WEBVTT - Bishop Briggs

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<v Speaker 1>The Craig Ferguson Fancy Rascal Stand Up to Her continues

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<v Speaker 1>throughout twenty twenty four. For a full list of dates

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<v Speaker 1>and tickets, go to the Craig Ferguson show dot com

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<v Speaker 1>slash tour. See you out there, the Greig Ferguson show

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<v Speaker 1>dot com slash Tour.

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<v Speaker 2>My name is Craig Ferguson. The name of this podcast

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<v Speaker 2>is Joy. I talk to interest in people about what

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<v Speaker 2>brings them happiness.

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<v Speaker 1>Please welcome today an artist who is emerging as one

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<v Speaker 1>of the most important, powerful young voices in her field.

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<v Speaker 2>She's also well she's not Scottish, but she's Scottish.

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<v Speaker 1>You'll see Bishop Breaks.

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<v Speaker 2>What I'm fascinated by because you work under the name

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<v Speaker 2>Bishop Breaks.

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<v Speaker 1>Yeah right, and of course what many people.

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<v Speaker 2>Outside of Scotland may not know as Bishop Brigs a

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<v Speaker 2>little town school. It's very very close to where I

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<v Speaker 2>grew up and I think I'm probably at the same

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<v Speaker 2>age as your parents, right because I'm sixty one?

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<v Speaker 1>Yeah, yeah, yeah, Do I know them? Well?

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<v Speaker 3>They said the name of when when I this is

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<v Speaker 3>so like having parents that don't live in the US.

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<v Speaker 3>But I sent them a message through WhatsApp, right about this,

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<v Speaker 3>and they're like, oh, he lives in starts with a P.

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<v Speaker 4>He's from prison to prison, He's from prison.

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<v Speaker 1>He's from Pleasant. No, no, I must stay away from

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<v Speaker 1>him because he's he's telling you. I'm telling you, No,

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<v Speaker 1>I was from I was from Springburn. Okay, so springs

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<v Speaker 1>a P in there. There is second second letter.

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<v Speaker 4>If you didn't get that from what I said.

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<v Speaker 1>I did. Kind I knew where I was from even

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<v Speaker 1>before you started talking, so it wasn't a big deal

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<v Speaker 1>for me. Smart did you? You didn't grow up in Scotland.

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<v Speaker 1>It's a shame because I think you've got a very

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<v Speaker 1>Scottish accent. Do you go there a lot? Do your

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<v Speaker 1>parents still take you there? Yeah?

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<v Speaker 3>That's like where I grew up going and our whole

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<v Speaker 3>my whole family still lives in Scotland and Meshop Briggs. Yeah,

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<v Speaker 3>but my mom and dad actually live in Hong Kong currently.

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<v Speaker 3>Just to make things a little.

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<v Speaker 1>Spicy, confusing, your parents sound very international? Yes, well I

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<v Speaker 1>grew up very internationally. Is that what happened?

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<v Speaker 4>Okay?

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<v Speaker 3>So my I was born it's just going to get

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<v Speaker 3>very confusing. But I was born in London and I

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<v Speaker 3>when I was four moved to Japan, not my own

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<v Speaker 3>that would be a too.

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<v Speaker 4>It's strange.

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<v Speaker 1>Well have you ever seen that thing in Japanese? Steve?

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<v Speaker 1>Even they let four year old kids walk around? I know,

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<v Speaker 1>is that beautiful?

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<v Speaker 3>That is a great way to describe growing up there,

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<v Speaker 3>I will say, really yeah, just so safe and like

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<v Speaker 3>just amazing culture.

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<v Speaker 1>And I didn't go to Japan until I was god,

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<v Speaker 1>I don't know, like fifty years old or something, but

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<v Speaker 1>trying to go into Japan when I was young, I

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<v Speaker 1>wouldn't have come back. I had to go, and that stayed.

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<v Speaker 4>It's a dream.

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<v Speaker 1>It's a wonderful place.

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<v Speaker 3>Yeah, so live there for six years and then Hong

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<v Speaker 3>Kong eight years. So my mom and dad are still there.

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<v Speaker 1>All right, what is it the why are they?

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<v Speaker 4>What are they up to?

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<v Speaker 1>Yeah? What are they spies?

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<v Speaker 3>Well my dad is very charming and he does have

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<v Speaker 3>a gold chain that he wears every day.

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<v Speaker 1>Right, Okay, but no, it was just your dad, your dad.

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<v Speaker 3>It's so weird because you do look like everyone in

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<v Speaker 3>my family.

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<v Speaker 4>Yes, and that's why. And I think you'll understand this too.

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<v Speaker 3>I think sometimes people are like, oh my gosh, you'll

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<v Speaker 3>get along so well, like what a great connection, which

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<v Speaker 3>is true. But you put them in this category of

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<v Speaker 3>family very quickly. Yeah, so you overshare, which is perfect

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<v Speaker 3>for today.

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<v Speaker 1>Well, it's I'm not going to make you overshare. I don't.

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<v Speaker 1>I don't want you to feed. Don't you don't feel guarded.

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<v Speaker 3>You're not making me overshare. Your freckles are oh yeah,

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<v Speaker 3>you know what I mean, Like the features are.

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<v Speaker 4>Yeah.

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<v Speaker 2>I think when you get into your sexties, they're not

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<v Speaker 2>freckles anymore. I think they're just like there's age, it's

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<v Speaker 2>not freckle as a young person's game.

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<v Speaker 1>And I think now it's just like liver spots and stuff.

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<v Speaker 1>Oh my god, it's bad. But listen, so you go by,

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<v Speaker 1>you go to Scotland a lot. Then, yes, did you

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<v Speaker 1>listen to Scottish artists? You have a very dramatic and

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<v Speaker 1>big sound. As an artist, you're very intensely emotional. Your

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<v Speaker 1>your music is very emotional and very powerful, and I

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<v Speaker 1>wondered if there was any influence from Scotland in there.

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<v Speaker 3>Well, I will say growing up in Japan, I mean

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<v Speaker 3>there's influence from Scotland in the sense that my mum

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<v Speaker 3>and dad were obsessed with music, right, and so we

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<v Speaker 3>would go to karaoke bars, which at the time wasn't

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<v Speaker 3>weird being in a bar at that age, But.

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<v Speaker 1>No, I still think karaoke is okay. Yeah, yeah, yeah.

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<v Speaker 3>And so that's where really where like I became obsessed

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<v Speaker 3>with music and got really into motown music and yeah,

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<v Speaker 3>and there was like this gospel choir teacher that appeared

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<v Speaker 3>at my school.

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<v Speaker 2>That makes sense with how you how you ended up

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<v Speaker 2>as an artist or where you are right now is

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<v Speaker 2>an urbist anyway, because you are very It's it's big.

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<v Speaker 1>It's like it's almost religious the stuff you do, isn't it.

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<v Speaker 3>So I played a show in Scotland. I want to

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<v Speaker 3>remember the place, really small place, but it's so iconic,

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<v Speaker 3>like every.

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<v Speaker 1>There you go, yeah, yeah, yeah, that's the place.

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<v Speaker 3>Every like famous comedian has played there, yeah, everybody. But

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<v Speaker 3>what I didn't know and my dad told me after

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<v Speaker 3>because of course, you know, he came to the show,

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<v Speaker 3>which I'm so glad for, was it's quite an infamous

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<v Speaker 3>place where they will tell.

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<v Speaker 4>You if they don't like you.

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<v Speaker 1>At Glasgow, they will tell you sure.

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<v Speaker 3>And just when you were asking if there was any

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<v Speaker 3>influence from Scotland, I was performing this is like the

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<v Speaker 3>first song and there's a little bit of a build up.

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<v Speaker 3>I hear the crowd saying something, but I don't recognize

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<v Speaker 3>what they're saying. It's not a lyric. It's sort of

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<v Speaker 3>like in between each lyric and they're going.

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<v Speaker 1>Here, we here, we here, we fucking.

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<v Speaker 3>Gold obsessed and anyways, I will say that energy of

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<v Speaker 3>like we're going to give our all, We're going to

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<v Speaker 3>put it all on the table.

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<v Speaker 4>We are super present that I really relate to in

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<v Speaker 4>terms of music.

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<v Speaker 2>I feel that that entry very a great description of

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<v Speaker 2>the Scottish audience as well. I started out when I

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<v Speaker 2>was doing stand up with Scottish audiences. And the thing

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<v Speaker 2>is about it what you describe is perfectly accurate that

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<v Speaker 2>it is. It's about how present they are. So it's

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<v Speaker 2>not that they're tough, it's just that they won't let

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<v Speaker 2>you get away with it. They're there, yes, and they

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<v Speaker 2>will be participating in the show, so you better be

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<v Speaker 2>as well. Yes, And I think that it's it's a

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<v Speaker 2>fascinating place.

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<v Speaker 1>I don't live there anymore. I live in Hong Kong.

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<v Speaker 1>Where do you live now?

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<v Speaker 4>I live in la.

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<v Speaker 1>In Los Angeles?

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<v Speaker 4>Yeah, what about you?

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<v Speaker 2>I lived in Los ange Liz for twenty three years. Okay,

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<v Speaker 2>have you had a place called New York.

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<v Speaker 1>No, it's a little time in the East Coast. It's

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<v Speaker 1>kind of a fishing village. It sounds interesting if you

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<v Speaker 1>like the smell of weed and peepee when you walk

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<v Speaker 1>around weed and peepee and peepee.

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<v Speaker 4>Yeah, that's actually what I felt when I hugged you.

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<v Speaker 4>I said, oh, weed and peepee.

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<v Speaker 1>Woh no, way, come on, I'm no longer your father.

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<v Speaker 1>I don't. I don't have a daughter anymore. Peepe peep.

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<v Speaker 1>First of all, I don't I smoked weed in years.

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<v Speaker 4>Do you smoke weeds?

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<v Speaker 1>I don't.

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<v Speaker 3>Oh no, I've done it. Okay, I'll tell you something quick. Okay,

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<v Speaker 3>you went to the dentist. It's a first mistake.

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<v Speaker 4>Why don't go?

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<v Speaker 1>Don't go? Law?

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<v Speaker 4>Well yeah, same now Scottish.

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<v Speaker 1>It's the kind of thing.

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<v Speaker 3>Well, so I go to the dentist and they're like, okay, amazing.

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<v Speaker 3>So how long have you been chained smoking?

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<v Speaker 4>For yes?

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<v Speaker 3>And I'm a vocalist, not that that excuses anything, but

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<v Speaker 3>so I was never into cigarettes, never smoked weed. Like

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<v Speaker 3>I was like, this is my thing, right, I need

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<v Speaker 3>to protect my vocals. But it really is like British teeth.

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<v Speaker 3>Scottish you know, it's a thing.

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<v Speaker 1>You have a baby?

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<v Speaker 4>Yeah?

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<v Speaker 1>Was it? Actually you're pregnant, Yes, yeah, it's a pregnancy.

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<v Speaker 4>You're kidding.

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<v Speaker 1>No, it happened to my wife too, really yeah, yeah

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<v Speaker 1>yeah yeah? When what was it? I don't know. There's

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<v Speaker 1>something affects your teeth.

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<v Speaker 2>I think sometimes some women and my wife she's not Scottish,

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<v Speaker 2>but our background is Scottish.

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<v Speaker 1>Like, yes, And when our youngest was born, she.

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<v Speaker 2>Because she's got like American teeth, like you know, and

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<v Speaker 2>she had to get like she had cavities for the

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<v Speaker 2>first time and I had to get her wizen teeth

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<v Speaker 2>out and.

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<v Speaker 1>All that stuff. Okay, so it's the baby. It's nothing.

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<v Speaker 1>It's not Scottish teeth. Okay, yeah, how about your baby?

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<v Speaker 4>Needless, he's a year and a half.

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<v Speaker 1>Oh my god, are you getting any sleep? No?

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<v Speaker 3>No, Well, honestly, right at this exact moment, I'm not

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<v Speaker 3>because do you know about this thing? Well, it's it's

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<v Speaker 3>way too boring. I definitely don't want to talk about it.

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<v Speaker 3>But it's the twenty month sleep regression. It's like this

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<v Speaker 3>infamous thing.

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<v Speaker 2>Is this anything sounds familiar? I didn't know there was

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<v Speaker 2>a name for it. But I had two children that

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<v Speaker 2>growing growing up. Well, the youngest one's thirteen, but they're

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<v Speaker 2>still they're growing up.

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<v Speaker 3>There was a reason I was going to bring up

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<v Speaker 3>the teeth though it was related to something.

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<v Speaker 1>Because your baby's teething, maybe is that what's happening. No,

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<v Speaker 1>it was before for the child is chain smoking and weed,

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<v Speaker 1>and yeah, I was so went there you go, father,

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<v Speaker 1>But I still listened to you.

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<v Speaker 3>But when he asked that, I instead of being like,

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<v Speaker 3>oh no, like I don't do those things, I was like,

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<v Speaker 3>I've smoked the weed three times in my life and

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<v Speaker 3>so unnecessary. And you could see he was just like,

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<v Speaker 3>I'm going to vomit, Like this is way too much information.

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<v Speaker 3>But so I have done it three times in my

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<v Speaker 3>life and I like three times. I cleaned my apartment

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<v Speaker 3>during it, and it was very, very positive experience.

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<v Speaker 1>I did no care for weed at all. I mean

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<v Speaker 1>I took all the drugs, yeah, and the drink. I

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<v Speaker 1>took it all. And I hated weed the most. Weed

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<v Speaker 1>and speed were the two that I hated.

