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Speaker 1: It's the Best Bits of the week with Morgan number two.

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Speaker 1: What's up, y'all? Happy weekend. I'm excited to be hanging

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Speaker 1: out with you guys again this weekend. Make sure you

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Speaker 1: check out the Best Bits with Ray Mundo. I had

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Speaker 1: him on this weekend. It was super fun to talk about.

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Speaker 1: We shared our last like last TV show we watched

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Speaker 1: Last Thing week eight. We also talked about our Valentine's

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Speaker 1: Day plans and Ray told me what I should do

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Speaker 1: as a single person on Valentine's Day and it was

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Speaker 1: not good advice, but it's hilarious to hear. So definitely

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Speaker 1: go check that out. And I'm so excited to hang

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Speaker 1: out with you guys this weekend and count down some

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Speaker 1: of the bits. So let's go. Abby confessed something about

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Speaker 1: a misconnection she had. Basically, she shared this misconnection with

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Speaker 1: us and then we found out, well something about it

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Speaker 1: wasn't exactly true. So here you go, number seven, it's time. Abby.

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Speaker 1: I don't know what you're here to tell us, if

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Speaker 1: it's a confession, if it's just you wanted to get

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Speaker 1: this out in the open so we don't find out

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Speaker 1: about it from somebody else. But I'm gonna set it

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Speaker 1: up because I don't know where this is going is

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Speaker 1: On the show, Abby's single, She's been trying to find

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Speaker 1: love for a long time. Occasionally she has a little

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Speaker 1: boyfriend and that ends talk about it the roller coaster.

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Speaker 1: Sometimes she jumps in wait too fast, too quick, right, guys.

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Speaker 1: So she's New Year's Eve, she flies into town, back home,

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Speaker 1: she gets an uber. She's sharing an uber with a

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Speaker 1: guy because they're saving money, and they strike up a conversation.

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Speaker 1: She thinks he's cute. He invites her to go to

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Speaker 1: some New Year's thing, or at least she says it.

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Speaker 1: She says she saw it, but she never got it.

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Speaker 1: And she's telling it's a misconnection. We're on the ear

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Speaker 1: going does anyone know this guy? A listener finds the guy.

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Speaker 1: So Abby doesn't know what to say back to him. Really,

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Speaker 1: so we spin the wheel lands on me. I write

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Speaker 1: the message back. It's a poem. It's a lovely poem, beautiful,

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Speaker 1: and then all of a sudden we didn't get a response.

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Speaker 1: We never heard back from him. We're talking about it

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Speaker 1: like an hour ago, and Abby's like, I have it's

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Speaker 1: something I need to tell you, guys. So Abby, the

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Speaker 1: cringe level if ten is the worst cringe ever, how

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Speaker 1: cringey is it? I'd say a maybe nine? Okay, Abby,

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Speaker 1: what happened? Is it a confession or are you just

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Speaker 1: angry or are you sad or what? It's not really

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Speaker 1: a confession? Well, okay, So remember when a caller called

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Speaker 1: in and like said to check my hidden messages and

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Speaker 1: I did. Well. The other day I was looking again

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Speaker 1: just because I didn't really know of that hidden inbox.

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Speaker 1: So I was just like looking at messages and guess

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Speaker 1: who I come across? Read like, he did send me

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Speaker 1: a message? So the woman I sent you're email to

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Speaker 1: or whatever two was the wrong Ready, it's not the

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Speaker 1: same guy. No, and they both play the fiddle. They

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Speaker 1: both have brown hair. What because remember the other one

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Speaker 1: was private, so I couldn't look at him. This is

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Speaker 1: so it went to the wrong read and he did

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Speaker 1: send me that invitation that night, I just didn't see it.

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Speaker 1: So she fell in love with the guy saw his

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Speaker 1: Instagram was like, oh, that's him for sure. So she

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Speaker 1: was well, no, she said, even when we found it

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Speaker 1: it was private, it was hard to see him, but

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Speaker 1: you thought it was him. Yeah, because I looked this

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Speaker 1: guy up that fiddle so both of these reads play

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Speaker 1: fiddle love triangle? Wow, we gotta love triangle? Any of them? Wow? Okay?

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Speaker 1: So now what Yeah? Now I think we just hey,

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Speaker 1: copy and paste of palm back over to the other one.

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Speaker 1: Let's just let it go. Why why the guys? Abby?

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Speaker 1: Go ahead, I'm gonna tell you. Why. What's up? Well?

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Speaker 1: That was three almost four weeks ago at the right point.

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Speaker 1: Now you don't look like you're readily available. Now you're

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Speaker 1: playing hard to get. Do you not want to go

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Speaker 1: out with them? I don't even know. At this point,

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Speaker 1: I'm like, Wow, he didn't do anything wrong. He literally

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Speaker 1: messaged you yes, So why would you not? I don't know.

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Speaker 1: Are you nervous? Is it because you're nervous about it? Well,

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Speaker 1: because I've already talked about it so much on here

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Speaker 1: and to the no chance if he plays the fiddle

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Speaker 1: in a bluegrass band, he's ever even heard this show,

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Speaker 1: and if he does, he hates it. So you're all good? Yeah?

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Speaker 1: I could. I just can't believe that message him back

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Speaker 1: not the poem, say hey, hey, no, no, no, no,

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Speaker 1: hold on, don't just write coffee. Say hey, I just

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Speaker 1: saw this. I didn't know we had hidden messages. Wow,

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Speaker 1: how are you doing? That's it? You have a reason

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Speaker 1: now to message him back. I like that much better,

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Speaker 1: back on track. So then maybe that was meant to be. Okay,

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Speaker 1: But have you gone out with anybody else since then? Nope? None?

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Speaker 1: Here yes? Why well, she didn't have to tell us

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Speaker 1: if she has. But have you no? No? You said

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Speaker 1: to say no, just leave it at that, so so

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Speaker 1: so yes, but you don't want to say yes. And

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Speaker 1: that's why she didn't want to message just dude, because

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Speaker 1: she's obviously saying someone he's in love with someone else. Really,

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Speaker 1: are you engaged? No, I'm not. Okay, let me just

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Speaker 1: say this. You don't so you don't want to message

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Speaker 1: the guy right now? I'm going to hold off. Why

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Speaker 1: don't you message him anyway? It's not like you're in

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Speaker 1: a committed relationshi, Abby, this is you going too hard

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Speaker 1: too fast? Was one other guy? Oh my god, this

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Speaker 1: is a recurring. I think she's married. I understand she

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Speaker 1: doesn't want to message this read guy because she's already

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Speaker 1: she's involved. She thinks she's involved. She's been like two dates.

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Speaker 1: I'm just guessing. Yeah, I know we're guessing. But with

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Speaker 1: your hypothesis, it is that she she doesn't want to

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Speaker 1: mess this up because she's committed to this other guy.

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Speaker 1: This other guy's probably going out with eight girls on

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Speaker 1: an app and isn't committed to Abby. But Abby doesn't

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Speaker 1: want to mess it up. Hey, we've seen this movie before. God,

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Speaker 1: Abby message the other guy too. Okay, I love you Abby.

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Speaker 1: I just like putting my effort into one thing at

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Speaker 1: a time. We know, and it smothers. That's called smothering

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Speaker 1: an animal with a blanket. It's the best bits of

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Speaker 1: the week with Morgan. Number two. Charles Kelly stopped by

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Speaker 1: our show this week and he talks about it journey

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Speaker 1: to sobriety, and it was a really vulnerable, emotional interview

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Speaker 1: and just really cool to hear from Charles from where

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Speaker 1: he started to where he is now. He also gave

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Speaker 1: us a performance of his new song that he wrote

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Speaker 1: about that journey to sobriety, which is called as Far

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Speaker 1: as You Could. It's not on the podcast, but you

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Speaker 1: can definitely go check it out at Bobby Bones dot com,

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Speaker 1: but the interview is right here. It's a really good one.

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Speaker 1: You're gonna love hearing this conversation between Bobby and Charles.

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Speaker 1: Number six is born in Augusta, Georgia, nineteen eighty one,

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Speaker 1: one of the lead singers of the group Now Lady A,

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Speaker 1: as you know, has a bunch of number ones. They

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Speaker 1: have eleven as a matter of fact, but just in

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Speaker 1: case you need to know, here is downtown and I

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Speaker 1: don't know why, but all their number ones is nothing

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Speaker 1: if you don't add in all the number ones. He's

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Speaker 1: written for other artists, for example Luke Brian do I

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Speaker 1: or Darius Homegrown Honey or Brett Young Here tonight we

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Speaker 1: can just sit here. He's like sixty seven again from

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Speaker 1: Lady A. Let's welcome in. Charles Kelly on The Bones Show.

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Speaker 1: Now Charles Kelly, Charles, how are you my friend? I'm

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Speaker 1: good man. You know it's kind of a don't all

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Speaker 1: I want to say weird, but you know you wrote

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Speaker 1: this song and it's very serious, like meaningful song, but

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Speaker 1: also like I like you as a friend and you're funny,

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Speaker 1: and it's like, well, we're gonna get into a couple

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Speaker 1: of things here, but you know, it's like what do

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Speaker 1: we do here? Am I gonna be this? Am I

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Speaker 1: gonna have my word? Vomit? Like? Usually, well, how do

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Speaker 1: you how do you feel just generally, how do you

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Speaker 1: feel today as compared to yesterday, as compared to a

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Speaker 1: year Agoah, I mean, it's it's a journey. I mean,

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Speaker 1: I think with anything. I mean, it was you know,

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Speaker 1: I think it was obvious to a lot of people.

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Speaker 1: I mean, it was time, you know, it was it

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Speaker 1: wasn't fun anymore for me. Um, I think the last

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Speaker 1: three years it just had gotten to this point where

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Speaker 1: it had escalated and it was you know, I had

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Speaker 1: to do it like it wasn't even like I you know,

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Speaker 1: like I was getting any joy out of it. I was.

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Speaker 1: It was just became a crutch, you know. So Um,

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Speaker 1: I mean, everything has gotten infinitely better. I mean, do

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Speaker 1: I not like to go to a cocktail party? That's

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Speaker 1: really awkward for me. You know, if I'm going to

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Speaker 1: be around drinking, I need to have like something I'm doing,

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Speaker 1: whether it's a dinner or like golf. You know, I

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Speaker 1: can have buddies around me drinking. But at least for now,

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Speaker 1: you know, I'm a little over six months in, but

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Speaker 1: just waking up enjoying the mornings. I feel like I

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Speaker 1: get to say I'm a sober dad now. You know,

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Speaker 1: I'm way more present for him, I'm healthy body wise, Yeah, yeah,

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Speaker 1: I lost about fifteen pounds and working out every day.

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Speaker 1: And where did that come from? The fifteen pounds? Was

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Speaker 1: it just not drinking or show both. I mean, I

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Speaker 1: think you go through a whole new mindset. You know.

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Speaker 1: It's funny. I was thinking about the other day, like

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Speaker 1: I knew it. I knew something was going to have

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Speaker 1: to happen, you know, and I was just like waiting

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Speaker 1: and luckily, you know, I didn't lose at all, but

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Speaker 1: I almost did. I mean, my marriage was kind of really,

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Speaker 1: really shaky. The band definitely was concerned, and I was like,

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Speaker 1: something's gonna happen. What is going to happen? Am I

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Speaker 1: gonna get pulled over? Am I gonna get do something awful?

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Speaker 1: And it just eventually was like why am I waiting

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Speaker 1: for some giant disaster? You know? So um, but it's

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Speaker 1: been unbelievable, man. I mean, my wife and his relationship

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Speaker 1: has turned around one to eighty. I mean I think

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Speaker 1: I just she was always concerned for me, you know,

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Speaker 1: and you would say some of the worst things to

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Speaker 1: the one that loves you the most, you know, and

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Speaker 1: I think just for that, um, you know, that was

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Speaker 1: my first goal with doing this was like, I need

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Speaker 1: to save my marriage and be there for my boy.

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Speaker 1: And then it was like, okay, now what's the next challenge?

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Speaker 1: How do I get how do how does my how

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Speaker 1: do my bandmates trust me? Again? Moving forward and with

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Speaker 1: a lot of people, and I've dealt with those of people,

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Speaker 1: addiction and um, you know, alcoholism to a different level,

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Speaker 1: but it has run rampant in my family and killed people,

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Speaker 1: and so from a different percent. We're looking at the

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Speaker 1: same like genesis and actions, but from different places. And

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Speaker 1: with my mom, she tried, but I didn't feel like

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Speaker 1: she was ever fully committed herself. I think she was

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Speaker 1: trying for other people. Yeah, and there's a difference when

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Speaker 1: you try for other people you she tended, I'll speak

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Speaker 1: for her to give up a little quicker because she

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Speaker 1: wasn't doing it for herself. Ever, that's that's such a

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Speaker 1: I mean, in the beginning, it's funny you said that

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Speaker 1: it wasn't until you know. I won't go into the

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Speaker 1: details of the work I've been doing, but it's a

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Speaker 1: lot of work. And I think that was something that

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Speaker 1: it took me a few months after you know, putting

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Speaker 1: the bottle down to actually be like I've got to

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Speaker 1: do this for me. Like in the beginning, it totally

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Speaker 1: was I'm trying to save my marriage, I'm trying to

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Speaker 1: save my band and in my career, you know. And

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Speaker 1: then all of a sudden, it was like, I gotta

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Speaker 1: do this for me, and I started feeling better, started

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Speaker 1: you know, getting my confidence back, I started feeling more purpose.

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Speaker 1: I think asked what, like where this song kind of

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Speaker 1: came from. I was like, you know, I want this

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Speaker 1: to mean something. I want this journey to meant something,

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Speaker 1: you know, and something good can come out of it.

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Speaker 1: But it's weird, man. I just I feel like I

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Speaker 1: had a great run twenty five years. I'd say the

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Speaker 1: first twenty years of it. You know. It's kind of

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Speaker 1: like what the song says. It was like you're part

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Speaker 1: of my story. It was like you took me places.

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Speaker 1: I mean, I don't know if I would have ever

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Speaker 1: moved to Nashville if I didn't have some drunken night

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Speaker 1: the night before and was so miserable and I was

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Speaker 1: like got up, and it's like I'm I'm going, you know,

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Speaker 1: and and I'm not saying that's a you know, I'm

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Speaker 1: not trying to justify it. But it was like so

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Speaker 1: many little moments, you know. I mean when I first

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Speaker 1: met my wife, I had a little liquid courage and

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Speaker 1: there's nothing wrong with, you know, drinking. I just am

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Speaker 1: the type of guy that I'm going to take it

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Speaker 1: to the next level. I mean I remember going to

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Speaker 1: dinners with David and he'd be like, I was one

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Speaker 1: glass of wine. I was like, you just you literally

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Speaker 1: can just have a one? Like how do you do that?

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Speaker 1: That's anything? Once I once one, I'm going And so

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Speaker 1: it was just obvious. I mean all the signs were there,

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Speaker 1: and um, it is it's a it's it's an interesting journey.

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Speaker 1: And I think I was blown away, like how many

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Speaker 1: people you know could relate that weren't even addicts themselves,

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Speaker 1: you know, where alcoholics it's just the family touches everybody,

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Speaker 1: family members and all this stuff, and um, you know

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Speaker 1: that was kind of too. What I keep telling myself

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Speaker 1: with this song, It's like I don't know what journey

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Speaker 1: it's going to take, but all I know is I

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Speaker 1: feel was authentic and it feels true. It already feels

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Speaker 1: like it's you know, it's spoken to two people, and

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Speaker 1: I mean, gosh, that's what we got into this for

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Speaker 1: it was to you know, have some songs like that,

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Speaker 1: and um, you know, to write songs like that as writers,

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Speaker 1: and um, you know, the title actually came from you know,

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Speaker 1: I went somewhere and uh, disn't work on myself and

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Speaker 1: had written that down. I was like it was almost

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Speaker 1: like a goodbye letter to alcohol. And I was like,

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Speaker 1: I was like, goodbye whiskey, you know, go to hell.

