WEBVTT - Early Riot Grrrl: Mary Carleton

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<v Speaker 1>Ridiculous Crime is a production of iHeartRadio.

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<v Speaker 2>Hi Saron, Hello Elizabeth.

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<v Speaker 3>How are you doing today?

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<v Speaker 2>I'm doing pretty good. It was raining earlier and I

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<v Speaker 2>was like a nice rainy dish. Yeah, yeah, I'm good.

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<v Speaker 2>How about you? How are you good?

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<v Speaker 3>I'm good.

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<v Speaker 2>Yeah, I'm good.

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<v Speaker 3>In my head and my body.

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<v Speaker 2>That's the best place to be good.

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<v Speaker 3>Why not? Do you know it's ridiculous?

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<v Speaker 2>I do, Elizabeth. Now, I have to admit I don't

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<v Speaker 2>know if this is real. Okay, it doesn't matter, right,

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<v Speaker 2>But I often have this where I'm like, I spend

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<v Speaker 2>a lot of my time now and I'm not just

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<v Speaker 2>talking like oh this is ai slop? Is this real? Question?

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<v Speaker 2>But like just news stories. I will see like a

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<v Speaker 2>news story roll past and I'm like, is that real?

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<v Speaker 2>And I have to click on it. I spend a

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<v Speaker 2>lot of time not reading things I want to read,

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<v Speaker 2>but reading things I have to discide is that real?

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<v Speaker 2>Is that true? Could that be?

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<v Speaker 3>Ye?

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<v Speaker 2>Here's another example, according to and this is why I

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<v Speaker 2>don't believe it w x y z S Channel seven News,

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<v Speaker 2>a Florida woman has been accused of entering the Penguin

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<v Speaker 2>enclosure to teach them him to tap dance using a

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<v Speaker 2>live alligator as her partner. Jacksonville, Florida, PD stated she

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<v Speaker 2>was also dressed as a pineapple. Wait, the guy just

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<v Speaker 2>can't believe that's true. But I could very well tell

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<v Speaker 2>me you x y Z a real station. I didn't

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<v Speaker 2>look it up. I just saw this. I didn't have

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<v Speaker 2>enough time. This is what I mean. Is I've yet

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<v Speaker 2>to I haven't looked into this one. This is I'm

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<v Speaker 2>giving you fresh. Is this real? This is like just happened.

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<v Speaker 2>I was in walking into the studio and I was like,

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<v Speaker 2>that can't pay. Too many were telling you right now

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<v Speaker 2>where I.

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<v Speaker 3>Am dressed like a pineapple?

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<v Speaker 2>Yes, walks into a penguin enclosure with a live alligator

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<v Speaker 2>and was like, all y'all want to boogie woogie?

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<v Speaker 3>Helping to teach tap?

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<v Speaker 2>Yeah, okay, well but yeah, I guess so yeah, tap

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<v Speaker 2>dancing it was involved. So I don't know if he

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<v Speaker 2>was tapping to teach or he was a demonstrating so

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<v Speaker 2>much like don't do it like.

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<v Speaker 3>This strong army, making making them participate.

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<v Speaker 2>Maybe he was the better dancer, Maybe he was teaching, you.

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<v Speaker 3>Know, maybe he was the one doing all the moves.

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<v Speaker 2>He's like, let's go show these penguins because when you're

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<v Speaker 2>not here, I need someone to dance.

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<v Speaker 3>I like that. I like so this is such a

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<v Speaker 3>strange world that we live.

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<v Speaker 2>In every day. Headline six or seventy you brought like

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<v Speaker 2>is that headline? Reeal? I have to go and read it,

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<v Speaker 2>and that's a new thing for me where I'm just

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<v Speaker 2>spending all my day going is that real?

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<v Speaker 3>Is this real? Do you want to know what else

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<v Speaker 3>is ridiculous?

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<v Speaker 2>Elizabeth?

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<v Speaker 3>This hot take? Renaissance pamphlets are basically zines. Oh this

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<v Speaker 3>is Ridiculous Crime a podcast about absurd and outrageous capers,

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<v Speaker 3>hes and cons. It's always ninety nine percent murder free

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<v Speaker 3>and one hundred percent ridiculous.

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<v Speaker 2>Damn right, I know this.

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<v Speaker 3>Our cycles have sinked once again. This is apparently historical

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<v Speaker 3>crime Week here.

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<v Speaker 2>I know.

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<v Speaker 3>I got one for you from hundreds of years ago.

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<v Speaker 2>I like this. Yeah, no iPhone faces in these stories.

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<v Speaker 3>Oh it's the best. And then no one can get

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<v Speaker 3>mad and send us a message that like, oh, you

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<v Speaker 3>did a show.

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<v Speaker 2>But got my story wrong. I'm actually her granddaughter is

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<v Speaker 2>exactly how dare you?

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<v Speaker 3>I love that. So we're going back to the sixteen hundreds, Bibery.

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<v Speaker 2>Yeah.

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<v Speaker 3>Sixteen forty two, Okay, the Treaty of Axiom was signed

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<v Speaker 3>between the Dutch West India Company and the chiefs of

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<v Speaker 3>the Enzema people in the modern day African nation of Ghana.

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<v Speaker 3>That happened that year Broxhom folks in Galway, Ireland. They

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<v Speaker 3>seized an English naval ship and closed the town gates

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<v Speaker 3>to support the Irish rebellion of sixteen forty one. The

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<v Speaker 3>years are okay, still going on. Three hundred thousand people

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<v Speaker 3>died when the Ming dynasty defenders intentionally destroyed damns and

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<v Speaker 3>dykes of the Yellow River Washington. It was to break

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<v Speaker 3>the siege by the large Manchu dynasty rebel force.

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<v Speaker 2>Just wash the wash them away. It was like mostly

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<v Speaker 2>an army that gets washed away and then whoever attackted.

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<v Speaker 3>In Colonizer history, Georgiana, Massachusetts now known as York, Maine,

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<v Speaker 3>became the first incorporated city in the British Colonies of

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<v Speaker 3>North America.

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<v Speaker 2>First incorporated city. They made it official.

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<v Speaker 3>They put a ring on it. Able Tasman and his

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<v Speaker 3>crew became the first Europeans to see Van Diemen's Land,

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<v Speaker 3>later known as the Australian Island and state of Tasmania.

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<v Speaker 3>Galileo died that year, so did Willata Petros saint in

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<v Speaker 3>the Ethiopian Orthodox Touaedo Church.

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<v Speaker 2>Wait if okay, go on, sorry, I was going to

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<v Speaker 2>do something a galley. It doesn't matter what did you

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<v Speaker 2>say though.

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<v Speaker 3>The last part, well, let a Petros saint in the

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<v Speaker 3>Ethiopian Orthodox Church that that person died as well. This

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<v Speaker 3>is all sixteen forty two, King Charles the First of

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<v Speaker 3>England and a bunch of his soldiers ran up on

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<v Speaker 3>the House of Commons to arrest his critics for treason.

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<v Speaker 2>Oh yes, they were getting wild.

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<v Speaker 3>They escaped. The critics escaped and were protected by the

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<v Speaker 3>Lord Mayor of London. And this is a note because

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<v Speaker 3>that was the last time any monarch entered the House

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<v Speaker 3>of Commons. That was it. Yeah? Well, and then the

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<v Speaker 3>English Civil War kicked off one with Charles the First

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<v Speaker 3>raised the Royal Battle Standard over Nottingham Castle and declared

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<v Speaker 3>war on his own Parliament. England's Long Parliament ordered the

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<v Speaker 3>theaters of London closed, a pretty much ended the era

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<v Speaker 3>of English Renaissance theater.

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<v Speaker 2>Right.

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<v Speaker 3>Okay, So there's lots going on all across the globe,

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<v Speaker 3>but a particularly tumultuous time in jolly old England, and

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<v Speaker 3>that's where we're going to start today, sixteen forty two England.

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<v Speaker 3>But put a pin in that. So now let's talk

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<v Speaker 3>about riot Girls.

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<v Speaker 2>Okay, this is quite the skip. I'm gonna need a.

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<v Speaker 3>Who different record for I just finished listening to Kathleen

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<v Speaker 3>Hannah's memoir on audible. She was the lead singer of

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<v Speaker 3>the punk band Bikini Kill and the one who founded

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<v Speaker 3>the Riot Girl movement. So for the uninitiated, Riot Girl

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<v Speaker 3>was a feminist punk movement that emerged in the early

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<v Speaker 3>nineties pretty much like in Olympia Washington and in Washington, DC.

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<v Speaker 3>And it combined this like DIY punk music with feminist

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<v Speaker 3>politics created a space for women to express anger, like

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<v Speaker 3>reclaim their bodies, challenge sexism in the music industry, and

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<v Speaker 3>then like society at large. And so the core bands

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<v Speaker 3>were Bikini Kill, Slater Kinney, and Bratmobile, and there were

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<v Speaker 3>tons of like self published zines that shared personal writing,

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<v Speaker 3>political manifestos, and community resources. And there was this phrase

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<v Speaker 3>girls to the Front that Kathleen Hannah used to yell.

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<v Speaker 3>That was this rallying cry that encouraged women to take

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<v Speaker 3>up like literal and figurative space at shows. So Riot

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<v Speaker 3>Girl addressed topics that were largely taboo at the time,

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<v Speaker 3>you know, like sexual assault, body image, racism, homophobia in

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<v Speaker 3>this really raw, unapologetic and direct way. And it was

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<v Speaker 3>as much of like a cultural and political network as

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<v Speaker 3>it was a music scene. Influence third wave feminism.

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<v Speaker 2>I was gonna say, it's almost like its own subwave

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<v Speaker 2>of feminism.

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<v Speaker 3>Yeah, exactly, And it left this mark on Indian and

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<v Speaker 3>punk culture. So the memoir I thought was really good

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<v Speaker 3>because I went back and forth between totally relating to

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<v Speaker 3>what she was saying and experiencing, and then also rolling

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<v Speaker 3>my eyes and how extra she was sometimes and how

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<v Speaker 3>overly sensitive I thought she was about some things.

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<v Speaker 2>They could be super raw and then also super precious

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<v Speaker 2>to be.

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<v Speaker 3>Challenged by writing and art. I don't want to just

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<v Speaker 3>you know, feel all one way. I like the back

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<v Speaker 3>and forth of my own reactions. She did get me

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<v Speaker 3>thinking about why I thought things that she said or

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<v Speaker 3>did were naive or precious and not like in the

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<v Speaker 3>what we'd call the real world, like my own programming,

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<v Speaker 3>you know, by an inherently misogynist society, I suppose. Anyway,

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<v Speaker 3>when I stumbled upon the woman.

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<v Speaker 2>Could you experience a Rye girl summer of your own?

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<v Speaker 3>Not necessarily, No, it was like kind of swimming around

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<v Speaker 3>and like you know, would like listen to parts of

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<v Speaker 3>it and stuff, but I never got into like the

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<v Speaker 3>zines in the meetings and like oka going heavy into

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<v Speaker 3>that kind of stuff.

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<v Speaker 2>I got you.

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<v Speaker 3>But so I'm looking around, like who am I going

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<v Speaker 3>to tell you about this week? And I found this

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<v Speaker 3>woman and it made me think of Kathleen Hannah. So

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<v Speaker 3>this woman, Mary Carlton, she was just like a blatant criminal.

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<v Speaker 3>Kathleen Hannah not a blatant and Mary Carlton, though she

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<v Speaker 3>wrote her own account of her life, and like numerous pamphlets, plays,

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<v Speaker 3>and broadsides were written about her both during and after

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<v Speaker 3>her life.

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<v Speaker 2>This is beyond uncommon, right.

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<v Speaker 3>And so she's this fascinating figure in the history of

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<v Speaker 3>female agency, crime and celebrity. So she navigated this world

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<v Speaker 3>with like very few legitimate opportunities for women. Okay, So,

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<v Speaker 3>like Kathleen Hannah had to choose between waiting tables and

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<v Speaker 3>stripping in order to make money to get her band

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<v Speaker 3>on the road for tour. And she chose stripping because

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<v Speaker 3>there was so much more money involved.

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<v Speaker 2>Yeah, so they that I stripped, but I know that

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<v Speaker 2>there's more money there dancers.

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<v Speaker 3>Imagine how tough it was for Mary Carlton three hundred

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<v Speaker 3>and fifty some years earlier. Yeah. So Carlton and Hannah

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<v Speaker 3>they no, Yeah, I did the math. They're both they

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<v Speaker 3>were so audacious.

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<v Speaker 2>I mean places where you can actually make a good

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<v Speaker 2>living right.

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<v Speaker 3>And changing and have the agency. So they both they

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<v Speaker 3>were audacious and they reinvented themselves. So I kind of

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<v Speaker 3>feel like Mary Carlton was like a proto riot girl.

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<v Speaker 2>I like this.

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<v Speaker 3>Yeah, I like, I'm going with this, and it's a risk,

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<v Speaker 3>it's a gamble. I know these dice.

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<v Speaker 2>I do a number of riote girls, and so far

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<v Speaker 2>everything you're describing is eliciting both their spirit and their comportment.

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<v Speaker 3>So yeah, see, okay, I'm on the right track. I said, like,

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<v Speaker 3>people can't from if I tell something from the sixteen hundreds,

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<v Speaker 3>they can't complain. But now I got like, right, girls

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<v Speaker 3>are going to come at me. But that's okay.

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<v Speaker 2>Now I think you're doing this is it is with love?

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<v Speaker 3>And so it was in sixteen forty two, I told

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<v Speaker 3>you all the things that.

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<v Speaker 2>Happened sixteen two.

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<v Speaker 3>That was also the year. That's the year that Mary

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<v Speaker 3>Carlton was born in Canterbury, England. Her dad was a fiddler,

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<v Speaker 3>professional musician one hundred percent. Going on my list of

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<v Speaker 3>fake jobs that I tell people, I have taxidermists, greeting

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<v Speaker 3>card writer, fiddler.

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<v Speaker 2>Play green fleas. It's not like to play free bird

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<v Speaker 2>period exactly. He's like, oh, got it.

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<v Speaker 3>So when she arrived in the world in sixteen forty two,

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<v Speaker 3>she was Mary Moehler's into an England in crisis. She

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<v Speaker 3>grew up. She married a shoemaker named Thomas Steadman. Like

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<v Speaker 3>just like Oprah, she hooked up with her. He had

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<v Speaker 3>a job, but like Mary, wasn't stoked on it. She

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<v Speaker 3>wanted more. She didn't want to be the daughter of

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<v Speaker 3>a Canterbury fiddler and the wife of a Canterbury shoemaker.

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<v Speaker 2>Ah.

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<v Speaker 3>She hung on for four years with this guy, and

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<v Speaker 3>then Steedman got called to fight in the Civil War

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<v Speaker 3>and Mary saw her chance. She ran off to Dover, England.

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<v Speaker 3>So in sixteen sixty, she's eighteen years old, she got

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<v Speaker 3>busted in Dover. Now let's do the math. Assuming she

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<v Speaker 3>got busted pretty quickly upon arrival. That means that she

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<v Speaker 3>was married to the shoemaker when she was fourteen.

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<v Speaker 2>I was skipping past that because you did, I know,

0:11:25.000 --> 0:11:25.840
<v Speaker 2>you know how to do that.

0:11:25.760 --> 0:11:27.840
<v Speaker 3>Math so bleaked so common.

0:11:28.040 --> 0:11:31.559
<v Speaker 2>Oh yes, yeaheen fourteen and she's four years deep in

0:11:31.600 --> 0:11:34.320
<v Speaker 2>a marriage at eighteen, just like I want to get

0:11:34.360 --> 0:11:34.640
<v Speaker 2>to Dover.

