1 00:00:00,480 --> 00:00:04,800 Speaker 1: Ridiculous crime. It is a production of iHeartRadio Zaren Elizabeth. 2 00:00:05,120 --> 00:00:08,639 Speaker 2: So we went around iHeart Security and we broke into 3 00:00:08,680 --> 00:00:11,080 Speaker 2: the building. You can't stop, you know, But what happens 4 00:00:11,119 --> 00:00:12,240 Speaker 2: if they find us? 5 00:00:12,480 --> 00:00:14,920 Speaker 3: Oh prob I shouldn't record this part then huh crap, 6 00:00:15,000 --> 00:00:15,440 Speaker 3: that's too late. 7 00:00:15,480 --> 00:00:18,279 Speaker 2: It's oh whatever, Well, because we have to do this 8 00:00:18,320 --> 00:00:18,880 Speaker 2: by ourselves. 9 00:00:18,920 --> 00:00:20,560 Speaker 3: Yeah, we'll say this is an act. 10 00:00:20,800 --> 00:00:22,520 Speaker 2: Yeah, this is all a big joke. 11 00:00:22,880 --> 00:00:23,400 Speaker 3: Didn't happen. 12 00:00:23,520 --> 00:00:27,320 Speaker 2: So you probably remember that we aired an episode on 13 00:00:27,520 --> 00:00:31,840 Speaker 2: June twenty ninth, twenty three called Slip Sliding Away the 14 00:00:31,840 --> 00:00:35,440 Speaker 2: theft of Judy Garland's ruby slippers. Oh hell yeah, right, 15 00:00:35,800 --> 00:00:38,760 Speaker 2: what fun time we had that you weren't even there. 16 00:00:39,000 --> 00:00:40,080 Speaker 3: I wasn't just laughing. 17 00:00:40,120 --> 00:00:43,680 Speaker 2: It was great. So the story it wrapped up with 18 00:00:43,800 --> 00:00:46,960 Speaker 2: the latest development at the time when I told producer 19 00:00:47,040 --> 00:00:51,240 Speaker 2: Dave about it. On Tuesday May fifteenth, twenty twenty three, 20 00:00:51,880 --> 00:00:55,240 Speaker 2: this seventy six year old dude in Minnesota named Terry Martin. 21 00:00:55,320 --> 00:00:57,640 Speaker 2: He got indicted for one count of theft of a 22 00:00:57,760 --> 00:01:00,560 Speaker 2: major artwork in the shoes. 23 00:01:00,680 --> 00:01:01,200 Speaker 3: That's cool. 24 00:01:01,240 --> 00:01:03,200 Speaker 2: So that was you know, that's how I closed it out, 25 00:01:03,200 --> 00:01:06,240 Speaker 2: and that you know, the slippers that, of course, were 26 00:01:06,480 --> 00:01:09,920 Speaker 2: stolen from the Judy Garland Museum, Grand Rapids, Minnesota, August 27 00:01:09,920 --> 00:01:11,360 Speaker 2: twenty eight, two thousand and five. 28 00:01:11,480 --> 00:01:13,000 Speaker 3: We need to get our tickets, Oh. 29 00:01:13,120 --> 00:01:17,959 Speaker 2: Yeah, oh yeah, So the ones that were recovered Interesting Operation, Minnesota, 30 00:01:18,080 --> 00:01:21,000 Speaker 2: September two thousand and nine. So, for whatever reason, twenty 31 00:01:21,000 --> 00:01:23,840 Speaker 2: two years after the heist, fourteen years after the slippers 32 00:01:23,840 --> 00:01:27,360 Speaker 2: were recovered, Old Terry gets busted. And you know, he 33 00:01:27,400 --> 00:01:30,680 Speaker 2: pleaded guilty to the heist five months after his indictment 34 00:01:30,760 --> 00:01:34,760 Speaker 2: October twenty twenty three. He showed up for sentencing in 35 00:01:34,840 --> 00:01:38,640 Speaker 2: January twenty twenty four in a wheelchair and on supplementary oxygen. 36 00:01:39,400 --> 00:01:41,520 Speaker 2: Judge took pity on him and he was sentenced to 37 00:01:41,640 --> 00:01:45,280 Speaker 2: time served. They're like, you know, your life is hellish enough. 38 00:01:46,120 --> 00:01:50,800 Speaker 2: And he had a long history of burglary and receiving 39 00:01:50,840 --> 00:01:55,200 Speaker 2: stolen property. So his attorney, this guy Dane Decraye. He's 40 00:01:56,560 --> 00:02:02,520 Speaker 2: lawyer Decraye, Dane of the Craze. Uh so he he 41 00:02:02,680 --> 00:02:05,520 Speaker 2: was like, Terry was trying to just pull off one 42 00:02:05,600 --> 00:02:06,240 Speaker 2: last score. 43 00:02:06,520 --> 00:02:08,959 Speaker 3: I do declare I'm Dane de Crag so I'm still 44 00:02:09,000 --> 00:02:09,480 Speaker 3: hung up on. 45 00:02:09,440 --> 00:02:14,320 Speaker 2: That de cray Z. So Terry, he was like guys 46 00:02:14,360 --> 00:02:16,120 Speaker 2: trying to just pull off one last score. And he 47 00:02:16,240 --> 00:02:20,239 Speaker 2: uses the phrase one last score after an old buddy 48 00:02:20,320 --> 00:02:23,800 Speaker 2: his with mob ties told him where the shoes were, 49 00:02:23,840 --> 00:02:26,919 Speaker 2: and then that the mob guy was like, Terry, all 50 00:02:26,960 --> 00:02:30,960 Speaker 2: that sparkle on the shoes, that's from real jewels. Terry 51 00:02:30,960 --> 00:02:35,040 Speaker 2: believed him, the mob aphiliate guy, He's like, that's why 52 00:02:35,080 --> 00:02:40,400 Speaker 2: they're so valuable, taby, Terry's like a lot. And so, 53 00:02:41,000 --> 00:02:43,880 Speaker 2: you know, neither of these guys understood the precious nature 54 00:02:43,919 --> 00:02:48,520 Speaker 2: of nostalgia or cultural currency, or fame or sentiment. So 55 00:02:48,600 --> 00:02:50,960 Speaker 2: Terry took the shoes so like took him to his 56 00:02:50,960 --> 00:02:53,760 Speaker 2: fence zing and then fence broke it to Terry that 57 00:02:53,800 --> 00:02:58,359 Speaker 2: the rubies were actually glass. So Terry rid himself. 58 00:02:58,000 --> 00:02:59,920 Speaker 3: Of the slippers. Did he explain the value of Judy. 59 00:03:00,560 --> 00:03:03,800 Speaker 2: Yeah, he broke out into song and yeah, it was 60 00:03:03,880 --> 00:03:04,960 Speaker 2: it was beautiful. 61 00:03:05,280 --> 00:03:06,240 Speaker 3: This is where the value comes. 62 00:03:06,320 --> 00:03:09,000 Speaker 2: He was like, hold on a second, clang clang clang. Yeah, 63 00:03:10,200 --> 00:03:13,520 Speaker 2: So Terry got rid of those slippers. But his attorney 64 00:03:13,600 --> 00:03:17,880 Speaker 2: was like, I'm not going to tell you how, why, where, when? Yeah, 65 00:03:17,919 --> 00:03:20,200 Speaker 2: but that's not the end. So December seventh is a 66 00:03:20,280 --> 00:03:23,200 Speaker 2: day that will live in infamy. Saren not just because 67 00:03:23,200 --> 00:03:25,280 Speaker 2: it's the day that our nation came under attack in 68 00:03:25,360 --> 00:03:28,320 Speaker 2: nineteen forty one, kicking off our involvement in World War two. 69 00:03:28,440 --> 00:03:29,320 Speaker 3: Ah, yes, bro Harbor. 70 00:03:29,520 --> 00:03:33,639 Speaker 2: Yeah, just this year, December seventh, twenty twenty four. Uh huh, 71 00:03:33,680 --> 00:03:39,360 Speaker 2: those iconic ruby slippers sold at auction. Really, Heritage Auctions 72 00:03:39,440 --> 00:03:42,520 Speaker 2: was running things. They figured the slippers would get about 73 00:03:42,560 --> 00:03:44,160 Speaker 2: three million at auction. 74 00:03:44,320 --> 00:03:44,920 Speaker 3: Three million. 75 00:03:45,000 --> 00:03:45,280 Speaker 4: Yeah. 76 00:03:45,320 --> 00:03:48,720 Speaker 2: Online bidding opened in November of twenty twenty four. 77 00:03:48,800 --> 00:03:50,760 Speaker 3: All right, online bidding, I missed my window. 78 00:03:50,800 --> 00:03:53,520 Speaker 2: Go on, you totally did. The top bid hung at 79 00:03:53,560 --> 00:03:56,560 Speaker 2: about like one point five to five million before live 80 00:03:56,680 --> 00:04:00,200 Speaker 2: bidding began on the afternoon of December seventh. Right, so 81 00:04:00,320 --> 00:04:05,560 Speaker 2: within minutes, the top bid was almost ten million dollars. 82 00:04:05,960 --> 00:04:09,400 Speaker 2: What Yeah, more than triple the estimated final bid. 83 00:04:09,520 --> 00:04:11,440 Speaker 3: Yeah. I was just doing that matter right, I could 84 00:04:11,480 --> 00:04:11,880 Speaker 3: do it. 85 00:04:11,920 --> 00:04:14,960 Speaker 2: So the phone bids, they're coming in fast. The callers 86 00:04:15,000 --> 00:04:18,000 Speaker 2: are one upping each other. It's climbing. It's like sane, yeah, 87 00:04:18,120 --> 00:04:20,680 Speaker 2: really quickly. For fifteen minutes. When all was sudden done, 88 00:04:21,040 --> 00:04:25,880 Speaker 2: the winning bid emerged twenty eight million dollars. Whoa for 89 00:04:25,960 --> 00:04:28,719 Speaker 2: a pair of busted up slippers. 90 00:04:28,839 --> 00:04:30,200 Speaker 3: That's the value of Judy Garland. 91 00:04:30,680 --> 00:04:33,400 Speaker 2: Oh yeah, and then you factor in the auction house's 92 00:04:33,520 --> 00:04:37,440 Speaker 2: feet final bill thirty two point five million dollars. 93 00:04:37,800 --> 00:04:39,400 Speaker 3: Could you help me pick my job back up? 94 00:04:39,480 --> 00:04:46,520 Speaker 2: Auction house is making bank house. We totally do. Who 95 00:04:46,600 --> 00:04:47,359 Speaker 2: was the winning bidder? 96 00:04:47,400 --> 00:04:48,480 Speaker 3: Who was Elizabeth? 97 00:04:48,560 --> 00:04:50,480 Speaker 2: None other than Elon Musk. 98 00:04:50,880 --> 00:04:51,440 Speaker 3: Are you kidding? 99 00:04:51,600 --> 00:04:52,480 Speaker 2: I'm totally kidding. 100 00:04:52,560 --> 00:04:53,400 Speaker 3: Ah, thank you. 101 00:04:53,720 --> 00:04:56,839 Speaker 2: The shoes were his size. Now the actual winner. 102 00:04:56,960 --> 00:04:58,960 Speaker 3: iHeart he was going to send him into Mars. He 103 00:04:59,120 --> 00:04:59,920 Speaker 3: was right at the plan. 104 00:05:00,040 --> 00:05:03,200 Speaker 2: Iheartradiown nice as a holiday gift for us. 105 00:05:03,279 --> 00:05:04,119 Speaker 3: You are all still kidding. 106 00:05:04,160 --> 00:05:06,200 Speaker 2: I have one hundred percent kidding. The buyer wanted to 107 00:05:06,200 --> 00:05:12,680 Speaker 2: remain anonymous. Oh that update out of the way. Let's 108 00:05:12,720 --> 00:05:15,000 Speaker 2: take a trip down the yellow brick memory lane and 109 00:05:15,080 --> 00:05:19,200 Speaker 2: listen to me show exactly why I'm universally known as 110 00:05:19,240 --> 00:05:23,680 Speaker 2: America's sweetheart and captivate you with the tale of the 111 00:05:23,760 --> 00:05:41,760 Speaker 2: stolen Ruby Slippers. David City, Elizabeth Dunton, Hey, how Dave? 112 00:05:42,440 --> 00:05:44,440 Speaker 2: The others? Aaron? How are you today? 113 00:05:44,839 --> 00:05:46,480 Speaker 4: I'm all right, I'm sweating a little bit. 114 00:05:47,560 --> 00:05:51,479 Speaker 2: Good, okay, same. You know it's ridiculous, I do, Oh 115 00:05:51,520 --> 00:05:52,880 Speaker 2: you do? 116 00:05:52,880 --> 00:05:56,120 Speaker 4: Do you know anything about how crazy McDonald Land is. 117 00:05:57,600 --> 00:06:00,280 Speaker 2: No, it's like McDonald land in actual place or like 118 00:06:00,320 --> 00:06:01,840 Speaker 2: the fictional universe of it. 119 00:06:02,120 --> 00:06:05,120 Speaker 4: Like imagine you know the origins of where McDonald land 120 00:06:05,120 --> 00:06:05,560 Speaker 4: came from. 121 00:06:05,920 --> 00:06:07,840 Speaker 2: Okay, No, I don't know anything about this. 122 00:06:08,440 --> 00:06:11,920 Speaker 4: Well, first, it comes out of Willard Scott's work as 123 00:06:11,960 --> 00:06:15,720 Speaker 4: Boza the Clown. He's the original Ron McDonald right right. 124 00:06:16,160 --> 00:06:19,400 Speaker 4: And McDonald's goes to an ad agency. Of course, this 125 00:06:19,600 --> 00:06:22,200 Speaker 4: was like it used to be. It's now DDB. It 126 00:06:22,279 --> 00:06:24,920 Speaker 4: used to be Needham, Harper and Steers. They're like, hey, 127 00:06:25,240 --> 00:06:27,040 Speaker 4: can you make us like a whole thing out of this, 128 00:06:27,960 --> 00:06:30,440 Speaker 4: just like do a whole thing. Yeah, and they're like, okay. 129 00:06:31,320 --> 00:06:34,240 Speaker 4: So the first commercial comes in nineteen seventy one and 130 00:06:34,480 --> 00:06:38,560 Speaker 4: at this time, you know the purple dude Grimace. Yeah, 131 00:06:38,720 --> 00:06:42,880 Speaker 4: back then his name, his official government name is Evil Grimace. 132 00:06:43,560 --> 00:06:44,520 Speaker 2: Oh you're kidding me. 133 00:06:44,760 --> 00:06:45,640 Speaker 4: Yeah. 134 00:06:45,680 --> 00:06:49,640 Speaker 2: So they're like, we need a land, a mythical, mystical 135 00:06:49,720 --> 00:06:53,919 Speaker 2: land surrounding our Hammurgers. Let's have an evil character. 136 00:06:53,680 --> 00:06:57,599 Speaker 4: Involved, not just one, there's like multiple the Hamburglar and 137 00:06:57,640 --> 00:07:00,080 Speaker 4: you've got Captain Crook at the time, who you know, 138 00:07:00,120 --> 00:07:02,680 Speaker 4: like you can't miss the name all their whole thing 139 00:07:02,760 --> 00:07:06,440 Speaker 4: is all like shoplifting, and Ronald stops them from shoplifting, 140 00:07:06,640 --> 00:07:09,200 Speaker 4: and so that's supposed to get you into the restaurants. 141 00:07:09,120 --> 00:07:11,920 Speaker 2: Okay, running from shoplifters. 