1 00:00:01,440 --> 00:00:05,120 Speaker 1: Hey, guys, welcome to I've never said this before with me, 2 00:00:05,480 --> 00:00:09,640 Speaker 1: Tommy di Dario Happy Emily in Paris week. I feel 3 00:00:09,680 --> 00:00:11,479 Speaker 1: like this should be a national holiday because we have 4 00:00:11,560 --> 00:00:14,000 Speaker 1: been waiting a long time. Well, it feels like a 5 00:00:14,040 --> 00:00:17,759 Speaker 1: long time for this next season. This show is pure joy. 6 00:00:17,920 --> 00:00:20,960 Speaker 1: It is escapism to a world's of European backdrops and 7 00:00:21,079 --> 00:00:24,520 Speaker 1: incredible fashion, but also Emily in Paris. It has a 8 00:00:24,520 --> 00:00:27,680 Speaker 1: lot of relatable themes of career, ambition, friendship, to aiding 9 00:00:27,680 --> 00:00:31,080 Speaker 1: in the modern world, and so much more. Season five 10 00:00:31,120 --> 00:00:33,559 Speaker 1: it's out December eighteenth, but I know you already have 11 00:00:33,600 --> 00:00:36,520 Speaker 1: clocked that. And today I'm hanging out with the brilliant 12 00:00:36,680 --> 00:00:41,200 Speaker 1: Philippine Laua Biolu, who plays the iconic character of Sylvie. 13 00:00:41,600 --> 00:00:43,280 Speaker 1: I tried with the name as best as I can 14 00:00:43,400 --> 00:00:47,159 Speaker 1: to master the accent. Hopefully I made Philippine somewhat proud. 15 00:00:47,440 --> 00:00:50,160 Speaker 1: It's taling from Jersey, really tried. The world has fallen 16 00:00:50,200 --> 00:00:52,479 Speaker 1: in love with her character, Sylvine. I think the reaction 17 00:00:52,560 --> 00:00:55,600 Speaker 1: to the standout character was something that even surprised Philippine. 18 00:00:55,720 --> 00:00:58,080 Speaker 1: Now it's a spoiler free combo we touch on season 19 00:00:58,120 --> 00:01:01,760 Speaker 1: five just a little bit. Quench your thirst a little bit, 20 00:01:02,160 --> 00:01:04,600 Speaker 1: and we talk about something that happens towards the end 21 00:01:04,600 --> 00:01:07,480 Speaker 1: of season five that doesn't really spoil anything. It's just 22 00:01:07,600 --> 00:01:10,120 Speaker 1: about a decision that a character has to make. So 23 00:01:10,280 --> 00:01:13,160 Speaker 1: I really think that you guys are going to thoroughly 24 00:01:13,280 --> 00:01:16,600 Speaker 1: enjoy this love letter to Emily in Paris and a 25 00:01:16,680 --> 00:01:19,240 Speaker 1: show that means so much to so many people. I know, 26 00:01:19,319 --> 00:01:21,840 Speaker 1: I had such a good time. So come get comfy, 27 00:01:21,920 --> 00:01:24,200 Speaker 1: escape to the worlds of Paris with me. Well, actually 28 00:01:24,200 --> 00:01:26,000 Speaker 1: I should say the world of Rome with me based 29 00:01:26,040 --> 00:01:28,440 Speaker 1: on the new season, and let's see if today we 30 00:01:28,440 --> 00:01:30,960 Speaker 1: can get Philippine to say something that she has never 31 00:01:31,040 --> 00:01:31,720 Speaker 1: said before. 32 00:01:38,560 --> 00:01:40,200 Speaker 2: Philippine, look at you. 33 00:01:40,640 --> 00:01:41,000 Speaker 3: Hello. 34 00:01:41,560 --> 00:01:44,080 Speaker 1: I am so excited to have you sitting across from 35 00:01:44,120 --> 00:01:44,559 Speaker 1: me today. 36 00:01:44,720 --> 00:01:47,440 Speaker 3: Oh that's sweet. Thank you so much. I'm really excited 37 00:01:47,480 --> 00:01:47,880 Speaker 3: to be here. 38 00:01:47,920 --> 00:01:50,680 Speaker 1: Oh my god, I feel like you are somebody that 39 00:01:50,880 --> 00:01:52,920 Speaker 1: I've been watching for years now, and I just so 40 00:01:53,040 --> 00:01:56,320 Speaker 1: love this character you've created and how you bring her 41 00:01:56,360 --> 00:01:58,320 Speaker 1: to life. And so many people love this character. And 42 00:01:58,320 --> 00:02:01,040 Speaker 1: we're going to talk about what an icon she has become. 43 00:02:01,120 --> 00:02:04,800 Speaker 1: But I think to start off with Emily and Paris. 44 00:02:05,360 --> 00:02:07,720 Speaker 1: Many people love it right because of the fashion and 45 00:02:08,320 --> 00:02:12,120 Speaker 1: the restaurants and the culture and the fabulous things you 46 00:02:12,160 --> 00:02:14,359 Speaker 1: guys are all doing, and of course Paris and now 47 00:02:14,480 --> 00:02:17,440 Speaker 1: Rome in season five. But I think there's a lot 48 00:02:17,560 --> 00:02:19,920 Speaker 1: more than that in this show. There's a lot more 49 00:02:20,240 --> 00:02:22,600 Speaker 1: right that meets the eye. So for you, how would 50 00:02:22,639 --> 00:02:25,839 Speaker 1: you kind of describe what this show means to you. 51 00:02:26,320 --> 00:02:30,760 Speaker 3: It's funny because lately I thought, actually a few months ago, 52 00:02:30,800 --> 00:02:32,640 Speaker 3: I thought, you know, when we're going to see the 53 00:02:32,680 --> 00:02:35,120 Speaker 3: show in like ten meet in ten years or something, 54 00:02:35,320 --> 00:02:39,079 Speaker 3: it's gonna it's going to really tell us about It's 55 00:02:39,080 --> 00:02:42,360 Speaker 3: going to be a picture of an era and of 56 00:02:44,080 --> 00:02:51,040 Speaker 3: this moment where women's liberation is up to a point 57 00:02:51,120 --> 00:02:53,520 Speaker 3: where now we can do it all, we can have 58 00:02:53,600 --> 00:02:58,000 Speaker 3: it all, we can. But look at the loneliness of 59 00:02:58,080 --> 00:03:00,639 Speaker 3: these women. You know, I told her last year, I 60 00:03:00,680 --> 00:03:03,120 Speaker 3: was like, do you realize that all our you know, 61 00:03:03,160 --> 00:03:09,440 Speaker 3: female characters are really like lost in a way. And 62 00:03:10,440 --> 00:03:12,959 Speaker 3: they're having a lot of fun. They're you know, they're 63 00:03:13,000 --> 00:03:15,480 Speaker 3: having it's a great life, but they're kind of lost. 64 00:03:15,520 --> 00:03:19,040 Speaker 3: They're like jumping and Darren's always like they don't have 65 00:03:19,080 --> 00:03:21,720 Speaker 3: to choose. They can have many boyfriends. They can, you know, 66 00:03:21,840 --> 00:03:24,079 Speaker 3: of course, but there's a moment where I feel that 67 00:03:24,120 --> 00:03:28,799 Speaker 3: Sylvie has that moment where she's like she's running after 68 00:03:29,040 --> 00:03:34,000 Speaker 3: something that is like a never ending thirst for something 69 00:03:34,240 --> 00:03:37,560 Speaker 3: that she doesn't even know what it is. It's so 70 00:03:38,040 --> 00:03:40,880 Speaker 3: for me, it's a sort of a picture of a 71 00:03:41,160 --> 00:03:44,280 Speaker 3: society that's always running after more and more and more 72 00:03:44,280 --> 00:03:49,920 Speaker 3: and more and more, And what's the scope, what's the 73 00:03:50,160 --> 00:03:54,880 Speaker 3: you know, I know it's it's it sounds like a tragedy. Suddenly, 74 00:03:54,960 --> 00:03:58,640 Speaker 3: Emily in Paris is like, but you know, it's always 75 00:03:58,680 --> 00:04:01,560 Speaker 3: with Darren, you always have like you have a lot 76 00:04:01,600 --> 00:04:03,920 Speaker 3: of layers because when you watch Sex and the City 77 00:04:03,960 --> 00:04:06,480 Speaker 3: now you have like this really clear picture of where 78 00:04:06,480 --> 00:04:09,480 Speaker 3: society was at at that moment in the nineties and 79 00:04:09,560 --> 00:04:14,720 Speaker 3: now basically it's the same thing. And I think, yeah, 80 00:04:14,800 --> 00:04:17,320 Speaker 3: Emily has a lot of layers, a lot more than Mesia. 