1
00:00:00,040 --> 00:00:03,000
Speaker 1: All right, we're live here had culturally canceled with me,

2
00:00:03,120 --> 00:00:06,200
Speaker 1: Russell Peters. Um, it's another episode. We don't do these

3
00:00:06,280 --> 00:00:09,240
Speaker 1: very often where it's just me and one person. Usually

4
00:00:09,280 --> 00:00:12,760
Speaker 1: it's me and a couple of people. And but this

5
00:00:12,840 --> 00:00:17,360
Speaker 1: time I feel blessed to have um, this gentleman across

6
00:00:17,360 --> 00:00:22,200
Speaker 1: from me, because, uh, we we met a few years ago. Man, many,

7
00:00:22,239 --> 00:00:24,919
Speaker 1: I remember almost seven eight years ago, I guess now.

8
00:00:25,520 --> 00:00:29,280
Speaker 1: And we we always texted each other, which was always good.

9
00:00:29,280 --> 00:00:31,160
Speaker 1: I didn't think when he first gave me his number

10
00:00:31,160 --> 00:00:32,560
Speaker 1: and I text him, didn't think he was gonna reply.

11
00:00:32,600 --> 00:00:34,080
Speaker 1: I thought or he'd be like, Man, I don't remember

12
00:00:34,080 --> 00:00:37,360
Speaker 1: who this is, because that happens in this business all

13
00:00:37,360 --> 00:00:39,839
Speaker 1: the time. And but I've been a fan of this

14
00:00:39,920 --> 00:00:43,080
Speaker 1: guy for very very long time. And then the more

15
00:00:43,080 --> 00:00:45,159
Speaker 1: people I say his name to, the more people go,

16
00:00:45,560 --> 00:00:49,040
Speaker 1: holy sh it. I love that guy. Fucking awesome. Anyway,

17
00:00:49,360 --> 00:00:54,320
Speaker 1: Clifton Collins Jr. Is sitting across me right now. What up, Clifton.

18
00:00:55,520 --> 00:00:57,760
Speaker 1: I know he's the most Mexican looking guy with a

19
00:00:57,800 --> 00:01:02,120
Speaker 1: black guy's name and an Irish last name, which makes

20
00:01:02,120 --> 00:01:05,280
Speaker 1: no sense because apparently your dad's German. Yampally, I know

21
00:01:05,440 --> 00:01:07,880
Speaker 1: for a long time it was it was it's sloppy.

22
00:01:08,920 --> 00:01:11,240
Speaker 1: And then, by the way, Piper the dog is here

23
00:01:11,920 --> 00:01:14,240
Speaker 1: and she's being a fucking brat because she dropped her

24
00:01:14,280 --> 00:01:16,080
Speaker 1: toy and she's whining because she wants somebody to pick

25
00:01:16,160 --> 00:01:18,400
Speaker 1: up her toy for her. You lazy bitch, or one

26
00:01:18,440 --> 00:01:21,480
Speaker 1: could argue it's just a commentary. It is a little

27
00:01:21,520 --> 00:01:23,840
Speaker 1: pug commentary. Yeah, she's like, how somebody played with me.

28
00:01:24,080 --> 00:01:25,720
Speaker 1: So here's what I was trying to tell you before

29
00:01:25,760 --> 00:01:28,959
Speaker 1: we came on the air. Cliff Um. So when I

30
00:01:29,000 --> 00:01:32,520
Speaker 1: first met you, and even before I met you, I

31
00:01:32,640 --> 00:01:35,039
Speaker 1: all and I would see you in movies. Obviously, I

32
00:01:35,400 --> 00:01:42,680
Speaker 1: always thought that you were a little puppet from American Yeah,

33
00:01:42,800 --> 00:01:44,360
Speaker 1: and I to even when I look at you now,

34
00:01:44,360 --> 00:01:46,959
Speaker 1: I still think that's the puppet, right, or a little puppet.

35
00:01:47,240 --> 00:01:49,760
Speaker 1: That's got to be one. He's one of them, you know, No, Right,

36
00:01:50,240 --> 00:01:52,160
Speaker 1: do you guys look alike or is it my imagination?

37
00:01:52,240 --> 00:01:56,000
Speaker 1: That's your imagination, but you got a vivid imagination, yeah,

38
00:01:56,160 --> 00:01:58,320
Speaker 1: Or is it a little puppet? Then it must have

39
00:01:58,320 --> 00:02:00,840
Speaker 1: been a little puppet, because up it didn't look like it.

40
00:02:00,880 --> 00:02:02,680
Speaker 1: But little puppet his brother, the one that they killed

41
00:02:02,720 --> 00:02:04,520
Speaker 1: you know now that I a little puppy. Don't look

42
00:02:04,560 --> 00:02:08,200
Speaker 1: at me when he's kind of you know how you

43
00:02:08,280 --> 00:02:10,840
Speaker 1: do when you're killing your brother. Yeah, they don't kill

44
00:02:10,880 --> 00:02:13,320
Speaker 1: your brother scenario, and you know, I'll make eye contact.

45
00:02:13,400 --> 00:02:16,959
Speaker 1: It's just creepy, you know. I just thought you got thinner,

46
00:02:17,040 --> 00:02:19,760
Speaker 1: you know what I mean? Yeah, I thought, like when

47
00:02:19,760 --> 00:02:22,080
Speaker 1: I look at that, I go, I thought, I still like,

48
00:02:22,120 --> 00:02:23,960
Speaker 1: I thought you got thinner over the years, and that's

49
00:02:23,960 --> 00:02:25,640
Speaker 1: what you were. Just had a chubby phase or something,

50
00:02:25,680 --> 00:02:29,200
Speaker 1: you know. That's Danny real. Yeah, well that's a throwback

51
00:02:29,280 --> 00:02:35,520
Speaker 1: brother got Yeah, Jacob Bargains was in that too. He

52
00:02:35,600 --> 00:02:38,160
Speaker 1: was young and that he was probably twenty two or

53
00:02:38,200 --> 00:02:41,079
Speaker 1: twenty three. And the Japanese guy was in it. What's

54
00:02:41,080 --> 00:02:44,000
Speaker 1: his name? Oh, I forget his name. Yeah, that's a Yeah.

55
00:02:44,040 --> 00:02:47,240
Speaker 1: There's a lot of heavy issues with that film they did. Yeah, yeah,

56
00:02:47,240 --> 00:02:49,280
Speaker 1: they well it was a great movie, but yeah, it

57
00:02:49,360 --> 00:02:52,800
Speaker 1: caused problems for them. Yeah, and a lot of people

58
00:02:52,840 --> 00:02:54,520
Speaker 1: had to get them out of those problems. Yeah, and

59
00:02:54,560 --> 00:02:57,360
Speaker 1: some didn't make it. Yeah. Well, you know, didn't Danny

60
00:02:57,400 --> 00:02:59,880
Speaker 1: get them out of some of the problems. I don't know,

61
00:03:00,520 --> 00:03:03,280
Speaker 1: or Danny made a call to like listen, he didn't

62
00:03:04,040 --> 00:03:05,880
Speaker 1: to really smooth it over. He didn't like get him out.

63
00:03:05,880 --> 00:03:07,400
Speaker 1: He was just like, listen, let me just explain on

64
00:03:07,440 --> 00:03:09,560
Speaker 1: this guy's behalf. He didn't. You know, you get a

65
00:03:09,560 --> 00:03:12,560
Speaker 1: phone call from the bay, you gotta pay attention. Yeah, yeah, yeah,

66
00:03:12,639 --> 00:03:15,079
Speaker 1: that's well, that's true for sure. There's a reason there

67
00:03:15,120 --> 00:03:17,160
Speaker 1: was no I could collect calls from the bay. But

68
00:03:17,240 --> 00:03:19,639
Speaker 1: those are my friends. Yeah, that's how that goes. And

69
00:03:19,760 --> 00:03:23,080
Speaker 1: can you put some money in my commissary. I love

70
00:03:23,160 --> 00:03:26,480
Speaker 1: doing it for my friends though, some shoes or whatever. Yeah, yeah,

71
00:03:26,480 --> 00:03:29,480
Speaker 1: because they you know, and then they brag about it. Friend,

72
00:03:29,480 --> 00:03:31,440
Speaker 1: he's an actor. He gave me these and then they

73
00:03:31,480 --> 00:03:34,560
Speaker 1: go put on this movie's in it, put on his

74
00:03:34,680 --> 00:03:39,480
Speaker 1: movies in it. He's in this deal. Yeah, put on Encino. Man.

75
00:03:40,240 --> 00:03:42,760
Speaker 1: I did drop to one three though, but that's not

76
00:03:42,760 --> 00:03:44,080
Speaker 1: when you knew me. When you name me, I was

77
00:03:44,120 --> 00:03:47,200
Speaker 1: more like one sixty. You're you're not like a big

78
00:03:47,240 --> 00:03:49,360
Speaker 1: guy to begin with, Like, you have a small face,

79
00:03:49,800 --> 00:03:52,320
Speaker 1: so no matter what you do, you will always lookin

80
00:03:53,320 --> 00:03:55,040
Speaker 1: I have. My face is the first thing to get

81
00:03:55,080 --> 00:03:57,680
Speaker 1: fat on me. Yeah, and like so I could drop

82
00:03:57,720 --> 00:03:59,280
Speaker 1: weight on my body, my face will still be like

83
00:04:00,080 --> 00:04:01,840
Speaker 1: fee and I'm like, I'm not even drinking anymore. What

84
00:04:01,880 --> 00:04:04,640
Speaker 1: are you doing? Why am I still puffy? It sucks?

85
00:04:04,760 --> 00:04:07,440
Speaker 1: I get it on my belly, yeah, I mean I'd

86
00:04:07,520 --> 00:04:09,600
Speaker 1: rather have it there than on my fucking face, because

87
00:04:09,600 --> 00:04:11,640
Speaker 1: then at least you can just do a headshot and

88
00:04:11,640 --> 00:04:13,720
Speaker 1: still look good. And we're a big jacket. Yeah, we're

89
00:04:13,720 --> 00:04:16,760
Speaker 1: a big jacket. Were some baggy clothes? Yeah, baggy clothes

90
00:04:16,839 --> 00:04:19,920
Speaker 1: the way. What are you working on right now? Right now,

91
00:04:19,960 --> 00:04:23,760
Speaker 1: I'm writing my my grandfather's life story. It's great, girl, sir,

92
00:04:24,680 --> 00:04:26,640
Speaker 1: tell us about him. It's a it's an origin story,

93
00:04:26,920 --> 00:04:30,200
Speaker 1: starting at his birth nineteen all the way until his

94
00:04:30,520 --> 00:04:32,360
Speaker 1: discovery on the ground sham Mark show that you bet

95
00:04:32,400 --> 00:04:39,039
Speaker 1: Your Life show? Yeah, wow, brother, that's dope. Yeah. So,

96
00:04:39,240 --> 00:04:42,760
Speaker 1: uh it's uh, it's it's it's it's taking me down

97
00:04:42,839 --> 00:04:45,920
Speaker 1: some rabbit holes. I've I've traced my family lineage to

98
00:04:46,080 --> 00:04:49,880
Speaker 1: the Godpas of the nineteen hundreds. Um my, my my

99
00:04:49,960 --> 00:04:54,560
Speaker 1: theater background going back to the eighteen thirty nine Spain.

100
00:04:54,760 --> 00:04:56,680
Speaker 1: So this is genetic for you. This isn't really a

101
00:04:56,800 --> 00:05:00,880
Speaker 1: choice apparently. Yeah. It's like it's like, you know your

102
00:05:00,880 --> 00:05:04,320
Speaker 1: grandfather was a um you know, I knew his name

103
00:05:04,920 --> 00:05:07,560
Speaker 1: contract player for John Wayne. That's crazy, right, I didn't

104
00:05:07,560 --> 00:05:10,880
Speaker 1: even read. Yeah, Pedro Gonzalis Gonzalez. Yeah, he started trying

105
00:05:10,920 --> 00:05:13,400
Speaker 1: to perform and he was six years old. Well was he?

106
00:05:13,520 --> 00:05:15,560
Speaker 1: Tell he was a dancer too though, the tap dancer

107
00:05:15,640 --> 00:05:19,880
Speaker 1: hoof for Jitterbug Charleston a comedian, uh you know he

108
00:05:19,880 --> 00:05:22,720
Speaker 1: he would quickly become the headliners of these corpus were

109
00:05:22,760 --> 00:05:25,880
Speaker 1: like the traveling Vodevillian shows of the day. Um, you

110
00:05:25,960 --> 00:05:27,960
Speaker 1: do like four or five performances and you move on

111
00:05:28,000 --> 00:05:31,160
Speaker 1: to the next town. Um. So a lot of the

112
00:05:31,200 --> 00:05:34,800
Speaker 1: families it would be a family affair because yeah, if

113
00:05:34,839 --> 00:05:37,000
Speaker 1: you still see them, yeah, you still see them. I

114
00:05:37,040 --> 00:05:39,160
Speaker 1: went to one there's it was like the Vargus one,

115
00:05:39,640 --> 00:05:42,520
Speaker 1: the Vargas family circus. You see, and you know it's like, yeah,

116
00:05:42,560 --> 00:05:45,760
Speaker 1: everybody's related. Yeah, and there's no shortage of Mexicans in

117
00:05:45,760 --> 00:05:49,200
Speaker 1: a family. This is true. This My son is half Mexican. So,

118
00:05:49,240 --> 00:05:51,080
Speaker 1: I mean, I get it. How did that happen? Well,

119
00:05:51,240 --> 00:06:00,000
Speaker 1: you know, funked up? But look at him, yeah there

120
00:06:00,080 --> 00:06:03,760
Speaker 1: is Yeah, you don't look actually anything like him. Oh

121
00:06:03,880 --> 00:06:05,800
Speaker 1: there you go, there you go, you got the eyes. Yeah,

122
00:06:06,000 --> 00:06:09,000
Speaker 1: I get it. I get a lot. I'm Eddie. Eddie

123
00:06:09,080 --> 00:06:11,719
Speaker 1: spoke h at my grandpa's funeral and he was like, Clifton,

124
00:06:11,839 --> 00:06:14,160
Speaker 1: you gotta dude play him in the movie. That would

125
00:06:14,200 --> 00:06:16,440
Speaker 1: be dope. I mean, I mean, I'm writing it now,

126
00:06:16,560 --> 00:06:18,919
Speaker 1: so it's uh, you know, I got a hundred and

127
00:06:18,920 --> 00:06:21,719
Speaker 1: fifty page script my next draft. I'm gonna be bringing

128
00:06:21,720 --> 00:06:24,000
Speaker 1: it down. But Germo del Toro sent me on my

129
00:06:24,080 --> 00:06:27,919
Speaker 1: journey when I was doing a nightmare alley in Toronto,

130
00:06:28,120 --> 00:06:31,159
Speaker 1: and uh one one night we uh we were we

131
00:06:31,160 --> 00:06:33,240
Speaker 1: were having a little wine and cheese with his girlfriend

132
00:06:33,760 --> 00:06:37,280
Speaker 1: and uh like dinner was finished, like you know, Rom

133
00:06:37,360 --> 00:06:39,160
Speaker 1: Promin had just left and will him to follow, and

134
00:06:39,200 --> 00:06:40,840
Speaker 1: Tony Collette. It's just the three of us and they

135
00:06:40,839 --> 00:06:43,239
Speaker 1: wanted to watch a trailer to jockey. So I showed

136
00:06:43,279 --> 00:06:45,960
Speaker 1: him the trailer and he's like, he's Germa Deltoro. Man,

137
00:06:46,000 --> 00:06:49,120
Speaker 1: it's like he's car Hitchcock. So he's sitting there. He's like,

138
00:06:49,120 --> 00:06:50,760
Speaker 1: I got out on and he likes to call me

139
00:06:50,839 --> 00:06:53,120
Speaker 1: a Clifforton. He was clifforton me to go on. He

140
00:06:53,279 --> 00:06:55,000
Speaker 1: I want to tell you something. I'm like, like what

141
00:06:55,320 --> 00:06:57,560
Speaker 1: he goes, Look, you and your grandpa and your great

142
00:06:57,560 --> 00:06:59,880
Speaker 1: grandmother and all the history of that cut up us

143
00:07:00,040 --> 00:07:02,240
Speaker 1: this and then he goes, you're you're you're the Latino

144
00:07:02,320 --> 00:07:05,960
Speaker 1: Barrymore's cover, and I was like, no, no, garm will

145
00:07:05,960 --> 00:07:09,720
Speaker 1: come on, please, Drew. I thought I was thinking that

146
00:07:09,960 --> 00:07:12,080
Speaker 1: it wouldn't make me Drew because I'm not lying at

147
00:07:12,360 --> 00:07:17,600
Speaker 1: I'm not, you know, because grandfather, I don't know your grandmother.

148
00:07:18,720 --> 00:07:24,040
Speaker 1: There's even the mother John mom was in Vaudeville um.

149
00:07:24,120 --> 00:07:28,240
Speaker 1: So I was like, no, no, no, I just it's

150
00:07:28,280 --> 00:07:32,400
Speaker 1: hard to accept those kind of praises from somebody revere

151
00:07:32,400 --> 00:07:34,600
Speaker 1: and look up to so much like Guarmo. You know,

152
00:07:34,680 --> 00:07:36,960
Speaker 1: it's really hard. So I was like, I don't feel

153
00:07:37,320 --> 00:07:39,240
Speaker 1: I said no, Garmo, no, and then he like looked

154
00:07:39,240 --> 00:07:41,679
Speaker 1: at me real serious, and he leaned forward and goes, yes,

155
00:07:41,800 --> 00:07:45,520
Speaker 1: you are, is it o? Gay? I am Mexican. I

156
00:07:45,520 --> 00:07:47,800
Speaker 1: thought was the Spanish Mexican. I always thought he was

157
00:07:47,840 --> 00:07:51,240
Speaker 1: from Spain for some reason. I don't know why. It's

158
00:07:51,280 --> 00:07:55,600
Speaker 1: Benicio and him related. No really, but a lot of

159
00:07:55,600 --> 00:07:57,800
Speaker 1: people want to say Garmo. They think I mean Benecio

160
00:07:57,840 --> 00:08:00,520
Speaker 1: and vice versa, and they're not. Benicio was not Mexican

161
00:08:00,560 --> 00:08:09,880
Speaker 1: though he's Spanish. He's in Puerto Rican. Really no, I

162
00:08:09,880 --> 00:08:13,960
Speaker 1: mean you can't have everything. I mean I never knew

163
00:08:14,280 --> 00:08:16,640
Speaker 1: Benissio Delta was Porto. He didn't look Puerto Rican. He

164
00:08:16,680 --> 00:08:19,120
Speaker 1: looks he's gotta be a mix of stuff. I haven't

165
00:08:19,160 --> 00:08:23,760
Speaker 1: spoken to in a while. He's very brown. Really, huh.

166
00:08:23,920 --> 00:08:25,920
Speaker 1: It's good to have a fact checker. Yeah, we got

167
00:08:26,000 --> 00:08:32,120
Speaker 1: Eddie and Paulie over there. Eddie's not fact checking. Yeah. Yeah.

168
00:08:32,600 --> 00:08:35,559
Speaker 1: He's only fucking three years older than us, is he really?

169
00:08:36,640 --> 00:08:39,520
Speaker 1: I texted him when he turned fifty, so three years ago,

170
00:08:39,760 --> 00:08:41,880
Speaker 1: I mean five years ago. Yeah. I don't think he

171
00:08:41,960 --> 00:08:44,640
Speaker 1: was happy about it. No. I was like, happy birthday,

172
00:08:44,640 --> 00:08:48,920
Speaker 1: you old fucker. I mean I just turned one. Yeah,

173
00:08:49,000 --> 00:08:51,439
Speaker 1: I'm turning fifty one in a month, So I get it.

174
00:08:51,480 --> 00:08:55,240
Speaker 1: We're the same age you were. And somebody, Michael J.

175
00:08:55,360 --> 00:08:56,760
Speaker 1: White was the one who told me. I said, goes.

176
00:08:57,000 --> 00:08:59,720
Speaker 1: You know that Clifton cons is a really fucking talented

177
00:08:59,720 --> 00:09:02,840
Speaker 1: tap dancer. I said, what I said, How do you

178
00:09:02,880 --> 00:09:05,199
Speaker 1: know that? It goes? It's common knowledge? I goo, I

179
00:09:05,240 --> 00:09:07,960
Speaker 1: didn't know this. I never even heard that. I wouldn't

180
00:09:08,000 --> 00:09:11,160
Speaker 1: associate you with tap dancing. How does this even happen?

181
00:09:11,640 --> 00:09:14,000
Speaker 1: My grandpa got his tapping when we were seven years old,

182
00:09:14,440 --> 00:09:17,280
Speaker 1: Like Arthur Duncan would come over from the Lawrence Walk

183
00:09:17,320 --> 00:09:19,600
Speaker 1: Show and we'd sit through with me and my cousin

184
00:09:19,640 --> 00:09:23,400
Speaker 1: and shows routines. My aunt was a dancer. Um. Obviously

185
00:09:23,400 --> 00:09:25,760
Speaker 1: my grandfather was a hook and my grandfather got footage

186
00:09:25,760 --> 00:09:28,360
Speaker 1: of him doing like break damp moves on the Jimmy

187
00:09:28,400 --> 00:09:30,480
Speaker 1: Duranty Show. Well, yeah, there was those. There's a lot

188
00:09:30,520 --> 00:09:32,720
Speaker 1: of old footage, like because I was a b boy

189
00:09:32,760 --> 00:09:35,679
Speaker 1: back in the day, Okay, yeah, so there was a lot.

190
00:09:35,720 --> 00:09:38,439
Speaker 1: There's a lot of footage, like the thirties and forties

191
00:09:39,240 --> 00:09:41,160
Speaker 1: of people doing these moves and you're like, what was

192
00:09:41,160 --> 00:09:43,440
Speaker 1: that that they go? That's a breakdancing move now, but

193
00:09:43,480 --> 00:09:45,880
Speaker 1: back then it was like part of you know, legitterbug

194
00:09:45,960 --> 00:09:47,559
Speaker 1: or whatever it was they were doing at the moment,

195
00:09:47,600 --> 00:09:49,440
Speaker 1: you know, and there was just a hard move to do. Well.

196
00:09:49,480 --> 00:09:53,600
Speaker 1: When I actually got my hands on the Jimmy Duranty

197
00:09:53,640 --> 00:09:56,600
Speaker 1: Show that he did with Robert mitchum, wow, yeah. And

198
00:09:56,720 --> 00:09:59,839
Speaker 1: see these are all like fucking insanely legendary names. It's

199
00:09:59,840 --> 00:10:02,640
Speaker 1: not like you know, my dad, my grandfather, you know,

200
00:10:02,679 --> 00:10:04,680
Speaker 1: when he met um. You know, there was a day

201
00:10:04,720 --> 00:10:07,800
Speaker 1: player in a spaghetti Western. You know, these are like,

202
00:10:08,040 --> 00:10:10,400
Speaker 1: these are big, big names, you know. And as a

203
00:10:10,480 --> 00:10:13,160
Speaker 1: kid growing up, I you know, you hear Robert Mitchen.

204
00:10:13,200 --> 00:10:15,000
Speaker 1: But I was more impressed with the fact that he

205
00:10:15,040 --> 00:10:18,199
Speaker 1: knew Daffy Duck and that he knew Speedy Gonzalez, and

206
00:10:18,280 --> 00:10:21,120
Speaker 1: that because he didn't he did three cartoons. He knew

207
00:10:21,160 --> 00:10:23,760
Speaker 1: Mel blank, well blank, Mel blank loved him. Here's the

208
00:10:23,800 --> 00:10:26,960
Speaker 1: funny thing. The last podcast I did before this was

209
00:10:27,000 --> 00:10:29,440
Speaker 1: with this guy named Eric Boza, who was a Filipino

210
00:10:29,559 --> 00:10:32,160
Speaker 1: kid from Toronto who is now the voice of all

211
00:10:32,160 --> 00:10:35,200
Speaker 1: the characters and Looney Tunes. Wow, okay, because his son

212
00:10:35,200 --> 00:10:37,520
Speaker 1: did him for a little while. Yeah, mel blank. And

213
00:10:37,520 --> 00:10:40,360
Speaker 1: then it was his son's name Mel Jr. No, I

214
00:10:40,400 --> 00:10:43,640
Speaker 1: don't like. It wasn't like Harvey blank or Henry blank

215
00:10:43,720 --> 00:10:47,560
Speaker 1: or something. I'm drawing a blank right now. I'm drawing

216
00:10:47,640 --> 00:10:55,760
Speaker 1: a big blank. Noel, Oh, no Noel. Then, so Gramps

217
00:10:55,840 --> 00:10:58,640
Speaker 1: used to tell me the story that uh, Mitchell would

218
00:10:58,640 --> 00:11:03,800
Speaker 1: be pretty wasted. It ustles, you know, so um so

219
00:11:03,840 --> 00:11:05,599
Speaker 1: they'll be rehearsing and stuff, and he was supposed to

220
00:11:05,679 --> 00:11:07,680
Speaker 1: learn this Spanish song is saying why he's on a

221
00:11:07,720 --> 00:11:10,480
Speaker 1: hammock Because it was very Mexican themed, and my grandfather

222
00:11:10,480 --> 00:11:11,920
Speaker 1: got to do a lot of his routine, playing the

223
00:11:11,920 --> 00:11:15,920
Speaker 1: frying pans and stuff, and uh, Bobby was so messed

224
00:11:15,960 --> 00:11:18,600
Speaker 1: up he couldn't didn't know the words or anything. So

225
00:11:18,800 --> 00:11:20,160
Speaker 1: my grandpa taught me the story when I was a

226
00:11:20,240 --> 00:11:22,360
Speaker 1: kid that he was a big old flower pot. So

227
00:11:22,559 --> 00:11:24,880
Speaker 1: I just went behind it and I hid right behind it,

228
00:11:25,040 --> 00:11:27,240
Speaker 1: and I'd sing the song to him, and then and

229
00:11:27,280 --> 00:11:30,640
Speaker 1: then Bobby would would just repeat the lyrics and he'd singly,

230
00:11:30,640 --> 00:11:33,200
Speaker 1: but singing the way he'd sing it. And I was like,

231
00:11:33,240 --> 00:11:35,400
Speaker 1: so I heard this story forever. And then when Grandpa

232
00:11:35,480 --> 00:11:39,400
Speaker 1: got sick with cancer. Um, I think the performance I

233
00:11:39,400 --> 00:11:43,480
Speaker 1: believe was February eleventh, nineteen fifties six. So I went

234
00:11:43,520 --> 00:11:46,960
Speaker 1: to the Beverly Hills Museum Radio and Science Television, and

235
00:11:46,960 --> 00:11:50,680
Speaker 1: they knew my grandfather was sick, so they said, we

236
00:11:50,679 --> 00:11:52,319
Speaker 1: would really love it if your grandpa was able to

237
00:11:52,360 --> 00:11:53,840
Speaker 1: see this. Could he could he come in? And said,

238
00:11:53,880 --> 00:11:55,440
Speaker 1: I would love it if he saw it too. He's

239
00:11:55,520 --> 00:11:57,520
Speaker 1: got his chemo pack and all this time, I don't

240
00:11:57,520 --> 00:11:59,439
Speaker 1: think I could get him here, So well, you know,

241
00:11:59,480 --> 00:12:01,839
Speaker 1: we're gonna do a special thing, and they they went,

242
00:12:01,920 --> 00:12:04,079
Speaker 1: They went out of their way, got in touch with

243
00:12:04,120 --> 00:12:06,439
Speaker 1: the people in New York, sent me a copy within

244
00:12:06,640 --> 00:12:08,959
Speaker 1: four days, and I got to watch it with them

245
00:12:08,960 --> 00:12:11,000
Speaker 1: for the very first time. You've never seen he never

246
00:12:11,000 --> 00:12:13,960
Speaker 1: actually seen the footage. He's like, mean, you joined this

247
00:12:14,040 --> 00:12:17,640
Speaker 1: to me was like you never having seen Cabodi and

248
00:12:17,640 --> 00:12:20,400
Speaker 1: then seeing it fifty years later, because almost fifty years

249
00:12:20,480 --> 00:12:23,560
Speaker 1: later to the day, because he died shortly thereafter. Oder

250
00:12:23,640 --> 00:12:26,600
Speaker 1: see when he passed. God, God, I couldn't even tell yet.

