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Speaker 1: This radio, mainstream media outlet of breakfast clubs. Break then

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Speaker 1: come here when this day DJ Infy and Charlamagne the God.

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Speaker 2: Being there next to all of you guys.

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Speaker 3: It's really it's one.

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Speaker 4: Of my favorite shows to do, just because y'all always

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Speaker 4: keep it one honey, y'all keep it real.

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Speaker 5: But what better place than than here?

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Speaker 6: I think everybody should go on the breakfast club and

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Speaker 6: start out.

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Speaker 5: Y'all want to shake it up?

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Speaker 7: Good morning Usa yo yo yo yo yo yo yo

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Speaker 7: yo yo yo yo yo yo yo yo yo yo

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Speaker 7: yo yo yo yo yo yo yo yo yo yo

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Speaker 7: yo yo yo.

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Speaker 5: Charlemagne the God, He's to the planet. Guess what day

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Speaker 5: it is? Guess what day it is? That's right, it's Wednesday.

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Speaker 5: Is home day is middle of the week.

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Speaker 7: Now morning, another day to serve man, That is right?

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Speaker 7: Come on, man, I feel blessed, black and highly favored.

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Speaker 7: I feel a feel like I'm ready to be of

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Speaker 7: service today.

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Speaker 5: What's happening?

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Speaker 8: Well, Jason Lee was supposed to join us today, but

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Speaker 8: he had a scheduled conflict.

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Speaker 5: I didn't know that what happened.

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Speaker 8: I didn't know that to this morning yesterday. I guess

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Speaker 8: his team, Uh scheduled something else and he couldn't make it.

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Speaker 8: But you know, after the show yesterday said I'll be

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Speaker 8: back tomorrow. But well he's a busy man, Yes he is.

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Speaker 7: And you know that's why the breakfast Club a third

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Speaker 7: seat is a rotating position at the moment, right, because

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Speaker 7: you know, people be busy. I know that there's a

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Speaker 7: lot of people that y'all like to see. He's sitting

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Speaker 7: in the see. We always hear people say, you know,

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Speaker 7: Jess Hilarius, just be busy. You hear people say, Claudia Jordan,

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Speaker 7: Claudia's Claudiamen shooting something for a minute.

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Speaker 5: I don't know what island somewhere right something? Yeah, yeah, yeah, yeah,

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Speaker 5: I know.

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Speaker 7: She says she's going to announce it soon, whatever it is,

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Speaker 7: you know what I mean. But the fact that the

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Speaker 7: matter is, folks be busy. They be busy, that's all,

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Speaker 7: and tell they're not.

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Speaker 5: That's right.

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Speaker 7: This is our commitment from six am to ten am,

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Speaker 7: that is right. And soon it'll be somebody else's commitment

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Speaker 7: from six am to ten am. Correct who that person

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Speaker 7: will be?

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Speaker 9: We don't know.

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Speaker 5: You believe me when I'm lying, Yes, when you're lying,

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Speaker 5: believing or what he's telling.

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Speaker 7: The truth, but it means already, no, do you know,

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Speaker 7: are you lying? I just told you believe me when

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Speaker 7: I'm lying, I'm lying, You're lying. Listen, no ever listen

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Speaker 7: to me most of the time, because I'll just be lying. Okay, okay,

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Speaker 7: but you should be listening to me when i'm lying,

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Speaker 7: because when i'm lying, I'm probably telling the truth.

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Speaker 5: But when i'm telling the truth, I'm probablying. But you'll

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Speaker 5: never know because I'm lying facts or maybe not facts,

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Speaker 5: because you could be lying whatever you wanted to do.

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Speaker 5: All right, all right, Well did you see it me

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Speaker 5: and TI Awards last night?

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Speaker 6: No?

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Speaker 5: Okay, all right, I didn't.

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Speaker 7: I watched the Rap I watched I was trying to

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Speaker 7: watch the Rap City documentary though. That's what I was

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Speaker 7: really really interested in, but I kept getting pulled in

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Speaker 7: different directions around that time. But I want to really

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Speaker 7: really sit down and watch the Rap City documentary because

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Speaker 7: that is Rap City Documentary looked incredible.

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Speaker 5: Yeah, I didn't. I didn't get a chance to see

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Speaker 5: the Rap City Documentary. I kind of lived it.

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Speaker 8: I think I DJ like five six, seven, eight times

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Speaker 8: down there in the base kind of was there. I was,

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Speaker 8: you know, I got this chance to see it, and

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Speaker 8: that was all I had at that time when I

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Speaker 8: was a kid growing up was watching Rap City and

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Speaker 8: I got a chance to DJ several times, So it

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Speaker 8: was pretty good.

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Speaker 7: City is a cultural institution, and that's why I love

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Speaker 7: documentaries because sometimes not sometimes all the times, those documentaries

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Speaker 7: put cultural institutions in perspective. So even just watching what

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Speaker 7: I saw some of last night, you know what I mean,

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Speaker 7: it bought back a lot of different feelings and emotions,

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Speaker 7: even watching all of the different hosts, because you know,

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Speaker 7: there might be people that think of a certain host. Yes,

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Speaker 7: but we grew up in the era we saw them all.

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Speaker 7: We saw Chris Thomas and Mayor, we saw Joe Claire,

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Speaker 7: we saw yeah, you know, we saw Madlins. Yeah, I

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Speaker 7: mean we saw the Madlis was last one, Q four

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Speaker 7: to five. Madlinks was last one, right, the last two

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Speaker 7: last year.

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Speaker 5: I think Jay Nicks did it for a little while.

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Speaker 5: I remember, I remember that whole run. It's it's interesting.

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Speaker 7: Yeah, yeah, I can't wait to get home and really

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Speaker 7: get into that RAHP City documentary.

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Speaker 8: All right, Well, off Set will be joining us today,

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Speaker 8: has an album that comes out this Friday, So we're

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Speaker 8: gonna be kicking it with off set in a little bit.

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Speaker 8: And also today is Cardy B's birthday, So happy birthday,

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Speaker 8: body B.

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Speaker 5: Let's look at that.

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Speaker 7: Look at this sanchronicity in that. So what synchronicity? I

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Speaker 7: don't even know if I use that word, right, I

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Speaker 7: don't know, y'all know what I mean. I know what

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Speaker 7: you said, it's gonna be here today and this body's

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Speaker 7: born day.

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Speaker 5: That's right.

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Speaker 7: That actually means nothing, you know what I mean, but

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Speaker 7: it means everything. All right, Well, let's let's start to

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Speaker 7: show off with some body.

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Speaker 8: It's a birthday, dammit, and we got front page news

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Speaker 8: testing figure out be joining us to the breakfast cloak

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Speaker 8: of Morning Morning. Everybody's DJ n V charlemagnea God. We

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Speaker 8: are the breakfast Club. Let's get in some front page news.

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Speaker 8: Good morning, tis.

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Speaker 10: Good morning, DJ and V Charlemagne the God and the

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Speaker 10: breakfast club family.

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Speaker 8: Before we jump right into it, I just want to

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Speaker 8: tell people that flag football is being considered for the

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Speaker 8: twenty twenty eight Olympic Games in Los Angeles, So they're

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Speaker 8: gonna make flag football.

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Speaker 5: They're thinking about making it an official sport.

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Speaker 8: So I just want to tell people that, all right now,

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Speaker 8: let's start right after what's going on with the Republicans.

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Speaker 11: Yeah.

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Speaker 10: House Republicans wrapped up their candidate forum Tuesday night, where

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Speaker 10: lawmakers heard from two current options to become Speaker of

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Speaker 10: the House. As we know, Kevin McCarthy was OUs as

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Speaker 10: Speaker of the House. So right now, the two candidates

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Speaker 10: our Representative Jim Jordan and Steve Calise. The two men

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Speaker 10: had an opportunity to pitch themselves to their party members

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Speaker 10: ahead of a secret ballot vote that's scheduled for today,

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Speaker 10: in an attempt to convince the Congress that they can

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Speaker 10: gather two hundred and seventeen votes needed to win the gavel.

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Speaker 10: It looks like neither one of them were able to

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Speaker 10: convince folks that they had I guess the muscle to

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Speaker 10: do it. So we'll see how that works out today. Now,

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Speaker 10: former Speaker McCarthy, who as I mentioned, was moved from

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Speaker 10: Speaker of the House. He has asked them not to

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Speaker 10: nominate him as a Speaker, but some folks that they

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Speaker 10: still will be voting for him, despite him even saying literally,

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Speaker 10: do not nominate me because I know I won't win.

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Speaker 10: But I guess a few folks you don't have a

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Speaker 10: point to prove with that because they're still upset about

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Speaker 10: McCarthy losing that position. When they asked what are the

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Speaker 10: chances that the House would select a new speaker by Wednesday,

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Speaker 10: Representative Thomas Macy said, I.

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Speaker 3: Would say two percent.

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Speaker 5: Now.

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Speaker 10: Meanwhile, House of Democrats did finish up their candidate forum

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Speaker 10: last night in less than an hour, nominating their leader

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Speaker 10: Hakeem Jeffries.

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Speaker 7: Is whoever they put in that position going to have

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Speaker 7: actual power? They is going to be another puppet life McCarthy.

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Speaker 3: Was, Yeah, it just we're going to see. That's a

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Speaker 3: great question.

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Speaker 10: Charlemagne Matt Gates, who was really against McCarthy and you know,

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Speaker 10: set that deal up in the beginning to oust him.

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Speaker 10: He did say that whoever goes in this position, he

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Speaker 10: will not ousk them. But you know, we'll see, we'll see.

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Speaker 10: It's still right now, they still don't have any type

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Speaker 10: of consensus with that, So it just depends on what

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Speaker 10: deal they make.

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Speaker 7: I feel like McCarthy was on ninety day probation since

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Speaker 7: the first time he got that gig. It's like he

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Speaker 7: was like he was under a probationary period since he

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Speaker 7: started that job.

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Speaker 3: Yeah, he was set up to fail right out the gate.

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Speaker 10: You know, that's why I took them over fifteen rounds,

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Speaker 10: you know, just to nominate him. So we knew that

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Speaker 10: was just a matter of time. A lot of folks

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Speaker 10: say that surprise he lasts even this long. But you

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Speaker 10: know again, right now no speaker of the House. They

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Speaker 10: need to vote on things like, you know, sending resources

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Speaker 10: to Israel. A lot of stuff that still needs having

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Speaker 10: on table.

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Speaker 3: Don't forget.

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Speaker 10: We're still in the middle of a temporary government shut down,

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Speaker 10: so that needs to have a new vote on.

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Speaker 3: That needs to happen in November.

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Speaker 10: So a lot of stuff that Congress needs to do,

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Speaker 10: and Republics need to get it together since they are

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Speaker 10: the majority.

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Speaker 8: All right, well that is front page news. Thanky cheszl

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Speaker 8: see in a couple of minutes. Everybody else, get it

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Speaker 8: off your lines. Working this morning, they are don't drink five.

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Speaker 8: Somebody paid the bill yesterday eight hundred five eight five

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Speaker 8: one oh five one. Get it off your chest. You

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Speaker 8: want to vent you got some things you want to

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Speaker 8: get off your chest. Call us up right now. It's

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Speaker 8: the breakfast Club.

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Speaker 5: Good morning.

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Speaker 1: The breakfast Club is your time to get it off

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Speaker 1: your chest. Whether you're mad or black.

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Speaker 5: Time to get up and get something. Call up now

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Speaker 5: eight hundred and five eight five one five one. We

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Speaker 5: want to hear from you on the breakfast club. Hello.

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Speaker 3: Who's this?

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Speaker 12: This is Kilani.

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Speaker 5: Hey, Kalana, get it off your chest, Mama.

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Speaker 13: I'm just so irritated this morning yesterday, I'm going to

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Speaker 13: work and I get into a car accident. I call

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Speaker 13: this dude who I've been messing with, you know, for

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Speaker 13: a little while, to come help me, and he basically

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Speaker 13: breaks up with him through touch message in that moment

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Speaker 13: that I needed him.

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Speaker 7: Dangn wow, he's been wanting to break up with you.

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Speaker 7: What did you ask him to do? Just come pick

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Speaker 7: you up.

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Speaker 13: I just called him and I was like, oh my god,

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Speaker 13: her dictats to an accident. It's like seven thirty in

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Speaker 13: the morning right at that point, because I'm going to work,

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Speaker 13: like my mom, I answered, I need you, I know

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Speaker 13: you at work, blah blah blah. And he's like, Okay,

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Speaker 13: get all the information or call me back. I'm like, okay,

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Speaker 13: off of the pops whatever whatever. And I texted him

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Speaker 13: let him know I'm home.

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Speaker 7: Are you gonna come over?

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Speaker 13: And he's just like, I think I need time to myself.

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Speaker 7: I think you should respect that because he realized in

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Speaker 7: that moment that he didn't want to be your emergency contact.

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Speaker 5: He don't want the responsibility. He thought about it.

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Speaker 7: He was like, damn, she got into a bad accident,

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Speaker 7: and the first person she called then when she couldn't

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Speaker 7: get in touch with her mama was me, I don't

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Speaker 7: want that responsibility.

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Speaker 5: Yeah, that's kind of foul, mom. I'm sorry. How bad

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Speaker 5: was the accident?

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Speaker 13: My car is like so messed up, So I'll be

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Speaker 13: taking lift or uber for like another week.

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Speaker 14: They want like two thousand dollars to.

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Speaker 6: Fix the front of the car.

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Speaker 8: Or maybe he feels like he don't want you to

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Speaker 8: ask him for money, or he don't want to drive

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Speaker 8: you to work every day too.

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Speaker 13: But I never that's the thing. I never asked him

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Speaker 13: for money. I never asked him for anything. Like we

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Speaker 13: just have like a cool car. Started off as cool worsness,

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Speaker 13: so we just have like a cool relationship like that.

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Speaker 5: I think you should be happy they just grew into

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Speaker 5: something more. You should be happy that you dodged just bullet,

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Speaker 5: you know what I mean.

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Speaker 7: He's clearly showing that, you know, he doesn't he's not

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Speaker 7: ready for what you might be ready for right now,

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Speaker 7: So go enjoy the holidays.

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Speaker 13: Sorry, it's still it's still hurts, you know, But thanks

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Speaker 13: you guys for answering.

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Speaker 9: I've been listening to y'all forever.

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Speaker 7: Thank you, and listen, the fall just started. You still

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Speaker 7: got time to find you a little a little boot

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Speaker 7: for the fall.

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Speaker 5: I'm gonna try, Okay, yep, what's up?

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Speaker 15: Try?

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Speaker 1: I'm doing a good listening.

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Speaker 9: I heard one of the girls yesterday, but I heard

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Speaker 9: she did it.

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Speaker 5: Oh, Jacon Lee, he asked about you.

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Speaker 7: Yeah, he did somewhere lad up with somebody husband eating

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Speaker 7: up all these snacks in the house where you at?

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Speaker 5: Jason? Oh the way, Jason Lee, I didn't know Jason

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Speaker 5: wasn't coming this morning.

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Speaker 9: That's crazy that I y'all. If y'all wanted to be

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Speaker 9: the celebrity they come a host this league.

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Speaker 5: Y'all could have called me, jesus, what with you with Jason?

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Speaker 7: What happened?

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Speaker 5: What's the smoke for?

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Speaker 7: I don't like me?

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Speaker 9: He called him?

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Speaker 5: Where they do that? Man?

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Speaker 9: My name is trapp ak a twin. Miss Lee is

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Speaker 9: letting you.

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Speaker 5: Know what is the problem? Trapped? Why you just calling it?

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Speaker 5: I don't get it. Why you call it it just

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Speaker 5: being sassy with Jason Lee.

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Speaker 9: Because Jason Lee is being sassy yesterday.

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Speaker 5: I don't remember I missed it.

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Speaker 9: Yeah, he was asking about me. He's like, well, where

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Speaker 9: that gay do that?

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Speaker 5: First of all, it's not my name in America, I know.

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Speaker 9: But he said where they gave you trash yep?

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Speaker 5: Okay? But anyway, Oho, Eli.

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Speaker 9: I'm calling to stand up for him today because Charlamagne,

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Speaker 9: I don't like how you shooting him last week by

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Speaker 9: saying he was on drinky fusy.

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Speaker 14: You know what, I'm on Cole's Pole.

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Speaker 3: Eli.

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Speaker 5: We are connected. It's fine.

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Speaker 14: I stand with you.

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Speaker 9: If you're gonna be a stand for your favorite artist,

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Speaker 9: stand for your favorite artist.

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Speaker 7: You you should release Cole's Poll and Eli needs to

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Speaker 7: release Drizzy's Glizzy.

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Speaker 5: You know it's crazy.

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Speaker 7: I think that all of these negative reactions that people

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Speaker 7: are having the Drake's album, even though I think that

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Speaker 7: it's unfair. I think these negative reactions they've gotten to Eli.

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Speaker 7: He ain't been here all week.

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Speaker 9: I think it's actually in New York.

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Speaker 16: And listen to the album.

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Speaker 9: The whole ride up there and the whole ride back.

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Speaker 5: It's not as bad as the internet is making no, no.

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Speaker 9: Not making this seam.

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Speaker 5: It's really nice. Nor all right, san.

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Speaker 8: Get it off your chest, but get it off your chest.

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Speaker 8: Eight hundred five eight five one five one. If you

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Speaker 8: need to vin, hit us up now. It's the Breakfast Love,

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Speaker 8: good morning, the Breakfast Club.

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Speaker 5: Right right, ray, Yo, Charla man, Nancy?

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Speaker 17: What up are we lying?

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Speaker 5: This is your time to get it off your chest.

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Speaker 5: I got an indoor pool. We want to hear from

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Speaker 5: you on the break club.

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Speaker 2: Get on the phone right now.

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Speaker 11: He'll tell you what it is.

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Speaker 5: Hello. Who's this yo?

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Speaker 11: Yo?

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Speaker 9: This market from Tampa.

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Speaker 5: Flood markus from Tampa, Florida. What get it off each other? Brother?

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Speaker 9: Hey, real quick, Charlie Mayne, you gotta take it easy

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Speaker 9: on Flood of my bad. You always coming to us,

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Speaker 9: but you never talk about the Bronx. You say the

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Speaker 9: craziest keep the person in Florida in the Bronx. But

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Speaker 9: I haven't heard you say anything about the Bronx in

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Speaker 9: a good little minute. The signats always dedicated to us.

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Speaker 9: What's going on?

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Speaker 5: Man?

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Speaker 7: That's because Florida always outshines everybody when it comes to

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00:12:34,760 --> 00:12:37,319
Speaker 7: having the craziest stories. Like right now, I haven't even

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00:12:37,360 --> 00:12:39,560
Speaker 7: looked at my donkeys yet, But automatically I'm looking at

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00:12:39,600 --> 00:12:42,200
Speaker 7: some headlines. Florida woman skips one hundred and sixty dollars

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Speaker 7: Walmart bill claimed security guard tried to hoghl at her.

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Speaker 7: Florida man punched his pitch on custom man wheelchair McDonald's

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Speaker 7: after heated argument. Florida man fatally stabbed brothers pow after

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Speaker 7: nobody shared weed with him.

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Speaker 5: What you want me to do?

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Speaker 11: Man?

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00:12:55,200 --> 00:12:56,040
Speaker 5: What you want me to do?

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Speaker 15: You want to know the answer to that.

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Speaker 9: But everybody moved, all these all these people coming from

340
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Speaker 9: different carts for the reason. This is the retirement state.

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Speaker 9: I mean, we got no taxes. The weather's grade, it's

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Speaker 9: a twil traction. Everybody started to coming here.

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Speaker 7: Most of these people ain't never committed a crime till

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Speaker 7: they get to Florida and they drink some of that

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Speaker 7: guy damn Florida water, and they turn and then they

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Speaker 7: turn in the gun play the by Marcus Marcus.

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Speaker 5: Hello, who's this yo? This is Chris, Chris, Get off

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Speaker 5: your chest, Chris. Hey, what's up?

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Speaker 4: Man?

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Speaker 14: I just want to say, charlamae.

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Speaker 5: Eighty four three, what's happening?

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Speaker 14: I'm right here, my brother, Hey, I want to tell

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Speaker 14: you man, I'm disappointed in you.

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Speaker 17: Man.

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Speaker 14: You are really cut. I feel like I hear all

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Speaker 14: this break talk this week, you know, shout out the

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Speaker 14: Ovo Eli, no forty tub, all them guys. But what

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00:13:52,160 --> 00:13:54,760
Speaker 14: about rod Wave. Y'all ain't say nothing about rod Wave

359
00:13:54,840 --> 00:13:58,079
Speaker 14: when he dropped. Rock Wave went number one. You know

360
00:13:58,120 --> 00:14:01,560
Speaker 14: what I'm saying, rock Waves selling out or right by himself,

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00:14:01,840 --> 00:14:05,320
Speaker 14: he headlining. But I don't hear nothing about road Wave.

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00:14:05,440 --> 00:14:08,760
Speaker 14: You absolutely right right say, I ran on Billboard now

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00:14:09,200 --> 00:14:12,360
Speaker 14: he's the second artist behind Taylor Swift to get number

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Speaker 14: one consecutively twenty twenty one, twenty two, and twenty three.

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00:14:16,400 --> 00:14:19,760
Speaker 5: But they talked about you're absolutely right, Luthor, rod Waves.

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Speaker 14: We gotta change that now.

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00:14:21,080 --> 00:14:22,480
Speaker 5: We gotta change You're doing it right now?

368
00:14:22,560 --> 00:14:24,640
Speaker 7: When you right, you right though, Sluthor, Roadwave and that

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00:14:24,800 --> 00:14:27,560
Speaker 7: nostalgia album, road Wave definitely doing this thing.

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00:14:28,000 --> 00:14:30,200
Speaker 14: Yeah, y'all, y'all gotta start playing. I know that y'all

371
00:14:30,240 --> 00:14:33,080
Speaker 14: got the system. Y'all play with what what? Y'all gotta

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00:14:33,120 --> 00:14:35,320
Speaker 14: play this and that, But at least talk about rod

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Speaker 14: Man rock from Florida on Florida rether than Florida Man

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Speaker 14: at South.

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Speaker 1: But Charlotte Mane.

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Speaker 14: I I just depend the most from you from the South.

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Speaker 5: You're absolutely right.

378
00:14:42,840 --> 00:14:45,560
Speaker 7: That's right, Blaby Charlotte, Rocky road Wave and Nick Grant

379
00:14:45,640 --> 00:14:46,760
Speaker 7: dropped a real great project.

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Speaker 5: We should be playing.

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00:14:47,720 --> 00:14:49,760
Speaker 7: Uh we should give fight to Feeling some spins on

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Speaker 7: the radio that's off the Nostalgia album.

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00:14:51,840 --> 00:14:53,400
Speaker 5: You're absolutely right. I'm not gonna sit here and tell

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00:14:53,400 --> 00:14:55,160
Speaker 5: you that you're wrong. All right, Well, get it off

385
00:14:55,240 --> 00:14:57,920
Speaker 5: your chest. Eight hundred five eighty five one on five one.

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00:14:58,040 --> 00:14:59,360
Speaker 5: If you need to vent, you can hit us up.

387
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Speaker 5: We got your rumors.

388
00:15:00,720 --> 00:15:02,080
Speaker 8: When we come back, we got to talk to b

389
00:15:02,240 --> 00:15:04,280
Speaker 8: E T Awards to BT hip Hop Awards were on

390
00:15:04,440 --> 00:15:06,560
Speaker 8: last night. If you missed it, well we'll fill you in.

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00:15:06,880 --> 00:15:08,920
Speaker 8: Who performed, who won, what and all that. So don't

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Speaker 8: go anywhere. It's the Breakfast Club on be Et, the

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Speaker 8: breakfast Club.

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Speaker 5: Morning everybody. It's TJ V. Charlamagne the God. We are

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Speaker 5: the Breakfast Club. Let's get to the rumors. Let's talk

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00:15:21,520 --> 00:15:27,320
Speaker 5: to be Et hip Hop Awards of names or you've gossip?

397
00:15:30,520 --> 00:15:31,360
Speaker 5: Is the rumor report?

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00:15:31,440 --> 00:15:32,680
Speaker 2: I mean, I guess we're on the breakfast Club.

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Speaker 5: This is where the tea.

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Speaker 8: Spells right right now, last night, of course, was the

401
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Speaker 8: twenty twenty three b E T Hip Hop Awards, hosted

402
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Speaker 8: by Fact Joe.

403
00:15:39,480 --> 00:15:44,840
Speaker 5: Slew to Joe Crack dropping the Clues Box with Joe Kredak. Now.

404
00:15:44,960 --> 00:15:47,680
Speaker 8: The show started off with the Baby. The Baby started

405
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Speaker 8: off with a lot of energy. We actually seen that

406
00:15:49,400 --> 00:15:51,760
Speaker 8: because we were there, and the baby killed it. We

407
00:15:51,840 --> 00:15:53,840
Speaker 8: thought the rehearsals, well, I seen it because I was

408
00:15:53,880 --> 00:15:55,520
Speaker 8: Remember I came out and actually seen it. Oh you

409
00:15:55,600 --> 00:15:57,760
Speaker 8: stayed stay for a little bit. Yeah, oh okay, yeah,

410
00:15:57,800 --> 00:15:59,400
Speaker 8: stay for a little bit. I actually seen the baby

411
00:15:59,440 --> 00:16:01,440
Speaker 8: perform and and yeah, he killed it. He also bought

412
00:16:01,760 --> 00:16:04,400
Speaker 8: brought out Sexy Red. He brought out Manny Fresh and

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Speaker 8: Juve Now.

