WEBVTT - Mini Crush #43

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<v Speaker 1>Hey, everybody, welcome to Many Crush. You know my favorite,

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<v Speaker 1>one of my favorite R A M. Songs is Chuck

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<v Speaker 1>Crush with islands. Right. See how I did that? I

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<v Speaker 1>know you It's a song you've seen. She's a sad Tomato.

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<v Speaker 1>That's a great such a great line. Doesn't even me.

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<v Speaker 1>Michael Stipe, Uh, you know I tried to get him

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<v Speaker 1>on the show and he couldn't do it. I think

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<v Speaker 1>he eventually would though. Oh yeah, you know he's down man.

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<v Speaker 1>I always used to run into him in Athens and

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<v Speaker 1>stuff because he was He still lives around there when

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<v Speaker 1>I was there, and he's gt P. Yeah down the

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<v Speaker 1>pod seen him these days. He's got this giant bushy

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<v Speaker 1>beard and a septim piercing Yeah. I think what's a

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<v Speaker 1>septim the bull ring? Yeah, okay, I was like you said,

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<v Speaker 1>the area under the penis that's the guiche. Uh, he

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<v Speaker 1>has his. I'll never mind. The show is not for kids,

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<v Speaker 1>but I don't even think I could say what I

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<v Speaker 1>was about. Sign dude. Let's leave it, leave it to

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<v Speaker 1>the imagination of the listening public, all right. Uh, I

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<v Speaker 1>had an r N thing that you ever seen? Those guys?

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<v Speaker 1>I have not no um just just seen him, right,

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<v Speaker 1>and never had a chance. I've seen Mike Mills a

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<v Speaker 1>time or two in Athens, and I've seen Michael Steve.

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<v Speaker 1>I've never seen them perform because they went through this

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<v Speaker 1>period where they didn't really tour a lot, Like I remember,

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<v Speaker 1>Monster was a big one. They took off like quite

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<v Speaker 1>a few years in a row without and then they

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<v Speaker 1>must have done one last hurrah kind of maybe. I

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<v Speaker 1>think they did a couple because I saw him early

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<v Speaker 1>on in my life and then at the end, but

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<v Speaker 1>I did not see the middle period a lot. They

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<v Speaker 1>did New Adventures in High Fight too, because that was right. No,

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<v Speaker 1>that's not true. I can't remember. I remember they made

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<v Speaker 1>a lot of that record while touring Monster, right. I

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<v Speaker 1>learned a lot of this from the fantastic podcast Are

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<v Speaker 1>You Talking? R? E? M Ream with Adam Scott and

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<v Speaker 1>uh Scott Ackerman. Highest praise and plug for that show

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<v Speaker 1>from highest recommendation. Very fun. It's great too, is we

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<v Speaker 1>both lived in Athens for a while, and it's cool

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<v Speaker 1>to hear those dudes talking about this inside Baseball Athens stuff. Yeah, yeah,

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<v Speaker 1>on that show. Check it out if you want to

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<v Speaker 1>learn more about me and Chuck stomping that. I would

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<v Speaker 1>love to have those guys on this show. Love that

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<v Speaker 1>Adam Scott, everybody, he is good. He's a sweet boy,

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<v Speaker 1>all right, So we could do this all day. Nolan

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<v Speaker 1>just fart around. It's kind of part of the joy

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<v Speaker 1>of the show. Chuck farting around with Nolan, farting around

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<v Speaker 1>with Noel Brown and Chuck. Uh. So, here's why don't

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<v Speaker 1>we do this? You know what, Let's start out with

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<v Speaker 1>the pole truth. You can't handle the truth. Wonderful segment

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<v Speaker 1>because Facebook, you're the best with your two option polls.

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<v Speaker 1>You sort of leaned into that, though it's become kind

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<v Speaker 1>of a character in the whole thing. I agree, And

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<v Speaker 1>you know, Emily helped me come up with these last

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<v Speaker 1>night when we were half watching election results, half watching

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<v Speaker 1>House Hunters, and then fully working on movie crush. So

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<v Speaker 1>I'm gonna do I think five of these the only

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<v Speaker 1>five for the next time. Pull truth, everyone, leave a

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<v Speaker 1>bad movie, go into another one. And your options were

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<v Speaker 1>never that's stealing or always they owe me. What what

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<v Speaker 1>do you? What do you do? No? Well, my whole

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<v Speaker 1>thing is like you're gonna come in late to the

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<v Speaker 1>second movie, so you're sort of like not getting your

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<v Speaker 1>money is worth on either count. Really like, I'd rather

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<v Speaker 1>see the bad movie through and then it give me

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<v Speaker 1>something fun to talk shit about. That that's you know,

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<v Speaker 1>that's money in the bank. That is a solid point

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<v Speaker 1>I always have. I haven't left the movie in a

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<v Speaker 1>long time because, as of said here, in my middle

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<v Speaker 1>age with a kid, you don't get out to the

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<v Speaker 1>movies as much. So I don't take a flyer on

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<v Speaker 1>something that might be shitty enough to walk out on. Uh.

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<v Speaker 1>But when I was in my walking out days, I

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<v Speaker 1>would always go into another movie, even though it's stealing,

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<v Speaker 1>thinking that the theater owed me. Did you did you

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<v Speaker 1>make a big fuss when you walked out? Chuck? Would

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<v Speaker 1>you be like this out of here? No? No, no,

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<v Speaker 1>I would. I would usually just kind of just quietly sneak.

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<v Speaker 1>That's more the chuck, I know. Yeah, I've seen people

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<v Speaker 1>do that. They're like, this sucks. You guys are idiots

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<v Speaker 1>for sticking around. I gotta love those people, all right.

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<v Speaker 1>So here's how the results came. In four hundred and

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<v Speaker 1>forty three people said never, that's stealing, to three hundred

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<v Speaker 1>and fifty saying always so almost a hundred more good

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<v Speaker 1>people in our audience, But how many of those do

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<v Speaker 1>you think would have taken the third choice? Sometimes if

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<v Speaker 1>only Facebook, we can't know. We just can't know, you know.

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<v Speaker 1>It's also funny everyone is not only does Facebook only

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<v Speaker 1>give you two options for the poll, but the poll choice,

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<v Speaker 1>like the one you actually click on, Uh, you have

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<v Speaker 1>a certain amount of letters or whatever characters. So half

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<v Speaker 1>the time I had to just edit down what I

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<v Speaker 1>really want to say, which I guess makes me be

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<v Speaker 1>more creative, Like letters are expensive, Chuck, you know, is

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<v Speaker 1>that what it is? It's prime screen real estate. Man,

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<v Speaker 1>they gotta gott to conserve that ship. It's in a

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<v Speaker 1>short supply. Kristen Glenn Kiss says I need a third option,

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<v Speaker 1>something like maybe if the coast is clear and Chris

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<v Speaker 1>Evans movie, mhm, got it. That's funny. Yeah, it's interesting.

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<v Speaker 1>Obviously most of the comments are like, I would really

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<v Speaker 1>need that third option. Yeah, yeah, but I like the

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<v Speaker 1>idea of people like you know, each of those sides

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<v Speaker 1>is going to contain some of the middle group. Which

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<v Speaker 1>one do you if you're more in like in the

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<v Speaker 1>middle camp, you think you'd be more likely to go

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<v Speaker 1>with never. I don't think you would. I think you

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<v Speaker 1>would go with the other one. Yes, I would. I

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<v Speaker 1>think so too. Yeah, And that was the bigger number,

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<v Speaker 1>wasn't it. Uh? No, never was the big It never

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<v Speaker 1>was the bigger number. Interesting, more honest people in the

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<v Speaker 1>movie crush audience. That's a good thing, I guess. Uh,

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<v Speaker 1>Kelly Shank says, can't do it if you missed the

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<v Speaker 1>first part of the movie. I get that. Sometimes what

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<v Speaker 1>I used to do was go in a movie that

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<v Speaker 1>I had already seen and really liked. Like I remember,

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<v Speaker 1>I left, Oh what movie did elive? I can't remember,

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<v Speaker 1>But I went into True Romance for like the third time.

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<v Speaker 1>That one's got rewatchability. Yeah, what movie was? It was

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<v Speaker 1>some really long Kevin cost movie like The Postman maybe,

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<v Speaker 1>but it wasn't The Postman water World Maybe it was,

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<v Speaker 1>I can't remember. Did he have a third post apocalyptic ship?

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<v Speaker 1>But it wasn't a post apocalyptic because those were quite

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<v Speaker 1>long dances with wolves. That was pretty long, but you know,

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<v Speaker 1>pretty widely liked. Yeah, that was fine. Yeah, I liked

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<v Speaker 1>it fine. It was okay, more of that White Savior nonsense, though,

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<v Speaker 1>Wasn't it absolutely all right? Poll Number two Pole Truth

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<v Speaker 1>at Home Movie Viewing and your options were blu ray

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<v Speaker 1>only or oive stream it. It depends on what kind

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<v Speaker 1>of person you are. Done. I mean, you know Casey

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<v Speaker 1>pegram Our buddy. Yeah great, he has a massive blue

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<v Speaker 1>ray collection, so he he feels very strongly about the fidelity,

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<v Speaker 1>the guaranteed fidelity that a blue ray gives you. Purist streaming,

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<v Speaker 1>it's always buffering and changing. You can't really depend on

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<v Speaker 1>it's going to give you the clear even no matter

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<v Speaker 1>how good your Internet is, it's gonna there might be

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<v Speaker 1>an incident. And if you're like Casey, that would really

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<v Speaker 1>offend your delicate visual sensibilities. Might cry make a face

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<v Speaker 1>at best, make a face all right. Nine and seven

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<v Speaker 1>of you chimed in, and not surprisingly most of you

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<v Speaker 1>overwhelmingly stream your content seven hundred and sixty to one seven.