251
00:12:26,679 --> 00:12:30,120
Speaker 1: How long ago was it? Oh six? Okay, so he

252
00:12:30,200 --> 00:12:34,480
Speaker 1: was he was eighty one. He was eighty because my

253
00:12:34,559 --> 00:12:36,720
Speaker 1: dad passed to oh four and he was seventy eight,

254
00:12:36,880 --> 00:12:41,280
Speaker 1: and they were the same age, so so so, so

255
00:12:41,360 --> 00:12:43,320
Speaker 1: we're watching it and then sure enough there it goes

256
00:12:43,320 --> 00:12:45,760
Speaker 1: to the hammock. See hes me right there, there's a flower,

257
00:12:45,800 --> 00:12:48,520
Speaker 1: but I'm heading right behind that. I put that together

258
00:12:48,559 --> 00:12:51,280
Speaker 1: as a kid and then being my like late thirties,

259
00:12:51,960 --> 00:12:54,880
Speaker 1: you know, and finally it was just such a a beautiful,

260
00:12:54,960 --> 00:12:58,000
Speaker 1: magical book. And I tend to uh, when I go

261
00:12:58,000 --> 00:12:59,760
Speaker 1: on YouTube, I watch a lot of the stuff that

262
00:12:59,800 --> 00:13:02,400
Speaker 1: I saw when I was a kid in the seventies,

263
00:13:03,040 --> 00:13:06,280
Speaker 1: and to try and reunderstand it, you know what I mean,

264
00:13:06,320 --> 00:13:09,080
Speaker 1: to really appreciate what I was looking at. So I

265
00:13:09,120 --> 00:13:11,599
Speaker 1: watch a lot of old Carson interviews and stuff, and

266
00:13:11,640 --> 00:13:15,800
Speaker 1: I realized what a fucking dope time that was Carson.

267
00:13:16,000 --> 00:13:19,560
Speaker 1: I watched a Groucho interview not that long ago when

268
00:13:19,600 --> 00:13:22,920
Speaker 1: he was older, and and the reporter asked him, uh,

269
00:13:23,000 --> 00:13:26,400
Speaker 1: if he thought the world was funny, and Grautcha had

270
00:13:26,400 --> 00:13:29,040
Speaker 1: told him, no, I don't think the world is funny.

271
00:13:29,200 --> 00:13:31,600
Speaker 1: In fact, the world is filled with pain. And it

272
00:13:31,679 --> 00:13:36,160
Speaker 1: made me think because, as you know, a tragedy plus

273
00:13:36,559 --> 00:13:39,679
Speaker 1: passage of time equals comedy. And it made me realize

274
00:13:39,679 --> 00:13:42,080
Speaker 1: that he was coming to terms with his own mortality

275
00:13:42,120 --> 00:13:44,840
Speaker 1: and realizing that he didn't have enough time to process

276
00:13:44,880 --> 00:13:47,720
Speaker 1: all this stuff he's really hyper aware with and of

277
00:13:48,200 --> 00:13:51,160
Speaker 1: I love Groucho Gratcha, I mean, I like, I love

278
00:13:51,240 --> 00:13:53,920
Speaker 1: the Marx Brothers. Have you seen the episode of My

279
00:13:53,960 --> 00:13:57,400
Speaker 1: Grandfather and grouchow on that you bet your eddie pulling

280
00:13:57,400 --> 00:14:02,000
Speaker 1: that up? Actually bet your life with Page Gonzalez this, Uh,

281
00:14:02,040 --> 00:14:05,280
Speaker 1: they would remain friends to the very end. Yeah, like Groucho,

282
00:14:05,559 --> 00:14:09,000
Speaker 1: I would watch um like duck Soup and all that stuff.

283
00:14:09,040 --> 00:14:13,080
Speaker 1: Watched the recently what was the feathers one was there

284
00:14:13,160 --> 00:14:15,280
Speaker 1: was a feathers movie called a movie out something with

285
00:14:15,280 --> 00:14:17,920
Speaker 1: feathers in it. Yeah. Their their uncle helped them because

286
00:14:17,960 --> 00:14:21,520
Speaker 1: their mom um, you know, because Grouch was was fairly

287
00:14:22,640 --> 00:14:24,280
Speaker 1: you know, he lived, he was out of school by

288
00:14:24,280 --> 00:14:27,080
Speaker 1: the age of fourteen. Yeah, it's like kind of normal

289
00:14:27,120 --> 00:14:30,720
Speaker 1: back then, it kind of especially people in the entertainment business. Yeah,

290
00:14:30,760 --> 00:14:37,360
Speaker 1: but they would do not so great. Uh. Like watching

291
00:14:37,400 --> 00:14:39,840
Speaker 1: this now, even you're like fucking dope just to see

292
00:14:40,760 --> 00:14:45,240
Speaker 1: it's it's so it's so retro. It seems retro, but

293
00:14:45,360 --> 00:14:48,040
Speaker 1: still seems like when you really think about it, like

294
00:14:48,080 --> 00:14:50,240
Speaker 1: we're all part of the same wave of the same

295
00:14:50,280 --> 00:14:56,120
Speaker 1: thing because it didn't exist when they were kids. What

296
00:14:56,160 --> 00:15:06,440
Speaker 1: did he say? Nine years? My friend answers, next question.

297
00:15:09,320 --> 00:15:11,040
Speaker 1: You gotta see the dancey dance. He just does a

298
00:15:11,120 --> 00:15:13,920
Speaker 1: quick little dance for him. Your wife named Gonzalez before

299
00:15:13,960 --> 00:15:19,120
Speaker 1: you married up? No, oh, how did you meet Mrs

300
00:15:19,160 --> 00:15:22,320
Speaker 1: Gonzalez Gonzalez? Well, she was working in San Antonio in

301
00:15:22,320 --> 00:15:25,520
Speaker 1: an old theater. She was a dancer, and I have

302
00:15:25,640 --> 00:15:29,600
Speaker 1: a friend and then she took me to her and backstage,

303
00:15:30,440 --> 00:15:32,280
Speaker 1: and then she gave me a good look and I

304
00:15:32,400 --> 00:15:42,640
Speaker 1: give her another good look. That's his real voice. Yeah, yeah,

305
00:15:43,440 --> 00:15:45,160
Speaker 1: what kind of a look did you give this guyl

306
00:15:45,200 --> 00:15:47,600
Speaker 1: when you met her backstage? Could you give us a sample?

307
00:15:47,680 --> 00:15:51,960
Speaker 1: Love Pedro? Well, I just can I look at her?

308
00:15:53,000 --> 00:15:54,760
Speaker 1: Did you guys have the same eyes, nose, and mouth.

309
00:15:56,160 --> 00:16:10,200
Speaker 1: That's crazy if this have any effect on you at all, Sally,

310
00:16:10,800 --> 00:16:17,400
Speaker 1: I looked back. Well, I'm curious he's talking about because

311
00:16:17,400 --> 00:16:21,600
Speaker 1: her daughter was so young. That's another that's just another contestant.

312
00:16:21,840 --> 00:16:25,080
Speaker 1: I remember the time I went to to see my girlfriend.

313
00:16:25,120 --> 00:16:28,840
Speaker 1: I to her a serenade. You took her a serenade? Yeah,

314
00:16:28,920 --> 00:16:31,720
Speaker 1: like I saw in the movie they take serend So

315
00:16:31,800 --> 00:16:34,240
Speaker 1: I took a seren eight to her, and then I

316
00:16:34,280 --> 00:16:36,640
Speaker 1: had my guitar and I started singing as a song.

317
00:16:37,440 --> 00:16:40,280
Speaker 1: When I was singing the song, I saw the window open,

318
00:16:41,000 --> 00:16:42,960
Speaker 1: and I thought it was my girlfriend, who want to

319
00:16:43,000 --> 00:16:46,680
Speaker 1: give me a nice good, nice piece. She's upstairs and

320
00:16:46,720 --> 00:16:48,800
Speaker 1: you're dances. Yes, how did she kiss you? If she

321
00:16:48,880 --> 00:16:50,720
Speaker 1: was upstairs and you were well, I think I can

322
00:16:50,760 --> 00:16:57,120
Speaker 1: climb up and they was younger than knew she could

323
00:16:57,160 --> 00:17:01,960
Speaker 1: have climbed down. Who year was this ticky three open? Oh? Well,

324
00:17:02,400 --> 00:17:09,600
Speaker 1: your grandfather was twenty eight years old. Yeah, that's crazy right. Yeah,

325
00:17:09,760 --> 00:17:13,360
Speaker 1: they got married. He was seventeen, she was fifteen. Wow,

326
00:17:13,880 --> 00:17:16,600
Speaker 1: she threw up a water iron? Yeah what are you saying?

327
00:17:16,600 --> 00:17:20,000
Speaker 1: And cass a fire? What are you saying? Do you remember?

328
00:17:20,240 --> 00:17:23,399
Speaker 1: I was saying the ranch of Grandi? So watch this?

329
00:17:24,440 --> 00:17:28,200
Speaker 1: Oh yeah, ye to Grandy you wanted an English word?

330
00:17:30,640 --> 00:17:33,320
Speaker 1: Was he meaning to be this funny? He's just naturally

331
00:17:33,320 --> 00:17:40,480
Speaker 1: off the cuff, right yeah, because he's playing it so deadpan?

332
00:17:40,720 --> 00:17:43,920
Speaker 1: What would you call that? But you're just there, rancho Grandi?

333
00:17:44,080 --> 00:17:49,000
Speaker 1: I mean all that English or Spanish? Well, I think

334
00:17:49,000 --> 00:17:54,159
Speaker 1: i'd call it the English? Are you doing in English?

335
00:17:54,400 --> 00:17:57,919
Speaker 1: In English? Or weather in the big range? I have

336
00:17:58,080 --> 00:18:07,480
Speaker 1: a beautiful no wonder you got the water? And I

337
00:18:07,640 --> 00:18:10,280
Speaker 1: dance too? You do what you could? You do a

338
00:18:10,320 --> 00:18:16,439
Speaker 1: little dancer? Why not check this out? What kind of

339
00:18:16,520 --> 00:18:19,080
Speaker 1: dancers do you do? You come over here, Sally and

340
00:18:19,160 --> 00:18:23,600
Speaker 1: you go over there, and so you want me to dance? Yeah?

341
00:18:23,680 --> 00:18:28,719
Speaker 1: What do you want me to dance? I dancer lavamba

342
00:18:29,119 --> 00:18:33,240
Speaker 1: that little mambo and like then you know, well do

343
00:18:33,720 --> 00:18:36,960
Speaker 1: something that you do very well? Okay, well an dance?

344
00:18:37,040 --> 00:18:53,000
Speaker 1: I just how's a breakdancing move? That so became a

345
00:18:53,000 --> 00:18:56,000
Speaker 1: break dancing move. Yeah. They added that into the top rocking.

346
00:18:56,000 --> 00:18:58,160
Speaker 1: When you would top rock, you would add that little

347
00:18:58,160 --> 00:19:02,520
Speaker 1: stump with the leg poll. Okay, so so, uh, radio

348
00:19:02,560 --> 00:19:06,840
Speaker 1: between your predominant form of entertainment at home. Right, you

349
00:19:06,880 --> 00:19:08,920
Speaker 1: can buy it for seven dollars all the way to

350
00:19:08,960 --> 00:19:12,560
Speaker 1: play five thousands radios back then. So they had a

351
00:19:12,680 --> 00:19:15,320
Speaker 1: radio version of this, which I also have. And he

352
00:19:15,359 --> 00:19:18,119
Speaker 1: actually sings a longer version of the song, and he

353
00:19:18,160 --> 00:19:20,520
Speaker 1: really gets into the Spanish version of it, and then

354
00:19:20,560 --> 00:19:23,680
Speaker 1: he's like and he knows he's totally playing it, like

355
00:19:23,680 --> 00:19:26,320
Speaker 1: like he's playing a dead pan. He's like, what's the matter,

356
00:19:26,359 --> 00:19:28,480
Speaker 1: don't we have a band here? And then and then

357
00:19:28,600 --> 00:19:30,960
Speaker 1: Croucher laughs like ha ha. He goes hit it boys,

358
00:19:31,119 --> 00:19:35,239
Speaker 1: and then the band just don't, don't, don't and then

359
00:19:35,080 --> 00:19:39,480
Speaker 1: run on No, it just starts wailing. And that was

360
00:19:39,520 --> 00:19:43,040
Speaker 1: the radio version, but they cut it for television. Groucha

361
00:19:43,080 --> 00:19:45,560
Speaker 1: went over on this show like there was a time

362
00:19:45,560 --> 00:19:47,600
Speaker 1: limit where they're supposed to stop. He just letting go

363
00:19:47,720 --> 00:19:49,679
Speaker 1: because he was laughing so hard and he didn't care.

364
00:19:49,720 --> 00:19:52,080
Speaker 1: He told MDC just let him go and it was

365
00:19:52,160 --> 00:19:55,359
Speaker 1: live then, right, Yeah, Yeah, that's the crazy part like

366
00:19:55,400 --> 00:19:58,320
Speaker 1: they weren't. Nobody was a slave to anything back then,

367
00:19:58,640 --> 00:20:01,199
Speaker 1: yet they were all still slaves to it, yes, like

368
00:20:01,280 --> 00:20:03,320
Speaker 1: nobody like they all they all had the ability to

369
00:20:03,400 --> 00:20:05,159
Speaker 1: do like they were. They were kind of more in

370
00:20:05,200 --> 00:20:07,560
Speaker 1: control than the studios we're back then, But then the

371
00:20:07,560 --> 00:20:10,439
Speaker 1: studios would lock him into these crazy fucking deals and stuff,

372
00:20:10,480 --> 00:20:13,280
Speaker 1: you know for sure, which would happen later, But for

373
00:20:13,320 --> 00:20:15,560
Speaker 1: this particularly, he was really he almost didn't go to

374
00:20:15,640 --> 00:20:19,520
Speaker 1: this because when Walter o'keith called Ground should let him

375
00:20:19,560 --> 00:20:21,320
Speaker 1: know that he found this guy that could help him

376
00:20:21,359 --> 00:20:23,480
Speaker 1: with his ratings. He was like, okay, cool, we'll can

377
00:20:23,520 --> 00:20:24,679
Speaker 1: I bring my act? You want me to do my

378
00:20:24,720 --> 00:20:26,679
Speaker 1: frying pants? My dad seeing my routines? What do you

379
00:20:26,680 --> 00:20:27,880
Speaker 1: want to do? Because no, no no, you're just gonna answer

380
00:20:27,920 --> 00:20:30,159
Speaker 1: some questions, answer questions. I barely speak English. You just

381
00:20:30,200 --> 00:20:32,119
Speaker 1: heard all the words I know. And he's like, no,

382
00:20:32,200 --> 00:20:34,280
Speaker 1: it'll be it'll be easy. You can answer questions. So

383
00:20:34,359 --> 00:20:36,200
Speaker 1: he tells my Ground because I don't think we want

384
00:20:36,200 --> 00:20:38,680
Speaker 1: to go. I just this is embarrassing, Like I can't

385
00:20:38,680 --> 00:20:41,600
Speaker 1: bring my act. I'm like, I'm handcuffed. Yeah, I can't

386
00:20:41,640 --> 00:20:43,760
Speaker 1: be funny. I'm gonna look like an ass and everybody

387
00:20:43,800 --> 00:20:47,040
Speaker 1: knows how good of a performer I am. I can't read,

388
00:20:47,520 --> 00:20:49,880
Speaker 1: you know, I can't do these things. So he's like, well,

389
00:20:49,880 --> 00:20:51,679
Speaker 1: we need money, we need this, we need that. Won't

390
00:20:51,680 --> 00:20:53,560
Speaker 1: you just go? He was like, So he takes his

391
00:20:53,600 --> 00:20:58,040
Speaker 1: plane ticket, he's never flown before, he was San Antonio, okay,

392
00:20:58,040 --> 00:20:59,879
Speaker 1: and then he so he catches it in for a

393
00:21:00,040 --> 00:21:03,400
Speaker 1: bus ticket, leaves or he takes the RTD. He lands

394
00:21:03,440 --> 00:21:07,440
Speaker 1: at the at the the RTD in Hollywood, which is

395
00:21:07,480 --> 00:21:10,800
Speaker 1: in the original A Star is born when that actress

396
00:21:10,800 --> 00:21:13,520
Speaker 1: comes off, that's the same bus station. And then he

397
00:21:13,600 --> 00:21:15,399
Speaker 1: walks the NBC, which used to be on the corner

398
00:21:15,400 --> 00:21:19,040
Speaker 1: there where that bank is on Sunset in Coena, which

399
00:21:19,080 --> 00:21:20,879
Speaker 1: is where actually he he would have had to have

400
00:21:20,960 --> 00:21:24,120
Speaker 1: walked past where his star is now. Me and San

401
00:21:24,200 --> 00:21:27,240
Speaker 1: jac it's really surreal, I told Sam, and we got

402
00:21:27,240 --> 00:21:29,840
Speaker 1: his star. I was like, Exam, my grandpa landed at

403
00:21:29,840 --> 00:21:32,160
Speaker 1: that bus station, had to walk past us to get

404
00:21:32,200 --> 00:21:35,280
Speaker 1: to that's where NBC used to be. It was just

405
00:21:35,359 --> 00:21:39,160
Speaker 1: a trippy moment. Uh So when when he gets to NBC,

406
00:21:39,720 --> 00:21:41,560
Speaker 1: the guy at the gates like, oh, you're here from

407
00:21:41,560 --> 00:21:44,639
Speaker 1: the janitorial position when Grandpa was like, oh no, but

408
00:21:44,880 --> 00:21:46,600
Speaker 1: I can help you. I'm here to see Mr White.

409
00:21:46,640 --> 00:21:49,760
Speaker 1: Here's the letter, and then he shows him the letter goes,

410
00:21:49,800 --> 00:21:51,800
Speaker 1: oh my god, and he realized he's meeting Mr Wine

411
00:21:51,840 --> 00:21:53,600
Speaker 1: like the bank. But he's like, oh yes. So Mr

412
00:21:53,600 --> 00:21:56,640
Speaker 1: Gonzale's like, oh, no, big deal. So he goes, He's

413
00:21:56,760 --> 00:21:58,080
Speaker 1: just going there and go to left and da da

414
00:21:58,160 --> 00:22:00,480
Speaker 1: da da, and he's like so he goes. He's completely

415
00:22:00,480 --> 00:22:04,000
Speaker 1: blown away. He's so he's really scared of being looking,

416
00:22:04,320 --> 00:22:09,840
Speaker 1: being being unfunny, untalented. Um the uh He's he's going

417
00:22:09,840 --> 00:22:13,159
Speaker 1: down these hallways and there's people rehearsing in different studios,

418
00:22:13,680 --> 00:22:16,359
Speaker 1: and this one studio is open. These two doors are open,

419
00:22:17,000 --> 00:22:19,520
Speaker 1: and there's these whole people dancing. It stops and my

420
00:22:19,560 --> 00:22:21,879
Speaker 1: grandpa walks and he's, oh, excuse me, uh could can

421
00:22:21,960 --> 00:22:23,960
Speaker 1: I get a little hop? And this sweaty woman turns

422
00:22:24,000 --> 00:22:26,320
Speaker 1: around like, oh wow, look at the look at this guy.

423
00:22:26,359 --> 00:22:28,560
Speaker 1: He must be a big shot coming in here. Oh yeah,

424
00:22:28,600 --> 00:22:30,480
Speaker 1: what's so big? What do you need? What's what's the

425
00:22:30,480 --> 00:22:32,920
Speaker 1: big story here? So I'm trying to get to the

426
00:22:32,960 --> 00:22:37,040
Speaker 1: studio three or here because he couldn't read, so he

427
00:22:37,040 --> 00:22:39,000
Speaker 1: shows it to her. He goes. Why he goes, he says,

428
00:22:40,200 --> 00:22:42,880
Speaker 1: and he grabs her. She grabs him, and he wore,

429
00:22:43,040 --> 00:22:45,520
Speaker 1: you know, he's like a buck forty wet, you know,

430
00:22:46,040 --> 00:22:51,160
Speaker 1: and throws him. Uh. And that was Judy Garland. And

431
00:22:51,320 --> 00:22:56,120
Speaker 1: then and then and then a year later, a year later,

432
00:22:56,359 --> 00:22:58,440
Speaker 1: and I can and I've got I've got the uh

433
00:22:58,520 --> 00:23:01,000
Speaker 1: the Western Union letter from Jack Warner. I've got about

434
00:23:01,000 --> 00:23:04,000
Speaker 1: like eight Western Union letters from Chack Wire and it's

435
00:23:04,000 --> 00:23:07,920
Speaker 1: inviting him to the Star was Born for Judy Garland

436
00:23:08,240 --> 00:23:11,679
Speaker 1: and my grandfather and Natalie would introduced the film at

437
00:23:11,680 --> 00:23:15,800
Speaker 1: the Pendangious Theater. So did your grandfather smash Natalie Wood too?

438
00:23:17,119 --> 00:23:19,359
Speaker 1: I would have loved he would have never told me

439
00:23:20,359 --> 00:23:23,840
Speaker 1: who was I? What was that? Yeah? I was friends

440
00:23:23,880 --> 00:23:26,840
Speaker 1: with um what was his name? When I moved to Malibu.

441
00:23:27,240 --> 00:23:29,080
Speaker 1: I became friends with the old guy. He passed away

442
00:23:29,160 --> 00:23:33,680
Speaker 1: last year. No, I looked not Robert Ford knocked the

443
00:23:33,680 --> 00:23:37,680
Speaker 1: battery off my shoulder. Guy. Oh Conrad, Yeah, Conrad, Robert Conrad. Yeah,

444
00:23:37,680 --> 00:23:40,320
Speaker 1: I love Conrad. I would have lunch with Bobby Conrad

445
00:23:40,480 --> 00:23:43,160
Speaker 1: at this restaurant out there when I lived in Malibu,

446
00:23:44,400 --> 00:23:48,520
Speaker 1: and uh, he was like, yeah, fuck. Natalie would like

447
00:23:48,680 --> 00:23:51,920
Speaker 1: what you tell me about it. I was like, yeah,

448
00:23:52,280 --> 00:23:54,840
Speaker 1: I got some good pussy back in the day. I

449
00:23:54,920 --> 00:23:57,679
Speaker 1: was like, all right, well he already went up my

450
00:23:57,840 --> 00:24:00,680
Speaker 1: entire life with Natalie. Would I mean you know man

451
00:24:00,840 --> 00:24:03,439
Speaker 1: that he was like everybody fucked Natalie. I was like,

452
00:24:03,520 --> 00:24:08,399
Speaker 1: holy ship. My grandpa shared some stories because he was

453
00:24:08,440 --> 00:24:11,920
Speaker 1: a contract player with with Dennis Hopper, Um, James Dean

454
00:24:13,000 --> 00:24:19,560
Speaker 1: Nick ADAMSLFF and that was a nickname that he carried

455
00:24:19,600 --> 00:24:22,880
Speaker 1: even though he was from the Little Rascals. Yeah, um,

456
00:24:23,720 --> 00:24:26,480
Speaker 1: that was the Little Rascals off. Yeah, huh. Didn't he

457
00:24:26,560 --> 00:24:29,720
Speaker 1: kill himself? No, he got killed over gambling debt. He

458
00:24:29,840 --> 00:24:32,399
Speaker 1: like it was like he went to the guy's house

459
00:24:32,440 --> 00:24:35,640
Speaker 1: to even collect or pay or something and the guy

460
00:24:35,680 --> 00:24:38,560
Speaker 1: shot him. Yes, I did hear this story. Yeah, but

461
00:24:38,640 --> 00:24:41,679
Speaker 1: they were all friends. Um, so I heard a lot

462
00:24:41,760 --> 00:24:44,640
Speaker 1: of stories. I was friends with Dennis Hopper since one.

463
00:24:45,160 --> 00:24:47,440
Speaker 1: That's crazy, right. I got pictures of Grandpa and him,

464
00:24:47,640 --> 00:24:49,680
Speaker 1: and he was friends. He was with the Dean When

465
00:24:49,720 --> 00:24:53,840
Speaker 1: when Dean Um was at the Pure d Angie wedding

466
00:24:54,080 --> 00:24:57,240
Speaker 1: crying and Kanas Mortricyclon took off and my grandpa was

467
00:24:57,240 --> 00:24:59,800
Speaker 1: trying to console him. All kinds of the stories I

468
00:25:00,600 --> 00:25:03,199
Speaker 1: these are like, these are like, you know, I have

469
00:25:03,280 --> 00:25:04,800
Speaker 1: a friend, you know, he would have been great on

470
00:25:04,840 --> 00:25:08,280
Speaker 1: this with us, My buddy Clay Clay Roberts. His dad

471
00:25:08,359 --> 00:25:12,119
Speaker 1: was Ben Roberts. Um. Ben Roberts wrote all the Jimmy

472
00:25:12,160 --> 00:25:16,280
Speaker 1: Cagney movies and then he created Charlie's Angels Ironside Mannix.

473
00:25:18,320 --> 00:25:21,840
Speaker 1: So my buddy Clay, he you know, he's he's only

474
00:25:21,840 --> 00:25:23,800
Speaker 1: a couple of years old, these same age as us basically,

475
00:25:24,640 --> 00:25:27,280
Speaker 1: and uh so he always tells me these wild stories

476
00:25:27,320 --> 00:25:30,520
Speaker 1: and I'm like like to hear, like, you know, like

477
00:25:30,520 --> 00:25:33,119
Speaker 1: because you know they're real and nobody's just doing it

478
00:25:33,160 --> 00:25:35,639
Speaker 1: to drop names. They're just these just happened to be

479
00:25:35,680 --> 00:25:38,240
Speaker 1: the fucking names. Later, I'll show you a photo. I

480
00:25:38,280 --> 00:25:41,920
Speaker 1: got a photo of a Dennis Hopper, my grandpa and

481
00:25:41,960 --> 00:25:44,679
Speaker 1: Pat Wayne in a bar and Tijuana when they were

482
00:25:44,680 --> 00:25:49,960
Speaker 1: filming Um Pat Wayne, John Wayne's brother, uh son son. Yeah,

483
00:25:50,080 --> 00:25:53,200
Speaker 1: Mike Wayne was the eldest and then Pat Wayne Um

484
00:25:53,320 --> 00:25:55,359
Speaker 1: who at the time was was it loyal to Marymouth

485
00:25:55,400 --> 00:25:57,960
Speaker 1: study to become a priest but he didn't. Yeah that

486
00:25:58,040 --> 00:26:01,680
Speaker 1: never works out. Yeah yeah. So uh but Bob Comrade, though,

487
00:26:01,800 --> 00:26:04,240
Speaker 1: I I did a picture with him back in um

488
00:26:04,680 --> 00:26:07,360
Speaker 1: I did to talk you with him, see back in nine.

489
00:26:08,960 --> 00:26:12,960
Speaker 1: Those were the movies that my buddy Clay's dad wrote.

490
00:26:13,359 --> 00:26:15,520
Speaker 1: I love those films and he was like he would

491
00:26:15,520 --> 00:26:17,400
Speaker 1: write those and it would be like, what's a good

492
00:26:17,400 --> 00:26:19,440
Speaker 1: line here? You know, I never got away with a Kappa,

493
00:26:19,520 --> 00:26:23,760
Speaker 1: you know, like that kind of stuff. Yeah, the cadence

494
00:26:23,760 --> 00:26:26,399
Speaker 1: of the era is pretty awesome. I love that whole lingo.

495
00:26:26,880 --> 00:26:29,439
Speaker 1: But I did. Uh So I right before I wrapped

496
00:26:29,480 --> 00:26:31,560
Speaker 1: this thing that I was doing with Conrad, I got

497
00:26:31,560 --> 00:26:33,879
Speaker 1: one of the prop master to give me a de

498
00:26:34,119 --> 00:26:37,360
Speaker 1: size Durst cell battery. So I took a picture. I said,

499
00:26:37,880 --> 00:26:40,040
Speaker 1: take a pick. It's like all right, And he was

500
00:26:40,080 --> 00:26:42,399
Speaker 1: a petite guy. Yeah it was. I put it on

501
00:26:42,440 --> 00:26:44,879
Speaker 1: his shoulder like that and he never knew about it.

502
00:26:44,920 --> 00:26:46,840
Speaker 1: So I've got the pig at home. Oh that's awesome.

503
00:26:46,880 --> 00:26:48,680
Speaker 1: I might have it on my phone. Actually, i'll pull

504
00:26:48,680 --> 00:26:51,080
Speaker 1: it up later. These are these stuff, These are the

505
00:26:51,080 --> 00:26:54,040
Speaker 1: great moments that you're get in your life. And when

506
00:26:54,040 --> 00:26:55,480
Speaker 1: I did the research and when I went back to

507
00:26:55,480 --> 00:26:57,639
Speaker 1: look the commercial, it wasn't a Durastall battery. It was

508
00:26:57,640 --> 00:27:00,800
Speaker 1: a different battery. But what was it? What was the battery,

509
00:27:00,800 --> 00:27:07,520
Speaker 1: Polly with the cats, the remember, no, it wasn't everybody.

510
00:27:07,560 --> 00:27:09,119
Speaker 1: I remember the ones with the cats on it. What

511
00:27:09,160 --> 00:27:13,639
Speaker 1: were they called was every ready the cats were dating ourselves?

512
00:27:15,200 --> 00:27:20,359
Speaker 1: There was ever ready? Yeah remember those Yeah did always

513
00:27:20,840 --> 00:27:25,320
Speaker 1: to find Robert Conrad battery commercial pick or or commercially.

514
00:27:25,320 --> 00:27:27,800
Speaker 1: And you see that blooper because I know he was

515
00:27:27,840 --> 00:27:31,520
Speaker 1: kind of difficult from with crews when he was younger.

