WEBVTT - Checking In With Salehe Bembury

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<v Speaker 1>The volume. All right, Rory.

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<v Speaker 2>Today we are joined by a very very special guest,

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<v Speaker 2>New York City legend, the legend in the fashion game,

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<v Speaker 2>legend in the shoe game.

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<v Speaker 3>Uh, we are.

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<v Speaker 1>We are honored and privileged to have here today.

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<v Speaker 3>His new line is.

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<v Speaker 2>Dropping, he has a new book out, and we get

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<v Speaker 2>to talk to him.

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<v Speaker 3>I get to ask some of my sneak ahead.

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<v Speaker 2>Yes, this is a sneaker this this episode is for

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<v Speaker 2>all the sneaker the sneaker heads around the world, very

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<v Speaker 2>special guests doing some amazing things.

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<v Speaker 1>We are joined by Sleat he been bread. What's up fan?

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<v Speaker 1>How you doing? I'm doing good. Listen, It's a pleasure

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<v Speaker 1>to meet.

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<v Speaker 4>Yes.

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<v Speaker 2>Yes, First of all, you're busy, you running around. Congrats

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<v Speaker 2>on a new drop on a new Sponge, the Sponge collection.

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<v Speaker 2>I don't know even know where to start with. I mean,

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<v Speaker 2>we wear his sneakers so fucking much.

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<v Speaker 1>Yeah, pretty much all the way at this point.

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<v Speaker 4>Yeah, today I even had like it was maybe a

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<v Speaker 4>self conscious thoughts, and then I felt even weirder after

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<v Speaker 4>because I was like, I don't want to wear his sneakers.

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<v Speaker 1>When he's like, is that weird?

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<v Speaker 4>But then it's I was like, but I support this

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<v Speaker 4>guy so much. Why why would.

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<v Speaker 1>I'm not wear not because he's coming today.

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<v Speaker 2>I'm not wearing my throtom ships in the back of

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<v Speaker 2>the closet. I was like, I'm not wearing my slaves today.

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<v Speaker 2>But how are you feeling?

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<v Speaker 1>Man? I feel great. I am in a very significant

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<v Speaker 1>part of my career and a chapter turning moment. I'm

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<v Speaker 1>releasing a book, I'm releasing a I've released a footwear company,

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<v Speaker 1>which is different from I guess what my audience has

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<v Speaker 1>been familiar with, which has mostly been collaborations. And we

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<v Speaker 1>saw this, We saw this happening though even I mean listen, like,

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<v Speaker 1>I didn't even see the collaboration thing in the in

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<v Speaker 1>the stars. For me, you know, my dream was to

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<v Speaker 1>ultimately work for a brand, and I never really saw

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<v Speaker 1>myself as someone that was going to put his name

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<v Speaker 1>on people, across people's chests or on their shoes. So

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<v Speaker 1>these opportunities have kind of been brought to me, and

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<v Speaker 1>me being a New Yorker, you know, I'm still going

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<v Speaker 1>to capitalize on them. And this is where I find myself.

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<v Speaker 4>So, yeah, when when did you have that moment that

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<v Speaker 4>it switched where hey, I don't want to just design

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<v Speaker 4>or be a head designer for somebody else.

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<v Speaker 1>I think I just got to look at the amount

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<v Speaker 1>of success that I brought other brands and across a landscape,

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<v Speaker 1>you know, like, you know, not only just simply like

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<v Speaker 1>one kind of sneaker. I've been able to tell tell

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<v Speaker 1>many different stories, and within telling those different stories, speak

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<v Speaker 1>to different audiences, and through that have a lot of

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<v Speaker 1>success with sales of shoes. And then that made me

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<v Speaker 1>realize that I, myself am a business. I'm not necessarily

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<v Speaker 1>like just this artist that gets brought in to like

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<v Speaker 1>throw some colors on, you know, the black and white whatever.

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<v Speaker 1>I am actually like a business myself. And and and

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<v Speaker 1>then I also became you know, I don't want to

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<v Speaker 1>make this about money, but I you know, was very

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<v Speaker 1>aware of the amount of money that I was making

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<v Speaker 1>these brands.

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<v Speaker 3>And I was do have you ever seen the real numbers?

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<v Speaker 1>Oh? Yeah, absolutely, that's a part of it. But and

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<v Speaker 1>then the percentage of what I was able to get

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<v Speaker 1>from that very grateful. But it'd be nice to have

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<v Speaker 1>the entire pie, you know, it'd be nice to Yeah,

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<v Speaker 1>it's a little different, yeah, the whole thing. Yeah. And

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<v Speaker 1>then and then this entire time I've been learning, so

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<v Speaker 1>I don't know if this is something I would have

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<v Speaker 1>been ready for for like five years ago. But now

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<v Speaker 1>I think that's why I said what I said about it.

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<v Speaker 3>I think it was inevitable.

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<v Speaker 2>I think people that have been following you and supporting

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<v Speaker 2>your brand over the years, we kind of saw this happening.

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<v Speaker 2>But when you say you were working at brands you

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<v Speaker 2>were learning, I mean, you've done some iconic shit with

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<v Speaker 2>Vasace cohon even with the Yeasy brand. Along your journey,

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<v Speaker 2>it made CrOx cool, made CrOx cool. But but again,

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<v Speaker 2>you've always had a certain aesthetic. We know a Salah

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<v Speaker 2>aesthetic when we see it, like even your whole aesthetic

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<v Speaker 2>appearance is a brand, you know what I mean? Like

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<v Speaker 2>you walking around and people know exactly who you are

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<v Speaker 2>now growing up in New York, do you feel like

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<v Speaker 2>that kind of molded you? Because this is a fashion

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<v Speaker 2>capital and everything that you wear, but it's now it's

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<v Speaker 2>it's more easy to follow than it is to set

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<v Speaker 2>trends these days. Yeah, how important was it for you

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<v Speaker 2>to remain who you are and always in anything you do?

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<v Speaker 2>It's a sleazy thing.

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<v Speaker 1>I think that growing up and maybe you can relate

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<v Speaker 1>to this, you guys can relate to this as individualism

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<v Speaker 1>was a high priority. So the people that were in

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<v Speaker 1>your friend group or just in the room were respected

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<v Speaker 1>and appreciated because of the individualism that they brought to

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<v Speaker 1>the table. And so if someone was wearing cheetah or

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<v Speaker 1>black and red or whatever it was, that's who they were.

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<v Speaker 1>And these days that doesn't really exist as much. And

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<v Speaker 1>so because that's an error that I come from, I

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<v Speaker 1>really lean into being myself. I don't think anyone can

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<v Speaker 1>be myself better than me, right, And that has high

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<v Speaker 1>authenticity in it, and I think that's something that when

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<v Speaker 1>people identify, they're really attracted to because that also is

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<v Speaker 1>rare in this time that we find ourselves in, you know.

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<v Speaker 1>So yeah, I think there's there's a balance that needs

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<v Speaker 1>to be maintained of like injecting a certain amount of

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<v Speaker 1>self into a project, but then also just considering the

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<v Speaker 1>consumer and what they would like and being commercial because

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<v Speaker 1>sometimes people push things a little too far and then

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<v Speaker 1>it's not digestible. So it's kind of about maintaining that

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<v Speaker 1>balance of like commercial and then I guess my taste. Yeah.

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<v Speaker 4>Now, I think it's interesting with designers that are born

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<v Speaker 4>and raised in New York. Typically the nature route isn't

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<v Speaker 4>represented in their designs outside of just the colors that

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<v Speaker 4>you use, Like what the shoe's purpose is for a

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<v Speaker 4>nature hike, for example, it's a functional shoe, yeah, which

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<v Speaker 4>typically isn't the New York City designer stereotype. What started

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<v Speaker 4>more of the nature side of things growing up in

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<v Speaker 4>the city, So I mean.

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<v Speaker 1>Yeah, born and raised in New York, spent twenty nine

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<v Speaker 1>years here, moved to LA about ten years ago, and

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<v Speaker 1>through that developed a relationship with nature just through proximity.

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<v Speaker 1>I mean, if you guys wanted to go for a

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<v Speaker 1>hike here, that'd be your full Saturday. That'd be like

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<v Speaker 1>going to what was it called Woodbury Commons. You know,

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<v Speaker 1>that's a full day. That's a full day. And so

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<v Speaker 1>in LA, you know, like hikes are fifteen minutes away

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<v Speaker 1>and they're really beautiful experiences and it's physical fitness and

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<v Speaker 1>it's meditative and it's just a nice way to start

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<v Speaker 1>the day. And then through that I started getting inspired

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<v Speaker 1>and started and not even like intentionally where I was

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<v Speaker 1>like looking at trees like give me an idea, Yeah,

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<v Speaker 1>but it was more just like, damn, these colors are

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<v Speaker 1>beautiful and started noticing the function of the shoes I

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<v Speaker 1>was wearing and how they were hurting or helping my

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<v Speaker 1>hiking experience. I made a shoe with a whistle on

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<v Speaker 1>it because I was like, wow, like, I'm out in

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<v Speaker 1>this environment where I need tools. I might need a

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<v Speaker 1>knife to protect myself. I might need a lighter to

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<v Speaker 1>start a fire, or I might need a whistle to

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<v Speaker 1>alert people that I'm injured or my friends that are

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<v Speaker 1>like on the other side of the mountain or field

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<v Speaker 1>or whatever. And so it really wasn't the most intentional thing.

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<v Speaker 1>It was just like, this is what I'm doing, this

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<v Speaker 1>is what I'm sharing on my social media, and now

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<v Speaker 1>it just kind of like authentically connects. I think it

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<v Speaker 1>would have been strange if I was in Los Angeles

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<v Speaker 1>trying to tell a New York story. Yeah, you know,

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<v Speaker 1>but at the end of the day, I think it

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<v Speaker 1>has to be authentic. And that's why even like the

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<v Speaker 1>Puma Haliburn thing that I've been doing is authentic because

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<v Speaker 1>I grew up pooping, you know. Yeah, I feel like.

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<v Speaker 4>You kind of had like the reverse career as far

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<v Speaker 4>as trying to go to the quote unquote designer brand

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<v Speaker 4>thing like earlier. How I was even introduced to you

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<v Speaker 4>was through the Versace stuff. I would have never guessed

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<v Speaker 4>at that point off those Versace designs that everything you

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<v Speaker 4>would do after would look the way it looked like.

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<v Speaker 4>Now I get it, because through Crocs, through New Balance,

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<v Speaker 4>through everything that you've done, I understand your aesthetic. Versace

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<v Speaker 4>would have been the last fucking brand I would have

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<v Speaker 4>thought that maybe you would have worked with, And it

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<v Speaker 4>was the one that introduced me to your designs. Yeah,

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<v Speaker 4>which is kind of weird because usually that process is switched.

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<v Speaker 4>You'll do maybe the lesser brands and then go right

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<v Speaker 4>to designer if you want to. I would never guess

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<v Speaker 4>you would even want to do high end designer stuff.

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<v Speaker 1>Well, for one, that's when I was like a nine

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<v Speaker 1>to five employees So that was about making a shoe

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<v Speaker 1>that was the best thing for Versace. It had nothing

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<v Speaker 1>to do with like me being involved. Maybe looking in retrospect,

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<v Speaker 1>maybe you could see a little bit of the style

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<v Speaker 1>or the so but like for the most part, that

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<v Speaker 1>was a Versachi shoe. But now when the collaborative shoes

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<v Speaker 1>have my name on it, now I'm able to like

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<v Speaker 1>really do my dance and kind of do what I want.

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<v Speaker 3>You have full creative control.

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<v Speaker 1>Yeah, but it's but at the same time, there is

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<v Speaker 1>like I couldn't just come in here and be like,

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<v Speaker 1>all right, listen, flip Flops, Timberlands, let's see how we

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<v Speaker 1>can merge these ideas. Yeah, you know what I'm saying, Like,

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<v Speaker 1>you know, it needs to make like commercial sense, but

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<v Speaker 1>I think I haven't. I've had enough of a history

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<v Speaker 1>of proof of concept and success that now there's trust.

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<v Speaker 1>So now like they're willing to give me budgets to

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<v Speaker 1>do the campaigns and no one shows up and I

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<v Speaker 1>can just like get it done and then they're just

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<v Speaker 1>expecting your assets. Yeah. So I think with proof of

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<v Speaker 1>concept in any field, there's more trust and people just

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<v Speaker 1>expect you to perform.

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<v Speaker 2>I've noticed over the years though, like the sneaker the

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<v Speaker 2>sneaker game has changed a lot from retail to just

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<v Speaker 2>fashion and in style. But one thing that kind of

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<v Speaker 2>like blew me away. Last week I was talking to

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<v Speaker 2>my boy and he last year he sold his Jordan

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<v Speaker 2>one shot a backboards. He sold them, somebody used, he

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<v Speaker 2>wore them a couple of times, sold them for five

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<v Speaker 2>hundred dollars. He just bought them again this year, last

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<v Speaker 2>week's they're sitting on the shelves for one hundred and

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<v Speaker 2>thirty dollars. How does that shift in a year where

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<v Speaker 2>you can sell this same exact shoe like resale, yeah,

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<v Speaker 2>for five hundred and then twelve months later it's sitting

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<v Speaker 2>on the shelves. One of the most iconic Jordan ones

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<v Speaker 2>ever is just sitting on the shelves, Like, how does

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<v Speaker 2>the market fluctuate that like drastically and such a short time.

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<v Speaker 1>So I'll give you two things, so one and that's

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<v Speaker 1>why I believe, you know, starting a brand right now

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<v Speaker 1>is the most appropriate time. I've been witnessing the death

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<v Speaker 1>of hype. I don't think it's dead. I don't want

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<v Speaker 1>it to die with Yeah, I would love to see

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<v Speaker 1>it be revived. However, I'm witnessing the death of it.

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<v Speaker 1>It doesn't seem like brands are investing in collaborations as much.

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<v Speaker 1>They're not telling stories, and the consumer is more edge

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<v Speaker 1>than they've ever been, so they see through the bullshit

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<v Speaker 1>like very easily. That combined with like maybe a pending

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<v Speaker 1>or existing recession, people are not spending money and there

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<v Speaker 1>is a huge oversaturation of product and things and gone

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<v Speaker 1>other times where you would like kind of wait for

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<v Speaker 1>a release to happen. They're happening every fucking day, and

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<v Speaker 1>so now I don't know if people are as invested.

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<v Speaker 1>And that's why I think the whole brand thing makes sense,

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<v Speaker 1>because it's not about just like you know, pulling out

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<v Speaker 1>this like shiny rabbit out of my hat and being like,

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<v Speaker 1>by this thing and it'll be gone tomorrow. It's more

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<v Speaker 1>about like long term investment in community building and telling stories.

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<v Speaker 1>Did that shift happen?

0:10:38.920 --> 0:10:41.520
<v Speaker 4>And of course we don't need to talk about Kanye's politics,

0:10:41.559 --> 0:10:44.079
<v Speaker 4>but once Kanye went to Adidas after the Nike thing,

0:10:44.120 --> 0:10:44.719
<v Speaker 4>where you know, it.

0:10:44.720 --> 0:10:47.480
<v Speaker 1>Was very tough to get the red octobers and.

0:10:47.520 --> 0:10:51.120
<v Speaker 4>His goal was to make sure you could afford Yeasies

0:10:51.160 --> 0:10:54.640
<v Speaker 4>and they were readily available at all times the Mass deal,

0:10:54.679 --> 0:10:57.520
<v Speaker 4>did that shift happen there? Because now you have what

0:10:57.520 --> 0:11:01.000
<v Speaker 4>would be quote unquote the hype Beast collab. Once Kanye

0:11:01.080 --> 0:11:03.240
<v Speaker 4>was with Nike and then you could just walk into

0:11:03.240 --> 0:11:05.440
<v Speaker 4>any foot locker and get some some Yeasies for a

0:11:05.440 --> 0:11:08.800
<v Speaker 4>reasonable price. Once he went over to Adidas, like the

0:11:08.880 --> 0:11:11.520
<v Speaker 4>hype wasn't there. I thought that was a good thing.

0:11:11.760 --> 0:11:14.200
<v Speaker 4>I thought they were quality shoes. And affordable, and I

0:11:14.200 --> 0:11:15.679
<v Speaker 4>hate when you can't just go get some shit that

0:11:15.960 --> 0:11:16.400
<v Speaker 4>you want.

0:11:17.160 --> 0:11:19.320
<v Speaker 1>But no, So that's an interesting it's funny that you

0:11:19.400 --> 0:11:22.240
<v Speaker 1>say that. So, and this isn't my take. There's this dude,

0:11:22.280 --> 0:11:24.480
<v Speaker 1>Jacques Slid. I've repeated this on like every for every

0:11:24.520 --> 0:11:26.800
<v Speaker 1>conversation I've had, but he pretty much was talking about

0:11:26.840 --> 0:11:29.120
<v Speaker 1>how the white Jordan cement for has been sitting on

0:11:29.200 --> 0:11:31.960
<v Speaker 1>shelves and outlets and people are really upset about that.

