1 00:00:01,960 --> 00:00:06,880 Speaker 1: When I wrote, y'all all across the usc Compton Watts 2 00:00:07,520 --> 00:00:11,840 Speaker 1: Bank to l A. I'm on the California the Valley. 3 00:00:12,440 --> 00:00:15,360 Speaker 1: We resent that kind of count. So if you're keeping 4 00:00:15,360 --> 00:00:18,000 Speaker 1: it real on your side of your town, you tune 5 00:00:18,040 --> 00:00:23,279 Speaker 1: into Gangster Chronicles Gangster Chronic Goals. He gonna tell you 6 00:00:23,320 --> 00:00:26,640 Speaker 1: how we go. If I like my nose, will girl 7 00:00:26,680 --> 00:00:28,880 Speaker 1: like Pinocchio. We're gonna tell you to choose and nothing 8 00:00:28,920 --> 00:00:33,760 Speaker 1: but the Ruth Gangster Chronicles. This is not your average show. 9 00:00:34,360 --> 00:00:37,839 Speaker 1: You're now tuned into the rail m C. E. Bick, 10 00:00:37,960 --> 00:00:46,760 Speaker 1: James and Big Stairs from the Streets. Hello, where you act? 11 00:00:47,479 --> 00:00:51,000 Speaker 1: This is o G Gangster Granny and the Gangster Chronicles 12 00:00:51,080 --> 00:00:54,880 Speaker 1: podcast is back in effect. Get ready for some of 13 00:00:54,880 --> 00:00:58,520 Speaker 1: that ship. Welcome to the Gangster Chronicles podcast, the production 14 00:00:58,560 --> 00:01:01,840 Speaker 1: of our Heart Radio and Black Podcast Network. Make sure 15 00:01:01,880 --> 00:01:03,960 Speaker 1: you download the i Heart app and subscribe to The 16 00:01:04,000 --> 00:01:06,960 Speaker 1: Gangster Chronicles. For my Apple users, hit the Purple Michael 17 00:01:07,000 --> 00:01:09,160 Speaker 1: your front screen. Subscribe to the gainst the Chronicles and 18 00:01:09,200 --> 00:01:11,640 Speaker 1: leave a five star rate in the comment. You want 19 00:01:11,680 --> 00:01:13,080 Speaker 1: you out that to keep the man, You're gonna suck 20 00:01:13,160 --> 00:01:15,400 Speaker 1: up my introt like that. I want you want to 21 00:01:15,440 --> 00:01:19,360 Speaker 1: glass with that man, because I want to glass get 22 00:01:19,360 --> 00:01:22,280 Speaker 1: a little just maybe a little Yeah, can we get 23 00:01:22,280 --> 00:01:26,080 Speaker 1: a red cup? Comes a little? We keep it real 24 00:01:26,160 --> 00:01:30,240 Speaker 1: that the shows though, so so while we get on, 25 00:01:30,840 --> 00:01:32,560 Speaker 1: I'm gonna start this back over and I'm gonna keep 26 00:01:32,560 --> 00:01:35,760 Speaker 1: all this ship, y'all. Like everyone to another episode against 27 00:01:35,800 --> 00:01:39,360 Speaker 1: the Chronicles podcast, and I put my homeboy only tonight. 28 00:01:40,000 --> 00:01:42,440 Speaker 1: J You know, for the next two weeks, eight is 29 00:01:42,440 --> 00:01:45,280 Speaker 1: out there coaching. It's you football team. You know, they 30 00:01:45,319 --> 00:01:46,920 Speaker 1: got a little two of days that they gotta do, 31 00:01:47,000 --> 00:01:49,680 Speaker 1: So he'd be going today and next week, but he'd 32 00:01:49,680 --> 00:01:52,320 Speaker 1: be right back at my nig and mine. That's what's 33 00:01:52,320 --> 00:01:55,480 Speaker 1: happening into man, proud of you know what I'm saying, 34 00:01:56,040 --> 00:01:57,880 Speaker 1: do a show and all that. Man. You know what 35 00:01:57,880 --> 00:01:59,720 Speaker 1: I'm saying it stay down with the kids, man, that's 36 00:01:59,720 --> 00:02:02,080 Speaker 1: what we here for. Yeah. And and that person next 37 00:02:02,120 --> 00:02:06,400 Speaker 1: you here in the background is Mr Samuel Moroa Jr. 38 00:02:06,480 --> 00:02:10,240 Speaker 1: A k A Caffeine a k A. What's happening our partner? 39 00:02:13,240 --> 00:02:17,440 Speaker 1: I like that. I mean, you know, you was like 40 00:02:17,560 --> 00:02:20,480 Speaker 1: the post boy. You was like the post boy for 41 00:02:20,560 --> 00:02:24,919 Speaker 1: Nigga's to be wearing Nigga's coming back for revenge. You 42 00:02:25,040 --> 00:02:26,959 Speaker 1: was like the posted boy for that whole area, doog 43 00:02:27,120 --> 00:02:28,640 Speaker 1: you know what I'm thinking for the niggas that might 44 00:02:28,680 --> 00:02:32,360 Speaker 1: come back for that ass you beat somebody down, but 45 00:02:32,480 --> 00:02:34,400 Speaker 1: you but you know what the crazy you know what 46 00:02:34,520 --> 00:02:40,520 Speaker 1: the craziest thing about that is, um, the whole scene 47 00:02:40,520 --> 00:02:44,080 Speaker 1: wouldn't actually been like that. The Huge Brothers at that time, 48 00:02:44,120 --> 00:02:47,400 Speaker 1: at that particular time, I was, Um, I was really 49 00:02:47,480 --> 00:02:50,560 Speaker 1: heavy and trying to get my music out. You know, 50 00:02:51,080 --> 00:02:53,160 Speaker 1: a lot of people to know I was doing music 51 00:02:53,400 --> 00:02:56,720 Speaker 1: and wanted to do music, and um, and I had 52 00:02:56,720 --> 00:03:00,079 Speaker 1: to deal with did Griffin and Griffy was over that. 53 00:03:00,240 --> 00:03:03,400 Speaker 1: He was responsible for bringing out Baby Phace to deal 54 00:03:04,040 --> 00:03:06,440 Speaker 1: all them and you know and Baba they wanted to 55 00:03:06,440 --> 00:03:09,000 Speaker 1: buy the Emmins Build turning into Emmins Building over there 56 00:03:09,080 --> 00:03:14,799 Speaker 1: solo record So um bam, I landed, I landed the road, 57 00:03:15,000 --> 00:03:17,680 Speaker 1: you know what I'm saying. And I told I said, uh, 58 00:03:17,720 --> 00:03:21,360 Speaker 1: I told the Huge brother I said, man, because I 59 00:03:21,360 --> 00:03:25,680 Speaker 1: really wasn't privy to like, you know, the movie scene. 60 00:03:25,720 --> 00:03:27,480 Speaker 1: You know what I'm saying. I was. I was fresh 61 00:03:27,520 --> 00:03:30,160 Speaker 1: out of Junie that hall, so I was like, you know, 62 00:03:30,240 --> 00:03:33,280 Speaker 1: like it was about it. I really didn't know, like 63 00:03:33,360 --> 00:03:36,680 Speaker 1: you know, you can't just come on to sit and say, hey, man, 64 00:03:36,800 --> 00:03:39,880 Speaker 1: I got somewhere to be. I gotta be to cut out. 65 00:03:39,920 --> 00:03:42,200 Speaker 1: They got scheduled, they got time and you you know, 66 00:03:42,200 --> 00:03:46,160 Speaker 1: you scheduled to be here. So I was like, um, 67 00:03:46,200 --> 00:03:50,800 Speaker 1: but I had a meeting at uh at uh with 68 00:03:50,880 --> 00:03:55,680 Speaker 1: Matt Jones over uh, not not up top but motown 69 00:03:56,080 --> 00:03:58,400 Speaker 1: you feel me at that time before it changed over 70 00:03:58,640 --> 00:04:01,560 Speaker 1: and I think BBD and was over there, but it 71 00:04:01,600 --> 00:04:03,400 Speaker 1: was were just taking meetings, you know what I'm saying. 72 00:04:03,880 --> 00:04:06,440 Speaker 1: And um, and we wind up going from that meeting 73 00:04:07,200 --> 00:04:10,120 Speaker 1: ended up with dig Griff you Soulour records. But um, 74 00:04:10,160 --> 00:04:13,080 Speaker 1: I told him, I said, uh, I said, look, I said, 75 00:04:13,080 --> 00:04:16,360 Speaker 1: I got a meeting uh with with some music stuff. 76 00:04:16,720 --> 00:04:19,839 Speaker 1: So um, it was the scene was supposed to be. 77 00:04:20,800 --> 00:04:23,599 Speaker 1: He was supposed to I was supposed to do, you know, 78 00:04:23,720 --> 00:04:26,560 Speaker 1: say which one of y'alls came and go up to him. 79 00:04:26,800 --> 00:04:28,560 Speaker 1: And it wasn't going to be a stop. I was 80 00:04:28,600 --> 00:04:31,320 Speaker 1: supposed to be a regular squabble. We're supposed to squabble 81 00:04:31,360 --> 00:04:34,000 Speaker 1: a little bit. And he posted boom grab you know 82 00:04:34,240 --> 00:04:36,240 Speaker 1: in the projects where they hanged to close out you 83 00:04:36,279 --> 00:04:39,120 Speaker 1: know what I'm saying. Yeah, yeah, So he posted grabbing 84 00:04:39,600 --> 00:04:41,880 Speaker 1: choking me out if they had a whole little thing 85 00:04:41,920 --> 00:04:44,120 Speaker 1: to choke up. You know what I'm saying. He choked 86 00:04:44,160 --> 00:04:46,120 Speaker 1: me out. And and they're supposed to do some other ship. 87 00:04:46,279 --> 00:04:48,479 Speaker 1: You know, you're supposed to be long and drawn out. 88 00:04:48,760 --> 00:04:50,640 Speaker 1: But since I had that meeting, it was like, damn, 89 00:04:50,720 --> 00:04:52,640 Speaker 1: how the fund can we do? Okay, this is we're 90 00:04:52,640 --> 00:04:54,680 Speaker 1: gonna do. We're gonna he's just gonna you're gonna say 91 00:04:54,720 --> 00:04:58,040 Speaker 1: the line and then bam, he just gonna boom boom boom, 92 00:04:58,200 --> 00:05:00,600 Speaker 1: take you to go down and boom and that that's it. 93 00:05:01,040 --> 00:05:03,120 Speaker 1: I said, Okay, well that that's cool because I didn't 94 00:05:03,120 --> 00:05:06,800 Speaker 1: give me time. So it really it really that scene. 95 00:05:07,200 --> 00:05:09,320 Speaker 1: I don't think it would have had as much impact 96 00:05:09,600 --> 00:05:12,560 Speaker 1: as it did as the real quick like man, it 97 00:05:12,640 --> 00:05:16,360 Speaker 1: was this mother wanting up to me and in the 98 00:05:16,400 --> 00:05:20,000 Speaker 1: stompotot made an impact on the snopout to make it bigger. 99 00:05:20,279 --> 00:05:23,680 Speaker 1: You feel me. Goddamn, he just stumping it. He wouldn't 100 00:05:23,680 --> 00:05:25,720 Speaker 1: even post stop then time. Well, you're just lucky that 101 00:05:25,839 --> 00:05:28,280 Speaker 1: you walked into projects and was able to just get 102 00:05:28,320 --> 00:05:34,080 Speaker 1: it and then get the projects different scene. Yeah, walking 103 00:05:34,160 --> 00:05:37,880 Speaker 1: up on an like that so um that that that's 104 00:05:37,920 --> 00:05:41,279 Speaker 1: always trip off that like damn, you know, because that 105 00:05:41,880 --> 00:05:46,440 Speaker 1: the impact that that made that that small role like 106 00:05:46,560 --> 00:05:50,160 Speaker 1: that so big and massive to the world was you know, 107 00:05:50,320 --> 00:05:53,440 Speaker 1: his character. You know, he was a scounding them up 108 00:05:53,440 --> 00:05:55,600 Speaker 1: on him and uh, you know what I'm saying. But 109 00:05:55,720 --> 00:05:58,520 Speaker 1: you the women and people fell in love with his 110 00:05:58,680 --> 00:06:01,200 Speaker 1: character of liked him. I just want to see him 111 00:06:01,200 --> 00:06:03,200 Speaker 1: because everybody we want that, you know what I'm say. 112 00:06:03,200 --> 00:06:05,080 Speaker 1: Everybody want to get up out the hood and do better. 113 00:06:05,360 --> 00:06:06,920 Speaker 1: You know what I'm saying. Even if they don't want 114 00:06:06,960 --> 00:06:08,560 Speaker 1: to say it, you know they want to you know, 115 00:06:08,680 --> 00:06:10,120 Speaker 1: like dam if I want to sun up out of 116 00:06:10,160 --> 00:06:12,080 Speaker 1: here and I want to do something, you know, deep 117 00:06:12,120 --> 00:06:15,120 Speaker 1: down you know if they're playing this role you know, 118 00:06:15,279 --> 00:06:17,560 Speaker 1: you know what I'm saying, that hood or whatever what 119 00:06:17,560 --> 00:06:19,880 Speaker 1: I'm saying, but you know who wants to stay in 120 00:06:19,880 --> 00:06:21,520 Speaker 1: the hood and get on? You know I'm saying the 121 00:06:21,720 --> 00:06:24,160 Speaker 1: drive by scene, did that ship feel good to you? 122 00:06:24,960 --> 00:06:27,240 Speaker 1: Like just being and when you had to drive but 123 00:06:27,320 --> 00:06:30,120 Speaker 1: I did to drive by? Did do that? Did that 124 00:06:30,200 --> 00:06:34,160 Speaker 1: feel good to you? Like this? I mean if I 125 00:06:34,320 --> 00:06:36,039 Speaker 1: have played that part, I would have been like ship 126 00:06:36,160 --> 00:06:39,760 Speaker 1: just right up, my allie, I got you know what 127 00:06:39,800 --> 00:06:43,120 Speaker 1: I'm saying you know what, and that that's that's the 128 00:06:43,160 --> 00:06:46,360 Speaker 1: reason why I was like, okay, yeah, I can dig 129 00:06:46,360 --> 00:06:48,800 Speaker 1: it because it wasn't just that scene where it was 130 00:06:48,839 --> 00:06:53,760 Speaker 1: just left like that. It was retaliation of you know, 131 00:06:53,920 --> 00:06:56,440 Speaker 1: get back saying I said, that's gonna be very impactive. 132 00:06:56,600 --> 00:06:58,440 Speaker 1: And how the huge Bucks played and they did it 133 00:06:58,600 --> 00:07:00,880 Speaker 1: was it was it was you know what I'm saying. 134 00:07:00,920 --> 00:07:02,800 Speaker 1: But yeah, it felt it felt it felt. It felt 135 00:07:02,800 --> 00:07:05,560 Speaker 1: real good, you know what I'm saying. Because that ship 136 00:07:05,640 --> 00:07:08,560 Speaker 1: I think that was like my first time even getting off. 137 00:07:08,880 --> 00:07:11,480 Speaker 1: It was it was real guns but blank bullets, so right, 138 00:07:11,640 --> 00:07:15,240 Speaker 1: you know, it was like, oh this is good after 139 00:07:15,320 --> 00:07:22,800 Speaker 1: the first squeeze, tell me, I know. So yeah it was. 140 00:07:22,880 --> 00:07:25,400 Speaker 1: It was a cool scene with him man tire and 141 00:07:25,520 --> 00:07:27,680 Speaker 1: you know what I'm saying. But really I didn't, um, 142 00:07:28,080 --> 00:07:31,160 Speaker 1: I didn't really uh see see too much of nobody. 143 00:07:31,480 --> 00:07:34,320 Speaker 1: Um like you know what I'm sat like that. I 144 00:07:34,400 --> 00:07:36,720 Speaker 1: just did my part and got on and didn't real 145 00:07:36,800 --> 00:07:39,960 Speaker 1: like ship, Um everybody was in the eight you know, 146 00:07:40,320 --> 00:07:43,240 Speaker 1: shoo short, I'm like, damn all these mothers. I just 147 00:07:43,320 --> 00:07:46,160 Speaker 1: did my part and you know it got on. But uh, 148 00:07:47,680 --> 00:07:52,080 Speaker 1: she didn't know that Samuel Jackson was in there. You know, like, damn. 149 00:07:52,160 --> 00:07:56,240 Speaker 1: I looked back like it's crazy. Everybody don't shoot on 150 00:07:56,320 --> 00:07:59,280 Speaker 1: the same day that that feel me that now. But 151 00:07:59,400 --> 00:08:02,040 Speaker 1: now you know, many films are n'tdone. I know that, 152 00:08:02,200 --> 00:08:04,720 Speaker 1: but coming in that was my first ship, you know, 153 00:08:04,960 --> 00:08:08,160 Speaker 1: but it really wasn't my first ship. It was my 154 00:08:08,320 --> 00:08:12,840 Speaker 1: first film. But people don't know. They try to, you know, um, 155 00:08:13,320 --> 00:08:16,480 Speaker 1: stick me with this this this this gangster ship, in 156 00:08:16,520 --> 00:08:19,000 Speaker 1: this this role. They you know, people love me. Would 157 00:08:19,000 --> 00:08:20,400 Speaker 1: you give me putting something from me? I'm gonna I'm 158 00:08:20,400 --> 00:08:22,880 Speaker 1: gonna do what I do. I'm acting, so I'm gonna 159 00:08:23,000 --> 00:08:25,520 Speaker 1: I'm gonna do what you get me, what I'm saying, 160 00:08:25,800 --> 00:08:29,320 Speaker 1: and I'm gonna player to the fullest. So um, my 161 00:08:29,480 --> 00:08:34,839 Speaker 1: first ship ever actually was um out All night Out 162 00:08:34,880 --> 00:08:37,440 Speaker 1: on Night the Pad LaBelle Show with a Fox more 163 00:08:37,640 --> 00:08:41,160 Speaker 1: Chest not Duwayne Martin. I read my first lines ever 164 00:08:42,640 --> 00:08:47,640 Speaker 1: speaking role ever on TV was with Dwayne Martin and um, 165 00:08:48,080 --> 00:08:51,079 Speaker 1: the sister on on Fresh Prince of bell As. She 166 00:08:51,160 --> 00:08:54,240 Speaker 1: was guest starring on there, the oldest sister from Fresh 167 00:08:54,280 --> 00:08:57,000 Speaker 1: Prince of bel Air. Yeah, yeah, I read my house 168 00:08:57,080 --> 00:08:59,760 Speaker 1: was nervous as a motherfucker. But Adam, I'm laughing. So 169 00:09:00,360 --> 00:09:04,000 Speaker 1: comedy was my first ship. But for some reason, oh 170 00:09:04,400 --> 00:09:07,559 Speaker 1: it was there was the impact of minister society that 171 00:09:07,800 --> 00:09:13,440 Speaker 1: boys in the hood was one of you know, yeah, yeah, 172 00:09:13,480 --> 00:09:14,839 Speaker 1: you wasn't set it off again, you know, And I 173 00:09:14,960 --> 00:09:17,120 Speaker 1: wanted to ask you because you damn sure. It was 174 00:09:17,360 --> 00:09:20,400 Speaker 1: like the thug choice for home time in every movie. 175 00:09:20,440 --> 00:09:24,119 Speaker 1: The motherfucker's that you just like, that's the scams assign. 176 00:09:24,280 --> 00:09:26,360 Speaker 1: They get his ass They was just making you that 177 00:09:26,520 --> 00:09:29,120 Speaker 1: character for every movie. Though, do you ever felt like 178 00:09:29,200 --> 00:09:35,280 Speaker 1: that you did two go a job? Um Ship? Well ship, 179 00:09:35,480 --> 00:09:38,679 Speaker 1: you know what, because you sounded and looked just like 180 00:09:38,840 --> 00:09:40,559 Speaker 1: a l a nigger when you was doing what you 181 00:09:40,640 --> 00:09:43,760 Speaker 1: were doing. It was convincing, you know, saying that ship 182 00:09:44,120 --> 00:09:48,520 Speaker 1: Uh well, I mean, you know, you know basically, you know, 183 00:09:48,960 --> 00:09:50,439 Speaker 1: it's where you go up. I grew up in South 184 00:09:50,559 --> 00:09:54,600 Speaker 1: Central you know, Los Angeles. Nipsey Hustle did that same neighborhood, 185 00:09:54,640 --> 00:09:57,640 Speaker 1: you know, same neighborhood. What I'm saying, the Nipsey younger 186 00:09:57,679 --> 00:10:01,080 Speaker 1: than me. But Nipsey had a very very good, big impact. 