WEBVTT - What's the deal with accents?

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<v Speaker 1>Welcome to Stuff You Should Know from how Stuff Works

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<v Speaker 1>dot com. Hey, welcome to the podcast. I'm Josh Clark,

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<v Speaker 1>and there's Charles to w Chuck Bryant, and there's Noel

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<v Speaker 1>on the Wheels of Steel, So that makes this stuff

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<v Speaker 1>you Should Know the podcast. So Chuck, Yeah, how you feeling?

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<v Speaker 1>I before your answer, I am so excited about this

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<v Speaker 1>one because there's just no way it's not going to

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<v Speaker 1>be a Chuck accent Bananza. Well, I am super excited

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<v Speaker 1>about this because I love accents almost more than anything

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<v Speaker 1>in the world. I know it. Man not doing accents

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<v Speaker 1>because sometimes I'm okay, sometimes I'm terrible, but I'd like

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<v Speaker 1>to try, right, I just mean hearing. There's nothing in

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<v Speaker 1>the world I love more than talking with someone who

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<v Speaker 1>has a really heavy accent of some kind. I love it.

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<v Speaker 1>I love it, I love it. I love it. So

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<v Speaker 1>if you encounter somebody with a heavy accent that you're

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<v Speaker 1>having trouble understanding, how do you feel, oh, like in

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<v Speaker 1>say Scotland, Sure, well, what do you mean, Like, are

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<v Speaker 1>you just like, gosh, this is fascinating, or are you

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<v Speaker 1>like do you start to sweat and get nervous because

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<v Speaker 1>the communication is breaking down? No, I'm delighted beyond words,

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<v Speaker 1>and I will like laugh and say, man or a lady,

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<v Speaker 1>I like, I can barely understand you, and I love

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<v Speaker 1>it so much. I can hardly stand it. That's great,

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<v Speaker 1>that's a great way to handle it. It's just the best. Man.

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<v Speaker 1>I love it all accents, I mean there are very

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<v Speaker 1>I can't think of one accent I don't like hearing.

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<v Speaker 1>Uh what about Uh? No, I got nothing like. I mean, sure,

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<v Speaker 1>there might be some accents that might be a little

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<v Speaker 1>grating to your ear on a personal level, but I

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<v Speaker 1>even like hearing those just because it's just it's so

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<v Speaker 1>that person in that region, and especially when we travel

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<v Speaker 1>and for these shows and get to speak with fans

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<v Speaker 1>from you know, from Boston or from the Midwest or Canada. Yeah,

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<v Speaker 1>god's the best. I love it. Or on the UK

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<v Speaker 1>towards I was just like flipping out, you were I

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<v Speaker 1>had to calm you down, like every few minutes. It's

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<v Speaker 1>just amazing, and it makes me like, it makes you

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<v Speaker 1>feel a little self conscious that I have such a

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<v Speaker 1>non accent, but you do have an accent, you just

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<v Speaker 1>can't hear it. That's one of the hilarious parts of accents.

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<v Speaker 1>Is that person with the accent can't hear their own accent.

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<v Speaker 1>It just sounds normal than them sort of. But it's

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<v Speaker 1>like everyone has an accent, they even say in this article.

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<v Speaker 1>But unmarked speech technically is what we're talking about, which

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<v Speaker 1>is it doesn't have a hallmark sign of geographic area. Yeah,

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<v Speaker 1>because that's, if anything, what an accent is. It's a

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<v Speaker 1>telltale giveaway of where you where, where you live, where

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<v Speaker 1>you're from, where you were raised. Usually, Yeah, you don't

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<v Speaker 1>have I mean again, it's you know what I mean.

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<v Speaker 1>But you don't have an accent either. Now we have

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<v Speaker 1>those things are pretty unmarked. We have non regional accents,

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<v Speaker 1>non regional American accents, I think, yeah, or jen am,

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<v Speaker 1>I've heard it called general American. That makes sense. That's

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<v Speaker 1>that's good. It's lovely. I mean, listen to us right now.

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<v Speaker 1>I love this accent. But and I may have told

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<v Speaker 1>the story before. I heard a cassette tape of myself

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<v Speaker 1>as a like a twelve year old a couple of

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<v Speaker 1>years ago, and it was heavily southern. Oh really yeah.

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<v Speaker 1>And I didn't try to lose it. I didn't work

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<v Speaker 1>on it. I never thought about it. Um, where did

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<v Speaker 1>go Chuck, I have no idea what you do. I

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<v Speaker 1>don't know, I really it just I was shocked. I

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<v Speaker 1>was like, that's not me. Wow, that's really surprising because

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<v Speaker 1>I mean from from and we'll talk about it a

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<v Speaker 1>little bit, but accents they tend to develop in childhood

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<v Speaker 1>and they tend to stick. I don't know, man, I

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<v Speaker 1>can't explain it. That's pretty interesting. The only thing I

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<v Speaker 1>can say is that at the time, I was friends

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<v Speaker 1>with a lot of rednecks. Oh, I guess, and I'm

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<v Speaker 1>not now, even though I love the right kind of redneck.

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<v Speaker 1>Don't get me wrong, Um, I love the right kind

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<v Speaker 1>of redneck, the salts of the earth. Good to each

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<v Speaker 1>his own kind of redneck. Yah. Sure, that's a good

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<v Speaker 1>redneck good the best. Plenty of other kinds too, plenty

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<v Speaker 1>of other kinds. Um, boy, do you know what? This

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<v Speaker 1>is kind of off topic, but you don't hate More

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<v Speaker 1>than anything is when a fellow like I'll just go

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<v Speaker 1>ahead and say it, when a fellow white dude thinks

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<v Speaker 1>you think like them just because you're a white dude.

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<v Speaker 1>Oh yeah, and they you don't know them, and they'll

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<v Speaker 1>just start saying stuff right, And I'm just like, dude,

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<v Speaker 1>that's awful. I'm not like that, and please don't presume

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<v Speaker 1>them like that. You just throw your hands to your

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<v Speaker 1>ears and stomp up and down and go no, no,

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<v Speaker 1>no until they run off. That's the worst. I hate it.

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<v Speaker 1>It's pretty bad. We're all that way. Yeah, all right,

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<v Speaker 1>let's get into this. Oh we're not into it already. Well,

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<v Speaker 1>I guess the first thing technically we should say, uh,

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<v Speaker 1>is that dialect and accents are two different things. Yeah.

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<v Speaker 1>Accent is how something sounds when you talk. And again,

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<v Speaker 1>it's usually related to where you're from and usually where

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<v Speaker 1>you're raised, right, yeah, and in your family too, Yeah, yeah,

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<v Speaker 1>and a dialect you're probably going to pick up from

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<v Speaker 1>where you're from, from your family, that kind of thing.

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<v Speaker 1>But dialect more has to do with the vocabulary you use,

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<v Speaker 1>the like, the words you use, the slang, that kind

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<v Speaker 1>of thing. Um, there's grammar rules that that can be

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<v Speaker 1>different than you know, the standard grammar of the language.

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<v Speaker 1>So it's it's more like, what you're saying is dialect

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<v Speaker 1>how your how you sound when you're saying it. That's

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<v Speaker 1>the accent. That's the big difference. Yeah, have you ever

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<v Speaker 1>taken one of those dialect tests online? No, it's pretty neat.

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<v Speaker 1>And the New York Times has one where you basically

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<v Speaker 1>go through like twenty questions that say things like, um,

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<v Speaker 1>what do you call the the strip of land between

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<v Speaker 1>two streets? Or what do you call a house on

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<v Speaker 1>the opposite corner of your own? Um? And stuff like that.

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<v Speaker 1>It's not just like soda pop um. I gotta okay, Yeah,

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<v Speaker 1>that would be interesting. Like I say median, I say

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<v Speaker 1>kitty corner. Oh, I say catty corner. No, see, that

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<v Speaker 1>was one of the choices, but I would say median

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<v Speaker 1>as well. Right, some people say devil stra. One of

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<v Speaker 1>them was interesting was what do you call it when

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<v Speaker 1>it's No, that's a thing. That's not a thing it is.

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<v Speaker 1>What do you call it when the when it's raining

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<v Speaker 1>with the sun shining? Apparently that's highly regional raining with

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<v Speaker 1>the sun shining. I didn't even know there was a

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<v Speaker 1>name for that. Yeah, people call it different things. We

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<v Speaker 1>grew up calling it the devil's beating his wife. But

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<v Speaker 1>what's up with all this devil's stuff? Don't know, it's

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<v Speaker 1>all the devil's beating his wife? Is what you call that?

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<v Speaker 1>When rain it's coming down while sun was shining. That

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<v Speaker 1>crazy yeah, anyway, it's got It has an interactive map

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<v Speaker 1>that as you answer the question, it turns different colors,

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<v Speaker 1>like from red to blue. How heavy You're like, no, no, no, no,

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<v Speaker 1>it's like that went back, well not politically, um. And

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<v Speaker 1>then eventually after the last question, the reddest hot zones

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<v Speaker 1>will be where you are from. And mine was like

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<v Speaker 1>Atlanta or not Decator specifically, but Atlanta Decatur or Atlanta, Birmingham, Alabama,

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<v Speaker 1>and I think like Nashville. Huh, so I was in

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<v Speaker 1>the zone. So cosmopolitan southern is your dialect? Basically it

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<v Speaker 1>sounds cosmo southern. Yeah, southern Mo. Anyway, I highly recommend

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<v Speaker 1>it's gonna be a fun test. Yeah, it sounds pretty fun.

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<v Speaker 1>But nothing to do with accents. What what I mean?

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<v Speaker 1>Can you put like not applicable for the one about

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<v Speaker 1>the rain when the sun shining? Yeah? Most of them

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<v Speaker 1>have an option that says I know what this is,

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<v Speaker 1>but I don't have a name for it. Gotcha, Okay? Cool,

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<v Speaker 1>Well then yeah, i'll take it. I'll take it right now.

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<v Speaker 1>All right, So we've established what dialect is, we've established

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<v Speaker 1>what accents are, and apparently now that we're diving into

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<v Speaker 1>that world of accents. If you are a linguist, there

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<v Speaker 1>are basically two categories that you would put accents into.

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<v Speaker 1>If you want to start talking accents with linguists, they're

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<v Speaker 1>gonna be like, wait, wait, wait, are we talking about

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<v Speaker 1>the accent that a person has when they're speaking their

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<v Speaker 1>native language or are you talking about the accent of

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<v Speaker 1>person has when they're speaking what is not their native language.

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<v Speaker 1>Explain yourself, says the linguist. Right, and when you go

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<v Speaker 1>to learn a second language as a a non you know,

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<v Speaker 1>developing infant, like let's say high school, middle school, or

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<v Speaker 1>beyond um, you have to I mean, you took language

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<v Speaker 1>class in high school, right, sure, French? But was this

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<v Speaker 1>in Georgia or yes? And there are plenty, plenty of

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<v Speaker 1>thick Southern accents speaking French and it is about as

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<v Speaker 1>grading as it gets. Well, it's funny because that's a German.