0:11:32.200 --> 0:11:35.199
<v Speaker 1>But that really shows you how backwards the sneaker community

0:11:35.240 --> 0:11:37.720
<v Speaker 1>is now, where like if there is an iconic shoe

0:11:38.559 --> 0:11:42.160
<v Speaker 1>and it's accessible, we're angry because we're used to we

0:11:42.200 --> 0:11:44.400
<v Speaker 1>need to be like waiting in line in the rain

0:11:44.440 --> 0:11:47.360
<v Speaker 1>and being whipped or something, or spend spending an obscene

0:11:47.400 --> 0:11:49.560
<v Speaker 1>amount of money on resale for you to feel like

0:11:49.640 --> 0:11:52.760
<v Speaker 1>you own it, right, and so you'll brought her a

0:11:52.800 --> 0:11:55.240
<v Speaker 1>cool crowd exactly. And so that's kind of how backwards

0:11:55.240 --> 0:11:56.080
<v Speaker 1>things are right now, you know.

0:11:56.160 --> 0:11:58.880
<v Speaker 4>Yeah, that's almost like I feel like in the hip

0:11:58.880 --> 0:12:01.520
<v Speaker 4>hop world, when fans feel like they got to an

0:12:01.559 --> 0:12:04.680
<v Speaker 4>artist early and then the artist becomes popular and they're mad.

0:12:04.720 --> 0:12:07.080
<v Speaker 4>It's like you don't want you to show I'm not

0:12:07.080 --> 0:12:09.599
<v Speaker 4>going to do. You don't want your favorite artists to

0:12:09.640 --> 0:12:10.240
<v Speaker 4>be popular.

0:12:11.320 --> 0:12:13.520
<v Speaker 2>But it is a different time though Slay, Like, I mean,

0:12:14.360 --> 0:12:18.640
<v Speaker 2>I can get a classic Jordan's shoe easier, and I

0:12:18.640 --> 0:12:20.480
<v Speaker 2>can get your shoe or easier and I can get

0:12:20.559 --> 0:12:22.160
<v Speaker 2>Joe Fresh Goods or you.

0:12:22.160 --> 0:12:22.680
<v Speaker 3>Know what I'm saying.

0:12:22.760 --> 0:12:25.480
<v Speaker 2>It's like that is just crazy to me, Like it's

0:12:25.520 --> 0:12:28.559
<v Speaker 2>it's long going of the days where you know, Jordan's

0:12:28.559 --> 0:12:30.840
<v Speaker 2>will sell out and it's like, I gotta go pay

0:12:30.880 --> 0:12:34.000
<v Speaker 2>resale now I'm paying resale for your shoe or Joe

0:12:34.040 --> 0:12:36.960
<v Speaker 2>Fresh Gooods or Action Bronson's new Balance, like it it's

0:12:37.000 --> 0:12:40.320
<v Speaker 2>insane the way it has flipped to. You know, it's

0:12:40.360 --> 0:12:43.680
<v Speaker 2>not just the iconic athlete that's selling sneakers anymore. It's

0:12:43.720 --> 0:12:48.280
<v Speaker 2>like creators and influencers who have a lot of style

0:12:48.720 --> 0:12:50.920
<v Speaker 2>and have been in the sneaking industry shoe industry for

0:12:50.960 --> 0:12:52.960
<v Speaker 2>so long, who are now doing their own thing. Like

0:12:53.000 --> 0:12:55.600
<v Speaker 2>those are the products that I think we want and

0:12:55.679 --> 0:12:58.000
<v Speaker 2>believe in more because we kind of feel like we

0:12:58.040 --> 0:12:59.120
<v Speaker 2>saw a Salty story.

0:12:59.160 --> 0:13:02.320
<v Speaker 3>We saw him, we saw his ascension, and.

0:13:02.240 --> 0:13:04.839
<v Speaker 2>Now he's here creating this thing where it's like, Okay,

0:13:04.840 --> 0:13:06.640
<v Speaker 2>I need to be a part of this because his

0:13:06.760 --> 0:13:09.120
<v Speaker 2>work speaks for itself. His brand throughout the years just

0:13:09.120 --> 0:13:11.320
<v Speaker 2>told the story and it's a part of the story.

0:13:11.320 --> 0:13:13.000
<v Speaker 2>If I don't have that, that's like a chapter that

0:13:13.440 --> 0:13:15.640
<v Speaker 2>I'm missing out on the so lazy story a little bit.

0:13:15.679 --> 0:13:18.600
<v Speaker 2>Is that something that you've done intentionally to create this

0:13:18.720 --> 0:13:20.040
<v Speaker 2>timeline and this storyline?

0:13:22.400 --> 0:13:23.439
<v Speaker 1>Has it been intentional?

0:13:23.600 --> 0:13:23.640
<v Speaker 4>No?

0:13:23.800 --> 0:13:26.079
<v Speaker 1>I think it's I've just been kind of like nimble

0:13:26.160 --> 0:13:30.439
<v Speaker 1>and like and kind of flex like flexible I want

0:13:30.440 --> 0:13:32.640
<v Speaker 1>to yeah, I would say, yeah, just flexible with the

0:13:32.679 --> 0:13:35.560
<v Speaker 1>opportunities that I've been given. And I think that now

0:13:35.600 --> 0:13:37.360
<v Speaker 1>that a lot of the work has had my name

0:13:37.400 --> 0:13:39.720
<v Speaker 1>on it, there's been this red thread that exists simply

0:13:39.720 --> 0:13:41.120
<v Speaker 1>because I can like make it how I want to

0:13:41.160 --> 0:13:43.560
<v Speaker 1>make it. And so I'm also somewhat of a selfish

0:13:43.600 --> 0:13:46.600
<v Speaker 1>designer because up util this point, prebrand, a lot of

0:13:46.600 --> 0:13:48.440
<v Speaker 1>these collaborations were just things I wanted to wear. I

0:13:48.480 --> 0:13:50.000
<v Speaker 1>was like, what's going to be dope? What's going to

0:13:50.040 --> 0:13:51.720
<v Speaker 1>be dope for this opportunity or this brand?

0:13:51.760 --> 0:13:51.920
<v Speaker 4>You know?

0:13:52.440 --> 0:13:55.560
<v Speaker 1>And so with like a Croc, I thought to myself, man,

0:13:55.600 --> 0:13:59.360
<v Speaker 1>like I respect the brand of Crocs. They've existed for decades,

0:13:59.400 --> 0:14:02.120
<v Speaker 1>but I've never really worn crocks like that, like maybe

0:14:02.200 --> 0:14:03.760
<v Speaker 1>had one or two in the closet, They've never really

0:14:03.840 --> 0:14:06.760
<v Speaker 1>left the house. How could I challenge myself to create

0:14:06.800 --> 0:14:10.040
<v Speaker 1>a crock that looks cool and that people want to

0:14:10.080 --> 0:14:14.480
<v Speaker 1>wear and that potentially you can like even exist within

0:14:14.520 --> 0:14:16.800
<v Speaker 1>like this sneaker space. Right, so there are even like

0:14:16.800 --> 0:14:18.880
<v Speaker 1>a lot of decisions with that shoe or like I

0:14:18.920 --> 0:14:20.800
<v Speaker 1>was like, you know, they put a lot of their

0:14:21.360 --> 0:14:22.960
<v Speaker 1>crocks and like bags, so when you buy a crack,

0:14:23.000 --> 0:14:24.720
<v Speaker 1>it comes in like a bag. Yeah. I was like, no,

0:14:24.760 --> 0:14:26.720
<v Speaker 1>we need to have like a box because this I

0:14:26.760 --> 0:14:28.880
<v Speaker 1>was even asking you about your sneakers. The sneaker snack,

0:14:29.080 --> 0:14:33.400
<v Speaker 1>the sneaker stacking ritual is a really important ritual within sneakers.

0:14:33.880 --> 0:14:35.920
<v Speaker 1>So immediately if we're making this thing that we wanted

0:14:36.160 --> 0:14:39.800
<v Speaker 1>the sneaker crowd to respect and they can't even stack

0:14:39.840 --> 0:14:42.760
<v Speaker 1>their boxes, yea, yeah, we were already behind. Like even

0:14:42.880 --> 0:14:45.680
<v Speaker 1>your boxes are art is a piece now, thank you?

0:14:45.840 --> 0:14:48.000
<v Speaker 2>Like when you get them, it's like I know by

0:14:48.040 --> 0:14:50.560
<v Speaker 2>stacking them obviously you know sneak As we you stack

0:14:50.600 --> 0:14:52.360
<v Speaker 2>our boxes is always the label out.

0:14:52.160 --> 0:14:53.480
<v Speaker 3>So we know exactly who what it is.

0:14:53.520 --> 0:14:55.920
<v Speaker 2>Yeah, with yours, I can just look at the color

0:14:55.960 --> 0:14:58.840
<v Speaker 2>of the box put on top of it, I know

0:14:58.920 --> 0:15:01.280
<v Speaker 2>exactly what it is. To me, that's just a certain

0:15:01.280 --> 0:15:05.160
<v Speaker 2>attention to detail. I think that you know, guys like you,

0:15:05.200 --> 0:15:08.720
<v Speaker 2>guys like Joe fresh Good's Action Bronch and like y'all

0:15:08.720 --> 0:15:10.280
<v Speaker 2>pay attention to those certain things.

0:15:10.640 --> 0:15:15.440
<v Speaker 1>How really is the thing of please? So if you

0:15:15.440 --> 0:15:19.800
<v Speaker 1>think about when you get an iPhone and you peel

0:15:19.840 --> 0:15:23.600
<v Speaker 1>off that piece of plastic and how smooth it comes up, right,

0:15:24.400 --> 0:15:27.040
<v Speaker 1>every every every piece of real estate on a product

0:15:27.120 --> 0:15:32.800
<v Speaker 1>is an opportunity to execute detail or display your brand

0:15:33.120 --> 0:15:36.640
<v Speaker 1>or portray excellent. So I really I believe in that.

0:15:36.680 --> 0:15:38.560
<v Speaker 1>And so whether it's the packaging or any of that stuff,

0:15:39.440 --> 0:15:41.480
<v Speaker 1>I think that lets the people know that it's the brand.

0:15:41.480 --> 0:15:43.120
<v Speaker 1>And so if you think about that Apple example, like

0:15:43.120 --> 0:15:45.280
<v Speaker 1>if you got an iPhone, then you peeled the plastic

0:15:45.320 --> 0:15:45.880
<v Speaker 1>off and it was.

0:15:45.840 --> 0:15:49.600
<v Speaker 2>Like, yeah, they just do this together.

0:15:50.280 --> 0:15:53.120
<v Speaker 1>This isn't an iPhone with Apple, It's like excellent. So yeah,

0:15:53.360 --> 0:15:54.840
<v Speaker 1>with all the things I create, I try to be

0:15:54.840 --> 0:15:57.280
<v Speaker 1>like intentional about you know, how it's done.

0:15:57.520 --> 0:16:00.640
<v Speaker 2>How many silhouettes have you you know, through the companies

0:16:00.640 --> 0:16:02.600
<v Speaker 2>you work for, like the silhouettes that are sitting there

0:16:02.600 --> 0:16:04.680
<v Speaker 2>where you're like, okay, let me take these and put

0:16:04.720 --> 0:16:06.680
<v Speaker 2>the silet he spent on it. Because a lot of

0:16:06.680 --> 0:16:08.200
<v Speaker 2>the easies that we've seen.

0:16:08.240 --> 0:16:10.640
<v Speaker 4>He's posted silhouettes that aren't coming out that have pissed

0:16:10.640 --> 0:16:10.840
<v Speaker 4>me off.

0:16:11.000 --> 0:16:13.280
<v Speaker 1>Then you could have kept that to yourself. You need Instagram.

0:16:13.360 --> 0:16:17.600
<v Speaker 2>But I can imagine these brands like Puma and Adidas

0:16:17.640 --> 0:16:18.160
<v Speaker 2>were easy.

0:16:18.640 --> 0:16:22.000
<v Speaker 3>They just have this warehouse full of silhouettes.

0:16:21.480 --> 0:16:24.400
<v Speaker 2>That they can't move, like quote unquote the Dad Sneaker,

0:16:24.400 --> 0:16:26.840
<v Speaker 2>I think the wave Runner is this dad sneaker that

0:16:26.920 --> 0:16:28.880
<v Speaker 2>Kanye just got his hands on and put some beautiful

0:16:28.920 --> 0:16:30.800
<v Speaker 2>ballads to it and just kind of.

0:16:31.240 --> 0:16:34.040
<v Speaker 1>Like, how how often does that happen.

0:16:33.800 --> 0:16:36.480
<v Speaker 2>When you when the brand reaches out to you and says, hey,

0:16:36.520 --> 0:16:38.040
<v Speaker 2>we want to we want to partner with you, we

0:16:38.080 --> 0:16:40.000
<v Speaker 2>want to bring you in. Like how often do you

0:16:40.080 --> 0:16:42.320
<v Speaker 2>just go into the warehouse and just see the silhouettes

0:16:42.360 --> 0:16:44.480
<v Speaker 2>and like, Okay, I want these four and let me

0:16:44.520 --> 0:16:45.440
<v Speaker 2>do my thing with these.

0:16:46.960 --> 0:16:48.800
<v Speaker 1>So it kind of depends on the amount of time

0:16:48.840 --> 0:16:51.120
<v Speaker 1>that you have, right because to actually make a shoe,

0:16:51.480 --> 0:16:53.240
<v Speaker 1>both design it and then develop it. Like when I

0:16:53.280 --> 0:16:56.200
<v Speaker 1>say develop it, I mean like factory samples that whole

0:16:56.640 --> 0:16:58.880
<v Speaker 1>exchange that can take up to a year. So like

0:16:58.880 --> 0:17:00.720
<v Speaker 1>even the Halliburns you for example, like that took like

0:17:00.760 --> 0:17:03.080
<v Speaker 1>a year. But then these runners that I recently came

0:17:03.120 --> 0:17:06.000
<v Speaker 1>out with Puma, that is an existing shoe that I've

0:17:06.040 --> 0:17:08.280
<v Speaker 1>kind of missed, potato headed some like new details on

0:17:08.320 --> 0:17:13.879
<v Speaker 1>to make it feel fresh. The way that I differ

0:17:13.920 --> 0:17:17.680
<v Speaker 1>as a collaborator is I'm a classically trained designer. I

0:17:17.720 --> 0:17:20.520
<v Speaker 1>went to school for this shit. I can take a

0:17:20.520 --> 0:17:22.840
<v Speaker 1>white piece of paper and create something and make it

0:17:22.880 --> 0:17:23.800
<v Speaker 1>into a real shoe.

0:17:23.920 --> 0:17:25.440
<v Speaker 3>Classically trained designer.

0:17:25.560 --> 0:17:27.479
<v Speaker 1>Yeah, I don't know if that's my term. I've been

0:17:27.520 --> 0:17:30.600
<v Speaker 1>saying that it feels that sounds fine, like.

0:17:30.520 --> 0:17:35.040
<v Speaker 4>The Juilliard version of design, Like I really went to school,

0:17:35.040 --> 0:17:36.280
<v Speaker 4>exhibit to school.

0:17:36.320 --> 0:17:39.400
<v Speaker 1>I went to school for this, So I make things.

0:17:39.480 --> 0:17:42.320
<v Speaker 1>I know my ship, And I think there's a difference

0:17:42.480 --> 0:17:45.240
<v Speaker 1>with collaborations where they might take a shoe and just

0:17:45.280 --> 0:17:48.520
<v Speaker 1>add color to it and then what I do, which

0:17:48.600 --> 0:17:51.560
<v Speaker 1>is design something from the ground up. And I'm not

0:17:51.640 --> 0:17:53.880
<v Speaker 1>devaluing that at all because some of the best collaborations

0:17:53.880 --> 0:17:56.159
<v Speaker 1>of our time are color up. So I want to

0:17:56.200 --> 0:17:59.240
<v Speaker 1>make that very clear. But there's a difference, and so

0:18:00.040 --> 0:18:01.959
<v Speaker 1>you know, getting the opportunity with a brand to like

0:18:02.359 --> 0:18:04.240
<v Speaker 1>go into their archive and take a shoe and then

0:18:04.280 --> 0:18:06.879
<v Speaker 1>give a color. That's a cool opportunity, but I am

0:18:06.920 --> 0:18:10.760
<v Speaker 1>definitely way more attracted to making something new. Yeah, you know,

0:18:10.840 --> 0:18:12.680
<v Speaker 1>and then what's cool is like there's a Steve Jobs

0:18:12.760 --> 0:18:16.040
<v Speaker 1>quote that says the audience or the consumer doesn't know

0:18:16.080 --> 0:18:17.840
<v Speaker 1>what they want until you show it to them, and

0:18:17.880 --> 0:18:19.320
<v Speaker 1>so I think, you know, the crock is a perfect

0:18:19.359 --> 0:18:21.080
<v Speaker 1>example of that because if you were to ask people,

0:18:21.119 --> 0:18:23.160
<v Speaker 1>like a lot of the people, you know, the amount

0:18:23.160 --> 0:18:25.080
<v Speaker 1>of messages that I got that said like this made

0:18:25.080 --> 0:18:27.000
<v Speaker 1>me wear cracks for the first time. Like if you'd

0:18:27.040 --> 0:18:28.680
<v Speaker 1>ask those people a year ago, like, hey, like you're

0:18:28.680 --> 0:18:32.960
<v Speaker 1>gonna be wearing crocs to like the club, You're crazy.

