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Speaker 1: It's way up.

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Speaker 2: But Angela Angela Ye, Jasmine from the Jasmine brand is

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Speaker 2: here and we got a first timer up here.

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Speaker 1: Johnsy's here with us.

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Speaker 3: What y'all pop my cherry right now?

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Speaker 4: That's right, let's go.

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Speaker 3: Well.

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Speaker 2: First of all, congratulations to you on the new EP

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Speaker 2: songs Women, Free Game.

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Speaker 1: For n Words, because we can't say that up here.

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Speaker 3: Thank you. I'm so excited because like, did you listen

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Speaker 3: to it?

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Speaker 4: Yes?

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Speaker 2: We did.

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Speaker 3: What do you think about it?

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Speaker 4: Oh?

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Speaker 1: My god?

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Speaker 2: I love it, even the interludes and everything. It has

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Speaker 2: a nice nostalgic feel. I'm gonna tell you what song.

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Speaker 4: I loved.

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Speaker 2: It kind of gave me like a little bit of

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Speaker 2: a Jodasy vibe, which I'm a big fan of that.

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Speaker 4: By the way, I like alone.

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Speaker 1: I think, don't say no for me. Yeah, we all listen.

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Speaker 4: That's why I think of my phone to see whats.

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Speaker 2: So that's why we have questions. So don't get too excited.

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Speaker 2: We got questions.

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Speaker 5: And I'm glad y'all listen because I remember I ask somebody.

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Speaker 5: I was like, what's what song? You're like, oh, yeah,

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Speaker 5: number two.

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Speaker 3: I was like, Okay, I don't know what numb.

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Speaker 2: Not only did I listen to the number two songs Commotion,

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Speaker 2: but I also watched the video which just recently came out. Okay,

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Speaker 2: let's start with commotion. So you like to be in

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Speaker 2: a relationship that has a little bit of.

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Speaker 1: Drama?

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Speaker 2: Say that right?

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Speaker 3: Really?

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Speaker 5: But you know, like when you're dealing with two women,

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Speaker 5: like you're gonna down to have some type of like toxicity,

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Speaker 5: you think, so, yeah.

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Speaker 2: It's just I mean I always that like men bring

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Speaker 2: the toxic.

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Speaker 5: Yeah, but women also bring toxicity a little bit too,

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Speaker 5: because it's like intuition. Like some stimes, a woman's intuition

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Speaker 5: is so good, but like intuition is crazy. So like

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Speaker 5: if your intuitions crazy, my intuition's crazy. Now we're just like.

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Speaker 2: But if you're both not doing nothing exactly, there ain't

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Speaker 2: no intuition.

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Speaker 4: But then there's an intuition.

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Speaker 5: But then it's like your mind's playing tricks on you,

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Speaker 5: Like you know what I'm saying, and like that's what

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Speaker 5: it's like.

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Speaker 3: The that's where the BS starts, like.

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Speaker 1: You a cheater.

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Speaker 3: No, I've never cheated on any of my girls. Okay,

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Speaker 3: you know.

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Speaker 4: When do you think she was a cheater? Yeah?

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Speaker 1: From these songs?

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Speaker 5: No, I'm not a cheater, like, but I don't do

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Speaker 5: I don't jump into relationships now.

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Speaker 2: Don't let nobody dm me after this interview would be

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Speaker 2: like she lying I cheated on.

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Speaker 5: No, seriously, I really feel like I've never really cheated

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Speaker 5: on my girl. Like if I was a cheat, I

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Speaker 5: would tell her like, yeah, I think there's somebody that

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Speaker 5: I really like. I'm not gonna curse that. I like,

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Speaker 5: I'm really thinking about it. Okay, I'll let her know,

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Speaker 5: but nah, like I'm so honest.

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Speaker 1: You feel like you were one of those we was

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Speaker 1: going to break people no.

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Speaker 2: Fact, you know, people that get into an argument so

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Speaker 2: they could go cheat that.

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Speaker 3: I don't do that. That's sick, Like you.

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Speaker 2: Know what, I'm out if this is how you go

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Speaker 2: and treat me or you know what, people, I feel

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Speaker 2: like that's been maybe she's done that.

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Speaker 1: Yeah, And I also.

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Speaker 2: Feel like people like to say things like, well you

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Speaker 2: kept accusing me of it, I might as well do it.

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Speaker 4: That is real.

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Speaker 3: But I don't do that, like I promise you, like, Okay.

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Speaker 5: I don't jump into relationships like if I don't like,

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Speaker 5: if I don't feel like I can like be I'm

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Speaker 5: gonna querries. So if I can't, like, if I don't

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Speaker 5: feel like I could be with you, I'm just gonna

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Speaker 5: have fun with you.

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Speaker 2: But when was your last relationsip and see.

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Speaker 1: Here we go, I already know it.

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Speaker 4: Are you in one right now?

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Speaker 3: No, I'm so single.

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Speaker 5: I'm looking for love, like I'm really trying to find

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Speaker 5: something like to calm me down.

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Speaker 1: All right, Well, don't glaze over my question.

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Speaker 3: Last June.

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Speaker 5: Last June, it was my last relationship, and I was

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Speaker 5: super faithful. Okay, it was amazing.

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Speaker 3: She was beautiful. It was like the girl of my dreams.

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Speaker 5: But it really you know, you get the girl of

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Speaker 5: your dreams and you'd be like, okay, that's really not

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Speaker 5: what I really thought it was going to be.

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Speaker 4: Explain are there any songs that expressed that situation.

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Speaker 3: On this on my album? Yeah?

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Speaker 2: Okay, yeah, the same what that means that somebody could

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Speaker 2: be the girl of your dreams but not what you thought.

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Speaker 5: On paper, right, Like like the way she looks was

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Speaker 5: like the way she looked was everything. I was like,

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Speaker 5: I've been like, I think I still her DMS like

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Speaker 5: four years ago. So I was like, yeah, I got it,

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Speaker 5: you know, but then when you hang out with them,

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Speaker 5: you realize, Okay, we're really not on the same that's

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Speaker 5: really not.

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Speaker 3: That's not really what I envisioned, Like, that's not what

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Speaker 3: it is.

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Speaker 1: Okay.

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Speaker 5: So but I think what it was she needed me

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Speaker 5: at the time because she was in a bad relationship

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Speaker 5: with a dude, and I think she needed to she

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Speaker 5: wasn't gonna ever leave him.

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Speaker 1: Okay, you know what I'm saying.

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Speaker 3: So I think that was the reason why I was

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Speaker 3: in her life.

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Speaker 1: So let me ask you this.

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Speaker 2: So you said she was in a relationship with a dude,

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Speaker 2: right with women, So she's bisexual.

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Speaker 3: Well I was the first.

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Speaker 1: Oh you were her first? So how did that? So

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Speaker 1: she had thought about it? Like, tell me how you

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Speaker 1: even managed.

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Speaker 3: I don't even know. I don't still, I don't even know.

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Speaker 5: Like it was just energy, you know what I was

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Speaker 5: telling you, Like we got energy, like y'all be women.

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Speaker 3: That the ugly dude if he got the right, if

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Speaker 3: you bob with.

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Speaker 4: His energy, I will medium.

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Speaker 1: Yeah, she actually prefers ugly guys.

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Speaker 4: I prefer medium medium.

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Speaker 2: Because all the guys she did and got so mad

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Speaker 2: when she said she like ugly.

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Speaker 4: Guys like it's meat, though you treat them like like

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Speaker 4: medium that's.

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Speaker 1: Really good looking. But I guess you like good looking women.

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Speaker 4: See what happened when she liked a good looking women?

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Speaker 4: It didn't work.

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Speaker 1: Maybe you need somebody, I.

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Speaker 4: Need some like rare.

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Speaker 1: Yeah, yeah, you need a medium mayor.

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Speaker 4: Yeah.

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Speaker 3: Maybe you know what I'm saying.

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Speaker 5: But like, I gotta just try it for my own self,

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Speaker 5: you know, Okay, I gotta like trial and error.

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Speaker 1: So what did you learn from that?

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Speaker 2: Because even when things don't work out right, you said

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Speaker 2: it was what you wanted on paper? Does that mean

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Speaker 2: now moving forward, it looks matter less to you or okay.

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Speaker 5: Looks matters less like I've had that. I don't care

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Speaker 5: about that. Like, I just need to like we gotta

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Speaker 5: be on the same like wavelength, Like you got to

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Speaker 5: be just as like sexual as I am, as spiritual

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Speaker 5: as I am.

