1 00:00:02,600 --> 00:00:08,440 Speaker 1: Two Teas in a Pod with Teddy Mellencamp and camera judge. 2 00:00:09,440 --> 00:00:12,360 Speaker 2: Hi, guys, welcome back to another episode of Two Teas 3 00:00:12,360 --> 00:00:14,200 Speaker 2: and a Pod with myself and Delores. 4 00:00:15,000 --> 00:00:19,040 Speaker 1: Good morning, Delores, Hi, good morning. Your hat says take 5 00:00:19,120 --> 00:00:19,680 Speaker 1: it easy. 6 00:00:20,040 --> 00:00:22,080 Speaker 2: Oh, I'm taking it easy. 7 00:00:22,200 --> 00:00:24,160 Speaker 1: That's I cannot see more on right. 8 00:00:25,440 --> 00:00:28,400 Speaker 2: I literally woke up like forty minutes ago. I am 9 00:00:28,520 --> 00:00:30,360 Speaker 2: so tired. I never sleep in my hands. 10 00:00:30,360 --> 00:00:32,519 Speaker 1: You are never. Oh my goodness. 11 00:00:32,640 --> 00:00:37,480 Speaker 2: So let's jump into Southern Charm season eleven, episode fourteen. 12 00:00:38,000 --> 00:00:43,479 Speaker 2: They have one more episode left. Now we continue with 13 00:00:43,920 --> 00:00:46,600 Speaker 2: you know in the van ride, Craig's big. 14 00:00:46,479 --> 00:00:50,479 Speaker 1: Blower really like low is he is? He unrattled? Like 15 00:00:50,600 --> 00:00:52,720 Speaker 1: what's going on with alcohol? 16 00:00:53,000 --> 00:00:55,040 Speaker 2: I think when he drinks, he just is like. 17 00:00:55,480 --> 00:00:59,600 Speaker 1: The anger comes out like his suppressed feelings about. 18 00:01:00,120 --> 00:01:03,240 Speaker 2: Maybe, but I'll think over. I also think, like Sage, 19 00:01:03,920 --> 00:01:08,480 Speaker 2: some people just don't do well on alcohol, Like you 20 00:01:08,560 --> 00:01:10,440 Speaker 2: have a couple of glasses, fine, but when you go 21 00:01:10,880 --> 00:01:12,640 Speaker 2: to that drunk stage. 22 00:01:13,280 --> 00:01:14,319 Speaker 1: Like nasty drunk. 23 00:01:14,480 --> 00:01:16,920 Speaker 2: Yeah yeah, And I think that's where he goes, is 24 00:01:16,959 --> 00:01:18,000 Speaker 2: what I suspect. 25 00:01:18,319 --> 00:01:23,920 Speaker 1: Well, sure I say this before you. I mean, I'm 26 00:01:23,959 --> 00:01:27,440 Speaker 1: going deep here, but I'm going to just say before 27 00:01:27,440 --> 00:01:30,440 Speaker 1: you have a family and you have children to strain 28 00:01:30,520 --> 00:01:34,160 Speaker 1: it out. Yeah, you guys are starting this time of 29 00:01:34,200 --> 00:01:37,800 Speaker 1: your life where you want to get serious, you want 30 00:01:37,840 --> 00:01:41,000 Speaker 1: to meet girls, you're going to be getting married. Now 31 00:01:41,120 --> 00:01:44,640 Speaker 1: you start to have to start winding down into adulthood. 32 00:01:44,760 --> 00:01:47,000 Speaker 1: And if this is the way you act in something 33 00:01:47,120 --> 00:01:49,800 Speaker 1: like this, let's pull it back because you can't do 34 00:01:49,840 --> 00:01:51,680 Speaker 1: it overnight. I don't think it's something. 35 00:01:51,640 --> 00:01:54,800 Speaker 2: In their forties. Do you think these guys are in 36 00:01:54,800 --> 00:01:58,200 Speaker 2: their forties right, Like? Do you think like maybe they're 37 00:01:58,200 --> 00:02:01,760 Speaker 2: never going to grow up? Yeah, because I told you 38 00:02:01,840 --> 00:02:03,560 Speaker 2: they're on the show, they're now. 39 00:02:04,200 --> 00:02:06,559 Speaker 1: I have a theory. A friend of mine once told 40 00:02:06,600 --> 00:02:09,040 Speaker 1: me I was dating a guy and he was in 41 00:02:09,160 --> 00:02:11,400 Speaker 1: marketing and he knew him, and he said, Dolores, I 42 00:02:11,480 --> 00:02:15,799 Speaker 1: know him. He's never going to grow up. A man 43 00:02:15,919 --> 00:02:19,120 Speaker 1: is what he is by the time he's eighteen. And 44 00:02:19,200 --> 00:02:21,520 Speaker 1: that guy still lives with his mother. 45 00:02:22,200 --> 00:02:23,520 Speaker 2: Oh my god. 46 00:02:24,480 --> 00:02:28,160 Speaker 1: Well, at least this maybe sixty something have. 47 00:02:28,160 --> 00:02:29,760 Speaker 2: Their own houses. So that's good. 48 00:02:30,320 --> 00:02:32,280 Speaker 1: But the big deal you have your own house? 49 00:02:32,320 --> 00:02:34,280 Speaker 2: Show? No, they're they're party boys. 50 00:02:35,560 --> 00:02:38,000 Speaker 1: Well, they get hot girls. I have to say, these 51 00:02:38,040 --> 00:02:42,160 Speaker 1: girls running ade ten girls in their town I don't 52 00:02:42,200 --> 00:02:45,120 Speaker 1: care all ten girls, does not anyone have Donald's. 53 00:02:45,320 --> 00:02:48,960 Speaker 2: The girls are younger, though, what are they? Early late twenties, 54 00:02:49,000 --> 00:02:49,760 Speaker 2: early thirties. 55 00:02:50,120 --> 00:02:53,280 Speaker 1: Okay, well, you know what the paler were. 56 00:02:54,400 --> 00:02:55,320 Speaker 2: We were hot back then. 57 00:02:55,360 --> 00:02:59,280 Speaker 1: I was. I was, but never like that, never smooth, 58 00:02:59,480 --> 00:03:03,080 Speaker 1: never like they walk around in a bikini like that. 59 00:03:03,800 --> 00:03:06,320 Speaker 1: But I have to say that let's get to this 60 00:03:06,400 --> 00:03:11,000 Speaker 1: because this was rough, and I commend Charlie for being 61 00:03:11,040 --> 00:03:14,480 Speaker 1: appalled by it. I commend Charlie for standing her ground 62 00:03:14,600 --> 00:03:18,440 Speaker 1: on it, looking at him through different eyes, because I've 63 00:03:18,480 --> 00:03:21,520 Speaker 1: been that girl with that guy, and I you know, 64 00:03:21,639 --> 00:03:25,120 Speaker 1: when I was much much younger than her. You know 65 00:03:25,160 --> 00:03:27,000 Speaker 1: there were times I put guys in their place, but 66 00:03:27,360 --> 00:03:30,240 Speaker 1: younger than her, I probably didn't. I don't know that 67 00:03:30,280 --> 00:03:33,560 Speaker 1: I did, so I give her a lot of credit. 68 00:03:33,600 --> 00:03:36,920 Speaker 1: And you know when the group arrived to the hotel, 69 00:03:37,000 --> 00:03:41,680 Speaker 1: they were all appalled. I don't even think that Sally. 