414
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Speaker 7: So I can't wait until Sexy Red hits the stage

415
00:16:08,240 --> 00:16:11,800
Speaker 7: and does uh does Rich Baby Daddy off that Drake

416
00:16:11,840 --> 00:16:14,080
Speaker 7: album Rich Baby's song Hard, I don't care what y'all.

417
00:16:14,120 --> 00:16:16,440
Speaker 8: I told you're gonna get that song now also, which

418
00:16:16,600 --> 00:16:20,560
Speaker 8: was pretty dope. Jermaine Dupree. They celebrated the thirtieth anniversary

419
00:16:20,680 --> 00:16:21,800
Speaker 8: of So So Deaf.

420
00:16:21,920 --> 00:16:22,760
Speaker 11: So Uh.

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00:16:23,080 --> 00:16:25,080
Speaker 5: Jermaine dupre brought out a bunch of artists.

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Speaker 7: Sure.

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00:16:25,400 --> 00:16:27,720
Speaker 8: He started with welcome to Atlanta, right, you know? He

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00:16:27,800 --> 00:16:31,640
Speaker 8: started off with Jump. So he actually produced Jump on

425
00:16:31,760 --> 00:16:33,920
Speaker 8: the on the machine. No, no, he actually did it live.

426
00:16:34,400 --> 00:16:35,960
Speaker 8: He did it live, and then he started off with Jump.

427
00:16:36,000 --> 00:16:38,000
Speaker 8: He did the first verse and then he brought out

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Speaker 8: Ludacris to Welcome to Atlanta.

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Speaker 7: Okay, y'all be playing with j D? Did he gonna

430
00:16:42,400 --> 00:16:44,640
Speaker 7: catch hell with JD? In he verses, I don't care

431
00:16:44,640 --> 00:16:47,880
Speaker 7: what y'all say. Also, I ain't saying that JD will

432
00:16:48,200 --> 00:16:51,640
Speaker 7: beat wash Diddy in any way shape before I'm Jermaine

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00:16:51,720 --> 00:16:53,640
Speaker 7: Dupree is some pushover, that's right, Okay.

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00:16:53,880 --> 00:16:56,200
Speaker 8: He also brought out Little John, he brought out Nelly,

435
00:16:56,280 --> 00:16:58,560
Speaker 8: he brought out Chingy, and he brought out the Brat.

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00:16:58,640 --> 00:17:00,440
Speaker 5: The Brad has so much energy. She killed you know.

437
00:17:00,520 --> 00:17:02,600
Speaker 5: She recently had a baby too. So that was dope.

438
00:17:02,640 --> 00:17:05,040
Speaker 7: And that's just JD's hip hop bag, you know what

439
00:17:05,080 --> 00:17:07,399
Speaker 7: I'm saying. The R and B bag is where it

440
00:17:07,480 --> 00:17:08,320
Speaker 7: really gets spicy.

441
00:17:08,800 --> 00:17:10,760
Speaker 8: He also brought out bow Wow, which was good to hear.

442
00:17:10,880 --> 00:17:12,960
Speaker 8: It seems like they're not beefing because bow Wow came out.

443
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Speaker 5: I rapped the bow Wow.

444
00:17:13,920 --> 00:17:15,760
Speaker 7: I'm glad he's coming to his senses on that because

445
00:17:15,800 --> 00:17:19,679
Speaker 7: the reality is, you know, bow Wow's legacy is forever

446
00:17:19,960 --> 00:17:23,480
Speaker 7: tied to Jermaine because period, of course, what I'm.

447
00:17:23,320 --> 00:17:26,240
Speaker 5: Saying is nothing bow Wow can do to shake that,

448
00:17:26,560 --> 00:17:28,359
Speaker 5: you know what I mean. Jermaine Dupree is the.

449
00:17:28,359 --> 00:17:30,960
Speaker 8: Reason that we know the bow Wow that we knew

450
00:17:31,000 --> 00:17:32,760
Speaker 8: that's right, and I mean and like I said, bone

451
00:17:32,800 --> 00:17:35,359
Speaker 8: Crusher came out, and also the franchise boys.

452
00:17:35,920 --> 00:17:36,040
Speaker 17: Uh.

453
00:17:36,119 --> 00:17:39,760
Speaker 8: And then also of course everybody always talks about the ciphers,

454
00:17:39,880 --> 00:17:40,560
Speaker 8: So the ciphers.

455
00:17:40,680 --> 00:17:40,800
Speaker 5: Uh.

456
00:17:41,040 --> 00:17:44,360
Speaker 8: They split it into three different ciphers, one cipher with Timberland,

457
00:17:44,400 --> 00:17:45,600
Speaker 8: one cipher with Swiss Beats.

458
00:17:46,080 --> 00:17:46,240
Speaker 7: Uh.

459
00:17:46,920 --> 00:17:48,320
Speaker 5: So let's just go through some of the ciphers.

460
00:17:48,640 --> 00:17:52,040
Speaker 8: Simba was part of Swiss Beats cipher where Swiss Beats

461
00:17:52,040 --> 00:17:53,960
Speaker 8: they wrapped over Swiss Beach produced records.

462
00:17:53,760 --> 00:17:57,360
Speaker 7: Dropping the clue the bonds for Symbol super lyricists top

463
00:17:57,440 --> 00:18:00,800
Speaker 7: tier MC. We don't just use that term m C lightly.

464
00:18:00,880 --> 00:18:02,280
Speaker 7: You know, there's a lot of rappers out there, not

465
00:18:02,359 --> 00:18:05,920
Speaker 7: too many mcs. Symbol is a super MC and a

466
00:18:05,960 --> 00:18:06,520
Speaker 7: great human.

467
00:18:06,760 --> 00:18:09,800
Speaker 8: Cassidy also was in the sighther on Swiss BEA's side,

468
00:18:09,840 --> 00:18:11,560
Speaker 8: and he killed it as well. I also got to

469
00:18:11,600 --> 00:18:14,200
Speaker 8: go to the o G. He was rapping on Timberland

470
00:18:14,280 --> 00:18:16,159
Speaker 8: side the og bun b body.

471
00:18:16,359 --> 00:18:18,240
Speaker 5: I need every single one of you young and to know,

472
00:18:18,600 --> 00:18:20,200
Speaker 5: with the exception of symbol.

473
00:18:20,320 --> 00:18:25,200
Speaker 7: Bun be bodied you all, clums with the og body,

474
00:18:25,920 --> 00:18:26,920
Speaker 7: he bodied you all.

475
00:18:27,520 --> 00:18:30,200
Speaker 8: We got two more clips. And also the Mexican Ot

476
00:18:30,480 --> 00:18:31,120
Speaker 8: killed it as well.

477
00:18:31,320 --> 00:18:33,360
Speaker 7: Okay, I forgot to add mexican Ot to that list

478
00:18:33,800 --> 00:18:37,280
Speaker 7: of people who b didn't body. Okay, Mexicano T hard

479
00:18:37,359 --> 00:18:39,359
Speaker 7: dropping the clues bombs for Mexicano T. I don't know

480
00:18:39,480 --> 00:18:42,400
Speaker 7: the guy who just knows music, He's dope. And last,

481
00:18:42,680 --> 00:18:45,199
Speaker 7: let's got the awards. Man ain't no awards giving out.

482
00:18:45,200 --> 00:18:48,000
Speaker 5: He was talk about some of the performances.

483
00:18:48,080 --> 00:18:50,080
Speaker 8: Last, and also we got to talk about Marlly more

484
00:18:50,240 --> 00:18:53,280
Speaker 8: mally Moore, a legendary producer in DJ from Queens. He

485
00:18:53,400 --> 00:18:56,959
Speaker 8: produced for everybody from Big Eie to UH. He did

486
00:18:57,000 --> 00:18:59,600
Speaker 8: a Roundaway Girl for LL cool J. He got the

487
00:18:59,680 --> 00:19:00,879
Speaker 8: IM Hip Hop Award.

488
00:19:01,840 --> 00:19:04,600
Speaker 18: This started out as a dream in forty one seventeen,

489
00:19:04,760 --> 00:19:10,360
Speaker 18: Vernon Boulevard, Long Island City, Queensbridge. My window faced Manhattan,

490
00:19:10,440 --> 00:19:12,640
Speaker 18: so that's all I could look at and wonder what's

491
00:19:12,800 --> 00:19:15,119
Speaker 18: happening in them lights over there? So I want to

492
00:19:15,200 --> 00:19:17,960
Speaker 18: be there I had some people inspire me in my life.

493
00:19:18,200 --> 00:19:20,640
Speaker 18: I mentioned them in the bridge. It was t Tom,

494
00:19:20,800 --> 00:19:24,800
Speaker 18: Jappie Jack, Larry Lad and Gas. But they wasn't the

495
00:19:24,880 --> 00:19:27,840
Speaker 18: ones that put me on when I got with mister Magic.

496
00:19:28,359 --> 00:19:32,960
Speaker 18: Through mister Doctor, Bob Lee Shahin's father and my building

497
00:19:33,440 --> 00:19:36,760
Speaker 18: brought me to mister Magic and we changed the world.

498
00:19:36,840 --> 00:19:40,000
Speaker 5: Being the first rap show on the radio.

499
00:19:41,560 --> 00:19:44,240
Speaker 18: Back in New York and w BLS, I was the

500
00:19:44,400 --> 00:19:47,760
Speaker 18: first hip hop DJ to rock live on the radio.

501
00:19:48,280 --> 00:19:51,080
Speaker 18: And then I brought sample into hip hop. That changed

502
00:19:51,160 --> 00:19:51,639
Speaker 18: my world.

503
00:19:52,240 --> 00:19:53,119
Speaker 5: Luth Molly Ma.

504
00:19:53,880 --> 00:19:56,919
Speaker 7: We probably wouldn't be here without them, No, mister Magic,

505
00:19:57,160 --> 00:19:58,960
Speaker 7: they laid the foundation for hip hop radio.

506
00:19:59,080 --> 00:19:59,640
Speaker 5: That is a fact.

507
00:20:00,200 --> 00:20:02,440
Speaker 8: And then for some of the award winners hip Hop

508
00:20:02,560 --> 00:20:06,000
Speaker 8: Artists of the Year, congratulations to Kendrick Lamar he won

509
00:20:06,080 --> 00:20:08,720
Speaker 8: that debate hip Hop Album of the Year. Drake and

510
00:20:08,760 --> 00:20:09,920
Speaker 8: twenty one Savage won that.

511
00:20:10,480 --> 00:20:11,879
Speaker 5: I don't really have any debate about that.

512
00:20:11,920 --> 00:20:15,440
Speaker 8: Who's in the category, uh, Megan thee Stallion, Little Uzzi Vert,

513
00:20:15,520 --> 00:20:18,480
Speaker 8: Jack Harlow, Metro Booming, Calick Coiler Ray.

514
00:20:18,680 --> 00:20:21,880
Speaker 5: Oh Yeah, Drinking twenty one Little Uzzi Vert one Song

515
00:20:21,960 --> 00:20:22,320
Speaker 5: of the Year.

516
00:20:23,400 --> 00:20:27,359
Speaker 8: I want to rock yep. And Best hip Hop Platform

517
00:20:27,560 --> 00:20:28,720
Speaker 8: Karrisha Please.

518
00:20:28,520 --> 00:20:31,960
Speaker 7: We gotta stop sleuthor Karesha, love Young Miami to death,

519
00:20:32,040 --> 00:20:34,240
Speaker 7: but come on now. Two years in a row, yes,

520
00:20:34,480 --> 00:20:36,720
Speaker 7: but last year she tied with Drink Champs. I got

521
00:20:36,800 --> 00:20:39,000
Speaker 7: mad love for Karesha, But you got platforms that come

522
00:20:39,040 --> 00:20:41,800
Speaker 7: out daily, and you got platforms that come out weekly,

523
00:20:42,080 --> 00:20:44,240
Speaker 7: you know, like the million dollars work for Games and

524
00:20:44,280 --> 00:20:48,200
Speaker 7: the Drink Champs. You know, Joe Budden like, come on now,

525
00:20:48,640 --> 00:20:52,480
Speaker 7: come on, I love Karesha please, but was that sponsored

526
00:20:52,520 --> 00:20:53,040
Speaker 7: by Daily On?

527
00:20:53,560 --> 00:20:57,080
Speaker 5: I don't know what Daily On the sponsor of the

528
00:20:57,119 --> 00:20:59,560
Speaker 5: BT hip Hop A watch I don't know. And also

529
00:20:59,680 --> 00:21:03,399
Speaker 5: last Salt Spice, salute to you, Crease dropping the clues bombs, Creese,

530
00:21:05,040 --> 00:21:07,359
Speaker 5: love her, love what she does, but two years in

531
00:21:07,440 --> 00:21:09,960
Speaker 5: a row, come on now and salute to Ice Spice.

532
00:21:10,160 --> 00:21:12,200
Speaker 8: This was the only award I've seen, Actually, she won

533
00:21:12,280 --> 00:21:13,960
Speaker 8: our Best Breakthrough hip Hop Artist.

534
00:21:14,000 --> 00:21:15,960
Speaker 7: That's the only award that I seen last night, and

535
00:21:16,040 --> 00:21:18,800
Speaker 7: she wasn't there for it. But congratulations to Ice Spice

536
00:21:18,880 --> 00:21:22,639
Speaker 7: and that if Kreesia Please did come out weekly, I

537
00:21:22,680 --> 00:21:24,800
Speaker 7: wouldn't have no problem with it, you know what I'm saying,

538
00:21:24,840 --> 00:21:27,680
Speaker 7: because it is that good when she drops, right, but

539
00:21:27,840 --> 00:21:30,240
Speaker 7: I just don't see enough of it for her to

540
00:21:30,280 --> 00:21:32,080
Speaker 7: win hip Hop Platform of the Year two years in

541
00:21:32,119 --> 00:21:33,879
Speaker 7: a row. Last year she tied with drink Chin Right,

542
00:21:34,240 --> 00:21:37,680
Speaker 7: so I asked again, what daily are the sponsor of

543
00:21:37,920 --> 00:21:38,720
Speaker 7: the BT.

544
00:21:38,680 --> 00:21:41,080
Speaker 5: Hip Hop Awards. When we come back, we got front page.

545
00:21:41,200 --> 00:21:43,920
Speaker 7: Clearly it's not rigged because the Breakfast Club would have

546
00:21:43,960 --> 00:21:49,399
Speaker 7: won on BT IS Right now, maybe Teslian figure out

547
00:21:49,440 --> 00:21:51,320
Speaker 7: has front page dues when we come back and OFFSET

548
00:21:51,359 --> 00:21:52,199
Speaker 7: will be joining us.

549
00:21:52,480 --> 00:21:55,880
Speaker 19: It's the Breakfast local boarding the Breakfast Club. Your mornings

550
00:21:55,920 --> 00:21:58,560
Speaker 19: will never be the same morning.

551
00:21:58,600 --> 00:22:02,800
Speaker 8: Everybody's DJ NV, Charlamagne the guy. We are the Breakfast Club.

552
00:22:02,920 --> 00:22:04,720
Speaker 8: Now let's get in some front page news.

553
00:22:04,800 --> 00:22:06,359
Speaker 17: What up tis going on?

554
00:22:06,520 --> 00:22:08,080
Speaker 3: DJ and Charlemagne the God?

555
00:22:08,280 --> 00:22:11,439
Speaker 8: He said, Now let's talk about the brother Hughes van Ellis,

556
00:22:11,600 --> 00:22:12,840
Speaker 8: Uncle Red yep.

557
00:22:13,000 --> 00:22:15,159
Speaker 10: Uncle Red, one of the last known survivors of the

558
00:22:15,200 --> 00:22:17,480
Speaker 10: Tulsa Race massacre, has passed away.

559
00:22:17,359 --> 00:22:20,000
Speaker 3: At one hundred and two. I know I live one

560
00:22:20,080 --> 00:22:20,800
Speaker 3: hundred and two years.

561
00:22:20,840 --> 00:22:24,040
Speaker 10: That's a blessing. His grand nephew, Ike Coward, said that

562
00:22:24,119 --> 00:22:27,320
Speaker 10: he died waiting on justice. Now nineteen twenty one, Ellis

563
00:22:27,560 --> 00:22:29,600
Speaker 10: was just a few months old when the Tulsa then

564
00:22:29,680 --> 00:22:32,800
Speaker 10: thrived in Greenwood District known as Black Wall Street was

565
00:22:32,840 --> 00:22:35,640
Speaker 10: destroyed by a white mob during a massacre that left

566
00:22:35,680 --> 00:22:38,840
Speaker 10: an estimated three hundred black people dead and businesses.

567
00:22:38,680 --> 00:22:40,080
Speaker 3: And homes burned to the ground.

568
00:22:40,520 --> 00:22:42,800
Speaker 10: Ellis and his loved ones were forced to leave behind

569
00:22:42,840 --> 00:22:45,880
Speaker 10: their home in a lifetime of opportunities. Mister Ellis said

570
00:22:45,920 --> 00:22:47,639
Speaker 10: earlier this year that he lost one hundred and two

571
00:22:47,760 --> 00:22:50,000
Speaker 10: years and he didn't want anybody else to lose that.

572
00:22:50,400 --> 00:22:51,920
Speaker 10: Here's what he said on the Breakfast Club.

573
00:22:52,160 --> 00:22:55,600
Speaker 7: Uncle Red, do you have real hope and faith that

574
00:22:55,720 --> 00:22:58,280
Speaker 7: the US government will ever compensate you for what happened?

575
00:22:58,520 --> 00:22:58,720
Speaker 9: Yeah?

576
00:22:58,720 --> 00:23:02,280
Speaker 5: Black was Street? Really, Yeah, you've been. You've been. You've

577
00:23:02,320 --> 00:23:03,680
Speaker 5: been a lot way longer than me. So why do

578
00:23:03,760 --> 00:23:05,520
Speaker 5: you believe in the white man? But I don't. I

579
00:23:05,680 --> 00:23:09,359
Speaker 5: believe it's some good people and bad people.

580
00:23:10,359 --> 00:23:15,119
Speaker 15: World War Two, he was in Burma also all Black Battalion,

581
00:23:15,920 --> 00:23:19,159
Speaker 15: all shot down enemy aircraft. They were thought to be

582
00:23:19,960 --> 00:23:22,679
Speaker 15: all killed, but most of his troops survived because they

583
00:23:22,720 --> 00:23:25,359
Speaker 15: were fighting for their life. How many times are you bombed?

584
00:23:25,440 --> 00:23:25,880
Speaker 5: Uncle Red?

585
00:23:26,160 --> 00:23:29,560
Speaker 4: I bumbed Price Boom when I was five months old.

586
00:23:29,680 --> 00:23:32,920
Speaker 4: Bomb when I was twenty something years old. I didn't

587
00:23:32,960 --> 00:23:34,960
Speaker 4: think it ever happened in my life, but it did.

588
00:23:37,119 --> 00:23:39,320
Speaker 4: I'm glad I survived all of that.

589
00:23:39,440 --> 00:23:43,640
Speaker 7: I'm in a survival man salute to Uncle Reds lived

590
00:23:43,680 --> 00:23:46,520
Speaker 7: a long, beautiful life. And it's a damn shame America

591
00:23:46,640 --> 00:23:49,440
Speaker 7: never gave that brother any of the other social race

592
00:23:49,520 --> 00:23:51,680
Speaker 7: massac and survivals justice. And it was a privilege and

593
00:23:51,760 --> 00:23:54,040
Speaker 7: honor to have him in Queen by OLDA. Fletcher on

594
00:23:54,200 --> 00:23:56,800
Speaker 7: Breakfast Club earlier this year. That was just a few

595
00:23:56,840 --> 00:24:00,680
Speaker 7: months ago. Think you hear his brother still sitting here,

596
00:24:00,960 --> 00:24:03,800
Speaker 7: still having faith in this government to do the right

597
00:24:03,840 --> 00:24:04,359
Speaker 7: things right.

598
00:24:04,480 --> 00:24:08,320
Speaker 5: So you know his uh, he said, his nephew, his grandchils,

599
00:24:08,480 --> 00:24:09,080
Speaker 5: his nephew, his.

600
00:24:09,119 --> 00:24:11,840
Speaker 7: Nephew is absolutely right, like you know, clearly he died,

601
00:24:12,280 --> 00:24:14,280
Speaker 7: you know, still holding out for justice, that's right.

602
00:24:14,320 --> 00:24:14,480
Speaker 17: You know.

603
00:24:15,480 --> 00:24:18,520
Speaker 10: And Miss Fletcher and Miss Randall are still alive. Miss

604
00:24:18,640 --> 00:24:20,719
Speaker 10: Fletcher's one hundred and nine, Miss Randall's one o eight.

605
00:24:20,800 --> 00:24:23,520
Speaker 10: Those are the last two known survivors of the nineteen

606
00:24:23,520 --> 00:24:25,520
Speaker 10: twenty one Toasts of Race mask And again you know

607
00:24:25,600 --> 00:24:27,399
Speaker 10: they have been like you mentioned, all three of them

608
00:24:27,480 --> 00:24:29,440
Speaker 10: have been fighting for reparations.

609
00:24:28,840 --> 00:24:30,920
Speaker 6: For destruction, and this is you know, in case that

610
00:24:30,960 --> 00:24:33,879
Speaker 6: people always you know, you can't dispute.

611
00:24:33,520 --> 00:24:35,520
Speaker 3: This because they literally were alive at the time.

612
00:24:35,680 --> 00:24:38,119
Speaker 10: You know, when you have the conversation about reparations, say, oh,

613
00:24:38,160 --> 00:24:39,560
Speaker 10: you know what, those people have passed away, they're no

614
00:24:39,640 --> 00:24:41,800
Speaker 10: longer here. No, they literally are still alive at the

615
00:24:41,880 --> 00:24:43,879
Speaker 10: time and still fighting for reparations.

616
00:24:43,960 --> 00:24:47,679
Speaker 3: So yeah, certainly I have a theory and.

617
00:24:47,720 --> 00:24:50,879
Speaker 5: This is just my dirt road country logic kicking in.

618
00:24:51,160 --> 00:24:55,040
Speaker 7: When I have a theory that God let those three

619
00:24:55,200 --> 00:24:58,280
Speaker 7: toasa race, those tults, a race mask and survivors Queen

620
00:24:58,320 --> 00:25:01,200
Speaker 7: by Olda Fletcher and Leslie Rando and Uncle Red be

621
00:25:01,359 --> 00:25:04,800
Speaker 7: here all of this time to continue to give America

622
00:25:04,960 --> 00:25:08,359
Speaker 7: the chance to do this opportunity to do what's right,

623
00:25:08,720 --> 00:25:10,919
Speaker 7: you know what, I mean, to fix some of the karma,

624
00:25:12,119 --> 00:25:13,920
Speaker 7: the negative karma that they put out the end of

625
00:25:14,000 --> 00:25:14,320
Speaker 7: the world.

626
00:25:14,640 --> 00:25:17,560
Speaker 5: And they still haven't figured it out. They still haven't

627
00:25:17,560 --> 00:25:17,800
Speaker 5: done it.

628
00:25:17,960 --> 00:25:20,000
Speaker 7: These people have been here for almost one hundred and

629
00:25:20,200 --> 00:25:22,600
Speaker 7: ten years, that's right, and they still ain't.

630
00:25:22,440 --> 00:25:23,200
Speaker 5: Done right by them.

631
00:25:23,720 --> 00:25:26,199
Speaker 7: And that's why no good gonna come to this country

632
00:25:26,440 --> 00:25:29,720
Speaker 7: until they do right by people like the survivors of

633
00:25:29,760 --> 00:25:30,640
Speaker 7: the Tulsa Race Mass.

634
00:25:30,960 --> 00:25:33,600
Speaker 5: That's right, well, thank you Tis.

635
00:25:33,960 --> 00:25:37,200
Speaker 7: Make sure you subscribe to Testling Figureos podcast this great shot,

636
00:25:37,280 --> 00:25:39,400
Speaker 7: No chase of podcasts on the Black Effect. iHeart radio

637
00:25:39,440 --> 00:25:42,080
Speaker 7: podcast network and follow at Testlin figure On on all

638
00:25:42,119 --> 00:25:43,560
Speaker 7: social media platform.

639
00:25:43,440 --> 00:25:45,480
Speaker 8: All right now when we come back, Offset will be

640
00:25:45,560 --> 00:25:47,720
Speaker 8: joining us as new album comes out this Friday, So

641
00:25:47,760 --> 00:25:48,840
Speaker 8: we're gonna kick it with off sets.

642
00:25:48,880 --> 00:25:51,080
Speaker 5: It don't move. It's the Breakfast Club. Good morning, the

643
00:25:51,280 --> 00:25:58,000
Speaker 5: Breakfast Club owing everybody. It's DJ NV scholaminea god. We

644
00:25:58,119 --> 00:26:00,640
Speaker 5: have a special guest in the building. This album comes

645
00:26:00,680 --> 00:26:04,879
Speaker 5: out this Friday. Ladies and gentlemen, off set certain welcome back, bro.

