WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the week with Morgan number two.

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<v Speaker 1>What's up, y'all? Happy weekend. I'm excited to be hanging

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<v Speaker 1>out with you guys again this weekend. Make sure you

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<v Speaker 1>check out the Best Bits with Ray Mundo. I had

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<v Speaker 1>him on this weekend. It was super fun to talk about.

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<v Speaker 1>We shared our last like last TV show we watched

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<v Speaker 1>Last Thing week eight. We also talked about our Valentine's

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<v Speaker 1>Day plans and Ray told me what I should do

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<v Speaker 1>as a single person on Valentine's Day and it was

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<v Speaker 1>not good advice, but it's hilarious to hear. So definitely

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<v Speaker 1>go check that out. And I'm so excited to hang

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<v Speaker 1>out with you guys this weekend and count down some

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<v Speaker 1>of the bits. So let's go. Abby confessed something about

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<v Speaker 1>a misconnection she had. Basically, she shared this misconnection with

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<v Speaker 1>us and then we found out, well something about it

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<v Speaker 1>wasn't exactly true. So here you go, number seven, it's time. Abby.

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<v Speaker 1>I don't know what you're here to tell us, if

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<v Speaker 1>it's a confession, if it's just you wanted to get

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<v Speaker 1>this out in the open so we don't find out

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<v Speaker 1>about it from somebody else. But I'm gonna set it

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<v Speaker 1>up because I don't know where this is going is

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<v Speaker 1>On the show, Abby's single, She's been trying to find

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<v Speaker 1>love for a long time. Occasionally she has a little

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<v Speaker 1>boyfriend and that ends talk about it the roller coaster.

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<v Speaker 1>Sometimes she jumps in wait too fast, too quick, right, guys.

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<v Speaker 1>So she's New Year's Eve, she flies into town, back home,

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<v Speaker 1>she gets an uber. She's sharing an uber with a

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<v Speaker 1>guy because they're saving money, and they strike up a conversation.

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<v Speaker 1>She thinks he's cute. He invites her to go to

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<v Speaker 1>some New Year's thing, or at least she says it.

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<v Speaker 1>She says she saw it, but she never got it.

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<v Speaker 1>And she's telling it's a misconnection. We're on the ear

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<v Speaker 1>going does anyone know this guy? A listener finds the guy.

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<v Speaker 1>So Abby doesn't know what to say back to him. Really,

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<v Speaker 1>so we spin the wheel lands on me. I write

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<v Speaker 1>the message back. It's a poem. It's a lovely poem, beautiful,

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<v Speaker 1>and then all of a sudden we didn't get a response.

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<v Speaker 1>We never heard back from him. We're talking about it

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<v Speaker 1>like an hour ago, and Abby's like, I have it's

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<v Speaker 1>something I need to tell you, guys. So Abby, the

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<v Speaker 1>cringe level if ten is the worst cringe ever, how

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<v Speaker 1>cringey is it? I'd say a maybe nine? Okay, Abby,

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<v Speaker 1>what happened? Is it a confession or are you just

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<v Speaker 1>angry or are you sad or what? It's not really

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<v Speaker 1>a confession? Well, okay, So remember when a caller called

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<v Speaker 1>in and like said to check my hidden messages and

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<v Speaker 1>I did. Well. The other day I was looking again

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<v Speaker 1>just because I didn't really know of that hidden inbox.

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<v Speaker 1>So I was just like looking at messages and guess

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<v Speaker 1>who I come across? Read like, he did send me

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<v Speaker 1>a message? So the woman I sent you're email to

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<v Speaker 1>or whatever two was the wrong Ready, it's not the

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<v Speaker 1>same guy. No, and they both play the fiddle. They

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<v Speaker 1>both have brown hair. What because remember the other one

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<v Speaker 1>was private, so I couldn't look at him. This is

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<v Speaker 1>so it went to the wrong read and he did

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<v Speaker 1>send me that invitation that night, I just didn't see it.

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<v Speaker 1>So she fell in love with the guy saw his

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<v Speaker 1>Instagram was like, oh, that's him for sure. So she

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<v Speaker 1>was well, no, she said, even when we found it

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<v Speaker 1>it was private, it was hard to see him, but

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<v Speaker 1>you thought it was him. Yeah, because I looked this

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<v Speaker 1>guy up that fiddle so both of these reads play

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<v Speaker 1>fiddle love triangle? Wow, we gotta love triangle? Any of them? Wow? Okay?

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<v Speaker 1>So now what Yeah? Now I think we just hey,

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<v Speaker 1>copy and paste of palm back over to the other one.

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<v Speaker 1>Let's just let it go. Why why the guys? Abby?

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<v Speaker 1>Go ahead, I'm gonna tell you. Why. What's up? Well?

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<v Speaker 1>That was three almost four weeks ago at the right point.

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<v Speaker 1>Now you don't look like you're readily available. Now you're

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<v Speaker 1>playing hard to get. Do you not want to go

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<v Speaker 1>out with them? I don't even know. At this point,

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<v Speaker 1>I'm like, Wow, he didn't do anything wrong. He literally

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<v Speaker 1>messaged you yes, So why would you not? I don't know.

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<v Speaker 1>Are you nervous? Is it because you're nervous about it? Well,

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<v Speaker 1>because I've already talked about it so much on here

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<v Speaker 1>and to the no chance if he plays the fiddle

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<v Speaker 1>in a bluegrass band, he's ever even heard this show,

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<v Speaker 1>and if he does, he hates it. So you're all good? Yeah?

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<v Speaker 1>I could. I just can't believe that message him back

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<v Speaker 1>not the poem, say hey, hey, no, no, no, no,

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<v Speaker 1>hold on, don't just write coffee. Say hey, I just

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<v Speaker 1>saw this. I didn't know we had hidden messages. Wow,

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<v Speaker 1>how are you doing? That's it? You have a reason

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<v Speaker 1>now to message him back. I like that much better,

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<v Speaker 1>back on track. So then maybe that was meant to be. Okay,

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<v Speaker 1>But have you gone out with anybody else since then? Nope? None?

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<v Speaker 1>Here yes? Why well, she didn't have to tell us

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<v Speaker 1>if she has. But have you no? No? You said

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<v Speaker 1>to say no, just leave it at that, so so

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<v Speaker 1>so yes, but you don't want to say yes. And

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<v Speaker 1>that's why she didn't want to message just dude, because

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<v Speaker 1>she's obviously saying someone he's in love with someone else. Really,

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<v Speaker 1>are you engaged? No, I'm not. Okay, let me just

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<v Speaker 1>say this. You don't so you don't want to message

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<v Speaker 1>the guy right now? I'm going to hold off. Why

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<v Speaker 1>don't you message him anyway? It's not like you're in

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<v Speaker 1>a committed relationshi, Abby, this is you going too hard

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<v Speaker 1>too fast? Was one other guy? Oh my god, this

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<v Speaker 1>is a recurring. I think she's married. I understand she

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<v Speaker 1>doesn't want to message this read guy because she's already

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<v Speaker 1>she's involved. She thinks she's involved. She's been like two dates.

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<v Speaker 1>I'm just guessing. Yeah, I know we're guessing. But with

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<v Speaker 1>your hypothesis, it is that she she doesn't want to

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<v Speaker 1>mess this up because she's committed to this other guy.

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<v Speaker 1>This other guy's probably going out with eight girls on

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<v Speaker 1>an app and isn't committed to Abby. But Abby doesn't

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<v Speaker 1>want to mess it up. Hey, we've seen this movie before. God,

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<v Speaker 1>Abby message the other guy too. Okay, I love you Abby.

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<v Speaker 1>I just like putting my effort into one thing at

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<v Speaker 1>a time. We know, and it smothers. That's called smothering

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<v Speaker 1>an animal with a blanket. It's the best bits of

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<v Speaker 1>the week with Morgan. Number two. Charles Kelly stopped by

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<v Speaker 1>our show this week and he talks about it journey

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<v Speaker 1>to sobriety, and it was a really vulnerable, emotional interview

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<v Speaker 1>and just really cool to hear from Charles from where

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<v Speaker 1>he started to where he is now. He also gave

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<v Speaker 1>us a performance of his new song that he wrote

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<v Speaker 1>about that journey to sobriety, which is called as Far

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<v Speaker 1>as You Could. It's not on the podcast, but you

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<v Speaker 1>can definitely go check it out at Bobby Bones dot com,

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<v Speaker 1>but the interview is right here. It's a really good one.

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<v Speaker 1>You're gonna love hearing this conversation between Bobby and Charles.

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<v Speaker 1>Number six is born in Augusta, Georgia, nineteen eighty one,

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<v Speaker 1>one of the lead singers of the group Now Lady A,

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<v Speaker 1>as you know, has a bunch of number ones. They

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<v Speaker 1>have eleven as a matter of fact, but just in

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<v Speaker 1>case you need to know, here is downtown and I

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<v Speaker 1>don't know why, but all their number ones is nothing

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<v Speaker 1>if you don't add in all the number ones. He's

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<v Speaker 1>written for other artists, for example Luke Brian do I

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<v Speaker 1>or Darius Homegrown Honey or Brett Young Here tonight we

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<v Speaker 1>can just sit here. He's like sixty seven again from

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<v Speaker 1>Lady A. Let's welcome in. Charles Kelly on The Bones Show.

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<v Speaker 1>Now Charles Kelly, Charles, how are you my friend? I'm

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<v Speaker 1>good man. You know it's kind of a don't all

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<v Speaker 1>I want to say weird, but you know you wrote

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<v Speaker 1>this song and it's very serious, like meaningful song, but

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<v Speaker 1>also like I like you as a friend and you're funny,

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<v Speaker 1>and it's like, well, we're gonna get into a couple

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<v Speaker 1>of things here, but you know, it's like what do

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<v Speaker 1>we do here? Am I gonna be this? Am I

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<v Speaker 1>gonna have my word? Vomit? Like? Usually, well, how do

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<v Speaker 1>you how do you feel just generally, how do you

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<v Speaker 1>feel today as compared to yesterday, as compared to a

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<v Speaker 1>year Agoah, I mean, it's it's a journey. I mean,

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<v Speaker 1>I think with anything. I mean, it was you know,

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<v Speaker 1>I think it was obvious to a lot of people.

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<v Speaker 1>I mean, it was time, you know, it was it

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<v Speaker 1>wasn't fun anymore for me. Um, I think the last

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<v Speaker 1>three years it just had gotten to this point where

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<v Speaker 1>it had escalated and it was you know, I had

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<v Speaker 1>to do it like it wasn't even like I you know,

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<v Speaker 1>like I was getting any joy out of it. I was.

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<v Speaker 1>It was just became a crutch, you know. So Um,

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<v Speaker 1>I mean, everything has gotten infinitely better. I mean, do

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<v Speaker 1>I not like to go to a cocktail party? That's

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<v Speaker 1>really awkward for me. You know, if I'm going to

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<v Speaker 1>be around drinking, I need to have like something I'm doing,

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<v Speaker 1>whether it's a dinner or like golf. You know, I

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<v Speaker 1>can have buddies around me drinking. But at least for now,

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<v Speaker 1>you know, I'm a little over six months in, but

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<v Speaker 1>just waking up enjoying the mornings. I feel like I

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<v Speaker 1>get to say I'm a sober dad now. You know,

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<v Speaker 1>I'm way more present for him, I'm healthy body wise, Yeah, yeah,

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<v Speaker 1>I lost about fifteen pounds and working out every day.

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<v Speaker 1>And where did that come from? The fifteen pounds? Was

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<v Speaker 1>it just not drinking or show both. I mean, I

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<v Speaker 1>think you go through a whole new mindset. You know.

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<v Speaker 1>It's funny. I was thinking about the other day, like

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<v Speaker 1>I knew it. I knew something was going to have

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<v Speaker 1>to happen, you know, and I was just like waiting

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<v Speaker 1>and luckily, you know, I didn't lose at all, but

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<v Speaker 1>I almost did. I mean, my marriage was kind of really,

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<v Speaker 1>really shaky. The band definitely was concerned, and I was like,

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<v Speaker 1>something's gonna happen. What is going to happen? Am I

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<v Speaker 1>gonna get pulled over? Am I gonna get do something awful?

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<v Speaker 1>And it just eventually was like why am I waiting

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<v Speaker 1>for some giant disaster? You know? So um, but it's

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<v Speaker 1>been unbelievable, man. I mean, my wife and his relationship

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<v Speaker 1>has turned around one to eighty. I mean I think

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<v Speaker 1>I just she was always concerned for me, you know,

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<v Speaker 1>and you would say some of the worst things to

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<v Speaker 1>the one that loves you the most, you know, and

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<v Speaker 1>I think just for that, um, you know, that was

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<v Speaker 1>my first goal with doing this was like, I need

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<v Speaker 1>to save my marriage and be there for my boy.

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<v Speaker 1>And then it was like, okay, now what's the next challenge?

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<v Speaker 1>How do I get how do how does my how

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<v Speaker 1>do my bandmates trust me? Again? Moving forward and with

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<v Speaker 1>a lot of people, and I've dealt with those of people,

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<v Speaker 1>addiction and um, you know, alcoholism to a different level,

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<v Speaker 1>but it has run rampant in my family and killed people,

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<v Speaker 1>and so from a different percent. We're looking at the

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<v Speaker 1>same like genesis and actions, but from different places. And

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<v Speaker 1>with my mom, she tried, but I didn't feel like

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<v Speaker 1>she was ever fully committed herself. I think she was

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<v Speaker 1>trying for other people. Yeah, and there's a difference when

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<v Speaker 1>you try for other people you she tended, I'll speak

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<v Speaker 1>for her to give up a little quicker because she

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<v Speaker 1>wasn't doing it for herself. Ever, that's that's such a

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<v Speaker 1>I mean, in the beginning, it's funny you said that

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<v Speaker 1>it wasn't until you know. I won't go into the

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<v Speaker 1>details of the work I've been doing, but it's a

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<v Speaker 1>lot of work. And I think that was something that

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<v Speaker 1>it took me a few months after you know, putting

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<v Speaker 1>the bottle down to actually be like I've got to

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<v Speaker 1>do this for me. Like in the beginning, it totally

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<v Speaker 1>was I'm trying to save my marriage, I'm trying to

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<v Speaker 1>save my band and in my career, you know. And

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<v Speaker 1>then all of a sudden, it was like, I gotta

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<v Speaker 1>do this for me, and I started feeling better, started

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<v Speaker 1>you know, getting my confidence back, I started feeling more purpose.

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<v Speaker 1>I think asked what, like where this song kind of

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<v Speaker 1>came from. I was like, you know, I want this

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<v Speaker 1>to mean something. I want this journey to meant something,

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<v Speaker 1>you know, and something good can come out of it.

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<v Speaker 1>But it's weird, man. I just I feel like I

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<v Speaker 1>had a great run twenty five years. I'd say the

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<v Speaker 1>first twenty years of it. You know. It's kind of

0:10:54.200 --> 0:10:55.800
<v Speaker 1>like what the song says. It was like you're part

0:10:55.800 --> 0:10:58.120
<v Speaker 1>of my story. It was like you took me places.

0:10:58.160 --> 0:10:59.319
<v Speaker 1>I mean, I don't know if I would have ever

0:10:59.360 --> 0:11:02.400
<v Speaker 1>moved to Nashville if I didn't have some drunken night

0:11:02.480 --> 0:11:04.960
<v Speaker 1>the night before and was so miserable and I was

0:11:05.000 --> 0:11:07.320
<v Speaker 1>like got up, and it's like I'm I'm going, you know,

0:11:08.000 --> 0:11:10.200
<v Speaker 1>and and I'm not saying that's a you know, I'm

0:11:10.200 --> 0:11:11.760
<v Speaker 1>not trying to justify it. But it was like so

0:11:11.800 --> 0:11:13.560
<v Speaker 1>many little moments, you know. I mean when I first

0:11:13.600 --> 0:11:15.800
<v Speaker 1>met my wife, I had a little liquid courage and

0:11:15.840 --> 0:11:18.640
<v Speaker 1>there's nothing wrong with, you know, drinking. I just am

0:11:18.720 --> 0:11:21.280
<v Speaker 1>the type of guy that I'm going to take it

0:11:21.320 --> 0:11:22.760
<v Speaker 1>to the next level. I mean I remember going to

0:11:22.760 --> 0:11:24.400
<v Speaker 1>dinners with David and he'd be like, I was one

0:11:24.440 --> 0:11:26.720
<v Speaker 1>glass of wine. I was like, you just you literally

0:11:26.720 --> 0:11:28.160
<v Speaker 1>can just have a one? Like how do you do that?

0:11:28.160 --> 0:11:32.960
<v Speaker 1>That's anything? Once I once one, I'm going And so

0:11:33.920 --> 0:11:36.040
<v Speaker 1>it was just obvious. I mean all the signs were there,

0:11:36.040 --> 0:11:39.240
<v Speaker 1>and um, it is it's a it's it's an interesting journey.