142 00:07:12,280 --> 00:07:15,120 Speaker 4: Yeah, Like I don't know, Like, are you like, oh 143 00:07:15,240 --> 00:07:17,520 Speaker 4: that that must be in high demand because people keep 144 00:07:17,520 --> 00:07:22,000 Speaker 4: five fingering all their food. But like, just to give 145 00:07:22,040 --> 00:07:24,000 Speaker 4: you a sense of how weird the whole thing was 146 00:07:24,040 --> 00:07:28,160 Speaker 4: in seventy one. In seventy three, Sid and marty Croft, 147 00:07:28,560 --> 00:07:31,040 Speaker 4: those of you know hr puff and stuff, and like 148 00:07:32,480 --> 00:07:35,240 Speaker 4: Siden marty Croft's World of was like World of Puppets 149 00:07:35,280 --> 00:07:38,440 Speaker 4: in Atlanta, which was before CNN Center was CNN Center 150 00:07:38,520 --> 00:07:42,360 Speaker 4: was in that building. Anyway, they did some real trippy stuff, right. 151 00:07:43,160 --> 00:07:48,000 Speaker 4: They sued McDonald's successfully. They got a fifty thousand dollars 152 00:07:48,040 --> 00:07:49,760 Speaker 4: settlement and then it was appealed and they got a 153 00:07:49,800 --> 00:07:53,240 Speaker 4: million dollar settlement from McDonald because the McDonald's stuff looked 154 00:07:53,240 --> 00:07:56,119 Speaker 4: too much like the Croft's hr puffin stuff. 155 00:07:56,120 --> 00:07:56,720 Speaker 3: Weird stuff. 156 00:07:57,080 --> 00:07:58,360 Speaker 2: Oh, I had no idea. 157 00:07:59,000 --> 00:08:00,280 Speaker 4: But that's not the only weird thing. 158 00:08:00,880 --> 00:08:01,000 Speaker 2: Uh. 159 00:08:01,040 --> 00:08:05,280 Speaker 4: Oh, so Evil Grimace. Much later people are trying to 160 00:08:05,280 --> 00:08:07,320 Speaker 4: find out like, hey, what is Grimace? Right? This has 161 00:08:07,320 --> 00:08:10,440 Speaker 4: been like even before the Internet. There was lore of, like, well, 162 00:08:10,440 --> 00:08:11,600 Speaker 4: what the hell is Grimace? 163 00:08:11,720 --> 00:08:13,360 Speaker 2: Yeah? Yeah, the gum drop. 164 00:08:13,840 --> 00:08:18,680 Speaker 4: As far as we can tell from official McDonald's spokesperson 165 00:08:18,840 --> 00:08:23,880 Speaker 4: Official McDonald's Twitter account, they said, quote, Uh, are you 166 00:08:23,920 --> 00:08:24,400 Speaker 4: ready for this? 167 00:08:24,800 --> 00:08:25,880 Speaker 2: Yeah? I'm totally ready. 168 00:08:26,320 --> 00:08:29,400 Speaker 4: Grimace Lare says he is the embodiment of a milkshake 169 00:08:29,600 --> 00:08:31,440 Speaker 4: or a taste bud. 170 00:08:32,160 --> 00:08:34,640 Speaker 2: Oh, grim is a taste bun. 171 00:08:34,800 --> 00:08:36,280 Speaker 4: How gross is that? 172 00:08:36,280 --> 00:08:39,440 Speaker 2: That's so disgusting? But is there a bunch of Grimace 173 00:08:39,480 --> 00:08:40,520 Speaker 2: stuff out now? Like? 174 00:08:41,160 --> 00:08:43,200 Speaker 4: Yeah, I think he's hitting it big now for some reason? 175 00:08:43,679 --> 00:08:45,360 Speaker 2: Is there a shake? Is there a Grimace Shake? 176 00:08:45,640 --> 00:08:51,120 Speaker 4: Well, Grimace's uncle, Grimsumple's name is O Grimacy. Uh, and 177 00:08:51,160 --> 00:08:53,000 Speaker 4: he's the one promoting the Shamrock Shake. 178 00:08:53,520 --> 00:08:55,880 Speaker 2: This is Irish slander over here. 179 00:08:56,480 --> 00:08:58,880 Speaker 4: Well, I don't know if, like, is is O Grimacy 180 00:08:59,120 --> 00:09:01,400 Speaker 4: like a bad taste bud? And that's why he's promoting 181 00:09:01,400 --> 00:09:03,760 Speaker 4: the Shamrock shake and Grimace is like a pretty good 182 00:09:03,800 --> 00:09:04,320 Speaker 4: taste bud. 183 00:09:04,640 --> 00:09:07,720 Speaker 2: Yeah, I mean, if you're drinking a Grimace shake? Is 184 00:09:07,720 --> 00:09:09,480 Speaker 2: there a Grimace Shake? Why do I feel like there is? 185 00:09:09,520 --> 00:09:12,160 Speaker 2: I keep thinking I see this stuff on social media. 186 00:09:12,360 --> 00:09:15,920 Speaker 4: Twenty twenty one, This is the Shamrock the grimacy shake. 187 00:09:16,440 --> 00:09:19,880 Speaker 2: So it's basically liquefied taste buds, is what you're trying 188 00:09:19,920 --> 00:09:21,280 Speaker 2: to say to me, David. 189 00:09:21,200 --> 00:09:24,680 Speaker 4: Well, what freaks me out is like, imagine you're a 190 00:09:24,679 --> 00:09:27,240 Speaker 4: little kid and you're just going to hug this big 191 00:09:27,280 --> 00:09:29,240 Speaker 4: purple thing and it's a taste bud, like. 192 00:09:29,320 --> 00:09:34,200 Speaker 2: You taste saliva on someone's tongue. Yeah, because then is 193 00:09:34,240 --> 00:09:38,800 Speaker 2: this just an independent taste bud or an invisible tongue. 194 00:09:38,880 --> 00:09:40,120 Speaker 4: It leaves a lot of questions. 195 00:09:40,200 --> 00:09:43,400 Speaker 2: I have a lot of questions about the McDonald's universe. 196 00:09:44,200 --> 00:09:47,520 Speaker 2: But that is ridiculous, pretty ridiculous, Right, that's ridiculous. You 197 00:09:47,559 --> 00:09:50,480 Speaker 2: want to know what else is ridiculous? I would stealing 198 00:09:50,760 --> 00:10:15,160 Speaker 2: sequined shoes. Ooh, this is ridiculous. Crime A podcast about 199 00:10:15,200 --> 00:10:19,000 Speaker 2: absurd and outrageous capers, heists, and cons. It's always ninety 200 00:10:19,080 --> 00:10:22,280 Speaker 2: nine percent murder free and one hundred percent ridiculous. 201 00:10:22,440 --> 00:10:23,360 Speaker 4: That's fact check. 202 00:10:23,640 --> 00:10:28,880 Speaker 2: Totally, Dave. You've seen the movie The Wizard of Oz, right. 203 00:10:29,040 --> 00:10:32,079 Speaker 4: Uh, yeah, and I've seen the Whiz so sure. 204 00:10:32,120 --> 00:10:34,840 Speaker 2: But like Wizard of Oz, the original came out in 205 00:10:34,880 --> 00:10:37,960 Speaker 2: nineteen thirty nine, it was still really popular when I 206 00:10:38,000 --> 00:10:38,520 Speaker 2: was a kid. 207 00:10:39,200 --> 00:10:41,079 Speaker 4: Originally in black and white right, and they had to 208 00:10:41,120 --> 00:10:41,880 Speaker 4: colorize it later. 209 00:10:42,400 --> 00:10:44,080 Speaker 2: That's part of the whole thing in the film is that, 210 00:10:44,120 --> 00:10:47,760 Speaker 2: like when she goes to, oh yeah, the other side, 211 00:10:47,840 --> 00:10:50,280 Speaker 2: it's color right. So but it was like a spectacular 212 00:10:50,480 --> 00:10:53,000 Speaker 2: it was. It was incredible, Like it used to come 213 00:10:53,040 --> 00:10:56,120 Speaker 2: on TV once a year and like I'd get all excited. 214 00:10:56,600 --> 00:10:59,000 Speaker 2: I don't think young people these days are as familiar 215 00:10:59,040 --> 00:10:59,920 Speaker 2: with Wizard of Oz. 216 00:11:00,559 --> 00:11:03,720 Speaker 4: They could just tell him the creepy urban myth, yeah right, 217 00:11:03,800 --> 00:11:04,439 Speaker 4: that would get them. 218 00:11:04,480 --> 00:11:07,600 Speaker 2: Well, So here, I think cable pushed the Wizard of 219 00:11:07,600 --> 00:11:10,080 Speaker 2: Oz out of the mainstream. That's my theory because like 220 00:11:10,160 --> 00:11:13,400 Speaker 2: in my house, we were really really late adopters of cable, 221 00:11:13,480 --> 00:11:16,960 Speaker 2: so we were still relying on like network movies. But 222 00:11:17,040 --> 00:11:18,640 Speaker 2: I feel like it kind of fell off sometime, like 223 00:11:18,679 --> 00:11:21,640 Speaker 2: I don't know, in the nineties. It's just it's just 224 00:11:21,720 --> 00:11:25,400 Speaker 2: it's it's not just me. Our researcher Andrea. She mentioned 225 00:11:25,720 --> 00:11:27,800 Speaker 2: it too that kids these days don't seem to know 226 00:11:28,240 --> 00:11:30,360 Speaker 2: the media that like we or our parents or our 227 00:11:30,400 --> 00:11:34,080 Speaker 2: grandparents knew. Like the Internet gives us too much choice, 228 00:11:34,120 --> 00:11:36,120 Speaker 2: is what she was. She was thinking kind. 229 00:11:35,960 --> 00:11:37,920 Speaker 4: Of like when when I was little and we finally 230 00:11:37,920 --> 00:11:41,080 Speaker 4: got HBO, and they showed Savannah smiles over and over 231 00:11:41,120 --> 00:11:43,080 Speaker 4: and over again. I don't know why it's not a 232 00:11:43,080 --> 00:11:45,600 Speaker 4: good movie. I think it's like one of the O'Neills 233 00:11:45,679 --> 00:11:47,760 Speaker 4: or something. But yeah, I hear it. 234 00:11:47,840 --> 00:11:50,040 Speaker 2: Yeah, it just it murders it. So we don't do 235 00:11:50,120 --> 00:11:53,720 Speaker 2: murder here. Zaren. He actually talks about this sometimes that 236 00:11:53,840 --> 00:11:56,320 Speaker 2: like each generation seems to have a shorter and shorter 237 00:11:56,440 --> 00:11:59,520 Speaker 2: range of historical or cultural knowledge. So keeping that in 238 00:11:59,559 --> 00:12:02,720 Speaker 2: mind anyway. The Wizard of Oz the movie is based 239 00:12:02,760 --> 00:12:05,440 Speaker 2: on a book by L. Frank Baum called The Wonderful 240 00:12:05,480 --> 00:12:07,880 Speaker 2: Wizard of Oz and that was written in nineteen hundred 241 00:12:08,440 --> 00:12:11,880 Speaker 2: and In the movie, Dorothy Gale lives in Kansas with 242 00:12:11,920 --> 00:12:15,319 Speaker 2: her aunt and uncle. Some ladygoon in town wants to 243 00:12:15,559 --> 00:12:19,560 Speaker 2: have Dorothy's dog, Toto put down, and it's a cairen terrier. 244 00:12:19,679 --> 00:12:21,920 Speaker 2: And I can tell you that they are an acquired taste. 245 00:12:22,000 --> 00:12:24,880 Speaker 4: Did you say, did you say a carring terrier. 246 00:12:24,640 --> 00:12:27,440 Speaker 2: A cairen like c A I R N. 247 00:12:27,720 --> 00:12:28,120 Speaker 4: Got it. 248 00:12:28,160 --> 00:12:33,080 Speaker 2: Okay, so it's of Scottish origin, a terrier. Yeah. Well, 249 00:12:33,120 --> 00:12:35,360 Speaker 2: and they're just nasty little dogs for the most part. 250 00:12:35,400 --> 00:12:38,640 Speaker 2: But Toto, he didn't deserve a visit to the executioner. 251 00:12:39,320 --> 00:12:41,720 Speaker 2: My mom had a car and terrier named Finn, who 252 00:12:41,760 --> 00:12:44,320 Speaker 2: could be such a jerk but then super sweet. And 253 00:12:44,400 --> 00:12:46,160 Speaker 2: I have a scar on my shin from where he 254 00:12:46,240 --> 00:12:49,120 Speaker 2: bit me once, but I probably deserved it anyway. 255 00:12:49,400 --> 00:12:51,760 Speaker 4: That's how I feel about my dog bites too, Right. 256 00:12:51,600 --> 00:12:55,600 Speaker 2: You're like, I pushed the wrong buttons. So Dorothy, she 257 00:12:55,840 --> 00:12:58,160 Speaker 2: legs it with Toto and gets caught in a tornado, 258 00:12:58,400 --> 00:13:01,360 Speaker 2: wakes up in the Land of Oz. Her house landed 259 00:13:01,400 --> 00:13:03,800 Speaker 2: on one of the batties, the Wicked Witch of the East, 260 00:13:04,320 --> 00:13:07,000 Speaker 2: and then Dorothy helps herself to the witch's red ruby 261 00:13:07,040 --> 00:13:09,760 Speaker 2: slippers heads off to get help returning home from the 262 00:13:09,760 --> 00:13:13,680 Speaker 2: Great oz Over in Emerald City. So that's just brief recap. 263 00:13:14,120 --> 00:13:15,920 Speaker 2: The slippers are the key to her being able to 264 00:13:15,920 --> 00:13:18,640 Speaker 2: get home. She has to tap her heels together three 265 00:13:18,640 --> 00:13:22,800 Speaker 2: times and say, there's no place like him. You remember that, Rainelle. 266 00:13:22,920 --> 00:13:25,760 Speaker 4: It was always a little confusing because like the ruby slippers, 267 00:13:25,800 --> 00:13:27,160 Speaker 4: but she's they got heels right. 268 00:13:27,040 --> 00:13:29,520 Speaker 2: They got heels, ye, yeah, yeah, they're like little you know, 269 00:13:29,559 --> 00:13:33,520 Speaker 2: sensible pumps. Uh. So the next thing you know, she's 270 00:13:33,559 --> 00:13:35,880 Speaker 2: back home and everyone's like chuckling about her bunked out 271 00:13:35,920 --> 00:13:37,760 Speaker 2: dream and we don't know if the sheriff has lifted 272 00:13:37,760 --> 00:13:40,560 Speaker 2: the bounty on Toto's head. The movie gave us the 273 00:13:40,600 --> 00:13:43,040 Speaker 2: song over the Rainbow that won an Oscar for Best 274 00:13:43,080 --> 00:13:46,080 Speaker 2: Original Song on Hollywood's Biggest Night. I've got a totally 275 00:13:46,160 --> 00:13:49,800 Speaker 2: unpopular opinion. I can't stand that Hawaiian guys version of 276 00:13:49,920 --> 00:13:52,960 Speaker 2: oh yeah yeah, that makes me want to commit crimes anyway. 277 00:13:53,280 --> 00:13:57,560 Speaker 2: The slippers, the sensible pumps, the kitten heels, they're iconic, iconic. 