WEBVTT - INTERVIEW: Ryan Coogler Talks 'Sinners,' Michael B. Jordan, Denzel, Chadwick Boseman, Nipsey Hussle +More

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<v Speaker 1>Wake that ass up in the morning.

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<v Speaker 2>The Breakfast Club Morning.

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<v Speaker 3>Everybody is the j n Vy Jess Hilarious, Charlamagne the

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<v Speaker 3>guy we are the Breakfast Club just is out today.

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<v Speaker 3>Lord l Rosa filling in and we got a special

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<v Speaker 3>guest in the building.

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<v Speaker 2>He's back. Ladies and gentlemen, Ryan Coog. We welcome back.

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<v Speaker 1>Brother. Man. It's nice to be here.

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<v Speaker 4>We feel I'm feeling good, Bro, feeling good. We just

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<v Speaker 4>mary our movie last night. You know, so happy to

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<v Speaker 4>happy to be at this stage. You're putting it out.

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<v Speaker 4>You know, I'm happy to be here talking to you

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<v Speaker 4>all about it.

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<v Speaker 2>Man, Think about Ryan.

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<v Speaker 5>No matter what Ryan is doing, no matter how long

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<v Speaker 5>he in Hollywood, that Oakland do not get up.

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<v Speaker 2>You can hear every.

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<v Speaker 5>Time you're talking about I feel like you're about to

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<v Speaker 5>ask me what's said I'm from.

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<v Speaker 1>Tripping, Bro. We don't.

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<v Speaker 4>We don't even now we ask why in Oakland? Bro,

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<v Speaker 4>That's that's the la thing. Ask you about that.

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<v Speaker 2>But how do you stay so rounded though?

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<v Speaker 5>Like you can hear the Oakland in you, Like you're

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<v Speaker 5>doing movies that got ninety million dollar budgets.

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<v Speaker 2>But it don't changes.

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<v Speaker 4>Just my actions how I talk about can't change it. Yeah,

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<v Speaker 4>it's you know, it's yeah, I can't just like I

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<v Speaker 4>Amy something like he's from New York, you know what

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<v Speaker 4>I'm saying.

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<v Speaker 1>It's just it's just I think what it is. It's

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<v Speaker 1>not a lot of us.

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<v Speaker 4>From like that, from like that era, like me and

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<v Speaker 4>me and me and mar Shaun about the same age.

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<v Speaker 2>He's another oneand they never leave.

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<v Speaker 4>Dan Dame Dang literally quite younger than us, but he

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<v Speaker 4>like of that of that era.

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<v Speaker 1>But Dame a little you know what I'm saying, Dame

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<v Speaker 1>a little bit younger.

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<v Speaker 4>You know, we we it's just certain like like every

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<v Speaker 4>every era of Oakland talk a little talk talks a

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<v Speaker 4>little different, you know what I'm saying.

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<v Speaker 1>Like my mom.

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<v Speaker 4>Her, she she talks very proper, but but but but

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<v Speaker 4>it also has a little a little bit of the

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<v Speaker 4>South in it, a little more of the South in

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<v Speaker 4>it than than us. And my grandmother she's from you know,

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<v Speaker 4>born in put Out, the Texas. They moved oak until

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<v Speaker 4>she was twelve, so she sounds completely like she like

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<v Speaker 4>a Texan, you know what I'm saying. And then it's

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<v Speaker 4>like and it's like a class thing too. You feel

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<v Speaker 4>me like my little brothers you know, we moved to Richmond,

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<v Speaker 4>like I don't remember. I don't really remember Oakland, you

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<v Speaker 4>know what I'm saying. And and we went we went

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<v Speaker 4>to Catholic school. You feel me so like like they

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<v Speaker 4>action is slightly different from mine to you know what

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<v Speaker 4>I'm saying, like my like my my action. I know

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<v Speaker 4>exactly where it's from, the areas from it got locked

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<v Speaker 4>in when I was like seven or eight years old.

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<v Speaker 4>And it's funny because my mom's just it's actually funny.

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<v Speaker 4>My mom remember when my actions started to change because

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<v Speaker 4>I started hanging out. She was like, hey man, you're

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<v Speaker 4>talking like them, you know, saying, talking like them, you

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<v Speaker 4>know outside you know what I'm saying'snna get stuck like that?

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<v Speaker 1>So my whole life I gotta, I gotta. I never

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<v Speaker 1>have to explain it, you know what i'mer stand. But

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<v Speaker 1>but yeah, bro, it's it's it's just how I talk.

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<v Speaker 1>I can't. I can't talk about different.

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<v Speaker 2>Listen, I love it, you know what I mean.

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<v Speaker 3>I was gonna say, you mentioned Centers yesterday, that the

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<v Speaker 3>preview was yesterday the press, I should say, so explain

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<v Speaker 3>to people what Centers is about. I'm sure they seen

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<v Speaker 3>the commercial they've seen the trailers, but what is centers about?

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<v Speaker 4>Yeah, man, it's like the plot or yeah, yeah, the plot.

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<v Speaker 4>It's about two twin brothers who come home to their

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<v Speaker 4>hometown and Clarkson, Mississippi, after about seven years in Chicago.

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<v Speaker 4>Uh and they kind of, you know, they basically gangsters,

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<v Speaker 4>you know what I mean, and very notorious, and they

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<v Speaker 4>come home and pick up their little cousin who's this

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<v Speaker 4>Who's this bluest prodigy and they got plans of opening

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<v Speaker 4>up a juke joint, you know, which is like a

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<v Speaker 4>black night club at that time.

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<v Speaker 1>And uh so it's a twenty four hour movie.

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<v Speaker 4>They gather wrap all all their friends from their past

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<v Speaker 4>who you know, to start this business, and then you know,

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<v Speaker 4>vampire ends up showing up and you know, things go

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<v Speaker 4>a little left.

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<v Speaker 5>How difficult was it directing one actor for two different

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<v Speaker 5>roles because Michael be Jordan's playing the twin brothers.

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<v Speaker 1>I mean it was, man, it was Yeah, I guess,

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<v Speaker 1>I guess.

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<v Speaker 4>I guess I wouldn't want to talk about it like

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<v Speaker 4>in terms of degree of difficulty, right, but but it

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<v Speaker 4>was definitely complicated, you know what I'm saying. Like, but

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<v Speaker 4>I got a I got a great team brought, got

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<v Speaker 4>great producers, fantastic visual effects department, you know, and and

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<v Speaker 4>we just came up with a plan and how to

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<v Speaker 4>do it. I actually actually talked to a few filmmakers

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<v Speaker 4>who had done things like it, you know. I was

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<v Speaker 4>in conversation with christ Nolan, who's a mentor of mine,

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<v Speaker 4>and he did a similar thing. He actually did a

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<v Speaker 4>couple of movies that had that had like kind of

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<v Speaker 4>twenty elements. He did a movie called The Prestige spoiler alert.

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<v Speaker 4>It's some you know some it's a twin element in that.

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<v Speaker 4>And then he also did a movie called Tenant that

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<v Speaker 4>came out right right right at the start of the

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<v Speaker 4>pandemic with with John David Washington, and because got characters

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<v Speaker 4>going back and forth in time, like he got scenes

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<v Speaker 4>with John David Washington's fighting himself, you know. So so

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<v Speaker 4>so I talked with him a little bit. I was

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<v Speaker 4>talking him about just the format that we shot the

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<v Speaker 4>film in, and we talked a little bit of twin two.

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<v Speaker 4>But there was another film back on named Sean Darkin

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<v Speaker 4>who came up the sun Dans route, and he has

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<v Speaker 4>just done he's just done a television series called Dead Ringers,

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<v Speaker 4>the remake of a David Carnenberg film. But it started

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<v Speaker 4>Rachel Weiss as twin Gyn in Collogists. You know what

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<v Speaker 4>I'm saying that that that identical twin guy colleges played

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<v Speaker 4>by one actor and I and I got on the

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<v Speaker 4>phone with him for about He probably talked for about

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<v Speaker 4>about an hour on how they how they made that,

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<v Speaker 4>how they made that work, and he ran it down

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<v Speaker 4>to me, uh, you know, kind of blowbile, blow at

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<v Speaker 4>things I should be thinking about. And I'll be ever

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<v Speaker 4>grateful that. I'll be ever grateful to Sean and I

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<v Speaker 4>actually need to reach out to him, you know. But

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<v Speaker 4>but you like, it's it's it's a lot, it's very

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<v Speaker 4>very technical, but it's actually that it's actually the hardest

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<v Speaker 4>on Mike, you know what I'm saying to be honest

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<v Speaker 4>with you, because I'm you know, I'm I'm near with

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<v Speaker 4>the Caaron trying and trying to work at all, and

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<v Speaker 4>some day is more complicated. And I don't know if

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<v Speaker 4>you'll just had a chance to see the film yet

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<v Speaker 4>far parts of parts of okay, yeah, so so so

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<v Speaker 4>for Michael, you know, you know, he had to he

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<v Speaker 4>had to embody two completely different people who were identical twins,

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<v Speaker 4>which is a very like unique specific type of person,

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<v Speaker 4>right and on and on days where you know where

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<v Speaker 4>the twins were interacting, you know, he would have to

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<v Speaker 4>start the day as one character, you know, go get

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<v Speaker 4>changed and come back and shoot another past as as

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<v Speaker 4>another character.

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<v Speaker 1>We had to cast a.

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<v Speaker 4>Twin double, which is an actor who bastually is the

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<v Speaker 4>same build, shape, height, complexion as Mike to act across

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<v Speaker 4>from him so he can know where you know where

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<v Speaker 4>to look.

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<v Speaker 1>But somebody's not talking to himself. Okay.

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<v Speaker 6>So when I was watching it, because even the first

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<v Speaker 6>time you see them on camera and they're standing next

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<v Speaker 6>to each other and I'm like, okay, I notice is technology.

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<v Speaker 6>But I'm like, as an actor, I know you kind

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<v Speaker 6>of feed off of like it's very like physical. So

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<v Speaker 6>it was like, I wonder how Michael B. Jordan's like,

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<v Speaker 6>what is he using to their interaction?

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<v Speaker 2>Is yea, Now Lauren wants the stunt double number just

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<v Speaker 2>like Michael. He built like can't get the original.

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<v Speaker 1>The party build.

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<v Speaker 6>When they killed a snake in the back of the truck,

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<v Speaker 6>even that, I'm like, I mean that was something so small,

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<v Speaker 6>but I'm like, you got to know where your people

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<v Speaker 6>are to you know what I'm saying, I'm like, how

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<v Speaker 6>did they do that?

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<v Speaker 4>I mean, look a lot of work, man, you feel

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<v Speaker 4>me like like we did a lot of work, but

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<v Speaker 4>the most but real talk like the highest degree of

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<v Speaker 4>difficulty was on Mike. Like acting is acting is an

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<v Speaker 4>insanely difficult thing to do, you know what I'm saying,

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<v Speaker 4>to to be able to embody another another human being,

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<v Speaker 4>you know, and in this case, he had to embody.

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<v Speaker 4>He had to embody two of them that had to

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<v Speaker 4>interdependent relationship on each other. Right, So we have to

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<v Speaker 4>make sure that party.

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<v Speaker 1>Could can act.

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<v Speaker 4>But also Mike had to have to know what he

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<v Speaker 4>was going to do, because Party is not Mike, you

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<v Speaker 4>know what I'm saying. So you have to kind of like,

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<v Speaker 4>you know, we have to kind of walk through, all right, well,

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<v Speaker 4>what would he do when he smoke?

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<v Speaker 1>Right? What would he do when he stacked?

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<v Speaker 4>We had to decide who should go first, you know

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<v Speaker 4>what I mean, Because we're doing that, whoever goes set

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<v Speaker 4>think it's gonna have to really feed off what the

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<v Speaker 4>first one was. They can't walk through the body of

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<v Speaker 4>the other one even though they're not there. We got

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<v Speaker 4>to map that out. You know it was very very technical, bro,

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<v Speaker 4>you know what I mean. And uh but but I

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<v Speaker 4>was so impressed with I was so impressed with what

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<v Speaker 4>Michael was able to do, man Like, I think I

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<v Speaker 4>think these I think these two performances are are his

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<v Speaker 4>two best performances he's ever done, you know. And I've

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<v Speaker 4>been there all of them, feel me. But I've been

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<v Speaker 4>there for I've been there for some of the for

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<v Speaker 4>some of the you know, some of the great ones.

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<v Speaker 4>Always say like like, you know, I wasn't there for

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<v Speaker 4>Jess Marshy. I wasn't there for Johnathan Jordan, you know,

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<v Speaker 4>create to and creed three Hours of twel was an

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<v Speaker 4>executive producer C three I produced. But uh but but

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<v Speaker 4>as as far as like what I what I'm directing

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<v Speaker 4>right there standing out to the camera watching him, you know,

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<v Speaker 4>man like, like straight up like you know, ya, I

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<v Speaker 4>haven't seen the movie with his two his two brothers.

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<v Speaker 4>These dudes just gangsters, straight up, you know what I'm saying,

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<v Speaker 4>Like all the school gangsters, like the gangsters that the

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<v Speaker 4>gangsters we came up under look, you know, came up

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<v Speaker 4>on her, you know, you know what I mean. And

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<v Speaker 4>World War One veterans and you know and and and

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<v Speaker 4>one brother is is far more gangster than the other one.

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<v Speaker 4>You know what I mean, you were Actually it's funny

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<v Speaker 4>because it was it was it was complicated because he's

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<v Speaker 4>actually kind of cool, you know, like like constantly more

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<v Speaker 4>cunning than anything. You got that funny story about Nelly, Bro,

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<v Speaker 4>You know what I'm saying, what we said, he said,

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<v Speaker 4>Nelly calmly.

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<v Speaker 5>Told you, like I got a continuous for everybody be like, yo,

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<v Speaker 5>who's the person that came to the show that made

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<v Speaker 5>you feel like they were really you up?

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<v Speaker 2>I'm like Nelly.

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<v Speaker 5>Yeah, like Nell, everybody be like Nelly is because he

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<v Speaker 5>had such a calm demeanor about so where I'm from, Bro.

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<v Speaker 4>You know, you had the guys that was You had

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<v Speaker 4>the guys that was Rye and that didn't last long.

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<v Speaker 4>You know, I mean I got killed early with the

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<v Speaker 4>jail earlier. The dudes that the dudes that last the longest,

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<v Speaker 4>the dudes that that was ship right there, and you

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<v Speaker 4>don't even know they just decided that gonna have you act.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 3>The real scary ones, even in New York were the

0:09:57.520 --> 0:09:59.960
<v Speaker 3>ones that didn't say much, real quiet, real calm.

