1>and I got a little and sometimes it's even like

0:14:58.080 --> 0:15:00.200
<v Speaker 1>a bit it's almost like a little comedy bit and

0:15:00.240 --> 0:15:03.480
<v Speaker 1>I guess I guess yeah, yeah, and I guess that's

0:15:03.480 --> 0:15:06.040
<v Speaker 1>what Uh. Oh, what's their name? Is kind of leaned

0:15:06.080 --> 0:15:08.880
<v Speaker 1>into this a lot and their act. Uh the famous

0:15:09.080 --> 0:15:14.600
<v Speaker 1>folk comedy duo. Oh, I can't think of their names offhand. Um,

0:15:14.720 --> 0:15:16.720
<v Speaker 1>I don't know. I don't know who one of them is, Bob,

0:15:16.760 --> 0:15:20.840
<v Speaker 1>one of them has a beard, soft spoken Garfunkel and notes, no,

0:15:20.960 --> 0:15:23.000
<v Speaker 1>it's not Garfunkle notes that I think they probably have

0:15:23.160 --> 0:15:25.840
<v Speaker 1>like more of a modern version of this, and it's

0:15:25.840 --> 0:15:29.280
<v Speaker 1>it's not the Flight of the Concords. Those are the

0:15:29.320 --> 0:15:31.840
<v Speaker 1>two folk comedy duos I know. These are the one

0:15:31.840 --> 0:15:35.440
<v Speaker 1>They were on TV all the time. Um oh, man

0:15:35.760 --> 0:15:39.160
<v Speaker 1>um Smothers Brothers, the Smothers Brothers. I don't know why

0:15:39.160 --> 0:15:42.160
<v Speaker 1>I was, I was trying to that. Yeah. Well, Will

0:15:42.240 --> 0:15:44.720
<v Speaker 1>McClean tells us that Tate's Hell is a place where

0:15:44.720 --> 0:15:47.600
<v Speaker 1>the bull gators beller and the panthers squall. Now this

0:15:47.680 --> 0:15:51.160
<v Speaker 1>is a place that should be shunned by all, and

0:15:51.280 --> 0:15:53.760
<v Speaker 1>so the legend goes like this, But this is the

0:15:53.880 --> 0:15:56.280
<v Speaker 1>version that I was reading in the book by Um

0:15:56.280 --> 0:15:59.800
<v Speaker 1>by Neil, not by nothing Will McLean's song, though they're similar,

0:16:00.360 --> 0:16:02.680
<v Speaker 1>the legend goes that in the year eighteen seventy five,

0:16:03.760 --> 0:16:07.640
<v Speaker 1>there was a homesteader named CB Tate who had staked

0:16:07.640 --> 0:16:10.240
<v Speaker 1>a claim for a ranch in the Panhandle of Florida,

0:16:10.240 --> 0:16:12.520
<v Speaker 1>and that's where Tate's hell is. It's up in the Panhandle.

0:16:12.640 --> 0:16:17.320
<v Speaker 1>It's uh, I think it's near Wacola Springs, isn't it um? Perhaps?

0:16:17.440 --> 0:16:20.840
<v Speaker 1>I mean, certainly, I've been to Wacola or Waccla. I'm

0:16:20.880 --> 0:16:24.320
<v Speaker 1>not sure exactly what the preferred pronunciation there is. Uh. Yeah,

0:16:24.320 --> 0:16:27.560
<v Speaker 1>I've been there, but I guess I don't remember how

0:16:27.600 --> 0:16:29.360
<v Speaker 1>I even came through tate Stale. It was just we

0:16:29.360 --> 0:16:31.480
<v Speaker 1>were on the way to somewhere else and we had

0:16:31.520 --> 0:16:33.600
<v Speaker 1>to pass through it. Well, it's near a place that

0:16:33.880 --> 0:16:38.040
<v Speaker 1>is now called Sumatra, Florida. It's an unincorporated community about

0:16:38.040 --> 0:16:40.800
<v Speaker 1>thirty miles from the city of Carabelle. And the context

0:16:40.880 --> 0:16:43.200
<v Speaker 1>for this is that there was the Homestead Act of

0:16:43.280 --> 0:16:46.920
<v Speaker 1>eighteen sixty two, which meant that settlers could get a

0:16:47.000 --> 0:16:49.920
<v Speaker 1>grant of supposedly free land from the government if they

0:16:49.960 --> 0:16:52.480
<v Speaker 1>would agree to stay there and develop it for five years.

0:16:52.920 --> 0:16:56.000
<v Speaker 1>And CB Tate is one of these homesteaders. So he's

0:16:56.000 --> 0:16:58.320
<v Speaker 1>got a he's got a ranch or a farm that

0:16:58.360 --> 0:17:01.400
<v Speaker 1>he's trying to run, and one morning he discovers that

0:17:01.440 --> 0:17:04.560
<v Speaker 1>a panther has mauled several of his cows. So he

0:17:04.600 --> 0:17:06.800
<v Speaker 1>sets off in the forest with his hunting dogs and

0:17:06.840 --> 0:17:09.560
<v Speaker 1>the implements of death, as Will McLean says, an old

0:17:09.600 --> 0:17:13.040
<v Speaker 1>long tom shotgun and a sharp barlow knife. That panther

0:17:13.119 --> 0:17:16.439
<v Speaker 1>would sure have the chase of his life, and so

0:17:16.560 --> 0:17:18.840
<v Speaker 1>Tates dogs. They get the scent on the panther and

0:17:18.880 --> 0:17:22.119
<v Speaker 1>they take off after it, but Tate himself falls behind

0:17:22.119 --> 0:17:25.640
<v Speaker 1>and he gets separated from his hunting dogs. Unfortunately, as

0:17:25.680 --> 0:17:28.480
<v Speaker 1>we've discussed in the podcast last October, when there is

0:17:28.560 --> 0:17:32.200
<v Speaker 1>no visible landmark to navigate by, it's surprisingly easy to

0:17:32.240 --> 0:17:35.159
<v Speaker 1>get lost in the woods, and that appears to be

0:17:35.200 --> 0:17:38.400
<v Speaker 1>what happens here. He's wandering in the swampy forest and

0:17:38.480 --> 0:17:40.879
<v Speaker 1>he gets lost, and at some point he gets bitten

0:17:40.880 --> 0:17:44.040
<v Speaker 1>by a snake and he loses his gun, and to

0:17:44.240 --> 0:17:47.560
<v Speaker 1>read from Karen schnurneil here quote, for seven days and

0:17:47.680 --> 0:17:51.280
<v Speaker 1>nights he roamed the ancient trees in ominous swampland, more

0:17:51.320 --> 0:17:54.359
<v Speaker 1>often than not, dazed with hunger and heat, forced to

0:17:54.359 --> 0:17:57.200
<v Speaker 1>live on nothing but roots and muddy water. To make

0:17:57.240 --> 0:18:00.960
<v Speaker 1>matters worse, the mosquitoes swarmed around him until every inch

0:18:01.040 --> 0:18:04.440
<v Speaker 1>of his body was bitten. That's worse than the snake

0:18:04.480 --> 0:18:08.080
<v Speaker 1>bite to me. Yeah. Uh. And the story says that

0:18:08.119 --> 0:18:10.399
<v Speaker 1>over the course of the week that he was lost,

0:18:10.480 --> 0:18:13.679
<v Speaker 1>his hair turned white. But then after seven days, just

0:18:13.720 --> 0:18:15.720
<v Speaker 1>when he was convinced he was going to die, Tate

0:18:15.880 --> 0:18:18.160
<v Speaker 1>ran into a couple of a couple of hunters from

0:18:18.200 --> 0:18:20.520
<v Speaker 1>Carabelle and they asked him who are you and where

0:18:20.560 --> 0:18:22.280
<v Speaker 1>do you come from? And he says, my name is

0:18:22.320 --> 0:18:27.080
<v Speaker 1>CB Tate and I come from Hell. Probably not exactly true,

0:18:27.119 --> 0:18:29.560
<v Speaker 1>but it is a good story. But anyway, if the

0:18:29.600 --> 0:18:32.919
<v Speaker 1>story were true, it's possible that many of the cypress

0:18:32.960 --> 0:18:36.080
<v Speaker 1>trees that are still no more than ten or fifteen

0:18:36.119 --> 0:18:39.080
<v Speaker 1>feet tall today in the cypress forest of Tate's Hell

0:18:39.520 --> 0:18:42.440
<v Speaker 1>would have been there to watch CB Tate get snake bit,

0:18:42.600 --> 0:18:45.600
<v Speaker 1>you know, a middle of the bull gator bellers. Because again,

0:18:45.640 --> 0:18:48.400
<v Speaker 1>a lot of these these trees are are quite old there,

0:18:48.440 --> 0:18:50.800
<v Speaker 1>you know, hundreds of years old, even though they're still

0:18:50.840 --> 0:18:53.240
<v Speaker 1>so small. And I was reading a post about the

0:18:53.320 --> 0:18:56.280
<v Speaker 1>dwarf cypress forest on the blog of a local conservation

0:18:56.400 --> 0:18:59.960
<v Speaker 1>organization called the Appalachicola River Keeper and the author of

0:19:00.040 --> 0:19:03.960
<v Speaker 1>this blog post writes that quote, these dwarf pond cypress

0:19:04.000 --> 0:19:06.600
<v Speaker 1>trees may have become stunted due to a hard layer

0:19:06.640 --> 0:19:10.639
<v Speaker 1>of clay that prevents roots from growing deeper, similar to

0:19:10.760 --> 0:19:14.080
<v Speaker 1>planting a tree in a bond said pot. So that's

0:19:14.080 --> 0:19:17.760
<v Speaker 1>one possibility. Another they go on. Also, the soil is

0:19:17.800 --> 0:19:21.199
<v Speaker 1>low and nutrients, as evidenced by the carnivorous plants in

0:19:21.240 --> 0:19:24.720
<v Speaker 1>the area. You can also find dwarf cypress trees near

0:19:24.760 --> 0:19:28.000
<v Speaker 1>the picture plant bogs north of Sumatra, so there may

0:19:28.000 --> 0:19:32.159
<v Speaker 1>be some correlation. Now, remember we've discussed carnivorous plants on

0:19:32.160 --> 0:19:36.560
<v Speaker 1>the show before. The reason that carnivorous plants eat insects,

0:19:36.640 --> 0:19:39.360
<v Speaker 1>or at least most carnivorous plants, I would assume all Uh,

0:19:39.480 --> 0:19:42.760
<v Speaker 1>the reason they eat insects is not the same as

0:19:42.800 --> 0:19:45.600
<v Speaker 1>the main reason that we would eat plants or animals.

0:19:45.640 --> 0:19:47.760
<v Speaker 1>You know, we need to eat things to get you know,

0:19:47.840 --> 0:19:51.960
<v Speaker 1>protein and energy. Plants photosynthesized sunlight to get the energy

0:19:52.000 --> 0:19:55.800
<v Speaker 1>they need to live. So carnivorous plants eat for specific

0:19:55.920 --> 0:20:00.480
<v Speaker 1>nutrients that are lacking in barren and often swamp soil.

0:20:00.560 --> 0:20:03.200
<v Speaker 1>What other plants would get from the soil around them.

