1 00:00:02,560 --> 00:00:10,160 Speaker 1: This is let's be clear with Shannon Dory unacceptable unacceptable. 2 00:00:10,480 --> 00:00:14,760 Speaker 1: But hi, everyone, did you hear the unacceptable? Do you 3 00:00:14,760 --> 00:00:18,320 Speaker 1: guys recognize that voice? Yeah, because even if I weren't 4 00:00:18,440 --> 00:00:22,040 Speaker 1: looking at this person, I would still recognize that voice. 5 00:00:22,320 --> 00:00:26,880 Speaker 1: But uh, you're listening to God, what's the name of 6 00:00:26,880 --> 00:00:30,280 Speaker 1: the show. Now, let's be clear with Shannon Dorty, Sirian 7 00:00:31,000 --> 00:00:34,600 Speaker 1: and I have Holly Marie Comb's back. I know you're 8 00:00:35,000 --> 00:00:38,240 Speaker 1: all very excited about that. If you don't recognize my voice, 9 00:00:38,360 --> 00:00:42,720 Speaker 1: you will recognize my far too loud. Wow, I try 10 00:00:42,800 --> 00:00:45,600 Speaker 1: to lean back. That's good because you know it's loud. 11 00:00:46,120 --> 00:00:49,760 Speaker 1: So Holly is here because we doesn't live here, how 12 00:00:49,840 --> 00:00:52,360 Speaker 1: dare you? Because you picked out her room here. 13 00:00:52,720 --> 00:00:54,040 Speaker 2: And guardians all the way. 14 00:00:54,320 --> 00:00:57,120 Speaker 1: Yeah, and it's uh, it's just prepared for her all 15 00:00:57,160 --> 00:01:02,040 Speaker 1: the time. When she's like okay flying in, it's like 16 00:01:02,080 --> 00:01:05,440 Speaker 1: a big panic moment for me. Where Why Because Claudia, 17 00:01:06,440 --> 00:01:09,080 Speaker 1: my housekeeper, who's like a family member, Like I heard, 18 00:01:09,120 --> 00:01:10,520 Speaker 1: I'm like, oh my god, we have to make sure 19 00:01:10,560 --> 00:01:11,759 Speaker 1: it's like really clean. 20 00:01:12,240 --> 00:01:14,720 Speaker 2: I do believe I've lived with you since I was 21 00:01:14,840 --> 00:01:16,200 Speaker 2: twenty two. 22 00:01:16,560 --> 00:01:19,880 Speaker 1: But it's always been clean. Yes, I know, because Nobody 23 00:01:19,880 --> 00:01:21,920 Speaker 1: sleeps in that room. Nobody cares, I know, but I 24 00:01:21,920 --> 00:01:23,880 Speaker 1: don't want you sleeping on sheets that are you know, 25 00:01:23,959 --> 00:01:25,640 Speaker 1: have been like not changed. 26 00:01:25,680 --> 00:01:27,640 Speaker 2: What kind of thirties are you having here? 27 00:01:27,880 --> 00:01:31,280 Speaker 1: None? Nobody goes in that room. But you know, if 28 00:01:31,280 --> 00:01:33,720 Speaker 1: you don't wash your sheets for ten days, they get stale. 29 00:01:33,800 --> 00:01:39,160 Speaker 1: That's disgusting. Yeah, goodness, who knew? I didn't know? Anyway, 30 00:01:39,280 --> 00:01:41,560 Speaker 1: So I have you back on because I just want 31 00:01:41,560 --> 00:01:45,480 Speaker 1: to talk about that house of helliwell, okay, yours and 32 00:01:45,520 --> 00:01:48,720 Speaker 1: Brian and Drew's podcast, what about it? 33 00:01:48,720 --> 00:01:52,320 Speaker 2: It's really good. Thanks, it's really good. We just try 34 00:01:52,360 --> 00:01:55,360 Speaker 2: to have a good time. I mean, it's nothing studious. 35 00:01:55,680 --> 00:01:58,040 Speaker 1: You guys do have a good time, and I feel 36 00:01:58,040 --> 00:02:01,200 Speaker 1: like the conversations are always really interesting and you're learning something. 37 00:02:01,720 --> 00:02:04,920 Speaker 1: And you guys have been on break on the hiatus. 38 00:02:05,080 --> 00:02:08,640 Speaker 2: Yeah, well, there are reasons for such things. 39 00:02:10,000 --> 00:02:12,440 Speaker 1: So maybe we should get into those reasons. What are 40 00:02:12,440 --> 00:02:17,560 Speaker 1: the reasons, Hollie, You're the reason. I feel like I'm 41 00:02:17,600 --> 00:02:21,280 Speaker 1: the reason the soundtrack should start. Now, Shannon's always to 42 00:02:21,320 --> 00:02:25,000 Speaker 1: blame you guys. You're the reason. So truly, I'm glad 43 00:02:25,040 --> 00:02:27,920 Speaker 1: you decided to join us after I asked you a 44 00:02:28,040 --> 00:02:32,880 Speaker 1: year and a half ago. She takes a lot of courting. No, 45 00:02:33,040 --> 00:02:34,919 Speaker 1: I didn't know what a podcast was. 46 00:02:35,160 --> 00:02:35,680 Speaker 2: You didn't. 47 00:02:36,040 --> 00:02:38,320 Speaker 1: I had no idea. I thought it was basically like 48 00:02:38,360 --> 00:02:41,440 Speaker 1: a TV show. And I didn't understand why there wasn't 49 00:02:41,520 --> 00:02:43,880 Speaker 1: a deal up front and why wasn't getting paid right. 50 00:02:44,160 --> 00:02:45,360 Speaker 1: I was clueless. 51 00:02:45,440 --> 00:02:47,680 Speaker 2: I have that text, or maybe it's an email that 52 00:02:47,760 --> 00:02:50,519 Speaker 2: says when there's a producer and there's money, and I 53 00:02:50,560 --> 00:02:53,800 Speaker 2: was like, wait, we're independent, we're broke, we have no 54 00:02:53,880 --> 00:02:58,639 Speaker 2: money to give you. And you were like, nah, bruh, nah, 55 00:02:58,680 --> 00:03:01,720 Speaker 2: But that's okay because you found a producer and you 56 00:03:01,800 --> 00:03:05,280 Speaker 2: found some money. You freak me out when you're like, no, 57 00:03:05,440 --> 00:03:07,480 Speaker 2: we should do this then, and we should do this now, 58 00:03:07,520 --> 00:03:09,560 Speaker 2: and I'm going to make it happen, And then you 59 00:03:09,639 --> 00:03:11,920 Speaker 2: do and it's really fucking creepy, I. 60 00:03:11,840 --> 00:03:15,000 Speaker 1: Know, but you love it because no I don't. Well, okay, yes, 61 00:03:15,160 --> 00:03:18,639 Speaker 1: because I did find the money. Yeah, we had this conversation. 62 00:03:18,680 --> 00:03:21,680 Speaker 1: We all got paid and I found iHeart who wanted 63 00:03:21,720 --> 00:03:22,480 Speaker 1: to do it right. 64 00:03:22,560 --> 00:03:26,880 Speaker 2: We have this conversation where I told you my husband said, well, 65 00:03:26,880 --> 00:03:29,440 Speaker 2: if Shannon is involved, it will be successful, and I 66 00:03:29,520 --> 00:03:30,040 Speaker 2: was like. 67 00:03:30,120 --> 00:03:35,560 Speaker 1: Whoa, whoa WHOA I paid Mike to say that I've 68 00:03:35,480 --> 00:03:37,920 Speaker 1: been mowed him. Oh rude, I was like, Mike, what's 69 00:03:37,920 --> 00:03:40,560 Speaker 1: your venvo? How dare you say this? So he does 70 00:03:40,680 --> 00:03:43,000 Speaker 1: know and you do know, And it's common knowledge about 71 00:03:43,000 --> 00:03:45,600 Speaker 1: me that I'm not nearly as ambitious as I should be. 72 00:03:46,120 --> 00:03:48,920 Speaker 1: And I'm very happy to just retire on an island 73 00:03:49,400 --> 00:03:51,800 Speaker 1: until I come here because I'm sick of the island. 