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<v Speaker 4>Oh my god, I want to know all. I want

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<v Speaker 4>to know all your stories.

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<v Speaker 1>I've never done drugs, you know what I think now,

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<v Speaker 1>I think that is by far. Like when I was

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<v Speaker 1>doing drugs, I haven't done drugs now going thirty two years.

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<v Speaker 4>Wow.

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<v Speaker 1>Right, yeah, so I was younger than you are now

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<v Speaker 1>when I quit, right, And there was no phananel when

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<v Speaker 1>I was a kid, That's what I was going to say, right,

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<v Speaker 1>so there wasn't like that so scary now, oh my god,

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<v Speaker 1>like just you take it and you're dad, right. I

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<v Speaker 1>think I would a I don't know if i'd have

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<v Speaker 1>made it through that, right, because you can just you

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<v Speaker 1>just take crap that's lying around.

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<v Speaker 4>Terrifying.

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<v Speaker 1>Yeah, it's awful.

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<v Speaker 2>So I'm glad to hear you don't do drugs, me

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<v Speaker 2>and your father and your mother because we've all been

0:10:48.840 --> 0:10:49.400
<v Speaker 2>talking on.

0:10:49.320 --> 0:10:53.360
<v Speaker 1>What's that exactly, know WhatsApp group you say that's coming

0:10:53.360 --> 0:10:56.559
<v Speaker 1>in to find that they don't call you beshop?

0:10:56.640 --> 0:10:59.120
<v Speaker 3>Do they know they call me Sarah because so my

0:10:59.280 --> 0:11:00.640
<v Speaker 3>full name is Sara I McLaughlin.

0:11:00.760 --> 0:11:03.439
<v Speaker 1>I knew that, which I can't use of course because.

0:11:03.640 --> 0:11:07.000
<v Speaker 3>The beautiful there.

0:11:07.280 --> 0:11:10.480
<v Speaker 5>Yeah, it was just like it wasn't really you are

0:11:10.559 --> 0:11:13.560
<v Speaker 5>fucking Scottish girl. You've got a fucking attitude of a

0:11:13.559 --> 0:11:16.320
<v Speaker 5>Scottish girl. You got way with nothing. I got away

0:11:16.400 --> 0:11:18.040
<v Speaker 5>with nothing going home.

0:11:18.920 --> 0:11:19.679
<v Speaker 4>Oh my god.

0:11:19.840 --> 0:11:22.839
<v Speaker 1>Right, So so you don't do the drugs and you.

0:11:22.800 --> 0:11:24.480
<v Speaker 3>Don't do the drag because you said my mom and

0:11:24.559 --> 0:11:26.400
<v Speaker 3>daughter are listening right, So yeah, never done.

0:11:26.440 --> 0:11:27.959
<v Speaker 4>No, but I actually have. I haven't I had.

0:11:28.120 --> 0:11:29.959
<v Speaker 2>I don't get that vibe from you would were you're

0:11:30.000 --> 0:11:31.880
<v Speaker 2>drawing into music right away with you because you said

0:11:32.160 --> 0:11:35.160
<v Speaker 2>like your parents were obsessed with music. Yes, people of

0:11:35.960 --> 0:11:40.360
<v Speaker 2>especially Glaswegian specially Briggs of our generation me and your parents' generation.

0:11:40.440 --> 0:11:44.160
<v Speaker 1>The music was everything, yes, everything. Yeah, it was all

0:11:44.320 --> 0:11:46.959
<v Speaker 1>music all the time, and American music mostly.

0:11:47.120 --> 0:11:48.959
<v Speaker 3>And the shows that my dad went to, like it

0:11:49.080 --> 0:11:51.400
<v Speaker 3>was like, oh led Zeppelin came through. I'm like what,

0:11:52.000 --> 0:11:55.040
<v Speaker 3>You're just incredible everybody right, yes, yes, that's where he went.

0:11:55.280 --> 0:11:55.480
<v Speaker 1>Yeah.

0:11:55.600 --> 0:11:59.640
<v Speaker 2>I saw Queen there like three times on the Sheer

0:11:59.720 --> 0:12:03.319
<v Speaker 2>Heart Tack album, and I mean it's like it's like

0:12:03.600 --> 0:12:06.200
<v Speaker 2>right at the beginning slash there, So I mean.

0:12:06.120 --> 0:12:09.920
<v Speaker 4>It's there, you know, I mean it's I mean, if

0:12:09.960 --> 0:12:11.160
<v Speaker 4>you that'd be crazy.

0:12:11.200 --> 0:12:13.800
<v Speaker 1>I love to meet. We probably have, especially if he's

0:12:13.880 --> 0:12:15.719
<v Speaker 1>charming with a gold chain. I bet you.

0:12:15.840 --> 0:12:16.040
<v Speaker 3>I know.

0:12:16.320 --> 0:12:17.800
<v Speaker 4>Well, his nickname is Cheeky Charlie.

0:12:18.600 --> 0:12:26.240
<v Speaker 1>Wait, Cheeky Charlie for Bishops. I'm pretty sure. I know,

0:12:27.520 --> 0:12:28.600
<v Speaker 1>I might even know money.

0:12:30.080 --> 0:12:31.679
<v Speaker 4>I know you're joking, but there's a part of it

0:12:31.760 --> 0:12:32.319
<v Speaker 4>that feels real.

0:12:32.480 --> 0:12:35.160
<v Speaker 1>It doesn't feel real. This is what's freaking me the

0:12:36.160 --> 0:12:36.600
<v Speaker 1>I think.

0:12:36.880 --> 0:12:39.920
<v Speaker 2>But look, I bet ask your dad, like as your

0:12:39.960 --> 0:12:42.760
<v Speaker 2>mom and dad did they go to Maestros. Maestross is

0:12:42.840 --> 0:12:44.040
<v Speaker 2>another club they would have gone.

0:12:44.200 --> 0:12:46.800
<v Speaker 3>Oh my god, I bet you are saying things that

0:12:46.960 --> 0:12:49.240
<v Speaker 3>are really ringing a bell because that's one of the

0:12:49.280 --> 0:12:51.000
<v Speaker 3>places that they went to together.

0:12:51.440 --> 0:12:56.720
<v Speaker 2>I performed there with an actor from Bishop Briggs. What, Yeah,

0:12:56.880 --> 0:12:59.640
<v Speaker 2>you know the actor of Peter Capaldi. Yes, Peters from

0:12:59.679 --> 0:13:00.360
<v Speaker 2>Bishop Briggs.

0:13:00.840 --> 0:13:01.480
<v Speaker 4>Oh, I didn't know that.

0:13:01.880 --> 0:13:03.920
<v Speaker 2>And I were in a band together when we were

0:13:04.000 --> 0:13:07.160
<v Speaker 2>eighteen nineteen years old as a drummer. Peter was a

0:13:07.280 --> 0:13:10.079
<v Speaker 2>singer Peers from Bishop Briggs and I'm from how I

0:13:10.120 --> 0:13:12.400
<v Speaker 2>grew up in Common All but I'm from Springbourne and

0:13:12.600 --> 0:13:15.240
<v Speaker 2>my mom used to work for his dad at the

0:13:15.240 --> 0:13:16.680
<v Speaker 2>ice cream pa.

0:13:17.040 --> 0:13:18.959
<v Speaker 4>Oh my god, I know.

0:13:19.960 --> 0:13:22.520
<v Speaker 1>Anyway, so we used to perform there. So I bet

0:13:22.720 --> 0:13:28.600
<v Speaker 1>cheeky Charlie Bishop Briggs so has performing Oh yeah, that's crazy.

0:13:28.720 --> 0:13:32.599
<v Speaker 3>Wow, it's really interesting too. Like I I was just

0:13:32.720 --> 0:13:35.439
<v Speaker 3>listening to something on the way over. I don't know,

0:13:35.640 --> 0:13:37.520
<v Speaker 3>I don't know why I can't revew am I not

0:13:37.600 --> 0:13:39.079
<v Speaker 3>going to? What was it?

0:13:39.600 --> 0:13:40.720
<v Speaker 1>That's cuzy, You've got it base.

0:13:41.760 --> 0:13:45.120
<v Speaker 3>It's this very provocative, sort of fun podcast called the

0:13:45.200 --> 0:13:46.200
<v Speaker 3>Canceled Podcast.

0:13:46.360 --> 0:13:46.720
<v Speaker 1>All right.

0:13:46.840 --> 0:13:51.640
<v Speaker 3>They were talking about really finding their way with being

0:13:51.720 --> 0:13:55.560
<v Speaker 3>on stage and and these two people, you know, they've

0:13:55.679 --> 0:13:58.240
<v Speaker 3>kind of turned into moguls, but they really at their

0:13:58.320 --> 0:14:00.800
<v Speaker 3>core are entertainers. You know, even if it's just them

0:14:00.880 --> 0:14:03.200
<v Speaker 3>talking on a stage, you know, people are there, they're

0:14:03.280 --> 0:14:07.520
<v Speaker 3>drawn in, right, And they were talking about different things

0:14:07.559 --> 0:14:10.600
<v Speaker 3>that they did growing up, you know, even like eighteen

0:14:10.679 --> 0:14:14.559
<v Speaker 3>onwards whatever, Right, different things they did to find what

0:14:14.840 --> 0:14:18.080
<v Speaker 3>they liked to do. But it actually was all under

0:14:18.120 --> 0:14:20.920
<v Speaker 3>the umbrella of entertaining, and some of it fell. Oh,

0:14:20.960 --> 0:14:22.720
<v Speaker 3>I don't know why. I don't really like this feeling.

0:14:23.040 --> 0:14:27.480
<v Speaker 3>And it's just interesting where your life took you and

0:14:28.360 --> 0:14:31.360
<v Speaker 3>what you you know, you're on stage playing drums, right,

0:14:31.760 --> 0:14:34.400
<v Speaker 3>but you do comedy, But do you do a talk show?

0:14:34.440 --> 0:14:34.560
<v Speaker 3>You know?

0:14:34.640 --> 0:14:37.000
<v Speaker 4>It's like, but you find your thing as you go.

0:14:37.280 --> 0:14:37.440
<v Speaker 3>You do.

0:14:38.000 --> 0:14:42.000
<v Speaker 1>I think though that I I was talking to someone

0:14:42.040 --> 0:14:44.080
<v Speaker 1>with this recent actually because I've never been able to

0:14:44.120 --> 0:14:46.160
<v Speaker 1>find what I do. I don't really do I do.

0:14:46.480 --> 0:14:49.160
<v Speaker 1>I do whatever I do, But basically I guess it

0:14:49.280 --> 0:14:51.680
<v Speaker 1>goes back to stand up and really stand up. I

0:14:51.840 --> 0:14:56.200
<v Speaker 1>think stand up is a musician's discipline. True stand ups.

0:14:56.360 --> 0:14:58.720
<v Speaker 2>I'm not talking about. There's a different type of stand

0:14:58.800 --> 0:15:01.880
<v Speaker 2>up now. There's those short form like forty five second

0:15:01.920 --> 0:15:04.800
<v Speaker 2>stuff or social media, and it's not any less valid.

0:15:04.840 --> 0:15:08.080
<v Speaker 1>It's just a different thing, different thing. Yeah, But what

0:15:08.280 --> 0:15:10.200
<v Speaker 1>I do is a kind of long form, live thing.

0:15:10.280 --> 0:15:14.160
<v Speaker 1>That's what I do. Yes, and it has a I

0:15:14.360 --> 0:15:16.800
<v Speaker 1>do it like a show and a lot of stand ups,

0:15:16.880 --> 0:15:19.840
<v Speaker 1>you know, old timey stand ups that I'm friends with,

0:15:20.000 --> 0:15:24.360
<v Speaker 1>Jay Leno or you know people who who do it

0:15:24.680 --> 0:15:28.000
<v Speaker 1>like that. They think like musicians. Robin Williams always say

0:15:28.040 --> 0:15:29.040
<v Speaker 1>that as well. It's like jazz.

0:15:29.440 --> 0:15:31.320
<v Speaker 4>So it's just you know, it's just you got your

0:15:31.320 --> 0:15:34.000
<v Speaker 4>improvis Did you watch his documentary?

0:15:34.440 --> 0:15:36.640
<v Speaker 1>I did not, but oh it's so good. But we

0:15:36.760 --> 0:15:38.000
<v Speaker 1>were we were friends.

0:15:38.160 --> 0:15:40.480
<v Speaker 4>Okay, Well it's very inspiring.

0:15:40.680 --> 0:15:43.360
<v Speaker 1>Yeah, but he was very inspiring. Man. Were you interested

0:15:43.400 --> 0:15:44.200
<v Speaker 1>in comedy at all?

0:15:44.560 --> 0:15:44.960
<v Speaker 4>Comedy?

0:15:45.080 --> 0:15:45.120
<v Speaker 3>No?

0:15:45.520 --> 0:15:47.200
<v Speaker 4>No, well I didn't even think too.

0:15:47.160 --> 0:15:49.280
<v Speaker 1>Well, it's I don't know if you grew up in Japan,

0:15:49.760 --> 0:15:52.080
<v Speaker 1>it's not. Is it culturally a thing in Japan? Would

0:15:52.080 --> 0:15:53.800
<v Speaker 1>you see it? You speak Japanese?

0:15:54.080 --> 0:15:57.080
<v Speaker 3>Okay, So in Japan I just relied on cuteness, you know.

