WEBVTT - Fried Egg Stories: The Ball, Part 3 - Better

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<v Speaker 1>This episode of Frida Egg Stories is brought to you

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<v Speaker 1>by our friends at b Dradty. So I want to

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<v Speaker 1>sleeve tea and I'm actually wearing one right now. You'll

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<v Speaker 1>just have to trust me on that. But as I've

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<v Speaker 1>been putting this doccupied series together, I've been wearing my

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<v Speaker 1>Willi crew neck tea a lot because it is so comfortable,

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<v Speaker 1>made of the softest Peruvian Pima cotton. And you know what,

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<v Speaker 2>The frid Egg requires a different technique.

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<v Speaker 3>What you need to do is actually square the face

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<v Speaker 3>so it'll dig down underneath that bad lie and propel

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<v Speaker 3>that ball right out onto.

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<v Speaker 4>The green Here's the sake.

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<v Speaker 5>Playing out of a buried lion a bunker is completely

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<v Speaker 5>different than playing out of a nice clean lion a

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<v Speaker 5>greenside bunker. You'd need to be aggressive on any show

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<v Speaker 5>weather it's sitting cleanly.

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<v Speaker 2>Well, we've all faced it to the dreaded Frida Egg.

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<v Speaker 1>Not to bet Beard, though, it's actually a pretty easy

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<v Speaker 1>shot to hit.

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<v Speaker 6>What you got cash or huh.

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<v Speaker 3>Man, I got something better than cash.

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<v Speaker 1>This is from the movie Lords of Dogtown. It's about

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<v Speaker 1>the invention of modern skateboarding.

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<v Speaker 5>These are You're a thane skateboard wheel.

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<v Speaker 4>You're a what.

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<v Speaker 1>They're in a skate shop. One character has dumped a

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<v Speaker 1>new set of skateboard wheels on the counter. You're a

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<v Speaker 1>thane wheels, You're.

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<v Speaker 5>A thane man.

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<v Speaker 6>It comes from oil, from oil.

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<v Speaker 1>With these, you can do the same hard turns that

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<v Speaker 1>you do under surfboard.

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<v Speaker 5>Yeah, yep.

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<v Speaker 1>You can even climb walls, man, because they grip the

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<v Speaker 1>grip they grip. The skaters attach the new wheels to

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<v Speaker 1>a board, climb the fence of a local school yard,

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<v Speaker 1>and take turns surfing the asphalt. Light, graceful swerves, jumps

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<v Speaker 1>and long carves, often embankment.

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<v Speaker 6>Oh my gosh, n ripping.

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<v Speaker 5>Yeah, insane, insane.

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<v Speaker 1>That was nineteen seventy two, and most skateboarders agree that

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<v Speaker 1>it was the single biggest turning point in the history

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<v Speaker 1>of the sport. Without the euthane wheel, the forms of

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<v Speaker 1>skateboarding we know today on vert ramps and skateparks would

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<v Speaker 1>simply not exist. Unlike the hard clay wheels that preceded them,

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<v Speaker 1>euthane wheels were not prone to sliding because euthane had

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<v Speaker 1>some give to it, It formed itself to the inconsistencies

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<v Speaker 1>in the ground and made for a smooth ride. At

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<v Speaker 1>the same time, in spite of being relatively soft for

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<v Speaker 1>a plastic, eurethane was extremely durable. It was one of

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<v Speaker 1>the twentieth century's miracle plastics. Flexible and inflexible, soft and strong,

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<v Speaker 1>a contradiction that could be created only in a lab.

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<v Speaker 1>In twenty years after, euthane changed skateboarding forever, it did

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<v Speaker 1>the same golf. This is Friday Egg Stories. I'm Garrett Morrison.

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<v Speaker 1>This episode is the last of three to take a

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<v Speaker 1>closer look at the golf ball, it's design, its history,

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<v Speaker 1>and its impact on the game. Each installment has focused

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<v Speaker 1>on a different revolution in golf ball technology. We've gone

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<v Speaker 1>from the gut to Percha ball in the mid eighteen hundreds,

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<v Speaker 1>to the haskellball in the early nineteen hundreds, and now

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<v Speaker 1>we've arrived in golf's modern era, when a new kind

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<v Speaker 1>of ball was on the rise. The ball made of advanced,

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<v Speaker 1>meticulously engineered plastics, the kinds of plastics that first appeared

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<v Speaker 1>on spaceships but eventually came to surround us in our

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<v Speaker 1>everyday lives.

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<v Speaker 5>Like the whole world is made out of plastic now,

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<v Speaker 5>so there is there is no application that plastic cannot

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<v Speaker 5>be used for, except maybe to eat.

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<v Speaker 1>That's Harry Brown. You heard from him in the first

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<v Speaker 1>episode of this series, and in this one he's going

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<v Speaker 1>to help me tell the story of how plastics entered

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<v Speaker 1>golf in the nineteen sixth took it over in the nineties,

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<v Speaker 1>and ultimately re engineered the game.

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<v Speaker 7>Verything for very group chemistry.

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<v Speaker 6>For the finer world.

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<v Speaker 5>We want group carmistry.

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<v Speaker 6>That's the bomber.

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<v Speaker 1>DuPont was founded in eighteen oh two and became well

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<v Speaker 1>known for manufacturing gunpowder and dynamite, but at the turn

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<v Speaker 1>of the twentieth century, the company moved into an exciting

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<v Speaker 1>new area, the science of plastics. In the twenties and thirties,

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<v Speaker 1>DuPont invented neoprene, nylon, and teflon. During World War Two,

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<v Speaker 1>it produced raw materials for parachutes, but it was after

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<v Speaker 1>the war that the company truly came into its own,

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<v Speaker 1>racking up patents for Mylar orlon lycra taivek. This was

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<v Speaker 1>DuPont's Better Things for better living through Chemistry era, and

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<v Speaker 1>a lot of those better things were plastics.

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<v Speaker 7>I just want to say one word, deal, just one word, Yes, sir,

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<v Speaker 7>I listening?

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<v Speaker 6>Yes? So yeah, plastics.

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<v Speaker 1>Here. The nineteen sixty seven film The Graduate pokes fun

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<v Speaker 1>at what was a real feeling in post war America

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<v Speaker 1>that the hard times were over, the economy was on

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<v Speaker 1>the rise, and the future was synthetic. Exactly, how do

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<v Speaker 1>you mean it's a great future in plastics?

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<v Speaker 5>Think about it?

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<v Speaker 6>What do you think of that? Yes, I will, I've

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<v Speaker 6>set that's a deal.

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<v Speaker 1>What did people hope that plastics would be and would

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<v Speaker 1>bring to the world.

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<v Speaker 5>I think it's opportunity and democracy. So it's an accessibility.

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<v Speaker 5>If I'm starting a family and I need to buy

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<v Speaker 5>a kitchen table, and there's a kitchen table made out

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<v Speaker 5>of oak, right, and that kitchen table costs seven hundred dollars,

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<v Speaker 5>And then there's a kitchen table made out of plastic,

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<v Speaker 5>and that table costs fifty dollars. Okay, I can live

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<v Speaker 5>the dream and buy a nice, big kitchen table for

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<v Speaker 5>my family to have dinner at made out of plastic

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<v Speaker 5>works in exactly the same way. It just maybe doesn't

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<v Speaker 5>feel as nice and look as nice and smell as nice,

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<v Speaker 5>but we can still we can still have dinner on it.

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<v Speaker 5>And I think you can apply that to any other

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<v Speaker 5>plastic object.

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<v Speaker 1>Aside from cheapness and mass producibility, the main appeal of plastic,

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<v Speaker 1>Harry Brown told me, was that it could be and

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<v Speaker 1>do just about anything. It was free from the shackles

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<v Speaker 1>of nature.

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<v Speaker 5>You can engineer it on a molecular level, and then

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<v Speaker 5>you can kind of shape it into basically anything that

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<v Speaker 5>you want, so it's almost like magic. You can't make

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<v Speaker 5>wood do anything that you want, you can't make metal

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<v Speaker 5>do anything that you want, but you can make plastic

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<v Speaker 5>do almost anything that you want, assume any shape, engineer

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<v Speaker 5>it to have greater or lesser durability.

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<v Speaker 1>Plastics were about the hope that science could make our

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<v Speaker 1>lives better, and it wasn't long before that ethos made

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<v Speaker 1>its way into golf. But before we talk about how

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<v Speaker 1>fancy plastics took over the game, we should get into

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<v Speaker 1>some background, because this isn't just a story about technology.