74 00:03:52,240 --> 00:03:55,480 Speaker 1: But retirement only is possible when when you have a 75 00:03:55,480 --> 00:03:58,520 Speaker 1: certain amount of money. Sure that would be nice, right, 76 00:03:58,960 --> 00:04:01,280 Speaker 1: So for me, I mean, I'm not quite sure I'm 77 00:04:01,280 --> 00:04:04,720 Speaker 1: ready to like retire, retire you will never Less work 78 00:04:04,800 --> 00:04:10,200 Speaker 1: is nice sometimes less responsibilities and obligations. So I guess 79 00:04:10,400 --> 00:04:13,120 Speaker 1: I'm in the mindset now of I need to make 80 00:04:13,160 --> 00:04:15,880 Speaker 1: as much money as humanly possible over the next two years. 81 00:04:16,480 --> 00:04:19,839 Speaker 1: Bank it put it with you know, my investment place 82 00:04:20,200 --> 00:04:24,760 Speaker 1: like build that so that A I don't have to work, 83 00:04:24,960 --> 00:04:27,840 Speaker 1: and I only work when like I really want to. 84 00:04:28,640 --> 00:04:32,000 Speaker 1: I can also you know, go on a lot more vacations. 85 00:04:32,000 --> 00:04:32,600 Speaker 2: As you should. 86 00:04:32,600 --> 00:04:34,880 Speaker 1: But then also like when I pass away, my mom's 87 00:04:34,920 --> 00:04:37,760 Speaker 1: got like a you know, nice little ness egg and 88 00:04:37,800 --> 00:04:39,040 Speaker 1: I don't have to worry about her. 89 00:04:39,240 --> 00:04:44,360 Speaker 2: For you projects are motivating and appealing, whereas I'd rather 90 00:04:44,560 --> 00:04:47,120 Speaker 2: just disappear. So this is this is hard for me. 91 00:04:47,720 --> 00:04:50,080 Speaker 2: It's hard for me to be on camera every day. Again, 92 00:04:50,160 --> 00:04:53,360 Speaker 2: it's hard for me to hear my own voice. It's 93 00:04:53,440 --> 00:04:56,640 Speaker 2: just it's not who I am anymore. Like my mom 94 00:04:56,760 --> 00:04:58,760 Speaker 2: keeps putting my mom just moved in with me, if 95 00:04:58,839 --> 00:05:02,200 Speaker 2: people don't know by now, but my mom keeps putting 96 00:05:02,320 --> 00:05:04,839 Speaker 2: up like charm pictures. Why is she putting up charm 97 00:05:05,040 --> 00:05:07,479 Speaker 2: just to like remind you. I don't know, like what 98 00:05:07,680 --> 00:05:10,240 Speaker 2: working is like, I don't know, but it's like, you know, 99 00:05:10,360 --> 00:05:13,000 Speaker 2: you work extremely hard. I know you want to say 100 00:05:13,000 --> 00:05:15,880 Speaker 2: that you're retired, but you work really hard, like you 101 00:05:15,920 --> 00:05:19,039 Speaker 2: do so many conventions. And then you guys were doing 102 00:05:19,040 --> 00:05:23,600 Speaker 2: the podcast and I don't think anybody realizes how hard 103 00:05:23,680 --> 00:05:27,359 Speaker 2: the podcasts actually are. But they're not easy to do, No, 104 00:05:27,600 --> 00:05:30,040 Speaker 2: I mean, it's weird to watch yourself do and say 105 00:05:30,080 --> 00:05:34,479 Speaker 2: things from twenty five years ago. And you know, I'm 106 00:05:34,520 --> 00:05:37,479 Speaker 2: super critical and people do not like when I'm critical 107 00:05:37,520 --> 00:05:40,919 Speaker 2: of the episodes or of myself. But I can't not 108 00:05:41,120 --> 00:05:43,400 Speaker 2: be like, because you have to be honest. I'm not 109 00:05:43,400 --> 00:05:46,080 Speaker 2: going to cheat my own horn. No, that's ridiculous, even 110 00:05:46,120 --> 00:05:49,120 Speaker 2: when I was watching it last night. For this thing 111 00:05:49,160 --> 00:05:51,640 Speaker 2: that we talked about that we're not talking about, but 112 00:05:51,720 --> 00:05:55,000 Speaker 2: we're talking about it. So like that's the whole point of. 113 00:05:54,960 --> 00:05:57,440 Speaker 1: Your being here right right besides you just you know, 114 00:05:57,480 --> 00:05:58,440 Speaker 1: missed your bedroom here. 115 00:05:58,520 --> 00:06:03,159 Speaker 2: Yes, I did sometimes a break from my retirement, but 116 00:06:03,800 --> 00:06:07,280 Speaker 2: I still am critical. Like I look at, you know, 117 00:06:07,839 --> 00:06:10,680 Speaker 2: the twenty five year old me, and I'm like, I 118 00:06:10,680 --> 00:06:13,160 Speaker 2: would have done that differently. I could have done that better. 119 00:06:13,480 --> 00:06:18,400 Speaker 2: I should have been more something or something in that moment. 120 00:06:19,120 --> 00:06:23,240 Speaker 1: That's interesting because I watched as you know, for the 121 00:06:23,279 --> 00:06:27,200 Speaker 1: rewatch like four or five episodes, and I wrote, by 122 00:06:27,240 --> 00:06:29,719 Speaker 1: the way in a row, and I was really impressed 123 00:06:29,720 --> 00:06:32,320 Speaker 1: with you. Obviously, I knew you were a good actress. 124 00:06:32,920 --> 00:06:34,920 Speaker 1: You were also my friend. It's why I was like, 125 00:06:35,279 --> 00:06:38,119 Speaker 1: she's doing the show or I'm not doing it right, 126 00:06:38,240 --> 00:06:41,520 Speaker 1: and you are really good. I liked the choices that 127 00:06:41,560 --> 00:06:44,680 Speaker 1: you made. I liked how you know, you have your 128 00:06:44,720 --> 00:06:47,200 Speaker 1: own sense of humor in the show. You're a little 129 00:06:47,279 --> 00:06:50,480 Speaker 1: uncomfortable at times, but it comes out very funny. Well, 130 00:06:50,520 --> 00:06:53,080 Speaker 1: I think you're incredibly Piper is very sensitive. 