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Speaker 1: You took me as far as you could. And I

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Speaker 1: was like that's a good title. And so when we

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Speaker 1: came in and started, you know, I was like, I

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Speaker 1: want to write a really honest song, and it was

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Speaker 1: it was a special moment I think for three of

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Speaker 1: us when you write that song and again you're writing

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Speaker 1: it because it is so personal. Are you going, we're

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Speaker 1: gonna write this because I just need to get this

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Speaker 1: but somehow encapsulated into music? Do you write this? And

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Speaker 1: I do want to share this. It's a lady a song.

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Speaker 1: Where did you plan like level two? You wrote it? Now? Yeah, honestly,

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Speaker 1: we were just writing. I think we were just writing

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Speaker 1: it and you know, and yeah, I mean I didn't

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Speaker 1: know if it was going to be me, you know,

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Speaker 1: a lady a song. I mean, honestly, I think Dave

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Speaker 1: and I both would agree. I mean, we were picturing

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Speaker 1: it as a lady A song and Hillary just was like, Charles,

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Speaker 1: this is your story, and she was like, I almost

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Speaker 1: am afraid to throw harmonies on it and take away

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Speaker 1: from the rawness and the authenticity I think of your journey.

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Speaker 1: And you know, because she she had just an amazing

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Speaker 1: Grammy winning song, you know, there're a Christian song that

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Speaker 1: I will And I was like, you know, maybe it's

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Speaker 1: like that, like that was her story and so personal

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Speaker 1: and we can have, you know, be able to put

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Speaker 1: some stuff out, but I think it all still goes

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Speaker 1: towards that lady A sound. I mean, we did it

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Speaker 1: the other night. It was our first show back in Orlando,

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Speaker 1: and it was just one of these special moments that

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Speaker 1: we had, you know, to play that song, and so

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Speaker 1: you know, I'm hoping it can kind of live alongside

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Speaker 1: just all our our body of work, and you know,

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Speaker 1: we're working on so many music as a band as well,

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Speaker 1: and just I think just you know, maybe the can

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Speaker 1: all lead us into some more longevity is kind of

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Speaker 1: what I look at it. Well, Dave's here too, just

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Speaker 1: in case you thought they didn't like each other, like

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Speaker 1: it's it's Charles Kelly, it's Dave and h and Jimmy

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Speaker 1: Robbins in place of Hillary, which is not well. But

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Speaker 1: I do. I do like the fact that this it

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Speaker 1: really is your story and it needs to be told

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Speaker 1: by you with the attention on you, so what you're

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Speaker 1: saying can be heard and not be watered or not

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Speaker 1: be um interpreted anyway except by a singular voice because

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Speaker 1: it's such a singular journey for others, for yourself and others.

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Speaker 1: I mean, that's so true. And honestly, I applaud Hillary

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Speaker 1: for kind of you know, recognizing that because we were

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Speaker 1: David I both you know, wouldn't lie. We were like,

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Speaker 1: oh man, this is I love this kind of sound

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Speaker 1: and this message from us as a band, and um,

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Speaker 1: you know, I think it. Looking back now, I'm like, man,

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Speaker 1: she was right, you know, and I got applaud like

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Speaker 1: Dave and Jimmy. I mean, when we wrote it, it

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Speaker 1: just had this thing where I was just kind of

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Speaker 1: just throwing out some things and I said, yeah, say,

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Speaker 1: it's probably why I moved to Nashville, and Jimmy's because

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Speaker 1: so I moved to Nashville. Almost left. I was like

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Speaker 1: we were off to the races, and I know that

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Speaker 1: I couldn't have gotten it out in such a poetic way,

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Speaker 1: you know, even though it wasn't their journey. But Dave

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Speaker 1: has gotten to see it, you know, and so um,

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Speaker 1: I mean we were tearing up. It was it was

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Speaker 1: a really therapeutic moment. And then it's a journey, man.

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Speaker 1: I mean, we still got a ways to go with

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Speaker 1: the bands, and and you know a lot of you know,

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Speaker 1: we've I've done a lot of repair, but there's it's

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Speaker 1: kind of almost like a living repair. I'm gonna you know,

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Speaker 1: it really gotta because I've tried before, you know, and

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Speaker 1: and like you had said, trying to do it on

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Speaker 1: your own or do it for somebody else. You just

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Speaker 1: white knuckling it. It's not gonna work long term. It

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Speaker 1: only takes one drink to get you right back where

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Speaker 1: you were. And so it was, you know, it only

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Speaker 1: gotten worse. Here is Charles Kelly with his song as

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Speaker 1: far as you could Charles Kelly, great, what what's what's

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Speaker 1: the goal with the song? Because you write it, then

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Speaker 1: you record it, then you decide you're going to put

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Speaker 1: it out, and yeah, what's the goal, because it's something

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Speaker 1: bigger than you're putting a song out obvious, Yeah, I

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Speaker 1: mean to reach people. I mean it really, you know,

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Speaker 1: it's been such an up and down journey, and you know,

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Speaker 1: as an artist and things that work, things that don't work.

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Speaker 1: And I have a big part of even this journey,

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Speaker 1: of the work of doing is just letting go and

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Speaker 1: chasing the art and letting go and you know, putting

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Speaker 1: putting my my stock and my happiness in the in

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Speaker 1: the process and uh and not the outcome. I mean

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Speaker 1: I didn't even think it was going to be something

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Speaker 1: even considered putting it out as a single, but um,

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Speaker 1: Scott Brochetta, you know, Big Machine was just he just

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Speaker 1: really is passionate about it. Same thing with Ryan and

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Speaker 1: Jimmy over at the label and my team, and they

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Speaker 1: just like, this is a powerful message. I don't know

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Speaker 1: if anybody knows what it's going to do, but it

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Speaker 1: already feels like it's I mean, it's already I got

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Speaker 1: it out. I mean even one of the reasons of

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Speaker 1: getting it out. I couldn't hold it in anymore. And um,

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Speaker 1: you know, and and we're in our last label. I

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Speaker 1: mean he was like, oh, let's go in there and

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Speaker 1: do this with Lady A. And everybody's like Hillary's like

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Speaker 1: let's step back, and Dave like, you know, let's not

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Speaker 1: get ahead of this. It was like, I gotta get

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Speaker 1: this out right now, and just you know, I gotta

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Speaker 1: get it off my chest. And so I think that

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Speaker 1: was the biggest thing, was just getting it out there

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Speaker 1: and whatever journey it takes. I mean, it's already done

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Speaker 1: so much for me and some of the stories I've

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Speaker 1: heard my wife, I think that's she probably gets more

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Speaker 1: people reaching out to her, you know, other wives that

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Speaker 1: are going through this, How do you deal with it?

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Speaker 1: What's the best way? And and it's given her so

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Speaker 1: much purpose and she's doing so much work around it

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Speaker 1: that again, it's like it's just bringing us together in

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Speaker 1: this whole different way. And I was like, even if

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Speaker 1: that's the journey of the song, I don't I don't know. Um.

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Speaker 1: I think I just want to let go of of

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Speaker 1: of it and uh enjoy it, you know, And well,

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Speaker 1: I appreciate your vulnerability. Thank you, man. I mean you

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Speaker 1: can still sing, you know. And I didn't say one

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Speaker 1: inappropriate thing on the show. That's I really think it's

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Speaker 1: first time you don't worry. You're my favor I love

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Speaker 1: all you. But he makes me laugh so much, I'll

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Speaker 1: get on Instagram right, cut the bit, cut the right

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Speaker 1: like a good laugh. It is just awesome. He reminds me.

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Speaker 1: I feel like we would be best friends because we

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Speaker 1: just don't. Really we have no filter. My filter is

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Speaker 1: a little bit less, but it's still there. Um, Jimmy,

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Speaker 1: you know I'm a big fan of you too. If

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Speaker 1: you've been on before with Marion with I mean when

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Speaker 1: when Charles said something like you just said, you know,

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Speaker 1: brought me to Nashville, and you're like, I'm like, so,

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Speaker 1: if I were just to go eat some fruit loops

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Speaker 1: this morning, how would you say? How would you just

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Speaker 1: throw that out there? Man? Huh? I don't know about

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Speaker 1: your kids. I'm a lot like these fruit loops. I'm

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Speaker 1: a lot. It's like, what would what would that melody be? Though? Like, yeah,

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Speaker 1: there we go eat some fruit loops this morning? Yeah? Nice?

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Speaker 1: But my spoon was dirty as he was. My wife

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Speaker 1: told me to unload the dishwasher, but I never started

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Speaker 1: it to begin with. Now I'm sick because I ain't

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Speaker 1: dirty fruit loops from a dirty, dirty spoon. And now

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Speaker 1: I got e colin my diar real soon two kids.

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Speaker 1: Sam wants to kill me because he hates this song.

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Speaker 1: And it all started because I did my wife. From

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Speaker 1: everybody I wrote that, I wrote it by myself. You

402
00:19:47,880 --> 00:19:50,840
Speaker 1: guys get no credit. Thank you. I thank you because

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Speaker 1: I did my wife. I thought you're gonna get back

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Speaker 1: to something now. I wasn't. I wanted to go where

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Speaker 1: I had no business going, which was just find a

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Speaker 1: word that rhymed. Boys, that was it. Look, Charles, I

407
00:20:00,440 --> 00:20:02,200
Speaker 1: love it. I love what you're doing, what it's doing,

408
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Speaker 1: and what's going to happen. You have no idea that's

409
00:20:04,600 --> 00:20:06,840
Speaker 1: going to happen, because all that has to be open

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Speaker 1: for you to even pursue this, because you're gonna get

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Speaker 1: pulled and tugged, and it's gonna be hard to sing it.

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Speaker 1: It's gonna be awesome to sing it, and you're sometimes

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Speaker 1: you may be like, man, I'm I'm over singing it,

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Speaker 1: and sometimes you're like, I wish I could sing it more,

415
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Speaker 1: but I just respect it. Thank you, man, Because it

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Speaker 1: is so hard to just open up your rib cage

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Speaker 1: and be vulnerable and be vulnerable and sharing things that

418
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Speaker 1: maybe you didn't do right. Yeah, that you can now

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Speaker 1: do way right and other people can hear the same.

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Speaker 1: So that's a that's a word vomit for me, but

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Speaker 1: I respect it and I'm super proud for you man.

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00:20:38,520 --> 00:20:42,280
Speaker 1: Thank you, Man. I appreciate you do. Dave Jimmy, Yeah,

423
00:20:42,320 --> 00:20:45,440
Speaker 1: you guys are cool. Anyway. I was something I think

424
00:20:45,440 --> 00:20:47,040
Speaker 1: you'd be cool to hear is from you, Dave, is

425
00:20:47,080 --> 00:20:50,240
Speaker 1: what's the coolest thing that you've noticed in this yeah

426
00:20:50,480 --> 00:20:54,320
Speaker 1: season for Charles, Like, what's what's what's it done for you? Yeah?

427
00:20:54,359 --> 00:20:57,560
Speaker 1: I mean, gosh, He'll always be Charles, but he's just

428
00:20:57,640 --> 00:21:01,400
Speaker 1: changed his demeanor and energy in such a positive, healthy way.

429
00:21:01,440 --> 00:21:04,160
Speaker 1: He's taken all of that energy that he has, which

430
00:21:04,200 --> 00:21:05,920
Speaker 1: is awesome, and put it into so much good. I mean,

431
00:21:05,960 --> 00:21:07,639
Speaker 1: I'm just proud of him. I mean, to be honest, like,

432
00:21:08,240 --> 00:21:09,959
Speaker 1: this is bigger than a song for me. I mean

433
00:21:09,960 --> 00:21:13,600
Speaker 1: I've been friends with him since we were ten, eleven, twelve.

434
00:21:13,640 --> 00:21:15,600
Speaker 1: I mean, writing that day, we were all just kind

435
00:21:15,600 --> 00:21:17,680
Speaker 1: of crying. I'm just proud of him. I mean this

436
00:21:17,760 --> 00:21:20,160
Speaker 1: is more than just a song out there. I Mean,

437
00:21:20,200 --> 00:21:22,840
Speaker 1: this is him making life changes that I'm so proud

438
00:21:22,880 --> 00:21:26,200
Speaker 1: to stand by him in and proud to stand alongside.

439
00:21:26,240 --> 00:21:27,399
Speaker 1: I told him. I was like, I'll play this as

440
00:21:27,480 --> 00:21:29,840
Speaker 1: much as you want. You know, it's your story. It's vulnerable,

441
00:21:30,200 --> 00:21:33,160
Speaker 1: and I haven't found a circle of people that haven't

442
00:21:33,200 --> 00:21:36,920
Speaker 1: been impacted in some way by this song, the stories

443
00:21:36,920 --> 00:21:39,640
Speaker 1: that I've heard personally that I mean, I know there's

444
00:21:39,800 --> 00:21:42,280
Speaker 1: a great mission with this song, you know, wherever it lands.

445
00:21:42,320 --> 00:21:44,280
Speaker 1: So I'm just so I'm super proud of him. This

446
00:21:44,320 --> 00:21:48,000
Speaker 1: is awesome. If you need a mock, tell Smalia I'm

447
00:21:48,000 --> 00:21:49,679
Speaker 1: your guy. Yeah, there you go. I do it for

448
00:21:49,760 --> 00:21:52,360
Speaker 1: Jake constantly. I'm like, actually, you'll like a little citrus

449
00:21:52,359 --> 00:21:54,399
Speaker 1: in this one, Jake, and get a sault. If you're

450
00:21:54,400 --> 00:21:55,960
Speaker 1: gonna get a mock, tell Marguerite to be sure to

451
00:21:55,960 --> 00:21:59,280
Speaker 1: get extra sault. So hit me up. I'll lay it down.

452
00:21:59,720 --> 00:22:02,359
Speaker 1: Charles Kelly, great, love it. You guys are awesome. And

453
00:22:02,800 --> 00:22:05,720
Speaker 1: by the way, check out Fruit Loop Spoon coming out

454
00:22:04,920 --> 00:22:09,560
Speaker 1: feat Yeah, I put it out and stream it. It's

455
00:22:09,600 --> 00:22:12,159
Speaker 1: me featuring Lady and they have no idea. Now that

456
00:22:12,160 --> 00:22:14,320
Speaker 1: would be awesome. All right, thank you. Chale's gonna see

457
00:22:14,320 --> 00:22:19,919
Speaker 1: about it right there, Charles Kelly, everybody, it's the best

458
00:22:20,040 --> 00:22:27,840
Speaker 1: Bits of the Week with Morgan. Number two y'all love

459
00:22:27,920 --> 00:22:31,119
Speaker 1: to hear Amy's glitches, and they happened again recently. But

460
00:22:31,280 --> 00:22:34,320
Speaker 1: even more so than that, Scooba Steve turned one of

461
00:22:34,320 --> 00:22:36,760
Speaker 1: her glitches into an Idium song, so it's like something

462
00:22:36,760 --> 00:22:39,440
Speaker 1: you could hear at a Las Vegas club and people

463
00:22:39,480 --> 00:22:41,800
Speaker 1: are loving it. Some people are even requesting that I

464
00:22:41,840 --> 00:22:44,359
Speaker 1: get put on streaming surfaces so you guys can listen

465
00:22:44,400 --> 00:22:47,199
Speaker 1: to it. Y'all are crazy. But in case you missed it,

466
00:22:47,320 --> 00:22:50,920
Speaker 1: here's Amy's glitch being turned into a song number five.

467
00:22:51,240 --> 00:22:53,479
Speaker 1: Sometimes I think I'm living in a simulation. You wouldn't

468
00:22:53,480 --> 00:22:56,560
Speaker 1: know it if you were, And sometimes I see little glitches.

469
00:22:57,960 --> 00:22:59,960
Speaker 1: A lot of times it's from Amy. Where's something where

470
00:23:00,000 --> 00:23:01,639
Speaker 1: I'm like that it was not supposed to happen, or

471
00:23:01,680 --> 00:23:05,240
Speaker 1: she says something. Once we were talking about the mick

472
00:23:05,320 --> 00:23:09,280
Speaker 1: boat at McDonald's and she just started short circuiting. So

473
00:23:09,440 --> 00:23:11,480
Speaker 1: here is the full clip of that. So you can

474
00:23:11,600 --> 00:23:13,560
Speaker 1: paddle up on a dock, place your order and then

475
00:23:13,600 --> 00:23:15,680
Speaker 1: it's brought out to you by the staff and it's

476
00:23:15,720 --> 00:23:19,679
Speaker 1: called nicknote mcmunton. She was supposed to say, called mick boat.