0:15:57.280 --> 0:15:59.440
<v Speaker 3>That's how I got around. Cute, cute, so I didn't

0:15:59.480 --> 0:16:01.920
<v Speaker 3>have to do anything. In Hong Kong, I learned Mandarin

0:16:01.960 --> 0:16:06.040
<v Speaker 3>and Cantonese and studied French, so a bit all over

0:16:06.120 --> 0:16:08.000
<v Speaker 3>the place. Oh, I think it's good what I was

0:16:08.040 --> 0:16:09.680
<v Speaker 3>going to say though, And I wonder if you feel

0:16:09.720 --> 0:16:13.320
<v Speaker 3>this too. It's very humbling when your whole family's from Scotland,

0:16:13.480 --> 0:16:17.520
<v Speaker 3>because there's you don't actually think you're funny.

0:16:17.400 --> 0:16:19.000
<v Speaker 4>Because everyone is.

0:16:19.280 --> 0:16:20.080
<v Speaker 1>Everyone's funny.

0:16:20.280 --> 0:16:24.400
<v Speaker 3>Everyone is funny and also like at times ten times funnier,

0:16:24.480 --> 0:16:26.320
<v Speaker 3>and they're like, no, I work at the bakery.

0:16:26.600 --> 0:16:27.760
<v Speaker 1>Yeah, you know what I mean.

0:16:27.880 --> 0:16:31.000
<v Speaker 3>So I'm impressed that you you I know exactly the

0:16:31.160 --> 0:16:33.520
<v Speaker 3>area that you're from, right, and I'm impressed that you've

0:16:33.600 --> 0:16:35.760
<v Speaker 3>still you know, went forward.

0:16:36.360 --> 0:16:39.600
<v Speaker 1>You know, well, I just ran away. That's what it

0:16:39.840 --> 0:16:44.360
<v Speaker 1>was a fuck because everything else was funnier but smart. Yeah,

0:16:44.480 --> 0:16:51.360
<v Speaker 1>I mean yeah, Lewis Capaldi, who's Peter's nephew. Everybody's related,

0:16:51.520 --> 0:16:55.640
<v Speaker 1>like you're my daughter. I mean well my brother. Yeah, yeah,

0:16:56.720 --> 0:16:59.240
<v Speaker 1>it's all. It's all. It's all part of the same

0:16:59.760 --> 0:17:03.400
<v Speaker 1>five millions Scottish people, right, and that's enough though you

0:17:03.440 --> 0:17:04.480
<v Speaker 1>don't want any more than that.

0:17:04.680 --> 0:17:05.440
<v Speaker 4>That's not true.

0:17:05.600 --> 0:17:11.639
<v Speaker 1>Oh, that's way more than enough. The Craig Ferguson Fancy

0:17:11.760 --> 0:17:15.200
<v Speaker 1>Rascals Stand Up Tour continues throughout the United States in

0:17:15.400 --> 0:17:19.200
<v Speaker 1>twenty twenty four. For a full list of dates and tickets,

0:17:19.240 --> 0:17:22.200
<v Speaker 1>go to the Craig Ferguson show dot com slash tour.

0:17:22.840 --> 0:17:29.119
<v Speaker 1>So you are there, listen. I want to talk to

0:17:29.119 --> 0:17:31.880
<v Speaker 1>you about the music though, because your music is singular

0:17:32.480 --> 0:17:35.639
<v Speaker 1>in the sense that it has a well I was

0:17:35.680 --> 0:17:37.960
<v Speaker 1>talking about earlier. But the drama and the and the

0:17:38.119 --> 0:17:39.080
<v Speaker 1>kind of the.

0:17:39.119 --> 0:17:41.680
<v Speaker 2>Bigness of you as an artist that at thirty is

0:17:41.800 --> 0:17:44.479
<v Speaker 2>quite that's where you are right at the thirty years old.

0:17:44.880 --> 0:17:47.320
<v Speaker 1>It's huge. So what were you listening to when you

0:17:47.400 --> 0:17:49.240
<v Speaker 1>were a teenager when you were coming through.

0:17:49.320 --> 0:17:51.200
<v Speaker 4>I was listening to Aretha Franklin.

0:17:51.400 --> 0:17:53.320
<v Speaker 1>Okay, edit, James, Yeah, it makes sense.

0:17:53.359 --> 0:17:54.040
<v Speaker 4>Oh it is reading.

0:17:54.240 --> 0:17:56.040
<v Speaker 3>Yes, But then there was the whole angle of like

0:17:56.240 --> 0:18:00.720
<v Speaker 3>Queen Janis Joplin, so McJagger, you know, it's there was

0:18:00.800 --> 0:18:02.840
<v Speaker 3>still that performative aspect.

0:18:03.840 --> 0:18:05.800
<v Speaker 1>I've never seen you live. Are you very well?

0:18:05.840 --> 0:18:06.760
<v Speaker 4>Did you have to come to a show?

0:18:06.880 --> 0:18:08.159
<v Speaker 1>Yeah, I would love to come to Well.

0:18:08.200 --> 0:18:12.000
<v Speaker 3>I go crazy on stage, really, Oh yeah, I'm running

0:18:12.080 --> 0:18:14.680
<v Speaker 3>non stop, jumping up and down like laying on the ground.

0:18:15.040 --> 0:18:16.320
<v Speaker 4>I love it crazy.

0:18:16.720 --> 0:18:16.879
<v Speaker 3>You know.

0:18:17.200 --> 0:18:18.680
<v Speaker 1>I worked with Mike Jagger for a while.

0:18:19.240 --> 0:18:19.280
<v Speaker 3>What.

0:18:19.680 --> 0:18:21.439
<v Speaker 2>Yeah, we were writing now this. Yeah, well, I've got

0:18:21.480 --> 0:18:23.560
<v Speaker 2>to tell you this story because it's about performance. So

0:18:23.680 --> 0:18:26.119
<v Speaker 2>we were writing a screenplay together for a movie that

0:18:26.320 --> 0:18:29.080
<v Speaker 2>was never made. But during the Bridges to Babylon tour,

0:18:29.480 --> 0:18:31.919
<v Speaker 2>I was on tour with Meg and we were writing

0:18:32.119 --> 0:18:32.680
<v Speaker 2>during the day.

0:18:32.840 --> 0:18:34.760
<v Speaker 1>Stop that's true. Stop. Yeah.

0:18:34.960 --> 0:18:37.800
<v Speaker 2>So the first time I met him, I was in

0:18:38.760 --> 0:18:42.000
<v Speaker 2>Istanbul and he said, well, come to the Shadow and

0:18:42.160 --> 0:18:45.480
<v Speaker 2>you can say the because I'm going it's just a shoow.

0:18:45.240 --> 0:18:47.280
<v Speaker 1>But you get an idea for it down the front.

0:18:47.320 --> 0:18:48.080
<v Speaker 1>And I was like all right.

0:18:48.760 --> 0:18:50.359
<v Speaker 2>So I went to the show and I was down

0:18:50.440 --> 0:18:53.960
<v Speaker 2>the front and jeez, I mean, what a performer. He

0:18:54.119 --> 0:18:57.000
<v Speaker 2>really threw down and it was unbelievable. And then after

0:18:57.280 --> 0:18:58.680
<v Speaker 2>I was talking to him, we went out for dinner

0:18:58.720 --> 0:19:01.440
<v Speaker 2>stuff and I said, wow, you really threw down tonight.

0:19:01.840 --> 0:19:04.320
<v Speaker 2>It was just a midweek show. Yes, and he said,

0:19:05.160 --> 0:19:06.680
<v Speaker 2>it's always stayed with me, and I want you to

0:19:06.720 --> 0:19:10.240
<v Speaker 2>always remember this. He always said, Now I never pied money.

0:19:10.480 --> 0:19:15.480
<v Speaker 2>Is see someone who was shy. That is so good,

0:19:15.880 --> 0:19:19.720
<v Speaker 2>that fucking great, And he's like because he's not, he's

0:19:20.600 --> 0:19:21.560
<v Speaker 2>running around like crazy.

0:19:21.600 --> 0:19:24.560
<v Speaker 1>When he's not on stage, he's an intelligent, thoughtful, clever

0:19:24.720 --> 0:19:27.640
<v Speaker 1>human being. But when he's out there, oh my god. Yes.

0:19:28.119 --> 0:19:31.840
<v Speaker 3>I don't know if this is a Scottish thing or

0:19:32.359 --> 0:19:34.480
<v Speaker 3>if this is just a human thing, but I definitely

0:19:34.720 --> 0:19:38.119
<v Speaker 3>or maybe just being creative, but I definitely always have

0:19:38.320 --> 0:19:41.399
<v Speaker 3>that urgency to prove, you know, and even if like

0:19:41.520 --> 0:19:45.480
<v Speaker 3>the proving it's not necessarily validation, it's like proving that

0:19:45.680 --> 0:19:48.680
<v Speaker 3>like we are in sync, you know, like that we're

0:19:48.760 --> 0:19:52.119
<v Speaker 3>having we're sharing a human experience, or like I'm I

0:19:52.200 --> 0:19:52.919
<v Speaker 3>don't know something.

0:19:53.040 --> 0:19:53.800
<v Speaker 1>No, I think you're right.

0:19:53.840 --> 0:19:56.919
<v Speaker 2>I think it's an emotional desperation, right, I think it's

0:19:57.000 --> 0:19:58.400
<v Speaker 2>an existential crisis.

0:19:58.600 --> 0:20:00.800
<v Speaker 1>Actually it is. Well I don't get I mean.

0:20:01.200 --> 0:20:03.720
<v Speaker 3>No, I'm laughing because I'm like, yeah, I think so.

0:20:03.960 --> 0:20:06.320
<v Speaker 3>I think I think that describes it perfectly.

0:20:06.600 --> 0:20:09.480
<v Speaker 2>Like the most alive I ever feel is like when

0:20:09.520 --> 0:20:11.600
<v Speaker 2>you're on a stage doesn't matter. It can be a

0:20:11.720 --> 0:20:13.560
<v Speaker 2>huge stage or it can be a tiny stage. But

0:20:13.640 --> 0:20:16.240
<v Speaker 2>when when I'm in tune with the audience and when

0:20:16.280 --> 0:20:19.560
<v Speaker 2>it's working, oh my god, and they're laughing, Oh I'm laughing,

0:20:19.640 --> 0:20:21.760
<v Speaker 2>and it's and it's like and it's to say, I've

0:20:21.760 --> 0:20:23.480
<v Speaker 2>talked to musicians about it. It's the same thing.

0:20:23.680 --> 0:20:27.080
<v Speaker 1>You get into that area where information is coming in

0:20:27.440 --> 0:20:30.800
<v Speaker 1>from not you, yes, yes, yes, something else is happening.

0:20:30.800 --> 0:20:31.480
<v Speaker 4>I always feel that.

0:20:31.680 --> 0:20:34.119
<v Speaker 2>Isn't that strange? Like I think athletes call it the

0:20:34.280 --> 0:20:36.639
<v Speaker 2>zone and all that stuff. There's something weird about it.

0:20:36.840 --> 0:20:41.520
<v Speaker 3>It's funny because I love a good athlete documentary. Yeah,

0:20:41.520 --> 0:20:44.399
<v Speaker 3>because I really feel like and which is crazy, but

0:20:44.480 --> 0:20:46.600
<v Speaker 3>I do feel as though I can relate to that

0:20:46.760 --> 0:20:49.439
<v Speaker 3>headspace of like, no matter what your day has been, right,

0:20:49.760 --> 0:20:52.879
<v Speaker 3>you have to mentally put that to the side and

0:20:53.440 --> 0:20:56.960
<v Speaker 3>you know, finally step into joy, especially with like you know,

0:20:57.400 --> 0:20:59.720
<v Speaker 3>with what we're describing and.

0:20:59.800 --> 0:21:03.040
<v Speaker 4>That shift you know, that focus, you know, and it has.

0:21:02.960 --> 0:21:06.120
<v Speaker 2>Something beautiful because it because it's it's where you can

0:21:06.280 --> 0:21:09.479
<v Speaker 2>be okay, yes, yes, you know when people say, how

0:21:09.520 --> 0:21:10.359
<v Speaker 2>could he go on stage?

0:21:10.359 --> 0:21:12.560
<v Speaker 1>When that terrible thing happens, you go I totally understand.

0:21:12.880 --> 0:21:14.520
<v Speaker 1>Where else you going to fucking go right?

0:21:14.720 --> 0:21:14.879
<v Speaker 3>You know?

0:21:15.040 --> 0:21:18.040
<v Speaker 2>And it's like if you feel so bad, yes, uh,

0:21:18.400 --> 0:21:21.199
<v Speaker 2>you know you have to do something. You've a tragedy

0:21:21.240 --> 0:21:22.879
<v Speaker 2>in your life. I have a dragon, and it's like

0:21:23.600 --> 0:21:26.960
<v Speaker 2>you do it with that. Yeah, and it's it's like

0:21:27.080 --> 0:21:29.520
<v Speaker 2>you have to. It's relief.

0:21:30.000 --> 0:21:30.160
<v Speaker 1>Yes.

0:21:30.320 --> 0:21:32.680
<v Speaker 3>And the people that have gone to the show, not

0:21:32.800 --> 0:21:35.440
<v Speaker 3>the people that are talking about it. The people that

0:21:35.520 --> 0:21:37.240
<v Speaker 3>have gone to the show are like, oh, I'm so

0:21:37.359 --> 0:21:39.639
<v Speaker 3>glad you did that. Like, I'm so glad we got

0:21:39.680 --> 0:21:42.080
<v Speaker 3>to just have a moment take away there and like

0:21:42.200 --> 0:21:44.520
<v Speaker 3>actually be better in society now. You know.

0:21:44.920 --> 0:21:47.240
<v Speaker 1>Are you familiar with a comedian called Take nataro?

