WEBVTT - Wendie Malick

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<v Speaker 1>People just often cast me as a lawyer, doctor divorce

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<v Speaker 1>or a murderer. You know, I killed the bunch of

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<v Speaker 1>husbands one year, and I'm various. I've heard three three,

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<v Speaker 1>three husbands in one year, because you know, it's all

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<v Speaker 1>in there. We all have all this stuff. It's just

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<v Speaker 1>tapping into it and making it real large and then

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<v Speaker 1>there you are. I mean, who hasn't been piste off

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<v Speaker 1>by the husband or there was at some point. Hi,

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<v Speaker 1>I'm Wendy Alec and I've been on television for seventy

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<v Speaker 1>five years. Hello, Hello, and welcome everybody back to Off

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<v Speaker 1>the Beat. I am once again your host, Brian Baumgartner.

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<v Speaker 1>Today is a good day. I mean I could be

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<v Speaker 1>described as giddy in fact, because today Wendy Malick is

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<v Speaker 1>joining me on the podcast. In truth, don't tell anybody else.

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<v Speaker 1>She's one of my favorites. She has had quite the career.

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<v Speaker 1>She worked as a model and also briefly in politics

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<v Speaker 1>before even starting to act. And speaking of acting her

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<v Speaker 1>acting career, incredible does not even begin to describe it.

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<v Speaker 1>Wendy has quite the range. She has worked on everything

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<v Speaker 1>from sitcom's like Frasier two, animated projects like bo Jack

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<v Speaker 1>Horseman and the Emperor's New Groove, and how rare is this?

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<v Speaker 1>Wendy has appeared in not one, not two, but three

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<v Speaker 1>television series that ran for at least six seasons, the

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<v Speaker 1>groundbreaking HBO comedy Dream On Hot in Cleveland with Betty

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<v Speaker 1>White and not the Awards Are Everything, but Wendy was

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<v Speaker 1>nominated for two Emmy's and a Golden Globe for her role.

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<v Speaker 1>Unjust shoot me. Honestly, this entire podcast could be devoted

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<v Speaker 1>to just listing her accomplishments. But I do want you

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<v Speaker 1>to actually hear from Wendy, so I won't do that,

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<v Speaker 1>at least not this time. With that, please welcome my

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<v Speaker 1>friend and two time co star, the legendary Wendy Malick.

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<v Speaker 1>Bubble and Squeak I love it, Bubble and Squeak, Bubble

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<v Speaker 1>and Squeaker Cookie every month left over from the Nut People. Hello,

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<v Speaker 1>how are you? I'm good? How are you? I mean,

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<v Speaker 1>I'm so spectacular now that I'm talking to you. I

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<v Speaker 1>don't think that you realize this. I've started doing this

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<v Speaker 1>podcast specifically so that I can talk to you. How

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<v Speaker 1>many times I've just said that? I have said that

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<v Speaker 1>exactly zero od times? Well, it's it sure is. It's

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<v Speaker 1>sure is a pain in the ask to get on

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<v Speaker 1>your stupid Google thing. This is not made for people

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<v Speaker 1>over sixty, I have to tell you. It's also not

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<v Speaker 1>made for me either, But I luckily had a tons

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<v Speaker 1>of did you start did you start doing this? During

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<v Speaker 1>COVID Steve, you stay here, stay here, stay Sorry, I

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<v Speaker 1>have dogs. There may be noise. I can't control this,

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<v Speaker 1>so no, that's totally I hear you have a zonkey

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<v Speaker 1>or a donkey, a miniature donkey, miniature donkey. Uh. We

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<v Speaker 1>have three horses now down to three. Yeah, three horses,

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<v Speaker 1>one minuature donkey and two dogs. Used to be eight

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<v Speaker 1>of them, but now it's the horri of attrition. We're

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<v Speaker 1>all getting older, so as they go, we don't replace

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<v Speaker 1>them as much as we used to. Does the miniature

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<v Speaker 1>donkey does it like? Does it walk through your house?

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<v Speaker 1>Oh no, no no no. He stays down in his stable,

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<v Speaker 1>but he will put his head on your shoulder and

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<v Speaker 1>lift his little leg up and try to sit on

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<v Speaker 1>your lap. And I have friends who come over just

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<v Speaker 1>for that experience because it's it's pretty pretty fabulous. That's awesome. Yeah,

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<v Speaker 1>he looks like Shrek. He looks like the Shrek Donkey.

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<v Speaker 1>He looks like Donky. Yeah he does. He talks like

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<v Speaker 1>Eddie Murphy though he doesn't talk, but he he speaks

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<v Speaker 1>to you with his eyes. That's that's Phoebe in the background.

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<v Speaker 1>L L Yeah, yeah, good girl, good baby. Um. When

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<v Speaker 1>I was going back and I was, I was researching you.

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<v Speaker 1>And I'm not expecting you to remember, by the way,

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<v Speaker 1>because I was reminded, do you know that we've worked

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<v Speaker 1>together twice on two different shows? You're never going to

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<v Speaker 1>get it were No, I wasn't on dream On. I

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<v Speaker 1>wasn't lucky enough to be in dream On. I was

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<v Speaker 1>on kind of my first significant um like kind of

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<v Speaker 1>lead guest star roles. It aired like maybe the week

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<v Speaker 1>that The Office started was actually aired, but now we

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<v Speaker 1>had shot The Office like a year before. Jake in Progress.

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<v Speaker 1>You were on Jakin Progress. That was the strangest show.

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<v Speaker 1>It was a very odd show, but but it had

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<v Speaker 1>its moments. There was some interesting time. I didn't have

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<v Speaker 1>much to do with you. I was Julie Bowen's high

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<v Speaker 1>school college boyfriend. Wow was Julie Moan on that crazy?

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<v Speaker 1>It's so crazy? At this point, how many like short

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<v Speaker 1>lived shows we've done and you kind of they kind

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<v Speaker 1>of blurred together after a while. Yeah, I've ended up

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<v Speaker 1>working with around a bunch of different things over the years,

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<v Speaker 1>but always a pleasure to see you. Even remember you

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<v Speaker 1>being on that show? Well I didn't. I didn't fully either, Okay,

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<v Speaker 1>So I want to go I want to go back.

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<v Speaker 1>I want to go back back. You grew up in

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<v Speaker 1>or around Buffalo, right, like Niagara Falls ish Well, I

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<v Speaker 1>mean Diagara Falls is not too far, but a suburb

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<v Speaker 1>of Buffalo Williamson, Okay. And it's Mike Michael o'doonnni who

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<v Speaker 1>once said, um, you know, you can take the girl

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<v Speaker 1>out of Buffalo, but you can never take Buffalo out

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<v Speaker 1>of the girl. And I know where that is a

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<v Speaker 1>badge of honor because people from Buffalo are very tough

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<v Speaker 1>but friendly, and they drink well and they make the

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<v Speaker 1>most out of difficult situations. They're survivors. Well you have

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<v Speaker 1>to be, Yeah, you do, you do. It's a very

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<v Speaker 1>hard place to live, and it doesn't have all of

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<v Speaker 1>the cultural advantages of Chicago, but you have the same

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<v Speaker 1>kind of weather, which is very challenging. But I have

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<v Speaker 1>to say, every time I go back, I'm reminded of

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<v Speaker 1>how much I like those people that I came from,

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<v Speaker 1>even though I wanted to get out really early. Honestly, Okay,

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<v Speaker 1>this town is way too small for me. I gotta go.

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<v Speaker 1>When did you leave? Did you leave early? I mean

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<v Speaker 1>after high school. I only went back summers, but my

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<v Speaker 1>parents lived there throughout. My dad died in the spring

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<v Speaker 1>at a hundred and one. My mom is still alive,

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<v Speaker 1>and she'll be ninety three this summer, and she's there,

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<v Speaker 1>so I go. We go back and not rent this

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<v Speaker 1>little farmhouse um every other month and go see her,

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<v Speaker 1>and I see old friends from high school and my youth.

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<v Speaker 1>So you're back, You're back quite a bit? Then, Yeah, Yeah,

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<v Speaker 1>I've been. I've been back quite a bit, particularly these

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<v Speaker 1>last few years as my parents have gotten older. Yeah.

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<v Speaker 1>But I used to go back every summer, and we

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<v Speaker 1>had a wonderful cottage on like Gary on the Canadian side,

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<v Speaker 1>and uh, it's beautiful. I mean, you know, it's crazy people.

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<v Speaker 1>It's always like, okay, hit me with your best shot.

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<v Speaker 1>When you say here from Buffalo. It's like, just go ahead,

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<v Speaker 1>have your way with me. But in fact, it's quite

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<v Speaker 1>a wonderful place to grow up. When did you get

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<v Speaker 1>the bug or get an idea that you want to pursue?

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<v Speaker 1>I was pretty young. Yeah. My my grandmother was an

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<v Speaker 1>opera singer before she had kids. We have a rather

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<v Speaker 1>they're quite an undergening family. But they always they had

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<v Speaker 1>like the musical comedy albums of everything, and I would

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<v Speaker 1>act out and dance and sing all of them whenever

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<v Speaker 1>I could, And on the walking down the beach, I

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<v Speaker 1>used to pretend I had an orchestra behind me. When

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<v Speaker 1>i'd go on vacation with my family, I would pretend

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<v Speaker 1>I was from another country and I didn't know them,

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<v Speaker 1>and then I'd called me over and then my whole

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<v Speaker 1>cover would be blown. But I think I wanted a

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<v Speaker 1>more glamorous life than I had, so I invented it. Right.

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<v Speaker 1>Did you do like theater in high school? Or oh? Yeah?

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<v Speaker 1>And then I and if it wasn't, I didn't have

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<v Speaker 1>enough to do at school, then I just made up

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<v Speaker 1>place and I directed them and put myself with all

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<v Speaker 1>the neighborhood kids and made my younger sister and brother

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<v Speaker 1>probably carry lights or have a minor role. Yeah, you

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<v Speaker 1>were always a star. I was the eldest, and I

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<v Speaker 1>kind of yeah, I kind of directed things, and as

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<v Speaker 1>they say, I still tend to do that, but they're horror. Okay,

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<v Speaker 1>this is what we're gonna do. Uh. You started professionally

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<v Speaker 1>modeling first, Is that right? Yeah? My mother was a

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<v Speaker 1>model in New York before she got married. She went

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<v Speaker 1>off and lived at the Barbazone for women, and dad

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<v Speaker 1>went and said, no, please come back and marry me

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<v Speaker 1>and let's have babies. And she did. But she modeled

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<v Speaker 1>just sort of part time as we were growing up,

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<v Speaker 1>and dragged me along and I thought, oh, this is

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<v Speaker 1>pretty fun. And I got on a team word at

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<v Speaker 1>one of the at one of our department stores, and

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<v Speaker 1>it was great. That's how I could afford to buy

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<v Speaker 1>my own clothes and save some money. And so it

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<v Speaker 1>wasn't until years later when I was in New York

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<v Speaker 1>making seventy five a week doing dinner theater at Club

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<v Speaker 1>Banet in New Jersey, and someone approached me in the

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<v Speaker 1>tickets line and Times Square instead, Have you ever modeled?

