WEBVTT - Alicia Keys Interview and more

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<v Speaker 1>Ain't not and Charlomagne the guys the breakfast Club is

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<v Speaker 1>I love coming here. I'm never not gonna come here.

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<v Speaker 1>You guys are good to me. And Lautna them away

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<v Speaker 1>was gonna be good deal for a lot of people

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<v Speaker 1>in hip hop generation. The breakfast club is where people

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<v Speaker 1>get the information on the topics, on the artists and

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<v Speaker 1>everything like that. In that aspect, Radio Student port the

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<v Speaker 1>breakfast Club for my name, Come on, respect you. Good

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<v Speaker 1>morning yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo yo yo yo

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<v Speaker 1>yo yo yo yo yo yo yo Good morning, angela Ye,

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<v Speaker 1>good mon, Charlomagne, the gout piece of the planet. Happy Friday. Now,

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<v Speaker 1>this is one of those times when we're pretending like

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<v Speaker 1>we're here but we're really not. But we got new

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<v Speaker 1>content for you, like we got Alicia Keys coming up

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<v Speaker 1>next hour, Judge Faith Jenkins later on in the show.

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<v Speaker 1>But I want to tell y'all a tonight tonight tonight tonight,

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<v Speaker 1>ten pm, Comedy Central, my late night talk show, The

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<v Speaker 1>Gods on His Truth. This is the last episode of

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<v Speaker 1>this year. We'll be back next year with fresh new episodes,

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<v Speaker 1>but tonight we have Kamala Harris. Vice President. Kamala Harris

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<v Speaker 1>will be on the Gods on His Truth tonight at

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<v Speaker 1>ten pm on Comedy Central. Make sure you scream The

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<v Speaker 1>Gods on His Truth on Paramount Plus to catch up

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<v Speaker 1>on all the episodes, but make sure you tune in

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<v Speaker 1>tonight at ten pm on Comedy Central. Vice President Kamala

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<v Speaker 1>Harris will be joining me on The Gods on His Truth.

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<v Speaker 1>And we're gonna be having a healthy discussion, not me

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<v Speaker 1>and Kamala, but me and Chico being in the Man

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<v Speaker 1>de sales, We'll be having a healthy discussion about who

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<v Speaker 1>really runs Christmas if he Jesus a Santa Hu find

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<v Speaker 1>out the night ten pm The Gods on His Truth

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<v Speaker 1>on Comedy Central. All right, we got more coming up

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<v Speaker 1>next with a Breakfast Club. Did your time to get

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<v Speaker 1>it off your chests? Whether you're man or blast, so

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<v Speaker 1>you better have the same instry we want to hear

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<v Speaker 1>from you on the Breakfast Club? Hello, who's this shams? Now?

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<v Speaker 1>They get it off your chests? No, I just wanted

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<v Speaker 1>to say I love listen to y'all. Y'all help me

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<v Speaker 1>every morning. And what up though? From Detroit and Angela

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<v Speaker 1>when you need a new guest for a little service.

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<v Speaker 1>I'm trying to get on the show where you got you?

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<v Speaker 1>And Detroit? Still, Yes, I live here. What's your what's

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<v Speaker 1>your qualifications? Tell me what you do so that I

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<v Speaker 1>can know what you want to talk about. What's a

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<v Speaker 1>radio and broadcast and so I do have experience with that.

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<v Speaker 1>I'll recently have my own podcast, but I'm trying to

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<v Speaker 1>rebrand everything and starry fresh with my own show. All right,

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<v Speaker 1>this thank you Friday. Give me a topic. Let's say

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<v Speaker 1>it's freaky Friday. What uh dark fantasy? All right? What

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<v Speaker 1>is it doing something in the car and it's so

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<v Speaker 1>very real dark in the park or nobody can see you.

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<v Speaker 1>Sounds like a hired movie waiting to happen. Yeah, thank

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<v Speaker 1>you for calling with your freaking all right? DMN, Hello,

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<v Speaker 1>who's that? Hey? This is Chevine. Good morning to everyone.

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<v Speaker 1>Good morning. Okay, So in our community, the black community,

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<v Speaker 1>we should normalize raising our kids without abusing it. It's

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<v Speaker 1>just something that shouldn't be done, like why are we

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<v Speaker 1>beating our kids? And like and then people are quick

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<v Speaker 1>to go to the Bible and say, oh, you know,

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<v Speaker 1>you know they like the rone the towel. But don't

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<v Speaker 1>we all remember in school that the ride means the

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<v Speaker 1>ride of corrections and not like necessarily disciplining with pain,

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<v Speaker 1>you know you but you know you know that's something

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<v Speaker 1>we learn from our oppressing you know, you know, that's

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<v Speaker 1>that's what I'm saying, Like we need to stomp it,

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<v Speaker 1>like there are some people like that, you know, I

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<v Speaker 1>whipped her bud or I did this. What about getting

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<v Speaker 1>down and speaking with your child? That's right. My oldest

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<v Speaker 1>daughter is um thirteen, and you know, I think her

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<v Speaker 1>when she was like young, like you know, two years old,

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<v Speaker 1>and I felt so stupid and I always say to

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<v Speaker 1>myself like how could my parents you know beat me

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<v Speaker 1>with the stinching cards and everything else? And be okay,

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<v Speaker 1>how did that not bother? And that's and that's what

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<v Speaker 1>I'm saying. And you're you're so right. It is coming

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<v Speaker 1>from our oppressors, but I think we needed to be

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<v Speaker 1>more conscious of where it's coming from. Like bread the

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<v Speaker 1>word talk to each other because this is so sixty

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<v Speaker 1>so sick. Yeah, that's awful, Thank you mama. Oh of

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<v Speaker 1>course you guys have a great one, you too. Now, Hello,

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<v Speaker 1>who's this what I'm getting off your chance, brother, man

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<v Speaker 1>one than guard. I'm leaving today, going to work. Man.

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<v Speaker 1>Tell Joe body talking man. I feel you all right, Brod,

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<v Speaker 1>y'all have y'all have a good day of min Yes

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<v Speaker 1>that last one too, brother. Hello, who's this? What's up? Man? Virginia?

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<v Speaker 1>What's up? Seventy five seven? Get it off you chest?

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<v Speaker 1>I just want to get it all my chest. I'm

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<v Speaker 1>feeling blessed to drop the album this one. I'm called

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<v Speaker 1>block man, black man. Okay from my little brother. He said,

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<v Speaker 1>what a part of Virginia you're from? From Chesapeake? Okay?

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<v Speaker 1>All right, so you wrapped? Yeah, all right, spend some

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<v Speaker 1>real quick this morning. I say, I'm motivated on the

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<v Speaker 1>greatest thing underrated, pockets overweighted. No you hated, won't believe

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<v Speaker 1>a lit I told you, lady, just to hold my babies.

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<v Speaker 1>You see the wings this year, ain't no Mercedes walcome

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<v Speaker 1>to the room. He going crazy because I ain't got

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<v Speaker 1>no shirt on. They will have been on my six packs.

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<v Speaker 1>Some two needs to work on chilling me as might

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<v Speaker 1>as will try to hurt home pack like the nurse home.

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<v Speaker 1>I got the wave you can hurt phone and a

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<v Speaker 1>whole lot of dough. That's a biscuit number. How old

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<v Speaker 1>are you? Brother? How old are you? Sir? Every one? Okay,

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<v Speaker 1>do you really have a six pack? Yeahs so what

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<v Speaker 1>you want to see a picture? Now? I'm just asking.

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<v Speaker 1>I gonna make sure you'll just following my id b

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<v Speaker 1>l okay at and I got some happen. Was it

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<v Speaker 1>called YouTube videos for k thing? Bro? Bro? All right? Brother? Hello?

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<v Speaker 1>Who's this? Dorian? Hey, Dorian, get it off your chest, sir.

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<v Speaker 1>I just wanted to send all the positive message to

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<v Speaker 1>everybody and also ask about therapy. Yes, sir, Hey, I

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<v Speaker 1>just wanted to tell everybody out there struggling. If you're

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<v Speaker 1>going through anything, it's all a part of your story,

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<v Speaker 1>don't give up, keep on pushing, and just keep on

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<v Speaker 1>believing in yourself, trusting yourself in visualize the best version

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<v Speaker 1>of yourself. You gotta trust your life, you gotta trust God,

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<v Speaker 1>and you gotta trust your life. That's it. That's it. Now,

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<v Speaker 1>what's your question of therapy? It's time for me to

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<v Speaker 1>start working on myself because it's a lot of stuff

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<v Speaker 1>that I've been holding, man, and it's time for me

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<v Speaker 1>to really start to grow more. Hey, best decision I

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<v Speaker 1>ever made. In my life back back in twenty sixteen.

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<v Speaker 1>Man started going in twenty sixteen once a week every Friday.

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<v Speaker 1>Whatever makes you feel comfortable, you can go in person.

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<v Speaker 1>You know, it's a lot of tele therapy that you

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<v Speaker 1>can do nowadays. You just gotta do some research and

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<v Speaker 1>find the best therapist for you. What do you what

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<v Speaker 1>do you think you need to go for? I went,

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<v Speaker 1>I went for my anxiety and about the depression and

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<v Speaker 1>ended up peeling back all kind of layers of trauma.

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<v Speaker 1>But what you think you need to go for? I

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<v Speaker 1>just need to go forward, like just for my health,

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<v Speaker 1>well for my mental health, because I'm real bad with

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<v Speaker 1>my emotions. They'll affects everyone else around me. We just

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<v Speaker 1>put the golf and say, okay, it'll be all right.

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<v Speaker 1>Well I will tell you man, just just just find

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<v Speaker 1>somebody that's you know, in your area that you think

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<v Speaker 1>is best suited to fit your needs. That's what I

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<v Speaker 1>would tell you. And you can. You can go to

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<v Speaker 1>my website, go to go to the Mental Wealthalliance dot org.

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<v Speaker 1>And you know we have a list of providers. You

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<v Speaker 1>probably can find somebody in your area. Okayiate Mental Mental

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<v Speaker 1>Wealthfarelliance dot org. All Right, brother, thank you man, Get

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<v Speaker 1>it off your chest eight hundred five eight five one

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<v Speaker 1>oh five one. If you need to vent hit us

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<v Speaker 1>up now it's the Breakfast Club. Good morning, the Breakfast Club.

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<v Speaker 1>I'm I'm telling what's all? This is your time to

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<v Speaker 1>get it off your chest, whether you're mad or blast.

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<v Speaker 1>Eight hundred five eighty five one five one. We want

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<v Speaker 1>to hear from you on the Breakfast Club. Hello. Who's

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<v Speaker 1>this Yes to morning. I just want to bring it

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<v Speaker 1>to the attention of these gas station attendance. Why why

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<v Speaker 1>wouldn't you tell them to put one amount in your car?

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<v Speaker 1>They put another amount on the gas pensers tending the

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<v Speaker 1>foot tween eyes in my car? People? Forty what's the

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<v Speaker 1>months ago for the gas stakes attendance? Put tween eyes

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<v Speaker 1>in my car? He seals it up and put all

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<v Speaker 1>those And you know what they want to make me

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<v Speaker 1>mad because it's the language. It's the lad that's what

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<v Speaker 1>you got to say. Look, all I got is twenty dollars.

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<v Speaker 1>This is all I have. This is what I asked

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<v Speaker 1>you for. They go get your car. Oh your carn

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<v Speaker 1>so didn't already have your car? Right? Something that has

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<v Speaker 1>could be done. And I don't know if this news.

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<v Speaker 1>A lot of them, Um, don't speak the language. You're

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<v Speaker 1>doing other things when that happened. You're not tying to

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<v Speaker 1>attended because you expect them to do what they would

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<v Speaker 1>you ask do correct. Well, I think since this has

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<v Speaker 1>been happening to you a lot, just make sure that

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<v Speaker 1>you actually pay attention now when you get gas. You

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<v Speaker 1>don't never want to act like Trump to people who

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<v Speaker 1>don't speak the language. Yeah, if it happened a bunch

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<v Speaker 1>of times, you gotta you know, you gotta start watching. Yeah,

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<v Speaker 1>but if you don't speak the language, that's never happened

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<v Speaker 1>to me. He was alway stopped. Bro, they get stopped. Stop.

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<v Speaker 1>Everybody knows stop clearly not hello. Who's this hello? All right?

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<v Speaker 1>Oh my god, I can't believe I got through. Good morning,

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<v Speaker 1>breakfast up, queen you all everything that you do. Um,

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<v Speaker 1>oh my god. I just want to start out all

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<v Speaker 1>the US Army veterans out there. I am a US

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<v Speaker 1>Army veteran um part of mental health. I got out

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<v Speaker 1>of the Army and after two years of fair and doubt,

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<v Speaker 1>I launched my boutique, Fashion's House Um the house it

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<v Speaker 1>sells ah a usum in German. Because that was my

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<v Speaker 1>first duty station and I launched it on Veterans Day

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<v Speaker 1>last year. It has something easy, but I'm finding joy

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<v Speaker 1>through the process. And you know, basically, my sister and

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<v Speaker 1>I we just made the choice to live consciously and

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<v Speaker 1>to face our goals and live intentionally right. And so

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<v Speaker 1>she also has a podcast. It's called Incommenstible. Podcast is

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<v Speaker 1>pushing to the idea that we all are unique and

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<v Speaker 1>we have to think for ourselves always, and I just

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<v Speaker 1>want to share it with you. I'm so nervous, guys,

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<v Speaker 1>you have no reason to be it. I love your

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<v Speaker 1>mission statement. And by the way, that's not an idea

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<v Speaker 1>that we all are unique. We definitely all are unique.

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<v Speaker 1>Are none of our DNAs are the same? Absolutely? Absolutely?

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<v Speaker 1>I want to share with you. Oh your phone, hold

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<v Speaker 1>on a second, mama, Hello, who's this? More than this? Jerome?

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<v Speaker 1>Jerome was up? Good morning, man, get off your chest,

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<v Speaker 1>good morning. I don't know, I'll just remember a couple

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<v Speaker 1>of months back, says, you don't don't know us with

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<v Speaker 1>no cats, man, We know what cats? Cat? Cat? Oh

0:11:05.320 --> 0:11:08.720
<v Speaker 1>animal cat cat. But yeah, I just wanted to let

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<v Speaker 1>y'all know I have blessed cats and the dog and

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<v Speaker 1>the name Tina and Turner. You can follow them on

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<v Speaker 1>Instagram right now. I love cats. I'd rather have a

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<v Speaker 1>cat than have a dog. They are a lot more

0:11:24.520 --> 0:11:27.800
<v Speaker 1>little maintenance. Nah dog protects the crib. Yeah, and cats

0:11:27.880 --> 0:11:31.760
<v Speaker 1>make sure you don't have bugs or rodents. Had called

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<v Speaker 1>a couple of weeks ago, and I was talking about

0:11:33.920 --> 0:11:36.599
<v Speaker 1>the little girl in a period or whatever, and I

0:11:36.679 --> 0:11:39.920
<v Speaker 1>wanted to apologize to d J. Henry because I told

0:11:40.000 --> 0:11:42.160
<v Speaker 1>him I wasn't because he didn't understand what I was saying.

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<v Speaker 1>But that was it, and y'all happy holidays, everything, all right. Yeah,

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<v Speaker 1>we grew up with cats in our house that we

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<v Speaker 1>had three cats and a dog. No, we never had

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<v Speaker 1>no cats. We always had dogs. My wife had a

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<v Speaker 1>cat growing up. There's nothing wrong with people who like cats.

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<v Speaker 1>Just said, I don't know anybody. If I said I

0:12:02.440 --> 0:12:04.000
<v Speaker 1>don't know, I just don't know any men with cats.

0:12:04.000 --> 0:12:06.080
<v Speaker 1>That's all I said. I don't know know man with cats,

0:12:06.800 --> 0:12:11.280
<v Speaker 1>being a man who has here, you can leave a

0:12:11.320 --> 0:12:13.280
<v Speaker 1>cat in the house for like three days and they'll

0:12:13.280 --> 0:12:15.360
<v Speaker 1>be okay. Mike Tyson had a white tiger. That's the

0:12:15.440 --> 0:12:18.200
<v Speaker 1>closest person I know that I don't know. Let's shout out.

0:12:18.200 --> 0:12:20.400
<v Speaker 1>Tell other guys with cats. How you get it? A

0:12:20.480 --> 0:12:23.000
<v Speaker 1>few chests eight hundred five eight five one on five one.

0:12:23.040 --> 0:12:24.319
<v Speaker 1>If you need to vent hit this uping now it's

0:12:24.320 --> 0:12:30.120
<v Speaker 1>the breakfast Club. Good morning, the Breakfast Club. I want

0:12:30.160 --> 0:12:32.520
<v Speaker 1>to show the Breakfast Club Charlomagne and God Angela Ye

0:12:32.679 --> 0:12:34.800
<v Speaker 1>dj Envy had to step out. But man, we have

0:12:34.920 --> 0:12:37.280
<v Speaker 1>the author of one of the best books I read

0:12:37.360 --> 0:12:49.160
<v Speaker 1>this year, Resumm men of Kim, author of My Grandmother's Hands,

0:12:49.520 --> 0:12:52.520
<v Speaker 1>Racialized Trauma in The Pathway to Mending Our Hearts and Bodies.

0:12:52.559 --> 0:12:54.920
<v Speaker 1>First of all, it is a pleasure to sit down

0:12:54.960 --> 0:12:57.679
<v Speaker 1>and talk to you. How are you. I'm doing well, man,

0:12:57.760 --> 0:13:02.200
<v Speaker 1>I'm doing well. Busy but well. Absolutely absolutely. Now tell

0:13:02.240 --> 0:13:04.840
<v Speaker 1>folks what this book is about. So brother, the book

0:13:04.960 --> 0:13:09.240
<v Speaker 1>is really about racialized trauma and how more often than not,

0:13:09.440 --> 0:13:13.079
<v Speaker 1>when we think about racism and white body supremacy, we

0:13:13.240 --> 0:13:16.600
<v Speaker 1>think about it from an intellectual place like you know, uh,

0:13:17.280 --> 0:13:19.640
<v Speaker 1>you know, dates and times and stuff like that. But

0:13:20.360 --> 0:13:23.760
<v Speaker 1>my whole work is really around how trauma lives in

0:13:23.840 --> 0:13:26.160
<v Speaker 1>the body and gets passed down, and how it gets

0:13:26.200 --> 0:13:29.439
<v Speaker 1>passed down through generations. What is of happening is that

0:13:29.600 --> 0:13:33.480
<v Speaker 1>we don't just learn from our caregivers in terms of instruction,

0:13:34.000 --> 0:13:37.079
<v Speaker 1>we also learn from what their bodies recoil from and

0:13:37.240 --> 0:13:41.120
<v Speaker 1>lean into. Trauma in a person over time can look

0:13:41.200 --> 0:13:45.199
<v Speaker 1>like personality. Trauma in a family over time can look

0:13:45.240 --> 0:13:48.080
<v Speaker 1>like family traits. But trauma and a people can look

0:13:48.120 --> 0:13:51.120
<v Speaker 1>like culture. And we and we missed those pieces. And

0:13:51.240 --> 0:13:53.839
<v Speaker 1>so the whole book was about my journey, my own

0:13:54.000 --> 0:13:58.679
<v Speaker 1>personal journey, you know in Afghanistan. Want to raise the Milwaukee,

0:13:58.760 --> 0:14:02.360
<v Speaker 1>Wisconsin and my journey in terms of my people and

0:14:02.480 --> 0:14:05.760
<v Speaker 1>my grandmother. Can you talk about what white body supremacy is? Yes,

0:14:06.320 --> 0:14:10.640
<v Speaker 1>So when we say the word white supremacy, a lot

0:14:10.720 --> 0:14:13.800
<v Speaker 1>of times what happens is that people move to the head.

0:14:13.840 --> 0:14:16.120
<v Speaker 1>They start trying to say, well, I'm not racist, or

0:14:16.160 --> 0:14:18.760
<v Speaker 1>I'm not this or I'm not that person. Did that

0:14:18.920 --> 0:14:22.720
<v Speaker 1>I'm not the person? Yeah, absolutely absolutely, And so what

0:14:22.880 --> 0:14:24.920
<v Speaker 1>ends up happening is is that we end up having

0:14:24.960 --> 0:14:28.560
<v Speaker 1>an intellectual conversation and not how this stuff actually impacts

0:14:28.640 --> 0:14:32.480
<v Speaker 1>the body. And so white body supremacy is my attempt

0:14:32.560 --> 0:14:34.960
<v Speaker 1>to get us to begin to think about what shows

0:14:35.080 --> 0:14:38.320
<v Speaker 1>up when we're having these types of interactions, What shows

0:14:38.400 --> 0:14:40.880
<v Speaker 1>up when we see a black body being murdered on

0:14:41.000 --> 0:14:43.920
<v Speaker 1>the streets, right, And that actually may not just be

0:14:44.160 --> 0:14:47.560
<v Speaker 1>your own personal piece. It might be historical, it might

0:14:47.640 --> 0:14:52.000
<v Speaker 1>be intergenerational, it might be persistent institutional, and then your

0:14:52.000 --> 0:14:54.560
<v Speaker 1>own personal stuff gets combined with it. You know. It's

0:14:55.120 --> 0:14:57.520
<v Speaker 1>God bought this book in my life at the right time,

0:14:57.520 --> 0:14:59.120
<v Speaker 1>you know, Angela RAI kept telling me to get it.

0:14:59.200 --> 0:15:01.120
<v Speaker 1>But it came in my life at a point where

0:15:01.160 --> 0:15:06.560
<v Speaker 1>I started doing healing exercises. I started actually doing things

0:15:06.640 --> 0:15:09.520
<v Speaker 1>that helped this this trauma move to my body. Explain

0:15:10.160 --> 0:15:13.760
<v Speaker 1>why that's not necessary? So I so if you notice

0:15:13.800 --> 0:15:15.680
<v Speaker 1>in the book, brother, I don't call him exercise, I

0:15:15.760 --> 0:15:19.880
<v Speaker 1>call him practice it why it's because whenever we think

0:15:19.920 --> 0:15:24.400
<v Speaker 1>about trauma, and specifically racialized trauma, we think about something

0:15:24.520 --> 0:15:29.080
<v Speaker 1>we need to just purge. Right. But in an actuality, race,

0:15:29.200 --> 0:15:31.920
<v Speaker 1>the concept of race has a four hundred to five

0:15:32.080 --> 0:15:35.160
<v Speaker 1>hundred year old charge to it. So when we start

0:15:35.200 --> 0:15:38.240
<v Speaker 1>to begin to deal with it, that charge can overwhelm us.

0:15:38.280 --> 0:15:40.680
<v Speaker 1>And with your experience, and I've listened to you quite

0:15:40.720 --> 0:15:43.400
<v Speaker 1>a bit, and so some of the experience when you

0:15:43.600 --> 0:15:48.240
<v Speaker 1>have when you yourself have been traumatized, right, in addition

0:15:48.360 --> 0:15:51.280
<v Speaker 1>to the historical trauma, that gets passed down in addition

0:15:51.360 --> 0:15:54.880
<v Speaker 1>to the intergenerational trauma, you don't really know how to articulate,

0:15:55.000 --> 0:15:58.360
<v Speaker 1>so the practices are designed to go slow. One of

0:15:58.400 --> 0:16:00.800
<v Speaker 1>the things about the practices that if forces you to

0:16:01.000 --> 0:16:04.880
<v Speaker 1>work with to learn discernment, Oh this is more resource,

0:16:05.280 --> 0:16:08.080
<v Speaker 1>or this really scares me, or this is more constricted

0:16:08.120 --> 0:16:12.160
<v Speaker 1>in my body when we're traumatized. That's all blended together.

0:16:12.440 --> 0:16:16.800
<v Speaker 1>We don't know how to discern one one sensation from

0:16:16.960 --> 0:16:20.240
<v Speaker 1>an image. You have to condition and temper your body

0:16:20.480 --> 0:16:23.160
<v Speaker 1>to be able to withstand the trauma and the stuff

0:16:23.200 --> 0:16:26.680
<v Speaker 1>that has happened, so you can metabolize it over time

0:16:26.880 --> 0:16:29.040
<v Speaker 1>and not just be overwhelmed when it shows up. And

0:16:29.120 --> 0:16:31.640
<v Speaker 1>then practices for white people as well, Oh hell yeah,

0:16:32.040 --> 0:16:34.760
<v Speaker 1>what happens with white folks? Right? We live in a

0:16:34.880 --> 0:16:39.120
<v Speaker 1>structure by which the white body deems and has deemed

0:16:39.160 --> 0:16:46.520
<v Speaker 1>itself the supreme standard of humanness philosophically and structurally. It's

0:16:46.560 --> 0:16:49.800
<v Speaker 1>the catstem that's it. So what ends up happening is

0:16:50.440 --> 0:16:56.840
<v Speaker 1>that in that process, the acceptance of whiteness right made

0:16:56.920 --> 0:16:59.720
<v Speaker 1>white people have to give up part of their humanity

0:17:00.160 --> 0:17:03.120
<v Speaker 1>in order to be white. They had to You can't

0:17:03.200 --> 0:17:07.959
<v Speaker 1>participate in brutalizing people right without disrupting part of your

0:17:08.000 --> 0:17:11.080
<v Speaker 1>own humanity. And so the practices in the book are

0:17:11.200 --> 0:17:14.240
<v Speaker 1>really designed to help white people begin to confront that

0:17:14.440 --> 0:17:17.960
<v Speaker 1>thing that had the ways that they've been standardized as

0:17:18.119 --> 0:17:22.120
<v Speaker 1>human and me and you've been standardized as deviant from human.