131 00:06:53,279 --> 00:06:57,080 Speaker 2: Yeah, and Piper was not I hate to talk about 132 00:06:57,120 --> 00:07:00,240 Speaker 2: my characters like they're not me. But she was very 133 00:07:00,279 --> 00:07:02,839 Speaker 2: uncomfortable in her skin. She was very uncomfortable being the 134 00:07:02,839 --> 00:07:05,599 Speaker 2: middle child. She was put in the middle, you know, 135 00:07:05,640 --> 00:07:09,160 Speaker 2: and to be the peacemaker. And so that physicality, finding 136 00:07:09,200 --> 00:07:14,120 Speaker 2: her physicality, her walk, and her movements helped me find 137 00:07:14,160 --> 00:07:18,679 Speaker 2: her voice exactly. And there's still some things I would change, 138 00:07:18,760 --> 00:07:22,200 Speaker 2: but for the most part, I'm ninety five percent okay 139 00:07:22,240 --> 00:07:24,080 Speaker 2: with it. I mean, I think that happens to all 140 00:07:24,120 --> 00:07:27,000 Speaker 2: of us, right, because it should. The older you get. 141 00:07:26,800 --> 00:07:29,160 Speaker 1: And the more you evolve and the more you grow, 142 00:07:29,960 --> 00:07:33,200 Speaker 1: you look at past performances and say to yourself, wow, 143 00:07:33,240 --> 00:07:35,920 Speaker 1: I was really immature back then. I would have brought 144 00:07:35,960 --> 00:07:38,640 Speaker 1: a lot more depth. I would have, you know, brought this, 145 00:07:38,760 --> 00:07:41,040 Speaker 1: brought that. You know. I look at nine O two 146 00:07:41,080 --> 00:07:43,280 Speaker 1: and zero very much like that where I go, oh 147 00:07:43,320 --> 00:07:46,600 Speaker 1: my god, I sucked as Brenda. There were so many 148 00:07:46,640 --> 00:07:50,000 Speaker 1: false moments from me. It's insane where you can just 149 00:07:50,080 --> 00:07:53,360 Speaker 1: see me acting or you see like it doesn't ring 150 00:07:53,480 --> 00:07:54,360 Speaker 1: true or on it. 151 00:07:54,480 --> 00:07:57,240 Speaker 2: You can see it. That doesn't mean everybody else sees it. 152 00:07:58,080 --> 00:08:00,320 Speaker 1: Right, And it doesn't mean that people should be at 153 00:08:00,440 --> 00:08:03,360 Speaker 1: us because we see it. It's just I think as 154 00:08:03,400 --> 00:08:06,480 Speaker 1: an actor, you have to see those big moments that 155 00:08:06,520 --> 00:08:08,600 Speaker 1: you do because otherwise you're not growing. 156 00:08:09,000 --> 00:08:11,080 Speaker 2: Well, I'll tell you this much. So when I did 157 00:08:11,160 --> 00:08:14,960 Speaker 2: pick Offences, where I was super duper green, really could 158 00:08:15,000 --> 00:08:20,200 Speaker 2: not be more and experienced with more experienced movie actors. Yeah, 159 00:08:20,240 --> 00:08:22,960 Speaker 2: so I was like literally thrown into the pit and 160 00:08:23,080 --> 00:08:26,360 Speaker 2: just like I marveled at these people who were so 161 00:08:26,400 --> 00:08:28,680 Speaker 2: good at what they did. And I was fifth on 162 00:08:28,720 --> 00:08:30,600 Speaker 2: the call sheet, so I didn't work every day, but 163 00:08:30,600 --> 00:08:33,520 Speaker 2: I would hang out every day to watch them and 164 00:08:33,679 --> 00:08:38,520 Speaker 2: to glean anything I could from them. And honestly, my 165 00:08:38,640 --> 00:08:42,360 Speaker 2: most important lessons were how you treat your crew and 166 00:08:42,400 --> 00:08:44,480 Speaker 2: how you get through your day and if it's a 167 00:08:44,480 --> 00:08:47,640 Speaker 2: twelve or fourteen hour day or whatever. They were really 168 00:08:47,640 --> 00:08:49,720 Speaker 2: good at it and it was very much like a 169 00:08:49,760 --> 00:08:53,560 Speaker 2: family atmosphere. But I look back on some of those 170 00:08:53,600 --> 00:08:58,240 Speaker 2: moments and just cringe, super cringe where I just go, 171 00:08:58,520 --> 00:09:02,960 Speaker 2: oh my god, that I can feel how uncomfortable I 172 00:09:03,080 --> 00:09:06,000 Speaker 2: was at the time. Hopefully not everybody else does. But 173 00:09:06,080 --> 00:09:09,120 Speaker 2: it was Tom Scarett who said to me, if you're 174 00:09:09,200 --> 00:09:13,160 Speaker 2: satisfied with what you're doing, you should stop. And I 175 00:09:13,200 --> 00:09:16,280 Speaker 2: was like, okay, and he said you're blossoming, which is 176 00:09:16,320 --> 00:09:19,080 Speaker 2: a terrible word. Don't ever say that to people. But 177 00:09:19,120 --> 00:09:22,199 Speaker 2: he said I was blossoming as an actor, and I 178 00:09:22,240 --> 00:09:25,360 Speaker 2: should be really proud of myself. And he goes, but, 179 00:09:25,800 --> 00:09:28,400 Speaker 2: like I said, if you're ever satisfied with yourself, you 180 00:09:28,440 --> 00:09:32,840 Speaker 2: should stop what you're doing. And I don't think I 181 00:09:32,920 --> 00:09:37,319 Speaker 2: really felt solid in my shoes on that set until 182 00:09:37,720 --> 00:09:42,400 Speaker 2: Ray Walston, who is Ray Walston, said to me, that 183 00:09:42,520 --> 00:09:45,600 Speaker 2: was a very fine performance, young lady. Oh, and I 184 00:09:46,000 --> 00:09:49,600 Speaker 2: just about died because David Kelly did a terrible thing 185 00:09:49,640 --> 00:09:52,480 Speaker 2: to me and made me give a monologue, and not 186 00:09:52,720 --> 00:09:54,360 Speaker 2: just in front of him, but also in front of 187 00:09:54,400 --> 00:09:57,480 Speaker 2: the Supreme Court. I was not qualified. I was not 188 00:09:57,559 --> 00:10:00,840 Speaker 2: old enough, she was not all the things. Playing that 189 00:10:01,000 --> 00:10:06,079 Speaker 2: character literally was like trial by fire right. I had 190 00:10:06,080 --> 00:10:09,560 Speaker 2: to rise to every occasion. I had vocabulary words that 191 00:10:09,600 --> 00:10:12,240 Speaker 2: I didn't even know what they meant. I had to 192 00:10:12,320 --> 00:10:14,160 Speaker 2: look at words in my dialogue. 193 00:10:14,880 --> 00:10:18,280 Speaker 1: Have you found though, that like the older you got, 194 00:10:18,440 --> 00:10:22,160 Speaker 1: the more of a risk taker you became with your performance, 195 00:10:22,240 --> 00:10:24,640 Speaker 1: because that was that's one hundred percent true for me. 196 00:10:25,440 --> 00:10:29,560 Speaker 1: It's like the self consciousness of my youth started to 197 00:10:29,600 --> 00:10:32,880 Speaker 1: go away, and I started to feel a lot more free. 198 00:10:32,920 --> 00:10:35,280 Speaker 1: Like the Nino Too and O reboot. It didn't do well, 199 00:10:35,679 --> 00:10:38,400 Speaker 1: but I could not be happier with my performance because 200 00:10:38,840 --> 00:10:40,760 Speaker 1: I tried something completely different. 