1 00:00:00,240 --> 00:00:27,520 Speaker 1: Ridiculous History is a production of I Heart Radio. Welcome 2 00:00:27,520 --> 00:00:30,560 Speaker 1: back to the show Ridiculous Historians. Thank you as always 3 00:00:30,600 --> 00:00:32,760 Speaker 1: for tuning in. I kind of want to do a 4 00:00:32,840 --> 00:00:37,239 Speaker 1: lost voice like previously Ridiculous History. Wait a minute, was 5 00:00:37,280 --> 00:00:43,520 Speaker 1: that you doing the lost voice, Bend oh Man. That's 6 00:00:43,520 --> 00:00:48,680 Speaker 1: our super producer Casey Pegram And this is part two 7 00:00:49,240 --> 00:00:54,280 Speaker 1: of our series on the heroic innovative and I would 8 00:00:54,280 --> 00:00:59,920 Speaker 1: say extraordinary abolitionist Benjamin Lay. Yeah. When we last left 9 00:01:00,080 --> 00:01:04,080 Speaker 1: our hero Um, he was starting off in his kind 10 00:01:04,080 --> 00:01:09,520 Speaker 1: of radical protest career um doing things like, uh, beating 11 00:01:09,560 --> 00:01:13,199 Speaker 1: people with tobacco pipes around the ankles I imagine um, 12 00:01:13,240 --> 00:01:15,760 Speaker 1: getting thrown out into the mud, uh and then just 13 00:01:15,880 --> 00:01:18,200 Speaker 1: laying there so people had to step over his muddied 14 00:01:18,400 --> 00:01:21,000 Speaker 1: body and he would not be ignored what he been. 15 00:01:21,080 --> 00:01:26,080 Speaker 1: He was pushing and preaching for the rights of enslaved 16 00:01:26,120 --> 00:01:28,520 Speaker 1: people at a time where that was absolutely not a 17 00:01:28,520 --> 00:01:31,640 Speaker 1: popular thing to do, and it got him blacklisted within 18 00:01:31,720 --> 00:01:34,119 Speaker 1: his own community of the Quakers. And as we're going 19 00:01:34,160 --> 00:01:38,039 Speaker 1: to see, that really escalated and we have multiple stories 20 00:01:38,120 --> 00:01:42,400 Speaker 1: of his protest. One Sunday, people living in a town 21 00:01:42,480 --> 00:01:47,319 Speaker 1: near Philadelphia, Abington, Pennsylvania, were met with a bizarre site 22 00:01:47,360 --> 00:01:51,800 Speaker 1: outside of their morning Quaker gathering. The snow was thick 23 00:01:51,880 --> 00:01:54,040 Speaker 1: on the ground, and Benjamin Lay, who was a member 24 00:01:54,040 --> 00:01:58,520 Speaker 1: of that congregation, was there in the snow, not very 25 00:01:58,560 --> 00:02:00,520 Speaker 1: well dressed. Yeah, this is a weird went to man. 26 00:02:00,520 --> 00:02:02,760 Speaker 1: This guy was very creative in this protests. You have 27 00:02:02,800 --> 00:02:05,720 Speaker 1: to give him that for sure, theatricality to it. He 28 00:02:05,840 --> 00:02:08,520 Speaker 1: was in something of like an ass less chaps kind 29 00:02:08,520 --> 00:02:11,440 Speaker 1: of situation, like a share or a prince might wear, 30 00:02:11,680 --> 00:02:14,200 Speaker 1: only you know, it was more like a one legged 31 00:02:14,240 --> 00:02:16,799 Speaker 1: trouser kind of thing. And he had a leg and 32 00:02:16,840 --> 00:02:20,200 Speaker 1: a foot exposed and uh as the as the congregants 33 00:02:20,280 --> 00:02:24,000 Speaker 1: um entered into into their place of worship, they would say, hey, Bud, 34 00:02:24,440 --> 00:02:26,120 Speaker 1: you know you're gonna freeze the death out here. You're 35 00:02:26,120 --> 00:02:29,720 Speaker 1: gonna get real sick. Better cover that leg. And he 36 00:02:29,720 --> 00:02:32,800 Speaker 1: would turn to them and say, ah, you pretend compassion 37 00:02:32,919 --> 00:02:35,080 Speaker 1: for me, but you do not feel for the poor 38 00:02:35,160 --> 00:02:38,360 Speaker 1: slaves in your fields who go all winter half clad. 39 00:02:38,760 --> 00:02:41,399 Speaker 1: So he's calling these people out and not letting them 40 00:02:41,400 --> 00:02:44,399 Speaker 1: be comfortable in there. You know, again, I've I've used 41 00:02:44,400 --> 00:02:47,720 Speaker 1: the word too often in this episode, but their rank hypocrisy. 42 00:02:48,040 --> 00:02:52,399 Speaker 1: He also protested slave owners, giving them no peace. As 43 00:02:52,440 --> 00:02:56,720 Speaker 1: soon as somebody in the Quaker community who owned slaves 44 00:02:56,760 --> 00:02:59,840 Speaker 1: stood up to talk at the meeting at the at 45 00:02:59,840 --> 00:03:02,480 Speaker 1: the religious gathering, he would jump to his feet and 46 00:03:02,520 --> 00:03:05,680 Speaker 1: he would cry out, you know, there's another slave master. 47 00:03:05,840 --> 00:03:09,000 Speaker 1: I'm paraphrasing because not comfortable with the language. Now he's 48 00:03:09,040 --> 00:03:11,440 Speaker 1: using some strong language there, but it's I think it's 49 00:03:11,480 --> 00:03:13,360 Speaker 1: more meant to just be I think it was just 50 00:03:13,400 --> 00:03:16,280 Speaker 1: more of a term that was generally you know, used 51 00:03:16,440 --> 00:03:19,560 Speaker 1: in those days, for sure. But he is calling them 52 00:03:19,639 --> 00:03:23,080 Speaker 1: out and saying, there you are, I see you. You 53 00:03:23,120 --> 00:03:26,919 Speaker 1: don't get to talk because you have no compassion for 54 00:03:26,919 --> 00:03:28,680 Speaker 1: for your fellow man. It all comes back to that. 55 00:03:29,240 --> 00:03:32,560 Speaker 1: And yeah, he he kept getting oustad. He was not 56 00:03:32,680 --> 00:03:36,000 Speaker 1: a popular figure after, you know, causing all this ruckets 57 00:03:36,000 --> 00:03:38,920 Speaker 1: at these meetings, and the elders, the church elders and 58 00:03:39,200 --> 00:03:43,200 Speaker 1: the ministers as well, um started to get pretty peeved. 59 00:03:43,560 --> 00:03:46,920 Speaker 1: I mean actually appointed like a like a cop a 60 00:03:47,000 --> 00:03:52,839 Speaker 1: constable to a constable constable constable area, Yeah, to keep 61 00:03:52,880 --> 00:03:55,080 Speaker 1: an eye out for him. I mean he you know, 62 00:03:55,120 --> 00:03:57,200 Speaker 1: he was really making a making a splash. They had 63 00:03:57,240 --> 00:03:59,560 Speaker 1: to hire a position just to keep him out of 64 00:03:59,560 --> 00:04:02,120 Speaker 1: the meeting and they toss him out into the cold 65 00:04:02,560 --> 00:04:06,040 Speaker 1: night or afternoon or morning, whatever it may have been. 66 00:04:06,160 --> 00:04:08,480 Speaker 1: Whatever he showed up, who am I to say? Um? 67 00:04:08,560 --> 00:04:10,800 Speaker 1: And yeah he was. They would bar the door and 68 00:04:10,840 --> 00:04:14,520 Speaker 1: he was not allowed to return. And one time when 69 00:04:14,520 --> 00:04:16,680 Speaker 1: he was thrown out of a meeting house and it 70 00:04:16,760 --> 00:04:18,720 Speaker 1: was raining, he went right back to the door of 71 00:04:18,800 --> 00:04:21,040 Speaker 1: the meeting house and laid down in the mud, so 72 00:04:21,200 --> 00:04:24,320 Speaker 1: everybody who left the meeting had to step over his 73 00:04:24,440 --> 00:04:27,200 Speaker 1: body while he stared at them. He's like something of 74 00:04:27,240 --> 00:04:32,360 Speaker 1: like a combination performance artists and and uh and abolitionist protester. 