0:11:39.280 --> 0:11:41.960
<v Speaker 1>And I think I was blown away, like how many

0:11:42.000 --> 0:11:47.960
<v Speaker 1>people you know could relate that weren't even addicts themselves,

0:11:48.000 --> 0:11:51.160
<v Speaker 1>you know, where alcoholics it's just the family touches everybody,

0:11:51.280 --> 0:11:54.040
<v Speaker 1>family members and all this stuff, and um, you know

0:11:54.080 --> 0:11:56.240
<v Speaker 1>that was kind of too. What I keep telling myself

0:11:56.240 --> 0:11:58.040
<v Speaker 1>with this song, It's like I don't know what journey

0:11:58.080 --> 0:11:59.599
<v Speaker 1>it's going to take, but all I know is I

0:12:00.000 --> 0:12:02.079
<v Speaker 1>feel was authentic and it feels true. It already feels

0:12:02.120 --> 0:12:05.280
<v Speaker 1>like it's you know, it's spoken to two people, and

0:12:06.360 --> 0:12:08.120
<v Speaker 1>I mean, gosh, that's what we got into this for

0:12:08.200 --> 0:12:10.000
<v Speaker 1>it was to you know, have some songs like that,

0:12:10.080 --> 0:12:13.480
<v Speaker 1>and um, you know, to write songs like that as writers,

0:12:13.480 --> 0:12:17.320
<v Speaker 1>and um, you know, the title actually came from you know,

0:12:17.920 --> 0:12:20.920
<v Speaker 1>I went somewhere and uh, disn't work on myself and

0:12:20.960 --> 0:12:22.920
<v Speaker 1>had written that down. I was like it was almost

0:12:22.920 --> 0:12:24.880
<v Speaker 1>like a goodbye letter to alcohol. And I was like,

0:12:25.520 --> 0:12:28.040
<v Speaker 1>I was like, goodbye whiskey, you know, go to hell.

0:12:28.120 --> 0:12:30.280
<v Speaker 1>You took me as far as you could. And I

0:12:30.320 --> 0:12:31.800
<v Speaker 1>was like that's a good title. And so when we

0:12:31.880 --> 0:12:34.400
<v Speaker 1>came in and started, you know, I was like, I

0:12:34.480 --> 0:12:37.040
<v Speaker 1>want to write a really honest song, and it was

0:12:37.160 --> 0:12:38.800
<v Speaker 1>it was a special moment I think for three of

0:12:38.840 --> 0:12:42.319
<v Speaker 1>us when you write that song and again you're writing

0:12:42.320 --> 0:12:44.000
<v Speaker 1>it because it is so personal. Are you going, we're

0:12:44.040 --> 0:12:46.760
<v Speaker 1>gonna write this because I just need to get this

0:12:47.480 --> 0:12:51.160
<v Speaker 1>but somehow encapsulated into music? Do you write this? And

0:12:51.559 --> 0:12:53.800
<v Speaker 1>I do want to share this. It's a lady a song.

0:12:54.200 --> 0:12:58.280
<v Speaker 1>Where did you plan like level two? You wrote it? Now? Yeah, honestly,

0:12:58.280 --> 0:13:00.640
<v Speaker 1>we were just writing. I think we were just writing

0:13:00.679 --> 0:13:04.080
<v Speaker 1>it and you know, and yeah, I mean I didn't

0:13:04.120 --> 0:13:06.400
<v Speaker 1>know if it was going to be me, you know,

0:13:06.440 --> 0:13:08.719
<v Speaker 1>a lady a song. I mean, honestly, I think Dave

0:13:08.760 --> 0:13:10.840
<v Speaker 1>and I both would agree. I mean, we were picturing

0:13:10.840 --> 0:13:14.240
<v Speaker 1>it as a lady A song and Hillary just was like, Charles,

0:13:14.679 --> 0:13:17.000
<v Speaker 1>this is your story, and she was like, I almost

0:13:17.040 --> 0:13:20.000
<v Speaker 1>am afraid to throw harmonies on it and take away

0:13:20.040 --> 0:13:23.520
<v Speaker 1>from the rawness and the authenticity I think of your journey.

0:13:23.559 --> 0:13:26.960
<v Speaker 1>And you know, because she she had just an amazing

0:13:27.000 --> 0:13:29.559
<v Speaker 1>Grammy winning song, you know, there're a Christian song that

0:13:29.559 --> 0:13:32.040
<v Speaker 1>I will And I was like, you know, maybe it's

0:13:32.160 --> 0:13:34.560
<v Speaker 1>like that, like that was her story and so personal

0:13:35.080 --> 0:13:36.840
<v Speaker 1>and we can have, you know, be able to put

0:13:36.880 --> 0:13:39.120
<v Speaker 1>some stuff out, but I think it all still goes

0:13:39.200 --> 0:13:41.679
<v Speaker 1>towards that lady A sound. I mean, we did it

0:13:41.720 --> 0:13:44.480
<v Speaker 1>the other night. It was our first show back in Orlando,

0:13:44.559 --> 0:13:46.520
<v Speaker 1>and it was just one of these special moments that

0:13:46.559 --> 0:13:48.640
<v Speaker 1>we had, you know, to play that song, and so

0:13:48.880 --> 0:13:50.960
<v Speaker 1>you know, I'm hoping it can kind of live alongside

0:13:51.520 --> 0:13:54.000
<v Speaker 1>just all our our body of work, and you know,

0:13:54.040 --> 0:13:57.400
<v Speaker 1>we're working on so many music as a band as well,

0:13:57.440 --> 0:14:00.200
<v Speaker 1>and just I think just you know, maybe the can

0:14:00.240 --> 0:14:02.800
<v Speaker 1>all lead us into some more longevity is kind of

0:14:02.800 --> 0:14:05.280
<v Speaker 1>what I look at it. Well, Dave's here too, just

0:14:05.320 --> 0:14:07.720
<v Speaker 1>in case you thought they didn't like each other, like

0:14:08.640 --> 0:14:13.160
<v Speaker 1>it's it's Charles Kelly, it's Dave and h and Jimmy

0:14:13.240 --> 0:14:17.360
<v Speaker 1>Robbins in place of Hillary, which is not well. But

0:14:17.480 --> 0:14:19.560
<v Speaker 1>I do. I do like the fact that this it

0:14:19.680 --> 0:14:22.560
<v Speaker 1>really is your story and it needs to be told

0:14:22.560 --> 0:14:25.720
<v Speaker 1>by you with the attention on you, so what you're

0:14:25.800 --> 0:14:28.600
<v Speaker 1>saying can be heard and not be watered or not

0:14:28.720 --> 0:14:33.320
<v Speaker 1>be um interpreted anyway except by a singular voice because

0:14:33.360 --> 0:14:36.320
<v Speaker 1>it's such a singular journey for others, for yourself and others.

0:14:36.360 --> 0:14:38.800
<v Speaker 1>I mean, that's so true. And honestly, I applaud Hillary

0:14:38.840 --> 0:14:40.880
<v Speaker 1>for kind of you know, recognizing that because we were

0:14:40.960 --> 0:14:42.520
<v Speaker 1>David I both you know, wouldn't lie. We were like,

0:14:42.520 --> 0:14:45.600
<v Speaker 1>oh man, this is I love this kind of sound

0:14:45.640 --> 0:14:48.000
<v Speaker 1>and this message from us as a band, and um,

0:14:48.040 --> 0:14:50.760
<v Speaker 1>you know, I think it. Looking back now, I'm like, man,

0:14:51.240 --> 0:14:53.920
<v Speaker 1>she was right, you know, and I got applaud like

0:14:54.040 --> 0:14:56.400
<v Speaker 1>Dave and Jimmy. I mean, when we wrote it, it

0:14:56.520 --> 0:14:58.480
<v Speaker 1>just had this thing where I was just kind of

0:14:58.520 --> 0:15:00.120
<v Speaker 1>just throwing out some things and I said, yeah, say,

0:15:00.120 --> 0:15:01.880
<v Speaker 1>it's probably why I moved to Nashville, and Jimmy's because

0:15:02.320 --> 0:15:05.240
<v Speaker 1>so I moved to Nashville. Almost left. I was like

0:15:05.280 --> 0:15:07.480
<v Speaker 1>we were off to the races, and I know that

0:15:07.520 --> 0:15:10.440
<v Speaker 1>I couldn't have gotten it out in such a poetic way,

0:15:10.760 --> 0:15:13.080
<v Speaker 1>you know, even though it wasn't their journey. But Dave

0:15:13.120 --> 0:15:15.880
<v Speaker 1>has gotten to see it, you know, and so um,

0:15:16.240 --> 0:15:18.280
<v Speaker 1>I mean we were tearing up. It was it was

0:15:18.320 --> 0:15:21.000
<v Speaker 1>a really therapeutic moment. And then it's a journey, man.

0:15:21.040 --> 0:15:23.520
<v Speaker 1>I mean, we still got a ways to go with

0:15:23.560 --> 0:15:27.080
<v Speaker 1>the bands, and and you know a lot of you know,

0:15:27.120 --> 0:15:30.800
<v Speaker 1>we've I've done a lot of repair, but there's it's

0:15:30.840 --> 0:15:33.080
<v Speaker 1>kind of almost like a living repair. I'm gonna you know,

0:15:33.200 --> 0:15:36.080
<v Speaker 1>it really gotta because I've tried before, you know, and

0:15:36.080 --> 0:15:37.480
<v Speaker 1>and like you had said, trying to do it on

0:15:37.520 --> 0:15:39.040
<v Speaker 1>your own or do it for somebody else. You just

0:15:39.120 --> 0:15:41.920
<v Speaker 1>white knuckling it. It's not gonna work long term. It

0:15:41.920 --> 0:15:43.720
<v Speaker 1>only takes one drink to get you right back where

0:15:43.720 --> 0:15:46.080
<v Speaker 1>you were. And so it was, you know, it only

0:15:46.200 --> 0:15:50.920
<v Speaker 1>gotten worse. Here is Charles Kelly with his song as

0:15:50.920 --> 0:15:57.160
<v Speaker 1>far as you could Charles Kelly, great, what what's what's

0:15:57.200 --> 0:16:00.160
<v Speaker 1>the goal with the song? Because you write it, then

0:16:00.200 --> 0:16:02.320
<v Speaker 1>you record it, then you decide you're going to put

0:16:02.360 --> 0:16:04.880
<v Speaker 1>it out, and yeah, what's the goal, because it's something

0:16:04.880 --> 0:16:06.800
<v Speaker 1>bigger than you're putting a song out obvious, Yeah, I

0:16:07.880 --> 0:16:11.080
<v Speaker 1>mean to reach people. I mean it really, you know,

0:16:11.120 --> 0:16:14.640
<v Speaker 1>it's been such an up and down journey, and you know,

0:16:15.160 --> 0:16:17.600
<v Speaker 1>as an artist and things that work, things that don't work.

0:16:17.680 --> 0:16:20.360
<v Speaker 1>And I have a big part of even this journey,

0:16:20.400 --> 0:16:22.480
<v Speaker 1>of the work of doing is just letting go and

0:16:22.560 --> 0:16:24.840
<v Speaker 1>chasing the art and letting go and you know, putting

0:16:24.920 --> 0:16:27.800
<v Speaker 1>putting my my stock and my happiness in the in

0:16:27.960 --> 0:16:32.160
<v Speaker 1>the process and uh and not the outcome. I mean

0:16:32.240 --> 0:16:34.480
<v Speaker 1>I didn't even think it was going to be something

0:16:34.520 --> 0:16:36.680
<v Speaker 1>even considered putting it out as a single, but um,

0:16:36.960 --> 0:16:40.600
<v Speaker 1>Scott Brochetta, you know, Big Machine was just he just

0:16:40.680 --> 0:16:44.200
<v Speaker 1>really is passionate about it. Same thing with Ryan and

0:16:44.320 --> 0:16:46.880
<v Speaker 1>Jimmy over at the label and my team, and they

0:16:46.960 --> 0:16:49.120
<v Speaker 1>just like, this is a powerful message. I don't know

0:16:49.120 --> 0:16:51.960
<v Speaker 1>if anybody knows what it's going to do, but it

0:16:52.040 --> 0:16:54.320
<v Speaker 1>already feels like it's I mean, it's already I got

0:16:54.360 --> 0:16:55.880
<v Speaker 1>it out. I mean even one of the reasons of

0:16:55.880 --> 0:16:59.000
<v Speaker 1>getting it out. I couldn't hold it in anymore. And um,

0:16:59.440 --> 0:17:02.600
<v Speaker 1>you know, and and we're in our last label. I

0:17:02.640 --> 0:17:03.760
<v Speaker 1>mean he was like, oh, let's go in there and

0:17:03.800 --> 0:17:06.000
<v Speaker 1>do this with Lady A. And everybody's like Hillary's like

0:17:06.040 --> 0:17:08.639
<v Speaker 1>let's step back, and Dave like, you know, let's not

0:17:08.680 --> 0:17:10.120
<v Speaker 1>get ahead of this. It was like, I gotta get

0:17:10.119 --> 0:17:13.520
<v Speaker 1>this out right now, and just you know, I gotta

0:17:13.520 --> 0:17:15.000
<v Speaker 1>get it off my chest. And so I think that

0:17:15.080 --> 0:17:16.800
<v Speaker 1>was the biggest thing, was just getting it out there

0:17:16.800 --> 0:17:19.520
<v Speaker 1>and whatever journey it takes. I mean, it's already done

0:17:19.600 --> 0:17:22.200
<v Speaker 1>so much for me and some of the stories I've

0:17:22.240 --> 0:17:25.439
<v Speaker 1>heard my wife, I think that's she probably gets more

0:17:25.480 --> 0:17:28.119
<v Speaker 1>people reaching out to her, you know, other wives that

0:17:28.160 --> 0:17:29.679
<v Speaker 1>are going through this, How do you deal with it?

0:17:29.720 --> 0:17:32.359
<v Speaker 1>What's the best way? And and it's given her so

0:17:32.440 --> 0:17:34.560
<v Speaker 1>much purpose and she's doing so much work around it

0:17:34.600 --> 0:17:37.119
<v Speaker 1>that again, it's like it's just bringing us together in

0:17:37.160 --> 0:17:38.840
<v Speaker 1>this whole different way. And I was like, even if

0:17:38.880 --> 0:17:41.560
<v Speaker 1>that's the journey of the song, I don't I don't know. Um.

0:17:41.840 --> 0:17:43.800
<v Speaker 1>I think I just want to let go of of

0:17:43.800 --> 0:17:47.119
<v Speaker 1>of it and uh enjoy it, you know, And well,

0:17:47.160 --> 0:17:49.919
<v Speaker 1>I appreciate your vulnerability. Thank you, man. I mean you

0:17:49.920 --> 0:17:54.560
<v Speaker 1>can still sing, you know. And I didn't say one

0:17:54.680 --> 0:17:57.119
<v Speaker 1>inappropriate thing on the show. That's I really think it's

0:17:57.160 --> 0:18:03.160
<v Speaker 1>first time you don't worry. You're my favor I love

0:18:03.200 --> 0:18:05.960
<v Speaker 1>all you. But he makes me laugh so much, I'll

0:18:05.960 --> 0:18:08.320
<v Speaker 1>get on Instagram right, cut the bit, cut the right

0:18:09.640 --> 0:18:12.679
<v Speaker 1>like a good laugh. It is just awesome. He reminds me.

0:18:12.880 --> 0:18:14.639
<v Speaker 1>I feel like we would be best friends because we

0:18:14.720 --> 0:18:17.840
<v Speaker 1>just don't. Really we have no filter. My filter is

0:18:18.040 --> 0:18:22.520
<v Speaker 1>a little bit less, but it's still there. Um, Jimmy,

0:18:22.840 --> 0:18:24.239
<v Speaker 1>you know I'm a big fan of you too. If

0:18:24.280 --> 0:18:28.560
<v Speaker 1>you've been on before with Marion with I mean when

0:18:28.640 --> 0:18:30.879
<v Speaker 1>when Charles said something like you just said, you know,

0:18:31.240 --> 0:18:34.000
<v Speaker 1>brought me to Nashville, and you're like, I'm like, so,

0:18:34.040 --> 0:18:36.280
<v Speaker 1>if I were just to go eat some fruit loops

0:18:36.320 --> 0:18:37.600
<v Speaker 1>this morning, how would you say? How would you just

0:18:37.600 --> 0:18:42.160
<v Speaker 1>throw that out there? Man? Huh? I don't know about

0:18:42.160 --> 0:18:44.480
<v Speaker 1>your kids. I'm a lot like these fruit loops. I'm

0:18:44.480 --> 0:18:48.880
<v Speaker 1>a lot. It's like, what would what would that melody be? Though? Like, yeah,

0:18:48.880 --> 0:18:56.320
<v Speaker 1>there we go eat some fruit loops this morning? Yeah? Nice?

0:18:56.920 --> 0:19:04.400
<v Speaker 1>But my spoon was dirty as he was. My wife

0:19:04.520 --> 0:19:11.520
<v Speaker 1>told me to unload the dishwasher, but I never started

0:19:11.560 --> 0:19:17.160
<v Speaker 1>it to begin with. Now I'm sick because I ain't

0:19:17.280 --> 0:19:23.680
<v Speaker 1>dirty fruit loops from a dirty, dirty spoon. And now

0:19:23.720 --> 0:19:30.879
<v Speaker 1>I got e colin my diar real soon two kids.

0:19:30.920 --> 0:19:35.879
<v Speaker 1>Sam wants to kill me because he hates this song.

