WEBVTT - 8 | A Terrible Thirst

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<v Speaker 1>iHeart three d are the.

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<v Speaker 2>For full exposure.

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<v Speaker 3>Listen with headphones.

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<v Speaker 4>Havoc Town is a production of iHeart podcasts and Grimm

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<v Speaker 4>and Mild from Aaron Mankey Headphones recommended listener discretion advised.

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<v Speaker 5>Jim Hello, this is missus Horn.

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<v Speaker 2>All right.

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<v Speaker 5>What do you mean he's missing?

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<v Speaker 6>How is he missing?

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<v Speaker 7>He's dead in the morgue? Did you misplace him? Well,

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<v Speaker 7>I'm sorry. I just don't understand.

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<v Speaker 5>How he could.

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<v Speaker 2>But how can you?

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<v Speaker 7>Look? I appreciate the call, but what exactly are you

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<v Speaker 7>going to do to rectify this. You've already told me

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<v Speaker 7>that I can't have him back until after the autopsy.

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<v Speaker 7>Now you're telling me.

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<v Speaker 6>He's he's what up and run off? Now you listen

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<v Speaker 6>to me? Hello, Hello, God, damn it, I'm coming. Hold on.

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<v Speaker 2>Corne, who's there? Hello? No, No, Hello, it's you're dead.

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<v Speaker 2>They said you were dead.

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<v Speaker 3>I was.

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<v Speaker 2>I'm not now Jesus, Jimbo, can I come in in

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<v Speaker 2>the shadows? He looked normal, like himself, like my dad's buddy,

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<v Speaker 2>good old Jimbo. Jimbo, the steady, the kind, the regular

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<v Speaker 2>Joe Jimbo who liked fishing and fiddling around the garage

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<v Speaker 2>and war movies and a million other things that men

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<v Speaker 2>of his generation turned to in late middle age. His

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<v Speaker 2>voice and his presence were well worn grooves in my life.

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<v Speaker 2>But this was all wrong. This Jim stepping closer so

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<v Speaker 2>that the street light fell across his face, his normal face,

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<v Speaker 2>with his normal smile, wearing his slacks and a button

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<v Speaker 2>up shirt, his loafers on my porch like he'd been

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<v Speaker 2>a million times?

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<v Speaker 3>Can I.

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<v Speaker 2>This sweet, normal Jimbo horn with his normal dead man smile.

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<v Speaker 2>It was the eyes. There was something in the eyes,

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<v Speaker 2>something off that I couldn't quite place, something that set

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<v Speaker 2>every nerve in my body on edge, something that made

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<v Speaker 2>my brain scream no, no, no, over and over. But

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<v Speaker 2>then that thing in me, that lifelong practice of being polite,

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<v Speaker 2>so much of a habit that I just spoke without thinking. Uh,

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<v Speaker 2>of course, Jimbo.

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<v Speaker 3>Shit, after you thanks.

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<v Speaker 2>That the kitchen you know where it is all put

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<v Speaker 2>on coffee.

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<v Speaker 3>Coffee isn't necessary.

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<v Speaker 2>Sit Sit, Jim, I'll stand, Jim. I'm going to be honest.

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<v Speaker 2>This is this is scarying the shit out of me,

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<v Speaker 2>Like I wish you'd just at least sit so I

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<v Speaker 2>could stand on the far side of the kitchen island

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<v Speaker 2>while we spoke.

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<v Speaker 3>Okay, fair enough, I don't want to scare you. What's

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<v Speaker 3>that on the counter.

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<v Speaker 2>It's just an old keepsake box. What's inside keepsakes?

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<v Speaker 3>Huh? Place feels different, doesn't Yeah? With your dad going

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<v Speaker 3>it feels bigger, emptier.

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<v Speaker 2>Yeah, it does. What the fuck is going on, Jimbo?

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<v Speaker 2>You're dead.

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<v Speaker 3>And yet here you are. I was as surprised as

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<v Speaker 3>you are, kid.

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<v Speaker 2>So talk what happened.

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<v Speaker 3>It's a long story.

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<v Speaker 2>Well, I can make the time to listen to a

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<v Speaker 2>story about a man coming back from the dead.

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<v Speaker 3>Fair enough. I don't remember a lot after I went

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<v Speaker 3>into the hospital. The illness, it blurs everything. It was

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<v Speaker 3>like having a hot knife in the middle of your skull,

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<v Speaker 3>and I couldn't focus a hole of thought. It was

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<v Speaker 3>just pain and a howl and sort of rage. I

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<v Speaker 3>don't know. I was never a violent man, Karen, but

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<v Speaker 3>I wanted to hurt, to destroy, to kill that street preacher.