0:10:00.160 --> 0:10:01.680
<v Speaker 1>Yeah, those are the ones you have to be scared.

0:10:01.760 --> 0:10:05.000
<v Speaker 4>Yeah, So that's Smoke in the movie. And I'll never

0:10:05.120 --> 0:10:08.280
<v Speaker 4>forget Bro. Like like days zero, when we were shooting,

0:10:09.000 --> 0:10:10.719
<v Speaker 4>he came to shut out. He came to shut out

0:10:10.720 --> 0:10:17.320
<v Speaker 4>of Smoke, and and and Ruth Carter, who's a legendary costumer.

0:10:17.559 --> 0:10:19.240
<v Speaker 4>Because she came up to me, I could tell she

0:10:19.360 --> 0:10:21.199
<v Speaker 4>was like a little bit, a little bit flustered, you

0:10:21.240 --> 0:10:22.679
<v Speaker 4>know what I'm saying. She was like, hey, you know

0:10:22.720 --> 0:10:27.960
<v Speaker 4>I got these She's like, I got this jewelry, you know, Uh,

0:10:28.760 --> 0:10:30.040
<v Speaker 4>you know I got I got different you know, like

0:10:30.160 --> 0:10:32.360
<v Speaker 4>kind of getting costumes together. And she was saying like,

0:10:33.880 --> 0:10:37.120
<v Speaker 4>and uh, you know, you know you gotta look at

0:10:37.160 --> 0:10:38.679
<v Speaker 4>it and tell me what you what you what you want?

0:10:38.760 --> 0:10:40.480
<v Speaker 4>Even have I put you know, I put both things

0:10:40.520 --> 0:10:42.480
<v Speaker 4>on him, you know, And she kind of was like,

0:10:42.520 --> 0:10:43.599
<v Speaker 4>you know, I could tell she kind of how to

0:10:43.679 --> 0:10:46.480
<v Speaker 4>you know, so you watched some Mike walked up and

0:10:47.559 --> 0:10:48.680
<v Speaker 4>and I've been doing like a long.

0:10:48.600 --> 0:10:50.040
<v Speaker 1>Time, bro, you know, you know what I mean. We

0:10:50.160 --> 0:10:51.400
<v Speaker 1>were hummy.

0:10:51.559 --> 0:10:53.480
<v Speaker 4>You feel me, and it's somewhile these energies to making

0:10:53.520 --> 0:10:55.520
<v Speaker 4>my blood run cold, you know what I mean. And

0:10:55.920 --> 0:10:57.559
<v Speaker 4>so I asked the question that she went. I was

0:10:57.600 --> 0:10:59.439
<v Speaker 4>like something about a bracelet, if you wanted a bracelet

0:10:59.800 --> 0:11:02.599
<v Speaker 4>or some or not. And and I said, bro, do

0:11:02.640 --> 0:11:04.959
<v Speaker 4>you want the bracelet on this on this arm for

0:11:05.240 --> 0:11:07.760
<v Speaker 4>smoke or this arm? And he said, he said, I'm indifferent.

0:11:08.240 --> 0:11:10.319
<v Speaker 4>But he sat in like this deep Southern action, you

0:11:10.360 --> 0:11:11.920
<v Speaker 4>know what I'm saying. And I looked at him and

0:11:11.960 --> 0:11:15.360
<v Speaker 4>I was like, oh, ship character completely, like you know,

0:11:15.520 --> 0:11:17.880
<v Speaker 4>he's completely somebody else, you know, you know what I'm saying.

0:11:18.240 --> 0:11:20.760
<v Speaker 4>And he had like a thousand yard a thousand yards there,

0:11:20.840 --> 0:11:22.839
<v Speaker 4>you feel me? And I was like, oh, maybe you

0:11:22.840 --> 0:11:24.079
<v Speaker 4>gotta get to work. I put him right in the

0:11:24.120 --> 0:11:25.320
<v Speaker 4>car and started, shoot, don't even know if I took

0:11:25.360 --> 0:11:26.040
<v Speaker 4>the bracelet off or not.

0:11:27.480 --> 0:11:28.199
<v Speaker 1>Yeah, how do you?

0:11:28.280 --> 0:11:28.599
<v Speaker 2>How do you?

0:11:29.520 --> 0:11:29.679
<v Speaker 1>Well?

0:11:29.760 --> 0:11:32.040
<v Speaker 2>Two questions? Was this? Was that always the original plan

0:11:32.120 --> 0:11:33.480
<v Speaker 2>for Michael to play both those guys?

0:11:33.480 --> 0:11:33.960
<v Speaker 1>Absolutely?

0:11:34.080 --> 0:11:37.520
<v Speaker 5>Okay, so I guess you can't get in his mind.

0:11:37.559 --> 0:11:40.040
<v Speaker 5>But how do you, as a director prepare him to

0:11:40.160 --> 0:11:40.880
<v Speaker 5>do different?

0:11:41.160 --> 0:11:49.040
<v Speaker 4>That's a great question, bro, so so so so it's

0:11:49.040 --> 0:11:50.760
<v Speaker 4>so deep to it, bro, But like, I don't know

0:11:50.800 --> 0:11:51.880
<v Speaker 4>what neighborhood y'all from?

0:11:52.360 --> 0:11:52.400
<v Speaker 2>You?

0:11:52.520 --> 0:11:53.800
<v Speaker 1>For Queens? Yeah?

0:11:53.800 --> 0:11:56.240
<v Speaker 4>And then South Carolina, sir, Yeah, so was it any

0:11:56.440 --> 0:11:58.520
<v Speaker 4>was it any like hood twins and y'all when y'all grew.

0:11:58.480 --> 0:12:00.000
<v Speaker 6>Up, it's always a set of hood twins.

0:12:00.040 --> 0:12:05.400
<v Speaker 1>Okay that's what Yeah, but no, okay, where are you from?

0:12:05.440 --> 0:12:06.120
<v Speaker 2>I'm from Delaware.

0:12:06.120 --> 0:12:07.000
<v Speaker 1>I' from them to Delaware.

0:12:07.440 --> 0:12:11.240
<v Speaker 6>It was actually god rest, So they just because they

0:12:11.280 --> 0:12:13.160
<v Speaker 6>still was getting into it, they just passed away this

0:12:13.280 --> 0:12:13.800
<v Speaker 6>past summer.

0:12:13.920 --> 0:12:17.440
<v Speaker 1>Yeah together, Yeah, you knew something we had.

0:12:17.600 --> 0:12:19.120
<v Speaker 3>Yeah, we had I think one set of twins, but

0:12:19.280 --> 0:12:20.920
<v Speaker 3>a lot of brothers, but one city twins.

0:12:21.040 --> 0:12:22.920
<v Speaker 4>Yeah, so you got brothers, right, you know what I'm saying,

0:12:22.920 --> 0:12:25.319
<v Speaker 4>But then you got twins like like so so like

0:12:25.679 --> 0:12:27.520
<v Speaker 4>from a lot of the hoods, you got got twins,

0:12:27.600 --> 0:12:29.840
<v Speaker 4>and and that would would be referred to as the twins.

0:12:30.360 --> 0:12:32.400
<v Speaker 4>And when you see him, you can't some of the part,

0:12:32.480 --> 0:12:34.040
<v Speaker 4>so a lot of people just call him twin, you know,

0:12:34.240 --> 0:12:36.520
<v Speaker 4>you know what I'm saying, Like like, I mean like,

0:12:36.720 --> 0:12:38.160
<v Speaker 4>but but I used to think it was just like

0:12:38.200 --> 0:12:40.520
<v Speaker 4>a West Coast thing. But then I've seen this film

0:12:40.559 --> 0:12:42.959
<v Speaker 4>called The Craze and it was white twins. I was,

0:12:43.080 --> 0:12:44.559
<v Speaker 4>I was, I was in you know, it was in

0:12:44.720 --> 0:12:46.959
<v Speaker 4>Uh it was cock me and doing that doing that

0:12:47.080 --> 0:12:48.240
<v Speaker 4>thing you know, and.

0:12:48.280 --> 0:12:50.000
<v Speaker 1>I realized it was. It was, it was a whole thing.

0:12:50.040 --> 0:12:53.559
<v Speaker 4>But but in Black culture, uh specifically West African culture,

0:12:53.600 --> 0:12:55.200
<v Speaker 4>it's like a it's like a spiritual thing.

0:12:55.280 --> 0:12:56.240
<v Speaker 1>They're like twin.

0:12:56.160 --> 0:12:59.240
<v Speaker 4>Deities out of Europe, but out of the europe religion,

0:12:59.280 --> 0:13:01.080
<v Speaker 4>you know what I'm saying. And the Yurope with people

0:13:01.160 --> 0:13:05.880
<v Speaker 4>over indexing fraternal twins, you know, so as African Americans,

0:13:05.880 --> 0:13:07.880
<v Speaker 4>we're most likely that we're more likely to have twins

0:13:07.920 --> 0:13:11.160
<v Speaker 4>and other than other people. Right, but with identical twins,

0:13:11.720 --> 0:13:14.599
<v Speaker 4>they scientifically don't even understand how it happens, you know

0:13:14.600 --> 0:13:16.720
<v Speaker 4>what I'm saying, Still a mystery of how of how

0:13:17.200 --> 0:13:20.280
<v Speaker 4>of how the feralized splits and why it does.

0:13:20.440 --> 0:13:20.560
<v Speaker 2>Right.

0:13:22.040 --> 0:13:25.760
<v Speaker 4>And my mom's older sisters are identical twins, my Auntie

0:13:25.800 --> 0:13:28.440
<v Speaker 4>Maryland and my Auntie Curlyn. They in their seventies now.

0:13:28.520 --> 0:13:30.719
<v Speaker 4>They live right next door to each other. One of

0:13:30.760 --> 0:13:32.679
<v Speaker 4>them was my godmother, you know what I'm saying. The

0:13:32.720 --> 0:13:35.280
<v Speaker 4>other one I'm still I'm still super tight with. But

0:13:35.400 --> 0:13:38.439
<v Speaker 4>they are completely identical, you know what I'm saying. With

0:13:38.520 --> 0:13:40.760
<v Speaker 4>my whole life growing up, I could tell which one

0:13:40.880 --> 0:13:42.920
<v Speaker 4>was which just by looking at how they hold they face,

0:13:43.000 --> 0:13:44.760
<v Speaker 4>you know, what I'm saying, and what their energy is

0:13:44.800 --> 0:13:46.800
<v Speaker 4>like when they walk into it they walk into a room, right.

0:13:47.600 --> 0:13:50.679
<v Speaker 4>So it's something I've always been cognized up so I'm

0:13:50.720 --> 0:13:53.120
<v Speaker 4>always thought about, you know, and I always wanted to

0:13:53.160 --> 0:13:58.040
<v Speaker 4>explore it. And with this movie, I wanted to hire

0:13:58.080 --> 0:14:00.679
<v Speaker 4>some twin consultants from Mike to talk to. I got

0:14:00.800 --> 0:14:05.440
<v Speaker 4>two hommies named Noah and Logan Miller like white dudes,

0:14:05.480 --> 0:14:07.280
<v Speaker 4>but they from They from the Bay Area, from from

0:14:07.320 --> 0:14:09.319
<v Speaker 4>not not far from where park with the high school,

0:14:09.400 --> 0:14:12.120
<v Speaker 4>right and they and they really like Salt of the

0:14:12.200 --> 0:14:15.079
<v Speaker 4>Earth dudes, street dudes, And it became became filmmakers, you

0:14:15.080 --> 0:14:16.640
<v Speaker 4>know what I'm saying, like like hustled the hardway, didn't

0:14:16.640 --> 0:14:19.040
<v Speaker 4>go to film school and none of that. And they

0:14:19.160 --> 0:14:20.640
<v Speaker 4>and I hit him up and it was down. They

0:14:20.680 --> 0:14:22.480
<v Speaker 4>was like, yeah, we talked to him about it, and

0:14:22.560 --> 0:14:24.920
<v Speaker 4>bro was mind blowing. Many they would write up these

0:14:25.560 --> 0:14:27.280
<v Speaker 4>these kind of journals, you know what I mean, for

0:14:27.400 --> 0:14:29.000
<v Speaker 4>him for him to kind of look at and study

0:14:30.040 --> 0:14:33.440
<v Speaker 4>and they would kind of explain, uh, the mindset of

0:14:33.440 --> 0:14:36.480
<v Speaker 4>an identical twin and and and what I learned I

0:14:36.560 --> 0:14:40.040
<v Speaker 4>was also fascinating was that when when when identical twins,

0:14:40.240 --> 0:14:43.160
<v Speaker 4>siblings passed like they don't live long after, you know,

0:14:43.440 --> 0:14:44.760
<v Speaker 4>you know what I'm saying, Like it's one of those

0:14:44.800 --> 0:14:48.160
<v Speaker 4>things where it's such a symbiotic relationship, you know what.

0:14:48.320 --> 0:14:49.840
<v Speaker 4>You know what I'm saying, that that that you know,

0:14:49.920 --> 0:14:52.320
<v Speaker 4>you you start from in uterol with this, you know

0:14:52.360 --> 0:14:53.920
<v Speaker 4>what I'm saying with this, with this, with this person,

0:14:54.040 --> 0:14:56.440
<v Speaker 4>you know what I mean, and you go through you

0:14:56.520 --> 0:14:58.560
<v Speaker 4>go through the world being othered, you know what I'm saying.

0:14:58.760 --> 0:15:02.960
<v Speaker 4>It was also talking about how people would oftentimes like

0:15:03.000 --> 0:15:04.840
<v Speaker 4>play a game trying to trying to tell them apart,

0:15:05.000 --> 0:15:07.760
<v Speaker 4>you know, like how and how dehumanizing that.

0:15:07.920 --> 0:15:09.160
<v Speaker 1>Is for them. You know what I'm saying. It's something

0:15:09.160 --> 0:15:10.240
<v Speaker 1>that they eventually get used to.

0:15:11.000 --> 0:15:14.400
<v Speaker 4>But you know, like they work with Mike. It really

0:15:14.480 --> 0:15:17.120
<v Speaker 4>helped me work with work with who these with who

0:15:17.160 --> 0:15:18.960
<v Speaker 4>these characters are, you know, you know what I mean.

0:15:19.240 --> 0:15:20.720
<v Speaker 4>And I got to know my friends better.

0:15:20.840 --> 0:15:24.680
<v Speaker 1>Bro. You know, I'm not I know I've been going

0:15:24.760 --> 0:15:25.160
<v Speaker 1>for a while.