0:18:33.200 --> 0:18:35.000
<v Speaker 1>But that's just an example of them not knowing what

0:18:35.040 --> 0:18:38.119
<v Speaker 1>they want you or making a sensible shoe. Cool.

0:18:38.280 --> 0:18:42.040
<v Speaker 4>Yeah, because crocs were always they were always comfortable, comfortable time,

0:18:42.119 --> 0:18:45.119
<v Speaker 4>but it was just it was the moms started it,

0:18:45.440 --> 0:18:47.639
<v Speaker 4>so it just kind of turned into that type of

0:18:47.680 --> 0:18:49.680
<v Speaker 4>image of like I can't just be walking outside and crocs,

0:18:49.680 --> 0:18:50.560
<v Speaker 4>I'm gonna get smoke.

0:18:50.960 --> 0:18:53.040
<v Speaker 2>The Lady's Crock is the first crock I ever wore

0:18:53.119 --> 0:18:55.760
<v Speaker 2>lights to the airport, like a great airport.

0:18:55.840 --> 0:18:57.640
<v Speaker 1>Yeah, bro, good travel shoes, good travel shoes.

0:18:57.680 --> 0:18:59.720
<v Speaker 4>I just recently bought them. I don't know if we've

0:18:59.760 --> 0:19:02.639
<v Speaker 4>called the forest print one that you just I bought.

0:19:02.359 --> 0:19:05.320
<v Speaker 1>That research free camo. Yeah, yeah, yeah, I went right

0:19:05.359 --> 0:19:06.440
<v Speaker 1>to the resale to get that ship.

0:19:06.600 --> 0:19:09.280
<v Speaker 2>Now, how often do you do you play with like textures,

0:19:09.280 --> 0:19:12.480
<v Speaker 2>because I've noticed on a lot of your sneakers the

0:19:12.560 --> 0:19:15.080
<v Speaker 2>textures get a little different depending on what it is,

0:19:15.160 --> 0:19:16.760
<v Speaker 2>especially the ones with the whistle on it. Like that

0:19:16.840 --> 0:19:20.199
<v Speaker 2>whole shoe just felt like a whole thing that we use,

0:19:20.240 --> 0:19:21.880
<v Speaker 2>like all right, I want this here, I want this here.

0:19:22.000 --> 0:19:24.120
<v Speaker 2>How often do you jump into projects like that where

0:19:24.119 --> 0:19:26.119
<v Speaker 2>you're like, I want to think of the craziest.

0:19:25.600 --> 0:19:28.840
<v Speaker 1>Ship, yeah, and just execute it. So that year one

0:19:28.960 --> 0:19:31.200
<v Speaker 1>that was that was called the year at the Whistle one. Yeah,

0:19:31.240 --> 0:19:34.800
<v Speaker 1>so that was new balance. I had done two shoes prior,

0:19:34.880 --> 0:19:36.359
<v Speaker 1>which were color ups. That's why I'm not hating on

0:19:36.400 --> 0:19:38.879
<v Speaker 1>color ups. I've had I've had a mini collaborations and

0:19:38.960 --> 0:19:41.800
<v Speaker 1>color ups, and then they wanted me to design something

0:19:41.840 --> 0:19:45.080
<v Speaker 1>from scratch. They wanted the I guess the foundation of

0:19:45.119 --> 0:19:46.359
<v Speaker 1>the show had to be the five seven four, you

0:19:46.359 --> 0:19:49.119
<v Speaker 1>got similiar some four. I'm not the crazy about the

0:19:49.160 --> 0:19:51.280
<v Speaker 1>craziest about the five seven four, So I put a

0:19:51.280 --> 0:19:52.760
<v Speaker 1>lot of details on that to try to make it

0:19:52.800 --> 0:19:56.719
<v Speaker 1>feel different. So it's kind of a mister mister potato

0:19:56.760 --> 0:19:59.720
<v Speaker 1>head execution. And then yeah, I was hiking a lot

0:19:59.800 --> 0:20:02.880
<v Speaker 1>and and there's coyote, Like you could be hiking into

0:20:02.880 --> 0:20:04.639
<v Speaker 1>your coyote year, you could hiking into your manline. I've

0:20:04.640 --> 0:20:06.920
<v Speaker 1>never seen the maudline. But you need tools. I hike

0:20:07.080 --> 0:20:10.560
<v Speaker 1>with like some weapons, you know, because if you do,

0:20:10.720 --> 0:20:12.920
<v Speaker 1>you don't want to be caught without it. When the

0:20:13.280 --> 0:20:13.719
<v Speaker 1>lion roll.

0:20:14.440 --> 0:20:15.840
<v Speaker 2>I like, I like the whistle, But I was like

0:20:15.880 --> 0:20:17.720
<v Speaker 2>your selet from New York, Like, where can I stash

0:20:17.800 --> 0:20:21.440
<v Speaker 2>the you know, make make the make the joint where.

0:20:21.240 --> 0:20:22.920
<v Speaker 1>I could put put the put the ox. I could

0:20:22.920 --> 0:20:24.680
<v Speaker 1>put the box cut in hot ship.

0:20:24.720 --> 0:20:27.720
<v Speaker 4>But how dirty New York City is? I might just

0:20:27.800 --> 0:20:30.400
<v Speaker 4>I might just get beat up. I'm my mouth, I'm

0:20:30.440 --> 0:20:32.159
<v Speaker 4>not with like, I'm not we're not doing that. But

0:20:32.280 --> 0:20:34.280
<v Speaker 4>let me put a little different.

0:20:34.280 --> 0:20:37.560
<v Speaker 2>Put a little pocket with the blade and right, yeah, absolutely,

0:20:38.359 --> 0:20:41.360
<v Speaker 2>So who's some of the greatest sneaker designers that you've

0:20:41.359 --> 0:20:44.320
<v Speaker 2>had an opportunity to sit with and kind of just

0:20:44.400 --> 0:20:46.480
<v Speaker 2>like soak up some knowledge and something I.

0:20:46.400 --> 0:20:48.440
<v Speaker 1>Love that I've never asked that question. There's an opportunity

0:20:48.480 --> 0:20:52.480
<v Speaker 1>to just shout out some o gs. So it's tinkering asshole.

0:20:53.800 --> 0:20:55.800
<v Speaker 1>I've only met I've only met him on some like

0:20:55.880 --> 0:20:57.720
<v Speaker 1>shake his hand, maybe take a photo. Actually no, I've

0:20:57.720 --> 0:20:59.320
<v Speaker 1>never taken a photo of him, but just shake his

0:20:59.320 --> 0:21:00.920
<v Speaker 1>handside with I don't know. I have no idea.

0:21:02.080 --> 0:21:03.359
<v Speaker 3>That's that's my favorite.

0:21:03.480 --> 0:21:07.639
<v Speaker 1>Yeah, No he's No, he's because you're saying, oh, no,

0:21:07.680 --> 0:21:09.679
<v Speaker 1>I think he's a good guy. There's a there's a

0:21:09.720 --> 0:21:13.800
<v Speaker 1>Netflix dot called Abstract. So I watched that. He looked good.

0:21:13.880 --> 0:21:15.080
<v Speaker 1>He looked like a good yea, it looked like a

0:21:15.119 --> 0:21:19.679
<v Speaker 1>cool guy. Yeah. So Nathan man Hook he is a

0:21:19.720 --> 0:21:21.840
<v Speaker 1>designer that was at Nike for a bunch of years.

0:21:21.880 --> 0:21:24.240
<v Speaker 1>He designed the Easy two. He was head of a

0:21:24.400 --> 0:21:27.040
<v Speaker 1>CG for a very long time. He has a banger

0:21:27.080 --> 0:21:30.040
<v Speaker 1>after banger, and then he went to Montclair and when

0:21:30.040 --> 0:21:31.720
<v Speaker 1>I did My Mind Claire Collaboration got to work with

0:21:31.760 --> 0:21:34.040
<v Speaker 1>him there, which was cool, just kind of like working

0:21:34.040 --> 0:21:36.280
<v Speaker 1>with an idol. And now he is currently at Adidas

0:21:36.320 --> 0:21:40.119
<v Speaker 1>doing like Adidas basketball another Jeff Henderson. Yeah, so I

0:21:40.240 --> 0:21:42.280
<v Speaker 1>brought him up in probably every interview I've done. He

0:21:42.320 --> 0:21:44.920
<v Speaker 1>was at Nike for like twenty years. We met at Colhon.

0:21:45.480 --> 0:21:48.920
<v Speaker 1>I worked under him there, and then he helped me

0:21:48.960 --> 0:21:50.800
<v Speaker 1>actually get the easy gig because he was doing some

0:21:50.840 --> 0:21:52.840
<v Speaker 1>design work with him. Is that the one you got

0:21:52.880 --> 0:21:55.960
<v Speaker 1>when you DM somebody on LinkedIn? That was for Versace?

0:21:56.080 --> 0:21:58.440
<v Speaker 1>I can tell that story as well, Okay. And then

0:21:58.960 --> 0:22:06.880
<v Speaker 1>who else is a good a good designer? M oh yeah,

0:22:07.000 --> 0:22:12.840
<v Speaker 1>Fardin has Ratizade. He was my assistant designer at Versace. Okay,

0:22:13.160 --> 0:22:15.080
<v Speaker 1>so when I get into the Versadi st I explain that.

0:22:15.080 --> 0:22:16.400
<v Speaker 1>But it was just me and him and we were

0:22:16.400 --> 0:22:18.639
<v Speaker 1>just doing a gang of shoes together. And now he

0:22:18.680 --> 0:22:21.199
<v Speaker 1>works at a Miri and he's killing killing things, like

0:22:21.320 --> 0:22:24.199
<v Speaker 1>doing shoes and accessories, and it's just cool to like

0:22:24.240 --> 0:22:25.919
<v Speaker 1>see like have someone to work under you and then

0:22:25.920 --> 0:22:34.880
<v Speaker 1>see them grow and the blossom shoes, shoes. Who else

0:22:35.160 --> 0:22:39.560
<v Speaker 1>t bow is He used to be the Dior footwear designer,

0:22:39.640 --> 0:22:41.639
<v Speaker 1>so he designed like the be twenty two. This was

0:22:41.680 --> 0:22:44.040
<v Speaker 1>around the time of like the Triples and around the

0:22:44.080 --> 0:22:48.520
<v Speaker 1>period of time, and he is now he now does

0:22:48.880 --> 0:22:51.159
<v Speaker 1>footwear and sneakers for l V, as well as a

0:22:51.160 --> 0:22:53.480
<v Speaker 1>pretty cool birkanstyle collab that he just did. There's a

0:22:53.480 --> 0:22:55.680
<v Speaker 1>pretty small community of footwear designers and it will seem

0:22:55.680 --> 0:22:57.200
<v Speaker 1>to all know each other because it's like a very

0:22:57.200 --> 0:22:59.960
<v Speaker 1>specific craft. So yeah, shout out all those people.

0:23:00.280 --> 0:23:01.760
<v Speaker 3>So now where's the brand now?

0:23:02.040 --> 0:23:07.439
<v Speaker 1>Okay. So when I first left for Sachi and I

0:23:07.520 --> 0:23:09.560
<v Speaker 1>was going to kind of like be out on my own,

0:23:10.080 --> 0:23:11.719
<v Speaker 1>the first thing that I knew was just to make

0:23:11.760 --> 0:23:14.639
<v Speaker 1>a T shirt company. I grew up in Tribeca Lower

0:23:14.640 --> 0:23:17.119
<v Speaker 1>East Side, kid, I grew up on all these a

0:23:17.320 --> 0:23:20.160
<v Speaker 1>life and all these stores you know, to make ah,

0:23:20.359 --> 0:23:22.520
<v Speaker 1>exactly that like that. When that show was on, I

0:23:22.560 --> 0:23:24.520
<v Speaker 1>was literally living that exact life. So I was like,

0:23:24.600 --> 0:23:26.240
<v Speaker 1>that was one of the most legendary shows of all time.

0:23:26.280 --> 0:23:28.280
<v Speaker 1>Absolutely shout out Brian, I don't know the other guy's name,

0:23:29.920 --> 0:23:31.919
<v Speaker 1>and uh, bring me back, bring me back to how

0:23:31.960 --> 0:23:36.080
<v Speaker 1>to make an America took me somewhere with Sponge Sponge I.

0:23:36.119 --> 0:23:39.600
<v Speaker 2>Started, yea, so lady still going back there, Like I

0:23:39.640 --> 0:23:40.880
<v Speaker 2>was selling Nicks and.

0:23:40.840 --> 0:23:43.560
<v Speaker 1>Doms, right, yeah, yeah, So I started making T shirts,

0:23:44.160 --> 0:23:47.359
<v Speaker 1>making hoodies, making sweatpants and stuff, and it really existed

0:23:47.400 --> 0:23:49.240
<v Speaker 1>as like a streetwear brand so that you know, things

0:23:49.240 --> 0:23:51.159
<v Speaker 1>were selling out, but I was I wasn't really like

0:23:51.160 --> 0:23:53.800
<v Speaker 1>wearing the stuff too much. It was just more an

0:23:53.880 --> 0:23:55.800
<v Speaker 1>umbrella for me to kind of do whatever I wanted

0:23:55.840 --> 0:23:57.760
<v Speaker 1>because I had existed in this space for so long

0:23:57.800 --> 0:24:00.880
<v Speaker 1>where we were following trends and trying to hit different consumers,

0:24:00.920 --> 0:24:01.919
<v Speaker 1>and I was like, you know what, let me just

0:24:02.160 --> 0:24:05.000
<v Speaker 1>make some patterns sweatpans just because I want to write.

0:24:05.040 --> 0:24:08.040
<v Speaker 1>So it's more so freedom. Now. What this is is

0:24:08.080 --> 0:24:12.800
<v Speaker 1>I am making a real proper brand with ownership and

0:24:13.400 --> 0:24:16.760
<v Speaker 1>partners and all the resources that I would need to

0:24:16.840 --> 0:24:19.840
<v Speaker 1>compete with the footwear giants that exist in our space

0:24:19.880 --> 0:24:24.679
<v Speaker 1>and have existed for the last like thirty forty years.

0:24:25.720 --> 0:24:28.280
<v Speaker 1>And so yeah, this is the result. It will not

0:24:28.440 --> 0:24:33.320
<v Speaker 1>exist in hype that much. It'll be more about serving

0:24:33.359 --> 0:24:35.560
<v Speaker 1>as many people that want to be involved in the

0:24:35.680 --> 0:24:37.760
<v Speaker 1>operation as possible, and it will be about bringing in

0:24:37.800 --> 0:24:40.359
<v Speaker 1>community because a lot of my work in the past

0:24:40.359 --> 0:24:42.840
<v Speaker 1>at least like six years, has been about exclusion and hype.

0:24:42.840 --> 0:24:44.800
<v Speaker 1>And you can't get this and that's literally how we

0:24:44.840 --> 0:24:47.400
<v Speaker 1>started this, Like I can't get the shoes. The idea

0:24:47.480 --> 0:24:50.119
<v Speaker 1>is at a certain point anyone that wants sponge foothere

0:24:50.160 --> 0:24:52.080
<v Speaker 1>will be able to get it. There will be some

0:24:52.200 --> 0:24:55.320
<v Speaker 1>certain moments of hype, because that's where I come from. Yeah,

0:24:55.480 --> 0:24:57.880
<v Speaker 1>but this is about the full pie.

0:24:58.119 --> 0:25:00.960
<v Speaker 4>Was was that the plan with the spongebrand, even like

0:25:01.080 --> 0:25:02.960
<v Speaker 4>years ago when you were doing the Croc stuff and

0:25:03.400 --> 0:25:06.560
<v Speaker 4>even other collapse you would send the friends and family

0:25:06.880 --> 0:25:12.760
<v Speaker 4>ship through the Sponge website, which wasn't always the Sponge brand, Like.

