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Speaker 1: The week, We've got more bits of the week. What

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Speaker 1: is up, y'all, It's Morgan here. It's your best bits

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Speaker 1: of the week, and I'm so excited to be here

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Speaker 1: with y'all this weekend. But of course, I have to

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Speaker 1: note that today is a really somber, emotional day for

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Speaker 1: a lot of people. It is the twentieth anniversary of

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Speaker 1: nine to eleven. So Scooba Steve and I are going

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Speaker 1: to talk about so many exciting things today, but I

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Speaker 1: didn't want to start the show off without mentioning that,

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Speaker 1: and you know, coming in the number one spot, we'll

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Speaker 1: also discuss it again. But I know it's happening today.

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Speaker 1: I know it's going to be an emotional day, so

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Speaker 1: I hope this podcast brings you a few laughs and

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Speaker 1: smiles on a really difficult day for so many people.

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Speaker 1: So Scooba Steve is joining me today to talk about

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Speaker 1: some behind the scenes moments, which is my personal favorite

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Speaker 1: part of this podcast. You ready, Yeah, of course we

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Speaker 1: got a lots of talk about a lot of random things.

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Speaker 1: And in case you haven't listened to this before, I

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Speaker 1: count down seven segments from the show this week that

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Speaker 1: he might have missed or that I think he might

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Speaker 1: need to relive, so I count those down and along

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Speaker 1: the way, Steve and I will talk about just, you know,

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Speaker 1: random moments of life. Who knows, you never know what

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Speaker 1: we get into scuba and I like to talk about

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Speaker 1: aliens a lot too, so who knows. Okay, this could

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Speaker 1: be your podcast. All right, Well, here we go, guys.

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Speaker 1: Coming in at number seven, pity Bit, Lunchbox finally got

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Speaker 1: to share his segment idea that he had He asked

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Speaker 1: the show for advice after a pick a Bit moment

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Speaker 1: happened where we chose Amy's segment and nobody was really

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Speaker 1: excited about it. So then it turned into pity Bit

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Speaker 1: where a Lunchbox got to share his segment idea and

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Speaker 1: he asked for advice on a super awkward situation with

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Speaker 1: his cousin and Facebook. You know, it's always funny when

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Speaker 1: Lunchbox shares a story, especially when it involves his family.

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Speaker 1: Number seven. I've been playing this game called pick a

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Speaker 1: Bit for weeks and the one bit that has never

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Speaker 1: won is lunchboxes bit about him and his cousin, And

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Speaker 1: so today we're just gonna call it pity Bit and

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Speaker 1: do it. I actually think it's a pretty good bit.

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Speaker 1: I've never voted. For the record, I know you've never voted,

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Speaker 1: and that's what I'm saying. These people are just picking

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Speaker 1: the worst. I mean, some of them have been good bits,

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Speaker 1: but some of them been bad. One has been bad,

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Speaker 1: and I just think this bit is very relatable and

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Speaker 1: I really don't know what to do. I can't wait

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Speaker 1: to hear it. This is what Lunchbox sent me. He says,

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Speaker 1: your advice, please, and then he asked, does he have

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Speaker 1: to unfriend your cousin's ex husband. Yes. So they got

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Speaker 1: divorced in June. It was finalized in June, and me

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Speaker 1: and her are the same age, not that close, growing

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Speaker 1: up whatever, and her husband cool dude, played golf a

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Speaker 1: couple of times, happy hours, whatever. And she sends me

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Speaker 1: a message on Facebook. Hey, just checking in to let

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Speaker 1: you know that Pedro and I had our divorce finalized

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Speaker 1: in June. I see you're still friends with him on Facebook,

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Speaker 1: So if you don't mind, could you just unfriend him? Please?

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Speaker 1: Hope to see you in the kids soon, Nicole, and

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Speaker 1: I'm like awkward, Like, what in the world can you

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Speaker 1: just send their names a real name? I thought his

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Speaker 1: name starts with a pea and the first dame that

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Speaker 1: bought of my head was Pedro, so I couldn't so yes,

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Speaker 1: So she sends me that message on Facebook like she's

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Speaker 1: monitoring who's still friends with him? Yeah? Weird, weird And

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Speaker 1: I'm like, that's awkward. She's do I have to just

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Speaker 1: kick him out of my like life because he's not

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Speaker 1: part of the family. How was their breakout have been good?

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Speaker 1: Pedro's fault? Yeah, Pedro did some things. Okay, we don't

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Speaker 1: want to say what Pedro did it? Right? So here

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Speaker 1: we are. Does Lunchbox have to unfriend Pedro because his

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Speaker 1: cousin asked Amy, what is it blood? Blood before or no,

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Speaker 1: there's no, there's nothing there. I don't know what you

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Speaker 1: blood is thicker than before? Okay, I mean I would

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Speaker 1: say if it wasn't a yeah, a very amicable bull

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Speaker 1: type thing that you just help your cousin out. Do

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Speaker 1: you still like Pedro? Yeah? Nice dude, Like I mean

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Speaker 1: you didn't know him and he said, hey, man, I'm

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Speaker 1: gonna you want to go get some lu sometime. Great,

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Speaker 1: Like you didn't do anything to me, And like I said,

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Speaker 1: my cousin, I we weren't that close. I mean we're

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Speaker 1: the same age but we weren't close growing up shitty

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Speaker 1: and friend Pedro? Yes, oh man, bros. Before like Amy said, yes,

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Speaker 1: Pedro's cool. It didn't do anything the Lunchbox. Why not

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Speaker 1: keep them? No, he needs to unfriend Okay, waiting, so

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Speaker 1: Amy says unfriend. Morgan says unfriend. Yes, why because it's

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Speaker 1: just like if somebody in your family asked for your support,

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Speaker 1: that's your way of digitally supporting them. So you're just

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Speaker 1: like though, but glass enough to wear Lunchbox. If they're

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Speaker 1: not close, then Lunchbox definitely isn't close to Pedro. Friend.

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Speaker 1: Are you closer to Pedro or your cousin? Probably Pedro?

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Speaker 1: There you go, justice for Pedro, Like Pedro text me

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Speaker 1: during a sporting event, you know what I mean? Like

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Speaker 1: super Bowl? Hey man, I don't ever text my cousin

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Speaker 1: about that stuff. Yeah for Pedro, what you would? I

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Speaker 1: don't know what Pedro did and I'm not close to

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Speaker 1: if I'm not close to that cousin exactly, It just

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Speaker 1: depends how close were of the cousin. Okay, Raymond, you

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Speaker 1: have to make the final decision. Unfriend Pedro. And also

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Speaker 1: since your friends text Pedro and just say hey, dude,

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Speaker 1: it's politics, family stuff. You know, I had to do

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Speaker 1: it exactly. Don't even notice. Okay, you've heard that. You

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Speaker 1: know my weight is no more than theirs. This is

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Speaker 1: a democracy, unfriend Pedro, Yeah, by Pedro, And that is

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Speaker 1: pity bit. That is pity guy though. Right, it's the

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Speaker 1: best bits of the week with Morgan. Number two a

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Speaker 1: fun special guest on the show. This week, Morgan Evans

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Speaker 1: stopped by. He performed a rand new song for us,

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Speaker 1: and he talked all about it, plus why he sings

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Speaker 1: in an American accent even though he talks Australian. I

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Speaker 1: mean he's from Australia. So we got the breakdown on that.

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Speaker 1: Plus he performed that new song and some of his

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Speaker 1: big hits. So check that out right now. Number six

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Speaker 1: on the Bobby Bones Show. Now, Morgan, how are you, Bud?

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Speaker 1: I'm great? Hell are you? I'm pretty good. Morgan has

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Speaker 1: this like Australian beach vibed. He's in He's in flip flops. Yeah, yeah,

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Speaker 1: like old school ones. You don't see old school flip

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Speaker 1: flops much anymore, is that right? What may say the

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Speaker 1: old school that they're just the toe and the thing.

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Speaker 1: Like I feel like it's like Walmart. These are Walmart

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Speaker 1: flip flops. No, no, I think that there no not these,

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Speaker 1: but I think that got you about nine bucks. Yeah, no,

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Speaker 1: they're cool, but like, slides are kind of in right now,

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Speaker 1: so I guess that's a slides. I've seen them us

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Speaker 1: socks with the slides. I've seen people at the Apple

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Speaker 1: doing that. Flip flops is like an ultimate fashion disaster

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Speaker 1: where I'm from, but a very comfortable. I will wear

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Speaker 1: socks with slides only so I can slide my slides

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Speaker 1: off because I will not go barefoot on an airplane,

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Speaker 1: but I will go sock foot if I'm just sitting. Okay,

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Speaker 1: does that make sense, perfect sense to me? Yeah, yeah,

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Speaker 1: barefoot on an airplane. That sounds not barefoot, sock foot

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Speaker 1: sock foots fine, yeah everything else go with you like

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Speaker 1: good Yeah, I mean we're playing music again. It's pretty

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Speaker 1: hard to complain. Next week you go out with Brett

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Speaker 1: Aldridge on the Good Day tour. Yeah, I'm really looking

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Speaker 1: forward to that. Yeah. How long is set do you

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Speaker 1: get when you play with Brett? We have forty five minutes.

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Speaker 1: Oh that's like a whole set. It is, it's a

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Speaker 1: full show. This is actually the first tour I've done

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Speaker 1: in America opening where there's actually someone on before me,

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Speaker 1: So that's a novelty for me. It's a big step.

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Speaker 1: I love that. At what point do you play kiss Somebody?

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Speaker 1: It's funny, man, We've been playing around with that. So

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Speaker 1: I think the pandemic has been really good for one

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Speaker 1: of my songs in particular, maybe something to do with

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Speaker 1: the way people who have been spending their lockdown time.

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Speaker 1: And we used to play Somebody Lost because it was

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Speaker 1: the biggest song on the radio. Generally when you travel around,

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Speaker 1: people know it. But after the last eighteen months, day

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Speaker 1: Drunk is now by far the biggest song. Said, So

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Speaker 1: we finished with that and we played kiss Somebody a

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Speaker 1: little earlier. Give me a little verse and chorus of

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Speaker 1: kiss Somebody, alrighty, your former big old smash hit. Sometimes

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Speaker 1: you gotta drink about somebody that ain't gonna bring them back.

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Speaker 1: Sometimes crime this somebody we've all felt like, if it's

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Speaker 1: something that you gotta get over but you just can't

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Speaker 1: get over. Sometimes you gotta kiss somebody in the back

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Speaker 1: of a camera on up with a train. Times you

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Speaker 1: gotta kiss somebody on him in that street in the submarine.

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Speaker 1: Do you wish and you will wish somebody you don't

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Speaker 1: want to go home when it's closing time. If you

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Speaker 1: want to kiss somebody, baby, I as somebody you can

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Speaker 1: kiss like your hard he never been broken kind of

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Speaker 1: lifts at your lifts. Get your ass closed. I don't

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Speaker 1: know what you're going to because I want to kiss

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Speaker 1: somebody to nice, kiss somebody like you, kiss somebody like you.

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Speaker 1: I got the high harmony. I thought he was done,

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Speaker 1: and then I just don't body still. He never stops, Bob.

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Speaker 1: He's like somebody doing happen to kiss. Morgan Evans is

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Speaker 1: here right now. I saw you post the other day

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Speaker 1: and you were like, you can text me at this number.

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Speaker 1: It's on your Instagram, Briot. So I texted you. I

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Speaker 1: was like, hey man, you wanna go to lunch? And

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Speaker 1: you never text me back. Yeah. I texted that number

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Speaker 1: and said, do you ever you want to go to

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Speaker 1: lunch just to see will you under a different name

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Speaker 1: or something? No? No, I just said it's Bobby. But

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Speaker 1: that's a but if you text that number on your Instagram, yeah,

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Speaker 1: does that go right to your phone? Yeah, it's an

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Speaker 1: app on the phone. Yeah, So it's not your real number.

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Speaker 1: So I don't have your real number? Will you have

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Speaker 1: my real number? Two? Actually, so you could try the

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Speaker 1: I did try the app. I didn text the number, like,

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Speaker 1: hey man, I want to go to lunch and I

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Speaker 1: never heard from me on the app. Yeah that's right. Well,

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Speaker 1: maybe I need to dig back in there. Jump. If

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Speaker 1: someone calls, can they call you? It's not a call thing,

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Speaker 1: it's a text thing. But it's really cool. I find

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Speaker 1: it like it's very rewarding to be able to connect

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Speaker 1: on them all with people. This is what I would

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Speaker 1: like to do because this show is all about authenticity. Yeah,

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Speaker 1: and if you go to Morgan's Instagram, you can see

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Speaker 1: his text number. It goes to an app, but I'm

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Speaker 1: going to give you his real cell phone number. Everybody.

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Speaker 1: Oh yeah, we could really connect to one the more. Hey,

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Speaker 1: I want you to do something else for me for

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Speaker 1: a second, because I do want to talk about the

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Speaker 1: new song and get into the new song. Do you

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Speaker 1: need your pedal to play a little bit of day

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Speaker 1: Drunk or can you play it right there? I can

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Speaker 1: play it right here. Okay. I actually I've retired the

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Speaker 1: pedal you have? Yeah, okay, because the only time I've

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Speaker 1: ever seen you play daydrunk, was with the pedal. Yeah,

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Speaker 1: and I didn't tell you I was gonna ask you

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Speaker 1: to play day drunk? Right? Can you play us a verse?

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Speaker 1: Of course a day drunk? Oh yeah, of course. Um

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Speaker 1: here we are well here and here we go. We

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Speaker 1: bought that champagne from New Years. We got one bottle.

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Speaker 1: Let's pop it open. Baby, what you say still at

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Speaker 1: t shirt? You don't need the kittress because we got

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Speaker 1: plans to make. No plans today. Oh I'm thinking happy

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Speaker 1: hour on the hour in the kitchen, in the shower,

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Speaker 1: things and tipsy singing with me. Baby, Let's get a

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Speaker 1: little day drunk party with that shats on. Play bunch

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Speaker 1: of songs, sing along, get the words wrong, who gess?

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Speaker 1: Get day drunk, Get down while the suns up. Make

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Speaker 1: good good, look like it's day in the day and

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Speaker 1: it feels right when you drum, Dad run you and

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Speaker 1: you dad rump de rump. Are you done? Okayna follow

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Speaker 1: him At Morgan Evans Music, we'd like to hear you

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Speaker 1: tune live. I know you're about to tune. I want

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Speaker 1: an audience to hear what you're doing preparing for a song. Here, yeah, okay,

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Speaker 1: all right, go ahead tuning. Yes, So right now he's

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Speaker 1: put the phone on his knee and on the phone

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Speaker 1: it will tell you different letters. If your string hits

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Speaker 1: exactly right, it'll show up as that letter exactly is

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Speaker 1: a kind of a rough time when you use the

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Speaker 1: phone tuning. It's close enough kind of thing. Maybe seems smart, Morgan,

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Speaker 1: don't don't contradict me. And Morgan's gonna play his new

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Speaker 1: song Love is Real. And right now he's perfecting the strings.

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Speaker 1: It sounds way better when it's closely. Oh do you

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Speaker 1: hear that? Wow? Wow, that's a tuning for you. Guys,

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Speaker 1: will tune Wow, that is amazing. Morgan Evans is here.

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Speaker 1: You may know him by a couple of songs from

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Speaker 1: his past, for example, kiss Somebody sometimes you gotta kiss somebody.

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Speaker 1: Maybe day drunk, possibly Diamonds. So now you have this

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Speaker 1: new song, Love is Real, and I'm gonna have you

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Speaker 1: played the full song. I'm talking. I want you to

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Speaker 1: go from the first word of the end on all

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Speaker 1: the emotion from this song. All right, because you wrote this.

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Speaker 1: What happens you go into a room, do you have

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Speaker 1: the idea on your phone? Does somebody else come to

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Speaker 1: you with it? Tell me about this song. Yeah, I

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Speaker 1: had this title for a long time and I was

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Speaker 1: trying to find the right way to write it because, um,

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Speaker 1: you know, sometimes songs can get a little bit clever

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Speaker 1: and and and the cleverest, like it takes away from

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Speaker 1: the feeling of the song. Yeah, And I really just

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Speaker 1: wanted this to be um, just to straight sh airing

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Speaker 1: of a feeling when everything's right in the world. You know.

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Speaker 1: I feel like over the last year and a half,

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Speaker 1: I've wanted the good vibes and I just want to

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Speaker 1: share that. And for me, that's you know, the lyrics

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Speaker 1: and the bust of this song, which is a good

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Speaker 1: road trip with you go and feel in love. Yep.

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Speaker 1: You guys have a jeep uh Yeah, yeah, that's cool.

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Speaker 1: I have no follow up. It's like, yeah, that is good.

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Speaker 1: I just I just took the roof and doors off

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Speaker 1: it and all that the other day for the first time.

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Speaker 1: It's a good feeling. Yeah, that's cool. I love It's real.

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Speaker 1: This is it. This is Morgan Evans new single. He's

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Speaker 1: gonna play it for you. Let's go there, Feet on Fancy,

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Speaker 1: I Wind Sky, Bandanna and Your foot Jeans U D. D.

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Speaker 1: Chap they've been through the radio. In my hat, you

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Speaker 1: always st quick stop at a textical astec exit from

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Speaker 1: my eyes. Tain't topping a tool for Chico. I only smile,

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Speaker 1: eating like a polar road with time standing still. Love

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Speaker 1: is real and I could try you hand in mine

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Speaker 1: baby will go to we run at the road in

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Speaker 1: the restaurants out east week where I feel no one.

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Speaker 1: I always well, I am yours you all. My love

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Speaker 1: is read. Yeah. Love Israel. I am your you are mine.

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Speaker 1: Love is ree. Wow, there is Mogan. We were giving

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Speaker 1: it a second. We never know it's you. You might

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Speaker 1: jump back into it. I like that, man, that's that's

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Speaker 1: a really good song. I'd heard it already, but the

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Speaker 1: first time I heard it, I was like, that's a

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Speaker 1: really good song. Thanks man, you can probably tell us

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Speaker 1: the first time I've song that this morning. I appreciate it.

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Speaker 1: So bear with me. Would you mind just playing the

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Speaker 1: first line of that song again, just just as you did? Yeah,

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Speaker 1: the guitar line or the vocal line. The vocal line, yeah,

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Speaker 1: I don't know about it really. Guitar line is but

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Speaker 1: if vocal yeah, I just sing the first line for me,

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Speaker 1: just like it didn't. Bare Feet on a fancy high

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Speaker 1: scald say that with no music, like you're just saying

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Speaker 1: it to me some sort of test out of stuff. No, no, no,

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Speaker 1: just say it like you were talking sing it. No,

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Speaker 1: just say it bare feet on the bench, seat, highway

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Speaker 1: and the sky. Now there's an accent when he says.

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Speaker 1: If there's no accent when he sings Itevable, he's like

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Speaker 1: bear feet on a bench and it's like, hey, buyer

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Speaker 1: for you. However, your accent. That's crazy, that your accent,

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Speaker 1: because that's not on purpose, right, it's weird and that

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Speaker 1: Um I grew up singing American music, or I thought

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Speaker 1: it was that. But you know, even Keith up and

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Speaker 1: sounds American when he sings, you know, and even the

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Speaker 1: Beatles sound American window sing. I actually googled this one time,

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Speaker 1: so like you go on YouTube or whatever and there's

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Speaker 1: a guy on that and he explains that maybe the

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Speaker 1: American accent, the way that the American accent approaches valves

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Speaker 1: is more pleasant to the human ear, or something like that,

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Speaker 1: if you want to get technical. But I grew up

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Speaker 1: trying to sound like golf brooks here I am. Sometimes

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Speaker 1: though even Spice Girl songs they sound like they're speaking

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Speaker 1: American English. Or Brad from Three Doors Down has a

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Speaker 1: really thick Southern accent, but when he sings, you don't

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Speaker 1: hear that extreme right, So so basically music brings us

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Speaker 1: all together, the universal love. It really does. Yeah, that

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Speaker 1: sounds really good. When you play a live it's really good.

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Speaker 1: Have you ever tried to sing with your accent? Try

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Speaker 1: that riot, try that line? It's not good. Yeah, there's some.

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Speaker 1: There's some like legendary Australian country atists and rock and

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Speaker 1: roll artists that's seeing Australian accents and they and they

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Speaker 1: do it and it works for some reason. For me,

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Speaker 1: it doesn't feel feeling. Here's what I want to ask you.

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Speaker 1: You have the song love is Real? Which of these

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Speaker 1: do you believe is real? Do you believe that a

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Speaker 1: lot of these little spacecrafts that are showing up more

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Speaker 1: now than ever? Do you believe they're aliens? Do you

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Speaker 1: think aliens are real? Yeah? You think aliens are real

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Speaker 1: in these space Because here's my theory. Before I make

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Speaker 1: you commit to anything. Right, these guys all say Lunchbox

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Speaker 1: has no chance, no chance. You guys are coop who wait? Wait? Wait?

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Speaker 1: Is the question aliens are real or here on us.

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Speaker 1: Because here's the explanation. I say that because we're seeing

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Speaker 1: more and more of these unidentified aerial f they're calling

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Speaker 1: it now. Yeah, And I say, hey, if they're so

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Speaker 1: advanced and they don't want us to see them, we

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Speaker 1: wouldn't see them. There are our eyes or have these

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Speaker 1: cones in them that we can't see some things? Right,

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Speaker 1: animals have things in their ears. They can hear things

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Speaker 1: we can't. Yeah, there's nothing that says we would have

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Speaker 1: to we would be able to see, right, some life

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Speaker 1: form that is far more sophisticated than we are right now,

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Speaker 1: Do I believe there could be something? Yeah? Probably? Do

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Speaker 1: I think these little spaceships that we're seeing all the

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Speaker 1: time have aliens them? I think no, there because if

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Speaker 1: they didn't want us to see, we wouldn't. Yeah, So

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Speaker 1: with all that our aliens real on the clock. Well,

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Speaker 1: I mean, I'm inclined to agree with you with your

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Speaker 1: you're thinking that, Yeah, it's silly to like just say

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Speaker 1: there's definitely no aliens. Side, I say it's silly too,

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Speaker 1: because it's silly to say there's definitely nothing of something

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Speaker 1: you can't prove either way exactly. Yeah, right, But in

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Speaker 1: our opinion, the current aerial phenomenons, they're not carrying little aliens.

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Speaker 1: Do I think they have aliens in them? Probably not. Yeah.

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Speaker 1: What about love at first sight? Do you think that's

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Speaker 1: real at first sight? Yeah? I guess. Yeah. You have

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Speaker 1: to say that there's an inclination. You can definitely feel

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Speaker 1: an alimation. Let me tell you why I don't believe you.

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Speaker 1: I don't believe that. Okay, I believe that there is

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Speaker 1: first side of while that person is really hot and

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Speaker 1: we hit it off immediately, but sometimes it happens and

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Speaker 1: it doesn't work out. If that happens and it works out,

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Speaker 1: I think you retro assign. It's definitely a retro assignment.

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Speaker 1: Love at first sight people have more than a look though.

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Speaker 1: There's an energy people have too. When you look at

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Speaker 1: someone you can kind of look at me, you can

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Speaker 1: tell yeah there is Yeah. You can see in people's eyes,

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Speaker 1: the way they stand, the way they like open their

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Speaker 1: body towards whoever they're talking to you. There's a lot

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Speaker 1: of body openers though that I thought, that's a good

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Speaker 1: open body, but then end up hating you know, yeah, okay,

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Speaker 1: hate it first sight? Yeah. How about bigfoot? I don't

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Speaker 1: know much about Bigfoot? Do you guys not have a

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Speaker 1: big version of big Foot in Australia? Probably drop bears,

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Speaker 1: I think I talk about in Australia, right, what's that bears?

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Speaker 1: Full out of trace? It might have been an alcohol

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Speaker 1: marketing campaign at some point, so that's not a real thing.

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Speaker 1: Drop bears? Now, then I drop out of a trace.

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Speaker 1: There's actually no bears in Australia. Final question. I got

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Speaker 1: him here. This is the one I went. That's like

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Speaker 1: Koala bears work from Australia. Yeah, not like the big

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Speaker 1: This is the one though. This is the one. I

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Speaker 1: want to put you on the spot and your team's

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Speaker 1: gonna get uncomfortable, and eye's gonna go why is he asking?

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Speaker 1: And it's not political and it's not about masks, but

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Speaker 1: it's about do you think that I can beat up

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Speaker 1: with kangaroo because I've I've sat for a long time

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Speaker 1: that one on one me and a kangaroo, I can

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Speaker 1: beat it up because I'm smarter than the kangaroo. Right yeah,

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Speaker 1: I mean yeah, yeah, a thout. Somebody says, here's a

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Speaker 1: thousand bucks betted on the kangaroo in this room or me?

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Speaker 1: If we just put a big red one, like a

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Speaker 1: ten foot tall one, and you in this room. Well, yeah,

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Speaker 1: we're not doing a little one way. Good for me.

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Speaker 1: I'm about to really show out. Then if it's ten

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Speaker 1: foot tall, there's stay range anywhere from like five to

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Speaker 1: ten they're rich. Okay, then seven and a half feet,

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Speaker 1: let's go to the middle. Middle, a seven and a

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Speaker 1: half foot kangaroo. We're in a ring. You get and

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Speaker 1: they say, Morgan Evans, here's a thousand bucks. Did I

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Speaker 1: get to ask one more questions? That's whatever you want.

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Speaker 1: You think you can beat the kangaroo. Yeah, yeah, I'll

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Speaker 1: bet on you that, of course. Yeah, well you're not

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Speaker 1: gonna ask the kangaroo. Kangaroo can't talk, dummy. Yeah. So

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Speaker 1: that the kangaroos that you see in those fighting videos,

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Speaker 1: I didn't see them out because I grew up kind

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Speaker 1: of knew the coast, which is like most of Australia

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Speaker 1: and um, and we have the little, great cute ones

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Speaker 1: that you try not to hit, and I definitely whooped

404
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Speaker 1: those butts. We love that, a little great kangaroos, but

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Speaker 1: I do that like the pre limb, and then I'd

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Speaker 1: go out and whoop the big one. Yeah, okay, animals.

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Speaker 1: I'm like the biggest animal guy in the world, but

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Speaker 1: now I don't want to fight. I'm like the h

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Speaker 1: Logan Paul of beating the animals. I'm on YouTube. Okay, listen,

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Speaker 1: Morgan Evans is here. His new song is Love is Real.

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Speaker 1: I hope you stream it. I hope you're stream it

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Speaker 1: so many times that he just can't count the money

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Speaker 1: showing up in his mailbox. That's that's the goal, right, Yeah,

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Speaker 1: you're welcome. He will be out with Brett Eldridge on

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Speaker 1: the Good Day tour. Is there. He's on Instagram at

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Speaker 1: Morgan Evans Music. Is there anything I'm not saying that

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Speaker 1: you'd like for me to say? You've nailed it all

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Speaker 1: the way down to the kangaroos and thank you big quick? Yeah,

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00:22:51,840 --> 00:22:55,440
Speaker 1: all right, that is all. It's the best bits of

420
00:22:55,560 --> 00:23:00,320
Speaker 1: the week with Morgan. Number two. We had eight new

421
00:23:00,480 --> 00:23:03,040
Speaker 1: artists who pitched his song to the show in a

422
00:23:03,119 --> 00:23:06,240
Speaker 1: pretty clever way. Now, Scuba, you do so much behind

423
00:23:06,320 --> 00:23:08,720
Speaker 1: the scenes stuff, Okay, And the whole point of bringing

424
00:23:08,760 --> 00:23:12,040
Speaker 1: you on is we're addihing some dirty behind the scenes stuff. Right, Yeah,

425
00:23:12,160 --> 00:23:13,800
Speaker 1: let's do it. I got it all. I want to

426
00:23:13,880 --> 00:23:16,359
Speaker 1: know what are some of the crazy things we've been

427
00:23:16,480 --> 00:23:19,119
Speaker 1: sent to the studio. Well, I mean this is definitely

428
00:23:19,200 --> 00:23:21,639
Speaker 1: one of them, like crazy cool, Like we've never had

429
00:23:21,720 --> 00:23:24,040
Speaker 1: someone pitch. I mean people pitch all the time. Bobby

430
00:23:24,119 --> 00:23:26,520
Speaker 1: mentioned songs to be on the radio, to come in

431
00:23:26,560 --> 00:23:29,360
Speaker 1: the studio, to perform, whatever may be. But no one's

432
00:23:29,359 --> 00:23:31,960
Speaker 1: ever pitched to be on the Friday morning dance party,

433
00:23:32,240 --> 00:23:34,240
Speaker 1: which doesn't seem like a crazy idea, but it is

434
00:23:34,240 --> 00:23:36,560
Speaker 1: because no one's ever done it before. Yes, and the

435
00:23:36,680 --> 00:23:38,800
Speaker 1: mail came as plaque in a bunch of firsts, all

436
00:23:38,800 --> 00:23:41,679
Speaker 1: the cookies. I started eating the cookies. Food is always

437
00:23:41,720 --> 00:23:43,880
Speaker 1: an easy one for us, right do you see food

438
00:23:43,880 --> 00:23:46,800
Speaker 1: and everybody's like, yes, food, especially if it's food that

439
00:23:46,960 --> 00:23:49,800
Speaker 1: has that is coming from a reputable place. No offense

440
00:23:49,880 --> 00:23:52,960
Speaker 1: to your homemade food, but I don't know where it's

441
00:23:53,000 --> 00:23:55,680
Speaker 1: come from. It's not FDA approved, it's not I don't

442
00:23:55,720 --> 00:23:57,920
Speaker 1: know where. I just don't want to eat. Yeah, it

443
00:23:58,119 --> 00:24:00,520
Speaker 1: was being cooked in your home kitchen is probably not

444
00:24:00,640 --> 00:24:03,359
Speaker 1: the best idea for Rusty. Yeah, I'm not saying we

445
00:24:03,400 --> 00:24:05,840
Speaker 1: would get sick, but we would get sick. Yeah, you

446
00:24:06,000 --> 00:24:08,359
Speaker 1: never know. Yeah, Okay, So food is a big one

447
00:24:08,400 --> 00:24:10,560
Speaker 1: in this moment. You know this artist, what he sent?

448
00:24:10,800 --> 00:24:12,639
Speaker 1: What are some other things I'm trying to think of

449
00:24:13,119 --> 00:24:15,280
Speaker 1: crazy things that have been sent to our studio. Well,

450
00:24:15,320 --> 00:24:16,960
Speaker 1: we had that one a while back and we kind

451
00:24:16,960 --> 00:24:19,200
Speaker 1: of dropped the stalker box that we got the y

452
00:24:20,440 --> 00:24:22,119
Speaker 1: That was a bad one. Yeah, that was a bad one.

453
00:24:23,800 --> 00:24:26,000
Speaker 1: This is a thing. Do you think our listeners should

454
00:24:26,000 --> 00:24:29,840
Speaker 1: send us things? I encourage it, yes, to a certain degree.

455
00:24:30,880 --> 00:24:34,400
Speaker 1: I think sending because people get fan mail like television

456
00:24:34,440 --> 00:24:37,440
Speaker 1: shows and other radio shows, usually letters and things like that.

457
00:24:37,840 --> 00:24:39,920
Speaker 1: But it's cool when somebody is such a such a

458
00:24:39,960 --> 00:24:42,200
Speaker 1: big fan of the show that they're willing to put

459
00:24:42,280 --> 00:24:44,800
Speaker 1: something out there that they've either created and made a

460
00:24:44,880 --> 00:24:46,680
Speaker 1: company they're a part of, or they just want to

461
00:24:46,680 --> 00:24:48,520
Speaker 1: give you a gift because they heard you talking about

462
00:24:48,960 --> 00:24:51,200
Speaker 1: a certain product, there's something that you want to try out,

463
00:24:51,400 --> 00:24:53,680
Speaker 1: and they send it anyways because they worked there, or

464
00:24:54,280 --> 00:24:56,280
Speaker 1: they're also a fan and passionate as well, and they

465
00:24:56,320 --> 00:24:58,960
Speaker 1: went and spent their own cash to buy us something

466
00:24:59,280 --> 00:25:01,520
Speaker 1: and send it to us with a cool little note

467
00:25:01,520 --> 00:25:05,560
Speaker 1: that explains why they did it. So I highly encourage it. Um,

468
00:25:05,800 --> 00:25:07,920
Speaker 1: but just never homemade food. Don't ever send that. This

469
00:25:08,160 --> 00:25:10,879
Speaker 1: is true, Yeah, so true. I know, like when I

470
00:25:10,960 --> 00:25:13,920
Speaker 1: started doing the Food Worlds, there were so many different

471
00:25:13,960 --> 00:25:17,119
Speaker 1: companies that started sending me like the new items to try,

472
00:25:17,160 --> 00:25:19,280
Speaker 1: and I was like, this is so cool. I get

473
00:25:19,320 --> 00:25:21,399
Speaker 1: it before it hits the shelves and then I like

474
00:25:21,480 --> 00:25:23,520
Speaker 1: get to try it. But then it's an awkward thing.

475
00:25:23,520 --> 00:25:27,040
Speaker 1: I'm like, it didn't taste very good. Yes, I don't

476
00:25:27,040 --> 00:25:31,080
Speaker 1: want to say like sounded cool and not great. Yeah,

477
00:25:31,160 --> 00:25:33,679
Speaker 1: good concept, but doesn't Yeah. Yeah, that's like the scary

478
00:25:33,760 --> 00:25:35,720
Speaker 1: part that you don't want to share it. But yeah,

479
00:25:35,800 --> 00:25:38,359
Speaker 1: that's like a that's an interesting thing. So like food,

480
00:25:38,480 --> 00:25:40,640
Speaker 1: if you're if you're trying to send stuff to the show,

481
00:25:40,760 --> 00:25:45,639
Speaker 1: we always love packaged food. Yes, um, if people come

482
00:25:45,680 --> 00:25:48,160
Speaker 1: and bring food from their company, like hey, I work

483
00:25:48,200 --> 00:25:50,600
Speaker 1: at First Watch and we're bringing buy some breakfast and

484
00:25:50,680 --> 00:25:53,239
Speaker 1: that was fantastic. Yes, that was Also it came from

485
00:25:53,280 --> 00:25:55,359
Speaker 1: a place. We know that they make it in a kitchen,

486
00:25:55,480 --> 00:25:58,160
Speaker 1: and that's not saying you know, that's saying your place

487
00:25:58,200 --> 00:26:00,600
Speaker 1: is in sanitary but they just have regulations they're following,

488
00:26:01,119 --> 00:26:03,119
Speaker 1: and you know it just it's different from getting my

489
00:26:03,119 --> 00:26:05,760
Speaker 1: aunt's food versus your food. Yes, this is true. Yea

490
00:26:05,880 --> 00:26:08,800
Speaker 1: or something that's very um like you know, like you

491
00:26:08,880 --> 00:26:10,760
Speaker 1: it made from the heart. You guys said, that's cool

492
00:26:10,760 --> 00:26:12,760
Speaker 1: stuff like that, and that's really awesome. We get paintings

493
00:26:12,920 --> 00:26:15,160
Speaker 1: or drawings, get tons of those. It's a really cool

494
00:26:15,600 --> 00:26:17,800
Speaker 1: Brenton Baker's field. Every year it gets with an artist.

495
00:26:18,200 --> 00:26:20,280
Speaker 1: I guess this is my first time experiencing it, and

496
00:26:20,400 --> 00:26:22,959
Speaker 1: they do like a hand drawn sketch of the show. Yes,

497
00:26:23,080 --> 00:26:24,880
Speaker 1: and it sits in Bobby's office and it's really cool.

