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Speaker 1: Usually we learned from the Boss of life, from Big

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Speaker 1: just full.

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Speaker 2: Just give me four balls. No no, no, I fuck

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Speaker 2: everything up. I fuck up my own life.

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Speaker 3: You don't want me listen?

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Speaker 1: Life and actuality. Fuck. Who's the baddest person?

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Speaker 2: Status tendathatary and my mentality is money orientated.

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Speaker 1: Go craw. That's the closest he got to them. Just

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Speaker 1: over my pod.

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Speaker 2: It's the motherfucking Dawn the guard Are this ship by here?

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Speaker 2: Boy down, Nigga show crack.

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Speaker 4: You know it is your boy, Jada. This is the

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Speaker 4: Joe and Jadas show. Every show legendary, every show iconic.

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Speaker 4: And we got the pressure on and we're gonna continu

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Speaker 4: you on stepping on your soophagusus.

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Speaker 2: Jody said, your man, Bill Boss said, nobody want beef

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Speaker 2: with us Bill Burke, he said, Yo, you beefing with

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Speaker 2: No beef with air Joe. That's you, Nah. Watch that episode.

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Speaker 2: The niggas said, Yo, you beefing with Yo Joe. He said, Joe,

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Speaker 2: why are you coming the podcast looking for beef?

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Speaker 3: On the podcast?

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Speaker 2: He said, nobody got beef with you. I said, Yo, man,

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Speaker 2: I just that's it. I'm about to looking for smoke.

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Speaker 2: I need some shit check it out.

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Speaker 4: When you think of today's guests, he's another good friend

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Speaker 4: of ours.

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Speaker 1: Don't let that go over your head, because.

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Speaker 4: I know you want to be a part of and

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Speaker 4: amongst the elite that you can't. You're think of today's guests,

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Speaker 4: you think what it truly means to be a MC.

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Speaker 4: You know what I mean, not just someone who raps

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Speaker 4: with someone who commands the craft.

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Speaker 1: Think about what I'm telling y'all.

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Speaker 4: Man from being the first voice you heard on one

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Speaker 4: of the greatest albums ever created of all time.

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Speaker 1: The greatest album covering out a.

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Speaker 4: Solo legacy that stands on his own without question. If

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Speaker 4: you know, you know this man that's never had to

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Speaker 4: chase anything because everything came to him through shit, skill

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Speaker 4: and discipline. The streets certified them, hip hop crowned them.

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Speaker 5: He's back with Door or Died three. One of the

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Speaker 5: most underrated, one of the most smoothest. One who knows

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Speaker 5: how to get low, come back, get the dove, didn

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Speaker 5: get thee again.

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Speaker 2: Specializes in that talk slow for the niggas in the back,

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Speaker 2: completing the trilogy that only a real one could finish.

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Speaker 1: Put some respect on his name. Ladies and Jim in

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Speaker 1: ass and.

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Speaker 5: Beautiful info man, beautiful into appreciate.

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Speaker 2: It, appreciate you for coming to the realness. Yes, so

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Speaker 2: what Kisses alluding to. I'm sorry for cutting.

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Speaker 1: Go ahead, bro, you do job.

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Speaker 2: This platform's tailor made for guys like you.

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Speaker 1: I was just telling them that's what this, this, this

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Speaker 1: we this ship is tailor made.

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Speaker 2: You know, a lot of these other shock jocks and

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Speaker 2: all that they with the bullshit, the real stops here.

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Speaker 2: It gets respected. So you're looking at a Z went

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Speaker 2: to four podcasts. I know your team telling you to promote.

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Speaker 2: They're gonna stop at this one can say, Yo, what

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Speaker 2: the fuck Joe kraton Kiss.

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Speaker 1: Stop five got to say about the guard ain Z.

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Speaker 2: This is where hip hop stops, and it's tailor made

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Speaker 2: for you.

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Speaker 1: I'm gonna tell you right now. I love everybody.

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Speaker 2: It's not too many people I'm honored to have on

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Speaker 2: the platform. I'm truly honored to have you on here.

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Speaker 2: When he's explaining, there's just no way to explain it, right,

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Speaker 2: it's the same two thousand years from from now. We

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Speaker 2: don't know if the aliens is here something, but they

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Speaker 2: gonna come down and say they was a John here

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Speaker 2: created by oppressed people it was called hip hop music,

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Speaker 2: and they're gonna talk about that thematic and they're gonna

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Speaker 2: talk about a Z. That's how big this is. So

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Speaker 2: I'm overstanding your presence and what you have done for

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Speaker 2: hip hop. He's unexplainableys, Shit like you know how we're

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Speaker 2: gonna look at the pyramids and shit like that.

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Speaker 1: You in the pyramid of hip hop.

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Speaker 2: It's a lot right there, That's a lot. I'm telling

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Speaker 2: you the truth. I know what the fuck I'm talking about.

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Speaker 1: You know what I'm saying. You You in the fucking pyramid. Man?

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Speaker 1: You you you like you know it's fucking easy. You know.

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Speaker 1: He's there's no way to explain.

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Speaker 2: This is no way to define you on a rap level,

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Speaker 2: because you was light years ahead of everybody since day one,

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Speaker 2: since we heard you. And by the way, this album,

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Speaker 2: this shift phenomenal. I beat it last night and I

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Speaker 2: beat the first thing this morning. This album right here

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Speaker 2: is done perfect. There's a lot of ways you could

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Speaker 2: take it, you know what I mean. So you say,

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Speaker 2: there's a huge Jay Z interview where he was saying,

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Speaker 2: you know, older guys need to be talking about older shit,

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Speaker 2: this and this and that or whatever the case. I

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Speaker 2: feel like this album you stood true to who you

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Speaker 2: are me. I'm one of the older guys to sell

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Speaker 2: drugs on my music. Shoot your mom's all. I don't

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Speaker 2: give a fuck, you know what I mean. I'm not

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Speaker 2: acting change.

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Speaker 3: I don't that's real.

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Speaker 2: I'm not acting my age. But I understand what he said.

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Speaker 2: And the thing that's so perfect about this album. You

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Speaker 2: think of rock groups, YouTube, Journey, everybody. When you buy

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Speaker 2: the ship, it sounds like you at that same concert

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Speaker 2: and Woodstock or something like that. When I get your album,

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Speaker 2: this one right here, that's what I want to hear

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Speaker 2: a Z. That ship was perfection. Appreciate every joint on there.

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Speaker 2: Felt like all right, I'm with a Z. Yeah, this

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Speaker 2: and that. That's crazy right then, Like I told my

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Speaker 2: wife us to get ready. We're gonna drive in the

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Speaker 2: car to this ship when I get back home. Because

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Speaker 2: this ship feel too good. I got on the sound system.

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Speaker 2: I want to hear this ship in the car driving around.

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Speaker 2: This ship is a viow from A to Z. So

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Speaker 2: salute on that because everybody can't. You know, a lot

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Speaker 2: of our icons and pine is uh fell off when

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Speaker 2: they got our age.

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Speaker 1: Let's just keep it a buck.

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Speaker 2: You definitely can't lose one floor, one bar, no nothing,

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Speaker 2: your ship is a one. How do you come together

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Speaker 2: with doing this album like this to perfection?

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Speaker 1: What made you say, y' I'm picking these beats, I'm

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Speaker 1: gonna do this.

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Speaker 6: I mean, I didn't think I was gonna get the

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Speaker 6: response like that, not from you, per sEH from the people's.

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Speaker 6: But I was working on the album prior and then

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Speaker 6: I realized the dirtieth anniversary was coming out. I was

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Speaker 6: just gonna, you know, put lyrics the same lyrics with

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Speaker 6: different beats.

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Speaker 3: I started that.

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Speaker 6: I reached out the kids, appreciate you, came throughing him

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Speaker 6: me yours with escal he did that. I did whole

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Speaker 6: happy Jackie and then I then it just started growing

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Speaker 6: his own life, you know what I mean?

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Speaker 5: And I just I stepped into that zone right there.

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Speaker 1: Yeah, man, that Jackie is right.

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Speaker 2: The beats, the selection is crazy and Nigga nas gave you.

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Speaker 6: Yes, Yes, I needed that. Felt good, felt great. No,

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Speaker 6: I felt like a reunion, right.

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Speaker 2: I mean yeah, yeah, but I've been seeing the reun

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Speaker 2: I got Instagram like I've been yeah right right, it's

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Speaker 2: like we know that's your man forever. But lately I.

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Speaker 1: Don't know if you.

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Speaker 2: See no money or something, you're all in the pics.

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Speaker 2: I'm like, yo, what's up? Is what's going on? That

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Speaker 2: was surgency. I don't know what's going on? I see

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Speaker 2: I love it.

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Speaker 6: Like you gotta get out the house man, come on,

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Speaker 6: let's go right yeah right? It was Tom hit me

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Speaker 6: with a text like now or never. That was last

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Speaker 6: year and in the last year I was like, okay,

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Speaker 6: I know what that meant. But you know he kept

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Speaker 6: me with him on the shows and you made it happen.

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Speaker 1: How proud are you of nobs?

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Speaker 2: I don't know if niggas are asking you that same

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Speaker 2: question everywhere you go with me, I follow the money,

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Speaker 2: but Joe Crack all about the money and that money

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Speaker 2: trail right now for the not.

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Speaker 1: So how proud are you when you know Queensbridge.

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Speaker 2: Proadjected birth niggas is eating four chicken wing French fries.

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Speaker 2: Now your man building to see what's that like for

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Speaker 2: you to see with your own eyes and be in

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Speaker 2: the in this circle there.

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Speaker 6: I'm inspired because I remember the conversations of I just

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Speaker 6: want to put an album out one album then from

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Speaker 6: there like I'm gonna go platinum one time.

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Speaker 5: I just want I just want one man.

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Speaker 1: Now we're here. I seen it.

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Speaker 6: You know, he moving faster than I'm You know I

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Speaker 6: was moving. I'm just people in the staff. So when

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Speaker 6: I hit a pothole, I set back.

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Speaker 5: He kept going. That's inspiration all day.

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Speaker 2: You know, you just a fly nigga. You know we

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Speaker 2: got names for niggas like you. You know what I'm saying.

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Speaker 2: I never seen you without a fresh cut, without a

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Speaker 2: fly fit, driving whatever's new, finding your fucking business in

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Speaker 2: the supermarket. It's niggas like you. You know what I'm saying.

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Speaker 2: It's very rare. Now it's almost like Method Man and Belly.

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Speaker 2: Remember he come to with the aver rats flying from

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Speaker 2: state to state. You one of them niggas in real life? Fact, no,

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Speaker 2: you one of them niggas. I Doe never got to

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Speaker 2: worry about a z. Every time I have a bit

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Speaker 2: to him, he got the new foreign shit.

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Speaker 1: He fly your crack. What's up, my nigga? Yo?

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Speaker 5: Moving move, I'm about the wave. Move try to stay

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Speaker 5: out the way.

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Speaker 2: That's impressive because we've seen some of the greatest of

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Speaker 2: the greats, some of the niggas we knew. I've seen

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Speaker 2: the nigga I knew beat the Feds for a time.

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Speaker 1: He was the realist nigga I ever seen in my life.

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Speaker 2: Get on Instagram and man, he got caught up in

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Speaker 2: the suck Mike Dick fuck you like he was like

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Speaker 2: he's responding to and I'm like, damn he lost the

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Speaker 2: little strike from like uh being the.

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Speaker 1: Ever last legend of life. I'm like, damn, man, that nigga.

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Speaker 2: He wasn't ready for the young Instagram trollsing or like

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Speaker 2: you never got into that ship.

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Speaker 1: I watched it.

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Speaker 3: I'm not gonna get it. I watched them afall like

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Speaker 3: you should.

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Speaker 1: Right, so you know what's going on. You just like it?

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Speaker 3: See it.

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Speaker 1: See the ship man.

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Speaker 2: It ain't for everybody, but your ship is like you

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Speaker 2: know what I'm saying.

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Speaker 1: It's smooth.

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Speaker 2: You mind your business, but you out the way you

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Speaker 2: come out when you want to do you know right?

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Speaker 1: Because we don't we don't know right. We all kids.

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Speaker 1: We grew up with nothing and I don't know about kids.

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Speaker 2: But I still ain't got what I want and I

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Speaker 2: still keep working for it, working towards it.

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Speaker 1: Do you know how legendary? Like? Do you?

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Speaker 2: Does it sink into you when we say ship like

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Speaker 2: y'all legendary burriment.

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Speaker 1: Nah.

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Speaker 5: I don't think, nah, not at all.

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Speaker 6: Don't it's crazy. Stay focused, Stay away from the conversation.

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Speaker 6: I don't talk that much. Y'all gotta talk. I don't talk,

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Speaker 6: though I need it.

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Speaker 1: He won't stop. Let him.

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Speaker 3: I don't try.

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Speaker 1: I let you speak.

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Speaker 2: Niggas just throwing tomatoes at me your shop, y'all. Let

224
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Speaker 2: the gods speak, nigga. Huck the fuck up, Joe Cry.

225
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Speaker 2: That's in Memphis. That's the calm thing that's in New York.

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Speaker 2: Hey already shitting on me a radio.

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Speaker 1: Y'all. Won't let the gods speak the fuck my nigga, Like.

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Speaker 2: You already know, when it's a real moment, you need

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Speaker 2: a real bottle.

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Speaker 1: That's why we rock with eighteen hundred tequila.

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Speaker 2: These people been making tequila for eleven generations. That's a legacy,

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00:12:36,800 --> 00:12:40,840
Speaker 2: that's the og status. They were the first to introduce

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Speaker 2: a najo, set the standard before most of these brands even.

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Speaker 4: Existed, and you can taste the difference for real. The

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Speaker 4: eighteen hundred Cristillino and Resposato is what we've been on late. Smooth,

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Speaker 4: clean elevator, no rough edges, just supremium pull that speaks

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Speaker 4: for itself. You know when something is just built right,

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Speaker 4: that's what this is.

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Speaker 1: Real talk, That's just what it is.

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Speaker 2: It's always around for the best nights, the winds, the celebrations,

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Speaker 2: to remember that night stories.

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Speaker 4: Whether you're keeping it low key with the crew or

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Speaker 4: you pull up to something big. Eighteen hundred fits every secondy.

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Speaker 4: It ain't trying too hard. It's just as that eighteen

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Speaker 4: hundred tequila, real legacy, real smooth.

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Speaker 1: That's the move.

247
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Speaker 2: Wow.

248
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Speaker 4: The original Dog Doc came out in nineteen ninety five.

249
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Speaker 1: What made you said? It was time?

250
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Speaker 4: Now?

251
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Speaker 1: It just fell right off.

252
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Speaker 3: It was thirty years later.

253
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Speaker 4: Five.

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Speaker 6: I just got in the game, like what's going on?

255
00:13:51,200 --> 00:13:52,520
Speaker 6: I know what what was going on?

256
00:13:53,160 --> 00:13:56,079
Speaker 1: It was new to everybody that Life's a bitch.

257
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Speaker 6: Verse got me into not me the deal from there.

258
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Speaker 6: I was new to it, you know what I mean?

259
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Speaker 6: And I learned from there. Music was learned from the

260
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Speaker 6: boss of life for big just four.

261
00:14:09,920 --> 00:14:12,679
Speaker 2: Just give me four balls me no no, no, I

262
00:14:12,840 --> 00:14:13,800
Speaker 2: funk everything up.

263
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Speaker 1: I fuck up my own life. You don't want to listening?

264
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Speaker 2: Life and actuality funck. Who's the baddest personal status? Tendataty

265
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Speaker 2: and my mentality is money orientated.

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Speaker 1: Close. He got to the just man that ship. Damn boy,

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Speaker 1: that's all Master Pill. You got you This project tied

268
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Speaker 1: the master appeal.

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Speaker 6: Oh yeah, quad money music, Master Pill. I know, I

270
00:14:47,000 --> 00:14:49,000
Speaker 6: knew it. It was a partial partnership, but I knew

271
00:14:49,040 --> 00:14:51,360
Speaker 6: it was you know, nas uh Na's home.