477
00:23:19,880 --> 00:23:22,639
Speaker 1: And I don't know how I turned to this nicknote mcmunton.

478
00:23:23,920 --> 00:23:26,200
Speaker 1: Something short circuited. That was a glitch in the simulation.

479
00:23:26,880 --> 00:23:32,440
Speaker 1: Here's a new glitch for me. Yes, this clip is

480
00:23:32,480 --> 00:23:35,480
Speaker 1: from one of our blind karaoke bits. Here is the

481
00:23:35,480 --> 00:23:39,280
Speaker 1: original clip, and you decide what she's trying to say. Nick, Now,

482
00:23:39,320 --> 00:23:41,040
Speaker 1: I know if that were to happen to an artist,

483
00:23:41,840 --> 00:23:45,000
Speaker 1: pocket usually, oh, because she had the pack on and

484
00:23:45,040 --> 00:23:47,439
Speaker 1: it fell. The pack is what you can listen to,

485
00:23:47,520 --> 00:23:48,879
Speaker 1: so you know, you put it on your belt or

486
00:23:48,960 --> 00:23:50,159
Speaker 1: your back of your pants, or I put mine in

487
00:23:50,160 --> 00:23:53,480
Speaker 1: my pocket if I'm on stage and it fell, and

488
00:23:53,600 --> 00:23:55,920
Speaker 1: this is what she said. Nick, Now, I know if

489
00:23:55,920 --> 00:23:57,679
Speaker 1: that were to happen to an artist, I put mine

490
00:23:57,720 --> 00:24:00,399
Speaker 1: on my back pocket. Usually, Oh, she's having a breakdown. Amy,

491
00:24:00,520 --> 00:24:02,360
Speaker 1: there's a glitch in the system. We're living in a simulation.

492
00:24:02,400 --> 00:24:04,600
Speaker 1: One more time, the last one, Nack. Now I know

493
00:24:04,640 --> 00:24:09,520
Speaker 1: if that no, another language is programmed into her and

494
00:24:09,520 --> 00:24:11,720
Speaker 1: that the wrong one's coming out. I don't know. So

495
00:24:12,440 --> 00:24:13,960
Speaker 1: you guys, I don't know if you like dance music.

496
00:24:14,000 --> 00:24:23,600
Speaker 1: But here's this song based on that. That that that

497
00:24:27,520 --> 00:24:40,440
Speaker 1: that now not no not mc now that now that

498
00:24:41,160 --> 00:24:43,119
Speaker 1: now I know if that would have the argust I

499
00:24:43,240 --> 00:24:51,359
Speaker 1: put my that cocket Usually in how Wow, I wonder

500
00:24:51,400 --> 00:24:54,240
Speaker 1: if that's a hit in another universe or in Germany

501
00:24:54,320 --> 00:25:25,920
Speaker 1: right now? Knock now wow? That yeah, that's it's the

502
00:25:26,080 --> 00:25:30,680
Speaker 1: best bits of the week with Morgan. Number two, it's

503
00:25:30,800 --> 00:25:33,760
Speaker 1: Employee of the month's time, but not just for January.

504
00:25:33,840 --> 00:25:36,320
Speaker 1: It was also for December. We combined the two since

505
00:25:36,359 --> 00:25:38,959
Speaker 1: we were gone on holiday vacation. We found out who won,

506
00:25:39,000 --> 00:25:41,200
Speaker 1: who did the best between those two months, and this time,

507
00:25:41,600 --> 00:25:45,440
Speaker 1: not only did people not do their acceptance speeches before

508
00:25:45,480 --> 00:25:47,760
Speaker 1: they actually won, this time we shared why we think

509
00:25:47,800 --> 00:25:49,359
Speaker 1: we should win, so it was a little bit different

510
00:25:49,440 --> 00:25:52,600
Speaker 1: this time around. And who one definitely deserves it. Listen,

511
00:25:52,800 --> 00:25:55,040
Speaker 1: everybody on our show deserves it. But this is a

512
00:25:55,160 --> 00:25:57,040
Speaker 1: funny one to listen to and hear what everybody does

513
00:25:57,080 --> 00:25:59,320
Speaker 1: every day and why they think they should be Employee

514
00:25:59,359 --> 00:26:02,040
Speaker 1: of the month. Number four, it's time to award the

515
00:26:02,080 --> 00:26:04,000
Speaker 1: Employee of the month for here at the Bobby Bones Show.

516
00:26:04,320 --> 00:26:07,879
Speaker 1: You can win up to three hundred dollars if you're

517
00:26:07,880 --> 00:26:10,760
Speaker 1: an employee of the month. Lunchbox is eliminated because he

518
00:26:10,920 --> 00:26:14,040
Speaker 1: is serving a suspension. And suspension you can be back

519
00:26:14,040 --> 00:26:15,840
Speaker 1: next month. I'll be back next month, and that means

520
00:26:15,880 --> 00:26:17,359
Speaker 1: the crown will be on my head. Do you guys

521
00:26:17,480 --> 00:26:19,720
Speaker 1: enjoy your little pity party while you're at it? You know,

522
00:26:19,880 --> 00:26:22,280
Speaker 1: pity party. Someone will recognize, though, So I want to

523
00:26:22,280 --> 00:26:25,320
Speaker 1: recognize the person who's done the best, the best storylines,

524
00:26:25,920 --> 00:26:28,480
Speaker 1: who has shined. There's a lot of others to shine.

525
00:26:28,680 --> 00:26:30,520
Speaker 1: If you win, pick your prize, you got money, you

526
00:26:30,560 --> 00:26:34,200
Speaker 1: got self promotion, you got blocking somebody else. So when

527
00:26:34,200 --> 00:26:36,040
Speaker 1: I come to you, you tell me why you should

528
00:26:36,080 --> 00:26:38,240
Speaker 1: be the employee of the month. And maybe it's so

529
00:26:38,359 --> 00:26:40,360
Speaker 1: good if you weren't, maybe, I go, that's a good point.

530
00:26:40,400 --> 00:26:43,480
Speaker 1: Now they are first up, Raymundo, why should you be

531
00:26:43,520 --> 00:26:46,480
Speaker 1: employee of the month. I continue to make the listeners

532
00:26:46,560 --> 00:26:49,399
Speaker 1: closer to the show. In Vegas DJ two d Q,

533
00:26:49,560 --> 00:26:51,520
Speaker 1: he hit me up he needed a birthday video from

534
00:26:51,560 --> 00:26:55,160
Speaker 1: Bones Boom. I got it from Bones. A listener wanted

535
00:26:55,200 --> 00:26:59,160
Speaker 1: another birthday call from Bones. I said Bones FaceTime midnight.

536
00:26:59,359 --> 00:27:01,919
Speaker 1: He didn't end through. But dang, and I tried. Can

537
00:27:01,960 --> 00:27:04,679
Speaker 1: I win employ the month? Yeah? You're doing a lot

538
00:27:04,720 --> 00:27:07,360
Speaker 1: of work too, I go, Ray annoyed you with requests,

539
00:27:07,840 --> 00:27:12,440
Speaker 1: You're eliminated. You're not all lunchbox. I'm sorry you don't

540
00:27:12,440 --> 00:27:14,040
Speaker 1: even get to read a speech. But if you'd like

541
00:27:14,119 --> 00:27:15,920
Speaker 1: to have fifteen seconds to explain why you should be

542
00:27:15,960 --> 00:27:18,840
Speaker 1: let back in this week this month, you can. Yeah, guys,

543
00:27:18,920 --> 00:27:22,720
Speaker 1: the show doesn't go without me. Right, that's enough? Thank you? Signed,

544
00:27:22,760 --> 00:27:27,320
Speaker 1: though that wasn't fifteen seconds no more again? Why should

545
00:27:27,359 --> 00:27:29,119
Speaker 1: you be employee the months? Well? I feel like I

546
00:27:29,200 --> 00:27:31,639
Speaker 1: deserve Employee of the month because every week I spend

547
00:27:31,720 --> 00:27:34,840
Speaker 1: over seventy hours working to keep our social media and

548
00:27:34,960 --> 00:27:37,960
Speaker 1: digital platforms running and always up to date with everything

549
00:27:38,000 --> 00:27:40,200
Speaker 1: that you guys talk about on air. Plus I have

550
00:27:40,240 --> 00:27:42,200
Speaker 1: to deal with a lot of mean people online and

551
00:27:42,359 --> 00:27:44,240
Speaker 1: you know, I stay positive through it all. And I've

552
00:27:44,280 --> 00:27:46,680
Speaker 1: been really open about my crazy dating life as well.

553
00:27:46,840 --> 00:27:51,280
Speaker 1: So all solid stuff. Yeah, great job, Morgan. You are

554
00:27:51,280 --> 00:27:53,880
Speaker 1: an asset to this show, but you're not Employee the Month.

555
00:27:53,920 --> 00:27:57,960
Speaker 1: This month. Amy's our returning champion, Amy. Why should you

556
00:27:58,000 --> 00:27:59,800
Speaker 1: be employee the month? Okay? I feel like I've been

557
00:27:59,840 --> 00:28:03,200
Speaker 1: working really hard. I'm bringing good energy into the show.

558
00:28:03,400 --> 00:28:06,200
Speaker 1: I do breathing exercises while I drive in I try

559
00:28:06,400 --> 00:28:08,680
Speaker 1: one I hope the best for everybody on the show.

560
00:28:09,080 --> 00:28:12,440
Speaker 1: I brought The Stevenson Show, which has now been played

561
00:28:12,440 --> 00:28:15,280
Speaker 1: a few times, something I do with my son and

562
00:28:15,680 --> 00:28:19,040
Speaker 1: I had calls from the elderly, well let's not call

563
00:28:19,080 --> 00:28:22,000
Speaker 1: them that, older listeners that have wisdom for us, and

564
00:28:22,119 --> 00:28:25,639
Speaker 1: they all called in just ideas and topic. Thank thank you.

565
00:28:25,880 --> 00:28:27,920
Speaker 1: I thought that was a run on sentence. Not employee

566
00:28:27,920 --> 00:28:30,919
Speaker 1: of the Month, Lunchbox. I'm sorry to cut you off.

567
00:28:31,560 --> 00:28:32,960
Speaker 1: Thank I mean, I was just like, if you're gonna

568
00:28:32,960 --> 00:28:35,520
Speaker 1: cut me off, what do we go? Ahead? Ahead? We're fine,

569
00:28:35,680 --> 00:28:38,360
Speaker 1: go ahead. It was fine Without me, there would be

570
00:28:38,480 --> 00:28:41,480
Speaker 1: no show. The energy is me. You say you bring energy?

571
00:28:41,600 --> 00:28:44,000
Speaker 1: Who brings the drama? Who gets people fired up on

572
00:28:44,040 --> 00:28:46,760
Speaker 1: those phones? The only reason people tune in to say

573
00:28:47,000 --> 00:28:49,800
Speaker 1: what is Lunchbox gonna say next? And that's why they're

574
00:28:49,840 --> 00:28:51,760
Speaker 1: here in twenty twenty three. You know what, You're back

575
00:28:51,800 --> 00:28:55,240
Speaker 1: in contention, lunchbox. Let's go because of that. Let's go

576
00:28:55,760 --> 00:28:57,920
Speaker 1: back at contention. I like, let's go like the energy

577
00:28:58,200 --> 00:29:01,520
Speaker 1: whoa I'd even do breathing exercise because he yelled in

578
00:29:01,600 --> 00:29:04,000
Speaker 1: my face. Eddie, Yeah, why should you be employee the months?

579
00:29:04,120 --> 00:29:06,320
Speaker 1: I have one thing to say, bones, and that's hottest

580
00:29:06,360 --> 00:29:08,520
Speaker 1: gummy bear in the world. Look, I have a confession

581
00:29:08,560 --> 00:29:11,440
Speaker 1: to make. That was December. This is employ the months.

582
00:29:12,240 --> 00:29:14,480
Speaker 1: Look I have a confession. I really liked AMI's gifts,

583
00:29:14,560 --> 00:29:16,800
Speaker 1: but I knew at that moment I was going to

584
00:29:16,880 --> 00:29:19,320
Speaker 1: have to go for that luxury gift. So maybe I

585
00:29:19,520 --> 00:29:22,480
Speaker 1: have to take the hottest gummy bear, the hottest chip,

586
00:29:22,600 --> 00:29:25,160
Speaker 1: whatever for the show. These are the stupid things I

587
00:29:25,280 --> 00:29:28,200
Speaker 1: do for the show. Therefore, I deserve to be employ

588
00:29:28,320 --> 00:29:31,200
Speaker 1: the month. Did hot ship Eddie? You're selling it? Yeah,

589
00:29:31,560 --> 00:29:34,680
Speaker 1: let's go to Abby. Abby. You're answered the phones, you're

590
00:29:34,680 --> 00:29:37,400
Speaker 1: producing bits behind the scenes. Why should you be employe

591
00:29:37,480 --> 00:29:39,480
Speaker 1: the mind? Okay, I think I deserved to win because

592
00:29:39,480 --> 00:29:41,479
Speaker 1: I really put myself out there this month and trusted

593
00:29:41,520 --> 00:29:43,800
Speaker 1: y'all with my dating life, and I usually embarrass myself

594
00:29:43,840 --> 00:29:46,080
Speaker 1: in the process. But I especially think I should win

595
00:29:46,160 --> 00:29:49,160
Speaker 1: for sending the most cringe worthy message no offense Bobby

596
00:29:49,840 --> 00:29:52,240
Speaker 1: to a guy that I've ever sent. Plus I have

597
00:29:52,360 --> 00:29:55,000
Speaker 1: to listen to a hater in the studio every time

598
00:29:55,080 --> 00:29:58,000
Speaker 1: I talk about it, So take me everys the one

599
00:29:58,000 --> 00:30:00,280
Speaker 1: who elimitated a lunchbox from the game, so I can't

600
00:30:00,320 --> 00:30:02,680
Speaker 1: really go against that lunch bach. You're elimited again. You're

601
00:30:02,720 --> 00:30:06,680
Speaker 1: not employee the months? Oh wow? I totally okay, Yeah, yeah,

602
00:30:06,760 --> 00:30:13,760
Speaker 1: yeah wow. Well that's between Abby and Eddie. Who on Eddie?

603
00:30:13,880 --> 00:30:16,560
Speaker 1: Why because he deserves it? Maybe Eddie of the dad.

604
00:30:16,640 --> 00:30:22,080
Speaker 1: He had a couple of good Eddie the employee awesome.

605
00:30:22,800 --> 00:30:25,800
Speaker 1: This employee is a hero. He broke up a fight

606
00:30:25,840 --> 00:30:29,400
Speaker 1: and shared the heroic story with us because of him

607
00:30:29,480 --> 00:30:31,640
Speaker 1: backing out on tickets too for King and Country, they

608
00:30:31,640 --> 00:30:33,600
Speaker 1: came into performed into the best of the entire year.

609
00:30:33,760 --> 00:30:35,640
Speaker 1: I forgot about that. He won easy Trivia. He's back

610
00:30:35,680 --> 00:30:39,000
Speaker 1: to dominating games unless I'm playing. He admitted to making

611
00:30:39,040 --> 00:30:40,800
Speaker 1: his kids he out of the garbage. He shared an

612
00:30:40,800 --> 00:30:43,080
Speaker 1: important scam alert after his dad basically had to cancel

613
00:30:43,120 --> 00:30:45,200
Speaker 1: his identity. He ate the Hottest Gummy Bear and he

614
00:30:45,280 --> 00:30:48,440
Speaker 1: performed Police Navy Dad. His performance was great. Dang, what

615
00:30:48,680 --> 00:30:53,320
Speaker 1: a run Eddie you are? Then, I'm tellings he just said,

616
00:30:53,320 --> 00:30:56,400
Speaker 1: I forgot about That's crazy. You had so many good ones.

617
00:30:56,960 --> 00:30:58,880
Speaker 1: So what would you like? Eddie? Got a few options here.

618
00:30:58,880 --> 00:31:01,520
Speaker 1: You can eliminate. You can keep lunchbox out another month.

619
00:31:01,640 --> 00:31:03,520
Speaker 1: I could do that. That'd be fun. You could do

620
00:31:03,600 --> 00:31:05,520
Speaker 1: some self promotion, or you could spin the whel cash.