498
00:26:24,920 --> 00:26:26,960
Speaker 1: And I remember getting that my first time here. It

499
00:26:27,040 --> 00:26:28,520
Speaker 1: was like in twenty nineteen at the end of the

500
00:26:28,640 --> 00:26:31,080
Speaker 1: year and that photo came in and they included me

501
00:26:31,119 --> 00:26:32,359
Speaker 1: on it because I was still kind of new and

502
00:26:32,600 --> 00:26:34,239
Speaker 1: it would hurt my feelings that they didn't or did

503
00:26:34,760 --> 00:26:38,640
Speaker 1: And there I was drawn. I've never seen myself drawn before. Yeah,

504
00:26:38,720 --> 00:26:40,600
Speaker 1: it's pretty cool. So like those unique kind of gifts,

505
00:26:40,600 --> 00:26:42,760
Speaker 1: I think are really special. And it just really goes

506
00:26:42,800 --> 00:26:45,080
Speaker 1: to show you that what we're doing people are connecting

507
00:26:45,160 --> 00:26:47,520
Speaker 1: and they love it and they're they're sending us gifts,

508
00:26:47,520 --> 00:26:50,640
Speaker 1: which is really cool. Yes, you can you believe too

509
00:26:50,840 --> 00:26:53,080
Speaker 1: that Like twenty nineteen was when you joined the show

510
00:26:53,119 --> 00:26:55,040
Speaker 1: the end of twenty nineteen and we were about to

511
00:26:55,080 --> 00:26:57,480
Speaker 1: be at the end of twenty twenty one. Yeah, do

512
00:26:57,600 --> 00:27:01,120
Speaker 1: you feel like that just like flew by, like even

513
00:27:01,160 --> 00:27:04,720
Speaker 1: the pack are stuck inside. It just flew by. It did,

514
00:27:04,800 --> 00:27:07,159
Speaker 1: but but in the moment it didn't. It didn't fly by,

515
00:27:07,440 --> 00:27:09,640
Speaker 1: especially because of a pandemic. I felt like that year

516
00:27:09,800 --> 00:27:11,920
Speaker 1: was almost ten years, Like it was a really long

517
00:27:12,000 --> 00:27:13,639
Speaker 1: time because we had to adapt our show in a

518
00:27:13,720 --> 00:27:16,359
Speaker 1: way that it's never had to do before. I mean,

519
00:27:16,600 --> 00:27:19,119
Speaker 1: radio in general and entertainment in general was as far

520
00:27:19,200 --> 00:27:20,840
Speaker 1: as how we did our show and put it together

521
00:27:20,960 --> 00:27:23,960
Speaker 1: with people in different locations and the technology and the

522
00:27:24,080 --> 00:27:27,280
Speaker 1: trials and tribulations of the technology and everyone in different

523
00:27:27,320 --> 00:27:28,720
Speaker 1: local I mean, it was just such a pain in

524
00:27:28,760 --> 00:27:31,560
Speaker 1: the butt. But it was cool because it kind of

525
00:27:31,720 --> 00:27:34,480
Speaker 1: put me in an uncomfortable place already being somewhere new,

526
00:27:34,720 --> 00:27:38,480
Speaker 1: but even extra uncomfortable because it was a new territory

527
00:27:38,520 --> 00:27:41,120
Speaker 1: that no one's really explored. So it was it put

528
00:27:41,160 --> 00:27:43,520
Speaker 1: me on my a game, and I liked it. But

529
00:27:43,600 --> 00:27:45,440
Speaker 1: it did feel like a really long time. Now, it

530
00:27:45,440 --> 00:27:46,880
Speaker 1: feels like it was pretty quick because you look back

531
00:27:46,880 --> 00:27:48,520
Speaker 1: out of you're like, oh my gosh, it was pretty fast.

532
00:27:48,600 --> 00:27:50,560
Speaker 1: But in the moment, it was time was gone by

533
00:27:50,680 --> 00:27:53,399
Speaker 1: really slow. Well yeah, and like when you know, everybody

534
00:27:53,480 --> 00:27:55,919
Speaker 1: was quarantine, everybody was stuck at their houses. It felt

535
00:27:56,000 --> 00:27:59,520
Speaker 1: like it felt everything felt very slow. But then like

536
00:27:59,640 --> 00:28:01,440
Speaker 1: I was looking at dates and I'm like, how is

537
00:28:01,480 --> 00:28:04,200
Speaker 1: it I'm already about in one month, I am turning

538
00:28:04,240 --> 00:28:06,320
Speaker 1: twenty eight years old. I felt like I just turned

539
00:28:06,359 --> 00:28:08,680
Speaker 1: twenty seven. Yeah, Like I don't feel like I have

540
00:28:08,840 --> 00:28:12,840
Speaker 1: that year. Yeah, if the whole year is almost a blackout, yes, yes,

541
00:28:12,880 --> 00:28:14,560
Speaker 1: so you just kind up an asterisk next to it

542
00:28:14,800 --> 00:28:17,280
Speaker 1: and nothing counter matter that year. No, And I don't

543
00:28:17,320 --> 00:28:19,160
Speaker 1: I don't understand, like it blows my mim. But that's

544
00:28:19,160 --> 00:28:21,560
Speaker 1: how I feel also too. I mean that that Brad

545
00:28:21,600 --> 00:28:25,360
Speaker 1: Paisley song that's like, don't blink. I'm feeling that now. Yes, yeah,

546
00:28:25,760 --> 00:28:27,800
Speaker 1: And they tell you when you're younger, they're like, don't blink,

547
00:28:27,840 --> 00:28:29,800
Speaker 1: it goes by really fashion Like, No, it doesn't like

548
00:28:29,960 --> 00:28:31,720
Speaker 1: this feels like it goes by slow, and when you're

549
00:28:31,720 --> 00:28:34,040
Speaker 1: a kid, it does. Yeah, But the older I get,

550
00:28:34,600 --> 00:28:37,680
Speaker 1: each year that goes past, I feel that way. I'm like,

551
00:28:38,120 --> 00:28:40,200
Speaker 1: this is moving far too closely, And now I get it.

552
00:28:40,240 --> 00:28:41,880
Speaker 1: Everybody yelled at me when I was younger and I

553
00:28:42,000 --> 00:28:45,000
Speaker 1: didn't listen. Yeah, and now I need to listen. And

554
00:28:45,080 --> 00:28:46,840
Speaker 1: then when you have kids, you then see it through them.

555
00:28:47,200 --> 00:28:49,080
Speaker 1: You're like, holy crap. One day they're an infant, then

556
00:28:49,080 --> 00:28:50,959
Speaker 1: they're a toddler, then they're three years old, and then

557
00:28:50,960 --> 00:28:53,440
Speaker 1: they're talking back to you, and then they're driving a car.

558
00:28:53,600 --> 00:28:56,760
Speaker 1: It's like, oh my god, I know time is on

559
00:28:56,920 --> 00:28:59,600
Speaker 1: this like quick roller coaster. Really is what it is.

560
00:29:00,080 --> 00:29:03,080
Speaker 1: I know, it's so crazy. What Okay, so you know

561
00:29:03,120 --> 00:29:05,240
Speaker 1: we're talking about life and random things, but what are

562
00:29:05,320 --> 00:29:08,760
Speaker 1: some segments that you wish we did more of on

563
00:29:08,880 --> 00:29:10,680
Speaker 1: the show or that we could do in the future,

564
00:29:11,120 --> 00:29:13,240
Speaker 1: more of like what we currently do. Yeah. So I

565
00:29:13,360 --> 00:29:14,640
Speaker 1: kind of want to do and I've want to do

566
00:29:14,680 --> 00:29:16,280
Speaker 1: this since I started, and Bobby and I've been talking

567
00:29:16,320 --> 00:29:18,680
Speaker 1: about trying this with a band coming up. We'll see

568
00:29:18,720 --> 00:29:22,280
Speaker 1: if it works. But I like having guests in the show.

569
00:29:22,440 --> 00:29:24,440
Speaker 1: It's great. It's fun for the show. It's fun for

570
00:29:24,560 --> 00:29:27,040
Speaker 1: us as fans of these artists to see them come

571
00:29:27,080 --> 00:29:28,640
Speaker 1: in and perform and do that kind of stuff. But

572
00:29:29,280 --> 00:29:32,080
Speaker 1: from a I'm looking at a business mind side, so

573
00:29:32,440 --> 00:29:34,800
Speaker 1: as an affiliate. So an affiliate basically is somebody that

574
00:29:34,920 --> 00:29:37,760
Speaker 1: carries our show in their local market. So let's say

575
00:29:37,760 --> 00:29:40,479
Speaker 1: you live somewhere like Poughkeepsie, New York. Chances are our

576
00:29:40,560 --> 00:29:44,200
Speaker 1: competitor is a very small town morning show and doesn't

577
00:29:44,240 --> 00:29:47,120
Speaker 1: have access to the guests that we have, especially in person.

578
00:29:47,480 --> 00:29:49,400
Speaker 1: They may connect with an artist, but it'd be over

579
00:29:49,480 --> 00:29:51,440
Speaker 1: the phone or zoom or whatever. But we have the

580
00:29:51,720 --> 00:29:53,560
Speaker 1: ability to have them in studio and do more with them,

581
00:29:53,600 --> 00:29:56,360
Speaker 1: play games, play music, all kinds of fun stuff. And

582
00:29:56,560 --> 00:29:59,040
Speaker 1: one thing I've always didn't like, I've always disliked I'm

583
00:29:59,040 --> 00:30:01,080
Speaker 1: trying to say the word hate very much. My grandma

584
00:30:01,080 --> 00:30:03,480
Speaker 1: always says, don't say hey, so you don't like hates

585
00:30:03,520 --> 00:30:06,240
Speaker 1: a very strong mean word. Hey. I'm with your grandma.

586
00:30:07,160 --> 00:30:09,920
Speaker 1: I agree. So I'm really trying to implement that my life,

587
00:30:10,160 --> 00:30:13,400
Speaker 1: not saying the word hate very much. But I interviews

588
00:30:13,440 --> 00:30:16,560
Speaker 1: always kind of perturbed me because it was like a

589
00:30:16,640 --> 00:30:18,800
Speaker 1: quick wan band, thinking man. They come in, ask a

590
00:30:18,840 --> 00:30:21,640
Speaker 1: bunch of questions and then they're out there. Isn't You're

591
00:30:21,640 --> 00:30:23,680
Speaker 1: not They're not really immersed into the show, And I

592
00:30:23,720 --> 00:30:25,800
Speaker 1: feel like the best kind of interview is where you

593
00:30:26,080 --> 00:30:28,480
Speaker 1: kind of weave them into the fabric of our show,

594
00:30:28,800 --> 00:30:31,800
Speaker 1: whether it be they're here for a full hour, or

595
00:30:31,840 --> 00:30:34,120
Speaker 1: they're here for half the show or even the full show,

596
00:30:34,400 --> 00:30:37,320
Speaker 1: almost like a guest co host, and they're here and

597
00:30:37,360 --> 00:30:39,720
Speaker 1: they're just part of the show, the band or the artist,

598
00:30:39,800 --> 00:30:41,520
Speaker 1: and in between we work it in where they do

599
00:30:41,640 --> 00:30:45,000
Speaker 1: some performances, play some games, but it's basically a whole

600
00:30:45,200 --> 00:30:48,400
Speaker 1: day with like let's say Kelsey Ballerini, and she's here

601
00:30:48,440 --> 00:30:51,080
Speaker 1: from top to bottom and she hangs out, she's part

602
00:30:51,120 --> 00:30:53,960
Speaker 1: of the topics, talks to callers, we do an interview

603
00:30:54,000 --> 00:30:56,520
Speaker 1: stuff in between, and plug whatever she's plugging. We play

604
00:30:56,600 --> 00:30:59,280
Speaker 1: some performances from her live in the studio, almost like

605
00:30:59,320 --> 00:31:01,640
Speaker 1: a full verse of day of that artist, where I

606
00:31:01,680 --> 00:31:03,000
Speaker 1: feel like they'll get the most out of it too,

607
00:31:03,080 --> 00:31:05,840
Speaker 1: because they're being plugged the entire day, So whatever they're

608
00:31:05,880 --> 00:31:08,760
Speaker 1: trying to promote, it's a full day's promotion. So I've

609
00:31:08,760 --> 00:31:10,560
Speaker 1: always wanted to do something like that well, and I

610
00:31:10,680 --> 00:31:13,200
Speaker 1: think we've we've touched on it a little bit, Like

611
00:31:13,320 --> 00:31:17,400
Speaker 1: we when we had our you know, our anniversaries for

612
00:31:17,520 --> 00:31:19,760
Speaker 1: the show of being in Nashville. I think we had

613
00:31:19,840 --> 00:31:22,160
Speaker 1: Jaco and play for a full hour. We had Thomas

614
00:31:22,240 --> 00:31:24,880
Speaker 1: read on for a full hour or two, something like

615
00:31:25,000 --> 00:31:27,800
Speaker 1: that and then like when Lunchbox was gone because Baby

616
00:31:27,960 --> 00:31:30,400
Speaker 1: had guest co hosts. Yeah, so I think we've touched

617
00:31:30,480 --> 00:31:33,400
Speaker 1: on it, but not quite as big as what you're

618
00:31:33,440 --> 00:31:35,240
Speaker 1: talking about. I'm talking about I think this is a

619
00:31:35,880 --> 00:31:39,600
Speaker 1: special broadcasted show with just that person. Lunchbox was kind

620
00:31:39,600 --> 00:31:42,120
Speaker 1: of like the first tiptoe into it. So I was like, Okay,

621
00:31:42,200 --> 00:31:44,160
Speaker 1: me and Bobby were like, we got to put someone

622
00:31:44,200 --> 00:31:45,880
Speaker 1: in that seat. How do we do it? Who do

623
00:31:46,000 --> 00:31:47,680
Speaker 1: we do it with? How long are they here for?

624
00:31:48,280 --> 00:31:50,160
Speaker 1: Like Todd Crisley was funny, like that was one that

625
00:31:50,240 --> 00:31:52,600
Speaker 1: was random and a funny backstory on that. So when

626
00:31:52,600 --> 00:31:54,520
Speaker 1: I was booking that one, at first, it was like,

627
00:31:54,720 --> 00:31:56,800
Speaker 1: I don't know if it could be kind of controversial.

628
00:31:56,880 --> 00:31:58,880
Speaker 1: Should he come on? Should not come on? And so

629
00:31:59,000 --> 00:32:01,360
Speaker 1: I was talking to his manager, who then forwarded me

630
00:32:01,440 --> 00:32:02,959
Speaker 1: just to him, I have a cell phone number now,

631
00:32:03,200 --> 00:32:05,560
Speaker 1: so I was talking to Todd school Yeah, and it

632
00:32:05,680 --> 00:32:07,200
Speaker 1: was kind of like we didn't know if he was

633
00:32:07,240 --> 00:32:09,160
Speaker 1: going to come in the next day, and it was

634
00:32:09,440 --> 00:32:10,880
Speaker 1: kind of left it out like Okay, I'll see what

635
00:32:10,960 --> 00:32:12,959
Speaker 1: I can do. And then the next morning, I get

636
00:32:13,000 --> 00:32:15,040
Speaker 1: a phone call from a number I don't recognize. I

637
00:32:15,080 --> 00:32:17,280
Speaker 1: didn't save it my phone, and it calls again, and

638
00:32:17,360 --> 00:32:19,520
Speaker 1: it calls again, and it calls again, and finally I answered,

639
00:32:19,560 --> 00:32:21,840
Speaker 1: I go what he goes. It's Todd Chrissy. I'm out

640
00:32:21,920 --> 00:32:25,400
Speaker 1: the front door, And I was like, you're here, because like, yeah,

641
00:32:25,400 --> 00:32:27,040
Speaker 1: I've been out here for thirty minutes. You're gonna answer

642
00:32:27,040 --> 00:32:32,040
Speaker 1: the door or not? That stassy Southern accent. Yeah, yes,

643
00:32:32,160 --> 00:32:33,680
Speaker 1: And he's randomly shut up and he hung out for

644
00:32:33,720 --> 00:32:35,880
Speaker 1: the whole I would say, at least half the show. Yeah,

645
00:32:35,960 --> 00:32:37,600
Speaker 1: he was here for a long time, for a really

646
00:32:37,680 --> 00:32:39,480
Speaker 1: long time. It was pretty cool. But so that was

647
00:32:39,560 --> 00:32:42,680
Speaker 1: kind of like the tiptoe into trying out that long

648
00:32:42,880 --> 00:32:44,880
Speaker 1: that plan of later down the road of doing like

649
00:32:44,920 --> 00:32:46,800
Speaker 1: a full guest for a full show. And I feel

650
00:32:46,800 --> 00:32:48,040
Speaker 1: like it kind of worked. It was kind of fun.

651
00:32:48,080 --> 00:32:50,360
Speaker 1: It was cool. They were part of the conversation. Yeah,

652
00:32:50,640 --> 00:32:53,440
Speaker 1: I love it. I love that idea. I think too,

653
00:32:53,640 --> 00:32:56,280
Speaker 1: like something I've always loved when we do him as

654
00:32:56,320 --> 00:32:59,200
Speaker 1: all of our crazy challenges. Yes, we used to do

655
00:32:59,320 --> 00:33:02,280
Speaker 1: like the Crazy Uper which we don't anymore because nobody's

656
00:33:02,600 --> 00:33:06,400
Speaker 1: uber scores can handle it. Yeah, but like those things

657
00:33:06,440 --> 00:33:09,600
Speaker 1: that we did, like different, different challenges are different, random

658
00:33:09,720 --> 00:33:14,040
Speaker 1: things like lunchbox fake proposed to me in public hum

659
00:33:14,160 --> 00:33:18,320
Speaker 1: on Valentine's Day, Like random things like that was always

660
00:33:18,320 --> 00:33:21,160
Speaker 1: like super funny to me, and we'll do them sometimes now,

661
00:33:21,400 --> 00:33:24,440
Speaker 1: like the World Sours Candy, which we did this week,

662
00:33:24,480 --> 00:33:28,120
Speaker 1: and yeah, you know, I'll hint that comes later. But

663
00:33:28,200 --> 00:33:29,960
Speaker 1: it's fun to have people like that that you see

664
00:33:30,000 --> 00:33:31,880
Speaker 1: that you have them a pedestal and only see them

665
00:33:31,920 --> 00:33:33,960
Speaker 1: as a performer, But it's fun to like take back

666
00:33:34,040 --> 00:33:36,440
Speaker 1: those layers and just let them be human for a moment.

667
00:33:36,480 --> 00:33:38,160
Speaker 1: I feel like they would enjoy because they get to

668
00:33:38,240 --> 00:33:39,920
Speaker 1: just kind of be part of a show and you

669
00:33:40,000 --> 00:33:43,360
Speaker 1: get to hear them just be themselves and give their opinions,

670
00:33:43,640 --> 00:33:46,080
Speaker 1: and it would be kind of fun to see it.

671
00:33:46,280 --> 00:33:48,719
Speaker 1: I love that. And then going in a break, they

672
00:33:48,760 --> 00:33:50,280
Speaker 1: play us in a break kind of thing, almost like

673
00:33:50,360 --> 00:33:53,840
Speaker 1: a SNL type thing, like all right, Thomas Rhett play

674
00:33:53,920 --> 00:33:57,680
Speaker 1: us into the stops. Yes, And I mean, honestly, sew

675
00:33:57,760 --> 00:33:59,800
Speaker 1: up your alley to even suggest X it just sounds

676
00:34:00,240 --> 00:34:03,680
Speaker 1: Hollywood esque. Yes, yeah, but I love it. It's such

677
00:34:03,680 --> 00:34:06,360
Speaker 1: a good idea, but totally understand like what you're going

678
00:34:06,440 --> 00:34:08,399
Speaker 1: for and the logistics. It's a pain of the bup

679
00:34:08,400 --> 00:34:10,279
Speaker 1: because then you got to get everyone to agree on it,

680
00:34:10,400 --> 00:34:12,600
Speaker 1: and the management in the label and the time constraints.

681
00:34:12,640 --> 00:34:14,799
Speaker 1: So that's been the biggest hurdle is trying to find

682
00:34:14,840 --> 00:34:17,960
Speaker 1: somebody who can dedicate three plus hours to do this

683
00:34:18,080 --> 00:34:21,640
Speaker 1: with us. Yeah, because that's not their full time job exactly. Yes. Yeah.

684
00:34:22,280 --> 00:34:25,080
Speaker 1: Oh man, well, hey listeners, you never know that could

685
00:34:25,120 --> 00:34:28,040
Speaker 1: happen in our future. Yes, And I have a television

686
00:34:28,080 --> 00:34:29,399
Speaker 1: show idea that I want to work with some people

687
00:34:29,400 --> 00:34:32,200
Speaker 1: here on the show that I'm not gonna say anything yet,

688
00:34:32,400 --> 00:34:34,280
Speaker 1: but it's going to be something that's kind of pivoted

689
00:34:34,280 --> 00:34:36,960
Speaker 1: on a bit we've done or I wanted to do,

690
00:34:37,239 --> 00:34:38,759
Speaker 1: going on your theme of something I want to do

691
00:34:39,120 --> 00:34:40,880
Speaker 1: that you and I have talked about on this podcast

692
00:34:41,800 --> 00:34:43,440
Speaker 1: once before a year ago, that I want to turn

693
00:34:43,480 --> 00:34:44,960
Speaker 1: into a television show and I think it's gonna be

694
00:34:45,000 --> 00:34:47,480
Speaker 1: freaking awesome. What Yeah, Okay, so you're not gonna tell

695
00:34:47,480 --> 00:34:48,800
Speaker 1: me here because like you can't reveal it, but I

696
00:34:48,920 --> 00:34:53,040
Speaker 1: want to know after this, so curious. Yeah. I love

697
00:34:53,120 --> 00:34:55,360
Speaker 1: that see scubas chief over here coming up with ideas.

698
00:34:55,400 --> 00:34:57,399
Speaker 1: And this is the behind the scenes that you really

699
00:34:57,480 --> 00:34:59,960
Speaker 1: need to hear because this is how his mind work,

700
00:35:00,239 --> 00:35:02,879
Speaker 1: Like he's sitting there coming up with ideas and deciding, Hey,

701
00:35:02,960 --> 00:35:05,880
Speaker 1: what can I pitch to Bobby to go on the show? Yeah? Right,

702
00:35:06,120 --> 00:35:08,080
Speaker 1: Like this is really behind the scenes. This is what

703
00:35:08,160 --> 00:35:11,920
Speaker 1: Scuba thinks and does during the show. Yes, like all

704
00:35:11,920 --> 00:35:13,560
Speaker 1: the big ideas like how can we make not only

705
00:35:13,600 --> 00:35:14,600
Speaker 1: how can we make it work for the show, but

706
00:35:14,640 --> 00:35:16,360
Speaker 1: how can we make money for the show? How can

707
00:35:16,440 --> 00:35:18,200
Speaker 1: we get a sales tie and if we need to

708
00:35:18,400 --> 00:35:20,800
Speaker 1: to pay for our things like hun Day for example,

709
00:35:20,880 --> 00:35:23,320
Speaker 1: for Eddie's walk, they help pay for all the stuff

710
00:35:23,360 --> 00:35:27,440
Speaker 1: to make it happen. So yeah, big ideas, big ideas

711
00:35:27,800 --> 00:35:29,919
Speaker 1: coming from a guy sitting in a cookie Monster shirt

712
00:35:29,960 --> 00:35:34,400
Speaker 1: right now. Just bet y'all a picture of what's happening

713
00:35:34,560 --> 00:35:41,440
Speaker 1: right now during this podcast. I love them, but it's

714
00:35:41,440 --> 00:35:45,960
Speaker 1: just like big idea with my Cookie Monster sir, And

715
00:35:46,160 --> 00:35:49,799
Speaker 1: who's the other who's the little red guy with Hello? Yeah?

716
00:35:50,440 --> 00:35:53,560
Speaker 1: I was like, why is that not coming to me? Oh? Man? Okay, Well,

717
00:35:53,640 --> 00:35:56,319
Speaker 1: y'all can hear this moment where a new artist pitched

718
00:35:56,600 --> 00:35:58,400
Speaker 1: song to the show to be played in the Friday

719
00:35:58,440 --> 00:36:00,680
Speaker 1: morning dance party and we listen into it, you know,

720
00:36:00,880 --> 00:36:03,000
Speaker 1: see the response, See what happened? Is he gonna come

721
00:36:03,040 --> 00:36:06,200
Speaker 1: on the show? What happened? Number five? I get a

722
00:36:06,239 --> 00:36:07,520
Speaker 1: lot of stuff sent to me all the time, like

723
00:36:07,600 --> 00:36:10,200
Speaker 1: please play me on the air. Please look at my

724
00:36:10,320 --> 00:36:13,880
Speaker 1: artists who I just signed. Even sometimes at a valet

725
00:36:13,960 --> 00:36:15,920
Speaker 1: will give me something, or a waiter at a restaurant,

726
00:36:16,360 --> 00:36:18,440
Speaker 1: and heck, got brought some of them in the studio before.

727
00:36:18,960 --> 00:36:21,279
Speaker 1: But I've never had someone pitched to me just to

728
00:36:21,360 --> 00:36:23,560
Speaker 1: be on the Friday morning dance party. Oh that's fun.

729
00:36:24,160 --> 00:36:27,080
Speaker 1: Which happened here? This guy sent up a bunch of cookies.

730
00:36:27,200 --> 00:36:30,000
Speaker 1: What he sent up a whole frame picture that says

731
00:36:30,040 --> 00:36:33,320
Speaker 1: for your consideration for the Friday morning dance party, Aaron.

732
00:36:34,400 --> 00:36:39,320
Speaker 1: His song is called Lonely Drum. That's very original, right, yes, clever?

733
00:36:40,000 --> 00:36:42,120
Speaker 1: Here are the points on it. Is this double platinum

734
00:36:42,160 --> 00:36:46,520
Speaker 1: Canadian country radio smash twenty seven plus million streams global

735
00:36:46,640 --> 00:36:52,200
Speaker 1: line dance Sensation Okay from Warner Music Canada and Reviver Wow.

736
00:36:52,480 --> 00:36:54,040
Speaker 1: So I love the fact that he went right for

737
00:36:54,080 --> 00:36:55,919
Speaker 1: the dance party and it's like I'm not even gonna play,

738
00:36:56,440 --> 00:36:59,440
Speaker 1: like I just want in the party. That puts everybody

739
00:36:59,440 --> 00:37:01,560
Speaker 1: in a good mood. And he as a plaque. So

740
00:37:01,840 --> 00:37:04,560
Speaker 1: he sent this up. I haven't heard the song yet.

741
00:37:04,640 --> 00:37:07,360
Speaker 1: I thought we would do it together. Okay, Ray, do

742
00:37:07,400 --> 00:37:11,879
Speaker 1: you have it with you? Let's hear Aaron Goodvin. Let's

743
00:37:12,000 --> 00:37:13,560
Speaker 1: but if it doesn't fit the dance party, I mean,

744
00:37:13,560 --> 00:37:15,319
Speaker 1: if it's a sad song and they're talking about sear

745
00:37:15,680 --> 00:37:17,800
Speaker 1: you know, giving me tears. But it says it's a

746
00:37:17,880 --> 00:37:20,560
Speaker 1: line dancing sensation. Maybe it's a really slow line dance. Okay,

747
00:37:20,880 --> 00:37:24,960
Speaker 1: you know, let's hear Lonely Drunk because it sounds sadly drum?

748
00:37:25,760 --> 00:37:31,200
Speaker 1: What if it's only one drum? Okay, here we go. Okay,

749
00:37:33,600 --> 00:37:37,040
Speaker 1: I'm beating on my lonely drum girl. Don't you want

750
00:37:37,080 --> 00:37:44,919
Speaker 1: to come over? I'm halfway through shardoning and I don't

751
00:37:45,000 --> 00:37:52,560
Speaker 1: plan on stage sober. You can bring your hair guitar.

752
00:37:52,920 --> 00:38:00,040
Speaker 1: Don't let this not get any older. I'm beating on

753
00:38:00,160 --> 00:38:07,400
Speaker 1: my lonely drone girl. Don't you want to come over? Him?

754
00:38:09,480 --> 00:38:18,800
Speaker 1: Getting in your car? Make it my living room. I

755
00:38:18,960 --> 00:38:27,480
Speaker 1: hope you get here. I mean you playing over. We

756
00:38:27,560 --> 00:38:31,319
Speaker 1: gotta say hit boys. You know, my lonely druma might

757
00:38:31,440 --> 00:38:37,920
Speaker 1: get drunk and sink. Here you looking well? You can

758
00:38:38,080 --> 00:38:45,920
Speaker 1: be my bead box. I'll render smoky from schooling and

759
00:38:46,120 --> 00:38:48,759
Speaker 1: if your father the jagger shot, I might just do

760
00:38:49,000 --> 00:38:55,279
Speaker 1: the hole keep poking and my laughing. Yeah, we all

761
00:38:55,360 --> 00:38:58,239
Speaker 1: my lonely DRUMA might get trunk and shank. Here of

762
00:38:58,360 --> 00:39:20,560
Speaker 1: you bro bro ru ru rum come on. So yeah,

763
00:39:21,360 --> 00:39:23,440
Speaker 1: I love it. Here's what I'm gonna say. It will

764
00:39:23,480 --> 00:39:25,480
Speaker 1: for sure be on the Friday Morning Party this week.

765
00:39:26,880 --> 00:39:29,760
Speaker 1: That's my new favorite song, though, dude, that's good Boom

766
00:39:30,600 --> 00:39:38,760
Speaker 1: room room roomber room, dang, dang, Aaron Goodman, lonely drum.

767
00:39:39,200 --> 00:39:42,000
Speaker 1: I'll tell you what, get him in next We get

768
00:39:42,040 --> 00:39:43,920
Speaker 1: him in next week. You can play this song. He's

769
00:39:43,960 --> 00:39:45,880
Speaker 1: in the dance party this week. I'll mix him in

770
00:39:46,200 --> 00:39:49,560
Speaker 1: and then maybe we get him in the studio next week. Okay, yeah,

771
00:39:50,000 --> 00:39:52,480
Speaker 1: brought cookies. Boom, well he sent him up here. Okay

772
00:39:52,600 --> 00:39:59,600
Speaker 1: yeah boom booth you young. Okay, Aaron Goodman, you got

773
00:39:59,640 --> 00:40:02,319
Speaker 1: yourself a date, a dance party and on the show.

774
00:40:03,719 --> 00:40:07,440
Speaker 1: It's the best bits of the week with Morgan number two.

775
00:40:08,840 --> 00:40:11,400
Speaker 1: It's always a really funny moment when Lunchbox decides to

776
00:40:11,520 --> 00:40:14,560
Speaker 1: take over our voicemail line because he acts like the

777
00:40:14,680 --> 00:40:17,400
Speaker 1: voicemail but it is actually him talking and he confuses

778
00:40:17,440 --> 00:40:20,080
Speaker 1: a crap out of our listeners, and I truly feel

779
00:40:20,120 --> 00:40:22,560
Speaker 1: bad for him, but we get a really solid laugh

780
00:40:22,600 --> 00:40:24,800
Speaker 1: out of it. So if you need a good laugh today,

781
00:40:25,200 --> 00:40:28,400
Speaker 1: sit here, listen to this. I promise you'll at least

782
00:40:28,520 --> 00:40:32,600
Speaker 1: laugh once. Number four, that's good. If you call our

783
00:40:32,640 --> 00:40:35,000
Speaker 1: show when we're not on the air, the voicemail picks up,

784
00:40:35,560 --> 00:40:39,640
Speaker 1: it's eight seven seven seventy seven, Bobby, and it's like

785
00:40:39,719 --> 00:40:41,320
Speaker 1: me going, hey, leave a message when I hear but

786
00:40:41,760 --> 00:40:44,400
Speaker 1: we'll play it on the air maybe. So sometimes Lunchbox

787
00:40:44,440 --> 00:40:45,759
Speaker 1: will come in here and just answer the phone and

788
00:40:45,840 --> 00:40:47,960
Speaker 1: act like the voicemail. Yeah, I just act like a

789
00:40:48,120 --> 00:40:51,600
Speaker 1: voice recording, like hello, you've reached the Bobby Bone Show voicemail.

790
00:40:51,880 --> 00:40:53,840
Speaker 1: And I tell him you can leave a message, and

791
00:40:53,880 --> 00:40:55,560
Speaker 1: I make them do a bunch of dumb stuff and

792
00:40:55,600 --> 00:40:57,919
Speaker 1: they do it. It's really great. Here we go. Here's

793
00:40:57,920 --> 00:41:00,439
Speaker 1: clut number one. Thank you for calling the Bobby Own Show.

794
00:41:00,600 --> 00:41:03,839
Speaker 1: This is our voicemail. Unfortunately we are getting a high

795
00:41:03,920 --> 00:41:06,279
Speaker 1: number of calls right now and couldn't get to your call.

796
00:41:06,719 --> 00:41:09,000
Speaker 1: Please leave a voicemail out to the Beep and maybe

797
00:41:09,040 --> 00:41:12,880
Speaker 1: we'll play it back on the air. Beep Morning Studio

798
00:41:13,120 --> 00:41:16,120
Speaker 1: This is Rachel from Nashville, and I just had a

799
00:41:16,239 --> 00:41:21,239
Speaker 1: thought a potential flaw in the lunchbox pulling the rock

800
00:41:21,480 --> 00:41:26,160
Speaker 1: bit in downtown. There is no flaw lunchboxes. Lunchbox is amazing.

801
00:41:26,480 --> 00:41:30,560
Speaker 1: Lunchbox is amazing. There is no flaw. Hello. If you

802
00:41:30,600 --> 00:41:34,759
Speaker 1: are satisfied with your message, press one. I'm so confused.

803
00:41:35,480 --> 00:41:37,600
Speaker 1: Is there anything else you'd like to say to the show?

804
00:41:38,239 --> 00:41:40,719
Speaker 1: Oh man, I had my voicemail all planned out, but

805
00:41:40,960 --> 00:41:45,120
Speaker 1: now it's confused. If you are satisfied with your message,

806
00:41:45,160 --> 00:41:47,840
Speaker 1: press one. If you'd like Eddie to send you a

807
00:41:47,920 --> 00:41:52,320
Speaker 1: picture of his bald head, press it's wrong with you?

808
00:41:54,600 --> 00:41:57,960
Speaker 1: That's so stupid and so funny. She was really going

809
00:41:58,000 --> 00:41:59,839
Speaker 1: in on something too. I wonder what the flaw wasn't

810
00:41:59,840 --> 00:42:05,040
Speaker 1: our out? Why is it okay? Here's that's funny. Here's

811
00:42:05,040 --> 00:42:07,879
Speaker 1: another clip. Thank you for calling the Bobby Bone Show.

812
00:42:08,120 --> 00:42:10,879
Speaker 1: You have reached our voicemail. If you'd like to leave

813
00:42:10,880 --> 00:42:14,480
Speaker 1: a message for Bobby, say nerd alert. If you like,

814
00:42:16,360 --> 00:42:22,400
Speaker 1: you're selected Bobby at the beep, leave a message for Bobby. Bobby.

815
00:42:22,440 --> 00:42:25,160
Speaker 1: I would like to reash my husband DM Miles a

816
00:42:25,280 --> 00:42:28,480
Speaker 1: happy birthday. Would you like to sing him happy birthday

817
00:42:28,520 --> 00:42:31,680
Speaker 1: on this message before we hang up. Yeah, you sing

818
00:42:31,800 --> 00:42:39,080
Speaker 1: happy birthday after the beat, beep, Happy birthday, Happy birthday,

819
00:42:39,440 --> 00:42:44,520
Speaker 1: dear Ben Mouse. I loved you, I do, thank you

820
00:42:44,760 --> 00:42:47,480
Speaker 1: and have a great day. I can't believe how are

821
00:42:47,520 --> 00:42:52,520
Speaker 1: they believing that's funny? What time of the day do

822
00:42:52,560 --> 00:42:57,279
Speaker 1: you do that? Yeah? Whatever? I would also believe it

823
00:42:57,400 --> 00:43:00,319
Speaker 1: too if I called, but the technology is not there. Well,

824
00:43:02,239 --> 00:43:04,919
Speaker 1: but when he does beep in his own voice after

825
00:43:05,000 --> 00:43:10,440
Speaker 1: the beat, it's the best bits of the week with

826
00:43:10,719 --> 00:43:14,879
Speaker 1: Morgan Number two, we had Josh Grayson on the show

827
00:43:14,960 --> 00:43:17,080
Speaker 1: this week. Such an awesome moment because he played so

828
00:43:17,200 --> 00:43:19,480
Speaker 1: many of his big hits and he has so many

829
00:43:19,560 --> 00:43:22,560
Speaker 1: good ones. We also learned that Bobby had him play

830
00:43:22,680 --> 00:43:26,160
Speaker 1: as a surprise to Caitlin during his wedding rehearsal, and

831
00:43:26,280 --> 00:43:28,000
Speaker 1: so that was a really fun moment for us to

832
00:43:28,120 --> 00:43:32,080
Speaker 1: hear all about that him perform. But really, I just combined.

833
00:43:33,400 --> 00:43:37,040
Speaker 1: I was gonna say, Skeeve, your new nickname was Skeeve,

834
00:43:39,160 --> 00:43:44,200
Speaker 1: skee Steve, Steve Scuba. It's because part of me wants

835
00:43:44,239 --> 00:43:48,800
Speaker 1: to say Steve the whole thing. Okay, any noise that

836
00:43:48,840 --> 00:43:51,200
Speaker 1: has an S on it, I'll respond to, Yes, scuba.