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Speaker 5: It felt good, like I said, like a reunion.

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Speaker 1: It was easy. Yeah, I see what's going on over there,

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Speaker 1: Massive Pill. When you're trying to do everything that I mean, well,

275
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Speaker 1: you're always trying to say something.

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Speaker 2: And you kind of you no, you see what was going.

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Speaker 1: On on the that's the that's the yuse we can talk.

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Speaker 1: They called me o rat, don't you know?

279
00:15:17,120 --> 00:15:18,360
Speaker 3: Called me whoa.

280
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Speaker 4: That's the perfect fit and doing ship over there they

281
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Speaker 4: are and they understand our text and what kind of

282
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Speaker 4: music that we do.

283
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Speaker 3: And they're doing partnership.

284
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Speaker 5: Dang noody. It's not like you're getting signed.

285
00:15:33,480 --> 00:15:36,840
Speaker 2: It's like a distribution vine. So you own your own mask.

286
00:15:37,200 --> 00:15:41,480
Speaker 2: Yeah indeed, yeah, that's I mean, that's that. That's the

287
00:15:41,520 --> 00:15:44,840
Speaker 2: best bet right now. Anyway, you know what I'm saying.

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Speaker 2: The only way when people hold whole like you know,

289
00:15:48,440 --> 00:15:52,360
Speaker 2: this industry is a terrible industry. So it's like when

290
00:15:52,400 --> 00:15:55,360
Speaker 2: you see Salt and Pepper fighting for their masters. You

291
00:15:55,400 --> 00:15:59,000
Speaker 2: see it's ship thirty year push. They live like everybody

292
00:15:59,080 --> 00:16:03,160
Speaker 2: fighting for they ship. It's like it's like slavery all

293
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Speaker 2: over again. So the only way to be is your

294
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Speaker 2: own boss, especially somebody like you were going on the

295
00:16:10,000 --> 00:16:11,600
Speaker 2: thirty year fan of versary.

296
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Speaker 6: You'll need no label for nothing to all partnerships. But

297
00:16:16,320 --> 00:16:21,320
Speaker 6: I've been independent, like oh four got so wasn't doing

298
00:16:21,360 --> 00:16:24,160
Speaker 6: that much, but how to keep it rolling? And he's

299
00:16:24,160 --> 00:16:26,320
Speaker 6: seeing it like, listen, here's the life.

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00:16:26,360 --> 00:16:32,120
Speaker 2: Rest Come on, de well, you deserve that. You you know,

301
00:16:32,200 --> 00:16:35,480
Speaker 2: you deserve everything. To be honest with you, You know

302
00:16:35,600 --> 00:16:40,040
Speaker 2: it ain't too many nass lucky right, because it ain't

303
00:16:40,080 --> 00:16:43,320
Speaker 2: too many people you could sit across the chair from

304
00:16:43,360 --> 00:16:46,560
Speaker 2: that you started with, you know what I mean, and

305
00:16:46,600 --> 00:16:48,880
Speaker 2: you can look at them and know their true intentions

306
00:16:48,920 --> 00:16:52,320
Speaker 2: and know like y'all we hear now. But that's my

307
00:16:52,520 --> 00:16:56,320
Speaker 2: man a once since day one, and and he's lower

308
00:16:56,400 --> 00:16:59,560
Speaker 2: you like a motherfucker. That's that's in this world, in

309
00:16:59,600 --> 00:17:04,480
Speaker 2: this life life to have no ut it's fucking priceless.

310
00:17:04,520 --> 00:17:06,520
Speaker 2: And let me tell you something. It don't always work.

311
00:17:08,160 --> 00:17:10,520
Speaker 2: I got a phone call today driving down here. One

312
00:17:10,560 --> 00:17:13,040
Speaker 2: of my man's was like one of my brothers, like

313
00:17:13,119 --> 00:17:16,040
Speaker 2: a nasen you. He was like, Yo, something about to come.

314
00:17:16,560 --> 00:17:19,000
Speaker 2: I need you to stand firm by my I said,

315
00:17:19,040 --> 00:17:22,000
Speaker 2: I thought we was over the nigga we fifty something.

316
00:17:22,440 --> 00:17:25,919
Speaker 2: He's like, nah, I need you stand firm. Nigga in

317
00:17:25,960 --> 00:17:29,040
Speaker 2: the paint. Remember when you had this beast, Remember when

318
00:17:29,040 --> 00:17:31,360
Speaker 2: you had that. But I said, Yo, you ain't even

319
00:17:31,359 --> 00:17:34,000
Speaker 2: got to explain it. That's where we're going. You want

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00:17:34,040 --> 00:17:36,760
Speaker 2: me to be in the paint with you. I'm gonna

321
00:17:36,760 --> 00:17:38,760
Speaker 2: be in the paint. You don't never got to ask.

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00:17:38,800 --> 00:17:41,000
Speaker 2: I've been in the paint with you in physical life.

323
00:17:41,800 --> 00:17:43,600
Speaker 2: You think of rap life. I ain't gonna be in the

324
00:17:43,680 --> 00:17:46,720
Speaker 2: paint with you. I'm just like, you know, but it's

325
00:17:46,720 --> 00:17:49,959
Speaker 2: a luxury, you know what I'm saying, to have that

326
00:17:50,040 --> 00:17:52,359
Speaker 2: low ut going, man shout out, digging in the crazy,

327
00:17:52,359 --> 00:17:55,840
Speaker 2: my nigga, diamond D and that's all of them for

328
00:17:56,160 --> 00:17:58,840
Speaker 2: you know, putting me on, putting me in the game

329
00:17:58,920 --> 00:18:00,600
Speaker 2: and always be in the scene.

330
00:18:01,280 --> 00:18:02,080
Speaker 1: That's hard. I know.

331
00:18:02,160 --> 00:18:04,440
Speaker 2: The locks got that, Yeah, you know what I mean.

332
00:18:04,480 --> 00:18:06,360
Speaker 2: But I got that too. With digging in the crate.

333
00:18:06,480 --> 00:18:09,159
Speaker 2: Now Terrastquard, we had a whole bunch of fucking up

334
00:18:09,840 --> 00:18:14,560
Speaker 2: bend the nick on them. Nigga, come rob the nigga.

335
00:18:14,840 --> 00:18:16,720
Speaker 2: I'm doing a showng with the nigga. Nigga Like yo,

336
00:18:16,800 --> 00:18:17,560
Speaker 2: my man, let me I.

337
00:18:17,640 --> 00:18:19,160
Speaker 1: Like you for a second.

338
00:18:19,280 --> 00:18:22,080
Speaker 2: You see that Washington kind of watches that my man

339
00:18:22,200 --> 00:18:26,199
Speaker 2: like churist cost scandalous digging in the crates.

340
00:18:26,280 --> 00:18:30,600
Speaker 1: We all been a okay, you know how important is

341
00:18:30,800 --> 00:18:32,960
Speaker 1: legacy and Longevi.

342
00:18:34,000 --> 00:18:38,119
Speaker 6: That's everything, man, I mean what you put in that

343
00:18:38,240 --> 00:18:40,240
Speaker 6: last lifetime, legacy is everything.

344
00:18:40,280 --> 00:18:41,880
Speaker 5: That's why I feel everybody keep going.

345
00:18:41,960 --> 00:18:43,160
Speaker 3: Some people go for the money.

346
00:18:43,560 --> 00:18:44,960
Speaker 5: I take legacy to pass that.

347
00:18:45,080 --> 00:18:45,240
Speaker 1: Dann.

348
00:18:45,280 --> 00:18:47,480
Speaker 5: That's family, That's that's everything.

349
00:18:47,720 --> 00:18:49,040
Speaker 1: You going on the European tour.

350
00:18:49,480 --> 00:18:54,600
Speaker 4: I can't wait the mean spots Dublin, Paris, London, Berlin,

351
00:18:54,800 --> 00:18:56,400
Speaker 4: they love hip hop, Stockholm.

352
00:18:57,320 --> 00:19:00,680
Speaker 1: Nice bags over there too, nice bags over the water. Yeah,

353
00:19:01,320 --> 00:19:02,440
Speaker 1: you want to do a US store.

354
00:19:02,880 --> 00:19:04,360
Speaker 3: Can't wait for that. Nigga.

355
00:19:04,880 --> 00:19:07,239
Speaker 1: Let me ask you something. How do you do it right? Like?

356
00:19:07,320 --> 00:19:09,479
Speaker 2: So, do you make a you go out, you make

357
00:19:09,520 --> 00:19:11,480
Speaker 2: a pile of money and you live off this money

358
00:19:11,520 --> 00:19:12,240
Speaker 2: until you need.

359
00:19:12,119 --> 00:19:12,800
Speaker 1: Some more money.

360
00:19:13,320 --> 00:19:18,000
Speaker 2: Because no, no, the different techniques to teaching niggas out there.

361
00:19:18,640 --> 00:19:23,840
Speaker 2: That's that's your game plan, right, people caught a seize

362
00:19:23,840 --> 00:19:26,520
Speaker 2: you on the fucking airplane. And I know for a

363
00:19:26,560 --> 00:19:30,080
Speaker 2: fact that that very next day he was in Paris

364
00:19:30,200 --> 00:19:35,479
Speaker 2: performing He go for every bag under the sun? You different,

365
00:19:35,560 --> 00:19:39,720
Speaker 2: you like, you get your bag up, cruise control, need a.

366
00:19:39,680 --> 00:19:42,720
Speaker 1: New bag net the right on the head. That's it.

367
00:19:43,280 --> 00:19:44,080
Speaker 1: That's it, nigga.

368
00:19:44,160 --> 00:19:46,199
Speaker 2: That way you have some type of normal life. You

369
00:19:46,240 --> 00:19:47,760
Speaker 2: watch family feud and ship.

370
00:19:50,040 --> 00:19:52,240
Speaker 5: He right, he fucking right, Yeah, you're right.

371
00:19:52,960 --> 00:19:55,399
Speaker 3: All of that.

372
00:19:55,400 --> 00:19:59,120
Speaker 1: That's a nice that's a nice formula. Though, go load up,

373
00:19:59,720 --> 00:20:01,800
Speaker 1: get low. I think hold.

374
00:20:02,000 --> 00:20:03,880
Speaker 6: I think once you pass a certain number, you can't

375
00:20:03,880 --> 00:20:04,960
Speaker 6: really stop and do that.

376
00:20:05,160 --> 00:20:07,880
Speaker 5: You can pass the twenty thirty m you can't.

377
00:20:08,320 --> 00:20:11,240
Speaker 2: You know what I mean about games? I ain't never

378
00:20:11,359 --> 00:20:13,679
Speaker 2: had it, but let me tell you something. You know

379
00:20:13,720 --> 00:20:15,080
Speaker 2: what happened to me? I used to do it?

380
00:20:15,119 --> 00:20:16,360
Speaker 1: Thank you? Right.

381
00:20:16,400 --> 00:20:18,960
Speaker 2: So, one of the biggest mistakes, and one of the

382
00:20:19,000 --> 00:20:23,359
Speaker 2: greatest mistakes is it's good and bad was I moved

383
00:20:23,359 --> 00:20:28,080
Speaker 2: to Miami. So we party seven days a week out there,

384
00:20:28,680 --> 00:20:31,359
Speaker 2: and so you know, all you do in Miami is

385
00:20:31,359 --> 00:20:35,040
Speaker 2: you catch suntan in the daytime, at night popping spot,

386
00:20:35,080 --> 00:20:38,600
Speaker 2: we're pulling up. So I would go on Talk get

387
00:20:38,600 --> 00:20:41,919
Speaker 2: It bag, And for like three four months, I just

388
00:20:41,960 --> 00:20:45,159
Speaker 2: be in Miami, but dinner right. And then when I

389
00:20:45,240 --> 00:20:51,200
Speaker 2: caught the tax problem, that's when I realized, you gotta

390
00:20:51,240 --> 00:20:53,480
Speaker 2: make money when you at least for me, I gotta

391
00:20:53,520 --> 00:20:55,119
Speaker 2: make money when I don't even need it.

392
00:20:55,200 --> 00:20:57,800
Speaker 1: I gotta go get money because.

393
00:20:57,880 --> 00:21:01,400
Speaker 2: Them niggas, when I tell you got say Fat Joe

394
00:21:01,520 --> 00:21:04,879
Speaker 2: was worth fifty dollars, but they threw the dice that

395
00:21:05,000 --> 00:21:08,920
Speaker 2: I arrested, and that shit landed on forty nine dollars and.

396
00:21:08,720 --> 00:21:10,160
Speaker 1: Fifty sent my nigga.

397
00:21:10,160 --> 00:21:12,040
Speaker 2: I don't know how they came up with the with

398
00:21:12,200 --> 00:21:16,399
Speaker 2: the numbers saying you officially, damn bro my nag like

399
00:21:16,520 --> 00:21:17,200
Speaker 2: you ain't.

400
00:21:16,960 --> 00:21:19,520
Speaker 1: Got nothing no more. I'm like, holy shit.

401
00:21:20,119 --> 00:21:22,399
Speaker 2: So that's why I came out here and I was like, Yo,

402
00:21:22,520 --> 00:21:25,960
Speaker 2: I gotta I gotta do the rick Ross, I gotta

403
00:21:26,280 --> 00:21:28,360
Speaker 2: I gotta go and go and go, because I never

404
00:21:28,440 --> 00:21:31,800
Speaker 2: know what n nigga's gonna throw a curveball on, you know.

405
00:21:31,800 --> 00:21:32,280
Speaker 1: What I'm saying.

406
00:21:32,359 --> 00:21:38,800
Speaker 2: So that's that's I love your philosophy more. But they

407
00:21:39,600 --> 00:21:41,080
Speaker 2: stung me to be stung me.

408
00:21:41,119 --> 00:21:44,400
Speaker 6: But that made you do that, right, Yes, that's okay.

409
00:21:44,560 --> 00:21:46,720
Speaker 2: That made me feel like I ain't got enough to

410
00:21:46,800 --> 00:21:50,359
Speaker 2: you right right looking at m's in your back. At

411
00:21:50,440 --> 00:21:54,840
Speaker 2: least for me, go from the projects, free trees, welfared,

412
00:21:55,080 --> 00:21:57,800
Speaker 2: face to face, everything you can, every bum nigga shit

413
00:21:57,880 --> 00:21:58,679
Speaker 2: you ever could think of.

414
00:21:58,800 --> 00:21:59,119
Speaker 1: That's me.

415
00:22:00,080 --> 00:22:02,720
Speaker 2: I'm looking for like ten years at M's in the bank.

416
00:22:02,800 --> 00:22:06,160
Speaker 2: I'm thinking I'm rich. I'm like, yo, I'm good.

417
00:22:06,200 --> 00:22:06,840
Speaker 3: I'm straight.

418
00:22:07,840 --> 00:22:10,400
Speaker 2: Them niggas came and said, yo, you know what we need.

419
00:22:10,800 --> 00:22:12,800
Speaker 2: They even told me about money. I ain't no what

420
00:22:12,800 --> 00:22:16,480
Speaker 2: I had. Niggas said, yo, we saw something that when

421
00:22:16,520 --> 00:22:21,440
Speaker 2: I first got money back in the day. The accountant

422
00:22:21,440 --> 00:22:24,199
Speaker 2: I had at the time made me do like a

423
00:22:24,240 --> 00:22:25,960
Speaker 2: retirement accountant like Welsh.

424
00:22:26,000 --> 00:22:26,200
Speaker 1: Fuck.

425
00:22:26,320 --> 00:22:28,200
Speaker 2: I swear to god, I didn't know about this. The

426
00:22:28,280 --> 00:22:30,439
Speaker 2: niggas came back and said, oh, and we found the

427
00:22:30,520 --> 00:22:34,199
Speaker 2: retirement running well former. You might want to give us

428
00:22:34,280 --> 00:22:37,280
Speaker 2: that too. I was like, retirement, I look like a

429
00:22:37,359 --> 00:22:40,720
Speaker 2: half familiar of it. We can use that, sir. To

430
00:22:40,960 --> 00:22:41,679
Speaker 2: use that one.