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<v Speaker 1>But you know, I like that that hundred and close

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<v Speaker 1>to hundred and fifty of you, or take your ship seriously.

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<v Speaker 1>I actually we have a really good video rental place

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<v Speaker 1>in Atlanta called Video Drone, and I will occasionally rent

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<v Speaker 1>from there, and I will always exclusively rent the blue

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<v Speaker 1>rays because I don't have opportunity to watch blue rays

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<v Speaker 1>that often. Because for practical reasons, I just stream because

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<v Speaker 1>it's just there. It is, it's there, I'm paying for it.

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<v Speaker 1>I don't actually, I guess my PlayStation is a blue

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<v Speaker 1>that's what. That's what I played on, just a PlayStation.

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<v Speaker 1>Never never popped a movie in there. I totally should

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<v Speaker 1>ah um. Karen Johnson says neither Netflix or HBO, but uh,

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<v Speaker 1>those are streaming, so I don't know what She's a

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<v Speaker 1>streaming is a pretty broad category. Oh well, she actually

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<v Speaker 1>answers because someone said, isn't Netflix streaming? And she said,

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<v Speaker 1>is it? I thought streaming was something on your computer.

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<v Speaker 1>I'm old and don't really know. So, you know, Karen,

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<v Speaker 1>I just want to give you a big cyber hug.

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<v Speaker 1>Bless bless her heart. You are amazing. I love that.

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<v Speaker 1>It stay amazing. It is no matter if it's on

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<v Speaker 1>a computer or television, that's all coming through the internet both.

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<v Speaker 1>Michael Green says both. Yeah, I guess didn't have to

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<v Speaker 1>be No, that's no. Facebook says it has to be

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<v Speaker 1>one or the other. Oh. Tim Campbell mentioned red Box.

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<v Speaker 1>I forgot about that. I would I did a few times.

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<v Speaker 1>I did it too. Yeah, that's fun. It's convenient. It

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<v Speaker 1>was convenient. You get a wild hair here at the

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<v Speaker 1>grocery store, you're like, really get a movie exactly. You're like,

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<v Speaker 1>oh man, I need some good ease headache powder. But hey,

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<v Speaker 1>hey look then you have Bride'smaids. He says it right

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<v Speaker 1>on the side. That movie is hilarious. And now I

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<v Speaker 1>just have to wait eight minutes while someone just touches

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<v Speaker 1>the screen left and right so slow. No, you use

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<v Speaker 1>the coin star machine next to it in those eight minutes,

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<v Speaker 1>cash in all your change. You gotta plan this stuff out, chuck.

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<v Speaker 1>Emily and I used to go on and change dates.

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<v Speaker 1>Oh that's cute. Back when we were super broke living

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<v Speaker 1>in l A. You use the change, yeah about every whatever,

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<v Speaker 1>three or four months. We did get it rolled. No,

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<v Speaker 1>we would just throw it in that machine and pay

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<v Speaker 1>the big Oh yeah, they say, okay, I could just

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<v Speaker 1>spit out a receipt that we cash in vouchers what

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<v Speaker 1>they call like, you know, dollar or something. You would

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<v Speaker 1>go out and get dinner. That's great. Isn't that great?

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<v Speaker 1>The good old days? Everybody salad days. Isn't that what

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<v Speaker 1>that means? Salad days? Yeah? Man, the Lean Times. Ed's

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<v Speaker 1>paw stake this to a starter home outside suburban Tempee exactly.

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<v Speaker 1>I think that's the line from Raising Arizona. All right, Well,

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<v Speaker 1>here we go with number three pull truth leaving to

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<v Speaker 1>pp during movies, and your choices were always almost always

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<v Speaker 1>it's fine or I really try to avoid it. What

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<v Speaker 1>do you do? I would prefer not to if I

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<v Speaker 1>could avoid it, So you try and avoid it, I

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<v Speaker 1>would try to avoid it. Okay, Yeah, I don't mind

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<v Speaker 1>holding it. It's hard to come up with two for

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<v Speaker 1>this because it's not all or none. Usually it's like,

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<v Speaker 1>if you gotta go bad enough, you gotta go, you

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<v Speaker 1>gotta go. But I'm saying like I certainly would take

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<v Speaker 1>no pleasure in having to miss five minutes of the movie,

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<v Speaker 1>you know. Yeah, agreed the balance. If it was not

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<v Speaker 1>that bad, I would just hang out and waited out.

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<v Speaker 1>All right. Uh. Emily voted on this one. She will

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<v Speaker 1>definitely be because she actually stood anymore. But she used

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<v Speaker 1>to get the giant ass diet cokes and just plow

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<v Speaker 1>through it. And this is after having like a diet

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<v Speaker 1>coke on the way to the theater. She gave it

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<v Speaker 1>up though. Yeah. When we were doing our live shows

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<v Speaker 1>for stuff they don't want you to know. The other week,

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<v Speaker 1>we would have a beer before the show and take

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<v Speaker 1>it on stage. And I realized that every single show,

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<v Speaker 1>about halfway through what's like an hour and a half show,

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<v Speaker 1>I had to pee furiously and I had to start

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<v Speaker 1>like taking that into account. So a few questions, how

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<v Speaker 1>much did you guys drink during your shows? Before, during,

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<v Speaker 1>and after? Um, a beer and a shot before and

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<v Speaker 1>a beer during. Okay, nice, that's a good move. It

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<v Speaker 1>definitely loosened us up and made it a lot more

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<v Speaker 1>fun and like easy going. The first couple of times though,

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<v Speaker 1>it made us way too like wordy, and we realized

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<v Speaker 1>we had to like mitigate that. The week we were

0:11:57.679 --> 0:11:59.600
<v Speaker 1>a little tighter. But by the third show, like we

0:11:59.679 --> 0:12:01.480
<v Speaker 1>kind of exactly what we were doing. It was fun,

0:12:01.720 --> 0:12:04.320
<v Speaker 1>but uh, well, yeah, we haven't even done a tour recap. Really,

0:12:04.360 --> 0:12:07.640
<v Speaker 1>what was what was your best show? Atlanta? Actually? Yeah,

0:12:08.400 --> 0:12:10.240
<v Speaker 1>Atlanta was great. We had a bunch of books from

0:12:10.240 --> 0:12:13.200
<v Speaker 1>the office come. It was obviously the fifth time we've

0:12:13.240 --> 0:12:16.520
<v Speaker 1>done the show, so it was it was tight. Um,

0:12:16.679 --> 0:12:19.000
<v Speaker 1>Philly was really good. It was more nervous in Atlanta

0:12:19.080 --> 0:12:21.240
<v Speaker 1>because of friends a little bit, but I was also

0:12:21.320 --> 0:12:23.600
<v Speaker 1>just so shell shocked from like the whole travel thing

0:12:23.640 --> 0:12:26.080
<v Speaker 1>and just grinding it out for five days while also working.

0:12:26.800 --> 0:12:28.520
<v Speaker 1>I was kind of just like ready to do it

0:12:28.559 --> 0:12:31.120
<v Speaker 1>and haven't be done, you know. Yeah, man, Yeah, it's

0:12:31.120 --> 0:12:32.840
<v Speaker 1>a good time. It was a good So it was good.

0:12:32.840 --> 0:12:35.360
<v Speaker 1>You were the trunk of Era No No, and Philly.

0:12:35.440 --> 0:12:38.119
<v Speaker 1>We were at the World Cafe, which is this beautiful

0:12:38.240 --> 0:12:41.880
<v Speaker 1>like it's connected to their public radio station, which is like, um,

0:12:42.040 --> 0:12:43.600
<v Speaker 1>I can't remember the call letters now, but they do

0:12:43.679 --> 0:12:47.400
<v Speaker 1>live from the World Cafe there, so p h something

0:12:47.480 --> 0:12:49.480
<v Speaker 1>like that. But um, it's it's like a whole compound

0:12:49.480 --> 0:12:51.120
<v Speaker 1>where there's like a smaller theater and then the bigger

0:12:51.200 --> 0:12:53.719
<v Speaker 1>room downstairs, and then it's all connected to this broadcast

0:12:53.760 --> 0:12:56.920
<v Speaker 1>set up so they can do live broadcasts from from

0:12:56.920 --> 0:12:59.040
<v Speaker 1>these venues. And it was really great. It was awesome.

0:12:59.080 --> 0:13:01.600
<v Speaker 1>That was super cool. We played a weird one in Arlington.

