WEBVTT - Gil Hanse - Part 2

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<v Speaker 1>Welcome back to another edition of the Frida Egg podcast.

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<v Speaker 1>This is part two of our conversation with Gil Hands.

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<v Speaker 1>If you miss part one, be sure to check it

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<v Speaker 1>out an iTunes, stitcher, or on the website. If you

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<v Speaker 1>enjoy the podcast, please leave us a review in the

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<v Speaker 1>iTunes podcast center. This really helps us out and we

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<v Speaker 1>really appreciate it. Without further ado, here's part two of

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<v Speaker 1>the Gil Hans podcast. I miss the green, for example,

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<v Speaker 1>I'm already upset when I find my ball in the bunker,

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<v Speaker 1>I'm really upset. And when I find my ball in

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<v Speaker 1>a egg.

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<v Speaker 2>Friday egg, the dreaded Frida Egg, Frida Eg, Frida egg

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<v Speaker 2>bride egg Lie, I'm about ready to run.

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<v Speaker 1>Off of the What's something that you wish the regular

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<v Speaker 1>golfer understood more about your job?

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<v Speaker 2>I think that there's there's a lot of nuance and

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<v Speaker 2>subtlety and thought that goes into you know, every almost

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<v Speaker 2>there's many things that happen by accident, although sometimes good

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<v Speaker 2>stuff happens by accident, but you you know, you keep

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<v Speaker 2>it for a reason. So I think that there's there's

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<v Speaker 2>a lot of thought that goes into every little bump

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<v Speaker 2>and bounce on a golf course, most every contour that

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<v Speaker 2>goes into it, and you know, myself included, most average

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<v Speaker 2>golfers are just trying to get the ball airborne and

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<v Speaker 2>just you know, not thinking about strategy or the different

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<v Speaker 2>you know, the way things are impacting the game and

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<v Speaker 2>sort of very quiet ways. And so I think that

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<v Speaker 2>that's something that people look at our golf courses and

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<v Speaker 2>think that sometimes there's just comes about by happenstance. But

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<v Speaker 2>for the most part, everything is really well thought out

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<v Speaker 2>and well planned and is hopefully having an impact on

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<v Speaker 2>the way the game is played, or at least an

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<v Speaker 2>impact on the thought process of how people approach it.

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<v Speaker 1>Is there like a particular green or hole at one

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<v Speaker 1>of your courses where you just worked on it for

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<v Speaker 1>seemingly days that you just couldn't get right for a

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<v Speaker 1>long time, and then you finally got it.

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<v Speaker 2>I think what tends to happen is sometimes you get fooled.

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<v Speaker 2>You know, at the end of the day, you're shaping something,

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<v Speaker 2>and then you go and you survey it, and you

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<v Speaker 2>check out the grades and make sure everything works and

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<v Speaker 2>make sure everything's going where you expect it to go.

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<v Speaker 2>And so I think more often than sort of working

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<v Speaker 2>working working to get something. Sometimes you're working on it

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<v Speaker 2>and then you survey it and you shoot it and

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<v Speaker 2>you're like, oh my god, that's doing exactly the opposite

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<v Speaker 2>of what I thought. And that can be an influence

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<v Speaker 2>from surrounding slopes, or you know, you just don't judge

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<v Speaker 2>the grade. You're trying to build a green that's going

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<v Speaker 2>back towards the player, and the ground is all falling

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<v Speaker 2>away and your eye is just deceived by the way

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<v Speaker 2>the ground sits. So I think that there's more redoing

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<v Speaker 2>or struggling or sort of more frequent edits based on

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<v Speaker 2>the fact that you're I'm not seeing what I think

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<v Speaker 2>is actually happening, and when that happens, it's kind of funny.

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<v Speaker 2>Actually we get a good chuckle out of that. So

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<v Speaker 2>it's that's more frequently the way it works. And because

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<v Speaker 2>a lot of you know, we've been very fortunate recently

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<v Speaker 2>to work on a lot of sandy sites and so

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<v Speaker 2>we can refine the contours and greens all the way

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<v Speaker 2>down into the very last second. Like if you're building

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<v Speaker 2>a USGA green, once you build the cavity, you're pretty

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<v Speaker 2>well stuck. I mean, you can play around with an

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<v Speaker 2>inch or two here or there. But you can't just

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<v Speaker 2>make six inch cuts or make a lot of big

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<v Speaker 2>edits to the because then you're screwing up the profile

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<v Speaker 2>of the green with the gravel blanket and the whole thing.

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<v Speaker 2>So on sandy sites, we can shape something in with

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<v Speaker 2>a dozer or an excavator and then put the sand

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<v Speaker 2>in place. And but then we've got a lot more

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<v Speaker 2>fine edits that can be made with the sand pro

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<v Speaker 2>or that can be made with rakes and shovels. So

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<v Speaker 2>I think that allows us to continually refined, hopefully improve.

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<v Speaker 2>And sometimes that process goes in different directions than you

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<v Speaker 2>ever thought it might go. And again that's hopefully the

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<v Speaker 2>results that come from that are better than what you

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<v Speaker 2>intended when you started out building it.

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<v Speaker 1>So we're at Pinehurst and you just built, you just

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<v Speaker 1>finished up the third course at stream Song. How's building

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<v Speaker 1>a course at an ra established property different than building

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<v Speaker 1>one at a new property.

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<v Speaker 2>Well, you you have you have other courses that that

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<v Speaker 2>you're responding to. Whether you're doing it purposely or not.

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<v Speaker 2>You it's just you can't help but understand that there

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<v Speaker 2>are other properties here that you're you're trying to make

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<v Speaker 2>a golf course that is compatible with but you're also

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<v Speaker 2>trying to make a golf course that, hopefully, quality wise,

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<v Speaker 2>is at least equal to what already exists there. So

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<v Speaker 2>as it relates to stream Song, it was interesting because

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<v Speaker 2>both golf courses are by, you know, the modern guys

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<v Speaker 2>that we respect the most. So you have Bill and

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<v Speaker 2>Ben doing the Red course and Tom Doak doing the

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<v Speaker 2>Blue course. So we were putting our work alongside, you know,

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<v Speaker 2>the modern architects who we think do the best work.

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<v Speaker 2>So there was a standard that was held up at

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<v Speaker 2>that point in time that we wanted to respond to.

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<v Speaker 2>There was a style that you know, we all sort

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<v Speaker 2>of generally live in, that rugged, rough, rustic style, so

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<v Speaker 2>that we knew that was going to be compatible. And

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<v Speaker 2>then we looked at all, right, how do we differentiate it?

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<v Speaker 2>And it was at stream Song, it was all about

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<v Speaker 2>the site. Our site was bigger, broader, not nearly as

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<v Speaker 2>dramatic as far as the landforms are concerned, and red

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<v Speaker 2>and Blue are purposely co mingled and co designed to

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<v Speaker 2>flow together, so they're a little bit more compact. So

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<v Speaker 2>the reaction there was, okay, let's look at us from

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<v Speaker 2>a scale perspective. Let's try and do something bigger and

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<v Speaker 2>maybe a little bit bolder than those two golf courses.

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<v Speaker 2>Here at Pinehurst, the reaction is to a completely different

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<v Speaker 2>I mean, it's a historic golf course. It has been

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<v Speaker 2>a standard for greatness in this country for decades, designed

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<v Speaker 2>by one of the greatest architects of all time, and

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<v Speaker 2>then restored by you know, the greatest architects of the

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<v Speaker 2>modern era, Bill and Ben. So we're looking next door

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<v Speaker 2>and we're literally a butt course number two. And you

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<v Speaker 2>know a lot of people said, well, you're going to

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<v Speaker 2>build greens like course number two, and we thought, no,

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<v Speaker 2>that'd be the stupidest thing we could ever do, because

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<v Speaker 2>the finest example of those greens already exists right next door.

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<v Speaker 2>So what are we trying to do outdo course number two?

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<v Speaker 2>So no, we you know, there are some elements of

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<v Speaker 2>the greens on Course number two that might find their

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<v Speaker 2>way into too our greens, But for the most part,

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<v Speaker 2>we're trying to build a golf course that's compatible. And

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<v Speaker 2>you know, I'd be lying if I didn't say that

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<v Speaker 2>there's sort of competition. I mean, we all try to

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<v Speaker 2>do our best work, and so we don't want to

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<v Speaker 2>build the golf course that's that's considered to be the

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<v Speaker 2>worst at any of the places we work. And you

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<v Speaker 2>had a great fortune of being at a dinner last

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<v Speaker 2>night where Bill Coor was speaking, and he said, you know,

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<v Speaker 2>these resorts and these destination places, they really succeed only

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<v Speaker 2>when the quality of golf is spread across the entire spectrum.

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<v Speaker 2>You know, if Bannon had five golf courses and there

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<v Speaker 2>were two of them that nobody wanted to play and

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<v Speaker 2>three that everyone wanted to play, well, then that doesn't work.

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<v Speaker 2>You want to have the five golf courses spread equally,

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<v Speaker 2>and same thing as stream song. If you know, it's easy,

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<v Speaker 2>and I think it's great that you know there are

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<v Speaker 2>people who love each every you know, there's people who

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<v Speaker 2>are big advocates for blue, there are people with big

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<v Speaker 2>advocates for red, and similarly for black, and to be

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<v Speaker 2>able to have those conversations, and you know as well

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<v Speaker 2>as I do, when you have conversations about golf architecture,

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<v Speaker 2>there's no literally, there's no rights or wrongs. There's no

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<v Speaker 2>black and whites, but there's there's just all these shades

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<v Speaker 2>of gray, and so people like them for all those

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<v Speaker 2>different reasons. And so you know, I don't think it

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<v Speaker 2>is ever our expectation that, of course we're going to

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<v Speaker 2>build something that's going to outshine course number two. But

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<v Speaker 2>we wanted to build a golf course that would make

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<v Speaker 2>people who come to Pineurse Resorts say, hey, you got

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<v Speaker 2>to play number two obviously, but now you really have

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<v Speaker 2>to play number four also, And so it's been an interesting,

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<v Speaker 2>interesting project. Bill and I joke an awful lot about

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<v Speaker 2>how we just follow in their footsteps, and he's the

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<v Speaker 2>trailblazer and pioneer, and he gets to live in the

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<v Speaker 2>rough and rugged, you know, establishments, and by the time

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<v Speaker 2>we show up, the hotels are done and everything's perfect,

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<v Speaker 2>and we get to live in Donald Ross's house and

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<v Speaker 2>we have a little bit of a back and forth

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<v Speaker 2>banter on that. But anytime you get to work alongside

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<v Speaker 2>those guys, and anytime you get to work at a

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<v Speaker 2>place as historic as Pinehurst, I mean, how lucky are we?

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<v Speaker 1>What are some of the biggest challenges that you faced

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<v Speaker 1>with number four. It's of course that was originally designed

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<v Speaker 1>by Ross for people that don't know, and then it's

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<v Speaker 1>been worked on by Robert Trent Jones, Rhys Jones and

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<v Speaker 1>Tom Fazzio.

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<v Speaker 2>I think the biggest challenge we had, and what's been

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<v Speaker 2>the most interesting thing from our perspective is that through

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<v Speaker 2>all of those various iterations, the golf course became detached

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<v Speaker 2>from the landscape. I mean, there was a lot of

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<v Speaker 2>different shaping, there was a lot of different earth moving

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<v Speaker 2>on the site, and Ross considered it and wrote about

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<v Speaker 2>that it was probably the most dramatic of all the

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<v Speaker 2>sites you had to work with here at the core

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<v Speaker 2>of the resort, and it's got great topography and great interest.

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<v Speaker 2>So our goal was to try to reconnect that landscape.

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<v Speaker 2>Was to start put the ridges back where the ridges were,

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<v Speaker 2>put the valleys back where they were, not just looking

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<v Speaker 2>at tree line to tree line and reconnecting the landscape.