187 00:10:01,880 --> 00:10:05,520 Speaker 1: He did that he did He wasn't my little homeboard 188 00:10:06,559 --> 00:10:12,800 Speaker 1: that was you know man. And then he did you know, 189 00:10:13,080 --> 00:10:18,520 Speaker 1: like how Ship played you know, ship being going right. 190 00:10:19,080 --> 00:10:23,120 Speaker 1: But you know, aside from that um ship, you know, 191 00:10:23,800 --> 00:10:30,240 Speaker 1: uh yeah, that kind of a little bit so good man. 192 00:10:30,800 --> 00:10:33,480 Speaker 1: You know, I wanted to ask you about um it 193 00:10:33,640 --> 00:10:38,120 Speaker 1: seems in specific man, it's black Hollywood and specific. It's 194 00:10:38,200 --> 00:10:41,079 Speaker 1: like you have all of these great actors, right, and 195 00:10:41,160 --> 00:10:43,199 Speaker 1: they go on these runs like you know, especially a 196 00:10:43,240 --> 00:10:45,920 Speaker 1: lot of brothers from the nineties, like you Tyrant Turner 197 00:10:46,400 --> 00:10:48,480 Speaker 1: and you know a host of other brothers, and it's 198 00:10:48,559 --> 00:10:52,520 Speaker 1: just like yeah, and it's almost like y'all got tight 199 00:10:52,679 --> 00:10:54,839 Speaker 1: cash to the point where y'all had these roles that 200 00:10:55,000 --> 00:10:58,360 Speaker 1: was so iconic. It was almost like people scared. Do 201 00:10:58,440 --> 00:10:59,880 Speaker 1: you think some of that? Do you think it was 202 00:10:59,920 --> 00:11:03,520 Speaker 1: a little bit of bias going on in Hollywood? Um? Well, 203 00:11:03,600 --> 00:11:06,679 Speaker 1: I mean that's you know, that's that's that's what it 204 00:11:06,920 --> 00:11:10,079 Speaker 1: is Hollywood. You know. They you know, people like to 205 00:11:10,440 --> 00:11:13,200 Speaker 1: some people, you know, if they could pitch and hold 206 00:11:13,280 --> 00:11:16,120 Speaker 1: you something on some ship, you know, or keep doing 207 00:11:16,200 --> 00:11:18,520 Speaker 1: it or just like you know, just like what what 208 00:11:18,760 --> 00:11:21,959 Speaker 1: jay Z say, man, stop keeping you keep painting too 209 00:11:22,080 --> 00:11:25,040 Speaker 1: much because once somebody get on something, you know, that's 210 00:11:25,080 --> 00:11:26,959 Speaker 1: all they want to do. You know. I'm I'm a 211 00:11:27,080 --> 00:11:28,920 Speaker 1: I'm I'm I'm gonna put the teap and I'm gonna 212 00:11:28,920 --> 00:11:30,839 Speaker 1: do I'm gonna put the you know, the voice box 213 00:11:30,920 --> 00:11:32,200 Speaker 1: on it. I'm gonna do that, you know what I'm saying, 214 00:11:32,400 --> 00:11:35,360 Speaker 1: Like Rogers, you know speaking, everybody want to do it, 215 00:11:35,440 --> 00:11:37,760 Speaker 1: you know, because they want to show that. But that's 216 00:11:37,800 --> 00:11:39,480 Speaker 1: just hip hop, you know what I'm saying. You know, 217 00:11:39,720 --> 00:11:41,600 Speaker 1: you take a piece of this and you know, let's 218 00:11:41,600 --> 00:11:43,720 Speaker 1: see what my mix gonna be on it, My spind 219 00:11:43,720 --> 00:11:47,079 Speaker 1: gonna be on it. But sometimes you can burn ship out, 220 00:11:47,320 --> 00:11:50,280 Speaker 1: you know, saying it's time, it's time to do something new. 221 00:11:50,440 --> 00:11:52,280 Speaker 1: You know what I'm saying. I don't think you can 222 00:11:52,320 --> 00:11:55,000 Speaker 1: never burn out the rule of a gamester because just 223 00:11:55,200 --> 00:12:00,640 Speaker 1: so many and and you know it ever go away. 224 00:12:00,720 --> 00:12:03,120 Speaker 1: You need their games in against the film. You got 225 00:12:03,240 --> 00:12:05,719 Speaker 1: to have one, you know what I'm saying. So like 226 00:12:05,920 --> 00:12:08,120 Speaker 1: like I'm saying, like, oh, that's what I was talking about, Like, 227 00:12:08,480 --> 00:12:10,520 Speaker 1: uh my boy, Willie, did you know what I'm saying, 228 00:12:11,400 --> 00:12:14,319 Speaker 1: Like we said play the role to the thing, Like, 229 00:12:14,720 --> 00:12:17,600 Speaker 1: uh I didn't think I was gonna get the motherfucker 230 00:12:17,640 --> 00:12:21,880 Speaker 1: when Players Club because uh I was outside the dog. 231 00:12:22,000 --> 00:12:24,640 Speaker 1: You know when they say auditions, right, and so the 232 00:12:24,720 --> 00:12:28,280 Speaker 1: next person go in. So, um, I was kind of 233 00:12:28,360 --> 00:12:35,160 Speaker 1: cheating a little bit. I was coming listening ghetto boys. 234 00:12:35,400 --> 00:12:37,360 Speaker 1: Who is that? Let's Willie D for together boys? You 235 00:12:37,400 --> 00:12:39,640 Speaker 1: know what I'm saying. I'm like, so he was in there. 236 00:12:39,880 --> 00:12:42,679 Speaker 1: So all I'm hearing after they have to finish his 237 00:12:43,200 --> 00:12:48,960 Speaker 1: scene in there, they laughing. They're talking about ship, you know, tour. 238 00:12:49,520 --> 00:12:51,280 Speaker 1: You know a lot of like that said he for 239 00:12:51,400 --> 00:12:54,760 Speaker 1: to get this motherfucking roles, Willie, did you know? But 240 00:12:55,120 --> 00:12:57,679 Speaker 1: you know, like a business is business, you know what 241 00:12:57,720 --> 00:13:00,880 Speaker 1: I'm saying. So I just went in there and knocked 242 00:13:00,920 --> 00:13:03,720 Speaker 1: my ship back on I did, you know. And if 243 00:13:03,760 --> 00:13:07,040 Speaker 1: it's believable, it's believable, you know what I'm saying. And 244 00:13:07,559 --> 00:13:09,680 Speaker 1: you know, I was like to show he was gonna 245 00:13:09,679 --> 00:13:11,720 Speaker 1: get at to Bully D. But it wasn't just about 246 00:13:11,800 --> 00:13:14,559 Speaker 1: you know, the homely hook up or you know my potet. 247 00:13:14,600 --> 00:13:19,200 Speaker 1: I gotta give you this role cues like whoever knock 248 00:13:19,280 --> 00:13:22,679 Speaker 1: that ship back the best and bring this And I 249 00:13:22,840 --> 00:13:25,040 Speaker 1: like that, you know, because that's business. That's why I 250 00:13:25,200 --> 00:13:28,160 Speaker 1: tell my partners, like, you know, this ship. You know, 251 00:13:28,280 --> 00:13:29,800 Speaker 1: I don't want you to get me nothing. I want 252 00:13:29,840 --> 00:13:31,760 Speaker 1: to work for what I got you know, if I 253 00:13:31,800 --> 00:13:34,079 Speaker 1: got to work for it, if I ain't got for it, 254 00:13:34,600 --> 00:13:36,800 Speaker 1: it ain't nothing. Let me ask you this question, no, bro, 255 00:13:37,280 --> 00:13:39,959 Speaker 1: because you know this seal was l A and I 256 00:13:40,000 --> 00:13:42,640 Speaker 1: don't give a fuck. And it ain't just l A thing. 257 00:13:42,679 --> 00:13:46,040 Speaker 1: I guess it's a nationwide thing. Whenever you are playing 258 00:13:46,040 --> 00:13:49,360 Speaker 1: a character in the movie motherfucker's in the streets, ain't 259 00:13:49,400 --> 00:13:54,240 Speaker 1: able to separate reality from fiction. How many motherfucker's did 260 00:13:54,280 --> 00:13:56,600 Speaker 1: you have running up on you? Man? I had girls 261 00:13:56,640 --> 00:13:59,760 Speaker 1: and they're talking about can you rape me like you did? 262 00:14:00,280 --> 00:14:05,839 Speaker 1: Like what I swear it was crazy, But you know 263 00:14:05,960 --> 00:14:08,880 Speaker 1: what happened at very very beginning, I had the mature 264 00:14:09,280 --> 00:14:12,680 Speaker 1: because you know, I never you know, did this ship 265 00:14:12,880 --> 00:14:16,199 Speaker 1: for us? So after minutes came out, you know, you 266 00:14:16,280 --> 00:14:18,679 Speaker 1: know it's people like to you know, rag on you 267 00:14:19,000 --> 00:14:21,680 Speaker 1: you know, say a little ship, you know, and I'm 268 00:14:21,760 --> 00:14:25,680 Speaker 1: walking through We're walking through the Uh what's that ship? Uh? 269 00:14:27,640 --> 00:14:34,480 Speaker 1: Uh uh and uh but but playing in Hollywood and 270 00:14:34,520 --> 00:14:38,640 Speaker 1: all that ship was the city Walk city Walk ship. 271 00:14:39,120 --> 00:14:40,880 Speaker 1: So we walked through the city while we're coming out 272 00:14:40,920 --> 00:14:44,320 Speaker 1: to uh movie and ship and here goes some knicks. 273 00:14:44,360 --> 00:14:49,080 Speaker 1: You know what I'm saying, dude, stuffing. You just stopped out. 274 00:14:49,160 --> 00:14:51,280 Speaker 1: You know. I don't know how many like what you know, 275 00:14:51,560 --> 00:14:53,960 Speaker 1: if we went into that it was some real sight me. 276 00:14:54,080 --> 00:14:55,680 Speaker 1: That's just a movie. They can watch out, you know. 277 00:14:56,400 --> 00:14:59,600 Speaker 1: But all in all, all that was really was trying 278 00:14:59,640 --> 00:15:02,240 Speaker 1: to do, say what's up. They wanted the key in 279 00:15:02,400 --> 00:15:04,800 Speaker 1: on that, and they wanted to do at and all 280 00:15:04,840 --> 00:15:08,200 Speaker 1: that stuff, and I forgot like, really, hummy, that's a movie. 281 00:15:09,400 --> 00:15:11,960 Speaker 1: It's not for real, and you know what they're trying 282 00:15:11,960 --> 00:15:14,520 Speaker 1: to do. They're clowning. But at the same time they 283 00:15:14,640 --> 00:15:17,880 Speaker 1: recognizing you feel me having me into that to say 284 00:15:18,280 --> 00:15:20,160 Speaker 1: when they say when the people say, oh they stumped 285 00:15:20,160 --> 00:15:21,600 Speaker 1: your ass out, I said, now, I said, yeah they 286 00:15:21,600 --> 00:15:23,160 Speaker 1: show did you know? Said but I got me a 287 00:15:23,240 --> 00:15:26,360 Speaker 1: check for what help me that? If that ain't gonna 288 00:15:26,360 --> 00:15:27,920 Speaker 1: have to be announe You know what I'm saying in 289 00:15:28,120 --> 00:15:30,320 Speaker 1: real life? You know what I'm saying. So I had 290 00:15:30,320 --> 00:15:32,440 Speaker 1: to start and to separate the ship, you know, and 291 00:15:32,560 --> 00:15:36,000 Speaker 1: clowning and some people like something something something dude like 292 00:15:37,400 --> 00:15:40,000 Speaker 1: something my polities or that. If it's some brawls around, 293 00:15:41,240 --> 00:15:47,720 Speaker 1: oh yeah, that's they go. Junior, you still all the 294 00:15:47,840 --> 00:15:50,560 Speaker 1: movies and you go straight to the rape. Scene. But 295 00:15:50,680 --> 00:15:52,800 Speaker 1: then they're gonna just what he thought I said they're doing. 296 00:15:52,840 --> 00:15:55,160 Speaker 1: So they have solid up for us. But that's how 297 00:15:55,200 --> 00:15:59,160 Speaker 1: you identified, say what type of nigga this nigga is? Yeah, okay, 298 00:15:59,160 --> 00:16:05,840 Speaker 1: they go junior huh, but it's still still come yeah, 299 00:16:07,120 --> 00:16:09,000 Speaker 1: good man. So you ain't never had to have more 300 00:16:09,080 --> 00:16:11,600 Speaker 1: physical altercations with nobody, then you don't have to get 301 00:16:11,680 --> 00:16:15,400 Speaker 1: them up with nobody. Ever. No, that's the front that 302 00:16:15,720 --> 00:16:18,480 Speaker 1: was in the beginning. But minutes, when Minutes first came out, 303 00:16:18,960 --> 00:16:20,960 Speaker 1: it came to them. There a couple of them because 304 00:16:20,960 --> 00:16:25,400 Speaker 1: I was still like my my manager back thens like 305 00:16:25,960 --> 00:16:29,440 Speaker 1: that ship is a fucking movie. They like, don't pay 306 00:16:29,520 --> 00:16:31,840 Speaker 1: no attention to that. They were trying to funk with you. Man, 307 00:16:31,880 --> 00:16:33,520 Speaker 1: you left the ship with you and you're gonna keep 308 00:16:33,520 --> 00:16:35,200 Speaker 1: getting you know what I'm saying. So I had the 309 00:16:35,280 --> 00:16:38,200 Speaker 1: mature and that like, oh wait a minute. And at 310 00:16:38,240 --> 00:16:40,840 Speaker 1: the end they are, oh man, it's cool man, she man, 311 00:16:40,840 --> 00:16:44,160 Speaker 1: I just wanted to get your autography. Really, okay, that's 312 00:16:44,200 --> 00:16:45,400 Speaker 1: what it is. They don't know how to say, so 313 00:16:45,480 --> 00:16:47,600 Speaker 1: they just go to some other little funny ship. Some 314 00:16:48,120 --> 00:16:51,000 Speaker 1: some people were really mad because I was mad at 315 00:16:51,760 --> 00:16:53,960 Speaker 1: hey that that scene he had when he just shot 316 00:16:54,040 --> 00:16:56,920 Speaker 1: the brothers on the ground back back. I'm like, this 317 00:16:57,200 --> 00:17:02,360 Speaker 1: motherfucker here seen was so cold when he comes that 318 00:17:02,520 --> 00:17:05,960 Speaker 1: bad man like that shop. He really fucked me up 319 00:17:06,000 --> 00:17:10,000 Speaker 1: with that ship. Yeah, I was, man, I was like, man, 320 00:17:10,480 --> 00:17:15,280 Speaker 1: this ship as motherfucker's really active. Really yeah, but we 321 00:17:15,359 --> 00:17:17,240 Speaker 1: who have to do We had to get tiring up 322 00:17:17,280 --> 00:17:19,800 Speaker 1: in this motherfucker dog. Who had to get tiring up here? 323 00:17:20,480 --> 00:17:23,440 Speaker 1: Who had to get it and have a minister society, 324 00:17:24,359 --> 00:17:29,040 Speaker 1: have a society reunion, you know. Being that that was 325 00:17:29,160 --> 00:17:31,439 Speaker 1: one of the most pivotal movies of all time, man, 326 00:17:31,480 --> 00:17:34,760 Speaker 1: because I think it showed um, I think the rest 327 00:17:34,800 --> 00:17:37,359 Speaker 1: of the world was kind of enthralled with West Coast 328 00:17:37,400 --> 00:17:39,760 Speaker 1: culture during that time. You know, you have boys in 329 00:17:39,800 --> 00:17:43,080 Speaker 1: the hood, then you had minist society. It was just real, 330 00:17:43,320 --> 00:17:46,080 Speaker 1: just hella interesting to the outside people looking like it's 331 00:17:46,119 --> 00:17:49,199 Speaker 1: people really living like that out there. Yeah, because because 332 00:17:50,080 --> 00:17:54,600 Speaker 1: for one that all they had was it vocally coming 333 00:17:54,680 --> 00:17:57,560 Speaker 1: through cube and you know what I'm saying, and easy, 334 00:17:57,640 --> 00:18:00,040 Speaker 1: you know, you know, and they were seeing it it 335 00:18:00,200 --> 00:18:03,440 Speaker 1: up missing portions to music videos, but they wasn't really 336 00:18:03,480 --> 00:18:06,120 Speaker 1: getting the whole captured and of it, and the huge 337 00:18:06,200 --> 00:18:11,240 Speaker 1: Brothers and John Singleton really made that a visual that 338 00:18:11,400 --> 00:18:15,040 Speaker 1: you like, they've really captured the hard and soul of 339 00:18:15,320 --> 00:18:17,560 Speaker 1: you know what I'm saying, not just Los Angeles, but 340 00:18:17,640 --> 00:18:21,359 Speaker 1: ghettos everywhere worldwide, but everywhere everywhere. You know what I'm saying. 341 00:18:21,600 --> 00:18:24,280 Speaker 1: They're like, damn, I can relate to that ship. You 342 00:18:24,320 --> 00:18:26,680 Speaker 1: know what I'm saying, even if even if you ship, 343 00:18:27,040 --> 00:18:28,760 Speaker 1: if you're a country you need you know what I'm saying, 344 00:18:28,760 --> 00:18:33,440 Speaker 1: if you even New York you know shawing up yo. Yeah, 345 00:18:33,680 --> 00:18:38,159 Speaker 1: it's penitentious everywhere. So all the real mother Brothers, you 346 00:18:38,200 --> 00:18:41,159 Speaker 1: know what I'm saying, they tap into the ship. They're like, yo, 347 00:18:42,320 --> 00:18:49,720 Speaker 1: mother yo. They right now, Well they wall them here 348 00:18:49,840 --> 00:18:51,560 Speaker 1: like that wall the like like we do out there, 349 00:18:51,760 --> 00:18:54,200 Speaker 1: and everybody want to come bring their shipped to the 350 00:18:54,320 --> 00:18:56,960 Speaker 1: table and show how they how they get down, you 351 00:18:57,000 --> 00:19:00,359 Speaker 1: know what I'm saying. Ghetto boys and all that. You know, 352 00:19:00,520 --> 00:19:03,840 Speaker 1: you know, you just think about it though, because Tupac 353 00:19:03,960 --> 00:19:06,240 Speaker 1: was supposed to play Shariff wasn't he was he was 354 00:19:06,320 --> 00:19:07,960 Speaker 1: up to play Sharifa one time. Did you ever get 355 00:19:08,000 --> 00:19:11,840 Speaker 1: the bump into him? Yeah? Hell yeah. That ship was 356 00:19:11,960 --> 00:19:15,280 Speaker 1: crazy than the motherfucker. I was winning damn his last 357 00:19:15,400 --> 00:19:18,119 Speaker 1: days and ship. But that was not through me. That 358 00:19:18,280 --> 00:19:20,440 Speaker 1: was through my nigga, Spice one. You know what I'm saying. 