278 00:13:58,040 --> 00:14:01,360 Speaker 2: In the book, they's silver, though, but MGM changed the 279 00:14:01,360 --> 00:14:04,280 Speaker 2: color of the Magical slippers to ruby red, and this 280 00:14:04,320 --> 00:14:07,480 Speaker 2: would have a much more visual impact on film because 281 00:14:07,600 --> 00:14:09,679 Speaker 2: color film was really rare when the movie came out 282 00:14:09,679 --> 00:14:11,960 Speaker 2: in thirty nine. And the color in the movie is, 283 00:14:12,000 --> 00:14:13,760 Speaker 2: like I said, a key part of the plot. So 284 00:14:13,840 --> 00:14:16,080 Speaker 2: in the screenplay you can actually see where the writer 285 00:14:16,240 --> 00:14:19,680 Speaker 2: crossed out silver and wrote ruby. Oh wow, yeah, these 286 00:14:19,680 --> 00:14:23,640 Speaker 2: shoes they're covered in glittering red sequins. They're fabulous. 287 00:14:23,920 --> 00:14:26,240 Speaker 4: It's kind of like the last time when a technical 288 00:14:26,240 --> 00:14:30,280 Speaker 4: innovation will actually like meaningfully be used in a movie 289 00:14:30,320 --> 00:14:33,560 Speaker 4: instead of meaninglessly like Jaws three D when they're like, oh, 290 00:14:33,600 --> 00:14:35,600 Speaker 4: we just got to throw things at the screen. 291 00:14:36,120 --> 00:14:38,000 Speaker 2: D well, I mean I must. It must be sort 292 00:14:38,000 --> 00:14:41,120 Speaker 2: of like the bullet time and the matrix, like all 293 00:14:41,160 --> 00:14:43,320 Speaker 2: of a sudden it was everywhere, but then you'd never 294 00:14:43,400 --> 00:14:46,040 Speaker 2: seen it before and it's so crazy. Yeah, yeah, okay, 295 00:14:46,200 --> 00:14:48,320 Speaker 2: so we have like the yeah, this changeover to color, 296 00:14:49,240 --> 00:14:52,760 Speaker 2: these iconic fabulous shoes. Who was the iconic woman who 297 00:14:52,800 --> 00:14:58,240 Speaker 2: wore the iconic slippers? Miss Judy garlandg mother of Liza 298 00:14:58,320 --> 00:15:02,400 Speaker 2: Minelli so Garland. She was born Francis Ethel Gumm in 299 00:15:02,520 --> 00:15:08,400 Speaker 2: Grand Rapids, Minnesota, in nineteen twenty two. Grand Rapids, Minnesota, Timbertown, 300 00:15:08,680 --> 00:15:11,360 Speaker 2: population seventy seven hundred. Do you know who else was 301 00:15:11,360 --> 00:15:15,600 Speaker 2: from Grand Rapids, Minnesota? Hugh Beaumont, who played Ward Clever 302 00:15:15,720 --> 00:15:19,600 Speaker 2: on Leave It to Beaver. Okay, so in Grand Rapids, Minnesota, 303 00:15:19,640 --> 00:15:22,280 Speaker 2: there's the Judy Garland Museum. I don't believe there's a 304 00:15:22,320 --> 00:15:23,480 Speaker 2: Hugh Beaumont museum. 305 00:15:23,640 --> 00:15:26,000 Speaker 4: What about it in Grand Rapids, Michigan. In case people 306 00:15:26,040 --> 00:15:30,840 Speaker 4: get confused, I keep saying, does that two museums? 307 00:15:31,880 --> 00:15:36,320 Speaker 2: I kept typing out Grand Rapids Minnesota. So anyway, we 308 00:15:36,440 --> 00:15:38,480 Speaker 2: know when I was little and I would watch reruns 309 00:15:38,480 --> 00:15:40,280 Speaker 2: of Leave It to Beaver, you know, come home after 310 00:15:40,320 --> 00:15:42,480 Speaker 2: school and they got all these reruns on. I thought 311 00:15:42,480 --> 00:15:46,400 Speaker 2: his name was Hubo Mont. 312 00:15:46,640 --> 00:15:47,480 Speaker 4: That's a better name. 313 00:15:47,560 --> 00:15:50,800 Speaker 2: I was a very smart child. So Judy Garland Museum. 314 00:15:50,840 --> 00:15:55,040 Speaker 2: It opened in nineteen seventy five. It describes itself veusly quote. 315 00:15:55,480 --> 00:15:58,360 Speaker 2: The Judy Garland Museum is home to an eclectic Judy 316 00:15:58,400 --> 00:16:02,560 Speaker 2: Garland and Wizard of Oz collect Judy's nineteen twenties restored 317 00:16:02,600 --> 00:16:06,440 Speaker 2: birthplace home the Children's Discovery Museum on two acres of 318 00:16:06,480 --> 00:16:10,960 Speaker 2: Minnesota beauty. The museum hosts thoughtfully curated exhibits and artifacts, 319 00:16:11,320 --> 00:16:14,160 Speaker 2: including the original carriage featured in The Wizard of Oz, 320 00:16:14,480 --> 00:16:17,800 Speaker 2: a Dorothy Gale test dress worn by Judy Garland, and 321 00:16:17,880 --> 00:16:21,640 Speaker 2: many personal Judy Garland items collected over the last forty years. 322 00:16:21,800 --> 00:16:24,560 Speaker 2: Don't forget to take home a souvenir at the museum store. 323 00:16:25,040 --> 00:16:25,960 Speaker 4: Old Q tips and. 324 00:16:27,880 --> 00:16:31,120 Speaker 2: Collected. It makes it sound like they snuck into her trash. 325 00:16:30,520 --> 00:16:34,520 Speaker 2: And So Judy Garland died, though I hate to say 326 00:16:34,600 --> 00:16:38,760 Speaker 2: June twenty second, nineteen sixty nine, a man named Michael Shaw. 327 00:16:39,160 --> 00:16:42,040 Speaker 2: He bought those ruby slippers in nineteen seventy, a year 328 00:16:42,080 --> 00:16:46,680 Speaker 2: after she died from costumer Kent Warner. So Michael Shaw 329 00:16:46,720 --> 00:16:49,440 Speaker 2: buys them. Who is Michael Shaw. I'm glad you asked that. 330 00:16:49,480 --> 00:16:52,960 Speaker 2: He's an acting coach. He's also the voice of Kit 331 00:16:53,360 --> 00:16:54,480 Speaker 2: of night Rider. 332 00:16:55,240 --> 00:16:57,760 Speaker 3: But on the on the show, not. 333 00:16:57,840 --> 00:17:00,400 Speaker 2: On the show, just for the Universal Studios to her, 334 00:17:00,960 --> 00:17:03,080 Speaker 2: so they couldn't get the same person, so they had 335 00:17:03,240 --> 00:17:05,800 Speaker 2: they have Michael Shaw to it. He was a child 336 00:17:05,840 --> 00:17:08,040 Speaker 2: actor at MGM and he played one of the kids 337 00:17:08,040 --> 00:17:10,320 Speaker 2: in the Halloween scene and Meet Me in Saint Louis, 338 00:17:10,359 --> 00:17:14,159 Speaker 2: another Judy Garland film. So when traveling to conferences, he 339 00:17:14,200 --> 00:17:16,560 Speaker 2: would share stories with the audience about his time as 340 00:17:16,560 --> 00:17:19,399 Speaker 2: a child during the Golden Age of Hollywood, sitting on 341 00:17:19,560 --> 00:17:22,399 Speaker 2: Judy Garland's lap. Yes, David over there, Yes, I can 342 00:17:22,440 --> 00:17:23,119 Speaker 2: take this question. 343 00:17:23,280 --> 00:17:26,639 Speaker 4: Would he do it in the sound of Kit Kit. 344 00:17:27,080 --> 00:17:30,920 Speaker 4: I'll take your question, Michael Judy Garland it. 345 00:17:32,480 --> 00:17:34,800 Speaker 2: I would hope that he would. I'd be disappointed. But 346 00:17:34,880 --> 00:17:37,280 Speaker 2: so he's talking about Golden Age Hollywood. He's like sitting 347 00:17:37,320 --> 00:17:40,760 Speaker 2: on Judy Garland's lap. They watch movies together. She's super 348 00:17:40,840 --> 00:17:43,240 Speaker 2: nice to all the kids. She's like, you know, takes 349 00:17:43,280 --> 00:17:45,960 Speaker 2: care of them all. And so Michael Shaw. He's also 350 00:17:46,000 --> 00:17:49,439 Speaker 2: an avid collector of film memorabilia. He owns a gown 351 00:17:49,680 --> 00:17:53,159 Speaker 2: from the nineteen thirty eight film Marie Antoinette, Bet you 352 00:17:53,200 --> 00:17:56,639 Speaker 2: didn't know that? And the Golden Calf and tablets from 353 00:17:56,720 --> 00:18:00,199 Speaker 2: Cecil B. De mills nineteen fifty six film The Ten Commandments. 354 00:18:00,240 --> 00:18:02,840 Speaker 4: Wow, I wonder if they're like they look gold at all, 355 00:18:02,960 --> 00:18:04,080 Speaker 4: or if they're right. 356 00:18:03,880 --> 00:18:07,879 Speaker 2: It's just all like like beige color. Now, yes, Hollywood, 357 00:18:08,440 --> 00:18:10,280 Speaker 2: he collects all this stuff. I don't know if it's 358 00:18:10,280 --> 00:18:14,960 Speaker 2: on display and a home. He refuses, Shaw, it's over 359 00:18:15,240 --> 00:18:18,840 Speaker 2: his kitchen table. He's got the above, the fireplace is 360 00:18:18,880 --> 00:18:21,120 Speaker 2: the is the Golden calf, and then the kitchen table 361 00:18:21,119 --> 00:18:22,720 Speaker 2: has it you know with like it says like gather 362 00:18:22,840 --> 00:18:23,240 Speaker 2: and then. 363 00:18:23,119 --> 00:18:25,480 Speaker 4: The shell command in this house thou shalt not. 364 00:18:27,800 --> 00:18:30,880 Speaker 2: So in this house. We watched The Ten Commandments. He 365 00:18:30,920 --> 00:18:32,720 Speaker 2: didn't He didn't want to tell anyone how much he 366 00:18:32,800 --> 00:18:36,040 Speaker 2: paid Kent Warner for the Ruby slippers. Quote. I never 367 00:18:36,080 --> 00:18:40,119 Speaker 2: talk about prices. Okay, okay, it's good for you. However, 368 00:18:40,480 --> 00:18:43,520 Speaker 2: there were reports that he he paid twenty five hundred 369 00:18:43,560 --> 00:18:47,080 Speaker 2: dollars for the Ruby slippers. So keep that, keep that ballpark. Okay, 370 00:18:47,119 --> 00:18:50,720 Speaker 2: that's good change. And we're talking about yeah, yeah, So 371 00:18:50,880 --> 00:18:53,919 Speaker 2: Shaw thought of himself as a sort of protector of 372 00:18:53,960 --> 00:18:57,760 Speaker 2: the slippers and an ambassador to Judy Garland's legacy. 373 00:18:57,840 --> 00:18:58,240 Speaker 3: Quote. 374 00:18:58,600 --> 00:19:01,760 Speaker 2: I have been given the respectibility of taking care of 375 00:19:01,800 --> 00:19:04,480 Speaker 2: this pair of shoes, and I'd like to think that 376 00:19:04,600 --> 00:19:08,360 Speaker 2: Judy is looking down smiling, knowing that her famous pumps 377 00:19:08,440 --> 00:19:10,400 Speaker 2: are being used for such good causes. 378 00:19:10,600 --> 00:19:12,359 Speaker 4: I like theop kids. 379 00:19:12,520 --> 00:19:16,480 Speaker 2: Oh totally, so Shaw, He tells this story so many 380 00:19:16,520 --> 00:19:18,280 Speaker 2: times over the years. This the story I'm going to 381 00:19:18,320 --> 00:19:21,240 Speaker 2: tell you right now. You ready. He said that he 382 00:19:21,280 --> 00:19:24,120 Speaker 2: found out at a friend of his was battling aids 383 00:19:24,240 --> 00:19:27,119 Speaker 2: at UCLA Medical Center in Los Angeles. And this is 384 00:19:27,160 --> 00:19:29,000 Speaker 2: this is like in the early days of the epidemic, 385 00:19:29,040 --> 00:19:30,840 Speaker 2: when people thought that they could get it from just 386 00:19:30,840 --> 00:19:35,600 Speaker 2: like shaking hands. The stigma's incredible. Yeah. So Shaw, he 387 00:19:35,680 --> 00:19:39,000 Speaker 2: brings the ruby slippers to this friend's room. He rests 388 00:19:39,000 --> 00:19:42,280 Speaker 2: the slippers on his friend's chest, and the man goes 389 00:19:42,280 --> 00:19:46,520 Speaker 2: from absolutely just like terrible anguish and pain to just 390 00:19:46,680 --> 00:19:49,560 Speaker 2: overcome with joy. And then the friend died a few 391 00:19:49,560 --> 00:19:53,520 Speaker 2: hours later. That friend, according to Shaw, was Kent Warner, 392 00:19:53,800 --> 00:19:57,000 Speaker 2: the costumer and former owner of the slippers. Oh wow, 393 00:19:57,320 --> 00:19:59,200 Speaker 2: So this was like he would tell this to show 394 00:19:59,240 --> 00:20:02,119 Speaker 2: how important ruby slippers are to people, like I said 395 00:20:02,600 --> 00:20:05,960 Speaker 2: icon Nick. When he was working as a Hollywood costumer, 396 00:20:06,040 --> 00:20:08,720 Speaker 2: Kent Warner found three pairs of prop shoes as well 397 00:20:08,760 --> 00:20:11,879 Speaker 2: as an off screen test pair of ruby slippers, just 398 00:20:11,960 --> 00:20:15,520 Speaker 2: you know, in a warehouse season there, oh crap. MGM 399 00:20:15,560 --> 00:20:18,239 Speaker 2: was getting ready to auction off pieces in costumes like 400 00:20:18,280 --> 00:20:22,040 Speaker 2: from old movies. So Shaw picks up the slippers as 401 00:20:22,080 --> 00:20:27,439 Speaker 2: well as Dorothy's Gingham dress, Munchkin costume, and the Wicked 402 00:20:27,480 --> 00:20:30,959 Speaker 2: Witch of the West hat and her broomstick. He just 403 00:20:30,960 --> 00:20:32,280 Speaker 2: like gets all the good stuff. 404 00:20:32,359 --> 00:20:32,840 Speaker 4: That's a haul. 405 00:20:33,440 --> 00:20:36,240 Speaker 2: And so then he sold a pair of the test 406 00:20:36,320 --> 00:20:39,120 Speaker 2: slippers to that they were the ones that weren't worn 407 00:20:39,119 --> 00:20:41,199 Speaker 2: in the film. He sells into Debbie Reynolds for three 408 00:20:41,280 --> 00:20:43,080 Speaker 2: hundred bucks bargain. 409 00:20:43,280 --> 00:20:45,640 Speaker 4: She got a deal. Yeah she was a friendly right. 