0:25:12.880 --> 0:25:14.560
<v Speaker 1>Yeah, so that was kind of like a little corporate

0:25:14.640 --> 0:25:20.600
<v Speaker 1>finessing I did. Yeah, so every every new Balance and

0:25:21.040 --> 0:25:26.119
<v Speaker 1>Crocs campaign I believe featured Sponge socks and what and

0:25:26.200 --> 0:25:30.160
<v Speaker 1>what I was doing with that was kind of hijacking

0:25:30.960 --> 0:25:33.879
<v Speaker 1>all of those campaigns on a very sub like on

0:25:34.320 --> 0:25:37.240
<v Speaker 1>a lower level, like not a lower level, but kind

0:25:37.240 --> 0:25:41.920
<v Speaker 1>of like in a secret way, if you will, intentional,

0:25:41.960 --> 0:25:45.080
<v Speaker 1>but like low as a way to just publicize the

0:25:45.119 --> 0:25:48.840
<v Speaker 1>logo because the most the valuable thing about a logo

0:25:48.960 --> 0:25:51.119
<v Speaker 1>is the amount of times you've seen it, because then

0:25:51.160 --> 0:25:53.879
<v Speaker 1>it becomes more and more like recognizable, iconic whatever. So

0:25:53.880 --> 0:25:56.000
<v Speaker 1>I'm thinking to myself, if I have some far off

0:25:56.080 --> 0:25:59.280
<v Speaker 1>plan of starting a brand, why not just like inject

0:26:00.040 --> 0:26:02.720
<v Speaker 1>did into these campaigns. And I wasn't really thinking like hijack.

0:26:02.800 --> 0:26:05.080
<v Speaker 1>That's more like, like, no, it was tastefully yeah, it

0:26:05.119 --> 0:26:06.640
<v Speaker 1>was like it wasn't like it was in your face.

0:26:07.000 --> 0:26:09.320
<v Speaker 1>And then also the models needed clothes to wear, so

0:26:09.359 --> 0:26:12.000
<v Speaker 1>all often the clothes were all sponge. Yeah, and so

0:26:12.080 --> 0:26:14.320
<v Speaker 1>this was like kind of like and a lot of

0:26:14.320 --> 0:26:16.800
<v Speaker 1>these campaigns like had massive budgets, So I was like,

0:26:17.480 --> 0:26:20.280
<v Speaker 1>it was kind of a hijacking in a sense respectful when.

0:26:20.200 --> 0:26:21.919
<v Speaker 4>I think, yeah, no, I was a perfect way to

0:26:21.920 --> 0:26:23.800
<v Speaker 4>go about it, because that's how I even got familiar

0:26:23.800 --> 0:26:25.879
<v Speaker 4>to it. And then with the website, I didn't fully know.

0:26:25.960 --> 0:26:28.520
<v Speaker 4>I just knew that that was part of your brand.

0:26:28.600 --> 0:26:31.680
<v Speaker 4>Sponge some somehow has to do with you, So that

0:26:31.720 --> 0:26:35.280
<v Speaker 4>made more sense. With launching the sponge, choose to be like, Okay,

0:26:35.400 --> 0:26:38.000
<v Speaker 4>this was the next step in the entire process.

0:26:38.119 --> 0:26:39.840
<v Speaker 1>Yeah, I mean it existed as an Instagram with no

0:26:39.920 --> 0:26:44.520
<v Speaker 1>photos for like years, and my platform for where I

0:26:44.560 --> 0:26:47.920
<v Speaker 1>sold my collaborations was called be a Sponge. So then

0:26:47.960 --> 0:26:50.840
<v Speaker 1>that was also kind of a way to publicize what

0:26:50.960 --> 0:26:53.600
<v Speaker 1>I don't know exactly I was sure I was ready

0:26:53.600 --> 0:26:56.560
<v Speaker 1>to do yet, but on the maybe opportunity on the horizon,

0:26:57.119 --> 0:27:00.399
<v Speaker 1>and yeah, and then now this moment is really more

0:27:00.400 --> 0:27:04.879
<v Speaker 1>about like a transition. So collaborations will continue, but I

0:27:04.960 --> 0:27:08.919
<v Speaker 1>really want to explore full brand ownership and get to

0:27:08.960 --> 0:27:13.240
<v Speaker 1>create freely and not necessarily collaboratively, because when you create collaboratively,

0:27:14.440 --> 0:27:17.320
<v Speaker 1>there are obstacles. Things don't always go your way, right

0:27:17.440 --> 0:27:19.919
<v Speaker 1>when you have two different parties trying to reach a

0:27:19.960 --> 0:27:23.480
<v Speaker 1>common destination. Different parties want different things. And so now

0:27:23.480 --> 0:27:25.480
<v Speaker 1>with this brand, it's just going to be It's going

0:27:25.520 --> 0:27:27.800
<v Speaker 1>to be mind and I'm excited. Would you rather sell?

0:27:28.440 --> 0:27:30.560
<v Speaker 2>Would you rather make one hundred shoes and sell one

0:27:30.600 --> 0:27:33.159
<v Speaker 2>hundred shoes or make a thousand and sell six fifty?

0:27:33.880 --> 0:27:37.600
<v Speaker 1>Make one hundred shoes and sell one hundred shoes.

0:27:37.400 --> 0:27:39.159
<v Speaker 3>Or make a thousand and sell six to fifty.

0:27:39.320 --> 0:27:40.600
<v Speaker 1>Well, I don't get what you're asking me that that's

0:27:40.600 --> 0:27:42.320
<v Speaker 1>a lot of numbers, because would you rather keep it?

0:27:42.600 --> 0:27:44.679
<v Speaker 2>I'm just saying, because would you rather keep it like

0:27:45.080 --> 0:27:48.040
<v Speaker 2>very small? A very small release or a wider release,

0:27:48.080 --> 0:27:50.080
<v Speaker 2>but you don't sell all the way through like the

0:27:50.119 --> 0:27:50.560
<v Speaker 2>shoot up?

0:27:50.640 --> 0:27:55.040
<v Speaker 1>Oh, I think it depends what part of the business

0:27:55.040 --> 0:27:57.280
<v Speaker 1>that you're in. You know, if you're introducing a brand,

0:27:57.280 --> 0:27:59.359
<v Speaker 1>it might be a little bit different. Because going back

0:27:59.400 --> 0:28:01.320
<v Speaker 1>to the whole demand thing. It's like, if a shoe

0:28:01.359 --> 0:28:04.840
<v Speaker 1>releases right now and they make enough for everybody, and

0:28:04.880 --> 0:28:06.520
<v Speaker 1>maybe someone in your life that you don't deem to

0:28:06.520 --> 0:28:10.080
<v Speaker 1>be cool has them, you're taking them off immediately, right.

0:28:10.280 --> 0:28:12.840
<v Speaker 1>But then if a shoe releases and you can't get

0:28:12.840 --> 0:28:16.280
<v Speaker 1>it at all and it's too rare, you're also upset, Yeah.

0:28:16.080 --> 0:28:18.639
<v Speaker 2>Because then I see a kid walking down fucking kin

0:28:18.760 --> 0:28:20.240
<v Speaker 2>Mare that has him on and I'm like, he not

0:28:20.280 --> 0:28:23.080
<v Speaker 2>even doing them, right. He went some bullshit like I

0:28:23.119 --> 0:28:25.240
<v Speaker 2>don't fuck he got I can't even get those, so

0:28:25.440 --> 0:28:28.240
<v Speaker 2>he stood online he got them. Yeah, And it's like

0:28:28.280 --> 0:28:29.760
<v Speaker 2>now I'm mad because I'm like, they only made a

0:28:29.840 --> 0:28:30.680
<v Speaker 2>hundred of those.

0:28:30.600 --> 0:28:32.760
<v Speaker 4>Like yeah, but that was even like when you were

0:28:32.760 --> 0:28:35.840
<v Speaker 4>a kid and the richer kid at your school got

0:28:35.840 --> 0:28:38.120
<v Speaker 4>the new Jordan's, but he laced them too tight worm

0:28:38.160 --> 0:28:39.840
<v Speaker 4>with corduroys, like he didn't even like, you don't even

0:28:39.840 --> 0:28:42.760
<v Speaker 4>deserve those types of sneakers. That's just that sneaker culture.

0:28:43.280 --> 0:28:46.880
<v Speaker 4>That's kind of like what comes like, all right, so words,

0:28:48.160 --> 0:28:50.800
<v Speaker 4>the definition of words change as time goes. In twenty

0:28:50.840 --> 0:28:53.960
<v Speaker 4>twenty five, would you consider yourself a sneakerhead? Everyone's hype beast?

0:28:54.000 --> 0:28:55.520
<v Speaker 4>And then you figured out your tribe and it went

0:28:55.520 --> 0:28:55.960
<v Speaker 4>to sneaker.

0:28:56.160 --> 0:28:58.320
<v Speaker 1>Yes, at that way. But even with hypees though, hype

0:28:58.320 --> 0:29:01.520
<v Speaker 1>East used to be or is, but it used to

0:29:01.600 --> 0:29:05.240
<v Speaker 1>be like one of the only websites that documented this culture.

0:29:05.560 --> 0:29:08.320
<v Speaker 1>So it was the website. And then I think again

0:29:08.400 --> 0:29:10.400
<v Speaker 1>the media was like what do we call these people?

0:29:10.760 --> 0:29:14.240
<v Speaker 4>And it like hype beasts shouldn't have ended up being

0:29:15.040 --> 0:29:17.560
<v Speaker 4>somewhat of an insult to somebody like you a hypeieast,

0:29:17.560 --> 0:29:19.480
<v Speaker 4>which is fucked up. Yeah, because you're right, hype Piast

0:29:19.560 --> 0:29:21.280
<v Speaker 4>was the only one that was. It was during like

0:29:21.320 --> 0:29:24.960
<v Speaker 4>the blog era of music, like that first early time

0:29:25.560 --> 0:29:30.840
<v Speaker 4>of I think even taste Maker's culture was off hype Beast.

0:29:31.120 --> 0:29:32.640
<v Speaker 4>Then the world found out about it, and you got

0:29:32.640 --> 0:29:34.360
<v Speaker 4>a bunch of dwaves that are in the same line

0:29:34.400 --> 0:29:35.680
<v Speaker 4>as you, and then it's.

0:29:35.520 --> 0:29:37.440
<v Speaker 1>Like, yore you a fucking hype East. Get away from me. Yeah,

0:29:37.480 --> 0:29:39.520
<v Speaker 1>but it's but it's almost a perspective thing because there

0:29:39.520 --> 0:29:42.320
<v Speaker 1>are some people that are happy to be called hipster

0:29:42.360 --> 0:29:44.800
<v Speaker 1>and there's some people that would hate to be called hipster.

0:29:45.120 --> 0:29:50.160
<v Speaker 4>Yeah, I never minded it until again, words take new

0:29:50.160 --> 0:29:53.440
<v Speaker 4>definitions as time goes because in the beginning, yeah, like

0:29:53.440 --> 0:29:55.480
<v Speaker 4>a hipster would have never offended me.

0:29:55.720 --> 0:29:58.440
<v Speaker 1>It's fine with me. Cool now I know you saying

0:29:58.480 --> 0:30:00.920
<v Speaker 1>something else. Yeah, it's true.

0:30:01.080 --> 0:30:05.320
<v Speaker 4>So yeah, I think sneakerhead now has gotten that that

0:30:05.320 --> 0:30:08.120
<v Speaker 4>that insults to some degree too, because when people ask

0:30:08.160 --> 0:30:11.040
<v Speaker 4>you had a ten outside Supreme store right now away

0:30:11.040 --> 0:30:12.360
<v Speaker 4>from I think I'm a sneakerhead.

0:30:13.160 --> 0:30:14.680
<v Speaker 1>I don't think you are. I don't chase like I.

0:30:14.600 --> 0:30:17.560
<v Speaker 2>Don't chase the sneakers. You appreciate that, I appreciate it.

0:30:17.600 --> 0:30:19.000
<v Speaker 2>If I like it, I get it. But like, I

0:30:19.000 --> 0:30:21.280
<v Speaker 2>think a sneakerhead is a kid that you see at

0:30:21.560 --> 0:30:22.320
<v Speaker 2>every release.

0:30:22.840 --> 0:30:25.800
<v Speaker 1>He's chasing every drops, nothing wrong, nothing wrong with it.

0:30:26.320 --> 0:30:27.360
<v Speaker 1>A reseller, though.

0:30:28.080 --> 0:30:29.560
<v Speaker 3>But I think though, I think now that's it.

0:30:29.800 --> 0:30:31.440
<v Speaker 2>I'm glad you said that because I think it's one

0:30:31.520 --> 0:30:34.200
<v Speaker 2>in the same difference I think sneakerheads. I think a

0:30:34.200 --> 0:30:36.840
<v Speaker 2>lot of sneakerheads are now resellers.

0:30:37.080 --> 0:30:40.200
<v Speaker 1>I just had a I just came from a signing

0:30:40.240 --> 0:30:42.800
<v Speaker 1>a kid. Then there are some kids there that were like,

0:30:42.880 --> 0:30:44.959
<v Speaker 1>really happy to meet me. You want to take a photo,

0:30:45.640 --> 0:30:48.760
<v Speaker 1>ask me a question. If you kids there that just

0:30:49.000 --> 0:30:51.920
<v Speaker 1>get it signed and walk away, you can tell the difference.

0:30:52.040 --> 0:30:58.840
<v Speaker 2>Yeah, there resellers there. And they're going, yeah, but I mean,

0:30:58.920 --> 0:31:01.880
<v Speaker 2>I'm not the resell game. How do you feel about that? Like,

0:31:01.920 --> 0:31:06.200
<v Speaker 2>how do you feel seeing your sneakers sold for double

0:31:06.800 --> 0:31:08.680
<v Speaker 2>which you sold them on your website? Like is it

0:31:08.720 --> 0:31:10.760
<v Speaker 2>like you don't care once they buy it what they

0:31:10.760 --> 0:31:12.800
<v Speaker 2>do with it is not your business? Or do you

0:31:12.880 --> 0:31:16.560
<v Speaker 2>still kind of feel like I wish they weren't doing that.

0:31:17.280 --> 0:31:19.440
<v Speaker 1>I think everyone has a hustle. I think I came

0:31:19.440 --> 0:31:23.000
<v Speaker 1>from this. I used to camp Supreme is it. Well,

0:31:23.040 --> 0:31:25.080
<v Speaker 1>there's a new Supreme, but the old Supreme that was

0:31:25.080 --> 0:31:27.200
<v Speaker 1>only ten blocks from here. I used to camp out

0:31:27.240 --> 0:31:30.800
<v Speaker 1>there as a high schooler, buy a two hundred dollars

0:31:30.800 --> 0:31:34.400
<v Speaker 1>pair of shoes and sell them the same day for

0:31:34.400 --> 0:31:36.960
<v Speaker 1>two thousand dollars, and so like, I can't hate on

0:31:36.960 --> 0:31:38.760
<v Speaker 1>anyone getting that kind of hustling, you know what I mean.

0:31:38.840 --> 0:31:41.400
<v Speaker 1>And those are great experiences I remember, just like camping out,

0:31:41.920 --> 0:31:44.560
<v Speaker 1>going to the bathroom in bodega's, watching Family Guy my

0:31:44.640 --> 0:31:47.200
<v Speaker 1>portable DVD player. Yeah, those are good times, you know

0:31:47.280 --> 0:31:47.680
<v Speaker 1>what I mean.

0:31:48.000 --> 0:31:49.960
<v Speaker 2>Well, back when they were selling the Supreme teaese on

0:31:50.280 --> 0:31:52.320
<v Speaker 2>the table, Yeah, you just have the teacher and the

0:31:52.360 --> 0:31:53.120
<v Speaker 2>folding table.

0:31:53.880 --> 0:31:56.000
<v Speaker 4>They got me for two fifty six on his crocs

0:31:56.120 --> 0:31:56.600
<v Speaker 4>last week.

0:31:56.800 --> 0:31:59.320
<v Speaker 1>Okay, so dude, you guys, can you just hit me?

0:31:59.360 --> 0:32:00.920
<v Speaker 1>I mean, I don't like to posit it now well

0:32:00.920 --> 0:32:03.040
<v Speaker 1>now and now you can't. Yeah, I'm not guy, bro.

0:32:03.080 --> 0:32:04.520
<v Speaker 2>You know how many people hit me like yo the

0:32:04.560 --> 0:32:06.959
<v Speaker 2>silet's I'm like, I'll just be biting my love.