0:11:34.760 --> 0:11:36.040
<v Speaker 3>I got to get out of here. So she gets

0:11:36.080 --> 0:11:38.920
<v Speaker 3>to Dover. She got in trouble for trying to marry

0:11:39.000 --> 0:11:43.040
<v Speaker 3>a surgeon named Thomas Day, like she's trading up. The

0:11:43.120 --> 0:11:47.000
<v Speaker 3>problem is that she was still married to Stedman. Oh yeah,

0:11:47.040 --> 0:11:49.520
<v Speaker 3>he's off fighting in Dunkirk, which that place has had

0:11:49.520 --> 0:11:52.800
<v Speaker 3>it rough Ittilia. But Mary told the court that she

0:11:52.960 --> 0:11:56.480
<v Speaker 3>heard he was dead. She's like, big of me, not guilty.

0:11:56.520 --> 0:11:58.720
<v Speaker 3>You're on her, No, not me. So the judge let

0:11:58.760 --> 0:12:01.440
<v Speaker 3>her go, but only on the condition that she either

0:12:01.480 --> 0:12:05.080
<v Speaker 3>provide proof that Stedman was really dead or break it

0:12:05.120 --> 0:12:07.520
<v Speaker 3>off with the surgeon. And so she.

0:12:07.520 --> 0:12:10.079
<v Speaker 2>Says, no, Stedman, he's still fighting at this point on

0:12:10.160 --> 0:12:11.240
<v Speaker 2>the front. She's a guy.

0:12:12.240 --> 0:12:14.320
<v Speaker 3>She She's like, well, I don't have written proof that

0:12:14.400 --> 0:12:16.920
<v Speaker 3>he was killed in battle, but I'll swear to it

0:12:16.960 --> 0:12:19.240
<v Speaker 3>in court. And the court's like, well, let's call for

0:12:19.320 --> 0:12:22.680
<v Speaker 3>him to appear, and he didn't show, so she got acquitted.

0:12:22.960 --> 0:12:24.199
<v Speaker 3>She's like, there you go proof.

0:12:24.480 --> 0:12:26.560
<v Speaker 2>Yeah, okay, no body, no crime.

0:12:27.040 --> 0:12:31.000
<v Speaker 3>Wait apparently quote. There was also present at the trial

0:12:31.080 --> 0:12:34.000
<v Speaker 3>a bricklayer one Billing, who had brought with him a

0:12:34.040 --> 0:12:37.240
<v Speaker 3>parson and a clerk is witnesses that he too had

0:12:37.240 --> 0:12:40.040
<v Speaker 3>once married her, but for some reason his case was

0:12:40.080 --> 0:12:42.160
<v Speaker 3>not ever heard no onet to because he was kind

0:12:42.160 --> 0:12:43.960
<v Speaker 3>of like a push bricklayer.

0:12:46.400 --> 0:12:48.240
<v Speaker 2>Rough hand justice for Billing.

0:12:49.200 --> 0:12:49.959
<v Speaker 3>I feel.

0:12:51.960 --> 0:12:53.320
<v Speaker 2>This was a guy who hitched us.

0:12:53.360 --> 0:12:56.199
<v Speaker 3>That's making me roll the dates back even further. If

0:12:56.200 --> 0:12:58.240
<v Speaker 3>she was four years in deep with.

0:12:58.080 --> 0:13:01.520
<v Speaker 2>The husband was a bigamous so she like married him

0:13:01.520 --> 0:13:02.439
<v Speaker 2>at sixteen.

0:13:02.880 --> 0:13:06.400
<v Speaker 3>She married the original guy like thirteen, and then did

0:13:06.440 --> 0:13:10.680
<v Speaker 3>four years, got to dover married Billing married Like yeah,

0:13:10.760 --> 0:13:13.760
<v Speaker 3>there's a lot going on, but I feel like Mary

0:13:13.840 --> 0:13:15.600
<v Speaker 3>was doing that thing where you start with a paper

0:13:15.600 --> 0:13:18.040
<v Speaker 3>clip and start trading up until you have like a yacht.

0:13:18.840 --> 0:13:21.800
<v Speaker 3>For she went from shoemaker a surgeon. Me too.

0:13:21.880 --> 0:13:23.199
<v Speaker 2>I can't have that kind of stick to it and

0:13:24.040 --> 0:13:27.640
<v Speaker 2>care enough. I'll be happy with like the early thing.

0:13:27.720 --> 0:13:29.960
<v Speaker 2>Like you feel like here's a light bulb. I need

0:13:30.040 --> 0:13:30.480
<v Speaker 2>a light bulb.

0:13:30.559 --> 0:13:32.120
<v Speaker 3>Yeah, exactly, and then I don't have to talk to

0:13:32.160 --> 0:13:35.880
<v Speaker 3>anyone else. So anyway, she was able to beat the charges,

0:13:36.480 --> 0:13:39.320
<v Speaker 3>and so she decided like, well, maybe England isn't the

0:13:39.360 --> 0:13:40.000
<v Speaker 3>place for me.

0:13:40.600 --> 0:13:42.480
<v Speaker 2>I love it, by the way, busted in Dovers. It

0:13:42.480 --> 0:13:43.760
<v Speaker 2>sounds like a Pogue song.

0:13:43.800 --> 0:13:49.760
<v Speaker 3>It dover or like a old steady. So they knew

0:13:49.800 --> 0:13:52.720
<v Speaker 3>too much in England. So she went to Germany, and

0:13:52.760 --> 0:13:54.880
<v Speaker 3>it was there that she put the moves on a

0:13:54.920 --> 0:13:58.800
<v Speaker 3>wealthy nobleman, an older gent, and he was all about it.

0:13:58.840 --> 0:14:01.840
<v Speaker 3>He gave her presence, he bought her clothes, He just

0:14:01.880 --> 0:14:05.080
<v Speaker 3>like handed her straight up cash, promised her the moon.

0:14:05.160 --> 0:14:08.320
<v Speaker 3>He's like, as long as you will marry me, And

0:14:08.360 --> 0:14:11.599
<v Speaker 3>she's like, you know what, why not, I will marry you.

0:14:12.520 --> 0:14:13.080
<v Speaker 3>Let's do it.

0:14:13.160 --> 0:14:14.200
<v Speaker 2>I still have the dress.

0:14:14.240 --> 0:14:16.240
<v Speaker 3>I mean there's this whole thing like I might be

0:14:16.320 --> 0:14:18.920
<v Speaker 3>already married, and like I've already beat big em me

0:14:19.040 --> 0:14:19.600
<v Speaker 3>by a hair.

0:14:19.760 --> 0:14:21.720
<v Speaker 2>People keep saying I'm married everywhere I.

0:14:21.640 --> 0:14:24.040
<v Speaker 3>Go, and I think that maybe like this reality got

0:14:24.080 --> 0:14:24.320
<v Speaker 3>to her.

0:14:24.400 --> 0:14:25.520
<v Speaker 2>I think they're just jealous.

0:14:25.880 --> 0:14:29.560
<v Speaker 3>Well, like the whirlwind, romance with the nobleman ended just

0:14:29.640 --> 0:14:32.720
<v Speaker 3>as quickly as it began. Oh, she promised, okay, you

0:14:32.720 --> 0:14:35.960
<v Speaker 3>know what, I'll marry you in three days. Three days.

0:14:36.640 --> 0:14:38.680
<v Speaker 3>And he gave her a ton of cash and was like,

0:14:38.720 --> 0:14:40.880
<v Speaker 3>go get whatever you need for the wedding, my love,

0:14:41.040 --> 0:14:43.640
<v Speaker 3>okay yeah, and he's spitting. He's like, I just want

0:14:43.640 --> 0:14:46.920
<v Speaker 3>to make you mine. So she's staying at this lodge

0:14:46.960 --> 0:14:50.520
<v Speaker 3>and the nobleman gave the landlady there this wedding chest

0:14:50.560 --> 0:14:54.400
<v Speaker 3>full of absolute treasure for safe keeping, and Mary would

0:14:54.400 --> 0:14:57.040
<v Speaker 3>get the chest and all the loot upon their marriage.

0:14:57.640 --> 0:15:00.000
<v Speaker 3>So as soon as the land lady left the law

0:15:00.440 --> 0:15:03.080
<v Speaker 3>like she went out to the toilet in the back

0:15:03.160 --> 0:15:07.080
<v Speaker 3>or something, Mary busted open the chest and took everything,

0:15:07.160 --> 0:15:11.240
<v Speaker 3>and then she got the heck out of town. She's like,

0:15:11.280 --> 0:15:13.600
<v Speaker 3>I don't want to marry this guy, Mary marry him.

0:15:13.680 --> 0:15:15.800
<v Speaker 3>I want to just like So she got a ticket

0:15:15.840 --> 0:15:18.760
<v Speaker 3>to Utrecht and ghosted old homie.

0:15:18.800 --> 0:15:19.240
<v Speaker 2>Okay.

0:15:19.320 --> 0:15:21.840
<v Speaker 3>And I got to say, these men, they're using her

0:15:22.040 --> 0:15:23.200
<v Speaker 3>for her youth and beauty.

0:15:23.240 --> 0:15:24.480
<v Speaker 2>Oh yeah, I don't feel about at all.

0:15:24.520 --> 0:15:26.320
<v Speaker 3>They would discard her without a thought.

0:15:26.480 --> 0:15:29.800
<v Speaker 2>Yeah, it's a transactional thing. And she just moved quickly exactly.

0:15:29.840 --> 0:15:32.480
<v Speaker 3>She decides to use them first fair play. So from

0:15:32.640 --> 0:15:36.600
<v Speaker 3>utrek she went to Amsterdam, and once there she sold

0:15:36.800 --> 0:15:39.400
<v Speaker 3>this gold chain and some other jewelry that he'd given her,

0:15:39.400 --> 0:15:42.560
<v Speaker 3>and she used that cash to get to Rotterdam. And

0:15:42.600 --> 0:15:46.000
<v Speaker 3>she's smart. She's like spreading out her fencing so it

0:15:46.040 --> 0:15:49.680
<v Speaker 3>can't really be traced. From Rotterdam, she bounced around a little,

0:15:49.760 --> 0:15:52.560
<v Speaker 3>and she finally bought a ticket back to England. You know,

0:15:52.600 --> 0:15:54.720
<v Speaker 3>it's a successful trip to Germany. I've had a bunch

0:15:54.760 --> 0:15:58.720
<v Speaker 3>of stuff. It's a fun So she arrived in Billingsgate,

0:15:58.880 --> 0:16:01.440
<v Speaker 3>which is like this entry point into London at the

0:16:01.800 --> 0:16:05.080
<v Speaker 3>end of March sixteen sixty three. She's twenty one, sixteen

0:16:05.160 --> 0:16:08.360
<v Speaker 3>sixty three, okay, And she didn't enter London as Mary

0:16:08.400 --> 0:16:11.760
<v Speaker 3>Moehlers or Mary Steedman or any other names she'd already held.

0:16:12.320 --> 0:16:16.320
<v Speaker 3>She walked into the Exchange tavern in central London, dressed

0:16:16.440 --> 0:16:20.720
<v Speaker 3>to the nines, carrying herself with dignity, dripping in jewels

0:16:21.120 --> 0:16:25.800
<v Speaker 3>and speaking with like this slightly continental foreign accent. Can't

0:16:25.800 --> 0:16:26.680
<v Speaker 3>put your finger on it.

0:16:27.160 --> 0:16:30.120
<v Speaker 2>She's like, I imagine, kind of like a less pronounced,

0:16:31.240 --> 0:16:31.680
<v Speaker 2>kind of.

0:16:31.640 --> 0:16:35.720
<v Speaker 3>Like it could be anywhere I could be singing from

0:16:35.840 --> 0:16:41.239
<v Speaker 3>rich So she said her name was Princess Henrietta Maria

0:16:41.640 --> 0:16:47.880
<v Speaker 3>devouve from Cologne, French, German Frankish, long way from a

0:16:47.920 --> 0:16:51.440
<v Speaker 3>fiddler's dot huh. So this is how she characterized her

0:16:51.480 --> 0:16:55.240
<v Speaker 3>background in her own words. Quote. My father's name was

0:16:55.280 --> 0:16:58.720
<v Speaker 3>Henry van Woolway, a license tat and doctor of the

0:16:58.800 --> 0:17:02.600
<v Speaker 3>civil law, and Lord of Holmestein, A man esteemed for

0:17:02.680 --> 0:17:06.119
<v Speaker 3>his services done to the City of Kollen in mediating

0:17:06.119 --> 0:17:09.280
<v Speaker 3>their peace and security and neutrality in the Swedish and

0:17:09.359 --> 0:17:12.240
<v Speaker 3>German War, and for other effects of his counsels and

0:17:12.359 --> 0:17:16.119
<v Speaker 3>endeavors to our ecclesiastical Prince Elector and the House of

0:17:16.160 --> 0:17:19.600
<v Speaker 3>Lorraine in all those turmoils of that country in the

0:17:19.600 --> 0:17:23.240
<v Speaker 3>first rupture of the Spanish and French War. I instance

0:17:23.359 --> 0:17:26.800
<v Speaker 3>these remarks, because having been so long dead some nineteen years,

0:17:26.840 --> 0:17:30.960
<v Speaker 3>I cannot better describe or characterize him to strangers, though

0:17:31.440 --> 0:17:33.879
<v Speaker 3>he were known in his own country by other great

0:17:33.920 --> 0:17:36.639
<v Speaker 3>and noble actions, as well as for his long and

0:17:36.760 --> 0:17:40.000
<v Speaker 3>ancient descent from an honorable family of that name, which

0:17:40.359 --> 0:17:44.080
<v Speaker 3>whosoever shall give himself the trouble of curiosity and inquiring

0:17:44.119 --> 0:17:47.919
<v Speaker 3>may yet find preserved from the ruins of a destructive

0:17:48.000 --> 0:17:54.879
<v Speaker 3>and but just composed conflagration, an so like break it

0:17:55.000 --> 0:17:58.080
<v Speaker 3>up girl, like the period is your friend you put

0:17:58.080 --> 0:18:02.280
<v Speaker 3>it in there. Yeah, a lot of commas, but it's

0:18:02.320 --> 0:18:05.720
<v Speaker 3>also it's like it's all the like high falutin flowery language.

0:18:06.359 --> 0:18:08.480
<v Speaker 2>It sounds like imitation lawyer speakers.

0:18:08.200 --> 0:18:11.520
<v Speaker 3>And it's a long way from a peasant Kentish accent

0:18:11.640 --> 0:18:14.639
<v Speaker 3>of the time. So she has she's trained herself in this.

0:18:15.600 --> 0:18:17.879
<v Speaker 3>She said that her parents died before she was three,

0:18:18.000 --> 0:18:21.040
<v Speaker 3>but her father left his entire estate to her, and

0:18:21.280 --> 0:18:23.480
<v Speaker 3>she was an orphan and taken in by the church,

0:18:23.520 --> 0:18:28.040
<v Speaker 3>specifically the nunnery of Sancta Clara, and there she got

0:18:28.040 --> 0:18:31.560
<v Speaker 3>this education, good home training. She was given all the

0:18:31.640 --> 0:18:34.560
<v Speaker 3>proper breeding and such, but she wanted more. I mean,

0:18:34.560 --> 0:18:39.320
<v Speaker 3>that's like her true story, right, just once more exotically

0:18:40.119 --> 0:18:42.359
<v Speaker 3>in this version of her life. She didn't want to

0:18:42.400 --> 0:18:45.040
<v Speaker 3>be alone all the time. She didn't want to live

0:18:45.080 --> 0:18:48.200
<v Speaker 3>like an old nun while being this like vivacious young gal.

0:18:48.800 --> 0:18:52.760
<v Speaker 3>She said quote, I felt some such strong impulses and

0:18:52.920 --> 0:18:57.000
<v Speaker 3>natural instincts to be ranging abroad and in action, as

0:18:57.040 --> 0:19:00.359
<v Speaker 3>the first finders of Tara incognita were urged with to

0:19:00.480 --> 0:19:04.280
<v Speaker 3>discover of those regions of whose existence they had no

0:19:04.400 --> 0:19:07.640
<v Speaker 3>further assurance than their own hopeful bodings and divinations.