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Speaker 3: Like you know, we have to be and you got

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Speaker 3: to be happy too. I need you to be just happy.

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Speaker 1: I don't want to argue all the time, Yeah.

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Speaker 3: Because I can't make you happy if you're not happy.

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Speaker 2: I just somebody who used to love arguing right in

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Speaker 2: his previous relationships. I'm not an arguer, but he told

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Speaker 2: me from the againning he was like, yo, it makes

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Speaker 2: me hard, like to argue. Yeah, but I'm not doing that,

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Speaker 2: you know. I feel like, to me, that's not fun.

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Speaker 2: I don't really want to have to argue all the time.

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Speaker 2: I think it's important to disagree and know how to

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Speaker 2: handle disagreements when that happens. But I don't want to

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Speaker 2: be fighting.

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Speaker 3: Nah, you not at all.

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Speaker 2: But so you're not like that anymore because maybe previously,

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Speaker 2: like in commotion.

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Speaker 5: Yeah, because like always they like tours girls and like

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Speaker 5: tourst girls.

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Speaker 4: That may tours may okay.

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Speaker 3: They just got that little feisty they just.

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Speaker 4: So if you have a birthday now that's around you,

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Speaker 4: Like I.

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Speaker 2: See a lot of people posting their tours birthdays.

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Speaker 5: It's a lot of tourists that got that energy. So

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Speaker 5: you just be like, oh my god, but I like it.

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Speaker 5: But then like, no, you know, you just gotta just

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Speaker 5: like grow.

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Speaker 1: Up now, Jazzy.

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Speaker 2: With the release of this EP, yeah, And I mean

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Speaker 2: you've been working in the business already, right behind the scenes,

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Speaker 2: writing for so many different people, Beyonce, Little knas X,

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Speaker 2: all of these huge stars and now you're the star.

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Speaker 1: How does it feel, yo?

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Speaker 3: The fact that you know who I am? This is amazing.

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Speaker 3: Got like a little butterflies.

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Speaker 5: But it feels amazing, you know, like some of my

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Speaker 5: my idols was like Missy Elliott and I saw how

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Speaker 5: she did it, and I was like, yo, if.

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Speaker 3: She can do it, I want to do it like

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Speaker 3: the dreams.

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Speaker 5: So just a following the footsteps, even getting a beyon

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Speaker 5: safe place with right, Like That's why I fought so

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Speaker 5: hard to get a Beyonce placement because I was like

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Speaker 5: all of my favorite all of my favorite writers got one.

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Speaker 3: So I gotta get a Beyonce song just because the

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Speaker 3: dream did it? Neo did it? Missy did it?

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Speaker 4: You know?

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Speaker 1: And how did it happen for you?

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Speaker 3: Man? So Sony atv on with Sonya to be publishing

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Speaker 3: Jenny Drake.

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Speaker 1: Oh, I know Jenny.

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Speaker 3: She's amazing, Cold Cold, Cold cod Code.

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Speaker 5: And we was in the studio and this is like

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Speaker 5: during COVID and I texted this song.

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Speaker 3: I was like, bro, Beyonce, That's all I said, Beyonce.

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Speaker 5: And then she sent it to people and then next

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Speaker 5: thing I know, this says center of Owls.

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Speaker 3: And that was like two or three years ago.

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Speaker 1: So and when did you find out it made it?

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Speaker 2: Because like we had Friday up here, he was talking

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Speaker 2: about not knowing that God did made it on and

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Speaker 2: that jay Z was done it until it came out.

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Speaker 1: How did you know? Did they give you a heads

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Speaker 1: up or did you find out when the album job

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Speaker 1: no up?

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Speaker 4: So you just yea HOWD Yeah.

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Speaker 3: So literally, I was in the club.

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Speaker 5: I was in the club and my boy was like,

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Speaker 5: he's on one of the labels. I'm not going to

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Speaker 5: Josstich on my boy, but he was like, I got

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Speaker 5: the credits for all the for the project. I'm like,

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Speaker 5: oh snap. I was like, yo, see if my song

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Speaker 5: was on there at the time. The song was called

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Speaker 5: right here, right now. So I was like, yo, see

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Speaker 5: if the song was on there, And then like right here,

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Speaker 5: right now was not on there, So I'm like damn.

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Speaker 3: I was like hurt. I'm like, oh, I did not

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Speaker 3: get one, not knowing she changed the song name.

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Speaker 5: She changed the name, and so he's like, wait a minute,

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Speaker 5: your name is right here and I was like what

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Speaker 5: and my name was like on the Burgos Goog said oh,

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Speaker 5: so it's Virgo's moove now and.

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Speaker 3: Then like that was I was in the clubs just screaming.

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Speaker 4: I was over here, but we gotta be quiet.

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Speaker 5: I gotta like, I don't know what's going on, you

246
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Speaker 5: know what I'm saying, but I'm like, over there, yo,

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Speaker 5: I got one.

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Speaker 3: It was it was one of those moments where it

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Speaker 3: was like you did it?

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Speaker 4: You know, like how did you come up with the

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Speaker 4: actual song or like what you know? Where were you

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Speaker 4: remember the inspiration? Do you remember?

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Speaker 1: And why do you not like virgos?

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Speaker 3: Now you know my mama virgo foremost that's.

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Speaker 1: A sign o c D And what do you what

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Speaker 1: are you? I'm a capacorin.

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Speaker 3: I love y'all. Yeah, you need a door with a room.

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Speaker 3: You need to get away from people.

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Speaker 4: I was just telling you always.

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Speaker 1: I was like, I'm never alone.

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Speaker 4: Yeah, but you I don't like you had to like

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Speaker 4: probably I.

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Speaker 2: Enjoy alone time though when I have doing alone, I

264
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Speaker 2: don't mind being alone all day.

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Speaker 1: It's actually fun.

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Speaker 2: That's actually why I really like like a Thanksgiving because

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Speaker 2: my family we see each other like the day after,

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Speaker 2: but the day of no one really calls me. I'm

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Speaker 2: always home by myself TV because I never get a

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Speaker 2: chance to do that, and so it's the one time

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Speaker 2: that nobody. Everybody's busy with their family and I see

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Speaker 2: my family the next day and so it's like the

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Speaker 2: one day that I already know that I'm gonna be

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Speaker 2: able to just chill.

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Speaker 3: That's hard mm hmm. That's like yeah, so Virgos, you.

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Speaker 4: Said, yeah, what how when did you make what inspired it? With?

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Speaker 5: Like all right, so it was called right here right now.

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Speaker 5: Me and my boy Tate was in the studio literally

279
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Speaker 5: hurt the beat and we.

280
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Speaker 3: Were like.

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Speaker 5: We just freestyle right here, right now. But it was

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Speaker 5: a whole different pocket. It was some streets. It was

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Speaker 5: like a street Beyonce. We were trying to say, Beyonce

284
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Speaker 5: back to like Houston, Texas, you know, and like literally

285
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Speaker 5: that's just where it came from.

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Speaker 3: We just wanting to Beyonce to be sexy and just

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Speaker 3: like talk us. You know.

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Speaker 2: So you wrote it specifically for her when you were

289
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Speaker 2: writing it, because nobody else, okay.

290
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Speaker 3: Like we said Beyonce, this is Beyonce.

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Speaker 4: Exclamation mark, Yeah nah, Like there was like nobody.

292
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Speaker 5: You know, sometimes you write songs, you be like nobody

293
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Speaker 5: else can do this, Like I don't think nobody else

294
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Speaker 5: could have said that.

295
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Speaker 2: So this whole time that you've been writing for other people,

296
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Speaker 2: you always knew that you wanted to be an artist

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Speaker 2: and put out your own music.

298
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Speaker 5: Yes and no, yes and no, Like I was cool

299
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Speaker 5: just like like.

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Speaker 3: Being a songwriter.

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Speaker 5: But then like you know, sometimes you get that bug man,

302
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Speaker 5: because like Missy really did it for me, like she

303
00:11:16,200 --> 00:11:19,240
Speaker 5: was like, yo, in order to get people to understand,

304
00:11:19,760 --> 00:11:22,240
Speaker 5: you may have to drop like understand your sound, you

305
00:11:22,280 --> 00:11:25,120
Speaker 5: may have to drop it yourself. Because the sounds that

306
00:11:25,160 --> 00:11:28,120
Speaker 5: I was doing it was really the sound that that

307
00:11:28,320 --> 00:11:30,000
Speaker 5: it is now like that like that R and B,

308
00:11:30,200 --> 00:11:33,040
Speaker 5: but nostalgic has like like hip hop.