0:32:06.960 --> 0:32:08.720
<v Speaker 3>I'm like, you's fucking joined the so far. But I'm

0:32:08.720 --> 0:32:09.680
<v Speaker 3>not hitting Silas.

0:32:10.000 --> 0:32:10.480
<v Speaker 1>I'm just not that.

0:32:10.560 --> 0:32:10.800
<v Speaker 4>I don't.

0:32:10.800 --> 0:32:12.240
<v Speaker 1>I don't like doing it. If I can get him,

0:32:12.520 --> 0:32:15.920
<v Speaker 1>I'll get him in No. This is a perfect transition

0:32:16.000 --> 0:32:19.720
<v Speaker 1>for my versace story because it's about asking you guys. Ready, Okay,

0:32:19.800 --> 0:32:23.600
<v Speaker 1>I'm ready yet, Maul.

0:32:23.680 --> 0:32:26.120
<v Speaker 4>I know you're thinking about upgrading to an all new

0:32:26.240 --> 0:32:29.760
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0:32:29.520 --> 0:32:30.520
<v Speaker 1>Powerful iPhone ever.

0:32:30.600 --> 0:32:31.440
<v Speaker 3>Yeah, my thoughts again.

0:32:31.560 --> 0:32:34.640
<v Speaker 4>Yeah, listen, man, weeks you've been thinking about this whatever.

0:32:34.680 --> 0:32:36.640
<v Speaker 4>You're also thinking about the traffic on the way there.

0:32:36.760 --> 0:32:39.000
<v Speaker 4>I'll think about that all the time, yes, you in

0:32:39.080 --> 0:32:41.560
<v Speaker 4>traffic has always been a matter of fact, that's one

0:32:41.560 --> 0:32:42.240
<v Speaker 4>of your best lives.

0:32:42.280 --> 0:32:42.840
<v Speaker 3>Absolutely.

0:32:43.280 --> 0:32:44.080
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<v Speaker 1>Okay, So I moved to LA to design for Kanye

0:34:19.080 --> 0:34:23.760
<v Speaker 1>different conversation. That job exists for about fourteen months, it ends,

0:34:24.480 --> 0:34:26.279
<v Speaker 1>and now I'm looking up and I'm like, oh, I'm

0:34:26.320 --> 0:34:27.799
<v Speaker 1>in Los Angeles because I'm in New York. I moved

0:34:27.800 --> 0:34:30.879
<v Speaker 1>out there for that job. I never knew that, but yes,

0:34:31.760 --> 0:34:33.360
<v Speaker 1>native New Yorker moved out there for that job. Be

0:34:33.400 --> 0:34:35.120
<v Speaker 1>out there for like ten years now. And so I

0:34:35.120 --> 0:34:37.160
<v Speaker 1>look up and I'm like, oh, I'm in Los Angeles.

0:34:37.320 --> 0:34:39.239
<v Speaker 1>I got to figure it out. I start freelancing for

0:34:39.280 --> 0:34:42.760
<v Speaker 1>different brands brand no like good brands, but just brands

0:34:42.800 --> 0:34:44.279
<v Speaker 1>like make a paycheck. I get to the end of

0:34:44.320 --> 0:34:46.680
<v Speaker 1>that year, I have two months rent left. I don't

0:34:46.680 --> 0:34:49.200
<v Speaker 1>really know what I'm going to do. I'm shooting my

0:34:49.239 --> 0:34:54.480
<v Speaker 1>shot everywhere on LinkedIn and Craigslist and just everywhere right,

0:34:54.640 --> 0:34:56.920
<v Speaker 1>just hoping anyone replies. So it's not even about getting

0:34:56.920 --> 0:34:58.719
<v Speaker 1>like a flashy job. It's just about getting a job,

0:34:58.719 --> 0:35:02.720
<v Speaker 1>getting getting a paycheck. And then I see a Verashachi

0:35:02.760 --> 0:35:05.080
<v Speaker 1>design director and I hit him up and I propose

0:35:05.120 --> 0:35:07.280
<v Speaker 1>an opportunity. I'm like, the sneaker industry is a multi

0:35:07.280 --> 0:35:09.560
<v Speaker 1>billion dollar business. When we were growing up, it was

0:35:09.560 --> 0:35:13.160
<v Speaker 1>about Nike, Rebak, Adidas, pum a New Balance. And now

0:35:14.360 --> 0:35:16.200
<v Speaker 1>when I said this, it was five years ago. Now

0:35:16.239 --> 0:35:21.279
<v Speaker 1>five years ago because of raf Raff, Adidas, Ni Nike

0:35:21.320 --> 0:35:23.319
<v Speaker 1>come to Garson and blndcy I starts making cool ship.

0:35:23.560 --> 0:35:26.080
<v Speaker 1>Now this multi billion dollar consumer is aware of the

0:35:26.120 --> 0:35:28.320
<v Speaker 1>fact that fashion houses can make sneakers. So I was like,

0:35:28.360 --> 0:35:30.960
<v Speaker 1>it's an opportunity for you guys. What did you say?

0:35:31.040 --> 0:35:31.520
<v Speaker 3>Why three?

0:35:31.640 --> 0:35:32.960
<v Speaker 1>Exactly? Why three? As well? You should?

0:35:33.040 --> 0:35:35.399
<v Speaker 4>I feel like Door was putting out out of all

0:35:35.480 --> 0:35:36.799
<v Speaker 4>the those types.

0:35:37.880 --> 0:35:40.200
<v Speaker 1>It was like this storm of brands, like like a

0:35:40.280 --> 0:35:42.600
<v Speaker 1>light bulb moment of like, wait, we can make shoes too,

0:35:43.000 --> 0:35:44.920
<v Speaker 1>So this is me just bite from a lot of

0:35:45.080 --> 0:35:45.600
<v Speaker 1>other shoes.

0:35:45.640 --> 0:35:48.880
<v Speaker 4>But that's another com yeah, another But I saw I

0:35:48.880 --> 0:35:53.359
<v Speaker 4>saw the question threes and in no strooms was marsh.

0:35:53.480 --> 0:35:55.000
<v Speaker 1>I was like, yeah, what the fuck do we table that?

0:35:55.000 --> 0:35:57.799
<v Speaker 1>Because I got to I got a perspective of that.

0:35:57.880 --> 0:36:04.080
<v Speaker 1>So wait where my or my LinkedIn? And so I

0:36:04.120 --> 0:36:06.640
<v Speaker 1>proposed that opportunity just shooting my shot. I'm like the

0:36:06.800 --> 0:36:09.120
<v Speaker 1>image of unemployment? Am I underwear eating cereal? Like on

0:36:09.160 --> 0:36:13.359
<v Speaker 1>my couch and ship? And three days later, Donna Teller

0:36:13.440 --> 0:36:16.239
<v Speaker 1>replied to me Don Teller Verrasacci. And I wasn't that

0:36:16.280 --> 0:36:17.680
<v Speaker 1>familiar with who she was because I didn't go to

0:36:17.680 --> 0:36:19.279
<v Speaker 1>school for fashion. But I just knew that there was

0:36:19.280 --> 0:36:23.480
<v Speaker 1>like this important blonde lady and that was black that

0:36:23.600 --> 0:36:25.200
<v Speaker 1>were black in high fashion, right, So I was like,

0:36:25.200 --> 0:36:30.080
<v Speaker 1>did I know this is someone? And so I she said,

0:36:30.120 --> 0:36:31.480
<v Speaker 1>she reaches out and she says she wants me to

0:36:31.480 --> 0:36:34.000
<v Speaker 1>come to mind and tell her more. And I'm going

0:36:34.080 --> 0:36:35.600
<v Speaker 1>to just go out there with a few pages of

0:36:35.640 --> 0:36:37.959
<v Speaker 1>like trend of like probably just screenshots from hype beasts

0:36:37.960 --> 0:36:40.319
<v Speaker 1>of like check you guys, ever heard of Camo? You know, like,

0:36:40.760 --> 0:36:51.319
<v Speaker 1>well that's where my taste was, yeah, Jordan and so.

0:36:52.320 --> 0:36:53.920
<v Speaker 1>But then the week leading up it was strange. It's

0:36:53.960 --> 0:36:56.480
<v Speaker 1>like someone was like, you should do some sample design work.

0:36:56.520 --> 0:36:58.440
<v Speaker 1>Don't assume they know you can design. Someone else was like,

0:36:58.719 --> 0:37:00.800
<v Speaker 1>go to the store, see what's telling do you market research?

0:37:01.040 --> 0:37:03.000
<v Speaker 1>Another person was like, they're untuning people that look like

0:37:03.360 --> 0:37:05.040
<v Speaker 1>me or you in the high fashion space. So it's

0:37:05.040 --> 0:37:06.600
<v Speaker 1>bigger than us or bigger than me, and I could

0:37:06.640 --> 0:37:09.680
<v Speaker 1>be paving away. So what was going to be like

0:37:09.680 --> 0:37:12.239
<v Speaker 1>a four page presentation turned into like a forty page presentation.

0:37:12.840 --> 0:37:15.640
<v Speaker 1>I go out to Milan, presented down to tell on

0:37:15.640 --> 0:37:17.480
<v Speaker 1>one on one. She starts bringing people into the room.

0:37:17.560 --> 0:37:19.320
<v Speaker 1>She loves it. At the end of it, she's like,

0:37:19.360 --> 0:37:20.640
<v Speaker 1>I love you. I want to hire you. I want

0:37:20.640 --> 0:37:22.200
<v Speaker 1>you to like move out to Milan, or what do

0:37:22.200 --> 0:37:23.200
<v Speaker 1>you want to do? She was like, do you want

0:37:23.200 --> 0:37:25.319
<v Speaker 1>to consult? Do you want to come out here for

0:37:25.400 --> 0:37:27.520
<v Speaker 1>like a season? What do you want? So she was

0:37:27.520 --> 0:37:28.920
<v Speaker 1>so flexible about it. I was like, and I have

0:37:28.960 --> 0:37:30.880
<v Speaker 1>my own design studio in La and then I'll come

0:37:30.880 --> 0:37:32.960
<v Speaker 1>here once a month for shows and all that kind

0:37:32.960 --> 0:37:36.200
<v Speaker 1>of stuff, factory visits and stuff, and she was like sure,

0:37:37.080 --> 0:37:40.680
<v Speaker 1>So then I went outside and did my pursuit of happiness. Absolutely,

0:37:40.719 --> 0:37:42.720
<v Speaker 1>that's also that moment.

0:37:43.480 --> 0:37:46.720
<v Speaker 4>But to speak to her too, usually, especially on this podcast,

0:37:46.719 --> 0:37:49.600
<v Speaker 4>we shipped on a lot of execs. That's an amazing

0:37:49.600 --> 0:37:52.320
<v Speaker 4>story from an exec perspective too, that yeah, because I

0:37:54.560 --> 0:37:57.040
<v Speaker 4>like of what you've turned out to be. Clearly she

0:37:57.080 --> 0:37:58.840
<v Speaker 4>saw a vision that you had and knew how talents

0:37:58.840 --> 0:38:01.400
<v Speaker 4>would you work. That's a crazy thing to just be

0:38:01.480 --> 0:38:03.319
<v Speaker 4>that flexible, like what do you want to do?

0:38:03.480 --> 0:38:04.600
<v Speaker 1>But most execs don't.

0:38:04.480 --> 0:38:07.000
<v Speaker 4>Do that type of stuff, not taking any especially when

0:38:07.040 --> 0:38:07.759
<v Speaker 4>it's unproven.

0:38:07.880 --> 0:38:10.080
<v Speaker 1>She changed my life. So not taking anything away from

0:38:10.120 --> 0:38:11.879
<v Speaker 1>the decision that she made and maybe what she saw

0:38:11.920 --> 0:38:14.799
<v Speaker 1>in me. But another thing that was happening simultaneously was

0:38:14.880 --> 0:38:18.680
<v Speaker 1>Virgil was just doing what he did at LV. Yeah,

0:38:18.719 --> 0:38:21.680
<v Speaker 1>of course, and so now you have this world, this

0:38:21.760 --> 0:38:25.799
<v Speaker 1>high fashion world that maybe isn't the most familiar with

0:38:25.800 --> 0:38:28.520
<v Speaker 1>people that look like a Virgil or myself doing shit

0:38:28.680 --> 0:38:31.480
<v Speaker 1>like that. And so I definitely think that the storm

0:38:31.520 --> 0:38:33.719
<v Speaker 1>that he was creating where he was was kind of

0:38:33.760 --> 0:38:37.480
<v Speaker 1>just opening up to the eyes to that entire world,

0:38:38.080 --> 0:38:40.600
<v Speaker 1>you know, and not completely but just maybe making them

0:38:40.600 --> 0:38:43.319
<v Speaker 1>things like damn. And then not only that, it was

0:38:44.360 --> 0:38:47.120
<v Speaker 1>I'm another one coming off the Kanye tree and during

0:38:47.120 --> 0:38:50.799
<v Speaker 1>that period of time anyone that was a designer, And

0:38:50.880 --> 0:38:52.600
<v Speaker 1>actually I was just on the cutting room floor and

0:38:52.640 --> 0:38:54.800
<v Speaker 1>she made me realize this a male designer, which I

0:38:54.880 --> 0:38:59.000
<v Speaker 1>believe to be true by just proximity. You were knighted,

0:38:59.040 --> 0:39:02.320
<v Speaker 1>you were also mad. So like I think the combination

0:39:03.080 --> 0:39:05.719
<v Speaker 1>of Donna Teller, you know, observing something in me, but

0:39:05.760 --> 0:39:08.799
<v Speaker 1>then also Virgil showing them what we can do and

0:39:08.840 --> 0:39:12.319
<v Speaker 1>then also having a little bit of that of that

0:39:12.400 --> 0:39:13.240
<v Speaker 1>yeasy dustiny.

0:39:13.800 --> 0:39:19.320
<v Speaker 2>Yeah, how much of influence speaking of Virgil? Was Virgil

0:39:19.360 --> 0:39:23.160
<v Speaker 2>for you with everything he did with Off White and

0:39:23.200 --> 0:39:26.000
<v Speaker 2>then what he did obviously with footwear and now to

0:39:26.080 --> 0:39:29.480
<v Speaker 2>what Pharrell is doing. Like these are guys that I

0:39:29.520 --> 0:39:32.160
<v Speaker 2>mean Pharrell in particular, somebody that we've always looked at

0:39:32.200 --> 0:39:35.440
<v Speaker 2>and always just like had the right pieces on and

0:39:35.480 --> 0:39:37.080
<v Speaker 2>the way he put it together was always just a

0:39:37.080 --> 0:39:39.719
<v Speaker 2>fashionable person. But to see the spaces that Pharrell is

0:39:39.760 --> 0:39:43.480
<v Speaker 2>in now obviously, how much of that inspires you and

0:39:44.200 --> 0:39:45.960
<v Speaker 2>has helped you along your journey?

0:39:47.040 --> 0:39:48.640
<v Speaker 1>I mean I would just say with a Virgil it

0:39:48.680 --> 0:39:51.439
<v Speaker 1>was really more about representation. I think the obvious things

0:39:51.480 --> 0:39:54.400
<v Speaker 1>are like wow, Like it's like Obama becoming president, right,

0:39:54.400 --> 0:39:56.560
<v Speaker 1>It's like wow, we can get there, we can be

0:39:56.600 --> 0:40:00.040
<v Speaker 1>accepting this space and have success. But then it it

0:40:00.160 --> 0:40:02.520
<v Speaker 1>was like the smaller things. I was recently saying, this

0:40:02.600 --> 0:40:07.160
<v Speaker 1>is simply him just traveling, like traveling business class in

0:40:07.200 --> 0:40:10.239
<v Speaker 1>a hoodie with Jordan's on, and then he gets to

0:40:10.239 --> 0:40:13.080
<v Speaker 1>the airport, an old white dude picks him up, grabs

0:40:13.080 --> 0:40:15.120
<v Speaker 1>his bags for him. He's in the back of whatever

0:40:15.200 --> 0:40:17.960
<v Speaker 1>dope car, and like these are like superficial things. But

0:40:17.960 --> 0:40:19.880
<v Speaker 1>then also they were very eye opening because anytime I've

0:40:19.880 --> 0:40:21.080
<v Speaker 1>seen this in a movie, it was a white guy

0:40:21.080 --> 0:40:22.799
<v Speaker 1>in of suit, you know what I mean. And so

0:40:22.840 --> 0:40:25.520
<v Speaker 1>now I was like, wow, like I can have this too,

0:40:25.560 --> 0:40:27.640
<v Speaker 1>and I don't have to be a rapper to do it. Yeah,

0:40:28.000 --> 0:40:31.400
<v Speaker 1>So just that level of representation and inspiration was really powerful,

0:40:32.200 --> 0:40:33.799
<v Speaker 1>just because I had never really seen it done like

0:40:33.800 --> 0:40:35.960
<v Speaker 1>that before. And now He's going into this like high

0:40:36.000 --> 0:40:38.759
<v Speaker 1>fashion environment and accept it. And so that's ultimately what

0:40:38.800 --> 0:40:40.640
<v Speaker 1>I achieved at Versace. You know, I was in this

0:40:40.760 --> 0:40:44.719
<v Speaker 1>environment where in like Obama supreme like cropped pants and

0:40:44.800 --> 0:40:47.560
<v Speaker 1>like and like hoodies and tied I shirts. But it

0:40:47.600 --> 0:40:49.440
<v Speaker 1>was like I belonged and I brought value. And so

0:40:50.239 --> 0:40:53.239
<v Speaker 1>I think, you know, getting to witness what he did

0:40:53.640 --> 0:40:56.000
<v Speaker 1>made me comfortable doing what I did. And then at

0:40:56.040 --> 0:40:59.000
<v Speaker 1>for A Pharrell, I think more he's like a representation

0:40:59.040 --> 0:41:02.839
<v Speaker 1>of like black alien. There are just some individuals that

0:41:05.320 --> 0:41:09.720
<v Speaker 1>have kind of just inspired me and reminded me that

0:41:09.719 --> 0:41:12.520
<v Speaker 1>that black people exist on a spectrum and it's not

0:41:12.600 --> 0:41:15.520
<v Speaker 1>a monolith. And so where something may have been like

0:41:15.560 --> 0:41:21.040
<v Speaker 1>written off is like weird, like weirdo shit shout out

0:41:21.080 --> 0:41:21.520
<v Speaker 1>Troy AV.