0:19:07.880 --> 0:19:09.960
<v Speaker 2>She's like, look, it's the age of exploration. I want

0:19:10.000 --> 0:19:11.160
<v Speaker 2>to want to explore.

0:19:11.280 --> 0:19:13.880
<v Speaker 3>I want to get out there. I got that. So

0:19:13.920 --> 0:19:16.320
<v Speaker 3>she told people that she traped around Europe and she

0:19:16.400 --> 0:19:20.480
<v Speaker 3>was hounded by suitors. One was an old soldier, according

0:19:20.480 --> 0:19:24.520
<v Speaker 3>to Laura Colb, Associate professor of English at Baroke College,

0:19:24.880 --> 0:19:28.720
<v Speaker 3>cuney quote, a faustlike student of the dark arts.

0:19:28.840 --> 0:19:30.840
<v Speaker 2>Gotcha the old soldier.

0:19:31.040 --> 0:19:34.640
<v Speaker 3>Yes, that's a little scary. And then there she was

0:19:34.800 --> 0:19:38.119
<v Speaker 3>walking into the Exchange tavern, ready to see where the

0:19:38.200 --> 0:19:41.560
<v Speaker 3>day would take her. Let's take a break. When we return,

0:19:41.640 --> 0:19:43.680
<v Speaker 3>we're going to join Mary in the tavern on her

0:19:43.760 --> 0:20:08.560
<v Speaker 3>search for her next fool zaren All right, So here

0:20:08.600 --> 0:20:12.160
<v Speaker 3>we are in the exchange tavern. Now I think this

0:20:12.240 --> 0:20:17.280
<v Speaker 3>must have been attack picturing and jewels, crash trippin and

0:20:17.320 --> 0:20:20.040
<v Speaker 3>like fancy clothes, and she rolls in got her.

0:20:20.040 --> 0:20:23.160
<v Speaker 2>Like weird continental German French act right right.

0:20:23.880 --> 0:20:26.520
<v Speaker 3>I think that this place must have been located next

0:20:26.560 --> 0:20:30.120
<v Speaker 3>to the Royal Exchange, and that was created by Sir

0:20:30.160 --> 0:20:33.800
<v Speaker 3>Thomas Gresham. He was this wealthy merchant and a financial

0:20:33.840 --> 0:20:36.680
<v Speaker 3>agent to the crown. So by like the mid fifteen

0:20:36.760 --> 0:20:41.360
<v Speaker 3>hundreds London merchants were had been conducting their business outside,

0:20:41.840 --> 0:20:45.399
<v Speaker 3>not like the poshtraders that this guy had seen in

0:20:45.480 --> 0:20:46.840
<v Speaker 3>Antwerp and Amsterdam.

0:20:46.960 --> 0:20:49.240
<v Speaker 2>They were still doing it like a farmer's market style.

0:20:49.440 --> 0:20:52.440
<v Speaker 3>Yes. Yes, So he was like, you know what, London

0:20:52.520 --> 0:20:56.119
<v Speaker 3>deserves a mercantile exchange. That's worthy of a great trading.

0:20:56.280 --> 0:20:58.200
<v Speaker 2>We should be indoors too, We need.

0:20:58.000 --> 0:21:02.080
<v Speaker 3>To be inside and out of the l Dutch. So

0:21:02.560 --> 0:21:05.800
<v Speaker 3>he's like, I'll build it if the City of London

0:21:05.840 --> 0:21:07.560
<v Speaker 3>Corporation will give me the land.

0:21:07.720 --> 0:21:08.080
<v Speaker 2>Gotcha.

0:21:08.119 --> 0:21:11.680
<v Speaker 3>So they're like, cool, we got land. It's we can

0:21:11.720 --> 0:21:14.560
<v Speaker 3>make this work. So in fifteen sixty five they start

0:21:14.600 --> 0:21:16.840
<v Speaker 3>working on it. Three years later they're done. That's like

0:21:16.920 --> 0:21:21.280
<v Speaker 3>breakneck speed for huge building like this with no like

0:21:21.920 --> 0:21:24.360
<v Speaker 3>excavators and all this stuff, you know what I mean,

0:21:24.560 --> 0:21:29.160
<v Speaker 3>like not a dozer and slights sarin. So the January

0:21:29.200 --> 0:21:33.200
<v Speaker 3>twenty third, fifteen seventy one, Queen Elizabeth the First visited

0:21:33.240 --> 0:21:36.639
<v Speaker 3>it for this formal ceremony. There's all this pageantry. She

0:21:36.960 --> 0:21:40.880
<v Speaker 3>proclaimed that it would henceforth be known as the Royal Exchange.

0:21:41.119 --> 0:21:44.800
<v Speaker 3>So that made it legit, like people believe it, and

0:21:44.880 --> 0:21:47.639
<v Speaker 3>it served as dual purpose that made it really unique

0:21:47.640 --> 0:21:50.479
<v Speaker 3>in London. So the lower courtyard was where all the

0:21:50.560 --> 0:21:54.480
<v Speaker 3>merchants and brokers and traders would gather and conduct business

0:21:54.480 --> 0:21:58.639
<v Speaker 3>in like commodities, shipping, bills of exchange, insurance.

0:21:58.280 --> 0:22:00.000
<v Speaker 2>Yeah, the more liquid stuff.

0:22:00.200 --> 0:22:03.560
<v Speaker 3>Yeah. And the merchants typically congregated in like specific areas

0:22:03.560 --> 0:22:06.520
<v Speaker 3>of the courtyard according to their trade or their nationality.

0:22:07.119 --> 0:22:10.520
<v Speaker 3>So there were recognized walks for like Virginia merchants.

0:22:10.240 --> 0:22:12.840
<v Speaker 2>Okay, and flying in tobacco, yeah, those.

0:22:12.760 --> 0:22:16.440
<v Speaker 3>Trade future with the levant and then Goldsmith's over here.

0:22:17.240 --> 0:22:19.919
<v Speaker 3>So the upper galleries were called the pawn and they

0:22:19.960 --> 0:22:26.800
<v Speaker 3>were lined with shops that were rented out to like Millner's, haberdashers, booksellers, apothecaries,

0:22:27.680 --> 0:22:31.320
<v Speaker 3>dealers in luxury goods, and the retail spots were super

0:22:31.440 --> 0:22:35.600
<v Speaker 3>fashionable and like commercially valuable, and they attracted this wealthy

0:22:35.600 --> 0:22:39.520
<v Speaker 3>clientele and gave the exchange an additional revenue stream.

0:22:39.880 --> 0:22:42.000
<v Speaker 2>Now are they selling direct to customers at.

0:22:41.920 --> 0:22:43.240
<v Speaker 3>This place in the upstairs?

0:22:43.320 --> 0:22:45.080
<v Speaker 2>Yeah, So it's like a bit more like a like

0:22:45.119 --> 0:22:47.840
<v Speaker 2>a shopping market, but it's a nice like the level

0:22:47.880 --> 0:22:51.679
<v Speaker 2>of like thoroughfare, bizarre style, got dealers going, look at

0:22:51.720 --> 0:22:53.880
<v Speaker 2>my wares and you're like, that's some nice ass.

0:22:54.040 --> 0:22:57.359
<v Speaker 3>I love that. That's that's awesome. Can I have some sure?

0:22:57.440 --> 0:22:59.639
<v Speaker 2>How much for that? La?

0:23:01.280 --> 0:23:05.920
<v Speaker 3>So there's this combination of like high commerce would be amazing.

0:23:07.920 --> 0:23:10.720
<v Speaker 3>I was like, well, I can't dwell because now I'm

0:23:10.760 --> 0:23:14.840
<v Speaker 3>just imagining what is the lace Like I'm kind of thinking,

0:23:14.920 --> 0:23:18.520
<v Speaker 3>is it like a lace fezz or is it floppy

0:23:18.560 --> 0:23:18.960
<v Speaker 3>like a flop?

0:23:20.560 --> 0:23:26.600
<v Speaker 2>Yeah, exactly covers the ears a little bit, it's harder.

0:23:26.760 --> 0:23:31.639
<v Speaker 3>It's so there's this high commerce on the floor, retail

0:23:31.760 --> 0:23:35.240
<v Speaker 3>up top. It made it into this like social and

0:23:35.400 --> 0:23:39.960
<v Speaker 3>commercial hub. So gentlemen were there, noble women, visitors to

0:23:40.000 --> 0:23:43.360
<v Speaker 3>the city. It was like a tourist attraction. And then

0:23:43.400 --> 0:23:46.680
<v Speaker 3>it's this emerging culture of news and information comes out

0:23:46.680 --> 0:23:51.280
<v Speaker 3>there because that's where booksellers in the pond were selling pamphlets, gazettes,

0:23:51.440 --> 0:23:55.560
<v Speaker 3>news books, zines, So that's where you're getting all your

0:23:55.560 --> 0:23:56.480
<v Speaker 3>information and.

0:23:56.400 --> 0:24:00.399
<v Speaker 2>Paper ain't cheap. Then it was like an investment books

0:24:00.480 --> 0:24:01.560
<v Speaker 2>is like man got a library.

0:24:01.880 --> 0:24:04.160
<v Speaker 3>There's information about what's going on the world, and there's

0:24:04.240 --> 0:24:07.920
<v Speaker 3>commercial intelligence because you've got like shipping arrivals, commodity price,

0:24:08.880 --> 0:24:11.919
<v Speaker 3>political rumor, like you could get things going like in

0:24:12.000 --> 0:24:15.600
<v Speaker 3>terms of movements, that gets traded, just like the commodities do.

0:24:15.760 --> 0:24:18.600
<v Speaker 3>So it made sense that Mary would show up there.

0:24:18.640 --> 0:24:19.720
<v Speaker 3>It's the place to see.

0:24:19.560 --> 0:24:22.000
<v Speaker 2>In BC is and the money.

0:24:22.080 --> 0:24:24.640
<v Speaker 3>Yeah, she walks into the tavern, but she's not alone.

0:24:25.160 --> 0:24:27.879
<v Speaker 3>She has a parson with her. They'd met on the

0:24:27.920 --> 0:24:31.439
<v Speaker 3>ferry in. They just pick them up. It's like it

0:24:31.480 --> 0:24:34.520
<v Speaker 3>gets stuck on your shoe or something. They met on

0:24:34.560 --> 0:24:37.639
<v Speaker 3>the ferry in from the port in Gravesend, and the

0:24:37.720 --> 0:24:39.320
<v Speaker 3>parson was like sweet on her.

0:24:39.520 --> 0:24:40.560
<v Speaker 2>Of course he wanted to.

0:24:40.480 --> 0:24:42.800
<v Speaker 3>Get in them draws. He was like, let me see

0:24:42.800 --> 0:24:45.359
<v Speaker 3>that lacey hat. Mary.

0:24:45.640 --> 0:24:49.359
<v Speaker 2>He's kind of country too, I imagine, pretend to go

0:24:49.400 --> 0:24:52.200
<v Speaker 2>in the city. I like you, Yeah, you're.

0:24:53.960 --> 0:24:56.840
<v Speaker 3>So. Mary's like I'm not about that, Like I I'm

0:24:56.920 --> 0:24:58.760
<v Speaker 3>operating at such a higher level, but.

0:24:58.680 --> 0:25:01.320
<v Speaker 2>I'll take the social protection until we get to Yeah.

0:25:01.520 --> 0:25:04.120
<v Speaker 3>Well though, she gets to the tavern and she asks

0:25:04.160 --> 0:25:06.919
<v Speaker 3>the owner, mister King, like can you help me? I

0:25:06.960 --> 0:25:08.439
<v Speaker 3>need a place to stay, but I also have to

0:25:08.440 --> 0:25:11.560
<v Speaker 3>get away from this creepy parson, like he will not

0:25:11.680 --> 0:25:15.800
<v Speaker 3>leave me alone. And King's like yeah, of course, And

0:25:15.840 --> 0:25:18.400
<v Speaker 3>so he and his wife like they they they're scoping

0:25:18.440 --> 0:25:20.119
<v Speaker 3>Mary out though, they like, get her set up in

0:25:20.119 --> 0:25:22.720
<v Speaker 3>a room. They see, okay, she's got all these jewels,

0:25:22.720 --> 0:25:27.480
<v Speaker 3>she has trunks of stuff. Oh yeah, so many, so

0:25:27.520 --> 0:25:32.760
<v Speaker 3>many laces. So she moved in and she's like sending

0:25:32.880 --> 0:25:35.560
<v Speaker 3>letters overseas and they're looking to see, like, oh, she's

0:25:35.560 --> 0:25:38.879
<v Speaker 3>writing two and they wound up being no better than

0:25:38.920 --> 0:25:41.520
<v Speaker 3>all the creeper dudes. They're like, you know what, you

0:25:41.560 --> 0:25:46.440
<v Speaker 3>should totally meet missus King's brother. He's rad you would

0:25:46.520 --> 0:25:50.399
<v Speaker 3>really love him. His name's John Carlton. He's a lord.

0:25:50.600 --> 0:25:51.280
<v Speaker 3>Did you know that?

0:25:51.320 --> 0:25:54.880
<v Speaker 2>He's a lord and the richest man they knew who

0:25:54.920 --> 0:25:55.520
<v Speaker 2>was young enough to.

0:25:57.440 --> 0:26:01.359
<v Speaker 3>My wife's brother. This doesn't make any sense, but okay,

0:26:01.600 --> 0:26:06.639
<v Speaker 3>Mary is like, yeah, okay, you sing okay. So he

0:26:06.800 --> 0:26:09.919
<v Speaker 3>jumped into action and wooed and wed Mary in the

0:26:09.960 --> 0:26:11.120
<v Speaker 3>space of just a few weeks.

0:26:11.240 --> 0:26:11.520
<v Speaker 2>Okay.

0:26:11.960 --> 0:26:15.720
<v Speaker 3>And Rebecca Hess, writing for Mental Flaws, said, quote she

0:26:15.920 --> 0:26:19.240
<v Speaker 3>met John Carlton, a well to do clerk, and spun

0:26:19.280 --> 0:26:22.439
<v Speaker 3>a sad tale of misfortune, claiming she had escaped a

0:26:22.480 --> 0:26:26.639
<v Speaker 3>forceful union with an elderly count. She forged elaborate letters

0:26:26.720 --> 0:26:30.480
<v Speaker 3>quote proving she had an aristocratic family. At one point,

0:26:30.520 --> 0:26:34.240
<v Speaker 3>Mary even conceded that if she were a man, she'd

0:26:34.280 --> 0:26:37.480
<v Speaker 3>have been heir to the Danish throne. You know what,

0:26:37.600 --> 0:26:38.480
<v Speaker 3>girls saying.

0:26:38.480 --> 0:26:41.840
<v Speaker 2>Yeah, got reached for this, the royalty, you can claim.

0:26:41.960 --> 0:26:45.560
<v Speaker 3>So the wedding had to be performed twice the first time.

0:26:46.320 --> 0:26:48.760
<v Speaker 3>The first time that Carltons forgot to get a license,

0:26:50.880 --> 0:26:52.480
<v Speaker 3>but they then they made it official.

0:26:52.560 --> 0:26:54.280
<v Speaker 2>I don't know they had have licenses. Then I figured

0:26:54.280 --> 0:26:57.640
<v Speaker 2>they did have like a church person signed up paper, the.

0:26:57.560 --> 0:27:01.119
<v Speaker 3>Bands get it all signed. Mary was because she thinks

0:27:01.119 --> 0:27:04.919
<v Speaker 3>she landed a rich guy. John is dote because he

0:27:05.000 --> 0:27:06.320
<v Speaker 3>thinks he's landed a.

0:27:06.359 --> 0:27:08.600
<v Speaker 2>Rich lady, aristocratic ow.

0:27:09.080 --> 0:27:13.600
<v Speaker 3>So when Mary's wealth failed to materialize, John's family turned

0:27:13.640 --> 0:27:13.960
<v Speaker 3>on her.

