1 00:00:00,160 --> 00:00:02,639 Speaker 1: One or two point seven. It is Kiss FM. 2 00:00:03,160 --> 00:00:08,039 Speaker 2: Kelly Clarkson's new music is making a big impact. 3 00:00:08,039 --> 00:00:10,040 Speaker 1: I mean, this is Kelly. I'm looking at this right now. 4 00:00:10,560 --> 00:00:31,680 Speaker 2: Chemistry is now her ninth top ten album listen to mine, 5 00:00:32,400 --> 00:00:36,840 Speaker 2: and here she is with us now, Casey Kelly Clarkson, 6 00:00:37,000 --> 00:00:37,440 Speaker 2: how are you? 7 00:00:38,960 --> 00:00:40,159 Speaker 3: I'm so good? How are you? 8 00:00:40,240 --> 00:00:41,520 Speaker 1: Ryan good? 9 00:00:41,720 --> 00:00:43,319 Speaker 2: I feel like I've known you for a long time, 10 00:00:43,360 --> 00:00:44,920 Speaker 2: but I still always call you Kelly Clarkson. 11 00:00:46,920 --> 00:00:49,159 Speaker 3: I know it is weird when you say my full name. 12 00:00:49,600 --> 00:00:54,800 Speaker 3: I think I'm always like winning all over again, didn't. 13 00:00:57,040 --> 00:00:58,520 Speaker 2: I just you know, I was thinking back to when 14 00:00:58,560 --> 00:01:01,320 Speaker 2: we talked to you in March and you were telling 15 00:01:01,480 --> 00:01:05,840 Speaker 2: us that there was a point or some time when 16 00:01:05,880 --> 00:01:09,920 Speaker 2: you consider not releasing Chemistry, not releasing the album, And 17 00:01:09,959 --> 00:01:13,120 Speaker 2: then I look at, yeah, I look at the impact 18 00:01:13,160 --> 00:01:16,520 Speaker 2: of having people and the relate ability it's had on 19 00:01:16,560 --> 00:01:18,200 Speaker 2: a lot of people, and I just wonder, what do 20 00:01:18,280 --> 00:01:20,720 Speaker 2: you think about now when you look at that after 21 00:01:20,840 --> 00:01:22,680 Speaker 2: making the decision to release it? 22 00:01:23,920 --> 00:01:26,840 Speaker 3: You know, I mean I think, once I decided, I'm 23 00:01:26,880 --> 00:01:29,880 Speaker 3: pretty like it takes me forever kind of deciding. But 24 00:01:29,959 --> 00:01:33,440 Speaker 3: then once I'm once I've done that, I'm totally in 25 00:01:33,560 --> 00:01:37,280 Speaker 3: so I don't know, I think it's a beautiful thing. 26 00:01:37,400 --> 00:01:40,319 Speaker 3: It's it's always I don't know. I always I'm like 27 00:01:40,440 --> 00:01:43,759 Speaker 3: in target or wherever, like doing whatever, and somebody will 28 00:01:43,760 --> 00:01:46,120 Speaker 3: walk up and say, oh my god, like your song 29 00:01:46,240 --> 00:01:49,520 Speaker 3: like that means. And I always like apologize because I'm 30 00:01:49,720 --> 00:01:52,200 Speaker 3: was like, it can't be good when someone says that 31 00:01:52,280 --> 00:01:52,760 Speaker 3: to me. 32 00:01:53,360 --> 00:01:55,080 Speaker 1: Oh, I'm sorry for what you've been through. 33 00:01:56,160 --> 00:01:58,320 Speaker 3: Yeah, because it's always like, oh my god, I'm so 34 00:01:58,400 --> 00:02:01,320 Speaker 3: sorry that it's relatable, like because it's not most of 35 00:02:01,360 --> 00:02:06,400 Speaker 3: my songs are, you know, about recovering or being empowered 36 00:02:06,520 --> 00:02:09,760 Speaker 3: of overcoming something you know, So it's it's it's always 37 00:02:09,760 --> 00:02:13,080 Speaker 3: like a you know, a double sided compliment for me, 38 00:02:13,280 --> 00:02:15,239 Speaker 3: like a I can't think of the word because I 39 00:02:15,280 --> 00:02:19,639 Speaker 3: woke up late today and I haven't had coffee. Anyway, 40 00:02:20,480 --> 00:02:23,919 Speaker 3: I'm so sorry, but uh no, it's always like kind 41 00:02:23,919 --> 00:02:26,440 Speaker 3: of this twisted thing for me. I'm always like, oh 42 00:02:26,440 --> 00:02:28,680 Speaker 3: my god, I'm so thankful, but at the same time, 43 00:02:28,720 --> 00:02:30,880 Speaker 3: I'm like, I'm so sorry that you relate to that 44 00:02:31,080 --> 00:02:35,000 Speaker 3: song because I can't be good. But it feels good 45 00:02:35,000 --> 00:02:36,760 Speaker 3: to I guess, you know, be a part of something 46 00:02:36,800 --> 00:02:40,840 Speaker 3: and go through something and other people say, oh my god, 47 00:02:40,840 --> 00:02:42,920 Speaker 3: I've been exactly there, Like, those are the words that 48 00:02:42,960 --> 00:02:45,200 Speaker 3: I needed like to hear. That's how I felt and 49 00:02:45,240 --> 00:02:47,200 Speaker 3: I couldn't put it into words, and that's that's such 50 00:02:47,240 --> 00:02:48,280 Speaker 3: a beautiful compliment. 