431
00:22:43,200 --> 00:22:46,959
Speaker 1: You won't have to sell the art or your house.

432
00:22:47,080 --> 00:22:49,480
Speaker 2: We could use that right there. I was like, yo,

433
00:22:49,600 --> 00:22:52,840
Speaker 2: The niggas was violating me. The irs nigga walked my house.

434
00:22:53,040 --> 00:22:58,879
Speaker 2: So let me tell you, in America, we got so

435
00:22:59,040 --> 00:23:01,080
Speaker 2: many it's like we live in them lot for the

436
00:23:01,240 --> 00:23:04,560
Speaker 2: UFOs just came out. Yes, real UFOs, and I know

437
00:23:04,640 --> 00:23:07,400
Speaker 2: everybody scared the depth. They not trying to talk about it.

438
00:23:07,840 --> 00:23:11,200
Speaker 2: The real aliens is outside and the government is saying

439
00:23:11,680 --> 00:23:13,639
Speaker 2: congratulations day outside.

440
00:23:16,160 --> 00:23:17,800
Speaker 1: Don't be mad. Don't be mad if.

441
00:23:17,680 --> 00:23:20,360
Speaker 2: You see a nigga, did he bopping down one twenty fifth?

442
00:23:20,720 --> 00:23:25,320
Speaker 2: Because it mighty happen. They outside. They can't control them quite.

443
00:23:25,520 --> 00:23:30,679
Speaker 2: They can't control that no more red, No my nigga.

444
00:23:30,720 --> 00:23:34,320
Speaker 1: Did Pentagon put that out? The United States go? Whoop?

445
00:23:34,320 --> 00:23:37,399
Speaker 1: He do he wilieve anything the Pentagon put up? It's okay,

446
00:23:37,480 --> 00:23:38,320
Speaker 1: you don't want to believe.

447
00:23:38,520 --> 00:23:42,840
Speaker 2: I'm just saying niggas don't want to believe because they outside, right,

448
00:23:44,119 --> 00:23:46,520
Speaker 2: So why did I go there? What was I saying

449
00:23:46,560 --> 00:23:50,000
Speaker 2: before that?

450
00:23:50,400 --> 00:23:53,240
Speaker 1: Who's listening? Huh?

451
00:23:54,200 --> 00:23:56,440
Speaker 2: Nigga said, you know you think you own your house

452
00:23:56,520 --> 00:23:59,359
Speaker 2: and it was violating me just walking through my house. Yo,

453
00:23:59,560 --> 00:24:03,240
Speaker 2: this pace, it's about twenty thousand. Romeo Britto paid this

454
00:24:03,440 --> 00:24:08,120
Speaker 2: couch from Chanell. Wow, you could probably get fifteen niggas

455
00:24:08,160 --> 00:24:10,879
Speaker 2: was walking through my cribit fox.

456
00:24:10,640 --> 00:24:13,399
Speaker 1: Nigga, Yes, that's crazy, niggas.

457
00:24:13,400 --> 00:24:16,040
Speaker 2: What happened, Nigga? I came home. I bought me a

458
00:24:16,119 --> 00:24:18,240
Speaker 2: Benz of five hundred. The niggas like, I don't know

459
00:24:18,280 --> 00:24:20,560
Speaker 2: if the government's going to be happy with you buying

460
00:24:20,560 --> 00:24:23,720
Speaker 2: a five hundred days when you're own all this money.

461
00:24:23,720 --> 00:24:26,479
Speaker 1: I was like, Yo, that shit is a horrible feeling.

462
00:24:26,480 --> 00:24:30,080
Speaker 2: When you are your own boss, an entrepreneur of this,

463
00:24:30,280 --> 00:24:33,000
Speaker 2: you start feeling like less of a man out that bitch.

464
00:24:33,840 --> 00:24:34,040
Speaker 1: You know.

465
00:24:34,160 --> 00:24:37,840
Speaker 2: They definitely walked in my crib without permission. Diddy bock

466
00:24:37,920 --> 00:24:40,720
Speaker 2: through my shit, was price tagging ferns on the time,

467
00:24:41,480 --> 00:24:44,640
Speaker 2: might have one big sale. The fact Joe said, I'm like, Yo,

468
00:24:44,680 --> 00:24:47,360
Speaker 2: this shit So that taught me to like work. When

469
00:24:47,359 --> 00:24:50,000
Speaker 2: I ain't gotta work, I just gotta keep going because

470
00:24:50,640 --> 00:24:54,000
Speaker 2: motherfucker can throw you a wild card any day.

471
00:24:57,400 --> 00:25:00,520
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500
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Speaker 1: What you listening to right now? Would you like out

505
00:26:44,240 --> 00:26:44,600
Speaker 1: than new?

506
00:26:45,560 --> 00:26:49,960
Speaker 3: Don't say that when he came out?

507
00:26:50,720 --> 00:26:51,360
Speaker 1: We came out?

508
00:26:51,720 --> 00:26:52,200
Speaker 6: Isn't new?

509
00:26:53,320 --> 00:26:58,000
Speaker 4: Carry you in medias? You gotta say carry? When do

510
00:26:58,040 --> 00:26:59,119
Speaker 4: you like currently?

511
00:26:59,280 --> 00:26:59,720
Speaker 1: That's out?

512
00:27:00,160 --> 00:27:03,159
Speaker 5: Listening to the classics? I listened, you know the chef.

513
00:27:04,280 --> 00:27:06,320
Speaker 1: Lots ship, no doubt.

514
00:27:08,720 --> 00:27:11,240
Speaker 3: You ain't too many ain't too many young casts that really?

515
00:27:11,320 --> 00:27:14,399
Speaker 1: Uh move movie like that? Like that?

516
00:27:14,560 --> 00:27:18,639
Speaker 6: Now it's a cat Actually the battle rat cast get busy.

517
00:27:18,680 --> 00:27:21,360
Speaker 2: I like I like them they be getting busy. Yeah,

518
00:27:21,400 --> 00:27:27,080
Speaker 2: I can't do it. Man, fuck your mother, suck my dick.

519
00:27:27,119 --> 00:27:29,600
Speaker 2: I'll smacked this ship out of your bitch right there.

520
00:27:29,880 --> 00:27:33,440
Speaker 2: Her name's Margaret, and Margaret got fucked by three niggas and.

521
00:27:33,760 --> 00:27:34,359
Speaker 1: I can't do that.

522
00:27:34,480 --> 00:27:36,320
Speaker 3: We're talking about the battle rap cat the.

523
00:27:36,480 --> 00:27:38,200
Speaker 1: Rat they be doing.

524
00:27:38,240 --> 00:27:41,639
Speaker 2: I'm like, Margaret, No, she fucked Johnny Jim and the

525
00:27:41,720 --> 00:27:42,520
Speaker 2: God Supreme.

526
00:27:42,840 --> 00:27:48,000
Speaker 1: You hit it with the mathematics just like they not

527
00:27:48,240 --> 00:27:51,480
Speaker 1: to force them, and you sitting there like, yeah, God,

528
00:27:51,640 --> 00:27:52,280
Speaker 1: nice balls.

529
00:27:52,400 --> 00:27:55,760
Speaker 8: Niggas is like, and what did we do that hit

530
00:27:55,800 --> 00:27:57,240
Speaker 8: her with the mathematics?

531
00:27:57,320 --> 00:28:07,879
Speaker 1: God? Yeah? Like nah, get busy man lyrical. But I

532
00:28:07,920 --> 00:28:09,240
Speaker 1: can't stand there with them.

533
00:28:15,840 --> 00:28:18,680
Speaker 2: I used to like the nigga had Ice, remember had

534
00:28:19,040 --> 00:28:21,760
Speaker 2: he got business like mad.

535
00:28:24,000 --> 00:28:26,920
Speaker 1: The d m X for the battle rap. That nigga

536
00:28:27,600 --> 00:28:33,880
Speaker 1: got that something like Yo, this man, this nigga right here,

537
00:28:34,240 --> 00:28:35,040
Speaker 1: Ice had Ice.

538
00:28:35,080 --> 00:28:36,280
Speaker 3: I wanted Ice still doing that.

539
00:28:36,840 --> 00:28:39,080
Speaker 4: I ain't see him in a while. He said, crushing

540
00:28:39,160 --> 00:28:45,360
Speaker 4: ship Uniqueness the new single with Mike and Keys. How

541
00:28:45,440 --> 00:28:46,120
Speaker 4: did you come up with?

542
00:28:46,520 --> 00:28:49,600
Speaker 1: Oh man, that beat? That was it? It was heard?

543
00:28:50,160 --> 00:28:52,680
Speaker 1: That was it? No hook? Nothing that was it?

544
00:28:53,680 --> 00:28:58,760
Speaker 2: Like that which which you can play uniqueness exactly.

545
00:28:59,160 --> 00:29:03,120
Speaker 1: It's great that ain't many you giving. He's making a

546
00:29:03,120 --> 00:29:04,120
Speaker 1: lot of noise, huh.

547
00:29:04,160 --> 00:29:07,479
Speaker 2: In the production game, I seen statics select your Your

548
00:29:07,520 --> 00:29:10,400
Speaker 2: album is incredible, bro, I'm telling you right doing that

549
00:29:10,640 --> 00:29:11,240
Speaker 2: three y'all.

550
00:29:11,920 --> 00:29:20,000
Speaker 1: I like all this bullying dance. Yeah, what dance? Shut

551
00:29:20,000 --> 00:29:22,800
Speaker 1: out to billy dance. I'm on there to. Yeah, you're

552
00:29:22,880 --> 00:29:25,000
Speaker 1: doing Ship. I'm gonna sack your song.

553
00:29:25,040 --> 00:29:28,400
Speaker 2: You're gonna do something for me mother everybody Ship now

554
00:29:28,800 --> 00:29:29,720
Speaker 2: I turned it up.

555
00:29:30,040 --> 00:29:34,280
Speaker 1: Y'all kill me with one more. Damn. I can't even

556
00:29:34,360 --> 00:29:36,720
Speaker 1: get him on the song. The man right.

557
00:29:36,640 --> 00:29:39,960
Speaker 6: Next to me, I got the album coming out of

558
00:29:39,960 --> 00:29:42,600
Speaker 6: her nor Yeah.

559
00:29:42,800 --> 00:29:44,520
Speaker 1: Sure.

560
00:29:45,120 --> 00:29:47,760
Speaker 4: Soon as the universe aligns itself in the life a

561
00:29:47,760 --> 00:29:49,920
Speaker 4: little more, craik.

562
00:29:49,800 --> 00:29:51,280
Speaker 1: That ship like somebody.

563
00:29:51,640 --> 00:29:55,000
Speaker 3: Yeah, I like this one, say sure, Shore.

564
00:29:54,880 --> 00:30:00,400
Speaker 6: Out, sneaker hold up Relationships, Sinking the Water to sons

565
00:30:00,440 --> 00:30:04,080
Speaker 6: Got chip wanted the daughter Lou Guns pumping it, my niece.

566
00:30:03,840 --> 00:30:07,320
Speaker 1: Dead, the Ota Yo, I'm coaching, steal emc.

567
00:30:08,800 --> 00:30:14,400
Speaker 2: You can't and the lights a little more.

568
00:30:14,480 --> 00:30:20,280
Speaker 1: You heard this album is crazy? Album is crazy.

569
00:30:22,960 --> 00:30:27,080
Speaker 6: Sneaker horder relationship, Sinking in Water two Sons, Got chipped,

570
00:30:27,120 --> 00:30:29,520
Speaker 6: wanted the daughter Lou Guns pumping.

571
00:30:29,280 --> 00:30:31,560
Speaker 3: Nip, my niece dead, the Ota Farm.

572
00:30:31,400 --> 00:30:34,840
Speaker 6: Coach your hold over, steal emc Oto Foodo Rotter ship

573
00:30:34,920 --> 00:30:37,200
Speaker 6: if bomb punch sunk in the sofa, one.

574
00:30:37,080 --> 00:30:38,960
Speaker 1: Blunt, what's on a hunt? Trying to jump in.

575
00:30:38,960 --> 00:30:41,920
Speaker 6: Some choke chop young so so solo whist seeking the

576
00:30:42,040 --> 00:30:45,240
Speaker 6: salam hitting signings, so on my first album, speaking in volumes,

577
00:30:45,360 --> 00:30:48,040
Speaker 6: keep out there, wailing fashion trains, keep me from styalin,

578
00:30:48,240 --> 00:30:51,040
Speaker 6: handsome things, super slim, trying to sleep with the stallions,

579
00:30:51,160 --> 00:30:54,040
Speaker 6: Handy Gallon, no dimmis My pennies was paid.

580
00:30:53,960 --> 00:30:54,720
Speaker 3: Far from friendly.

581
00:30:54,800 --> 00:30:57,680
Speaker 6: When you bent, Let's get yours into the island, Phil Salmon,

582
00:30:57,760 --> 00:31:00,400
Speaker 6: try to leave the lone wings and bombs pot down

583
00:31:00,560 --> 00:31:01,240
Speaker 6: with these phones.

584
00:31:01,240 --> 00:31:03,520
Speaker 3: I'm the king of the tongs. Bring me my throne,

585
00:31:03,560 --> 00:31:04,480
Speaker 3: the lever he.

586
00:31:04,600 --> 00:31:06,520
Speaker 1: And why god on Sutter and Junior.

587
00:31:06,600 --> 00:31:09,320
Speaker 3: I used to love when I stutter fly with the butters.

588
00:31:09,400 --> 00:31:10,200
Speaker 1: Who's your sweaters?

589
00:31:10,200 --> 00:31:12,240
Speaker 6: Capped them in colors. I'm not like the others, not

590
00:31:12,400 --> 00:31:15,560
Speaker 6: bust cat boxes of butfers and sober your boy's sober.

591
00:31:15,880 --> 00:31:17,400
Speaker 1: Sitting back thirty years.

592
00:31:17,200 --> 00:31:19,280
Speaker 6: Old, though still close to see the tears on my

593
00:31:19,320 --> 00:31:22,640
Speaker 6: shoulders to stealing lort feelings need to ever be for

594
00:31:22,720 --> 00:31:24,720
Speaker 6: the healing from what I see, I could never be

595
00:31:24,800 --> 00:31:27,840
Speaker 6: a severe with touching the millions who the trust proving

596
00:31:27,920 --> 00:31:31,120
Speaker 6: with us saying have you doing everything but never doing enough?

597
00:31:31,240 --> 00:31:34,120
Speaker 6: Just suit to the cut first gone and then Barcelvana.

598
00:31:34,200 --> 00:31:37,120
Speaker 6: It's a lot to Ponda travel back right after bronzas

599
00:31:37,240 --> 00:31:41,720
Speaker 6: quick for Manda, like short visit resorts, spirvissports, how you move,

600
00:31:41,880 --> 00:31:45,440
Speaker 6: liver your doors, messages, court on bad place in my lap.

601
00:31:45,560 --> 00:31:48,400
Speaker 6: The greatest is back. Tell the heads make me a flack,

602
00:31:49,720 --> 00:31:55,600
Speaker 6: dirty being strings predicted. We ain't even mixed that next

603
00:31:55,680 --> 00:31:59,600
Speaker 6: level shit az x y poll is short.

604
00:31:59,400 --> 00:32:01,760
Speaker 3: In there kept in peace since they won.

605
00:32:02,720 --> 00:32:07,160
Speaker 6: My word always my bomb, regardless to Homer, what rather unique.

606
00:32:07,240 --> 00:32:10,120
Speaker 6: I traveled through beaks called relate with crime. Most my

607
00:32:10,200 --> 00:32:13,360
Speaker 6: cons deceased von for the streets. Never those that line

608
00:32:13,440 --> 00:32:15,400
Speaker 6: up their thiefs. Just the ones who will as weak

609
00:32:15,480 --> 00:32:18,560
Speaker 6: and throw stylers and seek with civil read through riddles,

610
00:32:18,720 --> 00:32:21,960
Speaker 6: court cases lead to acquittals, the chisels and not presents.

611
00:32:21,960 --> 00:32:23,920
Speaker 3: They shriveled words to scribbled if.