0:27:14.200 --> 0:27:16.159
<v Speaker 2>What about all the jewelry? Can cock a little bit.

0:27:16.160 --> 0:27:19.280
<v Speaker 3>They busted in and they took all her stuff, her

0:27:19.320 --> 0:27:21.840
<v Speaker 3>clothes and jewelry included. Like they took all her clothes.

0:27:21.840 --> 0:27:24.960
<v Speaker 3>She had nothing, Oh damn. And so according to Mary quote,

0:27:25.359 --> 0:27:28.720
<v Speaker 3>my husband's father cometh to my lodging in Durham Yard

0:27:29.000 --> 0:27:32.280
<v Speaker 3>with Missus Clark and my husband and others called me

0:27:32.480 --> 0:27:36.440
<v Speaker 3>cheat and Harlot violently stripped me of all my apparel

0:27:36.480 --> 0:27:39.800
<v Speaker 3>and jewels, pulled off my silk stockings from my legs,

0:27:40.080 --> 0:27:43.480
<v Speaker 3>cut the lace off my bodies, and scarce left me

0:27:43.560 --> 0:27:47.280
<v Speaker 3>anything to cover my nakedness with. Hurried me before justice,

0:27:47.280 --> 0:27:49.919
<v Speaker 3>where the father and son are bound to prosecute me

0:27:50.000 --> 0:27:52.919
<v Speaker 3>for having two husbands. They pressed me to confess the

0:27:53.000 --> 0:27:57.160
<v Speaker 3>truth I did, insist upon no other justification than my innocency.

0:27:57.800 --> 0:28:01.600
<v Speaker 3>The witch, at last was my security refuge against there

0:28:01.720 --> 0:28:03.800
<v Speaker 3>malicious and unnatural dealing with me.

0:28:04.640 --> 0:28:10.200
<v Speaker 2>Man, she's got breath like a saxophone, players going, you're

0:28:10.320 --> 0:28:13.800
<v Speaker 2>going she so wait a minute, this place. So do

0:28:13.840 --> 0:28:17.280
<v Speaker 2>you think that because she's been somewhat of a con

0:28:17.359 --> 0:28:20.280
<v Speaker 2>artist up till now, do we believe her account? Is

0:28:20.359 --> 0:28:23.159
<v Speaker 2>she being a faithful narrator where she actually did get got.

0:28:24.160 --> 0:28:25.200
<v Speaker 3>She's looking stuff.

0:28:25.600 --> 0:28:27.480
<v Speaker 2>She might have promised some stuff and then they just

0:28:27.520 --> 0:28:29.639
<v Speaker 2>took it to retired of being lied to when we

0:28:29.720 --> 0:28:30.240
<v Speaker 2>had the stuff.

0:28:30.240 --> 0:28:33.520
<v Speaker 3>I don't think she ever does an outward facing truth. Okay, Yeah,

0:28:33.880 --> 0:28:36.439
<v Speaker 3>So she gets indicted on charges of bigamy at the

0:28:36.480 --> 0:28:39.480
<v Speaker 3>Old Bailey in London in sixteen sixty three. You know

0:28:39.520 --> 0:28:41.040
<v Speaker 3>that same old song and dance.

0:28:41.720 --> 0:28:45.120
<v Speaker 2>She's like twenty twenty three years twenty one years old.

0:28:45.200 --> 0:28:48.120
<v Speaker 3>Yeah, so this is the revel in sixty three. This

0:28:48.200 --> 0:28:49.560
<v Speaker 3>is basically the revel.

0:28:49.280 --> 0:28:51.520
<v Speaker 2>Sixteen forty two. She was born, so's twenty one years old.

0:28:51.560 --> 0:28:54.440
<v Speaker 3>Twenty one years old, because remember she gets to London

0:28:54.480 --> 0:28:56.400
<v Speaker 3>and it's within a few weeks that she marries. She's

0:28:56.440 --> 0:29:00.560
<v Speaker 3>so busy her third fourth she is efficient, probably yes,

0:29:01.160 --> 0:29:05.240
<v Speaker 3>and who knows how many we now have though the

0:29:05.280 --> 0:29:08.600
<v Speaker 3>Revenge of the Canterbury Shoemaker and then also the guy

0:29:08.640 --> 0:29:11.360
<v Speaker 3>in Dover, because they're still sort of marriage. She's just

0:29:11.520 --> 0:29:15.800
<v Speaker 3>racking them up, So Laura Cole wrote, quote unofficially, she

0:29:15.880 --> 0:29:18.600
<v Speaker 3>stood accused in the court of public opinion of a

0:29:18.680 --> 0:29:23.160
<v Speaker 3>far more interesting cheat, impersonating a fabulously wealthy foreigner in

0:29:23.280 --> 0:29:27.240
<v Speaker 3>order to lure the hapless Carleton, a lawyer's clerk eighteen

0:29:27.320 --> 0:29:31.960
<v Speaker 3>years old, into marriage. Uh huh. Though Mary herself modestly

0:29:32.000 --> 0:29:35.200
<v Speaker 3>claimed noble rather than royal birth, she became widely known

0:29:35.320 --> 0:29:39.920
<v Speaker 3>as the German princess. So it was one month between

0:29:39.960 --> 0:29:44.040
<v Speaker 3>her arrest and her trial. In that time, Yeah, she

0:29:44.200 --> 0:29:47.000
<v Speaker 3>had almost five hundred visitors in that time.

0:29:47.160 --> 0:29:49.080
<v Speaker 2>What, Yes, she's a celebrity.

0:29:49.120 --> 0:29:52.760
<v Speaker 3>Oh, people were paying the jail to come and just

0:29:52.840 --> 0:29:55.240
<v Speaker 3>look at her. They wanted to size her up see

0:29:55.240 --> 0:29:58.360
<v Speaker 3>for themselves, Like what she's about see if the woman

0:29:58.400 --> 0:30:01.040
<v Speaker 3>that they'd been reading about and god thinking about was

0:30:01.200 --> 0:30:02.680
<v Speaker 3>anything like what they'd imagined.

0:30:02.880 --> 0:30:05.000
<v Speaker 2>And is she getting or cut with the jailers. Oh,

0:30:05.000 --> 0:30:07.320
<v Speaker 2>of course the jailers are just getting like opening the

0:30:07.360 --> 0:30:10.360
<v Speaker 2>door and say show.

0:30:10.400 --> 0:30:13.560
<v Speaker 3>One of the people who came to visit was Samuel Peeps,

0:30:13.920 --> 0:30:17.600
<v Speaker 3>an English naval administrator, member of Parliament, but best known

0:30:17.640 --> 0:30:21.920
<v Speaker 3>today for this crazy detailed diary that he kept between

0:30:22.000 --> 0:30:24.320
<v Speaker 3>sixteen sixty and sixteen sixty nine.

0:30:24.360 --> 0:30:26.760
<v Speaker 2>How we know a lot about this era, correct.

0:30:26.800 --> 0:30:29.120
<v Speaker 3>So his diary is one of the most celebrated in

0:30:29.120 --> 0:30:33.240
<v Speaker 3>the English language. It was written in his like personal shorthand,

0:30:33.400 --> 0:30:37.280
<v Speaker 3>and it was vivid and candid. Had these intimate accounts

0:30:37.320 --> 0:30:41.600
<v Speaker 3>of life and restoration in England, including eyewitness description of

0:30:41.840 --> 0:30:44.880
<v Speaker 3>major historical events like the Great Plague of London, the

0:30:44.880 --> 0:30:47.800
<v Speaker 3>Great Fire of London, and the Second Anglo Dutch War.

0:30:47.920 --> 0:30:50.120
<v Speaker 3>So those are like the highlights in there. And then

0:30:50.160 --> 0:30:52.440
<v Speaker 3>it's also that all these like you're saying, like really

0:30:52.480 --> 0:30:55.640
<v Speaker 3>frank accounts of his personal life, his habits, his relationships,

0:30:55.640 --> 0:30:58.320
<v Speaker 3>his emotions that give us the full picture of what

0:30:58.400 --> 0:31:01.680
<v Speaker 3>it was like to live then. So it kind of

0:31:01.680 --> 0:31:03.880
<v Speaker 3>makes sense that he went to check Mary out, like

0:31:03.920 --> 0:31:05.040
<v Speaker 3>he wanted to be a witness.

0:31:05.280 --> 0:31:05.880
<v Speaker 2>He's a chronic.

0:31:06.480 --> 0:31:09.000
<v Speaker 3>Yeah, he wanted to see for himself the woman at

0:31:09.040 --> 0:31:11.040
<v Speaker 3>the center of what people are calling the Case of

0:31:11.080 --> 0:31:12.080
<v Speaker 3>the German Princess.

0:31:12.200 --> 0:31:15.080
<v Speaker 2>And he's basically a journalist, so this is the biggest

0:31:15.080 --> 0:31:15.720
<v Speaker 2>story going.

0:31:15.960 --> 0:31:18.120
<v Speaker 3>Yeah, and he's got like, you know, he's a member

0:31:18.200 --> 0:31:22.000
<v Speaker 3>of Parliament. He's known so. Kate Lily of the University

0:31:22.000 --> 0:31:25.320
<v Speaker 3>of Sydney wrote, quote from first to last, the Case

0:31:25.360 --> 0:31:28.800
<v Speaker 3>of the German Princess was in Fukut's famous phrase and

0:31:29.000 --> 0:31:33.200
<v Speaker 3>incitement to discourse, the talk of London coffeehouses and taverns,

0:31:33.240 --> 0:31:36.720
<v Speaker 3>and the subject of about thirty published texts of various

0:31:36.840 --> 0:31:40.160
<v Speaker 3>kinds and sizes over the next ten years. Mary was

0:31:40.360 --> 0:31:44.600
<v Speaker 3>resolute in her refusal to confess either bigamy or imposture,

0:31:45.040 --> 0:31:48.200
<v Speaker 3>insisting that she was an aristocrat and a quote stranger,

0:31:48.240 --> 0:31:51.640
<v Speaker 3>that is, an immigrant deserving of courtesy and assistance, and

0:31:51.680 --> 0:31:53.360
<v Speaker 3>that she had never before been married.

0:31:53.680 --> 0:31:56.400
<v Speaker 2>I like that you hear Kathleen Hannah in her story,

0:31:56.440 --> 0:32:00.240
<v Speaker 2>whereas I hear Kim Kardashian and her story. You like,

0:32:00.280 --> 0:32:03.280
<v Speaker 2>she's this masterful person who keeps moving through husbands and

0:32:03.360 --> 0:32:06.320
<v Speaker 2>partners and bouncing her way up and inspires to be

0:32:06.520 --> 0:32:09.520
<v Speaker 2>semi royalty. He gets up there where everybody knows her name.

0:32:09.560 --> 0:32:11.320
<v Speaker 2>People were just paying to take a look at her.

0:32:11.360 --> 0:32:14.000
<v Speaker 2>I mean like this, and also I mean like everyone

0:32:14.000 --> 0:32:15.560
<v Speaker 2>wants to talk about her, but like, really, what is

0:32:15.560 --> 0:32:17.800
<v Speaker 2>she offering. It's not like she's a you know, affecting

0:32:17.840 --> 0:32:20.680
<v Speaker 2>world politics. There's all these wars going on, but she's

0:32:20.720 --> 0:32:23.280
<v Speaker 2>just like this young girl who's just out there living

0:32:23.280 --> 0:32:25.880
<v Speaker 2>her life. Like fully, people are like, tell me more

0:32:25.880 --> 0:32:26.320
<v Speaker 2>about her.

0:32:27.320 --> 0:32:28.800
<v Speaker 3>Feel like her whole thing is like what have I

0:32:28.840 --> 0:32:30.280
<v Speaker 3>got to lose? Why not?

0:32:30.520 --> 0:32:30.720
<v Speaker 4>Why?

0:32:31.680 --> 0:32:34.560
<v Speaker 3>So back to court she goes she went hard on

0:32:34.680 --> 0:32:36.960
<v Speaker 3>John for misrepresenting himself as a lord.

0:32:37.040 --> 0:32:38.840
<v Speaker 2>Oh, by the way, I should say I never looked

0:32:38.880 --> 0:32:40.840
<v Speaker 2>down on Kim Kardashy. A lot of people do. I'm not.

0:32:40.920 --> 0:32:43.680
<v Speaker 2>I'm I like her as a if you if you

0:32:43.840 --> 0:32:45.960
<v Speaker 2>put it in the sense of like making your life

0:32:46.000 --> 0:32:47.280
<v Speaker 2>into what you wanted to be.

0:32:47.640 --> 0:32:49.960
<v Speaker 3>She's phenomenal, like her mother made her life.

0:32:50.080 --> 0:32:52.880
<v Speaker 2>Well, sure, but I'm saying, but she continues, I do

0:32:53.560 --> 0:32:56.280
<v Speaker 2>respect a person from like, Wow, I'm not going to

0:32:56.360 --> 0:32:58.560
<v Speaker 2>say like anything about how I don't say like reality

0:32:58.600 --> 0:33:00.520
<v Speaker 2>TV is worth it? I don't mean that. I'm just

0:33:00.560 --> 0:33:03.560
<v Speaker 2>saying is like she done earned what she wanted to

0:33:03.560 --> 0:33:06.800
<v Speaker 2>to attain, and so just like this woman, you know,

0:33:06.920 --> 0:33:09.560
<v Speaker 2>conditions were being what they were. You have to keep

0:33:09.560 --> 0:33:12.000
<v Speaker 2>the context in mind. How many options did she have?

0:33:12.200 --> 0:33:16.920
<v Speaker 3>So I'm exactly so Mary, she's like to get political.

0:33:16.960 --> 0:33:21.160
<v Speaker 3>Though I'm not the bad one. John's the bad one.

0:33:21.200 --> 0:33:23.200
<v Speaker 3>He said I was. He said he was a lord.

0:33:23.760 --> 0:33:25.960
<v Speaker 3>She said, quote, you told me you were a lord,

0:33:26.000 --> 0:33:27.920
<v Speaker 3>and I told you I was a princess, and I

0:33:27.960 --> 0:33:32.360
<v Speaker 3>think I fitted you. So back to Laura Cole, she said,

0:33:33.440 --> 0:33:36.640
<v Speaker 3>she said. Quote. There she becomes the victim of a con,

0:33:36.880 --> 0:33:40.200
<v Speaker 3>not its perpetrator. King and his in laws, the Carltons

0:33:40.320 --> 0:33:43.600
<v Speaker 3>keep her semi imprisoned. Fearing that someone else will hear

0:33:43.640 --> 0:33:46.920
<v Speaker 3>of this rich foreign lady and snatch her up, they

0:33:47.000 --> 0:33:49.680
<v Speaker 3>set John to woo her in the guise of a lord.

0:33:50.040 --> 0:33:52.080
<v Speaker 3>This ruse is complicated by the fact that it is

0:33:52.160 --> 0:33:55.280
<v Speaker 3>only hatched after John and Mary had already met, but

0:33:55.320 --> 0:33:57.600
<v Speaker 3>the Kings get around this by telling Mary that they

0:33:57.680 --> 0:34:00.479
<v Speaker 3>had been in disguise as commoners during their first encounter.

0:34:02.160 --> 0:34:06.200
<v Speaker 2>Everyone I'm I'm royalty, but not everyone knows.

0:34:06.280 --> 0:34:09.880
<v Speaker 3>They're all just a bunch of working class folks pretending, pretending, attending,

0:34:10.440 --> 0:34:13.080
<v Speaker 3>So who was better at pretending? So John? He told

0:34:13.120 --> 0:34:17.000
<v Speaker 3>Mary all sorts of tall tales. He's talking about mansions,

0:34:17.160 --> 0:34:17.920
<v Speaker 3>tons of land.

0:34:18.080 --> 0:34:19.600
<v Speaker 2>I got to take you to my ancestral lands.