51 00:02:48,400 --> 00:02:50,640 Speaker 2: Well, I can tell you that I know how you 52 00:02:50,680 --> 00:02:53,800 Speaker 2: feel now because I can't put subjects and predicatets together 53 00:02:53,880 --> 00:02:55,079 Speaker 2: without coffee. 54 00:02:54,639 --> 00:02:55,160 Speaker 1: In the morning. 55 00:02:55,280 --> 00:02:57,800 Speaker 2: And it's not great. It's not great to try and 56 00:02:57,840 --> 00:03:00,560 Speaker 2: do anything before I have it. So I I totally 57 00:03:00,680 --> 00:03:01,359 Speaker 2: understand that. 58 00:03:02,000 --> 00:03:06,120 Speaker 3: I know people are like, are you ready? No, No, 59 00:03:06,320 --> 00:03:08,919 Speaker 3: but I was like, but yes, I get I get 60 00:03:08,960 --> 00:03:11,000 Speaker 3: up here at the ranch and like, maybe you'll understand 61 00:03:11,000 --> 00:03:13,920 Speaker 3: this when you're on you know, away on vacations, but 62 00:03:14,000 --> 00:03:16,840 Speaker 3: like sometimes you're in the Beuta triangle of time and 63 00:03:16,960 --> 00:03:18,240 Speaker 3: I just lose track of it. 64 00:03:18,600 --> 00:03:21,720 Speaker 2: But Kelly, I mean, listen, you are doing so much 65 00:03:21,760 --> 00:03:25,960 Speaker 2: great work and you're you know, you're you're shifting gears 66 00:03:26,000 --> 00:03:29,840 Speaker 2: all the time. It's brilliant that you can get to 67 00:03:29,880 --> 00:03:31,560 Speaker 2: that place where you forget what day it is for 68 00:03:31,600 --> 00:03:32,720 Speaker 2: a second. 69 00:03:33,000 --> 00:03:34,960 Speaker 3: Oh my god, I'm very good at it, right, you 70 00:03:35,040 --> 00:03:40,360 Speaker 3: need it, like I can shut off really well. So no, 71 00:03:40,560 --> 00:03:44,120 Speaker 3: I think everybody does. I think we anyone in society, 72 00:03:44,160 --> 00:03:45,880 Speaker 3: Like everybody's always like, oh, you're so busy, and they 73 00:03:45,880 --> 00:03:48,040 Speaker 3: probably say that to you all the time too, But 74 00:03:48,400 --> 00:03:50,880 Speaker 3: I think everyone's busy because we're like a society that's 75 00:03:50,920 --> 00:03:54,960 Speaker 3: like hooked, ongoing, nonstoff, you know. So it's it's really 76 00:03:55,000 --> 00:03:58,480 Speaker 3: important to learn how to shut off, except for when 77 00:03:58,480 --> 00:04:01,400 Speaker 3: your managers call and going, hey, we had interviews today, 78 00:04:02,480 --> 00:04:03,120 Speaker 3: like what. 79 00:04:04,400 --> 00:04:06,240 Speaker 2: And then and then you're like, for what, for the 80 00:04:06,480 --> 00:04:09,080 Speaker 2: for the album, for the talk show, for the residency, 81 00:04:09,240 --> 00:04:09,600 Speaker 2: for what. 82 00:04:11,080 --> 00:04:13,440 Speaker 3: Honestly, I don't even ask anymore. I just I just 83 00:04:13,600 --> 00:04:15,640 Speaker 3: have all that in for me, is ready to go 84 00:04:15,800 --> 00:04:17,040 Speaker 3: whatever anyone wants to know. 85 00:04:17,279 --> 00:04:17,560 Speaker 2: I am. 86 00:04:17,720 --> 00:04:20,000 Speaker 3: I am so excited about the residency, though, man, I'm 87 00:04:20,520 --> 00:04:23,080 Speaker 3: I've never learned this many songs, Like we are doing 88 00:04:23,279 --> 00:04:25,760 Speaker 3: so many songs for these ten shows. We're changing up 89 00:04:26,080 --> 00:04:28,000 Speaker 3: the setlist, and my musical director and I are like, 90 00:04:28,040 --> 00:04:30,880 Speaker 3: did we bite off more than we could choose? Anyway? 