612
00:32:23,800 --> 00:32:26,000
Speaker 6: Actually ain't applied to assist the sliding.

613
00:32:26,120 --> 00:32:26,960
Speaker 1: This from the mix.

614
00:32:27,080 --> 00:32:28,760
Speaker 3: I survived the offyss.

615
00:32:28,400 --> 00:32:29,720
Speaker 1: Hoighly equipped the coat.

616
00:32:30,040 --> 00:32:32,000
Speaker 6: My nigga did his bid on a boat out of

617
00:32:32,080 --> 00:32:35,040
Speaker 6: her Wig, as wizlt him some dope. He home only

618
00:32:35,120 --> 00:32:37,560
Speaker 6: one in fear guard of some phones, a load knitting,

619
00:32:37,640 --> 00:32:39,560
Speaker 6: ain't fitted and begovey cologne.

620
00:32:39,560 --> 00:32:41,000
Speaker 1: I hate life with y'all. Stop.

621
00:32:41,080 --> 00:32:42,960
Speaker 6: I spind the block and get them just hurt the

622
00:32:43,000 --> 00:32:45,600
Speaker 6: world that his hops got with him, gave him his wingings.

623
00:32:45,760 --> 00:32:48,480
Speaker 3: A few niggas keeping a beam he was one though,

624
00:32:48,480 --> 00:32:48,920
Speaker 3: would die.

625
00:32:48,920 --> 00:32:49,960
Speaker 1: I guess we all get.

626
00:32:49,840 --> 00:32:54,600
Speaker 6: A run, more money, more murder. Life as we know

627
00:32:54,680 --> 00:32:58,400
Speaker 6: it not how it should be. But it's the lords

628
00:32:58,400 --> 00:33:02,480
Speaker 6: of Nigga. He do it, gat that k and chilling.

629
00:33:03,320 --> 00:33:04,200
Speaker 1: You know what's crazy.

630
00:33:04,280 --> 00:33:11,320
Speaker 2: That's not the best ship on the album, Yo, When

631
00:33:11,320 --> 00:33:15,240
Speaker 2: I tell you the fucking album is so ship right

632
00:33:15,640 --> 00:33:21,080
Speaker 2: crazy with the fucking world needs man of that bullshi

633
00:33:21,120 --> 00:33:22,080
Speaker 2: it sound effect.

634
00:33:22,120 --> 00:33:24,720
Speaker 1: I don't want to get whether what the way.

635
00:33:24,560 --> 00:33:25,640
Speaker 3: The son exchange.

636
00:33:25,680 --> 00:33:29,160
Speaker 5: I feel like you know they're gonna embrace it like.

637
00:33:29,080 --> 00:33:34,400
Speaker 2: That they got them brace the nigga. We embraces the nation.

638
00:33:34,520 --> 00:33:35,200
Speaker 1: All these other.

639
00:33:35,120 --> 00:33:40,400
Speaker 2: Niggas we gotta you did ten interviews should have just.

640
00:33:40,400 --> 00:33:42,240
Speaker 1: Came in here, Come aheadybod.

641
00:33:42,840 --> 00:33:48,480
Speaker 2: Niggas just trash, They flay, Andre sick my nigga, don't care.

642
00:33:50,040 --> 00:33:52,600
Speaker 1: You need this ship right.

643
00:33:52,480 --> 00:33:58,560
Speaker 6: Here, your album, join one here with them. It just

644
00:33:58,880 --> 00:34:02,240
Speaker 6: as close as we're gonna get We're gonna play, We're.

645
00:34:02,080 --> 00:34:04,719
Speaker 1: Gonna we can shoot. I don't like that, even you

646
00:34:04,760 --> 00:34:06,200
Speaker 1: know you can get me for the video.

647
00:34:06,560 --> 00:34:08,640
Speaker 4: I ain't one of them people that do a song

648
00:34:08,719 --> 00:34:12,080
Speaker 4: with you and then don't do the video, or like

649
00:34:13,560 --> 00:34:16,400
Speaker 4: ghet this on for free and I need two point

650
00:34:16,440 --> 00:34:17,960
Speaker 4: seventy two million to do this.

651
00:34:18,600 --> 00:34:21,080
Speaker 1: That's like, what the fuck is wrong with nigga? Do

652
00:34:21,160 --> 00:34:22,120
Speaker 1: the hold?

653
00:34:22,200 --> 00:34:24,840
Speaker 4: I gotta say something because in this game you gotta

654
00:34:24,920 --> 00:34:28,600
Speaker 4: reinventure so but but you don't have to, because you

655
00:34:28,680 --> 00:34:32,040
Speaker 4: never you don't have to reinventure fight. It's like you

656
00:34:32,200 --> 00:34:35,719
Speaker 4: spoon feed them just enough, then you hibe and me

657
00:34:36,120 --> 00:34:36,800
Speaker 4: and come.

658
00:34:36,640 --> 00:34:39,080
Speaker 1: Back with they need that fix again.

659
00:34:39,400 --> 00:34:43,000
Speaker 4: You keep it, You keep the fix, You keep them

660
00:34:43,080 --> 00:34:43,960
Speaker 4: needing the fix.

661
00:34:44,080 --> 00:34:46,560
Speaker 1: Is it a secret to your method of madness?

662
00:34:46,640 --> 00:34:47,640
Speaker 5: You know what that might be?

663
00:34:47,719 --> 00:34:47,759
Speaker 9: This?

664
00:34:47,960 --> 00:34:48,839
Speaker 1: That might be the ship.

665
00:34:49,280 --> 00:34:49,960
Speaker 3: I mean, I don't do them.

666
00:34:51,000 --> 00:34:53,400
Speaker 4: You know, from the outside looking in. You give them

667
00:34:53,440 --> 00:34:56,239
Speaker 4: a little bit of that blue magic, get them there,

668
00:34:56,280 --> 00:35:00,200
Speaker 4: you get them some disa paying come back them.

669
00:35:00,280 --> 00:35:03,840
Speaker 1: Is gonna spark a lot lucky It ain't Thanksgiving because.

670
00:35:03,640 --> 00:35:05,840
Speaker 2: This spark is This is gonna spark a lot of

671
00:35:06,000 --> 00:35:09,040
Speaker 2: arguments between pops and they sons and all that nigga

672
00:35:09,080 --> 00:35:15,960
Speaker 2: gonna come with the flipperity.

673
00:35:13,719 --> 00:35:19,160
Speaker 4: My sons to sound like that God this.

674
00:35:19,360 --> 00:35:21,160
Speaker 1: Right here, I raised them right.

675
00:35:22,000 --> 00:35:24,680
Speaker 2: This is gonna be beefing, you know, you know, give

676
00:35:24,719 --> 00:35:26,319
Speaker 2: me my nigga like it'd be a.

677
00:35:28,520 --> 00:35:29,839
Speaker 1: Like politics right now.

678
00:35:30,960 --> 00:35:33,560
Speaker 2: Any nigga that no real hip hop, who came up

679
00:35:33,560 --> 00:35:35,959
Speaker 2: from the cloth, who love real hip hop.

680
00:35:36,560 --> 00:35:39,279
Speaker 1: This album is a fucking gem. Let me get the

681
00:35:39,320 --> 00:35:40,400
Speaker 1: one with me a on me.

682
00:35:41,280 --> 00:35:44,400
Speaker 2: That's not the best one evil how about that?

683
00:35:44,680 --> 00:35:48,719
Speaker 1: It's the whole project beyond serious. That's ship right there.

684
00:35:48,800 --> 00:35:52,720
Speaker 8: You're dealing with so much right now with so crazy.

685
00:35:53,360 --> 00:35:56,440
Speaker 8: This ship is crazy. That ship with nas is crazy.

686
00:35:56,960 --> 00:36:01,320
Speaker 8: That Jackie song said, it's amazing project.

687
00:36:01,880 --> 00:36:04,719
Speaker 4: Man, it's okay, hard to say it because it's so

688
00:36:04,800 --> 00:36:05,560
Speaker 4: much garbage.

689
00:36:06,000 --> 00:36:10,440
Speaker 1: This is l ask Roger. Play that ship word up.

690
00:36:10,480 --> 00:36:12,759
Speaker 4: Hey, nigga always got the nerve to ask for shaw.

691
00:36:12,840 --> 00:36:15,279
Speaker 4: I told him let's reverse the situation. It's time and

692
00:36:15,360 --> 00:36:17,440
Speaker 4: do it like this. You know what I'm saying me,

693
00:36:19,400 --> 00:36:22,000
Speaker 4: Just give me that ships.

694
00:36:22,560 --> 00:36:25,880
Speaker 9: Give me what you can't get back.

695
00:36:26,480 --> 00:36:30,120
Speaker 1: What's the deal, y'all? Hey down, let's count this money.

696
00:36:30,120 --> 00:36:32,480
Speaker 1: Oh don't you give me the world?

697
00:36:33,719 --> 00:36:37,440
Speaker 4: Give me what you can't get it back, you know,

698
00:36:37,520 --> 00:36:38,799
Speaker 4: he too thorough.

699
00:36:39,400 --> 00:36:42,839
Speaker 6: Champagne cheers Louis Wis over the years in full length,

700
00:36:43,000 --> 00:36:45,680
Speaker 6: Me and Mouf sover on my heads, know when it's near.

701
00:36:45,960 --> 00:36:48,680
Speaker 6: Neil brushes moments, fear for them jail phones, to know

702
00:36:48,800 --> 00:36:51,080
Speaker 6: you're on your home, when you're there alone in my square,

703
00:36:51,200 --> 00:36:54,360
Speaker 6: sit and smiling, shown v Nil's reminiscing the max fitting

704
00:36:54,360 --> 00:36:55,720
Speaker 6: at me and bones in the stairs.

705
00:36:55,800 --> 00:36:56,840
Speaker 3: Homie, y'all head.

706
00:36:56,760 --> 00:36:59,640
Speaker 6: Escaped it katy eight first with them aces from crack

707
00:36:59,719 --> 00:37:02,840
Speaker 6: hitting nigger. That was the matrix, the track, safety rap chains.

708
00:37:02,960 --> 00:37:05,880
Speaker 6: When I entered the game half for entertainer of by

709
00:37:05,960 --> 00:37:08,680
Speaker 6: half ox playing and send my name the beginning that

710
00:37:08,800 --> 00:37:11,920
Speaker 6: never began, Never Van volland Dice got a hell of

711
00:37:11,920 --> 00:37:15,759
Speaker 6: her hand. The melody man prep on a celeb plant.

712
00:37:15,480 --> 00:37:16,840
Speaker 1: With a few extra things.

713
00:37:17,040 --> 00:37:21,200
Speaker 6: My two stands, but I'll be ex the queens that

714
00:37:21,440 --> 00:37:25,760
Speaker 6: and the manhatan ain't no capp in in between Cubans

715
00:37:25,760 --> 00:37:29,920
Speaker 6: and diamond.

716
00:37:33,120 --> 00:37:33,520
Speaker 1: James.

717
00:37:33,520 --> 00:37:38,520
Speaker 9: What they'll give me? James, Why don't you give me

718
00:37:38,800 --> 00:37:39,560
Speaker 9: the world?

719
00:37:40,760 --> 00:37:42,440
Speaker 1: Give me what you get.

720
00:37:43,200 --> 00:37:46,279
Speaker 6: We gotta shoot this ship.

721
00:37:46,320 --> 00:37:48,440
Speaker 3: The pieces that deceason ain't early.

722
00:37:48,280 --> 00:37:51,480
Speaker 6: DeMars tvy I know when this closed most purely of bod,

723
00:37:51,560 --> 00:37:54,280
Speaker 6: I barely avived the fiends and nose giv me inside

724
00:37:54,400 --> 00:37:56,840
Speaker 6: intervened between killers that nearly.

725
00:37:56,600 --> 00:37:57,640
Speaker 3: Could lie clearly.

726
00:37:57,680 --> 00:38:00,000
Speaker 6: I'm live, got a bob can't compare me to side

727
00:38:00,160 --> 00:38:03,160
Speaker 6: certified hood tis ad the bety my prize and said,

728
00:38:03,200 --> 00:38:06,240
Speaker 6: with these wires and vices with a quivery side never shice.

729
00:38:06,280 --> 00:38:07,280
Speaker 1: He throws those.

730
00:38:07,160 --> 00:38:09,879
Speaker 6: Loved the head that I die myever a vile be back.

731
00:38:10,239 --> 00:38:13,279
Speaker 6: Real niggas of Venus is packed. Prestus felt never seen

732
00:38:13,320 --> 00:38:16,520
Speaker 6: his attack. Mean when we rat we rebels transformed the

733
00:38:16,600 --> 00:38:18,880
Speaker 6: gold from devils is in the saw to reaching the

734
00:38:18,960 --> 00:38:22,040
Speaker 6: largest levelstars have settled this death pay up on the

735
00:38:22,160 --> 00:38:26,120
Speaker 6: Liverpool Press. Love my sat we individually vision the best.

736
00:38:26,160 --> 00:38:28,600
Speaker 6: Believe it you see it first before you achieve it

737
00:38:28,600 --> 00:38:29,359
Speaker 6: with on the ball.

738
00:38:29,480 --> 00:38:30,759
Speaker 1: Let the lord referee it.

739
00:38:31,080 --> 00:38:36,160
Speaker 9: Yeah, me just giving men for the n y c

740
00:38:36,719 --> 00:38:42,799
Speaker 9: ye mean get back? What's the deal y'all get me?

741
00:38:44,120 --> 00:38:48,680
Speaker 9: Why would you give me the world? Give me what

742
00:38:49,000 --> 00:38:51,560
Speaker 9: you can't get back? You know?

743
00:38:51,680 --> 00:38:54,760
Speaker 1: He too thorough look Lujah voules.

744
00:38:54,800 --> 00:38:59,879
Speaker 8: Yeah that loud phillyris DCBA ninety five all over again.

745
00:39:00,040 --> 00:39:05,880
Speaker 1: That's good love, you know y'all keep nine five. You

746
00:39:05,960 --> 00:39:08,759
Speaker 1: know well, you ain't know I did that. I know

747
00:39:08,880 --> 00:39:13,320
Speaker 1: you did that. I listen, Okay, he snuck that one in.

748
00:39:13,440 --> 00:39:17,000
Speaker 2: That that's how you do the other day, I was

749
00:39:17,040 --> 00:39:20,600
Speaker 2: in the studio and Diamond D sent me a joint

750
00:39:21,080 --> 00:39:23,840
Speaker 2: and I snuck it in before everybody got in the studio.

751
00:39:23,880 --> 00:39:25,400
Speaker 2: I was like, the first nigga there, I see your

752
00:39:25,480 --> 00:39:29,000
Speaker 2: throw the shot it out? Yeah, I mean nobody knows

753
00:39:29,239 --> 00:39:31,839
Speaker 2: they know now, but I mean like when I threw

754
00:39:31,880 --> 00:39:34,080
Speaker 2: it up in the studio, nobody was there. Yes, So

755
00:39:34,160 --> 00:39:36,680
Speaker 2: I got that one out the way. That's one of

756
00:39:36,760 --> 00:39:39,320
Speaker 2: those you did that ship right quick. It made you

757
00:39:39,440 --> 00:39:41,920
Speaker 2: feel like, did you feel like a book that I

758
00:39:42,040 --> 00:39:44,760
Speaker 2: booked it? Nobody was dead with me and the engine.

759
00:39:45,080 --> 00:39:47,520
Speaker 1: But what made you feel like coming up with that

760
00:39:47,800 --> 00:39:51,279
Speaker 1: hook that said? Look? I know? So what made you

761
00:39:51,480 --> 00:39:57,600
Speaker 1: say I'm gonna do it over? When Royal t calls

762
00:39:59,080 --> 00:40:01,759
Speaker 1: you do it? You don't want to act like, I

763
00:40:02,200 --> 00:40:06,959
Speaker 1: don't answer. We don't funk with the guard. He can't

764
00:40:07,000 --> 00:40:10,200
Speaker 1: even reach the flag? Is it? So he's lying so much?