0:15:25.200 --> 0:15:27.640
<v Speaker 4>But one funny thing I realized with them, I've been

0:15:27.680 --> 0:15:31.320
<v Speaker 4>knowing it for you for over a decade. I've been

0:15:31.360 --> 0:15:32.480
<v Speaker 4>knowing it for over a decade. And I had them

0:15:32.480 --> 0:15:35.320
<v Speaker 4>come over to my house in the bay just to

0:15:35.400 --> 0:15:37.480
<v Speaker 4>kind of work through some stuff before before they sat

0:15:37.520 --> 0:15:39.640
<v Speaker 4>down with Mike, And I never forget this, Like they

0:15:39.760 --> 0:15:41.520
<v Speaker 4>they came and sat down on my college and they

0:15:41.520 --> 0:15:43.440
<v Speaker 4>sit side, they sit sideway side, you know, I mean

0:15:43.480 --> 0:15:46.640
<v Speaker 4>they completely identical, right, you notice just about identical twins

0:15:46.640 --> 0:15:48.720
<v Speaker 4>whore rolling around a lot of times that they'll be

0:15:48.920 --> 0:15:51.400
<v Speaker 4>they'll be like, they'll be like touching each other looking

0:15:52.080 --> 0:15:55.240
<v Speaker 4>and I say, hey, man, I noticed y'all, Like y'all

0:15:55.280 --> 0:15:56.800
<v Speaker 4>like touching each other, y'all close enough to each other

0:15:56.880 --> 0:15:57.200
<v Speaker 4>to touch.

0:15:57.840 --> 0:16:01.320
<v Speaker 1>And they're like yeah. And I'm like, when y'all when

0:16:01.400 --> 0:16:04.760
<v Speaker 1>y'all shit side by side, like that is that for me?

0:16:05.240 --> 0:16:07.960
<v Speaker 1>Or is that for y'all? And they say it's for you, right,

0:16:08.120 --> 0:16:09.560
<v Speaker 1>I'm like, and I'm like, so, y'all don't need to

0:16:09.640 --> 0:16:12.120
<v Speaker 1>be next to each other. It's like nah. They was like,

0:16:12.160 --> 0:16:14.400
<v Speaker 1>but it freaks people out when we not, you know,

0:16:14.840 --> 0:16:16.680
<v Speaker 1>you know, cause because because you know so it's like

0:16:16.720 --> 0:16:18.480
<v Speaker 1>a thing like how you how you know, in all school,

0:16:18.480 --> 0:16:19.840
<v Speaker 1>when you shake hands, you show both hands.

0:16:20.360 --> 0:16:22.440
<v Speaker 4>That's how they That's how they approached the world. And

0:16:22.520 --> 0:16:24.480
<v Speaker 4>they say, as soon as we have a problem with somebody,

0:16:25.200 --> 0:16:27.360
<v Speaker 4>like if we feel like if we feel under threat

0:16:27.600 --> 0:16:29.200
<v Speaker 4>or something like get physical to first they do is

0:16:29.240 --> 0:16:31.920
<v Speaker 4>split up so that you can't so you have to

0:16:31.920 --> 0:16:33.760
<v Speaker 4>turn your head to see the other one. So then

0:16:33.840 --> 0:16:35.600
<v Speaker 4>I was like, hey, have y'all ever had a like,

0:16:35.680 --> 0:16:37.800
<v Speaker 4>have y'all ever had a one on one? And they

0:16:37.840 --> 0:16:38.760
<v Speaker 4>said only with each other?

0:16:39.520 --> 0:16:42.480
<v Speaker 1>Wow? So the whole life right eve Ben jumping people?

0:16:42.560 --> 0:16:48.200
<v Speaker 2>You know, straight up, like I have a question about

0:16:48.200 --> 0:16:48.520
<v Speaker 2>the movie.

0:16:48.640 --> 0:16:50.040
<v Speaker 6>Just hear you say that, And I don't know if

0:16:50.120 --> 0:16:52.040
<v Speaker 6>maybe I might be digging too deep, but tell me,

0:16:52.160 --> 0:16:54.240
<v Speaker 6>this is the thing. The first time we see Michael

0:16:54.360 --> 0:16:57.520
<v Speaker 6>Jordan in the role, they're side by side. And then

0:16:57.720 --> 0:16:59.160
<v Speaker 6>the first time we see one of the twins, I

0:16:59.200 --> 0:17:01.240
<v Speaker 6>think it's smoked Heaven issue where the men in the

0:17:01.280 --> 0:17:02.800
<v Speaker 6>back of the truck he by hisself?

0:17:03.680 --> 0:17:04.320
<v Speaker 1>Is that from that?

0:17:04.720 --> 0:17:04.879
<v Speaker 6>Like that?

0:17:05.200 --> 0:17:08.359
<v Speaker 1>Yeah, okay, you doing this thing?

0:17:09.400 --> 0:17:12.840
<v Speaker 6>Like because just hearing the like the inspiration, yes, like

0:17:12.880 --> 0:17:14.919
<v Speaker 6>that conversation because I have friends that are twins too,

0:17:14.960 --> 0:17:15.760
<v Speaker 6>and I never thought about that.

0:17:15.880 --> 0:17:18.560
<v Speaker 4>Well yeah, like like like so so that that's that's

0:17:18.600 --> 0:17:23.720
<v Speaker 4>the other thing we learned about about about these symbiotic relationships.

0:17:24.680 --> 0:17:25.040
<v Speaker 1>It's like.

0:17:26.720 --> 0:17:30.480
<v Speaker 4>When you get them by themselves, the individual, the individual

0:17:30.560 --> 0:17:33.760
<v Speaker 4>differences come out and become more prevalent, become more prevalent,

0:17:34.119 --> 0:17:37.480
<v Speaker 4>and and and the thing with smoking Stack is the

0:17:37.520 --> 0:17:39.919
<v Speaker 4>whole dynamic want to ruin the movie. Man comes out,

0:17:41.720 --> 0:17:46.720
<v Speaker 4>But the dynamic between them is one isn't is inherently

0:17:47.240 --> 0:17:50.160
<v Speaker 4>more violent and more practical the other one.

0:17:50.119 --> 0:17:52.800
<v Speaker 1>The other one is is a kinder person, you know

0:17:52.840 --> 0:17:53.320
<v Speaker 1>what I'm saying.

0:17:53.400 --> 0:17:57.720
<v Speaker 4>So the situation she's talking about smokes by himself and

0:17:57.760 --> 0:17:59.520
<v Speaker 4>catching somebody trying to steal it from you know what

0:17:59.520 --> 0:18:01.280
<v Speaker 4>I'm saying. And Stack's not there to be like, hey

0:18:01.400 --> 0:18:02.960
<v Speaker 4>let him ride, you know, you know, you know what

0:18:02.960 --> 0:18:07.359
<v Speaker 4>I'm saying. So you know, but but Stack also needs,

0:18:07.640 --> 0:18:10.200
<v Speaker 4>you know what I'm saying, smoke because he's two lax,

0:18:10.240 --> 0:18:10.640
<v Speaker 4>you know what I mean?

0:18:10.720 --> 0:18:11.639
<v Speaker 1>Two and two and two come.

0:18:11.720 --> 0:18:13.679
<v Speaker 4>So you see that, you know, you see the uh,

0:18:14.520 --> 0:18:17.040
<v Speaker 4>the the issues that arise with that when they split up.

0:18:17.080 --> 0:18:19.600
<v Speaker 4>For about you know, twenty twenty five minutes in a movie.

0:18:20.000 --> 0:18:21.560
<v Speaker 3>What made you want to do this movie? Was it

0:18:22.240 --> 0:18:25.080
<v Speaker 3>the complexity of what you're talking about or what caught

0:18:25.119 --> 0:18:25.760
<v Speaker 3>you with this movie?

0:18:27.440 --> 0:18:28.680
<v Speaker 6>There's some family ties, right.

0:18:28.680 --> 0:18:31.200
<v Speaker 4>Yeah, yeah, absolutely, so I can talk about all of

0:18:31.240 --> 0:18:32.560
<v Speaker 4>it here. It's the best it's the best place to

0:18:32.600 --> 0:18:34.560
<v Speaker 4>talk about man. Thank you, thank y'all for inviting, because

0:18:34.600 --> 0:18:38.000
<v Speaker 4>y'all y'all get all of this. So, so look, I

0:18:38.080 --> 0:18:44.040
<v Speaker 4>had an uncle, uh now, uncle James Edmonson, and he

0:18:44.200 --> 0:18:46.280
<v Speaker 4>was he was he was he was born and raised

0:18:46.320 --> 0:18:51.280
<v Speaker 4>in Mississippi. But then but then flagg uh to Auckland

0:18:52.560 --> 0:18:56.119
<v Speaker 4>when he was like in his twenties, you know. So

0:18:56.240 --> 0:18:58.840
<v Speaker 4>so you know, that's where I was born. And we

0:18:58.920 --> 0:19:01.239
<v Speaker 4>probably like the second way with a great migration, right

0:19:01.640 --> 0:19:04.960
<v Speaker 4>you know. And and he was the he was basically

0:19:05.040 --> 0:19:07.879
<v Speaker 4>like the oldest member of my family for for all,

0:19:07.960 --> 0:19:09.720
<v Speaker 4>this male member of my family for a long time.

0:19:10.320 --> 0:19:13.040
<v Speaker 4>And when my parents couldn't afford to buy a house

0:19:13.080 --> 0:19:14.840
<v Speaker 4>on Auckland, we ended up moving to Richmond, which is

0:19:15.040 --> 0:19:17.560
<v Speaker 4>you know, it's essentially like like Newark would be here

0:19:17.800 --> 0:19:20.200
<v Speaker 4>here and here in New York, right if Oakland was Brooklyn.

0:19:20.920 --> 0:19:25.520
<v Speaker 4>And and shortly after we moved, my uncle James his

0:19:25.640 --> 0:19:27.399
<v Speaker 4>family moved. It was like down the block from me,

0:19:27.520 --> 0:19:30.480
<v Speaker 4>you know. So I would go spend time with him

0:19:30.840 --> 0:19:32.320
<v Speaker 4>to get out the house, I could walk to his house.

0:19:32.720 --> 0:19:34.399
<v Speaker 4>And all he would do when he was off from

0:19:34.440 --> 0:19:36.760
<v Speaker 4>work is he would listen to to to either watch

0:19:36.800 --> 0:19:39.200
<v Speaker 4>it San Fransco Giants game on TV, or he would

0:19:39.240 --> 0:19:41.000
<v Speaker 4>listen to it on the radio for what in televas

0:19:41.400 --> 0:19:44.160
<v Speaker 4>to drink all Tyler whiskey and play blues records on vinyl,

0:19:44.720 --> 0:19:47.000
<v Speaker 4>you know what I'm saying. And I came to associate

0:19:47.040 --> 0:19:49.680
<v Speaker 4>that music with him. I didn't think about the music,

0:19:49.720 --> 0:19:51.000
<v Speaker 4>you know, for me, And for me it was it

0:19:51.080 --> 0:19:52.000
<v Speaker 4>was you know what I'm saying, it was it was

0:19:52.119 --> 0:19:52.720
<v Speaker 4>rapping R and B.

0:19:52.920 --> 0:19:53.040
<v Speaker 1>Right.

0:19:54.200 --> 0:19:58.040
<v Speaker 4>But but in twenty fifteen, he ended up, he ended

0:19:58.080 --> 0:20:00.800
<v Speaker 4>up passing away and and he and he and he

0:20:01.440 --> 0:20:03.359
<v Speaker 4>he got shick while I was making Creed.

0:20:04.680 --> 0:20:05.720
<v Speaker 1>So I was like, I was, I was.

0:20:05.880 --> 0:20:07.640
<v Speaker 4>I was in Philly for most of the time while

0:20:07.640 --> 0:20:09.440
<v Speaker 4>he was sick. Then I had to go to l A,

0:20:09.760 --> 0:20:12.159
<v Speaker 4>you know what I'm saying and do post production. And

0:20:12.240 --> 0:20:14.480
<v Speaker 4>I got the call that he died while I was like,

0:20:14.880 --> 0:20:17.440
<v Speaker 4>I don't know, like picture locking or something, and I

0:20:17.480 --> 0:20:18.600
<v Speaker 4>felt like ship bro, can.

0:20:18.480 --> 0:20:19.480
<v Speaker 1>I cuts on this course?

0:20:19.680 --> 0:20:19.840
<v Speaker 2>Yeah?

0:20:20.040 --> 0:20:22.040
<v Speaker 1>I felt like ship Bro. I remember being in the

0:20:22.359 --> 0:20:22.520
<v Speaker 1>in the.

0:20:22.560 --> 0:20:25.800
<v Speaker 4>Hallway with my wife who who who produced this movie

0:20:26.240 --> 0:20:28.840
<v Speaker 4>Centers and just and just feeling like just feeling like

0:20:28.920 --> 0:20:29.920
<v Speaker 4>what the fuck am I doing?

0:20:30.040 --> 0:20:31.520
<v Speaker 1>Man? I'm not I'm not at home with my you

0:20:31.560 --> 0:20:31.960
<v Speaker 1>know what I'm saying.

0:20:32.119 --> 0:20:33.720
<v Speaker 4>I'm like, I'm not going I'm like in a hallway

0:20:33.760 --> 0:20:36.159
<v Speaker 4>and in the middle of l A and some some

0:20:36.320 --> 0:20:38.600
<v Speaker 4>dirty production facility, you know, you know what I'm saying.

0:20:38.800 --> 0:20:41.520
<v Speaker 4>And and I and I I made at home for

0:20:41.600 --> 0:20:43.520
<v Speaker 4>the funeral, but I never reckoned with that, that that

0:20:43.760 --> 0:20:47.040
<v Speaker 4>that feeling of of not being there with somebody who

0:20:47.119 --> 0:20:50.040
<v Speaker 4>was so important to me. And and so I would

0:20:50.040 --> 0:20:51.879
<v Speaker 4>find myself when I was thinking about him playing like

0:20:51.920 --> 0:20:54.560
<v Speaker 4>all blues records you feel me like and I And

0:20:54.760 --> 0:20:56.479
<v Speaker 4>when I would listen to him, it was like if

0:20:56.520 --> 0:20:58.159
<v Speaker 4>I caused my eyes like he was there with me,

0:20:58.320 --> 0:20:59.600
<v Speaker 4>you know, you know what I'm saying, Like the power

0:20:59.640 --> 0:21:01.200
<v Speaker 4>of the the power of music to be able to

0:21:01.280 --> 0:21:04.960
<v Speaker 4>do that right, and so so you got that.