646
00:26:04,960 --> 00:26:06,840
Speaker 5: But how are you feeling, man? How's everything? I feel

647
00:26:06,880 --> 00:26:09,159
Speaker 5: good man, blessed man. I'm in a good spirit and

648
00:26:09,240 --> 00:26:10,240
Speaker 5: the good spirit it's up.

649
00:26:10,400 --> 00:26:12,920
Speaker 8: So now the second album is a sophomore album. Set

650
00:26:12,960 --> 00:26:14,919
Speaker 8: it off Why it takes so long? The first thing

651
00:26:14,920 --> 00:26:16,520
Speaker 8: people would say, it's been it's been a while.

652
00:26:16,680 --> 00:26:19,720
Speaker 20: Why too so long? A lot of things you know,

653
00:26:20,320 --> 00:26:23,040
Speaker 20: lost with my brother. It's the main reason I was

654
00:26:23,080 --> 00:26:26,080
Speaker 20: gonna drop last year. I think around March I got

655
00:26:26,119 --> 00:26:28,240
Speaker 20: out of a creative space, like after that four minute

656
00:26:28,240 --> 00:26:29,440
Speaker 20: I had to sit down for a minute and like

657
00:26:29,680 --> 00:26:33,800
Speaker 20: help my mama and pray and get get get myself together. Also,

658
00:26:33,880 --> 00:26:36,000
Speaker 20: I just wanted to prefer the craft. I didn't want to.

659
00:26:36,000 --> 00:26:37,639
Speaker 20: I want to make sure that I that I that

660
00:26:37,720 --> 00:26:40,359
Speaker 20: I dropped in it and it counted, especially like coming

661
00:26:40,400 --> 00:26:42,400
Speaker 20: out of the group and stuff like that. I wanted

662
00:26:42,400 --> 00:26:44,160
Speaker 20: to make sure everything was a line. I didn't want

663
00:26:44,160 --> 00:26:46,359
Speaker 20: no record sounding the same. I didn't want me sounding

664
00:26:46,400 --> 00:26:49,159
Speaker 20: the same, just being hard on myself, scheeking myself on

665
00:26:49,240 --> 00:26:49,600
Speaker 20: the music.

666
00:26:49,760 --> 00:26:52,400
Speaker 7: Now with your brother Kuavo And we've seen you guys

667
00:26:52,480 --> 00:26:54,959
Speaker 7: before with deal Ward Show, right, what was that initial

668
00:26:55,040 --> 00:26:57,240
Speaker 7: call like when when they called you guys and asked

669
00:26:57,280 --> 00:26:57,960
Speaker 7: you guys to do it.

670
00:26:58,520 --> 00:27:01,359
Speaker 5: I was in Paris doing fashion week and they called

671
00:27:01,400 --> 00:27:02,560
Speaker 5: and I wasn't like.

672
00:27:02,680 --> 00:27:04,680
Speaker 20: I was like, I wasn't sure at the time because

673
00:27:04,680 --> 00:27:07,320
Speaker 20: it was like, you know, it's running away from the reality,

674
00:27:07,440 --> 00:27:08,879
Speaker 20: you know what I'm saying, you know.

675
00:27:09,200 --> 00:27:11,920
Speaker 5: And I had talked to for Real. We were sitting

676
00:27:11,920 --> 00:27:12,159
Speaker 5: at the.

677
00:27:12,160 --> 00:27:15,160
Speaker 20: Show and I was telling him like, man, I don't

678
00:27:15,160 --> 00:27:17,480
Speaker 20: know if I should do it because it just ain't

679
00:27:17,480 --> 00:27:19,600
Speaker 20: gonna be right, and I feel like I'm scared it's

680
00:27:19,600 --> 00:27:22,200
Speaker 20: gonna put me back in that moment, and he was like, no,

681
00:27:22,440 --> 00:27:24,200
Speaker 20: you gotta do that for the world and for him

682
00:27:24,760 --> 00:27:26,800
Speaker 20: like in y'all lazy man, y'all in the biggest group

683
00:27:27,119 --> 00:27:30,520
Speaker 20: ever in hip hop, and also like he would want there, bro,

684
00:27:31,119 --> 00:27:33,080
Speaker 20: He was like, you need you need that energy, you

685
00:27:33,119 --> 00:27:35,680
Speaker 20: and your brother rocking their stage again, even if it's

686
00:27:35,720 --> 00:27:37,800
Speaker 20: for the last time or whatever, like and this is

687
00:27:37,880 --> 00:27:39,480
Speaker 20: that words like even just for the last time whatever.

688
00:27:39,520 --> 00:27:41,320
Speaker 21: He don't really know what was going on, but it's

689
00:27:41,320 --> 00:27:43,080
Speaker 21: gonna be a cleanser for both of y'all.

690
00:27:43,440 --> 00:27:44,520
Speaker 17: What was it was?

691
00:27:44,760 --> 00:27:45,440
Speaker 5: I swear it was.

692
00:27:45,680 --> 00:27:45,920
Speaker 11: It was?

693
00:27:46,040 --> 00:27:46,200
Speaker 17: It was?

694
00:27:46,400 --> 00:27:46,600
Speaker 11: It was.

695
00:27:46,800 --> 00:27:48,800
Speaker 20: It felt like at first, before I did it, I

696
00:27:48,960 --> 00:27:51,560
Speaker 20: was still like because it reminds, you know, it's a reminder,

697
00:27:52,000 --> 00:27:54,119
Speaker 20: and but as we did it, I just felt like

698
00:27:54,200 --> 00:27:56,680
Speaker 20: I did feel good about it, like closing chapter on

699
00:27:56,760 --> 00:28:00,520
Speaker 20: the right way, like a big way unity and like

700
00:28:00,960 --> 00:28:01,760
Speaker 20: giving to the people.

701
00:28:02,080 --> 00:28:03,600
Speaker 5: Also, what was it like before that?

702
00:28:03,640 --> 00:28:05,920
Speaker 7: Because I know that everybody talks about I guess y'all

703
00:28:05,920 --> 00:28:08,800
Speaker 7: got into something backstage somewhere. It was a video where

704
00:28:08,800 --> 00:28:11,760
Speaker 7: everybody heard Cardi yelling like y'all both wrong? So what

705
00:28:11,920 --> 00:28:15,119
Speaker 7: was it like before that moment? H before what before

706
00:28:15,280 --> 00:28:18,840
Speaker 7: before y'all got on stage like oh no, we were together.

707
00:28:18,720 --> 00:28:22,639
Speaker 20: Man, like payd swallow, Like yeah, bro, missing all of

708
00:28:22,720 --> 00:28:24,560
Speaker 20: that out the window. You know what I'm saying. It's

709
00:28:24,640 --> 00:28:27,639
Speaker 20: like family of everything. Let's do this right more than anything,

710
00:28:27,640 --> 00:28:29,240
Speaker 20: because when you go into something with the wrong energy,

711
00:28:29,280 --> 00:28:30,080
Speaker 20: you ain't gonna do it right.

712
00:28:30,160 --> 00:28:31,920
Speaker 21: You know what I'm saying. Went into it with the

713
00:28:32,000 --> 00:28:33,960
Speaker 21: right energy. And that's my brother.

714
00:28:34,080 --> 00:28:36,880
Speaker 5: So what's your relationship now with Quabo? That's my brother.

715
00:28:36,920 --> 00:28:38,320
Speaker 5: At the end of the day, we're good, bro.

716
00:28:38,640 --> 00:28:40,640
Speaker 20: Just with each other in Paris, we'd be talking because

717
00:28:40,640 --> 00:28:42,600
Speaker 20: we'd be going through little emotions and it don't be

718
00:28:42,720 --> 00:28:45,320
Speaker 20: for the public. That's the thing, Like, when it's like this,

719
00:28:45,520 --> 00:28:47,720
Speaker 20: it don't be. Everything ain't for the public to be

720
00:28:48,080 --> 00:28:50,200
Speaker 20: king and it's all love. At the end of the day,

721
00:28:50,280 --> 00:28:50,880
Speaker 20: we lost a brother.

722
00:28:50,960 --> 00:28:51,080
Speaker 11: You know.

723
00:28:51,160 --> 00:28:53,360
Speaker 7: They want to see y'all cry on Instagram, Yes that

724
00:28:53,440 --> 00:28:55,480
Speaker 7: they want, you know, not gonna get it for me.

725
00:28:56,120 --> 00:28:58,000
Speaker 7: You think y'all ever make music together, not even just

726
00:28:58,040 --> 00:28:59,480
Speaker 7: as Migos, but just as set.

727
00:28:59,480 --> 00:29:00,680
Speaker 5: In Qubo, I think so.

728
00:29:01,400 --> 00:29:03,239
Speaker 8: I think a lot of fans were hoping that there

729
00:29:03,360 --> 00:29:06,440
Speaker 8: was maybe lost Takeoff Versus or lost Migos records and

730
00:29:06,480 --> 00:29:08,680
Speaker 8: that they would get that one More Migos album, But

731
00:29:09,160 --> 00:29:10,480
Speaker 8: that doesn't seem like that's gonna happen.

732
00:29:10,800 --> 00:29:10,960
Speaker 16: Nah.

733
00:29:11,560 --> 00:29:13,200
Speaker 20: They ain't fair to put that pressure on us either

734
00:29:13,680 --> 00:29:16,680
Speaker 20: after losing brother Man. Like maybe you know what I'm saying,

735
00:29:16,720 --> 00:29:18,840
Speaker 20: the future right now, I.

736
00:29:18,960 --> 00:29:19,560
Speaker 5: Just don't see it.

737
00:29:19,840 --> 00:29:22,280
Speaker 21: It's like hard me hearing our songs sometimes in the

738
00:29:22,360 --> 00:29:24,640
Speaker 21: club bro and people I might like, got to.

739
00:29:24,600 --> 00:29:27,360
Speaker 20: Smile my face. Take verse come on, like text me

740
00:29:27,440 --> 00:29:29,680
Speaker 20: every single time. So it's like, I don't see what's

741
00:29:29,720 --> 00:29:30,480
Speaker 20: doing it now.

742
00:29:30,520 --> 00:29:32,680
Speaker 7: I can imagine because to us it's just a verse.

743
00:29:32,880 --> 00:29:35,080
Speaker 7: But to you, it's like you probably think about the moment.

744
00:29:37,080 --> 00:29:38,440
Speaker 20: They put me in that bed every time. I was

745
00:29:38,480 --> 00:29:41,200
Speaker 20: just in Starts the other night and they're playing Freak

746
00:29:41,240 --> 00:29:43,520
Speaker 20: No More. His verse come on, I'm like throwing money

747
00:29:43,600 --> 00:29:44,280
Speaker 20: his verse come on.

748
00:29:44,880 --> 00:29:48,360
Speaker 5: It's just like slowed me up real quick. So now,

749
00:29:48,440 --> 00:29:50,720
Speaker 5: what's the difference between this album? Set it off Your

750
00:29:50,800 --> 00:29:51,360
Speaker 5: Father for.

751
00:29:51,800 --> 00:29:54,360
Speaker 20: Okay, Father Foe was like I feel like I was

752
00:29:54,400 --> 00:29:58,120
Speaker 20: getting more personal about who I was, my story of

753
00:29:58,240 --> 00:30:01,080
Speaker 20: going to jail, having kids young, the story of my wife,

754
00:30:01,160 --> 00:30:04,320
Speaker 20: my little to my wife. I'm just saying with this album,

755
00:30:04,360 --> 00:30:07,280
Speaker 20: it's more like the music wise, it's like more fun.

756
00:30:07,800 --> 00:30:10,160
Speaker 5: I didn't. I did all the new producers, so.

757
00:30:10,160 --> 00:30:12,760
Speaker 20: I didn't really self a metroside side, I ain't really

758
00:30:12,840 --> 00:30:14,360
Speaker 20: work with all the producers I work with on this.

759
00:30:14,480 --> 00:30:16,160
Speaker 5: It's like new producers I never worked.

760
00:30:15,960 --> 00:30:17,640
Speaker 20: With because I didn't want to create the same sign

761
00:30:17,680 --> 00:30:19,760
Speaker 20: because I feel like artists now, like as an artist

762
00:30:20,120 --> 00:30:22,680
Speaker 20: sometimes like you just get stuck in your ways. And

763
00:30:22,720 --> 00:30:24,120
Speaker 20: I let a lot of I worked with a an

764
00:30:24,240 --> 00:30:26,520
Speaker 20: artists time, like I know a lot of people in

765
00:30:26,640 --> 00:30:29,000
Speaker 20: our game. But the g my an I was fired,

766
00:30:29,360 --> 00:30:31,160
Speaker 20: so she was able to bring me different producers that

767
00:30:31,200 --> 00:30:33,960
Speaker 20: I never heard of and different sounds and give me

768
00:30:34,160 --> 00:30:37,320
Speaker 20: critiquing me on the music, like nah, number one, SOIGN

769
00:30:37,600 --> 00:30:39,760
Speaker 20: may sound like number ten for me.

770
00:30:40,000 --> 00:30:41,960
Speaker 5: I was happy because like usually I ain't going for that.

771
00:30:42,000 --> 00:30:43,480
Speaker 20: You know, I ain't let nobody to tell me nothing,

772
00:30:43,760 --> 00:30:46,720
Speaker 20: but I understand, like change the game, change the sound

773
00:30:46,800 --> 00:30:49,400
Speaker 20: be changing, and you just gotta change with it or

774
00:30:49,400 --> 00:30:50,240
Speaker 20: you're gonna get left.

775
00:30:50,640 --> 00:30:53,360
Speaker 8: Is it difficult with you doing music right because you

776
00:30:53,480 --> 00:30:56,360
Speaker 8: are a husband, your father five But yet you're still

777
00:30:56,360 --> 00:30:57,959
Speaker 8: in the club, so you know what people want to hear.

778
00:30:57,960 --> 00:30:59,440
Speaker 5: You know people in the club ain't married. You know,

779
00:30:59,480 --> 00:31:01,120
Speaker 5: the people might not have some kids.

780
00:31:01,480 --> 00:31:03,320
Speaker 8: So when you do your music, do you say, well,

781
00:31:03,640 --> 00:31:06,479
Speaker 8: I gotta put myself in near situation and take myself

782
00:31:06,520 --> 00:31:08,680
Speaker 8: out from the husband and take myself out being the

783
00:31:08,720 --> 00:31:10,960
Speaker 8: father fire because you didn't on this out you don

784
00:31:11,080 --> 00:31:12,360
Speaker 8: knocked off a lot of a lot of chicks on

785
00:31:12,400 --> 00:31:12,720
Speaker 8: this app.

786
00:31:12,760 --> 00:31:18,000
Speaker 5: I'm all these women and you're married, man, because I

787
00:31:18,080 --> 00:31:19,440
Speaker 5: got a real wife like that.

788
00:31:19,560 --> 00:31:23,000
Speaker 20: She understands like we and I gotta be relatable and

789
00:31:23,360 --> 00:31:26,480
Speaker 20: especially like our age, like the average person ain't married

790
00:31:26,560 --> 00:31:28,360
Speaker 20: and like people sometimes.

791
00:31:27,960 --> 00:31:29,960
Speaker 5: People I can see it, like you let your wife

792
00:31:30,080 --> 00:31:31,200
Speaker 5: dress like this, and you let her.

793
00:31:31,360 --> 00:31:34,680
Speaker 20: I'm very secure by mind, so so we ain't in

794
00:31:34,800 --> 00:31:37,280
Speaker 20: no controling, like don't do this or I'm not telling

795
00:31:37,320 --> 00:31:39,040
Speaker 20: her don't do a feature with that. Da da da da,

796
00:31:39,520 --> 00:31:42,280
Speaker 20: because it's just like this, this, this, they're interrupt to love.

797
00:31:42,320 --> 00:31:43,840
Speaker 20: I feel like when you go to doing that, because

798
00:31:43,840 --> 00:31:45,680
Speaker 20: then it's like, damn, I want.

799
00:31:45,520 --> 00:31:46,120
Speaker 5: To be this person.

800
00:31:46,200 --> 00:31:48,080
Speaker 20: I gotta talk to all these people, all these fans,

801
00:31:48,120 --> 00:31:49,800
Speaker 20: and they gotta relate to me, but they can't relate

802
00:31:49,840 --> 00:31:51,800
Speaker 20: to me if I'm standing in one lane.

803
00:31:52,120 --> 00:31:54,080
Speaker 5: So I'm just blessed to have a good wife.

804
00:31:54,280 --> 00:31:56,560
Speaker 7: What about the people who those same kids that love

805
00:31:56,640 --> 00:31:59,800
Speaker 7: your personal life. They love you and Cardi together as

806
00:31:59,800 --> 00:32:02,240
Speaker 7: a couple, and they follow y'all on social media and

807
00:32:02,360 --> 00:32:03,920
Speaker 7: see all of that, and they like, damn, they might

808
00:32:03,960 --> 00:32:05,400
Speaker 7: want to hear that reflected in the music, because I

809
00:32:05,400 --> 00:32:07,480
Speaker 7: know people got really excited when they heard y'all doing

810
00:32:07,520 --> 00:32:10,440
Speaker 7: the album together yeah or EP or whatever it was.

811
00:32:10,560 --> 00:32:13,160
Speaker 20: They can't get mad at me because I'm not gonna

812
00:32:13,160 --> 00:32:16,240
Speaker 20: tell her life. You can't say shaking yeah, or like

813
00:32:16,680 --> 00:32:18,480
Speaker 20: you're having a good time. Girls want to feel that

814
00:32:18,480 --> 00:32:19,680
Speaker 20: at them, bar she be saying.

815
00:32:20,200 --> 00:32:22,400
Speaker 8: But I guess you know too when Cardy talks about that.

816
00:32:22,880 --> 00:32:24,959
Speaker 8: I guess we all automatically assume when she says she's

817
00:32:24,960 --> 00:32:26,760
Speaker 8: shaking ass, shaking asks for a husband, you know what

818
00:32:26,760 --> 00:32:29,680
Speaker 8: I mean, it's like she's doing it for set. But

819
00:32:29,800 --> 00:32:31,360
Speaker 8: you know what I mean, for you When I heard

820
00:32:31,440 --> 00:32:33,080
Speaker 8: I knock it off them like, oh, he's putting his

821
00:32:33,160 --> 00:32:35,320
Speaker 8: mind frame on somebody that's in the club, not himself.

822
00:32:35,640 --> 00:32:38,240
Speaker 5: Yeah, I got to bro because it's like it's more

823
00:32:38,680 --> 00:32:39,840
Speaker 5: up bros doing that.

824
00:32:40,520 --> 00:32:43,840
Speaker 20: Then there's people that's man facts, These are facts, and

825
00:32:44,280 --> 00:32:46,600
Speaker 20: these are facts. So I just still gotta be relatable

826
00:32:46,600 --> 00:32:48,840
Speaker 20: to him. They gotta still feel like a shit ain't

827
00:32:48,840 --> 00:32:51,840
Speaker 20: on the like shit I got man, we don't even

828
00:32:51,960 --> 00:32:53,960
Speaker 20: understand him no more, and then it's the worst.

829
00:32:53,960 --> 00:32:56,720
Speaker 5: Then it's no coming back from that. We got more

830
00:32:56,760 --> 00:32:58,800
Speaker 5: with Offset. When we come back, don't move. It's the

831
00:32:58,800 --> 00:32:59,360
Speaker 5: Breakfast Club.

832
00:32:59,400 --> 00:33:03,000
Speaker 8: Good morning Wanning everybody, It's DJ n V. Charlamage, the

833
00:33:03,040 --> 00:33:05,000
Speaker 8: guy we are the Breakfast Club was too kicking it

834
00:33:05,040 --> 00:33:05,640
Speaker 8: with Offset.

835
00:33:06,000 --> 00:33:07,920
Speaker 5: His album is out this Friday. Charlamagne.

836
00:33:07,920 --> 00:33:09,240
Speaker 7: For the first song on the album, you said you

837
00:33:09,280 --> 00:33:10,760
Speaker 7: knew you was the one since you left the group?

838
00:33:11,160 --> 00:33:12,360
Speaker 7: I think that was the other line.

839
00:33:12,920 --> 00:33:13,640
Speaker 5: What did that line mean?

840
00:33:13,720 --> 00:33:13,760
Speaker 4: You?

841
00:33:14,960 --> 00:33:15,000
Speaker 7: So?

842
00:33:15,040 --> 00:33:16,800
Speaker 5: How you know about that bar? Like you know, I

843
00:33:16,880 --> 00:33:18,520
Speaker 5: went through some things I can't really speak on.

844
00:33:18,760 --> 00:33:20,280
Speaker 20: I stepped out of the BOS and like I had

845
00:33:20,320 --> 00:33:22,960
Speaker 20: to get my together on the business side of things,

846
00:33:23,000 --> 00:33:24,160
Speaker 20: and like after that.

847
00:33:24,560 --> 00:33:26,840
Speaker 21: The freedom and the being able to be in control

848
00:33:26,840 --> 00:33:28,160
Speaker 21: of my creative and being able to.

849
00:33:28,200 --> 00:33:30,440
Speaker 20: Do that was like now I can show you who

850
00:33:30,520 --> 00:33:32,440
Speaker 20: I am if you notice, Like now people kind of

851
00:33:32,480 --> 00:33:33,760
Speaker 20: see like I got a personality.

852
00:33:34,120 --> 00:33:35,320
Speaker 5: I feel like it was kind of like.

853
00:33:35,640 --> 00:33:38,840
Speaker 20: Bottled in when everything was always one because it wasn't

854
00:33:38,880 --> 00:33:40,080
Speaker 20: really about me, it was about us.

855
00:33:40,400 --> 00:33:43,040
Speaker 5: This album is about me. How important was hip hop

856
00:33:43,160 --> 00:33:44,720
Speaker 5: rolling up to you because I know you got roots

857
00:33:44,720 --> 00:33:45,360
Speaker 5: in New York.

858
00:33:45,440 --> 00:33:46,640
Speaker 8: I know you got roots in the land. I know

859
00:33:46,680 --> 00:33:48,200
Speaker 8: you got roots a little bit of everywhere. I'd be

860
00:33:48,200 --> 00:33:49,480
Speaker 8: seeing set with people up be like, how do you

861
00:33:49,560 --> 00:33:49,920
Speaker 8: know him?

862
00:33:49,960 --> 00:33:50,080
Speaker 17: Man?

863
00:33:50,240 --> 00:33:53,120
Speaker 8: Like, so you know, talk about your roots and what

864
00:33:53,280 --> 00:33:55,040
Speaker 8: hip hop means to you, because you sample a lot

865
00:33:55,080 --> 00:33:55,880
Speaker 8: of that on this album.

866
00:33:56,680 --> 00:33:59,280
Speaker 20: Hip hop man mean to me, like man, growing up

867
00:33:59,400 --> 00:34:01,720
Speaker 20: is like the super heroes. You know what I'm saying

868
00:34:01,760 --> 00:34:03,320
Speaker 20: to me because I felt like it was so out

869
00:34:03,320 --> 00:34:05,640
Speaker 20: of reach. And also I felt like they was like

870
00:34:05,840 --> 00:34:08,200
Speaker 20: saying the world with the music and like, you know,

871
00:34:08,400 --> 00:34:11,840
Speaker 20: seeing like cash Money master P. Because I'm from the

872
00:34:11,920 --> 00:34:15,000
Speaker 20: South hundred to thought like like outcasts. You know, we

873
00:34:15,120 --> 00:34:17,000
Speaker 20: from Atlanta, so we might not ain't listen to it.

874
00:34:17,160 --> 00:34:19,120
Speaker 20: I might ain't get on jay Z Towns in high school.

875
00:34:19,120 --> 00:34:20,520
Speaker 20: You fe what I'm saying, I might ain't knowing. I'm

876
00:34:20,640 --> 00:34:21,600
Speaker 20: through middle school.

877
00:34:21,640 --> 00:34:22,120
Speaker 5: I knew Gua.

878
00:34:22,239 --> 00:34:24,160
Speaker 20: I knew Gucca and I knew Jzy, I knew the

879
00:34:24,280 --> 00:34:27,080
Speaker 20: undred two thousand, A New Future. It's like our neighborhood heroes.

880
00:34:27,120 --> 00:34:29,480
Speaker 20: And like me, I feel like in general, with music,

881
00:34:30,080 --> 00:34:32,680
Speaker 20: you gotta know your roots and pay respect to it too,

882
00:34:32,840 --> 00:34:35,480
Speaker 20: Like I watched the James Browns. I'd be watching like

883
00:34:36,000 --> 00:34:38,400
Speaker 20: how they would dress or how they stay set would be.

884
00:34:38,560 --> 00:34:40,920
Speaker 20: Or sometimes I go watch a rock and roll like

885
00:34:41,040 --> 00:34:43,200
Speaker 20: Martley coul or something, I go watch them stay stay

886
00:34:43,280 --> 00:34:44,920
Speaker 20: set to get it like a like a like an

887
00:34:45,000 --> 00:34:47,400
Speaker 20: idea even on stage and like cause I.

888
00:34:47,400 --> 00:34:49,480
Speaker 5: Feel like you, it always rotate, but you could just

889
00:34:49,520 --> 00:34:50,520
Speaker 5: do it better in a better way.

890
00:34:50,719 --> 00:34:52,560
Speaker 7: But one of the things you say throughout the album

891
00:34:52,680 --> 00:34:55,480
Speaker 7: is you keep referencing blame it on set. That's a

892
00:34:55,520 --> 00:34:56,880
Speaker 7: dope record too, by the way, to blame it on

893
00:34:57,000 --> 00:34:59,200
Speaker 7: set record. What are some of the things you think

894
00:34:59,239 --> 00:34:59,880
Speaker 7: folks blames you.