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<v Speaker 1>It's also about two very different companies. On the one hand,

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<v Speaker 1>you had Titleist. Out of its factories near New Bedford, Massachusetts.

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<v Speaker 1>Titleist produced rubber wound core balls with blotta covers, basically

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<v Speaker 1>a refined version of the Haskell ball that had dominated

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<v Speaker 1>the trade since the beginning of the century. Titleists put

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<v Speaker 1>out an old fashioned product, but one known for its

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<v Speaker 1>quality and consistency for its appeal to good golfers. On

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<v Speaker 1>the other hand, you had Spalding, a sporting goods giant.

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<v Speaker 1>The company had been making golf balls in Chickapee, Massachusetts

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<v Speaker 1>since the late eighteen hundreds, and its style was flashier

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<v Speaker 1>than Titleists. Through the years, Spalding had been unafraid to

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<v Speaker 1>try new things, so by the nineteen sixties, Titleist and Spalding,

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<v Speaker 1>a two hour drive between them, were battling for the

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<v Speaker 1>biggest share of the golf ball market, and it was

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<v Speaker 1>in that decade, the nineteen sixties, that the modern golf

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<v Speaker 1>ball made its debut. The modern ball was essentially a

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<v Speaker 1>mashup of two brand new synthetic materials. The first was

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<v Speaker 1>developed by James BArch in nineteen sixty three, a complex elastomer.

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<v Speaker 1>BArch discovered that this material could be molded into a

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<v Speaker 1>solid one piece golf ball, but Barch's invention never really

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<v Speaker 1>broke through. It was cheap to produce, but it just

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<v Speaker 1>didn't perform very well. Around the same time, though, DuPont

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<v Speaker 1>was developing a plastic called Serlin, which was tough but pliable.

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<v Speaker 1>Soon a few manufacturers recognized that putting a Serlin cover

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<v Speaker 1>on a BArch style elastomer core might be a pretty

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<v Speaker 1>good idea. One of those manufacturers was Spalding. Spalding released

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<v Speaker 1>its first solid core two piece ball, the Executive, in

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<v Speaker 1>nineteen sixty seven, but four years later the company really

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<v Speaker 1>put it all together with the top Flight, which had

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<v Speaker 1>a lively elastomer core and a durable Serlind cover. The

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<v Speaker 1>key to this ball was spin, or rather a lack

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<v Speaker 1>of it. The ball that came before the Wound Ball

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<v Speaker 1>had a lot of spin that would cause it to

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<v Speaker 1>climb into the air and land soft, so pros often

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<v Speaker 1>played very low lofted drivers, sometimes down around six degrees,

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<v Speaker 1>because they were trying to keep their drives from ballooning

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<v Speaker 1>on them and losing distance. The top Flight didn't have

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<v Speaker 1>that problem. Less spin meant a flatter, straighter trajectory, especially

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<v Speaker 1>in the wind, so you could loft up your driver,

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<v Speaker 1>launch the ball high and watch it bore through the air.

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<v Speaker 1>But there was a catch. The top flight was low

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<v Speaker 1>spinning off of wedges too, which meant it didn't stop

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<v Speaker 1>as fast on greens, and skilled players who could be

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<v Speaker 1>very precise with their short approaches didn't like that loss

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<v Speaker 1>of control. So ultimately you had two balls that excelled

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<v Speaker 1>at two different things, the top flight off the tee

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<v Speaker 1>and the old woundcore blot of covered ball around the greens.

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<v Speaker 8>I remember playing en amateur events in New England in

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<v Speaker 8>the late seventies early eight that's.

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<v Speaker 1>Joe Henley, who has been an executive for both Titleist

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<v Speaker 1>and Spaulding, and.

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<v Speaker 8>The good players would have a top flight in there

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<v Speaker 8>or two in their bag. If you had a two

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<v Speaker 8>hundred and twenty yard part three into the wind, good

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<v Speaker 8>players would put the titleist away for a hole and

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<v Speaker 8>play the top flight on that hole and on the

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<v Speaker 8>next toll that put the titleist back in play for

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<v Speaker 8>the rest of the round.

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<v Speaker 1>Soon the governing bodies ruled that you couldn't switch the

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<v Speaker 1>make and model of your ball mid round, so good golfers,

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<v Speaker 1>including almost every PGA tour player, stuck with the wound ball,

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<v Speaker 1>whereas many amateurs, maybe not as concerned with spin on

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<v Speaker 1>their wedges, jumped on the Elastramer and Serlin train, roughly speaking,

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<v Speaker 1>Titleist for the pros, top Flight for the Joe's.

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<v Speaker 8>You know there was rivalry. There was no question there

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<v Speaker 8>was rivalry.

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<v Speaker 1>In the nineteen eighties, Joe Henley was a director of

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<v Speaker 1>sales at Titleist.

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<v Speaker 8>When I was a Titleist, I'd hear the praise those

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<v Speaker 8>folks in Chickape referring to Spalding's headquarters in Chickabe, Massachusetts.

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<v Speaker 8>You know, Spaulding was the the giant in the room,

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<v Speaker 8>you know, the other giant in the room.

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<v Speaker 1>Yet the two companies had very different sales strategies, each

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<v Speaker 1>suited to their style of product. With its premium balls,

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<v Speaker 1>Titleist wanted to do well at premium outlets, mostly pro shops.

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<v Speaker 1>At golf clubs.

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<v Speaker 8>Titleists had en course market share of forty five percent,

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<v Speaker 8>let's say, and then the off course golf specialty stores

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<v Speaker 8>their market share was I believe around thirty percent roughly,

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<v Speaker 8>and the sporting good stores and mass merchants their market

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<v Speaker 8>share was much less.

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<v Speaker 1>Spalding, with its top Flight brand, took the opposite approach.

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<v Speaker 8>Spaulding, on the other hand, you know, had an on

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<v Speaker 8>course market share that really was maybe high teens or

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<v Speaker 8>possibly twenty percent at times. Golf especially store market share

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<v Speaker 8>probably thirty to thirty five, and then they dominated the

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<v Speaker 8>kmarts at the time or Walmarts and the sporting goods stores.

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<v Speaker 1>So whereas Titleist was high end and high margin, top

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<v Speaker 1>Flight was all about quantity and appeal. The same was

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<v Speaker 1>true of their marketing approaches. Titleist wanted above all to

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<v Speaker 1>be the number one ball on tour.

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<v Speaker 8>Absolutely matter of fact, the phrase the Titleist used was

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<v Speaker 8>the pyramid of influence, okay, and the pyramid of influence

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<v Speaker 8>as a triangle that the peak of that period would

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<v Speaker 8>be the PGA Tour, European Tour, LPGA Tour, Senior Tour,

0:12:22.440 --> 0:12:25.320
<v Speaker 8>et cetera. That would filter down, you know, to the

0:12:25.360 --> 0:12:28.160
<v Speaker 8>PGA Club professional they would be kind of in the

0:12:28.200 --> 0:12:30.640
<v Speaker 8>next tier. Then it would be leading amateurs.

0:12:31.440 --> 0:12:34.439
<v Speaker 1>Titleist was aiming, in other words, for breadth of influence

0:12:34.480 --> 0:12:35.760
<v Speaker 1>among top players.

0:12:36.200 --> 0:12:39.520
<v Speaker 8>Spaulding, on the other hand, didn't go for number most,

0:12:39.640 --> 0:12:43.360
<v Speaker 8>use number one. They were more advertising of stars, you know,

0:12:43.720 --> 0:12:47.080
<v Speaker 8>of names and of people that were could be great spokespeople.

0:12:47.720 --> 0:12:51.000
<v Speaker 1>Spokespeople like Greg Norman, who had a Spaulding logo in

0:12:51.040 --> 0:12:54.680
<v Speaker 1>his bag, and Lee Trevino often seen pitching top Flight

0:12:54.720 --> 0:12:55.160
<v Speaker 1>on TV.

0:12:57.720 --> 0:12:59.840
<v Speaker 3>Some people think the way you tell a serious goffer

0:13:00.240 --> 0:13:01.920
<v Speaker 3>it's whether he pulled a certain ball out on the

0:13:01.920 --> 0:13:04.760
<v Speaker 3>first tap. Me, I'm only interested in their score card,

0:13:05.040 --> 0:13:07.000
<v Speaker 3>and players who want to score better are using the

0:13:07.000 --> 0:13:07.800
<v Speaker 3>top Flight Tour.