0:20:03.520 --> 0:20:08.040
<v Speaker 1>Carnivorous plants get from insects, and in human terms, when

0:20:08.280 --> 0:20:11.320
<v Speaker 1>plants eat an insect there, it's not like devouring a

0:20:11.359 --> 0:20:14.639
<v Speaker 1>loaf of bread. It's like they're taking their vitamins. So,

0:20:14.680 --> 0:20:17.280
<v Speaker 1>according to this source, at least that same type of

0:20:17.359 --> 0:20:21.120
<v Speaker 1>nutrient poor soil could be one thing preventing the cypress

0:20:21.160 --> 0:20:24.480
<v Speaker 1>trees from growing taller. Or it could be a hard

0:20:24.560 --> 0:20:27.600
<v Speaker 1>layer of sediment that blocks root growth, which in turn

0:20:27.720 --> 0:20:30.120
<v Speaker 1>shapes the body of the tree as a whole, which

0:20:30.200 --> 0:20:33.200
<v Speaker 1>is very much what happens when you plant a tree

0:20:33.800 --> 0:20:37.280
<v Speaker 1>in a pot. And this also ties into something else

0:20:37.359 --> 0:20:39.200
<v Speaker 1>interesting that I was reading that that I guess I'll

0:20:39.200 --> 0:20:41.720
<v Speaker 1>come back to in a few minutes. But yeah, so

0:20:42.200 --> 0:20:46.960
<v Speaker 1>bonsai trees are there. Their growth is constrained by several factors,

0:20:46.960 --> 0:20:49.399
<v Speaker 1>but one of the main ones being the pot that

0:20:49.440 --> 0:20:53.119
<v Speaker 1>they're confined to helps shape the not just where the

0:20:53.160 --> 0:20:56.280
<v Speaker 1>roots go, but the the overall shape of the tree

0:20:56.280 --> 0:20:58.640
<v Speaker 1>as a whole. That's interry. Yeah, that, and that ties

0:20:58.680 --> 0:21:00.720
<v Speaker 1>directly into what we're talking out with the with the

0:21:00.760 --> 0:21:03.639
<v Speaker 1>Bond's eye. Um. Now, I will say that as far

0:21:03.640 --> 0:21:06.040
<v Speaker 1>as Tate's helle goes, I do remember how I wound

0:21:06.119 --> 0:21:09.119
<v Speaker 1>up there. I was midway upon the journey of our life,

0:21:09.119 --> 0:21:12.439
<v Speaker 1>and I found myself within a forest dart uh for

0:21:12.480 --> 0:21:15.400
<v Speaker 1>the far straightforward pathway had been lost. Uh oh and

0:21:15.400 --> 0:21:17.840
<v Speaker 1>what and you ran into three beasts, one of which

0:21:17.880 --> 0:21:20.560
<v Speaker 1>was a panther yep, yep. Maybe another was a bull

0:21:20.600 --> 0:21:22.960
<v Speaker 1>gator yep. And then Virgil jumped out and there was

0:21:23.000 --> 0:21:25.760
<v Speaker 1>a big action scene. He defeated them, and then we Yeah,

0:21:25.800 --> 0:21:28.720
<v Speaker 1>then we went into Tate's hell, a floridian Virgil though

0:21:28.960 --> 0:21:38.359
<v Speaker 1>poppy Satan Lepi. Yeah alright, so yeah, back back to

0:21:38.440 --> 0:21:41.119
<v Speaker 1>bonds eyes here, bonds eye proper. So yeah. Indeed, some

0:21:41.160 --> 0:21:45.040
<v Speaker 1>of the models for Bonsai trees are actually trees found

0:21:45.119 --> 0:21:49.879
<v Speaker 1>growing in the natural environment, uh, particularly growing over water

0:21:50.240 --> 0:21:52.000
<v Speaker 1>or on the sides of mountains, you know, in the

0:21:53.200 --> 0:21:56.240
<v Speaker 1>rocky crags, you know, forced by their inform environment into

0:21:56.320 --> 0:22:00.399
<v Speaker 1>dwarf forms like we're talking about here. So again, the

0:22:00.440 --> 0:22:04.000
<v Speaker 1>bonds Ie treatment is trying to do is doing what

0:22:04.080 --> 0:22:06.840
<v Speaker 1>nature does in constraining the growth of a tree, but

0:22:06.920 --> 0:22:10.040
<v Speaker 1>then taking it to the next level, you know, involving

0:22:10.080 --> 0:22:14.520
<v Speaker 1>just absolute artistic manipulation of the form. Bonds I means

0:22:14.720 --> 0:22:18.560
<v Speaker 1>roughly tree in a pot in Japanese. Specifically, we're talking

0:22:18.600 --> 0:22:23.600
<v Speaker 1>about plants grown in shallow containers and via the exact

0:22:23.720 --> 0:22:27.600
<v Speaker 1>tenets of bonsai pruning and training. So it's it's worth

0:22:27.600 --> 0:22:32.000
<v Speaker 1>stressing that a bondsay, is not genetically a dwarfed plant,

0:22:32.560 --> 0:22:34.960
<v Speaker 1>nor is it kept small through some sort of regiment

0:22:35.000 --> 0:22:37.840
<v Speaker 1>of torture or anything like that. No, it's these physical

0:22:37.920 --> 0:22:41.000
<v Speaker 1>constraints we've been talking about, which as shown in one

0:22:41.040 --> 0:22:44.160
<v Speaker 1>possible explanation of the dwarf cypress in in the swamp.

0:22:44.200 --> 0:22:46.639
<v Speaker 1>There that that can happen in nature, But it happens,

0:22:46.680 --> 0:22:49.399
<v Speaker 1>like you're saying, on cliff faces and other times, when

0:22:49.800 --> 0:22:53.000
<v Speaker 1>the physical forces around a plant shape its growth. Though,

0:22:53.040 --> 0:22:55.440
<v Speaker 1>I do want to say, while bonsai trees are not

0:22:55.440 --> 0:23:00.280
<v Speaker 1>not generally genetically dwarfed plants, the subject of actual nettic

0:23:00.320 --> 0:23:04.520
<v Speaker 1>dwarf plant strains actually has a massive impact on the

0:23:04.560 --> 0:23:06.760
<v Speaker 1>recent history of the world. This is something that is

0:23:07.320 --> 0:23:11.400
<v Speaker 1>a fact that's actually little appreciated by many people considering

0:23:11.480 --> 0:23:14.680
<v Speaker 1>how consequential it has been in the world, and something

0:23:14.720 --> 0:23:17.240
<v Speaker 1>that goes beyond the art and esthetics of plant keeping.

0:23:17.720 --> 0:23:21.119
<v Speaker 1>Dwarf plants and what are sometimes known as semi dwarf

0:23:21.200 --> 0:23:25.320
<v Speaker 1>plants have played a shockingly powerful role in the economics

0:23:25.320 --> 0:23:28.320
<v Speaker 1>and practicalities of food crops over the last I guess

0:23:28.359 --> 0:23:33.480
<v Speaker 1>like sixty seventy years, so uh dwarf for semi dwarf

0:23:33.600 --> 0:23:37.119
<v Speaker 1>strains of crop plants like wheat and rice especially have

0:23:37.359 --> 0:23:39.680
<v Speaker 1>very much changed the world. And if you want to

0:23:39.760 --> 0:23:43.360
<v Speaker 1>learn more about this, you can look up the Green Revolution. Basically,

0:23:43.400 --> 0:23:46.520
<v Speaker 1>this refers to a suite of new technologies and techniques

0:23:46.560 --> 0:23:51.600
<v Speaker 1>and agriculture, especially new dwarf strains of staple crops like

0:23:51.640 --> 0:23:55.159
<v Speaker 1>wheat and rice that we're developed and deployed throughout the

0:23:55.200 --> 0:23:59.280
<v Speaker 1>nineteen fifties and sixties, and of course new agricultural techniques

0:23:59.320 --> 0:24:02.000
<v Speaker 1>and transgener plants and things like that. We have lots

0:24:02.000 --> 0:24:05.360
<v Speaker 1>of modern critics, but all of those criticisms considered, it

0:24:05.400 --> 0:24:09.600
<v Speaker 1>is widely acknowledged that the green Revolution played an unprecedented

0:24:09.680 --> 0:24:12.359
<v Speaker 1>role in decreasing world hunger and has probably saved at

0:24:12.440 --> 0:24:16.520
<v Speaker 1>least a billion human lives. Now, you might immediately wonder why,

0:24:16.640 --> 0:24:20.760
<v Speaker 1>like why would physically smaller strains of crop plants like

0:24:20.800 --> 0:24:23.440
<v Speaker 1>wheat and rice actually make a difference. How could they?

0:24:23.560 --> 0:24:28.120
<v Speaker 1>How could smaller plants help save millions or billions? Of lives. Well,

0:24:28.119 --> 0:24:30.080
<v Speaker 1>one paper I was looking at in the journal Plant

0:24:30.119 --> 0:24:32.720
<v Speaker 1>Physiology had a good short summary of this in its

0:24:32.720 --> 0:24:36.200
<v Speaker 1>background section. This was by Annie A. Elias at All.

0:24:36.680 --> 0:24:39.560
<v Speaker 1>It was published in twelve and so they note that

0:24:39.640 --> 0:24:43.359
<v Speaker 1>semi dwarf is um in plants results in a few things,

0:24:43.400 --> 0:24:46.600
<v Speaker 1>one of the which is decreased lodging. Lodging is a

0:24:46.720 --> 0:24:50.720
<v Speaker 1>term in agriculture where tall crop plants like wheat stalks

0:24:50.800 --> 0:24:53.720
<v Speaker 1>can bend over at the base. You've probably actually seen

0:24:53.800 --> 0:24:56.320
<v Speaker 1>this before in wheat fields, where they just sort of

0:24:56.359 --> 0:24:59.560
<v Speaker 1>like fold over into the ground, making the grain difficult

0:24:59.560 --> 0:25:02.919
<v Speaker 1>to harve ist and the shorter stalks do this far less,

0:25:03.240 --> 0:25:06.240
<v Speaker 1>but there's also just an increased yield of grain and

0:25:06.359 --> 0:25:10.520
<v Speaker 1>improved harvest index. The harvest index is the percent of

0:25:10.560 --> 0:25:14.119
<v Speaker 1>the above ground biomass represented by the harvestable part of

0:25:14.119 --> 0:25:17.000
<v Speaker 1>the plant. In other words, like what percentage of the

0:25:17.240 --> 0:25:19.760
<v Speaker 1>part of the plant that's above ground is actually grain

0:25:20.000 --> 0:25:23.760
<v Speaker 1>and not just you know, unusable stalk or husk. But

0:25:24.040 --> 0:25:27.600
<v Speaker 1>in addition to these enormously consequential changes in strains of

0:25:27.680 --> 0:25:31.320
<v Speaker 1>cereal crops, the authors point out that semi dwarf is

0:25:31.359 --> 0:25:35.080
<v Speaker 1>um has big benefits in fruit tree production. So you know,

0:25:35.160 --> 0:25:38.480
<v Speaker 1>tree trees that produce fruits like apples or peaches can

0:25:38.520 --> 0:25:41.520
<v Speaker 1>have semi dwarf varieties that are that are very useful

0:25:41.560 --> 0:25:44.920
<v Speaker 1>to farmers. In certain cases, they might bear fruit earlier

0:25:44.960 --> 0:25:48.520
<v Speaker 1>in the season, have higher yields of fruit. Um be

0:25:49.000 --> 0:25:51.439
<v Speaker 1>easier to harvest because the fruit is just like closer

0:25:51.480 --> 0:25:54.639
<v Speaker 1>to the grounds, so it's easier to pick um. But

0:25:54.840 --> 0:25:57.040
<v Speaker 1>of course, semi dwarf species play a big role in

0:25:57.119 --> 0:26:00.960
<v Speaker 1>pure aesthetics. To quote, semi dwarf would species are also

0:26:01.040 --> 0:26:05.400
<v Speaker 1>extensively used in ornamental horticulture, where they allow more compact

0:26:05.520 --> 0:26:08.919
<v Speaker 1>forms to be fit into small areas around homes and

0:26:09.000 --> 0:26:12.159
<v Speaker 1>on streets to reduce the need for pruning to avoid

0:26:12.200 --> 0:26:19.000
<v Speaker 1>interference with structures and transmission lines. I've never considered that before. Yeah,

0:26:19.000 --> 0:26:21.439
<v Speaker 1>I mean you do hear about your problems with with

0:26:21.560 --> 0:26:26.800
<v Speaker 1>roots interfering with structures and plumbing and so forth. Makes sense.