201 00:10:41,679 --> 00:10:43,520 Speaker 2: No, I feel like I'm always kind of on that 202 00:10:43,600 --> 00:10:47,960 Speaker 2: treadmill to be better and do better. And yeah, like 203 00:10:48,000 --> 00:10:56,640 Speaker 2: I haven't met a performance I'm satisfied with yet. 204 00:11:04,440 --> 00:11:08,280 Speaker 1: Anyway, this is an episode about the fact that House 205 00:11:08,280 --> 00:11:11,760 Speaker 1: of Hellowell is coming back. It is it is coming 206 00:11:11,800 --> 00:11:18,319 Speaker 1: back to iHeart, so more people will have access to it. 207 00:11:19,160 --> 00:11:22,200 Speaker 1: You don't have to join a thing, you don't have 208 00:11:22,240 --> 00:11:24,480 Speaker 1: to pay extra money, you don't have any of that. 209 00:11:24,679 --> 00:11:30,199 Speaker 1: Like if we do an episode about you know, bloopers, outtakes, whatever, 210 00:11:30,600 --> 00:11:34,640 Speaker 1: they're there for everybody to say yes, and I am joining, 211 00:11:35,360 --> 00:11:38,640 Speaker 1: you are joining, to be clear, And we're starting from 212 00:11:39,760 --> 00:11:41,199 Speaker 1: season one episode one. 213 00:11:41,559 --> 00:11:44,040 Speaker 2: Well, people rewatch it a lot, so we're going to 214 00:11:44,160 --> 00:11:49,600 Speaker 2: rewatch the rewatch reboot take two hashtag take two. 215 00:11:50,280 --> 00:11:52,520 Speaker 1: Yeah, I'm excited for it. 216 00:11:52,960 --> 00:11:56,640 Speaker 2: I'm nervous because now I have to be twice the 217 00:11:57,480 --> 00:12:01,120 Speaker 2: interesting that I don't feel that I am. So It'll 218 00:12:01,120 --> 00:12:05,520 Speaker 2: be fine. Stop being so self deprecating. This is a habit. 219 00:12:06,360 --> 00:12:08,600 Speaker 2: It'll be fine, It'll be good. It'll be great. 220 00:12:08,760 --> 00:12:11,040 Speaker 1: It is great. Listen, the four of us have a 221 00:12:11,120 --> 00:12:14,440 Speaker 1: lot of chemistry. Yes, Brian Kraus is back. Yes, True 222 00:12:14,440 --> 00:12:18,120 Speaker 1: Fuller is back. It's the exact same show. You guys 223 00:12:18,160 --> 00:12:21,240 Speaker 1: just added me. Perhaps I added myself. I don't know. 224 00:12:21,640 --> 00:12:24,960 Speaker 2: I think you did. But you waited till the right moment. 225 00:12:25,160 --> 00:12:27,840 Speaker 2: You let us prove ourselves. Put it that way. 226 00:12:28,760 --> 00:12:30,920 Speaker 1: No, I just wanted to make sure that we all got. 227 00:12:30,679 --> 00:12:32,400 Speaker 2: Paid and that too. 228 00:12:32,840 --> 00:12:36,200 Speaker 1: I was like, nobody should do anything for free in 229 00:12:36,240 --> 00:12:37,800 Speaker 1: life because it's time consuming. 230 00:12:38,040 --> 00:12:40,000 Speaker 2: It is, and it's you know, like I said, it's 231 00:12:40,120 --> 00:12:43,840 Speaker 2: opening Pandora's box. I know for me there is a 232 00:12:43,880 --> 00:12:46,480 Speaker 2: ton of emotions there. I knew there will be for 233 00:12:46,559 --> 00:12:49,280 Speaker 2: you that you don't even know about yet. But what's 234 00:12:49,320 --> 00:12:53,040 Speaker 2: funny is it's been long enough that you can watch 235 00:12:53,080 --> 00:12:54,240 Speaker 2: it now with fresh eyes. 236 00:12:54,520 --> 00:12:54,720 Speaker 1: Yep. 237 00:12:54,880 --> 00:12:57,840 Speaker 2: And like you were texting me about who should actually 238 00:12:57,880 --> 00:13:01,880 Speaker 2: be Piper's boyfriend and who had Kim's and who didn't. Yeah, 239 00:13:01,920 --> 00:13:04,280 Speaker 2: but what's funny is you were texting it to me 240 00:13:04,320 --> 00:13:07,199 Speaker 2: in lifetime when I was like, this is for the podcast, 241 00:13:07,320 --> 00:13:10,600 Speaker 2: please silence, silence, But it was true. 242 00:13:10,640 --> 00:13:12,720 Speaker 1: Like I watched that episode and I was like, oh, 243 00:13:13,320 --> 00:13:17,480 Speaker 1: the chemistry between you and this person was so amazing, 244 00:13:17,559 --> 00:13:21,760 Speaker 1: Like it jumped off the screen. It was that like powerful, 245 00:13:22,400 --> 00:13:24,520 Speaker 1: like oh my god, why didn't they stay together? 246 00:13:24,679 --> 00:13:28,760 Speaker 2: They're amazing as opposed to you know, like Beth's husband, right, 247 00:13:29,559 --> 00:13:34,640 Speaker 2: super complicated. Yeah, but people love it, so you can't. 248 00:13:34,760 --> 00:13:36,920 Speaker 2: I didn't talk poorly of Piper and Leo. 249 00:13:37,240 --> 00:13:38,960 Speaker 1: By the way. I think you guys were good. He 250 00:13:39,080 --> 00:13:44,679 Speaker 1: wasn't like he was there in that episode. Maybe I 251 00:13:44,679 --> 00:13:49,120 Speaker 1: don't remember. All I see is John Show so freaking GOODBK. 252 00:13:50,800 --> 00:13:54,880 Speaker 1: But forever you guys did great together. You guys also 253 00:13:54,960 --> 00:13:58,640 Speaker 1: had chemistry. Hints why he was there the entire time. 254 00:13:59,240 --> 00:14:03,040 Speaker 1: It just really hit me rewatching episodes and guys, so 255 00:14:03,800 --> 00:14:06,720 Speaker 1: what we have to do, what Holly, Drew and Brian 256 00:14:06,800 --> 00:14:09,800 Speaker 1: have been doing for well over a year two years, 257 00:14:10,760 --> 00:14:13,440 Speaker 1: is you have to like rewatch And for people like 258 00:14:13,480 --> 00:14:16,400 Speaker 1: Colley and I who do not like watching ourselves at all, 259 00:14:16,679 --> 00:14:19,560 Speaker 1: it's a very weird job. 260 00:14:20,120 --> 00:14:22,560 Speaker 2: It is, and it's a lot of emotions. But like 261 00:14:22,600 --> 00:14:25,360 Speaker 2: I said to you, I do see why people got 262 00:14:25,400 --> 00:14:28,600 Speaker 2: absorbed into this fantasy life and how important it is 263 00:14:28,680 --> 00:14:31,080 Speaker 2: because you know, when I do the rewatch, I yell 264 00:14:31,120 --> 00:14:33,800 Speaker 2: at my kids not to text me, like, please stop 265 00:14:33,800 --> 00:14:37,160 Speaker 2: texting me. I'm doing something important here, right, you know, 266 00:14:37,280 --> 00:14:39,440 Speaker 2: So it is. It's still important to me, it's important 267 00:14:39,480 --> 00:14:43,080 Speaker 2: to a lot of people. And I think you and 268 00:14:43,120 --> 00:14:47,520 Speaker 2: I will both say that it's incredible that it still 269 00:14:47,640 --> 00:14:50,920 Speaker 2: is meaningful to people. Yes, it is incredible. 