0:34:19.640 --> 0:34:23.040
<v Speaker 3>And Mary was like, I'm willing to forgive him because

0:34:23.200 --> 0:34:26.000
<v Speaker 3>I figured like he intended to get all of those

0:34:26.040 --> 0:34:30.799
<v Speaker 3>things with the money that he thought she had, you know, like, oh,

0:34:30.840 --> 0:34:32.800
<v Speaker 3>I'm going to be his vehicle to become better.

0:34:33.840 --> 0:34:34.680
<v Speaker 2>Martha Washington.

0:34:34.840 --> 0:34:39.440
<v Speaker 3>Yeah, the one that Mary really went after was John's father.

0:34:40.280 --> 0:34:42.880
<v Speaker 3>She knew he was the driving force behind the bigamy

0:34:42.960 --> 0:34:45.520
<v Speaker 3>charge now that he figured out that he didn't have

0:34:45.560 --> 0:34:48.920
<v Speaker 3>a princess in the family. So she admits she lied

0:34:48.920 --> 0:34:51.480
<v Speaker 3>about who she was, and she admits that she went

0:34:51.520 --> 0:34:53.360
<v Speaker 3>out of her way to show off her jewelry and

0:34:53.360 --> 0:34:56.720
<v Speaker 3>flash the letters she was writing to European big wigs.

0:34:57.200 --> 0:35:00.120
<v Speaker 3>She said she wanted credit and she wanted respect. Those

0:35:00.160 --> 0:35:02.960
<v Speaker 3>are two things she never would have gotten from anyone

0:35:03.040 --> 0:35:06.520
<v Speaker 3>had she just been herself, no matter what she did. So,

0:35:06.800 --> 0:35:10.200
<v Speaker 3>according to Laura coleb quote, as she tells it, greed

0:35:10.360 --> 0:35:14.279
<v Speaker 3>drives their scheming, a native ingenuity and harmless love of

0:35:14.360 --> 0:35:19.400
<v Speaker 3>mischief hers rather than censure. She deserves applause since quote,

0:35:19.440 --> 0:35:22.120
<v Speaker 3>it was very difficult to personate greatness for so long

0:35:22.200 --> 0:35:25.520
<v Speaker 3>a time without slips or mistakes. So she's like, look,

0:35:25.600 --> 0:35:28.719
<v Speaker 3>I did this convincingly for so long. Like gott to

0:35:28.760 --> 0:35:32.040
<v Speaker 3>give me respect. I'm an artist, Yeah exactly, she is.

0:35:32.040 --> 0:35:34.240
<v Speaker 2>Look at my commitment to the bit I am these.

0:35:34.080 --> 0:35:36.759
<v Speaker 3>Ginger rogers to his fred astaires. She's doing the same thing,

0:35:36.800 --> 0:35:38.040
<v Speaker 3>but backwards it's even harder.

0:35:38.120 --> 0:35:40.919
<v Speaker 2>Completely, and she was fully k fabe. She was like, look,

0:35:41.000 --> 0:35:42.520
<v Speaker 2>I never broke character. Yes.

0:35:43.400 --> 0:35:46.000
<v Speaker 3>So John didn't see it this way. He was the

0:35:46.000 --> 0:35:49.080
<v Speaker 3>big victim. In his narrative. He was overwhelmed by Mary's

0:35:49.160 --> 0:35:53.560
<v Speaker 3>love and her sophistication in Jena Sequa. He couldn't believe

0:35:53.640 --> 0:35:55.680
<v Speaker 3>that a bodacious babe like her would go for a

0:35:55.719 --> 0:35:56.399
<v Speaker 3>guy like him.

0:35:56.560 --> 0:35:59.040
<v Speaker 2>You know, me really did like her, and his family

0:35:59.160 --> 0:36:02.000
<v Speaker 2>was the one trying to get him to Connor who knows,

0:36:02.040 --> 0:36:04.560
<v Speaker 2>And he was like, what, she's real beautiful.

0:36:04.280 --> 0:36:07.000
<v Speaker 3>Yeah, who knows? Maybe maybe not, Maybe he's just as

0:36:07.080 --> 0:36:09.320
<v Speaker 3>nasty as the rest of them. He said that he

0:36:09.440 --> 0:36:11.759
<v Speaker 3>because he wrote his own book about all this later.

0:36:11.920 --> 0:36:13.960
<v Speaker 3>Oh yeah, everyone got a book out of this. He

0:36:14.239 --> 0:36:18.080
<v Speaker 3>was nervous about this chasm in their social standing. She's

0:36:18.120 --> 0:36:22.600
<v Speaker 3>a princess's commoner and a little brother at that like

0:36:22.680 --> 0:36:24.560
<v Speaker 3>that was his other thing. It's like, I'm a younger brother.

0:36:25.280 --> 0:36:26.400
<v Speaker 3>Really also ran.

0:36:26.440 --> 0:36:28.840
<v Speaker 2>He order of course he's not going to inherit the

0:36:28.920 --> 0:36:31.760
<v Speaker 2>land exactly. It wasn't just like oh I'm the kid.

0:36:32.080 --> 0:36:34.960
<v Speaker 3>No, I'm just so. He called only one witness who

0:36:35.080 --> 0:36:38.759
<v Speaker 3>wasn't very convincing, and he'd wanted to get Steedman there,

0:36:39.360 --> 0:36:43.680
<v Speaker 3>but he I know right. Stedman was like, you got

0:36:43.800 --> 0:36:45.239
<v Speaker 3>to pay for me to come out there. I'm not

0:36:45.280 --> 0:36:48.640
<v Speaker 3>going to. And the Carlton's are like, never mind.

0:36:49.040 --> 0:36:52.720
<v Speaker 2>Really yeah, So in the end, Mary, everybody broke his story.

0:36:53.520 --> 0:36:56.480
<v Speaker 3>Mary convinced the judge and the jury. She got acquitted.

0:36:57.440 --> 0:36:57.919
<v Speaker 2>Nice guy.

0:36:58.320 --> 0:37:02.200
<v Speaker 3>There was a catch. She wasn't a bigamist, which meant

0:37:02.280 --> 0:37:06.480
<v Speaker 3>that her marriage to Carlton stood, and that meant that

0:37:06.800 --> 0:37:10.120
<v Speaker 3>everything she had belong to her husband, Jules and all.

0:37:10.239 --> 0:37:14.719
<v Speaker 3>She played herself. So after her acquittal she started studying law.

0:37:14.840 --> 0:37:17.719
<v Speaker 3>She was like, I have to figure this out and

0:37:17.840 --> 0:37:21.080
<v Speaker 3>that makes sense, like it's gonna help her like craft

0:37:21.239 --> 0:37:24.879
<v Speaker 3>future endeavors. She's like, I am not falling into any

0:37:24.960 --> 0:37:28.040
<v Speaker 3>traps like this ever again, they just took all my worldly,

0:37:28.120 --> 0:37:32.440
<v Speaker 3>ill gotten possessions. Lawyer, Let's take a break and when

0:37:32.480 --> 0:37:56.840
<v Speaker 3>we come back more, Mary Zaren, Elizabeth, how you doing okay?

0:37:56.920 --> 0:38:00.880
<v Speaker 3>So Mary Carlton, the public interest in her following her

0:38:00.920 --> 0:38:04.839
<v Speaker 3>acquittal in June of sixteen sixty three was absolutely remarkable

0:38:05.040 --> 0:38:09.640
<v Speaker 3>in its intensity. It was print on the stage and

0:38:09.760 --> 0:38:14.880
<v Speaker 3>in person. She was like basic. She was the first

0:38:15.520 --> 0:38:18.560
<v Speaker 3>true celebrity scandal of restoration England.

0:38:18.840 --> 0:38:20.239
<v Speaker 2>Wow, get it girl, right?

0:38:20.400 --> 0:38:20.880
<v Speaker 5>And so this.

0:38:21.000 --> 0:38:25.839
<v Speaker 3>Fascination actually preceded the acquittal itself. So remember, like all

0:38:25.920 --> 0:38:30.840
<v Speaker 3>those people came to gawk at her in prison. The

0:38:30.960 --> 0:38:35.160
<v Speaker 3>acquittal but like unleashed a flood of print. So within

0:38:35.239 --> 0:38:38.560
<v Speaker 3>her time she was the subject of more than thirty

0:38:39.000 --> 0:38:43.680
<v Speaker 3>pamphlets published between sixteen sixty three and sixteen seventy three.

0:38:44.760 --> 0:38:47.040
<v Speaker 3>The bulk of like the initial burst, came out in

0:38:47.080 --> 0:38:50.920
<v Speaker 3>the weeks and months immediately after the trial. In sixteen

0:38:50.960 --> 0:38:54.000
<v Speaker 3>sixty three alone, there were more than a dozen pamphlets

0:38:54.040 --> 0:38:57.680
<v Speaker 3>and broadsides written about the case, a pair of autobiographical

0:38:57.719 --> 0:39:02.160
<v Speaker 3>self defenses by Mary herself to rebuttals by John.

0:39:03.239 --> 0:39:04.760
<v Speaker 2>I can start to see the zine quality.

0:39:04.920 --> 0:39:06.319
<v Speaker 3>Yeah, print reports of.

0:39:08.200 --> 0:39:10.080
<v Speaker 2>Give me that box of type all of like.

0:39:10.160 --> 0:39:13.239
<v Speaker 3>The transcripts from the trial. Everybody got a book deal

0:39:13.280 --> 0:39:13.560
<v Speaker 3>out of this.

0:39:13.800 --> 0:39:17.239
<v Speaker 2>Can you imagine when you imagine they're just using you know,

0:39:17.360 --> 0:39:19.840
<v Speaker 2>movable text at this point, right, so you got like

0:39:19.960 --> 0:39:22.920
<v Speaker 2>drawers of letters like like trying to like write out

0:39:22.960 --> 0:39:25.160
<v Speaker 2>his thing. Imagine hopefully you wrote it out beforehand in

0:39:25.239 --> 0:39:27.560
<v Speaker 2>long hand. He's not actually writing while he's like handy

0:39:27.600 --> 0:39:32.520
<v Speaker 2>the key press, right exactly. So like the idea of

0:39:32.600 --> 0:39:36.040
<v Speaker 2>like you doing your zine on a literal press and

0:39:36.160 --> 0:39:39.680
<v Speaker 2>having to like you know, like impress your letters into this,

0:39:39.880 --> 0:39:40.840
<v Speaker 2>you know, in the print.

0:39:41.000 --> 0:39:45.680
<v Speaker 3>So like that's the pinnacle of hipster zine. Like if

0:39:45.760 --> 0:39:48.279
<v Speaker 3>you had a letter press and then you'd have a

0:39:48.320 --> 0:39:52.239
<v Speaker 3>handle our mustache and drive a fixie bicycle and you're

0:39:52.600 --> 0:39:56.319
<v Speaker 3>like some weird way to brew your own coffee roast

0:39:56.640 --> 0:39:58.360
<v Speaker 3>coffee beans, and you're.

0:39:58.320 --> 0:40:01.080
<v Speaker 2>Like a roast battle. Basically that's what they're doing.

0:40:01.160 --> 0:40:03.320
<v Speaker 3>It was they had a battle. There was like a

0:40:03.440 --> 0:40:07.600
<v Speaker 3>genuine literary battle going on. Like both sides are publishing

0:40:07.800 --> 0:40:11.359
<v Speaker 3>pamphlets to support their own story. So John Carlton's camp

0:40:11.480 --> 0:40:18.120
<v Speaker 3>published the replication or certain vindicatory depositions. Yeah, so he's

0:40:18.160 --> 0:40:24.239
<v Speaker 3>like trying to rehabilitate his image. Mary responded with his own,

0:40:24.880 --> 0:40:31.960
<v Speaker 3>like richly embellished autobiographical piece, the Case of Madam Mary Carlton.

0:40:32.400 --> 0:40:34.960
<v Speaker 3>So she puts it in her own name, but she

0:40:35.120 --> 0:40:38.560
<v Speaker 3>wrote she wrote it as if she were directly addressing

0:40:38.800 --> 0:40:47.680
<v Speaker 3>Prince Rupert, the British royal exile in Germany. But she's

0:40:47.760 --> 0:40:49.000
<v Speaker 3>Mary Carlton, so she was.

0:40:51.719 --> 0:40:52.000
<v Speaker 2>And all that.

0:40:52.719 --> 0:40:54.640
<v Speaker 3>So this is like for her to write directly to

0:40:54.760 --> 0:40:58.560
<v Speaker 3>a royal was bold and unusual. You know, no one

0:40:58.640 --> 0:41:01.640
<v Speaker 3>from those kind of began or humble origins would do

0:41:01.760 --> 0:41:04.360
<v Speaker 3>such a thing. And in the book she issued this

0:41:04.560 --> 0:41:09.600
<v Speaker 3>critique of women's subordinate status in marriage, and she asserted

0:41:09.640 --> 0:41:13.320
<v Speaker 3>herself as quote merely my own free agent, and she

0:41:13.480 --> 0:41:18.200
<v Speaker 3>talked about like she connected her issues to contemporary political

0:41:18.280 --> 0:41:22.920
<v Speaker 3>debates about self determination and contracts and property rights. So

0:41:23.160 --> 0:41:26.880
<v Speaker 3>scholars have since recognized everything she's done as more than

0:41:27.000 --> 0:41:30.680
<v Speaker 3>just scandal literature, that she was laying the groundwork for

0:41:30.920 --> 0:41:33.360
<v Speaker 3>really important cultural changes in England.

0:41:33.480 --> 0:41:36.360
<v Speaker 2>So it wasn't just distracts people might dismiss it. It

0:41:36.440 --> 0:41:38.920
<v Speaker 2>was actually like riot girl level of critiquity.

0:41:39.000 --> 0:41:43.680
<v Speaker 3>Yeah, of larger social critique, and it basically introduced feminist

0:41:43.880 --> 0:41:49.920
<v Speaker 3>philosophical critique of domestic patriarchy in that time, political and

0:41:50.080 --> 0:41:53.920
<v Speaker 3>social theories of human subjectivity. There was some of her

0:41:53.960 --> 0:41:58.560
<v Speaker 3>stuff was about early capitalist ideology. And also it sort

0:41:58.600 --> 0:42:00.920
<v Speaker 3>of is the rise of the novel because it's all

0:42:01.520 --> 0:42:05.600
<v Speaker 3>this invention, her story. She's got something for everybody. So

0:42:05.760 --> 0:42:09.040
<v Speaker 3>her fame quickly found its way to the theater. She

0:42:09.680 --> 0:42:13.160
<v Speaker 3>starred in a play about her life. There were a

0:42:13.200 --> 0:42:15.320
<v Speaker 3>couple plays that came out, and one of them she started.

0:42:15.440 --> 0:42:20.040
<v Speaker 3>She did her own biopic. This was an incredible instance

0:42:20.160 --> 0:42:23.320
<v Speaker 3>of a living figure playing herself on the stage. So

0:42:23.440 --> 0:42:27.200
<v Speaker 3>it was called A Witty Combat or The Female Victor,

0:42:27.920 --> 0:42:31.200
<v Speaker 3>and it was written by Thomas Porter, and it capitalized

0:42:31.360 --> 0:42:34.080
<v Speaker 3>on this public appetite for her story and then the

0:42:34.200 --> 0:42:37.600
<v Speaker 3>fascination with this persona and the fact that she could

0:42:37.680 --> 0:42:41.520
<v Speaker 3>perform her own myth for a paying audience shows like

0:42:41.680 --> 0:42:45.320
<v Speaker 3>how thoroughly her identity he had become kind of like

0:42:45.400 --> 0:42:46.840
<v Speaker 3>commercial property.

0:42:46.560 --> 0:42:49.759
<v Speaker 2>Totally the Kathleen Hamma and Kim Kardashian of it all.