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Speaker 1: I feel a little total.

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Speaker 3: Exactly thank you.

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Speaker 5: So like I was like nobody really gonna do it,

312
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Speaker 5: like who can I get these? Who can I give

313
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Speaker 5: these to? So so it was just it was just

314
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Speaker 5: like burning inside of me to like it's like okay,

315
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Speaker 5: I'm gonna just wait.

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Speaker 3: I'm gonna wait till this my time. You know what

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Speaker 3: I'm saying.

318
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Speaker 5: Because I tell you, I study like I'm a student

319
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Speaker 5: like I studied Dream, I studied Neo, I.

320
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Speaker 3: Studied Missi Elite.

321
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Speaker 5: So I was just like the right time. So I

322
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Speaker 5: did get signed before Puff, like I was signed with.

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Speaker 5: I don't even if I want to say who I

324
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Speaker 5: was signed to, but they were after Old Time Road.

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Speaker 5: They signed me thinking I was gonna do old time

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Speaker 5: roll stuff, all right, and that wasn't really.

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Speaker 1: Me trying to think, what was that Columbia cold?

328
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Speaker 3: That's a look cold?

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Speaker 4: All right?

330
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Speaker 1: So glad so you didn't.

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Speaker 5: Yeah you did it do with Columbia, But yeah, I

332
00:12:27,559 --> 00:12:29,480
Speaker 5: did it do with Columbia. And it was just not

333
00:12:29,600 --> 00:12:31,360
Speaker 5: what it like. They didn't believe. They didn't know what

334
00:12:31,400 --> 00:12:32,880
Speaker 5: to do with me. They didn't know how to like

335
00:12:33,080 --> 00:12:35,120
Speaker 5: market me. They just did not believe.

336
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Speaker 2: Okay, and they try to make you do anything differently,

337
00:12:37,960 --> 00:12:39,320
Speaker 2: like well maybe we should try this.

338
00:12:39,520 --> 00:12:41,400
Speaker 1: So no, they didn't try, but they just didn't know

339
00:12:41,400 --> 00:12:41,760
Speaker 1: what to do.

340
00:12:41,800 --> 00:12:43,840
Speaker 5: They didn't know what to do, and they just was like, yo,

341
00:12:43,920 --> 00:12:45,360
Speaker 5: you should do these pop songs.

342
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Speaker 4: I'm like, bro like no like when you wrote one

343
00:12:48,800 --> 00:12:51,160
Speaker 4: hit so no like and so like.

344
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Speaker 3: I was jaded for a minute. Then when I met

345
00:12:54,360 --> 00:12:56,200
Speaker 3: puff Like he was jaded.

346
00:12:56,240 --> 00:12:58,440
Speaker 5: He was jaded off of Last Train of Paris. He

347
00:12:58,520 --> 00:13:00,960
Speaker 5: thought Last Train of Paris should have been a way

348
00:13:00,960 --> 00:13:03,160
Speaker 5: bigger hit and it's such a great project.

349
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Speaker 3: And I agree, like.

350
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Speaker 4: That was a good project.

351
00:13:05,240 --> 00:13:08,080
Speaker 5: That's it was incredible, and so we were both on

352
00:13:08,120 --> 00:13:09,240
Speaker 5: the same like jaded.

353
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Speaker 3: I was like, get the industry.

354
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Speaker 5: I'm gonna just make this money and just like sell

355
00:13:13,160 --> 00:13:15,880
Speaker 5: my catalog, get this bread and you know, just do this.

356
00:13:16,000 --> 00:13:18,480
Speaker 5: And that was like my mom friend, but like puff

357
00:13:18,600 --> 00:13:22,320
Speaker 5: was like no, like your sound is so crazy, let's

358
00:13:22,360 --> 00:13:23,760
Speaker 5: do it together, and like that's what it.

359
00:13:24,600 --> 00:13:27,840
Speaker 2: Yeah, And so what's your situation. So it's Love Records,

360
00:13:28,280 --> 00:13:31,400
Speaker 2: So you're I see, it's a partnership. It's necessarily being

361
00:13:31,480 --> 00:13:34,400
Speaker 2: signed to. But you're the first person that he's actually

362
00:13:34,480 --> 00:13:37,320
Speaker 2: putting out that's got that imprint on it, right, So

363
00:13:37,360 --> 00:13:38,320
Speaker 2: how does that deal work?

364
00:13:38,840 --> 00:13:41,000
Speaker 5: I love it because it is a partnership. It's fifty

365
00:13:41,000 --> 00:13:42,679
Speaker 5: to fifty. Like you know what I'm saying. I can

366
00:13:42,720 --> 00:13:44,960
Speaker 5: bring money to the table. He brings money to the table,

367
00:13:45,200 --> 00:13:46,679
Speaker 5: like and we just push it ourselves.

368
00:13:46,840 --> 00:13:47,880
Speaker 3: Okay, I see everything.

369
00:13:48,160 --> 00:13:50,160
Speaker 5: And I love it because he's trying to write his wrongs.

370
00:13:50,480 --> 00:13:52,760
Speaker 5: Mic Over, I apologize. I love it because he's trying

371
00:13:52,800 --> 00:13:55,079
Speaker 5: to write his wrongs from you know how people viewed

372
00:13:55,160 --> 00:13:59,280
Speaker 5: him in the past, you know, And I feel like, like.

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Speaker 3: I feel like it's fair. I feel this, it's very fair.

374
00:14:01,280 --> 00:14:04,200
Speaker 5: And me being a songwriter who's been in it, I've

375
00:14:04,200 --> 00:14:06,520
Speaker 5: signed so many bad deals.

376
00:14:06,120 --> 00:14:08,520
Speaker 2: Right, I had get to write a passage for people

377
00:14:08,559 --> 00:14:10,000
Speaker 2: to sound bass.

378
00:14:09,559 --> 00:14:12,479
Speaker 4: Like what early in again, you're going because you broke.

379
00:14:12,360 --> 00:14:14,440
Speaker 2: Yeah, and you're trying to get on and you feel like,

380
00:14:14,520 --> 00:14:17,199
Speaker 2: let me just get these placements and then I can demand.

381
00:14:16,840 --> 00:14:20,200
Speaker 3: More exactly, you know, Like No, I'm like, I'm like,

382
00:14:20,920 --> 00:14:22,720
Speaker 3: I feel like when I met Puff, I was a boss.

383
00:14:23,600 --> 00:14:24,440
Speaker 3: Like I was a boss.

384
00:14:24,440 --> 00:14:27,560
Speaker 5: I'm starting starting, I'm signing producers to me, signing writers

385
00:14:27,560 --> 00:14:29,520
Speaker 5: to me, like I'm doing my own things.

386
00:14:29,560 --> 00:14:32,040
Speaker 3: So like, yeah, I was just at this point where

387
00:14:32,040 --> 00:14:32,240
Speaker 3: I was.

388
00:14:32,240 --> 00:14:33,800
Speaker 5: Like, why not do it with a with a black

389
00:14:33,840 --> 00:14:36,240
Speaker 5: man and a man who who's done it before, He's

390
00:14:36,280 --> 00:14:37,840
Speaker 5: proven what he can.

391
00:14:37,680 --> 00:14:39,440
Speaker 1: Do and has artists that you love.

392
00:14:39,760 --> 00:14:43,840
Speaker 5: Yeah, like every artist I love, like Total one twelve

393
00:14:43,880 --> 00:14:48,640
Speaker 5: called Thomas like these are Biggie ye yeah, R and

394
00:14:48,680 --> 00:14:49,160
Speaker 5: B Biggie.

395
00:14:49,200 --> 00:14:50,000
Speaker 3: I was like, I was scared.

396
00:14:50,120 --> 00:14:52,800
Speaker 1: You know, that's a big comparison to have to.

397
00:14:53,360 --> 00:14:55,560
Speaker 4: But I knew what he meant, right, I knew.

398
00:14:55,480 --> 00:14:58,240
Speaker 2: He automatically makes people want to say something negative.

399
00:14:58,520 --> 00:15:00,000
Speaker 4: Was about makes us pay attention.

400
00:15:00,400 --> 00:15:01,720
Speaker 3: That's good, it made you pay attention?

401
00:15:02,400 --> 00:15:04,080
Speaker 1: And what about what he said R and B is dad?

402
00:15:04,120 --> 00:15:04,960
Speaker 1: How did you feel away?

403
00:15:05,080 --> 00:15:05,680
Speaker 4: Yes? I did.