70 00:03:42,120 --> 00:03:46,440 Speaker 1: Did Sally even push the button. No, I didn't think 71 00:03:46,480 --> 00:03:47,760 Speaker 1: she was doing anything. 72 00:03:47,840 --> 00:03:50,680 Speaker 2: I think Sally has a million times and this is 73 00:03:50,720 --> 00:03:54,480 Speaker 2: the one time she didn't. And the fact that he 74 00:03:54,560 --> 00:03:56,800 Speaker 2: blew up like this. And Charlie saw this. 75 00:03:58,760 --> 00:04:02,080 Speaker 1: Girl red flag. 76 00:04:01,880 --> 00:04:03,680 Speaker 2: And she's a smart girl, and we see later on 77 00:04:03,760 --> 00:04:06,560 Speaker 2: she's like, no, no, no, I am not I am 78 00:04:06,680 --> 00:04:08,200 Speaker 2: turned the off. 79 00:04:08,360 --> 00:04:11,520 Speaker 1: She's like, and you know, Sally getting emotional. I think 80 00:04:11,560 --> 00:04:14,320 Speaker 1: Sally held her own on the van. He's like, fucking losers. 81 00:04:14,360 --> 00:04:17,799 Speaker 1: She's like an asshole. You know, she didn't fall apart. 82 00:04:17,839 --> 00:04:22,080 Speaker 1: And I also appreciate very much how the rest of 83 00:04:22,120 --> 00:04:26,039 Speaker 1: the people on the van, the guys included, were appalled 84 00:04:26,080 --> 00:04:30,599 Speaker 1: by it as well. No one appreciated it. And you know, Craig, Craig, 85 00:04:31,320 --> 00:04:33,719 Speaker 1: I think you need to get your shit together because 86 00:04:34,200 --> 00:04:36,960 Speaker 1: your friends don't seem like they like you anymore. 87 00:04:37,440 --> 00:04:41,159 Speaker 2: Yeah, he's definitely took quite a step backwards. He was 88 00:04:41,200 --> 00:04:43,560 Speaker 2: like this in earlier seasons and he's going right back 89 00:04:43,600 --> 00:04:43,920 Speaker 2: to it. 90 00:04:44,240 --> 00:04:48,200 Speaker 1: Well, that's what people said. People were like, he didn't 91 00:04:48,240 --> 00:04:50,640 Speaker 1: treat Page right in the beginning. And let me tell 92 00:04:50,640 --> 00:04:55,560 Speaker 1: you something, guys, the men, listen to me. When you 93 00:04:55,600 --> 00:04:58,320 Speaker 1: shit on a girl in the beginning, when she's what 94 00:04:58,360 --> 00:05:00,320 Speaker 1: do you call it dictified or whatever you call that. 95 00:05:01,000 --> 00:05:03,360 Speaker 1: When you do that, don't think you're out of the 96 00:05:03,360 --> 00:05:07,919 Speaker 1: woods woods women holding grudges. I don't care if you 97 00:05:08,040 --> 00:05:11,720 Speaker 1: turn into Prince Charming when she decides to look you over. 98 00:05:12,040 --> 00:05:14,560 Speaker 1: She's going back to the feeling she had when you 99 00:05:14,600 --> 00:05:18,760 Speaker 1: treated her like shit. So let's not let's be gentlemen, 100 00:05:19,080 --> 00:05:21,880 Speaker 1: because you ain't getting away with it. You ain't getting 101 00:05:21,880 --> 00:05:22,720 Speaker 1: away with it. I'm sorry. 102 00:05:23,040 --> 00:05:28,160 Speaker 2: No, Craig obviously is hungover. The next morning, chef is 103 00:05:28,240 --> 00:05:32,200 Speaker 2: knocking out his door. There's no answer. He's yelling, you know, Craig, 104 00:05:32,279 --> 00:05:35,159 Speaker 2: do you want to go fishing? I mean, Craig is 105 00:05:35,160 --> 00:05:36,680 Speaker 2: not coming out of his room because he knows he 106 00:05:36,760 --> 00:05:39,920 Speaker 2: messed up. But wait, can I. 107 00:05:39,920 --> 00:05:42,440 Speaker 1: Just say one thing? Because there was something that bothered 108 00:05:42,480 --> 00:05:44,560 Speaker 1: me a little bit about him not answering the door 109 00:05:44,600 --> 00:05:48,200 Speaker 1: and nobody pushing to go into that room. The last 110 00:05:48,200 --> 00:05:51,080 Speaker 1: time they saw him, he was not in a mentally 111 00:05:51,120 --> 00:05:54,080 Speaker 1: good place. He was violent, he was drunk. I know, 112 00:05:55,080 --> 00:05:58,839 Speaker 1: I'm I'm an alarmist, I'm an Italian. I would have 113 00:05:58,839 --> 00:06:01,279 Speaker 1: been breaking down the door, call make sure he's okay, Yeah, 114 00:06:01,360 --> 00:06:07,920 Speaker 1: making sure he's okay. And you know, when shep leaves there, 115 00:06:07,960 --> 00:06:09,760 Speaker 1: he's like, I feel like shit. So then he has 116 00:06:09,760 --> 00:06:13,880 Speaker 1: to go dry hump Austin. I know, and he's like, oh, 117 00:06:14,200 --> 00:06:17,279 Speaker 1: I really feel bad. I know I've been in his place. 118 00:06:17,320 --> 00:06:20,320 Speaker 1: I know how bad he feels well, go back instead 119 00:06:20,320 --> 00:06:23,680 Speaker 1: of dry humping Austin, why don't you go back to 120 00:06:23,720 --> 00:06:25,680 Speaker 1: the door and make sure that mother wakes. 121 00:06:25,480 --> 00:06:29,719 Speaker 2: Up right, or go back and iron your shirt because 122 00:06:29,800 --> 00:06:31,600 Speaker 2: the mount of wrinkles that were on that shirt was 123 00:06:31,720 --> 00:06:33,240 Speaker 2: driving me freaking nuts. 124 00:06:33,560 --> 00:06:37,800 Speaker 1: I've shep at Bravo. Khan never has an iron shirt, 125 00:06:38,839 --> 00:06:41,080 Speaker 1: so this this is a pattern for him. No, No, 126 00:06:41,960 --> 00:06:45,480 Speaker 1: in Vegas he came. I remember he did have a wrinklture. 127 00:06:45,520 --> 00:06:47,560 Speaker 1: I'm sorry, I remember that, Shep. You have so much 128 00:06:47,560 --> 00:06:49,880 Speaker 1: more going for you than for me, wrinklture. We need 129 00:06:49,960 --> 00:06:52,200 Speaker 1: to get a gentleman when I've met you, shep. 130 00:06:52,240 --> 00:06:54,920 Speaker 2: Well, I'm pretty sure Craig's like in his room, going shit, 131 00:06:55,200 --> 00:06:56,080 Speaker 2: what am I going to do? 132 00:06:56,279 --> 00:06:56,520 Speaker 1: Oh? 133 00:06:56,560 --> 00:07:00,040 Speaker 2: God, chat GPT get me out of this, because I 134 00:07:00,080 --> 00:07:02,440 Speaker 2: think so, you don't think so. Well, He's also trying 135 00:07:02,440 --> 00:07:04,359 Speaker 2: to figure out a way how he can turn this 136 00:07:04,600 --> 00:07:06,000 Speaker 2: around and play the victim. 