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<v Speaker 2>So it was an interesting exercise. Normally, when when you're

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<v Speaker 2>building a new golf course, you're trying to find the

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<v Speaker 2>golf holes and you're trying to find the places in

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<v Speaker 2>the landscape where they exist. With Course number four, with

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<v Speaker 2>just a few exceptions, we were working in the same

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<v Speaker 2>corridors of the golf course. Of the routing didn't change dramatically,

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<v Speaker 2>but within those corridors, our goal was to reconnect the landscape,

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<v Speaker 2>almost as if we just found it in its natural state,

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<v Speaker 2>and then once we put the landscape back, then we

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<v Speaker 2>all started talking about, Okay, where did the bunkers go,

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<v Speaker 2>what's the strategy, where are you supposed to hit it?

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<v Speaker 2>How does this whole thing fall into place? So it

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<v Speaker 2>was kind of a backwards exercise of restoring the landscape

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<v Speaker 2>before you even then start designing the golf holes. And

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<v Speaker 2>it's been fun and challenging, and I think that I

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<v Speaker 2>mean a lot of credit to Brent Vest and Brett

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<v Speaker 2>Brennan and the guys that are sort of doing a

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<v Speaker 2>lot of the heavy lifting on our projects and and

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<v Speaker 2>a lot of the shoving and pushing around, and they

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<v Speaker 2>I think they've really nailed it. They've done a great

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<v Speaker 2>job with with restoring that landscape. And now we're all

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<v Speaker 2>sort of the rest of the team is following behind,

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<v Speaker 2>and I think we're making some some very interesting design decisions,

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<v Speaker 2>some of them based on what Ross had done. We

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<v Speaker 2>have his old the old aerial photographs from course number four,

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<v Speaker 2>so we've taken some of the bunker patterns and some

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<v Speaker 2>of the sort of grassing lines from that golf course.

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<v Speaker 2>But at the end of the day, it'll it'll be

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<v Speaker 2>one of our original designs and I mean we're we're

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<v Speaker 2>really excited about how we think it's going to fit

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<v Speaker 2>into the overall landscape parent Pinehurst.

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<v Speaker 1>It's a cool site. Having walked around at the last

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<v Speaker 1>couple of days, it's got some some movement, some dramatic

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<v Speaker 1>you know holes, some it's it's a cool piece of topography.

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<v Speaker 1>It's a lot different than number two. But thanks you know,

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<v Speaker 1>you fly over, I mean you go from two and

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<v Speaker 1>then the landscape stays consistent across, which is which is neat.

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<v Speaker 2>Thank you.

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<v Speaker 1>Another new design you have is a Hoopye match Club

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<v Speaker 1>and it's a course that's built for match play, and

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<v Speaker 1>I mean it's pretty neat that keeping score and talking

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<v Speaker 1>about your score is frowned upon there. How is building

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<v Speaker 1>a course for match play versus traditional stroke play.

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<v Speaker 2>I think that the Jim and I really enjoyed that opportunity,

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<v Speaker 2>you know, working with Mike Wallrath, the owner, he's just

0:12:25.040 --> 0:12:27.559
<v Speaker 2>one of the greatest guys, and he loves golf. He's

0:12:27.600 --> 0:12:30.960
<v Speaker 2>passionate about he's a good player. And so when he

0:12:31.000 --> 0:12:33.560
<v Speaker 2>came to us and we talked about this piece of ground,

0:12:33.600 --> 0:12:36.599
<v Speaker 2>which oddly enough, he was looking for a piece of

0:12:36.600 --> 0:12:38.679
<v Speaker 2>ground in Georgia, and Jim and I had worked on

0:12:38.880 --> 0:12:43.440
<v Speaker 2>this particular property back in two thousand and seven. We

0:12:43.480 --> 0:12:46.680
<v Speaker 2>had looked at it with Davis Love and looking about

0:12:46.679 --> 0:12:48.680
<v Speaker 2>building a golf course there, so we knew of the

0:12:48.800 --> 0:12:51.000
<v Speaker 2>character and the quality of it. And now this is

0:12:51.040 --> 0:12:55.880
<v Speaker 2>a completely different approach to how we tackled that landscape.

0:12:55.880 --> 0:12:57.960
<v Speaker 2>But we introduced Michael to the land and he fell

0:12:57.960 --> 0:13:00.760
<v Speaker 2>in love with it immediately, and so we one of

0:13:00.760 --> 0:13:03.320
<v Speaker 2>those projects that's kind of come back to us, which

0:13:03.559 --> 0:13:07.920
<v Speaker 2>we're delighted about. But when we were approached also about

0:13:07.920 --> 0:13:10.200
<v Speaker 2>doing the match play component, Jim and I were excited

0:13:10.240 --> 0:13:14.640
<v Speaker 2>about the thought of, hey, we can build holes, we

0:13:14.679 --> 0:13:17.200
<v Speaker 2>can take a few more chances, we can build more

0:13:17.240 --> 0:13:21.200
<v Speaker 2>heroic type setups where there's a lot of risk reward

0:13:22.160 --> 0:13:25.040
<v Speaker 2>that if you take on the big challenge, you're going

0:13:25.120 --> 0:13:27.760
<v Speaker 2>to get the big reward and if you play away

0:13:27.760 --> 0:13:29.600
<v Speaker 2>from that, you're going to have to, you know, work

0:13:29.640 --> 0:13:33.360
<v Speaker 2>to score. But the thought was, you know, nobody's writing

0:13:33.480 --> 0:13:35.880
<v Speaker 2>nine or ten on their scorecard. It's just you've lost

0:13:35.880 --> 0:13:38.280
<v Speaker 2>the hole. So why not you know, gamble with some

0:13:38.320 --> 0:13:41.920
<v Speaker 2>pretty big stuff, because all right, you know, you just

0:13:41.960 --> 0:13:44.920
<v Speaker 2>one down. And I think that that mentality was refreshing.

0:13:44.920 --> 0:13:48.880
<v Speaker 2>It was liberating for us, because so often you're focused on, all, right,

0:13:48.920 --> 0:13:53.440
<v Speaker 2>how what's the playability and what's ultimately the the score

0:13:54.120 --> 0:13:55.760
<v Speaker 2>that somebody's going to put or how you're going to

0:13:55.960 --> 0:13:58.880
<v Speaker 2>how do you design based on the notion of par

0:13:59.080 --> 0:14:01.840
<v Speaker 2>And I know we all sort of in this circle

0:14:01.920 --> 0:14:05.719
<v Speaker 2>of golf architecture of ficionados. You know, part is irrelevant

0:14:05.760 --> 0:14:08.320
<v Speaker 2>to us, but it's not to ninety nine percent of

0:14:08.360 --> 0:14:11.160
<v Speaker 2>the golfers out there. That's really what they measure themselves

0:14:11.240 --> 0:14:16.599
<v Speaker 2>up against. And the carton pencil mentality is, unfortunately the reality.

0:14:17.200 --> 0:14:19.640
<v Speaker 2>And so to be asked to design a golf course

0:14:19.640 --> 0:14:22.280
<v Speaker 2>where the cardon pencil mentality is thrown out the window

0:14:22.320 --> 0:14:25.480
<v Speaker 2>and as you said, frowned upon is I mean liberating

0:14:25.600 --> 0:14:27.640
<v Speaker 2>is really the only word I can use, because I

0:14:27.640 --> 0:14:31.040
<v Speaker 2>think it just allowed us a fresh perspective on that landscape.

0:14:31.080 --> 0:14:33.560
<v Speaker 2>Now that landscape allowed us to build some dramatic golf

0:14:33.560 --> 0:14:40.239
<v Speaker 2>holes and to have some really dramatic sandy features, utilizing

0:14:40.280 --> 0:14:42.560
<v Speaker 2>some of the beautiful live oaks and the property, and

0:14:42.600 --> 0:14:45.120
<v Speaker 2>then the variety of golf holes from along the lake

0:14:45.760 --> 0:14:49.000
<v Speaker 2>at the start, which one of the nice things about

0:14:49.000 --> 0:14:51.840
<v Speaker 2>working with Michael was, you know, the quintessential sort of

0:14:51.840 --> 0:14:55.240
<v Speaker 2>an American golf course in southeastern American golf course would

0:14:55.240 --> 0:14:57.120
<v Speaker 2>finish on the lake. You know, you'd have your par

0:14:57.240 --> 0:15:00.320
<v Speaker 2>threes or in your par fours, and you know that's stuff.

0:15:00.360 --> 0:15:03.600
<v Speaker 2>And with the beauty of that landscape, we really felt

0:15:03.600 --> 0:15:05.160
<v Speaker 2>like that was the worst part of it. Now, it

0:15:05.200 --> 0:15:07.240
<v Speaker 2>was a place we decided that would be the best

0:15:07.240 --> 0:15:10.320
<v Speaker 2>place for the clubhouse because the beauty of it is fantastic.

0:15:10.400 --> 0:15:13.680
<v Speaker 2>But we wanted to finish on the really cool, choppy

0:15:13.760 --> 0:15:16.200
<v Speaker 2>rolling ground in the sand as opposed to finishing on

0:15:16.240 --> 0:15:18.800
<v Speaker 2>the water. So we went to Michael with the routing

0:15:18.960 --> 0:15:22.160
<v Speaker 2>the final decision. We said, hey, we understand it's a

0:15:22.200 --> 0:15:25.880
<v Speaker 2>really nice visual resource, but we don't really value it

0:15:25.960 --> 0:15:28.960
<v Speaker 2>that highly from a golf standpoint, So can we have

0:15:29.000 --> 0:15:30.920
<v Speaker 2>whole number one where you're overlooking the water and then

0:15:30.920 --> 0:15:32.760
<v Speaker 2>whole number two where you're actually playing it and then

0:15:33.360 --> 0:15:35.640
<v Speaker 2>see you later. And he was like, yeah, that's a

0:15:35.640 --> 0:15:38.040
<v Speaker 2>cool idea. I'm fine with that. So it was. It

0:15:38.080 --> 0:15:40.720
<v Speaker 2>was good looking at from a routing standpoint. We had

0:15:40.760 --> 0:15:43.280
<v Speaker 2>all these diverse landscapes. We had the you know, along

0:15:43.360 --> 0:15:45.080
<v Speaker 2>the lake to start, and then we had kind of

0:15:45.160 --> 0:15:48.360
<v Speaker 2>rolling down into the woods lower ground where we had

0:15:48.400 --> 0:15:51.840
<v Speaker 2>to you know, actually as whole number four, as Jim

0:15:51.920 --> 0:15:53.800
<v Speaker 2>refers to as sort of an architects hall. We had

0:15:53.840 --> 0:15:56.920
<v Speaker 2>to make that hole to connect the dots, and then

0:15:56.960 --> 0:15:59.440
<v Speaker 2>you emerge out of there on five and six, and

0:15:59.480 --> 0:16:01.480
<v Speaker 2>then by time you hit seven you start to get

0:16:01.480 --> 0:16:04.080
<v Speaker 2>into those great rolling ground and the live oaks, and

0:16:04.080 --> 0:16:05.880
<v Speaker 2>then you know, by the time you get out on ten,

0:16:05.960 --> 0:16:08.600
<v Speaker 2>you're out in the meadow. Then you're back into the

0:16:08.640 --> 0:16:11.480
<v Speaker 2>live oaks and rolling around and finishing in that regard.

0:16:11.600 --> 0:16:15.600
<v Speaker 2>So it was a wonderful landscape to be able to

0:16:15.600 --> 0:16:18.920
<v Speaker 2>try to execute that thought process of building a match

0:16:19.000 --> 0:16:22.440
<v Speaker 2>play course. And then because it's remote and because you

0:16:22.440 --> 0:16:24.440
<v Speaker 2>know people are going to be staying on property with

0:16:24.520 --> 0:16:28.000
<v Speaker 2>all right, well, if you're you know, maybe somewhere down

0:16:28.000 --> 0:16:30.160
<v Speaker 2>the road, Michael might build another golf course. But for

0:16:30.240 --> 0:16:33.360
<v Speaker 2>right now, you know, there's this eighteen hole golf course.