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<v Speaker 3>I remember getting my hands on him. I wanted to

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<v Speaker 3>press my fingers through him. Remember, want to feel his

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<v Speaker 3>skin give way, this strong need to press through his

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<v Speaker 3>muscle and his veins, and get my hands into his

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<v Speaker 3>visra to tear him apart and sell by self, and

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<v Speaker 3>then well, it just flashes. After that, I had moments

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<v Speaker 3>of clarity, of course, fear, remorse, sadness, the rage, eating

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<v Speaker 3>it all, pressing against the insights of my skull, hot, feverish.

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<v Speaker 3>And then there is a light, like everyone says, I

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<v Speaker 3>could see it coming from far above me, so far

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<v Speaker 3>up above the hospital ceiling, above the clouds, out beyond

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<v Speaker 3>the sun. Even was overtaken everything. It was warm, it

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<v Speaker 3>was beautiful, everything they tell you, all of it. I

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<v Speaker 3>could feel myself begin to float, could feel the warmth

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<v Speaker 3>overtake me. I don't know, like I was back in

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<v Speaker 3>the womb. It sounds crazy, but I was pulled back high.

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<v Speaker 3>The light retreated a pinprick, and then it was extinguished,

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<v Speaker 3>and all of the warmth and goodness went with it,

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<v Speaker 3>and I was alone in this icy darkness, sized Jesus Christ.

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<v Speaker 3>I was a lone Karin, more alone than I've ever been.

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<v Speaker 3>And I've been alone when I was a little kid.

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<v Speaker 3>My mom died, and it felt like being ripped from

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<v Speaker 3>the world, like nothing could reach me, like I'd never

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<v Speaker 3>feel love again.

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<v Speaker 2>This was so much worse, Jesus Jim.

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<v Speaker 3>And then I found myself back in the body. I

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<v Speaker 3>was in the cabinet in the morgue. That feeling was

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<v Speaker 3>still there with me, but I recognized it now, really

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<v Speaker 3>recognized it for what it was.

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<v Speaker 2>When was it?

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<v Speaker 3>It was a terrible, terrible thirst, deep painful, like every

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<v Speaker 3>cell in my body was screaming with it. I had

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<v Speaker 3>crossed an infinite desert and was parched.

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<v Speaker 1>And so I went looking to quench it. I managed

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<v Speaker 1>to push my way out of the Morguel locker. I

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<v Speaker 1>wasn't alone. There was a body laid out covered in

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<v Speaker 1>a sheet. That preacher, the one I heard dead on

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<v Speaker 1>the table. I never thought about him in life.

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<v Speaker 3>You know, besides a couple of noise complaints here and

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<v Speaker 3>there when he was on a tear, But besides being batshitt,

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<v Speaker 3>you know, he was harmless. So I left him alone

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<v Speaker 3>for years, maybe telling him to keep it down a little.

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<v Speaker 3>But there was something sad and kind about him that

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<v Speaker 3>I guess I always sort of admired, so I always

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<v Speaker 3>just let him be. But here he was dead like

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<v Speaker 3>me because of me. Any guilt I felt was cut

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<v Speaker 3>short by the cutting thirst. And there was a water

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<v Speaker 3>cooler in the room, and at first I moved toward it,

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<v Speaker 3>but the thought of drinking it repulsed me, confused me.

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<v Speaker 3>Even that confusion was shot lived, because before I had

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<v Speaker 3>a chance to react, someone walked in. He was way

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<v Speaker 3>on a face shield that I think must have fogged up,

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<v Speaker 3>because I don't think that he registered me right away.

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<v Speaker 3>But I registered him even halfway across the room. I

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<v Speaker 3>could smell him, feel the heat of his body. I

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<v Speaker 3>could sense to the flutter of the pulse of blood

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<v Speaker 3>in his vein. And what's more, my teeth they suddenly itched,

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<v Speaker 3>burned my gums as if they were shop and I

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<v Speaker 3>understood the thirst. What are you doing stretching? How are you?

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<v Speaker 1>I flew at him, knocking him over. Finally I was

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<v Speaker 1>able to grab a hold of his hair, and with

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<v Speaker 1>as much force as I could must slammed his head

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<v Speaker 1>into the tile.

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<v Speaker 3>I didn't have time to be horrified. I didn't even think.

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<v Speaker 1>I just scrambled at his mask and collar.

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<v Speaker 3>And sank my teeth into his neck. I can't fully

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<v Speaker 3>describe it, the relief, the warmth of him entering me

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<v Speaker 3>and spreading outward, tingling in my fingers and toes, and

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<v Speaker 3>the world well just became God again, and I felt

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<v Speaker 3>like me for the first time since Bachmann came to town

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<v Speaker 3>with his axe. Don't look at me in that way, Corin,

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<v Speaker 3>Did you kill him?

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<v Speaker 2>Jimbo?

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<v Speaker 3>I did, well, there was nothing else I could do.

