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Speaker 1: You are listening to The Dan Patrick Show on Fox

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Speaker 1: Sports Radio Our.

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Speaker 2: Two on this Tuesday. Morale is high ish. Welcome to

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Speaker 2: the program. Gang's all here, Fritzie seating in the back row,

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Speaker 2: Marvin and Paulie in the front row, and yours truly

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Speaker 2: and the back room guys as well. Stat of the

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Speaker 2: day brought to you by Panini America, the official trading

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Speaker 2: cards of the program. By the way, John Cena, Cody

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Speaker 2: Rhoades and more of your favorite WWE superstars takeover MetLife

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Speaker 2: Stadium for a summer party too big for just one night.

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Speaker 2: It'll be uh Summer Slam. That'll be live Saturday and Sunday,

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Speaker 2: six eastern, three Pacific only on Peacock Poll. Question Seaton

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Speaker 2: for the first hour, and what are we gonna go

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Speaker 2: with an hour two?

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Speaker 3: Well, we had two up there for the first hour

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Speaker 3: that we haven't really gotten to all right, who would

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Speaker 3: win in a five k races? Ion Williamson or Rob

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Speaker 3: Our Video Editor? Right now, rob Our Video Editor is

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Speaker 3: winning a.

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Speaker 2: Sixty that vote. Iagine if somebody brings this up to

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Speaker 2: Zion Williamson. Just his reaction, Hion Rob from The Dan

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Speaker 2: Patrick Show said that he could beat you in a

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Speaker 2: five k your thoughts, yes, Pauling.

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Speaker 4: What if it went the opposite and Zion opening camp

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Speaker 4: with I just want to make a statement here about

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Speaker 4: the situation.

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Speaker 3: Might as well address the elephant in the room here.

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Speaker 2: Yes, Rob from the Dan Patrick Show, he posted his

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Speaker 2: time for a five k, and my goal this season

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Speaker 2: is not to make the playoffs or of the All

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Speaker 2: Star Game, It's to beat Rob's five k.

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Speaker 5: Ton.

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Speaker 6: I don't know why he picked on Zion, Yes, marm

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Speaker 6: I know.

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Speaker 7: I think Zion was on his fantasy basketball team. That's

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Speaker 7: what it stems down to.

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Speaker 6: Wow.

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Speaker 8: Look, I'd bet my yearly salary on Zion.

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Speaker 2: In a five kily what about one hundred meter dash

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Speaker 2: your salary?

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Speaker 6: Wow?

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Speaker 2: Okay, I don't think this is going to happen. I

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Speaker 2: can't even get Rob, one of the back room guys,

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Speaker 2: to race the other people in the building and the

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Speaker 2: winner gets five hundred dollars the fastest person in the building.

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Speaker 2: I'm putting up five hundred dollars, and he says that

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Speaker 2: he's not going to run in that race, even though

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Speaker 2: I came up with the idea of giving five hundred

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Speaker 2: dollars to the winner. Because of Rob, I'm thinking, if

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Speaker 2: you can beat Zion, you're the fastest guy. Although Anthony,

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Speaker 2: who's the youngest in the building, and Ray, those are

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Speaker 2: probably the two guys to beat. But five hundred dollars

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Speaker 2: it's still there. But I need everybody in the building.

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Speaker 2: I need Tyler, I need the big German. I need everybody,

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Speaker 2: everybody to put on their shoes and get ready to

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Speaker 2: go race one hundred meters.

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Speaker 6: Yes, Marvin, Oh you want everyone to race?

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Speaker 8: Yes, so everyone in the building.

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Speaker 6: Everyone in the building.

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Speaker 2: If you're going to be the fastest in the building,

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Speaker 2: you have to race against everybody in the building.

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Speaker 3: Oh we're going to get.

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Speaker 6: Three heats of four.

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Speaker 3: If everybody doesn't race.

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Speaker 2: We can't do it. That's why I'm saying, yes, so

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Speaker 2: big German, he's going to have to run. Everybody's gonna

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Speaker 2: have to run.

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Speaker 6: I'm not No, I can't.

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Speaker 3: You're not going to be the fourth.

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Speaker 6: Can't.

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Speaker 3: You didn't get a buy and then it could be

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Speaker 3: the three winners, and then.

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Speaker 6: You I got a replacement knee.

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Speaker 2: Has anybody had any surgeries on their legs And the

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Speaker 2: answer is no. I've had surgery for everybody in me.

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Speaker 2: But I'm still walk and move around a little bit here.

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Speaker 2: But yeah, I've had weight surgeries and a replacement knee.

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Speaker 2: The last thing I want is I go down and

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Speaker 2: then all of a sudden they say, oh, you need

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Speaker 2: a new replacement knee. Like it's hey, But I won't

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Speaker 2: get the five hundred dollars. I'm not eligible for the

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Speaker 2: five hundred dollars. I'm there to just show support with

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Speaker 2: team building and content.

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Speaker 6: That's what this is about.

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Speaker 7: Yes, Marman with VP, stop acting like your lieutenant Dan

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Speaker 7: from Forrest Go this had a replacement me, come on

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Speaker 7: out there, join us.

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Speaker 3: No, technically, your replacement is probably in better shape than

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Speaker 3: all of our knees, our original knees.

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Speaker 6: Maybe maybe, But Todd, will you run?

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Speaker 9: I think there would probably be a very bad idea

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Speaker 9: not to mention the fact that I have no chance

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Speaker 9: of winning. And if I injure easily at whipple ball

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Speaker 9: and pickleball.

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Speaker 2: Why would there you know when you have no chance

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Speaker 2: of winning when you don't run.

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Speaker 9: I'm very convinced, based on sausage race and quanterfastiitis and

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Speaker 9: elbows and everything else, that's probably something I should narrate

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Speaker 9: the best.

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Speaker 3: Okay, yes, what if the rule is everybody has to participate.

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Speaker 3: Your level of effort is up to you.

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Speaker 6: Okay.

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Speaker 3: So if Todd wants to be in, he's free to

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Speaker 3: walk the three point one miles.

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Speaker 6: Oh no, we're not doing five k oh or not?

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Speaker 6: I don't think.

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Speaker 3: Oh I thought the challenge was a five k. No,

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Speaker 3: it was one hundred yard dash. I can't, I can't

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Speaker 3: hundred yards. Yes, it's one hundred meters, one hundred meters.

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Speaker 3: It's the difference between a meter in the yard. Oh no,

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Speaker 3: look at us five.

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Speaker 6: Yeah, Todd should know.

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Speaker 3: If you know what I mean.

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Speaker 6: It's a bit a while.

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Speaker 10: So I did those arek a myth?

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Speaker 9: Metrics algebra was my thing, Okay, it was I could

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Speaker 9: prove o geometry.

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Speaker 10: I could prove two triangles congruent.

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Speaker 2: They're basically the same thing. The Iauceles triangle always gave

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Speaker 2: me trouble.

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Speaker 9: And you got the the transversal and the parallel lines

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Speaker 9: and opposite angles.

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Speaker 2: Angles, tagrine theorem, those things always, they always trip me up.

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Speaker 8: Not a great time, No, it's terrible acute at.

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Speaker 10: Two angles and supplementary and complementary.

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Speaker 4: Yes, Paul, A meter is slightly longer than a yard,

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Speaker 4: about nine percent longer.

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Speaker 6: Okay, I still don't know what that means.

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Speaker 4: No, I try to help.

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Speaker 6: Okay, So each meter, so then it's ninety so.

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Speaker 4: One hundred yard dash would be a little shorter in

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Speaker 4: one hundred meter dash, yes, which we should sign up

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Speaker 4: for one hundred yards.

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Speaker 2: What is the difference between one hundred yards and one

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Speaker 2: hundred meters? Like, what's the distance about?

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Speaker 3: It's about ten yards. It's almost about.

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Speaker 6: Nine meters more.

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Speaker 3: Okay, ten meters, ten yards, I mean whatever.

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Speaker 2: Okay, So Deon Sanders is going to coach. He talked

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Speaker 2: about his cancer diagnosis and sounded confident that he was

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Speaker 2: going to coach and had this to say, I always.

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Speaker 11: Knew I was going to coach again. I never didn't

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Speaker 11: realize I was going to coach again. I was always

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Speaker 11: going to coach. It was never in my spirit, in

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Speaker 11: my heart that God wouldn't allow me to coach again.

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Speaker 11: Ess never thought like that.

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Speaker 2: Okay, bladder cancer. And he was very forthcoming and as

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Speaker 2: he said at the very end, get tested. Yeah, I've

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Speaker 2: said this before. Colon oud do not wait till you're fifty.

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Speaker 2: Do not they tell you to wait, or when you

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Speaker 2: get to fifty, do not wait. You should be doing colonoscopes.

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Speaker 2: When you're in your thirties. There's there's just no reason

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Speaker 2: where you go. You know, I'm supposed to wait till

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Speaker 2: I'm fifty. Don't wait till your fifty do it?

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Speaker 6: Do it?