516
00:27:32,000 --> 00:27:34,320
Speaker 1: But they threw a pie in his face on one

517
00:27:34,320 --> 00:27:37,040
Speaker 1: of those commercials. I don't know if you ever saw that. No,

518
00:27:37,160 --> 00:27:39,560
Speaker 1: he was still that guy, even when in his twilight

519
00:27:39,640 --> 00:27:42,280
Speaker 1: he was he was still telling me, I'll fight your boy.

520
00:27:42,760 --> 00:27:57,280
Speaker 1: There is looking bob alkaline. He looked nothing like that

521
00:27:57,320 --> 00:28:01,880
Speaker 1: when we were when I know him, most eyes were

522
00:28:01,880 --> 00:28:04,200
Speaker 1: sunken in. It was after he had that car accident too,

523
00:28:04,240 --> 00:28:08,560
Speaker 1: so he wasn't walking properly. And he came to my

524
00:28:08,640 --> 00:28:11,800
Speaker 1: house one time and I don't know if we got

525
00:28:11,840 --> 00:28:14,520
Speaker 1: him drunk or not. And then I dropped him home

526
00:28:14,560 --> 00:28:15,840
Speaker 1: and then he made me come and hang out in

527
00:28:15,920 --> 00:28:20,200
Speaker 1: his house with him. Made you well know you know

528
00:28:20,240 --> 00:28:21,639
Speaker 1: what it is. You don't you feel bad because you

529
00:28:21,680 --> 00:28:24,399
Speaker 1: actually find out that the guys kind of lonely. You

530
00:28:24,440 --> 00:28:27,000
Speaker 1: want to come in, and you're like, yeah, I'll come in, Bobby,

531
00:28:27,040 --> 00:28:29,399
Speaker 1: I'll come in, and you you feel bad because the

532
00:28:29,440 --> 00:28:31,480
Speaker 1: house is really nice, and he was like, yeah, I

533
00:28:31,560 --> 00:28:34,320
Speaker 1: just trying to get my wife back and I bought

534
00:28:34,359 --> 00:28:37,320
Speaker 1: this house hoping, you know. And I'm like, Jesus, this sucks, man,

535
00:28:38,320 --> 00:28:40,800
Speaker 1: because you know, underneath all the ROUGHIX theory, he was

536
00:28:40,840 --> 00:28:43,200
Speaker 1: just a regular sweet guy, which is most of the

537
00:28:43,240 --> 00:28:46,280
Speaker 1: tough guys that you ever meet. She was the sweet

538
00:28:46,280 --> 00:28:49,479
Speaker 1: guys underneath. Yeah, I'm learning that. I'm learning that life

539
00:28:49,560 --> 00:28:51,440
Speaker 1: is a funny thing. When you get older, your your

540
00:28:51,520 --> 00:28:55,360
Speaker 1: values change, your filters change, you grow, you evolved, you know,

541
00:28:55,400 --> 00:28:58,200
Speaker 1: you get more empathetic, and your capacity for empathy grows,

542
00:28:58,680 --> 00:29:02,600
Speaker 1: hopefully for a good person. Yeah, I mean, I mean, see, like,

543
00:29:02,760 --> 00:29:04,440
Speaker 1: let's see when I see guys like you and movies,

544
00:29:04,440 --> 00:29:07,960
Speaker 1: because you're so fucking good at it, Um, I always

545
00:29:08,160 --> 00:29:09,600
Speaker 1: sit there and I go, could I have ever done

546
00:29:09,640 --> 00:29:12,480
Speaker 1: that role? Though I don't have the fucking I don't

547
00:29:12,520 --> 00:29:15,680
Speaker 1: have the ability to control my face the way you do. Like,

548
00:29:16,280 --> 00:29:17,720
Speaker 1: And what I'm saying is when I see you in

549
00:29:17,760 --> 00:29:22,280
Speaker 1: a role, your entire being is that role. So when

550
00:29:22,320 --> 00:29:24,880
Speaker 1: I see myself doing something I can always see. I'm like,

551
00:29:25,160 --> 00:29:28,520
Speaker 1: I fucking drifted off. I look at it. I not

552
00:29:28,560 --> 00:29:30,800
Speaker 1: even paying attention, you know what I mean. I'm like,

553
00:29:30,840 --> 00:29:33,280
Speaker 1: I'm not I'm not present. It's just I could see it.

554
00:29:33,320 --> 00:29:34,960
Speaker 1: I could see all the things I'm doing wrong when

555
00:29:34,960 --> 00:29:37,960
Speaker 1: I watched myself. Man, when it comes to acting, especially

556
00:29:38,000 --> 00:29:39,280
Speaker 1: like stand up, I know how to do like the

557
00:29:39,320 --> 00:29:41,400
Speaker 1: back of my hand. I would love to. Uh. I

558
00:29:41,440 --> 00:29:43,040
Speaker 1: got a lot of friends that call me for coaching.

559
00:29:43,880 --> 00:29:45,600
Speaker 1: Oh yeah, I mean I never have a role good

560
00:29:45,720 --> 00:29:48,000
Speaker 1: enough to get coached for. You know what I mean.

561
00:29:48,000 --> 00:29:49,480
Speaker 1: It's like if I had a role that would be

562
00:29:49,480 --> 00:29:50,920
Speaker 1: good enough to get coach or I would be like, Clifton,

563
00:29:50,920 --> 00:29:53,080
Speaker 1: can you help me with this? You call me? I look,

564
00:29:53,120 --> 00:29:56,160
Speaker 1: I don't the and and some of the youngsters that

565
00:29:56,200 --> 00:29:58,560
Speaker 1: I mentor like some of the people that I worked

566
00:29:58,560 --> 00:30:00,520
Speaker 1: with that were kids are now like and as men

567
00:30:00,960 --> 00:30:03,600
Speaker 1: call me. Um, they know, don't call me for a

568
00:30:03,600 --> 00:30:06,160
Speaker 1: guest spot because I don't want to spend four hours

569
00:30:06,160 --> 00:30:09,000
Speaker 1: with you on a guest spot. But if you got

570
00:30:09,440 --> 00:30:11,240
Speaker 1: a role that will move the needle on the record,

571
00:30:11,640 --> 00:30:13,520
Speaker 1: call me. I'll be there for you. I don't charge

572
00:30:13,600 --> 00:30:15,840
Speaker 1: him nothing. And We're gonna grind this bitch out to

573
00:30:19,040 --> 00:30:21,200
Speaker 1: actually will you? You stell you so much? You get

574
00:30:21,240 --> 00:30:23,240
Speaker 1: past the tricks, you can start with trip. You have

575
00:30:23,280 --> 00:30:25,000
Speaker 1: a lot of time to prep you. You you fall

576
00:30:25,040 --> 00:30:27,320
Speaker 1: back on some of the tricks that don't look like tricks,

577
00:30:27,640 --> 00:30:30,080
Speaker 1: but you get the right, proper time to prepare, you

578
00:30:30,080 --> 00:30:31,760
Speaker 1: get in, You get past the tricks, and you make

579
00:30:31,760 --> 00:30:33,920
Speaker 1: that ship real and that's when you that's when the

580
00:30:33,920 --> 00:30:36,600
Speaker 1: phase changes and those things happen. But that originally started

581
00:30:36,600 --> 00:30:38,719
Speaker 1: with me as a as a result of not feeling

582
00:30:38,720 --> 00:30:43,160
Speaker 1: worthy of a role as Clifton, Like, I'm not right

583
00:30:43,240 --> 00:30:44,800
Speaker 1: for this role, and I'm glad I got this agention,

584
00:30:44,800 --> 00:30:46,640
Speaker 1: but I can I can bring somebody for you that

585
00:30:46,760 --> 00:30:49,080
Speaker 1: is right, and that would be the character I created,

586
00:30:49,280 --> 00:30:52,080
Speaker 1: So hide behind this mask. I said that guy is

587
00:30:52,200 --> 00:30:54,640
Speaker 1: better for this role than I am. Well, that's the thing.

588
00:30:54,720 --> 00:30:59,000
Speaker 1: That's where I can't get to um because you love yourself. Yeah,

589
00:30:59,000 --> 00:31:00,240
Speaker 1: I don't know what it is. I just you know

590
00:31:00,280 --> 00:31:03,280
Speaker 1: what it is. I trust my own self, and I

591
00:31:03,320 --> 00:31:05,240
Speaker 1: don't know if I trust the commitment I can get

592
00:31:05,240 --> 00:31:10,280
Speaker 1: to be that interesting and that that comes with prep Yeah,

593
00:31:10,320 --> 00:31:12,920
Speaker 1: and I also don't prepare well, I would love to

594
00:31:12,920 --> 00:31:17,440
Speaker 1: help you prep Yeah, I don't prepare well. So that's

595
00:31:17,480 --> 00:31:20,160
Speaker 1: my manager talking that that was a voice in the

596
00:31:21,080 --> 00:31:25,000
Speaker 1: God speaking. He's not lying. I mean, I would dispute

597
00:31:25,000 --> 00:31:26,960
Speaker 1: it if I thought he was wrong, but he's definitely

598
00:31:27,000 --> 00:31:29,200
Speaker 1: not wrong. I would love to help you on that

599
00:31:29,440 --> 00:31:32,440
Speaker 1: because it'll it'll, it'll. I will give you a filter

600
00:31:32,520 --> 00:31:33,760
Speaker 1: that you will carry with you for the rest of

601
00:31:33,760 --> 00:31:35,600
Speaker 1: your life. You won't even you might not even have

602
00:31:35,640 --> 00:31:38,520
Speaker 1: to call unless it's just to hang Thank you. You're

603
00:31:38,520 --> 00:31:42,200
Speaker 1: not married, are you? Thank me? No? Yeah? No, kids, No,

604
00:31:42,720 --> 00:31:48,720
Speaker 1: not not yet. I'm not amy award to lie to

605
00:31:48,800 --> 00:31:51,280
Speaker 1: people like you kind of look like me, you kind

606
00:31:51,280 --> 00:31:53,800
Speaker 1: of Yeah, they're all going to be in mixed races.

607
00:31:54,880 --> 00:31:57,840
Speaker 1: Spread a lag part Mexican purporter. Yeah, yeah, I got.

608
00:31:58,200 --> 00:32:01,880
Speaker 1: I got an equal opportunity. My son's Mexican and Honduran,

609
00:32:01,920 --> 00:32:06,520
Speaker 1: and my daughter's Ecuadorian and Honduran. And then my my lady,

610
00:32:07,000 --> 00:32:11,200
Speaker 1: she's Filipina and her daughters are black and Filipino. Okay,

611
00:32:11,360 --> 00:32:14,120
Speaker 1: so I got. I'm kind of covering my basis. I

612
00:32:14,200 --> 00:32:17,400
Speaker 1: have a part Filipino child. No, no, we're both too

613
00:32:17,400 --> 00:32:19,720
Speaker 1: old for that. Now. That's that's the good news. And

614
00:32:19,760 --> 00:32:22,440
Speaker 1: that could go sour, that that goes south bad. I mean,

615
00:32:23,480 --> 00:32:26,080
Speaker 1: you're you're gambling with those two looks. I mean, what

616
00:32:26,120 --> 00:32:28,120
Speaker 1: if they look kind of Filipino, but they get my nose,

617
00:32:28,280 --> 00:32:30,480
Speaker 1: you know what I mean. That's awful. That's an awful

618
00:32:30,520 --> 00:32:34,600
Speaker 1: deal for any word. For Dranny. Yeah, in the thirties

619
00:32:34,600 --> 00:32:37,120
Speaker 1: and forties, and he was he had a fat nose,

620
00:32:38,280 --> 00:32:43,959
Speaker 1: noted DUI nos did. Grandpa was fond of as you know,

621
00:32:44,000 --> 00:32:47,920
Speaker 1: there's a it could be a lot of professional jealousy

622
00:32:48,000 --> 00:32:50,280
Speaker 1: with these comedians. And that was one of the warnings

623
00:32:50,280 --> 00:32:53,720
Speaker 1: that Grandpa always would tell me because he had Groucho

624
00:32:53,800 --> 00:32:55,680
Speaker 1: was one of the few that really pushed him to

625
00:32:55,720 --> 00:32:58,920
Speaker 1: be great, as did Durranny. Let me tell you, I

626
00:32:58,960 --> 00:33:03,120
Speaker 1: fucking love Groucho, Like I watched those movies just for

627
00:33:03,160 --> 00:33:06,520
Speaker 1: graucho scenes. I didn't like Harpo and I didn't like

628
00:33:06,800 --> 00:33:11,640
Speaker 1: um Chico. Chico just want to be a piano bar

629
00:33:11,640 --> 00:33:15,080
Speaker 1: bar player, That's what he aspired. Harpo was the quiet one, right,

630
00:33:15,200 --> 00:33:16,720
Speaker 1: he was the quiet one, and he took up the

631
00:33:16,760 --> 00:33:20,040
Speaker 1: harp because he just wanted to have something to do. Yeah,

632
00:33:20,240 --> 00:33:23,000
Speaker 1: they don't always have the horn. Yeah, he came up

633
00:33:23,040 --> 00:33:25,480
Speaker 1: with that stuff because they you know, when they would

634
00:33:25,480 --> 00:33:28,440
Speaker 1: come up in vaudeville, they would get fired from every

635
00:33:28,480 --> 00:33:30,760
Speaker 1: show they got hired. So the mom as the manager,

636
00:33:30,880 --> 00:33:33,680
Speaker 1: had to rename the group every time. Oh, here's the

637
00:33:33,680 --> 00:33:35,440
Speaker 1: new group I have. And it was the same brothers.

638
00:33:36,160 --> 00:33:38,320
Speaker 1: And then one of their uncles was like, who's kind

639
00:33:38,320 --> 00:33:41,360
Speaker 1: of a semi successful playwright? Marks? Their real last name?

640
00:33:42,520 --> 00:33:45,960
Speaker 1: Um no, Uh, what's a grouch? Oh he's got a

641
00:33:46,000 --> 00:33:47,760
Speaker 1: cool last name. He's got a cool first name. To

642
00:33:48,320 --> 00:33:51,320
Speaker 1: Mark's real name Eddie Tote blanking right now. It's a

643
00:33:51,440 --> 00:33:57,120
Speaker 1: really dope name. Julius Henry Marks. Mark was last name Julius,

644
00:33:57,760 --> 00:34:00,160
Speaker 1: and his parents were immigrants, and his parents I had

645
00:34:00,160 --> 00:34:03,280
Speaker 1: when they were young. What his friends from? I think

646
00:34:03,440 --> 00:34:05,800
Speaker 1: I think his mom came when she was fourteen. She

647
00:34:05,920 --> 00:34:10,440
Speaker 1: came over to Uh was he Jewish? Um? I can't

648
00:34:10,440 --> 00:34:21,880
Speaker 1: remember because Julius Henriason sixteen and pops. Well, yeah, see

649
00:34:22,200 --> 00:34:24,680
Speaker 1: that Dick Cavett interview I just happened to watch recently

650
00:34:25,440 --> 00:34:28,160
Speaker 1: on YouTube. That's is that the one when he's that's

651
00:34:28,200 --> 00:34:31,399
Speaker 1: the world he says, it's not funny? Um it it? Yeah?

652
00:34:31,600 --> 00:34:33,560
Speaker 1: I think that is the one. Because Dick cats got

653
00:34:33,600 --> 00:34:35,560
Speaker 1: some good ones I got. I watched So, I watched Carson,

654
00:34:35,600 --> 00:34:39,280
Speaker 1: I watched Dick Cavat, And those are my favorites. Jimmy Hendrix,

655
00:34:39,320 --> 00:34:42,960
Speaker 1: Jannis Joplin, cabin was. I don't even know how Cavin

656
00:34:43,080 --> 00:34:45,840
Speaker 1: just caught in with everybody like that because he was

657
00:34:46,880 --> 00:34:50,440
Speaker 1: he was he was no letterman, no, but he and

658
00:34:50,480 --> 00:34:52,960
Speaker 1: he would try to be funny, funnier than the guests.

659
00:34:53,000 --> 00:34:55,279
Speaker 1: You're like, don't just let them do their thing, and

660
00:34:55,280 --> 00:34:59,120
Speaker 1: she would always fall flat in his face, you know.

661
00:34:59,440 --> 00:35:11,000
Speaker 1: And some I'm slightly condescending, just why it's a new year,

662
00:35:11,000 --> 00:35:12,680
Speaker 1: and that means it's time to let go of whatever

663
00:35:12,760 --> 00:35:14,960
Speaker 1: wasn't working for you last year. And for many of

664
00:35:15,000 --> 00:35:17,480
Speaker 1: us that means letting go of unhealthy habits and getting fit.

665
00:35:18,040 --> 00:35:20,560
Speaker 1: But between balancing work, family, and life in general, it

666
00:35:20,600 --> 00:35:24,120
Speaker 1: can be hard to make fitness a priority. That's exactly

667
00:35:24,160 --> 00:35:27,000
Speaker 1: why you need a program that works with you, not

668
00:35:27,160 --> 00:35:31,840
Speaker 1: against you. Fit Bod's innovative algorithm learns about your goals

669
00:35:31,880 --> 00:35:35,359
Speaker 1: and training abilities, and crafts a personalized training regiment that's

670
00:35:35,440 --> 00:35:38,440
Speaker 1: unique to you, So start the year off right with

671
00:35:39,440 --> 00:35:42,319
Speaker 1: off of fit bod membership. Using fit bot has been

672
00:35:42,320 --> 00:35:44,799
Speaker 1: fantastic for me. It's like having a personal trainer that

673
00:35:44,840 --> 00:35:47,200
Speaker 1: can fit in your schedule no matter what. I'm learning

674
00:35:47,200 --> 00:35:50,000
Speaker 1: more advanced exercises, and I also feel confident that my

675
00:35:50,080 --> 00:35:52,240
Speaker 1: form is correct due to all of fit Bod's expert

676
00:35:52,280 --> 00:35:55,480
Speaker 1: tips and guidance. This is the perfect way for me

677
00:35:55,560 --> 00:35:58,680
Speaker 1: to start upping my strength training game even when I'm

678
00:35:58,719 --> 00:36:04,239
Speaker 1: traveling and my schedules super full. Plus, fit Bod's algorithm

679
00:36:04,440 --> 00:36:07,600
Speaker 1: uses data and analytics to build on my last workout

680
00:36:07,600 --> 00:36:10,680
Speaker 1: and maximize results so that I'm continuing to grow, not

681
00:36:10,800 --> 00:36:13,480
Speaker 1: growing a fat way, growing a good way, and challenge

682
00:36:13,560 --> 00:36:19,040
Speaker 1: myself as time goes on. Seriously, whether you exercise three

683
00:36:19,120 --> 00:36:21,680
Speaker 1: days a week or twice a day, every workout is

684
00:36:21,680 --> 00:36:24,520
Speaker 1: scientifically proven to be better than the last, and fit

685
00:36:24,600 --> 00:36:28,160
Speaker 1: bought even tracks your muscle recovery, balancing your workout plan

686
00:36:28,239 --> 00:36:32,800
Speaker 1: with a variety of exercise to avoid overworking certain muscles.

687
00:36:32,960 --> 00:36:37,000
Speaker 1: Fit bought creates a program based on your unique goals, experience,

688
00:36:37,080 --> 00:36:40,000
Speaker 1: and equipment. Fit bought is super easy to use and

689
00:36:40,040 --> 00:36:43,920
Speaker 1: even has brand new HD video tutorials to make learning

690
00:36:43,920 --> 00:36:47,560
Speaker 1: new exercises of breeze. It integrates with your Apple Watch,

691
00:36:48,200 --> 00:36:53,160
Speaker 1: where os smartwatch and apps like Apple health, fitbitten Strava.

692
00:36:53,360 --> 00:36:55,680
Speaker 1: And if you're worried that such a personalized system will

693
00:36:55,680 --> 00:36:59,120
Speaker 1: cost the same as a personal trainer, don't worry. Fit

694
00:36:59,200 --> 00:37:01,800
Speaker 1: bought is only well of ninety nine a month or

695
00:37:01,960 --> 00:37:05,279
Speaker 1: sevent year, and if you sign up now, you'll get

696
00:37:06,239 --> 00:37:08,759
Speaker 1: off your membership. So kick off the new year right

697
00:37:08,800 --> 00:37:11,760
Speaker 1: and get started on your customized fitness plan from fit board.

698
00:37:11,960 --> 00:37:15,680
Speaker 1: Get off of membership when you sign up now at

699
00:37:15,760 --> 00:37:22,040
Speaker 1: fitbot dot me slash peters. That's twent off at fitbad

700
00:37:22,200 --> 00:37:30,680
Speaker 1: dot me slash peters. I heard him and Eddie Murphy

701
00:37:30,719 --> 00:37:36,120
Speaker 1: became really good friends. Really yeah, Eddie Murphy. Yeah, Dick

702
00:37:36,160 --> 00:37:41,480
Speaker 1: Cabots still a life. How old you now? Four? It's

703
00:37:41,520 --> 00:37:44,640
Speaker 1: not too bad, It's not that bad. He looked young

704
00:37:44,719 --> 00:37:47,279
Speaker 1: for his age even back then. How old was he

705
00:37:47,360 --> 00:37:49,839
Speaker 1: back then? I mean he was around the eighties too.

706
00:37:49,920 --> 00:37:52,719
Speaker 1: I mean he must have been as he said, it

707
00:37:52,760 --> 00:37:55,000
Speaker 1: couldn't have been that old. You're right, he was young then. Yeah.

708
00:37:55,040 --> 00:37:57,160
Speaker 1: I love watching them old shows, and lately I've been

709
00:37:57,200 --> 00:38:01,000
Speaker 1: doing that. I mean, starting with Guillermo's Nightmare Alley to

710
00:38:01,040 --> 00:38:02,880
Speaker 1: do the research, I got into the new our films,

711
00:38:03,680 --> 00:38:06,320
Speaker 1: so that was fun, and then getting into writing Grandpa's story.

712
00:38:06,680 --> 00:38:10,040
Speaker 1: It just helped to round the world. But you know,

713
00:38:10,080 --> 00:38:12,480
Speaker 1: as you noticed in the ground show show, when he

714
00:38:12,480 --> 00:38:14,399
Speaker 1: says what kind of look did you give her? He

715
00:38:14,440 --> 00:38:18,520
Speaker 1: asks permission? Can I look at her? Yeah? Yeah, Jim Crow,

716
00:38:18,760 --> 00:38:22,120
Speaker 1: the Jim Crow. Grandpa and grandma went through the stuff

717
00:38:22,120 --> 00:38:24,560
Speaker 1: that I've learned, the dark stuff from lynchings too. My

718
00:38:24,600 --> 00:38:27,279
Speaker 1: grandpa Amos got lynched. Yeah. No, I mean it's very

719
00:38:27,320 --> 00:38:30,080
Speaker 1: similar to what happened to Indian people. My parents are

720
00:38:30,120 --> 00:38:32,799
Speaker 1: from India. But when I was in South Africa doing

721
00:38:32,840 --> 00:38:35,319
Speaker 1: shows and I was spending a lot of time there,

722
00:38:35,800 --> 00:38:38,920
Speaker 1: at one point it was wait for that helicopter to

723
00:38:38,960 --> 00:38:41,120
Speaker 1: go by the playing whatever was Harrison Ford taking his

724
00:38:41,160 --> 00:38:44,319
Speaker 1: ship out again? Um, it was an older Indian man

725
00:38:44,360 --> 00:38:45,799
Speaker 1: because there's a lot of Indians in South Africa. They

726
00:38:45,840 --> 00:38:49,800
Speaker 1: were brought through his indentured labor. And Uh, he was

727
00:38:49,880 --> 00:38:52,640
Speaker 1: telling me that during apartheid he got the ship beat

728
00:38:52,680 --> 00:38:54,960
Speaker 1: out of him by the police because he used to

729
00:38:54,960 --> 00:38:58,759
Speaker 1: sell ice cream on the beach and uh, they would

730
00:38:58,880 --> 00:39:00,800
Speaker 1: call him coolly. They're like, coolie man, come here and

731
00:39:00,840 --> 00:39:03,400
Speaker 1: bring the ice cream. The white people would call them coolie's,

732
00:39:03,400 --> 00:39:06,200
Speaker 1: just like saying saw Mexican beaner, come here, I want

733
00:39:06,239 --> 00:39:08,680
Speaker 1: to talk to you. And so it's basically they're being

734
00:39:08,800 --> 00:39:11,239
Speaker 1: very derogatory to you. So he's like, he warn't't you

735
00:39:11,280 --> 00:39:14,879
Speaker 1: weren't allowed to look at white women. So he would

736
00:39:15,200 --> 00:39:18,719
Speaker 1: keep his sunglasses on so that they couldn't see his eyes,

737
00:39:19,800 --> 00:39:22,480
Speaker 1: and uh, they'd be like yes, ma'am, and she was like,

738
00:39:22,520 --> 00:39:25,279
Speaker 1: give me blah blah blah. And he would reach in

739
00:39:25,440 --> 00:39:28,560
Speaker 1: and hand it down to them and said this one

740
00:39:28,640 --> 00:39:33,000
Speaker 1: lady handed him the money and he dropped it, and

741
00:39:33,200 --> 00:39:36,000
Speaker 1: so he looked down to see where it fell, and

742
00:39:36,080 --> 00:39:38,439
Speaker 1: she's like, are you looking at me? And she called

743
00:39:38,480 --> 00:39:40,480
Speaker 1: the cops, and the cops beat him within an inch

744
00:39:40,560 --> 00:39:42,640
Speaker 1: of his life. He said, he said, it was really

745
00:39:42,719 --> 00:39:45,200
Speaker 1: fucking bad back then. So I fully understand that whole

746
00:39:45,280 --> 00:39:47,440
Speaker 1: Jim Crow era stuff. And so when, yeah, when you

747
00:39:47,480 --> 00:39:50,120
Speaker 1: say your grandfather asked, I get it, it makes complete

748
00:39:50,120 --> 00:39:52,920
Speaker 1: sense to me. Yeah, it's a it's a I think

749
00:39:52,960 --> 00:39:56,080
Speaker 1: people forget what the tone was because there's a lot

750
00:39:56,160 --> 00:39:59,840
Speaker 1: of things that were at that time socially accepted and

751
00:40:00,040 --> 00:40:02,760
Speaker 1: not considered racist because it was just the time. But today,

752
00:40:02,840 --> 00:40:05,200
Speaker 1: if you were to actually know what people were actually

753
00:40:05,280 --> 00:40:08,000
Speaker 1: saying to me, you'd be like, oh my god, this

754
00:40:08,160 --> 00:40:11,160
Speaker 1: is so racist and insensitive. Oh yeah, I mean, you

755
00:40:11,239 --> 00:40:13,719
Speaker 1: know there's there's we've gone too far the other way. Now,

756
00:40:14,800 --> 00:40:17,640
Speaker 1: we've gone too far the other way, where now everything

757
00:40:17,760 --> 00:40:20,120
Speaker 1: is racist and I'm talking about it in my act

758
00:40:20,160 --> 00:40:23,640
Speaker 1: because I'm like, you know, you can't negate color and

759
00:40:23,880 --> 00:40:27,759
Speaker 1: size and gender when you're describing something. Otherwise you're you're

760
00:40:27,760 --> 00:40:29,480
Speaker 1: not going to get the colors to the picture I'm

761
00:40:29,480 --> 00:40:32,040
Speaker 1: painting right now. You know, I'm gonna be like I

762
00:40:32,160 --> 00:40:34,480
Speaker 1: I say, I'm like, if I tell you, here's my

763
00:40:34,560 --> 00:40:37,640
Speaker 1: impression of a of a really woke person telling a story.

764
00:40:37,719 --> 00:40:39,560
Speaker 1: So I saw a human today and they did this thing.

765
00:40:40,600 --> 00:40:43,239
Speaker 1: Isn't that funny? You're like no, because I don't know

766
00:40:43,239 --> 00:40:45,839
Speaker 1: what you're talking about. I think if there wasn't, if

767
00:40:45,880 --> 00:40:49,239
Speaker 1: there wasn't that Kango kid by the way, remember Utfo

768
00:40:49,800 --> 00:40:57,960
Speaker 1: Roxane Roxen. Yeah, that's that's that's a that's our that's

769
00:40:58,000 --> 00:41:01,400
Speaker 1: our that's our generation, that's our track. Hi baby, how

770
00:41:01,480 --> 00:41:05,840
Speaker 1: are you can? I arg you? Happy birthday, Happy birthday,

771
00:41:05,880 --> 00:41:13,560
Speaker 1: Happy birthday. She had her birthday. What you're not You're

772
00:41:13,600 --> 00:41:16,680
Speaker 1: not You're turning into a because your sister Daisy's pregnant,

773
00:41:19,920 --> 00:41:23,439
Speaker 1: turning in and Cale Clifton going to meet your brother.

774
00:41:23,600 --> 00:41:26,840
Speaker 1: You know who that is. You've you've never watched a

775
00:41:26,880 --> 00:41:31,400
Speaker 1: movie in your life. You know exactly what I mean.