0:21:06.720 --> 0:21:11.880
<v Speaker 1>There was another element to it. Uh So I've been making.

0:21:13.640 --> 0:21:17.399
<v Speaker 4>Films based on other things basically my whole my whole career, right, Like,

0:21:17.560 --> 0:21:22.280
<v Speaker 4>Like my first feature film was Frouville, and I was

0:21:22.320 --> 0:21:24.240
<v Speaker 4>based on a really like a real thing that happened,

0:21:24.440 --> 0:21:26.159
<v Speaker 4>you know what I'm saying where where I'm from, right,

0:21:26.560 --> 0:21:29.760
<v Speaker 4>And it's it's only you know, it's it's only it's

0:21:29.800 --> 0:21:31.399
<v Speaker 4>only so many ways you tell that story. And I

0:21:31.520 --> 0:21:32.800
<v Speaker 4>was trying to tell it the way that that that

0:21:33.359 --> 0:21:37.880
<v Speaker 4>that that that I had the most integrity for where

0:21:37.880 --> 0:21:40.159
<v Speaker 4>I'm from before, for his family and for that who

0:21:40.240 --> 0:21:42.639
<v Speaker 4>that who that young man was who was murdered by

0:21:42.920 --> 0:21:46.280
<v Speaker 4>but by the police officer, right, and and and and

0:21:47.359 --> 0:21:50.240
<v Speaker 4>then then I was forced to make like a movie

0:21:50.280 --> 0:21:51.840
<v Speaker 4>in the Rocky in the Rocky Universe, right, you know

0:21:51.880 --> 0:21:54.480
<v Speaker 4>what I'm saying, a movie about Paul Creed's son. And

0:21:55.440 --> 0:21:56.960
<v Speaker 4>like I hired for the Black Panther movies, you know

0:21:56.960 --> 0:21:58.520
<v Speaker 4>what I'm saying. You know, these all stuff based on

0:21:58.560 --> 0:22:02.840
<v Speaker 4>other things. So so I'm on Panther two and it's

0:22:03.000 --> 0:22:04.760
<v Speaker 4>it's taken a long time. We had a lot of experience,

0:22:04.760 --> 0:22:07.680
<v Speaker 4>a lot of a lot of tragedy, a lot of misfortune.

0:22:08.119 --> 0:22:10.080
<v Speaker 4>It's a lot that that wasn't just us, by the way.

0:22:10.119 --> 0:22:14.040
<v Speaker 1>It was during the global pandemic, you know what I'm saying.

0:22:14.119 --> 0:22:15.439
<v Speaker 1>And and and you know.

0:22:17.600 --> 0:22:23.480
<v Speaker 4>Tragically lost our actor, uh rest peace. So I had

0:22:23.560 --> 0:22:25.520
<v Speaker 4>to have to refigure that out, you know what I'm saying,

0:22:25.560 --> 0:22:27.560
<v Speaker 4>and keep it together with everybody who was who was

0:22:27.640 --> 0:22:29.960
<v Speaker 4>involved still want to still want to make something and

0:22:31.040 --> 0:22:34.440
<v Speaker 4>our lead actress, Lovely letch Wright was was injured on set.

0:22:34.560 --> 0:22:36.640
<v Speaker 4>Had to have to shut down for that am Cron

0:22:36.680 --> 0:22:39.360
<v Speaker 4>shuts down and and you know, and in Atlanta ended

0:22:39.440 --> 0:22:40.640
<v Speaker 4>up being like a four year movie.

0:22:40.720 --> 0:22:40.840
<v Speaker 6>Bro.

0:22:41.240 --> 0:22:41.520
<v Speaker 2>Wow.

0:22:41.840 --> 0:22:44.040
<v Speaker 1>And and I remember we was going through maybe the

0:22:44.119 --> 0:22:46.920
<v Speaker 1>worst of you man, and and and what would get

0:22:47.000 --> 0:22:47.360
<v Speaker 1>me through?

0:22:48.040 --> 0:22:49.639
<v Speaker 4>You know what I'm saying. While I was out there,

0:22:49.760 --> 0:22:52.439
<v Speaker 4>was listening to was listening to some of my favorite artists, Bro.

0:22:53.640 --> 0:22:55.640
<v Speaker 4>And I was listening to a lot of nip Rest

0:22:55.720 --> 0:23:00.520
<v Speaker 4>and Peace. I was listened to a lot of golf right. Look, look,

0:23:00.840 --> 0:23:02.600
<v Speaker 4>but when I was listening to dol Bro, it wasn't

0:23:02.600 --> 0:23:06.080
<v Speaker 4>a resting piece yet. Bro wasn't resting piece yet. And

0:23:06.760 --> 0:23:07.679
<v Speaker 4>and I'll never forget Bro.

0:23:07.720 --> 0:23:08.080
<v Speaker 1>I think it was.

0:23:08.160 --> 0:23:13.160
<v Speaker 4>I think it was November seventeenth, twenty twenty one. I'm

0:23:13.240 --> 0:23:16.720
<v Speaker 4>in Byron, Georgia. Bro and I see my first cotton

0:23:16.800 --> 0:23:19.679
<v Speaker 4>field in my life. We were riding and.

0:23:19.720 --> 0:23:22.280
<v Speaker 1>I and I saw it. I taught the driver man't

0:23:22.320 --> 0:23:24.960
<v Speaker 1>pull over. You know what I'm saying, bounced talk. I

0:23:25.000 --> 0:23:27.040
<v Speaker 1>never I had never seen one before. You know, you know,

0:23:27.280 --> 0:23:29.080
<v Speaker 1>driver White, No, he's not.

0:23:30.520 --> 0:23:36.080
<v Speaker 2>He probably was like finally trying to get them back here, Bro, who's.

0:23:35.800 --> 0:23:36.479
<v Speaker 1>Our driver name?

0:23:36.560 --> 0:23:40.440
<v Speaker 2>Baby h Craig.

0:23:41.600 --> 0:23:45.320
<v Speaker 4>Oh yeah, it was shouts off the craig Man. Black

0:23:45.400 --> 0:23:49.480
<v Speaker 4>Man from Cradle from New York. You're create from Okay,

0:23:49.600 --> 0:23:52.639
<v Speaker 4>black Man from New York. But she was in We was,

0:23:52.800 --> 0:23:54.800
<v Speaker 4>you know, walking out of Atlanta right like verybody was

0:23:54.840 --> 0:23:58.879
<v Speaker 4>making the movies Dan Bow, Bro, and.

0:24:00.040 --> 0:24:02.320
<v Speaker 1>I go, I go. I literally like when I went

0:24:02.400 --> 0:24:04.720
<v Speaker 1>into the field just to see it, Bro, I was

0:24:04.760 --> 0:24:06.600
<v Speaker 1>having like a crazy ash you know, you know what

0:24:06.600 --> 0:24:06.960
<v Speaker 1>I'm saying.

0:24:07.000 --> 0:24:14.960
<v Speaker 4>Moment was like like what that felt like? I keep it, honey,

0:24:15.000 --> 0:24:17.240
<v Speaker 4>but I couldn't. I couldn't describe it. I couldn't describe it, Bro,

0:24:17.520 --> 0:24:23.520
<v Speaker 4>because like I felt guilty. I felt like, you know,

0:24:23.520 --> 0:24:25.399
<v Speaker 4>I've been on this show. We talking about going to Africa,

0:24:26.000 --> 0:24:28.680
<v Speaker 4>you know what I'm saying. And I wanted to get

0:24:29.000 --> 0:24:32.800
<v Speaker 4>type deal with my ancestors and and and and but

0:24:32.880 --> 0:24:35.600
<v Speaker 4>then was my ancestors one hundred years we moved. This

0:24:35.800 --> 0:24:37.840
<v Speaker 4>is my ancestors, Howndrey.

0:24:37.640 --> 0:24:38.240
<v Speaker 1>Years you moved?

0:24:39.040 --> 0:24:41.560
<v Speaker 4>Hadn't hadn't been there, hadn't seen it, you know, you

0:24:41.600 --> 0:24:43.520
<v Speaker 4>know you know what I'm saying. So it was it

0:24:43.640 --> 0:24:46.080
<v Speaker 4>was like an overwoman since a guilt where when where

0:24:46.160 --> 0:24:54.000
<v Speaker 4>anything right, And uh I took something, you know, and

0:24:54.160 --> 0:24:57.520
<v Speaker 4>uh I believe that day when when I heard he

0:24:57.680 --> 0:25:01.080
<v Speaker 4>was right, you know, and I and I.

0:25:01.200 --> 0:25:04.320
<v Speaker 1>Was I had never met this dude. I never met Nick,

0:25:04.640 --> 0:25:05.280
<v Speaker 1>you know what I'm saying.

0:25:05.320 --> 0:25:08.000
<v Speaker 4>But but but I felt like but I felt like

0:25:08.080 --> 0:25:09.600
<v Speaker 4>I knew him, you know, you know what I'm saying,

0:25:09.640 --> 0:25:15.080
<v Speaker 4>like from from from the music and and I remember

0:25:15.160 --> 0:25:18.840
<v Speaker 4>being like, man, fuck this, like because because you gotta

0:25:18.880 --> 0:25:21.479
<v Speaker 4>keep in mind, I was in the Bay, Bro, going

0:25:21.480 --> 0:25:22.760
<v Speaker 4>to football practice with my homies.

0:25:22.840 --> 0:25:25.480
<v Speaker 1>We heard pop God and we were sea pot you know.

0:25:25.720 --> 0:25:27.000
<v Speaker 4>You know you know what I'm saying, Like it shut

0:25:27.040 --> 0:25:29.760
<v Speaker 4>the whole It shot our whole football practice down. The

0:25:29.840 --> 0:25:32.359
<v Speaker 4>mamas was crying, the cultures was crying, and I'm like,

0:25:32.480 --> 0:25:35.679
<v Speaker 4>I'm like, bro as a fan of his music, Bro, Bro,

0:25:35.720 --> 0:25:37.879
<v Speaker 4>it's been a lifetime and this ship Bro. Like like

0:25:38.160 --> 0:25:41.480
<v Speaker 4>like being in being in Philly on Creed and hearing

0:25:41.520 --> 0:25:43.880
<v Speaker 4>that that that the jack or reustion piece got killed.

0:25:43.920 --> 0:25:45.399
<v Speaker 4>You know what I'm saying, that keep the sneak got

0:25:45.400 --> 0:25:45.960
<v Speaker 4>shot in the back.

0:25:45.960 --> 0:25:46.600
<v Speaker 1>He paralyzed.

0:25:46.640 --> 0:25:48.520
<v Speaker 4>Now like I'm like, you know, my hummies out that

0:25:48.640 --> 0:25:50.320
<v Speaker 4>that came up and was rapping. He never heard of

0:25:50.480 --> 0:25:52.520
<v Speaker 4>you Feel Me that that, And I'm like, I'm like, Bro,

0:25:52.560 --> 0:25:54.440
<v Speaker 4>I can't listen to this music right now, Bro, I can't.

0:25:54.440 --> 0:25:55.840
<v Speaker 1>I gotta take a break. You feel Me?

0:25:55.960 --> 0:25:59.400
<v Speaker 4>And I remember venting to my producer, who is from

0:26:00.000 --> 0:26:03.440
<v Speaker 4>into California, from close black man, but from a different

0:26:03.440 --> 0:26:08.800
<v Speaker 4>culture there, and and I say, man, I said, Bro,

0:26:08.880 --> 0:26:10.080
<v Speaker 4>what kind of music is here?

0:26:10.200 --> 0:26:10.280
<v Speaker 2>Bro?

0:26:10.920 --> 0:26:16.800
<v Speaker 4>Where the artist talks about how to navigate where they're from,

0:26:16.840 --> 0:26:18.560
<v Speaker 4>how to escape all the demons they dealing with.

0:26:18.760 --> 0:26:24.000
<v Speaker 1>Man, Like she get to the thirties and still fall

0:26:24.119 --> 0:26:26.000
<v Speaker 1>victim to the ship? Bro, what music exists like this?

0:26:26.119 --> 0:26:26.280
<v Speaker 2>I was.

0:26:26.320 --> 0:26:28.840
<v Speaker 4>I was saying that, like like he looked at me.

0:26:29.040 --> 0:26:31.040
<v Speaker 4>He's a smart dude, Moore. He looked at me Bro,

0:26:31.280 --> 0:26:33.520
<v Speaker 4>and like and like in a real empathetic way. It

0:26:33.560 --> 0:26:37.159
<v Speaker 4>conshittered it and he was like, he's like, man, my

0:26:37.240 --> 0:26:38.040
<v Speaker 4>favorite music like that.

0:26:38.960 --> 0:26:41.400
<v Speaker 1>I said, what music is that? He said, Man, grunge music.

0:26:42.280 --> 0:26:44.879
<v Speaker 1>I said, huh m hm. He said yeah, man, he's

0:26:44.920 --> 0:26:46.600
<v Speaker 1>like he said, we just lost Chris Cornell Bright. He

0:26:46.640 --> 0:26:47.320
<v Speaker 1>was in his fifties.

0:26:48.680 --> 0:26:50.000
<v Speaker 4>Yeah, he was like, he's like, all that music is

0:26:50.000 --> 0:26:51.639
<v Speaker 4>about struggling with you know what I'm saying, struggling with

0:26:51.680 --> 0:26:54.680
<v Speaker 4>that demon's depression and trying and kick dope, you know

0:26:54.720 --> 0:26:56.000
<v Speaker 4>what I mean. And they end up, you know, they

0:26:56.040 --> 0:26:57.520
<v Speaker 4>get get all the money in the world, standing up

0:26:57.560 --> 0:26:58.520
<v Speaker 4>dying in the hotel rooms.

0:26:58.760 --> 0:26:58.920
<v Speaker 2>You know.

0:26:59.440 --> 0:27:02.159
<v Speaker 1>I said, ship, damn, you know.

0:27:02.520 --> 0:27:05.920
<v Speaker 4>And what's crazy is in the Bay our biggest radio

0:27:05.960 --> 0:27:08.720
<v Speaker 4>station when I point when came here, and the only

0:27:08.840 --> 0:27:10.680
<v Speaker 4>rock song I ever played on that station Bro coming

0:27:10.760 --> 0:27:12.399
<v Speaker 4>up with Nirvana with smell like teen Spirit.

0:27:13.320 --> 0:27:15.159
<v Speaker 1>So I was like, Man, let me dig into this

0:27:15.240 --> 0:27:15.800
<v Speaker 1>grunge music.