0:17:22.200 --> 0:17:25.680
<v Speaker 1>They're normal, they're the normal, and we're deviant, right, and

0:17:25.800 --> 0:17:28.440
<v Speaker 1>so it is standardized so they don't even feel like

0:17:28.480 --> 0:17:30.960
<v Speaker 1>they need to even do nothing about it. That's why

0:17:31.000 --> 0:17:34.520
<v Speaker 1>I have the practices in there for for white bodies. Okay,

0:17:34.520 --> 0:17:36.959
<v Speaker 1>we got more with the great resume of Minician when

0:17:37.000 --> 0:17:40.160
<v Speaker 1>we come back discussing his book My Grandmother's Hands, Racialized

0:17:40.160 --> 0:17:42.359
<v Speaker 1>Trauma and the Pathway to Mending Our Hearts and Bodies

0:17:42.520 --> 0:17:44.960
<v Speaker 1>on the Breakfast Club. Hey, I want to make sure

0:17:45.040 --> 0:17:47.320
<v Speaker 1>to tell y'all to tune into the Gods on Its

0:17:47.359 --> 0:17:50.359
<v Speaker 1>Truth tonight at ten pm on Comedy Central. That's my

0:17:50.480 --> 0:17:53.240
<v Speaker 1>late night talk show. And tonight we have Vice President

0:17:53.440 --> 0:17:56.960
<v Speaker 1>Kamala Harris on the show. So tune in ten pm

0:17:57.040 --> 0:17:59.480
<v Speaker 1>tonight on Comedy Central, my late night talk show to

0:17:59.520 --> 0:18:02.440
<v Speaker 1>Gods on Its Truth. The Vice President Kamala Harris will

0:18:02.480 --> 0:18:06.280
<v Speaker 1>be joining us tonight, and you know I got questions,

0:18:06.400 --> 0:18:08.040
<v Speaker 1>All right, we got more. Don't move. It's the best

0:18:08.080 --> 0:18:13.639
<v Speaker 1>of the Breakfast Club, the Breakfast Club. Yes, it's the

0:18:13.680 --> 0:18:15.840
<v Speaker 1>world most dangerous. Want to show the Breakfast Club. Charlomagne

0:18:15.840 --> 0:18:18.520
<v Speaker 1>and God Angela Ye dj Envy is off today and

0:18:18.640 --> 0:18:21.399
<v Speaker 1>we're talking to Resma men Kim. He's the author of

0:18:21.520 --> 0:18:24.520
<v Speaker 1>My Grandmother's Hands, Racialized Trauma in the Pathway to Mending

0:18:24.560 --> 0:18:26.920
<v Speaker 1>Our Hearts and Bodies. Now, can we talk about the

0:18:26.960 --> 0:18:29.119
<v Speaker 1>title of the book, to my Grandmother's Hands and what

0:18:29.280 --> 0:18:32.000
<v Speaker 1>that does represent as far as the work that you've

0:18:32.040 --> 0:18:35.680
<v Speaker 1>been doing so soon. My grandmother was a small woman,

0:18:36.040 --> 0:18:40.240
<v Speaker 1>but when we were young, like seven eight years old,

0:18:40.320 --> 0:18:42.160
<v Speaker 1>we would go over there and stay with my grandmother.

0:18:42.359 --> 0:18:44.960
<v Speaker 1>And my grandmother number one, she would be in the

0:18:45.160 --> 0:18:48.879
<v Speaker 1>kitchen and she would hum. And when you notice in

0:18:48.920 --> 0:18:51.119
<v Speaker 1>the book I talk about the hum and the legal nerves,

0:18:51.680 --> 0:18:54.919
<v Speaker 1>it's a very important piece. One time I was rubbing

0:18:54.960 --> 0:18:57.359
<v Speaker 1>the hands and I was comparing her hands to my hands,

0:18:57.400 --> 0:19:00.600
<v Speaker 1>like my hands are very thin and angular. Grandmother had

0:19:00.640 --> 0:19:05.320
<v Speaker 1>these thick digits, like thick, and then a thickness inside

0:19:05.400 --> 0:19:07.600
<v Speaker 1>of her palm, and the thickness on the back of

0:19:07.680 --> 0:19:09.720
<v Speaker 1>her palm, and so I was. I was rubbing, and

0:19:09.760 --> 0:19:11.359
<v Speaker 1>I said, Grandma, why are your hands so fat? Why

0:19:11.359 --> 0:19:13.920
<v Speaker 1>are your hands fat like that? And without missing the beach,

0:19:14.000 --> 0:19:16.760
<v Speaker 1>she goes, oh, boy, that's from picking cot. I'm seven

0:19:16.760 --> 0:19:19.360
<v Speaker 1>to eight right, and I'm like okay, And she must

0:19:19.400 --> 0:19:22.840
<v Speaker 1>have heard the space divide. So she turned and this

0:19:23.040 --> 0:19:25.520
<v Speaker 1>and their cadence picked up right. I knew I didn't

0:19:25.560 --> 0:19:26.920
<v Speaker 1>know what it was, but I knew I needed to page.

0:19:27.119 --> 0:19:29.280
<v Speaker 1>She goes, well, you ever seen the cotton plant? No? Man,

0:19:29.520 --> 0:19:31.760
<v Speaker 1>She goes, complante got these birds. This is where she's talking.

0:19:31.920 --> 0:19:34.560
<v Speaker 1>And I said okay, and she said, when you reach

0:19:34.600 --> 0:19:37.040
<v Speaker 1>your hands in there, And at four years old, I

0:19:37.080 --> 0:19:38.840
<v Speaker 1>started walking up and down on Rose where I was four.

0:19:38.880 --> 0:19:40.600
<v Speaker 1>My daddy was a sharecropper, So when you reach your

0:19:40.640 --> 0:19:43.919
<v Speaker 1>hands in that stuff, your hands bleed. And I did

0:19:44.040 --> 0:19:46.880
<v Speaker 1>not remember that story again until I started reading the book.

0:19:47.119 --> 0:19:49.000
<v Speaker 1>I started writing the book, that's amazing because then the

0:19:49.160 --> 0:19:53.000
<v Speaker 1>calysis protect her hands bleeding, and then it just gets

0:19:53.119 --> 0:19:56.080
<v Speaker 1>used to that's exactly right. And then I took that

0:19:56.200 --> 0:19:59.080
<v Speaker 1>and said, whoa, that's how trauma works. You know. I

0:19:59.160 --> 0:20:01.480
<v Speaker 1>wanted to ask you about Sunday because me and my

0:20:01.520 --> 0:20:03.280
<v Speaker 1>home girl dad was talking about this yesterday. It was

0:20:03.320 --> 0:20:06.679
<v Speaker 1>a Instagram post somebody posted and they say, not everything

0:20:06.800 --> 0:20:10.280
<v Speaker 1>is a trauma response. And they say, the point here

0:20:10.400 --> 0:20:12.600
<v Speaker 1>is we can't just slap a label of trauma on

0:20:12.720 --> 0:20:16.200
<v Speaker 1>the everything. We can't understand all behavior as trauma responses.

0:20:16.440 --> 0:20:19.240
<v Speaker 1>We have to think more about the roles culture plays

0:20:19.320 --> 0:20:23.879
<v Speaker 1>and creating and sustaining trauma responses. And trauma responses aren't

0:20:23.920 --> 0:20:30.520
<v Speaker 1>necessarily all bad. Yeah, absolutely, Okay, So trauma is personal

0:20:30.640 --> 0:20:34.679
<v Speaker 1>and particular me and you maybe homeboys, and something happens

0:20:34.680 --> 0:20:37.840
<v Speaker 1>in front of us, right, A necessary component of trauma

0:20:38.040 --> 0:20:41.000
<v Speaker 1>is stuck. Right, no matter what I do, is stuck.

0:20:41.240 --> 0:20:44.720
<v Speaker 1>Something that stuck. That's a necessary component. Something back and

0:20:44.880 --> 0:20:47.119
<v Speaker 1>happened to both of us at the same time, and

0:20:47.400 --> 0:20:50.200
<v Speaker 1>you get stuck and I don't, Right, So when it

0:20:50.280 --> 0:20:53.639
<v Speaker 1>comes to trauma, right, But but but there's a higher

0:20:53.720 --> 0:20:58.919
<v Speaker 1>propensity to get stuck, right when the thing that happens

0:20:59.000 --> 0:21:02.840
<v Speaker 1>happens to a man of people. Right, And I believe

0:21:02.960 --> 0:21:06.120
<v Speaker 1>that you will more likely get stuck in trauma when

0:21:06.280 --> 0:21:09.760
<v Speaker 1>children are involved. Right. What I would say is some

0:21:09.960 --> 0:21:13.480
<v Speaker 1>people get stuck with that and some people don't. It

0:21:13.680 --> 0:21:16.280
<v Speaker 1>does it? But it but but but I also don't

0:21:16.320 --> 0:21:20.760
<v Speaker 1>want to take the culture off the hook, right and say, well,

0:21:21.000 --> 0:21:23.879
<v Speaker 1>not everybody is traumatized, so it's not really a big deal.

0:21:23.960 --> 0:21:26.040
<v Speaker 1>It is a huge deal because the trauma that we're

0:21:26.119 --> 0:21:30.760
<v Speaker 1>talking about has compounded over time and has been decontextualized.

0:21:30.800 --> 0:21:33.640
<v Speaker 1>So now we take it out on each other. Right,

0:21:33.720 --> 0:21:35.440
<v Speaker 1>And so I have to say, well, you have to

0:21:35.600 --> 0:21:37.000
<v Speaker 1>you have to do both. You have to keep the

0:21:37.119 --> 0:21:40.280
<v Speaker 1>vertical and the horizontal when you're viewing this stuff around race.

0:21:40.560 --> 0:21:42.399
<v Speaker 1>You have to keep both of them on the table.

0:21:42.680 --> 0:21:44.879
<v Speaker 1>You know, you say that a healing racism begins with

0:21:44.960 --> 0:21:48.359
<v Speaker 1>the body. Do you think that takes precedent over legislation. No, No,

0:21:48.600 --> 0:21:50.680
<v Speaker 1>Here's what I Here's what I believe. I believe that

0:21:50.840 --> 0:21:55.560
<v Speaker 1>legislation is fine, and it is inadequate. It is unsustainable.

0:21:55.760 --> 0:21:58.640
<v Speaker 1>It can't just be policy changed. It can't be policy changes. Look,

0:21:58.720 --> 0:22:01.919
<v Speaker 1>look we had to we had the Voting Rights Act, right,

0:22:02.200 --> 0:22:05.440
<v Speaker 1>Look a look at what we're doing right just yesterday,

0:22:05.920 --> 0:22:09.320
<v Speaker 1>trying to implement the voting Right from sixty You see

0:22:09.320 --> 0:22:12.240
<v Speaker 1>what I mean. What I believe is that as we

0:22:12.440 --> 0:22:15.879
<v Speaker 1>created at what I call a living embodied anti racist culture,

0:22:16.359 --> 0:22:20.120
<v Speaker 1>as we begin to do that, the emergence will will

0:22:20.320 --> 0:22:23.080
<v Speaker 1>will open up so much room and so much feel

0:22:23.119 --> 0:22:26.399
<v Speaker 1>and so much power that our politicians will either have

0:22:26.640 --> 0:22:29.520
<v Speaker 1>to comply or get the hell out of the way.

0:22:30.080 --> 0:22:33.000
<v Speaker 1>But because we haven't done that, because we because we

0:22:33.119 --> 0:22:37.600
<v Speaker 1>haven't worked our own pieces, they can keep skirting around

0:22:38.240 --> 0:22:40.200
<v Speaker 1>what they should be doing for us as a people.

0:22:40.440 --> 0:22:42.359
<v Speaker 1>One of the things I appreciate about what y'all do

0:22:42.520 --> 0:22:45.760
<v Speaker 1>here is that y'all pub people and do things for

0:22:46.000 --> 0:22:49.720
<v Speaker 1>people without expecting something back. And what that does is

0:22:49.800 --> 0:22:53.720
<v Speaker 1>creates a cultural glue, right, And so those pieces matter.

0:22:53.840 --> 0:22:56.680
<v Speaker 1>The more you do that, right, the more you develop

0:22:56.800 --> 0:23:03.080
<v Speaker 1>these structures of trust not transaction. And at the same time,

0:23:03.760 --> 0:23:07.639
<v Speaker 1>when stuff happens between us, right, I can hold it

0:23:07.760 --> 0:23:11.280
<v Speaker 1>with you and help you move communally through that trauma

0:23:11.359 --> 0:23:14.480
<v Speaker 1>if it's a trauma response, help you move through it

0:23:14.760 --> 0:23:18.560
<v Speaker 1>and not just cast you all. That's the pieces. So, yes,

0:23:19.200 --> 0:23:22.840
<v Speaker 1>legislation is fine. Anybody that's on a journey, journey of healing.

0:23:23.119 --> 0:23:26.280
<v Speaker 1>You gotta get my grandmother's hands. You have to racialize

0:23:26.320 --> 0:23:28.600
<v Speaker 1>trauma in the pathway to mending our hearts and bodies.

0:23:28.600 --> 0:23:31.879
<v Speaker 1>It's available everywhere you get books now, Resima, thank you,

0:23:32.040 --> 0:23:36.919
<v Speaker 1>my brother. It was an absolute pleasure man than it's

0:23:36.960 --> 0:23:40.640
<v Speaker 1>the Breakfast Club. The Breakfast Club, your mornings will never

0:23:40.880 --> 0:23:44.960
<v Speaker 1>be the same. Search Like Pictures presents the new film

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0:23:52.200 --> 0:23:56.040
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0:24:25.200 --> 0:24:30.400
<v Speaker 1>about it. Warning, everybody is DJ Envy, Angela Yee, Charlomagne

0:24:30.400 --> 0:24:32.400
<v Speaker 1>the guy. We are the Breakfast Club. And now ifew

0:24:32.440 --> 0:24:34.560
<v Speaker 1>just joined us, we're asking have you ever fell in

0:24:34.600 --> 0:24:37.000
<v Speaker 1>love with a stripper? A gentleman out in age town

0:24:37.119 --> 0:24:39.359
<v Speaker 1>lent the strip of two thousand dollars, a laptop and

0:24:39.600 --> 0:24:42.840
<v Speaker 1>some Harry Potter DVD's and he suited her because he

0:24:42.880 --> 0:24:45.160
<v Speaker 1>said they broke up. So we're asking, have you ever

0:24:45.240 --> 0:24:49.359
<v Speaker 1>fell in love with us stripper? Now? I frequently DJ

0:24:49.520 --> 0:24:52.200
<v Speaker 1>strip clubs all the time, and I remember one particular

0:24:52.280 --> 0:24:54.760
<v Speaker 1>time our camera guy up here. He was feeling sad,

0:24:54.800 --> 0:24:56.440
<v Speaker 1>so I took him out for his birthday, which one

0:24:57.160 --> 0:25:02.480
<v Speaker 1>nick now No, Steve, oh, Steve, okay. Set. I was

0:25:02.760 --> 0:25:05.320
<v Speaker 1>out of the club at about three o'clock. I said, Yo, Steve,

0:25:05.400 --> 0:25:06.800
<v Speaker 1>ready to go. He was like, nah, I'll think for

0:25:06.920 --> 0:25:09.080
<v Speaker 1>a little bit. It's like, Steve, you know nobody here.

0:25:09.119 --> 0:25:10.840
<v Speaker 1>He was like no, but you know the stripper is

0:25:10.840 --> 0:25:13.840
<v Speaker 1>feeling me. I said, no, she's not feeling she's not

0:25:14.000 --> 0:25:16.840
<v Speaker 1>feeling you, sir. She's feeling the money that you're throwing it.

0:25:16.920 --> 0:25:18.480
<v Speaker 1>He's like, no, no, no, I think we have a connection.

0:25:18.840 --> 0:25:20.800
<v Speaker 1>I said, well, hit me when you get home so

0:25:20.920 --> 0:25:23.159
<v Speaker 1>I know you made it home safe. Steve waited there

0:25:23.240 --> 0:25:25.600
<v Speaker 1>until about four twenty until she got out of work.

0:25:26.080 --> 0:25:28.040
<v Speaker 1>That's how much in love he was with that stripper.

0:25:28.400 --> 0:25:30.560
<v Speaker 1>What happened after that, I don't know, but he was

0:25:30.640 --> 0:25:32.879
<v Speaker 1>definitely in love. It's a scripper's job to give you

0:25:32.920 --> 0:25:38.440
<v Speaker 1>attention guys, it's a completely transactional relationship. Yes, you're throwing

0:25:38.520 --> 0:25:41.840
<v Speaker 1>your ones, she's dancing. That's what the Script club is for.

0:25:42.280 --> 0:25:45.160
<v Speaker 1>It's like literally going into a barbershop, paying the barber

0:25:45.240 --> 0:25:47.200
<v Speaker 1>to cut your hand and saying, yo, I think I

0:25:47.280 --> 0:25:50.200
<v Speaker 1>think he's feeling me. Yo, he's playing on my neck. No,

0:25:50.320 --> 0:25:54.480
<v Speaker 1>he's cutting your hair. Okay, it's the same thing with

0:25:54.680 --> 0:25:57.240
<v Speaker 1>a scripper. But but I will say this, and for

0:25:57.320 --> 0:25:59.520
<v Speaker 1>the strippers out there, when the stripper is dope dance

0:25:59.560 --> 0:26:03.239
<v Speaker 1>and they have conversations with their h Mark, I'll call them,

0:26:04.040 --> 0:26:06.440
<v Speaker 1>that's when it gets a little they're having conversations to

0:26:06.440 --> 0:26:08.720
<v Speaker 1>see if you got some goddamn money, to see if

0:26:08.720 --> 0:26:10.760
<v Speaker 1>they should be wasting their time with Your conversation makes

0:26:10.800 --> 0:26:13.240
<v Speaker 1>the mark feel special because he's like, Wow, you dance

0:26:13.280 --> 0:26:15.399
<v Speaker 1>for everybody, but you're sitting down talking to me. I

0:26:15.440 --> 0:26:17.239
<v Speaker 1>think like, that's why Scripple was a great hole. Drop

0:26:17.359 --> 0:26:18.960
<v Speaker 1>on the clues, bonds fall of scripts out there. That's

0:26:18.960 --> 0:26:21.239
<v Speaker 1>why they're amazing at what they do because they make

0:26:21.320 --> 0:26:23.880
<v Speaker 1>you feel special. They make you feel wanted, and that's

0:26:23.880 --> 0:26:25.399
<v Speaker 1>how you have to make somebody feel if you want

0:26:25.400 --> 0:26:28.680
<v Speaker 1>them to throw the money, salute to all the scripples. Man, Yeah,

0:26:28.720 --> 0:26:32.480
<v Speaker 1>you ever fell in love with stribble? I no, I

0:26:32.640 --> 0:26:35.120
<v Speaker 1>absolutely haven't. I have a lot of franzy with strippers,

0:26:35.440 --> 0:26:37.760
<v Speaker 1>of former strippers. I mean I never fell in love

0:26:37.840 --> 0:26:39.680
<v Speaker 1>with a scribble. I mean you know I've been I've

0:26:39.680 --> 0:26:42.200
<v Speaker 1>been fond of one in my day, okay, but never

0:26:42.280 --> 0:26:44.359
<v Speaker 1>fell in love. The first time you got was that

0:26:44.480 --> 0:26:47.520
<v Speaker 1>a strip club? Yeah? That was I was a kid though,

0:26:47.640 --> 0:26:49.600
<v Speaker 1>Like that wasn't even I wasn't even old enough to

0:26:49.600 --> 0:26:52.120
<v Speaker 1>be in the script club. I'll tell you this too.

0:26:52.680 --> 0:26:54.520
<v Speaker 1>We need to be asking this question about the bottle girls,

0:26:54.560 --> 0:26:59.640
<v Speaker 1>the bartenders. The bottom the generation might have definitely fell

0:26:59.720 --> 0:27:01.920
<v Speaker 1>in love with a couple of bartenders, a couple of

0:27:02.040 --> 0:27:05.320
<v Speaker 1>bottle girls before the scripples. Well, hello, who's this? Yes, hello,

0:27:05.480 --> 0:27:07.879
<v Speaker 1>this is showing showing. It sounds like you fell in

0:27:07.880 --> 0:27:10.360
<v Speaker 1>love with the ship or a bottle girl. Oh, don't

0:27:10.400 --> 0:27:12.560
<v Speaker 1>do anything like that. Yeah, I'm falling in love with

0:27:12.640 --> 0:27:15.960
<v Speaker 1>the Hooters girl. Back in the day, me and my

0:27:16.040 --> 0:27:17.640
<v Speaker 1>friends we used to go up there up in se

0:27:17.840 --> 0:27:21.920
<v Speaker 1>Kid and she was a beaune before brown skin for

0:27:21.960 --> 0:27:23.960
<v Speaker 1>a minute and I would tip for a lot and

0:27:24.119 --> 0:27:25.960
<v Speaker 1>I ended up she ended up for natural being to

0:27:26.040 --> 0:27:29.199
<v Speaker 1>pay for a car payment, damn. And then I remember

0:27:29.240 --> 0:27:31.879
<v Speaker 1>I would come into Hooters and at one point in

0:27:31.960 --> 0:27:33.920
<v Speaker 1>time she wouldn't giving me the energy or the love

0:27:34.000 --> 0:27:40.200
<v Speaker 1>that I thought I deserved. But yeah, yo, goddamn fragile ego,

0:27:40.320 --> 0:27:42.960
<v Speaker 1>she didn't give me the love I deserve. What the

0:27:43.080 --> 0:27:48.359
<v Speaker 1>hell you mean? Well, you know I was tipping her nicely, man, nicely? Ego, bro,

0:27:49.600 --> 0:27:53.680
<v Speaker 1>you leading with ego? Bro boy? Poor you? That's all ego? Hello,

0:27:53.760 --> 0:27:56.520
<v Speaker 1>who's this? Hey can here? We can hear you? What's

0:27:56.600 --> 0:27:58.159
<v Speaker 1>up about? You? Would love? You fell in love with

0:27:58.200 --> 0:28:02.639
<v Speaker 1>a stripper? And it was sir lemain and yeah, man, like,

0:28:02.760 --> 0:28:04.440
<v Speaker 1>how y'all doing? Man? I want you to know I

0:28:04.480 --> 0:28:07.159
<v Speaker 1>definitely appreciate, appreciate what y'all do. What you got going on? Man?

0:28:07.359 --> 0:28:09.359
<v Speaker 1>What's up? Brother? Then I fell in love with a

0:28:09.400 --> 0:28:11.440
<v Speaker 1>stripper man back in my high school day. And can't

0:28:11.480 --> 0:28:14.320
<v Speaker 1>hear them? Yeah, sir, tell us all about it? Yeah? Yeah,

0:28:14.359 --> 0:28:17.159
<v Speaker 1>her name was Essence. Man. I'm still I'm still in

0:28:17.240 --> 0:28:20.880
<v Speaker 1>love with her. How long has it been, sir, yestre together?

0:28:21.400 --> 0:28:23.440
<v Speaker 1>It's been about a good five six years. Man. The

0:28:23.520 --> 0:28:27.679
<v Speaker 1>girl she has a fat, foody man body shape to tattoos.

0:28:27.720 --> 0:28:30.159
<v Speaker 1>She I mean she looked good. She looked Hello, good man.

0:28:30.680 --> 0:28:32.640
<v Speaker 1>I just I ain't been to the strip plus since

0:28:32.720 --> 0:28:34.720
<v Speaker 1>every time I go. Honestly, I fell in love with

0:28:34.760 --> 0:28:36.399
<v Speaker 1>strippers every time I go. So I just got to

0:28:36.400 --> 0:28:40.360
<v Speaker 1>stay away from him for real. Hello, who's this nick?

0:28:40.400 --> 0:28:42.160
<v Speaker 1>You fell in love with the strip of bro? Yeah,

0:28:42.200 --> 0:28:44.520
<v Speaker 1>but I think I'm a lott one war maryl what's

0:28:44.560 --> 0:28:48.440
<v Speaker 1>her name? As a baby? This a Marril flaws. Y'all

0:28:48.480 --> 0:28:52.640
<v Speaker 1>start playing with me. Lord. Have you tried to highlight

0:28:52.760 --> 0:28:56.120
<v Speaker 1>her outside of office hour? With her when she's not working? Yeah,

0:28:56.400 --> 0:28:59.200
<v Speaker 1>I mean, we're not got to Instagram or whatever. I'm

0:28:59.240 --> 0:29:02.160
<v Speaker 1>talking to her. You know, we talked a little bit,

0:29:02.240 --> 0:29:04.080
<v Speaker 1>but it's a hard to get her out of the club. Man.

0:29:05.040 --> 0:29:07.000
<v Speaker 1>A lot of money in the club on her. Oh

0:29:07.760 --> 0:29:10.800
<v Speaker 1>I fent a decent amount, but I think would have connected.