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<v Speaker 1>I said, yes, this a matter of fact, in high

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<v Speaker 1>school in Buffalo, in glamorous Buffalo, I did. They said,

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<v Speaker 1>I think you'd be right for will Almina. You should

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<v Speaker 1>come see her. And I went and visited with her,

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<v Speaker 1>and she said, yeah, you belong here. You just have

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<v Speaker 1>to practice not smiling crooked, and don't ever tell anybody

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<v Speaker 1>that you're twenty five, because it's way too old to start.

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<v Speaker 1>So I I spent the next five years pretty much

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<v Speaker 1>traveling the world. It was just the best way to

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<v Speaker 1>see the world. Lived in Paris, went to the Orient,

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<v Speaker 1>worked in Africa. I mean it was really this was like,

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<v Speaker 1>you know, this late seventies, and it was It was

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<v Speaker 1>a great time. It was entertaining, It was a very

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<v Speaker 1>very excellent time. Yes, I don't remember sleeping very much,

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<v Speaker 1>and a lot of wine was drunk, for sure. But

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<v Speaker 1>I just I'm a good clothes horse. So I got

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<v Speaker 1>to do all of the collections and then they'd send

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<v Speaker 1>me off to some beach somewhere to get tan real

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<v Speaker 1>fast and do editorial stuff and great fun. Now I

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<v Speaker 1>have to I have to ask you. I'm assuming this

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<v Speaker 1>is before this you were working for Jack Kemp. You

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<v Speaker 1>worked for this, this was what in your early twenties.

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<v Speaker 1>I was no, this is right after college. Well, yeah,

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<v Speaker 1>I guess I was saying. It was like and he

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<v Speaker 1>we used to to ski with his family. He was

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<v Speaker 1>our congressman, and my dad was a supporter of his,

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<v Speaker 1>and we were off skiing with them one time and

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<v Speaker 1>he said, listen, when you get out of out of college,

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<v Speaker 1>if you want to come and just see what DC

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<v Speaker 1>is like, let me know and you can come and intern.

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<v Speaker 1>And I thought, what a great opportunity. And it was

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<v Speaker 1>during Watergate, so it was just a really exciting and

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<v Speaker 1>crazy time to be in d C. It was I'm

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<v Speaker 1>really glad I had the experience that they did. It

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<v Speaker 1>very clear that I did not want to be in politics,

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<v Speaker 1>but I got to see it from the inside. It

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<v Speaker 1>was pretty pretty cool. And he was very tolerant of

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<v Speaker 1>the fact that I was wearing a George McGovern button

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<v Speaker 1>and OK, but every day that would be like a

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<v Speaker 1>new scandal and another shoe would drop, and it was

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<v Speaker 1>it was pretty thrilling. Wow, how was that working then

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<v Speaker 1>for a Republican senator or congressman during Watergate? That's that's crazy. Yeah.

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<v Speaker 1>When I was there, you know, it was sort of

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<v Speaker 1>astonishing how quickly the whole thing unrabbled. But there was

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<v Speaker 1>such momentum to like do the right thing on both sides,

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<v Speaker 1>and that was when people stayed in DC for the

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<v Speaker 1>weekends and they actually socialized together. Now everybody goes home

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<v Speaker 1>in fundraises, but that was when they would work out

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<v Speaker 1>deals and say, I'll help you with your bill, you

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<v Speaker 1>help me with mine. And it worked. It actually really

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<v Speaker 1>functioned in a strange way. And Jack was he was

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<v Speaker 1>very moderate. He was really much more towards the center

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<v Speaker 1>and had good friends on both sides. He would sort

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<v Speaker 1>of not only did I have to stuff envelopes in

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<v Speaker 1>the basement, which is like the most boring thing, but

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<v Speaker 1>he'd sent me to take notes when they were merging

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<v Speaker 1>the a f C and the NFC to form the NFL,

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<v Speaker 1>so I got to go and sit in on these

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<v Speaker 1>Senate hearings. That was really fun. And he'd take me

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<v Speaker 1>to lunch in the Congressional dining room and introduced me

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<v Speaker 1>to people. And he got a kick out of the

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<v Speaker 1>fact that I was wearing this McGovern button every day

0:12:51.240 --> 0:12:54.360
<v Speaker 1>to work to show how tolerant he was. But he

0:12:54.440 --> 0:12:56.880
<v Speaker 1>was one of the good guys, he really was. Um.

0:12:56.960 --> 0:12:59.360
<v Speaker 1>I admired people on both sides of the aisle. I

0:12:59.400 --> 0:13:02.200
<v Speaker 1>thought it was so there was an interesting group there.

0:13:02.679 --> 0:13:05.920
<v Speaker 1>It was particularly interesting to see all the young interns

0:13:05.960 --> 0:13:08.800
<v Speaker 1>working in all the offices and on Friday nights they

0:13:08.880 --> 0:13:14.520
<v Speaker 1>dimmed the lights and dance to Motown. It's like, wow,

0:13:14.559 --> 0:13:18.079
<v Speaker 1>that's awesome, what an incredible experience to have. It was,

0:13:18.280 --> 0:13:22.079
<v Speaker 1>it was it's all fudder, you know, it's all a fudder.

0:13:22.120 --> 0:13:24.920
<v Speaker 1>It's like, I always feel like one of the hardest

0:13:24.920 --> 0:13:28.080
<v Speaker 1>things if you were an actor, if you became too

0:13:28.120 --> 0:13:31.440
<v Speaker 1>famous to be a people watcher, if you can spy

0:13:31.480 --> 0:13:33.719
<v Speaker 1>on other people and steal from them, you know, I mean,

0:13:33.800 --> 0:13:36.800
<v Speaker 1>you get some great stuff just from being in the room,

0:13:36.840 --> 0:13:40.120
<v Speaker 1>if you're able to sort of candidly observe the characters

0:13:40.200 --> 0:13:44.440
<v Speaker 1>around you. And I have a big file now, no,

0:13:44.679 --> 0:13:48.840
<v Speaker 1>I'm sure. Okay, so you go, you have this incredible

0:13:49.320 --> 0:13:53.960
<v Speaker 1>modeling career you're but pretending to be one or yeah,

0:13:54.440 --> 0:13:59.400
<v Speaker 1>so what brings you into acting? From that light? Started

0:13:59.400 --> 0:14:00.920
<v Speaker 1>out as an act just when I went to New York,

0:14:00.960 --> 0:14:03.160
<v Speaker 1>that was the whole plan. But but but then you're

0:14:03.160 --> 0:14:08.160
<v Speaker 1>only that just wasn't feeding the old travel bucket or

0:14:08.360 --> 0:14:11.720
<v Speaker 1>buying me close, for getting me a decent apartment. So um,

0:14:11.800 --> 0:14:13.840
<v Speaker 1>I decided I'll take this five years and just do

0:14:13.960 --> 0:14:15.840
<v Speaker 1>this for a while. And I did, in fact, and

0:14:15.960 --> 0:14:19.040
<v Speaker 1>came back and and got my first job. It was

0:14:19.080 --> 0:14:21.120
<v Speaker 1>on a soap opera and I was nurse Jones. It

0:14:21.200 --> 0:14:24.760
<v Speaker 1>was so boring, I can't even tell you. But um,

0:14:24.800 --> 0:14:29.120
<v Speaker 1>that was my entry back into television and movies and

0:14:29.120 --> 0:14:31.920
<v Speaker 1>and then slowly I was really really I'm a very

0:14:32.000 --> 0:14:34.920
<v Speaker 1>late bloomer. I mean I never did dream on until

0:14:34.960 --> 0:14:37.960
<v Speaker 1>I turned forty. And that was really my sort of

0:14:38.560 --> 0:14:42.200
<v Speaker 1>entree into comedy, which kind of gave me my career. Right,

0:14:42.320 --> 0:14:45.680
<v Speaker 1>So you you weren't really specifically interested in comedy. Oh

0:14:45.760 --> 0:14:48.080
<v Speaker 1>I love comedy, No, I love it. But I just

0:14:48.240 --> 0:14:50.920
<v Speaker 1>was tall and brune. But in the beginning, yeah, yeah,

0:14:50.960 --> 0:14:54.360
<v Speaker 1>and um, and people just often cast me as a lawyer,

0:14:54.440 --> 0:14:58.200
<v Speaker 1>a doctor divorce, or a murderer. You know, I killed

0:14:58.200 --> 0:15:01.080
<v Speaker 1>the bunch of husbands one year, and various I've heard

0:15:01.160 --> 0:15:06.400
<v Speaker 1>three three you killed three husbands in one year, because

0:15:06.440 --> 0:15:08.160
<v Speaker 1>you know, it's all in there. We all have all

0:15:08.240 --> 0:15:11.320
<v Speaker 1>this stuff. It's just tapping into it and making it

0:15:11.360 --> 0:15:14.320
<v Speaker 1>real large and then there you are. I mean, who

0:15:14.560 --> 0:15:17.120
<v Speaker 1>hasn't been piste off by their husband or there was

0:15:17.280 --> 0:15:21.120
<v Speaker 1>at some point. That's so funny. I was thinking about

0:15:21.160 --> 0:15:23.880
<v Speaker 1>that you you killed three husbands in one year. This

0:15:23.960 --> 0:15:26.520
<v Speaker 1>is not a joke. This is back in my theater day.

0:15:26.640 --> 0:15:30.480
<v Speaker 1>In one year, I played three women totally different projects.

0:15:31.200 --> 0:15:34.360
<v Speaker 1>Totally because if you're highly developed, Feminine said, actually, it's

0:15:34.360 --> 0:15:36.800
<v Speaker 1>because you have such beautiful skin. They figured they can

0:15:36.840 --> 0:15:41.080
<v Speaker 1>throw out some hair on you and it's a dundee. Yes.

