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Speaker 1: It's nine O Gene onegine with Jenny Garth and Tory spelling.

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Speaker 2: Well, okay, this is it, you guys. Exciting day. Tory's back.

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Speaker 3: Yes, Tory, welcome back. It is good to see you, guys.

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Speaker 3: Most important question? Are you caught up on the uh

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Speaker 3: train wreck that is season eight? Oh?

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Speaker 4: Man, you guys? So I got to be honest.

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Speaker 1: With the sickness and vertigo and everything, I couldn't focus

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Speaker 1: on the show. That's why I just didn't want to

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Speaker 1: watch it the season. This season is not good, you guys.

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Speaker 1: So anyway, I am caught up and I'm not happy.

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Speaker 1: What show is this? Oh?

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Speaker 2: No, I don't know. I don't know. I don't This

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Speaker 2: one really set me over the edge.

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Speaker 3: I think this one was as equally bad as the

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Speaker 3: week before.

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Speaker 2: Are you kidding?

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Speaker 4: It's just not our show? I will say.

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Speaker 3: Priestley looks at his that's the like.

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Speaker 4: Everyone looks really good.

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Speaker 2: Everyone looks pretty.

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Speaker 4: Jason Priestley is so handsome and hot hot babe. Yeah,

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Speaker 4: I'm gonna say so smart for leaving season eight.

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Speaker 3: He makes Noah look not handsome? Do you know what

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Speaker 3: I'm saying? Like, Jason Priestley is so hot that You're like, whatever,

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Speaker 3: do not let me forget to talk about Noah in

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Speaker 3: that jeep.

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Speaker 2: Or that cut off button down?

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Speaker 3: Why okay, I am Noah and I'm giving you a menacing.

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Speaker 4: Look like to a.

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Speaker 3: Murdery Loan shark in my red topless jeep.

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Speaker 4: Like it was so dumb.

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Speaker 2: I was like, dude, oh no, this is the episode

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Speaker 2: where you Donna and Noah start up.

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Speaker 3: The kiss was good? Actually I actually thought that was good.

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Speaker 2: Well, because yeah, you real real feelings.

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Speaker 3: Yeah, you have way more chemistry with him than than Valerie.

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Speaker 3: Are you gonna say David no, no, no, no no,

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Speaker 3: But then Valerie did with Noah and it takes all

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Speaker 3: my strength to not call him Colin.

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Speaker 2: You have more chemistry than him with David in certain respects.

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Speaker 1: Yeah. Actually, wow, jet old that. I mean, life are

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Speaker 1: imitating art, art imitating life? Do you think at this

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Speaker 1: point like I was like, my dad knew and he

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Speaker 1: was like, oh, we're going to put them together. Or

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Speaker 1: I don't know, I convinced you at a drunken rat

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Speaker 1: party to talk to my dad about putting us together.

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Speaker 4: I don't know.

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Speaker 2: I had nothing to do with it, that's all I do.

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Speaker 4: You would have been like hard pass.

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Speaker 2: I would have been like you guys, that's above my

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Speaker 2: prey pay grade. Tell me what I'm supposed to say

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Speaker 2: around here. I don't think. I mean, I don't know.

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Speaker 2: Did you Did you ask for it? Do you remember?

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Speaker 1: No?

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Speaker 4: Could you know?

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Speaker 1: I would never ask for anything. I didn't want to

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Speaker 1: be tree differently, but people knew something happened. I'm not

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Speaker 1: sure you were very tolerant of him. I've got to say,

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Speaker 1: looking back on all the boys I've been with, you

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Speaker 1: were good because you had to work with him every day,

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Speaker 1: so you couldn't really fire off.

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Speaker 2: But yeah, I don't remember. I think I was kind

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Speaker 2: of doing my own thing at the time. I was

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Speaker 2: a new mom.

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Speaker 4: You just had a baby.

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Speaker 2: I didn't really Yeah, I didn't really have time or

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Speaker 2: the bandwidth to think about yeah. Or I wasn't really

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Speaker 2: involved in your social life at that point. Oh, you were, but.

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Speaker 4: It was good.

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Speaker 1: But because you were a new mom, I just slipped by.

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Speaker 1: So that was good timing on my part because you

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Speaker 1: would not have been tolerant of that.

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Speaker 4: Excuse me if I glitched.

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Speaker 3: Are we talking about your real life romance with Noah

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Speaker 3: it's his real name, against Yan? Yes? And how can

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Speaker 3: you just give me again. Sorry if I just fully glitched.

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Speaker 3: When did that start? How long did it go? And

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Speaker 3: how was it trying to do that and work with him?

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Speaker 4: It started in Hawaii?

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Speaker 2: Well then when you guys were filming, Yeah.

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Speaker 1: Like the flirtation, getting to know each other. I remember

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Speaker 1: the hospital scene with Jen when she had amnesia. I

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Speaker 1: remember telling him, oh, you have to taste my lasagna.

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Speaker 1: Not going anywhere else there.

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Speaker 3: Wait wait, first of all, wait wait wait, wait.

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Speaker 2: Wait wait wait I r l O. Donna told him

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Speaker 2: you have to taste my lazan.

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Speaker 1: So I remember filming those scenes in the hospital when

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Speaker 1: you were shot in the.

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Speaker 2: Hospital, Donna, you were Donna or you were I was Tory.

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Speaker 1: This is so confusing, And I remember in between takes,

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Speaker 1: I was massaging him in his chair and he's like.

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Speaker 4: Oh, you give such a good back. Besides, is that

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Speaker 4: a new come on?

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Speaker 2: I am out about?

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Speaker 4: Is that a new come on? You have to taste

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Speaker 4: my lazonia? And I was like, well, I'm a really

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Speaker 4: good cook.

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Speaker 1: I make this was always my go to. Like I

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Speaker 1: was good with like shoulder massage and I make a

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Speaker 1: great lasagna.

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Speaker 4: So I was like going all out, try we get

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Speaker 4: this guy.

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Speaker 1: And he was like cool, and I remember making it

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Speaker 1: and going over to his house after we filmed that night.

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Speaker 3: This is the difference between when you guys were twenty

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Speaker 3: and now, because now I'm like, can I have this

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Speaker 3: shoulder massage?

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Speaker 4: And we were together for three years?

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Speaker 2: You guys, I'm calling yours. You took lasagna to Vince

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Speaker 2: Young's house correct after filming all day and rubbing his

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Speaker 2: back and nothing happened.

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Speaker 1: You know the end story here, which you'll get with you.

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Speaker 1: Nothing happened. Eventually something happened. But let's just say I

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Speaker 1: was celibate for three years.

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Speaker 3: Wait, you dated him for three years, so you're gonna

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Speaker 3: date him season eight, nine, ten?

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Speaker 4: And then do you end? Because the show ends?

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Speaker 1: Now we went on, I mean I basically lived with him.

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Speaker 1: What is like after the show ended? That's when he

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Speaker 1: felt comfortable being like, Okay, she's my girlfriend and wait

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Speaker 1: wait wait wait wait, hold out my hand in public

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Speaker 1: and going on red carpets with me.

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Speaker 2: I need to know this stage. Did you become celibate

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Speaker 2: for three years?

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Speaker 4: That night the entire time? Wait because he didn't want

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Speaker 4: to do that. I don't want to talk about this.

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Speaker 2: I don't blame you because it's starting to come back

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Speaker 2: to me a little.

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Speaker 1: Bit, because I got nervous that you guys would think

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Speaker 1: we were like doing it like it wasn't.

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Speaker 2: Well, of course we would think that if you guys

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Speaker 2: are dating, you're grown ups.

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Speaker 1: Yeah, it got to the point, but he would never

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Speaker 1: it was noncommittal. We've talked about it years later, and

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Speaker 1: he was like, I was nervous. I worked for your

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Speaker 1: dad like I didn't. I'm like, but I slept at

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Speaker 1: your house four out of seven nights a week.

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Speaker 4: Like that is wild.

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Speaker 3: The Internet describes your relationship as complicated and consuming consuming?