0:42:49.800 --> 0:42:53.200
<v Speaker 3>It's like a yes, So you want to know who

0:42:53.239 --> 0:42:56.480
<v Speaker 3>went to see A Witty Combat Who Elizabeth Samuel Peeps.

0:42:56.840 --> 0:42:59.680
<v Speaker 3>Of course, right, he went and he said he found

0:42:59.719 --> 0:43:01.440
<v Speaker 3>a disappointing.

0:43:02.360 --> 0:43:02.800
<v Speaker 2>Smart for that.

0:43:03.000 --> 0:43:06.839
<v Speaker 3>So it got mixed reviews, but it also got her

0:43:07.160 --> 0:43:10.319
<v Speaker 3>a bunch of new admirers who gave her gifts, rich

0:43:10.440 --> 0:43:13.000
<v Speaker 3>young guys. She even married one of the dudes.

0:43:13.120 --> 0:43:13.840
<v Speaker 2>Naturally, that's what.

0:43:14.200 --> 0:43:19.040
<v Speaker 3>And then the pattern is pretty predictable, Like you know,

0:43:19.239 --> 0:43:21.600
<v Speaker 3>she left him, took his money, his valuables, and his

0:43:21.719 --> 0:43:26.880
<v Speaker 3>keys when he was drunk. She oh, yeah, completely. So

0:43:27.000 --> 0:43:29.440
<v Speaker 3>then her next thing is she pretended you should have

0:43:29.520 --> 0:43:32.640
<v Speaker 3>known who I wasn So then her next thing is

0:43:32.680 --> 0:43:36.480
<v Speaker 3>that she pretended to be a rich virgin heiress fleeing

0:43:36.600 --> 0:43:39.640
<v Speaker 3>and undesirable suitor that her father had arranged for her.

0:43:39.880 --> 0:43:41.440
<v Speaker 2>I'm at this point waiting for her to flee to

0:43:41.480 --> 0:43:42.120
<v Speaker 2>the colonies.

0:43:42.320 --> 0:43:45.520
<v Speaker 3>Oh just wait, So this was like this is like

0:43:45.600 --> 0:43:48.319
<v Speaker 3>her preferredm O, like this old gross guy wants.

0:43:48.520 --> 0:43:51.040
<v Speaker 2>Yeah. Yeah, she keeps doing smith.

0:43:52.360 --> 0:43:55.000
<v Speaker 3>So she builds up this fake identity that's you know,

0:43:55.320 --> 0:43:58.960
<v Speaker 3>appealing to social aspirations, as we know. But she's focusing

0:43:59.040 --> 0:44:02.480
<v Speaker 3>not really on aristocratic men, but like, I'm prosperous.

0:44:02.960 --> 0:44:06.280
<v Speaker 2>That's why I said, yeah, rich and successful. By successful,

0:44:06.280 --> 0:44:07.239
<v Speaker 2>I mean rik and like her.

0:44:07.400 --> 0:44:09.120
<v Speaker 3>Other thing that she would do is that she would

0:44:09.200 --> 0:44:12.640
<v Speaker 3>kind of like win over the closest female relative first,

0:44:13.080 --> 0:44:15.879
<v Speaker 3>smart to like plant the flag and like the get

0:44:15.920 --> 0:44:19.399
<v Speaker 3>the money move. So in the one instance, she made

0:44:19.440 --> 0:44:22.040
<v Speaker 3>it seem to her landlady like she had the fortune

0:44:22.160 --> 0:44:25.160
<v Speaker 3>of one thousand pounds left to her by her uncle,

0:44:25.200 --> 0:44:27.440
<v Speaker 3>all right, and then she let it slip that, oh, yeah,

0:44:27.440 --> 0:44:30.120
<v Speaker 3>and my dad's also super rich. He has like way

0:44:30.200 --> 0:44:31.000
<v Speaker 3>more than a grand Is.

0:44:31.000 --> 0:44:34.000
<v Speaker 2>She establishing a credit line again inheritance to come?

0:44:34.480 --> 0:44:37.040
<v Speaker 3>I wish, But she's like, I don't have access to

0:44:37.120 --> 0:44:40.080
<v Speaker 3>the money because my dad tried to marry me off

0:44:40.120 --> 0:44:42.160
<v Speaker 3>to someone I just couldn't stand. So I made a

0:44:42.239 --> 0:44:45.760
<v Speaker 3>run for it. I left the countryside, I came to London.

0:44:45.800 --> 0:44:48.960
<v Speaker 3>I'm trying to lay low. And then she faked a

0:44:49.000 --> 0:44:51.480
<v Speaker 3>bunch of letters back and forth to old friends at home,

0:44:51.960 --> 0:44:54.480
<v Speaker 3>who would like these fake friends would keep her posted

0:44:54.560 --> 0:44:56.600
<v Speaker 3>as to like what was happening with her dad and stuff.

0:44:56.800 --> 0:44:59.839
<v Speaker 2>So she's pulling a runaway bride and then sending fake

0:45:00.080 --> 0:45:03.160
<v Speaker 2>letters as if she's wanting to find out is daddy upset?

0:45:03.280 --> 0:45:04.600
<v Speaker 2>Is he going to send somebody for me?

0:45:06.440 --> 0:45:08.680
<v Speaker 3>She'd leave the letters lying around a room like that

0:45:08.800 --> 0:45:13.000
<v Speaker 3>nosy land lady. So the landlady is like, I have

0:45:13.160 --> 0:45:13.920
<v Speaker 3>a rich nephew.

0:45:14.120 --> 0:45:15.320
<v Speaker 2>This is a Spanish prisoner.

0:45:16.360 --> 0:45:19.040
<v Speaker 3>She's like, you got to meet my nephew, Zaren. Close

0:45:19.080 --> 0:45:29.080
<v Speaker 3>your eyes, I want you to picture it. You are

0:45:29.160 --> 0:45:32.640
<v Speaker 3>a porter and an upscale lodging in London. A rich

0:45:32.760 --> 0:45:36.279
<v Speaker 3>lady named Mary is staying there. You think she's off.

0:45:36.400 --> 0:45:39.960
<v Speaker 3>There's something strange about her and slightly familiar, but whatever,

0:45:40.120 --> 0:45:43.280
<v Speaker 3>what do you care. She's taken up with your boss's nephew.

0:45:43.680 --> 0:45:46.800
<v Speaker 3>He is smitten. You can't tell if it's with the

0:45:46.920 --> 0:45:49.919
<v Speaker 3>girl or her money, but you know both are pretty nice.

0:45:50.360 --> 0:45:53.200
<v Speaker 3>You prefer a bustier, heartier wench, but that's just you.

0:45:53.960 --> 0:45:56.440
<v Speaker 3>There's a knock at the door. It's the day's post.

0:45:56.800 --> 0:45:59.200
<v Speaker 3>You open the door to the bustle of the street outside.

0:45:59.320 --> 0:46:01.520
<v Speaker 3>You take in the one letter and close the door.

0:46:01.920 --> 0:46:04.520
<v Speaker 3>You look at the address. It's to that Mary character.

0:46:05.239 --> 0:46:07.920
<v Speaker 3>Luckily she's in the parlor with that dim wit nephew.

0:46:08.440 --> 0:46:10.800
<v Speaker 3>You pad down the hall and stand in the doorway,

0:46:10.880 --> 0:46:14.200
<v Speaker 3>clearing your throat. Mary and the nephew look up. You

0:46:14.320 --> 0:46:15.920
<v Speaker 3>tell the miss that you have a letter for her

0:46:16.000 --> 0:46:17.800
<v Speaker 3>and walk it over to her. She takes it and

0:46:17.920 --> 0:46:21.320
<v Speaker 3>thanks you doesn't tip as she opens the letter. You

0:46:21.400 --> 0:46:23.200
<v Speaker 3>step out into the hall, but you decide to have

0:46:23.320 --> 0:46:26.400
<v Speaker 3>a seat in the chair just outside the doorway. You

0:46:26.560 --> 0:46:29.360
<v Speaker 3>listen in on what they're saying. This has been a

0:46:29.600 --> 0:46:32.800
<v Speaker 3>very slow day, and you are bored and nosy. You

0:46:32.920 --> 0:46:35.799
<v Speaker 3>hear the tearing and then the shuffling of paper. There's

0:46:35.840 --> 0:46:39.160
<v Speaker 3>a pause. The nephew ask what the letter says. Mary

0:46:39.400 --> 0:46:42.200
<v Speaker 3>bursts into tears. You lean toward the doorway to get

0:46:42.200 --> 0:46:44.279
<v Speaker 3>a better ear full of this. This is good good.

0:46:45.080 --> 0:46:48.000
<v Speaker 3>She tells him that her brother has died. Here, she says,

0:46:48.120 --> 0:46:50.800
<v Speaker 3>read the letter, and you hear him shuffle the pages

0:46:50.840 --> 0:46:53.320
<v Speaker 3>a bit. You peek around the corner and he's staring

0:46:53.360 --> 0:46:56.480
<v Speaker 3>at the paper, his lips moving as he reads. So

0:46:56.760 --> 0:46:59.800
<v Speaker 3>does this mean your father's estate goes just to you know,

0:47:00.080 --> 0:47:03.520
<v Speaker 3>when he dies? He asks. She tells him yes, but

0:47:03.760 --> 0:47:05.800
<v Speaker 3>that in order to collect she has to marry the

0:47:05.880 --> 0:47:08.880
<v Speaker 3>man her dad wanted to marry her off to. She

0:47:09.000 --> 0:47:11.279
<v Speaker 3>has to collect herself. She says, she has to leave

0:47:11.320 --> 0:47:14.399
<v Speaker 3>the lodgings because this letter means that both her dad

0:47:14.560 --> 0:47:19.080
<v Speaker 3>and her intended groom now know where she is. Come

0:47:19.160 --> 0:47:22.000
<v Speaker 3>stay in my lodging. The nephew says, you know where

0:47:22.000 --> 0:47:24.000
<v Speaker 3>he's going with that offer. He wants to share a

0:47:24.080 --> 0:47:26.799
<v Speaker 3>bed with that lass. You scoot your chair to get

0:47:26.840 --> 0:47:29.040
<v Speaker 3>closer to the doorway, and it makes a loud screeping

0:47:29.120 --> 0:47:32.839
<v Speaker 3>sound on the wood floor. You freeze. It's silent. Then

0:47:32.920 --> 0:47:36.279
<v Speaker 3>you hear the nephew sneeze. The two continue talking. You

0:47:36.360 --> 0:47:38.640
<v Speaker 3>don't think they noticed you in the hall. You quietly

0:47:38.760 --> 0:47:41.000
<v Speaker 3>stand and head toward the back of the house. You

0:47:41.080 --> 0:47:44.160
<v Speaker 3>freeze in your tracks. You know where you remember that

0:47:44.360 --> 0:47:47.759
<v Speaker 3>lady from that's Mary Carlton. You want to go tell

0:47:47.760 --> 0:47:50.160
<v Speaker 3>her not to worry that her secret is safe with you.

0:47:50.800 --> 0:47:53.800
<v Speaker 3>You're looking forward to your boss's nephew getting everything stolen

0:47:53.840 --> 0:47:56.399
<v Speaker 3>out from under him, which will be much easier now

0:47:56.520 --> 0:47:59.040
<v Speaker 3>that she'll be staying at his place. You smirk and

0:47:59.160 --> 0:48:02.440
<v Speaker 3>duck out the back door, already used the prisoner.

0:48:03.440 --> 0:48:04.120
<v Speaker 2>Leave me on the squad.

0:48:07.560 --> 0:48:11.040
<v Speaker 3>We'll give you your pricy So Mary kept running that

0:48:11.200 --> 0:48:14.080
<v Speaker 3>con over and over again like she did. Indeed, rob

0:48:14.200 --> 0:48:16.839
<v Speaker 3>the nephew and disappear like she moved into his place,

0:48:16.920 --> 0:48:19.600
<v Speaker 3>took all the stuff, left his clothes.

0:48:19.800 --> 0:48:22.759
<v Speaker 2>Her cost of living is so high that she's never satisfied.

0:48:22.800 --> 0:48:25.200
<v Speaker 2>Nor can she create like an investment or like buy

0:48:25.360 --> 0:48:27.680
<v Speaker 2>like an inch. Yeah, she's always I got to get

0:48:27.680 --> 0:48:27.960
<v Speaker 2>through this.

0:48:28.400 --> 0:48:30.719
<v Speaker 3>But then things caught up to her, and not the

0:48:30.760 --> 0:48:34.200
<v Speaker 3>way you'd expect. See Mary returned to the public's attention

0:48:34.360 --> 0:48:35.759
<v Speaker 3>in sixteen seventy one.

0:48:35.840 --> 0:48:37.479
<v Speaker 2>Is it Quicksand Well she got her.

0:48:39.200 --> 0:48:40.680
<v Speaker 3>Expect How did you?

0:48:41.480 --> 0:48:42.640
<v Speaker 2>I guess she did expect it.

0:48:43.520 --> 0:48:47.120
<v Speaker 3>She was arrested for stealing a silver tankard in Covent Garden.

0:48:47.320 --> 0:48:50.719
<v Speaker 3>Oh no, so this elegant, thoughtful fraudster got pinched for that.

0:48:50.960 --> 0:48:53.200
<v Speaker 2>In a small time one too, like swiping a glass

0:48:53.239 --> 0:48:55.360
<v Speaker 2>and the court big glass glass.

0:48:55.560 --> 0:48:58.239
<v Speaker 3>But the courts had pretty much exhausted their patience with

0:48:58.360 --> 0:49:00.440
<v Speaker 3>her at this point, like the there was going to

0:49:00.440 --> 0:49:03.800
<v Speaker 3>be no leniency, and at the following sessions.

0:49:03.440 --> 0:49:05.040
<v Speaker 2>She was in it. They're like, marry all the guys

0:49:05.080 --> 0:49:06.680
<v Speaker 2>you want, but if you steal a big.

0:49:06.880 --> 0:49:07.799
<v Speaker 3>Well this was the thing.

0:49:08.040 --> 0:49:09.040
<v Speaker 2>Is that that was?

0:49:09.400 --> 0:49:12.359
<v Speaker 3>That was a capital offence stealing a silver tanker. Yeah,

0:49:13.239 --> 0:49:15.680
<v Speaker 3>she gets Yeah, she gets found guilty and condemned.

0:49:16.000 --> 0:49:16.239
<v Speaker 4>Wow.

0:49:16.400 --> 0:49:19.600
<v Speaker 3>But then she gets a reprieve and is ordered for transportation.

0:49:19.840 --> 0:49:23.960
<v Speaker 3>She's like, whew, where am I going Australia? No, they

0:49:24.040 --> 0:49:27.840
<v Speaker 3>sent her to Jamaica. Mom oh, yeah, she's going to Jamaica.

0:49:27.960 --> 0:49:31.200
<v Speaker 3>So she gets sent to Port Royal, Jamaica in sixteen

0:49:31.440 --> 0:49:32.320
<v Speaker 3>seventy one.

0:49:32.880 --> 0:49:33.439
<v Speaker 2>Just too early.

0:49:33.560 --> 0:49:35.719
<v Speaker 3>Oh yeah. Well when she got there, the opportunities for

0:49:35.800 --> 0:49:38.160
<v Speaker 3>her were less than slim. Like, she did the only

0:49:38.239 --> 0:49:40.759
<v Speaker 3>thing she could do and worked as a prostitute. Now,

0:49:40.880 --> 0:49:44.560
<v Speaker 3>sixteen seventy one was a very interesting year in Port Royal.

0:49:45.200 --> 0:49:48.240
<v Speaker 3>This was the town at its most vivid and raucous,

0:49:48.800 --> 0:49:51.040
<v Speaker 3>and it was also the year for the earthquake. Well yeah,

0:49:51.360 --> 0:49:53.040
<v Speaker 3>and it was the year that the tide began to

0:49:53.160 --> 0:49:55.720
<v Speaker 3>turn against like the buccaneering the pirates.