0:13:01.679 --> 0:13:03.880
<v Speaker 1>It was an old movie theater and it was just

0:13:03.960 --> 0:13:07.120
<v Speaker 1>it just felt like a strange d I Y type

0:13:07.160 --> 0:13:09.280
<v Speaker 1>situation where like it was going to fall through the floor,

0:13:09.320 --> 0:13:11.040
<v Speaker 1>you know. Yeah, Josh and I've had a couple of those.

0:13:11.040 --> 0:13:12.880
<v Speaker 1>Those are always funny. But overall it was a great

0:13:12.880 --> 0:13:15.920
<v Speaker 1>experience of our first time out tickets. We didn't sell anything, out,

0:13:15.920 --> 0:13:17.760
<v Speaker 1>but it was all respectable and the people that were

0:13:17.760 --> 0:13:20.199
<v Speaker 1>there were stoked to be there, and no, no, none

0:13:20.200 --> 0:13:22.640
<v Speaker 1>of the rooms felt creepily empty. It was it was

0:13:22.679 --> 0:13:24.559
<v Speaker 1>it was a good It was a good feeling. Yeah. Man,

0:13:24.600 --> 0:13:26.960
<v Speaker 1>if you get people like uh, like when I did

0:13:27.000 --> 0:13:30.120
<v Speaker 1>my only live movie Crush at sketch Fest last year,

0:13:30.160 --> 0:13:33.199
<v Speaker 1>it was you know, it used to be in front

0:13:33.200 --> 0:13:34.679
<v Speaker 1>of a lot more people for stuff, you should know,

0:13:35.040 --> 0:13:36.439
<v Speaker 1>So I just had to be like, you know what,

0:13:36.960 --> 0:13:40.840
<v Speaker 1>the fifty people who are however many people are here

0:13:40.840 --> 0:13:43.920
<v Speaker 1>are really into this and like that is the most

0:13:43.960 --> 0:13:48.520
<v Speaker 1>satisfying thing. It's not like a sheered total in the

0:13:48.600 --> 0:13:50.880
<v Speaker 1>number column, but like what takes time to you know,

0:13:50.880 --> 0:13:53.640
<v Speaker 1>everyone's there, stoked and had a great time. Yeah for sure,

0:13:53.640 --> 0:13:54.920
<v Speaker 1>and you know we were able to like go out

0:13:54.960 --> 0:13:57.320
<v Speaker 1>and hang out with everybody and pictures and just like

0:13:57.600 --> 0:13:59.520
<v Speaker 1>it was. It was a very valuable experience for all

0:13:59.600 --> 0:14:02.439
<v Speaker 1>concerned and it's great. It was fun. I hope we

0:14:02.440 --> 0:14:03.880
<v Speaker 1>get to do it again. I really enjoyed it. I'm

0:14:03.880 --> 0:14:05.920
<v Speaker 1>sure you will. Yeah, even just like someone offs here

0:14:05.920 --> 0:14:07.959
<v Speaker 1>and there, because we also now know that we can

0:14:08.160 --> 0:14:10.959
<v Speaker 1>do okay, and which is cool to know, Well, we

0:14:10.960 --> 0:14:14.640
<v Speaker 1>should do a movie Crush Live. You should do one

0:14:15.120 --> 0:14:18.800
<v Speaker 1>with me where we do like whatever thirty minutes and

0:14:18.840 --> 0:14:20.640
<v Speaker 1>then I have a guest out and do like a

0:14:20.960 --> 0:14:23.480
<v Speaker 1>two banger, like a mini slash interview with Yeah, I

0:14:23.480 --> 0:14:25.800
<v Speaker 1>can be like Robin. I can just laugh hysterically and

0:14:25.880 --> 0:14:28.360
<v Speaker 1>everything you say. No, man, you can chime in that.

0:14:28.800 --> 0:14:29.920
<v Speaker 1>It would be a lot of fun. We gotta do that.

0:14:29.960 --> 0:14:31.440
<v Speaker 1>We gotta do that. You can chime in if you

0:14:31.480 --> 0:14:41.480
<v Speaker 1>can get the duct tape off. WHOA, all right, I

0:14:41.520 --> 0:14:44.200
<v Speaker 1>don't even think I even We got so sidetracked there

0:14:44.920 --> 0:14:47.600
<v Speaker 1>because I had to ask you about your tour. It

0:14:47.680 --> 0:14:49.400
<v Speaker 1>was my fault. I was talking about having to pee.

0:14:49.480 --> 0:14:52.080
<v Speaker 1>That was the last question. So I the beer. I

0:14:52.160 --> 0:14:54.720
<v Speaker 1>was curious about you guys and how much you've drank.

0:14:54.920 --> 0:14:57.440
<v Speaker 1>What was the sweet spot? That's usually what I will

0:14:57.480 --> 0:15:02.160
<v Speaker 1>do is uh, like a very slow drink over like

0:15:02.240 --> 0:15:05.520
<v Speaker 1>the hour before the show. And sometimes if Josh has UH,

0:15:05.640 --> 0:15:08.160
<v Speaker 1>sometimes we'll do gene tonics, so don't shoot that. But

0:15:08.360 --> 0:15:11.120
<v Speaker 1>sometimes Josh will up for whiskey and I'll do a

0:15:11.120 --> 0:15:12.720
<v Speaker 1>whiskey shot. So we were doing We did like a

0:15:12.720 --> 0:15:16.040
<v Speaker 1>whiskey and then a beer backstage and carried a beer

0:15:16.080 --> 0:15:18.600
<v Speaker 1>with us on stage. Yeah, Well I don't drink beer

0:15:18.680 --> 0:15:22.520
<v Speaker 1>really anymore, so I will carry my wine bottle and

0:15:22.560 --> 0:15:25.240
<v Speaker 1>just sort of have a classy couple of glasses. Glassy boy, chuck,

0:15:25.520 --> 0:15:30.640
<v Speaker 1>glassy boy. All right. Eight two people really try to

0:15:30.680 --> 0:15:34.080
<v Speaker 1>avoid peeing, and only a hundred and forty nine people

0:15:34.160 --> 0:15:40.280
<v Speaker 1>say almost always it's fine people, that's good. I I'm

0:15:40.320 --> 0:15:43.280
<v Speaker 1>in that camp. I would only go if I really

0:15:43.280 --> 0:15:44.920
<v Speaker 1>had to, because it would just be it's annoying to

0:15:44.960 --> 0:15:46.920
<v Speaker 1>miss the movie. You paid full price to see a

0:15:46.960 --> 0:15:49.520
<v Speaker 1>full movie. What if you miss some crucial plot point

0:15:49.600 --> 0:15:51.960
<v Speaker 1>and then you're all in the dark and and well

0:15:51.960 --> 0:15:53.880
<v Speaker 1>there's the app we talked about that. So when a

0:15:54.320 --> 0:15:56.160
<v Speaker 1>guest talked about that, I don't know about that, Like

0:15:56.200 --> 0:15:58.480
<v Speaker 1>a I can't remember what's called, but like go pee

0:15:58.560 --> 0:16:01.000
<v Speaker 1>or something like that where you can put the movie

0:16:01.000 --> 0:16:04.680
<v Speaker 1>you're in, sink it when it starts, and while you're

0:16:04.720 --> 0:16:06.720
<v Speaker 1>going to the bathroom, it'll tell you like what you

0:16:06.720 --> 0:16:09.520
<v Speaker 1>you're missing, which is pretty fucking awesome. Are you kidding me?

0:16:09.640 --> 0:16:11.960
<v Speaker 1>How does it? It's like Shazam or something like it

0:16:12.040 --> 0:16:14.720
<v Speaker 1>just recognizes what no I think you tell them, Like

0:16:14.840 --> 0:16:19.120
<v Speaker 1>I'm at Avengers Infinity War movies starting now and you

0:16:19.160 --> 0:16:21.560
<v Speaker 1>sink it, and then you tap it when you go

0:16:21.600 --> 0:16:23.920
<v Speaker 1>to the bathroom, and it just says like I know

0:16:24.000 --> 0:16:28.280
<v Speaker 1>that forty three minutes in, uh, iron Man meets up

0:16:28.320 --> 0:16:31.200
<v Speaker 1>with the Guardians of the Galaxy. So you read that

0:16:31.240 --> 0:16:33.720
<v Speaker 1>while you're peeing. I imagine. I think time you get back,

0:16:33.720 --> 0:16:37.080
<v Speaker 1>you're you're you're ready to go go p app movies

0:16:40.000 --> 0:16:44.040
<v Speaker 1>run P. I think, yeah, that's the app run P.

0:16:44.760 --> 0:16:48.520
<v Speaker 1>Although of course there looks like there's a few. There's

0:16:48.560 --> 0:16:53.280
<v Speaker 1>one called pause, so I can ship. No, I'm just kidding.

0:16:54.920 --> 0:16:56.880
<v Speaker 1>I was gonna believe you there for a second, so

0:16:57.040 --> 0:17:00.160
<v Speaker 1>you never know. There's a lot of good comment on

0:17:00.280 --> 0:17:05.320
<v Speaker 1>here too. Austin Austin Burnett says, thanks for the anxiety attack, Chuck.