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<v Speaker 1>It was the same thing. And I always had a

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<v Speaker 1>knack for Um speak and a Deutch. Yeah that's how

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<v Speaker 1>it sounded. And it was always funny to me because

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<v Speaker 1>our teacher would you know, dictating or say something in

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<v Speaker 1>perfect German and we would repeat it back individually. And

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<v Speaker 1>I always had a pretty good knack for not accents,

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<v Speaker 1>but just sort of parenting. I'm much better if I

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<v Speaker 1>hear someone say something, I can kind of say it

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<v Speaker 1>back like they say it. And I just figured, like,

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<v Speaker 1>just do that and then you're speaking correct German. And

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<v Speaker 1>some of these dudes would, you know, prekin ze Deutsche

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<v Speaker 1>And I would just be like, how can you just like,

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<v Speaker 1>can you not pretend to speak German, like with a

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<v Speaker 1>German accent? And they couldn't, And it's just fascinating. I

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<v Speaker 1>just thought everyone could pare it something back, and that's

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<v Speaker 1>when I realized, no, not at all. Well they have

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<v Speaker 1>those people have very well formed, non plastic synapses, is

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<v Speaker 1>really what it comes down in a lot of ways.

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<v Speaker 1>Do you, uh, you want to take a break before

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<v Speaker 1>we get into the development of accents? I guess, so, well,

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<v Speaker 1>let's do that, m all right, Chuck. So, there's been

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<v Speaker 1>a lot of study about accents about when we developed language.

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<v Speaker 1>There's a lot of debate about whether we're born with

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<v Speaker 1>a language instinct or if it's just something we we

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<v Speaker 1>naturally develop as a result of being social animals. Who knows,

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<v Speaker 1>but one of the studies on accents specifically has found

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<v Speaker 1>that apparently babies they recognize accents in the womb. They've

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<v Speaker 1>tested newborn kids. I don't know what parents let this happen,

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<v Speaker 1>but apparently in the delivery room or shortly after um delivery,

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<v Speaker 1>the baby was born. It's another way to put it.

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<v Speaker 1>They've had people speak with different accents to the baby,

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<v Speaker 1>and the baby just based on their gaze, tend to

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<v Speaker 1>prefer the accent that they heard while they were in

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<v Speaker 1>the womb. It is pretty interesting, right, And apparently from

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<v Speaker 1>that moment on, even from the time their brains developed

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<v Speaker 1>enough to to start hearing and soaking this in, and

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<v Speaker 1>then after they're born, they're they're taking all of these

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<v Speaker 1>these little things we take for granted when we speak,

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<v Speaker 1>when we use dialect, when we when we um form

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<v Speaker 1>an accent. All of the stuff is sinking in their

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<v Speaker 1>little baby brains and it's helping them develop UM what

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<v Speaker 1>is called basically a map, a language map, a dialect map,

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<v Speaker 1>and accent map, and they're hearing how to talk, learning

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<v Speaker 1>how to talk just by listening to the people around them,

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<v Speaker 1>even before they're six months old. Yeah, this UM researcher

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<v Speaker 1>UH speech professor named Patricia cool k u h L

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<v Speaker 1>you dub go Huskies um. She said that she was

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<v Speaker 1>describing the map, and she said, you know, the sounds

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<v Speaker 1>they don't hear, their synapses aren't firing when they don't

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<v Speaker 1>hear those sounds, so they just sort of fall away.

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<v Speaker 1>And you can think of it as like pruning of

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<v Speaker 1>that network of the brain, which I thought was really interesting.

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<v Speaker 1>It just makes sense. You know, the sounds they hear

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<v Speaker 1>most often will be reinforced over and over, and that's

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<v Speaker 1>how a dumb little baby gets an accent. And there

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<v Speaker 1>there's a really good example, if not a super stereotypical one,

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<v Speaker 1>but um speakers of Japanese have a very hard time

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<v Speaker 1>saying L making the L sound right. So rather than lake,

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<v Speaker 1>they may say rake, they tend to they tend to

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<v Speaker 1>replace the L with an R sound. And it's simply

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<v Speaker 1>because that's what they were exposed to growing up up

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<v Speaker 1>and there they didn't learn to make the L sound

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<v Speaker 1>just in the same way that you and I might

0:14:06.360 --> 0:14:09.600
<v Speaker 1>have a lot of trouble rolling our rs, where if

0:14:09.640 --> 0:14:12.160
<v Speaker 1>we had been raised in a society or a group

0:14:12.240 --> 0:14:15.040
<v Speaker 1>or a family even that rolled there ares we could

0:14:15.080 --> 0:14:18.880
<v Speaker 1>probably roll our rs perfectly. But all of for all

0:14:18.920 --> 0:14:22.560
<v Speaker 1>of this research is starting to show that accents are

0:14:23.080 --> 0:14:29.520
<v Speaker 1>just acquired and developed, and they're reinforced through through exposure

0:14:29.640 --> 0:14:32.160
<v Speaker 1>by hearing other people around you and then speaking that

0:14:32.200 --> 0:14:36.640
<v Speaker 1>way yourself. And that map that that's formed starting before

0:14:36.720 --> 0:14:41.800
<v Speaker 1>even six months old. Um, it's what you it's what

0:14:41.880 --> 0:14:47.600
<v Speaker 1>you use to navigate through through spoken communication with the world. Yeah.

0:14:47.640 --> 0:14:51.640
<v Speaker 1>She found out this is cool still in studying babies

0:14:51.680 --> 0:14:55.880
<v Speaker 1>in Sweden, Japan, US and other places that at six

0:14:55.920 --> 0:14:59.560
<v Speaker 1>months old, Japanese babies could distinguish between the elm are

0:14:59.720 --> 0:15:03.320
<v Speaker 1>just American babies, but by the time they were one,

0:15:03.840 --> 0:15:06.080
<v Speaker 1>they had lost that ability again because that was just

0:15:06.120 --> 0:15:08.320
<v Speaker 1>sort of pruned away. Yeah, and I looked into this,

0:15:08.400 --> 0:15:11.160
<v Speaker 1>I'm like, how how would you set that up? And

0:15:11.200 --> 0:15:14.160
<v Speaker 1>this is actually pretty clever. Right, So they would put

0:15:14.160 --> 0:15:16.440
<v Speaker 1>these babies in a room and let them all hang out,

0:15:16.680 --> 0:15:19.040
<v Speaker 1>and then they'd be like a loud speaker and then

0:15:19.080 --> 0:15:24.400
<v Speaker 1>over the loud speaker, hopefully it a normal normal, right,

0:15:25.280 --> 0:15:27.960
<v Speaker 1>they would say they would just have a voice, a nice,

0:15:27.960 --> 0:15:31.920
<v Speaker 1>pleasant voice saying like la la la la la la

0:15:32.120 --> 0:15:36.040
<v Speaker 1>la la la la la la, right, and then every

0:15:36.040 --> 0:15:38.160
<v Speaker 1>once in a while the voice would say la la

0:15:38.440 --> 0:15:41.720
<v Speaker 1>ra la la, right, And when that r would come

0:15:41.720 --> 0:15:46.120
<v Speaker 1>out instead of a la a like a bear would

0:15:46.240 --> 0:15:49.240
<v Speaker 1>light up and start dancing and playing like a drum,

0:15:49.400 --> 0:15:52.880
<v Speaker 1>like something that babies would love would happen, right, So

0:15:52.920 --> 0:15:56.840
<v Speaker 1>they came to associate rather the like the what would

0:15:56.840 --> 0:16:00.440
<v Speaker 1>be construed as an error in the act center the

0:16:00.480 --> 0:16:04.480
<v Speaker 1>dialect um with something going on with the bear. So

0:16:05.160 --> 0:16:07.840
<v Speaker 1>the babies that were Japanese by the time they were

0:16:07.880 --> 0:16:10.800
<v Speaker 1>a year when there was an error, they wouldn't look

0:16:10.800 --> 0:16:14.640
<v Speaker 1>over at the bear any longer because they stopped hearing

0:16:14.760 --> 0:16:17.560
<v Speaker 1>that that la la la and just heard it as

0:16:17.640 --> 0:16:21.560
<v Speaker 1>la la la. Interesting, isn't it. Yeah, And apparently they

0:16:21.600 --> 0:16:25.600
<v Speaker 1>found that babies crying can even sort of mimic the

0:16:25.640 --> 0:16:33.120
<v Speaker 1>intonation of their nationality. So like French babies, apparently French

0:16:33.160 --> 0:16:35.760
<v Speaker 1>speakers go up an intonation toward the end of the sentence,

0:16:35.760 --> 0:16:39.680
<v Speaker 1>and so French babies would when they cried, I guess,

0:16:39.720 --> 0:16:43.240
<v Speaker 1>would go why wawa and go up at the end,

0:16:43.720 --> 0:16:49.360
<v Speaker 1>whereas German babies would go down just like Germans. Yeah, wow,

0:16:51.400 --> 0:16:57.360
<v Speaker 1>all right, they wouldn't say law no. Uh. Super interesting though, yeah,

0:16:57.400 --> 0:16:59.440
<v Speaker 1>And so all of this forms of the basis of

0:17:00.080 --> 0:17:02.000
<v Speaker 1>a lot of people already know but you might not

0:17:02.120 --> 0:17:06.240
<v Speaker 1>know why. But it is way, way easier to learn

0:17:06.760 --> 0:17:10.120
<v Speaker 1>multiple languages when you're younger than it is, say when

0:17:10.119 --> 0:17:12.639
<v Speaker 1>you're in high school. And there's a big push among

0:17:12.680 --> 0:17:19.520
<v Speaker 1>American educators to start language development second language, third language, uh,

0:17:19.640 --> 0:17:22.320
<v Speaker 1>when you're much younger, like even as young as nursery school,

0:17:22.560 --> 0:17:25.720
<v Speaker 1>rather than waiting until high school, which is little baby

0:17:25.760 --> 0:17:29.600
<v Speaker 1>is being raised bilingual from birth. Yeah, and that's a

0:17:29.680 --> 0:17:32.119
<v Speaker 1>really good way to raise a smart kid like you.

0:17:32.200 --> 0:17:34.720
<v Speaker 1>May speaks Japanese in English. She was raised in a

0:17:34.800 --> 0:17:38.440
<v Speaker 1>household that spoke Japanese in English, right, And I mean

0:17:38.440 --> 0:17:41.160
<v Speaker 1>it's the same thing. There's I read another article about

0:17:41.200 --> 0:17:44.920
<v Speaker 1>a woman who was raised in the Philippines and her

0:17:44.960 --> 0:17:49.120
<v Speaker 1>father was raised I think her father spoke Tagalog, which

0:17:49.119 --> 0:17:50.919
<v Speaker 1>is the national language, and then her mother spoke a

0:17:50.960 --> 0:17:55.400
<v Speaker 1>regional language. And um, so she spoke two forms two

0:17:55.480 --> 0:17:59.880
<v Speaker 1>languages from birth and then learned English as an older person. Yeah.

0:18:00.320 --> 0:18:02.960
<v Speaker 1>So the whole idea that you should wait until high

0:18:02.960 --> 0:18:05.480
<v Speaker 1>school to learn language because then you're old enough to

0:18:05.560 --> 0:18:09.160
<v Speaker 1>understand is the exact opposite of what you should be doing.

0:18:09.200 --> 0:18:12.800
<v Speaker 1>Like you're supposed to be teaching kids multiple languages from

0:18:12.840 --> 0:18:15.320
<v Speaker 1>a very young age because that's when their brains are

0:18:15.359 --> 0:18:18.879
<v Speaker 1>plastic enough, and they wanted to know how that's possible.