137 00:07:06,560 --> 00:07:08,960 Speaker 1: Well, that's why he doesn't feel bad, because someone that 138 00:07:09,000 --> 00:07:10,120 Speaker 1: feels bad doesn't do that. 139 00:07:10,360 --> 00:07:13,800 Speaker 2: Well, Chef doesn't. Chef doesn't feel bad for him. No, 140 00:07:14,120 --> 00:07:15,600 Speaker 2: Chef's like, no, I don't know. 141 00:07:15,920 --> 00:07:18,240 Speaker 1: Everyone feels bad for him because it's Austin. 142 00:07:18,760 --> 00:07:21,560 Speaker 2: Well, shef feels bad for Craig. He feels like he's 143 00:07:21,600 --> 00:07:25,520 Speaker 2: going through a bad time. But to Austin's like, screw that. 144 00:07:26,400 --> 00:07:28,400 Speaker 2: Why am I gonna feel sorry? Austin's just happy it's 145 00:07:28,400 --> 00:07:30,680 Speaker 2: not him. 146 00:07:31,160 --> 00:07:36,240 Speaker 1: Well, no, that's the truth. But I just think that 147 00:07:38,480 --> 00:07:40,840 Speaker 1: Craig is not reachable right now. 148 00:07:41,880 --> 00:07:43,680 Speaker 2: Well, he better pull his head out of his ass 149 00:07:43,680 --> 00:07:45,000 Speaker 2: because he's on a reality show. 150 00:07:45,320 --> 00:07:48,800 Speaker 1: You know, when you're in a funk. Anyway, when I am, 151 00:07:49,360 --> 00:07:53,800 Speaker 1: I become an introvert. I internalize and I get go 152 00:07:53,960 --> 00:08:00,200 Speaker 1: to myself. I don't want to burden people. I know. 153 00:08:00,560 --> 00:08:04,280 Speaker 1: If something's happened to me now in my life, ninety percent, 154 00:08:04,480 --> 00:08:07,640 Speaker 1: it's probably a mistake. I knew better. It's probably something 155 00:08:07,640 --> 00:08:10,240 Speaker 1: I got into that I shouldn't have something I said. 156 00:08:10,240 --> 00:08:13,400 Speaker 1: I shouldn't have something I did. Somebody I was around 157 00:08:13,480 --> 00:08:16,720 Speaker 1: that I shouldn't have been, and I knew better. So 158 00:08:17,120 --> 00:08:19,440 Speaker 1: why should I make somebody feel bad for me when 159 00:08:19,480 --> 00:08:22,680 Speaker 1: I put myself in that I'm culpable. He is culpable 160 00:08:22,760 --> 00:08:26,280 Speaker 1: right now, and why are you bringing everybody down? Honestly, 161 00:08:26,360 --> 00:08:27,320 Speaker 1: his energy. 162 00:08:27,040 --> 00:08:30,600 Speaker 2: Sucks, it does it's bad. Well, we got some good 163 00:08:30,720 --> 00:08:33,320 Speaker 2: energy because Sally calls Madison and we get an update 164 00:08:33,440 --> 00:08:36,679 Speaker 2: on baby Teddy Teddy, they show it. She shows her 165 00:08:36,760 --> 00:08:41,439 Speaker 2: on FaceTime or six Ship. Phil's Madison on the makeout 166 00:08:41,480 --> 00:08:46,079 Speaker 2: with Austin and Craig's van blow up, and I'm sure 167 00:08:46,280 --> 00:08:49,400 Speaker 2: Madison's like, oh God, thank god I'm not there. Madison 168 00:08:49,400 --> 00:08:50,319 Speaker 2: happy a time. 169 00:08:50,520 --> 00:08:56,120 Speaker 1: And her baby baby love bubble and what about when 170 00:08:56,120 --> 00:08:59,280 Speaker 1: they're driving? And this really touched my heart because it's 171 00:08:59,320 --> 00:09:03,000 Speaker 1: so nice, and men say beautiful things to women. Even 172 00:09:03,040 --> 00:09:05,800 Speaker 1: after you have a baby. You're not feeling great about 173 00:09:05,840 --> 00:09:08,960 Speaker 1: your side, you don't like the way you look, You're tired, 174 00:09:09,040 --> 00:09:12,160 Speaker 1: your hormones are through the roof. And she's sitting in 175 00:09:12,200 --> 00:09:15,440 Speaker 1: the back seat, the baby's on her way home, little Teddy, 176 00:09:15,880 --> 00:09:18,880 Speaker 1: and he goes, did you ever I'll start crying. I 177 00:09:18,960 --> 00:09:23,000 Speaker 1: might cry. No, I must be vulnerable right now. I 178 00:09:23,080 --> 00:09:25,320 Speaker 1: will not. She goes, did you ever think you'd love 179 00:09:25,400 --> 00:09:27,400 Speaker 1: something so much? And he goes, until I met you 180 00:09:27,600 --> 00:09:30,760 Speaker 1: or something like that. And I said to myself, that's 181 00:09:30,800 --> 00:09:34,200 Speaker 1: a man. He's cute. He's a manly guy. They have 182 00:09:34,240 --> 00:09:36,960 Speaker 1: a great relationship, but he's so good with her son. 183 00:09:37,600 --> 00:09:40,080 Speaker 1: I love them two together. And she's happy. 184 00:09:40,240 --> 00:09:42,200 Speaker 2: She's already happy, extremely happy. 185 00:09:42,400 --> 00:09:44,960 Speaker 1: Her life is thriving. She says everything she wants. She's 186 00:09:45,000 --> 00:09:49,559 Speaker 1: a beautiful she's beautiful, she's blonde, she's got a great body, 187 00:09:49,720 --> 00:09:53,840 Speaker 1: and she bought a couple million dollars. You know, she's 188 00:09:53,840 --> 00:09:57,160 Speaker 1: got her man and he's a hot fireman. And hey, 189 00:09:57,160 --> 00:09:57,640 Speaker 1: there you go. 190 00:10:04,840 --> 00:10:08,360 Speaker 2: The next morning, there's a morning yoga out on the lawn. 191 00:10:09,920 --> 00:10:10,480 Speaker 2: Morning yoga. 192 00:10:10,679 --> 00:10:13,520 Speaker 1: Charlie comes out in her little right. 193 00:10:15,640 --> 00:10:20,800 Speaker 2: You think yoga's riveting television. I mean, obviously, all these 194 00:10:20,840 --> 00:10:23,199 Speaker 2: little scenes that are set up, like if it's yoga 195 00:10:23,320 --> 00:10:25,720 Speaker 2: to this, they only show like three seconds of it, 196 00:10:26,040 --> 00:10:28,480 Speaker 2: and it's more about the conversation they're about to have. 197 00:10:29,400 --> 00:10:32,760 Speaker 2: Sally doesn't want to do morning yoga with the girls. 198 00:10:32,880 --> 00:10:38,080 Speaker 2: She'd rather stretch it out with Austin. So I think 199 00:10:38,080 --> 00:10:41,320 Speaker 2: they're they're cute together, they're making out. 200 00:10:41,760 --> 00:10:44,640 Speaker 1: What I wanted to know was if Charlie and Craig 201 00:10:44,679 --> 00:10:49,960 Speaker 1: were an item, why didn't she stay in his room? 202 00:10:50,400 --> 00:10:52,719 Speaker 2: I think there it's a slow role. I don't think 203 00:10:52,720 --> 00:10:55,959 Speaker 2: they're like exactly an item. I think, like, I don't know. 204 00:10:57,200 --> 00:11:02,600 Speaker 2: I think Charlie is a very innocent girl, a good girl, 205 00:11:04,679 --> 00:11:08,800 Speaker 2: very southern girl. I think that she's just taking it 206 00:11:08,840 --> 00:11:09,280 Speaker 2: really sick. 207 00:11:09,400 --> 00:11:11,640 Speaker 1: I mean, yeah, she's good, but did you. 208 00:11:11,640 --> 00:11:14,360 Speaker 2: Really have Dave. She's kind of naive in the sense. 