0:17:05.480 --> 0:17:08.119
<v Speaker 1>That's funny. Anxiety attack about what about? I guess the

0:17:08.160 --> 0:17:10.160
<v Speaker 1>decision on whether or not to Peter during a movie

0:17:10.200 --> 0:17:12.359
<v Speaker 1>gives him anxiety. Well, I'll tell you what gives people

0:17:12.359 --> 0:17:15.240
<v Speaker 1>anxiety is having just two choices in these fucking polls.

0:17:15.880 --> 0:17:17.359
<v Speaker 1>I mean, listen to the sound of my voice. I

0:17:17.359 --> 0:17:21.520
<v Speaker 1>am like losing it now. Yeah, Gooch, The Gooch says,

0:17:21.560 --> 0:17:24.840
<v Speaker 1>shocked at this. I will regularly take a break. I

0:17:24.880 --> 0:17:27.440
<v Speaker 1>don't know what that means like it's been twenty minutes.

0:17:27.440 --> 0:17:30.000
<v Speaker 1>I'm gonna go stretch my legs right now. I know,

0:17:30.720 --> 0:17:32.600
<v Speaker 1>I don't you have to be. I will say this though,

0:17:32.640 --> 0:17:36.480
<v Speaker 1>Avengers Infinity Wars was so long that I absolutely welcomed

0:17:36.480 --> 0:17:39.720
<v Speaker 1>a pea break during that. Yeah, that was quite a

0:17:39.720 --> 0:17:41.879
<v Speaker 1>long movie and it was just yeah, barrage of just

0:17:41.920 --> 0:17:44.639
<v Speaker 1>like pounds. You can miss a lot in four minutes

0:17:44.640 --> 0:17:46.879
<v Speaker 1>of that movie, though, you could. But it also it's like,

0:17:46.920 --> 0:17:49.879
<v Speaker 1>good know, you know you didn't. I don't think he did.

0:17:49.880 --> 0:17:53.680
<v Speaker 1>I knew what was going on. All right, h Let's

0:17:53.720 --> 0:17:57.080
<v Speaker 1>do one more pole. That's good. I'm glad these I'm

0:17:57.119 --> 0:17:59.080
<v Speaker 1>glad we're getting side track, noll. We're building out in

0:17:59.080 --> 0:18:03.200
<v Speaker 1>this episode. It's filling out like a new pair of slacks.

0:18:05.760 --> 0:18:08.000
<v Speaker 1>Filling out like a new pair of slacks. Yep, you

0:18:08.160 --> 0:18:11.040
<v Speaker 1>perv Oh No, I just meant yeah, I got you,

0:18:11.720 --> 0:18:18.040
<v Speaker 1>all right, Mini crush pole truth stallone dot dot dot uh,

0:18:18.400 --> 0:18:23.880
<v Speaker 1>Rocky or Rambo? Pretty simple, everybody. And I'm sure out

0:18:23.880 --> 0:18:25.880
<v Speaker 1>of the fifteen comments, how many of them say neither?

0:18:26.720 --> 0:18:30.400
<v Speaker 1>Karen Trombowski says neither. Seriously serious, that's not a real name,

0:18:30.560 --> 0:18:34.440
<v Speaker 1>says neither. Jamie Dooley says First Blood is a masterpiece.

0:18:34.960 --> 0:18:38.520
<v Speaker 1>I don't know about masterpiece, but that's a really good movie, Jamie,

0:18:38.560 --> 0:18:41.000
<v Speaker 1>I totally agree. Is that the first one? Yeah, man,

0:18:41.040 --> 0:18:43.040
<v Speaker 1>have you ever seen that? Not just called Rambo? No,

0:18:43.160 --> 0:18:45.199
<v Speaker 1>the first one was first blood, It's just called first blood.

0:18:45.280 --> 0:18:47.200
<v Speaker 1>First Blood doesn't even have Rambo in the name. You

0:18:47.240 --> 0:18:49.280
<v Speaker 1>don't even know his name is Rambo until eight minutes

0:18:49.320 --> 0:18:52.240
<v Speaker 1>into the film. Really, yeah, So when did they start

0:18:52.240 --> 0:18:54.960
<v Speaker 1>being called Rambo with the second one Rambo two? No?

0:18:55.160 --> 0:18:59.080
<v Speaker 1>I think I think it was called Rambo two, but

0:18:59.200 --> 0:19:03.359
<v Speaker 1>that didn't make sense. It wasn't Rambo one, but it

0:19:03.480 --> 0:19:09.439
<v Speaker 1>may okay, Rambo colin First Blood part two? How about that?

0:19:09.560 --> 0:19:12.479
<v Speaker 1>Oh boy? And after that I think they were just

0:19:12.560 --> 0:19:14.720
<v Speaker 1>like they just dropped all the first blood, which is

0:19:14.760 --> 0:19:17.040
<v Speaker 1>like Rambo three. I would they missed the opportunity because

0:19:17.160 --> 0:19:19.119
<v Speaker 1>the second one could have been second blood and the

0:19:19.320 --> 0:19:24.400
<v Speaker 1>third blood third blood and then so much blood. First

0:19:24.400 --> 0:19:26.680
<v Speaker 1>Blood is good, though you need I'm sure it's great. Yeah,

0:19:26.680 --> 0:19:28.960
<v Speaker 1>I have not seen that, Rocky I think is great.

0:19:29.000 --> 0:19:33.040
<v Speaker 1>I mean, obviously Stallone is a talented filmmaker. For years,

0:19:33.040 --> 0:19:35.119
<v Speaker 1>I thought he was just this kind of like schlocky

0:19:35.280 --> 0:19:38.040
<v Speaker 1>kind of action, you know, steroid, he kind of guy.

0:19:38.359 --> 0:19:40.119
<v Speaker 1>But then you start to realize, like, no, Rocky is

0:19:40.160 --> 0:19:43.480
<v Speaker 1>like a really well crafted movie and he has had

0:19:43.520 --> 0:19:45.520
<v Speaker 1>to do with like every part of it. Yeah, and

0:19:45.560 --> 0:19:48.600
<v Speaker 1>if you ever see like a good uh like inside

0:19:48.640 --> 0:19:50.920
<v Speaker 1>the actor's studio or some good in depth interview one

0:19:50.960 --> 0:19:55.520
<v Speaker 1>on one with Stallone, Uh, he's a very smart guy

0:19:55.840 --> 0:19:59.120
<v Speaker 1>and a very talented guy who, you know, for better

0:19:59.200 --> 0:20:02.600
<v Speaker 1>or worse, started only in action movies and uh, sort

0:20:02.640 --> 0:20:05.640
<v Speaker 1>of happy. I don't know. I guess it's a It's

0:20:05.680 --> 0:20:07.960
<v Speaker 1>fortunate in one way because his persona led him to

0:20:08.000 --> 0:20:10.200
<v Speaker 1>be a movie star. But it's also a little unfortunate

0:20:10.200 --> 0:20:12.119
<v Speaker 1>because the first thing you think of is that, I

0:20:12.160 --> 0:20:15.399
<v Speaker 1>bet he's a MENSA member when you hear you know,

0:20:15.440 --> 0:20:18.879
<v Speaker 1>when you hear Rocky talking's true, he's an actor though, No,

0:20:18.960 --> 0:20:20.399
<v Speaker 1>I know that's I guess that's why I put him

0:20:20.440 --> 0:20:23.560
<v Speaker 1>in kind of like a camp with like a Schwartzenegger,

0:20:23.560 --> 0:20:26.200
<v Speaker 1>where it's it's kind of larger than live, outsized persona

0:20:26.520 --> 0:20:29.440
<v Speaker 1>with like kind of a crazy voice, you know. Yeah,

0:20:29.480 --> 0:20:32.800
<v Speaker 1>but man, Stallone's got more talent in his pinky than,

0:20:33.080 --> 0:20:35.760
<v Speaker 1>uh than Schwartzenegger does. Oh for sure, I know I

0:20:35.840 --> 0:20:38.199
<v Speaker 1>see that now, But when I first started hearing now,

0:20:38.240 --> 0:20:40.399
<v Speaker 1>I hear you, I kind of conflated the two is

0:20:41.400 --> 0:20:43.960
<v Speaker 1>because he was in a lot of dumb movies like

0:20:44.080 --> 0:20:48.280
<v Speaker 1>Cobra and like a bunch of bad action films. But

0:20:48.359 --> 0:20:51.760
<v Speaker 1>I'm sure he got rich, all right. Five and thirty

0:20:51.800 --> 0:20:56.000
<v Speaker 1>six people said Rocky to one and ninety Rambos. That's

0:20:56.000 --> 0:21:01.199
<v Speaker 1>about right. Emily voted. I'm sure she well, actually she

0:21:01.280 --> 0:21:06.080
<v Speaker 1>hasn't seen Rocky. I gotta ask her. Actually, a bunch

0:21:06.080 --> 0:21:07.520
<v Speaker 1>of my friends voted for this one. I don't think

0:21:07.520 --> 0:21:11.119
<v Speaker 1>I can see how they voted, though. That's annoying. It

0:21:11.160 --> 0:21:15.600
<v Speaker 1>just points out your friends have voted. All right, Rocky

0:21:15.840 --> 0:21:26.399
<v Speaker 1>for the wind. That's the poll truth, everybody? All right?