0:18:19.760 --> 0:18:24.879
<v Speaker 1>It turns out that you your brain creates multiple language maps.

0:18:25.160 --> 0:18:27.600
<v Speaker 1>So you have a language map for your native language,

0:18:27.600 --> 0:18:30.639
<v Speaker 1>you have another language map for this other one you

0:18:30.720 --> 0:18:33.280
<v Speaker 1>learned in school, than another one that you're for the

0:18:33.359 --> 0:18:36.760
<v Speaker 1>language your grandmother speaks, and you can just switch between

0:18:36.800 --> 0:18:40.800
<v Speaker 1>them depending. Amazing and that So when you do learn

0:18:40.840 --> 0:18:45.640
<v Speaker 1>another language, though, Um, and I guess it's probably true

0:18:45.640 --> 0:18:47.960
<v Speaker 1>for any age, but as an adult for sure, or

0:18:48.000 --> 0:18:50.720
<v Speaker 1>a teenager for sure, when you already have your your

0:18:50.720 --> 0:18:54.760
<v Speaker 1>own home language solidified, there's something called language transfer that

0:18:54.880 --> 0:18:58.240
<v Speaker 1>can happen, or that always happens, uh, And it can

0:18:58.280 --> 0:19:00.600
<v Speaker 1>be either good or bad. So, depending on what your

0:19:00.680 --> 0:19:04.720
<v Speaker 1>language is and what language you're learning, it might be

0:19:04.920 --> 0:19:07.200
<v Speaker 1>a little bit easier to learn that language and say

0:19:07.200 --> 0:19:09.200
<v Speaker 1>certain words, or it might be a little harder can

0:19:09.920 --> 0:19:12.480
<v Speaker 1>depending on how close it is to your native tongue

0:19:12.480 --> 0:19:18.960
<v Speaker 1>and accent. So Um, like a German learning to speak English,

0:19:19.480 --> 0:19:22.000
<v Speaker 1>UH may have a tougher time with the th h sound,

0:19:22.160 --> 0:19:24.760
<v Speaker 1>and they may say like a like a t z

0:19:25.560 --> 0:19:28.760
<v Speaker 1>or or harder s in place of it, like instead

0:19:28.800 --> 0:19:34.240
<v Speaker 1>of the German z Germans right or if you're Italian

0:19:34.280 --> 0:19:36.440
<v Speaker 1>and you're learning Spanish, you might have an easier time

0:19:36.920 --> 0:19:40.280
<v Speaker 1>because those are a little more similar, uh, like with

0:19:40.520 --> 0:19:43.919
<v Speaker 1>especially with the ps in Spanish, right, because in Spanish

0:19:44.000 --> 0:19:50.360
<v Speaker 1>the P is a non aspirated, short onset time sound right. Um.

0:19:50.760 --> 0:19:54.439
<v Speaker 1>In English we would have a hard time with the

0:19:54.520 --> 0:19:58.760
<v Speaker 1>P because we say P. We aspirate it, right, P

0:19:59.359 --> 0:20:04.080
<v Speaker 1>like your breathe when you say it he um, and

0:20:04.560 --> 0:20:07.400
<v Speaker 1>it's it's a It has a long on set time right.

0:20:07.840 --> 0:20:11.240
<v Speaker 1>So which is That also explains why native English speakers

0:20:11.280 --> 0:20:16.640
<v Speaker 1>often have trouble distinguishing between P and B when they're

0:20:16.680 --> 0:20:20.000
<v Speaker 1>listening to Spanish being spoken. Yeah, and so depending on

0:20:20.040 --> 0:20:23.040
<v Speaker 1>if it's um easier or harder, it's called negative positive

0:20:23.040 --> 0:20:28.200
<v Speaker 1>transfer or negative transfer um. And I remember in German

0:20:28.320 --> 0:20:31.560
<v Speaker 1>learning to roll those rs was probably the hardest thing

0:20:31.600 --> 0:20:34.280
<v Speaker 1>for most of the kids in the class. Sure, right,

0:20:34.520 --> 0:20:37.920
<v Speaker 1>And again it's the same thing. It's like the the

0:20:38.040 --> 0:20:42.240
<v Speaker 1>with the southern accent with German. Right. So their language

0:20:42.280 --> 0:20:47.920
<v Speaker 1>map is so well formed and so immovable that they

0:20:48.119 --> 0:20:52.320
<v Speaker 1>are following the rules of that language map even when

0:20:52.359 --> 0:20:56.000
<v Speaker 1>they're trying to speak this foreign language. Well, languages don't

0:20:56.040 --> 0:20:59.199
<v Speaker 1>have the same maps, which accounts for different languages and

0:20:59.240 --> 0:21:01.760
<v Speaker 1>accents and all all sorts of things like that. So

0:21:02.119 --> 0:21:05.040
<v Speaker 1>on the one hand, it's cognitive, but on the other hand,

0:21:05.240 --> 0:21:09.239
<v Speaker 1>there's also um differences in in motor function. Right, just

0:21:09.320 --> 0:21:12.359
<v Speaker 1>like when you say L but not are as a

0:21:12.440 --> 0:21:15.679
<v Speaker 1>kid and there they seem interchangeable to you. When you

0:21:15.720 --> 0:21:21.600
<v Speaker 1>grow up, you have trouble actually making the the the

0:21:21.920 --> 0:21:26.359
<v Speaker 1>L sound like making your tongue make the L sound instead,

0:21:26.400 --> 0:21:28.760
<v Speaker 1>it wants to make the R sound right, So you

0:21:28.800 --> 0:21:32.159
<v Speaker 1>have the cognitive trouble with your language map applying your

0:21:32.200 --> 0:21:34.760
<v Speaker 1>language map to this new language, and you also have

0:21:34.960 --> 0:21:38.720
<v Speaker 1>the physical trouble of actually making your mouth and your

0:21:38.760 --> 0:21:43.160
<v Speaker 1>tongue in your airway do the things that it has

0:21:43.200 --> 0:21:46.520
<v Speaker 1>to do to make those sounds like rolling in our Yeah,

0:21:46.560 --> 0:21:49.600
<v Speaker 1>it's just it's simply unpracticed in doing so. Yeah, but

0:21:49.680 --> 0:21:52.000
<v Speaker 1>that's it. That's what the good thing about it is

0:21:52.040 --> 0:21:55.320
<v Speaker 1>that you can learn a good accent, You can learn

0:21:55.400 --> 0:21:59.200
<v Speaker 1>to speak another language. It just is harder because your

0:21:59.240 --> 0:22:02.960
<v Speaker 1>brain is pretty well set. You can retrain it, though,

0:22:03.000 --> 0:22:05.760
<v Speaker 1>it just takes practice. And apparently, from what I saw,

0:22:06.160 --> 0:22:08.440
<v Speaker 1>the best way to learn an accent and to learn

0:22:08.480 --> 0:22:12.199
<v Speaker 1>a new language is lots and lots and lots of

0:22:12.280 --> 0:22:16.239
<v Speaker 1>listening up front, that you shouldn't just jump in and

0:22:16.280 --> 0:22:18.959
<v Speaker 1>start trying to speak. You should spend a lot of

0:22:19.000 --> 0:22:22.560
<v Speaker 1>time just sitting around listening to it first. Yeah, I'm

0:22:22.600 --> 0:22:26.720
<v Speaker 1>way out of practice now with remembering German and speaking it,

0:22:26.840 --> 0:22:29.320
<v Speaker 1>but I got pretty good at one point to the

0:22:29.440 --> 0:22:31.720
<v Speaker 1>um to the point where I went. When I went

0:22:31.760 --> 0:22:35.639
<v Speaker 1>to Germany, I had Germans saying, you know, you speak

0:22:35.760 --> 0:22:38.960
<v Speaker 1>very good German. And that's like the best best thing

0:22:39.000 --> 0:22:41.080
<v Speaker 1>that can happen when you traveled to a different country

0:22:41.240 --> 0:22:43.080
<v Speaker 1>and you're trying is for someone to say, wow, you

0:22:43.119 --> 0:22:46.840
<v Speaker 1>speak really good uh, French or German or whatever. Here,

0:22:46.880 --> 0:22:50.480
<v Speaker 1>have a schnitzel on me. It's funny. My buddy and

0:22:50.520 --> 0:22:52.959
<v Speaker 1>I Brett, who did my first big Europe trip with,

0:22:53.040 --> 0:22:57.600
<v Speaker 1>we went to a beer garden in Germany and um

0:22:57.640 --> 0:23:01.920
<v Speaker 1>in Munich and got uh had a lot of beers,

0:23:02.520 --> 0:23:05.880
<v Speaker 1>a lot of steins because this local dude who didn't

0:23:05.880 --> 0:23:09.199
<v Speaker 1>speak English and I spoke very little German. And we

0:23:09.320 --> 0:23:12.480
<v Speaker 1>drank with this guy for about four hours and bonded

0:23:12.520 --> 0:23:14.960
<v Speaker 1>in two different languages over the music of the Beatles,

0:23:16.000 --> 0:23:19.560
<v Speaker 1>and it worked somehow, and got our picture with the

0:23:19.560 --> 0:23:21.439
<v Speaker 1>guy and it was just one of those travel moments

0:23:21.480 --> 0:23:24.520
<v Speaker 1>that just one of the best travel moments of my life.

0:23:24.520 --> 0:23:28.520
<v Speaker 1>And I always wonder if this guy remembered that at all.

0:23:29.359 --> 0:23:34.720
<v Speaker 1>And that guy turned out to be christof Walls, Yeah,

0:23:34.800 --> 0:23:36.480
<v Speaker 1>I have a feeling this guy didn't remember. It's one

0:23:36.480 --> 0:23:38.520
<v Speaker 1>of those things like as a young American, I was like,

0:23:38.560 --> 0:23:40.640
<v Speaker 1>oh my god, that was a posting. Ever I could

0:23:40.640 --> 0:23:44.680
<v Speaker 1>see that happening in Germany. In France, no French person

0:23:44.720 --> 0:23:47.040
<v Speaker 1>has ever said, hey, your French accent is pretty good.