0:19:37.760 --> 0:19:43.119
<v Speaker 1>And it all started because I did my wife. From

0:19:45.440 --> 0:19:47.840
<v Speaker 1>everybody I wrote that, I wrote it by myself. You

0:19:47.880 --> 0:19:50.840
<v Speaker 1>guys get no credit. Thank you. I thank you because

0:19:50.880 --> 0:19:52.679
<v Speaker 1>I did my wife. I thought you're gonna get back

0:19:52.680 --> 0:19:54.480
<v Speaker 1>to something now. I wasn't. I wanted to go where

0:19:54.480 --> 0:19:56.280
<v Speaker 1>I had no business going, which was just find a

0:19:56.320 --> 0:20:00.359
<v Speaker 1>word that rhymed. Boys, that was it. Look, Charles, I

0:20:00.440 --> 0:20:02.200
<v Speaker 1>love it. I love what you're doing, what it's doing,

0:20:02.400 --> 0:20:04.600
<v Speaker 1>and what's going to happen. You have no idea that's

0:20:04.600 --> 0:20:06.840
<v Speaker 1>going to happen, because all that has to be open

0:20:07.320 --> 0:20:10.040
<v Speaker 1>for you to even pursue this, because you're gonna get

0:20:10.040 --> 0:20:12.000
<v Speaker 1>pulled and tugged, and it's gonna be hard to sing it.

0:20:11.960 --> 0:20:14.679
<v Speaker 1>It's gonna be awesome to sing it, and you're sometimes

0:20:14.720 --> 0:20:17.000
<v Speaker 1>you may be like, man, I'm I'm over singing it,

0:20:17.280 --> 0:20:19.320
<v Speaker 1>and sometimes you're like, I wish I could sing it more,

0:20:19.320 --> 0:20:21.719
<v Speaker 1>but I just respect it. Thank you, man, Because it

0:20:21.800 --> 0:20:24.320
<v Speaker 1>is so hard to just open up your rib cage

0:20:24.320 --> 0:20:27.800
<v Speaker 1>and be vulnerable and be vulnerable and sharing things that

0:20:27.960 --> 0:20:31.200
<v Speaker 1>maybe you didn't do right. Yeah, that you can now

0:20:31.280 --> 0:20:33.000
<v Speaker 1>do way right and other people can hear the same.

0:20:33.040 --> 0:20:35.000
<v Speaker 1>So that's a that's a word vomit for me, but

0:20:35.080 --> 0:20:38.480
<v Speaker 1>I respect it and I'm super proud for you man.

0:20:38.520 --> 0:20:42.280
<v Speaker 1>Thank you, Man. I appreciate you do. Dave Jimmy, Yeah,

0:20:42.320 --> 0:20:45.440
<v Speaker 1>you guys are cool. Anyway. I was something I think

0:20:45.440 --> 0:20:47.040
<v Speaker 1>you'd be cool to hear is from you, Dave, is

0:20:47.080 --> 0:20:50.240
<v Speaker 1>what's the coolest thing that you've noticed in this yeah

0:20:50.480 --> 0:20:54.320
<v Speaker 1>season for Charles, Like, what's what's what's it done for you? Yeah?

0:20:54.359 --> 0:20:57.560
<v Speaker 1>I mean, gosh, He'll always be Charles, but he's just

0:20:57.640 --> 0:21:01.400
<v Speaker 1>changed his demeanor and energy in such a positive, healthy way.

0:21:01.440 --> 0:21:04.160
<v Speaker 1>He's taken all of that energy that he has, which

0:21:04.200 --> 0:21:05.920
<v Speaker 1>is awesome, and put it into so much good. I mean,

0:21:05.960 --> 0:21:07.639
<v Speaker 1>I'm just proud of him. I mean, to be honest, like,

0:21:08.240 --> 0:21:09.959
<v Speaker 1>this is bigger than a song for me. I mean

0:21:09.960 --> 0:21:13.600
<v Speaker 1>I've been friends with him since we were ten, eleven, twelve.

0:21:13.640 --> 0:21:15.600
<v Speaker 1>I mean, writing that day, we were all just kind

0:21:15.600 --> 0:21:17.680
<v Speaker 1>of crying. I'm just proud of him. I mean this

0:21:17.760 --> 0:21:20.160
<v Speaker 1>is more than just a song out there. I Mean,

0:21:20.200 --> 0:21:22.840
<v Speaker 1>this is him making life changes that I'm so proud

0:21:22.880 --> 0:21:26.200
<v Speaker 1>to stand by him in and proud to stand alongside.

0:21:26.240 --> 0:21:27.399
<v Speaker 1>I told him. I was like, I'll play this as

0:21:27.480 --> 0:21:29.840
<v Speaker 1>much as you want. You know, it's your story. It's vulnerable,

0:21:30.200 --> 0:21:33.160
<v Speaker 1>and I haven't found a circle of people that haven't

0:21:33.200 --> 0:21:36.920
<v Speaker 1>been impacted in some way by this song, the stories

0:21:36.920 --> 0:21:39.640
<v Speaker 1>that I've heard personally that I mean, I know there's

0:21:39.800 --> 0:21:42.280
<v Speaker 1>a great mission with this song, you know, wherever it lands.

0:21:42.320 --> 0:21:44.280
<v Speaker 1>So I'm just so I'm super proud of him. This

0:21:44.320 --> 0:21:48.000
<v Speaker 1>is awesome. If you need a mock, tell Smalia I'm

0:21:48.000 --> 0:21:49.679
<v Speaker 1>your guy. Yeah, there you go. I do it for

0:21:49.760 --> 0:21:52.360
<v Speaker 1>Jake constantly. I'm like, actually, you'll like a little citrus

0:21:52.359 --> 0:21:54.399
<v Speaker 1>in this one, Jake, and get a sault. If you're

0:21:54.400 --> 0:21:55.960
<v Speaker 1>gonna get a mock, tell Marguerite to be sure to

0:21:55.960 --> 0:21:59.280
<v Speaker 1>get extra sault. So hit me up. I'll lay it down.

0:21:59.720 --> 0:22:02.359
<v Speaker 1>Charles Kelly, great, love it. You guys are awesome. And

0:22:02.800 --> 0:22:05.720
<v Speaker 1>by the way, check out Fruit Loop Spoon coming out

0:22:04.920 --> 0:22:09.560
<v Speaker 1>feat Yeah, I put it out and stream it. It's

0:22:09.600 --> 0:22:12.159
<v Speaker 1>me featuring Lady and they have no idea. Now that

0:22:12.160 --> 0:22:14.320
<v Speaker 1>would be awesome. All right, thank you. Chale's gonna see

0:22:14.320 --> 0:22:19.919
<v Speaker 1>about it right there, Charles Kelly, everybody, it's the best

0:22:20.040 --> 0:22:27.840
<v Speaker 1>Bits of the Week with Morgan. Number two y'all love

0:22:27.920 --> 0:22:31.119
<v Speaker 1>to hear Amy's glitches, and they happened again recently. But

0:22:31.280 --> 0:22:34.320
<v Speaker 1>even more so than that, Scooba Steve turned one of

0:22:34.320 --> 0:22:36.760
<v Speaker 1>her glitches into an Idium song, so it's like something

0:22:36.760 --> 0:22:39.440
<v Speaker 1>you could hear at a Las Vegas club and people

0:22:39.480 --> 0:22:41.800
<v Speaker 1>are loving it. Some people are even requesting that I

0:22:41.840 --> 0:22:44.359
<v Speaker 1>get put on streaming surfaces so you guys can listen

0:22:44.400 --> 0:22:47.199
<v Speaker 1>to it. Y'all are crazy. But in case you missed it,

0:22:47.320 --> 0:22:50.920
<v Speaker 1>here's Amy's glitch being turned into a song number five.

0:22:51.240 --> 0:22:53.479
<v Speaker 1>Sometimes I think I'm living in a simulation. You wouldn't

0:22:53.480 --> 0:22:56.560
<v Speaker 1>know it if you were, And sometimes I see little glitches.

0:22:57.960 --> 0:22:59.960
<v Speaker 1>A lot of times it's from Amy. Where's something where

0:23:00.000 --> 0:23:01.639
<v Speaker 1>I'm like that it was not supposed to happen, or

0:23:01.680 --> 0:23:05.240
<v Speaker 1>she says something. Once we were talking about the mick

0:23:05.320 --> 0:23:09.280
<v Speaker 1>boat at McDonald's and she just started short circuiting. So

0:23:09.440 --> 0:23:11.480
<v Speaker 1>here is the full clip of that. So you can

0:23:11.600 --> 0:23:13.560
<v Speaker 1>paddle up on a dock, place your order and then

0:23:13.600 --> 0:23:15.680
<v Speaker 1>it's brought out to you by the staff and it's

0:23:15.720 --> 0:23:19.679
<v Speaker 1>called nicknote mcmunton. She was supposed to say, called mick boat.

0:23:19.880 --> 0:23:22.639
<v Speaker 1>And I don't know how I turned to this nicknote mcmunton.

0:23:23.920 --> 0:23:26.200
<v Speaker 1>Something short circuited. That was a glitch in the simulation.

0:23:26.880 --> 0:23:32.440
<v Speaker 1>Here's a new glitch for me. Yes, this clip is

0:23:32.480 --> 0:23:35.480
<v Speaker 1>from one of our blind karaoke bits. Here is the

0:23:35.480 --> 0:23:39.280
<v Speaker 1>original clip, and you decide what she's trying to say. Nick, Now,

0:23:39.320 --> 0:23:41.040
<v Speaker 1>I know if that were to happen to an artist,

0:23:41.840 --> 0:23:45.000
<v Speaker 1>pocket usually, oh, because she had the pack on and

0:23:45.040 --> 0:23:47.439
<v Speaker 1>it fell. The pack is what you can listen to,

0:23:47.520 --> 0:23:48.879
<v Speaker 1>so you know, you put it on your belt or

0:23:48.960 --> 0:23:50.159
<v Speaker 1>your back of your pants, or I put mine in

0:23:50.160 --> 0:23:53.480
<v Speaker 1>my pocket if I'm on stage and it fell, and

0:23:53.600 --> 0:23:55.920
<v Speaker 1>this is what she said. Nick, Now, I know if

0:23:55.920 --> 0:23:57.679
<v Speaker 1>that were to happen to an artist, I put mine

0:23:57.720 --> 0:24:00.399
<v Speaker 1>on my back pocket. Usually, Oh, she's having a breakdown. Amy,

0:24:00.520 --> 0:24:02.360
<v Speaker 1>there's a glitch in the system. We're living in a simulation.

0:24:02.400 --> 0:24:04.600
<v Speaker 1>One more time, the last one, Nack. Now I know

0:24:04.640 --> 0:24:09.520
<v Speaker 1>if that no, another language is programmed into her and

0:24:09.520 --> 0:24:11.720
<v Speaker 1>that the wrong one's coming out. I don't know. So

0:24:12.440 --> 0:24:13.960
<v Speaker 1>you guys, I don't know if you like dance music.

0:24:14.000 --> 0:24:23.600
<v Speaker 1>But here's this song based on that. That that that

0:24:27.520 --> 0:24:40.440
<v Speaker 1>that now not no not mc now that now that

0:24:41.160 --> 0:24:43.119
<v Speaker 1>now I know if that would have the argust I

0:24:43.240 --> 0:24:51.359
<v Speaker 1>put my that cocket Usually in how Wow, I wonder

0:24:51.400 --> 0:24:54.240
<v Speaker 1>if that's a hit in another universe or in Germany

0:24:54.320 --> 0:25:25.920
<v Speaker 1>right now? Knock now wow? That yeah, that's it's the

0:25:26.080 --> 0:25:30.680
<v Speaker 1>best bits of the week with Morgan. Number two, it's

0:25:30.800 --> 0:25:33.760
<v Speaker 1>Employee of the month's time, but not just for January.

0:25:33.840 --> 0:25:36.320
<v Speaker 1>It was also for December. We combined the two since

0:25:36.359 --> 0:25:38.959
<v Speaker 1>we were gone on holiday vacation. We found out who won,

0:25:39.000 --> 0:25:41.200
<v Speaker 1>who did the best between those two months, and this time,

0:25:41.600 --> 0:25:45.440
<v Speaker 1>not only did people not do their acceptance speeches before

0:25:45.480 --> 0:25:47.760
<v Speaker 1>they actually won, this time we shared why we think

0:25:47.800 --> 0:25:49.359
<v Speaker 1>we should win, so it was a little bit different

0:25:49.440 --> 0:25:52.600
<v Speaker 1>this time around. And who one definitely deserves it. Listen,

0:25:52.800 --> 0:25:55.040
<v Speaker 1>everybody on our show deserves it. But this is a

0:25:55.160 --> 0:25:57.040
<v Speaker 1>funny one to listen to and hear what everybody does

0:25:57.080 --> 0:25:59.320
<v Speaker 1>every day and why they think they should be Employee

0:25:59.359 --> 0:26:02.040
<v Speaker 1>of the month. Number four, it's time to award the

0:26:02.080 --> 0:26:04.000
<v Speaker 1>Employee of the month for here at the Bobby Bones Show.

0:26:04.320 --> 0:26:07.879
<v Speaker 1>You can win up to three hundred dollars if you're

0:26:07.880 --> 0:26:10.760
<v Speaker 1>an employee of the month. Lunchbox is eliminated because he

0:26:10.920 --> 0:26:14.040
<v Speaker 1>is serving a suspension. And suspension you can be back

0:26:14.040 --> 0:26:15.840
<v Speaker 1>next month. I'll be back next month, and that means

0:26:15.880 --> 0:26:17.359
<v Speaker 1>the crown will be on my head. Do you guys

0:26:17.480 --> 0:26:19.720
<v Speaker 1>enjoy your little pity party while you're at it? You know,

0:26:19.880 --> 0:26:22.280
<v Speaker 1>pity party. Someone will recognize, though, So I want to

0:26:22.280 --> 0:26:25.320
<v Speaker 1>recognize the person who's done the best, the best storylines,

0:26:25.920 --> 0:26:28.480
<v Speaker 1>who has shined. There's a lot of others to shine.

0:26:28.680 --> 0:26:30.520
<v Speaker 1>If you win, pick your prize, you got money, you

0:26:30.560 --> 0:26:34.200
<v Speaker 1>got self promotion, you got blocking somebody else. So when

0:26:34.200 --> 0:26:36.040
<v Speaker 1>I come to you, you tell me why you should

0:26:36.080 --> 0:26:38.240
<v Speaker 1>be the employee of the month. And maybe it's so

0:26:38.359 --> 0:26:40.360
<v Speaker 1>good if you weren't, maybe, I go, that's a good point.

0:26:40.400 --> 0:26:43.480
<v Speaker 1>Now they are first up, Raymundo, why should you be

0:26:43.520 --> 0:26:46.480
<v Speaker 1>employee of the month. I continue to make the listeners

0:26:46.560 --> 0:26:49.399
<v Speaker 1>closer to the show. In Vegas DJ two d Q,

0:26:49.560 --> 0:26:51.520
<v Speaker 1>he hit me up he needed a birthday video from

0:26:51.560 --> 0:26:55.160
<v Speaker 1>Bones Boom. I got it from Bones. A listener wanted

0:26:55.200 --> 0:26:59.160
<v Speaker 1>another birthday call from Bones. I said Bones FaceTime midnight.

0:26:59.359 --> 0:27:01.919
<v Speaker 1>He didn't end through. But dang, and I tried. Can

0:27:01.960 --> 0:27:04.679
<v Speaker 1>I win employ the month? Yeah? You're doing a lot

0:27:04.720 --> 0:27:07.360
<v Speaker 1>of work too, I go, Ray annoyed you with requests,

0:27:07.840 --> 0:27:12.440
<v Speaker 1>You're eliminated. You're not all lunchbox. I'm sorry you don't

0:27:12.440 --> 0:27:14.040
<v Speaker 1>even get to read a speech. But if you'd like

0:27:14.119 --> 0:27:15.920
<v Speaker 1>to have fifteen seconds to explain why you should be

0:27:15.960 --> 0:27:18.840
<v Speaker 1>let back in this week this month, you can. Yeah, guys,

0:27:18.920 --> 0:27:22.720
<v Speaker 1>the show doesn't go without me. Right, that's enough? Thank you? Signed,

0:27:22.760 --> 0:27:27.320
<v Speaker 1>though that wasn't fifteen seconds no more again? Why should

0:27:27.359 --> 0:27:29.119
<v Speaker 1>you be employee the months? Well? I feel like I

0:27:29.200 --> 0:27:31.639
<v Speaker 1>deserve Employee of the month because every week I spend

0:27:31.720 --> 0:27:34.840
<v Speaker 1>over seventy hours working to keep our social media and

0:27:34.960 --> 0:27:37.960
<v Speaker 1>digital platforms running and always up to date with everything

0:27:38.000 --> 0:27:40.200
<v Speaker 1>that you guys talk about on air. Plus I have

0:27:40.240 --> 0:27:42.200
<v Speaker 1>to deal with a lot of mean people online and

0:27:42.359 --> 0:27:44.240
<v Speaker 1>you know, I stay positive through it all. And I've

0:27:44.280 --> 0:27:46.680
<v Speaker 1>been really open about my crazy dating life as well.

0:27:46.840 --> 0:27:51.280
<v Speaker 1>So all solid stuff. Yeah, great job, Morgan. You are

0:27:51.280 --> 0:27:53.880
<v Speaker 1>an asset to this show, but you're not Employee the Month.

0:27:53.920 --> 0:27:57.960
<v Speaker 1>This month. Amy's our returning champion, Amy. Why should you

0:27:58.000 --> 0:27:59.800
<v Speaker 1>be employee the month? Okay? I feel like I've been

0:27:59.840 --> 0:28:03.200
<v Speaker 1>working really hard. I'm bringing good energy into the show.