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Speaker 2: You know, when you turn thirty, when you turn thirty five,

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Speaker 2: when you do you know, every five years if you

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Speaker 2: want to, But don't wait until you're fifty.

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Speaker 6: Yes, done, and.

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Speaker 9: It should be said then you we both know. It's

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Speaker 9: nothing to be afraid of. It's not painful. They put

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Speaker 9: you out. The drinking of the gunk that makes you

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Speaker 9: run to the bathom's not a great time, but it

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Speaker 9: is essential. And I just wanted to echo those sentiments

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Speaker 9: and it's not something to be scared of, really.

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Speaker 2: And they made it easier, you know, as far as

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Speaker 2: what you ingest the liquid. It's not what it used

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Speaker 2: to be, thankfully, but do it. And it just got

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Speaker 2: to take a day, that's it. But it's obviously well

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Speaker 2: worth it. Yeah, yeah, I just had one not too

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Speaker 2: long ago.

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Speaker 3: Yeah, sometime in the last like I don't know, three months,

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Speaker 3: six wants something like that, and no big deal.

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Speaker 2: Yep, gotta do it, yeah, gotta do it, all right,

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Speaker 2: So let me see Courtland Sutton Broncos locked him up.

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Speaker 2: I'm not sure if you're familiar with Bernhard Rieman. He

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Speaker 2: he just signed a four year deal for one hundred

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Speaker 2: million dollars. He is the left tackle for the Indianapolis Colts. Okay,

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Speaker 2: I'm gonna guess he's pretty good. Twenty seven years of

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Speaker 2: age and four years, one hundred million dollars. So you're

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Speaker 2: starting to see some of these players being brought in.

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Speaker 2: Maybe Trey Hendrickson, that's gonna happen. Rashaun Slater got paid

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Speaker 2: to the Chargers offensive lineman. Man be a tackle when

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Speaker 2: you grow up, well, you got to be the side

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Speaker 2: used to be a tackle that they get paid, especially

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Speaker 2: a left tackle. But Slater got paid by the Chargers. Here,

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Speaker 2: but Terry McLaurin still on the outside and Trey Hendrickson

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Speaker 2: as well. Did we come up with a pole question

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Speaker 2: for hour two Seaton?

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Speaker 3: Yeah, we still have one more from hour one that

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Speaker 3: we haven't addressed, Okay, which I put up there and

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Speaker 3: I don't know I just did it. No, not yours, Paul,

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Speaker 3: not yet. Who was the bully in segment one? Dan

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Speaker 3: or Todd?

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Speaker 2: Oh?

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Speaker 3: You want to take a guess on that one?

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Speaker 6: I guess I'm the bully.

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Speaker 3: Yes, seventy have you as the bully. I'm shocked to

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Speaker 3: that Todd's number is that high. I think that's the

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Speaker 3: coming back into the sucket back row portion of the audience.

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Speaker 3: There are people who are going to vote against Dodd

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Speaker 3: for everything.

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Speaker 2: And Todd does want to know if you say suck

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Speaker 2: at back row, why does the back row suck?

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Speaker 10: That?

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Speaker 2: He wants to know. And Seaton wants to know because

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Speaker 2: he's being lumped in with Todd when you say suck

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Speaker 2: at back row and Seaton once too clarity, Yeah, you

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Speaker 2: want the jaws of life to take you out of

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Speaker 2: the back row when it comes to suck at back row.

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Speaker 6: Yes, Tod, that pole should be.

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Speaker 10: Like eighty eight twelve. If we're going to just kinda

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Speaker 10: put the cards out, it's only three to one, it's

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Speaker 10: only seventy four to twenty six. I don't know, I

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Speaker 10: got it. Maybe I need to throw in a couple

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Speaker 10: of votes and stack the oddsle.

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Speaker 6: I apologize if you think.

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Speaker 10: I'm not looking for an apology. I'm just saying I'm surprised.

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Speaker 2: It's not like you know, it just feels like it

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Speaker 2: just feels like it just feels it's.

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Speaker 10: Another one of your guests, like things are you doing?

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Speaker 2: No, no, no, I'm not not not, But you have admitted

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Speaker 2: to me that you would rather that I had fun

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Speaker 2: with you in the context of the show than to

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Speaker 2: not call on you. Absolutely, Okay, we do have odds

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Speaker 2: to win the hypothetical one hundred meter dash. Just got

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Speaker 2: this in from DraftKings. Anthony, the production assistant, is your leader.

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Speaker 2: He has the best odds and kind of an overwhelming favorite.

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Speaker 2: He is twenty two years of age with strange eating habits.

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Speaker 2: Ray Ray is the producer of the gambling podcast Seatan

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Speaker 2: Setan's got the third best odds according to DraftKings to

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Speaker 2: win the hypothetical one hundred yard dash.

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Speaker 6: One hundred meter.

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Speaker 2: Dash weeks are Cameraman, then it's Marvin, then it's Rob

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Speaker 2: who claims to be faster than Zion Williamson, Mario, Dylan,

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Speaker 2: Paul the big German, and then Todd.

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Speaker 6: So we do have the odds. Now, we just have to.

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Speaker 2: Beat the odds and try to get everybody to line

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Speaker 2: up on a track and run this race.

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Speaker 3: All right, do you have any time to train for this?

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Speaker 2: Well, you should have been training in the last thirty

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Speaker 2: years for this, I mean.

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Speaker 3: For this one specific event. It is a thirty year

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Speaker 3: build up.

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Speaker 2: Yeah, yes, yes, you should be ready to go. I

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Speaker 2: brought this up a couple of months ago. I thought

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Speaker 2: we actually were going to do this. That's when you

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Speaker 2: should have taken the time to do some stretching and

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Speaker 2: get ready for the hypothetical, very pathetical one hundred meter dish.

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Speaker 2: See what I did with that, todd very clear?

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Speaker 6: Thank you. Yes, boy, let's.

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Speaker 4: Say the race we're scheduled for next week. I think

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Speaker 4: training for it might be the worst idea, because all

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Speaker 4: you're gonna do is probably injure something, pull something, and

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Speaker 4: tire yourself out. It's better just a walk in that day,

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Speaker 4: hit it and deal with the fallout.

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Speaker 2: Now, Marvin claims to have been really really fast when

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Speaker 2: he was younger.

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Speaker 8: I said fast, I say really really Oh okay.

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Speaker 2: But fast now, you know, fast is you know, that's

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Speaker 2: in the eye of the beholder. But I'm going to

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Speaker 2: take you, know, take you at your word that you

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Speaker 2: were four or five forty guy?

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Speaker 8: No, no, no, no, four six eight.

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Speaker 6: For six eight? Was your best forty yard dashtime?

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Speaker 8: Correct? Yes?

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Speaker 6: Okay?

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Speaker 2: And you're now a lot. Could you beat Rich eyes

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Speaker 2: in a forty yard dash?

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Speaker 8: Well, was this time? M?

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Speaker 2: I look, is he like upper five seconds? Maybe maybe

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Speaker 2: a five eight, five nine something like that? Does that

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Speaker 2: sound right for Rich?

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Speaker 6: Yes? Yes, Pauline.

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Speaker 4: Rich's most recent forty time was six point two five seconds.

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Speaker 4: His best time ever. You had to go back to

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Speaker 4: twenty sixteen, a great year for him. Five point nine.

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Speaker 6: Four Okay, yeah, those days are gone.

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Speaker 4: That's a nice number.

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Speaker 2: It is, hey, and he raises a lot of money

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Speaker 2: for Saint Jude Children's Hospital.

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Speaker 6: They're the big winners there.

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Speaker 4: Yes, it takes him so long to run the ratio

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Speaker 4: of time to donate during.

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Speaker 2: Wow, he'd smoke me. No, it's a funny Joe. Could

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Speaker 2: you beat Rich Rich Eyes?

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Speaker 6: Probably not in a forty yard day?

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Speaker 4: Yeah. Speed is not my thing. M.

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Speaker 3: I don't know what else is.

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Speaker 6: This is your archery? Archery?

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Speaker 8: Archery?

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Speaker 4: Yeah, yeah, mostly Archerie, No, I was, I did it.

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Speaker 2: I didn't do it well, But you would probably out

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Speaker 2: wrestle anybody in here, and you'd be a better archer

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Speaker 2: than anybody in here.

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Speaker 6: I would, you would can match.

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Speaker 4: It's the third best archer.

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Speaker 6: Uh.

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Speaker 2: Okay, we did not accomplish anything there, but let's take

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Speaker 2: a break here.

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Speaker 6: Okay, take a break. We'll talk some football.

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Speaker 2: We have a uh, we have a great foot fun

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Speaker 2: football game.

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Speaker 6: Uh coming up.

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Speaker 2: Chris Paul back with the Clippers and uh, he talked

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Speaker 2: about that. I don't know how long he's going to play.

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Speaker 2: He played every single game last year for the Spurs.

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Speaker 2: He appeared in every single game.

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Speaker 6: I love that.