0:27:16.119 --> 0:27:17.720
<v Speaker 4>I'm I'm gonna take a break from you know what

0:27:17.720 --> 0:27:21.280
<v Speaker 4>I'm saying, from listen to gruns And I started listening

0:27:21.320 --> 0:27:24.480
<v Speaker 4>to it, Bro, and I was like, Man, this.

0:27:24.480 --> 0:27:27.480
<v Speaker 1>Ship something like with my uncle used to play like

0:27:27.920 --> 0:27:33.000
<v Speaker 1>I was. I was listening to like it's literally like

0:27:33.040 --> 0:27:33.800
<v Speaker 1>I'm listening to it.

0:27:34.440 --> 0:27:36.840
<v Speaker 4>I'm listening to the guitar ribs and like what they're

0:27:36.840 --> 0:27:39.520
<v Speaker 4>talking about and and like like the passionate seeing with

0:27:39.880 --> 0:27:45.880
<v Speaker 4>and I'm like, that's all man, I thunk into the research, man,

0:27:46.000 --> 0:27:47.159
<v Speaker 4>And that's exactly what it is.

0:27:47.520 --> 0:27:48.080
<v Speaker 1>You know what I'm saying.

0:27:48.080 --> 0:27:49.560
<v Speaker 4>It's just it's just it's just blues me to some

0:27:49.680 --> 0:27:51.600
<v Speaker 4>of my white people, you know. You know what I'm saying,

0:27:52.240 --> 0:27:55.920
<v Speaker 4>and that was that was when I was like, and

0:27:56.000 --> 0:27:57.960
<v Speaker 4>it's just it's just like within it same twenty four hours,

0:27:58.000 --> 0:27:59.280
<v Speaker 4>you know. You know what I'm saying that was That

0:27:59.359 --> 0:28:05.879
<v Speaker 4>was was that's I was like Sherry cropping blues, the

0:28:05.960 --> 0:28:10.720
<v Speaker 4>evolution of it, the h the racious origins of genre

0:28:11.000 --> 0:28:13.240
<v Speaker 4>as a concept, you know what I'm saying. Like, I'm like,

0:28:13.760 --> 0:28:15.920
<v Speaker 4>I think it's a movie in this, you know. And

0:28:16.680 --> 0:28:19.399
<v Speaker 4>and I'm just a big horror movie fan, bro, I like,

0:28:20.040 --> 0:28:22.760
<v Speaker 4>I like, I like horror and all this fashions, and

0:28:22.760 --> 0:28:24.520
<v Speaker 4>nobody really knew that about me, you know what I'm saying,

0:28:24.560 --> 0:28:26.879
<v Speaker 4>because of the movies that I that I made, So

0:28:27.000 --> 0:28:28.800
<v Speaker 4>I put that with it too, and and you know,

0:28:28.960 --> 0:28:30.959
<v Speaker 4>this is this is how you got how you got shinish.

0:28:31.000 --> 0:28:31.600
<v Speaker 1>Just that makes sense.

0:28:32.600 --> 0:28:34.200
<v Speaker 5>I want to say rest in peace to it because

0:28:34.200 --> 0:28:36.280
<v Speaker 5>we just, uh, it was the six y anniversary of

0:28:36.359 --> 0:28:38.680
<v Speaker 5>his pasting like last week, and I also want to

0:28:38.680 --> 0:28:39.640
<v Speaker 5>say rest in peace to Dove.

0:28:39.840 --> 0:28:41.640
<v Speaker 2>It's something going on with Dolph Energetically.

0:28:41.680 --> 0:28:43.120
<v Speaker 5>I don't know what it is, because I've been listening

0:28:43.160 --> 0:28:45.560
<v Speaker 5>to Young Dolph a lot in the past forty eight hours. Yeah,

0:28:45.600 --> 0:28:47.360
<v Speaker 5>I've been saying and am I missed off? And I've

0:28:47.360 --> 0:28:49.840
<v Speaker 5>been telling my my wife and my my my cousin,

0:28:49.920 --> 0:28:50.600
<v Speaker 5>who's my trainer?

0:28:50.720 --> 0:28:52.360
<v Speaker 2>Yeah, I'm like, y'all want some new Dolph music.

0:28:52.360 --> 0:28:53.560
<v Speaker 5>And I don't know why I've been saying at the

0:28:53.600 --> 0:28:55.640
<v Speaker 5>last for I can show you my playlist, show you

0:28:55.880 --> 0:28:57.160
<v Speaker 5>how much doff I show.

0:28:56.960 --> 0:28:58.520
<v Speaker 2>You the last forty eight hours.

0:28:58.600 --> 0:29:01.280
<v Speaker 1>So now he got me through reping. People look Bro

0:29:01.480 --> 0:29:03.120
<v Speaker 1>like Nick, I.

0:29:03.200 --> 0:29:04.640
<v Speaker 4>Just I just talked. I just talked to I'll just talk.

0:29:04.920 --> 0:29:06.920
<v Speaker 4>I just talked to black Sham the other day. But

0:29:07.040 --> 0:29:12.840
<v Speaker 4>with Nick Nick reshing peace bro Hen me and me

0:29:12.920 --> 0:29:14.479
<v Speaker 4>and my wife was going through a tough time. Bro

0:29:15.160 --> 0:29:19.520
<v Speaker 4>when we released Panther one, and like the whole, the whole,

0:29:19.560 --> 0:29:22.880
<v Speaker 4>it was a really it was really uh odd experience

0:29:22.920 --> 0:29:25.080
<v Speaker 4>because because from the we was on top. It was

0:29:25.080 --> 0:29:26.720
<v Speaker 4>on top of the world, right and we was in

0:29:26.720 --> 0:29:29.000
<v Speaker 4>a certain extent, but but personally was going through some

0:29:29.080 --> 0:29:35.640
<v Speaker 4>ship and and Bro never I'll never forget Bro. Ship

0:29:35.760 --> 0:29:39.280
<v Speaker 4>was so heavy that that that that you know we

0:29:39.360 --> 0:29:41.440
<v Speaker 4>normally you know, the Bay, the Bay of l a

0:29:41.560 --> 0:29:43.280
<v Speaker 4>like a like a you know our flight, you feel me.

0:29:43.720 --> 0:29:45.840
<v Speaker 4>But I was like I was like, man, let's rent

0:29:45.880 --> 0:29:47.680
<v Speaker 4>a car and let's drive up to the Highway one

0:29:47.680 --> 0:29:50.120
<v Speaker 4>because our whole lives we're hearing about how beautiful.

0:29:49.800 --> 0:29:50.440
<v Speaker 1>Highway one is.

0:29:50.960 --> 0:29:54.600
<v Speaker 4>So let's rent a cars drive up Highway one. She

0:29:54.760 --> 0:29:56.640
<v Speaker 4>just coached everybody been talking about our whole lots.

0:29:56.680 --> 0:29:59.360
<v Speaker 1>You feel me? And she was like, she was like,

0:29:59.360 --> 0:30:01.920
<v Speaker 1>all right, bet we put all finished. The movie went

0:30:01.960 --> 0:30:02.120
<v Speaker 1>to a.

0:30:04.320 --> 0:30:07.080
<v Speaker 4>Wrinkling time screening, because that's our that's our sister, you

0:30:07.120 --> 0:30:09.840
<v Speaker 4>feel me knocked out all and he was like, let's

0:30:09.840 --> 0:30:12.080
<v Speaker 4>get back to the crib. So up the coach, bro

0:30:13.440 --> 0:30:19.920
<v Speaker 4>Man Victory lave all ride whole ride turned.

0:30:19.720 --> 0:30:23.560
<v Speaker 1>Off, and spend it back right. And and I always

0:30:23.560 --> 0:30:27.440
<v Speaker 1>associate him with the feeling of healing. That album.

0:30:27.640 --> 0:30:29.400
<v Speaker 4>That album brought us in that time, you know, you

0:30:29.440 --> 0:30:33.880
<v Speaker 4>know what I'm saying. And and and my association with

0:30:34.000 --> 0:30:37.080
<v Speaker 4>him was one of my best friends was down from from.

0:30:38.560 --> 0:30:38.760
<v Speaker 2>He did.

0:30:38.920 --> 0:30:41.120
<v Speaker 1>He did it rough for ten years, but he went

0:30:41.200 --> 0:30:43.320
<v Speaker 1>in when I was in when I was when I

0:30:43.400 --> 0:30:46.600
<v Speaker 1>was in film school. Came out the year the year

0:30:46.640 --> 0:30:48.480
<v Speaker 1>Black Panther came out, you know what I'm saying.

0:30:48.920 --> 0:30:51.760
<v Speaker 4>And I'll stay tapped in with him, you know, money

0:30:51.840 --> 0:30:54.360
<v Speaker 4>on his books, you know, And they would transfram all

0:30:54.360 --> 0:30:55.360
<v Speaker 4>over all over the country.

0:30:55.400 --> 0:30:55.960
<v Speaker 1>You know what I'm saying.

0:30:57.960 --> 0:31:00.320
<v Speaker 4>Every time you're transferighting, bro, he was like, need all

0:31:00.320 --> 0:31:02.280
<v Speaker 4>my NIP albums, Bro, I need I need, I need

0:31:02.320 --> 0:31:04.160
<v Speaker 4>them more. So I got to I have to rebind Marathon.

0:31:04.200 --> 0:31:05.640
<v Speaker 4>I have to find him and I got and I

0:31:05.680 --> 0:31:07.440
<v Speaker 4>gotta find it on the uh you know, on the

0:31:07.480 --> 0:31:08.120
<v Speaker 4>prison system.

0:31:08.240 --> 0:31:10.520
<v Speaker 1>You know, you know what I'm saying. And and you

0:31:10.600 --> 0:31:13.480
<v Speaker 1>know Nick got him through, you know his incarceration. You

0:31:13.520 --> 0:31:17.160
<v Speaker 1>feel me so yeah, bro, like when when when when.

0:31:18.600 --> 0:31:18.760
<v Speaker 2>You know?

0:31:19.760 --> 0:31:21.200
<v Speaker 1>And when you listen to somebody you feel like you

0:31:21.320 --> 0:31:21.720
<v Speaker 1>know them. Bro.

0:31:21.840 --> 0:31:23.240
<v Speaker 4>You know it's just a different type of y'all do

0:31:23.360 --> 0:31:25.880
<v Speaker 4>radio right, People probably listening y'all every morning, think y'all

0:31:25.880 --> 0:31:26.440
<v Speaker 4>their best friends.

0:31:26.520 --> 0:31:27.400
<v Speaker 1>You know. You know what I'm saying.

0:31:27.680 --> 0:31:30.360
<v Speaker 4>It's that it's that type of uh, it's that type

0:31:30.360 --> 0:31:33.880
<v Speaker 4>of get Dawn man. And and I showed the movie

0:31:33.920 --> 0:31:36.440
<v Speaker 4>to another to another filmmaker, mohammikal Matic.

0:31:36.280 --> 0:31:36.960
<v Speaker 1>Who's from l A.

0:31:38.400 --> 0:31:41.560
<v Speaker 4>You know that did the host Party film and did

0:31:41.600 --> 0:31:45.800
<v Speaker 4>the White Man Can't Jump sequel, and and amazine music

0:31:45.880 --> 0:31:48.240
<v Speaker 4>video director just did the just did the uh scrabble

0:31:48.320 --> 0:31:51.360
<v Speaker 4>up video right shouting centers.

0:31:51.640 --> 0:31:53.520
<v Speaker 1>First thing you say to me, man, seeing.

0:31:53.280 --> 0:31:55.080
<v Speaker 4>Them two dudes that it felt like it felt like

0:31:55.440 --> 0:31:57.760
<v Speaker 4>it felt like nip and sham, you know what I'm saying.

0:31:57.800 --> 0:31:58.240
<v Speaker 1>And I wasn't.

0:31:58.280 --> 0:32:00.000
<v Speaker 4>I wasn't even thinking about I wasn't even thinking about

0:32:00.600 --> 0:32:01.960
<v Speaker 4>the fact that these two you know what I'm saying,

0:32:01.960 --> 0:32:04.160
<v Speaker 4>he's the too brothers, Like we're gonna get it, you know,

0:32:04.200 --> 0:32:05.800
<v Speaker 4>you know what I'm saying. Like like when you said

0:32:05.840 --> 0:32:07.800
<v Speaker 4>that to me, Bro, that ship hit me on a

0:32:07.840 --> 0:32:10.720
<v Speaker 4>different you know, on a different level. I was like, Okay, Yeah,

0:32:11.520 --> 0:32:15.080
<v Speaker 4>I'm okay. Maybe my my cinematic language is getting to

0:32:15.440 --> 0:32:17.640
<v Speaker 4>it's getting to where it needs to be because because

0:32:17.880 --> 0:32:21.400
<v Speaker 4>I'm putting things and I'm feeling I'm maybe not even thinking.

0:32:21.280 --> 0:32:22.760
<v Speaker 1>About you know, you know what I'm saying.

0:32:22.880 --> 0:32:24.560
<v Speaker 5>And that's crazy cause when they talk about centers, they

0:32:24.600 --> 0:32:29.000
<v Speaker 5>talk about how your your genre blending right, drama, you

0:32:29.040 --> 0:32:30.200
<v Speaker 5>gotta put hip hop in there too.

0:32:30.800 --> 0:32:32.480
<v Speaker 1>All it's all over there the movie.

0:32:32.920 --> 0:32:36.160
<v Speaker 6>I feel like even in the way that the smoke

0:32:36.400 --> 0:32:39.840
<v Speaker 6>and his smoking, his brother shack Stack smoking Sack, even

0:32:39.880 --> 0:32:41.360
<v Speaker 6>the way that they like maneuver and the way that

0:32:41.400 --> 0:32:44.280
<v Speaker 6>they move, like even it's small stuff in there and

0:32:44.400 --> 0:32:46.800
<v Speaker 6>you I'm here, you say that it wasn't purposely, I guess,

0:32:46.880 --> 0:32:48.680
<v Speaker 6>but even the way he pulls out his gun and

0:32:48.680 --> 0:32:50.960
<v Speaker 6>stuff like that, it's like it's so much to it.

0:32:51.040 --> 0:32:52.920
<v Speaker 6>And when when I was watching the parts that I

0:32:52.960 --> 0:32:55.080
<v Speaker 6>did see of it, I was just seeing her thinking

0:32:55.160 --> 0:32:57.040
<v Speaker 6>like wow, Like I wonder how many times you sit

0:32:57.120 --> 0:32:59.440
<v Speaker 6>and watch it and you catch something different every single

0:32:59.520 --> 0:33:02.200
<v Speaker 6>time because it's like layered, and I think some of

0:33:02.240 --> 0:33:04.320
<v Speaker 6>it is not on purpose, Like does that happen to you?