837
00:43:51,400 --> 00:43:53,320
Speaker 1: That's what we're gonna go with you right now. Is

838
00:43:53,360 --> 00:43:56,040
Speaker 1: there any news that's happened in your personal life that

839
00:43:56,080 --> 00:43:57,799
Speaker 1: you just want to share, Like, let's share some fun

840
00:43:58,120 --> 00:44:02,000
Speaker 1: life updates things have been happening. My daughter is now

841
00:44:02,200 --> 00:44:05,360
Speaker 1: walking or trying to walk, which I've noticed because anyone

842
00:44:05,400 --> 00:44:07,440
Speaker 1: that has multiple children, you'll know that the first kid

843
00:44:07,560 --> 00:44:10,040
Speaker 1: kind of does whatever it happens when it happens, But

844
00:44:10,160 --> 00:44:12,880
Speaker 1: when you have a second kid, they're trying to compete

845
00:44:12,920 --> 00:44:15,520
Speaker 1: with the first child. Not even just like they're doing it,

846
00:44:15,880 --> 00:44:17,719
Speaker 1: it's just happening. They're just because they see the other

847
00:44:17,840 --> 00:44:19,799
Speaker 1: kid doing more, because they're older and they can walk

848
00:44:19,840 --> 00:44:22,120
Speaker 1: and talk. So my daughter is at the point now

849
00:44:22,160 --> 00:44:24,839
Speaker 1: where it's scary, but she's trying to walk, and it's

850
00:44:25,000 --> 00:44:27,760
Speaker 1: she's only I think eight months old, which is hella

851
00:44:27,840 --> 00:44:30,160
Speaker 1: young to start walking. Okay, now, how far apart are

852
00:44:30,200 --> 00:44:33,480
Speaker 1: your two kids? My son E turns four years old

853
00:44:33,520 --> 00:44:35,399
Speaker 1: in March, so he's about three and a half years old,

854
00:44:35,760 --> 00:44:37,560
Speaker 1: and then my daughter is eight or nine months old,

855
00:44:37,600 --> 00:44:40,960
Speaker 1: so there's a good two plus years difference, and she's

856
00:44:41,040 --> 00:44:44,399
Speaker 1: competing with him, yes, yeah, oh yeah, that's a rough

857
00:44:44,680 --> 00:44:47,400
Speaker 1: competition there because he's got a few years on her totally,

858
00:44:47,480 --> 00:44:49,120
Speaker 1: but like he didn't start walking until about a year

859
00:44:49,120 --> 00:44:50,600
Speaker 1: and a half. So for her to be coming on

860
00:44:50,680 --> 00:44:52,440
Speaker 1: this early, I mean, doesn't seem make a big deal,

861
00:44:52,480 --> 00:44:55,040
Speaker 1: but it's pretty incredible to see my daughter pull herself

862
00:44:55,120 --> 00:44:56,680
Speaker 1: up and start to take a step. I'm like, oh

863
00:44:56,760 --> 00:44:58,840
Speaker 1: my god. And she you know, she's like maybe a

864
00:44:58,840 --> 00:45:01,600
Speaker 1: few inches off the ground. It's weird, it's ready to go.

865
00:45:01,760 --> 00:45:03,759
Speaker 1: She's like, I just need to start moving with my brother.

866
00:45:04,080 --> 00:45:08,560
Speaker 1: Yea what it sounds like. And she she's the youngest obviously,

867
00:45:08,960 --> 00:45:12,440
Speaker 1: so I do feel like to being the youngest. I

868
00:45:12,600 --> 00:45:16,680
Speaker 1: am the youngest of three sisters, well the youngest of four,

869
00:45:17,120 --> 00:45:20,680
Speaker 1: you get what I mean. Yeah, I always did things

870
00:45:20,800 --> 00:45:23,440
Speaker 1: faster because I saw them doing everything, and I just

871
00:45:23,560 --> 00:45:25,600
Speaker 1: wanted to hang out with my sisters and I wanted

872
00:45:25,600 --> 00:45:28,279
Speaker 1: to do everything they did, even if I was, you know, ten,

873
00:45:28,880 --> 00:45:29,920
Speaker 1: You look up to them. Do you want to be

874
00:45:30,000 --> 00:45:31,839
Speaker 1: like them? You want to be what they do and everything? Yeah?

875
00:45:31,840 --> 00:45:34,600
Speaker 1: I get it. Do you feel like your son is

876
00:45:34,680 --> 00:45:37,160
Speaker 1: like very involved with your daughter. He's a kind of

877
00:45:37,200 --> 00:45:39,120
Speaker 1: just like ignoring her at this point, Like where are

878
00:45:39,120 --> 00:45:41,440
Speaker 1: they at and their sibling relationship? Oh, he's been in

879
00:45:41,520 --> 00:45:43,600
Speaker 1: love with her from the moment he met her. Yeah,

880
00:45:43,640 --> 00:45:44,920
Speaker 1: he's at the point now where he's trying to pick

881
00:45:44,920 --> 00:45:46,680
Speaker 1: her up and carry her, which is which is scary.

882
00:45:48,440 --> 00:45:50,680
Speaker 1: Not strong enough for the yet for that. But he

883
00:45:50,760 --> 00:45:52,680
Speaker 1: does lift her off the ground and she moves. But

884
00:45:52,840 --> 00:45:54,320
Speaker 1: he gets to the point you're like, whoa, whoa, let me,

885
00:45:54,480 --> 00:45:56,200
Speaker 1: let me, let me step in here. But I appreciate that.

886
00:45:56,200 --> 00:45:57,800
Speaker 1: I assume you're trying to do and I appreciate that.

887
00:45:57,840 --> 00:46:01,160
Speaker 1: But no, don't I love that. Yeah, it's pretty cool. Okay,

888
00:46:01,239 --> 00:46:04,640
Speaker 1: cool little sibling relationship going on. Okay, and the daughter

889
00:46:04,920 --> 00:46:07,160
Speaker 1: starting to walk. What else we got going on in

890
00:46:07,280 --> 00:46:10,160
Speaker 1: your life? I slightly wrecked my truck and I was

891
00:46:10,200 --> 00:46:13,279
Speaker 1: depressed for a solid Oh boy, big blue truck, big

892
00:46:13,360 --> 00:46:16,400
Speaker 1: blue truck. Yeah yeah, sua Steve again painting another picture,

893
00:46:16,560 --> 00:46:20,239
Speaker 1: drives a jacked up blue truck that barely fits in

894
00:46:20,320 --> 00:46:24,800
Speaker 1: our studio parking garage. Yeah, barely barely in these parking

895
00:46:24,800 --> 00:46:27,759
Speaker 1: garages I drive into. I see the clearance and I'm

896
00:46:27,840 --> 00:46:29,239
Speaker 1: looking at it. I feel like it's hitting the roof

897
00:46:29,280 --> 00:46:33,600
Speaker 1: of my car all these garages. Yes, it's well, it's huge. Yeah, okay,

898
00:46:33,640 --> 00:46:35,600
Speaker 1: So did you always want to lift a truck or

899
00:46:35,640 --> 00:46:38,440
Speaker 1: did you always have one? No, I've always wanted a

900
00:46:38,480 --> 00:46:40,880
Speaker 1: big truck. Okay, I've had like, I've had nice sizes

901
00:46:40,920 --> 00:46:43,239
Speaker 1: like jeeps or trucks in the past, but never one

902
00:46:43,320 --> 00:46:45,440
Speaker 1: like this. Okay. And when did you get this one

903
00:46:45,520 --> 00:46:47,399
Speaker 1: that I got lifted and everything right when I moved

904
00:46:47,440 --> 00:46:49,520
Speaker 1: here at the end of twenty nineteen. Okay, So you

905
00:46:49,560 --> 00:46:52,640
Speaker 1: didn't have in California like you moved to the South

906
00:46:52,719 --> 00:46:55,000
Speaker 1: and you're like, here we go, jacked up druck. Yeah.

907
00:46:55,000 --> 00:46:56,719
Speaker 1: I had a toy to Prius when I first moved here.

908
00:46:56,960 --> 00:46:58,480
Speaker 1: I still have it. But it was like every day

909
00:46:58,520 --> 00:47:00,800
Speaker 1: was war. I got my car, and every day I

910
00:47:00,880 --> 00:47:03,600
Speaker 1: was dodging bullets, but these bullets for other cars that,

911
00:47:04,000 --> 00:47:06,080
Speaker 1: by the way, I drove the speed limit if not faster,

912
00:47:06,480 --> 00:47:08,000
Speaker 1: so there's no excuse for you to come over and

913
00:47:08,080 --> 00:47:10,439
Speaker 1: cut me off or flip me the bird or honk

914
00:47:10,520 --> 00:47:13,200
Speaker 1: at me as if I'm going slow like most previous drivers.

915
00:47:13,280 --> 00:47:15,279
Speaker 1: I was not. I'm going fast. I'm going with the

916
00:47:15,320 --> 00:47:17,480
Speaker 1: flow of traffic if not faster. But they still would

917
00:47:17,520 --> 00:47:19,400
Speaker 1: come at me like I'm a magnet, and they just

918
00:47:19,560 --> 00:47:21,840
Speaker 1: for some reason, most big trucks want to run me

919
00:47:21,880 --> 00:47:23,880
Speaker 1: off the road. They were piste off of me for nothing.

920
00:47:24,200 --> 00:47:26,160
Speaker 1: So I was like, man, I can't have this preous anymore,

921
00:47:26,320 --> 00:47:28,279
Speaker 1: as much as this is saving a ton of money

922
00:47:28,320 --> 00:47:30,400
Speaker 1: and gas, I gotta get a truck. Apparently, okay. So

923
00:47:30,480 --> 00:47:32,600
Speaker 1: it was a combination of you always wanting one and

924
00:47:32,719 --> 00:47:34,400
Speaker 1: then needing You didn't want to be bullied by those

925
00:47:34,520 --> 00:47:37,279
Speaker 1: rivers on the road anymore. Yeah, exactly, okay, and you

926
00:47:37,400 --> 00:47:39,320
Speaker 1: almost wrecked it, kind of wrecked it. Well happen. I

927
00:47:39,320 --> 00:47:41,600
Speaker 1: did wreck it, but not as bad as you would

928
00:47:41,600 --> 00:47:43,440
Speaker 1: think it'd be, but it was enough to where and

929
00:47:43,560 --> 00:47:44,880
Speaker 1: now I have a boo boo in my car and

930
00:47:45,120 --> 00:47:47,120
Speaker 1: every time I see it, I just get so depressed

931
00:47:47,120 --> 00:47:49,400
Speaker 1: and so sad. Well happened. So I signed up for

932
00:47:49,440 --> 00:47:51,480
Speaker 1: a gym membership, and I haven't been to a gym,

933
00:47:51,560 --> 00:47:53,719
Speaker 1: and you know, since the pandemic started, so it's been

934
00:47:53,760 --> 00:47:55,799
Speaker 1: a well over a year. And I was my first

935
00:47:55,880 --> 00:47:57,759
Speaker 1: day going to the gym. I'd had a really bad week,

936
00:47:58,200 --> 00:48:00,759
Speaker 1: stressful here at work, a lot of crap going on

937
00:48:00,960 --> 00:48:02,920
Speaker 1: personal life, work life, and I was like, okay, I

938
00:48:02,960 --> 00:48:04,600
Speaker 1: sign up for the gym last week. Let me just

939
00:48:04,719 --> 00:48:06,920
Speaker 1: go blow assom steam. I used to love doing that

940
00:48:06,960 --> 00:48:08,560
Speaker 1: when I was living back in La had a long day,

941
00:48:08,560 --> 00:48:10,439
Speaker 1: I go to the gym like most of us, great

942
00:48:10,440 --> 00:48:13,480
Speaker 1: stress reliever, totally. I'd rather do that than other things.

943
00:48:13,520 --> 00:48:14,560
Speaker 1: So I was like, let me go to the gym

944
00:48:14,640 --> 00:48:16,319
Speaker 1: and get back in the great shape and this will

945
00:48:16,360 --> 00:48:19,160
Speaker 1: be this is day one. I'm so excited to get there.

946
00:48:19,360 --> 00:48:22,360
Speaker 1: Oh no, this is not good. And then let me

947
00:48:22,400 --> 00:48:24,600
Speaker 1: preface this. My son likes to when we get to

948
00:48:24,760 --> 00:48:27,799
Speaker 1: our house. Before I pulled into the driveway, he's like, hey,

949
00:48:27,840 --> 00:48:30,040
Speaker 1: I want to drive, so I and if I don't,

950
00:48:30,160 --> 00:48:33,279
Speaker 1: it's he's he's throwing a fit and I don't feel

951
00:48:33,280 --> 00:48:35,160
Speaker 1: like dealing with it. I just get in out of

952
00:48:35,160 --> 00:48:36,840
Speaker 1: his little car seat, I put in my lap and

953
00:48:36,920 --> 00:48:38,680
Speaker 1: basically let him hold the wheel as I drive forward

954
00:48:38,680 --> 00:48:40,800
Speaker 1: in the driveway, which is like ten feet. Okay, so

955
00:48:41,760 --> 00:48:43,680
Speaker 1: so then, but then it usually ends up with him

956
00:48:43,719 --> 00:48:45,600
Speaker 1: sitting there for a moment while it's parked. He pushes

957
00:48:45,640 --> 00:48:48,719
Speaker 1: a bunch of buttons, messes with stuff, and then the

958
00:48:48,760 --> 00:48:50,520
Speaker 1: next day I try to reset everything back to where

959
00:48:50,520 --> 00:48:53,439
Speaker 1: it was. Well, this week, I was mentally not here.

960
00:48:53,680 --> 00:48:55,080
Speaker 1: He pushed a bunch of buttons, and one of those

961
00:48:55,080 --> 00:48:57,719
Speaker 1: buttons he pushed is the sensor button where it tells

962
00:48:57,719 --> 00:49:00,160
Speaker 1: you if you're getting too close to something. It's a

963
00:49:00,200 --> 00:49:02,799
Speaker 1: big truck, and it's thous and whistles of the truck. Yes. Yeah,

964
00:49:02,920 --> 00:49:04,920
Speaker 1: you get close to anything, whether you're turning lanes or

965
00:49:04,960 --> 00:49:07,360
Speaker 1: if you're parking, it goes off. It has like a

966
00:49:07,440 --> 00:49:09,360
Speaker 1: loud beeping noise, and as it gets closer to what

967
00:49:09,680 --> 00:49:11,600
Speaker 1: it's about to hit, it goes off to where the

968
00:49:11,640 --> 00:49:12,960
Speaker 1: point you're like, oh my god, I better stop, I'm

969
00:49:12,960 --> 00:49:15,759
Speaker 1: gonna hit something. Well, he had pushed that button and

970
00:49:15,880 --> 00:49:19,000
Speaker 1: now I don't have that sensor. Didn't realize you didn't

971
00:49:19,000 --> 00:49:21,520
Speaker 1: have that sense. Yes, yes, and you're relying on it

972
00:49:21,560 --> 00:49:23,919
Speaker 1: at this point. Yes. As I'm backing into a parking

973
00:49:24,000 --> 00:49:27,120
Speaker 1: spot at the Y downtown and it's a very tight garage,

974
00:49:27,360 --> 00:49:31,600
Speaker 1: terrible garage, terrible garage. It's the worst parking situation. And

975
00:49:31,880 --> 00:49:33,719
Speaker 1: I'm going to park my car and this guy who's

976
00:49:33,719 --> 00:49:37,319
Speaker 1: whipping around, who's leaving, who didn't even actually pulled into

977
00:49:37,320 --> 00:49:39,480
Speaker 1: the garage to just whip around and leave, and so

978
00:49:39,600 --> 00:49:41,520
Speaker 1: he's making me panic and freak out because I'm trying

979
00:49:41,560 --> 00:49:43,360
Speaker 1: to park as fast as I can't because he's honking

980
00:49:43,400 --> 00:49:45,439
Speaker 1: his horn and making me speed up, and I'm just like, dude,

981
00:49:45,760 --> 00:49:47,520
Speaker 1: just give me am over here, are you back up

982
00:49:47,560 --> 00:49:49,400
Speaker 1: and go another way? But now I feel the pressure

983
00:49:49,440 --> 00:49:51,839
Speaker 1: of him and the stress of the job in life,

984
00:49:51,920 --> 00:49:54,520
Speaker 1: and I'm backing up, and all of a sudden there's

985
00:49:54,560 --> 00:49:56,239
Speaker 1: no sensor happening, And all of a sudden, next thing

986
00:49:56,280 --> 00:50:01,799
Speaker 1: I hear is the wors sound. Yes, And I looked

987
00:50:01,800 --> 00:50:05,680
Speaker 1: at my right mirror and I'm like, oh crap. The

988
00:50:05,840 --> 00:50:09,120
Speaker 1: right side of my car is in like basically like

989
00:50:09,640 --> 00:50:13,040
Speaker 1: married into and like just pressed up against a solid

990
00:50:13,400 --> 00:50:16,880
Speaker 1: concrete column. And I'm like, oh God, okay, So I

991
00:50:16,960 --> 00:50:18,600
Speaker 1: can do one of two things. I can continue going

992
00:50:18,680 --> 00:50:20,840
Speaker 1: and see if that's any better, or I can stop

993
00:50:21,000 --> 00:50:23,360
Speaker 1: and then pull back out. And maybe I got lucky

994
00:50:23,960 --> 00:50:29,279
Speaker 1: and I pull back out. That sound is giving me

995
00:50:29,360 --> 00:50:31,799
Speaker 1: so much anxiety. And I didn't even have to spy

996
00:50:32,360 --> 00:50:34,239
Speaker 1: and I'm like, no, it didn't go the way I

997
00:50:34,320 --> 00:50:36,320
Speaker 1: wanted it to go, So let me just go ahead

998
00:50:36,320 --> 00:50:38,200
Speaker 1: and fix my parking job. Park and I'll walk out

999
00:50:38,200 --> 00:50:40,120
Speaker 1: and take a look at it. And as I get

1000
00:50:40,120 --> 00:50:41,600
Speaker 1: out to go look at it, and I can see

1001
00:50:41,719 --> 00:50:45,080
Speaker 1: the driver's side rear like where the truck bed is,

1002
00:50:45,560 --> 00:50:49,520
Speaker 1: there's this massive, like probably six inch dent into the

1003
00:50:49,560 --> 00:50:52,359
Speaker 1: side of my truck. Oh no, and the blue paint

1004
00:50:52,520 --> 00:50:54,840
Speaker 1: is scraped and the black thing that half of my

1005
00:50:54,920 --> 00:50:57,680
Speaker 1: wheel is scraped. And I just immediately feel this like

1006
00:50:57,960 --> 00:51:01,120
Speaker 1: massive amount of depression just why over my entire body.

1007
00:51:01,520 --> 00:51:03,440
Speaker 1: And I'm like, I just sign up for this gym

1008
00:51:03,480 --> 00:51:06,000
Speaker 1: membership to feel good about myself. It did not make

1009
00:51:06,040 --> 00:51:08,520
Speaker 1: me feel good about myself. No, is this a sign

1010
00:51:08,600 --> 00:51:10,440
Speaker 1: that I shouldn't be going to the gym during the pandemic?

1011
00:51:10,719 --> 00:51:12,799
Speaker 1: Should I just cancel this damn thing and go home?

1012
00:51:13,000 --> 00:51:14,920
Speaker 1: Did you end up going into the gym? I went

1013
00:51:14,960 --> 00:51:16,880
Speaker 1: into the gym, and I like and I went hard,

1014
00:51:17,360 --> 00:51:19,400
Speaker 1: like the hearts have ever gone. I probably made you

1015
00:51:19,480 --> 00:51:21,040
Speaker 1: feel better. I felt a little bit better until I

1016
00:51:21,040 --> 00:51:23,640
Speaker 1: got back out to the truck. I saw my dent again,

1017
00:51:23,719 --> 00:51:26,320
Speaker 1: and I'm like, oh my god. And so then I

1018
00:51:26,440 --> 00:51:27,480
Speaker 1: like try to look at it and see if I

1019
00:51:27,480 --> 00:51:28,920
Speaker 1: can push the dent out some, which I did. I

1020
00:51:28,960 --> 00:51:30,920
Speaker 1: pushed them to dent out, but it's still dent, and

1021
00:51:30,960 --> 00:51:33,160
Speaker 1: it's still scratched, and the paint still scratched, and so

1022
00:51:33,320 --> 00:51:35,440
Speaker 1: now it's just like for me, it's just it's I

1023
00:51:35,600 --> 00:51:37,960
Speaker 1: know it doesn't. It's visible, but it's not that visible.

1024
00:51:37,960 --> 00:51:40,280
Speaker 1: But it's visible to me because my truck was perfect

1025
00:51:40,800 --> 00:51:43,560
Speaker 1: before that, before the guy rushed me, before my son

1026
00:51:43,640 --> 00:51:46,520
Speaker 1: turned off all my sensors, it was a perfectly beautiful truck.

1027
00:51:47,160 --> 00:51:48,960
Speaker 1: It can still be beautiful again. You just have to

1028
00:51:49,040 --> 00:51:51,000
Speaker 1: pay to get it fixed, right, Yes, And I don't

1029
00:51:51,000 --> 00:51:53,000
Speaker 1: feel like paying to get it fixed, yeah, because it's

1030
00:51:53,040 --> 00:51:55,000
Speaker 1: gonna probably be a couple hundred because it sounds like

1031
00:51:55,120 --> 00:51:57,000
Speaker 1: it hit a few different parts of your truck. Yeah,

1032
00:51:57,000 --> 00:51:58,840
Speaker 1: if not a couple of thousand because of where it hit,

1033
00:51:58,880 --> 00:52:00,040
Speaker 1: and they might have to replace some of that. I

1034
00:52:00,320 --> 00:52:03,200
Speaker 1: don't know. And so I bought paint because it's custom paints,

1035
00:52:03,239 --> 00:52:05,480
Speaker 1: Cavalry blue. So I bought the paint from Toyota to

1036
00:52:05,480 --> 00:52:07,239
Speaker 1: see if I can do it myself. And I bought

1037
00:52:07,280 --> 00:52:12,200
Speaker 1: that like a month and a half ago. And so

1038
00:52:12,320 --> 00:52:13,560
Speaker 1: i've been back to the gym yet then. So I've

1039
00:52:13,560 --> 00:52:15,560
Speaker 1: been to the gym that fixed my freaking truck in

1040
00:52:15,600 --> 00:52:19,399
Speaker 1: almost two months. Dang. So I'm still broken. I still

1041
00:52:19,480 --> 00:52:23,600
Speaker 1: love your personal Live update, but I'm sad for you now. Yeah,

1042
00:52:23,760 --> 00:52:25,560
Speaker 1: it's still depressing when I see it now. I have

1043
00:52:25,880 --> 00:52:28,399
Speaker 1: family Antennis week visiting. They're like, oh, it's a beautiful truck.

1044
00:52:28,680 --> 00:52:30,040
Speaker 1: And they go to see the other side and they go,

1045
00:52:30,120 --> 00:52:32,920
Speaker 1: what happened here? And I'm like, oh, yeah, just blame

1046
00:52:32,960 --> 00:52:35,160
Speaker 1: it on the other dude in the parking garage. Yes,

1047
00:52:35,320 --> 00:52:36,759
Speaker 1: And if I ever see that guy again, I'm gonna

1048
00:52:36,760 --> 00:52:40,440
Speaker 1: freaking ring his damn there I do. I mean, parking

1049
00:52:40,480 --> 00:52:43,160
Speaker 1: garages don't make sense to me. Yeah, in what way?

1050
00:52:43,440 --> 00:52:46,200
Speaker 1: Because I understand that they have to have all those

1051
00:52:46,360 --> 00:52:49,240
Speaker 1: nice little concrete blocks in it to keep it holding

1052
00:52:49,360 --> 00:52:51,600
Speaker 1: up right, But you can't tell me there wasn't some

1053
00:52:51,800 --> 00:52:54,520
Speaker 1: smart structure engineer out there that could have put together

1054
00:52:54,600 --> 00:52:57,839
Speaker 1: a parking garage that didn't need that, yes. Or put

1055
00:52:57,880 --> 00:52:59,400
Speaker 1: the poles in a place where it doesn't affect the

1056
00:52:59,400 --> 00:53:02,000
Speaker 1: park yes, put it towards the back or somewhere else.

1057
00:53:02,120 --> 00:53:04,920
Speaker 1: The parking garages that have one like every few stalls,

1058
00:53:04,960 --> 00:53:07,560
Speaker 1: I'm like, I don't understand we're really at this point

1059
00:53:07,640 --> 00:53:09,880
Speaker 1: in technology that y'all haven't figured this out yet, that

1060
00:53:10,160 --> 00:53:12,520
Speaker 1: this isn't happening. Yeah, so you can't put it so

1061
00:53:12,640 --> 00:53:14,719
Speaker 1: many people I've I've ran into a cinder block in

1062
00:53:14,920 --> 00:53:18,160
Speaker 1: a garage before, Thank goodness, I drove the jeep. So

1063
00:53:18,239 --> 00:53:20,720
Speaker 1: all it did was back into my tire. Party didn't

1064
00:53:20,760 --> 00:53:24,520
Speaker 1: do anything, you know, those tires are like harmless. Yeah,

1065
00:53:24,719 --> 00:53:28,000
Speaker 1: but those cinder blocks. I know just about just about

1066
00:53:28,040 --> 00:53:31,240
Speaker 1: every person that I know has had that instant happen

1067
00:53:31,440 --> 00:53:33,120
Speaker 1: where they hit it and they scrape it or something

1068
00:53:33,360 --> 00:53:37,520
Speaker 1: something happens to their car pull on, like personal car accident. Totally.

1069
00:53:37,520 --> 00:53:39,640
Speaker 1: You misjudged when you're pulling in or you're pulling out,

1070
00:53:39,719 --> 00:53:42,160
Speaker 1: or someone like with me was rushing me and I

1071
00:53:42,200 --> 00:53:45,239
Speaker 1: feel the pressure to rush. Yeah, I know. It sucks. Yeah,

1072
00:53:45,239 --> 00:53:47,319
Speaker 1: I don't understand. That's one thing in life that every

1073
00:53:47,400 --> 00:53:48,920
Speaker 1: time I pull and you have to do it. In

1074
00:53:49,000 --> 00:53:51,839
Speaker 1: Nashville so much, there's so many parking garages. Every time

1075
00:53:51,880 --> 00:53:53,320
Speaker 1: I pull into one, I'm like, how have we not

1076
00:53:53,400 --> 00:53:55,799
Speaker 1: figured this out yet? And then I see new ones

1077
00:53:55,840 --> 00:53:58,000
Speaker 1: getting built, I'm like, we still haven't figured it out. Nope.

1078
00:53:58,040 --> 00:53:59,839
Speaker 1: And you see the paint scrapes all over the side

1079
00:53:59,840 --> 00:54:01,840
Speaker 1: of like, yeah, apparently this is a problem. Well in

1080
00:54:01,840 --> 00:54:04,719
Speaker 1: the concrete, like hey, maybe you can put like mats

1081
00:54:04,800 --> 00:54:06,440
Speaker 1: around it, you know, yeah, or its sort of like

1082
00:54:06,520 --> 00:54:08,719
Speaker 1: rubber or something where it kind of just bounced off

1083
00:54:08,760 --> 00:54:11,080
Speaker 1: it and maybe just a little bit lessens the blow

1084
00:54:11,320 --> 00:54:13,839
Speaker 1: because let's be honest, that concrete ain't going nowhere. Yes,

1085
00:54:14,280 --> 00:54:17,919
Speaker 1: you run into anything moving, No, not at all. So yeah,

1086
00:54:18,239 --> 00:54:21,160
Speaker 1: I'm sorry, Steve. So one good life update and one

1087
00:54:21,280 --> 00:54:25,720
Speaker 1: crappy life update, Yang so good. No one was harmed,

1088
00:54:25,760 --> 00:54:28,120
Speaker 1: I wasn't hard. I'm still alive. It's possessions, but it

1089
00:54:28,200 --> 00:54:30,759
Speaker 1: just sucks because I spent a decent amount of money

1090
00:54:30,760 --> 00:54:32,120
Speaker 1: on it, and it was something I was proud and

1091
00:54:32,160 --> 00:54:35,280
Speaker 1: happy to have, and now it's got this this tomato

1092
00:54:35,520 --> 00:54:38,960
Speaker 1: mark on its birthmarker. Well, you know, it doesn't help

1093
00:54:39,040 --> 00:54:41,680
Speaker 1: add to the stress of your life. So I hear you,

1094
00:54:42,400 --> 00:54:46,480
Speaker 1: and it sucks. Yeah, but you are okay and everything's okay.

1095
00:54:46,719 --> 00:54:47,880
Speaker 1: That's the way I got to look at it is

1096
00:54:48,000 --> 00:54:50,160
Speaker 1: that there's the positive ending to this is I'm alive. Yes,

1097
00:54:50,920 --> 00:54:52,600
Speaker 1: would have been much worse, trust me, and Nashville, you

1098
00:54:52,640 --> 00:54:54,600
Speaker 1: could have been in a much worse car accident today

1099
00:54:54,719 --> 00:54:56,799
Speaker 1: on the way to work. I was going to get um,

1100
00:54:56,840 --> 00:54:58,680
Speaker 1: I was getting a coffee in the morning and I'm

1101
00:54:58,760 --> 00:55:01,560
Speaker 1: coming in and and you probably had this happened to

1102
00:55:01,600 --> 00:55:03,520
Speaker 1: you many different time, especially here in Nashville. People just

1103
00:55:03,560 --> 00:55:07,000
Speaker 1: forgot how to drive, and so I'm going down it's

1104
00:55:07,000 --> 00:55:08,759
Speaker 1: a major street. There's two lanes on my side, two

1105
00:55:08,800 --> 00:55:10,440
Speaker 1: lanes on the other side, and then you got the

1106
00:55:10,480 --> 00:55:12,239
Speaker 1: turn lanes in the middle. Well, this guy is coming

1107
00:55:12,239 --> 00:55:13,640
Speaker 1: out of a gas station. I have a green light,

1108
00:55:13,719 --> 00:55:16,080
Speaker 1: so I'm going straight. This guy cuts across from the

1109
00:55:16,120 --> 00:55:18,960
Speaker 1: gas station on the far left side, cuts across his traffic,

1110
00:55:19,320 --> 00:55:21,320
Speaker 1: and then it's starting to come into my lane, but

1111
00:55:21,440 --> 00:55:23,400
Speaker 1: there's cars in that turn lane so he can't see him.

1112
00:55:23,400 --> 00:55:26,160
Speaker 1: And he comes all way over and makes that turn.

1113
00:55:26,480 --> 00:55:27,800
Speaker 1: And I have a truck, so I'm like, well, I

1114
00:55:27,840 --> 00:55:31,640
Speaker 1: got I need to utilize the sidewalk. Oh my gosh,

1115
00:55:32,000 --> 00:55:34,200
Speaker 1: you did not drive on this side, because he's coming

1116
00:55:34,280 --> 00:55:36,759
Speaker 1: over and he's aren't taking the first available lane, which

1117
00:55:36,800 --> 00:55:40,120
Speaker 1: in general his maneuver is illegal because he's crossing traffic

1118
00:55:40,400 --> 00:55:42,360
Speaker 1: and then crossing w llow lines and coming over to

1119
00:55:42,440 --> 00:55:44,440
Speaker 1: my side of the road, and then instead of getting

1120
00:55:44,440 --> 00:55:46,000
Speaker 1: them the first available lane and I could have gone

1121
00:55:46,000 --> 00:55:48,200
Speaker 1: to the right side and missed him, he's coming straight

1122
00:55:48,320 --> 00:55:50,560
Speaker 1: into it and then making his turn with his crappy

1123
00:55:50,600 --> 00:55:53,640
Speaker 1: old car and then coming into my lane. And I'm like, well,

1124
00:55:53,680 --> 00:55:55,520
Speaker 1: I've got one option here, I can or two options.

1125
00:55:55,560 --> 00:55:57,319
Speaker 1: I can hit him and then we have to deal

1126
00:55:57,360 --> 00:55:59,200
Speaker 1: with this, or I can drive on the right side

1127
00:55:59,200 --> 00:56:01,000
Speaker 1: of the road, which happens the sidewalk in the media,

1128
00:56:01,000 --> 00:56:03,479
Speaker 1: and that's over there. So I immediately I like honk

1129
00:56:03,560 --> 00:56:06,120
Speaker 1: my horn, and then I drive onto the unto the

1130
00:56:06,160 --> 00:56:08,040
Speaker 1: curb and onto the sidewalk and I just keep driving,

1131
00:56:08,080 --> 00:56:11,120
Speaker 1: then get back on and keep going. So I almost

1132
00:56:11,120 --> 00:56:13,520
Speaker 1: got into a massive accident today. That's like some fast

1133
00:56:13,560 --> 00:56:15,000
Speaker 1: and furious thing where you see him driving on the

1134
00:56:15,000 --> 00:56:17,720
Speaker 1: sidewalk and they're hitting all the like nailboxes and stuffing,

1135
00:56:17,880 --> 00:56:20,080
Speaker 1: and they're just keep going totally. And then this is

1136
00:56:20,080 --> 00:56:22,040
Speaker 1: the spot where pedestrians are usually walking too. So I

1137
00:56:22,080 --> 00:56:23,680
Speaker 1: just happened to be lucky there wasn't a pedestrian in

1138
00:56:23,760 --> 00:56:25,320
Speaker 1: the sidewalk, so I was able to get up and

1139
00:56:25,360 --> 00:56:26,839
Speaker 1: go over and get around. I wrote my window down.

1140
00:56:26,840 --> 00:56:29,239
Speaker 1: I was like, what the hell down? And then she

1141
00:56:29,360 --> 00:56:31,040
Speaker 1: like slowed down and like kind of try to avoid

1142
00:56:31,080 --> 00:56:32,520
Speaker 1: me because he wasn't sure what I was gonna do.

1143
00:56:32,800 --> 00:56:35,000
Speaker 1: I was gonna do anything. I was just pissed. Yeah,

1144
00:56:35,040 --> 00:56:36,680
Speaker 1: And if you live in Nashville, you definitely have a

1145
00:56:36,760 --> 00:56:38,320
Speaker 1: road radge. I don't think you can live in the

1146
00:56:38,360 --> 00:56:40,680
Speaker 1: city and not have a road radge. Yeah, any big

1147
00:56:40,719 --> 00:56:43,120
Speaker 1: city for that matter. I'm sure most of them are

1148
00:56:43,160 --> 00:56:46,120
Speaker 1: like that. Yeah. Oh man, well you want to go

1149
00:56:46,160 --> 00:56:48,520
Speaker 1: out on a high note. I have a good personal

1150
00:56:48,600 --> 00:56:53,560
Speaker 1: life moment with your share. You're getting married, you're pregnant,

1151
00:56:53,560 --> 00:56:56,840
Speaker 1: I stray there, don't you know you're not supposed to

1152
00:56:56,880 --> 00:57:01,480
Speaker 1: do that or women that are not married. No, And

1153
00:57:01,560 --> 00:57:08,800
Speaker 1: now that it is now, dad, my dog Remy is

1154
00:57:08,880 --> 00:57:11,640
Speaker 1: now a therapy dog. Oh okay, so you can take

1155
00:57:11,680 --> 00:57:15,160
Speaker 1: them as I'm sorry, he right, sorry, sorry about it's

1156
00:57:15,160 --> 00:57:18,520
Speaker 1: because she has a beard and eyelashes. So yeah, yeah,

1157
00:57:18,600 --> 00:57:21,600
Speaker 1: so she got um. She passed evaluation. We did like

1158
00:57:21,720 --> 00:57:24,520
Speaker 1: six weeks of training once a week, and she had

1159
00:57:24,520 --> 00:57:27,880
Speaker 1: already been like trained prior to this. But now she's

1160
00:57:28,120 --> 00:57:30,720
Speaker 1: she went through training to be the officially a therapy dog,

1161
00:57:30,840 --> 00:57:34,600
Speaker 1: and the evaluation she passed it. And so that means

1162
00:57:34,640 --> 00:57:36,600
Speaker 1: I can take her to her and I together. I'm

1163
00:57:36,640 --> 00:57:38,560
Speaker 1: not giving her way. I posted this and you would

1164
00:57:38,560 --> 00:57:39,920
Speaker 1: have thought I was giving away my dog, And I

1165
00:57:40,000 --> 00:57:41,720
Speaker 1: was like, do you guys realize how much I loved

1166
00:57:41,760 --> 00:57:44,000
Speaker 1: my dog? Yeah? Well you think I would ever do that? Yeah?

1167
00:57:44,160 --> 00:57:45,560
Speaker 1: I thought I was gonna ask you are you gonna

1168
00:57:45,840 --> 00:57:48,040
Speaker 1: lend out her services to other people? No, So it's

1169
00:57:48,080 --> 00:57:50,880
Speaker 1: like her and I as a therapy animal like team.

1170
00:57:51,680 --> 00:57:55,240
Speaker 1: We can go to hospitals, retirement homes, schools, like whenever

1171
00:57:56,440 --> 00:57:59,200
Speaker 1: tragedy happens or whenever people need like some joy in

1172
00:57:59,240 --> 00:58:00,720
Speaker 1: their life, like we're rom at homes will be a

1173
00:58:00,760 --> 00:58:03,600
Speaker 1: big one for us because Remy really does well with

1174
00:58:04,080 --> 00:58:07,320
Speaker 1: elderly people. She loves on them and she's perfect size

1175
00:58:07,400 --> 00:58:10,560
Speaker 1: for them and just kind of like make them happy. So,

1176
00:58:10,760 --> 00:58:13,200
Speaker 1: like coming up in like a week and a half,

1177
00:58:13,360 --> 00:58:15,880
Speaker 1: we have an event to go to where we're gonna

1178
00:58:15,920 --> 00:58:19,560
Speaker 1: go visit some nurses who are on the front lines.

1179
00:58:19,720 --> 00:58:21,760
Speaker 1: That's pretty cool. Yeah, I get like almost like a

1180
00:58:21,800 --> 00:58:26,680
Speaker 1: thirty minute break of like, yeah, that's really cool. So yeah,

1181
00:58:26,800 --> 00:58:29,120
Speaker 1: super fun. I'm really excited about because I've been wanting

1182
00:58:29,160 --> 00:58:31,480
Speaker 1: to volunteer again and this is the perfect way to

1183
00:58:31,560 --> 00:58:33,600
Speaker 1: do it because Remy loves humans. Oh yeah, and you

1184
00:58:33,640 --> 00:58:35,360
Speaker 1: love Remy. So you get to hang out Remy. Yeah,

1185
00:58:35,480 --> 00:58:37,080
Speaker 1: we get to hang out with her. That's like a

1186
00:58:37,160 --> 00:58:39,880
Speaker 1: win win, Yeah, like she we During our evaluation, they

1187
00:58:40,000 --> 00:58:42,320
Speaker 1: make you go through all these tests situations, right, like

1188
00:58:42,360 --> 00:58:44,400
Speaker 1: if you're in a hospital or like all these people

1189
00:58:44,400 --> 00:58:47,000
Speaker 1: are coming up to you and remy. She had like

1190
00:58:47,080 --> 00:58:49,080
Speaker 1: six different people up to her in the evaluation, and

1191
00:58:49,320 --> 00:58:51,720
Speaker 1: this dog rolled over and was like, pet me, everybody,

1192
00:58:52,320 --> 00:58:54,400
Speaker 1: I love you all, like not even afraid of anything.