895
00:35:00,480 --> 00:35:02,359
Speaker 20: No, it's not like the people blame me for It's

896
00:35:02,400 --> 00:35:05,160
Speaker 20: like it's like it's like me talking to myself almost,

897
00:35:05,280 --> 00:35:07,839
Speaker 20: like everything you went through is because of you. It's

898
00:35:07,920 --> 00:35:09,799
Speaker 20: like taking responsibility of everything you went through.

899
00:35:10,120 --> 00:35:10,759
Speaker 5: It's because of you.

900
00:35:10,920 --> 00:35:13,840
Speaker 21: Like anytime anything happens, it's on you.

901
00:35:14,680 --> 00:35:15,320
Speaker 5: That's all it was.

902
00:35:15,400 --> 00:35:17,960
Speaker 21: It wasn't like a specific like y'all blaming me.

903
00:35:18,120 --> 00:35:21,399
Speaker 5: No, it was just like being a man, being a man.

904
00:35:21,480 --> 00:35:24,320
Speaker 21: Yeah, accountability, like accountability for all actions.

905
00:35:24,480 --> 00:35:26,000
Speaker 8: People were mad at you a couple of weeks ago

906
00:35:26,000 --> 00:35:28,600
Speaker 8: because you did that interview what's the name, Bobby?

907
00:35:29,840 --> 00:35:30,680
Speaker 5: I felt like there was.

908
00:35:35,320 --> 00:35:38,040
Speaker 8: That you even gave her an opportunity to interview you,

909
00:35:38,200 --> 00:35:40,120
Speaker 8: you know what I mean. You know people were saying, well,

910
00:35:40,120 --> 00:35:42,640
Speaker 8: why would you give that girl an opportunity and not

911
00:35:42,719 --> 00:35:46,000
Speaker 8: somebody from the culture reached out. I did my research

912
00:35:46,120 --> 00:35:48,040
Speaker 8: and I was like, I'm over to do it because

913
00:35:48,040 --> 00:35:49,800
Speaker 8: you know, I don't like doing interviews at all. I

914
00:35:49,960 --> 00:35:51,759
Speaker 8: was like, I'm over to doing it. I'm on the way,

915
00:35:52,040 --> 00:35:53,920
Speaker 8: and I feel like it was kind of comical, like

916
00:35:54,000 --> 00:35:56,080
Speaker 8: it's kind of funny. It's kind of funny to me.

917
00:35:56,280 --> 00:35:58,960
Speaker 8: It wasn't like I wasn't taking that offensive. Just got

918
00:35:59,080 --> 00:36:00,200
Speaker 8: to be on your toes when you don't on it.

919
00:36:00,719 --> 00:36:02,680
Speaker 8: You know, she needed to be ye, yeah, she was.

920
00:36:03,280 --> 00:36:05,719
Speaker 5: She needed that, you know what I'm saying. And also like,

921
00:36:06,120 --> 00:36:07,360
Speaker 5: I'm doing this for the brothers.

922
00:36:07,560 --> 00:36:09,400
Speaker 20: You ain't gonna catch me slipping on this show and

923
00:36:09,520 --> 00:36:11,520
Speaker 20: be down talk to me and you like you're just

924
00:36:11,600 --> 00:36:12,600
Speaker 20: coming up off to the top.

925
00:36:12,880 --> 00:36:14,839
Speaker 5: It's all love though, but she she cool.

926
00:36:14,920 --> 00:36:15,080
Speaker 11: Man.

927
00:36:15,719 --> 00:36:17,840
Speaker 5: I feel like a lot of people did take a

928
00:36:17,880 --> 00:36:19,360
Speaker 5: lot of comedy out of it. It was it was

929
00:36:19,360 --> 00:36:21,439
Speaker 5: supposed to be funny. Man. You told her she needed

930
00:36:21,480 --> 00:36:21,920
Speaker 5: some season.

931
00:36:22,080 --> 00:36:24,880
Speaker 21: Yeah, you do's a little good season.

932
00:36:25,160 --> 00:36:27,680
Speaker 20: But it's cool though. Man, it ain't no issues or nothing.

933
00:36:28,400 --> 00:36:30,000
Speaker 20: But I feel like a lot of people's matter her

934
00:36:30,160 --> 00:36:32,359
Speaker 20: like but that's how she did the interviews. I think

935
00:36:32,440 --> 00:36:34,320
Speaker 20: I brought it to our world more. It's like a

936
00:36:34,360 --> 00:36:36,440
Speaker 20: lot of people like, why does she It was kind

937
00:36:36,480 --> 00:36:38,239
Speaker 20: of taking it as like she was being disproved, but

938
00:36:38,320 --> 00:36:40,399
Speaker 20: she wasn't. She just just I think that's the way

939
00:36:40,480 --> 00:36:40,920
Speaker 20: she got on.

940
00:36:41,960 --> 00:36:44,000
Speaker 5: You know, I hear I hear you channel a lot

941
00:36:44,080 --> 00:36:46,719
Speaker 5: in this out. Might hear a lot of Project Pack? Yeah?

942
00:36:47,160 --> 00:36:48,759
Speaker 5: Were you? Were you listening to a lot of Pack

943
00:36:48,920 --> 00:36:51,719
Speaker 5: three shid some Project Pack? Yeah? Man, they That's what

944
00:36:51,760 --> 00:36:52,160
Speaker 5: I'm saying.

945
00:36:52,160 --> 00:36:54,400
Speaker 20: It's like the underground music and to come to and

946
00:36:54,440 --> 00:36:56,319
Speaker 20: then they went underground and went big shot of juicy

947
00:36:56,400 --> 00:36:58,280
Speaker 20: j Man here a player, good producer.

948
00:36:58,840 --> 00:37:03,160
Speaker 5: He ain't text me on the record at oh he

949
00:37:03,200 --> 00:37:05,680
Speaker 5: did production on it. You get certain you gotta talk

950
00:37:05,680 --> 00:37:07,960
Speaker 5: to you today by the production sir.

951
00:37:08,840 --> 00:37:08,920
Speaker 17: Oh.

952
00:37:09,000 --> 00:37:10,560
Speaker 5: So when you're just using that, you gotta think the

953
00:37:10,640 --> 00:37:13,719
Speaker 5: South on jealousy is juice to Jay? Yes, absolutely, you

954
00:37:13,760 --> 00:37:14,200
Speaker 5: know what I'm saying.

955
00:37:14,360 --> 00:37:17,239
Speaker 20: Yeah, So, and then it's the South music man It's

956
00:37:17,280 --> 00:37:19,600
Speaker 20: just always something about the South music to me, even.

957
00:37:19,440 --> 00:37:22,320
Speaker 21: Growing up, just always felt like we was just relatable

958
00:37:22,360 --> 00:37:23,120
Speaker 21: to my neighborhood.

959
00:37:23,640 --> 00:37:26,400
Speaker 7: Frown absolutely we had we had Cardio up here and

960
00:37:26,480 --> 00:37:29,279
Speaker 7: we were talking about, uh, your marriage and everything, and

961
00:37:29,360 --> 00:37:31,799
Speaker 7: she was like, sometimes it's difficult not to keep things

962
00:37:31,880 --> 00:37:34,319
Speaker 7: off social right, like the one time y'all always argue

963
00:37:34,360 --> 00:37:34,919
Speaker 7: on social media.

964
00:37:34,920 --> 00:37:36,160
Speaker 5: I never just say, you know what, let's I'm gonna

965
00:37:36,160 --> 00:37:38,960
Speaker 5: put the phone down and call her. She's crazy. Man,

966
00:37:39,120 --> 00:37:39,960
Speaker 5: you crazy too?

967
00:37:40,400 --> 00:37:42,000
Speaker 7: You knew what you married a woman from the Bronx.

968
00:37:42,120 --> 00:37:43,960
Speaker 7: The craziest people in America come from the Bronx and

969
00:37:43,960 --> 00:37:45,680
Speaker 7: all the Flora said, you got to know that?

970
00:37:45,960 --> 00:37:50,480
Speaker 5: Yeah, I've learned it. I learned it.

971
00:37:50,560 --> 00:37:53,319
Speaker 20: So it's just like, man, I hate fan based man

972
00:37:53,440 --> 00:37:55,680
Speaker 20: sometimes be like trying to like kill it. So then

973
00:37:55,760 --> 00:37:58,040
Speaker 20: sometimes you gotta like I feel like I gotta protect her.

974
00:37:58,400 --> 00:38:00,120
Speaker 20: You know what I'm saying. I made mistakes, you know

975
00:38:00,120 --> 00:38:02,200
Speaker 20: what I'm saying. So those mistakes make me continue to

976
00:38:02,239 --> 00:38:04,320
Speaker 20: have to protect her. I said, Man, they don't just

977
00:38:04,360 --> 00:38:06,719
Speaker 20: go away, So like I just hate that because it's

978
00:38:06,760 --> 00:38:09,200
Speaker 20: like we'll be good, bro, living a life like Scholden.

979
00:38:09,280 --> 00:38:12,200
Speaker 21: We got beautiful kids. We don't bother nobody, but you

980
00:38:12,280 --> 00:38:13,360
Speaker 21: know how I be whack.

981
00:38:13,239 --> 00:38:15,960
Speaker 5: Though, But what about when you when you posted that

982
00:38:16,440 --> 00:38:19,440
Speaker 5: your wife cheated, called the turmoil in the house. I

983
00:38:19,520 --> 00:38:21,040
Speaker 5: was calming her ass down. I don't play with me.

984
00:38:23,000 --> 00:38:24,760
Speaker 5: But then the next day they hold my hands together.

985
00:38:25,680 --> 00:38:27,600
Speaker 5: It was everybody know. It was kind of man.

986
00:38:27,920 --> 00:38:28,320
Speaker 11: She was like that.

987
00:38:28,480 --> 00:38:29,480
Speaker 5: She was like he was playing.

988
00:38:29,520 --> 00:38:32,040
Speaker 20: He was lying sometimes go in too much on me,

989
00:38:32,120 --> 00:38:34,799
Speaker 20: man like, and it makes so we I didn't want

990
00:38:34,840 --> 00:38:37,239
Speaker 20: people to think like people thinking it it's real.

991
00:38:37,520 --> 00:38:39,120
Speaker 5: So it was just a little on a reverse on

992
00:38:39,200 --> 00:38:41,640
Speaker 5: no car. She said you said if you don't stop

993
00:38:41,920 --> 00:38:43,000
Speaker 5: you on line and said you cheated.

994
00:38:43,200 --> 00:38:45,480
Speaker 20: Yeah, because that's the thing she gotta make. She got

995
00:38:45,680 --> 00:38:47,480
Speaker 20: like she's still somebody too. So like when they be

996
00:38:47,560 --> 00:38:50,320
Speaker 20: doing that, like it'd be like making her seem like

997
00:38:50,480 --> 00:38:51,239
Speaker 20: she would suck us.

998
00:38:51,280 --> 00:38:52,040
Speaker 5: And then she got her.

999
00:38:52,120 --> 00:38:54,000
Speaker 20: But then this time she did she kind of a life.

1000
00:38:54,320 --> 00:38:57,279
Speaker 20: I'm like, oh slowed her down town baby, Oh no,

1001
00:38:57,880 --> 00:38:59,920
Speaker 20: like to blow up the whole.

1002
00:39:01,400 --> 00:39:07,680
Speaker 5: We're all going we are going down fire folks, real,

1003
00:39:07,880 --> 00:39:08,239
Speaker 5: but we.

1004
00:39:08,360 --> 00:39:12,040
Speaker 7: Turn that in the front though, is strong man crassious?

1005
00:39:12,280 --> 00:39:14,080
Speaker 7: Why didn't play Boy CARDI clear the song for them?

1006
00:39:14,400 --> 00:39:15,280
Speaker 7: That's the room online.

1007
00:39:15,360 --> 00:39:17,160
Speaker 5: Is that true? Yeah, it's true.

1008
00:39:17,840 --> 00:39:19,759
Speaker 20: Shout out to my boy man, because I don't get

1009
00:39:19,800 --> 00:39:22,239
Speaker 20: into it with my music and sometimes people be going

1010
00:39:22,320 --> 00:39:24,960
Speaker 20: through they on you know what I'm saying. Shout out

1011
00:39:24,960 --> 00:39:26,880
Speaker 20: of the bro though, man, he should have cleared up

1012
00:39:26,880 --> 00:39:30,040
Speaker 20: smashed though. I ain't okay, but we like that. I

1013
00:39:30,080 --> 00:39:31,960
Speaker 20: don't get mad at folks for like that because sometimes

1014
00:39:31,960 --> 00:39:34,360
Speaker 20: people going through their only or they might not.

1015
00:39:35,040 --> 00:39:37,359
Speaker 5: I don't know. It's all loved us, my little brother.

1016
00:39:37,600 --> 00:39:39,719
Speaker 5: All right, we got more with Offset when we come back.

1017
00:39:39,760 --> 00:39:42,200
Speaker 5: Don't move. It's the Breakfast Club. Good morning morning. Everybody

1018
00:39:42,360 --> 00:39:43,640
Speaker 5: is the j n V.

1019
00:39:43,920 --> 00:39:46,120
Speaker 8: Charlamage, the guy we are the Breakfast Club was still

1020
00:39:46,200 --> 00:39:47,160
Speaker 8: kicking it with Offset.

1021
00:39:47,480 --> 00:39:49,400
Speaker 5: His album is out this Friday, Charlomagne.

1022
00:39:49,560 --> 00:39:52,319
Speaker 7: Now, did authorities contact you after Nicki Minaj has been

1023
00:39:52,320 --> 00:39:53,160
Speaker 7: made those stretch against you?

1024
00:39:53,239 --> 00:39:56,239
Speaker 20: That was another room man, Hell no, okay, ain't never

1025
00:39:56,320 --> 00:39:59,920
Speaker 20: calling me. Okay, I ain't got knowing for you.

1026
00:40:01,239 --> 00:40:03,400
Speaker 5: They were saying they reached out to see if you

1027
00:40:03,520 --> 00:40:06,719
Speaker 5: wanted the pressure. Man, Please, I never do no lame

1028
00:40:06,800 --> 00:40:08,560
Speaker 5: as like that. Keep it on the screen.

1029
00:40:08,920 --> 00:40:11,120
Speaker 20: All this joke grown a man. I don't even bring

1030
00:40:11,120 --> 00:40:13,400
Speaker 20: it up. I don't want people like but I just laughing.

1031
00:40:13,840 --> 00:40:16,560
Speaker 20: I got real money. I'm having real business. I'm on

1032
00:40:16,640 --> 00:40:18,400
Speaker 20: the way to the coach, prime man on the on

1033
00:40:18,480 --> 00:40:21,319
Speaker 20: the on the jet. Like I'm thirty years old, bro,

1034
00:40:21,480 --> 00:40:24,439
Speaker 20: Like I'm grown to sell and I'm just too old

1035
00:40:24,560 --> 00:40:28,320
Speaker 20: participated like a little DM you had seen was because

1036
00:40:28,520 --> 00:40:31,160
Speaker 20: I'm a grown man. Also like I'm saying it's a

1037
00:40:31,239 --> 00:40:33,719
Speaker 20: respect thing, brother, But you thurning my wife. Bro, I'm

1038
00:40:33,719 --> 00:40:36,400
Speaker 20: not playing those games. I hate with men say anything

1039
00:40:36,480 --> 00:40:38,719
Speaker 20: about my wife, cause it's like, but you a man,

1040
00:40:39,400 --> 00:40:41,440
Speaker 20: don't speak on my wife. Bro, I don't care how

1041
00:40:41,480 --> 00:40:43,600
Speaker 20: people think, like, oh, why you white white man, this

1042
00:40:43,719 --> 00:40:46,040
Speaker 20: is my wife, mother of my kids. Man me and

1043
00:40:46,080 --> 00:40:51,120
Speaker 20: disrespecting wife. I see you ain't playing by yours. Yeah

1044
00:40:52,040 --> 00:40:54,640
Speaker 20: you want you want to box the mouth, I'm gonna

1045
00:40:54,680 --> 00:40:55,399
Speaker 20: get on your Yeah.

1046
00:40:55,440 --> 00:40:56,919
Speaker 5: We're gonna make yeah, box your mouth.

1047
00:40:57,520 --> 00:41:00,239
Speaker 20: All that planing, the twitter, all the trying to cause

1048
00:41:00,280 --> 00:41:02,719
Speaker 20: your toes and kick your feet or all that.

1049
00:41:03,400 --> 00:41:03,759
Speaker 5: Yeah that was.

1050
00:41:04,480 --> 00:41:04,600
Speaker 11: Now.

1051
00:41:04,640 --> 00:41:05,719
Speaker 5: We had Cardia up here.

1052
00:41:05,800 --> 00:41:07,960
Speaker 8: She you know, she talked about how much she supports

1053
00:41:08,000 --> 00:41:10,319
Speaker 8: you and was you know, riding for you, loving your music,

1054
00:41:10,719 --> 00:41:12,120
Speaker 8: and now let me ask you a question. No, we're

1055
00:41:12,120 --> 00:41:14,440
Speaker 8: gonna get a CARDI get second Cardio album many times soon, man,

1056
00:41:14,480 --> 00:41:15,040
Speaker 8: she said.

1057
00:41:15,239 --> 00:41:18,720
Speaker 5: I thought that's all I'm announcing reasonly. No, she ain't nothing.

1058
00:41:18,760 --> 00:41:22,400
Speaker 5: She said, the first quarter had twenty twenty four. Is

1059
00:41:22,400 --> 00:41:25,040
Speaker 5: it done? We almost there were almost there. But there's

1060
00:41:25,120 --> 00:41:26,719
Speaker 5: there's rumors that y'all was working on the joint album

1061
00:41:26,719 --> 00:41:27,120
Speaker 5: together too.

1062
00:41:27,160 --> 00:41:27,319
Speaker 17: Though.

1063
00:41:27,480 --> 00:41:29,799
Speaker 7: Yeah, after hers, you think that would be that would

1064
00:41:29,800 --> 00:41:31,920
Speaker 7: be the album. Like the way you just expressed love

1065
00:41:32,000 --> 00:41:34,480
Speaker 7: for your wife and you know why you decided to

1066
00:41:34,560 --> 00:41:36,160
Speaker 7: be with her. You think we'll get that in music

1067
00:41:36,280 --> 00:41:39,239
Speaker 7: on that project for sure. Okay, then the tour, then

1068
00:41:39,320 --> 00:41:42,120
Speaker 7: the tour. Oh, y'all definitely having another baby after the tour.

1069
00:41:42,760 --> 00:41:45,520
Speaker 7: That's definitely happening, she said.

1070
00:41:45,560 --> 00:41:47,839
Speaker 5: She said she wanted more, right, she said, she was saying,

1071
00:41:47,920 --> 00:41:49,759
Speaker 5: or say that up here, man, you don't want no more?

1072
00:41:50,239 --> 00:41:58,160
Speaker 5: Father six? Let me be up college? Expensive?

1073
00:41:58,920 --> 00:41:59,520
Speaker 10: What I know?

1074
00:42:00,120 --> 00:42:04,200
Speaker 5: Father six? Next album? I mean you got six?

1075
00:42:04,920 --> 00:42:08,399
Speaker 7: I'm done, done, done, I got fullble, I'm done. I'm done, done, done.

1076
00:42:08,800 --> 00:42:09,960
Speaker 7: I got two in college right now?

1077
00:42:10,040 --> 00:42:12,399
Speaker 5: College expensive college waxing that ass. That's right.

1078
00:42:12,760 --> 00:42:18,319
Speaker 7: Pause, let's get to I do want to ask one

1079
00:42:18,719 --> 00:42:20,920
Speaker 7: what else you learned from Tagoff's passing.

1080
00:42:23,040 --> 00:42:25,919
Speaker 20: I'm still learning. I don't even know what to say.

1081
00:42:27,200 --> 00:42:30,120
Speaker 20: The lessons just pain like it ain't really really you're

1082
00:42:30,160 --> 00:42:30,880
Speaker 20: trying to run from there?

1083
00:42:30,960 --> 00:42:32,439
Speaker 5: Have you done anything to deal with that grief?

1084
00:42:33,760 --> 00:42:36,560
Speaker 20: Sat down with somebody like I be feeling like sitting

1085
00:42:36,600 --> 00:42:39,000
Speaker 20: down with people like, maybe I ain't found the right person,

1086
00:42:39,080 --> 00:42:42,240
Speaker 20: but I don't feel like sometimes people like can't relate.

1087
00:42:43,440 --> 00:42:47,080
Speaker 7: That's why culturally competent therapists and psychiatrists and grief counsels

1088
00:42:47,120 --> 00:42:47,760
Speaker 7: are very important.

1089
00:42:47,800 --> 00:42:49,680
Speaker 5: You got to you gotta have somebody who from it

1090
00:42:50,200 --> 00:42:50,920
Speaker 5: to understand it.

1091
00:42:51,200 --> 00:42:53,120
Speaker 21: I feel like sometime in them jobs, basically they're not

1092
00:42:53,200 --> 00:42:53,959
Speaker 21: giving people who.

1093
00:42:54,080 --> 00:42:56,600
Speaker 20: Maybe have a record of those two people you need

1094
00:42:56,680 --> 00:42:59,120
Speaker 20: to have in the office because they gonna they've been

1095
00:42:59,160 --> 00:43:02,360
Speaker 20: through they can really relate to black people. I like,

1096
00:43:02,640 --> 00:43:04,959
Speaker 20: I feel like the therapy thing don't really beef black

1097
00:43:05,000 --> 00:43:06,800
Speaker 20: folks a lot of times because.

1098
00:43:06,840 --> 00:43:09,640
Speaker 5: Every person I ever seen it like, they ain't they

1099
00:43:09,800 --> 00:43:10,680
Speaker 5: like took the right way.

1100
00:43:11,400 --> 00:43:14,200
Speaker 20: Everything was good on paper, everything it's good the college

1101
00:43:14,239 --> 00:43:19,120
Speaker 20: d it ain't like like a while, Yeah who lived

1102
00:43:19,640 --> 00:43:21,160
Speaker 20: in the street, who sell them dope right now with

1103
00:43:21,239 --> 00:43:23,640
Speaker 20: their gun, but listen to him way before they listen

1104
00:43:23,719 --> 00:43:25,640
Speaker 20: to somebody that looked like them.

1105
00:43:25,680 --> 00:43:27,800
Speaker 5: But this can't trying to tell them how to do it.

1106
00:43:27,840 --> 00:43:28,319
Speaker 5: I can't relate.

1107
00:43:28,400 --> 00:43:30,120
Speaker 20: See, I asked questions back. I said that was somebody.

1108
00:43:30,120 --> 00:43:32,200
Speaker 20: I'm gonna asking you a questions back, like so have

1109
00:43:32,320 --> 00:43:35,279
Speaker 20: you ever d? And if it ain't, it's waste time.

1110
00:43:35,719 --> 00:43:38,120
Speaker 5: But we appreciate you. The album comes out this Friday.

1111
00:43:38,239 --> 00:43:39,480
Speaker 5: Set it off. You want to you want to play?

1112
00:43:40,360 --> 00:43:42,800
Speaker 5: What was what was your favorite song? What did you

1113
00:43:42,880 --> 00:43:43,200
Speaker 5: feel like?

1114
00:43:44,680 --> 00:43:46,640
Speaker 8: I like saying my grace. I like worth it because

1115
00:43:46,680 --> 00:43:49,080
Speaker 8: I just I'm from that era. So I like you

1116
00:43:49,360 --> 00:43:51,399
Speaker 8: kind of catching the bus to flow, which was different,

1117
00:43:51,520 --> 00:43:53,040
Speaker 8: like blame it on set. I like the one where

1118
00:43:53,040 --> 00:43:57,680
Speaker 8: you had set the project path flow. The first song

1119
00:43:57,760 --> 00:43:58,680
Speaker 8: on the album Hard.

1120
00:43:59,120 --> 00:44:00,919
Speaker 5: Yeah, that's when you said, I'm gon, Yeah that's hard.

1121
00:44:01,120 --> 00:44:01,440
Speaker 4: I don't know.

1122
00:44:01,520 --> 00:44:02,239
Speaker 5: I can look to it again.

1123
00:44:03,760 --> 00:44:05,759
Speaker 20: I wanted to bring rap, like rapping on the song,

1124
00:44:05,840 --> 00:44:07,360
Speaker 20: but I feel like it's a lot of auto tune,

1125
00:44:07,400 --> 00:44:09,680
Speaker 20: a lot of like I got melodies on here, of course,

1126
00:44:09,760 --> 00:44:10,000
Speaker 20: but like.

1127
00:44:10,400 --> 00:44:11,880
Speaker 7: Your voice don't need it. You got to get to

1128
00:44:11,920 --> 00:44:14,160
Speaker 7: the rapping, but your voice so distinct you don't need

1129
00:44:14,200 --> 00:44:19,200
Speaker 7: the auto tune. The joint with Travis said alright, right, Yeah,

1130
00:44:19,280 --> 00:44:19,719
Speaker 7: that's hard.

1131
00:44:19,920 --> 00:44:21,560
Speaker 5: It's hard. We got the video we shot that tire

1132
00:44:21,600 --> 00:44:23,480
Speaker 5: line to y'all. Can't wit to y'all see that art?