75 00:04:32,560 --> 00:04:35,000 Speaker 1: I really liked this guy his performance art for a 76 00:04:35,040 --> 00:04:39,760 Speaker 1: good cause as opposed to just like naval gazing kind 77 00:04:39,800 --> 00:04:43,760 Speaker 1: of Okay, Sorry, there's any performance art fans out there, 78 00:04:43,800 --> 00:04:45,960 Speaker 1: I just don't get it. I'm a fan of it. 79 00:04:46,000 --> 00:04:48,560 Speaker 1: I like the weird stuff, you know, also a fan 80 00:04:48,600 --> 00:04:50,800 Speaker 1: of improv everywhere he would have I think he would 81 00:04:50,800 --> 00:04:53,320 Speaker 1: have enjoyed that too. More of a flash mob guy myself. 82 00:04:54,200 --> 00:04:56,480 Speaker 1: Get I'm kidding. I do like Matthew Barney. That's performance 83 00:04:56,520 --> 00:04:58,200 Speaker 1: art some of it kind of right, what does he 84 00:04:58,240 --> 00:05:00,320 Speaker 1: do again? And I did the whole cream Masters cycle 85 00:05:00,320 --> 00:05:02,400 Speaker 1: where he kind of like dressed up and that's a weird. 86 00:05:02,480 --> 00:05:05,800 Speaker 1: Like you know, we'd kind of like guy in a 87 00:05:05,880 --> 00:05:09,240 Speaker 1: pink kilt and climbed all over the Googgenheim. But it's 88 00:05:09,279 --> 00:05:10,840 Speaker 1: it's made. It's done for film. I guess it's the 89 00:05:10,880 --> 00:05:13,400 Speaker 1: only performance already if it's done, like I r L 90 00:05:13,640 --> 00:05:17,159 Speaker 1: like with real people. Yeah, Okay, he's a performance artist. 91 00:05:17,320 --> 00:05:20,400 Speaker 1: I like Matthew Barney. Something really weird that I got 92 00:05:20,440 --> 00:05:23,200 Speaker 1: into that has nothing to do with this episode. I'm 93 00:05:23,240 --> 00:05:26,080 Speaker 1: just gonna show this to you please. Okay. This is 94 00:05:26,160 --> 00:05:30,640 Speaker 1: a kind of dancing called bouteau or bu t o 95 00:05:31,120 --> 00:05:36,240 Speaker 1: h that is uh creepy and from Japan. Okay, I'm 96 00:05:36,240 --> 00:05:37,840 Speaker 1: gonna try to describe it as best I can with 97 00:05:37,920 --> 00:05:40,919 Speaker 1: the listeners. Okay, there's a gentleman looks that he like 98 00:05:40,960 --> 00:05:43,200 Speaker 1: he has some sort of wedgy situation going on. He's 99 00:05:43,200 --> 00:05:47,320 Speaker 1: wearing a cod piece. Uh, he's painted gray. He's hairless 100 00:05:47,400 --> 00:05:51,360 Speaker 1: and bald and staggering around. Oh oh, he's kind of 101 00:05:51,400 --> 00:05:54,640 Speaker 1: creatively falling. I love this. It looks like a tool video, 102 00:05:55,279 --> 00:05:58,279 Speaker 1: um really does. Oh now he's rolling down the stairs. 103 00:05:59,320 --> 00:06:01,520 Speaker 1: The underwear he's appears to be something of a thong. 104 00:06:01,600 --> 00:06:03,320 Speaker 1: I was correct about the wedge, none of them seeing 105 00:06:03,400 --> 00:06:06,240 Speaker 1: the back and now he's he's he's getting up slowly 106 00:06:06,240 --> 00:06:09,760 Speaker 1: and then falling down again like an angry, awkward, evil baby. 107 00:06:09,880 --> 00:06:12,440 Speaker 1: I dig this, ben Yeah, Okay, I take back everything 108 00:06:12,440 --> 00:06:16,320 Speaker 1: I said about not liking performance. Well, maybe maybe we 109 00:06:16,440 --> 00:06:18,839 Speaker 1: just have to find the right performance. This stuff is creepy, 110 00:06:18,880 --> 00:06:21,520 Speaker 1: there's a there's a whole thing with it. Maybe, uh huh, 111 00:06:21,520 --> 00:06:24,440 Speaker 1: maybe suitable for a different show. But yes, Benjamin, a 112 00:06:24,520 --> 00:06:27,120 Speaker 1: performance are alright really quickly? Is there a history to 113 00:06:27,200 --> 00:06:29,240 Speaker 1: this or is this like a new thing? There's a history. 114 00:06:29,320 --> 00:06:31,560 Speaker 1: We gotta do a show about this. Okay, let's do 115 00:06:31,600 --> 00:06:34,960 Speaker 1: a show about performance art throughout history. That feels like 116 00:06:35,000 --> 00:06:37,320 Speaker 1: it could be its own podcast. Maybe good, let's give 117 00:06:37,320 --> 00:06:38,760 Speaker 1: it a shot. Let's give it this bike some like 118 00:06:38,880 --> 00:06:41,640 Speaker 1: really pivotal moment, and maybe we'll like spin it off. 119 00:06:41,720 --> 00:06:44,080 Speaker 1: We'll spin off and do a whole another show. Yeah, Casey, 120 00:06:44,120 --> 00:06:46,120 Speaker 1: are you cool with that? You've got plenty of time right, 121 00:06:46,320 --> 00:06:48,400 Speaker 1: all the time in the world. Oh man, thanks, will 122 00:06:48,440 --> 00:06:51,440 Speaker 1: you help us do this performance art show? Yeah? I'm 123 00:06:51,480 --> 00:06:53,280 Speaker 1: a fan of Matthew Barney as well, so that's a 124 00:06:53,279 --> 00:06:56,919 Speaker 1: good starting point. Good stuff. Yeah, when one last thing, casey, 125 00:06:57,040 --> 00:06:59,800 Speaker 1: if you've got time while we're while we're rolling, if 126 00:06:59,800 --> 00:07:02,120 Speaker 1: you to get kind of creeped out, check out this 127 00:07:02,160 --> 00:07:05,480 Speaker 1: Bouteau dancing while we're recording. B U t O H cool. 128 00:07:05,520 --> 00:07:06,720 Speaker 1: I'm gonna do it all right. What do you hear? 129 00:07:06,760 --> 00:07:08,360 Speaker 1: What you think about? At the end there there will 130 00:07:08,360 --> 00:07:10,320 Speaker 1: not be a quiz because I don't know enough about it, 131 00:07:10,640 --> 00:07:14,840 Speaker 1: but performance art. Back to Benjamin Leigh. He uh, he 132 00:07:14,920 --> 00:07:18,480 Speaker 1: keeps going right, man, he has his shining moment coming 133 00:07:18,560 --> 00:07:22,080 Speaker 1: up in seventeen thirty eight. Oh dude, he keeps doubling 134 00:07:22,120 --> 00:07:26,520 Speaker 1: down something referred to as the berry Juice Massacre of 135 00:07:26,640 --> 00:07:29,520 Speaker 1: seventeen thirty eight. I love that it's so visual. Uh. 136 00:07:29,560 --> 00:07:33,480 Speaker 1: September seventeen thirty eight, to be precise, it was six 137 00:07:33,600 --> 00:07:36,560 Speaker 1: years after um he had come to America for the 138 00:07:36,600 --> 00:07:40,720 Speaker 1: first time. He just waltzed his way into one of 139 00:07:40,760 --> 00:07:44,800 Speaker 1: these Quaker meetings in New Jersey in a town called Burlington, 140 00:07:45,320 --> 00:07:47,840 Speaker 1: which was a big meeting. It was one of the 141 00:07:47,880 --> 00:07:49,600 Speaker 1: biggest events of the year, which is kind of weird 142 00:07:49,600 --> 00:07:52,200 Speaker 1: because it was it was the Philadelphia yearly Meeting of Quakers, 143 00:07:52,200 --> 00:07:53,920 Speaker 1: but it was in New Jersey for some reason. I 144 00:07:53,960 --> 00:07:56,080 Speaker 1: mean a lot of stuff happens in New Jersey's true, 145 00:07:56,160 --> 00:07:58,920 Speaker 1: and it stays in New Jersey hopefully. Um. Yeah. He 146 00:07:59,000 --> 00:08:02,280 Speaker 1: wore a big coat with like a military kind of 147 00:08:02,280 --> 00:08:07,320 Speaker 1: style decor um, and he had a sword, and underneath 148 00:08:07,360 --> 00:08:11,040 Speaker 1: it he had a book with a secret compartment in 149 00:08:11,080 --> 00:08:15,120 Speaker 1: which he had uh, an animal bladder that was filled 150 00:08:15,600 --> 00:08:19,160 Speaker 1: with with the red juice of something called a poke berry. 