0:15:42.600 --> 0:15:47.320
<v Speaker 1>So nineteen ninety Yes, Judith Tupper on dream On, this

0:15:47.400 --> 0:15:51.120
<v Speaker 1>is an innovative People don't realize. I think now like

0:15:51.280 --> 0:15:54.760
<v Speaker 1>changes the whole dynamic of television. I mean, it's HBO's

0:15:54.880 --> 0:15:57.720
<v Speaker 1>first comedy series. Well there had been. There had been

0:15:57.760 --> 0:16:00.320
<v Speaker 1>I think first in ten or something else that didn't

0:16:00.360 --> 0:16:03.480
<v Speaker 1>really you know, it just didn't really connect. But this

0:16:03.560 --> 0:16:07.280
<v Speaker 1>one was so innovative and so fresh. Although hardly anybody

0:16:07.320 --> 0:16:10.240
<v Speaker 1>had HBO at the time, but everybody in our business did,

0:16:10.680 --> 0:16:13.720
<v Speaker 1>so people noticed it, but it was still very under

0:16:13.720 --> 0:16:16.600
<v Speaker 1>the radar. And I'm so sorry that they sold it

0:16:16.640 --> 0:16:20.240
<v Speaker 1>to Fox because Fox tried to air it on a

0:16:20.320 --> 0:16:22.200
<v Speaker 1>network and they had to take all the sex and

0:16:22.280 --> 0:16:25.040
<v Speaker 1>the swearing out of it and put commercials in there

0:16:25.040 --> 0:16:27.080
<v Speaker 1>and a laugh track, which was the kiss of death.

0:16:27.120 --> 0:16:30.400
<v Speaker 1>It was because it was such a brilliant, innovative show,

0:16:30.440 --> 0:16:33.520
<v Speaker 1>and so many shows borrowed from it after that. But

0:16:33.640 --> 0:16:36.800
<v Speaker 1>when that aired with Larry Sanders. That kind of I

0:16:36.840 --> 0:16:39.680
<v Speaker 1>think put HBO on the map for original programming. That

0:16:39.840 --> 0:16:44.160
<v Speaker 1>was their first really big like wow, they brought something

0:16:44.200 --> 0:16:47.800
<v Speaker 1>completely fresh to the dance. Yeah, I mean both of

0:16:47.840 --> 0:16:52.320
<v Speaker 1>those two shows at the time. I mean aesthetically in

0:16:52.440 --> 0:16:54.760
<v Speaker 1>terms of the comedy. I mean also just a comedy

0:16:54.800 --> 0:16:58.360
<v Speaker 1>that had like you said, like sex was sort of inappropriate,

0:16:58.520 --> 0:17:02.280
<v Speaker 1>dark and completely a grew to us. They take no

0:17:02.400 --> 0:17:04.399
<v Speaker 1>bones about it. It was just like, you know, the

0:17:04.400 --> 0:17:07.320
<v Speaker 1>neighbor would show up to braw sugar naked except for

0:17:07.359 --> 0:17:13.119
<v Speaker 1>like a scuba mask and flippers. Was like what. But

0:17:13.240 --> 0:17:15.960
<v Speaker 1>it was such a genius use of of all those

0:17:15.960 --> 0:17:19.080
<v Speaker 1>clips at the Universal Oaned, you know, Martyr Coffin and

0:17:19.200 --> 0:17:21.920
<v Speaker 1>David Crane figured out a way to use those that

0:17:21.960 --> 0:17:25.199
<v Speaker 1>nobody had quite done before, and it was genius and

0:17:25.240 --> 0:17:28.240
<v Speaker 1>we had the most amazing guests. I mean, over the years,

0:17:28.280 --> 0:17:30.760
<v Speaker 1>everybody wanted to come play on that show. And we

0:17:30.840 --> 0:17:34.439
<v Speaker 1>shot it in a warehouse in Sun Valley that you

0:17:34.480 --> 0:17:38.400
<v Speaker 1>could hear gunshots tonight, and it wasn't it wasn't sound proof,

0:17:38.520 --> 0:17:40.560
<v Speaker 1>so every time it would hail or rain hard, we

0:17:40.680 --> 0:17:43.479
<v Speaker 1>just have to have to loop the entire scene. Really

0:17:43.920 --> 0:17:46.280
<v Speaker 1>it was just crazy. Yeah. Yeah, And we used to

0:17:46.280 --> 0:17:48.399
<v Speaker 1>shoot it in three days, and then they expanded to

0:17:48.440 --> 0:17:50.919
<v Speaker 1>four and finally to five because I think Brian Benmam

0:17:51.040 --> 0:17:53.440
<v Speaker 1>was going to have a nervous breakdown if they pushed

0:17:53.520 --> 0:17:55.800
<v Speaker 1>him any harder. But it was a real gift to

0:17:55.840 --> 0:17:58.920
<v Speaker 1>all of us. Yeah, you've said that it changed your life.

0:17:58.960 --> 0:18:02.040
<v Speaker 1>What Oh? Yeah, because it got you into comedy. Yeah,

0:18:02.080 --> 0:18:03.720
<v Speaker 1>I know. I was the straight man for him the

0:18:03.760 --> 0:18:06.080
<v Speaker 1>first couple of episodes, and then they sort of found

0:18:06.080 --> 0:18:08.679
<v Speaker 1>out that I was funny and decided to make my

0:18:08.800 --> 0:18:12.959
<v Speaker 1>character not the together psychologist, but she's actually way more

0:18:13.040 --> 0:18:17.080
<v Speaker 1>erotic than anybody else in the whole shows. And you

0:18:17.119 --> 0:18:20.720
<v Speaker 1>started to see the little fractures in her, in her personality,

0:18:20.920 --> 0:18:22.840
<v Speaker 1>and and that just makes it so much more fun

0:18:22.880 --> 0:18:44.960
<v Speaker 1>to play. I had a blast with that. I read something.

0:18:45.320 --> 0:18:47.520
<v Speaker 1>I did not know this, and I feel like I

0:18:47.560 --> 0:18:51.479
<v Speaker 1>know everything about you, having having been obsessed with me

0:18:51.520 --> 0:18:55.479
<v Speaker 1>for all these years, having created a podcast just so

0:18:55.560 --> 0:18:58.520
<v Speaker 1>that we can do this. You go, you go listen

0:18:58.560 --> 0:19:01.840
<v Speaker 1>to the openings. I've never said that for I read

0:19:01.960 --> 0:19:06.920
<v Speaker 1>that you audition for Diane Cheery. Okay, was this is like?

0:19:07.160 --> 0:19:09.959
<v Speaker 1>Did you come close? I don't know. I didn't get it,

0:19:10.800 --> 0:19:13.399
<v Speaker 1>so that's the endgame. I also got it. Had a

0:19:13.440 --> 0:19:17.520
<v Speaker 1>screen test with George Lucas and Steven Spielberg for for

0:19:17.640 --> 0:19:21.760
<v Speaker 1>Um Grace and Raiders of the Lost Dark, Yes, in

0:19:21.800 --> 0:19:24.680
<v Speaker 1>their hotel room, and I guess Stephen had seen me

0:19:24.720 --> 0:19:26.720
<v Speaker 1>in an Excedrin commercial and that's how he used to

0:19:26.720 --> 0:19:29.800
<v Speaker 1>find unknown actresses and had me come in and I

0:19:29.880 --> 0:19:31.840
<v Speaker 1>chatted with them and they thought it was great and

0:19:31.840 --> 0:19:33.600
<v Speaker 1>said come back and we'll put you. We'll give you

0:19:33.600 --> 0:19:35.840
<v Speaker 1>a screen test next week. And I came back and

0:19:36.440 --> 0:19:38.919
<v Speaker 1>it was anyway, it's a long story, but anyway, clearly

0:19:38.960 --> 0:19:41.600
<v Speaker 1>I didn't get that one either, which really pissed me off.

0:19:42.560 --> 0:19:45.479
<v Speaker 1>But I did a terrible audition, which I was unprepared for.

0:19:45.680 --> 0:19:47.480
<v Speaker 1>But that's a whole other story, and I don't like

0:19:47.560 --> 0:19:52.479
<v Speaker 1>to look back in anger, right right. Did you have

0:19:52.680 --> 0:19:56.560
<v Speaker 1>many auditioned meetings in hotel rooms. I've had one. Um,

0:19:56.600 --> 0:19:58.400
<v Speaker 1>you know, they used to do that, and these guys

0:19:58.400 --> 0:20:00.800
<v Speaker 1>were fine. They weren't creepy at all, it was they

0:20:00.800 --> 0:20:03.399
<v Speaker 1>really weren't. They were lovely and they have big suite,

0:20:03.520 --> 0:20:07.000
<v Speaker 1>which is where they does sound. Really they probably wouldn't

0:20:07.040 --> 0:20:09.800
<v Speaker 1>do it now because it just just could be accused

0:20:09.800 --> 0:20:13.320
<v Speaker 1>of something. But they were lovely. Okay. Yeah, I don't

0:20:13.359 --> 0:20:15.480
<v Speaker 1>know how many I've had in her I don't think

0:20:15.520 --> 0:20:19.280
<v Speaker 1>a lot, but certainly in the eighties that happened more often.

0:20:19.920 --> 0:20:21.960
<v Speaker 1>I think that was that was a leftover from the

0:20:22.000 --> 0:20:26.840
<v Speaker 1>old days and without the extra Yeah. Yeah, so this

0:20:26.880 --> 0:20:29.280
<v Speaker 1>starts a relationship with you. By the way, dream on.

0:20:29.440 --> 0:20:33.040
<v Speaker 1>I know, I'm skipping Cheers, but you end up going

0:20:33.080 --> 0:20:40.919
<v Speaker 1>to work on Fraser Um hilarious and memorable. SERI you

0:20:40.920 --> 0:20:43.440
<v Speaker 1>did ten twelve episodes or something, right, Yeah, I was

0:20:43.480 --> 0:20:47.200
<v Speaker 1>in the last season. It was after Just Shoot Me Wrapped,

0:20:47.320 --> 0:20:49.120
<v Speaker 1>and I had some friends who are writers on that show,

0:20:49.160 --> 0:20:52.639
<v Speaker 1>and they said can she sing? And I said, you know,

0:20:52.720 --> 0:20:56.720
<v Speaker 1>not very well and they said, that's actually perfect if

0:20:56.720 --> 0:20:59.840
<v Speaker 1>you're not that good. So I found the perfect wig

0:21:00.160 --> 0:21:02.119
<v Speaker 1>and uh and went in and I remember the day

0:21:02.160 --> 0:21:04.280
<v Speaker 1>I went in and met with all the writers there,

0:21:04.320 --> 0:21:06.679
<v Speaker 1>and it just felt like one of those things that

0:21:06.760 --> 0:21:08.959
<v Speaker 1>was meant to be. It was so much fun and

0:21:09.080 --> 0:21:14.560
<v Speaker 1>he was so delightful. I have to say, John John

0:21:14.560 --> 0:21:18.320
<v Speaker 1>Mahoney was so yummy. He's he's such a fine actor,

0:21:18.359 --> 0:21:21.119
<v Speaker 1>but he also was an incredible singer, dancer, and we

0:21:21.200 --> 0:21:23.920
<v Speaker 1>got to do a whole dream sequence of buzzby Berkeley

0:21:23.960 --> 0:21:26.959
<v Speaker 1>like dance thing and for our wedding. It was just

0:21:27.359 --> 0:21:30.160
<v Speaker 1>it was such a gift and they all were so gracious,

0:21:30.200 --> 0:21:32.920
<v Speaker 1>And of course then Jane and I ended up being

0:21:32.960 --> 0:21:35.960
<v Speaker 1>together on hot in Cleveland. After that, I said, good,

0:21:36.040 --> 0:21:38.080
<v Speaker 1>I said, I used to be your mother in law,

0:21:40.760 --> 0:21:45.159
<v Speaker 1>now in your roommate. Uh, well, I have to I

0:21:45.200 --> 0:21:48.040
<v Speaker 1>have to ask you first about just shoot me to

0:21:48.160 --> 0:21:53.680
<v Speaker 1>me one of my favorite female performances in all of comedy.