1133
00:44:23,640 --> 00:44:25,319
Speaker 5: What does success look like for all?

1134
00:44:25,400 --> 00:44:28,320
Speaker 20: Stuh the music connected to the people, Like I'm not

1135
00:44:28,480 --> 00:44:30,440
Speaker 20: you know how we came in the game. Like I

1136
00:44:30,560 --> 00:44:33,560
Speaker 20: hate how everything is clocked now, like the number first dad,

1137
00:44:35,760 --> 00:44:38,680
Speaker 20: because then it gives people of pins already immediately they

1138
00:44:38,680 --> 00:44:40,719
Speaker 20: ain't even chatting to us. So me, I'm just trying

1139
00:44:40,719 --> 00:44:43,960
Speaker 20: to connect musically with these people. Like you said identify offset.

1140
00:44:43,960 --> 00:44:47,120
Speaker 20: It sounds like like I didn't reflair. That was like,

1141
00:44:47,200 --> 00:44:51,000
Speaker 20: oh bro, got that, Like it's proven like and showing

1142
00:44:51,080 --> 00:44:54,360
Speaker 20: my creativity like see my album cover falling from the

1143
00:44:54,400 --> 00:44:57,080
Speaker 20: sky outside down. But I'm still on top. It's like

1144
00:44:57,520 --> 00:45:00,120
Speaker 20: being able to express the art. It's not numbers for

1145
00:45:00,200 --> 00:45:02,359
Speaker 20: me because I come from see my My number one

1146
00:45:02,400 --> 00:45:06,960
Speaker 20: record was number sixty and forty twenty and ten ten

1147
00:45:07,040 --> 00:45:10,080
Speaker 20: number one, So I know like working the record. I

1148
00:45:10,160 --> 00:45:12,640
Speaker 20: feel like people don't be working records no more. The

1149
00:45:12,760 --> 00:45:15,120
Speaker 20: festivals in the big places, they checking your numbers, they

1150
00:45:15,239 --> 00:45:17,120
Speaker 20: checking you with your song that don't be able.

1151
00:45:17,480 --> 00:45:19,080
Speaker 5: I learned that at Like I think I learned that.

1152
00:45:19,120 --> 00:45:22,040
Speaker 21: At twenty sixteen, I forgot who the artist was. They

1153
00:45:22,200 --> 00:45:25,120
Speaker 21: was going after us, and I'm like, I know we.

1154
00:45:25,200 --> 00:45:30,560
Speaker 5: Out of than that I noticed. But the streaming numbers,

1155
00:45:30,760 --> 00:45:31,920
Speaker 5: it was like a radio show too.

1156
00:45:32,120 --> 00:45:35,320
Speaker 21: I'm saying, boy, they on good boy, they on top fifteen,

1157
00:45:35,440 --> 00:45:36,799
Speaker 21: y'all like number forty right now.

1158
00:45:37,120 --> 00:45:39,360
Speaker 20: And then they made me understand the significant point of it.

1159
00:45:39,440 --> 00:45:41,560
Speaker 20: So it's some people that still watch. And I just

1160
00:45:41,600 --> 00:45:43,840
Speaker 20: feel like artists ain't roppers, ain't putting on no show. Bro,

1161
00:45:44,600 --> 00:45:46,319
Speaker 20: You're just get in the bag and like people try

1162
00:45:46,400 --> 00:45:48,239
Speaker 20: to pay in the bad like that, just like you

1163
00:45:48,320 --> 00:45:49,279
Speaker 20: gotta put on a show.

1164
00:45:49,520 --> 00:45:52,640
Speaker 5: You're gonna dance and everything. Yeah, you think it's like

1165
00:45:52,800 --> 00:45:56,040
Speaker 5: not cool cool. People like to be entertainment than anything, right,

1166
00:45:56,560 --> 00:45:58,040
Speaker 5: all right, what you want to hear of that? What

1167
00:45:58,080 --> 00:46:00,719
Speaker 5: you wanna play? But it worth it, man, Let's get

1168
00:46:00,719 --> 00:46:01,600
Speaker 5: it that bag Man.

1169
00:46:01,760 --> 00:46:04,200
Speaker 8: Featuring Don Tolliver and we appreciate you joining us. The

1170
00:46:04,280 --> 00:46:09,000
Speaker 8: albums out this Friday. Set it off, mister Breakfast Morning Morning.

1171
00:46:09,040 --> 00:46:12,360
Speaker 8: Everybody is DJ NV Charlomagne the God. We are the

1172
00:46:12,440 --> 00:46:16,360
Speaker 8: Breakfast Club. There's been a lot going on. Charlamagne, like

1173
00:46:16,440 --> 00:46:18,680
Speaker 8: what I don't say, Like what man, there's been a

1174
00:46:18,800 --> 00:46:23,200
Speaker 8: million and one accusations that I was involved with scamming people.

1175
00:46:24,040 --> 00:46:29,080
Speaker 5: Oh my god, No, I'm being serious. So so let

1176
00:46:29,120 --> 00:46:30,040
Speaker 5: me explain some things.

1177
00:46:30,239 --> 00:46:32,000
Speaker 8: I'm not My attorneys don't want me to speak, but

1178
00:46:32,080 --> 00:46:33,520
Speaker 8: I think there's things that I need to clear up

1179
00:46:33,520 --> 00:46:33,880
Speaker 8: a little bit.

1180
00:46:34,000 --> 00:46:35,719
Speaker 5: I think you should listen to your attorneys. Why don't like?

1181
00:46:35,840 --> 00:46:37,680
Speaker 5: Can people like to listen? If your attorneys told you,

1182
00:46:37,719 --> 00:46:39,080
Speaker 5: don't think nothing, why you're talking? Listen?

1183
00:46:39,440 --> 00:46:43,480
Speaker 8: So, Caesar and myself did seminars. Now, the reason I

1184
00:46:43,640 --> 00:46:46,440
Speaker 8: did these seminars is because I wanted to uplift my community.

1185
00:46:46,680 --> 00:46:49,080
Speaker 8: I wanted to teach my community about real estate things

1186
00:46:49,120 --> 00:46:51,239
Speaker 8: that I didn't know when I was first buying my

1187
00:46:51,320 --> 00:46:54,280
Speaker 8: first home. I wanted to teach our community about investing

1188
00:46:54,320 --> 00:46:57,600
Speaker 8: in generational wealth. So I did these seminars and brought

1189
00:46:57,680 --> 00:47:01,040
Speaker 8: industry professionals to all these seminars, whether it was real

1190
00:47:01,160 --> 00:47:05,960
Speaker 8: estate agents from different markets, contractors, conventional lenders, hard money lenders.

1191
00:47:06,000 --> 00:47:09,239
Speaker 8: I even brought auction dot Com to actually show people

1192
00:47:09,360 --> 00:47:11,160
Speaker 8: how to purchase houses online.

1193
00:47:12,040 --> 00:47:14,000
Speaker 5: That's what I wanted to do for my people.

1194
00:47:14,600 --> 00:47:15,080
Speaker 11: That was it.

1195
00:47:16,120 --> 00:47:19,759
Speaker 8: Now, Caesar, if he took money, I wasn't privy to it,

1196
00:47:19,880 --> 00:47:23,279
Speaker 8: nor did I even know. But I do understand how

1197
00:47:23,360 --> 00:47:26,880
Speaker 8: people feel if they did give him money, because I

1198
00:47:27,080 --> 00:47:30,120
Speaker 8: gave him a lot of money. Jesus that I didn't

1199
00:47:30,120 --> 00:47:32,959
Speaker 8: see a dollar of return. I didn't see a quarter,

1200
00:47:33,080 --> 00:47:35,600
Speaker 8: a nickel, nothing. I didn't see any return, And I

1201
00:47:35,719 --> 00:47:39,400
Speaker 8: know how that feels. But for anybody to say I

1202
00:47:39,560 --> 00:47:43,520
Speaker 8: was involved, that's totally not true. I would never. I've

1203
00:47:43,520 --> 00:47:45,719
Speaker 8: been on this radio close. I've been on radio close

1204
00:47:45,760 --> 00:47:47,960
Speaker 8: to thirty years, and never in my thirty years time

1205
00:47:48,200 --> 00:47:50,239
Speaker 8: did I do nothing but try to uplift people and

1206
00:47:50,320 --> 00:47:52,320
Speaker 8: show people a different way through the business mind. And

1207
00:47:52,480 --> 00:47:54,560
Speaker 8: I would never take a dollar from somebody.

1208
00:47:54,800 --> 00:47:56,920
Speaker 7: I could be wrong, but I didn't see nobody accusing

1209
00:47:56,960 --> 00:47:58,560
Speaker 7: you of taking money. I just saw them say that

1210
00:47:58,840 --> 00:48:02,680
Speaker 7: they met Caesar because they heard you talking about Caesar.

1211
00:48:02,760 --> 00:48:05,360
Speaker 5: If they basically said I was privy to it, and

1212
00:48:05,440 --> 00:48:06,520
Speaker 5: that wasn't true.

1213
00:48:07,360 --> 00:48:10,080
Speaker 7: From what I read in actual court papers, I didn't

1214
00:48:10,120 --> 00:48:12,480
Speaker 7: see that they said that. All these people are saying

1215
00:48:12,480 --> 00:48:15,040
Speaker 7: that they met Caesar because of you, right, and they're

1216
00:48:15,040 --> 00:48:16,960
Speaker 7: saying that somebody accusing you of taking no money.

1217
00:48:17,000 --> 00:48:19,080
Speaker 8: To the point where, if you read the court documents,

1218
00:48:19,200 --> 00:48:23,640
Speaker 8: Caesar wrote affidavit that says DJ mvy Rashaan Casey had

1219
00:48:23,719 --> 00:48:27,080
Speaker 8: no knowledge of the investing people's money. He wasn't there,

1220
00:48:27,360 --> 00:48:30,520
Speaker 8: he wasn't part of those conversations. He wasn't even nowhere

1221
00:48:30,600 --> 00:48:33,720
Speaker 8: in those meetings. And those are documents.

1222
00:48:33,320 --> 00:48:35,239
Speaker 5: That's out there. So if we're going to talk about truth,

1223
00:48:35,280 --> 00:48:38,000
Speaker 5: let's talk about the truth. And those are the documents

1224
00:48:38,040 --> 00:48:38,279
Speaker 5: out there.

1225
00:48:38,280 --> 00:48:39,719
Speaker 7: And I know I can't talk about the truth yet

1226
00:48:39,719 --> 00:48:41,480
Speaker 7: because your lawyers don't want you talking at all. So

1227
00:48:41,600 --> 00:48:43,799
Speaker 7: the smart thing to do is, I understand you want

1228
00:48:43,800 --> 00:48:45,719
Speaker 7: to say something to the listeners and I and I'm

1229
00:48:45,760 --> 00:48:48,239
Speaker 7: sure the listeners appreciate it. Well, man, just wait until

1230
00:48:48,239 --> 00:48:50,400
Speaker 7: all the dust settles, and when all the dust settles,

1231
00:48:50,440 --> 00:48:51,680
Speaker 7: then we can get on this radio and have a

1232
00:48:51,719 --> 00:48:54,480
Speaker 7: real conversation. Until then, I just I don't, you know,

1233
00:48:54,960 --> 00:48:57,400
Speaker 7: I don't think you should be saying any of this,

1234
00:48:57,600 --> 00:48:58,840
Speaker 7: but you know that's just me.

1235
00:49:02,040 --> 00:49:03,799
Speaker 5: Look at you. You can't even help yourself. What else

1236
00:49:03,840 --> 00:49:04,319
Speaker 5: you want to say?

1237
00:49:04,360 --> 00:49:04,520
Speaker 17: Nothing?

1238
00:49:04,600 --> 00:49:06,480
Speaker 5: Nothing? Okay, nothing, all right?

1239
00:49:06,760 --> 00:49:09,520
Speaker 7: But when it doest settles, you can have a real

1240
00:49:09,640 --> 00:49:13,640
Speaker 7: conversation with It's difficult because the stuff that you're hearing,

1241
00:49:13,680 --> 00:49:15,959
Speaker 7: it's like that's totally not true like it's not true,

1242
00:49:16,040 --> 00:49:18,480
Speaker 7: like that's fake news stories.

1243
00:49:18,719 --> 00:49:20,360
Speaker 5: That should be enough. You know what the truth is.

1244
00:49:21,000 --> 00:49:22,480
Speaker 5: If you know what the truth is, don't worry about

1245
00:49:22,480 --> 00:49:24,480
Speaker 5: it because the truth don't need no defense. It just

1246
00:49:24,560 --> 00:49:27,239
Speaker 5: needs the truth. Don't need no defense, just witnesses. That's it,

1247
00:49:27,760 --> 00:49:29,239
Speaker 5: all right, all right?

1248
00:49:29,280 --> 00:49:31,680
Speaker 7: Well, Hope, And by the way, you look very suspicious

1249
00:49:31,680 --> 00:49:33,800
Speaker 7: because you don't have your just formnting right now, so

1250
00:49:33,800 --> 00:49:35,400
Speaker 7: it's like the grades are coming in right here in

1251
00:49:35,480 --> 00:49:37,680
Speaker 7: the back and you need a little headcut. So it

1252
00:49:37,800 --> 00:49:38,719
Speaker 7: just makes you look like.

1253
00:49:39,200 --> 00:49:41,400
Speaker 8: I just want to say this on cloth, I've never

1254
00:49:41,520 --> 00:49:43,719
Speaker 8: stole anything from anybody, and I'll just leave it at that.

1255
00:49:45,080 --> 00:49:48,920
Speaker 5: What you know what rhymes with what what? But and

1256
00:49:49,000 --> 00:49:50,320
Speaker 5: from what I was told, you sused to steal a

1257
00:49:50,400 --> 00:49:54,360
Speaker 5: lot of butt back in, I can't. I'm trying to

1258
00:49:54,400 --> 00:49:55,640
Speaker 5: be serious here and you're playing.

1259
00:49:55,440 --> 00:49:57,680
Speaker 8: Around, good old big old queen from Queens. When we

1260
00:49:57,800 --> 00:49:59,600
Speaker 8: come back, we got you your room and report. That's

1261
00:50:01,320 --> 00:50:02,400
Speaker 8: so that's why I can't. You know what is the

1262
00:50:02,440 --> 00:50:03,040
Speaker 8: breakfast slogo?

1263
00:50:03,080 --> 00:50:03,279
Speaker 17: Morning?

1264
00:50:03,400 --> 00:50:07,040
Speaker 8: All right, morning everybody. It's dj n V Charlemagne de God.

1265
00:50:07,080 --> 00:50:08,880
Speaker 8: We are the Breakfast Club. Let's get to the rumors.

1266
00:50:09,040 --> 00:50:14,400
Speaker 8: Let's talk Mary J. Blige, call out of name or

1267
00:50:14,480 --> 00:50:19,120
Speaker 8: you gossip. This is the rumor report.

1268
00:50:19,200 --> 00:50:20,440
Speaker 2: I mean, I guess we're on the breakfast club.

1269
00:50:20,480 --> 00:50:23,000
Speaker 5: This is where the T spells right right now, we

1270
00:50:23,040 --> 00:50:25,359
Speaker 5: got a salute to Mary J. Blige. He's doing something

1271
00:50:25,480 --> 00:50:26,040
Speaker 5: very special.

1272
00:50:26,160 --> 00:50:29,880
Speaker 8: She's offering a thirty thousand dollars scholarship to one lucky

1273
00:50:30,040 --> 00:50:33,480
Speaker 8: student at Hampton University. Now, this is part of her

1274
00:50:33,640 --> 00:50:37,720
Speaker 8: Strength of a Woman's Scholarship. It's an initiative for eligible students.

1275
00:50:37,760 --> 00:50:40,680
Speaker 8: They must self identify as a female, be a current

1276
00:50:40,760 --> 00:50:43,640
Speaker 8: college sophomore undergraduate with a minimum of a two point

1277
00:50:43,719 --> 00:50:50,160
Speaker 8: five gpa, and also be pursuing a degree in business administration, marketing, arts, finance,

1278
00:50:50,360 --> 00:50:51,640
Speaker 8: or creative design.

1279
00:50:52,280 --> 00:50:54,080
Speaker 5: So salute to Mary J. Blige. And I think it's

1280
00:50:54,120 --> 00:50:56,480
Speaker 5: dope that the school that she's picking is Hampton University.

1281
00:50:56,800 --> 00:50:59,319
Speaker 5: Dropping the clues bobs for Mary J. Blige. Anytime something

1282
00:50:59,440 --> 00:51:02,520
Speaker 5: is done for age BCUs, I'm all for now.

1283
00:51:02,600 --> 00:51:05,480
Speaker 8: The deadline if you want to apply is October sixteenth,

1284
00:51:05,640 --> 00:51:06,719
Speaker 8: y three p m.

1285
00:51:06,840 --> 00:51:07,080
Speaker 7: All right.

1286
00:51:07,120 --> 00:51:09,320
Speaker 5: All applicants will be notified in December.

1287
00:51:09,400 --> 00:51:12,600
Speaker 8: So again, congratulations and good luck to anybody that's trying

1288
00:51:12,640 --> 00:51:15,960
Speaker 8: to get that scholarship. Now, Cameron and Mace, they have

1289
00:51:16,360 --> 00:51:18,160
Speaker 8: a great show. I love this show. It's called it

1290
00:51:18,320 --> 00:51:20,400
Speaker 8: Is What It Is. And during It Is What It Is,

1291
00:51:20,520 --> 00:51:24,279
Speaker 8: sometimes they ask each other questions, and somebody emailed they

1292
00:51:24,360 --> 00:51:27,080
Speaker 8: wanted to ask Mask a question about where was he

1293
00:51:27,239 --> 00:51:28,560
Speaker 8: when Biggie was murdered?

1294
00:51:28,880 --> 00:51:30,000
Speaker 5: And what was his first thought?

1295
00:51:30,040 --> 00:51:32,600
Speaker 11: And what did he want to do the night that

1296
00:51:32,800 --> 00:51:35,800
Speaker 11: Biggie Small died? Where were you and what did you

1297
00:51:36,000 --> 00:51:39,120
Speaker 11: do in the aftermath? Right after Biggie Small died?

1298
00:51:39,320 --> 00:51:39,920
Speaker 5: What people here?

1299
00:51:40,000 --> 00:51:45,880
Speaker 16: That sounded like a ked question. I was actually in

1300
00:51:45,920 --> 00:51:48,200
Speaker 16: a hotel with a young lady.

1301
00:51:48,440 --> 00:51:52,120
Speaker 5: And when you heard this information, what was your next actions?

1302
00:51:52,320 --> 00:51:54,680
Speaker 16: I actually was trapped in the hotel.

1303
00:51:54,960 --> 00:51:57,520
Speaker 5: Now, I don't want to ask the question, what do

1304
00:51:57,560 --> 00:51:58,360
Speaker 5: you mean trapped?

1305
00:51:58,840 --> 00:52:02,480
Speaker 16: It was about seventy or sol bloods in the hallway.

1306
00:52:02,520 --> 00:52:03,680
Speaker 16: I couldn't even leave my room.

1307
00:52:04,080 --> 00:52:06,200
Speaker 11: Why would it be so many bloods in your hallway

1308
00:52:06,239 --> 00:52:07,840
Speaker 11: after Biggie's Small stock.

1309
00:52:07,760 --> 00:52:10,600
Speaker 16: After Big I killed, They was probably looking for more

1310
00:52:10,680 --> 00:52:13,160
Speaker 16: bad boy artists. And I couldn't even lay the room

1311
00:52:13,320 --> 00:52:16,759
Speaker 16: to Jane Deale, the one at the officer had to

1312
00:52:16,840 --> 00:52:21,320
Speaker 16: come get me. I was lefting in la and that

1313
00:52:21,520 --> 00:52:23,719
Speaker 16: and from that day. I always said, you know, I'm

1314
00:52:23,760 --> 00:52:24,200
Speaker 16: out of here.

1315
00:52:25,360 --> 00:52:28,239
Speaker 7: Damn, that's the story you never heard. You heard so

1316
00:52:28,320 --> 00:52:31,080
Speaker 7: many stories from that night. I never heard that one.

1317
00:52:32,000 --> 00:52:33,719
Speaker 5: There, No, never at all. Now.

1318
00:52:33,800 --> 00:52:37,160
Speaker 8: Also they talk about the song old Boy, which was

1319
00:52:37,400 --> 00:52:39,440
Speaker 8: a camera record. Now a fun fact, when I was

1320
00:52:39,520 --> 00:52:42,360
Speaker 8: doing my album back then, we got offered that record.

1321
00:52:43,680 --> 00:52:47,120
Speaker 8: It's a true story. When I was signed the Desert Storm. Yeah,

1322
00:52:47,160 --> 00:52:49,520
Speaker 8: and the money that Cameron wanted for me to purchase

1323
00:52:49,560 --> 00:52:51,440
Speaker 8: the record in the production at the time. Of course

1324
00:52:51,480 --> 00:52:53,160
Speaker 8: we didn't have huge budgets, so we couldn't take it.

1325
00:52:53,239 --> 00:52:54,960
Speaker 8: But I always thought the record was a hit, and

1326
00:52:55,239 --> 00:52:57,279
Speaker 8: it turned out to be a hit. But this is

1327
00:52:57,360 --> 00:52:59,880
Speaker 8: him talking about the record and why just Blaze and

1328
00:53:00,080 --> 00:53:00,880
Speaker 8: Jay we're mad about it.

1329
00:53:01,520 --> 00:53:04,200
Speaker 11: Just give you a great example of Marshawn Lynch and

1330
00:53:04,719 --> 00:53:08,120
Speaker 11: Russell Wilson and me and just Blade's relationship. I think

1331
00:53:08,160 --> 00:53:10,600
Speaker 11: it's to say the Old Boy beat is sitting on

1332
00:53:11,880 --> 00:53:14,880
Speaker 11: in the studio for two months, nobody uses it. Juels

1333
00:53:14,960 --> 00:53:17,239
Speaker 11: convinced me to steal the song. We do the song.

1334
00:53:17,360 --> 00:53:19,000
Speaker 5: After we put it out, he comes up to me.

1335
00:53:19,080 --> 00:53:22,200
Speaker 11: It's like, Cam, We're gonna absolutely get killed on the

1336
00:53:22,280 --> 00:53:24,800
Speaker 11: publisher and we didn't get there the sample before we

1337
00:53:24,960 --> 00:53:25,640
Speaker 11: put it out.

1338
00:53:25,560 --> 00:53:28,200
Speaker 5: And I'm like a whatever man. We have been sitting

1339
00:53:28,239 --> 00:53:29,000
Speaker 5: there for two months.

1340
00:53:29,160 --> 00:53:31,120
Speaker 11: By the way, Jay was mad at me behind that

1341
00:53:31,280 --> 00:53:34,239
Speaker 11: because he didn't understand why I gave you that beat

1342
00:53:34,320 --> 00:53:35,560
Speaker 11: and I didn't give him the beat.

1343
00:53:35,680 --> 00:53:38,960
Speaker 5: I say, Yo, just it is a hit. I get that. Cam.

1344
00:53:39,080 --> 00:53:41,560
Speaker 11: But if we would have did things correctly and then

1345
00:53:41,880 --> 00:53:44,000
Speaker 11: went back and double back, we could a card troopered

1346
00:53:44,080 --> 00:53:45,200
Speaker 11: what we really were gonna make.

1347
00:53:45,280 --> 00:53:47,680
Speaker 5: Now we're not gonna I said, just do you want

1348
00:53:47,719 --> 00:53:50,560
Speaker 5: to be a hit producer? He said not. Actually, my

1349
00:53:50,800 --> 00:53:54,359
Speaker 5: dream is Wall Street and have restaurants.

1350
00:53:56,239 --> 00:54:01,640
Speaker 7: Facebook that that was the story of Old Boy and

1351
00:54:01,920 --> 00:54:05,200
Speaker 7: just blaze all right, and that is your room or

1352
00:54:05,280 --> 00:54:07,680
Speaker 7: reports that Charlamageho, you give me your donkey to man

1353
00:54:07,760 --> 00:54:11,200
Speaker 7: man for after the hour, I need this library in Huntsville,

1354
00:54:11,200 --> 00:54:13,200
Speaker 7: Alabama to come to the front of the congregation and

1355
00:54:13,320 --> 00:54:16,600
Speaker 7: it's a good opportunity to just express.

1356
00:54:16,320 --> 00:54:17,080
Speaker 5: My love for books.

1357
00:54:17,120 --> 00:54:19,000
Speaker 8: We'll discuss all right, and then after that we have

1358
00:54:19,120 --> 00:54:21,839
Speaker 8: somebody that's actually just wrote a book. It's called Fashion Killer.

1359
00:54:21,880 --> 00:54:25,560
Speaker 8: It's out today. Sonya is the lady's name, young lady's name,

1360
00:54:25,560 --> 00:54:27,720
Speaker 8: and she has a book talking about fashion in the industry,

1361
00:54:27,800 --> 00:54:30,600
Speaker 8: talking about everything on the West Coast from khakis and

1362
00:54:30,800 --> 00:54:34,160
Speaker 8: and converts to Cameron's clothes to the pink fur and

1363
00:54:34,239 --> 00:54:36,120
Speaker 8: all that. And we're gonna talk to her next hour. Right,

1364
00:54:36,120 --> 00:54:39,160
Speaker 8: it's the Breakfast Club. Good morning, the Breakfast Club. Your

1365
00:54:39,239 --> 00:54:41,200
Speaker 8: mornings will never be the same.