0:29:10.920 --> 0:29:16.080
<v Speaker 1>Came out on the podcast. She came on your podcast. Yeah, yeah,

0:29:16.120 --> 0:29:19.480
<v Speaker 1>you know the podcast. She came on two different episodes,

0:29:19.480 --> 0:29:21.960
<v Speaker 1>but she called Stripersole. So we had her and a

0:29:22.000 --> 0:29:24.440
<v Speaker 1>couple other people. But you know, just getting the sender

0:29:24.560 --> 0:29:27.000
<v Speaker 1>interviewer and talk to her, I'm like, I don't think

0:29:27.040 --> 0:29:29.200
<v Speaker 1>I want a girl. So won't you tell her? Won't

0:29:29.200 --> 0:29:30.200
<v Speaker 1>you be like y'all gonna be honest with you. I

0:29:30.320 --> 0:29:33.360
<v Speaker 1>really like you. You know what I'm saying. Maybe you can,

0:29:33.480 --> 0:29:36.600
<v Speaker 1>maybe you can offset her her her lifestyle. You got

0:29:36.720 --> 0:29:40.200
<v Speaker 1>enough money to offset her lifestyle. I make a decent amount.

0:29:40.440 --> 0:29:42.840
<v Speaker 1>But I think you know, see, she get a lot

0:29:42.880 --> 0:29:45.520
<v Speaker 1>of money already. For the money ain't gonna get her.

0:29:45.960 --> 0:29:50.600
<v Speaker 1>You know. So life, show a love, show a real love,

0:29:50.800 --> 0:29:53.640
<v Speaker 1>like like like court her. You know what I'm saying,

0:29:53.800 --> 0:29:55.480
<v Speaker 1>like like treat her the way you would want like

0:29:55.800 --> 0:29:58.240
<v Speaker 1>somebody to treat your daughter. You would want your father

0:29:58.320 --> 0:30:00.680
<v Speaker 1>to treat your mom like you. Show some real love.

0:30:00.880 --> 0:30:05.360
<v Speaker 1>Good luck? Man? Why not? Why not? Hello? Who's dance?

0:30:05.800 --> 0:30:09.320
<v Speaker 1>What this? Prince German? Chris? What up? Man? You fell

0:30:09.360 --> 0:30:11.760
<v Speaker 1>in love with the strip of bro Oh yeah, gonna

0:30:12.040 --> 0:30:15.000
<v Speaker 1>Miss Melfid's man? Oh my gosh, she blew my mind.

0:30:15.360 --> 0:30:17.080
<v Speaker 1>She gave you a lap dance and blew your mind

0:30:17.120 --> 0:30:19.800
<v Speaker 1>and your love. What's your name? Miss Melford's man? So

0:30:19.920 --> 0:30:22.960
<v Speaker 1>I got the lap dance, and I got a number

0:30:23.000 --> 0:30:25.000
<v Speaker 1>and all that, and I hooked the bull again, and

0:30:25.120 --> 0:30:27.000
<v Speaker 1>that the second time my hostel put up. When I

0:30:27.040 --> 0:30:28.640
<v Speaker 1>went to the Gas season, I got all kind of

0:30:28.680 --> 0:30:31.920
<v Speaker 1>pills and still man, I couldn't even finish I was.

0:30:32.360 --> 0:30:33.800
<v Speaker 1>I got my money for it. I take you that

0:30:34.320 --> 0:30:41.520
<v Speaker 1>damn you got. All right, man, man, have mercy on

0:30:41.720 --> 0:30:44.760
<v Speaker 1>my poor soul. What's that? Man? The story? I mean,

0:30:44.880 --> 0:30:46.720
<v Speaker 1>there is no more to the story, y'all. Brother, just

0:30:46.800 --> 0:30:49.120
<v Speaker 1>gotta stop letting y'all ego lead man, because some of

0:30:49.200 --> 0:30:51.800
<v Speaker 1>y'all ego be making y'all believed things that don't exist,

0:30:51.920 --> 0:30:55.960
<v Speaker 1>like y'all relationships with these scripples. All right, all, oh,

0:30:56.120 --> 0:30:59.800
<v Speaker 1>scripple old you is a dance. That's it. And that's

0:30:59.840 --> 0:31:02.680
<v Speaker 1>only because the relationship is transactional. You paid for the service,

0:31:02.960 --> 0:31:05.560
<v Speaker 1>she provided that service. That's that. Y'all get to know

0:31:05.640 --> 0:31:08.200
<v Speaker 1>each other outside of that, and you know, something happens

0:31:08.640 --> 0:31:13.720
<v Speaker 1>great other than that. Goddamn tippic keeping moving, No, allright,

0:31:13.760 --> 0:31:15.240
<v Speaker 1>we got more, don't move. It's the best of the

0:31:15.280 --> 0:31:22.040
<v Speaker 1>Breakfast Club. The Breakfast Club, The Breakfast Club. Your morning's

0:31:22.080 --> 0:31:28.400
<v Speaker 1>will never be the same morning. Everybody's DJ Envy Angela Yee, Charlemagne,

0:31:28.440 --> 0:31:30.520
<v Speaker 1>the god we all the Breakfast Club. We got a

0:31:30.560 --> 0:31:32.880
<v Speaker 1>special guest in the building. Yes, indeed, the first time

0:31:32.960 --> 0:31:35.320
<v Speaker 1>on the show. And yeah, she's never been up there,

0:31:35.800 --> 0:31:41.920
<v Speaker 1>you'd be busy. Seriously, Yes, Alicia, Keys's happening. Everything is everything,

0:31:42.080 --> 0:31:44.000
<v Speaker 1>just trying to feel like I've never been in this

0:31:44.360 --> 0:31:47.320
<v Speaker 1>room with y'all think, so, yeah, here we go. It's

0:31:47.360 --> 0:31:49.400
<v Speaker 1>pretty disgusting in here if you look around? Is it

0:31:49.920 --> 0:31:53.120
<v Speaker 1>you prefer not to be in on? It's beautiful? This

0:31:53.200 --> 0:31:55.280
<v Speaker 1>is your space writes the essence to it, you know

0:31:55.320 --> 0:31:58.320
<v Speaker 1>what I mean? The first time doing a double album,

0:31:58.560 --> 0:32:01.800
<v Speaker 1>it is my first time. You got a lot of music.

0:32:02.160 --> 0:32:04.400
<v Speaker 1>It's a lot so much you just have so much music,

0:32:04.560 --> 0:32:06.920
<v Speaker 1>or during the pandemic, you like, I just feel like working.

0:32:07.280 --> 0:32:10.000
<v Speaker 1>It's originals and unlocked, so yeah, it's definitely you know,

0:32:10.120 --> 0:32:12.280
<v Speaker 1>really it's a lot of the songs are the same

0:32:12.360 --> 0:32:14.600
<v Speaker 1>because the one side is original, so that's like more

0:32:14.640 --> 0:32:17.880
<v Speaker 1>stripped down piano vibe. The other side Mike Will and

0:32:18.000 --> 0:32:21.240
<v Speaker 1>I sampled the original, so it's really two perspectives of

0:32:21.360 --> 0:32:22.960
<v Speaker 1>the same song. So if you really break it down,

0:32:23.000 --> 0:32:25.960
<v Speaker 1>it's probably like fourteen joints times. Oh that's why I

0:32:25.960 --> 0:32:29.719
<v Speaker 1>said unlock some of the tracks. Usually you don't work

0:32:29.760 --> 0:32:32.400
<v Speaker 1>with just one producer like you did with Mike Will

0:32:32.520 --> 0:32:34.880
<v Speaker 1>on the Unlocked version. How is that process now it

0:32:35.000 --> 0:32:37.520
<v Speaker 1>was great. I mean, you know, you know, to just

0:32:37.680 --> 0:32:39.480
<v Speaker 1>kind of bring it back down to the basics. I

0:32:39.560 --> 0:32:42.120
<v Speaker 1>think at the beginning, I always it was just mostly

0:32:42.240 --> 0:32:44.560
<v Speaker 1>me and at the time I had my partner crucial

0:32:44.640 --> 0:32:47.960
<v Speaker 1>that we always worked together. But after that I started

0:32:48.000 --> 0:32:50.920
<v Speaker 1>to explore more different collaborations. So coming back to the

0:32:51.000 --> 0:32:53.960
<v Speaker 1>basics of just like being just me on the originals

0:32:54.000 --> 0:32:56.520
<v Speaker 1>and then just me and Mike unlocked it it's just

0:32:56.680 --> 0:32:59.280
<v Speaker 1>it's it's it's fluid, just feels kind of easy and

0:32:59.400 --> 0:33:02.120
<v Speaker 1>it flows, especially for now. Obviously we're not all getting

0:33:02.160 --> 0:33:04.360
<v Speaker 1>with a thousand people right now. It's about keeping the

0:33:04.440 --> 0:33:07.280
<v Speaker 1>circle tight. First of all, how are you? I don't

0:33:07.320 --> 0:33:09.160
<v Speaker 1>think we said that. How are you? How are you?

0:33:09.480 --> 0:33:12.600
<v Speaker 1>How's your energy? Thank you? My energy is amazing. I

0:33:12.720 --> 0:33:15.480
<v Speaker 1>was actually gonna ask you, how the hell are y'all good?

0:33:15.560 --> 0:33:17.480
<v Speaker 1>I'm good. I appreciate you. It's a good time of

0:33:17.520 --> 0:33:21.160
<v Speaker 1>the year now, holidays. I feel beat. I know it's

0:33:21.200 --> 0:33:23.800
<v Speaker 1>a it's a weird time still though last year was

0:33:23.920 --> 0:33:26.200
<v Speaker 1>really weird. This year is still a little weird. But

0:33:26.720 --> 0:33:29.040
<v Speaker 1>you got new music out and the best time I

0:33:29.120 --> 0:33:31.320
<v Speaker 1>feel like to drop music. It's keys miss That's what

0:33:31.400 --> 0:33:35.040
<v Speaker 1>I'm calling that Keiths miss. That chain is nuts. Thank you?

0:33:35.280 --> 0:33:44.640
<v Speaker 1>Where my tests beautiful? That it's so hip hop and soul,

0:33:45.120 --> 0:33:48.360
<v Speaker 1>that's dopey. I figure everybody else bring out their chains. Actually, Swizzy,

0:33:48.600 --> 0:33:51.960
<v Speaker 1>he gave me this for his birthday. His birthday, he

0:33:52.080 --> 0:33:54.600
<v Speaker 1>gave me this. I thought that was kind of fire.

0:33:54.880 --> 0:33:57.440
<v Speaker 1>So what you know, we've been seeing you now doing

0:33:57.600 --> 0:33:59.960
<v Speaker 1>doing more and more interviews, More and more people are

0:34:00.080 --> 0:34:04.760
<v Speaker 1>starting to know who Alicia Keys really is. We really

0:34:04.840 --> 0:34:07.800
<v Speaker 1>didn't know, like you did do what what? What what?

0:34:07.960 --> 0:34:09.680
<v Speaker 1>And then it just Keys took off and then we

0:34:09.760 --> 0:34:12.440
<v Speaker 1>really didn't see you know what type of keys? This

0:34:12.560 --> 0:34:15.160
<v Speaker 1>part of Keys? I think you right, And I guess

0:34:15.239 --> 0:34:17.840
<v Speaker 1>I didn't ever realize it because I live with myself,

0:34:17.960 --> 0:34:19.560
<v Speaker 1>so I know who I am, and I know how

0:34:19.640 --> 0:34:21.000
<v Speaker 1>I feel, and I know what I do, and I

0:34:21.080 --> 0:34:23.160
<v Speaker 1>know how vibe and all of my friends and people

0:34:23.200 --> 0:34:25.480
<v Speaker 1>that rock with me, they know me. So I guess

0:34:25.520 --> 0:34:27.920
<v Speaker 1>I didn't. And every time I come to an interviewer,

0:34:27.960 --> 0:34:30.480
<v Speaker 1>I come to a thing, I'm always the same person.

0:34:30.600 --> 0:34:33.919
<v Speaker 1>You can't say like I'm acting differently. But I guess

0:34:33.960 --> 0:34:37.040
<v Speaker 1>I just never realized that you people didn't actually get

0:34:37.120 --> 0:34:40.400
<v Speaker 1>to connect with me. I think because of maybe the

0:34:40.600 --> 0:34:43.480
<v Speaker 1>type of interviews they were, so it didn't allow us

0:34:43.520 --> 0:34:47.439
<v Speaker 1>to like get into the zone the way that maybe

0:34:47.480 --> 0:34:50.080
<v Speaker 1>some of these ones more recently have felt. Who is

0:34:50.120 --> 0:34:53.120
<v Speaker 1>Alicia Keys in twenty twenty one, We're going into twenty twenty?

0:34:53.200 --> 0:34:57.280
<v Speaker 1>Who are you now? Who had twenty twenty two? It's crazy?

0:34:58.200 --> 0:34:59.640
<v Speaker 1>Um Man, you know, I'm a lot of the same

0:34:59.680 --> 0:35:03.640
<v Speaker 1>person and that I've always been. I'm definitely I'm definitely

0:35:03.800 --> 0:35:07.960
<v Speaker 1>that same kind of empathetic, relatable, boots on the ground

0:35:08.080 --> 0:35:11.200
<v Speaker 1>type of girl woman. Um But I definitely have a

0:35:11.280 --> 0:35:14.600
<v Speaker 1>lot more wisdom. I have a lot more confidence. I

0:35:14.640 --> 0:35:16.960
<v Speaker 1>have a lot more understanding of just just what's real

0:35:17.040 --> 0:35:19.279
<v Speaker 1>and what's fake. I think sometimes this you know, this

0:35:19.440 --> 0:35:22.560
<v Speaker 1>world is game. This industry can really be confusing, you know,

0:35:22.680 --> 0:35:25.200
<v Speaker 1>you know, you get confused about what's actual and what's not.

0:35:25.840 --> 0:35:29.000
<v Speaker 1>So um So anyway, but just like having an amazing

0:35:29.080 --> 0:35:32.960
<v Speaker 1>time I'm on my music. Fully, I'm better than ever

0:35:33.200 --> 0:35:35.719
<v Speaker 1>on that on that side, and I just feel like

0:35:35.800 --> 0:35:38.880
<v Speaker 1>I'm just a person who is really clear about who

0:35:38.960 --> 0:35:40.560
<v Speaker 1>I am and what I want and where I'm going.

0:35:40.760 --> 0:35:43.719
<v Speaker 1>Do your kids understand they have famous parents. They're so

0:35:43.880 --> 0:35:48.400
<v Speaker 1>mad they'd be like you gotta go again, you have

0:35:48.520 --> 0:35:50.839
<v Speaker 1>to go again, and they always try to guilt chip

0:35:50.960 --> 0:35:53.719
<v Speaker 1>me extra like, but I'm gonna be right back every

0:35:53.760 --> 0:35:55.880
<v Speaker 1>time I go, I come back and you can perform

0:35:55.960 --> 0:35:58.640
<v Speaker 1>with me. Yeah, they're starting to like that. I'm noticing

0:35:59.480 --> 0:36:02.080
<v Speaker 1>my younger genesis. He's very, very shy. He is the boss,

0:36:02.719 --> 0:36:04.560
<v Speaker 1>and he don't play no games. He don't like you.

0:36:04.680 --> 0:36:07.040
<v Speaker 1>He's like, no, he don't care what He's not trying

0:36:07.120 --> 0:36:11.279
<v Speaker 1>to do it be like nice to anybody. But he's

0:36:11.280 --> 0:36:13.319
<v Speaker 1>starting to like being on the stage a little bit,

0:36:13.360 --> 0:36:16.440
<v Speaker 1>which is a shocker because he's super shy. The other

0:36:16.520 --> 0:36:18.560
<v Speaker 1>day he was like, Mommy, why he didn't call me

0:36:18.640 --> 0:36:22.040
<v Speaker 1>on stage. I was like, uh, I try to play

0:36:22.080 --> 0:36:25.680
<v Speaker 1>you like you want to go off there? Yes, so

0:36:26.239 --> 0:36:29.160
<v Speaker 1>anyway that yeah, they do like that now. I remember

0:36:29.360 --> 0:36:32.240
<v Speaker 1>back in the day, there were some things about management,

0:36:32.400 --> 0:36:34.880
<v Speaker 1>right that people were talking about and speculating on when

0:36:34.920 --> 0:36:36.479
<v Speaker 1>you had first on a deal because you got signed

0:36:36.480 --> 0:36:40.279
<v Speaker 1>at an early early age, right fourteen, And then I

0:36:40.360 --> 0:36:42.360
<v Speaker 1>remember hearing that like they were charging you like some

0:36:42.520 --> 0:36:44.960
<v Speaker 1>crazy percentage and then you had to get rid of management.

0:36:45.000 --> 0:36:50.000
<v Speaker 1>What was the real story behind that? Really? Um? You know,

0:36:50.080 --> 0:36:52.080
<v Speaker 1>I was really with the same management for a really

0:36:52.160 --> 0:36:55.200
<v Speaker 1>a long time, and I don't think that it was

0:36:55.280 --> 0:36:57.920
<v Speaker 1>like some crazy percentage. To be honest, the commissions in

0:36:58.000 --> 0:37:00.960
<v Speaker 1>the business is just you know, it's like they're too high.

0:37:01.160 --> 0:37:03.480
<v Speaker 1>And then you have a management commission, you have a

0:37:03.520 --> 0:37:05.840
<v Speaker 1>business management commission, you have a lawyer commission, and you

0:37:05.880 --> 0:37:07.920
<v Speaker 1>add all those commissions up and you end up with

0:37:08.520 --> 0:37:10.880
<v Speaker 1>less than all of them. But you know what I mean.

0:37:11.000 --> 0:37:13.080
<v Speaker 1>So I think that it's not that they were doing

0:37:13.200 --> 0:37:16.840
<v Speaker 1>something that wasn't standard. The problem is that industry standard

0:37:17.080 --> 0:37:19.759
<v Speaker 1>is incorrect and so as a young person you don't

0:37:19.800 --> 0:37:22.239
<v Speaker 1>really know those things, and so you just do what

0:37:22.480 --> 0:37:24.560
<v Speaker 1>you think you're supposed to do. And then finally five

0:37:24.640 --> 0:37:26.440
<v Speaker 1>years down the line, when I was looking at my

0:37:26.520 --> 0:37:29.120
<v Speaker 1>bottom line and my you know, management, business managers and

0:37:29.200 --> 0:37:30.920
<v Speaker 1>lawyers were coming back with more money and I was

0:37:30.960 --> 0:37:34.160
<v Speaker 1>on the road for two years straight, I was like, oh,

0:37:34.840 --> 0:37:37.200
<v Speaker 1>what's happening. So again, it's just an education process. I

0:37:37.200 --> 0:37:40.279
<v Speaker 1>don't think it was like some major drama or thing

0:37:40.360 --> 0:37:42.200
<v Speaker 1>that they were like stealing from me. It was more

0:37:42.280 --> 0:37:45.560
<v Speaker 1>that this is what it usually is, and did you

0:37:45.719 --> 0:37:47.920
<v Speaker 1>manage that? How do you adjust that? You just got

0:37:48.000 --> 0:37:50.520
<v Speaker 1>to tell you I'm not paying you that. Yeah, Like

0:37:50.600 --> 0:37:52.719
<v Speaker 1>I'm like, that's not happening. I get it that that's

0:37:52.920 --> 0:37:54.680
<v Speaker 1>what the standard is. But what has to happen for

0:37:54.760 --> 0:37:56.680
<v Speaker 1>me is I need to have a long term you know,

0:37:56.719 --> 0:37:58.239
<v Speaker 1>I need to be able to This needs to be

0:37:58.280 --> 0:38:00.279
<v Speaker 1>a long term thing for me, not a short term thing.

0:38:00.400 --> 0:38:02.960
<v Speaker 1>So you reapproached them and you say, I'm comfortable doing this.

0:38:03.120 --> 0:38:04.839
<v Speaker 1>I won't do I want to do hourly. I don't

0:38:04.840 --> 0:38:06.840
<v Speaker 1>want to do percentages. I want to monitor it, I

0:38:06.960 --> 0:38:07.960
<v Speaker 1>want to see it. And you just got to get

0:38:08.000 --> 0:38:09.840
<v Speaker 1>on top of your So once I figured out what

0:38:09.960 --> 0:38:12.799
<v Speaker 1>to do, I could actually execute it. But at first

0:38:12.800 --> 0:38:15.400
<v Speaker 1>you're in there like what it might do? You know?

0:38:15.520 --> 0:38:17.520
<v Speaker 1>So once I got past that, that's all. I think.

0:38:17.560 --> 0:38:19.399
<v Speaker 1>It was just that to clear it up. It never

0:38:19.480 --> 0:38:22.840
<v Speaker 1>see it never seemed like you had trouble gaining creative

0:38:22.920 --> 0:38:26.440
<v Speaker 1>control and freedom throughout your whole career. Even in the

0:38:26.480 --> 0:38:28.759
<v Speaker 1>early days. They let you just do you. I have

0:38:28.880 --> 0:38:31.880
<v Speaker 1>to say they definitely always I always had control of

0:38:32.239 --> 0:38:34.799
<v Speaker 1>my music for sure, and I do think my first

0:38:34.840 --> 0:38:37.400
<v Speaker 1>management was really instrumental on that. They were really about

0:38:37.480 --> 0:38:39.440
<v Speaker 1>like me being at the head of my table, so

0:38:39.560 --> 0:38:41.680
<v Speaker 1>they knew that I was playing. They knew I was producing,

0:38:41.760 --> 0:38:44.320
<v Speaker 1>they knew I was writing, they knew this was my sognic,

0:38:44.440 --> 0:38:46.960
<v Speaker 1>my sound, and it was really about like how to

0:38:47.120 --> 0:38:49.160
<v Speaker 1>get the best out of it. And we tried at

0:38:49.160 --> 0:38:50.719
<v Speaker 1>the beginning, we tried to do like all of the

0:38:50.800 --> 0:38:52.759
<v Speaker 1>things where all the other producers do the thing. It

0:38:52.840 --> 0:38:55.080
<v Speaker 1>just didn't work because it didn't sound like me. It

0:38:55.160 --> 0:38:57.960
<v Speaker 1>wasn't New York enough, it wasn't like the vibe enough.

0:38:58.000 --> 0:39:00.640
<v Speaker 1>So I think it definitely. I think it definitely. I've

0:39:00.640 --> 0:39:02.400
<v Speaker 1>always had control of my sound. That's one thing I

0:39:02.440 --> 0:39:04.440
<v Speaker 1>really appreciate it. It was in marketing and promotions that

0:39:04.560 --> 0:39:07.160
<v Speaker 1>in your first deal they couldn't get a grasp on,

0:39:07.280 --> 0:39:10.600
<v Speaker 1>you think, because clearly you blew up after that first deal,

0:39:11.239 --> 0:39:14.399
<v Speaker 1>so you think the very first the very first deal,

0:39:14.800 --> 0:39:20.520
<v Speaker 1>they just was corny, right, But you know, I think

0:39:20.520 --> 0:39:22.880
<v Speaker 1>it just wasn't the right place for me. You know,

0:39:23.440 --> 0:39:26.640
<v Speaker 1>now that I know and I believe in divine timing,

0:39:26.760 --> 0:39:28.600
<v Speaker 1>you know, you realize that it just wasn't right. So

0:39:28.719 --> 0:39:30.160
<v Speaker 1>I was I had to move out of there so

0:39:30.239 --> 0:39:31.840
<v Speaker 1>that I could move on to the next thing. So

0:39:31.920 --> 0:39:34.920
<v Speaker 1>I'm actually grateful that they were corny and didn't understand

0:39:35.480 --> 0:39:39.360
<v Speaker 1>what I was doing because then um, I could move on.

0:39:39.880 --> 0:39:41.600
<v Speaker 1>All right. We got mored with Alicia Keys. When we

0:39:41.719 --> 0:39:43.840
<v Speaker 1>come back, don't move It's to Breakfast Club. Good morning

0:39:44.680 --> 0:39:48.799
<v Speaker 1>morning everybody A CJ Envy, Angela Yee, Charlomagne, the guy

0:39:48.880 --> 0:39:50.480
<v Speaker 1>we are the Breakfast Club was still kicking it with

0:39:50.520 --> 0:39:53.120
<v Speaker 1>Alicia Keys. It's crazy, is this is the Alicia Keys that?

0:39:53.200 --> 0:39:55.560
<v Speaker 1>I don't think everybody ever seen it in their life,

0:39:55.800 --> 0:39:57.400
<v Speaker 1>you know. I mean just when I'm hearing you on

0:39:58.160 --> 0:40:01.520
<v Speaker 1>drink Champs. Oh, she's a just the cockiness, just how

0:40:01.560 --> 0:40:03.880
<v Speaker 1>you feel, just the authentic. But we never got a

0:40:03.960 --> 0:40:06.000
<v Speaker 1>chance to hear you speak. And I think it's a

0:40:06.040 --> 0:40:08.560
<v Speaker 1>different side, you know, because we loved the music, but

0:40:08.680 --> 0:40:10.400
<v Speaker 1>we didn't know eight Keys, right, you know what I mean?

0:40:10.480 --> 0:40:13.120
<v Speaker 1>But now it's like New Yorker. She was punch you

0:40:13.120 --> 0:40:15.000
<v Speaker 1>in your face, like this is that that vibe which

0:40:15.040 --> 0:40:17.160
<v Speaker 1>I loved? I was gonna ask at twelve, what got

0:40:17.200 --> 0:40:21.040
<v Speaker 1>you into singing and playing the piano and being a musician?