410 00:20:45,880 --> 00:20:48,080 Speaker 2: Oh yeah, yeah, there were piles. So then he was 411 00:20:48,119 --> 00:20:50,560 Speaker 2: going to sell another pair to Reynolds. She wanted to 412 00:20:50,600 --> 00:20:54,159 Speaker 2: open her own Hollywood memorabilia museum, and like she had 413 00:20:54,200 --> 00:20:56,280 Speaker 2: an assistant who was there who was helping her with this. 414 00:20:56,480 --> 00:20:59,240 Speaker 2: So the assistant bought the ruby slippers but kept them 415 00:20:59,240 --> 00:21:03,399 Speaker 2: for himself. Who was that assistant? Michael Shaw voice of 416 00:21:03,520 --> 00:21:07,520 Speaker 2: Kit at Universal Studios. Tim Gearing of the Minnesota Monthly 417 00:21:07,520 --> 00:21:10,040 Speaker 2: wrote this really good article about this whole escapade. In it, 418 00:21:10,080 --> 00:21:14,040 Speaker 2: he writes, quote and by all accounts he Warner remained 419 00:21:14,080 --> 00:21:16,640 Speaker 2: furious with Shaw right up to his death because he'd 420 00:21:16,680 --> 00:21:19,439 Speaker 2: intended for the slippers to go to Debbie Reynolds. So 421 00:21:19,680 --> 00:21:23,439 Speaker 2: Michael Shaw made up that whole story about visiting Warner 422 00:21:23,440 --> 00:21:27,240 Speaker 2: in the hospital. Oh, it's terrible. That's terrible because apparently 423 00:21:27,760 --> 00:21:30,679 Speaker 2: Warner hated him. There's no way he did this. Everyone's like, 424 00:21:30,680 --> 00:21:33,239 Speaker 2: there's absolutely no way. You know, if he visited him 425 00:21:33,240 --> 00:21:36,360 Speaker 2: on his deathbed, then I'm a flying monkey, says one insider. 426 00:21:36,359 --> 00:21:39,040 Speaker 2: I don't know who that is. So anyway, we have 427 00:21:39,160 --> 00:21:43,160 Speaker 2: this like this character Shaw, who's got, you know, gotten 428 00:21:43,200 --> 00:21:45,000 Speaker 2: his hands on these things. And I'm not so sure 429 00:21:45,040 --> 00:21:47,720 Speaker 2: it was in the best means. Let's take a break. 430 00:21:47,840 --> 00:21:49,320 Speaker 2: When we come back, I'm going to tell you a 431 00:21:49,359 --> 00:22:12,240 Speaker 2: little bit more about these slippers. All right, So Michael 432 00:22:12,240 --> 00:22:16,160 Speaker 2: Shaw got the ruby slippers supposed to go to Wie Reynolds. 433 00:22:16,400 --> 00:22:20,640 Speaker 2: Didn't happen. Warner, though, the costumer, he kept a pair 434 00:22:20,680 --> 00:22:23,520 Speaker 2: of ruby slippers for himself, and then he gave a 435 00:22:23,560 --> 00:22:26,320 Speaker 2: pair away to an auctioneer, and he told the auctioneer, 436 00:22:26,680 --> 00:22:29,440 Speaker 2: these are the only pair of slippers that exist. So, 437 00:22:29,560 --> 00:22:32,359 Speaker 2: you know, everyone's kind of telling stories around here. They 438 00:22:32,440 --> 00:22:36,639 Speaker 2: had this multi day auction at MGM where they filmed 439 00:22:36,640 --> 00:22:39,639 Speaker 2: The Wizard of Oz. There was another auction that was 440 00:22:39,680 --> 00:22:42,639 Speaker 2: like marking the end of the glory days of old Hollywood, 441 00:22:42,680 --> 00:22:45,760 Speaker 2: and it was described as a giant eighteen day wake 442 00:22:46,040 --> 00:22:48,639 Speaker 2: for Hollywood in the nineteen eighty nine book The Ruby 443 00:22:48,680 --> 00:22:51,600 Speaker 2: Slippers of Oz. So the ruby slippers that went to 444 00:22:51,640 --> 00:22:53,720 Speaker 2: auction were apparently the star of the show and they 445 00:22:53,760 --> 00:22:57,879 Speaker 2: sold for fifteen thousand dollars. Good appreciation on that. 446 00:22:58,119 --> 00:23:00,240 Speaker 4: Any way, these are the backups or these are the actual. 447 00:23:00,600 --> 00:23:04,800 Speaker 2: These are the backups that he told the auctioneer were 448 00:23:04,800 --> 00:23:07,040 Speaker 2: the only parent existence. But there are a couple other 449 00:23:07,040 --> 00:23:11,640 Speaker 2: pairs floating around. So the auction ends, a Memphis resident 450 00:23:11,720 --> 00:23:15,600 Speaker 2: comes forward to reporters and tells them, guess what I 451 00:23:15,760 --> 00:23:18,640 Speaker 2: won the authentic ruby slippers in a contest in nineteen 452 00:23:18,760 --> 00:23:21,399 Speaker 2: forty And then they start putting it all together. There 453 00:23:21,400 --> 00:23:24,359 Speaker 2: weren't just one pair of ruby slippers. There's a bunch 454 00:23:24,400 --> 00:23:27,600 Speaker 2: of them. So over time, all these people that are 455 00:23:27,600 --> 00:23:29,480 Speaker 2: trying to tabulate it up. It turns out that there 456 00:23:29,520 --> 00:23:33,720 Speaker 2: are four on screen pairs and one off screen test pair. 457 00:23:35,000 --> 00:23:38,280 Speaker 2: Rhys Thomas, author of The Ruby Slippers of Oz, quote, 458 00:23:38,680 --> 00:23:42,480 Speaker 2: these shoes are the holy grail of all Hollywood memorabilia. 459 00:23:42,520 --> 00:23:45,040 Speaker 2: There isn't anything else that does more to evoke the 460 00:23:45,080 --> 00:23:46,000 Speaker 2: power of belief. 461 00:23:46,600 --> 00:23:48,520 Speaker 4: I wonder if that's still true. 462 00:23:48,119 --> 00:23:52,960 Speaker 2: I doubt probably not. So Shaw told this guy quote, 463 00:23:53,040 --> 00:23:55,720 Speaker 2: the shoes themselves are worthless. It's what they are and 464 00:23:55,760 --> 00:23:59,360 Speaker 2: what they represent. Okay, so they aren't worthless. 465 00:23:59,359 --> 00:24:00,760 Speaker 4: It's the friends say along the way. 466 00:24:01,040 --> 00:24:05,080 Speaker 2: Exactly. So there's this appraiser, Laura Woolley of Antiques Road Show. 467 00:24:05,119 --> 00:24:09,800 Speaker 2: She said, quote, there's a much deeper emotional connection with memorabilia. 468 00:24:10,240 --> 00:24:13,840 Speaker 2: Most people encounter these objects or develop a fondness for 469 00:24:13,880 --> 00:24:17,960 Speaker 2: them in childhood. It sounds like a like a psychological Yeah, 470 00:24:18,400 --> 00:24:21,399 Speaker 2: it sounds like, you know, they have in childhood, and 471 00:24:21,480 --> 00:24:24,000 Speaker 2: when you grow up and suddenly you're an adult with 472 00:24:24,160 --> 00:24:27,200 Speaker 2: money to spend, you can recapture something from you if 473 00:24:27,240 --> 00:24:32,560 Speaker 2: most of these things kind of turn people back into children, Okay, lady. 474 00:24:33,920 --> 00:24:36,000 Speaker 4: I only sounds Funko pops, Yes. 475 00:24:36,000 --> 00:24:36,639 Speaker 2: Funko pops. 476 00:24:36,680 --> 00:24:36,840 Speaker 3: Yes. 477 00:24:36,920 --> 00:24:38,919 Speaker 2: She probably sounds like a totally normal person in my 478 00:24:38,960 --> 00:24:44,480 Speaker 2: major sound marginally AI Anyway, Thomas, he spent decades researching 479 00:24:44,760 --> 00:24:47,640 Speaker 2: the history of all these these various pairs of ruby 480 00:24:47,640 --> 00:24:51,760 Speaker 2: slippers flying around. In nineteen seventy nine, the purchaser of 481 00:24:51,920 --> 00:24:55,159 Speaker 2: the auction slippers, the one that for fifteen thousand, donated 482 00:24:55,200 --> 00:24:59,600 Speaker 2: those to the Smithsonian's National Museum of American History, and 483 00:24:59,640 --> 00:25:02,360 Speaker 2: then a curator at the Smithsonian said that they're kept 484 00:25:02,400 --> 00:25:05,040 Speaker 2: in a locked case with an alarm, and they're under 485 00:25:05,119 --> 00:25:09,239 Speaker 2: twenty four hour guard surveillance. So these these things are 486 00:25:09,280 --> 00:25:12,720 Speaker 2: to be protected, Dave. They're They're a major part of 487 00:25:13,400 --> 00:25:15,320 Speaker 2: pretty much, you know. I mean, that's who we are, 488 00:25:15,359 --> 00:25:16,199 Speaker 2: it's what we believe. 489 00:25:17,040 --> 00:25:19,240 Speaker 4: So when people say we're bigger than this, we are 490 00:25:19,280 --> 00:25:20,160 Speaker 4: talking about those. 491 00:25:19,960 --> 00:25:25,560 Speaker 2: Slippers precisely, precisely so this they said that any tampering 492 00:25:25,680 --> 00:25:28,199 Speaker 2: would immediately send a message to the guard's office. So 493 00:25:28,200 --> 00:25:31,480 Speaker 2: it's just wired. Can't get in there. That Memphis woman 494 00:25:31,560 --> 00:25:35,359 Speaker 2: who won the pair in the forties or whatever, she 495 00:25:35,560 --> 00:25:37,760 Speaker 2: sold them in nineteen eighty eight to a collector at 496 00:25:37,760 --> 00:25:42,440 Speaker 2: an auction for one hundred and sixty five thousand dollars. 497 00:25:42,640 --> 00:25:45,040 Speaker 2: That's a come up, Yeah, it is. I mean, she's 498 00:25:45,119 --> 00:25:46,080 Speaker 2: a good job lady. 499 00:25:46,280 --> 00:25:49,120 Speaker 4: Yeah, and she won them, right, she previously she won them. 500 00:25:49,280 --> 00:25:52,600 Speaker 2: So now she's got one hundred and sixty five grand. 501 00:25:52,040 --> 00:25:55,640 Speaker 2: She you know, sells them to this collector. The collector 502 00:25:55,720 --> 00:25:58,960 Speaker 2: was a huge Garland fan, and that he'd seen her 503 00:25:58,960 --> 00:26:01,960 Speaker 2: in concert thirty five times and even attended her funeral. 504 00:26:02,840 --> 00:26:05,560 Speaker 2: And so that person turned around and loaned the ruby 505 00:26:05,600 --> 00:26:08,719 Speaker 2: slippers to Disney World for display before selling them at 506 00:26:08,760 --> 00:26:12,560 Speaker 2: auction in two thousand and four six hundred and sixty 507 00:26:12,600 --> 00:26:14,120 Speaker 2: six thousand dollars. 508 00:26:14,240 --> 00:26:17,440 Speaker 4: Wow, and if you're Disney, you're getting some serious rent 509 00:26:17,440 --> 00:26:17,840 Speaker 4: on the one thing. 510 00:26:18,000 --> 00:26:21,520 Speaker 2: Oh totally, totally so six ' six y six k right. 511 00:26:22,240 --> 00:26:26,760 Speaker 2: A group of collectors and investors, one of the Slipper Consortium, 512 00:26:26,840 --> 00:26:30,879 Speaker 2: David L. Koubi, said to Newsweek, quote, we were collectors, 513 00:26:31,200 --> 00:26:35,400 Speaker 2: and for us, that's the ultimate prize. So now, where 514 00:26:35,400 --> 00:26:37,240 Speaker 2: do they live? In a bank vault? They live in 515 00:26:37,240 --> 00:26:37,720 Speaker 2: a bank. 516 00:26:37,560 --> 00:26:39,960 Speaker 4: Vau Oh perfect, that's exactly where. 517 00:26:40,200 --> 00:26:43,240 Speaker 2: There's no place like home. So nineteen eighty one, three 518 00:26:43,320 --> 00:26:46,960 Speaker 2: years before he died at UCLA Medical Center, most likely 519 00:26:47,000 --> 00:26:50,000 Speaker 2: not clutching the Ruby slippers, Kurt Warner sold his pair 520 00:26:50,040 --> 00:26:52,800 Speaker 2: of Ruby slippers at auction for twelve thousand dollars in 521 00:26:52,840 --> 00:26:56,280 Speaker 2: nineteen eighty one. Then in twenty twelve, the person who 522 00:26:56,359 --> 00:27:00,000 Speaker 2: bought them sold those for two million, two million dollars 523 00:27:00,520 --> 00:27:03,320 Speaker 2: million a shoe to a group of people who bought 524 00:27:03,320 --> 00:27:06,280 Speaker 2: them for the Academy of Motion Picture Arts and Sciences. 525 00:27:06,400 --> 00:27:09,120 Speaker 4: I mean that's like a grand a sequin pretty much. 526 00:27:09,119 --> 00:27:10,760 Speaker 2: But you know who is in this group that paid 527 00:27:10,760 --> 00:27:15,640 Speaker 2: two mil Leo DiCaprio and Steven Spielberg of. 528 00:27:15,600 --> 00:27:16,720 Speaker 4: Course, Oh, Steven Spielberg. 529 00:27:16,760 --> 00:27:18,640 Speaker 2: Of course you knew Leo and Stevie. 530 00:27:18,760 --> 00:27:22,919 Speaker 4: Yeah, yeah, yeah, I need that. 531 00:27:23,680 --> 00:27:27,240 Speaker 2: So twenty eleven, Debbie Reynolds sold her test pair that 532 00:27:27,280 --> 00:27:30,080 Speaker 2: she did get for six hundred twenty seven thousand at 533 00:27:30,119 --> 00:27:33,560 Speaker 2: an auction. Those shoes were called the Arabian Test Pair, 534 00:27:34,359 --> 00:27:36,840 Speaker 2: and they got their name because they had an experimental 535 00:27:36,880 --> 00:27:38,240 Speaker 2: design with curled toes. 536 00:27:38,800 --> 00:27:40,840 Speaker 4: Whoa ooh heillo. Yeah. 537 00:27:40,960 --> 00:27:44,360 Speaker 2: So this is what Debbie Reynolds had to say. Quote, 538 00:27:44,680 --> 00:27:46,800 Speaker 2: I know Judy wore them, and I know she liked 539 00:27:46,840 --> 00:27:49,520 Speaker 2: them best of all, she said, I want the pair 540 00:27:49,520 --> 00:27:54,359 Speaker 2: with a pointy toe. Apparently Judy didn't get what Judy wanted. 