0:21:26.480 --> 0:21:31.639
<v Speaker 1>Noel uh? I did h fans source Noll's holes? Do

0:21:31.640 --> 0:21:35.360
<v Speaker 1>you want to go through a little bit of that? Oh? God, boy?

0:21:35.400 --> 0:21:39.200
<v Speaker 1>Do I ever? I told him we have Adeel salty.

0:21:39.320 --> 0:21:41.639
<v Speaker 1>She thought that was funny. She's like for real. I

0:21:41.720 --> 0:21:44.040
<v Speaker 1>was like, well, no, not really, because you're no old

0:21:44.040 --> 0:21:47.359
<v Speaker 1>you know, get super salty, and that's super salty, slightly salty,

0:21:47.720 --> 0:21:51.119
<v Speaker 1>lightly salted, lightly salted, just a little finishing salt on

0:21:51.200 --> 0:21:55.639
<v Speaker 1>top um. All right, So here's what I did. I

0:21:55.720 --> 0:21:59.280
<v Speaker 1>asked for crowdsourcing Noel for your holes, and you have

0:21:59.680 --> 0:22:03.000
<v Speaker 1>two hundred and twelve suggestions. Okay, so what I was

0:22:03.040 --> 0:22:08.159
<v Speaker 1>gonna do was, uh, source from this list twenty, but

0:22:08.280 --> 0:22:11.360
<v Speaker 1>I might as well just do the first twenty, delete them,

0:22:11.359 --> 0:22:13.920
<v Speaker 1>and then just kind of keep it going, if that's

0:22:13.920 --> 0:22:17.199
<v Speaker 1>all right with you, because this way, I'm not curating it.

0:22:17.280 --> 0:22:20.399
<v Speaker 1>I'm not rigging the game by trying to stump you.

0:22:20.640 --> 0:22:23.080
<v Speaker 1>I guess at this point my holes belonged to the world.

0:22:23.440 --> 0:22:29.880
<v Speaker 1>So do you have to do that? All right? Uh,

0:22:29.960 --> 0:22:32.560
<v Speaker 1>let's keep track here. I'll do a yes column and

0:22:32.600 --> 0:22:36.280
<v Speaker 1>a no column. That makes it easy. Jason Reynolds says

0:22:36.480 --> 0:22:40.480
<v Speaker 1>three hundred Yeah, I saw that piece of trash okay

0:22:40.800 --> 0:22:44.960
<v Speaker 1>at the SloMo spear throwing Yeah, oily abbs everywhere and

0:22:45.080 --> 0:22:49.040
<v Speaker 1>not care for that picture. Um, I know people dig it, though.

0:22:49.080 --> 0:22:50.920
<v Speaker 1>I just don't like what's his face as whole aesthetic?

0:22:51.720 --> 0:22:55.159
<v Speaker 1>What's I don't like it? I don't either, But that

0:22:55.240 --> 0:22:58.240
<v Speaker 1>was pre like, that was before I got burned out

0:22:58.240 --> 0:23:00.239
<v Speaker 1>on it, and I was I mean, trust me, I

0:23:00.280 --> 0:23:02.720
<v Speaker 1>wasn't like I love three D, but it looked cool

0:23:02.800 --> 0:23:04.800
<v Speaker 1>enough and it was original enough looking at the time

0:23:04.960 --> 0:23:06.880
<v Speaker 1>was like the whole movies in bullet time, the whole

0:23:06.920 --> 0:23:11.200
<v Speaker 1>movies in like matrix time. And also that story is

0:23:11.240 --> 0:23:18.080
<v Speaker 1>more than a little racist and weird. Sure anyway, Karen Drombosky, Karen, Hi,

0:23:18.280 --> 0:23:22.880
<v Speaker 1>you're always on here. You're wonderful, she says, the fifth Element. Yeah,

0:23:22.880 --> 0:23:25.520
<v Speaker 1>I love the fifth element. All right. See, you're gonna

0:23:25.560 --> 0:23:29.639
<v Speaker 1>score well because people don't fully get how to stump

0:23:29.680 --> 0:23:35.160
<v Speaker 1>you so eighties movies. No, I mean I I shouldn't

0:23:35.160 --> 0:23:37.320
<v Speaker 1>try and stump you. It's fine, stump away, all right.

0:23:37.440 --> 0:23:41.600
<v Speaker 1>John Desmond, well see he listened like ten See. I

0:23:41.800 --> 0:23:43.760
<v Speaker 1>want to interject really quick. The reason this is funny

0:23:43.840 --> 0:23:45.240
<v Speaker 1>to me, and I'm not salty about it. But I

0:23:45.280 --> 0:23:47.840
<v Speaker 1>was talking with my friend Mary, who likes the show,

0:23:48.000 --> 0:23:50.480
<v Speaker 1>listens to the show. Um, she came to the show

0:23:50.480 --> 0:23:52.320
<v Speaker 1>in Philly when we when something I wants you to

0:23:52.359 --> 0:23:54.880
<v Speaker 1>know did our life thing, And she thought the whole

0:23:55.119 --> 0:23:58.040
<v Speaker 1>Knowles holes concept was funny because she's like, you seem

0:23:58.080 --> 0:23:59.520
<v Speaker 1>like you kind of have seen a lot of movies.

0:24:00.119 --> 0:24:01.960
<v Speaker 1>I don't understand what's kind of the point. It's no

0:24:02.040 --> 0:24:04.240
<v Speaker 1>fun to make fun of like someone who doesn't even

0:24:04.240 --> 0:24:06.840
<v Speaker 1>watch movies, you know, it's fun to make fun of

0:24:06.880 --> 0:24:09.440
<v Speaker 1>the guy who does. So when you get me, it's good.

0:24:09.480 --> 0:24:11.240
<v Speaker 1>I get it. I get it. So we can expose

0:24:11.280 --> 0:24:16.240
<v Speaker 1>your hole. See Chuck, you you push and you push,

0:24:16.720 --> 0:24:21.080
<v Speaker 1>and one day you're gonna snap. You're gonna snap. All right,

0:24:21.480 --> 0:24:25.159
<v Speaker 1>So John Desmond, you over overdid it, my friend. But

0:24:25.240 --> 0:24:28.240
<v Speaker 1>that's good. I like an overachiever. So he he gave

0:24:28.280 --> 0:24:30.680
<v Speaker 1>like ten. Let me just pick one off this list then,

0:24:31.800 --> 0:24:38.160
<v Speaker 1>um from the movie Tombstone. Yep, alright with that's that's

0:24:38.640 --> 0:24:43.440
<v Speaker 1>I'll be your huckleberry. Huh yeah, with with Doc Holiday,

0:24:43.480 --> 0:24:45.639
<v Speaker 1>isn't he say? Like Val Kilmer plays Doc Holiday and

0:24:45.640 --> 0:24:48.119
<v Speaker 1>he says, I'll be here. You can say that all right.

0:24:48.200 --> 0:24:52.920
<v Speaker 1>Now you're acing this so far three for three. Good job,

0:24:53.080 --> 0:25:00.240
<v Speaker 1>John Mark Noack says Monty Python's Meaning of Love life.

0:25:01.760 --> 0:25:05.359
<v Speaker 1>I've seen all the Money Python movies. I'll tell you

0:25:05.440 --> 0:25:07.600
<v Speaker 1>the one that I don't, that I've never quite gotten

0:25:08.359 --> 0:25:11.000
<v Speaker 1>is Life of Brian And I know people love it.

0:25:11.160 --> 0:25:12.639
<v Speaker 1>I love it, and I've and I've seen it a

0:25:12.640 --> 0:25:14.720
<v Speaker 1>bunch of times, and I love Money Python, but it

0:25:14.760 --> 0:25:18.399
<v Speaker 1>has never grabbed me the way Holy Grail or Meaning

0:25:18.400 --> 0:25:21.800
<v Speaker 1>of Life or even that the TV show because Brian

0:25:21.920 --> 0:25:25.640
<v Speaker 1>is really like, that's kind of one of the top. Well,

0:25:25.680 --> 0:25:27.640
<v Speaker 1>people love it, and I'm not saying it's not good.

0:25:27.680 --> 0:25:29.800
<v Speaker 1>I'm just saying, for whatever reason it didn't, it didn't

0:25:29.840 --> 0:25:31.760
<v Speaker 1>hit me in the gut the same way Holy Grail did,

0:25:31.800 --> 0:25:34.080
<v Speaker 1>because that, to me is like a stone cold, forever

0:25:34.160 --> 0:25:39.840
<v Speaker 1>in all time clastic bit of comic. Alright, Kaylee Roth said,

0:25:39.840 --> 0:25:43.440
<v Speaker 1>you're doing great. No, Kaylee Roth says, the Devil Wears

0:25:43.520 --> 0:25:46.920
<v Speaker 1>product that you know, you know, where you can get

0:25:46.960 --> 0:25:49.840
<v Speaker 1>me is in the is in the anything even vaguely

0:25:49.880 --> 0:25:53.399
<v Speaker 1>approaching or rom com I've not seen it. Just putting

0:25:53.440 --> 0:25:55.399
<v Speaker 1>that out there, but no, I have not. Is that

0:25:55.440 --> 0:25:58.040
<v Speaker 1>the one where Meryl Streep is the mean lady? She's

0:25:58.080 --> 0:26:00.560
<v Speaker 1>like the mean fashion really good movie. Isn't she meant

0:26:00.560 --> 0:26:03.280
<v Speaker 1>to be like an actual person like something Winter? Yeah,

0:26:04.119 --> 0:26:06.600
<v Speaker 1>I can't remember here. Maybe she's just like a parody

0:26:06.640 --> 0:26:08.440
<v Speaker 1>of maybe it was like the editor of Vogue or something.