0:40:21.080 --> 0:40:24.120
<v Speaker 1>At twelve, coming from New York City Hell's kitchen, Everybody's

0:40:24.200 --> 0:40:26.520
<v Speaker 1>running around outside? What got you say? No, this is

0:40:26.600 --> 0:40:29.320
<v Speaker 1>what I want to do. I don't know what always

0:40:29.360 --> 0:40:31.360
<v Speaker 1>attracted me to the piano. It was almost like a

0:40:31.480 --> 0:40:33.440
<v Speaker 1>calling kind of. I think, I just I don't even

0:40:33.520 --> 0:40:36.960
<v Speaker 1>know nobody. I really nobody had no played. My grandmother played,

0:40:37.000 --> 0:40:38.680
<v Speaker 1>but I barely saw her because she lived in like

0:40:38.760 --> 0:40:41.759
<v Speaker 1>a whole other place. Um, so I didn't There wasn't

0:40:41.840 --> 0:40:44.239
<v Speaker 1>somebody that was around me that kind of led me there.

0:40:44.320 --> 0:40:46.880
<v Speaker 1>So I think it was a calling on the piano side.

0:40:47.120 --> 0:40:49.160
<v Speaker 1>And then once I got a chance to have have

0:40:49.320 --> 0:40:51.120
<v Speaker 1>access to one, because it's like who has a piano?

0:40:51.320 --> 0:40:53.880
<v Speaker 1>Like that's that's the world we don't use because we

0:40:53.960 --> 0:40:56.000
<v Speaker 1>don't have them record, you know what I mean? So

0:40:56.560 --> 0:40:58.600
<v Speaker 1>so I think, you know, oh, that's what it was.

0:40:58.680 --> 0:41:01.840
<v Speaker 1>I got. Um there was like a a strange gift

0:41:02.000 --> 0:41:04.279
<v Speaker 1>that was a person kind of was moving and they

0:41:04.280 --> 0:41:06.240
<v Speaker 1>didn't know what to do with this kind of piano

0:41:06.280 --> 0:41:07.960
<v Speaker 1>they had in their family or whatever, and they said

0:41:08.280 --> 0:41:09.759
<v Speaker 1>like could you use it? So it was one of

0:41:09.800 --> 0:41:13.359
<v Speaker 1>those weird things that would never happen ever and did.

0:41:13.680 --> 0:41:15.319
<v Speaker 1>And so I think that was kind of the door

0:41:15.440 --> 0:41:16.759
<v Speaker 1>that opened it up, right? And how did you get

0:41:16.760 --> 0:41:19.080
<v Speaker 1>into the Industrycause they said your mother was a paralegal,

0:41:19.800 --> 0:41:21.840
<v Speaker 1>so how did you How did m know about the

0:41:21.960 --> 0:41:24.719
<v Speaker 1>music industry. She did, like, how did the family know

0:41:24.800 --> 0:41:27.880
<v Speaker 1>about getting you a deal? Like how she did it.

0:41:27.960 --> 0:41:30.680
<v Speaker 1>I wasn't raised by my father, so my mother definitely

0:41:31.200 --> 0:41:34.640
<v Speaker 1>was both for me and she she didn't know. She

0:41:34.840 --> 0:41:38.600
<v Speaker 1>didn't know. Um, we happened to stumble on we were

0:41:38.640 --> 0:41:41.600
<v Speaker 1>at the pl doing all of these uh kind of

0:41:42.120 --> 0:41:44.760
<v Speaker 1>we were putting together a group and rehearsing at PL

0:41:44.840 --> 0:41:47.680
<v Speaker 1>on a hundred thirty seventh like every day after school,

0:41:48.000 --> 0:41:51.000
<v Speaker 1>and so, um, she didn't know anything. These guys kind

0:41:51.040 --> 0:41:52.480
<v Speaker 1>of were like, hey, we you know, we think your

0:41:52.560 --> 0:41:54.120
<v Speaker 1>daughter can do some stuff, and this is what we

0:41:54.160 --> 0:41:56.000
<v Speaker 1>could do. And I remember they be in our little apartment.

0:41:56.120 --> 0:41:58.480
<v Speaker 1>In our apartment was like tiny and they were kind

0:41:58.480 --> 0:42:00.160
<v Speaker 1>of big. They'd just be sitting there taking up all

0:42:00.200 --> 0:42:02.160
<v Speaker 1>the space. And I think she just I think she

0:42:02.280 --> 0:42:04.600
<v Speaker 1>probably felt really distrustful. I think she just had to

0:42:05.080 --> 0:42:07.279
<v Speaker 1>she decided to kind of go with it. But I

0:42:07.320 --> 0:42:11.320
<v Speaker 1>don't think she knew anything. Now. On the first record

0:42:11.360 --> 0:42:19.080
<v Speaker 1>on the album sample Truth, Yes, I love push Man.

0:42:19.320 --> 0:42:21.880
<v Speaker 1>I just felt like he has such an energy a zone.

0:42:22.600 --> 0:42:25.360
<v Speaker 1>Um you know, I love how he flows. It feels

0:42:25.400 --> 0:42:29.200
<v Speaker 1>like he just zooms right into the truth and paint

0:42:29.280 --> 0:42:32.080
<v Speaker 1>you a picture that voice is so like you just

0:42:32.160 --> 0:42:34.120
<v Speaker 1>feel like you're right there with him everywhere. It's a

0:42:34.239 --> 0:42:36.520
<v Speaker 1>movie to me every time that he rhymes. So I

0:42:36.600 --> 0:42:38.600
<v Speaker 1>can't believe I never worked with him before. I've always

0:42:38.600 --> 0:42:42.400
<v Speaker 1>admired him and that that temple of the Truth and

0:42:42.719 --> 0:42:45.160
<v Speaker 1>the song that I wrote it is called Plentiful. It

0:42:45.360 --> 0:42:48.560
<v Speaker 1>feels like his lane right there. So it was perfect.

0:42:48.680 --> 0:42:51.160
<v Speaker 1>Why that sample, because that sample is just so so good.

0:42:51.239 --> 0:42:54.399
<v Speaker 1>Can I don't feel like anybody used that. I don't

0:42:54.400 --> 0:42:56.919
<v Speaker 1>know how that woman under the radar and I didn't

0:42:56.920 --> 0:43:00.600
<v Speaker 1>even realize that that Yay producing. I didn't really realize that.

0:43:00.680 --> 0:43:03.000
<v Speaker 1>So obviously, Yeah and I have history in regards to

0:43:03.120 --> 0:43:05.040
<v Speaker 1>music we've made, so it was kind of fresh to

0:43:05.200 --> 0:43:08.320
<v Speaker 1>come back there, not only with Yay, but obviously with

0:43:08.440 --> 0:43:11.160
<v Speaker 1>the Truth Beanie Big love to Beanie and then push it.

0:43:11.280 --> 0:43:12.840
<v Speaker 1>But it felt, you know, it's all about keys. This

0:43:12.960 --> 0:43:15.680
<v Speaker 1>record is all about keys and those that organ and

0:43:15.760 --> 0:43:17.320
<v Speaker 1>the way that I put the keys on top of it,

0:43:17.680 --> 0:43:20.320
<v Speaker 1>it felt like it had this urgency and this darkness

0:43:20.440 --> 0:43:23.000
<v Speaker 1>that and I like how the vocals I chose were

0:43:23.080 --> 0:43:26.279
<v Speaker 1>like a jazzy zone, So I liked this mixture of world.

0:43:26.360 --> 0:43:28.439
<v Speaker 1>It felt like it was a nice way to lure

0:43:28.480 --> 0:43:30.279
<v Speaker 1>you into the world. I didn't know you did you

0:43:30.320 --> 0:43:32.200
<v Speaker 1>don't know my name? What? I don't know why. I

0:43:32.280 --> 0:43:35.879
<v Speaker 1>never thought now that I feel you like I didn't

0:43:35.920 --> 0:43:37.759
<v Speaker 1>know it did the truth? Did you know he did

0:43:37.840 --> 0:43:40.320
<v Speaker 1>the truth? I did when I tried to sample it,

0:43:40.440 --> 0:43:42.400
<v Speaker 1>I tried. I tried to sample it to use for

0:43:42.480 --> 0:43:48.680
<v Speaker 1>a commercial from my team. I hey, now that's fire. Also,

0:43:48.719 --> 0:43:50.840
<v Speaker 1>they said you would do another verses You're open to

0:43:50.960 --> 0:43:55.719
<v Speaker 1>it another versus another verses. Yes, I don't know who

0:43:56.320 --> 0:43:59.160
<v Speaker 1>I'm trying to kill. When I'm listening to you on

0:43:59.360 --> 0:44:01.839
<v Speaker 1>on drink chips, it was like, yeah, that John Legend

0:44:01.920 --> 0:44:03.560
<v Speaker 1>was cool? You know that was that was like, you know,

0:44:04.320 --> 0:44:07.040
<v Speaker 1>it was obvious. But I'm ready for that war. I'm

0:44:07.040 --> 0:44:11.200
<v Speaker 1>ready for that action whatever. I love that. Who would

0:44:11.239 --> 0:44:12.960
<v Speaker 1>be the one? Who? Do you? Do? You do? You know?

0:44:13.400 --> 0:44:17.960
<v Speaker 1>I mean I agree with them at the end. Look

0:44:19.680 --> 0:44:23.080
<v Speaker 1>record one of my favorite records. I need to Beyonce,

0:44:23.400 --> 0:44:27.080
<v Speaker 1>the Rihanna, the Maridos, one of those three. Okay, yeah,

0:44:28.360 --> 0:44:29.800
<v Speaker 1>do you feel like you don't get mentioned in that?

0:44:30.600 --> 0:44:34.000
<v Speaker 1>That spear enough? No, I don't feel like that. I

0:44:34.080 --> 0:44:36.759
<v Speaker 1>feel like I'm in my own lane anyway. Definitely. Yeah,

0:44:36.920 --> 0:44:39.480
<v Speaker 1>So I could see why people wouldn't because I don't

0:44:39.480 --> 0:44:42.359
<v Speaker 1>really belong there, And sometimes I feel like Alicia Keys

0:44:42.400 --> 0:44:45.120
<v Speaker 1>was born in the wrong era musically, What you mean

0:44:45.160 --> 0:44:47.279
<v Speaker 1>you don't belong there? I just feel like I belong

0:44:47.360 --> 0:44:49.480
<v Speaker 1>in my own space, you know. I just felt I

0:44:50.360 --> 0:44:55.160
<v Speaker 1>occupy my own space that really doesn't fit. Actually, And

0:44:55.400 --> 0:44:57.880
<v Speaker 1>even that when he said you believe you know my

0:44:58.040 --> 0:45:01.000
<v Speaker 1>name wouldn't get mentioned within that, I don't even feel

0:45:01.000 --> 0:45:03.560
<v Speaker 1>like it fits quite in that group. But I do

0:45:03.719 --> 0:45:05.879
<v Speaker 1>feel like I was born in the wrong era too,

0:45:06.400 --> 0:45:09.480
<v Speaker 1>I really do. I was probably missed it by a

0:45:09.560 --> 0:45:12.319
<v Speaker 1>decade or two. Even when you listening to the album now,

0:45:12.360 --> 0:45:14.960
<v Speaker 1>you're like, all right, wait a minute, where we at? Yeah?

0:45:14.960 --> 0:45:17.080
<v Speaker 1>I mean it's like you feel Billy Holliday like that,

0:45:17.280 --> 0:45:18.759
<v Speaker 1>you see me see those movies where it's like the

0:45:19.200 --> 0:45:22.480
<v Speaker 1>bars and the lights are low and everybody's smoking cigars cigarettes,

0:45:22.520 --> 0:45:25.160
<v Speaker 1>Like that's how Let's feel moves. I know, I know

0:45:25.239 --> 0:45:27.520
<v Speaker 1>what you mean, and that's why I fit perfect here

0:45:27.600 --> 0:45:29.440
<v Speaker 1>right now, because it's meant to be like that, and

0:45:29.520 --> 0:45:31.800
<v Speaker 1>it's meant to have that mixture. So I don't, actually

0:45:31.800 --> 0:45:35.160
<v Speaker 1>I don't I disagree like you splin gass like you're

0:45:35.160 --> 0:45:38.360
<v Speaker 1>a fifteen term Grammy Award winning artists. I don't. I

0:45:38.400 --> 0:45:41.080
<v Speaker 1>don't think people heard of for her lane. She don't like,

0:45:41.320 --> 0:45:46.319
<v Speaker 1>but you never do rb she do. The pop doesn't

0:45:46.360 --> 0:45:50.000
<v Speaker 1>really make like that. There you go. It's kind of

0:45:50.080 --> 0:45:52.440
<v Speaker 1>like that. Yeah, I feel like that's I think what

0:45:52.600 --> 0:45:54.839
<v Speaker 1>you thought I was saying was as if I don't

0:45:54.920 --> 0:45:58.319
<v Speaker 1>fit in that lane, as if I'm somehow not belonging there.

0:45:58.719 --> 0:46:02.719
<v Speaker 1>I'm mormented, as if it's maybe it's unlaneable. It's not

0:46:02.840 --> 0:46:06.480
<v Speaker 1>a comparison. You can't put this song against this song

0:46:06.560 --> 0:46:09.719
<v Speaker 1>because they're no, they're not. They just don't. They're not

0:46:09.880 --> 0:46:12.840
<v Speaker 1>in the same space or whatever. But she got me,

0:46:13.080 --> 0:46:16.719
<v Speaker 1>she got you, and she got I like that drink Champs.

0:46:16.760 --> 0:46:19.520
<v Speaker 1>You told the story about Prince right now, Has anybody

0:46:19.600 --> 0:46:23.799
<v Speaker 1>else ever not cleared a sample for you besides Prince um,

0:46:24.680 --> 0:46:27.959
<v Speaker 1>because I can't imagine Alicia Keys comes right and she's

0:46:28.000 --> 0:46:30.360
<v Speaker 1>like when you told that story, though it was respectful,

0:46:30.400 --> 0:46:33.400
<v Speaker 1>but you understood. Yeah, I understand that Prince is very

0:46:33.480 --> 0:46:36.319
<v Speaker 1>into ownership and making sure the right people get the money.

0:46:37.000 --> 0:46:40.400
<v Speaker 1>But I can't see somebody saying they have We're not

0:46:40.480 --> 0:46:42.920
<v Speaker 1>going to sign off on this Alicia Keys record. You

0:46:43.000 --> 0:46:45.319
<v Speaker 1>know what I mean, I guess I don't have any

0:46:45.440 --> 0:46:48.440
<v Speaker 1>that comes to my head. That was like super super disappointing,

0:46:48.680 --> 0:46:51.080
<v Speaker 1>you know, when I was like no, um so yeah,

0:46:51.120 --> 0:46:53.600
<v Speaker 1>and I don't remember another one that was my best

0:46:53.719 --> 0:46:57.800
<v Speaker 1>that's my best one, you though, No, he loved me,

0:46:57.960 --> 0:47:00.960
<v Speaker 1>which is why he said no. Record. He loved me,

0:47:01.000 --> 0:47:03.200
<v Speaker 1>which is why he said no. And I actually appreciate

0:47:03.840 --> 0:47:06.160
<v Speaker 1>he said no in a way that it wasn't no

0:47:06.400 --> 0:47:09.359
<v Speaker 1>for me. It was no who owned what would come

0:47:09.400 --> 0:47:13.279
<v Speaker 1>of it? It wasn't no to me, you know what

0:47:13.320 --> 0:47:15.840
<v Speaker 1>I mean. I learned a lot of things about ownership,

0:47:15.920 --> 0:47:18.200
<v Speaker 1>like did you and Prince have those type of conversations?

0:47:18.600 --> 0:47:21.720
<v Speaker 1>So I understand now. And he was very obviously super vocal.

0:47:22.040 --> 0:47:26.400
<v Speaker 1>He didn't he didn't overpreachum when we were I was

0:47:26.480 --> 0:47:28.680
<v Speaker 1>with him, I feel like he was more concerned about

0:47:28.719 --> 0:47:34.840
<v Speaker 1>me cursing Prince. He hated it because he was you

0:47:34.880 --> 0:47:37.000
<v Speaker 1>know what I mean, So at that point, you know,

0:47:37.160 --> 0:47:39.279
<v Speaker 1>that was the most important thing to him, and he

0:47:39.360 --> 0:47:41.239
<v Speaker 1>knew I was gonna slip up. You know when I

0:47:41.280 --> 0:47:42.640
<v Speaker 1>met Prince, that's the first thing I said, because I

0:47:42.640 --> 0:47:44.520
<v Speaker 1>couldn't think of nothing the only thing he what did?

0:47:44.560 --> 0:47:47.680
<v Speaker 1>He said, Because it's Prince. I didn't think I'll be

0:47:47.719 --> 0:47:49.239
<v Speaker 1>you A certain people you get around, you don't realize

0:47:49.280 --> 0:47:51.680
<v Speaker 1>you started scrugg Hey, you know I was reading your

0:47:51.719 --> 0:47:56.840
<v Speaker 1>whole witness too, I think to say. And then he

0:47:56.920 --> 0:48:00.600
<v Speaker 1>asked for a picture in princeon No, that picture. He

0:48:00.640 --> 0:48:03.600
<v Speaker 1>tried to sneak one anyway. We first we see prints,

0:48:03.960 --> 0:48:06.520
<v Speaker 1>we go high. I go high, he says, how he

0:48:06.600 --> 0:48:11.840
<v Speaker 1>goes witness. Yeah, we'll talk about that one day we're connected,

0:48:12.360 --> 0:48:16.719
<v Speaker 1>talk to me. We're talking about that. Princess. No, he said, no,

0:48:16.760 --> 0:48:19.560
<v Speaker 1>I don't. He's I don't want to take pictures right now. Okay,

0:48:20.000 --> 0:48:21.920
<v Speaker 1>he tried to sneak a picture while Prince is walking off.

0:48:22.000 --> 0:48:24.120
<v Speaker 1>I did. He took a picture and it was there.

0:48:24.400 --> 0:48:27.200
<v Speaker 1>It was Prince floating away right literally, which is just

0:48:27.320 --> 0:48:29.640
<v Speaker 1>it that represents him perfect. And guess what ten seconds

0:48:29.719 --> 0:48:33.240
<v Speaker 1>later that's in my phone. That was just black true

0:48:33.280 --> 0:48:37.560
<v Speaker 1>story back the picture. And then it was gone, oh

0:48:37.719 --> 0:48:40.239
<v Speaker 1>that hurts so bad over het. No, that's when I

0:48:40.280 --> 0:48:44.440
<v Speaker 1>let me let me know Princess other worldly being. Question.

0:48:45.000 --> 0:48:46.880
<v Speaker 1>Now I get it all a little movie. We got

0:48:46.960 --> 0:48:48.560
<v Speaker 1>more with Alicia Keys when we come back it's the

0:48:48.560 --> 0:48:53.520
<v Speaker 1>Breakfast Club, Good Morning Morning, everybody is DJ enjy, Angela Yee,

0:48:53.640 --> 0:48:55.560
<v Speaker 1>Scharlom and the guy we are the Breakfast Club was

0:48:55.640 --> 0:48:58.520
<v Speaker 1>still kicking it with Alicia Keys. Yeah. When you recorded

0:48:58.560 --> 0:49:00.600
<v Speaker 1>this album, Keys and you were riding has where you

0:49:00.719 --> 0:49:04.160
<v Speaker 1>home during the pandemic, doing during doing this very much

0:49:04.200 --> 0:49:07.200
<v Speaker 1>in love, it feels like, definitely, I feel like a

0:49:07.239 --> 0:49:08.839
<v Speaker 1>lot of people pick up on the love and it's

0:49:08.960 --> 0:49:11.560
<v Speaker 1>I am in love, and so that is actually right.

0:49:12.000 --> 0:49:14.880
<v Speaker 1>And I also feel like I've also become able to

0:49:15.000 --> 0:49:17.560
<v Speaker 1>express my love for myself, So I think a lot

0:49:17.640 --> 0:49:20.720
<v Speaker 1>of the love that you feel is also me loving

0:49:20.800 --> 0:49:23.719
<v Speaker 1>all myself and expressing like that love too, So it's both.

0:49:23.760 --> 0:49:25.440
<v Speaker 1>It's obviously the love I have for my family, the

0:49:25.520 --> 0:49:27.600
<v Speaker 1>love I have for Swiss, and the love that I

0:49:27.680 --> 0:49:29.480
<v Speaker 1>have for myself. So I think that's what's coming out.

0:49:30.320 --> 0:49:32.719
<v Speaker 1>Letting him hear these songs while you were writing them

0:49:32.840 --> 0:49:36.440
<v Speaker 1>and recording them, m oh man, you know, he he definitely.

0:49:37.040 --> 0:49:39.200
<v Speaker 1>He always kind of stays out of my way because

0:49:39.239 --> 0:49:41.880
<v Speaker 1>he just, you know, lets me have my space, and

0:49:41.920 --> 0:49:44.359
<v Speaker 1>he really likes that. But I love to play him

0:49:44.400 --> 0:49:47.040
<v Speaker 1>songs after I'm finished, especially when I love them and

0:49:47.120 --> 0:49:49.200
<v Speaker 1>when he loves them as fresh. You know, he sees

0:49:49.239 --> 0:49:52.760
<v Speaker 1>extra overdramatic about everything. So I love I love that energy.

0:49:53.040 --> 0:49:58.160
<v Speaker 1>But have I always been and um not the way

0:49:58.239 --> 0:50:00.800
<v Speaker 1>that I thought I did. I thought that I thought

0:50:00.880 --> 0:50:04.200
<v Speaker 1>that I was very much clear about what self love meant.

0:50:04.600 --> 0:50:07.239
<v Speaker 1>But I realized that I didn't have that confidence and

0:50:07.320 --> 0:50:10.880
<v Speaker 1>I didn't have that actual love. If I did, I

0:50:10.920 --> 0:50:14.840
<v Speaker 1>would have probably made different choices, or I would probably

0:50:14.840 --> 0:50:18.359
<v Speaker 1>have demanded more for myself in a lot of ways,

0:50:18.480 --> 0:50:21.360
<v Speaker 1>which is what I understand now. So what about worthiness?

0:50:21.760 --> 0:50:22.960
<v Speaker 1>How long did it take you to get to a

0:50:23.040 --> 0:50:25.719
<v Speaker 1>feeling of work? Yeah? The worthiness, that's a deep one

0:50:25.800 --> 0:50:28.040
<v Speaker 1>because I always you know, I was raised by a

0:50:28.120 --> 0:50:31.560
<v Speaker 1>feminist for sure. I always felt very much like I

0:50:31.600 --> 0:50:34.800
<v Speaker 1>would talked about I'm worth it and as I'm a

0:50:34.920 --> 0:50:37.239
<v Speaker 1>superwoman and all these things, which I actually knew when

0:50:37.239 --> 0:50:38.920
<v Speaker 1>I was writing them that I didn't feel that way.

0:50:38.960 --> 0:50:42.600
<v Speaker 1>I didn't quite feel the ways I was writing, which

0:50:42.600 --> 0:50:44.359
<v Speaker 1>is why I need to write them. But I didn't

0:50:44.400 --> 0:50:46.919
<v Speaker 1>realize that it was actually a worth a self worth

0:50:47.040 --> 0:50:50.800
<v Speaker 1>issue that I had. So it took a minute longer

0:50:50.880 --> 0:50:54.160
<v Speaker 1>than I wish. I wish I got it earlier, but

0:50:54.640 --> 0:50:56.800
<v Speaker 1>I would say it within the past, you know, probably

0:50:56.800 --> 0:50:59.120
<v Speaker 1>in the past three three to five years. Same. Why

0:50:59.280 --> 0:51:02.040
<v Speaker 1>is that? Is that about December twenty nineteen, I got

0:51:02.080 --> 0:51:04.320
<v Speaker 1>to the place of worthiness. Who absolutely and do you

0:51:04.440 --> 0:51:06.440
<v Speaker 1>know what it was like or just like kind of

0:51:06.480 --> 0:51:10.040
<v Speaker 1>accumulated anything. It was a seed somebody planted in me

0:51:10.160 --> 0:51:12.080
<v Speaker 1>when they told me that even if you don't feel worthy,

0:51:12.160 --> 0:51:14.120
<v Speaker 1>just know God knows you're worthy. And it was like,

0:51:14.200 --> 0:51:17.560
<v Speaker 1>you're just gonna You're just gonna feel it. And literally

0:51:17.560 --> 0:51:20.360
<v Speaker 1>I remember sitting in the house around this time twenty

0:51:20.480 --> 0:51:22.680
<v Speaker 1>nineteen and it just hit me, like, you know what

0:51:23.320 --> 0:51:26.680
<v Speaker 1>I'm worthy? You know that's that's a hard one. I

0:51:26.760 --> 0:51:29.120
<v Speaker 1>really feel like we don't feel like that a lot.

0:51:29.440 --> 0:51:30.759
<v Speaker 1>When you remember when you got to that point, you

0:51:30.800 --> 0:51:32.880
<v Speaker 1>remember the moment. I remember the moment I realized that

0:51:32.960 --> 0:51:37.719
<v Speaker 1>I didn't feel worthy um and I realized that that

0:51:38.080 --> 0:51:43.440
<v Speaker 1>was you know, I realized by being almost so accommodating

0:51:44.080 --> 0:51:47.600
<v Speaker 1>that expressed that I didn't feel worthy to fight for myself.

