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Speaker 1: So I'm in the lab, the lab like portion of

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Speaker 1: the orchard, and I'm splicing different seeds together and cutting

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Speaker 1: them and piecing them together to make new fruits. I'm

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Speaker 1: with George Costanza and Kramer the real real cream, Yes,

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Speaker 1: and we're just coming up with I'm like, nothing's off limits,

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Speaker 1: Like anyone can pitch a new fruit, like it could

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Speaker 1: be like water grape fruit fruit, milk melon, and you

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Speaker 1: just say it and I just go, let's see and

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Speaker 1: I see what.

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Speaker 2: Let's see what it is and I see what the

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Speaker 2: seed like what water grape fruit melon? So was it

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Speaker 2: a big grapefruit? I just made that. I just made

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Speaker 2: that one up. You didn't try that that one.

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Speaker 1: I wish I had come up with it on the

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Speaker 1: day because I was actually that one's really good, and

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Speaker 1: a lot of the ones that I was coming up with,

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Speaker 1: like weren't even like fruits, like okay, say, like I

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Speaker 1: didn't even think that was like I said, like one time,

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Speaker 1: I I think I said like orange brick, but like, yeah,

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Speaker 1: brick isn't a fruit, no, And there's no like brick seeds.

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Speaker 2: No. But you did try that.

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Speaker 1: Well, I had to. I had to double down. And

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Speaker 1: then when like when Kramer called my ass out, I

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Speaker 1: had to try to eat a brick. Wow, because the

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Speaker 1: thing about me, yeah, if you double dog dare me,

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Speaker 1: there's literally fucking nothing I won't do to protect my

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Speaker 1: honor and the honor of my family.

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Speaker 2: Was the brick combined with an orange and somebody or

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Speaker 2: you're just eating I was saying, you could combine, prove

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Speaker 2: to prove it was a fruit, and you just say

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Speaker 2: get to trying it exactly, no try anything. And that

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Speaker 2: did like the just even this machine too.

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Speaker 1: We have to wait like a year to find out.

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Speaker 1: Because what I'm doing is I've got a scalpel, I

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Speaker 1: got seeds, and all I'm doing is kind of a

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Speaker 1: lot of healthy dose to Elmer's glue and a bunch

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Speaker 1: of seed pieces.

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Speaker 2: And now you ate. You ate a brick, a piece

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Speaker 2: of a brick, or a whole brick.

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Speaker 1: I didn't know. I didn't eat the whole brick.

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Speaker 2: You ate a piece of ye, I mostly like licked it, Okay,

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Speaker 2: So you licked it and then licked the brick, and

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Speaker 2: then you took like a little piece of brick and

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Speaker 2: you put it in an orange seed, and now you've

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Speaker 2: planted that. And that's the splicing that you did. Yeah

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Speaker 2: for that one? Were there was there another one?

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Speaker 1: Yeah? I mean Georgia Stanza came up with some cool ones.

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Speaker 2: Okay, is one I forgot that? Grapercott. That's really good. Yeah, Grapercott,

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Speaker 2: Like that's really smart. The seeds. I'm hoping it comes

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Speaker 2: out as a bunch wow, like of like Apricott, the

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Speaker 2: very fine skin. Your issue has always been that the

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Speaker 2: Apricott is it's there and it hurts you to eat,

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Speaker 2: and it's by itself. I guess you didn't eat a bread. Yeah. Hi,

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Speaker 2: welcome to the show biz What Up? What Up? And

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Speaker 2: a big what up? What up? To our guest today? Hello, guest,

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Speaker 2: what up?

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Speaker 3: What up? Hi?

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Speaker 2: Natalie? It is Big Natalie, Big Natalie Palamedes. Uh. She

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Speaker 2: is from Netflix, now right.

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Speaker 3: That's right. Big Matt I prefer to be called Matt.

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Speaker 2: Flick is on the show and Netflix is now Netflix

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Speaker 2: and she actually got inside there and she has a

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Speaker 2: new show. It's called Nate as a Special and I

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Speaker 2: won't spoil it. I won't spoil it.

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Speaker 3: You can spoil it.

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Speaker 2: I'm not going to spoil it. I'm not gonna. I

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Speaker 2: just said I won't. I just I just said that

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Speaker 2: I won't do that. I know that I'll just I

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Speaker 2: know that I can watch I watch it. Of course

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Speaker 2: I could spoil it that you want to, Yeah, but

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Speaker 2: it's not news to be that I can't because I

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Speaker 2: definitely could, but I will not do it. But I

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Speaker 2: do want to know what it's like now a little

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Speaker 2: piece of you it was now inside side. Yeah, it's

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Speaker 2: really really way up in there. Can we talk about this?

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Speaker 2: What is that like? What's it feel like?

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Speaker 3: It's warm, it's moist, You're constantly aroused around, You're sucking,

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Speaker 3: sucking a lot of things day in and day out.

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Speaker 2: Can you see?

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Speaker 3: You can't know? They they make you shut your eyes.

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Speaker 3: It's an honor system. They don't blindfold you or anything,

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Speaker 3: but you shut your eyes and then you just suck

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Speaker 3: whatever they put in your mouth and you get on

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Speaker 3: their platform.

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Speaker 2: Okay, so this is this is what I'm really curious about,

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Speaker 2: is how this works. So, like, obviously some part of

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Speaker 2: you right now, so you're doing this show with us

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Speaker 2: right now, and that's like part of that, right but

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Speaker 2: another part of you is inside Netflix.

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Speaker 3: Right now exactly. It's kind of like an upside down

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Speaker 3: sort of vibe, like all that strangers things, shit.

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Speaker 2: Things, love strangers. Gosh, it's amazing. Honestly, twenty twenty.

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Speaker 1: Felt a little bit like the upside Down to me, Natalie.

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Speaker 3: Right web side, right am, I right?

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Speaker 1: Okay, did they know when they're writing that what's coming?

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Speaker 1: Because it was so fitting that it was the same

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Speaker 1: what I felt like I was in the upside down

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Speaker 1: for part of this that hell year trash fire.

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Speaker 3: Totally. All the strangest things in Strangers Things comes directly

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Speaker 3: from being up inside the moist pit of Netflix.

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Speaker 1: So it's I'm barb.

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Speaker 2: Sorry, I'm a total barb.

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Speaker 3: Yeah, no, you are, even those those those glasses that

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Speaker 3: ass you know, you got a bar bass.

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Speaker 1: No, and I and I set I set you up

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Speaker 1: for that, you know, I brought it up.

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Speaker 2: So it's okay to standing the way you are kind

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Speaker 2: of in profile.

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Speaker 3: The highwaisted jeans. HM, there's no denying it.

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Speaker 1: You got a bar bass, double cheeked up.

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Speaker 3: Bar bass sean as they say.

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Speaker 2: So you can feel that happening to you inside Netflix

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Speaker 2: right now, even as you're talking to us, that the

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Speaker 2: part of you that's in Netflix, you are you can

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Speaker 2: also experience, but you can still talk.

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Speaker 3: And like, yes, like the other part of me, like

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Speaker 3: the Netflix side of me, Like they kind of eat

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Speaker 3: your soul, I guess. So you always feel like you're

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Speaker 3: always there, you know, and there's like a mirrored version

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Speaker 3: of you there, and so I always feel like there's

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Speaker 3: something being shoved in my mouth. I don't know what

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Speaker 3: it is, but I have to constantly also be focusing

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Speaker 3: on making sure I'm doing good jobs. Sucking. It's juggling act,

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Speaker 3: you know, once you get up in But that's entertainment.

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Speaker 1: I mean, yeah, it's all There's a reason juggling acts

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Speaker 1: were the first form of entertainment and the first kind

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Speaker 1: of stage shows there was, because ultimately that's what we're doing.

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Speaker 1: Even when you're like me a producer, really you're still

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Speaker 1: that guy on stage, you know, juggling and tap dancing,

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Speaker 1: aren't you. Because there's so many balls you have to

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Speaker 1: keep in.

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Speaker 3: The air, to say the least, there's so many balls

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Speaker 3: you have to keep in the air and other places

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Speaker 3: as well, and.

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Speaker 2: Keep them all over.

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Speaker 3: You keep them all over exactly.

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Speaker 2: My question, like, how do you know if you're doing

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Speaker 2: a good job or not? Because they only have they

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Speaker 2: have the numbers, right, and they only tell you something

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Speaker 2: if you're like sucking, like doing a good job, and

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Speaker 2: like the numbers are good, Like do they print it

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Speaker 2: out and show it to you?