0:21:53.720 --> 0:21:57.480
<v Speaker 1>And I mean that sincerely, Nina van Horne. What's your

0:21:57.520 --> 0:22:01.439
<v Speaker 1>process for creating character? How do you approach that? Is

0:22:01.480 --> 0:22:03.720
<v Speaker 1>it all about the writing or talk to me a

0:22:03.760 --> 0:22:06.720
<v Speaker 1>little bit about But I mean that's you know, that's

0:22:06.760 --> 0:22:09.359
<v Speaker 1>the map. And if you have a great map to

0:22:09.800 --> 0:22:12.600
<v Speaker 1>uh finding out what makes her tick, that's such a

0:22:13.480 --> 0:22:16.080
<v Speaker 1>You got most of it right there. And Steve Levitan

0:22:16.240 --> 0:22:18.720
<v Speaker 1>said when I met with him, he said, I was

0:22:18.760 --> 0:22:22.080
<v Speaker 1>looking for a Wendy Mallec type, you know, someone who

0:22:22.160 --> 0:22:24.440
<v Speaker 1>you could believe had been a model and just has

0:22:24.480 --> 0:22:27.520
<v Speaker 1>a great sense of comedy and comedic timing said, And

0:22:27.600 --> 0:22:32.040
<v Speaker 1>then I realized maybe we should just get and he said,

0:22:32.040 --> 0:22:34.080
<v Speaker 1>and you know, and she's sort of kicking and screaming

0:22:34.080 --> 0:22:37.679
<v Speaker 1>her way into turning fifty. And you know, I just

0:22:37.760 --> 0:22:40.200
<v Speaker 1>so loved this character from the first time I read

0:22:40.240 --> 0:22:42.600
<v Speaker 1>the pilot, and I thought, this is a woman who

0:22:42.840 --> 0:22:45.800
<v Speaker 1>has so many parallels to my own life, except that

0:22:45.880 --> 0:22:49.919
<v Speaker 1>I'm moderate and she's not. I can't tell you how

0:22:49.920 --> 0:22:51.600
<v Speaker 1>many people have come to me over the years and said,

0:22:51.640 --> 0:22:54.239
<v Speaker 1>oh my gosh, I'm so much like Nina. You have

0:22:54.280 --> 0:22:55.680
<v Speaker 1>no idea, And I said, well, then you need to

0:22:55.680 --> 0:22:58.800
<v Speaker 1>get into rehab immediately, because there's no way that woman

0:22:58.800 --> 0:23:02.240
<v Speaker 1>would have still been a lot today that my husband

0:23:02.359 --> 0:23:07.760
<v Speaker 1>often described her as an idiot savant. She had great style,

0:23:08.119 --> 0:23:10.960
<v Speaker 1>excellent style. You know, she just acted like it was

0:23:12.160 --> 0:23:16.520
<v Speaker 1>five forever and really didn't get that you have to

0:23:16.560 --> 0:23:18.280
<v Speaker 1>sort of change with the times and that you can't

0:23:18.280 --> 0:23:22.560
<v Speaker 1>get away with murder like forever. Right. I mean, I

0:23:22.600 --> 0:23:25.240
<v Speaker 1>think that's the genesis of my question here, here's how

0:23:25.280 --> 0:23:28.320
<v Speaker 1>I view that character. And I think that there are

0:23:28.720 --> 0:23:33.439
<v Speaker 1>certainly elements in your other work, but what what I

0:23:33.480 --> 0:23:35.879
<v Speaker 1>felt like you were so genius at and found something

0:23:36.040 --> 0:23:40.439
<v Speaker 1>so specifically different than anybody else that I've ever seen before,

0:23:41.080 --> 0:23:46.680
<v Speaker 1>where it was high status but an idiot, right like

0:23:46.720 --> 0:23:50.359
<v Speaker 1>that like of like embracing that high status cy I

0:23:50.480 --> 0:23:54.080
<v Speaker 1>do the opposite, right, I'm just an idiot. It's just

0:23:54.560 --> 0:23:57.280
<v Speaker 1>it's just trance apparently an idiot, and try to find

0:23:57.320 --> 0:24:00.720
<v Speaker 1>a love ability within that idiocy, which you you very well,

0:24:01.240 --> 0:24:04.879
<v Speaker 1>you're a love pidious. Well, thank you, thank you. I

0:24:04.880 --> 0:24:09.879
<v Speaker 1>hope that was saying you know, there is there is that.

0:24:10.160 --> 0:24:12.600
<v Speaker 1>I think what you're getting at is there's just enough

0:24:12.640 --> 0:24:17.159
<v Speaker 1>of overlap between Nina and me and having had some

0:24:17.320 --> 0:24:22.600
<v Speaker 1>very similar situations and the circumstances and experience over the years,

0:24:22.640 --> 0:24:25.280
<v Speaker 1>that I could tap into my own experience of all

0:24:25.480 --> 0:24:27.800
<v Speaker 1>that and then think, what if you had absolutely no

0:24:27.920 --> 0:24:32.080
<v Speaker 1>filters and unapologize and no and no compass and you

0:24:32.119 --> 0:24:35.520
<v Speaker 1>were really still having a good time and not concerned

0:24:35.520 --> 0:24:37.600
<v Speaker 1>about any of that, that it's still kind of working

0:24:37.640 --> 0:24:40.120
<v Speaker 1>for you, and so you just sort of don't see

0:24:40.160 --> 0:24:44.240
<v Speaker 1>the problem, and living like you lived twenty thirty years ago,

0:24:44.520 --> 0:24:47.040
<v Speaker 1>you're just going to keep doing it until you probably dropped.

0:24:47.480 --> 0:24:50.280
<v Speaker 1>But there was just something about that chemistry with those

0:24:50.320 --> 0:24:53.480
<v Speaker 1>five people that I always tell people people when they've

0:24:53.520 --> 0:24:56.800
<v Speaker 1>asked me, why do you think that one really worked?

0:24:56.920 --> 0:24:59.800
<v Speaker 1>And we are still such good friends after all this time,

0:24:59.840 --> 0:25:02.520
<v Speaker 1>and was so hard to lose George last year, who

0:25:02.600 --> 0:25:05.600
<v Speaker 1>was like the anchor of all of it. Um. But

0:25:05.680 --> 0:25:08.280
<v Speaker 1>I think it was one of those great things that

0:25:08.320 --> 0:25:10.360
<v Speaker 1>you never know if you have it until you're all

0:25:10.400 --> 0:25:12.560
<v Speaker 1>in the room together, like you had with the Office.

0:25:13.080 --> 0:25:16.280
<v Speaker 1>It's like everyone occupies a different place in this universe,

0:25:16.320 --> 0:25:18.720
<v Speaker 1>but all the planets makes sense, and you can believe

0:25:18.760 --> 0:25:21.840
<v Speaker 1>they belong in the same universe, but they're all totally specific.

0:25:21.920 --> 0:25:25.720
<v Speaker 1>Nobody overlaps each other. Really, it's kind of you all

0:25:25.800 --> 0:25:27.840
<v Speaker 1>have your own space, and you all make each other

0:25:27.960 --> 0:25:31.400
<v Speaker 1>better and more interesting, and each relationship is its own

0:25:31.480 --> 0:25:36.920
<v Speaker 1>unique relationship. Right. I had this conversation a year or

0:25:36.960 --> 0:25:38.760
<v Speaker 1>so ago with Kevin Riley, actually, who I don't know

0:25:38.760 --> 0:25:40.200
<v Speaker 1>if you know what. He was happy. I know him

0:25:40.280 --> 0:25:42.600
<v Speaker 1>very well and we were on board together for ages

0:25:42.640 --> 0:25:45.440
<v Speaker 1>two and he was with NBC all those years. Yes,

0:25:45.680 --> 0:25:49.159
<v Speaker 1>and I love him. I think he's so so smart.

0:25:49.680 --> 0:25:54.640
<v Speaker 1>And he talked about the history of workplace comedies, right,

0:25:54.720 --> 0:25:57.359
<v Speaker 1>And part of the conversation about the Office was people

0:25:57.560 --> 0:26:00.880
<v Speaker 1>were saying which I'm sure was similar to at least

0:26:00.960 --> 0:26:03.240
<v Speaker 1>dream On back when you started with, which was like

0:26:03.320 --> 0:26:06.439
<v Speaker 1>this is so different this is weird, and the cameras moving,

0:26:06.480 --> 0:26:09.040
<v Speaker 1>and what he said to me was, he goes, I

0:26:09.080 --> 0:26:11.760
<v Speaker 1>don't understand what people are talking about. It's a workplace comedy,

0:26:11.760 --> 0:26:14.040
<v Speaker 1>which has been a staple on television forever. And I

0:26:14.040 --> 0:26:16.639
<v Speaker 1>think there are shows like Just Shoot Me. I mean,

0:26:16.680 --> 0:26:19.480
<v Speaker 1>Mary Tyler Moore sort of started the whole thing where

0:26:19.960 --> 0:26:23.040
<v Speaker 1>it just follows in the succession. And the thing that

0:26:23.320 --> 0:26:26.000
<v Speaker 1>is what you just said, which is what all of

0:26:26.040 --> 0:26:30.480
<v Speaker 1>those shows share, is an ensemble of characters that fit

0:26:30.600 --> 0:26:34.280
<v Speaker 1>together perfectly, or at least try to fit together perfectly.

0:26:34.760 --> 0:26:37.240
<v Speaker 1>All have sort of a different you know, well you

0:26:37.440 --> 0:26:40.320
<v Speaker 1>high status idiot or whatever, like all the characters that

0:26:40.400 --> 0:26:44.320
<v Speaker 1>sort of fit together that bring that sort of special ensemble, yeah,

0:26:44.520 --> 0:26:47.760
<v Speaker 1>and provide and provide conflict. It's it's like just a

0:26:47.800 --> 0:26:50.399
<v Speaker 1>mini it's a many world that you create where there

0:26:50.400 --> 0:26:52.040
<v Speaker 1>are people who are going to rub up against each

0:26:52.080 --> 0:26:55.000
<v Speaker 1>other and and you know, be attracted to each other

0:26:55.200 --> 0:26:58.840
<v Speaker 1>and drive each other insane. And yeah, it's it's like

0:26:58.880 --> 0:27:02.040
<v Speaker 1>that little microcons them and so many of them. Taxi

0:27:02.200 --> 0:27:05.120
<v Speaker 1>was another one that just worked so beautifully and over

0:27:05.200 --> 0:27:07.359
<v Speaker 1>the years, and I think, you know, at first, I

0:27:07.400 --> 0:27:10.920
<v Speaker 1>really was sort of taken aback doing a single camera comedy.