0:26:08.440 --> 0:26:10.280
<v Speaker 1>I can't remember, but yeah, I think it is a

0:26:10.280 --> 0:26:14.080
<v Speaker 1>specific person she really seemed to recall. I've seen some

0:26:14.160 --> 0:26:16.359
<v Speaker 1>of that on TV, but it wasn't enough for me

0:26:16.440 --> 0:26:18.520
<v Speaker 1>to stay the course, you know, Yeah, I hear you.

0:26:18.600 --> 0:26:20.600
<v Speaker 1>Anne Hathaway is the one who is the kind of

0:26:20.600 --> 0:26:23.920
<v Speaker 1>punching bag character. Right, she's like her assistant. Yeah, but

0:26:23.960 --> 0:26:29.360
<v Speaker 1>no Rube, she knows what's tough, all right, Diane Bateman,

0:26:30.200 --> 0:26:33.159
<v Speaker 1>she listed quite a few two uh, and so I'm

0:26:33.160 --> 0:26:37.919
<v Speaker 1>gonna pick from her list strictly ballroom Nope, al right,

0:26:38.280 --> 0:26:41.199
<v Speaker 1>that one might not be quite fair. That one's Australian, right,

0:26:41.280 --> 0:26:45.199
<v Speaker 1>isn't it about Australian ballroom dancing? It's a documentary? No, no, no,

0:26:45.320 --> 0:26:47.520
<v Speaker 1>it was a movie. But the reason I say it's

0:26:47.520 --> 0:26:50.400
<v Speaker 1>still fair is because it was a really big like sensation.

0:26:51.040 --> 0:26:55.479
<v Speaker 1>I remember when was that in the nineties? Yea? For

0:26:55.520 --> 0:26:57.360
<v Speaker 1>some reason, I remember it came out around the same

0:26:57.400 --> 0:27:01.560
<v Speaker 1>time as that movie Ready to Wear Sure or whatever.

0:27:02.320 --> 0:27:05.000
<v Speaker 1>Yeah that those were kind of contemporary probably, so I

0:27:05.040 --> 0:27:07.760
<v Speaker 1>seem to remember. Do you know what I remember about that?

0:27:08.000 --> 0:27:09.760
<v Speaker 1>For some reason, it reminds me maybe it was in

0:27:09.800 --> 0:27:16.720
<v Speaker 1>the movie actually is uh, here comes the Hot Steps,

0:27:17.480 --> 0:27:21.800
<v Speaker 1>then love me like that? No, take your boom boom

0:27:21.800 --> 0:27:25.359
<v Speaker 1>bow or whatever. He says. That's snow different. Those are

0:27:25.359 --> 0:27:29.040
<v Speaker 1>two different to two different songs. Oh, really high stepper

0:27:29.119 --> 0:27:32.640
<v Speaker 1>and you're thinking of informa. You know, I'm a man

0:27:33.000 --> 0:27:34.879
<v Speaker 1>I make a bum ba. Wow, Did I just do

0:27:34.960 --> 0:27:37.199
<v Speaker 1>a mashup? Kind of? Did I just write as you

0:27:37.200 --> 0:27:39.480
<v Speaker 1>did a mashup? Chuck? You did a mid a midway

0:27:39.520 --> 0:27:42.440
<v Speaker 1>mash up? Those would work together. I didn't had that talent.

0:27:43.520 --> 0:27:45.560
<v Speaker 1>It's called being a dumb old man. Not at all, Chuck,

0:27:45.600 --> 0:27:48.520
<v Speaker 1>You're you're more of a savant. You're a mash up savant.

0:27:48.600 --> 0:27:50.480
<v Speaker 1>I think on the way to that movie, my friends

0:27:50.480 --> 0:27:52.840
<v Speaker 1>and I on the way to Preda Porte, my friends

0:27:52.840 --> 0:27:54.320
<v Speaker 1>and I heard that song. We're singing it kind of

0:27:54.320 --> 0:27:57.359
<v Speaker 1>goofing off. I think that's the association got it unless

0:27:57.400 --> 0:27:59.240
<v Speaker 1>it was in it. So the snow song wasn't in

0:27:59.280 --> 0:28:01.320
<v Speaker 1>the movie or neither one. I don't know. Oh boy,

0:28:01.400 --> 0:28:03.520
<v Speaker 1>we'll have to do that. Can we get someone Ramsey?

0:28:03.560 --> 0:28:06.480
<v Speaker 1>Can you check that? Let's check it out, all right? Edwin,

0:28:07.160 --> 0:28:11.280
<v Speaker 1>Edwin Forest Glenn. That's a great name. Should have like

0:28:11.320 --> 0:28:14.560
<v Speaker 1>a state park name after you, Devil's advocate NOL. Have

0:28:14.640 --> 0:28:17.840
<v Speaker 1>you seen that? Yes? Man, it's got the best like

0:28:17.920 --> 0:28:21.760
<v Speaker 1>scenery chewing al Pacino monologue effer of all time. Didn't

0:28:21.760 --> 0:28:23.879
<v Speaker 1>your boy Pollock do that on the show. Didn't he

0:28:23.960 --> 0:28:27.119
<v Speaker 1>do a little moment for like probably because definitely does

0:28:28.119 --> 0:28:30.200
<v Speaker 1>when he's just like yelling at the top of his lap.

0:28:31.520 --> 0:28:33.400
<v Speaker 1>Oh man, I wish I could pull that up. It's

0:28:33.440 --> 0:28:36.800
<v Speaker 1>so good. Our friend Ben Bolan, who does the Conspiracy

0:28:36.800 --> 0:28:39.600
<v Speaker 1>Show with me, uh well, has done that for auditions

0:28:39.640 --> 0:28:43.960
<v Speaker 1>before because it's just so interesting. Yeah. Alright. Michael Green,

0:28:44.240 --> 0:28:47.360
<v Speaker 1>our old friend, he's on here a lot, uh, says

0:28:47.880 --> 0:28:49.760
<v Speaker 1>he has quite a few, but I'm just gonna pick one.

0:28:50.000 --> 0:28:52.480
<v Speaker 1>The first one on his list, Noel, the Wild Bunch.

0:28:53.520 --> 0:28:58.640
<v Speaker 1>I have not seen it, all right, that is pack

0:28:58.720 --> 0:29:01.360
<v Speaker 1>and Paw. I was gonna say it was Leone. No,

0:29:01.480 --> 0:29:04.360
<v Speaker 1>that's Sam. I'm thinking of what's what's the what's the

0:29:04.360 --> 0:29:06.720
<v Speaker 1>Sergio Leone one? That sort of sounds like that once

0:29:06.800 --> 0:29:08.600
<v Speaker 1>upon a time in the West. But yeah, but didn't

0:29:08.600 --> 0:29:11.440
<v Speaker 1>there's there one with the word wild or bunch in

0:29:11.480 --> 0:29:15.200
<v Speaker 1>the name. I don't know. I do need to see

0:29:15.240 --> 0:29:18.760
<v Speaker 1>I need to see my my Western Uh just a

0:29:18.760 --> 0:29:22.320
<v Speaker 1>lot of holes. Your Western holes are large and dusty.

0:29:22.440 --> 0:29:27.000
<v Speaker 1>It's true. Did you ever watch Deadwood Full of Gophers? Oh? Yeah,

0:29:27.040 --> 0:29:29.600
<v Speaker 1>I loved. They're finally doing it and making it. They're

0:29:29.600 --> 0:29:31.640
<v Speaker 1>in production on the on the movie. They just announced

0:29:31.680 --> 0:29:35.240
<v Speaker 1>the cast today and ain't at cool news Dot com everybody,

0:29:35.320 --> 0:29:36.640
<v Speaker 1>which is, by the way, where I go from my

0:29:36.720 --> 0:29:39.440
<v Speaker 1>movie news Is that right? Yeah? You know I have forever.

0:29:39.680 --> 0:29:42.480
<v Speaker 1>Is there like anybody surprising in it other than the

0:29:42.480 --> 0:29:44.920
<v Speaker 1>people that are confirmed from the original show. No. I

0:29:44.960 --> 0:29:48.240
<v Speaker 1>think they added one cast member who was a young woman.

0:29:49.040 --> 0:29:52.120
<v Speaker 1>I think like a teenager maybe early teenager, who plays

0:29:52.160 --> 0:29:54.720
<v Speaker 1>some vital part. But they did say that the story

0:29:54.800 --> 0:29:59.320
<v Speaker 1>is like ten years later. They're I think, celebrating the

0:29:59.360 --> 0:30:02.560
<v Speaker 1>statehood of South Dakota. So a lot of these characters

0:30:02.640 --> 0:30:05.800
<v Speaker 1>kind of come back into orbit with one another. So

0:30:05.840 --> 0:30:07.560
<v Speaker 1>I don't know whose kid this is, but it's clearly

0:30:07.600 --> 0:30:12.920
<v Speaker 1>somebody's child. If she's a little swear engine man, she'd

0:30:12.920 --> 0:30:16.440
<v Speaker 1>be like, hey, cocksuckers. By the way, the Pecino the

0:30:16.480 --> 0:30:22.320
<v Speaker 1>Pecino line from Devil's Advocate is he's an absentee land lord.