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Speaker 2: How does how does the Internet know?

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Speaker 3: It says it caused strain between you and Brian?

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Speaker 1: It did?

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Speaker 4: True? What true? It did?

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Speaker 1: And Brian and I have discussed like that kind of

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Speaker 1: started our eighteen year We didn't talk for eighteen years.

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Speaker 4: That was a big reason. How did I not know that?

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Speaker 3: This feels like multiple episodes we're doing here? So will

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Speaker 3: Vincent Young be coming on this podcast or no?

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Speaker 1: Maybe Jen ask him, what why wouldn't you come in

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Speaker 1: asco I don't know because we're talking about this stuff.

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Speaker 4: Hopefully he won't listen.

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Speaker 2: If he's gonna come on the show. There's a chance

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Speaker 2: he might go back and listen to him. Yeah, I

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Speaker 2: gotta say, like, what have they been saying?

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Speaker 4: Nah, I'm gonna go with no on that. Can you

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Speaker 4: text him like do you have his number?

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Speaker 2: No?

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Speaker 1: So we talked again and started the convention we were

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Speaker 1: at the one we got ripped off, the one I

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Speaker 1: was pregnant. Vince was there and that's the first time

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Speaker 1: I had seen him since we broke up. And we

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Speaker 1: started talking again and dming and texting as friends, and

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Speaker 1: I was like, good, we have like a reconnection and

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Speaker 1: that's nice. And then when I DMed him because I

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Speaker 1: did DM him to come on this show, no response.

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Speaker 4: WHOA, Let's try again? Yeah? Sure? Why not?

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Speaker 2: So?

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Speaker 4: How do you feel about him today?

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Speaker 3: Like when you watch it, is it like triggering or

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Speaker 3: like fondness or do you think he's cute?

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Speaker 1: Like what do you feel the same as always, I

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Speaker 1: have no feelings at all.

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Speaker 4: I pushed it down. I don't know.

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Speaker 1: There's got to be something there. I don't know. I

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Speaker 1: think it was three years. We weren't supposed to be together.

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Speaker 1: We had a lot in common mentally, I know Jen's

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Speaker 1: gonna be like what he's satisfied me. He had a

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Speaker 1: great humor. We loved independent films, we loved shopping, and

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Speaker 1: you know, he had a great design taste.

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Speaker 4: So there were a lot of things.

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Speaker 1: About him that I liked that people wouldn't get from

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Speaker 1: watching him on the show. He's very artsy and just

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Speaker 1: he was young and became and didn't want to commit

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Speaker 1: to the boss's daughter.

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Speaker 4: And yet I just kept going, well, that's the we

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Speaker 4: all did that. I know.

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Speaker 3: Did he continue acting after this?

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Speaker 2: Yeah?

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Speaker 4: I always get defensive.

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Speaker 1: Someone the other day was like, oh, he quit acting, right,

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Speaker 1: and I was like, no, no, No, he's doing really well.

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Speaker 1: He does a lot of independent films. He was just

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Speaker 1: announcing Deadline doing something with it with Mickey Rourke.

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Speaker 4: I don't know.

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Speaker 2: Oh, that's a good casting him.

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Speaker 1: And he does a lot of he didn't move back

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Speaker 1: to Philadelphia, but he does a lot of movies out

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Speaker 1: of New York.

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Speaker 4: He's married, he is he finally committed and got married.

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Speaker 2: Wow. Well, I know way more about Vincent Young than

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Speaker 2: I ever.

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Speaker 4: Did or ever wanted to. You're welcome, you guys.

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Speaker 2: Can we please talk about the episode now?

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Speaker 4: Oh yeah, definitely.

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Speaker 2: Episode ten of season eight, Child of the Night, Umber

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Speaker 2: twelve nineteen ninety seven synopsis.

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Speaker 1: Donna and Noah share a lip block on the doc.

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Speaker 1: Erica McKay is back working the block. Valerie is drowning

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Speaker 1: and anger. David just drowning in debt. Brandon won't reveal

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Speaker 1: his source. The DA dishes a threat. Steve has caught

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Speaker 1: in Jody's pregnancy drama. But even Sanders can't handle two

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Speaker 1: baby mamas.

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Speaker 3: Which storyline do you guys like the least? Let's start

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Speaker 3: with that one, Oh good aby c and d Steve's vals,

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Speaker 3: No Steve, which one?

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Speaker 2: Kellie driving a van by.

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Speaker 3: The way, I literally was like, where'd she get that van?

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Speaker 3: It's that other lady's van, remember, And then Don is

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Speaker 3: in there with you. And you've become an expert now

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Speaker 3: on spotting ladies of the Evening.

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Speaker 2: Yes, yes, I've seen so many I mean.

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Speaker 3: Those storyline and first of all, Erica's not. And thank

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Speaker 3: you to all our followers who actually kind of agree

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Speaker 3: with us that this very dumb storyline Okay they could,

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Speaker 3: they did not get mad at us for saying it.

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Speaker 3: Thank happy, Thank goodness. Also, Toy doesn't know that we're

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Speaker 3: doing a brady bunch of rewatched you and I I.

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Speaker 4: Mean you guys talk about it when I'm on like

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Speaker 4: every single time. So, yeah, it's.

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Speaker 3: Mine, It's mine the pocket watch, Like she's gonna give

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Speaker 3: that girl the pocket watch her brother Dylan Gate, Like

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Speaker 3: there's so many things that I'm like, this is not happening.

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Speaker 2: I would have to be honest. I was trying to

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Speaker 2: brush my hair when this episode was on, and I

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Speaker 2: was really tangled, so I couldn't focus. What did he

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Speaker 2: get the watch back?

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Speaker 3: She says, She So I think Erica keeps it at

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Speaker 3: the end because Brandon says he'd want you to have it.

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Speaker 4: There's some kind of toy.

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Speaker 1: I would tell you where this storyline comes from. So

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Speaker 1: my dad did a movie of the week, one of

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Speaker 1: the early ones called Lee of the Night.

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Speaker 4: Oh, and like it's coming back to me, Linda Pearl,

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Speaker 4: do I have this right? Do you remember to say?

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Speaker 3: First of all, you mean Patrick Duffy's girlfriend. I loved

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Speaker 3: there together. There's nothing better than the fact that Linda

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Speaker 3: Pearl has ended up with Patrick Duffy.

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Speaker 4: I'm going to tell you that name.

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Speaker 1: So it was a really big TV movie at the time,

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Speaker 1: and that's where I don't know.

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Speaker 4: Someone must have been like, remember that TV movie you

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Speaker 4: did Let's.

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Speaker 1: Little Ladies one of the Night, Little Ladies of the Night,

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Speaker 1: which he then went on to do a male version

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Speaker 1: which starred your ex husband Peter Fatchanelle.

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Speaker 2: Little Little Fellas of the Night.

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Speaker 4: Yes, what was that called?

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Speaker 2: H Little Boys of the Night? Uh?

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Speaker 4: Can I say that this was in.

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Speaker 3: Nineteen seventy seven that Aaron Spelling did Little Ladies of

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Speaker 3: the Night starring Linda Pearl and lou Gossipt Junior.

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Speaker 2: Ah.

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Speaker 4: Wow, And for some reason I don't know, were movies

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Speaker 4: of the night, movies of the night, movies of the

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Speaker 4: week not done. Then it was a really big deal

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Speaker 4: and did really well. And I think people were.

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Speaker 2: When it was like it wasn't just a movie of

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Speaker 2: the night. It was like a special.

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Speaker 3: It's probably an event, yeah, yeah movie.

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Speaker 4: Yeah. It wasn't like the run of the mill, like

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Speaker 4: Women in Peril, like oh, we got a lifetime movie

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Speaker 4: here once a week. It was like a big event.

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Speaker 4: You're right.