359 00:19:20,680 --> 00:19:23,560 Speaker 1: I mean Spice were connected on the tails from the hood. 360 00:19:23,840 --> 00:19:29,440 Speaker 1: Uh uh red carpet ship, I'm pulling up. I'm pulling 361 00:19:29,560 --> 00:19:32,440 Speaker 1: up full to you know, he got jumped out and 362 00:19:32,520 --> 00:19:35,639 Speaker 1: ship me and my best we you know, definitely had 363 00:19:35,720 --> 00:19:38,440 Speaker 1: my say I pulled MYO on my top down and 364 00:19:38,520 --> 00:19:44,840 Speaker 1: I'm I'm uh like, he looked like that's the crazy 365 00:19:44,840 --> 00:19:48,320 Speaker 1: ship when you're doing a movie, motherfucker say you And 366 00:19:48,680 --> 00:19:52,400 Speaker 1: you're like, because I've been seeing this thing on you know, videos, video, 367 00:19:52,600 --> 00:19:54,199 Speaker 1: It's like, you know, you know what I'm saying. All 368 00:19:54,240 --> 00:19:58,640 Speaker 1: the way we clicked like a motherfucker like something Nia saddened, nigga, 369 00:19:58,680 --> 00:20:01,800 Speaker 1: what hadded? What's good out you? Whatever? Whooped? We clicked 370 00:20:01,840 --> 00:20:04,600 Speaker 1: and she hooked up and shipped from me. And you 371 00:20:04,600 --> 00:20:06,480 Speaker 1: know what I'm saying that he was then he was 372 00:20:06,600 --> 00:20:08,879 Speaker 1: coming to ship. He had to deal with a Jive 373 00:20:09,000 --> 00:20:13,040 Speaker 1: and I wind up getting my music deal music deal 374 00:20:13,119 --> 00:20:16,359 Speaker 1: with Andre Herrell through Jive Records. So we wind up 375 00:20:16,400 --> 00:20:18,560 Speaker 1: being on the same day that we never had eno music. 376 00:20:18,640 --> 00:20:21,280 Speaker 1: We just was cool. Partners. What I'm saying, that was 377 00:20:21,320 --> 00:20:23,480 Speaker 1: my That's my favorite still to this day. And so 378 00:20:23,800 --> 00:20:26,600 Speaker 1: um used to be me, him and Cocaine and Ship, 379 00:20:27,080 --> 00:20:28,840 Speaker 1: you know what I'm saying. Before Cocaine went over there 380 00:20:28,880 --> 00:20:31,240 Speaker 1: doing the music with us and Ship, we used to 381 00:20:31,280 --> 00:20:33,080 Speaker 1: be were just like we just gonna call ourselves the 382 00:20:33,119 --> 00:20:35,920 Speaker 1: Barceloni Crew because that's how tough we was hanging, you 383 00:20:35,960 --> 00:20:38,600 Speaker 1: know what I'm saying. And Um, I was like nigger, 384 00:20:39,359 --> 00:20:42,320 Speaker 1: I said, Ship. And one day, Um, we was in 385 00:20:42,400 --> 00:20:46,359 Speaker 1: front of the montrenand Mondrean Hotel. It was like before 386 00:20:46,400 --> 00:20:48,000 Speaker 1: he had a face on it. You know what I'm saying. 387 00:20:48,240 --> 00:20:50,880 Speaker 1: Everybody used to go to that mother the Mantrono tep 388 00:20:50,960 --> 00:20:56,560 Speaker 1: right across street from uh the Uh what's the House 389 00:20:56,640 --> 00:21:01,280 Speaker 1: of Blues? And you my ship during Monday two day, 390 00:21:01,960 --> 00:21:04,920 Speaker 1: everybody comes to the Motherucker Bust, Rhyn jay Z, everybody 391 00:21:05,160 --> 00:21:08,000 Speaker 1: standing at the Montreal. You know what I'm saying. So, uh, 392 00:21:08,359 --> 00:21:10,080 Speaker 1: he come out here. He picked me up this nick, 393 00:21:10,119 --> 00:21:11,879 Speaker 1: put me up in memos and monking I mean about 394 00:21:11,920 --> 00:21:14,159 Speaker 1: my house and ship. Come on, give me any niggas 395 00:21:14,680 --> 00:21:16,200 Speaker 1: get you. You know what I'm saying. He had a 396 00:21:16,320 --> 00:21:19,280 Speaker 1: couple of memos we vibe out Chris Shaw and ship 397 00:21:19,880 --> 00:21:22,679 Speaker 1: out little this is crazy. So he picked me up 398 00:21:22,720 --> 00:21:26,720 Speaker 1: and we one day, um were just rolling. It wasn't 399 00:21:26,720 --> 00:21:29,840 Speaker 1: no limosh no, not that who's So we came back 400 00:21:30,000 --> 00:21:32,720 Speaker 1: and pulled it in front, uh into the parking and 401 00:21:33,960 --> 00:21:36,159 Speaker 1: had people parking and people for the parked cards and 402 00:21:36,200 --> 00:21:42,920 Speaker 1: ship and um bam, motherfucker double r whoom shit me 403 00:21:43,200 --> 00:21:47,280 Speaker 1: bust you like that buster, You sucking nigga. I'm looking like, 404 00:21:50,080 --> 00:21:54,639 Speaker 1: said uh, and Chico like sudden nigga was saying that 405 00:21:54,800 --> 00:21:58,120 Speaker 1: was part he was by myself. Foo said Nick, come, Nick, 406 00:21:58,320 --> 00:22:00,760 Speaker 1: I'm gonna go listen to my album. Niggaut was mcavelli. 407 00:22:01,080 --> 00:22:06,280 Speaker 1: It's like, listen my album, nigga. What you hear this ship? Damn. 408 00:22:06,359 --> 00:22:11,520 Speaker 1: So I'm talking to uh Chico Cousins and ship Copton. 409 00:22:11,600 --> 00:22:13,399 Speaker 1: So I was like, damn he feeling going home. We 410 00:22:13,560 --> 00:22:16,080 Speaker 1: was just like just coming, just like oh I f stake, 411 00:22:16,160 --> 00:22:19,119 Speaker 1: you know. Then Pod came with that ship and uh 412 00:22:20,720 --> 00:22:24,639 Speaker 1: he was like, uh. He was like, nigga, hold up, nigga. 413 00:22:24,880 --> 00:22:27,800 Speaker 1: I said, alright, my nigga ship go ahead of my nigga. 414 00:22:28,040 --> 00:22:30,119 Speaker 1: He said, Nick the funk out of here. Nick, come on, Nick, 415 00:22:30,240 --> 00:22:33,240 Speaker 1: come in to all right, nigger here and come on. 416 00:22:33,280 --> 00:22:35,040 Speaker 1: I told his cousin Boom getting the court, nigga, me 417 00:22:35,040 --> 00:22:37,240 Speaker 1: for the follow the nigga. We caravan and we careving 418 00:22:37,320 --> 00:22:39,760 Speaker 1: all the way out Malibu and ship carving all the 419 00:22:39,800 --> 00:22:42,920 Speaker 1: way out Malibu. And it was some crap. I don't 420 00:22:42,960 --> 00:22:47,760 Speaker 1: know if i's I don't know, but um fucking ship. 421 00:22:48,600 --> 00:22:51,600 Speaker 1: I was like, Park was zigzagging and ship like whoo 422 00:22:51,760 --> 00:22:53,760 Speaker 1: whoo in the two lines you know when you're taking 423 00:22:53,800 --> 00:22:56,880 Speaker 1: that uh that you know to go to go to people. Yeah. 424 00:22:57,160 --> 00:22:59,199 Speaker 1: So so I'm like, damn, I'm trying to catch up 425 00:22:59,200 --> 00:23:01,960 Speaker 1: to this nigga. But so I had Hennessey bottle and ship. 426 00:23:02,080 --> 00:23:04,679 Speaker 1: I'm I'm like, we're drinking and ship. So I'm zig 427 00:23:04,760 --> 00:23:07,040 Speaker 1: zag and trying to get last. I'm gona go to 428 00:23:07,119 --> 00:23:11,000 Speaker 1: the side and like that's why I'm like now I'm 429 00:23:11,000 --> 00:23:14,240 Speaker 1: trying to keep up, you know. So um, motherfucker I 430 00:23:14,440 --> 00:23:17,440 Speaker 1: get I get out. I'm like, holder man, fun this ship. 431 00:23:17,840 --> 00:23:20,399 Speaker 1: So I said, give me a bottle. I'm saying, so 432 00:23:20,880 --> 00:23:23,639 Speaker 1: as as we kept schooling up school now and partly 433 00:23:23,720 --> 00:23:27,000 Speaker 1: they like they zig zagging foom they getting it was 434 00:23:27,040 --> 00:23:31,600 Speaker 1: like cars coming to La he getting off the cars. 435 00:23:32,160 --> 00:23:34,520 Speaker 1: They but they move, you know what, sayings all these 436 00:23:34,560 --> 00:23:37,480 Speaker 1: things trying to get bottles. So I'm like, man, it's 437 00:23:37,520 --> 00:23:41,320 Speaker 1: called getting funds all time. So I'm gonna throw the bottle. 438 00:23:41,359 --> 00:23:45,960 Speaker 1: I'll give them sign to throw the bottle, like, look, 439 00:23:46,040 --> 00:23:49,879 Speaker 1: I'm gonna throw the bottle. Motherfucker's It was like white lady. 440 00:23:50,000 --> 00:23:51,960 Speaker 1: It was. It was all like white lady, you know 441 00:23:51,960 --> 00:23:55,159 Speaker 1: what I'm saying, And like couple. You know, it was 442 00:23:55,240 --> 00:23:57,000 Speaker 1: like they like they was coupled up like they were 443 00:23:57,040 --> 00:24:00,760 Speaker 1: going to be some ship. But ship when that because 444 00:24:00,760 --> 00:24:05,159 Speaker 1: I throw the bottle and the motherfucking boom, it was 445 00:24:05,440 --> 00:24:10,920 Speaker 1: like fair hold. I'm like, oh, I said so quick, 446 00:24:12,000 --> 00:24:14,399 Speaker 1: hold on, but y'all got to slow down. Told me 447 00:24:14,960 --> 00:24:16,960 Speaker 1: I can't. I can't move like that right now. I 448 00:24:17,000 --> 00:24:19,960 Speaker 1: ain't tell him, you know, until I got there. That 449 00:24:20,119 --> 00:24:24,760 Speaker 1: was like, oh so the first I told this was yeah, 450 00:24:25,040 --> 00:24:28,119 Speaker 1: all we got there, told him they still know I 451 00:24:28,280 --> 00:24:31,840 Speaker 1: know that ship. He was like we started out on 452 00:24:31,920 --> 00:24:36,040 Speaker 1: the phone and ship and Mama cussing like a motherfucker 453 00:24:36,080 --> 00:24:39,240 Speaker 1: trying to get the outlaws ship. Uh that little ship 454 00:24:39,359 --> 00:24:43,520 Speaker 1: like you know going what you think about the album mcabilly, 455 00:24:43,880 --> 00:24:47,440 Speaker 1: Oh that's man, look, that's ship crazy to watch by fact, 456 00:24:47,480 --> 00:24:53,000 Speaker 1: when we do the uh whatever ship chicos we Um. 457 00:24:54,119 --> 00:24:56,680 Speaker 1: They performed that ship him and the Outlaws right there 458 00:24:57,800 --> 00:24:59,200 Speaker 1: before he did it at the House of Blues and 459 00:24:59,240 --> 00:25:01,440 Speaker 1: all that. And the formed that ship right there in 460 00:25:01,520 --> 00:25:04,400 Speaker 1: the back in the back. Uh you know what I'm saying, 461 00:25:04,480 --> 00:25:07,680 Speaker 1: what the back house house part up when you step 462 00:25:07,800 --> 00:25:10,000 Speaker 1: over the thing and step right into the sea and 463 00:25:10,040 --> 00:25:13,119 Speaker 1: ship on the Malibuba super fly slight ship. And the 464 00:25:13,320 --> 00:25:16,880 Speaker 1: performed that ship right there like this song the big 465 00:25:17,000 --> 00:25:19,879 Speaker 1: y'all that ship first off up like this ship crazy 466 00:25:19,960 --> 00:25:22,760 Speaker 1: them that was hard as the motherfucker them in Outlaws, 467 00:25:22,800 --> 00:25:24,920 Speaker 1: they formed that right right there. We got the first 468 00:25:25,000 --> 00:25:27,879 Speaker 1: front row seat. Yeah, and I left. I didn't never 469 00:25:27,960 --> 00:25:31,200 Speaker 1: know who Jackie Chan was. Snake had moved all kinds 470 00:25:31,200 --> 00:25:33,840 Speaker 1: of movies and Jackie Chin he was like he was. 471 00:25:33,960 --> 00:25:36,760 Speaker 1: This ship was crazy, he said. He said, that's where 472 00:25:36,800 --> 00:25:38,760 Speaker 1: he was doing most is right and right out there 473 00:25:38,800 --> 00:25:41,320 Speaker 1: on that patio and ship right there. I was like, damn. 474 00:25:41,920 --> 00:25:45,760 Speaker 1: And from there, uh ship we went, he called, He 475 00:25:45,840 --> 00:25:47,800 Speaker 1: called the new again. He was a studio, he said, 476 00:25:47,880 --> 00:25:50,400 Speaker 1: Nick me me at the um down to the Jim 477 00:25:50,520 --> 00:25:52,399 Speaker 1: Lucy where he was feeling that Nastal fielding with them 478 00:25:52,520 --> 00:25:55,600 Speaker 1: Jim Lucy and ship down to that ship. And then 479 00:25:55,680 --> 00:25:59,639 Speaker 1: another time at the other mansion and I was playing. 480 00:25:59,760 --> 00:26:02,560 Speaker 1: I was playing. I was playing motherfucking um what you 481 00:26:02,640 --> 00:26:05,680 Speaker 1: call it on h I think I think on the 482 00:26:06,280 --> 00:26:09,320 Speaker 1: one light scheme they got killed one of our laws. 483 00:26:09,400 --> 00:26:12,320 Speaker 1: And ship, you know what I'm saying, Yeah, yeah, we're 484 00:26:12,359 --> 00:26:15,640 Speaker 1: playing the video games, and Cocaine he got on the piano. 485 00:26:16,000 --> 00:26:18,000 Speaker 1: I don't suck me up to it, like Jerry, nigger, 486 00:26:18,040 --> 00:26:20,520 Speaker 1: you played the buttherfucker got on the piano and talk 487 00:26:20,640 --> 00:26:25,720 Speaker 1: like around like who nikka, we gotta do record. I said, 488 00:26:25,920 --> 00:26:28,439 Speaker 1: I don't know you played. Jerry was playing the piano 489 00:26:28,560 --> 00:26:31,320 Speaker 1: and ship. I didn't know that. And Cocaine is my homeboy. Jerry, 490 00:26:31,359 --> 00:26:38,640 Speaker 1: you out there playing the piano. Real me up too. 491 00:26:38,760 --> 00:26:41,520 Speaker 1: I was like this, nigga. I was like, yeah, that 492 00:26:41,600 --> 00:26:44,080 Speaker 1: ship was crazy. Yeah, he had he had us all. 493 00:26:44,240 --> 00:26:46,120 Speaker 1: And the fact, by fact, Cocaine was down there too. 494 00:26:46,240 --> 00:26:49,040 Speaker 1: At the gym Blueshi ship, poc was talking kind of 495 00:26:49,200 --> 00:26:51,480 Speaker 1: he was talking. He was talking some ship, my nigga, 496 00:26:51,920 --> 00:26:56,600 Speaker 1: and I looked at Cocaine. I'm looking like, you know 497 00:26:56,640 --> 00:27:00,520 Speaker 1: what's nigga? Saying, though it was some other ship. You 498 00:27:00,560 --> 00:27:03,320 Speaker 1: know what I'm saying, But Apocas you gotta you just 499 00:27:03,440 --> 00:27:05,159 Speaker 1: can't give us that man, And to go off of 500 00:27:05,280 --> 00:27:06,720 Speaker 1: what kind of ship was he saying? It was so 501 00:27:06,840 --> 00:27:09,760 Speaker 1: pro fun? What was I saying? Okay, man, okay, I 502 00:27:09,840 --> 00:27:11,520 Speaker 1: would have to I would have to let I would 503 00:27:11,560 --> 00:27:14,280 Speaker 1: have to let Chico something, you know, I let spoke 504 00:27:14,680 --> 00:27:21,080 Speaker 1: tell you that, or to speaking as if he predicted 505 00:27:21,160 --> 00:27:24,720 Speaker 1: the future. He knew it's comes for him. He yeah, 506 00:27:24,760 --> 00:27:31,040 Speaker 1: he was like he was speaking spiritual body ship. Yeah yeah, yeah, 507 00:27:31,119 --> 00:27:32,920 Speaker 1: yeah he was. He was. He was. He was really 508 00:27:33,160 --> 00:27:35,320 Speaker 1: he was going deep, you know what I'm saying. So 509 00:27:35,440 --> 00:27:37,320 Speaker 1: you think he knew he was gonna down. I believe 510 00:27:37,359 --> 00:27:41,200 Speaker 1: people do know. I don't know what it was. I mean, 511 00:27:41,320 --> 00:27:44,080 Speaker 1: I just I was like I looked at a man 512 00:27:44,480 --> 00:27:47,240 Speaker 1: because I don't smoke weight, So that motherfucker was so 513 00:27:47,440 --> 00:27:52,320 Speaker 1: clouded out that I was like, there he had that cloudy. 514 00:27:52,560 --> 00:27:56,239 Speaker 1: Even the lady came in like you gotta see your 515 00:27:56,320 --> 00:28:00,200 Speaker 1: next line. She do like said was cloudy. He was like, guy, 516 00:28:00,560 --> 00:28:02,639 Speaker 1: have to go through the libery quick come back in. 517 00:28:02,840 --> 00:28:05,680 Speaker 1: I was like, I was like, damn my trip, And 518 00:28:08,600 --> 00:28:11,960 Speaker 1: he was James a lot of a lot of people 519 00:28:12,040 --> 00:28:15,280 Speaker 1: were saying that, you know, when he was around him, 520 00:28:15,359 --> 00:28:19,080 Speaker 1: that he would would speak like he just go high. 521 00:28:19,920 --> 00:28:21,920 Speaker 1: You know what I'm saying with everybody like here, he 522 00:28:22,040 --> 00:28:25,520 Speaker 1: just go into like he could just innbody ship. He 523 00:28:25,920 --> 00:28:28,440 Speaker 1: was with it. He was like he knew yeah, it 524 00:28:28,600 --> 00:28:31,919 Speaker 1: just it was. It was it was deep. Just how 525 00:28:31,960 --> 00:28:35,480 Speaker 1: you get the music. His his conversation and when you 526 00:28:35,600 --> 00:28:39,360 Speaker 1: take it is beyond like they say, oh you ahead 527 00:28:39,360 --> 00:28:42,760 Speaker 1: of your time. Yeah, a lot of people didn't understand it. 528 00:28:42,960 --> 00:28:45,560 Speaker 1: You wouldn't understand it if you you know what I'm saying. 