0:30:22.400 --> 0:30:24.760
<v Speaker 1>That was good talking about God. Man, that was a

0:30:24.760 --> 0:30:28.080
<v Speaker 1>good Uh you gotta go way off, Mike, Yeah, man,

0:30:28.560 --> 0:30:32.720
<v Speaker 1>look at you all right? Score five to eight with

0:30:32.840 --> 0:30:40.560
<v Speaker 1>twelve to go. Um, Jessica Amber, everyone's leaving so many Yeah,

0:30:40.560 --> 0:30:43.360
<v Speaker 1>but that's cool because that gives you, knowing me so well,

0:30:43.520 --> 0:30:45.920
<v Speaker 1>the opportunity to properly pick the right one that will

0:30:45.960 --> 0:30:48.200
<v Speaker 1>stump me. So this is a good thing for the process,

0:30:48.200 --> 0:30:52.640
<v Speaker 1>I would argue, alright, Splash, is that the Mermaid one? Yep?

0:30:52.800 --> 0:30:54.600
<v Speaker 1>Never seen it? All right, I can tell you he's

0:30:54.600 --> 0:31:00.480
<v Speaker 1>in it? Is it Share? Nope? Is it Darryl Daryl Hannah? Yes? Cool?

0:31:01.000 --> 0:31:07.560
<v Speaker 1>Didn't didn't you just marry Neil Young? Oh? Yeah, that's cool. Yeah, alright, Jessica.

0:31:07.640 --> 0:31:14.040
<v Speaker 1>Those are great. Um let me see here. Um Brad Honey,

0:31:14.960 --> 0:31:18.000
<v Speaker 1>it's five to four. Noll says, uh, he has a

0:31:18.000 --> 0:31:20.360
<v Speaker 1>bunch of them too. I feel like I'm being unfair

0:31:20.400 --> 0:31:22.840
<v Speaker 1>by perusing the list too much, so I'll just say

0:31:22.880 --> 0:31:26.000
<v Speaker 1>I'll name the seventh one down one, two, three, four

0:31:26.080 --> 0:31:29.840
<v Speaker 1>or five six seven. Touch of Evil, well, that's a

0:31:30.120 --> 0:31:35.120
<v Speaker 1>like a mystery science theater No Evils, Morrison Wells classic.

0:31:35.200 --> 0:31:37.160
<v Speaker 1>Oh I haven't seen that now, I'm sorry. I was

0:31:37.200 --> 0:31:39.719
<v Speaker 1>thinking of Touch of Satan, very good. Touch of Satan

0:31:39.880 --> 0:31:42.280
<v Speaker 1>is a mystery science there. And for the record, that

0:31:42.320 --> 0:31:44.440
<v Speaker 1>one sounds cool. But most of these movies that I

0:31:44.480 --> 0:31:47.440
<v Speaker 1>haven't seen, it's not for it's it's just because I

0:31:47.440 --> 0:31:50.160
<v Speaker 1>didn't want to WHOA, don't be that guy. I don't

0:31:50.200 --> 0:31:52.720
<v Speaker 1>care about saying splash what I want to see Splash

0:31:52.840 --> 0:31:56.360
<v Speaker 1>for Yeah, man, how does feel like there's better ways

0:31:56.360 --> 0:32:00.760
<v Speaker 1>I can occupy my time? No super salty today, everybody,

0:32:00.840 --> 0:32:03.800
<v Speaker 1>all right, I'll see Splash. We can do a crush

0:32:03.840 --> 0:32:07.320
<v Speaker 1>to judgment on Splash. You know what. That could be

0:32:07.360 --> 0:32:10.120
<v Speaker 1>another type of show we do where we watch an

0:32:10.120 --> 0:32:13.200
<v Speaker 1>older movie and just talk talk about it. Yeah. Yeah,

0:32:13.240 --> 0:32:16.240
<v Speaker 1>they'd be fun and maybe, like I take, we each

0:32:16.320 --> 0:32:19.240
<v Speaker 1>take a very strong position like I'm super anti Splash,

0:32:19.360 --> 0:32:21.680
<v Speaker 1>you're super pro Splash, and then we do get out

0:32:23.000 --> 0:32:27.520
<v Speaker 1>we uh do do the stats in the stats? All right.

0:32:27.720 --> 0:32:33.480
<v Speaker 1>Mickey McGhee says, well, you've seen all these, so go

0:32:33.520 --> 0:32:37.480
<v Speaker 1>ahead and just say yes to the Fisher King. Oh yeah,

0:32:37.720 --> 0:32:40.240
<v Speaker 1>that's my that's my flavor. I love all the surrealist

0:32:40.880 --> 0:32:43.120
<v Speaker 1>gilliam stuff. That's why the money python. I mean, I

0:32:43.160 --> 0:32:45.640
<v Speaker 1>love that whole world. You know, that's always been some

0:32:45.680 --> 0:32:50.640
<v Speaker 1>of my favorite stuff. Agreed that what does that word

0:32:50.640 --> 0:32:56.480
<v Speaker 1>even mean? It just means ship? You did um. Kimberly

0:32:56.560 --> 0:33:04.480
<v Speaker 1>Howie said, oh, let's pick from her list the professional

0:33:05.080 --> 0:33:08.000
<v Speaker 1>or Leon. I saw that in the theater in New

0:33:08.080 --> 0:33:11.360
<v Speaker 1>York City two points when I was a kid, and

0:33:11.800 --> 0:33:15.000
<v Speaker 1>I would have an appropriate age to have a crush

0:33:15.080 --> 0:33:17.560
<v Speaker 1>on the not the version of Natalie Portman that's in

0:33:17.600 --> 0:33:19.800
<v Speaker 1>that movie. You weren't some super creepy old guy, I was.

0:33:19.840 --> 0:33:22.080
<v Speaker 1>I was probably that movie is very famous for creeps,

0:33:22.240 --> 0:33:24.560
<v Speaker 1>talking about how cute she was, and she was like, no,

0:33:24.640 --> 0:33:26.480
<v Speaker 1>twelve version, But I was like twelve as well. I

0:33:26.520 --> 0:33:28.280
<v Speaker 1>was like, I think she and I might be almost

0:33:28.280 --> 0:33:30.280
<v Speaker 1>the same age, or she might be a little older

0:33:30.280 --> 0:33:32.320
<v Speaker 1>than me. And I was crushing on her as a

0:33:32.360 --> 0:33:37.320
<v Speaker 1>younger kid, which is even even less weird. Yes, very sweet,

0:33:37.400 --> 0:33:40.640
<v Speaker 1>traditional crush on an older girl. I have a bunch

0:33:40.680 --> 0:33:43.200
<v Speaker 1>of weird movie New York movie memories because I would

0:33:43.200 --> 0:33:44.560
<v Speaker 1>go there a lot when my mom was singing in

0:33:44.560 --> 0:33:47.920
<v Speaker 1>the opera and visit her for extended periods of time. Yeah,

0:33:47.960 --> 0:33:49.440
<v Speaker 1>I go the movie through myself a lot. I remember

0:33:49.480 --> 0:33:52.080
<v Speaker 1>seeing Titanic. I was in New York when Titanic came out,

0:33:52.080 --> 0:33:55.360
<v Speaker 1>and I saw it like a bunch of times. Yeah,

0:33:55.480 --> 0:33:58.200
<v Speaker 1>And I later came to realize it was probably because

0:33:58.240 --> 0:34:03.560
<v Speaker 1>of the sexy stuff. Oh sure, because that was so

0:34:03.600 --> 0:34:06.040
<v Speaker 1>you would sit through a four hour movie to see

0:34:06.400 --> 0:34:09.680
<v Speaker 1>her boobs. It's a great age and the heart of

0:34:09.680 --> 0:34:21.160
<v Speaker 1>the ocean nestled betwixt betwixt them all right. Michelle Johnson says, Ah,

0:34:21.280 --> 0:34:24.680
<v Speaker 1>To Kill a Mockingbird old movie. I think I had

0:34:24.719 --> 0:34:26.640
<v Speaker 1>to watch that in school, but I loved it. I

0:34:26.640 --> 0:34:30.200
<v Speaker 1>loved the book and the isn't that with Gregory Peck? Yeah?

0:34:30.440 --> 0:34:32.480
<v Speaker 1>Did you see it? I did see it. Is it

0:34:32.520 --> 0:34:34.840
<v Speaker 1>in color? Black and white? It's in black and white? Okay?

0:34:35.320 --> 0:34:38.680
<v Speaker 1>Is but he was busting up a chiffer rope. All right,

0:34:38.680 --> 0:34:41.560
<v Speaker 1>I'll give you credit of that, Boo Radley. He did.