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Speaker 3: Pretty young Haley Atkins runs away from her oblivious father

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Speaker 3: Frank and jealous stepmother Marilyn, arriving in Los Angeles, ending

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Speaker 3: up on Hollywood Boulevard. She's befriended by prostitute Maureen, who

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Speaker 3: eventually turns out Haley as part of Maureene's pimps, Comfort Stable,

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Speaker 3: whoa took a dark.

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Speaker 2: Turn comfort Stable. Wow wait wait, okay, so you're saying

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Speaker 2: this was something that your dad, it was brought to

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Speaker 2: him that he it sparked interest in him. He wanted

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Speaker 2: to explore this Ladies in the Night Underworld. It's not

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Speaker 2: fit for me.

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Speaker 1: I'm sad, Hey, guys, you know, like going back, I

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Speaker 1: did this, you know, movie of the week. Let's bring

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Speaker 1: this somehow into nine o two and zero or if

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Speaker 1: John Eisendrat was like Hairen, like remember that we could

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Speaker 1: do this?

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Speaker 3: Can I also say that Vic Taybach, star of Alice,

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Speaker 3: was also in this? Was he mil Yeah?

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Speaker 4: I think?

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Speaker 2: So?

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Speaker 4: Wow?

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Speaker 3: Do you remember watching it? I've never seen this, as

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Speaker 3: much as I.

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Speaker 1: Would like to say I have, I do, I mean

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Speaker 1: not watching it, but I remember my dad, you know,

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Speaker 1: looking at dailies and stuff, and I was really young.

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Speaker 1: I had no idea what it was about, except I

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Speaker 1: thought Linda Pearl was super.

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Speaker 4: Do you guys want to even guess how many people

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Speaker 4: watched it?

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Speaker 1: Yeah? Back then nineteen seventy seven? Was it ABC?

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Speaker 4: Is that correct? Okay? Just take a guess. Not that

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Speaker 4: many people have had TVs. Well, yes they did, Ye'll

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Speaker 4: take it.

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Speaker 2: I think millions in the million.

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Speaker 4: Yeah, yeah, give a guess. Ooh twenty million.

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Speaker 3: Gosh, very close, twenty six million. Twenty six million.

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Speaker 2: People like that's because tell them why Amy?

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Speaker 4: There was no other TV.

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Speaker 3: There were three networks, so it was like a big

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Speaker 3: old deal.

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Speaker 1: Was it Monday Nights they aired back then or is

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Speaker 1: that something that came later? What you were how Monday Nights?

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Speaker 1: That was the movie of Oh I can't see what

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Speaker 1: networks to night.

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Speaker 3: It was, but I can see that it beat Helter

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Speaker 3: Skelter well, and then it was it was beat by

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Speaker 3: the day after.

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Speaker 2: He wants to watch Helter Skelter.

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Speaker 4: I'm sorry, the day after My dad did that as well.

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Speaker 4: He did that thing. Wow, that traumatized me, scary. Yeah.

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Speaker 2: Wait, okay, So going back, you're saying that this storyline

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Speaker 2: is brought from that movie.

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Speaker 1: Correct, No one told me this, but you guys, I

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Speaker 1: can you're guestimating. I'm guessing it's the exact same storyline,

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Speaker 1: just modernized a bit.

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Speaker 2: It's the storyline of any hooker storyline basically.

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Speaker 4: I know. But it's called the Child of the Night.

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Speaker 4: His movie is called Ladies of the Night.

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Speaker 3: I thought it was maybe like also Pretty Women? When

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Speaker 3: did Pretty Woman come out? By the way, sorry to

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Speaker 3: correct you, but your dad was not the producer of

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Speaker 3: the Day After?

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Speaker 2: Sorry?

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Speaker 4: Wait are you sure? Day one? That's not the day after?

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Speaker 4: Day After? Like playing the Day After? Was the was

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Speaker 4: a different thing. But that's okay? Sorry? Uh when was

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Speaker 4: Pretty Woman? That was like nineteen ninety nine.

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Speaker 3: So maybe this was sort of a combination of the

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Speaker 3: Pretty Woman.

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Speaker 4: Success ninety with Little Ladies of the Evening I'm gonna

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Speaker 4: go with no hard now, just the Little Ladies of

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Speaker 4: the Night. Yes, I'm a guarantee it. I mean it tracks?

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Speaker 2: Does it track? Do you like this storyline?

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Speaker 4: No? No, it's terrible.

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Speaker 2: I don't really get that.

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Speaker 4: Here's the thing, you guys, it's not our show.

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Speaker 2: She's staying on the cast. Is there something redeeming about her?

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Speaker 3: I think she has a couple more episodes, Lorraine, can

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Speaker 3: you look up how many she has? I just think,

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Speaker 3: once again, we've tied up something with a bow in

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Speaker 3: two episodes. That's like traumatizing a Yeah, but is there

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Speaker 3: really a bow?

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Speaker 4: It?

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Speaker 2: Riggs is gonna come after Brandon. Now I think so, yeah, well,

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Speaker 2: this is definitely not our show.

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Speaker 3: We've also got too much of this going because we've

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Speaker 3: got Rigs and The Loan Shark. It's like we've got

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Speaker 3: two of these going, guys, And I'm.

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Speaker 1: Like, looking at this show with all these storylines, could

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Speaker 1: you compare it to what show it is reminiscent of?

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Speaker 4: If not nine or two now during this time.

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Speaker 2: Or TJ Hooker, I didn't watch TV back during this time.

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Speaker 3: I did, what you what is it reminding you of

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Speaker 3: something I don't want to watch?

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Speaker 4: Like Hill Street Blue?

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Speaker 2: Oh?

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Speaker 4: Like it's I got it.

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Speaker 1: I see it's I don't know if I'm a girl

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Speaker 1: in my twenties, which, hey, I was a girl in

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Speaker 1: my twenties, this isn't the stuff I want to watch.

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Speaker 4: I want to say, it's more voy skewed.

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Speaker 1: I want to say, it's like it's a drama without

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Speaker 1: the fun fluff.

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Speaker 2: Like or the like juicy loveness. They're like, you know,

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Speaker 2: cute outfits.

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Speaker 3: Yeah, I don't want it's also negative, Jenny. It makes

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Speaker 3: such a good point. It's like we've got this, We've

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Speaker 3: got the Loan Shark, We've got the only sort of

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Speaker 3: highlight is Donna and Noah, and yet it's still kind

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Speaker 3: of like dramatic you're seeing with David.

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Speaker 4: Just it's just it's, you know, Dawson's Creek didn't do

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Speaker 4: this stuff, Gossip Girl didn't do this.

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Speaker 2: What it is, you know what it is, it's older

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Speaker 2: men writing. And you've said it before and you're so right.

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Speaker 2: It's it's some older men's idea of what this teen

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Speaker 2: drama should have been about, and they are not the same.

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Speaker 4: Like, you know what, I'm even okay with soapy stuff,

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Speaker 4: but this isn't even soapy stuff. It's exactly right, and.

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Speaker 2: It shouldn't have been soapy stuff because our audience wasn't soapy.

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Speaker 2: They were They just wanted real teen things and you know,

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Speaker 2: interactions between their favorite group of people, and they wanted

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Speaker 2: to learn things from these characters. But they didn't want

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Speaker 2: to see the CD side of LA.

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Speaker 3: I know, yeah, I never thought I'd say I miss

399
00:19:00,320 --> 00:19:03,919
Speaker 3: the crab cakes flying into the you know at that

400
00:19:04,000 --> 00:19:05,760
Speaker 3: weird gala party.

401
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Speaker 4: It's like that sort of better.

402
00:19:07,280 --> 00:19:10,880
Speaker 1: Yeah, I would take the do do like Jason, you know, yeah,

403
00:19:11,000 --> 00:19:12,480
Speaker 1: fun line like stories.

404
00:19:13,000 --> 00:19:15,840
Speaker 4: I don't know, it's just my dad wanted.

405
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Speaker 1: To create TV to give people an escapism from their lives,

406
00:19:19,440 --> 00:19:23,000
Speaker 1: and I feel like watching this particular episode or some

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00:19:23,080 --> 00:19:24,080
Speaker 1: of the previous.