81 00:04:17,520 --> 00:04:20,159 Speaker 1: Yeah, well so to Sylvie, right, And I think that's 82 00:04:20,520 --> 00:04:22,440 Speaker 1: that's part of the magic of the show is yes, 83 00:04:22,480 --> 00:04:25,159 Speaker 1: there's so much fun and visually it is such a 84 00:04:25,440 --> 00:04:27,760 Speaker 1: gorgeous show to watch, but there's. 85 00:04:27,640 --> 00:04:29,440 Speaker 2: Real life shit behind all these. 86 00:04:29,600 --> 00:04:34,440 Speaker 3: Really totally you know, totally you know, she like Emily's 87 00:04:34,480 --> 00:04:43,039 Speaker 3: always like coping with Sylvie's bad temper short tempered, and 88 00:04:43,320 --> 00:04:47,240 Speaker 3: I always wonder, like, what does she think about at night, 89 00:04:47,400 --> 00:04:49,960 Speaker 3: you know, when she goes home and thinks, this woman 90 00:04:51,160 --> 00:04:53,159 Speaker 3: it's been really mean to me. But I have to 91 00:04:53,279 --> 00:04:56,039 Speaker 3: cope with that, and I have. She's always like, it's fine, 92 00:04:56,040 --> 00:04:59,200 Speaker 3: I'm fine, I'm fine. It feels like she's always playing 93 00:04:59,240 --> 00:05:01,880 Speaker 3: like it doesn't hurt, doesn't hurt, doesn't hurt. But it 94 00:05:01,920 --> 00:05:05,600 Speaker 3: does hurt. Of course it does. And and Sylvie, on 95 00:05:05,640 --> 00:05:09,919 Speaker 3: the other hand, is like torturing Emily for some reason, 96 00:05:11,600 --> 00:05:14,680 Speaker 3: probably because she sees herself in her. She would like 97 00:05:14,720 --> 00:05:20,400 Speaker 3: her to be better than what she There's something about 98 00:05:20,520 --> 00:05:23,440 Speaker 3: what I feel about myself. I don't feel great about myself, 99 00:05:23,440 --> 00:05:24,920 Speaker 3: and I want you to be better at that kind 100 00:05:24,960 --> 00:05:30,279 Speaker 3: of projection. So it's yeah, it's quite complicated. Their relationship 101 00:05:30,320 --> 00:05:34,720 Speaker 3: is very complicated. It's it's a sort of a love relationship. Yeah, 102 00:05:34,760 --> 00:05:37,800 Speaker 3: and I think the love story is there, you know, 103 00:05:38,080 --> 00:05:44,800 Speaker 3: with all its you know, really complicated issues. And yeah, 104 00:05:44,839 --> 00:05:48,719 Speaker 3: it's it's quite and I feel it's very heavy to carry. 105 00:05:48,800 --> 00:05:51,960 Speaker 3: I know that when I'm done with four months of shooting, 106 00:05:52,040 --> 00:05:55,520 Speaker 3: I'm exhausted, not only because of the long hours and 107 00:05:55,520 --> 00:05:59,600 Speaker 3: blah blah blah, I'm exhausted by this character that's actually 108 00:05:59,640 --> 00:06:06,599 Speaker 3: carrying a lot of contradictions, you know, desperation sometimes that 109 00:06:06,640 --> 00:06:10,240 Speaker 3: she hides behind this you know, always impeccable. I'm always 110 00:06:10,680 --> 00:06:13,800 Speaker 3: dressed up, as you know, but she's hiding something clearly, 111 00:06:14,279 --> 00:06:16,719 Speaker 3: and I have to have that in me in order 112 00:06:16,800 --> 00:06:19,640 Speaker 3: to make her, you know, alive, Otherwise should be just 113 00:06:19,680 --> 00:06:23,599 Speaker 3: another comedy villain, which and I kind of like to 114 00:06:23,680 --> 00:06:28,320 Speaker 3: give her that dimension that is many deeper. 115 00:06:28,200 --> 00:06:32,719 Speaker 1: Or Yeah, she's a complex woman, for sure. I appreciate 116 00:06:32,720 --> 00:06:35,359 Speaker 1: a complex woman. I grew up an Italian from New Jersey. 117 00:06:35,400 --> 00:06:37,640 Speaker 1: I grew up with a lot of ants and powerful 118 00:06:37,680 --> 00:06:40,200 Speaker 1: women in my life. And I think that's what's so 119 00:06:40,320 --> 00:06:42,200 Speaker 1: interesting about a role like this is you get to 120 00:06:42,200 --> 00:06:45,839 Speaker 1: peel the layers back and see things as the episode's 121 00:06:45,880 --> 00:06:48,600 Speaker 1: unravel that you're like, oh wait, I thought this, but 122 00:06:49,160 --> 00:06:51,320 Speaker 1: that might not be true. And it's just the way 123 00:06:51,360 --> 00:06:53,280 Speaker 1: you play her is so brilliant, and I imagine from 124 00:06:53,320 --> 00:06:55,560 Speaker 1: season one to now. 125 00:06:55,240 --> 00:06:58,039 Speaker 2: It's been really fun to explore. So how has that been? 126 00:06:58,440 --> 00:07:02,080 Speaker 3: But that's also because of Darren's right, Because Darren, he's 127 00:07:02,080 --> 00:07:06,200 Speaker 3: gonna always lead you somewhere and then he's going to 128 00:07:06,240 --> 00:07:10,960 Speaker 3: take a sudden turn. Okay, you thought that about your character, 129 00:07:11,080 --> 00:07:14,680 Speaker 3: you thought that's where we're going. You thought that, but no, 130 00:07:14,840 --> 00:07:18,040 Speaker 3: I'm gonna surprise you. And that was a lot of 131 00:07:18,040 --> 00:07:22,960 Speaker 3: fun because it can get kind of repetitive to play, 132 00:07:23,760 --> 00:07:26,120 Speaker 3: you know, a role for five seasons like okay, where 133 00:07:26,160 --> 00:07:30,120 Speaker 3: are we going? But with Darren, it's always like, I mean, 134 00:07:30,200 --> 00:07:37,040 Speaker 3: this season, there's things that happen that are so unexpected, 135 00:07:37,240 --> 00:07:41,120 Speaker 3: and so how do I work on it? I just 136 00:07:41,200 --> 00:07:45,440 Speaker 3: try to first of all, all of Darren's writing, because 137 00:07:46,080 --> 00:07:50,840 Speaker 3: it's very clever and really, you know, get into try 138 00:07:50,840 --> 00:07:57,840 Speaker 3: to try to get into the unconscious dreams of the author. 139 00:07:57,960 --> 00:08:02,120 Speaker 3: What is he trying to what is he really trying 140 00:08:02,200 --> 00:08:04,640 Speaker 3: to say that he doesn't even know he's trying to 141 00:08:04,680 --> 00:08:09,920 Speaker 3: say when he's writing. Yeah, and that's fast. Sometimes I'm wrong. 142 00:08:09,960 --> 00:08:13,480 Speaker 3: Obviously it's my you know, it's my fantasy. But it's 143 00:08:13,760 --> 00:08:19,600 Speaker 3: fun because then you can like make things very paradoxical. 144 00:08:20,240 --> 00:08:22,080 Speaker 3: Then you aren't set and you're just going to play 145 00:08:22,080 --> 00:08:25,120 Speaker 3: it simple, but you have that and your body in 146 00:08:25,160 --> 00:08:28,520 Speaker 3: your head somewhere, and so it's fun because when you 147 00:08:28,600 --> 00:08:31,360 Speaker 3: need it, it kind of pops up and you just go, oh, okay, 148 00:08:31,440 --> 00:08:35,280 Speaker 3: that's that weird thing that I thought about yesterday, about 149 00:08:35,280 --> 00:08:37,880 Speaker 3: the scene that I could put in here or there 150 00:08:38,000 --> 00:08:42,200 Speaker 3: or and it gives me some texture to work on, 151 00:08:42,360 --> 00:08:45,960 Speaker 3: you know, and to have fun through because it's been 152 00:08:46,000 --> 00:08:51,440 Speaker 3: like we started in nineteen before the pandemic hit and everything, 153 00:08:51,520 --> 00:08:55,560 Speaker 3: and so it's been six years in. 154 00:08:55,400 --> 00:08:57,720 Speaker 1: A long time and you created a character that's become 155 00:08:57,760 --> 00:08:59,640 Speaker 1: a fan favorite. Did you ever expect that? 156 00:09:00,360 --> 00:09:00,600 Speaker 2: Never? 