151 00:08:19,200 --> 00:08:21,920 Speaker 1: You ever had a pokeberry, ben I don't believe. Is 152 00:08:21,920 --> 00:08:27,240 Speaker 1: it like a razzleberry, pomegranate perhaps? Uh? You know, I 153 00:08:27,800 --> 00:08:34,040 Speaker 1: don't know what a pokeberry is, grapish, raspberry ish? If 154 00:08:34,080 --> 00:08:36,520 Speaker 1: you've had a pokeberry right in, let us know, actually 155 00:08:36,559 --> 00:08:39,040 Speaker 1: send us some recipes to well. The most important thing 156 00:08:39,160 --> 00:08:42,000 Speaker 1: for our purposes and Benjamin Lay's purposes, is that it 157 00:08:42,080 --> 00:08:48,240 Speaker 1: produced a bright, uh staining juice that he had stored 158 00:08:48,400 --> 00:08:52,800 Speaker 1: secreted away inside this animal bladder, hidden in this cut 159 00:08:52,880 --> 00:08:54,800 Speaker 1: out like sort of like you think of, you know, 160 00:08:54,920 --> 00:08:58,960 Speaker 1: prison contraband being hidden inside like a holidaut bible or 161 00:08:59,000 --> 00:09:02,200 Speaker 1: something like that. Right, yeah, exactly. I guess he wasn't 162 00:09:02,200 --> 00:09:05,439 Speaker 1: banned from this particular meeting yet, that he hadn't gotten 163 00:09:05,480 --> 00:09:07,520 Speaker 1: to Burlington yet, because he would have been you know, 164 00:09:07,679 --> 00:09:11,400 Speaker 1: pretty noticeable people would have recognized him despite being disguised 165 00:09:11,440 --> 00:09:13,800 Speaker 1: as a soldier and silly at least, Yeah, because of 166 00:09:13,840 --> 00:09:18,000 Speaker 1: his unique posture too. So the way the Quaker meetings 167 00:09:18,000 --> 00:09:23,240 Speaker 1: work is that there's no formal minister church ceremony. People 168 00:09:23,280 --> 00:09:26,319 Speaker 1: speak as the spirit moves them, and so Lay waits 169 00:09:26,320 --> 00:09:29,040 Speaker 1: his turn to speak. And when he finally rises to 170 00:09:29,080 --> 00:09:35,840 Speaker 1: address this gathering of influential moving and shaking Quakers shaking, Yeah, 171 00:09:35,880 --> 00:09:41,719 Speaker 1: that works out. He freaks them out because he announces. 172 00:09:41,800 --> 00:09:44,920 Speaker 1: He yells at the crowd. He said, God Almighty respects 173 00:09:44,920 --> 00:09:49,000 Speaker 1: all people, equally, rich, poor men, women, white, black alike. 174 00:09:49,480 --> 00:09:52,960 Speaker 1: Slave Keeping is the greatest sin in the world. How 175 00:09:53,000 --> 00:09:56,120 Speaker 1: can you profess the Golden rule? How can people who 176 00:09:56,200 --> 00:09:58,400 Speaker 1: say treat others the way you wish to be treated? 177 00:09:58,640 --> 00:10:01,400 Speaker 1: How can you, of all people, keep slaves? He then 178 00:10:01,520 --> 00:10:05,680 Speaker 1: throws off his coat. This is like a Quentin Tarantino nude. 179 00:10:07,200 --> 00:10:09,720 Speaker 1: He's got a military guard. Yeah, that's right. Uh, And 180 00:10:09,800 --> 00:10:12,440 Speaker 1: he does have he's got this sword with him, and 181 00:10:12,480 --> 00:10:15,560 Speaker 1: he's got this book. And then people are starting to 182 00:10:15,640 --> 00:10:18,240 Speaker 1: think something might be weird. And he has this he 183 00:10:18,280 --> 00:10:21,480 Speaker 1: has this, uh, he has this speech. Right. Uh, could 184 00:10:21,520 --> 00:10:24,560 Speaker 1: you could you give us a reading of at least 185 00:10:24,600 --> 00:10:27,360 Speaker 1: that line or that titular moment. Oh boy, whatever, this 186 00:10:27,400 --> 00:10:28,920 Speaker 1: is like a yeah, you're right, this is like a 187 00:10:28,960 --> 00:10:32,120 Speaker 1: Tarantino asked, like, you know, bust a cap kind of moment. 188 00:10:32,600 --> 00:10:36,080 Speaker 1: Thus shall God shed the blood of those persons who 189 00:10:36,240 --> 00:10:41,320 Speaker 1: enslave their fellow creatures. And with that he uh raised 190 00:10:41,360 --> 00:10:44,840 Speaker 1: the book aloft and stabbed it, ran it through with 191 00:10:44,880 --> 00:10:51,000 Speaker 1: his sword, um and the the oozy pokeberry fluids dripped 192 00:10:51,000 --> 00:10:54,400 Speaker 1: down his arm. People thought that he had stabbed himself. 193 00:10:54,440 --> 00:10:57,920 Speaker 1: I assume, I guess, so yeah. And then he threw 194 00:10:58,280 --> 00:11:02,959 Speaker 1: this poke berry blood on the slave keepers, and he said, 195 00:11:03,080 --> 00:11:07,120 Speaker 1: all Quakers who failed to heed the prophets call will 196 00:11:07,160 --> 00:11:12,600 Speaker 1: expect physical, moral, and spiritual death. People go bananas, man, 197 00:11:12,720 --> 00:11:14,960 Speaker 1: this is not what they were This is not what 198 00:11:15,000 --> 00:11:17,960 Speaker 1: they signed up for, you know what I mean? And 199 00:11:18,040 --> 00:11:21,320 Speaker 1: now they don't know if the guys actually bleeding, they're 200 00:11:21,360 --> 00:11:23,400 Speaker 1: covered in blood. This is very much you know, there's 201 00:11:23,400 --> 00:11:28,640 Speaker 1: a protest. It's a little theatrical. It works, though it's 202 00:11:28,679 --> 00:11:31,439 Speaker 1: no secret all that. I don't know about you, but 203 00:11:32,000 --> 00:11:33,920 Speaker 1: I feel like it's very apparent to you in case 204 00:11:33,960 --> 00:11:36,000 Speaker 1: you both that a lot of times when I come 205 00:11:36,000 --> 00:11:38,920 Speaker 1: into recording episode. I'm hungry and I always want to 206 00:11:38,960 --> 00:11:41,800 Speaker 1: just sort of relate whatever we're talking about to food. Yeah, 207 00:11:41,920 --> 00:11:44,000 Speaker 1: it's true. I always you always look a little peaking, 208 00:11:44,200 --> 00:11:46,480 Speaker 1: you know, like I feel like you're you're picturing me 209 00:11:46,520 --> 00:11:49,240 Speaker 1: as though I were a delicious roasted chicken, which, to 210 00:11:49,280 --> 00:11:52,120 Speaker 1: be fair, is is the shape that I resemble. Ah, 211 00:11:52,280 --> 00:11:56,800 Speaker 1: that's that's uh, that's unfair, but a delicious idea. And 212 00:11:56,880 --> 00:12:00,840 Speaker 1: while we're talking about delicious, let's talk about Hello Fresh. 213 00:12:00,960 --> 00:12:04,240 Speaker 1: You and I recently tried some Hello Fresh. We did, 214 00:12:04,280 --> 00:12:06,800 Speaker 1: and there is a good reason why it is America's 215 00:12:06,880 --> 00:12:09,920 Speaker 1: number one meal kit, my friends, because they offer seasonal, 216 00:12:10,240 --> 00:12:14,160 Speaker 1: easy recipes and pre measured ingredients delivered right to your door. 217 00:12:14,240 --> 00:12:16,560 Speaker 1: And all you and I had to do, Ben was 218 00:12:16,679 --> 00:12:19,000 Speaker 1: cook and enjoy, and we did both of those things. 