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00:19:23,720 --> 00:19:28,120
Speaker 4: Ones on a Wednesday night makes you bummed. It's depressing.

409
00:19:28,240 --> 00:19:30,120
Speaker 4: It's not like, oh my gosh, feel better.

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Speaker 1: I'm like taking out of my life into this world

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Speaker 1: for one hour and that's a that's a bummer.

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00:19:36,080 --> 00:19:38,159
Speaker 2: Yeah, you're not like, what's going to happen my favorite

413
00:19:38,240 --> 00:19:41,520
Speaker 2: character anymore? It's going to get It's like, I don't

414
00:19:41,560 --> 00:19:43,399
Speaker 2: know what's going to happen. Who are they going to

415
00:19:43,440 --> 00:19:44,440
Speaker 2: bring on this week?

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Speaker 3: Well, and all the punching I don't like that, like

417
00:19:48,080 --> 00:19:49,480
Speaker 3: punching David.

418
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Speaker 4: Like on the ground. I don't. It's like, why am

419
00:19:52,680 --> 00:19:57,639
Speaker 4: I watching a fistfight? Yuh because men like that? And

420
00:19:57,640 --> 00:19:58,960
Speaker 4: then why am I watching that girl?

421
00:19:59,119 --> 00:20:02,040
Speaker 3: I mean, I get it, it's done realistically, but that

422
00:20:02,080 --> 00:20:05,360
Speaker 3: girls all beat up and it's just like calling nine

423
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Speaker 3: one one and then Riggs comes in.

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Speaker 4: It's just like dark.

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00:20:09,040 --> 00:20:12,600
Speaker 1: Dark, It's like n cis no what is it? It's

426
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Speaker 1: one of those shows.

427
00:20:13,800 --> 00:20:17,480
Speaker 2: Wait, is n cis Mates Murder? She wrote? That's how

428
00:20:17,119 --> 00:20:17,880
Speaker 2: I with.

429
00:20:17,800 --> 00:20:20,399
Speaker 4: A little bit of Maury Povich. Who's the daddy.

430
00:20:22,160 --> 00:20:26,040
Speaker 3: Worry? She wrote?

431
00:20:26,480 --> 00:20:30,320
Speaker 2: Is this girl pregnant or I mean there's a twist.

432
00:20:30,000 --> 00:20:32,879
Speaker 4: Here, right, I mean, it's so weird.

433
00:20:33,240 --> 00:20:36,000
Speaker 2: I don't feel like I can I believe her same

434
00:20:36,320 --> 00:20:36,680
Speaker 2: at all.

435
00:20:37,480 --> 00:20:39,840
Speaker 3: And I feel like he I'm very confused by, like

436
00:20:40,560 --> 00:20:43,160
Speaker 3: Steve being like, it's not mine? Is it mine?

437
00:20:43,160 --> 00:20:43,720
Speaker 4: It's not mine.

438
00:20:43,800 --> 00:20:47,000
Speaker 3: It's like, I kept going take a paternity test, dude,

439
00:20:47,320 --> 00:20:48,920
Speaker 3: what is your problem?

440
00:20:49,080 --> 00:20:51,560
Speaker 4: Just one test? And he's like, I don't want to

441
00:20:51,560 --> 00:20:54,119
Speaker 4: spend one thousand dollars for a thousand dollars?

442
00:20:54,320 --> 00:20:55,199
Speaker 2: Is that what it costs?

443
00:20:55,200 --> 00:21:00,480
Speaker 3: I have no idea, but like that seems the logical solve.

444
00:21:01,520 --> 00:21:03,280
Speaker 1: It's so wait, do you think he won't take a

445
00:21:03,320 --> 00:21:05,160
Speaker 1: test because maybe he's afraid?

446
00:21:05,520 --> 00:21:06,760
Speaker 4: Yeah?

447
00:21:06,800 --> 00:21:10,439
Speaker 1: Absolutely, if you're I mean he was with her thousand percent.

448
00:21:10,920 --> 00:21:13,320
Speaker 4: He's like, I am not the dad. We had protection?

449
00:21:13,520 --> 00:21:16,640
Speaker 2: No, but then you see shades of didn't we didn't

450
00:21:16,640 --> 00:21:17,280
Speaker 2: we have protection?

451
00:21:17,480 --> 00:21:20,080
Speaker 3: Well, and then she says they did. So I'm assuming

452
00:21:20,080 --> 00:21:22,520
Speaker 3: we're supposed to think, like, oops, there was an air.

453
00:21:22,480 --> 00:21:28,080
Speaker 4: In the condom? Didn't dancy little hole did she put there?

454
00:21:28,320 --> 00:21:30,159
Speaker 4: Is she going to be a bad character or she just?

455
00:21:30,240 --> 00:21:32,520
Speaker 4: Like how episodes are we stuck with her?

456
00:21:32,920 --> 00:21:34,560
Speaker 2: I don't know, but I kind of when she was

457
00:21:34,600 --> 00:21:36,719
Speaker 2: talking to Carly. I was like, you know what, I

458
00:21:36,800 --> 00:21:39,560
Speaker 2: actually believe this girl, Jodie and Steve together more than

459
00:21:39,560 --> 00:21:40,520
Speaker 2: I believe Carly.

460
00:21:40,280 --> 00:21:43,119
Speaker 3: And so that's interesting. Jenny, I was like, they make.

461
00:21:43,000 --> 00:21:47,040
Speaker 2: A perfect couple. Actually let him go, let them have

462
00:21:47,080 --> 00:21:48,800
Speaker 2: a baby and go off with their lives.

463
00:22:01,240 --> 00:22:03,560
Speaker 3: What did we forget? This thing's so messy? And then

464
00:22:03,680 --> 00:22:08,639
Speaker 3: Valerie sneaking into the boat and once again sabotaging, Like

465
00:22:08,680 --> 00:22:09,640
Speaker 3: I'm real sick of her.

466
00:22:09,680 --> 00:22:10,520
Speaker 4: I gotta say.

467
00:22:10,920 --> 00:22:13,720
Speaker 3: She comes in the boat, she's like, it's like she

468
00:22:13,880 --> 00:22:16,840
Speaker 3: has amnesia that she forgot that she's the one who

469
00:22:16,880 --> 00:22:20,440
Speaker 3: screwed over Noah because she wanted the rich guy. Then

470
00:22:20,560 --> 00:22:23,320
Speaker 3: he does, she makes the dinner. He's very polite about it.

471
00:22:23,400 --> 00:22:26,800
Speaker 3: Let me walk you out like this that's happening, like.

472
00:22:26,800 --> 00:22:28,920
Speaker 2: Sleeves cut off of that shirt which I couldn't handle.

473
00:22:29,600 --> 00:22:32,160
Speaker 2: Fair fair look like he came off with Gillian's eye.

474
00:22:32,400 --> 00:22:35,640
Speaker 2: He's being so gentlemanly. I have to say, like, he's

475
00:22:35,680 --> 00:22:39,000
Speaker 2: not he's not the angry type. He's just very like, hey,

476
00:22:39,560 --> 00:22:42,359
Speaker 2: this isn't gonna because he's it's definitely done with her,

477
00:22:42,440 --> 00:22:43,520
Speaker 2: like in his mind.

478
00:22:43,320 --> 00:22:46,760
Speaker 4: Correct, He's like, you really no option? Mistreated me. Let

479
00:22:46,760 --> 00:22:47,320
Speaker 4: me walk you out.

480
00:22:47,680 --> 00:22:50,600
Speaker 3: So then here comes Donna, Hey, good guy, and then

481
00:22:50,720 --> 00:22:53,439
Speaker 3: Valerie with her stink eye, and then she has to

482
00:22:53,560 --> 00:22:56,760
Speaker 3: go and she can never take the high road. She

483
00:22:56,760 --> 00:22:59,399
Speaker 3: can never see in her own self. I'm the one

484
00:22:59,440 --> 00:23:01,840
Speaker 3: who screwed the up. So then she goes to David.