157 00:09:01,160 --> 00:09:03,960 Speaker 1: No, But by the way, from all different generations, like 158 00:09:04,080 --> 00:09:06,640 Speaker 1: people that are millennials and gen Z and all that, 159 00:09:06,920 --> 00:09:08,360 Speaker 1: everybody loves this character. 160 00:09:08,559 --> 00:09:11,240 Speaker 3: That's crazy, because that's the thing. I really did think 161 00:09:11,280 --> 00:09:16,439 Speaker 3: that it would like it would be my generation who 162 00:09:16,440 --> 00:09:20,360 Speaker 3: would like, you know, like her or kind of identify 163 00:09:20,440 --> 00:09:23,559 Speaker 3: with her or whatever. But I was really surprised when 164 00:09:23,559 --> 00:09:26,720 Speaker 3: I realized, like fourteen fifteen year old girls were like, 165 00:09:29,360 --> 00:09:33,200 Speaker 3: I don't know, is it because I don't know? Is 166 00:09:33,240 --> 00:09:36,560 Speaker 3: it because I have that kind of Sylvie? Is it 167 00:09:36,640 --> 00:09:42,160 Speaker 3: like one of those mommy Deira's kind of character? You know, 168 00:09:42,400 --> 00:09:44,640 Speaker 3: she's like she's a mother. She's a bit toxic, but 169 00:09:44,679 --> 00:09:49,479 Speaker 3: she's also nurturing, but she's also she has this complex 170 00:09:49,520 --> 00:09:55,480 Speaker 3: thing that's very motherly and it's you know, and it's 171 00:09:55,520 --> 00:10:01,560 Speaker 3: toxic and it's in its nurturing ways. It's very so 172 00:10:01,679 --> 00:10:05,520 Speaker 3: I think, yeah, I think we're all attracted by toxicity. 173 00:10:07,080 --> 00:10:10,920 Speaker 1: We'll I'm back, I'm talking about toxicity here. Yeah, but 174 00:10:11,080 --> 00:10:13,280 Speaker 1: we are in no way actually yeah, yeah, I know 175 00:10:13,400 --> 00:10:17,480 Speaker 1: people people absolutely love her. Sylvie is also a gay icon. 176 00:10:17,960 --> 00:10:20,200 Speaker 1: She has become a gay icon. How much fun is 177 00:10:20,200 --> 00:10:22,800 Speaker 1: that for you? You know, the gays all love her. 178 00:10:22,960 --> 00:10:25,880 Speaker 3: I didn't realize that until like season three, Baby. I 179 00:10:25,920 --> 00:10:29,360 Speaker 3: was like, oh wow, okay, I don't know. Is it 180 00:10:29,360 --> 00:10:32,160 Speaker 3: because of the clothes or is it because it's mummy deers? Both? 181 00:10:32,760 --> 00:10:35,120 Speaker 2: Absolutely? Both absolutely both. 182 00:10:35,200 --> 00:10:37,800 Speaker 1: Like if you walked into a gay club, they would 183 00:10:37,800 --> 00:10:40,679 Speaker 1: go crazy crazy. That needs to be part of your 184 00:10:40,720 --> 00:10:45,200 Speaker 1: next press stor that would be really fun. Was there 185 00:10:45,240 --> 00:10:49,120 Speaker 1: a defining moment for you as Sylvie that's always stuck 186 00:10:49,120 --> 00:10:49,400 Speaker 1: with you? 187 00:10:52,120 --> 00:10:59,600 Speaker 3: M a defining moment? That's funny that question is? I 188 00:10:59,640 --> 00:11:07,360 Speaker 3: think yeah. I think season one already was. Season one 189 00:11:07,520 --> 00:11:11,439 Speaker 3: was more I was getting to know her, and we 190 00:11:11,440 --> 00:11:14,520 Speaker 3: were getting to I was getting to know her, but 191 00:11:16,280 --> 00:11:22,160 Speaker 3: I realized the relationship with Emily at that moment, the 192 00:11:22,200 --> 00:11:25,400 Speaker 3: way I was looking down at her and at the 193 00:11:25,400 --> 00:11:30,160 Speaker 3: same time putting a lot of hope into the fact 194 00:11:30,200 --> 00:11:32,640 Speaker 3: that she was probably the good person to work in 195 00:11:32,640 --> 00:11:36,600 Speaker 3: the office, but also she's too American, and that that 196 00:11:36,760 --> 00:11:42,440 Speaker 3: feeling of she's too American, I'm too French. That was like, 197 00:11:43,160 --> 00:11:46,120 Speaker 3: there's this scene, like the Dolour scene where that was 198 00:11:46,120 --> 00:11:47,920 Speaker 3: season one, and it became a sort of a clip 199 00:11:48,000 --> 00:11:49,840 Speaker 3: like you know, where she goes we have a meeting 200 00:11:49,880 --> 00:11:52,079 Speaker 3: with Delore and I'm like, de lur, de leur, de 201 00:11:52,200 --> 00:11:55,200 Speaker 3: l that was that was an improv you know, we 202 00:11:55,320 --> 00:11:57,720 Speaker 3: just did it, and so it's it's stuck in the 203 00:11:57,720 --> 00:12:01,839 Speaker 3: film and then that it's funny because it's really this 204 00:12:03,360 --> 00:12:08,040 Speaker 3: love and hate between the French and the Americans. And 205 00:12:08,080 --> 00:12:09,760 Speaker 3: I thought, Okay, I'm going to go from there because 206 00:12:09,800 --> 00:12:14,359 Speaker 3: this is like, you know, the cartoon the comic book Asthetics. 207 00:12:15,880 --> 00:12:19,520 Speaker 3: So I felt like Aesthetics, it's the little village is 208 00:12:19,559 --> 00:12:27,360 Speaker 3: going to resist the empire, you know. Yeah, so I 209 00:12:27,400 --> 00:12:31,160 Speaker 3: think that's that's what that's how she. I grew out 210 00:12:31,200 --> 00:12:34,720 Speaker 3: of that idea. It grew out of that feeling of 211 00:12:36,120 --> 00:12:39,000 Speaker 3: how can we Is there a way to build a 212 00:12:39,040 --> 00:12:42,520 Speaker 3: bridge between our cultures or is it just a fantasy 213 00:12:42,559 --> 00:12:47,280 Speaker 3: because we're actually so different even though we appreciate each other. 214 00:12:47,440 --> 00:12:51,600 Speaker 3: We're all so very different and we are so it's yeah, 215 00:12:51,640 --> 00:12:55,320 Speaker 3: it's really interesting. I think I started with that. I 216 00:12:55,360 --> 00:12:59,680 Speaker 3: really started with that idea of cultural misunderstanding. 217 00:13:00,120 --> 00:13:02,400 Speaker 1: Yeah, and well that creates so much conflict, and that 218 00:13:02,400 --> 00:13:06,280 Speaker 1: creates some of the really funny moments throughout the entire series. 219 00:13:12,800 --> 00:13:14,679 Speaker 1: Do you think up to this point, like where your 220 00:13:14,760 --> 00:13:18,720 Speaker 1: characters are right now, would you say that Sylvie feels 221 00:13:18,880 --> 00:13:20,240 Speaker 1: maternal towards Emily. 222 00:13:21,040 --> 00:13:28,840 Speaker 3: She does. It's she does in a very awkward way. 223 00:13:29,760 --> 00:13:32,439 Speaker 3: The end of the season. She's really trying to push 224 00:13:32,440 --> 00:13:36,120 Speaker 3: her to do the best choice for her life, and 225 00:13:36,520 --> 00:13:40,080 Speaker 3: the moment she does that, it's very maternal. It's like, 226 00:13:41,760 --> 00:13:45,400 Speaker 3: choose what is good for you, even though it's going 227 00:13:45,480 --> 00:13:51,079 Speaker 3: to cost me something. And it really happens at the 228 00:13:51,160 --> 00:13:55,000 Speaker 3: end of this season, and it's and it's very nice 229 00:13:56,200 --> 00:14:01,440 Speaker 3: that aspect of the relationship suddenly appears as it never 230 00:14:01,480 --> 00:14:05,800 Speaker 3: appeared before. So it's yeah, she's very maternal. 