0:51:48.280 --> 0:51:50.359
<v Speaker 1>You're trying to please e anybody else. But I also

0:51:50.440 --> 0:51:53.360
<v Speaker 1>realized it's something to fighting for yourself. You have to

0:51:53.440 --> 0:51:56.640
<v Speaker 1>be like, guess what I want this? What are you

0:51:56.800 --> 0:51:59.800
<v Speaker 1>gonna do about it accommodate me as opposed to me

0:52:00.000 --> 0:52:02.840
<v Speaker 1>always accommodating you. And so I started to recognize that

0:52:02.920 --> 0:52:05.040
<v Speaker 1>that's what I was doing. And I thought it was humility.

0:52:05.560 --> 0:52:09.239
<v Speaker 1>I thought it was you know, fluidity. I thought it

0:52:09.320 --> 0:52:11.920
<v Speaker 1>was kindness, I thought it was whatever. But I realized

0:52:11.960 --> 0:52:15.560
<v Speaker 1>it was actually I felt some type of way about

0:52:15.560 --> 0:52:17.560
<v Speaker 1>I didn't have the self worth that I should have had.

0:52:17.719 --> 0:52:19.840
<v Speaker 1>It was because of guilt, too, because of when you

0:52:19.880 --> 0:52:22.120
<v Speaker 1>come from a certain environment, you have all this success

0:52:22.760 --> 0:52:24.680
<v Speaker 1>and you're the breadwinner and all this other stuff. Is

0:52:25.000 --> 0:52:27.239
<v Speaker 1>it that too, yep, yep. I think that there was

0:52:27.280 --> 0:52:31.080
<v Speaker 1>definitely a lot of a lot of unneeded guilt about

0:52:31.239 --> 0:52:34.480
<v Speaker 1>my success and feeling like I had to fit in

0:52:34.920 --> 0:52:38.640
<v Speaker 1>and wanting to um, you know, I just didn't want to.

0:52:39.000 --> 0:52:40.560
<v Speaker 1>I want to be with the same people I've always

0:52:40.600 --> 0:52:42.160
<v Speaker 1>been with. I didn't want to feel like I wasn't

0:52:42.239 --> 0:52:44.640
<v Speaker 1>able to they weren't able to relate to me, or

0:52:44.640 --> 0:52:46.040
<v Speaker 1>I wasn't able to relate to them. So I think

0:52:46.080 --> 0:52:47.640
<v Speaker 1>it's in a lot of ways, I would kind of

0:52:48.440 --> 0:52:51.640
<v Speaker 1>just act that way. So yeah, I did think but

0:52:51.680 --> 0:52:53.640
<v Speaker 1>that was my own thing. They didn't even feel like that.

0:52:53.840 --> 0:52:56.080
<v Speaker 1>That's the thing we do we project for other people.

0:52:56.120 --> 0:52:58.880
<v Speaker 1>They didn't even feel like that. So that that's you

0:52:58.920 --> 0:53:01.000
<v Speaker 1>know how that goes. Said first you and Swiss, you

0:53:01.040 --> 0:53:02.920
<v Speaker 1>didn't see Swiss as that type of person, Like I

0:53:02.960 --> 0:53:05.480
<v Speaker 1>didn't have a connection at first, How y'all didn't have

0:53:05.520 --> 0:53:07.319
<v Speaker 1>that connection? What didn't you see in Swiss at first?

0:53:07.360 --> 0:53:10.440
<v Speaker 1>I was like, Naby, come on, it's like we literally

0:53:10.960 --> 0:53:14.080
<v Speaker 1>day and night. And at least I thought that, noting

0:53:14.160 --> 0:53:16.839
<v Speaker 1>that that's what I'm saying, y'all, we actually did. We're

0:53:16.920 --> 0:53:20.799
<v Speaker 1>exactly the same, but I didn't realize that at the time. Um.

0:53:21.200 --> 0:53:22.840
<v Speaker 1>One thing I guess that we are a bit different

0:53:23.200 --> 0:53:26.160
<v Speaker 1>is is that he is one million times more flashy

0:53:26.200 --> 0:53:31.080
<v Speaker 1>than I am. Definitely, I am, definitely, but I mean

0:53:31.160 --> 0:53:36.000
<v Speaker 1>but I'm exercising, I'm practicing, and I love it. I'm

0:53:36.040 --> 0:53:38.960
<v Speaker 1>with it. But the but I think that's probably the

0:53:39.000 --> 0:53:41.279
<v Speaker 1>biggest one. You know, he he would the first car

0:53:41.400 --> 0:53:44.399
<v Speaker 1>he probably got, you know, with some probably Ferrari mans

0:53:44.440 --> 0:53:47.600
<v Speaker 1>of Rieti and Zoe something, you know what I mean.

0:53:47.840 --> 0:53:49.759
<v Speaker 1>The first car I got was like a mins of

0:53:49.800 --> 0:53:51.320
<v Speaker 1>six to six, Like I was just like you know

0:53:51.400 --> 0:53:53.520
<v Speaker 1>what I want to me? That was fresh as hell.

0:53:53.520 --> 0:53:56.000
<v Speaker 1>I was like I was excited, but I didn't even

0:53:56.160 --> 0:53:58.640
<v Speaker 1>think that I could have more. You know, it's always

0:53:58.680 --> 0:54:01.399
<v Speaker 1>just kind of about like just doing the basics type

0:54:01.400 --> 0:54:03.319
<v Speaker 1>of thing again, which goes back to where we were.

0:54:03.360 --> 0:54:05.640
<v Speaker 1>And also I want to actually drive in the street

0:54:05.640 --> 0:54:07.360
<v Speaker 1>and actually like be able to go places. And I

0:54:09.239 --> 0:54:12.239
<v Speaker 1>realized that now. I didn't understand that then, and so

0:54:12.360 --> 0:54:14.000
<v Speaker 1>for me that would probably be what I felt was

0:54:14.080 --> 0:54:16.160
<v Speaker 1>so so day and night. He was like super over

0:54:16.280 --> 0:54:18.600
<v Speaker 1>the top everything everything. But but I realized that was

0:54:18.640 --> 0:54:22.799
<v Speaker 1>just some exercising what he deserves. And that's the thing

0:54:23.000 --> 0:54:25.160
<v Speaker 1>that's the thing difference between him and I, and I

0:54:25.200 --> 0:54:27.760
<v Speaker 1>think we actually have balanced each other in a beautiful

0:54:27.760 --> 0:54:30.880
<v Speaker 1>way with that. It's like you get to express what

0:54:31.120 --> 0:54:33.600
<v Speaker 1>you deserve. I think we're taught that we're not supposed

0:54:33.600 --> 0:54:38.440
<v Speaker 1>to have nice things because it's somehow unholy or not right.

0:54:38.640 --> 0:54:40.960
<v Speaker 1>And I think what happened where that comes from. I

0:54:41.040 --> 0:54:46.040
<v Speaker 1>think it's just because people can take that and get

0:54:46.160 --> 0:54:48.960
<v Speaker 1>confused about it and get very selfish about it as

0:54:48.960 --> 0:54:51.560
<v Speaker 1>opposed to being given. But one thing that Swiss is

0:54:52.160 --> 0:54:55.560
<v Speaker 1>is super given. He never does anything for himself before

0:54:55.600 --> 0:54:58.520
<v Speaker 1>he makes sure that everybody is straight. So that's the fact.

0:54:59.360 --> 0:55:02.160
<v Speaker 1>My first b check. Ever in this business because of Swiss,

0:55:03.960 --> 0:55:05.520
<v Speaker 1>you didn't have to do that for me at all.

0:55:05.800 --> 0:55:08.879
<v Speaker 1>He's that guy, He's always that guy. So I think

0:55:08.920 --> 0:55:11.160
<v Speaker 1>that's what happens. You get might get misconstrued, and then

0:55:11.239 --> 0:55:14.279
<v Speaker 1>you start only thinking about yourself as opposed to making

0:55:14.320 --> 0:55:16.640
<v Speaker 1>sure that everybody is good. So as long as that's

0:55:16.680 --> 0:55:18.959
<v Speaker 1>happening and there's a balance, and there's nothing wrong with happen.

0:55:19.280 --> 0:55:21.200
<v Speaker 1>I heard the first piano that you got, he tried

0:55:21.200 --> 0:55:22.279
<v Speaker 1>to get you to get rid of it and get

0:55:22.360 --> 0:55:25.640
<v Speaker 1>something way nice, and he was like, no, first first

0:55:25.680 --> 0:55:28.040
<v Speaker 1>piano she ever received. When I guess when you signed

0:55:28.040 --> 0:55:29.880
<v Speaker 1>the deal, they gave you a piano right, and you

0:55:29.920 --> 0:55:32.480
<v Speaker 1>wouldn't get rid of He was like this way better pianos,

0:55:32.560 --> 0:55:35.480
<v Speaker 1>more expensive piano, and you was like, Nabby, you know,

0:55:35.520 --> 0:55:37.719
<v Speaker 1>he wanted everything to be liver Rachi, so you know,

0:55:38.080 --> 0:55:40.960
<v Speaker 1>but the I don't think he knew. He didn't realize.

0:55:41.000 --> 0:55:43.239
<v Speaker 1>So in our house, it is my first piano, and

0:55:43.320 --> 0:55:47.120
<v Speaker 1>that's the piano that I was given by Columbia when

0:55:47.200 --> 0:55:51.040
<v Speaker 1>I was sixteen, and so that's like a memory. They

0:55:51.040 --> 0:55:52.680
<v Speaker 1>could put it in another room because you guys got

0:55:52.719 --> 0:55:58.719
<v Speaker 1>plenty of rooms. We like this one we like. Now,

0:55:58.760 --> 0:56:00.120
<v Speaker 1>when did you come up with the idea to do

0:56:00.440 --> 0:56:02.799
<v Speaker 1>unlocked and originals? What made you say this is how

0:56:02.840 --> 0:56:05.439
<v Speaker 1>it's going to happen. I really wanted to, but first

0:56:05.480 --> 0:56:08.080
<v Speaker 1>of all, the originals, the concept of Keys definitely was

0:56:08.120 --> 0:56:10.160
<v Speaker 1>always about the piano, and I really did want it

0:56:10.239 --> 0:56:15.040
<v Speaker 1>to have that just that stripped backfield. There's something about yeah,

0:56:16.080 --> 0:56:19.120
<v Speaker 1>and so I think Keys was really like coming back

0:56:19.200 --> 0:56:22.759
<v Speaker 1>home and so that you're just really wanting to be

0:56:22.800 --> 0:56:25.839
<v Speaker 1>about the piano and writing it and making it all

0:56:25.920 --> 0:56:28.560
<v Speaker 1>about that. And as I did that, I loved it

0:56:28.719 --> 0:56:31.000
<v Speaker 1>and it was it was fire, but there was there's

0:56:31.000 --> 0:56:33.919
<v Speaker 1>also this other side of me to what you're saying

0:56:34.239 --> 0:56:36.120
<v Speaker 1>that I think it's hard to show all of you,

0:56:36.440 --> 0:56:38.080
<v Speaker 1>for all of us, I mean, for all of us,

0:56:38.160 --> 0:56:41.040
<v Speaker 1>it's hard to really display that you know or have

0:56:41.120 --> 0:56:43.560
<v Speaker 1>an opportunity to display that. And it felt like doing

0:56:43.640 --> 0:56:46.560
<v Speaker 1>this unlocked piece, not only was it exciting because it

0:56:46.640 --> 0:56:49.960
<v Speaker 1>allowed us to reinterpret this these originals, but it allowed

0:56:50.000 --> 0:56:51.840
<v Speaker 1>it to be the other side of me that I

0:56:51.880 --> 0:56:54.279
<v Speaker 1>wouldn't have wanted just a whole album of unlocked, and

0:56:54.400 --> 0:56:56.640
<v Speaker 1>I didn't Maybe I would have wanted a whole original,

0:56:57.040 --> 0:57:00.279
<v Speaker 1>but I love them together because it's full speed. I

0:57:00.400 --> 0:57:02.160
<v Speaker 1>have a little movie, got more with Alicia Keys. When

0:57:02.160 --> 0:57:04.440
<v Speaker 1>we come back. It's the Breakfast Club. God, Morning Morning.

0:57:04.480 --> 0:57:08.400
<v Speaker 1>Everybody is DJ Envy, Angela Yee, Charlomagne the guy we

0:57:08.480 --> 0:57:11.280
<v Speaker 1>are the Breakfast Club were still kicking it with Alicia Keys. Chalomagne.

0:57:11.840 --> 0:57:13.640
<v Speaker 1>You got a song called a Nat King Cole on

0:57:13.680 --> 0:57:18.200
<v Speaker 1>the project. Yeah, he's clearly a musical hero of yours, definitely,

0:57:18.280 --> 0:57:22.000
<v Speaker 1>And I think it was just the theme that we

0:57:22.160 --> 0:57:23.880
<v Speaker 1>started to write. I wrote that with a woman named

0:57:23.920 --> 0:57:27.400
<v Speaker 1>Natalie Hemby, who's super fresh, and the theme that we

0:57:27.520 --> 0:57:31.560
<v Speaker 1>wanted to write was about because the theme of Keys

0:57:31.600 --> 0:57:34.720
<v Speaker 1>and the theme of my life right now is really

0:57:34.800 --> 0:57:40.240
<v Speaker 1>about completely never holding back ever again. And to you,

0:57:40.480 --> 0:57:44.560
<v Speaker 1>you actually are allowed to be on your bullshit? Who

0:57:44.680 --> 0:57:46.800
<v Speaker 1>said you have to tune down? Toned down? Like, where

0:57:46.800 --> 0:57:49.480
<v Speaker 1>did that come from? So that was a part of

0:57:49.560 --> 0:57:51.680
<v Speaker 1>my life for a long time. I rejected, I don't

0:57:51.680 --> 0:57:55.480
<v Speaker 1>want to know more and so and so that song

0:57:55.600 --> 0:57:58.320
<v Speaker 1>really describes that, like tear down the chandeliers and be

0:57:58.440 --> 0:58:00.919
<v Speaker 1>like your most majestic and to me, Nat King Cole

0:58:01.360 --> 0:58:04.920
<v Speaker 1>represents that there's like an elegance and a prowess and

0:58:05.040 --> 0:58:08.960
<v Speaker 1>like a legacy and some really a power that he represents.

0:58:09.040 --> 0:58:10.920
<v Speaker 1>And that's why that's why we wanted to call it

0:58:11.360 --> 0:58:13.880
<v Speaker 1>that ill though, because a lot of people actually don't

0:58:13.920 --> 0:58:16.720
<v Speaker 1>even know Nat King cole believe it or not. I

0:58:16.800 --> 0:58:20.000
<v Speaker 1>think there's a whole generation of people that don't, you know.

0:58:20.400 --> 0:58:23.000
<v Speaker 1>And that's fresh though, I think, because you know, because

0:58:23.040 --> 0:58:25.040
<v Speaker 1>I think it turns people on to like, well, who

0:58:25.240 --> 0:58:26.960
<v Speaker 1>was that and what is that? I think you know,

0:58:27.080 --> 0:58:29.000
<v Speaker 1>like a song or two because you over the holiday

0:58:29.000 --> 0:58:31.320
<v Speaker 1>as you hear like unforgetable, you know what I mean,

0:58:31.400 --> 0:58:37.240
<v Speaker 1>and you're like ter exactly. But but so that that wordplay,

0:58:37.320 --> 0:58:40.160
<v Speaker 1>it was more about be unforgettable like Na kincole Um.

0:58:40.320 --> 0:58:42.160
<v Speaker 1>By the way, the Wayne verse on that, to me

0:58:42.440 --> 0:58:47.280
<v Speaker 1>is so masterful. I love how he I love that verse. Well,

0:58:47.280 --> 0:58:51.440
<v Speaker 1>what when for somebody who doesn't fit into an era musically?

0:58:51.480 --> 0:58:56.520
<v Speaker 1>What is your inspiration? What do you have into everything? Everything?

0:58:56.600 --> 0:58:58.640
<v Speaker 1>I love to I love to listen to everything. I

0:58:58.760 --> 0:59:02.560
<v Speaker 1>love to listen to things that I love new discoveries.

0:59:02.720 --> 0:59:05.920
<v Speaker 1>I love listening to new artists. I love, you know,

0:59:06.560 --> 0:59:08.960
<v Speaker 1>taking it back to like the errors of the thirties

0:59:09.000 --> 0:59:11.560
<v Speaker 1>and the fifties and the sixties and the seventies going

0:59:11.600 --> 0:59:14.280
<v Speaker 1>through the errors are ill. So I just think listening

0:59:14.360 --> 0:59:16.400
<v Speaker 1>to everything and then just allowing it to kind of

0:59:16.440 --> 0:59:18.480
<v Speaker 1>be in there and then go wherever it goes. It's

0:59:18.880 --> 0:59:20.400
<v Speaker 1>part of what creates the time is I think it's

0:59:20.400 --> 0:59:23.000
<v Speaker 1>because I actually love all the errors that it sounds sexual.

0:59:23.200 --> 0:59:25.640
<v Speaker 1>I was listening to Drink Champs. You were talking about

0:59:25.640 --> 0:59:27.800
<v Speaker 1>the Empire State Record, and you said when you first

0:59:27.840 --> 0:59:29.560
<v Speaker 1>did it, you did it in LA and Jay called

0:59:29.600 --> 0:59:31.640
<v Speaker 1>you and was like, could you change the vocals? What

0:59:31.840 --> 0:59:33.720
<v Speaker 1>was your mind frame at that point, like you know

0:59:33.720 --> 0:59:35.880
<v Speaker 1>who you're talking to was wasn't at that at any point.

0:59:36.200 --> 0:59:38.480
<v Speaker 1>I feel like he probably had a really hard time

0:59:38.560 --> 0:59:40.880
<v Speaker 1>making that call. I don't feel like he wanted to

0:59:41.040 --> 0:59:47.640
<v Speaker 1>make that call. You can't have it, nobody have the engineer,

0:59:48.400 --> 0:59:51.880
<v Speaker 1>Jay said, you know, um, so I feel like it

0:59:52.880 --> 0:59:55.919
<v Speaker 1>was like, hey, how you doing, how's the kids? How's moms? Like? Yeah,

0:59:57.120 --> 0:59:58.960
<v Speaker 1>can you change your verse? Yeah? Now he was just

0:59:59.040 --> 1:00:00.960
<v Speaker 1>like a sub and and I was like, hey, you know,

1:00:01.000 --> 1:00:02.760
<v Speaker 1>I was excited because I was like, okay, we got

1:00:03.200 --> 1:00:05.160
<v Speaker 1>the record, and I knew I was really trying hard

1:00:05.160 --> 1:00:07.800
<v Speaker 1>to meet his deadline, and so I worked hard to

1:00:07.840 --> 1:00:09.280
<v Speaker 1>get it and so I was like, yeah, you got it,

1:00:09.360 --> 1:00:11.320
<v Speaker 1>you heard it. And I feel like right when I

1:00:11.480 --> 1:00:13.760
<v Speaker 1>asked him you got it, you heard it was right

1:00:13.800 --> 1:00:17.600
<v Speaker 1>where he was like yeah, and then he was just like,

1:00:17.680 --> 1:00:21.280
<v Speaker 1>you know, I was thinking. I was just thinking that.

1:00:21.760 --> 1:00:25.439
<v Speaker 1>I was wondering, do you think you could do one

1:00:25.560 --> 1:00:28.000
<v Speaker 1>more time? Could you do it one more time? And

1:00:28.080 --> 1:00:30.360
<v Speaker 1>I definitely remember I was like what In my head,

1:00:30.400 --> 1:00:33.400
<v Speaker 1>I was like, what one more time I did this ship?

1:00:34.800 --> 1:00:36.360
<v Speaker 1>But he was like, because I just I just feel like,

1:00:36.480 --> 1:00:39.480
<v Speaker 1>maybe one more time really gonna get the vibe. And

1:00:39.560 --> 1:00:41.800
<v Speaker 1>I had to respect it, because you know, you do.

1:00:42.720 --> 1:00:44.760
<v Speaker 1>It's true. There's an energy on a record and you

1:00:44.840 --> 1:00:46.840
<v Speaker 1>can feel it right away, and it was his record.

1:00:46.920 --> 1:00:48.840
<v Speaker 1>He knew what he was looking for, so I had

1:00:48.880 --> 1:00:51.200
<v Speaker 1>to respect that I possibly could have gave it one

1:00:51.200 --> 1:00:53.480
<v Speaker 1>more time. And I did realize that I was sick

1:00:53.680 --> 1:00:55.320
<v Speaker 1>because I sang it sick because I was trying to

1:00:55.360 --> 1:00:58.080
<v Speaker 1>hit the deadline, and so you know, it's just you

1:00:58.120 --> 1:01:00.160
<v Speaker 1>could tell. But I think what he really wanted was

1:01:00.240 --> 1:01:01.720
<v Speaker 1>me to talk more on it, because he was like,

1:01:01.760 --> 1:01:04.240
<v Speaker 1>could you do more of the you know you go, uh, yeah,

1:01:04.360 --> 1:01:05.640
<v Speaker 1>you do all of that. Can I can I get

1:01:05.680 --> 1:01:07.520
<v Speaker 1>a little more of that. So he just had the

1:01:07.600 --> 1:01:09.360
<v Speaker 1>direction that gave me I can and I took it.

1:01:09.640 --> 1:01:11.480
<v Speaker 1>If you could do a collab album with somebody, who

1:01:11.560 --> 1:01:17.520
<v Speaker 1>would it be? Oh damn. I would want it to

1:01:17.600 --> 1:01:21.360
<v Speaker 1>be something crazy, like three or four people from like

1:01:21.560 --> 1:01:25.479
<v Speaker 1>whole different universes. I think that would be so ill.

1:01:26.240 --> 1:01:30.880
<v Speaker 1>Who would it be? Got it? Okay, it's gonna be

1:01:31.200 --> 1:01:38.320
<v Speaker 1>Um Kendrick M that's it. Yeah, that's what it is.

1:01:39.040 --> 1:01:40.960
<v Speaker 1>I feel like that would be almost impossible to get

1:01:41.000 --> 1:01:45.240
<v Speaker 1>done between Honestly, it's gonna be a chicky one, but

1:01:45.320 --> 1:01:48.560
<v Speaker 1>I think it had sound out reading yea hou at

1:01:48.600 --> 1:01:51.080
<v Speaker 1>least a record. Yeah, let's go. I feel like we

1:01:51.120 --> 1:01:53.880
<v Speaker 1>could get an EP, maybe four songs, it's something, let's see.

1:01:54.360 --> 1:01:55.920
<v Speaker 1>I'm gonna push for it. I feel like you might

1:01:55.960 --> 1:01:57.640
<v Speaker 1>be just planting the seed. I think that might be

1:01:57.680 --> 1:02:04.400
<v Speaker 1>already done, maybe a record or something. I wanted to ask,

1:02:04.440 --> 1:02:06.680
<v Speaker 1>what would this version of Alicia Keys tell Alicia in

1:02:06.760 --> 1:02:10.200
<v Speaker 1>two thousand and one? I think she would tell her too,

1:02:11.520 --> 1:02:16.200
<v Speaker 1>like don't back down, don't back down, like what you

1:02:16.560 --> 1:02:19.360
<v Speaker 1>what you see, what you feel, what you need, There's

1:02:19.400 --> 1:02:21.560
<v Speaker 1>nothing wrong with that, and that you deserve it, so

1:02:21.720 --> 1:02:24.320
<v Speaker 1>ask for it, like before you before you think you

1:02:24.400 --> 1:02:28.880
<v Speaker 1>gotta pivot or change or fix or accommodate, like ask

1:02:28.920 --> 1:02:32.400
<v Speaker 1>for what you want first, and definitely like to know

1:02:33.000 --> 1:02:38.160
<v Speaker 1>that you you know what you're doing, nobody knows what

1:02:38.360 --> 1:02:39.960
<v Speaker 1>to do better than you, because I think that that

1:02:40.040 --> 1:02:42.720
<v Speaker 1>happens to a lot of us. We start to listen

1:02:42.760 --> 1:02:44.360
<v Speaker 1>to a bunch of people that we think no more,

1:02:44.480 --> 1:02:47.080
<v Speaker 1>or they've been in the game longer, or they done more,

1:02:47.240 --> 1:02:49.240
<v Speaker 1>or they we think they could take us somewhere we

1:02:49.360 --> 1:02:53.400
<v Speaker 1>can't take ourselves. But that's actually fake, It's not real. Son,

1:02:53.680 --> 1:02:55.560
<v Speaker 1>Did you ever backdown? Because I don't see you as

1:02:55.600 --> 1:02:58.240
<v Speaker 1>a as a somebody that would backdown. It was more

1:02:58.280 --> 1:03:01.560
<v Speaker 1>in little ways, not like you know, not liking I'm

1:03:01.640 --> 1:03:06.200
<v Speaker 1>definitely strong minded, strong headed for sure, but I do

1:03:06.440 --> 1:03:09.840
<v Speaker 1>feel like I could overcompromise. I remember you told the

1:03:09.880 --> 1:03:13.080
<v Speaker 1>story about a photographer who made you feel uncomfortable and

1:03:13.280 --> 1:03:15.240
<v Speaker 1>had you like I'm buying your pants a little and

1:03:15.320 --> 1:03:19.080
<v Speaker 1>now do this and yeah, and for women out there,

1:03:19.120 --> 1:03:21.600
<v Speaker 1>you don't have to do anything that makes you feel uncomfortable.