1366
00:54:45,719 --> 00:54:46,720
Speaker 3: Damn he Hogg.

1367
00:54:48,280 --> 00:54:48,920
Speaker 21: It's time for.

1368
00:54:49,000 --> 00:54:52,080
Speaker 5: Donkey, I mean trying to be donkey today.

1369
00:54:52,200 --> 00:54:52,440
Speaker 11: No more.

1370
00:54:52,520 --> 00:54:54,239
Speaker 5: They should be embarrassed by what they already did.

1371
00:54:54,560 --> 00:54:57,400
Speaker 2: I'm not making the called donkey of the day and

1372
00:54:58,080 --> 00:55:00,920
Speaker 2: it really caught me off guard. D sela man who

1373
00:55:01,120 --> 00:55:03,000
Speaker 2: got the donkey out of day today.

1374
00:55:03,920 --> 00:55:04,160
Speaker 5: Wow.

1375
00:55:04,280 --> 00:55:07,160
Speaker 7: Jeess Hilarian's Donkey Today for Wednesday, October eleventh goes to

1376
00:55:07,200 --> 00:55:10,720
Speaker 7: the Huntsville Madison County Public Library in Huntsville, Alabama.

1377
00:55:10,840 --> 00:55:13,719
Speaker 5: Salute to everybody who listens to us in Alabama.

1378
00:55:13,800 --> 00:55:16,279
Speaker 7: We're on one O four to one to beat in Birmingham,

1379
00:55:16,360 --> 00:55:18,840
Speaker 7: hot one O seven five in Montgomery, and one O

1380
00:55:18,960 --> 00:55:22,160
Speaker 7: seven three to beaten mobile mobile, mobile, mobile, drop on

1381
00:55:22,239 --> 00:55:23,280
Speaker 7: the clues bombs for Alabama.

1382
00:55:24,880 --> 00:55:26,240
Speaker 5: Now y'all know I love reading.

1383
00:55:26,640 --> 00:55:28,360
Speaker 7: Thank you to my mother who is an English teacher

1384
00:55:28,400 --> 00:55:30,880
Speaker 7: in South Carolina, and for the Bookkeet Program for fueling

1385
00:55:30,960 --> 00:55:32,840
Speaker 7: my hunger to read. My mother would always tell me

1386
00:55:32,920 --> 00:55:35,520
Speaker 7: to read things that don't pertain to me, and the

1387
00:55:35,600 --> 00:55:38,600
Speaker 7: Bookkeet program was a game changer for a teenage mutant

1388
00:55:38,640 --> 00:55:41,120
Speaker 7: Ninja Turtle like myself. I'm fully aware that I look

1389
00:55:41,239 --> 00:55:42,840
Speaker 7: like I could be casting a live remaker of the

1390
00:55:42,920 --> 00:55:46,880
Speaker 7: Ninja Turtles myself Jeezy Jadakiss neo teenage mutant Nigga Turtle.

1391
00:55:46,960 --> 00:55:47,560
Speaker 5: See when you.

1392
00:55:47,719 --> 00:55:51,120
Speaker 7: Love pizza, hot pizza, and you love to read, and

1393
00:55:51,239 --> 00:55:53,520
Speaker 7: your mom tells you to read things that don't pertain

1394
00:55:53,600 --> 00:55:55,239
Speaker 7: to you, and you have to read four books to

1395
00:55:55,239 --> 00:55:57,800
Speaker 7: get a free pizza, Reading things that don't pertain to

1396
00:55:57,880 --> 00:55:59,080
Speaker 7: you makes that easy.

1397
00:55:59,120 --> 00:55:59,359
Speaker 5: Okay.

1398
00:55:59,400 --> 00:56:02,240
Speaker 7: That's why I love you Bloom and all her works. Okay,

1399
00:56:02,440 --> 00:56:04,040
Speaker 7: that's why I love Julie Bloom and all her works

1400
00:56:04,080 --> 00:56:05,560
Speaker 7: the way that I do. Okay, I'm saying all that

1401
00:56:05,719 --> 00:56:07,759
Speaker 7: to say I love reading. I love books. I'm a

1402
00:56:07,800 --> 00:56:09,920
Speaker 7: New York Times bestselling offer. I have two books out,

1403
00:56:10,040 --> 00:56:11,160
Speaker 7: Black Privilege and Shook one.

1404
00:56:11,200 --> 00:56:12,600
Speaker 5: Can you see him? Can you see them on the camera?

1405
00:56:12,680 --> 00:56:14,800
Speaker 5: Nick should grab you?

1406
00:56:14,920 --> 00:56:15,359
Speaker 11: Got here?

1407
00:56:15,840 --> 00:56:19,160
Speaker 5: Black Privilege? You come back to the microphone. Yes, Black

1408
00:56:19,239 --> 00:56:21,560
Speaker 5: Privilege is right here. Shook one is right here.

1409
00:56:22,000 --> 00:56:25,960
Speaker 7: Okay, okay, I have a book in print, Black Privilege

1410
00:56:25,960 --> 00:56:28,080
Speaker 7: Publishing with Shaman the Shoes to feel free to purchase

1411
00:56:28,560 --> 00:56:30,080
Speaker 7: to meet a Mallory state of emergency.

1412
00:56:30,200 --> 00:56:32,080
Speaker 5: And they need to copax Shallow Waters. Oh we got

1413
00:56:32,120 --> 00:56:35,840
Speaker 5: throws again. I got a book too. I got a

1414
00:56:35,840 --> 00:56:37,560
Speaker 5: book to hold on, hold on, hold on, hold on,

1415
00:56:37,840 --> 00:56:39,200
Speaker 5: hold on, come back to the microphone.

1416
00:56:39,400 --> 00:56:42,160
Speaker 7: See to meet a Mallory stave emergency, I need a

1417
00:56:42,200 --> 00:56:46,000
Speaker 7: Kopex Shallow Waters book. Look, those are the first. If

1418
00:56:46,040 --> 00:56:48,919
Speaker 7: you got a book, real life, real love. Okay, suit

1419
00:56:48,960 --> 00:56:51,200
Speaker 7: to Doug Melville. In Visible General's out November seven, if

1420
00:56:51,200 --> 00:56:51,800
Speaker 7: you can pre order that.

1421
00:56:51,880 --> 00:56:51,960
Speaker 11: Now.

1422
00:56:52,000 --> 00:56:54,279
Speaker 7: I'm saying all that to let you know how much

1423
00:56:54,680 --> 00:56:56,680
Speaker 7: I love books. Okay, this is what I'm let me

1424
00:56:56,719 --> 00:56:59,960
Speaker 7: share what I'm reading right now. Hold on you see

1425
00:57:00,719 --> 00:57:02,439
Speaker 7: Don Miguel Ruiz's new book.

1426
00:57:02,840 --> 00:57:07,719
Speaker 5: Okay, just finished this, Rich Paul, Lucky me. I'm never

1427
00:57:07,800 --> 00:57:08,839
Speaker 5: not reading. I love reading.

1428
00:57:08,880 --> 00:57:11,359
Speaker 7: My wife loves reading and it's infectious. My kids love reading.

1429
00:57:11,480 --> 00:57:13,440
Speaker 7: I have three bookshelves in my house. I'm telling you

1430
00:57:13,520 --> 00:57:15,400
Speaker 7: all this to paint the picture of how much I

1431
00:57:15,440 --> 00:57:17,040
Speaker 7: love books, because I want you to know how it

1432
00:57:17,160 --> 00:57:19,440
Speaker 7: pains me to see all these books and authors being

1433
00:57:19,560 --> 00:57:22,400
Speaker 7: banned all around the country. I'm from South Carolina, Okay,

1434
00:57:22,400 --> 00:57:25,240
Speaker 7: where the first anti literacy laws were passed. It was

1435
00:57:25,320 --> 00:57:28,040
Speaker 7: prohibited to teach slaves to read and write. So when

1436
00:57:28,040 --> 00:57:29,640
Speaker 7: you see me having the love for books that I do,

1437
00:57:30,000 --> 00:57:31,800
Speaker 7: when you see me so deep in the book business,

1438
00:57:31,920 --> 00:57:35,000
Speaker 7: understand it's personal. So stories like what's happening at the

1439
00:57:35,040 --> 00:57:38,080
Speaker 7: Huntsfield Madison County Public Library really grind my gear. See,

1440
00:57:38,320 --> 00:57:40,840
Speaker 7: they bann in books. They have a list of potentially

1441
00:57:40,920 --> 00:57:44,520
Speaker 7: inappropriate titles. Now, I've never agreed with this kind of

1442
00:57:44,560 --> 00:57:47,320
Speaker 7: censorship because everything is subjective. Do you know that Judy

1443
00:57:47,400 --> 00:57:49,320
Speaker 7: Bloom is one of the most banned authors of the

1444
00:57:49,360 --> 00:57:50,720
Speaker 7: twentieth century? Judy Bloom?

1445
00:57:50,760 --> 00:57:53,160
Speaker 5: Are you there? Goddess me? Margaret blubba Iggy's House.

1446
00:57:53,240 --> 00:57:57,160
Speaker 7: Banned because some culturally clueless fool labeled her potentially dangerous.

1447
00:57:57,200 --> 00:57:59,320
Speaker 7: I don't get it, don't understand it, just like I

1448
00:57:59,320 --> 00:58:02,600
Speaker 7: don't understand what the Huntsville Madison County Public Library is doing.

1449
00:58:02,680 --> 00:58:05,680
Speaker 7: See they added a children's picture book titled Read Me

1450
00:58:05,760 --> 00:58:09,880
Speaker 7: a Story Stella to a list of potentially inappropriate titles. Now,

1451
00:58:09,960 --> 00:58:13,160
Speaker 7: what could be in this picture book that's potentially dangerous.

1452
00:58:14,200 --> 00:58:16,760
Speaker 7: Is it humans writing on a penis shaped horse? De

1453
00:58:16,920 --> 00:58:17,520
Speaker 7: writing derby?

1454
00:58:17,600 --> 00:58:18,000
Speaker 5: If you will?

1455
00:58:18,360 --> 00:58:20,800
Speaker 7: Is it a little sexy red riding hood taking big

1456
00:58:20,840 --> 00:58:22,800
Speaker 7: bad wolves to pound Town? Did Jack and Jill go

1457
00:58:22,920 --> 00:58:24,840
Speaker 7: up to hill to fetch Somley and purpose? That's what

1458
00:58:24,960 --> 00:58:27,400
Speaker 7: could be in this children's book that is potentially dangerous.

1459
00:58:27,520 --> 00:58:28,520
Speaker 7: Let's go to the news report.

1460
00:58:29,120 --> 00:58:32,480
Speaker 12: Read Me a Story Stella, a children's book by author

1461
00:58:32,600 --> 00:58:36,040
Speaker 12: Marie Louise Gay, appeared in a public library keyword search

1462
00:58:36,120 --> 00:58:40,400
Speaker 12: list of potentially inappropriate material. It's because of the author's

1463
00:58:40,600 --> 00:58:44,240
Speaker 12: last name Gay. This prompted a backlash against the library,

1464
00:58:44,360 --> 00:58:47,760
Speaker 12: which insists it was a mistake and an exclusive Arkan

1465
00:58:47,840 --> 00:58:50,600
Speaker 12: McCoy's book with executive director Cindy Hewitt.

1466
00:58:50,840 --> 00:58:52,840
Speaker 17: Read Me a Story Stella, which seems to be what

1467
00:58:52,920 --> 00:58:55,520
Speaker 17: everybody's focused on, was a book that was just on

1468
00:58:55,640 --> 00:58:58,760
Speaker 17: a keyword search list. It has never been banned, moved

1469
00:58:58,960 --> 00:59:02,000
Speaker 17: or touch in the library. Is still sitting where it's

1470
00:59:02,000 --> 00:59:04,800
Speaker 17: supposed to do. So. We were examining our collection to

1471
00:59:04,920 --> 00:59:09,440
Speaker 17: see if our materials were in age appropriate categories. The

1472
00:59:09,960 --> 00:59:13,720
Speaker 17: communication was done at the managerial level, was passed down

1473
00:59:13,760 --> 00:59:17,280
Speaker 17: through staff and in that conversation for managers to staff

1474
00:59:17,400 --> 00:59:21,280
Speaker 17: is where communication broke down and the intent and the

1475
00:59:21,360 --> 00:59:24,800
Speaker 17: purpose was misrepresented.

1476
00:59:25,800 --> 00:59:27,480
Speaker 5: That was Fox fifty four, by the way.

1477
00:59:27,560 --> 00:59:30,200
Speaker 7: So the answer to watching the book that is potentially

1478
00:59:30,320 --> 00:59:33,520
Speaker 7: dangerous is nothing. The book is about the past siblings

1479
00:59:33,800 --> 00:59:35,840
Speaker 7: reading together and building a dog out. The reason the

1480
00:59:35,840 --> 00:59:38,760
Speaker 7: book was lifted potentially dangerous was because of.

1481
00:59:38,840 --> 00:59:42,880
Speaker 5: The author's last name, Marie Louise Gay.

1482
00:59:43,360 --> 00:59:45,760
Speaker 7: Yes, it was added to the list of potentially dangerous

1483
00:59:45,800 --> 00:59:47,480
Speaker 7: books because the author's last.

1484
00:59:47,360 --> 00:59:51,520
Speaker 5: Name was Gay. Okay, that's it, nothing more, nothing less.

1485
00:59:51,640 --> 00:59:54,640
Speaker 7: Can we unpack this if the author's last name being

1486
00:59:54,760 --> 00:59:57,440
Speaker 7: gay is considered potentially dangerous? And I know this library

1487
00:59:57,480 --> 01:00:01,000
Speaker 7: on carried the memoir of Dick Buckets. Okay, this former

1488
01:00:01,040 --> 01:00:03,480
Speaker 7: New England patriot Dick felt have a memoir. I know

1489
01:00:03,600 --> 01:00:05,320
Speaker 7: that would be considered potentially dangerous.

1490
01:00:05,480 --> 01:00:08,280
Speaker 5: What about a man the love? A man the love

1491
01:00:08,320 --> 01:00:10,400
Speaker 5: will never have a book in this library? Okay. Banning

1492
01:00:10,440 --> 01:00:11,640
Speaker 5: books is never acceptable.

1493
01:00:11,800 --> 01:00:14,840
Speaker 7: We need more conversations now, We need folks reading about

1494
01:00:15,000 --> 01:00:20,000
Speaker 7: different ideologies that individuals have. Stephen Schuboski says banning books

1495
01:00:20,040 --> 01:00:22,160
Speaker 7: gives us silence when we need speech. It closes our

1496
01:00:22,200 --> 01:00:24,200
Speaker 7: ears when we need to listen. It makes us blind

1497
01:00:24,240 --> 01:00:26,560
Speaker 7: when we need sight, and I agree not to mention.

1498
01:00:26,800 --> 01:00:29,040
Speaker 7: If a public school were to remove every book that

1499
01:00:29,160 --> 01:00:33,520
Speaker 7: contains one word deemed objectional objectionable to some random person,

1500
01:00:33,720 --> 01:00:34,360
Speaker 7: then there would be.

1501
01:00:34,400 --> 01:00:36,800
Speaker 5: No books at all in our public libraries if you

1502
01:00:36,880 --> 01:00:37,160
Speaker 5: ask me.

1503
01:00:37,240 --> 01:00:39,360
Speaker 7: They didn't ban this book because the word gay is

1504
01:00:39,400 --> 01:00:42,640
Speaker 7: considered sexually inappropriate. They banned this book because this woman

1505
01:00:42,960 --> 01:00:45,440
Speaker 7: is an author. Her last name is Gay. And I

1506
01:00:45,600 --> 01:00:48,600
Speaker 7: believe every single public library in a red state probably

1507
01:00:48,680 --> 01:00:51,920
Speaker 7: has all of the great Roxanne Gay's work band dropping

1508
01:00:51,920 --> 01:00:53,160
Speaker 7: the cloth bombs for Roxanne Gay.

1509
01:00:53,320 --> 01:00:54,680
Speaker 5: All right, this isn't.

1510
01:00:54,480 --> 01:00:56,640
Speaker 7: About sexuality as much as it's about banning one of

1511
01:00:56,680 --> 01:00:59,320
Speaker 7: the greatest authors, professors social comment as we got on

1512
01:00:59,400 --> 01:01:01,680
Speaker 7: this third Rock from the Sun. Don't say gay takes

1513
01:01:01,720 --> 01:01:04,120
Speaker 7: on a whole other meaning in public libraries, all right.

1514
01:01:04,120 --> 01:01:07,640
Speaker 7: They don't want you reading bad feminists in Roxanne Gay's

1515
01:01:07,640 --> 01:01:10,400
Speaker 7: other works. Okay, look, man, read all the band books

1516
01:01:10,440 --> 01:01:12,480
Speaker 7: you can. All right, Let your children read all the

1517
01:01:12,560 --> 01:01:14,280
Speaker 7: band books you can. My daddy used to say, if

1518
01:01:14,280 --> 01:01:16,160
Speaker 7: you want to hide something from a black person, put

1519
01:01:16,200 --> 01:01:18,800
Speaker 7: it in a book. We've bend deified that stereotype that

1520
01:01:18,840 --> 01:01:20,680
Speaker 7: black people don't read, and now that they know we

1521
01:01:20,800 --> 01:01:22,880
Speaker 7: actually read, they just want to hide the books. So

1522
01:01:23,040 --> 01:01:26,000
Speaker 7: go read all the band books you can. And remember

1523
01:01:26,080 --> 01:01:29,080
Speaker 7: this quote from Oscar Wilde. The books that the world

1524
01:01:29,280 --> 01:01:32,440
Speaker 7: calls immoral are the books that show the world its

1525
01:01:32,640 --> 01:01:36,720
Speaker 7: own shame. The books that tell the truth of America,

1526
01:01:37,120 --> 01:01:40,880
Speaker 7: that hold Emerata America and shows America.

1527
01:01:40,440 --> 01:01:42,720
Speaker 5: What it needs to be embarrassed about.

1528
01:01:43,600 --> 01:01:49,680
Speaker 7: Please give this Huntsville Madison County Public Library in Huntsville, Alabama.

1529
01:01:49,360 --> 01:01:50,280
Speaker 5: The biggest e huh.

1530
01:01:53,720 --> 01:01:59,640
Speaker 8: M, all right, well, thank you for that donkey today, sir. Yes, Indeed,

1531
01:02:00,040 --> 01:02:02,240
Speaker 8: when we come back on peace B E T B T,

1532
01:02:02,360 --> 01:02:06,640
Speaker 8: we see you later. Everybody else. Uh, Sonya will be

1533
01:02:06,760 --> 01:02:08,840
Speaker 8: joining us. She has a new book called Fashion Killer.

1534
01:02:08,840 --> 01:02:10,280
Speaker 8: Do you know Sonya's last name? I don't want to

1535
01:02:10,280 --> 01:02:13,880
Speaker 8: mess with Christa Murphy. Huh, Sonia Christiana Murphy, Christna Murphy.

1536
01:02:13,920 --> 01:02:15,720
Speaker 5: Yes, joined us and.

1537
01:02:15,720 --> 01:02:18,840
Speaker 7: Sonya used to host the TV show together back in

1538
01:02:18,880 --> 01:02:21,920
Speaker 7: the day on MTV called Hip Hop POV. It was me, Sonya,

1539
01:02:23,000 --> 01:02:28,680
Speaker 7: Boo Acon's brother Boo, Amanda Seals, Debbie Brown. I think

1540
01:02:28,760 --> 01:02:32,800
Speaker 7: that's it. That's it, oh me, Yeah, it was five

1541
01:02:32,800 --> 01:02:34,280
Speaker 7: of us. I know, I think like it was five

1542
01:02:34,320 --> 01:02:36,160
Speaker 7: of us. Who was the fifth person me Doug.

1543
01:02:36,520 --> 01:02:38,360
Speaker 8: Yes, well, she has a new book out today called

1544
01:02:38,400 --> 01:02:39,920
Speaker 8: Fashion Killer, and we're going to talk to her when

1545
01:02:39,920 --> 01:02:41,480
Speaker 8: we come back, so don't move. It's to Breakfast Club.

1546
01:02:41,520 --> 01:02:44,120
Speaker 5: Good morning, the Breakfast Club.

1547
01:02:46,400 --> 01:02:46,680
Speaker 11: Morning.

1548
01:02:46,760 --> 01:02:49,920
Speaker 8: Everybody is DJ n V Charlamagne to God. We are

1549
01:02:50,000 --> 01:02:52,040
Speaker 8: the Breakfast Club. We got a special guest in the.

1550
01:02:52,080 --> 01:02:55,880
Speaker 7: Building, Sonia Christiana Murphy sow me a Christian Murphy didn't

1551
01:02:55,920 --> 01:02:56,440
Speaker 7: want you to attend.

1552
01:02:56,480 --> 01:02:58,240
Speaker 8: I've been practicing that. I've been practicing for the last

1553
01:02:58,280 --> 01:02:59,360
Speaker 8: five minutes. I was gonna get it right.

1554
01:02:59,400 --> 01:03:00,960
Speaker 6: I wasn't sure was going to do it right. But

1555
01:03:01,160 --> 01:03:04,600
Speaker 6: both of you in Unison today, thank you.

1556
01:03:04,840 --> 01:03:07,000
Speaker 5: You have a book out right now called Fashion Killer.

1557
01:03:07,200 --> 01:03:09,400
Speaker 7: And before we get to the book, you know Sonya

1558
01:03:09,520 --> 01:03:12,240
Speaker 7: is a world renowned hip hop journalist.

1559
01:03:12,360 --> 01:03:15,880
Speaker 6: Yes, yes, and Fashion Killa is my first book. Wowrat,

1560
01:03:16,120 --> 01:03:19,920
Speaker 6: so order it everywhere. This is the first anthology about

1561
01:03:20,000 --> 01:03:22,480
Speaker 6: hip hop and high fashion, and obviously it comes out

1562
01:03:22,560 --> 01:03:23,440
Speaker 6: on Hip Hop fifty.

1563
01:03:23,680 --> 01:03:25,640
Speaker 5: Why a book about fashion?

1564
01:03:25,960 --> 01:03:28,520
Speaker 6: It's so interesting. The genesis was it started as an

1565
01:03:28,600 --> 01:03:31,680
Speaker 6: article in Double XL and as I was doing the research,

1566
01:03:31,880 --> 01:03:34,440
Speaker 6: I saw that there are no books about this and

1567
01:03:34,640 --> 01:03:37,040
Speaker 6: one thing about the lit space and you know the

1568
01:03:37,160 --> 01:03:40,000
Speaker 6: shars that a lot of times hip hop stories just

1569
01:03:40,120 --> 01:03:44,160
Speaker 6: aren't elevated in the same way other genres are rock music,

1570
01:03:44,320 --> 01:03:47,000
Speaker 6: pop music. Right, it's still sort of seen as either

1571
01:03:47,120 --> 01:03:49,960
Speaker 6: knee or some kind of underground to be honest with you.

1572
01:03:50,280 --> 01:03:52,760
Speaker 6: So to me, knowing hip hop fifty was coming up,

1573
01:03:53,240 --> 01:03:55,920
Speaker 6: this is such a great opportunity to write really that

1574
01:03:56,280 --> 01:04:00,280
Speaker 6: definitive story, that fifty year retrospective. And I'm one of

1575
01:04:00,280 --> 01:04:02,520
Speaker 6: those people. If I don't see it in the marketplace,

1576
01:04:02,680 --> 01:04:04,320
Speaker 6: well I might as well just do it myself.

1577
01:04:04,760 --> 01:04:05,720
Speaker 5: That was going to ask, you know what do you

1578
01:04:05,760 --> 01:04:06,520
Speaker 5: break down in the book?

1579
01:04:06,520 --> 01:04:07,920
Speaker 8: Because you know when you go sometimes you go to

1580
01:04:08,040 --> 01:04:09,840
Speaker 8: Vegas and you go to Planet Hollywood, right, you see

1581
01:04:09,840 --> 01:04:12,040
Speaker 8: all these rock and roll idols on the wall and

1582
01:04:12,080 --> 01:04:14,080
Speaker 8: you see their guitar and you see their shirt and

1583
01:04:14,160 --> 01:04:16,440
Speaker 8: you see there whatever, or you see some pop stars.

1584
01:04:16,760 --> 01:04:18,880
Speaker 8: I don't really see that that much for hip hop,

1585
01:04:19,120 --> 01:04:21,160
Speaker 8: which is concerned and we do have a lot of

1586
01:04:21,320 --> 01:04:23,720
Speaker 8: things that is pretty big, but you know, whether we're

1587
01:04:23,720 --> 01:04:26,680
Speaker 8: talking about uh, you know, but that's starch of the run.

1588
01:04:26,800 --> 01:04:29,160
Speaker 6: Dmc adidas imagine.

1589
01:04:28,840 --> 01:04:32,240
Speaker 8: Like Cameron's Jacksody in blue or Cameron's pink fur.

1590
01:04:32,720 --> 01:04:35,640
Speaker 5: You know things like that that really step outside.