404
00:15:07,400 --> 00:15:09,720
Speaker 2: It was like come on, bro, like I'm done to you.

405
00:15:11,000 --> 00:15:13,320
Speaker 3: But I understand what you're talking about, Like I.

406
00:15:13,320 --> 00:15:15,000
Speaker 2: Get it, like break it down for her as in

407
00:15:15,040 --> 00:15:16,440
Speaker 2: your interpretation.

408
00:15:16,680 --> 00:15:21,560
Speaker 5: Okay, it's two interpretations. The first interpretation is labels do

409
00:15:21,640 --> 00:15:24,240
Speaker 5: not put enough money into R and B. They treat

410
00:15:24,360 --> 00:15:28,720
Speaker 5: R and B like a lost art and like why

411
00:15:28,840 --> 00:15:30,400
Speaker 5: isn't R and B on the radio?

412
00:15:31,080 --> 00:15:35,560
Speaker 3: Why isn't it pushed like rap? That's one second.

413
00:15:35,560 --> 00:15:38,760
Speaker 5: One is the artists R and B used to be

414
00:15:38,880 --> 00:15:41,720
Speaker 5: like hip hop and R and B and now it's

415
00:15:41,800 --> 00:15:45,360
Speaker 5: kind of like neo soul. Okay, so like which is

416
00:15:45,360 --> 00:15:47,760
Speaker 5: like the bop isn't really there, Like so even on

417
00:15:47,800 --> 00:15:50,000
Speaker 5: the loan, Like you can bop to it, you know

418
00:15:50,000 --> 00:15:52,000
Speaker 5: what I'm saying, but you can, but you feel something.

419
00:15:52,480 --> 00:15:56,480
Speaker 5: So I feel like the labels stop putting money in it.

420
00:15:56,800 --> 00:15:59,080
Speaker 5: And then the artists have kind of gone a little

421
00:15:59,120 --> 00:16:02,360
Speaker 5: bit more were like slow, I'm gonna tell you what,

422
00:16:02,560 --> 00:16:05,200
Speaker 5: Like Bryson Tiler came and like he shut the game down,

423
00:16:05,200 --> 00:16:09,200
Speaker 5: trapped soul, chopped soul, like that was the greatest sound

424
00:16:09,240 --> 00:16:11,720
Speaker 5: that came into the industry. But then everybody tried to

425
00:16:11,720 --> 00:16:14,920
Speaker 5: do it okay and likes it messed it messed up

426
00:16:14,920 --> 00:16:17,720
Speaker 5: the frequency of R and B because everybody's trying to

427
00:16:17,720 --> 00:16:21,840
Speaker 5: do Bryson sound, and Bryson couldn't even do his sound.

428
00:16:20,160 --> 00:16:26,480
Speaker 5: Like that's exactly like Brision couldn't even do his sound,

429
00:16:26,560 --> 00:16:29,120
Speaker 5: so like we lost it, and like, if you think

430
00:16:29,160 --> 00:16:31,280
Speaker 5: about it, me and my homis was having a conversation

431
00:16:31,440 --> 00:16:33,240
Speaker 5: like when was the last song we had an R

432
00:16:33,280 --> 00:16:35,040
Speaker 5: and B club joint?

433
00:16:35,120 --> 00:16:40,479
Speaker 3: And literally call it and Rihanna, Wow thoughts.

434
00:16:40,400 --> 00:16:42,120
Speaker 2: I'm trying to think of some R and B club

435
00:16:42,240 --> 00:16:45,040
Speaker 2: songs that was the last one. I got to think

436
00:16:45,120 --> 00:16:47,640
Speaker 2: harder about thing because I enjoyed listening to R and

437
00:16:47,640 --> 00:16:48,320
Speaker 2: B all the time.

438
00:16:48,360 --> 00:16:49,160
Speaker 1: That's my vibe.

439
00:16:49,280 --> 00:16:52,200
Speaker 2: Like when I'm in the car doing anything at home,

440
00:16:52,240 --> 00:16:53,600
Speaker 2: I'm always putting on like R and.

441
00:16:53,560 --> 00:16:55,680
Speaker 1: B playlist, so too, yeah too.

442
00:16:55,840 --> 00:16:58,480
Speaker 2: And I like to mix like old songs with new songs,

443
00:16:58,520 --> 00:17:00,960
Speaker 2: you know, to with my playlist, do some like throwing

444
00:17:01,000 --> 00:17:04,399
Speaker 2: some new songs and then put in some nostalgic ones.

445
00:17:04,560 --> 00:17:06,280
Speaker 1: That's why I think the feel of your EP.

446
00:17:06,320 --> 00:17:08,680
Speaker 2: Is great because it is current, but then it also

447
00:17:08,760 --> 00:17:11,920
Speaker 2: has a bit of a feel of like I can

448
00:17:11,960 --> 00:17:12,640
Speaker 2: relate to it.

449
00:17:12,800 --> 00:17:14,560
Speaker 3: Yes, thank you, Yeah, that's what I wanted to do.

450
00:17:14,600 --> 00:17:17,159
Speaker 5: And that's like bring back that certain sound of R

451
00:17:17,240 --> 00:17:19,080
Speaker 5: and B where like probably feel like, oh, yeah, we

452
00:17:19,119 --> 00:17:19,720
Speaker 5: missed this sound.

453
00:17:19,720 --> 00:17:21,879
Speaker 3: I didn't even know I missed this sound, but I

454
00:17:22,240 --> 00:17:23,280
Speaker 3: missed this. This is hard.

455
00:17:23,359 --> 00:17:27,400
Speaker 2: Now let's talk about Jazzy personally. Based on the music.

456
00:17:27,400 --> 00:17:31,479
Speaker 2: There's an interlude called nasty a few times. So I'm like,

457
00:17:31,960 --> 00:17:35,119
Speaker 2: I was asking before you, before you got I was

458
00:17:35,240 --> 00:17:36,320
Speaker 2: asking Jasmine.

459
00:17:36,359 --> 00:17:40,879
Speaker 1: I said, you consider yourself nasty? And why? Okay, now, Jazzy,

460
00:17:40,960 --> 00:17:42,679
Speaker 1: do you consider yourself to be nasty?

461
00:17:43,400 --> 00:17:43,640
Speaker 3: Yes?

462
00:17:44,080 --> 00:17:46,520
Speaker 1: What makes you nasty?

463
00:17:46,880 --> 00:17:52,000
Speaker 4: Wow? That's what I was kind of stuck.

464
00:17:52,440 --> 00:17:55,000
Speaker 3: I'd be looking at me because Ivy. Ivy's stayed at

465
00:17:55,000 --> 00:17:55,399
Speaker 3: my house.

466
00:17:58,640 --> 00:17:59,480
Speaker 1: Here's you another room.

467
00:17:59,600 --> 00:18:06,240
Speaker 2: Okay, so you're loud, No, I'm not allowed the other

468
00:18:07,680 --> 00:18:10,040
Speaker 2: the other person is okay, we're just trying to get

469
00:18:10,040 --> 00:18:13,120
Speaker 2: information here. Other people that have been in your house

470
00:18:13,160 --> 00:18:14,240
Speaker 2: and have heard the other person.

471
00:18:14,359 --> 00:18:17,320
Speaker 3: Yeah, that's wild. Oh my god. Yeah, I hope my

472
00:18:17,800 --> 00:18:19,600
Speaker 3: brother and my mom's not listening.

473
00:18:19,680 --> 00:18:21,680
Speaker 4: Now's the time to turn it off. Turn it off,

474
00:18:21,720 --> 00:18:22,280
Speaker 4: air MEPs.

475
00:18:23,480 --> 00:18:25,800
Speaker 5: But yeah, I am like, I'm very like intential to

476
00:18:25,880 --> 00:18:28,280
Speaker 5: like a woman, like I love like figuring out a

477
00:18:28,280 --> 00:18:28,840
Speaker 5: girl's body.

478
00:18:29,160 --> 00:18:35,119
Speaker 2: Okay, So that's nasty. That does not nasty disgusting, you're disgusting, okay,

479
00:18:35,240 --> 00:18:38,000
Speaker 2: like slappy messy. You ever incorporate food in the bedroom?

480
00:18:38,200 --> 00:18:43,160
Speaker 3: No, that's that's corny. I think that's corny. I don't

481
00:18:43,200 --> 00:18:43,720
Speaker 3: think that's like.