0:13:08.240 --> 0:13:11.720
<v Speaker 1>Trevino doesn't mention the name Titleist, but he might as well.

0:13:12.320 --> 0:13:15.480
<v Speaker 1>The ad is addressing the widespread feeling that good golfers

0:13:15.760 --> 0:13:16.840
<v Speaker 1>used Titleist balls.

0:13:17.880 --> 0:13:20.400
<v Speaker 3>Hey, the way you really tell a good golfer is

0:13:20.440 --> 0:13:21.880
<v Speaker 3>if he has to pull his wallet out on the

0:13:21.920 --> 0:13:22.600
<v Speaker 3>eighteenth green.

0:13:23.160 --> 0:13:27.199
<v Speaker 6>And the new tops like tour balls.

0:13:28.760 --> 0:13:32.400
<v Speaker 1>But while Titleist and top Flight were in competition, they

0:13:32.440 --> 0:13:36.440
<v Speaker 1>also represented a kind of balance between premium and discount,

0:13:36.800 --> 0:13:40.520
<v Speaker 1>between skilled players and average ones, and this balance gave

0:13:40.640 --> 0:13:44.240
<v Speaker 1>the game a sense of stability. Think about it. From

0:13:44.280 --> 0:13:47.880
<v Speaker 1>the late sixties to the late nineties, the strongest golfers

0:13:47.920 --> 0:13:51.400
<v Speaker 1>knowingly and willingly gave up distance off the tee in

0:13:51.520 --> 0:13:54.400
<v Speaker 1>order to gain control around the greens. It was a

0:13:54.480 --> 0:13:58.280
<v Speaker 1>natural sort of bifurcation. While most amateurs took advantage of

0:13:58.280 --> 0:14:03.400
<v Speaker 1>the latest and longest most pros chose not to. This

0:14:03.600 --> 0:14:06.199
<v Speaker 1>was because the modern golf ball was not yet all

0:14:06.240 --> 0:14:09.520
<v Speaker 1>things to all people. Engineers hadn't figured out how to

0:14:09.520 --> 0:14:11.880
<v Speaker 1>make a ball low spinning in some situations and high

0:14:11.920 --> 0:14:14.760
<v Speaker 1>spinning in others. So the hope of better things for

0:14:14.800 --> 0:14:19.120
<v Speaker 1>better living through chemistry wasn't fully realized in golf, but

0:14:19.200 --> 0:14:21.760
<v Speaker 1>the nineteen nineties were determined to change that.

0:14:28.160 --> 0:14:30.000
<v Speaker 4>You know, I was always a titleist.

0:14:29.560 --> 0:14:32.840
<v Speaker 1>Guy Marcomera had played a titleist ball for much of

0:14:32.840 --> 0:14:36.800
<v Speaker 1>his career, but in nineteen ninety six his contract was up.

0:14:37.080 --> 0:14:40.600
<v Speaker 2>And I was friends with Payne Stewart, and he came

0:14:40.680 --> 0:14:43.240
<v Speaker 2>over one day and he said, hey, Imo, would you

0:14:43.280 --> 0:14:46.560
<v Speaker 2>ever consider maybe thinking about playing this ball?

0:14:46.640 --> 0:14:47.560
<v Speaker 4>And I said what ball?

0:14:48.160 --> 0:14:51.320
<v Speaker 1>It was the top flight z Belata, which in spite

0:14:51.320 --> 0:14:54.280
<v Speaker 1>of its name, had no blota in it. Its cover

0:14:54.400 --> 0:14:57.240
<v Speaker 1>was made of a soft serlin called zenthane, and the

0:14:57.240 --> 0:15:00.600
<v Speaker 1>cores was solid elastomer piece ball.

0:15:00.680 --> 0:15:03.040
<v Speaker 2>And I said, you know, I never thought about that

0:15:03.080 --> 0:15:04.880
<v Speaker 2>pain He goes, oh, look, I'm playing it.

0:15:04.880 --> 0:15:05.640
<v Speaker 4>It's a good ball.

0:15:05.680 --> 0:15:07.440
<v Speaker 2>And I knew at one point I believe Greg Norman

0:15:07.520 --> 0:15:08.440
<v Speaker 2>might have been playing it.

0:15:09.320 --> 0:15:12.760
<v Speaker 1>If Mark was skeptical. You couldn't blame him. Although players

0:15:12.800 --> 0:15:15.400
<v Speaker 1>like Lee Trevino and Jumbo Ozaki had used the two

0:15:15.400 --> 0:15:18.720
<v Speaker 1>piece ball to great effect, Payne Stewart hadn't been as successful.

0:15:19.280 --> 0:15:21.760
<v Speaker 1>Three years earlier, Stuart had signed a huge deal with

0:15:21.800 --> 0:15:24.560
<v Speaker 1>Spaulding and he had really struggled with his top flight equipment.

0:15:25.240 --> 0:15:28.560
<v Speaker 1>Some thought he had chosen money over results. PGA Tour

0:15:28.600 --> 0:15:31.680
<v Speaker 1>player Scott Hoak once told a reporter, after playing a

0:15:31.720 --> 0:15:34.000
<v Speaker 1>good ball, now he's got to play a range ball.

0:15:34.920 --> 0:15:37.520
<v Speaker 1>So Mark had some questions for Pain about the Ziebelata.

0:15:38.240 --> 0:15:39.880
<v Speaker 4>You know, how is it like out of the rough?

0:15:40.360 --> 0:15:42.320
<v Speaker 2>Are you going to hit more flyers or this or

0:15:42.360 --> 0:15:45.080
<v Speaker 2>that because of the solid construction, And he goes, no,

0:15:45.120 --> 0:15:48.320
<v Speaker 2>not at all, absolutely not. It's not like a pinnacle

0:15:48.400 --> 0:15:50.720
<v Speaker 2>or a hot dot or any of these balls that

0:15:50.960 --> 0:15:52.280
<v Speaker 2>you know would go really far.

0:15:52.760 --> 0:15:56.000
<v Speaker 4>And he was right. So I started trying it.

0:15:56.080 --> 0:15:56.760
<v Speaker 6>I liked it.

0:15:58.320 --> 0:16:01.680
<v Speaker 1>Meanwhile, Joe Henley was the new director of professional Relations

0:16:01.680 --> 0:16:04.800
<v Speaker 1>at Spaulding and in early ninety six he had his

0:16:04.840 --> 0:16:05.680
<v Speaker 1>eye on Marcomera.

0:16:06.480 --> 0:16:08.720
<v Speaker 8>He won the tournament champions when it was held at

0:16:08.760 --> 0:16:11.840
<v Speaker 8>La Costa, opened the Europe with a win. I remember

0:16:11.920 --> 0:16:14.640
<v Speaker 8>running into the PGA show that year and he was

0:16:14.640 --> 0:16:18.040
<v Speaker 8>still not under contract to the titleist, so Joe got

0:16:18.040 --> 0:16:18.440
<v Speaker 8>to work.

0:16:18.880 --> 0:16:22.000
<v Speaker 1>By March, Mark was playing the top flight Ziblada and

0:16:22.040 --> 0:16:24.960
<v Speaker 1>by April he was signing a new contract with Spaulding.

0:16:25.800 --> 0:16:28.280
<v Speaker 8>I remember we signed his endorsement agreement at a house

0:16:28.280 --> 0:16:30.720
<v Speaker 8>who was running in Augusta. There were three people at

0:16:30.760 --> 0:16:34.120
<v Speaker 8>the table. It was Mark and me and Mark's farther Bob,

0:16:34.240 --> 0:16:37.120
<v Speaker 8>was witness on the contract. It was quite a step

0:16:37.160 --> 0:16:39.560
<v Speaker 8>for him. But you know the tour players, people that

0:16:39.640 --> 0:16:43.200
<v Speaker 8>have changed the equipment out there for money or quickly

0:16:43.240 --> 0:16:47.080
<v Speaker 8>without really debugging stuff. The failures are some of them

0:16:47.080 --> 0:16:50.880
<v Speaker 8>are pretty significant, right without naming names. So Mark was

0:16:51.320 --> 0:16:53.960
<v Speaker 8>he debugged it. He was, you know, one hundred percent

0:16:54.040 --> 0:16:56.280
<v Speaker 8>comfortable to product by the time he signed up.