485
00:23:01,880 --> 00:23:03,960
Speaker 3: Oh your girlfriends, Mike think.

486
00:23:04,000 --> 00:23:06,200
Speaker 2: She always says when she goes to Brandon.

487
00:23:06,760 --> 00:23:09,840
Speaker 4: I just remember what happens. I know what's coming. Oh god,

488
00:23:10,040 --> 00:23:12,960
Speaker 4: it's my favorite word. And she's gonna go after me.

489
00:23:13,520 --> 00:23:16,120
Speaker 2: Oh god, wait, I thought she was already going after

490
00:23:16,240 --> 00:23:17,000
Speaker 2: you and your business.

491
00:23:17,400 --> 00:23:20,399
Speaker 4: Yeah, she's already doing it. No, but something happens in

492
00:23:20,440 --> 00:23:22,480
Speaker 4: the future, like murder.

493
00:23:23,960 --> 00:23:30,480
Speaker 2: Murder. I'm just so excited. What's gonna happen. No, I

494
00:23:30,480 --> 00:23:31,240
Speaker 2: don't think murder.

495
00:23:31,280 --> 00:23:32,800
Speaker 4: It had costs a Walsh.

496
00:23:32,840 --> 00:23:34,640
Speaker 2: It doesn't get I don't think it gets any better.

497
00:23:34,720 --> 00:23:36,919
Speaker 2: Hold on, But I'm confused about one thing with Carly

498
00:23:37,040 --> 00:23:37,560
Speaker 2: and Jody.

499
00:23:38,000 --> 00:23:38,119
Speaker 3: No.

500
00:23:38,160 --> 00:23:39,400
Speaker 2: I know nobody cares about this.

501
00:23:39,440 --> 00:23:40,439
Speaker 4: But no I do.

502
00:23:40,520 --> 00:23:44,199
Speaker 2: Actually, Carly says to Jody she wants she has her

503
00:23:44,240 --> 00:23:45,920
Speaker 2: over to talk to her about it, and she does

504
00:23:46,240 --> 00:23:49,840
Speaker 2: a solid for Steve apparently, But then she said, do

505
00:23:49,880 --> 00:23:52,280
Speaker 2: you agree with this, and Carly says, no.

506
00:23:52,640 --> 00:23:55,000
Speaker 3: Right, because Carly thinks she should keep that that that

507
00:23:55,280 --> 00:23:56,119
Speaker 3: lady should.

508
00:23:55,920 --> 00:23:56,520
Speaker 4: Keep the baby.

509
00:23:56,600 --> 00:24:10,520
Speaker 2: Why because she kept her baby, okay.

510
00:24:06,200 --> 00:24:07,840
Speaker 4: Even though the father's not involved.

511
00:24:07,880 --> 00:24:10,879
Speaker 2: She's like, so what's right for you is right for everybody?

512
00:24:10,960 --> 00:24:13,919
Speaker 1: Okay, Right they did. I don't a problem with that.

513
00:24:15,119 --> 00:24:17,280
Speaker 1: I think Carly's a lot softer now. I like her

514
00:24:17,359 --> 00:24:22,119
Speaker 1: a bit more the character. But I just thought like,

515
00:24:22,200 --> 00:24:25,280
Speaker 1: it was so like you can't tell someone like it

516
00:24:25,359 --> 00:24:26,040
Speaker 1: was too hard.

517
00:24:26,480 --> 00:24:29,280
Speaker 3: More of a problem with telling that woman what to do.

518
00:24:30,040 --> 00:24:33,159
Speaker 3: Nobody was bothered by that. Well you can do this

519
00:24:33,359 --> 00:24:34,720
Speaker 3: or you could give it up for adoption.

520
00:24:35,760 --> 00:24:39,320
Speaker 4: I'm like, yeah, that's just talking to Kenny.

521
00:24:39,400 --> 00:24:41,159
Speaker 2: But then what did he say? He said something to

522
00:24:41,240 --> 00:24:44,280
Speaker 2: Carly about like no, yes to Carly about her her

523
00:24:44,320 --> 00:24:49,320
Speaker 2: baby daddy and said what choice did he have? So

524
00:24:49,840 --> 00:24:53,119
Speaker 2: it's the flip side of the male's choice right to

525
00:24:53,200 --> 00:24:57,520
Speaker 2: choose what she does with her body and subsequently the baby.

526
00:24:58,000 --> 00:25:04,120
Speaker 2: But he's saying, this is the male perspective, where's our choice?

527
00:25:04,600 --> 00:25:07,680
Speaker 2: That gets real, gets royal sticky.

528
00:25:08,040 --> 00:25:12,399
Speaker 1: Yeah, Carly telling him he has options of being a dad.

529
00:25:13,280 --> 00:25:16,240
Speaker 4: There's variations of being fans on dad.

530
00:25:17,560 --> 00:25:19,840
Speaker 3: It was like she was trying with that, but then

531
00:25:19,880 --> 00:25:22,360
Speaker 3: it was also like you did this, dude, if you're

532
00:25:22,400 --> 00:25:23,720
Speaker 3: the dad step up.

533
00:25:24,840 --> 00:25:26,560
Speaker 2: Yeah, it's giving me weird vibes.

534
00:25:26,760 --> 00:25:29,080
Speaker 3: Yeah, it's just like why are we doing this? That's

535
00:25:29,119 --> 00:25:31,479
Speaker 3: my thing is like why are we doing this? On

536
00:25:31,640 --> 00:25:35,680
Speaker 3: top of the loan shark, on top of the little

537
00:25:35,760 --> 00:25:39,719
Speaker 3: ladies of the evening, on top of like Valerie up

538
00:25:39,720 --> 00:25:40,560
Speaker 3: to her antics.

539
00:25:40,600 --> 00:25:42,320
Speaker 4: It's just like, I.

540
00:25:42,240 --> 00:25:44,520
Speaker 1: Mean, if I had to guess, it was to try

541
00:25:44,600 --> 00:25:47,560
Speaker 1: to weave a storyline with Stephen Carly and call it

542
00:25:47,600 --> 00:25:49,440
Speaker 1: back to her being a single mom. And now this

543
00:25:49,480 --> 00:25:53,199
Speaker 1: is happening with him and this woman. They're trying to

544
00:25:53,240 --> 00:25:56,560
Speaker 1: give them something, which is giving them nothing at all.

545
00:25:56,600 --> 00:25:58,040
Speaker 3: How about that woman saying she was gonna throw a

546
00:25:58,040 --> 00:26:00,479
Speaker 3: Brandon in jail if he didn't reveal his source.

547
00:26:01,280 --> 00:26:05,560
Speaker 4: Yeah, something real. That house's so hot behind bars.

548
00:26:05,280 --> 00:26:08,800
Speaker 2: Though, Yeah, he definitely got a tear drop right here,

549
00:26:08,920 --> 00:26:15,520
Speaker 2: DoD One, you know what I'm talking about. So yeah,

550
00:26:15,560 --> 00:26:17,879
Speaker 2: I don't know. I feel I feel like the whole

551
00:26:18,040 --> 00:26:23,000
Speaker 2: lady stocking Brandon. Now the what's she called? The doesn't

552
00:26:23,040 --> 00:26:24,760
Speaker 2: have anything better to do, but come to this, it's

553
00:26:24,920 --> 00:26:28,000
Speaker 2: da lady, The da is gonna knock knock, knock on.

554
00:26:28,320 --> 00:26:31,199
Speaker 3: I looked it is possible to require the press to

555
00:26:31,240 --> 00:26:35,680
Speaker 3: reveal confidential sources, particularly in federal cases, although forty nine

556
00:26:35,680 --> 00:26:40,000
Speaker 3: states and DC have shield laws or court recognized privileges

557
00:26:40,040 --> 00:26:41,240
Speaker 3: protecting journalists.

558
00:26:41,800 --> 00:26:45,560
Speaker 2: Hm hm hmm. So he's really caught in the crosshairs,

559
00:26:45,640 --> 00:26:46,160
Speaker 2: is what you're saying.