0:33:04.400 --> 0:33:05.960
<v Speaker 2>Still? Yeah?

0:33:06.360 --> 0:33:11.160
<v Speaker 4>Yeah, I oftentimes catch things with this movie, especially because

0:33:11.160 --> 0:33:13.240
<v Speaker 4>it was so personal, you know what I'm saying. And

0:33:13.640 --> 0:33:15.960
<v Speaker 4>I've become a more experienced filmmaker, you know, you know

0:33:16.000 --> 0:33:18.840
<v Speaker 4>what I mean, And I'll be like, oh, I was

0:33:18.920 --> 0:33:21.440
<v Speaker 4>doing that and I ain't you know, I ain't realizing.

0:33:21.680 --> 0:33:24.880
<v Speaker 4>And the other thing that happens man when you when

0:33:24.880 --> 0:33:27.560
<v Speaker 4>you work on on uh, because our our r form

0:33:27.640 --> 0:33:31.600
<v Speaker 4>is is it's a tricky one, right, like you know.

0:33:31.760 --> 0:33:38.160
<v Speaker 4>For instance, the young great legend Rod Wave watched the

0:33:38.280 --> 0:33:40.560
<v Speaker 4>movie and then went knocked out a song for us

0:33:40.600 --> 0:33:42.920
<v Speaker 4>in the day inspired about inspired a byt the film,

0:33:43.280 --> 0:33:44.640
<v Speaker 4>and Ship is a song. I'm like, yo, this sh

0:33:44.760 --> 0:33:46.720
<v Speaker 4>is done? You know you know what I'm saying, Like,

0:33:46.880 --> 0:33:50.040
<v Speaker 4>like you know, like there's nothing we can nothing else

0:33:50.080 --> 0:33:52.800
<v Speaker 4>we can do do fis we can't touch it took him,

0:33:53.560 --> 0:33:58.680
<v Speaker 4>took him a night, you know, but we're working the years,

0:33:59.280 --> 0:34:03.520
<v Speaker 4>right And what's what's crazy is you know you're not

0:34:03.560 --> 0:34:05.320
<v Speaker 4>even the same person in four.

0:34:05.280 --> 0:34:06.440
<v Speaker 1>Months, you know what I'm saying.

0:34:06.480 --> 0:34:10.120
<v Speaker 4>Like I've written the screenplay and then got to like

0:34:10.160 --> 0:34:11.520
<v Speaker 4>the last day of shooting, and I'm looking at the

0:34:11.520 --> 0:34:12.640
<v Speaker 4>strip like what the fuck was I Like?

0:34:12.680 --> 0:34:13.919
<v Speaker 1>Who wrote this? You know what I'm saying.

0:34:14.320 --> 0:34:16.399
<v Speaker 4>Often I often say that, like what was I thinking?

0:34:16.760 --> 0:34:19.640
<v Speaker 4>You know, you know, and and and and I'm trying

0:34:19.640 --> 0:34:22.160
<v Speaker 4>to get back into my own head from from you

0:34:22.160 --> 0:34:24.880
<v Speaker 4>know what I'm saying, from from time past, and you know,

0:34:25.160 --> 0:34:27.239
<v Speaker 4>you know, you're editing the film and mixing it sound,

0:34:27.239 --> 0:34:29.040
<v Speaker 4>and sometimes I'll be like, oh, that's what I meant,

0:34:29.160 --> 0:34:31.200
<v Speaker 4>you know, you know you know what I'm saying, Like

0:34:31.280 --> 0:34:31.960
<v Speaker 4>that's what this is.

0:34:32.000 --> 0:34:34.120
<v Speaker 1>You feel me? But yeah, I still I still I

0:34:34.200 --> 0:34:35.200
<v Speaker 1>still see things, man.

0:34:35.280 --> 0:34:38.560
<v Speaker 4>And because it's not because it's and it wasn't based

0:34:38.600 --> 0:34:41.719
<v Speaker 4>on anything like direct so I was so you pull

0:34:41.800 --> 0:34:43.600
<v Speaker 4>from yourself, you know, you know what I'm saying.

0:34:43.600 --> 0:34:45.319
<v Speaker 1>So I see a lot of a lot of myself.

0:34:45.040 --> 0:34:46.560
<v Speaker 6>And I had to google that when I was watching it,

0:34:46.640 --> 0:34:47.919
<v Speaker 6>like is this based on the true story?

0:34:47.920 --> 0:34:48.680
<v Speaker 2>Because it so?

0:34:49.160 --> 0:34:51.719
<v Speaker 6>But you the opening scene too, it's the center of

0:34:51.760 --> 0:34:54.840
<v Speaker 6>the opening scene is the black church. Yeah, and it

0:34:54.960 --> 0:34:57.200
<v Speaker 6>was such a powerful scene and then you backtrack into

0:34:57.320 --> 0:35:00.560
<v Speaker 6>like a completely different version of that character. Can you

0:35:00.600 --> 0:35:02.319
<v Speaker 6>talk about the choice too. I don't want to give

0:35:02.360 --> 0:35:04.120
<v Speaker 6>it away, but like I thought that that was like

0:35:04.160 --> 0:35:05.080
<v Speaker 6>really powerful the way.

0:35:04.920 --> 0:35:07.160
<v Speaker 1>That you did talk about that easy work. Yeah, yeah.

0:35:07.200 --> 0:35:08.640
<v Speaker 4>So when I was doing I did a lot of

0:35:08.680 --> 0:35:10.480
<v Speaker 4>research on the on the movie. The two the two

0:35:10.640 --> 0:35:16.560
<v Speaker 4>like the big work research workhorses for me were two books,

0:35:17.760 --> 0:35:20.839
<v Speaker 4>uh le, Roy Jones' Blues People l Roy Jones letter

0:35:20.960 --> 0:35:24.120
<v Speaker 4>changed his name to Mary Baraka. But when you find

0:35:24.120 --> 0:35:26.080
<v Speaker 4>that when you looking for that text, it'll be because

0:35:26.120 --> 0:35:27.480
<v Speaker 4>we published it with Roy Jones.

0:35:27.600 --> 0:35:31.440
<v Speaker 1>It will generally be publishing that. That's a black man,

0:35:32.320 --> 0:35:32.879
<v Speaker 1>Black and alect.

0:35:32.960 --> 0:35:35.480
<v Speaker 4>You were talking about the blues culture and then and

0:35:35.520 --> 0:35:40.800
<v Speaker 4>then there's another book called Deep Blues by by a

0:35:40.880 --> 0:35:42.360
<v Speaker 4>music collegist named Robert Palmer.

0:35:42.760 --> 0:35:45.160
<v Speaker 1>The white Dude. You know what I'm saying, talking talking.

0:35:45.000 --> 0:35:48.760
<v Speaker 4>About talking about blues music, about the incredible books.

0:35:48.800 --> 0:35:48.960
<v Speaker 1>Man.

0:35:49.000 --> 0:35:51.759
<v Speaker 4>But but in researching all those books and learning about

0:35:51.880 --> 0:35:56.760
<v Speaker 4>the great Delta blues musicians, you know. And it started

0:35:56.800 --> 0:36:00.320
<v Speaker 4>with a guy named Charlie Patton essentially, and it started

0:36:00.360 --> 0:36:04.480
<v Speaker 4>on the Doctor Doctory Farms plantation in Mississippi, is you know,

0:36:04.760 --> 0:36:06.480
<v Speaker 4>is where I kind of where they feel like the

0:36:06.560 --> 0:36:09.239
<v Speaker 4>first true Delta blues song as.

0:36:09.200 --> 0:36:12.480
<v Speaker 1>His norm was played right. Uh.

0:36:12.560 --> 0:36:16.920
<v Speaker 4>But in his in his lineage, there there comes Tommy Johnson,

0:36:17.160 --> 0:36:18.920
<v Speaker 4>who was the first dude to run around say he

0:36:19.040 --> 0:36:20.719
<v Speaker 4>saw the song to the Devil to learn how to play.

0:36:21.360 --> 0:36:21.480
<v Speaker 2>You know.

0:36:21.480 --> 0:36:23.719
<v Speaker 1>It was Robert Johnson who is the more known dudes

0:36:23.880 --> 0:36:25.440
<v Speaker 1>to to kind of say he saw the song to

0:36:25.480 --> 0:36:28.960
<v Speaker 1>the Devil to play. Yeah, yeah.

0:36:29.040 --> 0:36:31.040
<v Speaker 4>And in between there is a dude named Son House

0:36:31.760 --> 0:36:36.040
<v Speaker 4>who essentially outlived all those guys. And what you learn

0:36:36.239 --> 0:36:40.239
<v Speaker 4>is almost every single last one of these dudes not

0:36:40.400 --> 0:36:43.040
<v Speaker 4>only came out of the church, but like Daddy's was preachers.

0:36:43.640 --> 0:36:46.080
<v Speaker 1>It was like almost it was like almost constant, you

0:36:46.160 --> 0:36:46.600
<v Speaker 1>know what I mean.

0:36:46.719 --> 0:36:49.839
<v Speaker 4>And and and what I realized is I'm like, oh,

0:36:49.960 --> 0:36:54.120
<v Speaker 4>like the the that that like the African Orator, you know,

0:36:54.360 --> 0:36:55.879
<v Speaker 4>you know what I'm saying, like like that's a that's

0:36:55.920 --> 0:36:58.239
<v Speaker 4>a that's a long line from the from the from

0:36:58.280 --> 0:37:01.080
<v Speaker 4>the from the Griot. You know what I'm saying to

0:37:01.320 --> 0:37:04.000
<v Speaker 4>to you know, to Rod Wave today, you know, you know,

0:37:04.200 --> 0:37:08.520
<v Speaker 4>you know what I'm saying. And like that, it's all

0:37:08.680 --> 0:37:11.120
<v Speaker 4>versions of the same thing. The Preacher at the Poor Pick,

0:37:11.560 --> 0:37:12.160
<v Speaker 4>you know what I'm saying.

0:37:12.520 --> 0:37:18.080
<v Speaker 1>You know the musicality of of the Black Preacher, you know,

0:37:18.160 --> 0:37:21.120
<v Speaker 1>most known, most known with Martin Luther King Junior. Right,

0:37:21.200 --> 0:37:23.160
<v Speaker 1>you know what I'm saying, Like like like you know,

0:37:23.400 --> 0:37:25.920
<v Speaker 1>the you know, you know what I'm saying, like like

0:37:26.000 --> 0:37:28.080
<v Speaker 1>the animation you feel me like that.

0:37:28.239 --> 0:37:30.680
<v Speaker 4>That's all from the continent, but it was deeply it

0:37:30.760 --> 0:37:33.040
<v Speaker 4>was deeply refined in the in the you know what

0:37:33.040 --> 0:37:35.279
<v Speaker 4>I'm saying, in the American South, you know what I mean.

0:37:35.440 --> 0:37:40.759
<v Speaker 4>And you know, the best blues musicians basically came out

0:37:40.760 --> 0:37:42.600
<v Speaker 4>of it, came out of the church, and the blues

0:37:42.719 --> 0:37:43.959
<v Speaker 4>was known as the Devil's music.

0:37:44.000 --> 0:37:44.560
<v Speaker 1>You know what I'm saying.

0:37:44.560 --> 0:37:46.680
<v Speaker 4>It was It was a huge economy, like like, you know,

0:37:46.840 --> 0:37:51.359
<v Speaker 4>a lot of a lot of anxiety and judgement out

0:37:51.400 --> 0:37:52.759
<v Speaker 4>of that, and a lot of guilt, you know what

0:37:52.760 --> 0:37:54.880
<v Speaker 4>I'm saying. Like, dudes, would be huge substance a musics

0:37:54.920 --> 0:37:58.800
<v Speaker 4>and house will basically go like he'll he'll basically go

0:37:58.920 --> 0:38:02.359
<v Speaker 4>like five years drinking and playing blues music, five years

0:38:02.400 --> 0:38:05.680
<v Speaker 4>sober and preaching, five years drinking and playing blues music,

0:38:05.960 --> 0:38:07.160
<v Speaker 4>ten years sober.

0:38:07.239 --> 0:38:08.800
<v Speaker 1>Now he got his own church. You know. You know

0:38:08.840 --> 0:38:10.440
<v Speaker 1>what I'm saying it was. It was that kind of cycle.

0:38:10.520 --> 0:38:12.080
<v Speaker 1>So that's that's why we started it like that.

0:38:12.320 --> 0:38:13.680
<v Speaker 5>You know, they said you got to go ahead nine

0:38:13.680 --> 0:38:15.520
<v Speaker 5>to fifty. But I got three questions. I gotta got

0:38:16.920 --> 0:38:20.080
<v Speaker 5>like two minutes. Different energy brings different things out of pe.

0:38:20.719 --> 0:38:22.800
<v Speaker 5>What did Chad Wick Bothman bring out of you that

0:38:22.920 --> 0:38:23.279
<v Speaker 5>Michael B.

0:38:23.400 --> 0:38:23.920
<v Speaker 2>Jordan does?

0:38:27.120 --> 0:38:27.279
<v Speaker 1>Man?

0:38:27.440 --> 0:38:30.640
<v Speaker 4>So, so that's a fucking fantastic question, Bro, It's a

0:38:30.719 --> 0:38:33.799
<v Speaker 4>fantastic question because I just had to doing his press tour.

0:38:34.600 --> 0:38:36.160
<v Speaker 1>You know, because because out.

0:38:36.080 --> 0:38:38.480
<v Speaker 4>Of all of my actors, Bro, and all of my actors,

0:38:38.960 --> 0:38:41.680
<v Speaker 4>Chad's death actually hit Mike the hardest, you know, and

0:38:42.080 --> 0:38:45.680
<v Speaker 4>and I and I I never had to talk about that,

0:38:46.480 --> 0:38:49.080
<v Speaker 4>but we were doing we were doing press together now

0:38:49.680 --> 0:38:53.480
<v Speaker 4>and look, man, Chad was older than us, Bro, Like, like,

0:38:54.200 --> 0:38:55.680
<v Speaker 4>he was quite a bit older than us, even though

0:38:55.680 --> 0:38:56.920
<v Speaker 4>he looked like he was the same.

0:38:56.760 --> 0:38:57.759
<v Speaker 2>As he was not.