0:26:26.880 --> 0:26:30.040
<v Speaker 1>I am intimately familiar with that, as is anybody else

0:26:30.080 --> 0:26:32.399
<v Speaker 1>out there who has ever had to replace a sewer

0:26:32.480 --> 0:26:35.119
<v Speaker 1>line that was being penetrated by the roots of an

0:26:35.200 --> 0:26:39.720
<v Speaker 1>ornamental plant. It's real, folks, The anguish is profound when

0:26:39.760 --> 0:26:44.960
<v Speaker 1>when your toilets won't flush. But anyway, this paper in particular,

0:26:45.240 --> 0:26:47.359
<v Speaker 1>that was just stuff that it talks about in its

0:26:47.359 --> 0:26:50.399
<v Speaker 1>background section. The actual point of this paper is making

0:26:50.440 --> 0:26:54.800
<v Speaker 1>the case for using semi dwarf strains of trees in forestry. Uh.

0:26:54.840 --> 0:26:58.119
<v Speaker 1>The author's right quote. Although against the current orthodoxy of

0:26:58.160 --> 0:27:01.520
<v Speaker 1>forest tree breeding where height growth is emphasized, so you know,

0:27:01.680 --> 0:27:04.040
<v Speaker 1>usually you want trees to be tall, they say that

0:27:04.119 --> 0:27:06.679
<v Speaker 1>semi dwarf is um might also have benefits for wood

0:27:06.720 --> 0:27:09.959
<v Speaker 1>and biomass production. Such trees could be useful if they

0:27:09.960 --> 0:27:12.800
<v Speaker 1>were less prone to wind throw due to their shorter,

0:27:12.920 --> 0:27:18.080
<v Speaker 1>stockier forms, and expected greater allocation to roots. Reduced stature

0:27:18.080 --> 0:27:21.160
<v Speaker 1>could also result in less bending and slanting of trunks

0:27:21.520 --> 0:27:23.960
<v Speaker 1>in the face of wind and gravity on hill slopes,

0:27:24.240 --> 0:27:27.840
<v Speaker 1>and thus reduced the extent of reaction would formation, which

0:27:27.960 --> 0:27:31.280
<v Speaker 1>degrades the performance and value of solid wood and pulp products.

0:27:31.600 --> 0:27:34.720
<v Speaker 1>Reduced height and increased allocation of growth to roots might

0:27:34.840 --> 0:27:41.040
<v Speaker 1>enhance stress tolerance, soil nutrient uptake, bioremediation, and carbon sequestration. UM.

0:27:41.400 --> 0:27:43.959
<v Speaker 1>So again, this was published in twelve. I'm not sure

0:27:44.000 --> 0:27:46.960
<v Speaker 1>how their argument about the use of dwarf strains in

0:27:47.040 --> 0:27:51.600
<v Speaker 1>forestry holds up. Since then. But it's a really interesting

0:27:51.640 --> 0:27:54.439
<v Speaker 1>idea to appreciate how much of a difference in the

0:27:54.440 --> 0:27:58.240
<v Speaker 1>world has just been made by not just new agricultural

0:27:58.280 --> 0:28:01.280
<v Speaker 1>techniques and irrigation and things like, but just the introduction

0:28:01.359 --> 0:28:07.240
<v Speaker 1>of smaller plants. It's literally changed human civilization, uh and elsewhere.

0:28:07.320 --> 0:28:10.399
<v Speaker 1>Just as one note, I read about some dwarf crops

0:28:10.440 --> 0:28:13.520
<v Speaker 1>strains potentially being developed for use in space flight, which

0:28:13.520 --> 0:28:17.120
<v Speaker 1>I thought was pretty funny. You can see, so it's interesting. Yeah,

0:28:17.160 --> 0:28:19.960
<v Speaker 1>I remember getting into this. I don't know they were,

0:28:20.320 --> 0:28:21.879
<v Speaker 1>well you would classify as a dwarf plant. But I

0:28:21.920 --> 0:28:25.440
<v Speaker 1>remember in our episode about tomatoes, we touched on tomato

0:28:26.760 --> 0:28:30.879
<v Speaker 1>varieties that have been developed potentially for use in a

0:28:31.000 --> 0:28:35.040
<v Speaker 1>low gravity environment. Yeah. Yeah, so it could be similar

0:28:35.040 --> 0:28:37.840
<v Speaker 1>things here. I imagine, not trees for forestry, but you know,

0:28:38.400 --> 0:28:42.040
<v Speaker 1>food bearing plants I would assume. But but to bring

0:28:42.080 --> 0:28:45.640
<v Speaker 1>things back to bons I again, as you emphasized earlier

0:28:46.040 --> 0:28:48.720
<v Speaker 1>with Bonsai, were generally talking about trees that are tiny

0:28:48.760 --> 0:28:51.520
<v Speaker 1>by way of nurture, not nature. Right there, These are

0:28:51.560 --> 0:28:56.640
<v Speaker 1>not genetically dwarf strains. There are, there are constraints imposed

0:28:56.720 --> 0:29:01.080
<v Speaker 1>upon them by their their human cultivators, uh, that keep

0:29:01.160 --> 0:29:05.000
<v Speaker 1>them in this tiny shape. And one thing that's really

0:29:05.040 --> 0:29:09.160
<v Speaker 1>interesting about plants is that it's striking how much nurture

0:29:09.320 --> 0:29:13.120
<v Speaker 1>can look like nature when it comes to the plant kingdom.

0:29:13.160 --> 0:29:15.000
<v Speaker 1>And this brings me to one last thing I wanted

0:29:15.000 --> 0:29:17.680
<v Speaker 1>to talk about briefly. It was a really interesting essay

0:29:17.720 --> 0:29:21.280
<v Speaker 1>I was reading. Uh published an Eon magazine. It was

0:29:21.320 --> 0:29:24.320
<v Speaker 1>called Rooted from October twenty nineteen, and it's about the

0:29:24.560 --> 0:29:29.640
<v Speaker 1>concept of how trees embody history, that that time is

0:29:29.680 --> 0:29:33.360
<v Speaker 1>really shown through a tree. And UH it was written

0:29:33.360 --> 0:29:36.320
<v Speaker 1>by Dahlia Nasser, who is a lecturer and philosophy at

0:29:36.320 --> 0:29:39.560
<v Speaker 1>the University of Sydney, and by Margaret M. Barber, who

0:29:39.600 --> 0:29:42.520
<v Speaker 1>is a professor of plant physiology at the at the

0:29:42.640 --> 0:29:45.080
<v Speaker 1>University of Sydney. And so I just want to read

0:29:45.080 --> 0:29:48.600
<v Speaker 1>a quote from their their article here. While all living

0:29:48.640 --> 0:29:51.400
<v Speaker 1>beings carry their past with them into their present and

0:29:51.440 --> 0:29:55.000
<v Speaker 1>future selves, trees embody their history in a way that

0:29:55.160 --> 0:29:58.880
<v Speaker 1>is far more explicit and with greater detail and visibility

0:29:58.920 --> 0:30:03.320
<v Speaker 1>than any other being. The history of any particular tree

0:30:03.400 --> 0:30:06.560
<v Speaker 1>is not hidden in an interior part, nor is it

0:30:06.600 --> 0:30:10.120
<v Speaker 1>found in only one of its parts. As such, trees

0:30:10.200 --> 0:30:14.120
<v Speaker 1>call attention to the historicity of life, demanding that we

0:30:14.200 --> 0:30:17.080
<v Speaker 1>think of life not as static and machine like, but

0:30:17.160 --> 0:30:21.560
<v Speaker 1>as a dynamic context sensitive and plastic trees are not

0:30:21.640 --> 0:30:25.959
<v Speaker 1>only embodied recorders of their history, but also shape shifters

0:30:26.000 --> 0:30:30.160
<v Speaker 1>whose structure transforms in relation to their environment. Put simply,

0:30:30.480 --> 0:30:34.880
<v Speaker 1>trees express their context in their physical form. Trees of

0:30:34.880 --> 0:30:38.160
<v Speaker 1>the same species can look significantly different depending on their

0:30:38.160 --> 0:30:42.880
<v Speaker 1>growth environment, and even within an individual tree, the leaves

0:30:42.920 --> 0:30:46.560
<v Speaker 1>at the shady bottom of the canopy are anatomically different,

0:30:46.800 --> 0:30:50.560
<v Speaker 1>meaning larger and thinner from those at the top smaller

0:30:50.600 --> 0:30:55.240
<v Speaker 1>and thicker. When densely planted, trees grow long, straight trunks

0:30:55.280 --> 0:30:58.840
<v Speaker 1>and small canopies, but when planted in a grass field

0:30:59.080 --> 0:31:02.400
<v Speaker 1>that grow shorter stems and broad crowns. The crown of

0:31:02.440 --> 0:31:06.080
<v Speaker 1>a solitary oak spreads out in all directions, eventually achieving

0:31:06.080 --> 0:31:08.960
<v Speaker 1>a dome shape, while an oak growing in a forest

0:31:09.160 --> 0:31:12.240
<v Speaker 1>develops a small crown and its growth is patterned on

0:31:12.280 --> 0:31:15.920
<v Speaker 1>the growth of surrounding trees. Or think of a bond

0:31:15.960 --> 0:31:19.760
<v Speaker 1>saide tree in contrast to its full size sibling. Trees

0:31:19.760 --> 0:31:23.240
<v Speaker 1>are so adaptive to their surroundings that a human equivalent

0:31:23.280 --> 0:31:27.000
<v Speaker 1>to tree plasticity would be certain people growing large webbed

0:31:27.080 --> 0:31:30.760
<v Speaker 1>feet like diving flippers simply because they swim a lot.