231 00:14:05,920 --> 00:14:08,840 Speaker 1: Actually maybe it didn't start that way in season one, 232 00:14:09,800 --> 00:14:12,240 Speaker 1: but it's cool to what we talked about earlier. It's 233 00:14:12,280 --> 00:14:14,480 Speaker 1: cool to see the progression and how things really haven't 234 00:14:14,520 --> 00:14:16,640 Speaker 1: folded and you guys have had so many moments together, 235 00:14:16,880 --> 00:14:20,400 Speaker 1: specifically your character and Lily Collins's character. Is there a 236 00:14:20,440 --> 00:14:22,760 Speaker 1: scene that you just loved doing with her? 237 00:14:23,880 --> 00:14:27,320 Speaker 3: Well, actually, that scene that is at the end of 238 00:14:27,360 --> 00:14:31,080 Speaker 3: season five where I tell her to choose. I loved 239 00:14:31,200 --> 00:14:36,760 Speaker 3: to do that scene. I was really moved by the 240 00:14:36,800 --> 00:14:40,920 Speaker 3: scene because because we have so much Actually, it happened 241 00:14:40,960 --> 00:14:46,520 Speaker 3: another time. It was in season three. It was the 242 00:14:46,560 --> 00:14:51,160 Speaker 3: Eiffel Tower night and I realized that she betrayed me, 243 00:14:51,280 --> 00:14:53,960 Speaker 3: that she was going to go and work with Kate Walsh. 244 00:14:54,600 --> 00:14:58,560 Speaker 3: Kate Walsh's character Madeleine, and I was like so hurt, 245 00:14:59,400 --> 00:15:01,960 Speaker 3: And that was a first time I realized how much 246 00:15:02,040 --> 00:15:05,160 Speaker 3: Sylvie cared for Emily. I was like because I was 247 00:15:05,200 --> 00:15:09,240 Speaker 3: really hurt. I was really hurt at tears in my eyes, like, fuck, 248 00:15:09,400 --> 00:15:17,960 Speaker 3: you betrayed me. And this time at the end of 249 00:15:18,000 --> 00:15:21,320 Speaker 3: the season she you know that scene. Is I really 250 00:15:21,320 --> 00:15:24,000 Speaker 3: love these moments of tragedy in a commentary. 251 00:15:23,720 --> 00:15:27,000 Speaker 1: Yeah, yeah, their juicy and they're so fun to watch. 252 00:15:27,080 --> 00:15:29,040 Speaker 1: There's so much fun to watch and you bring. You 253 00:15:29,080 --> 00:15:31,520 Speaker 1: have some scenes in the show that definitely have made 254 00:15:31,600 --> 00:15:35,000 Speaker 1: me choke up, and out of anyone in the cast, 255 00:15:35,080 --> 00:15:37,800 Speaker 1: there's just such a humanity you bring to a character 256 00:15:37,880 --> 00:15:40,480 Speaker 1: that sometimes you feel like is that switch all fer on? 257 00:15:40,800 --> 00:15:44,320 Speaker 1: You know, and then you surprise us and I don't know. 258 00:15:44,360 --> 00:15:46,560 Speaker 1: There's just these really powerful moments. I think that's also 259 00:15:46,640 --> 00:15:48,600 Speaker 1: part of the reason why you've connected with so many 260 00:15:48,640 --> 00:15:51,360 Speaker 1: generations of people, women and men, because it's like, oh 261 00:15:51,360 --> 00:15:53,720 Speaker 1: my god, I do see myself in that moment, which 262 00:15:53,720 --> 00:15:56,480 Speaker 1: is really cool, so much so that people are dying 263 00:15:56,720 --> 00:16:00,600 Speaker 1: for a prequel series about Sylvie's life. Would you ever 264 00:16:00,760 --> 00:16:03,120 Speaker 1: narrate something like that or be a part of something 265 00:16:03,200 --> 00:16:03,480 Speaker 1: like that. 266 00:16:03,840 --> 00:16:06,640 Speaker 3: Well, maybe in a few years when the show is over, 267 00:16:06,960 --> 00:16:09,560 Speaker 3: if they want to do, Like, yeah, I would love to, 268 00:16:10,520 --> 00:16:13,240 Speaker 3: But now I think right now, if this you know, 269 00:16:13,760 --> 00:16:15,600 Speaker 3: the moment this this show is going to end, because 270 00:16:15,640 --> 00:16:17,760 Speaker 3: it will happen at some point. I think we all 271 00:16:17,800 --> 00:16:20,920 Speaker 3: want to do other stuff. But I would love to 272 00:16:21,000 --> 00:16:25,160 Speaker 3: go back to Sylvie at one point and do like 273 00:16:25,200 --> 00:16:28,120 Speaker 3: a spinoff. Yeah, it's a lot of people talked about that, 274 00:16:28,160 --> 00:16:30,320 Speaker 3: and I was like, yeah, why not, but not now? 275 00:16:30,680 --> 00:16:32,680 Speaker 2: I mean, now we. 276 00:16:32,600 --> 00:16:35,440 Speaker 3: Need we need Sylvie and Emily's you know, we can't, 277 00:16:36,120 --> 00:16:38,720 Speaker 3: but yeah, it would be fun. 278 00:16:39,080 --> 00:16:41,480 Speaker 1: I spin off the Internet with really once. By the way, 279 00:16:41,480 --> 00:16:43,440 Speaker 1: I don't know if you've seen this is you and 280 00:16:43,520 --> 00:16:46,760 Speaker 1: Samantha Jones from Sex and the City taking. 281 00:16:46,480 --> 00:16:51,080 Speaker 2: Over the world. That would be crazy, can you imagine, Ie? 282 00:16:51,120 --> 00:16:54,440 Speaker 3: I know, I know she was so great in that character. 283 00:16:54,640 --> 00:16:59,440 Speaker 3: My god, so inspiring, I mean, so funny. 284 00:17:00,720 --> 00:17:03,640 Speaker 1: Yeah, another powerful woman. I mean, that's I think why 285 00:17:03,640 --> 00:17:05,199 Speaker 1: people connect the two of you together. 286 00:17:05,280 --> 00:17:05,680 Speaker 2: And Darren. 287 00:17:05,720 --> 00:17:08,400 Speaker 1: Sorry, you know it's no stranger to you both, so 288 00:17:08,840 --> 00:17:10,560 Speaker 1: it would be it would be interesting, for sure. 289 00:17:10,600 --> 00:17:11,400 Speaker 3: It would be interesting. 290 00:17:11,560 --> 00:17:14,480 Speaker 2: Yeah, and doctor Darren, We'll see what happens. We'll see 291 00:17:14,520 --> 00:17:14,959 Speaker 2: what happens. 292 00:17:15,119 --> 00:17:17,400 Speaker 1: You mentioned one day the series coming to an end, 293 00:17:17,720 --> 00:17:19,920 Speaker 1: and obviously you have an incredible team of writers who 294 00:17:19,920 --> 00:17:22,240 Speaker 1: will wrap up the story when that day comes in 295 00:17:22,680 --> 00:17:26,000 Speaker 1: thirty five years hopefully. But what would you want to 296 00:17:26,040 --> 00:17:27,520 Speaker 1: see for her? What do you what do you think 297 00:17:27,560 --> 00:17:31,440 Speaker 1: her endgame is? What are your hopes for Sylvie? 298 00:17:31,800 --> 00:17:34,840 Speaker 3: I don't know. I think she'll probably get no, I mean, 299 00:17:35,280 --> 00:17:39,639 Speaker 3: I don't know. I don't know. I have many conflicting 300 00:17:39,720 --> 00:17:43,000 Speaker 3: ideas about what she should how it should end for her, 301 00:17:43,119 --> 00:17:46,240 Speaker 3: and so I'd rather leave it to Darren. It's not 302 00:17:46,280 --> 00:17:48,640 Speaker 3: because I don't want to answer, It's really because every 303 00:17:48,680 --> 00:17:50,919 Speaker 3: time I think of something, you know, they always ask it, 304 00:17:51,080 --> 00:17:53,520 Speaker 3: what do you want to see next season for a character? 305 00:17:53,600 --> 00:17:57,359 Speaker 3: Blah blah blah, and you just go, I'm sure everything 306 00:17:57,400 --> 00:18:01,080 Speaker 3: I think of is much more boring than what bat 307 00:18:01,119 --> 00:18:04,679 Speaker 3: Darren is gonna, you know, think of. So he's the 308 00:18:04,720 --> 00:18:07,280 Speaker 3: master of disaster. I mean he's like, every time you 309 00:18:07,320 --> 00:18:12,120 Speaker 3: think your character is on the path to joy and 310 00:18:12,200 --> 00:18:16,879 Speaker 3: happiness and resolution or whatever, he's gonna just hit the 311 00:18:16,960 --> 00:18:18,760 Speaker 3: character or something. And I love that. 312 00:18:19,040 --> 00:18:23,960 Speaker 2: So, you know, do you want her to find love? 313 00:18:26,359 --> 00:18:29,840 Speaker 3: Philippine wants Sylvie to find love? Yes, but is that 314 00:18:29,880 --> 00:18:33,800 Speaker 3: interesting for the public. I'm not sure. Maybe it's interesting. 315 00:18:33,880 --> 00:18:38,360 Speaker 3: I love the idea that she she self destructs herself. 