0:16:56.760 --> 0:16:59.400
<v Speaker 1>And when Mark signed, Joe had some inside news for.

0:16:59.400 --> 0:17:02.040
<v Speaker 2>Him and he goes, you know, Mark, we have this

0:17:02.120 --> 0:17:04.879
<v Speaker 2>other ball that's coming down the pipeline. We don't have

0:17:04.920 --> 0:17:07.080
<v Speaker 2>a name for it yet, but it's going to be

0:17:07.080 --> 0:17:11.600
<v Speaker 2>a prototype ball. We're getting approval right now from the USGA.

0:17:11.760 --> 0:17:14.679
<v Speaker 2>And towards the end of the year they called me

0:17:14.720 --> 0:17:16.959
<v Speaker 2>and they said they had the ball ready. It was approved.

0:17:17.640 --> 0:17:19.760
<v Speaker 1>It was the ball that would eventually be named the

0:17:19.800 --> 0:17:24.400
<v Speaker 1>Top Flight Strata. Now, for a long time manufacturers had

0:17:24.400 --> 0:17:27.200
<v Speaker 1>claimed that their new ball went farther off the tee

0:17:27.240 --> 0:17:30.280
<v Speaker 1>and spun more around the greens, but the Strata was

0:17:30.280 --> 0:17:32.720
<v Speaker 1>one of the first to actually do both of those things.

0:17:33.680 --> 0:17:36.520
<v Speaker 1>Reason being that it was a three piece ball with

0:17:36.600 --> 0:17:40.080
<v Speaker 1>a core, a cover and a mantle layer between them.

0:17:40.480 --> 0:17:43.159
<v Speaker 7>And it was the basis of it was to have

0:17:43.200 --> 0:17:45.560
<v Speaker 7>a multi multi layer construction.

0:17:46.240 --> 0:17:49.920
<v Speaker 1>Dean Snow was a plastics engineer for Titleist, and right

0:17:49.920 --> 0:17:52.439
<v Speaker 1>away he saw that the Strata was starting to solve

0:17:52.480 --> 0:17:55.840
<v Speaker 1>the longtime problem of spin off of different clubs.

0:17:56.160 --> 0:17:58.920
<v Speaker 7>When you looked at wound golf balls, if you looked

0:17:58.920 --> 0:18:01.920
<v Speaker 7>at your wedge spin, it was very high and your

0:18:02.000 --> 0:18:03.359
<v Speaker 7>driver's spin was very high.

0:18:03.480 --> 0:18:04.919
<v Speaker 6>Okay, so it's high and high.

0:18:05.080 --> 0:18:07.320
<v Speaker 7>And when you took two piece golf balls, the driver's

0:18:07.320 --> 0:18:10.680
<v Speaker 7>spin was very low, but the wedge spin was very low.

0:18:11.000 --> 0:18:12.560
<v Speaker 7>So the goal was to say, how do you go

0:18:12.680 --> 0:18:16.040
<v Speaker 7>from this low driver up to this high wedge.

0:18:16.160 --> 0:18:17.240
<v Speaker 6>How do you make that happen.

0:18:17.840 --> 0:18:20.600
<v Speaker 1>That's where the multiple layers come in. You see different

0:18:20.680 --> 0:18:23.520
<v Speaker 1>parts of the golf ball determined spin for different kinds

0:18:23.520 --> 0:18:24.400
<v Speaker 1>of shots.

0:18:24.720 --> 0:18:25.760
<v Speaker 6>When you hit a golf ball.

0:18:25.760 --> 0:18:28.480
<v Speaker 7>With a driver, you can press the ball about one

0:18:28.520 --> 0:18:31.920
<v Speaker 7>third of the diameter. So that's where everything happens. It's

0:18:32.040 --> 0:18:35.399
<v Speaker 7>the driver, it's the spin rate, it's the ball speed comes.

0:18:35.119 --> 0:18:35.920
<v Speaker 6>In from the core.

0:18:36.720 --> 0:18:38.760
<v Speaker 7>Now, when you hit with a wedge, the cover is

0:18:38.880 --> 0:18:41.880
<v Speaker 7>very thin, very soft, and a firm mantle, so you're

0:18:41.920 --> 0:18:43.840
<v Speaker 7>not getting into the core with a wedge.

0:18:43.840 --> 0:18:44.600
<v Speaker 6>You're pinching.

0:18:44.920 --> 0:18:47.160
<v Speaker 7>And what happens is the ball will have a tendency

0:18:47.200 --> 0:18:50.760
<v Speaker 7>to pinch the soft cover to the firm mantle to

0:18:50.840 --> 0:18:53.399
<v Speaker 7>the hard club and it rolls on the face. So

0:18:53.640 --> 0:18:56.080
<v Speaker 7>when you pinch it, it rolls on the face. That

0:18:56.200 --> 0:18:59.560
<v Speaker 7>creates a low launch with high spin. So the layers

0:18:59.800 --> 0:19:02.879
<v Speaker 7>can troll the spin throughout the ball. The core is

0:19:02.920 --> 0:19:05.000
<v Speaker 7>really your driver, and as you work out to the

0:19:05.080 --> 0:19:07.760
<v Speaker 7>outside cover that your wedge and everything in the middle

0:19:07.840 --> 0:19:10.360
<v Speaker 7>has a model that you can predict. So you said

0:19:10.400 --> 0:19:12.719
<v Speaker 7>to me, hey, I want a golf ball and make

0:19:12.840 --> 0:19:15.080
<v Speaker 7>the eight iron spin be higher. I would work on

0:19:15.119 --> 0:19:17.880
<v Speaker 7>the layers with the eight iron has impact and change

0:19:17.880 --> 0:19:18.760
<v Speaker 7>the spin upward down.

0:19:19.080 --> 0:19:21.560
<v Speaker 1>So it's like different balls depending on how much a

0:19:21.560 --> 0:19:25.280
<v Speaker 1>certain club compresses it. I guess like different different balls

0:19:25.320 --> 0:19:26.920
<v Speaker 1>within the ball become active.

0:19:27.359 --> 0:19:30.480
<v Speaker 7>That's correct, exactly right. You activate the layer based on

0:19:30.520 --> 0:19:31.840
<v Speaker 7>the angle of your club.

0:19:32.359 --> 0:19:35.120
<v Speaker 1>And the top flight strata was proof of that concept.

0:19:35.840 --> 0:19:38.440
<v Speaker 1>It created what Dean calls a spin curve.

0:19:39.480 --> 0:19:42.360
<v Speaker 7>Strata was you know, to credit it's a tough fight

0:19:42.440 --> 0:19:44.720
<v Speaker 7>on this strata was kind of the first that change

0:19:44.760 --> 0:19:48.879
<v Speaker 7>that spin curve. It showed that the multi layer was

0:19:48.920 --> 0:19:51.040
<v Speaker 7>able to drop the spin but still keep the wedge

0:19:51.040 --> 0:19:53.159
<v Speaker 7>spin high. So it showed that you could create a

0:19:53.200 --> 0:19:55.560
<v Speaker 7>spin curve you know in there throughout the set if

0:19:55.560 --> 0:19:58.040
<v Speaker 7>you plot driver through sand wedge and you go low

0:19:58.119 --> 0:20:01.200
<v Speaker 7>to high on spin two, he says Low who wound

0:20:01.280 --> 0:20:03.800
<v Speaker 7>ball's high high. This showed you could actually change the

0:20:03.880 --> 0:20:07.600
<v Speaker 7>curve of driver spin eight I and spin wet spin.

0:20:07.680 --> 0:20:10.560
<v Speaker 7>You could actually have different things based on having multiple wlayers.

0:20:11.040 --> 0:20:12.560
<v Speaker 1>And Mark o'meira was a fan.

0:20:13.359 --> 0:20:16.480
<v Speaker 2>The first thing I noticed was I didn't lose any distance,

0:20:16.600 --> 0:20:19.560
<v Speaker 2>but I felt like the softness, the feel around the

0:20:19.600 --> 0:20:23.560
<v Speaker 2>greens putting it pitch shots, chips shots, you know, still

0:20:23.560 --> 0:20:24.040
<v Speaker 2>in the wind.

0:20:24.080 --> 0:20:24.960
<v Speaker 4>It was very good.

0:20:25.080 --> 0:20:29.240
<v Speaker 2>So the overall aspect of it I thought was better

0:20:29.320 --> 0:20:32.160
<v Speaker 2>and so I felt like I was playing a more

0:20:32.200 --> 0:20:33.120
<v Speaker 2>superior product.