0:31:32.000 --> 0:31:34.160
<v Speaker 1>And they go on to point out other examples of

0:31:34.200 --> 0:31:37.000
<v Speaker 1>this that, uh this actually would tie back into the

0:31:37.600 --> 0:31:41.440
<v Speaker 1>dwarf cypress example from Tate's Hell that the soil quality,

0:31:41.480 --> 0:31:45.120
<v Speaker 1>for example, can shape a tree. And uh so all

0:31:45.440 --> 0:31:50.040
<v Speaker 1>these different features of the natural environment come through in

0:31:50.280 --> 0:31:54.000
<v Speaker 1>the shape and form and physiology of a tree that

0:31:54.080 --> 0:31:57.680
<v Speaker 1>could start genetically identical but end up looking so far

0:31:57.720 --> 0:32:02.080
<v Speaker 1>apart they would be unrecognizable. Well, I really love that

0:32:02.160 --> 0:32:05.000
<v Speaker 1>the idea of the especially the way time is wound

0:32:05.040 --> 0:32:07.120
<v Speaker 1>up in a tree, because that does seem to be

0:32:07.160 --> 0:32:11.120
<v Speaker 1>a huge part of of Bonsai tree tradition. Because these

0:32:11.160 --> 0:32:15.240
<v Speaker 1>are things that that very often outlive the individual who

0:32:15.320 --> 0:32:17.200
<v Speaker 1>is caring for them. You know. It's it's a thing

0:32:17.240 --> 0:32:20.200
<v Speaker 1>that has to be passed on. It is that they're

0:32:20.320 --> 0:32:24.480
<v Speaker 1>sometimes described as being like children, you know. Um. And

0:32:24.680 --> 0:32:27.800
<v Speaker 1>I was thinking about this, especially when I watched a

0:32:27.840 --> 0:32:32.680
<v Speaker 1>Great Big Story video about Bonsai shares. Great Big Story

0:32:32.920 --> 0:32:35.840
<v Speaker 1>is sadly defunct now, but they before they went out,

0:32:36.240 --> 0:32:39.120
<v Speaker 1>they made a whole bunch of videos about various various

0:32:39.120 --> 0:32:42.560
<v Speaker 1>cultural things and practices, and a number of these relate

0:32:42.640 --> 0:32:47.320
<v Speaker 1>to Japanese cultural um things and topics. But there's one

0:32:47.360 --> 0:32:51.440
<v Speaker 1>titled making thirty five thousand dollar Bonsai scissors that I

0:32:51.480 --> 0:32:54.320
<v Speaker 1>recommend checking out, and it's about this, uh, this guy

0:32:54.360 --> 0:32:58.520
<v Speaker 1>who is the the Saska brand of of Bonsaie scissors,

0:32:58.520 --> 0:33:01.960
<v Speaker 1>which I think are the only additional bondsaie scissors uh

0:33:02.080 --> 0:33:05.960
<v Speaker 1>that are still created in um in Japan. And you

0:33:06.000 --> 0:33:08.160
<v Speaker 1>can look them up. Look look this uh this guy

0:33:08.240 --> 0:33:10.320
<v Speaker 1>up online. It's it's like s a s u k

0:33:10.480 --> 0:33:14.240
<v Speaker 1>e um Bonsai shears or look up the video and

0:33:14.240 --> 0:33:16.720
<v Speaker 1>it's it's really insightful. But in this particular video you

0:33:16.760 --> 0:33:19.640
<v Speaker 1>have this this older Japanese man talking about the crafting

0:33:19.640 --> 0:33:21.920
<v Speaker 1>of the scissors and how long it takes, you know,

0:33:22.000 --> 0:33:24.200
<v Speaker 1>like you'll get in, someone will put in a request.

0:33:24.240 --> 0:33:25.960
<v Speaker 1>You'll be like, okay, I need I need a half

0:33:25.960 --> 0:33:28.400
<v Speaker 1>a year or so to uh to figure out what

0:33:28.480 --> 0:33:30.960
<v Speaker 1>kind of shears to make for you, you know, and

0:33:31.000 --> 0:33:33.400
<v Speaker 1>then he's making it for somebody who is a Bond's

0:33:33.440 --> 0:33:36.880
<v Speaker 1>eye practition or somebody who's deeply immersed in the culture.

0:33:37.120 --> 0:33:39.640
<v Speaker 1>And you get the sense of human being sort of

0:33:39.720 --> 0:33:42.800
<v Speaker 1>living to a certain extent too as to as to

0:33:42.960 --> 0:33:45.440
<v Speaker 1>whatever extent is possible for a human being to live

0:33:45.480 --> 0:33:47.600
<v Speaker 1>on the time scale of the trees they care for,

0:33:47.880 --> 0:33:50.400
<v Speaker 1>you know. Uh, and it's really really kind of beautiful

0:33:50.440 --> 0:33:53.400
<v Speaker 1>and does get into, I guess, the the meditative aspects

0:33:53.720 --> 0:33:56.960
<v Speaker 1>all of bonsai tree care. I like the idea that

0:33:57.000 --> 0:34:00.760
<v Speaker 1>a lot of these sasuke shears they've kind of, like,

0:34:00.880 --> 0:34:02.880
<v Speaker 1>at least the ones I was looking at online, often

0:34:02.920 --> 0:34:06.320
<v Speaker 1>have like these long roping kind of handles instead of

0:34:06.360 --> 0:34:10.279
<v Speaker 1>just the normal functional sort of like grippy handles of

0:34:10.640 --> 0:34:13.640
<v Speaker 1>garden shears you'd buy it lows. Yeah, and the long

0:34:13.719 --> 0:34:16.640
<v Speaker 1>looping handles actually make it look like it's kind of

0:34:16.680 --> 0:34:18.800
<v Speaker 1>made out of plant growth, you know, it's like the

0:34:19.040 --> 0:34:22.239
<v Speaker 1>their roots in your fingers. Yeah. Yeah, they're very they're

0:34:22.239 --> 0:34:25.800
<v Speaker 1>beautiful to behold. Uh. You have these big looping handles,

0:34:25.840 --> 0:34:28.480
<v Speaker 1>and and of course part of it too, I'm to understand,

0:34:28.760 --> 0:34:32.440
<v Speaker 1>is that you want very precise, very sharp shears because

0:34:32.440 --> 0:34:35.000
<v Speaker 1>the cleaner cut that you get, the healthier it is

0:34:35.080 --> 0:34:37.719
<v Speaker 1>for the organism. Oh yeah, that makes sense. You want

0:34:37.760 --> 0:34:43.200
<v Speaker 1>to you wanna like sheer very cleanly instead of crushing, right. Yeah,

0:34:43.320 --> 0:34:44.719
<v Speaker 1>And so that's one of the reasons you tend to

0:34:44.760 --> 0:34:46.960
<v Speaker 1>see if not cheers like this, then at least some

0:34:47.000 --> 0:34:49.360
<v Speaker 1>other fancy variety of shears. You know, you're not just

0:34:49.400 --> 0:34:52.279
<v Speaker 1>getting in there with your old rusty garden pruners and

0:34:52.600 --> 0:34:55.680
<v Speaker 1>chopping away. You know, you want something very precise. Uh.

0:34:55.719 --> 0:34:57.480
<v Speaker 1>And then also I think it's one of those situations

0:34:57.480 --> 0:35:01.080
<v Speaker 1>where the tools are part of the practice, you know. Um.

0:35:01.120 --> 0:35:04.120
<v Speaker 1>But as far as the organism goes, various tree species

0:35:04.200 --> 0:35:07.560
<v Speaker 1>can be bonds eye trees. But there are essentially two

0:35:07.600 --> 0:35:12.759
<v Speaker 1>broad categories here, um, indoor and outdoor. Though uh this

0:35:12.800 --> 0:35:14.719
<v Speaker 1>was in the writing of of Or, who did that

0:35:14.960 --> 0:35:17.120
<v Speaker 1>piece for New York Times which I mentioned earlier, I

0:35:17.600 --> 0:35:20.719
<v Speaker 1>will point out that I have seen other people sort

0:35:20.760 --> 0:35:23.800
<v Speaker 1>of shy away from the idea of indoor bonds I,

0:35:24.080 --> 0:35:27.040
<v Speaker 1>and it seemed to imply that true bonds I are

0:35:26.880 --> 0:35:30.919
<v Speaker 1>are all outdoor bonds I. So I'm not sure where

0:35:30.960 --> 0:35:33.879
<v Speaker 1>to land on that. But Or at any rate says okay.

0:35:33.920 --> 0:35:35.799
<v Speaker 1>First of all, you have outdoor bonds I that do

0:35:35.880 --> 0:35:39.880
<v Speaker 1>best in temperate regions, featuring species such as pine cedar, ginko,

0:35:40.000 --> 0:35:44.120
<v Speaker 1>Japanese maple horn beam, and juniper. And they often require

0:35:44.160 --> 0:35:47.360
<v Speaker 1>a cool, dormant period like a you know, winter period,

0:35:47.719 --> 0:35:51.319
<v Speaker 1>and species like the juniper will require overwintering, often in

0:35:51.360 --> 0:35:54.480
<v Speaker 1>a greenhouse or a sunroom. And then if you're dealing

0:35:54.520 --> 0:35:57.640
<v Speaker 1>with indoor bonds I. According to Or, these are typically

0:35:57.840 --> 0:36:02.040
<v Speaker 1>tropical and subtropical plant play such as uh Ficus, U

0:36:02.239 --> 0:36:07.879
<v Speaker 1>meing via Um potocarpus, and dwarf jade. And Or writes

0:36:07.920 --> 0:36:11.439
<v Speaker 1>that these require something similar to normal indoor houseplant care,

0:36:11.719 --> 0:36:14.480
<v Speaker 1>but they also require you know, of course all the

0:36:14.640 --> 0:36:18.960
<v Speaker 1>various aspects of BONDSAI, uh pruning, etcetera. But also they

0:36:18.960 --> 0:36:22.640
<v Speaker 1>require more watering due to those shallow pots. Well, so

0:36:22.680 --> 0:36:26.080
<v Speaker 1>we've discussed how the shallow pots can help shell shape

0:36:26.120 --> 0:36:28.440
<v Speaker 1>the body of the tree. But obviously another major feature

0:36:28.560 --> 0:36:31.200
<v Speaker 1>is what comes in with the pruning itself. So like,

0:36:31.719 --> 0:36:36.239
<v Speaker 1>what is the process of this ongoing care? Okay, so

0:36:36.480 --> 0:36:38.280
<v Speaker 1>some of these will be obvious to folks who engage

0:36:38.280 --> 0:36:40.879
<v Speaker 1>in any level of like treat care and outdoor stuff,

0:36:40.920 --> 0:36:43.440
<v Speaker 1>but but other stuff is more specific to bonds. Eye. So,

0:36:43.480 --> 0:36:46.760
<v Speaker 1>first of all, trimming is the removal of outer branch tips,

0:36:47.239 --> 0:36:51.720
<v Speaker 1>while pruning is the specific removal of individual branches, stems,

0:36:51.800 --> 0:36:54.239
<v Speaker 1>or even parts of the trunk. On top of that,

0:36:54.280 --> 0:36:56.640
<v Speaker 1>you have things like wiring and clamping, and this is

0:36:56.640 --> 0:36:59.239
<v Speaker 1>a way to physically guide the growth and shape of

0:36:59.280 --> 0:37:03.880
<v Speaker 1>the tree via physical constraints. On top of this, grafting

0:37:04.000 --> 0:37:07.040
<v Speaker 1>is also used. Um as are that you can also

0:37:07.120 --> 0:37:09.560
<v Speaker 1>do a certain amount of defoliation, you know, the removal

0:37:09.680 --> 0:37:13.480
<v Speaker 1>of of leaves and then deadwood bonds eye techniques involved

0:37:13.520 --> 0:37:17.440
<v Speaker 1>the creation, shaping, and preservation of dead wood on a

0:37:17.520 --> 0:37:21.719
<v Speaker 1>living bond's eye tree to enhance this sense of age.