209 00:11:14,200 --> 00:11:17,760 Speaker 1: I really have to go for Craig, though, when your 210 00:11:17,800 --> 00:11:23,840 Speaker 1: friend liked him Craig, so I don't think that you know, 211 00:11:24,240 --> 00:11:28,600 Speaker 1: is she good? Yes? Unnecessarily to go for Craig when 212 00:11:29,400 --> 00:11:33,120 Speaker 1: everybody's warning everybody about him and your friend really likes him. 213 00:11:33,120 --> 00:11:36,080 Speaker 1: Not that Sally likes the door knob, Sally likes stuck, 214 00:11:36,240 --> 00:11:40,719 Speaker 1: Sally likes things chickens, and Sally likes everything and everyone. 215 00:11:40,920 --> 00:11:45,840 Speaker 1: But that was one you probably that wasn't worth fighting for. 216 00:11:46,360 --> 00:11:50,200 Speaker 2: I well, especially now because Charlie's like, she admits that 217 00:11:50,240 --> 00:11:52,720 Speaker 2: Craig's actions have ended them romantically. 218 00:11:52,800 --> 00:11:55,640 Speaker 1: I have redemption. She has redemption with me because she 219 00:11:55,920 --> 00:11:56,959 Speaker 1: didn't like the way he has. 220 00:11:57,080 --> 00:11:59,200 Speaker 2: Well, let's see if he appalled, because she did say 221 00:11:59,240 --> 00:12:00,880 Speaker 2: she did cave a little, and she's like, well if 222 00:12:00,880 --> 00:12:05,680 Speaker 2: he apologizes, no, you saw the way he acted. And 223 00:12:05,720 --> 00:12:08,800 Speaker 2: then Craig and Whitney go to lunch. Craig admits he 224 00:12:08,840 --> 00:12:14,400 Speaker 2: didn't like how agitated he got and blames twelve hours 225 00:12:14,440 --> 00:12:19,720 Speaker 2: of drinking. So Craig's like making excuses for himself. Whitney 226 00:12:19,840 --> 00:12:22,800 Speaker 2: does advise him to apologize to Sally. 227 00:12:23,000 --> 00:12:25,199 Speaker 1: I geet like that when I'm hungry twelve hours of 228 00:12:25,280 --> 00:12:25,760 Speaker 1: not eating. 229 00:12:26,360 --> 00:12:30,440 Speaker 2: But he's kind of like for what, like what wait? 230 00:12:30,920 --> 00:12:37,480 Speaker 1: Tell me at yoga? Banita isn't like ready to have 231 00:12:37,520 --> 00:12:40,640 Speaker 1: a field day over this that Craig just screwed up. 232 00:12:40,640 --> 00:12:43,120 Speaker 2: Again, one of those that told you so. 233 00:12:43,240 --> 00:12:47,600 Speaker 1: Charlie's like ew and and here is Benita just sitting 234 00:12:47,640 --> 00:12:54,040 Speaker 1: there going, okay, this is so. This is a good 235 00:12:54,120 --> 00:12:55,320 Speaker 1: day to be alive. 236 00:12:56,000 --> 00:12:59,280 Speaker 2: Right. So then Craig at this time is like, I'm 237 00:12:59,280 --> 00:13:05,680 Speaker 2: perfectly perfect, and I'm thinking Jet did chat did? That's 238 00:13:05,720 --> 00:13:08,640 Speaker 2: for sure? I mean, let's wait, Devil's Advocate. Do you 239 00:13:08,679 --> 00:13:12,360 Speaker 2: think Sally is obsessed with Craig. She doesn't talk about 240 00:13:12,400 --> 00:13:13,120 Speaker 2: him a lot. 241 00:13:13,920 --> 00:13:17,439 Speaker 1: No, I don't think she's obsessed with him. She's obsessed 242 00:13:17,480 --> 00:13:21,160 Speaker 1: with who's the next guy. She's obsessed now with Austin. 243 00:13:22,320 --> 00:13:26,520 Speaker 2: Well. Sally, she she falls hard and she falls. She's 244 00:13:26,640 --> 00:13:28,319 Speaker 2: very vocal. All these girls are. 245 00:13:28,559 --> 00:13:32,200 Speaker 1: She was so pretty in her little heart pajamas talking 246 00:13:32,240 --> 00:13:34,920 Speaker 1: on the phone. I'm like, I think these girls have 247 00:13:35,120 --> 00:13:36,640 Speaker 1: so much going for them. 248 00:13:37,000 --> 00:13:40,640 Speaker 2: This is when the show kind of ends for me. 249 00:13:41,040 --> 00:13:42,920 Speaker 2: With all the spiritual healing. 250 00:13:43,760 --> 00:13:48,960 Speaker 1: Oh, the sweat lodge. I'm not into bodily fluids. If 251 00:13:49,000 --> 00:13:52,800 Speaker 1: somebody rules, or if I see saliva around me, I 252 00:13:52,840 --> 00:13:55,800 Speaker 1: will dry heath. I don't even mind shit. I'll pick 253 00:13:55,840 --> 00:13:58,880 Speaker 1: up dog shit all day. Do not roole in front 254 00:13:58,920 --> 00:14:00,400 Speaker 1: of me. I used to hand my care off to 255 00:14:00,440 --> 00:14:05,680 Speaker 1: my mother. Sweat if a fucking guy ever sweated on me. 256 00:14:05,840 --> 00:14:11,240 Speaker 2: They weren't just sweating, and they were pouring, dripping. It 257 00:14:11,320 --> 00:14:16,640 Speaker 2: was bad. Yeah, it's gross. So the grow participates in 258 00:14:16,720 --> 00:14:18,200 Speaker 2: a I was watching. 259 00:14:17,920 --> 00:14:21,320 Speaker 1: And getting sick. Yeah. And the smells there's a lot 260 00:14:21,360 --> 00:14:25,360 Speaker 1: of mustiness in there. Yeah. No, you know what, Craig, 261 00:14:25,440 --> 00:14:27,400 Speaker 1: that's the smartest thing you did was get out of 262 00:14:27,400 --> 00:14:29,480 Speaker 1: the thing and you two Witner, well, you. 263 00:14:29,400 --> 00:14:32,200 Speaker 2: Can pass out. And the timestamp it looked like they 264 00:14:32,200 --> 00:14:35,440 Speaker 2: were in there for hours. That doesn't even seem safe. 265 00:14:35,680 --> 00:14:37,800 Speaker 1: Whitney is an hour and a half. It was supposed 266 00:14:37,800 --> 00:14:39,360 Speaker 1: to be an hour and a half. And then and 267 00:14:39,440 --> 00:14:41,840 Speaker 1: then they make it hotter while you're sitting there. There's 268 00:14:41,880 --> 00:14:45,880 Speaker 1: something about that. Listen. There's also those ayahuasca journeys that 269 00:14:45,920 --> 00:14:46,480 Speaker 1: people go on. 270 00:14:46,680 --> 00:14:47,720 Speaker 2: Yeah, I ain't doing any of that. 271 00:14:48,400 --> 00:14:52,000 Speaker 1: Listen, ever, what if I get stuck? They bring you 272 00:14:52,120 --> 00:14:53,960 Speaker 1: back to the drudge memory. 