0:28:03.400 --> 0:28:06.200
<v Speaker 1>I do breathing exercises while I drive in I try

0:28:06.400 --> 0:28:08.680
<v Speaker 1>one I hope the best for everybody on the show.

0:28:09.080 --> 0:28:12.440
<v Speaker 1>I brought The Stevenson Show, which has now been played

0:28:12.440 --> 0:28:15.280
<v Speaker 1>a few times, something I do with my son and

0:28:15.680 --> 0:28:19.040
<v Speaker 1>I had calls from the elderly, well let's not call

0:28:19.080 --> 0:28:22.000
<v Speaker 1>them that, older listeners that have wisdom for us, and

0:28:22.119 --> 0:28:25.639
<v Speaker 1>they all called in just ideas and topic. Thank thank you.

0:28:25.880 --> 0:28:27.920
<v Speaker 1>I thought that was a run on sentence. Not employee

0:28:27.920 --> 0:28:30.919
<v Speaker 1>of the Month, Lunchbox. I'm sorry to cut you off.

0:28:31.560 --> 0:28:32.960
<v Speaker 1>Thank I mean, I was just like, if you're gonna

0:28:32.960 --> 0:28:35.520
<v Speaker 1>cut me off, what do we go? Ahead? Ahead? We're fine,

0:28:35.680 --> 0:28:38.360
<v Speaker 1>go ahead. It was fine Without me, there would be

0:28:38.480 --> 0:28:41.480
<v Speaker 1>no show. The energy is me. You say you bring energy?

0:28:41.600 --> 0:28:44.000
<v Speaker 1>Who brings the drama? Who gets people fired up on

0:28:44.040 --> 0:28:46.760
<v Speaker 1>those phones? The only reason people tune in to say

0:28:47.000 --> 0:28:49.800
<v Speaker 1>what is Lunchbox gonna say next? And that's why they're

0:28:49.840 --> 0:28:51.760
<v Speaker 1>here in twenty twenty three. You know what, You're back

0:28:51.800 --> 0:28:55.240
<v Speaker 1>in contention, lunchbox. Let's go because of that. Let's go

0:28:55.760 --> 0:28:57.920
<v Speaker 1>back at contention. I like, let's go like the energy

0:28:58.200 --> 0:29:01.520
<v Speaker 1>whoa I'd even do breathing exercise because he yelled in

0:29:01.600 --> 0:29:04.000
<v Speaker 1>my face. Eddie, Yeah, why should you be employee the months?

0:29:04.120 --> 0:29:06.320
<v Speaker 1>I have one thing to say, bones, and that's hottest

0:29:06.360 --> 0:29:08.520
<v Speaker 1>gummy bear in the world. Look, I have a confession

0:29:08.560 --> 0:29:11.440
<v Speaker 1>to make. That was December. This is employ the months.

0:29:12.240 --> 0:29:14.480
<v Speaker 1>Look I have a confession. I really liked AMI's gifts,

0:29:14.560 --> 0:29:16.800
<v Speaker 1>but I knew at that moment I was going to

0:29:16.880 --> 0:29:19.320
<v Speaker 1>have to go for that luxury gift. So maybe I

0:29:19.520 --> 0:29:22.480
<v Speaker 1>have to take the hottest gummy bear, the hottest chip,

0:29:22.600 --> 0:29:25.160
<v Speaker 1>whatever for the show. These are the stupid things I

0:29:25.280 --> 0:29:28.200
<v Speaker 1>do for the show. Therefore, I deserve to be employ

0:29:28.320 --> 0:29:31.200
<v Speaker 1>the month. Did hot ship Eddie? You're selling it? Yeah,

0:29:31.560 --> 0:29:34.680
<v Speaker 1>let's go to Abby. Abby. You're answered the phones, you're

0:29:34.680 --> 0:29:37.400
<v Speaker 1>producing bits behind the scenes. Why should you be employe

0:29:37.480 --> 0:29:39.480
<v Speaker 1>the mind? Okay, I think I deserved to win because

0:29:39.480 --> 0:29:41.479
<v Speaker 1>I really put myself out there this month and trusted

0:29:41.520 --> 0:29:43.800
<v Speaker 1>y'all with my dating life, and I usually embarrass myself

0:29:43.840 --> 0:29:46.080
<v Speaker 1>in the process. But I especially think I should win

0:29:46.160 --> 0:29:49.160
<v Speaker 1>for sending the most cringe worthy message no offense Bobby

0:29:49.840 --> 0:29:52.240
<v Speaker 1>to a guy that I've ever sent. Plus I have

0:29:52.360 --> 0:29:55.000
<v Speaker 1>to listen to a hater in the studio every time

0:29:55.080 --> 0:29:58.000
<v Speaker 1>I talk about it, So take me everys the one

0:29:58.000 --> 0:30:00.280
<v Speaker 1>who elimitated a lunchbox from the game, so I can't

0:30:00.320 --> 0:30:02.680
<v Speaker 1>really go against that lunch bach. You're elimited again. You're

0:30:02.720 --> 0:30:06.680
<v Speaker 1>not employee the months? Oh wow? I totally okay, Yeah, yeah,

0:30:06.760 --> 0:30:13.760
<v Speaker 1>yeah wow. Well that's between Abby and Eddie. Who on Eddie?

0:30:13.880 --> 0:30:16.560
<v Speaker 1>Why because he deserves it? Maybe Eddie of the dad.

0:30:16.640 --> 0:30:22.080
<v Speaker 1>He had a couple of good Eddie the employee awesome.

0:30:22.800 --> 0:30:25.800
<v Speaker 1>This employee is a hero. He broke up a fight

0:30:25.840 --> 0:30:29.400
<v Speaker 1>and shared the heroic story with us because of him

0:30:29.480 --> 0:30:31.640
<v Speaker 1>backing out on tickets too for King and Country, they

0:30:31.640 --> 0:30:33.600
<v Speaker 1>came into performed into the best of the entire year.

0:30:33.760 --> 0:30:35.640
<v Speaker 1>I forgot about that. He won easy Trivia. He's back

0:30:35.680 --> 0:30:39.000
<v Speaker 1>to dominating games unless I'm playing. He admitted to making

0:30:39.040 --> 0:30:40.800
<v Speaker 1>his kids he out of the garbage. He shared an

0:30:40.800 --> 0:30:43.080
<v Speaker 1>important scam alert after his dad basically had to cancel

0:30:43.120 --> 0:30:45.200
<v Speaker 1>his identity. He ate the Hottest Gummy Bear and he

0:30:45.280 --> 0:30:48.440
<v Speaker 1>performed Police Navy Dad. His performance was great. Dang, what

0:30:48.680 --> 0:30:53.320
<v Speaker 1>a run Eddie you are? Then, I'm tellings he just said,

0:30:53.320 --> 0:30:56.400
<v Speaker 1>I forgot about That's crazy. You had so many good ones.

0:30:56.960 --> 0:30:58.880
<v Speaker 1>So what would you like? Eddie? Got a few options here.

0:30:58.880 --> 0:31:01.520
<v Speaker 1>You can eliminate. You can keep lunchbox out another month.

0:31:01.640 --> 0:31:03.520
<v Speaker 1>I could do that. That'd be fun. You could do

0:31:03.600 --> 0:31:05.520
<v Speaker 1>some self promotion, or you could spin the whel cash.

0:31:06.040 --> 0:31:08.240
<v Speaker 1>I do like the self promotion because I like ttok

0:31:08.480 --> 0:31:12.440
<v Speaker 1>the wheel if you want it. Bones During this whole bit.

0:31:12.480 --> 0:31:15.120
<v Speaker 1>I keep staring at that wheel, and there are only

0:31:15.680 --> 0:31:18.520
<v Speaker 1>two slots that I really want. The spin again three

0:31:18.600 --> 0:31:21.280
<v Speaker 1>times and one hundred dollars? What about the twenty fifty?

0:31:21.760 --> 0:31:23.880
<v Speaker 1>Those are nice? Those are nice. But when you said

0:31:24.080 --> 0:31:26.320
<v Speaker 1>you can win up to three hundred dollars, I was like, Okay,

0:31:26.360 --> 0:31:27.920
<v Speaker 1>this is where it's at. So I want to take

0:31:27.960 --> 0:31:30.120
<v Speaker 1>my chances. Bones. You want it to get two spins?

0:31:30.200 --> 0:31:32.600
<v Speaker 1>Two spins, let's go and if you like the first one,

0:31:32.640 --> 0:31:33.720
<v Speaker 1>you keep it. But if you don't like it, you

0:31:34.000 --> 0:31:35.640
<v Speaker 1>have to spin again. Correct, you have to go with

0:31:35.720 --> 0:31:38.600
<v Speaker 1>whatever that second spin is. You got it, Let's spin that.

0:31:41.840 --> 0:31:44.360
<v Speaker 1>Come on. One hundred dollars. One hundred dollars. There it

0:31:44.480 --> 0:31:47.920
<v Speaker 1>is five dollars. Hey, that's good. Five dollars. Now do

0:31:47.960 --> 0:31:50.320
<v Speaker 1>you want to sit on five? Or do you want

0:31:50.320 --> 0:31:52.480
<v Speaker 1>to spin again? There's a lot of ones out there.

0:31:54.200 --> 0:31:56.920
<v Speaker 1>You know what? How cool would it to be to

0:31:57.000 --> 0:31:58.800
<v Speaker 1>go home? Tell my kids? I want to employ the

0:31:58.840 --> 0:32:00.520
<v Speaker 1>month and show them the five dollars bill. I'm gonna

0:32:00.520 --> 0:32:05.560
<v Speaker 1>take the money bone, Seriously, I can't risk it. Guys,

0:32:05.680 --> 0:32:07.280
<v Speaker 1>last time I spend the wheel, it was dollars. Do

0:32:07.280 --> 0:32:08.920
<v Speaker 1>you want to know what it would have been. Let's

0:32:08.960 --> 0:32:13.640
<v Speaker 1>spend it's gonna be a hundred. I mean, I've never

0:32:13.720 --> 0:32:20.040
<v Speaker 1>seen a drummer. There you go, Eddie, here's your cash,

0:32:20.200 --> 0:32:26.320
<v Speaker 1>Come on up and accept five dollars. Employee the mont Eddie.

0:32:26.600 --> 0:32:29.680
<v Speaker 1>He did great. Congrats Eddie. You guys have been put

0:32:29.720 --> 0:32:33.239
<v Speaker 1>on notice. I'm back. Oh I'm bad. So what does

0:32:33.280 --> 0:32:37.200
<v Speaker 1>that mean? Get ready? Are you warning us you're gonna

0:32:37.200 --> 0:32:41.040
<v Speaker 1>do a great job? Oh? No, he is coming. Sider

0:32:41.160 --> 0:32:45.600
<v Speaker 1>me scary? Who will I block next? Luke Combs? But

0:32:45.680 --> 0:32:47.200
<v Speaker 1>you gotta be a great employee to be able to

0:32:47.200 --> 0:32:51.120
<v Speaker 1>block somebody. Don't worry, Okay, I'm not. It's the best

0:32:51.280 --> 0:32:55.800
<v Speaker 1>bits of the week with Morgan. Number two, another really

0:32:55.840 --> 0:32:57.880
<v Speaker 1>awesome raw interview we had on the show this week

0:32:58.000 --> 0:33:00.320
<v Speaker 1>was with Morgan Evans. He stopped by Toper form his

0:33:00.400 --> 0:33:02.520
<v Speaker 1>song over for You, which when we played it on

0:33:02.560 --> 0:33:04.480
<v Speaker 1>the show, y'all loved it and could not get enough

0:33:04.520 --> 0:33:06.280
<v Speaker 1>of this song, So of course we had to have

0:33:06.360 --> 0:33:08.640
<v Speaker 1>him come in the studio and perform it live, which

0:33:09.120 --> 0:33:11.520
<v Speaker 1>also you guys loved and really cool. And that's another

0:33:11.560 --> 0:33:13.760
<v Speaker 1>performance you can check out at Bobbybones dot com. But

0:33:13.840 --> 0:33:16.040
<v Speaker 1>not only that, during his time when he was on

0:33:16.080 --> 0:33:18.280
<v Speaker 1>the show. He opened up about the very public divorce

0:33:18.360 --> 0:33:21.360
<v Speaker 1>that he went through is going through, and it was

0:33:21.440 --> 0:33:23.800
<v Speaker 1>just really cool to hear from Morgan, hear his perspective

0:33:23.840 --> 0:33:27.200
<v Speaker 1>on things and how he's been doing recently. So overall

0:33:27.360 --> 0:33:31.120
<v Speaker 1>an awesome, incredible interview and performance. So go check out

0:33:31.160 --> 0:33:33.640
<v Speaker 1>the performance on Bobbybones dot com. But here's that interview

0:33:33.680 --> 0:33:36.200
<v Speaker 1>with Morgan and Bobby now number three. You may know

0:33:36.360 --> 0:33:40.560
<v Speaker 1>him from his number one song Kiss Somebody Sometimes. He

0:33:40.720 --> 0:33:43.680
<v Speaker 1>grew up in New South Wales in Australo. You started

0:33:43.680 --> 0:33:47.520
<v Speaker 1>surfing at age thirteen. At five, he played piano. At

0:33:47.560 --> 0:33:51.240
<v Speaker 1>eleven he played horn. You know, love him his friend

0:33:52.000 --> 0:33:55.320
<v Speaker 1>and he was playing a show in Australia and this

0:33:55.560 --> 0:33:57.280
<v Speaker 1>is like, right, has all the news about him and

0:33:57.360 --> 0:33:59.760
<v Speaker 1>Kelsey Ballerini's divorce was coming out and he goes out

0:33:59.800 --> 0:34:01.480
<v Speaker 1>and he takes a deep breath and he plays a

0:34:01.520 --> 0:34:03.840
<v Speaker 1>song I've never heard before and it was about It's

0:34:03.840 --> 0:34:06.040
<v Speaker 1>a very personal song called over for You. Here's a

0:34:06.080 --> 0:34:11.200
<v Speaker 1>clip of that. The first time he's been anywhere to

0:34:11.239 --> 0:34:15.000
<v Speaker 1>perform this, super pumped and let's do it now here.

0:34:15.040 --> 0:34:19.520
<v Speaker 1>He is Morgan Evans on the Bobby Bones Show. Now,

0:34:20.920 --> 0:34:23.360
<v Speaker 1>good to see you buddy. If you see it feels

0:34:23.360 --> 0:34:26.560
<v Speaker 1>like ammy. This has been my experience with Morgan over

0:34:26.600 --> 0:34:29.799
<v Speaker 1>the last six months. Hey you in town. No, I'm

0:34:29.840 --> 0:34:34.160
<v Speaker 1>not on town. Okay. Is that how you read his texts? Yeah? Okay,

0:34:34.440 --> 0:34:37.600
<v Speaker 1>And then he's I'm here, I'm not here, and then

0:34:37.680 --> 0:34:39.440
<v Speaker 1>we do this and this is literally the first time

0:34:39.480 --> 0:34:42.120
<v Speaker 1>we've seen each other. Yeah, but we've tried. We've been

0:34:42.160 --> 0:34:44.520
<v Speaker 1>trying to get a game. We've been trying. We've been trying.

0:34:44.880 --> 0:34:46.360
<v Speaker 1>That's why I don't know that I've ever walked in

0:34:46.400 --> 0:34:48.319
<v Speaker 1>and just hugged anybody before I saw Morgan. I didn't

0:34:48.320 --> 0:34:49.840
<v Speaker 1>get him a big hug up there, just because, like

0:34:49.880 --> 0:34:52.040
<v Speaker 1>my friend, I'm seeing you forever man a long time.

0:34:52.440 --> 0:34:55.040
<v Speaker 1>Your hair's all along, and that's not good to see them.

0:34:55.080 --> 0:34:59.720
<v Speaker 1>It's really good to see. Yeah, your hair's growing growing

0:35:00.000 --> 0:35:05.480
<v Speaker 1>own boy. Yeah. Yeah, what's what's been happening. I just

0:35:05.560 --> 0:35:08.880
<v Speaker 1>got back from Australia. I spent Christmas down there almost

0:35:08.920 --> 0:35:11.640
<v Speaker 1>a month. I heard it was awesome. Christmas in Australia

0:35:11.719 --> 0:35:13.960
<v Speaker 1>is cool because it's warm. Yeah, it was like a

0:35:14.040 --> 0:35:17.319
<v Speaker 1>little snapshot of summer. And I spent so much time

0:35:17.360 --> 0:35:19.719
<v Speaker 1>with my family and old mates, and I've got all

0:35:19.760 --> 0:35:21.640
<v Speaker 1>these little nieces and nephews now, and they all know

0:35:21.719 --> 0:35:25.520
<v Speaker 1>who I am now, which is oh, because you actually around. Yeah,

0:35:25.760 --> 0:35:29.600
<v Speaker 1>made three like three four, one two, so that I

0:35:29.840 --> 0:35:32.160
<v Speaker 1>know them from FaceTime. And so now it's really nice

0:35:32.200 --> 0:35:36.120
<v Speaker 1>to have a real connection. You are without choose and

0:35:36.120 --> 0:35:37.840
<v Speaker 1>a lot of your pictures, especially when you're being active

0:35:38.080 --> 0:35:39.760
<v Speaker 1>and so. But there's a guy who keeps offering amy

0:35:39.800 --> 0:35:43.080
<v Speaker 1>money for for feet pictures, and so would you if

0:35:43.120 --> 0:35:44.680
<v Speaker 1>somebody message you and said he I'll give you two

0:35:44.719 --> 0:35:46.359
<v Speaker 1>hundred bucks for close ups of your feet and only

0:35:46.400 --> 0:35:48.560
<v Speaker 1>your feet, would you do that? Nah? You would, even

0:35:48.600 --> 0:35:51.319
<v Speaker 1>though your feet are already for free on your Instagram. Yeah,

0:35:51.360 --> 0:35:53.600
<v Speaker 1>to be clear, and being offered two hundred and fifty dollars,

0:35:53.640 --> 0:35:55.520
<v Speaker 1>Oh my bad. So I didn't mean to under under value.