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Speaker 3: Or are like when you're doing good you wake up

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Speaker 3: in the morning with a handkerchief on your nightstand that

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Speaker 3: has some sort of like yellowish reddish, brownish, whitish gush

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Speaker 3: on it. Okay, it's not like a mucus. I can

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Speaker 3: only describe it as gush. And that's what everybody there

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Speaker 3: refers to it. As doing good, you get goosh and

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Speaker 3: if you're doing bad.

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Speaker 1: Sorry you don't speak of that. Yeah, you don't know

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Speaker 1: this because you haven't like been on here. Quen Hayes

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Speaker 1: does do a song like Gosh, which is a parody

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Speaker 1: of good By better than Ezra. Of course, we do

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Speaker 1: want to stop down and acknowledge that because you will

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Speaker 1: be you might be live on the Reddit forums if

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Speaker 1: you blow by something like that.

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Speaker 3: The Reddit forums can suck my clip about.

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Speaker 1: So they're actually really nice. You're winning them back and

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Speaker 1: I can.

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Speaker 3: Still clip because I need somebody to suck it after

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Speaker 3: all the sucking. I'm doing a Netflix.

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Speaker 2: They all love that there, they'll be really responded to that.

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Speaker 2: They're actually really nice and misunderstood and and normal and

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Speaker 2: uh like I.

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Speaker 1: Love the salt of the earth that that's not the issue.

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Speaker 2: It's just when you blow by something the Hayesman does.

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Speaker 1: Suilty of it, you invite their ire, But a lot

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Speaker 1: of times you could win them back by you suck

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Speaker 1: your clip.

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Speaker 2: And it might not be right organizing the song. You're

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Speaker 2: a little younger than I am, and I'm actually really

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Speaker 2: young too, and I am actually younger than you. But

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Speaker 2: I like love the that old musicory. Yeah, I love

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Speaker 2: musical history.

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Speaker 1: Motown right, yeah, better than Ezra right, but much better

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Speaker 1: if we don't look back and see what came before, we're.

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Speaker 3: Doomed to you know, Corinthians five p. Sixteen.

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Speaker 2: It's true, yes, yes, And so the gush is there.

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Speaker 2: And if the gush, if you see the gush in

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Speaker 2: the morning, then you're like, okay, that is that's a

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Speaker 2: good sign. The numbers from last night, we're good on.

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Speaker 3: The platform exactly.

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Speaker 2: Is there anything when it's bad?

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Speaker 3: Yeah, I'm not really supposed to speak of what it is.

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Speaker 2: You could talk about the gush, but what happens when

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Speaker 2: it's bad is like something you are not even supposed

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Speaker 2: to talk about.

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Speaker 3: Yeah, let's just say it's hard to breathe, Okay, about

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Speaker 3: four to five minutes and something sharp goes up here,

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Speaker 3: you know, okay, feeling. It's not it's not a tangible

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Speaker 3: our object. It's a sharp feeling that kind of like

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Speaker 3: shoots up from you know, and up your spine. Shame,

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Speaker 3: That's all that I can say.

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Speaker 1: Though, the feeling of shame, you know, can be No.

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Speaker 1: I think she's actually it's a bit more than shame feeling.

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Speaker 3: Yeah, we can call it shame. Sure, that's certainly what

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Speaker 3: you feel when it.

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Speaker 1: Doesn't feel like it's sort of the so the good

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Speaker 1: version is kind of the flip side.

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Speaker 2: Of course.

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Speaker 1: In good Night Moon, you say good night to your

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Speaker 1: bowl of mush, and if you did a good job

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Speaker 1: when you wake up, you say good morning, handkerchief of gush.

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Speaker 3: That's a beautiful poem. Yeah, exactly, that's exactly it.

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Speaker 2: Thank you. We want to talk about training. We always

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Speaker 2: want to hear about process and like people think that

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Speaker 2: it just happens, but of course it's like years and

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Speaker 2: years of work, not for me, but like for lots

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Speaker 2: of people. They had to like work, like put a

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Speaker 2: huge amount of work into getting good.

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Speaker 1: And I love these people too, who think, oh, now

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Speaker 1: I've done it and I'm done and I don't have

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Speaker 1: to keep learning or anything. But I actually am responsible

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Speaker 1: for fifteen continuing education units of comedy every semester. You are,

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Speaker 1: so I never stopped training. I never stop learning.

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Speaker 4: And I love to hear, you know, from our listeners

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Speaker 4: and fans like you are about yeah what they do.

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Speaker 3: Yeah, well, I am actually pretty similar to you, guys.

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Speaker 3: I am. You know, I'm a big fan of being

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Speaker 3: on the train, train and training so much, and I've

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Speaker 3: definitely done my fair shir of training. And I think

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Speaker 3: a lot of that has to do with just saying

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Speaker 3: like I think I can. I don't know if you

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Speaker 3: guys know that story about the train that could.

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Speaker 2: Tell me that's.

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Speaker 3: That's kind of the line of thinking that I that

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Speaker 3: I participated when it comes to training, Do you do

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Speaker 3: you actually want me to talk about it?

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Speaker 1: Look, you know, I brought up, I brought up that

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Speaker 1: we're always juggling before, right, and that's it. That's a

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Speaker 1: form of training. And what yeah, we did we did

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Speaker 1: want to speak on was.

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Speaker 2: Clowning.

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Speaker 3: Okay, yeah, I mean clowns juggle, that's for sure. So like, yeah, totally,

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Speaker 3: so I do have like a background in clowning and.

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Speaker 1: People and use it as an insult, don't they know?

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Speaker 3: Yeah they do.

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Speaker 1: They say you're.

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Speaker 2: Clown and that's supposed to be an insult.

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Speaker 3: Yeah, exactly, But it's actually not an insult. It's a

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Speaker 3: compliment to you.

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Speaker 2: It's a compliment to me.

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Speaker 3: It's a compliment. So you can try, try, try, try

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Speaker 3: to try, try, try to make me cry by calling

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Speaker 3: me a clown. But you can't make me cry by

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Speaker 3: calling me a klun because I don't cry. I never cry.

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Speaker 2: But you could if you want to.

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Speaker 3: But I could if I wanted to, because I'm trained

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Speaker 3: and I'm a really good actor. But yeah, when I

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Speaker 3: was in university at Indiana University of Pennsylvania.

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Speaker 2: Now that is.

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Speaker 3: Drop my drink.

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Speaker 2: Now, that is the most fucked up thing I'd ever heard?

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Speaker 2: Is that a double big gulp?

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Speaker 3: That was that's a double big gulp from Tiavanna. My

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Speaker 3: mom got me this cup for my birthday. It's a

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Speaker 3: huge tea cup.

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Speaker 2: Now let's let's talk about I have never been able

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Speaker 2: to figure this out. Indiana University of Pennsylvania. What is

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Speaker 2: it doing there? How did it get there?

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Speaker 3: Who?

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Speaker 2: Who?

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Speaker 3: Nobody fucking knows, so it came out of the upside

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Speaker 3: down as well, but it takes place. It is located

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Speaker 3: in a town called Indiana in the state of Pennsylvania. Actually,

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Speaker 3: Jimmy Stewart was born there, and it is the supposed

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Speaker 3: Christmas tree capital of the world. I don't know if

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Speaker 3: that's true, but somebody once told me that they export

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Speaker 3: the most Christmas trees out of any town in the country.

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Speaker 2: It is true.

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Speaker 1: It is true because I was actually in the second

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Speaker 1: most Christmas trees exporting city and they were all actually

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Speaker 1: very pissed at your town.

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Speaker 3: Okay, well, I'm sorry to your city, but the city

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Speaker 3: where I went to university really rocks at Christmas trees.

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Speaker 1: Honestly, it gave me something to strive for. A chip

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Speaker 1: on my shoulder didn't hurt me none. I mean really,

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Speaker 1: it made me work my ass off seeing that there's

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Speaker 1: a number one, and it don't feel good to be

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Speaker 1: number two and exported only I think I think it

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Speaker 1: wasn't even close. Like I think they exported like literally

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Speaker 1: like one tenth the number of Christmas.

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Speaker 3: Yeah, I know the town you're talking about, and yeah,

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Speaker 3: that you guys suck. Honestly, I got complacent kind of

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Speaker 3: with my career. Coming from a town that does export

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Speaker 3: so many Christmas trees, I was like, I you know,

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Speaker 3: I've I felt like I forgot this for a while,

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Speaker 3: you know, yeah, exactly silver spoon kind of stuff. But yeah,

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Speaker 3: so my professor studied with this guy named Jacques Lecoque,

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Speaker 3: who is kind of like the godfather of modern clowning,

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Speaker 3: as they say, he was Golier's clown teacher, who is

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Speaker 3: more Yeah, everybody knows phil up Golier, and he was

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Speaker 3: the teacher of Sasha barn Cohen. That's where that's where

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Speaker 3: Sasha went to school. But so, yeah, my teacher.