541 00:27:54,960 --> 00:27:57,800 Speaker 2: So here's the thing though, Like Dorothy's dress, is that 542 00:27:57,880 --> 00:28:00,919 Speaker 2: of a simple farm girl gingham for day. And they 543 00:28:00,960 --> 00:28:03,520 Speaker 2: thought that the Arabian style shoes were just too ornate, 544 00:28:04,160 --> 00:28:07,600 Speaker 2: as if like sequined pumps aren't. But okay, you know, 545 00:28:07,680 --> 00:28:09,920 Speaker 2: I get it. So now that we have a better 546 00:28:10,000 --> 00:28:12,879 Speaker 2: understanding of the high stakes world of ruby slippers, let's 547 00:28:12,920 --> 00:28:17,200 Speaker 2: head back to Grand Rapids, Minnesota and the Judy Garland Museum. Dave, 548 00:28:17,680 --> 00:28:18,520 Speaker 2: close your eyes. 549 00:28:18,840 --> 00:28:21,800 Speaker 4: What okay? And now what you do here? I'm picturing it. 550 00:28:22,200 --> 00:28:23,399 Speaker 2: I want you to picture it. 551 00:28:23,560 --> 00:28:24,320 Speaker 4: Eyes are closed. 552 00:28:24,760 --> 00:28:28,080 Speaker 2: It's August twenty eighth, two thousand and five, and you're 553 00:28:28,119 --> 00:28:31,080 Speaker 2: a haunted porcelain doll sitting on display at the Judy 554 00:28:31,119 --> 00:28:33,200 Speaker 2: Garland Museum in Grand Rapits, Minnesota. 555 00:28:33,320 --> 00:28:34,760 Speaker 4: Oh my god, you. 556 00:28:34,760 --> 00:28:39,680 Speaker 2: Were one of one of Judy's childhood favorite toys, maybe 557 00:28:39,680 --> 00:28:42,640 Speaker 2: because you were haunted even way back then. You sit 558 00:28:42,720 --> 00:28:46,560 Speaker 2: on your shelf watching judging. It's been a long day 559 00:28:46,560 --> 00:28:49,520 Speaker 2: at the Judy Garland Museum in Grand Rapids, Minnesota. But 560 00:28:49,680 --> 00:28:51,880 Speaker 2: night has fallen and the rest of the haunted items 561 00:28:51,920 --> 00:28:54,920 Speaker 2: are going about their business, whimpering or plotting to shove 562 00:28:54,920 --> 00:28:57,520 Speaker 2: a vase to the floor. It's just past two am. 563 00:28:57,680 --> 00:28:58,240 Speaker 3: Red round. 564 00:28:59,360 --> 00:29:02,040 Speaker 2: Suddenly you hear a commotion at the back of the museum. 565 00:29:02,200 --> 00:29:05,920 Speaker 2: Then glass breaks. Your creepy glass eyes shift in your 566 00:29:05,960 --> 00:29:09,240 Speaker 2: haunted porcelain skull to peer at the hallway. A figure 567 00:29:09,280 --> 00:29:12,640 Speaker 2: approaches the teddy bear next to you, senses trouble, and 568 00:29:12,680 --> 00:29:15,400 Speaker 2: its eyes begin to glow. You use your esp to 569 00:29:15,440 --> 00:29:18,320 Speaker 2: tell the bear to knock it off. Well, now is 570 00:29:18,360 --> 00:29:20,240 Speaker 2: not the time to use your powers to slash the 571 00:29:20,320 --> 00:29:22,680 Speaker 2: human with a broken bottle. You guys are saving all 572 00:29:22,720 --> 00:29:26,000 Speaker 2: that for the uprisings. For now. You and the other 573 00:29:26,040 --> 00:29:29,160 Speaker 2: haunted Sundrys watch as a person tiptoes into the room. 574 00:29:29,680 --> 00:29:33,040 Speaker 2: The burglar approaches the plexiglass case directly across the room 575 00:29:33,080 --> 00:29:36,240 Speaker 2: from you. This should be interesting, you think. The robber 576 00:29:36,280 --> 00:29:39,800 Speaker 2: gently whistles a tune and lifts a crowbar high above 577 00:29:39,840 --> 00:29:42,840 Speaker 2: their head. The haunted typewriter begins to slack out some 578 00:29:42,960 --> 00:29:46,040 Speaker 2: ribbon for a garat no. You signal ever so slightly. 579 00:29:46,520 --> 00:29:49,000 Speaker 2: That display has been getting all the attention late lately. 580 00:29:49,240 --> 00:29:51,880 Speaker 2: Let the criminal do their work with a great force. 581 00:29:51,920 --> 00:29:55,280 Speaker 2: The burglar brings the crowbar down onto the plexiglass case, 582 00:29:55,320 --> 00:29:58,640 Speaker 2: splintering it. The haunted random cassette tape stacked in a 583 00:29:58,680 --> 00:30:03,520 Speaker 2: bookcase hiss, yes, Yes, the large carriage in the next 584 00:30:03,560 --> 00:30:06,520 Speaker 2: room creaks with delight at the chaos. The burglar hears 585 00:30:06,520 --> 00:30:10,320 Speaker 2: the noise and freezes dead silence. The person goes back 586 00:30:10,360 --> 00:30:12,680 Speaker 2: to the job at hand. They gently lift the pair 587 00:30:12,720 --> 00:30:16,840 Speaker 2: of iconic ruby slippers from the destroyed case and tiptoe 588 00:30:16,880 --> 00:30:20,280 Speaker 2: back out. There's much silent chatter among all the haunted 589 00:30:20,280 --> 00:30:22,760 Speaker 2: items at the museum about who that was and where 590 00:30:22,800 --> 00:30:26,240 Speaker 2: the slippers would go. Unfortunately, the slippers weren't haunted. There's 591 00:30:26,280 --> 00:30:28,360 Speaker 2: no way to get a message to them and track them. 592 00:30:28,600 --> 00:30:31,880 Speaker 2: This is when it pays to be haunted, Dave. Come morning, 593 00:30:32,120 --> 00:30:34,800 Speaker 2: when the staff opened the museum to the Garland loving public, 594 00:30:34,920 --> 00:30:38,920 Speaker 2: all hell broke loose. The stolen ruby slippers weren't part 595 00:30:38,960 --> 00:30:41,400 Speaker 2: of the museum's permanent collection. They were on loan to 596 00:30:41,440 --> 00:30:45,120 Speaker 2: the museum, on display for the annual Judy Garland Festival. 597 00:30:46,680 --> 00:30:53,160 Speaker 2: Who owned these stolen ruby slippers Michael shaw Kit He 598 00:30:53,200 --> 00:30:55,680 Speaker 2: would often lend the slippers for thousands of dollars to 599 00:30:55,800 --> 00:30:58,200 Speaker 2: museums to display, and then he would turn around and 600 00:30:58,400 --> 00:31:00,800 Speaker 2: he said, donate the money to children and charities which 601 00:31:00,840 --> 00:31:02,320 Speaker 2: he may have. You know, let's give him the benefit 602 00:31:02,360 --> 00:31:04,600 Speaker 2: of the doubt. This is what he said. Quote, I 603 00:31:04,880 --> 00:31:07,880 Speaker 2: literally felt like I was hit in the stomach when 604 00:31:07,880 --> 00:31:10,840 Speaker 2: I got the call. My knees buckled and I went 605 00:31:10,920 --> 00:31:12,959 Speaker 2: right to the floor. I had taken care of those 606 00:31:13,000 --> 00:31:17,840 Speaker 2: shoes for thirty five years. John Miner, who co founded 607 00:31:17,840 --> 00:31:20,680 Speaker 2: the museum and was also the treasurer. He said quote, 608 00:31:20,840 --> 00:31:23,840 Speaker 2: I cried. I couldn't believe this happened to us, because 609 00:31:23,920 --> 00:31:25,360 Speaker 2: it was the stupidest thing. 610 00:31:25,960 --> 00:31:28,320 Speaker 4: This is like the most dramatic thing that could happen 611 00:31:28,440 --> 00:31:30,240 Speaker 4: to the most dramatic people in the world. 612 00:31:30,520 --> 00:31:33,320 Speaker 2: Yes, yes, it's so wonderful. I love this so much. 613 00:31:33,960 --> 00:31:36,920 Speaker 2: Christopher Myers, who was a US attorney in North Dakota. 614 00:31:37,520 --> 00:31:39,960 Speaker 2: He was somehow involved in the case. I don't know 615 00:31:40,000 --> 00:31:43,480 Speaker 2: why he was working in Minnesota whatever. So quote there's 616 00:31:43,480 --> 00:31:47,680 Speaker 2: a certain romance in these types of schemes and sometimes sophistication, 617 00:31:48,200 --> 00:31:50,840 Speaker 2: but at the end of the day, it's theft. These 618 00:31:50,880 --> 00:31:53,960 Speaker 2: types of offenses not only deprived the owner of their property, 619 00:31:54,240 --> 00:31:57,520 Speaker 2: but all of us. This type of cultural property is 620 00:31:57,560 --> 00:32:00,520 Speaker 2: important to us as a society. It reflects culture, It 621 00:32:00,560 --> 00:32:05,320 Speaker 2: holds our memories, it reflects our values. He's totally running 622 00:32:05,320 --> 00:32:08,600 Speaker 2: for office, right like he's running, baby, I mean. 623 00:32:09,040 --> 00:32:11,720 Speaker 4: People would not even know that the ruby slippers were gone. 624 00:32:11,720 --> 00:32:13,520 Speaker 4: First of all, there's like a million pairs of them. 625 00:32:13,760 --> 00:32:16,800 Speaker 4: And second of all, right, like everyone has that copy 626 00:32:16,840 --> 00:32:18,640 Speaker 4: of Life magazine with a picture of them, and that's 627 00:32:18,640 --> 00:32:20,080 Speaker 4: all they need in their lips they need. 628 00:32:20,120 --> 00:32:23,200 Speaker 2: They're done. So there are the slippers, the ones that 629 00:32:23,240 --> 00:32:26,360 Speaker 2: bring so much joy uniting our culture. They are sitting 630 00:32:26,400 --> 00:32:29,000 Speaker 2: in the Judy Garland Museum in Grand Rapids, Minnesota, and 631 00:32:29,040 --> 00:32:32,360 Speaker 2: then all of a sudden, they're not. Shaw had declined 632 00:32:32,400 --> 00:32:35,160 Speaker 2: the museum's offer to store the Ruby slippers in a 633 00:32:35,240 --> 00:32:37,680 Speaker 2: vault because he said he didn't like the idea that 634 00:32:37,720 --> 00:32:41,040 Speaker 2: the guards would be touching these shoes on a daily basis. 635 00:32:41,760 --> 00:32:44,000 Speaker 2: He said all he cared about was having security, even 636 00:32:44,080 --> 00:32:47,200 Speaker 2: just like as a baseline. So there was no security 637 00:32:47,200 --> 00:32:50,080 Speaker 2: camera footage of the break in and no fingerprints, just 638 00:32:50,160 --> 00:32:54,000 Speaker 2: a lone speck of red sequin left behind. The museum 639 00:32:54,080 --> 00:32:57,280 Speaker 2: did have both an alarm system and video surveillance equipment, 640 00:32:57,680 --> 00:33:01,120 Speaker 2: but neither one we're working at the time of the burglary. 641 00:33:01,720 --> 00:33:02,320 Speaker 4: Inside job. 642 00:33:02,720 --> 00:33:06,280 Speaker 2: That's exactly job. Oh everyone's saying it's an inside job. Well, 643 00:33:06,280 --> 00:33:08,720 Speaker 2: here's what the museum said. They said that they told 644 00:33:08,720 --> 00:33:11,040 Speaker 2: the alarm company to turn off the alarm during the 645 00:33:11,120 --> 00:33:14,719 Speaker 2: day because museum visitors kept using the back door. So 646 00:33:14,760 --> 00:33:18,080 Speaker 2: instead of saying do not open, like just give him 647 00:33:18,080 --> 00:33:21,479 Speaker 2: free egress out the back, turn off the alarm. So 648 00:33:21,640 --> 00:33:23,360 Speaker 2: and because the thing is is like when the alarm 649 00:33:23,360 --> 00:33:25,880 Speaker 2: would go off, it would alert the police, and then 650 00:33:25,880 --> 00:33:28,040 Speaker 2: if you have enough false alarms, they start charging you 651 00:33:28,080 --> 00:33:31,120 Speaker 2: in the medium couldn't afford it. So the alarm company 652 00:33:31,160 --> 00:33:34,560 Speaker 2: was like, that's totally not what happened. We were told 653 00:33:34,560 --> 00:33:37,320 Speaker 2: to disable the alarm completely, not just during the day. 654 00:33:37,600 --> 00:33:42,360 Speaker 2: And then with CCTV, everyone knew. They turned the CCTV 655 00:33:42,480 --> 00:33:45,720 Speaker 2: off at night save energy. What I don't know, it's 656 00:33:45,760 --> 00:33:47,520 Speaker 2: like peak hours. Who knows. 657 00:33:47,680 --> 00:33:50,360 Speaker 4: I feel like when you know, when Indiana Jones said 658 00:33:50,600 --> 00:33:52,800 Speaker 4: just belongs in a museum, this is not what he 659 00:33:52,840 --> 00:33:53,320 Speaker 4: had in mind. 660 00:33:53,440 --> 00:33:54,000 Speaker 3: No, this is. 661 00:33:54,000 --> 00:33:57,920 Speaker 2: Totally not animly. So the museum director, John kel She said, 662 00:33:57,960 --> 00:34:01,480 Speaker 2: quote everyone knew we didn't have any security staff. Michael 663 00:34:01,480 --> 00:34:03,800 Speaker 2: Shaw knew that. It's just sad that it happened here. 664 00:34:04,840 --> 00:34:07,080 Speaker 2: It is like, yeah, everyone knew. It's just so sad. 665 00:34:07,320 --> 00:34:10,160 Speaker 2: There was like people thought that the ruby slippers were 666 00:34:10,200 --> 00:34:12,960 Speaker 2: actually a fake pair that was set up to be 667 00:34:13,040 --> 00:34:17,000 Speaker 2: quote stolen, and that Shaw paid someone in the museum 668 00:34:17,360 --> 00:34:20,080 Speaker 2: to kind of like facilitate this whole thing, you know, 669 00:34:20,719 --> 00:34:24,120 Speaker 2: insurance money and all Shaw totally denies this. There's this 670 00:34:24,200 --> 00:34:27,080 Speaker 2: private investigator, Kip Alexander Kyp. 671 00:34:27,600 --> 00:34:30,200 Speaker 4: Now I'm picturing Kip from Futurama. 672 00:34:29,600 --> 00:34:32,680 Speaker 2: Kip Alexander. This is what he said. Quote. There's a 673 00:34:32,719 --> 00:34:35,239 Speaker 2: lot of theories surrounding this. You could say there's as 674 00:34:35,239 --> 00:34:38,520 Speaker 2: many as Area fifty one had as far as conspiracies 675 00:34:38,600 --> 00:34:41,799 Speaker 2: or theories. There's a lot of distrust and distaste left 676 00:34:41,800 --> 00:34:44,840 Speaker 2: in their mouth, for sure. So he's putting it on 677 00:34:44,920 --> 00:34:46,279 Speaker 2: par with Area fifty one. 678 00:34:46,440 --> 00:34:49,160 Speaker 4: He's just speaking directly to like the History Channel special 679 00:34:49,239 --> 00:34:50,879 Speaker 4: right now, completely. 