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Speaker 2: All right, we'll take a break and we'll come back

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Speaker 2: after this on The Dan Patrick Show.

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Speaker 1: Be sure to catch the live edition of The Dan

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Speaker 1: Patrick Show weekdays at nine am Eastern six am Pacific

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Speaker 1: on Fox Sports Radio and the iHeartRadio wapp.

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Speaker 12: Hey, we're Cavino and Bitch Fox Sports Radio every day five.

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Speaker 6: To seven pm Eastern.

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Speaker 3: But here's the thing, we never have enough time to

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Speaker 3: get to everything we want to get to.

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Speaker 12: And that's why we have a brand new podcast called

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Speaker 12: over Promised. You see, we're having so much fun in

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Speaker 12: our two hour show. We never get to everything, honestly,

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Speaker 12: because this guy is over promising things we never have

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Speaker 12: time for. Yeah, you blubber list lame me.

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Speaker 8: Well, you know what it's called over promise.

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Speaker 4: You should be good at it because you've been over

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Speaker 4: promising women for years.

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Speaker 12: Well it's a Covino and Rich after show, and we

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Speaker 12: want you to be a part of it. We're gonna

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Speaker 12: be talking sports, of course, but we're also gonna talk

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Speaker 12: life and relationships. And if Rich and I are arguing

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Speaker 12: about something or we didn't have enough time, it will

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Speaker 12: continue on our after show called over Promised. Well, if

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Speaker 12: you don't get enough Covino and Rich, make sure you

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Speaker 12: check out over Promised and also Uncensored by the way,

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Speaker 12: so maybe we'll go at it even a little harder.

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Speaker 12: It's gonna be the best after show podcast of all time.

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Speaker 12: There you go, over Promising, and remember you could see

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Speaker 12: on YouTube, but definitely join us. Listen Over Promised with

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Speaker 12: Covino and Rich on the iHeartRadio app, Apple Podcasts, or

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Speaker 12: wherever you you get your podcasts.

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Speaker 2: Eight seven to seven three, DP show email andres Sdpatdanpatrick

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Speaker 2: dot com, Twitter handle at DP show. Uh.

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Speaker 6: Seaton just brought up a great point.

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Speaker 2: If you're a music fan and you've watched the Billy

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Speaker 2: Joel documentary or you haven't, then you need to. It's

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Speaker 2: sort of become the musical version of the Last Dance

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Speaker 2: with Michael Jordan, where it's like, oh, have you seen it?

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Speaker 6: If you better see it.

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Speaker 2: It's unbelievable, and especially for Todd because that's right in

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Speaker 2: his wheelhouse. Billy Joel all the songs and uh, Todd

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Speaker 2: can tell you the order of the songs on the

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Speaker 2: album like glass houses.

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Speaker 10: Now you may be right, sometimes a fantasy. Don't ask

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Speaker 10: me why. It's the rock and roll to me, an

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Speaker 10: awful Lena would be side E.

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Speaker 6: Yeah, Side B, I know, close to the borderline.

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Speaker 9: Is like the second to last song, and then there's oh,

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Speaker 9: set that twice some kind of friends are sleeping.

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Speaker 10: With the television on. Is that part of SIDEB? That's

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Speaker 10: eight of the ten I think right there?

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Speaker 6: Maybe not big hits on the B side.

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Speaker 4: No, okay, yes, Paul, I don't know if I have

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Speaker 4: to see the documentary because I've heard about it incessantly

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Speaker 4: for the past forty eight hours.

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Speaker 2: Every detail you should, you should. It's like happy go

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Speaker 2: more too, Yeah, like you should just see it now.

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Speaker 2: Billy Joel is probably five hours of you know it's

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Speaker 2: it's in two pieces.

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Speaker 6: It is a lot of them.

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Speaker 4: How much as Christy Brinkley that helps she's she's.

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Speaker 2: In it the second episode she looks stunning. Uh, but

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Speaker 2: of course she's always looks stunning and no, it's really

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Speaker 2: well done because he's very, very forthcoming with this. He's uh,

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Speaker 2: it just feels like he pulls back the layers of

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Speaker 2: all the things that have happened to him and his

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Speaker 2: father and no relationship and been married three times, and

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Speaker 2: how people viewed his music. And you know, he had

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Speaker 2: Springsteen in there talking about his music. Garth Brooks is

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Speaker 2: in there, Sting is in there, Paul, Paul McCartney's in there.

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Speaker 2: In fact, Paul McCartney said the one song that he

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Speaker 2: wishes he would have written, is it Billy Joel's song?

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Speaker 6: Right, Todd?

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Speaker 10: Yes, I'm trying to remember which one? That one?

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Speaker 9: Wow, I didn't memorized the jew as five hours.

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Speaker 2: This is McCartney saying the one song that Billy Joel

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Speaker 2: wrote and you don't know it, and that wasn't Captain Jack.

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Speaker 2: It's not piano man. Yes, Todd, there is it.

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Speaker 3: Todd doesn't take Paul McCartney's opinions.

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Speaker 6: Not a huge.

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Speaker 3: Beatles, a big Beatles guy. He's like, what does Paul

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Speaker 3: McCartney know great songwriting? Billy Joel should be saying the

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Speaker 3: one Paul McCartney song that eye.

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Speaker 9: Best song by the by Paul MCCARTNY I think was

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Speaker 9: banned on the run and that was wings.

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Speaker 10: That wasn't even the Beatles.

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Speaker 6: Oh my goodness.

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Speaker 2: Yeah yeah, So you got Paul McCartney and Springsteen in

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Speaker 2: there and you don't like either one of them.

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Speaker 10: I don't like them. I just I don't know what

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Speaker 10: the hub is.

401
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Speaker 6: The hubbub about Springsteen and McCartney.

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Speaker 9: Was their longevity and the fact that a lot of

403
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Speaker 9: people love it. But I'm something I don't know. See,

404
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Speaker 9: I don't know what that is.

405
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Speaker 2: So this is where people say I'm picking on you,

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Speaker 2: I'm bullying you, on berating you. Actually, I'd like to

407
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Speaker 2: do something even more severe to you than those because

408
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Speaker 2: these are silly commons.

409
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Speaker 10: Some people are.

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Speaker 9: Followers though in life it's like, oh, I'll wear that

411
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Speaker 9: pair of pants too, or I'll wear those sneakers are

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Speaker 9: Everyone loves the Beatles. I guess I'm supposed to love them.

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Speaker 9: Everyone's crazy about Bruce Springsteen. I should like the Boss

414
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Speaker 9: or it looks like I don't know music.

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Speaker 2: So yeah, Springsteen is still writing music. Billy Joel doesn't

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Speaker 2: write music anymore. Springsteen doesn't either. When's the last time

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Speaker 2: Billy Joel wrote a hit. It's been a long it's decades.

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Speaker 2: Springsteen's still writing stuff, still writing stuff that's relevant. McCartney's

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Speaker 2: still writing music at his age.

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Speaker 10: Is it relevant though?

421
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Speaker 2: I don't know.

422
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Speaker 10: I'd have to look at the lyrics.

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Speaker 2: Maybe maybe McCartney isn't. But I don't know how relevant,

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Speaker 2: you know, Billy Joels, Hey, piano man, play me a song?

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Speaker 10: Well you say it like that, It really got into me.

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Speaker 10: It sounds a little bit of the actual airways piano man.

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Speaker 10: I don't think that's how it goes.

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Speaker 6: Play me a song tonight.

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Speaker 10: It's we're all of the mood for melody.

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Speaker 6: I'm feeling all right here you go? Thank you? Yes, Paul.

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Speaker 4: This is the part, though the Billy Joel documentary that

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Speaker 4: I would actually like to hear about. He stopped making

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Speaker 4: pop music his last saw musical album, the Original Work

434
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Speaker 4: nineteen ninety three. That's thirty two years. Was that a

435
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Speaker 4: smart move by him? Because a lot of people only

436
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Speaker 4: want the early work of an artist, or the hit

437
00:20:39,200 --> 00:20:42,120
Speaker 4: work of an artist. If you go to see You Too,

438
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Speaker 4: you want their first fifteen years of songs.

439
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Speaker 8: A lot of people.

440
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Speaker 4: Yeah, I wonder if that was a smart move by

441
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Speaker 4: Billy Joel to not produce any more new music.

442
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Speaker 2: I'm sure he would love to write new music because

443
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Speaker 2: if it's in you and you experience things and then

444
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Speaker 2: you want to write it down.

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Speaker 6: And I don't have any problem, you know.