0:20:33.200 --> 0:20:35.440
<v Speaker 4>So I was, you know, in love with it right away.

0:20:37.080 --> 0:20:40.200
<v Speaker 1>The next year, nineteen ninety eight, Mark won the Masters

0:20:40.280 --> 0:20:43.240
<v Speaker 1>in the Open Championship. He was forty one years old

0:20:43.600 --> 0:20:45.399
<v Speaker 1>and the first player to win a major with a

0:20:45.480 --> 0:20:49.960
<v Speaker 1>multi layer solid core golf ball, and his competitors took notice.

0:20:50.920 --> 0:20:53.000
<v Speaker 2>You know, they're like, hey, is it just you know,

0:20:53.080 --> 0:20:56.160
<v Speaker 2>Mark's playing better? Or is it the ball that's helping

0:20:56.200 --> 0:20:59.000
<v Speaker 2>him play better? Or is it his clubs? So I

0:20:59.080 --> 0:21:01.840
<v Speaker 2>do believe guard it created a little bit of a

0:21:01.840 --> 0:21:02.920
<v Speaker 2>buzz out there for sure.

0:21:06.760 --> 0:21:10.480
<v Speaker 1>As all this was happening, Titleist was putting together its response.

0:21:11.560 --> 0:21:14.960
<v Speaker 1>In nineteen ninety the company hired Dean Snell. While Snell

0:21:15.000 --> 0:21:17.840
<v Speaker 1>had grown up around where Titleist was based, he was

0:21:17.960 --> 0:21:20.439
<v Speaker 1>not into golf. He was a hockey player.

0:21:20.840 --> 0:21:23.119
<v Speaker 6>I didn't have a set of clubs. I hated the game.

0:21:23.720 --> 0:21:26.159
<v Speaker 1>One day, though, his dad got him some clubs and

0:21:26.240 --> 0:21:27.320
<v Speaker 1>dragged him out to the course.

0:21:27.840 --> 0:21:29.320
<v Speaker 7>We pull up in the parking lot and as we

0:21:29.359 --> 0:21:32.159
<v Speaker 7>pull up, there's another group of people getting out of

0:21:32.200 --> 0:21:33.680
<v Speaker 7>the car, and he's like, hurry up, we gotta beat

0:21:33.680 --> 0:21:34.480
<v Speaker 7>them to the teeth.

0:21:34.720 --> 0:21:36.639
<v Speaker 6>So I'm like, see already, it's not fun. You know

0:21:36.880 --> 0:21:39.359
<v Speaker 6>what are we rushing for? You're here, get the day off,

0:21:39.720 --> 0:21:40.600
<v Speaker 6>so we get the clubs.

0:21:40.640 --> 0:21:42.920
<v Speaker 7>We go out the first tee my first round of golf,

0:21:42.960 --> 0:21:44.560
<v Speaker 7>and I hit a T shot and it goes so

0:21:44.680 --> 0:21:45.440
<v Speaker 7>far to the right.

0:21:45.960 --> 0:21:47.199
<v Speaker 6>Didn't even go look for it.

0:21:47.720 --> 0:21:49.280
<v Speaker 7>And the second hole, I hit it and it went

0:21:49.320 --> 0:21:51.240
<v Speaker 7>off into the trees and the woods on the right,

0:21:51.280 --> 0:21:53.359
<v Speaker 7>and he hit one down the middle, and I'm in

0:21:53.359 --> 0:21:55.439
<v Speaker 7>the woods and all of a sudden trying to find it,

0:21:55.440 --> 0:21:58.399
<v Speaker 7>and I see this group of people in my father's face,

0:21:58.960 --> 0:22:02.480
<v Speaker 7>two guys in my father face, and he's hollering at him, and.

0:22:02.400 --> 0:22:03.440
<v Speaker 6>One of them pushes him.

0:22:03.640 --> 0:22:05.159
<v Speaker 7>So I came running out of the woods and I

0:22:05.240 --> 0:22:08.679
<v Speaker 7>closed eyeing the guy knocked him right in his ass

0:22:08.840 --> 0:22:12.320
<v Speaker 7>and we hummeled him, and everybody came over and the

0:22:12.359 --> 0:22:14.640
<v Speaker 7>director came out and they threw us off.

0:22:15.240 --> 0:22:18.160
<v Speaker 1>On the drive home, his dad told him what had happened.

0:22:18.119 --> 0:22:19.879
<v Speaker 6>And he said, well, you were in the woods looking

0:22:19.880 --> 0:22:20.720
<v Speaker 6>for your damn ball.

0:22:20.800 --> 0:22:22.520
<v Speaker 7>He said, the guy up there hit it and it

0:22:22.600 --> 0:22:24.159
<v Speaker 7>came down and hit my father.

0:22:24.040 --> 0:22:24.600
<v Speaker 6>His T shirt.

0:22:24.640 --> 0:22:26.840
<v Speaker 7>He didn't wait, so he grabbed a threewhood and he

0:22:26.880 --> 0:22:29.520
<v Speaker 7>shot it back at him, and the guy didn't like it,

0:22:29.720 --> 0:22:30.640
<v Speaker 7>so that's why.

0:22:30.440 --> 0:22:32.119
<v Speaker 6>He came down and got in this race. So I

0:22:32.200 --> 0:22:34.199
<v Speaker 6>was sitting there and driving home, I'm like, you know,

0:22:34.280 --> 0:22:36.480
<v Speaker 6>I think maybe I do like golf. This could be

0:22:36.640 --> 0:22:38.520
<v Speaker 6>this could be pretty interesting.

0:22:38.119 --> 0:22:38.399
<v Speaker 4>You know.

0:22:42.400 --> 0:22:44.760
<v Speaker 1>Nonetheless, it was not a burgeoning love of the game

0:22:44.800 --> 0:22:48.199
<v Speaker 1>that brought Dean Snell to the golf industry. It was plastics.

0:22:49.160 --> 0:22:51.880
<v Speaker 1>While he was playing hockey at UMass Lowell. He got

0:22:51.880 --> 0:22:54.440
<v Speaker 1>a degree in plastics engineering and he went on to

0:22:54.520 --> 0:22:57.720
<v Speaker 1>work for BF Goodrich Aerospace before moving to Titleist, R

0:22:57.720 --> 0:23:00.760
<v Speaker 1>and D. At the time, Titleist made its golf ball

0:23:00.800 --> 0:23:04.000
<v Speaker 1>covers with a synthetic form of ballata, but it was

0:23:04.000 --> 0:23:07.640
<v Speaker 1>a finicky material, complicated and expensive to produce.

0:23:08.760 --> 0:23:11.440
<v Speaker 7>And then if anybody ever played golf with a lot

0:23:11.440 --> 0:23:13.560
<v Speaker 7>of golf balls, when you hit a wedge, the thing

0:23:13.600 --> 0:23:15.119
<v Speaker 7>would be you'd have to shave it. You know, it

0:23:15.200 --> 0:23:18.240
<v Speaker 7>have hairsticking up on it. So the durability was a

0:23:18.280 --> 0:23:19.040
<v Speaker 7>big issue.

0:23:19.359 --> 0:23:22.119
<v Speaker 1>Also, Blota created a lot of spin, which meant the

0:23:22.119 --> 0:23:25.439
<v Speaker 1>balls didn't go very far. So Dean's task was to

0:23:25.440 --> 0:23:29.080
<v Speaker 1>solve all of those problems with one sophisticated cover material.

0:23:29.680 --> 0:23:32.800
<v Speaker 7>Their project that they hired me for was to develop

0:23:32.800 --> 0:23:35.320
<v Speaker 7>a process to make a eurothing golf ball because it

0:23:35.320 --> 0:23:36.360
<v Speaker 7>didn't exist.

0:23:36.520 --> 0:23:38.679
<v Speaker 1>Eure a thane the skateboard wheel stuff.

0:23:39.040 --> 0:23:41.120
<v Speaker 7>So the goal was to say, how do you work

0:23:41.160 --> 0:23:44.800
<v Speaker 7>on bringing this driver's spin rate down, create a durable

0:23:44.880 --> 0:23:47.600
<v Speaker 7>cover and help the golf ball be longer. So if

0:23:47.600 --> 0:23:50.480
<v Speaker 7>the spin drops with your driver, you can add waft.