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<v Speaker 3>The thirst korn when it takes you, it takes all

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<v Speaker 3>of you, replaces every impulse you have, and makes you

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<v Speaker 3>a starven animal, makes you insane. When I was young,

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<v Speaker 3>I used to read stories about people who survived disasters

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<v Speaker 3>or war. Couldn't get enough of it. Crazy stuff. A

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<v Speaker 3>man riding a tank through the Iron Curtain to escape

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<v Speaker 3>the Red Army, people who survived plane crashes, murder attempts.

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<v Speaker 3>One of them was about a Navy officer who ship

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<v Speaker 3>went down in the Second World War and how he

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<v Speaker 3>managed to live for two weeks on a piece of scrap,

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<v Speaker 3>an old crate or something out in the middle of

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<v Speaker 3>the ocean. His small supply of water ran out, and

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<v Speaker 3>so he drank his piss, and then when he got desperate,

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<v Speaker 3>finally drank sea water, which just dehydrate you more. See,

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<v Speaker 3>kidneys can't handle that much salt, so it tries to

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<v Speaker 3>flush it out. You lose more water than you drink,

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<v Speaker 3>so you vomit. You get delirious. Eventually, if you don't

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<v Speaker 3>get enough regular water to balance it out, you die.

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<v Speaker 3>This sailor he got saved before he died, but he

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<v Speaker 3>went insane, literally insane with thirst. I can't tell you

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<v Speaker 3>how I know, but this was worse. But when I

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<v Speaker 3>drank from that man, it went away completely for a while.

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<v Speaker 2>What happened next, Jimbo.

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<v Speaker 3>Next, I cleaned myself up and found a pair of

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<v Speaker 3>scrubs that fit me from a locker, and I walked

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<v Speaker 3>right out of the hospital. It's funny, you know. I

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<v Speaker 3>walked right by a couple of boys I worked with

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<v Speaker 3>on the foss. They didn't even look up at me,

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<v Speaker 3>like it didn't register who I was, just another doctor

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<v Speaker 3>walking the halls of the hospital, even with though shoes on,

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<v Speaker 3>looking like shit warmed over. Nobody cast me a funny look.

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<v Speaker 3>So I walked right out the door and I made

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<v Speaker 3>my way home, went barefoot, kept off the road as

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<v Speaker 3>much as possible. It was cold, and you know how

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<v Speaker 3>far the walk from that hospital and into town is,

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<v Speaker 3>But I wasn't cold, never got tired. I felt impervious

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<v Speaker 3>to it all. I felt strong, energetic now right out

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<v Speaker 3>of the bar, senses heightened. I could feel the animals

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<v Speaker 3>and the trees. Watching As I passed, I could sense

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<v Speaker 3>the people in the cars that would go by. The

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<v Speaker 3>colors of the world were sharper.

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<v Speaker 8>And with each step I could feel it return, the hunger,

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<v Speaker 8>just a little whisper in my ear at first. By

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<v Speaker 8>the time I returned home it was a scream.

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<v Speaker 6>Hello, God, damn it, I'm coming.

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<v Speaker 3>Hold on, hello, han Uh, I'm really standing here. Uh,

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<v Speaker 3>your dad, rumors of my demise have been greatly exaggerated.

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<v Speaker 2>Jim, Jim, is it really you?

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<v Speaker 4>Jim, Jim Jim, Oh my god, you're icy cold.

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<v Speaker 3>It's freezing out. Can we go in?

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<v Speaker 5>Uh?

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<v Speaker 7>Of course, Oh my god, Jim, Oh my god, go

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<v Speaker 7>get some warm clothes on. I'll put on coffee. Oh oh,

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<v Speaker 7>we need to call the hospital. They called just now

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<v Speaker 7>to tell me that you're missing. Oh God, They're going

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<v Speaker 7>to be so embarrassed. Jesus, how could they have pronounced

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<v Speaker 7>you dead?

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<v Speaker 3>Well? Why don't we hold off on, Colin. It will

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<v Speaker 3>take a while to untangle all of this.

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<v Speaker 7>Of course, get warm, Oh my god, jem my gym,

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<v Speaker 7>Oh my gim, Oh my gym, God, how good this is.

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<v Speaker 5>Thank God.

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<v Speaker 3>I'm gonna get dressed. Of course.

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<v Speaker 7>Go I'll be in the kitchen. I'm going to get

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<v Speaker 7>the coffee and the warm fire.