0:21:47.880 --> 0:21:48.000
<v Speaker 3>Oh?

0:21:48.000 --> 0:21:48.440
<v Speaker 4>It rings A.

0:21:48.520 --> 0:21:50.719
<v Speaker 1>Bella is a great comedian.

0:21:51.080 --> 0:21:55.800
<v Speaker 2>She's a really really proper, real stand up I've seen

0:21:56.200 --> 0:21:58.440
<v Speaker 2>some little I may have probably online and stuff.

0:21:58.640 --> 0:22:03.480
<v Speaker 1>She's very famous. Yeah, but take cancer diagnosis during the

0:22:03.560 --> 0:22:05.920
<v Speaker 1>day one day and she went up. She's famous for this.

0:22:06.040 --> 0:22:07.960
<v Speaker 1>She went up and did a show that night and

0:22:08.000 --> 0:22:12.240
<v Speaker 1>talked about it that night. I mean, she's on the

0:22:12.320 --> 0:22:14.520
<v Speaker 1>other side of it and stuff. She came very fair.

0:22:14.920 --> 0:22:18.720
<v Speaker 1>It was a big moment for her in her career talking.

0:22:19.600 --> 0:22:21.879
<v Speaker 1>But I totally understand why she did it. I totally

0:22:21.920 --> 0:22:23.920
<v Speaker 1>get it. People, how could she do that? Like, I

0:22:24.040 --> 0:22:26.399
<v Speaker 1>get why she did go forbid? I should ever have

0:22:26.440 --> 0:22:28.680
<v Speaker 1>to do it like that, but right, but I get

0:22:28.760 --> 0:22:29.480
<v Speaker 1>why she did.

0:22:29.359 --> 0:22:34.879
<v Speaker 3>It and who was interesting. My husband is in music

0:22:34.960 --> 0:22:37.879
<v Speaker 3>as well, and so we have these you know, certain

0:22:37.960 --> 0:22:42.119
<v Speaker 3>days we both have writing sessions separately, and you know,

0:22:42.200 --> 0:22:44.399
<v Speaker 3>where you work with a producer you work with, And

0:22:44.720 --> 0:22:47.760
<v Speaker 3>there was one particular artist that he was supposed to

0:22:47.840 --> 0:22:51.080
<v Speaker 3>write with for her project, right, and she canceled because

0:22:51.080 --> 0:22:53.959
<v Speaker 3>of mental health that she was having tough mental health day, right,

0:22:54.280 --> 0:22:58.320
<v Speaker 3>And we were talking about how if we like we're

0:22:58.440 --> 0:23:00.640
<v Speaker 3>doing this because our mental.

0:23:00.480 --> 0:23:05.840
<v Speaker 1>Health is so poor, right, every day is a total.

0:23:05.720 --> 0:23:08.920
<v Speaker 3>Exactly, and so you know, I really felt for that

0:23:09.080 --> 0:23:10.760
<v Speaker 3>artist just I want to say that straight away, but

0:23:10.840 --> 0:23:13.080
<v Speaker 3>it was really interesting just the discussion that we both

0:23:13.119 --> 0:23:16.119
<v Speaker 3>had after of like, like, it's actually as much as

0:23:16.160 --> 0:23:18.840
<v Speaker 3>it's difficult to get up and go to said session,

0:23:19.560 --> 0:23:21.040
<v Speaker 3>it's so healing once you're there.

0:23:21.119 --> 0:23:22.800
<v Speaker 4>And I feel that way with stage as well.

0:23:22.920 --> 0:23:25.760
<v Speaker 3>Yes, the build up to doing that is so difficult,

0:23:25.760 --> 0:23:28.960
<v Speaker 3>and then when you're there, I feel such a sense

0:23:29.040 --> 0:23:31.440
<v Speaker 3>of feeling understood.

0:23:31.640 --> 0:23:34.200
<v Speaker 1>Yeah, or I am where I'm meant to be in

0:23:34.240 --> 0:23:36.600
<v Speaker 1>the universe. Yes. Are you a religious person?

0:23:37.160 --> 0:23:39.760
<v Speaker 3>I would say I'm more spiritual, right yeah, okay, so

0:23:39.800 --> 0:23:43.800
<v Speaker 3>you're not churchy, but you're God conscious in some way right. Well,

0:23:43.840 --> 0:23:47.680
<v Speaker 3>you know, like it's very Scottish Irish Catholicism and it

0:23:47.760 --> 0:23:51.800
<v Speaker 3>is the thing, you know, But I definitely have learned

0:23:51.840 --> 0:23:54.280
<v Speaker 3>of other people's experiences and I'm like, okay, I did

0:23:54.359 --> 0:23:57.080
<v Speaker 3>not experience that, you know where it it sort of

0:23:57.280 --> 0:24:00.240
<v Speaker 3>there's a lot of guilt, like deep seated guilty.

0:24:00.600 --> 0:24:05.720
<v Speaker 1>You probably escaped cheeky pusher breaks.

0:24:05.520 --> 0:24:08.159
<v Speaker 3>And funny you say that because it really was all

0:24:08.240 --> 0:24:11.600
<v Speaker 3>cheeky Charlie yeah, him.

0:24:11.800 --> 0:24:12.000
<v Speaker 4>Yeah.

0:24:12.520 --> 0:24:13.680
<v Speaker 1>Are you still close to your parents?

0:24:14.160 --> 0:24:16.439
<v Speaker 4>Yeah, of course. I mean I thought them every day.

0:24:16.440 --> 0:24:17.280
<v Speaker 4>I'm obsessed with them.

0:24:17.400 --> 0:24:23.720
<v Speaker 1>Yeah, that's fantastic. Yeah, they did tell me that. By

0:24:23.760 --> 0:24:26.200
<v Speaker 1>the way, WhatsApp I do?

0:24:26.560 --> 0:24:26.720
<v Speaker 4>I do?

0:24:27.240 --> 0:24:29.359
<v Speaker 3>And by the way, my child, I'll show you a

0:24:29.400 --> 0:24:34.560
<v Speaker 3>picture after but bright blue eyes, the rosiest, rosiest cheeks,

0:24:34.640 --> 0:24:35.960
<v Speaker 3>and the palest.

0:24:35.640 --> 0:24:37.120
<v Speaker 4>Skin, and I'm like, that's my uncle.

0:24:37.040 --> 0:24:38.640
<v Speaker 1>Jah, both my boys. Really.

0:24:38.840 --> 0:24:41.440
<v Speaker 3>Yeah, So it brings me so much joy because it's

0:24:41.520 --> 0:24:43.240
<v Speaker 3>just like it just looks like you know who you

0:24:43.320 --> 0:24:44.199
<v Speaker 3>grew up with you know.

0:24:44.400 --> 0:24:48.399
<v Speaker 1>Here's the thing about about your music. Then, did change

0:24:49.119 --> 0:24:50.200
<v Speaker 1>when you became a parent?

0:24:52.320 --> 0:24:52.480
<v Speaker 3>You know?

0:24:52.600 --> 0:24:56.160
<v Speaker 4>Honestly, I think, hm hmm, I'm not sure.

0:24:56.640 --> 0:24:59.879
<v Speaker 3>There was so much that happened before I became a

0:25:00.119 --> 0:25:03.720
<v Speaker 3>mom that almost like becoming a mom was like I

0:25:03.800 --> 0:25:07.520
<v Speaker 3>can finally breathe, right, So I don't know, you know,

0:25:07.560 --> 0:25:09.680
<v Speaker 3>I don't know if that was the thing that changed it.

0:25:10.080 --> 0:25:13.600
<v Speaker 1>Yeah, I mean, and also it's it's also your kid

0:25:13.760 --> 0:25:15.600
<v Speaker 1>is for a year and a half, year and a half.

0:25:15.680 --> 0:25:18.760
<v Speaker 1>It's airly to know. I mean, these are big life shifts.

0:25:18.800 --> 0:25:21.080
<v Speaker 4>I mean, I'm curious your answer. First of all, okay,

0:25:21.240 --> 0:25:22.080
<v Speaker 4>what's your answer to that?

0:25:22.320 --> 0:25:25.359
<v Speaker 2>Well, what I became a parent. Yeah, it was a

0:25:25.640 --> 0:25:30.159
<v Speaker 2>complete story for me. I became a different person. It

0:25:30.400 --> 0:25:33.159
<v Speaker 2>was as significant in my life, but not in the

0:25:33.240 --> 0:25:34.600
<v Speaker 2>first day. It wasn't like that day.

0:25:34.720 --> 0:25:34.920
<v Speaker 1>Yeah.

0:25:35.200 --> 0:25:39.879
<v Speaker 2>But the two biggest shifts in my life were getting

0:25:39.920 --> 0:25:44.520
<v Speaker 2>sober when I was twenty nine, and then when my

0:25:44.840 --> 0:25:48.320
<v Speaker 2>first son was born when I was thirty eight, and

0:25:48.720 --> 0:25:51.840
<v Speaker 2>I was like, I within about six months or something,

0:25:52.440 --> 0:25:55.560
<v Speaker 2>I was like, oh, it's different.

0:25:55.800 --> 0:25:57.200
<v Speaker 4>It helps you prioritize.

0:25:57.400 --> 0:26:00.280
<v Speaker 2>Yeah, well, you go from being the star in the

0:26:00.320 --> 0:26:03.680
<v Speaker 2>movie of your own life to being an extra in

0:26:03.800 --> 0:26:07.800
<v Speaker 2>a movie of somebody else's life. Yes, you're a supporting player, right,

0:26:08.800 --> 0:26:11.879
<v Speaker 2>You're no longer cheeky Charlie. I know you know your

0:26:11.920 --> 0:26:15.200
<v Speaker 2>bishop breaks is mom yead mom and dad.

0:26:15.600 --> 0:26:17.800
<v Speaker 3>And there was something I was going to tell you

0:26:17.920 --> 0:26:23.159
<v Speaker 3>there about what you're describing with Oh you know. I mean,

0:26:23.160 --> 0:26:25.440
<v Speaker 3>I'm curious if you feel this way too. But I

0:26:25.560 --> 0:26:29.680
<v Speaker 3>found it affected my tolerance for any negative relationships in

0:26:29.760 --> 0:26:32.560
<v Speaker 3>my life because now I felt like I was an example,

0:26:33.040 --> 0:26:36.560
<v Speaker 3>you know, to to this little person where it was like,

0:26:37.480 --> 0:26:40.280
<v Speaker 3>you're not. I also think I saw like a different

0:26:40.400 --> 0:26:43.199
<v Speaker 3>softness in myself. Now I had a little bit more

0:26:43.320 --> 0:26:48.000
<v Speaker 3>like kindness for myself. So when someone you know wasn't

0:26:48.040 --> 0:26:50.040
<v Speaker 3>super kind to me, I'd be like, hey, like I'm

0:26:50.080 --> 0:26:52.400
<v Speaker 3>a kind person. Like I now see myself as a mom.

0:26:53.240 --> 0:26:55.440
<v Speaker 3>So I now have like a deeper understanding of what

0:26:55.600 --> 0:26:57.000
<v Speaker 3>that all means, you know, I think.

0:26:57.080 --> 0:27:00.480
<v Speaker 2>So I think it gets Look, it's not for everybody,

0:27:00.800 --> 0:27:04.280
<v Speaker 2>you know, people that don't have kids and do fine.

0:27:04.359 --> 0:27:08.159
<v Speaker 2>But I I don't know who I would be without

0:27:09.240 --> 0:27:12.000
<v Speaker 2>I haven't experienced that. I don't know what it would be.

0:27:12.920 --> 0:27:16.240
<v Speaker 2>Maybe i'd be something I didn't know. Here's my theory.

0:27:16.760 --> 0:27:19.280
<v Speaker 2>Most great philosophers, yes, don't have kids.

0:27:19.320 --> 0:27:21.720
<v Speaker 4>I know it's well that they know of.

0:27:22.200 --> 0:27:27.120
<v Speaker 1>Well no, well I think they didn't. They weren't present. Yeah,

0:27:27.520 --> 0:27:32.120
<v Speaker 1>because they're because they always thinking about themselves. Okay, fuck

0:27:32.160 --> 0:27:35.520
<v Speaker 1>yourself anything. Here's the thing.

0:27:35.680 --> 0:27:37.280
<v Speaker 3>Have you ever been in a conversation with someone and

0:27:37.320 --> 0:27:40.240
<v Speaker 3>they're like, I don't want to have kids and there's

0:27:40.280 --> 0:27:42.159
<v Speaker 3>someone in the group that's like, oh my god, you

0:27:42.200 --> 0:27:42.840
<v Speaker 3>would love it.

0:27:43.400 --> 0:27:45.480
<v Speaker 4>And I'm like, they know themselves better than we do.

0:27:45.760 --> 0:27:46.760
<v Speaker 1>Yeah, they really do.

0:27:47.240 --> 0:27:49.480
<v Speaker 3>I think it's so it's one thing if someone's like,

0:27:50.800 --> 0:27:52.879
<v Speaker 3>there's there's a room in the conversation depending on what

0:27:52.960 --> 0:27:55.640
<v Speaker 3>it is. Sure, but when someone tells me I don't

0:27:55.640 --> 0:27:57.760
<v Speaker 3>want to have kids, I never saw that for myself.

0:27:57.800 --> 0:28:01.800
<v Speaker 3>I'm like, absolutely, you do your thing. Yeah, it's not

0:28:01.960 --> 0:28:05.399
<v Speaker 3>for everyone, no, but yeah, I definitely sense to shift

0:28:05.840 --> 0:28:06.680
<v Speaker 3>with becoming.