1193
00:58:54,520 --> 00:58:56,680
Speaker 1: No anxiety. Of course they're worried about that. And if

1194
00:58:56,720 --> 00:58:59,280
Speaker 1: the dog snaps or whatever. Yeah, and she no, she's great,

1195
00:58:59,360 --> 00:59:02,120
Speaker 1: Like she doesn't do great with toddlers, and like, as

1196
00:59:02,160 --> 00:59:04,120
Speaker 1: long as I know that, that's all that really matters.

1197
00:59:04,880 --> 00:59:06,480
Speaker 1: So that's why she does really good with the elderly

1198
00:59:06,520 --> 00:59:08,640
Speaker 1: because they don't move very fast. She does not like

1199
00:59:08,800 --> 00:59:11,280
Speaker 1: people that don't move very from us. She doesn't well

1200
00:59:11,360 --> 00:59:13,040
Speaker 1: with that. But if they have a lot of energy,

1201
00:59:13,080 --> 00:59:15,400
Speaker 1: so she's like, no, it's like dogs that have too

1202
00:59:15,480 --> 00:59:18,000
Speaker 1: much energy and toddlers that move very fast. She's like,

1203
00:59:18,440 --> 00:59:21,120
Speaker 1: I'm like an old soul, please leave me alone. I

1204
00:59:21,200 --> 00:59:23,520
Speaker 1: get that. That's pretty cool. Yeah, that's really special. So

1205
00:59:23,600 --> 00:59:25,160
Speaker 1: you can fly with her too, I imagine. Right, No,

1206
00:59:25,320 --> 00:59:27,760
Speaker 1: so that's just service dogs, okay, god, yeah, so no,

1207
00:59:27,920 --> 00:59:29,520
Speaker 1: it was it was more of just the thing that

1208
00:59:29,600 --> 00:59:31,600
Speaker 1: we could go volunteer and do stuff that's really cool

1209
00:59:31,680 --> 00:59:34,320
Speaker 1: together to bring some some joy to people. Because again

1210
00:59:34,440 --> 00:59:37,440
Speaker 1: she's beard in an eyelashes, like that's automatically gonna make

1211
00:59:37,480 --> 00:59:40,560
Speaker 1: people smile. That's really cool. Yeah, I like that little

1212
00:59:40,640 --> 00:59:43,400
Speaker 1: personal life update. That's gonna be really fun. Yeah yeah,

1213
00:59:43,680 --> 00:59:46,240
Speaker 1: making people happy. So we had a good one for you,

1214
00:59:46,600 --> 00:59:49,160
Speaker 1: a bad one for you, and a good one for you. Yeah,

1215
00:59:49,200 --> 00:59:50,600
Speaker 1: that's a nice little sandwich. I don't think I have

1216
00:59:50,640 --> 00:59:51,760
Speaker 1: any bad ones, and I don't think we need to

1217
00:59:51,840 --> 00:59:53,920
Speaker 1: end on a bad note. I think you did that

1218
00:59:54,000 --> 00:59:57,560
Speaker 1: for I think we're there. I think we're good. Oh

1219
00:59:57,680 --> 00:59:59,800
Speaker 1: my gosh. Okay, Well, thanks for sharing, Thank you for

1220
01:00:00,240 --> 01:00:02,920
Speaker 1: vulnerable in this moment. Good bye. Yes, I appreciate it,

1221
01:00:03,000 --> 01:00:06,400
Speaker 1: no problem, Jerry. Your trials in tribulations of your life,

1222
01:00:06,520 --> 01:00:09,680
Speaker 1: Oh yeah, there's plenty of those. Oh well, you guys

1223
01:00:09,800 --> 01:00:13,720
Speaker 1: can hear right now. Josh Grayson. He performed some awesome

1224
01:00:13,800 --> 01:00:17,240
Speaker 1: songs of his and we talked about so many different things,

1225
01:00:17,320 --> 01:00:20,960
Speaker 1: including him performing at Bobby's wedding rehearsal. So check this

1226
01:00:21,040 --> 01:00:26,640
Speaker 1: out number three on the Bobby Bones Show. Now, Josh Grayson, Josh,

1227
01:00:26,680 --> 01:00:28,240
Speaker 1: how are you, Bud? I'm doing well, man, how are you?

1228
01:00:28,400 --> 01:00:30,880
Speaker 1: It's been I guess a month and a half since

1229
01:00:30,920 --> 01:00:33,520
Speaker 1: I've seen you. Congratulations again, out of well, thanks man.

1230
01:00:33,600 --> 01:00:36,000
Speaker 1: So what happened was just for those at home that

1231
01:00:36,080 --> 01:00:38,480
Speaker 1: are playing the home version of this game, is that

1232
01:00:38,800 --> 01:00:42,400
Speaker 1: my wife loves Josh Grayson. When she was to she

1233
01:00:42,480 --> 01:00:44,360
Speaker 1: said she was going to create a new highwayman. She

1234
01:00:44,440 --> 01:00:47,720
Speaker 1: put Josh Grayson in him and she would always sing

1235
01:00:47,800 --> 01:00:50,200
Speaker 1: his songs. And once I put on Instagram of Kaitlin

1236
01:00:50,240 --> 01:00:52,440
Speaker 1: sing in one of his songs and he replied back

1237
01:00:52,520 --> 01:00:53,720
Speaker 1: and I said, you know, i'd be really cool to

1238
01:00:53,760 --> 01:00:56,480
Speaker 1: have Josh Grayson surpriser. So it's kind of hard to find.

1239
01:00:56,480 --> 01:00:59,880
Speaker 1: We emailed and we finally tracked you down, and Josh

1240
01:01:00,000 --> 01:01:06,680
Speaker 1: showed up at our rehearsal dinner and played and oh yeah,

1241
01:01:06,720 --> 01:01:08,840
Speaker 1: so you know, there was so much going on and

1242
01:01:09,360 --> 01:01:11,440
Speaker 1: I think you but I just, you know, publicly like

1243
01:01:11,480 --> 01:01:12,800
Speaker 1: you didn't have to do that. We didn't pay you.

1244
01:01:13,400 --> 01:01:15,320
Speaker 1: You know. I just was so grateful that you would

1245
01:01:15,320 --> 01:01:17,000
Speaker 1: show up and do that for us because it was

1246
01:01:17,040 --> 01:01:19,320
Speaker 1: really special to her. So again on a public stage here,

1247
01:01:19,320 --> 01:01:21,520
Speaker 1: I just really appreciate that. No problem. I appreciate you

1248
01:01:21,600 --> 01:01:23,400
Speaker 1: all thinking to me, and I'm glad I could help

1249
01:01:23,480 --> 01:01:26,320
Speaker 1: out comes out he plays, we're all singing along. It's

1250
01:01:26,320 --> 01:01:29,560
Speaker 1: a good moment. Huh sounds great. Yeah, So I was

1251
01:01:29,600 --> 01:01:33,880
Speaker 1: thinking about you because you were a marine and then

1252
01:01:33,920 --> 01:01:36,600
Speaker 1: you got into music. And I think like Craig Morgan

1253
01:01:36,760 --> 01:01:39,800
Speaker 1: was in the service before he got into music. When

1254
01:01:39,880 --> 01:01:43,680
Speaker 1: you were in the Marines, were you playing music? Actually?

1255
01:01:43,960 --> 01:01:46,320
Speaker 1: I was here and there, and uh, you know, it's

1256
01:01:46,440 --> 01:01:48,800
Speaker 1: it's it's kind of like an unspoken thing. Really. You

1257
01:01:48,840 --> 01:01:50,360
Speaker 1: don't know how the guys are gonna take it when

1258
01:01:50,360 --> 01:01:52,160
Speaker 1: you're in the barracks or anything like else like that.

1259
01:01:52,360 --> 01:01:54,600
Speaker 1: But I guess in boot camp it kind of started

1260
01:01:54,640 --> 01:01:57,040
Speaker 1: when things were kind of really hard and people are

1261
01:01:57,080 --> 01:01:59,400
Speaker 1: kind of missing home and stuff like that. I was

1262
01:01:59,600 --> 01:02:01,240
Speaker 1: the kind of caught me singing just to kind of

1263
01:02:01,280 --> 01:02:02,920
Speaker 1: calm myself down, and the next thing, you know, I

1264
01:02:02,960 --> 01:02:04,960
Speaker 1: would be asked to sing, like at the end of

1265
01:02:05,000 --> 01:02:06,800
Speaker 1: the night while everyone was laying in their rack trying

1266
01:02:06,800 --> 01:02:08,880
Speaker 1: to get to sleep and calm down. And so that's

1267
01:02:08,920 --> 01:02:10,600
Speaker 1: what you know, I would do pretty much the rest

1268
01:02:10,640 --> 01:02:13,200
Speaker 1: of boot camp, and it just kind of snowballed into

1269
01:02:13,240 --> 01:02:16,280
Speaker 1: there as far as intertwined with the military. Did they

1270
01:02:16,400 --> 01:02:19,240
Speaker 1: get you a guitar or did you just sing acapell?

1271
01:02:19,400 --> 01:02:21,800
Speaker 1: Like it was just it was just acapella. The whole time.

1272
01:02:22,000 --> 01:02:24,920
Speaker 1: Like I grew up, I grew up out outside of Detroit,

1273
01:02:25,040 --> 01:02:26,920
Speaker 1: so I learned how to sing off motown music, r

1274
01:02:26,960 --> 01:02:30,520
Speaker 1: and b oldies music, and then I got into country

1275
01:02:30,600 --> 01:02:32,200
Speaker 1: music at a at a very young age, and up

1276
01:02:32,240 --> 01:02:34,760
Speaker 1: there in Michigan, you know, in the mid nineties, before

1277
01:02:34,760 --> 01:02:36,680
Speaker 1: it really kind of took off, it was kind of

1278
01:02:36,760 --> 01:02:39,200
Speaker 1: a different thing. But uh so I would sing like,

1279
01:02:39,280 --> 01:02:41,240
Speaker 1: you know, like the Boys to Men stuff and things

1280
01:02:41,320 --> 01:02:44,080
Speaker 1: like that in the in the barracks until it kind

1281
01:02:44,120 --> 01:02:46,640
Speaker 1: of transitioned and more people started telling me they wanted

1282
01:02:46,680 --> 01:02:49,560
Speaker 1: some country stuff. So did you get like a singing nickname,

1283
01:02:49,640 --> 01:02:53,240
Speaker 1: like all right, singing boy, all right, Johnny Singer? Like

1284
01:02:53,320 --> 01:02:54,960
Speaker 1: did you have a mill like a singing nickname in

1285
01:02:55,000 --> 01:02:57,320
Speaker 1: the military. Not in the military, to be honest with you,

1286
01:02:57,440 --> 01:02:59,520
Speaker 1: but one of the things that a former label used

1287
01:02:59,560 --> 01:03:01,080
Speaker 1: to do to kind of embarrassed me because they know

1288
01:03:01,360 --> 01:03:06,480
Speaker 1: that I don't like like attention, like like immediate attention

1289
01:03:06,560 --> 01:03:08,320
Speaker 1: like that in public. Because every time I used to

1290
01:03:08,320 --> 01:03:11,120
Speaker 1: go somewhere radio stuff used to say the singing Marine.

1291
01:03:11,160 --> 01:03:13,360
Speaker 1: You used to open the doors and like just say

1292
01:03:13,400 --> 01:03:15,320
Speaker 1: that really really loud. So I guess I'd probably be

1293
01:03:15,360 --> 01:03:17,680
Speaker 1: the only nickname attached to that as a singing Marines,

1294
01:03:17,720 --> 01:03:19,360
Speaker 1: but they wouldn't call you that why you're in the Marines,

1295
01:03:19,360 --> 01:03:23,960
Speaker 1: because then you're just exactly singing us exactly. There you go.

1296
01:03:24,280 --> 01:03:25,880
Speaker 1: I do want to talk about your new single in

1297
01:03:25,920 --> 01:03:28,640
Speaker 1: a second, but if you wouldn't mind, and I know

1298
01:03:28,760 --> 01:03:30,920
Speaker 1: we asked you to do this at the at the rehearsal,

1299
01:03:31,000 --> 01:03:33,040
Speaker 1: would you give us a verse and a chorus of

1300
01:03:33,200 --> 01:03:35,800
Speaker 1: nothing to Lose? Yeah, it's just amatiya. Come on, I

1301
01:03:35,840 --> 01:03:37,480
Speaker 1: can't keep up just trying to sing along with it

1302
01:03:37,480 --> 01:03:41,840
Speaker 1: because it's so fast and it's just like about there

1303
01:03:41,920 --> 01:03:44,040
Speaker 1: have to be times where sometimes you get off tracking

1304
01:03:44,080 --> 01:03:46,360
Speaker 1: to start making stuff, making up sounds that ever happen.

1305
01:03:46,640 --> 01:03:49,120
Speaker 1: Are you pretty much got it? I usually do this song.

1306
01:03:50,480 --> 01:03:51,880
Speaker 1: I usually do this song at the end of the

1307
01:03:51,920 --> 01:03:54,520
Speaker 1: show because everyone's drunk by the time they get there,

1308
01:03:54,560 --> 01:03:56,080
Speaker 1: so they don't realize if I've messed up any of

1309
01:03:56,080 --> 01:03:58,080
Speaker 1: the words or not. But you know what, that's the

1310
01:03:58,200 --> 01:04:01,080
Speaker 1: one song that surprisingly I have not messed up any

1311
01:04:01,120 --> 01:04:04,160
Speaker 1: of the words. Well, I'll be day because my GRANDMAA says,

1312
01:04:04,720 --> 01:04:06,439
Speaker 1: here he is Josh Grays and give us a person.

1313
01:04:06,480 --> 01:04:08,520
Speaker 1: Of course, here we go. This is nothing to lose.

1314
01:04:23,520 --> 01:04:26,040
Speaker 1: He was being time downtown breakdowns for time to time.

1315
01:04:26,080 --> 01:04:27,800
Speaker 1: Any times. He was like a pretty fine real light,

1316
01:04:27,880 --> 01:04:30,320
Speaker 1: green light go on fight up side downtown, So should

1317
01:04:30,360 --> 01:04:32,560
Speaker 1: can meet around time Shun didn't go in news she

1318
01:04:32,640 --> 01:04:34,919
Speaker 1: can win Jones and Drew and feeling good if you would,

1319
01:04:35,280 --> 01:04:38,880
Speaker 1: Oh yeah, well she moved. She's got me ron in

1320
01:04:39,000 --> 01:04:41,960
Speaker 1: dun and allowed you shut breaking one natural big fred

1321
01:04:42,400 --> 01:04:45,320
Speaker 1: you can buy now. She's got me fruity tied up,

1322
01:04:45,480 --> 01:04:50,920
Speaker 1: tip down anyway out. I've got nothing lose there it is,

1323
01:04:51,480 --> 01:04:53,240
Speaker 1: it's not going along right now. I'll be like what

1324
01:04:53,360 --> 01:04:55,200
Speaker 1: you should have seen lunchbox's face. He was like, what

1325
01:04:57,120 --> 01:05:00,280
Speaker 1: can you do that much slower? Like could you slow

1326
01:05:00,320 --> 01:05:03,360
Speaker 1: it way down? And almost do it as a ballad?

1327
01:05:04,000 --> 01:05:10,440
Speaker 1: Go ahead there all He was noontown, downtown, brigtoime, summertown, bonertime, anytown.

1328
01:05:10,760 --> 01:05:13,800
Speaker 1: She was looking pretty foundin really loud green loud go

1329
01:05:14,160 --> 01:05:18,040
Speaker 1: on fighting sound downtown. She was shicking me all around.

1330
01:05:18,320 --> 01:05:21,440
Speaker 1: I was tuned in going new yor single in June

1331
01:05:21,520 --> 01:05:27,120
Speaker 1: June drew and feeling goody if you even that is fast,

1332
01:05:27,880 --> 01:05:31,760
Speaker 1: even the slow version. So you know you mentioned and

1333
01:05:31,840 --> 01:05:33,600
Speaker 1: I mentioned too that you're working on new music. You

1334
01:05:33,680 --> 01:05:35,640
Speaker 1: have this new single, I'm gonna play some a love

1335
01:05:35,720 --> 01:05:51,560
Speaker 1: like right now. You got that five out, Georgia's Son

1336
01:05:51,720 --> 01:05:56,640
Speaker 1: got the heat, You got that sweet like Mop and

1337
01:05:56,880 --> 01:06:00,440
Speaker 1: Gig got the beat, Give me that half be have

1338
01:06:00,680 --> 01:06:07,200
Speaker 1: a feeling every damn you got it though. You got me? Yeah,

1339
01:06:07,280 --> 01:06:12,080
Speaker 1: you got me. I never had a little black me

1340
01:06:13,200 --> 01:06:16,880
Speaker 1: A motown battle over came out of summer. See that

1341
01:06:17,560 --> 01:06:26,080
Speaker 1: feels like you know, I'm gonna sha me to sound crazy? True?

1342
01:06:26,480 --> 01:06:35,160
Speaker 1: You ever had a little back back. I'm always curious

1343
01:06:35,200 --> 01:06:37,560
Speaker 1: because you wrote the song when you go into the

1344
01:06:37,640 --> 01:06:40,160
Speaker 1: room with these other guys, you know it was this

1345
01:06:40,320 --> 01:06:41,760
Speaker 1: idea when it was brought in if it was by you,

1346
01:06:42,280 --> 01:06:43,600
Speaker 1: are these guys like, how did this come up in

1347
01:06:43,600 --> 01:06:45,439
Speaker 1: the room and howd you guys settle on the song? Well,

1348
01:06:45,640 --> 01:06:48,040
Speaker 1: it was funny, came in, we started writing. I've never

1349
01:06:48,080 --> 01:06:50,960
Speaker 1: written with Parker Casey or Greg before, and so it

1350
01:06:51,080 --> 01:06:53,160
Speaker 1: came in the room. And it's kind of intimidating, you know,

1351
01:06:53,960 --> 01:06:57,240
Speaker 1: getting into getting into you never know what somebody's gonna

1352
01:06:57,280 --> 01:06:59,800
Speaker 1: think of it, and it's songwriting. He's actually really intimidating

1353
01:06:59,800 --> 01:07:01,200
Speaker 1: because you know, you always don't want to throw out

1354
01:07:01,240 --> 01:07:03,120
Speaker 1: something that everybody looks at you like, Okay, that's you know,

1355
01:07:03,240 --> 01:07:05,200
Speaker 1: that's not where not gonna go with that. So but

1356
01:07:05,360 --> 01:07:08,080
Speaker 1: they were really cool and we sat down and started

1357
01:07:08,080 --> 01:07:10,480
Speaker 1: from some core progressions. I sang a little bit, they

1358
01:07:10,520 --> 01:07:12,040
Speaker 1: sang a little bit, and we kind of messed the

1359
01:07:12,080 --> 01:07:15,439
Speaker 1: melodies and started writing the lyrics, and then I got

1360
01:07:15,760 --> 01:07:19,320
Speaker 1: what you never want happened in a songwriting situation. I

1361
01:07:19,840 --> 01:07:21,280
Speaker 1: was in the middle of a lot of things going

1362
01:07:21,320 --> 01:07:22,760
Speaker 1: on at my time in life, and I had a

1363
01:07:22,800 --> 01:07:25,480
Speaker 1: really important phone call that just kept blowing up my phone,

1364
01:07:25,480 --> 01:07:27,560
Speaker 1: blowing my phone. I walked out and I literally was

1365
01:07:27,680 --> 01:07:30,320
Speaker 1: maybe gone for like five ten minutes at most, and

1366
01:07:30,360 --> 01:07:31,640
Speaker 1: I can't back, and they're like, hey, yeah, we got

1367
01:07:31,640 --> 01:07:34,600
Speaker 1: the chorus. Then I was like, holy crap, you know, glad,

1368
01:07:34,640 --> 01:07:36,400
Speaker 1: I got glad. I got some parts in as far

1369
01:07:36,480 --> 01:07:38,400
Speaker 1: as the as far as the verse and the melody

1370
01:07:38,400 --> 01:07:39,919
Speaker 1: and stuff like that. But no, they were a great

1371
01:07:39,960 --> 01:07:43,240
Speaker 1: bunch of writers, and we did a real quick uh

1372
01:07:43,560 --> 01:07:45,040
Speaker 1: you know, I guess they called living Room demo and

1373
01:07:45,080 --> 01:07:47,120
Speaker 1: it kind of took off from there. So and right

1374
01:07:47,200 --> 01:07:49,479
Speaker 1: now you guys can stream Love like it's Josh's new single,

1375
01:07:49,680 --> 01:07:51,280
Speaker 1: can you? Because you're so good live and I know

1376
01:07:51,360 --> 01:07:53,680
Speaker 1: we just heard heard the track there, but I think

1377
01:07:53,680 --> 01:07:57,080
Speaker 1: our listeners like to hear someone play their song. Yeah,

1378
01:07:57,080 --> 01:07:58,680
Speaker 1: so would you mind playing this long verse and chorus

1379
01:07:58,720 --> 01:08:13,200
Speaker 1: the love like? Absolutely? You got that fight? I told

1380
01:08:13,240 --> 01:08:18,719
Speaker 1: your sun guy looking you got that sweet like Marvin

1381
01:08:18,960 --> 01:08:23,519
Speaker 1: gig got to me. Give me that happy halver feeding

1382
01:08:24,120 --> 01:08:29,240
Speaker 1: every deal. Don't you got it all? You got me? Yeah,

1383
01:08:29,320 --> 01:08:33,960
Speaker 1: you got me. I never had a love like me

1384
01:08:34,560 --> 01:08:37,880
Speaker 1: now a motown battle of cattlelight of summer on the

1385
01:08:37,960 --> 01:08:42,519
Speaker 1: street lights feels out and non's good shitty. I'm tuning

1386
01:08:42,760 --> 01:08:50,519
Speaker 1: sound fighting crazy Sunday true, never had a love black love,

1387
01:08:50,840 --> 01:09:06,960
Speaker 1: black love black you a black daddy? Sound great? Yeaggy

1388
01:09:07,680 --> 01:09:13,679
Speaker 1: thang listen stream that song here, history repeats. Play little

1389
01:09:13,680 --> 01:09:15,600
Speaker 1: clip of that? Yeah, oh you want to heck you

1390
01:09:15,640 --> 01:09:17,240
Speaker 1: want to play? I thought you grab your guitar. I know,

1391
01:09:17,320 --> 01:09:19,160
Speaker 1: I mean I thought I didn't know if you guys

1392
01:09:19,200 --> 01:09:20,920
Speaker 1: want to play cripple clip of that's? What would you

1393
01:09:21,000 --> 01:09:22,280
Speaker 1: rather do? Would you rather play a little bit for

1394
01:09:22,400 --> 01:09:25,840
Speaker 1: us and showcase that fine voice of yours. It sounds

1395
01:09:25,840 --> 01:09:27,679
Speaker 1: a little hard, but okay, just give us a little

1396
01:09:27,720 --> 01:09:31,479
Speaker 1: bit of it. Okay, becaus are testing me early in

1397
01:09:31,479 --> 01:09:34,719
Speaker 1: the morning. Early in the morning for an artist. Anyways,

1398
01:09:34,720 --> 01:09:48,960
Speaker 1: I guess say that new how schools. I knew how

1399
01:09:49,120 --> 01:09:54,920
Speaker 1: its shooting up at your front door, live with just friends,

1400
01:09:56,240 --> 01:10:02,480
Speaker 1: yule ting Machael, we'll start talking on else you're asking

1401
01:10:02,600 --> 01:10:10,200
Speaker 1: bad her. She don't work out then now staying to

1402
01:10:10,880 --> 01:10:17,639
Speaker 1: Long's waning am and should be gone. But don't blame

1403
01:10:17,680 --> 01:10:22,080
Speaker 1: it all the night. Don't blame it on us. You

1404
01:10:22,240 --> 01:10:26,000
Speaker 1: don't blame it all the worn because it ain't strong.

1405
01:10:26,280 --> 01:10:30,840
Speaker 1: N I won't blame it only if you don't blame

1406
01:10:30,960 --> 01:10:38,080
Speaker 1: it on me. Yeah, let's blame it all history. You

1407
01:10:38,120 --> 01:10:45,440
Speaker 1: can see his story repeats. I mean, color me impressed.

1408
01:10:46,080 --> 01:10:48,880
Speaker 1: I knew you could sing so good man, but I

1409
01:10:49,000 --> 01:10:51,880
Speaker 1: mean you're you're just you're annihilating it. Thank you, I

1410
01:10:51,920 --> 01:10:54,200
Speaker 1: appreciate that. I'm glad that we didn't play the clip.

1411
01:10:54,600 --> 01:10:58,519
Speaker 1: Holy crap, Josh Grayson is here. He's whooping these songs, man,

1412
01:10:58,640 --> 01:11:00,400
Speaker 1: and I know we're just gonna do not and to lose.

1413
01:11:00,600 --> 01:11:02,599
Speaker 1: Do you know all your songs? Like? Are you like? Yeah,

1414
01:11:02,640 --> 01:11:04,840
Speaker 1: I know, I'm all no problem. Uh, you know, I

1415
01:11:04,960 --> 01:11:08,640
Speaker 1: don't know wish I did um like if I were

1416
01:11:08,720 --> 01:11:11,000
Speaker 1: to go you know, I want to live, right because

1417
01:11:11,920 --> 01:11:13,640
Speaker 1: since that was a top five song for you, do

1418
01:11:13,680 --> 01:11:15,800
Speaker 1: you know I want to live? I do not? You

1419
01:11:15,840 --> 01:11:17,559
Speaker 1: know why because I'll tell you. I'll tell you why.

1420
01:11:17,560 --> 01:11:19,120
Speaker 1: Go ahead. I'm a big monkey when it comes to

1421
01:11:19,200 --> 01:11:21,160
Speaker 1: hitting the hitting the guitar, and I like, I like

1422
01:11:21,280 --> 01:11:24,679
Speaker 1: to play all this stuff. And I self taught myself

1423
01:11:24,840 --> 01:11:26,840
Speaker 1: or I taught myself how to play guitar. I think

1424
01:11:26,920 --> 01:11:28,840
Speaker 1: like nineteen years old when I was in college. Um

1425
01:11:28,880 --> 01:11:30,800
Speaker 1: so I definitely know how to play like all the stuff.

1426
01:11:30,880 --> 01:11:33,120
Speaker 1: I'm singing everything, But that song has got so many

1427
01:11:33,120 --> 01:11:35,439
Speaker 1: intricate rhythms. If I sit there and I try to

1428
01:11:35,520 --> 01:11:38,599
Speaker 1: play the rhythm and sing at the same time, that's

1429
01:11:38,640 --> 01:11:40,920
Speaker 1: not gonna work out for me. What is your favorite song?

1430
01:11:41,000 --> 01:11:43,560
Speaker 1: If you're at somebody's house, they're like, uh, you go

1431
01:11:43,640 --> 01:11:45,280
Speaker 1: with a buddy and they're like, this is Josh Grayson

1432
01:11:45,400 --> 01:11:47,120
Speaker 1: Country start job and they're like, oh, you play. They

1433
01:11:47,160 --> 01:11:49,760
Speaker 1: give you a guitar and they're like play something. What? What? Like?

1434
01:11:50,120 --> 01:11:53,040
Speaker 1: What cover song do you go to first at a party?

1435
01:11:54,000 --> 01:11:55,920
Speaker 1: At a party, we'll see I'm a sucker for ballad,

1436
01:11:56,000 --> 01:11:57,800
Speaker 1: So those don't go over very well. Come on, like,

1437
01:11:57,880 --> 01:12:00,519
Speaker 1: what's your ballot. What is because I also that soul

1438
01:12:00,560 --> 01:12:03,040
Speaker 1: in your voice too, because I could definitely hear the country,

1439
01:12:03,080 --> 01:12:08,000
Speaker 1: but I do hear like the Motown influence soul. Remember,

1440
01:12:13,200 --> 01:12:16,160
Speaker 1: I'm just gonna remember playing this one in the rain

1441
01:12:16,840 --> 01:12:26,120
Speaker 1: isn't blowing in your face here the woes on your case.

1442
01:12:30,000 --> 01:12:39,000
Speaker 1: But I usually do a lot of all right, I

1443
01:12:39,080 --> 01:12:45,600
Speaker 1: could do this one a lot, desp Why don't you

1444
01:12:46,000 --> 01:12:53,439
Speaker 1: come to sences? You've been out riding fances. You're so

1445
01:12:53,960 --> 01:13:00,880
Speaker 1: long now you're hard won, I know. Oh man, you

1446
01:13:01,160 --> 01:13:07,000
Speaker 1: got your reasons. These things that a please and you

1447
01:13:07,800 --> 01:13:16,040
Speaker 1: can hurt you somehow. Don't you play the Queen a

1448
01:13:16,240 --> 01:13:21,760
Speaker 1: diamonds ball? She'll beat you? Which zeble? You knew the

1449
01:13:21,960 --> 01:13:25,599
Speaker 1: Queen of hearts and his only you a bit spid

1450
01:13:28,720 --> 01:13:33,280
Speaker 1: And it sits me some father things having to lead

1451
01:13:33,520 --> 01:13:46,960
Speaker 1: upon your table, but you only walks. You can't soo. Hey,

1452
01:13:47,040 --> 01:13:50,120
Speaker 1: they're just so good. So you got these two new

1453
01:13:50,160 --> 01:13:52,080
Speaker 1: songs out now, like what's the go? You're trying to

1454
01:13:52,120 --> 01:13:54,679
Speaker 1: put out a full record? You want to? Yeah, actually

1455
01:13:54,680 --> 01:13:59,040
Speaker 1: we're looking for uh end of October, middle of November

1456
01:13:59,760 --> 01:14:02,519
Speaker 1: to lease an album. It's always one of those things

1457
01:14:02,520 --> 01:14:04,200
Speaker 1: where you write a bunch of stuff and you kind

1458
01:14:04,200 --> 01:14:06,720
Speaker 1: of want to wait to see if you, you know,

1459
01:14:07,080 --> 01:14:09,320
Speaker 1: write that just that one thing that might hit you.

1460
01:14:09,720 --> 01:14:11,640
Speaker 1: And being the fact that you know, I've got my

1461
01:14:11,680 --> 01:14:14,000
Speaker 1: own label, guide investor, and I kind of make my

1462
01:14:14,040 --> 01:14:15,320
Speaker 1: own music. We can go out of drop of the

1463
01:14:15,360 --> 01:14:18,800
Speaker 1: hat and go and record. I'll want to. And I've

1464
01:14:18,840 --> 01:14:20,960
Speaker 1: got so many good friends still in Nashville that kind

1465
01:14:21,000 --> 01:14:23,040
Speaker 1: of believe in me and believe in what I'm doing

1466
01:14:23,120 --> 01:14:25,679
Speaker 1: and think that, you know, we get things really going again,

1467
01:14:25,720 --> 01:14:28,439
Speaker 1: and so much show that to actually we're getting rid

1468
01:14:28,479 --> 01:14:30,840
Speaker 1: of record a song that Morgan Wallen was gracious enough

1469
01:14:30,840 --> 01:14:33,320
Speaker 1: to let me cut something he wrote, a song called

1470
01:14:33,360 --> 01:14:35,439
Speaker 1: taking You. So there's a lot of great things happening,

1471
01:14:35,479 --> 01:14:37,479
Speaker 1: a lot of good things going on. Well, I believe

1472
01:14:37,520 --> 01:14:39,760
Speaker 1: in you. When you get that that record ready or

1473
01:14:39,800 --> 01:14:42,800
Speaker 1: that song ready, call me up. Absolutely we'll put you

1474
01:14:42,880 --> 01:14:45,400
Speaker 1: on again. We'll talk about it. Absolutely. This I don't

1475
01:14:45,400 --> 01:14:46,760
Speaker 1: know how to play a little bit more songs on

1476
01:14:46,880 --> 01:14:50,000
Speaker 1: the spot. Listen. We never put people on the spot

1477
01:14:50,080 --> 01:14:52,160
Speaker 1: that we're not impressed by. I can tell you no

1478
01:14:52,200 --> 01:14:53,519
Speaker 1: one ever comes in and they suck and I'm like,

1479
01:14:53,560 --> 01:14:56,600
Speaker 1: we'll do this. We only did that with people were like,

1480
01:14:56,680 --> 01:15:00,200
Speaker 1: holy crap, we're actually entertained. That's really good. So thank

1481
01:15:00,200 --> 01:15:02,479
Speaker 1: you for coming in. You guys. Follow Josh at Josh

1482
01:15:02,640 --> 01:15:06,800
Speaker 1: Grayson g r a ci N check out love like

1483
01:15:07,080 --> 01:15:09,080
Speaker 1: checkout history repeats. I mean he played a verse of

1484
01:15:09,160 --> 01:15:11,360
Speaker 1: chorus here. Obviously he's great live and when you get

1485
01:15:11,400 --> 01:15:13,880
Speaker 1: that record, ready you let me know absolutely all right,

1486
01:15:13,880 --> 01:15:18,160
Speaker 1: there is Josh Grayson. Everybody. It's the best Bits of

1487
01:15:18,280 --> 01:15:22,720
Speaker 1: the week with Morgan number two on the show. This

1488
01:15:22,880 --> 01:15:25,920
Speaker 1: week we did the spinning Wheel and somebody on the

1489
01:15:25,960 --> 01:15:28,840
Speaker 1: show had to eat the world's sourist candy. I'm not

1490
01:15:28,920 --> 01:15:31,880
Speaker 1: revealing anything because you know spoilers. I want you to listen.

1491
01:15:32,280 --> 01:15:35,639
Speaker 1: But Scooba Steve, we have a fun segment happening. Okay, yeah,

1492
01:15:36,160 --> 01:15:38,560
Speaker 1: this or that, okay, and choose you can give but

1493
01:15:38,720 --> 01:15:41,240
Speaker 1: this you can give, but that, yes, give us a

1494
01:15:41,280 --> 01:15:43,439
Speaker 1: little garry. Okay, you can give with this, so you

1495
01:15:43,520 --> 01:15:44,960
Speaker 1: can give it that no no no no no no

1496
01:15:45,280 --> 01:15:47,640
Speaker 1: no no no. I was like reading it for you

1497
01:15:47,720 --> 01:15:49,960
Speaker 1: to break out into that really like fast start with this.

1498
01:15:51,479 --> 01:15:54,560
Speaker 1: Um okay, so this is that, this that, this is

1499
01:15:54,600 --> 01:15:57,000
Speaker 1: that that is this? Ye this or that is the

1500
01:15:57,120 --> 01:16:01,880
Speaker 1: name of the game. Okay, sour or wheat. I'm gonna go.

1501
01:16:02,600 --> 01:16:04,680
Speaker 1: I like a little bit of both, though, like you

1502
01:16:05,080 --> 01:16:08,160
Speaker 1: ever like sour heads growing up heads? Okay, all right,

1503
01:16:08,400 --> 01:16:11,040
Speaker 1: I'll go sweet then. Okay, I have a sweet tooth.

1504
01:16:11,080 --> 01:16:14,360
Speaker 1: I love like candies and chocolates and ice cream and

1505
01:16:14,479 --> 01:16:16,160
Speaker 1: that kind of stuff. Like any sweet or is there

1506
01:16:16,160 --> 01:16:18,400
Speaker 1: short and sweets you don't like? I like anything sweet,

1507
01:16:18,520 --> 01:16:21,799
Speaker 1: whether it's natural sweet like fruits, or it's like chocolate

1508
01:16:22,080 --> 01:16:24,280
Speaker 1: candy sweets, I love it all. I'm with you on

1509
01:16:24,360 --> 01:16:26,960
Speaker 1: the sweets, but I do not think fruits are sweets.

1510
01:16:27,200 --> 01:16:29,720
Speaker 1: And if somebody gives me like a lemon or a

1511
01:16:29,800 --> 01:16:32,439
Speaker 1: strawberry shortcake thing, I'm like, no, I don't want that.

1512
01:16:32,760 --> 01:16:35,720
Speaker 1: I want like chocolate or vanilla or red velvet. But

1513
01:16:35,840 --> 01:16:38,040
Speaker 1: do you like those sweets though you like? Like I

1514
01:16:38,160 --> 01:16:41,120
Speaker 1: don't remind them, but I wouldn't choose them. Like if

1515
01:16:41,160 --> 01:16:43,400
Speaker 1: there's something on the menu of like chocolate cake or

1516
01:16:43,560 --> 01:16:46,720
Speaker 1: like strawberry shortcake, I'm totally going chocolate cake. Okay for me.