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<v Speaker 3>I can't quite describe the strange feeling I got walking

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<v Speaker 3>through my house. It didn't feel like mine anymore. It

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<v Speaker 3>felt like a perfect reproduction of my house, or perhaps

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<v Speaker 3>a museum of a dead man's time on earth. But

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<v Speaker 3>it was no longer mine. Maybe it was still Barber's,

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<v Speaker 3>but the James walker Horn who owned this home and

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<v Speaker 3>came back to it every night, no longer existed. I

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<v Speaker 3>think that's when it fully sank in as they walked

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<v Speaker 3>into the bedroom and peeled off the hospital scrubs and

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<v Speaker 3>opened the drawer on my old mahogany dresser and put

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<v Speaker 3>a dead man's clothes on this new body. I was

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<v Speaker 3>no longer James or Jim or Jimmy or Jim bow.

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<v Speaker 3>I was no one's son, no one's husband. When I

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<v Speaker 3>looked in the mirror, I couldn't see any trace of him,

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<v Speaker 3>just clothes hanging on this new body, someone different, looking

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<v Speaker 3>out the eyes and examining himself and Couren. He was so.

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<v Speaker 1>Thirsty, and in the kitchen I could smell her through

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<v Speaker 1>the freshly brewed coffee. Last week's dinner dishes forgotten in

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<v Speaker 1>the sink. The smell of her pushed all the others away.

0:17:52.240 --> 0:17:55.440
<v Speaker 1>I wanted her, Barbara.

0:17:56.480 --> 0:17:57.800
<v Speaker 6>Ah, you scared me.

0:18:00.040 --> 0:18:05.520
<v Speaker 7>Oh, jim My, jim My sweet husband.

0:18:06.680 --> 0:18:07.639
<v Speaker 2>I thought i'd lost you.

0:18:08.600 --> 0:18:14.800
<v Speaker 3>Shoh, it's all okay. I'm here now, Okay.

0:18:16.760 --> 0:18:18.600
<v Speaker 7>I didn't know if you'd want a beer or coffee

0:18:18.720 --> 0:18:21.960
<v Speaker 7>or what. So why don't you say it? I'll serve you.

0:18:23.600 --> 0:18:25.800
<v Speaker 3>I think I'll stand if it's all the same.

0:18:26.600 --> 0:18:28.479
<v Speaker 7>I guess you've been lying down for a while, haven't you,

0:18:29.160 --> 0:18:29.920
<v Speaker 7>Poor Jim?

0:18:30.840 --> 0:18:32.280
<v Speaker 3>Do you want me to make you something to eat

0:18:33.119 --> 0:18:34.320
<v Speaker 3>that won't be necessary?

0:18:35.200 --> 0:18:38.280
<v Speaker 7>I just can't believe it. I mean, they said you died.

0:18:39.200 --> 0:18:41.600
<v Speaker 7>We're gonna have words with those doctors. I'll call my brother.

0:18:41.760 --> 0:18:43.840
<v Speaker 7>I'll bet there's a malpractice lawsuit in all of this.

0:18:45.760 --> 0:18:51.720
<v Speaker 5>Are you okay, Jim? I am great, Bob, you just

0:18:51.760 --> 0:18:53.960
<v Speaker 5>seem different.

0:18:54.800 --> 0:18:57.960
<v Speaker 3>Well, I did just come back from the dead.

0:19:00.320 --> 0:19:06.480
<v Speaker 7>I suppose that would change a man. Are you sure

0:19:06.560 --> 0:19:07.840
<v Speaker 7>you don't want something to eat?

0:19:08.880 --> 0:19:09.800
<v Speaker 3>I'm not hungry.

0:19:10.960 --> 0:19:17.320
<v Speaker 7>Oh well, gonna go grab a sweater from upstairs.

0:19:17.320 --> 0:19:20.040
<v Speaker 5>It's a little chili. You want me to turn up

0:19:20.080 --> 0:19:21.200
<v Speaker 5>the thermostat.

0:19:21.560 --> 0:19:25.359
<v Speaker 3>It doesn't matter, you're so cold.

0:19:25.440 --> 0:19:27.600
<v Speaker 2>Jim.

0:19:27.760 --> 0:19:31.439
<v Speaker 3>There was a moment there when old Jimbo came rushing

0:19:31.480 --> 0:19:38.800
<v Speaker 3>back into my head. Get away, He said, you love her, Bob, Bob.

0:19:38.880 --> 0:19:44.480
<v Speaker 5>I think, Oh, don't worry about the beer, Jim, I'll

0:19:44.520 --> 0:19:44.919
<v Speaker 5>clean it.

0:19:45.280 --> 0:19:47.520
<v Speaker 3>No, Bob, I'd better go.

0:19:48.000 --> 0:19:51.240
<v Speaker 7>No, no, don't go, Jim.

0:19:51.560 --> 0:19:56.840
<v Speaker 1>I think I'm having trouble being close to you. I'm

0:19:56.880 --> 0:20:00.000
<v Speaker 1>afraid I've hurting you.

0:20:01.000 --> 0:20:02.840
<v Speaker 2>What do you mean hurt me?