765
00:40:10,280 --> 00:40:13,120
Speaker 1: The flaggy get read? You know what I'm saying? You

766
00:40:13,239 --> 00:40:13,440
Speaker 1: know what?

767
00:40:14,600 --> 00:40:15,080
Speaker 4: It is?

768
00:40:15,160 --> 00:40:16,760
Speaker 1: Crazy? Wow?

769
00:40:17,840 --> 00:40:25,279
Speaker 2: Jada kisses Wow sell youth cool man, Wow cool.

770
00:40:25,480 --> 00:40:27,600
Speaker 1: Let me tell you something, man, that ship is to

771
00:40:27,680 --> 00:40:31,120
Speaker 1: make this album. I love it.

772
00:40:31,640 --> 00:40:34,760
Speaker 4: This is gonna change. This is gonna change. It's gonna

773
00:40:34,840 --> 00:40:39,759
Speaker 4: change your bank account. It's gonna change. It's gonna change

774
00:40:39,760 --> 00:40:43,200
Speaker 4: a lot of things. Because I got my man Colombian Jump.

775
00:40:43,840 --> 00:40:49,160
Speaker 4: He's like, he drives, he does anything. I need somebody

776
00:40:49,200 --> 00:40:52,280
Speaker 4: in my around, my around, my demographic.

777
00:40:52,760 --> 00:40:56,040
Speaker 1: But I called him. I was doing fixing the sneaking

778
00:40:56,120 --> 00:40:57,840
Speaker 1: room and I had to get rid of the boxes.

779
00:40:58,440 --> 00:40:59,399
Speaker 1: I usually call them.

780
00:40:59,400 --> 00:41:02,640
Speaker 4: Give him a cup one hundred to grab it as

781
00:41:02,680 --> 00:41:08,280
Speaker 4: soon as he gets to the crib though az I said, yeah, love.

782
00:41:10,920 --> 00:41:13,920
Speaker 2: A lot of you, A lot of old g's put

783
00:41:14,040 --> 00:41:19,920
Speaker 2: some albums together and and I like certain songs from

784
00:41:20,000 --> 00:41:23,880
Speaker 2: the albums. The last one to do it the best

785
00:41:24,880 --> 00:41:29,840
Speaker 2: is Billy Dance. Billy danced'all better check that fucking heard that.

786
00:41:29,920 --> 00:41:32,680
Speaker 2: It's nice right, And then a Z came with them.

787
00:41:32,800 --> 00:41:36,000
Speaker 2: You know, here's the pure the cocaine. I said, God, damn,

788
00:41:36,080 --> 00:41:36,920
Speaker 2: this nigga.

789
00:41:36,719 --> 00:41:40,560
Speaker 1: Mistake because Lilly Dan did some grown up you on

790
00:41:40,719 --> 00:41:46,600
Speaker 1: that album too. He love you. Got a lot of

791
00:41:46,680 --> 00:41:50,320
Speaker 1: fluidity out there what I think is missing.

792
00:41:50,840 --> 00:41:55,680
Speaker 4: And we need more of is our contemporaries making them

793
00:41:55,800 --> 00:41:58,799
Speaker 4: kind of songs, you know what I mean. People get

794
00:41:58,920 --> 00:42:02,720
Speaker 4: caught up with calling top people on the billboards, whoever

795
00:42:02,800 --> 00:42:07,400
Speaker 4: you're hearing on the top eighty eight. Those ain't necessarily

796
00:42:07,520 --> 00:42:12,480
Speaker 4: that people. You make good music with Sona, make music

797
00:42:12,680 --> 00:42:16,000
Speaker 4: for four at your audience, lolls. We stick to the

798
00:42:16,080 --> 00:42:21,600
Speaker 4: script and and work with our contemporaries. I think more

799
00:42:21,680 --> 00:42:25,239
Speaker 4: beautiful things can come out of that. But you know,

800
00:42:25,480 --> 00:42:27,640
Speaker 4: like you said before, people get a couple of dollars,

801
00:42:28,200 --> 00:42:30,440
Speaker 4: you get a new house, a new ferrari.

802
00:42:30,280 --> 00:42:32,200
Speaker 1: You start finishing. You gotta make song.

803
00:42:32,440 --> 00:42:34,200
Speaker 2: You know what, a lot of times it'd be like

804
00:42:34,719 --> 00:42:37,560
Speaker 2: record company niggas want to tell you Yo, they shouldn't

805
00:42:37,600 --> 00:42:39,680
Speaker 2: be even tell you that he do a song with

806
00:42:39,840 --> 00:42:42,439
Speaker 2: this guy, Yo, this to be fun record.

807
00:42:42,640 --> 00:42:45,760
Speaker 3: We're still signing people still signing the recordabe ron.

808
00:42:45,760 --> 00:42:49,920
Speaker 2: Niggas all over again. Whatever we got robbed for, they

809
00:42:50,000 --> 00:42:53,600
Speaker 2: got fresh niggas getting robbed. Rapper a while he's getting

810
00:42:53,719 --> 00:42:54,640
Speaker 2: robbed nigga, they won't.

811
00:42:54,800 --> 00:42:59,200
Speaker 1: This is a gen It's more worse like it was

812
00:42:59,239 --> 00:43:03,200
Speaker 1: just genous. I do my nigga. They blowing bunk. The

813
00:43:03,360 --> 00:43:07,560
Speaker 1: whole gimmick is to sign young black men and Latino man.

814
00:43:08,320 --> 00:43:08,960
Speaker 1: They came from.

815
00:43:09,040 --> 00:43:12,440
Speaker 2: Put you in debt On'm a little carrit, Yo. Nigga

816
00:43:12,440 --> 00:43:14,680
Speaker 2: ain't never had none. They gave him one hundred thousand.

817
00:43:14,800 --> 00:43:18,600
Speaker 2: These niggas just singing their life away to talented doing

818
00:43:18,640 --> 00:43:21,440
Speaker 2: the ille shit. These niggas is running it up twenty

819
00:43:21,520 --> 00:43:24,880
Speaker 2: thirty million. This nigga never he's in debt. So if

820
00:43:24,920 --> 00:43:27,200
Speaker 2: they spend one hundred thousand on the video, they charge

821
00:43:27,239 --> 00:43:32,279
Speaker 2: you two million on the video. You not them, Yo,

822
00:43:32,480 --> 00:43:36,000
Speaker 2: I still haven't recouped. Let me tell you I have

823
00:43:36,080 --> 00:43:39,640
Speaker 2: a double platinum album that I still haven't recooped from

824
00:43:40,080 --> 00:43:43,200
Speaker 2: for twenty years. Then I put out an independent I

825
00:43:43,360 --> 00:43:46,640
Speaker 2: wear some one hundred thousand records and make a million dollars.

826
00:43:46,880 --> 00:43:50,279
Speaker 4: You never listened, Actually listen to the first line of

827
00:43:50,480 --> 00:43:52,880
Speaker 4: why I'm sing Why.

828
00:43:53,080 --> 00:43:55,160
Speaker 1: Yeah, yeah, yeah, I know the ball, but I want

829
00:43:55,160 --> 00:43:58,080
Speaker 1: you to say that i'm'a fuck it up? Why is

830
00:43:58,120 --> 00:43:59,799
Speaker 1: the industry designers in debt?

831
00:44:00,040 --> 00:44:00,080
Speaker 7: What?

832
00:44:00,400 --> 00:44:00,960
Speaker 3: That's crazy?

833
00:44:01,040 --> 00:44:06,600
Speaker 1: Yeah, yeah, no, no, but it's true as a why Why?

834
00:44:07,160 --> 00:44:11,560
Speaker 4: Why is the industry designed to keep the artist in depth?

835
00:44:12,160 --> 00:44:17,840
Speaker 4: Only key word is the artist, nobody else being there.

836
00:44:17,840 --> 00:44:20,239
Speaker 1: But and so that don't never run. They never run

837
00:44:20,320 --> 00:44:21,200
Speaker 1: out of broke niggas.

838
00:44:21,280 --> 00:44:24,160
Speaker 6: Yeah, yeah, I see, they never run out of a talent.

839
00:44:24,880 --> 00:44:26,960
Speaker 6: They learned from our ship and everybody else.

840
00:44:27,440 --> 00:44:27,920
Speaker 3: Why would they.

841
00:44:28,719 --> 00:44:30,960
Speaker 1: Catch them with the longest spoon some of them have

842
00:44:31,320 --> 00:44:32,160
Speaker 1: Like when you see.

843
00:44:33,719 --> 00:44:36,880
Speaker 2: You get when you see at the hand is in

844
00:44:36,960 --> 00:44:42,080
Speaker 2: the buck, he's till Travis. You know there's some smart

845
00:44:42,120 --> 00:44:45,279
Speaker 2: ones out there, right you see them running up lets.

846
00:44:45,840 --> 00:44:47,880
Speaker 4: They let a few small ones slip through, but they

847
00:44:48,120 --> 00:44:52,359
Speaker 4: make sure it's only a few. You're gonna let too.

848
00:44:52,760 --> 00:44:54,800
Speaker 2: Can't beat up the record label no more, you go

849
00:44:54,920 --> 00:44:58,600
Speaker 2: to the feds. Can't can't hear my day we was

850
00:44:58,640 --> 00:45:00,600
Speaker 2: beating niggas up with the plaque on the wall.

851
00:45:01,239 --> 00:45:02,719
Speaker 1: We went out. We went.

852
00:45:02,840 --> 00:45:05,200
Speaker 2: Now that shit is a fed case right now. They

853
00:45:05,320 --> 00:45:08,600
Speaker 2: letting you know, anges can't even get out of the building.

854
00:45:09,040 --> 00:45:13,520
Speaker 2: Bigna in the building to the fucking the dollars Atlantic.

855
00:45:13,640 --> 00:45:15,680
Speaker 2: One time, I say, Yo, I'm running up in They

856
00:45:15,719 --> 00:45:17,920
Speaker 2: didn't want to pay for a video like I wanted them.

857
00:45:18,760 --> 00:45:22,000
Speaker 2: I said, I'm coming in there and anybody, I mean,

858
00:45:22,160 --> 00:45:24,279
Speaker 2: anybody up in this bitch.

859
00:45:25,960 --> 00:45:28,200
Speaker 1: That shit. I walked in there. Atlantic Records.

860
00:45:28,239 --> 00:45:29,960
Speaker 2: They had like a thousand workers that she was like,

861
00:45:32,200 --> 00:45:34,440
Speaker 2: niggas in there thought it was a Jewish holiday and

862
00:45:34,520 --> 00:45:38,400
Speaker 2: they said everybody home, and I think it was papers

863
00:45:38,480 --> 00:45:39,279
Speaker 2: blowing in the wind.

864
00:45:39,320 --> 00:45:41,880
Speaker 1: I walked up and I said, damn, it ain't one.

865
00:45:41,840 --> 00:45:45,640
Speaker 2: Nigga stick behind, not a fucking janitive to get smacked

866
00:45:45,719 --> 00:45:48,040
Speaker 2: up out this bitch. The ship was like.

867
00:45:49,560 --> 00:45:53,240
Speaker 1: The whole place, Yo. They didn't take it as a bluff.

868
00:45:53,320 --> 00:45:57,400
Speaker 2: They ain't think that was cat At that time, everybody

869
00:45:57,800 --> 00:46:00,919
Speaker 2: nice lady, everybody was gone.

870
00:46:01,000 --> 00:46:03,080
Speaker 1: Niggas was like, oh no, he coming up in here.

871
00:46:03,200 --> 00:46:05,840
Speaker 2: Nigga told me the only guy who stood there, Recipece,

872
00:46:06,000 --> 00:46:07,600
Speaker 2: is my good friend Ronnie Johnson.

873
00:46:08,000 --> 00:46:09,800
Speaker 1: And because he knew I loved him so much, he

874
00:46:09,840 --> 00:46:11,200
Speaker 1: said that he explained it to me.

875
00:46:11,280 --> 00:46:15,000
Speaker 2: He said, Yo, Joe, you not beyond say man, your

876
00:46:15,080 --> 00:46:18,040
Speaker 2: last single didn't do good. They're not gonna give you

877
00:46:18,120 --> 00:46:20,200
Speaker 2: the bag for the next video, and this and this

878
00:46:20,320 --> 00:46:22,400
Speaker 2: and that, and just so a lot of shit I

879
00:46:22,440 --> 00:46:24,440
Speaker 2: went through in the industry. I learned I had to

880
00:46:24,520 --> 00:46:28,719
Speaker 2: go independent because I realized we're in the blind that

881
00:46:28,840 --> 00:46:31,120
Speaker 2: all time. So we're telling the record label, yo, you're

882
00:46:31,160 --> 00:46:33,440
Speaker 2: gonna push this, you're gonna make this ahead.

883
00:46:33,560 --> 00:46:37,239
Speaker 1: And then he didn't suppose they don't suppose they lying

884
00:46:37,280 --> 00:46:37,440
Speaker 1: to you.

885
00:46:38,040 --> 00:46:40,440
Speaker 2: And they're like, yo, Kiss always sell two hundred and

886
00:46:40,440 --> 00:46:44,759
Speaker 2: fifty thousand records that just give out enough. Spend a little.

887
00:46:45,000 --> 00:46:48,200
Speaker 2: It's like the drug game. Spend a little step on

888
00:46:48,360 --> 00:46:51,080
Speaker 2: this bitch. We know he gonna sell two hundred and

889
00:46:51,080 --> 00:46:54,240
Speaker 2: fifty thousand, So that's how they make a PC. Meanwhile,

890
00:46:54,320 --> 00:46:55,840
Speaker 2: Kiss is like, Yo, I think I could do a

891
00:46:55,960 --> 00:46:57,359
Speaker 2: million if y'all blow the bag.

892
00:46:57,440 --> 00:46:59,959
Speaker 1: They cool with that two fifty. They made their money

893
00:47:00,680 --> 00:47:02,120
Speaker 1: from fifty people.

894
00:47:02,640 --> 00:47:08,400
Speaker 2: Fact, Yeah, yeah, yeah, So that's why being independent. I

895
00:47:08,480 --> 00:47:10,279
Speaker 2: had that one song I said all the time. Yeah,

896
00:47:10,360 --> 00:47:12,399
Speaker 2: when I repeat stories going, I put out that song

897
00:47:12,480 --> 00:47:17,400
Speaker 2: with Young Jeezy. I got so many you know right,

898
00:47:17,560 --> 00:47:19,640
Speaker 2: just like were talking to you week, you ain't the

899
00:47:19,760 --> 00:47:22,440
Speaker 2: loose niggas is telling you this album is hot.

900
00:47:22,520 --> 00:47:22,800
Speaker 1: Azy.

901
00:47:22,960 --> 00:47:24,640
Speaker 10: You know when this ship is hot, I'm speaking to

902
00:47:24,719 --> 00:47:28,440
Speaker 10: my people, yeah, telling you, but they telling you that

903
00:47:28,520 --> 00:47:31,560
Speaker 10: it is hot. That's a fact, right, So it ain't

904
00:47:31,600 --> 00:47:34,480
Speaker 10: a lot. So I put that ship out in the

905
00:47:34,600 --> 00:47:36,920
Speaker 10: whole world called me. Was like, Yo, you got another

906
00:47:37,080 --> 00:47:39,719
Speaker 10: leave back nigga. This ship is great, nigga. The whole

907
00:47:39,760 --> 00:47:44,480
Speaker 10: industry call yo, welcome back. This this that ship it

908
00:47:44,600 --> 00:47:47,839
Speaker 10: wasn't charting, wasn't wasn't doing nothing. I went to the label.

909
00:47:47,880 --> 00:47:51,000
Speaker 1: I was like, yo, yoah didn't. Yeah, Joe, this is sip.

910
00:47:52,000 --> 00:47:54,040
Speaker 1: This ship was ahead. I said, I gotta go.

911
00:47:54,800 --> 00:47:57,080
Speaker 2: I gotta put my own money where my wife is

912
00:47:57,560 --> 00:48:00,080
Speaker 2: and go independent and put my own money, and that lead.

913
00:48:00,040 --> 00:48:03,120
Speaker 1: Least I know, I spent it. The shit don't blow.