529 00:28:45,680 --> 00:28:49,400 Speaker 1: But from the artists standpoint, I'm like, damn, okay, you 530 00:28:49,440 --> 00:28:51,000 Speaker 1: know what I'm saying. You know, that was a weird 531 00:28:51,080 --> 00:28:54,240 Speaker 1: time as far as orgo, because, like I talked about earlier, 532 00:28:54,680 --> 00:28:57,560 Speaker 1: how some of the people on the streets came differentiate 533 00:28:57,760 --> 00:29:00,880 Speaker 1: between somebody playing a movie role and realize you have 534 00:29:01,120 --> 00:29:03,400 Speaker 1: some actors that came in and might have got some 535 00:29:03,520 --> 00:29:06,120 Speaker 1: of those roles. They wound up going to jail and 536 00:29:06,200 --> 00:29:08,160 Speaker 1: doing a little stuff like you had the homey m 537 00:29:08,240 --> 00:29:10,000 Speaker 1: the other kid that used to play in all the movies, 538 00:29:10,040 --> 00:29:15,600 Speaker 1: DeAndre Bonds, Oh that's my little knicks. I'm what I'm man, 539 00:29:15,760 --> 00:29:17,400 Speaker 1: we got to get my nigga, and it we we 540 00:29:17,680 --> 00:29:20,400 Speaker 1: argue a scuffle about this ship so much. I'm the 541 00:29:20,520 --> 00:29:25,000 Speaker 1: motherfucker that got DeAndre started in this ship and it 542 00:29:25,120 --> 00:29:26,600 Speaker 1: kind of hurt me a little bit. You know what 543 00:29:26,680 --> 00:29:29,680 Speaker 1: I'm saying, because I just like, I was just like, okay, 544 00:29:30,040 --> 00:29:33,200 Speaker 1: that's like snoop. You know what I'm saying after you know, 545 00:29:33,480 --> 00:29:38,080 Speaker 1: after death Row. You know what I'm saying, It would 546 00:29:38,080 --> 00:29:39,800 Speaker 1: be a slap in the face. You know what I'm 547 00:29:39,800 --> 00:29:43,040 Speaker 1: saying for him not to pay how muge and acknowledge 548 00:29:43,120 --> 00:29:44,800 Speaker 1: the fact that you know what I'm saying, master peak 549 00:29:44,960 --> 00:29:49,960 Speaker 1: over a man a super justice, you know what I'm saying, 550 00:29:50,400 --> 00:29:52,640 Speaker 1: and just showing them the game, showing them, you know 551 00:29:52,640 --> 00:29:55,200 Speaker 1: what I'm saying, lacening and not just not just trying 552 00:29:55,240 --> 00:29:58,080 Speaker 1: to keep him as no puppeteer like over belonging to me. 553 00:29:58,360 --> 00:30:00,200 Speaker 1: You know what I'm saying, No, spread your wings. I mean, 554 00:30:00,280 --> 00:30:01,520 Speaker 1: this is what you're supposed to do. You know, this 555 00:30:01,560 --> 00:30:03,320 Speaker 1: is what we're all supposed to do. You know what 556 00:30:03,360 --> 00:30:06,640 Speaker 1: I'm saying. And because it's all gonna come back full circle, 557 00:30:06,680 --> 00:30:08,520 Speaker 1: you know what I'm saying, Instead of trying to rob 558 00:30:08,640 --> 00:30:11,080 Speaker 1: somebody or trying to, you know, not show him the 559 00:30:11,160 --> 00:30:13,400 Speaker 1: game and keep it off for yourself and you want 560 00:30:13,440 --> 00:30:15,760 Speaker 1: all the money and on on the shine, Why not, 561 00:30:16,160 --> 00:30:19,320 Speaker 1: stupid snoopers the super Star mega star, you know, let 562 00:30:19,400 --> 00:30:21,000 Speaker 1: him shine like that so we can give it back 563 00:30:21,040 --> 00:30:24,520 Speaker 1: and then it spread, you know like that. But that's 564 00:30:24,560 --> 00:30:27,640 Speaker 1: like if he wouldn't acknowledge Pete for doing that every time. 565 00:30:27,680 --> 00:30:32,840 Speaker 1: You always pay homage in say all the time. So look, um, 566 00:30:33,440 --> 00:30:35,520 Speaker 1: but DeAndre Bond, I just finished the movies with him. 567 00:30:35,520 --> 00:30:37,080 Speaker 1: You know what I'm saying, that's my little bro. You 568 00:30:37,120 --> 00:30:39,680 Speaker 1: know what I'm saying. A couple moves in top of that, 569 00:30:39,840 --> 00:30:41,240 Speaker 1: I call him right now. You know what I'm saying, 570 00:30:41,440 --> 00:30:43,120 Speaker 1: that's my little nigga. But I tell he like nigga, 571 00:30:43,240 --> 00:30:47,240 Speaker 1: check this out, nigga. Look, he was in front of 572 00:30:47,280 --> 00:30:50,000 Speaker 1: the motherfucker's I'm going to an audition. I'm going to 573 00:30:50,160 --> 00:30:53,760 Speaker 1: tell some hood audition and he outside selling candy and 574 00:30:53,840 --> 00:30:57,000 Speaker 1: ship you feel me? So okay, I saw you know, 575 00:30:57,120 --> 00:31:01,280 Speaker 1: leaders outside sending canny you know, okay, bam. So he 576 00:31:01,440 --> 00:31:07,480 Speaker 1: was on my bumper, he said, side, Look I don't 577 00:31:07,520 --> 00:31:11,719 Speaker 1: love man, what's happening? As I said, okay, hold I mean, 578 00:31:11,960 --> 00:31:14,680 Speaker 1: you know, I'm trying to study my scripts up from 579 00:31:14,720 --> 00:31:16,520 Speaker 1: just give me a minute. You know. He was on 580 00:31:16,640 --> 00:31:21,360 Speaker 1: my bumper tough. I said, okay, So he like a script, 581 00:31:21,840 --> 00:31:25,560 Speaker 1: I said, I said, you gotta said it, Kenny, But 582 00:31:26,240 --> 00:31:28,719 Speaker 1: are you going did you? Did you give me one 583 00:31:28,880 --> 00:31:33,640 Speaker 1: or agency or whatever? You're like, no, no, hypell hyper 584 00:31:33,720 --> 00:31:35,760 Speaker 1: you know what I'm saying. But the way he was 585 00:31:35,880 --> 00:31:40,440 Speaker 1: coming at me, it was like, it's a little niggers eager. 586 00:31:40,520 --> 00:31:42,640 Speaker 1: You know, you see a little young one. Yeah, for sure. 587 00:31:42,680 --> 00:31:45,240 Speaker 1: And for those that don't know out there, DeAndre Bonds 588 00:31:45,320 --> 00:31:48,880 Speaker 1: is the homie Stacy from the Wood, Stacy from the Wood. Yeah, 589 00:31:49,240 --> 00:31:52,120 Speaker 1: stay for the Wood, nig Tails from the Hood, and 590 00:31:52,360 --> 00:31:56,400 Speaker 1: right now he's killing it on snow snowfall right now. 591 00:31:57,360 --> 00:32:00,760 Speaker 1: So so I said, so, I said, I said, look man, 592 00:32:01,000 --> 00:32:03,200 Speaker 1: I said, check the staw. I said, hold up, yes, 593 00:32:03,320 --> 00:32:05,479 Speaker 1: you know what fuck it? Let me go in here, 594 00:32:05,480 --> 00:32:09,160 Speaker 1: because uh, Tony Robbie read Tony Lee. They was casting it, 595 00:32:09,520 --> 00:32:12,120 Speaker 1: so Robbie wasn't there, but Tony Lee was in there. 596 00:32:12,280 --> 00:32:14,600 Speaker 1: So I wive here. I said, Tony, Uh you think 597 00:32:14,640 --> 00:32:17,320 Speaker 1: you could give him a script? Man? He said, the 598 00:32:17,440 --> 00:32:20,640 Speaker 1: film have no you know, agency, call or represent you 599 00:32:20,680 --> 00:32:23,600 Speaker 1: know like that. Then I don't know, man, I said, 600 00:32:24,440 --> 00:32:27,960 Speaker 1: you said man. I said, look, that's what it's going 601 00:32:28,240 --> 00:32:31,280 Speaker 1: man let him, you know. And Tony Lee was real 602 00:32:31,320 --> 00:32:35,080 Speaker 1: about it. He said, don't give him one. I said, ship. Well, 603 00:32:35,160 --> 00:32:38,520 Speaker 1: he gave him script. So I go outside and finished studying. 604 00:32:39,640 --> 00:32:46,200 Speaker 1: I I'm gonna study. Who gonna study? I said, Plus 605 00:32:46,240 --> 00:32:48,320 Speaker 1: I needed somebody to study with. Anybody, you know what 606 00:32:48,360 --> 00:32:51,800 Speaker 1: I'm saying to read it? I said, okay, he I said, 607 00:32:51,800 --> 00:32:54,160 Speaker 1: you know what, Hony I said. I said, look, check 608 00:32:54,240 --> 00:32:57,160 Speaker 1: this out. Give me your number. I'll call you. Call 609 00:32:57,240 --> 00:32:59,920 Speaker 1: you a little bit. So this was on fair Fat 610 00:33:00,360 --> 00:33:02,840 Speaker 1: and uh like Fairfax and thirds or something like that. 611 00:33:02,960 --> 00:33:06,800 Speaker 1: You know what. That's what they was holding ship damn 612 00:33:06,840 --> 00:33:09,840 Speaker 1: it right abound there and um ship. By the time 613 00:33:09,880 --> 00:33:12,680 Speaker 1: I got to Crunshaw, the Earl's winning when Earls Winding 614 00:33:12,800 --> 00:33:14,560 Speaker 1: was on ship. By time I got to picture wind, 615 00:33:15,040 --> 00:33:19,160 Speaker 1: Nick Blow said, up after fall this is I said, 616 00:33:19,200 --> 00:33:20,720 Speaker 1: you know what I mean? What were you at my name? 617 00:33:20,840 --> 00:33:23,840 Speaker 1: He said at the time his mama stayed off Western, 618 00:33:24,120 --> 00:33:27,240 Speaker 1: Mom and dad stay off Western in thirty something, I said, there, 619 00:33:27,240 --> 00:33:29,320 Speaker 1: I'm going to shoot through there. I shot through there 620 00:33:29,360 --> 00:33:32,400 Speaker 1: and met his mama. I met his daddy before he passed, 621 00:33:32,440 --> 00:33:35,720 Speaker 1: and ship, Um, it was cool. Mom's cool that ship. 622 00:33:36,040 --> 00:33:37,720 Speaker 1: I said, fuck it. I took out a flat in 623 00:33:37,800 --> 00:33:41,680 Speaker 1: the valley, so I took him to the valley so 624 00:33:42,000 --> 00:33:44,080 Speaker 1: we could study and the ship. And then my brother 625 00:33:44,240 --> 00:33:48,360 Speaker 1: was like, Jandre real hyper, He like, you know, he 626 00:33:48,480 --> 00:33:50,600 Speaker 1: got something. You know, he's just real real, you know 627 00:33:50,960 --> 00:33:53,760 Speaker 1: like that. So I know, I deal with that show. 628 00:33:53,840 --> 00:33:56,600 Speaker 1: I know I'm that ship and knocked that ship off. 629 00:33:57,440 --> 00:34:00,800 Speaker 1: But he really got you know. But besides that ship, 630 00:34:01,400 --> 00:34:04,200 Speaker 1: so we're studying and we'll beat a couple of lines, 631 00:34:04,240 --> 00:34:06,400 Speaker 1: couple lines going and going. We're going back and forth. 632 00:34:07,640 --> 00:34:12,560 Speaker 1: Bam we get to read. I said, damn, nigga, you 633 00:34:12,760 --> 00:34:14,879 Speaker 1: got this ship because I didn't read with the couple 634 00:34:15,040 --> 00:34:17,320 Speaker 1: up family members and ship like that the help of 635 00:34:17,600 --> 00:34:21,840 Speaker 1: a study. No, DeAndre was all that crazy ship. Do 636 00:34:21,880 --> 00:34:24,960 Speaker 1: you do? Put that nigga in front of the script. 637 00:34:26,440 --> 00:34:30,279 Speaker 1: It's a whole different motherfucker. Wow, man, I said, Man, 638 00:34:30,400 --> 00:34:32,799 Speaker 1: you got it, I said, little honey, I said, Ben. 639 00:34:33,120 --> 00:34:35,320 Speaker 1: So my brother was still talking about, well, how I 640 00:34:35,400 --> 00:34:38,320 Speaker 1: said that shot up? What's I got to see? Like 641 00:34:38,719 --> 00:34:40,479 Speaker 1: what he was? Hold up? You know what I'm saying 642 00:34:40,719 --> 00:34:46,040 Speaker 1: for this little nigga. Yeah, you don't see what I see. 643 00:34:47,040 --> 00:34:50,359 Speaker 1: So we're studying and study bam. And so I said, 644 00:34:50,440 --> 00:34:52,399 Speaker 1: then if we get this, look, we get a call back, 645 00:34:52,840 --> 00:34:55,120 Speaker 1: we get a call back. Nigga, we're going front of 646 00:34:55,160 --> 00:35:01,759 Speaker 1: producers ship. They like it. Nigga, that's nigger. That's it. 647 00:35:03,000 --> 00:35:06,719 Speaker 1: Damn man. We went on his and you gotta call back. 648 00:35:07,239 --> 00:35:12,399 Speaker 1: So y'all gotta call back Tom going, I gotta call back. Bam. 649 00:35:12,800 --> 00:35:15,439 Speaker 1: We got it. He got. That's his first. He had 650 00:35:15,520 --> 00:35:18,439 Speaker 1: some little ship we had with a little agents where 651 00:35:18,520 --> 00:35:20,720 Speaker 1: he was doing some a little bit. But no, nigger, 652 00:35:20,800 --> 00:35:24,880 Speaker 1: I told the na no, yo, you fucking with me, hommy. 653 00:35:26,000 --> 00:35:29,880 Speaker 1: You was tell from the hood. Was everywhere. That was 654 00:35:29,920 --> 00:35:32,960 Speaker 1: a major motion. It was in theaters. It wasn't just 655 00:35:33,080 --> 00:35:36,239 Speaker 1: no little thing on you know, no thick. He was 656 00:35:36,280 --> 00:35:39,839 Speaker 1: in theaters. So he went on blive. You know, I'm 657 00:35:39,960 --> 00:35:42,120 Speaker 1: self ka, I'm like, you know, I'm like, I'm by 658 00:35:42,200 --> 00:35:45,919 Speaker 1: supped like way low don snoopies say, don't people my ship. 659 00:35:46,080 --> 00:35:52,120 Speaker 1: You all the moles you and that's probably to go 660 00:35:52,239 --> 00:35:53,600 Speaker 1: take you in there to get a script and do 661 00:35:53,680 --> 00:35:55,799 Speaker 1: all this ship. You know what I'm saying, I took 662 00:35:56,120 --> 00:36:01,279 Speaker 1: you didn't acknowledge you. He said something broad from we 663 00:36:01,360 --> 00:36:06,200 Speaker 1: all y'all calling right now. I said, okay, just get 664 00:36:06,280 --> 00:36:09,279 Speaker 1: your problem. Come on me, you know what I'm saying 665 00:36:09,440 --> 00:36:12,359 Speaker 1: for real, you know, and then you know, he really, 666 00:36:12,800 --> 00:36:16,200 Speaker 1: he really, you know, amazed me because we had a 667 00:36:16,520 --> 00:36:20,480 Speaker 1: table read with Danny DeVito in um and Rea Palmer 668 00:36:20,960 --> 00:36:24,120 Speaker 1: for a basketball movie. That basketball movie we went on 669 00:36:24,239 --> 00:36:26,319 Speaker 1: that I didn't even get the motherfucker. He wind up 670 00:36:26,600 --> 00:36:30,040 Speaker 1: getting it and he was on his way then then 671 00:36:30,160 --> 00:36:32,160 Speaker 1: come h he got that. He landed that. But we 672 00:36:32,239 --> 00:36:34,040 Speaker 1: did a table read, you know, just to see if 673 00:36:34,080 --> 00:36:37,000 Speaker 1: they wanted to you know, get you know, the funk 674 00:36:37,040 --> 00:36:40,960 Speaker 1: with us. You know, he wind up getting it there 675 00:36:41,120 --> 00:36:48,480 Speaker 1: like this, Yeah, go through some wild ship. He's crazy. Crazy, 676 00:36:49,239 --> 00:36:51,719 Speaker 1: you can drink drinking a little drink when we need 677 00:36:51,800 --> 00:36:55,000 Speaker 1: to get crazy. And they will take that script go 678 00:36:55,239 --> 00:36:57,880 Speaker 1: to and turn into a whole number and be like 679 00:36:58,920 --> 00:37:01,840 Speaker 1: he got a book. Now a fact, not the factor. 680 00:37:01,880 --> 00:37:09,160 Speaker 1: Now the fact he booked the Denzel's first uh uh 681 00:37:09,440 --> 00:37:13,239 Speaker 1: directorial debut, which was before he before he caught that case. 682 00:37:13,280 --> 00:37:16,719 Speaker 1: He did ten years with stabbing, you know, and now 683 00:37:16,800 --> 00:37:18,799 Speaker 1: he got out from that and he's still doing an 684 00:37:18,800 --> 00:37:21,759 Speaker 1: amazing you know job right now what he's doing. But 685 00:37:22,200 --> 00:37:26,040 Speaker 1: he was he landed the role and that's when he 686 00:37:26,040 --> 00:37:30,160 Speaker 1: wound up getting locked up. He leant like, you got 687 00:37:30,239 --> 00:37:33,120 Speaker 1: the role and in two weeks we're gonna film or whatever. 688 00:37:33,200 --> 00:37:36,279 Speaker 1: You know what I'm saying. You know him Denzel you 689 00:37:36,360 --> 00:37:39,920 Speaker 1: which I was like, oh he all the here he 690 00:37:40,320 --> 00:37:46,439 Speaker 1: jumped in the ownnn wind up stabbing. It wasn't well 691 00:37:46,560 --> 00:37:48,040 Speaker 1: you know with the case. You know what I'm saying. 692 00:37:48,480 --> 00:37:52,920 Speaker 1: I said, Man, I said, and everybody that I got shipped. 693 00:37:53,160 --> 00:37:55,080 Speaker 1: You know, I wound up sucking around. You know what 694 00:37:55,120 --> 00:37:57,560 Speaker 1: I'm saying. It felt addicted to some ship. You know. 695 00:37:57,680 --> 00:38:00,200 Speaker 1: That's why drugs and the ship like that ain't no good. 696 00:38:00,239 --> 00:38:02,719 Speaker 1: I'll tell the kids, you know, that's that's from the heart. 697 00:38:02,760 --> 00:38:04,799 Speaker 1: You know what I'm saying. I went struggles and ship, 698 00:38:05,120 --> 00:38:06,960 Speaker 1: you know what I'm saying. But you know, bounce back 699 00:38:06,960 --> 00:38:09,880 Speaker 1: from that ship and you know, like I tell him, man, 700 00:38:10,000 --> 00:38:13,640 Speaker 1: you know you're struggling with Homie. You could be twenty 701 00:38:13,920 --> 00:38:16,800 Speaker 1: for Jupil times father Hony, because I see at so 702 00:38:16,920 --> 00:38:21,200 Speaker 1: much particial in him. Man, It's just you know, he 703 00:38:21,320 --> 00:38:23,399 Speaker 1: had to come to times with himself. Man, I really 704 00:38:23,520 --> 00:38:26,240 Speaker 1: appreciate you sharing with us about your struggles with addition, 705 00:38:26,280 --> 00:38:27,839 Speaker 1: if you've told me that before, I wouldn't have gave 706 00:38:27,880 --> 00:38:30,319 Speaker 1: you that. Oh no, no, no, no no. But drink, 707 00:38:31,520 --> 00:38:35,879 Speaker 1: I wouldn't have immo. I used to drink a lot, 708 00:38:35,920 --> 00:38:37,319 Speaker 1: you know what I'm saying. But now I might take 709 00:38:37,360 --> 00:38:41,279 Speaker 1: a this drink right here. You might not see me 710 00:38:41,400 --> 00:38:45,640 Speaker 1: drink like two months. I think. I think that's a 711 00:38:45,680 --> 00:38:47,520 Speaker 1: harsh disease, you know what I mean. I wouldn't want 712 00:38:47,520 --> 00:38:50,000 Speaker 1: nobody to think I'm insensitive towards nothing like you know 713 00:38:50,040 --> 00:38:52,640 Speaker 1: what I mean. I appreciate that. No, but it ain't 714 00:38:52,640 --> 00:38:54,279 Speaker 1: had nothing to do with drinking. It was some other ship, 715 00:38:54,800 --> 00:38:59,080 Speaker 1: you know, off the back of book. Yeah, man, DeAndre, DeAndre, 716 00:38:59,200 --> 00:39:02,399 Speaker 1: you know what I'm saying. You know that's my little brother. 717 00:39:02,440 --> 00:39:04,720 Speaker 1: Still I love it. Yeah, he's doing good for himself. 718 00:39:04,800 --> 00:39:07,000 Speaker 1: Like you said, he one of the most popular characters 719 00:39:07,040 --> 00:39:10,160 Speaker 1: on Snowfall. And you know, and what I was going 720 00:39:10,239 --> 00:39:11,640 Speaker 1: through a fourth before we went to the whole thing 721 00:39:11,680 --> 00:39:13,720 Speaker 1: about the Jandre. It seemed like a lot of brothers 722 00:39:13,760 --> 00:39:17,319 Speaker 1: from that area era. It wasn't just life imitating art, 723 00:39:17,400 --> 00:39:19,520 Speaker 1: it was art imitating life because you had to like 724 00:39:19,600 --> 00:39:21,600 Speaker 1: even Homie from Boys in the Hood that dumped on 725 00:39:21,960 --> 00:39:24,440 Speaker 1: Ricky and Alley. They said he was a dude from 726 00:39:24,440 --> 00:39:26,120 Speaker 1: the valley and he wound up going to go get 727 00:39:26,280 --> 00:39:28,960 Speaker 1: jumped into a real gag after yeah, yeah, yeah, then 728 00:39:29,040 --> 00:39:32,440 Speaker 1: wind didn't wind up Boys in Hood, Um yeah for 729 00:39:32,560 --> 00:39:34,120 Speaker 1: Boys in the Hood. Oh boy, the dumped out the 730 00:39:34,160 --> 00:39:36,759 Speaker 1: red car that dumped on Ricky with the twelve gage. Yeah, 731 00:39:37,120 --> 00:39:39,879 Speaker 1: he wound up wanted to watch somewhere and getting jumped 732 00:39:39,880 --> 00:39:43,000 Speaker 1: into a gag and wound up going to prison and 733 00:39:43,080 --> 00:39:46,000 Speaker 1: wound up getting killed. He came up born again Christian 734 00:39:46,080 --> 00:39:49,480 Speaker 1: and some dude killed him. Dude kill him in the hell? Yeah, man, 735 00:39:49,680 --> 00:39:51,160 Speaker 1: it was a whole bunch of cats, like it was 736 00:39:51,200 --> 00:39:53,200 Speaker 1: a couple of the cats. I don't recall right now, 737 00:39:54,000 --> 00:39:56,680 Speaker 1: remember that? Remember that? Do you think it was? Because 738 00:39:56,760 --> 00:39:59,719 Speaker 1: they you gotta remember the time that was on the 739 00:39:59,760 --> 00:40:01,719 Speaker 1: weather coach from these movies came out and how lit 740 00:40:01,800 --> 00:40:04,759 Speaker 1: that was. It was, it was, it was, it was. 741 00:40:05,760 --> 00:40:10,200 Speaker 1: It packed the whole world, man, impact the whole world. 