0:35:55.920 --> 0:35:58.080
<v Speaker 1>Would you do feet pictures? Where is that on the

0:35:58.200 --> 0:36:01.480
<v Speaker 1>hierarchy of feet value idea? We have seen the most

0:36:01.520 --> 0:36:04.839
<v Speaker 1>valuable Fate picture. We only know her value. I tried

0:36:04.880 --> 0:36:07.640
<v Speaker 1>to sell him some of mine and it was far lower.

0:36:08.120 --> 0:36:10.799
<v Speaker 1>But now he wants giant pictures of her with her

0:36:10.840 --> 0:36:13.239
<v Speaker 1>feet right near the camera and she's standing in her

0:36:13.280 --> 0:36:16.200
<v Speaker 1>head small and he's offered even more. That's pretty specific.

0:36:17.280 --> 0:36:19.520
<v Speaker 1>It's like giant ness or something, and all you have

0:36:19.600 --> 0:36:21.520
<v Speaker 1>to do is just make your foot or hand look big.

0:36:21.719 --> 0:36:23.279
<v Speaker 1>That's all I would have to do. And he said

0:36:23.280 --> 0:36:25.920
<v Speaker 1>he'd pay me. I'm not going to do it. Do

0:36:25.960 --> 0:36:27.840
<v Speaker 1>you reply to this person? We talked about him on

0:36:27.840 --> 0:36:29.600
<v Speaker 1>the show all the time. Yeah, yeah, right, But you're

0:36:29.640 --> 0:36:31.680
<v Speaker 1>someone who is at the beach a lot, and I wonder,

0:36:31.760 --> 0:36:34.839
<v Speaker 1>since it's already readily available, would you also take money?

0:36:35.400 --> 0:36:37.960
<v Speaker 1>Well maybe, because it's so available. I've never been offered

0:36:38.000 --> 0:36:40.080
<v Speaker 1>money for I do get asked this question a little bit,

0:36:40.120 --> 0:36:43.440
<v Speaker 1>which I think is equally as interesting, which is a

0:36:43.600 --> 0:36:47.480
<v Speaker 1>your fate ticklish? Do you get ticklish? It seems like

0:36:47.560 --> 0:36:51.680
<v Speaker 1>a common, like multiple people question. Never thought about that. Yeah,

0:36:51.719 --> 0:36:53.400
<v Speaker 1>And if I don't even know what it means, it

0:36:53.520 --> 0:36:57.000
<v Speaker 1>starts the computer history of whoever asked that question. You

0:36:57.000 --> 0:36:58.640
<v Speaker 1>don't know what that means? Oh I don't. I don't

0:36:58.680 --> 0:37:00.239
<v Speaker 1>do any more than read it and then move on

0:37:00.360 --> 0:37:02.359
<v Speaker 1>from it. So I haven't looked into where it comes from.

0:37:02.440 --> 0:37:06.680
<v Speaker 1>But are they Yeah, what are they ticklish? I don't know.

0:37:06.920 --> 0:37:13.919
<v Speaker 1>Maybe sometimes them? Right now, let's do it right now? Um, okay, look,

0:37:14.480 --> 0:37:16.719
<v Speaker 1>let's just let's get to the nitty gritty. You played

0:37:16.760 --> 0:37:19.560
<v Speaker 1>this song you're about to play. You played it at

0:37:19.600 --> 0:37:22.719
<v Speaker 1>a live show. We saw it on TikTok. I ripped

0:37:22.760 --> 0:37:24.440
<v Speaker 1>the audio off TikTok and just played it on the

0:37:24.520 --> 0:37:27.680
<v Speaker 1>ear the whole thing. It's a phone version. It sounds your.

0:37:27.840 --> 0:37:30.360
<v Speaker 1>Your performance was great, but the audio quality was pretty

0:37:30.480 --> 0:37:33.439
<v Speaker 1>terrible because it was just somebody recording it right then.

0:37:34.040 --> 0:37:36.480
<v Speaker 1>I know some people that know some people, and I

0:37:36.600 --> 0:37:39.880
<v Speaker 1>got a boored version of you play of that, And

0:37:40.440 --> 0:37:41.879
<v Speaker 1>you know, I didn't know if you're gonna get upset

0:37:41.920 --> 0:37:43.600
<v Speaker 1>at me for for having it and playing it. I

0:37:43.640 --> 0:37:45.560
<v Speaker 1>didn't ask permission because I didn't want you to say no,

0:37:45.719 --> 0:37:47.000
<v Speaker 1>and I felt like the song was really good and

0:37:47.040 --> 0:37:50.120
<v Speaker 1>you would be grateful later, hopefully if that ended up

0:37:50.120 --> 0:37:51.640
<v Speaker 1>being a single. And so we had that I was

0:37:51.719 --> 0:37:55.360
<v Speaker 1>playing it, and then it became your single now, And

0:37:55.440 --> 0:37:57.240
<v Speaker 1>so I want to go back to that night because

0:37:57.320 --> 0:38:00.440
<v Speaker 1>whenever you walked out, it sounded like you didn't say

0:38:00.440 --> 0:38:01.759
<v Speaker 1>anything in the crowd. It sounded like you were a

0:38:01.800 --> 0:38:04.040
<v Speaker 1>bit emotional before you played it. Is that true? Are

0:38:04.080 --> 0:38:06.279
<v Speaker 1>we putting too much into that? I mean, it's very

0:38:06.360 --> 0:38:08.640
<v Speaker 1>true that it was emotional time the first time you

0:38:08.680 --> 0:38:10.600
<v Speaker 1>played were you, Like, yeah, were you? I guess my

0:38:10.719 --> 0:38:13.040
<v Speaker 1>question is were you thinking about, Okay, should I play

0:38:13.080 --> 0:38:14.759
<v Speaker 1>this tonight? And did you make the decision right then

0:38:14.800 --> 0:38:16.319
<v Speaker 1>and there or like, I'm going to play this new

0:38:16.360 --> 0:38:18.600
<v Speaker 1>song I just wrote. No, No, it was then and there. Thing.

0:38:18.719 --> 0:38:20.360
<v Speaker 1>It was a moment in the show that was always

0:38:20.400 --> 0:38:22.640
<v Speaker 1>going to be the Okay, the band leads the stage

0:38:22.640 --> 0:38:25.160
<v Speaker 1>and then it's a piano moment. But there was a

0:38:25.200 --> 0:38:27.160
<v Speaker 1>couple of options that I had to do that night,

0:38:27.200 --> 0:38:30.640
<v Speaker 1>of different piano versions of different songs. And I'd just

0:38:30.800 --> 0:38:34.279
<v Speaker 1>written this song over a few the week before, and

0:38:34.560 --> 0:38:36.399
<v Speaker 1>I hadn't even shown anyone, Like, I hadn't even sent

0:38:36.480 --> 0:38:39.879
<v Speaker 1>it to my management or anything. But did you write

0:38:39.880 --> 0:38:41.840
<v Speaker 1>it about yourself? I'd been playing it a lot. No.

0:38:42.040 --> 0:38:43.960
<v Speaker 1>I wrote it with a couple other people here in town.

0:38:44.120 --> 0:38:46.160
<v Speaker 1>So how vulnerable is that that you do? I mean,

0:38:46.200 --> 0:38:49.279
<v Speaker 1>it's a songwriting, very vulnerable when it's very personal. Yeah,

0:38:49.520 --> 0:38:51.040
<v Speaker 1>and you go and you go and write this song.

0:38:51.200 --> 0:38:54.040
<v Speaker 1>This has been happening. You have to trust those two.

0:38:54.160 --> 0:38:56.440
<v Speaker 1>And I'm assuming there are people you've been with before. Yeah,

0:38:56.520 --> 0:38:58.640
<v Speaker 1>one of them was two of them I met that day.

0:38:58.719 --> 0:39:02.719
<v Speaker 1>Oh boy, hello here, I don't know I don't know

0:39:02.800 --> 0:39:05.000
<v Speaker 1>how why happened. I guess something's just happened for a reason.

0:39:05.280 --> 0:39:07.280
<v Speaker 1>It was the only song I wrote in four month period.

0:39:07.600 --> 0:39:10.120
<v Speaker 1>And I went into that session because I particularly I

0:39:10.239 --> 0:39:12.200
<v Speaker 1>was a big fan of a couple of people in

0:39:12.280 --> 0:39:14.080
<v Speaker 1>the room, and then one of my really good mace

0:39:14.160 --> 0:39:16.120
<v Speaker 1>was in there, and I thought, I need to do

0:39:16.360 --> 0:39:19.000
<v Speaker 1>something creative, because you know, this is what I do.

0:39:19.120 --> 0:39:20.919
<v Speaker 1>It's like an outlet. And I sat in the corner

0:39:20.960 --> 0:39:23.000
<v Speaker 1>of the room and I just looked at everyone. I

0:39:23.080 --> 0:39:25.520
<v Speaker 1>was like, guys, I'm gonna be completely useless in this

0:39:25.600 --> 0:39:27.840
<v Speaker 1>session unless I just tell you what's going on. You know,

0:39:27.920 --> 0:39:30.360
<v Speaker 1>were they like elephant in the room? They knew you

0:39:30.400 --> 0:39:33.279
<v Speaker 1>were it was a difficult season, and they were like,

0:39:33.360 --> 0:39:35.640
<v Speaker 1>what does he wanted? We do we even write a

0:39:35.719 --> 0:39:38.759
<v Speaker 1>song because there's just so much there. If it's how

0:39:38.960 --> 0:39:42.239
<v Speaker 1>was that? I don't know if that that part of

0:39:42.280 --> 0:39:43.719
<v Speaker 1>it ever had a chance to have him because I

0:39:43.760 --> 0:39:46.279
<v Speaker 1>just said, I just said, look, yeah, let's just do this. Well,

0:39:46.320 --> 0:39:47.960
<v Speaker 1>the song is so good. I mean, if you write

0:39:48.000 --> 0:39:49.680
<v Speaker 1>it or you wrote it for somebody else, songs good

0:39:49.880 --> 0:39:52.640
<v Speaker 1>by itself, regardless of whatever story it is, but the

0:39:52.760 --> 0:39:55.200
<v Speaker 1>personal story makes it it doesn't matter whose story, but

0:39:55.239 --> 0:39:59.440
<v Speaker 1>a personal story adds value to anything creative because we

0:39:59.560 --> 0:40:02.000
<v Speaker 1>feel as the person who's listening consuming, we feel like

0:40:02.120 --> 0:40:05.480
<v Speaker 1>it is. It's like authentic and legitimate, right, and that's

0:40:05.480 --> 0:40:09.120
<v Speaker 1>the goal it is. And as a songwriter, I feel

0:40:09.160 --> 0:40:11.680
<v Speaker 1>like that aspect of it I'm really proud of, and

0:40:13.400 --> 0:40:15.920
<v Speaker 1>I think the pride of it comes from after sharing it,

0:40:16.880 --> 0:40:22.239
<v Speaker 1>seeing how that level of vulnerability and personal writing is

0:40:22.320 --> 0:40:26.320
<v Speaker 1>actually the thing that most widely relates to people. And

0:40:26.800 --> 0:40:29.400
<v Speaker 1>the amount of messages and comments I get on social

0:40:29.480 --> 0:40:32.759
<v Speaker 1>media now, they're so great and they're like, it's so

0:40:32.880 --> 0:40:34.960
<v Speaker 1>much more than hey I love that song or that

0:40:35.040 --> 0:40:38.160
<v Speaker 1>show was so fun. It's like, thank you for writing

0:40:38.239 --> 0:40:40.279
<v Speaker 1>that song, thank you for putting into words how I

0:40:40.400 --> 0:40:42.600
<v Speaker 1>felt or how I feel. Thank you for letting me

0:40:42.719 --> 0:40:44.920
<v Speaker 1>know I'm not alone. And those kind of things mean

0:40:45.280 --> 0:40:48.640
<v Speaker 1>so so much. Having gone through a situation like that,

0:40:48.760 --> 0:40:52.600
<v Speaker 1>seeing that it helps other people going through situations like that, Yeah,

0:40:52.600 --> 0:40:54.680
<v Speaker 1>it's really a big deal. Morgan Evans is here. He's

0:40:54.680 --> 0:40:56.520
<v Speaker 1>got a keyboard piano. Now, is that one of those

0:40:56.600 --> 0:40:59.360
<v Speaker 1>keyboards that plays for you for the key or are

0:40:59.360 --> 0:41:01.279
<v Speaker 1>you actually gonna you know how the ones it would

0:41:01.360 --> 0:41:04.200
<v Speaker 1>play Okay, so, but it's not you're actually gonna play

0:41:04.280 --> 0:41:06.640
<v Speaker 1>I'm use my hand, Okay, just making sure. I'm just

0:41:06.640 --> 0:41:08.800
<v Speaker 1>showing how legitimate he is as an artist. All around.

0:41:09.200 --> 0:41:11.399
<v Speaker 1>The guy plays all the instruments. How funny he comes

0:41:11.440 --> 0:41:13.040
<v Speaker 1>in and it starts playing the song, but he push

0:41:13.200 --> 0:41:16.840
<v Speaker 1>the wrong button. Okay, here he is Morgan Evans with

0:41:17.080 --> 0:41:24.719
<v Speaker 1>his song over for you. Morgan Evans, Like, the only

0:41:24.840 --> 0:41:28.000
<v Speaker 1>thing that I can relate just a bit of my

0:41:28.200 --> 0:41:30.840
<v Speaker 1>story to this here is it's not the only thing.

0:41:30.920 --> 0:41:33.040
<v Speaker 1>But when I would write like my first book, I

0:41:33.080 --> 0:41:34.600
<v Speaker 1>had to I didn't have to be I revealed some

0:41:34.800 --> 0:41:39.319
<v Speaker 1>very personal things that never revealed before, and it felt

0:41:39.440 --> 0:41:43.680
<v Speaker 1>a little embarrassing is not the word, but I would

0:41:43.719 --> 0:41:46.279
<v Speaker 1>like talk about some really uh personal things about my

0:41:46.440 --> 0:41:51.520
<v Speaker 1>mom and um addiction and struggles and things that I

0:41:51.640 --> 0:41:54.560
<v Speaker 1>felt people were gonna feel sorry for me for. And

0:41:54.640 --> 0:41:56.160
<v Speaker 1>so I was like, I don't want people sorry for me,

0:41:56.560 --> 0:41:59.640
<v Speaker 1>and I was embarrassed that they might. But then when

0:41:59.680 --> 0:42:01.319
<v Speaker 1>people started to come up to me at like shows,

0:42:01.360 --> 0:42:03.560
<v Speaker 1>when I would I would go and do they would go, hey,

0:42:04.040 --> 0:42:05.960
<v Speaker 1>that part and it would be that specifically they would go,

0:42:06.040 --> 0:42:08.759
<v Speaker 1>that's the part they go. I related, so much to that,

0:42:09.040 --> 0:42:10.680
<v Speaker 1>the one that the thing I was so worried about

0:42:11.560 --> 0:42:13.600
<v Speaker 1>the thing that I was like, Man, when people hear this,

0:42:13.680 --> 0:42:15.480
<v Speaker 1>they're gonna think less of me, or they're gonna think

0:42:15.480 --> 0:42:17.520
<v Speaker 1>they're gonna feel sorry for me. And I didn't want

0:42:17.560 --> 0:42:19.080
<v Speaker 1>them to feel sorry for me. I was using that

0:42:19.080 --> 0:42:22.719
<v Speaker 1>as an outlet to share. But it was that that

0:42:22.800 --> 0:42:26.960
<v Speaker 1>people related to the most. And I wonder if that

0:42:27.160 --> 0:42:29.200
<v Speaker 1>was similar with you. Where you're going, I'm gonna do

0:42:29.280 --> 0:42:31.520
<v Speaker 1>this song. It's so personal, and like you said, you

0:42:31.560 --> 0:42:34.000
<v Speaker 1>didn't expect people to just be like I needed that

0:42:34.120 --> 0:42:37.080
<v Speaker 1>song for me, not for not just listening to your

0:42:37.120 --> 0:42:39.680
<v Speaker 1>story like they needed it for them. And all these

0:42:39.719 --> 0:42:43.080
<v Speaker 1>people hearing that you're very personal story but then also

0:42:43.200 --> 0:42:45.360
<v Speaker 1>finding their own story inside of it, there's got to

0:42:45.400 --> 0:42:47.839
<v Speaker 1>be some something in that that makes you feel great

0:42:47.880 --> 0:42:50.719
<v Speaker 1>that you didn't expect. Yeah. Absolutely, I mean I had

0:42:50.800 --> 0:42:53.000
<v Speaker 1>no expectations for it. I'm not sure if you had

0:42:53.040 --> 0:42:55.640
<v Speaker 1>expectations for those moments in that book. I've read the

0:42:55.680 --> 0:42:58.879
<v Speaker 1>book by the Wise Cry Thank You, I've heard that song. Yeah.