219 00:12:19,200 --> 00:12:22,040 Speaker 1: That's true. That's true. And you'll never get tired of 220 00:12:22,080 --> 00:12:25,280 Speaker 1: the menus you are sent because Hello Fresh has twenty 221 00:12:25,320 --> 00:12:30,200 Speaker 1: plus seasonal, chef curated recipes every single week. Yeah, I 222 00:12:30,240 --> 00:12:33,320 Speaker 1: means something for everyone. I chose the family style recipes 223 00:12:33,320 --> 00:12:36,160 Speaker 1: that gave you bigger portions, or you can go calorie 224 00:12:36,160 --> 00:12:39,680 Speaker 1: smart and even vegetarian and fun menu series like Hall 225 00:12:39,720 --> 00:12:42,800 Speaker 1: of fame and Kraft Burgers. And I'll tell you what man, 226 00:12:43,200 --> 00:12:47,640 Speaker 1: I was a big fan of the pork m Pablano tacos, 227 00:12:47,679 --> 00:12:50,520 Speaker 1: my favorite of the three, with the Kiwi salsa with 228 00:12:50,559 --> 00:12:52,559 Speaker 1: the vine ripe tomatoes, and I believe there was a 229 00:12:52,640 --> 00:12:55,959 Speaker 1: nice onion and cilantro situation in there was delicious. I'd 230 00:12:56,000 --> 00:12:59,600 Speaker 1: never thought of putting kiwi uh in a salsa before. 231 00:12:59,720 --> 00:13:02,240 Speaker 1: It's really opened up a whole new world for me, 232 00:13:02,360 --> 00:13:05,120 Speaker 1: salsa wise. But you don't have to take our word 233 00:13:05,160 --> 00:13:07,440 Speaker 1: for it. Get this, folks, just for hanging out with 234 00:13:07,559 --> 00:13:11,559 Speaker 1: us on Ridiculous History. You can get nine meals with 235 00:13:11,640 --> 00:13:15,120 Speaker 1: Hello Fresh for free by going to Hello Fresh dot 236 00:13:15,120 --> 00:13:19,400 Speaker 1: com slash ridiculous nine the number nine. Yeah, that's nine 237 00:13:19,440 --> 00:13:21,079 Speaker 1: meals for free with Hello Fresh when you go to 238 00:13:21,120 --> 00:13:24,360 Speaker 1: Hello Fresh dot com slash ridiculous and the number nine 239 00:13:24,640 --> 00:13:28,600 Speaker 1: and using the code ridiculous nine. That's Hello Fresh dot 240 00:13:28,600 --> 00:13:36,400 Speaker 1: com slash ridiculous nine. After he's done this, after he 241 00:13:36,760 --> 00:13:39,439 Speaker 1: yells at the crowd and has that uh that that 242 00:13:39,559 --> 00:13:43,920 Speaker 1: climactic moment, he just sort of shuts down and he 243 00:13:44,000 --> 00:13:48,760 Speaker 1: stands there. He doesn't say anything, goes. People surround him 244 00:13:48,800 --> 00:13:52,760 Speaker 1: and they haul him off from the building. He doesn't resist. 245 00:13:53,160 --> 00:13:55,360 Speaker 1: He feels like what's done is done. He did what 246 00:13:55,440 --> 00:14:02,840 Speaker 1: he came to do, and his life. Uh that's the thing. 247 00:14:02,960 --> 00:14:05,320 Speaker 1: You know, if this were a biopic or if this 248 00:14:05,360 --> 00:14:09,240 Speaker 1: were a fictionalized tale based on true events, we could 249 00:14:09,240 --> 00:14:14,440 Speaker 1: say that that climactic moment led to happily ever after. 250 00:14:14,840 --> 00:14:20,120 Speaker 1: But unfortunately we're not quite there yet, because during this 251 00:14:20,200 --> 00:14:24,520 Speaker 1: age of his protest, and before his titular protests, and 252 00:14:24,640 --> 00:14:27,640 Speaker 1: after he encountered a lot of hardship in his life, right, 253 00:14:27,680 --> 00:14:30,200 Speaker 1: there was not a real happily ever after moment, you know, 254 00:14:30,560 --> 00:14:32,720 Speaker 1: and it may well have spurred him on to you know, 255 00:14:33,040 --> 00:14:36,360 Speaker 1: really double down on these protests and try to get 256 00:14:36,400 --> 00:14:40,720 Speaker 1: his plant across. His beloved wife, Sarah passed away in 257 00:14:41,600 --> 00:14:43,400 Speaker 1: five and the causes were unknown, and they had been 258 00:14:43,400 --> 00:14:46,080 Speaker 1: together for seventeen years at that point, and you know, 259 00:14:46,440 --> 00:14:50,040 Speaker 1: you could argue that that this gave him time, uh 260 00:14:50,080 --> 00:14:53,840 Speaker 1: to really reflect and to really consider you know, the 261 00:14:54,320 --> 00:14:57,360 Speaker 1: legacy um that he wanted to leave behind would have 262 00:14:57,400 --> 00:15:02,240 Speaker 1: also been a carrying on of his wife's wishes, you know, 263 00:15:02,400 --> 00:15:04,080 Speaker 1: because they were kind of a team on this stuff. 264 00:15:04,480 --> 00:15:09,360 Speaker 1: And uh, he spent several years working on a manuscript 265 00:15:09,800 --> 00:15:13,560 Speaker 1: of what would become the treatise called All Slave Keepers 266 00:15:13,840 --> 00:15:18,200 Speaker 1: That Keep the Innocent in Bondage apost dates. Uh. And 267 00:15:18,320 --> 00:15:21,000 Speaker 1: it's a little bit strange, like in terms of structure, 268 00:15:21,040 --> 00:15:24,000 Speaker 1: in terms of the type, is hard to pegs as 269 00:15:24,040 --> 00:15:25,920 Speaker 1: what type of book it is exactly because it's some 270 00:15:26,440 --> 00:15:33,560 Speaker 1: combinations of like almost like biblical ranting, kind of polemic prophecies, 271 00:15:33,640 --> 00:15:37,720 Speaker 1: you know. Uh, It had curated pieces by other writers. 272 00:15:38,080 --> 00:15:41,640 Speaker 1: It had some kind of firsthand accounts of what he 273 00:15:41,680 --> 00:15:44,720 Speaker 1: witnessed in Barbados, though done with kind of almost a 274 00:15:44,840 --> 00:15:48,840 Speaker 1: stylized dreamlike quality, I guess you could say. And then 275 00:15:48,960 --> 00:15:51,920 Speaker 1: a part of it was also his autobiography, but really 276 00:15:51,960 --> 00:15:54,280 Speaker 1: forward thinking even in literature, like the way you know, 277 00:15:54,360 --> 00:15:58,120 Speaker 1: he would have been very out there to to to 278 00:15:58,600 --> 00:16:01,800 Speaker 1: stray away from a traditional a memoir or like treatise 279 00:16:01,800 --> 00:16:07,480 Speaker 1: in that way, right, Yeah, fragmentary differences in format internally 280 00:16:07,560 --> 00:16:11,200 Speaker 1: and so on. He knew that the Quakers would never 281 00:16:11,400 --> 00:16:15,280 Speaker 1: approve of this book, the Board of Overseers rather, and 282 00:16:15,440 --> 00:16:19,120 Speaker 1: he went directly to his friends. Uh, you know him, 283 00:16:19,200 --> 00:16:22,240 Speaker 1: you love him, if you'll listen to ridiculous history. The 284 00:16:22,320 --> 00:16:25,960 Speaker 1: Benjamin bond runs deep because he went to Benjamin Franklin, 285 00:16:26,240 --> 00:16:29,680 Speaker 1: who at the time was um, I don't know, not 286 00:16:29,800 --> 00:16:34,720 Speaker 1: ignoring the resurrection men in his abode in England. He 287 00:16:34,840 --> 00:16:38,480 Speaker 1: was in the US, and he said, yeah, sure, I'll 288 00:16:38,520 --> 00:16:43,640 Speaker 1: publish this. This becomes one of the founding key text 289 00:16:43,920 --> 00:16:47,120 Speaker 1: of the antislavery movement in the Atlantic, and it's seen 290 00:16:47,160 --> 00:16:51,000 Speaker 1: as an important groundbreaking step in abolitionist thought. It is 291 00:16:51,040 --> 00:16:54,920 Speaker 1: the most militant stand against slavery published up to that point. 