482
00:18:44,480 --> 00:18:48,000
Speaker 5: No, I think you can incorporate your bodies, okay, And

483
00:18:48,280 --> 00:18:50,080
Speaker 5: just like what you got, like, I don't think you

484
00:18:50,119 --> 00:18:52,320
Speaker 5: really need food or anything. I think that's I mean,

485
00:18:52,640 --> 00:18:54,359
Speaker 5: if you want that, but I think that's corny. And

486
00:18:54,359 --> 00:18:57,560
Speaker 5: I'm going to get some strawberries. And then she said

487
00:18:57,560 --> 00:19:00,560
Speaker 5: it like that strawberries, Like it's.

488
00:19:00,400 --> 00:19:03,760
Speaker 2: Just dumbe, Like, what what are some what are some

489
00:19:03,840 --> 00:19:05,080
Speaker 2: things that you do that you would.

490
00:19:05,400 --> 00:19:08,159
Speaker 1: Look we want to feel like we related.

491
00:19:09,840 --> 00:19:11,840
Speaker 4: First of all, you have this inter loop. Come on

492
00:19:11,920 --> 00:19:14,320
Speaker 4: now we gotta okay, go ahead, I'll let you answer

493
00:19:14,320 --> 00:19:14,640
Speaker 4: a question.

494
00:19:14,680 --> 00:19:16,480
Speaker 3: But like the nasty in the loop, I really don't

495
00:19:16,480 --> 00:19:17,320
Speaker 3: say too much.

496
00:19:17,520 --> 00:19:21,320
Speaker 4: But that's what we're asking you. Well, how about this,

497
00:19:21,480 --> 00:19:24,680
Speaker 4: where's the freakiest place you've you've been intimate?

498
00:19:25,560 --> 00:19:29,640
Speaker 3: I think that's not even like the freakiest places that's

499
00:19:29,680 --> 00:19:31,960
Speaker 3: like that, Like I really.

500
00:19:31,880 --> 00:19:35,400
Speaker 5: Don't think that's nasty, okay, but but the freaking space

501
00:19:35,440 --> 00:19:38,639
Speaker 5: of been intimate is like a bathroom at a restaurant.

502
00:19:38,960 --> 00:19:40,280
Speaker 4: Okay, Okay, I like that.

503
00:19:40,600 --> 00:19:42,840
Speaker 2: Yes, was it like a big bathroom? Was it a

504
00:19:42,840 --> 00:19:43,840
Speaker 2: one person bathroom?

505
00:19:43,960 --> 00:19:46,480
Speaker 4: Was it a stall the most bathroom? Well, person, it

506
00:19:46,520 --> 00:19:46,760
Speaker 4: was a.

507
00:19:46,760 --> 00:19:48,800
Speaker 1: Stall that they do have some one bathroom.

508
00:19:48,960 --> 00:19:50,520
Speaker 3: It was a stall, and you know we're both girls,

509
00:19:50,520 --> 00:19:51,639
Speaker 3: so we can walk in there together.

510
00:19:52,400 --> 00:19:54,560
Speaker 1: Yeah, that's a good point.

511
00:19:55,359 --> 00:19:58,960
Speaker 5: It's so easy, like coming me to the bathroom's Yeah,

512
00:19:59,000 --> 00:19:59,560
Speaker 5: it was dope.

513
00:20:00,040 --> 00:20:00,960
Speaker 1: That's really kind of done.

514
00:20:03,640 --> 00:20:08,000
Speaker 3: Look at my work. But yeah, now nasty.

515
00:20:08,000 --> 00:20:11,320
Speaker 5: It's like I just really feel like sometimes there's like

516
00:20:12,119 --> 00:20:15,840
Speaker 5: levels I feel like like girls. I feel like girls

517
00:20:15,880 --> 00:20:19,400
Speaker 5: are nasty, were like want to be like treated like slits?

518
00:20:19,760 --> 00:20:22,960
Speaker 1: You think so in the Yeah, if it's somebody you trust, I.

519
00:20:22,960 --> 00:20:25,040
Speaker 3: Mean, y'all don't want a nigga to all y'all done

520
00:20:25,080 --> 00:20:25,480
Speaker 3: every night?

521
00:20:26,680 --> 00:20:27,880
Speaker 1: That actually sounds amazing.

522
00:20:28,800 --> 00:20:30,359
Speaker 3: Okay, maybe you know what.

523
00:20:34,119 --> 00:20:36,040
Speaker 1: That let me put that in.

524
00:20:36,960 --> 00:20:41,280
Speaker 5: Okay, maybe you know, you know what, Maybe maybe it

525
00:20:41,359 --> 00:20:42,760
Speaker 5: just depends on what type of girl.

526
00:20:43,000 --> 00:20:46,600
Speaker 2: Okay, all right, so you're you're a make love all

527
00:20:46,720 --> 00:20:49,439
Speaker 2: night type of person. I don't even know if it's

528
00:20:49,480 --> 00:20:52,800
Speaker 2: make love Okay. You know what about Tanchik Sacks? You

529
00:20:52,840 --> 00:20:54,280
Speaker 2: know Diddy's big on down.

530
00:20:54,840 --> 00:20:55,480
Speaker 3: I read a book.

531
00:20:57,040 --> 00:20:58,919
Speaker 5: I read a book about it, and I really was

532
00:20:59,080 --> 00:21:00,960
Speaker 5: me and like a girl we really try like to

533
00:21:01,040 --> 00:21:04,880
Speaker 5: do like ten where it's like we like don't even

534
00:21:04,880 --> 00:21:06,800
Speaker 5: touch each other, but like it's like breathing.

535
00:21:07,240 --> 00:21:09,320
Speaker 1: It's like, how was it?

536
00:21:09,320 --> 00:21:09,879
Speaker 3: It was dope?

537
00:21:10,320 --> 00:21:12,720
Speaker 1: All right? See now that's nice and experimental.

538
00:21:12,760 --> 00:21:13,280
Speaker 4: That's dope.

539
00:21:13,840 --> 00:21:15,560
Speaker 2: That must have been somebody you really cared about.

540
00:21:18,280 --> 00:21:22,160
Speaker 1: And what is it? Who the song favorite shirt was about?

541
00:21:22,920 --> 00:21:22,960
Speaker 4: No?

542
00:21:23,280 --> 00:21:25,880
Speaker 3: Actually the girl that's moaning and nasty, it was her?

543
00:21:26,280 --> 00:21:30,200
Speaker 1: Okay, all right? See real life, real story, real life,

544
00:21:30,240 --> 00:21:30,680
Speaker 1: real art.

545
00:21:30,840 --> 00:21:31,760
Speaker 3: Yeah, real art.

546
00:21:33,119 --> 00:21:34,640
Speaker 1: So are you going on tour?

547
00:21:35,240 --> 00:21:37,520
Speaker 5: I got my first show actually, thank you for asking

548
00:21:37,600 --> 00:21:41,840
Speaker 5: tomorrow at SB. So so excited about it because I'm

549
00:21:41,840 --> 00:21:42,919
Speaker 5: working with Laurie and Gibson.

550
00:21:43,800 --> 00:21:44,800
Speaker 1: We just talked about her.

551
00:21:44,920 --> 00:21:47,840
Speaker 3: He's not playing with me. I'm sure I love it.

552
00:21:47,880 --> 00:21:49,280
Speaker 1: So you're about to have all the moves.

553
00:21:50,520 --> 00:21:52,640
Speaker 4: That's run a tight ship.

554
00:21:52,880 --> 00:21:55,160
Speaker 5: No, she's amazing, and you know, like that's why I said,

555
00:21:55,200 --> 00:21:56,640
Speaker 5: I want to be around people who are gonna teach

556
00:21:56,640 --> 00:21:59,840
Speaker 5: me something like I feel like I've waned this whole

557
00:21:59,880 --> 00:22:03,840
Speaker 5: thing by myself, like the songwriting and like learn how

558
00:22:03,840 --> 00:22:08,080
Speaker 5: to make money and like relationships, Like I wanted to

559
00:22:08,160 --> 00:22:11,560
Speaker 5: learn from somebody who could teach me something, like I'm

560
00:22:11,600 --> 00:22:14,040
Speaker 5: tired of being the smartest in the room. Yeah, I

561
00:22:14,080 --> 00:22:16,200
Speaker 5: really want to be a student. And so like that's

562
00:22:16,200 --> 00:22:19,200
Speaker 5: why I was loved being around like Puff and like Marianne,

563
00:22:19,200 --> 00:22:23,119
Speaker 5: because like, bro, I'm not like, please teach me, like

564
00:22:23,280 --> 00:22:25,200
Speaker 5: you know what I'm saying. So like this tour I'm

565
00:22:25,200 --> 00:22:28,240
Speaker 5: really focused on, honestly, just like putting it on a

566
00:22:28,320 --> 00:22:29,720
Speaker 5: show like you seen me as artists.