621
00:31:06,040 --> 00:31:08,240
Speaker 1: I do like the self promotion because I like ttok

622
00:31:08,480 --> 00:31:12,440
Speaker 1: the wheel if you want it. Bones During this whole bit.

623
00:31:12,480 --> 00:31:15,120
Speaker 1: I keep staring at that wheel, and there are only

624
00:31:15,680 --> 00:31:18,520
Speaker 1: two slots that I really want. The spin again three

625
00:31:18,600 --> 00:31:21,280
Speaker 1: times and one hundred dollars? What about the twenty fifty?

626
00:31:21,760 --> 00:31:23,880
Speaker 1: Those are nice? Those are nice. But when you said

627
00:31:24,080 --> 00:31:26,320
Speaker 1: you can win up to three hundred dollars, I was like, Okay,

628
00:31:26,360 --> 00:31:27,920
Speaker 1: this is where it's at. So I want to take

629
00:31:27,960 --> 00:31:30,120
Speaker 1: my chances. Bones. You want it to get two spins?

630
00:31:30,200 --> 00:31:32,600
Speaker 1: Two spins, let's go and if you like the first one,

631
00:31:32,640 --> 00:31:33,720
Speaker 1: you keep it. But if you don't like it, you

632
00:31:34,000 --> 00:31:35,640
Speaker 1: have to spin again. Correct, you have to go with

633
00:31:35,720 --> 00:31:38,600
Speaker 1: whatever that second spin is. You got it, Let's spin that.

634
00:31:41,840 --> 00:31:44,360
Speaker 1: Come on. One hundred dollars. One hundred dollars. There it

635
00:31:44,480 --> 00:31:47,920
Speaker 1: is five dollars. Hey, that's good. Five dollars. Now do

636
00:31:47,960 --> 00:31:50,320
Speaker 1: you want to sit on five? Or do you want

637
00:31:50,320 --> 00:31:52,480
Speaker 1: to spin again? There's a lot of ones out there.

638
00:31:54,200 --> 00:31:56,920
Speaker 1: You know what? How cool would it to be to

639
00:31:57,000 --> 00:31:58,800
Speaker 1: go home? Tell my kids? I want to employ the

640
00:31:58,840 --> 00:32:00,520
Speaker 1: month and show them the five dollars bill. I'm gonna

641
00:32:00,520 --> 00:32:05,560
Speaker 1: take the money bone, Seriously, I can't risk it. Guys,

642
00:32:05,680 --> 00:32:07,280
Speaker 1: last time I spend the wheel, it was dollars. Do

643
00:32:07,280 --> 00:32:08,920
Speaker 1: you want to know what it would have been. Let's

644
00:32:08,960 --> 00:32:13,640
Speaker 1: spend it's gonna be a hundred. I mean, I've never

645
00:32:13,720 --> 00:32:20,040
Speaker 1: seen a drummer. There you go, Eddie, here's your cash,

646
00:32:20,200 --> 00:32:26,320
Speaker 1: Come on up and accept five dollars. Employee the mont Eddie.

647
00:32:26,600 --> 00:32:29,680
Speaker 1: He did great. Congrats Eddie. You guys have been put

648
00:32:29,720 --> 00:32:33,239
Speaker 1: on notice. I'm back. Oh I'm bad. So what does

649
00:32:33,280 --> 00:32:37,200
Speaker 1: that mean? Get ready? Are you warning us you're gonna

650
00:32:37,200 --> 00:32:41,040
Speaker 1: do a great job? Oh? No, he is coming. Sider

651
00:32:41,160 --> 00:32:45,600
Speaker 1: me scary? Who will I block next? Luke Combs? But

652
00:32:45,680 --> 00:32:47,200
Speaker 1: you gotta be a great employee to be able to

653
00:32:47,200 --> 00:32:51,120
Speaker 1: block somebody. Don't worry, Okay, I'm not. It's the best

654
00:32:51,280 --> 00:32:55,800
Speaker 1: bits of the week with Morgan. Number two, another really

655
00:32:55,840 --> 00:32:57,880
Speaker 1: awesome raw interview we had on the show this week

656
00:32:58,000 --> 00:33:00,320
Speaker 1: was with Morgan Evans. He stopped by Toper form his

657
00:33:00,400 --> 00:33:02,520
Speaker 1: song over for You, which when we played it on

658
00:33:02,560 --> 00:33:04,480
Speaker 1: the show, y'all loved it and could not get enough

659
00:33:04,520 --> 00:33:06,280
Speaker 1: of this song, So of course we had to have

660
00:33:06,360 --> 00:33:08,640
Speaker 1: him come in the studio and perform it live, which

661
00:33:09,120 --> 00:33:11,520
Speaker 1: also you guys loved and really cool. And that's another

662
00:33:11,560 --> 00:33:13,760
Speaker 1: performance you can check out at Bobbybones dot com. But

663
00:33:13,840 --> 00:33:16,040
Speaker 1: not only that, during his time when he was on

664
00:33:16,080 --> 00:33:18,280
Speaker 1: the show. He opened up about the very public divorce

665
00:33:18,360 --> 00:33:21,360
Speaker 1: that he went through is going through, and it was

666
00:33:21,440 --> 00:33:23,800
Speaker 1: just really cool to hear from Morgan, hear his perspective

667
00:33:23,840 --> 00:33:27,200
Speaker 1: on things and how he's been doing recently. So overall

668
00:33:27,360 --> 00:33:31,120
Speaker 1: an awesome, incredible interview and performance. So go check out

669
00:33:31,160 --> 00:33:33,640
Speaker 1: the performance on Bobbybones dot com. But here's that interview

670
00:33:33,680 --> 00:33:36,200
Speaker 1: with Morgan and Bobby now number three. You may know

671
00:33:36,360 --> 00:33:40,560
Speaker 1: him from his number one song Kiss Somebody Sometimes. He

672
00:33:40,720 --> 00:33:43,680
Speaker 1: grew up in New South Wales in Australo. You started

673
00:33:43,680 --> 00:33:47,520
Speaker 1: surfing at age thirteen. At five, he played piano. At

674
00:33:47,560 --> 00:33:51,240
Speaker 1: eleven he played horn. You know, love him his friend

675
00:33:52,000 --> 00:33:55,320
Speaker 1: and he was playing a show in Australia and this

676
00:33:55,560 --> 00:33:57,280
Speaker 1: is like, right, has all the news about him and

677
00:33:57,360 --> 00:33:59,760
Speaker 1: Kelsey Ballerini's divorce was coming out and he goes out

678
00:33:59,800 --> 00:34:01,480
Speaker 1: and he takes a deep breath and he plays a

679
00:34:01,520 --> 00:34:03,840
Speaker 1: song I've never heard before and it was about It's

680
00:34:03,840 --> 00:34:06,040
Speaker 1: a very personal song called over for You. Here's a

681
00:34:06,080 --> 00:34:11,200
Speaker 1: clip of that. The first time he's been anywhere to

682
00:34:11,239 --> 00:34:15,000
Speaker 1: perform this, super pumped and let's do it now here.

683
00:34:15,040 --> 00:34:19,520
Speaker 1: He is Morgan Evans on the Bobby Bones Show. Now,

684
00:34:20,920 --> 00:34:23,360
Speaker 1: good to see you buddy. If you see it feels

685
00:34:23,360 --> 00:34:26,560
Speaker 1: like ammy. This has been my experience with Morgan over

686
00:34:26,600 --> 00:34:29,799
Speaker 1: the last six months. Hey you in town. No, I'm

687
00:34:29,840 --> 00:34:34,160
Speaker 1: not on town. Okay. Is that how you read his texts? Yeah? Okay,

688
00:34:34,440 --> 00:34:37,600
Speaker 1: And then he's I'm here, I'm not here, and then

689
00:34:37,680 --> 00:34:39,440
Speaker 1: we do this and this is literally the first time

690
00:34:39,480 --> 00:34:42,120
Speaker 1: we've seen each other. Yeah, but we've tried. We've been

691
00:34:42,160 --> 00:34:44,520
Speaker 1: trying to get a game. We've been trying. We've been trying.

692
00:34:44,880 --> 00:34:46,360
Speaker 1: That's why I don't know that I've ever walked in

693
00:34:46,400 --> 00:34:48,319
Speaker 1: and just hugged anybody before I saw Morgan. I didn't

694
00:34:48,320 --> 00:34:49,840
Speaker 1: get him a big hug up there, just because, like

695
00:34:49,880 --> 00:34:52,040
Speaker 1: my friend, I'm seeing you forever man a long time.

696
00:34:52,440 --> 00:34:55,040
Speaker 1: Your hair's all along, and that's not good to see them.

697
00:34:55,080 --> 00:34:59,720
Speaker 1: It's really good to see. Yeah, your hair's growing growing

698
00:35:00,000 --> 00:35:05,480
Speaker 1: own boy. Yeah. Yeah, what's what's been happening. I just

699
00:35:05,560 --> 00:35:08,880
Speaker 1: got back from Australia. I spent Christmas down there almost

700
00:35:08,920 --> 00:35:11,640
Speaker 1: a month. I heard it was awesome. Christmas in Australia

701
00:35:11,719 --> 00:35:13,960
Speaker 1: is cool because it's warm. Yeah, it was like a

702
00:35:14,040 --> 00:35:17,319
Speaker 1: little snapshot of summer. And I spent so much time

703
00:35:17,360 --> 00:35:19,719
Speaker 1: with my family and old mates, and I've got all

704
00:35:19,760 --> 00:35:21,640
Speaker 1: these little nieces and nephews now, and they all know

705
00:35:21,719 --> 00:35:25,520
Speaker 1: who I am now, which is oh, because you actually around. Yeah,

706
00:35:25,760 --> 00:35:29,600
Speaker 1: made three like three four, one two, so that I

707
00:35:29,840 --> 00:35:32,160
Speaker 1: know them from FaceTime. And so now it's really nice

708
00:35:32,200 --> 00:35:36,120
Speaker 1: to have a real connection. You are without choose and

709
00:35:36,120 --> 00:35:37,840
Speaker 1: a lot of your pictures, especially when you're being active

710
00:35:38,080 --> 00:35:39,760
Speaker 1: and so. But there's a guy who keeps offering amy

711
00:35:39,800 --> 00:35:43,080
Speaker 1: money for for feet pictures, and so would you if

712
00:35:43,120 --> 00:35:44,680
Speaker 1: somebody message you and said he I'll give you two

713
00:35:44,719 --> 00:35:46,359
Speaker 1: hundred bucks for close ups of your feet and only

714
00:35:46,400 --> 00:35:48,560
Speaker 1: your feet, would you do that? Nah? You would, even

715
00:35:48,600 --> 00:35:51,319
Speaker 1: though your feet are already for free on your Instagram. Yeah,

716
00:35:51,360 --> 00:35:53,600
Speaker 1: to be clear, and being offered two hundred and fifty dollars,

717
00:35:53,640 --> 00:35:55,520
Speaker 1: Oh my bad. So I didn't mean to under under value.

718
00:35:55,920 --> 00:35:58,080
Speaker 1: Would you do feet pictures? Where is that on the

719
00:35:58,200 --> 00:36:01,480
Speaker 1: hierarchy of feet value idea? We have seen the most

720
00:36:01,520 --> 00:36:04,839
Speaker 1: valuable Fate picture. We only know her value. I tried

721
00:36:04,880 --> 00:36:07,640
Speaker 1: to sell him some of mine and it was far lower.

722
00:36:08,120 --> 00:36:10,799
Speaker 1: But now he wants giant pictures of her with her

723
00:36:10,840 --> 00:36:13,239
Speaker 1: feet right near the camera and she's standing in her

724
00:36:13,280 --> 00:36:16,200
Speaker 1: head small and he's offered even more. That's pretty specific.

725
00:36:17,280 --> 00:36:19,520
Speaker 1: It's like giant ness or something, and all you have

726
00:36:19,600 --> 00:36:21,520
Speaker 1: to do is just make your foot or hand look big.

727
00:36:21,719 --> 00:36:23,279
Speaker 1: That's all I would have to do. And he said

728
00:36:23,280 --> 00:36:25,920
Speaker 1: he'd pay me. I'm not going to do it. Do

729
00:36:25,960 --> 00:36:27,840
Speaker 1: you reply to this person? We talked about him on

730
00:36:27,840 --> 00:36:29,600
Speaker 1: the show all the time. Yeah, yeah, right, But you're

731
00:36:29,640 --> 00:36:31,680
Speaker 1: someone who is at the beach a lot, and I wonder,

732
00:36:31,760 --> 00:36:34,839
Speaker 1: since it's already readily available, would you also take money?

733
00:36:35,400 --> 00:36:37,960
Speaker 1: Well maybe, because it's so available. I've never been offered

734
00:36:38,000 --> 00:36:40,080
Speaker 1: money for I do get asked this question a little bit,

735
00:36:40,120 --> 00:36:43,440
Speaker 1: which I think is equally as interesting, which is a

736
00:36:43,600 --> 00:36:47,480
Speaker 1: your fate ticklish? Do you get ticklish? It seems like

737
00:36:47,560 --> 00:36:51,680
Speaker 1: a common, like multiple people question. Never thought about that. Yeah,

738
00:36:51,719 --> 00:36:53,400
Speaker 1: And if I don't even know what it means, it

739
00:36:53,520 --> 00:36:57,000
Speaker 1: starts the computer history of whoever asked that question. You

740
00:36:57,000 --> 00:36:58,640
Speaker 1: don't know what that means? Oh I don't. I don't

741
00:36:58,680 --> 00:37:00,239
Speaker 1: do any more than read it and then move on

742
00:37:00,360 --> 00:37:02,359
Speaker 1: from it. So I haven't looked into where it comes from.

743
00:37:02,440 --> 00:37:06,680
Speaker 1: But are they Yeah, what are they ticklish? I don't know.

744
00:37:06,920 --> 00:37:13,919
Speaker 1: Maybe sometimes them? Right now, let's do it right now? Um, okay, look,

745
00:37:14,480 --> 00:37:16,719
Speaker 1: let's just let's get to the nitty gritty. You played

746
00:37:16,760 --> 00:37:19,560
Speaker 1: this song you're about to play. You played it at

747
00:37:19,600 --> 00:37:22,719
Speaker 1: a live show. We saw it on TikTok. I ripped

748
00:37:22,760 --> 00:37:24,440
Speaker 1: the audio off TikTok and just played it on the

749
00:37:24,520 --> 00:37:27,680
Speaker 1: ear the whole thing. It's a phone version. It sounds your.

750
00:37:27,840 --> 00:37:30,360
Speaker 1: Your performance was great, but the audio quality was pretty

751
00:37:30,480 --> 00:37:33,439
Speaker 1: terrible because it was just somebody recording it right then.

752
00:37:34,040 --> 00:37:36,480
Speaker 1: I know some people that know some people, and I

753
00:37:36,600 --> 00:37:39,880
Speaker 1: got a boored version of you play of that, And

754
00:37:40,440 --> 00:37:41,879
Speaker 1: you know, I didn't know if you're gonna get upset

755
00:37:41,920 --> 00:37:43,600
Speaker 1: at me for for having it and playing it. I

756
00:37:43,640 --> 00:37:45,560
Speaker 1: didn't ask permission because I didn't want you to say no,

757
00:37:45,719 --> 00:37:47,000
Speaker 1: and I felt like the song was really good and

758
00:37:47,040 --> 00:37:50,120
Speaker 1: you would be grateful later, hopefully if that ended up

759
00:37:50,120 --> 00:37:51,640
Speaker 1: being a single. And so we had that I was

760
00:37:51,719 --> 00:37:55,360
Speaker 1: playing it, and then it became your single now, And

761
00:37:55,440 --> 00:37:57,240
Speaker 1: so I want to go back to that night because

762
00:37:57,320 --> 00:38:00,440
Speaker 1: whenever you walked out, it sounded like you didn't say

763
00:38:00,440 --> 00:38:01,759
Speaker 1: anything in the crowd. It sounded like you were a

764
00:38:01,800 --> 00:38:04,040
Speaker 1: bit emotional before you played it. Is that true? Are

765
00:38:04,080 --> 00:38:06,279
Speaker 1: we putting too much into that? I mean, it's very

766
00:38:06,360 --> 00:38:08,640
Speaker 1: true that it was emotional time the first time you

767
00:38:08,680 --> 00:38:10,600
Speaker 1: played were you, Like, yeah, were you? I guess my

768
00:38:10,719 --> 00:38:13,040
Speaker 1: question is were you thinking about, Okay, should I play

769
00:38:13,080 --> 00:38:14,759
Speaker 1: this tonight? And did you make the decision right then

770
00:38:14,800 --> 00:38:16,319
Speaker 1: and there or like, I'm going to play this new

771
00:38:16,360 --> 00:38:18,600
Speaker 1: song I just wrote. No, No, it was then and there. Thing.