0:23:50.560 --> 0:23:52.400
<v Speaker 7>Now they don't have to do six degrees. They can

0:23:52.440 --> 0:23:54.960
<v Speaker 7>go up. And the more you can drop that spin,

0:23:55.000 --> 0:23:56.960
<v Speaker 7>the higher you can go and loft, the further the

0:23:57.000 --> 0:23:57.360
<v Speaker 7>ball went.

0:23:58.040 --> 0:24:00.800
<v Speaker 1>And eu athane had a unique potential to do all

0:24:00.800 --> 0:24:01.480
<v Speaker 1>of this at once.

0:24:02.400 --> 0:24:05.000
<v Speaker 7>The uniqueness of it is the cross linking that happens

0:24:05.080 --> 0:24:08.320
<v Speaker 7>during the process, So it creates bonds that are very tough,

0:24:08.640 --> 0:24:11.240
<v Speaker 7>which makes the durability be very good. So it's why

0:24:11.320 --> 0:24:14.280
<v Speaker 7>you'll see euthane wheels on skateboards, you know. So it

0:24:14.320 --> 0:24:17.520
<v Speaker 7>gives you that durability, gives you the processing to cast

0:24:17.560 --> 0:24:20.199
<v Speaker 7>it thin, you know, and it doesn't add speed, but

0:24:20.280 --> 0:24:23.120
<v Speaker 7>it really it changes the whole you can You can

0:24:23.200 --> 0:24:26.119
<v Speaker 7>do obviously a lot of different ratios, you can do

0:24:26.200 --> 0:24:27.320
<v Speaker 7>all different hardnesses.

0:24:27.960 --> 0:24:30.160
<v Speaker 1>So it sounds like part of what makes your thine

0:24:30.200 --> 0:24:33.960
<v Speaker 1>special is that it's a really durable material. It's it's tough,

0:24:34.480 --> 0:24:37.400
<v Speaker 1>but at the same time it allows you to manipulate

0:24:37.600 --> 0:24:40.879
<v Speaker 1>its softness or hardness correct.

0:24:41.040 --> 0:24:44.840
<v Speaker 7>And what's also unique about it is in your Athanes,

0:24:44.920 --> 0:24:48.080
<v Speaker 7>the softer you go, the more durable you can make it,

0:24:48.440 --> 0:24:51.480
<v Speaker 7>where in Serlins, the softer you go, the less durabile

0:24:51.520 --> 0:24:51.760
<v Speaker 7>it is.

0:24:52.320 --> 0:24:55.080
<v Speaker 1>It took a few years, but the Titleist team eventually

0:24:55.119 --> 0:24:57.399
<v Speaker 1>dialed in it's euro Athane process.

0:24:57.880 --> 0:25:01.399
<v Speaker 7>My first launch I started in nineteen ninety working on

0:25:01.440 --> 0:25:04.439
<v Speaker 7>your earth Thane. I brought it into manufacturing in nineteen

0:25:04.560 --> 0:25:08.760
<v Speaker 7>ninety four with a ball called Tour Prestige, which went

0:25:08.800 --> 0:25:09.320
<v Speaker 7>to Japan.

0:25:09.960 --> 0:25:11.720
<v Speaker 1>The same ball came out the next year in the

0:25:11.840 --> 0:25:16.080
<v Speaker 1>US under the name Titleist Professional, a liquid core with

0:25:16.200 --> 0:25:19.720
<v Speaker 1>rubber threads wound around it, all enclosed and cast earth aided.

0:25:20.440 --> 0:25:23.159
<v Speaker 1>It didn't change the spin curve like the Stratadad, but

0:25:23.200 --> 0:25:26.479
<v Speaker 1>the earth in cover was optimized. It spun less than

0:25:26.480 --> 0:25:29.680
<v Speaker 1>blada off the driver and just enough off the wedges.

0:25:30.600 --> 0:25:33.440
<v Speaker 1>The Professional became the most played ball on the PGA Tour,

0:25:34.040 --> 0:25:37.200
<v Speaker 1>and in nineteen ninety six a hot shot amateur came

0:25:37.200 --> 0:25:38.840
<v Speaker 1>to Massachusetts to test it.

0:25:40.240 --> 0:25:42.239
<v Speaker 7>Him and his dad came in and I remember two

0:25:42.280 --> 0:25:45.000
<v Speaker 7>straight weeks of working out of a place called Manchester Wane,

0:25:45.040 --> 0:25:47.760
<v Speaker 7>which is where the Titles Test facility is. When he

0:25:47.840 --> 0:25:49.600
<v Speaker 7>left there, he could tell you what his seven iron

0:25:49.680 --> 0:25:51.040
<v Speaker 7>was going to spin, on, how high it was going

0:25:51.119 --> 0:25:53.560
<v Speaker 7>to go, and the difference between the bottom ball and

0:25:53.600 --> 0:25:56.639
<v Speaker 7>this ball. He was very tuned in to what was

0:25:56.680 --> 0:25:57.120
<v Speaker 7>going on.

0:25:57.880 --> 0:26:01.199
<v Speaker 1>That was, of course a twenty year old Tights. A

0:26:01.280 --> 0:26:03.880
<v Speaker 1>year later, he would strike his titleist professional ball two

0:26:03.960 --> 0:26:06.640
<v Speaker 1>hundred and seventy times en route to winning the Masters

0:26:07.040 --> 0:26:15.479
<v Speaker 1>by twelve strokes. It's one of those coincidences of history

0:26:15.520 --> 0:26:18.920
<v Speaker 1>that's almost too neat. Tiger Woods wins the ninety seven

0:26:19.000 --> 0:26:22.320
<v Speaker 1>Masters with the Eurothane ball, Mark o'mera wins the ninety

0:26:22.359 --> 0:26:25.159
<v Speaker 1>eight Masters with the multi layer ball, and around that

0:26:25.240 --> 0:26:28.639
<v Speaker 1>time the storylines of Woods, Omeira the Professional and the

0:26:28.640 --> 0:26:30.359
<v Speaker 1>Strata all converged.

0:26:30.960 --> 0:26:33.840
<v Speaker 2>We would always practice at home in Orlando at Iyleworth

0:26:33.920 --> 0:26:37.760
<v Speaker 2>and Tiger and I would always like play our practice

0:26:37.840 --> 0:26:39.720
<v Speaker 2>rounds together to prepare for the Masters.

0:26:39.800 --> 0:26:40.440
<v Speaker 4>The next week.

0:26:40.880 --> 0:26:43.439
<v Speaker 1>It was either ninety eight or ninety nine. Mark was

0:26:43.440 --> 0:26:46.040
<v Speaker 1>playing the Strata Tiger the Professional.

0:26:46.640 --> 0:26:49.040
<v Speaker 2>I remember specifically it was like on the eleventh hole

0:26:49.080 --> 0:26:51.480
<v Speaker 2>at Ileworth or the twelfth hole, and we were around

0:26:51.520 --> 0:26:54.280
<v Speaker 2>the greens and we were pitching the ball, and he

0:26:54.440 --> 0:26:56.280
<v Speaker 2>was like, you know, he always called me m oh,

0:26:56.359 --> 0:26:59.040
<v Speaker 2>he goes, m o, he goes, I don't understand how you, like,

0:26:59.520 --> 0:27:01.440
<v Speaker 2>you know, hit these little pitch shots where you get

0:27:01.440 --> 0:27:03.040
<v Speaker 2>so much spin on the ball. I mean, it's like,

0:27:03.560 --> 0:27:06.159
<v Speaker 2>how do you do that? And I said, you know, Tiger,

0:27:06.560 --> 0:27:08.760
<v Speaker 2>over a period of time, I'll kind of show you

0:27:08.840 --> 0:27:09.119
<v Speaker 2>what you.

0:27:09.160 --> 0:27:09.600
<v Speaker 4>Got to do.

0:27:09.680 --> 0:27:12.520
<v Speaker 2>But it's just this certain technique. I was kind of

0:27:12.560 --> 0:27:15.160
<v Speaker 2>working them. I was throwing all these golf balls back

0:27:15.200 --> 0:27:16.720
<v Speaker 2>to him. Next thing, you know, you hit a few

0:27:17.040 --> 0:27:20.560
<v Speaker 2>with my strata and boom. He saw this thing checking

0:27:20.600 --> 0:27:22.240
<v Speaker 2>in their spinning and he kind of looked at me

0:27:22.240 --> 0:27:25.480
<v Speaker 2>and he said, em, oh, it's not you, it's the

0:27:25.560 --> 0:27:26.320
<v Speaker 2>golf ball.