0:34:41.840 --> 0:34:44.759
<v Speaker 1>He did bust up at chiffer rope. Man. What a

0:34:44.840 --> 0:34:49.600
<v Speaker 1>what a good movie. That's a great movie. Uh. Matthew Schwifler,

0:34:51.360 --> 0:34:56.520
<v Speaker 1>the schwife says, better Off Dead with John Cusack. Is

0:34:56.520 --> 0:34:59.080
<v Speaker 1>that the one where he holds up the radio? Nope,

0:34:59.280 --> 0:35:01.879
<v Speaker 1>let's say anything. Already stumped to it, So better off dad?

0:35:01.920 --> 0:35:04.320
<v Speaker 1>That's the one with the um I'm just gonna go.

0:35:04.400 --> 0:35:09.120
<v Speaker 1>And no, he's got a claimation Hamburger in it, doesn't it? Uh? Yeah?

0:35:09.160 --> 0:35:13.359
<v Speaker 1>I think he works at a fast. Everybody wants remember that.

0:35:13.520 --> 0:35:17.359
<v Speaker 1>I've probably seen parts of it on Comedy Central's that stuff.

0:35:17.360 --> 0:35:22.799
<v Speaker 1>That's a nice, nice try though. Uh, well, of course

0:35:22.800 --> 0:35:26.160
<v Speaker 1>you've seen this. Susie Hannah says, the Grand Budapest Hotel. No,

0:35:26.280 --> 0:35:29.160
<v Speaker 1>I have not seen that. Whoa, I have not seen that.

0:35:30.120 --> 0:35:33.200
<v Speaker 1>That's a Wes Anderson hole for me. Funny, I skipped

0:35:33.200 --> 0:35:36.040
<v Speaker 1>it for some reason. The most I've seen metrically centered hole.

0:35:36.320 --> 0:35:39.560
<v Speaker 1>It is. It really is. Um, we don't do these

0:35:39.560 --> 0:35:42.560
<v Speaker 1>are holes, these are circular, These are not like oblong um. No,

0:35:42.680 --> 0:35:45.040
<v Speaker 1>but no, I have not Uh. For some everyone says

0:35:45.040 --> 0:35:47.480
<v Speaker 1>it's it's amazing and I haven't. There's no real reason

0:35:47.560 --> 0:35:49.440
<v Speaker 1>why I shouldn't have seen it. It's really good. I

0:35:49.520 --> 0:35:52.640
<v Speaker 1>just missed it. It's it's like top four for me.

0:35:52.719 --> 0:35:55.319
<v Speaker 1>For him, maybe I'll watch it like tonight. Yeah, I've

0:35:55.320 --> 0:35:57.239
<v Speaker 1>been That's funny. That one keeps coming up and I'm

0:35:57.239 --> 0:35:58.959
<v Speaker 1>reminded that I haven't seen it, and and I asked myself,

0:35:59.000 --> 0:36:01.120
<v Speaker 1>why have I not seen it? All Right? Five more nol.

0:36:02.000 --> 0:36:09.640
<v Speaker 1>We're milking this ship, William Angus says, Beverly Hills cop valid. Yeah, yeah,

0:36:09.880 --> 0:36:13.480
<v Speaker 1>I've seen I've seen all three. Oh, the third one

0:36:13.520 --> 0:36:15.399
<v Speaker 1>is at one point though. That's fine. Isn't the third

0:36:15.400 --> 0:36:18.000
<v Speaker 1>one there's like an amusement park. There's like a I

0:36:18.040 --> 0:36:19.960
<v Speaker 1>don't remember. They probably haven't seen the third one. That

0:36:20.000 --> 0:36:22.160
<v Speaker 1>was a little far removed. Now I saw the third one,

0:36:22.200 --> 0:36:25.759
<v Speaker 1>but the two and three just held no candle. You

0:36:25.800 --> 0:36:28.440
<v Speaker 1>know which one's got Bronson pin show and it is

0:36:28.480 --> 0:36:30.400
<v Speaker 1>he and all. That's the first one. Um, they might

0:36:30.440 --> 0:36:32.760
<v Speaker 1>have brought him back actually, because he was so funny.

0:36:32.960 --> 0:36:36.640
<v Speaker 1>He was like an art gallery guy, says h Thomas

0:36:36.640 --> 0:36:40.400
<v Speaker 1>Tenerello says City Slickers super popular in the day, but

0:36:40.600 --> 0:36:42.880
<v Speaker 1>largely forgotten. He thinks, well, there was a sequel to

0:36:43.160 --> 0:36:45.439
<v Speaker 1>the Legend of Curly's Gold. My brother worked on that movie,

0:36:45.960 --> 0:36:48.319
<v Speaker 1>the whole thing out. I think we talked about that.

0:36:48.440 --> 0:36:50.000
<v Speaker 1>It has come up before. Yeah, I know, I've definitely

0:36:50.000 --> 0:36:52.520
<v Speaker 1>seen both of those. I saw the second one and

0:36:52.520 --> 0:36:54.360
<v Speaker 1>then I think I saw them both in the theaters. Actually,

0:36:54.440 --> 0:37:01.040
<v Speaker 1>because three more. Let's see where you land. Maggie Rosenson says,

0:37:01.320 --> 0:37:06.680
<v Speaker 1>true Grit, original or any John Wayne movie. She really

0:37:06.680 --> 0:37:10.680
<v Speaker 1>gives you a wide birth. Yeah you know what, No, Okay,

0:37:10.680 --> 0:37:13.080
<v Speaker 1>I've ever seen a John Wayne movie. All right, good one,

0:37:13.280 --> 0:37:15.279
<v Speaker 1>that's a good one. Never seen a John although I

0:37:15.320 --> 0:37:18.800
<v Speaker 1>do have a tiny bust of John Wayne in my house. Weird.

0:37:19.560 --> 0:37:21.439
<v Speaker 1>You know, my middle name is from John Wayne, Charles

0:37:21.440 --> 0:37:23.560
<v Speaker 1>Wayne Bryant, Is that right? My dad named me after

0:37:23.640 --> 0:37:26.440
<v Speaker 1>John Wayne. I did not know your middle name was Wayne.

0:37:26.520 --> 0:37:28.480
<v Speaker 1>Well there, I just knew it was w I don't

0:37:28.480 --> 0:37:33.080
<v Speaker 1>know your middle name. It's Christian, Noel, Christian Brown. Interesting,

0:37:33.080 --> 0:37:39.239
<v Speaker 1>what's your social security number? I'm going to steal your identity, Noel.

0:37:39.640 --> 0:37:42.879
<v Speaker 1>It'll be two of you, all right, two more, Paul Cook.

0:37:42.920 --> 0:37:45.440
<v Speaker 1>I know you've seen this, but I'm gonna stay true,

0:37:45.680 --> 0:37:50.920
<v Speaker 1>says the bird Cage. La. Yes, you've definitely seen that.

0:37:50.960 --> 0:37:53.280
<v Speaker 1>I haven't seen the original that I've seen the Robin Williams.

0:37:53.320 --> 0:37:54.920
<v Speaker 1>One well, he says the bird cage. So that's what

0:37:55.040 --> 0:37:57.680
<v Speaker 1>that's where we go with. Alright, nol and one more.

0:37:57.880 --> 0:38:00.640
<v Speaker 1>You've got this one locked, by the way, plus fIF

0:38:02.040 --> 0:38:09.280
<v Speaker 1>uh shy, Reuben says, chasing Amy. Yeah, okays Kevin Kevin Smith,

0:38:09.840 --> 0:38:13.200
<v Speaker 1>the one with all right, everyone, what's that girl's name

0:38:13.360 --> 0:38:16.640
<v Speaker 1>that played Amy? Joe Adams? Adams that's right, yeah, sound

0:38:16.640 --> 0:38:19.759
<v Speaker 1>liked her. She was in days and confused too, she

0:38:19.800 --> 0:38:25.640
<v Speaker 1>sure was. Yes, you got twelve yeses and only eight knows.

0:38:26.719 --> 0:38:33.520
<v Speaker 1>So Noel, your holes prevailed? Are your lack of holes prevailed? Well?

0:38:33.560 --> 0:38:36.240
<v Speaker 1>You know, um, it's it's been a fun, crazy ride,

0:38:36.239 --> 0:38:38.400
<v Speaker 1>and now I know that I guess I need to

0:38:38.400 --> 0:38:42.600
<v Speaker 1>see splash Um, I really need to see Grand Budapest Hotel.

0:38:43.160 --> 0:38:46.400
<v Speaker 1>But I stand by most of my my holes. I

0:38:46.480 --> 0:38:51.120
<v Speaker 1>stand beside them with with honor. All Right, man, that

0:38:51.239 --> 0:38:53.480
<v Speaker 1>was fun. Let's skip questions this week because I think

0:38:53.560 --> 0:38:57.799
<v Speaker 1>we took forever in that fun episode. And uh, we'll

0:38:57.800 --> 0:38:59.840
<v Speaker 1>see you next time. Yeah, yeah, hopefully people made it

0:38:59.840 --> 0:39:02.359
<v Speaker 1>this far. But I I enjoyed being here with you, Chuck,

0:39:02.400 --> 0:39:12.920
<v Speaker 1>and that's all that matters to Alright later, Gay