772
00:38:18,719 --> 00:38:20,360
Speaker 1: It was a moment in the show that was always

773
00:38:20,400 --> 00:38:22,640
Speaker 1: going to be the Okay, the band leads the stage

774
00:38:22,640 --> 00:38:25,160
Speaker 1: and then it's a piano moment. But there was a

775
00:38:25,200 --> 00:38:27,160
Speaker 1: couple of options that I had to do that night,

776
00:38:27,200 --> 00:38:30,640
Speaker 1: of different piano versions of different songs. And I'd just

777
00:38:30,800 --> 00:38:34,279
Speaker 1: written this song over a few the week before, and

778
00:38:34,560 --> 00:38:36,399
Speaker 1: I hadn't even shown anyone, Like, I hadn't even sent

779
00:38:36,480 --> 00:38:39,879
Speaker 1: it to my management or anything. But did you write

780
00:38:39,880 --> 00:38:41,840
Speaker 1: it about yourself? I'd been playing it a lot. No.

781
00:38:42,040 --> 00:38:43,960
Speaker 1: I wrote it with a couple other people here in town.

782
00:38:44,120 --> 00:38:46,160
Speaker 1: So how vulnerable is that that you do? I mean,

783
00:38:46,200 --> 00:38:49,279
Speaker 1: it's a songwriting, very vulnerable when it's very personal. Yeah,

784
00:38:49,520 --> 00:38:51,040
Speaker 1: and you go and you go and write this song.

785
00:38:51,200 --> 00:38:54,040
Speaker 1: This has been happening. You have to trust those two.

786
00:38:54,160 --> 00:38:56,440
Speaker 1: And I'm assuming there are people you've been with before. Yeah,

787
00:38:56,520 --> 00:38:58,640
Speaker 1: one of them was two of them I met that day.

788
00:38:58,719 --> 00:39:02,719
Speaker 1: Oh boy, hello here, I don't know I don't know

789
00:39:02,800 --> 00:39:05,000
Speaker 1: how why happened. I guess something's just happened for a reason.

790
00:39:05,280 --> 00:39:07,280
Speaker 1: It was the only song I wrote in four month period.

791
00:39:07,600 --> 00:39:10,120
Speaker 1: And I went into that session because I particularly I

792
00:39:10,239 --> 00:39:12,200
Speaker 1: was a big fan of a couple of people in

793
00:39:12,280 --> 00:39:14,080
Speaker 1: the room, and then one of my really good mace

794
00:39:14,160 --> 00:39:16,120
Speaker 1: was in there, and I thought, I need to do

795
00:39:16,360 --> 00:39:19,000
Speaker 1: something creative, because you know, this is what I do.

796
00:39:19,120 --> 00:39:20,919
Speaker 1: It's like an outlet. And I sat in the corner

797
00:39:20,960 --> 00:39:23,000
Speaker 1: of the room and I just looked at everyone. I

798
00:39:23,080 --> 00:39:25,520
Speaker 1: was like, guys, I'm gonna be completely useless in this

799
00:39:25,600 --> 00:39:27,840
Speaker 1: session unless I just tell you what's going on. You know,

800
00:39:27,920 --> 00:39:30,360
Speaker 1: were they like elephant in the room? They knew you

801
00:39:30,400 --> 00:39:33,279
Speaker 1: were it was a difficult season, and they were like,

802
00:39:33,360 --> 00:39:35,640
Speaker 1: what does he wanted? We do we even write a

803
00:39:35,719 --> 00:39:38,759
Speaker 1: song because there's just so much there. If it's how

804
00:39:38,960 --> 00:39:42,239
Speaker 1: was that? I don't know if that that part of

805
00:39:42,280 --> 00:39:43,719
Speaker 1: it ever had a chance to have him because I

806
00:39:43,760 --> 00:39:46,279
Speaker 1: just said, I just said, look, yeah, let's just do this. Well,

807
00:39:46,320 --> 00:39:47,960
Speaker 1: the song is so good. I mean, if you write

808
00:39:48,000 --> 00:39:49,680
Speaker 1: it or you wrote it for somebody else, songs good

809
00:39:49,880 --> 00:39:52,640
Speaker 1: by itself, regardless of whatever story it is, but the

810
00:39:52,760 --> 00:39:55,200
Speaker 1: personal story makes it it doesn't matter whose story, but

811
00:39:55,239 --> 00:39:59,440
Speaker 1: a personal story adds value to anything creative because we

812
00:39:59,560 --> 00:40:02,000
Speaker 1: feel as the person who's listening consuming, we feel like

813
00:40:02,120 --> 00:40:05,480
Speaker 1: it is. It's like authentic and legitimate, right, and that's

814
00:40:05,480 --> 00:40:09,120
Speaker 1: the goal it is. And as a songwriter, I feel

815
00:40:09,160 --> 00:40:11,680
Speaker 1: like that aspect of it I'm really proud of, and

816
00:40:13,400 --> 00:40:15,920
Speaker 1: I think the pride of it comes from after sharing it,

817
00:40:16,880 --> 00:40:22,239
Speaker 1: seeing how that level of vulnerability and personal writing is

818
00:40:22,320 --> 00:40:26,320
Speaker 1: actually the thing that most widely relates to people. And

819
00:40:26,800 --> 00:40:29,400
Speaker 1: the amount of messages and comments I get on social

820
00:40:29,480 --> 00:40:32,759
Speaker 1: media now, they're so great and they're like, it's so

821
00:40:32,880 --> 00:40:34,960
Speaker 1: much more than hey I love that song or that

822
00:40:35,040 --> 00:40:38,160
Speaker 1: show was so fun. It's like, thank you for writing

823
00:40:38,239 --> 00:40:40,279
Speaker 1: that song, thank you for putting into words how I

824
00:40:40,400 --> 00:40:42,600
Speaker 1: felt or how I feel. Thank you for letting me

825
00:40:42,719 --> 00:40:44,920
Speaker 1: know I'm not alone. And those kind of things mean

826
00:40:45,280 --> 00:40:48,640
Speaker 1: so so much. Having gone through a situation like that,

827
00:40:48,760 --> 00:40:52,600
Speaker 1: seeing that it helps other people going through situations like that, Yeah,

828
00:40:52,600 --> 00:40:54,680
Speaker 1: it's really a big deal. Morgan Evans is here. He's

829
00:40:54,680 --> 00:40:56,520
Speaker 1: got a keyboard piano. Now, is that one of those

830
00:40:56,600 --> 00:40:59,360
Speaker 1: keyboards that plays for you for the key or are

831
00:40:59,360 --> 00:41:01,279
Speaker 1: you actually gonna you know how the ones it would

832
00:41:01,360 --> 00:41:04,200
Speaker 1: play Okay, so, but it's not you're actually gonna play

833
00:41:04,280 --> 00:41:06,640
Speaker 1: I'm use my hand, Okay, just making sure. I'm just

834
00:41:06,640 --> 00:41:08,800
Speaker 1: showing how legitimate he is as an artist. All around.

835
00:41:09,200 --> 00:41:11,399
Speaker 1: The guy plays all the instruments. How funny he comes

836
00:41:11,440 --> 00:41:13,040
Speaker 1: in and it starts playing the song, but he push

837
00:41:13,200 --> 00:41:16,840
Speaker 1: the wrong button. Okay, here he is Morgan Evans with

838
00:41:17,080 --> 00:41:24,719
Speaker 1: his song over for you. Morgan Evans, Like, the only

839
00:41:24,840 --> 00:41:28,000
Speaker 1: thing that I can relate just a bit of my

840
00:41:28,200 --> 00:41:30,840
Speaker 1: story to this here is it's not the only thing.

841
00:41:30,920 --> 00:41:33,040
Speaker 1: But when I would write like my first book, I

842
00:41:33,080 --> 00:41:34,600
Speaker 1: had to I didn't have to be I revealed some

843
00:41:34,800 --> 00:41:39,319
Speaker 1: very personal things that never revealed before, and it felt

844
00:41:39,440 --> 00:41:43,680
Speaker 1: a little embarrassing is not the word, but I would

845
00:41:43,719 --> 00:41:46,279
Speaker 1: like talk about some really uh personal things about my

846
00:41:46,440 --> 00:41:51,520
Speaker 1: mom and um addiction and struggles and things that I

847
00:41:51,640 --> 00:41:54,560
Speaker 1: felt people were gonna feel sorry for me for. And

848
00:41:54,640 --> 00:41:56,160
Speaker 1: so I was like, I don't want people sorry for me,

849
00:41:56,560 --> 00:41:59,640
Speaker 1: and I was embarrassed that they might. But then when

850
00:41:59,680 --> 00:42:01,319
Speaker 1: people started to come up to me at like shows,

851
00:42:01,360 --> 00:42:03,560
Speaker 1: when I would I would go and do they would go, hey,

852
00:42:04,040 --> 00:42:05,960
Speaker 1: that part and it would be that specifically they would go,

853
00:42:06,040 --> 00:42:08,759
Speaker 1: that's the part they go. I related, so much to that,

854
00:42:09,040 --> 00:42:10,680
Speaker 1: the one that the thing I was so worried about

855
00:42:11,560 --> 00:42:13,600
Speaker 1: the thing that I was like, Man, when people hear this,

856
00:42:13,680 --> 00:42:15,480
Speaker 1: they're gonna think less of me, or they're gonna think

857
00:42:15,480 --> 00:42:17,520
Speaker 1: they're gonna feel sorry for me. And I didn't want

858
00:42:17,560 --> 00:42:19,080
Speaker 1: them to feel sorry for me. I was using that

859
00:42:19,080 --> 00:42:22,719
Speaker 1: as an outlet to share. But it was that that

860
00:42:22,800 --> 00:42:26,960
Speaker 1: people related to the most. And I wonder if that

861
00:42:27,160 --> 00:42:29,200
Speaker 1: was similar with you. Where you're going, I'm gonna do

862
00:42:29,280 --> 00:42:31,520
Speaker 1: this song. It's so personal, and like you said, you

863
00:42:31,560 --> 00:42:34,000
Speaker 1: didn't expect people to just be like I needed that

864
00:42:34,120 --> 00:42:37,080
Speaker 1: song for me, not for not just listening to your

865
00:42:37,120 --> 00:42:39,680
Speaker 1: story like they needed it for them. And all these

866
00:42:39,719 --> 00:42:43,080
Speaker 1: people hearing that you're very personal story but then also

867
00:42:43,200 --> 00:42:45,360
Speaker 1: finding their own story inside of it, there's got to

868
00:42:45,400 --> 00:42:47,839
Speaker 1: be some something in that that makes you feel great

869
00:42:47,880 --> 00:42:50,719
Speaker 1: that you didn't expect. Yeah. Absolutely, I mean I had

870
00:42:50,800 --> 00:42:53,000
Speaker 1: no expectations for it. I'm not sure if you had

871
00:42:53,040 --> 00:42:55,640
Speaker 1: expectations for those moments in that book. I've read the

872
00:42:55,680 --> 00:42:58,879
Speaker 1: book by the Wise Cry Thank You, I've heard that song. Yeah.

873
00:43:00,800 --> 00:43:02,759
Speaker 1: It's great for that reason though, and I think the

874
00:43:02,840 --> 00:43:05,400
Speaker 1: same reason that I feel like people kind of have

875
00:43:05,560 --> 00:43:07,920
Speaker 1: been reacting to this song. I literally played it that

876
00:43:08,480 --> 00:43:10,640
Speaker 1: night on the first SILD because I felt like it

877
00:43:10,760 --> 00:43:12,560
Speaker 1: was something that I needed to say, something that I

878
00:43:12,640 --> 00:43:15,000
Speaker 1: needed to do, and it wasn't until after the show

879
00:43:15,480 --> 00:43:19,799
Speaker 1: felt good to do that. And I didn't really get

880
00:43:19,840 --> 00:43:21,280
Speaker 1: a choice in any of the rest of it because

881
00:43:21,400 --> 00:43:23,800
Speaker 1: by the time I woke up the time difference of stuff,

882
00:43:23,840 --> 00:43:27,120
Speaker 1: someone like you've played the song on the radio, TikTok's

883
00:43:27,280 --> 00:43:30,279
Speaker 1: had this video shared however many times, and after that

884
00:43:30,400 --> 00:43:31,759
Speaker 1: it kind of just took on a life of its

885
00:43:31,800 --> 00:43:34,040
Speaker 1: own in other people's lives. And so after that, I

886
00:43:34,160 --> 00:43:36,479
Speaker 1: felt like, it's obviously always going to be my story,

887
00:43:36,600 --> 00:43:38,960
Speaker 1: my song, but I feel like now that it's out

888
00:43:39,000 --> 00:43:41,040
Speaker 1: there in the world, it's it's everybody's who needs it

889
00:43:41,120 --> 00:43:42,759
Speaker 1: to be. Was there ever a time where you play it,

890
00:43:43,040 --> 00:43:44,839
Speaker 1: I mean, never put the song out, I mean never

891
00:43:44,920 --> 00:43:46,440
Speaker 1: played the song we wrote it. Maybe it was just

892
00:43:46,719 --> 00:43:50,440
Speaker 1: that cathartic experience of songwriting. Did you ever think, you

893
00:43:50,520 --> 00:43:53,160
Speaker 1: know what, but I just might not ever play it? Yeah,

894
00:43:53,160 --> 00:43:56,319
Speaker 1: one hundred percent percent. Yeah. I mean there's so many

895
00:43:57,200 --> 00:43:59,239
Speaker 1: especially when you first get to town and you still

896
00:43:59,280 --> 00:44:01,239
Speaker 1: like you kind of meeting different writing groups. There's so

897
00:44:01,320 --> 00:44:04,040
Speaker 1: many rooms that you're in in in Nashville where they're like, hey,

898
00:44:04,080 --> 00:44:05,800
Speaker 1: we need to write a hit song today, you know,

899
00:44:05,880 --> 00:44:08,640
Speaker 1: like that's the goal. The goal of this day was

900
00:44:08,719 --> 00:44:10,680
Speaker 1: just dude sitting in the corner of a room, just

901
00:44:11,719 --> 00:44:16,480
Speaker 1: just trying to make sense of a situation. And that

902
00:44:16,600 --> 00:44:19,160
Speaker 1: part of it creatively is really rewarding too. It's just like, hey,

903
00:44:19,320 --> 00:44:22,600
Speaker 1: sit down, say what are you gonna say? Weird to

904
00:44:24,000 --> 00:44:26,239
Speaker 1: have people in your business? Yeah, but they were in

905
00:44:26,320 --> 00:44:28,759
Speaker 1: it anyway. I didn't really get a choice of that.

906
00:44:29,280 --> 00:44:31,759
Speaker 1: That wasn't that, that was not an added part of

907
00:44:31,840 --> 00:44:36,799
Speaker 1: this moment. No, rewind weird to have people in your

908
00:44:36,880 --> 00:44:39,400
Speaker 1: business period, even before the song came out in a

909
00:44:39,480 --> 00:44:43,160
Speaker 1: way that that hadn't happened before totally. I mean it

910
00:44:43,320 --> 00:44:46,400
Speaker 1: was a high profile marriage. Yeah, and with that you

911
00:44:46,719 --> 00:44:49,960
Speaker 1: the spoils of it was great. And then also I

912
00:44:50,040 --> 00:44:52,279
Speaker 1: got to imagine, though I just was so mad at

913
00:44:52,320 --> 00:44:54,919
Speaker 1: people about I was just like I was, you didn't

914
00:44:54,920 --> 00:44:56,520
Speaker 1: even need defend it, didn't you. You've handled this like

915
00:44:56,880 --> 00:44:59,120
Speaker 1: so freaking mature it. I just wouldn't have. I just

916
00:44:59,160 --> 00:45:01,800
Speaker 1: wouldn't be. I let things on fire just for the

917
00:45:01,840 --> 00:45:05,560
Speaker 1: sake of it. And I was like people on the internet. Now,

918
00:45:06,760 --> 00:45:09,160
Speaker 1: I hear right, this is a very pro Morgan Evans show.