0:37:21.960 --> 0:37:24.719
<v Speaker 1>Oh yes, I I so, I've seen bonsai trees like this,

0:37:24.840 --> 0:37:28.239
<v Speaker 1>I think. And there's a very particular aesthetic that is

0:37:28.360 --> 0:37:30.960
<v Speaker 1>that actually exists in the natural world, not just in

0:37:30.960 --> 0:37:35.920
<v Speaker 1>in human horticulture that that is mimicking that I find

0:37:36.040 --> 0:37:38.439
<v Speaker 1>very beautiful. I think a lot of other people do too,

0:37:38.480 --> 0:37:41.960
<v Speaker 1>and I wonder why exactly it is. But it's the uh,

0:37:42.080 --> 0:37:45.360
<v Speaker 1>it's the aesthetic you see in the natural growth of

0:37:45.480 --> 0:37:49.480
<v Speaker 1>bristle cone pine trees, where they often have the appearance

0:37:49.600 --> 0:37:56.160
<v Speaker 1>of a live tree growing on or within this ancient warped,

0:37:56.280 --> 0:37:58.920
<v Speaker 1>twirling piece of dead wood. Do you know what I'm

0:37:58.960 --> 0:38:01.160
<v Speaker 1>talking about? Y? Yeah, I think I know what you're

0:38:01.160 --> 0:38:02.799
<v Speaker 1>talking about. Can picture in my head? Yeah, there is

0:38:02.840 --> 0:38:06.960
<v Speaker 1>something just intrinsically attractive about it. I don't know, it's

0:38:07.040 --> 0:38:10.440
<v Speaker 1>it doesn't apply to um animals, like the idea of

0:38:10.600 --> 0:38:13.920
<v Speaker 1>like a human coming up dressed in bones generally not

0:38:14.000 --> 0:38:17.440
<v Speaker 1>as attractive. But uh, but but this is this is

0:38:18.239 --> 0:38:22.239
<v Speaker 1>Bristol cone pines, by the way. Are they're particularly known,

0:38:22.320 --> 0:38:26.080
<v Speaker 1>I think for for achieving tremendous ages, Like they get

0:38:26.120 --> 0:38:29.520
<v Speaker 1>really really old. There are some of the oldest living organisms,

0:38:30.000 --> 0:38:32.160
<v Speaker 1>and they really do look like it because again, yeah,

0:38:32.200 --> 0:38:35.480
<v Speaker 1>you can see like um, there will be parts of

0:38:35.520 --> 0:38:38.560
<v Speaker 1>a tree that are producing foliage, so there's still green,

0:38:38.640 --> 0:38:41.760
<v Speaker 1>they're still growing, you know, they're still producing new growth seasonally,

0:38:41.800 --> 0:38:45.000
<v Speaker 1>I guess. But down below that it will just be

0:38:45.440 --> 0:38:49.799
<v Speaker 1>what looks like a ten million year old skeleton that's

0:38:49.800 --> 0:38:53.239
<v Speaker 1>got these like lollipop twirls of color in it or

0:38:53.280 --> 0:38:56.600
<v Speaker 1>like a sorry, like a peppermint twist type of color,

0:38:56.800 --> 0:39:01.200
<v Speaker 1>and the branches or these snaking witch fingers without any leaves. Uh.

0:39:01.480 --> 0:39:03.799
<v Speaker 1>It's very very cool. So if you're not familiar with

0:39:03.800 --> 0:39:13.279
<v Speaker 1>bristle cone pines, look them up. Now. Another thing I

0:39:13.280 --> 0:39:15.920
<v Speaker 1>want to drive home about the bonds eyes again, the

0:39:15.920 --> 0:39:19.000
<v Speaker 1>the upkeep and care of a bonds I are are

0:39:19.040 --> 0:39:21.839
<v Speaker 1>in their their own way, like a delicate art form.

0:39:21.880 --> 0:39:23.680
<v Speaker 1>I was reading a piece in the New York Times

0:39:23.719 --> 0:39:27.840
<v Speaker 1>by Makiko in a way and Daniel Victor. Um. Apparently

0:39:28.200 --> 0:39:31.000
<v Speaker 1>New York Times is just prime reporting uh source for

0:39:31.080 --> 0:39:34.880
<v Speaker 1>Bonsai Uh. But they were This was an article about

0:39:35.000 --> 0:39:36.600
<v Speaker 1>a story that was making the rounds at the time

0:39:36.600 --> 0:39:40.880
<v Speaker 1>in UM. This was bonds I are like our children,

0:39:40.960 --> 0:39:44.200
<v Speaker 1>couple pleads for return of stolen trees. Uh. And this

0:39:44.239 --> 0:39:47.560
<v Speaker 1>one had to do with a four drild bonds E

0:39:47.719 --> 0:39:51.680
<v Speaker 1>that had been stolen that was worth an estimated ninety dollars.

0:39:52.719 --> 0:39:54.640
<v Speaker 1>The theft was again covered by a number of different

0:39:54.680 --> 0:39:56.840
<v Speaker 1>news sources at the time Bonds I can fetch a

0:39:56.840 --> 0:39:59.719
<v Speaker 1>hefty price on the black market. Sadly, I didn't run

0:39:59.719 --> 0:40:03.120
<v Speaker 1>across any reporting about this tree being recovered. I mean

0:40:03.120 --> 0:40:04.880
<v Speaker 1>maybe it did, and they just didn't make a snazzy

0:40:05.680 --> 0:40:08.719
<v Speaker 1>new story for most sources. UM. But one of the

0:40:08.719 --> 0:40:10.960
<v Speaker 1>things that they pointed out is that like if you

0:40:11.000 --> 0:40:15.080
<v Speaker 1>were to steal hat and um high value bonds I

0:40:15.160 --> 0:40:17.319
<v Speaker 1>treat like this. Yeah, if you didn't know how to

0:40:17.360 --> 0:40:19.839
<v Speaker 1>care for it, uh, if you didn't know the particular

0:40:20.120 --> 0:40:22.640
<v Speaker 1>things you needed to do, it could die within a week,

0:40:22.960 --> 0:40:26.160
<v Speaker 1>you know. So there's a there's a delicacy to these UM.

0:40:26.200 --> 0:40:29.120
<v Speaker 1>These organisms as well, but I'm also interested in the

0:40:29.160 --> 0:40:32.360
<v Speaker 1>statement of these people saying that the bonds are like

0:40:32.400 --> 0:40:35.960
<v Speaker 1>our children, because it I mean, you can totally see

0:40:36.000 --> 0:40:37.759
<v Speaker 1>how that would be the case, that it's not just

0:40:37.840 --> 0:40:41.239
<v Speaker 1>like somebody stole any other high value item within a home.

0:40:41.280 --> 0:40:44.000
<v Speaker 1>I don't know, you know, an expensive painting or something.

0:40:44.480 --> 0:40:46.400
<v Speaker 1>It is in some ways like a child. I mean

0:40:46.440 --> 0:40:48.520
<v Speaker 1>obviously nothing, you know, and it doesn't have a brain

0:40:48.600 --> 0:40:51.000
<v Speaker 1>or anything, but it does require care. Well, I like

0:40:51.040 --> 0:40:52.840
<v Speaker 1>the idea of comparing it to something like a painting,

0:40:52.960 --> 0:40:56.759
<v Speaker 1>because yeah, painting certainly requires a certain amount of care

0:40:56.880 --> 0:41:01.200
<v Speaker 1>and any key an occasional occasionally restoration. But there is

0:41:01.960 --> 0:41:04.759
<v Speaker 1>and but there is I guess when it comes to

0:41:04.800 --> 0:41:06.399
<v Speaker 1>like the bonds eye tree and the painting, like, yeah,

0:41:06.400 --> 0:41:08.439
<v Speaker 1>there's probably a tipping point with the painting if it's

0:41:08.760 --> 0:41:11.960
<v Speaker 1>degraded and it's not cared for, you know, a point

0:41:12.040 --> 0:41:15.359
<v Speaker 1>past which it cannot be brought back in a meaningful way.

0:41:15.400 --> 0:41:18.000
<v Speaker 1>But with a Bond's eye tree, like, there's definitely that point,

0:41:18.080 --> 0:41:20.680
<v Speaker 1>you know, like there's no there's no gray area, there's

0:41:20.680 --> 0:41:23.239
<v Speaker 1>a point where the tree is no longer alive and

0:41:23.360 --> 0:41:27.680
<v Speaker 1>will not live again. And um, yeah, and it's Ultimately,

0:41:27.680 --> 0:41:29.400
<v Speaker 1>it is a living thing. It is a It is

0:41:29.600 --> 0:41:31.560
<v Speaker 1>a thing that is cared for, that is nurtured, and

0:41:31.560 --> 0:41:33.520
<v Speaker 1>you see it growing and you know that you have

0:41:33.560 --> 0:41:36.040
<v Speaker 1>a role in its growth. Well, I wonder how did

0:41:36.080 --> 0:41:38.840
<v Speaker 1>all this get started? Like who first had the idea

0:41:38.920 --> 0:41:44.879
<v Speaker 1>to grow tiny versions of adult shaped trees in pots? Yeah?

0:41:44.920 --> 0:41:48.040
<v Speaker 1>That the history is pretty fascinating. So in a broader

0:41:48.080 --> 0:41:50.440
<v Speaker 1>sense and really broad sense, we can just say, Okay,

0:41:50.680 --> 0:41:53.719
<v Speaker 1>what how far back to ornamental gardens go? And it

0:41:53.840 --> 0:41:56.960
<v Speaker 1>seems like they date back at least as far as

0:41:57.760 --> 0:42:00.760
<v Speaker 1>b C. In ancient Egypt because we see them depicted

0:42:00.760 --> 0:42:03.839
<v Speaker 1>in tomb paintings from that period. Uh. There are also

0:42:03.880 --> 0:42:08.399
<v Speaker 1>some interesting connections to Babylonian and air Vedic traditions. Uh.