0:16:33.880 --> 0:16:37.920
<v Speaker 2>What can we do within the property that might allow

0:16:37.960 --> 0:16:40.720
<v Speaker 2>you to have a different option to play. You know,

0:16:40.760 --> 0:16:43.520
<v Speaker 2>I'm fifty four years old. I'd love to walk and

0:16:43.560 --> 0:16:46.520
<v Speaker 2>carry or have a caddy, but thirty six full holes

0:16:46.560 --> 0:16:48.400
<v Speaker 2>by the end of the day, I'm done and I'd

0:16:48.440 --> 0:16:51.280
<v Speaker 2>like to be able to enjoy having a libation and

0:16:51.320 --> 0:16:53.600
<v Speaker 2>having some sitting around with the guys and having a

0:16:53.600 --> 0:16:55.600
<v Speaker 2>good time without just feeling like I'm about to fall

0:16:55.600 --> 0:16:59.000
<v Speaker 2>over a sleep in my soup. So we thought, well,

0:16:59.000 --> 0:17:04.199
<v Speaker 2>what if we create another loop of golf holes that

0:17:04.240 --> 0:17:07.000
<v Speaker 2>would be We've started referring to it as the Afternoon Round,

0:17:07.560 --> 0:17:09.920
<v Speaker 2>and thought, well, the afternoon Round could be a much

0:17:09.920 --> 0:17:13.840
<v Speaker 2>shorter golf course, much really a little bit more compact

0:17:13.840 --> 0:17:17.280
<v Speaker 2>as far as walking is concerned. And so the concept became, well,

0:17:17.320 --> 0:17:21.240
<v Speaker 2>what if we tack four holes on short holes into

0:17:21.280 --> 0:17:23.560
<v Speaker 2>the routing and then do this combination of where you

0:17:23.600 --> 0:17:25.600
<v Speaker 2>play the first hole, then you skip over to six,

0:17:26.640 --> 0:17:28.440
<v Speaker 2>and then do you knock out? So a couple of

0:17:28.480 --> 0:17:30.639
<v Speaker 2>big long part fives and some of the longer walks

0:17:30.680 --> 0:17:34.240
<v Speaker 2>between holes, and then you play seven, eight, nine, ten,

0:17:34.280 --> 0:17:37.639
<v Speaker 2>and then you jump into ABCD and then that loops

0:17:37.640 --> 0:17:40.840
<v Speaker 2>you back in across and then you jump into whole eleven,

0:17:41.800 --> 0:17:43.600
<v Speaker 2>but not playing it as a part five, playing as

0:17:43.640 --> 0:17:46.760
<v Speaker 2>a short four anyway. The creativity involved in that the route,

0:17:46.800 --> 0:17:49.280
<v Speaker 2>the final routing of the afternoon holes was Jim Wagner.

0:17:49.400 --> 0:17:51.080
<v Speaker 2>I mean he came up with even the idea of

0:17:51.160 --> 0:17:53.840
<v Speaker 2>crossing over one of the other holes that you've already played.

0:17:54.720 --> 0:17:58.560
<v Speaker 2>And so now you've got a around six thousand yard

0:17:58.560 --> 0:18:01.760
<v Speaker 2>golf course. It plays under seventy and you're just it's

0:18:01.840 --> 0:18:05.280
<v Speaker 2>a fun alternative to get another eighteen holes in, but

0:18:05.400 --> 0:18:08.439
<v Speaker 2>now feel like you're getting beat up. And then the

0:18:08.680 --> 0:18:12.560
<v Speaker 2>four afternoon holes, there's a really short part five, a

0:18:12.640 --> 0:18:14.960
<v Speaker 2>really short part four, and then two part three. So

0:18:15.040 --> 0:18:18.080
<v Speaker 2>again it's a small it's a much smaller, tighter loop.

0:18:18.240 --> 0:18:22.960
<v Speaker 2>And within all of that context is Mike Walrath has

0:18:23.040 --> 0:18:25.879
<v Speaker 2>just you know, gave us the freedom and the ability

0:18:25.920 --> 0:18:29.080
<v Speaker 2>to think outside the box, and he encouraged and welcomed

0:18:29.080 --> 0:18:31.760
<v Speaker 2>that thinking, which matched his thinking about I'm going to

0:18:31.800 --> 0:18:36.040
<v Speaker 2>build a you know, a club where we're going to

0:18:36.160 --> 0:18:38.200
<v Speaker 2>embrace the spirit of match play and we're going to

0:18:38.320 --> 0:18:42.120
<v Speaker 2>just enjoy that that component of the game. So it's

0:18:42.440 --> 0:18:45.080
<v Speaker 2>one of the most special and interesting projects that we've

0:18:45.080 --> 0:18:47.840
<v Speaker 2>ever been involved with, and I am excited for people

0:18:48.200 --> 0:18:50.440
<v Speaker 2>to get a look at it.

0:18:50.520 --> 0:18:56.399
<v Speaker 1>Something I noticed with stream song Black a Hoopie even

0:18:56.640 --> 0:19:02.679
<v Speaker 1>yesterday walking around Pinehurst Fourth, like, is walkability something that

0:19:02.760 --> 0:19:06.399
<v Speaker 1>you think about, like because those were some of the

0:19:06.440 --> 0:19:09.720
<v Speaker 1>most walkable courses, like even compared to the other courses

0:19:09.800 --> 0:19:12.840
<v Speaker 1>that stream song Black, I feel like you're fresher after

0:19:12.960 --> 0:19:15.320
<v Speaker 1>around at Black than you are at you know, one

0:19:15.320 --> 0:19:18.120
<v Speaker 1>of the other courses is do you think about that?

0:19:18.520 --> 0:19:22.080
<v Speaker 2>We do, because I mean, we're big believers that walking

0:19:22.200 --> 0:19:23.720
<v Speaker 2>is the way the game is supposed to be played.

0:19:23.760 --> 0:19:26.480
<v Speaker 2>And then we would never begrudge somebody who physically needs

0:19:26.480 --> 0:19:28.800
<v Speaker 2>a cart and that's the only way they can play golf.

0:19:28.840 --> 0:19:32.720
<v Speaker 2>You know, that's great, go ahead and take a cart.

0:19:32.800 --> 0:19:35.320
<v Speaker 2>I mean, we're big, big proponents of push carts. I

0:19:35.359 --> 0:19:37.040
<v Speaker 2>think that you know, pull carts, whatever you want to

0:19:37.080 --> 0:19:40.200
<v Speaker 2>call them. I think that that unfortunately, there's a stigma

0:19:40.200 --> 0:19:42.199
<v Speaker 2>around that here in the United States, which you know,

0:19:42.359 --> 0:19:44.560
<v Speaker 2>you go to the best clubs in Britain or in

0:19:44.600 --> 0:19:47.760
<v Speaker 2>Australia and everybody's pulling their clubs around. I think anything

0:19:47.840 --> 0:19:51.080
<v Speaker 2>you can do to get people to walk is that

0:19:51.240 --> 0:19:54.359
<v Speaker 2>it's the essence of the game. And you know, golf

0:19:54.400 --> 0:19:58.520
<v Speaker 2>courses have always been meant to be enjoyed at a

0:19:58.560 --> 0:20:01.159
<v Speaker 2>walking pace. You know, Jim and I refer to it

0:20:01.160 --> 0:20:03.320
<v Speaker 2>as golf at fifty five miles an hour. When you're

0:20:03.320 --> 0:20:05.880
<v Speaker 2>in a cart, you're just blowing through the landscape. You're

0:20:05.920 --> 0:20:08.320
<v Speaker 2>not in touch with it, You're not in contact with

0:20:08.400 --> 0:20:12.640
<v Speaker 2>the ground, you're not feeling the undulations, you're not visiting

0:20:12.680 --> 0:20:14.919
<v Speaker 2>with everybody in your group. You know, if you and

0:20:14.960 --> 0:20:18.680
<v Speaker 2>I are playing in a cart, we're basically spending four hours,

0:20:18.680 --> 0:20:22.280
<v Speaker 2>well hopefully it's only four hours, you know, together, you know,

0:20:22.720 --> 0:20:24.480
<v Speaker 2>whereas the other two guys, we're just going to see

0:20:24.520 --> 0:20:25.840
<v Speaker 2>them up on the green and then that's it, and

0:20:25.840 --> 0:20:27.159
<v Speaker 2>that's the only time we're going to get to be

0:20:27.200 --> 0:20:30.680
<v Speaker 2>with him. Whereas when you're walking, you're you're constantly changed

0:20:30.720 --> 0:20:33.760
<v Speaker 2>depending on which direction your ball went, You're walking with

0:20:33.840 --> 0:20:36.399
<v Speaker 2>a different person, and you're getting sort of to enjoy

0:20:36.480 --> 0:20:41.120
<v Speaker 2>that experience much more so. It's in our minds. Walking

0:20:42.359 --> 0:20:46.000
<v Speaker 2>gets you the feeling of being in nature. Being on

0:20:46.040 --> 0:20:49.920
<v Speaker 2>the ground sets the right pace for the game of golf.

0:20:49.960 --> 0:20:53.119
<v Speaker 2>So anything we can do within our designs to help

0:20:54.400 --> 0:20:56.960
<v Speaker 2>keep that in the forefront. So we do. We put

0:20:57.000 --> 0:21:00.399
<v Speaker 2>teas and greens in close proximity. We look at the

0:21:00.440 --> 0:21:02.600
<v Speaker 2>opportunities that exist where not a lot of people are

0:21:02.640 --> 0:21:04.360
<v Speaker 2>going to be playing the back tea, So maybe we'll

0:21:04.359 --> 0:21:06.480
<v Speaker 2>sneak the back teas a little bit closer and then

0:21:06.560 --> 0:21:09.520
<v Speaker 2>so you're just kind of that then makes the forward

0:21:09.560 --> 0:21:12.600
<v Speaker 2>t s, you know, sort of walking in progression. You know,

0:21:12.640 --> 0:21:15.800
<v Speaker 2>you're just sort of moving in those directions in that direction.

0:21:15.880 --> 0:21:17.360
<v Speaker 2>So I think it's one of those things where we're

0:21:18.359 --> 0:21:22.040
<v Speaker 2>we're cognizant of it. We're big believers that we want

0:21:22.080 --> 0:21:24.600
<v Speaker 2>to push the envelope as much as we can to

0:21:25.400 --> 0:21:29.560
<v Speaker 2>enable walking to be comfortable. And you know, I think

0:21:29.600 --> 0:21:31.360
<v Speaker 2>one of the things we love so much about these

0:21:31.359 --> 0:21:33.760
<v Speaker 2>great old classic golf courses. We love the features, we

0:21:33.840 --> 0:21:35.919
<v Speaker 2>love the variety, we love the way that they sit

0:21:36.000 --> 0:21:39.000
<v Speaker 2>in the landscape, but we also love that compact nature

0:21:39.080 --> 0:21:43.359
<v Speaker 2>of just sort of green next tea, and there's just

0:21:43.400 --> 0:21:47.439
<v Speaker 2>something that's right about that. And you know, unfortunately, a

0:21:47.480 --> 0:21:51.439
<v Speaker 2>lot of what went wrong with golf architecture in the

0:21:51.560 --> 0:21:54.200
<v Speaker 2>nineties and two thousands is just, you know, the golf

0:21:54.240 --> 0:21:58.080
<v Speaker 2>courses weren't being built where golf was the primary focus.

0:21:58.359 --> 0:22:00.640
<v Speaker 2>A lot of them were real estate driven, and that

0:22:00.760 --> 0:22:04.320
<v Speaker 2>just lent to the cart mentality and not just couldn't

0:22:04.359 --> 0:22:07.600
<v Speaker 2>physically walk the golf courses. There's so much separation between holes,

0:22:07.640 --> 0:22:11.280
<v Speaker 2>and so I think what we're focused on, what Bill

0:22:11.320 --> 0:22:13.679
<v Speaker 2>and Ben do, what Tom Doak does. I mean, we

0:22:13.760 --> 0:22:17.120
<v Speaker 2>really are trying. We've been really fortunate to have these

0:22:17.160 --> 0:22:20.040
<v Speaker 2>types of landscapes where we can build walking golf courses

0:22:20.080 --> 0:22:25.600
<v Speaker 2>and owners that embrace that feel. But within within that,

0:22:25.680 --> 0:22:28.000
<v Speaker 2>we feel very strongly that we want to push the

0:22:28.080 --> 0:22:30.720
<v Speaker 2>envelope as close as we can to make the golf

0:22:30.760 --> 0:22:32.320
<v Speaker 2>courses as compact as possible.