446
00:21:01,400 --> 00:21:03,879
Speaker 2: I saw Hall and Oates and they started playing new

447
00:21:04,000 --> 00:21:07,600
Speaker 2: music and the reaction was not good at all. Meanwhile,

448
00:21:07,680 --> 00:21:10,320
Speaker 2: John Fogerty warmed up, was the warm up act. He

449
00:21:10,359 --> 00:21:13,240
Speaker 2: played all of his hits and people fell in love

450
00:21:13,359 --> 00:21:16,800
Speaker 2: again with John Fogerty. I'm you know, you play what

451
00:21:17,200 --> 00:21:20,080
Speaker 2: you think your audience wants to hear. I mean, that's

452
00:21:20,119 --> 00:21:22,800
Speaker 2: really what it comes down to. You'll find bands that go,

453
00:21:23,520 --> 00:21:27,080
Speaker 2: we gotta play this song again. Yes, yes, that's why

454
00:21:27,080 --> 00:21:30,800
Speaker 2: we're here. Yeah, I would like to I'd like to

455
00:21:30,840 --> 00:21:31,199
Speaker 2: hear that.

456
00:21:31,800 --> 00:21:34,040
Speaker 6: Is that okay? Yes? Seton?

457
00:21:34,200 --> 00:21:34,400
Speaker 8: Yeah.

458
00:21:34,440 --> 00:21:38,800
Speaker 3: It's tough too, and certain cities always get great shows,

459
00:21:39,520 --> 00:21:41,800
Speaker 3: and then there's other cities that are almost used as

460
00:21:41,840 --> 00:21:45,000
Speaker 3: like a warm up for the tour. So I live

461
00:21:45,200 --> 00:21:47,680
Speaker 3: in one of those warm up cities. And it has

462
00:21:47,720 --> 00:21:49,919
Speaker 3: happened several times when you go see a band and

463
00:21:49,960 --> 00:21:52,159
Speaker 3: it's the very first date of their tour. And we

464
00:21:52,200 --> 00:21:56,320
Speaker 3: actually had this one dude, this band Lucero, who's really

465
00:21:56,359 --> 00:21:59,800
Speaker 3: really good. He stood up there and opened the show.

466
00:21:59,800 --> 00:22:02,040
Speaker 3: But you know, everybody wants to hear the songs that

467
00:22:02,080 --> 00:22:04,480
Speaker 3: they know. And he stood up there and they played

468
00:22:04,480 --> 00:22:06,840
Speaker 3: one song and he's like, well, we're gonna be jerks

469
00:22:06,880 --> 00:22:08,480
Speaker 3: tonight because we're only playing new stuff.

470
00:22:08,480 --> 00:22:09,600
Speaker 1: We're warming up for the tour.

471
00:22:10,160 --> 00:22:13,240
Speaker 3: We're like, god, dude, this sucked. But at least he

472
00:22:13,359 --> 00:22:15,040
Speaker 3: just said like, well, we're gonna be jerks tonight. We're

473
00:22:15,040 --> 00:22:16,760
Speaker 3: playing a lot of new stuff. We'll get some old

474
00:22:16,800 --> 00:22:18,320
Speaker 3: ones in out of the way, but we're trying to

475
00:22:18,359 --> 00:22:20,119
Speaker 3: figure out how this set works.

476
00:22:20,600 --> 00:22:23,440
Speaker 2: Also, when you look at the life of a comedian

477
00:22:24,040 --> 00:22:27,760
Speaker 2: and the life of a musician, musician you can play

478
00:22:27,760 --> 00:22:30,920
Speaker 2: the same songs over and over and over. Comedians can't

479
00:22:30,920 --> 00:22:33,719
Speaker 2: do that. For them to go out on tour and

480
00:22:33,760 --> 00:22:36,960
Speaker 2: do another stand up, you know, special, they have to

481
00:22:37,000 --> 00:22:41,520
Speaker 2: have new material. Musicians don't have to. In fact, we

482
00:22:41,600 --> 00:22:44,480
Speaker 2: want you to play all the old stuff. Imagine if

483
00:22:44,480 --> 00:22:46,520
Speaker 2: you get up there and all of a sudden you're

484
00:22:46,560 --> 00:22:49,680
Speaker 2: telling the same joke that you told twenty years ago,

485
00:22:50,760 --> 00:22:51,720
Speaker 2: thirty years ago.

486
00:22:53,080 --> 00:22:57,359
Speaker 3: Yes, Seaton, is it weird though that Sometimes I like

487
00:22:57,680 --> 00:23:00,679
Speaker 3: hearing comics tell the joke I already know.

488
00:23:01,160 --> 00:23:05,360
Speaker 2: But David Sidaris great writer, yes, one of the funniest

489
00:23:05,359 --> 00:23:09,520
Speaker 2: people in America. When I saw him do a show,

490
00:23:10,160 --> 00:23:14,320
Speaker 2: he reads from his book and it so the book

491
00:23:14,359 --> 00:23:17,600
Speaker 2: is new material, but he's just reading from his book

492
00:23:18,200 --> 00:23:22,680
Speaker 2: and it's hilarious. But he's able to tell those stories.

493
00:23:22,800 --> 00:23:26,679
Speaker 2: Even when you go see David Sidaris in concert, people

494
00:23:26,760 --> 00:23:30,280
Speaker 2: yell out tell the story about you know this, tell

495
00:23:30,320 --> 00:23:34,760
Speaker 2: the story about He's able to do that. But he's

496
00:23:34,800 --> 00:23:39,040
Speaker 2: telling stories, and I guess that's different than telling a joke.

497
00:23:39,640 --> 00:23:44,080
Speaker 2: He's telling you a story, an anecdote, and I think

498
00:23:44,119 --> 00:23:48,199
Speaker 2: that's the difference. But gosh, to be a comedian and

499
00:23:48,359 --> 00:23:53,119
Speaker 2: just keep cranking out stuff that is difficult and the

500
00:23:53,240 --> 00:23:55,920
Speaker 2: joke that you told twenty years ago doesn't hold up

501
00:23:56,000 --> 00:24:00,159
Speaker 2: now for whatever reason. You know, you're trying to do

502
00:24:00,200 --> 00:24:04,439
Speaker 2: a modern spin on an old joke. You get comedians

503
00:24:04,480 --> 00:24:06,760
Speaker 2: who are repurposing jokes from people.

504
00:24:07,000 --> 00:24:10,600
Speaker 3: Yes, yeah, Like there are some comics like Bill Burr

505
00:24:10,920 --> 00:24:16,040
Speaker 3: Say or Shane Gillis whatever I've watched or listened to

506
00:24:16,280 --> 00:24:19,400
Speaker 3: online them tell the same jokes a dozen times, maybe

507
00:24:19,440 --> 00:24:21,800
Speaker 3: a hundred times, some of them because they're so funny.

508
00:24:21,920 --> 00:24:24,080
Speaker 3: They make me laugh every single time. Bill Burr actually

509
00:24:24,119 --> 00:24:27,560
Speaker 3: has a lot that have gone by the wayside. Yes, yes,

510
00:24:27,720 --> 00:24:29,760
Speaker 3: like oh hey, whatever happened to that stand up special?

511
00:24:29,920 --> 00:24:33,080
Speaker 3: It's not around it anymore. Oh, but they're just as funny.

512
00:24:33,119 --> 00:24:34,719
Speaker 3: Some of that material is just as funny.

513
00:24:34,760 --> 00:24:39,040
Speaker 2: Twenty years later, Paul McCartney is publicly stated that he

514
00:24:39,160 --> 00:24:41,480
Speaker 2: wishes he had written the Billy Joel's song Just the

515
00:24:41,520 --> 00:24:44,640
Speaker 2: Way You Are. He says that he admires the song

516
00:24:44,840 --> 00:24:46,760
Speaker 2: and wishes that he had written.

517
00:24:46,400 --> 00:24:47,240
Speaker 6: The song himself.

518
00:24:47,400 --> 00:24:48,040
Speaker 10: A lovely song.

519
00:24:48,119 --> 00:24:50,160
Speaker 6: Yes it is, but you didn't know that.

520
00:24:50,560 --> 00:24:51,160
Speaker 10: I forgot.

521
00:24:51,280 --> 00:24:53,720
Speaker 9: Yeah, I did watch every second of the five hours,

522
00:24:53,720 --> 00:24:55,480
Speaker 9: but it's slipped my mind which one he preferred.

523
00:24:55,520 --> 00:24:57,520
Speaker 10: But that doesn't make sense. It's a very nice one.

524
00:24:57,560 --> 00:24:59,920
Speaker 2: I mean, you do think or you would remember if

525
00:25:00,040 --> 00:25:02,440
Speaker 2: Paul McCartney said, you know, that's the one. He wrote

526
00:25:02,480 --> 00:25:03,960
Speaker 2: a lot of really good songs, Todd.

527
00:25:04,160 --> 00:25:05,280
Speaker 10: I think if Daryl.

528
00:25:05,000 --> 00:25:07,440
Speaker 9: Hall had said that, I remember that Just the Way

529
00:25:07,480 --> 00:25:08,960
Speaker 9: You Are was Daryl Hall's favor.

530
00:25:12,119 --> 00:25:15,520
Speaker 2: Sorry and Panama City. Hi, Corey, what's on your mind today?

531
00:25:16,760 --> 00:25:17,040
Speaker 13: Okay?

532
00:25:17,160 --> 00:25:17,360
Speaker 11: Man?