0:41:27.960 --> 0:41:30.080
<v Speaker 4>I mean, if you go through that whole Kendrick and

0:41:30.080 --> 0:41:32.400
<v Speaker 4>Troy Av, I think we see where it landed.

0:41:34.120 --> 0:41:36.920
<v Speaker 1>But yeah, I just think that like it's like people

0:41:37.000 --> 0:41:40.799
<v Speaker 1>like Pharrell or Tyler or Yay or even myself for

0:41:40.880 --> 0:41:47.320
<v Speaker 1>people to see and just simply witness is different, regardless

0:41:47.360 --> 0:41:50.560
<v Speaker 1>of talent or anything, just witness like confidence and being

0:41:50.600 --> 0:41:53.719
<v Speaker 1>different in individualism. And you know, so just that's why

0:41:53.719 --> 0:41:55.880
<v Speaker 1>I lean into just being myself so much, you know,

0:41:55.880 --> 0:41:59.560
<v Speaker 1>because I've witnessed people like a Pharrell do the same

0:41:59.600 --> 0:42:02.120
<v Speaker 1>and get so much success for me literally being himself,

0:42:02.120 --> 0:42:03.920
<v Speaker 1>being himself, you know, at.

0:42:03.880 --> 0:42:06.200
<v Speaker 4>A time when it was corny to be everything that

0:42:06.239 --> 0:42:10.279
<v Speaker 4>Pharoh was when he first entered into the world. I

0:42:10.280 --> 0:42:14.640
<v Speaker 4>do want to ask you again with how these high

0:42:14.760 --> 0:42:18.799
<v Speaker 4>end designers have been remixing shoes. It's getting like a

0:42:18.840 --> 0:42:24.920
<v Speaker 4>little insane. Who redid this Sam Smith joint? Everyone was

0:42:24.920 --> 0:42:27.799
<v Speaker 4>wearing those fat McQueen yeah, McQueen McQueen ones with that.

0:42:28.960 --> 0:42:31.239
<v Speaker 4>When we was in Atlanta and the shit across from

0:42:31.239 --> 0:42:32.920
<v Speaker 4>the mall you get killed at, they got the high

0:42:33.000 --> 0:42:35.719
<v Speaker 4>end mall. I went in there, the Margiala's. It was

0:42:35.760 --> 0:42:37.839
<v Speaker 4>really the question threes. Like I was like, this is

0:42:37.880 --> 0:42:39.480
<v Speaker 4>the They're not even trying.

0:42:39.360 --> 0:42:44.759
<v Speaker 1>To hide it. It's legitimately the question three. I think

0:42:44.760 --> 0:42:46.480
<v Speaker 1>it's at the end of the day, it's like business.

0:42:47.200 --> 0:42:49.840
<v Speaker 1>And I don't think they're like this is purely speculation.

0:42:49.880 --> 0:42:52.560
<v Speaker 1>But I don't think they're too invested in like that

0:42:52.600 --> 0:42:55.040
<v Speaker 1>conversation because they didn't really give a fuck, And they

0:42:55.080 --> 0:42:58.120
<v Speaker 1>also know. I think they know that their consumer doesn't

0:42:58.160 --> 0:43:00.959
<v Speaker 1>either know about their original shoot or they give a fuck.

0:43:01.280 --> 0:43:02.680
<v Speaker 1>Like I think if you went up to someone wearing

0:43:02.719 --> 0:43:04.760
<v Speaker 1>those like mcqueens that are maybe like eight hundred dollars

0:43:04.760 --> 0:43:07.080
<v Speaker 1>and you were like those look like one hundred and

0:43:07.120 --> 0:43:10.480
<v Speaker 1>thirty five dollars Adidas, Like get that out of my face. Yeah,

0:43:10.520 --> 0:43:12.520
<v Speaker 1>you know what I mean. And so I don't know

0:43:12.560 --> 0:43:14.040
<v Speaker 1>if the consumers are even.

0:43:13.880 --> 0:43:17.680
<v Speaker 4>Like yeah, well even from the standpoint or even the

0:43:17.800 --> 0:43:23.080
<v Speaker 4>questions though, like is there a designer that's in that

0:43:23.160 --> 0:43:26.600
<v Speaker 4>office that's putting that up on a projector like let's

0:43:26.600 --> 0:43:27.919
<v Speaker 4>literally just redo this.

0:43:28.560 --> 0:43:29.840
<v Speaker 1>Well, if you think about it, like if there was

0:43:29.880 --> 0:43:34.000
<v Speaker 1>a shoe that's been successful for like fifty years and

0:43:34.040 --> 0:43:37.920
<v Speaker 1>then you identify that, you can probably make money off

0:43:37.920 --> 0:43:39.399
<v Speaker 1>of it. I'm not saying that's something I would ever

0:43:39.400 --> 0:43:41.839
<v Speaker 1>want to do, but course, especially if you're especially if

0:43:41.840 --> 0:43:44.640
<v Speaker 1>you're a brand, then maybe your four business isn't thriving.

0:43:45.160 --> 0:43:46.799
<v Speaker 1>One of the smartest things in the world would be

0:43:46.880 --> 0:43:50.520
<v Speaker 1>to just identify like a classic shoe because also McQueen

0:43:50.560 --> 0:43:53.200
<v Speaker 1>did it with a I think an Airmax ninety or

0:43:53.200 --> 0:43:55.640
<v Speaker 1>in MX one there's a shoe, yes, exactly air Max

0:43:55.719 --> 0:43:59.440
<v Speaker 1>ninety five. Maybe maybe, but did that was insane? Yeah?

0:43:59.440 --> 0:44:01.520
<v Speaker 1>I think there's more worried about the like the at

0:44:01.600 --> 0:44:03.719
<v Speaker 1>least in the sneaker game, the business instead of the

0:44:03.800 --> 0:44:05.000
<v Speaker 1>over the design integrity.

0:44:05.040 --> 0:44:09.120
<v Speaker 4>Perhaps you guys were talking off Mike that you feel like,

0:44:09.480 --> 0:44:14.000
<v Speaker 4>merch wise, you really don't need anything past a guilding hoodie.

0:44:14.080 --> 0:44:15.719
<v Speaker 4>I thought that was an interesting combo you guys were

0:44:15.719 --> 0:44:18.200
<v Speaker 4>having off microphone. Yes, and I think a lot of

0:44:18.200 --> 0:44:20.399
<v Speaker 4>people that listen to this that's still at home merch would.

0:44:20.480 --> 0:44:22.400
<v Speaker 2>I understand what you're saying, because when you look at

0:44:22.400 --> 0:44:25.160
<v Speaker 2>guys like you know, West Side Gun was able to

0:44:25.200 --> 0:44:28.319
<v Speaker 2>do with their merch, I mean those were champion blinks. Yeah,

0:44:28.800 --> 0:44:31.640
<v Speaker 2>and west might have two fucking rolls Royces and two

0:44:33.000 --> 0:44:34.920
<v Speaker 2>fucking you know, champion blinks.

0:44:34.920 --> 0:44:38.440
<v Speaker 3>But I just, you know, I just feel like now more.

0:44:38.280 --> 0:44:42.239
<v Speaker 2>Than ever, quality and texture, and I think those are

0:44:43.080 --> 0:44:44.440
<v Speaker 2>kind of would set yourself apart.

0:44:44.800 --> 0:44:45.520
<v Speaker 3>I get what you're saying.

0:44:45.520 --> 0:44:49.520
<v Speaker 2>If you're selling, you know, mass amounts of merch, then

0:44:49.600 --> 0:44:51.600
<v Speaker 2>you know you can kind of like but I still

0:44:51.640 --> 0:44:54.719
<v Speaker 2>feel like, you know, when you have something that lasts,

0:44:55.200 --> 0:44:56.799
<v Speaker 2>you know, something that you know. I can have this

0:44:56.840 --> 0:44:59.239
<v Speaker 2>hoodie for three years, I can wash it over and

0:44:59.239 --> 0:45:01.439
<v Speaker 2>over and it gets better with each wash and kind

0:45:01.440 --> 0:45:04.719
<v Speaker 2>of like the worn look. I just feel like, to me,

0:45:05.360 --> 0:45:07.560
<v Speaker 2>I'm on that side of the merch like because I

0:45:07.600 --> 0:45:09.000
<v Speaker 2>want to wear my merch like I don't want to

0:45:09.000 --> 0:45:10.600
<v Speaker 2>just have it and collected. I want to wear this,

0:45:10.920 --> 0:45:12.399
<v Speaker 2>I want to wash it, I want to be able

0:45:12.400 --> 0:45:16.160
<v Speaker 2>to travel with it. Do you still feel like the

0:45:16.280 --> 0:45:18.759
<v Speaker 2>lesser quality or the lighter quality, not as heavy on

0:45:18.800 --> 0:45:21.799
<v Speaker 2>the quality, but obviously just the moment being being able

0:45:21.840 --> 0:45:24.520
<v Speaker 2>to have it say something that says, Okay, I was

0:45:24.560 --> 0:45:26.839
<v Speaker 2>a part of this moment. You think that's the more

0:45:26.880 --> 0:45:27.799
<v Speaker 2>important part of it.

0:45:28.560 --> 0:45:30.279
<v Speaker 1>Yeah, because I think all the things you listened are

0:45:30.360 --> 0:45:32.759
<v Speaker 1>things that people expect from a brand, not merch, like

0:45:32.800 --> 0:45:34.440
<v Speaker 1>if you saw someone right now.

0:45:34.280 --> 0:45:35.959
<v Speaker 3>But merch is almost a brand now these days.

0:45:36.000 --> 0:45:39.160
<v Speaker 1>No, that's a good point, but I think it's a

0:45:39.200 --> 0:45:43.160
<v Speaker 1>little bit more like temporary, like because I think merch

0:45:43.200 --> 0:45:45.480
<v Speaker 1>constantly has to shift with what the artist is doing

0:45:45.560 --> 0:45:47.640
<v Speaker 1>and like the moment, whereas a brand is a little

0:45:47.640 --> 0:45:50.640
<v Speaker 1>bit more timeless if you think about like the regards

0:45:50.719 --> 0:45:52.520
<v Speaker 1>of how you feel about them currently. But if you

0:45:52.520 --> 0:45:57.560
<v Speaker 1>think about someone wearing a Yeeziest tea or something, you're

0:45:57.600 --> 0:45:59.399
<v Speaker 1>going to see that tea and it's going to bring

0:45:59.440 --> 0:46:01.040
<v Speaker 1>you back to a time, especially if it has a

0:46:01.080 --> 0:46:02.279
<v Speaker 1>year on it. You're like, oh man, that was when

0:46:02.320 --> 0:46:05.480
<v Speaker 1>he was floating over the stage, or black skinhead or whatever.

0:46:05.680 --> 0:46:11.480
<v Speaker 1>You're not gonna be like, let me feel that collar.

0:46:11.080 --> 0:46:13.759
<v Speaker 1>That doesn't make sense.

0:46:13.840 --> 0:46:16.520
<v Speaker 4>I will say the easiest to me was the greatest

0:46:16.560 --> 0:46:19.200
<v Speaker 4>live tour I've ever seen personally, just.

0:46:19.160 --> 0:46:22.640
<v Speaker 1>My opinion, I've bought a dog was amazing, insane.

0:46:23.239 --> 0:46:27.080
<v Speaker 4>I bought the merch at the easiest tour and outside

0:46:27.080 --> 0:46:28.719
<v Speaker 4>of the design being cool and I'm not so about

0:46:28.719 --> 0:46:31.960
<v Speaker 4>the Confederate flag one whenever the other one was the

0:46:32.000 --> 0:46:33.839
<v Speaker 4>first thing I did think when I put the shirt

0:46:33.840 --> 0:46:36.160
<v Speaker 4>on was like, I've never bought merch that was cut

0:46:36.200 --> 0:46:40.120
<v Speaker 4>this way, Like okay, well they cut it different, Like

0:46:40.239 --> 0:46:42.600
<v Speaker 4>I remember sitting there like, oh, this is cut different.

0:46:42.640 --> 0:46:43.600
<v Speaker 1>Like I appreciated that.

0:46:43.680 --> 0:46:45.960
<v Speaker 4>It felt like a more quality see and it was

0:46:45.960 --> 0:46:48.479
<v Speaker 4>sold at the same price at any concert I would

0:46:48.480 --> 0:46:51.040
<v Speaker 4>buy merch at at the garden. So I hear you

0:46:51.080 --> 0:46:54.560
<v Speaker 4>on the merch side, But that did that did like

0:46:54.840 --> 0:46:57.040
<v Speaker 4>resonate with me, Like this shirt. I could wear the

0:46:57.080 --> 0:46:59.840
<v Speaker 4>shirt outside, like to a party.

0:47:00.080 --> 0:47:02.960
<v Speaker 1>I love quality, So I'm definitely not speaking against that,

0:47:03.160 --> 0:47:05.960
<v Speaker 1>but I think the idea of merch is ultimately to

0:47:06.000 --> 0:47:10.920
<v Speaker 1>have a high margin. On the business side, Yeah, absolutely so,

0:47:10.960 --> 0:47:13.879
<v Speaker 1>if you're investing, if you're leaning into like quality too much,

0:47:14.440 --> 0:47:17.160
<v Speaker 1>your fans will love you. But I don't know. This

0:47:17.280 --> 0:47:18.560
<v Speaker 1>is about just merch.

0:47:19.239 --> 0:47:21.719
<v Speaker 4>I mean our first merch line that I think is

0:47:22.000 --> 0:47:25.120
<v Speaker 4>the greatest podcast merch line that ever existed.

0:47:25.680 --> 0:47:26.359
<v Speaker 1>Oh we were We.

0:47:26.320 --> 0:47:28.640
<v Speaker 4>Went in the red purposely, like we knew we were

0:47:28.640 --> 0:47:30.520
<v Speaker 4>going to lose money just based off the quality.

0:47:30.520 --> 0:47:32.440
<v Speaker 1>And to me, that was the best thing. And I

0:47:32.480 --> 0:47:33.320
<v Speaker 1>was fine with losing.

0:47:33.200 --> 0:47:35.520
<v Speaker 4>Money in that regard because the quality was that good

0:47:35.560 --> 0:47:37.480
<v Speaker 4>that s it was like Damny or John Elliottody.

0:47:38.120 --> 0:47:39.560
<v Speaker 1>So like I think, who does it perfectly is like

0:47:39.560 --> 0:47:42.680
<v Speaker 1>Travis Scott because I I've heard this again, I don't know,

0:47:43.000 --> 0:47:45.239
<v Speaker 1>no confirmation, but I've heard that the quality of his

0:47:45.360 --> 0:47:47.480
<v Speaker 1>merch isn't the best, but the design.

0:47:50.080 --> 0:47:53.200
<v Speaker 4>The design makes the quality look okay. When it's on

0:47:53.280 --> 0:47:57.480
<v Speaker 4>your body, it's executed the color paler it does amazing.