1:03:21.640 --> 1:03:23.440
<v Speaker 1>You feel like this is all right. I'm just I

1:03:23.480 --> 1:03:26.040
<v Speaker 1>don't want to be difficult and I'm just yeah, or

1:03:26.080 --> 1:03:28.160
<v Speaker 1>you feel like again, Man, this is a really this

1:03:28.240 --> 1:03:31.200
<v Speaker 1>is a major photographer. They shoot all the time. They

1:03:31.240 --> 1:03:33.400
<v Speaker 1>shoot the biggest this and the biggest that. And if

1:03:33.480 --> 1:03:36.120
<v Speaker 1>he says that I should probably unbutton the top part

1:03:36.200 --> 1:03:39.520
<v Speaker 1>of my pants, maybe that's okay. That's probably good because

1:03:39.520 --> 1:03:41.640
<v Speaker 1>he no, it's good. It don't feel good. Don't ask

1:03:41.640 --> 1:03:43.400
<v Speaker 1>me to unbut my pants? Are you crazy? You creek?

1:03:43.720 --> 1:03:52.720
<v Speaker 1>Like you know, it's okay, it's okay to like, it's

1:03:52.800 --> 1:03:56.680
<v Speaker 1>okay to like guard protect yourself, man, protect yourself. Nobody's

1:03:56.680 --> 1:03:58.560
<v Speaker 1>gonna protect you, So protect yourself. And that's what I

1:03:58.600 --> 1:04:02.000
<v Speaker 1>would tell her, right absolutely. Album is out right now, Keys,

1:04:02.040 --> 1:04:03.920
<v Speaker 1>and we appreciate you for joining us that hopefully we'll

1:04:03.920 --> 1:04:05.920
<v Speaker 1>have to be another eleven years before you come home. No,

1:04:06.280 --> 1:04:09.840
<v Speaker 1>it's Alicia, kids, It's the Breakfast Club. Good morning, the

1:04:10.040 --> 1:04:14.360
<v Speaker 1>Breakfast Club. Your mornings will never be the same. It's here.

1:04:14.600 --> 1:04:18.400
<v Speaker 1>The most darsteaded black western ever made. The Hearted Day Fall,

1:04:18.560 --> 1:04:22.280
<v Speaker 1>directed by James Samuel, alongside a killer soundtrack that features

1:04:22.320 --> 1:04:25.520
<v Speaker 1>original songs by jay Z, Kid Cutty and Moore. Watch

1:04:25.640 --> 1:04:29.000
<v Speaker 1>now on Netflix and stream the soundtrack now on all platforms.

1:04:30.640 --> 1:04:32.440
<v Speaker 1>Can make sure you're telling the watch out for Florida.

1:04:35.280 --> 1:04:37.640
<v Speaker 1>The craziest people in America come from the Bronx and

1:04:37.880 --> 1:04:42.840
<v Speaker 1>all of Florida. Yes, you are a donkey. The Florida

1:04:42.880 --> 1:04:45.920
<v Speaker 1>man a chapped and atm for a very strange reason.

1:04:46.040 --> 1:04:48.280
<v Speaker 1>It gave him too much money. Florida man is arrested

1:04:48.360 --> 1:04:50.400
<v Speaker 1>after definitely say he's rigged the door to his home

1:04:50.480 --> 1:04:52.720
<v Speaker 1>and an attempt to electro kid his pregnant. White police

1:04:52.800 --> 1:04:56.160
<v Speaker 1>arrested in Orlando man for talking a familia the Breakfast

1:04:56.200 --> 1:04:59.040
<v Speaker 1>Club Bitchy Donkey Other Day with Charlom Haine, a guy

1:04:59.040 --> 1:05:00.520
<v Speaker 1>I don't know what y'all keep, then he can get

1:05:00.520 --> 1:05:03.960
<v Speaker 1>you elected. Well, little dude ball Okay. Not only am

1:05:04.000 --> 1:05:06.959
<v Speaker 1>I getting them like this, I gotta get Jacksonville to Day. Okay,

1:05:07.080 --> 1:05:10.000
<v Speaker 1>Donkey to Day goes to a Jacksonville woman named ken

1:05:10.040 --> 1:05:12.520
<v Speaker 1>Yeta Gordon. Salute to everyone who listens to the Breakfast

1:05:12.560 --> 1:05:15.080
<v Speaker 1>Club on ninety three point three to beat in Jacksonville.

1:05:15.680 --> 1:05:18.640
<v Speaker 1>Salute to the young man Quail p Okay. That record

1:05:18.720 --> 1:05:21.320
<v Speaker 1>he got out titled Charlemagne. When the world officially opens

1:05:21.360 --> 1:05:24.360
<v Speaker 1>back up, you know, not like Florida open. I mean,

1:05:24.480 --> 1:05:27.280
<v Speaker 1>you know, like open open, not I don't give an

1:05:27.280 --> 1:05:29.080
<v Speaker 1>f open back up. But opens back up, so the

1:05:29.120 --> 1:05:31.240
<v Speaker 1>rest of us who don't take risks like you Floridians

1:05:31.280 --> 1:05:33.120
<v Speaker 1>can move around. When I come to the nine or four,

1:05:33.200 --> 1:05:35.560
<v Speaker 1>I want everybody to sing my name like Quail PR.

1:05:35.600 --> 1:05:38.440
<v Speaker 1>I'm not responding. Let's practice NB, say my name Charlemagne,

1:05:40.880 --> 1:05:44.480
<v Speaker 1>Hey yo, Quail P. What's happening my brother? How you

1:05:44.720 --> 1:05:47.280
<v Speaker 1>young king? What's happening to nephew? See how I ignored

1:05:47.400 --> 1:05:49.200
<v Speaker 1>Envy because he didn't sing my name the way I

1:05:49.720 --> 1:05:52.880
<v Speaker 1>wanted him to. Okay, but Quail P did it right? Now?

1:05:53.080 --> 1:05:55.920
<v Speaker 1>What did your uncle Charla always say about Florida? The

1:05:56.040 --> 1:05:58.160
<v Speaker 1>craziest people in America come from the Bronx and all

1:05:58.200 --> 1:06:01.280
<v Speaker 1>of Florida, and today once again through all of us

1:06:01.320 --> 1:06:03.440
<v Speaker 1>who notice to be true correct see ken yet To.

1:06:03.560 --> 1:06:06.960
<v Speaker 1>Gordon was arrested and charged with strong arm robbery and

1:06:07.240 --> 1:06:10.880
<v Speaker 1>possession with intent to use drug parad familia. I personally

1:06:10.920 --> 1:06:13.640
<v Speaker 1>don't think anyone who gets arrested on an intent to

1:06:13.840 --> 1:06:15.880
<v Speaker 1>use charge should be sent to jail. They should be

1:06:15.880 --> 1:06:18.200
<v Speaker 1>sent to a rehab facility. But that's just my opinion

1:06:18.320 --> 1:06:20.000
<v Speaker 1>and has nothing to do with this story. Really, But

1:06:20.120 --> 1:06:22.520
<v Speaker 1>what did can yet To do to get arrested for

1:06:22.640 --> 1:06:26.920
<v Speaker 1>strong armed robbery. Well, according to police, she robbed the bank. Look, man,

1:06:27.080 --> 1:06:29.400
<v Speaker 1>times is hard and the slums we're from, I tell

1:06:29.480 --> 1:06:31.919
<v Speaker 1>y'all all the time, people are starving. Your stomach. Don't

1:06:31.920 --> 1:06:34.040
<v Speaker 1>stop growling because the check is on the way. Your

1:06:34.240 --> 1:06:37.040
<v Speaker 1>stomach stops growling. When you get that check, cash it,

1:06:37.200 --> 1:06:39.200
<v Speaker 1>and now you got some bread to buy, some bread

1:06:39.360 --> 1:06:41.800
<v Speaker 1>to feed yourself. Okay, not making excuses for this woman

1:06:41.840 --> 1:06:44.000
<v Speaker 1>at all, because we all make choices in life and

1:06:44.160 --> 1:06:47.440
<v Speaker 1>have to be held accountable for the consequences of our actions.

1:06:47.480 --> 1:06:49.520
<v Speaker 1>And when you rob a bank nine times out of ten,

1:06:49.800 --> 1:06:52.280
<v Speaker 1>you're going to jail. I'm just simply trying to get

1:06:52.320 --> 1:06:55.320
<v Speaker 1>you all in the mindset of this woman. Okay. Now,

1:06:55.400 --> 1:06:57.760
<v Speaker 1>whenever I think about bank robberies, first thing I think

1:06:57.760 --> 1:07:00.800
<v Speaker 1>about is how much did they get right? Second thing

1:07:00.840 --> 1:07:03.080
<v Speaker 1>I think about is how did they get away? What

1:07:03.280 --> 1:07:05.920
<v Speaker 1>was the getaway vehicle? There's literally nothing you can't find

1:07:06.040 --> 1:07:09.400
<v Speaker 1>online because I google top ten getaway cars for robbing banks.

1:07:09.560 --> 1:07:11.600
<v Speaker 1>Let's run them down real quick. Number ten is the

1:07:11.680 --> 1:07:14.040
<v Speaker 1>nineteen thirty two Ford V eight. That's the old black

1:07:14.080 --> 1:07:16.000
<v Speaker 1>cars you see in all the old black and white movies.

1:07:16.280 --> 1:07:19.200
<v Speaker 1>Number nine is the Toyota Corolla. Number eight, it's an ambulance.

1:07:19.600 --> 1:07:21.600
<v Speaker 1>See it's all about something that is fast, is something

1:07:21.640 --> 1:07:23.959
<v Speaker 1>that blends in. Nothing blends in like an ambulance. Number

1:07:24.000 --> 1:07:27.480
<v Speaker 1>seven is a Cadillac CTSV wagon. Number six is the taxi.

1:07:27.720 --> 1:07:31.520
<v Speaker 1>Yet again, another vehic blends right in. Number five is

1:07:31.560 --> 1:07:34.000
<v Speaker 1>the General Lee. You know, the bright orange Dodge charge

1:07:34.000 --> 1:07:36.680
<v Speaker 1>you the duke boards you're driving duke for hazard, you

1:07:36.760 --> 1:07:40.560
<v Speaker 1>know that one. Number four is the Alpine armored Cadillac Escalade.

1:07:40.760 --> 1:07:43.360
<v Speaker 1>Don't know where you just find one of those. Number

1:07:43.400 --> 1:07:46.520
<v Speaker 1>three is the Porsche Cayenne Turbo s. Number two is

1:07:46.560 --> 1:07:49.439
<v Speaker 1>the Dodge Charger SRT three ninety two. That's for speed.

1:07:49.600 --> 1:07:52.360
<v Speaker 1>And the number one getaway car for bank robberies is

1:07:52.520 --> 1:07:56.360
<v Speaker 1>the incas Hearing APC. That's the big armor truck that

1:07:56.520 --> 1:07:59.240
<v Speaker 1>the SWAT team draft. No regular civilian is gonna have that,

1:07:59.320 --> 1:08:00.840
<v Speaker 1>so I don't even know that's on there. But the

1:08:00.880 --> 1:08:03.480
<v Speaker 1>point of all these vehicles is either for speed are

1:08:03.560 --> 1:08:06.600
<v Speaker 1>to blend in. Well, ken Yeta must have been going

1:08:06.720 --> 1:08:08.800
<v Speaker 1>for the blend in part because she damn show wasn't

1:08:08.840 --> 1:08:10.600
<v Speaker 1>going for the speed. Would you like to know what

1:08:10.720 --> 1:08:13.680
<v Speaker 1>her getaway vehicle a choice was? Whould you what is it?

1:08:13.880 --> 1:08:16.760
<v Speaker 1>Let's go to WJA XTBS forty seven for the report police.

1:08:16.880 --> 1:08:20.560
<v Speaker 1>The Jacksonville Sheriff's Office is releasing the identity of a

1:08:20.640 --> 1:08:23.960
<v Speaker 1>woman accused of robbing a bank from her wheelchair. This

1:08:24.160 --> 1:08:27.080
<v Speaker 1>is a new mug shot of ken Yetta Gordon. Actually,

1:08:27.200 --> 1:08:29.519
<v Speaker 1>news Jacks broke the news yesterday when police say that

1:08:30.000 --> 1:08:32.800
<v Speaker 1>a woman became angry while discussing her account at the

1:08:32.880 --> 1:08:36.160
<v Speaker 1>Region's bank in downtown Jacksonville. She's accused of telling a

1:08:36.280 --> 1:08:38.800
<v Speaker 1>worker that she was going to kill everyone inside and

1:08:38.920 --> 1:08:41.360
<v Speaker 1>that this was a robbery. She left, they say, in

1:08:41.439 --> 1:08:44.679
<v Speaker 1>a motorized wheelchair after getting the cash. She was arrested

1:08:44.760 --> 1:08:51.080
<v Speaker 1>just a few blocks away. Stop. I don't like when

1:08:51.120 --> 1:08:55.240
<v Speaker 1>you go rogue drop. All right, Jesus, what the flaida

1:08:55.360 --> 1:08:57.599
<v Speaker 1>is going on here? All right? There's only three people

1:08:57.800 --> 1:09:00.240
<v Speaker 1>who could have truly gotten away with this crime. One

1:09:00.720 --> 1:09:04.599
<v Speaker 1>Rolling Ray okay. Two Snoop Dogg's Character and training Day

1:09:05.000 --> 1:09:08.719
<v Speaker 1>Three Professor Charles Xavier. Those are the only three individuals

1:09:08.720 --> 1:09:11.080
<v Speaker 1>who who could have gotten away with robbing a bank

1:09:11.240 --> 1:09:12.920
<v Speaker 1>in a wheelchair. Now, let me tell you something. This

1:09:13.040 --> 1:09:16.080
<v Speaker 1>is why Florida is full of brilliant idiots. Because robbing

1:09:16.120 --> 1:09:18.080
<v Speaker 1>a bank in a wheelchair, truly is the best way

1:09:18.120 --> 1:09:20.960
<v Speaker 1>to blend in, even if you don't really need a wheelchair.

1:09:21.040 --> 1:09:23.720
<v Speaker 1>If you roll in the bank, rob the bank, then

1:09:23.920 --> 1:09:27.320
<v Speaker 1>roll out, okay, all the block of two, all right,

1:09:27.680 --> 1:09:30.320
<v Speaker 1>once you get up and walk, ditch the wheelchair. Now

1:09:30.400 --> 1:09:32.720
<v Speaker 1>you don't even fit the description of what the bank

1:09:32.760 --> 1:09:36.880
<v Speaker 1>teller saw. It's genius, yes, all right. The sad part

1:09:37.040 --> 1:09:39.799
<v Speaker 1>is this woman didn't have a plan. I'm not encouraging

1:09:39.840 --> 1:09:42.479
<v Speaker 1>people to rob banks, No, I'm just saying, can yet

1:09:42.479 --> 1:09:46.439
<v Speaker 1>them picture a plan before you picture yourself rolling into

1:09:46.479 --> 1:09:49.559
<v Speaker 1>a bank asking for a big bank roll and listen,

1:09:49.800 --> 1:09:53.280
<v Speaker 1>just because I have understanding of this woman's situation, meaning

1:09:53.439 --> 1:09:55.519
<v Speaker 1>I understand why she would be in the mind frame

1:09:55.600 --> 1:09:58.879
<v Speaker 1>the robber bank simply because I understand the current economic

1:09:58.920 --> 1:10:02.120
<v Speaker 1>condition a lot of people are facing. It's easy to say,

1:10:02.400 --> 1:10:04.679
<v Speaker 1>can ye to, should have just rolled with the punch's

1:10:04.720 --> 1:10:07.320
<v Speaker 1>life was throwing at her, But no, folks is broke

1:10:07.479 --> 1:10:10.160
<v Speaker 1>and you can't tell people to just roll with it. Okay.

1:10:10.280 --> 1:10:12.640
<v Speaker 1>In life, we all have a role to play, but

1:10:12.840 --> 1:10:15.559
<v Speaker 1>sometimes what your casted ass is out of your control.

1:10:15.880 --> 1:10:18.479
<v Speaker 1>Remember when Kodak Black said he can't even roll in peace?

1:10:18.520 --> 1:10:23.759
<v Speaker 1>Remember that neither ken ken Yeida, because she's starting waiting

1:10:23.800 --> 1:10:26.920
<v Speaker 1>on this damn government to roll out these damn stimulus checks.

1:10:27.040 --> 1:10:30.880
<v Speaker 1>By the way, she's only thirty nine, only thirty nine.

1:10:32.880 --> 1:10:37.280
<v Speaker 1>I'm inspired by people who keep rolling no matter their age.

1:10:37.400 --> 1:10:40.720
<v Speaker 1>But she's just thirty nine, and she's at the point where,

1:10:40.760 --> 1:10:42.840
<v Speaker 1>even though she's disabled in a wheel, just she has

1:10:42.880 --> 1:10:46.040
<v Speaker 1>to rob a bank at thirty nine. Think about that, Canda.

1:10:46.080 --> 1:10:48.400
<v Speaker 1>I feel your pain. But even though I feel your pain,

1:10:48.560 --> 1:10:50.240
<v Speaker 1>I still have to give this story the credit it

1:10:50.280 --> 1:10:53.120
<v Speaker 1>deserves for being stupid. But can Yida, I'm praying for you.

1:10:53.600 --> 1:10:55.360
<v Speaker 1>I want you to get the help you need for

1:10:55.439 --> 1:10:58.360
<v Speaker 1>your drug problem because they found a crack pipe on you. Yes,

1:10:58.439 --> 1:11:00.439
<v Speaker 1>she was riding dirty for real, But I'm telling you,

1:11:00.560 --> 1:11:03.160
<v Speaker 1>can you to? I want you to get clean, put

1:11:03.200 --> 1:11:06.439
<v Speaker 1>the bs behind you, and one day, I promise you,

1:11:07.280 --> 1:11:11.040
<v Speaker 1>the good times will roll. Please give can you to Gordon?

1:11:11.080 --> 1:11:13.599
<v Speaker 1>The sweet sounds of the Hamletones. Oh No, you are

1:11:13.800 --> 1:11:24.720
<v Speaker 1>the dogee of the day, the dogee oh the day.

1:11:25.840 --> 1:11:30.200
<v Speaker 1>Ye Oh. We're not gonna play a game. Ya don't

1:11:30.200 --> 1:11:32.000
<v Speaker 1>want to play a game. We're not gonna do that.

1:11:32.160 --> 1:11:34.599
<v Speaker 1>We're not gonna play a game I don't want to play. Well,

1:11:34.920 --> 1:11:38.639
<v Speaker 1>I have no problem rolling out a game of Jess

1:11:38.960 --> 1:11:45.080
<v Speaker 1>what race it? Alright? Alright, here are the context clues.

1:11:45.120 --> 1:11:46.639
<v Speaker 1>All right. I don't even know if he's a contact clue.

1:11:46.640 --> 1:11:47.880
<v Speaker 1>I don't even know if I use that correctly. But

1:11:48.160 --> 1:11:52.599
<v Speaker 1>can you to Gordon? Okay, Jacksonville, Florida, robbed the bank

1:11:52.680 --> 1:11:56.240
<v Speaker 1>and a motorized wheelchair. Oh you want a description? I

1:11:56.280 --> 1:11:59.799
<v Speaker 1>need to give a description. I don't give a description.

1:12:00.000 --> 1:12:02.280
<v Speaker 1>A little quick descriptions. Com you the description that the

1:12:02.320 --> 1:12:04.640
<v Speaker 1>police were using. Hold okay, this is the description. Hold on?

1:12:04.720 --> 1:12:07.080
<v Speaker 1>You see if I could find it? Hold on, officers

1:12:07.120 --> 1:12:10.120
<v Speaker 1>are looking for an adult, blank female, thirty nine years

1:12:10.120 --> 1:12:13.080
<v Speaker 1>of age with short blonde hair. Oh, I got you now.

1:12:13.479 --> 1:12:15.120
<v Speaker 1>We thought it was easy. I thought it was easy.

1:12:15.200 --> 1:12:18.760
<v Speaker 1>You thought short blonde hair? Can YadA? I said, can

1:12:18.840 --> 1:12:20.920
<v Speaker 1>you do? Can you you know that's how you pronounced it?

1:12:21.120 --> 1:12:23.959
<v Speaker 1>Can you eat the garden? Ramirez? All right? Who said Ramirez?

1:12:26.160 --> 1:12:34.400
<v Speaker 1>I'm down for the profile and but go okay, Porter Angelie,

1:12:34.439 --> 1:12:37.040
<v Speaker 1>are you sure you don't want to play? I think

1:12:37.160 --> 1:12:41.479
<v Speaker 1>it is a white man, a white man, white man? Okay, okay,

1:12:41.680 --> 1:12:43.400
<v Speaker 1>all right, all right, I see where we take it.

1:12:43.439 --> 1:12:47.760
<v Speaker 1>It uh, And I ain't telling y'all whether y'all wright

1:12:47.840 --> 1:12:51.320
<v Speaker 1>or wrong. We're just gonna lead this. Why didn't you

1:12:51.360 --> 1:12:53.160
<v Speaker 1>ask me to sing your name? Why you only asked

1:12:53.560 --> 1:12:56.120
<v Speaker 1>um Envy? Well, now I asked him the same my name.

1:12:57.240 --> 1:12:58.560
<v Speaker 1>I thought you want to him to sing it? No,

1:12:58.800 --> 1:13:00.599
<v Speaker 1>he said say it you want to say? I can

1:13:00.760 --> 1:13:06.240
<v Speaker 1>say his name ahead, Charlo, go ahead, quail P. I'm

1:13:06.240 --> 1:13:08.120
<v Speaker 1>not telling y'all's black three month. I'm not telling y'all.

1:13:08.120 --> 1:13:09.920
<v Speaker 1>All right, all right, what can you to go again?

1:13:10.200 --> 1:13:16.680
<v Speaker 1>Thank you? Interpretation O charmckay, y'all guess figure it out

1:13:16.720 --> 1:13:18.640
<v Speaker 1>on your own, go do your own research. I'm not

1:13:18.720 --> 1:13:24.040
<v Speaker 1>telling y'all white man, I agree with you. That's what

1:13:24.120 --> 1:13:25.800
<v Speaker 1>I saw. All right. We got more. Don't move. It's

1:13:25.840 --> 1:13:31.920
<v Speaker 1>the best of the Breakfast Club. The breakfast Club, the

1:13:32.120 --> 1:13:36.920
<v Speaker 1>breakfast Club. Your morning's will never be the same. Everybody's

1:13:37.000 --> 1:13:40.640
<v Speaker 1>DJ Envy Angela Ye, Charlomagne, the guy. We all the

1:13:40.680 --> 1:13:42.960
<v Speaker 1>Breakfast Club. We got a special guest in the building. Yes,

1:13:43.040 --> 1:13:46.479
<v Speaker 1>indeed we have Judge Faith Jenkins. Welcome back, Hello, thank you.

1:13:46.960 --> 1:13:51.120
<v Speaker 1>I'm doing great. It's been years. It's been three years

1:13:51.120 --> 1:13:54.360
<v Speaker 1>since I've been here. Twenty times twice. Yes, wow, wow,

1:13:54.600 --> 1:13:56.400
<v Speaker 1>I know what I changed for you in three years.

1:13:56.800 --> 1:14:02.599
<v Speaker 1>A lot changed three years. I got a puppy, Cooper.

1:14:03.080 --> 1:14:08.479
<v Speaker 1>He is a cavalier Yorky Poodle mix, very energetic little guy,

1:14:08.640 --> 1:14:11.840
<v Speaker 1>but a lot of responsibility. There wasn't expecting that. It's

1:14:11.840 --> 1:14:14.240
<v Speaker 1>a dog a lot on the bad. No, okay, good, No,

1:14:14.560 --> 1:14:16.560
<v Speaker 1>he's got a lot on the bad. He sleeps in

1:14:16.680 --> 1:14:20.000
<v Speaker 1>his own room. We's his own room. Well, yeah, because

1:14:20.040 --> 1:14:22.640
<v Speaker 1>I wanted him to learn very early on to be independent,

1:14:23.120 --> 1:14:24.880
<v Speaker 1>so we put him. We create trained him early on

1:14:25.000 --> 1:14:27.519
<v Speaker 1>with two things we were able to do. Create train

1:14:27.680 --> 1:14:29.720
<v Speaker 1>him and potty train him. Okay, if you don't do

1:14:29.800 --> 1:14:32.639
<v Speaker 1>that from the beginning, then they hate it. Yes, yes,

1:14:32.720 --> 1:14:34.680
<v Speaker 1>you don't train them to get used to that, and

1:14:34.720 --> 1:14:36.640
<v Speaker 1>they'll go in there. Like my dog would look all

1:14:36.680 --> 1:14:39.240
<v Speaker 1>sad every time, because in the beginning I would let

1:14:39.280 --> 1:14:42.000
<v Speaker 1>her just like roam around. But then I was like, okay,

1:14:42.080 --> 1:14:44.479
<v Speaker 1>sometimes we have to put her up if she's been bad. Yeah,

1:14:44.720 --> 1:14:47.360
<v Speaker 1>and she'll look all sad and then I feel bad. Yeah.