1517
01:16:46,760 --> 01:16:48,559
Speaker 1: I think it's rooted. As a child, we weren't allowed

1518
01:16:48,560 --> 01:16:51,920
Speaker 1: to have candy, so so I basically supplemented real candy

1519
01:16:51,960 --> 01:16:54,920
Speaker 1: and sweets with fruits. I was allowed to half oranges

1520
01:16:54,960 --> 01:16:57,680
Speaker 1: and watermelon and that kind of stuff. So so for

1521
01:16:57,800 --> 01:16:59,240
Speaker 1: me it was always that. And then when I got

1522
01:16:59,280 --> 01:17:01,080
Speaker 1: to be of an age I could buy my own stuff,

1523
01:17:01,080 --> 01:17:03,240
Speaker 1: I was like, screw you, I'm buying candy. Yes, but

1524
01:17:03,320 --> 01:17:06,240
Speaker 1: I still like fruit though I enjoy it. Okay, that's fair,

1525
01:17:06,360 --> 01:17:10,439
Speaker 1: So I'll go with sweet. Okay, West or East Coast.

1526
01:17:11,080 --> 01:17:13,439
Speaker 1: That's tough because I've lived on both, I know, and

1527
01:17:13,560 --> 01:17:17,000
Speaker 1: I am both. Um, I would have to go West Coast, Okay.

1528
01:17:17,200 --> 01:17:19,599
Speaker 1: That's the reason. I think even as a child growing up,

1529
01:17:19,680 --> 01:17:23,240
Speaker 1: I was more in tune with West Coast lifestyle rap

1530
01:17:23,560 --> 01:17:27,920
Speaker 1: like I loved NWA Digital Underground versus like Biggie and

1531
01:17:28,160 --> 01:17:29,880
Speaker 1: that in that whole side, like two pacing. I mean

1532
01:17:29,920 --> 01:17:31,800
Speaker 1: I was into it two bucks West Coast sorry, Like

1533
01:17:31,960 --> 01:17:34,640
Speaker 1: I just wasn't into the East Coast scene. Um, so

1534
01:17:34,800 --> 01:17:38,800
Speaker 1: I would do more West Coast laid back to server lifestyle, yes, yeah,

1535
01:17:38,800 --> 01:17:43,120
Speaker 1: and I just surfer surfer lifestyle. Yeah, just the beat.

1536
01:17:43,200 --> 01:17:44,960
Speaker 1: I mean, I mean there are beaches on both sides,

1537
01:17:45,000 --> 01:17:47,400
Speaker 1: but it's like that whole vibe. And I've always wanted

1538
01:17:47,479 --> 01:17:50,000
Speaker 1: to be in Hollywood in LA and that was my

1539
01:17:50,120 --> 01:17:52,559
Speaker 1: dream as a child, so that's just that's me at

1540
01:17:52,600 --> 01:17:55,040
Speaker 1: West Coast all day, every day. Oh, I see, I

1541
01:17:55,120 --> 01:17:56,599
Speaker 1: need to go out to the West Coast. I haven't

1542
01:17:56,600 --> 01:17:58,000
Speaker 1: got a chance. I've never been to the West Coast.

1543
01:17:58,280 --> 01:18:00,760
Speaker 1: The only time I've ever been to anywhere on the

1544
01:18:00,840 --> 01:18:03,160
Speaker 1: West Coast was La to go to Hawaii a few

1545
01:18:03,240 --> 01:18:05,240
Speaker 1: years back when my parents took us on a vacation.

1546
01:18:05,360 --> 01:18:08,040
Speaker 1: But no, besides that, I've not been anywhere. The furthest

1547
01:18:08,080 --> 01:18:10,320
Speaker 1: I've been is Colorado, and that's not even West Coast

1548
01:18:10,400 --> 01:18:12,439
Speaker 1: for me. It's not. It's more Midwest here. Yeah. Well,

1549
01:18:12,439 --> 01:18:13,880
Speaker 1: when you're in La, were you just it was just

1550
01:18:13,960 --> 01:18:16,680
Speaker 1: like a airport stop. Okay, so you never really were.

1551
01:18:16,840 --> 01:18:19,240
Speaker 1: I think we stayed that night in like ate somewhere

1552
01:18:19,479 --> 01:18:22,000
Speaker 1: on a pier, but I don't really remember it that much.

1553
01:18:22,120 --> 01:18:24,439
Speaker 1: I was younger, so I remember Hawaii, but I don't

1554
01:18:24,439 --> 01:18:27,120
Speaker 1: really remember that little stop that we had. Okay, So

1555
01:18:27,240 --> 01:18:29,040
Speaker 1: whenever I decided to go, you have to tell me why,

1556
01:18:29,120 --> 01:18:30,559
Speaker 1: Well for sure, like I know, you give me all

1557
01:18:30,600 --> 01:18:32,759
Speaker 1: the things. Well, yeah, well, because last this past holiday

1558
01:18:32,800 --> 01:18:34,519
Speaker 1: break you went and did the whole East Coast tour.

1559
01:18:34,760 --> 01:18:36,800
Speaker 1: I feel like this time you get to the West coast. Yes,

1560
01:18:36,960 --> 01:18:39,040
Speaker 1: but westcas was so much harder to get to from

1561
01:18:39,080 --> 01:18:40,880
Speaker 1: where we are. It is. We just gotta you basically

1562
01:18:41,000 --> 01:18:42,720
Speaker 1: the fly and then rent a car. Yeah, and then

1563
01:18:42,760 --> 01:18:44,280
Speaker 1: you use that to drive up and down the coast,

1564
01:18:44,560 --> 01:18:48,080
Speaker 1: which I want to do that, yes, yeah, drive that.

1565
01:18:48,479 --> 01:18:50,240
Speaker 1: If you could do the whole thing from Seattle all

1566
01:18:50,240 --> 01:18:52,320
Speaker 1: the way down to LA which would take a minute,

1567
01:18:53,080 --> 01:18:56,320
Speaker 1: I highly recommended. Have you done that. I've done from

1568
01:18:56,640 --> 01:19:01,120
Speaker 1: the from Norcau to Socao, never from Washington down. So

1569
01:19:01,280 --> 01:19:02,880
Speaker 1: that's a buckle list item for me as well, to

1570
01:19:02,920 --> 01:19:04,559
Speaker 1: do the whole thing. But even just the parts I've

1571
01:19:04,560 --> 01:19:08,680
Speaker 1: seen from all of California unbelievable. One, aren't the redwoods

1572
01:19:08,840 --> 01:19:13,400
Speaker 1: in North Okay? Okay, yeah, all of that. So for

1573
01:19:13,600 --> 01:19:16,960
Speaker 1: now I have to choose East Coast again beautiful, which

1574
01:19:17,040 --> 01:19:18,560
Speaker 1: you need to go to the East Coast too, like

1575
01:19:18,800 --> 01:19:20,720
Speaker 1: do what we did and go to all of those

1576
01:19:20,840 --> 01:19:22,200
Speaker 1: That's what I've always want to do that as well.

1577
01:19:22,240 --> 01:19:24,559
Speaker 1: Like that northern area you win too, is so cool looking,

1578
01:19:24,800 --> 01:19:27,400
Speaker 1: so awesome, much history too, right, Yeah, so much history

1579
01:19:27,479 --> 01:19:29,759
Speaker 1: and so much beautiful scenery that you just don't expect

1580
01:19:29,800 --> 01:19:31,360
Speaker 1: because when when you think of the East Coast, you're

1581
01:19:31,360 --> 01:19:33,640
Speaker 1: thinking of New York City, right all you think of

1582
01:19:34,200 --> 01:19:36,519
Speaker 1: and then there's so much more to offer up there. Ye.

1583
01:19:36,680 --> 01:19:39,280
Speaker 1: So right now mine's East Coast, but it could be

1584
01:19:39,360 --> 01:19:42,600
Speaker 1: West Coast. I just haven't been yet. Yeah. Yeah, and

1585
01:19:42,680 --> 01:19:44,240
Speaker 1: it makes me really sad that I have not been

1586
01:19:44,320 --> 01:19:46,160
Speaker 1: to half of the United States. I know, you got

1587
01:19:46,240 --> 01:19:48,400
Speaker 1: to get out there, but you're starting. I appreciate the

1588
01:19:48,439 --> 01:19:50,559
Speaker 1: fact that you're starting. You're you're trying to do it. Trying.

1589
01:19:50,680 --> 01:19:52,280
Speaker 1: I mean, as you know, it's very hard to take

1590
01:19:52,280 --> 01:19:55,479
Speaker 1: off from workerly an option. Most of the time. It's

1591
01:19:55,600 --> 01:19:57,679
Speaker 1: very tough. But and as you get older it becoming

1592
01:19:57,760 --> 01:19:59,840
Speaker 1: more difficult. If you decide have a family, then it's

1593
01:20:00,000 --> 01:20:02,639
Speaker 1: even more difficult to get out and do stuff exactly. Yeah.

1594
01:20:02,680 --> 01:20:04,679
Speaker 1: So when I do decide to go to West Coast,

1595
01:20:04,920 --> 01:20:08,040
Speaker 1: I'm coming to you give up all the suggestion. Yeah. Um,

1596
01:20:08,520 --> 01:20:12,200
Speaker 1: pancakes or waffles? Oh man, that's another tough one. That's

1597
01:20:12,240 --> 01:20:14,439
Speaker 1: why this is a good game. It's like who you

1598
01:20:14,520 --> 01:20:17,960
Speaker 1: cannot choose. I like both. I like cracker barrel pancakes

1599
01:20:18,040 --> 01:20:20,280
Speaker 1: and I like waffle House waffles. Oh those are both

1600
01:20:20,479 --> 01:20:23,720
Speaker 1: very specific too. Yeah, but I want to say when

1601
01:20:23,760 --> 01:20:25,840
Speaker 1: I was living in La I was really big into

1602
01:20:25,880 --> 01:20:28,920
Speaker 1: diners because they have those really cool old it's almost

1603
01:20:28,960 --> 01:20:31,160
Speaker 1: it's basically walking back in a time. Oh like mom

1604
01:20:31,240 --> 01:20:33,360
Speaker 1: and pop diners, yes and there, and they keep them

1605
01:20:33,400 --> 01:20:35,599
Speaker 1: the way they are that they keep at fifties, sixties,

1606
01:20:35,640 --> 01:20:39,040
Speaker 1: seventies vibe because when they film movies that have the

1607
01:20:39,080 --> 01:20:41,479
Speaker 1: air like period pieces that are in that era. There's

1608
01:20:41,479 --> 01:20:43,280
Speaker 1: a lot of places in Hollywood where you can film

1609
01:20:43,320 --> 01:20:46,080
Speaker 1: because it's still that vibe and that thing. But when

1610
01:20:46,120 --> 01:20:47,559
Speaker 1: you go to these places, it's so cool, not only

1611
01:20:47,560 --> 01:20:49,960
Speaker 1: because you could recognize it from film or television, but

1612
01:20:50,320 --> 01:20:52,519
Speaker 1: it's like it's just going back in time. And the

1613
01:20:52,600 --> 01:20:55,200
Speaker 1: diner and everything there is still pretty affordable. They can

1614
01:20:55,240 --> 01:20:57,639
Speaker 1: go there and get waffles and eggs and a side

1615
01:20:57,680 --> 01:20:59,840
Speaker 1: dish for like five bucks and some really crappy coffee

1616
01:21:00,040 --> 01:21:02,680
Speaker 1: or a dollar. So and I always would try to

1617
01:21:02,680 --> 01:21:05,200
Speaker 1: go and try a bunch of different waffles, never pancakes.

1618
01:21:05,439 --> 01:21:07,760
Speaker 1: So because of that, I'm going with waffles. And I've

1619
01:21:07,800 --> 01:21:10,519
Speaker 1: tried like probably fifty different kind of waffles. What's your

1620
01:21:10,560 --> 01:21:13,080
Speaker 1: favorite kind of waffle? I think it have to be

1621
01:21:13,760 --> 01:21:17,640
Speaker 1: the super thin, crunchy waffle. Okay, so we're wait the

1622
01:21:17,680 --> 01:21:20,080
Speaker 1: fifty different kinds? Were they different flavors or were they different,

1623
01:21:20,120 --> 01:21:22,519
Speaker 1: like just differently made, just different different places. Everyone has

1624
01:21:22,560 --> 01:21:25,120
Speaker 1: their own recipe. Me some of them are like very

1625
01:21:25,200 --> 01:21:27,679
Speaker 1: much the same, but just like going to many different

1626
01:21:27,720 --> 01:21:33,160
Speaker 1: places throughout SoCal, like different diners or restaurants that serve waffles.

1627
01:21:34,160 --> 01:21:36,799
Speaker 1: I would say some of them like plaining, some insert

1628
01:21:36,960 --> 01:21:40,040
Speaker 1: some sort of fruits, or they infuse it with CBD

1629
01:21:40,280 --> 01:21:48,559
Speaker 1: or thac amazing. Did you ever have a bad waffle?

1630
01:21:50,160 --> 01:21:52,400
Speaker 1: I love waffle, so no, I've never had a bad waffle. Yeah,

1631
01:21:52,520 --> 01:21:55,639
Speaker 1: there's certain foods that like if you make them wrong, Yeah,

1632
01:21:55,760 --> 01:21:57,679
Speaker 1: you're really bad at what you do because like it's

1633
01:21:57,880 --> 01:22:00,640
Speaker 1: very hard to mess things staple. Yeah, yes, waffle is

1634
01:22:00,680 --> 01:22:02,519
Speaker 1: one of them. It's a breakfast If you can't make

1635
01:22:02,560 --> 01:22:05,240
Speaker 1: a really good waffle, and you're a breakfast breakfast spot

1636
01:22:05,280 --> 01:22:09,320
Speaker 1: if you're it's been around me. Words are hard, exactly.

1637
01:22:09,400 --> 01:22:11,760
Speaker 1: I can't move my mouth. If you can't make a

1638
01:22:11,840 --> 01:22:15,160
Speaker 1: good waffle, you are not a legitimate breakfast spot. Agreed. Yeah,

1639
01:22:15,280 --> 01:22:16,720
Speaker 1: even pancakes, who I know this is this or that,

1640
01:22:16,760 --> 01:22:18,640
Speaker 1: But if you can't make a good pancake, yeah, like

1641
01:22:19,160 --> 01:22:22,280
Speaker 1: just step off, just give up. Yes, your business is

1642
01:22:22,280 --> 01:22:24,040
Speaker 1: a crap and I used to say that about pizza,

1643
01:22:24,160 --> 01:22:29,080
Speaker 1: but then I'll learned that the places no cardboard pizzas exist. Yes,

1644
01:22:29,360 --> 01:22:32,360
Speaker 1: oh my god, bad lessons learned. But I'm the opposite

1645
01:22:32,400 --> 01:22:35,080
Speaker 1: with you on this one. You like a pancakes, chocolate

1646
01:22:35,160 --> 01:22:37,800
Speaker 1: chip pancakes every time. Okay, So when you do your

1647
01:22:37,880 --> 01:22:40,040
Speaker 1: trip for the West Coast. Yeah, there's a place in

1648
01:22:40,200 --> 01:22:41,479
Speaker 1: La and you gotta get there right when they open.

1649
01:22:41,560 --> 01:22:44,280
Speaker 1: It's called the Riddle Cafe and it's on It's right

1650
01:22:44,320 --> 01:22:46,920
Speaker 1: in the heart of Hollywood, and there's usually a long

1651
01:22:47,000 --> 01:22:48,639
Speaker 1: line if you go there after eight am. But you're

1652
01:22:48,640 --> 01:22:50,200
Speaker 1: a morning person, so you go there right at six

1653
01:22:50,320 --> 01:22:52,479
Speaker 1: or seven when they open, old school diner. It's got

1654
01:22:52,520 --> 01:22:55,840
Speaker 1: like it's really cool, low top bar. But they're pancakes

1655
01:22:56,080 --> 01:22:58,599
Speaker 1: are like the size of this desk. It's like they're

1656
01:22:58,720 --> 01:23:00,840
Speaker 1: they're massive, like I would say, maybe twenty four inches

1657
01:23:00,880 --> 01:23:03,360
Speaker 1: in diameter. They're huge, meant to be shared. But they

1658
01:23:03,439 --> 01:23:09,400
Speaker 1: got really good chocolate chip pancakes and they're love. Yes, okay, yeah, yes, yeah,

1659
01:23:09,400 --> 01:23:11,360
Speaker 1: anyone listening, you're going to La, go to the Griddle.

1660
01:23:11,720 --> 01:23:13,760
Speaker 1: The Griddle Cafe is I think it's a griddle cafe.

1661
01:23:13,800 --> 01:23:15,920
Speaker 1: I always call it the Griddle maybe the official name

1662
01:23:15,960 --> 01:23:17,880
Speaker 1: is a Griddle Cafe. I can look it up for

1663
01:23:17,920 --> 01:23:20,400
Speaker 1: you while you're talking about something else. Yeah, well you're

1664
01:23:20,479 --> 01:23:23,400
Speaker 1: like googling on like google fast. Um okay, well, I

1665
01:23:23,479 --> 01:23:26,280
Speaker 1: mean I think I may have your answer to this one.

1666
01:23:26,360 --> 01:23:28,519
Speaker 1: Now that we've had this discussion, it's a perfect one

1667
01:23:28,560 --> 01:23:32,120
Speaker 1: to lead into. Okay, breakfast or dinner. Oh, breakfast all

1668
01:23:32,200 --> 01:23:34,280
Speaker 1: day every day? Yeah? Oh yeah, I love I breakfast

1669
01:23:34,320 --> 01:23:37,439
Speaker 1: at my wedding. Oh yeah, we talked about yeah and

1670
01:23:37,520 --> 01:23:40,120
Speaker 1: I loved it. Yeah, okay, yes, breakfast, Okay, that was

1671
01:23:40,560 --> 01:23:42,639
Speaker 1: for sure. And it is called the Griddle Cafe. That's

1672
01:23:42,680 --> 01:23:45,360
Speaker 1: the official name. It looks like and worth the way,

1673
01:23:45,400 --> 01:23:47,040
Speaker 1: even if you have to wait, right, Yeah, I don't

1674
01:23:47,080 --> 01:23:49,639
Speaker 1: like lines, so I would never wait. But if you're

1675
01:23:49,680 --> 01:23:55,960
Speaker 1: okay with waiting, then it's great. Doesn't have the patience

1676
01:23:56,000 --> 01:23:58,160
Speaker 1: to wait in a line. I'm Bugis House, Sunset and

1677
01:23:58,200 --> 01:24:00,599
Speaker 1: Fairfax Avenue. Go there, and then go down on Fairfax

1678
01:24:00,640 --> 01:24:03,120
Speaker 1: Avenue and check out all of the really cool West

1679
01:24:03,200 --> 01:24:06,439
Speaker 1: Hollywood clothing stores. They all all their flagship stores are

1680
01:24:06,520 --> 01:24:09,200
Speaker 1: right there. Okay, that's cool. Hey, pro tip, you're going

1681
01:24:09,240 --> 01:24:12,280
Speaker 1: to California, so yeah, breakfast, what about you? Breakfast? I'm

1682
01:24:12,280 --> 01:24:15,040
Speaker 1: gonna yeah, I can eat breakfast for breakfast, lunch, dinner.

1683
01:24:15,080 --> 01:24:17,400
Speaker 1: Oh yeah, like breakfast for dinner is one of my favorites.

1684
01:24:17,439 --> 01:24:19,840
Speaker 1: Oh my god, it's amazing. That's because our parents were lazy,

1685
01:24:19,920 --> 01:24:22,320
Speaker 1: but I appreciated it. Oh. I still it's still fun

1686
01:24:22,400 --> 01:24:25,080
Speaker 1: to me. Like nothing, there's nothing as satisfying as like

1687
01:24:25,320 --> 01:24:29,680
Speaker 1: just even like a eggs toast, like very simple breakfast. Yes,

1688
01:24:29,920 --> 01:24:31,640
Speaker 1: I love like all the different kinds now, but like

1689
01:24:31,680 --> 01:24:33,680
Speaker 1: a simple breakfast that still make me happy. Perfect. Have

1690
01:24:33,760 --> 01:24:35,960
Speaker 1: you ever had a egg in a hole on a bread? No,

1691
01:24:36,439 --> 01:24:38,360
Speaker 1: we're just basically it's just it's pretty simple. You just

1692
01:24:38,439 --> 01:24:40,360
Speaker 1: take a piece of bread and you take a small

1693
01:24:40,439 --> 01:24:42,160
Speaker 1: cup or you cut it and cut a hole in

1694
01:24:42,200 --> 01:24:43,880
Speaker 1: the middle and then put the egg in the middle

1695
01:24:43,880 --> 01:24:45,760
Speaker 1: of the bread and then you really fry it in

1696
01:24:45,840 --> 01:24:48,040
Speaker 1: a pan and you can put sides. Yeah, both sides. Yeah, Okay,

1697
01:24:48,040 --> 01:24:51,320
Speaker 1: I'm gonna try that. It's difficult. I mean I like eggs. Yeah,

1698
01:24:51,320 --> 01:24:52,920
Speaker 1: it kind of goes together. Ye have you? Oh we

1699
01:24:53,000 --> 01:24:54,880
Speaker 1: taught lunchbox and I brought this up on last and

1700
01:24:54,920 --> 01:24:58,160
Speaker 1: it was like a throwback. Have you ever had toast

1701
01:24:58,360 --> 01:25:00,320
Speaker 1: with cinnamon sugar on it? That's on the way you

1702
01:25:00,360 --> 01:25:02,280
Speaker 1: can do it. Yeah, my grandma, I didn't know what

1703
01:25:02,400 --> 01:25:04,760
Speaker 1: cinnamon was because I always thought cinnamon was the way

1704
01:25:04,800 --> 01:25:06,719
Speaker 1: she made it, and it being us little flint stones

1705
01:25:06,800 --> 01:25:10,000
Speaker 1: jar that she'd shake up, yes, cinnamon and sugar, until

1706
01:25:10,000 --> 01:25:12,200
Speaker 1: I always quit it cinnamon toast to just be that.

1707
01:25:12,600 --> 01:25:14,320
Speaker 1: And then when it was our friend's house and I

1708
01:25:14,400 --> 01:25:16,800
Speaker 1: want some cinnamon toast and his mom was like, you

1709
01:25:16,880 --> 01:25:19,600
Speaker 1: want cinnamon on toast, and I was like yeah, and

1710
01:25:19,720 --> 01:25:21,679
Speaker 1: she made it and was awful, And then I realized

1711
01:25:21,680 --> 01:25:26,479
Speaker 1: that my grandma was sugar and everything. The best part

1712
01:25:26,520 --> 01:25:28,400
Speaker 1: about this is every time it gets brought up, we

1713
01:25:28,520 --> 01:25:31,960
Speaker 1: all had these specific containers that held this mixture in

1714
01:25:32,040 --> 01:25:35,240
Speaker 1: our houses. Yeah, what was your house, because yeah, you

1715
01:25:35,240 --> 01:25:37,240
Speaker 1: couln't buy it from the store. You had to make it. Yes, Well,

1716
01:25:37,520 --> 01:25:40,280
Speaker 1: at first it was a country crock butter thing, okay,

1717
01:25:40,360 --> 01:25:42,680
Speaker 1: but then eventually we bought a little like one of

1718
01:25:42,720 --> 01:25:45,160
Speaker 1: those shakers for other used for other things, that we

1719
01:25:45,320 --> 01:25:48,120
Speaker 1: put an entire mixture of cinnamon sugar because we ate

1720
01:25:48,200 --> 01:25:50,240
Speaker 1: it so much, oh real quick, but we had to

1721
01:25:50,320 --> 01:25:52,280
Speaker 1: have something to like pour it on. Yeah, breakfast every

1722
01:25:52,320 --> 01:25:55,559
Speaker 1: day was cinnamon toast. Yep, every morning like total throwback.

1723
01:25:55,720 --> 01:25:57,800
Speaker 1: Don't know why we stopped eating it when we got older,

1724
01:25:58,200 --> 01:26:00,519
Speaker 1: like it's mostly sugar. Yeah, because my emma wasn't there

1725
01:26:00,560 --> 01:26:02,400
Speaker 1: to make it for me. So yeah, she when we

1726
01:26:02,439 --> 01:26:03,880
Speaker 1: go back to visit, she'd always want to if I

1727
01:26:03,960 --> 01:26:06,519
Speaker 1: want my toast, and then with the best part of me,

1728
01:26:06,560 --> 01:26:08,120
Speaker 1: got older to make it ourselves. Do you ever do

1729
01:26:08,240 --> 01:26:11,679
Speaker 1: the spray butter? No, oh, spray spray but before Okay,

1730
01:26:11,760 --> 01:26:15,120
Speaker 1: Yeah you loaded popcorn. Yeah, you loaded up with spray butter.

1731
01:26:15,320 --> 01:26:17,920
Speaker 1: It's that way, like cakes with butter. And then you,

1732
01:26:18,400 --> 01:26:20,200
Speaker 1: of course, as you're pouring it, like seeps into the

1733
01:26:20,280 --> 01:26:22,760
Speaker 1: butter and so you pour like a nice thick layer

1734
01:26:22,800 --> 01:26:25,000
Speaker 1: on it. And then now you've just basically made cinnamon

1735
01:26:25,160 --> 01:26:28,800
Speaker 1: sugar butter on top of your toast. It's awesome. I

1736
01:26:28,880 --> 01:26:30,439
Speaker 1: want to have to do I've been thinking about doing

1737
01:26:30,479 --> 01:26:32,599
Speaker 1: this again ever since Lunchbox and I talked about. Now

1738
01:26:32,680 --> 01:26:35,800
Speaker 1: you've encouraged me to continue trying to figure out it,

1739
01:26:35,840 --> 01:26:37,559
Speaker 1: and I'm gonna put it into my kids' lives now

1740
01:26:37,680 --> 01:26:39,800
Speaker 1: I know he's gonna have that. It is this thing

1741
01:26:39,880 --> 01:26:42,000
Speaker 1: that we have to bring back for the next generations

1742
01:26:42,040 --> 01:26:44,000
Speaker 1: because it was such an important part of our lives.

1743
01:26:44,120 --> 01:26:45,840
Speaker 1: Oh it was massive. Yeah, and so many things that

1744
01:26:45,920 --> 01:26:47,519
Speaker 1: we just don't talk about until it got brought up.

1745
01:26:47,600 --> 01:26:50,479
Speaker 1: Then everybody, like even on the B team facebook page,

1746
01:26:50,520 --> 01:26:53,840
Speaker 1: there was this whole thread of people like, oh my gosh,

1747
01:26:53,880 --> 01:26:56,439
Speaker 1: I didn't know, like we all did this. Yeah, it

1748
01:26:56,520 --> 01:27:00,679
Speaker 1: was like the family. Yeah, our thing. Some people didn't

1749
01:27:00,680 --> 01:27:01,920
Speaker 1: do it, like it with my friend's house, and they

1750
01:27:02,120 --> 01:27:04,760
Speaker 1: thought I was crazy? Did you ever? So? There was

1751
01:27:04,800 --> 01:27:07,040
Speaker 1: two specific cereals that I would eat as a kid,

1752
01:27:07,080 --> 01:27:09,439
Speaker 1: and I would put sugar on them, okay, Rice Crispy

1753
01:27:09,560 --> 01:27:12,839
Speaker 1: Treats okay, yeah and Raising Nut Brand okay, two cereals

1754
01:27:12,880 --> 01:27:14,720
Speaker 1: that I would load with sugar when I ate them.

1755
01:27:14,840 --> 01:27:17,479
Speaker 1: Did you ever put like sugar sugar on Cereal? Never

1756
01:27:17,520 --> 01:27:22,719
Speaker 1: put sugar on them? You know what. I just wanted

1757
01:27:22,720 --> 01:27:27,920
Speaker 1: to say that that's another thing it's weird about me.

1758
01:27:27,960 --> 01:27:30,200
Speaker 1: I love sugar and I love sweets, but my cereal

1759
01:27:30,320 --> 01:27:32,519
Speaker 1: I like it to be like I'm like an old

1760
01:27:32,560 --> 01:27:36,519
Speaker 1: crotchety man. I like plain cheerios, I like plain wheaties.

1761
01:27:36,840 --> 01:27:39,120
Speaker 1: You don't like the fruity cereals, I don't mind them.

1762
01:27:39,160 --> 01:27:41,080
Speaker 1: Sweat cereals, I don't mind them. They're good. I'll have them,

1763
01:27:41,320 --> 01:27:44,200
Speaker 1: but I just like like the brands, like the raisin brands.

1764
01:27:44,360 --> 01:27:52,080
Speaker 1: The my favorite is the the oatmeal squares. Yeah, and

1765
01:27:52,200 --> 01:27:53,840
Speaker 1: it just starts, it's just so good to have a

1766
01:27:53,960 --> 01:27:59,519
Speaker 1: nice plain brand Cereal. Yeah yourself, right, you heard what

1767
01:28:00,080 --> 01:28:05,280
Speaker 1: sounded like and the daily newspaper and my coffee. Oh man, yeah,

1768
01:28:05,560 --> 01:28:07,200
Speaker 1: I know, well I knew it was like kind of

1769
01:28:07,240 --> 01:28:11,280
Speaker 1: a crazy thing that I did, Like who puts more sir? Cereal?

1770
01:28:12,080 --> 01:28:14,400
Speaker 1: But I always did that and it always tasted so good.

1771
01:28:14,800 --> 01:28:16,439
Speaker 1: Now I can't eat them, so I don't even buy

1772
01:28:16,479 --> 01:28:18,680
Speaker 1: them because I can't eat them without sugar on them,

1773
01:28:18,760 --> 01:28:21,960
Speaker 1: and horn knows I cannot eat that like I use. Yeah,

1774
01:28:22,040 --> 01:28:24,320
Speaker 1: my tabos definitely slow down as we get older. Yes,

1775
01:28:24,760 --> 01:28:27,280
Speaker 1: oh my gosh, okay, we have a few more. We'll

1776
01:28:27,360 --> 01:28:32,439
Speaker 1: roll through them day or night, day, night. Not the song.

1777
01:28:35,120 --> 01:28:37,000
Speaker 1: I think it's changed throughout my life. When I was younger,

1778
01:28:37,040 --> 01:28:39,679
Speaker 1: it was definitely night. Yeah, Now it's definitely the daytime.

1779
01:28:40,000 --> 01:28:41,960
Speaker 1: I'm the kind of person that even on our off

1780
01:28:42,040 --> 01:28:44,880
Speaker 1: days and weekends and stuff, I still find myself getting

1781
01:28:44,920 --> 01:28:46,840
Speaker 1: up early, like getting up not as early as we

1782
01:28:46,880 --> 01:28:49,120
Speaker 1: do to hear, but still in the six o'clock hour

1783
01:28:49,160 --> 01:28:50,960
Speaker 1: I'll get up on the weekends. That way, I can

1784
01:28:51,000 --> 01:28:52,920
Speaker 1: just get everything in. I like getting out early too,

1785
01:28:53,280 --> 01:28:55,200
Speaker 1: because when you beat traffic, you beat everyone else who

1786
01:28:55,240 --> 01:28:57,320
Speaker 1: sleeps in and all that kind of stuff. So I'm

1787
01:28:57,360 --> 01:29:01,280
Speaker 1: I'm a day person now, especially as a father. We're

1788
01:29:01,360 --> 01:29:14,200
Speaker 1: adding to U Scuba's old list, meal, reading the newspaper,

1789
01:29:15,000 --> 01:29:19,720
Speaker 1: checking my lottery numbers. Oh my gosh, mine's still night

1790
01:29:19,840 --> 01:29:22,200
Speaker 1: I have not crossed over the one thing that's still

1791
01:29:22,200 --> 01:29:24,120
Speaker 1: I'm still night out. I would love to stay up late,

1792
01:29:24,280 --> 01:29:25,760
Speaker 1: like I could stay up till three am, but I

1793
01:29:25,960 --> 01:29:28,479
Speaker 1: try not to because I don't have the option anymore. Yeah, yeah,

1794
01:29:28,479 --> 01:29:32,479
Speaker 1: it's too tough. Yes, So okay, I have your ongoing

1795
01:29:32,520 --> 01:29:37,960
Speaker 1: list over here, un old man list. I love. I

1796
01:29:38,240 --> 01:29:41,840
Speaker 1: love trolling you lunch box and because you don't you

1797
01:29:41,960 --> 01:29:44,960
Speaker 1: let it bother you. But those two do I accepted.

1798
01:29:45,040 --> 01:29:48,000
Speaker 1: I embrace getting older and it's just just part of well.

1799
01:29:48,120 --> 01:29:52,080
Speaker 1: And to be fair, I have I have my dentist,

1800
01:29:52,240 --> 01:29:54,439
Speaker 1: doctor Schmidt, who's so awesome. He did mine VISI line,

1801
01:29:54,479 --> 01:29:58,479
Speaker 1: but he calls it instead of older, you are vintage vintage.

1802
01:29:58,600 --> 01:30:00,879
Speaker 1: That that's a nice way to It's a nice connotation

1803
01:30:00,960 --> 01:30:03,040
Speaker 1: for it. Yes, And he was like, I'm not old

1804
01:30:03,080 --> 01:30:04,920
Speaker 1: on vintage, and I was like, you know what you are?

1805
01:30:05,360 --> 01:30:08,880
Speaker 1: Like really, because everything that's old is new again always yeah, always,

1806
01:30:08,960 --> 01:30:11,280
Speaker 1: so nice would put I'll start coining that phrase. Yeah

1807
01:30:11,280 --> 01:30:15,000
Speaker 1: you're vintage vintage. You ain't old on vintage. Okay, tattoos

1808
01:30:15,040 --> 01:30:18,800
Speaker 1: are piercings. Um, I would have to, I guess to

1809
01:30:19,120 --> 01:30:20,920
Speaker 1: piercings because I don't I don't want tattoos and I

1810
01:30:20,920 --> 01:30:22,880
Speaker 1: don't like tattoos. Right there with you, Yeah, I have

1811
01:30:22,920 --> 01:30:25,519
Speaker 1: my ears pierce that both ears piers wait still yeah,

1812
01:30:25,560 --> 01:30:27,960
Speaker 1: I mean they haven't closed up, I imagine, but they're there.

1813
01:30:28,000 --> 01:30:29,599
Speaker 1: I could. I could put an earring in there if

1814
01:30:29,600 --> 01:30:32,559
Speaker 1: I wanted to, just like a little little diamonds, little diamonds.

1815
01:30:32,600 --> 01:30:35,840
Speaker 1: I used to wear black diamonds up until about four.

1816
01:30:36,080 --> 01:30:38,720
Speaker 1: I'm picturing you black diamonds right now. That is here.

1817
01:30:38,880 --> 01:30:41,000
Speaker 1: I can't see it. Yeah. When I was younger, as

1818
01:30:41,000 --> 01:30:42,960
Speaker 1: a kid, I wanted ears pierce. My mom wouldn't do it.

1819
01:30:43,240 --> 01:30:45,479
Speaker 1: So I used to get from Claire's or Piercing Pagoda

1820
01:30:45,520 --> 01:30:50,719
Speaker 1: or whatever used to get those magnetic earrings. And it's

1821
01:30:50,760 --> 01:30:52,560
Speaker 1: funny is you didn't want to tell your friends that

1822
01:30:52,600 --> 01:30:54,719
Speaker 1: you didn't get your ears pierced, but it was obvious

1823
01:30:54,880 --> 01:30:57,280
Speaker 1: after Jim when your ear when your piercing went from

1824
01:30:57,280 --> 01:30:58,759
Speaker 1: like right in the middle of the year to shifted

1825
01:30:58,840 --> 01:31:03,559
Speaker 1: to the left. Yeah, those magnetic periods forever, they're awful.

1826
01:31:04,280 --> 01:31:07,680
Speaker 1: Oh my gosh. Yeah, so ears Pierce. I'm with you.

1827
01:31:07,800 --> 01:31:09,840
Speaker 1: I still have my belly button pierce, and people are

1828
01:31:09,840 --> 01:31:11,560
Speaker 1: like working early twenty seven, I was like, yeah, I

1829
01:31:11,560 --> 01:31:13,040
Speaker 1: got when I'm sixteen. What else am I gonna do

1830
01:31:13,080 --> 01:31:14,519
Speaker 1: with it? I'm gonna take it out. There's gonna be

1831
01:31:14,560 --> 01:31:17,920
Speaker 1: a hole there. Yeah, gonna embrace it and wear it. Yeah,

1832
01:31:17,920 --> 01:31:19,800
Speaker 1: it's there. I may bring back my earrings, who knows,

1833
01:31:19,880 --> 01:31:24,000
Speaker 1: let's see, I always want to do one day. Don't

1834
01:31:24,000 --> 01:31:26,479
Speaker 1: tell anyone that that I got him. Yes, just bring

1835
01:31:26,560 --> 01:31:28,000
Speaker 1: him in and just rock him and just see if

1836
01:31:28,000 --> 01:31:30,280
Speaker 1: anybody noticed. Who knows which what may take a minute

1837
01:31:30,280 --> 01:31:32,719
Speaker 1: because of our our ear our headphones over our ears

1838
01:31:32,720 --> 01:31:34,880
Speaker 1: a lot. Oh, trust me, every time you'll see me,

1839
01:31:34,960 --> 01:31:37,519
Speaker 1: never wear earrings because they immediately go into my like

1840
01:31:37,800 --> 01:31:40,160
Speaker 1: head would hurt. Right, Yes, it does not feel comfortable

1841
01:31:40,200 --> 01:31:41,880
Speaker 1: because I want those dangling ones. So that's got the

1842
01:31:41,920 --> 01:31:44,880
Speaker 1: cross dangling on it, like George Michael let me tell

1843
01:31:44,920 --> 01:31:48,559
Speaker 1: you a story. Okay, before my boyfriend and I when

1844
01:31:48,720 --> 01:31:51,519
Speaker 1: I had gone on a date a few days of

1845
01:31:51,600 --> 01:31:53,800
Speaker 1: this guy and he wore one of those how do

1846
01:31:53,800 --> 01:31:56,519
Speaker 1: you feel about those? I didn't like it. I wanted to.