776
00:41:31,560 --> 00:41:34,799
Speaker 1: You seem we go, oh my god. Yes, every movie

777
00:41:34,800 --> 00:41:36,120
Speaker 1: you're gonna be like, oh my god. I can't believe

778
00:41:36,120 --> 00:41:39,560
Speaker 1: I was sitting with that guy. Yeah, I mean, I mean,

779
00:41:39,600 --> 00:41:42,160
Speaker 1: if you remember the titles to the gay Porn, I mean, yeah,

780
00:41:45,520 --> 00:41:48,680
Speaker 1: the hustling days when you when you make money. We

781
00:41:48,719 --> 00:41:54,040
Speaker 1: gotta make money. You gotta. You know, you want to act,

782
00:41:54,320 --> 00:41:57,080
Speaker 1: so you gotta take whatever work. Which alone fell into

783
00:41:57,120 --> 00:41:59,480
Speaker 1: that trapped me. Yes, he did, he did. I think

784
00:41:59,520 --> 00:42:02,960
Speaker 1: that's why so many indies, but at least with the indies,

785
00:42:03,000 --> 00:42:05,719
Speaker 1: you get that a creative fulfillment. You got to do

786
00:42:05,840 --> 00:42:11,759
Speaker 1: both Boondocks both both Part two. I did um one.

787
00:42:11,960 --> 00:42:14,640
Speaker 1: I was not. I was. I was around for Part one.

788
00:42:14,680 --> 00:42:17,520
Speaker 1: I was friends with Troy from the beginning. Because you're

789
00:42:17,600 --> 00:42:22,279
Speaker 1: listed on IMDb as Boondock Saints one, really, that's really interesting. Yeah, No,

790
00:42:22,360 --> 00:42:24,359
Speaker 1: I wasn't it. I was home when they took off.

791
00:42:24,400 --> 00:42:27,000
Speaker 1: I remember uh doing a send off. We had a

792
00:42:27,000 --> 00:42:29,200
Speaker 1: big party at my house. They got ship PLoud. That

793
00:42:29,280 --> 00:42:31,439
Speaker 1: was you know, when you're younger, you can drink. Oh yeah,

794
00:42:31,680 --> 00:42:34,360
Speaker 1: It's funny because I'm literally I'm like, I try to

795
00:42:34,440 --> 00:42:36,880
Speaker 1: have a drink and I'm like, I don't like it anymore.

796
00:42:37,160 --> 00:42:39,919
Speaker 1: Same I've literally I'm like, I want to have a drink.

797
00:42:39,960 --> 00:42:42,000
Speaker 1: I'm like, tonight seems like the right night to have

798
00:42:42,080 --> 00:42:45,040
Speaker 1: a drink. And I'm like, I haven't I go Nah,

799
00:42:45,600 --> 00:42:49,120
Speaker 1: my bar stays full. It's just fall like somebody wants

800
00:42:49,200 --> 00:42:51,200
Speaker 1: to go ahead, drink whatever you want. I don't even

801
00:42:51,239 --> 00:42:54,680
Speaker 1: care some special bottles, some old bottles, and I'm not

802
00:42:54,719 --> 00:42:57,319
Speaker 1: gonna taste it. Oh taste it. But I'm like, I'm

803
00:42:57,360 --> 00:43:01,000
Speaker 1: afraid of my reflux. Acting number one, the number two,

804
00:43:01,000 --> 00:43:02,920
Speaker 1: I'm afraid it's I'm gonna need a lot of it

805
00:43:03,040 --> 00:43:05,880
Speaker 1: to get me buzzed. I don't think he would, No,

806
00:43:06,000 --> 00:43:07,920
Speaker 1: I would. I would need a lot to get me buzzed.

807
00:43:07,920 --> 00:43:09,960
Speaker 1: And then and then I'm not sure if I'm if

808
00:43:10,000 --> 00:43:11,759
Speaker 1: I'm buzzed or if I'm just feeling sick from it

809
00:43:11,920 --> 00:43:14,160
Speaker 1: or dizzy. You know, I mean, wow, I got really,

810
00:43:14,320 --> 00:43:16,160
Speaker 1: I got smart early. I would do one drinking and

811
00:43:16,239 --> 00:43:18,640
Speaker 1: one water. I started that when I was young, but

812
00:43:18,840 --> 00:43:21,239
Speaker 1: that was an alcoholic. So I I've only had like,

813
00:43:21,400 --> 00:43:23,560
Speaker 1: I've had less than ten hangovers in my entire life,

814
00:43:25,280 --> 00:43:27,239
Speaker 1: less than ten. I didn't start drinking till I was

815
00:43:27,239 --> 00:43:30,680
Speaker 1: thirty one. Yeah, I didn't. I was never really a

816
00:43:30,719 --> 00:43:35,920
Speaker 1: big drinker. Yeah, Mexican guy, that's quite well. Actually know

817
00:43:36,000 --> 00:43:38,680
Speaker 1: what my uh hope, my entertainment side of my family,

818
00:43:38,719 --> 00:43:41,960
Speaker 1: the Mexican side, doesn't drink. My grandfather never drank. He

819
00:43:42,160 --> 00:43:45,040
Speaker 1: rarely drank. Actually, my uncle told me, uh not that

820
00:43:45,200 --> 00:43:48,120
Speaker 1: long ago. The only time he saw my grandfather drunk

821
00:43:48,880 --> 00:43:52,080
Speaker 1: was um when he had to pick him up for

822
00:43:52,160 --> 00:43:54,560
Speaker 1: the airport and he was flying back from doing a

823
00:43:54,680 --> 00:43:58,520
Speaker 1: charity event for a cerebral palsy and um he found

824
00:43:58,520 --> 00:44:01,840
Speaker 1: out they graduated past oh and that was like his mentor.

825
00:44:02,200 --> 00:44:03,839
Speaker 1: So that was the only time he saw him drunk.

826
00:44:03,960 --> 00:44:05,719
Speaker 1: That's actually only time I won't drink is when I'm

827
00:44:05,719 --> 00:44:08,480
Speaker 1: not when I'm upset. I will only drink when I'm

828
00:44:08,480 --> 00:44:11,680
Speaker 1: in a good mood, just because it it amplifies whatever

829
00:44:11,719 --> 00:44:14,640
Speaker 1: mood you're in. I did drink once when I was depressed.

830
00:44:14,719 --> 00:44:16,400
Speaker 1: I was like, this is what I see in the movies,

831
00:44:16,440 --> 00:44:19,440
Speaker 1: and we just try it one time. Always the wrong move.

832
00:44:19,880 --> 00:44:22,680
Speaker 1: It was. It was good to do it once, literally

833
00:44:23,040 --> 00:44:25,200
Speaker 1: out of the way, and I did never did it

834
00:44:25,200 --> 00:44:28,759
Speaker 1: again because it's just like you said, it didn't really work.

835
00:44:29,480 --> 00:44:34,080
Speaker 1: So the indies, I got Jockey. Now Jockey is uh,

836
00:44:34,880 --> 00:44:40,239
Speaker 1: it's a it's like the Wrestler meets Sea Biscuit. And

837
00:44:40,560 --> 00:44:43,160
Speaker 1: I'm saying that mostly for the directing producer because anytime

838
00:44:44,120 --> 00:44:46,279
Speaker 1: that some some corny stuff would come up, I'd be like,

839
00:44:46,320 --> 00:44:48,440
Speaker 1: are we making see this? Get are we making something better?

840
00:44:48,440 --> 00:44:50,600
Speaker 1: I hope it's naturally. I hope it's not natural. Librey

841
00:44:50,640 --> 00:44:56,440
Speaker 1: meets gus So so it's a a one Best Actor

842
00:44:56,480 --> 00:45:00,759
Speaker 1: at Sundance and then um, I'm ready to start my

843
00:45:01,000 --> 00:45:04,560
Speaker 1: uh my film festival tour for for Jockey. So I

844
00:45:04,719 --> 00:45:07,359
Speaker 1: was supposed to be in Toronto for Tiff. I'm going,

845
00:45:08,320 --> 00:45:11,520
Speaker 1: is it happening? Oh you know what? Okay, so it's happening.

846
00:45:11,600 --> 00:45:13,920
Speaker 1: But the movie I was doing they pulled because they

847
00:45:13,960 --> 00:45:16,560
Speaker 1: were like Paramount was like, no we wanted because of

848
00:45:16,640 --> 00:45:18,520
Speaker 1: COVID blah blah blah, We're gonna release it next year.

849
00:45:18,520 --> 00:45:20,640
Speaker 1: And I'm like, damn it, Oh wow, that would have

850
00:45:20,640 --> 00:45:22,680
Speaker 1: been fun to hang out. Yeah. I was excited because

851
00:45:22,680 --> 00:45:24,680
Speaker 1: I was like, I'm sure it'll be toned down quite

852
00:45:24,719 --> 00:45:27,040
Speaker 1: a bit. You there, there we go that you yeah,

853
00:45:27,600 --> 00:45:30,000
Speaker 1: really yeah, that looks well. And see that's what I mean.

854
00:45:30,160 --> 00:45:33,440
Speaker 1: You can literally transform into somebody who looks nothing like you.

855
00:45:33,640 --> 00:45:36,359
Speaker 1: This one's gonna this was gonna trip you out, this one.

856
00:45:36,360 --> 00:45:39,120
Speaker 1: I I spent all my days with the jockeys, like

857
00:45:39,239 --> 00:45:41,520
Speaker 1: I literally, are you too tall to be a jockey too?

858
00:45:41,800 --> 00:45:44,360
Speaker 1: Did you wait to easy the movie? But when you

859
00:45:44,440 --> 00:45:47,359
Speaker 1: when you know, a forced perspective of those kind of things. Um.

860
00:45:48,200 --> 00:45:50,040
Speaker 1: And it was cool to be shot on a live track,

861
00:45:50,880 --> 00:45:52,840
Speaker 1: and I was always in my jockey uniform, so I

862
00:45:53,560 --> 00:45:56,600
Speaker 1: wanted I wanted the jockeys to kinda forget that I

863
00:45:56,680 --> 00:46:00,200
Speaker 1: was an actor. So after three or four days, um,

864
00:46:00,239 --> 00:46:02,920
Speaker 1: because there's a couple that that slowly started to realize.

865
00:46:02,920 --> 00:46:04,719
Speaker 1: Because we had we had with a crew of ten.

866
00:46:05,360 --> 00:46:06,840
Speaker 1: We had we didn't have a first d D, we

867
00:46:06,920 --> 00:46:08,840
Speaker 1: had no trailers, we didn't have a script E, we

868
00:46:08,920 --> 00:46:12,400
Speaker 1: didn't have we had a crew ten, So it was

869
00:46:12,480 --> 00:46:15,760
Speaker 1: easy for me to maneuver im. Like I told the jocks,

870
00:46:15,760 --> 00:46:18,160
Speaker 1: wherever you need to pick up horses, ship help with

871
00:46:18,239 --> 00:46:22,160
Speaker 1: the horses, hold your reins that do all this stuff.

872
00:46:22,200 --> 00:46:25,080
Speaker 1: I just wanted to be in the world and get

873
00:46:25,200 --> 00:46:27,840
Speaker 1: soaked up into it so I could become that character.

874
00:46:28,960 --> 00:46:31,160
Speaker 1: I have a friend who is not a jockey. He's

875
00:46:31,200 --> 00:46:34,160
Speaker 1: the guy that gets the horses to the gate and

876
00:46:34,239 --> 00:46:36,880
Speaker 1: gets them ready for the jockeys to mount a o

877
00:46:37,560 --> 00:46:40,399
Speaker 1: and uh. And he was telling me about this one

878
00:46:40,440 --> 00:46:42,480
Speaker 1: guy who was first day on the job and he

879
00:46:42,600 --> 00:46:44,719
Speaker 1: just got pulled by the horse because he didn't he

880
00:46:44,800 --> 00:46:47,279
Speaker 1: didn't open the gate right, and this horses plowed him.

881
00:46:47,600 --> 00:46:50,879
Speaker 1: That's the most dangerous spot is the gate. I sat

882
00:46:50,920 --> 00:46:53,440
Speaker 1: in the gate. You get you've got some things that

883
00:46:53,480 --> 00:46:55,200
Speaker 1: you can stand on if if you can, if you

884
00:46:55,239 --> 00:46:58,279
Speaker 1: can get off that horse fast enough. Because it's very

885
00:46:58,320 --> 00:47:02,839
Speaker 1: different than rodeo horses like West World. The World, yeah

886
00:47:03,160 --> 00:47:07,799
Speaker 1: season season two and three. Yeah, not nineteen seventy three,

887
00:47:08,200 --> 00:47:10,080
Speaker 1: what you, Brenner, It was three years old. I look

888
00:47:10,080 --> 00:47:13,400
Speaker 1: a little different. I was shorter, Yeah, shorter, I was

889
00:47:13,440 --> 00:47:17,759
Speaker 1: way shorter. Um. So the so the horses on on

890
00:47:17,840 --> 00:47:20,719
Speaker 1: West World, they're really well trained rodeo horses, so you

891
00:47:20,800 --> 00:47:23,560
Speaker 1: can they're like like driving a porch. These these horses

892
00:47:23,600 --> 00:47:25,239
Speaker 1: are so memorable and they try to buck me a

893
00:47:25,280 --> 00:47:28,000
Speaker 1: couple of times, but I was good. Those those those

894
00:47:28,200 --> 00:47:31,879
Speaker 1: those quarter horses, man, I mean, you don't you don't

895
00:47:32,200 --> 00:47:34,399
Speaker 1: you don't you kind of hope to nudge them. They're

896
00:47:34,400 --> 00:47:37,200
Speaker 1: like dragsters, the dragsters of the animal world. You can

897
00:47:37,360 --> 00:47:38,799
Speaker 1: kind of just nudge them to the left and right.

898
00:47:38,840 --> 00:47:41,840
Speaker 1: Was rodeo horses, you like this backwards like that? Not

899
00:47:42,040 --> 00:47:44,520
Speaker 1: what these these boys just want to run. They're waiting

900
00:47:44,520 --> 00:47:46,560
Speaker 1: for that bell at that gate doesn't open and that

901
00:47:46,640 --> 00:47:48,520
Speaker 1: bow goes. All of them are crashing to that. Yeah,

902
00:47:48,520 --> 00:47:53,279
Speaker 1: they're the Talladega Nights horses. Yeah, their fastest sin like

903
00:47:53,360 --> 00:47:58,600
Speaker 1: forty three. Yeah, oh yeah. I don't like riding horses.

904
00:47:58,640 --> 00:48:02,040
Speaker 1: I did it once and I have balls and they

905
00:48:02,320 --> 00:48:04,920
Speaker 1: really got whacked on those things. You gotta kind of

906
00:48:05,440 --> 00:48:08,560
Speaker 1: kind of position them, and you gotta know how to

907
00:48:08,640 --> 00:48:10,480
Speaker 1: lift them. You gotta. We also you gotta know how

908
00:48:10,520 --> 00:48:12,080
Speaker 1: to ride, because when you get into that lope and

909
00:48:12,120 --> 00:48:13,880
Speaker 1: you kind of lift off that saddle a little bit

910
00:48:14,360 --> 00:48:16,120
Speaker 1: and well, these you don't even have a set. It's

911
00:48:16,120 --> 00:48:18,920
Speaker 1: like a little phone. So you didn't have a stunt.

912
00:48:19,840 --> 00:48:21,840
Speaker 1: We didn't have no money for stunt man. So it

913
00:48:22,000 --> 00:48:25,239
Speaker 1: was you. Yeah, it's all you. It's it's absolutely me. Yeah,

914
00:48:25,800 --> 00:48:28,200
Speaker 1: that's crazy. You know there's uh, did you get hurt

915
00:48:28,239 --> 00:48:31,919
Speaker 1: at all? I did not know, not once. That's impressive. Yeah,

916
00:48:32,320 --> 00:48:35,160
Speaker 1: emotionally hurt. It's fine, but it's a painful movie. So

917
00:48:35,239 --> 00:48:37,480
Speaker 1: I had to go to those things. Your bank account

918
00:48:37,480 --> 00:48:40,360
Speaker 1: got hurt a little. They were good too, they were

919
00:48:40,400 --> 00:48:42,239
Speaker 1: good to you what we we had. You know, we

920
00:48:42,280 --> 00:48:46,879
Speaker 1: shot the movie for like you know, like three grand No, yes,

921
00:48:47,239 --> 00:48:50,600
Speaker 1: really yeah, your bank account. Yeah, we stated like the

922
00:48:50,680 --> 00:48:53,480
Speaker 1: Courtyard Marriott and that sounds like me on the road

923
00:48:53,560 --> 00:48:57,000
Speaker 1: right now. I drove myself, but it just created fulfillment. Yeah,

924
00:48:57,120 --> 00:48:58,640
Speaker 1: it's one of the most It's one of those things

925
00:48:58,680 --> 00:49:01,040
Speaker 1: you gotta do it if you really want to do this,

926
00:49:01,160 --> 00:49:04,319
Speaker 1: like the project that I really love the project. Okay,

927
00:49:04,320 --> 00:49:05,759
Speaker 1: I'm gonna to do whatever it takes to make this

928
00:49:05,840 --> 00:49:07,840
Speaker 1: project happen. I had an agent called me, was like,

929
00:49:07,880 --> 00:49:10,160
Speaker 1: clev I got a great script for you. You gotta

930
00:49:10,160 --> 00:49:11,960
Speaker 1: read it. Like I'm working on an indie where we

931
00:49:12,040 --> 00:49:13,799
Speaker 1: got no money. Oh we got is what we put

932
00:49:13,840 --> 00:49:15,719
Speaker 1: into our hearts and soul in the time that I

933
00:49:15,840 --> 00:49:19,080
Speaker 1: commit and dedicate. Like, I can't read a script right now.

934
00:49:19,120 --> 00:49:21,239
Speaker 1: I told you that when I started this. But just please,

935
00:49:21,320 --> 00:49:22,839
Speaker 1: this is a great director, and I'm like, I love

936
00:49:22,920 --> 00:49:25,960
Speaker 1: this person, I know her. Well, this isn't the time,

937
00:49:26,400 --> 00:49:29,960
Speaker 1: like you're literally stealing from our budget when we do that, said, look,

938
00:49:30,000 --> 00:49:32,040
Speaker 1: do you call me one more time? I'm gonna call

939
00:49:32,120 --> 00:49:35,040
Speaker 1: block you. Sure enough you called me again, like LEVI

940
00:49:35,200 --> 00:49:37,520
Speaker 1: that are like, okay, go ahead, talk because wants to.

941
00:49:37,560 --> 00:49:39,960
Speaker 1: Maybe it's something important, maybe it's somebody huge. I don't know.

942
00:49:40,440 --> 00:49:42,799
Speaker 1: And he asked, okay, go your block click hung up

943
00:49:42,880 --> 00:49:45,879
Speaker 1: on him, blocked his ass, blocked the agency. I called

944
00:49:45,920 --> 00:49:47,800
Speaker 1: my producer. I said, hey, you're gonna have a crazed

945
00:49:47,880 --> 00:49:50,960
Speaker 1: agent calling you. I don't don't relay nothing to me.

946
00:49:51,000 --> 00:49:52,959
Speaker 1: I don't care what message it is. And I don't

947
00:49:52,960 --> 00:49:55,120
Speaker 1: care if my house burnt down if it did. Tell

948
00:49:55,200 --> 00:49:57,560
Speaker 1: me when we wrap, because I need the time to

949
00:49:57,600 --> 00:50:00,600
Speaker 1: stay focused. And so those guys are stays writing character

950
00:50:00,680 --> 00:50:04,040
Speaker 1: the entire time. Well, I was living and hanging with

951
00:50:04,120 --> 00:50:05,840
Speaker 1: the jockeys a bunch, so it was easier. And I

952
00:50:05,920 --> 00:50:08,239
Speaker 1: only spoke to three people while I was there. And

953
00:50:08,520 --> 00:50:10,600
Speaker 1: all all my homies know when I'm going deep deep,

954
00:50:10,719 --> 00:50:14,439
Speaker 1: they know it's like being on an undercover cop almost. Yeah,

955
00:50:14,560 --> 00:50:16,440
Speaker 1: And a lot of ways I spoke to my my grandmother,

956
00:50:16,920 --> 00:50:20,200
Speaker 1: Sam Jackson, and Slash. That was the three people, and

957
00:50:20,280 --> 00:50:22,440
Speaker 1: that was Those are pretty good names to have the

958
00:50:22,480 --> 00:50:26,560
Speaker 1: people you're talking to. Yeah, yeah, it was. Samuel's very

959
00:50:26,640 --> 00:50:28,520
Speaker 1: much a mentor. And I've got a minute. I've never

960
00:50:28,560 --> 00:50:31,600
Speaker 1: met Samuel Jackson. Obviously I love Samuel Jackson. I never

961
00:50:31,719 --> 00:50:34,960
Speaker 1: met Alita Um, but she's you know, I would love

962
00:50:35,000 --> 00:50:37,600
Speaker 1: to meet Alite. A lot of people knew Elite a

963
00:50:37,719 --> 00:50:40,879
Speaker 1: lot of people. Yeah, and uh and Slash I met

964
00:50:40,960 --> 00:50:44,200
Speaker 1: once and it was really cool because you know, I'm

965
00:50:44,320 --> 00:50:47,080
Speaker 1: you know, it's sucking Slash. And we were doing George

966
00:50:47,120 --> 00:50:50,640
Speaker 1: Lopez Show together and I think I was promoting my

967
00:50:50,719 --> 00:50:55,080
Speaker 1: new specialoting his solo album. This was like a ten

968
00:50:55,200 --> 00:50:57,760
Speaker 1: years ago, ten of eleven years. He was probably promoting

969
00:50:58,080 --> 00:51:00,640
Speaker 1: his solo album with Kennedy. Yeah, so I was. I

970
00:51:00,760 --> 00:51:01,800
Speaker 1: was in the grain room and he was in the

971
00:51:01,800 --> 00:51:05,000
Speaker 1: green room and go, oh hey, Slash, my name's Russell Peters.

972
00:51:05,040 --> 00:51:06,600
Speaker 1: I'm a comedian. I'm on the show with you to night.

973
00:51:06,640 --> 00:51:08,319
Speaker 1: He goes. I guess, yeah, man, I know who you are,

974
00:51:08,600 --> 00:51:12,040
Speaker 1: and I go you do, goes, Yeah, we were just

975
00:51:12,080 --> 00:51:15,560
Speaker 1: watching you on on the tour bus and Europe really funny.

976
00:51:16,520 --> 00:51:18,399
Speaker 1: You know, He's just really like a matter of fact

977
00:51:18,440 --> 00:51:23,960
Speaker 1: about it, And I'm like, you were you do? I go,

978
00:51:24,040 --> 00:51:26,479
Speaker 1: I got my new DVD. Do you want it? Yeah? Man, sure,

979
00:51:27,239 --> 00:51:31,880
Speaker 1: I came with David Eagles. Thanks man, I'm like Slash

980
00:51:31,920 --> 00:51:34,520
Speaker 1: thows then I am. But what wasn't that? Wasn't that

981
00:51:34,600 --> 00:51:39,520
Speaker 1: when also when Justin Bieber was on that it was

982
00:51:39,600 --> 00:51:43,040
Speaker 1: me Slash Sheila E. And I was dejaying with the

983
00:51:43,080 --> 00:51:46,480
Speaker 1: band that night it was Paul Stanley. Paul Stanley wasn't

984
00:51:46,520 --> 00:51:51,399
Speaker 1: on that one. Paul Stanley was a different one. Yeah,

985
00:51:51,760 --> 00:51:54,279
Speaker 1: but this was the This day was me Slash Sheila E.

986
00:51:54,920 --> 00:51:56,680
Speaker 1: And we were playing with the band. So Sheila was

987
00:51:56,719 --> 00:51:59,120
Speaker 1: playing um percussion and Slash playing guitar, and I was

988
00:51:59,480 --> 00:52:04,920
Speaker 1: cutting against scratching because I've been DJing sin Yeah, I

989
00:52:04,960 --> 00:52:09,600
Speaker 1: started DJing. That's why I'm friends with all these rappity man.

990
00:52:09,760 --> 00:52:14,600
Speaker 1: I missed those days real records. Yeah, I mean, I

991
00:52:14,680 --> 00:52:17,359
Speaker 1: still go digital now. It's because it's easier, but you're

992
00:52:17,360 --> 00:52:20,680
Speaker 1: still doing the exact same work. You're not. There's no faking,

993
00:52:20,760 --> 00:52:22,320
Speaker 1: and you still have to know what you're doing. You

994
00:52:22,400 --> 00:52:25,200
Speaker 1: still have to not to scratch. It's not going to

995
00:52:25,280 --> 00:52:30,160
Speaker 1: scratch for you, right, But yeah, you're not physically digging anyway.

996
00:52:30,280 --> 00:52:32,640
Speaker 1: You're still digging, just not a physical dig but also

997
00:52:32,719 --> 00:52:34,720
Speaker 1: dropping a needle on the right part of the record.

998
00:52:34,800 --> 00:52:37,200
Speaker 1: You don't forget, you don't do that with the c D. Well, no,

999
00:52:37,360 --> 00:52:40,120
Speaker 1: it's it's still vinyl. But you have que points now

1000
00:52:40,800 --> 00:52:43,320
Speaker 1: so you can mark it like it'll be like you

1001
00:52:43,400 --> 00:52:45,080
Speaker 1: know you want you want to get Like say, if

1002
00:52:45,120 --> 00:52:47,640
Speaker 1: I play a UTFO playing Rock San Rock Sand and

1003
00:52:47,760 --> 00:52:50,120
Speaker 1: I just want to get to his verse, I would

1004
00:52:50,120 --> 00:52:51,960
Speaker 1: have to queue it myself, but I would listen to

1005
00:52:52,000 --> 00:52:53,440
Speaker 1: it and then put a cue point right there, and

1006
00:52:53,480 --> 00:52:55,160
Speaker 1: then I hit a trigger and it'll hit right at

1007
00:52:55,239 --> 00:52:57,520
Speaker 1: that point, so I could be like bap, you know,

1008
00:52:57,719 --> 00:53:00,520
Speaker 1: just great converse or whatever it is. Tech uniques and

1009
00:53:00,560 --> 00:53:03,719
Speaker 1: then Newmark xer no, no, no, no, Well I was

1010
00:53:03,800 --> 00:53:06,600
Speaker 1: on twelve on the turntables right up until a few

1011
00:53:06,680 --> 00:53:10,400
Speaker 1: months ago. Um, and I got these new turntables that

1012
00:53:10,480 --> 00:53:14,200
Speaker 1: are needless, but there's still a final record on it

1013
00:53:14,280 --> 00:53:17,359
Speaker 1: and it plays exactly the same as a turntable, all

1014
00:53:17,400 --> 00:53:19,560
Speaker 1: the same things. You have to do it, just you

1015
00:53:19,560 --> 00:53:21,320
Speaker 1: don't have to worry about your needle running out on you.

1016
00:53:21,440 --> 00:53:25,000
Speaker 1: Does it does it? Does it play seventy eight? You

1017
00:53:25,120 --> 00:53:27,200
Speaker 1: can hit seventy eight, you'll hit thirty three and forty

1018
00:53:27,280 --> 00:53:30,040
Speaker 1: five together. I wonder how seventy eight sounds on it.

1019
00:53:30,400 --> 00:53:34,000
Speaker 1: It sounds like you're playing something at seventy eight. Well, well,

1020
00:53:34,080 --> 00:53:36,919
Speaker 1: no real seventy eight record though. Oh no, you can't

1021
00:53:36,920 --> 00:53:40,759
Speaker 1: actually put a record on these, Yeah, because there's no needle. Okay,

1022
00:53:40,760 --> 00:53:43,000
Speaker 1: I was gonna sales, but I still have my turntables

1023
00:53:43,880 --> 00:53:46,520
Speaker 1: just in case. Okay, I thought I got one of

1024
00:53:46,560 --> 00:53:50,719
Speaker 1: my old grandpa's seventy eight. I think he was twenty two. Yeah,

1025
00:53:50,760 --> 00:53:54,120
Speaker 1: those are big, heavy, thick records. Yeah, they break because

1026
00:53:54,120 --> 00:53:57,320
Speaker 1: they're not they're they're made out of like clay or ascetate.

1027
00:53:57,520 --> 00:54:00,839
Speaker 1: Is that what it is. It was acetate. Yeah, they'll break. Um,

1028
00:54:01,080 --> 00:54:05,000
Speaker 1: you know they're very thick and brittle yea as uh Yeah, Sam,

1029
00:54:05,200 --> 00:54:08,600
Speaker 1: Sam Free and made Dead Happen, Man, Sammy Dead Happen.