0:42:08.440 --> 0:42:09.759
<v Speaker 1>So you know, it's probably one of those things that's

0:42:09.800 --> 0:42:12.080
<v Speaker 1>ultimately lost in history because it basically comes down to

0:42:12.080 --> 0:42:15.600
<v Speaker 1>all right, people people messing around with plants and people

0:42:15.640 --> 0:42:19.319
<v Speaker 1>creating ceramics. Uh. And I guess not just ceramics, but

0:42:19.360 --> 0:42:21.360
<v Speaker 1>also like you know, I guess you could make a

0:42:21.360 --> 0:42:24.960
<v Speaker 1>wooden pot as well, obviously, but people messing around with materials,

0:42:25.000 --> 0:42:27.040
<v Speaker 1>messing around with plants, and getting to the point where

0:42:27.080 --> 0:42:29.200
<v Speaker 1>they realize, oh, I can, I can put this in

0:42:29.239 --> 0:42:31.600
<v Speaker 1>a pot, I can take it with me. Uh, you know,

0:42:31.640 --> 0:42:34.040
<v Speaker 1>instead of just depending say on dried herbs, maybe I

0:42:34.120 --> 0:42:36.400
<v Speaker 1>might try and bring this plant with me as I

0:42:36.440 --> 0:42:39.359
<v Speaker 1>travel somewhere else, bring it alive and uh and do

0:42:39.480 --> 0:42:41.680
<v Speaker 1>something you know with it when I get there. I

0:42:41.719 --> 0:42:44.840
<v Speaker 1>would not be surprised if that was tied into ancient

0:42:44.880 --> 0:42:48.399
<v Speaker 1>beliefs about herbal medicine. Yeah, good point, And I think

0:42:48.440 --> 0:42:50.200
<v Speaker 1>I think maybe that's where some of the air Vedic

0:42:50.400 --> 0:42:54.520
<v Speaker 1>traditions also come into play. But the immediate predecessor to

0:42:54.600 --> 0:42:57.800
<v Speaker 1>the bondsai practice in Japan, it takes us to China

0:42:57.880 --> 0:43:00.880
<v Speaker 1>around the year one thousand CE. I've also seen a

0:43:01.000 --> 0:43:04.200
<v Speaker 1>date of seven hundred c e uh. So there may

0:43:04.200 --> 0:43:07.080
<v Speaker 1>be some disagreement about, you know, when exactly we're looking

0:43:07.120 --> 0:43:10.120
<v Speaker 1>at here, but uh, for instance, I was looking at

0:43:10.120 --> 0:43:12.920
<v Speaker 1>a source on this by Jack doth It often recognized

0:43:12.920 --> 0:43:16.560
<v Speaker 1>as a Western authority on Bonsai practices. He has a

0:43:16.560 --> 0:43:20.359
<v Speaker 1>book titled Bonsai The Art of Living Sculpture, and he

0:43:20.480 --> 0:43:25.120
<v Speaker 1>dates the beginnings of bonsa i uh to the Han

0:43:25.200 --> 0:43:27.520
<v Speaker 1>dynasty over two thousand years ago, or not the beginning

0:43:27.520 --> 0:43:31.880
<v Speaker 1>of bonsai, but the beginning of this predecessor um he wrote.

0:43:31.920 --> 0:43:35.240
<v Speaker 1>He writes the following in Bond the Bonsai Survival Manual. Quote.

0:43:35.320 --> 0:43:38.280
<v Speaker 1>Legend has it that at one point an ancient Chinese

0:43:38.280 --> 0:43:42.520
<v Speaker 1>emperor commissioned the construction in his courtyard of vast miniature landscapes,

0:43:42.840 --> 0:43:46.759
<v Speaker 1>complete with mountains, lakes, and of course miniature trees. These

0:43:46.840 --> 0:43:50.040
<v Speaker 1>landscapes were designed to represent all the parts of his empire,

0:43:50.360 --> 0:43:52.600
<v Speaker 1>so in this way he could stand on his balcony

0:43:52.840 --> 0:43:57.120
<v Speaker 1>and survey his entire domain. WHOA and again that I

0:43:57.200 --> 0:43:59.040
<v Speaker 1>like that story because it gets back to what we're

0:43:59.040 --> 0:44:03.200
<v Speaker 1>talking about, like the the irresistible allure of the world

0:44:03.239 --> 0:44:06.640
<v Speaker 1>at large, naid miniature. I absolutely see that, and you

0:44:06.680 --> 0:44:08.920
<v Speaker 1>know it comes through in plenty of other ways too.

0:44:09.000 --> 0:44:12.319
<v Speaker 1>I think, uh, this is actually a primary motivator. I

0:44:12.320 --> 0:44:15.840
<v Speaker 1>think for a lot of people who have model train hobbies.

0:44:16.840 --> 0:44:19.520
<v Speaker 1>Not everyone, but I think a lot of people who

0:44:19.600 --> 0:44:23.840
<v Speaker 1>are into model trains. It's not even so much about

0:44:23.880 --> 0:44:26.239
<v Speaker 1>the train. I mean, that's part of it, but it's

0:44:26.280 --> 0:44:31.080
<v Speaker 1>about it's about a a driving excuse to create these

0:44:31.120 --> 0:44:36.480
<v Speaker 1>miniature landscapes. Because the miniature landscapes are so appealing for

0:44:36.520 --> 0:44:38.520
<v Speaker 1>some reason. I mean, I I love them. I love

0:44:38.600 --> 0:44:43.120
<v Speaker 1>dioramas and um, I love like a good museum that

0:44:43.160 --> 0:44:46.200
<v Speaker 1>has carefully painted dioramas. I know you paint miniatures, so

0:44:46.320 --> 0:44:49.359
<v Speaker 1>you have this appreciation. Sometimes I wonder if if some

0:44:49.440 --> 0:44:51.280
<v Speaker 1>of the people who are into like the model train

0:44:51.760 --> 0:44:55.640
<v Speaker 1>thing or like or like miniature diorama recreations of historic

0:44:55.640 --> 0:44:58.520
<v Speaker 1>battle scenes or whatever like that, are are it's basically

0:44:58.520 --> 0:45:01.720
<v Speaker 1>the same impulse that dry ives. Uh, you know, people

0:45:01.719 --> 0:45:04.040
<v Speaker 1>who would do D and D or tabletop minatures. But

0:45:04.120 --> 0:45:06.840
<v Speaker 1>for people who don't like magic and wizards. Yeah, I

0:45:06.920 --> 0:45:08.879
<v Speaker 1>think it's absolutely the case. Yeah. I mean you see

0:45:08.920 --> 0:45:11.920
<v Speaker 1>it in war gaming because there's a lot of that

0:45:11.920 --> 0:45:14.400
<v Speaker 1>that same energy that goes into the creating the environments

0:45:14.400 --> 0:45:17.200
<v Speaker 1>in trains. You see it in creating environments to have

0:45:17.360 --> 0:45:19.640
<v Speaker 1>your little battles on. You see it in the Lego

0:45:20.040 --> 0:45:24.799
<v Speaker 1>pastime among both children and adult fans of Legos, where

0:45:24.800 --> 0:45:28.239
<v Speaker 1>they'll create whole little worlds. And that's that's part of it. Yeah.

0:45:28.360 --> 0:45:31.759
<v Speaker 1>And and indeed diorama creation can just be so in crowd.

0:45:31.840 --> 0:45:34.600
<v Speaker 1>I love a great diorama at a at a museum.

0:45:35.960 --> 0:45:38.520
<v Speaker 1>The the met has some of the bat I think

0:45:38.520 --> 0:45:39.759
<v Speaker 1>it's the met is it the mat that has some

0:45:39.800 --> 0:45:42.399
<v Speaker 1>really good ones at any rate. I know, I've seen

0:45:42.440 --> 0:45:45.840
<v Speaker 1>some great dioramas in in New York. But anyway, this

0:45:45.920 --> 0:45:51.319
<v Speaker 1>particular Chinese predecessor to the Bond's I this is was

0:45:51.360 --> 0:45:55.040
<v Speaker 1>the art of punsai. Uh. These were luxury items of

0:45:55.080 --> 0:45:59.960
<v Speaker 1>the day, and around roughly eleven CE, Buddhist monks brought

0:46:00.000 --> 0:46:03.080
<v Speaker 1>the tradition to Japan, and is often the case, as

0:46:03.160 --> 0:46:05.440
<v Speaker 1>is off the case in Japanese culture. They took an

0:46:05.440 --> 0:46:08.160
<v Speaker 1>outside art form, they refined it, and they made it

0:46:08.200 --> 0:46:11.640
<v Speaker 1>their own. As doth It points out, the main drivers

0:46:11.680 --> 0:46:15.200
<v Speaker 1>here were the Japanese people's love of nature, uh, but

0:46:15.280 --> 0:46:20.520
<v Speaker 1>also increasingly in increasing artistic awareness, and this coupled with

0:46:20.560 --> 0:46:23.319
<v Speaker 1>the minimalist teachings of Zen Buddhism. So all of this

0:46:23.360 --> 0:46:26.640
<v Speaker 1>gets reflected uh in it uh and so so yeah,

0:46:26.680 --> 0:46:28.760
<v Speaker 1>as part of the Zen Buddhism movement of the time,

0:46:29.040 --> 0:46:32.600
<v Speaker 1>it takes root in Japanese culture and becomes you know,

0:46:32.920 --> 0:46:37.759
<v Speaker 1>not only this this sort of you know, meditative pastime

0:46:37.840 --> 0:46:40.279
<v Speaker 1>that is associated again with Zin Buddhism, but also it

0:46:40.320 --> 0:46:43.520
<v Speaker 1>becomes the ultimate pastime of the upper classes. Like it

0:46:43.600 --> 0:46:46.160
<v Speaker 1>is this the uh, you know, this is a luxury

0:46:46.200 --> 0:46:49.719
<v Speaker 1>item to have and to care for. And to just

0:46:49.840 --> 0:46:52.160
<v Speaker 1>keep as a symbol of of who you are and

0:46:52.200 --> 0:46:55.680
<v Speaker 1>where you are in society. According to Robert J. Baron,

0:46:55.800 --> 0:46:59.640
<v Speaker 1>writing for Bonzai Empire dot com, quote finding beauty and

0:46:59.640 --> 0:47:03.440
<v Speaker 1>severe ear austerity. Zen monks with less land forms as

0:47:03.440 --> 0:47:07.279
<v Speaker 1>a model developed their trade landscapes along certain lines, so

0:47:07.320 --> 0:47:10.840
<v Speaker 1>that a single tree in a pot could represent the universe.