270 00:14:51,080 --> 00:14:56,320 Speaker 1: I also because I watched it, and essentially it's the 271 00:14:56,360 --> 00:14:59,480 Speaker 1: first time I've ever watched chart right, Like, I never 272 00:15:00,120 --> 00:15:03,200 Speaker 1: watched an episode except the ones I directed together in 273 00:15:03,200 --> 00:15:07,840 Speaker 1: the edit room. I was really impressed, and I felt 274 00:15:08,120 --> 00:15:11,520 Speaker 1: like the connection between the sisters and I felt that 275 00:15:11,800 --> 00:15:15,600 Speaker 1: like family unit and people who you know, they didn't 276 00:15:15,600 --> 00:15:19,600 Speaker 1: have anybody anymore, like Graham's died mom was dead, the 277 00:15:19,680 --> 00:15:24,480 Speaker 1: father was you know, iffy at times, and so they 278 00:15:24,520 --> 00:15:28,400 Speaker 1: had each other. That was their their nucleus. And I 279 00:15:28,560 --> 00:15:33,360 Speaker 1: really felt that in rewatching it, and was like, of 280 00:15:33,440 --> 00:15:38,400 Speaker 1: course people connected to this because you're connecting to that 281 00:15:38,440 --> 00:15:42,960 Speaker 1: feeling of family. And if you are struggling with your 282 00:15:42,960 --> 00:15:46,520 Speaker 1: own family, with your own identity or anything else, you 283 00:15:46,560 --> 00:15:49,720 Speaker 1: can compare yourself to those characters who also struggled with 284 00:15:49,760 --> 00:15:52,360 Speaker 1: their own identity and struggled with who they were, but 285 00:15:52,560 --> 00:15:57,320 Speaker 1: always had one another. And that's important. So I get it. 286 00:15:57,400 --> 00:16:00,520 Speaker 1: I get one hundred percent why people can with the 287 00:16:00,560 --> 00:16:01,200 Speaker 1: show so much. 288 00:16:01,560 --> 00:16:05,240 Speaker 2: Yeah, and it's you know, from doing the conventions one 289 00:16:05,320 --> 00:16:09,800 Speaker 2: dy four this year to hear people say I had 290 00:16:09,800 --> 00:16:12,560 Speaker 2: a really abusive family life and this was my one 291 00:16:12,720 --> 00:16:16,760 Speaker 2: hour of peace. And to hear people say, you know, 292 00:16:16,920 --> 00:16:19,360 Speaker 2: I watched this with my mom and she just passed away. 293 00:16:19,400 --> 00:16:21,160 Speaker 2: Can you sign this picture to her? 294 00:16:21,320 --> 00:16:21,640 Speaker 1: And me? 295 00:16:23,000 --> 00:16:27,400 Speaker 2: You know, it's I can't even comprehend it, and I 296 00:16:28,040 --> 00:16:30,880 Speaker 2: don't think I every will. It was terribly important to me, 297 00:16:31,040 --> 00:16:33,640 Speaker 2: as you know, you're probably the only one that knows 298 00:16:33,680 --> 00:16:34,920 Speaker 2: how important it was. 299 00:16:34,840 --> 00:16:38,200 Speaker 1: To me, as important as it was to me. Like 300 00:16:38,360 --> 00:16:41,920 Speaker 1: we we really went in there, the two of us, going, 301 00:16:42,280 --> 00:16:44,480 Speaker 1: this is an important show. We want to make the 302 00:16:44,520 --> 00:16:49,520 Speaker 1: absolute best. We were very serious yeah about it, particularly 303 00:16:49,560 --> 00:16:53,600 Speaker 1: that first season establishing ourselves. We were you know, you 304 00:16:53,640 --> 00:16:55,840 Speaker 1: and I would constantly go and like either your trailer 305 00:16:55,920 --> 00:16:58,840 Speaker 1: or my trailer and have conversations and go through the 306 00:16:58,840 --> 00:17:02,000 Speaker 1: scenes and like, Okay, this feels odd, or this feels odd. 307 00:17:02,080 --> 00:17:04,199 Speaker 1: Maybe you know, we need to change this to this 308 00:17:04,920 --> 00:17:07,439 Speaker 1: It might as well have been like another David Kelly 309 00:17:07,480 --> 00:17:11,959 Speaker 1: show on HBO. We looked at it, yeah, super seriously 310 00:17:12,000 --> 00:17:17,119 Speaker 1: such a serious manner, which I think was amazing because 311 00:17:17,119 --> 00:17:20,560 Speaker 1: it's why the show, you know, shifted and why it stayed. 312 00:17:21,040 --> 00:17:22,960 Speaker 1: And all I can really speak about is the first 313 00:17:23,000 --> 00:17:25,320 Speaker 1: three seasons because that's the only ones that I was 314 00:17:25,760 --> 00:17:29,800 Speaker 1: part of. But it, for the most part, it stayed 315 00:17:30,440 --> 00:17:34,280 Speaker 1: very entrenched in reality. Even though we were dealing with 316 00:17:34,320 --> 00:17:37,480 Speaker 1: all of these like demons and warlocks and blah blah blah, 317 00:17:37,480 --> 00:17:41,280 Speaker 1: it still felt real. Yeah, you know, and the family 318 00:17:41,359 --> 00:17:44,119 Speaker 1: aspect of it, for me was a big deal because 319 00:17:44,160 --> 00:17:47,200 Speaker 1: you know that I don't have a big family, and 320 00:17:47,280 --> 00:17:50,720 Speaker 1: you know that we became like family even before the show, 321 00:17:50,840 --> 00:17:54,439 Speaker 1: So family is obviously what you make it. And clearly 322 00:17:54,480 --> 00:17:58,000 Speaker 1: I'm sitting here today, Oh don't shut up. 323 00:17:59,840 --> 00:18:02,879 Speaker 2: It's the same for other people too. Hey, thank you 324 00:18:03,000 --> 00:18:03,960 Speaker 2: very much, and good night. 325 00:18:05,359 --> 00:18:07,080 Speaker 1: No, I know it's the same I got. I get 326 00:18:07,119 --> 00:18:09,280 Speaker 1: a lot of that as well as you know, and 327 00:18:09,920 --> 00:18:12,400 Speaker 1: I get a lot of people, a lot of gay 328 00:18:12,440 --> 00:18:16,080 Speaker 1: men who are like I was really struggling with who 329 00:18:16,160 --> 00:18:19,879 Speaker 1: I was and my identity and connecting with the sisters 330 00:18:20,920 --> 00:18:24,000 Speaker 1: and how they struggled. But then they they embraced it. 331 00:18:24,080 --> 00:18:27,560 Speaker 1: They you know, weren't scared off being witches and it 332 00:18:27,800 --> 00:18:30,320 Speaker 1: made me feel comfortable enough to come out and talk 333 00:18:30,359 --> 00:18:33,959 Speaker 1: to my parents about it. That is a huge honor 334 00:18:34,359 --> 00:18:37,320 Speaker 1: to be a part of somebody's of life in that 335 00:18:37,359 --> 00:18:39,600 Speaker 1: capacity and to have helped them in any way, shape 336 00:18:39,680 --> 00:18:40,000 Speaker 1: or form. 337 00:18:40,280 --> 00:18:44,879 Speaker 2: Yeah, it's really it's a very happy, fortunate circumstance that 338 00:18:45,080 --> 00:18:48,760 Speaker 2: we didn't We weren't able to have many openly gay 339 00:18:48,840 --> 00:18:51,399 Speaker 2: characters on the show because the network would just not 340 00:18:51,480 --> 00:18:53,960 Speaker 2: allow it at the time. And I remember when I 341 00:18:53,960 --> 00:18:56,359 Speaker 2: got pretty pretty little liars, I was like, are we 342 00:18:56,400 --> 00:18:59,720 Speaker 2: allowed to do this on television now because we weren't before. 