1030
00:54:08,880 --> 00:54:11,400
Speaker 1: Sam's good friends with Said and d l and and

1031
00:54:11,680 --> 00:54:14,440
Speaker 1: Um and George and all them. So you know, I

1032
00:54:14,520 --> 00:54:16,719
Speaker 1: know I know a lot of people around Sam, but

1033
00:54:16,760 --> 00:54:19,839
Speaker 1: I've never actually met Sam. Oh Man, He's uh, he's

1034
00:54:19,880 --> 00:54:22,080
Speaker 1: got a photographic memory. He says he doesn't but he

1035
00:54:22,120 --> 00:54:24,440
Speaker 1: remembers every lamp from every movie. Yeah, I see I

1036
00:54:24,600 --> 00:54:26,799
Speaker 1: forget anything out so I shot at I'm like, that's

1037
00:54:26,840 --> 00:54:30,360
Speaker 1: gone out. Yeah yeah. Now with the credits I have.

1038
00:54:31,800 --> 00:54:35,920
Speaker 1: I can remember some monologues, but I can't remember not

1039
00:54:36,040 --> 00:54:37,320
Speaker 1: all of them. Like sometime some people come up and

1040
00:54:37,320 --> 00:54:40,120
Speaker 1: start like yelling at me. Yeah, like what the fun Yeah, man,

1041
00:54:40,480 --> 00:54:43,320
Speaker 1: that your character that I'm like, oh sorry. I have

1042
00:54:43,440 --> 00:54:46,160
Speaker 1: people quote my old act and I don't remember, and

1043
00:54:46,200 --> 00:54:48,200
Speaker 1: they'll say that that's pretty funny. Who said that? They go,

1044
00:54:48,800 --> 00:54:51,600
Speaker 1: you motherfucker you. I'm like, oh ship, okay, my fault.

1045
00:54:52,320 --> 00:54:55,399
Speaker 1: What's your favorite movie that you did? My favorite? One?

1046
00:54:56,200 --> 00:55:04,759
Speaker 1: Hold on Kangari rides here all over the wish. No

1047
00:55:04,840 --> 00:55:07,680
Speaker 1: one would let that pass. That's the beauty of shooting

1048
00:55:07,680 --> 00:55:12,080
Speaker 1: in your own backyard. You helicopters, airplanes and sirens. It's

1049
00:55:12,160 --> 00:55:21,560
Speaker 1: life life. Yeah, like in the hood. Uh that could adjacent. No,

1050
00:55:22,800 --> 00:55:26,240
Speaker 1: I'm centrally South, but I'm not South Central. Centrally South,

1051
00:55:26,640 --> 00:55:29,440
Speaker 1: the good Olderman. I remember getting shot at and Watts.

1052
00:55:29,960 --> 00:55:32,880
Speaker 1: I weren't getting shot at in South Central. I've been

1053
00:55:32,920 --> 00:55:37,560
Speaker 1: shot at three times. I have avoids off um, they

1054
00:55:37,600 --> 00:55:41,799
Speaker 1: weren't aiming for me. I think they're aiming for my homies. Um,

1055
00:55:42,560 --> 00:55:44,880
Speaker 1: and then they try to carjack me three different times,

1056
00:55:45,320 --> 00:55:47,200
Speaker 1: twice the same dude. I was gonna say it was

1057
00:55:47,280 --> 00:55:49,680
Speaker 1: the same guy on Once was in Culver City off

1058
00:55:49,719 --> 00:55:51,640
Speaker 1: a high gear and cover boulevard, and the other one

1059
00:55:51,760 --> 00:55:54,839
Speaker 1: was off a western and venice. Those are the weather.

1060
00:55:55,120 --> 00:55:57,320
Speaker 1: You started going a little east, you know, but that

1061
00:55:57,480 --> 00:55:59,000
Speaker 1: was like that was a big gal. How would you

1062
00:55:59,040 --> 00:56:02,239
Speaker 1: get there? That's you were after mid City. I don't

1063
00:56:02,280 --> 00:56:04,080
Speaker 1: know it was they was trying to get my ride

1064
00:56:04,560 --> 00:56:08,400
Speaker 1: and they didn't, thankfully. That's when I was rolling a

1065
00:56:09,239 --> 00:56:14,080
Speaker 1: five point oh convertible, remember the old five point centerlock epsalons,

1066
00:56:15,000 --> 00:56:18,480
Speaker 1: diamond cut with gold bolts, and I got the gas

1067
00:56:18,600 --> 00:56:21,640
Speaker 1: cap gold plated, the cover goal played a cloth top.

1068
00:56:22,080 --> 00:56:25,120
Speaker 1: I got the we ordered, Uh what year was the car?

1069
00:56:25,239 --> 00:56:30,480
Speaker 1: It was a ninety ninety two and ninety one and

1070
00:56:30,560 --> 00:56:33,440
Speaker 1: we got Mustang g T five point was the one

1071
00:56:33,480 --> 00:56:38,200
Speaker 1: everybody wanted. This is this is the one member minister society. Okay,

1072
00:56:38,280 --> 00:56:41,360
Speaker 1: so that forest Green. I got it from the BMW.

1073
00:56:41,719 --> 00:56:44,160
Speaker 1: So we got we ordered the paint from Germany. I

1074
00:56:44,239 --> 00:56:45,759
Speaker 1: bought this car. I paid for it in cash. We

1075
00:56:45,840 --> 00:56:48,520
Speaker 1: stripped in my buddy's backyard and we painted it that

1076
00:56:48,600 --> 00:56:50,560
Speaker 1: forest green. So I was rocking the forest green like

1077
00:56:50,640 --> 00:56:58,160
Speaker 1: two years before. Menis to society. No I knew. Look, look,

1078
00:56:58,360 --> 00:57:00,279
Speaker 1: look I was Look, I suck a girl with a

1079
00:57:00,320 --> 00:57:02,120
Speaker 1: tits out. What are you staring at? Will you put

1080
00:57:02,160 --> 00:57:05,080
Speaker 1: them out? Hey? I look, I have my heat or two.

1081
00:57:05,239 --> 00:57:07,319
Speaker 1: But when they tried to jack me in the um

1082
00:57:07,640 --> 00:57:11,880
Speaker 1: the playboy's hood, the constant taking my ninety two fs

1083
00:57:12,280 --> 00:57:16,200
Speaker 1: like two weeks before. So when you, uh, and that's

1084
00:57:16,360 --> 00:57:19,280
Speaker 1: just the one time you're slipping right the one time,

1085
00:57:20,640 --> 00:57:24,000
Speaker 1: that's what they said. And I wasn't. I wasn't even hit.

1086
00:57:24,080 --> 00:57:27,320
Speaker 1: I wasn't even driving properly. And these fools rolled up,

1087
00:57:27,360 --> 00:57:31,520
Speaker 1: I mean bam blocked me in and this who and

1088
00:57:31,960 --> 00:57:35,680
Speaker 1: having a pistol pulled on you offset. It's very different

1089
00:57:36,440 --> 00:57:39,200
Speaker 1: than on set. On this one might have real bullets

1090
00:57:39,240 --> 00:57:41,160
Speaker 1: in it. This one does have real bullets. Yeah, it

1091
00:57:41,240 --> 00:57:43,120
Speaker 1: was I might want to do the other it is

1092
00:57:44,720 --> 00:57:49,560
Speaker 1: I they will Uh. They accused me of tapping some

1093
00:57:49,760 --> 00:57:53,960
Speaker 1: lady in the hood there, which I I just denied

1094
00:57:54,080 --> 00:57:59,360
Speaker 1: up and down. But I was and uh and he

1095
00:57:59,520 --> 00:58:01,800
Speaker 1: was like, I'm Jackie fool and this and that I thought, man,

1096
00:58:01,880 --> 00:58:03,400
Speaker 1: is this is this where my mom was gonna find

1097
00:58:03,400 --> 00:58:04,920
Speaker 1: my fucking body right here in the hood and his

1098
00:58:05,040 --> 00:58:08,520
Speaker 1: dirty street on the floor, you know, right here bleeding now,

1099
00:58:08,680 --> 00:58:11,560
Speaker 1: like damn. And they kept they kept singing and singing,

1100
00:58:11,680 --> 00:58:13,680
Speaker 1: and I was like, I said, look, mask y'all singing,

1101
00:58:13,800 --> 00:58:15,160
Speaker 1: so you gotta do what you gotta do, and I

1102
00:58:15,200 --> 00:58:17,160
Speaker 1: gotta do what I gotta do. I'm out. I put

1103
00:58:17,240 --> 00:58:19,480
Speaker 1: this ship in reverse, flipped it around. I called my

1104
00:58:19,560 --> 00:58:23,040
Speaker 1: homies and wants. I said, yo, I need a little something.

1105
00:58:23,640 --> 00:58:26,200
Speaker 1: That's this. I had an issue and I just rolled

1106
00:58:26,240 --> 00:58:27,880
Speaker 1: out and the fool chased me for a little bit,

1107
00:58:27,920 --> 00:58:30,720
Speaker 1: and I guess we can stop there. Did they shoot

1108
00:58:30,720 --> 00:58:33,800
Speaker 1: at not at all? Not once? Well you got away,

1109
00:58:33,840 --> 00:58:35,880
Speaker 1: that's yeah. That wasn't one of the times that they

1110
00:58:35,920 --> 00:58:37,960
Speaker 1: shot at me. I got away, So I don't. I've

1111
00:58:38,040 --> 00:58:40,840
Speaker 1: lost at least six lives of my nine. Yeah, but

1112
00:58:40,960 --> 00:58:43,640
Speaker 1: I'm blessed, so now you no, I don't even try

1113
00:58:43,680 --> 00:58:47,120
Speaker 1: to get attention at all. I'm like glasses, hat, I

1114
00:58:47,400 --> 00:58:50,760
Speaker 1: love masks. Yeah. What's creep creepy is when you call

1115
00:58:50,960 --> 00:58:53,760
Speaker 1: Postmates and you get the hat and the mask, like, dude,

1116
00:58:53,800 --> 00:58:58,920
Speaker 1: I love your work, like how and the fuck. Yeah. Yeah,

1117
00:58:58,920 --> 00:59:01,240
Speaker 1: because they see her, they your name on the bill.

1118
00:59:01,320 --> 00:59:04,800
Speaker 1: I got an alias Bill hilarious always Bill. Yeah. So

1119
00:59:04,880 --> 00:59:07,040
Speaker 1: if like if we're over out or like you got

1120
00:59:07,200 --> 00:59:09,800
Speaker 1: talking to some honey dipper or some ship like and

1121
00:59:09,880 --> 00:59:12,240
Speaker 1: she got and she got a grenade there and I'm

1122
00:59:12,280 --> 00:59:15,160
Speaker 1: your wingman. If if they don't recognize me, like, oh,

1123
00:59:15,240 --> 00:59:17,480
Speaker 1: this is my buddy. If she's a grenade, I'll just

1124
00:59:17,520 --> 00:59:20,520
Speaker 1: be like Bill before they say Cliff and then they

1125
00:59:20,560 --> 00:59:22,320
Speaker 1: know you've got five minutes to get a number. We

1126
00:59:22,320 --> 00:59:24,560
Speaker 1: got a bounce, told Thomas Cliff because I don't want

1127
00:59:24,560 --> 00:59:26,640
Speaker 1: to know who I am. It's Bill and that's what

1128
00:59:26,760 --> 00:59:30,240
Speaker 1: my all my my deliveries are Bill. I got a

1129
00:59:30,280 --> 00:59:38,360
Speaker 1: hotel alias, I got huge Jordan Tyrone shoelace. Um, I

1130
00:59:39,000 --> 00:59:42,360
Speaker 1: uh what was some of the other ones that Mike Hunt. Um.

1131
00:59:42,480 --> 00:59:43,920
Speaker 1: I just want them to say it when they call

1132
00:59:44,000 --> 00:59:46,920
Speaker 1: my room. That's why Jen Nelson gave me that one.

1133
00:59:47,000 --> 00:59:48,880
Speaker 1: Jen Dolson gave me a list of aliases and that

1134
00:59:48,960 --> 00:59:51,400
Speaker 1: was one of them. Yeah. I remember when Chappelle was

1135
00:59:51,440 --> 00:59:54,880
Speaker 1: shooting that movie. Um, I think it was Screwed. Screwed

1136
00:59:55,280 --> 01:00:00,160
Speaker 1: with Norman McDonald shooting in a Vancouver Norm McDonald, Dave

1137
01:00:00,200 --> 01:00:07,240
Speaker 1: Chappelle Vie or ninety eight or something. Yeah, Screwed. Yeah.

1138
01:00:07,280 --> 01:00:10,040
Speaker 1: When he was shooting that movie Screwed, he was like, Yo,

1139
01:00:10,120 --> 01:00:13,200
Speaker 1: come to Vancouver and hang out and I'll go, all right,

1140
01:00:13,640 --> 01:00:15,320
Speaker 1: how do I go to call me at the hotel?

1141
01:00:15,320 --> 01:00:18,920
Speaker 1: But ask for Mr Bigglesworth And he was Mr Bigglesworth

1142
01:00:18,960 --> 01:00:21,600
Speaker 1: in the hotel there. So I love it. I usually

1143
01:00:21,600 --> 01:00:24,160
Speaker 1: don't need aliasis, but when they deliver stuff at the house, like,

1144
01:00:24,280 --> 01:00:27,320
Speaker 1: I gotta have aliases and usually somebody else collects my

1145
01:00:27,400 --> 01:00:31,240
Speaker 1: food because I don't want to fancy, not just because

1146
01:00:31,240 --> 01:00:33,360
Speaker 1: I don't want to. You know. It's like I'm on

1147
01:00:33,440 --> 01:00:36,600
Speaker 1: the I'm got a gate and stuff, but you know,

1148
01:00:36,840 --> 01:00:38,600
Speaker 1: I'm Mexican. I know how to get over in gate.

1149
01:00:38,800 --> 01:00:41,680
Speaker 1: You speak Spanish. It speaks Spanish. Look at you. Yeah,

1150
01:00:41,880 --> 01:00:45,800
Speaker 1: I understand it because of all, because you live in

1151
01:00:45,920 --> 01:00:49,480
Speaker 1: l A. Because it's like Eddie. And then they have

1152
01:00:49,720 --> 01:00:53,000
Speaker 1: the names in this state, all of them, almost all

1153
01:00:53,040 --> 01:00:55,280
Speaker 1: of them. Yeah, yeah, there's not one except for Sherman Oaks.

1154
01:00:55,320 --> 01:00:58,560
Speaker 1: That's the only one that they didn't name. Yeah, you're right,

1155
01:00:58,720 --> 01:01:00,520
Speaker 1: I can't even spend that one to your city. They

1156
01:01:00,560 --> 01:01:06,160
Speaker 1: didn't eld studio. Let's see what that is studio. Yeah. Yeah,

1157
01:01:06,160 --> 01:01:08,200
Speaker 1: you can tell when they went, whether whether whether they

1158
01:01:08,200 --> 01:01:10,160
Speaker 1: were like, I'll let you have these ones. Yeah, you

1159
01:01:10,240 --> 01:01:15,120
Speaker 1: can have that, Yes, studio sits hills. No Calabasas. I

1160
01:01:15,160 --> 01:01:23,320
Speaker 1: didn't know that Calas. You see it like that Santa Monica. Yeah.

1161
01:01:24,600 --> 01:01:26,120
Speaker 1: I used to call it s pul Vita when I

1162
01:01:26,160 --> 01:01:28,280
Speaker 1: first moved there. I didn't know how to say it.

1163
01:01:28,400 --> 01:01:32,360
Speaker 1: It's like pulvita go. That's a stupid which is named

1164
01:01:32,360 --> 01:01:35,480
Speaker 1: after a general, General Coenga. Yep, there's a big battle.

1165
01:01:35,560 --> 01:01:40,560
Speaker 1: There's a giant fight with General Cowena. Look that ship

1166
01:01:40,680 --> 01:01:45,000
Speaker 1: up and say Sar Chavas Boulevard. I thought it was

1167
01:01:45,920 --> 01:01:47,240
Speaker 1: When I first moved, I thought it was named after

1168
01:01:47,280 --> 01:01:51,240
Speaker 1: Julio Sissar Shavas, the boxer, beause I didn't know who

1169
01:01:51,240 --> 01:01:55,080
Speaker 1: sis was. OK, we got to grab in Canada. We don't.

1170
01:01:55,120 --> 01:01:58,280
Speaker 1: First of all, we don't have Mexicans. That's that's right.

1171
01:01:58,840 --> 01:02:01,880
Speaker 1: There's some Mexicans Asians, yeah, a lot of Indians, Asians,

1172
01:02:01,920 --> 01:02:05,400
Speaker 1: black people, but there's no um, there's no Mexicans. What

1173
01:02:05,560 --> 01:02:07,960
Speaker 1: the fund is the dog doing right now? She is

1174
01:02:08,000 --> 01:02:17,040
Speaker 1: out of control? So we gotta check the volume on this. Yeah, yeah,

1175
01:02:17,080 --> 01:02:21,280
Speaker 1: watch the watch the kilos. Yeah, dog getting into kes.

1176
01:02:22,360 --> 01:02:27,400
Speaker 1: We gotta we gotta rogue pug out here. Piper, you're lunatic,

1177
01:02:28,960 --> 01:02:31,160
Speaker 1: you know what is? She's tired and so when she's tired,

1178
01:02:31,200 --> 01:02:33,919
Speaker 1: she gets crazy and she just wants somebody to funk

1179
01:02:33,960 --> 01:02:37,840
Speaker 1: with her so she could go to sleep. I mean,

1180
01:02:37,920 --> 01:02:48,439
Speaker 1: if whatever, wherever you see yourself, let me tell you something. People,

1181
01:02:48,560 --> 01:02:51,400
Speaker 1: we are going on year three of a global pandemic,

1182
01:02:51,520 --> 01:02:54,720
Speaker 1: which is stressful to say at least. So if you

1183
01:02:54,800 --> 01:02:57,280
Speaker 1: aren't acknowledging the fact that finding a little bit of

1184
01:02:57,400 --> 01:03:00,280
Speaker 1: calm is a massive priority for all of us, it's

1185
01:03:00,320 --> 01:03:03,240
Speaker 1: time to wake up and prioritize your well being. Learning

1186
01:03:03,280 --> 01:03:05,960
Speaker 1: to manage daily stress and anxious thoughts is something we

1187
01:03:06,120 --> 01:03:08,160
Speaker 1: all want, but many of us don't know where to

1188
01:03:08,200 --> 01:03:11,280
Speaker 1: even begin. Well, I'm going to do you a favor

1189
01:03:11,600 --> 01:03:14,120
Speaker 1: and tell you where you should begin, and that's with

1190
01:03:14,360 --> 01:03:18,000
Speaker 1: New Mood. New Mood is here to guide you to

1191
01:03:18,160 --> 01:03:20,760
Speaker 1: mental wellness and give you the tools you need to

1192
01:03:20,880 --> 01:03:24,760
Speaker 1: tackle stress so you feel empowered to take on whatever

1193
01:03:24,840 --> 01:03:27,080
Speaker 1: life throws out you. He may have heard about noon

1194
01:03:27,160 --> 01:03:29,800
Speaker 1: weight and how it can help people manage their weight

1195
01:03:29,880 --> 01:03:33,240
Speaker 1: and physical health and New Mood is just as effective

1196
01:03:33,400 --> 01:03:36,920
Speaker 1: at managing your mental well being as a very busy man.

1197
01:03:37,200 --> 01:03:38,800
Speaker 1: One of my goals for the new year is to

1198
01:03:38,880 --> 01:03:41,960
Speaker 1: make my downtime count. That means letting go of anxious

1199
01:03:42,000 --> 01:03:44,680
Speaker 1: thoughts and allowing myself to be totally present and in

1200
01:03:44,800 --> 01:03:47,800
Speaker 1: the moment with Ali and my kids. After giving newm

1201
01:03:47,840 --> 01:03:51,440
Speaker 1: a try, I not only feel calmer and less stressed

1202
01:03:51,480 --> 01:03:53,120
Speaker 1: on the days I have off, but also on the

1203
01:03:53,200 --> 01:03:55,800
Speaker 1: days when my schedules jam packed. The tension that used

1204
01:03:55,840 --> 01:03:57,680
Speaker 1: to creep up on me during a busy day is

1205
01:03:57,720 --> 01:03:59,840
Speaker 1: suddenly gone for good, and it's made a huge difference.

1206
01:04:00,080 --> 01:04:02,160
Speaker 1: Before I knew I should relax, but I didn't really

1207
01:04:02,240 --> 01:04:05,080
Speaker 1: understand how to relax, But noum helped me understand it.

1208
01:04:05,520 --> 01:04:08,640
Speaker 1: Newm is backed by science with lessons based on psychological

1209
01:04:08,720 --> 01:04:12,440
Speaker 1: principles that teach you about your relationship with stress and anxiety.

1210
01:04:12,600 --> 01:04:15,720
Speaker 1: Noon provides you with a variety of tools and techniques

1211
01:04:15,760 --> 01:04:18,920
Speaker 1: to try out and discover, and their daily curriculum, coupled

1212
01:04:18,960 --> 01:04:21,120
Speaker 1: with a one on one coach, will guide you and

1213
01:04:21,280 --> 01:04:24,400
Speaker 1: encourage you on your journey. And the best part is

1214
01:04:24,600 --> 01:04:27,280
Speaker 1: you just have to dedicate ten minutes a day, whenever

1215
01:04:27,480 --> 01:04:30,400
Speaker 1: and wherever it's convenient for you. So I'm telling you people,

1216
01:04:30,520 --> 01:04:32,080
Speaker 1: this is an easy way to meet your new year's

1217
01:04:32,120 --> 01:04:35,480
Speaker 1: resolution of chilling out a little and letting go of

1218
01:04:35,640 --> 01:04:39,040
Speaker 1: some of that one tension and stress. Because here's the thing.

1219
01:04:39,200 --> 01:04:41,480
Speaker 1: We all need to chill out and have a good year,

1220
01:04:41,640 --> 01:04:44,520
Speaker 1: so worry less and feel happier. Sign up for your

1221
01:04:44,600 --> 01:04:48,800
Speaker 1: trial at noon dot com slash peters. That's new and

1222
01:04:49,080 --> 01:04:59,000
Speaker 1: O O M dot com slash peters. We got Shannon

1223
01:04:59,040 --> 01:05:04,240
Speaker 1: Briggs texting me all day. Shannon Briggs, the fighter, okay boxer,

1224
01:05:04,920 --> 01:05:07,320
Speaker 1: former two time heavyweight champion in the world. No, I

1225
01:05:07,480 --> 01:05:10,160
Speaker 1: used to be big into fighting, and then yeah, martial

1226
01:05:10,320 --> 01:05:12,720
Speaker 1: arts and fighting. I do all my stunts when I'm fighting,

1227
01:05:13,280 --> 01:05:20,320
Speaker 1: Shannon Briggs, and that looks like every boxer, every big Yeah. Um, yeah,

1228
01:05:20,320 --> 01:05:22,200
Speaker 1: I used to do a lot of fighting. Yeah, I

1229
01:05:22,240 --> 01:05:25,640
Speaker 1: mean teaching martial arts. White. I started white tying eight seven. Yeah,

1230
01:05:25,680 --> 01:05:29,920
Speaker 1: I started boxing, it was just amateur, and then I

1231
01:05:30,000 --> 01:05:33,120
Speaker 1: do jiu jitsu for the past five and a half. Yeah. Yeah,

1232
01:05:33,640 --> 01:05:36,120
Speaker 1: I love doing them on stunts and films. I'm always

1233
01:05:36,120 --> 01:05:40,760
Speaker 1: scared to do them. Well with the right the right Well, no,

1234
01:05:40,920 --> 01:05:42,440
Speaker 1: not so much. Of cornics lots. I have to re

1235
01:05:42,560 --> 01:05:45,120
Speaker 1: choreograph my fights, which is fun to be able to do,

1236
01:05:45,680 --> 01:05:48,920
Speaker 1: whether it's a strictly hands or feet in hands or

1237
01:05:49,080 --> 01:05:51,760
Speaker 1: ar wrestling stuff of that nature. But I remember doing uh,

1238
01:05:52,120 --> 01:05:54,880
Speaker 1: I was doing like this, uh sweeps episodes of two

1239
01:05:54,960 --> 01:05:57,600
Speaker 1: part on something, and um, I was getting ready to

1240
01:05:57,600 --> 01:06:00,479
Speaker 1: do Pacific Rim Gamerra del Toro, and I was gonna

1241
01:06:00,480 --> 01:06:03,560
Speaker 1: do this first, and and Peter Fonda rest in Peace

1242
01:06:03,880 --> 01:06:06,400
Speaker 1: was the bad guy in it, and there was a

1243
01:06:06,400 --> 01:06:07,880
Speaker 1: scene where he's put where we get into it and

1244
01:06:07,960 --> 01:06:10,880
Speaker 1: we start fighting, and um, and my director was like, hey,

1245
01:06:10,960 --> 01:06:12,800
Speaker 1: so I hear you like to do your own stunts.

1246
01:06:12,840 --> 01:06:16,040
Speaker 1: I said, yeah, yeah, yes, that's you heard. Huh. He goes, yeah,

1247
01:06:16,080 --> 01:06:17,680
Speaker 1: it's not true. It's like, no, no, it's true. So

1248
01:06:18,880 --> 01:06:22,400
Speaker 1: you're excited to do this one? I said no, I said,

1249
01:06:22,480 --> 01:06:23,800
Speaker 1: what do you mean. I said, no, I'm not not

1250
01:06:23,880 --> 01:06:26,280
Speaker 1: doing this one. He goes, well, I thought, you do,

1251
01:06:26,320 --> 01:06:28,120
Speaker 1: you st I do, But I'm getting ready to do

1252
01:06:28,200 --> 01:06:30,320
Speaker 1: a big film. And all due respect to the show,

1253
01:06:30,720 --> 01:06:32,840
Speaker 1: but you know, and I love Peter to death, but

1254
01:06:33,560 --> 01:06:36,400
Speaker 1: you know, peters older and and I you know that

1255
01:06:36,680 --> 01:06:40,680
Speaker 1: these things happen. You know, I don't want to. I

1256
01:06:40,760 --> 01:06:42,200
Speaker 1: know I've got a stunt man. Oh I'm not gonna

1257
01:06:42,280 --> 01:06:44,600
Speaker 1: hurt Peter. But I know Peters. He was in the

1258
01:06:44,640 --> 01:06:46,760
Speaker 1: seventies at the time. He's his motor skills, and I've

1259
01:06:46,760 --> 01:06:48,800
Speaker 1: worked with him before. So I got up. I know

1260
01:06:48,920 --> 01:06:52,040
Speaker 1: how he worked, see the deterioration even in short So

1261
01:06:52,160 --> 01:06:53,640
Speaker 1: I showed up the next day and I said, how

1262
01:06:53,680 --> 01:06:57,160
Speaker 1: the fight go yesterday? Oh? God? All the director's friend

1263
01:06:57,200 --> 01:06:59,840
Speaker 1: and is a girl director. She came in to do

1264
01:07:00,000 --> 01:07:02,320
Speaker 1: the other fight scene and she got her nose broken,

1265
01:07:02,800 --> 01:07:06,600
Speaker 1: and then your stunt man got his cheekbone busted and

1266
01:07:06,720 --> 01:07:09,280
Speaker 1: his lip busted. And then Peter just started punching the

1267
01:07:09,320 --> 01:07:11,400
Speaker 1: cement because he was so mad that he punched the guy.

1268
01:07:11,480 --> 01:07:12,720
Speaker 1: And I was like, oh, and you wanted me to

1269
01:07:12,840 --> 01:07:14,800
Speaker 1: do that stunt? Yeah, I see. Now you see why

1270
01:07:14,800 --> 01:07:17,320
Speaker 1: I backed out of that one. Yeah, it's not because

1271
01:07:17,840 --> 01:07:19,520
Speaker 1: of course I'd love to do a fight him. Do

1272
01:07:19,560 --> 01:07:21,120
Speaker 1: you know A lot of the stunt coordinator guys in

1273
01:07:21,280 --> 01:07:23,080
Speaker 1: l A, like Pete, Pete Antico. Do you know Pete,

1274
01:07:23,400 --> 01:07:26,360
Speaker 1: it's been a minute because I've done When I was younger,

1275
01:07:26,360 --> 01:07:29,960
Speaker 1: I did a lot more violent films. You can do

1276
01:07:30,000 --> 01:07:33,640
Speaker 1: a psycho really, well, do you do? Have you do crazy? Really?

1277
01:07:34,080 --> 01:07:36,360
Speaker 1: It's a good thing that I have a place to vent. Yeah,

1278
01:07:36,680 --> 01:07:38,800
Speaker 1: it's a good thing. Don't imagine that's the thing because

1279
01:07:38,800 --> 01:07:40,640
Speaker 1: people don't realize, like, who's home? Would I be in

1280
01:07:40,760 --> 01:07:43,840
Speaker 1: if not for movies? Um No, I always I tell

1281
01:07:43,880 --> 01:07:45,840
Speaker 1: people I go when when you see actors doing things,

1282
01:07:45,920 --> 01:07:49,440
Speaker 1: it's not they didn't randomly pick this this energy out

1283
01:07:49,480 --> 01:07:51,720
Speaker 1: of nowhere. That's something that's inside of them. That's something

1284
01:07:51,760 --> 01:07:54,160
Speaker 1: that was there. One if they weren't an actor, that

1285
01:07:54,200 --> 01:07:57,000
Speaker 1: could have been them. I would agree with you in

1286
01:07:57,080 --> 01:07:59,760
Speaker 1: a lot of different ways. One seven, i'd kind of

1287
01:07:59,800 --> 01:08:01,320
Speaker 1: been out of the hood. That was a great movie.