0:47:11.480 --> 0:47:13.640
<v Speaker 1>So a connection here again is made between the tree

0:47:13.640 --> 0:47:15.920
<v Speaker 1>and miniature, and not just the world at large, but

0:47:16.000 --> 0:47:18.000
<v Speaker 1>the universe at what led large. You know, not just

0:47:18.320 --> 0:47:21.480
<v Speaker 1>the world as a physical thing, but also the world

0:47:21.680 --> 0:47:24.360
<v Speaker 1>as as far as our you know, perceptions of self

0:47:24.400 --> 0:47:27.840
<v Speaker 1>and reality and the soul are concerned. Um. A connection

0:47:27.880 --> 0:47:30.640
<v Speaker 1>is also frequently made between the traditions of caring for

0:47:30.680 --> 0:47:34.520
<v Speaker 1>the plant and meditation. And during the mid nineteenth century,

0:47:34.560 --> 0:47:37.000
<v Speaker 1>as Japan began to make contact with the outside world

0:47:37.000 --> 0:47:40.080
<v Speaker 1>again in major ways, the bonds ie tradition began to

0:47:40.120 --> 0:47:42.879
<v Speaker 1>spread as well. And so yeah, now you can find

0:47:42.920 --> 0:47:47.080
<v Speaker 1>bonds i literally all over the world. That's interesting to see,

0:47:47.360 --> 0:47:49.640
<v Speaker 1>especially for certain kinds of meditation. You know, the kind

0:47:49.680 --> 0:47:53.040
<v Speaker 1>of meditation that are focused on the control of attention,

0:47:53.239 --> 0:47:57.319
<v Speaker 1>for example, you know mindfulness types of meditation. What they

0:47:57.320 --> 0:47:59.719
<v Speaker 1>have in common it seems to me is that there

0:47:59.840 --> 0:48:04.760
<v Speaker 1>is is this never ending balance between sort of the

0:48:04.760 --> 0:48:08.359
<v Speaker 1>the natural growing chaos of life, which is sort of

0:48:08.400 --> 0:48:11.239
<v Speaker 1>like you're wandering attention as a as a meditator, or

0:48:11.280 --> 0:48:14.879
<v Speaker 1>the growth of a plant in a pot versus like

0:48:14.960 --> 0:48:17.400
<v Speaker 1>all of these sort of like methods of shaping. You know,

0:48:17.680 --> 0:48:20.719
<v Speaker 1>you could kind of think of meditation in one way

0:48:20.760 --> 0:48:23.680
<v Speaker 1>as a as a shaping of the attention that naturally

0:48:23.760 --> 0:48:25.600
<v Speaker 1>wants to grow in one way or another, but you're

0:48:25.640 --> 0:48:28.320
<v Speaker 1>just sort of like pruning it down and and making

0:48:28.320 --> 0:48:31.920
<v Speaker 1>it harmonious. Yeah, I can't help but to compare it,

0:48:31.960 --> 0:48:34.120
<v Speaker 1>first of all, to creating, say like a model tank.

0:48:34.239 --> 0:48:36.080
<v Speaker 1>You know, you put a lot of care into creating

0:48:36.080 --> 0:48:38.600
<v Speaker 1>that tank, but then once it's done, you can basically

0:48:38.680 --> 0:48:40.279
<v Speaker 1>put it on a shelf. Yeah, you might have to

0:48:40.360 --> 0:48:42.040
<v Speaker 1>dust it off from time to time, maybe you'll go

0:48:42.080 --> 0:48:45.720
<v Speaker 1>back and tweak something on it, but it's essentially complete. Uh.

0:48:45.760 --> 0:48:48.160
<v Speaker 1>And then I think of of say having a you know,

0:48:48.200 --> 0:48:51.560
<v Speaker 1>an actual child, you know, like that that is a

0:48:51.640 --> 0:48:55.600
<v Speaker 1>case where you you're continually help helping this child to grow,

0:48:55.960 --> 0:48:58.320
<v Speaker 1>but but in a way that eventually that child is

0:48:58.360 --> 0:49:00.080
<v Speaker 1>going to leave you. That child is going to go

0:49:00.160 --> 0:49:02.960
<v Speaker 1>on and have this, this larger life and is no

0:49:03.000 --> 0:49:05.239
<v Speaker 1>longer going to be a part of your household. The

0:49:05.239 --> 0:49:09.160
<v Speaker 1>bonds Eye tree is uh, he is always going to

0:49:09.200 --> 0:49:11.360
<v Speaker 1>be there, you know, unless of course you you you know,

0:49:11.440 --> 0:49:13.920
<v Speaker 1>you you give it to somebody else, pass into the

0:49:13.960 --> 0:49:16.120
<v Speaker 1>care of another, or or of course ultimately have to

0:49:16.160 --> 0:49:19.320
<v Speaker 1>make plans for it to continue living after you have died.

0:49:19.760 --> 0:49:23.480
<v Speaker 1>But you were, you were keeping it in this constrained,

0:49:23.480 --> 0:49:26.239
<v Speaker 1>a dwarf environment. You know, like you wouldn't want to

0:49:26.280 --> 0:49:28.680
<v Speaker 1>have you wouldn't want to have a Bonds Eye child,

0:49:29.040 --> 0:49:31.480
<v Speaker 1>you know that that would be that would be monstrous.

0:49:31.920 --> 0:49:34.360
<v Speaker 1>But the Bonsai tree different matter. I don't know. Some

0:49:34.400 --> 0:49:37.640
<v Speaker 1>people do sort of prune and wire their children. Well,

0:49:37.680 --> 0:49:39.759
<v Speaker 1>you do want to wire your children. You want to,

0:49:40.200 --> 0:49:43.600
<v Speaker 1>you want to to to to manipulate their development as

0:49:43.640 --> 0:49:47.400
<v Speaker 1>much as possible towards um you know, the positive models

0:49:47.440 --> 0:49:50.239
<v Speaker 1>of being. But then you know eventually you want to,

0:49:50.440 --> 0:49:53.160
<v Speaker 1>you know, let him out of the greenhouse. I don't know.

0:49:53.160 --> 0:49:56.360
<v Speaker 1>It's not a perfect metaphor for rearing a child, but

0:49:57.320 --> 0:50:00.440
<v Speaker 1>at any rate, I I do see the so much

0:50:00.440 --> 0:50:02.880
<v Speaker 1>of the Bonds that is about about control, but not

0:50:02.960 --> 0:50:06.520
<v Speaker 1>just control for control's sake, but control for artistic purposes.

0:50:06.560 --> 0:50:08.840
<v Speaker 1>So um, yeah, you wouldn't want to take that approach

0:50:08.840 --> 0:50:12.239
<v Speaker 1>to creating a child or so to growing a child, etcetera.

0:50:12.520 --> 0:50:14.319
<v Speaker 1>But then again also yeah, it doesn't apply. The same

0:50:14.360 --> 0:50:16.440
<v Speaker 1>sort of model doesn't apply to other forms of art

0:50:16.480 --> 0:50:20.160
<v Speaker 1>where you do reach some level of completion. Um if

0:50:20.200 --> 0:50:22.160
<v Speaker 1>I mean even if you were saying, if you were

0:50:22.400 --> 0:50:25.120
<v Speaker 1>to compare it to say, writing, um, an epic poem,

0:50:25.360 --> 0:50:27.439
<v Speaker 1>you know, and perhaps it's an epic poem you work

0:50:27.480 --> 0:50:30.120
<v Speaker 1>on your entire life, and then towards the end of

0:50:30.120 --> 0:50:32.719
<v Speaker 1>your life, uh, you know, you're still tinkering with it.

0:50:32.800 --> 0:50:35.200
<v Speaker 1>Maybe you never get it quite finished. But then does

0:50:35.239 --> 0:50:37.560
<v Speaker 1>that pass on to another person to get finished and

0:50:37.560 --> 0:50:41.080
<v Speaker 1>then onto another Like generally you're only going to see,

0:50:41.120 --> 0:50:43.600
<v Speaker 1>like maybe what a couple of generations of tinkering with

0:50:43.680 --> 0:50:48.120
<v Speaker 1>a particular work of of literature. Well, this is very

0:50:48.160 --> 0:50:50.760
<v Speaker 1>interesting and how it ties into epic poetry in particular,

0:50:50.800 --> 0:50:53.040
<v Speaker 1>because it depends on which epic poem you're talking about.

0:50:53.040 --> 0:50:55.480
<v Speaker 1>So if it's the need, you could just have Virgil

0:50:55.560 --> 0:50:57.799
<v Speaker 1>the author sits down to write the epic poem and

0:50:57.840 --> 0:51:00.799
<v Speaker 1>they you know, Virgil can decide when he's untinkering on

0:51:00.840 --> 0:51:03.600
<v Speaker 1>it mainly. But um, if it is something like the

0:51:03.600 --> 0:51:06.000
<v Speaker 1>Odyssey or the Iliad that grows out of an oral

0:51:06.080 --> 0:51:10.319
<v Speaker 1>tradition in which every telling of the tale was different originally,

0:51:10.400 --> 0:51:13.480
<v Speaker 1>so like the written versions that we have of the

0:51:13.520 --> 0:51:16.759
<v Speaker 1>Iliad and the Odyssey are very is it's extremely unlikely

0:51:16.880 --> 0:51:20.319
<v Speaker 1>that that was in any way a fixed form of

0:51:20.360 --> 0:51:23.160
<v Speaker 1>the poem from antiquity. It's going to be something that

0:51:23.280 --> 0:51:27.480
<v Speaker 1>grow out of an oral storytelling tradition that that had

0:51:27.640 --> 0:51:30.880
<v Speaker 1>infinite different variations and was told by different tellers, and

0:51:30.920 --> 0:51:33.799
<v Speaker 1>at some point some version of it got written down.

0:51:34.280 --> 0:51:36.000
<v Speaker 1>Now that's a great point. Yeah. So and in a way,

0:51:36.040 --> 0:51:38.880
<v Speaker 1>you could compare the Bond's Eye rather favorably to the

0:51:38.920 --> 0:51:41.760
<v Speaker 1>creation of a myth and a legend, you know, because

0:51:42.160 --> 0:51:44.200
<v Speaker 1>you know, beyond the mere epic poem, the Iliot is

0:51:44.239 --> 0:51:47.239
<v Speaker 1>something that is continually retold time and time again. It

0:51:47.239 --> 0:51:51.560
<v Speaker 1>continues to live in different forms. Were perpetually trimming it

0:51:51.840 --> 0:51:54.480
<v Speaker 1>and caring for it, um, letting it grow out a

0:51:54.480 --> 0:51:57.160
<v Speaker 1>bit and maybe braining it back in. And we see

0:51:57.160 --> 0:51:58.480
<v Speaker 1>this with other forms as well. I mean, you could

0:51:58.480 --> 0:52:00.759
<v Speaker 1>even make an argument for something like Our Wars being

0:52:00.800 --> 0:52:02.680
<v Speaker 1>the case, you know, like for a while it was

0:52:02.719 --> 0:52:06.440
<v Speaker 1>George Lucas Bond's Eye and UH, and then in different

0:52:06.440 --> 0:52:08.400
<v Speaker 1>phases it has been passed on to other people to

0:52:08.480 --> 0:52:12.520
<v Speaker 1>care for and if it remains popular, this will continue

0:52:12.920 --> 0:52:16.520
<v Speaker 1>for centuries even now. To come back to just a

0:52:16.560 --> 0:52:18.400
<v Speaker 1>little bit here at the end to to science, I

0:52:18.400 --> 0:52:21.040
<v Speaker 1>do want to point to a scientific paper that I

0:52:21.080 --> 0:52:24.160
<v Speaker 1>came across, and it deals with the science of root pruning.