919
00:45:09,880 --> 00:45:12,640
Speaker 1: And I was getting mad for you, and I kept going,

920
00:45:12,719 --> 00:45:15,080
Speaker 1: Morgan's just acting like a mature adult. Maybe I should

921
00:45:15,120 --> 00:45:17,160
Speaker 1: do that, you know. And I that had to be

922
00:45:17,320 --> 00:45:20,160
Speaker 1: tough to just have all these emotions and go, I

923
00:45:20,239 --> 00:45:23,239
Speaker 1: gotta worry about me and only me. Yeah, because that's

924
00:45:23,280 --> 00:45:27,399
Speaker 1: a beast when people just are wrong. Yeah, right there,

925
00:45:27,600 --> 00:45:29,840
Speaker 1: it's it's so I commend you for that, because I'd

926
00:45:29,840 --> 00:45:33,000
Speaker 1: have been fined, I'd be canceled by now. Thanks man. Yeah,

927
00:45:33,080 --> 00:45:36,759
Speaker 1: it was really tough in that way, and I am

928
00:45:37,600 --> 00:45:39,600
Speaker 1: I mean, the only thing you control is you and

929
00:45:39,800 --> 00:45:41,640
Speaker 1: how you feel and what you're doing. So I just

930
00:45:42,320 --> 00:45:44,279
Speaker 1: thankfully I have good people around me that would keep

931
00:45:44,320 --> 00:45:47,080
Speaker 1: reminding me of that and keep me grounded in that way.

932
00:45:47,239 --> 00:45:50,920
Speaker 1: And I'm I'll always be grateful for that. Found some

933
00:45:51,120 --> 00:45:57,719
Speaker 1: really like true friends in life and in business, and yeah,

934
00:45:57,800 --> 00:46:02,160
Speaker 1: I credit them with any of the decisions. Like you

935
00:46:02,280 --> 00:46:05,400
Speaker 1: really learn who like who your folks are when when

936
00:46:05,480 --> 00:46:08,080
Speaker 1: when times aren't the best, when there's really no huge

937
00:46:08,120 --> 00:46:11,560
Speaker 1: benefit for them to be your folks other than friendship

938
00:46:11,600 --> 00:46:14,000
Speaker 1: and love, that's when you really learn who you who

939
00:46:14,080 --> 00:46:18,000
Speaker 1: your people are, absolutely, and that's the real benefit of

940
00:46:18,400 --> 00:46:20,719
Speaker 1: a time that really isn't that beneficial? You know? And

941
00:46:20,760 --> 00:46:23,040
Speaker 1: I think we've all been through them. Uh, this song

942
00:46:23,200 --> 00:46:25,200
Speaker 1: is great, You're great. I'm I'm gonna be honest with you.

943
00:46:25,200 --> 00:46:29,160
Speaker 1: I'm in love with you. I hope that makes you happy.

944
00:46:29,200 --> 00:46:30,680
Speaker 1: I'm in love with you. I'm in love with Morgan. Ever,

945
00:46:30,760 --> 00:46:33,000
Speaker 1: I said it. Wow, I said it out there. I

946
00:46:33,160 --> 00:46:36,240
Speaker 1: said it. I think one of the most beautiful lines,

947
00:46:36,280 --> 00:46:39,840
Speaker 1: which may even speak to the maturity Bobbies talking about,

948
00:46:40,120 --> 00:46:43,839
Speaker 1: is I would have let go if you wanted me to. Right.

949
00:46:45,000 --> 00:46:48,880
Speaker 1: That's a certain level of where someone is to recognize

950
00:46:48,960 --> 00:46:50,759
Speaker 1: if you need even though it's so painful, if you

951
00:46:50,880 --> 00:46:52,960
Speaker 1: need me to let go, I would have done it. Right.

952
00:46:53,480 --> 00:46:56,480
Speaker 1: What's what's the deal? Two? Because you're gonna go and

953
00:46:56,560 --> 00:46:59,080
Speaker 1: you're gonna promote the song obviously, but it's not like

954
00:46:59,160 --> 00:47:00,399
Speaker 1: you want to go to every inner. Are you talking

955
00:47:00,400 --> 00:47:03,759
Speaker 1: about divorce? Honestly? How are you going to handle it?

956
00:47:04,000 --> 00:47:05,759
Speaker 1: I really don't I know that, but but you wrote

957
00:47:05,760 --> 00:47:07,359
Speaker 1: a song. I mean, but I just wonder how you're

958
00:47:07,400 --> 00:47:09,680
Speaker 1: going to handle that because you're going I wrote this song.

959
00:47:09,880 --> 00:47:12,080
Speaker 1: It's the single I'm here to talk about the single.

960
00:47:12,719 --> 00:47:14,480
Speaker 1: It's just how how are you going to handle that?

961
00:47:14,640 --> 00:47:16,840
Speaker 1: I mean, I feel comfortable with you guys. So it's like,

962
00:47:16,920 --> 00:47:18,480
Speaker 1: if I'm gonna do it anywhere, I'll do it here.

963
00:47:18,600 --> 00:47:21,080
Speaker 1: But um, I don't ask me. In a few months,

964
00:47:21,080 --> 00:47:23,920
Speaker 1: I guess yeah, we'll specifically ask him that. We'll bring

965
00:47:24,000 --> 00:47:29,719
Speaker 1: him into one bring one question. Uh, you're still you're

966
00:47:29,719 --> 00:47:33,919
Speaker 1: working out, yeah, like you're good physically, you're hitting hard. Yeah.

967
00:47:34,200 --> 00:47:36,440
Speaker 1: Not doing the dry January thing right now? Ray did

968
00:47:36,520 --> 00:47:38,359
Speaker 1: that pretty good about it. Ray did it for six

969
00:47:38,520 --> 00:47:39,759
Speaker 1: days and then he came on the show once that

970
00:47:39,840 --> 00:47:42,560
Speaker 1: I quit, so it was a real He's like, I'm

971
00:47:42,600 --> 00:47:44,960
Speaker 1: doing dry January and then he's like I quit. We're

972
00:47:45,040 --> 00:47:47,920
Speaker 1: like why he goes, I don't know. It's Saturday, and

973
00:47:48,040 --> 00:47:50,239
Speaker 1: so I hope you have Yeah, you're you're done. You're

974
00:47:50,280 --> 00:47:52,520
Speaker 1: good now. Yeah, well look, you know I drank enough

975
00:47:52,520 --> 00:47:54,680
Speaker 1: beiers in Australia of a Christmas to like last me

976
00:47:54,760 --> 00:47:58,480
Speaker 1: through January. I think what in Australia the beer culture

977
00:47:58,560 --> 00:48:00,719
Speaker 1: there is? There? Is it twenty one? First of all,

978
00:48:00,760 --> 00:48:03,560
Speaker 1: to drink beer, it's eighteen, okay? Is it a loose

979
00:48:03,640 --> 00:48:07,239
Speaker 1: eighteen meaning if you're sixteen? Is it like oh no,

980
00:48:07,320 --> 00:48:10,480
Speaker 1: they're pretty strict about that. They are the eighteen Yeah, yeah,

981
00:48:10,560 --> 00:48:13,200
Speaker 1: pretty strict about most things in Australia. Actually, is there

982
00:48:13,239 --> 00:48:15,480
Speaker 1: an Australian beer that you really like that when you

983
00:48:15,520 --> 00:48:16,960
Speaker 1: come to the States, you're like, dang, I wish they

984
00:48:17,000 --> 00:48:22,560
Speaker 1: had Kuala Light. That'd be cool. Yeah, yeah, quite light.

985
00:48:22,719 --> 00:48:26,400
Speaker 1: I'll probably make that. It probably look in America. But yeah, look,

986
00:48:26,440 --> 00:48:28,680
Speaker 1: there's so many beers back on him now. It's like, um,

987
00:48:29,200 --> 00:48:31,200
Speaker 1: all the little micro breweries when I used to live there,

988
00:48:31,239 --> 00:48:32,759
Speaker 1: and now like some of those are big beers. I

989
00:48:32,880 --> 00:48:35,000
Speaker 1: quite enjoyed just going along and trying every tap along.

990
00:48:35,560 --> 00:48:40,480
Speaker 1: Yeah I like it. Yeah, okay, anything else, guys, this

991
00:48:40,560 --> 00:48:42,759
Speaker 1: is it. This is our time. We don't listen. I

992
00:48:42,840 --> 00:48:43,880
Speaker 1: try to get him. I try to hang out with

993
00:48:43,960 --> 00:48:45,360
Speaker 1: him all the time. He's never round. I think. What

994
00:48:45,400 --> 00:48:46,520
Speaker 1: I think is he sits at home and goes, I'm

995
00:48:46,520 --> 00:48:48,200
Speaker 1: in Australia. Then he's got a post pictures in Australia

996
00:48:48,239 --> 00:48:50,000
Speaker 1: on his Instagram. So it's not blow us cover because

997
00:48:50,000 --> 00:48:51,360
Speaker 1: he doesn't want to hang out yet. He's like I

998
00:48:51,440 --> 00:48:53,919
Speaker 1: told him and I'm in Australia, So go ahead, Eddie.

999
00:48:53,960 --> 00:48:56,000
Speaker 1: No along with the beer, conversation. Like a lot of

1000
00:48:56,000 --> 00:48:58,480
Speaker 1: people are talking about Fosters, you know, like Fosters Fabia, Like,

1001
00:48:58,719 --> 00:49:01,040
Speaker 1: oh is that big enough or is that just big here?

1002
00:49:01,160 --> 00:49:03,160
Speaker 1: I think at one point it was big in Australia,

1003
00:49:03,280 --> 00:49:04,840
Speaker 1: like maybe in the seventies or something like that. But

1004
00:49:05,000 --> 00:49:06,600
Speaker 1: I think most of us might he let's do it,

1005
00:49:06,719 --> 00:49:11,600
Speaker 1: Eddie Fosters. Okay, I do keep on the bus. Is

1006
00:49:11,600 --> 00:49:13,480
Speaker 1: on the bus in case someone asked that question and

1007
00:49:13,560 --> 00:49:15,680
Speaker 1: then they have to drink it. So if you come

1008
00:49:15,719 --> 00:49:19,600
Speaker 1: on the bus, remember that boomerangs bones out Back Steakhouse. Yeah,

1009
00:49:19,600 --> 00:49:21,840
Speaker 1: we're gonna do all the generic stupid things that everybody

1010
00:49:22,400 --> 00:49:25,120
Speaker 1: Eddie's opened it up Outback Steakhouse. They have them there. Um,

1011
00:49:26,000 --> 00:49:27,840
Speaker 1: I don't think so. I've never been to an at

1012
00:49:27,920 --> 00:49:30,279
Speaker 1: back steakhouse. We should go to we should go. Yeah,

1013
00:49:30,680 --> 00:49:32,239
Speaker 1: that's what we're gonna do. I'm gonna take you and

1014
00:49:32,280 --> 00:49:37,000
Speaker 1: we're gonna document your first ever. That's hilarious. That is okay,

1015
00:49:37,040 --> 00:49:38,400
Speaker 1: But I'll probably be like, hey, where are you. I'm

1016
00:49:38,400 --> 00:49:40,399
Speaker 1: gonna Australia, bro, I just like the show three hours ago.

1017
00:49:40,440 --> 00:49:43,120
Speaker 1: There's no way you can be in Australia in three hours.

1018
00:49:43,200 --> 00:49:46,719
Speaker 1: I'll post a qualifying picture straight up. Yes, meat pies. Yeah,

1019
00:49:47,440 --> 00:49:48,839
Speaker 1: you just said, yeah, I don't know what that means,

1020
00:49:49,560 --> 00:49:51,920
Speaker 1: you'll have them? Yeah, absolutely, that's still a thing. Oh yeah.

1021
00:49:52,520 --> 00:49:56,600
Speaker 1: Asking about the kangaroo, well, oh yeah, asking about the

1022
00:49:57,000 --> 00:50:00,160
Speaker 1: final question. It's not about you. And I think if

1023
00:50:00,200 --> 00:50:03,640
Speaker 1: you just said, yeah, we're generically going to find a

1024
00:50:03,719 --> 00:50:06,880
Speaker 1: kangaroo in Australia, doesn't matter. It's just law of averages,

1025
00:50:07,000 --> 00:50:08,480
Speaker 1: and you put it in front of me, I think,

1026
00:50:08,480 --> 00:50:11,759
Speaker 1: I whoop. It's but fighting a kangaroo. Yeah, I would

1027
00:50:11,760 --> 00:50:13,560
Speaker 1: bet money on me. We're not finding one of those

1028
00:50:13,680 --> 00:50:15,440
Speaker 1: muscle ones that they put on the internet. And we're

1029
00:50:15,440 --> 00:50:17,120
Speaker 1: also not going to get a baby. It's just a rant,

1030
00:50:17,880 --> 00:50:19,640
Speaker 1: random kangaroo you put in front of me. I think

1031
00:50:19,640 --> 00:50:22,719
Speaker 1: I can whoop a kangaroo's butt. Okay, go do I

1032
00:50:22,840 --> 00:50:24,960
Speaker 1: think would I back you out of the kangaroo? Yeah?

1033
00:50:25,120 --> 00:50:27,120
Speaker 1: They say here's ten thousand dollars. Who you bet nine

1034
00:50:27,160 --> 00:50:30,439
Speaker 1: to the death the death? Yeah, I mean, look, there's

1035
00:50:30,440 --> 00:50:32,839
Speaker 1: different kinds of kangaroos, right, You've got the gray kind,

1036
00:50:32,920 --> 00:50:35,239
Speaker 1: which you're around the coastal areas where most people live.

1037
00:50:35,480 --> 00:50:39,279
Speaker 1: I definitely they're all those big red muscley ones. Yeah, yeah,

1038
00:50:39,280 --> 00:50:40,400
Speaker 1: but they don't. They don't have the agility I have.

1039
00:50:40,400 --> 00:50:42,480
Speaker 1: There too many muscles. Are you taking on one of

1040
00:50:42,480 --> 00:50:44,200
Speaker 1: the big ones? I'm taking on a random kangaroo. It

1041
00:50:44,200 --> 00:50:45,719
Speaker 1: doesn't matter. They just grab one that they just draw

1042
00:50:45,800 --> 00:50:49,799
Speaker 1: the lottery. This kangaroo rooop average kangaroo averages, you'll beat

1043
00:50:49,800 --> 00:50:53,359
Speaker 1: an average kangaroo. What's really? Yeah? What's up? An expert? Wow?

1044
00:50:53,440 --> 00:50:54,839
Speaker 1: You know what Australia? Do you know what his middle

1045
00:50:54,920 --> 00:50:57,319
Speaker 1: name is? Morgan rue Evans. So don't tell me if

1046
00:50:57,360 --> 00:51:00,920
Speaker 1: the guy doesn't know about k kangaroos. All right, all right,

1047
00:51:00,960 --> 00:51:03,600
Speaker 1: So you're going to Europe and you're playing these shows

1048
00:51:03,640 --> 00:51:06,959
Speaker 1: with Mitchell Tenpenny. Yeah, okay, yeah, and you're doing those

1049
00:51:07,320 --> 00:51:09,120
Speaker 1: I'm trying to see. And then you're doing the shows

1050
00:51:09,120 --> 00:51:12,799
Speaker 1: with Brett Young all like March through Tenner third March,

1051
00:51:12,840 --> 00:51:15,200
Speaker 1: April May. Yeah, I could do my fingers. It's gonna May.