0:22:33.760 --> 0:22:37.800
<v Speaker 1>We talked about par with regards to a hoopie. If

0:22:37.880 --> 0:22:41.560
<v Speaker 1>you could remove par from one of your other courses,

0:22:42.320 --> 0:22:43.280
<v Speaker 1>which one would it be?

0:22:47.119 --> 0:22:50.440
<v Speaker 2>Probably the Olympic course, I think the Olympic course in Rio.

0:22:50.680 --> 0:22:53.000
<v Speaker 2>You know, we purposely designed it as a par seventy

0:22:53.040 --> 0:22:57.600
<v Speaker 2>one because we didn't want We thought that in a

0:22:57.680 --> 0:23:00.960
<v Speaker 2>developing country or with the golf course is going to

0:23:01.000 --> 0:23:02.520
<v Speaker 2>be on the world stage and a lot of sort

0:23:02.560 --> 0:23:07.080
<v Speaker 2>of developing countries watching golf in the Olympics, that there

0:23:07.160 --> 0:23:09.359
<v Speaker 2>was the opportunity to show that golf doesn't have to

0:23:09.400 --> 0:23:12.200
<v Speaker 2>be seventy five hundred yards par seventy two, that there

0:23:12.240 --> 0:23:15.040
<v Speaker 2>can be a differentiation in par and par seventy one

0:23:15.160 --> 0:23:18.439
<v Speaker 2>is fine. So we built that golf course with a

0:23:18.480 --> 0:23:21.439
<v Speaker 2>ton of half par holes, really just thinking that the

0:23:21.480 --> 0:23:25.159
<v Speaker 2>flexibility that's afforded in that would would be fun to

0:23:25.280 --> 0:23:28.159
<v Speaker 2>watch and fun to play. So I think if that

0:23:28.200 --> 0:23:31.440
<v Speaker 2>golf course really just par was irrelevant and it was

0:23:31.520 --> 0:23:33.679
<v Speaker 2>just go out there and play golf. And I really

0:23:33.720 --> 0:23:36.040
<v Speaker 2>really wish that golf in the Olympics would have had

0:23:36.040 --> 0:23:38.520
<v Speaker 2>a matchplay component to it would have been so much.

0:23:40.160 --> 0:23:41.840
<v Speaker 2>I think from our standpoint, it would have been much

0:23:41.840 --> 0:23:44.040
<v Speaker 2>more compelling and interesting, and that could have been a

0:23:44.040 --> 0:23:47.440
<v Speaker 2>team competition, and you know, it was great. We were

0:23:47.560 --> 0:23:49.920
<v Speaker 2>fortunate that we got to see Justin Rose and Hendrick

0:23:49.960 --> 0:23:53.440
<v Speaker 2>Stintson battle down the final golf hole and make decisions

0:23:53.920 --> 0:23:56.479
<v Speaker 2>on how they played that golf hole to win a

0:23:56.480 --> 0:23:59.200
<v Speaker 2>gold medal, and so I think from that standpoint it

0:23:59.320 --> 0:24:02.840
<v Speaker 2>was exciting and thrilling. But it would have been so

0:24:02.920 --> 0:24:04.800
<v Speaker 2>cool to see people see them play match play on

0:24:04.840 --> 0:24:05.560
<v Speaker 2>that golf course.

0:24:06.520 --> 0:24:10.280
<v Speaker 1>Yeah, I think if they did the way the ncaaas

0:24:10.359 --> 0:24:13.080
<v Speaker 1>have it with like they do this stroke play and

0:24:13.119 --> 0:24:15.719
<v Speaker 1>then they got eight teams in advance and they do

0:24:15.800 --> 0:24:19.800
<v Speaker 1>match play, and it would be really cool. But I

0:24:19.840 --> 0:24:23.160
<v Speaker 1>think that people always say, well, like fielding a team

0:24:23.200 --> 0:24:25.760
<v Speaker 1>of four is a lot harder for a lot of countries,

0:24:25.840 --> 0:24:29.320
<v Speaker 1>or five fielding a team of five, But I think

0:24:29.359 --> 0:24:31.920
<v Speaker 1>that would lend itself to upsets too, so it would

0:24:31.920 --> 0:24:33.720
<v Speaker 1>be kind of neat to see if somebody could take

0:24:33.760 --> 0:24:34.440
<v Speaker 1>down America.

0:24:34.840 --> 0:24:37.199
<v Speaker 2>I agree. And then the other thing is that you

0:24:37.200 --> 0:24:38.840
<v Speaker 2>know all you need are too, I mean, you just

0:24:38.920 --> 0:24:42.199
<v Speaker 2>need to to make make a team, and you know,

0:24:42.400 --> 0:24:44.719
<v Speaker 2>you look at all the other sports and if a country,

0:24:44.920 --> 0:24:47.000
<v Speaker 2>you know, there are a lot more American swimmers in

0:24:47.080 --> 0:24:50.240
<v Speaker 2>other countries because they qualify, and if the more Americans qualify,

0:24:50.240 --> 0:24:53.000
<v Speaker 2>are more Brits qualify, well, then that's because they've earned it,

0:24:53.000 --> 0:24:55.280
<v Speaker 2>it's not because it was given to them. So if

0:24:55.320 --> 0:24:59.119
<v Speaker 2>the Americans can feel two teams of two and you

0:24:59.119 --> 0:25:01.840
<v Speaker 2>know Sweden can only field one team of two, well

0:25:01.920 --> 0:25:04.800
<v Speaker 2>that's just because the way the ranking system is set up.

0:25:04.840 --> 0:25:08.240
<v Speaker 2>So there were a lot of reasons for why they

0:25:08.240 --> 0:25:09.760
<v Speaker 2>did what they did, and at the end of the day,

0:25:09.760 --> 0:25:12.159
<v Speaker 2>it was very successful. So there's you know, you really

0:25:12.240 --> 0:25:15.960
<v Speaker 2>it's hard to complain, but I think us purists would

0:25:16.000 --> 0:25:17.960
<v Speaker 2>have liked to have seen things a little bit more creative.

0:25:19.080 --> 0:25:23.040
<v Speaker 1>Building the cradle here at Pinehurst Short Course nine hole

0:25:23.480 --> 0:25:28.359
<v Speaker 1>Part three. I guess what kind of different liberties and

0:25:28.560 --> 0:25:30.600
<v Speaker 1>different things can you do when you're doing a short

0:25:30.600 --> 0:25:33.320
<v Speaker 1>course versus a regulation course.

0:25:34.560 --> 0:25:37.719
<v Speaker 2>Well, the thing about the Cradle was that everything about

0:25:37.760 --> 0:25:41.080
<v Speaker 2>it was predicated on fun. I mean, we like to

0:25:41.080 --> 0:25:43.359
<v Speaker 2>try and build golf courses that are fun to play,

0:25:43.359 --> 0:25:45.040
<v Speaker 2>and you know, some people say we do a good

0:25:45.119 --> 0:25:47.080
<v Speaker 2>job of that. Some people say we don't. There's some

0:25:47.240 --> 0:25:52.240
<v Speaker 2>two difficults occasionally, but you know, we we think and

0:25:52.280 --> 0:25:54.200
<v Speaker 2>we've read a lot about it. You know, I think

0:25:54.200 --> 0:25:56.880
<v Speaker 2>it was Simpson and Simpson and Weather. It's book about

0:25:56.880 --> 0:25:59.560
<v Speaker 2>a sense of humor and golf architecture, and I think that,

0:25:59.720 --> 0:26:01.800
<v Speaker 2>you know, a lot of the earlier architects felt like

0:26:01.840 --> 0:26:06.840
<v Speaker 2>that was important. Part of the personality of a golf

0:26:06.880 --> 0:26:10.280
<v Speaker 2>course was that you wanted to have some humor in there.

0:26:10.320 --> 0:26:14.119
<v Speaker 2>And so when we were tasked to try and figure

0:26:14.160 --> 0:26:17.359
<v Speaker 2>out how to lay out a short course on the

0:26:17.400 --> 0:26:20.679
<v Speaker 2>ground that they gave us, Jim and I looked at

0:26:20.760 --> 0:26:23.400
<v Speaker 2>and just thought about fun. Let's just build fun holes.

0:26:23.480 --> 0:26:26.400
<v Speaker 2>Let's try and build a variety of ways to play

0:26:26.440 --> 0:26:29.480
<v Speaker 2>these golf holes, a variety of ways to approach them

0:26:29.480 --> 0:26:32.000
<v Speaker 2>and attack them. Let's try and make them feel like

0:26:32.040 --> 0:26:36.800
<v Speaker 2>they sit in the landscape quite nicely. There was no

0:26:37.119 --> 0:26:40.120
<v Speaker 2>edict to build nine holes. It was just whatever fit.

0:26:41.200 --> 0:26:43.960
<v Speaker 2>Jim and I both thought that if we could retain

0:26:44.160 --> 0:26:47.280
<v Speaker 2>the two greens that were there. So the originally where

0:26:47.280 --> 0:26:51.240
<v Speaker 2>the cradle sits was originally holes one on courses three

0:26:51.240 --> 0:26:55.520
<v Speaker 2>and five, and so we kept the two greens just

0:26:55.520 --> 0:26:57.800
<v Speaker 2>as sort of an homage to the work to the

0:26:57.800 --> 0:27:00.639
<v Speaker 2>holes that were there. So that was always going to

0:27:00.640 --> 0:27:02.080
<v Speaker 2>be part of the routing. So then it was just

0:27:02.119 --> 0:27:05.880
<v Speaker 2>how do we tackle this side hill site and try

0:27:05.880 --> 0:27:10.560
<v Speaker 2>and get a variety of lengths and angles et cetera,

0:27:10.600 --> 0:27:13.040
<v Speaker 2>et cetera an uphill downhill. And so once that all

0:27:13.040 --> 0:27:15.840
<v Speaker 2>fell into place, it became a focus on just fun,

0:27:16.359 --> 0:27:19.119
<v Speaker 2>you know, and we we looked at how do you

0:27:19.160 --> 0:27:23.120
<v Speaker 2>play the you know, punch bowl green. We we purposely

0:27:23.200 --> 0:27:25.880
<v Speaker 2>put a flat spot above that green so people could

0:27:25.920 --> 0:27:28.480
<v Speaker 2>sit and you know, ad arondick chairs and watch shots

0:27:28.520 --> 0:27:31.359
<v Speaker 2>come into it and cheer and yell or whatever. So

0:27:31.440 --> 0:27:35.840
<v Speaker 2>it was one of these things where again a little

0:27:35.840 --> 0:27:38.520
<v Speaker 2>bit like a whoopie, where you just you weren't worried

0:27:38.560 --> 0:27:41.919
<v Speaker 2>about the quote unquote shot values. You know, oh, is

0:27:41.960 --> 0:27:44.199
<v Speaker 2>this green going to be receptive to a to a

0:27:44.280 --> 0:27:48.000
<v Speaker 2>four hybrid or what's the potential range of shots people

0:27:48.040 --> 0:27:50.080
<v Speaker 2>are going to hit into this green? And what angle.