914
00:48:03,200 --> 00:48:06,600
Speaker 1: It is what it is. I can't go there. And

915
00:48:06,719 --> 00:48:08,280
Speaker 1: it also feels.

916
00:48:09,400 --> 00:48:12,960
Speaker 2: You feel smaller looking at a guy behind the desk,

917
00:48:13,080 --> 00:48:16,920
Speaker 2: begging him to promote your shit or play your music

918
00:48:17,120 --> 00:48:19,360
Speaker 2: or this to this side. I used to feel smaller

919
00:48:19,840 --> 00:48:21,879
Speaker 2: on the other side of the desk saying, Yo, you're

920
00:48:21,920 --> 00:48:22,879
Speaker 2: gonna pump my shit.

921
00:48:22,960 --> 00:48:23,440
Speaker 1: You're gonna go.

922
00:48:23,520 --> 00:48:25,440
Speaker 2: And I was like, Yo, you know what, Joe, You've

923
00:48:25,480 --> 00:48:28,000
Speaker 2: always been a hustler, You've always been an entrepreneur.

924
00:48:28,560 --> 00:48:31,920
Speaker 1: You gotta go. And they was calling that.

925
00:48:32,000 --> 00:48:33,840
Speaker 2: At that time, I had beef for fifty cents, so

926
00:48:33,920 --> 00:48:37,080
Speaker 2: they was calling that shit the graveyard. You niggas just

927
00:48:37,239 --> 00:48:41,879
Speaker 2: crackheads like going independent. At that time, they really try

928
00:48:41,960 --> 00:48:47,040
Speaker 2: to discourage niggas from going independent. The graveyard only pumps

929
00:48:47,080 --> 00:48:50,600
Speaker 2: go there. Meanwhile, I made Wow, more money than I

930
00:48:50,680 --> 00:48:54,200
Speaker 2: made on a major, So you're going to major yourself

931
00:48:54,280 --> 00:48:56,880
Speaker 2: two two million records, they take you unrecouped, they give

932
00:48:56,880 --> 00:48:59,000
Speaker 2: you another half a million to make the next album

933
00:49:00,160 --> 00:49:03,479
Speaker 2: sell gold on an independent. At that time they giving

934
00:49:03,480 --> 00:49:06,120
Speaker 2: you seven dollars. You made three and a half ms.

935
00:49:08,520 --> 00:49:10,640
Speaker 2: That's the math. I was figuring it out, so I

936
00:49:10,800 --> 00:49:12,640
Speaker 2: wasn't trying to hear none of that shit. They was

937
00:49:12,680 --> 00:49:16,640
Speaker 2: talking graveyard bum this. I'm like, nah, Papa, you.

938
00:49:16,680 --> 00:49:19,480
Speaker 1: Ain't seeing any checks. That shit was that? That?

939
00:49:19,640 --> 00:49:23,800
Speaker 2: Fuck it all another round with Chris Brown. It's the

940
00:49:23,920 --> 00:49:26,000
Speaker 2: one time in my life I try to stop the

941
00:49:26,160 --> 00:49:28,480
Speaker 2: money from coming. I was kicking that shit back in

942
00:49:28,560 --> 00:49:33,640
Speaker 2: the safe, like, please stop, stop sending another check. Another

943
00:49:33,880 --> 00:49:37,279
Speaker 2: bonus is coming through this shit. So independent, when you

944
00:49:37,400 --> 00:49:41,680
Speaker 2: hit it out the park, it's sweet. It's the best

945
00:49:42,719 --> 00:49:44,960
Speaker 2: in the world. And then you build that catalog so

946
00:49:45,120 --> 00:49:47,480
Speaker 2: that you can benefit off of it if you ever

947
00:49:47,560 --> 00:49:49,640
Speaker 2: want to make a catalog deal.

948
00:49:49,680 --> 00:49:53,400
Speaker 1: When you want to sell your catalog, you got that equity.

949
00:49:54,400 --> 00:49:57,800
Speaker 1: That's the real money back. That's sack.

950
00:50:00,200 --> 00:50:03,879
Speaker 4: H Joe and Jadas show dot com. We got new

951
00:50:04,160 --> 00:50:08,680
Speaker 4: merch fresh off the presents. Go get it big out

952
00:50:08,719 --> 00:50:13,239
Speaker 4: of Big Joe and Jadenshow dot com. You can get

953
00:50:13,360 --> 00:50:16,360
Speaker 4: the little code for a T shirt with the hoodies.

954
00:50:16,800 --> 00:50:17,839
Speaker 1: It's my favorite right there.

955
00:50:17,880 --> 00:50:21,160
Speaker 2: I need an extra large showing jadenshow dot com Go

956
00:50:21,360 --> 00:50:21,920
Speaker 2: there and get it.

957
00:50:30,400 --> 00:50:34,880
Speaker 1: Favorite ball you ever written? That's one of his questions

958
00:50:36,360 --> 00:50:38,800
Speaker 1: because I dealt with that's like a bring twist? Is

959
00:50:38,920 --> 00:50:39,680
Speaker 1: that's that's crazy?

960
00:50:40,160 --> 00:50:40,920
Speaker 3: Ten albums out?

961
00:50:42,560 --> 00:50:46,759
Speaker 2: We can skip the No, no, no, it's close to it.

962
00:50:46,880 --> 00:50:50,600
Speaker 2: What's the what's the verse? Did you feel you feel like?

963
00:50:50,719 --> 00:50:53,080
Speaker 1: Yo? That might be my best verse I ever spit.

964
00:50:53,600 --> 00:50:56,440
Speaker 1: You gotta have one that you're lying kiss. I'm not

965
00:50:58,400 --> 00:51:01,560
Speaker 1: versus niggas. Got doctor you ship did? He didn't break

966
00:51:01,640 --> 00:51:03,719
Speaker 1: that down? I think to come up?

967
00:51:04,520 --> 00:51:06,680
Speaker 6: So to come up stad get right, put the gun up,

968
00:51:07,040 --> 00:51:10,040
Speaker 6: laugh a nice, put the bloot up. Pray blue and whites,

969
00:51:10,080 --> 00:51:13,600
Speaker 6: don't one up? Man humbled, Yeah, that one was some

970
00:51:13,760 --> 00:51:14,040
Speaker 6: of us.

971
00:51:14,640 --> 00:51:18,080
Speaker 2: He got this ship. Man, this is money more murder

972
00:51:18,480 --> 00:51:25,640
Speaker 2: damn yes, keep going. Yeah, it's so many man man

973
00:51:25,800 --> 00:51:29,840
Speaker 2: a z man a z. I heard on the album

974
00:51:29,880 --> 00:51:35,239
Speaker 2: where you said rock kim birth the style the g

975
00:51:35,520 --> 00:51:38,520
Speaker 2: rap fine tuned it. What did I skip?

976
00:51:38,719 --> 00:51:41,839
Speaker 1: Somebody skip? I said Big Daddy came.

977
00:51:41,960 --> 00:51:45,520
Speaker 2: That was punch Puci rapping big Daddy came was Punch's

978
00:51:45,560 --> 00:51:46,360
Speaker 2: favorite rappers.

979
00:51:47,360 --> 00:51:53,640
Speaker 6: I skipped King, so you said, g rap rock, Kim came,

980
00:51:53,719 --> 00:51:57,960
Speaker 6: wolved it up, she wrapped turned my dad. Yeah, and

981
00:51:58,040 --> 00:51:59,359
Speaker 6: then's my favorites right there?

982
00:51:59,480 --> 00:52:08,520
Speaker 1: And then that life was the baddest off right then?

983
00:52:08,680 --> 00:52:12,760
Speaker 1: So good? That goes with this one? Which album changed

984
00:52:12,800 --> 00:52:18,080
Speaker 1: your life more? You think? Or do it do? Damn?

985
00:52:18,200 --> 00:52:18,319
Speaker 7: Nah?

986
00:52:18,920 --> 00:52:19,840
Speaker 1: I don't fucking know that.

987
00:52:22,040 --> 00:52:25,600
Speaker 6: I would say illmatic because it maybe it was. I

988
00:52:25,640 --> 00:52:29,960
Speaker 6: had a been war and only had three songs or

989
00:52:30,080 --> 00:52:32,960
Speaker 6: six raps and never lived. You know, they wanted me,

990
00:52:33,120 --> 00:52:36,160
Speaker 6: so I had to had to make what is connection

991
00:52:36,280 --> 00:52:38,279
Speaker 6: with Nas? Like who introduced you?

992
00:52:38,400 --> 00:52:39,560
Speaker 1: Yo? This is Na Sea?

993
00:52:40,080 --> 00:52:43,560
Speaker 6: This is a I think the homie Yambo. He was

994
00:52:43,600 --> 00:52:45,520
Speaker 6: on the phone from Brooklyn, but he was in queens

995
00:52:45,560 --> 00:52:48,560
Speaker 6: Bridge and he knew I rapped. He knew NAS rapped,

996
00:52:48,600 --> 00:52:50,200
Speaker 6: and he was in the streets and he got us

997
00:52:50,239 --> 00:52:52,440
Speaker 6: on the phone and ME and NAS going back and

998
00:52:52,560 --> 00:52:56,000
Speaker 6: forth actually with other people on the phone. It's like

999
00:52:56,080 --> 00:52:58,040
Speaker 6: one of them parties, it was, but it was just

1000
00:52:58,120 --> 00:53:01,000
Speaker 6: it was just a real ship. He was rapping, but

1001
00:53:01,120 --> 00:53:04,840
Speaker 6: I gravitated towards all nahs. He just spent some crazy

1002
00:53:04,880 --> 00:53:07,320
Speaker 6: ship and I was like we exchanged numbers and we

1003
00:53:07,440 --> 00:53:11,120
Speaker 6: kind of we dialogued like a year before we even

1004
00:53:11,160 --> 00:53:13,000
Speaker 6: bump past like every now and then like once more.

1005
00:53:13,000 --> 00:53:15,440
Speaker 5: What nigga was going on was, Yo, my man just

1006
00:53:15,480 --> 00:53:16,239
Speaker 5: got shot over there.

1007
00:53:16,280 --> 00:53:16,719
Speaker 4: Oh my man.

1008
00:53:16,920 --> 00:53:17,080
Speaker 1: You know.

1009
00:53:17,280 --> 00:53:19,279
Speaker 6: So that was like a year and then he got

1010
00:53:19,360 --> 00:53:23,200
Speaker 6: a deal and then, uh, I think halfway through Killmatic,

1011
00:53:23,239 --> 00:53:26,239
Speaker 6: he in writing me to the studio. I went there

1012
00:53:27,280 --> 00:53:29,920
Speaker 6: just a fly on the wall and Life Is of

1013
00:53:30,040 --> 00:53:32,000
Speaker 6: Bitch wasn't even premeditated.

1014
00:53:32,080 --> 00:53:33,919
Speaker 5: That just happened. I wasn't trying to get on the album.

1015
00:53:33,960 --> 00:53:35,240
Speaker 5: I was just there, just supporting.

1016
00:53:35,960 --> 00:53:42,080
Speaker 1: Yeah, just happened. That's why we get you know, he

1017
00:53:42,160 --> 00:53:44,279
Speaker 1: gets busy. So I don't want to why he's even

1018
00:53:44,360 --> 00:53:45,560
Speaker 1: put me on the fucking album.

1019
00:53:45,960 --> 00:53:47,719
Speaker 3: It's done. I don't want to get on that.

1020
00:53:47,880 --> 00:53:50,359
Speaker 1: I can't keep up with you. Let me say that's

1021
00:53:50,360 --> 00:53:52,239
Speaker 1: how I thought, right. Let me let me tell you

1022
00:53:52,360 --> 00:53:53,239
Speaker 1: my perspective.

1023
00:53:53,680 --> 00:53:57,360
Speaker 2: Flying Nigga in my hood is show Bigs going lords,

1024
00:53:57,560 --> 00:54:03,120
Speaker 2: Show Big is coming on my nigga Convertibu bends. You

1025
00:54:03,200 --> 00:54:05,840
Speaker 2: gotta hear this, You gotta hear this. I was about

1026
00:54:05,920 --> 00:54:09,600
Speaker 2: sound view somewhere, you like, you gotta hear this now, motherfucker.

1027
00:54:09,680 --> 00:54:13,440
Speaker 2: Pull at that Illmatic out tape and throw it in

1028
00:54:13,560 --> 00:54:16,520
Speaker 2: and we sat in the car and listen to the

1029
00:54:16,640 --> 00:54:20,040
Speaker 2: whole ill manic and I was like, oh my God,

1030
00:54:20,360 --> 00:54:24,400
Speaker 2: like yo, this ship. I was scared right because I

1031
00:54:24,520 --> 00:54:26,520
Speaker 2: have one hit out, one of them out and half

1032
00:54:26,600 --> 00:54:27,000
Speaker 2: flows on.

1033
00:54:27,200 --> 00:54:29,279
Speaker 1: I was like, what check it?

1034
00:54:29,680 --> 00:54:32,680
Speaker 2: Watch so I wrecked niggas, watch your bet and I'm

1035
00:54:32,760 --> 00:54:35,200
Speaker 2: here realizing the realism of life and that you.

1036
00:54:35,640 --> 00:54:40,120
Speaker 11: I said, oh my god, ship to me, I'm not

1037
00:54:40,320 --> 00:54:47,960
Speaker 11: coming with this really ship that's ill it, that's you.

1038
00:54:49,719 --> 00:54:50,080
Speaker 1: Is real.

1039
00:54:50,440 --> 00:54:55,279
Speaker 4: That one right there hit home different because nigga, you

1040
00:54:55,400 --> 00:54:57,359
Speaker 4: gotta say they get how the flow?

1041
00:54:57,480 --> 00:54:57,600
Speaker 1: Yo?

1042
00:54:57,680 --> 00:55:02,799
Speaker 2: Go bus I got a line on float your way.

1043
00:55:02,840 --> 00:55:05,920
Speaker 2: I say, step to me, and I'm a master tone.

1044
00:55:06,400 --> 00:55:18,000
Speaker 3: Yo, Yo, that's a fact.

1045
00:55:18,080 --> 00:55:22,879
Speaker 1: You said that. That's a fact, and I and that's ship.

1046
00:55:22,960 --> 00:55:26,640
Speaker 1: I heard that ship. So I was so on, dude,

1047
00:55:26,680 --> 00:55:28,919
Speaker 1: what you call that ship? Then dolphins in my brain

1048
00:55:29,120 --> 00:55:31,359
Speaker 1: was like, Yo, this is the idly ship I ever heard.

1049
00:55:31,560 --> 00:55:33,520
Speaker 1: And then the fear sets in.

1050
00:55:33,600 --> 00:55:38,280
Speaker 2: It says, nigga, if you don't step, So I studied

1051
00:55:38,320 --> 00:55:41,120
Speaker 2: you guys like I'm yo, I'm telling you, I about

1052
00:55:41,120 --> 00:55:44,560
Speaker 2: to listen to Illmatic one million times before I started

1053
00:55:44,600 --> 00:55:47,319
Speaker 2: my second album. And that's how I stepped my second album,

1054
00:55:47,719 --> 00:55:51,800
Speaker 2: crazy ship is. I put out the second album like

1055
00:55:52,040 --> 00:55:54,600
Speaker 2: right about now, like you you four days in but

1056
00:55:55,080 --> 00:55:58,520
Speaker 2: and I run into Biggie Rest in Peace. I see

1057
00:55:58,560 --> 00:56:02,319
Speaker 2: Biggie got two one hundred, three hundred people around him

1058
00:56:02,320 --> 00:56:05,560
Speaker 2: and ship and he was like, Yo, crap, it's like

1059
00:56:05,640 --> 00:56:07,120
Speaker 2: what we've been playing all week?