0:27:26.160 --> 0:27:26.719
<v Speaker 4>That's doing this.

0:27:27.280 --> 0:27:31.280
<v Speaker 2>I looked at him and I said, exactly, he goes,

0:27:31.840 --> 0:27:34.159
<v Speaker 2>what you even holding out on me? I said no,

0:27:34.320 --> 0:27:36.480
<v Speaker 2>I said, to be fair, I said, Tiger, I said,

0:27:36.480 --> 0:27:39.399
<v Speaker 2>you're playing an archaic at golf ball. That tour professional

0:27:39.440 --> 0:27:42.000
<v Speaker 2>ball is an archaic at golf ball. I said, you

0:27:42.040 --> 0:27:46.359
<v Speaker 2>know these companies today, you represent Nike, they build bridgetone

0:27:46.400 --> 0:27:50.240
<v Speaker 2>golf balls. They can build you a golf ball that's

0:27:50.320 --> 0:27:55.160
<v Speaker 2>perfect for your game. And he goes, what. And then

0:27:55.160 --> 0:27:58.119
<v Speaker 2>about three weeks later, maybe a month later, he called

0:27:58.119 --> 0:28:00.439
<v Speaker 2>me and he says, you know, you need to come

0:28:00.480 --> 0:28:01.000
<v Speaker 2>down to my house.

0:28:01.000 --> 0:28:02.639
<v Speaker 4>I get to show you something. I'm like, what, And

0:28:02.720 --> 0:28:05.160
<v Speaker 4>I drive my cart down to his house. He lived

0:28:05.200 --> 0:28:07.200
<v Speaker 4>four houses down from me, and I.

0:28:07.200 --> 0:28:09.080
<v Speaker 2>Come into his house and I go into his office

0:28:09.080 --> 0:28:13.040
<v Speaker 2>and he's got these three white boxes of golf balls,

0:28:13.240 --> 0:28:15.800
<v Speaker 2>and he goes, hey, check this out. We need to

0:28:15.800 --> 0:28:17.560
<v Speaker 2>go out and play some holes. I just got these

0:28:17.600 --> 0:28:18.160
<v Speaker 2>the other day.

0:28:19.080 --> 0:28:21.760
<v Speaker 1>These were the prototypes of what would become the Nike

0:28:21.840 --> 0:28:26.160
<v Speaker 1>Tour Accuracy, made by Bridgestone, a multi layer solid construction

0:28:26.240 --> 0:28:29.639
<v Speaker 1>ball with a earth hank cover basically a blend of

0:28:29.680 --> 0:28:33.040
<v Speaker 1>the strata, and the professional Tiger switched to the Tour

0:28:33.080 --> 0:28:36.360
<v Speaker 1>Accuracy in May two thousand. In the next three months,

0:28:36.600 --> 0:28:42.920
<v Speaker 1>he won three majors, and by the end of the summer,

0:28:43.200 --> 0:28:46.600
<v Speaker 1>titleist staffers were getting restless. According to John Garretty and

0:28:46.600 --> 0:28:50.120
<v Speaker 1>Sports Illustrated, the likes of Justin Leonard, Davis Love and

0:28:50.160 --> 0:28:53.800
<v Speaker 1>Phil Mickelson were quote frantic, convinced that their wound balls

0:28:53.880 --> 0:28:58.040
<v Speaker 1>put them at a competitive disadvantage. They were right, and

0:28:58.080 --> 0:29:00.440
<v Speaker 1>in October of that year, at a PGA twur event

0:29:00.480 --> 0:29:04.080
<v Speaker 1>in Las Vegas, Titleist debuted the pro v one, a

0:29:04.120 --> 0:29:06.760
<v Speaker 1>three layer ball with the castier thing cover that Dean

0:29:06.840 --> 0:29:10.480
<v Speaker 1>Snell had helped develop. Forty seven players used it that week,

0:29:10.920 --> 0:29:14.200
<v Speaker 1>and two of them, Billy Andred and Phil Mickelson, went

0:29:14.280 --> 0:29:14.720
<v Speaker 1>one to two.

0:29:15.320 --> 0:29:17.960
<v Speaker 7>You know, that's to the manufacturers, that's a home run

0:29:18.000 --> 0:29:19.880
<v Speaker 7>for them. When they bring a new product out that

0:29:19.920 --> 0:29:21.040
<v Speaker 7>first weekend it wins.

0:29:21.360 --> 0:29:22.920
<v Speaker 6>That's the big splash. You know.

0:29:23.960 --> 0:29:27.160
<v Speaker 1>By that time, Snell was heading up Tailor Made's ball division.

0:29:27.720 --> 0:29:30.160
<v Speaker 7>And then they're going to have wins the rest of

0:29:30.200 --> 0:29:32.200
<v Speaker 7>the year because they have such a great staff, you know,

0:29:32.280 --> 0:29:34.920
<v Speaker 7>and so they're going to continue to win, and then

0:29:34.960 --> 0:29:35.840
<v Speaker 7>they can make the noise.

0:29:37.120 --> 0:29:40.800
<v Speaker 1>Here's another tidbit from John Garrity. At the two thousand Masters,

0:29:41.000 --> 0:29:43.760
<v Speaker 1>fifty nine of the ninety five players were using wound

0:29:43.760 --> 0:29:47.200
<v Speaker 1>golf balls. At the two thousand and one Masters, for

0:29:47.400 --> 0:29:51.440
<v Speaker 1>were and yet in two thousand and one, Titleists still

0:29:51.520 --> 0:29:54.480
<v Speaker 1>led the ball count on the PGA Tour by a lot.

0:29:55.560 --> 0:29:57.920
<v Speaker 1>So the prov one had seen the company through the

0:29:57.960 --> 0:30:01.320
<v Speaker 1>final golf ball revolution and brought it into the age

0:30:01.320 --> 0:30:05.560
<v Speaker 1>of plastics. Spalding, on the other hand, went bankrupt in

0:30:05.560 --> 0:30:09.040
<v Speaker 1>two thousand and two in top flight golf balls. Well,

0:30:09.120 --> 0:30:11.960
<v Speaker 1>if you see them today, you're probably at the driving range.

0:30:17.000 --> 0:30:20.160
<v Speaker 1>So in one way, the golf ball has caught up

0:30:20.240 --> 0:30:23.600
<v Speaker 1>with the promise of better things for better living through chemistry.

0:30:23.680 --> 0:30:26.959
<v Speaker 1>The solid core, multi layer eurothane covered ball is an

0:30:27.000 --> 0:30:31.000
<v Speaker 1>amazing object. It's a marvel of design and chemistry, and

0:30:31.040 --> 0:30:35.560
<v Speaker 1>it seems capable of being and doing anything, or almost anything.

0:30:36.520 --> 0:30:38.280
<v Speaker 4>Alex Weber is a free diver.

0:30:38.520 --> 0:30:39.760
<v Speaker 6>She just holds her breath.

0:30:40.080 --> 0:30:43.680
<v Speaker 1>That's Christopher Joyce reporting for NPR about Alex Weber, a

0:30:43.720 --> 0:30:47.240
<v Speaker 1>high school student in Carmel, California. Alex was diving off

0:30:47.240 --> 0:30:49.600
<v Speaker 1>the coast of Pebble Beach golf links one day when

0:30:49.640 --> 0:30:52.000
<v Speaker 1>she looked down and made a startling discovery.

0:30:52.280 --> 0:30:53.560
<v Speaker 7>You couldn't see the sand.

0:30:53.680 --> 0:30:55.840
<v Speaker 6>It was completely white golf balls.

0:30:56.080 --> 0:30:58.280
<v Speaker 5>You look down and you're like, what are.

0:30:58.200 --> 0:30:59.000
<v Speaker 7>You doing here?

0:30:59.280 --> 0:31:01.040
<v Speaker 1>Thousands of golf balls.

0:31:01.240 --> 0:31:02.640
<v Speaker 3>It felt like a shot to the heart.