1052
00:51:15,640 --> 00:51:17,279
Speaker 1: And then you're you're all out. I mean you got

1053
00:51:17,320 --> 00:51:18,960
Speaker 1: a bunch of shows, huh. And then we're about to

1054
00:51:19,080 --> 00:51:22,200
Speaker 1: and now some dates for the middle of the summer too. Okay, here,

1055
00:51:22,280 --> 00:51:24,480
Speaker 1: that's gonna be busy, gonna be busy, ye something though

1056
00:51:24,560 --> 00:51:28,640
Speaker 1: some here, some probably God Damn man, guy's gone all

1057
00:51:28,640 --> 00:51:30,439
Speaker 1: the time like he's trying to create a good career

1058
00:51:30,520 --> 00:51:33,480
Speaker 1: form all over the globe. Country music is so fun

1059
00:51:33,560 --> 00:51:35,160
Speaker 1: to play all over the world right now? Are you

1060
00:51:35,280 --> 00:51:39,279
Speaker 1: a pop star in Australia? Am I pop star? Yeah? Oh?

1061
00:51:39,320 --> 00:51:41,000
Speaker 1: I don't know about that. It doesn't mean you have

1062
00:51:41,040 --> 00:51:45,520
Speaker 1: to do pop music, but okay, are you pop star? Popular?

1063
00:51:45,640 --> 00:51:47,880
Speaker 1: And that people know you that just don't know country

1064
00:51:47,960 --> 00:51:50,160
Speaker 1: music back home? Like do your songs get played on

1065
00:51:50,239 --> 00:51:53,319
Speaker 1: Top forty radio? Yeah? Yeah, they get played on Top

1066
00:51:53,320 --> 00:51:56,520
Speaker 1: forty radio. Yeah, um, and that's cool. We just got

1067
00:51:56,560 --> 00:51:58,120
Speaker 1: to do the New Years eighty thing Australia, which is

1068
00:51:58,160 --> 00:52:00,720
Speaker 1: one of the coolest gigs and New Year's even Australia.

1069
00:52:01,000 --> 00:52:02,840
Speaker 1: They set up a stage at the Opera House in

1070
00:52:02,920 --> 00:52:04,719
Speaker 1: front of the bridge before they do the follow ups

1071
00:52:04,719 --> 00:52:06,520
Speaker 1: and stuff like that, which felt like a good It

1072
00:52:06,600 --> 00:52:09,160
Speaker 1: was a very old genre show, so I felt good

1073
00:52:09,160 --> 00:52:13,000
Speaker 1: to be involved in that. That's in Sydney. I've been there.

1074
00:52:13,480 --> 00:52:15,600
Speaker 1: I climbed up on that bridge, did y'all? Yeah, they

1075
00:52:15,960 --> 00:52:18,400
Speaker 1: I strap you in and then they you walk up

1076
00:52:18,440 --> 00:52:20,760
Speaker 1: all the stairs and the wind's blowing you like crazy,

1077
00:52:21,440 --> 00:52:23,200
Speaker 1: and I was just like, I'm just looking for Morgan

1078
00:52:23,520 --> 00:52:28,080
Speaker 1: and they're like walked to the top. All right, you

1079
00:52:28,120 --> 00:52:32,040
Speaker 1: guys at Morgan Evans music songs over for you. Stream

1080
00:52:32,080 --> 00:52:33,920
Speaker 1: it so many times you need to go to your

1081
00:52:34,000 --> 00:52:37,640
Speaker 1: doctor because you need some medicine to get you happy again.

1082
00:52:39,640 --> 00:52:42,319
Speaker 1: That's how much I think people should stream it, check

1083
00:52:42,360 --> 00:52:43,839
Speaker 1: it out and then see Morgan all over the world.

1084
00:52:44,000 --> 00:52:47,080
Speaker 1: Basically Morgan Evans, Morgan, good to see you, buddy, Thank

1085
00:52:47,120 --> 00:52:49,239
Speaker 1: you for performing that. You're amazing and that is all.

1086
00:52:50,560 --> 00:52:54,319
Speaker 1: It's the best bits of the week with Morgan. Number two.

1087
00:52:56,239 --> 00:52:58,160
Speaker 1: If you want a good smile or have a good

1088
00:52:58,239 --> 00:52:59,920
Speaker 1: laugh this weekend, this segment is going to do it

1089
00:53:00,120 --> 00:53:03,880
Speaker 1: for you. The show attempted to sing Chris Stapleton's Tennessee Whiskey,

1090
00:53:04,120 --> 00:53:06,360
Speaker 1: and this all started because Bobby was over on TikTok

1091
00:53:06,600 --> 00:53:09,279
Speaker 1: and he saw artists covering Tennessee Whiskey and people in

1092
00:53:09,360 --> 00:53:11,800
Speaker 1: the comments were just going at him in a mean way, trolling,

1093
00:53:11,880 --> 00:53:14,480
Speaker 1: you know, not saying nice things. And Bobby's point is

1094
00:53:14,520 --> 00:53:17,400
Speaker 1: that this song is so hard to cover and if

1095
00:53:17,440 --> 00:53:20,680
Speaker 1: anybody can even do it remotely, well that's awesome, and

1096
00:53:20,800 --> 00:53:22,759
Speaker 1: so he wanted to prove a point by having the

1097
00:53:22,800 --> 00:53:25,200
Speaker 1: show sing it. And nobody on the show is really singers.

1098
00:53:25,280 --> 00:53:28,560
Speaker 1: Besides Bobby and Eddie have their comedy duo which they

1099
00:53:28,600 --> 00:53:30,680
Speaker 1: do sing, and they do have good voices. But it

1100
00:53:30,840 --> 00:53:32,960
Speaker 1: was fun just to hear from a perspective of everyone

1101
00:53:33,080 --> 00:53:37,759
Speaker 1: singing not prepared Tennessee Whiskey number two. I'll watch people

1102
00:53:37,800 --> 00:53:40,719
Speaker 1: online singing Tennessee Whiskey and it's just hard to do

1103
00:53:40,840 --> 00:53:44,480
Speaker 1: it like Stapleton did it. It's just he is. His

1104
00:53:44,600 --> 00:53:48,319
Speaker 1: voice is so special, it's so distinct. I saw Kelly

1105
00:53:48,360 --> 00:53:51,719
Speaker 1: Clarkson sing it, she crushed it. But I'll watch these

1106
00:53:51,719 --> 00:53:54,799
Speaker 1: people sing it and they're fine, they're good, and I'm like, dance,

1107
00:53:54,840 --> 00:53:56,680
Speaker 1: it's hard song to sing. But then I'll watch people

1108
00:53:56,680 --> 00:53:59,719
Speaker 1: in the comments like torch them and they're like, why

1109
00:53:59,719 --> 00:54:01,399
Speaker 1: are you in the song? You're not good. I don't

1110
00:54:01,400 --> 00:54:03,120
Speaker 1: think people understand how hard this song is to sing.

1111
00:54:03,560 --> 00:54:06,399
Speaker 1: Like and I've always wanted to do where let's say

1112
00:54:06,600 --> 00:54:11,400
Speaker 1: the Olympics, if they were doing swimming or sprinting, you know,

1113
00:54:11,480 --> 00:54:13,400
Speaker 1: we'd like to see a normal guy do it against

1114
00:54:13,560 --> 00:54:17,759
Speaker 1: the Olympians to see just how advanced they are. Because

1115
00:54:17,760 --> 00:54:20,759
Speaker 1: when it's everybody who can fly, everybody looks the same.

1116
00:54:21,120 --> 00:54:22,920
Speaker 1: It looks effortless. But if you put Eddie out there

1117
00:54:23,000 --> 00:54:25,839
Speaker 1: running against Bolt, You're like, Wow, that dude can run.

1118
00:54:27,320 --> 00:54:29,880
Speaker 1: You've put a lunchbox Swiman against Phelps, You're like, dang Phelps,

1119
00:54:30,320 --> 00:54:32,399
Speaker 1: he really is fast. So I just want to show

1120
00:54:32,440 --> 00:54:35,359
Speaker 1: everybody how hard this song is to sing, okay, um,

1121
00:54:35,520 --> 00:54:37,360
Speaker 1: and you're all gonna have a shot at it here

1122
00:54:37,400 --> 00:54:39,040
Speaker 1: from the chorus, and I really want you to try

1123
00:54:39,120 --> 00:54:41,640
Speaker 1: as hard as you can, ohn, right, I want you

1124
00:54:41,719 --> 00:54:44,600
Speaker 1: to try. Are we trying trying to sound like Staples?

1125
00:54:45,080 --> 00:54:47,759
Speaker 1: Trying to see yourself? Yeah, like an artist? Yeah, just

1126
00:54:48,080 --> 00:54:51,080
Speaker 1: sing and don't and try not to be funny. And

1127
00:54:51,200 --> 00:54:53,560
Speaker 1: if you're off your way off, who cares? Okay, but

1128
00:54:53,719 --> 00:54:56,440
Speaker 1: you're gonna go from the chorus where it's You're as

1129
00:54:56,520 --> 00:55:00,200
Speaker 1: smooth as Tennessee whiskey. And if you need the the

1130
00:55:00,600 --> 00:55:05,279
Speaker 1: with you, pull it up. You're a sweet as strawberry wine.

1131
00:55:05,480 --> 00:55:07,359
Speaker 1: You're as warm as a glass of brandy and honey.

1132
00:55:07,440 --> 00:55:09,279
Speaker 1: I stay stoned on your love all the time. Heck,

1133
00:55:09,320 --> 00:55:11,560
Speaker 1: if you feel if you're feeling randy, just keep going.

1134
00:55:11,840 --> 00:55:14,400
Speaker 1: I'm looking love in all the same old places, Okay,

1135
00:55:15,040 --> 00:55:17,600
Speaker 1: So let's see what happens here, all right? Going first,

1136
00:55:17,960 --> 00:55:19,680
Speaker 1: probably the guy who can sing the best on the show. Eddie,

1137
00:55:19,680 --> 00:55:20,920
Speaker 1: You're gonna go first, but I want you to sing

1138
00:55:20,960 --> 00:55:26,680
Speaker 1: it hard, all right, man, Okay, go ahead. You're as

1139
00:55:26,840 --> 00:55:39,560
Speaker 1: smooth as Tennessee you whiskey. Okay, you're a sweet as

1140
00:55:39,800 --> 00:55:52,520
Speaker 1: strawberry wine. Okay, you're as warm as a glass of brandy. Yeah. Yeah,

1141
00:55:52,560 --> 00:55:55,920
Speaker 1: that's good. Take a home and honey, I stay stone

1142
00:55:56,840 --> 00:56:01,279
Speaker 1: on your love all the time. I see. That's pretty good. Yeah,

1143
00:56:02,480 --> 00:56:07,120
Speaker 1: it's hard, got to chase it. Okay, Wow, Amy, you're

1144
00:56:07,160 --> 00:56:09,600
Speaker 1: gonna go next. Okay, I have to follow that. Yeah,

1145
00:56:09,680 --> 00:56:12,839
Speaker 1: but Alicia heard where to go in? Hey, anyone help you? Yeah,

1146
00:56:12,920 --> 00:56:14,839
Speaker 1: just go and be loud and here we go. Here's

1147
00:56:14,840 --> 00:56:21,360
Speaker 1: Amy trying to sing Tennessee whiskey. Go ahead, you're smooth

1148
00:56:24,120 --> 00:56:39,800
Speaker 1: this Tennessee whiskeys. You're sweet, Stop very by your rest,

1149
00:56:39,960 --> 00:56:49,880
Speaker 1: boy home, it's a glass Brendon and honey, stay stone

1150
00:56:51,040 --> 00:56:58,960
Speaker 1: know your love time. Okay, that's pretty good. I like

1151
00:56:59,040 --> 00:57:03,600
Speaker 1: how you just stayed on one like food. Listen, I'll

1152
00:57:03,600 --> 00:57:06,799
Speaker 1: be being out earlier lunch. I take it home. Oh yeah,

1153
00:57:06,800 --> 00:57:10,279
Speaker 1: I'm taking home baby. Let's go do you okay? Do

1154
00:57:10,400 --> 00:57:12,640
Speaker 1: I what do you want to tell you come in. Absolutely,

1155
00:57:12,719 --> 00:57:14,960
Speaker 1: you have the words in front of you. Absolutely right,

1156
00:57:15,040 --> 00:57:28,960
Speaker 1: let's go. You're as smooth ass Tennessee whiskey. You're as

1157
00:57:29,160 --> 00:57:41,360
Speaker 1: sweet a strawberry wo. Okay, daddy, you're ass wo as

1158
00:57:41,400 --> 00:57:48,280
Speaker 1: a glass of brandy. They get easy home and honey,

1159
00:57:49,720 --> 00:57:59,080
Speaker 1: I stay stone on your love all the time. I can't. Right,

1160
00:58:02,840 --> 00:58:05,280
Speaker 1: that's the thing. Look, I did pretty good. You did

1161
00:58:05,360 --> 00:58:08,040
Speaker 1: do it pretty good for you. That warm goes high, Yeah,

1162
00:58:08,320 --> 00:58:10,080
Speaker 1: it goes real high. Let's go to ry real quick. Right,

1163
00:58:10,080 --> 00:58:11,840
Speaker 1: you're ready to take this home, let's go. We're just show.

1164
00:58:11,920 --> 00:58:23,000
Speaker 1: People are hard. This is but yo, a smooth Tennessee whiskey. Yo,

1165
00:58:24,000 --> 00:58:37,720
Speaker 1: sweet as strong, very wide. Take a break, Yo, there's

1166
00:58:37,760 --> 00:58:46,720
Speaker 1: a glass of bread honey as this on your love.

1167
00:58:50,400 --> 00:58:52,920
Speaker 1: We're gonna respect him what someone tries to sing this song? Horse?

1168
00:58:53,760 --> 00:58:58,320
Speaker 1: You know, so you're up waiting hard. I'll sing a

1169
00:58:58,360 --> 00:59:01,439
Speaker 1: hard Come on, let's go. I can't sing bussing. Go ahead, Eddie,

1170
00:59:01,520 --> 00:59:14,400
Speaker 1: cume in. You're as smooth as Tennessee whiskey. You're as

1171
00:59:14,600 --> 00:59:24,000
Speaker 1: sweet strawberry wine. That's where I'm really good. Here your risk,

1172
00:59:24,320 --> 00:59:33,520
Speaker 1: who it's a glass of brandy and honey as stay

1173
00:59:33,640 --> 00:59:42,880
Speaker 1: stoned on your love all the time. Thank you, thank you,

1174
00:59:43,720 --> 00:59:45,680
Speaker 1: need the address, come sign us all a record deal group.

1175
00:59:46,480 --> 00:59:51,160
Speaker 1: Wait wait, wait, wait, our professional singer is not gonna sing, Abby? Yeah, Abby,

1176
00:59:51,280 --> 00:59:53,720
Speaker 1: I mean, I mean she takes voice lessons. I know,

1177
00:59:53,880 --> 00:59:57,200
Speaker 1: but no, no, no, it's the problem. Let me just

1178
00:59:57,240 --> 00:59:58,680
Speaker 1: ask her and then we'll wrap it up. Abby, do

1179
00:59:58,720 --> 01:00:01,960
Speaker 1: you want I'm definitely not a real singer. I only

1180
01:00:02,000 --> 01:00:04,080
Speaker 1: seen comedy songs, right, so I don't mind doing that

1181
01:00:04,200 --> 01:00:06,760
Speaker 1: hard song embarrassing myself. But if you're not ready for it,

1182
01:00:07,000 --> 01:00:08,680
Speaker 1: wouldn't want to put you there, so you don't have

1183
01:00:08,840 --> 01:00:10,680
Speaker 1: But we weren't. None of us were ready an everybody,

1184
01:00:11,080 --> 01:00:12,520
Speaker 1: we don't care. We don't. We don't try to do

1185
01:00:12,600 --> 01:00:14,640
Speaker 1: this outside of here. Abby. If you don't want to,

1186
01:00:14,680 --> 01:00:18,640
Speaker 1: don't do it. Let's get proably ruined. My don't or

1187
01:00:18,680 --> 01:00:20,600
Speaker 1: I could just start it. I mean, when you have

1188
01:00:20,640 --> 01:00:22,120
Speaker 1: your shot, you have a shot of a record label

1189
01:00:22,120 --> 01:00:25,120
Speaker 1: walkdot Every day a record label walked in sing. You

1190
01:00:25,160 --> 01:00:28,080
Speaker 1: don't have to do it. It's up to you, Okay,

1191
01:00:30,360 --> 01:00:42,360
Speaker 1: don't pressure you. You're doney thing stage left. It's the

1192
01:00:42,520 --> 01:00:47,000
Speaker 1: best bits of the week with Morgan number two. It's

1193
01:00:47,000 --> 01:00:48,520
Speaker 1: always a fun day. On the show when we do

1194
01:00:48,600 --> 01:00:51,680
Speaker 1: a fantasy draft, y'all love these. You love seeing the

1195
01:00:51,760 --> 01:00:54,840
Speaker 1: perspective of a draft with different types of topics, And

1196
01:00:55,000 --> 01:00:57,600
Speaker 1: this week we did the best Rivalries, which could mean

1197
01:00:57,760 --> 01:01:01,160
Speaker 1: so many different things. And basically what happened in this

1198
01:01:01,320 --> 01:01:03,200
Speaker 1: draft is we did take it in so many different ways,

1199
01:01:03,280 --> 01:01:06,800
Speaker 1: from pop culture to personally to celebrities. You may know,

1200
01:01:06,960 --> 01:01:09,040
Speaker 1: it just got a little wild and a little nicey,

1201
01:01:09,200 --> 01:01:11,960
Speaker 1: so you know it's out there. We all chose our

1202
01:01:12,000 --> 01:01:14,480
Speaker 1: teams and y'all voted, so if you still want to vote,

1203
01:01:14,680 --> 01:01:16,440
Speaker 1: you can go to Bobby Bones dot com. It's pretty

1204
01:01:16,480 --> 01:01:19,240
Speaker 1: fun to see the draft. But you guys just love these.