567
00:22:29,960 --> 00:22:31,720
Speaker 2: I'm glad you're doing that because I do feel like

568
00:22:31,720 --> 00:22:34,120
Speaker 2: a lot of artists don't pay that much attention they

569
00:22:34,119 --> 00:22:35,800
Speaker 2: think they can have if they have songs, you know,

570
00:22:35,840 --> 00:22:38,399
Speaker 2: they could just walk back and forth across the stage,

571
00:22:38,400 --> 00:22:40,880
Speaker 2: and that gets boring, it does. So I love when

572
00:22:40,920 --> 00:22:43,639
Speaker 2: an artist can actually put some thought and effort into

573
00:22:43,880 --> 00:22:47,000
Speaker 2: choreography and to putting together a great set and all

574
00:22:47,040 --> 00:22:49,240
Speaker 2: of those things. And I do feel like coming from

575
00:22:49,240 --> 00:22:51,560
Speaker 2: that school of Puff, you saw that he's been able

576
00:22:51,600 --> 00:22:52,480
Speaker 2: to help other people.

577
00:22:53,160 --> 00:22:55,880
Speaker 1: That's his thing. Really, it's like a motown vibe.

578
00:22:55,720 --> 00:22:56,160
Speaker 3: It is.

579
00:22:56,200 --> 00:22:58,920
Speaker 5: He calls me Smokey Robinson, oh for real, because he's like, yo,

580
00:22:59,200 --> 00:23:02,560
Speaker 5: like you write this and you and you record it

581
00:23:02,600 --> 00:23:04,440
Speaker 5: like and I get it. I love when he calls

582
00:23:04,480 --> 00:23:05,840
Speaker 5: me that. I'm like, now that's more on me.

583
00:23:06,480 --> 00:23:06,960
Speaker 3: You know what I'm saying.

584
00:23:07,000 --> 00:23:08,760
Speaker 5: It's a smoky aspect of it, because all right, for

585
00:23:08,800 --> 00:23:10,840
Speaker 5: the any artists on Love Records who comes like.

586
00:23:10,880 --> 00:23:12,480
Speaker 1: You see, Smoky got a new album out.

587
00:23:12,400 --> 00:23:13,400
Speaker 3: Gas Gasms.

588
00:23:13,440 --> 00:23:17,080
Speaker 2: Then he's talking crazy and he's performing crazy. I don't

589
00:23:17,080 --> 00:23:18,480
Speaker 2: know if you see. I took my mom to go

590
00:23:18,560 --> 00:23:21,400
Speaker 2: see Smoking and he was. He got on that floor,

591
00:23:21,640 --> 00:23:22,840
Speaker 2: he was humping the air.

592
00:23:23,960 --> 00:23:25,359
Speaker 1: Yes, I was.

593
00:23:25,680 --> 00:23:26,239
Speaker 3: She was liking it.

594
00:23:26,280 --> 00:23:29,080
Speaker 2: My mom was like, oh my goodness. And then I

595
00:23:29,119 --> 00:23:31,080
Speaker 2: took her to meet him backstage. That was a very

596
00:23:31,119 --> 00:23:34,280
Speaker 2: exciting Wow. And I think that's part of what's great

597
00:23:34,320 --> 00:23:36,199
Speaker 2: about what we do is like how you get to

598
00:23:36,400 --> 00:23:39,520
Speaker 2: treat your family and for my mom to be able

599
00:23:39,560 --> 00:23:42,000
Speaker 2: to experience things and to meet certain people.

600
00:23:42,000 --> 00:23:43,840
Speaker 1: I'm sure for you with your family.

601
00:23:45,000 --> 00:23:49,040
Speaker 3: That was it. Yeah, that was what introduced my mama.

602
00:23:49,119 --> 00:23:49,560
Speaker 3: Like to Mary J.

603
00:23:49,680 --> 00:23:54,080
Speaker 2: Blutch, I felt like that we made it baby talk

604
00:23:54,080 --> 00:23:55,800
Speaker 2: to him, talk to that.

605
00:23:55,800 --> 00:23:57,879
Speaker 5: Was amazing, Like you just feel like that, dude, Like

606
00:23:57,920 --> 00:24:00,040
Speaker 5: you just feel like that that I could do that

607
00:24:00,040 --> 00:24:02,520
Speaker 5: because like if it wasn't for my mom, I would

608
00:24:02,520 --> 00:24:05,320
Speaker 5: have never like heard marriage your blige.

609
00:24:06,000 --> 00:24:08,200
Speaker 3: So yeah, that was crazy. I love that.

610
00:24:08,320 --> 00:24:11,200
Speaker 2: And what else would you feel like Puffy has instilled

611
00:24:11,320 --> 00:24:13,520
Speaker 2: in you as far as, like you said, not being

612
00:24:13,520 --> 00:24:14,960
Speaker 2: the smartest person in the room. He's been in this

613
00:24:14,960 --> 00:24:17,679
Speaker 2: business for so long. He's seen a lot of things happen,

614
00:24:18,160 --> 00:24:20,280
Speaker 2: and he's still making a lot of money from it.

615
00:24:20,359 --> 00:24:22,119
Speaker 2: Not a lot of people can say that. But what

616
00:24:22,200 --> 00:24:24,240
Speaker 2: are some more things that you learn from him?

617
00:24:24,480 --> 00:24:27,239
Speaker 5: Out the algorithm? He hates it, like and I get it.

618
00:24:27,320 --> 00:24:29,200
Speaker 5: I love that he hates the algorithm because I hate

619
00:24:29,200 --> 00:24:31,480
Speaker 5: it too. Like me and I've been and I'm probably

620
00:24:31,560 --> 00:24:33,600
Speaker 5: one of the reasons for the algorithm, like making the

621
00:24:33,640 --> 00:24:37,080
Speaker 5: pop songs and stuff like that. But I think we

622
00:24:37,200 --> 00:24:39,480
Speaker 5: stopped the algorithm has no rhythm, and we kind of

623
00:24:39,520 --> 00:24:42,840
Speaker 5: stopped thinking with our hearts with music. We just thought, Yo,

624
00:24:42,920 --> 00:24:45,600
Speaker 5: I'm trying to TikTok. I don't need a TikTok joint.

625
00:24:46,000 --> 00:24:48,919
Speaker 5: And I love that Puff is like Jozzi no, like

626
00:24:49,240 --> 00:24:53,720
Speaker 5: take the autitune off your voice sing you know, like no, no, really,

627
00:24:53,880 --> 00:24:55,320
Speaker 5: I love it, you know what I'm saying, because like

628
00:24:55,359 --> 00:24:58,119
Speaker 5: I really am, I can fall into the traps of

629
00:24:58,200 --> 00:25:00,240
Speaker 5: what I'm used to, you know of like just kind

630
00:25:00,240 --> 00:25:04,679
Speaker 5: of like doing it for certain a certain reason. But

631
00:25:04,800 --> 00:25:06,719
Speaker 5: I love that he teaches me that it's like no

632
00:25:06,920 --> 00:25:10,040
Speaker 5: like feel it, and that's something that we don't do anymore.

633
00:25:10,440 --> 00:25:12,080
Speaker 3: We like as much now.

634
00:25:12,080 --> 00:25:14,040
Speaker 2: We love the ALP the EP. It sounds and it

635
00:25:14,040 --> 00:25:16,720
Speaker 2: could have been an album. Really, what's the difference between

636
00:25:16,760 --> 00:25:18,600
Speaker 2: the EP and the album? Because I feel like this's

637
00:25:18,600 --> 00:25:20,960
Speaker 2: had enough material on it that it could have been.

638
00:25:21,119 --> 00:25:23,200
Speaker 5: It could have definitely been an album because I did

639
00:25:23,520 --> 00:25:27,119
Speaker 5: well plus the two interluds. It's ten songs, but the

640
00:25:27,119 --> 00:25:30,600
Speaker 5: interludsers don't count as songs, so it's really like eight songs.

641
00:25:31,200 --> 00:25:33,399
Speaker 2: Was it hard for you to whittle it down as

642
00:25:33,440 --> 00:25:35,760
Speaker 2: a songwriter to just eight full songs?