0:43:00.800 --> 0:43:02.759
<v Speaker 1>It's great for that reason though, and I think the

0:43:02.840 --> 0:43:05.400
<v Speaker 1>same reason that I feel like people kind of have

0:43:05.560 --> 0:43:07.920
<v Speaker 1>been reacting to this song. I literally played it that

0:43:08.480 --> 0:43:10.640
<v Speaker 1>night on the first SILD because I felt like it

0:43:10.760 --> 0:43:12.560
<v Speaker 1>was something that I needed to say, something that I

0:43:12.640 --> 0:43:15.000
<v Speaker 1>needed to do, and it wasn't until after the show

0:43:15.480 --> 0:43:19.799
<v Speaker 1>felt good to do that. And I didn't really get

0:43:19.840 --> 0:43:21.280
<v Speaker 1>a choice in any of the rest of it because

0:43:21.400 --> 0:43:23.800
<v Speaker 1>by the time I woke up the time difference of stuff,

0:43:23.840 --> 0:43:27.120
<v Speaker 1>someone like you've played the song on the radio, TikTok's

0:43:27.280 --> 0:43:30.279
<v Speaker 1>had this video shared however many times, and after that

0:43:30.400 --> 0:43:31.759
<v Speaker 1>it kind of just took on a life of its

0:43:31.800 --> 0:43:34.040
<v Speaker 1>own in other people's lives. And so after that, I

0:43:34.160 --> 0:43:36.479
<v Speaker 1>felt like, it's obviously always going to be my story,

0:43:36.600 --> 0:43:38.960
<v Speaker 1>my song, but I feel like now that it's out

0:43:39.000 --> 0:43:41.040
<v Speaker 1>there in the world, it's it's everybody's who needs it

0:43:41.120 --> 0:43:42.759
<v Speaker 1>to be. Was there ever a time where you play it,

0:43:43.040 --> 0:43:44.839
<v Speaker 1>I mean, never put the song out, I mean never

0:43:44.920 --> 0:43:46.440
<v Speaker 1>played the song we wrote it. Maybe it was just

0:43:46.719 --> 0:43:50.440
<v Speaker 1>that cathartic experience of songwriting. Did you ever think, you

0:43:50.520 --> 0:43:53.160
<v Speaker 1>know what, but I just might not ever play it? Yeah,

0:43:53.160 --> 0:43:56.319
<v Speaker 1>one hundred percent percent. Yeah. I mean there's so many

0:43:57.200 --> 0:43:59.239
<v Speaker 1>especially when you first get to town and you still

0:43:59.280 --> 0:44:01.239
<v Speaker 1>like you kind of meeting different writing groups. There's so

0:44:01.320 --> 0:44:04.040
<v Speaker 1>many rooms that you're in in in Nashville where they're like, hey,

0:44:04.080 --> 0:44:05.800
<v Speaker 1>we need to write a hit song today, you know,

0:44:05.880 --> 0:44:08.640
<v Speaker 1>like that's the goal. The goal of this day was

0:44:08.719 --> 0:44:10.680
<v Speaker 1>just dude sitting in the corner of a room, just

0:44:11.719 --> 0:44:16.480
<v Speaker 1>just trying to make sense of a situation. And that

0:44:16.600 --> 0:44:19.160
<v Speaker 1>part of it creatively is really rewarding too. It's just like, hey,

0:44:19.320 --> 0:44:22.600
<v Speaker 1>sit down, say what are you gonna say? Weird to

0:44:24.000 --> 0:44:26.239
<v Speaker 1>have people in your business? Yeah, but they were in

0:44:26.320 --> 0:44:28.759
<v Speaker 1>it anyway. I didn't really get a choice of that.

0:44:29.280 --> 0:44:31.759
<v Speaker 1>That wasn't that, that was not an added part of

0:44:31.840 --> 0:44:36.799
<v Speaker 1>this moment. No, rewind weird to have people in your

0:44:36.880 --> 0:44:39.400
<v Speaker 1>business period, even before the song came out in a

0:44:39.480 --> 0:44:43.160
<v Speaker 1>way that that hadn't happened before totally. I mean it

0:44:43.320 --> 0:44:46.400
<v Speaker 1>was a high profile marriage. Yeah, and with that you

0:44:46.719 --> 0:44:49.960
<v Speaker 1>the spoils of it was great. And then also I

0:44:50.040 --> 0:44:52.279
<v Speaker 1>got to imagine, though I just was so mad at

0:44:52.320 --> 0:44:54.919
<v Speaker 1>people about I was just like I was, you didn't

0:44:54.920 --> 0:44:56.520
<v Speaker 1>even need defend it, didn't you. You've handled this like

0:44:56.880 --> 0:44:59.120
<v Speaker 1>so freaking mature it. I just wouldn't have. I just

0:44:59.160 --> 0:45:01.800
<v Speaker 1>wouldn't be. I let things on fire just for the

0:45:01.840 --> 0:45:05.560
<v Speaker 1>sake of it. And I was like people on the internet. Now,

0:45:06.760 --> 0:45:09.160
<v Speaker 1>I hear right, this is a very pro Morgan Evans show.

0:45:09.880 --> 0:45:12.640
<v Speaker 1>And I was getting mad for you, and I kept going,

0:45:12.719 --> 0:45:15.080
<v Speaker 1>Morgan's just acting like a mature adult. Maybe I should

0:45:15.120 --> 0:45:17.160
<v Speaker 1>do that, you know. And I that had to be

0:45:17.320 --> 0:45:20.160
<v Speaker 1>tough to just have all these emotions and go, I

0:45:20.239 --> 0:45:23.239
<v Speaker 1>gotta worry about me and only me. Yeah, because that's

0:45:23.280 --> 0:45:27.399
<v Speaker 1>a beast when people just are wrong. Yeah, right there,

0:45:27.600 --> 0:45:29.840
<v Speaker 1>it's it's so I commend you for that, because I'd

0:45:29.840 --> 0:45:33.000
<v Speaker 1>have been fined, I'd be canceled by now. Thanks man. Yeah,

0:45:33.080 --> 0:45:36.759
<v Speaker 1>it was really tough in that way, and I am

0:45:37.600 --> 0:45:39.600
<v Speaker 1>I mean, the only thing you control is you and

0:45:39.800 --> 0:45:41.640
<v Speaker 1>how you feel and what you're doing. So I just

0:45:42.320 --> 0:45:44.279
<v Speaker 1>thankfully I have good people around me that would keep

0:45:44.320 --> 0:45:47.080
<v Speaker 1>reminding me of that and keep me grounded in that way.

0:45:47.239 --> 0:45:50.920
<v Speaker 1>And I'm I'll always be grateful for that. Found some

0:45:51.120 --> 0:45:57.719
<v Speaker 1>really like true friends in life and in business, and yeah,

0:45:57.800 --> 0:46:02.160
<v Speaker 1>I credit them with any of the decisions. Like you

0:46:02.280 --> 0:46:05.400
<v Speaker 1>really learn who like who your folks are when when

0:46:05.480 --> 0:46:08.080
<v Speaker 1>when times aren't the best, when there's really no huge

0:46:08.120 --> 0:46:11.560
<v Speaker 1>benefit for them to be your folks other than friendship

0:46:11.600 --> 0:46:14.000
<v Speaker 1>and love, that's when you really learn who you who

0:46:14.080 --> 0:46:18.000
<v Speaker 1>your people are, absolutely, and that's the real benefit of

0:46:18.400 --> 0:46:20.719
<v Speaker 1>a time that really isn't that beneficial? You know? And

0:46:20.760 --> 0:46:23.040
<v Speaker 1>I think we've all been through them. Uh, this song

0:46:23.200 --> 0:46:25.200
<v Speaker 1>is great, You're great. I'm I'm gonna be honest with you.

0:46:25.200 --> 0:46:29.160
<v Speaker 1>I'm in love with you. I hope that makes you happy.

0:46:29.200 --> 0:46:30.680
<v Speaker 1>I'm in love with you. I'm in love with Morgan. Ever,

0:46:30.760 --> 0:46:33.000
<v Speaker 1>I said it. Wow, I said it out there. I

0:46:33.160 --> 0:46:36.240
<v Speaker 1>said it. I think one of the most beautiful lines,

0:46:36.280 --> 0:46:39.840
<v Speaker 1>which may even speak to the maturity Bobbies talking about,

0:46:40.120 --> 0:46:43.839
<v Speaker 1>is I would have let go if you wanted me to. Right.

0:46:45.000 --> 0:46:48.880
<v Speaker 1>That's a certain level of where someone is to recognize

0:46:48.960 --> 0:46:50.759
<v Speaker 1>if you need even though it's so painful, if you

0:46:50.880 --> 0:46:52.960
<v Speaker 1>need me to let go, I would have done it. Right.

0:46:53.480 --> 0:46:56.480
<v Speaker 1>What's what's the deal? Two? Because you're gonna go and

0:46:56.560 --> 0:46:59.080
<v Speaker 1>you're gonna promote the song obviously, but it's not like

0:46:59.160 --> 0:47:00.399
<v Speaker 1>you want to go to every inner. Are you talking

0:47:00.400 --> 0:47:03.759
<v Speaker 1>about divorce? Honestly? How are you going to handle it?

0:47:04.000 --> 0:47:05.759
<v Speaker 1>I really don't I know that, but but you wrote

0:47:05.760 --> 0:47:07.359
<v Speaker 1>a song. I mean, but I just wonder how you're

0:47:07.400 --> 0:47:09.680
<v Speaker 1>going to handle that because you're going I wrote this song.

0:47:09.880 --> 0:47:12.080
<v Speaker 1>It's the single I'm here to talk about the single.

0:47:12.719 --> 0:47:14.480
<v Speaker 1>It's just how how are you going to handle that?

0:47:14.640 --> 0:47:16.840
<v Speaker 1>I mean, I feel comfortable with you guys. So it's like,

0:47:16.920 --> 0:47:18.480
<v Speaker 1>if I'm gonna do it anywhere, I'll do it here.

0:47:18.600 --> 0:47:21.080
<v Speaker 1>But um, I don't ask me. In a few months,

0:47:21.080 --> 0:47:23.920
<v Speaker 1>I guess yeah, we'll specifically ask him that. We'll bring

0:47:24.000 --> 0:47:29.719
<v Speaker 1>him into one bring one question. Uh, you're still you're

0:47:29.719 --> 0:47:33.919
<v Speaker 1>working out, yeah, like you're good physically, you're hitting hard. Yeah.

0:47:34.200 --> 0:47:36.440
<v Speaker 1>Not doing the dry January thing right now? Ray did

0:47:36.520 --> 0:47:38.359
<v Speaker 1>that pretty good about it. Ray did it for six

0:47:38.520 --> 0:47:39.759
<v Speaker 1>days and then he came on the show once that

0:47:39.840 --> 0:47:42.560
<v Speaker 1>I quit, so it was a real He's like, I'm

0:47:42.600 --> 0:47:44.960
<v Speaker 1>doing dry January and then he's like I quit. We're

0:47:45.040 --> 0:47:47.920
<v Speaker 1>like why he goes, I don't know. It's Saturday, and

0:47:48.040 --> 0:47:50.239
<v Speaker 1>so I hope you have Yeah, you're you're done. You're

0:47:50.280 --> 0:47:52.520
<v Speaker 1>good now. Yeah, well look, you know I drank enough

0:47:52.520 --> 0:47:54.680
<v Speaker 1>beiers in Australia of a Christmas to like last me

0:47:54.760 --> 0:47:58.480
<v Speaker 1>through January. I think what in Australia the beer culture

0:47:58.560 --> 0:48:00.719
<v Speaker 1>there is? There? Is it twenty one? First of all,

0:48:00.760 --> 0:48:03.560
<v Speaker 1>to drink beer, it's eighteen, okay? Is it a loose

0:48:03.640 --> 0:48:07.239
<v Speaker 1>eighteen meaning if you're sixteen? Is it like oh no,

0:48:07.320 --> 0:48:10.480
<v Speaker 1>they're pretty strict about that. They are the eighteen Yeah, yeah,

0:48:10.560 --> 0:48:13.200
<v Speaker 1>pretty strict about most things in Australia. Actually, is there

0:48:13.239 --> 0:48:15.480
<v Speaker 1>an Australian beer that you really like that when you

0:48:15.520 --> 0:48:16.960
<v Speaker 1>come to the States, you're like, dang, I wish they

0:48:17.000 --> 0:48:22.560
<v Speaker 1>had Kuala Light. That'd be cool. Yeah, yeah, quite light.

0:48:22.719 --> 0:48:26.400
<v Speaker 1>I'll probably make that. It probably look in America. But yeah, look,

0:48:26.440 --> 0:48:28.680
<v Speaker 1>there's so many beers back on him now. It's like, um,

0:48:29.200 --> 0:48:31.200
<v Speaker 1>all the little micro breweries when I used to live there,

0:48:31.239 --> 0:48:32.759
<v Speaker 1>and now like some of those are big beers. I

0:48:32.880 --> 0:48:35.000
<v Speaker 1>quite enjoyed just going along and trying every tap along.

0:48:35.560 --> 0:48:40.480
<v Speaker 1>Yeah I like it. Yeah, okay, anything else, guys, this

0:48:40.560 --> 0:48:42.759
<v Speaker 1>is it. This is our time. We don't listen. I

0:48:42.840 --> 0:48:43.880
<v Speaker 1>try to get him. I try to hang out with

0:48:43.960 --> 0:48:45.360
<v Speaker 1>him all the time. He's never round. I think. What

0:48:45.400 --> 0:48:46.520
<v Speaker 1>I think is he sits at home and goes, I'm

0:48:46.520 --> 0:48:48.200
<v Speaker 1>in Australia. Then he's got a post pictures in Australia

0:48:48.239 --> 0:48:50.000
<v Speaker 1>on his Instagram. So it's not blow us cover because

0:48:50.000 --> 0:48:51.360
<v Speaker 1>he doesn't want to hang out yet. He's like I

0:48:51.440 --> 0:48:53.919
<v Speaker 1>told him and I'm in Australia, So go ahead, Eddie.

0:48:53.960 --> 0:48:56.000
<v Speaker 1>No along with the beer, conversation. Like a lot of

0:48:56.000 --> 0:48:58.480
<v Speaker 1>people are talking about Fosters, you know, like Fosters Fabia, Like,

0:48:58.719 --> 0:49:01.040
<v Speaker 1>oh is that big enough or is that just big here?

0:49:01.160 --> 0:49:03.160
<v Speaker 1>I think at one point it was big in Australia,

0:49:03.280 --> 0:49:04.840
<v Speaker 1>like maybe in the seventies or something like that. But

0:49:05.000 --> 0:49:06.600
<v Speaker 1>I think most of us might he let's do it,

0:49:06.719 --> 0:49:11.600
<v Speaker 1>Eddie Fosters. Okay, I do keep on the bus. Is

0:49:11.600 --> 0:49:13.480
<v Speaker 1>on the bus in case someone asked that question and

0:49:13.560 --> 0:49:15.680
<v Speaker 1>then they have to drink it. So if you come

0:49:15.719 --> 0:49:19.600
<v Speaker 1>on the bus, remember that boomerangs bones out Back Steakhouse. Yeah,

0:49:19.600 --> 0:49:21.840
<v Speaker 1>we're gonna do all the generic stupid things that everybody

0:49:22.400 --> 0:49:25.120
<v Speaker 1>Eddie's opened it up Outback Steakhouse. They have them there. Um,

0:49:26.000 --> 0:49:27.840
<v Speaker 1>I don't think so. I've never been to an at

0:49:27.920 --> 0:49:30.279
<v Speaker 1>back steakhouse. We should go to we should go. Yeah,

0:49:30.680 --> 0:49:32.239
<v Speaker 1>that's what we're gonna do. I'm gonna take you and

0:49:32.280 --> 0:49:37.000
<v Speaker 1>we're gonna document your first ever. That's hilarious. That is okay,

0:49:37.040 --> 0:49:38.400
<v Speaker 1>But I'll probably be like, hey, where are you. I'm

0:49:38.400 --> 0:49:40.399
<v Speaker 1>gonna Australia, bro, I just like the show three hours ago.

0:49:40.440 --> 0:49:43.120
<v Speaker 1>There's no way you can be in Australia in three hours.

0:49:43.200 --> 0:49:46.719
<v Speaker 1>I'll post a qualifying picture straight up. Yes, meat pies. Yeah,

0:49:47.440 --> 0:49:48.839
<v Speaker 1>you just said, yeah, I don't know what that means,

0:49:49.560 --> 0:49:51.920
<v Speaker 1>you'll have them? Yeah, absolutely, that's still a thing. Oh yeah.

0:49:52.520 --> 0:49:56.600
<v Speaker 1>Asking about the kangaroo, well, oh yeah, asking about the

0:49:57.000 --> 0:50:00.160
<v Speaker 1>final question. It's not about you. And I think if

0:50:00.200 --> 0:50:03.640
<v Speaker 1>you just said, yeah, we're generically going to find a

0:50:03.719 --> 0:50:06.880
<v Speaker 1>kangaroo in Australia, doesn't matter. It's just law of averages,

0:50:07.000 --> 0:50:08.480
<v Speaker 1>and you put it in front of me, I think,

0:50:08.480 --> 0:50:11.759
<v Speaker 1>I whoop. It's but fighting a kangaroo. Yeah, I would

0:50:11.760 --> 0:50:13.560
<v Speaker 1>bet money on me. We're not finding one of those

0:50:13.680 --> 0:50:15.440
<v Speaker 1>muscle ones that they put on the internet. And we're

0:50:15.440 --> 0:50:17.120
<v Speaker 1>also not going to get a baby. It's just a rant,

0:50:17.880 --> 0:50:19.640
<v Speaker 1>random kangaroo you put in front of me. I think

0:50:19.640 --> 0:50:22.719
<v Speaker 1>I can whoop a kangaroo's butt. Okay, go do I

0:50:22.840 --> 0:50:24.960
<v Speaker 1>think would I back you out of the kangaroo? Yeah?