292 00:16:54,920 --> 00:16:58,000 Speaker 1: Because I don't want to, like, you know, overstate the obvious, 293 00:16:58,080 --> 00:17:01,720 Speaker 1: but I think it can't be overstated really how important 294 00:17:01,760 --> 00:17:04,639 Speaker 1: printed word was in like changing hearts and minds. Like 295 00:17:04,680 --> 00:17:07,520 Speaker 1: you can throw you know, sticky fake blood on people 296 00:17:07,560 --> 00:17:09,720 Speaker 1: all day long and you're probably ultimately just gonna piss 297 00:17:09,720 --> 00:17:12,240 Speaker 1: them off. But when you really start laying your ideas 298 00:17:12,280 --> 00:17:14,640 Speaker 1: out in a way that lots of people can understand 299 00:17:14,640 --> 00:17:17,280 Speaker 1: and get their hands on, that's when ideas really start 300 00:17:17,359 --> 00:17:20,200 Speaker 1: to spread. So he he really did put his money 301 00:17:20,200 --> 00:17:22,840 Speaker 1: where his mouth was and take it to the next level, uh, 302 00:17:22,880 --> 00:17:25,120 Speaker 1: in terms of you know, getting this idea out there. 303 00:17:25,119 --> 00:17:28,199 Speaker 1: And he was absolutely revolutionary in that way because no 304 00:17:28,200 --> 00:17:30,320 Speaker 1: one else was kind of thinking quite like he was, 305 00:17:31,040 --> 00:17:34,600 Speaker 1: or at the very least not going public correct opinions. 306 00:17:34,640 --> 00:17:38,200 Speaker 1: So what's fascinating about this is that he comes along. 307 00:17:38,240 --> 00:17:42,480 Speaker 1: He's a magnificent individual who comes along at the perfect 308 00:17:42,760 --> 00:17:49,000 Speaker 1: time because there's a generational struggle between Quakers over the 309 00:17:49,200 --> 00:17:52,399 Speaker 1: specific issue of owning slaves and then still saying you 310 00:17:52,520 --> 00:17:57,920 Speaker 1: obey the dictates or the teachings of the Quaker belief system. 311 00:17:58,680 --> 00:18:02,680 Speaker 1: So by the seven teen thirties, Quaker attitudes toward what 312 00:18:03,080 --> 00:18:06,640 Speaker 1: has been called at times the peculiar institution towards the 313 00:18:06,680 --> 00:18:10,600 Speaker 1: owning of human beings has begun to change, and lay 314 00:18:10,680 --> 00:18:15,720 Speaker 1: says repeatedly he's not saying abolish the Quaker religion or anything. 315 00:18:15,760 --> 00:18:19,480 Speaker 1: He's fighting against these hypocrites. And his most determined enemies 316 00:18:19,680 --> 00:18:23,399 Speaker 1: are elders of the organization who are also very wealthy, 317 00:18:23,440 --> 00:18:26,919 Speaker 1: by the way, and others are ministers. He had fighting 318 00:18:26,960 --> 00:18:30,080 Speaker 1: words for them, such as time for such old, rusty 319 00:18:30,160 --> 00:18:33,639 Speaker 1: candlesticks to be moved out of their place. Wait a minute, 320 00:18:33,680 --> 00:18:36,480 Speaker 1: old people being stuck in their ways and not wanting 321 00:18:36,520 --> 00:18:39,960 Speaker 1: to move into the future. Rights. It's a crazy talk. 322 00:18:40,080 --> 00:18:42,040 Speaker 1: It was a weird time, and so it's a weird 323 00:18:42,080 --> 00:18:44,760 Speaker 1: time now, it really is. But yeah, I mean, just 324 00:18:44,800 --> 00:18:46,399 Speaker 1: like they didn't like it when he was, you know, 325 00:18:46,560 --> 00:18:49,440 Speaker 1: disrupting their meetings. They didn't like it when he took 326 00:18:49,480 --> 00:18:51,800 Speaker 1: that talk to the streets and to the people. They 327 00:18:51,840 --> 00:18:54,280 Speaker 1: really didn't like it because they considered him just a 328 00:18:54,359 --> 00:18:58,359 Speaker 1: real uh troublemaker and uh did not like what he 329 00:18:58,440 --> 00:19:00,520 Speaker 1: was putting down with the help of of our boy 330 00:19:00,520 --> 00:19:04,720 Speaker 1: Benjamin Franklin. So they disowned him. They essentially, I mean, 331 00:19:04,760 --> 00:19:07,600 Speaker 1: I guess it's not called that in Quicker religion, but 332 00:19:07,800 --> 00:19:10,760 Speaker 1: for all intents and purposes, excommunicated him from his faith, 333 00:19:10,840 --> 00:19:13,159 Speaker 1: which he which he loved. And you know, again, if 334 00:19:13,200 --> 00:19:16,480 Speaker 1: you read more about Quakerism, all of these things make sense, 335 00:19:16,600 --> 00:19:19,080 Speaker 1: like in terms of that they would be anti slavery. 336 00:19:19,480 --> 00:19:21,320 Speaker 1: So it's just a lot of the tenants and the 337 00:19:21,680 --> 00:19:25,639 Speaker 1: belief systems within Quakerism. It's all about being interconnected and 338 00:19:25,680 --> 00:19:28,280 Speaker 1: being as one within the universe and you know, loving 339 00:19:28,320 --> 00:19:30,399 Speaker 1: your your neighbor as yourself, like you said, been the 340 00:19:30,400 --> 00:19:33,000 Speaker 1: golden rule. That to me is always the biggest sticking 341 00:19:33,000 --> 00:19:35,440 Speaker 1: point when you're like, how can you say that, that 342 00:19:35,520 --> 00:19:40,200 Speaker 1: you believe that and still hate people? You know, yeah, yeah, 343 00:19:40,280 --> 00:19:44,000 Speaker 1: And that's that's the thing. He was right the whole time. 344 00:19:44,440 --> 00:19:47,640 Speaker 1: But people didn't want to hear the unpleasant truth. Despite 345 00:19:47,640 --> 00:19:50,679 Speaker 1: being disowned, he would still go to worship services and 346 00:19:50,880 --> 00:19:56,720 Speaker 1: argue against the evils of slavery. But he became increasingly 347 00:19:57,280 --> 00:20:01,000 Speaker 1: hermited away, and he started to live of a life 348 00:20:01,040 --> 00:20:03,560 Speaker 1: that might sound a little bit hippie to some of 349 00:20:03,640 --> 00:20:07,200 Speaker 1: us and a little bit idyllic to others. He built 350 00:20:07,280 --> 00:20:11,439 Speaker 1: his own home in Abington, that town we mentioned near Philadelphia, 351 00:20:11,720 --> 00:20:17,200 Speaker 1: near us water Spring. He made a cottage in a cave. 352 00:20:17,760 --> 00:20:21,960 Speaker 1: He lied the entrance with stone. He had a library 353 00:20:22,000 --> 00:20:26,359 Speaker 1: inside his his cave home. He planted apple, peach, and 354 00:20:26,400 --> 00:20:31,119 Speaker 1: walnut orchards. He tended a b colony. He grew, you know, 355 00:20:31,160 --> 00:20:34,320 Speaker 1: he had a garden with potatoes, squash, radishes, melons. He 356 00:20:34,480 --> 00:20:37,280 Speaker 1: almost became a vegan, except for the honey. I think 357 00:20:37,280 --> 00:20:41,080 Speaker 1: that's even to this day a contentious subject within veganism. 