0:27:50.600 --> 0:27:52.520
<v Speaker 2>It was just like, Okay, people are going to drop

0:27:52.560 --> 0:27:53.879
<v Speaker 2>a ball on this tea and they're going to hit

0:27:53.880 --> 0:27:55.520
<v Speaker 2>They're going to figure out the best way to get

0:27:55.560 --> 0:27:58.400
<v Speaker 2>onto the green. And for the most part the shots

0:27:58.440 --> 0:28:01.640
<v Speaker 2>are under one hundred yards, so everybody should be able

0:28:01.680 --> 0:28:03.520
<v Speaker 2>to tackle that. And I think one of the nicest

0:28:04.400 --> 0:28:07.680
<v Speaker 2>compliments we got was from Rand Moore as set who

0:28:07.920 --> 0:28:11.000
<v Speaker 2>you know, golf club atleast he played out there and

0:28:11.040 --> 0:28:13.200
<v Speaker 2>he just loved He said, you know, there's you can

0:28:13.240 --> 0:28:18.199
<v Speaker 2>see that every class of player can find, you know,

0:28:18.280 --> 0:28:21.320
<v Speaker 2>a challenge level that's acceptable to their game. There's a

0:28:21.320 --> 0:28:23.720
<v Speaker 2>lot you know, you can put you can literally put

0:28:23.760 --> 0:28:27.360
<v Speaker 2>on every single hole if you wanted to, or there

0:28:27.359 --> 0:28:29.800
<v Speaker 2>are whole locations there where a guy like yourself who's

0:28:29.800 --> 0:28:32.119
<v Speaker 2>an accomplished players. You got to hit some shots. I

0:28:32.160 --> 0:28:35.320
<v Speaker 2>mean you really, you can't just fake it. But if

0:28:35.359 --> 0:28:37.520
<v Speaker 2>you're not worried about posting a score and you're just

0:28:37.560 --> 0:28:39.400
<v Speaker 2>out there, I mean, Tracy and I have played at

0:28:39.400 --> 0:28:41.320
<v Speaker 2>a number of times. We play in forty five minutes,

0:28:41.360 --> 0:28:43.400
<v Speaker 2>we have a ball. I mean, it's just it's all

0:28:43.440 --> 0:28:47.160
<v Speaker 2>about fun and that's that's I think something that's been

0:28:47.160 --> 0:28:49.080
<v Speaker 2>missing from the game. A little bit. And I think

0:28:49.080 --> 0:28:52.640
<v Speaker 2>if we can inject that into into the game and

0:28:52.680 --> 0:28:57.560
<v Speaker 2>get people attracted to the game, or you know, just

0:28:57.640 --> 0:28:59.520
<v Speaker 2>sort of say, hey, this is a there's a much

0:28:59.560 --> 0:29:02.800
<v Speaker 2>more vibe that goes with this setting here as opposed

0:29:02.840 --> 0:29:06.400
<v Speaker 2>to a lot of the sort of high stress levels

0:29:06.400 --> 0:29:09.160
<v Speaker 2>that people associate with golf, especially when they're first coming

0:29:09.200 --> 0:29:12.280
<v Speaker 2>to the game, then I think The Cradle will be

0:29:12.280 --> 0:29:14.320
<v Speaker 2>be successful in that regard. And I mean it's and

0:29:14.360 --> 0:29:16.280
<v Speaker 2>they gave us the front yard of the resort. I

0:29:16.280 --> 0:29:18.200
<v Speaker 2>mean you walk right out of the clubhouse and it's

0:29:18.240 --> 0:29:21.160
<v Speaker 2>just there, right there in your face. And for Pinehurst

0:29:21.240 --> 0:29:26.240
<v Speaker 2>to recognize that, you know, this prime real estate should

0:29:26.240 --> 0:29:28.560
<v Speaker 2>be dedicated to fun and just people out there having

0:29:28.600 --> 0:29:30.840
<v Speaker 2>a good time, I think really sends a great message

0:29:30.840 --> 0:29:33.000
<v Speaker 2>to the rest of the golf industry of where some

0:29:33.080 --> 0:29:34.320
<v Speaker 2>of our priorities should be.

0:29:35.160 --> 0:29:38.360
<v Speaker 1>It's funny. I played. I went around it a couple

0:29:38.400 --> 0:29:42.360
<v Speaker 1>of times, and I played with this older gentleman one time,

0:29:42.520 --> 0:29:45.360
<v Speaker 1>and I just was using a seven iron and a putter,

0:29:46.240 --> 0:29:49.240
<v Speaker 1>and I could see him like looking into his bag

0:29:49.640 --> 0:29:52.440
<v Speaker 1>and he's like, oh, dang, I forgot my because like

0:29:52.480 --> 0:29:54.720
<v Speaker 1>he had like a nine iron through wedge and he

0:29:54.760 --> 0:29:56.880
<v Speaker 1>didn't hit it very far, but you could tell like

0:29:57.240 --> 0:30:00.160
<v Speaker 1>he saw me like running it off different stuff, and

0:30:00.200 --> 0:30:02.440
<v Speaker 1>like he wanted to do it. And it's so interesting

0:30:02.440 --> 0:30:06.360
<v Speaker 1>because it brings I think that these types of courses

0:30:06.800 --> 0:30:11.720
<v Speaker 1>have the you know, ability to get people to use

0:30:11.720 --> 0:30:14.760
<v Speaker 1>their imagination more on the golf course as opposed to

0:30:14.800 --> 0:30:16.880
<v Speaker 1>the traditional aerial American golf.

0:30:17.520 --> 0:30:19.080
<v Speaker 2>I agree. I mean, I think it's one of the

0:30:19.120 --> 0:30:22.240
<v Speaker 2>things that we love to put into our designs and

0:30:22.280 --> 0:30:24.520
<v Speaker 2>we love watching. You know, Augustus seems to be the

0:30:24.520 --> 0:30:26.040
<v Speaker 2>one time of year where you actually get to see

0:30:26.080 --> 0:30:29.360
<v Speaker 2>it on TV or the Open Championship. Is that, you know,

0:30:29.360 --> 0:30:32.280
<v Speaker 2>when guys look in a different direction to get from

0:30:32.280 --> 0:30:34.360
<v Speaker 2>A to B as opposed to the direct line, and

0:30:34.680 --> 0:30:37.680
<v Speaker 2>I think that that adds so much to the fund

0:30:37.760 --> 0:30:40.960
<v Speaker 2>quote and the fun factor as we say, so, I

0:30:41.720 --> 0:30:43.480
<v Speaker 2>think that's great that he was able to see that.

0:30:43.560 --> 0:30:46.400
<v Speaker 2>I mean, that's one of the nice things about the

0:30:46.440 --> 0:30:49.560
<v Speaker 2>Cradle is when you walk past it or when you

0:30:49.640 --> 0:30:52.080
<v Speaker 2>drive past it and you just see the smiles on

0:30:52.120 --> 0:30:54.560
<v Speaker 2>the people's faces and you see grandparents out there with

0:30:54.600 --> 0:30:58.360
<v Speaker 2>their grandkids. In a way, it's almost the most successful

0:30:58.360 --> 0:31:02.720
<v Speaker 2>thing we've ever done. Because it has captured the imagination

0:31:02.920 --> 0:31:06.360
<v Speaker 2>and it's it's really done. Is everything we had hoped

0:31:06.360 --> 0:31:09.360
<v Speaker 2>it would do. It seems to be doing, and that's

0:31:09.440 --> 0:31:11.840
<v Speaker 2>that's really gratifying or rewarding in itself.

0:31:13.400 --> 0:31:18.760
<v Speaker 1>Say you were tasked with building a municipal course, what

0:31:18.840 --> 0:31:21.920
<v Speaker 1>would you what would be the core principles?

0:31:23.440 --> 0:31:25.400
<v Speaker 2>You know, I don't think the core principles would change

0:31:25.400 --> 0:31:31.840
<v Speaker 2>from what we believe in. You know, I think we

0:31:31.560 --> 0:31:34.680
<v Speaker 2>we try not to dumb down golf courses just because

0:31:34.720 --> 0:31:38.239
<v Speaker 2>of you know, we maybe put like we did at

0:31:38.240 --> 0:31:42.160
<v Speaker 2>the Olympic course, maybe more short grass quote unquote hazards, uh,

0:31:42.400 --> 0:31:44.720
<v Speaker 2>you know, humps and bumps and hollows that you play

0:31:44.760 --> 0:31:50.240
<v Speaker 2>through instead of bunkers. But we like to build wide

0:31:50.240 --> 0:31:52.800
<v Speaker 2>golf courses, so I think it would stay wide. I

0:31:52.840 --> 0:31:56.200
<v Speaker 2>think that the recovery options would still be there. I

0:31:56.200 --> 0:32:01.600
<v Speaker 2>think angles would still be relevant. You know. It's it's

0:32:01.640 --> 0:32:04.640
<v Speaker 2>not something that we go into each project and we say, hey,

0:32:04.720 --> 0:32:09.160
<v Speaker 2>this is this is X. I mean we obviously the

0:32:09.200 --> 0:32:11.400
<v Speaker 2>client is going to dictate some of that. I mean

0:32:11.440 --> 0:32:13.320
<v Speaker 2>they're going to say this is you know what we've

0:32:13.400 --> 0:32:17.280
<v Speaker 2>hired you. Let's and we have the conversation this is

0:32:17.320 --> 0:32:19.040
<v Speaker 2>what we need to accomplish, this is what we want

0:32:19.080 --> 0:32:22.200
<v Speaker 2>to do. So a municipality would have its requirements and

0:32:22.240 --> 0:32:24.600
<v Speaker 2>we'd have to accommodate those types of things. But from

0:32:24.600 --> 0:32:27.280
<v Speaker 2>a design standpoint, we would really I think focus on

0:32:27.320 --> 0:32:30.080
<v Speaker 2>trying to still build a compelling and interesting test because

0:32:31.400 --> 0:32:34.479
<v Speaker 2>I think people like it. I mean, it's not a

0:32:34.480 --> 0:32:38.200
<v Speaker 2>class thing, like good design doesn't belong in a certain class.

0:32:38.200 --> 0:32:41.480
<v Speaker 2>It's only it's not only for wealthy private clubs. It's

0:32:41.480 --> 0:32:45.920
<v Speaker 2>for everybody. And you can see, you know, goat Hill

0:32:46.080 --> 0:32:50.200
<v Speaker 2>in California, you know, Winter Park in Orlando. I mean,

0:32:50.240 --> 0:32:54.320
<v Speaker 2>these are fun and interesting courses that are very playable,

0:32:54.400 --> 0:32:58.880
<v Speaker 2>yet they're sound architecturally. They're not just sort of you know, okay,

0:32:58.920 --> 0:33:01.840
<v Speaker 2>just beat it around and known attention. So I think

0:33:01.840 --> 0:33:04.400
<v Speaker 2>we would always still try to focus on building interesting

0:33:04.400 --> 0:33:07.400
<v Speaker 2>golf courses, no matter what the what the setting.

0:33:09.040 --> 0:33:11.720
<v Speaker 1>Yeah, that's I think there's a huge market there in

0:33:11.760 --> 0:33:15.440
<v Speaker 1>the future of doing stuff that's good instead of just

0:33:15.520 --> 0:33:18.920
<v Speaker 1>having like the monotonous uni that I grew up playing.

0:33:20.640 --> 0:33:24.880
<v Speaker 1>So as far as golf courses around the country, you know,

0:33:25.520 --> 0:33:29.120
<v Speaker 1>so you get ten rounds, you can take multiple at

0:33:29.680 --> 0:33:32.880
<v Speaker 1>different courses, you can you could use all ten at

0:33:32.880 --> 0:33:35.800
<v Speaker 1>one if you want it. What would be your what

0:33:35.840 --> 0:33:39.800
<v Speaker 1>would be how would you split them? Boy?

0:33:39.800 --> 0:33:44.280
<v Speaker 2>Oh boy, that's a good one. Hard, it really is.

0:33:44.360 --> 0:33:46.600
<v Speaker 2>I mean you'd have to you'd have to say, or

0:33:46.600 --> 0:33:49.800
<v Speaker 2>if I was going to play multiple rounds, it would

0:33:49.800 --> 0:33:52.400
<v Speaker 2>probably be at National Golf Lins. I mean, that's like

0:33:52.560 --> 0:33:55.160
<v Speaker 2>my aside from the old course. So you did ask

0:33:55.200 --> 0:33:56.520
<v Speaker 2>me in the United States, so I.

0:33:56.480 --> 0:33:58.560
<v Speaker 1>Mean, yeah, we'll keep it to the US. Yeah.

0:33:58.880 --> 0:34:02.800
<v Speaker 2>National would probably be three rounds, I'd have to say,

0:34:02.960 --> 0:34:05.720
<v Speaker 2>because it's just all about fun. I mean, I'm going

0:34:05.760 --> 0:34:08.520
<v Speaker 2>an average golfer at best, so I don't need to

0:34:08.560 --> 0:34:11.279
<v Speaker 2>get beat up. And you can get beat up at

0:34:11.360 --> 0:34:13.279
<v Speaker 2>National if you're not paying attention. But you can also

0:34:13.320 --> 0:34:16.400
<v Speaker 2>have the most fun golf experience you've ever had in

0:34:16.400 --> 0:34:19.359
<v Speaker 2>your life. So I think that that would be we'll

0:34:19.360 --> 0:34:22.759
<v Speaker 2>say three there. You've got a Fisher's Island shirt on,

0:34:22.880 --> 0:34:24.799
<v Speaker 2>so that would at least be one or two there

0:34:24.880 --> 0:34:27.960
<v Speaker 2>again just for the beauty. And the thing about Fishers

0:34:28.040 --> 0:34:30.719
<v Speaker 2>is that you know, everybody talks about the views, but

0:34:30.800 --> 0:34:34.120
<v Speaker 2>they're such great architecture there. I mean rain or the

0:34:34.160 --> 0:34:37.319
<v Speaker 2>angles and the things, the landforms he used and the

0:34:37.360 --> 0:34:38.120
<v Speaker 2>setup I mean.