0:50:25.120 --> 0:50:27.120
<v Speaker 1>They say here's ten thousand dollars. Who you bet nine

0:50:27.160 --> 0:50:30.439
<v Speaker 1>to the death the death? Yeah, I mean, look, there's

0:50:30.440 --> 0:50:32.839
<v Speaker 1>different kinds of kangaroos, right, You've got the gray kind,

0:50:32.920 --> 0:50:35.239
<v Speaker 1>which you're around the coastal areas where most people live.

0:50:35.480 --> 0:50:39.279
<v Speaker 1>I definitely they're all those big red muscley ones. Yeah, yeah,

0:50:39.280 --> 0:50:40.400
<v Speaker 1>but they don't. They don't have the agility I have.

0:50:40.400 --> 0:50:42.480
<v Speaker 1>There too many muscles. Are you taking on one of

0:50:42.480 --> 0:50:44.200
<v Speaker 1>the big ones? I'm taking on a random kangaroo. It

0:50:44.200 --> 0:50:45.719
<v Speaker 1>doesn't matter. They just grab one that they just draw

0:50:45.800 --> 0:50:49.799
<v Speaker 1>the lottery. This kangaroo rooop average kangaroo averages, you'll beat

0:50:49.800 --> 0:50:53.359
<v Speaker 1>an average kangaroo. What's really? Yeah? What's up? An expert? Wow?

0:50:53.440 --> 0:50:54.839
<v Speaker 1>You know what Australia? Do you know what his middle

0:50:54.920 --> 0:50:57.319
<v Speaker 1>name is? Morgan rue Evans. So don't tell me if

0:50:57.360 --> 0:51:00.920
<v Speaker 1>the guy doesn't know about k kangaroos. All right, all right,

0:51:00.960 --> 0:51:03.600
<v Speaker 1>So you're going to Europe and you're playing these shows

0:51:03.640 --> 0:51:06.959
<v Speaker 1>with Mitchell Tenpenny. Yeah, okay, yeah, and you're doing those

0:51:07.320 --> 0:51:09.120
<v Speaker 1>I'm trying to see. And then you're doing the shows

0:51:09.120 --> 0:51:12.799
<v Speaker 1>with Brett Young all like March through Tenner third March,

0:51:12.840 --> 0:51:15.200
<v Speaker 1>April May. Yeah, I could do my fingers. It's gonna May.

0:51:15.640 --> 0:51:17.279
<v Speaker 1>And then you're you're all out. I mean you got

0:51:17.320 --> 0:51:18.960
<v Speaker 1>a bunch of shows, huh. And then we're about to

0:51:19.080 --> 0:51:22.200
<v Speaker 1>and now some dates for the middle of the summer too. Okay, here,

0:51:22.280 --> 0:51:24.480
<v Speaker 1>that's gonna be busy, gonna be busy, ye something though

0:51:24.560 --> 0:51:28.640
<v Speaker 1>some here, some probably God Damn man, guy's gone all

0:51:28.640 --> 0:51:30.439
<v Speaker 1>the time like he's trying to create a good career

0:51:30.520 --> 0:51:33.480
<v Speaker 1>form all over the globe. Country music is so fun

0:51:33.560 --> 0:51:35.160
<v Speaker 1>to play all over the world right now? Are you

0:51:35.280 --> 0:51:39.279
<v Speaker 1>a pop star in Australia? Am I pop star? Yeah? Oh?

0:51:39.320 --> 0:51:41.000
<v Speaker 1>I don't know about that. It doesn't mean you have

0:51:41.040 --> 0:51:45.520
<v Speaker 1>to do pop music, but okay, are you pop star? Popular?

0:51:45.640 --> 0:51:47.880
<v Speaker 1>And that people know you that just don't know country

0:51:47.960 --> 0:51:50.160
<v Speaker 1>music back home? Like do your songs get played on

0:51:50.239 --> 0:51:53.319
<v Speaker 1>Top forty radio? Yeah? Yeah, they get played on Top

0:51:53.320 --> 0:51:56.520
<v Speaker 1>forty radio. Yeah, um, and that's cool. We just got

0:51:56.560 --> 0:51:58.120
<v Speaker 1>to do the New Years eighty thing Australia, which is

0:51:58.160 --> 0:52:00.720
<v Speaker 1>one of the coolest gigs and New Year's even Australia.

0:52:01.000 --> 0:52:02.840
<v Speaker 1>They set up a stage at the Opera House in

0:52:02.920 --> 0:52:04.719
<v Speaker 1>front of the bridge before they do the follow ups

0:52:04.719 --> 0:52:06.520
<v Speaker 1>and stuff like that, which felt like a good It

0:52:06.600 --> 0:52:09.160
<v Speaker 1>was a very old genre show, so I felt good

0:52:09.160 --> 0:52:13.000
<v Speaker 1>to be involved in that. That's in Sydney. I've been there.

0:52:13.480 --> 0:52:15.600
<v Speaker 1>I climbed up on that bridge, did y'all? Yeah, they

0:52:15.960 --> 0:52:18.400
<v Speaker 1>I strap you in and then they you walk up

0:52:18.440 --> 0:52:20.760
<v Speaker 1>all the stairs and the wind's blowing you like crazy,

0:52:21.440 --> 0:52:23.200
<v Speaker 1>and I was just like, I'm just looking for Morgan

0:52:23.520 --> 0:52:28.080
<v Speaker 1>and they're like walked to the top. All right, you

0:52:28.120 --> 0:52:32.040
<v Speaker 1>guys at Morgan Evans music songs over for you. Stream

0:52:32.080 --> 0:52:33.920
<v Speaker 1>it so many times you need to go to your

0:52:34.000 --> 0:52:37.640
<v Speaker 1>doctor because you need some medicine to get you happy again.

0:52:39.640 --> 0:52:42.319
<v Speaker 1>That's how much I think people should stream it, check

0:52:42.360 --> 0:52:43.839
<v Speaker 1>it out and then see Morgan all over the world.

0:52:44.000 --> 0:52:47.080
<v Speaker 1>Basically Morgan Evans, Morgan, good to see you, buddy, Thank

0:52:47.120 --> 0:52:49.239
<v Speaker 1>you for performing that. You're amazing and that is all.

0:52:50.560 --> 0:52:54.319
<v Speaker 1>It's the best bits of the week with Morgan. Number two.

0:52:56.239 --> 0:52:58.160
<v Speaker 1>If you want a good smile or have a good

0:52:58.239 --> 0:52:59.920
<v Speaker 1>laugh this weekend, this segment is going to do it

0:53:00.120 --> 0:53:03.880
<v Speaker 1>for you. The show attempted to sing Chris Stapleton's Tennessee Whiskey,

0:53:04.120 --> 0:53:06.360
<v Speaker 1>and this all started because Bobby was over on TikTok

0:53:06.600 --> 0:53:09.279
<v Speaker 1>and he saw artists covering Tennessee Whiskey and people in

0:53:09.360 --> 0:53:11.800
<v Speaker 1>the comments were just going at him in a mean way, trolling,

0:53:11.880 --> 0:53:14.480
<v Speaker 1>you know, not saying nice things. And Bobby's point is

0:53:14.520 --> 0:53:17.400
<v Speaker 1>that this song is so hard to cover and if

0:53:17.440 --> 0:53:20.680
<v Speaker 1>anybody can even do it remotely, well that's awesome, and

0:53:20.800 --> 0:53:22.759
<v Speaker 1>so he wanted to prove a point by having the

0:53:22.800 --> 0:53:25.200
<v Speaker 1>show sing it. And nobody on the show is really singers.

0:53:25.280 --> 0:53:28.560
<v Speaker 1>Besides Bobby and Eddie have their comedy duo which they

0:53:28.600 --> 0:53:30.680
<v Speaker 1>do sing, and they do have good voices. But it

0:53:30.840 --> 0:53:32.960
<v Speaker 1>was fun just to hear from a perspective of everyone

0:53:33.080 --> 0:53:37.759
<v Speaker 1>singing not prepared Tennessee Whiskey number two. I'll watch people

0:53:37.800 --> 0:53:40.719
<v Speaker 1>online singing Tennessee Whiskey and it's just hard to do

0:53:40.840 --> 0:53:44.480
<v Speaker 1>it like Stapleton did it. It's just he is. His

0:53:44.600 --> 0:53:48.319
<v Speaker 1>voice is so special, it's so distinct. I saw Kelly

0:53:48.360 --> 0:53:51.719
<v Speaker 1>Clarkson sing it, she crushed it. But I'll watch these

0:53:51.719 --> 0:53:54.799
<v Speaker 1>people sing it and they're fine, they're good, and I'm like, dance,

0:53:54.840 --> 0:53:56.680
<v Speaker 1>it's hard song to sing. But then I'll watch people

0:53:56.680 --> 0:53:59.719
<v Speaker 1>in the comments like torch them and they're like, why

0:53:59.719 --> 0:54:01.399
<v Speaker 1>are you in the song? You're not good. I don't

0:54:01.400 --> 0:54:03.120
<v Speaker 1>think people understand how hard this song is to sing.

0:54:03.560 --> 0:54:06.399
<v Speaker 1>Like and I've always wanted to do where let's say

0:54:06.600 --> 0:54:11.400
<v Speaker 1>the Olympics, if they were doing swimming or sprinting, you know,

0:54:11.480 --> 0:54:13.400
<v Speaker 1>we'd like to see a normal guy do it against

0:54:13.560 --> 0:54:17.759
<v Speaker 1>the Olympians to see just how advanced they are. Because

0:54:17.760 --> 0:54:20.759
<v Speaker 1>when it's everybody who can fly, everybody looks the same.

0:54:21.120 --> 0:54:22.920
<v Speaker 1>It looks effortless. But if you put Eddie out there

0:54:23.000 --> 0:54:25.839
<v Speaker 1>running against Bolt, You're like, Wow, that dude can run.

0:54:27.320 --> 0:54:29.880
<v Speaker 1>You've put a lunchbox Swiman against Phelps, You're like, dang Phelps,

0:54:30.320 --> 0:54:32.399
<v Speaker 1>he really is fast. So I just want to show

0:54:32.440 --> 0:54:35.359
<v Speaker 1>everybody how hard this song is to sing, okay, um,

0:54:35.520 --> 0:54:37.360
<v Speaker 1>and you're all gonna have a shot at it here

0:54:37.400 --> 0:54:39.040
<v Speaker 1>from the chorus, and I really want you to try

0:54:39.120 --> 0:54:41.640
<v Speaker 1>as hard as you can, ohn, right, I want you

0:54:41.719 --> 0:54:44.600
<v Speaker 1>to try. Are we trying trying to sound like Staples?

0:54:45.080 --> 0:54:47.759
<v Speaker 1>Trying to see yourself? Yeah, like an artist? Yeah, just

0:54:48.080 --> 0:54:51.080
<v Speaker 1>sing and don't and try not to be funny. And

0:54:51.200 --> 0:54:53.560
<v Speaker 1>if you're off your way off, who cares? Okay, but

0:54:53.719 --> 0:54:56.440
<v Speaker 1>you're gonna go from the chorus where it's You're as

0:54:56.520 --> 0:55:00.200
<v Speaker 1>smooth as Tennessee whiskey. And if you need the the

0:55:00.600 --> 0:55:05.279
<v Speaker 1>with you, pull it up. You're a sweet as strawberry wine.

0:55:05.480 --> 0:55:07.359
<v Speaker 1>You're as warm as a glass of brandy and honey.

0:55:07.440 --> 0:55:09.279
<v Speaker 1>I stay stoned on your love all the time. Heck,

0:55:09.320 --> 0:55:11.560
<v Speaker 1>if you feel if you're feeling randy, just keep going.

0:55:11.840 --> 0:55:14.400
<v Speaker 1>I'm looking love in all the same old places, Okay,

0:55:15.040 --> 0:55:17.600
<v Speaker 1>So let's see what happens here, all right? Going first,

0:55:17.960 --> 0:55:19.680
<v Speaker 1>probably the guy who can sing the best on the show. Eddie,

0:55:19.680 --> 0:55:20.920
<v Speaker 1>You're gonna go first, but I want you to sing

0:55:20.960 --> 0:55:26.680
<v Speaker 1>it hard, all right, man, Okay, go ahead. You're as

0:55:26.840 --> 0:55:39.560
<v Speaker 1>smooth as Tennessee you whiskey. Okay, you're a sweet as

0:55:39.800 --> 0:55:52.520
<v Speaker 1>strawberry wine. Okay, you're as warm as a glass of brandy. Yeah. Yeah,

0:55:52.560 --> 0:55:55.920
<v Speaker 1>that's good. Take a home and honey, I stay stone

0:55:56.840 --> 0:56:01.279
<v Speaker 1>on your love all the time. I see. That's pretty good. Yeah,

0:56:02.480 --> 0:56:07.120
<v Speaker 1>it's hard, got to chase it. Okay, Wow, Amy, you're

0:56:07.160 --> 0:56:09.600
<v Speaker 1>gonna go next. Okay, I have to follow that. Yeah,

0:56:09.680 --> 0:56:12.839
<v Speaker 1>but Alicia heard where to go in? Hey, anyone help you? Yeah,

0:56:12.920 --> 0:56:14.839
<v Speaker 1>just go and be loud and here we go. Here's

0:56:14.840 --> 0:56:21.360
<v Speaker 1>Amy trying to sing Tennessee whiskey. Go ahead, you're smooth

0:56:24.120 --> 0:56:39.800
<v Speaker 1>this Tennessee whiskeys. You're sweet, Stop very by your rest,

0:56:39.960 --> 0:56:49.880
<v Speaker 1>boy home, it's a glass Brendon and honey, stay stone

0:56:51.040 --> 0:56:58.960
<v Speaker 1>know your love time. Okay, that's pretty good. I like

0:56:59.040 --> 0:57:03.600
<v Speaker 1>how you just stayed on one like food. Listen, I'll

0:57:03.600 --> 0:57:06.799
<v Speaker 1>be being out earlier lunch. I take it home. Oh yeah,

0:57:06.800 --> 0:57:10.279
<v Speaker 1>I'm taking home baby. Let's go do you okay? Do

0:57:10.400 --> 0:57:12.640
<v Speaker 1>I what do you want to tell you come in. Absolutely,

0:57:12.719 --> 0:57:14.960
<v Speaker 1>you have the words in front of you. Absolutely right,

0:57:15.040 --> 0:57:28.960
<v Speaker 1>let's go. You're as smooth ass Tennessee whiskey. You're as

0:57:29.160 --> 0:57:41.360
<v Speaker 1>sweet a strawberry wo. Okay, daddy, you're ass wo as

0:57:41.400 --> 0:57:48.280
<v Speaker 1>a glass of brandy. They get easy home and honey,

0:57:49.720 --> 0:57:59.080
<v Speaker 1>I stay stone on your love all the time. I can't. Right,

0:58:02.840 --> 0:58:05.280
<v Speaker 1>that's the thing. Look, I did pretty good. You did

0:58:05.360 --> 0:58:08.040
<v Speaker 1>do it pretty good for you. That warm goes high, Yeah,

0:58:08.320 --> 0:58:10.080
<v Speaker 1>it goes real high. Let's go to ry real quick. Right,

0:58:10.080 --> 0:58:11.840
<v Speaker 1>you're ready to take this home, let's go. We're just show.

0:58:11.920 --> 0:58:23.000
<v Speaker 1>People are hard. This is but yo, a smooth Tennessee whiskey. Yo,

0:58:24.000 --> 0:58:37.720
<v Speaker 1>sweet as strong, very wide. Take a break, Yo, there's

0:58:37.760 --> 0:58:46.720
<v Speaker 1>a glass of bread honey as this on your love.

0:58:50.400 --> 0:58:52.920
<v Speaker 1>We're gonna respect him what someone tries to sing this song? Horse?

0:58:53.760 --> 0:58:58.320
<v Speaker 1>You know, so you're up waiting hard. I'll sing a

0:58:58.360 --> 0:59:01.439
<v Speaker 1>hard Come on, let's go. I can't sing bussing. Go ahead, Eddie,

0:59:01.520 --> 0:59:14.400
<v Speaker 1>cume in. You're as smooth as Tennessee whiskey. You're as

0:59:14.600 --> 0:59:24.000
<v Speaker 1>sweet strawberry wine. That's where I'm really good. Here your risk,

0:59:24.320 --> 0:59:33.520
<v Speaker 1>who it's a glass of brandy and honey as stay

0:59:33.640 --> 0:59:42.880
<v Speaker 1>stoned on your love all the time. Thank you, thank you,

0:59:43.720 --> 0:59:45.680
<v Speaker 1>need the address, come sign us all a record deal group.