358 00:20:41,160 --> 00:20:44,040 Speaker 1: Do I remember? Am I wrong? Is it is exclusively 359 00:20:44,119 --> 00:20:46,800 Speaker 1: no no go for vegans? Well, uh, none of the 360 00:20:46,800 --> 00:20:48,800 Speaker 1: three of us are vegans. But we've done I've heard 361 00:20:48,840 --> 00:20:52,679 Speaker 1: it as I've heard it generate great debate too, because 362 00:20:52,800 --> 00:20:56,040 Speaker 1: they're saying, well, are you still vegan if you eat 363 00:20:56,119 --> 00:20:59,360 Speaker 1: any animal product under any circumstances, you know what I mean. 364 00:21:00,080 --> 00:21:02,399 Speaker 1: But then again, I think there's some B twelve supplements 365 00:21:02,400 --> 00:21:07,080 Speaker 1: that some people have to take when they are practicing veganism, 366 00:21:07,880 --> 00:21:14,640 Speaker 1: and those supplements may contain insect parts. That's a good yeah, 367 00:21:14,680 --> 00:21:17,200 Speaker 1: that's a good question, um, But it's true. So essentially, 368 00:21:17,240 --> 00:21:19,520 Speaker 1: he was let's just say he was a vegan intens 369 00:21:19,560 --> 00:21:23,879 Speaker 1: and purposes, uh, two hundred years before anyone even thought 370 00:21:24,040 --> 00:21:26,359 Speaker 1: of that as being a thing, let alone like a 371 00:21:26,359 --> 00:21:35,359 Speaker 1: fashionable thing. He says that he sees the presence of 372 00:21:35,400 --> 00:21:38,159 Speaker 1: God and all living things, so he can't eat flesh 373 00:21:38,240 --> 00:21:41,960 Speaker 1: because animals are God's creatures just as he is. He 374 00:21:42,040 --> 00:21:45,879 Speaker 1: makes his own clothes to avoid the exploitation of the 375 00:21:46,000 --> 00:21:50,919 Speaker 1: labor of others, and he boycott's everything produced by slave labor. 376 00:21:51,480 --> 00:21:54,760 Speaker 1: He lives pretty well until about seventeen fifty seven. He's 377 00:21:54,800 --> 00:21:57,600 Speaker 1: elderly at this point, he's seventy five, right, Yeah, he's 378 00:21:57,600 --> 00:22:01,080 Speaker 1: sort of in his twilight years. He's just you know, 379 00:22:01,280 --> 00:22:05,320 Speaker 1: spends his days tending his garden and making his own 380 00:22:05,359 --> 00:22:09,080 Speaker 1: fabric and just kind of keeping himself busy. But then 381 00:22:09,960 --> 00:22:12,960 Speaker 1: one day a visitor comes in knocking on his his 382 00:22:13,040 --> 00:22:17,960 Speaker 1: little cave door. Yes, a group of Quaker reformers had 383 00:22:18,080 --> 00:22:23,479 Speaker 1: recently undertaken a purification campaign. They called for a return 384 00:22:23,560 --> 00:22:27,600 Speaker 1: to simpler ways of living, stricter discipline in the church, 385 00:22:27,760 --> 00:22:32,160 Speaker 1: and a gradual end to slavery. All of this meant 386 00:22:32,160 --> 00:22:36,399 Speaker 1: to appease God, they imagined, was quite angry. Ley was 387 00:22:36,440 --> 00:22:40,080 Speaker 1: told that the Philadelphia Yearly Meeting, after a lot of 388 00:22:40,240 --> 00:22:42,879 Speaker 1: back and forth in Hemming and Hoying, had started a 389 00:22:42,920 --> 00:22:49,400 Speaker 1: process to discipline and eventually disown Quakers who traded slaves. Unfortunately, 390 00:22:49,440 --> 00:22:52,359 Speaker 1: slaveholding itself was still going to be around for another 391 00:22:52,400 --> 00:22:56,880 Speaker 1: eighteen years in the community. But this was the first big, substantive, 392 00:22:56,880 --> 00:23:01,000 Speaker 1: concrete step toward abolition. And how did Late take the news. 393 00:23:01,200 --> 00:23:04,680 Speaker 1: It's a little hard to say. Initially, the reports um 394 00:23:04,720 --> 00:23:08,399 Speaker 1: that we've read in the Smithsonian magazine article about the 395 00:23:08,520 --> 00:23:13,919 Speaker 1: Quaker comment indicate that he kind of hush fell over him, um, 396 00:23:13,960 --> 00:23:17,080 Speaker 1: and he took some time to really think about it, 397 00:23:17,080 --> 00:23:21,440 Speaker 1: because he was obviously a really thoughtful, kind reflective individual. 398 00:23:21,520 --> 00:23:23,040 Speaker 1: And he's also like, you know, getting up there in 399 00:23:23,160 --> 00:23:26,320 Speaker 1: years at this point. And then um, he gets up. 400 00:23:26,680 --> 00:23:29,680 Speaker 1: He was sitting in a chair at the time, and 401 00:23:29,920 --> 00:23:35,840 Speaker 1: uh assumes this pose of of devotional reverence, according to 402 00:23:35,880 --> 00:23:40,359 Speaker 1: this piece, and then speaks and says thanksgiving and praise 403 00:23:40,440 --> 00:23:43,800 Speaker 1: be rendered unto the Lord God. I can now die 404 00:23:43,840 --> 00:23:47,600 Speaker 1: in peace. And then he instantly died. I'm kidding, that's 405 00:23:47,600 --> 00:23:50,480 Speaker 1: not true. Well, I mean, he definitely took a turn 406 00:23:50,520 --> 00:23:53,480 Speaker 1: for the worst. Right. This is such a weird moment 407 00:23:53,520 --> 00:23:55,720 Speaker 1: to the way it's written, because it sounds like he 408 00:23:55,760 --> 00:23:58,359 Speaker 1: says thanksgiving him praise be rendered unto the Lord God, 409 00:23:58,760 --> 00:24:02,160 Speaker 1: and then he just stand there for a while, and 410 00:24:02,200 --> 00:24:05,800 Speaker 1: then he says, I can now die in peace. We 411 00:24:05,880 --> 00:24:10,240 Speaker 1: don't know today exactly what led to his demise, but 412 00:24:10,520 --> 00:24:12,840 Speaker 1: we know he asked to be taken to the home 413 00:24:12,920 --> 00:24:16,560 Speaker 1: of his old friend Joshua Morris and Abington as his 414 00:24:16,640 --> 00:24:19,840 Speaker 1: health deteriorated, and he passed away there on February three, 415 00:24:20,040 --> 00:24:25,400 Speaker 1: seventeen fifty nine, at the age of seventy seven. History 416 00:24:25,800 --> 00:24:31,600 Speaker 1: has vindicated Benjamin Lay. Like most Quakers in his day 417 00:24:31,600 --> 00:24:34,800 Speaker 1: and age, he opposed the idea of carrying distinctions of 418 00:24:34,840 --> 00:24:38,160 Speaker 1: class into the afterlife. So he's buried in an unmarked 419 00:24:38,160 --> 00:24:42,000 Speaker 1: grave near his wife in the Quaker burial ground in 420 00:24:42,040 --> 00:24:44,440 Speaker 1: the town of Abington. And I don't know then you 421 00:24:44,480 --> 00:24:47,480 Speaker 1: made the point of history, he kind of vindicated him. 422 00:24:47,600 --> 00:24:50,840 Speaker 1: I mean, I think, you know, all it took to 423 00:24:50,960 --> 00:24:54,600 Speaker 1: vindicate him was just realizing how on the right side 424 00:24:54,600 --> 00:24:57,440 Speaker 1: of history he was from the start. And I think 425 00:24:57,520 --> 00:25:00,840 Speaker 1: for him it was meaningful that his people kind vindicated him. 426 00:25:00,840 --> 00:25:06,200 Speaker 