0:23:47.640 --> 0:23:52.400
<v Speaker 1>Exactly what's gonna help you? Right? Um, Well, let's talk

0:23:52.440 --> 0:23:54.000
<v Speaker 1>a little bit because this, to me is one of

0:23:54.000 --> 0:23:57.479
<v Speaker 1>the more fascinating parts of accents is the fact that

0:23:58.000 --> 0:24:04.760
<v Speaker 1>uh British English, uh and in England, as colonizers all

0:24:04.800 --> 0:24:07.640
<v Speaker 1>over the world, we still ended up with so many

0:24:07.760 --> 0:24:13.600
<v Speaker 1>variations of the English accent. Yeah, which makes sense, fascinating,

0:24:14.520 --> 0:24:17.960
<v Speaker 1>but it's basically like, um, Britain went around the world

0:24:18.000 --> 0:24:21.360
<v Speaker 1>and said, oh, we're we're gonna have an illegitimate child here,

0:24:21.400 --> 0:24:23.359
<v Speaker 1>and we'll have an illegitimate child here, and in an

0:24:23.400 --> 0:24:25.560
<v Speaker 1>illegitimate child here, and they all just kind of look

0:24:25.720 --> 0:24:28.400
<v Speaker 1>like us a little bit. Right, Okay, it's a little

0:24:28.440 --> 0:24:31.719
<v Speaker 1>bit like that, but language wise or accent wise. So

0:24:31.800 --> 0:24:35.280
<v Speaker 1>everybody um who speaks English, I should say, in India

0:24:35.760 --> 0:24:40.199
<v Speaker 1>and in Australia and in Canada and in the United States, UM,

0:24:40.240 --> 0:24:42.640
<v Speaker 1>they all speak English. All of us speak English. Were

0:24:42.640 --> 0:24:46.280
<v Speaker 1>speaking the same language, but we um speak it with

0:24:46.359 --> 0:24:49.760
<v Speaker 1>different accents. And when you start to look into why,

0:24:49.880 --> 0:24:53.600
<v Speaker 1>it just becomes extremely fascinating. Like you were saying, like Australia,

0:24:53.680 --> 0:24:56.960
<v Speaker 1>all right, the Australian accent. Anybody in the world can

0:24:57.000 --> 0:25:01.920
<v Speaker 1>pick out an Australian accent no problem, and it's such

0:25:01.920 --> 0:25:04.919
<v Speaker 1>a unique accent. But it's also a hodgepodge of English

0:25:04.960 --> 0:25:08.880
<v Speaker 1>accents because you had so many people coming from England,

0:25:09.840 --> 0:25:14.000
<v Speaker 1>UM in different parts of England fourth together in this

0:25:15.119 --> 0:25:18.359
<v Speaker 1>you know, these small pockets over this large geography, but

0:25:18.680 --> 0:25:23.199
<v Speaker 1>relatively small pockets of of um uh like cities and

0:25:23.280 --> 0:25:28.880
<v Speaker 1>towns and stuff, and they're disparate regional English accents came

0:25:28.920 --> 0:25:32.320
<v Speaker 1>together to form a common, unique one which is now

0:25:32.359 --> 0:25:36.840
<v Speaker 1>known as Australian English. It's pretty interesting. Yeah, I've always

0:25:36.920 --> 0:25:41.080
<v Speaker 1>heard that UM English actors have an easier time picking

0:25:41.119 --> 0:25:45.280
<v Speaker 1>up the Southern American accent because they're so similar, and

0:25:45.320 --> 0:25:47.399
<v Speaker 1>there's actually a lot to that. I read this great

0:25:47.520 --> 0:25:52.160
<v Speaker 1>article from PBS called Our Full Southern that's the letter

0:25:52.359 --> 0:25:56.720
<v Speaker 1>R f U L Southern U from John Fought and UM.

0:25:56.760 --> 0:26:02.080
<v Speaker 1>It basically kind of lays out the history of UM,

0:26:02.200 --> 0:26:07.200
<v Speaker 1>the Southern American dialect, where it came from, and how

0:26:07.240 --> 0:26:10.040
<v Speaker 1>it's changed over the years, and the fact there's kind

0:26:10.040 --> 0:26:12.360
<v Speaker 1>of two different ones there. They call one the are

0:26:12.480 --> 0:26:17.840
<v Speaker 1>less Southern accent and one the R full meaning UM

0:26:17.920 --> 0:26:21.040
<v Speaker 1>with words when you have an R before a consonant

0:26:21.880 --> 0:26:29.120
<v Speaker 1>um are less accents you drop that are altogether. So like, uh,

0:26:29.160 --> 0:26:32.679
<v Speaker 1>there are different variations UM. Because you see this in

0:26:32.720 --> 0:26:35.560
<v Speaker 1>like in New England, like in Boston, and then you

0:26:35.600 --> 0:26:39.280
<v Speaker 1>actually see it in places like coastal South Carolina, in

0:26:39.320 --> 0:26:42.959
<v Speaker 1>coastal Mississippi and Alabama. Uh, And so you think, well,

0:26:43.000 --> 0:26:46.600
<v Speaker 1>that's weird, But when you think about it, it's true.

0:26:47.040 --> 0:26:50.440
<v Speaker 1>If if you're talking about you know, poc in the

0:26:50.560 --> 0:26:54.600
<v Speaker 1>CA you're dropping the R as with that hard Boston accent,

0:26:55.240 --> 0:27:03.320
<v Speaker 1>but you can also pock the car in South Carolina. Joe, Sorry,

0:27:03.560 --> 0:27:06.479
<v Speaker 1>I get fired up, but it's the same thing and

0:27:06.520 --> 0:27:08.199
<v Speaker 1>it and it came from the same thing. So what

0:27:08.320 --> 0:27:14.520
<v Speaker 1>happened was these coastal plains of uri early European settlements. Um,

0:27:14.560 --> 0:27:17.120
<v Speaker 1>and we're talking not New York City and not New Orleans,

0:27:17.520 --> 0:27:20.800
<v Speaker 1>but all these other places came from our less areas

0:27:20.840 --> 0:27:24.680
<v Speaker 1>of southeastern England. And so as they were settled, they

0:27:25.080 --> 0:27:30.280
<v Speaker 1>set up shop, uh, and farmed around the coast, and

0:27:30.320 --> 0:27:35.800
<v Speaker 1>the coastline didn'tvert venture very far inland. And so then

0:27:35.840 --> 0:27:38.560
<v Speaker 1>there was the second wave that started coming from our

0:27:38.600 --> 0:27:43.240
<v Speaker 1>full areas and this started to change apparently. Um. And

0:27:43.280 --> 0:27:46.480
<v Speaker 1>what we're talking about is rhotic R H O T

0:27:46.640 --> 0:27:50.240
<v Speaker 1>I C and non rhotic dialogue or dialect. Rhotic is

0:27:50.240 --> 0:27:54.120
<v Speaker 1>where the R is hard, yes, like park and non

0:27:54.240 --> 0:27:57.679
<v Speaker 1>rhotic would be like poc. Yeah. And apparently in England

0:27:57.680 --> 0:28:02.720
<v Speaker 1>and especially in southeastern England, when they colonized America, they spoke,

0:28:03.000 --> 0:28:05.520
<v Speaker 1>or they sounded a lot more like what you would

0:28:05.520 --> 0:28:08.359
<v Speaker 1>think of as an American accent today. Yeah, probably a

0:28:08.359 --> 0:28:11.280
<v Speaker 1>lot more that we probably sound very much like they

0:28:11.320 --> 0:28:16.240
<v Speaker 1>sounded back then, which is just knocked my socks off man.

0:28:16.400 --> 0:28:20.280
<v Speaker 1>Fact of not just this podcast, maybe fact of the year. Yeah.

0:28:20.359 --> 0:28:22.600
<v Speaker 1>But at some point, uh, And I think there's a

0:28:22.600 --> 0:28:25.280
<v Speaker 1>little bit of debate on exactly when there became a

0:28:25.320 --> 0:28:29.120
<v Speaker 1>conscious shift in England for uh kind of to draw

0:28:29.160 --> 0:28:32.600
<v Speaker 1>class distinctions, to to have a more posh sounding accent,

0:28:32.680 --> 0:28:35.560
<v Speaker 1>Is that right? Yeah? Yeah, there's something called so the

0:28:35.600 --> 0:28:38.760
<v Speaker 1>typical British accent. When you listen to say, someone like

0:28:38.840 --> 0:28:42.280
<v Speaker 1>you Grant speak what you think of as like kind

0:28:42.280 --> 0:28:47.520
<v Speaker 1>of classy British, that's called Grant, right, classiest guy around

0:28:48.240 --> 0:28:51.000
<v Speaker 1>at the very least, he's one of the most charming, um,

0:28:51.040 --> 0:28:54.040
<v Speaker 1>which is how he gets away with so much. But uh,

0:28:54.080 --> 0:28:58.440
<v Speaker 1>that that that accent is called received pronunciation, and it

0:28:58.520 --> 0:29:03.280
<v Speaker 1>developed in England as kind of an aspirational accent among

0:29:03.320 --> 0:29:05.800
<v Speaker 1>the middle class. The middle class was starting to grow.

0:29:06.480 --> 0:29:08.880
<v Speaker 1>Um from what I saw that it was the mid

0:29:08.960 --> 0:29:12.680
<v Speaker 1>nineteenth century. I know you saw something like the sometime

0:29:12.720 --> 0:29:15.720
<v Speaker 1>in the eighteenth century, but regardless, it came out of

0:29:15.760 --> 0:29:19.080
<v Speaker 1>the middle class in England getting a little wealthier, sending

0:29:19.120 --> 0:29:22.080
<v Speaker 1>more and more middle class English kids off to boarding

0:29:22.120 --> 0:29:26.400
<v Speaker 1>school where they were kind of being instructed in this

0:29:26.560 --> 0:29:33.200
<v Speaker 1>received pronunciation accent, and it it became the the educated

0:29:33.640 --> 0:29:38.440
<v Speaker 1>southern England accepted way to speak, right, it was British

0:29:38.760 --> 0:29:43.480
<v Speaker 1>and that really got cemented in the nineteen twenties when

0:29:43.480 --> 0:29:47.120
<v Speaker 1>the BBC started broadcasting and they actually held a panel

0:29:47.160 --> 0:29:50.800
<v Speaker 1>to try to figure out what accent or accents their

0:29:50.840 --> 0:29:53.440
<v Speaker 1>broadcasters were going to speak in, and they settled on

0:29:53.600 --> 0:29:58.120
<v Speaker 1>received pronunciation. It became the one accent that all BBC

0:29:58.200 --> 0:30:02.160
<v Speaker 1>broadcasts were done in from nineteen twenties to the nineteen

0:30:02.240 --> 0:30:07.240
<v Speaker 1>seventies or eighties. It became quintessential British accents, despite the

0:30:07.320 --> 0:30:11.120
<v Speaker 1>fact that something like less than ten percent, maybe even

0:30:11.160 --> 0:30:14.320
<v Speaker 1>less than that, of the population actually speak with that accent.

0:30:14.520 --> 0:30:17.360
<v Speaker 1>But that's what everybody else in the in the world

0:30:17.680 --> 0:30:20.160
<v Speaker 1>typically thinks of when they think of a British accent.

0:30:20.400 --> 0:30:26.320
<v Speaker 1>It's fascinating and it's again, this came after America was colonized.

0:30:26.360 --> 0:30:29.719
<v Speaker 1>It came from what I understand, after Australia was colonized.