680 00:34:50,480 --> 00:34:53,680 Speaker 2: Completely And what did Shaw say about all this? Don't 681 00:34:53,680 --> 00:34:57,560 Speaker 2: forget Shaw voice of kit quote, I'm so furious that 682 00:34:57,600 --> 00:35:00,400 Speaker 2: the slippers are gone. It's very frustrating that they haven't 683 00:35:00,440 --> 00:35:06,520 Speaker 2: caught that obsessed, fanatic, selfish bastard who stole them. Shaw 684 00:35:09,440 --> 00:35:12,080 Speaker 2: And there was a theory swirling around this is I love. 685 00:35:12,160 --> 00:35:14,719 Speaker 2: I don't know how this theory came to life, but 686 00:35:14,800 --> 00:35:16,279 Speaker 2: I love it, and I feel like I would have 687 00:35:16,400 --> 00:35:20,920 Speaker 2: started it as a rumor if I lived in Grand Rapids, Minnesota. 688 00:35:21,000 --> 00:35:24,160 Speaker 2: A lot of people thought that the theft was pulled 689 00:35:24,160 --> 00:35:26,480 Speaker 2: off by teenagers who are just trying to pull a 690 00:35:26,480 --> 00:35:29,759 Speaker 2: plant a prank, and then they panicked and threw the 691 00:35:29,800 --> 00:35:32,800 Speaker 2: slippers away, but not just away away. 692 00:35:33,320 --> 00:35:36,600 Speaker 4: So like ten years, well, wait ten years, that's what 693 00:35:36,719 --> 00:35:40,080 Speaker 4: happened to those baseball uniforms in that other ridiculous cross 694 00:35:40,239 --> 00:35:40,840 Speaker 4: That is true. 695 00:35:40,880 --> 00:35:43,640 Speaker 2: Maybe they're yeah, I don't know, maybe they're onto something. 696 00:35:43,680 --> 00:35:47,040 Speaker 2: But like, so, ten years after the theft, all these 697 00:35:47,080 --> 00:35:50,719 Speaker 2: crowds gathered along the shoreline of the Tioga Mine Pitt Lake. 698 00:35:52,160 --> 00:35:54,480 Speaker 2: Why what does that have to do with ruby slippers? 699 00:35:54,560 --> 00:35:56,160 Speaker 4: Day? Yah? What does that have? Slippers? 700 00:35:56,200 --> 00:35:56,560 Speaker 3: Lizabeth? 701 00:35:56,840 --> 00:35:59,600 Speaker 2: The good folks were there to watch the Ataska County 702 00:35:59,640 --> 00:36:02,200 Speaker 2: Sheriffs off his don scuba gear and dive in search 703 00:36:02,200 --> 00:36:06,799 Speaker 2: of the ruby slippers the old quarry, so that there 704 00:36:06,880 --> 00:36:09,439 Speaker 2: was a fear that the thieves threw them in the lake, 705 00:36:09,880 --> 00:36:11,959 Speaker 2: and the lake had depths of up to two hundred 706 00:36:11,960 --> 00:36:16,040 Speaker 2: and twenty five feet. So Morgan White is a filmmaker 707 00:36:16,040 --> 00:36:20,000 Speaker 2: who's working on a documentary called The Slippers, is one 708 00:36:20,000 --> 00:36:22,640 Speaker 2: of the people who's totally convinced that the teens did it. 709 00:36:22,760 --> 00:36:25,239 Speaker 2: Quote all signs seem to point to the fact that 710 00:36:25,280 --> 00:36:27,840 Speaker 2: these kids did it. They're probably sitting at the bottom 711 00:36:27,880 --> 00:36:30,320 Speaker 2: of the mind pit and nobody will ever see them again. 712 00:36:30,640 --> 00:36:33,040 Speaker 4: Now, were there specific kids who he said when he 713 00:36:33,080 --> 00:36:34,040 Speaker 4: says these kids. 714 00:36:34,320 --> 00:36:37,080 Speaker 2: Yeah, I think I couldn't tell. I think they had 715 00:36:37,120 --> 00:36:40,120 Speaker 2: their eye on a couple kids. But I have news 716 00:36:40,120 --> 00:36:42,360 Speaker 2: for you, Dave. The ruby slippers were not found in 717 00:36:42,400 --> 00:36:43,759 Speaker 2: the Tioga mine pit lake. 718 00:36:43,840 --> 00:36:46,560 Speaker 4: Oh thank god, the ruin totally. 719 00:36:48,440 --> 00:36:52,640 Speaker 2: So this private donor in Arizona finds out, Okay, look 720 00:36:53,160 --> 00:36:55,960 Speaker 2: that the slippers aren't in the lake. We're getting to 721 00:36:55,960 --> 00:36:58,240 Speaker 2: be this is ridiculous. Someone needs to put a stop 722 00:36:58,280 --> 00:37:01,680 Speaker 2: to it. I offer a million dollar for the recovery 723 00:37:01,880 --> 00:37:04,920 Speaker 2: of the ruby slippers, A million dollars on the barrelhead. 724 00:37:05,600 --> 00:37:08,080 Speaker 2: This announcement that it went in The Guardian, the New 725 00:37:08,160 --> 00:37:11,640 Speaker 2: York Times, US Weekly, I mean US Weekly, the Magazine 726 00:37:11,640 --> 00:37:16,640 Speaker 2: of Record, Washington Post. So this this donor like originally 727 00:37:16,719 --> 00:37:18,680 Speaker 2: was like, yeah, I'll do phone interviews, you know, that's cool, 728 00:37:18,680 --> 00:37:21,400 Speaker 2: but then at the last minute would cancel the Rhys 729 00:37:21,440 --> 00:37:24,200 Speaker 2: Thomas believes that the one who wrote the book that 730 00:37:24,320 --> 00:37:27,359 Speaker 2: believes that the museum faked that anonymous donor to get 731 00:37:27,400 --> 00:37:31,920 Speaker 2: publicity because they were getting another Oz item in. So 732 00:37:31,960 --> 00:37:34,800 Speaker 2: they're like, okay, we just got the horse drawn carriage 733 00:37:35,239 --> 00:37:37,920 Speaker 2: that was apparently it used to be owned by Abraham 734 00:37:37,960 --> 00:37:41,239 Speaker 2: Lincoln before it became a movie prop. So there the 735 00:37:41,840 --> 00:37:44,879 Speaker 2: carriage in the Wizard of Oz apparently was originally owned 736 00:37:44,920 --> 00:37:48,320 Speaker 2: by Abraham Lincoln, which is like totally glossed over in 737 00:37:48,360 --> 00:37:48,680 Speaker 2: all this. 738 00:37:49,320 --> 00:37:53,240 Speaker 4: Yeah. Yeah, for one thing, that's a real historical relic, 739 00:37:53,800 --> 00:37:57,000 Speaker 4: right right. That another thing, yeah, like I'm not trusting 740 00:37:57,040 --> 00:37:59,239 Speaker 4: this museum with anything ever again. 741 00:37:59,160 --> 00:38:01,560 Speaker 2: Yeah exact, Yeah, you're gonna roll that in there. It's like, yeah, 742 00:38:01,800 --> 00:38:04,759 Speaker 2: people go out of there. Okay, So the museum, like, 743 00:38:04,840 --> 00:38:07,640 Speaker 2: you know, Thomas says, I think you faked it because 744 00:38:07,680 --> 00:38:09,239 Speaker 2: you just want people to know about you have this 745 00:38:09,320 --> 00:38:13,400 Speaker 2: cool carriage. The museum told Newsweek that they would provide 746 00:38:13,440 --> 00:38:16,960 Speaker 2: a notarized letter from the attorney of the anonymous donor 747 00:38:17,920 --> 00:38:19,719 Speaker 2: if he wished to push, you know, whether or not 748 00:38:19,760 --> 00:38:22,120 Speaker 2: they existed. Everyone gave up? Who cares? 749 00:38:22,120 --> 00:38:22,440 Speaker 3: Who knows? 750 00:38:22,440 --> 00:38:25,600 Speaker 2: Who cares? There's a bakery in Minneapolis called the I 751 00:38:25,680 --> 00:38:27,279 Speaker 2: don't even know how to say this. You know, here's 752 00:38:27,320 --> 00:38:29,920 Speaker 2: the thing. I come across these words and I'm guaranteed 753 00:38:29,920 --> 00:38:31,239 Speaker 2: to say the wrong version of it. 754 00:38:31,680 --> 00:38:32,600 Speaker 4: Yes, and I don't care. 755 00:38:33,640 --> 00:38:34,560 Speaker 3: I don't care. 756 00:38:34,640 --> 00:38:36,480 Speaker 2: People correct me. I'm like, you know, at the end 757 00:38:36,520 --> 00:38:40,279 Speaker 2: of the day, I don't care. It's w U L 758 00:38:40,480 --> 00:38:45,480 Speaker 2: L E T wallets, you know, wallets. Anyway, they sold 759 00:38:45,560 --> 00:38:48,120 Speaker 2: cakes that had the ruby slippers on it, and then 760 00:38:48,360 --> 00:38:52,680 Speaker 2: in icing they wrote reward one million dollars, like just 761 00:38:52,719 --> 00:38:55,000 Speaker 2: to keep the magic alive David's part of the culture. 762 00:38:55,480 --> 00:39:00,440 Speaker 2: The Marriott offered a reward of one million Marriott Rewards. 763 00:39:00,080 --> 00:39:02,400 Speaker 4: Points, which is like worth twenty bucks. 764 00:39:02,440 --> 00:39:06,359 Speaker 2: It's worth twelve five hundred dollars to anyone who found 765 00:39:06,360 --> 00:39:09,279 Speaker 2: the ruby slippers by August thirty first, a few weeks 766 00:39:09,320 --> 00:39:11,120 Speaker 2: shy of the tenth anniversary of the theft. 767 00:39:11,719 --> 00:39:15,400 Speaker 4: Now probably like just before they expire, like the expired. 768 00:39:15,480 --> 00:39:19,200 Speaker 2: After they shut the whole rewards program down. An insurance 769 00:39:19,239 --> 00:39:22,400 Speaker 2: company offered a two hundred thousand dollars reward. A board 770 00:39:22,440 --> 00:39:25,760 Speaker 2: member of the museum contributed fifty k to a reward. 771 00:39:26,600 --> 00:39:29,560 Speaker 2: They say that they got about a thousand calls regarding 772 00:39:29,560 --> 00:39:32,320 Speaker 2: the whereabouts of the ruby slippers. A yard sale in 773 00:39:32,400 --> 00:39:38,080 Speaker 2: Virginia stapled to a restaurant wall in Missouris. Yeah, it 774 00:39:38,160 --> 00:39:41,440 Speaker 2: could be. There were claims that a radio station in 775 00:39:41,480 --> 00:39:44,439 Speaker 2: New Hampshire was giving them away as a prize. Can't 776 00:39:44,440 --> 00:39:48,600 Speaker 2: trust New Hampshire. In twenty eleven, law enforcement noticed a 777 00:39:48,600 --> 00:39:52,480 Speaker 2: pair of ruby slippers in a home in San Francisco 778 00:39:52,719 --> 00:39:54,960 Speaker 2: when they were responding to a home burglary. 779 00:39:55,320 --> 00:40:00,239 Speaker 4: No no, I mean, see, it doesn't even seem. 780 00:40:03,040 --> 00:40:04,919 Speaker 2: But here's the thing. Like, so the cops go into 781 00:40:04,960 --> 00:40:06,880 Speaker 2: this house and they're like, oh, cool, ruby slippers, and 782 00:40:06,920 --> 00:40:09,200 Speaker 2: someone's like, I heard about the theft. You have to 783 00:40:09,200 --> 00:40:09,720 Speaker 2: say something. 784 00:40:10,160 --> 00:40:12,560 Speaker 4: Yeah, those individual officers wanted the rewards. 785 00:40:12,640 --> 00:40:15,080 Speaker 2: They got a search warrant after being told like the 786 00:40:15,160 --> 00:40:17,759 Speaker 2: home but the homeowners like, you know what, those were 787 00:40:17,800 --> 00:40:20,480 Speaker 2: a gift from a past lover, and so they're all right, 788 00:40:20,520 --> 00:40:23,800 Speaker 2: never mind. So but they these things have a serial 789 00:40:23,880 --> 00:40:26,120 Speaker 2: number on them, and it didn't match the missing pair. 790 00:40:26,480 --> 00:40:29,239 Speaker 2: How do they have serial numbers whatever? So how many 791 00:40:29,280 --> 00:40:32,759 Speaker 2: pairs are out there? At one point someone did come 792 00:40:32,840 --> 00:40:36,560 Speaker 2: forward claiming to know about these stolen slippers and how 793 00:40:36,560 --> 00:40:38,560 Speaker 2: they could be returned, but it turned out it was 794 00:40:38,600 --> 00:40:41,120 Speaker 2: just someone trying to, you know, extort the insurance company. 795 00:40:41,160 --> 00:40:44,040 Speaker 2: By two thousand and nine, case was called no Leads, 796 00:40:44,520 --> 00:40:47,840 Speaker 2: No clues. The cops were like, you know, it's not 797 00:40:47,880 --> 00:40:51,800 Speaker 2: really a priority right now. Four months after the robbery, 798 00:40:52,200 --> 00:40:55,600 Speaker 2: Essex Insurance Company took Shaw, the museum, and the museum 799 00:40:55,640 --> 00:40:59,160 Speaker 2: director to court, claiming the insurance policy was voided by 800 00:40:59,200 --> 00:41:03,440 Speaker 2: the museum because they didn't disclose changes to their security measures. 801 00:41:03,040 --> 00:41:06,759 Speaker 2: Shaw said of this quote the insurance company, they investigated 802 00:41:06,800 --> 00:41:09,919 Speaker 2: me upside down, inside out. They realized I had nothing 803 00:41:09,960 --> 00:41:12,040 Speaker 2: to do with it, and basically the museum knew it too. 804 00:41:12,360 --> 00:41:14,080 Speaker 2: They were reaching its straws to try and throw the 805 00:41:14,120 --> 00:41:17,560 Speaker 2: guilt away from themselves. So all these years later, the 806 00:41:17,560 --> 00:41:20,319 Speaker 2: parties settled in two thousand and seven. Shaw got eight 807 00:41:20,360 --> 00:41:23,640 Speaker 2: hundred thousand dollars out of it. He said, quote, I'm 808 00:41:23,680 --> 00:41:27,440 Speaker 2: still furious for so many people. They represented home, love 809 00:41:27,640 --> 00:41:30,359 Speaker 2: and childhood and security. That's what people saw when they 810 00:41:30,360 --> 00:41:34,359 Speaker 2: looked at the slippers. And now they're gone, gone, but 811 00:41:34,400 --> 00:41:37,480 Speaker 2: not forgotten. So the FBI Art Crime Unit and agents 812 00:41:37,480 --> 00:41:41,719 Speaker 2: from Atlanta, Chicago, and Miami, they went undercover because they 813 00:41:41,760 --> 00:41:45,120 Speaker 2: had to lead a strong one. This sting operation was set. 814 00:41:45,320 --> 00:41:49,120 Speaker 2: One of them took them all the way to Minneapolis. 