1847
01:31:56,720 --> 01:31:58,600
Speaker 1: I was like, you know, like he rocked it, like

1848
01:31:58,680 --> 01:32:01,600
Speaker 1: that was his style, right, like it fit with what

1849
01:32:01,760 --> 01:32:04,960
Speaker 1: he wore and how he wore things. But I was like,

1850
01:32:05,120 --> 01:32:09,560
Speaker 1: I justus. I couldn't. Every time I thought, I was like,

1851
01:32:09,880 --> 01:32:11,400
Speaker 1: do we have to have that? And it dangle and

1852
01:32:11,479 --> 01:32:14,880
Speaker 1: jiggle and he move his head. I just couldn't. I couldn't.

1853
01:32:14,920 --> 01:32:17,680
Speaker 1: But it's very in style right now. Yeah, and it's

1854
01:32:17,800 --> 01:32:19,880
Speaker 1: very much the thing people do. And I wanted to

1855
01:32:20,000 --> 01:32:23,800
Speaker 1: like him. I was like, I just can't get one, okay,

1856
01:32:23,800 --> 01:32:25,360
Speaker 1: And that's where I started. I started with just the

1857
01:32:25,439 --> 01:32:28,640
Speaker 1: one because Michael Jordan always had the one hoop and

1858
01:32:28,680 --> 01:32:30,160
Speaker 1: I want to be like Michael Jordan. And then one

1859
01:32:30,240 --> 01:32:31,680
Speaker 1: day it was like, it wasn't cool to have the one,

1860
01:32:31,720 --> 01:32:34,120
Speaker 1: you should have both, so I have both. All the

1861
01:32:34,280 --> 01:32:38,639
Speaker 1: all the fads changing overt yeah a few months, ye, well,

1862
01:32:39,439 --> 01:32:42,439
Speaker 1: stick with the other earrings. I don't know, I just

1863
01:32:42,640 --> 01:32:44,840
Speaker 1: I cannot get behind that trend. Yeah, yeah, I want

1864
01:32:44,920 --> 01:32:46,120
Speaker 1: to do it, but I don't think I can pull

1865
01:32:46,160 --> 01:32:48,120
Speaker 1: it off, So I'll do the black diamonds. Yeah, yeah,

1866
01:32:48,120 --> 01:32:50,000
Speaker 1: I'll try. I want to see that happen where one

1867
01:32:50,040 --> 01:32:51,280
Speaker 1: day and you'll know, and no one else will, but

1868
01:32:51,320 --> 01:32:55,679
Speaker 1: you'll know. I'll see it like I know what's happening. Okay,

1869
01:32:55,880 --> 01:32:59,360
Speaker 1: mustard or mayo? Oh um. I think I have to

1870
01:32:59,400 --> 01:33:01,240
Speaker 1: do mustard because I like different kinds of mustard, So

1871
01:33:01,240 --> 01:33:03,360
Speaker 1: I'm a mustard. Go. Do you like honey mustard? I

1872
01:33:03,479 --> 01:33:07,800
Speaker 1: love honey mustard. It's fantastic. And I make this thing

1873
01:33:07,960 --> 01:33:11,439
Speaker 1: I always call rednecked chicken, and it's basically it's best

1874
01:33:11,479 --> 01:33:13,360
Speaker 1: with chicken thighs because they're pretty uicy, but you can

1875
01:33:13,400 --> 01:33:16,080
Speaker 1: do chicken breast. And I make this concoction where I

1876
01:33:16,200 --> 01:33:18,960
Speaker 1: take honey mustard, a little bit of like the harder mustard,

1877
01:33:19,000 --> 01:33:20,880
Speaker 1: like the grape of pond or whatever they call it,

1878
01:33:21,280 --> 01:33:24,559
Speaker 1: and then I mix it with some u not vinegar,

1879
01:33:24,880 --> 01:33:27,599
Speaker 1: but it's rice wine vinegar and a little bit of sugar,

1880
01:33:27,640 --> 01:33:30,120
Speaker 1: and you mix that together and it creates this like

1881
01:33:30,200 --> 01:33:31,840
Speaker 1: sauce and you bake it on the chicken and it

1882
01:33:31,920 --> 01:33:35,800
Speaker 1: comes out. It's just freaking phenomenal. Dang, very very you

1883
01:33:35,840 --> 01:33:37,439
Speaker 1: need a post about that because I bet people will

1884
01:33:37,439 --> 01:33:39,479
Speaker 1: totally try it. Yes, and so I love mustard. To

1885
01:33:39,560 --> 01:33:42,559
Speaker 1: answer your question, yeah, all kinds of spicy, hot, sweet, whatever.

1886
01:33:42,720 --> 01:33:45,360
Speaker 1: I love mustard. Do you dip your fries and mustard,

1887
01:33:45,400 --> 01:33:48,639
Speaker 1: honey mustard, anything like that? Yeah? Okay, especially sweetetati fries.

1888
01:33:48,880 --> 01:33:51,840
Speaker 1: Sweeptati fries do not go well with ketchup. They need

1889
01:33:52,439 --> 01:33:55,120
Speaker 1: mustard or some sort of like sweeter based sauce. Ranch

1890
01:33:55,600 --> 01:33:57,720
Speaker 1: ranch is good, yeah, but not ketchup. I hate when

1891
01:33:57,720 --> 01:33:59,680
Speaker 1: you get those fries and they give you ketchup like

1892
01:33:59,720 --> 01:34:04,720
Speaker 1: this is and go together. Hey, tell me how you

1893
01:34:04,800 --> 01:34:08,759
Speaker 1: really feel about these potatoes and mustard or it sucks,

1894
01:34:09,560 --> 01:34:12,360
Speaker 1: that's what it is. Yes, And you know what's funny too,

1895
01:34:12,479 --> 01:34:15,040
Speaker 1: is I always loved honey mustard my entire life. I

1896
01:34:15,280 --> 01:34:18,320
Speaker 1: never liked mustard up until the last few years. Never

1897
01:34:18,400 --> 01:34:21,440
Speaker 1: like like regular must like frenches, mustard ever on sandwiches,

1898
01:34:21,560 --> 01:34:22,920
Speaker 1: And I get that from something to put sugar in

1899
01:34:22,960 --> 01:34:25,479
Speaker 1: this cereal, like the sweeter mustard. I always like three

1900
01:34:25,560 --> 01:34:30,000
Speaker 1: things is a problem in my life. But yeah, never

1901
01:34:30,120 --> 01:34:32,400
Speaker 1: until recently. But now it's been added to my sandwiches

1902
01:34:32,400 --> 01:34:33,920
Speaker 1: and I actually really like it. Do you like those

1903
01:34:33,960 --> 01:34:36,080
Speaker 1: like the ones where it's almost like mustard seed, where

1904
01:34:36,120 --> 01:34:39,400
Speaker 1: it's like really hardcore mustard. I do with pretzels, okay,

1905
01:34:39,479 --> 01:34:41,760
Speaker 1: oh yes, yes, or pretzels it's fantastic, yeah, or a

1906
01:34:41,840 --> 01:34:43,880
Speaker 1: really good sandwich. It kind of can be good with

1907
01:34:43,920 --> 01:34:46,559
Speaker 1: it too, if it mixes, like with the right ingredients. Yeah.

1908
01:34:46,840 --> 01:34:48,479
Speaker 1: But I mean it was a good thing for me

1909
01:34:48,600 --> 01:34:51,439
Speaker 1: to add thanks to my sandwiches because being a vegetarian,

1910
01:34:51,800 --> 01:34:55,360
Speaker 1: my sandwich is always consisted of, first off, like before

1911
01:34:55,479 --> 01:35:01,559
Speaker 1: I expanded my taste buds, a few different cheeses, lettuce, mayo,

1912
01:35:01,720 --> 01:35:05,439
Speaker 1: and black olives. Sucks. It's very uneventful, but at least

1913
01:35:05,479 --> 01:35:08,280
Speaker 1: I have upgraded now to adding tomatoes and mustard, which

1914
01:35:08,280 --> 01:35:09,800
Speaker 1: are two things I did not used to like. I

1915
01:35:09,840 --> 01:35:12,840
Speaker 1: don't like tomatoes at all. Yeah I didn't. I didn't either.

1916
01:35:13,000 --> 01:35:14,920
Speaker 1: It's the texture. I don't mind the buy products of

1917
01:35:14,960 --> 01:35:17,160
Speaker 1: tomatoes like catch up in marinara sauce and all that,

1918
01:35:17,280 --> 01:35:20,439
Speaker 1: but an actual tomato, I just even thinking about a gag.

1919
01:35:20,520 --> 01:35:23,439
Speaker 1: I can't do it. That's interesting. Yeah, it's a texture thing.

1920
01:35:23,520 --> 01:35:26,040
Speaker 1: I just yeah, see why didn't use to like it

1921
01:35:26,080 --> 01:35:28,000
Speaker 1: wasn't a texture thing. But I now I'll even eat

1922
01:35:28,040 --> 01:35:31,040
Speaker 1: them by themselves, like an apple, not like not like that,

1923
01:35:33,080 --> 01:35:34,839
Speaker 1: Like if there's a slice, I'll eat like a slice,

1924
01:35:35,400 --> 01:35:38,200
Speaker 1: all right, Okay, strange, Why do you not like an Initially,

1925
01:35:38,240 --> 01:35:40,880
Speaker 1: I don't know. I have no idea. I just never honestly,

1926
01:35:40,920 --> 01:35:45,439
Speaker 1: they'll Being a vegetarian, I would eat like four food groups. Okay, carps,

1927
01:35:45,520 --> 01:35:49,680
Speaker 1: carbs in more carps, and cheese carps. Literally it was

1928
01:35:49,720 --> 01:35:54,640
Speaker 1: like grilled cheese, um, pasta, mashed potatoes, and Casey is

1929
01:35:54,840 --> 01:35:57,080
Speaker 1: so you need to expand your horizon as a vegetarian

1930
01:35:57,200 --> 01:35:59,280
Speaker 1: as I got older and I moved to Nashville, I

1931
01:35:59,360 --> 01:36:00,880
Speaker 1: mean I lived in hands and I went to chain

1932
01:36:00,960 --> 01:36:02,760
Speaker 1: restaurants all the time, right, which were awesome when I

1933
01:36:02,880 --> 01:36:06,280
Speaker 1: was younger, which has done awesome to expand that now.

1934
01:36:06,360 --> 01:36:10,640
Speaker 1: But when I moved to Nashville, like I greatly expanded

1935
01:36:10,720 --> 01:36:13,479
Speaker 1: my tastebooks. Oh yeah, and like now I eat salads

1936
01:36:13,520 --> 01:36:17,200
Speaker 1: and vegetables and things that vegetarians actually eat totally. And

1937
01:36:17,200 --> 01:36:18,880
Speaker 1: if you go to places like La and it's like

1938
01:36:19,040 --> 01:36:21,439
Speaker 1: it's a thing, it's there are full on restaurants where

1939
01:36:21,439 --> 01:36:23,599
Speaker 1: they try to fool you that there's meat in there.

1940
01:36:23,680 --> 01:36:26,000
Speaker 1: And I can tell I'll tell you this is not

1941
01:36:26,160 --> 01:36:27,920
Speaker 1: real garbage. We went to a spot with my cousin

1942
01:36:28,000 --> 01:36:30,800
Speaker 1: who's hardcore vegetarian, and she's like, we you'll find something

1943
01:36:30,840 --> 01:36:33,120
Speaker 1: on the menu, the apasta or whatever. I was like, fine,

1944
01:36:33,160 --> 01:36:35,040
Speaker 1: and I ordered lasagna and I got to take my

1945
01:36:35,080 --> 01:36:37,400
Speaker 1: first bite in lasagna. It's like chewing on tree bark

1946
01:36:37,760 --> 01:36:38,960
Speaker 1: and I'm like, what the hell is in here? And

1947
01:36:39,160 --> 01:36:41,559
Speaker 1: I'm like, like, you can't mess up noodles and cheese.

1948
01:36:41,800 --> 01:36:44,200
Speaker 1: And they go, whoa, this is vegan or whatever it is.

1949
01:36:44,400 --> 01:36:47,000
Speaker 1: We don't have cheese, so we've crunched up a bunch

1950
01:36:47,040 --> 01:36:49,559
Speaker 1: of nuts and put some powder in there and call

1951
01:36:49,600 --> 01:36:51,280
Speaker 1: it cheese. And I was like, someone take me to

1952
01:36:51,320 --> 01:36:53,800
Speaker 1: Taco bell. I can't. I need to eat before we

1953
01:36:53,840 --> 01:36:56,680
Speaker 1: go to the show. It just sucks. But they've got

1954
01:36:56,720 --> 01:36:58,680
Speaker 1: those options out there if you want, yes, strictly no

1955
01:36:58,800 --> 01:37:00,600
Speaker 1: meat at all. No. I apply the people that can

1956
01:37:00,640 --> 01:37:03,360
Speaker 1: be vegan and do that. I've wanted to, but cheese

1957
01:37:03,400 --> 01:37:05,400
Speaker 1: is such a part of my diet and fake cheese

1958
01:37:05,479 --> 01:37:08,040
Speaker 1: is so gross to me, awful, and I can't. I

1959
01:37:08,240 --> 01:37:10,360
Speaker 1: just can't. I mean, I eat shredded cheese bout a hand,

1960
01:37:10,640 --> 01:37:13,600
Speaker 1: so like I love cheese. You couldn't break away from that. No,

1961
01:37:13,880 --> 01:37:15,760
Speaker 1: that's the one thing I can't break away from. Yeah,

1962
01:37:16,240 --> 01:37:17,439
Speaker 1: so I feel you on that. Did you ever have

1963
01:37:17,479 --> 01:37:19,840
Speaker 1: a food that you didn't like but now you do?

1964
01:37:20,400 --> 01:37:22,880
Speaker 1: Brussels sprouts? Okay, yeah, I didn't like those. I love

1965
01:37:22,960 --> 01:37:25,880
Speaker 1: him now, Brussels sprouts asparagus. My wife's family opened me

1966
01:37:25,960 --> 01:37:28,000
Speaker 1: up to a lot of vegetables because growing up as

1967
01:37:28,000 --> 01:37:30,880
Speaker 1: a kid, you maybe were similar. It was all canned foods,

1968
01:37:31,160 --> 01:37:34,200
Speaker 1: so all the vegetables to me just tasted like aluminium,

1969
01:37:34,400 --> 01:37:36,080
Speaker 1: and so I didn't like them because they were garbage.

1970
01:37:36,120 --> 01:37:37,720
Speaker 1: It just tasted no matter what you do, do it,

1971
01:37:37,800 --> 01:37:40,880
Speaker 1: it didn't taste good. But then my wife, her family

1972
01:37:41,080 --> 01:37:43,160
Speaker 1: is Filipino. They do a lot of fresh cooking, so

1973
01:37:43,280 --> 01:37:45,479
Speaker 1: all their vegetables were fresh. It was fresh green beans,

1974
01:37:45,520 --> 01:37:48,040
Speaker 1: it was fresh everything, and so i'd always would very

1975
01:37:48,120 --> 01:37:50,120
Speaker 1: hesitant to try it, but I would try it. I'm

1976
01:37:50,120 --> 01:37:52,040
Speaker 1: an adult. Let me just open my mind up, like,

1977
01:37:52,040 --> 01:37:53,680
Speaker 1: oh my god, it's amazing. Not what I remember my

1978
01:37:53,760 --> 01:37:56,680
Speaker 1: mom making. Sorry, mom, her green bean castle, her gram

1979
01:37:56,760 --> 01:37:58,640
Speaker 1: me castall tasted like you're eating out of an aluminium can.

1980
01:37:58,760 --> 01:38:01,120
Speaker 1: This tastes like a green bee and it's delicious. So yeah,

1981
01:38:01,200 --> 01:38:04,639
Speaker 1: I equate that to her family of trying new fresh vegetables.

1982
01:38:04,680 --> 01:38:08,080
Speaker 1: And so I've opened myself up two more. Not tomatoes, ever,

1983
01:38:08,400 --> 01:38:11,280
Speaker 1: but at least other things like green beans and asparagus,

1984
01:38:11,600 --> 01:38:14,920
Speaker 1: Brussels sprouts, um, what else? The greens basically is what

1985
01:38:15,040 --> 01:38:18,599
Speaker 1: that sounds like for you? Yeah, pretty much the greens

1986
01:38:18,600 --> 01:38:20,280
Speaker 1: I'm into. Ye. Yeah, I don't think any kid ever

1987
01:38:20,400 --> 01:38:23,320
Speaker 1: really likes the greens. No, I still won't do broccoli.

1988
01:38:23,320 --> 01:38:25,640
Speaker 1: Broccoli just to smell of broccoli makes me want to

1989
01:38:25,680 --> 01:38:29,240
Speaker 1: throw up. It's interesting awful. So tomatoes and broccoli, if

1990
01:38:29,240 --> 01:38:30,840
Speaker 1: I put those on your desks, you ain't got me happy.

1991
01:38:31,120 --> 01:38:33,559
Speaker 1: I'd go home. I'd leave. I'd leave you where every

1992
01:38:33,680 --> 01:38:35,240
Speaker 1: rat you figure yourself out to get home, because it

1993
01:38:35,280 --> 01:38:38,720
Speaker 1: ain't gonna be for me. Oh my gosh. Okay, that's

1994
01:38:38,760 --> 01:38:41,519
Speaker 1: good one. Last one, all right, we'll go on to

1995
01:38:41,640 --> 01:38:47,479
Speaker 1: the last moment. Internet or cable okay, um oh, I

1996
01:38:47,479 --> 01:38:50,439
Speaker 1: shouldn't say cable because cable's kind of old school. Now

1997
01:38:50,640 --> 01:38:54,000
Speaker 1: I have cable. Hey, old school, put us on your

1998
01:38:54,040 --> 01:38:57,519
Speaker 1: old man list. Steve has cable to be fair of it.

1999
01:38:57,640 --> 01:39:00,559
Speaker 1: Till last month, I still had a version of Okay,

2000
01:39:00,680 --> 01:39:02,479
Speaker 1: I'm just saying, like now people are going away from it,

2001
01:39:02,560 --> 01:39:04,400
Speaker 1: so it's kind of easy to like no cable so

2002
01:39:04,680 --> 01:39:07,599
Speaker 1: internet or like streaming services like things to watch TV

2003
01:39:07,680 --> 01:39:09,400
Speaker 1: shows and movies. Yeah, I guess I have to do

2004
01:39:09,520 --> 01:39:13,800
Speaker 1: internet because for me, streaming is great. But it's the

2005
01:39:13,880 --> 01:39:16,599
Speaker 1: anxiety of finding something to watch unless you're unless you're

2006
01:39:16,640 --> 01:39:19,160
Speaker 1: into a show and you're you're watching and you've committed.

2007
01:39:19,400 --> 01:39:21,960
Speaker 1: Like we're at a point with us with kids. They

2008
01:39:22,000 --> 01:39:23,640
Speaker 1: hate to keep saying, well with as with kids, you

2009
01:39:23,680 --> 01:39:27,080
Speaker 1: know it's gonna suck Morgan when you have children rioting

2010
01:39:29,080 --> 01:39:31,160
Speaker 1: that one doesn't count your dad. But you're free time

2011
01:39:31,200 --> 01:39:35,360
Speaker 1: though you literally try to watch television. But your kids,

2012
01:39:35,800 --> 01:39:37,080
Speaker 1: you know, you want to hang out with them as well.

2013
01:39:37,320 --> 01:39:39,479
Speaker 1: And if you watch TV, they're making noise or doing

2014
01:39:39,560 --> 01:39:41,720
Speaker 1: things and you can't listen or hear things or pay

2015
01:39:41,720 --> 01:39:44,200
Speaker 1: attention to the show. And when I watch a movie

2016
01:39:44,280 --> 01:39:46,920
Speaker 1: or a show, I like to fully involve and dive

2017
01:39:47,000 --> 01:39:49,519
Speaker 1: myself into it. I'm watching, I don't have my phone

2018
01:39:49,560 --> 01:39:51,200
Speaker 1: near me. I'm just gonna I want to watch it.

2019
01:39:51,280 --> 01:39:53,200
Speaker 1: I want to I want to take this show in

2020
01:39:53,760 --> 01:39:55,320
Speaker 1: or a movie. And when you have kids, you can't

2021
01:39:55,320 --> 01:39:58,000
Speaker 1: do that because they're constant. I have to go pee,

2022
01:39:58,040 --> 01:40:00,519
Speaker 1: I need this, this is happening, I'm crying, I'm hungry,

2023
01:40:00,520 --> 01:40:01,960
Speaker 1: I want this, that and the other. So you get

2024
01:40:02,000 --> 01:40:04,000
Speaker 1: five minutes into it's the posit, posit, posit. You get

2025
01:40:04,000 --> 01:40:06,000
Speaker 1: the point. I'm like, forget it. I'm not watching anything.

2026
01:40:06,200 --> 01:40:08,400
Speaker 1: I don't I can't watch anything. It takes me almost

2027
01:40:08,439 --> 01:40:10,840
Speaker 1: three days to get through one forty minute episode. So

2028
01:40:12,680 --> 01:40:15,720
Speaker 1: way frustrating, so way to frustrating. So when you say cables, oh,

2029
01:40:15,760 --> 01:40:17,320
Speaker 1: I don't mind cable because I just put on anything

2030
01:40:17,320 --> 01:40:20,040
Speaker 1: in the background. It doesn't matter. But so if you're

2031
01:40:20,080 --> 01:40:22,560
Speaker 1: going with streaming or internet service, I have to go

2032
01:40:22,680 --> 01:40:26,000
Speaker 1: internet just because growing up as a kid, when internet

2033
01:40:26,040 --> 01:40:28,040
Speaker 1: became a thing, it was just such a mind blowing

2034
01:40:28,200 --> 01:40:31,400
Speaker 1: thing that I can go on to this computer and

2035
01:40:31,479 --> 01:40:35,280
Speaker 1: connect to people across the globe, or find pictures or things,

2036
01:40:35,520 --> 01:40:38,519
Speaker 1: or look up things around the world. Like you remember

2037
01:40:38,600 --> 01:40:40,439
Speaker 1: back in the day, you just google like Egypt, just

2038
01:40:40,520 --> 01:40:42,559
Speaker 1: to see Egypt because you could never see it before.

2039
01:40:43,120 --> 01:40:47,120
Speaker 1: Oh and did you ever I could tell us going somewhere?

2040
01:40:48,320 --> 01:40:50,560
Speaker 1: Did you ever go? What did you ever hear? Or

2041
01:40:50,960 --> 01:40:55,559
Speaker 1: just get all with your friends, chat roulette, chat, roulette. Yeah,

2042
01:40:56,000 --> 01:40:58,880
Speaker 1: what is that? So it was it made me feel

2043
01:40:58,880 --> 01:41:03,479
Speaker 1: well No, no, okay, so I laugh because there's dirty

2044
01:41:03,520 --> 01:41:05,920
Speaker 1: moments on it, not intentionally like that we were doing.

2045
01:41:07,000 --> 01:41:10,120
Speaker 1: So I don't know what's going to pop up on

2046
01:41:10,240 --> 01:41:13,800
Speaker 1: your computer. It was. I don't know if it even

2047
01:41:13,840 --> 01:41:15,920
Speaker 1: still exists, but it used to be this tool where

2048
01:41:15,920 --> 01:41:19,000
Speaker 1: you would get on and you would literally randomly I

2049
01:41:19,080 --> 01:41:21,840
Speaker 1: see this, Yeah, meet somebody from anywhere in the world.

2050
01:41:22,000 --> 01:41:25,040
Speaker 1: Sounds virtually yeah, and it was really cool. You'd meet

2051
01:41:25,080 --> 01:41:27,120
Speaker 1: really cool people like you would be sitting there with

2052
01:41:27,160 --> 01:41:29,600
Speaker 1: your friends if you ever did it by yourself. You

2053
01:41:29,680 --> 01:41:31,920
Speaker 1: know this show's videos like it's still a thing. Yeah.

2054
01:41:31,960 --> 01:41:34,720
Speaker 1: So it's like it's like Zoom, but like international, and

2055
01:41:34,880 --> 01:41:37,760
Speaker 1: you're not purposely connecting to one person. You're connecting with

2056
01:41:37,840 --> 01:41:39,840
Speaker 1: a stranger. And it was only video. It was a

2057
01:41:39,920 --> 01:41:41,760
Speaker 1: video thing, video and talk like you talked to him.

2058
01:41:41,800 --> 01:41:45,320
Speaker 1: It's like a virtual like it's a Zoom with a stranger. Gotcha.

2059
01:41:45,400 --> 01:41:48,599
Speaker 1: This must have been after me because I was AOL

2060
01:41:48,640 --> 01:41:51,320
Speaker 1: at one point we still had AOL. Okay, this was

2061
01:41:51,360 --> 01:41:53,280
Speaker 1: another thing that came on. I want to say this

2062
01:41:53,360 --> 01:41:55,639
Speaker 1: happened towards the end of my middle school years beginning

2063
01:41:55,640 --> 01:41:57,880
Speaker 1: of high school years, when webcams became a thing. Yes

2064
01:41:58,120 --> 01:42:00,160
Speaker 1: for me that webcams weren't a thing at all, and

2065
01:42:00,200 --> 01:42:03,360
Speaker 1: then yeah, okay, guys, like we'd have sleepovers and everybody like,

2066
01:42:03,400 --> 01:42:06,120
Speaker 1: let's get on chat relics. You try and find cute guys, right, yeah,

2067
01:42:06,160 --> 01:42:07,880
Speaker 1: but you know there's always the dirty people that are

2068
01:42:07,960 --> 01:42:09,640
Speaker 1: on there, that are of course doing things and you

2069
01:42:09,840 --> 01:42:15,240
Speaker 1: have to like quickly literally. Yeah. That's why I was giggling,

2070
01:42:15,320 --> 01:42:17,960
Speaker 1: because I was like, there's awkward moments, but like, we'd

2071
01:42:18,040 --> 01:42:20,200
Speaker 1: have really cool conversations with a group of guys who

2072
01:42:20,240 --> 01:42:23,360
Speaker 1: are also our age in France, and you talk about

2073
01:42:23,640 --> 01:42:26,000
Speaker 1: random things. What's America, what's France? Like? Yeah, like you

2074
01:42:26,120 --> 01:42:29,240
Speaker 1: just had these cool conversations and the concept behind it

2075
01:42:29,439 --> 01:42:31,479
Speaker 1: was so cool, and we had some really fun moments

2076
01:42:31,560 --> 01:42:33,160
Speaker 1: on there where you're just sitting there with your a

2077
01:42:33,200 --> 01:42:36,599
Speaker 1: bunch of friends and you're talking to potentially cute guys

2078
01:42:36,680 --> 01:42:39,679
Speaker 1: or random other fun groups of girls yeah that you'll

2079
01:42:39,720 --> 01:42:42,840
Speaker 1: never meet. Yeah, but yeah, it was a really cool concept.

2080
01:42:42,880 --> 01:42:44,960
Speaker 1: What if anyone ever did meet if they ever did

2081
01:42:45,280 --> 01:42:47,840
Speaker 1: pivot into reality, I don't, I mean, I know it,

2082
01:42:48,120 --> 01:42:52,400
Speaker 1: I know it was kind of a drop into the

2083
01:42:52,560 --> 01:42:55,840
Speaker 1: virtual dating realm. Yeah, totally. People would meet and they'd

2084
01:42:55,840 --> 01:42:57,519
Speaker 1: be like, oh my gosh, like you know, some people

2085
01:42:57,560 --> 01:42:59,759
Speaker 1: believe in love him first sight. I'm sure that happened

2086
01:42:59,800 --> 01:43:03,280
Speaker 1: now there. It never i mean, ours was all just

2087
01:43:03,360 --> 01:43:07,080
Speaker 1: like funding games, go all sleep overnights fly. But yeah,

2088
01:43:07,120 --> 01:43:08,679
Speaker 1: I'm sure that happened because that was like that first

2089
01:43:08,720 --> 01:43:12,000
Speaker 1: kind of start of it. But it existed for several years. Okay,

2090
01:43:12,400 --> 01:43:14,640
Speaker 1: but yeah, that's pretty good that you made me think

2091
01:43:14,720 --> 01:43:17,760
Speaker 1: of chatroulea And that's another flashback. Yeah, I never did

2092
01:43:17,800 --> 01:43:19,320
Speaker 1: that one, and maybe it was after the time because

2093
01:43:19,320 --> 01:43:20,639
Speaker 1: I got to a point where then I got busy

2094
01:43:20,640 --> 01:43:22,880
Speaker 1: with work in life and probably moved on from that.

2095
01:43:22,960 --> 01:43:25,360
Speaker 1: But I remember, yeah, that the Internet in general was

2096
01:43:25,360 --> 01:43:27,760
Speaker 1: a mind blowing thing. Yeah, we were. You're sitting there here,

2097
01:43:27,840 --> 01:43:30,599
Speaker 1: like you live in London, yeah, or like you'd meet

2098
01:43:30,640 --> 01:43:33,240
Speaker 1: somebody from New Zealand and you're like, oh, it's like nighttime,

2099
01:43:33,439 --> 01:43:35,960
Speaker 1: Like you're just mind blown that this is a possibility

2100
01:43:36,040 --> 01:43:38,000
Speaker 1: to even be talking to somebody you don't know from

2101
01:43:38,000 --> 01:43:40,080
Speaker 1: across the world, especially because we grew up in a

2102
01:43:40,200 --> 01:43:43,479
Speaker 1: time frame where like long distance calls were expensive and

2103
01:43:43,520 --> 01:43:45,240
Speaker 1: you couldn't do it, or you like, only call me

2104
01:43:45,280 --> 01:43:48,400
Speaker 1: on nights and weekends after seven pm because because before

2105
01:43:48,439 --> 01:43:49,720
Speaker 1: that it costs me a crap a lot of money

2106
01:43:49,800 --> 01:43:51,280
Speaker 1: to make a phone call. So to be able to

2107
01:43:51,320 --> 01:43:53,000
Speaker 1: not only to make a phone call and sense, but

2108
01:43:53,080 --> 01:43:55,519
Speaker 1: a video call with anyone around the world and free

2109
01:43:55,600 --> 01:43:57,760
Speaker 1: and for free, that is really cool. Or as many

2110
01:43:57,800 --> 01:44:03,280
Speaker 1: hours you had in your AOLCD? Yep, yeah, that you

2111
01:44:03,360 --> 01:44:05,120
Speaker 1: made me think of that. What was your screen name on?

2112
01:44:05,160 --> 01:44:06,519
Speaker 1: Do you have like screen names on chat? Rolett or

2113
01:44:06,560 --> 01:44:09,240
Speaker 1: was the same thing as AOL? No? You didn't. You

2114
01:44:09,360 --> 01:44:11,880
Speaker 1: just put like your name. Okay, if I remember Karta,

2115
01:44:11,960 --> 01:44:13,599
Speaker 1: you might have been able to do like a screen name.

2116
01:44:13,600 --> 01:44:15,360
Speaker 1: But honestly, we were so focused to getting too the video.

2117
01:44:15,360 --> 01:44:17,679
Speaker 1: I don't think I really am. Get us to the gas,

2118
01:44:17,800 --> 01:44:20,920
Speaker 1: get it together, you know a bunch of middle school girls. Yeah, totally.

2119
01:44:20,960 --> 01:44:23,240
Speaker 1: Do you remember you're a chat name on AOL? Your

2120
01:44:23,280 --> 01:44:26,639
Speaker 1: screen name? I don't. I don't think it was anything

2121
01:44:26,720 --> 01:44:29,120
Speaker 1: embarrassing because I can't remember it. Did you have an

2122
01:44:29,160 --> 01:44:32,080
Speaker 1: embarrassing one? Um? It was Stephen Hollywood. It wasn't anything

2123
01:44:32,200 --> 01:44:38,080
Speaker 1: like Steven Hollywood. It's like you predicted your whole life

2124
01:44:38,160 --> 01:44:41,559
Speaker 1: pretty much. Yeah, and It was funny because I kind

2125
01:44:41,600 --> 01:44:43,559
Speaker 1: of forgot about it. That was like in the late nineties,

2126
01:44:43,760 --> 01:44:46,320
Speaker 1: and then I started working with Seacrest a like twenty fourteen.

2127
01:44:46,640 --> 01:44:49,800
Speaker 1: Remember my very first day working with them, like like, hey,

2128
01:44:49,840 --> 01:44:52,800
Speaker 1: would you remember your your ins messenger screen name? And

2129
01:44:52,840 --> 01:44:54,559
Speaker 1: I was like, what, it's like a topic or something

2130
01:44:54,720 --> 01:44:57,040
Speaker 1: like no, No, we do all our communicating behind the

2131
01:44:57,080 --> 01:45:02,719
Speaker 1: scenes on AOL. Yeah. So I remember my first couple

2132
01:45:02,720 --> 01:45:06,200
Speaker 1: of years with Ryan Seacrests National and Big Show out

2133
01:45:06,240 --> 01:45:10,360
Speaker 1: of LA We used AOL instant messenger until the day

2134
01:45:10,400 --> 01:45:12,040
Speaker 1: had died, because I remember when it was coming to

2135
01:45:12,080 --> 01:45:15,360
Speaker 1: a point where they're like, hey, ams Am was going away.

2136
01:45:16,040 --> 01:45:18,600
Speaker 1: We're pivoting to something else. You know, figure out it

2137
01:45:18,680 --> 01:45:20,760
Speaker 1: gave it. Basically got an email saying figure out another

2138
01:45:20,840 --> 01:45:23,639
Speaker 1: means to communicate. So we were still using AOL chat

2139
01:45:23,720 --> 01:45:26,679
Speaker 1: rooms from twenty fourteen up until about twenty and eighteen

2140
01:45:27,080 --> 01:45:29,960
Speaker 1: on a nationally massive, multi million dollars show. So you

2141
01:45:30,160 --> 01:45:32,880
Speaker 1: tell me you were using it for worse to talk

2142
01:45:32,880 --> 01:45:36,639
Speaker 1: to your employees and I'm sitting here writing breakup away

2143
01:45:36,720 --> 01:45:42,000
Speaker 1: messages on AIM supposed boyfriends I didn't have. Yeah, I

2144
01:45:42,120 --> 01:45:44,040
Speaker 1: was three with Aim. Yeah, but then we were using

2145
01:45:44,040 --> 01:45:45,840
Speaker 1: it in a time like twenty fifteen. I thought it

2146
01:45:45,960 --> 01:45:48,479
Speaker 1: died in like the nineties, literally two thousands, and here

2147
01:45:48,520 --> 01:45:49,840
Speaker 1: we are. That's what they were using. And then we

2148
01:45:49,920 --> 01:45:51,479
Speaker 1: pivoted the Slack, which I try to use here, and

2149
01:45:51,520 --> 01:45:52,400
Speaker 1: no one wanted to use it. And I was like

2150
01:45:52,400 --> 01:45:54,320
Speaker 1: all right, oh yeah, no, we just communicate in a

2151
01:45:54,320 --> 01:45:59,200
Speaker 1: group message. Yeah, pretty much. Yeah. I was like, never mine, ray,

2152
01:45:59,280 --> 01:46:01,439
Speaker 1: but yeah, it's funny. Yeah. I was like this thing like,

2153
01:46:01,560 --> 01:46:03,679
Speaker 1: idn't even know. Yeah, I didn't know it was still around.

2154
01:46:03,720 --> 01:46:05,280
Speaker 1: I didn't know it was around either. I I couldn't

2155
01:46:05,280 --> 01:46:06,760
Speaker 1: remember my password, so I had to sign up for

2156
01:46:06,800 --> 01:46:08,479
Speaker 1: a new account. Well didn't you have to be on

2157
01:46:08,560 --> 01:46:11,720
Speaker 1: a specific internet to be on AOL? Well oh yeah,

2158
01:46:11,800 --> 01:46:14,120
Speaker 1: while back it was only AOL's internet. So you would

2159
01:46:14,200 --> 01:46:15,920
Speaker 1: dial up and you'd be like, hey, make sure no

2160
01:46:15,960 --> 01:46:17,639
Speaker 1: one's on the phone because I'm dialing up right now.

2161
01:46:17,960 --> 01:46:19,599
Speaker 1: That's what it was. Yeah, And if you call someone's

2162
01:46:19,640 --> 01:46:23,519
Speaker 1: house to be damn Stevens the internet. Yeah, so you

2163
01:46:23,600 --> 01:46:26,479
Speaker 1: had a direct connection. And then this was just whatever

2164
01:46:26,600 --> 01:46:28,960
Speaker 1: internet service you're using. You just download the AIM app

2165
01:46:29,040 --> 01:46:30,800
Speaker 1: and you would click on in sign in and a

2166
01:46:30,840 --> 01:46:33,320
Speaker 1: little running guy, yeah, little yeah, a little yellow guy.