316 00:18:38,440 --> 00:18:42,240 Speaker 3: It's also because that's you know, that's the Yeah, the 317 00:18:42,320 --> 00:18:46,200 Speaker 3: trajectory of this character is so messy, and she's full 318 00:18:46,200 --> 00:18:51,640 Speaker 3: of paradoxes. You can't have her end like, Okay, she's 319 00:18:51,680 --> 00:18:55,360 Speaker 3: happy married, happily married on an island in a yacht 320 00:18:55,440 --> 00:18:59,280 Speaker 3: or whatever. You know. It's like, doesn't make sense, doesn't 321 00:18:59,320 --> 00:19:02,280 Speaker 3: make sense, has to bite the doss, you know. 322 00:19:02,760 --> 00:19:05,600 Speaker 1: Okay, we'll see what happens. You keep us on our 323 00:19:05,640 --> 00:19:08,480 Speaker 1: toes with her, so who knows what can happen. I'm 324 00:19:08,520 --> 00:19:10,359 Speaker 1: looking at your ear across from me, and you strike 325 00:19:10,440 --> 00:19:13,399 Speaker 1: me as somebody who has so much confidence, which is 326 00:19:13,440 --> 00:19:15,760 Speaker 1: something that I see in Sylvie. Are you a confident 327 00:19:15,800 --> 00:19:18,199 Speaker 1: person or do you fake it till you make it? 328 00:19:18,359 --> 00:19:21,840 Speaker 1: Have you learned confidence from Sylvie? 329 00:19:21,960 --> 00:19:26,879 Speaker 3: I learned from experiencing from Sylvie both. You know. But 330 00:19:29,280 --> 00:19:34,280 Speaker 3: I'm full of doubts, full of doubts, but but also 331 00:19:34,400 --> 00:19:38,280 Speaker 3: I'm also very relaxed because I don't I don't really 332 00:19:38,320 --> 00:19:42,160 Speaker 3: care what people think of me anymore. I used to. Yeah, 333 00:19:42,520 --> 00:19:44,360 Speaker 3: I really don't care anymore. I know who I am 334 00:19:44,440 --> 00:19:47,960 Speaker 3: in the sense that I think, I know what my 335 00:19:48,000 --> 00:19:51,399 Speaker 3: flaws are. I know where I'm vulnerable, I know where 336 00:19:52,080 --> 00:19:55,119 Speaker 3: I'm you know, it can be desperate, and I also 337 00:19:55,200 --> 00:20:00,560 Speaker 3: know that we're all their imperfection is perfection and that 338 00:20:02,720 --> 00:20:05,720 Speaker 3: it's okay. And I don't care. You can you can? 339 00:20:06,040 --> 00:20:09,240 Speaker 3: You know, people judge me. I don't care anymore. It's 340 00:20:09,280 --> 00:20:12,320 Speaker 3: like this, it's new, it's a new feeling, but it's 341 00:20:12,400 --> 00:20:20,920 Speaker 3: very it's very peaceful, it's very Yeah, it's very comforting 342 00:20:22,880 --> 00:20:30,359 Speaker 3: because again, imperfection is perfection. You know, that's the most 343 00:20:30,520 --> 00:20:36,159 Speaker 3: important thing that we have to learn. And you know, 344 00:20:36,200 --> 00:20:37,879 Speaker 3: I don't I wouldn't want to be a perfect I 345 00:20:37,880 --> 00:20:41,760 Speaker 3: don't I wouldn't be a perfect you know person or no, 346 00:20:42,080 --> 00:20:42,840 Speaker 3: it doesn't exist. 347 00:20:42,960 --> 00:20:44,320 Speaker 2: No, it's not interesting either. 348 00:20:45,200 --> 00:20:47,959 Speaker 3: It's not interesting and it's not who we are as 349 00:20:48,040 --> 00:20:52,359 Speaker 3: human beings. We're here to experience stuff and to learn 350 00:20:52,600 --> 00:20:54,560 Speaker 3: and to make mistakes. 351 00:20:54,640 --> 00:21:02,280 Speaker 1: And yeah, at what pointed you let go of caring 352 00:21:02,320 --> 00:21:04,439 Speaker 1: about what people may or may not think of you? 353 00:21:04,640 --> 00:21:05,720 Speaker 2: Because it's not easy to do. 354 00:21:05,880 --> 00:21:11,080 Speaker 3: No, it's not at all. I think it happened in 355 00:21:11,119 --> 00:21:13,119 Speaker 3: the last few years. I think Sylvie did help a 356 00:21:13,119 --> 00:21:18,399 Speaker 3: little bit. I was already on that path, but it 357 00:21:18,440 --> 00:21:22,480 Speaker 3: wasn't it wasn't completely and then Sylvie helped me. Yes, 358 00:21:22,680 --> 00:21:27,840 Speaker 3: thank you, Sylvia. Yeah she did, No, she did. It's 359 00:21:27,840 --> 00:21:29,720 Speaker 3: the first time that I play a character that's so 360 00:21:31,240 --> 00:21:36,280 Speaker 3: it can be, you know, seen as a villain. And 361 00:21:36,320 --> 00:21:40,960 Speaker 3: it's great because you get to own everything you are. 362 00:21:42,800 --> 00:21:46,359 Speaker 3: And it was like I just and it's really great. 363 00:21:46,400 --> 00:21:48,080 Speaker 3: It's really catarctic in a way. 364 00:21:48,240 --> 00:21:48,720 Speaker 2: Yeah. 365 00:21:48,840 --> 00:21:51,960 Speaker 3: Yeah, and so yeah, I think Sylvie helped a lot. 366 00:21:52,560 --> 00:21:55,480 Speaker 1: That's amazing to see. I love hearing stories like that 367 00:21:55,520 --> 00:21:57,320 Speaker 1: where first of all, you come into a point of 368 00:21:57,320 --> 00:22:00,560 Speaker 1: your life where you just stop caring about what people 369 00:22:00,600 --> 00:22:02,919 Speaker 1: think because it is. It is a hard thing to achieve. 370 00:22:02,960 --> 00:22:04,159 Speaker 1: And I know a lot of women look up to 371 00:22:04,160 --> 00:22:07,359 Speaker 1: you and men and just you come off as so 372 00:22:07,480 --> 00:22:10,680 Speaker 1: powerful and strong. But even hearing someone like you say 373 00:22:11,000 --> 00:22:12,800 Speaker 1: that's a character and I had to work on it 374 00:22:12,840 --> 00:22:14,960 Speaker 1: and it just started happening for me in the last 375 00:22:14,960 --> 00:22:17,760 Speaker 1: few years, I think, is a good reminder that we 376 00:22:17,880 --> 00:22:19,000 Speaker 1: all are works in progress. 377 00:22:19,040 --> 00:22:22,720 Speaker 3: Yeah, totally, you know, totally. The only thing that makes 378 00:22:22,720 --> 00:22:26,520 Speaker 3: you really I don't really like the word powerful for 379 00:22:26,560 --> 00:22:34,400 Speaker 3: some reason, for the word strong. The thing that makes 380 00:22:34,480 --> 00:22:36,960 Speaker 3: you really strong is when you don't have to prove 381 00:22:37,000 --> 00:22:41,800 Speaker 3: anything anymore. You don't have to prove anything anymore. And 382 00:22:41,840 --> 00:22:46,600 Speaker 3: that's the moment you get it and you you know, 383 00:22:46,720 --> 00:22:48,879 Speaker 3: you think it, you think about it. All that you 384 00:22:48,880 --> 00:22:50,720 Speaker 3: think about it every day is like, Okay, I don't 385 00:22:50,760 --> 00:22:54,480 Speaker 3: have to prove I don't have to prove. That's when 386 00:22:54,520 --> 00:23:02,080 Speaker 3: you're your strength kind of grows and and you probably 387 00:23:04,160 --> 00:23:08,919 Speaker 3: it helps other people also, yeah, because they go, oh, 388 00:23:10,000 --> 00:23:12,960 Speaker 3: you know, I used I went to India a lot, 389 00:23:13,040 --> 00:23:16,000 Speaker 3: and in India they say, oh, you guys admire people 390 00:23:16,040 --> 00:23:18,239 Speaker 3: that are in the cover of a magazine, and we 391 00:23:18,320 --> 00:23:22,600 Speaker 3: admire the hermit who spent ten years in a cave. 392 00:23:22,800 --> 00:23:24,320 Speaker 2: Mm Oh, that's. 393 00:23:24,160 --> 00:23:26,960 Speaker 3: Powerful and that's so true. 394 00:23:27,320 --> 00:23:30,080 Speaker 2: Yeah, doesn't that sound nice? 395 00:23:31,160 --> 00:23:34,719 Speaker 3: It's great, and it's also it's so important to have 396 00:23:34,840 --> 00:23:39,160 Speaker 