0:28:06.960 --> 0:28:08.960
<v Speaker 1>Yeah, did it priority?

0:28:09.040 --> 0:28:10.959
<v Speaker 2>I mean, if it didn't have any effect on your

0:28:11.000 --> 0:28:13.679
<v Speaker 2>creative or you're not aware of it having an effect

0:28:13.760 --> 0:28:15.120
<v Speaker 2>on your creatively, maybe yet.

0:28:15.240 --> 0:28:17.240
<v Speaker 3>Well, because I feel that thing that you described of

0:28:17.440 --> 0:28:20.879
<v Speaker 3>like it's an outer body experience. So it's hard for

0:28:21.000 --> 0:28:25.120
<v Speaker 3>me to say, you know, in that realm what it affects.

0:28:25.200 --> 0:28:28.760
<v Speaker 3>But I know that in the business side it affects priorities.

0:28:28.880 --> 0:28:31.439
<v Speaker 2>Yeah, my god, Well that's why I ended up doing

0:28:31.440 --> 0:28:34.919
<v Speaker 2>a fucking late night show because I was getting divorced

0:28:35.480 --> 0:28:38.320
<v Speaker 2>from my son's mom and I.

0:28:38.440 --> 0:28:41.680
<v Speaker 1>Was like, I can't be out of town. I need

0:28:41.760 --> 0:28:44.400
<v Speaker 1>a gig, which is in la I didn't know that.

0:28:45.760 --> 0:28:46.480
<v Speaker 4>I love that.

0:28:46.880 --> 0:28:49.239
<v Speaker 1>That's why I ended up doing the Fly. I never

0:28:49.280 --> 0:28:51.400
<v Speaker 1>want to be a late What do I know about

0:28:51.440 --> 0:28:55.760
<v Speaker 1>late night television? Fucking classicow? But I was here and

0:28:55.800 --> 0:28:57.080
<v Speaker 1>I'm like, I need a gig.

0:28:57.280 --> 0:29:01.320
<v Speaker 3>But it's interesting what your perspective is on that of

0:29:01.440 --> 0:29:03.440
<v Speaker 3>like what am I doing here? It's funny because that's

0:29:03.480 --> 0:29:05.360
<v Speaker 3>what connects it because then everyone can see a little

0:29:05.400 --> 0:29:06.320
<v Speaker 3>bit of themselves in you.

0:29:06.920 --> 0:29:08.560
<v Speaker 4>You know, Yeah, it's interesting.

0:29:09.040 --> 0:29:09.280
<v Speaker 3>It is.

0:29:09.520 --> 0:29:12.760
<v Speaker 1>So here's my prediction for you. By the way, if

0:29:12.800 --> 0:29:13.680
<v Speaker 1>it hasn't already.

0:29:13.480 --> 0:29:14.280
<v Speaker 4>I didn't know you were.

0:29:14.400 --> 0:29:19.160
<v Speaker 1>Oh yeah, have you have you been asked to do

0:29:19.560 --> 0:29:21.520
<v Speaker 1>a song for a James Bond movie?

0:29:22.280 --> 0:29:23.400
<v Speaker 4>My god, that is my goal.

0:29:23.920 --> 0:29:26.920
<v Speaker 1>Oh my god, it's so obvious that you have to

0:29:27.000 --> 0:29:27.200
<v Speaker 1>do it.

0:29:27.360 --> 0:29:29.960
<v Speaker 4>Thank you so much. That is that is one hundred

0:29:29.960 --> 0:29:30.480
<v Speaker 4>percent my goal.

0:29:30.640 --> 0:29:33.800
<v Speaker 1>Really, yes, of course, of course I love that. I

0:29:33.920 --> 0:29:36.480
<v Speaker 1>love that for you because it feels like like the

0:29:36.600 --> 0:29:40.840
<v Speaker 1>big kind of Shirley Bassy. Yes, but my dad you

0:29:40.920 --> 0:29:45.840
<v Speaker 1>still say chilly Bassie. Oh, it's the old woman. He

0:29:46.000 --> 0:29:50.960
<v Speaker 1>loved Chili Bassie. I love Chili bass Oh my god, Goldfinger,

0:29:51.240 --> 0:29:54.720
<v Speaker 1>Oh yeah, we did me a favorite. You covered that song?

0:29:55.040 --> 0:29:56.040
<v Speaker 4>Yes, Oh my gosh.

0:29:56.120 --> 0:29:58.800
<v Speaker 3>Maybe that's the start of everything. Well, if you are psychic,

0:29:58.880 --> 0:29:59.640
<v Speaker 3>I should start with that.

0:30:00.480 --> 0:30:01.160
<v Speaker 1>Yeah. Maybe.

0:30:01.800 --> 0:30:03.040
<v Speaker 2>I mean, I don't know what they're going to do

0:30:03.120 --> 0:30:04.680
<v Speaker 2>with Bond because they killed them in the last one,

0:30:04.680 --> 0:30:05.360
<v Speaker 2>so they're gonna.

0:30:05.160 --> 0:30:08.000
<v Speaker 4>Have to see I have Well, I'm psychic as well.

0:30:09.160 --> 0:30:09.840
<v Speaker 1>You were going to say that.

0:30:10.240 --> 0:30:12.800
<v Speaker 3>I also have a prediction, which is I think that

0:30:12.960 --> 0:30:15.600
<v Speaker 3>they should make a Bond movie that's just about the women,

0:30:16.160 --> 0:30:18.760
<v Speaker 3>like they're the Obviously it's all about the women, you know,

0:30:18.920 --> 0:30:21.120
<v Speaker 3>of course you see the movies. But I'm just saying

0:30:21.200 --> 0:30:23.600
<v Speaker 3>they are really like leading the way. I could just

0:30:23.680 --> 0:30:24.440
<v Speaker 3>see that happening.

0:30:24.560 --> 0:30:26.280
<v Speaker 1>I don't know, I can see it happening too.

0:30:27.240 --> 0:30:30.480
<v Speaker 4>I've been trying to write a song with that in mind, right,

0:30:30.880 --> 0:30:31.760
<v Speaker 4>a song for.

0:30:31.800 --> 0:30:34.640
<v Speaker 1>A Bond movie that hasn't yet been made. I fucking

0:30:34.800 --> 0:30:37.320
<v Speaker 1>love that. Trying yeah, yeah, you'll do it.

0:30:37.320 --> 0:30:41.520
<v Speaker 2>It's fine. Clearly you're qualified, it's fine. Are you very instrumental?

0:30:41.600 --> 0:30:41.720
<v Speaker 3>Do you?

0:30:41.800 --> 0:30:43.160
<v Speaker 1>What do you work on? What do you write?

0:30:43.640 --> 0:30:46.640
<v Speaker 3>I play piano, right, yeah, but it's very sad charts.

0:30:46.800 --> 0:30:48.560
<v Speaker 3>There isn't a lot of happy court.

0:30:48.560 --> 0:30:50.680
<v Speaker 1>The black Keys. Oh yeah, you got to use the

0:30:50.720 --> 0:30:55.720
<v Speaker 1>black keys because the way keys of the black Ones are. Yeah.

0:30:56.480 --> 0:30:58.720
<v Speaker 4>Yeah, I do a little minor, yeah, a little minor

0:30:58.800 --> 0:30:59.240
<v Speaker 4>walk down.

0:30:59.560 --> 0:31:03.200
<v Speaker 1>You ever aware of a Glaswegian artist called Alex Harvey?

0:31:03.680 --> 0:31:07.520
<v Speaker 4>Yes, right, oh my god, yes, wow. You're saying so many.

0:31:07.440 --> 0:31:10.120
<v Speaker 2>People that I tell you of Alex Harvey. I don't

0:31:10.120 --> 0:31:12.120
<v Speaker 2>know if it's true, but I heard this from somebody

0:31:12.200 --> 0:31:14.760
<v Speaker 2>that worked with the band. Alex died years and years ago.

0:31:14.800 --> 0:31:18.160
<v Speaker 2>He was a drinker and stuff. But the Sensational Alex

0:31:18.200 --> 0:31:22.120
<v Speaker 2>Harvey band wanted to do an album without him. So

0:31:22.280 --> 0:31:25.120
<v Speaker 2>his band wanted to do an album without him and

0:31:25.360 --> 0:31:29.760
<v Speaker 2>call it sab Cessational Alex Harvey Band without Alex. And

0:31:30.520 --> 0:31:32.000
<v Speaker 2>and they went to him and they said can we

0:31:32.120 --> 0:31:32.320
<v Speaker 2>do that?

0:31:32.400 --> 0:31:36.360
<v Speaker 1>And he said, I you can on one condition And

0:31:36.480 --> 0:31:39.400
<v Speaker 1>they said, they said, you don't use the chord e.

0:31:47.560 --> 0:31:50.920
<v Speaker 1>And I don't know if that's true, but that is great.

0:31:51.440 --> 0:31:55.600
<v Speaker 2>Wow, But the legacy of musicians from that part of

0:31:55.640 --> 0:32:00.280
<v Speaker 2>the world's fascinated by musicians like bands like Mogai. I mean,

0:32:00.400 --> 0:32:04.600
<v Speaker 2>it's crazy the influence of you familiar with Roddy Frame.

0:32:04.800 --> 0:32:06.600
<v Speaker 4>Oh my god, this is so crazy.

0:32:07.160 --> 0:32:09.240
<v Speaker 3>I mean, you're just you're naming all the people that

0:32:09.800 --> 0:32:12.160
<v Speaker 3>you know, I grew up in my like were in

0:32:12.280 --> 0:32:14.160
<v Speaker 3>my home, you know, because of my.

0:32:14.240 --> 0:32:17.960
<v Speaker 1>Dad, right, because your dad and I have the same agent, right.

0:32:18.240 --> 0:32:23.640
<v Speaker 3>And weirdly went to the same shows. Well, that's that's crazy, right,

0:32:23.920 --> 0:32:26.520
<v Speaker 3>It's still well, okay, here's the thing. Part of my

0:32:26.680 --> 0:32:29.280
<v Speaker 3>freak out, just for anyone that's listening, also is like

0:32:30.000 --> 0:32:31.280
<v Speaker 3>the craziness.

0:32:30.800 --> 0:32:32.880
<v Speaker 1>Of being in l a right, you know.

0:32:33.720 --> 0:32:36.160
<v Speaker 3>And and also you know, Okay, here's the thing. There's

0:32:36.200 --> 0:32:39.200
<v Speaker 3>this do you know what my gym is? It's like

0:32:39.240 --> 0:32:45.280
<v Speaker 3>little toddler classes. I've spent so much, so many, so long,

0:32:45.400 --> 0:32:48.720
<v Speaker 3>so long. Anyways, there is this woman in there and

0:32:49.120 --> 0:32:51.959
<v Speaker 3>she has a thick Irish accent.

0:32:52.160 --> 0:32:54.200
<v Speaker 1>Yeah, I know, I know the gym you're talking about.

0:32:54.720 --> 0:32:54.960
<v Speaker 4>Really.

0:32:55.160 --> 0:32:57.320
<v Speaker 1>Yeah, I've been there when my youngest was young.

0:32:57.520 --> 0:33:00.480
<v Speaker 3>Oh my god, Okay, Yeah, She's never going to come

0:33:00.560 --> 0:33:03.160
<v Speaker 3>up to me and say I think you're from Donegal.

0:33:03.520 --> 0:33:06.320
<v Speaker 3>I think some of your family's from Donegal, and so

0:33:06.560 --> 0:33:08.720
<v Speaker 3>it can be. And by the way, I insert myself

0:33:08.760 --> 0:33:10.880
<v Speaker 3>in those situations, you know, if it's you know, the

0:33:10.960 --> 0:33:13.000
<v Speaker 3>right timing or whatever, where I'll be like, whereabouts are

0:33:13.040 --> 0:33:16.560
<v Speaker 3>you from? And I try and find that connection, you know, elsewhere.

0:33:17.080 --> 0:33:20.280
<v Speaker 3>But it's such a holding card to have an accent

0:33:20.360 --> 0:33:23.280
<v Speaker 3>which I don't have, right, you know, to feel connected

0:33:23.320 --> 0:33:26.560
<v Speaker 3>to others and for them to hear your voice across

0:33:26.560 --> 0:33:27.920
<v Speaker 3>the room and be like, hey are you from? Like

0:33:28.000 --> 0:33:30.120
<v Speaker 3>when my mom, My mom is literally a celebrity when

0:33:30.160 --> 0:33:31.480
<v Speaker 3>she's when she's in La.

0:33:31.600 --> 0:33:36.120
<v Speaker 4>Right oh at the Ralphs. Yeah, we love Moira, Oh

0:33:36.440 --> 0:33:36.960
<v Speaker 4>we love My.

0:33:37.640 --> 0:33:39.160
<v Speaker 2>Parents used to come in there going now. But when

0:33:39.160 --> 0:33:41.640
<v Speaker 2>they were here, oh, it was all like that, like

0:33:41.880 --> 0:33:53.200
<v Speaker 2>La became a different place. Yes, you know Wu Tang clan. Yeah,

0:33:53.600 --> 0:33:56.480
<v Speaker 2>all right, snow. Rizza from Wutan. So we did this

0:33:56.680 --> 0:33:59.560
<v Speaker 2>bit on the Late Night show years and years ago.