742 00:40:10,239 --> 00:40:14,160 Speaker 1: Because I'm ship, I didn't have people Africa, people, Amster, damn, 743 00:40:15,080 --> 00:40:16,759 Speaker 1: you know, all over the world. You know what I'm saying, 744 00:40:16,800 --> 00:40:19,000 Speaker 1: But that I'll be forgetting Like, damn movies, are you 745 00:40:19,040 --> 00:40:24,760 Speaker 1: know different the world fucking wide? Yeah, you're watching the movie. 746 00:40:24,840 --> 00:40:26,359 Speaker 1: You know what I'm saying. And I wouldn't never say 747 00:40:26,360 --> 00:40:29,200 Speaker 1: I was an actor, but I tell everybody it ain't 748 00:40:29,280 --> 00:40:32,880 Speaker 1: nothing like that film. When you compare film to like 749 00:40:33,200 --> 00:40:37,399 Speaker 1: music or anything else I've experienced all sides. Don't def 750 00:40:37,480 --> 00:40:39,759 Speaker 1: and compare the movies. When you do a movie, I 751 00:40:39,800 --> 00:40:41,880 Speaker 1: don't care. If you got this much for role in it, 752 00:40:42,320 --> 00:40:44,239 Speaker 1: you would be in the McDonald's. People would come up 753 00:40:44,239 --> 00:40:46,759 Speaker 1: to you and stare in your face. People would blow 754 00:40:46,800 --> 00:40:49,440 Speaker 1: their horn ask you. People would knock on your door 755 00:40:49,480 --> 00:40:51,200 Speaker 1: when they found out. I just wanted to see is 756 00:40:51,320 --> 00:40:53,399 Speaker 1: this you? They false their TV's in the house. It's 757 00:40:53,440 --> 00:40:55,839 Speaker 1: like y'all really came over to my crib to get 758 00:40:55,880 --> 00:40:57,600 Speaker 1: me the show that stuff like, I don't know what's 759 00:40:57,640 --> 00:41:02,080 Speaker 1: on there? Or they kes you like this. You'll be 760 00:41:02,239 --> 00:41:04,640 Speaker 1: somewhere doing some normal stuff. You being a check fil 761 00:41:04,840 --> 00:41:07,640 Speaker 1: with your family. What you doing here? And you like, motherfucker, 762 00:41:07,640 --> 00:41:09,560 Speaker 1: I can't go to chick fil a. You think I 763 00:41:09,640 --> 00:41:11,560 Speaker 1: got a million dollars sitting somewhere. I'm supposed to be 764 00:41:11,760 --> 00:41:13,960 Speaker 1: my motherfucker's And they don't think you're supposed to be 765 00:41:14,160 --> 00:41:17,600 Speaker 1: normal because you're in film and you're making money so 766 00:41:18,160 --> 00:41:22,680 Speaker 1: rich motherfucker's don't come here that they don't They just 767 00:41:23,480 --> 00:41:26,560 Speaker 1: can't fathom that they can't see it, you know, Like 768 00:41:26,719 --> 00:41:28,800 Speaker 1: like I was, I was naive to the fact of 769 00:41:28,960 --> 00:41:31,239 Speaker 1: you know, you can't just come over here and telling 770 00:41:31,360 --> 00:41:33,800 Speaker 1: the director what you like. It's a certain ship that 771 00:41:33,880 --> 00:41:36,480 Speaker 1: you just don't know until somebody, you know, school you 772 00:41:36,640 --> 00:41:39,839 Speaker 1: up on it. People really think that it's really real. 773 00:41:40,200 --> 00:41:42,080 Speaker 1: Now you had a cracking at one time. Do you 774 00:41:42,160 --> 00:41:44,160 Speaker 1: think at any point you ever think you got drunk 775 00:41:44,160 --> 00:41:48,080 Speaker 1: off your success in it? No? No, no, no, no, 776 00:41:48,320 --> 00:41:52,320 Speaker 1: it really what my thing is is, you know I 777 00:41:52,480 --> 00:41:58,719 Speaker 1: feel like you know, um and in coming up I 778 00:41:58,880 --> 00:42:00,960 Speaker 1: was young. You know, I'm saying, you know what they're 779 00:42:01,000 --> 00:42:03,239 Speaker 1: like just like like like just with anybody, you know, 780 00:42:03,360 --> 00:42:06,840 Speaker 1: like with snooping in like in in in in pocket, 781 00:42:06,880 --> 00:42:08,759 Speaker 1: you know, and you know when you're looking up to 782 00:42:08,840 --> 00:42:11,759 Speaker 1: people with big brothers and older older, older older people, 783 00:42:11,800 --> 00:42:14,320 Speaker 1: they are supposed to like, Okay, I put my trust 784 00:42:14,400 --> 00:42:16,560 Speaker 1: in you. You know what I'm saying. I'm the artist. 785 00:42:16,680 --> 00:42:19,040 Speaker 1: You know what I'm saying. Of course you know that 786 00:42:19,320 --> 00:42:21,720 Speaker 1: on means. But some people, the people behind the scenes, 787 00:42:21,760 --> 00:42:25,080 Speaker 1: controlling the mechanicals, that's who the people you gotta watch, 788 00:42:25,160 --> 00:42:27,920 Speaker 1: you know what I'm saying. And when you're young and 789 00:42:28,080 --> 00:42:30,760 Speaker 1: you have all this money coming your way and fame 790 00:42:30,880 --> 00:42:33,360 Speaker 1: and stuff like that, you ain't thinking about you know, 791 00:42:34,000 --> 00:42:36,960 Speaker 1: accountants and ship like that. You're thinking about ship. Okay, 792 00:42:37,000 --> 00:42:39,759 Speaker 1: I got to stack the money. Don't want to grab 793 00:42:39,800 --> 00:42:42,920 Speaker 1: these balls I'm about you know, you're just get some jury. 794 00:42:43,280 --> 00:42:45,719 Speaker 1: You know, ship like they're really don't mean ship, but 795 00:42:46,200 --> 00:42:50,920 Speaker 1: it's attractive because to the outside audience. That's that that 796 00:42:51,160 --> 00:42:53,120 Speaker 1: you know, they tap in and you know, the groupies 797 00:42:53,160 --> 00:42:55,520 Speaker 1: and and all that ship. You know they come because 798 00:42:55,560 --> 00:42:56,960 Speaker 1: should come with the game, you know what I'm saying. 799 00:42:57,360 --> 00:43:00,640 Speaker 1: So when you you know, you're young, like the ship, 800 00:43:01,120 --> 00:43:04,080 Speaker 1: it was babies, you know, so giving giving young people 801 00:43:04,120 --> 00:43:06,480 Speaker 1: that money and millions of dollars and like that at 802 00:43:06,800 --> 00:43:08,719 Speaker 1: twenty three and nineteen. You know what I'm saying. That 803 00:43:08,760 --> 00:43:10,879 Speaker 1: didn't That didn't change you, That didn't make you feel 804 00:43:10,960 --> 00:43:13,120 Speaker 1: like he was different up better than the next cat 805 00:43:13,239 --> 00:43:15,800 Speaker 1: that was next to you. Umn, you can't tell me 806 00:43:15,880 --> 00:43:17,960 Speaker 1: you want nothing knocking everything in the world. Now you 807 00:43:18,040 --> 00:43:19,759 Speaker 1: want to moving you to what's happening part of the 808 00:43:20,360 --> 00:43:23,480 Speaker 1: no no, no, no, I'll be ship. No, I have 809 00:43:23,640 --> 00:43:25,279 Speaker 1: some fun. You know I didn't have some fun. You 810 00:43:25,320 --> 00:43:27,560 Speaker 1: know what I'm saying, for real and have some fun. 811 00:43:27,719 --> 00:43:29,239 Speaker 1: You know, that's why I ain't got no license right 812 00:43:29,360 --> 00:43:37,160 Speaker 1: next stop me? You know, ship just spending out in 813 00:43:37,200 --> 00:43:39,680 Speaker 1: front of clubs, having the ball, just having fun, you know, 814 00:43:39,880 --> 00:43:42,480 Speaker 1: as a kid. But you have to learn the mature 815 00:43:42,719 --> 00:43:46,000 Speaker 1: and and you know I saw I respect motherfucker's like, um, 816 00:43:47,120 --> 00:43:51,120 Speaker 1: you know, masterp easy and I'm I'm gonna say show 817 00:43:51,200 --> 00:43:53,680 Speaker 1: to you know what I'm saying, because but it's certain 818 00:43:53,719 --> 00:43:56,200 Speaker 1: things that I didn't like. You know that. You know that. 819 00:43:56,719 --> 00:44:01,320 Speaker 1: But his master plan on executing ship and how you 820 00:44:01,400 --> 00:44:05,040 Speaker 1: did this ship. You know what I'm saying. Sure night, 821 00:44:06,160 --> 00:44:07,719 Speaker 1: a lot of ship that he did. You know what 822 00:44:07,719 --> 00:44:12,200 Speaker 1: I'm saying, people was just bypassing his moves away. He executed. 823 00:44:12,239 --> 00:44:15,000 Speaker 1: But I did not like what he was doing. You know, 824 00:44:15,360 --> 00:44:18,000 Speaker 1: as far as you know, to the artists and stuff 825 00:44:18,040 --> 00:44:20,160 Speaker 1: like that. You know what I'm saying, you should be 826 00:44:20,320 --> 00:44:22,840 Speaker 1: you should, you should everybody should give them what they 827 00:44:24,520 --> 00:44:27,480 Speaker 1: You know what I always say this, I messed a 828 00:44:27,520 --> 00:44:29,120 Speaker 1: couple of times. I ain't gonna say me and him 829 00:44:29,160 --> 00:44:30,960 Speaker 1: with friends and no ship like that. You know, it's 830 00:44:30,960 --> 00:44:34,200 Speaker 1: just get I met a couple of times. I think, Um, 831 00:44:34,400 --> 00:44:37,040 Speaker 1: he definitely made mistakes, but I think some of the stuff. 832 00:44:37,080 --> 00:44:38,759 Speaker 1: I think some of the stuff he did though, you 833 00:44:38,880 --> 00:44:41,680 Speaker 1: still you know, you put his mistakes in the pile 834 00:44:41,760 --> 00:44:43,359 Speaker 1: over here, and you look at the other ship he did. 835 00:44:44,120 --> 00:44:47,319 Speaker 1: Motherfucker's he mastered the mind some ship that wasn't easy ship. 836 00:44:47,880 --> 00:44:50,160 Speaker 1: You know, he knew to keep pieces he needed to get, 837 00:44:50,280 --> 00:44:52,160 Speaker 1: like he knew to go grab this man to go 838 00:44:52,320 --> 00:44:54,640 Speaker 1: do what he needed to go do. He knew to go, Okay, 839 00:44:54,719 --> 00:44:56,480 Speaker 1: I got this dude, that's go help me getting an 840 00:44:56,520 --> 00:44:59,440 Speaker 1: im and go get dred And he wanted that's not 841 00:44:59,520 --> 00:45:02,480 Speaker 1: no easy. He's gonna take that chance, put money and 842 00:45:02,520 --> 00:45:04,359 Speaker 1: put it where it supposed to be to make ship happen. 843 00:45:04,520 --> 00:45:06,879 Speaker 1: It's almost just like we're sitting here right now. I'm 844 00:45:06,880 --> 00:45:09,879 Speaker 1: me telling James that you know what, man, We're gonna 845 00:45:09,880 --> 00:45:12,920 Speaker 1: go up here and we go holid this motherfucker. We 846 00:45:13,040 --> 00:45:17,800 Speaker 1: go holid at this motherfucker le or Coleen around YouTube 847 00:45:17,960 --> 00:45:20,239 Speaker 1: and I'm gonna go talk to tell us, nigga, he 848 00:45:20,440 --> 00:45:22,560 Speaker 1: go give us you know what you feel. What I'm saying, 849 00:45:22,960 --> 00:45:25,239 Speaker 1: that's some cool ship that motherfucker did. Nik It was 850 00:45:25,280 --> 00:45:27,680 Speaker 1: a bodyguard came here this ship. You tell him what, 851 00:45:27,800 --> 00:45:31,040 Speaker 1: you tell him what your vision is. He's gonna say 852 00:45:31,080 --> 00:45:34,640 Speaker 1: like this, he goes see the vision and then he's 853 00:45:34,640 --> 00:45:36,520 Speaker 1: gonna say, you know what, I'm gonna get the best 854 00:45:36,600 --> 00:45:40,080 Speaker 1: motherfucker that that whatever you're trying to do, I'm gonna 855 00:45:40,080 --> 00:45:42,040 Speaker 1: go get them to put him right in front of 856 00:45:42,120 --> 00:45:44,560 Speaker 1: you and execute what your post. Whether it's a video, 857 00:45:44,920 --> 00:45:47,239 Speaker 1: whether it's it's shooting a fit, whether it's whatever you're 858 00:45:47,239 --> 00:45:49,160 Speaker 1: trying to do a record, I'm gonna get the best 859 00:45:49,239 --> 00:45:51,600 Speaker 1: motherfucker for the job. You know what I'm saying. Uh, 860 00:45:51,719 --> 00:45:54,040 Speaker 1: Sugar wasn't in. They're typing in and doing no ship 861 00:45:54,160 --> 00:45:56,360 Speaker 1: like that. But what he did was he said, Okay, 862 00:45:56,600 --> 00:46:00,520 Speaker 1: well I know I need the best fucking promotional tool people, 863 00:46:01,600 --> 00:46:05,279 Speaker 1: So who you work for? Okay, here come here man. 864 00:46:05,760 --> 00:46:09,680 Speaker 1: She a lot of that was Big West thought. He 865 00:46:09,760 --> 00:46:12,200 Speaker 1: got that from Big Well, she learned from Big West, 866 00:46:12,480 --> 00:46:16,000 Speaker 1: but they've all learned from Big Griffy. Yeah, Griffy was 867 00:46:16,280 --> 00:46:19,880 Speaker 1: the head starter. That's the toad, Big West, and and 868 00:46:20,000 --> 00:46:24,080 Speaker 1: that's where he got managing money and how you give 869 00:46:24,200 --> 00:46:28,919 Speaker 1: your people money because Dick and West starting, well, don't 870 00:46:28,960 --> 00:46:30,800 Speaker 1: give him, don't give him what they work because you 871 00:46:30,840 --> 00:46:34,560 Speaker 1: ain't gonna see your money like you share. So they 872 00:46:34,600 --> 00:46:37,080 Speaker 1: don't get rich until you get rich. And that's the 873 00:46:37,120 --> 00:46:40,719 Speaker 1: way the motherfucking music industry. You ain't gonna be rich 874 00:46:40,800 --> 00:46:44,080 Speaker 1: before me. I'm the man that's that. And that's how 875 00:46:44,200 --> 00:46:46,400 Speaker 1: you got that. How that's how that bro. You know 876 00:46:46,520 --> 00:46:49,560 Speaker 1: what I'm saying that that's good. I gotta ask you 877 00:46:49,640 --> 00:46:54,479 Speaker 1: this questions because you mentioned that you kind of wanted 878 00:46:54,480 --> 00:46:56,879 Speaker 1: to be an artist more than the actor, you being 879 00:46:56,920 --> 00:47:01,320 Speaker 1: a youngster at the time. And I know, man, that 880 00:47:01,520 --> 00:47:04,200 Speaker 1: music money cannot funk with movie money. No it can't. 881 00:47:04,320 --> 00:47:06,200 Speaker 1: But I can't, you know, I just I've been seeing 882 00:47:06,480 --> 00:47:08,680 Speaker 1: you know, I've been beating on tables and walls and 883 00:47:08,760 --> 00:47:11,759 Speaker 1: ships ever since elementary. That was music my first one. 884 00:47:11,840 --> 00:47:14,080 Speaker 1: I would do a record just to be doing that's 885 00:47:14,120 --> 00:47:15,719 Speaker 1: like you know what I'm saying, it's my highest Like 886 00:47:17,480 --> 00:47:20,680 Speaker 1: I love music, but you know, I just happened to 887 00:47:20,760 --> 00:47:24,279 Speaker 1: stumble into the films, so I love doing films. I 888 00:47:24,320 --> 00:47:26,520 Speaker 1: already know that because you know what this music ship 889 00:47:26,680 --> 00:47:30,040 Speaker 1: that they got all the little creative accounting practices and 890 00:47:30,120 --> 00:47:33,000 Speaker 1: stuff like that. Motherfucker's don't never get. It's like I 891 00:47:33,200 --> 00:47:35,440 Speaker 1: talk to motherfucker's that don't sold. It'd be funny you 892 00:47:35,520 --> 00:47:37,720 Speaker 1: sunk to motherfucking on sold to a three million albums 893 00:47:37,760 --> 00:47:39,600 Speaker 1: and black Wood, Man, I ain't making nothing but this 894 00:47:39,760 --> 00:47:43,000 Speaker 1: now you'd like because it's that's that, that's that industry 895 00:47:43,040 --> 00:47:45,440 Speaker 1: where they robbing you like a blind because that and 896 00:47:45,560 --> 00:47:48,600 Speaker 1: that goes to to show that that goes to say like, Okay, 897 00:47:48,680 --> 00:47:51,400 Speaker 1: that's why I respect more Funcker's like you know, Masterpiece 898 00:47:51,640 --> 00:47:54,920 Speaker 1: and the ones that that that show you entrepreneurialship. You 899 00:47:54,920 --> 00:47:56,080 Speaker 1: know what I'm saying, to show you how to go 900 00:47:56,120 --> 00:47:59,040 Speaker 1: out there and get and and show you again like look, man, 901 00:47:59,120 --> 00:48:02,120 Speaker 1: this is what this how you do your ship. Because 902 00:48:02,160 --> 00:48:04,359 Speaker 1: if that was the case, snooping them would have been 903 00:48:04,400 --> 00:48:05,719 Speaker 1: doing that and when they had to go through that 904 00:48:05,760 --> 00:48:07,799 Speaker 1: ship with But if you don't know, if you catch 905 00:48:07,840 --> 00:48:10,839 Speaker 1: somebody that's naive to the game and don't know, then 906 00:48:10,880 --> 00:48:13,279 Speaker 1: you're taking advantage of somebody. And that's not cool. And 907 00:48:13,360 --> 00:48:15,759 Speaker 1: that's what that's the only thing that I do. You 908 00:48:15,800 --> 00:48:18,480 Speaker 1: know what I'm saying, we get taking advantage of you 909 00:48:18,520 --> 00:48:21,640 Speaker 1: know what I'm saying, And you know that's that's basically 910 00:48:21,719 --> 00:48:25,359 Speaker 1: what what drading like what easy? You know easy kind 911 00:48:25,400 --> 00:48:30,120 Speaker 1: of you know, hustlers for a real street. So nobody 912 00:48:30,160 --> 00:48:32,919 Speaker 1: man came and told him a little something. Okay, ma'am, 913 00:48:33,040 --> 00:48:35,600 Speaker 1: Now now you're turning on your your partners. You know 914 00:48:35,640 --> 00:48:40,239 Speaker 1: what I'm saying. It was the money. Though I'm looking 915 00:48:40,320 --> 00:48:43,040 Speaker 1: like this, I'm easy. I put this ship together, so 916 00:48:44,040 --> 00:48:47,560 Speaker 1: basically this is mine. So I'm in control so I 917 00:48:47,680 --> 00:48:49,400 Speaker 1: can give you what I want to give you that 918 00:48:49,600 --> 00:48:53,360 Speaker 1: I ain't gonna give you nothing. But the talent is 919 00:48:53,680 --> 00:48:56,759 Speaker 1: the cats you fucking with. You know, Drake told him 920 00:48:56,800 --> 00:49:00,759 Speaker 1: out of wrap. But but see, but everything you know 921 00:49:00,800 --> 00:49:02,960 Speaker 1: what I'm saying, So you're supposed to get Let's see, 922 00:49:02,960 --> 00:49:05,360 Speaker 1: that's what I'm saying. He wouldn't even get That's what 923 00:49:05,640 --> 00:49:10,960 Speaker 1: That's what that's the that's the cutout many and what 924 00:49:11,040 --> 00:49:14,000 Speaker 1: I did. At the same time, it's like, but still, 925 00:49:14,080 --> 00:49:17,759 Speaker 1: you know ship even re ship? What then come you 926 00:49:17,880 --> 00:49:20,719 Speaker 1: got records? You got you don't hit motherfucking records. You're old. 927 00:49:20,800 --> 00:49:23,279 Speaker 1: Some money, give me my money. You know what I'm saying. 