0:31:03.480 --> 0:31:06.640
<v Speaker 1>So Alex and her friends started hauling them out, often

0:31:06.680 --> 0:31:09.920
<v Speaker 1>dodging arrant shots from the teas and fairways above, and

0:31:09.960 --> 0:31:12.600
<v Speaker 1>over the next two years, they removed more than fifty

0:31:12.640 --> 0:31:15.760
<v Speaker 1>thousand golf balls from the waters around Pebble Beach. With

0:31:15.840 --> 0:31:18.240
<v Speaker 1>the help of a professor, Alex published a paper on

0:31:18.280 --> 0:31:21.280
<v Speaker 1>the effects of all of this. Turns out golf balls

0:31:21.360 --> 0:31:25.040
<v Speaker 1>do pollute, and one of the main culprits is eurethane,

0:31:25.400 --> 0:31:29.040
<v Speaker 1>which degrades in water. Now, let's not blow this out

0:31:29.040 --> 0:31:32.000
<v Speaker 1>of proportion. The paper states that even fifty thousand golf

0:31:32.000 --> 0:31:35.080
<v Speaker 1>balls will have a minimal impact on the ocean. Besides,

0:31:35.120 --> 0:31:38.360
<v Speaker 1>the Pebble Beach Company has now started a cleanup program.

0:31:38.640 --> 0:31:43.840
<v Speaker 1>In general, though plastics pollution is a big problem.

0:31:43.400 --> 0:31:46.959
<v Speaker 5>None of what we've manufactured since the inception of plastics

0:31:47.040 --> 0:31:48.600
<v Speaker 5>has naturally decomposed.

0:31:49.200 --> 0:31:50.280
<v Speaker 1>That's Harry Brown again.

0:31:50.760 --> 0:31:53.320
<v Speaker 5>The only plastics that are no longer in the environment

0:31:53.760 --> 0:31:56.440
<v Speaker 5>which we brought into the environment are those which we've

0:31:56.480 --> 0:32:00.440
<v Speaker 5>burned or those which we've kind of like chemically dissolved somehow.

0:32:01.000 --> 0:32:05.400
<v Speaker 5>The rest of plastic still exists, and it may it

0:32:05.440 --> 0:32:08.560
<v Speaker 5>may long outlive us. The thing, and this is the

0:32:08.640 --> 0:32:11.120
<v Speaker 5>blessing in the curse of plastics, The thing that makes

0:32:11.120 --> 0:32:15.920
<v Speaker 5>it so magical, its pliability, it's durability, is the thing

0:32:15.960 --> 0:32:17.840
<v Speaker 5>that makes it an environmental hazard.

0:32:18.400 --> 0:32:21.680
<v Speaker 1>So there's a great and terrible irony to the plastics era.

0:32:22.560 --> 0:32:26.720
<v Speaker 1>These materials can be and do everything we want except

0:32:26.760 --> 0:32:30.080
<v Speaker 1>not be a threat to us on our environment. We

0:32:30.200 --> 0:32:33.280
<v Speaker 1>might have better things, but they haven't necessarily made for

0:32:33.360 --> 0:32:41.360
<v Speaker 1>better living. A few years ago, Harry was playing at

0:32:41.360 --> 0:32:43.920
<v Speaker 1>Old Hickory, a local course in Indiana.

0:32:44.520 --> 0:32:46.440
<v Speaker 5>You know, I drive into the weeds on the fringe

0:32:46.480 --> 0:32:49.200
<v Speaker 5>and it kind of it borders this pasture and the

0:32:49.200 --> 0:32:52.560
<v Speaker 5>grass is high. I park the cart, I walk around

0:32:52.600 --> 0:32:55.680
<v Speaker 5>about ten feet. I find ten balls except for my

0:32:55.920 --> 0:32:57.880
<v Speaker 5>I don't find my ball. So I'm just thinking, if

0:32:57.880 --> 0:33:01.520
<v Speaker 5>I'm exploring this little ten feet radius of weeds, there

0:33:01.600 --> 0:33:05.280
<v Speaker 5>must be hundreds of balls along this fence line's They're everywhere.

0:33:05.560 --> 0:33:07.520
<v Speaker 5>They're just kind of concealed beneath the surface.

0:33:07.960 --> 0:33:11.520
<v Speaker 1>It reminds him of a photobook by Charles Lindsay called

0:33:11.560 --> 0:33:12.400
<v Speaker 1>Lost Balls.

0:33:13.080 --> 0:33:16.360
<v Speaker 5>There's photographs of like golf balls like embedded in bear poop.

0:33:16.800 --> 0:33:19.240
<v Speaker 5>You know that bears eat and then kind of like

0:33:19.480 --> 0:33:23.720
<v Speaker 5>cycle back. Of course they're totally intact. You could play

0:33:23.720 --> 0:33:26.200
<v Speaker 5>around with that golf ball that cycle through the bear's

0:33:26.600 --> 0:33:30.080
<v Speaker 5>digestive system. But then there's also balls that have been

0:33:30.240 --> 0:33:34.920
<v Speaker 5>picked up by fish to build nests in streams, balls

0:33:34.920 --> 0:33:37.640
<v Speaker 5>that have been kind of like picked up by birds

0:33:38.360 --> 0:33:42.000
<v Speaker 5>as kind of surg eggs. You kind of eject them

0:33:42.040 --> 0:33:44.680
<v Speaker 5>into the environment when you hit your hook or your slice,

0:33:44.680 --> 0:33:47.480
<v Speaker 5>and it goes into the creek or goes into the weeds,

0:33:47.480 --> 0:33:49.160
<v Speaker 5>and you forget about it, and it's there for five

0:33:49.240 --> 0:33:52.760
<v Speaker 5>hundred years, and the environment kind of interacts around it,

0:33:52.840 --> 0:33:55.680
<v Speaker 5>but it's never part of the environment.

0:33:56.200 --> 0:33:58.440
<v Speaker 1>Which is sort of a symbol of how golf relates

0:33:58.520 --> 0:34:01.880
<v Speaker 1>to nature these days. I mean, we play golf in nature,

0:34:02.360 --> 0:34:06.080
<v Speaker 1>but also against nature, and that agonistic side of the game,

0:34:06.560 --> 0:34:09.920
<v Speaker 1>battling the elements, beating the course, is where the desire

0:34:09.920 --> 0:34:13.759
<v Speaker 1>for better equipment, more advanced equipment comes from. It's why

0:34:13.760 --> 0:34:16.920
<v Speaker 1>we find ourselves playing with graphite, titanium, and eu athane

0:34:17.560 --> 0:34:21.600
<v Speaker 1>instead of wood, cowhide and feathers. So all of those

0:34:21.640 --> 0:34:25.360
<v Speaker 1>lost plastic balls, the ones that the environment refuses to absorb,

0:34:26.160 --> 0:34:29.319
<v Speaker 1>they're very design and composition, are reminders of how much

0:34:29.360 --> 0:34:32.840
<v Speaker 1>we want to overcome nature. Yet given that the balls

0:34:32.840 --> 0:34:36.279
<v Speaker 1>are lost, they're also reminders of how often we still

0:34:36.320 --> 0:34:36.960
<v Speaker 1>fall short.

0:34:39.080 --> 0:34:41.600
<v Speaker 5>I love the ts Eliot palem ts Eliot says, when

0:34:41.600 --> 0:34:43.680
<v Speaker 5>we're gone and turned to dust, the only thing that's

0:34:43.719 --> 0:34:46.400
<v Speaker 5>going to be left is basically asphalt and golf balls,

0:34:48.080 --> 0:34:49.680
<v Speaker 5>maybe not even asphalt.

0:34:51.160 --> 0:35:08.920
<v Speaker 9>Were every day that we are leaving, we got lucky.

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<v Speaker 3>Coming.

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<v Speaker 1>This was the seventh episode of Friday Stories in the

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<v Speaker 1>third and final installment of Our Ball series. It was

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<v Speaker 1>produced and hosted by me Garrett Morrison, and it was

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<v Speaker 1>edited and engineered by Jay Verick. Our executive producer is

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<v Speaker 1>Andy Johnson. We're very grateful to our guests for this episode.

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<v Speaker 1>Dean Snell now runs his own golf ball company, Snell Golf.

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<v Speaker 1>Harry Brown has a book called golf Ball. Check out

0:35:51.920 --> 0:35:54.359
<v Speaker 1>the link of the show notes. Joe Henley is now

0:35:54.360 --> 0:35:58.240
<v Speaker 1>the CFO of Trust Engineering in Massachusetts, and Mark o'mera,

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<v Speaker 1>at the age of sixty three, twenty ninth in the

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<v Speaker 1>Schwab Cup standings on the Champions Tour. Thanks for listening.