0:27:10.920 --> 0:27:13.120
<v Speaker 1>I thought, what are we going to miss not having

0:27:13.119 --> 0:27:15.679
<v Speaker 1>the audience doing that? But then something else is allowed

0:27:15.720 --> 0:27:19.320
<v Speaker 1>to happen when you move into single camera stuff. I

0:27:19.760 --> 0:27:24.400
<v Speaker 1>missed the audience leaving that, but I also appreciate that

0:27:24.640 --> 0:27:26.760
<v Speaker 1>you can allow for much more nuanced I think that

0:27:26.840 --> 0:27:29.639
<v Speaker 1>was one of the great things about Frasier is that

0:27:29.680 --> 0:27:33.280
<v Speaker 1>they often ended a scene where you were left feeling

0:27:33.320 --> 0:27:37.160
<v Speaker 1>a little unsure of what was going on. And it

0:27:37.240 --> 0:27:41.240
<v Speaker 1>wasn't always you know, leaving you on a high note

0:27:41.280 --> 0:27:43.280
<v Speaker 1>on a joke. Sometimes you just have to sit with

0:27:43.320 --> 0:27:46.879
<v Speaker 1>it and sort of, yeah, what when did you realize

0:27:47.119 --> 0:27:50.639
<v Speaker 1>that it was going to be the massive success that

0:27:50.680 --> 0:27:53.160
<v Speaker 1>it was? Was it early on? Did it catch on

0:27:53.240 --> 0:27:57.040
<v Speaker 1>pretty quickly? Just shoot me? Um? Yeah, that happened pretty fast.

0:27:57.080 --> 0:27:58.840
<v Speaker 1>We were kind of we kind of were in the

0:27:58.880 --> 0:28:01.480
<v Speaker 1>top ten there for a while, and then they kept

0:28:01.560 --> 0:28:04.320
<v Speaker 1>moving us around at different timeslots, and eventually it kind

0:28:04.320 --> 0:28:06.840
<v Speaker 1>of ruined it. But um, and I have to say,

0:28:06.880 --> 0:28:08.840
<v Speaker 1>like so many shows that go on for that long,

0:28:08.880 --> 0:28:12.479
<v Speaker 1>we had seven seasons, and some seasons were stronger than others.

0:28:12.760 --> 0:28:14.399
<v Speaker 1>You know, there were times where I felt like it

0:28:14.640 --> 0:28:18.080
<v Speaker 1>became more of a sophomoric kind of you know, that

0:28:18.160 --> 0:28:21.200
<v Speaker 1>going for the low hanging fruit, the sex jokes, which

0:28:21.240 --> 0:28:23.280
<v Speaker 1>you know are fun, but after a while you want

0:28:23.320 --> 0:28:26.520
<v Speaker 1>something a little deeper. But there were seasons where it

0:28:26.640 --> 0:28:29.080
<v Speaker 1>was just some of my favorite stuff. I mean, the

0:28:29.119 --> 0:28:32.639
<v Speaker 1>two I think of always for me were when they

0:28:32.680 --> 0:28:34.919
<v Speaker 1>did the A and E biography of Nina van Horne,

0:28:35.000 --> 0:28:38.800
<v Speaker 1>which was what a present for an actor to have.

0:28:39.480 --> 0:28:41.600
<v Speaker 1>For some of you have built your whole bible. This

0:28:41.640 --> 0:28:44.720
<v Speaker 1>is where you come from. You were an orphan. You

0:28:44.760 --> 0:28:47.600
<v Speaker 1>were first discovered by this guy from New York in

0:28:47.640 --> 0:28:49.680
<v Speaker 1>the middle of Arkansas or something, and they put you

0:28:49.720 --> 0:28:52.480
<v Speaker 1>on a seed catalog thing, and that opened up your

0:28:52.520 --> 0:28:56.280
<v Speaker 1>modeling career. I mean, the whole thing was so completely outrageous,

0:28:56.280 --> 0:28:59.160
<v Speaker 1>but we had everybody in that. It was just it

0:28:59.320 --> 0:29:03.600
<v Speaker 1>was so much fun. And Eileen Cohn and her husband

0:29:03.840 --> 0:29:07.200
<v Speaker 1>wrote the one where it was a word of the

0:29:07.320 --> 0:29:11.320
<v Speaker 1>day calendar, and David Spade and Rico Colin Toni their

0:29:11.400 --> 0:29:14.760
<v Speaker 1>characters decided to give me a fake sort of word

0:29:14.800 --> 0:29:16.600
<v Speaker 1>of the day. So I just made up these words

0:29:16.640 --> 0:29:19.680
<v Speaker 1>that were complete gobbledy book and went on like NPR

0:29:19.920 --> 0:29:22.120
<v Speaker 1>and started talking to a feminist and being a real

0:29:22.160 --> 0:29:25.640
<v Speaker 1>show off about it, and I completely and Larry Miller

0:29:25.760 --> 0:29:27.959
<v Speaker 1>was the host and he fell madly in love with

0:29:28.000 --> 0:29:30.760
<v Speaker 1>me and allowed me to just carry on with all

0:29:30.800 --> 0:29:33.600
<v Speaker 1>this gobbledy book that meant nothing, but it was such

0:29:33.640 --> 0:29:37.360
<v Speaker 1>a smart, wonderful script, and I that kind of stuff

0:29:37.360 --> 0:29:40.240
<v Speaker 1>made me so happy. Yeah, would you say that comedy

0:29:40.320 --> 0:29:43.600
<v Speaker 1>is your favorite thing to do? Now? It's pretty damn

0:29:43.640 --> 0:29:46.640
<v Speaker 1>fun when the writing is great, I have to say,

0:29:46.720 --> 0:29:49.160
<v Speaker 1>but I love it all. I love things where you

0:29:49.200 --> 0:29:51.400
<v Speaker 1>get to bring it all to the dance. And that's

0:29:51.560 --> 0:29:54.080
<v Speaker 1>one of the things in talking about, you know, moving

0:29:54.080 --> 0:29:56.520
<v Speaker 1>to single camera that you get a chance to bring

0:29:56.560 --> 0:30:00.520
<v Speaker 1>in a lot more colors. I think, although really good

0:30:00.720 --> 0:30:04.320
<v Speaker 1>situation comedies even multi camps a lot of times. I

0:30:04.320 --> 0:30:07.160
<v Speaker 1>remember the first time I realized that was I think

0:30:07.200 --> 0:30:10.760
<v Speaker 1>watching a taxi episode and I thought, oh my god.

0:30:10.880 --> 0:30:13.680
<v Speaker 1>In twenty two minutes, this show has almost brought me

0:30:13.760 --> 0:30:17.000
<v Speaker 1>to tears. It touched me so and made me laugh

0:30:17.040 --> 0:30:23.760
<v Speaker 1>out loud. And that's an extraordinary feat with commercials, so

0:30:24.240 --> 0:30:27.080
<v Speaker 1>you know, and now and now, how network is competing

0:30:27.120 --> 0:30:29.240
<v Speaker 1>with cable is almost impossible. I mean, if you have

0:30:29.280 --> 0:30:32.120
<v Speaker 1>a breakout show, it's pretty crazy. I'm the principal on

0:30:32.280 --> 0:30:35.480
<v Speaker 1>Young Sheldon, which is doing very well, but it's one

0:30:35.480 --> 0:30:37.960
<v Speaker 1>of the few sort of and that again as single camera.

0:30:38.080 --> 0:30:40.959
<v Speaker 1>But but I think when you have to compete with

0:30:41.520 --> 0:30:44.320
<v Speaker 1>with shows they can do like twelve a year, and

0:30:44.400 --> 0:30:46.680
<v Speaker 1>I work on some of those, and they really get

0:30:46.720 --> 0:30:48.960
<v Speaker 1>to fine tune and hone them more and you don't

0:30:48.960 --> 0:30:51.280
<v Speaker 1>have to deal with the commercials and you can watch

0:30:51.400 --> 0:30:54.080
<v Speaker 1>whatever you want to and you know it. Certainly, I

0:30:54.080 --> 0:30:55.800
<v Speaker 1>think in a lot of ways, they've been a gift

0:30:56.000 --> 0:30:58.920
<v Speaker 1>to us. But it's just changing the way it used

0:30:58.960 --> 0:31:01.680
<v Speaker 1>to be when you stand around the water cooler, if

0:31:01.720 --> 0:31:04.280
<v Speaker 1>anybody actually did that and talked about what you saw

0:31:04.360 --> 0:31:07.760
<v Speaker 1>the night before, I think those days are over. No,

0:31:07.880 --> 0:31:11.440
<v Speaker 1>I think so too, because honestly, I really think that

0:31:11.520 --> 0:31:13.800
<v Speaker 1>sports is the only thing that does that anymore. Seems

0:31:13.840 --> 0:31:16.320
<v Speaker 1>to be the only thing that people watch live. And

0:31:16.360 --> 0:31:19.240
<v Speaker 1>that's the difference. As you can talk about squid game

0:31:19.480 --> 0:31:21.880
<v Speaker 1>or you know. But it's all sort of gradual. I

0:31:21.920 --> 0:31:24.280
<v Speaker 1>haven't seen it yet, don't. Oh, I'm on episode two.