2167
01:46:33,400 --> 01:46:35,960
Speaker 1: Yeah yeah, and then they I think they did away

2168
01:46:36,000 --> 01:46:37,880
Speaker 1: with it like fully in twenty and eighteen, and then

2169
01:46:37,960 --> 01:46:40,200
Speaker 1: we had a pivot and move use other chat rooms

2170
01:46:40,280 --> 01:46:44,280
Speaker 1: to connect. Wow. Yeah, so many throwbacks but also so

2171
01:46:44,320 --> 01:46:46,840
Speaker 1: many cool moments. Yeah, I love it. That was good

2172
01:46:46,880 --> 01:46:48,840
Speaker 1: this or that funny work. That was a good job

2173
01:46:48,920 --> 01:46:50,920
Speaker 1: like that. All right, Well, you guys can listen right

2174
01:46:50,960 --> 01:46:52,800
Speaker 1: now to see who on the show had to eat

2175
01:46:52,840 --> 01:46:56,240
Speaker 1: the world's sourist candy and who saw it happened and

2176
01:46:56,280 --> 01:46:59,040
Speaker 1: then decided to try it as well. Number two, it's

2177
01:46:59,120 --> 01:47:04,439
Speaker 1: now time for the wheel of sour. We have the

2178
01:47:04,520 --> 01:47:06,720
Speaker 1: world's most sour candy. Here. There's a video of a

2179
01:47:06,800 --> 01:47:08,840
Speaker 1: guy and four seconds he's start of choking because it

2180
01:47:08,880 --> 01:47:14,440
Speaker 1: was so everybody's names on the wheel, Bobby Amy, Eddie, Lunchbox, Scoobasdeve,

2181
01:47:14,560 --> 01:47:19,000
Speaker 1: Raymundo and Mike d I mean lands on you. You

2182
01:47:19,120 --> 01:47:21,519
Speaker 1: eat the candy, Oh gosh, you have to keep in

2183
01:47:21,560 --> 01:47:24,360
Speaker 1: your mouth for twenty seconds. If you don't down, one

2184
01:47:24,400 --> 01:47:26,519
Speaker 1: gets thrown away. You do another one until it adds

2185
01:47:26,520 --> 01:47:30,439
Speaker 1: twenty seconds. Our patch kids are hard for me. Yeah, exactly, though,

2186
01:47:31,400 --> 01:47:33,559
Speaker 1: gonna spin the wheel. This is the practice spin right,

2187
01:47:33,960 --> 01:47:39,759
Speaker 1: why a practice practice, and whoever lands on would have lost? Okay,

2188
01:47:39,880 --> 01:47:48,599
Speaker 1: but this is a practice the loser would have been Raymundo.

2189
01:47:48,800 --> 01:47:50,720
Speaker 1: So you know Raymundo's not gonna lose this time, right,

2190
01:47:50,800 --> 01:47:53,960
Speaker 1: That's that's why it's not good, No, lunch All the

2191
01:47:54,000 --> 01:47:56,519
Speaker 1: odds are still the same. No they're not, Yeah they are. Okay,

2192
01:47:56,640 --> 01:47:59,120
Speaker 1: you think that we will spind the wheel. Whomever it

2193
01:47:59,240 --> 01:48:02,680
Speaker 1: lands on has to eat the sour candy? Is there

2194
01:48:02,680 --> 01:48:06,479
Speaker 1: anyone you're cheering for? Just not me? Okay, I have

2195
01:48:06,560 --> 01:48:08,160
Speaker 1: to wear a cat tail next week for a couple

2196
01:48:08,200 --> 01:48:09,960
Speaker 1: of days. I don't want to also have to eat

2197
01:48:09,960 --> 01:48:17,479
Speaker 1: the sour candy. We're ready, guys, Yeah, let's sah my god,

2198
01:48:17,640 --> 01:48:34,160
Speaker 1: come on, come on, sour God. No God, no, sour God.

2199
01:48:34,760 --> 01:48:40,880
Speaker 1: You Lunchbox lost. Of course, for those that can't tell, oh,

2200
01:48:41,600 --> 01:48:48,280
Speaker 1: that was a big hearty spin too. Okay, so let's

2201
01:48:48,280 --> 01:48:53,320
Speaker 1: send him to the stage, to this stage, to that stage,

2202
01:48:53,600 --> 01:48:57,240
Speaker 1: to this stage. Lunchbox is walking to the stage. Lunchbox,

2203
01:48:57,360 --> 01:49:01,920
Speaker 1: you manifested that you always do you always do. Okay,

2204
01:49:02,040 --> 01:49:03,640
Speaker 1: let me see your finger here. I'm gonna hand you this,

2205
01:49:04,040 --> 01:49:06,559
Speaker 1: only touch it barely with your two fingers. It bones.

2206
01:49:06,600 --> 01:49:08,400
Speaker 1: Do you want to give him too, just in case. Noah,

2207
01:49:08,439 --> 01:49:09,720
Speaker 1: we'll walk one up to him if he needs it.

2208
01:49:10,360 --> 01:49:11,920
Speaker 1: All right, we're gonna have the timer set up for

2209
01:49:11,960 --> 01:49:13,960
Speaker 1: twenty seconds. Once you put it in your mouth and

2210
01:49:14,000 --> 01:49:18,320
Speaker 1: close your mouth, it will start. I don't know why

2211
01:49:18,320 --> 01:49:20,720
Speaker 1: I brought my water because I can't even drink. Here

2212
01:49:20,800 --> 01:49:25,960
Speaker 1: we go. It is the world sours candy. Oh can

2213
01:49:26,000 --> 01:49:28,120
Speaker 1: you hear me here? Ready? It is two hundred and

2214
01:49:28,200 --> 01:49:30,000
Speaker 1: fifty g of sour. I don't know what that means

2215
01:49:30,200 --> 01:49:34,360
Speaker 1: rams gigabytes? Okay, twenty seconds on the clock. When you

2216
01:49:34,439 --> 01:49:38,439
Speaker 1: put your three two one go in your mouth? Go

2217
01:49:38,880 --> 01:49:43,759
Speaker 1: one two three? Are you going down to fifteen seconds?

2218
01:49:44,080 --> 01:49:47,280
Speaker 1: How sour is it? I was slapping its slapping his legs.

2219
01:49:48,280 --> 01:49:55,439
Speaker 1: He's making ten seconds. His head's about waving five seconds,

2220
01:49:56,320 --> 01:50:02,080
Speaker 1: is shaking three two one time? Oh spit everywhere? Oh

2221
01:50:02,160 --> 01:50:09,200
Speaker 1: he's spinning everywhere. What happened my head? Oh? Was that?

2222
01:50:12,560 --> 01:50:14,880
Speaker 1: So it's so sour it's hot or something? No, No,

2223
01:50:15,000 --> 01:50:17,599
Speaker 1: it's just like it's almost like a brain freezing. It's

2224
01:50:17,640 --> 01:50:21,360
Speaker 1: so sour and it you can't so it's cold. No,

2225
01:50:21,600 --> 01:50:27,400
Speaker 1: I don't. I was sort of crying. That was so bad.

2226
01:50:27,840 --> 01:50:31,120
Speaker 1: Oh is anybody else curious. No, you want to try

2227
01:50:32,680 --> 01:50:34,000
Speaker 1: Do you want to try it? I could try it,

2228
01:50:34,040 --> 01:50:35,840
Speaker 1: but not for twenty seconds? Oh no, no, if you're

2229
01:50:35,880 --> 01:50:38,560
Speaker 1: gonna do it steff on no, no, no, no, I

2230
01:50:38,680 --> 01:50:40,800
Speaker 1: just want to put my tongue on it. Here, you

2231
01:50:40,800 --> 01:50:43,960
Speaker 1: want to put your tongue on it? You want? It's

2232
01:50:44,000 --> 01:50:46,880
Speaker 1: twenty seconds? Or not? Do it for five seconds? I

2233
01:50:46,960 --> 01:50:52,719
Speaker 1: don't know, because he's a bit dramatic. At five seconds

2234
01:50:52,760 --> 01:50:55,120
Speaker 1: it looked like his brain was gonna it. Didn't get

2235
01:50:55,160 --> 01:50:57,240
Speaker 1: bad at five seconds. No, no, put it in there

2236
01:50:57,360 --> 01:51:01,120
Speaker 1: and close your mouth, set in your mic. Here we go.

2237
01:51:01,280 --> 01:51:03,040
Speaker 1: Let's see how long you can go. Amy. Yeah, let's

2238
01:51:03,040 --> 01:51:05,799
Speaker 1: see how long you can go. That's good. Oh okay,

2239
01:51:06,080 --> 01:51:09,200
Speaker 1: let me, I'll get my coffee. Ready, it's empty. Ready

2240
01:51:09,280 --> 01:51:17,439
Speaker 1: you can spit it and go out. Then go one, two, three, four, five?

2241
01:51:19,920 --> 01:51:22,320
Speaker 1: But you're good, okay. Ten seconds, keep it twenty, keep

2242
01:51:22,320 --> 01:51:24,120
Speaker 1: it twenty, Ammy, I'll spit it out. Don't spit it out.

2243
01:51:24,320 --> 01:51:27,639
Speaker 1: Thirteen she's kicking her feet. Fifteen, don't spit it out, Ammy,

2244
01:51:27,800 --> 01:51:31,920
Speaker 1: you got it. Nineteen spit it out. She got it?

2245
01:51:32,040 --> 01:51:38,200
Speaker 1: She did it? Whoa, oh she spit it now she's vomiting. Oh,

2246
01:51:38,280 --> 01:51:42,599
Speaker 1: she's bombiting. Oh, get up, she's gonna throw over the trash.

2247
01:51:43,880 --> 01:51:48,360
Speaker 1: Oh my goodness, that's disgusting. She dried? Whoa, she's not lacking?

2248
01:51:48,400 --> 01:51:52,880
Speaker 1: Who was the drama queen? You? Oh what were you doing?

2249
01:51:54,160 --> 01:51:58,680
Speaker 1: You didn't dry? Maybe it like you don't even know

2250
01:51:58,800 --> 01:52:02,200
Speaker 1: what you're doing talking through it? What just happen? Um?

2251
01:52:03,200 --> 01:52:06,679
Speaker 1: It's disgusting. At first you're like, oh, it's not it's nice,

2252
01:52:07,200 --> 01:52:10,439
Speaker 1: and then it instantly switches to like, I'm gonna need

2253
01:52:10,479 --> 01:52:12,439
Speaker 1: to eat something for sure to get rid of this

2254
01:52:12,640 --> 01:52:15,880
Speaker 1: because my eyes are watering. It's like a like an

2255
01:52:15,960 --> 01:52:19,040
Speaker 1: acid type, you know, like when you have acid reflex

2256
01:52:19,120 --> 01:52:21,200
Speaker 1: and like, say, you eat something and then it comes

2257
01:52:21,280 --> 01:52:24,800
Speaker 1: back up. That's what it dasts like. It's so gross up. Yeah,

2258
01:52:24,920 --> 01:52:28,400
Speaker 1: kind of let's save these. We'll have artists come in

2259
01:52:28,439 --> 01:52:32,400
Speaker 1: and be like, hey, nice candy for you. Well, nice

2260
01:52:32,479 --> 01:52:37,560
Speaker 1: job you two we lost Amy. Good job. It's the

2261
01:52:37,720 --> 01:52:42,880
Speaker 1: best bits of the week with Morgan number two coming

2262
01:52:42,920 --> 01:52:46,160
Speaker 1: in at number one today. If you're listening to this

2263
01:52:46,520 --> 01:52:51,000
Speaker 1: on Saturday, September eleventh, this marks the twentieth anniversary of

2264
01:52:51,080 --> 01:52:54,559
Speaker 1: the nine to eleven attacks. So we brought on Darryl

2265
01:52:54,640 --> 01:52:57,800
Speaker 1: Worley and he performed his song have You Forgotten, which

2266
01:52:57,840 --> 01:53:00,599
Speaker 1: is one of the really big emotional nine eleven songs,

2267
01:53:00,640 --> 01:53:02,720
Speaker 1: And it was a really cool moment to have him

2268
01:53:02,760 --> 01:53:05,040
Speaker 1: in studio to talk about the inspiration behind that song,

2269
01:53:05,160 --> 01:53:08,840
Speaker 1: like what all went down? And on the show, y'all

2270
01:53:08,880 --> 01:53:10,679
Speaker 1: heard me talk about kind of my nine to eleven

2271
01:53:10,800 --> 01:53:14,120
Speaker 1: moment where I was in the library. I vividly remember it.

2272
01:53:14,160 --> 01:53:17,439
Speaker 1: When you're a kid, you really don't remember much, right, Like,

2273
01:53:17,479 --> 01:53:19,360
Speaker 1: it's kind of hard to recall events. But I remember

2274
01:53:19,439 --> 01:53:21,840
Speaker 1: that one in the library. Parents picked me up early

2275
01:53:22,560 --> 01:53:26,280
Speaker 1: and a somber day. But beyond that, I don't have

2276
01:53:26,360 --> 01:53:28,640
Speaker 1: a lot of recollection. And as I got older, I

2277
01:53:28,760 --> 01:53:30,800
Speaker 1: knew it and I, you know, two years ago got

2278
01:53:30,880 --> 01:53:33,880
Speaker 1: to visit the nine to eleven Memorial in New York,

2279
01:53:33,960 --> 01:53:37,640
Speaker 1: which was super emotional. Yeah, especially as an adult. Like

2280
01:53:37,800 --> 01:53:41,320
Speaker 1: fast forward eighteen years and I'm like, the last thing

2281
01:53:41,360 --> 01:53:43,080
Speaker 1: I remember was being in a library, and now this

2282
01:53:43,240 --> 01:53:45,560
Speaker 1: is what it is. Now. It's a huge hole on

2283
01:53:45,640 --> 01:53:48,160
Speaker 1: the grounds. It's a really look at it. You just

2284
01:53:48,280 --> 01:53:50,479
Speaker 1: kind of you know, it's just like wow that because

2285
01:53:50,520 --> 01:53:52,800
Speaker 1: I've never seen you've never seen him, I've never seen

2286
01:53:52,840 --> 01:53:55,040
Speaker 1: the towers in real life. I've only seen him in movies,

2287
01:53:55,320 --> 01:53:58,160
Speaker 1: and you've only like the only recollection I have of

2288
01:53:58,240 --> 01:54:00,920
Speaker 1: that is seeing them on that library moment yet or yes,

2289
01:54:01,040 --> 01:54:05,920
Speaker 1: what movies have created them? Yeah, exactly. So that was

2290
01:54:06,040 --> 01:54:08,200
Speaker 1: like my moment and that was like something that was

2291
01:54:08,280 --> 01:54:11,919
Speaker 1: really emotional for me in recent years. Do you remember

2292
01:54:12,200 --> 01:54:13,960
Speaker 1: where you were when this happened. Oh? Yeah, I was

2293
01:54:14,040 --> 01:54:16,719
Speaker 1: in I think towards the end of my high school career,

2294
01:54:17,320 --> 01:54:20,320
Speaker 1: and we were I forel what class It was in

2295
01:54:20,600 --> 01:54:22,720
Speaker 1: East Coast time, so we were in line with New

2296
01:54:22,800 --> 01:54:24,439
Speaker 1: York so it wouldn't happened. I think it was an

2297
01:54:24,439 --> 01:54:27,000
Speaker 1: eight o'clock hour, so it was towards the beginning of

2298
01:54:27,040 --> 01:54:29,280
Speaker 1: the day, like first or second period, maybe the third period,

2299
01:54:29,520 --> 01:54:31,960
Speaker 1: And I remember walking into the classroom and it was

2300
01:54:32,000 --> 01:54:34,040
Speaker 1: one of those things where we had TV's in the classroom.

2301
01:54:34,080 --> 01:54:36,040
Speaker 1: They were like really crappy TVs, but we had TV's

2302
01:54:36,040 --> 01:54:37,680
Speaker 1: in the classroom, and it was one of those things

2303
01:54:37,720 --> 01:54:39,840
Speaker 1: where the principal came on. It was like, everyone, please

2304
01:54:39,920 --> 01:54:41,960
Speaker 1: turn on Channel two news. Turn on Channel two news.

2305
01:54:42,240 --> 01:54:44,560
Speaker 1: They turned it on. Turn it on. Yeah, And so

2306
01:54:44,680 --> 01:54:47,400
Speaker 1: they turned it on. After the first plane I just

2307
01:54:47,520 --> 01:54:49,600
Speaker 1: hit because that's when everyone turned it on. So we

2308
01:54:49,720 --> 01:54:51,920
Speaker 1: just saw this one tower with smoke coming out of it,

2309
01:54:51,960 --> 01:54:53,280
Speaker 1: and we're all like, what the heck is that? And

2310
01:54:53,640 --> 01:54:55,800
Speaker 1: and I didn't really know what the twin towers really was.

2311
01:54:55,920 --> 01:54:57,080
Speaker 1: I was just kind of like I just knew it

2312
01:54:57,160 --> 01:54:59,600
Speaker 1: was in New York and the building was on fire,

2313
01:54:59,600 --> 01:55:00,880
Speaker 1: and I was like, what is going on right now?

2314
01:55:01,120 --> 01:55:03,200
Speaker 1: And I remember as soon as she turned it on

2315
01:55:03,920 --> 01:55:06,480
Speaker 1: that and like in that exact moment, you saw this

2316
01:55:06,600 --> 01:55:08,840
Speaker 1: other plane come through and hit the second tower, and

2317
01:55:08,880 --> 01:55:11,160
Speaker 1: I was like, oh my god, there are planes hitting

2318
01:55:11,280 --> 01:55:13,440
Speaker 1: buildings in New York. And then it just kind of

2319
01:55:13,520 --> 01:55:15,000
Speaker 1: hit me and I was like, I was, oh my god.

2320
01:55:15,040 --> 01:55:17,000
Speaker 1: I feel like like I was like, there's something this

2321
01:55:17,200 --> 01:55:18,840
Speaker 1: is not right because we didn't know what was happening

2322
01:55:18,880 --> 01:55:21,400
Speaker 1: at the moment. It's probably seen a documentaries they talk

2323
01:55:21,400 --> 01:55:23,960
Speaker 1: about they thought maybe some guy was flying a small

2324
01:55:24,000 --> 01:55:26,720
Speaker 1: prop plane and lost control or whatever. But then when

2325
01:55:26,760 --> 01:55:29,280
Speaker 1: you see a second plane come through and hit you're like, oh,

2326
01:55:29,360 --> 01:55:32,360
Speaker 1: this is something more than that, Like this is obviously planned.

2327
01:55:32,560 --> 01:55:34,360
Speaker 1: You know they had they have a motive here. I

2328
01:55:34,480 --> 01:55:36,160
Speaker 1: just remember just sitting there for a moment, not knowing

2329
01:55:36,200 --> 01:55:39,240
Speaker 1: how to feel. Also, I was a teenager so you

2330
01:55:39,360 --> 01:55:41,440
Speaker 1: kind of are in a different space than when you

2331
01:55:41,520 --> 01:55:43,720
Speaker 1: are as an adult, and as a parent, you kind

2332
01:55:43,760 --> 01:55:45,720
Speaker 1: of think about things differently, a different kind of perspective.

2333
01:55:46,000 --> 01:55:48,320
Speaker 1: But even just as a kid, a careless team, I

2334
01:55:48,440 --> 01:55:50,160
Speaker 1: was like, you know, someone who could you know? I

2335
01:55:50,240 --> 01:55:52,200
Speaker 1: just got my license. It was like that kind of

2336
01:55:52,400 --> 01:55:54,040
Speaker 1: part of my life. So I was the fun time.

2337
01:55:54,200 --> 01:55:56,120
Speaker 1: You know, you got a license, You're you're hanging out,

2338
01:55:56,120 --> 01:55:57,400
Speaker 1: you having a good time, and this happens. You're like,

2339
01:55:57,400 --> 01:56:00,160
Speaker 1: holy crap, So what does this mean? Like what the

2340
01:56:00,200 --> 01:56:03,000
Speaker 1: feeling of uncertainty of what does this mean? What does

2341
01:56:03,000 --> 01:56:05,480
Speaker 1: this mean for us? Because now now our country has

2342
01:56:05,480 --> 01:56:08,520
Speaker 1: been attacked and we have lived in a place where,

2343
01:56:09,920 --> 01:56:11,840
Speaker 1: for the most part, we're safe. We don't live in

2344
01:56:11,920 --> 01:56:14,360
Speaker 1: other places overseas and in the Middle East where every

2345
01:56:14,400 --> 01:56:16,440
Speaker 1: single day they have to worry about if they're going

2346
01:56:16,480 --> 01:56:19,240
Speaker 1: to make it through the day because bombings and shootings

2347
01:56:19,280 --> 01:56:21,680
Speaker 1: and terrorist attacks and stuff like that happen every day

2348
01:56:22,080 --> 01:56:24,880
Speaker 1: in places like that. So for us, we've been blessed

2349
01:56:24,920 --> 01:56:28,120
Speaker 1: and grateful to and this is a tangent, but like

2350
01:56:28,400 --> 01:56:30,440
Speaker 1: how do we like how are we picked to take

2351
01:56:30,480 --> 01:56:32,680
Speaker 1: this life? Like you know, when you're born, you're always like,

2352
01:56:32,880 --> 01:56:35,560
Speaker 1: so what who decides what decides where we live here?

2353
01:56:35,880 --> 01:56:39,400
Speaker 1: And someone else grows up in poverty in Afghanistan? Like

2354
01:56:39,800 --> 01:56:42,640
Speaker 1: how has that chosen? You know? Why why am I here?

2355
01:56:42,680 --> 01:56:44,520
Speaker 1: And I start thinking about all these things like why

2356
01:56:44,520 --> 01:56:46,680
Speaker 1: am I here in America? Why wasn't I why wasn't

2357
01:56:46,680 --> 01:56:48,320
Speaker 1: I picked to be born somewhere else and live through this?

2358
01:56:48,400 --> 01:56:50,440
Speaker 1: And then you start thinking about that perspective of like,

2359
01:56:50,480 --> 01:56:52,000
Speaker 1: oh my god, here we are in America now, but

2360
01:56:52,080 --> 01:56:54,360
Speaker 1: now America is being attacked and what else is going

2361
01:56:54,400 --> 01:56:55,680
Speaker 1: to happen? And then next you know, you hear of

2362
01:56:55,760 --> 01:56:58,120
Speaker 1: another one. The Pentagon gets hit. So we're watching it

2363
01:56:58,200 --> 01:57:00,520
Speaker 1: all in real time and I think it was my

2364
01:57:00,520 --> 01:57:03,720
Speaker 1: geometry class. We're watching it all in real time of

2365
01:57:03,800 --> 01:57:07,040
Speaker 1: the second one hitting the Pentagon, and then now our

2366
01:57:07,080 --> 01:57:08,560
Speaker 1: schools like, so what do we do? I mean, we're

2367
01:57:08,600 --> 01:57:13,160
Speaker 1: not subject to terrorist attack in Ovida, Winner Springs, Florida,

2368
01:57:13,240 --> 01:57:16,360
Speaker 1: but we are close to Disney World. So now they're like,

2369
01:57:16,720 --> 01:57:21,280
Speaker 1: you know, all big tourist places are you know, could

2370
01:57:21,320 --> 01:57:23,920
Speaker 1: potentially be hit. So living near Disney World, they're like,

2371
01:57:24,120 --> 01:57:25,440
Speaker 1: all right, everyone in our land and it needs to

2372
01:57:25,480 --> 01:57:28,600
Speaker 1: be prepared because they could fly a plane or do

2373
01:57:28,720 --> 01:57:32,640
Speaker 1: something at Disney or Universal or the beaches like anywhere,

2374
01:57:32,920 --> 01:57:35,360
Speaker 1: And I remember correct me if I'm wrong. I vaguely

2375
01:57:35,480 --> 01:57:37,360
Speaker 1: remember that a lot of things kind of shut down

2376
01:57:37,400 --> 01:57:38,880
Speaker 1: for a few days. Yeah, it was kind of like

2377
01:57:38,960 --> 01:57:40,320
Speaker 1: that because we didn't know what was going to happen,

2378
01:57:40,680 --> 01:57:43,600
Speaker 1: and we were trying to put the pieces together if

2379
01:57:43,680 --> 01:57:45,760
Speaker 1: more was going to occur, if it was if it

2380
01:57:45,880 --> 01:57:47,840
Speaker 1: was just this one moment, or if this is going

2381
01:57:47,920 --> 01:57:49,760
Speaker 1: to be a string of events. You don't know. It's

2382
01:57:49,760 --> 01:57:52,200
Speaker 1: a lot of uncertainty and a lot of unknowns. So

2383
01:57:52,480 --> 01:57:55,040
Speaker 1: living in a place like Orlando, which was a hot

2384
01:57:55,120 --> 01:57:58,040
Speaker 1: spot for tourism and people in an Ashley coming to visit.

2385
01:57:58,160 --> 01:58:01,440
Speaker 1: Could we be you know, could we be next? And

2386
01:58:01,760 --> 01:58:03,360
Speaker 1: when could it be? Could it be today? Could it

2387
01:58:03,360 --> 01:58:05,280
Speaker 1: be tomorrow? It could it be next week? Like no

2388
01:58:05,400 --> 01:58:08,360
Speaker 1: one knew, no one knew, We had no idea. I mean,

2389
01:58:08,400 --> 01:58:10,640
Speaker 1: we still don't know. Anything can happen at any point

2390
01:58:10,680 --> 01:58:13,120
Speaker 1: in time. So I just remember being in school seeing

2391
01:58:13,160 --> 01:58:15,000
Speaker 1: it play out. And then it got to a point

2392
01:58:15,040 --> 01:58:17,120
Speaker 1: where the fourth one happened, where the plane crash in

2393
01:58:17,200 --> 01:58:19,920
Speaker 1: that field in Pennsylvania, and then my school will decide, Okay,

2394
01:58:19,960 --> 01:58:22,120
Speaker 1: we need to take action and do something, and so

2395
01:58:22,240 --> 01:58:24,120
Speaker 1: they I don't know why they did this, but I

2396
01:58:24,280 --> 01:58:28,160
Speaker 1: remember we immediately did like a emergency evacuation of how

2397
01:58:28,240 --> 01:58:31,040
Speaker 1: we would handle things if if we were under attack.

2398
01:58:31,360 --> 01:58:33,360
Speaker 1: So then it was like emergency, it's a drill, but

2399
01:58:33,400 --> 01:58:35,720
Speaker 1: not a drill because we could be attacked. And they

2400
01:58:36,040 --> 01:58:39,640
Speaker 1: if they threw a bomb in at Disney World, how

2401
01:58:39,800 --> 01:58:42,480
Speaker 1: much of the area around Disney is affected. We're maybe

2402
01:58:42,520 --> 01:58:45,320
Speaker 1: twenty miles out, but if you drop a bomb, it

2403
01:58:45,400 --> 01:58:48,360
Speaker 1: could affect a certain radius around Disney. So what do

2404
01:58:48,440 --> 01:58:50,200
Speaker 1: we do. So our schools like, well, let's do a drill.

2405
01:58:50,440 --> 01:58:53,560
Speaker 1: Let's have everyone evacuated, evacuated the school as far as possible.

2406
01:58:53,800 --> 01:58:56,160
Speaker 1: So then we did this evacuation drill, and I was

2407
01:58:56,280 --> 01:58:59,080
Speaker 1: and I remember just we all left school, and we're kids,

2408
01:58:59,120 --> 01:59:00,320
Speaker 1: so we're just kind of like, oh, it's great, we

2409
01:59:00,360 --> 01:59:03,000
Speaker 1: need to leave school. It's cool. So I remember evacuating

2410
01:59:03,040 --> 01:59:04,960
Speaker 1: and then hopping into my jeep and piecing out, and

2411
01:59:05,040 --> 01:59:07,400
Speaker 1: my excuse was like, well, I felt unsafe. I want

2412
01:59:07,440 --> 01:59:10,520
Speaker 1: to leave school. I want to go home. But of course,

2413
01:59:10,600 --> 01:59:12,560
Speaker 1: being a little not no teenager, I was I want

2414
01:59:12,560 --> 01:59:13,360
Speaker 1: to get the hell out of here and go to

2415
01:59:13,440 --> 01:59:15,720
Speaker 1: the beach. So I remember leaving going to the beach,

2416
01:59:15,880 --> 01:59:17,879
Speaker 1: like we left and went to seven eleven Grabs slurbees,

2417
01:59:17,920 --> 01:59:20,560
Speaker 1: and and I tailed it out of there because we

2418
01:59:20,640 --> 01:59:22,680
Speaker 1: took advantage of leaving, but also like we should probably

2419
01:59:22,760 --> 01:59:24,800
Speaker 1: leave too, just in case something does happen. Let's get

2420
01:59:24,800 --> 01:59:28,080
Speaker 1: out of here. Yeah. So yeah, wow, Yeah, that that is.

2421
01:59:29,000 --> 01:59:33,280
Speaker 1: And I feel like too after that, I remember like

2422
01:59:33,440 --> 01:59:35,800
Speaker 1: if we ever went anywhere after that, like even if

2423
01:59:35,840 --> 01:59:37,800
Speaker 1: we went on an airplane, and of course the security,

2424
01:59:38,560 --> 01:59:40,400
Speaker 1: you know, that's when that all started. There's a whole

2425
01:59:40,440 --> 01:59:44,400
Speaker 1: new world of security. Yeah. Like I feel like as

2426
01:59:44,440 --> 01:59:47,200
Speaker 1: a kid, that's kind of where my anxiety of like

2427
01:59:47,400 --> 01:59:50,320
Speaker 1: large areas and like tragic situations kind of came combined.

2428
01:59:51,360 --> 01:59:53,440
Speaker 1: Another thing, I remember a stint off of that, like

2429
01:59:54,360 --> 01:59:56,680
Speaker 1: it was really hard for me to be in like

2430
01:59:57,320 --> 01:59:59,920
Speaker 1: big locations or crowded spaces after that, because I was

2431
02:00:00,160 --> 02:00:03,320
Speaker 1: worried anywhere I went that could happen. Right, Like, you

2432
02:00:03,440 --> 02:00:05,880
Speaker 1: had this realization that anything can happen to you at

2433
02:00:05,880 --> 02:00:08,680
Speaker 1: any moment. And as a kid, I'm sitting there and

2434
02:00:08,720 --> 02:00:10,800
Speaker 1: I'm having this really big thought that I'm like, oh

2435
02:00:10,880 --> 02:00:13,600
Speaker 1: my gosh, I could I could not be here after

2436
02:00:13,720 --> 02:00:17,400
Speaker 1: this and that started that and that has continued in

2437
02:00:17,480 --> 02:00:20,400
Speaker 1: my life, which is crazy, Like it wasn't until like

2438
02:00:20,880 --> 02:00:23,280
Speaker 1: this kind of week that I started thinking about it again.

2439
02:00:23,440 --> 02:00:26,640
Speaker 1: But like after really big tragic moments, that anxiety comes

2440
02:00:26,680 --> 02:00:28,680
Speaker 1: back every time. Yeah, I don't want to go and

2441
02:00:28,760 --> 02:00:30,200
Speaker 1: be in a crowded space. I don't want to be

2442
02:00:30,320 --> 02:00:34,160
Speaker 1: where there's not good security around because I'm afraid of

2443
02:00:34,240 --> 02:00:37,320
Speaker 1: that happening. Yeah, And it's like a really and it's

2444
02:00:37,760 --> 02:00:41,000
Speaker 1: happened ever since that moment, and that's carried with me

2445
02:00:41,160 --> 02:00:43,600
Speaker 1: my entire life. And I wasn't even close to it.

2446
02:00:43,720 --> 02:00:45,920
Speaker 1: So I can't imagine the people that were up there

2447
02:00:46,400 --> 02:00:50,440
Speaker 1: around those attacks what they carry with them. Yeah, Oh

2448
02:00:50,480 --> 02:00:53,120
Speaker 1: my gosh, anxiety they have even just being a spectator

2449
02:00:53,280 --> 02:00:55,720
Speaker 1: on the streets. Yeah, you know, like seeing that it

2450
02:00:56,280 --> 02:00:59,400
Speaker 1: gives you a whole different feeling of being in crowded places,

2451
02:00:59,440 --> 02:01:02,800
Speaker 1: like you said, I know, Yeah, it's really crazy to

2452
02:01:02,920 --> 02:01:06,680
Speaker 1: think how our world has changed since that moment. Oh yeah,

2453
02:01:06,720 --> 02:01:09,240
Speaker 1: and even flying, like like we jokingly say, I'm ready

2454
02:01:09,440 --> 02:01:11,600
Speaker 1: to fight at any moment in time, But that was

2455
02:01:11,920 --> 02:01:13,320
Speaker 1: one of those things where everything I get on a

2456
02:01:13,360 --> 02:01:15,560
Speaker 1: plane now like I'm I don't go I know, people

2457
02:01:15,800 --> 02:01:18,480
Speaker 1: like to drink at the airports and get tossed and

2458
02:01:18,960 --> 02:01:21,520
Speaker 1: get on the plane and whatever. That's fine, But for me,

2459
02:01:21,600 --> 02:01:23,840
Speaker 1: I like to go to the plane sober. I'm with you, yeah,

2460
02:01:23,840 --> 02:01:26,160
Speaker 1: because if something goes down, I'm like, Okay, what could

2461
02:01:26,200 --> 02:01:28,600
Speaker 1: I use as an object to take out that person?

2462
02:01:28,880 --> 02:01:30,880
Speaker 1: And I don't know. Airplanes have changed a little bit now.

2463
02:01:30,920 --> 02:01:34,160
Speaker 1: The cockpit door now has like a lock on it,

2464
02:01:34,240 --> 02:01:36,720
Speaker 1: and it's bulletproof and all these things. But still, you know,

2465
02:01:36,800 --> 02:01:38,839
Speaker 1: I'm not if I want to be aware and coherent

2466
02:01:39,080 --> 02:01:41,240
Speaker 1: that if someone tries to take over this plane, they're

2467
02:01:41,280 --> 02:01:42,600
Speaker 1: gonna they're gonna have to come through me and a

2468
02:01:42,640 --> 02:01:44,440
Speaker 1: couple other people that I've scouted out. They're gonna come

2469
02:01:44,480 --> 02:01:46,400
Speaker 1: help me. I'm gonna use my belt as a weapon,

2470
02:01:46,440 --> 02:01:48,360
Speaker 1: Like what could I use as a weapon? But it

2471
02:01:48,480 --> 02:01:50,360
Speaker 1: sucks that we have to think that way because we

2472
02:01:50,400 --> 02:01:52,560
Speaker 1: shouldn't have to think that way. That like how like

2473
02:01:52,600 --> 02:01:53,880
Speaker 1: how do we need to fight or flight in a

2474
02:01:53,960 --> 02:01:57,760
Speaker 1: sense in any situation at a venue, on a plane,

2475
02:01:58,320 --> 02:02:01,720
Speaker 1: at school, because the things like Columbine and those theater shootings,

2476
02:02:02,120 --> 02:02:05,160
Speaker 1: it's almost like those things they happen, they teach us

2477
02:02:05,240 --> 02:02:07,880
Speaker 1: how to move forward. In life, but it also sucks

2478
02:02:07,880 --> 02:02:10,760
Speaker 1: that they happened in the first place. It is a

2479
02:02:11,240 --> 02:02:14,960
Speaker 1: absolute terrible thing that teaches us a really hard lesson

2480
02:02:15,280 --> 02:02:18,440
Speaker 1: yeah we don't want to learn totally, and also makes

2481
02:02:18,440 --> 02:02:20,560
Speaker 1: you think of like crap as a as a father, now,

2482
02:02:20,640 --> 02:02:23,760
Speaker 1: like what happened to that that adult or that team

2483
02:02:24,200 --> 02:02:26,800
Speaker 1: in their life to make them want to do these

2484
02:02:26,840 --> 02:02:29,200
Speaker 1: things to hurt other people? Like like was there no

2485
02:02:29,240 --> 02:02:31,720
Speaker 1: one around? No one saw any signs. I always like, wow,

2486
02:02:31,760 --> 02:02:33,520
Speaker 1: he was a good kid. You're always seen in the news.