1060
00:56:07,200 --> 00:56:09,840
Speaker 1: He was, Yo, you stepped your ship up, nigga. The

1061
00:56:09,960 --> 00:56:14,799
Speaker 1: second I'm like yeah. He told Little Kim. She was like, Yo,

1062
00:56:14,920 --> 00:56:17,920
Speaker 1: We've been playing your album all day. And that was

1063
00:56:18,000 --> 00:56:20,719
Speaker 1: like I had to step it up. I was. I

1064
00:56:20,920 --> 00:56:24,200
Speaker 1: was done. A lot of niggas, you know, put a

1065
00:56:24,280 --> 00:56:28,920
Speaker 1: lot of niggas out of business. Oh yes, that's the

1066
00:56:29,080 --> 00:56:32,400
Speaker 1: hustle in you. You got to adapt. And it was

1067
00:56:32,440 --> 00:56:33,200
Speaker 1: the wave after that.

1068
00:56:33,400 --> 00:56:36,680
Speaker 2: You know, niggas out of business. You know, you couldn't

1069
00:56:36,680 --> 00:56:38,800
Speaker 2: come with that wack shit no more. You had the

1070
00:56:38,920 --> 00:56:43,560
Speaker 2: life be lyrical or come through with some ship otherwise

1071
00:56:44,560 --> 00:56:46,719
Speaker 2: it wasn't gonna work. Shout out my man, L e yes,

1072
00:56:46,960 --> 00:56:49,960
Speaker 2: L e yes, yes, L e yes, I love you,

1073
00:56:50,120 --> 00:56:53,520
Speaker 2: brother man. He was like the first nigga whoever you know,

1074
00:56:53,600 --> 00:56:56,600
Speaker 2: because I just want to shoot people and rob people and.

1075
00:56:56,719 --> 00:56:58,919
Speaker 12: All my music and all that we gave you something

1076
00:56:59,400 --> 00:57:03,000
Speaker 12: oh yeah, like two three joints. But what he did

1077
00:57:03,120 --> 00:57:05,600
Speaker 12: do was like, let me know, like I did the

1078
00:57:05,719 --> 00:57:07,480
Speaker 12: Hey Joe, I ain't.

1079
00:57:07,280 --> 00:57:08,960
Speaker 1: Even know I could make a song like that. It

1080
00:57:09,040 --> 00:57:12,279
Speaker 1: was a hardcore. I was like m o pee. So

1081
00:57:12,640 --> 00:57:13,960
Speaker 1: when he was like, yo, you.

1082
00:57:14,000 --> 00:57:15,920
Speaker 2: Can rap, I was like, yo, be then gonna take

1083
00:57:16,000 --> 00:57:18,720
Speaker 2: a pussy guard back to some shit. He was like, nah,

1084
00:57:18,880 --> 00:57:22,040
Speaker 2: nigga like this the fly shit and I did it.

1085
00:57:22,400 --> 00:57:24,360
Speaker 2: That God is like one of my classics.

1086
00:57:24,800 --> 00:57:27,400
Speaker 1: And so he was like, you know with me, I

1087
00:57:27,560 --> 00:57:30,360
Speaker 1: was real just I was.

1088
00:57:31,120 --> 00:57:33,440
Speaker 2: I was too underground, but you know what I mean.

1089
00:57:33,600 --> 00:57:38,160
Speaker 2: My ship was like we will not commercialize. So my

1090
00:57:38,360 --> 00:57:42,120
Speaker 2: ship was like so underground that every step of the

1091
00:57:42,200 --> 00:57:44,240
Speaker 2: wait for me. If you would have asked Fat Joe

1092
00:57:44,400 --> 00:57:48,080
Speaker 2: nineteen ninety two, will he ever have a whats love

1093
00:57:48,200 --> 00:57:51,360
Speaker 2: or some shit like that, he would have never ever

1094
00:57:51,920 --> 00:57:54,840
Speaker 2: ever in history. I thought I was just gonna be

1095
00:57:55,320 --> 00:57:59,240
Speaker 2: making spit raising music that you adjusted with the sound. Yeah,

1096
00:58:00,040 --> 00:58:02,800
Speaker 2: well I just seen the money. So what happened for

1097
00:58:02,920 --> 00:58:06,640
Speaker 2: me was niggas that was making that kind of like

1098
00:58:06,880 --> 00:58:11,000
Speaker 2: the man uh not to tell his business one day,

1099
00:58:11,080 --> 00:58:13,760
Speaker 2: Chris Gotty came to get me and this is when

1100
00:58:13,880 --> 00:58:17,240
Speaker 2: murder Ink was on fire. And he showed me and

1101
00:58:17,360 --> 00:58:20,240
Speaker 2: this is Chris got it, not IRV rest of Peace,

1102
00:58:20,320 --> 00:58:24,400
Speaker 2: irve Man, I miss IRV Man. He showed me a

1103
00:58:24,720 --> 00:58:28,280
Speaker 2: twenty million dollar check, and the nigga came to my

1104
00:58:28,400 --> 00:58:30,480
Speaker 2: crib in the Bronx. Nigga was like, no, I just

1105
00:58:30,560 --> 00:58:34,240
Speaker 2: got this. He's not he's number two or number three.

1106
00:58:35,440 --> 00:58:37,560
Speaker 2: He showed me a twenty million dollars Chris got it,

1107
00:58:37,680 --> 00:58:38,360
Speaker 2: and I said.

1108
00:58:39,440 --> 00:58:42,600
Speaker 1: Oh, I gotta make records like that to shoot him up.

1109
00:58:42,640 --> 00:58:44,840
Speaker 1: Bang Bang ain't gonna work. And then we made The

1110
00:58:44,920 --> 00:58:47,880
Speaker 1: West Loves Doug him to dead. Then we started just

1111
00:58:48,600 --> 00:58:51,040
Speaker 1: making hit records. But it was like, you know, I

1112
00:58:51,160 --> 00:58:51,480
Speaker 1: seen it.

1113
00:58:51,840 --> 00:58:55,360
Speaker 2: He showed me the check and I was like, like nothing,

1114
00:58:55,440 --> 00:58:57,240
Speaker 2: it was a normal day. He was like, all right, Joe,

1115
00:58:57,280 --> 00:58:58,640
Speaker 2: let's go down to the city here.

1116
00:58:59,200 --> 00:58:59,360
Speaker 1: You know.

1117
00:58:59,440 --> 00:59:03,160
Speaker 2: I was like, Yo, this twenty dollard fucking check. I'm

1118
00:59:03,200 --> 00:59:06,800
Speaker 2: over here still doing fifteen hundred dollars shows. I was like,

1119
00:59:07,640 --> 00:59:10,240
Speaker 2: and so I realized, you got to step it up,

1120
00:59:10,600 --> 00:59:12,600
Speaker 2: you know what I mean, and make music like you

1121
00:59:12,760 --> 00:59:13,400
Speaker 2: when you did.

1122
00:59:13,360 --> 00:59:15,400
Speaker 1: Uh sugar, Hell yeah.

1123
00:59:15,800 --> 00:59:17,440
Speaker 5: I had to do that. I didn't want to do that,

1124
00:59:17,880 --> 00:59:19,880
Speaker 5: but I saw what Biggie did.

1125
00:59:20,920 --> 00:59:22,200
Speaker 1: He just zip.

1126
00:59:22,840 --> 00:59:24,240
Speaker 5: He still kept it real on the album.

1127
00:59:25,600 --> 00:59:27,960
Speaker 6: And so now I'm hearing everything that's I'm hearing Marvel here,

1128
00:59:27,960 --> 00:59:31,320
Speaker 6: and I said, I can compete, but I want to zip.

1129
00:59:33,040 --> 00:59:35,040
Speaker 1: I was a good ass. You make some fly ship.

1130
00:59:35,640 --> 00:59:36,760
Speaker 1: That was a hell of a zip.

1131
00:59:37,120 --> 00:59:38,439
Speaker 3: Yeah you can zip.

1132
00:59:41,280 --> 00:59:45,360
Speaker 1: You can. That's that. That's a fact. That's why, because

1133
00:59:45,360 --> 00:59:46,280
Speaker 1: it's a music business.

1134
00:59:46,320 --> 00:59:48,000
Speaker 3: It's not I mean, we all get busy, but it's

1135
00:59:48,000 --> 00:59:48,440
Speaker 3: a business.

1136
00:59:48,680 --> 00:59:51,720
Speaker 2: At the same time, when the conversation never comes up

1137
00:59:51,760 --> 00:59:56,840
Speaker 2: in my mind, I always credit Biggie for all for

1138
00:59:56,960 --> 01:00:00,240
Speaker 2: the whole ship. I credit him because he he's the

1139
01:00:00,360 --> 01:00:04,680
Speaker 2: first guy seen with a backpack of the Army fatigue jacket.

1140
01:00:05,440 --> 01:00:08,040
Speaker 2: They started rapping on them R and B beats, making

1141
01:00:08,120 --> 01:00:11,920
Speaker 2: them hits, juicy and all that, and so that inspired

1142
01:00:12,120 --> 01:00:17,760
Speaker 2: me to make songs like that or everybody else. You know,

1143
01:00:17,880 --> 01:00:20,160
Speaker 2: he opened that door, at least for New York niggas.

1144
01:00:20,200 --> 01:00:22,760
Speaker 2: I know he opened that door. So, like you just said,

1145
01:00:22,800 --> 01:00:26,800
Speaker 2: if everybody just kept it real and say who let

1146
01:00:26,880 --> 01:00:27,160
Speaker 2: him know.

1147
01:00:27,240 --> 01:00:29,280
Speaker 4: That you could do? That would be b I g

1148
01:00:29,720 --> 01:00:32,720
Speaker 4: many cool to wear a nice shirt to be wanting

1149
01:00:32,720 --> 01:00:36,040
Speaker 4: to be going from nasty in classic man.

1150
01:00:36,080 --> 01:00:37,920
Speaker 2: I was in his house one day. The nigga had

1151
01:00:37,960 --> 01:00:43,000
Speaker 2: a hockey jersey on and Levi's this and then like, Yo,

1152
01:00:43,080 --> 01:00:46,200
Speaker 2: come to my shit tonight. This this that I pulled up.

1153
01:00:46,320 --> 01:00:50,000
Speaker 2: Nigga had gators on, fucking fur trench this.

1154
01:00:50,280 --> 01:00:53,040
Speaker 1: I was like, what the fuck? When did this come? Fuck?

1155
01:00:54,640 --> 01:01:00,640
Speaker 2: Biggie Smalls was in the overnight. Success was but one

1156
01:01:01,240 --> 01:01:02,400
Speaker 2: two and three.

1157
01:01:02,720 --> 01:01:06,640
Speaker 1: That's a fact. Within months, just never been seen before

1158
01:01:06,760 --> 01:01:07,240
Speaker 1: before that.

1159
01:01:07,760 --> 01:01:11,600
Speaker 2: Just his money must have went like a fast, like

1160
01:01:11,720 --> 01:01:13,920
Speaker 2: some shit we never seen like that ship was one

1161
01:01:14,040 --> 01:01:17,160
Speaker 2: two and three. I remember, like, yo, the nigg is

1162
01:01:17,240 --> 01:01:22,080
Speaker 2: number one two and three when somebody I equate that

1163
01:01:22,200 --> 01:01:25,120
Speaker 2: to I always use Cardi B as the standard now

1164
01:01:25,760 --> 01:01:32,160
Speaker 2: for like oh Pandemona, no Cardi B saying anything on Instagram.

1165
01:01:32,320 --> 01:01:35,120
Speaker 2: The girls love that ship. You know, she just this

1166
01:01:35,320 --> 01:01:37,200
Speaker 2: this like she got that ship.

1167
01:01:37,040 --> 01:01:41,080
Speaker 1: Where she just that ship you were saying, she just

1168
01:01:41,240 --> 01:01:45,440
Speaker 1: jumped to another level. That's how Biggie did it for me.

1169
01:01:46,280 --> 01:01:46,480
Speaker 1: You know.

1170
01:01:47,080 --> 01:01:50,000
Speaker 2: But all you guys man, you shit the firm shit

1171
01:01:51,040 --> 01:01:52,840
Speaker 2: all that. What was it like working with like a

1172
01:01:52,920 --> 01:01:53,600
Speaker 2: Foxy Brown?

1173
01:01:53,680 --> 01:01:56,480
Speaker 6: You know, we rate Foxy Brown Fox she another one

1174
01:01:56,560 --> 01:01:58,680
Speaker 6: that you Yeah, she get Busy Fox.

1175
01:01:59,120 --> 01:02:00,600
Speaker 1: I was listening to fox Yester.

1176
01:02:01,000 --> 01:02:03,720
Speaker 3: I can't wait to come back out, come back.

1177
01:02:03,800 --> 01:02:06,080
Speaker 2: I'm coming with the back to the ankle with me

1178
01:02:07,040 --> 01:02:11,680
Speaker 2: saying that Fox God, she got my biggest You see,

1179
01:02:12,280 --> 01:02:13,360
Speaker 2: it happens all the time.

1180
01:02:13,480 --> 01:02:16,720
Speaker 1: So I think if you are a veteran Sean c

1181
01:02:17,120 --> 01:02:17,680
Speaker 1: you've seen this.

1182
01:02:18,360 --> 01:02:20,880
Speaker 2: If you're a veteran exact who's been in the game

1183
01:02:21,000 --> 01:02:24,080
Speaker 2: long enough, you've seen this shit play out with different

1184
01:02:24,280 --> 01:02:27,040
Speaker 2: artists to say, like French had that Shot Caller and

1185
01:02:27,080 --> 01:02:28,720
Speaker 2: the next thing you know, he did the pop that

1186
01:02:29,680 --> 01:02:31,480
Speaker 2: with all the niggas that took him on another level.

1187
01:02:31,560 --> 01:02:34,760
Speaker 2: With me, I was just getting my credibility with Flow

1188
01:02:34,840 --> 01:02:37,080
Speaker 2: you and all that ll put me on our shot

1189
01:02:38,040 --> 01:02:40,960
Speaker 2: But fact you already had Flowed Joe and already had

1190
01:02:41,040 --> 01:02:44,320
Speaker 2: the second album that biggie saying I stepped my shit up.

1191
01:02:44,920 --> 01:02:47,640
Speaker 2: So I kind of like, I don't know if I

1192
01:02:47,800 --> 01:02:50,520
Speaker 2: deserved that slop right there, but thank god he gave

1193
01:02:50,560 --> 01:02:50,840
Speaker 2: it to me.

1194
01:02:51,280 --> 01:02:53,120
Speaker 1: And then you got Prodigy on there.

1195
01:02:53,600 --> 01:02:56,360
Speaker 2: You got Keith Murray was on fucking Flames, and then

1196
01:02:56,400 --> 01:03:00,280
Speaker 2: you got Foxy Braham and I remember me doing it

1197
01:03:00,360 --> 01:03:02,240
Speaker 2: was a big deal to be on there with LLL

1198
01:03:02,400 --> 01:03:02,840
Speaker 2: and all of them.

1199
01:03:03,360 --> 01:03:05,880
Speaker 1: And I turned around because we all shooting the video

1200
01:03:06,000 --> 01:03:07,680
Speaker 1: to say, and she come on.

1201
01:03:08,680 --> 01:03:14,040
Speaker 2: Poppy, I said, Yo, this, yeah, y'all, how about It

1202
01:03:14,120 --> 01:03:15,160
Speaker 2: took two seconds to.

1203
01:03:15,200 --> 01:03:16,400
Speaker 1: Know she was a superstar.

1204
01:03:16,880 --> 01:03:19,880
Speaker 2: She was in there with the biggest, hottest niggas, from

1205
01:03:19,920 --> 01:03:23,080
Speaker 2: the four platinum niggas to the underground niggas to everything.

1206
01:03:23,200 --> 01:03:24,760
Speaker 1: She came up in there. I think she had like

1207
01:03:24,840 --> 01:03:25,880
Speaker 1: a white silk shirt.

1208
01:03:26,080 --> 01:03:30,040
Speaker 2: She was like in Ellen Trace And I was like,

1209
01:03:30,120 --> 01:03:32,960
Speaker 2: oh my god, there's a girl on this song that

1210
01:03:33,160 --> 01:03:35,280
Speaker 2: she's about to be the fuck out of here?

1211
01:03:36,360 --> 01:03:38,720
Speaker 1: What was that like that? Working with her in this

1212
01:03:38,840 --> 01:03:40,080
Speaker 1: studio and shit like that?