560
00:26:46,160 --> 00:26:48,720
Speaker 4: He's really become a journalist too, like he was.

561
00:26:49,080 --> 00:26:51,040
Speaker 3: I thought the Beverly beat was just like what's on

562
00:26:51,160 --> 00:26:52,119
Speaker 3: sale at Barney's.

563
00:26:52,640 --> 00:26:57,240
Speaker 2: Apparently it's it's hard to really hard. He's on the beat,

564
00:26:57,880 --> 00:27:01,960
Speaker 2: he's on the street catching the beat. Yeah, you're welcome.

565
00:27:03,440 --> 00:27:04,120
Speaker 4: No, I like that.

566
00:27:04,200 --> 00:27:06,840
Speaker 3: I I could stand to be done with a lot

567
00:27:06,880 --> 00:27:07,760
Speaker 3: of these storylines.

568
00:27:07,840 --> 00:27:11,080
Speaker 2: Yes, yes, And I feel like I don't. Kelly is

569
00:27:11,160 --> 00:27:12,359
Speaker 2: just no fun anymore.

570
00:27:12,880 --> 00:27:14,760
Speaker 4: And she's always so combative to Brandon.

571
00:27:14,840 --> 00:27:20,040
Speaker 1: It's like he's so hot storylines.

572
00:27:20,200 --> 00:27:21,160
Speaker 4: She can't have fun.

573
00:27:22,040 --> 00:27:23,600
Speaker 2: Yeah, no, she can't have fun.

574
00:27:23,680 --> 00:27:23,840
Speaker 1: No.

575
00:27:24,280 --> 00:27:28,000
Speaker 3: It's like, God, what twenty two year olds are dealing

576
00:27:28,000 --> 00:27:28,399
Speaker 3: with all this?

577
00:27:28,680 --> 00:27:29,880
Speaker 4: That is my question.

578
00:27:30,640 --> 00:27:33,840
Speaker 3: No, I don't know very many twenty two year olds

579
00:27:33,840 --> 00:27:38,160
Speaker 3: that are, first of all, even like dealing with any

580
00:27:38,200 --> 00:27:41,560
Speaker 3: of this, Nor are they like getting the most investigative

581
00:27:42,480 --> 00:27:47,800
Speaker 3: journalistic story on like prostitution in La and the Beverly

582
00:27:47,920 --> 00:27:49,160
Speaker 3: Beat like.

583
00:27:49,200 --> 00:27:51,919
Speaker 4: Feels like the La Times. Maybe it's like a fortyeven

584
00:27:52,040 --> 00:27:54,080
Speaker 4: year old show. I don't know. And they just gave

585
00:27:54,080 --> 00:27:58,199
Speaker 4: you the van that seemed weird. It's like, is she

586
00:27:58,480 --> 00:27:59,880
Speaker 4: licensed to drive that van?

587
00:28:00,200 --> 00:28:02,120
Speaker 2: You don't have to have a special license to drive

588
00:28:02,160 --> 00:28:02,520
Speaker 2: a van.

589
00:28:03,119 --> 00:28:03,639
Speaker 4: Insurance?

590
00:28:04,440 --> 00:28:07,880
Speaker 2: Oh maybe maybe maybe the insurance? Are you covered by

591
00:28:07,920 --> 00:28:10,239
Speaker 2: the Does she work PAM for now?

592
00:28:10,359 --> 00:28:11,880
Speaker 4: I think so? I guess you do.

593
00:28:12,160 --> 00:28:14,320
Speaker 2: Is that what happens that she goes eases into her

594
00:28:14,400 --> 00:28:14,919
Speaker 2: I'm such.

595
00:28:14,920 --> 00:28:18,840
Speaker 3: It was a very pretty woman when that when Donna goes,

596
00:28:18,920 --> 00:28:22,440
Speaker 3: it sounds it seems like he's asking for directions because

597
00:28:22,440 --> 00:28:24,480
Speaker 3: that's literally what happened in Pretty Woman.

598
00:28:26,359 --> 00:28:28,639
Speaker 4: So there was a hint of pretty woman in there.

599
00:28:31,320 --> 00:28:33,520
Speaker 2: The whole thing is grossing me out now that we're

600
00:28:33,520 --> 00:28:36,199
Speaker 2: talking about it. I need to like the people that

601
00:28:36,240 --> 00:28:39,680
Speaker 2: wrote this, the people that wrote this, and the people

602
00:28:39,720 --> 00:28:42,600
Speaker 2: that wrote this I'm just now grossing out about, like

603
00:28:42,720 --> 00:28:44,000
Speaker 2: why why.

604
00:28:45,640 --> 00:28:49,680
Speaker 4: Why are you proved though, like that's.

605
00:28:50,320 --> 00:28:53,000
Speaker 2: This is not this is not right for the show.

606
00:28:53,200 --> 00:28:55,160
Speaker 4: Do you feel like the network was just like whatever.

607
00:28:54,920 --> 00:28:57,840
Speaker 3: You guys want, like because you need get that big

608
00:28:58,240 --> 00:28:58,840
Speaker 3: as you were.

609
00:28:59,240 --> 00:28:59,640
Speaker 2: Do you think the.

610
00:28:59,640 --> 00:29:02,920
Speaker 4: Network's it's like, yeah, do it, it's fine? Why no?

611
00:29:03,600 --> 00:29:06,960
Speaker 2: No, I think they would be more attuned to maybe

612
00:29:07,200 --> 00:29:07,840
Speaker 2: keeping it on.

613
00:29:08,640 --> 00:29:10,640
Speaker 4: I don't know, so I'm asking you.

614
00:29:10,520 --> 00:29:13,360
Speaker 2: Guys, will don't.

615
00:29:27,600 --> 00:29:29,440
Speaker 4: Oh my god? Can we talk about Scott Wolf? I

616
00:29:29,440 --> 00:29:29,760
Speaker 4: love them.

617
00:29:29,840 --> 00:29:32,960
Speaker 2: I mean, that's a show about like family and connections

618
00:29:32,960 --> 00:29:36,680
Speaker 2: and there's no darkness, though there's no raper rapistiding in that.

619
00:29:37,040 --> 00:29:39,080
Speaker 3: I think, first of all, I think Bailey became an

620
00:29:39,120 --> 00:29:41,800
Speaker 3: alcoholic if I'm I don't remember how that happens, and

621
00:29:41,840 --> 00:29:45,760
Speaker 3: like their parents died, uh huh, it started dark, but

622
00:29:45,800 --> 00:29:49,960
Speaker 3: it's still were you more Matthew Fox or Scott Wolf?

623
00:29:51,400 --> 00:29:52,240
Speaker 4: I was gonna see them?

624
00:29:52,320 --> 00:29:56,680
Speaker 2: I never the Fox parties, No, I've never.

625
00:29:57,920 --> 00:30:02,040
Speaker 4: I was just I was still with Jeremy London.

626
00:30:02,480 --> 00:30:07,960
Speaker 3: Oh, Jeremy, good good one to good, well done.

627
00:30:09,720 --> 00:30:10,160
Speaker 2: I don't know.

628
00:30:10,240 --> 00:30:11,760
Speaker 4: I don't even know what to say about this. I

629
00:30:11,760 --> 00:30:12,560
Speaker 4: don't know what to Wait.

630
00:30:12,760 --> 00:30:17,400
Speaker 2: Who saved David Noah Tory?

631
00:30:18,040 --> 00:30:22,480
Speaker 3: Obviously Noah your boyfriend's boyfriend. That's why he gave that

632
00:30:22,600 --> 00:30:28,040
Speaker 3: glare from the jeep, the red topless jeep, like his

633
00:30:28,240 --> 00:30:32,480
Speaker 3: usual like. First of all, he came with the glass,

634
00:30:32,560 --> 00:30:35,320
Speaker 3: remember he shatters the glass and get out of here

635
00:30:35,320 --> 00:30:38,280
Speaker 3: with the glass, and then obviously he knows David's in trouble.