1: But like he never faltered and never really questioned his mission. Uh, 427 00:25:06,240 --> 00:25:09,560 Speaker 1: And I think that's pretty pretty inspiring. Um, And especially 428 00:25:09,760 --> 00:25:11,440 Speaker 1: in this day and age where it seems like people 429 00:25:11,480 --> 00:25:14,399 Speaker 1: are willing to flip and abandon their morals just you know, 430 00:25:14,600 --> 00:25:17,080 Speaker 1: on the drop of a hat. Um. So it's pretty 431 00:25:17,119 --> 00:25:20,920 Speaker 1: pretty cool figure. And uh, not to mention um this 432 00:25:21,000 --> 00:25:25,040 Speaker 1: idea that he's kind of a bit of a footnote 433 00:25:25,520 --> 00:25:31,040 Speaker 1: in the history of abolitionism until pretty recently. Yeah, he 434 00:25:31,160 --> 00:25:34,360 Speaker 1: was re embraced finally by the Quakers after almost three 435 00:25:34,400 --> 00:25:38,439 Speaker 1: hundred years had passed. The four groups linked to the 436 00:25:38,480 --> 00:25:42,520 Speaker 1: original people who disowned events communicated him from the Society 437 00:25:42,560 --> 00:25:46,520 Speaker 1: of Friends, the Abington Monthly Meeting, the Philadelphia Yearly Meeting, 438 00:25:46,520 --> 00:25:49,199 Speaker 1: the North London Monthly Meeting, and the Friends of the 439 00:25:49,240 --> 00:25:54,159 Speaker 1: Southern East Anglia Meeting released a joint statement recognizing the 440 00:25:54,200 --> 00:25:58,000 Speaker 1: integrity and courage of a man who called slaveholders, including Quakers, 441 00:25:58,000 --> 00:26:01,960 Speaker 1: to account who protested the domination of slavery, upheld the 442 00:26:01,960 --> 00:26:05,159 Speaker 1: equality of the sexes, and lived his life with integrity 443 00:26:05,200 --> 00:26:08,800 Speaker 1: according to his Quaker beliefs. In this statement, go to 444 00:26:08,840 --> 00:26:11,520 Speaker 1: the end and says, we hold that Benjamin Lay was 445 00:26:11,520 --> 00:26:13,919 Speaker 1: a friend of the truth. We are in unity with 446 00:26:13,960 --> 00:26:18,119 Speaker 1: the spirit of Benjamin Lay as apologies go where his 447 00:26:18,119 --> 00:26:20,920 Speaker 1: acknowledgements go. That's pretty heavy. It's a pretty good one. 448 00:26:20,960 --> 00:26:22,680 Speaker 1: I would say, yeah, I think, I think, I think 449 00:26:22,680 --> 00:26:24,520 Speaker 1: it did did the job. And you know, and again 450 00:26:24,560 --> 00:26:28,240 Speaker 1: even the historical record in terms of his influence on abolition, 451 00:26:28,520 --> 00:26:32,760 Speaker 1: we're starting to see him kind of you know emerge, uh, 452 00:26:32,800 --> 00:26:35,480 Speaker 1: you know, at least with people that follow history um 453 00:26:35,520 --> 00:26:39,600 Speaker 1: as more you know, noted figure. His biographer, Benjamin Rush, 454 00:26:39,640 --> 00:26:42,439 Speaker 1: who was an abolitionist himself and actually one of the 455 00:26:42,440 --> 00:26:45,399 Speaker 1: signers of the Declaration of Independence, was his first biographer, 456 00:26:45,400 --> 00:26:48,760 Speaker 1: by the way, referred to him as a Christian philosopher 457 00:26:49,200 --> 00:26:52,800 Speaker 1: and said that at least in Pennsylvania at the time, 458 00:26:53,240 --> 00:26:55,920 Speaker 1: Leigh was a household name. But as time went on 459 00:26:56,119 --> 00:26:59,000 Speaker 1: he started to appear less and less in these histories, 460 00:26:59,040 --> 00:27:03,160 Speaker 1: in these discussions. Uh. And it was kind of um 461 00:27:03,160 --> 00:27:05,720 Speaker 1: treated as sort of a kuk you know, and I 462 00:27:06,080 --> 00:27:08,240 Speaker 1: could see how that could be, you know, kind of 463 00:27:08,280 --> 00:27:10,639 Speaker 1: shoehorned to the narrative considering some of the stunts that 464 00:27:10,680 --> 00:27:13,600 Speaker 1: he pulled. Uh. And but but yeah, it started to 465 00:27:13,680 --> 00:27:15,879 Speaker 1: kind of pick up steam or at least um in 466 00:27:16,200 --> 00:27:18,560 Speaker 1: the record, and he was looked at as as having 467 00:27:18,560 --> 00:27:22,240 Speaker 1: suffered some sort of head injury. Um. And this image 468 00:27:22,320 --> 00:27:25,960 Speaker 1: of him as sort of a unreliable figure and sort 469 00:27:25,960 --> 00:27:29,879 Speaker 1: of more of a crank um really kind of held up. Yeah, 470 00:27:29,880 --> 00:27:34,359 Speaker 1: it's absolutely true, and perhaps we end the story on 471 00:27:34,680 --> 00:27:38,399 Speaker 1: this note. According to Benjamin Rush, you know, Lay was 472 00:27:38,600 --> 00:27:41,919 Speaker 1: known to everyone in Pennsylvania. His portrait was in a 473 00:27:42,000 --> 00:27:47,440 Speaker 1: lot of homes throughout Philadelphia, and he burned incredibly bright. 474 00:27:47,880 --> 00:27:50,760 Speaker 1: And he shows us that one person can make a difference. 475 00:27:51,160 --> 00:27:54,760 Speaker 1: And despite the fact that he has been excluded from 476 00:27:54,880 --> 00:27:59,240 Speaker 1: so many abolitionist narratives, as they say in this Atlas 477 00:27:59,240 --> 00:28:02,200 Speaker 1: Obscure Art goal that we've referenced earlier, that we can 478 00:28:02,240 --> 00:28:05,840 Speaker 1: finally give the title of as as Natasha Frost says 479 00:28:06,040 --> 00:28:09,080 Speaker 1: inner article, the eighteenth century Quaker dwarf who challenge slavery, 480 00:28:09,160 --> 00:28:13,440 Speaker 1: meat eating, and racism. He refuses to be extinguished from history. Yeah, 481 00:28:13,440 --> 00:28:16,320 Speaker 1: and I maybe uh, mistakenly started to set it up 482 00:28:16,320 --> 00:28:19,600 Speaker 1: as though he really did get his due historically, and 483 00:28:19,640 --> 00:28:22,320 Speaker 1: I think again, within people that really are familiar and 484 00:28:22,400 --> 00:28:25,000 Speaker 1: want to do the work, Uh, you can find out 485 00:28:25,040 --> 00:28:28,000 Speaker 1: about this guy. There are some resources you know about him, 486 00:28:28,040 --> 00:28:31,800 Speaker 1: but he still largely isn't seen as like a central figure. 487 00:28:32,200 --> 00:28:36,120 Speaker 1: Um although as we know through his book and disseminating 488 00:28:36,160 --> 00:28:38,200 Speaker 1: his ideas really did seem to turn the tide at 489 00:28:38,280 --> 00:28:41,600 Speaker 1: least within the Quaker community, by the way, which holds 490 00:28:41,760 --> 00:28:45,880 Speaker 1: um these tenants as the most important facets of their faith. 491 00:28:46,640 --> 00:28:48,800 Speaker 1: And I think he is a steadfast example of all 492 00:28:48,800 --> 00:28:57,080 Speaker 1: of these simplicity, peace, integrity, community, equality, and sustainability. Agreed. 493 00:28:57,760 --> 00:29:02,320 Speaker 1: So this concludes our episode, but not our show. No question, 494 00:29:02,440 --> 00:29:04,840 Speaker 1: no quester, no quister. That's what I say to myself. 