0:34:38.040 --> 0:34:40.879
<v Speaker 1>It is the spines and the greens. Yeah, I mean

0:34:41.440 --> 0:34:47.200
<v Speaker 1>that's the stuff that like he had those bold external contours,

0:34:47.560 --> 0:34:50.800
<v Speaker 1>but then when you look at the interiors of the greens,

0:34:50.960 --> 0:34:54.719
<v Speaker 1>I think that's where he's unbeliev I mean, like the

0:34:54.760 --> 0:34:57.400
<v Speaker 1>greens are just unbelievable. At every rainer you go to,

0:34:57.520 --> 0:35:01.959
<v Speaker 1>you look at like what's inside, and then the unpinnable surfaces,

0:35:02.000 --> 0:35:04.440
<v Speaker 1>Like I think that's something that people just don't understand.

0:35:04.440 --> 0:35:05.680
<v Speaker 1>It's unpinnable surface.

0:35:06.160 --> 0:35:10.080
<v Speaker 2>Yeah, and it's yeah, I mean, Fisher's is a special

0:35:10.120 --> 0:35:12.279
<v Speaker 2>place and we've had the great fortune of being their

0:35:12.320 --> 0:35:15.239
<v Speaker 2>consulting architects for twenty plus years, so it's been just

0:35:15.280 --> 0:35:20.719
<v Speaker 2>this sort of uncovering, peeling back the layers of and it. Yeah,

0:35:20.760 --> 0:35:23.400
<v Speaker 2>it's a wonderful, wonderful spot. So that would get me

0:35:23.440 --> 0:35:26.200
<v Speaker 2>another one Cyprus Point you'd have to put in there,

0:35:26.280 --> 0:35:30.600
<v Speaker 2>so that gets me to five La North would be another.

0:35:31.960 --> 0:35:35.600
<v Speaker 2>Just again, I think you know, our experience is there,

0:35:35.640 --> 0:35:38.719
<v Speaker 2>how much we've learned, and just how enjoyable, how playable

0:35:38.719 --> 0:35:46.360
<v Speaker 2>it is Pine Valley again, just for the sheer perfection

0:35:46.560 --> 0:35:50.200
<v Speaker 2>of eighteen holes routed through an amazing landscape and having

0:35:50.280 --> 0:35:55.400
<v Speaker 2>the variety and the drama. I mean talking about eighteen

0:35:56.000 --> 0:36:00.719
<v Speaker 2>unforgettable holes on a golf course, that's that would be

0:36:00.719 --> 0:36:07.960
<v Speaker 2>another one. You know, fun fun, fun golf would be

0:36:08.120 --> 0:36:10.920
<v Speaker 2>like Myopia Hunt Club. I mean, that's just a blast

0:36:11.000 --> 0:36:13.719
<v Speaker 2>to be out in that setting. And now I'm like

0:36:13.800 --> 0:36:15.839
<v Speaker 2>totally on the snob appeal here, right because I've got

0:36:15.920 --> 0:36:20.840
<v Speaker 2>like all these top private clubs, and you know that

0:36:21.000 --> 0:36:23.520
<v Speaker 2>the one golf course that we've built, I think that's

0:36:23.600 --> 0:36:26.600
<v Speaker 2>nine so hopefully ten that every time I play it,

0:36:27.520 --> 0:36:29.440
<v Speaker 2>I go, man, I wish I played here more as

0:36:29.520 --> 0:36:33.560
<v Speaker 2>Boston Golf Club. There's just something about it. It's it's

0:36:34.360 --> 0:36:36.560
<v Speaker 2>you know, I think it was early on in our career.

0:36:36.680 --> 0:36:39.000
<v Speaker 2>We had the luxury of a lot of time. You know,

0:36:39.040 --> 0:36:41.600
<v Speaker 2>the owner there was the owners were sort of, hey,

0:36:41.800 --> 0:36:43.880
<v Speaker 2>let's take two years to build this. This is Boston.

0:36:43.920 --> 0:36:46.560
<v Speaker 2>You know, the weather's not going to cooperate. Gave us

0:36:46.560 --> 0:36:49.799
<v Speaker 2>a great piece of ground, and there's just, again, I think,

0:36:49.800 --> 0:36:52.239
<v Speaker 2>an emphasis on what we believe in architecture, a lot

0:36:52.239 --> 0:36:54.239
<v Speaker 2>of fun. There's a lot of with there's trouble. I mean,

0:36:54.280 --> 0:36:56.279
<v Speaker 2>you can you can get yourself in places that you

0:36:56.280 --> 0:36:57.680
<v Speaker 2>don't want to be, So there's a little bit of

0:36:57.719 --> 0:37:01.000
<v Speaker 2>Pine Valley in it in that regard, But I think, yeah,

0:37:01.040 --> 0:37:03.400
<v Speaker 2>if we had to pick, and I'm going to piss

0:37:03.400 --> 0:37:06.000
<v Speaker 2>off all the other clubs we've ever built or designed,

0:37:06.040 --> 0:37:08.920
<v Speaker 2>but you know, I think probably one round of Boston

0:37:08.920 --> 0:37:09.959
<v Speaker 2>Golf Club would be fun.

0:37:10.480 --> 0:37:14.239
<v Speaker 1>It's funny though, because like that answer could change, like

0:37:14.320 --> 0:37:17.560
<v Speaker 1>three months later, you could play somewhere. That's like the

0:37:17.600 --> 0:37:19.759
<v Speaker 1>beauty of golf course. You play somewhere. The more you

0:37:19.800 --> 0:37:23.439
<v Speaker 1>play somewhere, even more you appreciate it. You might learn

0:37:23.520 --> 0:37:26.799
<v Speaker 1>something about someplace, Like you're one hundred and fiftieth time

0:37:26.840 --> 0:37:29.279
<v Speaker 1>around that you're like the light goes on, you know,

0:37:29.360 --> 0:37:30.600
<v Speaker 1>and you're like, whoa.

0:37:30.840 --> 0:37:32.480
<v Speaker 2>Yeah, and I mean I'm sitting here now and I'm

0:37:32.520 --> 0:37:33.839
<v Speaker 2>just in the back of my head, I'm going, well,

0:37:33.960 --> 0:37:36.200
<v Speaker 2>you know, sand Hills, duh. I mean that was just

0:37:36.320 --> 0:37:40.280
<v Speaker 2>you know, you just there's so many great golf courses

0:37:40.320 --> 0:37:42.839
<v Speaker 2>that are out there that you know, obviously, we're all

0:37:42.880 --> 0:37:45.880
<v Speaker 2>fortunate to anybody who's listening to this is interested in

0:37:46.239 --> 0:37:49.520
<v Speaker 2>what we do and in this topic in particular, where

0:37:49.520 --> 0:37:54.640
<v Speaker 2>there's just yeah, that ten ten, that's a tough one.

0:37:55.200 --> 0:37:57.960
<v Speaker 2>You may have to peel one of nationals back and

0:37:58.440 --> 0:37:59.840
<v Speaker 2>put sand hills in there.

0:38:00.880 --> 0:38:04.719
<v Speaker 1>Say you get one hole in your backyard, it could

0:38:04.760 --> 0:38:07.680
<v Speaker 1>be someone else's hole, it could be one of your holes.

0:38:08.880 --> 0:38:09.480
<v Speaker 1>What would it be.

0:38:16.400 --> 0:38:21.400
<v Speaker 2>Yeah, the one of my favorite holes to play in

0:38:21.440 --> 0:38:25.520
<v Speaker 2>the world is number four at Fishers Island. So you know,

0:38:25.640 --> 0:38:27.879
<v Speaker 2>the nice thing about that is the Atlantic Ocean would

0:38:27.920 --> 0:38:29.800
<v Speaker 2>be in my backyard. So that would be a really

0:38:29.840 --> 0:38:33.040
<v Speaker 2>cool uh you know obviously, yeah, exactly, that would be

0:38:33.040 --> 0:38:35.960
<v Speaker 2>a pretty exciting place to sit. But yeah, for it

0:38:35.680 --> 0:38:39.520
<v Speaker 2>at Fishers is so cool. I mean, it's just, you know,

0:38:39.600 --> 0:38:42.040
<v Speaker 2>the combination of the alps in the punch bowl is

0:38:42.200 --> 0:38:46.480
<v Speaker 2>really special and unique and different, and just the the

0:38:46.520 --> 0:38:50.000
<v Speaker 2>t shot, you know, with the ocean lurking down the

0:38:50.040 --> 0:38:51.920
<v Speaker 2>right hand side, but the further you know, it's one

0:38:51.960 --> 0:38:53.880
<v Speaker 2>of those things you talk about. Everybody's overwhelmed by the

0:38:53.880 --> 0:38:55.920
<v Speaker 2>beauty of that golf hole, but it really is a

0:38:55.960 --> 0:38:58.319
<v Speaker 2>strategic hole. You play close to that edge and you

0:38:58.360 --> 0:39:01.960
<v Speaker 2>actually get a look around the corner to the bowl. Now, granted,

0:39:02.560 --> 0:39:04.319
<v Speaker 2>with the way people hit it now, it might be

0:39:04.360 --> 0:39:09.360
<v Speaker 2>a little bit short for better players, but it's just

0:39:09.360 --> 0:39:11.839
<v Speaker 2>put a hickory driver out exactly, Yeah, and just knock

0:39:11.880 --> 0:39:15.120
<v Speaker 2>it around with that. But every time I walk over

0:39:15.200 --> 0:39:18.120
<v Speaker 2>that hill and look down into that bowl, and the

0:39:18.160 --> 0:39:21.360
<v Speaker 2>anticipation of where's my shot? Where is where did it find?

0:39:21.640 --> 0:39:25.759
<v Speaker 2>I love that. I never ever get tired of that

0:39:25.960 --> 0:39:29.560
<v Speaker 2>type of shot. I know some people really dislike blind shots,

0:39:29.600 --> 0:39:32.320
<v Speaker 2>but in my mind that that's one of the greatest

0:39:32.360 --> 0:39:36.279
<v Speaker 2>walks we talk about walking golf courses. I feel like

0:39:36.360 --> 0:39:39.160
<v Speaker 2>people get robbed when they play that golf hole in

0:39:39.200 --> 0:39:41.839
<v Speaker 2>a cart because they drive around the side and they

0:39:41.880 --> 0:39:44.560
<v Speaker 2>never get that experience of coming up and over and

0:39:44.600 --> 0:39:47.799
<v Speaker 2>walking down into that bowl, Because that, in my mind

0:39:47.920 --> 0:39:51.320
<v Speaker 2>is just it's a glorious setting. But there's a combination

0:39:51.400 --> 0:39:53.960
<v Speaker 2>of the beauty of the setting and with that anticipation

0:39:54.120 --> 0:39:58.040
<v Speaker 2>of the result, And I just think that.

0:39:57.880 --> 0:40:05.560
<v Speaker 1>That's fun stretch of three through Like I think twelve

0:40:05.640 --> 0:40:07.759
<v Speaker 1>is like the most underrated hole out there, but like

0:40:07.800 --> 0:40:11.319
<v Speaker 1>three through twelve, I mean, thirteenth, they're all good, but

0:40:11.760 --> 0:40:14.120
<v Speaker 1>three through twelve is like one of the most exhilarating

0:40:14.160 --> 0:40:16.120
<v Speaker 1>stretches of golf in the world.

0:40:16.440 --> 0:40:19.600
<v Speaker 2>I agree, it really is. It's a special special place.