0:30:30.000 --> 0:30:35.280
<v Speaker 1>So at the time Americans and the British um sounded

0:30:35.360 --> 0:30:39.120
<v Speaker 1>very much like we do today. Yeah, So starting in

0:30:39.160 --> 0:30:41.960
<v Speaker 1>about picking back up with the R lesson R full

0:30:42.000 --> 0:30:45.880
<v Speaker 1>stories UH. Starting in about the middle of the eighteenth

0:30:45.880 --> 0:30:48.680
<v Speaker 1>century and for the next hundred years or so, you

0:30:48.800 --> 0:30:54.000
<v Speaker 1>had more people coming over from UH like northern and

0:30:54.080 --> 0:30:59.920
<v Speaker 1>western England, UH and Scotland and Ireland, and they appear

0:31:00.000 --> 0:31:04.200
<v Speaker 1>cly started entering the US, not along the coastline but

0:31:04.240 --> 0:31:07.480
<v Speaker 1>through like the port of Philadelphia, which um that was

0:31:07.520 --> 0:31:10.000
<v Speaker 1>the busiest in the nation at the time. So these

0:31:10.040 --> 0:31:13.000
<v Speaker 1>folks move inland instead of hanging around the coast, and

0:31:13.040 --> 0:31:17.120
<v Speaker 1>then west and southwest, and uh they had the r

0:31:17.200 --> 0:31:21.560
<v Speaker 1>full accents. And so you had these inland varieties of

0:31:21.640 --> 0:31:24.400
<v Speaker 1>accents that were are full, these coastal that were are

0:31:24.520 --> 0:31:28.760
<v Speaker 1>less and are less was far more prominent for a

0:31:28.760 --> 0:31:32.000
<v Speaker 1>long time just because of the way, um migration happened

0:31:32.000 --> 0:31:35.000
<v Speaker 1>and immigration happened. And then are full has since sort

0:31:35.040 --> 0:31:39.560
<v Speaker 1>of taken over. Our full Southern has taken over and

0:31:39.720 --> 0:31:43.200
<v Speaker 1>our full Northern because it's you know, sort of the

0:31:43.240 --> 0:31:47.240
<v Speaker 1>same version of the two different versions of the same thing. Uh,

0:31:47.320 --> 0:31:49.400
<v Speaker 1>and now are full is what you kind of think

0:31:49.480 --> 0:31:52.000
<v Speaker 1>more of us that sort of red nicky Southern accent

0:31:52.960 --> 0:32:00.400
<v Speaker 1>um like orange glad I said orange like that? Sure? Okay,

0:32:00.520 --> 0:32:03.160
<v Speaker 1>Uh what they say here in this PBS article is

0:32:03.160 --> 0:32:08.600
<v Speaker 1>is the prevailing prevailing dialect of like Nascar. You think Nascar,

0:32:08.880 --> 0:32:13.280
<v Speaker 1>you say that hard are instead of Nascar Nascar. I

0:32:13.320 --> 0:32:16.960
<v Speaker 1>feel like I'm going to yeah, just think of Judy

0:32:17.040 --> 0:32:21.280
<v Speaker 1>Davis and Barton Fink. Okay, well Boughton, you know that

0:32:21.360 --> 0:32:25.320
<v Speaker 1>kind of Uh, I always think of Charleston for some reason.

0:32:25.680 --> 0:32:29.840
<v Speaker 1>Oh yeah, because Charleston is super are less in that respect.

0:32:30.400 --> 0:32:33.360
<v Speaker 1>And yeah, I think just like in say England or

0:32:33.400 --> 0:32:38.200
<v Speaker 1>the UK, that um are less is associated with higher society.

0:32:38.280 --> 0:32:41.880
<v Speaker 1>I think, oh yeah, for sure, the non rhotic speech,

0:32:42.000 --> 0:32:46.240
<v Speaker 1>for sure. So then the sun Belt UM gets populated

0:32:46.280 --> 0:32:49.200
<v Speaker 1>and people keep going inland and more inland, and our

0:32:49.240 --> 0:32:53.720
<v Speaker 1>full accents, both northern and southern sort of became the

0:32:53.800 --> 0:32:58.040
<v Speaker 1>dominant UH speaking style in the United States. Well, you know,

0:32:58.120 --> 0:33:01.040
<v Speaker 1>you said that a lot of those UM those immigrants

0:33:01.320 --> 0:33:03.440
<v Speaker 1>came to the U. S and State in the coastal

0:33:03.480 --> 0:33:08.120
<v Speaker 1>areas or went inland. There's been a lot of um

0:33:08.520 --> 0:33:14.520
<v Speaker 1>a speculation that there's pockets of of UM accents, say

0:33:14.560 --> 0:33:18.320
<v Speaker 1>like tucked away in the Appalachians or in the Outer Banks,

0:33:18.400 --> 0:33:23.600
<v Speaker 1>or just kind of in less populated or trafficked areas

0:33:23.720 --> 0:33:27.320
<v Speaker 1>where those original accents were captured and kind of frozen

0:33:27.320 --> 0:33:31.560
<v Speaker 1>in time. Which apparently all of that's been debunked. Um

0:33:31.600 --> 0:33:35.719
<v Speaker 1>that that you can't find the original colonial slash British

0:33:35.760 --> 0:33:39.480
<v Speaker 1>imperial accent in you know, the people in the Outer

0:33:39.560 --> 0:33:42.680
<v Speaker 1>Banks or in the Appalachians. But it's pretty romantic to

0:33:42.720 --> 0:33:46.280
<v Speaker 1>think of and I have to say, I gotta say this,

0:33:46.360 --> 0:33:50.800
<v Speaker 1>speaking of the Appalachian accent. Um, I've said before, you

0:33:50.840 --> 0:33:55.520
<v Speaker 1>know that that that airline pilot talk, how all airline

0:33:55.560 --> 0:33:59.120
<v Speaker 1>pilots sound exactly the same, and they're all actually doing

0:33:59.240 --> 0:34:03.719
<v Speaker 1>Chuck Yeager, Chuck Yeager, whose Appalachian accent was kind of

0:34:03.760 --> 0:34:08.080
<v Speaker 1>famous because he broke the sound barrier. Um, all pilots

0:34:08.160 --> 0:34:11.160
<v Speaker 1>kind of aspired to sound like him. So that's why

0:34:11.200 --> 0:34:15.759
<v Speaker 1>all airline pilots sound exactly the same on the intercom,

0:34:15.840 --> 0:34:18.640
<v Speaker 1>because they're all, whether they know it or not, trying

0:34:18.640 --> 0:34:21.600
<v Speaker 1>to emulate Chuck Yeager, who actually did talk like that.

0:34:21.920 --> 0:34:24.840
<v Speaker 1>And that raises like something pretty pretty significant, Chuck is

0:34:25.320 --> 0:34:29.320
<v Speaker 1>you can acquire an accent just by aspiring to sound

0:34:29.400 --> 0:34:31.600
<v Speaker 1>like somebody. And that's how a lot of accents have

0:34:31.760 --> 0:34:35.800
<v Speaker 1>spread over time. That's how we received pronunciations spread. People

0:34:35.920 --> 0:34:38.799
<v Speaker 1>listen to the broadcaster on the BBC and said, I

0:34:38.880 --> 0:34:41.240
<v Speaker 1>like the cut of that guy's jib, and they started

0:34:41.640 --> 0:34:45.920
<v Speaker 1>mimicking him, and that's how that accent spread. You want

0:34:45.920 --> 0:34:48.200
<v Speaker 1>to take a break, Yeah, we'll take another break and

0:34:48.200 --> 0:34:53.279
<v Speaker 1>we'll talk about media and the movies and um, how

0:34:53.320 --> 0:34:55.960
<v Speaker 1>accidents can affect the perception of a person right after this,

0:35:22.760 --> 0:35:26.640
<v Speaker 1>all right, So I got a call one day from

0:35:26.800 --> 0:35:30.960
<v Speaker 1>John Hodgeman. Yeah, and he, uh, if you don't know,

0:35:31.080 --> 0:35:34.359
<v Speaker 1>as a writer and actor and more and more so

0:35:34.400 --> 0:35:38.560
<v Speaker 1>an actor, and he was auditioning for a part where

0:35:38.600 --> 0:35:41.719
<v Speaker 1>he had to speak with a Southern accent. So he

0:35:41.800 --> 0:35:45.840
<v Speaker 1>called me up and was like, dude, I need some help. Um,

0:35:45.840 --> 0:35:48.399
<v Speaker 1>what what do I do? Because I think he's heard

0:35:48.400 --> 0:35:51.040
<v Speaker 1>me complain a lot about bad Southern accents and movies

0:35:51.080 --> 0:35:53.960
<v Speaker 1>and TV and how that's just such an immediate turn

0:35:54.000 --> 0:35:56.640
<v Speaker 1>off for me, Like that's why I couldn't watch House

0:35:56.640 --> 0:36:00.799
<v Speaker 1>of Cards because Kevin Spacey. Oh his accent you mean?

0:36:00.920 --> 0:36:03.319
<v Speaker 1>Oh yeah, I just heard it off and how you

0:36:03.400 --> 0:36:05.680
<v Speaker 1>meant just Kevin Spacey in general. Now he kind of

0:36:05.680 --> 0:36:07.719
<v Speaker 1>bugs me in general these days. Yeah, I don't see

0:36:07.719 --> 0:36:10.400
<v Speaker 1>Baby Driver then, Oh no, I love Baby Driver and

0:36:10.520 --> 0:36:12.160
<v Speaker 1>I liked him in it. And that's the first thing

0:36:12.160 --> 0:36:15.000
<v Speaker 1>I'm really in a long time. Yeah, I thought it

0:36:15.040 --> 0:36:20.040
<v Speaker 1>was standard Kevin Spacey. Oh well it was, but I

0:36:20.120 --> 0:36:25.040
<v Speaker 1>used to love Kevin Spacey and what the oh just

0:36:25.160 --> 0:36:29.400
<v Speaker 1>in the early days like usual suspects and uh American beauty.

0:36:29.719 --> 0:36:34.120
<v Speaker 1>He was okay, no no qualms here, with American beauty. Yeah,

0:36:34.160 --> 0:36:36.640
<v Speaker 1>he just kind of just got tired of it. Yeah.

0:36:36.760 --> 0:36:40.520
<v Speaker 1>I think Pay It Forward really killed it from You

0:36:40.560 --> 0:36:45.040
<v Speaker 1>should go see it. Go see it, yeah, go to

0:36:45.080 --> 0:36:47.719
<v Speaker 1>my bedroom. Yeah that wherever you have to see it.

0:36:47.760 --> 0:36:50.200
<v Speaker 1>See it. Well, Baby Driver was great though. How about

0:36:50.239 --> 0:36:55.840
<v Speaker 1>that movie? Yeah, no batting Southern accents, and they're really

0:36:55.880 --> 0:36:59.240
<v Speaker 1>I mean they were, although the whole thing was shot

0:36:59.280 --> 0:37:02.520
<v Speaker 1>and setting it Atlanta. Yeah, I mean baby and the

0:37:04.000 --> 0:37:06.360
<v Speaker 1>oh yeah, the waitress had a bad Southern accent. It

0:37:06.400 --> 0:37:09.439
<v Speaker 1>wasn't bad. I thought it was okay, Okay, it wasn't

0:37:09.480 --> 0:37:12.920
<v Speaker 1>too bad by my standard at least. So anyway, Hodgeman

0:37:13.000 --> 0:37:15.239
<v Speaker 1>calls me and I told I basically told them that

0:37:15.360 --> 0:37:18.920
<v Speaker 1>even someone like me, who um doesn't have a very

0:37:19.000 --> 0:37:22.320
<v Speaker 1>strong Southern accent at the very least, there's still something

0:37:22.480 --> 0:37:25.960
<v Speaker 1>we do in the South, which is, um, we soften

0:37:26.000 --> 0:37:31.719
<v Speaker 1>our tease generally. Um. Many times tease become d's and

0:37:31.800 --> 0:37:37.360
<v Speaker 1>sometimes they become ends. Like no one from Atlanta says

0:37:37.440 --> 0:37:42.480
<v Speaker 1>Atlanta Atlanta. It would be spelled A D L A

0:37:42.719 --> 0:37:45.440
<v Speaker 1>N N A. You know it's funny, is it's exactly

0:37:45.480 --> 0:37:50.640
<v Speaker 1>how people from Toronto's Toronto Toronto. But like we're so

0:37:50.719 --> 0:37:54.719
<v Speaker 1>we live in Atlanta, but we say Toronto, right, But

0:37:54.719 --> 0:37:58.040
<v Speaker 1>whenever you hear someone say Atlanta, you just think, you know,

0:37:58.239 --> 0:38:02.680
<v Speaker 1>get the stick out of your butt, pal, Relax, don't

0:38:02.719 --> 0:38:05.319
<v Speaker 1>be so formal. Yeah, so I went through and I

0:38:05.320 --> 0:38:09.799
<v Speaker 1>took Hodgman's pages and sort of rewrote them phonetically. Well,

0:38:09.840 --> 0:38:12.719
<v Speaker 1>I hope you charged for this, No, of course not

0:38:13.120 --> 0:38:15.279
<v Speaker 1>um and yeah, and it kind of helped him out.