928 00:49:23,760 --> 00:49:26,680 Speaker 1: It's a cutthrow game. You know what I'm saying that 929 00:49:26,880 --> 00:49:30,520 Speaker 1: music industry it's it's it's some bullshit, And yeah, I 930 00:49:30,680 --> 00:49:32,800 Speaker 1: respect the fact of how I should have to do 931 00:49:32,880 --> 00:49:35,080 Speaker 1: because you have to slap a cup of these motherfuckers 932 00:49:35,080 --> 00:49:36,919 Speaker 1: across the head, you know what I'm saying. But then 933 00:49:37,880 --> 00:49:41,000 Speaker 1: it's like, okay, well, now what do you do? You know, 934 00:49:41,440 --> 00:49:44,440 Speaker 1: it's like a dog, you know what I'm saying, Look, 935 00:49:46,400 --> 00:49:50,160 Speaker 1: kill the dog. That's my Yeah, let that motherfucker turn around, 936 00:49:51,000 --> 00:49:53,920 Speaker 1: bite you, bite your kids. You gotta kill that. You 937 00:49:53,960 --> 00:49:56,840 Speaker 1: gotta put it down, you gotta get the But what 938 00:49:56,880 --> 00:49:59,799 Speaker 1: I'm saying, that's like, that's that's like ship with rad 939 00:50:00,040 --> 00:50:02,680 Speaker 1: like it felt like he's like Dre probably felt like damn, 940 00:50:02,760 --> 00:50:05,960 Speaker 1: you know, because Drake was with that. Yeah, yeah, yeah, 941 00:50:06,040 --> 00:50:08,759 Speaker 1: we're slapping motherfucker's up and you kind of got tired 942 00:50:08,800 --> 00:50:11,400 Speaker 1: all that ship in the studio with us. But you know, 943 00:50:11,840 --> 00:50:13,880 Speaker 1: it was a lot of ship going on, and it 944 00:50:14,000 --> 00:50:18,640 Speaker 1: was cool when it was you know, you know, you 945 00:50:18,640 --> 00:50:20,239 Speaker 1: know what I'm saying, who a lot of ship going on, 946 00:50:21,160 --> 00:50:23,880 Speaker 1: you know what I'm saying. But was it necessary for music? 947 00:50:24,120 --> 00:50:25,680 Speaker 1: And that's that's what I'm saying. None of that ship 948 00:50:25,760 --> 00:50:28,520 Speaker 1: was necessary? Now see, you do you know how much. 949 00:50:29,000 --> 00:50:31,759 Speaker 1: I always I always say this like goddamn, like you know, 950 00:50:31,840 --> 00:50:36,040 Speaker 1: all the motherfucker's because everybody was tuned in the death 951 00:50:36,120 --> 00:50:40,040 Speaker 1: from how many motherfuckers. Everybody was trying to sign that 952 00:50:40,080 --> 00:50:43,319 Speaker 1: more Buster run people, but they were they was coming 953 00:50:43,360 --> 00:50:45,799 Speaker 1: for Dre. They wanted to be where Drake was at. 954 00:50:46,040 --> 00:50:47,520 Speaker 1: You know what I'm saying. They wanted to pople Dre 955 00:50:47,680 --> 00:50:50,560 Speaker 1: was there. So if he would have just gave everybody 956 00:50:50,600 --> 00:50:53,680 Speaker 1: what the funk they man, he would have had whoever 957 00:50:53,840 --> 00:50:57,000 Speaker 1: been on that eve uh Buster runs, he would have 958 00:50:57,160 --> 00:51:00,279 Speaker 1: fifty cents everybody, you know what I'm saying, It would 959 00:51:00,280 --> 00:51:02,359 Speaker 1: have been showed up. It would have been showed up. 960 00:51:03,239 --> 00:51:04,880 Speaker 1: He would have This is all the people that that 961 00:51:05,920 --> 00:51:09,400 Speaker 1: should would have because everybody wanted up going then they 962 00:51:09,440 --> 00:51:11,080 Speaker 1: wanted to go to act the math, So he would 963 00:51:11,080 --> 00:51:13,480 Speaker 1: have he would had. He would have been the biggest 964 00:51:13,560 --> 00:51:17,120 Speaker 1: fucking over. But he was trying wound up running in 965 00:51:17,200 --> 00:51:19,800 Speaker 1: his score records. As I'm pretty sure Shimmy would have retired, 966 00:51:21,080 --> 00:51:23,400 Speaker 1: he'd probably rang in his score. He'd probably been a 967 00:51:23,480 --> 00:51:28,000 Speaker 1: part of the pay phone deal that right now to 968 00:51:28,160 --> 00:51:30,680 Speaker 1: day it was still going strong, and she would have 969 00:51:30,760 --> 00:51:33,600 Speaker 1: been worth over a bill, you know, about trillion there 970 00:51:34,040 --> 00:51:38,440 Speaker 1: now way over I'm saying, you know, if that's what 971 00:51:38,440 --> 00:51:41,239 Speaker 1: I'm saying, would ignorance that come with it? Like, man, 972 00:51:41,360 --> 00:51:43,560 Speaker 1: it's just like, okay, how how real did you keep it? 973 00:51:43,680 --> 00:51:46,440 Speaker 1: You know what I'm saying. You know, would always tell people. Man, 974 00:51:46,520 --> 00:51:49,799 Speaker 1: I'm saying, devil answered prayers just like God. Dude. Man, 975 00:51:50,000 --> 00:51:53,400 Speaker 1: So sometimes man, everything that litterally ain't go because you know, 976 00:51:53,560 --> 00:51:57,120 Speaker 1: should he You know he did, man, everybody knows, you know, 977 00:51:57,239 --> 00:52:00,560 Speaker 1: his nefarious you know past. But at the same talking, 978 00:52:00,640 --> 00:52:04,040 Speaker 1: he kept motherfucker's out of jail, He kept motherfucker's j 979 00:52:04,560 --> 00:52:07,000 Speaker 1: I'm saying he did. He did some good ship. You know, 980 00:52:07,120 --> 00:52:09,160 Speaker 1: he could have done better. And and that's what I 981 00:52:09,280 --> 00:52:14,160 Speaker 1: tell people, Man, I don't capitalize on his positive positive stuff. 982 00:52:14,239 --> 00:52:16,960 Speaker 1: Always always are negative. You know what I'm saying is 983 00:52:17,040 --> 00:52:19,520 Speaker 1: you ever noticed the motherfucker's that do right. They may 984 00:52:19,600 --> 00:52:21,399 Speaker 1: not get it as fast as you know the other 985 00:52:21,480 --> 00:52:24,480 Speaker 1: motherfucker's that's moving kind of crooked, but the motherfucker's just 986 00:52:24,560 --> 00:52:26,480 Speaker 1: moving with honor and their ship. They seemed to have 987 00:52:26,680 --> 00:52:29,279 Speaker 1: more longevity and they eventually get everything that they got 988 00:52:29,360 --> 00:52:31,440 Speaker 1: coming to him. He would have got that, but he 989 00:52:31,640 --> 00:52:34,879 Speaker 1: felt that you know, he was mentioning something in his life, 990 00:52:35,760 --> 00:52:38,040 Speaker 1: you know, growing up in the hood and seeing us 991 00:52:38,120 --> 00:52:41,080 Speaker 1: walking block. Man, I want to be like, damn man, 992 00:52:41,120 --> 00:52:43,719 Speaker 1: I'm my mom and got me like the motherfucker's I was. 993 00:52:43,760 --> 00:52:46,360 Speaker 1: I want to hang out and the home girls. He 994 00:52:46,440 --> 00:52:49,400 Speaker 1: didn't have that life. So when he got a taste 995 00:52:49,480 --> 00:52:52,920 Speaker 1: of it and he had the money to go with it, 996 00:52:53,800 --> 00:52:57,160 Speaker 1: the power was just too much fun. He was overcharged, 997 00:52:57,280 --> 00:52:59,080 Speaker 1: so he didn't know what to do with it, and 998 00:52:59,480 --> 00:53:03,279 Speaker 1: he wouldn't drink. Played the background. Don't start me and 999 00:53:03,360 --> 00:53:06,400 Speaker 1: a man I used to have him. You don't do 1000 00:53:06,600 --> 00:53:09,879 Speaker 1: no fucking magazines and all that other ship. You ain't 1001 00:53:09,920 --> 00:53:12,440 Speaker 1: taking no picture, don't do no interviews. They don't need 1002 00:53:12,520 --> 00:53:15,120 Speaker 1: to see you. Because I was the reason for us 1003 00:53:15,200 --> 00:53:17,799 Speaker 1: to be there. Whatever needs to be done, we're going 1004 00:53:17,880 --> 00:53:19,719 Speaker 1: off this. We're gonna go and handle that. You don't 1005 00:53:19,760 --> 00:53:22,040 Speaker 1: have to this, so you you could, he could have 1006 00:53:22,080 --> 00:53:25,279 Speaker 1: said at home, but he wanted to be a part 1007 00:53:25,360 --> 00:53:27,799 Speaker 1: of the Gamester ship. He wanted and when he got 1008 00:53:27,920 --> 00:53:31,080 Speaker 1: a taste of it, it's like a pit bull tasting blood, 1009 00:53:31,600 --> 00:53:34,759 Speaker 1: you know what I'm saying. He couldn't quit now, so 1010 00:53:34,960 --> 00:53:38,160 Speaker 1: that was his downphat Now you come to now your 1011 00:53:38,280 --> 00:53:42,320 Speaker 1: gang member. Now you're working with different bitches. Now it 1012 00:53:42,480 --> 00:53:46,000 Speaker 1: comes the liquor. She never drunk a day in his life. 1013 00:53:46,040 --> 00:53:50,200 Speaker 1: He didn't drink like that. Then here comes with all 1014 00:53:50,360 --> 00:53:53,640 Speaker 1: through the parties and ship bitches putting his ship on him. 1015 00:53:53,680 --> 00:53:57,200 Speaker 1: And now you're not thinking like a business man. No, 1016 00:53:58,120 --> 00:54:00,239 Speaker 1: the only thing you are as a gainster with money, 1017 00:54:01,000 --> 00:54:04,439 Speaker 1: and that you're gonna deplete that because if you don't 1018 00:54:04,480 --> 00:54:06,640 Speaker 1: get killed like the rest of the motherfucker's getting killed, 1019 00:54:06,840 --> 00:54:11,719 Speaker 1: you're gonna wind up where your penitentiary hasn't. And that's 1020 00:54:11,760 --> 00:54:14,600 Speaker 1: the old route that we take. Either you're gonna die 1021 00:54:15,120 --> 00:54:17,759 Speaker 1: or go to jail. Jail, your money don't mean the 1022 00:54:17,880 --> 00:54:20,480 Speaker 1: motherfucking thing. And that's where that's the only reason why 1023 00:54:21,040 --> 00:54:24,120 Speaker 1: that brothers in the place where he's at today. I mean, yeah, 1024 00:54:24,200 --> 00:54:27,160 Speaker 1: he did good things. He saved snoop life. You know 1025 00:54:27,200 --> 00:54:30,560 Speaker 1: what I'm saying. What Snoop looked like being doing twenty 1026 00:54:30,640 --> 00:54:34,480 Speaker 1: five thirty years in the state penitentiary. Shoot, I mean, uh, 1027 00:54:35,040 --> 00:54:40,839 Speaker 1: Snoop acknowledge that. But what Master P done for him was, Man, 1028 00:54:41,400 --> 00:54:44,080 Speaker 1: you really got me where I need to be. I mean, 1029 00:54:44,160 --> 00:54:48,160 Speaker 1: he took on, he took on the row of like, look, 1030 00:54:49,080 --> 00:54:52,160 Speaker 1: I'm I'm gonna sell you everything that you need to 1031 00:54:52,239 --> 00:54:54,680 Speaker 1: spread your wings and do your things. Just let me 1032 00:54:54,760 --> 00:54:57,600 Speaker 1: give you my cut and spread your wings and go 1033 00:54:57,880 --> 00:55:01,200 Speaker 1: do your period of mind. I don't want the best game. 1034 00:55:01,440 --> 00:55:03,480 Speaker 1: You don't want to take you and make you like 1035 00:55:03,680 --> 00:55:06,360 Speaker 1: oh if I'm just wanting to do none of that. 1036 00:55:06,560 --> 00:55:09,040 Speaker 1: He didn't milk him. I just gave you hit man. 1037 00:55:09,080 --> 00:55:11,160 Speaker 1: This is the game. This is what it is gonna do. 1038 00:55:11,600 --> 00:55:14,480 Speaker 1: And that's what That's what everybody that that that you 1039 00:55:14,560 --> 00:55:19,120 Speaker 1: know that's doing this entrepreneurial thing for that artist. Man, 1040 00:55:19,920 --> 00:55:22,280 Speaker 1: period point black. You know what I'm saying. You already 1041 00:55:22,320 --> 00:55:25,920 Speaker 1: give money. Let me know what I'm saying. You want 1042 00:55:25,920 --> 00:55:28,360 Speaker 1: another boat? You want another how many boats're gonna have? 1043 00:55:28,440 --> 00:55:31,960 Speaker 1: You don't even because you're gonna have man that ship. Man, 1044 00:55:32,920 --> 00:55:36,200 Speaker 1: it's about leaving a legacy and leaving your name not tornish. 1045 00:55:36,239 --> 00:55:39,839 Speaker 1: You know what I'm saying. What was like, Okay, they're 1046 00:55:39,840 --> 00:55:42,200 Speaker 1: gonna frown on you or they're gonna, hey, man, they 1047 00:55:42,320 --> 00:55:45,239 Speaker 1: crown you master. Like this, If I if I made 1048 00:55:45,600 --> 00:55:50,400 Speaker 1: thirty niggas millionaires, if I went broke today, five of 1049 00:55:50,480 --> 00:55:53,279 Speaker 1: you motherfucker's that I made millionaires, gonna come look out 1050 00:55:53,360 --> 00:55:55,680 Speaker 1: from me. Thank you, you feel me? Thank you. So 1051 00:55:55,800 --> 00:55:59,279 Speaker 1: he's the smartest motherfucker that I only goddamn promo. Now 1052 00:56:00,080 --> 00:56:03,040 Speaker 1: he invested in somebody that's gonna invest in him if 1053 00:56:03,120 --> 00:56:07,200 Speaker 1: he ever fall off, that's gang. That's that. And then 1054 00:56:07,320 --> 00:56:10,960 Speaker 1: you know he couldn't count man, So you know that's 1055 00:56:11,040 --> 00:56:13,719 Speaker 1: that's that's you know, that's in my movie. But I'm 1056 00:56:13,800 --> 00:56:15,399 Speaker 1: trying to do you know what I'm saying and things, 1057 00:56:15,520 --> 00:56:18,880 Speaker 1: you know, getting myself back in and focus, you know 1058 00:56:18,880 --> 00:56:21,839 Speaker 1: what I'm saying, because everybody goes through the up state 1059 00:56:21,880 --> 00:56:24,279 Speaker 1: downs and then you know, ship too. I just lost 1060 00:56:24,480 --> 00:56:26,680 Speaker 1: I lost my dad too, So that's kind of like 1061 00:56:27,280 --> 00:56:29,680 Speaker 1: but I ain't trying to throw no no, no ship. 1062 00:56:33,200 --> 00:56:34,920 Speaker 1: You know what I'm saying. I don't know excuses, but 1063 00:56:35,120 --> 00:56:39,080 Speaker 1: you know, um, you know, I gotta I gotta got 1064 00:56:39,160 --> 00:56:40,799 Speaker 1: a few things in the kim. You know what I'm 1065 00:56:40,840 --> 00:56:43,880 Speaker 1: saying that that you know, shows and ship like that, 1066 00:56:44,160 --> 00:56:47,040 Speaker 1: you know drama series that you know that I wrote, 1067 00:56:47,040 --> 00:56:49,240 Speaker 1: and ship you know like kind of something like power 1068 00:56:49,480 --> 00:56:56,279 Speaker 1: and all that type of ship like yeah that h yeah, man, 1069 00:56:56,480 --> 00:56:59,320 Speaker 1: I'm gonna say this to you because I had a 1070 00:56:59,400 --> 00:57:03,080 Speaker 1: problem when my mom's passed. I didn't want to embrace it. 1071 00:57:04,080 --> 00:57:07,760 Speaker 1: Embrace your pop's death and makes you a better person, 1072 00:57:07,920 --> 00:57:10,759 Speaker 1: especially if you're hold on all the good ship. And 1073 00:57:10,920 --> 00:57:13,640 Speaker 1: so you understand what I'm saying to you. Embrace it 1074 00:57:14,360 --> 00:57:17,040 Speaker 1: because that's what we're here for. We're born to doctor. 1075 00:57:17,960 --> 00:57:21,360 Speaker 1: So Pops did this thing. You got a great son 1076 00:57:21,440 --> 00:57:23,840 Speaker 1: out of it, you know what I'm saying. Embrace that 1077 00:57:24,000 --> 00:57:26,720 Speaker 1: part of it. You won't feel bad at all once 1078 00:57:26,760 --> 00:57:30,280 Speaker 1: you Once you embrace everything, so you won't feel bad. 1079 00:57:30,360 --> 00:57:33,080 Speaker 1: You won't think nothing. You're gonna move on with your 1080 00:57:33,160 --> 00:57:36,640 Speaker 1: life and do everything from that day forward to show 1081 00:57:36,800 --> 00:57:42,040 Speaker 1: him and whomever that you're that man and what what 1082 00:57:42,600 --> 00:57:48,479 Speaker 1: you're a product of. And everybody don't fight it. Brother, Yeah, 1083 00:57:50,280 --> 00:57:59,120 Speaker 1: time time you got some you are And I tell 1084 00:57:59,200 --> 00:58:00,800 Speaker 1: people that's all the time. I'm gon till eight this 1085 00:58:00,840 --> 00:58:02,960 Speaker 1: because I think people wanted them. They don't see it. 1086 00:58:03,480 --> 00:58:07,480 Speaker 1: You probably wanted to record most recognizable people from that era. Man, 1087 00:58:09,080 --> 00:58:10,800 Speaker 1: are we gonna get some new stuff from you? Man? 1088 00:58:10,840 --> 00:58:12,480 Speaker 1: Are you gonna start getting out here? Man? You can 1089 00:58:12,680 --> 00:58:15,680 Speaker 1: jumping jumping. I got a couple of films coming out. 1090 00:58:16,280 --> 00:58:17,960 Speaker 1: I had a couple of films coming out right now, 1091 00:58:18,080 --> 00:58:22,120 Speaker 1: Like like right before COVID, I got on with Nick Cannon, 1092 00:58:22,240 --> 00:58:26,680 Speaker 1: Chris Brown and uh Baby and Safety Entertainment. It's called 1093 00:58:26,760 --> 00:58:29,120 Speaker 1: she Ball and it happened. They never came out yet, 1094 00:58:29,360 --> 00:58:31,600 Speaker 1: but he said it's it's coming like you know what 1095 00:58:31,600 --> 00:58:34,840 Speaker 1: I'm saying that COVID had uh stopped up. In fact, 1096 00:58:34,880 --> 00:58:37,480 Speaker 1: I did them. There two or three films with DeAndre too, 1097 00:58:37,840 --> 00:58:40,320 Speaker 1: but I got one. It's called Blood Sacrifice from me 1098 00:58:40,480 --> 00:58:45,360 Speaker 1: him and uh uh O getting Mr Tan isn't too. 1099 00:58:46,000 --> 00:58:48,720 Speaker 1: Mr Tanna was in the Baby Boy. That's me right there. 