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Speaker 1: With Laca, who is Sasha Baron Cohen.

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Speaker 3: He's like a stand up like.

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Speaker 2: Oh, I know, I know, but who is he?

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Speaker 1: And we can't answer, right because he disappears so fully

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Speaker 1: into each of his characters that I don't even know

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Speaker 1: if he knows.

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Speaker 3: Who he is, I know, does he even exist?

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Speaker 2: I don't know.

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Speaker 3: He's a mother, he's a father, he's a sister. He's

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Speaker 3: a brother, he's a preacher, he's a teacher.

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Speaker 2: He's a bit. He's a lover.

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Speaker 1: He's a child, he's a mother, he's a sinner, he's

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Speaker 1: a saint.

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Speaker 3: He do not feel ashamed.

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Speaker 2: We've skipped over a lot of stuff about like your

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Speaker 2: college experience and like your training and stuff like that.

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Speaker 2: You can talk about the lunch situation at all. What

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Speaker 2: was what's like a normal lunch?

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Speaker 3: Well, I would go to the calf and get a

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Speaker 3: bagged lunch usually, Okay, that was like a chicken salad

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Speaker 3: sandwich with a bag of chips and some sort of

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Speaker 3: Was it.

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Speaker 2: Funny at all? Well, you get a bag lunch?

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Speaker 4: Is it are they doing because it is clouds, are

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Speaker 4: they doing something funny?

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Speaker 2: Are these clowns in here? Like or like? Or I

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Speaker 2: guess everyone kind of this is a clown, right.

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Speaker 3: Yeah, they're always clowning around. One time I bit into

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Speaker 3: the chicken salad sandwich and it was a little pink

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Speaker 3: the chicken, And this is actually true, but I guess

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Speaker 3: it was somebody playing a prank because everybody's clowning around.

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Speaker 3: And I just went to the bathroom and stuck my

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Speaker 3: finger down my throat and got rid of it. And

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Speaker 3: I never ordered the chicken salad sandwich again. I think

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Speaker 3: I'm mighta switched to turkey or ham after that.

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Speaker 2: M hm. The Ham's supposed to be pink a.

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Speaker 3: That's what they say. I believe.

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Speaker 2: If it's like chicken color, then that's that's a big

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Speaker 2: that's really bad. Isn't that funny?

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Speaker 3: They say ham is the pink chicken is the stink?

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Speaker 2: I believe they say that chicken. Let's talk about this.

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Speaker 2: Chicken stinks, be very stink. Chicken smells like shit. Why

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00:19:03,760 --> 00:19:07,640
Speaker 2: does it smell like that?

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Speaker 1: That's as interesting because chickens excrement, chickens ship doesn't smell

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Speaker 1: that much. Yeah, so they're keeping it in. That's staying

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Speaker 1: in the body and someone.

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Speaker 3: And then if if you cook it, you know, they're

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Speaker 3: holding in all that chicken shit, and then you cook it,

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Speaker 3: it's bound to stink. As they say, is the pink chicken.

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Speaker 2: Is the stink, And it's these hormones.

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Speaker 3: Yeah, they're pumping those chickens with hormones to make them

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Speaker 3: bigger and bigger and bigger and burger. They're getting all

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Speaker 3: sweatier and.

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Speaker 2: Sound like a chicken when you're saying bigger like cloud. Okay,

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Speaker 2: so you had lunch and you talked to the teacher

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Speaker 2: and what did he say, Well.

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Speaker 3: So I sign up for his clown class and he

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Speaker 3: actually at the beginning of the class. After a few

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Speaker 3: weeks in he suggested that I drop the class because

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Speaker 3: I was going to fail because I could connect with

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Speaker 3: the audience. And that's a really important part of clowning

356
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Speaker 3: is connecting with everybody in the audience. There's never a

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Speaker 3: fourth wall.

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Speaker 2: You're facing the wrong way, You're.

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Speaker 3: Uh, yeah, I'm looking all other directions, I'm looking at

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Speaker 3: the ceiling. I'm like, wait, where do I look? Because usually,

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Speaker 3: you know, when you're doing theater, there's the wall there,

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Speaker 3: and you forget where, you forget where the audience is sitting.

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Speaker 3: You know, especially when you get into character, you're like, oh,

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00:20:33,440 --> 00:20:36,520
Speaker 3: the fourth wall was there, but actually was it the

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Speaker 3: first wall or the third wall? And so when that

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Speaker 3: wall this is appears, you have a little bit of

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Speaker 3: a hard time adjusting, kind of like in the upside

368
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Speaker 3: Down in Strangers things. Yeah, so I.

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Speaker 2: Lost the year fucking up. You're it's a disaster.

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Speaker 3: It's a disaster. I fail fail Feeling clown class, which

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Speaker 3: in hindsight is actually, you know, part of the m

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Speaker 3: of clown is to fail. You find the gold in

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Speaker 3: the failure. It's good to fail. You need to capitalize

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Speaker 3: on failure. Not so good for your GPA. But at

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Speaker 3: the by the end of the class, I came up

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Speaker 3: with this really great clown bit where I accidentally knocked

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Speaker 3: a jar of cookies off of a ladder and had

378
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Speaker 3: a funeral for the cookies. And it's just it killed,

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Speaker 3: it absolutely crushed.

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Speaker 1: You're good doing prayers for the cookies. Yeah, as if

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00:21:34,760 --> 00:21:38,400
Speaker 1: the so for people? Sorry, but where our listeners don't

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Speaker 1: all know this. So if people are listening, they're going like.

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Speaker 2: What like.

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Speaker 1: So, so the cookies she's acting like are basically people.

385
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Speaker 3: Yes, you get it. That's honestly the whole bit. And yeah, and.

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Speaker 2: You act during this show is well, how much of

387
00:22:02,800 --> 00:22:07,919
Speaker 2: your process involves knocking something huge over and makes a

388
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Speaker 2: big mess?

389
00:22:09,600 --> 00:22:12,280
Speaker 3: Probably maybe one hundred and ten percent of that. Oh

390
00:22:12,320 --> 00:22:17,919
Speaker 3: that's a cute little pussy cat a huge that's a

391
00:22:17,960 --> 00:22:23,680
Speaker 3: big cute pussy cat. Yeah. So, you know, if if

392
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Speaker 3: you have an accident happened in the show, you're not

393
00:22:26,760 --> 00:22:29,760
Speaker 3: supposed to ignore it and continue on. You're supposed to

394
00:22:30,560 --> 00:22:35,040
Speaker 3: acknowledge it and hold a funeral for it. Essentially, you know,

395
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Speaker 3: accidents are gifts, you know, So you've at least got

396
00:22:39,840 --> 00:22:42,919
Speaker 3: to make one or two jokes before continuing on with

397
00:22:43,119 --> 00:22:48,080
Speaker 3: your planned piece. If you are bestowed an accident, you

398
00:22:48,119 --> 00:22:55,720
Speaker 3: know so and clown failing accidents mistakes are good. And actually,

399
00:22:55,800 --> 00:22:58,879
Speaker 3: you know, if during my workshopping process, if a great

400
00:22:58,920 --> 00:23:04,160
Speaker 3: accident happens, like for example, when the mannequin falls down

401
00:23:04,200 --> 00:23:07,120
Speaker 3: to my ass, you know, it looks like that's an accident.

402
00:23:07,240 --> 00:23:09,919
Speaker 3: The first time that happened, it was an accident, and

403
00:23:09,960 --> 00:23:13,280
Speaker 3: I you know, had to riff by saying by pretending

404
00:23:13,359 --> 00:23:18,720
Speaker 3: she was eating his ass spoiler yeah. And but then

405
00:23:18,880 --> 00:23:22,240
Speaker 3: after that accident happened, I was like, oh, shoot, that's

406
00:23:22,280 --> 00:23:25,000
Speaker 3: so good, like ass eating. How do I get that

407
00:23:25,119 --> 00:23:27,639
Speaker 3: to make that? How do I make that happen every time?

408
00:23:27,720 --> 00:23:30,760
Speaker 3: So I had to practice like getting the mannequin to

409
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Speaker 3: fall over every time.