0:38:15.280 --> 0:38:17.200
<v Speaker 1>I think I don't think he got the part. But um,

0:38:17.719 --> 0:38:24.040
<v Speaker 1>that's because of his acting, not because of my just kidding. Uh.

0:38:24.200 --> 0:38:27.120
<v Speaker 1>But anyway, it's just it's an interesting lesson in that

0:38:28.040 --> 0:38:32.200
<v Speaker 1>um accents. I think oftentimes regional accents of the same

0:38:32.280 --> 0:38:36.759
<v Speaker 1>language often come down to such subtleties as softening certain

0:38:36.840 --> 0:38:41.320
<v Speaker 1>letters or dropping certain letters ours or teas or whatever.

0:38:41.520 --> 0:38:44.279
<v Speaker 1>But you also, yeah, you raised uh, you raised the

0:38:44.360 --> 0:38:48.400
<v Speaker 1>point earlier where you know, people in Boston and people

0:38:48.680 --> 0:38:53.520
<v Speaker 1>in Alabama both dropped their rs. There are lists, but

0:38:54.080 --> 0:38:58.520
<v Speaker 1>you would never confuse um in English speaker in Alabama

0:38:58.560 --> 0:39:01.080
<v Speaker 1>with an English speaker in Boston. In so there's a

0:39:01.200 --> 0:39:04.200
<v Speaker 1>lot more going on there. Well, it's just like the

0:39:04.239 --> 0:39:07.520
<v Speaker 1>Irish immigration in Boston that had a big impact because

0:39:07.520 --> 0:39:11.480
<v Speaker 1>they weren't immigrating to uh mobile, right. But I mean, like,

0:39:11.520 --> 0:39:15.719
<v Speaker 1>there's there's a lot more going on accent wise to

0:39:16.000 --> 0:39:19.759
<v Speaker 1>just dropping the R. But that's the reason why that

0:39:19.800 --> 0:39:21.799
<v Speaker 1>one has brought up so much is because it's such

0:39:21.840 --> 0:39:28.680
<v Speaker 1>a a common and identifiable beginning point to differentiate different accents. Yeah,

0:39:28.719 --> 0:39:30.799
<v Speaker 1>and I guess that's probably a good place to talk

0:39:30.840 --> 0:39:34.200
<v Speaker 1>about perception um because whether we like it or not,

0:39:35.560 --> 0:39:41.319
<v Speaker 1>if you hear a very thick like old school New

0:39:41.400 --> 0:39:47.360
<v Speaker 1>York Brooklyn thing or a very southern kind of Nascar talker, like,

0:39:47.560 --> 0:39:52.400
<v Speaker 1>you're gonna get stereotype like it it sucks. But you

0:39:52.440 --> 0:39:54.839
<v Speaker 1>have a very hard Southern accent, people are gonna think

0:39:54.840 --> 0:40:02.399
<v Speaker 1>you're dumb. That's because of the hookworm than anything. But

0:40:03.000 --> 0:40:07.239
<v Speaker 1>I think any really really heavy accent can um very

0:40:07.320 --> 0:40:09.680
<v Speaker 1>much affect what a person thinks initially when they talk

0:40:09.719 --> 0:40:13.719
<v Speaker 1>to you. Well yeah, um, so accents are at their

0:40:13.760 --> 0:40:17.359
<v Speaker 1>base and in group out group marker. Right. And we

0:40:18.440 --> 0:40:21.279
<v Speaker 1>despite how long we've been living in a larger, more

0:40:21.400 --> 0:40:25.920
<v Speaker 1>integrated society UM full of more and more people that

0:40:25.960 --> 0:40:30.239
<v Speaker 1>we interact with from different groups every day, Uh, we

0:40:30.360 --> 0:40:35.640
<v Speaker 1>still have this kind of evolutionary spark where we are

0:40:35.760 --> 0:40:38.920
<v Speaker 1>aware of people who are different from us, right, and

0:40:38.960 --> 0:40:42.799
<v Speaker 1>we surmise different things, whether correctly or incorrectly, based on

0:40:42.840 --> 0:40:46.240
<v Speaker 1>some of these markers. And one of the big easy

0:40:46.280 --> 0:40:49.520
<v Speaker 1>to identify markers that says, oh, you're from a different

0:40:49.560 --> 0:40:51.920
<v Speaker 1>group than me. Let me just put a little barrier

0:40:51.960 --> 0:40:56.000
<v Speaker 1>between us here is the accent. Yeah, for sure. Um,

0:40:56.480 --> 0:41:00.200
<v Speaker 1>they've even done studies. Uh, I know that the is

0:41:00.239 --> 0:41:04.600
<v Speaker 1>it babel or babel babel b A b b e

0:41:04.800 --> 0:41:08.080
<v Speaker 1>L the the language app. They've done studies and they've

0:41:08.239 --> 0:41:11.720
<v Speaker 1>um had people mark like what accents they thought were sexy,

0:41:11.960 --> 0:41:15.720
<v Speaker 1>which accents they thought were annoying, which ones they trust

0:41:15.719 --> 0:41:19.000
<v Speaker 1>and don't trust, And of course, like a French accent

0:41:19.719 --> 0:41:25.600
<v Speaker 1>was more favorable, the German accent was the least favorable. Um.

0:41:25.640 --> 0:41:29.160
<v Speaker 1>Just generally, they've done tests that find that people are

0:41:29.280 --> 0:41:33.839
<v Speaker 1>distrusting of someone with a foreign accent period. Yeah. And

0:41:33.880 --> 0:41:35.480
<v Speaker 1>I don't know if that has to do with the

0:41:35.520 --> 0:41:39.040
<v Speaker 1>fact that it is in group out group, or if

0:41:39.120 --> 0:41:42.000
<v Speaker 1>there's a UM there's like a kind of a much

0:41:42.239 --> 0:41:45.640
<v Speaker 1>lighter hearted explanation for it, which is that we tend

0:41:45.680 --> 0:41:49.359
<v Speaker 1>to prefer people with our own accents or people who

0:41:49.400 --> 0:41:52.279
<v Speaker 1>sound like us are close to us because that's what

0:41:52.360 --> 0:41:56.839
<v Speaker 1>we're used to. So we're just physically more comfortable hearing that, right,

0:41:57.320 --> 0:42:00.440
<v Speaker 1>makes sense, not in hearing something different puts on edge

0:42:00.520 --> 0:42:03.480
<v Speaker 1>or guards up or we're just a little more, um,

0:42:03.520 --> 0:42:07.760
<v Speaker 1>a little less comfortable physically just from hearing somebody speak

0:42:07.800 --> 0:42:12.839
<v Speaker 1>with an accent. And then another study suggested that cognitively,

0:42:12.960 --> 0:42:17.440
<v Speaker 1>we're having to work harder to um understand what a

0:42:17.520 --> 0:42:20.320
<v Speaker 1>person with an accent that's foreign to us as saying,

0:42:21.120 --> 0:42:25.120
<v Speaker 1>and uh that and one way to put is that

0:42:25.200 --> 0:42:27.920
<v Speaker 1>we kind of resent them for making us work harder,

0:42:28.280 --> 0:42:33.080
<v Speaker 1>so we're less trusting of what they're saying, right, which

0:42:33.120 --> 0:42:35.759
<v Speaker 1>is just weird. Well, yeah, and all of this is

0:42:35.800 --> 0:42:41.480
<v Speaker 1>reinforced and um borne out of and reinforced by movies

0:42:41.760 --> 0:42:46.359
<v Speaker 1>and television to a large degree, because anyone who's ever

0:42:46.400 --> 0:42:48.920
<v Speaker 1>seen a movie, they have these kind of go to

0:42:49.120 --> 0:42:52.960
<v Speaker 1>trope accents depending on what kind of character it is, um,

0:42:53.000 --> 0:42:57.600
<v Speaker 1>whether it's the dumb Southerner or in the case of crime,

0:42:58.480 --> 0:43:02.040
<v Speaker 1>um like this this new arc accent for like petty criminals,

0:43:02.640 --> 0:43:07.160
<v Speaker 1>whereas the criminal mastermind will usually have a British accent. Yeah,

0:43:07.280 --> 0:43:10.719
<v Speaker 1>I read an article on that about villains having accents

0:43:10.920 --> 0:43:16.320
<v Speaker 1>and usually it's British and apparently that's just kind of

0:43:17.480 --> 0:43:21.439
<v Speaker 1>lazy filmmaking in a way, like many years for sure. Yeah,

0:43:21.600 --> 0:43:24.040
<v Speaker 1>And so like the the no matter if it was

0:43:24.080 --> 0:43:29.680
<v Speaker 1>like on another planet or Russian villain, the villain typically

0:43:29.760 --> 0:43:32.520
<v Speaker 1>has a British accent, and they the article was saying

0:43:32.560 --> 0:43:36.040
<v Speaker 1>that they had to do with one. It's just an

0:43:36.040 --> 0:43:39.680
<v Speaker 1>easy cheap way of saying this person's foreign, this person's other,

0:43:40.840 --> 0:43:45.000
<v Speaker 1>so right there that they're the bad guy, right um,

0:43:46.000 --> 0:43:49.239
<v Speaker 1>and then secondly that it was British, so that we

0:43:49.320 --> 0:43:53.440
<v Speaker 1>can understand what they're saying still very easily, but on

0:43:53.480 --> 0:43:58.120
<v Speaker 1>an unconscious level again there other their foreign and then um,

0:43:58.360 --> 0:44:02.680
<v Speaker 1>the the In America, there's something called cultural cringe. It's

0:44:02.680 --> 0:44:05.799
<v Speaker 1>in America, it's in Australia that there's this idea that

0:44:06.000 --> 0:44:10.160
<v Speaker 1>the British colonized this country and they were originally like

0:44:10.239 --> 0:44:14.160
<v Speaker 1>the parent country, and there's still some kind of unconscious

0:44:14.200 --> 0:44:17.600
<v Speaker 1>resentment of them. So that making the villain British taps

0:44:17.640 --> 0:44:24.479
<v Speaker 1>into that unconscious disdain for British people, which obviously don't

0:44:24.480 --> 0:44:28.400
<v Speaker 1>have consciously. But it's called cultural cringe where you're just

0:44:28.480 --> 0:44:32.520
<v Speaker 1>kind of like unconsciously comparing your culture to their culture

0:44:32.560 --> 0:44:36.399
<v Speaker 1>and like irritation comes out of it. Yeah, it's funny.