0:40:20.120 --> 0:40:22.719
<v Speaker 1>Have you ever walked around on that. You know, most

0:40:22.719 --> 0:40:25.359
<v Speaker 1>people don't know that there was originally thirty six holes

0:40:25.440 --> 0:40:26.000
<v Speaker 1>routed there.

0:40:26.719 --> 0:40:30.759
<v Speaker 2>Yes, yeah, I've never I've never tried to walk the

0:40:30.800 --> 0:40:33.239
<v Speaker 2>other golf course. I know where it was intended to be,

0:40:33.320 --> 0:40:35.919
<v Speaker 2>but did you try and walk all eighteens? You getting

0:40:35.960 --> 0:40:37.200
<v Speaker 2>kicked off of somebody's proby.

0:40:37.600 --> 0:40:40.160
<v Speaker 1>I just got the book and I was reading about

0:40:40.200 --> 0:40:43.279
<v Speaker 1>it and Rainer said it was maybe more dramatic than

0:40:43.760 --> 0:40:46.319
<v Speaker 1>the other one. You always want it. It's like I

0:40:46.400 --> 0:40:49.000
<v Speaker 1>always wonder what would have happened had the Great Depression

0:40:49.040 --> 0:40:55.240
<v Speaker 1>not happened. Sure that just that killed golf in America.

0:40:55.320 --> 0:41:01.799
<v Speaker 1>We do a overrated underrated segment, So okay, you have

0:41:01.880 --> 0:41:06.719
<v Speaker 1>to either pick overrated or underrated on what you know

0:41:06.760 --> 0:41:09.960
<v Speaker 1>these different topics. You can add explanation or you can

0:41:10.040 --> 0:41:16.160
<v Speaker 1>just say one or the other. Okay, center line bunkers underrated.

0:41:16.600 --> 0:41:22.279
<v Speaker 2>I think that they're they're interesting. We had recently put

0:41:22.320 --> 0:41:24.239
<v Speaker 2>them in on a hole on the PGA Tour at

0:41:24.239 --> 0:41:29.080
<v Speaker 2>TPC Boston, and the it was met with a vitriol

0:41:29.239 --> 0:41:32.600
<v Speaker 2>of which we have not been familiar on a lot

0:41:32.640 --> 0:41:35.400
<v Speaker 2>of our work. So unfortunately they've been removed from that

0:41:35.480 --> 0:41:38.480
<v Speaker 2>golf hole. But I think they ask a question that

0:41:39.200 --> 0:41:45.160
<v Speaker 2>most golfers are not comfortable answering, because we are. It's

0:41:45.200 --> 0:41:50.640
<v Speaker 2>been so ingrained in us that the the technically perfect

0:41:50.680 --> 0:41:53.799
<v Speaker 2>golf shot is down the middle of a hole, and

0:41:53.840 --> 0:41:57.520
<v Speaker 2>when all of a sudden the architecture requires the technically

0:41:57.520 --> 0:42:00.719
<v Speaker 2>perfect golf shot not to be struck or not, you

0:42:00.760 --> 0:42:03.160
<v Speaker 2>know that it's going to get into trouble. People lose

0:42:03.160 --> 0:42:06.000
<v Speaker 2>their minds on that, and I just think that that

0:42:06.560 --> 0:42:10.840
<v Speaker 2>from an architects perspective, is a very interesting thing to

0:42:10.920 --> 0:42:13.000
<v Speaker 2>try and insert. Now, you don't want eighteen holes of it,

0:42:13.080 --> 0:42:14.960
<v Speaker 2>but you definitely want to put it in once or

0:42:15.000 --> 0:42:18.080
<v Speaker 2>twice in a round and make people decide left or right.

0:42:18.160 --> 0:42:23.000
<v Speaker 2>And you know, it's interesting. I've talked to some professional

0:42:23.080 --> 0:42:25.480
<v Speaker 2>golfers and the hate that bunker in the middle of

0:42:25.520 --> 0:42:27.279
<v Speaker 2>the fairway and it's like, well, why, well, that's right

0:42:27.320 --> 0:42:29.359
<v Speaker 2>where I want to hit it. Well, like on this hole,

0:42:29.440 --> 0:42:31.120
<v Speaker 2>you don't you either want to hit it short or

0:42:31.239 --> 0:42:33.600
<v Speaker 2>left or go right of it or over it. Isn't

0:42:33.640 --> 0:42:35.359
<v Speaker 2>that more interesting now because that's right where I want

0:42:35.360 --> 0:42:37.319
<v Speaker 2>to hit it, And they just can't get it out

0:42:37.320 --> 0:42:40.160
<v Speaker 2>of their head that that's not where you want to

0:42:40.160 --> 0:42:42.360
<v Speaker 2>be on a hole. And so I guess from that standpoint,

0:42:42.960 --> 0:42:43.799
<v Speaker 2>I really liked them.

0:42:43.800 --> 0:42:48.520
<v Speaker 1>Actually, it's funny. There's a guy ahead on the podcast,

0:42:48.560 --> 0:42:53.400
<v Speaker 1>Scott Fawcett. He does course management for like pros and

0:42:53.680 --> 0:42:57.880
<v Speaker 1>high level players and college teams, and he talked about

0:42:57.880 --> 0:43:02.560
<v Speaker 1>the formulaic nature of most golf course architecture and how

0:43:02.719 --> 0:43:05.759
<v Speaker 1>he could do his job without it even really like

0:43:05.840 --> 0:43:10.560
<v Speaker 1>studying the course. And then I saw a comment he

0:43:10.640 --> 0:43:13.160
<v Speaker 1>made about Trinity Forrest where he thought it was silly

0:43:13.560 --> 0:43:15.920
<v Speaker 1>and he could he was having trouble, And it's so

0:43:16.040 --> 0:43:20.680
<v Speaker 1>funny because it's like, well, it's not formulaic there forces

0:43:20.719 --> 0:43:24.160
<v Speaker 1>you to make decisions, decisions change on the daily basis.

0:43:24.200 --> 0:43:26.799
<v Speaker 1>It's like, now, like how can you not say, like,

0:43:27.239 --> 0:43:32.440
<v Speaker 1>who cares about score when something requires decision and execution

0:43:32.680 --> 0:43:34.279
<v Speaker 1>versus just execution.

0:43:35.120 --> 0:43:37.560
<v Speaker 2>I couldn't agree with you more. I'm excited to watch

0:43:37.600 --> 0:43:40.960
<v Speaker 2>Trinity Forest and see what the players. The expectation is

0:43:40.960 --> 0:43:42.880
<v Speaker 2>that a lot of them won't like it or get it.

0:43:44.080 --> 0:43:48.680
<v Speaker 2>And you know that's unfortunate because anytime somebody tries to

0:43:48.719 --> 0:43:53.160
<v Speaker 2>do something interesting and ask these questions of players and

0:43:53.200 --> 0:43:57.160
<v Speaker 2>have them make decisions and have the the proper way

0:43:57.200 --> 0:44:00.960
<v Speaker 2>to play a golf course when it's when it requires

0:44:02.239 --> 0:44:09.239
<v Speaker 2>thoughtful consideration and study and care and approach that's the

0:44:09.360 --> 0:44:12.360
<v Speaker 2>highest that's the highest point of golf course architecture. And

0:44:12.719 --> 0:44:16.640
<v Speaker 2>when that happens a lot of times in professional events,

0:44:16.640 --> 0:44:20.120
<v Speaker 2>it's poo pooed or say, well that's not right because

0:44:20.160 --> 0:44:22.479
<v Speaker 2>it's like you said, it's not formulaic, it doesn't fit

0:44:22.520 --> 0:44:24.680
<v Speaker 2>the mold. And so I think that it's going to

0:44:24.760 --> 0:44:28.400
<v Speaker 2>require I would almost guarantee that the champion there is

0:44:28.400 --> 0:44:29.920
<v Speaker 2>going to be a thoughtful player. Is going to be

0:44:29.960 --> 0:44:32.440
<v Speaker 2>a player obviously who can control their ball in the wind,

0:44:32.560 --> 0:44:34.839
<v Speaker 2>but is somebody who can actually think their way around

0:44:34.880 --> 0:44:37.440
<v Speaker 2>a golf course and that that, in my mind, should

0:44:37.480 --> 0:44:40.160
<v Speaker 2>be applauded at a higher level than the players who

0:44:40.200 --> 0:44:42.719
<v Speaker 2>are just going to say I don't get this. You

0:44:42.760 --> 0:44:47.640
<v Speaker 2>know that. Unfortunately, the way the media is not just

0:44:47.760 --> 0:44:50.560
<v Speaker 2>golf media, all media, they want the negative. They want

0:44:50.600 --> 0:44:53.239
<v Speaker 2>that big impact splash. Instead of a guy who says, hey,

0:44:53.320 --> 0:44:55.279
<v Speaker 2>this is great, it's really thoughtful, et cetera. They want

0:44:55.280 --> 0:44:58.640
<v Speaker 2>the guys as well, this sucks. And so that's unfortunately

0:44:58.640 --> 0:45:01.000
<v Speaker 2>probably what we're going to hear more of. But I'll

0:45:01.040 --> 0:45:03.520
<v Speaker 2>be excited to watch that torm, more excited than probably

0:45:03.520 --> 0:45:04.879
<v Speaker 2>almost any tournament this year.

0:45:05.239 --> 0:45:06.920
<v Speaker 1>And I'm calling it the fourth Major.

0:45:08.080 --> 0:45:08.680
<v Speaker 2>I love it.

0:45:11.560 --> 0:45:14.239
<v Speaker 1>Yeah, I hope, I hope it doesn't rain. That's like

0:45:14.320 --> 0:45:17.799
<v Speaker 1>my I want. I just it's if it's firm. I

0:45:17.840 --> 0:45:24.720
<v Speaker 1>think it'll be just fascinating to watch. I agree, So scale.

0:45:27.680 --> 0:45:31.680
<v Speaker 2>Underrated. I think that scale is an important component of

0:45:31.719 --> 0:45:34.520
<v Speaker 2>everything we do as golf course architects. I think that

0:45:34.600 --> 0:45:41.520
<v Speaker 2>the uh, the appropriate scale, whether the human eye you know,

0:45:42.239 --> 0:45:45.400
<v Speaker 2>sort of actively appreciates it. I think it's just the

0:45:45.480 --> 0:45:50.360
<v Speaker 2>human eye and brain intuitively understands when something's in proper

0:45:50.360 --> 0:45:52.919
<v Speaker 2>scale as opposed to out of scale. And I think

0:45:52.920 --> 0:45:55.040
<v Speaker 2>golf courses that are out of scale or features that

0:45:55.080 --> 0:45:59.120
<v Speaker 2>are out of scale just don't feel right. And I

0:45:59.160 --> 0:46:01.480
<v Speaker 2>think that that's easy, you know. So I think that

0:46:01.800 --> 0:46:04.640
<v Speaker 2>an understanding of scale is probably the most important thing

0:46:04.640 --> 0:46:07.120
<v Speaker 2>I learned in landscape architecture. You know, a lot of

0:46:07.120 --> 0:46:11.240
<v Speaker 2>what we studied there really had no relevancy to golf

0:46:11.280 --> 0:46:13.800
<v Speaker 2>course design. But scale was one of the most important

0:46:13.800 --> 0:46:17.120
<v Speaker 2>elements of sort of the arrangement of a landscape in

0:46:17.200 --> 0:46:21.359
<v Speaker 2>scale and harmony with nature. I think every golf course,

0:46:21.400 --> 0:46:24.440
<v Speaker 2>if you can accomplish those goals and make it feel

0:46:24.480 --> 0:46:26.720
<v Speaker 2>like it's in harmony with its site and it's setting,

0:46:26.760 --> 0:46:30.759
<v Speaker 2>and that the scale of it is appropriate from a

0:46:30.800 --> 0:46:33.360
<v Speaker 2>presentation standpoint, those are the best golf courses.

0:46:35.160 --> 0:46:36.640
<v Speaker 1>Philly cheese steaks.

0:46:40.080 --> 0:46:45.759
<v Speaker 2>Real Philly cheese steaks are underrated outside of Philadelphia. I

0:46:45.800 --> 0:46:48.520
<v Speaker 2>would never buy a cheese steak outside of Philadelphia. They're

0:46:48.560 --> 0:46:50.960
<v Speaker 2>just horrible. There's just something. I don't know what it is.