343 00:19:00,280 --> 00:19:03,320 Speaker 2: On Picket Fences, I did the first lesbian teenage kiss 344 00:19:03,400 --> 00:19:06,840 Speaker 2: and that was a huge problem for the network at 345 00:19:06,880 --> 00:19:08,960 Speaker 2: the time, and they blacked it out and all the 346 00:19:09,000 --> 00:19:16,720 Speaker 2: other things. Really, yeah, and so having this very fortunate 347 00:19:16,760 --> 00:19:20,480 Speaker 2: circumstance where people did feel like it related to them 348 00:19:20,480 --> 00:19:24,119 Speaker 2: in a way where we couldn't be ourselves outwardly. It 349 00:19:24,240 --> 00:19:27,359 Speaker 2: was relatable in being in the closet and how difficult 350 00:19:27,400 --> 00:19:31,200 Speaker 2: that was, and it really did help many many people 351 00:19:31,520 --> 00:19:33,879 Speaker 2: in a way that I think if we were to 352 00:19:34,040 --> 00:19:37,280 Speaker 2: reboot it, we would address those things in ways that 353 00:19:37,320 --> 00:19:38,719 Speaker 2: we weren't allowed to before. 354 00:19:39,119 --> 00:19:44,560 Speaker 1: Greed agreed there's a lot there. Even though there are 355 00:19:44,560 --> 00:19:47,040 Speaker 1: things that we weren't allowed to do. It was just, 356 00:19:47,240 --> 00:19:50,639 Speaker 1: you know, the time. I mean, your best friend is 357 00:19:50,680 --> 00:19:52,640 Speaker 1: a gay man. My best friend is a gay man, 358 00:19:52,920 --> 00:19:56,520 Speaker 1: right in real life, you guys, right like in real life? 359 00:19:56,880 --> 00:19:59,239 Speaker 1: You know. Yeah, my best friend who I also call 360 00:19:59,320 --> 00:20:03,639 Speaker 1: my husband at this point, he calls me his wife. 361 00:20:04,160 --> 00:20:07,719 Speaker 1: But it's weird that we weren't able to address it 362 00:20:08,280 --> 00:20:11,040 Speaker 1: in that day and age during Charmed. 363 00:20:11,160 --> 00:20:12,040 Speaker 2: You wasn't allowed. 364 00:20:12,160 --> 00:20:14,920 Speaker 1: Yeah, you weren't allowed. I mean, we never had one 365 00:20:14,920 --> 00:20:20,480 Speaker 1: gay characterrawing them no ooh, that's pretty crazy to think about. 366 00:20:21,400 --> 00:20:24,720 Speaker 1: But they were able to connect with us. And how 367 00:20:24,760 --> 00:20:30,120 Speaker 1: the sisters band together and you know, didn't immediately take 368 00:20:30,160 --> 00:20:33,119 Speaker 1: to being witches and then eventually did. That's that's a 369 00:20:33,160 --> 00:20:35,920 Speaker 1: really beautiful, beautiful thing. 370 00:20:36,320 --> 00:20:39,040 Speaker 2: Yeah. And I mean, you know when kids say, you know, 371 00:20:39,640 --> 00:20:44,800 Speaker 2: I woke up with you or I raced home to 372 00:20:44,880 --> 00:20:47,440 Speaker 2: see the show and thank goodness for T and T 373 00:20:47,760 --> 00:20:51,879 Speaker 2: because that's where most people saw it. There was one 374 00:20:52,240 --> 00:20:55,240 Speaker 2: woman at the last convention I was at in Boston 375 00:20:55,320 --> 00:20:58,760 Speaker 2: that said, I actually got a speeding ticket because of 376 00:20:58,800 --> 00:21:01,560 Speaker 2: you guys, because I was home to see the episode. 377 00:21:02,600 --> 00:21:07,320 Speaker 1: Yeah, bless her. It's pretty amazing. Oh, I said, I 378 00:21:07,359 --> 00:21:09,800 Speaker 1: hope it was worth it. He should have been a 379 00:21:09,880 --> 00:21:11,719 Speaker 1: Charmed fan and been like, Okay, I get it. 380 00:21:12,200 --> 00:21:15,000 Speaker 2: Jeez. Well that's when you had to actually be there 381 00:21:15,480 --> 00:21:18,879 Speaker 2: to see something, you know, instead of binge watching, which 382 00:21:19,040 --> 00:21:21,360 Speaker 2: you just did four episodes you binged. 383 00:21:21,040 --> 00:21:25,520 Speaker 1: On it was actually five episodes. Yeah, because Piper's soulmate 384 00:21:25,680 --> 00:21:28,399 Speaker 1: is poor, I mean episode five. The only note I 385 00:21:28,400 --> 00:21:30,800 Speaker 1: have is why is Piper doubting Prue after all she 386 00:21:30,920 --> 00:21:35,520 Speaker 1: has seen? Like what's funny is that when I watch them, 387 00:21:35,680 --> 00:21:38,600 Speaker 1: I'm always like, why are they doing this to Prue? 388 00:21:38,760 --> 00:21:43,440 Speaker 1: Like it's so defensive of my character that like almost 389 00:21:43,480 --> 00:21:46,639 Speaker 1: all my notes are about Prue are about Prue. 390 00:21:46,680 --> 00:21:48,920 Speaker 2: It's like that's hysterical. 391 00:21:49,359 --> 00:21:53,480 Speaker 1: I just I'm gonna probably gonna watch more episodes. Now 392 00:21:53,520 --> 00:21:56,639 Speaker 1: we're going to do it together. Well, you're going to 393 00:21:56,720 --> 00:22:00,040 Speaker 1: go through all my my terrible notes with me a 394 00:22:00,200 --> 00:22:03,480 Speaker 1: terrible commentary. I mean, I actually think I should like 395 00:22:04,119 --> 00:22:07,400 Speaker 1: watch them again because being the first time I've ever 396 00:22:07,560 --> 00:22:11,040 Speaker 1: watched Charmed, you're watching for Prue, right, I'm watching for Prue, 397 00:22:11,080 --> 00:22:12,879 Speaker 1: and now I need to like go in and watch 398 00:22:12,880 --> 00:22:15,879 Speaker 1: for the entire thing. You have the different nuances, Yeah 399 00:22:15,960 --> 00:22:18,760 Speaker 1: that happened with the show, and hear my commentary, which 400 00:22:18,800 --> 00:22:21,640 Speaker 1: is and hear your commentary, which is funny because we'll 401 00:22:21,640 --> 00:22:24,040 Speaker 1: probably argue about it and then one of us will 402 00:22:24,040 --> 00:22:25,320 Speaker 1: look at the other and be like, we got. 403 00:22:25,119 --> 00:22:27,359 Speaker 2: To save it for the podcast, right. We can do 404 00:22:27,440 --> 00:22:31,720 Speaker 2: watch parties. Those are fun too, live action. Really, how 405 00:22:31,760 --> 00:22:34,080 Speaker 2: do you do a watch party? You literally play it 406 00:22:34,119 --> 00:22:38,119 Speaker 2: and we just get to talk over ourselves. Wow, and 407 00:22:38,600 --> 00:22:40,879 Speaker 2: people like it and they send in comments so you 408 00:22:40,920 --> 00:22:44,640 Speaker 2: can answer them too, oh like as you're yeah, oh, 409 00:22:44,640 --> 00:22:45,400 Speaker 2: that's awesome. 