0:44:36.440 --> 0:44:40.319
<v Speaker 1>Even the Star Wars universe, it was uh a long

0:44:40.360 --> 0:44:43.480
<v Speaker 1>time ago in a different galaxy, and yet you have

0:44:43.640 --> 0:44:47.560
<v Speaker 1>like some American accents and some English accents, and it's

0:44:47.600 --> 0:44:50.799
<v Speaker 1>kind of all over the map. Like uh, I mean

0:44:50.840 --> 0:44:54.480
<v Speaker 1>even in the in that first Star Wars movie, Carrie

0:44:54.480 --> 0:44:59.880
<v Speaker 1>Fisher sort of vacillated between English accent and regular Americans.

0:45:00.000 --> 0:45:04.279
<v Speaker 1>He almost adopted a mid Atlantic accent. Yeah, so that's, um,

0:45:04.640 --> 0:45:08.040
<v Speaker 1>we're not talking about Maryland. Um. In the early days

0:45:08.040 --> 0:45:10.440
<v Speaker 1>of the movies, they called it mid Atlantic, which basically

0:45:10.520 --> 0:45:14.319
<v Speaker 1>meant just somewhere between England and the United States. And

0:45:14.360 --> 0:45:18.200
<v Speaker 1>that's how almost all of the early movie stars spoke. Yeah,

0:45:18.239 --> 0:45:21.239
<v Speaker 1>and um, I think from what I saw, you could

0:45:21.239 --> 0:45:25.480
<v Speaker 1>trace it back to a single um dialect coach who

0:45:25.520 --> 0:45:30.080
<v Speaker 1>taught I think Katherine Hepburn to speak that way. And

0:45:30.520 --> 0:45:33.759
<v Speaker 1>that combined with Carrie Grant becoming a star and he

0:45:33.800 --> 0:45:36.160
<v Speaker 1>was born in England and raised there until he was sixteen,

0:45:36.480 --> 0:45:39.680
<v Speaker 1>and then moving to America. Those two becoming big stars

0:45:39.719 --> 0:45:42.799
<v Speaker 1>at the same time made this mid Atlantic accent just

0:45:42.840 --> 0:45:46.320
<v Speaker 1>spread like wildfire because that's what people saw in the movies.

0:45:46.480 --> 0:45:49.520
<v Speaker 1>That's what they aspired to. So some people started talking

0:45:49.600 --> 0:45:53.479
<v Speaker 1>like that, Yeah, super interesting. There was um a woman

0:45:53.560 --> 0:45:58.080
<v Speaker 1>named Nancy Elliott that did a sample of American actors

0:45:58.600 --> 0:46:02.320
<v Speaker 1>in American movies from the nineteen thirties to the nineteen seventies,

0:46:02.880 --> 0:46:07.239
<v Speaker 1>and she showed a steady decline and are dropping in

0:46:07.280 --> 0:46:10.160
<v Speaker 1>the artless accent, which would support that what you're talking

0:46:10.200 --> 0:46:13.560
<v Speaker 1>about with the mid Atlantic from sixty percent of actors

0:46:13.560 --> 0:46:16.880
<v Speaker 1>in the nineteen thirties to zero percent in the nineteen

0:46:16.920 --> 0:46:20.840
<v Speaker 1>seventies dropped their rs. And then she saw within people's

0:46:20.880 --> 0:46:24.800
<v Speaker 1>individual careers that had long careers in movies, they modified

0:46:24.800 --> 0:46:29.399
<v Speaker 1>their pronunciations over time. Really interesting. Yeah, so what one

0:46:29.400 --> 0:46:33.080
<v Speaker 1>more thing about the British villain or the villain no

0:46:33.120 --> 0:46:35.960
<v Speaker 1>matter where he's from, having a British accent. This article

0:46:36.560 --> 0:46:39.359
<v Speaker 1>called out and I thought, very very rightly, so um

0:46:39.480 --> 0:46:43.480
<v Speaker 1>inglorious bastards as doing it right because there's like whole

0:46:43.480 --> 0:46:47.879
<v Speaker 1>scenes that are spoken in German or Italian with subtitles.

0:46:48.560 --> 0:46:52.200
<v Speaker 1>So the Nazis spoke German, which they would have spoken German. Right,

0:46:52.560 --> 0:46:55.200
<v Speaker 1>you you have to read along English with the British accent,

0:46:55.440 --> 0:46:59.480
<v Speaker 1>right right? Yeah, exactly. That's pretty funny. I thought this

0:46:59.560 --> 0:47:03.680
<v Speaker 1>was interesting. Sing with the singers um generally, and there

0:47:03.719 --> 0:47:10.239
<v Speaker 1>are exceptions like the Proclaimers, an Oasis and Madness at

0:47:10.280 --> 0:47:13.560
<v Speaker 1>times Phil Collins, people that would sing with a distinct

0:47:14.320 --> 0:47:19.600
<v Speaker 1>British accent of some kind, but generally what you hear

0:47:19.640 --> 0:47:23.440
<v Speaker 1>on the radio is what this one linguists called pop

0:47:23.560 --> 0:47:26.800
<v Speaker 1>music accent, which is there are a couple of theories

0:47:26.840 --> 0:47:31.120
<v Speaker 1>on why you can't tell from Mick Jagger to Adele

0:47:31.640 --> 0:47:35.920
<v Speaker 1>to George Michael that they're um not American um. And

0:47:35.960 --> 0:47:37.640
<v Speaker 1>there's been a lot of debate over the years, but

0:47:38.280 --> 0:47:41.040
<v Speaker 1>there seemed to be a couple of accepted reasons. Um.

0:47:42.080 --> 0:47:45.400
<v Speaker 1>One is is that this is just the pop music accent.

0:47:45.480 --> 0:47:48.160
<v Speaker 1>This is what's popular, this is what sells, and so

0:47:48.280 --> 0:47:50.120
<v Speaker 1>this is what people do when they sing, no matter

0:47:50.160 --> 0:47:55.359
<v Speaker 1>where they're from. Uh. And the other is that intonation

0:47:55.560 --> 0:47:58.920
<v Speaker 1>has a lot to do with vowel quality, length of

0:47:59.000 --> 0:48:02.840
<v Speaker 1>your vowels, and that when you sing, you follow a

0:48:02.920 --> 0:48:07.160
<v Speaker 1>melody which sort of just cancels out or negates the

0:48:07.280 --> 0:48:10.879
<v Speaker 1>uniqueness of the accent. That one makes sense to mean

0:48:11.840 --> 0:48:14.200
<v Speaker 1>both of them do. Actually, yeah, I think it's pretty interesting.

0:48:14.239 --> 0:48:18.479
<v Speaker 1>I think I think you almost have to work. Well

0:48:18.520 --> 0:48:20.960
<v Speaker 1>maybe not. I was gonna say these bands and singers

0:48:20.960 --> 0:48:24.640
<v Speaker 1>that still sound very British are doing that on purpose,

0:48:25.960 --> 0:48:27.759
<v Speaker 1>and that may be the case. I don't know. Like

0:48:27.840 --> 0:48:30.480
<v Speaker 1>The Darkness, the guy from the Darkness sounds super British.

0:48:31.080 --> 0:48:34.239
<v Speaker 1>They're from Suffolk. Yeah, and then have you heard any

0:48:34.280 --> 0:48:39.880
<v Speaker 1>Have you heard of the genre UK grime? No, Apparently

0:48:39.880 --> 0:48:42.560
<v Speaker 1>that came along in out of East London the two thousands,

0:48:42.560 --> 0:48:46.000
<v Speaker 1>and it's sort of a descendant of Drummond bass and

0:48:46.120 --> 0:48:48.960
<v Speaker 1>dance hall and stuff like that. But it's just this

0:48:49.120 --> 0:48:54.319
<v Speaker 1>really heavily accented rap. Dizzy Rascal is the UK grime

0:48:54.480 --> 0:48:56.880
<v Speaker 1>I think, So okay, Well, then I have heard it

0:48:56.880 --> 0:48:58.759
<v Speaker 1>and kind of like it because I'm not hip at

0:48:58.760 --> 0:49:00.799
<v Speaker 1>all to this stuff, so I had to look it

0:49:00.840 --> 0:49:02.520
<v Speaker 1>all up, and I think he was on the list.

0:49:03.480 --> 0:49:05.840
<v Speaker 1>I listened to a couple of tunes from some of

0:49:05.840 --> 0:49:12.040
<v Speaker 1>these people and yeah, yeah, yeah, Dizzy Rascals, cool roots maneuver.

0:49:12.280 --> 0:49:15.839
<v Speaker 1>Check him out too, I think he was on the list. Yeah, man, okay, yes,

0:49:15.880 --> 0:49:22.160
<v Speaker 1>I like UK grime. Um speaking of Great Britain apparently,

0:49:22.239 --> 0:49:24.759
<v Speaker 1>like so here in the States, if you have a

0:49:24.760 --> 0:49:27.000
<v Speaker 1>different accent or whatever, especially if you have like a

0:49:27.080 --> 0:49:31.760
<v Speaker 1>southern drawl and you just kind of sound slow. People

0:49:31.800 --> 0:49:34.239
<v Speaker 1>elsewhere in the country think of you as slow. That's

0:49:34.280 --> 0:49:37.239
<v Speaker 1>just how they take you initially, until you have you

0:49:37.239 --> 0:49:40.880
<v Speaker 1>have to work a little harder to prove yourself, right. Um,

0:49:40.920 --> 0:49:44.080
<v Speaker 1>that's kind of aside from maybe like valley girl or

0:49:44.200 --> 0:49:47.800
<v Speaker 1>valley guy accent, that's really the only accent that's super

0:49:47.840 --> 0:49:52.040
<v Speaker 1>discriminated against hearing the States, but apparently in the UK

0:49:52.840 --> 0:49:59.160
<v Speaker 1>accents are taken very seriously and discrimination is quite possible. Um.

0:49:59.280 --> 0:50:02.160
<v Speaker 1>I wrote a tooth. I was in thirteen article from

0:50:02.160 --> 0:50:04.319
<v Speaker 1>The Guardian that was talking about a study that had

0:50:04.360 --> 0:50:08.600
<v Speaker 1>just taken place, and the study found that of the

0:50:08.680 --> 0:50:13.160
<v Speaker 1>employers surveyed admitted to discriminating against people based on their

0:50:13.200 --> 0:50:18.319
<v Speaker 1>regional accent, and that of Brits said that they felt

0:50:18.320 --> 0:50:21.200
<v Speaker 1>discriminated against based on their accents. I didn't see any

0:50:22.040 --> 0:50:24.799
<v Speaker 1>any study that's found the same thing in America, but

0:50:24.840 --> 0:50:27.880
<v Speaker 1>I guarantee those numbers would have been in the basement

0:50:27.960 --> 0:50:31.600
<v Speaker 1>compared to that. Yeah, it's definitely a thing in the

0:50:31.719 --> 0:50:34.680
<v Speaker 1>UK because I've heard even friends of mine that are

0:50:34.680 --> 0:50:36.759
<v Speaker 1>English when they talk to someone and also they're like,

0:50:36.800 --> 0:50:40.600
<v Speaker 1>oh yeah, he's he's a you know, from this area,

0:50:40.640 --> 0:50:46.680
<v Speaker 1>and not necessarily even disparaging. It's just, uh, I don't know,

0:50:46.719 --> 0:50:49.239
<v Speaker 1>it's just a bigger deal, I think. Yeah, I think

0:50:49.280 --> 0:50:53.080
<v Speaker 1>it is too over there. I wish they all talked

0:50:53.080 --> 0:50:57.160
<v Speaker 1>like Terrance Stamp from The Liney. I like Michael Caine's accent,

0:50:57.200 --> 0:51:00.560
<v Speaker 1>which apparently I had no idea, yeah that that was

0:51:00.600 --> 0:51:03.520
<v Speaker 1>a Cockney accent, although once I read that, I was like, oh, yeah,

0:51:03.560 --> 0:51:05.440
<v Speaker 1>I could hear that. Now. Well, it's funny that I

0:51:05.520 --> 0:51:08.239
<v Speaker 1>love the Terrance Stamp in The Limey. But I've read

0:51:08.280 --> 0:51:10.680
<v Speaker 1>an article that where one reviewer said it was like

0:51:10.719 --> 0:51:14.879
<v Speaker 1>the worst accent they'd ever heard in The Guardian. But there.