1288
01:08:01,720 --> 01:08:03,920
Speaker 1: That was love that movie. Is that where you met

1289
01:08:03,920 --> 01:08:06,160
Speaker 1: sam That is I mean actually no, I met Samuel

1290
01:08:06,200 --> 01:08:12,280
Speaker 1: before I met Samuel at the premiere of was It Menace? Yep?

1291
01:08:12,840 --> 01:08:16,400
Speaker 1: Or Dead Presidents? Were Dead Presidents? Yeah? I was in

1292
01:08:16,479 --> 01:08:19,800
Speaker 1: both of them. Yeah you were yeah, yeah, it was

1293
01:08:19,840 --> 01:08:21,960
Speaker 1: it Menace where he plays Yeah the funk you were

1294
01:08:22,000 --> 01:08:24,560
Speaker 1: in Dead Presidents. It wasn't like what you mean you

1295
01:08:24,640 --> 01:08:27,840
Speaker 1: ain't got the money yet, motherfucker better pay up else.

1296
01:08:29,040 --> 01:08:34,040
Speaker 1: I told you, I'll pay your monkey. That's what I'm ready. Yeah,

1297
01:08:34,120 --> 01:08:37,680
Speaker 1: that was what's his name, Jimmy. Yeah, I'll pay on

1298
01:08:37,840 --> 01:08:41,439
Speaker 1: my gas when I feel like it, and he said

1299
01:08:41,479 --> 01:08:43,880
Speaker 1: blasting on my fist. So that's what I met Sam

1300
01:08:43,920 --> 01:08:46,439
Speaker 1: for the first time, and I love that. That's one

1301
01:08:46,479 --> 01:08:48,760
Speaker 1: of my favorite Me and Jacob Vargus memorize those lines.

1302
01:08:48,800 --> 01:08:51,200
Speaker 1: We used to play that back and forth. That's that scene,

1303
01:08:51,240 --> 01:08:53,120
Speaker 1: which is so much fun. I always feel like, um

1304
01:08:53,439 --> 01:08:56,040
Speaker 1: Lorenz Tate should have got an Econdomy Award nomination a

1305
01:08:56,080 --> 01:08:59,240
Speaker 1: couple of times. Yeah, and Chris Tucker could have got

1306
01:08:59,280 --> 01:09:02,479
Speaker 1: one for a Menace, I mean for UM for Presidents President,

1307
01:09:02,680 --> 01:09:05,960
Speaker 1: because you know, Chris Rock audition for that and there's

1308
01:09:06,120 --> 01:09:10,360
Speaker 1: quite a few people audition and and Tucker. Yeah, I

1309
01:09:10,400 --> 01:09:12,840
Speaker 1: mean he's not illiterate, but he's not not really a

1310
01:09:13,479 --> 01:09:16,720
Speaker 1: I don't like a reader per se. Yeah. Yeah, so

1311
01:09:16,840 --> 01:09:19,120
Speaker 1: he he had to he had to get off book

1312
01:09:19,200 --> 01:09:22,080
Speaker 1: to perform, so he had to he had to prepare.

1313
01:09:22,240 --> 01:09:24,160
Speaker 1: So then again the Furi goes away and he goes

1314
01:09:24,200 --> 01:09:26,840
Speaker 1: in and he literally earned that role. So I hadn't

1315
01:09:26,840 --> 01:09:29,400
Speaker 1: be Boot can't with him. Boot can't what Chris Tucker

1316
01:09:29,479 --> 01:09:32,120
Speaker 1: was hilarious. Chris is a great guy, but I love Chris.

1317
01:09:32,760 --> 01:09:35,920
Speaker 1: But this was before you know he uh gosh, I

1318
01:09:35,960 --> 01:09:38,519
Speaker 1: don't even know Friday even come out yet. I don't

1319
01:09:38,600 --> 01:09:45,200
Speaker 1: think it had Jesus. But the Presidents was like ninety two. No, no,

1320
01:09:47,520 --> 01:09:53,599
Speaker 1: I think it was no. Yeah. So I just remember

1321
01:09:53,880 --> 01:09:59,400
Speaker 1: remember Chris Tucker when he got released. Yeah yeah, but

1322
01:09:59,479 --> 01:10:02,360
Speaker 1: I remember, uh Tucker got ambushed in the middle of

1323
01:10:02,400 --> 01:10:04,040
Speaker 1: the night. Um because he didn't want to do his

1324
01:10:04,720 --> 01:10:07,439
Speaker 1: night watch. He told his hooch maans like them ain

1325
01:10:07,520 --> 01:10:10,519
Speaker 1: nobody's stocking us. We had Captain deal Die stocking us.

1326
01:10:11,120 --> 01:10:13,280
Speaker 1: And uh, I just woke up in the middle night.

1327
01:10:13,360 --> 01:10:15,639
Speaker 1: I just heard something and I put on my glasses

1328
01:10:15,680 --> 01:10:17,960
Speaker 1: and I looked out and I heard the chick and

1329
01:10:18,000 --> 01:10:20,240
Speaker 1: the boom boom, and in a fifty caliber lit him

1330
01:10:20,320 --> 01:10:22,680
Speaker 1: up on this mountain on the other side. They flanked them.

1331
01:10:24,000 --> 01:10:27,560
Speaker 1: I was like, oh, ship, they're dead. They're dead. And

1332
01:10:27,720 --> 01:10:30,320
Speaker 1: Lorenz and Michael and Prioli was my hooch mates, the

1333
01:10:30,400 --> 01:10:34,720
Speaker 1: three of us, so we watch and my grands. I

1334
01:10:34,800 --> 01:10:36,720
Speaker 1: know it's a good thing for me. It's like just

1335
01:10:36,800 --> 01:10:38,040
Speaker 1: to be able, like, oh yeah, I know that might

1336
01:10:38,080 --> 01:10:39,400
Speaker 1: know that guy. I know that guy. It's kind of

1337
01:10:39,400 --> 01:10:42,439
Speaker 1: boy will bind he called me one day. He was like, yo, yo, Cliff,

1338
01:10:42,439 --> 01:10:43,920
Speaker 1: you ain't gonna be leave us. I was like, I

1339
01:10:44,000 --> 01:10:46,040
Speaker 1: was like what it finally happened, Like, oh my god,

1340
01:10:46,080 --> 01:10:48,920
Speaker 1: it finally happened. Like what because Yo, I got a

1341
01:10:49,000 --> 01:10:52,120
Speaker 1: car man and the driver's license, Like finally you're fucking

1342
01:10:52,200 --> 01:10:56,519
Speaker 1: thirty six, bro, that just should have happenhen you were fifteen. No,

1343
01:10:56,680 --> 01:11:01,080
Speaker 1: this was l A Yeah, I'm already understand, like, well,

1344
01:11:01,120 --> 01:11:04,960
Speaker 1: he you don't drive right, but you got a driver's license.

1345
01:11:06,479 --> 01:11:09,439
Speaker 1: You did? How howld we when you got your driver's

1346
01:11:09,479 --> 01:11:14,200
Speaker 1: license fifty three years old? Okay? Bo didn't get his

1347
01:11:14,200 --> 01:11:16,400
Speaker 1: ship into his thirties. Yeah, But when he called me

1348
01:11:16,600 --> 01:11:19,360
Speaker 1: like like, well, that's not a surprised I mean, I'm

1349
01:11:19,479 --> 01:11:22,479
Speaker 1: surprised that you got it finally, but it's not supposed

1350
01:11:22,479 --> 01:11:24,679
Speaker 1: to happen. When it happens. That's supposed to be sixteen,

1351
01:11:25,280 --> 01:11:28,000
Speaker 1: because every's excited to drive when you're sixteen, you driving

1352
01:11:28,080 --> 01:11:30,920
Speaker 1: before then, Ship, I was stealing my parents cars and

1353
01:11:31,000 --> 01:11:33,400
Speaker 1: motorcycle and my friends were stealing cars back on the

1354
01:11:34,320 --> 01:11:36,000
Speaker 1: mid eighties and none of us knew how to drive.

1355
01:11:36,040 --> 01:11:39,240
Speaker 1: We stole one time, we stole a Dodge Omni hatchback

1356
01:11:39,400 --> 01:11:41,160
Speaker 1: four door and it was stick, and none of us

1357
01:11:41,240 --> 01:11:43,160
Speaker 1: knew how to drive stick. We're just jerking around the

1358
01:11:43,240 --> 01:11:47,280
Speaker 1: city and like a bunch of idiots. Which I drove

1359
01:11:47,320 --> 01:11:49,240
Speaker 1: it to my house and parked it on the street

1360
01:11:49,280 --> 01:11:51,080
Speaker 1: like three houses up and then went home a stick.

1361
01:11:51,320 --> 01:11:54,200
Speaker 1: Yeah well I was driving stick at twelve. Yeah. My

1362
01:11:54,320 --> 01:11:56,280
Speaker 1: first car after that was stick. Then when I first

1363
01:11:56,320 --> 01:11:58,360
Speaker 1: car actually got was stick because I was like, all right,

1364
01:11:58,360 --> 01:11:59,720
Speaker 1: I don't want this to happen again. And then my

1365
01:11:59,760 --> 01:12:03,000
Speaker 1: first two cars were sticking. Now I missed stick. Yeah,

1366
01:12:03,600 --> 01:12:06,240
Speaker 1: I know. I used to steal my dad's Harley when

1367
01:12:06,240 --> 01:12:08,479
Speaker 1: I was thirteen. It was a soft tail so it

1368
01:12:08,560 --> 01:12:10,600
Speaker 1: was low. But when I was fifteen he had x

1369
01:12:10,680 --> 01:12:13,840
Speaker 1: T two fifty like the one that uh Ramble had

1370
01:12:13,880 --> 01:12:16,400
Speaker 1: in First Blood, that one, and just got a new

1371
01:12:16,479 --> 01:12:19,639
Speaker 1: one Harley. Oh yeah, well the two fifties sits high

1372
01:12:20,080 --> 01:12:22,760
Speaker 1: and I was fifteen, so I couldn't. I had to

1373
01:12:22,800 --> 01:12:25,360
Speaker 1: go to the curb to kick started, you know, and

1374
01:12:25,800 --> 01:12:27,720
Speaker 1: it was Culver City, and then I filled it up

1375
01:12:27,720 --> 01:12:29,519
Speaker 1: with gaffy for my stepdad came home so he would

1376
01:12:29,520 --> 01:12:32,640
Speaker 1: have beat my ass. So I put a helmet on, glasses,

1377
01:12:32,720 --> 01:12:35,720
Speaker 1: gloves and leather jacket, so I looked older. So when

1378
01:12:35,760 --> 01:12:38,320
Speaker 1: a CCPD would come next to me, I'd be driving

1379
01:12:38,360 --> 01:12:41,600
Speaker 1: down Spolver to Cover Boulevard by Veterans Park, you know,

1380
01:12:41,880 --> 01:12:43,200
Speaker 1: And then when at the light, I had to get

1381
01:12:43,200 --> 01:12:45,559
Speaker 1: off the seat because because I was a tippy toe

1382
01:12:45,600 --> 01:12:47,760
Speaker 1: and the cars would come by and I had a

1383
01:12:47,800 --> 01:12:50,000
Speaker 1: lot of older so I just looked by. I was like, man,

1384
01:12:50,200 --> 01:12:51,600
Speaker 1: just real quick. Couldn't be like, hey, what's up that

1385
01:12:52,800 --> 01:12:54,760
Speaker 1: I was like trying my dad's Yeah. I was just

1386
01:12:54,880 --> 01:12:58,000
Speaker 1: like like just real like so man like. And then

1387
01:12:58,320 --> 01:12:59,760
Speaker 1: the light we turned green, I would get on it

1388
01:12:59,840 --> 01:13:03,280
Speaker 1: and of all probably like hanging off the butt because

1389
01:13:03,439 --> 01:13:05,320
Speaker 1: it's trying to make it look like I'm thinking about

1390
01:13:05,360 --> 01:13:08,880
Speaker 1: something pretty much. Yeah, but it wouldn't sit up tippy toeing.

1391
01:13:09,520 --> 01:13:12,680
Speaker 1: Is your dad American or my my my my real

1392
01:13:12,840 --> 01:13:15,960
Speaker 1: dad was yeah, Clifton Sr. But this is my stepdad

1393
01:13:15,960 --> 01:13:18,320
Speaker 1: and he was an asshole. Oh well that happens. Yeah,

1394
01:13:18,439 --> 01:13:22,120
Speaker 1: he was terrible, really terrible, terrible trouble. Is your mom

1395
01:13:22,200 --> 01:13:28,320
Speaker 1: still alive? My mom is She's a Chatsworth deep deep

1396
01:13:28,360 --> 01:13:31,439
Speaker 1: in the valley, deep in the valley. You see her much?

1397
01:13:32,160 --> 01:13:35,280
Speaker 1: I do not, but I'm I'm I'm actually talking to

1398
01:13:35,360 --> 01:13:38,280
Speaker 1: her more now to uh, because as I find details

1399
01:13:38,320 --> 01:13:42,280
Speaker 1: about the family history. Yeah, and she's the oldest dad

1400
01:13:42,320 --> 01:13:45,080
Speaker 1: of the of the siblings because it was her my

1401
01:13:45,200 --> 01:13:47,840
Speaker 1: aunt who passed away. And then my younger uncle who

1402
01:13:47,920 --> 01:13:51,200
Speaker 1: was a medic in Vietnam and just he kind of

1403
01:13:51,520 --> 01:13:54,280
Speaker 1: he didn't become an actor, and he's a he retired,

1404
01:13:54,320 --> 01:13:56,439
Speaker 1: but he was doing dialysis and it was a badass.

1405
01:13:57,160 --> 01:14:00,160
Speaker 1: He had a chance to leave Vietnam. My grandpa called, um,

1406
01:14:01,160 --> 01:14:04,439
Speaker 1: who was it? It was somebody became a senator that

1407
01:14:04,560 --> 01:14:09,679
Speaker 1: was an actor. Uh, well, Ronald Reagan. No, he called

1408
01:14:09,760 --> 01:14:12,280
Speaker 1: Ronald Reagan. When the cops fucked with me, Um, the

1409
01:14:12,360 --> 01:14:15,240
Speaker 1: Sheriff's ransacked my, my little writer. I had a Mini,

1410
01:14:15,400 --> 01:14:20,840
Speaker 1: a hard body, Nissan hard body, those Nissan trucks and

1411
01:14:21,240 --> 01:14:25,759
Speaker 1: malib Yeah, I slammed my had I had the fifteen

1412
01:14:25,800 --> 01:14:28,680
Speaker 1: in surin Vegas in the back, two of them, the

1413
01:14:28,760 --> 01:14:32,560
Speaker 1: thousand lots of kim would to pull out and no,

1414
01:14:32,800 --> 01:14:35,120
Speaker 1: I had cam c's. I didn't want to get I

1415
01:14:35,200 --> 01:14:39,200
Speaker 1: didn't want to be strapped with day's. Yeah, So the

1416
01:14:39,320 --> 01:14:43,400
Speaker 1: Sheriff's ransacked it. And obviously, and I was teaching martial arts,

1417
01:14:43,479 --> 01:14:46,479
Speaker 1: we were helping kids. I had never smoked weed, and

1418
01:14:47,320 --> 01:14:50,240
Speaker 1: my grandpa got so he did. He called Reagan and

1419
01:14:50,360 --> 01:14:53,439
Speaker 1: then Um and then Reagan's assistant he had a few.

1420
01:14:54,040 --> 01:14:56,560
Speaker 1: She called me and then next you know, like the

1421
01:14:57,680 --> 01:14:59,760
Speaker 1: I guess the herd of the top guy is the

1422
01:14:59,760 --> 01:15:02,040
Speaker 1: s PS department and always chief or captain or whatever

1423
01:15:02,080 --> 01:15:05,000
Speaker 1: it calls me. Why didn't you just follow follow the report?

1424
01:15:05,400 --> 01:15:08,880
Speaker 1: Like Mexican I know what reports do? They do nothing?

1425
01:15:09,000 --> 01:15:12,840
Speaker 1: I was a white person, may go and file a report. Oh,

1426
01:15:12,920 --> 01:15:15,320
Speaker 1: those will work. Report if you're flying. Found that under

1427
01:15:15,360 --> 01:15:18,000
Speaker 1: Clifton Collins it might have worked. Well, how was that

1428
01:15:18,439 --> 01:15:20,479
Speaker 1: gonzalas Gonzalez. They're gonna be like, hold on a second,

1429
01:15:20,800 --> 01:15:24,439
Speaker 1: I think they saw gonzazas Gonzala from Reagan Ronald Reagan.

1430
01:15:24,479 --> 01:15:27,800
Speaker 1: Thing happened, Yeah, yeah, but it sounds like it sounds

1431
01:15:27,840 --> 01:15:30,960
Speaker 1: like one of those Mexican law firms. It was George Murphy,

1432
01:15:31,240 --> 01:15:33,640
Speaker 1: Eddie Cant and George Murphy that was the team. So

1433
01:15:33,880 --> 01:15:37,360
Speaker 1: when George Murphy became a senator, my grandmother had seen

1434
01:15:37,439 --> 01:15:39,920
Speaker 1: my my uncle dragon a body to a Huey on

1435
01:15:40,040 --> 01:15:42,680
Speaker 1: the news and and was like, oh my god. And

1436
01:15:42,800 --> 01:15:47,320
Speaker 1: so my grandpa called calls um George Murphy, and UM next,

1437
01:15:47,400 --> 01:15:49,080
Speaker 1: you know, my uncle's getting a phone call in the

1438
01:15:49,080 --> 01:15:51,960
Speaker 1: battleship and he's like, well, nobody's getting phone calls on

1439
01:15:52,000 --> 01:15:55,679
Speaker 1: the battleship. I know who this is. It's Pops. He's

1440
01:15:55,680 --> 01:15:57,600
Speaker 1: like me, Oh, he's your grandma, your my mom, and

1441
01:15:57,640 --> 01:15:59,360
Speaker 1: your mom saw you on TV and the body she

1442
01:15:59,479 --> 01:16:01,800
Speaker 1: was at a hard at the You're coming home. He's like, Dad, No,

1443
01:16:01,920 --> 01:16:03,800
Speaker 1: I'm not. I'm gonna stay here. I'm gonna finish my

1444
01:16:03,880 --> 01:16:07,000
Speaker 1: tour and when I'm done, then I'm coming home. Yeah. Yeah,

1445
01:16:07,120 --> 01:16:09,160
Speaker 1: And then he started cursing in Spanish and the rats

1446
01:16:09,160 --> 01:16:11,920
Speaker 1: a good dollars English English, please good, because you couldn't

1447
01:16:11,920 --> 01:16:16,120
Speaker 1: speak another language because of English. Yeah, but but life

1448
01:16:16,280 --> 01:16:20,439
Speaker 1: was so hard at home he'd rather stay yet. Wow,

1449
01:16:20,800 --> 01:16:23,400
Speaker 1: So we had a very violent upbringing. Yeah, yeah, I

1450
01:16:23,400 --> 01:16:25,240
Speaker 1: guess it sounds like it did. Yeah, And I'm going

1451
01:16:25,360 --> 01:16:27,679
Speaker 1: therapy session for you. I think it is a great

1452
01:16:27,720 --> 01:16:29,600
Speaker 1: therapy session. But you know, you gotta get through the

1453
01:16:29,640 --> 01:16:31,800
Speaker 1: pain you got. That's well, that's the thing you gotta.

1454
01:16:32,240 --> 01:16:35,040
Speaker 1: I always say, you gotta say things sometimes to hear

1455
01:16:35,080 --> 01:16:38,960
Speaker 1: it so and that that doesn't that sometimes could be

1456
01:16:39,040 --> 01:16:42,000
Speaker 1: bad in a relationship with like I something I'll just

1457
01:16:42,080 --> 01:16:43,720
Speaker 1: say something because I want I want to hear how

1458
01:16:43,800 --> 01:16:45,840
Speaker 1: it sounds. And then like why would you say that?

1459
01:16:45,880 --> 01:16:47,599
Speaker 1: I go, and you can't explain that. They think you're

1460
01:16:48,240 --> 01:16:49,640
Speaker 1: deflect him, but I'm like, no, I really just need

1461
01:16:49,680 --> 01:16:52,479
Speaker 1: to hear it out loud. Also you repeat it, Yeah,

1462
01:16:52,479 --> 01:16:55,280
Speaker 1: I'll be like what the was that? I go. I

1463
01:16:55,320 --> 01:16:57,400
Speaker 1: just need to hear it. And if I hear it,

1464
01:16:57,439 --> 01:16:59,439
Speaker 1: then I understand it better. It helps for me too,

1465
01:16:59,520 --> 01:17:01,200
Speaker 1: if he helps for me to hear it from other people.

1466
01:17:02,640 --> 01:17:05,400
Speaker 1: Like my grandfather told me I could act, because I didn't.

1467
01:17:05,560 --> 01:17:08,320
Speaker 1: I didn't think I could. I was afraid. I didn't

1468
01:17:08,360 --> 01:17:12,320
Speaker 1: think uh was genetically predisposed to it? Why would you

1469
01:17:12,640 --> 01:17:14,479
Speaker 1: were so deep in the forest you can't even smell

1470
01:17:14,520 --> 01:17:16,920
Speaker 1: the pine needles, you know? I mean, you're just like,

1471
01:17:17,840 --> 01:17:19,519
Speaker 1: you know a show. I was tap dance. I was

1472
01:17:19,560 --> 01:17:22,760
Speaker 1: a class clown. I was always getting those lass at

1473
01:17:22,760 --> 01:17:28,760
Speaker 1: school and detention. You know how hoff Uh I still huff, Yeah,

1474
01:17:28,800 --> 01:17:30,519
Speaker 1: I got my shoes at home. Actually I do a

1475
01:17:30,560 --> 01:17:33,840
Speaker 1: little tap dancing jockey. Yeah. Well, they were like, we

1476
01:17:34,000 --> 01:17:37,320
Speaker 1: think Jackson, the character played Jackson Jackson should do a dance.

1477
01:17:37,520 --> 01:17:40,439
Speaker 1: I'm like, I'm a horse jockey. How I don't know

1478
01:17:40,520 --> 01:17:42,120
Speaker 1: how am I gonna do, Like, give me a reason

1479
01:17:42,160 --> 01:17:43,920
Speaker 1: and I'll we'll figure it out. And he couldn't really

1480
01:17:43,960 --> 01:17:48,120
Speaker 1: give me a reason. Um, so I started. I found

1481
01:17:48,160 --> 01:17:50,200
Speaker 1: all these horse shoes all over the track, just all

1482
01:17:50,240 --> 01:17:52,840
Speaker 1: over the place, and I thought, fund instead of tap shoes,

1483
01:17:53,080 --> 01:17:55,559
Speaker 1: maybe I could make some. So with these, I got

1484
01:17:55,640 --> 01:17:58,439
Speaker 1: a bunch of these old ones. When they're not real white,

1485
01:17:58,479 --> 01:18:00,880
Speaker 1: I can't warm at premiers, you know, they get old.

1486
01:18:00,880 --> 01:18:03,920
Speaker 1: So I just I could do like housework and ship

1487
01:18:04,040 --> 01:18:07,120
Speaker 1: and shovel and ship, so old sneakers. Yeah, so I

1488
01:18:07,200 --> 01:18:09,880
Speaker 1: brought three pairs. I brought three pairs that put the

1489
01:18:09,880 --> 01:18:13,840
Speaker 1: bottle caps on the heels and horseshoes on the front. Heavy.

1490
01:18:14,000 --> 01:18:16,040
Speaker 1: They were heavy, and it took me a day to adjust.

1491
01:18:16,280 --> 01:18:18,680
Speaker 1: My caps are store and once. So I practiced for

1492
01:18:18,680 --> 01:18:20,760
Speaker 1: a little bit. And that's actually on my Instagram. I

1493
01:18:20,800 --> 01:18:23,320
Speaker 1: put a little post with the boat Carter's um, I

1494
01:18:23,400 --> 01:18:25,760
Speaker 1: get the blues just to see how it worked, and

1495
01:18:25,800 --> 01:18:29,840
Speaker 1: then I follow It was during the Jockey period when

1496
01:18:29,840 --> 01:18:32,519
Speaker 1: we were filming. You'll see a whole little section, just

1497
01:18:32,640 --> 01:18:34,760
Speaker 1: a handful of photos, but you'll see the tap dancing there.

1498
01:18:35,360 --> 01:18:37,120
Speaker 1: And then I sent it to him dude, because I

1499
01:18:37,200 --> 01:18:40,160
Speaker 1: knew they wouldn't quite understand the concept of it, because

1500
01:18:40,160 --> 01:18:43,160
Speaker 1: I'm like, no jockey would have a pair of legitimate

1501
01:18:43,280 --> 01:18:46,759
Speaker 1: tap shoes. So I started with the the coke cans

1502
01:18:46,800 --> 01:18:48,559
Speaker 1: and the bottle caps like the kids do in New Orleans,

1503
01:18:48,880 --> 01:18:51,080
Speaker 1: because I love hope with those kids that go up

1504
01:18:51,080 --> 01:18:52,479
Speaker 1: to those kids in New Orleans like so much you

1505
01:18:52,520 --> 01:18:55,840
Speaker 1: got and maybe like to like, okay, what's with the

1506
01:18:55,840 --> 01:18:58,560
Speaker 1: only kids? You show another one, They're like, okay, tot,

1507
01:18:59,400 --> 01:19:00,880
Speaker 1: like that's the same thing, but you live with the

1508
01:19:00,960 --> 01:19:03,360
Speaker 1: other foot. They were like, oh, like they knew that

1509
01:19:03,439 --> 01:19:06,080
Speaker 1: I know a little like a little youngsters, and they're

1510
01:19:06,080 --> 01:19:07,840
Speaker 1: like okay, like so what you got? Then they showed

1511
01:19:07,840 --> 01:19:09,640
Speaker 1: me a different move and like okay. So then I

1512
01:19:09,760 --> 01:19:11,760
Speaker 1: throw them a little five of five and then all

1513
01:19:11,840 --> 01:19:14,920
Speaker 1: the other family come running across. I'd see like because

1514
01:19:14,920 --> 01:19:17,439
Speaker 1: I always i'd always go with like I get like

1515
01:19:17,520 --> 01:19:20,280
Speaker 1: a hundred dollars every Saturday, and I'd get a bunch

1516
01:19:20,320 --> 01:19:22,600
Speaker 1: of fives, and I'd go to any of the musicians

1517
01:19:22,720 --> 01:19:25,120
Speaker 1: or the dancers. I would just go like I'd leave

1518
01:19:25,160 --> 01:19:28,000
Speaker 1: my hotel early in the morning and the trumpet anybody's

1519
01:19:28,080 --> 01:19:31,479
Speaker 1: doing anything that's entertainment, you know, and I'd just be

1520
01:19:31,600 --> 01:19:34,960
Speaker 1: dropping fives everywhere. That was my Saturdays in New Orleans

1521
01:19:35,040 --> 01:19:37,720
Speaker 1: and Sundays. I'd love doing that. Yeah, I see a

1522
01:19:37,760 --> 01:19:39,639
Speaker 1: lot of guys would take that hundred, turn it into

1523
01:19:39,680 --> 01:19:42,400
Speaker 1: ones and go to the strip joint. Well, the strip

1524
01:19:42,520 --> 01:19:46,920
Speaker 1: joint is uh John Ownstead does. That was kind of

1525
01:19:46,920 --> 01:19:50,439
Speaker 1: like my second home. Hustler had production dropped me off

1526
01:19:50,680 --> 01:19:53,200
Speaker 1: Mr Cohn's Hustler's clothes right, and I'm like, I understand

1527
01:19:53,760 --> 01:19:55,280
Speaker 1: if you just drop me off on bourbon in front

1528
01:19:55,280 --> 01:19:58,760
Speaker 1: of Hustler, knock on the door or clothes, it's cliff up. Sorry,

1529
01:19:58,760 --> 01:20:02,080
Speaker 1: come on, anybuddy. That was my wine down. Yeah, I

1530
01:20:02,160 --> 01:20:03,599
Speaker 1: got it a couple of drinks before going to bed.

1531
01:20:03,720 --> 01:20:08,240
Speaker 1: My friend calls them institutes. He says, they want to prostitute,

1532
01:20:08,280 --> 01:20:10,080
Speaker 1: but they can't commit to it, so they want institutes.

1533
01:20:10,520 --> 01:20:12,640
Speaker 1: They'll dry, humpy and get naked. But that's as far

1534
01:20:12,640 --> 01:20:15,120
Speaker 1: as they're getting. Honestly, it was just a hang from

1535
01:20:15,200 --> 01:20:16,760
Speaker 1: now I get it. I mean, I sit at the

1536
01:20:16,760 --> 01:20:18,840
Speaker 1: barn talk I Lee have Garzi's with all of them.