410
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Speaker 2: Yes, you know, And I said I wouldn't spoil the special,

411
00:23:37,000 --> 00:23:41,679
Speaker 2: but I do not abide by Why is telling happening

412
00:23:41,720 --> 00:23:44,480
Speaker 2: on the show, And I don't like, I understand that

413
00:23:44,520 --> 00:23:49,520
Speaker 2: you want people to watch, but to act like there's

414
00:23:49,560 --> 00:23:53,240
Speaker 2: like ass eating and like speaky stuff happening in the

415
00:23:53,280 --> 00:23:57,440
Speaker 2: special when it is, you know, it's like you at

416
00:23:57,440 --> 00:24:03,960
Speaker 2: a desk and it's you talking about your uh well, talking.

417
00:24:03,760 --> 00:24:06,960
Speaker 1: About the damnily yeah, talking about the day's news.

418
00:24:07,280 --> 00:24:08,240
Speaker 2: Yeahs.

419
00:24:08,280 --> 00:24:12,240
Speaker 1: And there's little and there's little thumbnail photos of like

420
00:24:12,560 --> 00:24:14,120
Speaker 1: different headlines.

421
00:24:13,640 --> 00:24:17,040
Speaker 3: And it's very like SNL, Like I was really inspired

422
00:24:17,080 --> 00:24:24,320
Speaker 3: by that news portion of SNL. That part is crazy, yeah,

423
00:24:24,359 --> 00:24:28,520
Speaker 3: where I'm like Colin jo just that part.

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Speaker 1: Yes, talk talk about your family as well, though.

425
00:24:32,440 --> 00:24:35,240
Speaker 3: You know the yeah, well, like I transition from Colin

426
00:24:35,320 --> 00:24:38,320
Speaker 3: into my dad and then that's where the tears come

427
00:24:38,800 --> 00:24:43,560
Speaker 3: and it's figurative ass eating. I guess I should say, Okay, yeah,

428
00:24:43,560 --> 00:24:45,879
Speaker 3: I'm sorry to mislead your audience.

429
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Speaker 2: It's just because the what I liked about it was.

430
00:24:51,119 --> 00:24:53,720
Speaker 1: I like a lot of Zachary Braffrey's movies, like he

431
00:24:53,760 --> 00:24:59,199
Speaker 1: does like he's awesome, He's awesome, and he's like, uh,

432
00:24:59,560 --> 00:25:02,640
Speaker 1: people think that he's that he's from Scrumps and they

433
00:25:02,640 --> 00:25:06,040
Speaker 1: don't know like what, you know, what other stuff he's done.

434
00:25:06,320 --> 00:25:08,920
Speaker 2: And you know, if you.

435
00:25:08,920 --> 00:25:12,040
Speaker 3: Saw wish is what is it that he's done?

436
00:25:12,640 --> 00:25:16,840
Speaker 1: So yeah, this I'm about to say, so he's.

437
00:25:16,720 --> 00:25:17,320
Speaker 2: Gone like.

438
00:25:18,760 --> 00:25:22,720
Speaker 3: Sorry, you're about to say what but besides Scrumps, what

439
00:25:22,880 --> 00:25:29,600
Speaker 3: he's done? Yeah, Okay, No, I'm a huge Brath fan.

440
00:25:30,720 --> 00:25:33,439
Speaker 3: So he just want to make sure I can catch

441
00:25:34,119 --> 00:25:39,760
Speaker 3: honestly every little scrump. Yeah, and you're gonna you're about

442
00:25:39,880 --> 00:25:43,880
Speaker 3: you were going to say, you were going to say, right,

443
00:25:44,520 --> 00:25:47,120
Speaker 3: you were about to say what he's done.

444
00:25:47,240 --> 00:25:48,920
Speaker 2: I'm hoping to Yes.

445
00:25:49,080 --> 00:25:54,760
Speaker 3: Yeah, he's an actor or comedian as well.

446
00:25:55,440 --> 00:25:56,280
Speaker 1: I argue that.

447
00:25:56,520 --> 00:25:59,960
Speaker 3: I hope. I think, yeah, awesome, he's acting, but he's yeah,

448
00:26:00,240 --> 00:26:02,680
Speaker 3: but he's no. I'm looking forward to finding.

449
00:26:02,400 --> 00:26:04,560
Speaker 2: Out point he directing, you know everything?

450
00:26:04,880 --> 00:26:07,280
Speaker 3: Oh, he has gotten directing.

451
00:26:06,880 --> 00:26:13,359
Speaker 1: And he's's and he's read and he's and him and he's.

452
00:26:12,920 --> 00:26:13,840
Speaker 3: So he's an artist.

453
00:26:14,000 --> 00:26:16,120
Speaker 2: I'm giving you. I'm giving you a compliment.

454
00:26:16,359 --> 00:26:20,600
Speaker 3: Thank you. Oh my gosh, I'm not anything like mister Braffrey, but.

455
00:26:21,200 --> 00:26:23,520
Speaker 2: I is where we disagree.

456
00:26:23,560 --> 00:26:26,000
Speaker 3: But yeah, I don't know everything, So go ahead and

457
00:26:26,040 --> 00:26:29,320
Speaker 3: tell us what what else he's done? Yeah? Thank you?

458
00:26:29,640 --> 00:26:30,040
Speaker 2: Alexing.

459
00:26:34,160 --> 00:26:38,280
Speaker 1: What was that, alex Think, Alex Altink.

460
00:26:38,359 --> 00:26:45,280
Speaker 3: Alexing cool? What's that about Buick Gusts bust tool. I've

461
00:26:45,280 --> 00:26:47,240
Speaker 3: been on a few bookists as well.

462
00:26:48,080 --> 00:26:50,720
Speaker 1: Yes, but he's a he's a great lover of poetry

463
00:26:50,760 --> 00:26:52,640
Speaker 1: and it's it's infused into his work.

464
00:26:52,680 --> 00:26:53,920
Speaker 2: And I did like that.

465
00:26:54,760 --> 00:26:58,399
Speaker 1: The large portion of your show where you are stop

466
00:26:58,480 --> 00:26:59,680
Speaker 1: down and just reading like.

467
00:27:00,640 --> 00:27:01,480
Speaker 3: That's actually true.

468
00:27:01,560 --> 00:27:01,960
Speaker 2: Byron.

469
00:27:02,800 --> 00:27:13,960
Speaker 3: Yeah, yeah, Byron's in there, Robert Frost Lord, Byron Junior, Lord,

470
00:27:14,040 --> 00:27:19,360
Speaker 3: Byron Senior, Freddie Prince Senior.

471
00:27:21,280 --> 00:27:23,119
Speaker 4: When I say Lord Byron, I of course I am

472
00:27:23,119 --> 00:27:24,760
Speaker 4: spelling lord with an E on the end.

473
00:27:25,240 --> 00:27:26,520
Speaker 3: That's how I spell it as well.

474
00:27:32,400 --> 00:27:37,320
Speaker 2: So let's let's let's get into like Sean and I

475
00:27:37,359 --> 00:27:42,600
Speaker 2: have been sort of circling clown training for formalized uh

476
00:27:43,000 --> 00:27:44,760
Speaker 2: clown training for a little while.

477
00:27:45,400 --> 00:27:46,160
Speaker 3: I'm sure you have.

478
00:27:46,480 --> 00:27:50,880
Speaker 2: Come from this space, uh, and we know that sort

479
00:27:50,920 --> 00:27:55,840
Speaker 2: of the starting point is developing your clown identity, your brand,

480
00:27:56,280 --> 00:27:58,160
Speaker 2: your like you know what's like.

481
00:27:58,160 --> 00:27:59,399
Speaker 3: Your brand is huge?

482
00:27:59,720 --> 00:28:05,040
Speaker 2: Dang, okay, good talk about this because like we, uh,

483
00:28:04,359 --> 00:28:07,040
Speaker 2: that's the leap we wanted. The first leap we want

484
00:28:07,080 --> 00:28:08,919
Speaker 2: to make is like what is our sort of unique

485
00:28:08,960 --> 00:28:10,000
Speaker 2: clown brand.