0:20:03.680 --> 0:20:07.080
<v Speaker 3>I'm still sick, Barbara. I'm sicker than I was before.

0:20:07.160 --> 0:20:12.560
<v Speaker 2>I think, Honey, why don't you go lie down. I

0:20:12.560 --> 0:20:14.760
<v Speaker 2>can call the doctor. Maybe they have some medicine.

0:20:14.760 --> 0:20:19.000
<v Speaker 3>No, I should just get out of here, Jim, Jim,

0:20:19.240 --> 0:20:22.520
<v Speaker 3>get off of me, Barbara. But it was too late.

0:20:23.480 --> 0:20:25.960
<v Speaker 3>Her heart was beating too fast, too loud, and I

0:20:25.960 --> 0:20:27.200
<v Speaker 3>could smell.

0:20:26.840 --> 0:20:29.960
<v Speaker 1>It in the air, the iron and a blood, the salty,

0:20:30.080 --> 0:20:44.159
<v Speaker 1>sweet taste of my tongue, and then my teeth was

0:20:44.160 --> 0:20:47.840
<v Speaker 1>suddenly in a neck, that neck I kissed so many

0:20:47.880 --> 0:20:52.200
<v Speaker 1>times in the past, and the rush of relief, the

0:20:52.320 --> 0:20:56.080
<v Speaker 1>flood of joy into my system. I'm feeling more vital

0:20:56.160 --> 0:21:00.320
<v Speaker 1>with every hot spurt of blood in it. And then

0:21:00.359 --> 0:21:04.320
<v Speaker 1>the sudden repulsion of myself as I drained the life

0:21:04.320 --> 0:21:04.760
<v Speaker 1>out of her.

0:21:27.880 --> 0:21:32.000
<v Speaker 2>Jim, bow, did you did you kill Barbara?

0:21:33.000 --> 0:21:39.159
<v Speaker 3>No? But I came awful close. She's still alive, I think, so,

0:21:40.600 --> 0:21:41.040
<v Speaker 3>I hope.

0:21:41.040 --> 0:21:44.800
<v Speaker 2>So should I go check on her?

0:21:45.560 --> 0:21:51.919
<v Speaker 3>No, don't reach for the phone, even to call an

0:21:51.920 --> 0:21:58.360
<v Speaker 3>ambulance for her. I'll make sure she gets help later. Jim,

0:21:59.400 --> 0:22:00.919
<v Speaker 3>what's in that box corn?

0:22:01.840 --> 0:22:02.199
<v Speaker 2>Nothing?

0:22:03.200 --> 0:22:04.840
<v Speaker 3>You'll hover and like it's something.

0:22:05.920 --> 0:22:11.359
<v Speaker 2>It's insurance against what I don't quite know.

0:22:12.960 --> 0:22:15.760
<v Speaker 3>I'm sorry, Corin for what.

0:22:16.040 --> 0:22:19.560
<v Speaker 2>Jim, I'm just so thirsty.

0:22:21.119 --> 0:22:24.440
<v Speaker 3>I'm just so goddamn thirsty.

0:22:26.240 --> 0:22:30.520
<v Speaker 2>And then chaos. It happened so quickly, faster than a

0:22:30.520 --> 0:22:34.000
<v Speaker 2>man of his eyes should Jim Horn lunged at me,

0:22:34.640 --> 0:22:37.320
<v Speaker 2>catching my shirt sleeve in and pulling me tight against

0:22:37.400 --> 0:22:42.440
<v Speaker 2>him his freezing, frenzied flesh. And then he backed away,

0:22:43.760 --> 0:22:46.760
<v Speaker 2>clutching a sucking hole in the center of his chest,

0:22:47.359 --> 0:22:53.040
<v Speaker 2>dark blood gushing out, his eyes, almost feral, an animal dying,

0:22:53.920 --> 0:22:58.560
<v Speaker 2>His mouth twisted in hatred, two sharp fangs bared at me,

0:22:58.720 --> 0:23:03.240
<v Speaker 2>and then he was still. It was then that I

0:23:03.280 --> 0:23:08.919
<v Speaker 2>felt it in my hand, warm and sure, Josiah's wooden steak.

0:23:14.320 --> 0:23:18.720
<v Speaker 2>It's truly incredible how quickly the numbness sets in when

0:23:18.760 --> 0:23:23.040
<v Speaker 2>your world is altered beyond belief, the loss of a

0:23:23.119 --> 0:23:27.359
<v Speaker 2>loved one, being laid off from a lifelong job, finding

0:23:27.359 --> 0:23:31.000
<v Speaker 2>out that vampires are real, and then killing one in

0:23:31.040 --> 0:23:34.560
<v Speaker 2>the same instant. I had to move to do something,

0:23:34.840 --> 0:23:38.360
<v Speaker 2>to be anywhere but here. I grabbed the stale pack

0:23:38.359 --> 0:23:40.280
<v Speaker 2>of cigarettes from the back of the spice cabinet, where

0:23:40.280 --> 0:23:43.360
<v Speaker 2>I'd hidden them from Dad over the years. I walked outside.