0:33:59.600 --> 0:34:02.640
<v Speaker 2>My mom to visit and Rizza was on the show

0:34:02.680 --> 0:34:04.440
<v Speaker 2>and I said to Rizza, we this comedy, but like,

0:34:04.560 --> 0:34:07.920
<v Speaker 2>just take my mom out shore La film in the

0:34:08.040 --> 0:34:10.200
<v Speaker 2>car and He's like sure. So Rizza went out and

0:34:10.239 --> 0:34:13.839
<v Speaker 2>he took my mom to Roscoe's Chicken and waffles. It's

0:34:13.880 --> 0:34:17.479
<v Speaker 2>like this real scene, right, it's a scene and uh.

0:34:18.160 --> 0:34:20.160
<v Speaker 1>But the thing is risen and my mom got on

0:34:20.280 --> 0:34:23.120
<v Speaker 1>really well, and so they kind of kept in touch.

0:34:23.560 --> 0:34:26.400
<v Speaker 1>And my mom my mom. My mom said to me

0:34:26.440 --> 0:34:30.000
<v Speaker 1>a couple of years later, she said, hey, son, tea

0:34:30.080 --> 0:34:32.000
<v Speaker 1>in the park is happening. I was like, uh huh,

0:34:32.200 --> 0:34:34.319
<v Speaker 1>he says a big it's a big rock festival. Mom.

0:34:34.440 --> 0:34:37.120
<v Speaker 1>She went, yeah, well, I've just noticed on the listings

0:34:37.239 --> 0:34:40.520
<v Speaker 1>that Wu Tang are coming. I went, yeah, Wood Tang.

0:34:40.560 --> 0:34:43.319
<v Speaker 1>I probably went well. I was thinking I might get

0:34:43.320 --> 0:34:45.120
<v Speaker 1>in touch with Rizza because I was going to take

0:34:45.680 --> 0:34:47.560
<v Speaker 1>I was going to take the ladies from my fright,

0:34:47.600 --> 0:34:54.239
<v Speaker 1>it's care to see Wu Tang. I was like, I'm

0:34:54.280 --> 0:34:55.720
<v Speaker 1>not sure, Mom, I'm.

0:34:55.600 --> 0:34:58.120
<v Speaker 3>Not yeah, and we say I'm not sure, and then

0:34:58.200 --> 0:35:00.080
<v Speaker 3>they write directly and then yeah, we got.

0:35:00.440 --> 0:35:03.120
<v Speaker 2>I think if it would happen now that she would

0:35:03.160 --> 0:35:05.560
<v Speaker 2>have gone, but social media wasn't quite where it was then,

0:35:06.640 --> 0:35:08.640
<v Speaker 2>or she would have just they would have gone touch

0:35:08.680 --> 0:35:09.000
<v Speaker 2>and done it.

0:35:09.040 --> 0:35:11.960
<v Speaker 1>Because he's a great guy. He's a lovely man. So

0:35:12.239 --> 0:35:13.359
<v Speaker 1>I love the idea of my mom.

0:35:13.440 --> 0:35:14.800
<v Speaker 4>And do you have that other band?

0:35:15.520 --> 0:35:17.120
<v Speaker 1>Yeah, he said a lot of different projects.

0:35:17.120 --> 0:35:19.240
<v Speaker 3>Okay, because I think I performed with him at Coachella.

0:35:19.719 --> 0:35:22.239
<v Speaker 3>I came out as a guest and I sang the

0:35:22.320 --> 0:35:25.000
<v Speaker 3>Florence and the Machine part. Oh my god, if this

0:35:25.080 --> 0:35:25.920
<v Speaker 3>is ringing a bell for me?

0:35:26.120 --> 0:35:29.239
<v Speaker 1>Yeah, yeah, I'm with that musically literate enough to.

0:35:29.760 --> 0:35:33.000
<v Speaker 4>But and he was the nicest person in the entire world.

0:35:33.239 --> 0:35:37.880
<v Speaker 2>Well that sounds like, yeah, so much charisma, very charismatic.

0:35:38.200 --> 0:35:40.440
<v Speaker 2>It doesn't shy away from marijuana as much as you

0:35:40.520 --> 0:35:40.960
<v Speaker 2>and I do.

0:35:43.480 --> 0:35:44.320
<v Speaker 4>Marijuana pep.

0:35:45.120 --> 0:35:47.399
<v Speaker 1>I don't know about the pepe, but you can't sell

0:35:47.440 --> 0:35:52.359
<v Speaker 1>the pep over the under the marijuana. But I think

0:35:52.600 --> 0:35:55.200
<v Speaker 1>that it's fascinating to me because you have a very

0:35:55.280 --> 0:35:58.359
<v Speaker 1>odd story. So you grew up in Hong Kong, yes,

0:35:58.840 --> 0:36:01.680
<v Speaker 1>and then how do you end up here? Well?

0:36:01.760 --> 0:36:04.759
<v Speaker 3>I just thought, la is you know where I thought

0:36:04.880 --> 0:36:08.160
<v Speaker 3>I was going to come down the escalator at LAX. Yeah,

0:36:08.360 --> 0:36:11.839
<v Speaker 3>I would say, who is that amazing vocalist over there?

0:36:12.080 --> 0:36:12.800
<v Speaker 1>Right that?

0:36:13.120 --> 0:36:15.120
<v Speaker 3>And and if you could see what I looked like

0:36:15.280 --> 0:36:16.759
<v Speaker 3>a you know, not that it matters, but if you

0:36:16.840 --> 0:36:20.280
<v Speaker 3>could have seen what that person looked like, yeah, twenty

0:36:20.440 --> 0:36:22.360
<v Speaker 3>ten me, Yeah, it was, it was.

0:36:22.640 --> 0:36:24.399
<v Speaker 4>It was a look. It was definitely a look.

0:36:24.840 --> 0:36:27.839
<v Speaker 3>And yeah, but so that's why I came here as

0:36:27.920 --> 0:36:29.680
<v Speaker 3>it should be, as it should be. I mean, you're

0:36:29.680 --> 0:36:30.640
<v Speaker 3>trying to make an impression.

0:36:30.800 --> 0:36:32.719
<v Speaker 1>You were what twenty No.

0:36:32.960 --> 0:36:34.080
<v Speaker 4>I was seventeen and a half.

0:36:34.360 --> 0:36:37.040
<v Speaker 1>Seventeen and a half. Yeah, Charlie must have been his

0:36:37.200 --> 0:36:37.839
<v Speaker 1>fucking skin.

0:36:38.120 --> 0:36:40.320
<v Speaker 3>Oh he was. And but my sister was going to

0:36:40.400 --> 0:36:43.279
<v Speaker 3>school here, so she was two years older than me, right,

0:36:43.600 --> 0:36:45.520
<v Speaker 3>so that I had someone.

0:36:45.239 --> 0:36:49.400
<v Speaker 1>Here right now? Okay, yeah, oh okay, that's that's a

0:36:49.480 --> 0:36:50.080
<v Speaker 1>story then.

0:36:50.320 --> 0:36:53.160
<v Speaker 4>Yeah, so that made a big difference. Economics major, just

0:36:53.280 --> 0:36:57.560
<v Speaker 4>like me. No, I'm joking. No, I went to school

0:36:57.600 --> 0:36:58.960
<v Speaker 4>in Hollywood Boulevard.

0:36:58.960 --> 0:37:01.960
<v Speaker 1>Did you. Yes, musicians Institute really.

0:37:01.920 --> 0:37:03.040
<v Speaker 4>Yes, we're all acclaimed.

0:37:05.560 --> 0:37:08.799
<v Speaker 1>So you're right on the piano. Yes, do you play

0:37:09.040 --> 0:37:11.280
<v Speaker 1>only the piano? Yeah, you play the guitar?

0:37:11.640 --> 0:37:16.080
<v Speaker 4>No, Well, I took classic guitar, but it was it

0:37:16.160 --> 0:37:18.160
<v Speaker 4>was not for me really, yes.

0:37:18.080 --> 0:37:20.960
<v Speaker 1>Why now, why would an instrument not be for you?

0:37:21.600 --> 0:37:24.680
<v Speaker 3>Well, this, in particular was because I was socializing too

0:37:24.760 --> 0:37:28.799
<v Speaker 3>much in the class. Unfortunately, it was unfortunate.

0:37:28.800 --> 0:37:30.800
<v Speaker 1>And that that has nothing to do with the guitar.

0:37:30.960 --> 0:37:31.560
<v Speaker 4>That's I'm saying.

0:37:31.880 --> 0:37:34.080
<v Speaker 3>That's why I said it very softly, like, oh, it

0:37:34.160 --> 0:37:36.680
<v Speaker 3>wasn't for me, you know, like nothing to the guitar,

0:37:36.920 --> 0:37:40.239
<v Speaker 3>but also there is it is a totally different thing

0:37:40.400 --> 0:37:40.839
<v Speaker 3>to learn.

0:37:41.000 --> 0:37:43.360
<v Speaker 4>Oh sure, yeah, what do you play everything?

0:37:43.520 --> 0:37:43.840
<v Speaker 1>Drums?

0:37:43.880 --> 0:37:45.560
<v Speaker 2>I play a little guitar, but I'm bad at it.

0:37:45.600 --> 0:37:47.520
<v Speaker 2>I'm so bad at it. I don't I Don'm not

0:37:47.600 --> 0:37:49.720
<v Speaker 2>good enough at it to allow myself to let anyone

0:37:49.840 --> 0:37:50.200
<v Speaker 2>hear at it.

0:37:50.280 --> 0:37:52.480
<v Speaker 1>But I can. I can drum a bit. I'm all right.

0:37:52.600 --> 0:37:55.360
<v Speaker 1>I love that. Yeah, and that's okay. Do you know

0:37:55.600 --> 0:37:58.840
<v Speaker 1>Katie Tunstall? Oh, my god, of course, just like my

0:37:59.200 --> 0:38:01.160
<v Speaker 1>like one of my bad friends. You know her?

0:38:01.320 --> 0:38:01.600
<v Speaker 3>Know her?

0:38:01.880 --> 0:38:04.799
<v Speaker 1>Yeah, Oh my god, you never met her. No, she's

0:38:04.880 --> 0:38:05.480
<v Speaker 1>the greatest.

0:38:05.880 --> 0:38:09.760
<v Speaker 3>She started, she started the entire movement of of everything

0:38:09.920 --> 0:38:13.080
<v Speaker 3>I know, truly, even doing the loop pedal. Yeah.

0:38:13.239 --> 0:38:17.359
<v Speaker 1>She's amazing. Yeah, I know. I mean she's like it's

0:38:17.560 --> 0:38:20.160
<v Speaker 1>like it's like one old one man band with the

0:38:20.200 --> 0:38:23.000
<v Speaker 1>guy with the symbols on his knees and it's like

0:38:23.120 --> 0:38:28.399
<v Speaker 1>the bass drum on his back, and she's unbelievable. Yeah,

0:38:28.600 --> 0:38:28.920
<v Speaker 1>that is.

0:38:29.280 --> 0:38:32.640
<v Speaker 3>By the way, do you feel that you attract musicians

0:38:32.680 --> 0:38:34.600
<v Speaker 3>in your life, because like, at your core you are

0:38:34.600 --> 0:38:35.600
<v Speaker 3>a musician.

0:38:35.680 --> 0:38:38.240
<v Speaker 1>I think like a musician, and I toured like a musician,

0:38:38.400 --> 0:38:41.680
<v Speaker 1>and you know, and you met Tomas who works Tomass

0:38:41.960 --> 0:38:43.840
<v Speaker 1>Like when he's not working with me, he works with

0:38:43.960 --> 0:38:47.960
<v Speaker 1>Dinosaur Junr. You know what I mean, He's Yeah, I

0:38:48.560 --> 0:38:52.319
<v Speaker 1>my world. I'm more comfortable like that, right because as

0:38:52.480 --> 0:38:57.520
<v Speaker 1>corporate as the world is, yes, and particularly in music, has.

0:38:57.440 --> 0:39:02.160
<v Speaker 2>A terrible corporation kind of infestation at the music business.

0:39:02.760 --> 0:39:07.080
<v Speaker 2>But it's core the actual performers are still many of

0:39:07.120 --> 0:39:09.640
<v Speaker 2>them are still pure in the sense of that they

0:39:09.760 --> 0:39:12.839
<v Speaker 2>have the kind of that I want to say, rock

0:39:12.880 --> 0:39:14.239
<v Speaker 2>and roll because but you know what I mean, that

0:39:14.400 --> 0:39:17.680
<v Speaker 2>kind of like iconoclastic kind of fuck you attitude. Yes,

0:39:18.040 --> 0:39:24.040
<v Speaker 2>that I think is that's a clutch mechanism that exists

0:39:24.320 --> 0:39:29.799
<v Speaker 2>between us and them, right, And because I think the corporation,

0:39:30.040 --> 0:39:31.440
<v Speaker 2>like what I was doing late night, I love to

0:39:31.480 --> 0:39:35.040
<v Speaker 2>do the show, yeah, but dealing with fucking television executives,

0:39:35.800 --> 0:39:37.440
<v Speaker 2>you know, I mean, yes.

0:39:37.640 --> 0:39:40.640
<v Speaker 1>It gets old. And in your business.

0:39:40.800 --> 0:39:43.319
<v Speaker 2>I think it might be changing about though, with social media,

0:39:43.480 --> 0:39:46.239
<v Speaker 2>is it where you guys can get directly to your

0:39:46.280 --> 0:39:47.400
<v Speaker 2>audience again or not?

0:39:47.520 --> 0:39:47.680
<v Speaker 1>Right?

0:39:47.760 --> 0:39:51.200
<v Speaker 4>Well, I mean I kind of wonder. Yeah, I'm interested

0:39:51.280 --> 0:39:53.600
<v Speaker 4>to know how much late Night.