643
00:25:35,800 --> 00:25:38,320
Speaker 5: It was so like and like a lot of people

644
00:25:38,359 --> 00:25:39,880
Speaker 5: who love the project they hit me up like, yo,

645
00:25:40,080 --> 00:25:43,760
Speaker 5: it's too short, But like people's attention span is so short.

646
00:25:43,840 --> 00:25:45,719
Speaker 5: I thought people were going to like appreciate that it

647
00:25:45,760 --> 00:25:48,960
Speaker 5: was short. So like, it's really not short, but the

648
00:25:49,040 --> 00:25:53,000
Speaker 5: fact that you like it, you keep listening to it, right,

649
00:25:53,200 --> 00:25:54,480
Speaker 5: I'm like, Okay.

650
00:25:54,240 --> 00:25:55,560
Speaker 4: I like the shorter projects.

651
00:25:55,600 --> 00:25:56,120
Speaker 3: I do too.

652
00:25:56,440 --> 00:25:59,000
Speaker 1: I do too, But it depends if it's a longer project.

653
00:25:59,040 --> 00:25:59,400
Speaker 1: That's good.

654
00:25:59,440 --> 00:25:59,920
Speaker 3: I like it.

655
00:26:00,080 --> 00:26:02,159
Speaker 1: I know it's hard, it's hard for people to put together.

656
00:26:02,280 --> 00:26:05,320
Speaker 2: I feel like a full longer project that I really

657
00:26:05,400 --> 00:26:06,200
Speaker 2: enjoy the whole thing.

658
00:26:06,240 --> 00:26:06,840
Speaker 3: Which one have you?

659
00:26:06,920 --> 00:26:07,679
Speaker 4: What's what's the like?

660
00:26:08,200 --> 00:26:10,119
Speaker 5: Can you like off the head? Like, say, what was

661
00:26:10,160 --> 00:26:12,800
Speaker 5: your last like long project that you listened to? Was like, yeah,

662
00:26:12,880 --> 00:26:13,320
Speaker 5: this is it?

663
00:26:13,640 --> 00:26:13,920
Speaker 2: Yeah?

664
00:26:14,040 --> 00:26:14,359
Speaker 3: I like.

665
00:26:14,600 --> 00:26:16,440
Speaker 1: I like Blacks project.

666
00:26:16,560 --> 00:26:18,800
Speaker 3: His recent one. Yeah that's hard. He did he did.

667
00:26:18,960 --> 00:26:19,919
Speaker 4: It was just a.

668
00:26:21,720 --> 00:26:24,520
Speaker 2: Yeah he did and he had the last song on there.

669
00:26:24,800 --> 00:26:27,600
Speaker 1: Yeah see, I like that. That's crazy, Okay.

670
00:26:27,640 --> 00:26:30,560
Speaker 2: I also like, I'm a fan of Daniel Sees. He

671
00:26:30,640 --> 00:26:32,640
Speaker 2: was just up here and he just put out his project.

672
00:26:32,840 --> 00:26:36,360
Speaker 2: I like Division Divisions album. I actually like their project

673
00:26:36,359 --> 00:26:39,639
Speaker 2: with Ti Dallas Sign too. I like you know, but

674
00:26:39,680 --> 00:26:41,040
Speaker 2: I told you I really be listening to it.

675
00:26:41,160 --> 00:26:42,840
Speaker 4: I feel like you have a long project. I feel

676
00:26:42,840 --> 00:26:45,040
Speaker 4: like some of the songs get looked over because it's

677
00:26:45,160 --> 00:26:46,840
Speaker 4: it's so long, and I feel like people get you

678
00:26:46,880 --> 00:26:48,879
Speaker 4: get lost, like this could have been a banger, but

679
00:26:48,920 --> 00:26:51,200
Speaker 4: because it was on this album that has all these

680
00:26:51,240 --> 00:26:53,760
Speaker 4: songs on it, you kind of get overlooked. Sometimes.

681
00:26:53,840 --> 00:26:56,160
Speaker 2: Well, but I guess I feel like you're putting out

682
00:26:56,160 --> 00:26:58,840
Speaker 2: a full length project, and so this was kind of

683
00:26:58,880 --> 00:26:59,560
Speaker 2: a teaser for that.

684
00:26:59,600 --> 00:27:02,159
Speaker 1: So something to it was appetites.

685
00:27:02,359 --> 00:27:04,199
Speaker 3: Yeah, and not only that, it was by myself.

686
00:27:04,240 --> 00:27:06,880
Speaker 5: I didn't I didn't want any features because I didn't

687
00:27:06,880 --> 00:27:09,040
Speaker 5: want to feel like artists like y'all owe me.

688
00:27:09,240 --> 00:27:09,720
Speaker 3: I didn't want to.

689
00:27:09,920 --> 00:27:11,840
Speaker 2: I didn't miss it either. I have to say I

690
00:27:11,840 --> 00:27:13,639
Speaker 2: didn't notice it until after. I was like, there's not

691
00:27:13,720 --> 00:27:17,800
Speaker 2: one feature. I know, the outro or whatever, but there's

692
00:27:17,840 --> 00:27:19,479
Speaker 2: no features on there. But I didn't miss it. I

693
00:27:19,480 --> 00:27:21,240
Speaker 2: wasn't like, damn, I wanted to hear some people. I

694
00:27:21,240 --> 00:27:23,000
Speaker 2: was like, okay, but I didn't realize it at first.

695
00:27:23,040 --> 00:27:24,880
Speaker 2: I wasn't even thinking about it. So that's a good thing.

696
00:27:25,000 --> 00:27:30,600
Speaker 3: Thank you well for the album. I'm here. Everybody run

697
00:27:30,640 --> 00:27:31,040
Speaker 3: that verse.

698
00:27:32,000 --> 00:27:34,320
Speaker 1: So how is it now? It's easy to make those phone.

699
00:27:34,040 --> 00:27:36,960
Speaker 5: Casts, so I've already made like phone calls, like it's

700
00:27:37,040 --> 00:27:40,160
Speaker 5: just too easy now, Like I love it, And that's

701
00:27:40,200 --> 00:27:41,560
Speaker 5: how I wanted it to be. I didn't want it

702
00:27:41,560 --> 00:27:43,760
Speaker 5: to feel like you're doing this because y'all are my homies.

703
00:27:44,320 --> 00:27:45,879
Speaker 5: I want you to be like, yeah, I want to

704
00:27:45,920 --> 00:27:48,600
Speaker 5: be on that yes, And so now it's just easy.

705
00:27:49,880 --> 00:27:51,719
Speaker 1: And then doing your own stuff. How is it now

706
00:27:51,760 --> 00:27:52,680
Speaker 1: writing for other people?

707
00:27:52,680 --> 00:27:54,560
Speaker 2: Are you taking a break from that because you got

708
00:27:54,560 --> 00:27:56,359
Speaker 2: to focus on you or is that still?

709
00:27:56,520 --> 00:27:59,240
Speaker 5: No, I'm still I'm still writing, like literally, like I'll

710
00:27:59,240 --> 00:28:01,359
Speaker 5: text them, I'll text I'm like if I'm working on

711
00:28:01,400 --> 00:28:04,840
Speaker 5: a song at the crib, I texted to an artist like, yo,

712
00:28:05,080 --> 00:28:06,119
Speaker 5: I got this idea.

713
00:28:05,920 --> 00:28:08,439
Speaker 3: What you think? So yeah, I do it like that.

714
00:28:08,480 --> 00:28:09,960
Speaker 5: I may not be in the sessions with him like

715
00:28:09,960 --> 00:28:12,399
Speaker 5: that as much, but like if I got so and

716
00:28:12,440 --> 00:28:14,600
Speaker 5: so in mind, I just hit them up, be like yeah,

717
00:28:14,640 --> 00:28:16,879
Speaker 5: because I got relationships with everybody now, So that was

718
00:28:16,920 --> 00:28:19,320
Speaker 5: just beautiful, Like I can hit anybody I want.

719
00:28:19,440 --> 00:28:20,120
Speaker 1: That's dope.

720
00:28:20,480 --> 00:28:21,119
Speaker 4: It's a blessing.

721
00:28:21,160 --> 00:28:22,840
Speaker 1: And since you asked me what I've been listening to

722
00:28:22,880 --> 00:28:23,760
Speaker 1: you what do you listen to?

723
00:28:24,160 --> 00:28:24,360
Speaker 4: Man?

724
00:28:24,640 --> 00:28:31,080
Speaker 5: You you know, because like y'all not gonna believe me.