0:23:43.400 --> 0:23:50.040
<v Speaker 2>I didn't even think to close the door. No Jesus,

0:23:50.160 --> 0:23:58.280
<v Speaker 2>tastes like shit. Corin. Who's there, Marie? Oh my god,

0:23:58.320 --> 0:24:02.600
<v Speaker 2>I'm so sorry. I oh, oh no? What uh are you?

0:24:04.000 --> 0:24:08.360
<v Speaker 2>Is that blood there was? Are you hurt?

0:24:08.440 --> 0:24:08.520
<v Speaker 9>No?

0:24:08.680 --> 0:24:11.800
<v Speaker 2>Here, let me see Marie. No, no, no, it's not

0:24:11.960 --> 0:24:12.399
<v Speaker 2>It's not me.

0:24:12.600 --> 0:24:15.359
<v Speaker 9>Is there is there someone else here in your house?

0:24:16.040 --> 0:24:19.520
<v Speaker 2>Yes? Yeah, okay? Can I go in and check?

0:24:19.760 --> 0:24:19.960
<v Speaker 9>Yes?

0:24:20.119 --> 0:24:27.000
<v Speaker 2>Yeah, okay, okay. I waited for the telltale scream. It

0:24:27.040 --> 0:24:32.919
<v Speaker 2>didn't come. Instead. Did he scratch you, bite you? Did

0:24:32.960 --> 0:24:34.680
<v Speaker 2>you get any blood in your eyes or your mouth?

0:24:35.520 --> 0:24:35.800
<v Speaker 1>Karen?

0:24:35.960 --> 0:24:38.600
<v Speaker 2>I need you to think no, uh uh no, he

0:24:38.880 --> 0:24:42.040
<v Speaker 2>didn't hurt me at all. I mean probably bruised my

0:24:42.200 --> 0:24:47.520
<v Speaker 2>arms and I twisted my ankle a little bit. Okay, Okay,

0:24:47.520 --> 0:24:52.840
<v Speaker 2>you're Okay, then, Marie, there's a dead fucking body in

0:24:52.880 --> 0:24:55.800
<v Speaker 2>my house. A body that was already dead got up

0:24:56.119 --> 0:24:59.240
<v Speaker 2>and came to my house and tried to drink my blood.

0:24:59.280 --> 0:25:02.800
<v Speaker 2>I am very, very goddamn far from fucking Okay.

0:25:02.640 --> 0:25:03.960
<v Speaker 9>Okay, okay, I'm sorry.

0:25:04.000 --> 0:25:04.840
<v Speaker 2>I'm sorry. You're right.

0:25:04.960 --> 0:25:09.240
<v Speaker 9>That is a lot to process. What are you?

0:25:09.240 --> 0:25:10.359
<v Speaker 2>What are you even doing here?

0:25:11.240 --> 0:25:11.480
<v Speaker 7>Well?

0:25:13.800 --> 0:25:19.080
<v Speaker 2>I had a message for you, of what a message? Yeah, okay,

0:25:19.119 --> 0:25:19.439
<v Speaker 2>what's that?

0:25:20.400 --> 0:25:21.920
<v Speaker 9>Well, it's not gonna make any sense.

0:25:22.359 --> 0:25:25.000
<v Speaker 2>What is it? Who's it from?

0:25:25.160 --> 0:25:29.879
<v Speaker 9>It's from Ken McLean who he was. He was an

0:25:29.880 --> 0:25:31.879
<v Speaker 9>indigent that was brought in last week. I think he

0:25:31.920 --> 0:25:34.320
<v Speaker 9>was attacked by the dead man in your kitchen.

0:25:34.960 --> 0:25:37.280
<v Speaker 2>Brother Ken the street preacher.

0:25:37.760 --> 0:25:40.400
<v Speaker 9>Yes, yes, he uh well, he did scream a few

0:25:40.400 --> 0:25:46.119
<v Speaker 9>Bible verses when he came back. Came back, yeah, Kreen,

0:25:46.280 --> 0:25:49.280
<v Speaker 9>like the man on your floor came back from the dead.

0:25:50.840 --> 0:25:52.680
<v Speaker 2>He sat up and walked out of.

0:25:52.600 --> 0:25:56.000
<v Speaker 9>The morgue and happened on my floor, where he was

0:25:56.040 --> 0:25:57.960
<v Speaker 9>then tackled by the National Guard and chained to a

0:25:58.000 --> 0:25:58.800
<v Speaker 9>bed for observation.