495 00:29:05,080 --> 00:29:07,200 Speaker 1: I feel like it's kind of like saying no wammy's 496 00:29:08,000 --> 00:29:11,479 Speaker 1: before what it's a whammy? I don't know. I just 497 00:29:11,840 --> 00:29:13,880 Speaker 1: was that bankrupts is that when you go bankrupt and 498 00:29:13,920 --> 00:29:17,440 Speaker 1: Wheel of Fortune? It's it's from a game show. It's 499 00:29:17,440 --> 00:29:19,640 Speaker 1: Wheel of Fortune. They say, no wammy's on Wheel of Fortune? 500 00:29:20,240 --> 00:29:24,320 Speaker 1: Do they must be bankrupt? I think it's from a 501 00:29:24,360 --> 00:29:28,440 Speaker 1: thing called press your Luck. You're right, no press your luck. Indeed, 502 00:29:28,600 --> 00:29:30,360 Speaker 1: I feel I feel like we just I feel like 503 00:29:30,400 --> 00:29:35,000 Speaker 1: the freeze no Wammy's has become has grown beyond press 504 00:29:35,040 --> 00:29:37,640 Speaker 1: your luck. I think you're right. Then, well, no Wammy's, 505 00:29:37,720 --> 00:29:42,360 Speaker 1: no quisters. Uh So before we go, Casey he groom, 506 00:29:42,440 --> 00:29:44,960 Speaker 1: want to check in with you real quick. Did you 507 00:29:45,480 --> 00:29:46,800 Speaker 1: did you get a chance to look at some of 508 00:29:46,840 --> 00:29:52,000 Speaker 1: that bizarre dancing? Yeah? My my YouTube recommendations will never 509 00:29:52,000 --> 00:29:55,880 Speaker 1: be the same again. But it's great stuff. I was 510 00:29:55,960 --> 00:29:58,000 Speaker 1: looking at. Yeah, I was looking at a bunch of them, 511 00:29:58,000 --> 00:30:00,200 Speaker 1: and it started to remind me of the seri these 512 00:30:00,240 --> 00:30:04,840 Speaker 1: of films. I'm familiar with this Taiwanese filmmaker Siming Leong 513 00:30:05,480 --> 00:30:07,680 Speaker 1: who made a film called a Journey to the West 514 00:30:07,840 --> 00:30:12,440 Speaker 1: where a monk walks as slowly as possible through crowded 515 00:30:12,480 --> 00:30:17,920 Speaker 1: public spaces. And I googled that along with Bhuto and 516 00:30:18,040 --> 00:30:22,600 Speaker 1: found a text saying that one influenced the other. So, yeah, 517 00:30:22,720 --> 00:30:25,720 Speaker 1: just the idea of walking very, very slowly, almost so 518 00:30:25,840 --> 00:30:29,320 Speaker 1: that you know, to the casual observer you appear still, 519 00:30:29,840 --> 00:30:31,560 Speaker 1: and then if you look long enough you see that 520 00:30:31,600 --> 00:30:34,320 Speaker 1: there is movement happening. But yeah, it looks like some 521 00:30:34,400 --> 00:30:37,120 Speaker 1: really interesting stuff that's so weird. I'm glad you guys 522 00:30:37,200 --> 00:30:41,440 Speaker 1: enjoyed it and don't think it's incredibly creepy. I'm a 523 00:30:41,480 --> 00:30:46,200 Speaker 1: fan of the incredibly creepy and weird. Likewise likewise, Uh 524 00:30:46,360 --> 00:30:49,880 Speaker 1: so this concludes our episode, but not our show. No, 525 00:30:50,200 --> 00:30:52,960 Speaker 1: you know, we like to keep the conversation going after 526 00:30:53,040 --> 00:30:56,440 Speaker 1: the audio has stopped rolling. Where can people find us? Oh, 527 00:30:56,480 --> 00:30:58,400 Speaker 1: they can find us in the usual spots on the 528 00:30:58,480 --> 00:31:01,200 Speaker 1: social media's are a Ridiculous history or is there a 529 00:31:01,240 --> 00:31:04,160 Speaker 1: Ridiculous History Show? And I think we're pridiculous? Is it? Yeah? 530 00:31:04,200 --> 00:31:06,800 Speaker 1: The website. We have a website called Ridiculous History Show 531 00:31:06,800 --> 00:31:08,480 Speaker 1: where you can also get some weird T shirt. Is 532 00:31:08,480 --> 00:31:10,960 Speaker 1: it a dot com, dot biz, dot gov? It's a 533 00:31:11,120 --> 00:31:15,200 Speaker 1: dot com okay, the old school dot Yeah. You can 534 00:31:15,240 --> 00:31:19,680 Speaker 1: find our Facebook group, Ridiculous Historians on on the Facebook 535 00:31:19,760 --> 00:31:21,880 Speaker 1: where you just have to answer a very simple question, 536 00:31:21,880 --> 00:31:25,120 Speaker 1: which is either naming myself or Ben's uh name, and 537 00:31:25,160 --> 00:31:28,360 Speaker 1: then you are in like Flynn Babies and uh we 538 00:31:28,760 --> 00:31:32,440 Speaker 1: precipated all kinds of conversations and memory and fun historical 539 00:31:32,560 --> 00:31:35,280 Speaker 1: musings in that space pretty regularly. And it's it's a 540 00:31:35,280 --> 00:31:37,760 Speaker 1: good group of folks, So come check out ridiculous Historians 541 00:31:37,760 --> 00:31:39,400 Speaker 1: on Facebook. If you don't want to do any of that, 542 00:31:39,440 --> 00:31:41,440 Speaker 1: and you want to just hit me and Ben up individually, 543 00:31:41,480 --> 00:31:43,800 Speaker 1: because we are our own people, you can do so. 544 00:31:44,320 --> 00:31:47,960 Speaker 1: I am on Instagram at how Now Noel Brown exclusively. 545 00:31:47,960 --> 00:31:49,400 Speaker 1: I don't really do the Twitter and more of a 546 00:31:49,440 --> 00:31:52,320 Speaker 1: more of a lurker. I got hypnotized by this weird 547 00:31:52,400 --> 00:31:55,400 Speaker 1: performance are But you can still find me online on 548 00:31:55,440 --> 00:31:58,000 Speaker 1: Twitter where I'm Ben Bulling h s W. Or you 549 00:31:58,040 --> 00:32:02,160 Speaker 1: can find me getting into various words of shenanigans on Instagram, 550 00:32:02,240 --> 00:32:06,360 Speaker 1: where I am going by very creative handle at Ben Bowling. 551 00:32:06,560 --> 00:32:09,320 Speaker 1: At least she locked it down, buddy. Is there is 552 00:32:09,320 --> 00:32:12,120 Speaker 1: there a Noel Brown already? No? I don't know. Maybe 553 00:32:12,480 --> 00:32:14,960 Speaker 1: I just thought you like the name that you got. 554 00:32:15,040 --> 00:32:16,920 Speaker 1: I do like the name. Yeah, I went for I 555 00:32:16,920 --> 00:32:20,600 Speaker 1: went for that immediately. Big thanks to super producer Casey 556 00:32:20,600 --> 00:32:24,240 Speaker 1: Pegram Alex Williams, who composed our theme. Christopher hasciotis here 557 00:32:24,240 --> 00:32:26,840 Speaker 1: in spirit. Jonathan's Strickland a k a. The Quister not 558 00:32:27,000 --> 00:32:29,520 Speaker 1: here in spirit. He's more of a demonic cloud that 559 00:32:29,640 --> 00:32:33,440 Speaker 1: sort of lurks over the proceedings, and big big thanks 560 00:32:33,480 --> 00:32:37,400 Speaker 1: of course, to Gabe Louisier, to Benjamin Ley, to Eve's 561 00:32:37,480 --> 00:32:41,480 Speaker 1: Jeff Coache and to Matthew Now, the guy who just 562 00:32:41,640 --> 00:32:47,200 Speaker 1: went on ridiculous historians and amended the score. I believe 563 00:32:47,320 --> 00:32:54,520 Speaker 1: that we are ten to eight now in favor of Twister. Still, 564 00:32:55,240 --> 00:33:03,840 Speaker 1: we'll see you next time. For more podcasts from my 565 00:33:03,920 --> 00:33:07,080 Speaker 1: Heart Radio, visit the iHeartRadio app, Apple Podcasts, or wherever 566 00:33:07,240 --> 00:33:08,760 Speaker 1: you listen to your favorite shows,