1:14:47.400 --> 1:14:49.280
<v Speaker 1>But what the trainer said, from the very beginning, the

1:14:49.320 --> 1:14:52.040
<v Speaker 1>biggest mistake people make is they give the dogs too

1:14:52.120 --> 1:14:54.560
<v Speaker 1>much freedom. Absolutely, and so you have to rain that

1:14:54.640 --> 1:14:56.600
<v Speaker 1>in early on, but yeah, a lot a lot of

1:14:56.680 --> 1:15:01.080
<v Speaker 1>other things change. I got married married, yes, thank you,

1:15:01.240 --> 1:15:13.120
<v Speaker 1>thank you, and that I'm sure early on kind of

1:15:13.240 --> 1:15:19.400
<v Speaker 1>trade over so everything applies. Uh so got Mary started

1:15:19.479 --> 1:15:22.600
<v Speaker 1>divorce court, switch judge shows you also judge faith and

1:15:22.600 --> 1:15:24.519
<v Speaker 1>they alm on divorce Court. And then of course I

1:15:24.600 --> 1:15:29.000
<v Speaker 1>wrote system settled the court. It's interesting, is the show

1:15:29.080 --> 1:15:30.439
<v Speaker 1>real like when you say, when when you go to

1:15:30.479 --> 1:15:32.280
<v Speaker 1>the divorce court after all you divorced? Or is it

1:15:32.439 --> 1:15:35.400
<v Speaker 1>more after that? Really they change the premise of the

1:15:35.439 --> 1:15:38.560
<v Speaker 1>show several years ago where you can be on the

1:15:38.720 --> 1:15:41.960
<v Speaker 1>show and don't have to be married. So there's a

1:15:42.160 --> 1:15:44.360
<v Speaker 1>there's a there's a different aspect of the show before

1:15:44.479 --> 1:15:47.559
<v Speaker 1>Your Vows where people come in they've been in their

1:15:47.640 --> 1:15:49.960
<v Speaker 1>relationship for a while and they're just they're trying to

1:15:50.080 --> 1:15:53.600
<v Speaker 1>decide to get whether to get married or not. So

1:15:53.760 --> 1:15:56.240
<v Speaker 1>that's a part of the show where we address the

1:15:56.760 --> 1:15:59.920
<v Speaker 1>dudes and don't and if if they actually should perceive

1:16:00.240 --> 1:16:02.840
<v Speaker 1>and move forward to the next level in their relationship.

1:16:03.080 --> 1:16:04.840
<v Speaker 1>So it's really opened up to where it's not just

1:16:05.000 --> 1:16:08.920
<v Speaker 1>married couples. And then legally, do we give divorces on

1:16:08.960 --> 1:16:13.120
<v Speaker 1>the show? No, we give advice on what to do

1:16:13.680 --> 1:16:17.160
<v Speaker 1>when you're at this breaking point, and people sometimes bring

1:16:17.240 --> 1:16:20.719
<v Speaker 1>their papers and we will refer them to other attorneys.

1:16:20.880 --> 1:16:26.439
<v Speaker 1>Friends could come on the show and friends, no, no, no,

1:16:26.560 --> 1:16:29.360
<v Speaker 1>we haven't gone that far opening up. It's it's it's

1:16:29.439 --> 1:16:32.320
<v Speaker 1>real people in relationships with real issues. I didn't know that.

1:16:32.400 --> 1:16:34.120
<v Speaker 1>I didn't know that. I thought that when they go

1:16:34.200 --> 1:16:38.879
<v Speaker 1>to the voice court, they get legally. Legally, we cannot

1:16:39.200 --> 1:16:42.160
<v Speaker 1>grant a divorce per se, but we can give them

1:16:42.200 --> 1:16:45.639
<v Speaker 1>advice on how to proceed in going to the next level.

1:16:48.439 --> 1:16:52.040
<v Speaker 1>I had someone come in and she'd been married for

1:16:52.720 --> 1:16:57.840
<v Speaker 1>eleven years and they have two children together, and he

1:16:57.960 --> 1:17:02.160
<v Speaker 1>has three other kids. And it was really crazy because

1:17:02.720 --> 1:17:06.280
<v Speaker 1>this man would take her kids and go to the

1:17:07.240 --> 1:17:10.320
<v Speaker 1>other women and the other kids. They all knew each other,

1:17:10.479 --> 1:17:15.120
<v Speaker 1>but she remained uninvolved but just knowing about the other relationship.

1:17:15.439 --> 1:17:17.120
<v Speaker 1>And I thought, how do you get to that level

1:17:17.640 --> 1:17:20.480
<v Speaker 1>in your life where this is such a painful experience

1:17:20.600 --> 1:17:24.040
<v Speaker 1>for you, but you're accepting it under some kind of

1:17:24.640 --> 1:17:28.840
<v Speaker 1>premise in your mind that it's better to stay in

1:17:29.000 --> 1:17:32.200
<v Speaker 1>this marriage because you think having him around would be

1:17:32.320 --> 1:17:36.360
<v Speaker 1>better than nothing at all, staying in a toxic relationship.

1:17:36.400 --> 1:17:39.360
<v Speaker 1>A relationship that's not good for you, doesn't help your children.

1:17:39.479 --> 1:17:44.880
<v Speaker 1>All you're doing is normalizing really inappropriate behavior in front

1:17:44.920 --> 1:17:48.320
<v Speaker 1>of them, and they in turn, they see it all

1:17:48.720 --> 1:17:51.160
<v Speaker 1>and it affects what their relationships would be like later

1:17:51.280 --> 1:17:53.360
<v Speaker 1>on in life. Some people feel like once they take

1:17:53.400 --> 1:17:56.720
<v Speaker 1>a vow, then they can't break that vow because it's

1:17:56.760 --> 1:17:59.320
<v Speaker 1>no matter what, or for better or worse the best.

1:18:00.479 --> 1:18:02.840
<v Speaker 1>And I've heard some people feel like, you know, they're

1:18:02.880 --> 1:18:05.439
<v Speaker 1>relying on that. Some people treat women if they leave

1:18:05.439 --> 1:18:08.000
<v Speaker 1>a relationship or leave a man for doing something like

1:18:08.120 --> 1:18:10.160
<v Speaker 1>they're wrong because they didn't stick through it, because you

1:18:10.240 --> 1:18:12.840
<v Speaker 1>got to be right or die. Yeah, that's a that's

1:18:12.840 --> 1:18:16.439
<v Speaker 1>a mistake that people make because you know, at all

1:18:16.560 --> 1:18:18.679
<v Speaker 1>times in your life there are a lot of people

1:18:18.880 --> 1:18:20.240
<v Speaker 1>that you love in your life, and one of the

1:18:20.280 --> 1:18:22.080
<v Speaker 1>tough things about life is a lot of times you

1:18:22.120 --> 1:18:24.640
<v Speaker 1>have to walk away from people that you love in

1:18:24.840 --> 1:18:27.120
<v Speaker 1>order to protect your peace. Now, that's kind of like

1:18:27.200 --> 1:18:29.800
<v Speaker 1>the chapter in your book, are dealing with rejection When

1:18:30.200 --> 1:18:32.960
<v Speaker 1>life set you free? Yeah, I mean when one of

1:18:33.040 --> 1:18:34.799
<v Speaker 1>the big chapters in the book, one of my favorite

1:18:34.840 --> 1:18:37.280
<v Speaker 1>chapters is the chapter on rejection. Because we all go

1:18:37.400 --> 1:18:39.840
<v Speaker 1>through rejection, and for a long time I didn't know

1:18:39.880 --> 1:18:41.800
<v Speaker 1>how to handle it. So and I moved to New

1:18:41.880 --> 1:18:43.880
<v Speaker 1>York right after I got out of school, so I

1:18:44.120 --> 1:18:46.560
<v Speaker 1>was in the city trying to figure all of this

1:18:46.680 --> 1:18:48.679
<v Speaker 1>stuff out. And I'll never forget one of the first

1:18:48.720 --> 1:18:51.599
<v Speaker 1>times I got rejected. I was I was actually in college.

1:18:52.080 --> 1:18:55.080
<v Speaker 1>There was an annual event called Casino Night at my

1:18:55.200 --> 1:18:57.280
<v Speaker 1>school and I wasn't dating anyone. I didn't date much

1:18:57.320 --> 1:18:59.400
<v Speaker 1>in college at all. I was really about the books

1:18:59.439 --> 1:19:02.479
<v Speaker 1>and all the organizations, then cheering and all that stuff.

1:19:02.880 --> 1:19:06.519
<v Speaker 1>And I asked a guy to go to Casino Night

1:19:06.600 --> 1:19:08.400
<v Speaker 1>with me, just innocent, not a really a date, but

1:19:08.520 --> 1:19:13.040
<v Speaker 1>just go to this event. And he hesitated, he paused,

1:19:13.560 --> 1:19:18.200
<v Speaker 1>and then he told me no. And I remember because

1:19:18.240 --> 1:19:22.040
<v Speaker 1>he was We were friends, and he was a good

1:19:22.080 --> 1:19:23.880
<v Speaker 1>looking guy, he was cute. I knew he was single,

1:19:24.200 --> 1:19:26.559
<v Speaker 1>so I thought, well, you can't just go to Casino Night.

1:19:26.640 --> 1:19:29.360
<v Speaker 1>But he told me no, and I remember being embarrassed

1:19:29.360 --> 1:19:30.880
<v Speaker 1>at the time and avoiding him for the rest of

1:19:30.920 --> 1:19:34.120
<v Speaker 1>the semester, not wanting to see him. Well, five years later,

1:19:34.520 --> 1:19:37.760
<v Speaker 1>I was walking down the street in my college town

1:19:37.920 --> 1:19:39.920
<v Speaker 1>and I ran into him and he pulled me to

1:19:40.000 --> 1:19:41.320
<v Speaker 1>the side. I was with some friends. He pulled me

1:19:41.320 --> 1:19:42.519
<v Speaker 1>to the side. He was like, Hey, can I talk

1:19:42.560 --> 1:19:44.559
<v Speaker 1>to you for a second. I said, okay. He said,

1:19:44.560 --> 1:19:46.320
<v Speaker 1>do you remember several years ago when you asked me

1:19:46.360 --> 1:19:48.599
<v Speaker 1>to casino night? He said, well, I wanted to tell

1:19:48.640 --> 1:19:50.800
<v Speaker 1>you that I really liked you, but I didn't have

1:19:50.880 --> 1:19:52.760
<v Speaker 1>a suit. I didn't have anything to wear. And I

1:19:52.800 --> 1:19:55.280
<v Speaker 1>was too embarrassed to tell you that I didn't have

1:19:55.520 --> 1:19:57.760
<v Speaker 1>a suit or anything to wear. But I thought it

1:19:57.840 --> 1:20:02.840
<v Speaker 1>was really interesting because how many times do we take

1:20:03.160 --> 1:20:05.960
<v Speaker 1>rejection or someone telling us know, and then we go

1:20:06.040 --> 1:20:07.800
<v Speaker 1>down a rabbit hole and we make it about us

1:20:08.000 --> 1:20:10.519
<v Speaker 1>that's right? Wow? Am I not good enough? Am I

1:20:10.600 --> 1:20:12.519
<v Speaker 1>not smart enough? Am I'm not pretty enough? And it

1:20:12.560 --> 1:20:15.360
<v Speaker 1>could absolutely have nothing to do with you, And everything

1:20:15.400 --> 1:20:17.400
<v Speaker 1>to do with them is something that they're going through

1:20:17.600 --> 1:20:19.640
<v Speaker 1>or their perspective, or some guy who just doesn't have

1:20:19.680 --> 1:20:22.680
<v Speaker 1>a suit. So I learned from that experience and then

1:20:22.840 --> 1:20:26.400
<v Speaker 1>going through other experiences dealing with rejection in my life,

1:20:26.640 --> 1:20:29.040
<v Speaker 1>how not to internalize it and take it so personal

1:20:29.160 --> 1:20:31.880
<v Speaker 1>all the time, whether it's with a love interest, a job,

1:20:32.840 --> 1:20:37.679
<v Speaker 1>whatever it is that you're dealing with rejection. Most often

1:20:37.880 --> 1:20:40.400
<v Speaker 1>it's just not about you. So Luke to Judge Phi Jenkins.

1:20:40.439 --> 1:20:42.320
<v Speaker 1>We're talking to her right now. Her new book sys

1:20:42.400 --> 1:20:44.840
<v Speaker 1>Don't Settle, How to Stay Smart and Matters that a

1:20:44.920 --> 1:20:47.400
<v Speaker 1>Heart is out right now, and I want to tell

1:20:47.479 --> 1:20:49.720
<v Speaker 1>y'all to man, make sure y'all tune in tonight to

1:20:49.840 --> 1:20:52.000
<v Speaker 1>my late night talk show, to God's Honest Truth. It

1:20:52.080 --> 1:20:54.960
<v Speaker 1>comes on at ten pm on Comedy Central. Okay, you

1:20:55.040 --> 1:20:57.200
<v Speaker 1>need to get in tune. If you're not in tune,

1:20:57.360 --> 1:20:59.200
<v Speaker 1>and you need to tune in tonight because we got

1:20:59.320 --> 1:21:03.599
<v Speaker 1>Vice President Amala Harris joining us under God's Honest Truth

1:21:03.880 --> 1:21:08.120
<v Speaker 1>on Comedy Central tonight at ten pm. Join me, why

1:21:08.160 --> 1:21:11.040
<v Speaker 1>don't you? And why you're watching? Use the hashtag TGHT.

1:21:11.320 --> 1:21:13.960
<v Speaker 1>We'll be back with more. Judge Faith Jenkins. The Breakfast

1:21:14.040 --> 1:21:16.439
<v Speaker 1>Club was still kicking it with Judge Faith Jenkins. Show

1:21:16.560 --> 1:21:19.320
<v Speaker 1>me if you weren't Judge Faith Jenkins, we have came

1:21:19.400 --> 1:21:22.120
<v Speaker 1>up to you five years ago and apologizing all that

1:21:22.320 --> 1:21:25.200
<v Speaker 1>it was five years later. I was. I was just

1:21:25.320 --> 1:21:27.720
<v Speaker 1>running into him at the school. So we try to

1:21:27.720 --> 1:21:29.200
<v Speaker 1>ask you that again, be like, but I got a

1:21:29.240 --> 1:21:32.519
<v Speaker 1>money for a suit now, No, I think he just

1:21:32.720 --> 1:21:34.120
<v Speaker 1>wanted to tell me. It was like he wanted to

1:21:34.160 --> 1:21:35.840
<v Speaker 1>get that off of his chest. He really wanted me

1:21:35.920 --> 1:21:38.200
<v Speaker 1>to know because he gave me no explanation at the time.

1:21:38.720 --> 1:21:40.080
<v Speaker 1>A lot of you know a lot of times, and

1:21:40.200 --> 1:21:42.400
<v Speaker 1>we have to release ourselves from wanting to know why

1:21:43.120 --> 1:21:44.720
<v Speaker 1>because I you know, I talk about this in the

1:21:44.760 --> 1:21:48.360
<v Speaker 1>book too, how I would call people and try to

1:21:48.400 --> 1:21:50.400
<v Speaker 1>find out, Well, I just want closure and I want

1:21:50.439 --> 1:21:54.120
<v Speaker 1>to know why this didn't happen. You know what's going

1:21:54.200 --> 1:21:57.760
<v Speaker 1>on here, and you have to release this need to

1:21:57.880 --> 1:22:01.040
<v Speaker 1>want to know why. Closure doesn't come from other people,

1:22:01.560 --> 1:22:04.559
<v Speaker 1>it comes from you. Because I always say, don't give

1:22:04.600 --> 1:22:06.880
<v Speaker 1>anybody else that kind of power over your life. No

1:22:07.000 --> 1:22:08.800
<v Speaker 1>one should have the power. When I got married to

1:22:09.080 --> 1:22:16.000
<v Speaker 1>my husband, Kenny always say that he um. When I

1:22:16.080 --> 1:22:19.080
<v Speaker 1>got married to Kenny, I remember at being a time

1:22:19.120 --> 1:22:20.840
<v Speaker 1>and this was just a year and eight months ago,

1:22:21.000 --> 1:22:22.720
<v Speaker 1>by the way. So I spent a long time out

1:22:22.760 --> 1:22:28.160
<v Speaker 1>in these dating streets, living, learning, growing and really having

1:22:28.160 --> 1:22:31.240
<v Speaker 1>an appreciation for what I knew would work for me

1:22:31.640 --> 1:22:34.320
<v Speaker 1>in a relationship and what wouldn't. What I was willing

1:22:34.360 --> 1:22:36.760
<v Speaker 1>to compromise on, what I wasn't willing to compromise on.

1:22:36.920 --> 1:22:39.000
<v Speaker 1>All my likes and dislikes, This is what you should

1:22:39.000 --> 1:22:41.200
<v Speaker 1>be doing when you're single, figuring out who you are.

1:22:41.880 --> 1:22:44.719
<v Speaker 1>You're you know, you got married and everybody's path is different.

1:22:44.720 --> 1:22:47.639
<v Speaker 1>You got married at an early age, so you grew

1:22:47.760 --> 1:22:50.920
<v Speaker 1>up together with your wife, whereas for me, I was

1:22:51.000 --> 1:22:54.679
<v Speaker 1>single for so long and very independent. I was wondering,

1:22:54.760 --> 1:22:57.280
<v Speaker 1>how am I going to mesh with somebody else when

1:22:57.280 --> 1:22:59.720
<v Speaker 1>I haven't lived with anybody even since college. So all

1:22:59.720 --> 1:23:02.000
<v Speaker 1>of the things you're thinking about. But I remember at

1:23:02.040 --> 1:23:03.600
<v Speaker 1>the time when I got to the place where I

1:23:03.720 --> 1:23:04.880
<v Speaker 1>knew I was at a point in my life I

1:23:04.920 --> 1:23:07.639
<v Speaker 1>wanted to get married. I was so happy with where

1:23:07.680 --> 1:23:10.479
<v Speaker 1>I was in my life, and I thought, I want

1:23:10.560 --> 1:23:12.559
<v Speaker 1>to bring somebody in my life who's going to add

1:23:12.560 --> 1:23:15.599
<v Speaker 1>to this happiness, not make me happy. And like you said,

1:23:15.640 --> 1:23:19.000
<v Speaker 1>sometimes people get married and they think once we get married,

1:23:19.080 --> 1:23:22.519
<v Speaker 1>he'll turn into the person, or still turn into the person.

1:23:23.000 --> 1:23:25.040
<v Speaker 1>Things will stay to be and that does not happen.

1:23:25.120 --> 1:23:28.840
<v Speaker 1>Like that. Marriage doesn't change anything about anybody. It may

1:23:28.920 --> 1:23:31.439
<v Speaker 1>change your last name, but that's it. So people come

1:23:31.520 --> 1:23:34.160
<v Speaker 1>in they want they're dating their reality, but they want

1:23:34.200 --> 1:23:38.240
<v Speaker 1>to marry potential. And that is a big mistake because

1:23:38.280 --> 1:23:40.800
<v Speaker 1>you have to learn radical acceptance accept this person for

1:23:40.920 --> 1:23:43.559
<v Speaker 1>who they are, and if their core values aren't lined

1:23:43.640 --> 1:23:45.920
<v Speaker 1>up with your core values, what about a wedding do

1:23:46.000 --> 1:23:47.920
<v Speaker 1>you think is going to change that? Because all it

1:23:48.000 --> 1:23:51.000
<v Speaker 1>does when you get married is really revealing more about

1:23:51.040 --> 1:23:54.280
<v Speaker 1>who people are. It's revealing what's already there. And so

1:23:54.439 --> 1:23:58.479
<v Speaker 1>if you don't like what's there, nothing about getting married

1:23:58.600 --> 1:23:59.880
<v Speaker 1>is going to change that. It's only going to a

1:24:00.000 --> 1:24:02.800
<v Speaker 1>exacerbate any problems that you already see on the circle.

1:24:02.840 --> 1:24:04.400
<v Speaker 1>What did you mean, Kenny? And how did you know

1:24:04.479 --> 1:24:09.200
<v Speaker 1>he was the one? I met him through a blind date? Really? Yeah,

1:24:09.320 --> 1:24:12.799
<v Speaker 1>I had just gone through a breakup six months prior

1:24:12.960 --> 1:24:15.120
<v Speaker 1>to meeting him, and I had a conversation with God.

1:24:15.160 --> 1:24:17.360
<v Speaker 1>I had a real honest conversation and I said, I've

1:24:17.439 --> 1:24:20.360
<v Speaker 1>learned all of these lessons in my life at this point,

1:24:21.120 --> 1:24:22.680
<v Speaker 1>what else is there for me to learn in the

1:24:22.760 --> 1:24:25.639
<v Speaker 1>relationship space? I really believe it's time, And I wrote,

1:24:25.680 --> 1:24:27.320
<v Speaker 1>I took a sheet of paper down and I said,

1:24:27.360 --> 1:24:28.800
<v Speaker 1>within this next year, this is what I want to

1:24:28.800 --> 1:24:31.240
<v Speaker 1>see happen in my life. And one of those things

1:24:31.360 --> 1:24:33.120
<v Speaker 1>is I want to be my husband. And I took

1:24:33.120 --> 1:24:34.519
<v Speaker 1>that sheet of paper down and I wrote that, and

1:24:34.560 --> 1:24:36.840
<v Speaker 1>I go through this stage, all this this process in

1:24:36.880 --> 1:24:39.680
<v Speaker 1>the book of what I did to manifest what I

1:24:39.920 --> 1:24:42.840
<v Speaker 1>wanted to happen in my life. And six months later

1:24:43.000 --> 1:24:45.960
<v Speaker 1>I met him and I was not just out there

1:24:46.080 --> 1:24:47.760
<v Speaker 1>like every day, okay, is that is that him? Is

1:24:47.800 --> 1:24:49.960
<v Speaker 1>that my husband? Like with everyone? I was just living

1:24:50.040 --> 1:24:52.000
<v Speaker 1>my life. So I decided I was going to go

1:24:52.200 --> 1:24:55.519
<v Speaker 1>and take some singing lessons again. I was going to

1:24:55.600 --> 1:24:59.360
<v Speaker 1>put out a Christmas album and well, you got bored

1:24:59.400 --> 1:25:04.000
<v Speaker 1>down to fa. I was gonna put out a kid

1:25:04.160 --> 1:25:07.920
<v Speaker 1>hit single, hit single and uh. And so I started

1:25:07.960 --> 1:25:10.400
<v Speaker 1>taking some voice lessons. I met up with this super producer,

1:25:10.600 --> 1:25:13.920
<v Speaker 1>Aaron Lindsay, and the moment I sat down with him,

1:25:14.200 --> 1:25:16.599
<v Speaker 1>he said, for him it clicked. She should meet Kenny.

1:25:16.800 --> 1:25:18.519
<v Speaker 1>He said, there they would be perfect for each other.

1:25:19.040 --> 1:25:22.280
<v Speaker 1>And so he set us up and we met. In

1:25:22.360 --> 1:25:25.920
<v Speaker 1>the rest is history. We just went to lunch, no pressure.

1:25:25.960 --> 1:25:28.080
<v Speaker 1>We sat and talked for two hours. What does the

1:25:28.120 --> 1:25:30.240
<v Speaker 1>pressure like for you? And people asking all the time

1:25:30.439 --> 1:25:32.639
<v Speaker 1>when are you gonna get married? When are you gonna

1:25:32.640 --> 1:25:35.679
<v Speaker 1>have kids? Because you discussed that. Also, Yeah, it's hard

1:25:35.840 --> 1:25:38.839
<v Speaker 1>because being single in my twenties and in my thirties

1:25:38.920 --> 1:25:41.439
<v Speaker 1>and being from Louisiana. So I would go home for

1:25:41.520 --> 1:25:44.400
<v Speaker 1>the holidays, and I had this one uh aunt, Freda,

1:25:44.840 --> 1:25:46.960
<v Speaker 1>who would show up with her watery mac and cheese,

1:25:47.280 --> 1:25:54.519
<v Speaker 1>but always, you know, questioning me and my relationships. Some

1:25:54.720 --> 1:25:59.600
<v Speaker 1>names have been changed, but she could show up. And

1:26:00.120 --> 1:26:03.040
<v Speaker 1>but then I started getting it from strangers, right. And

1:26:03.680 --> 1:26:07.519
<v Speaker 1>if you're not careful, you can really internalize that and

1:26:07.920 --> 1:26:11.240
<v Speaker 1>can make you feel like somehow you're lacking. Because no

1:26:11.320 --> 1:26:14.760
<v Speaker 1>one asked me do you want to get married? They

1:26:14.800 --> 1:26:17.240
<v Speaker 1>would just say why aren't you as if there were

1:26:17.280 --> 1:26:20.560
<v Speaker 1>no other option for me, I get wrong. And so

1:26:20.720 --> 1:26:22.560
<v Speaker 1>if you're not careful, though, that pressure can get to

1:26:22.640 --> 1:26:25.240
<v Speaker 1>you and you can start to feel like, is me

1:26:25.360 --> 1:26:28.120
<v Speaker 1>being single something I need to explain to other people?

1:26:28.360 --> 1:26:31.400
<v Speaker 1>Is this something I need to defend. No, there are

1:26:31.520 --> 1:26:33.880
<v Speaker 1>almost eight billion people on this planet. We can't all

1:26:33.960 --> 1:26:35.720
<v Speaker 1>be doing the same things at the same time. We

1:26:35.800 --> 1:26:37.840
<v Speaker 1>all have a different life path, a different life journey.