0:39:53.640 --> 0:39:57.200
<v Speaker 3>I mean, it feels like late night isn't evolving at

0:39:57.239 --> 0:39:59.560
<v Speaker 3>the same pace as other things, because I just think

0:40:00.160 --> 0:40:02.759
<v Speaker 3>if you did a little you know, selfie video to

0:40:02.840 --> 0:40:04.920
<v Speaker 3>TikTok saying like an example of what one of your

0:40:05.000 --> 0:40:07.360
<v Speaker 3>jokes was going to be for you know, the opening

0:40:07.400 --> 0:40:10.279
<v Speaker 3>monologue or something, and it did really well, this is

0:40:10.280 --> 0:40:13.200
<v Speaker 3>the equivalent of with music, that little clip did really well. Right,

0:40:13.320 --> 0:40:16.200
<v Speaker 3>then you just show it to the TV execs, right,

0:40:16.360 --> 0:40:18.319
<v Speaker 3>and they say, oh, of course you can use that joke.

0:40:18.480 --> 0:40:20.600
<v Speaker 3>Look how well it did. There's like proof of concept.

0:40:21.160 --> 0:40:23.120
<v Speaker 3>But I just wonder what it would be now.

0:40:23.280 --> 0:40:23.640
<v Speaker 4>I don't know.

0:40:23.800 --> 0:40:24.800
<v Speaker 1>I don't know what it would be.

0:40:25.360 --> 0:40:27.800
<v Speaker 2>I mean with with executives, it wasn't so much the

0:40:29.080 --> 0:40:32.040
<v Speaker 2>joke by joke thing or note by note thing. It

0:40:32.200 --> 0:40:36.200
<v Speaker 2>was more it was more about the general kind of vibe, like,

0:40:36.600 --> 0:40:40.239
<v Speaker 2>you know, don't be too much like this, don't be

0:40:40.400 --> 0:40:42.560
<v Speaker 2>too much like that, don't say too much like this,

0:40:42.719 --> 0:40:45.000
<v Speaker 2>don't don't go there.

0:40:45.200 --> 0:40:47.320
<v Speaker 4>You know, And I think I could imagine it to

0:40:47.400 --> 0:40:49.400
<v Speaker 4>be very isolating.

0:40:50.239 --> 0:40:52.400
<v Speaker 1>It's the worst you gotta be careful of that.

0:40:52.440 --> 0:40:54.960
<v Speaker 2>The more successfully become because you got some big fucking

0:40:54.960 --> 0:40:57.520
<v Speaker 2>shit in front of you. You should be very careful

0:40:57.800 --> 0:41:01.480
<v Speaker 2>because success is I've looked, I've had some myself, and

0:41:01.520 --> 0:41:04.840
<v Speaker 2>I've seen others get it, and it's extremely dangerous.

0:41:05.160 --> 0:41:08.240
<v Speaker 3>Yeah. I mean, this is sort of a very specific story,

0:41:08.320 --> 0:41:12.719
<v Speaker 3>but I had I tried this this new therapist, and

0:41:13.800 --> 0:41:16.320
<v Speaker 3>I had sort of taken a break from therapy being pregnanty,

0:41:16.320 --> 0:41:18.680
<v Speaker 3>you know, all this stuff. And so I tried this

0:41:18.800 --> 0:41:23.239
<v Speaker 3>new therapist and I'm sharing, you know, the worst periods

0:41:23.440 --> 0:41:26.919
<v Speaker 3>of life, you know, and that's what I'm sharing. She goes,

0:41:27.160 --> 0:41:30.080
<v Speaker 3>you just seem very comfortable, and I was like, oh, good,

0:41:30.280 --> 0:41:33.239
<v Speaker 3>you know, wait whatever. Then she goes, oh, you know,

0:41:33.560 --> 0:41:36.879
<v Speaker 3>there's just you just yeah, you're quite charming something like that. Okay,

0:41:37.640 --> 0:41:40.640
<v Speaker 3>And I realized as the conversation is going, and I've

0:41:40.880 --> 0:41:43.720
<v Speaker 3>by the way, and I feel like I can imagine

0:41:43.760 --> 0:41:46.800
<v Speaker 3>you doing this too. I have worked really hard to,

0:41:47.120 --> 0:41:49.319
<v Speaker 3>especially if I'm in a therapy situation or something where

0:41:49.320 --> 0:41:53.520
<v Speaker 3>I'm seeking help, to really undo any performative things. I'm

0:41:53.560 --> 0:41:55.120
<v Speaker 3>not there to be funny, I'm not there.

0:41:55.440 --> 0:41:55.640
<v Speaker 1>Yeah.

0:41:55.680 --> 0:41:59.400
<v Speaker 3>And so I was really, you know, not not in

0:41:59.520 --> 0:42:03.000
<v Speaker 3>that space. But I realized as it was progressing, and

0:42:03.200 --> 0:42:05.400
<v Speaker 3>that was really what she was taking out. She couldn't

0:42:05.440 --> 0:42:10.520
<v Speaker 3>stop that, you know, like that commentary, and I realized

0:42:11.000 --> 0:42:14.879
<v Speaker 3>that's why so many comedians, that's why so many people

0:42:14.920 --> 0:42:17.480
<v Speaker 3>that are in entertainment. They start to feel so isolated

0:42:17.600 --> 0:42:20.399
<v Speaker 3>because now I'm in a situation where I'm letting her down.

0:42:20.920 --> 0:42:23.040
<v Speaker 3>You know, I'm being a bummer. Now, you know, if

0:42:23.080 --> 0:42:26.120
<v Speaker 3>I really lean it, she she's really being entertained. And

0:42:26.239 --> 0:42:28.960
<v Speaker 3>now I'm gonna I'm gonna, you know, be such a bummer.

0:42:29.080 --> 0:42:31.640
<v Speaker 3>So now I feel like I can't share. And then

0:42:32.040 --> 0:42:33.920
<v Speaker 3>there's something with you know, maybe they find out what

0:42:34.040 --> 0:42:35.920
<v Speaker 3>you do and they don't have a full awareness or

0:42:36.000 --> 0:42:39.120
<v Speaker 3>scope of what that means, so then it seems very glittery.

0:42:39.480 --> 0:42:42.879
<v Speaker 3>Then it's very exciting. Yeah, and so now okay, I'll

0:42:42.880 --> 0:42:45.240
<v Speaker 3>tell you something. Halfway through, she goes.

0:42:46.400 --> 0:42:46.719
<v Speaker 4>Does that?

0:42:47.320 --> 0:42:50.080
<v Speaker 3>She goes, is it a guy that you worked with?

0:42:50.239 --> 0:42:52.360
<v Speaker 3>And I was like, no, she goes, I was just

0:42:52.360 --> 0:42:58.040
<v Speaker 3>wondering if it was another one of my clients. Then

0:42:58.120 --> 0:43:01.680
<v Speaker 3>you're but I left feeling so isolated because it was

0:43:01.800 --> 0:43:04.600
<v Speaker 3>like the pain isn't a loud And then also by

0:43:04.640 --> 0:43:06.959
<v Speaker 3>the way, when they are like, wow, that's so cool

0:43:07.160 --> 0:43:09.759
<v Speaker 3>that you did X, Y, and Z, then you're like

0:43:09.960 --> 0:43:12.200
<v Speaker 3>absolutely like, I'm so grateful for that.

0:43:12.600 --> 0:43:14.800
<v Speaker 4>That's you know, it's not that I'm not you know,

0:43:15.520 --> 0:43:17.560
<v Speaker 4>And then you're does that make any sense?

0:43:17.640 --> 0:43:20.080
<v Speaker 1>Of course it does. Okay, I'll shoot I'll tell you

0:43:20.160 --> 0:43:22.399
<v Speaker 1>an exact example. When I knew that I was going

0:43:22.480 --> 0:43:26.080
<v Speaker 1>to leave late night television in my heart, here's what

0:43:26.200 --> 0:43:26.440
<v Speaker 1>it was.

0:43:26.600 --> 0:43:26.800
<v Speaker 4>Tell me.

0:43:27.360 --> 0:43:29.040
<v Speaker 2>I was walking in the building. I was about halfway

0:43:29.080 --> 0:43:31.719
<v Speaker 2>through the run. I was about five years in, and

0:43:31.840 --> 0:43:33.920
<v Speaker 2>I you know, I walk by, as I did every day.

0:43:34.000 --> 0:43:35.879
<v Speaker 2>You get your parking space, and you walk in. There's

0:43:36.200 --> 0:43:38.680
<v Speaker 2>my name's and big layers there, and I walk in,

0:43:38.800 --> 0:43:42.440
<v Speaker 2>and my pictures everywhere, my picture everywhere with really famous

0:43:42.440 --> 0:43:44.880
<v Speaker 2>people in the world. Yeah, my pictures everywhere, and my

0:43:45.000 --> 0:43:47.879
<v Speaker 2>name's on all the stationary and and everybody I meet,

0:43:48.000 --> 0:43:50.880
<v Speaker 2>some people are actually wearing jackets and stuff with my

0:43:51.040 --> 0:43:54.439
<v Speaker 2>name on their jackets. And yeah, and everybody I meet,

0:43:54.600 --> 0:43:57.400
<v Speaker 2>about one hundred and fifty people that work there. Everybody

0:43:57.440 --> 0:43:59.040
<v Speaker 2>I run into, all they want to do is make

0:43:59.120 --> 0:44:03.919
<v Speaker 2>sure I'm okay mmm. And that's not right, right, that's

0:44:04.200 --> 0:44:07.120
<v Speaker 2>not fucking right. I Mean, it sounds like it'd be fun,

0:44:07.600 --> 0:44:08.920
<v Speaker 2>but it's.

0:44:09.239 --> 0:44:13.000
<v Speaker 3>Weird because and if you're not, then you've now ruined

0:44:13.040 --> 0:44:15.440
<v Speaker 3>their day. They're very stressed trying to sort it.

0:44:15.600 --> 0:44:17.319
<v Speaker 2>They're trying to figure it out. Of course, it may

0:44:17.360 --> 0:44:19.040
<v Speaker 2>not be any to do with them. Like you come

0:44:19.080 --> 0:44:22.759
<v Speaker 2>in like you you get indigestion, and they're like, God,

0:44:22.920 --> 0:44:24.960
<v Speaker 2>he's on the war path, you know, and I'm like,

0:44:25.239 --> 0:44:26.960
<v Speaker 2>not in the war. I have to go to the bathroom,

0:44:27.040 --> 0:44:27.200
<v Speaker 2>you know.

0:44:27.280 --> 0:44:29.200
<v Speaker 3>I mean it's like, well, because you're you're always on,

0:44:29.800 --> 0:44:32.279
<v Speaker 3>which I think is what messes with your brain.

0:44:32.520 --> 0:44:36.000
<v Speaker 2>That's why I think you have to That's why I'm

0:44:36.120 --> 0:44:38.640
<v Speaker 2>very grateful to my children because all the ways through

0:44:38.719 --> 0:44:43.560
<v Speaker 2>late night, my children were young, and so they just they.

0:44:43.239 --> 0:44:46.719
<v Speaker 1>Balanced all of that right right anywhere. Yes, it was

0:44:46.760 --> 0:44:48.320
<v Speaker 1>like sho Showbaz.

0:44:48.440 --> 0:44:51.120
<v Speaker 2>And then we finished filming at six o'clock and I

0:44:51.239 --> 0:44:54.640
<v Speaker 2>was home changing diapers by half past six.

0:44:55.000 --> 0:44:58.040
<v Speaker 3>Do you when you speak to other people that were

0:44:58.080 --> 0:45:00.719
<v Speaker 3>also late night hosts, don't really.

0:45:01.360 --> 0:45:02.200
<v Speaker 1>It's not a community.

0:45:02.280 --> 0:45:04.880
<v Speaker 4>It's not like a you know, there's only like a handful.

0:45:05.120 --> 0:45:05.320
<v Speaker 3>I know.

0:45:05.520 --> 0:45:07.480
<v Speaker 1>Jamie Kimmel said that to me once, he said we

0:45:07.640 --> 0:45:09.279
<v Speaker 1>should get together. There's so few of us.

0:45:09.480 --> 0:45:12.280
<v Speaker 4>Yeah, I'm like, but do they share the same experience

0:45:12.360 --> 0:45:12.520
<v Speaker 4>that you?

0:45:12.960 --> 0:45:13.600
<v Speaker 1>I don't know.

0:45:13.840 --> 0:45:16.840
<v Speaker 2>I think I've talked to I remember when Seth Myers

0:45:16.960 --> 0:45:20.400
<v Speaker 2>was starting, he said he called me because it's kind

0:45:20.440 --> 0:45:22.080
<v Speaker 2>of the thing you do as you call around and

0:45:22.320 --> 0:45:24.399
<v Speaker 2>I was congratulating them and stuff, and I said, you'll

0:45:24.440 --> 0:45:27.080
<v Speaker 2>go crazy and he said, no, I won't go crazy.

0:45:27.120 --> 0:45:28.879
<v Speaker 2>And then I did his show a few years later

0:45:28.920 --> 0:45:30.840
<v Speaker 2>and I said, have you gone crazy yet? And he

0:45:31.040 --> 0:45:33.399
<v Speaker 2>hadn't and I don't And I don't think he has

0:45:33.480 --> 0:45:36.360
<v Speaker 2>gone crazy yet, So maybe maybe it was me.