0:49:55.840 --> 0:49:58.200
<v Speaker 2>Yeah, totally, this is the height of piracy.

0:49:58.360 --> 0:50:00.160
<v Speaker 3>Yeah. A little about Port Royal. It was locate hit

0:50:00.200 --> 0:50:03.680
<v Speaker 3>it at the mouth of Kingston Harbor in south southeastern Jamaica.

0:50:04.239 --> 0:50:07.279
<v Speaker 3>It was once the largest and most prosperous city in

0:50:07.400 --> 0:50:11.480
<v Speaker 3>the Caribbean, functioning as the center of shipping and commerce

0:50:11.680 --> 0:50:16.040
<v Speaker 3>in the Caribbean Sea. For the riots, Yeah, It's proximity

0:50:16.400 --> 0:50:21.399
<v Speaker 3>to like many of the only safe passages Heart giving

0:50:21.480 --> 0:50:23.920
<v Speaker 3>access to the Spanish Maine from the Atlantic, made it

0:50:24.040 --> 0:50:27.200
<v Speaker 3>like the ideal base for state sanctioned pirates.

0:50:27.280 --> 0:50:28.960
<v Speaker 2>Yeah, buccaneer.

0:50:29.280 --> 0:50:33.160
<v Speaker 3>Yeah, so the harbor was large enough to accommodate large ships.

0:50:33.560 --> 0:50:36.160
<v Speaker 3>The shallow waters provided a place to like Korean and

0:50:36.239 --> 0:50:40.840
<v Speaker 3>repair vessels. Port Royal was prosperous thanks to the proceeds

0:50:40.920 --> 0:50:45.239
<v Speaker 3>of that that privateering. The state sanctioned piracy, and the

0:50:45.320 --> 0:50:50.280
<v Speaker 3>returns were eyewatering. The three hundred men who accompanied Henry

0:50:50.320 --> 0:50:53.799
<v Speaker 3>Morgan to Portobello in sixteen sixty eight came back into

0:50:53.880 --> 0:50:56.480
<v Speaker 3>town with a prize of at least sixty pounds each

0:50:57.080 --> 0:51:00.319
<v Speaker 3>and that was two or three times the usual annual

0:51:00.560 --> 0:51:04.120
<v Speaker 3>plantation wage and so and that's just for one run.

0:51:04.840 --> 0:51:07.239
<v Speaker 3>Port Royal was one of the wealthiest communities in the

0:51:07.320 --> 0:51:10.680
<v Speaker 3>English territories of North America. And because the money went

0:51:10.760 --> 0:51:14.320
<v Speaker 3>way beyond anything they were pulling for sugarcane. So whenever

0:51:14.400 --> 0:51:18.200
<v Speaker 3>the buccaneers were successful, the town rejoiced. You know, all

0:51:18.280 --> 0:51:20.319
<v Speaker 3>these citizens they had, like a lot of them, had

0:51:20.400 --> 0:51:23.239
<v Speaker 3>invested in their ventures in exchange for a share of

0:51:23.239 --> 0:51:23.800
<v Speaker 3>the spoils.

0:51:24.680 --> 0:51:26.720
<v Speaker 2>Money flows through town when it hits Oh yeah.

0:51:26.600 --> 0:51:28.560
<v Speaker 3>A tenth of the loot was claimed for the king,

0:51:28.920 --> 0:51:31.320
<v Speaker 3>and then you know the rest off it went. So

0:51:31.440 --> 0:51:34.799
<v Speaker 3>by sixteen seventy, God, you can take you got like, Yeah,

0:51:35.320 --> 0:51:39.279
<v Speaker 3>sixteen seventy one, Port Royal was this like dense, intensely

0:51:39.600 --> 0:51:43.920
<v Speaker 3>concentrated settlement. There's like ten thousand people living there, and

0:51:44.080 --> 0:51:48.320
<v Speaker 3>so there are prostitutes and pirates, but there are also goldsmiths.

0:51:48.360 --> 0:51:52.560
<v Speaker 3>There were forty four tavern keepers, all these artisans and merchants.

0:51:52.600 --> 0:51:55.000
<v Speaker 3>There were two thousand buildings, and it was fifty one

0:51:55.120 --> 0:51:57.640
<v Speaker 3>acres of real estate, so it was more densely packed

0:51:58.040 --> 0:52:03.239
<v Speaker 3>than London. Drinking a culture alone was legendary, so there

0:52:03.400 --> 0:52:05.560
<v Speaker 3>was one drinking house for every ten residents.

0:52:05.640 --> 0:52:08.080
<v Speaker 2>Can you imagine all the doctors they need because of.

0:52:08.080 --> 0:52:12.520
<v Speaker 3>The dagon Seriously, in July of sixteen sixty one, forty

0:52:12.640 --> 0:52:16.080
<v Speaker 3>new licenses were granted to taverns, and the town's wealth

0:52:16.200 --> 0:52:20.800
<v Speaker 3>was so huge that coins were preferred for payment over bartering.

0:52:21.320 --> 0:52:24.719
<v Speaker 3>Like all the other colonies, bartering was everything. The high

0:52:24.800 --> 0:52:28.120
<v Speaker 3>rollers in Port Royal dealt in cash, and the abstraction.

0:52:27.800 --> 0:52:30.240
<v Speaker 2>Of cash as opposed to like, give me two healthy goats.

0:52:30.360 --> 0:52:31.239
<v Speaker 3>Yeah exactly, I know.

0:52:31.280 --> 0:52:31.640
<v Speaker 2>What I have.

0:52:32.320 --> 0:52:35.800
<v Speaker 3>So this The defining event of sixteen seventy one in

0:52:35.920 --> 0:52:40.000
<v Speaker 3>Port Royal was Henry Morgan's return from his most audacious

0:52:40.200 --> 0:52:45.160
<v Speaker 3>expedition January sixteen seventy one, this buccaneer force led by

0:52:45.239 --> 0:52:49.279
<v Speaker 3>Captain Morgan attacked and captured the port of Panama on

0:52:49.360 --> 0:52:52.000
<v Speaker 3>the Spanish main. This is like the pinnacle of a

0:52:52.080 --> 0:52:55.960
<v Speaker 3>pirate era Morgan. He had this fleet of like thirty ships.

0:52:56.000 --> 0:52:58.840
<v Speaker 3>He had like two thousand men under his command.

0:52:59.040 --> 0:53:00.759
<v Speaker 2>Army, yeah, army.

0:53:00.880 --> 0:53:04.520
<v Speaker 3>So he seizes the fortress of San Lorenzo, hacked through

0:53:04.560 --> 0:53:09.040
<v Speaker 3>the jungle of the Isthmus, swept aside all the Spanish defenders,

0:53:09.200 --> 0:53:12.920
<v Speaker 3>sacked the city that had never before fallen. So he

0:53:12.960 --> 0:53:15.440
<v Speaker 3>comes back to Jamaica. He gets there on March twelfth,

0:53:15.480 --> 0:53:18.200
<v Speaker 3>sixteen seventy one. I don't think Mary was there yet,

0:53:19.600 --> 0:53:21.640
<v Speaker 3>but she came later in the year. He got a

0:53:21.760 --> 0:53:27.200
<v Speaker 3>hero's welcome. But the political oh my god, right, like

0:53:27.320 --> 0:53:31.280
<v Speaker 3>to see them like coming into port and just everyone

0:53:31.360 --> 0:53:35.600
<v Speaker 3>going nuts. The ground is shifting under his feet. Politically though, yes,

0:53:36.000 --> 0:53:40.000
<v Speaker 3>because like only shortly after he'd left Port Royal, a

0:53:40.160 --> 0:53:43.279
<v Speaker 3>message came to the governor there that a treaty had

0:53:43.320 --> 0:53:46.879
<v Speaker 3>been signed between England and Spain. Yeah, so that meant

0:53:46.880 --> 0:53:49.880
<v Speaker 3>that the pirates had attacked Panama during a time of peace.

0:53:50.560 --> 0:53:53.759
<v Speaker 3>So the governor was already under arrest on his way

0:53:53.880 --> 0:53:58.320
<v Speaker 3>back to England in June. Yeah, Morgan got arrested April

0:53:58.760 --> 0:54:00.920
<v Speaker 3>the next year and sent to London for his attack

0:54:01.000 --> 0:54:04.800
<v Speaker 3>on Panama, because like it's like exquisite irony, right, Like

0:54:05.239 --> 0:54:08.280
<v Speaker 3>he gets arrested at the moment of his greatest triumph,

0:54:08.360 --> 0:54:10.440
<v Speaker 3>not for what he had done, but like when he

0:54:10.560 --> 0:54:10.960
<v Speaker 3>had done it.

0:54:11.040 --> 0:54:15.400
<v Speaker 2>Yeah, it's purely it because it's it's the sliding legality

0:54:15.440 --> 0:54:17.359
<v Speaker 2>of like they were our enemy, you can do whatever

0:54:17.400 --> 0:54:21.360
<v Speaker 2>you want, there are total loyal ally how dare you exactly?

0:54:21.520 --> 0:54:23.600
<v Speaker 2>And then you get punished as an example that they're

0:54:23.680 --> 0:54:27.560
<v Speaker 2>loyalty each of course nobody does and it takes context.

0:54:28.760 --> 0:54:30.160
<v Speaker 2>So then to beat this whole idea of like it

0:54:30.160 --> 0:54:32.640
<v Speaker 2>should be more like when did you know? As opposed

0:54:32.680 --> 0:54:33.799
<v Speaker 2>to when did it occur?

0:54:34.040 --> 0:54:37.040
<v Speaker 3>Right, So, by the time Mary Carlton arrived as a

0:54:37.080 --> 0:54:41.040
<v Speaker 3>transported convict in sixteen seventy one, she's like washing up

0:54:41.080 --> 0:54:44.000
<v Speaker 3>on the shores that were already starting to change. So

0:54:44.400 --> 0:54:49.200
<v Speaker 3>Captain Morgan's been arrested, the governor has been arrested. London

0:54:49.480 --> 0:54:52.120
<v Speaker 3>is like we're reining it in here, Yeah, we want

0:54:53.040 --> 0:54:55.040
<v Speaker 3>this is like the free for all era in Port

0:54:55.160 --> 0:54:59.640
<v Speaker 3>Royal is like entering its twilight. And so I mean

0:55:00.120 --> 0:55:02.840
<v Speaker 3>Henry Morgan eventually gets appointed as Lieutenant governor.

0:55:03.880 --> 0:55:07.880
<v Speaker 2>The reason why she's on a liquor bottle exactly capt.

0:55:10.040 --> 0:55:13.000
<v Speaker 3>Pirates are no longer needed to defend the city. And

0:55:13.480 --> 0:55:16.360
<v Speaker 3>then you know what takes its place in importance is

0:55:16.440 --> 0:55:21.279
<v Speaker 3>the selling of enslaved people. So even from Jamaica, though

0:55:21.600 --> 0:55:27.040
<v Speaker 3>Mary couldn't resist like selling her myth. So this new

0:55:27.200 --> 0:55:31.600
<v Speaker 3>pamphlet starts to circulate a zine claiming to have been

0:55:31.640 --> 0:55:35.120
<v Speaker 3>written by Mary quote to her fellow sufferers in Newgate

0:55:35.239 --> 0:55:38.239
<v Speaker 3>in the prison. So the pamphlet had her claiming to

0:55:38.320 --> 0:55:42.360
<v Speaker 3>have been received and accommodated on princis, So the German

0:55:42.440 --> 0:55:46.480
<v Speaker 3>Princess persona had not died. This is from the pamphlet

0:55:46.640 --> 0:55:51.040
<v Speaker 3>quote in gratitude is the blackest of crimes, and forgetfulness

0:55:51.360 --> 0:55:54.120
<v Speaker 3>in a friend is more than a venial sin to

0:55:54.239 --> 0:55:58.239
<v Speaker 3>avoid both, though our noble extraction and the eximonious of

0:55:58.320 --> 0:56:02.160
<v Speaker 3>our birth and state might apologize for either, I send

0:56:02.239 --> 0:56:04.800
<v Speaker 3>this missive to inform you of my condition. Since I

0:56:05.000 --> 0:56:08.560
<v Speaker 3>was exiled the British shore, which is this health and

0:56:08.640 --> 0:56:11.480
<v Speaker 3>success still waits upon me, and I cordially wish you

0:56:11.600 --> 0:56:14.799
<v Speaker 3>the same attendance. So she's like, they sent me out here.

0:56:14.840 --> 0:56:16.799
<v Speaker 3>I'm doing great, guys, I hope you're doing well.

0:56:17.000 --> 0:56:22.399
<v Speaker 2>And she's sending this uh bis letter back to Port Royal. Yes,

0:56:22.560 --> 0:56:23.560
<v Speaker 2>she lets people just see it.

0:56:23.719 --> 0:56:26.640
<v Speaker 3>Uh look what they've done to your princess. So she

0:56:26.880 --> 0:56:32.080
<v Speaker 3>eventually returned to England illegally. She snuck back to all right,

0:56:32.360 --> 0:56:34.440
<v Speaker 3>they banished her Central Yeah. Yeah, so this is a

0:56:34.520 --> 0:56:37.359
<v Speaker 3>super bold move because like she was sent there as

0:56:37.400 --> 0:56:38.640
<v Speaker 3>an alternative to hanging.

0:56:38.840 --> 0:56:41.640
<v Speaker 2>Yeah, exactly. It has to be like a life of exile, right,

0:56:41.880 --> 0:56:43.280
<v Speaker 2>and that's the kindness.

0:56:43.520 --> 0:56:47.680
<v Speaker 3>She wasn't the only transported convict to risk, you know,

0:56:48.239 --> 0:56:52.080
<v Speaker 3>coming back instead of life in the colonies like for her. Okay,

0:56:52.200 --> 0:56:55.880
<v Speaker 3>the gallows are a known risk, but there's this anonymity.

0:56:56.080 --> 0:56:59.080
<v Speaker 3>Death by anonymity in Jamaica is like unthinkable.

0:56:59.239 --> 0:56:59.919
<v Speaker 2>She'd rather face.

0:57:00.239 --> 0:57:03.879
<v Speaker 3>Yeah, So she wasted no time reverting to the only

0:57:03.960 --> 0:57:05.839
<v Speaker 3>life she knew. She set up again as a rich

0:57:05.920 --> 0:57:09.920
<v Speaker 3>heiress and she got married to a really rich apothecary

0:57:10.000 --> 0:57:11.320
<v Speaker 3>in Westminster apothecary.

0:57:11.360 --> 0:57:12.960
<v Speaker 2>Okay, she was gonna get a planter's self.

0:57:13.000 --> 0:57:14.920
<v Speaker 3>Well, then she robbed him of more than three hundred

0:57:14.960 --> 0:57:15.879
<v Speaker 3>pounds and left him.

0:57:15.760 --> 0:57:17.600
<v Speaker 2>Oh, that's bad on an island three hundred No, this

0:57:17.760 --> 0:57:19.640
<v Speaker 2>was back in England.

0:57:20.000 --> 0:57:24.040
<v Speaker 3>Sorry, so then okay, so she's back the apothecary in Westminster.

0:57:24.640 --> 0:57:27.000
<v Speaker 3>Three hundred pounds was a huge amount of money, like

0:57:27.240 --> 0:57:30.760
<v Speaker 3>several years wages for a skilled trades set. So her

0:57:30.840 --> 0:57:34.320
<v Speaker 3>luck finally ran out December of sixteen seventy two. She

0:57:34.440 --> 0:57:39.600
<v Speaker 3>got busted when a turnkey from Newgate Prison was searching

0:57:39.720 --> 0:57:44.360
<v Speaker 3>for stolen property and then recognized her. So it wasn't

0:57:44.360 --> 0:57:47.080
<v Speaker 3>a magistrate or a wronged husband or like an officer

0:57:47.120 --> 0:57:50.840
<v Speaker 3>of the law. It was a prison warden looking for

0:57:50.960 --> 0:57:53.600
<v Speaker 3>someone else's stolen property who happened to know her face.