0:59:46.480 --> 0:59:51.160
<v Speaker 1>Wait wait, wait, wait, our professional singer is not gonna sing, Abby? Yeah, Abby,

0:59:51.280 --> 0:59:53.720
<v Speaker 1>I mean, I mean she takes voice lessons. I know,

0:59:53.880 --> 0:59:57.200
<v Speaker 1>but no, no, no, it's the problem. Let me just

0:59:57.240 --> 0:59:58.680
<v Speaker 1>ask her and then we'll wrap it up. Abby, do

0:59:58.720 --> 1:00:01.960
<v Speaker 1>you want I'm definitely not a real singer. I only

1:00:02.000 --> 1:00:04.080
<v Speaker 1>seen comedy songs, right, so I don't mind doing that

1:00:04.200 --> 1:00:06.760
<v Speaker 1>hard song embarrassing myself. But if you're not ready for it,

1:00:07.000 --> 1:00:08.680
<v Speaker 1>wouldn't want to put you there, so you don't have

1:00:08.840 --> 1:00:10.680
<v Speaker 1>But we weren't. None of us were ready an everybody,

1:00:11.080 --> 1:00:12.520
<v Speaker 1>we don't care. We don't. We don't try to do

1:00:12.600 --> 1:00:14.640
<v Speaker 1>this outside of here. Abby. If you don't want to,

1:00:14.680 --> 1:00:18.640
<v Speaker 1>don't do it. Let's get proably ruined. My don't or

1:00:18.680 --> 1:00:20.600
<v Speaker 1>I could just start it. I mean, when you have

1:00:20.640 --> 1:00:22.120
<v Speaker 1>your shot, you have a shot of a record label

1:00:22.120 --> 1:00:25.120
<v Speaker 1>walkdot Every day a record label walked in sing. You

1:00:25.160 --> 1:00:28.080
<v Speaker 1>don't have to do it. It's up to you, Okay,

1:00:30.360 --> 1:00:42.360
<v Speaker 1>don't pressure you. You're doney thing stage left. It's the

1:00:42.520 --> 1:00:47.000
<v Speaker 1>best bits of the week with Morgan number two. It's

1:00:47.000 --> 1:00:48.520
<v Speaker 1>always a fun day. On the show when we do

1:00:48.600 --> 1:00:51.680
<v Speaker 1>a fantasy draft, y'all love these. You love seeing the

1:00:51.760 --> 1:00:54.840
<v Speaker 1>perspective of a draft with different types of topics, And

1:00:55.000 --> 1:00:57.600
<v Speaker 1>this week we did the best Rivalries, which could mean

1:00:57.760 --> 1:01:01.160
<v Speaker 1>so many different things. And basically what happened in this

1:01:01.320 --> 1:01:03.200
<v Speaker 1>draft is we did take it in so many different ways,

1:01:03.280 --> 1:01:06.800
<v Speaker 1>from pop culture to personally to celebrities. You may know,

1:01:06.960 --> 1:01:09.040
<v Speaker 1>it just got a little wild and a little nicey,

1:01:09.200 --> 1:01:11.960
<v Speaker 1>so you know it's out there. We all chose our

1:01:12.000 --> 1:01:14.480
<v Speaker 1>teams and y'all voted, so if you still want to vote,

1:01:14.680 --> 1:01:16.440
<v Speaker 1>you can go to Bobby Bones dot com. It's pretty

1:01:16.480 --> 1:01:19.240
<v Speaker 1>fun to see the draft. But you guys just love these.

1:01:19.280 --> 1:01:21.360
<v Speaker 1>These are all y'all's favorites. And if you want to

1:01:21.480 --> 1:01:23.560
<v Speaker 1>check out all of the drafts we have ever done,

1:01:23.880 --> 1:01:25.360
<v Speaker 1>you can go to our YouTube page. There's a whole

1:01:25.360 --> 1:01:27.320
<v Speaker 1>playlist of our drafts and there's some really good ones

1:01:27.360 --> 1:01:29.480
<v Speaker 1>on there. But this this may be one of my favorites.

1:01:30.040 --> 1:01:34.240
<v Speaker 1>Number one famous rivalries. Let's draft him more again. You

1:01:34.280 --> 1:01:36.800
<v Speaker 1>get the first overall pick because we rolled the dice.

1:01:36.960 --> 1:01:38.840
<v Speaker 1>You're up, who do you have? Yeah? I mean, I'm

1:01:38.840 --> 1:01:40.920
<v Speaker 1>a big superhero fan, so I have to do this

1:01:41.280 --> 1:01:46.320
<v Speaker 1>it's the Avengers verse Thanos. That's good. It's a big rivalry. Yeah,

1:01:46.320 --> 1:01:48.280
<v Speaker 1>and it's on brand and it's a lot of people

1:01:48.360 --> 1:01:50.960
<v Speaker 1>know it. A good one. I didn't have that, but

1:01:51.040 --> 1:01:54.280
<v Speaker 1>good one. Raymundo, Yeah, we're big in Boston, so I

1:01:54.360 --> 1:01:57.400
<v Speaker 1>gotta go Yankees and Red Sox. Good. Wow, that's a

1:01:57.480 --> 1:02:01.640
<v Speaker 1>good one. That's a good one too. I'm gonna go

1:02:04.560 --> 1:02:11.880
<v Speaker 1>Morgan Wallen versus his neighbor that dude. Yeah, the video guy, right, yeah,

1:02:12.080 --> 1:02:14.680
<v Speaker 1>you shot the video. So that's gonna be my rival.

1:02:14.800 --> 1:02:19.440
<v Speaker 1>My famous rivals, Amy, I have Lunchbox versus Abby Oh,

1:02:19.640 --> 1:02:22.760
<v Speaker 1>good one. Oh Amy, that's a good one. Man. You

1:02:22.800 --> 1:02:24.440
<v Speaker 1>guys are killing it. A lot of good ones here.

1:02:24.680 --> 1:02:28.960
<v Speaker 1>Good job Lunchbox well Amy, Yeah, you're gonna do you.

1:02:29.360 --> 1:02:34.880
<v Speaker 1>Yeah Yeah, Tupac verse Biggie. That's damn. That's a good

1:02:35.520 --> 1:02:40.560
<v Speaker 1>yeah day. Okay, we're gonna go back order now, Lunchbox

1:02:40.560 --> 1:02:42.600
<v Speaker 1>will go first. Lunchbox. What do you have in your

1:02:42.600 --> 1:02:50.480
<v Speaker 1>famous rivalries? Taylor versu Kanye. Yeah, that's a tough one.

1:02:51.000 --> 1:02:53.240
<v Speaker 1>That's a weird situation. That was a weird one when

1:02:53.280 --> 1:02:54.920
<v Speaker 1>it happened. You're like that it's weird, But now you

1:02:55.040 --> 1:02:57.000
<v Speaker 1>just further and further away from you, like that was bizarre,

1:02:57.200 --> 1:03:00.120
<v Speaker 1>and then everything else he's done too too strong ones

1:03:00.240 --> 1:03:04.000
<v Speaker 1>Lunchbox with Tupac and Biggie and Taylor and Kanye Amy,

1:03:04.040 --> 1:03:07.520
<v Speaker 1>you've picked Lunchbox versus Abby is yours? Rude? What is

1:03:07.560 --> 1:03:12.120
<v Speaker 1>your second one? Lania Taylor off the table? Now? So

1:03:12.960 --> 1:03:17.680
<v Speaker 1>let me go Baron Morris versus Brittany Aldean. It's a

1:03:17.720 --> 1:03:20.560
<v Speaker 1>good one. On here too. I was gonna go to

1:03:20.560 --> 1:03:23.040
<v Speaker 1>the full Audien family, but good for you. That's a

1:03:23.080 --> 1:03:26.640
<v Speaker 1>good one. Oh, that's a good one. I need to

1:03:26.640 --> 1:03:28.440
<v Speaker 1>be a little bit traditional in this one, so I'm

1:03:28.440 --> 1:03:32.920
<v Speaker 1>gonna go Michigan Ohio State college football. Big, but just

1:03:33.040 --> 1:03:35.920
<v Speaker 1>Michigan Ohio State. I needed one that's not just ridiculous.

1:03:37.600 --> 1:03:42.000
<v Speaker 1>Ray my boys sucks. They broke up, but they're a

1:03:42.080 --> 1:03:47.760
<v Speaker 1>heck of a rivalry. Now Flagia Florida, Jay Florida Georgia line.

1:03:47.880 --> 1:03:51.000
<v Speaker 1>That's a good one. Yeah, b K versus Tyler still

1:03:51.040 --> 1:03:55.040
<v Speaker 1>go to the bar f gl it's a good one.

1:03:55.040 --> 1:03:56.520
<v Speaker 1>I wish I had a thought of that one. Does

1:03:56.600 --> 1:03:58.680
<v Speaker 1>the bar split up like their pictures like one side

1:03:58.720 --> 1:03:59.920
<v Speaker 1>one and they draw the line in the middle like

1:04:00.040 --> 1:04:02.040
<v Speaker 1>ready bunch when they're in her bedroom. Your side of

1:04:02.040 --> 1:04:06.960
<v Speaker 1>the room. Wow, that's a good one. Okay, Morgan, your

1:04:07.040 --> 1:04:10.400
<v Speaker 1>final around two and you guys have all really good ones.

1:04:10.480 --> 1:04:13.400
<v Speaker 1>But these are two big companies and everybody always fights

1:04:13.440 --> 1:04:16.240
<v Speaker 1>over them. It's Apple versus Microsoft. That's good. Yeah, that's

1:04:16.240 --> 1:04:20.640
<v Speaker 1>a good. God gave me an idea. These are all

1:04:20.960 --> 1:04:22.880
<v Speaker 1>solid or funny. This is gonna be tough for the

1:04:22.920 --> 1:04:25.720
<v Speaker 1>listeners of both. So Morgan, we'll go one more time.

1:04:25.840 --> 1:04:27.960
<v Speaker 1>Up front. She has as the two picks the Avengers

1:04:28.080 --> 1:04:33.320
<v Speaker 1>versus Stanos and Apple versus Microsoft, and this is famous

1:04:33.480 --> 1:04:37.360
<v Speaker 1>rivalries or rivals. Go ahead, Morgan, final one, another big

1:04:37.440 --> 1:04:39.440
<v Speaker 1>one for me that I love watching staying in the

1:04:39.520 --> 1:04:44.280
<v Speaker 1>movie realm. I'm doing Harry Potter versus voldemorton solid. I

1:04:44.280 --> 1:04:46.160
<v Speaker 1>wouldn't pick that because I don't I guess I've seen

1:04:46.200 --> 1:04:51.200
<v Speaker 1>the first one. But there's that's super popular. I was fourth. Right,

1:04:51.200 --> 1:04:53.760
<v Speaker 1>you're up, buddy, Yeah, this one is going to either

1:04:53.840 --> 1:04:56.400
<v Speaker 1>make or break me. I'm just going to Angel and Devil.

1:04:58.120 --> 1:05:01.800
<v Speaker 1>I mean, that's solid ultimate, then it'll make me. That's

1:05:01.840 --> 1:05:07.840
<v Speaker 1>not bad. Yo. All right, I'm gonna go Coke and

1:05:08.000 --> 1:05:12.959
<v Speaker 1>PEPSI good one generic, but I'll go with it, Amy,

1:05:13.680 --> 1:05:21.440
<v Speaker 1>Taylor Swift versus Ticketmaster. Okay, two, Taylor's in there. Interesting,

1:05:21.800 --> 1:05:24.520
<v Speaker 1>I hadn't add one. Two that didn't use the tyl. Well,

1:05:24.640 --> 1:05:27.680
<v Speaker 1>let's botch your up. He was talking about Taylor Versusjohn Mayer.

1:05:27.800 --> 1:05:31.360
<v Speaker 1>I wasn't. Actually, he was talking about Taylor us. Just go,

1:05:31.640 --> 1:05:35.439
<v Speaker 1>just go man, I got it. Mm hmmm. I don't

1:05:35.440 --> 1:05:37.640
<v Speaker 1>know who to go here. I don't even know if

1:05:37.680 --> 1:05:39.919
<v Speaker 1>Batman or Superman is a rivalry. They had that movie,

1:05:39.960 --> 1:05:41.560
<v Speaker 1>but I don't know if they're really rivals, So I'm

1:05:41.560 --> 1:05:48.840
<v Speaker 1>not gonna go that. I'm gonna go mmmm Auburn versus

1:05:48.840 --> 1:05:55.760
<v Speaker 1>Alabama slid Morgan, You're done? That was it? I was

1:05:56.120 --> 1:05:59.760
<v Speaker 1>its done? Okay, okay. Here are your teams the Avengers

1:05:59.800 --> 1:06:02.680
<v Speaker 1>and as Apple and Microsoft and Harry Potter and Voldemort.

1:06:02.760 --> 1:06:06.800
<v Speaker 1>That's Morgan, Raymonds, Yankees and Red Sox BK versus Tyler

1:06:06.880 --> 1:06:09.560
<v Speaker 1>of FHL. That one's funny. I love Than and Angel

1:06:09.720 --> 1:06:13.720
<v Speaker 1>versus Devil. I have Morgan Wallen versus neighbor who made

1:06:13.720 --> 1:06:17.160
<v Speaker 1>the video. Will you put that neighbor who made the video?

1:06:17.200 --> 1:06:20.800
<v Speaker 1>And some people now Michigan versus Ohio State and Cooke

1:06:20.840 --> 1:06:23.800
<v Speaker 1>and Pepsi Amy has Lunchbox versus Abby Marion Morris versus

1:06:23.840 --> 1:06:27.440
<v Speaker 1>Brittany Aldan and Taylor Swift versus Ticketmaster. Lunchbox has two

1:06:27.480 --> 1:06:29.840
<v Speaker 1>Pac and Biggie, Taylor and Kanye and Auburn versus Alabama.

1:06:30.040 --> 1:06:31.880
<v Speaker 1>That's a good one. That's all. That's be tough. I

1:06:31.960 --> 1:06:36.560
<v Speaker 1>thought maybe Taylor versus every X boyfriender screwed Droverna be mine,

1:06:37.200 --> 1:06:40.960
<v Speaker 1>or Pete Davidson versus Kanye West would have been one.

1:06:41.640 --> 1:06:45.120
<v Speaker 1>Or Taylor versus Kim Kardashian. I have Texas versus Texas,

1:06:45.200 --> 1:06:49.120
<v Speaker 1>A and m also oh good like McDonald's and Burger King,

1:06:49.240 --> 1:06:54.320
<v Speaker 1>Nike and Reebok. I had me and the sec. I

1:06:54.360 --> 1:06:56.680
<v Speaker 1>got a question where Leno and Letterman rivals, where they

1:06:56.720 --> 1:06:58.200
<v Speaker 1>just on the sea. I had that, but then I

1:06:58.320 --> 1:07:00.320
<v Speaker 1>was like, well people know that they were rival. No, no, no,

1:07:00.400 --> 1:07:02.360
<v Speaker 1>that's part of it. So I didn't. Did you see?

1:07:02.400 --> 1:07:05.880
<v Speaker 1>Lino got his show canceled, which show the Cars Car

1:07:06.040 --> 1:07:07.640
<v Speaker 1>Garage because now he fell off his motor he got

1:07:07.680 --> 1:07:09.720
<v Speaker 1>clothes lined on his motorcycle, breaking a collar bone or

1:07:09.720 --> 1:07:11.840
<v Speaker 1>some I didn't get canceled. He hadn't canceled, but they

1:07:11.920 --> 1:07:16.520
<v Speaker 1>canceled the show's fire that's all on fire. Well, it's

1:07:16.560 --> 1:07:20.480
<v Speaker 1>been a bad time for Bobby Bones dot Com. Vote

1:07:20.520 --> 1:07:22.440
<v Speaker 1>on the favorite team. Don't just vote on the top one,

1:07:22.800 --> 1:07:25.120
<v Speaker 1>vote on your full favorite team of rivals. That's a

1:07:25.120 --> 1:07:26.520
<v Speaker 1>pretty good one. I feel like we get it done.

1:07:26.520 --> 1:07:30.160
<v Speaker 1>Three more rounds of that stuff. Good job, everybody. It's

1:07:30.240 --> 1:07:33.680
<v Speaker 1>the best bits of the week with Morgan number two.

1:07:35.000 --> 1:07:36.520
<v Speaker 1>All right, y'all, that's it for me today. It's so

1:07:36.640 --> 1:07:38.600
<v Speaker 1>fun hanging out with you guys on the weekends. I

1:07:38.880 --> 1:07:41.440
<v Speaker 1>hope you enjoy I hope you have better weather than

1:07:41.520 --> 1:07:44.480
<v Speaker 1>we do here in Nashville, Tennessee. It's definitely really cold

1:07:44.560 --> 1:07:47.240
<v Speaker 1>and everybody's been staying inside. But if you don't have

1:07:47.320 --> 1:07:49.000
<v Speaker 1>cold weather, please go out and enjoy it for us.

1:07:49.240 --> 1:07:51.280
<v Speaker 1>And if you have cold leather, stay inside and maybe

1:07:51.320 --> 1:07:53.520
<v Speaker 1>make the homemade hot chocolate that I made on my

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<v Speaker 1>Instagram page because it will keep you nice and warm

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<v Speaker 1>and cozy if you have to be dealing with snow,

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<v Speaker 1>ice or crazy weather right now. I love you all

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<v Speaker 1>so much. I hope you have a fabulous weekend. Follow

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<v Speaker 1>me on social media all the things at webb Grolmorgan,

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<v Speaker 1>and of course the show at Bobby Bones Show. Bye.

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<v Speaker 1>Y'all b