2487
02:02:33,560 --> 02:02:35,520
Speaker 1: He was a good kid. He always kept himself and

2488
02:02:35,560 --> 02:02:37,240
Speaker 1: he had straight a's and all this stuff, And You're like, well,

2489
02:02:37,320 --> 02:02:40,800
Speaker 1: there must have been something that showed that this person

2490
02:02:40,920 --> 02:02:43,000
Speaker 1: had some sort of signs of something. Like someone someone

2491
02:02:43,040 --> 02:02:44,840
Speaker 1: just doesn't go from being a regular everyday kid to

2492
02:02:45,880 --> 02:02:48,160
Speaker 1: blowing things up or shooting a school down. It's like

2493
02:02:48,240 --> 02:02:50,200
Speaker 1: what happened? So I always look at it that way

2494
02:02:50,240 --> 02:02:53,000
Speaker 1: of like like how could you help somebody even in

2495
02:02:53,080 --> 02:02:55,600
Speaker 1: our everyday life, if someone's down, I'm like, Okay, well

2496
02:02:55,920 --> 02:02:57,640
Speaker 1: I don't. I don't, I don't. I don't want to

2497
02:02:57,640 --> 02:02:59,440
Speaker 1: go to the extreme. Okay, this persons Downy're gonna they're

2498
02:02:59,440 --> 02:03:02,680
Speaker 1: gonna blow us cool, But I'm like, but something could

2499
02:03:02,760 --> 02:03:04,840
Speaker 1: lead to that where someone is down and then they

2500
02:03:05,080 --> 02:03:06,880
Speaker 1: think of things that they would normally think of because

2501
02:03:06,880 --> 02:03:09,200
Speaker 1: they're down for whatever the reason may be. So I always,

2502
02:03:09,240 --> 02:03:11,480
Speaker 1: I guess my point is, I always try to look

2503
02:03:11,520 --> 02:03:14,120
Speaker 1: at people with a different perspective and a different light

2504
02:03:14,240 --> 02:03:17,560
Speaker 1: of like, Okay, everyone's hurting in some way? How badly

2505
02:03:17,680 --> 02:03:19,760
Speaker 1: is somebody hurting? Because you don't want them to take

2506
02:03:19,800 --> 02:03:23,440
Speaker 1: it out on others? Absolutely, like you just you lead

2507
02:03:23,600 --> 02:03:28,120
Speaker 1: with kindness because you don't ever know what somebody else

2508
02:03:28,240 --> 02:03:30,520
Speaker 1: is going through. Yeah, and you don't need to be

2509
02:03:30,600 --> 02:03:32,840
Speaker 1: the reason that something else gets worse, Oh totally, you

2510
02:03:32,840 --> 02:03:34,720
Speaker 1: don't want to trigger them in some sense. Yes, it's

2511
02:03:34,920 --> 02:03:36,920
Speaker 1: very easy to be kind to people, and it's very

2512
02:03:37,000 --> 02:03:39,360
Speaker 1: also easy to get lost in like the hustle bustle

2513
02:03:39,440 --> 02:03:42,920
Speaker 1: of life and treat people differently because you're struggling or

2514
02:03:42,920 --> 02:03:45,960
Speaker 1: you're stressed or whatever. Yeah. So like as hard as

2515
02:03:46,040 --> 02:03:49,520
Speaker 1: that is, like being kind no matter what and how

2516
02:03:49,640 --> 02:03:52,040
Speaker 1: much you don't want to sometimes is like the most

2517
02:03:52,240 --> 02:03:56,080
Speaker 1: necessary thing for all of us to kind of relearn again, right,

2518
02:03:56,160 --> 02:03:58,240
Speaker 1: Like we kind of lost sight of that, Like stop

2519
02:03:58,320 --> 02:04:00,560
Speaker 1: getting stuck in what we are going through and just

2520
02:04:00,640 --> 02:04:03,280
Speaker 1: be like, Okay, that's my life. Yeah. Total, I'm not

2521
02:04:03,360 --> 02:04:05,600
Speaker 1: putting that on other people, you know, like I'm going

2522
02:04:05,680 --> 02:04:09,280
Speaker 1: to be kind and I help them and then like

2523
02:04:09,480 --> 02:04:11,200
Speaker 1: go back and somebody else is going to help me,

2524
02:04:11,240 --> 02:04:13,800
Speaker 1: because that's how it works, paying it forward. But also

2525
02:04:13,880 --> 02:04:16,960
Speaker 1: sucks that knowing people out there and they think they

2526
02:04:17,000 --> 02:04:18,240
Speaker 1: have no one to go to or turn to or

2527
02:04:18,280 --> 02:04:20,200
Speaker 1: talk to. And I feel like you could find somebody

2528
02:04:20,240 --> 02:04:23,440
Speaker 1: in your life if you're feeling some sort of if

2529
02:04:23,440 --> 02:04:25,720
Speaker 1: you're feeling one of these feelings or whatever, you got

2530
02:04:25,800 --> 02:04:27,520
Speaker 1: to find somebody to talk to. You can't just you

2531
02:04:27,560 --> 02:04:29,720
Speaker 1: can't let it eat you up. And like, I know,

2532
02:04:29,880 --> 02:04:31,960
Speaker 1: some nice parents are difficult to deal with and they're

2533
02:04:31,960 --> 02:04:33,560
Speaker 1: always telling me what to do and they will give

2534
02:04:33,600 --> 02:04:35,840
Speaker 1: me rules. But I guarantee you one of your parents

2535
02:04:35,920 --> 02:04:37,320
Speaker 1: would listen to you if you came to them with

2536
02:04:37,400 --> 02:04:40,360
Speaker 1: your issue versus you plotting out a plan to do

2537
02:04:40,440 --> 02:04:44,280
Speaker 1: something terrible. Yeah. Well, and what's really cool now, you

2538
02:04:44,360 --> 02:04:46,480
Speaker 1: know the more years that passed by, mental health is

2539
02:04:46,520 --> 02:04:50,280
Speaker 1: becoming such a appropriate thing to talk about. Right. It's

2540
02:04:50,320 --> 02:04:53,000
Speaker 1: a stigma, yeah, yes, yeah, and it should be talked about.

2541
02:04:53,400 --> 02:04:55,560
Speaker 1: So it's changing the way that that happens, which I

2542
02:04:55,640 --> 02:04:57,880
Speaker 1: think is so awesome. Yeah. I just wish it was

2543
02:04:57,960 --> 02:05:02,400
Speaker 1: changing faster. Yeah, happening faster, totally, It happens sooner. Yes, Yeah,

2544
02:05:02,600 --> 02:05:05,280
Speaker 1: because it's not It isn't anything that we shouldn't be

2545
02:05:05,920 --> 02:05:09,480
Speaker 1: afraid to talk about life like that is just what everybody.

2546
02:05:09,520 --> 02:05:12,320
Speaker 1: Everybody has something right to. It doesn't matter if they

2547
02:05:12,440 --> 02:05:15,880
Speaker 1: decide to deal with that or not. Yeah, but yeah, yeah,

2548
02:05:15,960 --> 02:05:17,840
Speaker 1: chances are you talking about it's someone you know has

2549
02:05:17,880 --> 02:05:20,160
Speaker 1: either dealt with it or can relate to it in

2550
02:05:20,240 --> 02:05:22,720
Speaker 1: some sort of way and give you their wisdom and

2551
02:05:22,800 --> 02:05:24,400
Speaker 1: knowledge of how they dealt with it, and you can

2552
02:05:24,760 --> 02:05:26,600
Speaker 1: take their knowledge or at least know that, Hey I

2553
02:05:26,680 --> 02:05:29,040
Speaker 1: got it off my chest and someone can can relate

2554
02:05:29,080 --> 02:05:30,520
Speaker 1: with me. That's great. So now I could just move

2555
02:05:30,600 --> 02:05:33,840
Speaker 1: on from it, yes, or get through it faster, agreed. Yeah.

2556
02:05:34,240 --> 02:05:36,320
Speaker 1: Oh man, I know we had to end on like

2557
02:05:36,440 --> 02:05:38,840
Speaker 1: a somber moment, and we should because today is a

2558
02:05:38,960 --> 02:05:44,960
Speaker 1: very important day history in everything that happened. But I'm

2559
02:05:44,960 --> 02:05:46,600
Speaker 1: glad we got to talk about it, and I'm glad

2560
02:05:47,080 --> 02:05:50,920
Speaker 1: you shared your stuff that happened. Yeah, because it is

2561
02:05:51,040 --> 02:05:52,920
Speaker 1: kind of crazy to look back on and see all

2562
02:05:52,960 --> 02:05:56,040
Speaker 1: of this and kind of relive it. But I think

2563
02:05:56,080 --> 02:05:57,920
Speaker 1: it's important to talk about that's how we remember things

2564
02:05:58,280 --> 02:06:02,000
Speaker 1: totally and then through music. It's a great therapy. And Darryl,

2565
02:06:02,080 --> 02:06:04,480
Speaker 1: that's pretty cool to see that performance. Yeah, I mean

2566
02:06:04,560 --> 02:06:08,560
Speaker 1: pretty cool this song Have You Forgotten? And Alan Jackson

2567
02:06:09,080 --> 02:06:12,960
Speaker 1: Jackson Jaction added a little h to his name. Alan

2568
02:06:13,120 --> 02:06:15,720
Speaker 1: Jackson's Where Were You When the World Stopped Turning? Were

2569
02:06:15,760 --> 02:06:18,800
Speaker 1: two songs that I remember being on repeat in my

2570
02:06:18,920 --> 02:06:22,680
Speaker 1: family's house. Oh yeah, Rayoween as soon as they both

2571
02:06:22,720 --> 02:06:25,160
Speaker 1: came out. And it's funny, I'd like to know who

2572
02:06:25,920 --> 02:06:27,640
Speaker 1: I know who came out first. It was Darrel Worley

2573
02:06:27,720 --> 02:06:29,680
Speaker 1: song came out first, and Alan Jackson came out second.

2574
02:06:29,800 --> 02:06:32,560
Speaker 1: And I always wonder is Alan Jacksons was already planned

2575
02:06:32,840 --> 02:06:35,600
Speaker 1: or is a reactionary to Darrell's Well, hey, I talked

2576
02:06:35,640 --> 02:06:37,840
Speaker 1: about it in the Skinny this second. It came to

2577
02:06:37,960 --> 02:06:40,480
Speaker 1: him in like a dream. Okay, the chorus of the song.

2578
02:06:40,600 --> 02:06:42,720
Speaker 1: He was like, I almost don't even like feel like

2579
02:06:42,760 --> 02:06:45,120
Speaker 1: I owned the song because it came out to me

2580
02:06:45,280 --> 02:06:48,120
Speaker 1: so perfectly. Yeah that it just like came to him

2581
02:06:48,920 --> 02:06:52,120
Speaker 1: that so obviously it came after later, but it wasn't

2582
02:06:52,200 --> 02:06:55,080
Speaker 1: planned from the way that he tells that story. Okay,

2583
02:06:55,360 --> 02:06:57,360
Speaker 1: so I think it just was like something that was

2584
02:06:57,440 --> 02:07:02,400
Speaker 1: emotional and he must have been thinking about things the Yeah, yeah,

2585
02:07:02,560 --> 02:07:05,120
Speaker 1: that's pretty cool, which is yeah, which is so crazy.

2586
02:07:05,240 --> 02:07:08,640
Speaker 1: But yeah, those those two songs were so very like,

2587
02:07:08,880 --> 02:07:11,240
Speaker 1: very much a part of those few years after that,

2588
02:07:11,560 --> 02:07:13,919
Speaker 1: and then even I know everyone on the show hates Nickelback,

2589
02:07:14,200 --> 02:07:16,680
Speaker 1: but they had that one song that was pretty big

2590
02:07:16,760 --> 02:07:19,320
Speaker 1: around that era where they I think they either created

2591
02:07:19,360 --> 02:07:21,080
Speaker 1: a song or they took one of their songs and

2592
02:07:21,160 --> 02:07:24,480
Speaker 1: they embedded a bunch of September eleventh like audio into

2593
02:07:24,520 --> 02:07:26,440
Speaker 1: the song. Do you remember that. I don't vaguely remember this.

2594
02:07:26,680 --> 02:07:29,760
Speaker 1: It's upt a look a up really quick, Nickelback nine

2595
02:07:29,760 --> 02:07:33,120
Speaker 1: to eleven. Don't say everybody, because I don't hate Nickelback. Okay, cool,

2596
02:07:33,120 --> 02:07:36,320
Speaker 1: all right, Hero the Hero. It's actually from Spider Man,

2597
02:07:36,760 --> 02:07:40,280
Speaker 1: but they took Hero and they embedded some like nine.

2598
02:07:40,320 --> 02:07:42,000
Speaker 1: I remember when they when they first came out with it,

2599
02:07:42,320 --> 02:07:44,520
Speaker 1: and I remember, like I wasn't there and I hadn't

2600
02:07:44,760 --> 02:07:48,760
Speaker 1: had no personal connection, but I remember hearing that first version.

2601
02:07:49,160 --> 02:07:50,640
Speaker 1: I think it was in my hometown. It was in

2602
02:07:50,760 --> 02:07:52,640
Speaker 1: Orlando and XL one to six seven. They played it,

2603
02:07:52,960 --> 02:07:54,560
Speaker 1: and it was one of those things where just hearing

2604
02:07:55,040 --> 02:07:57,800
Speaker 1: the lyrics of I'm so high I can I can

2605
02:07:57,920 --> 02:08:01,240
Speaker 1: hear heaven and a hero can say whatever, and a

2606
02:08:01,520 --> 02:08:05,280
Speaker 1: hero could save us and not go understand it away.

2607
02:08:06,520 --> 02:08:10,680
Speaker 1: It was beautiful. But and then interweave like like like

2608
02:08:10,800 --> 02:08:13,480
Speaker 1: nine to eleven calls and like people screaming from the top,

2609
02:08:13,560 --> 02:08:16,240
Speaker 1: like all that stuff like woven into the song. I

2610
02:08:16,320 --> 02:08:18,400
Speaker 1: just remember hearing going like, wow, this is so powerful.

2611
02:08:18,760 --> 02:08:20,680
Speaker 1: So my whole point is just music is a great

2612
02:08:20,760 --> 02:08:24,760
Speaker 1: therapy for tragic events because it makes you feel and

2613
02:08:24,880 --> 02:08:27,640
Speaker 1: it generates feelings, but it also brings awareness and all

2614
02:08:27,640 --> 02:08:29,760
Speaker 1: these great things. So those are the three songs for

2615
02:08:29,840 --> 02:08:32,480
Speaker 1: me that that Alan Jackson, Daryl Worley and then Nickelback's

2616
02:08:32,560 --> 02:08:36,280
Speaker 1: Hero were like three really big, huge songs that helped us,

2617
02:08:36,320 --> 02:08:39,000
Speaker 1: I guess in a sense cope with Yeah, the tragedy.

2618
02:08:39,400 --> 02:08:41,320
Speaker 1: Then I know there's more I'm not thinking of, but

2619
02:08:41,480 --> 02:08:44,480
Speaker 1: those were like the three like three very big ones. Yeah.

2620
02:08:44,560 --> 02:08:48,000
Speaker 1: At the time, Oh man, well, I mean now we're

2621
02:08:48,000 --> 02:08:51,360
Speaker 1: about to relive like him performing in studio, and honestly

2622
02:08:51,360 --> 02:08:54,320
Speaker 1: it was an emotional thing, right, you're looking back twenty

2623
02:08:54,400 --> 02:08:56,440
Speaker 1: years and he's performing the song. A lot has happened

2624
02:08:56,480 --> 02:08:59,560
Speaker 1: in those twenty years, but seriously, sit here and listen

2625
02:08:59,600 --> 02:09:03,000
Speaker 1: to this. He shares the story behind the song, how

2626
02:09:03,040 --> 02:09:05,440
Speaker 1: it came together for him, which is also inspiring. He

2627
02:09:05,520 --> 02:09:08,400
Speaker 1: shares you know what he's doing now that still is

2628
02:09:08,520 --> 02:09:11,200
Speaker 1: connected to that in a way, and it was just

2629
02:09:11,280 --> 02:09:15,000
Speaker 1: really cool. So listen now to Daryl Worley's interview and

2630
02:09:15,320 --> 02:09:19,520
Speaker 1: him performing have You Forgotten? Number one? The Friday Morning

2631
02:09:19,560 --> 02:09:23,280
Speaker 1: Conversation with Darrell Walley. Daryl, how are you doing good?

2632
02:09:23,320 --> 02:09:25,200
Speaker 1: How are you? I'm really glad that you came in.

2633
02:09:25,560 --> 02:09:27,480
Speaker 1: Well man, thanks for having me. It's I want to

2634
02:09:27,520 --> 02:09:29,640
Speaker 1: play a few of Darrell's number one's real quick. This

2635
02:09:29,840 --> 02:09:32,240
Speaker 1: is from two thousand and two. I missed my friend.

2636
02:09:33,040 --> 02:09:40,040
Speaker 1: I miss my friend one my heart. From two thousand

2637
02:09:40,040 --> 02:09:43,240
Speaker 1: and three. Here is have you Forgotten? Have you forgotten?

2638
02:09:45,320 --> 02:09:48,200
Speaker 1: How it felt that day? In two thousand and four?

2639
02:09:48,320 --> 02:09:52,240
Speaker 1: Here is awful, beautiful life. My little brother had a

2640
02:09:52,360 --> 02:09:56,480
Speaker 1: big bad with his wife, and my poor mother said

2641
02:09:56,560 --> 02:10:06,520
Speaker 1: between movona, I love the crazy dread sometimes jam I

2642
02:10:06,600 --> 02:10:09,520
Speaker 1: mean that one in a while, man, I missed that one. Well,

2643
02:10:09,720 --> 02:10:12,880
Speaker 1: it gets still gets a lot of airplay. It's cool song. Yeah,

2644
02:10:13,080 --> 02:10:14,720
Speaker 1: it's been. I think the last time I heard that

2645
02:10:14,880 --> 02:10:17,000
Speaker 1: was in like a like a Kroger or something, and

2646
02:10:17,040 --> 02:10:19,280
Speaker 1: I was like, I was like, because sometimes you hear

2647
02:10:19,360 --> 02:10:21,280
Speaker 1: songs because for me two thousand and four hours in college,

2648
02:10:21,440 --> 02:10:23,360
Speaker 1: sometimes you hear songs that remind you of like a

2649
02:10:23,400 --> 02:10:27,240
Speaker 1: certain JOm and that one for sure does awesome. You're

2650
02:10:27,240 --> 02:10:30,920
Speaker 1: actually here because tomorrow is the twentieth anniversary of nine

2651
02:10:30,960 --> 02:10:32,880
Speaker 1: to eleven, And when I think about and I just

2652
02:10:32,960 --> 02:10:35,680
Speaker 1: had a big special with Circle Network in the Opry

2653
02:10:36,000 --> 02:10:38,160
Speaker 1: on the Music of nine to eleven, which is going

2654
02:10:38,200 --> 02:10:41,040
Speaker 1: to air on Circle Network tomorrow for it's it's a

2655
02:10:41,080 --> 02:10:43,680
Speaker 1: big two hour special. I'm on that too. Yeah. No,

2656
02:10:43,800 --> 02:10:45,840
Speaker 1: I know it's part of the reason that we wanted

2657
02:10:45,840 --> 02:10:47,640
Speaker 1: to get you in here. Cool because we were talking

2658
02:10:47,640 --> 02:10:49,720
Speaker 1: about a lot of the songs and you know how

2659
02:10:49,720 --> 02:10:53,120
Speaker 1: it affected us in many different ways. And you know,

2660
02:10:53,440 --> 02:10:56,920
Speaker 1: whenever you put out a song about nine to eleven,

2661
02:10:57,480 --> 02:10:58,960
Speaker 1: you know, it's really one of those songs that really

2662
02:10:59,040 --> 02:11:01,280
Speaker 1: reminds me of that time, Like I can remember vividly

2663
02:11:01,360 --> 02:11:03,760
Speaker 1: whenever it happened. You know. I went to college in

2664
02:11:03,960 --> 02:11:07,280
Speaker 1: Arkansas at a really small school called Henderson State University,

2665
02:11:07,920 --> 02:11:10,120
Speaker 1: and we all went into the student union and it

2666
02:11:10,120 --> 02:11:12,120
Speaker 1: started like two people looking up at a screen in

2667
02:11:12,160 --> 02:11:15,360
Speaker 1: the corner. Then it was four, and then before you know,

2668
02:11:15,560 --> 02:11:18,480
Speaker 1: the next twenty or thirty minutes went by, it was

2669
02:11:18,720 --> 02:11:21,040
Speaker 1: forty rows deep of people going, what in the world

2670
02:11:21,120 --> 02:11:24,200
Speaker 1: is happening. We had no idea what was happening, and

2671
02:11:24,320 --> 02:11:27,240
Speaker 1: kind of as the events played out, it took music

2672
02:11:27,680 --> 02:11:30,680
Speaker 1: to kind of get us back to a somewhat normal

2673
02:11:30,760 --> 02:11:33,120
Speaker 1: place again, right, because for a long time, we didn't

2674
02:11:33,120 --> 02:11:36,160
Speaker 1: know if we could sing, We didn't know if we

2675
02:11:36,200 --> 02:11:39,280
Speaker 1: could laugh. You know, we didn't know a lot of stuff.

2676
02:11:39,880 --> 02:11:42,200
Speaker 1: But when we were talking about songs to talk about

2677
02:11:42,240 --> 02:11:45,400
Speaker 1: in this, you know, obviously you came up and you know,

2678
02:11:45,480 --> 02:11:47,400
Speaker 1: have you forgotten? You know, it was one of those

2679
02:11:47,440 --> 02:11:49,680
Speaker 1: songs for us, So talk about this. You go into

2680
02:11:49,720 --> 02:11:52,480
Speaker 1: a writing room and did you have in mind to

2681
02:11:52,560 --> 02:11:55,080
Speaker 1: write a song about nine to eleven specifically or did

2682
02:11:55,120 --> 02:11:57,160
Speaker 1: you just kind of come up in conversation. No. I

2683
02:11:57,240 --> 02:12:01,600
Speaker 1: had just returned from my first journey uh to Afghanistan

2684
02:12:01,720 --> 02:12:05,640
Speaker 1: to entertain our troops, and I told me my manager

2685
02:12:05,720 --> 02:12:07,680
Speaker 1: on the way home that I was going to that

2686
02:12:07,800 --> 02:12:11,280
Speaker 1: I just felt very compelled to do something to honor uh,

2687
02:12:11,480 --> 02:12:15,360
Speaker 1: you know people, uh like our first responders. We lost

2688
02:12:15,400 --> 02:12:18,320
Speaker 1: a lot of guys that that day that were trying

2689
02:12:18,320 --> 02:12:21,040
Speaker 1: to save other people's lives. Obviously, we lost a lot

2690
02:12:21,120 --> 02:12:24,320
Speaker 1: of citizens, and then we lost a lot a ton

2691
02:12:24,400 --> 02:12:27,240
Speaker 1: of of our good military men and women in the

2692
02:12:27,360 --> 02:12:29,960
Speaker 1: war zone. Uh, you know, putting the heat on the

2693
02:12:30,200 --> 02:12:33,280
Speaker 1: on the on the terrorist. And so I just wanted

2694
02:12:33,280 --> 02:12:37,000
Speaker 1: to write a song that would would um honor all

2695
02:12:37,040 --> 02:12:39,760
Speaker 1: those people and their families and and you know, for

2696
02:12:39,880 --> 02:12:43,280
Speaker 1: the loss. And so yeah, we sat down with intentions

2697
02:12:43,320 --> 02:12:47,360
Speaker 1: of writing the song, but we we didn't have intentions

2698
02:12:47,440 --> 02:12:49,520
Speaker 1: of of you know, trying to get it on the

2699
02:12:49,640 --> 02:12:52,600
Speaker 1: radio or anything like that. I thought, I told when

2700
02:12:52,760 --> 02:12:54,600
Speaker 1: my co writer, I said, this is something that we

2701
02:12:54,680 --> 02:12:59,839
Speaker 1: could definitely use to you know, on my return journeys

2702
02:13:00,000 --> 02:13:02,560
Speaker 1: to the war zone. I can play it, you know,

2703
02:13:02,640 --> 02:13:05,360
Speaker 1: I can play it for when I do special things

2704
02:13:05,440 --> 02:13:09,360
Speaker 1: with police departments or fire departments, and it'll be a

2705
02:13:09,480 --> 02:13:12,120
Speaker 1: well received thing. But I had a single own the

2706
02:13:12,200 --> 02:13:13,960
Speaker 1: radio that was doing very well, and I had a

2707
02:13:14,200 --> 02:13:17,240
Speaker 1: brand new album out, and so we weren't looking to

2708
02:13:17,560 --> 02:13:20,960
Speaker 1: disrupt all that. It was just it was just a

2709
02:13:21,040 --> 02:13:22,920
Speaker 1: song we wanted to ride. You know, the wild part

2710
02:13:22,920 --> 02:13:26,400
Speaker 1: about it is that it takes sometimes twenty thirty forty

2711
02:13:26,440 --> 02:13:28,240
Speaker 1: weeks for a song to get to the top of

2712
02:13:28,280 --> 02:13:31,760
Speaker 1: the charts, but this song impacted so fast. First of all,

2713
02:13:31,760 --> 02:13:33,320
Speaker 1: I was number one for seven weeks, but it only

2714
02:13:33,360 --> 02:13:35,840
Speaker 1: took five weeks to get there, right like people, It

2715
02:13:36,000 --> 02:13:39,200
Speaker 1: just shook people because of the message and how you

2716
02:13:39,320 --> 02:13:41,880
Speaker 1: sing it. And so we wanted to bring in today

2717
02:13:41,920 --> 02:13:44,000
Speaker 1: with tomorrow'll be in that anniversary of nine to eleven

2718
02:13:44,200 --> 02:13:46,440
Speaker 1: and just ask if you'd mind plan Have you forgotten

2719
02:13:46,480 --> 02:13:48,440
Speaker 1: for us? Not at all? You play You still played

2720
02:13:48,440 --> 02:13:51,800
Speaker 1: this one a lot? Oh yeah, yeah, yeah, we're This

2721
02:13:51,960 --> 02:13:55,600
Speaker 1: year's been unusual because coming out of COVID, you know,

2722
02:13:55,680 --> 02:13:59,040
Speaker 1: we didn't expect things to just explode. But it's almost

2723
02:13:59,120 --> 02:14:02,880
Speaker 1: like we have re released a song, and because of

2724
02:14:02,960 --> 02:14:06,040
Speaker 1: the twentieth anniversary, it's just been wide open. So I'm

2725
02:14:06,120 --> 02:14:10,080
Speaker 1: not complaining in any way. Here is Daryl Worley. But

2726
02:14:10,280 --> 02:14:28,680
Speaker 1: have you forgotten? I hear people say we don't need

2727
02:14:28,800 --> 02:14:34,400
Speaker 1: this war. I say, there's some things we're fighting for.

2728
02:14:34,520 --> 02:14:43,560
Speaker 1: Him what about our freedom? This piece of ground you

2729
02:14:43,720 --> 02:14:50,360
Speaker 1: didn't get to keep back in day? They say, we

2730
02:14:50,600 --> 02:14:56,840
Speaker 1: don't realize the mess with getting in Before you start

2731
02:14:56,920 --> 02:15:00,760
Speaker 1: your preaching, let me ask you this, my my friend.

2732
02:15:02,400 --> 02:15:09,240
Speaker 1: Have you forgotten how it felt that day to see

2733
02:15:09,320 --> 02:15:15,440
Speaker 1: your homeland undefined and her people blown away? Have you

2734
02:15:15,720 --> 02:15:24,080
Speaker 1: forgotten when those towers failed we had neighbor still inside

2735
02:15:24,840 --> 02:15:30,080
Speaker 1: going through a living hell, and you say we shouldn't

2736
02:15:30,200 --> 02:15:41,320
Speaker 1: worry about been a loving Have you forgotten? Have you forgotten?

2737
02:15:46,200 --> 02:15:52,920
Speaker 1: Have you forgotten? Dear Wharlings? Great job, thank you and

2738
02:15:53,040 --> 02:15:55,320
Speaker 1: your latest album too. Yeah, I want to talk about

2739
02:15:55,400 --> 02:16:00,160
Speaker 1: this because you know you're about making a difference, and

2740
02:16:00,600 --> 02:16:04,120
Speaker 1: so twenty two will you talk about the importance of

2741
02:16:04,160 --> 02:16:08,640
Speaker 1: that record? Well, you know, I'll be honest with you, Bobby.

2742
02:16:10,920 --> 02:16:13,560
Speaker 1: It it blows my mind every day I talk to

2743
02:16:13,680 --> 02:16:16,400
Speaker 1: someone because we're kind of in that mindset right now

2744
02:16:17,160 --> 02:16:20,360
Speaker 1: that doesn't know that we have twenty two service members,

2745
02:16:20,440 --> 02:16:22,880
Speaker 1: men or women taking their own life every day in

2746
02:16:22,960 --> 02:16:26,800
Speaker 1: this nation, and you know, because of what they've been through,

2747
02:16:26,840 --> 02:16:30,240
Speaker 1: because of their PTSD, because of whatever situation it is.

2748
02:16:31,240 --> 02:16:35,080
Speaker 1: That to me doesn't matter. We as a nation should

2749
02:16:35,120 --> 02:16:39,760
Speaker 1: be taking care of those people, and so our government

2750
02:16:39,879 --> 02:16:42,200
Speaker 1: doesn't seem to be really really active in that. So

2751
02:16:42,920 --> 02:16:45,520
Speaker 1: Charlie Daniels pulled me aside about a month or two

2752
02:16:45,560 --> 02:16:47,720
Speaker 1: before he passed away, and he said, son, this this

2753
02:16:47,800 --> 02:16:49,960
Speaker 1: stuff's going to be up to us. It's going to

2754
02:16:50,040 --> 02:16:53,000
Speaker 1: have to come from you know, a different place, maybe

2755
02:16:53,040 --> 02:16:55,320
Speaker 1: the private sector or whatever. But but we need to

2756
02:16:55,400 --> 02:16:58,360
Speaker 1: get busy at this work because these people are suffering

2757
02:16:58,400 --> 02:17:01,160
Speaker 1: and and they've given more to this nation and more

2758
02:17:01,200 --> 02:17:04,560
Speaker 1: to its people than anybody that I can think of.

2759
02:17:04,720 --> 02:17:07,000
Speaker 1: So you know, what do we owe them, Well, we

2760
02:17:07,040 --> 02:17:09,640
Speaker 1: owe them whatever we can do to help them. And

2761
02:17:10,080 --> 02:17:12,760
Speaker 1: so twenty two is that at twenty two is the

2762
02:17:12,840 --> 02:17:15,560
Speaker 1: title cut. We have a song out off of that

2763
02:17:15,760 --> 02:17:18,320
Speaker 1: right now called Send to Me, and our plan is

2764
02:17:18,360 --> 02:17:21,560
Speaker 1: to kind of release everything from the project between now

2765
02:17:21,680 --> 02:17:25,160
Speaker 1: and Veterans Day and just to make people aware of it,

2766
02:17:25,280 --> 02:17:29,160
Speaker 1: and hopefully we can you know, get some streams and

2767
02:17:29,240 --> 02:17:32,200
Speaker 1: downloads and and sell some of that product, and we're

2768
02:17:32,200 --> 02:17:36,080
Speaker 1: going to give proceeds to some different charitable organizations that

2769
02:17:36,160 --> 02:17:38,640
Speaker 1: will make a difference in that area. You can also

2770
02:17:38,840 --> 02:17:42,039
Speaker 1: order some of Darrel's nine to eleven Have You Forgotten

2771
02:17:42,120 --> 02:17:44,879
Speaker 1: Leatherwood Whiskey coming out that's raising money from military charities.

2772
02:17:45,360 --> 02:17:47,600
Speaker 1: UM Daryl Worley dot com. I've never had a drink

2773
02:17:47,640 --> 02:17:51,320
Speaker 1: of alcohol. What's the difference between bourbon and whiskey and taste? Well,

2774
02:17:51,600 --> 02:17:54,280
Speaker 1: bourbon is a whiskey or some people would say that's

2775
02:17:54,320 --> 02:17:58,160
Speaker 1: not true. But so let's talk about the difference between

2776
02:17:58,480 --> 02:18:02,680
Speaker 1: bourbon and right. They're made made from different things. But um,

2777
02:18:03,320 --> 02:18:06,840
Speaker 1: and the bourbon is a little more it's just a

2778
02:18:06,879 --> 02:18:08,920
Speaker 1: little smoother, right. Whiskey has a little bit more of

2779
02:18:08,920 --> 02:18:10,160
Speaker 1: an age too. So if I were gonna have a

2780
02:18:10,200 --> 02:18:12,640
Speaker 1: first drink, I'd probably go bourbon before whiskey because it's smoother.

2781
02:18:13,520 --> 02:18:15,760
Speaker 1: Some people would say you probably ought to get you,

2782
02:18:16,320 --> 02:18:19,720
Speaker 1: you know, a slow gin fizz or vodka drink first,

2783
02:18:19,760 --> 02:18:21,760
Speaker 1: but but uh, but yeah, I would say drink the

2784
02:18:21,760 --> 02:18:25,920
Speaker 1: bourbon first. I probably go peanuck a lot. Now there's

2785
02:18:25,959 --> 02:18:29,039
Speaker 1: a great idea. Well, you guys, uh, you know check

2786
02:18:29,080 --> 02:18:32,440
Speaker 1: out twenty two. Uh did followed Daryl at Darryl Worley

2787
02:18:32,480 --> 02:18:35,119
Speaker 1: on Instagram and we just appreciate you coming in. Man,

2788
02:18:35,200 --> 02:18:37,640
Speaker 1: can I say this one? I feel like I'm on

2789
02:18:38,120 --> 02:18:40,560
Speaker 1: I feel like I'm on American Idol and I'm too old.

2790
02:18:40,680 --> 02:18:42,680
Speaker 1: There's no Why do you feel like you're on American Idol?

2791
02:18:42,879 --> 02:18:45,000
Speaker 1: You're killing it right, I'm just killing kill you know

2792
02:18:45,080 --> 02:18:49,320
Speaker 1: what you didn't with you went, He's on Next American Idol.

2793
02:18:49,680 --> 02:18:51,600
Speaker 1: I told him, I said, I've been watching him on

2794
02:18:51,680 --> 02:18:53,800
Speaker 1: this show so much in my watch lot. You're not

2795
02:18:53,920 --> 02:18:55,560
Speaker 1: going in to sit down with him? I said, well yes,

2796
02:18:55,640 --> 02:18:57,720
Speaker 1: I Well listen, we felt the same way about You

2797
02:18:57,800 --> 02:18:59,720
Speaker 1: were like, hell, he's coming in and I'm like, yeah,

2798
02:19:00,200 --> 02:19:02,080
Speaker 1: so that's great. You see. Thank you and a big

2799
02:19:02,080 --> 02:19:04,360
Speaker 1: fan for a long time. We appreciate. We know today

2800
02:19:04,520 --> 02:19:06,880
Speaker 1: is tomorrow is the anniversary, but we're not on the

2801
02:19:06,920 --> 02:19:09,360
Speaker 1: air tomorrow, so we definitely wanted to treat today as

2802
02:19:09,440 --> 02:19:10,800
Speaker 1: much as we could like that. So thank you for

2803
02:19:10,840 --> 02:19:12,760
Speaker 1: your time, thank you, thank you for writing that song

2804
02:19:12,800 --> 02:19:14,920
Speaker 1: and for all that she is there is Dari everybody.

2805
02:19:17,440 --> 02:19:21,160
Speaker 1: It's the best bits of the week with Morgan number two.

2806
02:19:23,160 --> 02:19:25,920
Speaker 1: All right, y'all, thank you guys for hanging out with Scuba,

2807
02:19:25,959 --> 02:19:28,920
Speaker 1: Steve and I this weekend. I hope you know you

2808
02:19:29,520 --> 02:19:32,440
Speaker 1: take in the somber moments, enjoy the really good ones.

2809
02:19:33,040 --> 02:19:38,240
Speaker 1: Got to come with both, right, yeah, always yes, But

2810
02:19:38,320 --> 02:19:40,080
Speaker 1: I hope we made you laugh, Hope we made you

2811
02:19:40,200 --> 02:19:43,480
Speaker 1: remember some things, enjoy some things. Scuba, where can they

2812
02:19:43,520 --> 02:19:45,360
Speaker 1: find you on social media? They could find me on

2813
02:19:45,480 --> 02:19:50,120
Speaker 1: Twitter and Instagram only okay, and it's Scuba. Another check

2814
02:19:50,200 --> 02:19:55,360
Speaker 1: for the old man box. No TikTok Facebook, Nope, nope,

2815
02:19:56,480 --> 02:19:58,680
Speaker 1: nope because Snapchat was founded on the basis of cheating

2816
02:19:58,720 --> 02:20:01,040
Speaker 1: with your Yeah, I don't have chet on. I don't

2817
02:20:01,040 --> 02:20:03,440
Speaker 1: do that just for moral reasons. But yes, Instagram and Twitter,

2818
02:20:04,320 --> 02:20:06,560
Speaker 1: you look for me. It's at the little AT symbol

2819
02:20:06,600 --> 02:20:08,760
Speaker 1: with an A with a circle around it. Even are

2820
02:20:08,879 --> 02:20:11,640
Speaker 1: talking like you o man, like we don't know what

2821
02:20:11,720 --> 02:20:15,200
Speaker 1: an at. It's that's a with a circle around it.

2822
02:20:16,000 --> 02:20:19,680
Speaker 1: Scuba Steve Radio. Scuba Steve Radio awesome and you can

2823
02:20:20,240 --> 02:20:24,280
Speaker 1: find the show on YouTube, Facebook, Twitter, Instagram, all the

2824
02:20:24,400 --> 02:20:27,480
Speaker 1: things at Bobby Bones Show and I am at web

2825
02:20:27,600 --> 02:20:30,800
Speaker 1: girl Morgan still take talking away and doing random things

2826
02:20:30,840 --> 02:20:34,320
Speaker 1: on social media. Um yeah that is all. I really

2827
02:20:34,360 --> 02:20:36,600
Speaker 1: hope you guys enjoyed this Scuba. Thanks for hanging out

2828
02:20:36,640 --> 02:20:39,320
Speaker 1: with me, Thanks for having me. It's fun. Yes as always. Yeah,

2829
02:20:39,440 --> 02:20:44,160
Speaker 1: all right, bye, y'all. Have a go weekends. The sho