0:31:24.480 --> 0:31:26.800
<v Speaker 1>I'm you know, so you can't. You can't sort of

0:31:26.840 --> 0:31:28.960
<v Speaker 1>engage in the same way. It's like, oh, last night

0:31:29.000 --> 0:31:33.160
<v Speaker 1>at nine o'clock, we were all watching right to shoot

0:31:33.200 --> 0:31:36.360
<v Speaker 1>me or whatever. Yeah, yeah, yeah, And in a way

0:31:36.680 --> 0:31:40.360
<v Speaker 1>I'm sorry about that because as we have become more

0:31:40.440 --> 0:31:42.600
<v Speaker 1>homebodies in the last two years too and not going

0:31:42.720 --> 0:31:44.800
<v Speaker 1>you know, I was thinking about we went back to

0:31:44.880 --> 0:31:48.160
<v Speaker 1>Disney Hall when they reopened this season, and I just

0:31:48.360 --> 0:31:50.720
<v Speaker 1>was so thrilled to be in that hall with all

0:31:50.760 --> 0:31:54.000
<v Speaker 1>those people sharing that glorious music. And I was just

0:31:54.040 --> 0:31:56.400
<v Speaker 1>at the Ammonds and the other night and and the

0:31:56.440 --> 0:32:00.200
<v Speaker 1>same thing of those shared experiences of our culture and

0:32:00.320 --> 0:32:02.880
<v Speaker 1>things that make us laugh, that inspire us, that bring

0:32:02.960 --> 0:32:06.320
<v Speaker 1>us to tears. All of that that shared humanity is

0:32:06.360 --> 0:32:09.840
<v Speaker 1>something that we are so lacking, and I think it's

0:32:09.960 --> 0:32:12.280
<v Speaker 1>it's part of how we got to where we are

0:32:12.360 --> 0:32:15.640
<v Speaker 1>right now, with this kind of lack of common purpose

0:32:15.720 --> 0:32:18.320
<v Speaker 1>and of all being in it together. You know, we

0:32:18.320 --> 0:32:22.200
<v Speaker 1>we physically haven't been in it together for so long. Yeah. No,

0:32:22.320 --> 0:32:25.840
<v Speaker 1>you're absolutely right, And it's not just you know, it's

0:32:25.840 --> 0:32:29.360
<v Speaker 1>not I mean, you bring up live performance events, certainly

0:32:29.360 --> 0:32:32.720
<v Speaker 1>there's that, but even the experience of going to a

0:32:32.840 --> 0:32:36.320
<v Speaker 1>movie on Saturday night and you're sitting with a hundred

0:32:36.360 --> 0:32:40.000
<v Speaker 1>other people and you're laughing or you're you know, yeah,

0:32:40.400 --> 0:32:43.840
<v Speaker 1>that sort of communal experience. Somebody tell me, and I'm

0:32:43.920 --> 0:32:46.720
<v Speaker 1>not sure who this was, and maybe it's not even true,

0:32:46.760 --> 0:32:49.160
<v Speaker 1>but I love the idea of it. But someone said

0:32:49.160 --> 0:32:52.000
<v Speaker 1>they had researched this and done some some experiments, and

0:32:52.040 --> 0:32:56.760
<v Speaker 1>they found that in live theater, the audience can get

0:32:56.760 --> 0:32:58.960
<v Speaker 1>caught up in it and after a certain period of time.

0:32:59.080 --> 0:33:00.840
<v Speaker 1>Maybe it's in a drama, I don't know, maybe it's

0:33:00.880 --> 0:33:04.440
<v Speaker 1>across the board. They actually their heartbeats get in sink

0:33:05.840 --> 0:33:09.320
<v Speaker 1>because you are kind of breathing at the same time,

0:33:09.360 --> 0:33:12.640
<v Speaker 1>and you hear that that sort of community or laugh

0:33:12.760 --> 0:33:14.880
<v Speaker 1>or whatever it is, but that it's like girls who

0:33:14.920 --> 0:33:16.880
<v Speaker 1>are roommates get their period at the same time. But

0:33:16.920 --> 0:33:27.239
<v Speaker 1>there's something about that. Whatever yourself, you're aware of it.

0:33:27.840 --> 0:33:33.360
<v Speaker 1>Three times you were you were in okay, yeah, sorry, okay,

0:33:33.480 --> 0:33:54.160
<v Speaker 1>I'm now I'm going to get in trouble. You're also

0:33:54.240 --> 0:33:58.360
<v Speaker 1>doing a ton of voiceover work. I have been doing

0:33:58.400 --> 0:34:00.880
<v Speaker 1>more of that the last few years. Enjoy that, the

0:34:01.040 --> 0:34:03.880
<v Speaker 1>experience of creating a character that way. Probably love it. Yeah,

0:34:04.000 --> 0:34:06.160
<v Speaker 1>of course, I still am so physical. I'm always using

0:34:06.480 --> 0:34:08.080
<v Speaker 1>my whole body in my hands and all of this,

0:34:08.160 --> 0:34:10.000
<v Speaker 1>and they always have to tell me not to move

0:34:10.040 --> 0:34:14.880
<v Speaker 1>around so much because I'm making too much. I love it. Um,

0:34:14.920 --> 0:34:17.680
<v Speaker 1>you know, my two favorites have been probably have been

0:34:17.840 --> 0:34:20.040
<v Speaker 1>bo Jack Courseman, where I got to be his mother

0:34:20.719 --> 0:34:22.840
<v Speaker 1>and they gave me such a great storyline and it

0:34:22.880 --> 0:34:26.120
<v Speaker 1>was so heartbreaking, and I mean, those guys are just geniuses.

0:34:26.480 --> 0:34:28.880
<v Speaker 1>And I'm doing one for Disney called The Owl House

0:34:29.120 --> 0:34:32.480
<v Speaker 1>and it's such a groundbreaking story. I play this fabulous

0:34:32.520 --> 0:34:35.880
<v Speaker 1>wish and she's got one snaggle tooth. She's just really fun.

0:34:36.000 --> 0:34:39.640
<v Speaker 1>She's like Rosalind Russell the Witch, but with the snaggle

0:34:39.760 --> 0:34:43.719
<v Speaker 1>tooth thing. But in it, the young girl who's the

0:34:43.840 --> 0:34:47.200
<v Speaker 1>sort of lead character who who goes down in the

0:34:47.280 --> 0:34:49.200
<v Speaker 1>down Under. It's kind of like Alice in Wonderland. She

0:34:49.239 --> 0:34:51.080
<v Speaker 1>goes through the rabbit hole and ends up in this

0:34:51.080 --> 0:34:54.080
<v Speaker 1>this other land, the Boiling Aisles, and wants to become

0:34:54.120 --> 0:34:56.400
<v Speaker 1>a witch. And I take her under my wing that

0:34:56.520 --> 0:35:00.400
<v Speaker 1>she becomes attracted. She's like thirteen, has a girlfriend and

0:35:00.520 --> 0:35:04.360
<v Speaker 1>kisses her. And I mean, young kids are so thrilled

0:35:04.400 --> 0:35:09.359
<v Speaker 1>that there are people who reflect right, young lesbians and

0:35:09.440 --> 0:35:13.160
<v Speaker 1>young witches and uh, and it sort of just gives

0:35:13.200 --> 0:35:15.680
<v Speaker 1>people a chance to see someone who maybe is kind

0:35:15.680 --> 0:35:18.520
<v Speaker 1>of like them out there, and it's been it's been

0:35:18.560 --> 0:35:21.480
<v Speaker 1>a culturally a very interesting thing for Disney to do. No,

0:35:21.640 --> 0:35:23.479
<v Speaker 1>I don't know if they're going to keep us in there,

0:35:23.520 --> 0:35:25.839
<v Speaker 1>but I think after what's going on at Disney World,

0:35:25.840 --> 0:35:28.680
<v Speaker 1>it would be a very good idea. Yeah, yeah, it's

0:35:28.760 --> 0:35:31.680
<v Speaker 1>very fun. And speaking of what you, I do the

0:35:31.680 --> 0:35:35.640
<v Speaker 1>same thing with my hands and my moving right stuff.

0:35:35.680 --> 0:35:37.600
<v Speaker 1>And when all you have is your voice, you realize

0:35:37.640 --> 0:35:39.520
<v Speaker 1>that you're using your face and you're just you know

0:35:39.680 --> 0:35:43.000
<v Speaker 1>when I run when I yeah, I mean it's that's

0:35:43.000 --> 0:35:48.000
<v Speaker 1>how you emote. Yes, you got to work with one

0:35:48.000 --> 0:35:51.200
<v Speaker 1>of the greats very recently, hot in Cleveland. I don't

0:35:51.200 --> 0:35:58.400
<v Speaker 1>mean me, by the way, Betty White, but Betty White. Um,

0:35:58.640 --> 0:36:01.000
<v Speaker 1>by the way. I'm sorry to interrupt my question to

0:36:01.000 --> 0:36:03.480
<v Speaker 1>say something else that this also occurs to me an

0:36:03.600 --> 0:36:10.000
<v Speaker 1>actor's dream three different shows that go over six seasons,

0:36:10.040 --> 0:36:13.239
<v Speaker 1>one seven, I mean, how well actually to be to

0:36:13.280 --> 0:36:16.040
<v Speaker 1>be fair, dream on I think was only five, but

0:36:16.080 --> 0:36:18.279
<v Speaker 1>we still got to a hundred and thirty shows or

0:36:18.280 --> 0:36:21.080
<v Speaker 1>whatever it was. I well, you know what's funny, and

0:36:21.120 --> 0:36:23.040
<v Speaker 1>this is from memory right here. I saw a hundred

0:36:23.080 --> 0:36:26.480
<v Speaker 1>and twenty and I and I think it's six because

0:36:26.560 --> 0:36:30.000
<v Speaker 1>I went what I did the reason I'm saying this,

0:36:30.160 --> 0:36:32.200
<v Speaker 1>and by the way, you should remember not me as

0:36:32.239 --> 0:36:36.239
<v Speaker 1>I was going it was twenty episodes a year like that.

0:36:35.920 --> 0:36:38.759
<v Speaker 1>That may be true because after yeah, after the first year,

0:36:38.800 --> 0:36:40.760
<v Speaker 1>because the first year we did like, you know, six

0:36:40.920 --> 0:36:43.919
<v Speaker 1>or ten or something, so probably after that we picked

0:36:44.000 --> 0:36:47.040
<v Speaker 1>up on it. But as a cable show, yeah, no,

0:36:47.239 --> 0:36:49.839
<v Speaker 1>that was I think they just realized they hit paid dirt.

0:36:49.920 --> 0:36:53.200
<v Speaker 1>They just went right, let's keep cramming these things for

0:36:53.320 --> 0:36:57.320
<v Speaker 1>sure right now. But to back to your question about Betty, Betty,

0:36:57.360 --> 0:37:02.200
<v Speaker 1>I will forever be great to have turned sixty on

0:37:02.280 --> 0:37:05.680
<v Speaker 1>that show. When she was turning ninety, that was such

0:37:05.719 --> 0:37:07.640
<v Speaker 1>a gift. And Jane and Val were both on the

0:37:07.719 --> 0:37:10.319
<v Speaker 1>verge of their fiftieth We all, you know, we were

0:37:10.360 --> 0:37:12.359
<v Speaker 1>so stunned that anybody wanted to do a show about

0:37:12.360 --> 0:37:15.800
<v Speaker 1>women of our age anyway, like to build it around

0:37:15.960 --> 0:37:19.080
<v Speaker 1>us and not just be the mom or the boss

0:37:19.200 --> 0:37:22.799
<v Speaker 1>or the whatever. Being with her. She had such a

0:37:22.920 --> 0:37:25.960
<v Speaker 1>total renaissance of her career, not that she ever stopped working,

0:37:26.000 --> 0:37:28.760
<v Speaker 1>but this was after Saturday Night Live and the Snicker's

0:37:28.800 --> 0:37:31.440
<v Speaker 1>commercial and to be around her and see what was

0:37:31.480 --> 0:37:33.400
<v Speaker 1>going on with this woman who was going to turn

0:37:33.520 --> 0:37:36.960
<v Speaker 1>nine the next year was such a revelation for all

0:37:37.000 --> 0:37:40.680
<v Speaker 1>of us. It was like, Wow, we're not done. My

0:37:41.040 --> 0:37:43.720
<v Speaker 1>next birthday will be the beginning of my third act.