533
00:25:17,480 --> 00:25:18,280
Speaker 14: How someone to say?

534
00:25:18,280 --> 00:25:20,040
Speaker 13: Stuck at Todd and he'll have a great day?

535
00:25:20,680 --> 00:25:24,000
Speaker 6: Wait, could you tell us why you say suck at Todd.

536
00:25:24,960 --> 00:25:26,600
Speaker 15: Oh no, no, no, he just asked for it, So

537
00:25:26,800 --> 00:25:27,280
Speaker 15: no reason.

538
00:25:27,520 --> 00:25:32,960
Speaker 6: Oh oh okay, so no reason behind that? You okay

539
00:25:32,960 --> 00:25:33,159
Speaker 6: with that?

540
00:25:33,760 --> 00:25:34,080
Speaker 10: I guess.

541
00:25:34,119 --> 00:25:36,440
Speaker 9: So the assignment was youre to elaborate a little further

542
00:25:36,480 --> 00:25:37,760
Speaker 9: as to why you feel that way.

543
00:25:37,840 --> 00:25:40,080
Speaker 2: Yeah, that's if if you feel that way, you can

544
00:25:40,119 --> 00:25:43,359
Speaker 2: tell Todd that Todd is now inviting that criticism.

545
00:25:43,400 --> 00:25:44,200
Speaker 10: It works both ways.

546
00:25:44,200 --> 00:25:45,960
Speaker 9: If you happen to really like one of us, you

547
00:25:46,520 --> 00:25:50,520
Speaker 9: share with what the positive things are, Okay both sides.

548
00:25:50,720 --> 00:25:53,199
Speaker 4: Yes, Paul, I don't think it's healthy to want to

549
00:25:53,240 --> 00:25:55,840
Speaker 4: know why people would dislike you. That seems like you

550
00:25:55,880 --> 00:25:57,760
Speaker 4: shouldn't ignore it or not care about it.

551
00:25:58,359 --> 00:26:02,240
Speaker 6: Well, id's kind of a glutton for punishment there.

552
00:26:02,520 --> 00:26:04,320
Speaker 9: I think it's an opportunity to get better and improve.

553
00:26:04,359 --> 00:26:05,560
Speaker 9: It's like, you know what, you got a point there,

554
00:26:05,640 --> 00:26:06,960
Speaker 9: Ralph from Salt lakesit.

555
00:26:06,920 --> 00:26:09,000
Speaker 6: But you never you never change anything.

556
00:26:09,480 --> 00:26:11,600
Speaker 9: No, Ultimately, I'm gonna do what I wanted, and that's

557
00:26:11,640 --> 00:26:12,400
Speaker 9: my personality.

558
00:26:12,560 --> 00:26:13,200
Speaker 10: Like it or don't like.

559
00:26:13,240 --> 00:26:14,840
Speaker 9: I'd like to think more people like me than don't.

560
00:26:14,880 --> 00:26:16,640
Speaker 9: But you know, not everyone's going to love you. That's

561
00:26:16,640 --> 00:26:17,520
Speaker 9: just the world we live in.

562
00:26:18,080 --> 00:26:18,879
Speaker 6: Uh, yes, seton.

563
00:26:20,320 --> 00:26:20,480
Speaker 11: Yeah.

564
00:26:20,520 --> 00:26:22,720
Speaker 3: I mean it's kind of a we're in a unique

565
00:26:22,800 --> 00:26:27,639
Speaker 3: situation where people have indirectly been encouraged to call in

566
00:26:27,720 --> 00:26:31,080
Speaker 3: and tell one group or another to suck it. It

567
00:26:31,200 --> 00:26:33,560
Speaker 3: is kind of a nice extension of this. I don't know.

568
00:26:33,600 --> 00:26:35,440
Speaker 3: This bit's been going on for a good dozen years

569
00:26:35,560 --> 00:26:38,240
Speaker 3: or so. Why exactly do we need to suck it?

570
00:26:39,240 --> 00:26:42,840
Speaker 3: I don't know. I think it's a natural extension of

571
00:26:43,280 --> 00:26:44,000
Speaker 3: this storyline.

572
00:26:44,040 --> 00:26:46,760
Speaker 10: Pretty sure shirts were made too, We actually marketed they were.

573
00:26:47,040 --> 00:26:49,800
Speaker 3: It was a contest to see which row sucked it more,

574
00:26:50,200 --> 00:26:52,000
Speaker 3: the front or back, so I could front row, so

575
00:26:52,040 --> 00:26:52,760
Speaker 3: I could bankrow.

576
00:26:53,119 --> 00:26:53,359
Speaker 8: Yeah.

577
00:26:54,240 --> 00:27:03,080
Speaker 2: Uh is the front row bothered by Marvin Paulli suck

578
00:27:03,119 --> 00:27:03,640
Speaker 2: in front row?

579
00:27:04,920 --> 00:27:06,000
Speaker 8: No, I'm all good.

580
00:27:06,119 --> 00:27:06,719
Speaker 6: Yeah.

581
00:27:06,760 --> 00:27:09,960
Speaker 4: For whatever reason, we don't get it near as much historically.

582
00:27:11,240 --> 00:27:12,440
Speaker 6: Okay, but no not.

583
00:27:13,080 --> 00:27:15,000
Speaker 3: I think once I moved to the back row, the

584
00:27:15,040 --> 00:27:17,600
Speaker 3: front row started getting a lot more. And then when

585
00:27:17,640 --> 00:27:19,119
Speaker 3: I was in the front row, we almost never got

586
00:27:19,160 --> 00:27:20,960
Speaker 3: it because it was Andrew and Todd back here. That

587
00:27:21,119 --> 00:27:28,639
Speaker 3: is yes, real sucket territory, the dark cloud.

588
00:27:28,760 --> 00:27:33,600
Speaker 2: Yeah, that is just round zero man there Todd in Indiana.

589
00:27:33,840 --> 00:27:38,399
Speaker 13: Hi Todd, Hey, Dan, Hey, Fritzy is a fellow to

590
00:27:38,720 --> 00:27:40,399
Speaker 13: t owd you stay strong.

591
00:27:40,160 --> 00:27:41,640
Speaker 10: Brother, all right, I appreciate that.

592
00:27:42,960 --> 00:27:45,920
Speaker 13: Hey, the reason I'm calling you're talking about doing this, uh,

593
00:27:45,960 --> 00:27:50,000
Speaker 13: this race and I'm in Valparaiso, Indiana, just down the

594
00:27:50,040 --> 00:27:52,520
Speaker 13: roads in South Bend. You guys are coming to South Bend.

595
00:27:53,200 --> 00:27:57,239
Speaker 13: Tyra Rack has got a wonderful test track there, and Uh,

596
00:27:57,560 --> 00:28:01,360
Speaker 13: I own a race timing business. I timeks and marathons

597
00:28:01,400 --> 00:28:03,639
Speaker 13: and all sorts of different races. So I will be

598
00:28:03,680 --> 00:28:06,720
Speaker 13: more than happy to set up a showdown for the

599
00:28:07,080 --> 00:28:10,000
Speaker 13: Dan Patrick Show in South Bend. You guys get your

600
00:28:10,000 --> 00:28:13,720
Speaker 13: time to train. I think it'd be a fun event

601
00:28:13,760 --> 00:28:14,280
Speaker 13: for everyone.

602
00:28:15,080 --> 00:28:17,840
Speaker 6: Okay, we'll take that under consideration.

603
00:28:18,000 --> 00:28:21,639
Speaker 2: Ton I don't know who's going to run this race,

604
00:28:22,200 --> 00:28:26,560
Speaker 2: but if five goes to the fastest person on the

605
00:28:26,640 --> 00:28:29,879
Speaker 2: Dan Patrick Show or can go to a charity of

606
00:28:29,920 --> 00:28:30,960
Speaker 2: your choice, yes, tot.

607
00:28:31,000 --> 00:28:32,320
Speaker 10: I don't know why I'm saying this because he stuck

608
00:28:32,359 --> 00:28:33,800
Speaker 10: up for me. So Todd and Dana has the only

609
00:28:33,840 --> 00:28:38,320
Speaker 10: stop watch that exists the in the country. Wow, Wow,

610
00:28:38,440 --> 00:28:41,480
Speaker 10: my phone has something very similar. I also haven't watched.

611
00:28:44,880 --> 00:28:45,920
Speaker 10: That's why we heard you.

612
00:28:48,360 --> 00:28:50,600
Speaker 6: It was a nice gesture on his part, Todd.

613
00:28:50,800 --> 00:28:52,560
Speaker 9: I know he said, like, there's that for a living.

614
00:28:52,560 --> 00:28:54,440
Speaker 9: He's a professional timer of events.

615
00:28:54,440 --> 00:28:57,360
Speaker 2: I'm don't catch Jim in Michigan. Hi Jim, what's on

616
00:28:57,400 --> 00:28:58,920
Speaker 2: your mind today?

617
00:28:59,760 --> 00:29:01,520
Speaker 14: I just wanted to touch base with you.