0:38:58.080 --> 0:38:59.600
<v Speaker 1>You know, I'm saying I was a fully baked man

0:38:59.760 --> 0:39:01.640
<v Speaker 1>from the South. You know, you know what I'm saying.

0:39:01.680 --> 0:39:03.960
<v Speaker 4>Like he was an old school he was an old

0:39:04.000 --> 0:39:08.000
<v Speaker 4>school man's man. And and compared to that dude when

0:39:08.000 --> 0:39:09.520
<v Speaker 4>we worked together, brought me and Michael's kids.

0:39:09.880 --> 0:39:11.960
<v Speaker 1>You know, you know what I'm saying. And and and

0:39:13.040 --> 0:39:15.960
<v Speaker 1>what Chad taught me, Bro, I mean he changed my life. Bro,

0:39:16.080 --> 0:39:18.680
<v Speaker 1>you know what I'm saying. But but but he was.

0:39:18.760 --> 0:39:21.799
<v Speaker 1>He was the kind of teacher who you never knew

0:39:21.800 --> 0:39:24.239
<v Speaker 1>you was getting a lession when he talked. You know,

0:39:24.480 --> 0:39:25.799
<v Speaker 1>you know what I'm saying. It was it was all.

0:39:25.920 --> 0:39:27.600
<v Speaker 2>It was all by all by.

0:39:27.600 --> 0:39:29.359
<v Speaker 1>Example, you know, you know what I'm saying.

0:39:29.400 --> 0:39:31.719
<v Speaker 4>And what he what he what he gave me. And

0:39:31.960 --> 0:39:38.239
<v Speaker 4>Michael was patience. You know, he moved he moved out

0:39:38.280 --> 0:39:42.840
<v Speaker 4>an old school pace and and and he he he

0:39:43.000 --> 0:39:43.640
<v Speaker 4>took his time.

0:39:44.560 --> 0:39:46.600
<v Speaker 1>He was always early. You know what I'm saying.

0:39:46.640 --> 0:39:48.160
<v Speaker 4>He was that type of He was that type of dude. Bro,

0:39:48.560 --> 0:39:51.080
<v Speaker 4>you know what I'm saying, And and and and I

0:39:51.160 --> 0:39:53.920
<v Speaker 4>think that you know, I don't think Mike. I don't

0:39:53.960 --> 0:39:56.719
<v Speaker 4>think Michael would be it. Look, man, I taught him

0:39:56.760 --> 0:40:00.680
<v Speaker 4>like and Michael, tell you is I told him, Man,

0:40:00.680 --> 0:40:02.759
<v Speaker 4>I said, hey, Bro, what would child do you know

0:40:02.800 --> 0:40:05.359
<v Speaker 4>what I'm saying in this role, if you had this role,

0:40:05.400 --> 0:40:05.800
<v Speaker 4>what do you do?

0:40:06.600 --> 0:40:06.759
<v Speaker 2>You know?

0:40:07.120 --> 0:40:09.680
<v Speaker 4>Because Chad never broke accent. You know what I'm saying.

0:40:09.680 --> 0:40:11.400
<v Speaker 4>He was talking in an African accent. Bro, you put

0:40:11.880 --> 0:40:14.160
<v Speaker 4>me for dinner at nine o'clock. I remember the Disney

0:40:14.200 --> 0:40:16.560
<v Speaker 4>executives came, came and seen as a panther like week

0:40:16.600 --> 0:40:18.600
<v Speaker 4>two and he put it up and it was it

0:40:18.719 --> 0:40:19.920
<v Speaker 4>was it was a child's accent.

0:40:20.200 --> 0:40:20.600
<v Speaker 1>What was going on?

0:40:20.680 --> 0:40:22.719
<v Speaker 4>That was freaked out? And I was like, gonna be

0:40:22.760 --> 0:40:25.160
<v Speaker 4>free thought. He's working And that's how you don't turn

0:40:25.200 --> 0:40:27.440
<v Speaker 4>it off to we rat you know.

0:40:27.719 --> 0:40:29.480
<v Speaker 1>You know what I'm saying, and and and and no

0:40:29.600 --> 0:40:31.640
<v Speaker 1>shame or embarrassment and that. But that's how he was.

0:40:32.080 --> 0:40:33.600
<v Speaker 1>That's how he was moving, you know, you know what

0:40:33.640 --> 0:40:34.000
<v Speaker 1>I'm saying.

0:40:34.239 --> 0:40:37.320
<v Speaker 4>And and for Mike to see that, to see that

0:40:37.520 --> 0:40:39.800
<v Speaker 4>up close, to have to do scenes across from that,

0:40:40.360 --> 0:40:42.000
<v Speaker 4>and for me to be able to set that to him,

0:40:42.360 --> 0:40:44.000
<v Speaker 4>you know what I'm saying, like like like that that

0:40:44.120 --> 0:40:45.520
<v Speaker 4>he transitioned to become an ancestor.

0:40:45.920 --> 0:40:47.680
<v Speaker 1>Bro, what what what the big homie? Do?

0:40:48.080 --> 0:40:48.200
<v Speaker 2>You know?

0:40:48.360 --> 0:40:50.520
<v Speaker 4>You know what I'm saying, Like boom locked in you

0:40:50.560 --> 0:40:53.640
<v Speaker 4>know what I'm saying and look bro, like like the

0:40:54.320 --> 0:40:57.239
<v Speaker 4>difference is, man, look man, won't ever be another child?

0:40:57.320 --> 0:40:57.400
<v Speaker 2>Bro?

0:40:58.000 --> 0:41:00.480
<v Speaker 1>You feel me like like that should I? That's the difference.

0:41:00.600 --> 0:41:02.840
<v Speaker 4>Like it's like asking somebody, bro, what was it like

0:41:02.920 --> 0:41:05.680
<v Speaker 4>to shut up across from from from Mike Jordan's you

0:41:05.719 --> 0:41:06.200
<v Speaker 4>know what I'm saying?

0:41:06.280 --> 0:41:08.040
<v Speaker 1>Like you know, like like you know it made you

0:41:08.080 --> 0:41:09.960
<v Speaker 1>a better hooper? I bet you know you know what

0:41:10.000 --> 0:41:12.160
<v Speaker 1>I'm saying, like like and you know, and that's what

0:41:12.280 --> 0:41:13.200
<v Speaker 1>it was, you know what I mean?

0:41:13.400 --> 0:41:14.640
<v Speaker 2>And we got no more. You know, they gotta go?

0:41:14.880 --> 0:41:17.480
<v Speaker 2>Yeah do you Hey? I don't know. I want to go.

0:41:18.719 --> 0:41:22.880
<v Speaker 2>You gotta come back right so much, so much.

0:41:25.239 --> 0:41:25.600
<v Speaker 1>Want something.

0:41:25.640 --> 0:41:27.440
<v Speaker 4>I just want something to sell and I want to

0:41:27.440 --> 0:41:29.280
<v Speaker 4>tell people because see the movie in theaters.

0:41:29.680 --> 0:41:30.279
<v Speaker 1>You know what I'm saying.

0:41:30.920 --> 0:41:31.799
<v Speaker 2>I guess, I guess.

0:41:31.800 --> 0:41:33.439
<v Speaker 5>I stayed on chat just a little because I recently

0:41:33.480 --> 0:41:36.000
<v Speaker 5>saw a video with Denzel was speaking about his first time.

0:41:35.840 --> 0:41:37.960
<v Speaker 2>Seeing Black Panther. Yeah, he said he made him feel

0:41:38.000 --> 0:41:40.160
<v Speaker 2>like he could pass the torch because of you, because.

0:41:40.200 --> 0:41:42.040
<v Speaker 4>It was it was so much deeper than that. It

0:41:42.120 --> 0:41:43.799
<v Speaker 4>was so much deeper than Danzel I ever show. Because

0:41:43.800 --> 0:41:48.440
<v Speaker 4>he's humble looking man. Chiro was at Howard University, bro

0:41:49.120 --> 0:41:53.640
<v Speaker 4>and and he was maybe the most brilliant actor I

0:41:53.680 --> 0:41:56.000
<v Speaker 4>ever come through there Bro. If Felicia Shaw knew it,

0:41:56.480 --> 0:41:58.879
<v Speaker 4>he was there to be a filmmaker. If Felicier Shaw

0:41:58.960 --> 0:42:01.440
<v Speaker 4>wanted to see him where they where they you know,

0:42:01.440 --> 0:42:03.200
<v Speaker 4>where they really do it, it'll be the it'd be

0:42:03.200 --> 0:42:06.720
<v Speaker 4>the equivalent of a Hooper in and it's Victor women Yama.

0:42:06.800 --> 0:42:09.480
<v Speaker 4>Right you in Paris, Bro, We're finishing you to go

0:42:09.560 --> 0:42:11.840
<v Speaker 4>hoop of Lebron. We're finishing you to the station. You

0:42:11.840 --> 0:42:14.120
<v Speaker 4>know what I'm saying, and go really eighty two game

0:42:14.200 --> 0:42:17.160
<v Speaker 4>season against where basketball is life. You know what I'm saying.

0:42:17.760 --> 0:42:20.400
<v Speaker 4>And in the UK acting his life, you know what

0:42:20.440 --> 0:42:23.120
<v Speaker 4>I'm saying. That's where, that's where it's at. Right, Felicia

0:42:23.160 --> 0:42:24.320
<v Speaker 4>was like, I want to get you to Oxford. I

0:42:24.400 --> 0:42:28.960
<v Speaker 4>want to get you on stage in London. Shot from Anderson,

0:42:28.960 --> 0:42:33.439
<v Speaker 4>South Carolina. Right, flis like, when I'm worry, I'm finding

0:42:33.440 --> 0:42:37.280
<v Speaker 4>somebody to take care of you goes it in. Zelzel says,

0:42:39.520 --> 0:42:40.640
<v Speaker 4>I want to I want to take care of it

0:42:40.719 --> 0:42:42.000
<v Speaker 4>for the kid. I don't want I don't want them

0:42:42.000 --> 0:42:43.239
<v Speaker 4>to know it's me and I don't want to know

0:42:43.280 --> 0:42:43.800
<v Speaker 4>nothing about it.

0:42:43.920 --> 0:42:44.160
<v Speaker 2>Wow.

0:42:44.800 --> 0:42:48.920
<v Speaker 4>Right, let's just said, hey, we got a donor for you.

0:42:50.480 --> 0:42:53.200
<v Speaker 4>Says about to Oxford. He goes to shut the ship down,

0:42:54.040 --> 0:42:55.080
<v Speaker 4>comes back to tatick balls.

0:42:55.480 --> 0:42:55.600
<v Speaker 2>Right.

0:42:55.800 --> 0:42:59.200
<v Speaker 1>You know what I'm saying. Later on his career, Felicia

0:42:59.239 --> 0:43:01.080
<v Speaker 1>put him to this sigh. Ay man, I was in

0:43:01.280 --> 0:43:07.520
<v Speaker 1>jail that pay for that. Wow. Wow. Chadwick seized the

0:43:07.520 --> 0:43:11.600
<v Speaker 1>exailing passion for years and years and years and years

0:43:11.840 --> 0:43:12.320
<v Speaker 1>and years.

0:43:12.480 --> 0:43:14.920
<v Speaker 4>It's the patience I'm talking about. Knew it wasn't time

0:43:14.960 --> 0:43:16.440
<v Speaker 4>to tell him yet, right.

0:43:18.560 --> 0:43:19.279
<v Speaker 1>Premiere in l A.

0:43:21.480 --> 0:43:24.400
<v Speaker 4>Form here in New York. Then Jel said I can

0:43:24.440 --> 0:43:26.040
<v Speaker 4>pull up. He was doing broad I think he was

0:43:26.080 --> 0:43:28.120
<v Speaker 4>doing the Iceman coming up or something. He said, I

0:43:28.160 --> 0:43:31.319
<v Speaker 4>can pull up. I said, all right, bet I teld

0:43:31.360 --> 0:43:34.160
<v Speaker 4>my act. I said, Heydnzel coming to night try immediately

0:43:34.200 --> 0:43:35.640
<v Speaker 4>put me to the side, said I gotta talk to

0:43:35.760 --> 0:43:39.279
<v Speaker 4>him before before before they go in and watch. And

0:43:39.360 --> 0:43:41.640
<v Speaker 4>I said, what's going on? He wisher in my ear,

0:43:41.680 --> 0:43:43.520
<v Speaker 4>But I got I gotta thank you for something, you

0:43:43.560 --> 0:43:45.239
<v Speaker 4>know what I'm saying. So Danzel pull up?

0:43:45.280 --> 0:43:45.480
<v Speaker 1>Man.

0:43:45.880 --> 0:43:48.840
<v Speaker 4>He Denzel don't like to be He's not a Hollywood

0:43:48.840 --> 0:43:50.879
<v Speaker 4>person crazy enough. He wanted to come into the back.

0:43:51.080 --> 0:43:52.719
<v Speaker 4>He don't want to do the carpet, you know, I mean,

0:43:52.800 --> 0:43:53.680
<v Speaker 4>dresses very down.

0:43:54.200 --> 0:43:55.759
<v Speaker 1>And so I grabbed you. I said that somebody want

0:43:55.760 --> 0:43:57.560
<v Speaker 1>to talk to you. Put him to the side, and

0:43:57.600 --> 0:43:59.800
<v Speaker 1>my wife was there. It was, it was, it was,

0:44:00.080 --> 0:44:00.239
<v Speaker 1>it was.

0:44:00.320 --> 0:44:02.600
<v Speaker 4>It was me, Zenji and dan Zel and chat in

0:44:02.640 --> 0:44:05.640
<v Speaker 4>the room and in the DJ Theater in New York,

0:44:05.680 --> 0:44:06.360
<v Speaker 4>right here in Manhattan.

0:44:08.000 --> 0:44:09.359
<v Speaker 1>And then heell pull up. I was like, hey, man,

0:44:09.360 --> 0:44:09.719
<v Speaker 1>what's going on?

0:44:09.760 --> 0:44:14.040
<v Speaker 4>You know in chat chat whispering his fucking ears ship.

0:44:14.080 --> 0:44:19.239
<v Speaker 4>But that was me and thank him right, That's why

0:44:19.480 --> 0:44:21.279
<v Speaker 4>Jel was crying, you know what I'm saying when he

0:44:21.280 --> 0:44:23.160
<v Speaker 4>watched the movie like it was because of that.

0:44:23.600 --> 0:44:31.719
<v Speaker 1>And for me, I I don't think it's gonna drop.