0:47:57.480 --> 0:47:59.960
<v Speaker 2>But it's like I wore the sweatsuit when he did

0:48:00.120 --> 0:48:02.440
<v Speaker 2>the Uh I forgot what you drop it? Which cactus

0:48:02.520 --> 0:48:04.759
<v Speaker 2>jack drop? It was probably was the first of the

0:48:04.800 --> 0:48:08.279
<v Speaker 2>second one. I wore a sweatsuit and by the time

0:48:08.280 --> 0:48:10.799
<v Speaker 2>I got home, like in between the legs right here,

0:48:10.800 --> 0:48:12.600
<v Speaker 2>it was like the limp balls. Like this is a

0:48:12.640 --> 0:48:14.680
<v Speaker 2>brand news I'm talking about brand News. First they wore

0:48:14.719 --> 0:48:16.960
<v Speaker 2>and it had like the limp balls, Like I wore

0:48:17.000 --> 0:48:20.400
<v Speaker 2>the ship for three summers. So I'm like, I'm like Travis,

0:48:20.400 --> 0:48:21.600
<v Speaker 2>we can't be doing this, bro.

0:48:21.800 --> 0:48:23.520
<v Speaker 4>Another person that does it well with the quality of

0:48:23.560 --> 0:48:28.239
<v Speaker 4>Saint John, like John, Yeah, they're they're like saying, you're

0:48:28.280 --> 0:48:29.239
<v Speaker 4>saying that some of the best.

0:48:29.239 --> 0:48:31.239
<v Speaker 2>He has some of the best merch that I think

0:48:31.280 --> 0:48:32.480
<v Speaker 2>I've ever seen for any arts.

0:48:32.480 --> 0:48:34.480
<v Speaker 1>But he again I don't know his business, but I

0:48:34.600 --> 0:48:35.360
<v Speaker 1>believe he makes.

0:48:35.239 --> 0:48:37.680
<v Speaker 3>A good He makes a lot of money off merch.

0:48:37.760 --> 0:48:40.799
<v Speaker 2>Like the merch line at his shows after the show

0:48:40.880 --> 0:48:41.480
<v Speaker 2>is over.

0:48:42.120 --> 0:48:43.919
<v Speaker 3>Is like it's like almost like a meet and Greek.

0:48:44.000 --> 0:48:46.880
<v Speaker 2>Yeah, like they're online waiting to get But again, he

0:48:46.920 --> 0:48:49.080
<v Speaker 2>makes it very specific to the album, the whole story.

0:48:49.440 --> 0:48:51.200
<v Speaker 2>The albums to drop, like you said you want to

0:48:51.440 --> 0:48:53.680
<v Speaker 2>have this, and years they look back like, oh, this

0:48:53.719 --> 0:48:55.799
<v Speaker 2>is when I went and saw him at this, this

0:48:55.920 --> 0:48:58.279
<v Speaker 2>was the drop, this was the album. But again, the

0:48:58.400 --> 0:49:03.239
<v Speaker 2>quality is also very heavy Totten, very heavy sweats And

0:49:03.320 --> 0:49:04.960
<v Speaker 2>I think that's a lot of the reasons why people

0:49:04.960 --> 0:49:06.800
<v Speaker 2>love his merch because they know I can have this

0:49:06.840 --> 0:49:09.360
<v Speaker 2>sweatsuit for five centers and it's gonna look like I

0:49:09.400 --> 0:49:12.880
<v Speaker 2>just got it last week. Whereas with Travis again selling

0:49:12.880 --> 0:49:16.120
<v Speaker 2>a shit ton of merch, but the quality, I'm like,

0:49:18.280 --> 0:49:19.839
<v Speaker 2>at this point, he can I'm not saying it has

0:49:19.880 --> 0:49:22.399
<v Speaker 2>to be fair of god quality. Yeah, I'm not saying

0:49:22.400 --> 0:49:26.800
<v Speaker 2>it has to be Jerry, but we gotta find we

0:49:26.840 --> 0:49:28.520
<v Speaker 2>gotta get a little closer to quality.

0:49:28.640 --> 0:49:30.239
<v Speaker 4>To me, it's more cut than it is quality in

0:49:30.280 --> 0:49:31.399
<v Speaker 4>that I.

0:49:31.360 --> 0:49:32.960
<v Speaker 2>Wasn't mad at the cut, but the fact that I

0:49:33.000 --> 0:49:35.640
<v Speaker 2>had limp balls in between my legs and I only

0:49:35.680 --> 0:49:37.840
<v Speaker 2>had to suit on for three hours was crazy. I

0:49:37.880 --> 0:49:40.080
<v Speaker 2>just thought that, But again I was I was happy

0:49:40.120 --> 0:49:41.440
<v Speaker 2>to have it because it was a moment he had

0:49:41.440 --> 0:49:43.239
<v Speaker 2>just put out the sneaker. Now I got the sweat

0:49:43.280 --> 0:49:45.040
<v Speaker 2>to the sneaker. Like you said, it's a whole storyline.

0:49:45.080 --> 0:49:45.680
<v Speaker 1>So I get that.

0:49:47.040 --> 0:49:50.560
<v Speaker 2>Who's some of your favorite current designers as far as

0:49:50.600 --> 0:49:53.239
<v Speaker 2>like sneakers, Like who are wearing outside of sponge in

0:49:53.280 --> 0:49:54.000
<v Speaker 2>your products?

0:49:54.160 --> 0:49:55.640
<v Speaker 3>Who sneakers do you enjoy wearing?

0:49:55.880 --> 0:49:58.719
<v Speaker 1>There's this brand called viz Vin. I've heard of them,

0:49:58.760 --> 0:50:00.239
<v Speaker 1>You've heard of him. It's a Japanese b to go

0:50:00.320 --> 0:50:03.400
<v Speaker 1>jacket over there. They're not really a sneaker brand by

0:50:03.680 --> 0:50:08.200
<v Speaker 1>any but I wouldn't say, but they make this sandal

0:50:08.280 --> 0:50:11.279
<v Speaker 1>called the Crysto and it's like this kind of like

0:50:11.320 --> 0:50:14.160
<v Speaker 1>you've seen probably Travis Scott or like John Mayer wearing it.

0:50:14.719 --> 0:50:16.480
<v Speaker 1>And it's what's funny about it. There was this like

0:50:16.520 --> 0:50:19.279
<v Speaker 1>tweet about it that said that the Cristo is like

0:50:19.440 --> 0:50:22.319
<v Speaker 1>the male version of the Lui biton Hill because it

0:50:22.320 --> 0:50:25.920
<v Speaker 1>doesn't feel that good, but you feel like a battie okay, okay,

0:50:26.840 --> 0:50:31.359
<v Speaker 1>so and so it's like finally feel like yes, finally yeah.

0:50:31.400 --> 0:50:33.799
<v Speaker 1>So it's like it's honestly not the most comfortable, but

0:50:33.800 --> 0:50:37.359
<v Speaker 1>it's like just a really well made sandal that you

0:50:37.400 --> 0:50:39.480
<v Speaker 1>can have for like ten years and kind of molds

0:50:39.520 --> 0:50:43.040
<v Speaker 1>your foot like a birkenstock. And so Visdom as a

0:50:43.040 --> 0:50:45.040
<v Speaker 1>brand is just like a top tier brand that I love.

0:50:47.920 --> 0:50:49.399
<v Speaker 1>And then also, you know what's tough with that question.

0:50:49.400 --> 0:50:51.239
<v Speaker 1>I'm going to a complex un on this weekend and

0:50:51.360 --> 0:50:53.319
<v Speaker 1>I get asked that question, all these like kids running

0:50:53.360 --> 0:50:55.440
<v Speaker 1>up to me asking me if I'm confident shit, And

0:50:55.680 --> 0:50:57.359
<v Speaker 1>I can't really shout out a lot of the brand

0:50:57.480 --> 0:50:59.120
<v Speaker 1>the shoes that I like because I am not in

0:50:59.200 --> 0:51:02.320
<v Speaker 1>partnership with them. And so that's an endorsement I totally

0:51:02.360 --> 0:51:04.880
<v Speaker 1>get it. I get it.

0:51:04.960 --> 0:51:07.359
<v Speaker 2>Yeah, it's crazy how he gotta like you gotta think

0:51:07.440 --> 0:51:09.480
<v Speaker 2>like that now, Like, yeah, I just can't do it.

0:51:09.480 --> 0:51:12.160
<v Speaker 1>But that's a testament to the work that you put in.

0:51:13.640 --> 0:51:17.480
<v Speaker 4>I wanted to not approach this topic because it's going

0:51:17.560 --> 0:51:20.400
<v Speaker 4>to get me riled up. But tonight is the Knicks

0:51:20.440 --> 0:51:22.960
<v Speaker 4>home opener. Yeah, and you work with the enemy.

0:51:23.520 --> 0:51:26.239
<v Speaker 1>Oh yeah, yeah, yeah yeah. Wait so you guys both

0:51:26.280 --> 0:51:29.239
<v Speaker 1>Dixs fans, right, die hard? Okay, so first time live

0:51:29.280 --> 0:51:30.960
<v Speaker 1>and die on. Let me tell you. Let me tell

0:51:30.960 --> 0:51:33.440
<v Speaker 1>you the full story of this and then you'll understand. Okay.

0:51:33.600 --> 0:51:36.160
<v Speaker 4>So Tyrey Saliburn for those that don't, yes, yes is

0:51:36.560 --> 0:51:38.560
<v Speaker 4>enemy number one who asks.

0:51:38.719 --> 0:51:42.000
<v Speaker 1>So I signed with Puma. It's a new opportunity for

0:51:42.040 --> 0:51:43.480
<v Speaker 1>me because, as you said, I've been telling all these

0:51:43.480 --> 0:51:46.520
<v Speaker 1>outdoor stories and this is the opportunity to tell basketball story.

0:51:46.640 --> 0:51:50.200
<v Speaker 1>Group playing basketball, high school basketball basketball camps. Got a

0:51:50.239 --> 0:51:53.280
<v Speaker 1>lot of bodies in that basketball court in Battery Park City, Okay,

0:51:53.680 --> 0:51:56.560
<v Speaker 1>and uh I signed with Puma. It's basketball. I'm like, great,

0:51:56.560 --> 0:51:58.440
<v Speaker 1>I get to do the whole basketball thing. And they

0:51:58.440 --> 0:52:00.320
<v Speaker 1>also want me to help them sign a basketball player.

0:52:00.400 --> 0:52:02.800
<v Speaker 1>So they gave me a list of basketball players, and

0:52:02.840 --> 0:52:06.160
<v Speaker 1>the one that I chose was Tyrese Haliburn. Truthfully, I

0:52:06.239 --> 0:52:08.120
<v Speaker 1>chose him because I saw what he did to the Knicks,

0:52:08.400 --> 0:52:11.919
<v Speaker 1>not this most recent playoffs, but the one before. Yeah, right,

0:52:12.960 --> 0:52:15.080
<v Speaker 1>and so we have to pitch to him. We signed him,

0:52:15.360 --> 0:52:20.439
<v Speaker 1>we make the shoe, and then he has the most

0:52:20.480 --> 0:52:25.799
<v Speaker 1>like amazing, you know, season whatever. In response to what

0:52:25.880 --> 0:52:29.239
<v Speaker 1>you just said, if it was between your team and

0:52:29.280 --> 0:52:32.280
<v Speaker 1>your career, what are you choosing, of course?

0:52:33.160 --> 0:52:37.319
<v Speaker 4>And what's funny is after that last playoff series, like, yeah,

0:52:37.440 --> 0:52:40.200
<v Speaker 4>of course we should have on sorry's Haliburton every time

0:52:40.200 --> 0:52:42.360
<v Speaker 4>we got a mic in front of us, But once

0:52:42.440 --> 0:52:44.759
<v Speaker 4>we got beat, it was like that was one of

0:52:44.800 --> 0:52:48.680
<v Speaker 4>the best playoff performances I've ever seen in my entire life.

0:52:48.880 --> 0:52:52.200
<v Speaker 4>Like he is one of the most talented players. Oh,

0:52:52.200 --> 0:52:54.719
<v Speaker 4>it's like definitely, yeah, no, of course I work with him,

0:52:54.760 --> 0:52:56.560
<v Speaker 4>but crazy New York.

0:52:56.600 --> 0:52:57.880
<v Speaker 1>I was a little mad when I found out you

0:52:57.920 --> 0:53:01.160
<v Speaker 1>were the one doing a sneaker. No, anytime around, I'm

0:53:01.320 --> 0:53:03.640
<v Speaker 1>I'm vocal about the next thing. He talks his ship too,

0:53:03.760 --> 0:53:10.560
<v Speaker 1>So yeah, there's a nice relationship there. I remember Game

0:53:10.600 --> 0:53:12.000
<v Speaker 1>one of the finals because were trying to figure out

0:53:12.000 --> 0:53:14.120
<v Speaker 1>when he was gonna wear the shoes. Yeah, I was

0:53:14.120 --> 0:53:16.640
<v Speaker 1>telling him to wear him against New York. Obviously selfishly,

0:53:16.640 --> 0:53:18.080
<v Speaker 1>he was like not went away for the finals, like

0:53:18.120 --> 0:53:20.160
<v Speaker 1>he saw he had the vision that he was there,

0:53:20.239 --> 0:53:23.920
<v Speaker 1>he already knew. And then I thought that I would

0:53:23.960 --> 0:53:25.640
<v Speaker 1>get emotional if I saw him like hit a three

0:53:25.760 --> 0:53:28.000
<v Speaker 1>or dunk, because this is something basketball is the reason

0:53:28.040 --> 0:53:30.960
<v Speaker 1>that I became a forward designer. And I saw him

0:53:31.000 --> 0:53:33.600
<v Speaker 1>stretching in the tone, and I started weeping, like proper,

0:53:33.760 --> 0:53:36.839
<v Speaker 1>like really, yeah, it's amazing though. This was the little

0:53:36.920 --> 0:53:38.560
<v Speaker 1>kid and me finally accomplishing the thing I wanted to

0:53:38.560 --> 0:53:40.960
<v Speaker 1>acomplish my entire life at that moment, you know. And

0:53:41.000 --> 0:53:48.600
<v Speaker 1>so I cried. And then he hit the game winner again, No,

0:53:48.719 --> 0:53:50.600
<v Speaker 1>you know, you know what I did? Then, I like,

0:53:51.040 --> 0:53:56.279
<v Speaker 1>I like yelled so fucking loud because there have been

0:53:56.320 --> 0:53:58.920
<v Speaker 1>a decent amount of people that have not allowed me

0:53:58.960 --> 0:54:01.640
<v Speaker 1>to have this opportunity of of designing a basketball shoot

0:54:03.400 --> 0:54:07.040
<v Speaker 1>you said, so, I will say I definitely felt some

0:54:07.120 --> 0:54:10.120
<v Speaker 1>level of redemption, you know, when that happened. And then

0:54:10.400 --> 0:54:12.239
<v Speaker 1>at the end of it, or right after that, he's

0:54:12.239 --> 0:54:14.040
<v Speaker 1>at the press conference with the shoes on the desk

0:54:14.040 --> 0:54:16.520
<v Speaker 1>and he's getting credit to the shoes, So it couldn't

0:54:16.520 --> 0:54:18.879
<v Speaker 1>have been a more perfect rollout for some stormbik ship

0:54:19.280 --> 0:54:22.560
<v Speaker 1>and then unfortunately it ended it the way it did.

0:54:22.960 --> 0:54:24.920
<v Speaker 1>But you know, even him making that decision to playing

0:54:24.920 --> 0:54:27.239
<v Speaker 1>that game is you know, a testament to him as

0:54:27.280 --> 0:54:32.200
<v Speaker 1>a player. So I'm a Knicks fan, but also my

0:54:32.239 --> 0:54:34.600
<v Speaker 1>career is way more important than you know, Tyr's halburn is.

0:54:34.719 --> 0:54:36.279
<v Speaker 2>It's not going to help you if you're down to

0:54:36.360 --> 0:54:38.319
<v Speaker 2>two much rent there you go, not at all can

0:54:38.400 --> 0:54:41.880
<v Speaker 2>promise you, not at all. I still haven't gotten able

0:54:41.880 --> 0:54:44.640
<v Speaker 2>to get any Knicks tickets from the exactly that.

0:54:45.760 --> 0:54:48.000
<v Speaker 1>But yeah, definitely it was weird. Like I was in Indiana.

0:54:48.120 --> 0:54:50.600
<v Speaker 1>We just did a pop up for the Hallie Mart

0:54:51.000 --> 0:54:54.200
<v Speaker 1>where I'm like doing Pacers trivia with Pacers fans and

0:54:54.239 --> 0:54:55.919
<v Speaker 1>like I.

0:54:55.840 --> 0:55:03.680
<v Speaker 2>Know that, Yeah, that is just.