486
00:28:10,520 --> 00:28:12,800
Speaker 3: Yeah. So, like one of the first things they teach

487
00:28:12,840 --> 00:28:15,560
Speaker 3: you on clown school is like get on social media,

488
00:28:15,760 --> 00:28:18,199
Speaker 3: get your Instagram going, get your Twitter followers going, get

489
00:28:18,240 --> 00:28:23,760
Speaker 3: your tiktoks, and like what is your handle? What is

490
00:28:23,840 --> 00:28:26,760
Speaker 3: going to be your cuts phrase? Like my cuts phrase

491
00:28:26,920 --> 00:28:31,960
Speaker 3: is look at that lollipop, look at that lollipop, sucker,

492
00:28:32,520 --> 00:28:34,879
Speaker 3: And so I kind of developed it like through a

493
00:28:34,920 --> 00:28:37,720
Speaker 3: work shopping process. So it was originally it was like

494
00:28:37,840 --> 00:28:41,040
Speaker 3: look at it, and then I added the lollipop because

495
00:28:41,040 --> 00:28:42,720
Speaker 3: I'm like, what would they be looking? And it's so

496
00:28:42,840 --> 00:28:45,720
Speaker 3: it turned into look at that lollipop. And all this

497
00:28:45,840 --> 00:28:48,440
Speaker 3: was based on like feedback from my followers.

498
00:28:48,840 --> 00:28:51,840
Speaker 4: Yeah, been adding sucker, but adding sucker to that as

499
00:28:51,920 --> 00:28:54,040
Speaker 4: well as like a lollipop is a sucker.

500
00:28:54,120 --> 00:28:56,960
Speaker 1: So did you always think that's so brilliant that when

501
00:28:56,960 --> 00:29:00,880
Speaker 1: you you know that piece, that little that let you

502
00:29:00,920 --> 00:29:03,160
Speaker 1: know it's the like an oribose or something.

503
00:29:03,600 --> 00:29:07,000
Speaker 3: Just yeah, and you just continue to refine and hone

504
00:29:07,440 --> 00:29:10,520
Speaker 3: your social media profile based on feedback that you get

505
00:29:10,520 --> 00:29:13,160
Speaker 3: from the audience. So it's like look it at lollipop,

506
00:29:13,240 --> 00:29:16,320
Speaker 3: soucka and then you know that was all verbal. And

507
00:29:16,360 --> 00:29:20,320
Speaker 3: then I started having different lollipops on me that I

508
00:29:20,360 --> 00:29:23,680
Speaker 3: would pull out and each post I did, the lollipop

509
00:29:23,720 --> 00:29:26,280
Speaker 3: get bigger and bigger and different colors. And we had

510
00:29:26,320 --> 00:29:30,240
Speaker 3: rainbow swirl, we had unicorn lollipop, we had cherry, we

511
00:29:30,320 --> 00:29:33,600
Speaker 3: had blow pops, we had titsy pops. Eventually we got

512
00:29:33,640 --> 00:29:37,600
Speaker 3: I got the owl, the tutty pop owl to participate

513
00:29:37,840 --> 00:29:42,000
Speaker 3: in a branded campaign that I did for tittty Pop.

514
00:29:42,440 --> 00:29:45,640
Speaker 3: So eventually was saying, like, look at it, toutty pop soucka.

515
00:29:46,440 --> 00:29:49,440
Speaker 3: How many look at that toutsy pops? Does it take

516
00:29:49,480 --> 00:29:52,080
Speaker 3: to get to the center the titty popsucka? And so

517
00:29:52,320 --> 00:29:54,280
Speaker 3: you kind of build on it that way. And so, yeah,

518
00:29:54,400 --> 00:29:58,720
Speaker 3: clowning is huge on just like corporations, and yeah, getting

519
00:29:58,760 --> 00:29:59,880
Speaker 3: your face out there.

520
00:30:00,960 --> 00:30:02,800
Speaker 2: I loved that at campaign.

521
00:30:03,560 --> 00:30:04,840
Speaker 3: Yeah, thank you so much.

522
00:30:05,000 --> 00:30:08,160
Speaker 2: And what I love about your work specifically is like,

523
00:30:08,400 --> 00:30:10,400
Speaker 2: and then I'm also kind of confused bias. You talk

524
00:30:10,480 --> 00:30:13,120
Speaker 2: about licking these lollipops that you have, but you are

525
00:30:13,640 --> 00:30:17,520
Speaker 2: eating them. There's no real you're chomping. There's no other

526
00:30:17,560 --> 00:30:21,160
Speaker 2: way to describe what you're doing, yeah, lollipops other than

527
00:30:21,240 --> 00:30:22,800
Speaker 2: like eating them.

528
00:30:23,760 --> 00:30:28,040
Speaker 3: Yeah, well, yeah, you have to. Like in my work,

529
00:30:28,080 --> 00:30:30,000
Speaker 3: I like to keep it real. I like to keep

530
00:30:30,000 --> 00:30:33,960
Speaker 3: it raw, and nothing is manufactured. Like everything that you're

531
00:30:34,000 --> 00:30:38,480
Speaker 3: seeing me do whow two big pussycats. Everything you're seeing

532
00:30:38,560 --> 00:30:43,400
Speaker 3: me do is real. It's raw. It's happening in the moment.

533
00:30:43,600 --> 00:30:43,800
Speaker 2: You know.

534
00:30:43,880 --> 00:30:47,520
Speaker 3: I have a plan bits, but it could change any

535
00:30:47,560 --> 00:30:50,960
Speaker 3: second based on what's inside that lollipop. If that, you know,

536
00:30:51,120 --> 00:30:54,040
Speaker 3: maybe I think I'm in the tea pop, but some

537
00:30:54,160 --> 00:30:57,080
Speaker 3: a hole in the audience switched it up with like

538
00:30:57,600 --> 00:30:59,600
Speaker 3: a blow pop, and I'm biting into bubble them all

539
00:30:59,600 --> 00:31:01,680
Speaker 3: of a sudden, you know, and all of a sudden,

540
00:31:01,680 --> 00:31:05,240
Speaker 3: I'm then next moment, I'm blowing bubbles with the gum.

541
00:31:05,520 --> 00:31:06,200
Speaker 3: You know what I'm saying.

542
00:31:06,240 --> 00:31:08,920
Speaker 2: Oh no, that's nuts.

543
00:31:09,200 --> 00:31:10,800
Speaker 3: Yeah, that's what I ye.

544
00:31:11,440 --> 00:31:14,160
Speaker 2: It's so real. All these other lollipop campaigns, they're like

545
00:31:16,120 --> 00:31:19,320
Speaker 2: just like these little little lickys that I hate because

546
00:31:19,320 --> 00:31:21,400
Speaker 2: when I see a lollipop, I'm hungry.

547
00:31:22,600 --> 00:31:25,480
Speaker 3: Exactly, you just want to crack into it with your teeth.

548
00:31:25,800 --> 00:31:29,200
Speaker 1: Just do I open a lollipop, first thing, I do

549
00:31:29,400 --> 00:31:31,520
Speaker 1: throw out the stick because I'm not going to need it.

550
00:31:32,920 --> 00:31:34,600
Speaker 3: I'm not going to that for long.

551
00:31:34,840 --> 00:31:37,720
Speaker 2: What's that for? I'm hungry? Who's using that?

552
00:31:39,000 --> 00:31:42,880
Speaker 3: Yeah? Exactly, it's like mid day snack. I gotta have

553
00:31:43,000 --> 00:31:46,480
Speaker 3: some my stomach before dinner's sunny.

554
00:31:46,760 --> 00:31:49,160
Speaker 1: My fucking lunch and my brunch.

555
00:31:49,800 --> 00:31:53,200
Speaker 3: That's right, that's my fucking brunch. Bitch. Oh that's good.

556
00:31:53,240 --> 00:31:55,600
Speaker 2: I don't know, maybe like we don't want to get that.

557
00:31:56,000 --> 00:31:58,640
Speaker 2: If you help me come up with something, yeah, so

558
00:31:58,840 --> 00:32:01,200
Speaker 2: maybe we can workshop our is like I we don't

559
00:32:01,200 --> 00:32:03,440
Speaker 2: want to get in any of your territory at all,

560
00:32:03,480 --> 00:32:05,040
Speaker 2: but we can sort of talk about what we've been

561
00:32:05,080 --> 00:32:09,720
Speaker 2: experimenting with. There are clown identities I can share sort

562
00:32:09,760 --> 00:32:12,240
Speaker 2: of what I've been working on. My clown identity is

563
00:32:12,280 --> 00:32:19,040
Speaker 2: named Alex Moffat. He wears a button down shirt and

564
00:32:19,440 --> 00:32:26,480
Speaker 2: slacks and like cool sneakers, cool sneakers.

565
00:32:26,760 --> 00:32:29,040
Speaker 3: Okay, it sounds like a douf already.