91 00:04:30,920 --> 00:04:32,240 Speaker 3: But I'm so excited about it. 92 00:04:32,480 --> 00:04:35,120 Speaker 2: I think so when when people do see you in 93 00:04:35,320 --> 00:04:38,920 Speaker 2: Las Vegas of that residency, you'll be playing obviously this 94 00:04:39,080 --> 00:04:42,359 Speaker 2: new music from Chemistry, but you're going back into Kelly 95 00:04:42,400 --> 00:04:43,440 Speaker 2: Clarkson land. 96 00:04:43,560 --> 00:04:45,040 Speaker 1: Yeah. 97 00:04:45,080 --> 00:04:47,000 Speaker 3: Oh, yeah. I mean the whole point of it is 98 00:04:47,440 --> 00:04:49,880 Speaker 3: I haven't done a show in forever, so it's it's 99 00:04:49,920 --> 00:04:51,839 Speaker 3: the whole point of it is playing all the ones 100 00:04:51,880 --> 00:04:53,200 Speaker 3: that people want to hear. I'm not going to be 101 00:04:53,200 --> 00:04:56,080 Speaker 3: that artist that doesn't do that, so I'm playing all 102 00:04:56,080 --> 00:04:58,599 Speaker 3: the ones that you know, people generally are like stoked 103 00:04:58,600 --> 00:05:01,200 Speaker 3: to hear. And then ever we're changing it. Like my 104 00:05:01,279 --> 00:05:03,480 Speaker 3: mother and sister are upset because they're coming to a 105 00:05:03,520 --> 00:05:06,880 Speaker 3: couple of shows that they're every show is different, so 106 00:05:06,920 --> 00:05:08,960 Speaker 3: it's like they're like, wait, you're not playing this one. 107 00:05:09,320 --> 00:05:11,240 Speaker 3: You're playing that one off the new record the other night. 108 00:05:11,279 --> 00:05:12,719 Speaker 3: And I'm like, yes, I'm sorry, but I have to, 109 00:05:12,800 --> 00:05:15,599 Speaker 3: like I have to switch it out. It's like there's 110 00:05:15,640 --> 00:05:18,760 Speaker 3: too many which is a great problem to have, but 111 00:05:18,920 --> 00:05:20,680 Speaker 3: you know, there's only so much room in a setlist. 112 00:05:20,760 --> 00:05:23,960 Speaker 3: So because I also know that person that plays like, look, 113 00:05:24,000 --> 00:05:26,039 Speaker 3: I love music and I love artists more than life. 114 00:05:26,080 --> 00:05:28,560 Speaker 3: But sometimes you go to a show and I'm like that. 115 00:05:28,640 --> 00:05:32,760 Speaker 1: Was too long, so oh right, interesting. 116 00:05:32,440 --> 00:05:34,760 Speaker 3: Have you ever done that? Like I'm like, people are 117 00:05:34,760 --> 00:05:37,279 Speaker 3: on stage for like three hours, and I'm like anything 118 00:05:37,320 --> 00:05:38,039 Speaker 3: anyone like that. 119 00:05:38,240 --> 00:05:42,599 Speaker 2: It's only the only thing that strikes me is that, 120 00:05:43,200 --> 00:05:45,200 Speaker 2: like I have to get up right, So when a 121 00:05:45,279 --> 00:05:49,200 Speaker 2: show starts late and I want to be there, and 122 00:05:49,240 --> 00:05:52,720 Speaker 2: then you're there and it's like nine oh nine and 123 00:05:52,760 --> 00:05:55,920 Speaker 2: I'm like counting to nine fifteen and nine seventy, I 124 00:05:55,960 --> 00:05:58,320 Speaker 2: have like that kind of anxiety because the hours overnight 125 00:05:58,360 --> 00:06:02,080 Speaker 2: are short. But I yeah, Kelly, you know, I think 126 00:06:02,360 --> 00:06:04,760 Speaker 2: with you, people want to see you. They haven't seen 127 00:06:04,760 --> 00:06:07,440 Speaker 2: you in forever. In Vegas is like such a great 128 00:06:07,640 --> 00:06:08,760 Speaker 2: stage you could sing. 129 00:06:08,640 --> 00:06:10,720 Speaker 1: For five hours and we would all stay. 130 00:06:10,880 --> 00:06:14,839 Speaker 3: Well. I would never do that to anyone. I was like, 131 00:06:14,960 --> 00:06:16,920 Speaker 3: I mean, we're we're fitting it in, and I think 132 00:06:17,240 --> 00:06:19,360 Speaker 3: what's hard to now though? In this the same