273 00:14:54,040 --> 00:14:55,640 Speaker 2: It changes your whole personality. 274 00:14:56,320 --> 00:14:58,160 Speaker 1: Well, people have changed by that. But I'm going to 275 00:14:58,200 --> 00:15:02,040 Speaker 1: tell you something. With my lot, I'll get stuck in 276 00:15:02,120 --> 00:15:05,240 Speaker 1: that bad memory, yeah, and never be able to get out. 277 00:15:06,000 --> 00:15:08,320 Speaker 1: I don't want it, No, thank you. I don't even 278 00:15:08,360 --> 00:15:10,840 Speaker 1: hang old pictures in my house. I don't have baby 279 00:15:10,840 --> 00:15:14,040 Speaker 1: pictures of my kids. I don't go to the past. 280 00:15:14,400 --> 00:15:16,960 Speaker 1: I don't want to go moving forward. I have so 281 00:15:17,040 --> 00:15:18,520 Speaker 1: much to look forward to. I don't want to go 282 00:15:19,120 --> 00:15:22,640 Speaker 1: back to any bad memory. I've dealt with it. You 283 00:15:22,680 --> 00:15:25,680 Speaker 1: know how I dealt with it. I suppressed it. I'm good. 284 00:15:26,120 --> 00:15:29,200 Speaker 2: Welcome to my world. So Whitney is the only smart one. 285 00:15:29,280 --> 00:15:33,840 Speaker 2: He is skeptical of the spiritual practice to say. He's like, no, no, 286 00:15:34,680 --> 00:15:36,160 Speaker 2: do I believe in this stuff? 287 00:15:38,480 --> 00:15:42,680 Speaker 1: You know what I believe. I do believe there's there's 288 00:15:43,040 --> 00:15:45,640 Speaker 1: I believe in heaven and hell. I believe in good 289 00:15:45,720 --> 00:15:49,120 Speaker 1: and evil. You know, these sweat lodges and these opening 290 00:15:49,200 --> 00:15:52,240 Speaker 1: up your senses. I think that it lets other things 291 00:15:52,240 --> 00:15:55,440 Speaker 1: in that maybe shouldn't be around. Oh, you have to 292 00:15:55,480 --> 00:16:00,760 Speaker 1: be very very careful when you with this shit. 293 00:16:01,760 --> 00:16:05,200 Speaker 2: Well, I think I'd rather do a massage than the sweat. 294 00:16:05,680 --> 00:16:09,080 Speaker 1: I'll go pray. I believe in meditation. You know, me 295 00:16:09,160 --> 00:16:11,360 Speaker 1: and the Buddhists are friends. Now, the Buddhists mine. 296 00:16:11,400 --> 00:16:13,640 Speaker 2: They call you, They're like, hey, Dolores. 297 00:16:13,760 --> 00:16:15,960 Speaker 1: You know, I'm going to make sure I get to 298 00:16:16,040 --> 00:16:18,040 Speaker 1: know them better. I'm going to text us. 299 00:16:18,040 --> 00:16:20,240 Speaker 2: Do they have phone number? Like? Do they have sales? 300 00:16:20,240 --> 00:16:22,320 Speaker 1: But they don't have phones, so you have to like follow. 301 00:16:22,320 --> 00:16:23,600 Speaker 1: They probably don't want to talk to me. 302 00:16:24,600 --> 00:16:25,360 Speaker 2: Sure they do. 303 00:16:26,480 --> 00:16:29,920 Speaker 1: Clerky doesn't love me because I'm divorced. Like in my religion, 304 00:16:31,480 --> 00:16:33,520 Speaker 1: it's very hard to go to church and get on 305 00:16:33,600 --> 00:16:35,600 Speaker 1: the line to get the host because I'm divorced and 306 00:16:35,640 --> 00:16:37,760 Speaker 1: I live with my boyfriend. Everybody knows it, and the 307 00:16:37,800 --> 00:16:40,480 Speaker 1: priests seem to know it. So they're like, if you're 308 00:16:40,520 --> 00:16:43,440 Speaker 1: divorced and you're living with someone, you cannot get the host. 309 00:16:44,800 --> 00:16:45,960 Speaker 1: I'm a little mad about it. 310 00:16:46,960 --> 00:16:51,400 Speaker 2: It's okay. So this whole like heated cave situation, like 311 00:16:52,160 --> 00:16:56,560 Speaker 2: people are literally sweating so bad that they look like 312 00:16:56,560 --> 00:16:57,760 Speaker 2: they're going to pass out. 313 00:16:57,920 --> 00:17:03,600 Speaker 1: And in Love was loved it bathing in her sweat, 314 00:17:04,000 --> 00:17:07,720 Speaker 1: she's rubbing in an are like, no, thank you? Talk 315 00:17:07,760 --> 00:17:10,200 Speaker 1: about this? Can we get past this scene? Really bad 316 00:17:10,280 --> 00:17:10,560 Speaker 1: for me. 317 00:17:10,800 --> 00:17:13,160 Speaker 2: Well, obviously, like you said, Craig leaves first. He's out 318 00:17:13,160 --> 00:17:14,200 Speaker 2: of there. The rest finish. 319 00:17:14,359 --> 00:17:17,240 Speaker 1: Austin, they said, the person that needed it the most leaves. 320 00:17:17,280 --> 00:17:20,240 Speaker 2: Well, he's probably so hungover and dehydrated and then going 321 00:17:20,280 --> 00:17:23,359 Speaker 2: into that and sweating your ass up. So Austin feels 322 00:17:23,400 --> 00:17:26,040 Speaker 2: deeply connected to those who stayed. 323 00:17:26,800 --> 00:17:29,040 Speaker 1: I'm going back to the monks. When I walked with them, 324 00:17:29,080 --> 00:17:31,000 Speaker 1: it doesn't compare to sitting in his sweat lodge for 325 00:17:31,040 --> 00:17:33,639 Speaker 1: an hour and a half. There is a sense of 326 00:17:34,800 --> 00:17:37,760 Speaker 1: I don't know, I left there with a sense of 327 00:17:37,800 --> 00:17:42,240 Speaker 1: peacefulness and accomplishment and something else. And I think that 328 00:17:42,680 --> 00:17:45,680 Speaker 1: I do believe they felt something there. 329 00:17:47,280 --> 00:17:50,879 Speaker 2: They probably did anytime, anytime you're taken to near death, 330 00:17:51,320 --> 00:17:52,879 Speaker 2: you start feeling. 331 00:17:52,920 --> 00:17:58,040 Speaker 1: Yeah, yeah you do. And like I said, Craig was like, 332 00:17:58,640 --> 00:18:02,159 Speaker 1: forget this, and he's like, I went to a boarding school. 