566
00:32:29,080 --> 00:32:32,840
Speaker 2: And he does, and he does impressions, yes, but he

567
00:32:32,880 --> 00:32:36,640
Speaker 2: can also like fill in as like basically, wherever you

568
00:32:36,680 --> 00:32:41,040
Speaker 2: need to put him, Alex Moffett is there and not

569
00:32:41,720 --> 00:32:46,160
Speaker 2: demanding attention necessarily but contributing in his own way.

570
00:32:46,640 --> 00:32:49,720
Speaker 1: And attention follows at times, you know some.

571
00:32:50,200 --> 00:32:53,040
Speaker 3: But how is Alex moffatt failing? You know? Clown is

572
00:32:53,080 --> 00:32:58,440
Speaker 3: all about failure? So okay, is that part of your clown?

573
00:32:59,800 --> 00:33:01,880
Speaker 2: Right? Sometimes he'll miss speak a little bit and be like,

574
00:33:02,280 --> 00:33:06,040
Speaker 2: so he'll be like, uh, office here, you're behaving a

575
00:33:06,040 --> 00:33:10,640
Speaker 2: little beer, sorry, weirdly. Obviously you're behaving a little weirdly,

576
00:33:11,200 --> 00:33:12,960
Speaker 2: and so like he'll miss speak and then like correct

577
00:33:13,000 --> 00:33:14,680
Speaker 2: himself in that way, and so like that, I guess

578
00:33:14,760 --> 00:33:17,880
Speaker 2: qualifies his failure, but he never will would spill anything,

579
00:33:19,320 --> 00:33:20,280
Speaker 2: Oh I do, won't.

580
00:33:20,160 --> 00:33:25,320
Speaker 3: Have him try spilling something. Just try it, Just try

581
00:33:25,360 --> 00:33:28,760
Speaker 3: anything once. That's my role of thumb is try anything

582
00:33:28,840 --> 00:33:32,120
Speaker 3: once and if it sucks, you never do it again.

583
00:33:33,400 --> 00:33:35,280
Speaker 2: And then making a huge mess part of it is

584
00:33:35,320 --> 00:33:39,320
Speaker 2: not like that to me, that's like kind of potentially

585
00:33:39,360 --> 00:33:42,960
Speaker 2: like fucked up and scary and like gross.

586
00:33:43,320 --> 00:33:46,200
Speaker 3: You gotta be willing to make a mess, you just do.

587
00:33:46,240 --> 00:33:49,400
Speaker 3: You have to be willing to fuck up, to spill

588
00:33:49,480 --> 00:33:53,520
Speaker 3: shit to you know, crack your eggs on the ground,

589
00:33:53,680 --> 00:33:54,440
Speaker 3: so to speak.

590
00:33:54,960 --> 00:33:58,280
Speaker 1: Okay, you know, okay, Well can I talk a little

591
00:33:58,320 --> 00:34:00,320
Speaker 1: bit about my clown person.

592
00:34:00,600 --> 00:34:01,560
Speaker 3: I would love to hear.

593
00:34:02,600 --> 00:34:02,719
Speaker 4: So.

594
00:34:02,880 --> 00:34:03,640
Speaker 2: I signed up for.

595
00:34:03,600 --> 00:34:06,480
Speaker 1: This workshop that I thought, you know it was It

596
00:34:06,520 --> 00:34:08,839
Speaker 1: was an online it was a virtual workshop, but they

597
00:34:08,840 --> 00:34:13,200
Speaker 1: were pretty strict and you know, this great group of

598
00:34:13,200 --> 00:34:15,319
Speaker 1: people we would all perform for each other and then

599
00:34:15,360 --> 00:34:18,080
Speaker 1: at the end. It's a little bit like when you

600
00:34:18,120 --> 00:34:20,840
Speaker 1: do like the transcendental meditation classes where they assign you

601
00:34:20,880 --> 00:34:22,400
Speaker 1: a mantra at the end and you sort of have

602
00:34:22,480 --> 00:34:26,759
Speaker 1: your clown persona assigned to you by this like guru

603
00:34:27,239 --> 00:34:30,560
Speaker 1: who was who was sort of running it and you.

604
00:34:30,719 --> 00:34:33,080
Speaker 1: I watched them assign to people down the line, and

605
00:34:33,120 --> 00:34:36,320
Speaker 1: I think, you know it was they would be named

606
00:34:36,320 --> 00:34:39,360
Speaker 1: like something very fancy.

607
00:34:39,400 --> 00:34:39,719
Speaker 2: It would.

608
00:34:39,800 --> 00:34:42,800
Speaker 4: A man would be named, you know, Garnier. A woman

609
00:34:42,880 --> 00:34:44,719
Speaker 4: would be named like something.

610
00:34:44,400 --> 00:34:51,960
Speaker 1: Playful, yes, yes, yes, panteen or suave. And as they

611
00:34:52,040 --> 00:34:54,080
Speaker 1: got to me, I'm getting excited, Oh, what's my clown

612
00:34:54,120 --> 00:34:55,960
Speaker 1: name going to be? What's my clown name going to be?

613
00:34:56,080 --> 00:34:59,759
Speaker 1: And I'm starting to get, you know, shifting in my

614
00:34:59,840 --> 00:35:03,560
Speaker 1: chain a little bit. And when they got to me, uh,

615
00:35:04,000 --> 00:35:05,840
Speaker 1: the man running it, uh.

616
00:35:05,600 --> 00:35:11,120
Speaker 3: Well was his name, by the way, Dell far I

617
00:35:11,239 --> 00:35:17,399
Speaker 3: love him. He's highly respected in the clown community so far.

618
00:35:17,920 --> 00:35:20,520
Speaker 1: So he said, and your clown name shall be and

619
00:35:20,520 --> 00:35:23,480
Speaker 1: he's just done Garnier and he's done, fruit Teas said,

620
00:35:23,520 --> 00:35:27,600
Speaker 1: he's done. And he gets to me, he says, your

621
00:35:27,680 --> 00:35:30,600
Speaker 1: name shall be and I'm already thinking what I want

622
00:35:30,640 --> 00:35:36,720
Speaker 1: it to be, you know, and he goes piss, which

623
00:35:36,800 --> 00:35:39,920
Speaker 1: I was like, you know, I lobbied pretty hard to

624
00:35:40,000 --> 00:35:43,160
Speaker 1: at least be like mister piss or.

625
00:35:43,120 --> 00:35:45,360
Speaker 3: Something that's definitely really good, so.

626
00:35:47,000 --> 00:35:50,520
Speaker 4: That I could like attach some sort of personality, but

627
00:35:50,640 --> 00:35:51,640
Speaker 4: like it was, he was.

628
00:35:51,600 --> 00:35:55,840
Speaker 2: Like, no, no, and would you pay.

629
00:35:56,200 --> 00:35:58,840
Speaker 4: Initially, you signed this contract that says like you're going

630
00:35:58,880 --> 00:35:59,520
Speaker 4: to use this day.

631
00:35:59,520 --> 00:36:03,319
Speaker 1: If you clown in any capacity under any other name,

632
00:36:03,800 --> 00:36:06,000
Speaker 1: you actually are own.

633
00:36:06,239 --> 00:36:08,719
Speaker 2: I'm not allowed to say the clown. I'm telling you what.

634
00:36:10,719 --> 00:36:15,160
Speaker 4: The verbage is pretty specific, and I literally have to

635
00:36:16,640 --> 00:36:22,279
Speaker 4: piss and it's just my face and I could just

636
00:36:22,360 --> 00:36:26,359
Speaker 4: write piss on it, and and I'm allowed to put

637
00:36:26,400 --> 00:36:27,880
Speaker 4: up posters and stuff.

638
00:36:28,320 --> 00:36:30,719
Speaker 1: I'm not allowed to be inside the building when the

639
00:36:30,760 --> 00:36:31,680
Speaker 1: show happens.

640
00:36:32,480 --> 00:36:35,600
Speaker 3: Wow. So he's really challenging you there.

641
00:36:35,880 --> 00:36:38,040
Speaker 2: Yeah, I would say it's a pretty big challenge.

642
00:36:38,120 --> 00:36:40,319
Speaker 4: Yeah. I've had a lot of trouble developing a show

643
00:36:40,360 --> 00:36:42,319
Speaker 4: around this. I'm not able to apply any of the

644
00:36:42,360 --> 00:36:45,120
Speaker 4: principles from class. And I was pretty game for all

645
00:36:45,120 --> 00:36:48,239
Speaker 4: the exercises and everything, but it felt punitive and it

646
00:36:48,840 --> 00:36:52,280
Speaker 4: felt really targeted because I'm watching Garnier and I'm watching

647
00:36:52,280 --> 00:36:53,680
Speaker 4: from Tis and I'm watching.