1591
01:04:35,200 --> 01:04:38,320
Speaker 6: Of the Smithsonian, right, the Cameron pink fur. But I

1592
01:04:38,360 --> 01:04:40,240
Speaker 6: think Envy you make such a good point. It is

1593
01:04:40,320 --> 01:04:43,880
Speaker 6: still this idea. Although hip hop is fifty, it's still

1594
01:04:43,960 --> 01:04:46,720
Speaker 6: not viewed kind of through that prestige lens, right.

1595
01:04:46,840 --> 01:04:47,040
Speaker 9: Yeah.

1596
01:04:47,040 --> 01:04:48,720
Speaker 6: I mean you have the Smithsonian, you have these like

1597
01:04:48,800 --> 01:04:51,960
Speaker 6: little moments here and there, but this idea that it

1598
01:04:52,000 --> 01:04:56,200
Speaker 6: should be elevated and really treated with the gravitas that deserves.

1599
01:04:56,400 --> 01:04:59,200
Speaker 6: I think those are the opportunities. And for me, that's

1600
01:04:59,280 --> 01:05:00,320
Speaker 6: I just didn't see that in the.

1601
01:05:00,320 --> 01:05:02,320
Speaker 7: Lit space because it's not I don't think hip hop

1602
01:05:02,400 --> 01:05:04,440
Speaker 7: has looked at through the lens of art, and it

1603
01:05:04,520 --> 01:05:06,600
Speaker 7: should be like everyone Salm Remy was up here and

1604
01:05:06,640 --> 01:05:09,240
Speaker 7: he had these big paintings of like you know, some

1605
01:05:09,360 --> 01:05:11,240
Speaker 7: of our favorite hip hop artists. When you see it

1606
01:05:11,280 --> 01:05:12,960
Speaker 7: as a painting, you're like, oh, you look at it

1607
01:05:13,000 --> 01:05:15,360
Speaker 7: different on when they do the book of Whole exhibit

1608
01:05:16,200 --> 01:05:18,520
Speaker 7: in Brooklyn, you're like, oh, like, we're not looking at

1609
01:05:18,560 --> 01:05:18,880
Speaker 7: it through the.

1610
01:05:18,880 --> 01:05:19,400
Speaker 5: Lens of art.

1611
01:05:19,640 --> 01:05:19,840
Speaker 9: Yeah.

1612
01:05:19,920 --> 01:05:22,600
Speaker 6: And you know for me, just having a hardcover book out,

1613
01:05:23,120 --> 01:05:25,200
Speaker 6: you open it and yeah, of course there's like forty

1614
01:05:25,320 --> 01:05:28,760
Speaker 6: great photos of like Biggie and Cam and Cardi B

1615
01:05:28,880 --> 01:05:32,840
Speaker 6: and all these people. But there's also history, their sociology,

1616
01:05:33,000 --> 01:05:36,440
Speaker 6: their's psychology. It's so much more layer than just a

1617
01:05:36,600 --> 01:05:38,560
Speaker 6: rapper war dope outfit. And I think a lot of

1618
01:05:38,640 --> 01:05:42,040
Speaker 6: times people see it through that cursory lens, and it's

1619
01:05:42,160 --> 01:05:43,360
Speaker 6: much more nuanced than that.

1620
01:05:43,520 --> 01:05:45,440
Speaker 7: Break down This coverle because I hit you when I

1621
01:05:45,520 --> 01:05:48,440
Speaker 7: told you this cover is fantastic fire, but not with

1622
01:05:48,560 --> 01:05:49,960
Speaker 7: it like break down that coverle.

1623
01:05:50,520 --> 01:05:52,480
Speaker 6: So it's so funny. That cover was a little bit

1624
01:05:52,560 --> 01:05:54,560
Speaker 6: there were some back and forth, a little arguments with

1625
01:05:54,680 --> 01:05:58,240
Speaker 6: some people. So basically fashion Killa is obviously a nod

1626
01:05:58,320 --> 01:06:00,480
Speaker 6: to the Asap Rocky song where he named checks like

1627
01:06:00,560 --> 01:06:03,760
Speaker 6: twenty seven brands, right, he was saying brands that nobody

1628
01:06:03,840 --> 01:06:07,560
Speaker 6: had heard of, and I wanted something that really made

1629
01:06:07,600 --> 01:06:09,840
Speaker 6: it stand out in the marketplace with the cover. If

1630
01:06:09,880 --> 01:06:11,520
Speaker 6: you look at again, a lot of hip hop books,

1631
01:06:12,080 --> 01:06:15,240
Speaker 6: it's like a guy with a big chain, something very

1632
01:06:15,360 --> 01:06:18,680
Speaker 6: sort of stereotypical or kind of looks cheap if I'm

1633
01:06:18,680 --> 01:06:20,400
Speaker 6: going to be honest, and for me, I wanted it

1634
01:06:20,480 --> 01:06:23,200
Speaker 6: to look lux I want to look sexy. Even if

1635
01:06:23,200 --> 01:06:25,240
Speaker 6: you don't read one page, it's gonna look good on

1636
01:06:25,280 --> 01:06:28,640
Speaker 6: your coffee table, it looks great and selfies. So I

1637
01:06:28,720 --> 01:06:30,480
Speaker 6: wanted this to be a book. It's very much a

1638
01:06:30,560 --> 01:06:33,760
Speaker 6: nod to McQueen, obviously with the skull, but again to

1639
01:06:33,880 --> 01:06:37,680
Speaker 6: differentiate it, to show that this is something different, it's special,

1640
01:06:38,200 --> 01:06:40,320
Speaker 6: and almost treat it like a luxury product, right. I

1641
01:06:40,400 --> 01:06:43,479
Speaker 6: manags like walking down the street having a really sexy book.

1642
01:06:43,560 --> 01:06:46,080
Speaker 6: That's kind of an accessory, right. And it's also a

1643
01:06:46,160 --> 01:06:47,720
Speaker 6: great conversation starter too.

1644
01:06:48,120 --> 01:06:50,880
Speaker 5: You break down how, especially in hip hop, how we

1645
01:06:51,000 --> 01:06:52,680
Speaker 5: make some of these fashion brands cool.

1646
01:06:53,120 --> 01:06:55,920
Speaker 6: Absolutely, you know, it's funny. One of the chapters is

1647
01:06:55,920 --> 01:06:58,480
Speaker 6: called nineteen ninety one and a lot of people don't

1648
01:06:58,520 --> 01:07:01,960
Speaker 6: realize car Looger did a whole hip hop themed runway

1649
01:07:02,040 --> 01:07:05,160
Speaker 6: show back in ninety one, and it was, you know,

1650
01:07:05,600 --> 01:07:10,000
Speaker 6: big chains and name plates and baseball cap to the side. Now,

1651
01:07:10,040 --> 01:07:13,480
Speaker 6: of course rappers and hip hop weren't given homage, right,

1652
01:07:13,640 --> 01:07:16,000
Speaker 6: But the idea that someone like Carl lager fell for

1653
01:07:16,160 --> 01:07:19,640
Speaker 6: Chanelle was doing it all the way back then. The

1654
01:07:19,720 --> 01:07:23,400
Speaker 6: influence has always been there. Now, the thing is the relationship.

1655
01:07:23,480 --> 01:07:26,000
Speaker 6: I think very much starred as the outsider, so hip

1656
01:07:26,040 --> 01:07:28,600
Speaker 6: hop not being accepted but also not being able to

1657
01:07:28,640 --> 01:07:30,480
Speaker 6: afford it. You got to think back to someone like

1658
01:07:30,560 --> 01:07:32,880
Speaker 6: Dapper Dan, He's like, the only people who could afford

1659
01:07:32,920 --> 01:07:36,160
Speaker 6: my stuff were drug dealers and athletes. Only then when

1660
01:07:36,200 --> 01:07:39,440
Speaker 6: Ell and Eric b rock him, people like that Caine,

1661
01:07:39,480 --> 01:07:41,840
Speaker 6: when they were able to afford it, then they become

1662
01:07:41,920 --> 01:07:44,400
Speaker 6: the consumer. We go into the nineties, which is my

1663
01:07:44,480 --> 01:07:47,560
Speaker 6: personal favorite era, where we start to see Sean John

1664
01:07:47,680 --> 01:07:50,680
Speaker 6: and Rock Aware and all of these rapper led brands, right,

1665
01:07:51,280 --> 01:07:53,480
Speaker 6: and then now I think we're in an age of collaboration.

1666
01:07:53,920 --> 01:07:56,439
Speaker 6: So you have Pharrell over at Louis Vuitton. You see

1667
01:07:56,600 --> 01:08:00,920
Speaker 6: artists like Asap, Rocky or Travis Scott very much being

1668
01:08:01,040 --> 01:08:03,840
Speaker 6: partners with these brands. But you know, as we saw

1669
01:08:03,920 --> 01:08:06,000
Speaker 6: with Dapper Dan, I mean his sort of full circle

1670
01:08:06,080 --> 01:08:09,560
Speaker 6: moment with Gucci happened after they bit his style, right,

1671
01:08:09,640 --> 01:08:12,680
Speaker 6: and only after Twitter came and really rallied around him

1672
01:08:13,120 --> 01:08:15,840
Speaker 6: was he able to have this incredible comeback. I would

1673
01:08:15,880 --> 01:08:18,960
Speaker 6: hope it doesn't take outrage and those kind of scandals

1674
01:08:19,320 --> 01:08:21,519
Speaker 6: for hip hop to truly have a seat at the table,

1675
01:08:21,600 --> 01:08:25,640
Speaker 6: whether it be decision making, design or just being represented

1676
01:08:25,680 --> 01:08:26,200
Speaker 6: in fashion.

1677
01:08:26,400 --> 01:08:28,839
Speaker 7: Why do you think it's so difficult for black brands

1678
01:08:28,920 --> 01:08:31,000
Speaker 7: to succeed and have longevity.

1679
01:08:31,560 --> 01:08:35,240
Speaker 6: It's hard. I think when we talk about rapper led brands, first,

1680
01:08:35,720 --> 01:08:37,439
Speaker 6: a lot of it is tied to the artists. So

1681
01:08:37,520 --> 01:08:39,559
Speaker 6: when the artist isn't hot, you don't want to wear

1682
01:08:39,600 --> 01:08:42,799
Speaker 6: their clothes no more. Right, and so many of those brands.

1683
01:08:42,880 --> 01:08:46,320
Speaker 6: I mean, are you wearing Marshall Mathers clothing right now?

1684
01:08:47,320 --> 01:08:47,559
Speaker 5: Maybe?

1685
01:08:47,640 --> 01:08:49,920
Speaker 6: I mean I'm from Michigan, so maybe we always wear it.

1686
01:08:55,080 --> 01:08:57,439
Speaker 6: You know, there was woo wear. Remember Busta had a

1687
01:08:57,520 --> 01:09:00,000
Speaker 6: line dmxattle. There was the time everyone had a line

1688
01:09:00,040 --> 01:09:03,080
Speaker 6: and it was get a record deal, have one hit record,

1689
01:09:03,160 --> 01:09:06,479
Speaker 6: to have one right. A few of them, Sean John

1690
01:09:06,640 --> 01:09:09,320
Speaker 6: Rock aware they kind of elevated where they were making

1691
01:09:09,479 --> 01:09:12,360
Speaker 6: hundreds of millions of dollars. But I think a lot

1692
01:09:12,439 --> 01:09:14,639
Speaker 6: of it is you can't tie something to something as

1693
01:09:15,120 --> 01:09:18,560
Speaker 6: seasonal as an artist trend, because when you're not the

1694
01:09:18,640 --> 01:09:21,280
Speaker 6: flavor of the moment, it happens to everyone. No one

1695
01:09:21,320 --> 01:09:23,720
Speaker 6: wants to wear your clothes. I think the other part

1696
01:09:23,840 --> 01:09:26,920
Speaker 6: is just for brands, it's really expensive. A lot of

1697
01:09:26,960 --> 01:09:29,240
Speaker 6: people ask me, why don't think sven grappers want to

1698
01:09:29,280 --> 01:09:31,320
Speaker 6: have their own brands? Now, do you want to spend

1699
01:09:31,360 --> 01:09:34,640
Speaker 6: your own money to have, you know, focus on manufacturing

1700
01:09:34,720 --> 01:09:38,040
Speaker 6: and supply and all of these things distribution. It's a

1701
01:09:38,080 --> 01:09:40,439
Speaker 6: similar to the music business. There's a reason everyone's still

1702
01:09:40,479 --> 01:09:43,280
Speaker 6: signs to the majors. It's better to spend someone else's money.

1703
01:09:43,600 --> 01:09:45,680
Speaker 8: I we got more with Sonya Christia Murthy. When we

1704
01:09:45,800 --> 01:09:48,400
Speaker 8: come back, it's the Breakfast Club. Good morning, Good morning everybody.

1705
01:09:48,479 --> 01:09:51,920
Speaker 8: It's j Envy Charlamagne the guy we ought to Breakfast Club.

1706
01:09:51,920 --> 01:09:54,439
Speaker 8: We're still kicking in with Sonya Christna Murthy. She is

1707
01:09:54,479 --> 01:09:57,840
Speaker 8: the author of Fashion Killer, a book that's pretty much

1708
01:09:57,880 --> 01:10:00,840
Speaker 8: based on the fashion of the hip hop indushy what.

1709
01:10:00,960 --> 01:10:02,439
Speaker 5: Came first for you to love a fashion and love

1710
01:10:02,439 --> 01:10:02,880
Speaker 5: a hip hop?

1711
01:10:03,120 --> 01:10:03,240
Speaker 17: Oh?

1712
01:10:03,280 --> 01:10:07,839
Speaker 6: Love hip hop? But so I grew up in Kalamazoo, Michigan,

1713
01:10:08,160 --> 01:10:11,080
Speaker 6: which outside of Derek Jeter, nobody else knows where that's

1714
01:10:11,120 --> 01:10:13,880
Speaker 6: from because that's where he's from. And you got to remember,

1715
01:10:13,960 --> 01:10:16,920
Speaker 6: we didn't have hip hop radio, we didn't have you know,

1716
01:10:17,240 --> 01:10:20,040
Speaker 6: concerts coming through like that. So so much of my

1717
01:10:20,160 --> 01:10:24,120
Speaker 6: relationship was through things like music videos, magazines like Vibe

1718
01:10:24,160 --> 01:10:27,360
Speaker 6: and The Sores and Blaze. So the music and the

1719
01:10:27,479 --> 01:10:30,479
Speaker 6: visuals really went hand in hand. At a very early age.

1720
01:10:30,320 --> 01:10:32,280
Speaker 7: For me, what about Little Kim because you broke down

1721
01:10:32,320 --> 01:10:34,639
Speaker 7: her fascist Why do you guess such a fashion?

1722
01:10:34,680 --> 01:10:36,400
Speaker 6: I come, I mean little Kim from day one? Who

1723
01:10:36,479 --> 01:10:40,360
Speaker 6: can forget that famous poster of hardcore. I don't know

1724
01:10:40,400 --> 01:10:41,920
Speaker 6: if you guys remember, but I think a lot of

1725
01:10:41,960 --> 01:10:44,920
Speaker 6: boys became men that you and they saw that the wall. Yeah,

1726
01:10:46,360 --> 01:10:47,880
Speaker 6: it's actually currently on his wall.

1727
01:10:51,479 --> 01:10:54,080
Speaker 5: The story. I got a homeboy who was high off

1728
01:10:54,200 --> 01:10:54,800
Speaker 5: hash and.

1729
01:10:54,880 --> 01:10:57,040
Speaker 6: He said, this is in South Carolina, Yes, okay.

1730
01:10:56,880 --> 01:10:59,000
Speaker 5: And he said that Little Kim climbed off out of

1731
01:10:59,040 --> 01:10:59,760
Speaker 5: that post.

1732
01:10:59,720 --> 01:11:05,000
Speaker 6: And this isn't a magic guy. What was he trying

1733
01:11:05,040 --> 01:11:05,320
Speaker 6: to see?

1734
01:11:05,439 --> 01:11:08,240
Speaker 5: Like the But why do you think? She said? A fashion?

1735
01:11:08,320 --> 01:11:10,240
Speaker 6: But yeah, so Little Kim very early on, she was

1736
01:11:10,400 --> 01:11:13,680
Speaker 6: very fearless. And this was a woman who embraced her sexuality,

1737
01:11:13,760 --> 01:11:17,680
Speaker 6: her body at a time that it still wasn't acceptable.

1738
01:11:17,760 --> 01:11:19,839
Speaker 6: I mean, if I was looking a lot of archival footage,

1739
01:11:19,880 --> 01:11:22,800
Speaker 6: she's sitting here on daytime TV, grown men and women

1740
01:11:22,960 --> 01:11:26,479
Speaker 6: wagging their finger and you're the downfall of America. But

1741
01:11:26,760 --> 01:11:29,840
Speaker 6: she stayed true to herself, and early on she worked

1742
01:11:29,880 --> 01:11:32,760
Speaker 6: with people like Dona Tella Versaci and Mark Jacobs. She

1743
01:11:32,880 --> 01:11:36,120
Speaker 6: became amused to them, because in fashion, what's more exciting

1744
01:11:36,280 --> 01:11:39,840
Speaker 6: than a gorgeous woman who sits very proudly in her skin.

1745
01:11:40,439 --> 01:11:43,559
Speaker 6: But Kim, like a lot of artists, specially female artists,

1746
01:11:43,600 --> 01:11:46,439
Speaker 6: they never got their flowers. If you remember, Carti b

1747
01:11:46,720 --> 01:11:49,439
Speaker 6: was the first female rapper on the cover of American Vogue.

1748
01:11:50,040 --> 01:11:54,040
Speaker 6: Wasn't Kim, wasn't Fox, wasn't Missy Elliott, wasn't Eve all

1749
01:11:54,640 --> 01:11:57,560
Speaker 6: great contenders, by the way. So now a lot of

1750
01:11:57,600 --> 01:11:59,600
Speaker 6: people in the fashion world are talking about maybe she

1751
01:11:59,600 --> 01:12:02,880
Speaker 6: should get a Lifetime Achievement award or something, because not

1752
01:12:03,000 --> 01:12:05,840
Speaker 6: only did she birth a generation of female artists, but

1753
01:12:06,040 --> 01:12:09,599
Speaker 6: so many designers have taken just her elements, from the wig,

1754
01:12:09,760 --> 01:12:14,200
Speaker 6: the makeup, the diy creations that she wore. She definitely

1755
01:12:14,280 --> 01:12:15,839
Speaker 6: represents somebody who was fearless.

1756
01:12:16,080 --> 01:12:18,960
Speaker 7: What was it about Virgil that made hip hop artists

1757
01:12:19,200 --> 01:12:21,760
Speaker 7: currently celebrate him the way that they do, because you know,

1758
01:12:21,880 --> 01:12:24,560
Speaker 7: you don't really see that with designers, like why Virgil.

1759
01:12:24,400 --> 01:12:26,519
Speaker 6: Well, Virgil came from hip hop And there's a great

1760
01:12:26,600 --> 01:12:30,600
Speaker 6: picture in my book of Virgil Kanye Fonsworth, Bentley and

1761
01:12:30,680 --> 01:12:33,679
Speaker 6: a few other guys at Paris Fashion with I remember that, Yeah,

1762
01:12:35,120 --> 01:12:38,120
Speaker 6: they used to kill that picture. But looking now, they

1763
01:12:38,200 --> 01:12:40,920
Speaker 6: all came dressed and they were peacocking. They were looking

1764
01:12:40,960 --> 01:12:44,160
Speaker 6: for the camera because and I interviewed Fonsworth for the

1765
01:12:44,160 --> 01:12:46,040
Speaker 6: book and he's like, we want to show we arrived.

1766
01:12:46,479 --> 01:12:49,519
Speaker 6: This was important that we are here as young black

1767
01:12:49,600 --> 01:12:52,360
Speaker 6: stylish men in Paris, and you will take our photo.

1768
01:12:52,880 --> 01:12:55,640
Speaker 6: So Virgil came up with Kanye, was very close to

1769
01:12:55,760 --> 01:12:58,759
Speaker 6: him as a creative director. They were both interns together

1770
01:12:58,840 --> 01:13:01,479
Speaker 6: at Fendi. Look, I interned at Bad Boy, and I'm

1771
01:13:01,520 --> 01:13:03,960
Speaker 6: pretty sure that they got to do more fun intern

1772
01:13:04,040 --> 01:13:06,600
Speaker 6: things at Fendy Kanye and Virgil. But I love the

1773
01:13:06,680 --> 01:13:09,160
Speaker 6: fact that they wanted to earn their stripes, like no, no, no,

1774
01:13:09,280 --> 01:13:11,240
Speaker 6: we need to go to the source, and we don't

1775
01:13:11,280 --> 01:13:13,760
Speaker 6: want to just be the cool guys jumping in. We

1776
01:13:13,840 --> 01:13:16,439
Speaker 6: want to be respected. One thing Virgil I think did

1777
01:13:16,920 --> 01:13:19,120
Speaker 6: very well was he's a great dot connector he will

1778
01:13:19,160 --> 01:13:21,880
Speaker 6: take someone from hip hop, someone from art, someone from this,

1779
01:13:22,120 --> 01:13:24,760
Speaker 6: you know, sports world. He was a DJ, so he

1780
01:13:24,880 --> 01:13:28,880
Speaker 6: had this interesting sensibility that he was able to touch with.

1781
01:13:29,479 --> 01:13:30,880
Speaker 6: And you know, I think for a lot of people,

1782
01:13:31,120 --> 01:13:33,559
Speaker 6: myself included, we were just so shocked when he passed,

1783
01:13:34,120 --> 01:13:38,160
Speaker 6: so Virgil and also Andre Herrel sadly passed during the

1784
01:13:38,200 --> 01:13:40,040
Speaker 6: writing of this book, so I couldn't get to speak

1785
01:13:40,040 --> 01:13:42,479
Speaker 6: to them. But I think for a lot of people,

1786
01:13:42,880 --> 01:13:45,080
Speaker 6: that's like a hole that hasn't been filled, just this

1787
01:13:45,280 --> 01:13:48,600
Speaker 6: idea of this like nice, good guy who had so

1788
01:13:48,800 --> 01:13:52,200
Speaker 6: many interesting, cool friends and vision, and when he had

1789
01:13:52,200 --> 01:13:54,360
Speaker 6: that job at Louis Vuitton, it really felt like someone

1790
01:13:54,400 --> 01:13:57,200
Speaker 6: from hip hop made it like it wasn't just wearing Louis.

1791
01:13:57,479 --> 01:14:00,439
Speaker 6: You have a job there, you know, you're actually sitting

1792
01:14:00,479 --> 01:14:03,880
Speaker 6: at those tables with those decision makers. So he'll absolutely

1793
01:14:03,960 --> 01:14:04,360
Speaker 6: be messed.

1794
01:14:04,520 --> 01:14:08,080
Speaker 8: What male artists do you feel revolutionized hip hop as

1795
01:14:08,120 --> 01:14:09,720
Speaker 8: far as fashion is for the culture, if you.

1796
01:14:09,720 --> 01:14:12,000
Speaker 6: Could think, I mean we're talking about high fashion. We

1797
01:14:12,000 --> 01:14:13,760
Speaker 6: got to go back to the beginning and go to

1798
01:14:13,960 --> 01:14:16,680
Speaker 6: who's wearing Dapper Dan? Who can ever forget Eric B

1799
01:14:16,800 --> 01:14:19,840
Speaker 6: and rock him and those like Dapper Dan Jackets. I

1800
01:14:19,920 --> 01:14:23,559
Speaker 6: think later on, someone like Puffy was so instrumental where

1801
01:14:23,600 --> 01:14:26,360
Speaker 6: he could do anything because he came from that Andre

1802
01:14:26,520 --> 01:14:29,240
Speaker 6: Herral lineage of ghetto fabulous. He was the guy making

1803
01:14:29,320 --> 01:14:32,560
Speaker 6: Mary J. Blige where like the baseball shirt and the

1804
01:14:33,040 --> 01:14:36,120
Speaker 6: cap and the knee pads and that whole thing Jodosy

1805
01:14:36,720 --> 01:14:39,080
Speaker 6: and then of course that goes to Biggie, right. I

1806
01:14:39,520 --> 01:14:42,360
Speaker 6: don't think without Puff, Biggie would look the way that

1807
01:14:42,439 --> 01:14:44,479
Speaker 6: he looked. I think Puff as he said, And I

1808
01:14:44,520 --> 01:14:46,000
Speaker 6: think there's a great quote in the book I want

1809
01:14:46,000 --> 01:14:48,240
Speaker 6: to say from one of the track masters where Puff

1810
01:14:48,360 --> 01:14:51,040
Speaker 6: is like, no, my man is sexy, and they're like really,

1811
01:14:51,160 --> 01:14:52,640
Speaker 6: He's like no, No, That's why we need to one

1812
01:14:52,680 --> 01:14:55,479
Speaker 6: more chance, because he's sexy and women like him and

1813
01:14:55,680 --> 01:14:59,600
Speaker 6: he needs to look sexy. So someone like Puff. Absolutely.