0:55:07.160 --> 0:55:07.920
<v Speaker 3>That is fire.

0:55:08.239 --> 0:55:12.439
<v Speaker 1>So talk to us about this book past. The book

0:55:12.480 --> 0:55:12.680
<v Speaker 1>is far.

0:55:12.719 --> 0:55:15.800
<v Speaker 2>I mean just the aesthetic, like yeah, yeah, the material

0:55:15.840 --> 0:55:17.560
<v Speaker 2>and everything I make shoes.

0:55:18.800 --> 0:55:22.719
<v Speaker 1>I make shoes published by Rossoli. The front is a

0:55:22.760 --> 0:55:24.520
<v Speaker 1>painting by my buddy delphin Finley.

0:55:24.600 --> 0:55:25.920
<v Speaker 3>Wait hold on, not to cut you off.

0:55:26.000 --> 0:55:29.600
<v Speaker 4>Yes, this the texture thing, and I like how he

0:55:29.640 --> 0:55:30.239
<v Speaker 4>did like a track.

0:55:30.360 --> 0:55:31.080
<v Speaker 1>This is album.

0:55:31.480 --> 0:55:36.279
<v Speaker 2>This is insane, like again a slate attention to detail. Man,

0:55:36.320 --> 0:55:38.000
<v Speaker 2>I love you, Bro, I love it, but I can't

0:55:38.040 --> 0:55:40.479
<v Speaker 2>I can't take all the credit. A design agency named

0:55:40.600 --> 0:55:43.799
<v Speaker 2>play Lab, or called play Lab look at this. They

0:55:44.160 --> 0:55:47.480
<v Speaker 2>designed the book, so credit to them. Delphin Finley painted

0:55:47.480 --> 0:55:51.799
<v Speaker 2>the cover. I think I'm one of the first, the

0:55:51.800 --> 0:55:53.920
<v Speaker 2>first non rappers to get an Andre future. We got

0:55:53.920 --> 0:55:56.719
<v Speaker 2>an Andre feature in that book, which.

0:55:56.239 --> 0:55:57.759
<v Speaker 4>Was gonna be my last question before we got out

0:55:57.760 --> 0:55:57.920
<v Speaker 4>of here.

0:55:58.000 --> 0:56:01.240
<v Speaker 1>Yeah. Yeah, So Andre and I have sparked a friendship.

0:56:01.280 --> 0:56:03.920
<v Speaker 1>We hike often, and I've just found on these hikes,

0:56:03.960 --> 0:56:05.600
<v Speaker 1>like with him and a lot of other people, I

0:56:05.600 --> 0:56:07.360
<v Speaker 1>have a lot of great conversations. Yeah. I don't know

0:56:07.400 --> 0:56:10.880
<v Speaker 1>if it's because you're like isolated, common goal nature, but

0:56:10.960 --> 0:56:12.959
<v Speaker 1>we've had many. And when I was doing this book,

0:56:12.960 --> 0:56:14.440
<v Speaker 1>I was like, Bro, is there anyway we could like

0:56:14.480 --> 0:56:16.680
<v Speaker 1>record one of them, transcribe it and put it in

0:56:16.760 --> 0:56:18.839
<v Speaker 1>the book. So that's what that is. There's a good

0:56:19.320 --> 0:56:22.200
<v Speaker 1>six or seven pages of just oh wait, go back,

0:56:22.239 --> 0:56:28.359
<v Speaker 1>go back. You're right there. The small right there that

0:56:28.600 --> 0:56:33.360
<v Speaker 1>is there, you go back. That is myself. O. J. Simpson,

0:56:33.920 --> 0:56:37.360
<v Speaker 1>Nicole Brown Simpson and the Ninja Turtles. Yes, and my

0:56:37.400 --> 0:56:40.120
<v Speaker 1>dad took that photo. Yes, And that's history right there.

0:56:43.200 --> 0:56:45.080
<v Speaker 4>This should have been this should have been the cover.

0:56:49.800 --> 0:56:54.000
<v Speaker 4>Can I use this photo as my next single? That's

0:56:54.040 --> 0:56:57.040
<v Speaker 4>the wildest photo I've ever seen this. All right, So

0:56:57.040 --> 0:56:58.840
<v Speaker 4>where was this at when you saw OJ? So?

0:56:58.840 --> 0:57:01.360
<v Speaker 1>My dad's a photographer, and I think he had to.

0:57:01.560 --> 0:57:03.440
<v Speaker 1>I think I think OJ was doing something with the

0:57:03.520 --> 0:57:05.279
<v Speaker 1>Ninja Turtles and I was I wanted to come because

0:57:05.280 --> 0:57:06.520
<v Speaker 1>I wassy like to meet the Ninja Turtles. I don't

0:57:06.520 --> 0:57:08.919
<v Speaker 1>even know, I didn't know who O J was. Total

0:57:09.120 --> 0:57:11.280
<v Speaker 1>I'm wearing I'm wearing like a Ninja Turtles like jumpsuit.

0:57:11.600 --> 0:57:14.600
<v Speaker 1>That rat costume is crazy. And then and then actually

0:57:14.600 --> 0:57:16.960
<v Speaker 1>that next page right there, that is a letter from

0:57:17.040 --> 0:57:20.240
<v Speaker 1>SHK Wes, like good like eight years ago before he

0:57:20.360 --> 0:57:23.520
<v Speaker 1>was like shack Wes and it's hilarious, so you obviously

0:57:23.600 --> 0:57:24.760
<v Speaker 1>don't need to read it now, but it's a really

0:57:24.760 --> 0:57:28.720
<v Speaker 1>good letter. And he starts it with this is a

0:57:28.760 --> 0:57:30.800
<v Speaker 1>piece of art, and that when I read it at

0:57:30.800 --> 0:57:32.520
<v Speaker 1>the time, I thought he was crazy. But reading it

0:57:32.560 --> 0:57:34.520
<v Speaker 1>and going back now like it actually is a piece

0:57:34.560 --> 0:57:34.800
<v Speaker 1>of art.

0:57:34.920 --> 0:57:37.720
<v Speaker 2>Yeah, No, this is this, This this book is incredible. Man,

0:57:37.760 --> 0:57:39.560
<v Speaker 2>I can't wait to really get into it and think

0:57:39.600 --> 0:57:42.880
<v Speaker 2>you read it and he had attention to this is fire, Yeah,

0:57:42.920 --> 0:57:43.760
<v Speaker 2>this is this is dope.

0:57:44.040 --> 0:57:47.560
<v Speaker 4>With some of those hikes, obviously a lot of you know,

0:57:47.560 --> 0:57:50.400
<v Speaker 4>those conversations with Andre three thousand on those hikes would

0:57:50.440 --> 0:57:53.840
<v Speaker 4>be private and personal outside of the one in the book.

0:57:53.920 --> 0:57:55.760
<v Speaker 4>Is there anything that you can share of just what

0:57:55.760 --> 0:57:56.880
<v Speaker 4>that relationship.

0:57:56.400 --> 0:58:01.520
<v Speaker 1>Has been, Like, I think one of the most powerful

0:58:01.560 --> 0:58:04.000
<v Speaker 1>things that I've witnessed with him is just like that

0:58:04.120 --> 0:58:07.080
<v Speaker 1>he's really human and just some of the vulnerability that

0:58:07.120 --> 0:58:10.360
<v Speaker 1>he's displayed was kind of refreshing, because you think some

0:58:10.400 --> 0:58:12.600
<v Speaker 1>of these people that are living at such a high

0:58:12.680 --> 0:58:16.200
<v Speaker 1>level are like these godlike creatures. But with some of

0:58:16.200 --> 0:58:18.160
<v Speaker 1>our hikes, it was around the time of like right

0:58:18.240 --> 0:58:20.440
<v Speaker 1>before his flute album, and just some of the things

0:58:20.440 --> 0:58:24.680
<v Speaker 1>he expressed about being uncertain about making certain decisions or

0:58:25.000 --> 0:58:29.440
<v Speaker 1>even releasing a flute album was really empowering because myself,

0:58:29.440 --> 0:58:31.720
<v Speaker 1>at whatever level I'm at, I have so many insecurities

0:58:31.720 --> 0:58:34.680
<v Speaker 1>and vulnerabilities and imposter syndromes. But you look at all

0:58:34.680 --> 0:58:36.400
<v Speaker 1>the people that we like worship and you're like, no,

0:58:36.520 --> 0:58:38.680
<v Speaker 1>they just they off.

0:58:38.800 --> 0:58:41.080
<v Speaker 4>Yeah, yeah, they must be so sure of everything.

0:58:40.880 --> 0:58:44.600
<v Speaker 1>Right and so just to kind of like witness that.

0:58:44.600 --> 0:58:45.520
<v Speaker 1>I thought it was pretty powerful.

0:58:45.600 --> 0:58:46.680
<v Speaker 3>Yeah, yeah, it was dope.

0:58:46.960 --> 0:58:47.200
<v Speaker 1>Yeah.

0:58:47.920 --> 0:58:49.960
<v Speaker 4>There's been a running joke on this podcast. Well not

0:58:50.000 --> 0:58:52.760
<v Speaker 4>even a running joke, it's been a fact everyone has

0:58:52.760 --> 0:58:56.480
<v Speaker 4>met Andre three thousand except you in Soho and I

0:58:56.560 --> 0:58:59.560
<v Speaker 4>remember after that joke started. It must have been the

0:58:59.560 --> 0:59:03.160
<v Speaker 4>first week I saw he was in your studio, your

0:59:03.200 --> 0:59:09.680
<v Speaker 4>crib flute, and I was like, everybody, he doesn't want

0:59:09.680 --> 0:59:10.400
<v Speaker 4>to be to l A.

0:59:10.440 --> 0:59:11.720
<v Speaker 1>That's that's where he's where you be.

0:59:12.000 --> 0:59:15.200
<v Speaker 4>Yeah, I've read some articles Venice, he's like full time

0:59:15.320 --> 0:59:18.560
<v Speaker 4>or I wouldn't say, I wouldn't say something that he

0:59:18.600 --> 0:59:22.600
<v Speaker 4>didn't put in whatever. The only piece he did after

0:59:22.600 --> 0:59:25.080
<v Speaker 4>the Flute album talked about how he met even some

0:59:25.160 --> 0:59:27.240
<v Speaker 4>of the band members of that they all went to

0:59:27.240 --> 0:59:28.960
<v Speaker 4>the same grocery store in Venice, and that he was

0:59:28.960 --> 0:59:30.640
<v Speaker 4>living in Venice and that's how the whole yeah sh

0:59:30.840 --> 0:59:31.520
<v Speaker 4>had came together.

0:59:31.880 --> 0:59:35.080
<v Speaker 1>Your book available, wins. It is available now. You can

0:59:35.120 --> 0:59:39.560
<v Speaker 1>go to any retailer that has Resoli Books or Amazon

0:59:39.680 --> 0:59:42.200
<v Speaker 1>or Barnes and Noble. Go get this man, Yeah, go

0:59:42.240 --> 0:59:43.240
<v Speaker 1>get it. Support me.

0:59:43.280 --> 0:59:43.840
<v Speaker 3>It's amazing.

0:59:44.040 --> 0:59:49.120
<v Speaker 1>Sponge available Sponge available also now on beasponge dot com.

0:59:49.160 --> 0:59:52.640
<v Speaker 1>And uh, we were just at Kiss and we're about

0:59:52.680 --> 0:59:54.320
<v Speaker 1>to be a complex con Oh yeah, I should probably

0:59:54.320 --> 0:59:57.640
<v Speaker 1>plug that. Gonna have a booth, a complex count of

0:59:57.680 --> 1:00:01.480
<v Speaker 1>sponge booth. There will also be a Salahi Museum of

1:00:01.600 --> 1:00:04.600
<v Speaker 1>just past samples and projects that I've worked on. And

1:00:04.720 --> 1:00:06.880
<v Speaker 1>this is uh, maybe you could consider it like the

1:00:06.920 --> 1:00:09.560
<v Speaker 1>doorway to this brand of my beat your launch as

1:00:09.600 --> 1:00:10.440
<v Speaker 1>well as the book.

1:00:10.600 --> 1:00:13.040
<v Speaker 2>Love before You Go, And he plans for a brick

1:00:13.080 --> 1:00:16.400
<v Speaker 2>and mortar in New York City. I think any brand

1:00:16.440 --> 1:00:18.840
<v Speaker 2>that has a brick and mortar first needs to have

1:00:18.920 --> 1:00:22.960
<v Speaker 2>success digitally, so that is right now the goal and

1:00:23.000 --> 1:00:25.680
<v Speaker 2>then for the first store, if it were up to me,

1:00:25.720 --> 1:00:27.040
<v Speaker 2>I'd actually probably be in Japan.

1:00:28.280 --> 1:00:30.560
<v Speaker 1>Yeah I'm a New Yorker. I said that five times

1:00:30.560 --> 1:00:31.040
<v Speaker 1>before anyone.

1:00:31.040 --> 1:00:32.640
<v Speaker 2>But if you got that, you got that aesthetic the

1:00:32.680 --> 1:00:37.040
<v Speaker 2>old Japanese god actually like that. Yeah, Japanese fashion inspires

1:00:37.040 --> 1:00:39.600
<v Speaker 2>me because I definitely, because I think in America is everywhere.

1:00:39.840 --> 1:00:41.520
<v Speaker 2>If you look in America, there's so many rules about

1:00:41.520 --> 1:00:43.680
<v Speaker 2>like what you can wear at what age, and where

1:00:43.760 --> 1:00:45.000
<v Speaker 2>you can wear and where you can wear it. But

1:00:45.040 --> 1:00:46.920
<v Speaker 2>then in Japan, like you'll see like a six year

1:00:46.960 --> 1:00:48.760
<v Speaker 2>l seven year old dude in like full camo and

1:00:48.760 --> 1:00:51.400
<v Speaker 2>some Jordan's and he's like being taken very seriously.

1:00:51.720 --> 1:00:56.600
<v Speaker 1>And you know what I mean, you know, so I

1:00:56.720 --> 1:00:58.920
<v Speaker 1>just that inspires me. So now it's like, you know,

1:00:59.040 --> 1:01:02.560
<v Speaker 1>where told that like maybe someone of a certain age

1:01:02.560 --> 1:01:04.440
<v Speaker 1>can't wear like yeah, I feel like it's like that's

1:01:04.480 --> 1:01:07.760
<v Speaker 1>only our cultural exactly. He only did exactly exactly, and

1:01:07.800 --> 1:01:10.160
<v Speaker 1>it's something wrong. There's something fundamentally wrong with that. Sola.

1:01:10.320 --> 1:01:12.600
<v Speaker 2>Thank you for coming through man, appreciate it. The book

1:01:12.640 --> 1:01:14.240
<v Speaker 2>is fire. I can't wait to really get into it

1:01:14.280 --> 1:01:16.360
<v Speaker 2>and read it and just and just you know, read

1:01:16.400 --> 1:01:19.120
<v Speaker 2>more your story. Congratulations on everything that you.

1:01:19.120 --> 1:01:19.760
<v Speaker 1>Thank you very much.

1:01:19.800 --> 1:01:20.400
<v Speaker 3>Support you here.

1:01:20.800 --> 1:01:22.760
<v Speaker 2>I'm saying it now before we signed off. He will

1:01:22.800 --> 1:01:25.240
<v Speaker 2>be designing the first new roorial Mall sneaker.

1:01:25.440 --> 1:01:25.919
<v Speaker 1>It's a fact.

1:01:25.960 --> 1:01:27.440
<v Speaker 2>We're going to make it happen. I'm going to keep

1:01:27.440 --> 1:01:28.840
<v Speaker 2>harassing until we make that happen.

1:01:29.840 --> 1:01:31.160
<v Speaker 1>Can we get a shoulder roll? Can we get these

1:01:31.200 --> 1:01:33.040
<v Speaker 1>numbers up? Get a shoulder roll for him? We are not.

1:01:36.560 --> 1:01:39.200
<v Speaker 4>Shout out to all the nokes. I retired my shoulders.

1:01:39.240 --> 1:01:44.920
<v Speaker 4>I think in twenty twelve time even like, yeah, I

1:01:44.920 --> 1:01:46.240
<v Speaker 4>don't even know how to work.

1:01:46.280 --> 1:01:50.160
<v Speaker 1>I'm here the back of where the ship.

1:01:51.040 --> 1:01:54.160
<v Speaker 4>You gotta put oil in them SHIPLEI thank you, my brother.

1:01:54.200 --> 1:01:58.400
<v Speaker 1>We appreciate you. Appreciate you. That's Slay appreciate you, Bro.

1:01:58.520 --> 1:02:01.520
<v Speaker 1>Appreciate you, Bro. Man Oh, Wollie and Mound