636
00:30:38,720 --> 00:30:41,680
Speaker 3: He also knows who's been kissing his girlfriend, and so

637
00:30:41,920 --> 00:30:44,600
Speaker 3: now he's going to save the day and steal the girl.

638
00:30:44,840 --> 00:30:49,360
Speaker 4: Hello, that's actually the only storyline I like. I actually

639
00:30:49,520 --> 00:30:53,160
Speaker 4: like the storyline. Okay, I was confused. There's literally again.

640
00:30:53,040 --> 00:30:55,400
Speaker 2: I mean, there's no literally nothing else to talk about

641
00:30:55,400 --> 00:30:58,640
Speaker 2: about this episode. There's nothing.

642
00:30:58,880 --> 00:31:00,960
Speaker 4: We're totally going through it one more time.

643
00:31:01,000 --> 00:31:02,160
Speaker 2: I'm trying people like.

644
00:31:02,800 --> 00:31:06,280
Speaker 3: The apartment where Rigs comes in.

645
00:31:06,440 --> 00:31:07,920
Speaker 2: What would that be called the.

646
00:31:08,760 --> 00:31:10,600
Speaker 3: By the way, though, can we talk about the first

647
00:31:10,600 --> 00:31:12,080
Speaker 3: of all, we did talk for you to talk about

648
00:31:12,280 --> 00:31:15,960
Speaker 3: jail when they go to jail, and the guy just like,

649
00:31:17,320 --> 00:31:19,920
Speaker 3: let's you guys take her. But can we talk about

650
00:31:19,920 --> 00:31:23,440
Speaker 3: the other girl's amazing leopard jacket?

651
00:31:23,840 --> 00:31:27,560
Speaker 4: Like the styling on that was.

652
00:31:28,120 --> 00:31:30,760
Speaker 3: I was like, can I just have her leopard jacket?

653
00:31:30,840 --> 00:31:35,400
Speaker 2: See, that's what we want to see totally like what

654
00:31:35,440 --> 00:31:37,880
Speaker 2: would a lady of the evening wear leopard?

655
00:31:38,200 --> 00:31:40,200
Speaker 4: And then it was like, can I just find that?

656
00:31:40,600 --> 00:31:41,320
Speaker 2: Sign me up?

657
00:31:41,760 --> 00:31:42,240
Speaker 4: Totally.

658
00:31:44,280 --> 00:31:46,440
Speaker 1: I don't know. I wonder where that jacket was do

659
00:31:46,480 --> 00:31:48,480
Speaker 1: you think she was asked to bring in her own Yes.

660
00:31:48,600 --> 00:31:51,640
Speaker 3: No, I think some stylist styled those ladies of the

661
00:31:51,680 --> 00:31:55,440
Speaker 3: Evening but didn't really you know, gave him like couture.

662
00:31:55,880 --> 00:31:57,640
Speaker 2: No. I think they brought their own clothes in.

663
00:31:58,120 --> 00:32:01,760
Speaker 3: Oh really, like what speaking parts have to bring their

664
00:32:01,800 --> 00:32:02,320
Speaker 3: own clothes?

665
00:32:03,120 --> 00:32:05,920
Speaker 2: Speaking parts? I mean, what did you just call them

666
00:32:06,120 --> 00:32:06,760
Speaker 2: speaking part?

667
00:32:06,800 --> 00:32:11,280
Speaker 3: Speaking parts in the background actor like that girl had

668
00:32:11,440 --> 00:32:12,640
Speaker 3: a lot to do talkies.

669
00:32:15,600 --> 00:32:18,520
Speaker 2: She's in the talkie.

670
00:32:18,960 --> 00:32:20,120
Speaker 4: Moving mouse to sound.

671
00:32:20,160 --> 00:32:23,520
Speaker 3: Come guys, I don't think that those two parts. I

672
00:32:23,520 --> 00:32:27,960
Speaker 3: feel like the stylist clothed them. It was so specific,

673
00:32:28,400 --> 00:32:30,440
Speaker 3: and they had to have the makeup to look beat up.

674
00:32:31,040 --> 00:32:33,280
Speaker 2: I don't know, probably windows.

675
00:32:34,400 --> 00:32:36,360
Speaker 3: I would love that leopard jacket.

676
00:32:37,680 --> 00:32:40,240
Speaker 1: Anyone out there, if you know where that leopard jacket is,

677
00:32:40,400 --> 00:32:41,720
Speaker 1: imagine this actress.

678
00:32:41,760 --> 00:32:43,200
Speaker 4: Wait, who is this actress?

679
00:32:44,280 --> 00:32:47,000
Speaker 3: Well, and it's not the one playing Erica. It's the

680
00:32:47,120 --> 00:32:50,480
Speaker 3: friend of Erica that got like beat up the.

681
00:32:52,640 --> 00:32:53,680
Speaker 4: Home co stars.

682
00:32:53,760 --> 00:32:54,960
Speaker 2: Julie. Is that her name?

683
00:32:55,240 --> 00:32:57,640
Speaker 3: Probably Julie. You know what it's gonna happen. It's like

684
00:32:57,880 --> 00:33:00,280
Speaker 3: I want to purge this episode from my mind, Like

685
00:33:00,280 --> 00:33:00,760
Speaker 3: that's the thing.

686
00:33:02,320 --> 00:33:03,160
Speaker 4: Do it to do this?

687
00:33:03,280 --> 00:33:05,200
Speaker 3: And now I'm like I'm kind of done with it.

688
00:33:05,360 --> 00:33:08,520
Speaker 2: Yeah, I want to all delete all.

689
00:33:10,640 --> 00:33:12,960
Speaker 4: Because it's just like, I don't know a six. I

690
00:33:13,000 --> 00:33:15,720
Speaker 4: do love a good mel Silver parents.

691
00:33:15,560 --> 00:33:18,160
Speaker 2: Every time I've had I was thinking, how many times

692
00:33:18,160 --> 00:33:20,320
Speaker 2: have we seen this exact moment from Melsilver?

693
00:33:21,800 --> 00:33:26,200
Speaker 3: What that's giving the money? I wanted him to go like,

694
00:33:26,240 --> 00:33:29,280
Speaker 3: you've squandered your inheritance.

695
00:33:29,080 --> 00:33:35,240
Speaker 2: Your grandpa. It gives him that look of disturbed disdain

696
00:33:35,880 --> 00:33:39,920
Speaker 2: and is like and then we cut into a new scene.

697
00:33:39,920 --> 00:33:41,680
Speaker 3: And then we have the scene where he gives Toy

698
00:33:41,800 --> 00:33:45,280
Speaker 3: the money, Donna the money, and Donna's very like, I

699
00:33:45,280 --> 00:33:47,440
Speaker 3: don't want I will take the money, but I will

700
00:33:47,480 --> 00:33:49,160
Speaker 3: not give you forgiveness.

701
00:33:49,800 --> 00:33:55,480
Speaker 1: That scene really bothered me. Why because I felt like.

702
00:33:55,440 --> 00:33:58,880
Speaker 4: I was like, this is very dramatic, and I'm doing

703
00:33:58,960 --> 00:33:59,840
Speaker 4: a good job.

704
00:33:59,680 --> 00:34:04,160
Speaker 1: If I say it really quietly, Yeah this is me.

705
00:34:04,840 --> 00:34:05,680
Speaker 2: I quite liked it.

706
00:34:06,040 --> 00:34:08,120
Speaker 4: I liked it too. I actually thought you did do.

707
00:34:10,080 --> 00:34:10,680
Speaker 2: I liked it.

708
00:34:10,840 --> 00:34:17,160
Speaker 1: You were quiet, something she's never said ever. Well, I

709
00:34:17,320 --> 00:34:20,680
Speaker 1: like that, I'm quiet. Oh you know you miss me?

710
00:34:21,760 --> 00:34:26,920
Speaker 1: Oh yes, no, I looking at myself. I don't remember this,

711
00:34:27,120 --> 00:34:29,640
Speaker 1: but I know for a fact that I was like, I'm.