815 00:41:49,560 --> 00:41:51,360 Speaker 2: Let's take a break. When we come back, I'm going 816 00:41:51,400 --> 00:41:52,399 Speaker 2: to tell you how this went down. 817 00:41:53,480 --> 00:42:14,399 Speaker 4: Gotta know, all right, Dave. 818 00:42:14,640 --> 00:42:17,480 Speaker 2: When we left off, the FBI was about to solve 819 00:42:17,480 --> 00:42:19,840 Speaker 2: the case of the missing Ruby slippers. I can't wait 820 00:42:20,360 --> 00:42:23,440 Speaker 2: the sting operation in Minneapolis, remember that. Sure, it was 821 00:42:23,440 --> 00:42:27,319 Speaker 2: a success. On September fourth, two thousand and nine, the 822 00:42:27,400 --> 00:42:30,480 Speaker 2: FBI announced the stolen Ruby slippers were recovered and taken 823 00:42:30,520 --> 00:42:35,359 Speaker 2: to the Smithsonian for authentication. No suspects were named at 824 00:42:35,360 --> 00:42:38,360 Speaker 2: the time, and officials asked that anyone with any information 825 00:42:38,440 --> 00:42:41,320 Speaker 2: please contact the FBI. So I'm guessing they kind of 826 00:42:41,400 --> 00:42:44,640 Speaker 2: changed hands the recovered Ruby slippers. They were put on 827 00:42:44,719 --> 00:42:48,560 Speaker 2: display in a clear case for reporters to photograph during 828 00:42:48,560 --> 00:42:50,680 Speaker 2: a press conference. So they like paraded them out. 829 00:42:50,880 --> 00:42:52,239 Speaker 4: It's like when they put all the cash and the 830 00:42:52,280 --> 00:42:53,120 Speaker 4: drugs on the table. 831 00:42:54,600 --> 00:42:58,640 Speaker 2: They fanned out all nicely like this. No, you know what, 832 00:42:58,680 --> 00:42:59,640 Speaker 2: it's too symmetrical. 833 00:43:00,440 --> 00:43:01,799 Speaker 4: Can we get some more cleague lights in here? 834 00:43:01,880 --> 00:43:06,040 Speaker 2: Yeah, they have like ring lights on the pilot cash. 835 00:43:06,080 --> 00:43:09,120 Speaker 2: So they wheel them out. They were guarded by FBI 836 00:43:09,200 --> 00:43:12,440 Speaker 2: officials who would tell people, you know, don't get too 837 00:43:12,440 --> 00:43:15,439 Speaker 2: close to the glass. This is evidence, you know, hey, 838 00:43:15,520 --> 00:43:19,480 Speaker 2: give it some distance, So click them heels and fast forward. 839 00:43:19,560 --> 00:43:24,280 Speaker 2: Fourteen years. On Tuesday May fifteenth, twenty twenty three, Terry Martin, 840 00:43:24,520 --> 00:43:27,720 Speaker 2: a seventy six year old Minnesotan who lived twelve miles 841 00:43:27,760 --> 00:43:31,360 Speaker 2: south of the Judy Garland Museum in Grand Rapids, Minnesota, 842 00:43:31,840 --> 00:43:34,480 Speaker 2: was indicted by a grand jury for one count of 843 00:43:34,640 --> 00:43:38,680 Speaker 2: theft of a major artwork. Wow, he stole the Ruby 844 00:43:38,680 --> 00:43:44,200 Speaker 2: Slippers nearly eighteen years prior, And well, no it wasn't. 845 00:43:44,239 --> 00:43:47,160 Speaker 2: It was a seventy six year old man, and I 846 00:43:47,160 --> 00:43:48,919 Speaker 2: guess he was like in his late fifties at the point. 847 00:43:49,480 --> 00:43:52,719 Speaker 2: So those little tappers they're now worth an estimated three 848 00:43:52,960 --> 00:43:54,959 Speaker 2: point five million dollars. 849 00:43:55,400 --> 00:43:57,960 Speaker 4: Do you think being lost made them more valuable? 850 00:43:58,040 --> 00:44:00,560 Speaker 2: Oh? It has to have. And they're called quote, an 851 00:44:00,560 --> 00:44:04,000 Speaker 2: object of cultural heritage from the care, custody or control 852 00:44:04,040 --> 00:44:07,320 Speaker 2: of a museum. So it's like this is museum quality. 853 00:44:07,360 --> 00:44:09,880 Speaker 2: It's like I've ever seen antiques road show when someone 854 00:44:09,920 --> 00:44:12,160 Speaker 2: wheels something out and they're like, oh, no, this actually 855 00:44:12,160 --> 00:44:13,560 Speaker 2: has to be in a museum. We can't put a 856 00:44:13,600 --> 00:44:17,360 Speaker 2: dollar amount on it, Like yeah, yeah, yeah. So the 857 00:44:17,440 --> 00:44:20,920 Speaker 2: indictment made people wonder if did this seventy six year 858 00:44:20,960 --> 00:44:25,359 Speaker 2: old Minnesota did he act alone? Was he hired by 859 00:44:25,960 --> 00:44:26,920 Speaker 2: organized crime. 860 00:44:27,160 --> 00:44:28,480 Speaker 4: Why does he hate America? 861 00:44:28,640 --> 00:44:31,319 Speaker 2: Why does he hate the culture in America? This is 862 00:44:31,360 --> 00:44:33,319 Speaker 2: what the guy had to say to the Minnesota Star 863 00:44:33,400 --> 00:44:36,319 Speaker 2: Tribune quote, I gotta go on trial. I don't want 864 00:44:36,320 --> 00:44:39,520 Speaker 2: to talk to you. God bless my kind of guy. 865 00:44:40,120 --> 00:44:44,439 Speaker 2: So this is a great name. Seaword Darby. Say word, 866 00:44:44,560 --> 00:44:49,680 Speaker 2: Say word again again? S E S E Y W 867 00:44:49,840 --> 00:44:54,359 Speaker 2: A R D say word sword, Say word Darby. This 868 00:44:54,440 --> 00:44:56,840 Speaker 2: person is the co host of the podcast No Place 869 00:44:56,960 --> 00:44:59,520 Speaker 2: Like Home. So like, I don't want a turf step 870 00:44:59,600 --> 00:45:03,600 Speaker 2: on another. Respect respect you, respect mad respect quote. There 871 00:45:03,640 --> 00:45:05,920 Speaker 2: was a strong suspicion that there was a quote local 872 00:45:05,920 --> 00:45:08,640 Speaker 2: connection to the crime, someone with knowledge of the museum, 873 00:45:08,840 --> 00:45:11,040 Speaker 2: in fact, that the slippers were on loan there in 874 00:45:11,040 --> 00:45:13,080 Speaker 2: the summer of two thousand and five, and how easy 875 00:45:13,120 --> 00:45:15,799 Speaker 2: they were to steal. What's interesting is that Martin is 876 00:45:15,880 --> 00:45:18,600 Speaker 2: just one piece of the puzzle. Over the thirteen years 877 00:45:18,640 --> 00:45:21,560 Speaker 2: the slippers were missing, it is possible, likely even that 878 00:45:21,600 --> 00:45:25,480 Speaker 2: they exchanged hands. So that's a deep dive if you're 879 00:45:25,480 --> 00:45:29,320 Speaker 2: interested in No Place Like Home. Rhys Thomas, the author, quote, 880 00:45:29,360 --> 00:45:31,000 Speaker 2: I have a feeling this is just the tip of 881 00:45:31,040 --> 00:45:34,000 Speaker 2: the iceberg. I don't think a single individual would have 882 00:45:34,000 --> 00:45:37,719 Speaker 2: been have opportunistically grabbed the shoes and then sat on 883 00:45:37,760 --> 00:45:40,440 Speaker 2: them for thirteen years and then gotten himself involved in 884 00:45:40,480 --> 00:45:41,640 Speaker 2: an extortion case. 885 00:45:41,880 --> 00:45:42,800 Speaker 3: What I just deep. 886 00:45:43,360 --> 00:45:46,000 Speaker 2: It goes deep, Dave, It goes so much deeper than 887 00:45:46,080 --> 00:45:46,399 Speaker 2: you know. 888 00:45:46,920 --> 00:45:49,759 Speaker 4: Like, there's no so he really he walks out the 889 00:45:49,760 --> 00:45:52,280 Speaker 4: back door one day at the museum. He's like, oh, 890 00:45:52,320 --> 00:45:55,320 Speaker 4: there's no alarm here, and realizes he could probably just 891 00:45:55,360 --> 00:45:56,440 Speaker 4: walk out with some slippers. 892 00:45:56,600 --> 00:45:58,799 Speaker 2: He'd totally they totally fit him. 893 00:45:59,160 --> 00:46:01,840 Speaker 4: Yeah, Like he goes back or he gets home and 894 00:46:01,880 --> 00:46:05,319 Speaker 4: he's like, honey, slipper fence, slipper fence. He's like looking 895 00:46:05,320 --> 00:46:07,520 Speaker 4: at his Yellow Pages and he realizes there's no such 896 00:46:07,520 --> 00:46:08,399 Speaker 4: thing as a slipper fence. 897 00:46:08,640 --> 00:46:10,920 Speaker 2: Oh well, when he got him, and he got him 898 00:46:10,920 --> 00:46:12,719 Speaker 2: for his wife, his wife is like these don't fit. 899 00:46:13,160 --> 00:46:14,880 Speaker 2: Well okay, well just I'll take him back and he 900 00:46:14,920 --> 00:46:17,719 Speaker 2: just shoves him in the closet. So the pair of 901 00:46:17,800 --> 00:46:20,879 Speaker 2: ruby slippers that were stolen are technically not a true pair. 902 00:46:21,640 --> 00:46:25,239 Speaker 2: The left and right shoes are different sizes, and they 903 00:46:25,320 --> 00:46:27,960 Speaker 2: actually are mates to the left and right ruby slippers 904 00:46:27,960 --> 00:46:33,440 Speaker 2: on display at the Smithsonian. It's weird. Do you know, 905 00:46:33,560 --> 00:46:35,120 Speaker 2: do you know that those are one of the most 906 00:46:35,239 --> 00:46:38,640 Speaker 2: asked about artifacts there. I didn't know that, like where 907 00:46:38,640 --> 00:46:41,600 Speaker 2: are the ruby slippers? Like hey, hey, where are the 908 00:46:41,640 --> 00:46:45,080 Speaker 2: ruby slippers? And over there, sir, like that's the most 909 00:46:45,120 --> 00:46:48,680 Speaker 2: asked question at the Smithsonian. So they made several pairs 910 00:46:48,680 --> 00:46:50,879 Speaker 2: of these for filming. As we know, we many now 911 00:46:50,920 --> 00:46:54,720 Speaker 2: believe that the original total was seven, and that includes 912 00:46:54,880 --> 00:46:59,839 Speaker 2: one pair that was originally chewed up by Toto. Some 913 00:47:00,000 --> 00:47:01,680 Speaker 2: I thing I can vouch is an action of a 914 00:47:01,719 --> 00:47:04,759 Speaker 2: car and terrier. Like I have to say that my 915 00:47:04,880 --> 00:47:07,000 Speaker 2: dog passed away at the end of December twenty two 916 00:47:07,560 --> 00:47:09,640 Speaker 2: at the age of fifteen, and I'd had him since 917 00:47:09,640 --> 00:47:11,759 Speaker 2: he was three months old. His name was Elliott, and 918 00:47:11,800 --> 00:47:14,680 Speaker 2: we counted him as one of the internsier. I loved 919 00:47:14,920 --> 00:47:17,399 Speaker 2: bless up Elliott. I liked I liked to blame things 920 00:47:17,440 --> 00:47:20,160 Speaker 2: on him in this show, and like sometimes I get 921 00:47:20,160 --> 00:47:22,320 Speaker 2: wistful thinking about what he chewed up when he was 922 00:47:22,360 --> 00:47:26,400 Speaker 2: a young pup, baseboards, legs of chairs. He once chewed 923 00:47:26,400 --> 00:47:28,399 Speaker 2: a hole in a purse that I had to get 924 00:47:28,400 --> 00:47:30,200 Speaker 2: to a cookie in there instead of like going in 925 00:47:30,239 --> 00:47:33,600 Speaker 2: through the top. So anyway, so when I hear about 926 00:47:33,600 --> 00:47:36,600 Speaker 2: Toto chewing up a pair of iconic ruby slippers. I 927 00:47:36,680 --> 00:47:39,560 Speaker 2: kind of like that, Like puppies remind us that things 928 00:47:39,560 --> 00:47:42,279 Speaker 2: are just things, right, they're impermanent, and then we get 929 00:47:42,280 --> 00:47:45,040 Speaker 2: older and they remind us that they and we are 930 00:47:45,080 --> 00:47:47,400 Speaker 2: impermanent too. So it's all stuff. It's just stuff, And 931 00:47:47,400 --> 00:47:49,440 Speaker 2: that's why I love these kind of crimes. It's just stuff. 