618
00:29:01,920 --> 00:29:05,400
Speaker 5: I consider you very literate in terms of your music taste,

619
00:29:05,440 --> 00:29:08,720
Speaker 5: and I know you campaigned for Foreigner to hit into

620
00:29:09,000 --> 00:29:09,760
Speaker 5: the Hall of Fame.

621
00:29:10,240 --> 00:29:12,440
Speaker 14: I wanted to get your thought on jefsore Tull. I

622
00:29:12,480 --> 00:29:16,080
Speaker 14: grew up in my collegiate years, loved them. I didn't

623
00:29:16,120 --> 00:29:19,440
Speaker 14: know if you had any particular affection or dislike for

624
00:29:19,480 --> 00:29:20,480
Speaker 14: that particular group.

625
00:29:21,160 --> 00:29:26,960
Speaker 2: Uh, that was in my wheelhouse, sitting on a park bench.

626
00:29:29,360 --> 00:29:32,960
Speaker 2: I didn't see Jethro Tall in concert. I guess I

627
00:29:33,000 --> 00:29:37,680
Speaker 2: couldn't get by the What was he play in the flute?

628
00:29:37,800 --> 00:29:38,800
Speaker 2: And he was in tights?

629
00:29:38,920 --> 00:29:39,920
Speaker 3: He comes running out?

630
00:29:40,080 --> 00:29:44,400
Speaker 6: Yeah? And I but but but I did have aqualung.

631
00:29:44,120 --> 00:29:48,520
Speaker 3: I it's not his running down his nose.

632
00:29:51,360 --> 00:29:54,200
Speaker 4: Yes, I remember as a young man being very confused

633
00:29:54,200 --> 00:29:56,479
Speaker 4: when I found out Jethro Tull was not a person.

634
00:29:56,920 --> 00:30:00,720
Speaker 4: And Ian Anderson is the name back to see a

635
00:30:00,760 --> 00:30:03,760
Speaker 4: person named jethrow up on stage? Yeah, didn't he do

636
00:30:04,760 --> 00:30:07,800
Speaker 4: thick as a brick? I believe, But I think he

637
00:30:07,840 --> 00:30:11,920
Speaker 4: had two albums that I remember having in my collection.

638
00:30:12,440 --> 00:30:14,840
Speaker 4: But I'm busy with other hall of fames. I got

639
00:30:14,880 --> 00:30:17,400
Speaker 4: to get Sonny Vaccaro in the basketball Hall of Fame.

640
00:30:17,880 --> 00:30:22,200
Speaker 4: I gotta get Barry Melrose into the hockey Hall of Fame,

641
00:30:22,600 --> 00:30:27,400
Speaker 4: mel Kiper into the football Hall of Fame. But they

642
00:30:27,440 --> 00:30:31,920
Speaker 4: shouldn't be that difficult foreigner out of nowhere, out of nowhere.

643
00:30:32,480 --> 00:30:34,160
Speaker 4: But I really believe that.

644
00:30:34,120 --> 00:30:35,560
Speaker 2: They should have been in the rock and roll Hall

645
00:30:35,600 --> 00:30:37,960
Speaker 2: of Fame, and they finally got in, so I was

646
00:30:38,960 --> 00:30:40,640
Speaker 2: very happy for that.

647
00:30:41,080 --> 00:30:42,280
Speaker 6: They got a lot of hits there.

648
00:30:42,920 --> 00:30:45,600
Speaker 2: Let's see, get a couple more phone calls in here,

649
00:30:47,080 --> 00:30:50,320
Speaker 2: Rob in Austin, Hi, Rob, what's on your mind today?

650
00:30:51,480 --> 00:30:56,200
Speaker 5: Six five? And yesterday you were talking to Gronk could

651
00:30:56,200 --> 00:31:00,320
Speaker 5: have got me taken. I forgot about that Julia Jones catch. Yeah,

652
00:31:00,320 --> 00:31:04,240
Speaker 5: And I was just wondering, what's the best catch you've

653
00:31:04,280 --> 00:31:07,800
Speaker 5: ever seen, regardless of the situation. It could be out

654
00:31:07,840 --> 00:31:11,560
Speaker 5: of bounds or whatever. And in your Sports Center days

655
00:31:13,240 --> 00:31:17,040
Speaker 5: he played he's a wide receiver for the Pittsburgh Pittsburgh Steelers.

656
00:31:17,240 --> 00:31:19,680
Speaker 5: And can you say his name for me?

657
00:31:21,520 --> 00:31:23,200
Speaker 6: Heins warned.

658
00:31:24,040 --> 00:31:29,000
Speaker 2: Heins worded, thank you, thank you, Ron the greatest catch

659
00:31:29,040 --> 00:31:33,240
Speaker 2: I've ever seen on the football field. I would put

660
00:31:33,400 --> 00:31:38,440
Speaker 2: Edelman's catch against the Falcons because of the importance of it.

661
00:31:40,680 --> 00:31:43,040
Speaker 2: You can watch that over and over and still come

662
00:31:43,080 --> 00:31:44,880
Speaker 2: away going, I don't know how he caught that ball.

663
00:31:45,800 --> 00:31:49,640
Speaker 2: I just don't know how he caught that ball. But

664
00:31:50,480 --> 00:31:56,120
Speaker 2: every possession counted and you're down eight points. If I'm

665
00:31:56,200 --> 00:31:59,760
Speaker 2: I'm just looking at the importance of the catch that

666
00:31:59,760 --> 00:32:02,080
Speaker 2: that comes to mind because we were talking about it

667
00:32:02,160 --> 00:32:05,440
Speaker 2: yesterday with gronk Uh Chris in California.

668
00:32:05,600 --> 00:32:07,160
Speaker 6: Hi, Chris, what's on your mind today?

669
00:32:08,240 --> 00:32:10,880
Speaker 15: Hey Dan, good morning. You know I'm gonna have to

670
00:32:10,920 --> 00:32:14,240
Speaker 15: agree with Todd. I think the Beatles are overrated. If

671
00:32:14,280 --> 00:32:16,800
Speaker 15: you did a pull of more songs on your playlist,

672
00:32:17,240 --> 00:32:20,920
Speaker 15: led Zeppelin, Rolling Stones, the Beatles. I think we're just

673
00:32:20,960 --> 00:32:23,040
Speaker 15: grown that we have to love the Beatles. They were

674
00:32:23,080 --> 00:32:26,280
Speaker 15: pioneers and I get that, but no one really listens

675
00:32:26,320 --> 00:32:28,520
Speaker 15: to their songs. On my playlist. I have Band on

676
00:32:28,560 --> 00:32:30,920
Speaker 15: the Run, and like Todd said, that's a Wings song.

677
00:32:31,480 --> 00:32:33,400
Speaker 15: I just think we've been grown that you have to

678
00:32:33,520 --> 00:32:35,920
Speaker 15: like the Beatles. I don't think they're that good. Give

679
00:32:35,960 --> 00:32:37,240
Speaker 15: me Hall of Notes over the Beatles.

680
00:32:37,280 --> 00:32:41,160
Speaker 10: Todd. I'm sorry, That's what I'm talking about. That just

681
00:32:41,280 --> 00:32:42,720
Speaker 10: was about as well said as you can learn.

682
00:32:42,840 --> 00:32:45,120
Speaker 6: Thank you Chris, thank you Mary.

683
00:32:46,600 --> 00:32:47,200
Speaker 10: Id Bless them.

684
00:32:47,520 --> 00:32:52,840
Speaker 6: I don't. I don't need to defend the Beatles. I don't.

685
00:32:53,280 --> 00:32:53,720
Speaker 6: I won't.

686
00:32:55,000 --> 00:32:59,040
Speaker 3: You know, it's it's I of the beholder or ear

687
00:32:59,080 --> 00:33:05,719
Speaker 3: of the beholder. Yes, there is a certain amount of like,

688
00:33:05,800 --> 00:33:07,920
Speaker 3: if you're doing a list, you have to start with

689
00:33:08,000 --> 00:33:14,200
Speaker 3: some order of Beatles, Rolling Stones, like led Zeppelin.

690
00:33:13,920 --> 00:33:20,000
Speaker 2: Like importance, right, I guess yeah, But what else would

691
00:33:20,040 --> 00:33:22,280
Speaker 2: you base it off of? They all had sure can't

692
00:33:22,280 --> 00:33:29,800
Speaker 2: be songwriting. Wow with the Stones Stones could write some music.

693
00:33:30,160 --> 00:33:33,560
Speaker 6: Zeppelin. I never liked the lyrics. I don't think the

694
00:33:33,600 --> 00:33:34,360
Speaker 6: lyrics were great.

695
00:33:34,400 --> 00:33:36,160
Speaker 3: They're not great. You're right, But the.

696
00:33:35,920 --> 00:33:39,800
Speaker 6: Song, the sound, nobody had that sound you had.