3: that in mind all the time. Yeah, you know, because 397 00:23:39,840 --> 00:23:44,240 Speaker 3: ultimately we're all going to die, and the moment, I think, 398 00:23:44,280 --> 00:23:47,880 Speaker 3: the moment we go on the other side is probably 399 00:23:47,880 --> 00:23:50,360 Speaker 3: like you know, the Buddhist wrote about it, the Bardope 400 00:23:50,440 --> 00:23:54,320 Speaker 3: moment where you see your whole life and and you know, 401 00:23:54,480 --> 00:23:57,400 Speaker 3: even never religion, we talk about you the moment the passage, 402 00:23:58,119 --> 00:24:03,760 Speaker 3: because it's probably a very mysterious and incredibly strong moment, 403 00:24:04,000 --> 00:24:07,040 Speaker 3: and we know that there's a release a lot of hormones, 404 00:24:07,040 --> 00:24:08,919 Speaker 3: a lot of you know, chemicals in your brain that 405 00:24:09,000 --> 00:24:14,120 Speaker 3: make you. So that's what we're left with at the end. 406 00:24:15,359 --> 00:24:20,440 Speaker 3: So we'd better prepare for that moment because that's the 407 00:24:20,440 --> 00:24:23,200 Speaker 3: only It's not the cover of Vogue or anything that's 408 00:24:23,320 --> 00:24:25,880 Speaker 3: we're going to bring with us on the other side, right, 409 00:24:26,000 --> 00:24:29,639 Speaker 3: it's something else. It's something, you know, the essence of 410 00:24:29,680 --> 00:24:35,080 Speaker 3: who we are. And yeah, so I don't know, it's 411 00:24:35,440 --> 00:24:37,200 Speaker 3: very mystery. I don't know, I think about it. I'm 412 00:24:37,240 --> 00:24:41,639 Speaker 3: just thinking, Wow, we have to kind of think about 413 00:24:41,640 --> 00:24:45,199 Speaker 3: that sometimes. You know, never forget you're gonna die and 414 00:24:45,240 --> 00:24:47,879 Speaker 3: that moment is going to be You know, all the 415 00:24:47,920 --> 00:24:51,679 Speaker 3: people that did near death experiences came back and they 416 00:24:51,720 --> 00:24:56,399 Speaker 3: all tell the most incredible stories about that. There is 417 00:24:56,480 --> 00:25:01,080 Speaker 3: something there that is a It has a lot of 418 00:25:01,200 --> 00:25:04,440 Speaker 3: value that you know, the human beings should really consider 419 00:25:06,119 --> 00:25:07,200 Speaker 3: more than anything else. 420 00:25:09,440 --> 00:25:12,960 Speaker 2: I want to see some of this spirituality in Sylvie 421 00:25:13,000 --> 00:25:17,800 Speaker 2: next season because I'm here for it. I love it 422 00:25:23,880 --> 00:25:24,719 Speaker 2: as a human. 423 00:25:24,840 --> 00:25:27,040 Speaker 1: I love conversations like this because I'm so with you 424 00:25:27,119 --> 00:25:30,600 Speaker 1: and I can talk five hours about this. It's really cool, 425 00:25:30,600 --> 00:25:32,640 Speaker 1: and it's cool you've tapped into that and you're very 426 00:25:33,840 --> 00:25:35,760 Speaker 1: safe in that space as well, because a lot of 427 00:25:35,800 --> 00:25:38,520 Speaker 1: people don't talk about that and don't want to acknowledge 428 00:25:38,960 --> 00:25:41,960 Speaker 1: the next phase of what happens one day when you're 429 00:25:42,000 --> 00:25:43,879 Speaker 1: not here. So I think that's that's really cool and 430 00:25:43,880 --> 00:25:46,200 Speaker 1: probably a reason why you're one of the many reasons 431 00:25:46,240 --> 00:25:51,000 Speaker 1: why you're so grounded, which isn't always easy to do 432 00:25:51,119 --> 00:25:54,520 Speaker 1: in our business, right, So I think that's that's amazing 433 00:25:54,560 --> 00:25:54,960 Speaker 1: to see. 434 00:25:55,320 --> 00:25:58,280 Speaker 3: Yeah, you have to remember that you just this as 435 00:25:58,320 --> 00:26:02,359 Speaker 3: a vessel. You're carrying something, yeah that is beyond your understanding. 436 00:26:02,400 --> 00:26:06,639 Speaker 3: And then you know, just try to honor the gift 437 00:26:06,680 --> 00:26:11,200 Speaker 3: that is here and that's all. But then just yeah, 438 00:26:11,240 --> 00:26:13,760 Speaker 3: the rest that all the petty stuff happens in life. 439 00:26:13,760 --> 00:26:15,600 Speaker 3: I mean, there's so many, especially in our business. 440 00:26:15,600 --> 00:26:16,000 Speaker 2: You're just. 441 00:26:17,920 --> 00:26:20,160 Speaker 3: It's you can't avoid getting caught up in these things 442 00:26:20,240 --> 00:26:23,760 Speaker 3: sometimes obviously for obvious reasons, because we live in the 443 00:26:23,840 --> 00:26:28,480 Speaker 3: material world and everything. But take a step back and 444 00:26:28,680 --> 00:26:33,080 Speaker 3: just breathe and what's important. 445 00:26:34,040 --> 00:26:37,280 Speaker 1: I'm ready for a meditation class with you coming very soon. 446 00:26:37,359 --> 00:26:39,800 Speaker 1: Oh my god, I need you on the calm app 447 00:26:40,000 --> 00:26:42,280 Speaker 1: so that you can narrate something that I can listen 448 00:26:42,320 --> 00:26:43,280 Speaker 1: to when I go to bed. 449 00:26:43,359 --> 00:26:44,480 Speaker 2: I am ready for it. 450 00:26:45,080 --> 00:26:46,920 Speaker 1: What I want to go back for a minute, because 451 00:26:46,960 --> 00:26:49,200 Speaker 1: you mentioned one day when Emily in Paris is all, 452 00:26:49,320 --> 00:26:52,600 Speaker 1: you know, all done years from now, hopefully that you 453 00:26:52,600 --> 00:26:55,080 Speaker 1: would want to explore other things. Is there a genre 454 00:26:55,600 --> 00:26:58,600 Speaker 1: or a role or a franchise that you've been like, Oh, 455 00:26:58,600 --> 00:27:01,240 Speaker 1: that would be cool one day, you know what. 456 00:27:01,480 --> 00:27:04,880 Speaker 3: I'm open to everything for the read for the good 457 00:27:04,920 --> 00:27:08,440 Speaker 3: reason that I don't know how to answer that question, 458 00:27:08,480 --> 00:27:12,520 Speaker 3: because life has always brought me exactly the roles I 459 00:27:12,680 --> 00:27:17,919 Speaker 3: had to play in order to make progress as a 460 00:27:18,000 --> 00:27:22,440 Speaker 3: human being. So you always think I want that, but 461 00:27:22,480 --> 00:27:27,719 Speaker 3: then what you really need? That's two different things. And 462 00:27:27,800 --> 00:27:31,080 Speaker 3: as an actor, we have the privilege of doing a 463 00:27:31,240 --> 00:27:38,840 Speaker 3: job that gives us the opportunity to live through an 464 00:27:38,880 --> 00:27:45,359 Speaker 3: experimental ego and that will bring some truth to your 465 00:27:46,800 --> 00:27:51,520 Speaker 3: own experience path and you know, realization or whatever. So 466 00:27:52,520 --> 00:27:57,440 Speaker 3: what do I wanna? Anything that's going to make me 467 00:27:57,480 --> 00:28:00,880 Speaker 3: grow even more? And I don't know what it is, 468 00:28:01,760 --> 00:28:06,439 Speaker 3: but I know that always comes, you know, it always 469 00:28:06,440 --> 00:28:10,360 Speaker 3: comes when it can be anything. It could be like Marvel, 470 00:28:10,560 --> 00:28:14,680 Speaker 3: it can be you know, thriller, it can be anything. 471 00:28:14,760 --> 00:28:18,560 Speaker 3: It doesn't It's more about the inner experience of a character. Yeah, 472 00:28:18,600 --> 00:28:24,040 Speaker 3: and you know, it's more about, yeah, what the character 473 00:28:24,080 --> 00:28:27,359 Speaker 3: is going through. You know, even in anything like in 474 00:28:27,400 --> 00:28:29,600 Speaker 3: a comedy or an action film where. 