and 133 00:06:19,400 --> 00:06:22,080 Speaker 3: age is like once your show is done, then it's 134 00:06:22,120 --> 00:06:25,080 Speaker 3: online too. You know. It's kind of you kind of 135 00:06:25,120 --> 00:06:28,520 Speaker 3: have to change it a bit, you know, and we're 136 00:06:28,600 --> 00:06:30,400 Speaker 3: changing it quite more than I've ever done. 137 00:06:30,920 --> 00:06:33,279 Speaker 2: So all right, this is residency we're talking about. Is 138 00:06:33,360 --> 00:06:36,680 Speaker 2: Vegas tickets on sale take amaster dot com. You also 139 00:06:36,839 --> 00:06:40,120 Speaker 2: be jumping over to our iHeartRadio Music Festival in September. 140 00:06:40,160 --> 00:06:42,880 Speaker 2: I will see it for that in Las Vegas and 141 00:06:42,960 --> 00:06:45,480 Speaker 2: cal When do you shift everything to New York? 142 00:06:46,440 --> 00:06:49,080 Speaker 3: Well, we already actually moved from LA to New York 143 00:06:49,120 --> 00:06:53,120 Speaker 3: and then I did that kind of before. I uh, well, 144 00:06:53,120 --> 00:06:55,800 Speaker 3: I've kind of done it over time, but just so 145 00:06:55,839 --> 00:06:58,000 Speaker 3: I could have like the summer off and like not 146 00:06:58,160 --> 00:06:59,679 Speaker 3: have to worry about that. So we're kind of already 147 00:06:59,720 --> 00:07:02,400 Speaker 3: moved in and everything. It's it's kind of sitting there 148 00:07:02,560 --> 00:07:06,000 Speaker 3: waiting for us. So we're we're we're super excited about it. 149 00:07:06,160 --> 00:07:08,080 Speaker 3: I mean, I guess we're still waiting like everybody in 150 00:07:08,120 --> 00:07:10,480 Speaker 3: the TV world on when we're going to get to 151 00:07:10,520 --> 00:07:14,240 Speaker 3: start because of the strikes and stuff. But but we're 152 00:07:14,280 --> 00:07:17,200 Speaker 3: we're very excited. My kids are. They're both finally on 153 00:07:17,240 --> 00:07:19,840 Speaker 3: board and like super stoked. So I'm in a good place. 154 00:07:20,600 --> 00:07:24,160 Speaker 2: Well, you, uh, you make everybody feel so comfortable, and 155 00:07:24,200 --> 00:07:27,160 Speaker 2: we really really appreciate your friendship even I think it's 156 00:07:27,160 --> 00:07:29,800 Speaker 2: the thing like people who have never met you feel 157 00:07:29,880 --> 00:07:32,280 Speaker 2: a closest to you, and that's a very special thing. 158 00:07:32,400 --> 00:07:35,800 Speaker 1: So I'll say that for those I can't say that here. 159 00:07:37,040 --> 00:07:41,160 Speaker 3: No, yeah, but but people I don't know, they always 160 00:07:41,160 --> 00:07:42,480 Speaker 3: say that the price of that to you too, because 161 00:07:42,480 --> 00:07:45,560 Speaker 3: you're always on like either radio or TV or whatever, 162 00:07:45,600 --> 00:07:48,480 Speaker 3: and so but I feel like we're the same on 163 00:07:48,600 --> 00:07:50,600 Speaker 3: and off, and I feel like it would be exhausting 164 00:07:50,680 --> 00:07:55,680 Speaker 3: to be two first to someone else. So yeah, I'm waiting, lady, and. 165 00:07:55,960 --> 00:07:57,640 Speaker 1: We're tired already, so hey. 166 00:07:58,160 --> 00:07:59,920 Speaker 3: I know what you get. 167 00:08:00,360 --> 00:08:02,800 Speaker 2: Yeah, Hey, Kelly, thank you, thank you for coming on. 168 00:08:03,040 --> 00:08:05,120 Speaker 2: Enjoy some time this summer, and I'll talk to you 169 00:08:05,120 --> 00:08:06,160 Speaker 2: real soon. I'll see in Vegas. 170 00:08:06,200 --> 00:08:09,280 Speaker 3: Okay, all right, I'll see you soon. Bye bye. 171 00:08:11,280 --> 00:08:13,320 Speaker 2: Well, what's the takeaway? Next time I'm at Target, I'm 172 00:08:13,360 --> 00:08:16,800 Speaker 2: looking for Kelly Clarkson. Yeah, love her all right? Up 173 00:08:16,840 --> 00:08:20,640 Speaker 2: next Pitt Bull, Enrique and Ricky Martin concert tickets Hang 174 00:08:20,680 --> 00:08:20,760 Speaker 2: on