0:37:44.120 --> 0:37:46.799
<v Speaker 1>And that was such a different way of framing how

0:37:46.960 --> 0:37:52.319
<v Speaker 1>I have gone forward since then to realize that, you know,

0:37:52.400 --> 0:37:54.200
<v Speaker 1>it's so much of it as your attitude and in

0:37:54.280 --> 0:37:57.600
<v Speaker 1>your head and if you you know, stay vital and

0:37:57.800 --> 0:38:00.200
<v Speaker 1>love what you do and leave it on them at

0:38:00.200 --> 0:38:03.560
<v Speaker 1>every time, and try to be to be a good

0:38:03.640 --> 0:38:07.719
<v Speaker 1>soldier and play with with others nicely, which I do

0:38:07.880 --> 0:38:11.040
<v Speaker 1>because I love sets, I love collaborating, I love being

0:38:11.080 --> 0:38:13.960
<v Speaker 1>on set with people, and I wanted to be enjoyable

0:38:14.000 --> 0:38:16.680
<v Speaker 1>for everybody. And I think when people show up and

0:38:16.719 --> 0:38:19.120
<v Speaker 1>they're prepared and they are happy to be there, there's

0:38:19.120 --> 0:38:21.399
<v Speaker 1>no reason why you can't have a blast and make

0:38:21.440 --> 0:38:23.759
<v Speaker 1>good stuff, you know. I just feel so blessed to

0:38:24.000 --> 0:38:26.000
<v Speaker 1>have this career and to still be doing it at

0:38:26.040 --> 0:38:29.319
<v Speaker 1>my age. But I I really credit Betty with my

0:38:29.400 --> 0:38:33.400
<v Speaker 1>having faith and uh and not freaking out about about

0:38:33.480 --> 0:38:36.560
<v Speaker 1>my age. She really was an enormous mentor in that

0:38:36.680 --> 0:38:41.960
<v Speaker 1>way to so many women everywhere. Yeah, and the experience also,

0:38:42.000 --> 0:38:45.120
<v Speaker 1>I mean I was there. I know you saw obviously

0:38:45.719 --> 0:38:50.120
<v Speaker 1>so much more. But what was so incredible to me

0:38:50.160 --> 0:38:55.000
<v Speaker 1>about watching her at ninety or whatever it was when

0:38:55.040 --> 0:39:02.319
<v Speaker 1>those cameras came on, she always found a way to yep, exactly, Yeah,

0:39:02.360 --> 0:39:07.200
<v Speaker 1>she came alot, came alot, and she was radiant, that woman.

0:39:07.239 --> 0:39:09.319
<v Speaker 1>There was something about her face and her eyes, but

0:39:09.400 --> 0:39:12.840
<v Speaker 1>she had those amazing dimples and her eyes just sparkled.

0:39:12.880 --> 0:39:15.279
<v Speaker 1>And when you look during all the tributes when she

0:39:15.320 --> 0:39:18.480
<v Speaker 1>died and you saw her, especially when she was around Alan,

0:39:18.560 --> 0:39:21.120
<v Speaker 1>who every time she talked about in her eyes with water,

0:39:21.239 --> 0:39:24.600
<v Speaker 1>and she just she was so madly in love with him.

0:39:24.640 --> 0:39:27.160
<v Speaker 1>They were so wild about each other, but she still

0:39:27.239 --> 0:39:30.000
<v Speaker 1>had it. And she was someone you just couldn't take

0:39:30.040 --> 0:39:33.320
<v Speaker 1>your eyes off. Is it off of You're not supposed

0:39:33.320 --> 0:39:35.880
<v Speaker 1>to end with enough, But for whom you could not

0:39:36.000 --> 0:39:39.960
<v Speaker 1>take off your was trying to help you, for whom

0:39:40.040 --> 0:39:43.080
<v Speaker 1>you could not take off your eyes. No, that doesn't

0:39:43.080 --> 0:39:46.080
<v Speaker 1>make sense. That's definitely you know what I'm saying. And

0:39:46.280 --> 0:39:50.960
<v Speaker 1>kind and generous, humble and now she just she she

0:39:51.160 --> 0:39:53.319
<v Speaker 1>was the real package and you could really see that.

0:39:53.400 --> 0:39:56.000
<v Speaker 1>Nobody ever had an unkind word to say about Betty

0:39:56.080 --> 0:40:03.200
<v Speaker 1>ever Is there anyone Hollywood that you would like to

0:40:03.239 --> 0:40:06.359
<v Speaker 1>work with? Is there is there any dream person out there?

0:40:06.719 --> 0:40:10.400
<v Speaker 1>So many? Yeah, I just but anybody who wants to

0:40:10.440 --> 0:40:20.480
<v Speaker 1>work with me, I'm here, yes, okay, I mean everyone

0:40:20.520 --> 0:40:25.120
<v Speaker 1>will know that now now now there, so so I

0:40:25.160 --> 0:40:29.719
<v Speaker 1>am available for work and yes, no, I have to say,

0:40:29.800 --> 0:40:32.560
<v Speaker 1>it's been really fun now playing the mother of grown

0:40:32.600 --> 0:40:35.520
<v Speaker 1>up people to know I'm a grandmother. There's something kind

0:40:35.520 --> 0:40:38.520
<v Speaker 1>of free about getting to this stage that maybe you

0:40:38.560 --> 0:40:41.279
<v Speaker 1>don't sweat the small stuff as much. He recently played

0:40:41.280 --> 0:40:44.320
<v Speaker 1>a d A in a movie and I thought, Okay,

0:40:44.320 --> 0:40:46.600
<v Speaker 1>this is where the challenging part is, when you have

0:40:46.680 --> 0:40:49.160
<v Speaker 1>to know that that kind of legally stuff and do

0:40:49.280 --> 0:40:51.919
<v Speaker 1>the final argument to the jury and on that ship right,

0:40:52.239 --> 0:40:55.839
<v Speaker 1>so that stuff in the medical stuff. It's always been

0:40:55.840 --> 0:40:58.719
<v Speaker 1>a little tricky for me. But I do love still

0:40:58.840 --> 0:41:01.760
<v Speaker 1>just jumping in of a bunch of people and seeing

0:41:02.239 --> 0:41:04.239
<v Speaker 1>seeing how good we can make it. I recently did

0:41:04.239 --> 0:41:07.440
<v Speaker 1>a movie in Hawaii that I produced on and so

0:41:07.680 --> 0:41:10.360
<v Speaker 1>I'm helping with editing, which is really fun. It's like

0:41:10.400 --> 0:41:13.640
<v Speaker 1>a whole different hat to wear. And helped with casting it.

0:41:13.719 --> 0:41:17.560
<v Speaker 1>And the premise was they never found Amelia Earhart's body.

0:41:17.600 --> 0:41:20.640
<v Speaker 1>So what if she survived that crash and went and

0:41:20.680 --> 0:41:23.000
<v Speaker 1>lived under an assumed name in Hawaii and it is

0:41:23.040 --> 0:41:27.040
<v Speaker 1>now the eve of her eightieth birthday? Okay, and you're

0:41:27.200 --> 0:41:30.000
<v Speaker 1>editing it now. Yeah. And I got to play Amelia,

0:41:30.920 --> 0:41:34.200
<v Speaker 1>so that was pretty interesting. And that's like a different

0:41:34.239 --> 0:41:36.520
<v Speaker 1>hat to wear, which I love. And I'm also writing.

0:41:36.560 --> 0:41:40.560
<v Speaker 1>So I wrote a short play that got produced and published,

0:41:40.560 --> 0:41:43.759
<v Speaker 1>and so it's kind of like, what's the worst thing

0:41:43.800 --> 0:41:45.600
<v Speaker 1>that can happen? You can fall on your face, but

0:41:45.680 --> 0:41:48.480
<v Speaker 1>trying new stuff when you're in your third act. I

0:41:48.600 --> 0:41:52.000
<v Speaker 1>highly recommend it. It keeps things very interesting and then

0:41:52.040 --> 0:41:54.560
<v Speaker 1>you have an alternative. You know, things slow down in

0:41:54.600 --> 0:41:57.600
<v Speaker 1>one area you can kind of plug into another one. Yeah.

0:41:58.239 --> 0:42:01.359
<v Speaker 1>Have you directed? I have to acted readings, but never

0:42:02.680 --> 0:42:07.200
<v Speaker 1>any long form of anything. No desire. Possibly possibly, I

0:42:07.239 --> 0:42:09.680
<v Speaker 1>think perhaps something that I write. Like I wanted to

0:42:09.719 --> 0:42:12.040
<v Speaker 1>direct the play that I wrote, but I was working

0:42:12.239 --> 0:42:14.040
<v Speaker 1>here and couldn't and it was on the East Coast.

0:42:14.080 --> 0:42:16.680
<v Speaker 1>So yeah, I could see directing something of my own,

0:42:17.080 --> 0:42:19.880
<v Speaker 1>but I don't think I would direct an act in something. Okay,

0:42:20.080 --> 0:42:22.759
<v Speaker 1>well you did when you were a kid, I did well,

0:42:22.800 --> 0:42:24.360
<v Speaker 1>and who knows, Maybe I'll get there again and just

0:42:24.440 --> 0:42:26.960
<v Speaker 1>think I can do everything. I'll write it, i'll direct it,

0:42:27.000 --> 0:42:31.200
<v Speaker 1>i'll shoot it, I'll do it all. But that idea

0:42:31.200 --> 0:42:34.799
<v Speaker 1>of collaboration, to me is one of the most desirable

0:42:34.880 --> 0:42:37.880
<v Speaker 1>aspects of working because I have no intention of retiring

0:42:37.920 --> 0:42:40.520
<v Speaker 1>because I like what I do too much. I like

0:42:40.600 --> 0:42:42.600
<v Speaker 1>I have no interest in doing on one woman show

0:42:42.840 --> 0:42:45.200
<v Speaker 1>because I wouldn't know who to debrief with at the

0:42:45.320 --> 0:42:47.560
<v Speaker 1>end of the night. You know, who do you say,

0:42:47.640 --> 0:42:51.759
<v Speaker 1>see on the ice too? Um, that's just that's not

0:42:51.840 --> 0:42:55.520
<v Speaker 1>why I do this. Yeah, you know I've done three Really,

0:42:55.760 --> 0:42:58.719
<v Speaker 1>were any of them women? Any of them women? You

0:42:58.760 --> 0:43:00.560
<v Speaker 1>were going to say that. I knew you were gonna

0:43:00.560 --> 0:43:04.759
<v Speaker 1>say that. No One. One though, was an hour and

0:43:04.800 --> 0:43:07.239
<v Speaker 1>forty five minutes in with an Irish accent, and I

0:43:07.280 --> 0:43:12.160
<v Speaker 1>don't really do accents, by the way, So that went well.