475 00:28:31,440 --> 00:28:34,080 Speaker 2: I want to see you as a female James Bond type, 476 00:28:34,240 --> 00:28:36,600 Speaker 2: Oh my god, I love that you would rock that. 477 00:28:36,640 --> 00:28:38,880 Speaker 2: And you need to wear those zebra boots that you're wearing. 478 00:28:40,040 --> 00:28:40,560 Speaker 3: I'd love that. 479 00:28:40,600 --> 00:28:42,560 Speaker 2: You'd be great. Thank you so good. 480 00:28:42,720 --> 00:28:44,480 Speaker 1: So we've talked a lot about you as an actress 481 00:28:44,480 --> 00:28:46,040 Speaker 1: and you with your work, But what do you do 482 00:28:46,600 --> 00:28:47,400 Speaker 1: when you're not working? 483 00:28:47,440 --> 00:28:49,480 Speaker 2: What recharges you, what refuels you? 484 00:28:49,680 --> 00:28:55,600 Speaker 3: I travel. I love traveling. I've been traveling, yeah, a 485 00:28:55,640 --> 00:28:59,600 Speaker 3: lot since I was young, and I love traveling either 486 00:28:59,640 --> 00:29:03,720 Speaker 3: by my When my daughter was a baby, I would 487 00:29:03,720 --> 00:29:07,160 Speaker 3: travel with her. Then I travel with sometimes with friends. 488 00:29:07,200 --> 00:29:11,920 Speaker 3: But I kind of adore traveling by myself because I 489 00:29:12,000 --> 00:29:15,480 Speaker 3: love to It's easier to meet people, it's easier to 490 00:29:15,520 --> 00:29:19,520 Speaker 3: do whatever you want to do, and it's again, it's 491 00:29:19,600 --> 00:29:23,160 Speaker 3: about experiencing the place, seeing the people, understanding what they're 492 00:29:23,200 --> 00:29:25,280 Speaker 3: going through and what you know. I don't like to 493 00:29:25,360 --> 00:29:28,120 Speaker 3: like do tourism and go around. I have to see that, mommy. No, 494 00:29:28,200 --> 00:29:33,760 Speaker 3: I just sit somewhere and I just try to understand 495 00:29:33,840 --> 00:29:37,440 Speaker 3: what's going on here, what are what people are you know, 496 00:29:37,520 --> 00:29:41,840 Speaker 3: going through, what's their experience of life? What do you know? So? 497 00:29:42,640 --> 00:29:45,360 Speaker 3: And that fills me with joy. I love that. I 498 00:29:45,440 --> 00:29:47,000 Speaker 3: was like that ever since I was a kid. I 499 00:29:47,040 --> 00:29:51,560 Speaker 3: remember restaurant tables with my mom and dad and their friends, 500 00:29:51,560 --> 00:29:53,600 Speaker 3: and they were talking about things that obviously I wasn't 501 00:29:53,600 --> 00:29:57,160 Speaker 3: interested in. So I'd always try to listen to somebody 502 00:29:57,200 --> 00:30:00,880 Speaker 3: else's conversation on the next table and try to figure 503 00:30:00,920 --> 00:30:06,560 Speaker 3: out who they were, what their house was like, what 504 00:30:06,600 --> 00:30:08,640 Speaker 3: their story was like. And I would make up this 505 00:30:08,800 --> 00:30:17,520 Speaker 3: incredible story and worlds, and so I guess, yeah, interest 506 00:30:17,840 --> 00:30:22,040 Speaker 3: for other people's cultures and stories is what really drives me. 507 00:30:22,720 --> 00:30:24,120 Speaker 2: So we share that. 508 00:30:24,240 --> 00:30:27,600 Speaker 1: I love being out to dinner or in a park 509 00:30:27,640 --> 00:30:29,880 Speaker 1: and seeing someone and I'll say to my husband, I'll 510 00:30:29,920 --> 00:30:34,600 Speaker 1: be like, that's a teacher probably teaches below fifth grade, 511 00:30:35,280 --> 00:30:38,720 Speaker 1: single lost her husband, Sally, and I'll just think of 512 00:30:38,800 --> 00:30:42,280 Speaker 1: what they and I really sometimes you nail it. No, 513 00:30:42,360 --> 00:30:45,120 Speaker 1: I have nailed it, because we've asked people not like I, 514 00:30:45,160 --> 00:30:47,320 Speaker 1: have you lost your husband, but like we've in like 515 00:30:47,320 --> 00:30:48,520 Speaker 1: we've been like, oh, what do you do? 516 00:30:48,840 --> 00:30:53,280 Speaker 2: Teacher? I knew it. I knew it. So I'm like you. 517 00:30:53,400 --> 00:30:53,680 Speaker 2: I like that. 518 00:30:53,680 --> 00:30:55,920 Speaker 1: I think it's an interest in people, and that's also 519 00:30:56,000 --> 00:30:58,200 Speaker 1: probably why you do what you do, and a genuine 520 00:30:58,240 --> 00:30:59,440 Speaker 1: interest in people. 521 00:30:59,160 --> 00:31:01,080 Speaker 3: Which yeah, completely, which. 522 00:31:00,920 --> 00:31:03,360 Speaker 2: Is really really cool. I love that. 523 00:31:03,840 --> 00:31:06,040 Speaker 1: I also love that you're somebody who's been working in 524 00:31:06,040 --> 00:31:09,120 Speaker 1: this business for decades and decades and decades. That's not easy. 525 00:31:09,240 --> 00:31:11,440 Speaker 1: I mean, you've been doing it, You've put in the work. 526 00:31:12,000 --> 00:31:16,120 Speaker 1: You are getting these roles in different parts of your 527 00:31:16,160 --> 00:31:19,560 Speaker 1: life that maybe you never thought were possible, but it's happening, 528 00:31:19,600 --> 00:31:22,760 Speaker 1: and you're showing the world that stories are so interesting, 529 00:31:23,360 --> 00:31:25,440 Speaker 1: you know, as you go through this life, and it's 530 00:31:26,120 --> 00:31:29,959 Speaker 1: not easy to do. And I imagine that when you 531 00:31:29,960 --> 00:31:31,880 Speaker 1: were up and coming, when you were in the business. 532 00:31:32,960 --> 00:31:35,440 Speaker 1: We all want to feel seen, right, and we all 533 00:31:35,440 --> 00:31:38,960 Speaker 1: fights feel seen. Do you feel seen at this point 534 00:31:39,120 --> 00:31:41,600 Speaker 1: in your life? And did you have to kind of 535 00:31:42,400 --> 00:31:44,240 Speaker 1: earn that or fight for that throughout your career? 536 00:31:45,680 --> 00:31:49,240 Speaker 3: Oh? Now I feel seen. I mean, I mean, I'm 537 00:31:49,320 --> 00:31:50,840 Speaker 3: in Paris, is all over the world, so I do 538 00:31:50,880 --> 00:31:54,920 Speaker 3: feel seen. It would be kind of a hypocritical saying no, 539 00:31:55,040 --> 00:32:00,360 Speaker 3: I still need attention. No, but no, I feel seen 540 00:32:00,560 --> 00:32:04,280 Speaker 3: and as a person, as an intimately intimately, do I 541 00:32:04,320 --> 00:32:09,719 Speaker 3: feel seen? I don't care anymore. But I used to 542 00:32:09,720 --> 00:32:11,719 Speaker 3: care a lot. It was like, you know, I want 543 00:32:11,800 --> 00:32:14,800 Speaker 3: to exist. I want people to hear my voice. I 544 00:32:15,280 --> 00:32:18,080 Speaker 3: just say, you know. And then now I'm like, I 545 00:32:18,080 --> 00:32:23,120 Speaker 3: don't care anymore. It's more like, I love my job 546 00:32:23,320 --> 00:32:26,960 Speaker 3: because I love going on My favorite part is working 547 00:32:27,000 --> 00:32:30,240 Speaker 3: for a part and being on set. That's my favorite 548 00:32:30,280 --> 00:32:33,120 Speaker 3: part of all reading the script and going, oh my god, 549 00:32:33,120 --> 00:32:34,520 Speaker 3: oh my god, oh my god, oh my god. I 550 00:32:34,560 --> 00:32:36,160 Speaker 3: love her. I want to do her. You Know's that 551 00:32:36,240 --> 00:32:43,400 Speaker 3: kind of thing. Yeah, yeah, and yeah, I don't need 552 00:32:43,440 --> 00:32:44,560 Speaker 3: to be seen. 553 00:32:44,800 --> 00:32:47,000 Speaker 1: Well, it goes back to what you talked about earlier, right, 554 00:32:47,000 --> 00:32:49,560 Speaker 1: It's this freedom of not caring what people's opinions are 555 00:32:49,600 --> 00:32:50,880 