1814
01:15:00,240 --> 01:15:04,040
Speaker 6: Of course Kanye, Kanye ever forget this man continues to

1815
01:15:04,120 --> 01:15:06,840
Speaker 6: revolutionize fashion. When I go out, I see so many

1816
01:15:06,880 --> 01:15:10,080
Speaker 6: little Kanye clones to this day, right, like you just

1817
01:15:10,200 --> 01:15:14,639
Speaker 6: look like you walked out out of Calabasas. Farrell probably

1818
01:15:14,640 --> 01:15:19,880
Speaker 6: the streetwear who popularizing Babe to then launching BBC, and

1819
01:15:20,000 --> 01:15:23,240
Speaker 6: he worked with people like Lagerfell, Mark Jacob's early before

1820
01:15:23,320 --> 01:15:25,880
Speaker 6: Louis Vatan. One fun story because you know there's a

1821
01:15:25,880 --> 01:15:29,920
Speaker 6: big conversation hip hop who made bait popular. Soldier Boy

1822
01:15:29,960 --> 01:15:32,600
Speaker 6: thinks it's him. Then there's you know, little Wayne and

1823
01:15:32,600 --> 01:15:35,519
Speaker 6: said it was him. This launched a whole the clips.

1824
01:15:35,600 --> 01:15:38,280
Speaker 6: Mister me too, right that was a whole thing. I

1825
01:15:38,360 --> 01:15:40,320
Speaker 6: have a great picture of Biggie wearing it in ninety

1826
01:15:40,360 --> 01:15:45,080
Speaker 6: seven before he came wearing Babe. There's an incredible story

1827
01:15:45,400 --> 01:15:47,920
Speaker 6: that's one of my favorite pictures. And there's an awesome

1828
01:15:47,960 --> 01:15:51,479
Speaker 6: picture of Tupac in Milan. So right before he passed,

1829
01:15:51,600 --> 01:15:54,120
Speaker 6: he was invited by Versace to walk in the Runway

1830
01:15:54,200 --> 01:15:57,479
Speaker 6: show in Milan. It was Tupac Kadata Jones, who was

1831
01:15:57,560 --> 01:16:01,920
Speaker 6: his then girlfriend, and his bodyguards and they walked the

1832
01:16:01,960 --> 01:16:05,280
Speaker 6: show and then he performed I Believe California Love Wow. Yeah,

1833
01:16:05,840 --> 01:16:08,800
Speaker 6: and apparently Jiohnny was a big fan of his and

1834
01:16:09,160 --> 01:16:13,479
Speaker 6: Johnny VERSACEI was smart about collecting celebrities and really having

1835
01:16:13,560 --> 01:16:16,400
Speaker 6: whether it be Madonna or Mike Tyson. He just likes

1836
01:16:16,439 --> 01:16:19,240
Speaker 6: celebrities and he was that designer that now we see

1837
01:16:19,280 --> 01:16:22,080
Speaker 6: celebs front row. It wasn't like that before. It was

1838
01:16:22,520 --> 01:16:25,760
Speaker 6: fashion editors, fashion buyers, like people who need to be

1839
01:16:25,800 --> 01:16:28,840
Speaker 6: in the industry. But Johnny just saw the vision and

1840
01:16:28,920 --> 01:16:31,280
Speaker 6: he just fell in love with Pac And yeah, so

1841
01:16:31,400 --> 01:16:32,679
Speaker 6: that right before he passed.

1842
01:16:32,840 --> 01:16:35,320
Speaker 5: What do you hope fashion goes into the next fifty years?

1843
01:16:35,360 --> 01:16:36,920
Speaker 7: We know what the last fifty years of hip hop

1844
01:16:37,040 --> 01:16:39,120
Speaker 7: fashion looked like, what about the next fifties.

1845
01:16:40,000 --> 01:16:41,840
Speaker 6: I think the next fifty I would love to see

1846
01:16:41,960 --> 01:16:46,400
Speaker 6: a rapper brand become an American heritage brand, the way

1847
01:16:46,479 --> 01:16:50,360
Speaker 6: that we wear Polo and Tommy Hill Figure and Calvin

1848
01:16:50,400 --> 01:16:54,439
Speaker 6: Klein and those things. Maybe it's Sean John. Maybe it's easy.

1849
01:16:54,560 --> 01:16:58,400
Speaker 6: Maybe it's easy. I think he falls or is I

1850
01:16:58,479 --> 01:17:00,880
Speaker 6: think he was? He was on his Okay, So here's

1851
01:17:00,920 --> 01:17:02,280
Speaker 6: the question. Can you make a comeback?

1852
01:17:03,160 --> 01:17:05,800
Speaker 7: No, can make a company. I think he can make

1853
01:17:05,800 --> 01:17:09,599
Speaker 7: a comeback. Absolutely not. If you're trying to trademark youth

1854
01:17:09,720 --> 01:17:11,920
Speaker 7: at a time like this, that.

1855
01:17:11,920 --> 01:17:14,040
Speaker 6: Would be interesting. But what I love about this book

1856
01:17:14,200 --> 01:17:16,559
Speaker 6: is it starts in nineteen seventy three ends in twenty

1857
01:17:16,640 --> 01:17:20,000
Speaker 6: twenty three, but the culture is living, so it's constantly

1858
01:17:20,120 --> 01:17:23,519
Speaker 6: shaping and changing. So reading this book you get this

1859
01:17:23,640 --> 01:17:26,320
Speaker 6: great historical perspective, but I think it also makes you

1860
01:17:26,400 --> 01:17:27,400
Speaker 6: excited for the future.

1861
01:17:27,560 --> 01:17:28,800
Speaker 5: Well, the book is out right now.

1862
01:17:29,920 --> 01:17:32,400
Speaker 7: Appreciate you for joining the pot revolution out of high Fashion.

1863
01:17:32,439 --> 01:17:34,760
Speaker 5: It's in stores right now. Go pick it up. Thank

1864
01:17:34,800 --> 01:17:35,559
Speaker 5: you for joining us.

1865
01:17:35,680 --> 01:17:35,960
Speaker 9: Thank you.

1866
01:17:36,160 --> 01:17:36,800
Speaker 6: Let's do it again.

1867
01:17:37,000 --> 01:17:39,200
Speaker 5: O Ye, ladies and gentlemen, to Breakfast Club. Good morning,

1868
01:17:39,960 --> 01:17:41,360
Speaker 5: the breakfast club.

1869
01:17:43,400 --> 01:17:46,439
Speaker 7: That damn Justin bieberfore I the BIBA No, he can

1870
01:17:46,479 --> 01:17:47,800
Speaker 7: make an R and B record when you want to

1871
01:17:47,920 --> 01:17:49,240
Speaker 7: cany while we not playing.

1872
01:17:49,080 --> 01:17:52,720
Speaker 5: Moments from the Love album, the Justin Bieber record from

1873
01:17:52,760 --> 01:17:54,439
Speaker 5: the video. It's a good question. This is a no record.

1874
01:17:54,520 --> 01:17:57,479
Speaker 8: You just throw that on every now and then morning everybody,

1875
01:17:57,560 --> 01:17:58,800
Speaker 8: we are to breakfast club.

1876
01:17:58,880 --> 01:18:04,519
Speaker 5: Let's get to the roomors, let's talk Kerry Washington or

1877
01:18:04,560 --> 01:18:09,200
Speaker 5: you gossip? Is the rumor report?

1878
01:18:09,280 --> 01:18:10,559
Speaker 2: I mean, I guess were on the breakfast club?

1879
01:18:10,560 --> 01:18:12,960
Speaker 5: This is were the tea spells right right now.

1880
01:18:13,080 --> 01:18:16,960
Speaker 8: Kerry Washington was on Bravo on Watch What Happens Live

1881
01:18:17,040 --> 01:18:19,960
Speaker 8: with Andy Cohen and she was asked, who's the most

1882
01:18:20,000 --> 01:18:22,120
Speaker 8: famous person to slide in your d MS?

1883
01:18:23,600 --> 01:18:26,960
Speaker 5: Who is the most famous person to slide into your

1884
01:18:27,080 --> 01:18:29,679
Speaker 5: d MS wanting to connect as a friend or otherwise.

1885
01:18:30,680 --> 01:18:34,560
Speaker 12: Shack Shaquille, he's a big Scandal fan and he's like,

1886
01:18:34,800 --> 01:18:36,040
Speaker 12: I'll do anything for command.

1887
01:18:37,560 --> 01:18:43,400
Speaker 5: That's Shack Man. Everybody's DMS. You noticed that who else?

1888
01:18:43,439 --> 01:18:46,240
Speaker 7: Is always a story about Shack being and somebody DMS

1889
01:18:46,880 --> 01:18:51,679
Speaker 7: sending support in love, propingnaclues mom for that seven foot

1890
01:18:51,680 --> 01:18:57,440
Speaker 7: three regular Nigga's.

1891
01:18:55,400 --> 01:18:57,559
Speaker 5: Good to see It's good to see he's still got

1892
01:18:57,640 --> 01:19:00,479
Speaker 5: that new again him. He's definitely from the brick now.

1893
01:19:00,640 --> 01:19:04,120
Speaker 8: Jada Pinkett Smith reveals that she and Will Smith have

1894
01:19:04,320 --> 01:19:06,720
Speaker 8: been separated since twenty sixteen.

1895
01:19:07,640 --> 01:19:09,880
Speaker 22: There are so many surprising things in the book. But

1896
01:19:10,000 --> 01:19:13,120
Speaker 22: the thing that surprised me the most that I actually

1897
01:19:13,280 --> 01:19:16,679
Speaker 22: had to reread it because I said, is this true?

1898
01:19:17,960 --> 01:19:23,320
Speaker 22: Was that in twenty sixteen you and Will decided that

1899
01:19:23,479 --> 01:19:27,040
Speaker 22: you were going to live completely separate lives. It was

1900
01:19:27,720 --> 01:19:32,080
Speaker 22: not a divorce on paper, but it was a divorce.

1901
01:19:33,080 --> 01:19:37,599
Speaker 22: So from the year twenty sixteen, which is seven years ago.

1902
01:19:37,840 --> 01:19:47,960
Speaker 5: Now, yes, y'all have been a part. Yeah, I mean,

1903
01:19:48,040 --> 01:19:53,040
Speaker 5: think about this. I haven't read the book yet. I

1904
01:19:53,120 --> 01:19:57,599
Speaker 5: am a pinket went free, and I forgot what I am.

1905
01:19:57,640 --> 01:20:02,000
Speaker 5: I'm so flustered. I'm a pink Smith. Winfrey knows Carter.

1906
01:20:02,520 --> 01:20:07,639
Speaker 8: So since twenty sixteen, it's twenty twenty three, so close

1907
01:20:07,720 --> 01:20:10,960
Speaker 8: to twenty years, right, So I really want to know

1908
01:20:11,000 --> 01:20:12,800
Speaker 8: how Will feels when we say close to ten years.

1909
01:20:13,040 --> 01:20:15,320
Speaker 8: I really want to know how Will Smith truly truly feels.

1910
01:20:15,400 --> 01:20:16,800
Speaker 7: Now what he says to the public, now, what he

1911
01:20:16,840 --> 01:20:19,519
Speaker 7: says on social media when he's with his therapist or

1912
01:20:19,520 --> 01:20:21,559
Speaker 7: when he's just a loane in his thoughts, How does

1913
01:20:21,600 --> 01:20:25,400
Speaker 7: he feel about this? Because it feels like it feels

1914
01:20:25,560 --> 01:20:28,519
Speaker 7: like there's only one side, there's only one part of

1915
01:20:28,560 --> 01:20:31,719
Speaker 7: the relationship always being spoken about, and it's always coming

1916
01:20:31,760 --> 01:20:35,240
Speaker 7: from miss Jada, and it never seems like it puts

1917
01:20:35,280 --> 01:20:36,080
Speaker 7: Will in a good light.

1918
01:20:36,200 --> 01:20:36,360
Speaker 17: Ever.

1919
01:20:37,160 --> 01:20:39,400
Speaker 5: Am I bugging with this? Yeah, it's just me. No,

1920
01:20:39,479 --> 01:20:40,040
Speaker 5: it's not just you.

1921
01:20:40,720 --> 01:20:43,880
Speaker 8: But if they were separated since twenty sixteen, right it's

1922
01:20:43,920 --> 01:20:45,400
Speaker 8: twenty twenty three, that.

1923
01:20:45,479 --> 01:20:47,720
Speaker 5: Don't mean I get what you what you're trying to,

1924
01:20:47,800 --> 01:20:48,880
Speaker 5: what you're saying, tell me what you're saying.

1925
01:20:49,320 --> 01:20:52,080
Speaker 8: That means you know, when she was allegedly with oh,

1926
01:20:52,080 --> 01:20:53,360
Speaker 8: I don't want to talk about it, to do it,

1927
01:20:53,520 --> 01:20:55,519
Speaker 8: that means that that was fine because it was separate.

1928
01:20:55,600 --> 01:20:56,519
Speaker 5: I was thinking about something else.

1929
01:20:57,320 --> 01:20:59,320
Speaker 7: I'll think about when he him and Chris Rock got

1930
01:20:59,320 --> 01:21:01,920
Speaker 7: into their little because I know people will probably say, well,

1931
01:21:01,960 --> 01:21:03,800
Speaker 7: they were separated. He probably did that for no reason,

1932
01:21:03,880 --> 01:21:05,439
Speaker 7: But that don't mean that's still the mother of your children.

1933
01:21:05,479 --> 01:21:07,600
Speaker 5: This is it doesn't matter. But that was just to

1934
01:21:07,680 --> 01:21:07,880
Speaker 5: say it.

1935
01:21:07,960 --> 01:21:09,920
Speaker 8: So no matter what she does on the side or

1936
01:21:09,960 --> 01:21:11,680
Speaker 8: what he does on the side, they were separated and

1937
01:21:11,760 --> 01:21:14,840
Speaker 8: you can't tell what their relationship is. Right, whatever makes

1938
01:21:14,880 --> 01:21:17,120
Speaker 8: them happy makes them happy, nobody else's business.

1939
01:21:17,120 --> 01:21:17,360
Speaker 5: Correct.

1940
01:21:17,400 --> 01:21:20,280
Speaker 7: But I'm sure they know that. That's why it's their house.

1941
01:21:20,320 --> 01:21:22,760
Speaker 7: That's probably why they don't trip away the general public

1942
01:21:22,800 --> 01:21:25,479
Speaker 7: be tripping. See, the general public don't know nothing, and

1943
01:21:25,600 --> 01:21:28,280
Speaker 7: they never do. All we do is assume things and

1944
01:21:28,400 --> 01:21:30,120
Speaker 7: we see things, and being that we don't know how

1945
01:21:30,240 --> 01:21:33,880
Speaker 7: things actually are, we jump to conclusions. But you can't

1946
01:21:33,960 --> 01:21:35,799
Speaker 7: jump to conclusions when you don't have no information.

1947
01:21:36,000 --> 01:21:37,639
Speaker 8: No, But the problem is, didn't they do a whole

1948
01:21:37,720 --> 01:21:40,200
Speaker 8: interview about it and everything? And during that interview when

1949
01:21:40,240 --> 01:21:42,799
Speaker 8: they were talking about their their lives and their marriage,

1950
01:21:42,840 --> 01:21:44,519
Speaker 8: they never one time said they were separated.

1951
01:21:45,640 --> 01:21:47,479
Speaker 5: I don't know about nothing, none of that. Man. I

1952
01:21:47,520 --> 01:21:49,439
Speaker 5: don't like talking about people situations like that.

1953
01:21:50,120 --> 01:21:50,320
Speaker 18: I like.

1954
01:21:50,400 --> 01:21:52,040
Speaker 5: I like figuring out my own home. Damnit.

1955
01:21:52,160 --> 01:21:54,120
Speaker 7: Okay, you know what I'm saying. I got my own

1956
01:21:54,160 --> 01:21:56,880
Speaker 7: home going on, keep keeping entanglements out my house. I

1957
01:21:56,880 --> 01:21:58,080
Speaker 7: don't want my house to being the tangled.

1958
01:21:58,200 --> 01:22:00,320
Speaker 5: Yeah. But also if they talk about it and you

1959
01:22:00,360 --> 01:22:01,760
Speaker 5: write it in a book, you want people to know.

1960
01:22:01,840 --> 01:22:03,720
Speaker 7: Right, Well, DC, that's my point, and that's why I

1961
01:22:03,760 --> 01:22:05,759
Speaker 7: said it always seems to only be coming from one side.

1962
01:22:06,200 --> 01:22:08,559
Speaker 5: I read Will's book, he didn't mention it. I mean,

1963
01:22:08,760 --> 01:22:10,439
Speaker 5: I ain't read Jayda's book yet. I want to know

1964
01:22:10,840 --> 01:22:11,640
Speaker 5: why is why.

1965
01:22:11,680 --> 01:22:13,639
Speaker 7: I want to know how Will feels about this situation

1966
01:22:14,000 --> 01:22:16,600
Speaker 7: and Will's being forced to have to speak about it

1967
01:22:16,680 --> 01:22:19,400
Speaker 7: because she is right and we're curious now.

1968
01:22:19,400 --> 01:22:24,720
Speaker 5: Correct, you know, yeah, m m m mmmmmm. All right,

1969
01:22:25,520 --> 01:22:26,080
Speaker 5: that is your room.

1970
01:22:26,600 --> 01:22:29,280
Speaker 7: Remember when Bigge said, problems with my wife, don't discuss them. Yeah,

1971
01:22:29,800 --> 01:22:32,040
Speaker 7: I think everybody needs to get back to that. Problems

1972
01:22:32,080 --> 01:22:34,080
Speaker 7: with my wife, don't discuss them. Problems with my husband,

1973
01:22:34,080 --> 01:22:34,920
Speaker 7: don't discuss.

1974
01:22:34,640 --> 01:22:37,400
Speaker 8: But I will say that when when people do, maybe

1975
01:22:37,439 --> 01:22:39,840
Speaker 8: not that problem, but when they discuss certain problems, it's

1976
01:22:40,000 --> 01:22:42,800
Speaker 8: it's it's a better situation. Because sometimes people feel like

1977
01:22:42,840 --> 01:22:45,160
Speaker 8: when they're dealing with situations in the house that it's

1978
01:22:45,280 --> 01:22:46,320
Speaker 8: just them, you know what I mean.

1979
01:22:46,720 --> 01:22:49,479
Speaker 5: Only I'm going to go to a therapist, go to

1980
01:22:49,560 --> 01:22:53,920
Speaker 5: a counselor go do some people don't like counselors. Whatever

1981
01:22:53,920 --> 01:22:54,080
Speaker 5: it is.

1982
01:22:54,320 --> 01:22:56,439
Speaker 7: You know, I'm seeing everybody's spill. They got to be

1983
01:22:56,520 --> 01:22:59,400
Speaker 7: a social media you know. Sometimes I think it's good

1984
01:22:59,400 --> 01:23:01,000
Speaker 7: because I think people can understand and say hey, this

1985
01:23:01,120 --> 01:23:02,599
Speaker 7: is what I went through, this is what I've been through.

1986
01:23:02,920 --> 01:23:06,240
Speaker 7: People don't understand because they don't care. To have a understanding,

1987
01:23:06,320 --> 01:23:08,320
Speaker 7: you have to care. Let me tell you something. None

1988
01:23:08,360 --> 01:23:10,960
Speaker 7: of these people actually care about these people. Nobody that

1989
01:23:11,360 --> 01:23:14,000
Speaker 7: reading Jada Pinker's book or likes will Swift. They don't

1990
01:23:14,000 --> 01:23:14,880
Speaker 7: actually care about them.

1991
01:23:14,920 --> 01:23:15,439
Speaker 5: How could they?

1992
01:23:15,920 --> 01:23:17,840
Speaker 7: How could they actually care about them as people? We

1993
01:23:17,920 --> 01:23:19,640
Speaker 7: don't know them as people. You know them for what

1994
01:23:19,680 --> 01:23:21,840
Speaker 7: you see on television, you know, for what you're reading books,

1995
01:23:21,880 --> 01:23:22,920
Speaker 7: You know what I mean, you know what you hearing

1996
01:23:22,960 --> 01:23:25,240
Speaker 7: the music. You don't actually know these people, So you

1997
01:23:25,320 --> 01:23:27,680
Speaker 7: don't have that level of empathy and that level of

1998
01:23:27,760 --> 01:23:30,120
Speaker 7: care that you would if you actually knew some person.

1999
01:23:30,560 --> 01:23:32,800
Speaker 7: So it's like yo, when they give us things like this,

2000
01:23:33,320 --> 01:23:37,920
Speaker 7: were not thinking anything except for gossip, rumors, things to

2001
01:23:38,000 --> 01:23:40,360
Speaker 7: chat about on social media, to talk about at work,

2002
01:23:40,479 --> 01:23:41,080
Speaker 7: Like we don't.

2003
01:23:40,920 --> 01:23:43,760
Speaker 5: Know these people? All right? Well at all? Is your room?

2004
01:23:44,000 --> 01:23:46,040
Speaker 5: What's the point of giving it to report? All right?

2005
01:23:46,160 --> 01:23:47,760
Speaker 5: When we come back, we got the people's choice mixed.

2006
01:23:47,800 --> 01:23:48,040
Speaker 5: Let's go.

2007
01:23:48,040 --> 01:23:50,400
Speaker 19: It's the breakfast Club. Goo morning, the breakfast Club. Your

2008
01:23:50,439 --> 01:23:52,400
Speaker 19: mornings will never be the same.

2009
01:23:53,560 --> 01:23:57,080
Speaker 8: Mourning everybody is DJ nv Charlamagne the guy. We are

2010
01:23:57,160 --> 01:24:00,400
Speaker 8: the Breakfast Club. Now we got a salute off Set

2011
01:24:00,439 --> 01:24:01,400
Speaker 8: for joining us this morning.

2012
01:24:02,000 --> 01:24:03,559
Speaker 5: Salute to the good brother Offset Man.

2013
01:24:03,680 --> 01:24:07,200
Speaker 7: Set It Off will be in stores Friday that as

2014
01:24:07,240 --> 01:24:09,000
Speaker 7: offset second album, sophomore album.

2015
01:24:09,000 --> 01:24:11,840
Speaker 8: And also salute to Sonia. Her new book, Fashion Killer

2016
01:24:11,960 --> 01:24:12,559
Speaker 8: is out right now.

2017
01:24:12,640 --> 01:24:15,479
Speaker 7: That's right, Sonya Christina Murphy, that's the homie. Her book

2018
01:24:15,520 --> 01:24:17,479
Speaker 7: fashion Killer is out right now. And the reason I

2019
01:24:17,640 --> 01:24:19,599
Speaker 7: like that book is because you know, when we don't

2020
01:24:19,600 --> 01:24:21,559
Speaker 7: got no fashion, I don't have no fashion. But when

2021
01:24:21,560 --> 01:24:23,200
Speaker 7: we've been talking about fifty years of hip hop, you know,

2022
01:24:23,400 --> 01:24:25,320
Speaker 7: it's all about the music, but you know, hip hop

2023
01:24:25,439 --> 01:24:27,280
Speaker 7: is a culture, so it's not just music.

2024
01:24:27,320 --> 01:24:28,920
Speaker 5: You know, fashion plays a big role in that. So

2025
01:24:29,000 --> 01:24:31,880
Speaker 5: I'm glad that there is a piece of art that.

2026
01:24:32,040 --> 01:24:36,280
Speaker 7: Is documenting the last fifty years of fashion and hip hop,

2027
01:24:36,320 --> 01:24:40,400
Speaker 7: and that is indeed Samia Christiana Murphy's new book, Fashion Killer.

2028
01:24:40,439 --> 01:24:42,280
Speaker 7: So make sure you go pick that up. And Rich

2029
01:24:42,320 --> 01:24:44,439
Speaker 7: Paul Lucky Me is out there. Man, go to the bookstore.

2030
01:24:44,479 --> 01:24:46,200
Speaker 7: Those are two good reasons to go to the bookstore

2031
01:24:46,840 --> 01:24:49,760
Speaker 7: this week. And Michael Harriet black af that's another good

2032
01:24:49,800 --> 01:24:51,280
Speaker 7: reason to go to the bookstore that came out a

2033
01:24:51,320 --> 01:24:52,800
Speaker 7: couple of weeks ago, Great Reads.

2034
01:24:53,040 --> 01:24:54,719
Speaker 5: All right, when we come back. We got the positive

2035
01:24:54,760 --> 01:24:55,599
Speaker 5: notice to Breakfast Club.

2036
01:24:55,640 --> 01:24:59,360
Speaker 8: Good morning Morning. Everybody is dj n V Charlamagne the guy.

2037
01:24:59,439 --> 01:25:02,559
Speaker 8: We are the Breakfast Club. Now I'm Charloman. You got

2038
01:25:02,640 --> 01:25:04,800
Speaker 8: a positive note. I do man in the positive note

2039
01:25:04,920 --> 01:25:05,320
Speaker 8: simply this.

2040
01:25:05,680 --> 01:25:09,200
Speaker 7: When you're transitioning from being a people pleaser into someone

2041
01:25:09,280 --> 01:25:11,800
Speaker 7: with more boundaries, it can feel so weird. It's hard

2042
01:25:11,840 --> 01:25:13,880
Speaker 7: to tell if you're being mean or if you're actually

2043
01:25:14,000 --> 01:25:17,160
Speaker 7: just respecting your own feelings because you're so used to

2044
01:25:17,240 --> 01:25:20,320
Speaker 7: putting other people's feelings first. But I'm telling you right now,

2045
01:25:20,680 --> 01:25:22,120
Speaker 7: you gotta put your feelings first.

2046
01:25:22,439 --> 01:25:25,400
Speaker 5: Okay, Breakfast Club, bitch is you don't feeish or y'all

2047
01:25:25,479 --> 01:25:25,679
Speaker 5: done