410 00:22:45,600 --> 00:22:48,240 Speaker 1: It is like my favorite thing on doing this podcast 411 00:22:48,359 --> 00:22:51,040 Speaker 1: is doing like the Q and A right exactly. I 412 00:22:51,080 --> 00:22:52,920 Speaker 1: just love responding to it, and so you have to 413 00:22:53,000 --> 00:22:56,040 Speaker 1: learn like how to do that during an episode. Though 414 00:22:56,560 --> 00:23:12,960 Speaker 1: It's totally fine. It's totally fine. I mean, you know, listen, 415 00:23:13,000 --> 00:23:17,399 Speaker 1: I think to be really upfront and honest, I'm you know, 416 00:23:17,560 --> 00:23:22,120 Speaker 1: nervous about it because you guys are you know, very established, 417 00:23:22,280 --> 00:23:26,960 Speaker 1: and you three have a really good sort of rapport 418 00:23:27,080 --> 00:23:29,960 Speaker 1: with each other on the podcast, and so I worry 419 00:23:30,040 --> 00:23:33,840 Speaker 1: about coming on right now of people's reaction, you know, 420 00:23:33,960 --> 00:23:35,520 Speaker 1: like are they going to say, wow, it was so 421 00:23:35,600 --> 00:23:39,840 Speaker 1: much better without Shannon. But it's because I'm always expecting rejection. 422 00:23:40,119 --> 00:23:43,920 Speaker 1: It sure's the thing or something. You can't please everybody 423 00:23:44,080 --> 00:23:44,680 Speaker 1: all the time. 424 00:23:45,000 --> 00:23:47,840 Speaker 2: So there is that. And you know, at this point, 425 00:23:48,440 --> 00:23:51,600 Speaker 2: I feel like the less social media happening in my life, 426 00:23:51,640 --> 00:23:54,520 Speaker 2: the better. Yeah, And you just have to be true 427 00:23:54,520 --> 00:23:57,600 Speaker 2: to yourself and true to our you know, audience, and 428 00:23:57,960 --> 00:24:00,479 Speaker 2: you know why we're here and what it means, and 429 00:24:01,200 --> 00:24:04,000 Speaker 2: you know it means a lot to us. And that's 430 00:24:04,040 --> 00:24:08,119 Speaker 2: the thing is, I don't think people ever realized what 431 00:24:08,800 --> 00:24:12,680 Speaker 2: a heart project it was for us. So there's that. 432 00:24:13,200 --> 00:24:18,360 Speaker 2: And I think your memories and your interpretation of things, 433 00:24:18,640 --> 00:24:21,240 Speaker 2: you know, it is much more artistic than mine. Also, 434 00:24:21,680 --> 00:24:25,280 Speaker 2: like I'm just the one they're bleeding emotions. But you 435 00:24:25,359 --> 00:24:29,040 Speaker 2: were very much invested in what the show looked like. Yeah, 436 00:24:29,080 --> 00:24:33,960 Speaker 2: and the lighting and obviously then you directed, so it's 437 00:24:34,000 --> 00:24:34,920 Speaker 2: a different perspective. 438 00:24:35,000 --> 00:24:37,720 Speaker 1: I wanted it to have a very specific look, and 439 00:24:38,920 --> 00:24:44,560 Speaker 1: you know, the presentation was a lot more represented as dark. Yeah, 440 00:24:44,600 --> 00:24:48,159 Speaker 1: it was dark, and the show overall was darker. It 441 00:24:48,240 --> 00:24:52,439 Speaker 1: was a much more serious, much more dramatic, like grounded show. 442 00:24:53,119 --> 00:24:57,760 Speaker 1: And I loved that because you know, coming from drama, 443 00:24:57,880 --> 00:25:02,200 Speaker 1: you coming from drama, so yeah, I there were certain 444 00:25:02,240 --> 00:25:04,679 Speaker 1: episodes that were like too bright or to this or 445 00:25:04,720 --> 00:25:08,080 Speaker 1: to that. The camera didn't move properly. Somebody didn't want 446 00:25:08,119 --> 00:25:10,679 Speaker 1: to you steady cam, and that would always upset me 447 00:25:10,760 --> 00:25:12,520 Speaker 1: because I was like, no, no, no, we can do better. 448 00:25:12,560 --> 00:25:16,200 Speaker 1: We can push. Let's push, let's push, like stop putting 449 00:25:16,960 --> 00:25:20,000 Speaker 1: the camera on sticks and have it being static, like 450 00:25:20,560 --> 00:25:23,280 Speaker 1: move in like do something like you guys have zooms, 451 00:25:23,320 --> 00:25:25,680 Speaker 1: you have this, you have that, Like, let's get going. 452 00:25:25,840 --> 00:25:28,840 Speaker 1: Let's let's make it different and original and look really 453 00:25:28,880 --> 00:25:32,800 Speaker 1: good while you were crying. Yeah, but I was also. 454 00:25:33,040 --> 00:25:36,879 Speaker 2: Really uncomfortable with being funny. I didn't think I was funny. 455 00:25:36,920 --> 00:25:39,040 Speaker 2: You were very funny. I didn't. I still don't think 456 00:25:39,080 --> 00:25:41,840 Speaker 2: I'm funny and so and I think you kind of 457 00:25:41,920 --> 00:25:46,479 Speaker 2: came from the same sort of background where you know, 458 00:25:46,600 --> 00:25:50,399 Speaker 2: we're super comfortable doing the dramatic, the heavy dramatic stuff, 459 00:25:50,640 --> 00:25:55,200 Speaker 2: but being funny, being light and making fun of yourself 460 00:25:55,280 --> 00:25:59,560 Speaker 2: was almost difficult, and I think harshly, because we knew 461 00:25:59,600 --> 00:26:05,040 Speaker 2: each other before, it was easier to be light and 462 00:26:05,800 --> 00:26:08,600 Speaker 2: to be like feel like you're like in a safe space. 