333 00:18:02,320 --> 00:18:04,280 Speaker 1: I was taught by a bunch of hippies. I can't 334 00:18:04,320 --> 00:18:07,920 Speaker 1: stand them. I don't want to talk about hippies. They 335 00:18:07,960 --> 00:18:11,320 Speaker 1: got on my nerves. Whatever. When he wants no part of. 336 00:18:11,240 --> 00:18:13,720 Speaker 2: This at all, No, he says he's rock Rock. 337 00:18:13,880 --> 00:18:15,640 Speaker 1: I'm intrigued by him. 338 00:18:16,320 --> 00:18:18,639 Speaker 2: You know his backstory, right, can you tell me? 339 00:18:18,880 --> 00:18:19,320 Speaker 1: I don't. 340 00:18:19,520 --> 00:18:23,520 Speaker 2: He's a producer, right is that show? So I think, 341 00:18:24,119 --> 00:18:27,040 Speaker 2: I want to say one of our production company. They 342 00:18:27,119 --> 00:18:30,479 Speaker 2: knew each other and he was trying to pitch the show, 343 00:18:30,960 --> 00:18:35,080 Speaker 2: and he brought his mom into it. So it's weird 344 00:18:35,119 --> 00:18:37,720 Speaker 2: to see somebody that's actually behind the scenes in front 345 00:18:37,760 --> 00:18:39,560 Speaker 2: of the camera. And I think that's why he doesn't 346 00:18:39,600 --> 00:18:43,800 Speaker 2: get too involved. He doesn't get involved in the fighting. 347 00:18:44,280 --> 00:18:47,440 Speaker 2: He tries to help people. He's not going to get 348 00:18:47,480 --> 00:18:50,359 Speaker 2: into a cave and sweat his ass off, Like he's like, 349 00:18:50,720 --> 00:18:52,760 Speaker 2: I'm up here. I'll let you guys do that. 350 00:18:52,880 --> 00:18:53,720 Speaker 1: I don't have to do this. 351 00:18:53,840 --> 00:18:56,640 Speaker 2: But but how weird would it be to have one 352 00:18:56,720 --> 00:19:00,760 Speaker 2: of our producers on our show participate on the show. 353 00:19:01,400 --> 00:19:03,240 Speaker 1: At least they took him off as like. 354 00:19:03,200 --> 00:19:05,520 Speaker 2: An executive producer, and he just you know what I mean, 355 00:19:05,560 --> 00:19:07,560 Speaker 2: Like he doesn't make those decisions. I don't know. This 356 00:19:07,600 --> 00:19:08,400 Speaker 2: is something I heard a life. 357 00:19:08,480 --> 00:19:14,800 Speaker 1: I just I'm intrigued by him and his mom so much. 358 00:19:14,880 --> 00:19:17,679 Speaker 1: And I love the relationship because you know how I 359 00:19:17,720 --> 00:19:22,040 Speaker 1: am with my son. Yeah, Like it's ridiculous, And I 360 00:19:22,080 --> 00:19:25,640 Speaker 1: love how he has the patience for the mom. They 361 00:19:25,720 --> 00:19:29,399 Speaker 1: do the dog funerals. They have afternoon tea or whatever 362 00:19:29,400 --> 00:19:33,679 Speaker 1: it is, or martinis, and he goes along with whatever 363 00:19:34,320 --> 00:19:39,959 Speaker 1: she wants. He handles her. She's lovely. Actually, I've met 364 00:19:39,960 --> 00:19:43,320 Speaker 1: her at raval Khans a bunch of times. She's got 365 00:19:43,320 --> 00:19:48,119 Speaker 1: her shit together. And I love being around older women. 366 00:19:48,320 --> 00:19:51,919 Speaker 1: I love imagine women who are wise, who lived life. 367 00:19:52,240 --> 00:19:55,080 Speaker 2: But how weird would it be to be on a 368 00:19:55,119 --> 00:19:59,439 Speaker 2: reality show in your seventies or eighties? Like wouldn't that be? 369 00:19:59,600 --> 00:20:01,080 Speaker 2: Like why myself? 370 00:20:01,400 --> 00:20:04,359 Speaker 1: Like, it's just so cool. I think she's so cool. 371 00:20:04,359 --> 00:20:08,280 Speaker 1: But I I love hanging around with any type of 372 00:20:08,400 --> 00:20:11,200 Speaker 1: older women who have lived a life, and I want 373 00:20:11,240 --> 00:20:15,800 Speaker 1: to see that live through their experiences. I just do money, 374 00:20:15,840 --> 00:20:18,840 Speaker 1: no money, the rough life, easy life, you name it. 375 00:20:18,880 --> 00:20:20,520 Speaker 1: I want to see it. I want to learn from 376 00:20:20,560 --> 00:20:20,880 Speaker 1: it all. 377 00:20:21,240 --> 00:20:25,360 Speaker 2: Yeah. Well, if the the sweat Cave wasn't enough, we 378 00:20:25,400 --> 00:20:30,840 Speaker 2: go on to the Sacred Circle ceremony. Thunderstorms move them indoors, 379 00:20:31,480 --> 00:20:33,080 Speaker 2: eyes closed, they walk in. 380 00:20:33,119 --> 00:20:35,920 Speaker 1: You know, the producers got so excited about. 381 00:20:35,720 --> 00:20:38,520 Speaker 2: You know what, this this whole thing where they're walking 382 00:20:38,600 --> 00:20:40,520 Speaker 2: around and grabbing people. 383 00:20:40,680 --> 00:20:43,320 Speaker 1: Peking blind. 384 00:20:43,840 --> 00:20:46,960 Speaker 2: I did see Charlie Peak once, oh you day, and 385 00:20:47,040 --> 00:20:48,680 Speaker 2: the camera was right on her. 386 00:20:49,119 --> 00:20:51,320 Speaker 1: But and they just put blindfolds on them. 387 00:20:51,560 --> 00:20:53,720 Speaker 2: I know then the well because then they opened their eyes. 388 00:20:53,880 --> 00:20:57,560 Speaker 2: Then Craig and Vanita. Vanita is like, God is telling 389 00:20:57,560 --> 00:20:59,639 Speaker 2: me to fix it and get out. She goes, I 390 00:20:59,680 --> 00:21:02,000 Speaker 2: want to get out. She's like, I'm out of here. 391 00:21:03,240 --> 00:21:07,040 Speaker 2: I mean, there's lots of hugging going on Craig and Austin, 392 00:21:07,960 --> 00:21:11,600 Speaker 2: which warm Shep's heart. He said, it just warmed his heart. 393 00:21:12,080 --> 00:21:13,760 Speaker 2: Shep is the old softy inside. 394 00:21:15,200 --> 00:21:17,399 Speaker 1: Oh he is, Yeah, yeah he is. 395 00:21:18,040 --> 00:21:24,080 Speaker 2: Craig finds it very moving. Austin appreciates the reconnection. 396 00:21:24,320 --> 00:21:27,359 Speaker 1: I just Craig wants to find it moving right now 397 00:21:27,440 --> 00:21:31,800 Speaker 1: because he wants to redeem himself for screwing up again. 398 00:21:32,000 --> 00:21:35,000 Speaker 2: By the way, this is my worst nightmare. I don't 399 00:21:35,000 --> 00:21:37,000 Speaker 2: want I don't like stuff like this. 400 00:21:37,400 --> 00:21:39,680 Speaker 1: What do you actually, Darby? This is my worst nightmare. 401 00:21:39,720 --> 00:21:41,959 Speaker 1: This is not your worst, not my worst nightmare. 