0:44:31.800 --> 0:44:39.680
<v Speaker 1>I think I got it. You got it. So that's

0:44:39.719 --> 0:44:42.080
<v Speaker 1>the look. Man. Do you know how many actors bro

0:44:43.239 --> 0:44:43.719
<v Speaker 1>as soon.

0:44:43.640 --> 0:44:44.880
<v Speaker 4>As they would have gone on they would have went

0:44:44.880 --> 0:44:46.360
<v Speaker 4>on the show and said, yeah, man, Denzel paid for

0:44:46.440 --> 0:44:47.160
<v Speaker 4>me to go to Oxford.

0:44:48.760 --> 0:44:50.200
<v Speaker 1>Do you know how many articles they would have got

0:44:50.239 --> 0:44:55.840
<v Speaker 1>out of that M forty two press Round'm Jackie Robinson.

0:44:56.200 --> 0:44:57.880
<v Speaker 1>Oh yeah, man, By the way, Danzel paid for me

0:44:57.920 --> 0:45:03.080
<v Speaker 1>to it's real.

0:45:04.480 --> 0:45:06.719
<v Speaker 5>That's why, that's why it's almost impossible for you to

0:45:06.960 --> 0:45:08.920
<v Speaker 5>even think about recasting a job.

0:45:10.400 --> 0:45:13.359
<v Speaker 1>It's not it's not, it's not. I mean, it's it's

0:45:15.239 --> 0:45:17.400
<v Speaker 1>but with the multiverse, it makes it a little I mean,

0:45:17.640 --> 0:45:19.279
<v Speaker 1>we talk, we talk, we talk about that.

0:45:19.680 --> 0:45:23.239
<v Speaker 5>Next we can ask one more question about SIS and

0:45:23.280 --> 0:45:25.440
<v Speaker 5>it's really about Mike, because the relationship you and Mike have,

0:45:25.600 --> 0:45:29.080
<v Speaker 5>I think does not get enough credit. I really don't

0:45:29.120 --> 0:45:32.239
<v Speaker 5>like y'all are unity and group operation per signified. Y'all

0:45:32.280 --> 0:45:35.520
<v Speaker 5>have a symbiotic relationship or did it was it? Was

0:45:35.600 --> 0:45:37.160
<v Speaker 5>it a media or the developable?

0:45:37.520 --> 0:45:40.520
<v Speaker 1>It developed? Bro Like like I like in it too.

0:45:41.160 --> 0:45:41.840
<v Speaker 1>I liking it to.

0:45:43.320 --> 0:45:46.160
<v Speaker 4>A quarterback and and uh, you know in a white out,

0:45:46.560 --> 0:45:48.520
<v Speaker 4>you know what I'm saying, Like I play I play

0:45:48.560 --> 0:45:53.960
<v Speaker 4>receiver in uh in college football. And it's like that,

0:45:54.120 --> 0:45:56.920
<v Speaker 4>like it gets to the point where you know, we

0:45:57.000 --> 0:46:01.719
<v Speaker 4>got a shorthand and we hold each other accountable. We

0:46:01.800 --> 0:46:03.480
<v Speaker 4>also push each other like we're not trying to do

0:46:03.560 --> 0:46:05.480
<v Speaker 4>the same thing we did before. You know what I mean,

0:46:05.680 --> 0:46:07.920
<v Speaker 4>We're not gonna show up and and go through the motions.

0:46:07.920 --> 0:46:11.000
<v Speaker 4>We're trying to shove up and and and get bigger

0:46:11.080 --> 0:46:14.279
<v Speaker 4>and better each time. But the thing about but brother,

0:46:14.400 --> 0:46:15.799
<v Speaker 4>keeping the honey man. The thing I love the most

0:46:15.840 --> 0:46:19.560
<v Speaker 4>about Mike is his kindness, bro like like like he's

0:46:19.640 --> 0:46:20.920
<v Speaker 4>he's a he's a number one on the car. She

0:46:21.440 --> 0:46:25.440
<v Speaker 4>big old, giant, fucking movie star. He's incredibly kind to

0:46:25.480 --> 0:46:26.279
<v Speaker 4>everybody on set.

0:46:26.840 --> 0:46:29.680
<v Speaker 1>Focused nose the AD's name, nose the p a's name,

0:46:30.080 --> 0:46:31.440
<v Speaker 1>don't come on the set. They don't look me in

0:46:31.480 --> 0:46:32.920
<v Speaker 1>the eye. You know what I'm saying, Never raise a

0:46:32.920 --> 0:46:34.480
<v Speaker 1>good woice anybody, you know, you know what I mean.

0:46:34.600 --> 0:46:38.440
<v Speaker 4>And he works his ass off, so it sets a

0:46:38.560 --> 0:46:42.960
<v Speaker 4>tone for everybody that you're gonna be respectful, respectful to

0:46:43.120 --> 0:46:44.760
<v Speaker 4>the to the p A up top, to the producer.

0:46:44.840 --> 0:46:46.480
<v Speaker 4>We're gonna respect women, you know what I'm saying, Like

0:46:46.480 --> 0:46:48.400
<v Speaker 4>we're gonna we're gonna're gonna be gonna be kind. You know,

0:46:48.640 --> 0:46:50.880
<v Speaker 4>we're not gonna you know, because a film second get

0:46:51.000 --> 0:46:52.880
<v Speaker 4>can get gnarly, you know what I mean, if if

0:46:52.920 --> 0:46:54.359
<v Speaker 4>you don't, you know, if you don't set the right

0:46:54.400 --> 0:46:54.839
<v Speaker 4>tone right.

0:46:55.440 --> 0:46:57.160
<v Speaker 1>So so for me, I'm always he always gonna have

0:46:57.200 --> 0:46:59.080
<v Speaker 1>a job before making something. He a good person.

0:46:59.120 --> 0:47:00.719
<v Speaker 3>Even when you see him in his element, he'll take

0:47:00.760 --> 0:47:03.080
<v Speaker 3>pictures with kids. He'll stop to take pictures to speak

0:47:03.120 --> 0:47:04.720
<v Speaker 3>to older people, especially when your jerseys.

0:47:04.760 --> 0:47:05.560
<v Speaker 2>It's ten times work.

0:47:05.719 --> 0:47:07.439
<v Speaker 1>We're gonna be all in York tonight for a screen.

0:47:07.520 --> 0:47:09.400
<v Speaker 1>Yeah yeah, he's like really like that.

0:47:10.040 --> 0:47:10.440
<v Speaker 2>He just don't like.

0:47:10.920 --> 0:47:14.439
<v Speaker 3>But besides that, Charlomon always messing him about the type

0:47:14.440 --> 0:47:15.080
<v Speaker 3>of woman he liked.

0:47:14.960 --> 0:47:18.400
<v Speaker 2>That man, but.

0:47:21.320 --> 0:47:23.680
<v Speaker 6>Nice of emotion and and here you come.

0:47:23.760 --> 0:47:28.480
<v Speaker 1>So he's a good elements.

0:47:29.560 --> 0:47:31.000
<v Speaker 5>I just messed with him a couple of times about

0:47:31.000 --> 0:47:32.560
<v Speaker 5>the white woman he was dating. I'll stay away from

0:47:32.560 --> 0:47:35.680
<v Speaker 5>that crazy man. Don't let doctor him all down. That's

0:47:35.719 --> 0:47:37.120
<v Speaker 5>all nothing crazy.

0:47:38.440 --> 0:47:39.360
<v Speaker 1>But now he's a good.

0:47:41.880 --> 0:47:44.239
<v Speaker 2>I promise you won't last three times ago.

0:47:44.840 --> 0:47:47.800
<v Speaker 5>How do you accept an apology from thenzel Watt because

0:47:47.800 --> 0:47:49.359
<v Speaker 5>he said he apologize.

0:47:48.760 --> 0:47:52.480
<v Speaker 2>To you like you. That's that's the that's the old

0:47:52.560 --> 0:47:54.960
<v Speaker 2>g Like do you even accept like no, he did

0:47:55.000 --> 0:47:55.920
<v Speaker 2>even get mad at him.

0:47:56.320 --> 0:48:00.080
<v Speaker 4>No man, no man, i I'm I'm I'm blessed to

0:48:00.160 --> 0:48:02.879
<v Speaker 4>have you in my life, bro, like straight up man,

0:48:03.200 --> 0:48:06.839
<v Speaker 4>and I'm blessed through through having him.

0:48:06.840 --> 0:48:09.320
<v Speaker 1>I get Paul Letter. He was a bigger blessing. You

0:48:09.360 --> 0:48:13.839
<v Speaker 1>know what I'm saying. I just just seen last night. Yeah, man,

0:48:14.040 --> 0:48:18.560
<v Speaker 1>he apology, Bro, him saying that we're gonna work together,

0:48:18.760 --> 0:48:19.600
<v Speaker 1>apologize for that.

0:48:20.560 --> 0:48:21.920
<v Speaker 2>That's what I'm saying. That's what when he calls you.

0:48:22.320 --> 0:48:23.960
<v Speaker 1>He was just like he was. He was more than

0:48:24.040 --> 0:48:26.040
<v Speaker 1>more than he was. Like, hey, Bro, I say too much,

0:48:26.480 --> 0:48:28.040
<v Speaker 1>like it wasn't all it wasn't you know, I say

0:48:28.080 --> 0:48:29.480
<v Speaker 1>too much. Man, I ain't mean to make your heart.

0:48:29.480 --> 0:48:32.120
<v Speaker 4>I'm like, you're good, You're good. You always happy to

0:48:32.160 --> 0:48:34.359
<v Speaker 4>hear from you. Man, you FaceTime me in the whole hype,

0:48:34.480 --> 0:48:36.320
<v Speaker 4>you know what I mean. Like like, but it's just

0:48:36.440 --> 0:48:39.600
<v Speaker 4>just I'm blessed, bro, to be able to to be

0:48:39.680 --> 0:48:45.040
<v Speaker 4>able to you know, to have these these these mentors, bro,

0:48:45.160 --> 0:48:46.799
<v Speaker 4>Like like I feel like God looks after me, Bro.

0:48:46.920 --> 0:48:48.759
<v Speaker 4>And when I lose when I gained one, you know,

0:48:49.000 --> 0:48:50.959
<v Speaker 4>you know what I'm saying. And you know I started

0:48:51.040 --> 0:48:52.960
<v Speaker 4>talking about this losing my uncle, right, you know what

0:48:53.000 --> 0:48:55.680
<v Speaker 4>I'm saying. And I'm all this or three brothers. I've

0:48:55.680 --> 0:48:57.320
<v Speaker 4>been looking for big brothers my whole life, you know

0:48:57.360 --> 0:48:59.400
<v Speaker 4>what I'm saying. And when I gain you know what

0:48:59.400 --> 0:49:01.080
<v Speaker 4>I mean, like like people who can who can give

0:49:01.160 --> 0:49:05.320
<v Speaker 4>me any type of mentorship or advice, and you know

0:49:05.360 --> 0:49:06.760
<v Speaker 4>it's the most incredible blessing.

0:49:06.840 --> 0:49:09.240
<v Speaker 1>So you know, you know, you know, you know, apologies man.

0:49:09.480 --> 0:49:11.840
<v Speaker 4>And I think one of the eight things he just

0:49:11.920 --> 0:49:14.560
<v Speaker 4>he just wanted to make sure that he ain't speak

0:49:14.560 --> 0:49:16.880
<v Speaker 4>out of school with how intense all of the all

0:49:16.920 --> 0:49:18.279
<v Speaker 4>of the comic book stuff can get.

0:49:18.560 --> 0:49:20.880
<v Speaker 5>You know what I'm saying, We need you, right, I mean,

0:49:20.920 --> 0:49:22.720
<v Speaker 5>you know the way they're trying to erase our history

0:49:22.760 --> 0:49:25.560
<v Speaker 5>out here. We need brothers like you that represent you know,

0:49:25.680 --> 0:49:26.280
<v Speaker 5>Black culture.

0:49:27.719 --> 0:49:31.000
<v Speaker 4>I need y'all rock I need y'all, y'all, y'all, y'all

0:49:31.040 --> 0:49:32.879
<v Speaker 4>work ethic, in the in the in the relationship y'all

0:49:32.880 --> 0:49:34.560
<v Speaker 4>have and built up with the audiences. You know what

0:49:34.600 --> 0:49:36.520
<v Speaker 4>I'm saying, the trust, So I can tell him, Go

0:49:36.640 --> 0:49:39.479
<v Speaker 4>see Centers that's April eighteen. Go see the I Max

0:49:40.440 --> 0:49:42.239
<v Speaker 4>because that's how we shot it on film and big

0:49:42.320 --> 0:49:50.320
<v Speaker 4>giant Imax cameras and super wide uh ultra panevision seventy

0:49:50.360 --> 0:49:53.239
<v Speaker 4>millimeters for the first time, you know, and you're gonna see,

0:49:53.239 --> 0:49:55.360
<v Speaker 4>you know, see people are all shy and colors on

0:49:55.520 --> 0:49:57.879
<v Speaker 4>on the on the screen on the movie a roller

0:49:57.920 --> 0:50:01.400
<v Speaker 4>culture ride, U probablys like a rock con shart, you

0:50:01.440 --> 0:50:04.799
<v Speaker 4>know what I'm saying. And because of the work that y'all.

0:50:04.880 --> 0:50:06.520
<v Speaker 4>Do you feel me, we able to, we able to

0:50:06.520 --> 0:50:08.480
<v Speaker 4>come and tell people about you know what we are

0:50:08.520 --> 0:50:08.800
<v Speaker 4>going on.

0:50:08.960 --> 0:50:10.239
<v Speaker 1>Man, we need each other, you feel me?

0:50:10.320 --> 0:50:10.840
<v Speaker 2>Absolutely?

0:50:11.040 --> 0:50:12.400
<v Speaker 1>Yeah, definitely go check it out.

0:50:12.440 --> 0:50:15.840
<v Speaker 3>April eighteenth, Sinners, ladies and gentlemen, Ryan Coopler, thank you

0:50:15.880 --> 0:50:17.560
<v Speaker 3>for joining us, and thank you all, bro and don't

0:50:17.600 --> 0:50:18.919
<v Speaker 3>be a stranger you in town, come.

0:50:18.840 --> 0:50:20.279
<v Speaker 1>On up here, bet it up, all right, that's the

0:50:20.360 --> 0:50:20.919
<v Speaker 1>Breakfast Club.

0:50:20.960 --> 0:50:23.880
<v Speaker 2>Good morning, wake that ass up in the morning. The

0:50:24.000 --> 0:50:24.800
<v Speaker 2>Breakfast Club