0:45:37.400 --> 0:45:39.960
<v Speaker 3>No. I think it also depends on how much is

0:45:40.000 --> 0:45:42.719
<v Speaker 3>being micromanaged too. Yeah, you know, when they're like, you

0:45:42.800 --> 0:45:44.880
<v Speaker 3>have to ask this specific question this, I don't know,

0:45:45.120 --> 0:45:47.279
<v Speaker 3>just it takes out any the formality of it takes

0:45:47.400 --> 0:45:48.480
<v Speaker 3>turns into like a robot.

0:45:48.920 --> 0:45:51.560
<v Speaker 1>Yeah, I guess. I mean Lenno and I have friends

0:45:51.840 --> 0:45:55.919
<v Speaker 1>and he's, uh, but what's his history Scottish mother?

0:45:57.000 --> 0:45:57.239
<v Speaker 3>Really?

0:45:58.280 --> 0:46:00.279
<v Speaker 4>Oh my god, dam up?

0:46:00.400 --> 0:46:03.800
<v Speaker 1>Yeah. In the stand up mother, oh my god, you

0:46:03.920 --> 0:46:07.040
<v Speaker 1>said you're you do you have relations in Donegall?

0:46:07.920 --> 0:46:09.839
<v Speaker 4>Yeah, so that's my dad's side of the family.

0:46:09.880 --> 0:46:12.719
<v Speaker 1>Like Grannie MacGuire was from Donegal. I bet we really,

0:46:13.360 --> 0:46:17.040
<v Speaker 1>we really bet you we are McGuire maguire maguire from

0:46:17.280 --> 0:46:18.200
<v Speaker 1>from Donegall.

0:46:18.360 --> 0:46:18.680
<v Speaker 4>Macy.

0:46:19.160 --> 0:46:24.520
<v Speaker 1>Yeah, by McGuire from Donegall, she married my grandfather.

0:46:26.800 --> 0:46:30.239
<v Speaker 4>Yeah wow, that's okay, we'll have to do something.

0:46:30.400 --> 0:46:32.680
<v Speaker 1>Yeah. And then the north end of Glasgow with all

0:46:32.760 --> 0:46:37.120
<v Speaker 1>that Irish Donegall yeah probably yeah, wow, Yeah that's weird.

0:46:37.320 --> 0:46:37.799
<v Speaker 4>That is weird.

0:46:38.000 --> 0:46:41.360
<v Speaker 2>Yeah, but Beesy McGuire married a Protestant so they stopped.

0:46:41.719 --> 0:46:44.359
<v Speaker 2>Oh yeah, which was a big deal.

0:46:44.400 --> 0:46:45.200
<v Speaker 4>That's a very big deal.

0:46:45.360 --> 0:46:45.560
<v Speaker 3>Yeah.

0:46:45.680 --> 0:46:49.440
<v Speaker 1>Yeah, and I was raised I mean yeah, but I

0:46:49.719 --> 0:46:50.280
<v Speaker 1>was yeah.

0:46:50.239 --> 0:46:53.920
<v Speaker 3>Yeah, And what's your connection to faith? Just because you

0:46:54.000 --> 0:46:55.440
<v Speaker 3>asked me, I'm just curious.

0:46:57.040 --> 0:47:02.680
<v Speaker 1>I feel like it's uh, I'm very are you familiar

0:47:02.719 --> 0:47:06.800
<v Speaker 1>with Saint Augustine, you know when he said trying to

0:47:06.920 --> 0:47:09.359
<v Speaker 1>understand the mind of God is like trying to pour

0:47:09.440 --> 0:47:12.520
<v Speaker 1>the ocean into a cup. Wow. I was like, okay,

0:47:12.680 --> 0:47:14.880
<v Speaker 1>that I really connect to that.

0:47:15.440 --> 0:47:18.080
<v Speaker 4>Yes, I think it's such a loaded question.

0:47:18.480 --> 0:47:18.680
<v Speaker 1>Yeah.

0:47:18.880 --> 0:47:19.080
<v Speaker 3>Yeah.

0:47:19.440 --> 0:47:23.520
<v Speaker 2>It's when I meet atheists and very intelligent people, some

0:47:23.600 --> 0:47:27.160
<v Speaker 2>of them many, and they have this kind of unshakable

0:47:27.360 --> 0:47:30.960
<v Speaker 2>I know thing, and I'm like, it seems very fundamental

0:47:31.040 --> 0:47:35.080
<v Speaker 2>a stance for such an intelligent questioning person, right. I

0:47:35.120 --> 0:47:37.080
<v Speaker 2>remember having a conversation with Stephen Fry about it, and

0:47:37.160 --> 0:47:40.240
<v Speaker 2>Stephen said, because Stephen's an atheist, and I said.

0:47:40.040 --> 0:47:42.080
<v Speaker 4>Do you see casual you having a conversation with him?

0:47:45.000 --> 0:47:49.319
<v Speaker 1>But will be and Stephen and Jicky Charlie Briggs were

0:47:49.360 --> 0:47:52.400
<v Speaker 1>all at the same age. I haven't known Stein for

0:47:52.480 --> 0:47:56.080
<v Speaker 1>a long time. And he said, when people say do

0:47:56.080 --> 0:47:57.840
<v Speaker 1>you believe in God, it's really you've got to define

0:47:57.840 --> 0:48:00.960
<v Speaker 1>the word God before you start, yes, asking that question.

0:48:01.160 --> 0:48:03.799
<v Speaker 1>I mean, is it's such a big giant thing. Yes.

0:48:03.960 --> 0:48:05.600
<v Speaker 4>Also, I mean.

0:48:07.680 --> 0:48:08.520
<v Speaker 1>No, I don't buy that.

0:48:08.719 --> 0:48:10.480
<v Speaker 4>Yeah, but I don't. I don't know.

0:48:11.440 --> 0:48:13.279
<v Speaker 3>I don't know how far into this we go, but

0:48:13.960 --> 0:48:16.640
<v Speaker 3>I will say so I've I've been an alan on

0:48:17.000 --> 0:48:22.239
<v Speaker 3>you know for many many years, and my partner is

0:48:22.320 --> 0:48:27.799
<v Speaker 3>openly sober and and so like that community is very

0:48:28.800 --> 0:48:31.520
<v Speaker 3>and I'm not a drinker, right, So that is all

0:48:31.640 --> 0:48:34.279
<v Speaker 3>at the forefront. I wouldn't say sober just because I

0:48:34.440 --> 0:48:37.480
<v Speaker 3>know what he does and it feels different from what

0:48:37.600 --> 0:48:42.239
<v Speaker 3>I'm doing. But regardless, and one of the biggest first

0:48:42.280 --> 0:48:45.919
<v Speaker 3>things they say is like, have the idea of God

0:48:46.239 --> 0:48:47.240
<v Speaker 3>be whatever?

0:48:48.000 --> 0:48:48.960
<v Speaker 1>What does you understand it?

0:48:49.040 --> 0:48:52.360
<v Speaker 3>There we go, Yeah, absolutely, And that was really freeing

0:48:52.400 --> 0:48:55.320
<v Speaker 3>for him with his history with religion, and you know,

0:48:55.520 --> 0:48:56.120
<v Speaker 3>and I think it was.

0:48:56.120 --> 0:48:57.680
<v Speaker 1>Really hear.

0:48:59.480 --> 0:49:02.320
<v Speaker 2>It was all that goddam God thing. But I get sober.

0:49:02.840 --> 0:49:04.800
<v Speaker 2>I get sober in London, but very early on I

0:49:04.840 --> 0:49:07.320
<v Speaker 2>went to Glasgow because I had to kind of repair myself.

0:49:07.600 --> 0:49:10.320
<v Speaker 2>And I'm in meetings with people who were members of

0:49:10.360 --> 0:49:14.000
<v Speaker 2>the Coenist Party. There's they're atheists, right, you know, but

0:49:14.200 --> 0:49:16.799
<v Speaker 2>they're but they're sober. So there is a there.

0:49:16.880 --> 0:49:19.400
<v Speaker 1>I mean, I don't it doesn't frighten me away all

0:49:19.440 --> 0:49:20.919
<v Speaker 1>that the idea of God.

0:49:21.080 --> 0:49:23.440
<v Speaker 4>But I also think that's something that the program helps with.

0:49:23.640 --> 0:49:26.520
<v Speaker 3>Is like it it's an undoing and like it's it's

0:49:26.560 --> 0:49:29.840
<v Speaker 3>a very I will say for like our relationship and

0:49:29.920 --> 0:49:33.840
<v Speaker 3>our lives, Like our life is the definition of like

0:49:34.000 --> 0:49:35.680
<v Speaker 3>the gift that sobriety can give you.

0:49:37.120 --> 0:49:40.520
<v Speaker 1>And so with that mine too. Yeah, nothing in my

0:49:40.600 --> 0:49:45.600
<v Speaker 1>life before sobriety. So yeah, nothing, Yes, there's nothing before.

0:49:45.600 --> 0:49:48.400
<v Speaker 1>It's nothing. It's like it's like the world before Little Richard.

0:49:48.520 --> 0:49:49.960
<v Speaker 1>There's nothing. Yes, you know.

0:49:52.080 --> 0:49:53.920
<v Speaker 4>Did you watch the podcast about Little Richard?

0:49:54.080 --> 0:49:54.120
<v Speaker 3>No?

0:49:54.960 --> 0:49:57.440
<v Speaker 1>Okay, you need to fucking love a little Richard.

0:49:57.600 --> 0:49:58.800
<v Speaker 4>Okay, Well there's a lot going on.

0:49:59.360 --> 0:50:00.839
<v Speaker 1>Really was he a bad boy?

0:50:01.040 --> 0:50:01.080
<v Speaker 3>No?

0:50:01.360 --> 0:50:05.040
<v Speaker 4>He was missing and some people you did.

0:50:05.200 --> 0:50:06.399
<v Speaker 1>He was on the old late night show.

0:50:07.200 --> 0:50:10.359
<v Speaker 4>Oh you know what, they used clips from your show.

0:50:10.520 --> 0:50:15.680
<v Speaker 1>I look forward to the check. Yeah, it was amazing.

0:50:16.080 --> 0:50:19.319
<v Speaker 3>Yes, well yeah they show you saying that oh really yeah,

0:50:19.480 --> 0:50:23.240
<v Speaker 3>as in showing his brightness and incredible you know, energy,

0:50:23.360 --> 0:50:25.719
<v Speaker 3>and yeah, just making sure he's okay. It was like

0:50:25.800 --> 0:50:28.839
<v Speaker 3>the summary of the podcast. But it's very very good.

0:50:29.160 --> 0:50:30.000
<v Speaker 1>Yeah, it's so good.

0:50:30.040 --> 0:50:33.600
<v Speaker 4>I don't know the name, it's just oh, it's so good. Yeah,

0:50:33.680 --> 0:50:34.680
<v Speaker 4>look it up, I can talk.

0:50:34.880 --> 0:50:37.080
<v Speaker 2>Will you come back and do another episode because I

0:50:37.120 --> 0:50:38.880
<v Speaker 2>feel like we've only scratched the surface.

0:50:39.360 --> 0:50:39.840
<v Speaker 4>I would love that.

0:50:40.080 --> 0:50:45.800
<v Speaker 1>And we've been talking for by an hour. They're waving

0:50:45.840 --> 0:50:46.520
<v Speaker 1>at me from the booth.

0:50:46.680 --> 0:50:48.800
<v Speaker 4>Oh my god, literally it's felt like ten minutes.

0:50:48.840 --> 0:50:52.320
<v Speaker 1>Yeah I know. Yeah, but so let's do it again

0:50:52.680 --> 0:50:57.120
<v Speaker 1>and give your mom and dad my best Moira and

0:50:57.239 --> 0:51:02.200
<v Speaker 1>Chazz and Chazz fucking bad. I know them. We'll definitely know,

0:51:02.600 --> 0:51:03.200
<v Speaker 1>we'll definitely know.

0:51:03.840 --> 0:51:05.839
<v Speaker 4>Every time you say I bet I know them, your

0:51:05.880 --> 0:51:06.720
<v Speaker 4>accent gets thicker.

0:51:06.880 --> 0:51:12.440
<v Speaker 2>Well, yeah, because I'm excited about it. Did you did

0:51:12.480 --> 0:51:15.560
<v Speaker 2>your parents accents changed when they moved? Because that gets

0:51:15.600 --> 0:51:17.759
<v Speaker 2>such a fucking hard time from people in Scotland about

0:51:17.760 --> 0:51:18.200
<v Speaker 2>my accent.

0:51:18.360 --> 0:51:21.680
<v Speaker 3>Yeah, they would they had to slow down the way

0:51:21.719 --> 0:51:24.000
<v Speaker 3>they were talking, right, Yeah, especially if they were excited.

0:51:24.040 --> 0:51:25.439
<v Speaker 4>Oh my god, if my dad's telling you a joke,

0:51:25.920 --> 0:51:26.760
<v Speaker 4>Oh it's over.

0:51:27.320 --> 0:51:29.480
<v Speaker 1>Which for me that's difficult in my line of work.

0:51:32.080 --> 0:51:35.040
<v Speaker 1>But all right, look we'll do this again.

0:51:35.160 --> 0:51:39.600
<v Speaker 2>We will you in the meantime, will write the Bond thing, right,

0:51:39.719 --> 0:51:43.080
<v Speaker 2>write the Bond song, because you're clearly.

0:51:42.760 --> 0:51:44.960
<v Speaker 1>Destined to do that. Thank you. I would love that,

0:51:45.560 --> 0:51:47.880
<v Speaker 1>and it's it's been an absolute joy of me.

0:51:48.200 --> 0:51:49.080
<v Speaker 4>Thank you too.

0:52:00.120 --> 0:52:00.160
<v Speaker 1>No