402 00:21:42,240 --> 00:21:45,040 Speaker 2: This is a nightmare to me to have to could 403 00:21:45,080 --> 00:21:48,480 Speaker 2: you I can't imagine you doing this hugging and holding 404 00:21:48,600 --> 00:21:51,920 Speaker 2: hands and the swaying and the woman with a very 405 00:21:51,960 --> 00:21:55,399 Speaker 2: soft voice saying and now we are with one. 406 00:21:55,760 --> 00:22:00,480 Speaker 1: No, I mean listen, I went to Arizona. I went 407 00:22:00,480 --> 00:22:03,520 Speaker 1: to Miamo, SPA years ago. I used to go to 408 00:22:03,640 --> 00:22:09,959 Speaker 1: Canyon Ranch, and I have to say I learned a 409 00:22:09,960 --> 00:22:13,520 Speaker 1: lot from those things, and I enjoy those things, But 410 00:22:13,640 --> 00:22:16,440 Speaker 1: this kind of shit. I'm not going in a sweat lodge. 411 00:22:16,680 --> 00:22:18,680 Speaker 1: I'm not drinking ayahuasca. 412 00:22:19,720 --> 00:22:22,040 Speaker 2: I'm not doing a sound bath. I don't want to 413 00:22:22,080 --> 00:22:23,040 Speaker 2: do yoga in the garden. 414 00:22:23,280 --> 00:22:27,600 Speaker 1: Well, we know you have background noise issues. I'm not 415 00:22:27,680 --> 00:22:30,280 Speaker 1: a yoga person. I've never done pilates, which I think 416 00:22:30,320 --> 00:22:31,520 Speaker 1: I want to start doing. 417 00:22:31,600 --> 00:22:33,840 Speaker 2: You know, I keep saying I'm joining pilates. I'm like sure, 418 00:22:33,880 --> 00:22:35,200 Speaker 2: in all my spare time. 419 00:22:35,160 --> 00:22:39,240 Speaker 1: After speaking to Christian and realizing that our bone density 420 00:22:39,400 --> 00:22:42,840 Speaker 1: is so important to us as older women, I think 421 00:22:42,880 --> 00:22:45,680 Speaker 1: that we still have the time to fix that. And 422 00:22:45,880 --> 00:22:50,560 Speaker 1: whoever's listening in their early twenties and thirties, I know, 423 00:22:50,640 --> 00:22:54,200 Speaker 1: but I'm saying, like core strength and everything. Guys, when 424 00:22:54,200 --> 00:22:57,880 Speaker 1: I meet women with beautiful pasture in their seventies and eighties, 425 00:22:58,440 --> 00:22:59,240 Speaker 1: they did yoga. 426 00:23:00,280 --> 00:23:02,920 Speaker 2: Yeah, yoga, pilates is amazing too. 427 00:23:03,640 --> 00:23:08,720 Speaker 1: Yeah, so that's off the path. But they all start 428 00:23:08,800 --> 00:23:11,119 Speaker 1: hugging and they all start kissing, which is what we 429 00:23:11,160 --> 00:23:13,800 Speaker 1: want to see, right. We want to see no fight. 430 00:23:14,200 --> 00:23:16,240 Speaker 1: I want to see we want to see the fighting 431 00:23:16,320 --> 00:23:18,879 Speaker 1: and we want to see them make up and which 432 00:23:19,040 --> 00:23:19,960 Speaker 1: which is what they do? 433 00:23:20,080 --> 00:23:22,879 Speaker 2: And do you think this is gonna stick? Well? 434 00:23:24,040 --> 00:23:29,520 Speaker 1: Witner and Molly said in their confessionals, this ain't gonna 435 00:23:29,560 --> 00:23:30,680 Speaker 1: do shit. Well. 436 00:23:30,720 --> 00:23:33,919 Speaker 2: Next week is the season finale of the show, so 437 00:23:34,080 --> 00:23:35,640 Speaker 2: I'm sure something goes down. 438 00:23:35,720 --> 00:23:38,159 Speaker 1: You know, they have to. Something has to happen at 439 00:23:38,160 --> 00:23:44,600 Speaker 1: the finale. 440 00:23:47,160 --> 00:23:50,520 Speaker 2: So after they're standing in the circle holding hands and hugging, 441 00:23:51,320 --> 00:23:53,879 Speaker 2: I mean, Whitney is a little bit negative when it 442 00:23:53,960 --> 00:23:57,160 Speaker 2: comes to like all of this. It's almost like he's 443 00:23:57,359 --> 00:23:59,880 Speaker 2: above it. I mean there's a part where he kind 444 00:23:59,880 --> 00:24:02,960 Speaker 2: of I can't you guys participate when he was sweating, 445 00:24:03,359 --> 00:24:05,960 Speaker 2: he wasn't sweating or anything. Just go and hold hands. 446 00:24:06,000 --> 00:24:06,840 Speaker 2: He's like that. 447 00:24:08,200 --> 00:24:12,160 Speaker 1: So you know, who's my favorite favorite favorite of all 448 00:24:12,280 --> 00:24:17,080 Speaker 1: here is Rodrigo. I just want to say him and 449 00:24:17,119 --> 00:24:21,080 Speaker 1: his husband are so amazing. You know, I randomly just 450 00:24:21,119 --> 00:24:24,760 Speaker 1: called him recently. I just wanted to talk. I missed him. 451 00:24:25,160 --> 00:24:28,119 Speaker 1: I spent the dinner, a nice dinner with them a 452 00:24:28,160 --> 00:24:29,639 Speaker 1: few weeks ago when they were in town. 453 00:24:30,040 --> 00:24:32,320 Speaker 2: I know, I said I had fomo and he reached 454 00:24:32,359 --> 00:24:34,080 Speaker 2: out to me, and then I started following him and 455 00:24:34,080 --> 00:24:36,040 Speaker 2: I'm like, oh, he's texted me or damn me a 456 00:24:36,080 --> 00:24:36,600 Speaker 2: few times. 457 00:24:36,760 --> 00:24:41,399 Speaker 1: I think he's a wonderful cast member. He's a good friend. 458 00:24:42,000 --> 00:24:46,159 Speaker 1: He's so smart, he's always on point. He calls his 459 00:24:46,160 --> 00:24:48,560 Speaker 1: friends out when they're wrong, and he stands by them 460 00:24:48,560 --> 00:24:52,240 Speaker 1: when when he needs them. So we reached the hard him. 461 00:24:52,400 --> 00:24:55,080 Speaker 1: Babo world was Rodrigo. 462 00:24:55,640 --> 00:24:57,400 Speaker 2: Don't you think we need to see more of him? 463 00:24:57,400 --> 00:24:57,640 Speaker 1: Though? 464 00:24:58,440 --> 00:25:00,399 Speaker 2: I feel like he doesn't get enough camera time. 465 00:25:01,680 --> 00:25:03,760 Speaker 1: You know what, though that's not always the worst thing 466 00:25:04,040 --> 00:25:06,160 Speaker 1: camera because then his time comes. 467 00:25:06,560 --> 00:25:08,600 Speaker 2: Yeah, but I want, I want to see more of him. 468 00:25:09,040 --> 00:25:12,320 Speaker 1: Well that we do, we absolutely do, but you know, 469 00:25:13,000 --> 00:25:15,679 Speaker 1: wait for your time. There's no reason for that to 470 00:25:15,760 --> 00:25:19,680 Speaker 1: be ever forced or pushed. It's the best thing. I 471 00:25:19,760 --> 00:25:24,080 Speaker 1: always say the slow crawl is the best. Yeah, because 472 00:25:24,160 --> 00:25:28,480 Speaker 1: right now I feel like from what I've seen in 473 00:25:28,520 --> 00:25:32,120 Speaker 1: my career, my ten years of filming, I would say 474 00:25:32,480 --> 00:25:36,159 Speaker 1: nine whatever, I would say, you know, the people that 475 00:25:36,240 --> 00:25:38,800 Speaker 1: come out fast and furious die die fast too. 476 00:25:39,520 --> 00:25:39,879 Speaker 2: M hm. 477 00:25:40,240 --> 00:25:46,080 Speaker 1: So my uh yeah, my, my, The IP is Robrio. Always. 