0:43:14.960 --> 0:43:17.400
<v Speaker 1>It was a lot of work. It's interesting that you

0:43:17.400 --> 0:43:19.839
<v Speaker 1>say that, because I found it really, really difficult. Now,

0:43:19.880 --> 0:43:23.799
<v Speaker 1>I had close collaborations with the directors and even designers

0:43:24.600 --> 0:43:27.520
<v Speaker 1>on some of that, but it's not the same. And

0:43:27.560 --> 0:43:31.080
<v Speaker 1>I think in our business, well, especially in comedy, I

0:43:31.120 --> 0:43:35.200
<v Speaker 1>think that collaboration that give and take, that even if

0:43:35.239 --> 0:43:38.879
<v Speaker 1>it's not straight improv is yeah. Yeah. And then even

0:43:38.920 --> 0:43:41.560
<v Speaker 1>in the doing of it, particularly in live theater, the

0:43:41.600 --> 0:43:43.560
<v Speaker 1>tennis game you play with each other, and how you

0:43:43.560 --> 0:43:46.799
<v Speaker 1>can bail each other out of trouble and surprise each other,

0:43:48.160 --> 0:43:51.600
<v Speaker 1>there's just it's it's that's so delicious, and that's something

0:43:51.600 --> 0:43:55.399
<v Speaker 1>I wouldn't I wouldn't want to trade. You've talked about

0:43:55.400 --> 0:43:58.480
<v Speaker 1>it a little bit. You have a lot of animals.

0:43:58.640 --> 0:44:03.319
<v Speaker 1>You love animals. I've heard that it was written that

0:44:03.360 --> 0:44:06.880
<v Speaker 1>you said that was horrible sentence, that you wanted to

0:44:06.920 --> 0:44:09.719
<v Speaker 1>be a vet if you weren't an actor. You've done

0:44:09.840 --> 0:44:13.880
<v Speaker 1>advocacy work with Humane Society and other animal organizations. What

0:44:14.000 --> 0:44:16.520
<v Speaker 1>sparked this love or interest? Is this life long or

0:44:16.600 --> 0:44:19.600
<v Speaker 1>is this oh? Yeah? Yeah. My older sister growing up

0:44:19.640 --> 0:44:23.200
<v Speaker 1>was a colleague Bonnie. Yeah, she was my first best friend.

0:44:23.960 --> 0:44:26.960
<v Speaker 1>You know, I have always preferred the company of animals

0:44:26.960 --> 0:44:31.279
<v Speaker 1>to people pretty much, uh more consistently. You know, I

0:44:31.360 --> 0:44:35.440
<v Speaker 1>love I love. I love people too, but they are

0:44:35.520 --> 0:44:38.640
<v Speaker 1>much easier to love and they forgive you everything and

0:44:39.560 --> 0:44:43.040
<v Speaker 1>know they're my crew. And I feel this is such

0:44:43.040 --> 0:44:44.440
<v Speaker 1>a gift that I got to end up living on

0:44:44.480 --> 0:44:46.920
<v Speaker 1>a ranch and I get to live with animals. No,

0:44:47.040 --> 0:44:50.759
<v Speaker 1>they're they're my my best needs for sure. And it's

0:44:50.800 --> 0:44:55.320
<v Speaker 1>interesting because my I probably would have gone into veterinary medicine,

0:44:55.320 --> 0:44:59.400
<v Speaker 1>but I sucked it science and I also love theater,

0:44:59.760 --> 0:45:02.919
<v Speaker 1>so I had, okay, theater science, and Matthew, you can't

0:45:02.920 --> 0:45:05.080
<v Speaker 1>three science, and that we'll have to go this way.

0:45:05.120 --> 0:45:08.040
<v Speaker 1>So it was it was by necessity. But my daughter

0:45:08.640 --> 0:45:11.680
<v Speaker 1>is Um had started out being an aspiring thespian was

0:45:11.719 --> 0:45:14.680
<v Speaker 1>pretty good, and she's now in college at bart and

0:45:14.760 --> 0:45:17.360
<v Speaker 1>she's pre med and going to be a vet and

0:45:17.480 --> 0:45:21.320
<v Speaker 1>equine vet. She's been riding was five years old. But yeah,

0:45:21.440 --> 0:45:23.359
<v Speaker 1>she said, you know, I was thinking about it, and

0:45:24.200 --> 0:45:26.080
<v Speaker 1>I know how lucky you feel you are that you

0:45:26.120 --> 0:45:28.000
<v Speaker 1>get to work at the thing you love. But I've

0:45:28.040 --> 0:45:30.640
<v Speaker 1>also seen your friends who get so frustrated because they

0:45:30.800 --> 0:45:34.520
<v Speaker 1>just don't have enough to make a living. And I

0:45:34.560 --> 0:45:36.719
<v Speaker 1>think I would be so depressed if that were me,

0:45:37.600 --> 0:45:40.799
<v Speaker 1>she said. But the other thing I love is animals,

0:45:40.880 --> 0:45:44.359
<v Speaker 1>and there is a real need for equine vets. You know,

0:45:44.400 --> 0:45:47.000
<v Speaker 1>there are a lot of small animal vets. But she's

0:45:47.040 --> 0:45:49.239
<v Speaker 1>worked every summer and a return to Freedom of Horse

0:45:49.239 --> 0:45:53.000
<v Speaker 1>Saint Wild Horse Sanctuary and really gotten her feet wet.

0:45:53.120 --> 0:45:56.520
<v Speaker 1>She's like fold little horses, and she stuck her hand

0:45:56.560 --> 0:45:59.120
<v Speaker 1>into wounds and cleaned them out and she doesn't have

0:45:59.160 --> 0:46:01.560
<v Speaker 1>any problem with that. And she she said, I want

0:46:01.560 --> 0:46:04.960
<v Speaker 1>to do this. So she's now immersed in science and

0:46:05.040 --> 0:46:08.839
<v Speaker 1>math and looking at a long road ahead. But it's

0:46:08.880 --> 0:46:12.360
<v Speaker 1>so great that she figured out that where she belongs.

0:46:12.960 --> 0:46:15.719
<v Speaker 1>Would you do that? Stick your hand up there, and yeah,

0:46:15.760 --> 0:46:17.840
<v Speaker 1>oh yeah, I'm I'm pretty I'm pretty fearless when it

0:46:17.840 --> 0:46:20.359
<v Speaker 1>comes to I will touch all things animal. They don't

0:46:20.400 --> 0:46:24.600
<v Speaker 1>gross me out at all. It's so different from people. Okay,

0:46:24.880 --> 0:46:28.799
<v Speaker 1>I want to leave that one alone. Um, congratulations on

0:46:28.840 --> 0:46:33.719
<v Speaker 1>all the projects you have coming up. I cannot imagine

0:46:33.760 --> 0:46:37.560
<v Speaker 1>you as an eighty year old Amelia Earhart, but I'm

0:46:37.600 --> 0:46:40.600
<v Speaker 1>going to watch it. Nonetheless, I actually kind of seld it.

0:46:40.640 --> 0:46:44.520
<v Speaker 1>I think, yeah, imagine me with white eyebrows, blue eyes,

0:46:44.719 --> 0:46:47.600
<v Speaker 1>white hair, a few age spots. But I didn't need

0:46:47.640 --> 0:46:48.960
<v Speaker 1>too much. All I had to do is look down

0:46:49.000 --> 0:46:53.520
<v Speaker 1>a lot net. I was amazing how little it took

0:46:53.920 --> 0:46:59.319
<v Speaker 1>a little it took um truly, Wendy, thank you so much.

0:46:59.719 --> 0:47:02.920
<v Speaker 1>It it is not a line, It is not bs.

0:47:03.680 --> 0:47:06.719
<v Speaker 1>You just make me laugh. It's really It's truely, it's

0:47:06.719 --> 0:47:09.120
<v Speaker 1>as simple as that. And even though I forgot that

0:47:09.160 --> 0:47:11.600
<v Speaker 1>we worked together before HUT in Cleveland, I think I

0:47:11.680 --> 0:47:14.480
<v Speaker 1>was just too nervous that I thank you for coming

0:47:14.520 --> 0:47:17.000
<v Speaker 1>and talking to me. I know, Brian, you make me

0:47:17.120 --> 0:47:20.399
<v Speaker 1>laugh too, so it's mutual. There you go, all right,

0:47:20.600 --> 0:47:37.520
<v Speaker 1>Wendy Malick, thank you. You're welcome. You know, Wendy, it

0:47:37.640 --> 0:47:41.239
<v Speaker 1>was an absolute pleasure having you on the podcast. In

0:47:41.320 --> 0:47:44.240
<v Speaker 1>case you can't tell, I'm a big fan. I cannot

0:47:44.239 --> 0:47:46.840
<v Speaker 1>tell you how much this conversation has meant to me.

0:47:47.280 --> 0:47:50.960
<v Speaker 1>You are, in fact, one of the great ones. To

0:47:51.080 --> 0:47:54.000
<v Speaker 1>the rest of you, well, you're great too, and I

0:47:54.040 --> 0:47:57.080
<v Speaker 1>will see you next week for another episode of Off

0:47:57.120 --> 0:48:01.040
<v Speaker 1>the Beat. In the meantime, like subscribe, I follow at

0:48:01.080 --> 0:48:03.560
<v Speaker 1>Off the Beat. You know the drone. All right, we'll

0:48:03.560 --> 0:48:13.920
<v Speaker 1>talk to you soon. Off the Beat is hosted an

0:48:13.920 --> 0:48:18.560
<v Speaker 1>executive produced by me Brian Baumgartner, alongside our executive producer

0:48:18.719 --> 0:48:23.520
<v Speaker 1>Lang Lee. Our producers are Diego Tapia, Liz Hayes, Emily Carr,

0:48:23.719 --> 0:48:27.760
<v Speaker 1>and Hannah Harris. Our talent producer is Ryan Papa Zachary.

0:48:28.040 --> 0:48:32.080
<v Speaker 1>Our theme song Bubble and Squeak, performed by my great

0:48:32.160 --> 0:48:36.440
<v Speaker 1>friend Creed Bratton, and the episode was mixed by seth Olandski.