1100 00:58:49,920 --> 00:58:52,760 Speaker 1: Mr Tan crazy if he played my brother and the 1101 00:58:52,840 --> 00:58:56,560 Speaker 1: motherfucker Mr Mr Tan get off to it. That motherfucker too. Yeah. 1102 00:58:57,120 --> 00:59:01,400 Speaker 1: Um Ship Oh girl from uh Basketball Wives is in it. 1103 00:59:01,480 --> 00:59:03,360 Speaker 1: There's a couple of people. It's it's really like a 1104 00:59:03,480 --> 00:59:10,520 Speaker 1: good good film. It's coming out. Ship Uh. I got 1105 00:59:10,560 --> 00:59:12,040 Speaker 1: a couple. I got a couple of cup of films 1106 00:59:12,080 --> 00:59:14,880 Speaker 1: coming out. You know what I'm saying right now? My stuff, 1107 00:59:15,040 --> 00:59:18,200 Speaker 1: I'm trying to get behind the scenes and producing and 1108 00:59:18,280 --> 00:59:22,600 Speaker 1: stuff like that. You know. Yeah, so man direct, but 1109 00:59:23,480 --> 00:59:26,760 Speaker 1: I most definitely want to do. That's what I'm doing 1110 00:59:26,880 --> 00:59:29,240 Speaker 1: right now. So I already got um already got the 1111 00:59:30,640 --> 00:59:33,400 Speaker 1: the script of the first episode written out. You know 1112 00:59:33,400 --> 00:59:36,400 Speaker 1: what I'm saying, uh, in script for him and and 1113 00:59:36,760 --> 00:59:38,800 Speaker 1: you know I've been doing the smoothie thing for me, 1114 00:59:39,000 --> 00:59:43,000 Speaker 1: so it's it's right, It's right, yeah, for sure. Man, 1115 00:59:43,640 --> 00:59:45,560 Speaker 1: where can people hit you up? Bacause don't know? We 1116 00:59:45,680 --> 00:59:47,920 Speaker 1: get this man? You like, um, I was looking for 1117 00:59:48,040 --> 00:59:49,800 Speaker 1: your social media to day and I said, man, it's 1118 00:59:49,840 --> 00:59:51,680 Speaker 1: like this, dude, just don't try to move off the 1119 00:59:51,720 --> 00:59:55,080 Speaker 1: earth and so man, and you know and like my, my, my, 1120 00:59:55,560 --> 00:59:57,960 Speaker 1: my people today he you know what I'm saying, my 1121 00:59:58,080 --> 01:00:00,600 Speaker 1: part of the manager team. U you know, you get 1122 01:00:00,680 --> 01:00:02,320 Speaker 1: you get ready to give me the start. That's what 1123 01:00:02,320 --> 01:00:04,040 Speaker 1: I'm saying. It's it's a whole new because I wasn't 1124 01:00:04,080 --> 01:00:07,520 Speaker 1: tapping into this, you know, this new era that's just 1125 01:00:07,760 --> 01:00:09,600 Speaker 1: you know where you gotta do. You know how many 1126 01:00:09,640 --> 01:00:12,120 Speaker 1: people probably been trying to find you man for different stuff, 1127 01:00:12,160 --> 01:00:14,560 Speaker 1: for leaving me. I know, I know, I just wouldn't tapping. 1128 01:00:15,240 --> 01:00:17,680 Speaker 1: I wouldn't tell you. I wouldn't. But that's not tell 1129 01:00:17,800 --> 01:00:19,840 Speaker 1: James too, because I'm like James, you know, man, these 1130 01:00:19,880 --> 01:00:22,400 Speaker 1: people hitting me up trying to hear James up for this, 1131 01:00:22,560 --> 01:00:24,840 Speaker 1: I'm like, I grow up with that and then at 1132 01:00:25,920 --> 01:00:29,200 Speaker 1: me Instagram and I have to I didn't. I didn't 1133 01:00:29,240 --> 01:00:31,040 Speaker 1: do none of that ship. You know what I'm saying. 1134 01:00:31,520 --> 01:00:33,560 Speaker 1: I was glad when the when the phones came. But 1135 01:00:33,640 --> 01:00:36,040 Speaker 1: other than that, man, I don't do that yet. So 1136 01:00:36,160 --> 01:00:39,120 Speaker 1: I gotta tap being spectively with doing then my clothing lines, 1137 01:00:39,160 --> 01:00:41,280 Speaker 1: stuff like that bab Boon Goons. You know what I'm saying, 1138 01:00:41,600 --> 01:00:46,080 Speaker 1: that's my Babboon Goon enterprise. Uh is my um his name, 1139 01:00:46,160 --> 01:00:48,680 Speaker 1: my uh, my lebel and stuff like that. So in 1140 01:00:48,760 --> 01:00:53,480 Speaker 1: my entertainment company, so um, I have to. So that's 1141 01:00:53,520 --> 01:00:56,440 Speaker 1: what we're doing right now. We're getting ready vamped websites 1142 01:00:56,760 --> 01:00:58,880 Speaker 1: and you know, stuff for my clothing and stuff like that. 1143 01:00:59,080 --> 01:01:03,479 Speaker 1: Ended for the drama series. The drama series is called 1144 01:01:03,520 --> 01:01:06,080 Speaker 1: The Halls, like you know, because that's where I wasn't 1145 01:01:06,080 --> 01:01:08,600 Speaker 1: fortune and a half you know what I'm saying. Before 1146 01:01:08,640 --> 01:01:10,800 Speaker 1: the movie for Mins Society, I was locked up two 1147 01:01:10,800 --> 01:01:13,160 Speaker 1: and a half years and the Halls Kidnap Robert, you 1148 01:01:13,160 --> 01:01:15,800 Speaker 1: know what I'm saying, like running you know, see, well 1149 01:01:15,920 --> 01:01:17,360 Speaker 1: we go we're gonna touch on that a little bit. 1150 01:01:17,440 --> 01:01:19,440 Speaker 1: So you did two and a half years, so as 1151 01:01:19,520 --> 01:01:22,200 Speaker 1: your youth spent to a half of your youth, damn 1152 01:01:22,280 --> 01:01:25,360 Speaker 1: man and juvenile went to juvenile. I was fighting. I 1153 01:01:25,440 --> 01:01:28,400 Speaker 1: was just I was housed it still more. How is 1154 01:01:28,440 --> 01:01:33,320 Speaker 1: it uh not help people Central Centis Hall? You know, 1155 01:01:33,400 --> 01:01:35,040 Speaker 1: I've got to fighting a little bit too much, and 1156 01:01:35,080 --> 01:01:38,560 Speaker 1: they sent me to us still more and then I wouldn't. 1157 01:01:38,600 --> 01:01:40,280 Speaker 1: I went to help people for a little bit, but 1158 01:01:40,600 --> 01:01:44,760 Speaker 1: not there then um uh from there, Um I did 1159 01:01:44,920 --> 01:01:48,360 Speaker 1: ninety day observation in the youth Party. And if I've 1160 01:01:48,400 --> 01:01:50,600 Speaker 1: forgotten to anything there, I would have been there since 1161 01:01:50,600 --> 01:01:52,960 Speaker 1: I was twenty five, so wouldn't been on this society. 1162 01:01:53,600 --> 01:01:59,120 Speaker 1: And actually it kind of it was a turn for 1163 01:01:59,200 --> 01:02:02,440 Speaker 1: the worst for the better because I wind up. Um 1164 01:02:04,040 --> 01:02:06,560 Speaker 1: it was. It was crazy, you know what I'm saying. 1165 01:02:06,600 --> 01:02:09,400 Speaker 1: Because when you go down for your for wreck, you 1166 01:02:09,600 --> 01:02:11,720 Speaker 1: go down to wreck, you know you can't go back. 1167 01:02:11,800 --> 01:02:13,880 Speaker 1: You can't go back. And back then they was letting 1168 01:02:13,880 --> 01:02:16,320 Speaker 1: you smoke humps and ships smoke smoke cigarettes and ship 1169 01:02:16,600 --> 01:02:20,040 Speaker 1: feel me. And there was a hole and through through them, 1170 01:02:20,560 --> 01:02:22,600 Speaker 1: through our dudes, through the next sale, you know what 1171 01:02:22,600 --> 01:02:26,240 Speaker 1: I'm saying. So um, it was all kind of crazy. Ship. 1172 01:02:26,480 --> 01:02:29,080 Speaker 1: So if you get somebody new coming in, motherfucker and 1173 01:02:29,120 --> 01:02:31,640 Speaker 1: there was some funck shit, some bullshit, you know, seeing 1174 01:02:32,240 --> 01:02:36,400 Speaker 1: like okay to check this out, pistons cutting, I'm squeezed 1175 01:02:36,440 --> 01:02:38,640 Speaker 1: that motherucker. It was this all kind of ship going though, 1176 01:02:38,920 --> 01:02:42,880 Speaker 1: you know what I'm saying. But I wind up getting 1177 01:02:42,880 --> 01:02:44,720 Speaker 1: the package. My brother had sent me a package, and 1178 01:02:44,760 --> 01:02:47,720 Speaker 1: ship soon send me a package, and uh, and I 1179 01:02:47,920 --> 01:02:50,760 Speaker 1: went down for I forgot my chest boards ship, so 1180 01:02:50,840 --> 01:02:54,040 Speaker 1: I said damn, And I said, man and the steel 1181 01:02:54,160 --> 01:02:56,000 Speaker 1: that was kind of cool. And said, man, man, I 1182 01:02:56,080 --> 01:02:57,440 Speaker 1: know you just go to those houses and we go. 1183 01:02:57,680 --> 01:03:00,040 Speaker 1: Just go grab my board real quick, man, go go 1184 01:03:00,200 --> 01:03:02,479 Speaker 1: hurry up. So as I'm going back to my cell 1185 01:03:02,520 --> 01:03:06,680 Speaker 1: and Lou I got a new CELLI, and here this 1186 01:03:06,800 --> 01:03:10,960 Speaker 1: motherfucker was smashing my motherfucking snickers, ready to fish my 1187 01:03:11,080 --> 01:03:15,480 Speaker 1: snickers through two cells down this ship. I'm like, this 1188 01:03:15,680 --> 01:03:23,720 Speaker 1: mother's going your ceiling steels. No, he was my CELLI, 1189 01:03:24,000 --> 01:03:26,480 Speaker 1: but he didn't go up for reck. He didn't go 1190 01:03:26,600 --> 01:03:29,520 Speaker 1: up for reck. He stayed in the cell. So I 1191 01:03:29,560 --> 01:03:31,720 Speaker 1: wouldn't have never called it, you feel what I'm saying. 1192 01:03:32,000 --> 01:03:34,320 Speaker 1: So while I'm going for wreck, but I wind up saying, 1193 01:03:34,360 --> 01:03:36,880 Speaker 1: oh shot, I forgot my board. So by the time 1194 01:03:37,080 --> 01:03:39,880 Speaker 1: I'm doing that he probably watching thinking I couldn't go 1195 01:03:39,960 --> 01:03:42,320 Speaker 1: back down, because you can't. You once you once, once 1196 01:03:42,360 --> 01:03:44,200 Speaker 1: you up, you can't go back to your cell. That 1197 01:03:44,320 --> 01:03:46,640 Speaker 1: running back yourself. You up here to the pop group 1198 01:03:46,800 --> 01:03:49,120 Speaker 1: and didn't go back cell. So I I really go on, 1199 01:03:49,360 --> 01:03:52,640 Speaker 1: and so he's let me fam, let me run back 1200 01:03:52,640 --> 01:03:55,720 Speaker 1: to my cell real quick. This motherfucker was already smashing 1201 01:03:55,760 --> 01:03:59,880 Speaker 1: my snickers damp. So reader, reader, they like the fly 1202 01:04:00,000 --> 01:04:03,400 Speaker 1: a little ceo. This ship they come through passing out 1203 01:04:03,440 --> 01:04:06,720 Speaker 1: cigarettes and ship. If you really read about give me home, 1204 01:04:06,760 --> 01:04:10,040 Speaker 1: give me home, they gold booty and ship. So everybody 1205 01:04:10,080 --> 01:04:13,919 Speaker 1: like you know, so um damn. So I caught that ship. 1206 01:04:14,120 --> 01:04:16,240 Speaker 1: I said, hey man, this mother fucking fishing my ship. Man, 1207 01:04:16,240 --> 01:04:18,120 Speaker 1: I hold up? Who? He said? We talked about this, 1208 01:04:18,160 --> 01:04:21,120 Speaker 1: We talked about that shot out to you already went 1209 01:04:21,160 --> 01:04:23,280 Speaker 1: down the room and come on, that's off, all right, 1210 01:04:23,280 --> 01:04:27,320 Speaker 1: thank you whatever. So it was hot, so just get 1211 01:04:27,400 --> 01:04:29,360 Speaker 1: back to see them like now now I'm beat your 1212 01:04:29,400 --> 01:04:32,439 Speaker 1: mother's hold on. I knew if I got into any 1213 01:04:32,520 --> 01:04:34,360 Speaker 1: more ship. That's why I was on the ninety day 1214 01:04:34,400 --> 01:04:38,440 Speaker 1: out because um, yeah, say, he's like, who So I've 1215 01:04:38,440 --> 01:04:42,560 Speaker 1: been in mother Fun's house from five so um damn 1216 01:04:42,960 --> 01:04:46,560 Speaker 1: so reading them like they like they weren't listening because 1217 01:04:46,560 --> 01:04:48,320 Speaker 1: everybody being on the thing. But I'm beating hard than 1218 01:04:48,440 --> 01:04:51,960 Speaker 1: motherfucker right up, like i' and this motherfucking fishing my ship. 1219 01:04:52,360 --> 01:04:55,320 Speaker 1: That's what I'm just like, now hold on, so um 1220 01:04:55,800 --> 01:04:57,400 Speaker 1: everybody else said, well, let me just wait to this 1221 01:04:57,480 --> 01:05:00,280 Speaker 1: motherfucking hole. You know, they do the count do hall 1222 01:05:00,360 --> 01:05:03,000 Speaker 1: ship and people say so I wanted to talk to 1223 01:05:03,080 --> 01:05:06,080 Speaker 1: tell them say they weren't listening. They weren't listening. I said, 1224 01:05:06,200 --> 01:05:11,400 Speaker 1: fund this ship, I said, Man, I just wind up, peoples. 1225 01:05:11,720 --> 01:05:14,960 Speaker 1: They wind up coming through with being actually to shooting 1226 01:05:15,600 --> 01:05:20,520 Speaker 1: being back. Did that then? Yeah, you know what I'm saying. 1227 01:05:20,880 --> 01:05:23,240 Speaker 1: So I just couldn't take it, you know, because I 1228 01:05:23,320 --> 01:05:25,480 Speaker 1: was like, there ain't nobody missing these business. Ain't you 1229 01:05:25,560 --> 01:05:27,640 Speaker 1: know that staff? You know I'm at the time they 1230 01:05:27,840 --> 01:05:30,720 Speaker 1: want to see all whatever, But like you ain't sucking listening, 1231 01:05:31,040 --> 01:05:33,520 Speaker 1: you know what I'm saying, Like it's you know where 1232 01:05:33,560 --> 01:05:36,080 Speaker 1: the justice said this. I'm still in my ship. I'm 1233 01:05:36,080 --> 01:05:42,440 Speaker 1: trying to do the right things. M h, don't turn 1234 01:05:42,520 --> 01:05:46,160 Speaker 1: it off. Yeah, I'm trying to do the right thing, 1235 01:05:46,280 --> 01:05:48,600 Speaker 1: you know what I'm saying, Because it ain't way. But 1236 01:05:48,800 --> 01:05:51,720 Speaker 1: luckily I had um not even that she was black, 1237 01:05:51,760 --> 01:05:54,760 Speaker 1: but she was as cool as well. I had to 1238 01:05:54,800 --> 01:05:57,560 Speaker 1: go to little board ship and I told, I said, now, 1239 01:05:57,800 --> 01:06:01,240 Speaker 1: I said, now, I did everything I could. You know, 1240 01:06:01,400 --> 01:06:04,400 Speaker 1: I'm not trying to write no tell of grievers. I 1241 01:06:04,640 --> 01:06:07,280 Speaker 1: did everything. He was fishing my stuff, and you know, 1242 01:06:07,360 --> 01:06:09,280 Speaker 1: I know I'm what I'm looking at. You know what 1243 01:06:09,280 --> 01:06:13,040 Speaker 1: I'm saying. But I did everything, but I had no 1244 01:06:13,200 --> 01:06:16,200 Speaker 1: choice fishing and man, luckily she was like, you know 1245 01:06:16,200 --> 01:06:18,680 Speaker 1: what I'm saying at the time line and when I 1246 01:06:18,800 --> 01:06:22,840 Speaker 1: did it, and how she interviewed reading them, and she said, baby, 1247 01:06:22,920 --> 01:06:26,160 Speaker 1: don I ain't gonna worry about it. I would have 1248 01:06:26,160 --> 01:06:28,320 Speaker 1: been there. I was twenty five, wouldn't because I didn't 1249 01:06:28,320 --> 01:06:31,680 Speaker 1: mind society at eighteen nineteen, you feel me, so fourteen 1250 01:06:31,720 --> 01:06:33,439 Speaker 1: and a half, fifteen six, you know what I'm saying, 1251 01:06:33,640 --> 01:06:35,880 Speaker 1: to feel me the twenty half a year, so it 1252 01:06:36,040 --> 01:06:38,480 Speaker 1: was like, man, I would wouldn't have been a mini society, 1253 01:06:38,520 --> 01:06:40,960 Speaker 1: you know what I'm saying. But I never forget that ship, 1254 01:06:41,160 --> 01:06:43,080 Speaker 1: like man. So I got past that and then went 1255 01:06:43,160 --> 01:06:45,680 Speaker 1: to lockdown placement and didn't want to move with my 1256 01:06:45,760 --> 01:06:47,800 Speaker 1: daddy my mom and didn't want me back in l A. 1257 01:06:47,920 --> 01:06:50,800 Speaker 1: You know what I'm saying like that, So she moved 1258 01:06:50,840 --> 01:06:53,520 Speaker 1: my daddy he was moving Rancho Cucaman moved out there, 1259 01:06:53,880 --> 01:06:55,200 Speaker 1: and I was trying to put my little brother and 1260 01:06:55,240 --> 01:06:59,320 Speaker 1: sister commercials and ship and ship from there. You know, 1261 01:06:59,840 --> 01:07:01,480 Speaker 1: I said, ship, I ain't got nothing to do. It 1262 01:07:01,600 --> 01:07:04,520 Speaker 1: was it was like summertimes, ship, I said. And they 1263 01:07:04,560 --> 01:07:07,360 Speaker 1: sent him to like an acting little thing. It's called 1264 01:07:07,440 --> 01:07:12,360 Speaker 1: Actors Unlimited. And what you do is you go. They 1265 01:07:12,440 --> 01:07:14,320 Speaker 1: have you study a script like it's like it's a 1266 01:07:14,360 --> 01:07:17,200 Speaker 1: play for like two and a half weeks and then 1267 01:07:18,400 --> 01:07:21,960 Speaker 1: um they have to think at the Hilton. So when 1268 01:07:22,000 --> 01:07:25,800 Speaker 1: you go on stage and performing in the audience, it's 1269 01:07:25,840 --> 01:07:28,040 Speaker 1: not you know, it's family and stuff like that, but 1270 01:07:28,560 --> 01:07:31,520 Speaker 1: it's managers agents and they like Scotland. So if they 1271 01:07:31,640 --> 01:07:36,200 Speaker 1: like you what they see what you perform there, I'll 1272 01:07:36,200 --> 01:07:38,240 Speaker 1: they giving me your card. So after the ship they 1273 01:07:38,560 --> 01:07:41,120 Speaker 1: man like they was giving your cards and a lot 1274 01:07:41,160 --> 01:07:42,920 Speaker 1: of them. You know, they was giving We did get 1275 01:07:42,960 --> 01:07:45,520 Speaker 1: it though. It was giving us cards and may Leon 1276 01:07:45,680 --> 01:07:49,160 Speaker 1: dream So that was the best. Didn't happen to you? 1277 01:07:49,360 --> 01:07:54,640 Speaker 1: Going moving with powers with my daddy right with my daddy, Man, 1278 01:07:54,680 --> 01:07:57,120 Speaker 1: you know you're being locked up at such a young age. Man, 1279 01:07:57,200 --> 01:07:59,120 Speaker 1: do you ever feel like they had an impact on 1280 01:07:59,320 --> 01:08:02,680 Speaker 1: your life? Do you find mannerisms that you have now 1281 01:08:02,760 --> 01:08:08,520 Speaker 1: to come from back then? Um? I mean ship, You know, 1282 01:08:08,960 --> 01:08:11,960 Speaker 1: things are different, kind of different, kind of different these days. 1283 01:08:12,040 --> 01:08:14,080 Speaker 1: You know what I'm saying with this error now, it's 1284 01:08:14,400 --> 01:08:17,040 Speaker 1: it's differently. Every error is different. You know, we're different 1285 01:08:17,200 --> 01:08:19,519 Speaker 1: in our area that we grew up with our parents 1286 01:08:19,600 --> 01:08:20,960 Speaker 1: and you know what I'm saying, they grew up with, 1287 01:08:21,360 --> 01:08:24,000 Speaker 1: you know, a different type of you know, every error 1288 01:08:24,080 --> 01:08:27,320 Speaker 1: is different better, it's gonna be worse, you know what 1289 01:08:27,360 --> 01:08:32,320 Speaker 1: I'm saying. So, um, I feel like you know, I'm 1290 01:08:32,360 --> 01:08:36,040 Speaker 1: not you know the saying do nothing what I went through? 