697
00:33:40,000 --> 00:33:43,320
Speaker 2: You had an unbelievable lead singer, you had greatest rock

698
00:33:43,360 --> 00:33:46,040
Speaker 2: and roll drummer, and you can make the argument greatest

699
00:33:46,080 --> 00:33:46,960
Speaker 2: rock and roll guitars.

700
00:33:47,040 --> 00:33:49,800
Speaker 3: Led Zeppelin's lyrics are not much different than Tiptoe through

701
00:33:49,840 --> 00:33:52,120
Speaker 3: the Tulips, essentially the same thing.

702
00:33:53,480 --> 00:34:00,240
Speaker 2: Well they were doing, Uh, what what is the book?

703
00:34:02,280 --> 00:34:05,960
Speaker 2: Like Hobbit stuff? Yeah, the Lord of the Rings Hobbit

704
00:34:06,280 --> 00:34:12,920
Speaker 2: and I don't like any of that stuff. But Motor, Motor, Motor,

705
00:34:13,120 --> 00:34:18,800
Speaker 2: there's a there's a lyric in one of their songs. Yeah,

706
00:34:18,840 --> 00:34:21,480
Speaker 2: but I can be honest about Zeppelin. I love Zeppelin,

707
00:34:21,800 --> 00:34:24,799
Speaker 2: but the lyrics are not good, not good. But that

708
00:34:25,040 --> 00:34:28,840
Speaker 2: the sound sound is awesome, yes it is. But the

709
00:34:29,239 --> 00:34:32,080
Speaker 2: I mean, the Beatles were a boy band who then

710
00:34:32,480 --> 00:34:33,720
Speaker 2: they changed music.

711
00:34:34,480 --> 00:34:36,040
Speaker 6: What they did? Oh my god.

712
00:34:36,800 --> 00:34:38,719
Speaker 2: Now I'm not going to defend him. Don't need to

713
00:34:38,760 --> 00:34:44,320
Speaker 2: defend him. Yes, oh no, stay in my lane.

714
00:34:44,440 --> 00:34:46,360
Speaker 6: Haul of notes. Better than the Beatles.

715
00:34:47,239 --> 00:34:50,320
Speaker 2: I mean, I get Oasis saying they're better than the

716
00:34:50,360 --> 00:34:53,120
Speaker 2: Beatles just because of those you know, the two brothers

717
00:34:53,760 --> 00:34:58,640
Speaker 2: you know, but I guess they sold more album. I

718
00:34:58,760 --> 00:35:01,440
Speaker 2: forget what they based that off. Oasis came out and

719
00:35:01,480 --> 00:35:06,840
Speaker 2: said we're bigger, better than the Beatles, and uh, I

720
00:35:07,000 --> 00:35:11,080
Speaker 2: just remember like five songs from Oasis, but they were,

721
00:35:11,160 --> 00:35:14,759
Speaker 2: they were great song unbelievable songs. Yes see, yeah they do. Uh.

722
00:35:14,840 --> 00:35:18,560
Speaker 3: I forget who the DJ is in England or in

723
00:35:18,600 --> 00:35:22,160
Speaker 3: the UK who always does like the best bands ever? Yeah,

724
00:35:22,200 --> 00:35:23,720
Speaker 3: and I think they I think it does it almost

725
00:35:23,760 --> 00:35:27,160
Speaker 3: every year, probably around New Year's And it was a

726
00:35:27,200 --> 00:35:30,720
Speaker 3: big deal when finally for the first year Oasis jumped

727
00:35:30,719 --> 00:35:32,279
Speaker 3: to the Beatles to go to number one.

728
00:35:32,400 --> 00:35:35,000
Speaker 2: It's a very big deal, Okay, I mean i'd see

729
00:35:35,080 --> 00:35:38,320
Speaker 2: him in concert yet I've never seen him in concert.

730
00:35:38,600 --> 00:35:40,560
Speaker 2: I just would make sure I'm not on the kiss camp,

731
00:35:43,480 --> 00:35:45,000
Speaker 2: especially if I'm there with my brother.

732
00:35:45,080 --> 00:35:46,720
Speaker 3: It's going to get it awkward for you and Anthony.

733
00:35:47,000 --> 00:35:49,120
Speaker 2: Guess when I take Anthony up to a show in

734
00:35:49,320 --> 00:35:53,319
Speaker 2: Bangor Maine, I'll be holding on to him.

735
00:35:53,400 --> 00:35:54,880
Speaker 6: Yeah. Yes, Paul does it.

736
00:35:55,040 --> 00:35:59,080
Speaker 4: And this is obvious. It helps the Beatles legacy that

737
00:35:59,120 --> 00:36:01,800
Speaker 4: they didn't stick around too long for a number of reasons.

738
00:36:02,200 --> 00:36:04,680
Speaker 4: But like they had an eight year run of relevancy

739
00:36:04,800 --> 00:36:08,959
Speaker 4: nineteen sixty three to nineteen seventy one, two not even

740
00:36:09,600 --> 00:36:11,880
Speaker 4: and that's it. When they made songs, they only toured

741
00:36:11,920 --> 00:36:14,520
Speaker 4: for two and a half years worldwide. They were never

742
00:36:14,560 --> 00:36:17,560
Speaker 4: a touring ben right, and that made them more desirable

743
00:36:17,920 --> 00:36:20,399
Speaker 4: in my not putting out bad albums at the end

744
00:36:20,560 --> 00:36:21,520
Speaker 4: or way after.

745
00:36:21,640 --> 00:36:24,680
Speaker 2: But what they put out it was a great album

746
00:36:24,680 --> 00:36:27,960
Speaker 2: after great album. They were sort of like Sandy Kofax. Yes,

747
00:36:28,160 --> 00:36:31,279
Speaker 2: they had a window of seven, you know, six seven,

748
00:36:31,360 --> 00:36:35,120
Speaker 2: eight years where you went, damn, we don't talk about

749
00:36:35,120 --> 00:36:38,359
Speaker 2: Sandy Kofax though anymore. But we do still talk about

750
00:36:38,360 --> 00:36:40,600
Speaker 2: the Beatles, and we'll talk about the Beatles the rest

751
00:36:40,600 --> 00:36:43,360
Speaker 2: of our lives and our children's lives.

752
00:36:44,120 --> 00:36:47,480
Speaker 4: Yes, like an athlete like Barry Sanders, never putting out

753
00:36:47,520 --> 00:36:50,680
Speaker 4: bad work or staying too long. Athletes like that, a shorter,

754
00:36:50,960 --> 00:36:52,440
Speaker 4: great career with no faults.

755
00:36:52,760 --> 00:36:55,279
Speaker 2: Let's take a break. We're gonna play a fun NFL game.

756
00:36:56,040 --> 00:36:56,960
Speaker 2: We'll do so next.

757
00:36:57,600 --> 00:37:00,480
Speaker 1: Fox Sports Radio has the best sports talk lineup in

758
00:37:00,560 --> 00:37:03,880
Speaker 1: the nation. Catch all of our shows at foxsports Radio

759
00:37:04,040 --> 00:37:08,120
Speaker 1: dot com and within the iHeartRadio app. Search FSR to

760
00:37:08,239 --> 00:37:08,920
Speaker 1: listen live.

761
00:37:09,760 --> 00:37:12,160
Speaker 2: Rapid Radio is the official walkie talkie of the Dan

762
00:37:12,200 --> 00:37:16,640
Speaker 2: Patrick Show, pushed to talk nationwide LTE network, no subscriptions.

763
00:37:17,080 --> 00:37:20,280
Speaker 2: Business owners, stay connected with your employees anywhere. Visit Rapid

764
00:37:20,360 --> 00:37:23,480
Speaker 2: radios dot com up to sixty percent off and free shipping.

765
00:37:24,040 --> 00:37:26,960
Speaker 6: Do you want to go over the pole question? Result

766
00:37:27,040 --> 00:37:27,800
Speaker 6: so far? Seaton?

767
00:37:29,200 --> 00:37:30,880
Speaker 3: Yeah, I'd be happy to. Who was the bully in

768
00:37:30,920 --> 00:37:33,880
Speaker 3: the first segment of the show, Dan, You're still hovering

769
00:37:33,920 --> 00:37:37,800
Speaker 3: at about seventy five percent of the apps, which is great.

770
00:37:38,360 --> 00:37:40,920
Speaker 3: Who would win in a five K race? Zion Williamson

771
00:37:41,000 --> 00:37:44,960
Speaker 3: or Rob our video editor right now, Rob holding steady

772
00:37:45,000 --> 00:37:48,600
Speaker 3: at about sixty seven percent of that vote. We also

773
00:37:48,719 --> 00:37:52,200
Speaker 3: have this is one from paul You can have one

774
00:37:52,239 --> 00:37:55,239
Speaker 3: of these two hundred and fifty thousand dollars or be

775
00:37:55,360 --> 00:37:56,400
Speaker 3: completely jacked.

776
00:38:00,800 --> 00:38:02,879
Speaker 2: Okay, we did something at the end of the show

777
00:38:03,000 --> 00:38:07,560
Speaker 2: yesterday that what was it? You had five hundred thousand

778
00:38:07,600 --> 00:38:10,600
Speaker 2: dollars or you can flip a coin and if you

779
00:38:10,680 --> 00:38:14,080
Speaker 2: guess right, you get thirty million dollars or nothing.