0:52:24.600 --> 0:52:26.759
<v Speaker 1>So this is pretty neat. I mean, I'm not gonna

0:52:26.760 --> 0:52:29.040
<v Speaker 1>get super into the details of the study, but it

0:52:29.160 --> 0:52:32.960
<v Speaker 1>does make some great points just about uh the wondrous

0:52:33.040 --> 0:52:36.160
<v Speaker 1>um qualities of a plant's roots. So, plant roots are

0:52:36.239 --> 0:52:40.160
<v Speaker 1>naturally robust and regenerative since they're a vital they're they're

0:52:40.200 --> 0:52:42.480
<v Speaker 1>vital for water and nutrient absorption. They have to be

0:52:42.520 --> 0:52:45.520
<v Speaker 1>able to bounce back from injury really well, so they

0:52:45.520 --> 0:52:48.960
<v Speaker 1>have impressive plasticity, which also helps them adapt to changing

0:52:49.040 --> 0:52:53.200
<v Speaker 1>environmental circumstances such as drought. And this plasticity is harnessed

0:52:53.239 --> 0:52:56.160
<v Speaker 1>in root pruning UH in Bond's eye as a way

0:52:56.200 --> 0:53:00.359
<v Speaker 1>to control size and vigor and industry. Interestingly enough, there

0:53:00.480 --> 0:53:04.840
<v Speaker 1>was a study from Hokkaido University that looked at the

0:53:04.880 --> 0:53:08.719
<v Speaker 1>molecular mechanism behind root regeneration to figure out exactly what's

0:53:08.719 --> 0:53:11.279
<v Speaker 1>going on, because prior to this there was you know,

0:53:11.280 --> 0:53:14.640
<v Speaker 1>there's definitely some strong theories, but the exact molecular mechanism

0:53:14.719 --> 0:53:19.399
<v Speaker 1>was largely unknown. That study, published in Plant and Sell Physiology,

0:53:19.520 --> 0:53:22.920
<v Speaker 1>identified for the first time that Yuca nine, one of

0:53:22.960 --> 0:53:28.000
<v Speaker 1>the eleven Yucca genes involved in oxen synthesis, plays a

0:53:28.080 --> 0:53:32.120
<v Speaker 1>primary role in roots system regeneration. So, oxen is a

0:53:32.120 --> 0:53:35.920
<v Speaker 1>plant hormone which causes the elongation of cells and shoots

0:53:36.239 --> 0:53:39.879
<v Speaker 1>and is and is involved in regulating plant growth. Now,

0:53:39.960 --> 0:53:43.200
<v Speaker 1>to be clear, this particular study didn't use bonds eye trees,

0:53:43.640 --> 0:53:45.759
<v Speaker 1>but they were part of the title and even the

0:53:45.800 --> 0:53:48.879
<v Speaker 1>cover art for this edition of Plant and Sell Physiology,

0:53:48.920 --> 0:53:52.440
<v Speaker 1>as this beautiful photograph of a bond's I on the cover. Okay,

0:53:52.440 --> 0:53:56.719
<v Speaker 1>so root regeneration is related to this gene that stimulates

0:53:56.719 --> 0:54:01.840
<v Speaker 1>the production of this hormone that causes cells to elongate.

0:54:02.400 --> 0:54:05.440
<v Speaker 1>Um and the elongation of plant cells, by the way,

0:54:05.640 --> 0:54:07.960
<v Speaker 1>is something that's very interesting, uh, And I think a

0:54:07.960 --> 0:54:10.080
<v Speaker 1>lot of people don't appreciate how much that comes in,

0:54:10.160 --> 0:54:13.239
<v Speaker 1>even in things as mundane as cooking. You know, when

0:54:13.239 --> 0:54:16.640
<v Speaker 1>we think about body cells. We think about cells that

0:54:16.680 --> 0:54:19.200
<v Speaker 1>are I don't know, I mean, I don't know what's

0:54:19.200 --> 0:54:20.400
<v Speaker 1>the best way to think of them in a three

0:54:20.440 --> 0:54:23.080
<v Speaker 1>dimensional sense, but in the microscope slide, since you think

0:54:23.120 --> 0:54:25.000
<v Speaker 1>of them is basically like round or kind of like

0:54:25.040 --> 0:54:30.440
<v Speaker 1>a little square, right. Plant cells can be very elongated,

0:54:30.840 --> 0:54:33.640
<v Speaker 1>and this is one reason that if say you're cutting

0:54:33.680 --> 0:54:37.719
<v Speaker 1>an onion, uh, the direction along which you cut the

0:54:37.760 --> 0:54:41.040
<v Speaker 1>onion can make a big difference in how much of

0:54:41.080 --> 0:54:44.360
<v Speaker 1>the compounds that induced tears are released when you're cutting

0:54:44.360 --> 0:54:48.040
<v Speaker 1>the onion. So if you're slicing an onion cross wise, um,

0:54:48.160 --> 0:54:51.080
<v Speaker 1>so you're going you know, you're creating the rings. You

0:54:51.120 --> 0:54:53.760
<v Speaker 1>tend to shear a lot more cells because the cells

0:54:53.760 --> 0:54:57.279
<v Speaker 1>are elongated from pull to pull along the onion. So

0:54:57.320 --> 0:54:59.879
<v Speaker 1>you're cutting more cells open, releasing more of that jew

0:55:00.120 --> 0:55:02.120
<v Speaker 1>it's gonna make you cry more. If you turn the

0:55:02.160 --> 0:55:03.920
<v Speaker 1>onion around and you cut it in the pole to

0:55:04.000 --> 0:55:08.120
<v Speaker 1>pole direction, you're cutting parallel to the elongated cells instead

0:55:08.120 --> 0:55:11.760
<v Speaker 1>of across them. Fewer cells are ruptured, less juice is released,

0:55:11.840 --> 0:55:14.600
<v Speaker 1>and there's less crying. I don't really have a problem

0:55:14.640 --> 0:55:17.560
<v Speaker 1>crying while cutting onions, but I definitely need to watch

0:55:17.560 --> 0:55:20.000
<v Speaker 1>a video on cutting onions because I know I'm doing

0:55:20.040 --> 0:55:24.880
<v Speaker 1>it very incorrectly. I'm very slapdash with my onion cutting,

0:55:24.920 --> 0:55:27.480
<v Speaker 1>and this has been pointed out before. I'll give you

0:55:27.480 --> 0:55:30.520
<v Speaker 1>a trainer someday. Okay, I do a lot of onion cutting.

0:55:30.840 --> 0:55:33.240
<v Speaker 1>I wonder how many onions I've cut up in my life.

0:55:33.440 --> 0:55:37.120
<v Speaker 1>Probably thousands? Yeah? Which which color onion do you think

0:55:37.120 --> 0:55:39.720
<v Speaker 1>you've cut the most off? Oh? I guess regular yellow

0:55:39.719 --> 0:55:43.239
<v Speaker 1>onions probably, yeah, but do them all? I like the

0:55:43.239 --> 0:55:46.480
<v Speaker 1>purple onions, Red onions, Oh yeah, those are those are

0:55:46.480 --> 0:55:50.280
<v Speaker 1>really good for pickling. You'll ever make pickled onions at home? Um?

0:55:50.400 --> 0:55:52.880
<v Speaker 1>We have maybe have made some like fridge pickles or

0:55:53.000 --> 0:55:56.000
<v Speaker 1>sort of like I don't know, bold pickles for recipes.

0:55:56.000 --> 0:55:57.160
<v Speaker 1>I don't know what you call that when you sort

0:55:57.200 --> 0:56:01.000
<v Speaker 1>of you pickle something for an hour or less, not

0:56:01.200 --> 0:56:06.279
<v Speaker 1>like full lacto fermentation. Yeah, just simple like vinegar pickling. Um. Yeah, yeah, yeah,

0:56:06.320 --> 0:56:09.400
<v Speaker 1>that's great. One of the one of the most versatile

0:56:09.440 --> 0:56:11.920
<v Speaker 1>things you can have in your kitchen is just just

0:56:11.960 --> 0:56:14.279
<v Speaker 1>a nice container of pickled onions. And red onions are

0:56:14.280 --> 0:56:16.400
<v Speaker 1>great for that. So you just make like a brine

0:56:16.440 --> 0:56:19.760
<v Speaker 1>solutions like half water, half vinegar, add some salt sugar

0:56:19.800 --> 0:56:22.160
<v Speaker 1>if you want it, and then pour boil that, pour

0:56:22.239 --> 0:56:24.880
<v Speaker 1>it over some sliced red onions and then put that

0:56:24.920 --> 0:56:27.360
<v Speaker 1>on everything. All right, Well, well there you have. And

0:56:27.400 --> 0:56:28.600
<v Speaker 1>I feel like we covered a lot of a lot

0:56:28.600 --> 0:56:30.759
<v Speaker 1>of ground in this episode. And obviously we'd love to

0:56:30.760 --> 0:56:34.360
<v Speaker 1>hear from everybody out there about Bonsai trees specifically, but

0:56:34.480 --> 0:56:39.800
<v Speaker 1>also uh dwarf trees in the strange Fluidian wilderness, onion

0:56:39.840 --> 0:56:43.319
<v Speaker 1>cutting uh uh you know, all of it is on

0:56:43.360 --> 0:56:45.680
<v Speaker 1>the table, but yes, specifically, if anybody out there has

0:56:45.719 --> 0:56:48.960
<v Speaker 1>expertise with Bonsai trees or uh you know it has

0:56:49.000 --> 0:56:51.879
<v Speaker 1>more more experience with them, we'd love to hear from you. Uh,

0:56:51.920 --> 0:56:55.000
<v Speaker 1>so please ride in and uh and tell us all

0:56:55.040 --> 0:56:58.120
<v Speaker 1>about it. Um. And I do want to just yeah,

0:56:58.560 --> 0:57:02.359
<v Speaker 1>remind everybody when when it becomes safe to do so.

0:57:03.640 --> 0:57:06.279
<v Speaker 1>I do recommend going out and seeing some Bond's eyes

0:57:06.320 --> 0:57:10.359
<v Speaker 1>in real life, you know if uh again, I saw

0:57:10.400 --> 0:57:12.239
<v Speaker 1>them when I was in I think I saw some

0:57:12.320 --> 0:57:14.120
<v Speaker 1>of the San Diego Zoo, and I saw some in

0:57:14.239 --> 0:57:18.120
<v Speaker 1>San Francisco somewhere, maybe a botanical garden there. But they're

0:57:18.160 --> 0:57:20.840
<v Speaker 1>all over and wherever you live, there's bound to be

0:57:20.880 --> 0:57:23.320
<v Speaker 1>some place that will be offering you a chance to

0:57:23.440 --> 0:57:26.640
<v Speaker 1>view them in the near future. In the meantime, if

0:57:26.640 --> 0:57:28.280
<v Speaker 1>you would like to check out other episodes of Stuff

0:57:28.280 --> 0:57:30.040
<v Speaker 1>to Blow Your Mind, you'll find the Stuff to Blow

0:57:30.080 --> 0:57:33.400
<v Speaker 1>your Mind podcast feed wherever you get your podcasts and

0:57:33.440 --> 0:57:36.000
<v Speaker 1>wherever that happens to be. We just asked that you rate, review,

0:57:36.040 --> 0:57:39.160
<v Speaker 1>and subscribe huge things as always to our excellent audio

0:57:39.160 --> 0:57:41.920
<v Speaker 1>producer Seth Nicholas Johnson. If you would like to get

0:57:41.960 --> 0:57:44.040
<v Speaker 1>in touch with us with feedback on this episode or

0:57:44.040 --> 0:57:46.480
<v Speaker 1>any other, to suggest a topic for the future, or

0:57:46.560 --> 0:57:49.160
<v Speaker 1>just to say hi, you can email us at contact

0:57:49.360 --> 0:57:59.600
<v Speaker 1>at stuff to Blow your Mind dot com. Stuff to

0:57:59.600 --> 0:58:02.400
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0:58:02.440 --> 0:58:05.040
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