1291 01:08:36,120 --> 01:08:38,880 Speaker 1: You know what, you know, I just didn't. I just 1292 01:08:39,000 --> 01:08:41,280 Speaker 1: didn't like, you know, a lot of the things that 1293 01:08:41,520 --> 01:08:44,600 Speaker 1: was playing out, you know, in my neighborhood. You know 1294 01:08:44,640 --> 01:08:46,479 Speaker 1: what I'm saying. You know the fact you see we're 1295 01:08:46,479 --> 01:08:48,200 Speaker 1: having to nephic you know what I'm saying. But those 1296 01:08:50,240 --> 01:08:55,679 Speaker 1: you can't a lot of different neighborhoods, right, And you're thinking, 1297 01:08:55,800 --> 01:08:58,320 Speaker 1: like I used to think, some things we can't control 1298 01:08:58,400 --> 01:09:01,360 Speaker 1: in the hood. We ain't We could be that nigg 1299 01:09:01,400 --> 01:09:05,400 Speaker 1: in the hood. But we ain't that nigger name right here. 1300 01:09:05,479 --> 01:09:08,160 Speaker 1: We're thinking that certain ship got to be a certain 1301 01:09:08,200 --> 01:09:10,519 Speaker 1: win and everybody gonna be on the same page. You 1302 01:09:10,520 --> 01:09:13,439 Speaker 1: would never get the homies to think alike, you know 1303 01:09:13,479 --> 01:09:16,040 Speaker 1: what I'm saying. So having the ship that we was 1304 01:09:16,120 --> 01:09:20,000 Speaker 1: worried about, it was our problems right now in the day, 1305 01:09:20,520 --> 01:09:22,400 Speaker 1: you know what I'm saying, worrying about the wrong ship. 1306 01:09:22,960 --> 01:09:26,000 Speaker 1: So I mean, you was lucky because you had you 1307 01:09:26,120 --> 01:09:30,000 Speaker 1: had your pops to go live with, and it took 1308 01:09:30,080 --> 01:09:32,360 Speaker 1: you out the hood. It took you away from the bullshit. 1309 01:09:33,000 --> 01:09:34,880 Speaker 1: It took you to a place where now you can 1310 01:09:34,960 --> 01:09:38,320 Speaker 1: focus and now you see some difference. You feel me, 1311 01:09:38,479 --> 01:09:41,599 Speaker 1: And that's all. That's all. Any that's all any That's 1312 01:09:41,680 --> 01:09:45,599 Speaker 1: all anybody that's in the in the city, and all 1313 01:09:45,680 --> 01:09:48,240 Speaker 1: you need to do is see something different. Everybody don't 1314 01:09:48,280 --> 01:09:53,040 Speaker 1: get the opportunity, that opportunity you see something different. Like, wow, man, 1315 01:09:53,080 --> 01:09:55,160 Speaker 1: I liked it because when I when um, like when 1316 01:09:55,200 --> 01:09:58,479 Speaker 1: I started, when I before minutes, you know, I went 1317 01:09:58,560 --> 01:10:01,320 Speaker 1: on a couple of videos. I was like, she said, 1318 01:10:01,360 --> 01:10:04,760 Speaker 1: I'm like to get back in and fifty dollars all day. 1319 01:10:04,800 --> 01:10:07,519 Speaker 1: You see the all day with videos. You know what 1320 01:10:07,520 --> 01:10:09,960 Speaker 1: I'm saying. But on the video she see me on 1321 01:10:10,360 --> 01:10:12,960 Speaker 1: was Carming Electra She wouldn't know, but nobody knew who 1322 01:10:13,000 --> 01:10:17,479 Speaker 1: carming next. But money Love was money Love. She was 1323 01:10:17,560 --> 01:10:20,160 Speaker 1: on the video thing and guess who artists it was 1324 01:10:20,760 --> 01:10:25,320 Speaker 1: Carming a lecture. I'm looking, I'm walking up and that's Prince. 1325 01:10:26,200 --> 01:10:30,639 Speaker 1: I said, we worked, but I said this ship cray, 1326 01:10:30,720 --> 01:10:32,400 Speaker 1: I stopped. You know, I was like, I never see 1327 01:10:32,439 --> 01:10:34,439 Speaker 1: I'm come from, you know, the neighbor you see. I'm like, 1328 01:10:35,240 --> 01:10:36,960 Speaker 1: and that's the print I like, I said, I told, 1329 01:10:37,000 --> 01:10:38,560 Speaker 1: I said, you know you're gonna have to send me 1330 01:10:38,600 --> 01:10:40,200 Speaker 1: on more stuff because I was said, I was curb 1331 01:10:40,320 --> 01:10:43,439 Speaker 1: s you know it. You know, you know double ups 1332 01:10:43,479 --> 01:10:45,280 Speaker 1: and ship. You know what I'm saying, Like I'm making 1333 01:10:45,320 --> 01:10:48,000 Speaker 1: more money. You know, you know I wouldn't trip. But 1334 01:10:48,120 --> 01:10:50,120 Speaker 1: I was like, I like what I was seeing, like damn, 1335 01:10:50,200 --> 01:10:53,639 Speaker 1: this cool all day. But what I was seeing like, damn, 1336 01:10:53,640 --> 01:10:55,519 Speaker 1: I met this person at that's probably like that ship. 1337 01:10:55,960 --> 01:10:57,160 Speaker 1: Like I want to I want to I want to 1338 01:10:57,160 --> 01:11:00,400 Speaker 1: see you know when you gotta see me? Yeah, that 1339 01:11:00,439 --> 01:11:03,880 Speaker 1: should be in Toxic Katon, Yeah, because it's like, you know, damn, 1340 01:11:04,960 --> 01:11:07,599 Speaker 1: right here you see on TV, but you're like, damn, 1341 01:11:07,840 --> 01:11:10,519 Speaker 1: what we here. That's kind of like that with Cue Too. 1342 01:11:10,720 --> 01:11:13,720 Speaker 1: I ain't don't lie. I was like, you know, this ship, 1343 01:11:13,920 --> 01:11:15,560 Speaker 1: come on, man. I was like, it's cute, and I 1344 01:11:15,640 --> 01:11:18,640 Speaker 1: just don't I started. I started working with it. F 1345 01:11:18,800 --> 01:11:21,600 Speaker 1: Gary Gray, you know, the director, and he was like, 1346 01:11:22,280 --> 01:11:24,560 Speaker 1: let's go down to the Jamie Fox show. Feel me. 1347 01:11:25,000 --> 01:11:28,240 Speaker 1: That's how I wind up getting it, uh Players Club, 1348 01:11:28,680 --> 01:11:31,120 Speaker 1: because he was like, left, we just you know, it's 1349 01:11:31,320 --> 01:11:34,640 Speaker 1: uh uh Gary Gray. We started hanging a little bit, 1350 01:11:34,840 --> 01:11:37,080 Speaker 1: you know, tough and ship, and I'm going you know, 1351 01:11:37,080 --> 01:11:39,080 Speaker 1: I was hanging out of ship when parties of ship. 1352 01:11:39,439 --> 01:11:41,920 Speaker 1: He was like, fucking what was that? I think could 1353 01:11:42,000 --> 01:11:43,400 Speaker 1: pick me up from all of my house? Was like, 1354 01:11:43,520 --> 01:11:46,360 Speaker 1: my mama, come down the l a who he picked 1355 01:11:46,400 --> 01:11:49,280 Speaker 1: me up. Let's go down the Jamie Fox said, so 1356 01:11:49,479 --> 01:11:53,040 Speaker 1: I fuck it. Westside Connection was on there, so man, 1357 01:11:53,080 --> 01:11:58,000 Speaker 1: we get down there and um bam we were in 1358 01:11:58,080 --> 01:11:59,840 Speaker 1: the back, you know, and behind the scenes and ship 1359 01:12:00,439 --> 01:12:03,920 Speaker 1: and boom they get off. Stay they're performing whatever they're doing, 1360 01:12:04,720 --> 01:12:13,640 Speaker 1: and a cute passed me said, okay, ship, take on 1361 01:12:13,800 --> 01:12:16,320 Speaker 1: like them, but this ice cube ship. But then you know, 1362 01:12:16,360 --> 01:12:18,920 Speaker 1: I went to the process he got you know, ABC 1363 01:12:19,200 --> 01:12:22,639 Speaker 1: ship and did that and you know, wind up doing 1364 01:12:22,680 --> 01:12:26,720 Speaker 1: an audition. But it was crazy. I'm like, you know, 1365 01:12:27,280 --> 01:12:29,640 Speaker 1: you know, see Princy, let me just see you. You know. 1366 01:12:31,200 --> 01:12:34,680 Speaker 1: I sometimes I'll be forgetting who I am sometimes and 1367 01:12:34,840 --> 01:12:36,479 Speaker 1: the fact that I'll be just you know, just um, 1368 01:12:36,800 --> 01:12:39,200 Speaker 1: well that's what I was saying. Man. It's like I 1369 01:12:39,320 --> 01:12:41,040 Speaker 1: guarantee you as people out there, they want to see 1370 01:12:41,120 --> 01:12:44,240 Speaker 1: you bro oh yeah, yeah, yeah, you know that's what 1371 01:12:44,280 --> 01:12:47,720 Speaker 1: I'm saying. I'd be forgetting the fact that you know, 1372 01:12:47,800 --> 01:12:50,639 Speaker 1: because I'm I'll be fan of people you know too, 1373 01:12:50,760 --> 01:12:53,519 Speaker 1: like damn, I'm fan of more and they really be 1374 01:12:53,640 --> 01:12:58,040 Speaker 1: fans out there, like like trip me out, like themn Africa, 1375 01:12:58,120 --> 01:13:05,920 Speaker 1: like the movie let me ask you have from from 1376 01:13:06,000 --> 01:13:08,280 Speaker 1: your neighborhood. I know it's little kids that seeing you 1377 01:13:08,360 --> 01:13:11,120 Speaker 1: in the movies and then and they're probably looking at 1378 01:13:11,160 --> 01:13:14,040 Speaker 1: you like wow, wow he from over here. Have you 1379 01:13:14,120 --> 01:13:16,880 Speaker 1: ever thought about going to the hood and grab three 1380 01:13:16,920 --> 01:13:18,920 Speaker 1: of them or two of them and say them me 1381 01:13:18,960 --> 01:13:23,040 Speaker 1: in to do shout of this? Why they young? Now? Um, 1382 01:13:23,479 --> 01:13:27,080 Speaker 1: that's what That's really what I'm going to do when 1383 01:13:27,240 --> 01:13:29,280 Speaker 1: with my drama series, when I when out when I 1384 01:13:29,360 --> 01:13:31,320 Speaker 1: get up and get off the ground. You know, it's 1385 01:13:31,320 --> 01:13:33,240 Speaker 1: already going right now, We're already in the process of 1386 01:13:33,800 --> 01:13:36,240 Speaker 1: investors and stuff like that to get it going. But 1387 01:13:37,000 --> 01:13:40,639 Speaker 1: it actually it's called the Dolls. You know what I'm saying. Yes, 1388 01:13:40,880 --> 01:13:44,080 Speaker 1: it's it's crazy, it's cool, this is this is gonna 1389 01:13:44,120 --> 01:13:46,559 Speaker 1: be one, you know what I'm saying, Like, and I'm 1390 01:13:46,560 --> 01:13:48,360 Speaker 1: gonna play. I'm gonna be in it, playing it because 1391 01:13:48,360 --> 01:13:51,479 Speaker 1: I went up when I was in there, um staff member. 1392 01:13:51,680 --> 01:13:54,439 Speaker 1: You know, I'm gonna play one of cricket staff members. 1393 01:13:54,800 --> 01:13:57,599 Speaker 1: But they ain't gonna just take place in the juvene 1394 01:13:57,640 --> 01:14:01,799 Speaker 1: at hall. It's gonna actually you know, it's a character 1395 01:14:02,080 --> 01:14:04,880 Speaker 1: named Barbara J. Whitman. She's a volunteer and wants the 1396 01:14:05,000 --> 01:14:07,800 Speaker 1: questions that she asked the six juven asked. When she 1397 01:14:07,840 --> 01:14:11,400 Speaker 1: asked six juveniles, you know, she asked a question like 1398 01:14:12,400 --> 01:14:17,519 Speaker 1: we have a It's like that's like a meeting. You 1399 01:14:17,600 --> 01:14:19,320 Speaker 1: know what I'm saying that you know that you come 1400 01:14:19,360 --> 01:14:21,240 Speaker 1: out yourself for an hour, you know what I'm saying. 1401 01:14:21,479 --> 01:14:23,840 Speaker 1: And we heard and you know she picked your brain. 1402 01:14:24,200 --> 01:14:27,040 Speaker 1: So when she picking your brain asks the questions, you 1403 01:14:27,080 --> 01:14:28,920 Speaker 1: know what I'm saying, you want to speak to talk. 1404 01:14:29,840 --> 01:14:33,360 Speaker 1: That's when when she talk, that's how we get hot here. 1405 01:14:33,760 --> 01:14:36,160 Speaker 1: You know, they might be in here. That's that intervention. 1406 01:14:36,240 --> 01:14:39,280 Speaker 1: What are you're talking about? So we might up as 1407 01:14:39,360 --> 01:14:42,080 Speaker 1: she begins to be tell the story. That's how we 1408 01:14:42,160 --> 01:14:44,080 Speaker 1: get to the outside and show all the streets. So 1409 01:14:44,120 --> 01:14:47,080 Speaker 1: it's gonna be like them need weekly minutes to society 1410 01:14:47,160 --> 01:14:49,000 Speaker 1: or boys in the hood. It's gonna be like the wire. 1411 01:14:49,240 --> 01:14:50,720 Speaker 1: You know what's gonna be. It's gonna be like that. 1412 01:14:50,880 --> 01:14:53,799 Speaker 1: You know what I'm saying. Yeah, that's gonna be crazy 1413 01:14:53,920 --> 01:14:56,160 Speaker 1: right there. Man, Well, I appreciate you coming home. Man, 1414 01:14:56,240 --> 01:14:58,080 Speaker 1: it's been a long time coming. Man. Shout out to 1415 01:14:58,120 --> 01:15:03,479 Speaker 1: the Homi. Try man for for connecting us man, and 1416 01:15:03,680 --> 01:15:06,760 Speaker 1: you know, and and influences. Man. You know, yeah, I 1417 01:15:06,800 --> 01:15:08,760 Speaker 1: gotta mix you. I gotta mixtion the homies. Man, try 1418 01:15:08,760 --> 01:15:11,000 Speaker 1: if you want to getting them Mike real quickly. People, Man, 1419 01:15:11,320 --> 01:15:13,920 Speaker 1: come come home. Man. Yes, something they think you know, 1420 01:15:14,280 --> 01:15:17,759 Speaker 1: we got we got a famous angel and our restarto 1421 01:15:17,880 --> 01:15:26,200 Speaker 1: gold all these my TikTok's overhead TMG part of the media. Thomas. Yeah, 1422 01:15:26,200 --> 01:15:28,519 Speaker 1: they got a whole another thing. They ain't gonna Facebook 1423 01:15:30,000 --> 01:15:33,920 Speaker 1: socialia Facebook. They got like a million follow books with him. 1424 01:15:34,439 --> 01:15:37,400 Speaker 1: Was follower there like like, you know, they just see 1425 01:15:37,479 --> 01:15:39,639 Speaker 1: this and they just they just posted them on world 1426 01:15:39,640 --> 01:15:43,760 Speaker 1: started day when the video you never seen us, You've 1427 01:15:43,760 --> 01:15:46,600 Speaker 1: never seen the man, I ain't know. I don't know 1428 01:15:46,760 --> 01:15:52,559 Speaker 1: nothing about it. Right there, that's the dude right there, 1429 01:15:52,600 --> 01:16:00,000 Speaker 1: the m Kim Kurkdashi from Kanye who wait a minute, 1430 01:16:01,520 --> 01:16:10,320 Speaker 1: you fucking kill Yeah? Twice, only twice, only twice. Yeah, man, 1431 01:16:10,360 --> 01:16:19,320 Speaker 1: we ain't bullshit. There were serious going on. Have been 1432 01:16:19,400 --> 01:16:27,040 Speaker 1: nothing Kim down though, um like two years. He's serious 1433 01:16:27,120 --> 01:16:33,000 Speaker 1: as a motherfucker. Oh my mama. Yeah, it was crazy. 1434 01:16:34,479 --> 01:16:38,439 Speaker 1: So that's why Kanye left. It's more than that, you 1435 01:16:38,520 --> 01:16:44,080 Speaker 1: know what I'm saying, I don't really want right, you 1436 01:16:44,200 --> 01:16:48,160 Speaker 1: know what? And don that no man, y'all tapped back 1437 01:16:48,200 --> 01:16:51,200 Speaker 1: in with his next week. We got of here, man, 1438 01:16:51,400 --> 01:16:55,519 Speaker 1: we out of here. You know what? Man, how much 1439 01:16:55,560 --> 01:16:58,839 Speaker 1: of that body is faking? How much? Well? That concludes 1440 01:16:58,840 --> 01:17:01,560 Speaker 1: another episode of Against the Chronicles podcast. Be sure to 1441 01:17:01,640 --> 01:17:03,880 Speaker 1: download the I Heart app and subscribe to the Gangster 1442 01:17:03,960 --> 01:17:07,040 Speaker 1: Chronicles podcast for Apple users. Find a purple Mica on 1443 01:17:07,080 --> 01:17:09,080 Speaker 1: the front of your screen, subscribe to the show, leave 1444 01:17:09,080 --> 01:17:12,240 Speaker 1: a common and rating. Executive producers for The Gangster Chronicles 1445 01:17:12,320 --> 01:17:15,639 Speaker 1: podcast and Norman Steve, James McDonald, aar and m c A. Tyler. 1446 01:17:16,000 --> 01:17:18,599 Speaker 1: Our visual media director is Brian White and our audio 1447 01:17:18,720 --> 01:17:21,600 Speaker 1: editors Taylor Hayes. The Gangster Chronicles is a production of 1448 01:17:21,680 --> 01:17:24,559 Speaker 1: I Heart Media Network in the Black Effect Podcast Network. 1449 01:17:24,880 --> 01:17:27,120 Speaker 1: For more podcast from My Heart Radio, visit the i 1450 01:17:27,280 --> 01:17:29,840 Speaker 1: heart Radio app, Apple podcast, or wherever you're listening to 1451 01:17:29,880 --> 01:17:30,640 Speaker 1: your podcasts.