463 00:26:08,640 --> 00:26:10,159 Speaker 2: So if you make fun of yourself or you do 464 00:26:10,200 --> 00:26:14,399 Speaker 2: something goofy that it didn't feel so much so much 465 00:26:14,520 --> 00:26:18,880 Speaker 2: like acting. It was like just being like normal girls, 466 00:26:18,920 --> 00:26:22,280 Speaker 2: which I think is a very big appeal to the 467 00:26:22,359 --> 00:26:25,840 Speaker 2: show is that these are like girls hanging out together. Yeah, 468 00:26:25,920 --> 00:26:28,639 Speaker 2: and this is what girls do. And I don't think 469 00:26:28,720 --> 00:26:31,399 Speaker 2: if it wasn't you, if it wasn't me, that we 470 00:26:31,440 --> 00:26:32,639 Speaker 2: would have been able to do that. 471 00:26:33,440 --> 00:26:36,440 Speaker 1: I agree. I think that we, you know, we're able 472 00:26:36,440 --> 00:26:39,280 Speaker 1: to bring that out in each other because we'd been 473 00:26:39,320 --> 00:26:43,080 Speaker 1: through so much prior that we had you know, we 474 00:26:43,160 --> 00:26:45,720 Speaker 1: obviously had that connection. We were besties, we were all 475 00:26:45,760 --> 00:26:49,000 Speaker 1: of that, so we were able to kind of you know, 476 00:26:49,119 --> 00:26:53,320 Speaker 1: wink wink, nudge nudge each other. I also think because 477 00:26:53,359 --> 00:26:57,800 Speaker 1: Alyssa came from comedy, so she was instantly the more 478 00:26:58,040 --> 00:27:02,040 Speaker 1: like lighter one that looks for those like joke moments 479 00:27:02,600 --> 00:27:06,879 Speaker 1: and to make something light, that she allowed us to 480 00:27:06,960 --> 00:27:10,080 Speaker 1: be lighter as well. I mean I always still dug 481 00:27:10,119 --> 00:27:13,439 Speaker 1: into like the drama you did. I freakin loved it 482 00:27:13,480 --> 00:27:15,920 Speaker 1: so much. I was like anytime there was a script 483 00:27:15,920 --> 00:27:18,600 Speaker 1: where it was Prue was crying and I was like, 484 00:27:18,840 --> 00:27:21,800 Speaker 1: yay when score. I don't know who wants to go 485 00:27:21,840 --> 00:27:24,480 Speaker 1: to set and like cry for fourteen hours. But I did. 486 00:27:25,280 --> 00:27:28,960 Speaker 1: I loved it. But you know what's funny is, like 487 00:27:29,080 --> 00:27:34,240 Speaker 1: I watched rewatching now you were actually very funny and 488 00:27:34,280 --> 00:27:38,440 Speaker 1: how your character starts and you're you know, the tilt 489 00:27:38,480 --> 00:27:41,720 Speaker 1: of your head, the eyebrow twitch that you have, like 490 00:27:41,840 --> 00:27:46,840 Speaker 1: all of it is so hyper. Yeah, it's just so 491 00:27:47,160 --> 00:27:52,679 Speaker 1: like it's endearing. You're very endearing on the show. Not 492 00:27:52,720 --> 00:27:55,080 Speaker 1: in real life, but no, in real life, you're horrible, 493 00:27:55,200 --> 00:27:57,320 Speaker 1: pain in the pain in the ass. 494 00:27:57,480 --> 00:27:58,119 Speaker 2: True story. 495 00:27:58,560 --> 00:28:03,000 Speaker 1: So my hope, okay, is that Hoops and Dreams people 496 00:28:03,000 --> 00:28:06,800 Speaker 1: are happy that I joined. I'm sure they were happy 497 00:28:06,840 --> 00:28:07,880 Speaker 1: that it moved to iHeart. 498 00:28:08,000 --> 00:28:09,679 Speaker 2: I know you told me not to tell people, but 499 00:28:09,760 --> 00:28:12,040 Speaker 2: I have told a few people and they were really 500 00:28:12,040 --> 00:28:12,639 Speaker 2: happy with them. 501 00:28:12,840 --> 00:28:20,359 Speaker 1: Really. Yeah, you chose the non hater stuff. And I 502 00:28:20,400 --> 00:28:23,480 Speaker 1: know that I'm thrilled to be a part of it. 503 00:28:23,600 --> 00:28:26,359 Speaker 1: I know that, you know, watching it for the first 504 00:28:26,359 --> 00:28:30,479 Speaker 1: time has been really interesting for me, and I don't know, 505 00:28:30,520 --> 00:28:33,520 Speaker 1: it's cool, like we're getting to work together again in 506 00:28:33,560 --> 00:28:37,720 Speaker 1: a different capacity. Yeah, and I kind of direct me though, Yes, 507 00:28:38,000 --> 00:28:40,440 Speaker 1: I mean, I'm for sure a director and you forever 508 00:28:40,560 --> 00:28:44,840 Speaker 1: think I can do better, which sometimes I cannot. No, 509 00:28:44,960 --> 00:28:47,280 Speaker 1: whenever I was directing and I said you could do better. 510 00:28:47,680 --> 00:28:53,360 Speaker 1: You always did better every single time. Every time you 511 00:28:53,720 --> 00:28:59,560 Speaker 1: always did better, You dug deeper and figured out. I 512 00:28:59,640 --> 00:29:03,720 Speaker 1: don't know it was me pushing you or humiliating you sometimes, 513 00:29:04,280 --> 00:29:05,920 Speaker 1: but and you're the only one that I would have 514 00:29:05,960 --> 00:29:08,200 Speaker 1: done that with. I would never have directed anybody else 515 00:29:08,240 --> 00:29:10,360 Speaker 1: like that. But because we knew each other for so long, 516 00:29:10,520 --> 00:29:12,960 Speaker 1: I felt like I just knew what you were capable of. 517 00:29:13,040 --> 00:29:17,000 Speaker 2: Well, you have seen the depths of my despair, yes, 518 00:29:17,120 --> 00:29:20,520 Speaker 2: very much so. Yes, when it comes to abusive husbands, 519 00:29:20,680 --> 00:29:25,240 Speaker 2: when it comes to very very gritty, awful life stuff, 520 00:29:25,280 --> 00:29:26,160 Speaker 2: you have seen that. 521 00:29:26,480 --> 00:29:29,200 Speaker 1: And I wanted you to dig there, to go to 522 00:29:29,240 --> 00:29:32,720 Speaker 1: the place that nobody wants to go to at all. 523 00:29:33,920 --> 00:29:37,120 Speaker 1: It's like buried inside with a little lock. But I 524 00:29:37,160 --> 00:29:40,600 Speaker 1: wanted you to unlock it and dig for it so 525 00:29:40,640 --> 00:29:43,560 Speaker 1: that it could also be used in your performance. And 526 00:29:43,600 --> 00:29:45,800 Speaker 1: whenever you did that, it was the performance that I 527 00:29:45,880 --> 00:29:51,120 Speaker 1: was blown away by. All Right, that's all, folks, that's all, folks, 528 00:29:51,480 --> 00:29:54,840 Speaker 1: So thanks for joining. Let's be Clara Shannan Doherty and 529 00:29:54,880 --> 00:29:59,640 Speaker 1: Holly Maray Combs looking forward. I am to seeing your 530 00:29:59,640 --> 00:30:03,440 Speaker 1: guys action to the House of Hallowell Holly, thanks for 531 00:30:03,480 --> 00:30:06,440 Speaker 1: being here with me. Sure you can now eat pizza. 532 00:30:06,520 --> 00:30:10,920 Speaker 1: We're gonna eat pizza now and probably watch some Charmed at. 533 00:30:10,880 --> 00:30:11,760 Speaker 2: Least two episodes. 534 00:30:11,800 --> 00:30:14,520 Speaker 1: At least two episodes. All right home or we love 535 00:30:14,560 --> 00:30:16,160 Speaker 1: you guys, See you soon. 536 00:30:16,480 --> 00:30:17,000 Speaker 2: Blessed be