1:26:38.160 --> 1:26:40.679
<v Speaker 1>Please stop asking people when they're going to get married,

1:26:40.840 --> 1:26:42.680
<v Speaker 1>when they're going to have kids, and let people live

1:26:42.760 --> 1:26:45.559
<v Speaker 1>their lives. So I talk about that in my book

1:26:45.600 --> 1:26:48.280
<v Speaker 1>How do you navigate when the questioning comes for you?

1:26:48.760 --> 1:26:52.080
<v Speaker 1>I will tell you this. I was never unhappily single.

1:26:52.479 --> 1:26:56.200
<v Speaker 1>I lived my life. If I had waited, I would

1:26:56.200 --> 1:26:58.080
<v Speaker 1>have lived half my life just existing because I just

1:26:58.160 --> 1:27:01.400
<v Speaker 1>got married last year. So I just made a determination

1:27:01.479 --> 1:27:03.280
<v Speaker 1>that I was going to live my best life. And

1:27:03.320 --> 1:27:06.240
<v Speaker 1>guess how I met my husband going to do something

1:27:06.360 --> 1:27:09.320
<v Speaker 1>that I just loved doing, going to pursue a different hobby,

1:27:09.439 --> 1:27:12.240
<v Speaker 1>something that I was interested in, singing again, and that's

1:27:12.280 --> 1:27:14.040
<v Speaker 1>how I ended up meeting my husband. And I hear

1:27:14.080 --> 1:27:16.240
<v Speaker 1>so many other women talk about that, how they were

1:27:16.320 --> 1:27:20.040
<v Speaker 1>doing something that they loved in their own lives and

1:27:20.240 --> 1:27:23.439
<v Speaker 1>that's how they met the person that they ended up

1:27:23.479 --> 1:27:27.040
<v Speaker 1>having this authentic love experience with. So in my book,

1:27:27.280 --> 1:27:31.000
<v Speaker 1>it's really a practical guide because I did not have

1:27:31.479 --> 1:27:33.800
<v Speaker 1>these huge examples of love, like I said, And this

1:27:33.960 --> 1:27:35.240
<v Speaker 1>is the book that I would have wanted to have

1:27:35.520 --> 1:27:37.720
<v Speaker 1>when I moved to New York at twenty five years old.

1:27:37.960 --> 1:27:39.800
<v Speaker 1>I wish somebody would have given me something like this

1:27:39.920 --> 1:27:42.120
<v Speaker 1>to read, as you were a whole and happy when

1:27:42.160 --> 1:27:44.280
<v Speaker 1>you met Kenny Austin. When I think that's important too,

1:27:44.360 --> 1:27:47.519
<v Speaker 1>because sometimes people feel like they need the other person

1:27:47.640 --> 1:27:50.599
<v Speaker 1>to complete them, when really you both should be complete

1:27:50.600 --> 1:27:53.360
<v Speaker 1>people when you come together to have a great relationship, yes,

1:27:53.479 --> 1:27:56.040
<v Speaker 1>and that happiness and wholeness. As you know, it's a

1:27:56.160 --> 1:28:00.200
<v Speaker 1>journey because as you get older, it's actually hard harder

1:28:00.280 --> 1:28:03.040
<v Speaker 1>to fall in love as you get older, especially you know,

1:28:03.280 --> 1:28:05.160
<v Speaker 1>being single in my twenties and thirties, because you've been

1:28:05.200 --> 1:28:07.800
<v Speaker 1>through heartbreak. And if you're not careful over time, you

1:28:07.840 --> 1:28:11.519
<v Speaker 1>can become very cynical about love. And you cannot be

1:28:11.600 --> 1:28:14.439
<v Speaker 1>a cynic about love and expected to attract it in

1:28:14.520 --> 1:28:16.320
<v Speaker 1>your life at the same time. Break that down here

1:28:16.360 --> 1:28:17.680
<v Speaker 1>you talking about that in a book. I think, I

1:28:17.720 --> 1:28:21.280
<v Speaker 1>think that's very important. Well, you can't be a cynic

1:28:21.479 --> 1:28:23.320
<v Speaker 1>about love and expect to attract it in your life

1:28:23.360 --> 1:28:25.640
<v Speaker 1>at the same time. At some point you have to

1:28:25.720 --> 1:28:28.679
<v Speaker 1>be able to work on releasing the past. You can't

1:28:28.680 --> 1:28:31.320
<v Speaker 1>say all men, all men are dogs. I want one

1:28:31.800 --> 1:28:36.280
<v Speaker 1>exactly exactly because I went through that time where all

1:28:36.360 --> 1:28:39.719
<v Speaker 1>of those things were really about fear of opening myself

1:28:39.840 --> 1:28:42.679
<v Speaker 1>up to love again, and I realized that that fear

1:28:42.920 --> 1:28:45.880
<v Speaker 1>wasn't serving me. All it was was poisoning my perspective.

1:28:46.400 --> 1:28:48.760
<v Speaker 1>And so if you really want love, you can't have

1:28:48.960 --> 1:28:51.920
<v Speaker 1>this poisonous mindset about what you really think about it

1:28:52.160 --> 1:28:54.680
<v Speaker 1>based on your past. But I also don't believe that

1:28:55.000 --> 1:28:57.639
<v Speaker 1>you can just, at the drop of a hat say, Okay,

1:28:57.880 --> 1:29:00.400
<v Speaker 1>I'm gonna free myself from my past. Nothing about my

1:29:00.400 --> 1:29:02.080
<v Speaker 1>past is gonna bother me anymore. I'm not going to

1:29:02.120 --> 1:29:05.240
<v Speaker 1>bring this to my next relationship. That's not realistic. What

1:29:05.600 --> 1:29:09.240
<v Speaker 1>is realistic, though, it's recognizing what your triggers are and

1:29:09.439 --> 1:29:11.840
<v Speaker 1>working on it. It is a process so that you

1:29:11.960 --> 1:29:15.160
<v Speaker 1>don't make somebody new come in your life and pay

1:29:15.600 --> 1:29:18.120
<v Speaker 1>for something they had nothing to do within your past.

1:29:18.439 --> 1:29:20.479
<v Speaker 1>All we Little movie got more with Judge Faith Jenkins.

1:29:20.560 --> 1:29:22.320
<v Speaker 1>When we come back, it's the Breakfast Club. Good morning,

1:29:22.960 --> 1:29:30.160
<v Speaker 1>the Breakfast Club more everybody to see j Envy, Angela Yee,

1:29:30.280 --> 1:29:32.479
<v Speaker 1>Charlemagne the guy we are the Breakfast Club was still

1:29:32.560 --> 1:29:35.080
<v Speaker 1>kicking it with Judge Faith Jenkins. How does he propose

1:29:35.439 --> 1:29:38.160
<v Speaker 1>here in Central Park than Paul? Yeah, and my wife

1:29:38.200 --> 1:29:44.400
<v Speaker 1>in Central Park? Yeah? So who sings better then? Who? Oh? Yeah?

1:29:45.000 --> 1:29:49.360
<v Speaker 1>Well come on down there. I'm dealing with a professional

1:29:49.439 --> 1:29:51.519
<v Speaker 1>here who's been doing this a long time, twenty five years.

1:29:51.880 --> 1:29:54.880
<v Speaker 1>But I don't sink in front of Kenny was was

1:29:55.720 --> 1:29:58.640
<v Speaker 1>was therapy a requirement? Because all my sister friends and

1:29:58.800 --> 1:30:01.840
<v Speaker 1>he refused the data man right now, or even take

1:30:01.840 --> 1:30:04.679
<v Speaker 1>a man serious if they're not doing the work on themselves.

1:30:05.080 --> 1:30:08.120
<v Speaker 1>We took things a step further. We went to pre

1:30:08.320 --> 1:30:12.200
<v Speaker 1>engagement counseling. Wow, what is that? Before we got engaged?

1:30:12.640 --> 1:30:16.600
<v Speaker 1>We did counseling sessions with a pastor. Because for me,

1:30:17.000 --> 1:30:19.600
<v Speaker 1>I think after you get engaged and you've announced and

1:30:19.720 --> 1:30:22.280
<v Speaker 1>you've told people, and then when you go to counseling

1:30:22.400 --> 1:30:25.800
<v Speaker 1>or therapy sessions, it's harder for people to say, well,

1:30:25.840 --> 1:30:28.000
<v Speaker 1>hold up, wait a minute, is this what I really

1:30:28.080 --> 1:30:31.360
<v Speaker 1>want to do, because everybody knows there's that extra pressure there.

1:30:31.840 --> 1:30:34.400
<v Speaker 1>So for us, things were going, things had gone so well,

1:30:34.439 --> 1:30:37.280
<v Speaker 1>and a lot of people think, by the way, oh, well,

1:30:37.439 --> 1:30:39.320
<v Speaker 1>what's going on? Are you having problems? Is that? Is

1:30:39.360 --> 1:30:41.320
<v Speaker 1>that where you were going to counseling? It was the opposite.

1:30:41.880 --> 1:30:44.240
<v Speaker 1>We weren't having these issues and we were we were

1:30:44.360 --> 1:30:48.360
<v Speaker 1>so in sync on what our core values were. I thought, Okay,

1:30:48.760 --> 1:30:51.719
<v Speaker 1>I haven't been married before. Are there questions I'm not asking?

1:30:53.040 --> 1:30:56.080
<v Speaker 1>Is there is there something else that I need to

1:30:56.880 --> 1:30:59.519
<v Speaker 1>delve into that I'm not so, what's the best way

1:30:59.560 --> 1:31:02.040
<v Speaker 1>to find that out? Go to a professional? It was

1:31:02.080 --> 1:31:04.280
<v Speaker 1>my idea. It was my idea. I said, So was

1:31:04.320 --> 1:31:05.920
<v Speaker 1>he nervous when you said that? Because not at all,

1:31:07.560 --> 1:31:11.040
<v Speaker 1>not at all. And I thought that's a good way

1:31:11.040 --> 1:31:14.120
<v Speaker 1>to be proactive. So proactive because I do feel like

1:31:14.160 --> 1:31:17.040
<v Speaker 1>in a relationship, because you won't always get along, you

1:31:17.160 --> 1:31:19.919
<v Speaker 1>have to know how to handle each other when issues

1:31:19.960 --> 1:31:22.840
<v Speaker 1>come up. Absolutely, how to deal with conflict in an

1:31:22.880 --> 1:31:26.360
<v Speaker 1>emotionally mature way, how to deal with anger and an

1:31:26.400 --> 1:31:29.519
<v Speaker 1>emotionally buture way, because that's really the key. The quickest

1:31:29.560 --> 1:31:33.600
<v Speaker 1>way to ruin romance in any relationship and marriage is unkindness.

1:31:34.040 --> 1:31:36.519
<v Speaker 1>I think you got to hang first. Corinthians thirteen. Was

1:31:36.560 --> 1:31:40.120
<v Speaker 1>it four through eight? Up in your house? As a

1:31:40.200 --> 1:31:43.960
<v Speaker 1>constant reminder, Yeah, because that's when you talk about therapy,

1:31:44.000 --> 1:31:46.200
<v Speaker 1>you talk about counseling, that's what you're talking about. You're

1:31:46.200 --> 1:31:48.120
<v Speaker 1>talking about getting out in front of it something. You

1:31:48.160 --> 1:31:50.280
<v Speaker 1>don't wait till the wheels fall off and then try

1:31:50.280 --> 1:31:52.320
<v Speaker 1>to go and salvage the relationship and go to therapy.

1:31:52.320 --> 1:31:53.960
<v Speaker 1>Then wait till your house gets ribbed to get an

1:31:54.000 --> 1:31:56.720
<v Speaker 1>alarm system exactly exactly, so you're out in front of

1:31:56.760 --> 1:31:58.280
<v Speaker 1>it and you're doing the work in advance. And so

1:31:58.400 --> 1:32:00.160
<v Speaker 1>that's what we did when we went to our pre

1:32:00.360 --> 1:32:02.720
<v Speaker 1>engagement counseling before we ever got engaged, when we were

1:32:02.760 --> 1:32:05.639
<v Speaker 1>talking about getting married, and then when we did get engaged,

1:32:06.080 --> 1:32:08.680
<v Speaker 1>we did it with so much peace because we've been

1:32:08.720 --> 1:32:10.840
<v Speaker 1>through these counseling sessions. And I remember at the end,

1:32:10.880 --> 1:32:12.599
<v Speaker 1>and by the way, Kenny was like, if he weren't

1:32:12.600 --> 1:32:14.800
<v Speaker 1>a singer, he would be I think he would be

1:32:14.840 --> 1:32:16.519
<v Speaker 1>a preacher. I think he would be I think he

1:32:16.560 --> 1:32:19.160
<v Speaker 1>would be a counselor. There's the wisdom that came out

1:32:19.200 --> 1:32:22.360
<v Speaker 1>in those sessions. I remember my counselor turning because he,

1:32:22.520 --> 1:32:25.240
<v Speaker 1>you know, he's been through I didn't marry somebody who's

1:32:25.520 --> 1:32:28.559
<v Speaker 1>who hasn't been tested right like I have. We both

1:32:28.600 --> 1:32:31.320
<v Speaker 1>had relationships that didn't work out for one reason or another,

1:32:31.600 --> 1:32:34.280
<v Speaker 1>and we've both been tested in those areas, and so

1:32:34.479 --> 1:32:36.840
<v Speaker 1>when we went through those counseling sessions to hear the

1:32:36.920 --> 1:32:39.519
<v Speaker 1>wisdom they came out of him. I remember the pastor

1:32:39.560 --> 1:32:41.880
<v Speaker 1>turning around at one point and he was looking like, Okay,

1:32:42.080 --> 1:32:44.679
<v Speaker 1>what do you have to say. I heard what he said,

1:32:44.760 --> 1:32:47.280
<v Speaker 1>what's your response to that? And I was like, uh,

1:32:47.600 --> 1:32:49.439
<v Speaker 1>you know. But at the end, I remember him saying,

1:32:49.520 --> 1:32:53.680
<v Speaker 1>I have no reservations whatsoever in blessing the two of

1:32:53.760 --> 1:32:58.040
<v Speaker 1>you and moving forward in marriage A plus, and counseling

1:32:58.120 --> 1:33:01.360
<v Speaker 1>we got an A plus. Fires I know you talk

1:33:01.360 --> 1:33:04.640
<v Speaker 1>about triggers and red flags also in the book, So

1:33:04.840 --> 1:33:07.280
<v Speaker 1>for you, what were some of those? For me? I

1:33:08.080 --> 1:33:12.000
<v Speaker 1>would not date someone who had a history of infidelity.

1:33:12.880 --> 1:33:16.360
<v Speaker 1>I'm not saying that people don't change, right, but for me,

1:33:17.320 --> 1:33:21.400
<v Speaker 1>um patterns in people's lives reveal a lot. Most guys

1:33:21.439 --> 1:33:22.920
<v Speaker 1>aren't going to admit to you that they have a

1:33:23.040 --> 1:33:25.799
<v Speaker 1>history of infidelity either. You have to do your due diligence.

1:33:26.479 --> 1:33:30.800
<v Speaker 1>And that's a section. That's a section in the book.

1:33:31.160 --> 1:33:33.000
<v Speaker 1>You do your due diligence. You do the best you can.

1:33:33.520 --> 1:33:36.000
<v Speaker 1>I mean you sometimes I'm not saying turn your house

1:33:36.040 --> 1:33:38.120
<v Speaker 1>into a cside lab in the back end and pluck

1:33:38.200 --> 1:33:40.360
<v Speaker 1>a hair while he's sleeping, But I'm just saying, do

1:33:40.439 --> 1:33:42.760
<v Speaker 1>your due diligence, if you know, But if you know.

1:33:42.920 --> 1:33:45.439
<v Speaker 1>See a lot of people know, though, Angela, and they

1:33:45.479 --> 1:33:47.439
<v Speaker 1>still choose to look the other way. It's like, Okay,

1:33:47.479 --> 1:33:50.599
<v Speaker 1>there's a red flag, but how red is this red flag?

1:33:51.320 --> 1:33:53.600
<v Speaker 1>Or how exactly how far back have you going on

1:33:53.680 --> 1:34:04.120
<v Speaker 1>Instagram and you're snooping? Yeah, I perused history of infidelity. Yeah,

1:34:04.120 --> 1:34:07.759
<v Speaker 1>a history of infidelity is a red flag to me. Um, honesty.

1:34:07.880 --> 1:34:09.920
<v Speaker 1>If you tell me you're a vegan, but I see

1:34:09.960 --> 1:34:14.200
<v Speaker 1>you on Snapchat with wings, you know, it's like, just

1:34:14.320 --> 1:34:16.519
<v Speaker 1>be just be honest, don't don't don't try to present

1:34:16.600 --> 1:34:19.479
<v Speaker 1>yourself as somebody that you're not, because to me, those

1:34:19.520 --> 1:34:22.160
<v Speaker 1>little things really do add up if you're not really

1:34:25.560 --> 1:34:29.519
<v Speaker 1>anything else. Also, work ethic a good work ethic because

1:34:29.520 --> 1:34:33.240
<v Speaker 1>I'm very ambitious and so when you know, though, when

1:34:33.280 --> 1:34:35.439
<v Speaker 1>you just know what you're just know what your red

1:34:35.479 --> 1:34:37.560
<v Speaker 1>flags are, what things are important to you. If you

1:34:37.720 --> 1:34:40.759
<v Speaker 1>know you don't want to date long distance, don't complain

1:34:40.840 --> 1:34:43.200
<v Speaker 1>to me about your boyfriend not calling you from Dubai

1:34:43.439 --> 1:34:46.720
<v Speaker 1>if he lives in Dubai. So, Um, just knowing what

1:34:46.880 --> 1:34:50.560
<v Speaker 1>they are and identifying them and recognizing them, you know,

1:34:50.640 --> 1:34:53.880
<v Speaker 1>red means stop. People will not change for you. They

1:34:54.000 --> 1:34:56.280
<v Speaker 1>change for themselves. And no one wants to change because

1:34:56.320 --> 1:34:58.439
<v Speaker 1>you put a gun to their head. It has to

1:34:58.520 --> 1:35:01.559
<v Speaker 1>come from within. Do you think your healing journey your

1:35:01.600 --> 1:35:06.280
<v Speaker 1>love journey, it's part of your healing journey anyway. I

1:35:06.520 --> 1:35:11.560
<v Speaker 1>don't project on my husband or on people in my

1:35:11.720 --> 1:35:17.160
<v Speaker 1>life or responsibility that they have to help me heal

1:35:17.640 --> 1:35:20.559
<v Speaker 1>in every aspect. I think when people come in your life,

1:35:21.240 --> 1:35:23.960
<v Speaker 1>in your life, they are a part of your journey,

1:35:24.800 --> 1:35:29.640
<v Speaker 1>but that responsibility really has to come from you. And

1:35:30.000 --> 1:35:33.880
<v Speaker 1>when I have women in divorce court and they're very

1:35:33.960 --> 1:35:36.960
<v Speaker 1>broken and they've been through a lot, and I tell them,

1:35:37.000 --> 1:35:39.200
<v Speaker 1>I say, you know, the trauma that you experience in

1:35:39.280 --> 1:35:42.240
<v Speaker 1>your past was not your responsibility, It was not your fault,

1:35:42.400 --> 1:35:45.519
<v Speaker 1>but your healing really is. So I never wanted to

1:35:45.680 --> 1:35:50.080
<v Speaker 1>project any hurt from my past onto somebody else for

1:35:50.240 --> 1:35:54.080
<v Speaker 1>them to take their responsibility to heal me, because again,

1:35:54.200 --> 1:35:57.000
<v Speaker 1>that power had to come from me, you know. In closing,

1:35:57.040 --> 1:35:59.679
<v Speaker 1>I do want to say, sis, don't settle. Some people

1:35:59.760 --> 1:36:03.720
<v Speaker 1>have only that settling down means you settle, right, They're like, oh,

1:36:03.800 --> 1:36:06.559
<v Speaker 1>it's in the word settling down. So you can't have everything,

1:36:07.160 --> 1:36:10.360
<v Speaker 1>and sometimes you have to just compromise and say, Okay,

1:36:10.439 --> 1:36:13.280
<v Speaker 1>I'm willing to settle. But to see how you've managed

1:36:13.280 --> 1:36:16.439
<v Speaker 1>to wait to find the right person and not settle

1:36:16.600 --> 1:36:19.680
<v Speaker 1>and get exceed the expectations that you had, I think

1:36:19.720 --> 1:36:23.320
<v Speaker 1>as a testament to making sure that you can know

1:36:23.520 --> 1:36:26.120
<v Speaker 1>that you can have it all right. Your career, your

1:36:26.200 --> 1:36:29.080
<v Speaker 1>relationship and in your own timing and not have to

1:36:29.160 --> 1:36:32.160
<v Speaker 1>worry about what anybody else has to say. Right, your

1:36:32.280 --> 1:36:36.120
<v Speaker 1>life's journey is your journey. And I think that especially

1:36:36.200 --> 1:36:39.639
<v Speaker 1>as women, we have to embrace and love what our

1:36:39.720 --> 1:36:43.400
<v Speaker 1>journey is. No comparison is the thief of joy, and

1:36:43.479 --> 1:36:46.880
<v Speaker 1>stop comparing our lives to somebody else. And you know,

1:36:47.040 --> 1:36:50.320
<v Speaker 1>have these milestones and your happiness can't be tied to

1:36:50.400 --> 1:36:53.280
<v Speaker 1>getting married, Your happiness can't be tied to having children.

1:36:53.320 --> 1:36:55.439
<v Speaker 1>Your happiness can't be tied to your next TV show,

1:36:55.479 --> 1:36:57.880
<v Speaker 1>your next job, because then you'll always be chasing a

1:36:57.920 --> 1:37:01.120
<v Speaker 1>carrot on a moving stick. So what this really is

1:37:01.200 --> 1:37:03.960
<v Speaker 1>about is learning to be happy right where you are.

1:37:04.560 --> 1:37:06.639
<v Speaker 1>Look at everything that's happened in the in the past

1:37:06.760 --> 1:37:08.559
<v Speaker 1>year and a half and what we've learned about life.

1:37:09.040 --> 1:37:12.320
<v Speaker 1>If you don't love today where you are today, then

1:37:12.360 --> 1:37:14.680
<v Speaker 1>you just missed out on a day of living your life.

1:37:14.680 --> 1:37:15.920
<v Speaker 1>Because there are a lot of people who wish they

1:37:15.920 --> 1:37:18.240
<v Speaker 1>could be in your shoes right now, just living. So

1:37:18.320 --> 1:37:21.360
<v Speaker 1>when I talk about not settling, it really is about

1:37:21.479 --> 1:37:24.439
<v Speaker 1>embracing your journey and being at peace where you are

1:37:24.520 --> 1:37:27.120
<v Speaker 1>and not allowing somebody else to pressure you to be

1:37:27.320 --> 1:37:29.920
<v Speaker 1>somewhere where you're not supposed to be because this is

1:37:29.960 --> 1:37:32.519
<v Speaker 1>your journey, this is what you're doing, all right, well, sis,

1:37:32.600 --> 1:37:35.320
<v Speaker 1>don't settle faith, Jenkins. I had given Steve Harvey a

1:37:35.400 --> 1:37:39.720
<v Speaker 1>run for his money quote in the front of the yes, yes, yes,

1:37:39.840 --> 1:37:41.640
<v Speaker 1>he's a good friend and supported my book and I

1:37:41.680 --> 1:37:43.960
<v Speaker 1>really appreciate that. And all of you too joining us

1:37:44.000 --> 1:37:46.720
<v Speaker 1>this morning and thank you. No, that's not your first

1:37:46.800 --> 1:37:50.240
<v Speaker 1>Christmas together. Second, it's our second. Yeah, that's an amazing Christmas.

1:37:50.280 --> 1:37:53.400
<v Speaker 1>Thank you duet or something for us where for Christmas?

1:37:53.439 --> 1:37:57.120
<v Speaker 1>Your Christmas song? Duet? Oh you know, Angel, don't put

1:37:57.160 --> 1:38:02.599
<v Speaker 1>me on the spot like that. Maybe one day, Jenkins.

1:38:02.640 --> 1:38:05.800
<v Speaker 1>It's the Breakfast Club. Good morning, So Breakfast Club, Your

1:38:05.880 --> 1:38:11.960
<v Speaker 1>morning's will never be the same. One of y'all is

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<v Speaker 1>Some restrictions applying everybody, DJ Envy, ANGELA Yee, charlomage mcguy.

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<v Speaker 1>We are the Breakfast Club. Now, Charlomagne, you got a

1:38:33.640 --> 1:38:35.720
<v Speaker 1>positive note. Yes, the positive note of to day is

1:38:35.760 --> 1:38:39.200
<v Speaker 1>simply this, never blame anyone in life. The good people

1:38:39.320 --> 1:38:41.719
<v Speaker 1>give you happiness. The worst people give you a lesson.

1:38:41.920 --> 1:38:44.800
<v Speaker 1>The best people give you memories. Remember that, especially during

1:38:44.800 --> 1:38:48.040
<v Speaker 1>the holiday season. Breakfast Club, you know I'm finish for y'all.

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<v Speaker 1>Dumb