1205
01:01:19,280 --> 01:01:21,360
Speaker 1: These are all y'all's favorites. And if you want to

1206
01:01:21,480 --> 01:01:23,560
Speaker 1: check out all of the drafts we have ever done,

1207
01:01:23,880 --> 01:01:25,360
Speaker 1: you can go to our YouTube page. There's a whole

1208
01:01:25,360 --> 01:01:27,320
Speaker 1: playlist of our drafts and there's some really good ones

1209
01:01:27,360 --> 01:01:29,480
Speaker 1: on there. But this this may be one of my favorites.

1210
01:01:30,040 --> 01:01:34,240
Speaker 1: Number one famous rivalries. Let's draft him more again. You

1211
01:01:34,280 --> 01:01:36,800
Speaker 1: get the first overall pick because we rolled the dice.

1212
01:01:36,960 --> 01:01:38,840
Speaker 1: You're up, who do you have? Yeah? I mean, I'm

1213
01:01:38,840 --> 01:01:40,920
Speaker 1: a big superhero fan, so I have to do this

1214
01:01:41,280 --> 01:01:46,320
Speaker 1: it's the Avengers verse Thanos. That's good. It's a big rivalry. Yeah,

1215
01:01:46,320 --> 01:01:48,280
Speaker 1: and it's on brand and it's a lot of people

1216
01:01:48,360 --> 01:01:50,960
Speaker 1: know it. A good one. I didn't have that, but

1217
01:01:51,040 --> 01:01:54,280
Speaker 1: good one. Raymundo, Yeah, we're big in Boston, so I

1218
01:01:54,360 --> 01:01:57,400
Speaker 1: gotta go Yankees and Red Sox. Good. Wow, that's a

1219
01:01:57,480 --> 01:02:01,640
Speaker 1: good one. That's a good one too. I'm gonna go

1220
01:02:04,560 --> 01:02:11,880
Speaker 1: Morgan Wallen versus his neighbor that dude. Yeah, the video guy, right, yeah,

1221
01:02:12,080 --> 01:02:14,680
Speaker 1: you shot the video. So that's gonna be my rival.

1222
01:02:14,800 --> 01:02:19,440
Speaker 1: My famous rivals, Amy, I have Lunchbox versus Abby Oh,

1223
01:02:19,640 --> 01:02:22,760
Speaker 1: good one. Oh Amy, that's a good one. Man. You

1224
01:02:22,800 --> 01:02:24,440
Speaker 1: guys are killing it. A lot of good ones here.

1225
01:02:24,680 --> 01:02:28,960
Speaker 1: Good job Lunchbox well Amy, Yeah, you're gonna do you.

1226
01:02:29,360 --> 01:02:34,880
Speaker 1: Yeah Yeah, Tupac verse Biggie. That's damn. That's a good

1227
01:02:35,520 --> 01:02:40,560
Speaker 1: yeah day. Okay, we're gonna go back order now, Lunchbox

1228
01:02:40,560 --> 01:02:42,600
Speaker 1: will go first. Lunchbox. What do you have in your

1229
01:02:42,600 --> 01:02:50,480
Speaker 1: famous rivalries? Taylor versu Kanye. Yeah, that's a tough one.

1230
01:02:51,000 --> 01:02:53,240
Speaker 1: That's a weird situation. That was a weird one when

1231
01:02:53,280 --> 01:02:54,920
Speaker 1: it happened. You're like that it's weird, But now you

1232
01:02:55,040 --> 01:02:57,000
Speaker 1: just further and further away from you, like that was bizarre,

1233
01:02:57,200 --> 01:03:00,120
Speaker 1: and then everything else he's done too too strong ones

1234
01:03:00,240 --> 01:03:04,000
Speaker 1: Lunchbox with Tupac and Biggie and Taylor and Kanye Amy,

1235
01:03:04,040 --> 01:03:07,520
Speaker 1: you've picked Lunchbox versus Abby is yours? Rude? What is

1236
01:03:07,560 --> 01:03:12,120
Speaker 1: your second one? Lania Taylor off the table? Now? So

1237
01:03:12,960 --> 01:03:17,680
Speaker 1: let me go Baron Morris versus Brittany Aldean. It's a

1238
01:03:17,720 --> 01:03:20,560
Speaker 1: good one. On here too. I was gonna go to

1239
01:03:20,560 --> 01:03:23,040
Speaker 1: the full Audien family, but good for you. That's a

1240
01:03:23,080 --> 01:03:26,640
Speaker 1: good one. Oh, that's a good one. I need to

1241
01:03:26,640 --> 01:03:28,440
Speaker 1: be a little bit traditional in this one, so I'm

1242
01:03:28,440 --> 01:03:32,920
Speaker 1: gonna go Michigan Ohio State college football. Big, but just

1243
01:03:33,040 --> 01:03:35,920
Speaker 1: Michigan Ohio State. I needed one that's not just ridiculous.

1244
01:03:37,600 --> 01:03:42,000
Speaker 1: Ray my boys sucks. They broke up, but they're a

1245
01:03:42,080 --> 01:03:47,760
Speaker 1: heck of a rivalry. Now Flagia Florida, Jay Florida Georgia line.

1246
01:03:47,880 --> 01:03:51,000
Speaker 1: That's a good one. Yeah, b K versus Tyler still

1247
01:03:51,040 --> 01:03:55,040
Speaker 1: go to the bar f gl it's a good one.

1248
01:03:55,040 --> 01:03:56,520
Speaker 1: I wish I had a thought of that one. Does

1249
01:03:56,600 --> 01:03:58,680
Speaker 1: the bar split up like their pictures like one side

1250
01:03:58,720 --> 01:03:59,920
Speaker 1: one and they draw the line in the middle like

1251
01:04:00,040 --> 01:04:02,040
Speaker 1: ready bunch when they're in her bedroom. Your side of

1252
01:04:02,040 --> 01:04:06,960
Speaker 1: the room. Wow, that's a good one. Okay, Morgan, your

1253
01:04:07,040 --> 01:04:10,400
Speaker 1: final around two and you guys have all really good ones.

1254
01:04:10,480 --> 01:04:13,400
Speaker 1: But these are two big companies and everybody always fights

1255
01:04:13,440 --> 01:04:16,240
Speaker 1: over them. It's Apple versus Microsoft. That's good. Yeah, that's

1256
01:04:16,240 --> 01:04:20,640
Speaker 1: a good. God gave me an idea. These are all

1257
01:04:20,960 --> 01:04:22,880
Speaker 1: solid or funny. This is gonna be tough for the

1258
01:04:22,920 --> 01:04:25,720
Speaker 1: listeners of both. So Morgan, we'll go one more time.

1259
01:04:25,840 --> 01:04:27,960
Speaker 1: Up front. She has as the two picks the Avengers

1260
01:04:28,080 --> 01:04:33,320
Speaker 1: versus Stanos and Apple versus Microsoft, and this is famous

1261
01:04:33,480 --> 01:04:37,360
Speaker 1: rivalries or rivals. Go ahead, Morgan, final one, another big

1262
01:04:37,440 --> 01:04:39,440
Speaker 1: one for me that I love watching staying in the

1263
01:04:39,520 --> 01:04:44,280
Speaker 1: movie realm. I'm doing Harry Potter versus voldemorton solid. I

1264
01:04:44,280 --> 01:04:46,160
Speaker 1: wouldn't pick that because I don't I guess I've seen

1265
01:04:46,200 --> 01:04:51,200
Speaker 1: the first one. But there's that's super popular. I was fourth. Right,

1266
01:04:51,200 --> 01:04:53,760
Speaker 1: you're up, buddy, Yeah, this one is going to either

1267
01:04:53,840 --> 01:04:56,400
Speaker 1: make or break me. I'm just going to Angel and Devil.

1268
01:04:58,120 --> 01:05:01,800
Speaker 1: I mean, that's solid ultimate, then it'll make me. That's

1269
01:05:01,840 --> 01:05:07,840
Speaker 1: not bad. Yo. All right, I'm gonna go Coke and

1270
01:05:08,000 --> 01:05:12,959
Speaker 1: PEPSI good one generic, but I'll go with it, Amy,

1271
01:05:13,680 --> 01:05:21,440
Speaker 1: Taylor Swift versus Ticketmaster. Okay, two, Taylor's in there. Interesting,

1272
01:05:21,800 --> 01:05:24,520
Speaker 1: I hadn't add one. Two that didn't use the tyl. Well,

1273
01:05:24,640 --> 01:05:27,680
Speaker 1: let's botch your up. He was talking about Taylor Versusjohn Mayer.

1274
01:05:27,800 --> 01:05:31,360
Speaker 1: I wasn't. Actually, he was talking about Taylor us. Just go,

1275
01:05:31,640 --> 01:05:35,439
Speaker 1: just go man, I got it. Mm hmmm. I don't

1276
01:05:35,440 --> 01:05:37,640
Speaker 1: know who to go here. I don't even know if

1277
01:05:37,680 --> 01:05:39,919
Speaker 1: Batman or Superman is a rivalry. They had that movie,

1278
01:05:39,960 --> 01:05:41,560
Speaker 1: but I don't know if they're really rivals, So I'm

1279
01:05:41,560 --> 01:05:48,840
Speaker 1: not gonna go that. I'm gonna go mmmm Auburn versus

1280
01:05:48,840 --> 01:05:55,760
Speaker 1: Alabama slid Morgan, You're done? That was it? I was

1281
01:05:56,120 --> 01:05:59,760
Speaker 1: its done? Okay, okay. Here are your teams the Avengers

1282
01:05:59,800 --> 01:06:02,680
Speaker 1: and as Apple and Microsoft and Harry Potter and Voldemort.

1283
01:06:02,760 --> 01:06:06,800
Speaker 1: That's Morgan, Raymonds, Yankees and Red Sox BK versus Tyler

1284
01:06:06,880 --> 01:06:09,560
Speaker 1: of FHL. That one's funny. I love Than and Angel

1285
01:06:09,720 --> 01:06:13,720
Speaker 1: versus Devil. I have Morgan Wallen versus neighbor who made

1286
01:06:13,720 --> 01:06:17,160
Speaker 1: the video. Will you put that neighbor who made the video?

1287
01:06:17,200 --> 01:06:20,800
Speaker 1: And some people now Michigan versus Ohio State and Cooke

1288
01:06:20,840 --> 01:06:23,800
Speaker 1: and Pepsi Amy has Lunchbox versus Abby Marion Morris versus

1289
01:06:23,840 --> 01:06:27,440
Speaker 1: Brittany Aldan and Taylor Swift versus Ticketmaster. Lunchbox has two

1290
01:06:27,480 --> 01:06:29,840
Speaker 1: Pac and Biggie, Taylor and Kanye and Auburn versus Alabama.

1291
01:06:30,040 --> 01:06:31,880
Speaker 1: That's a good one. That's all. That's be tough. I

1292
01:06:31,960 --> 01:06:36,560
Speaker 1: thought maybe Taylor versus every X boyfriender screwed Droverna be mine,

1293
01:06:37,200 --> 01:06:40,960
Speaker 1: or Pete Davidson versus Kanye West would have been one.

1294
01:06:41,640 --> 01:06:45,120
Speaker 1: Or Taylor versus Kim Kardashian. I have Texas versus Texas,

1295
01:06:45,200 --> 01:06:49,120
Speaker 1: A and m also oh good like McDonald's and Burger King,

1296
01:06:49,240 --> 01:06:54,320
Speaker 1: Nike and Reebok. I had me and the sec. I

1297
01:06:54,360 --> 01:06:56,680
Speaker 1: got a question where Leno and Letterman rivals, where they

1298
01:06:56,720 --> 01:06:58,200
Speaker 1: just on the sea. I had that, but then I

1299
01:06:58,320 --> 01:07:00,320
Speaker 1: was like, well people know that they were rival. No, no, no,

1300
01:07:00,400 --> 01:07:02,360
Speaker 1: that's part of it. So I didn't. Did you see?

1301
01:07:02,400 --> 01:07:05,880
Speaker 1: Lino got his show canceled, which show the Cars Car

1302
01:07:06,040 --> 01:07:07,640
Speaker 1: Garage because now he fell off his motor he got

1303
01:07:07,680 --> 01:07:09,720
Speaker 1: clothes lined on his motorcycle, breaking a collar bone or

1304
01:07:09,720 --> 01:07:11,840
Speaker 1: some I didn't get canceled. He hadn't canceled, but they

1305
01:07:11,920 --> 01:07:16,520
Speaker 1: canceled the show's fire that's all on fire. Well, it's

1306
01:07:16,560 --> 01:07:20,480
Speaker 1: been a bad time for Bobby Bones dot Com. Vote

1307
01:07:20,520 --> 01:07:22,440
Speaker 1: on the favorite team. Don't just vote on the top one,

1308
01:07:22,800 --> 01:07:25,120
Speaker 1: vote on your full favorite team of rivals. That's a

1309
01:07:25,120 --> 01:07:26,520
Speaker 1: pretty good one. I feel like we get it done.

1310
01:07:26,520 --> 01:07:30,160
Speaker 1: Three more rounds of that stuff. Good job, everybody. It's

1311
01:07:30,240 --> 01:07:33,680
Speaker 1: the best bits of the week with Morgan number two.

1312
01:07:35,000 --> 01:07:36,520
Speaker 1: All right, y'all, that's it for me today. It's so

1313
01:07:36,640 --> 01:07:38,600
Speaker 1: fun hanging out with you guys on the weekends. I

1314
01:07:38,880 --> 01:07:41,440
Speaker 1: hope you enjoy I hope you have better weather than

1315
01:07:41,520 --> 01:07:44,480
Speaker 1: we do here in Nashville, Tennessee. It's definitely really cold

1316
01:07:44,560 --> 01:07:47,240
Speaker 1: and everybody's been staying inside. But if you don't have

1317
01:07:47,320 --> 01:07:49,000
Speaker 1: cold weather, please go out and enjoy it for us.

1318
01:07:49,240 --> 01:07:51,280
Speaker 1: And if you have cold leather, stay inside and maybe

1319
01:07:51,320 --> 01:07:53,520
Speaker 1: make the homemade hot chocolate that I made on my

1320
01:07:53,560 --> 01:07:55,840
Speaker 1: Instagram page because it will keep you nice and warm

1321
01:07:55,960 --> 01:07:57,919
Speaker 1: and cozy if you have to be dealing with snow,

1322
01:07:58,000 --> 01:08:00,400
Speaker 1: ice or crazy weather right now. I love you all

1323
01:08:00,400 --> 01:08:02,520
Speaker 1: so much. I hope you have a fabulous weekend. Follow

1324
01:08:02,600 --> 01:08:04,840
Speaker 1: me on social media all the things at webb Grolmorgan,

1325
01:08:04,880 --> 01:08:07,720
Speaker 1: and of course the show at Bobby Bones Show. Bye.

1326
01:08:07,760 --> 01:08:08,920
Speaker 1: Y'all b