1537
01:20:19,200 --> 01:20:21,720
Speaker 1: No lab dances for me. I'm like, I don't. I

1538
01:20:21,720 --> 01:20:24,360
Speaker 1: don't even understand a lap dance anymore. I went through

1539
01:20:24,400 --> 01:20:25,960
Speaker 1: a phase like a girl gives you a lap dance,

1540
01:20:26,360 --> 01:20:27,920
Speaker 1: what are you doing? Then they look at you like

1541
01:20:27,920 --> 01:20:29,519
Speaker 1: they're gonna kiss me. You're like, what are you looking

1542
01:20:29,560 --> 01:20:30,840
Speaker 1: at my eyes for? I don't want to look at

1543
01:20:30,880 --> 01:20:33,960
Speaker 1: your eyes. I don't want to see your pain, and

1544
01:20:34,000 --> 01:20:37,080
Speaker 1: I don't want you to see my happiness. I remember

1545
01:20:37,160 --> 01:20:39,599
Speaker 1: on a dead Presidents we hit at the clubs pretty hard,

1546
01:20:39,800 --> 01:20:45,479
Speaker 1: and Tucker was dropping fifty uh to Florida really yeah,

1547
01:20:45,520 --> 01:20:48,240
Speaker 1: And then the cab drive to the Friggan Strip club

1548
01:20:48,320 --> 01:20:50,640
Speaker 1: was expensive, so we would jump in one and all

1549
01:20:50,680 --> 01:20:53,640
Speaker 1: split it. Yeah, but they was dropping fifties. And and

1550
01:20:53,680 --> 01:20:55,760
Speaker 1: I'd always pretend that I left my pretty um at home,

1551
01:20:56,200 --> 01:20:58,040
Speaker 1: so like I didn't bring any money. Let me make

1552
01:20:58,080 --> 01:21:01,040
Speaker 1: you left dance. I didn't bring my money. And because

1553
01:21:01,400 --> 01:21:03,120
Speaker 1: I would always tell him jokes and get him laughing.

1554
01:21:03,160 --> 01:21:04,800
Speaker 1: Case you get them laughing, and then they want to

1555
01:21:04,840 --> 01:21:07,160
Speaker 1: give you free lap dances, so I would get free

1556
01:21:07,200 --> 01:21:10,679
Speaker 1: lab dances. Tuckers dropping fifties. You know, I'm dropping nothing,

1557
01:21:11,040 --> 01:21:13,560
Speaker 1: and get lap dances. And he was dropping fifties on

1558
01:21:13,600 --> 01:21:16,160
Speaker 1: the girl's sister that I was talking to. Yeah, they

1559
01:21:16,200 --> 01:21:18,560
Speaker 1: look at him as a mark now pretty much. But

1560
01:21:18,680 --> 01:21:21,080
Speaker 1: he would call me like four them, like, yo, get

1561
01:21:21,120 --> 01:21:22,400
Speaker 1: up here, man, I got your girl up here, and

1562
01:21:22,439 --> 01:21:24,240
Speaker 1: re sister, I want to get what re sister like?

1563
01:21:24,320 --> 01:21:26,160
Speaker 1: I know you do. Dude, we gotta shoot him sixteenes.

1564
01:21:26,200 --> 01:21:28,719
Speaker 1: Well did we shooting blanks? I know, but we gotta

1565
01:21:28,760 --> 01:21:31,160
Speaker 1: be alert. We can still get hurt. I'm going we

1566
01:21:31,240 --> 01:21:32,800
Speaker 1: gotta get up on a couple of hours. We'll get

1567
01:21:32,880 --> 01:21:35,000
Speaker 1: up here, dude, get up here, like I was his

1568
01:21:35,200 --> 01:21:39,240
Speaker 1: golden key to getting to this girl. And uh, and

1569
01:21:39,360 --> 01:21:41,680
Speaker 1: I just I just went back to bed. I just did.

1570
01:21:41,800 --> 01:21:45,559
Speaker 1: Look we're still shooting up sixty. Look there's still you still.

1571
01:21:45,800 --> 01:21:47,360
Speaker 1: You had to do all that in your early twenties.

1572
01:21:47,439 --> 01:21:49,160
Speaker 1: So it was like, you know what I mean, So

1573
01:21:49,280 --> 01:21:51,560
Speaker 1: like you're doing that in your early twenties. That I

1574
01:21:51,640 --> 01:21:53,679
Speaker 1: mean for me in my early twenties, rest and sleep

1575
01:21:53,760 --> 01:21:56,519
Speaker 1: meant nothing. Well, it will come on, let's go. We're

1576
01:21:56,520 --> 01:21:58,599
Speaker 1: gonna go get checks. This is great. We gotta shoot

1577
01:21:58,640 --> 01:22:00,880
Speaker 1: at six amun let's go shoot a six am. So

1578
01:22:01,080 --> 01:22:04,320
Speaker 1: here's here's the difference. I grew up with my grandfather

1579
01:22:04,400 --> 01:22:06,320
Speaker 1: talking about how hard it was to get work, how

1580
01:22:06,520 --> 01:22:09,240
Speaker 1: how much they suffered, how little they got paid. How

1581
01:22:09,439 --> 01:22:12,519
Speaker 1: sometimes they got ripped off. You're never late for work,

1582
01:22:12,600 --> 01:22:16,040
Speaker 1: You're always prepared. And I think he was Andre Brower

1583
01:22:16,240 --> 01:22:17,640
Speaker 1: that told me once he was, you know, clifting. A

1584
01:22:17,640 --> 01:22:19,479
Speaker 1: lot of these casts they don't know he goes. I

1585
01:22:19,560 --> 01:22:21,160
Speaker 1: was asking about Glory. He's like when I was on

1586
01:22:21,200 --> 01:22:23,519
Speaker 1: Glory because I was watching Denzel Freeman like a hawk.

1587
01:22:23,560 --> 01:22:25,479
Speaker 1: I was just watching him and learning and learning, and

1588
01:22:25,560 --> 01:22:26,960
Speaker 1: you got the other fools that we're going out and

1589
01:22:27,000 --> 01:22:29,080
Speaker 1: I was staying home. You gotta think about like being

1590
01:22:29,120 --> 01:22:31,479
Speaker 1: an athlete, you gotta get your rest. You gotta be

1591
01:22:31,560 --> 01:22:34,559
Speaker 1: mentally rested, physically rested. You've gotta be ready or you're

1592
01:22:34,560 --> 01:22:37,240
Speaker 1: not gonna win. I've only met Andre Broward once. Uh,

1593
01:22:38,000 --> 01:22:40,360
Speaker 1: I mean I only I mean I loved him on

1594
01:22:40,680 --> 01:22:44,160
Speaker 1: Brooklyn nine nine, So okay, I did Thief with him. Well,

1595
01:22:44,200 --> 01:22:47,040
Speaker 1: we both got nominated for um Emmy's he won. Actually

1596
01:22:47,479 --> 01:22:49,599
Speaker 1: that's awesome. Yeah, and you have an Emmy though, don't

1597
01:22:49,600 --> 01:22:54,519
Speaker 1: you know he got I don't have have some have

1598
01:22:54,560 --> 01:22:58,400
Speaker 1: a sag Award. I've got some awards. Yeah, because you're

1599
01:22:58,600 --> 01:23:02,080
Speaker 1: not like you know, it's it's funny because you're one

1600
01:23:02,080 --> 01:23:05,720
Speaker 1: of those actors who everybody knows your name. Everybody like

1601
01:23:06,080 --> 01:23:08,000
Speaker 1: both of them, both of them, they've known both of

1602
01:23:08,040 --> 01:23:11,280
Speaker 1: your names, and they'll know he was Clifton Conser, don't

1603
01:23:12,840 --> 01:23:15,240
Speaker 1: I know the old school? Yeah, because I remember you,

1604
01:23:15,280 --> 01:23:17,800
Speaker 1: because when you when I met you at um Boondocks

1605
01:23:17,840 --> 01:23:20,760
Speaker 1: at Boondocks and then they go as a Clifton Collins Jr.

1606
01:23:20,840 --> 01:23:24,800
Speaker 1: Go No, that's not his name, Gonzo, that's not his name.

1607
01:23:24,800 --> 01:23:25,960
Speaker 1: I don't know him as that, and I don't know

1608
01:23:26,000 --> 01:23:27,920
Speaker 1: where and I'm like, is there another guy? And you go, oh,

1609
01:23:28,040 --> 01:23:29,920
Speaker 1: you even told me. I know that I changed it,

1610
01:23:30,080 --> 01:23:32,240
Speaker 1: and I go, I went back to it. When I

1611
01:23:32,320 --> 01:23:35,920
Speaker 1: was doing Price of Glory. Yeah, yeah, it was. I

1612
01:23:36,040 --> 01:23:38,960
Speaker 1: was kind of being haunted. I lost my dad to

1613
01:23:39,040 --> 01:23:41,280
Speaker 1: a suicide when I was doing one at seven, right

1614
01:23:41,400 --> 01:23:43,720
Speaker 1: like two days before I killed myself in the movie,

1615
01:23:43,840 --> 01:23:47,400
Speaker 1: I had my father's funeral. Yeah, so you know, Samuels

1616
01:23:47,439 --> 01:23:49,240
Speaker 1: there for me every step of the way, like I'm

1617
01:23:49,240 --> 01:23:50,840
Speaker 1: making one call. I take care of everything for you.

1618
01:23:51,400 --> 01:23:53,519
Speaker 1: So it was always a weird thing being Conzos was

1619
01:23:53,600 --> 01:23:56,200
Speaker 1: knowing that I was because I remember you in the

1620
01:23:56,240 --> 01:23:58,160
Speaker 1: Morg scene with Samuel and you know what, a high

1621
01:23:58,160 --> 01:24:00,160
Speaker 1: school movie has a Morg scene at the high school well,

1622
01:24:00,640 --> 01:24:02,800
Speaker 1: I said, Sam, this is really weird. Means West. Well,

1623
01:24:03,080 --> 01:24:05,439
Speaker 1: you know, you know May's Clifton Gonzas Gonzalez, but I'm

1624
01:24:05,479 --> 01:24:09,800
Speaker 1: really Clifton Collins Jr. And we're we're here doing a

1625
01:24:10,120 --> 01:24:13,520
Speaker 1: fancy movie with you and Mel Gibson producing Icon Productions,

1626
01:24:14,160 --> 01:24:17,000
Speaker 1: and I'm Clifton Gonzala because I was pretending to be

1627
01:24:17,080 --> 01:24:19,760
Speaker 1: dead when the clifting Collins Seniors really did really in

1628
01:24:19,800 --> 01:24:22,040
Speaker 1: the morgue right now today, I just got to what

1629
01:24:22,200 --> 01:24:24,760
Speaker 1: my sister asking me if I wanted anything from the More,

1630
01:24:24,880 --> 01:24:28,519
Speaker 1: which is very surreal, like art imitating life, what the

1631
01:24:28,560 --> 01:24:29,960
Speaker 1: hell you call it? I have that a lot in

1632
01:24:30,040 --> 01:24:32,600
Speaker 1: my life, like those weird moments. And then when I

1633
01:24:32,680 --> 01:24:35,080
Speaker 1: did light it Up right from lighted Up and went

1634
01:24:35,120 --> 01:24:37,439
Speaker 1: straight to Price of Glory and then light it Up,

1635
01:24:37,479 --> 01:24:39,559
Speaker 1: people called me and they said, hey, are you gonna

1636
01:24:39,600 --> 01:24:41,960
Speaker 1: go by your Collins name of Gonzos Gonzalez? And I

1637
01:24:42,040 --> 01:24:45,479
Speaker 1: was like, that's trippy, because I never ever talked about

1638
01:24:45,520 --> 01:24:47,960
Speaker 1: going back to my birth name. Although I was tired

1639
01:24:47,960 --> 01:24:50,360
Speaker 1: of getting fucked with when you when you travel, like

1640
01:24:50,640 --> 01:24:52,560
Speaker 1: there's an aliens or somebody as you do this, or

1641
01:24:52,600 --> 01:24:55,559
Speaker 1: residuals or like somebody's by the name Gonzas Gonzalez has

1642
01:24:55,560 --> 01:24:57,519
Speaker 1: got your social and that's me, who's calling That's me.

1643
01:24:57,960 --> 01:24:59,560
Speaker 1: I had to send copies to the I r S

1644
01:24:59,640 --> 01:25:02,680
Speaker 1: for every residual check. I still got like forty I

1645
01:25:02,760 --> 01:25:05,840
Speaker 1: found forty prints of my driver's license, my socials, my

1646
01:25:05,880 --> 01:25:08,519
Speaker 1: sag CARCLD the meal it with every I R S

1647
01:25:08,600 --> 01:25:11,160
Speaker 1: thing And that was a pain in the ass. And

1648
01:25:11,240 --> 01:25:12,840
Speaker 1: then when they called me like we were thinking about

1649
01:25:12,960 --> 01:25:14,840
Speaker 1: if you want to go back to your birth name,

1650
01:25:15,040 --> 01:25:17,360
Speaker 1: I was like. And then we were shooting at the

1651
01:25:17,680 --> 01:25:20,400
Speaker 1: Inglewood Forum and my dad had lived in a trailer

1652
01:25:20,479 --> 01:25:23,600
Speaker 1: park across the street. I got the phone call and

1653
01:25:23,720 --> 01:25:26,000
Speaker 1: John Sada and I had gone outside, so I had

1654
01:25:26,000 --> 01:25:28,519
Speaker 1: a phone signal and it happened to ring because I

1655
01:25:28,560 --> 01:25:30,080
Speaker 1: wouldn't have got it had I been in the boxing

1656
01:25:30,200 --> 01:25:32,040
Speaker 1: ring with John. And then I picked it up and

1657
01:25:32,240 --> 01:25:34,560
Speaker 1: and I just took that as a sign like like

1658
01:25:34,640 --> 01:25:36,240
Speaker 1: I gotta follow the signs, like you know, I honored

1659
01:25:36,280 --> 01:25:38,479
Speaker 1: my grandfather for ten years. By the way, you got

1660
01:25:38,520 --> 01:25:41,160
Speaker 1: in fantastic shape of that movie. I dropped. I went

1661
01:25:41,240 --> 01:25:44,000
Speaker 1: from one I was at and then dropped to one

1662
01:25:44,080 --> 01:25:46,120
Speaker 1: fifty with Benny the Jet. Benny the Jet, my one

1663
01:25:46,120 --> 01:25:51,080
Speaker 1: of my childhood heroes. Six weeks of Benny Benny since

1664
01:25:51,360 --> 01:25:54,760
Speaker 1: Ny Benny at a at a martial arts thing in

1665
01:25:54,960 --> 01:25:59,479
Speaker 1: Vegas a few years ago. He's special, that whole family special. Yeah,

1666
01:26:00,400 --> 01:26:02,479
Speaker 1: Like I'm I'm very involved in that world too. So

1667
01:26:02,520 --> 01:26:04,240
Speaker 1: I met a lot of these guys too, you know

1668
01:26:04,640 --> 01:26:08,880
Speaker 1: Bill Wallace. I got to me, Wow, Superfoot, Yeah, Superfoot Wallace. Yeah,

1669
01:26:09,200 --> 01:26:11,800
Speaker 1: but I'm right before he passed. Actually wow. I did

1670
01:26:12,200 --> 01:26:17,439
Speaker 1: a Walker Ranger with the Chuck with Carlos Carlos Norris.

1671
01:26:17,760 --> 01:26:22,880
Speaker 1: Yep is he is Mexican half really, Carlos Norris. You

1672
01:26:22,920 --> 01:26:25,120
Speaker 1: want to look up his take that one. Chuck Norris

1673
01:26:25,240 --> 01:26:29,200
Speaker 1: is half Mexican and he looks like the whitest white

1674
01:26:29,240 --> 01:26:31,200
Speaker 1: boy ever. No trip out on this. He was playing

1675
01:26:31,240 --> 01:26:33,880
Speaker 1: and we were both playing illegal aliens, so he had

1676
01:26:33,920 --> 01:26:35,280
Speaker 1: to get in a little bit of brown face. And

1677
01:26:35,320 --> 01:26:37,240
Speaker 1: I looked at Chuck and I was like, hey, Chuck,

1678
01:26:37,280 --> 01:26:41,760
Speaker 1: how are you playing like illegal? Mined Carlos Mexican? Like what?

1679
01:26:43,120 --> 01:26:45,479
Speaker 1: Because there was no Internet back then. So what they

1680
01:26:45,520 --> 01:26:49,600
Speaker 1: are like like brown face and blonde hair, kind of

1681
01:26:49,640 --> 01:26:53,599
Speaker 1: a ginger almost two. I don't know, but he wouldn't

1682
01:26:53,640 --> 01:26:54,760
Speaker 1: score off with me. I just want to do a

1683
01:26:54,800 --> 01:26:58,479
Speaker 1: photo of scoring off like like him and Bruce, you know, like,

1684
01:26:58,640 --> 01:27:01,720
Speaker 1: and he wouldn't do that with me. Really, Yeah, he

1685
01:27:01,960 --> 01:27:04,479
Speaker 1: trained under my jiu jitsu teacher. He got his black

1686
01:27:04,560 --> 01:27:07,960
Speaker 1: belt from my from John Jack from the Machadow Brothers. Really,

1687
01:27:08,120 --> 01:27:10,960
Speaker 1: I trained with John Jack Machadow and Egan as well.

1688
01:27:11,240 --> 01:27:13,640
Speaker 1: John Jack is actually my son's godfather. Oh wow, I

1689
01:27:13,680 --> 01:27:15,960
Speaker 1: wouldn't mind getting into some of that stuff. Oh, you

1690
01:27:15,960 --> 01:27:19,000
Speaker 1: would love jiu jitsu. I think so, especially for guys

1691
01:27:19,040 --> 01:27:22,599
Speaker 1: are age, it's even better because it's you know, groundwork, groundwork.

1692
01:27:22,800 --> 01:27:26,800
Speaker 1: You get tired, we're fighting, and I get tired. I

1693
01:27:26,880 --> 01:27:29,120
Speaker 1: know what to do to get my wind back. I'll

1694
01:27:29,160 --> 01:27:31,280
Speaker 1: just pull you on my guard and be like, all right,

1695
01:27:31,439 --> 01:27:33,920
Speaker 1: I can rest a little bit, the big old hug. Yeah, no,

1696
01:27:34,120 --> 01:27:36,240
Speaker 1: you hang on. I pull you when I hang on.

1697
01:27:36,920 --> 01:27:39,680
Speaker 1: And if you're on top position, you're I just have

1698
01:27:39,760 --> 01:27:41,800
Speaker 1: to wait for you to move. And a lot of

1699
01:27:41,840 --> 01:27:43,240
Speaker 1: guys are going to move quick when you're in top

1700
01:27:43,240 --> 01:27:44,880
Speaker 1: position because that's what we're gonna make mistakes. You want

1701
01:27:44,920 --> 01:27:46,960
Speaker 1: to think about it, And the more time they take,

1702
01:27:47,040 --> 01:27:50,760
Speaker 1: the more time you've got chess, yeah, not checkers. Yeah.

1703
01:27:50,960 --> 01:27:54,680
Speaker 1: So it's fun. I was a good counterfighter. Yeah, teaches you.

1704
01:27:54,760 --> 01:27:57,560
Speaker 1: It's what's basically what it is to love counterfighting, to

1705
01:27:57,720 --> 01:27:59,680
Speaker 1: love it. I used to load so much. I just

1706
01:27:59,760 --> 01:28:02,280
Speaker 1: loved fucking with people's head. It's all like comedy. Yeah,

1707
01:28:02,479 --> 01:28:06,160
Speaker 1: you know, I paced myself. I'd go i'd fight kind

1708
01:28:06,200 --> 01:28:09,200
Speaker 1: of slow at first, you know, and I do a

1709
01:28:09,320 --> 01:28:11,479
Speaker 1: couple of moves at some patterns, and then I go

1710
01:28:11,640 --> 01:28:14,400
Speaker 1: real fast and fuck them up. I always get in

1711
01:28:14,439 --> 01:28:17,720
Speaker 1: trouble when I'm like rolling with younger kids, because they'll

1712
01:28:17,720 --> 01:28:21,320
Speaker 1: they're they're quicker, they're faster, they're jumping all around you. Yeah,

1713
01:28:21,479 --> 01:28:26,680
Speaker 1: we g it's it's easier wrestling. No, no, no, it's not.

1714
01:28:26,800 --> 01:28:37,800
Speaker 1: There's no olive oil involveting Greco Roman yea. Yeah, well,

1715
01:28:37,880 --> 01:28:40,160
Speaker 1: because you want to be clothed, especially in jiu jitsu.

1716
01:28:40,360 --> 01:28:45,840
Speaker 1: I can only imagine. Wait to read Prison Roman. You'll

1717
01:28:45,920 --> 01:28:48,000
Speaker 1: you'll see some of those stories. Oh yeah, I'm gonna Yeah,

1718
01:28:48,439 --> 01:28:50,880
Speaker 1: he's excited. He's probably gonna read it first. He's gonna

1719
01:28:50,920 --> 01:28:52,959
Speaker 1: tell me all about it. He'll know some of those recipes.

1720
01:28:54,439 --> 01:28:59,240
Speaker 1: There we go. Yeah, my favorite is a chili corn chip.

1721
01:29:00,760 --> 01:29:02,360
Speaker 1: Do you sell those now at the food trucks don't

1722
01:29:02,400 --> 01:29:04,960
Speaker 1: they anie, Oh, they do the top ramen now with

1723
01:29:05,120 --> 01:29:14,920
Speaker 1: the media, no stuff. There's a top of teal top

1724
01:29:15,040 --> 01:29:17,280
Speaker 1: ramin now do you know that? Wow, we got it here.

1725
01:29:17,280 --> 01:29:19,000
Speaker 1: I'm gonna go Grandma to give it to him so

1726
01:29:19,040 --> 01:29:20,559
Speaker 1: you can take it home with him. So I donate

1727
01:29:20,640 --> 01:29:22,719
Speaker 1: a pu portion of the pro teats to Homeboy Industries

1728
01:29:22,760 --> 01:29:25,599
Speaker 1: and father Greg. Oh, yeah, I was just I always

1729
01:29:25,640 --> 01:29:28,280
Speaker 1: make sure I buy my water at the airport from Homeboy.

1730
01:29:28,920 --> 01:29:30,799
Speaker 1: They have that, they have the store, they're their cafe

1731
01:29:30,880 --> 01:29:35,960
Speaker 1: is amazing home at Homeboy Industries. Yeah, a Homegirl cafe

1732
01:29:36,040 --> 01:29:41,439
Speaker 1: next door. It's organic food. Is I met the guy

1733
01:29:41,520 --> 01:29:44,960
Speaker 1: that started it um at an event once? Not father

1734
01:29:45,040 --> 01:29:47,600
Speaker 1: Greg Boile, Uh no, one of the I guess it

1735
01:29:47,720 --> 01:29:49,759
Speaker 1: might be the figurehead of it or something. But okay,

1736
01:29:49,880 --> 01:29:52,439
Speaker 1: it was a look at looks like a retired trolo.

1737
01:29:52,960 --> 01:29:54,960
Speaker 1: It's a it's a great it's when you walk in that.

1738
01:29:56,479 --> 01:29:58,920
Speaker 1: Oh wow, look at that. And there's extra spicy too.

1739
01:30:00,040 --> 01:30:03,439
Speaker 1: Bit Oh no, don't stop. Now we're talking dirty to me.

1740
01:30:03,600 --> 01:30:07,760
Speaker 1: Oh my god, you're wonderfully evil. Yes, I do make

1741
01:30:07,800 --> 01:30:11,040
Speaker 1: them an extra spicy fine, fine, I'll take it. It's

1742
01:30:11,080 --> 01:30:13,880
Speaker 1: a love hate things you want to make an extra

1743
01:30:13,880 --> 01:30:18,280
Speaker 1: spicy one for extra spicy. Oh my god, that sounds

1744
01:30:18,360 --> 01:30:21,200
Speaker 1: really amazing. Love this. Oh my Grandma used to make

1745
01:30:21,280 --> 01:30:24,960
Speaker 1: some of the craziest uh webls on jettos and the

1746
01:30:25,040 --> 01:30:29,479
Speaker 1: chiel and stuff, all homemade. Uh when Grandpa would make it.

1747
01:30:29,640 --> 01:30:31,360
Speaker 1: You always knew wh Grandpa would make it because when

1748
01:30:31,360 --> 01:30:34,000
Speaker 1: I pull up to the house, oftentimes they'd be outside

1749
01:30:34,040 --> 01:30:36,560
Speaker 1: coffee because he made it too strong. It's just like

1750
01:30:36,600 --> 01:30:38,880
Speaker 1: pepper spray. So when I see them outside coffee and

1751
01:30:38,880 --> 01:30:41,840
Speaker 1: I pull up, laughing my ass off and also exciting

1752
01:30:41,840 --> 01:30:43,960
Speaker 1: because I knew it was gonna be hot. I was like, oh,

1753
01:30:44,000 --> 01:30:45,720
Speaker 1: Grandpa made the ChIL At this point, I see me

1754
01:30:45,840 --> 01:30:49,759
Speaker 1: I put too much chili. It's gonna be because I said, Okay, Grandpa, cool,

1755
01:30:50,240 --> 01:30:55,160
Speaker 1: I I like chili kills make a bomb ass cheticulous.

1756
01:30:55,439 --> 01:30:57,160
Speaker 1: I just like it because I like I like textures,

1757
01:30:57,200 --> 01:30:59,560
Speaker 1: so you get the crunch and the soft and you know,

1758
01:31:00,000 --> 01:31:01,280
Speaker 1: and I think I like the red one better than

1759
01:31:01,280 --> 01:31:12,000
Speaker 1: the green one. Everyone starting they put me, okay, oh wow,

1760
01:31:12,080 --> 01:31:14,280
Speaker 1: that looks really good. Okay, I'm gonna stop looking at

1761
01:31:14,320 --> 01:31:20,320
Speaker 1: that with no bother I got Pavlov big time. I'm

1762
01:31:20,320 --> 01:31:25,479
Speaker 1: not even stoned and I'm already home now after it's maybe, yeah,

1763
01:31:25,560 --> 01:31:28,200
Speaker 1: sure I got you if you need it. Yeah, we're

1764
01:31:28,280 --> 01:31:31,800
Speaker 1: very stocked here and you're close to my house too.

1765
01:31:31,920 --> 01:31:34,240
Speaker 1: Oh yeah, there you go. You get literally stopped by

1766
01:31:34,240 --> 01:31:36,200
Speaker 1: any time. I love. I love that you're here. I

1767
01:31:36,360 --> 01:31:38,720
Speaker 1: just yeah, I'd love to come back for fights. I've

1768
01:31:38,760 --> 01:31:41,560
Speaker 1: been really last night here it did. I was, I

1769
01:31:41,640 --> 01:31:43,960
Speaker 1: was busy. I was so deep studying and researching and

1770
01:31:44,080 --> 01:31:47,240
Speaker 1: writing for Grandpa. For Grandpa, ye like like it's funny

1771
01:31:47,240 --> 01:31:49,760
Speaker 1: because you can think that you found everything, and you know,

1772
01:31:49,920 --> 01:31:52,120
Speaker 1: you you change a letter or a word. Next you know,

1773
01:31:52,200 --> 01:31:54,640
Speaker 1: you tap into like a treasure chest of photos in

1774
01:31:54,800 --> 01:31:57,479
Speaker 1: history and you're like, oh my god, and then you're

1775
01:31:57,560 --> 01:31:59,479
Speaker 1: up for like three more hours. What's the direction you

1776
01:31:59,520 --> 01:32:02,160
Speaker 1: want to go with the story? Uh, it's it's gonna

1777
01:32:02,160 --> 01:32:04,759
Speaker 1: start with the origin story for Grandpa's is a feature

1778
01:32:05,080 --> 01:32:07,280
Speaker 1: and then um, I was speaking to my reps about

1779
01:32:07,360 --> 01:32:11,360
Speaker 1: doing um a mini series. Just on the car Puss

1780
01:32:11,360 --> 01:32:17,600
Speaker 1: scene from He's like, yeah, remember I told you the

1781
01:32:17,640 --> 01:32:19,160
Speaker 1: dog was acting like a brat. She does that when

1782
01:32:19,200 --> 01:32:22,280
Speaker 1: she's tired. So she acts like a brat when she's tired,

1783
01:32:22,320 --> 01:32:23,560
Speaker 1: So you'll pick her up so she can sit on

1784
01:32:23,600 --> 01:32:26,040
Speaker 1: your lap and fall asleep. And that's what she's done now.