0:26:01.160 --> 0:26:01.800
<v Speaker 2>Yeah.

0:26:02.200 --> 0:26:05.400
<v Speaker 9>Yeah, well, at least he seemed relieved to be tied down,

0:26:05.520 --> 0:26:10.399
<v Speaker 9>but he was suffering. I was sent into checking vitals

0:26:10.400 --> 0:26:14.800
<v Speaker 9>and his heart was beating, but he was as cold

0:26:14.800 --> 0:26:15.320
<v Speaker 9>as a grave.

0:26:16.280 --> 0:26:17.760
<v Speaker 2>Only was chattering Bible verses.

0:26:17.800 --> 0:26:18.520
<v Speaker 9>He said your name?

0:26:19.359 --> 0:26:19.919
<v Speaker 3>Oh?

0:26:20.520 --> 0:26:25.480
<v Speaker 9>When I pressed him, he said that you'd.

0:26:23.680 --> 0:26:26.600
<v Speaker 2>Know what to do, that it was in your blood.

0:26:27.800 --> 0:26:30.919
<v Speaker 2>What was the Holy spirit? I don't know.

0:26:31.000 --> 0:26:35.399
<v Speaker 9>He said your family killed vampires. Okay, sorry, that is

0:26:35.600 --> 0:26:37.680
<v Speaker 9>absolutely not funny given the circumstances.

0:26:38.440 --> 0:26:44.480
<v Speaker 2>You mean, the dead vampire in my kitchen. Yeah? What

0:26:44.560 --> 0:26:45.720
<v Speaker 2>are they gonna do to Ken?

0:26:47.560 --> 0:26:51.159
<v Speaker 9>I don't know. They'll probably take him somewhere more secure,

0:26:52.119 --> 0:26:54.199
<v Speaker 9>but I think that things are getting ready to get

0:26:54.240 --> 0:26:55.000
<v Speaker 9>even more scary.

0:26:55.920 --> 0:27:01.680
<v Speaker 2>I'm not sure about you, but I'm already scared as shit. Jesus,

0:27:01.680 --> 0:27:03.840
<v Speaker 2>What the fuck am I gonna do? Do you have

0:27:03.880 --> 0:27:04.640
<v Speaker 2>someone you can call?

0:27:05.880 --> 0:27:07.399
<v Speaker 9>Family, a close friend?

0:27:07.640 --> 0:27:11.919
<v Speaker 2>What about oh God, Sylvie? Yeah? Uh huh? I mean

0:27:12.200 --> 0:27:15.639
<v Speaker 2>should I call the cops? Cops? What are they gonna do?

0:27:15.800 --> 0:27:15.919
<v Speaker 7>Well?

0:27:15.920 --> 0:27:17.639
<v Speaker 2>I don't know the CDC.

0:27:18.760 --> 0:27:21.880
<v Speaker 9>I can call the contact person. They'll send someone over,

0:27:21.960 --> 0:27:24.359
<v Speaker 9>but they're gonna want to bring you in. Look. If

0:27:24.400 --> 0:27:26.840
<v Speaker 9>I was you, i'd get in your car and drive

0:27:26.920 --> 0:27:28.399
<v Speaker 9>away from Havoc for a few days.

0:27:29.440 --> 0:27:31.680
<v Speaker 2>Check in with me tomorrow. I'll give you any news.

0:27:32.200 --> 0:27:36.720
<v Speaker 2>That's incredibly nice of you. Won't you get in trouble.

0:27:37.320 --> 0:27:39.320
<v Speaker 9>I'll say I was checking in on you and found

0:27:39.320 --> 0:27:39.960
<v Speaker 9>the door open.

0:27:40.840 --> 0:27:44.679
<v Speaker 2>No, no, I need to be here, No, no, listen

0:27:44.720 --> 0:27:44.960
<v Speaker 2>to me.

0:27:45.920 --> 0:27:48.280
<v Speaker 9>I've been at the hospital for a while and I

0:27:48.320 --> 0:27:50.800
<v Speaker 9>have never seen the sort of anxiety that I've been

0:27:50.840 --> 0:27:55.119
<v Speaker 9>seeing there. It's not just the staff, the CDC, doctor

0:27:55.160 --> 0:27:59.800
<v Speaker 9>is the National Guardsman. Nobody's seen anything like this illness.

0:28:00.400 --> 0:28:02.960
<v Speaker 9>I mean, nobody's used to the dead rising from the grave.

0:28:03.000 --> 0:28:03.600
<v Speaker 2>They're scared.

0:28:04.640 --> 0:28:08.840
<v Speaker 9>Look, something is happening here, something big and sudden that

0:28:08.920 --> 0:28:12.800
<v Speaker 9>none of us can really understand. There will be more

0:28:12.840 --> 0:28:15.719
<v Speaker 9>death karn and the response to it by the government

0:28:15.800 --> 0:28:19.639
<v Speaker 9>will be swift and will absolutely make it worse. And

0:28:19.680 --> 0:28:21.480
<v Speaker 9>I have a job to do here, so I can't leave.