1213
01:03:40,360 --> 01:03:42,520
Speaker 6: No, fox in and out. She getting right to the

1214
01:03:42,560 --> 01:03:45,240
Speaker 6: business as soon as the music come on. So trying

1215
01:03:45,280 --> 01:03:47,360
Speaker 6: to getting in the studio. She's getting on a mic

1216
01:03:47,560 --> 01:03:50,880
Speaker 6: she's doing and she's going she was right fast right there,

1217
01:03:52,240 --> 01:03:54,960
Speaker 6: lay half it down right more she out.

1218
01:03:56,120 --> 01:03:58,000
Speaker 1: Man. We used to waste a lot of money. Hush

1219
01:03:58,200 --> 01:04:02,280
Speaker 1: and seat we used to the studio. Was that hang out?

1220
01:04:02,360 --> 01:04:06,480
Speaker 1: Oh yeah, hunt Yo. What was it like working with

1221
01:04:06,680 --> 01:04:09,160
Speaker 1: Rest in Peace? Half a mill oh man?

1222
01:04:09,360 --> 01:04:14,120
Speaker 6: Half was big head scientists, had a lot of knowledge.

1223
01:04:14,640 --> 01:04:17,680
Speaker 6: He was trying to get that ship out like he

1224
01:04:17,760 --> 01:04:21,240
Speaker 6: knew something. He was before his time, way before.

1225
01:04:21,960 --> 01:04:24,400
Speaker 2: You know, a lot of unsung heroes in the hippop

1226
01:04:24,480 --> 01:04:27,120
Speaker 2: game passed away prematurity, you.

1227
01:04:27,160 --> 01:04:30,120
Speaker 3: Know what I mean, Like the streets rap game turned

1228
01:04:30,160 --> 01:04:31,040
Speaker 3: straight to the streets.

1229
01:04:32,440 --> 01:04:34,800
Speaker 1: Yeah, was you conscious of that, did you?

1230
01:04:34,960 --> 01:04:35,120
Speaker 7: Yeah?

1231
01:04:35,240 --> 01:04:36,000
Speaker 1: I was going on.

1232
01:04:36,840 --> 01:04:39,840
Speaker 6: My style was the same. I'm sitting back. You've got

1233
01:04:39,880 --> 01:04:42,640
Speaker 6: you got the loud ones and you got the sound assassins.

1234
01:04:43,120 --> 01:04:45,560
Speaker 6: I think I was more like that, just checking it out,

1235
01:04:45,840 --> 01:04:47,560
Speaker 6: seeing where to go with not to go.

1236
01:04:47,880 --> 01:04:53,000
Speaker 1: You know, I always went with the problem. You was

1237
01:04:53,080 --> 01:04:56,040
Speaker 1: hearing this. In fact, Joe walked up to it with

1238
01:04:56,120 --> 01:04:58,440
Speaker 1: the hunting Border recons word up some what do you

1239
01:04:58,560 --> 01:05:02,840
Speaker 1: do pun they called them. Germany took Jane off and

1240
01:05:02,880 --> 01:05:05,720
Speaker 1: whipped the ship out of the niggas. Yo, this nigga

1241
01:05:05,760 --> 01:05:08,640
Speaker 1: big punt. Let me tell you something, yo, Listen, listen.

1242
01:05:09,080 --> 01:05:11,280
Speaker 1: You was there for that, Joe Shawn. See.

1243
01:05:11,360 --> 01:05:14,040
Speaker 2: Let me tell you some niggas say, I'll be watching

1244
01:05:14,120 --> 01:05:16,720
Speaker 2: all these documentary they say that tunnel was the It

1245
01:05:17,000 --> 01:05:21,880
Speaker 2: was the worst place to go. The tunnel was just Killerville, right,

1246
01:05:21,960 --> 01:05:24,600
Speaker 2: this island with a sprinkle of young ladies. This nigga,

1247
01:05:24,760 --> 01:05:28,480
Speaker 2: Big pun Big Pum would go in there with millions

1248
01:05:28,560 --> 01:05:30,640
Speaker 2: of dollars in jewelry and a robe on.

1249
01:05:30,960 --> 01:05:33,600
Speaker 1: My nigga with boxes under like this in the middle

1250
01:05:34,680 --> 01:05:35,560
Speaker 1: bottom Mohett with.

1251
01:05:35,640 --> 01:05:40,280
Speaker 2: A robe on and Johns where every so called the

1252
01:05:40,400 --> 01:05:41,960
Speaker 2: murderer of all murderers.

1253
01:05:42,200 --> 01:05:46,160
Speaker 1: This what up? God? I'm like, Yo, Pump, where's your clothes?

1254
01:05:46,280 --> 01:05:49,640
Speaker 1: My nigga? Fuck dad? Niggas know what time it is

1255
01:05:49,760 --> 01:06:01,120
Speaker 1: out here? Yo, big punt Yoga whoa fine man?

1256
01:06:01,240 --> 01:06:04,000
Speaker 5: But you know, yo Joe, how you all how you

1257
01:06:04,080 --> 01:06:05,880
Speaker 5: made it to that more money, more motive video?

1258
01:06:06,160 --> 01:06:09,120
Speaker 1: How you do that? I'm in that video? Yeah? But

1259
01:06:09,200 --> 01:06:11,720
Speaker 1: how do you do that? I was in everybody's video.

1260
01:06:11,920 --> 01:06:12,280
Speaker 1: I don't know.

1261
01:06:12,440 --> 01:06:15,200
Speaker 2: Ni's like I might have had the video. Niggas on

1262
01:06:15,400 --> 01:06:18,160
Speaker 2: on speed down. They always shooting the video fat joke.

1263
01:06:18,640 --> 01:06:21,480
Speaker 2: I used to get the used to can get the yo.

1264
01:06:21,680 --> 01:06:25,560
Speaker 2: They shooting over there, that's video and you know who

1265
01:06:25,840 --> 01:06:29,360
Speaker 2: I did it, concerbrated scarf faces. I'm the barber and

1266
01:06:29,520 --> 01:06:33,120
Speaker 2: Ray Kwan's video. Yeah, they shot to sit over there,

1267
01:06:33,160 --> 01:06:36,960
Speaker 2: Bob Lemon's projects. By the time, you no towers over

1268
01:06:37,040 --> 01:06:39,080
Speaker 2: there on the east side of the hall, and there

1269
01:06:39,120 --> 01:06:42,120
Speaker 2: at the ice cream truck. I'm the barber in the video,

1270
01:06:42,280 --> 01:06:49,240
Speaker 2: incarcerated scarfaces and fucking engine engine number. I'm jumping up

1271
01:06:49,280 --> 01:06:52,840
Speaker 2: and down. N Blassie. Oh ship, clean it up, big

1272
01:06:52,960 --> 01:06:53,840
Speaker 2: it up, big it up.

1273
01:06:54,360 --> 01:06:57,919
Speaker 1: Back to the things. Chris there, nigga you call Fat

1274
01:06:58,080 --> 01:06:59,080
Speaker 1: Joe for a cameo.

1275
01:06:59,440 --> 01:07:02,960
Speaker 2: Was there, but that day, that day, it's crazy that

1276
01:07:03,080 --> 01:07:05,960
Speaker 2: you that you bring that up, because sometimes.

1277
01:07:07,280 --> 01:07:07,880
Speaker 1: I'm Fried.

1278
01:07:08,280 --> 01:07:10,920
Speaker 2: I'm gonna be honest with you. I'm fried, so like

1279
01:07:11,720 --> 01:07:14,720
Speaker 2: like sometimes you know, niggas don't call me cap so much.

1280
01:07:14,760 --> 01:07:16,040
Speaker 2: Sometimes I think I'm captain.

1281
01:07:16,160 --> 01:07:16,520
Speaker 1: I don't know.

1282
01:07:16,680 --> 01:07:19,840
Speaker 2: This ship is crazy. I was here right but that video.

1283
01:07:20,640 --> 01:07:24,720
Speaker 2: I remember jay Z was there and Nas and every

1284
01:07:25,400 --> 01:07:28,000
Speaker 2: you know, we just have Rick Rossy. I really asked

1285
01:07:28,040 --> 01:07:31,560
Speaker 2: them how they go bad between him and Drake, and

1286
01:07:32,440 --> 01:07:34,280
Speaker 2: I remember everybody was there.

1287
01:07:34,440 --> 01:07:36,640
Speaker 1: No, no, no, no, no. This is before Nas and

1288
01:07:36,760 --> 01:07:40,960
Speaker 1: jay Z beef. Everybody was there in peace. No. I

1289
01:07:41,080 --> 01:07:42,600
Speaker 1: was sitting next to these niggas.

1290
01:07:43,200 --> 01:07:45,600
Speaker 2: So I'm like, when it went really went bad, I

1291
01:07:45,760 --> 01:07:48,760
Speaker 2: never I never you the one you probably the only

1292
01:07:48,800 --> 01:07:50,080
Speaker 2: guy who got him together.

1293
01:07:49,920 --> 01:07:52,680
Speaker 1: Before all that beef. That's a fact. How did that

1294
01:07:52,800 --> 01:07:53,320
Speaker 1: come about?

1295
01:07:54,320 --> 01:07:57,160
Speaker 5: I knew Jerry from from from high school. We went,

1296
01:07:57,360 --> 01:07:58,320
Speaker 5: I think ninth grade.

1297
01:07:58,360 --> 01:07:59,040
Speaker 1: He was in grade.

1298
01:07:59,840 --> 01:08:01,720
Speaker 6: You used to wrap in the lunch for them. That's

1299
01:08:01,760 --> 01:08:08,760
Speaker 6: before the Biggie and Bust of ROMB ship. I don't

1300
01:08:08,760 --> 01:08:09,360
Speaker 6: know that one.

1301
01:08:09,520 --> 01:08:11,240
Speaker 3: That's after they closed hours.

1302
01:08:11,280 --> 01:08:14,560
Speaker 6: And then from there we was cool and I was

1303
01:08:14,600 --> 01:08:17,280
Speaker 6: already doing me and he reached out try to make

1304
01:08:17,320 --> 01:08:17,639
Speaker 6: it happen.

1305
01:08:17,720 --> 01:08:18,360
Speaker 3: It didn't happen.

1306
01:08:18,479 --> 01:08:21,439
Speaker 6: But I was there at the video at the with

1307
01:08:21,560 --> 01:08:22,960
Speaker 6: all the big and all of a sudden at the

1308
01:08:23,040 --> 01:08:25,639
Speaker 6: round table, Nah's bozak came but he didn't.

1309
01:08:26,840 --> 01:08:27,639
Speaker 1: So it was cool.

1310
01:08:27,760 --> 01:08:29,799
Speaker 5: But uh, you know, shit happens.

1311
01:08:31,280 --> 01:08:34,080
Speaker 2: Yeah, I mean, you know it's a part of our history,

1312
01:08:34,200 --> 01:08:37,000
Speaker 2: everybody's history and hip hop.

1313
01:08:37,520 --> 01:08:38,160
Speaker 1: You know what I'm saying.

1314
01:08:38,320 --> 01:08:43,920
Speaker 2: That's ship, I guess sometimes some ship had to happen. Yeah, no, no,

1315
01:08:44,160 --> 01:08:47,760
Speaker 2: for real, Sometimes the journey is ship gotta happen. Maybe

1316
01:08:47,920 --> 01:08:50,519
Speaker 2: it was about just the business, right about the music build.

1317
01:08:50,560 --> 01:08:54,519
Speaker 2: It was a power move like that same game, right.

1318
01:08:55,880 --> 01:08:59,160
Speaker 1: That's what it is. Supremacy. Yeah, you know what I'm saying.

1319
01:08:59,200 --> 01:08:59,760
Speaker 1: It's a fact.

1320
01:09:00,080 --> 01:09:02,320
Speaker 2: But we hear the name of the project, tell them

1321
01:09:02,360 --> 01:09:05,439
Speaker 2: the name of the project. Three telling you right now?

1322
01:09:05,600 --> 01:09:11,960
Speaker 2: Anybody uniqueness anybody in the fucking planet earth. If you

1323
01:09:12,080 --> 01:09:16,200
Speaker 2: love real hip hop, if you love lyrics, you love beats,

1324
01:09:17,080 --> 01:09:18,519
Speaker 2: Nothing is fucking with.

1325
01:09:18,640 --> 01:09:20,240
Speaker 1: AZ's album right now.

1326
01:09:20,479 --> 01:09:25,080
Speaker 2: It's untouchable. Right now, I already set a date with myself.

1327
01:09:25,280 --> 01:09:27,519
Speaker 2: I'm going back home to get in the car and

1328
01:09:27,640 --> 01:09:31,000
Speaker 2: play the album while iut driving the car, preferably around

1329
01:09:31,160 --> 01:09:34,639
Speaker 2: Brooklyn hallm the South Bronx.

1330
01:09:34,920 --> 01:09:38,360
Speaker 1: Yes, a little bit of queens in there. Yes, woman to.

1331
01:09:38,400 --> 01:09:43,680
Speaker 2: Trust juicing Yonkers by now because I'm affiliated with you.

1332
01:09:44,240 --> 01:09:47,880
Speaker 2: You know your kids, man, the twins, twins at the game.

1333
01:09:49,840 --> 01:09:52,320
Speaker 2: I want to know you fucking can I get like

1334
01:09:52,400 --> 01:10:00,360
Speaker 2: a free foster mediogic coffey, y'all are spreading the wealth, yo, whyo?

1335
01:10:00,880 --> 01:10:04,200
Speaker 13: And I like a gun in Wyo. You good go

1336
01:10:04,400 --> 01:10:08,280
Speaker 13: through that. You gonna look you go pump my gas

1337
01:10:08,400 --> 01:10:12,400
Speaker 13: in the gas station. It's that gas station at five

1338
01:10:12,479 --> 01:10:16,560
Speaker 13: four what every year? Every time I used to go

1339
01:10:16,600 --> 01:10:18,320
Speaker 13: to youngest and be like, Yo, the locks is in

1340
01:10:18,400 --> 01:10:21,519
Speaker 13: that gas over there. Your motherfuckers just out there deep.

1341
01:10:21,600 --> 01:10:24,200
Speaker 13: So I'm good and who great? And why you're fucking

1342
01:10:24,280 --> 01:10:25,639
Speaker 13: ginger and lemon shot?

1343
01:10:25,720 --> 01:10:31,200
Speaker 1: Go get you a don't shot. I'm good? Yeah, Wyo?

1344
01:10:31,320 --> 01:10:31,720
Speaker 5: What's up?

1345
01:10:31,880 --> 01:10:35,840
Speaker 1: Baby, what's up baby, I'm in the building. Yo. This

1346
01:10:36,000 --> 01:10:37,400
Speaker 1: ain't that. That ain't this.

1347
01:10:39,040 --> 01:10:44,000
Speaker 4: Mains some noise for as yet.

1348
01:10:45,560 --> 01:10:47,360
Speaker 1: You know why a Z. Let me tell you something

1349
01:10:47,400 --> 01:10:49,040
Speaker 1: before we turn off these cameras.

1350
01:10:49,520 --> 01:10:51,280
Speaker 2: The reason why I give it out there to you

1351
01:10:51,560 --> 01:10:54,919
Speaker 2: like that is because they're not gonna do it to yourself.

1352
01:10:55,400 --> 01:10:58,360
Speaker 2: You quiet, but you need niggas like me, the spokesman

1353
01:10:58,479 --> 01:11:00,920
Speaker 2: the mouth of the South, to let the niggas know

1354
01:11:01,120 --> 01:11:04,080
Speaker 2: your shit is on fight so they don't get it mistaken.

1355
01:11:04,200 --> 01:11:07,080
Speaker 1: You are quiet, nigga. I'm saying, nah, nigga, this for

1356
01:11:07,240 --> 01:11:09,720
Speaker 1: the culture. We're gonna salute them the right way. And

1357
01:11:09,840 --> 01:11:14,439
Speaker 1: if you got ears, go go get that fucking album. Yes,

1358
01:11:14,960 --> 01:11:15,160
Speaker 1: said