1785
01:32:26,120 --> 01:32:31,840
Speaker 1: So that's snoring you're hearing. Is it's the dog? Well,

1786
01:32:31,840 --> 01:32:33,400
Speaker 1: because she's a pug. He's got big as eyes. You

1787
01:32:33,479 --> 01:32:36,800
Speaker 1: can't close them. Really. Yeah, that's how my mom used

1788
01:32:36,800 --> 01:32:43,439
Speaker 1: to sleep. Oh he knows, she knows. Yeah. Do we

1789
01:32:43,479 --> 01:32:47,599
Speaker 1: get a clean one on that? Oh? Yeah, that's my pug.

1790
01:32:50,880 --> 01:32:53,640
Speaker 1: So you're really enjoying this podcast. Huh? How was the

1791
01:32:53,720 --> 01:32:58,479
Speaker 1: fight last night? I mean, Tyron Woodley really wasn't busy enough.

1792
01:32:59,600 --> 01:33:01,400
Speaker 1: It wasn't busy, and he stood there and I don't

1793
01:33:01,400 --> 01:33:03,680
Speaker 1: know what he was waiting for. He would wait for

1794
01:33:03,800 --> 01:33:05,560
Speaker 1: Jake Paul to throw punches and then he try and

1795
01:33:05,600 --> 01:33:08,559
Speaker 1: throw a punch. I'm like, you're the professional fighter here,

1796
01:33:08,760 --> 01:33:11,080
Speaker 1: you should be dictating the pace of this fight. But

1797
01:33:11,280 --> 01:33:13,600
Speaker 1: maybe he was and that was his way. No, you

1798
01:33:13,640 --> 01:33:16,479
Speaker 1: don't think because he was. He was fighting a taller guy,

1799
01:33:16,479 --> 01:33:19,080
Speaker 1: and he was fighting on the outside, and you should

1800
01:33:19,080 --> 01:33:21,680
Speaker 1: be fighting on the inside because there's long arms and yeah,

1801
01:33:21,720 --> 01:33:24,519
Speaker 1: you guys got long arms. You should dip in, get

1802
01:33:24,760 --> 01:33:27,560
Speaker 1: put for it on his chest and get busy. But

1803
01:33:27,680 --> 01:33:30,720
Speaker 1: he fought the wrong fight and he deservedly lost. And

1804
01:33:30,840 --> 01:33:32,360
Speaker 1: I can't believe he had that everything, Like, no, I

1805
01:33:32,439 --> 01:33:33,960
Speaker 1: think I won that. I'm like, no, you did not.

1806
01:33:34,360 --> 01:33:38,880
Speaker 1: There's no way you should think you won that. That's interesting. Yeah,

1807
01:33:39,360 --> 01:33:42,680
Speaker 1: I didn't watch it. It's but anytime there's a fight

1808
01:33:42,960 --> 01:33:44,840
Speaker 1: and I'm home, it's here. We have the fight here

1809
01:33:44,880 --> 01:33:46,840
Speaker 1: every time. Okay. Yeah, and it realized were so close

1810
01:33:46,880 --> 01:33:50,280
Speaker 1: to me. Oh but now, okay, we're gonna wrap it up.

1811
01:33:50,280 --> 01:33:52,600
Speaker 1: We're gonna wrap it up there, baby, what what are

1812
01:33:52,600 --> 01:33:54,280
Speaker 1: you barking at? Okay, go on, go on, go figure

1813
01:33:54,280 --> 01:33:59,840
Speaker 1: it out anyway. What do you think? Cliff good I'm

1814
01:34:00,080 --> 01:34:03,200
Speaker 1: I'm good man. Alright, We're gonna get you some top Ramen,

1815
01:34:03,520 --> 01:34:06,400
Speaker 1: the Tapatio Tapatio Ramen tap of too. I'm excited if

1816
01:34:06,400 --> 01:34:09,360
Speaker 1: you see Jockey. Yeah, I want to see it. When's

1817
01:34:09,360 --> 01:34:12,439
Speaker 1: it out? It'll be out in December. But um, I

1818
01:34:12,520 --> 01:34:14,960
Speaker 1: might be able to get you a link. Yeah, yeah,

1819
01:34:15,040 --> 01:34:17,240
Speaker 1: they do that now, and I I still haven't. I've

1820
01:34:17,240 --> 01:34:19,240
Speaker 1: gotten sent I've been sent a few links, and I

1821
01:34:19,400 --> 01:34:21,479
Speaker 1: still don't know how to operate it. You know, this

1822
01:34:21,600 --> 01:34:24,160
Speaker 1: wan would be a very special closer link, so you

1823
01:34:24,200 --> 01:34:26,479
Speaker 1: won't have to go through the whole rigor remortist. The

1824
01:34:26,520 --> 01:34:31,320
Speaker 1: whole thing of it's confusing. It's a little theater upstairs. Man, No,

1825
01:34:31,520 --> 01:34:33,759
Speaker 1: this is a beautiful I mean we had a cretend.

1826
01:34:33,880 --> 01:34:37,040
Speaker 1: So yeah, it was very small and so it was

1827
01:34:37,080 --> 01:34:39,120
Speaker 1: easy too. And we had a life horse horse track.

1828
01:34:39,479 --> 01:34:42,720
Speaker 1: It was live like. So I would literally at a

1829
01:34:42,800 --> 01:34:46,920
Speaker 1: turf paradise which is in northern Phoenix. Yeah, there was

1830
01:34:46,960 --> 01:34:49,720
Speaker 1: like a church like on every corner. That part scared me.

1831
01:34:50,040 --> 01:34:51,599
Speaker 1: And that just freaked me out there when you when

1832
01:34:51,600 --> 01:34:54,080
Speaker 1: you walk three miles you pass eight churches, You're like,

1833
01:34:54,600 --> 01:34:57,320
Speaker 1: how evil are these people in this town? You need

1834
01:34:57,400 --> 01:35:00,439
Speaker 1: this beach church? That's what are you? People? This bad

1835
01:35:00,520 --> 01:35:03,320
Speaker 1: that you need this many churches? And and how did

1836
01:35:03,320 --> 01:35:05,280
Speaker 1: the church get people? Like we got the better God?

1837
01:35:05,400 --> 01:35:07,560
Speaker 1: Or you don't get to heaven here? How do you

1838
01:35:07,600 --> 01:35:10,080
Speaker 1: get people into your parish? I don't understand. Yeah, big

1839
01:35:10,160 --> 01:35:14,000
Speaker 1: sign God God eats here right like I didn't know.

1840
01:35:14,080 --> 01:35:17,000
Speaker 1: It was creepy. Like I'm way cooler what liquor stores

1841
01:35:17,080 --> 01:35:19,599
Speaker 1: than I would much rather have a liquor store. Same

1842
01:35:20,040 --> 01:35:22,759
Speaker 1: at least I know I can trust them. It's the truth.

1843
01:35:22,920 --> 01:35:26,519
Speaker 1: He has them ever clear. Some Cisco, the old Cisco, No,

1844
01:35:27,560 --> 01:35:30,240
Speaker 1: you know Cisco. You remember Cisco, A little little bottle

1845
01:35:30,240 --> 01:35:32,360
Speaker 1: of Cisco with jab why I would be singing, distant

1846
01:35:32,400 --> 01:35:35,040
Speaker 1: lover out the toddle ladies after one little bottle of

1847
01:35:35,160 --> 01:35:40,839
Speaker 1: Cisco grape. It tastes like solid, like liquid kool Aid syrup.

1848
01:35:41,400 --> 01:35:43,519
Speaker 1: That sounds good, But one little, one little like I

1849
01:35:43,520 --> 01:35:45,720
Speaker 1: remember my homeboy from her homing, Like, what do you

1850
01:35:45,800 --> 01:35:48,000
Speaker 1: clown to me? You've got an oe, big old o

1851
01:35:48,160 --> 01:35:51,080
Speaker 1: E and I got a little purple Cisco. Don't worry,

1852
01:35:51,160 --> 01:35:55,000
Speaker 1: You'll be fine. I'm like, whatever, dude, won't just then love.

1853
01:35:55,400 --> 01:35:58,719
Speaker 1: I'm like singing it walking out the club, just literally

1854
01:35:58,840 --> 01:36:01,639
Speaker 1: singing the chicks like yeah, like I know them personally.

1855
01:36:01,680 --> 01:36:03,960
Speaker 1: I hadn't met none of these girls. I'm singing to

1856
01:36:04,080 --> 01:36:07,560
Speaker 1: all of them like you're fearless in your twenties, Yeah, fearless,

1857
01:36:07,760 --> 01:36:09,760
Speaker 1: like I could take all these girls home. I was.

1858
01:36:09,920 --> 01:36:12,120
Speaker 1: I was that guy. I was terrible in my thirties.

1859
01:36:12,120 --> 01:36:15,000
Speaker 1: When I started drinking, that's when I was. I became

1860
01:36:15,160 --> 01:36:18,360
Speaker 1: really like I was getting laid a lot because I

1861
01:36:18,479 --> 01:36:21,360
Speaker 1: was just my game stepped up. My my, my, my

1862
01:36:21,880 --> 01:36:23,519
Speaker 1: fears went away. I was like, let me talk to

1863
01:36:23,600 --> 01:36:26,640
Speaker 1: this girl. I didn't realize what a bad reputation I

1864
01:36:26,720 --> 01:36:30,960
Speaker 1: had until I got engaged, and then why all all

1865
01:36:31,040 --> 01:36:33,280
Speaker 1: my exes came out a bunch mo were mad at me.

1866
01:36:33,479 --> 01:36:36,200
Speaker 1: And then chicks didn't believe it was happening, like they

1867
01:36:36,240 --> 01:36:38,600
Speaker 1: thought it was like, this can't be happening, you know,

1868
01:36:38,640 --> 01:36:42,200
Speaker 1: because I've never been engaged, and I got engaged. I've

1869
01:36:42,240 --> 01:36:45,519
Speaker 1: been engaged. Well, this the woman I'm with Now I'm

1870
01:36:45,520 --> 01:36:52,120
Speaker 1: actually marrying her. So um, but then next year, next year, everything,

1871
01:36:52,120 --> 01:36:54,920
Speaker 1: I don't want to like four or five years. No,

1872
01:36:55,080 --> 01:36:57,600
Speaker 1: we haven't eve been together that long. Okay, you're in

1873
01:36:57,640 --> 01:37:02,560
Speaker 1: a bit, Okay, but we just we clicked, like we know,

1874
01:37:02,720 --> 01:37:04,760
Speaker 1: we just we just we get. What's it's that when

1875
01:37:04,800 --> 01:37:08,000
Speaker 1: you go I funk, I get it now, I get it.

1876
01:37:08,280 --> 01:37:11,320
Speaker 1: How beautiful is that to find it compatible? Yeah? And

1877
01:37:11,360 --> 01:37:13,120
Speaker 1: she's from Long Beach, you know what I mean. She's

1878
01:37:13,160 --> 01:37:15,519
Speaker 1: not like Beach. Yeah, she's from the hood part of

1879
01:37:15,640 --> 01:37:18,360
Speaker 1: Long Beach, ninth and ELM, I love it. Yeah, So

1880
01:37:18,560 --> 01:37:21,640
Speaker 1: she's not like, she's not like a little prissy one, right,

1881
01:37:21,760 --> 01:37:24,519
Speaker 1: But there's something beautiful about people that that come from

1882
01:37:24,560 --> 01:37:27,320
Speaker 1: places where they had to climb out of and rise

1883
01:37:27,400 --> 01:37:29,600
Speaker 1: out of. One We're very similar in that regard. We

1884
01:37:29,760 --> 01:37:31,559
Speaker 1: both do what we had, We did what we had

1885
01:37:31,640 --> 01:37:33,360
Speaker 1: to do to get to where we had to get

1886
01:37:33,640 --> 01:37:37,519
Speaker 1: it built character. Yeah, so struggle. We both appreciate struggle,

1887
01:37:37,520 --> 01:37:39,960
Speaker 1: and we don't appreciate people who don't appreciate struggle because

1888
01:37:40,000 --> 01:37:43,200
Speaker 1: I'm like, you don't know struggle, you don't really know adversity.

1889
01:37:43,280 --> 01:37:45,360
Speaker 1: I can't even hang out with you. Yeah, I can't.

1890
01:37:45,479 --> 01:37:47,479
Speaker 1: I just can't. And I was liking it to boxing.

1891
01:37:47,560 --> 01:37:50,160
Speaker 1: I like, everybody thinks they're gonna be good at this,

1892
01:37:50,240 --> 01:37:51,960
Speaker 1: and the first time you get cracked on the john,

1893
01:37:52,040 --> 01:37:54,280
Speaker 1: you feel your legs go wobbling and the birds are

1894
01:37:54,280 --> 01:37:56,360
Speaker 1: singing around your head. You go, wow, why did I

1895
01:37:56,439 --> 01:37:59,120
Speaker 1: do this? It's the same with comedy. The first time

1896
01:37:59,160 --> 01:38:00,840
Speaker 1: you get boot off stay ages, when you find out

1897
01:38:00,880 --> 01:38:02,679
Speaker 1: are you going to do this more? Or you're gonna quit?

1898
01:38:02,880 --> 01:38:06,840
Speaker 1: How was that? It was? It made me stronger because

1899
01:38:06,880 --> 01:38:09,640
Speaker 1: it made me realize, don't let that happen again. The

1900
01:38:09,720 --> 01:38:11,760
Speaker 1: same thing with boxing that I just dropped my right hand.

1901
01:38:11,840 --> 01:38:13,960
Speaker 1: Remind me to keep my right hand up next time. Right.

1902
01:38:14,040 --> 01:38:15,680
Speaker 1: But you're not You're not in a on a on

1903
01:38:15,800 --> 01:38:18,600
Speaker 1: a stage, though, well, you're more sort of people are

1904
01:38:18,640 --> 01:38:21,360
Speaker 1: watching you but but people didn't pay to come watch

1905
01:38:21,400 --> 01:38:24,600
Speaker 1: you box. Yeah, right here, you're hoping to have like

1906
01:38:24,680 --> 01:38:28,000
Speaker 1: a career of sorts, right, so I would imagine, but

1907
01:38:28,120 --> 01:38:30,240
Speaker 1: the first time is the worst time, is it? Yeah?

1908
01:38:30,240 --> 01:38:32,280
Speaker 1: Because you're like wow, and you know, you play it

1909
01:38:32,360 --> 01:38:33,880
Speaker 1: back in your head and you realize it was you,

1910
01:38:34,080 --> 01:38:36,120
Speaker 1: it wasn't them. But sometimes but you also got to

1911
01:38:36,160 --> 01:38:38,360
Speaker 1: know you who you're playing to. Yeah, And I was green.

1912
01:38:38,400 --> 01:38:40,000
Speaker 1: I was it was four years into the stand up.

1913
01:38:40,040 --> 01:38:43,840
Speaker 1: Then it was you know, I've been doing the thirty

1914
01:38:43,880 --> 01:38:45,960
Speaker 1: two years. So like at that time, I was like

1915
01:38:47,320 --> 01:38:51,240
Speaker 1: this and my mouth went completely dry, and I remember

1916
01:38:51,400 --> 01:38:53,960
Speaker 1: thinking in my head like it felt it felt exact

1917
01:38:54,040 --> 01:38:56,840
Speaker 1: same as it felt like that, because I remember it

1918
01:38:56,920 --> 01:38:58,840
Speaker 1: felt like a dream sequence when it was happening, and

1919
01:38:58,920 --> 01:39:00,800
Speaker 1: I'm like, get me out of here. In my head,

1920
01:39:00,800 --> 01:39:03,639
Speaker 1: I'm like, get you, get out of here, ron retreat,

1921
01:39:03,800 --> 01:39:06,400
Speaker 1: get out of here. And I just peace and I

1922
01:39:06,479 --> 01:39:08,320
Speaker 1: walked off, and I remember I wanted to cry, but

1923
01:39:08,439 --> 01:39:10,760
Speaker 1: I couldn't cry because I'm like, you look like a

1924
01:39:10,800 --> 01:39:13,320
Speaker 1: bigger bitch at that point. So I'm like I just

1925
01:39:13,400 --> 01:39:16,080
Speaker 1: sat there like numb. I was like, but now you

1926
01:39:16,160 --> 01:39:18,760
Speaker 1: probably got ace cars that you know, that you pull out. Well,

1927
01:39:18,880 --> 01:39:21,439
Speaker 1: now now you know if it's you were not at

1928
01:39:21,439 --> 01:39:23,200
Speaker 1: that time, I knew it was me. But now and

1929
01:39:23,280 --> 01:39:25,400
Speaker 1: now the further you get into it, you know when

1930
01:39:25,439 --> 01:39:27,760
Speaker 1: it's them, and you know, and you also know where

1931
01:39:27,880 --> 01:39:30,800
Speaker 1: you went wrong. You all point pinpoint, But right there

1932
01:39:30,840 --> 01:39:34,519
Speaker 1: is where I made the wrong turn. No, it just

1933
01:39:34,640 --> 01:39:38,519
Speaker 1: wasn't ready. It was I was opening for the Far Side, um,

1934
01:39:38,720 --> 01:39:40,280
Speaker 1: and they were hot as hell at the time that

1935
01:39:40,479 --> 01:39:43,200
Speaker 1: had passed me by out And it was in Toronto

1936
01:39:43,320 --> 01:39:46,280
Speaker 1: is my hometown, and I'm a hip hop guy. But

1937
01:39:46,600 --> 01:39:49,400
Speaker 1: you know, the scene doesn't really know me. That nobody

1938
01:39:49,439 --> 01:39:52,040
Speaker 1: knows I'm nobody at the time. And I had had

1939
01:39:52,120 --> 01:39:55,200
Speaker 1: this baseball jersey made to wear on stage. I said,

1940
01:39:55,280 --> 01:39:57,720
Speaker 1: strictly hip hop, and it was. It was cream and

1941
01:39:57,800 --> 01:40:00,800
Speaker 1: red and I wore these red jeans with it. And uh,

1942
01:40:01,360 --> 01:40:03,920
Speaker 1: and here's why I made the first mistake. I got

1943
01:40:04,000 --> 01:40:06,160
Speaker 1: this dope jersey made and then I tucked it in

1944
01:40:06,320 --> 01:40:12,040
Speaker 1: my pants like like it was a shirt. So I

1945
01:40:12,120 --> 01:40:14,519
Speaker 1: walked down on he was like this clown. And then

1946
01:40:15,280 --> 01:40:18,639
Speaker 1: and then from there, you know, just bam bamboo boo boo,

1947
01:40:20,360 --> 01:40:23,839
Speaker 1: and I and thinking back, had I had more experience

1948
01:40:23,920 --> 01:40:25,679
Speaker 1: in the comedy world. I could have won them over,

1949
01:40:26,400 --> 01:40:29,400
Speaker 1: but I was just so I had not had that happened.

1950
01:40:29,520 --> 01:40:32,360
Speaker 1: I had no real adversity happened in the comedy world

1951
01:40:32,400 --> 01:40:34,200
Speaker 1: at that point. So, so how do you go about

1952
01:40:34,520 --> 01:40:36,760
Speaker 1: going on the second time? What's the fear factor like

1953
01:40:36,920 --> 01:40:38,760
Speaker 1: on that second time? Well, no, you know where you

1954
01:40:38,800 --> 01:40:40,920
Speaker 1: went wrong. You you realize what you did wrong and

1955
01:40:41,000 --> 01:40:43,320
Speaker 1: you and you don't do that again. It's the same

1956
01:40:43,400 --> 01:40:46,080
Speaker 1: in boxing, try to correct that mistake and same martial arts.

1957
01:40:46,120 --> 01:40:48,519
Speaker 1: You know, and you and you and I bombed in

1958
01:40:48,600 --> 01:40:50,800
Speaker 1: front of people I wanted to not bomb in from Wow.

1959
01:40:51,000 --> 01:40:54,080
Speaker 1: So so so the stake's gotta be way higher. Yeah,

1960
01:40:54,160 --> 01:40:56,000
Speaker 1: but again, still nobody knows who I am. I've not

1961
01:40:56,120 --> 01:40:59,080
Speaker 1: done any TV. I mean, you kind of a clean slate,

1962
01:40:59,120 --> 01:41:01,680
Speaker 1: so to speak. Yeah, and you have the personal experience

1963
01:41:01,760 --> 01:41:03,479
Speaker 1: now and there's no Internet. I mean there's no There

1964
01:41:03,640 --> 01:41:05,880
Speaker 1: literally was no internet yet at that time, there was

1965
01:41:05,960 --> 01:41:08,800
Speaker 1: no knew that I knew. And that's where you didn't

1966
01:41:08,840 --> 01:41:11,200
Speaker 1: That's where you dig into yourself. So did you did

1967
01:41:11,240 --> 01:41:12,559
Speaker 1: you go back and you put it back to get

1968
01:41:12,600 --> 01:41:15,680
Speaker 1: like I don't do that? Did you modify the routine? No,

1969
01:41:15,800 --> 01:41:18,639
Speaker 1: it wasn't even. It wasn't even the act. It was visual,

1970
01:41:19,000 --> 01:41:22,160
Speaker 1: it was tone, it was all the things you don't

1971
01:41:22,200 --> 01:41:25,080
Speaker 1: pay attention to. And that's when I became more aware

1972
01:41:25,080 --> 01:41:26,880
Speaker 1: of what I'm wearing on stage and how I'm wearing it.

1973
01:41:27,000 --> 01:41:29,240
Speaker 1: And you know, I still pride myself and how I

1974
01:41:29,360 --> 01:41:32,320
Speaker 1: dressed when I go on stage. Okay, well I love

1975
01:41:32,400 --> 01:41:36,599
Speaker 1: that inside she smells your food. It was the Mujo.

1976
01:41:37,840 --> 01:41:41,840
Speaker 1: He's the new the new face of Ramen. She is.

1977
01:41:43,600 --> 01:41:47,360
Speaker 1: They don't don't make puppy Raman. They probably do make

1978
01:41:47,439 --> 01:41:50,920
Speaker 1: everything for everyone. Now the people get offended. Oh, she's

1979
01:41:50,920 --> 01:41:54,679
Speaker 1: coming around her, she's coming around. All right, let's wrap

1980
01:41:54,760 --> 01:41:59,160
Speaker 1: this up. Um, thanks so much, Clifton, thank you, thank

1981
01:41:59,160 --> 01:42:01,200
Speaker 1: you for the invite me. I'm glad you came. I'm

1982
01:42:01,200 --> 01:42:02,560
Speaker 1: glad you did it. I didn't think we would get you,

1983
01:42:02,640 --> 01:42:04,560
Speaker 1: to be honest with you, what I do know, I

1984
01:42:04,640 --> 01:42:06,160
Speaker 1: just look at you like I look at actors, and

1985
01:42:06,240 --> 01:42:10,880
Speaker 1: like they're busy, they got things to do. I have

1986
01:42:11,000 --> 01:42:12,640
Speaker 1: a book here and kids. He was busy so I

1987
01:42:12,680 --> 01:42:16,080
Speaker 1: could finish reading this. Yeah yeah, I'm like, no, you know,

1988
01:42:16,160 --> 01:42:18,360
Speaker 1: I was so and for me, you know, you're you're

1989
01:42:18,400 --> 01:42:21,960
Speaker 1: not like a B list actor you're an A list actor.

1990
01:42:22,040 --> 01:42:24,160
Speaker 1: I appreciate that. I don't see myself as well. You

1991
01:42:24,160 --> 01:42:26,960
Speaker 1: shouldn't see yourself as that because you are. You probably

1992
01:42:27,000 --> 01:42:30,960
Speaker 1: have a quote a rate. H really you should get

1993
01:42:30,960 --> 01:42:34,920
Speaker 1: it right. Probably get him right. The callum is available. Um,

1994
01:42:35,640 --> 01:42:38,280
Speaker 1: his his starting rate is uh five million, but you

1995
01:42:38,360 --> 01:42:42,280
Speaker 1: can negotiate up or down from there. I'm happy to

1996
01:42:42,360 --> 01:42:49,000
Speaker 1: go either way anywhere anywhere from it's over your Jockey's

1997
01:42:49,120 --> 01:42:52,760
Speaker 1: Uh yeah, it's a special endorsement deal from Jockey the

1998
01:42:52,840 --> 01:42:57,000
Speaker 1: underwear brand. Um. Uh. You know, we're doing the Academy push,

1999
01:42:57,080 --> 01:42:59,599
Speaker 1: so we're excited about that, and that's the first time

2000
01:42:59,640 --> 01:43:02,919
Speaker 1: that we're you know, people think I got nominated for Computi,

2001
01:43:03,000 --> 01:43:05,120
Speaker 1: which is kind of funny to go to like oh

2002
01:43:05,280 --> 01:43:07,240
Speaker 1: like oh man, I was like at an Oscar for THEAMI.

2003
01:43:07,280 --> 01:43:09,280
Speaker 1: He's like, oh it's great. I just keep walking. Yeah,

2004
01:43:09,280 --> 01:43:12,800
Speaker 1: I can get nominated. Well, you know that's perception, right,

2005
01:43:12,960 --> 01:43:15,080
Speaker 1: It's all about perception. This whole game is about perception

2006
01:43:16,160 --> 01:43:19,559
Speaker 1: because you know again you know you don't you're one

2007
01:43:19,560 --> 01:43:24,360
Speaker 1: of those guys who is un unpin pointable, like is

2008
01:43:24,439 --> 01:43:26,640
Speaker 1: he that guy or is he this guy? Because he

2009
01:43:26,760 --> 01:43:29,679
Speaker 1: plays them both really well, which guy. Is this guy

2010
01:43:29,800 --> 01:43:31,720
Speaker 1: you know? And that's fun for me. Yeah, because you

2011
01:43:31,760 --> 01:43:34,240
Speaker 1: can play it off according to how you feel, how

2012
01:43:34,360 --> 01:43:36,960
Speaker 1: you want that person to perceive you was how is

2013
01:43:37,000 --> 01:43:39,720
Speaker 1: how you can handle the situation? Do I want them

2014
01:43:39,760 --> 01:43:43,360
Speaker 1: to norminized? Guy? Maybe I don't anybody sense dickiness from them,

2015
01:43:43,640 --> 01:43:45,360
Speaker 1: And I'm gonna give him this version of me. It's

2016
01:43:45,400 --> 01:43:48,240
Speaker 1: good to just be quiet and observed, just pay attention

2017
01:43:48,439 --> 01:43:50,960
Speaker 1: and you'll know right away that's exactly that works. Yeah.

2018
01:43:52,280 --> 01:43:56,599
Speaker 1: So Clifton Collins Jr. Gonzalez Gonzalez, Sir, I appreciate your brother.

2019
01:43:57,720 --> 01:44:00,679
Speaker 1: This is Russell Peters. This was this episode of Culturally

2020
01:44:00,760 --> 01:44:07,080
Speaker 1: Canceled with myself in my backyard with horns, sirens, um, helicopters,

2021
01:44:07,120 --> 01:44:12,320
Speaker 1: airplanes and of course Pauli's fucking phone went off and

2022
01:44:12,439 --> 01:44:16,920
Speaker 1: a snoring puppy and then Kango Kid once again reappeared

2023
01:44:17,680 --> 01:44:19,599
Speaker 1: and baby baby Cea is here and it was her

2024
01:44:19,640 --> 01:44:22,360
Speaker 1: birthday's Happy birthday, baby. Thanks for listening. I hope you

2025
01:44:22,479 --> 01:44:25,720
Speaker 1: enjoyed this conversation. If you like the podcast, please be

2026
01:44:25,840 --> 01:44:28,200
Speaker 1: sure to rate and review it on Apple Podcasts so

2027
01:44:28,320 --> 01:44:30,200
Speaker 1: more people can find out about it. And if you

2028
01:44:30,200 --> 01:44:32,360
Speaker 1: didn't like it, go fuck yourself and follow us on

2029
01:44:32,479 --> 01:44:35,759
Speaker 1: Instagram a culturally RP on Twitter. We're also on YouTube.

2030
01:44:35,800 --> 01:44:37,320
Speaker 1: If you want to see what the backyard kind of

2031
01:44:37,360 --> 01:44:39,080
Speaker 1: looks like. You don't really see the backyard looks like.

2032
01:44:39,360 --> 01:44:41,320
Speaker 1: You just see where my smoking section is and you

2033
01:44:41,360 --> 01:44:44,000
Speaker 1: can probably sneak a peek in the house. You're weirdo. Also,

2034
01:44:44,080 --> 01:44:46,240
Speaker 1: we have a phone line now, so call and leave

2035
01:44:46,280 --> 01:44:48,640
Speaker 1: a message. You can ask me about whatever you want to.

2036
01:44:48,640 --> 01:44:52,679
Speaker 1: Ask me about hip hop, parenting, food, boxing, mm A, relationships, comedy, sex,

2037
01:44:52,720 --> 01:44:54,439
Speaker 1: so I don't give a ship. Ask me whatever you want.

2038
01:44:54,600 --> 01:44:56,280
Speaker 1: If you want to leave a message, the phone number

2039
01:44:56,439 --> 01:45:00,960
Speaker 1: is four to four six six six nineteen eighty three.

2040
01:45:01,280 --> 01:45:05,519
Speaker 1: That's four two four six six six nine three Until

2041
01:45:05,600 --> 01:45:11,760
Speaker 1: next week. I'm murder Resident pets Um