0:46:50.960 --> 0:46:54.080
<v Speaker 2>It's probably all the bad chemicals in the cheese whiz,

0:46:54.120 --> 0:46:56.360
<v Speaker 2>et cetera that we put into them in Philadelphia. But

0:46:56.400 --> 0:46:58.440
<v Speaker 2>they're in Philly, they're awesome.

0:46:59.040 --> 0:47:01.320
<v Speaker 1>What's your spot in Philly?

0:47:01.960 --> 0:47:04.040
<v Speaker 2>We just have a local place, you know. It's so

0:47:04.160 --> 0:47:06.560
<v Speaker 2>we don't I don't go to patser Gino's, and you know,

0:47:06.600 --> 0:47:10.320
<v Speaker 2>we'd rarely are in the city. You know, my days

0:47:10.320 --> 0:47:13.839
<v Speaker 2>of drinking in excess until two am or over. So

0:47:13.920 --> 0:47:15.640
<v Speaker 2>it's one of those things where I'm not going to

0:47:15.680 --> 0:47:18.160
<v Speaker 2>show up at patser Gino's after being in South Street

0:47:18.200 --> 0:47:21.719
<v Speaker 2>for you know, hours drinking beers. So it's just it's

0:47:21.760 --> 0:47:24.200
<v Speaker 2>a it's a local spot for us that we go to.

0:47:24.239 --> 0:47:25.480
<v Speaker 2>It's Anthony's in Malvern.

0:47:26.960 --> 0:47:29.760
<v Speaker 1>I have Italian beefs are better than Philly cheese steaks,

0:47:30.400 --> 0:47:31.279
<v Speaker 1>you know, a.

0:47:31.280 --> 0:47:34.719
<v Speaker 2>Chicago absolutely all. I like the Chicago hot dogs was

0:47:34.760 --> 0:47:37.560
<v Speaker 2>Vienna beef hot dogs. Those are awesome, and well the

0:47:37.880 --> 0:47:41.399
<v Speaker 2>rolls with the little poppy seeds on fantastic, little sauer

0:47:41.440 --> 0:47:43.080
<v Speaker 2>kraut and brown mustard perfect.

0:47:43.640 --> 0:47:48.000
<v Speaker 1>Ah, not even having a real Chicago I know.

0:47:48.000 --> 0:47:51.680
<v Speaker 2>I don't like all that fruity, relishy stuff and onions.

0:47:51.200 --> 0:47:55.640
<v Speaker 1>And I don't either. I don't eat Chicago dogs, so

0:47:56.000 --> 0:47:57.880
<v Speaker 1>I'll probably get a lot of hate mail from that.

0:47:58.320 --> 0:48:00.000
<v Speaker 1>But what about desert golf.

0:48:04.880 --> 0:48:07.359
<v Speaker 2>I don't really even think about desert golf all that much.

0:48:07.400 --> 0:48:09.360
<v Speaker 2>I think there was a time where it was overrated

0:48:09.400 --> 0:48:11.800
<v Speaker 2>because it was a novelty. It was sort of okay.

0:48:12.480 --> 0:48:14.680
<v Speaker 2>You know, there's a time in the eighties and nineties

0:48:14.680 --> 0:48:19.040
<v Speaker 2>where the dramatic sort of difference between green grass and

0:48:19.440 --> 0:48:24.360
<v Speaker 2>desert landscape was to be promoted and sort of highly

0:48:24.400 --> 0:48:27.200
<v Speaker 2>thought of as a new Hey, look at this is

0:48:27.200 --> 0:48:29.719
<v Speaker 2>the new frontier. You know. Obviously people are moving to

0:48:29.800 --> 0:48:32.360
<v Speaker 2>this area and now we can irrigate and build golf

0:48:32.360 --> 0:48:37.919
<v Speaker 2>courses in it. I think if good architects build golf

0:48:37.960 --> 0:48:40.280
<v Speaker 2>courses in those settings, like you know, Bill and Ben

0:48:41.040 --> 0:48:43.160
<v Speaker 2>have done a few golf courses down there. I think

0:48:44.160 --> 0:48:48.000
<v Speaker 2>Tom Weiskoff and the TPC Scottsdale is really thoughtful architecture

0:48:48.000 --> 0:48:50.359
<v Speaker 2>and well laid out. So I mean, those I think

0:48:50.400 --> 0:48:53.840
<v Speaker 2>are great golf are fantastic golf courses in a desert setting,

0:48:53.920 --> 0:48:57.560
<v Speaker 2>but as the whole, the whole setting of what I've

0:48:57.600 --> 0:48:59.560
<v Speaker 2>seen of desert golf is probably overrated.

0:49:02.360 --> 0:49:07.319
<v Speaker 1>What's the last one? Who's the most underrated band? And

0:49:07.360 --> 0:49:09.200
<v Speaker 1>who's the most overrated band?

0:49:10.239 --> 0:49:10.799
<v Speaker 2>Wow?

0:49:11.120 --> 0:49:14.160
<v Speaker 1>Wow, wow.

0:49:15.360 --> 0:49:19.759
<v Speaker 2>Overrated. I've never been a fan of the Who. I

0:49:19.960 --> 0:49:22.239
<v Speaker 2>just you know, I like LEDs, I mean of that

0:49:22.320 --> 0:49:25.360
<v Speaker 2>sort of genre. I really enjoyed led Zeppelin and The Stones,

0:49:25.760 --> 0:49:30.319
<v Speaker 2>but the Who is kind of I can I can

0:49:30.880 --> 0:49:33.520
<v Speaker 2>give her. You know. One of the guys I played

0:49:33.560 --> 0:49:37.000
<v Speaker 2>golf with he would play the Who Live It leads

0:49:37.120 --> 0:49:39.120
<v Speaker 2>over and over again on when we were playing it.

0:49:39.160 --> 0:49:42.600
<v Speaker 2>I think maybe that just totally put me off of them,

0:49:42.960 --> 0:49:48.719
<v Speaker 2>So I'd say they're probably highly probably be my overrated band. Underrated.

0:49:52.040 --> 0:49:55.040
<v Speaker 2>So I guess the answer to that question would would

0:49:55.080 --> 0:49:57.759
<v Speaker 2>come if I could see any band sort of back

0:49:57.800 --> 0:50:00.439
<v Speaker 2>together and play and you know, in their prime, yeah,

0:50:00.920 --> 0:50:03.520
<v Speaker 2>or even just even now, to go back and just

0:50:03.560 --> 0:50:09.040
<v Speaker 2>get back together. I loved the Talking Heads growing up.

0:50:09.160 --> 0:50:11.360
<v Speaker 2>I just and I still love the talking Heads. I

0:50:11.360 --> 0:50:13.560
<v Speaker 2>mean anytime Burning Down the House comes on, like the

0:50:13.719 --> 0:50:16.400
<v Speaker 2>speaker's just going up. It's just one of those things

0:50:16.480 --> 0:50:19.160
<v Speaker 2>I just I've always and to see them again would

0:50:19.160 --> 0:50:20.799
<v Speaker 2>be really cool. And they're actually, I think all four

0:50:20.800 --> 0:50:23.040
<v Speaker 2>of them still alive, so it would be a possibility.

0:50:23.120 --> 0:50:27.400
<v Speaker 2>So yeah, I think from a sort of that genre,

0:50:27.680 --> 0:50:30.879
<v Speaker 2>you know, that new wave time frame where things were

0:50:30.880 --> 0:50:33.400
<v Speaker 2>sort of changing and going over. They they did a

0:50:33.440 --> 0:50:38.640
<v Speaker 2>really cool job of straddling that punk new wave rock line.

0:50:38.640 --> 0:50:42.960
<v Speaker 2>And David Byrne, I think is really an amazing performer.

0:50:43.040 --> 0:50:44.720
<v Speaker 2>So yeah, I probably would go Talking Heads.

0:50:45.160 --> 0:50:48.000
<v Speaker 1>They have some songs that there are a few songs

0:50:48.080 --> 0:50:53.560
<v Speaker 1>where you can listen to it in at any setting. Yeah,

0:50:53.600 --> 0:50:56.239
<v Speaker 1>that's true, And like you could be just chilling like

0:50:56.800 --> 0:51:00.920
<v Speaker 1>on your couch night in you could you could be

0:51:01.120 --> 0:51:04.279
<v Speaker 1>at a rager. You can put it on and everybody be.

0:51:04.320 --> 0:51:07.399
<v Speaker 2>Like, yeah, you know another band that I really liked it.

0:51:07.520 --> 0:51:11.400
<v Speaker 2>I think I think they do. They're very artist artisty

0:51:11.600 --> 0:51:14.719
<v Speaker 2>is Counting Crows. I could listen to Counting Crows all

0:51:14.760 --> 0:51:16.600
<v Speaker 2>the time, just sort of, you know, as a more

0:51:16.640 --> 0:51:20.040
<v Speaker 2>mellow alternative. But you know, you don't hear a ton

0:51:20.160 --> 0:51:23.440
<v Speaker 2>of ton about them. And obviously we've already had the

0:51:24.280 --> 0:51:27.680
<v Speaker 2>huge dead Deadhead and Dave Matthews are my favorites, but

0:51:28.360 --> 0:51:30.360
<v Speaker 2>I don't want to get them into the conversation of

0:51:30.440 --> 0:51:31.560
<v Speaker 2>overrated underrated.

0:51:31.920 --> 0:51:35.120
<v Speaker 1>I got a one last question. It's a theory that

0:51:35.200 --> 0:51:38.440
<v Speaker 1>I've thought of a lot. I asked Jeff Ogilvy about

0:51:38.480 --> 0:51:41.840
<v Speaker 1>this and he actually was like, I actually think about

0:51:41.840 --> 0:51:45.040
<v Speaker 1>that too. Do you ever think about like the trends

0:51:45.080 --> 0:51:50.719
<v Speaker 1>in architecture as music genres, like where Pete Dye was

0:51:50.800 --> 0:51:55.120
<v Speaker 1>like this kind of music with his style of architecture,

0:51:55.160 --> 0:51:58.879
<v Speaker 1>and the Golden Age was this, And like, yeah, I do.

0:51:59.040 --> 0:52:01.680
<v Speaker 2>I actually do think there's you know, there's something to that.

0:52:01.719 --> 0:52:05.120
<v Speaker 2>And I also think about architects and it obviously and

0:52:05.200 --> 0:52:08.279
<v Speaker 2>the personalities of sort of okay, you know, Bill cor

0:52:08.360 --> 0:52:10.279
<v Speaker 2>would be like James Taylor. He would just be the

0:52:10.320 --> 0:52:14.799
<v Speaker 2>most mellow, relaxed but so good. I mean, so yeah,

0:52:15.120 --> 0:52:19.080
<v Speaker 2>we definitely I give that some thought. And you know,

0:52:19.120 --> 0:52:21.000
<v Speaker 2>when you're in the bulldozer and you're pushing dirt for

0:52:21.040 --> 0:52:23.319
<v Speaker 2>a long period of time, there's all kinds of things

0:52:23.320 --> 0:52:26.160
<v Speaker 2>that cross your mind, and that might be one of

0:52:26.200 --> 0:52:30.480
<v Speaker 2>them that you know, and as we've talked about my

0:52:30.520 --> 0:52:34.000
<v Speaker 2>appreciation for music and the involvement it has actually in

0:52:34.640 --> 0:52:40.439
<v Speaker 2>our working My working environment is pretty pretty cool, all.

0:52:40.440 --> 0:52:43.640
<v Speaker 1>Right, Gil, thanks so much for the time. We look

0:52:43.719 --> 0:52:49.440
<v Speaker 1>forward to seeing your new designs and all that's not

0:52:49.680 --> 0:52:52.360
<v Speaker 1>just going on now, but what's going on in the future.

0:52:52.600 --> 0:52:54.520
<v Speaker 1>And thanks for coming on.

0:52:55.160 --> 0:52:59.120
<v Speaker 2>I appreciate it. Thanks, I've really enjoyed it. Chures, you've

0:52:59.160 --> 0:53:01.400
<v Speaker 2>been listening to the fried Egg podcast.

0:53:01.880 --> 0:53:03.400
<v Speaker 1>We do the digging for you.