0:57:54.440 --> 0:57:57.520
<v Speaker 3>So she was kept in jail until January sixteenth, sixteen

0:57:57.600 --> 0:57:59.400
<v Speaker 3>seventy three. She was thirty years old.

0:57:59.480 --> 0:58:02.360
<v Speaker 2>He basically it's just doing his like you know whatever,

0:58:02.560 --> 0:58:04.560
<v Speaker 2>like not a raid, but like his rounds, like he's

0:58:04.560 --> 0:58:07.320
<v Speaker 2>been told to go check this place, checked upon, like

0:58:07.480 --> 0:58:09.760
<v Speaker 2>he does like a don't I know you? And she

0:58:09.920 --> 0:58:14.200
<v Speaker 2>was like yeah, And then at that point does not

0:58:14.320 --> 0:58:17.800
<v Speaker 2>that her sentence gets basically reinstated, But is it up

0:58:17.840 --> 0:58:18.720
<v Speaker 2>to him to decide?

0:58:18.800 --> 0:58:20.640
<v Speaker 3>Like he's got a dragon in front of the court.

0:58:20.800 --> 0:58:24.040
<v Speaker 2>Okay, so he takes possession of her legally and he's like,

0:58:24.120 --> 0:58:25.040
<v Speaker 2>oh yeah, coming back to.

0:58:25.040 --> 0:58:27.919
<v Speaker 3>Prison, into jail. She's thirty at this point.

0:58:28.120 --> 0:58:28.320
<v Speaker 2>Yeah.

0:58:29.120 --> 0:58:31.440
<v Speaker 3>She was brought by writ of habeas corpus to the

0:58:31.480 --> 0:58:34.320
<v Speaker 3>old Bailey and asked whether or not she was the

0:58:34.360 --> 0:58:36.920
<v Speaker 3>woman who usually went by the name of Mary Carlton.

0:58:37.480 --> 0:58:40.919
<v Speaker 3>She was honest and answered that yes she was. There's

0:58:41.000 --> 0:58:43.760
<v Speaker 3>no point denying it. So the court then demanded to

0:58:43.840 --> 0:58:46.800
<v Speaker 3>know why she was back so soon from Jamaica. So

0:58:47.000 --> 0:58:50.880
<v Speaker 3>she stalled, she performed, she lied, she maneuvered, she was

0:58:51.000 --> 0:58:55.440
<v Speaker 3>married basically, and then she tried everything. Nothing would work,

0:58:55.520 --> 0:58:58.680
<v Speaker 3>so then she did what they called, quote pleading her belly.

0:58:58.960 --> 0:59:01.800
<v Speaker 3>She said she was pregnant. Oh wow, so by this

0:59:02.000 --> 0:59:07.800
<v Speaker 3>long legal custom that would stay the death sentence until yeah,

0:59:08.520 --> 0:59:11.040
<v Speaker 3>but they called in this jury of matrons and they

0:59:11.040 --> 0:59:14.280
<v Speaker 3>announced that she was quote not quick with child. So

0:59:14.440 --> 0:59:17.560
<v Speaker 3>like she's lying. So on the last day of the

0:59:17.640 --> 0:59:21.320
<v Speaker 3>sessions she gets the death penalty, and it was noted

0:59:21.360 --> 0:59:23.760
<v Speaker 3>in the record that she took the sentence without flinching.

0:59:24.600 --> 0:59:27.400
<v Speaker 2>Really yeah, So once she was condemned rested.

0:59:27.360 --> 0:59:30.120
<v Speaker 3>People start wanting a visit her again. Before the hanging

0:59:30.360 --> 0:59:33.919
<v Speaker 3>they couldn't get enough clergy come by. The curious well

0:59:34.000 --> 0:59:36.560
<v Speaker 3>wishers are all coming through the prison and the weeks

0:59:36.600 --> 0:59:38.200
<v Speaker 3>between the sentencing and the execution.

0:59:38.520 --> 0:59:41.200
<v Speaker 2>She's just thirty years old, so she still looks real young,

0:59:41.280 --> 0:59:43.920
<v Speaker 2>Oh yeah, even though she's been in rough places like

0:59:44.000 --> 0:59:44.520
<v Speaker 2>part Royal.

0:59:44.960 --> 0:59:48.200
<v Speaker 3>So she was hanged at Tyburn and January twenty second,

0:59:48.280 --> 0:59:51.040
<v Speaker 3>sixteen seventy three, died as she had lived, performing to

0:59:51.160 --> 0:59:55.520
<v Speaker 3>a crowd. So if anything like death amplified her fame,

0:59:56.160 --> 0:59:58.560
<v Speaker 3>more pamphlets came out in the years after her death.

0:59:58.600 --> 1:00:01.640
<v Speaker 3>It turned her into this folk here zines I'm telling you.

1:00:01.800 --> 1:00:05.040
<v Speaker 2>Oh and they died young James deaned out.

1:00:05.080 --> 1:00:07.960
<v Speaker 3>Oh yeah. They were full of tall tales too. In one,

1:00:08.120 --> 1:00:10.400
<v Speaker 3>she seduced the son of a rich man, got him

1:00:10.400 --> 1:00:12.440
<v Speaker 3>dead drunk, and took his money and sold him into

1:00:12.480 --> 1:00:16.480
<v Speaker 3>slavery on a ship bound for Barbados, taking little elements

1:00:16.560 --> 1:00:16.960
<v Speaker 3>of stuff.

1:00:17.080 --> 1:00:19.560
<v Speaker 2>Because you know, like in the the the era of

1:00:19.800 --> 1:00:22.760
<v Speaker 2>like say the eighteen seventy basically the post Civil War era,

1:00:23.000 --> 1:00:25.120
<v Speaker 2>you start getting all these letters back from the West

1:00:25.400 --> 1:00:28.120
<v Speaker 2>telling the selling the stories of the cowboys to people

1:00:28.120 --> 1:00:30.760
<v Speaker 2>in Philadelphia and Baltimore and Boston so forth, and it's

1:00:30.800 --> 1:00:33.600
<v Speaker 2>all pamphlet style stuff about full books. They're getting like

1:00:33.680 --> 1:00:36.000
<v Speaker 2>these little like basically chat books. You're doing the same

1:00:36.040 --> 1:00:39.120
<v Speaker 2>thing in England, but it's with the colonies, especially Jamaica,

1:00:39.120 --> 1:00:41.160
<v Speaker 2>where it's like, now she's part of the great ending

1:00:41.200 --> 1:00:43.920
<v Speaker 2>of the piracy era. Did they tie her into that

1:00:43.960 --> 1:00:45.280
<v Speaker 2>as like a pirate queen?

1:00:45.480 --> 1:00:48.000
<v Speaker 3>Yeah? And then another had her earning her freedom in

1:00:48.080 --> 1:00:51.200
<v Speaker 3>Jamaica after foiling a plot to murder the captain of

1:00:51.280 --> 1:00:53.720
<v Speaker 3>the ship that was taking her there and then charming

1:00:53.760 --> 1:00:56.800
<v Speaker 3>the governor. So yeah, they make her a character in

1:00:56.920 --> 1:01:00.160
<v Speaker 3>all of these events. The public needed her to be

1:01:00.320 --> 1:01:04.360
<v Speaker 3>larger than the historical record, and the writers are like,

1:01:04.400 --> 1:01:07.840
<v Speaker 3>oh you got it. Oh yeah, what's your ridiculous takeaway?

1:01:10.040 --> 1:01:12.280
<v Speaker 2>It's not that ridiculous. I have to ad met Elizabeth

1:01:12.320 --> 1:01:17.640
<v Speaker 2>because I'm very impressed with your Kathleen Hannah Kimagardashian like

1:01:17.880 --> 1:01:20.720
<v Speaker 2>meld of this woman who's basically we spend like, you know,

1:01:20.960 --> 1:01:23.200
<v Speaker 2>what is it like a few years with her. I

1:01:23.320 --> 1:01:26.400
<v Speaker 2>know we started when thirteen fourteen, yeah, up to thirty,

1:01:26.440 --> 1:01:28.720
<v Speaker 2>but basically it's most of her adulthood that we really

1:01:28.760 --> 1:01:30.800
<v Speaker 2>focused on her life, and she did a heck of

1:01:30.840 --> 1:01:33.800
<v Speaker 2>a lot bounced around, saw a lot. Even though she

1:01:34.000 --> 1:01:36.520
<v Speaker 2>was sent places on like prison bar or prison ships.

1:01:36.560 --> 1:01:39.040
<v Speaker 2>It wasn't like, oh the luxurious I took the liner.

1:01:39.120 --> 1:01:41.880
<v Speaker 2>But for where she started and with a few simple

1:01:42.000 --> 1:01:45.080
<v Speaker 2>lives in mythosis, she was able to make herself like,

1:01:45.240 --> 1:01:47.880
<v Speaker 2>make real out of make believe a great life.

1:01:47.960 --> 1:01:51.040
<v Speaker 3>Well and think about it too. Samuel Peeps is like

1:01:51.120 --> 1:01:54.160
<v Speaker 3>this witness to history, but she just as much, if

1:01:54.240 --> 1:01:57.320
<v Speaker 3>not more so, because the actor she's going, she's seeing,

1:01:57.440 --> 1:02:00.000
<v Speaker 3>like the England that she's born into and the Europe

1:02:00.120 --> 1:02:02.160
<v Speaker 3>that she travels through, the things that she must have

1:02:02.240 --> 1:02:05.120
<v Speaker 3>heard and seen, and then to you know, to be

1:02:05.240 --> 1:02:07.760
<v Speaker 3>in London when she's in London, and then to go

1:02:07.880 --> 1:02:10.320
<v Speaker 3>to Jamaica and see what's happening there, and to be

1:02:10.600 --> 1:02:13.880
<v Speaker 3>to live it. You know, what she witnessed in history

1:02:14.000 --> 1:02:18.080
<v Speaker 3>is absolutely remarkable in those you know, those brief adult years.

1:02:18.200 --> 1:02:21.920
<v Speaker 2>I don't want to like, uh, I'm reluctant to do this,

1:02:22.040 --> 1:02:23.880
<v Speaker 2>but we don't really have it now. I guess we

1:02:24.000 --> 1:02:26.520
<v Speaker 2>do with Joan Diddyon. So but and I was gonna

1:02:26.520 --> 1:02:29.080
<v Speaker 2>say Hunter S. Thompson will say Joan Didion is the

1:02:29.160 --> 1:02:31.560
<v Speaker 2>person who lives the story. And then writes about it

1:02:31.600 --> 1:02:34.919
<v Speaker 2>and basically writes themselves into better stories in the sense yeah,

1:02:35.160 --> 1:02:37.600
<v Speaker 2>like and makes their mythos part of what people then

1:02:37.640 --> 1:02:39.880
<v Speaker 2>start responding to. So now she's living inside of the

1:02:39.920 --> 1:02:42.200
<v Speaker 2>stories other people are helping her to write. Yeah, you know,

1:02:42.480 --> 1:02:45.480
<v Speaker 2>so she really nails that kind of like gonzo journalism

1:02:45.640 --> 1:02:48.880
<v Speaker 2>California cool before it was a thing in terms of like,

1:02:49.160 --> 1:02:51.120
<v Speaker 2>I live on my myth and I don't have to

1:02:51.160 --> 1:02:54.880
<v Speaker 2>fight or kill anyone to do it. Yeah, exactly, because

1:02:54.920 --> 1:02:56.280
<v Speaker 2>Peemes is like, he's like, what do you call it?

1:02:56.320 --> 1:02:59.440
<v Speaker 2>The observer? The observer? Right, you got to be both

1:02:59.480 --> 1:03:01.800
<v Speaker 2>observer and exactly.

1:03:02.120 --> 1:03:04.200
<v Speaker 3>And it's a shame she didn't get to really comment

1:03:04.760 --> 1:03:06.120
<v Speaker 3>on what she had observed.

1:03:06.320 --> 1:03:07.520
<v Speaker 2>Yeah, I would have liked to see.

1:03:09.240 --> 1:03:12.560
<v Speaker 3>Yeah exactly. I think after that I need to talk back.

1:03:12.600 --> 1:03:19.480
<v Speaker 2>What about saying, girl, let's do it. Dave? Oh god,

1:03:23.280 --> 1:03:24.160
<v Speaker 2>I went cheat.

1:03:27.120 --> 1:03:32.360
<v Speaker 4>Hi ridiculousness. I wanted Daren to know that due to

1:03:32.480 --> 1:03:35.959
<v Speaker 4>his pocket contents, he if you were a bird, would

1:03:35.960 --> 1:03:40.560
<v Speaker 4>be a magpie, and Elizabeth, because of the characteristic traits

1:03:40.600 --> 1:03:43.200
<v Speaker 4>with which you share, you would be a white like

1:03:43.280 --> 1:03:47.480
<v Speaker 4>horned chicken. Please enjoy googling what their characteristic traits are

1:03:47.760 --> 1:03:51.320
<v Speaker 4>and I hope you get a chuckle and if you don't,

1:03:51.400 --> 1:03:52.040
<v Speaker 4>who knows?

1:03:52.080 --> 1:03:52.480
<v Speaker 5>Who cares?

1:03:53.600 --> 1:03:55.040
<v Speaker 3>Okay, you're you are magic.

1:03:55.200 --> 1:04:00.280
<v Speaker 2>I love that. Oh that's pretty.

1:04:03.320 --> 1:04:04.600
<v Speaker 3>And I'm a chigall.

1:04:06.240 --> 1:04:06.560
<v Speaker 2>Exactly.

1:04:07.640 --> 1:04:10.400
<v Speaker 3>I'll say that's it for today. You can find us

1:04:10.440 --> 1:04:13.200
<v Speaker 3>online at ridiculous Crime dot com. We're also at Ridiculous

1:04:13.240 --> 1:04:15.320
<v Speaker 3>Crime on both Blue Sky and Instagram, and we're on

1:04:15.480 --> 1:04:19.640
<v Speaker 3>YouTube at Ridiculous Crime Pod. Email us at ridiculous Crime

1:04:19.640 --> 1:04:22.840
<v Speaker 3>at gmail dot com leave a talkback on the iHeart

1:04:22.920 --> 1:04:31.000
<v Speaker 3>app reach out. Ridiculous Crime is hosted by Elizabeth Dutton

1:04:31.040 --> 1:04:34.280
<v Speaker 3>and Zaren Burnett, produced and edited by Princess Dave Cousten

1:04:34.400 --> 1:04:38.280
<v Speaker 3>Nay Carlton, starring Anilic's Rutger Mis Judith. Research is by

1:04:38.360 --> 1:04:43.040
<v Speaker 3>Renaissance investigative journalist Murssa Brown and Suspicious innkeeper Jabari Davis.

1:04:43.440 --> 1:04:46.280
<v Speaker 3>The theme song is by Celebrity Bards, now performing at

1:04:46.280 --> 1:04:48.920
<v Speaker 3>the Globe Theater and their two man show What It Do,

1:04:49.120 --> 1:04:52.840
<v Speaker 3>Thy Fair Maiden Thomas Lee and Travis Dutton. Host wardrobe

1:04:52.920 --> 1:04:55.400
<v Speaker 3>is provided by Botany five hundred. Guest hair and makeup

1:04:55.440 --> 1:04:59.520
<v Speaker 3>by Sparkleshot and mister Andre. Executive producers are Jamaican goldsmith

1:04:59.560 --> 1:05:02.080
<v Speaker 3>Ben boll And, Jamaican cobbler Noel.

1:05:01.920 --> 1:05:13.080
<v Speaker 5>Brown, Ridicous Crime, Say It one More Time Piquious Crime.

1:05:14.160 --> 1:05:17.480
<v Speaker 1>Ridiculous Crime is a production of iHeartRadio. Four more podcasts

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<v Speaker 1>from my heart Radio. Visit the iHeartRadio app, Apple Podcasts,

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