780
00:38:15,200 --> 00:38:21,280
Speaker 6: And I think Fritzy, you and Seaton lost.

781
00:38:21,560 --> 00:38:23,480
Speaker 10: Yes, okay, we went for a thirty million and we

782
00:38:23,560 --> 00:38:24,480
Speaker 10: ended with nothing.

783
00:38:24,719 --> 00:38:29,560
Speaker 6: But Marvin and Paulie, I think Dylan ended up. They

784
00:38:29,640 --> 00:38:32,839
Speaker 6: ended up getting their thirty million dollars. Yeah, yeah, but.

785
00:38:32,760 --> 00:38:34,880
Speaker 3: That was a would you do that in real life?

786
00:38:36,040 --> 00:38:38,120
Speaker 3: It's about the pay structure here too. Actually, I think

787
00:38:38,120 --> 00:38:39,719
Speaker 3: it's the front U I guess thirty million and the

788
00:38:40,160 --> 00:38:43,160
Speaker 3: wow wow, yes Marvin.

789
00:38:44,800 --> 00:38:45,640
Speaker 10: What needs to be said?

790
00:38:45,719 --> 00:38:48,560
Speaker 7: Yeah, yes, Mark, Fritzy thid the words out of my

791
00:38:48,560 --> 00:38:50,320
Speaker 7: mouth the same one needed to be said.

792
00:38:50,160 --> 00:38:54,360
Speaker 2: Yeah, would you do that? Five hundred thousand dollars flip

793
00:38:54,400 --> 00:38:57,840
Speaker 2: a coin? But I'm not going to make it thirty million.

794
00:38:58,480 --> 00:39:00,520
Speaker 2: I'm going to make it five millions. So it's five

795
00:39:00,600 --> 00:39:04,840
Speaker 2: hundred thousand or five million. Flip a coin todd, would

796
00:39:04,840 --> 00:39:06,960
Speaker 2: you flip the coin for the five hundred thousand to

797
00:39:06,960 --> 00:39:07,640
Speaker 2: get five million?

798
00:39:08,080 --> 00:39:10,359
Speaker 10: I would walk away with the five hundred thousand and.

799
00:39:10,320 --> 00:39:12,279
Speaker 6: Not see what about you?

800
00:39:12,800 --> 00:39:14,359
Speaker 3: So what explain it again?

801
00:39:14,560 --> 00:39:15,560
Speaker 6: Five hundred thousand?

802
00:39:16,000 --> 00:39:18,279
Speaker 3: You just give me five hundred thousand, yes.

803
00:39:18,160 --> 00:39:21,319
Speaker 2: Or you can bet it on a coin toss to

804
00:39:21,360 --> 00:39:22,080
Speaker 2: get five million.

805
00:39:23,880 --> 00:39:27,880
Speaker 3: H Man, five hundred thousand dollars is a lot of money,

806
00:39:28,080 --> 00:39:32,680
Speaker 3: so it's five million. Uh yeah, I'll go. I'll go

807
00:39:32,760 --> 00:39:36,080
Speaker 3: for the five million, Okay, but you get nothing? Yeah, yeah, yes,

808
00:39:36,200 --> 00:39:40,160
Speaker 3: I'll just be exactly what I am now, Yes, Marvin,

809
00:39:40,200 --> 00:39:42,360
Speaker 3: which five hundred thousand dollars would be an insane amount

810
00:39:42,360 --> 00:39:44,279
Speaker 3: of money for me to have right now. However, five

811
00:39:44,320 --> 00:39:45,799
Speaker 3: million is worth the coin flip.

812
00:39:45,560 --> 00:39:49,240
Speaker 2: All right, Marvin, coin toss, No. Five hundred thousand, PAULI,

813
00:39:49,880 --> 00:39:51,839
Speaker 2: I would do the coin toss. Five million is put

814
00:39:51,840 --> 00:39:54,600
Speaker 2: your feet up money. Let's do the quick NFL game.

815
00:39:54,719 --> 00:39:57,240
Speaker 2: We'll go around the room, Paulie, give us the rules

816
00:39:57,239 --> 00:39:59,560
Speaker 2: of the quick fun NFL game.

817
00:39:59,600 --> 00:40:02,120
Speaker 4: We do the every year. It's a little negative. Who's

818
00:40:02,160 --> 00:40:05,840
Speaker 4: the most unlosable player in the NFL that if this team,

819
00:40:05,920 --> 00:40:08,720
Speaker 4: this team lost this player, he was injured for the season,

820
00:40:09,360 --> 00:40:13,080
Speaker 4: You're like they're done taking away quarterbacks. Quarterbacks are off

821
00:40:13,120 --> 00:40:16,680
Speaker 4: the board. Isn't this most valuable most unlosable?

822
00:40:16,800 --> 00:40:19,479
Speaker 2: I know, but it is that another way of saying

823
00:40:19,520 --> 00:40:21,640
Speaker 2: the most valuable is the most unlosable?

824
00:40:21,800 --> 00:40:22,200
Speaker 4: More fun?

825
00:40:22,440 --> 00:40:24,799
Speaker 6: Okay, the Todd who is the mup.

826
00:40:25,480 --> 00:40:26,480
Speaker 10: Taking quarterbacks out?

827
00:40:26,520 --> 00:40:28,640
Speaker 9: Saquon Barkley came to mind that the Eagles would be

828
00:40:28,640 --> 00:40:29,800
Speaker 9: in a lot of trump if they didn't have a

829
00:40:29,800 --> 00:40:33,440
Speaker 9: Saquon Buck. This'll be very good, but they wouldn't be

830
00:40:33,440 --> 00:40:34,840
Speaker 9: anywhere near as.

831
00:40:34,719 --> 00:40:39,359
Speaker 6: The Seaton most unlosable player the.

832
00:40:39,320 --> 00:40:43,760
Speaker 3: Moup um Man. It's probably some kind of edge rusher

833
00:40:44,360 --> 00:40:56,200
Speaker 3: for somebody. Yeah, I'm gonna go with the Bengals and Hendrickson.

834
00:40:56,280 --> 00:40:58,840
Speaker 3: They should really wrap him up. That's an unlosable player

835
00:40:58,840 --> 00:41:05,200
Speaker 3: for me. Okay, Marv Justin Jefferson, all right, Paul.

836
00:41:05,040 --> 00:41:05,760
Speaker 4: I'm going TJ.

837
00:41:05,920 --> 00:41:06,280
Speaker 13: Watt.

838
00:41:06,400 --> 00:41:09,600
Speaker 4: That's a tenuous offense. They live on their defense. He's

839
00:41:09,640 --> 00:41:12,520
Speaker 4: still fantastic. He's off the team. They're not making the players.

840
00:41:12,640 --> 00:41:15,880
Speaker 2: I would say Aiden Hutchinson because we saw what happened

841
00:41:15,880 --> 00:41:18,279
Speaker 2: when they didn't have him and that's a team that

842
00:41:18,320 --> 00:41:20,799
Speaker 2: can win the super Bowl because you have to look

843
00:41:20,840 --> 00:41:23,359
Speaker 2: at Okay, are we going to make the playoffs? Are

844
00:41:23,360 --> 00:41:25,960
Speaker 2: we gonna win a game in the playoffs? The Lions,

845
00:41:26,000 --> 00:41:29,400
Speaker 2: it's win a super Bowl. And I would say not

846
00:41:29,560 --> 00:41:33,239
Speaker 2: having him, you know, help prevent them from going to

847
00:41:33,280 --> 00:41:35,480
Speaker 2: the super Bowl last year. Yes, yes, Marvin.

848
00:41:35,920 --> 00:41:38,080
Speaker 7: Are the Lions the one seed as team with the

849
00:41:38,120 --> 00:41:39,520
Speaker 7: most pressure to win a Super Bowl.

850
00:41:39,560 --> 00:41:42,920
Speaker 2: It's getting there, like the Niners were there for a

851
00:41:42,920 --> 00:41:45,080
Speaker 2: few years, but they're not there anymore. I would say

852
00:41:45,120 --> 00:41:48,799
Speaker 2: the Bills in the Lions, Ravens. Yeah, yeah, I.

853
00:41:48,719 --> 00:41:49,160
Speaker 6: Think you can.

854
00:41:49,560 --> 00:41:53,200
Speaker 2: I think you can those all those those three together.

855
00:41:54,360 --> 00:41:57,800
Speaker 2: Coming up, we'll talk some football. Daniel Jeremiah former NFL scout.

856
00:41:58,040 --> 00:41:59,919
Speaker 2: He went to the Eagles camp. He's at the charge

857
00:42:00,120 --> 00:42:03,040
Speaker 2: Is camp today, works for NFL Network. He'll join us

858
00:42:03,080 --> 00:42:04,560
Speaker 2: in the final hour after this