932 00:47:49,760 --> 00:47:51,600 Speaker 2: So they may be like part of the culture and 933 00:47:51,640 --> 00:47:53,239 Speaker 2: we're three million dollars, but at the end of the day, 934 00:47:53,239 --> 00:47:57,000 Speaker 2: it's just stuff. So ruby slippers. Only three pairs are 935 00:47:57,040 --> 00:48:00,279 Speaker 2: said to have survived. Of the seven. The stolen hair 936 00:48:00,360 --> 00:48:03,480 Speaker 2: was what's known as the quote traveling pair, and they 937 00:48:03,520 --> 00:48:06,560 Speaker 2: were made from a dozen different pieces of material that 938 00:48:06,640 --> 00:48:11,960 Speaker 2: included glass, plastic, gelatine, silk, threading, wood, pulp. Okay, I 939 00:48:12,000 --> 00:48:15,680 Speaker 2: don't know. So the majority, like the ruby coloring, really 940 00:48:15,680 --> 00:48:18,520 Speaker 2: came from the sequins, but they were like bows on 941 00:48:18,640 --> 00:48:21,680 Speaker 2: them that were red glass beads, and the show's traveling 942 00:48:21,719 --> 00:48:26,200 Speaker 2: pair were actually burgundy, not ruby red, because that would 943 00:48:26,239 --> 00:48:29,239 Speaker 2: have come out as bright orange in technicolor, and so 944 00:48:29,280 --> 00:48:31,759 Speaker 2: the pair was the one. The stolen ones are the 945 00:48:31,760 --> 00:48:34,160 Speaker 2: ones used for close up shots when Dorothy clicked her 946 00:48:34,160 --> 00:48:38,080 Speaker 2: heels together. Shaw said they were absolutely beautiful, and he 947 00:48:38,120 --> 00:48:40,840 Speaker 2: would only handle them while wearing white gloves like he 948 00:48:40,920 --> 00:48:44,800 Speaker 2: worked at Sephora. It wasn't until after the stolen pairs 949 00:48:44,840 --> 00:48:47,800 Speaker 2: were recovered that it was learned that they were mismatched 950 00:48:47,800 --> 00:48:51,560 Speaker 2: twins of the pair at the Smithsonium. So the Ruby 951 00:48:51,560 --> 00:48:54,200 Speaker 2: slippers are still in custody with the authorities, just like 952 00:48:54,280 --> 00:48:57,319 Speaker 2: Funko Batman. They can't be returned to their owner in 953 00:48:57,320 --> 00:49:03,280 Speaker 2: this case Shaw, because Shah got that insurance payout. So yeah, insurance, 954 00:49:04,360 --> 00:49:06,880 Speaker 2: just like Bunco Batman. So the insurance company is the 955 00:49:06,960 --> 00:49:10,320 Speaker 2: legal owner. Shaw is at peace with this quote. There's 956 00:49:10,360 --> 00:49:12,560 Speaker 2: more to my life than a pair of pumps. I 957 00:49:12,600 --> 00:49:15,040 Speaker 2: have no desire to have them again. After years of 958 00:49:15,040 --> 00:49:17,920 Speaker 2: bringing joy and happiness to so many thousands and thousands 959 00:49:17,960 --> 00:49:20,400 Speaker 2: of people by being able to see them. Now to me, 960 00:49:20,440 --> 00:49:23,080 Speaker 2: they're a nightmare. I'm not going to talk about it anymore. 961 00:49:23,120 --> 00:49:25,160 Speaker 2: I'm sick of it. They're gone. Frankly, my dear, I 962 00:49:25,160 --> 00:49:28,920 Speaker 2: don't give a dance. Wait now, he yeah, he's amazing. 963 00:49:29,680 --> 00:49:33,000 Speaker 2: Janey Heights the executive director of the Judy Garland Museum. 964 00:49:33,000 --> 00:49:36,200 Speaker 2: There are so many levels, there's like different director levels, 965 00:49:36,239 --> 00:49:41,760 Speaker 2: and whatever she wants the recovered ruby slippers to stay 966 00:49:41,880 --> 00:49:45,520 Speaker 2: in federal custody as case evidence, and then hopes that 967 00:49:45,520 --> 00:49:48,360 Speaker 2: they can be like eventually returned to the museum. So 968 00:49:48,520 --> 00:49:50,719 Speaker 2: like slippery way to get around to having them back 969 00:49:50,719 --> 00:49:54,319 Speaker 2: at the museum. Quote, it's such an iconic item that 970 00:49:54,400 --> 00:49:57,319 Speaker 2: means so much to so many people. And she said 971 00:49:57,320 --> 00:50:00,200 Speaker 2: that it, you know, represents home and a sense of place. Quote, 972 00:50:00,600 --> 00:50:01,920 Speaker 2: it would be a shame for them to stay in 973 00:50:01,960 --> 00:50:04,600 Speaker 2: a locked case for the rest of time, So let's 974 00:50:04,600 --> 00:50:07,880 Speaker 2: send them to the zero security level. Judy Garland Museum 975 00:50:08,000 --> 00:50:11,640 Speaker 2: and Grand Rapids, Minnesota. She said she can find no 976 00:50:11,680 --> 00:50:14,920 Speaker 2: connection between Martin and the museum and that everyone at 977 00:50:15,320 --> 00:50:18,480 Speaker 2: the museum is quote a little bit speechless that someone 978 00:50:18,560 --> 00:50:21,960 Speaker 2: was charged. Almost two decades later, Tim Gerring I mentioned 979 00:50:22,040 --> 00:50:25,200 Speaker 2: him Minnesota Monthly. I'm going to let him send us 980 00:50:25,200 --> 00:50:27,960 Speaker 2: off here with some really incredible observations. This is a 981 00:50:28,000 --> 00:50:32,400 Speaker 2: long quote, but it's worth it. Quote Throughout her famously 982 00:50:32,520 --> 00:50:35,400 Speaker 2: up and down career, which ended Elvis style in nineteen 983 00:50:35,440 --> 00:50:39,240 Speaker 2: sixty nine an accidental overdose of sleeping pills rigor Mortis 984 00:50:39,239 --> 00:50:43,080 Speaker 2: in the London bathroom. Garland was particularly admired by gay men. 985 00:50:43,480 --> 00:50:45,640 Speaker 2: She was less guarded than most stars, and they were 986 00:50:45,719 --> 00:50:49,520 Speaker 2: drawn to this brassy candor. After all, being unguarded wasn't 987 00:50:49,520 --> 00:50:52,399 Speaker 2: an option for gay men in Garland's day. They could 988 00:50:52,400 --> 00:50:56,440 Speaker 2: only long, like Dorothy to live in technicolor. They secretly 989 00:50:56,480 --> 00:50:59,920 Speaker 2: referred to themselves as friends of Dorothy and took solace 990 00:51:00,080 --> 00:51:03,680 Speaker 2: in Garland's apparent sympathy, not least perhaps because two of 991 00:51:03,719 --> 00:51:06,960 Speaker 2: her five husbands turned out to be gay. Quote if 992 00:51:06,960 --> 00:51:09,240 Speaker 2: you're afraid to love, if you're afraid to feel emotion, 993 00:51:09,480 --> 00:51:13,680 Speaker 2: you can't know Judy Garland, one fan tells me, aids 994 00:51:13,719 --> 00:51:16,440 Speaker 2: took an outsized bite of Garland's fan base, and as 995 00:51:16,480 --> 00:51:20,200 Speaker 2: gay culture, once closely associated with the cult of Garland, 996 00:51:20,239 --> 00:51:24,160 Speaker 2: is increasingly assimilated into the mainstream, fewer young gay men 997 00:51:24,239 --> 00:51:27,680 Speaker 2: are picking up the torch. In the world of celebrity memorabilia, 998 00:51:27,840 --> 00:51:30,920 Speaker 2: the failure to recover the Ruby Slippers has conjured no 999 00:51:31,200 --> 00:51:34,800 Speaker 2: little trepidation, A fear that people aren't taking the icon's 1000 00:51:34,800 --> 00:51:38,560 Speaker 2: disappearance seriously, fear that the magic is finally wearing off. 1001 00:51:38,760 --> 00:51:41,440 Speaker 2: If the Slippers lose their hold on the American imagination, 1002 00:51:41,960 --> 00:51:45,960 Speaker 2: what other cultural mementos might we deem disposable. It's an 1003 00:51:46,000 --> 00:51:48,600 Speaker 2: American national treasure that's been stolen, and no one gives 1004 00:51:48,600 --> 00:51:51,239 Speaker 2: a damn, cries Brian Cummings, a New York appraiser of 1005 00:51:51,280 --> 00:51:54,439 Speaker 2: celebrity memorabilia. It blows my mind to know that they're 1006 00:51:54,480 --> 00:51:57,920 Speaker 2: still out there. Yet in the new status of stolen property, 1007 00:51:57,960 --> 00:52:00,560 Speaker 2: the slippers feel more real than they have in years. 1008 00:52:00,960 --> 00:52:03,680 Speaker 2: They are mere objects again to be lost or found, 1009 00:52:03,800 --> 00:52:06,320 Speaker 2: and perhaps that is for the best. The old movie 1010 00:52:06,320 --> 00:52:08,920 Speaker 2: studios we know now were never in the business of 1011 00:52:08,960 --> 00:52:12,600 Speaker 2: making magic so much as illusions. Stars like Garland were 1012 00:52:12,640 --> 00:52:16,120 Speaker 2: fed pills and cigarettes by their studio bosses and stage 1013 00:52:16,120 --> 00:52:19,520 Speaker 2: moms to control their weight. They were products as manufactured 1014 00:52:19,560 --> 00:52:21,880 Speaker 2: as the props from the stage names to their public 1015 00:52:21,920 --> 00:52:25,880 Speaker 2: lives created for them by studio publicity departments. To treasure 1016 00:52:25,920 --> 00:52:29,880 Speaker 2: Hollywood memorabilia is to value fantasy over this harsh reality, 1017 00:52:30,200 --> 00:52:32,240 Speaker 2: to ignore the man behind the curtain. 1018 00:52:33,320 --> 00:52:36,200 Speaker 4: Wow, brav right, I mean home. 1019 00:52:36,520 --> 00:52:40,440 Speaker 2: Yeah, it's an amazing article, Dave, what's your ridiculous takeaway? 1020 00:52:41,400 --> 00:52:43,880 Speaker 4: Oh man? Can I first I want to thank the Academy. 1021 00:52:45,800 --> 00:52:49,719 Speaker 4: I've been waiting for this moment forever, you know. I 1022 00:52:49,760 --> 00:52:52,279 Speaker 4: think it's interesting and that quote really brought it home. 1023 00:52:52,719 --> 00:52:56,000 Speaker 4: Like these slippers are far more meaningful to the gay 1024 00:52:56,000 --> 00:52:59,759 Speaker 4: community than they could possibly be to quote America rit 1025 00:52:59,840 --> 00:53:02,040 Speaker 4: law Arge. In fact, I feel like those two things 1026 00:53:02,080 --> 00:53:05,640 Speaker 4: are almost intention because like what Judy Garland means to 1027 00:53:05,719 --> 00:53:08,879 Speaker 4: that culture is different than what Judy Garland means, which 1028 00:53:08,920 --> 00:53:13,840 Speaker 4: is you know equally yeah yeah yeah, And it really 1029 00:53:13,920 --> 00:53:16,840 Speaker 4: like speaks to a struggle in a way that Judy Garland, 1030 00:53:17,040 --> 00:53:21,200 Speaker 4: this like amazing pop star, movie star and musical star, 1031 00:53:21,960 --> 00:53:25,000 Speaker 4: isn't really representative of a struggle for like most of America. 1032 00:53:25,040 --> 00:53:28,680 Speaker 4: She's just like the pinnacle of Hollywood magic. And so 1033 00:53:28,760 --> 00:53:31,000 Speaker 4: like in that context, I get it. And it's almost 1034 00:53:31,040 --> 00:53:34,680 Speaker 4: like in that context, things like like this should be 1035 00:53:34,800 --> 00:53:38,520 Speaker 4: owned by that community and like instead of being you know, 1036 00:53:38,800 --> 00:53:42,239 Speaker 4: locked away in a museum somewhere, Like I'm glad they're home, 1037 00:53:42,239 --> 00:53:44,120 Speaker 4: and I get why it's a big deal that they 1038 00:53:44,120 --> 00:53:44,640 Speaker 4: were missing. 1039 00:53:45,080 --> 00:53:47,560 Speaker 2: Yeah, but I love the idea that tying it in 1040 00:53:47,600 --> 00:53:50,400 Speaker 2: with in The Wizard of Oz, where Dorothy gets to 1041 00:53:50,440 --> 00:53:54,759 Speaker 2: go to Oz and be brave and create her own 1042 00:53:54,800 --> 00:53:57,640 Speaker 2: family and community, and like the thing is to live 1043 00:53:57,680 --> 00:54:01,040 Speaker 2: in technicolor, to like have all these options and brilliance 1044 00:54:01,080 --> 00:54:04,160 Speaker 2: around her, and so reading that really kind of drove 1045 00:54:04,200 --> 00:54:06,120 Speaker 2: it home the importance of it, so you know, I 1046 00:54:06,440 --> 00:54:08,719 Speaker 2: make fun of it. It's not important to me, but 1047 00:54:08,719 --> 00:54:10,280 Speaker 2: that doesn't make it not important. 1048 00:54:10,880 --> 00:54:13,719 Speaker 4: Yeah, I mean I hate I'm just gonna kind of. 1049 00:54:13,719 --> 00:54:17,399 Speaker 2: Like, who do I But you know, don't tell anyone I. 1050 00:54:17,320 --> 00:54:19,239 Speaker 4: Can get down with the shoes like I get it. 1051 00:54:19,360 --> 00:54:21,480 Speaker 2: Yeah, yeah, I totally get it. I totally get it. 1052 00:54:21,719 --> 00:54:23,560 Speaker 2: So that's it. That's all I have for you today. 1053 00:54:25,120 --> 00:54:27,040 Speaker 2: You do you like it? 1054 00:54:27,040 --> 00:54:29,280 Speaker 4: It was awesome, Elizabeth, Thank you so much. 1055 00:54:29,160 --> 00:54:31,960 Speaker 2: Thank you so much. You can find us online at 1056 00:54:32,000 --> 00:54:34,680 Speaker 2: ridiculous Crime dot com. We have t shirts if you're 1057 00:54:34,680 --> 00:54:37,640 Speaker 2: into that sort of thing. Ridiculous Crime on both Twitter 1058 00:54:37,680 --> 00:54:41,400 Speaker 2: and Instagram. Ridiculous Crime at gmail dot com. We don't 1059 00:54:41,520 --> 00:54:44,320 Speaker 2: look at those. Leave a talkback on the iHeart app. 1060 00:54:44,760 --> 00:54:45,080 Speaker 4: Do it. 1061 00:54:50,640 --> 00:54:53,440 Speaker 2: Ridiculous Crime is hosted by Elizabeth Dutton and Dave Cousten 1062 00:54:53,560 --> 00:54:56,560 Speaker 2: and sometimes Aaron Burnett, produced and edited by the Great 1063 00:54:56,600 --> 00:55:00,160 Speaker 2: Oz Dave Cousten. Research is by Marissa Brown, The Goodwitch 1064 00:55:00,200 --> 00:55:03,480 Speaker 2: and the Wickedest Witch of the Southeast, Andrea's song Sharpened Tear. 1065 00:55:03,880 --> 00:55:06,839 Speaker 2: The theme song is by Lollipop Guild Ambassadors Thomas Lee 1066 00:55:06,880 --> 00:55:10,480 Speaker 2: and Travis Dutton. Executive producers are cowardly Lyon Ben Bollen 1067 00:55:10,640 --> 00:55:11,880 Speaker 2: and Tin Man, Noel. 1068 00:55:11,680 --> 00:55:22,320 Speaker 5: Brown, Ridicous Crime, Say It one More Timequeous Crime. 1069 00:55:23,320 --> 00:55:26,680 Speaker 1: Ridiculous Crime is a production of iHeartRadio. Four more podcasts 1070 00:55:26,800 --> 00:55:29,960 Speaker 1: my heart Radio, visit the iHeartRadio app, Apple Podcasts, or 1071 00:55:30,000 --> 00:55:31,800 Speaker 1: wherever you listen to your favorite shows.