712
00:34:29,480 --> 00:34:31,319
Speaker 4: Going to drive this scene home dramatically.

713
00:34:31,600 --> 00:34:32,080
Speaker 2: I felt it.

714
00:34:32,520 --> 00:34:35,000
Speaker 3: I actually feel like you did. I'm not even being

715
00:34:35,040 --> 00:34:37,000
Speaker 3: like sarcastic about it. I actually think you did.

716
00:34:37,880 --> 00:34:41,479
Speaker 2: Was that a choice? Was that a director's like, hey,

717
00:34:41,600 --> 00:34:48,799
Speaker 2: let's try to have that quiet strong now, don't raise

718
00:34:48,800 --> 00:34:49,280
Speaker 2: your voice.

719
00:34:50,760 --> 00:34:53,840
Speaker 1: No, I feel like I was nervous with that scene

720
00:34:53,960 --> 00:34:56,640
Speaker 1: because you know, I always when it was comedy, I

721
00:34:56,680 --> 00:34:57,920
Speaker 1: was always really confident.

722
00:34:58,200 --> 00:34:59,120
Speaker 4: When it was drama.

723
00:34:59,239 --> 00:35:02,920
Speaker 1: It was like in my head from Outsiders when I

724
00:35:02,960 --> 00:35:05,320
Speaker 1: was young, being like, she can't act because she's Sarah's

725
00:35:05,320 --> 00:35:08,279
Speaker 1: Bone's daughter. So I was always nervous. Even through the

726
00:35:08,400 --> 00:35:11,799
Speaker 1: entire ten years. Any drama scene gave me anxiety that

727
00:35:11,880 --> 00:35:13,759
Speaker 1: I wasn't good enough or worthy enough.

728
00:35:14,040 --> 00:35:16,400
Speaker 2: My god, you must have lived in constant anxiety then,

729
00:35:16,440 --> 00:35:17,440
Speaker 2: because you were on a drama.

730
00:35:17,480 --> 00:35:22,000
Speaker 4: Have you met me? He wasn't a comedy, Yes, yeah,

731
00:35:22,239 --> 00:35:25,200
Speaker 4: so I know that during that I don't I don't

732
00:35:25,200 --> 00:35:27,560
Speaker 4: remember now. I'm sure he wouldn't have given any direction.

733
00:35:27,760 --> 00:35:31,120
Speaker 4: I just know that I was here's what I should do,

734
00:35:31,239 --> 00:35:36,720
Speaker 4: quote unquote in order to make this real? So silly,

735
00:35:37,080 --> 00:35:37,600
Speaker 4: So I liked it.

736
00:35:37,719 --> 00:35:39,680
Speaker 2: Yeah, what do we have next week? Well, okay, you

737
00:35:39,680 --> 00:35:41,279
Speaker 2: gave it a six amy tour.

738
00:35:41,680 --> 00:35:45,160
Speaker 4: You gave it a six. Give it a four. Oh,

739
00:35:44,719 --> 00:35:45,799
Speaker 4: I was low.

740
00:35:46,160 --> 00:35:48,640
Speaker 2: I was going to get a five, maybe a four.

741
00:35:48,760 --> 00:35:50,839
Speaker 1: You're right, I'm going to give it a three four

742
00:35:50,960 --> 00:35:53,320
Speaker 1: for those booty shorts in the walk in the boat

743
00:35:53,560 --> 00:35:55,040
Speaker 1: up the boat that I.

744
00:35:54,920 --> 00:35:56,920
Speaker 2: Hear a little one butche hanging out a.

745
00:35:56,880 --> 00:35:59,920
Speaker 1: Little bit Jen like you know, I was probably like,

746
00:36:00,000 --> 00:36:04,120
Speaker 1: oh my god, he's looking here. You're like, dude, you

747
00:36:04,320 --> 00:36:09,399
Speaker 1: do but first now I'm doing the wah my god,

748
00:36:09,640 --> 00:36:11,200
Speaker 1: I give this deal.

749
00:36:12,600 --> 00:36:13,160
Speaker 2: Knowing you.

750
00:36:13,480 --> 00:36:18,000
Speaker 1: Yes, I got extreme pleasure out of that next episode. Deadline.

751
00:36:18,160 --> 00:36:21,000
Speaker 1: Oh no, it's not paper.

752
00:36:21,480 --> 00:36:22,360
Speaker 4: I can't.

753
00:36:23,320 --> 00:36:26,040
Speaker 2: What's gonna happen? You guys, what's gonna happen? We are

754
00:36:26,080 --> 00:36:31,800
Speaker 2: only on episode eleven? Do we jump shark? Do we just? Does? Omg?

755
00:36:32,040 --> 00:36:34,800
Speaker 3: The podcast just like we're going to keep going into

756
00:36:34,920 --> 00:36:37,399
Speaker 3: this because we've got the Brady Bunch to talk about too.

757
00:36:37,440 --> 00:36:38,160
Speaker 4: So it's fine.

758
00:36:39,040 --> 00:36:40,560
Speaker 2: That is not I don't know if that's enough to

759
00:36:40,640 --> 00:36:40,840
Speaker 2: keep me.

760
00:36:40,960 --> 00:36:43,400
Speaker 3: Sometimes it's hall fun to talk about bad episodes than

761
00:36:43,400 --> 00:36:43,759
Speaker 3: good ones.

762
00:36:43,800 --> 00:36:46,680
Speaker 4: I'm not gonna lie, like, if you're listening, keep listening, like, yeah,

763
00:36:48,080 --> 00:36:51,200
Speaker 4: talk about stuff and we can make of it. The

764
00:36:51,320 --> 00:36:53,040
Speaker 4: red Jeep, he's so menacing.

765
00:36:53,080 --> 00:36:57,719
Speaker 3: In his Red Wrangler, so dumb like gives that guy

766
00:36:57,760 --> 00:37:01,279
Speaker 3: a better car to be tough guy in.

767
00:37:01,800 --> 00:37:06,160
Speaker 2: Well, that's our that's our homework. Yeah, to watch.

768
00:37:06,400 --> 00:37:09,000
Speaker 3: I don't mind watching it. It's still very joyful for me.

769
00:37:09,320 --> 00:37:12,520
Speaker 2: Just say, this one really got to the bottom of

770
00:37:12,520 --> 00:37:14,840
Speaker 2: the barrel of my of my joy. Barrel's hard to

771
00:37:14,880 --> 00:37:17,480
Speaker 2: get through. Yep. I gotta be honest.

772
00:37:17,800 --> 00:37:18,640
Speaker 4: I didn't find that.

773
00:37:19,440 --> 00:37:21,520
Speaker 2: Yeah, I didn't. There was no beach, there was no like.

774
00:37:21,600 --> 00:37:21,960
Speaker 2: I don't know.

775
00:37:22,200 --> 00:37:27,440
Speaker 1: Just I'm reading what next week is about and it

776
00:37:27,560 --> 00:37:29,480
Speaker 1: seems to be the same.

777
00:37:29,200 --> 00:37:30,400
Speaker 4: As this same episode.

778
00:37:30,440 --> 00:37:30,640
Speaker 1: I know.

779
00:37:30,680 --> 00:37:32,080
Speaker 4: I thought. I thought so too.

780
00:37:32,120 --> 00:37:35,040
Speaker 2: Maybe we should just do it too fer well, too late.

781
00:37:35,080 --> 00:37:37,960
Speaker 4: Now I've been watch it. Guys, let's be positive. Let's

782
00:37:38,000 --> 00:37:38,960
Speaker 4: be positive season eight.

783
00:37:39,120 --> 00:37:41,120
Speaker 2: Keep me, bring us up Amy here, that's what you're

784
00:37:41,120 --> 00:37:45,080
Speaker 2: here for. Come on, all right, everybody listening. We love you.

785
00:37:45,880 --> 00:37:48,200
Speaker 2: I hope you're week is better than this episode.

786
00:37:49,000 --> 00:37:49,479
Speaker 4: Well said