725
00:28:31,119 --> 00:28:34,640
Speaker 1: Like, okay't know me get the old school. I love

726
00:28:34,680 --> 00:28:36,000
Speaker 1: other schools. So let's see, you know.

727
00:28:36,160 --> 00:28:39,680
Speaker 5: I'm like, I'm like, no, I'm talking about like I'm

728
00:28:39,680 --> 00:28:42,480
Speaker 5: listening to like Stop the Spinners.

729
00:28:42,480 --> 00:28:43,760
Speaker 3: Could it be on falling in love?

730
00:28:43,920 --> 00:28:46,520
Speaker 4: Okay? I like hanging on.

731
00:28:46,480 --> 00:28:49,280
Speaker 1: The strings, Okay, I know loosens.

732
00:28:48,920 --> 00:28:53,200
Speaker 5: Intimate friends Eddie Kendricks. I'll be listening like no, like

733
00:28:53,360 --> 00:28:54,400
Speaker 5: old school stuff that make.

734
00:28:54,360 --> 00:28:57,720
Speaker 4: Me feel soulful, old soulfuls.

735
00:28:57,240 --> 00:28:58,880
Speaker 3: O cap like you can. I don't put her on

736
00:28:58,920 --> 00:29:00,640
Speaker 3: so many songs. Yeah.

737
00:29:00,880 --> 00:29:10,320
Speaker 2: Yeah, he's kind of a baby, so she.

738
00:29:07,320 --> 00:29:09,680
Speaker 5: Be knowing like like I listened to like a lot

739
00:29:09,680 --> 00:29:12,200
Speaker 5: of like stylist is Barry White, Ossie Butter Stevie one

740
00:29:12,520 --> 00:29:13,840
Speaker 5: the greatest all songs.

741
00:29:14,240 --> 00:29:14,400
Speaker 1: You know.

742
00:29:14,480 --> 00:29:16,120
Speaker 2: I used to work for W Tang and they loved

743
00:29:16,160 --> 00:29:18,600
Speaker 2: their old school music, so I felt like when I

744
00:29:18,640 --> 00:29:20,320
Speaker 2: was with them, they were always listening to like the

745
00:29:20,400 --> 00:29:24,880
Speaker 2: stylistics and singing those songs. And even my parents, my family,

746
00:29:24,960 --> 00:29:28,400
Speaker 2: they were very into that. I have like the Motown

747
00:29:28,520 --> 00:29:31,800
Speaker 2: box set from the Vinyl box set and everything.

748
00:29:31,840 --> 00:29:33,440
Speaker 3: My MoMA used to be a singer back in the day,

749
00:29:33,480 --> 00:29:35,320
Speaker 3: so really I grew up. Yeah, she used to be.

750
00:29:35,520 --> 00:29:39,360
Speaker 3: She used to be signed to Hot Records and people.

751
00:29:39,560 --> 00:29:42,720
Speaker 2: Gat Green Baby, we need an outgreen movie.

752
00:29:42,960 --> 00:29:45,080
Speaker 3: Oh for sure, the hot Grits gotta be in there.

753
00:29:45,160 --> 00:29:47,360
Speaker 5: Yeah, she used to live next door to me, the

754
00:29:47,400 --> 00:29:53,920
Speaker 5: lady who poured the hot grits. I remember like talking

755
00:29:53,920 --> 00:29:56,640
Speaker 5: to my aunt and stuff about the lady who pulled

756
00:29:56,640 --> 00:29:57,440
Speaker 5: hot grits songs.

757
00:29:57,480 --> 00:29:58,560
Speaker 4: She lived next door to y'all.

758
00:29:58,920 --> 00:30:02,000
Speaker 3: That's yeah, she lived like Wright next door to me.

759
00:30:02,480 --> 00:30:04,560
Speaker 2: Agree, had one of the best albums, I'm Still in

760
00:30:04,600 --> 00:30:07,240
Speaker 2: Love with You. That's a classic album.

761
00:30:07,240 --> 00:30:09,680
Speaker 3: Cold Hm, I love like everything about it.

762
00:30:10,640 --> 00:30:11,840
Speaker 4: What's your favorite? A green song?

763
00:30:13,440 --> 00:30:17,000
Speaker 3: That's kind of tough. Either call me or lay your

764
00:30:17,000 --> 00:30:19,240
Speaker 3: head on for the good songs?

765
00:30:19,280 --> 00:30:21,800
Speaker 2: Okay, oh you know what mine is simply beautiful? What's

766
00:30:21,840 --> 00:30:23,760
Speaker 2: the that's amazing songs?

767
00:30:30,520 --> 00:30:30,640
Speaker 4: Right?

768
00:30:30,800 --> 00:30:38,520
Speaker 3: Loving basketball? Where are you from DC? I love y'all

769
00:30:38,520 --> 00:30:39,200
Speaker 3: girls there.

770
00:30:39,440 --> 00:30:44,320
Speaker 2: And you're from Memphis? Right, Okay? Amazing, We love Memphis.

771
00:30:44,320 --> 00:30:49,840
Speaker 2: We're actually on in Memphis. Shout out to Memphis. But honestly, Josie,

772
00:30:49,880 --> 00:30:51,760
Speaker 2: thank you so much. Everybody's been telling me I needed

773
00:30:51,800 --> 00:30:54,080
Speaker 2: to sit down with you, so I'm glad that we

774
00:30:54,160 --> 00:30:55,560
Speaker 2: finally finally made it happen.

775
00:30:55,560 --> 00:30:56,560
Speaker 1: They were absolutely right.

776
00:30:56,680 --> 00:30:58,720
Speaker 3: Thank you. No, I'm so happy to be here. It's love.

777
00:30:59,000 --> 00:31:00,680
Speaker 1: Yeah, and congratulations. It's on everything.

778
00:31:00,680 --> 00:31:03,280
Speaker 2: You came in here telling me congratulations, But honestly, like

779
00:31:03,320 --> 00:31:07,200
Speaker 2: for you to have this inspirational, amazing EP that's already

780
00:31:07,200 --> 00:31:11,240
Speaker 2: out right now, you know, songs for women and free

781
00:31:11,280 --> 00:31:12,720
Speaker 2: game for m words because they need it.

782
00:31:13,760 --> 00:31:16,320
Speaker 3: Hello, we do a lip service and we're gonna have

783
00:31:16,400 --> 00:31:17,080
Speaker 3: some real free game.

784
00:31:17,160 --> 00:31:19,520
Speaker 1: It's hard, yeah, and your mom will definitely not listen

785
00:31:19,520 --> 00:31:19,720
Speaker 1: to that.

786
00:31:19,840 --> 00:31:21,520
Speaker 4: You definitely got to answer more questions. You can't be

787
00:31:21,680 --> 00:31:22,920
Speaker 4: tiptoe and dance around.

788
00:31:22,960 --> 00:31:25,560
Speaker 3: But little service. On with the smoke, okay, all right, drink,

789
00:31:25,560 --> 00:31:26,520
Speaker 3: I'm gona drink a little bit.

790
00:31:26,640 --> 00:31:29,760
Speaker 2: All right, let's get it. We can make that happen. Well, Josie,

791
00:31:29,800 --> 00:31:31,560
Speaker 2: thank you so much. Make sure y'all listen to the

792
00:31:31,640 --> 00:31:33,880
Speaker 2: EP if you haven't. The tour it's starting right now.

793
00:31:34,040 --> 00:31:35,760
Speaker 2: Where can people go to find more information?

794
00:31:36,240 --> 00:31:39,520
Speaker 5: Instagram like my ig is JS one four three Love

795
00:31:39,600 --> 00:31:40,720
Speaker 5: Records go check it out.

796
00:31:40,840 --> 00:31:42,680
Speaker 1: And what people can slide in your dms too?

797
00:31:42,800 --> 00:31:47,400
Speaker 4: Right, Yeah, you only like tourist women, so if your tours.

798
00:31:46,840 --> 00:31:51,160
Speaker 5: Tours pisces, okay, aries, virgo stairway.

799
00:31:50,920 --> 00:31:52,880
Speaker 1: All right, it looks don't matter as much.

800
00:31:52,880 --> 00:31:57,360
Speaker 2: Any medium you can do medium, medium, medium, well medium.

801
00:31:59,120 --> 00:32:00,040
Speaker 3: On medium RD.

802
00:32:02,200 --> 00:32:05,200
Speaker 2: But thank you, Daddy has a way to put angelae

803
00:32:06,920 --> 00:32:13,080
Speaker 3: Well okay,