0:51:14.960 --> 0:51:17.600
<v Speaker 1>Did you see that movie? No? I didn't. Man, it's

0:51:17.640 --> 0:51:21.680
<v Speaker 1>so good, uh Steven Soderberg movie. This is where he

0:51:21.760 --> 0:51:25.120
<v Speaker 1>and his son built a house together. No, no, no, no,

0:51:25.719 --> 0:51:29.480
<v Speaker 1>it's uh he's he's plays a kind of a British

0:51:29.480 --> 0:51:32.280
<v Speaker 1>tough coming over to get revenge for his daughter's murder

0:51:32.440 --> 0:51:36.560
<v Speaker 1>and ends up working at a pizza place in Connecticut. Nope, man,

0:51:37.160 --> 0:51:39.319
<v Speaker 1>I know I haven't seen this movie. Yeah, it's called

0:51:39.320 --> 0:51:41.160
<v Speaker 1>The Limy. It's great, but there's this one scene where

0:51:41.200 --> 0:51:44.200
<v Speaker 1>he goes off in front of the great Bill Duke,

0:51:44.520 --> 0:51:47.239
<v Speaker 1>who I think late grade is built up no longer

0:51:47.280 --> 0:51:49.919
<v Speaker 1>with us. I don't know who that is. You would

0:51:49.960 --> 0:51:54.480
<v Speaker 1>recognize him, Uh, well build this plays an American. Uh,

0:51:54.719 --> 0:51:57.640
<v Speaker 1>I think he's a maybe a copper detective in the movie,

0:51:58.200 --> 0:52:00.160
<v Speaker 1>and Terence stamp has this great scene where he goes

0:52:00.200 --> 0:52:03.120
<v Speaker 1>into his office and goes off for like a minute

0:52:03.120 --> 0:52:06.359
<v Speaker 1>and a half straight in this very thick cockney not

0:52:06.440 --> 0:52:10.680
<v Speaker 1>only accent but dialect um, and Bill Dick's just sitting there.

0:52:11.480 --> 0:52:13.719
<v Speaker 1>At the end he goes. Bill Duke says, there's only

0:52:13.760 --> 0:52:17.839
<v Speaker 1>one thing I don't understand. I don't understand every mother

0:52:18.000 --> 0:52:22.720
<v Speaker 1>fan word that just came out of your mouth. So classic.

0:52:22.920 --> 0:52:25.680
<v Speaker 1>I gotta see that movie. Oh dude, it's really really good.

0:52:25.760 --> 0:52:29.480
<v Speaker 1>Wait a minute, Wait a minute. Does Terence Stamp hire

0:52:29.600 --> 0:52:32.440
<v Speaker 1>himself out as a toy for a rich kid and

0:52:32.560 --> 0:52:38.279
<v Speaker 1>Jackie Gleeson is the dad? No, that's the toy the

0:52:38.360 --> 0:52:42.120
<v Speaker 1>Limi Peter Fonde is in it. Okay, I'll go see it. Yeah,

0:52:42.120 --> 0:52:46.440
<v Speaker 1>it's excellent. Um, you got anything else? No, it's weird.

0:52:46.480 --> 0:52:48.759
<v Speaker 1>This is one of those where it was even kind

0:52:48.760 --> 0:52:50.960
<v Speaker 1>of long, and I feel like we just didn't even

0:52:51.040 --> 0:52:53.200
<v Speaker 1>cover half of what we could have. Yeah, no way,

0:52:53.360 --> 0:52:55.520
<v Speaker 1>and we definitely didn't. There's a lot to it. It's

0:52:55.520 --> 0:52:58.800
<v Speaker 1>pretty interesting. We'll do a part two one day. Oh yeah. Um.

0:52:58.840 --> 0:53:01.879
<v Speaker 1>In the meantime, I would direct everybody to I think

0:53:01.960 --> 0:53:06.040
<v Speaker 1>wired to look up movie accent expert breaks down thirty

0:53:06.080 --> 0:53:10.480
<v Speaker 1>two actors accents and this dialect coach is just doing well.

0:53:10.520 --> 0:53:14.080
<v Speaker 1>He talks about thirty two different characters and um, some

0:53:14.239 --> 0:53:17.280
<v Speaker 1>are really good, like um, Philip Seymour Hoffman doing Capodi

0:53:17.360 --> 0:53:23.919
<v Speaker 1>apparently is dead on, and um, Kevin Costner doing Robin

0:53:24.000 --> 0:53:27.439
<v Speaker 1>Hood is supposedly the worst accent of all time and

0:53:27.480 --> 0:53:30.520
<v Speaker 1>in movie history. You know who I love a lot,

0:53:30.880 --> 0:53:33.480
<v Speaker 1>but he can't do an American accent. But I'll still

0:53:33.480 --> 0:53:36.480
<v Speaker 1>watch him just because I love him. Is you and McGregor?

0:53:37.360 --> 0:53:40.320
<v Speaker 1>Oh yeah, he in uh. In this season of Fargo,

0:53:41.120 --> 0:53:44.360
<v Speaker 1>he was great and I loved it, but he's just

0:53:45.000 --> 0:53:47.319
<v Speaker 1>he just has such a hard time that Scott that's

0:53:47.520 --> 0:53:50.440
<v Speaker 1>Scottish accent just comes through. Yeah. Same with the men

0:53:50.520 --> 0:53:54.239
<v Speaker 1>who stare at goats. Yeah, he had trouble in there.

0:53:54.280 --> 0:53:56.279
<v Speaker 1>I mean it was fine, but you've noticed it every

0:53:56.280 --> 0:53:58.280
<v Speaker 1>once in a while. He really did the wet behind

0:53:58.320 --> 0:54:00.520
<v Speaker 1>the ears thing. He's so like a although I just

0:54:00.600 --> 0:54:02.600
<v Speaker 1>I don't care. I just get over it, whereas some

0:54:02.640 --> 0:54:04.120
<v Speaker 1>people I'm just like, no, I'm not gonna watch it

0:54:04.680 --> 0:54:08.200
<v Speaker 1>with you. Well, if you want to know more about accents,

0:54:08.239 --> 0:54:11.120
<v Speaker 1>get out there in the world, meet new people, listen

0:54:11.120 --> 0:54:14.120
<v Speaker 1>to their accents. Maybe try someone for size who knows.

0:54:15.360 --> 0:54:17.839
<v Speaker 1>Uh And since I said try someone for size, it's

0:54:17.840 --> 0:54:26.120
<v Speaker 1>time for a listener mail. I'm gonna call this uh switcheroo.

0:54:26.280 --> 0:54:28.560
<v Speaker 1>And it's kind of funny. It was not really accent related,

0:54:28.600 --> 0:54:30.920
<v Speaker 1>but voice related. Because we get a lot of comments

0:54:30.920 --> 0:54:35.319
<v Speaker 1>about people that differently you know, but this this one

0:54:35.400 --> 0:54:37.879
<v Speaker 1>was interesting. Hey guys, a little funny anecdote thought i'd share.

0:54:38.440 --> 0:54:42.120
<v Speaker 1>I listened to the podcast for about three years. Ah.

0:54:42.120 --> 0:54:44.440
<v Speaker 1>Shortly after I started listening, I pulled up a picture

0:54:44.960 --> 0:54:48.720
<v Speaker 1>of you guys, just to put faces to your voices. Yesterday,

0:54:48.760 --> 0:54:51.840
<v Speaker 1>for some reason, I pulled up a video he watched

0:54:51.840 --> 0:54:56.120
<v Speaker 1>our Google Talk at the Google headquarters, um, and he

0:54:56.160 --> 0:54:58.799
<v Speaker 1>realized that he had been picturing us backwards this whole time.

0:54:59.480 --> 0:55:01.360
<v Speaker 1>That that was jarring. So that's a little switch on

0:55:01.480 --> 0:55:05.000
<v Speaker 1>the usual story we get that people don't even know uh.

0:55:05.080 --> 0:55:07.319
<v Speaker 1>So he said, since I only saw a picture, I

0:55:07.320 --> 0:55:10.399
<v Speaker 1>guess it just assumed I knew by looking who had

0:55:10.440 --> 0:55:13.520
<v Speaker 1>which voice. I've had that image for all these episodes

0:55:13.560 --> 0:55:15.600
<v Speaker 1>as to who is who? Imagine how odd of an

0:55:15.600 --> 0:55:17.879
<v Speaker 1>experience it was to watch a video I saw Josh

0:55:17.880 --> 0:55:21.200
<v Speaker 1>speak with Chuck's voice, and Chuck and Josh's by far

0:55:21.239 --> 0:55:23.160
<v Speaker 1>one of the weirdest moments I've had in recent memory.

0:55:23.920 --> 0:55:25.920
<v Speaker 1>Thanks for all the great shows, Keep them coming. That

0:55:26.080 --> 0:55:31.760
<v Speaker 1>is Nick from Indiana. Thanks a lot, Nick, I appreciate that. Um. Yeah,

0:55:31.960 --> 0:55:34.239
<v Speaker 1>that's all I have to say about that. You just

0:55:34.239 --> 0:55:37.759
<v Speaker 1>so imagine that it was probably pretty funny. He's still

0:55:37.840 --> 0:55:41.000
<v Speaker 1>laughing about it. Uh. If you want to get in

0:55:41.040 --> 0:55:43.560
<v Speaker 1>touch with us, like Nick did, tell us a funny story,

0:55:43.640 --> 0:55:46.759
<v Speaker 1>We're always down to hear those. You can tweet to

0:55:46.880 --> 0:55:49.839
<v Speaker 1>us at s Y s K podcast or Josh um

0:55:49.920 --> 0:55:53.200
<v Speaker 1>Clark can hang out on Facebook at Charles W. Chuck

0:55:53.239 --> 0:55:55.880
<v Speaker 1>Bryant or Stuff you Should Know. You can send us

0:55:55.920 --> 0:55:58.120
<v Speaker 1>an email the Stuff podcast to how Stuff Works dot

0:55:58.160 --> 0:56:00.120
<v Speaker 1>Com and has always joined us at a home on

0:56:00.160 --> 0:56:07.040
<v Speaker 1>the web Stuff you Should Know dot com for more

0:56:07.040 --> 0:56:09.359
<v Speaker 1>on this and thousands of other topics. Is it how

0:56:09.400 --> 0:56:16.759
<v Speaker 1>Stuff Works dot Com m.