648
00:36:53,520 --> 00:36:57,879
Speaker 3: Pidge and they're doing these amazing piss Okay, you need

649
00:36:57,880 --> 00:37:00,000
Speaker 3: to suck at the fuck up. He's trying to break

650
00:37:00,160 --> 00:37:02,440
Speaker 3: you and crack you. He's trying to break your performer.

651
00:37:03,160 --> 00:37:06,600
Speaker 3: We can't have the clown when the performer is hiding

652
00:37:06,640 --> 00:37:09,160
Speaker 3: the clown with a mask. So he's trying to crack

653
00:37:09,280 --> 00:37:14,160
Speaker 3: off your mask, your fucking prick ass masks, and break

654
00:37:14,160 --> 00:37:18,400
Speaker 3: into your inner child, and that's where the clown lives. Oh, piss,

655
00:37:19,320 --> 00:37:22,319
Speaker 3: but that actually, I mean, that's actually really good. I'm

656
00:37:22,360 --> 00:37:25,239
Speaker 3: kind of jealous the end of that. My clown name

657
00:37:25,280 --> 00:37:27,399
Speaker 3: in college was catnip.

658
00:37:27,440 --> 00:37:30,960
Speaker 2: Ooh yeah, hungry Games.

659
00:37:31,840 --> 00:37:36,760
Speaker 3: That's right, that's right. I was inspired by the Hungry

660
00:37:36,800 --> 00:37:40,040
Speaker 3: Games because I was very hungry after I threw up

661
00:37:40,080 --> 00:37:41,360
Speaker 3: my chicken salad sandwich.

662
00:37:43,000 --> 00:37:46,359
Speaker 2: So one thing that that was really helpful, thank you.

663
00:37:46,760 --> 00:37:48,759
Speaker 2: One thing that Piss and I wanted to ask about

664
00:37:49,040 --> 00:37:55,480
Speaker 2: was the uh, the progressive family of characters you are

665
00:37:56,000 --> 00:37:59,719
Speaker 2: one of. So like I have questions, like you know,

666
00:38:00,040 --> 00:38:02,279
Speaker 2: and I'm asking for like our audience too, or like oh,

667
00:38:02,360 --> 00:38:04,120
Speaker 2: Natalie's coming on the show. There like you guys ask

668
00:38:04,200 --> 00:38:09,480
Speaker 2: this question and so there's like there's flow and now

669
00:38:09,560 --> 00:38:12,600
Speaker 2: you are part of this family with Jamie Allen Rodney

670
00:38:12,640 --> 00:38:18,880
Speaker 2: and Lucy and you play Maara Mara. Yeah, and what

671
00:38:19,040 --> 00:38:21,040
Speaker 2: I think we we want to get into sort of

672
00:38:21,040 --> 00:38:23,879
Speaker 2: sort of the mythology of these characters that like isn't

673
00:38:23,880 --> 00:38:26,399
Speaker 2: often addressed in the commercials, but like the fact that

674
00:38:27,200 --> 00:38:32,600
Speaker 2: you guys are all married in the in the commercials,

675
00:38:32,640 --> 00:38:34,719
Speaker 2: and like what that means for like the stuff you're

676
00:38:34,719 --> 00:38:38,440
Speaker 2: getting up to, and like how that plays out kind

677
00:38:38,440 --> 00:38:40,279
Speaker 2: of like behind the scenes, that these characters are all

678
00:38:40,360 --> 00:38:42,000
Speaker 2: married to each other.

679
00:38:43,120 --> 00:38:45,160
Speaker 3: When you say married, I think you just me and

680
00:38:45,200 --> 00:38:46,759
Speaker 3: like we're all friends, right?

681
00:38:47,200 --> 00:38:52,040
Speaker 2: No? Sorry? Do you not know this? This is like,

682
00:38:52,120 --> 00:38:55,560
Speaker 2: this is so weird to be your characters all like

683
00:38:55,600 --> 00:38:58,960
Speaker 2: the all like flow and like the gang now are

684
00:38:59,000 --> 00:39:02,120
Speaker 2: all like And I've worked with the firm that like

685
00:39:02,160 --> 00:39:04,040
Speaker 2: did I was a part of the brainstorm and that

686
00:39:04,200 --> 00:39:07,360
Speaker 2: was like the big breakthrough that all of these characters

687
00:39:07,440 --> 00:39:09,839
Speaker 2: are are married. Piss are you there?

688
00:39:11,080 --> 00:39:15,879
Speaker 3: Piss come in, Piss, we lost piss, shit, I need

689
00:39:15,920 --> 00:39:16,920
Speaker 3: to wait for piss.

690
00:39:17,680 --> 00:39:20,880
Speaker 2: Kevin, do you want to just like here? Okay, Piss

691
00:39:20,920 --> 00:39:25,120
Speaker 2: is here. Did you hear what I'm asking about? No? Okay.

692
00:39:25,160 --> 00:39:27,640
Speaker 2: I was talking about the Progressive family, you know, like

693
00:39:27,680 --> 00:39:30,560
Speaker 2: the new the Gang, the Progressive gang that Natalie is

694
00:39:30,560 --> 00:39:32,920
Speaker 2: a part of, and how all the characters are married

695
00:39:33,080 --> 00:39:35,480
Speaker 2: in in the mythology, they're married to each other. And

696
00:39:35,560 --> 00:39:39,520
Speaker 2: Natalie is saying that she doesn't know and I don't

697
00:39:39,560 --> 00:39:43,080
Speaker 2: know if it's like this this comes from like the

698
00:39:43,600 --> 00:39:47,960
Speaker 2: brain of the creator of these characters. And I don't

699
00:39:48,000 --> 00:39:49,799
Speaker 2: know if they haven't told her.

700
00:39:49,920 --> 00:39:53,240
Speaker 1: All these people of different ages and genders, et cetera

701
00:39:53,360 --> 00:39:55,359
Speaker 1: being married to one another. Is that not the most

702
00:39:55,360 --> 00:39:57,160
Speaker 1: progressive thing you can imagine?

703
00:39:57,800 --> 00:39:59,960
Speaker 3: I think that does sound very progressive.

704
00:40:01,800 --> 00:40:03,839
Speaker 2: But why wouldn't they want you to know that.

705
00:40:05,000 --> 00:40:08,799
Speaker 3: I don't know why they don't tell us everything. And

706
00:40:09,080 --> 00:40:12,920
Speaker 3: I think that's so there can still be some imagination,

707
00:40:13,160 --> 00:40:15,319
Speaker 3: something we can bring to the characters too, because there's

708
00:40:15,360 --> 00:40:17,560
Speaker 3: a lot of improvisation on set.

709
00:40:18,160 --> 00:40:20,200
Speaker 2: Uh huh, oh, so you're coming up with a lot

710
00:40:20,200 --> 00:40:20,880
Speaker 2: of that stuff.

711
00:40:21,480 --> 00:40:26,480
Speaker 3: Yeah, so, yeah, A lot of that just comes from,

712
00:40:26,800 --> 00:40:29,160
Speaker 3: you know, the love we have for each other and

713
00:40:29,200 --> 00:40:32,920
Speaker 3: the like all the fun we have to like playing together.

714
00:40:33,280 --> 00:40:38,160
Speaker 1: And I heard it was like lost to I heard

715
00:40:38,200 --> 00:40:41,600
Speaker 1: it's like lost where there's fake script pages that go

716
00:40:41,719 --> 00:40:43,600
Speaker 1: out and like you don't get to know what's really

717
00:40:43,600 --> 00:40:45,919
Speaker 1: going to happen to your character in the next one

718
00:40:46,040 --> 00:40:49,760
Speaker 1: until like on the day they suddenly like your pages

719
00:40:50,280 --> 00:40:54,160
Speaker 1: because they're always hiding from you because if anything leaks,

720
00:40:55,120 --> 00:40:57,920
Speaker 1: they're fucking toast. Nobody's going to tune into the commercials

721
00:40:57,960 --> 00:41:00,759
Speaker 1: anymore because they'll already know what's gonna happen, and they.

722
00:41:00,680 --> 00:41:04,520
Speaker 3: Don't want to any views from spoilers. Yeah, so it's

723
00:41:04,640 --> 00:41:09,560
Speaker 3: kept under pretty tight lock and key. Yeah, and the

724
00:41:09,680 --> 00:41:12,799
Speaker 3: tightest of you know, locks can sometimes be loose, and

725
00:41:12,920 --> 00:41:16,160
Speaker 3: their lock is definitely really tight.