0:28:21.640 --> 0:28:24.560
<v Speaker 9>But you can so get the hell out of town,

0:28:25.200 --> 0:28:30.040
<v Speaker 9>far away. Hide in a motel because this place it's

0:28:30.040 --> 0:28:30.960
<v Speaker 9>getting ready to burn.

0:28:32.440 --> 0:28:34.160
<v Speaker 2>All right. Now, Wash yourself.

0:28:33.720 --> 0:28:38.200
<v Speaker 9>Off, pack a bag, get in your car and then drive.

0:28:39.080 --> 0:28:41.600
<v Speaker 9>You're gonna avoid check points and you don't stop until

0:28:41.640 --> 0:28:42.800
<v Speaker 9>you get an hour away.

0:28:43.920 --> 0:28:50.640
<v Speaker 2>Copy move. I did as I was told, quick rints

0:28:50.680 --> 0:28:54.280
<v Speaker 2>in the shower. A week in Beg. I didn't go

0:28:54.400 --> 0:28:57.000
<v Speaker 2>back to the kitchen, but said Mike god bye to

0:28:57.080 --> 0:28:59.880
<v Speaker 2>Marie at the front door. I got in the car

0:29:00.120 --> 0:29:02.720
<v Speaker 2>and pulled out of my drive down my street to

0:29:02.800 --> 0:29:06.320
<v Speaker 2>the intersection. A turn left would take me to the highway.

0:29:07.200 --> 0:29:09.680
<v Speaker 2>I would drive to Maine. Had an old friend who

0:29:09.680 --> 0:29:12.120
<v Speaker 2>lived on the coast. I'd stay with him just a

0:29:12.120 --> 0:29:16.600
<v Speaker 2>few days until things blew over. When I came back,

0:29:16.640 --> 0:29:21.320
<v Speaker 2>everything would be under control. At least that's what should

0:29:21.320 --> 0:29:26.240
<v Speaker 2>have happened with a simple left turn, a quiet exit, safety,

0:29:26.880 --> 0:29:30.640
<v Speaker 2>a decision not to be involved in whatever horror would

0:29:30.720 --> 0:29:43.880
<v Speaker 2>come next, a shit, which is why I turned right.

0:29:46.720 --> 0:29:49.920
<v Speaker 4>Havoctown was created by me Aaron Mankey. The show was

0:29:49.960 --> 0:29:54.240
<v Speaker 4>written and directed by Nicholas Takowski. This episode was edited

0:29:54.280 --> 0:29:58.720
<v Speaker 4>and sound designed by Rima lk Ali. Starring Jewels State

0:29:58.920 --> 0:30:04.720
<v Speaker 4>as Coreyne Abbys, Chrystal Lee as Demeris, Robin Bloodworth as Jimbo'horn,

0:30:05.240 --> 0:30:09.920
<v Speaker 4>Summer rain Menkey as Barbara Horn, with additional voice acting

0:30:10.000 --> 0:30:14.320
<v Speaker 4>from Jonathan Baron and Aaron Mankey. This season is directed

0:30:14.320 --> 0:30:18.840
<v Speaker 4>by Nicholas Takoski, with assistant directors Sarah Klein and Jake Diamond.

0:30:19.120 --> 0:30:23.840
<v Speaker 4>Casting by Sunday Bowling CSA and meg Mormon CSA production

0:30:23.960 --> 0:30:28.360
<v Speaker 4>coordinator Wayna Calderon. Our theme song was created by Chris

0:30:28.440 --> 0:30:32.960
<v Speaker 4>Childs executive producers Aaron Mankey, Trevor Young, and Matt Frederick,

0:30:33.080 --> 0:30:37.680
<v Speaker 4>with supervising producer Rima Lkali and producers Nomes Griffin and

0:30:37.760 --> 0:30:41.600
<v Speaker 4>Jesse Funk. Havoctown is set in the Bridgewater Audio Universe,

0:30:41.640 --> 0:30:46.080
<v Speaker 4>which includes the hit fiction podcasts Bridgewater and Consumed. Learn

0:30:46.120 --> 0:30:49.840
<v Speaker 4>more about both shows, as well as Havoctown at grimandmild

0:30:50.000 --> 0:30:53.880
<v Speaker 4>dot com, and find more podcasts from iHeartRadio by visiting

0:30:53.880 --> 0:30:57.520
<v Speaker 4>the iHeartRadio app, Apple Podcasts, or wherever you listen to

0:30:57.560 --> 0:31:02.160
<v Speaker 4>your favorite shows