Speaker 1: and being in a point in your life where you 556 00:32:50,880 --> 00:32:52,840 Speaker 1: feel really good with where you are and who you are. 557 00:32:52,960 --> 00:32:56,360 Speaker 3: And we all come to these I mean all actors 558 00:32:56,680 --> 00:32:59,280 Speaker 3: have that kind of you know, we start, we do 559 00:32:59,320 --> 00:33:01,240 Speaker 3: this job because we need to be seen. That's you know, 560 00:33:01,320 --> 00:33:04,600 Speaker 3: that's who we are. And we all have like really 561 00:33:04,720 --> 00:33:07,760 Speaker 3: terrible childhoods and blah blah blah, all these things. And 562 00:33:08,720 --> 00:33:11,360 Speaker 3: the good thing is that when you when you're able 563 00:33:11,400 --> 00:33:16,960 Speaker 3: to get over all that and forgive and then you 564 00:33:17,120 --> 00:33:20,680 Speaker 3: just relax, you can just be yourself, yeah, quietly and 565 00:33:20,840 --> 00:33:23,160 Speaker 3: just have fun with the with the job. 566 00:33:23,480 --> 00:33:24,160 Speaker 2: Yeah. Yeah. 567 00:33:24,160 --> 00:33:27,880 Speaker 1: And you and forgiveness That is key, right for not 568 00:33:28,040 --> 00:33:30,360 Speaker 1: just the other person, for you, I mean there's I 569 00:33:30,400 --> 00:33:33,400 Speaker 1: believe forgiveness has so many health benefits too. So at 570 00:33:33,400 --> 00:33:35,200 Speaker 1: the very least, if you're like I don't want to 571 00:33:35,240 --> 00:33:37,360 Speaker 1: forgive someone, like, realize it. 572 00:33:37,360 --> 00:33:39,040 Speaker 2: It causes less stress and. 573 00:33:39,000 --> 00:33:42,880 Speaker 3: It's eating the other person's horrible. Yeah. 574 00:33:42,920 --> 00:33:44,760 Speaker 1: You nailed it with that, And I love that reminder, 575 00:33:44,800 --> 00:33:48,480 Speaker 1: which is so so important so I literally want to 576 00:33:48,520 --> 00:33:52,080 Speaker 1: have a twenty hour spiritual conversation with you. I wish 577 00:33:52,120 --> 00:33:54,440 Speaker 1: we had wine, I wish I'm like, now I'm missed 578 00:33:54,480 --> 00:33:55,480 Speaker 1: opportunity next time? 579 00:33:55,520 --> 00:33:55,920 Speaker 2: For sure? 580 00:33:56,720 --> 00:34:01,640 Speaker 1: Yes, absolutely, oh, yes, yes, yes yes. As we wrap 581 00:34:01,720 --> 00:34:04,440 Speaker 1: this conversation up the name of the shows. I've never 582 00:34:04,480 --> 00:34:06,600 Speaker 1: said this before, and it was born because I work 583 00:34:06,640 --> 00:34:09,640 Speaker 1: a lot of red carpets and junkets, and I sit 584 00:34:09,680 --> 00:34:12,160 Speaker 1: with people for two minutes or three minutes if you're lucky, 585 00:34:12,280 --> 00:34:16,000 Speaker 1: and it's such quick conversation, and usually every outlet wants 586 00:34:16,000 --> 00:34:18,520 Speaker 1: the same bite, and you're answering the same question, and 587 00:34:18,560 --> 00:34:21,000 Speaker 1: it's not interesting for you, it's not interesting for us. 588 00:34:21,040 --> 00:34:22,640 Speaker 1: So I said, I'm going to create a show where 589 00:34:22,960 --> 00:34:24,640 Speaker 1: I can bring people on and we can talk and 590 00:34:24,719 --> 00:34:27,000 Speaker 1: actually have a real conversation and give them a moment 591 00:34:27,040 --> 00:34:29,839 Speaker 1: at the end to say something that's either on their 592 00:34:29,920 --> 00:34:32,440 Speaker 1: mind or that they've never had a chance to say, 593 00:34:32,560 --> 00:34:35,759 Speaker 1: or whatever that question means to you. That is up 594 00:34:35,800 --> 00:34:37,920 Speaker 1: to my guests. So I'm wondering if there is anything 595 00:34:37,960 --> 00:34:39,440 Speaker 1: today you've never said before. 596 00:34:39,760 --> 00:34:46,480 Speaker 3: No, there's something I think we should never forget that 597 00:34:47,320 --> 00:34:51,240 Speaker 3: it's not only about loving ourselves, it's about being able 598 00:34:51,280 --> 00:34:56,760 Speaker 3: to love other people. And that's It's like, loving yourself 599 00:34:56,840 --> 00:35:01,880 Speaker 3: is probably the path to being open to to have 600 00:35:02,000 --> 00:35:05,840 Speaker 3: the courage to love other people. The courage and the 601 00:35:05,920 --> 00:35:11,400 Speaker 3: heart are the same thing. There's this in remember in 602 00:35:12,320 --> 00:35:16,520 Speaker 3: Peter in Sorry Robin Hood, there's Richard heart of Lion 603 00:35:16,640 --> 00:35:20,720 Speaker 3: that comes back from the war. So that's it's love, right, 604 00:35:22,920 --> 00:35:27,759 Speaker 3: Let's be brave, let's love m that's all we can 605 00:35:27,800 --> 00:35:28,600 Speaker 3: do with our lives. 606 00:35:29,000 --> 00:35:32,279 Speaker 1: That is the most beautiful note to end this conversation. 607 00:35:32,800 --> 00:35:35,680 Speaker 1: I'm not kidding you. You call your agent and say 608 00:35:35,800 --> 00:35:38,840 Speaker 1: I need to do a meditation app or a book 609 00:35:39,560 --> 00:35:41,880 Speaker 1: or something, because you have a lot to give in 610 00:35:41,920 --> 00:35:42,480 Speaker 1: that space. 611 00:35:42,760 --> 00:35:44,600 Speaker 2: And I like. 612 00:35:46,400 --> 00:35:48,560 Speaker 1: The things you have to say about it because they're 613 00:35:48,600 --> 00:35:53,040 Speaker 1: based off lived experiences and travel as you mentioned, and 614 00:35:53,160 --> 00:35:55,040 Speaker 1: your life. And I think that in this day and 615 00:35:55,040 --> 00:35:56,920 Speaker 1: age where there's so much noise and everything's coming at 616 00:35:57,000 --> 00:35:59,400 Speaker 1: us from a million different directions, things like that are 617 00:35:59,400 --> 00:36:00,000 Speaker 1: really valuable. 618 00:36:00,160 --> 00:36:04,120 Speaker 3: So it's hard the noise that we Yeah, yeah, it's 619 00:36:04,120 --> 00:36:06,000 Speaker 3: hard because we need meaning. 620 00:36:06,360 --> 00:36:10,640 Speaker 1: Yeah, well, you create good noise for all of us 621 00:36:10,680 --> 00:36:12,919 Speaker 1: with your show and your work, and we are so 622 00:36:13,000 --> 00:36:14,400 Speaker 1: excited for season five. 623 00:36:14,920 --> 00:36:17,440 Speaker 2: We look forward to many more Stories from. 624 00:36:17,280 --> 00:36:18,439 Speaker 3: You was great. 625 00:36:18,520 --> 00:36:19,960 Speaker 2: Oh my god, thank you for having me. 626 00:36:20,040 --> 00:36:22,800 Speaker 1: Yet I couldn't love you more. Andrew Zebra Boots. I'm obsessed. 627 00:36:23,239 --> 00:36:25,480 Speaker 1: So we will see you on season five of Emily 628 00:36:25,520 --> 00:36:25,960 Speaker 1: in Paris. 629 00:36:25,960 --> 00:36:27,120 Speaker 2: Thank you so much, thank you. 630 00:36:30,880 --> 00:36:34,400 Speaker 1: I've Never Said This Before is hosted by Me Tommy Dederio. 631 00:36:35,120 --> 00:36:39,360 Speaker 1: This podcast is executive produced by Andrew Puglisi at iHeartRadio 632 00:36:39,480 --> 00:36:43,799 Speaker 1: and by Me Tommy, with editing by Joshua Colaudney. I've 633 00:36:43,840 --> 00:36:46,200 Speaker 1: Never Said This Before is part of the Elvis Duran 634 00:36:46,320 --> 00:36:48,600 Speaker 1: podcast Network on iHeart Podcasts. 635 00:36:49,000 --> 00:36:50,759 Speaker 2: For more, rate review. 636 00:36:50,480 --> 00:36:53,600 Speaker 1: And subscribe to our show and if you liked this episode, 637 00:36:53,800 --> 00:37:02,319 Speaker 1: tell your friends. Until next time. I'm Tommy Dedario