478 00:25:46,480 --> 00:25:49,840 Speaker 1: We have to give Sally credit. She did come around 479 00:25:50,000 --> 00:25:53,560 Speaker 1: with Charlie. She was mad at first, but she got 480 00:25:53,600 --> 00:25:56,240 Speaker 1: over it as soon as she she realized Austin broke 481 00:25:56,320 --> 00:26:01,200 Speaker 1: up with his girlfriend, and she got over really quick. 482 00:26:01,359 --> 00:26:03,840 Speaker 1: And I like that they put that behind them, and 483 00:26:03,920 --> 00:26:08,040 Speaker 1: I like that Charlie stuck up for her and stood 484 00:26:08,040 --> 00:26:09,000 Speaker 1: by her as a woman. 485 00:26:09,320 --> 00:26:12,400 Speaker 2: And I think, you know, going back to it, going 486 00:26:12,440 --> 00:26:15,879 Speaker 2: back to Charlie, and you can tell by her upbringing 487 00:26:15,960 --> 00:26:19,919 Speaker 2: and her mannerism that she's she's a class act. And 488 00:26:20,240 --> 00:26:22,120 Speaker 2: I think this is it. I think this is where 489 00:26:22,160 --> 00:26:26,399 Speaker 2: that relationship breaks and goes no further. And I'm curious 490 00:26:26,400 --> 00:26:29,719 Speaker 2: to see what happens at the season finale between them, 491 00:26:29,720 --> 00:26:31,120 Speaker 2: because you know they're going to have a conversation. 492 00:26:31,160 --> 00:26:33,239 Speaker 1: She didn't like that her mother and sister told her 493 00:26:33,280 --> 00:26:36,400 Speaker 1: to go for Craig. Sorry, guys, I think you're wonderful 494 00:26:36,480 --> 00:26:39,800 Speaker 1: and you have a beautiful family. You're all beautiful. 495 00:26:40,040 --> 00:26:43,560 Speaker 2: But I mean because they were friends, because she friends. 496 00:26:43,800 --> 00:26:46,960 Speaker 1: Sally never said that to me, and guess what happened. 497 00:26:47,359 --> 00:26:51,800 Speaker 1: She got screwed being with a guy that wasn't the best. Well, 498 00:26:51,920 --> 00:26:54,320 Speaker 1: I thank god, it's got probably a great guy now 499 00:26:54,359 --> 00:26:55,520 Speaker 1: he's within a relationship. 500 00:26:55,880 --> 00:26:58,080 Speaker 2: Thank God it didn't go too far like they were 501 00:26:58,119 --> 00:26:59,800 Speaker 2: just like courting each other. 502 00:27:00,240 --> 00:27:04,000 Speaker 1: No. See, you know my family wouldn't said that. No, 503 00:27:04,359 --> 00:27:06,080 Speaker 1: leave them. There's a lot of guys out there. You 504 00:27:06,119 --> 00:27:08,199 Speaker 1: don't need to you don't need to go out with 505 00:27:08,240 --> 00:27:10,119 Speaker 1: the guys on your friend likes. 506 00:27:10,359 --> 00:27:12,280 Speaker 2: Yeah, I mean that's good advice. 507 00:27:12,680 --> 00:27:15,520 Speaker 1: Would Sally have done it to her? One hundred probably 508 00:27:15,600 --> 00:27:17,320 Speaker 1: thousand percent? I don't know. 509 00:27:17,880 --> 00:27:20,000 Speaker 2: Chnice to shed this Austin, Sally. 510 00:27:20,480 --> 00:27:22,520 Speaker 1: I just hope. I'm very glad. I just want to say, 511 00:27:22,560 --> 00:27:25,679 Speaker 1: at the end of the day, I like them all. 512 00:27:26,160 --> 00:27:27,120 Speaker 1: They're beautiful. 513 00:27:27,880 --> 00:27:29,919 Speaker 2: All right, guys, thank you so much for tuning in 514 00:27:29,920 --> 00:27:31,760 Speaker 2: to another episode of Two Teas in a Pod. 515 00:27:33,160 --> 00:27:36,160 Speaker 1: It was so fun. We are coming to the end 516 00:27:36,480 --> 00:27:41,280 Speaker 1: of Southern Charm and they gave us a good season. 517 00:27:41,560 --> 00:27:44,280 Speaker 1: They really really did. I really got to know everyone 518 00:27:44,359 --> 00:27:47,800 Speaker 1: I liked. Sally. Thank you for coming on. We think 519 00:27:47,840 --> 00:27:52,720 Speaker 1: you are so beautiful and funny. Sally, You're funny. What's 520 00:27:52,760 --> 00:27:55,720 Speaker 1: next for us? So we have Atlanta coming next. That's 521 00:27:55,720 --> 00:27:57,359 Speaker 1: that always is good for conversation. 522 00:27:57,760 --> 00:28:02,560 Speaker 2: Yeah, and uh, I mean for Atlanta me too. 523 00:28:02,720 --> 00:28:05,400 Speaker 1: I want to see where SMI and Porsche stand now. 524 00:28:05,400 --> 00:28:11,200 Speaker 2: And you just started recapping Survivor. Yes, have you guys 525 00:28:11,200 --> 00:28:11,800 Speaker 2: started yet? 526 00:28:12,320 --> 00:28:14,840 Speaker 1: Yeah, yeah, we had uh Richard. 527 00:28:15,119 --> 00:28:16,400 Speaker 2: Oh I remember Richard. 528 00:28:17,080 --> 00:28:19,880 Speaker 1: Richard's wonderful, what an amazing guy? 529 00:28:21,000 --> 00:28:22,960 Speaker 2: And when does that come out? Is it out already? 530 00:28:22,960 --> 00:28:25,919 Speaker 2: When does it come out? It's out? O, it's out already. Okay, 531 00:28:26,640 --> 00:28:29,439 Speaker 2: all right, I've been so busy it's not even funny. 532 00:28:29,440 --> 00:28:30,960 Speaker 2: I really don't have time to look at my phone. 533 00:28:31,400 --> 00:28:35,000 Speaker 2: I'm texting people from like three days ago, because you 534 00:28:35,000 --> 00:28:36,520 Speaker 2: get a text, then you go to a scene, and 535 00:28:36,520 --> 00:28:37,480 Speaker 2: then you forget about it. 536 00:28:37,440 --> 00:28:39,440 Speaker 1: And when you're filming, it consumes you. 537 00:28:39,800 --> 00:28:42,280 Speaker 2: I am just so tired. I'm like, oh my god, 538 00:28:42,320 --> 00:28:42,920 Speaker 2: I'm getting too. 539 00:28:42,840 --> 00:28:43,200 Speaker 1: Old for this. 540 00:28:44,200 --> 00:28:47,720 Speaker 2: Okay, guys, thank you again for tuning in to another episode, 541 00:28:47,760 --> 00:28:48,720 Speaker 2: and we'll see you real soon