726
00:41:17,840 --> 00:41:20,200
Speaker 2: And so you're as you're making stuff up, you're making

727
00:41:20,280 --> 00:41:22,080
Speaker 2: up a lot of the like the terms of the

728
00:41:22,120 --> 00:41:24,359
Speaker 2: insurance agreement and like the rates and things like that.

729
00:41:24,440 --> 00:41:28,640
Speaker 2: You're getting to just kind of improvise and riff motorcycle insurance.

730
00:41:28,760 --> 00:41:32,160
Speaker 2: Was you right? That's not a thing. That's a very

731
00:41:32,200 --> 00:41:33,239
Speaker 2: funny idea.

732
00:41:33,400 --> 00:41:36,520
Speaker 3: I threw out motorcycle insurance and a couple of spots

733
00:41:36,520 --> 00:41:39,279
Speaker 3: when I was improvising. But they're like, wait, no, this

734
00:41:39,360 --> 00:41:45,640
Speaker 3: is we're actually doing home home insurance right now. And yeah,

735
00:41:45,719 --> 00:41:46,040
Speaker 3: I mean.

736
00:41:46,080 --> 00:41:48,480
Speaker 1: I laughed my ass off, man. I like the idea

737
00:41:48,520 --> 00:41:50,960
Speaker 1: of ensuring a boat, to me, for some reason, is

738
00:41:51,040 --> 00:41:54,800
Speaker 1: just like so I was like, that's Natalie right. I

739
00:41:54,880 --> 00:41:57,080
Speaker 1: mean I just could feel it, like I was like,

740
00:41:57,160 --> 00:41:59,240
Speaker 1: that's it's on the water, like it's going to sink.

741
00:41:59,760 --> 00:42:02,560
Speaker 3: The vote insurance stuff was something that I just tossed

742
00:42:02,600 --> 00:42:05,239
Speaker 3: out and I couldn't believe they kept it. Yeah, but

743
00:42:05,320 --> 00:42:06,759
Speaker 3: I'm so happy they did.

744
00:42:06,960 --> 00:42:11,840
Speaker 2: Yeah that's really crazy. Yeah yeah, and so so you

745
00:42:11,840 --> 00:42:13,040
Speaker 2: guys aren't married in real life.

746
00:42:13,160 --> 00:42:14,680
Speaker 3: That's just part of the lore.

747
00:42:15,200 --> 00:42:17,080
Speaker 2: Okay, so but now you do know that because a

748
00:42:17,160 --> 00:42:19,239
Speaker 2: second ago, are you asking me?

749
00:42:19,480 --> 00:42:23,160
Speaker 3: I know from you telling me. I mean, if you're

750
00:42:23,200 --> 00:42:25,719
Speaker 3: saying that we're married in the way that like we

751
00:42:25,800 --> 00:42:29,160
Speaker 3: feel like a family, I'm not. I would say that

752
00:42:29,440 --> 00:42:37,479
Speaker 3: we all been no. No, no, no, you're not. We're

753
00:42:37,480 --> 00:42:42,239
Speaker 3: not married. You are, we are, We're no, we are

754
00:42:42,280 --> 00:42:43,440
Speaker 3: definitely like a family.

755
00:42:44,120 --> 00:42:48,600
Speaker 2: And so that is actually what a family is is married.

756
00:42:49,160 --> 00:42:51,280
Speaker 3: I'm get married to everybody in my family.

757
00:42:52,760 --> 00:42:57,960
Speaker 2: Okay, okay, well maybe okay. Now I'm wondering if I made.

758
00:42:57,800 --> 00:42:59,680
Speaker 3: A mistis how many people are married?

759
00:43:01,560 --> 00:43:04,000
Speaker 1: I might have messed up. This is such a classic

760
00:43:04,080 --> 00:43:06,160
Speaker 1: piss move to have messed up and married my whole

761
00:43:06,200 --> 00:43:07,319
Speaker 1: family when I didn't need to.

762
00:43:07,880 --> 00:43:10,000
Speaker 3: Yeah, I actually I have a huge family, and I'm

763
00:43:10,040 --> 00:43:13,600
Speaker 3: not married to anybody. I'm single, So I don't know.

764
00:43:13,719 --> 00:43:17,919
Speaker 2: So you can't everybody.

765
00:43:18,280 --> 00:43:19,440
Speaker 3: I don't know what your family told.

766
00:43:19,560 --> 00:43:21,319
Speaker 2: A lot of people have met, We've had a lot

767
00:43:21,360 --> 00:43:27,239
Speaker 2: of people show. I get some very attractive offers and

768
00:43:27,320 --> 00:43:31,800
Speaker 2: then choose one that actually does work out great, that's great,

769
00:43:32,200 --> 00:43:34,520
Speaker 2: But yeah, I did so. And now looking back on it,

770
00:43:34,560 --> 00:43:36,480
Speaker 2: I did marry my whole family, and.

771
00:43:37,880 --> 00:43:40,359
Speaker 1: I saw Hayes doing it, it just started doing it too.

772
00:43:40,400 --> 00:43:42,640
Speaker 1: Like I was kind of I wasn't even listening during

773
00:43:42,760 --> 00:43:45,000
Speaker 1: the vows, Like I was just like staring at him,

774
00:43:45,080 --> 00:43:48,200
Speaker 1: being like, okay, kind of mimicking what he was doing.

775
00:43:48,280 --> 00:43:49,880
Speaker 3: He kind of just hopped on board. You kind of

776
00:43:49,880 --> 00:43:52,080
Speaker 3: did the thing where somebody's like, if you jumped off

777
00:43:52,080 --> 00:43:54,719
Speaker 3: a bridge, would you and You're like, yeah, I would,

778
00:43:54,760 --> 00:43:55,240
Speaker 3: and I wouldn't.

779
00:43:55,400 --> 00:43:58,360
Speaker 1: Yeah, we have a daddy baby dynamic that's been discussed

780
00:43:58,400 --> 00:43:59,040
Speaker 1: a lot on the.

781
00:43:59,000 --> 00:44:01,840
Speaker 3: Show, daddy baby dynamic.

782
00:44:03,800 --> 00:44:06,359
Speaker 1: He's not my family, he's my best friend and he's

783
00:44:06,360 --> 00:44:07,560
Speaker 1: my daddy and I was baby.

784
00:44:07,600 --> 00:44:12,279
Speaker 2: But I understand your confusion, and I'm married to my

785
00:44:12,320 --> 00:44:13,640
Speaker 2: baby and my daddy as well.

786
00:44:14,640 --> 00:44:16,319
Speaker 3: How many rings do you do? You get a ring

787
00:44:16,400 --> 00:44:17,080
Speaker 3: for each of those?

788
00:44:17,239 --> 00:44:21,640
Speaker 2: Or my ring finger like messed up, looks like the

789
00:44:21,680 --> 00:44:28,920
Speaker 2: freaking michelin man. That hurts really bad. It's so heavy.

790
00:44:29,320 --> 00:44:31,600
Speaker 3: Oh my goodness, it truly does.

791
00:44:31,440 --> 00:44:34,040
Speaker 2: Look like finger looking like a damn.

792
00:44:33,800 --> 00:44:36,880
Speaker 3: Stinky like a marshmallow guy.

793
00:44:37,520 --> 00:44:39,799
Speaker 2: But if I, if I do punch you it his

794
00:44:39,880 --> 00:44:40,839
Speaker 2: lights out.

795
00:44:41,719 --> 00:44:43,439
Speaker 3: Hey, I'm not trying to get you mad.

796
00:44:43,680 --> 00:44:46,680
Speaker 2: And you will see the inscription on the outside of

797
00:44:46,719 --> 00:44:51,960
Speaker 2: all my rings, which is an Elvish because we're all

798
00:44:52,080 --> 00:44:54,600
Speaker 2: huge fans of that franchise.

799
00:44:54,680 --> 00:44:56,320
Speaker 3: The Elvish Franschise.

800
00:44:56,640 --> 00:44:58,240
Speaker 2: Yes, Elvish, Presley.

801
00:44:58,320 --> 00:45:00,640
Speaker 3: Have you ever had an Elvish sand which.

802
00:45:01,080 --> 00:45:03,279
Speaker 2: No, Now tell me about that, because it sounds like

803
00:45:03,320 --> 00:45:04,239
Speaker 2: something I would really like.

804
00:45:04,760 --> 00:45:08,840
Speaker 3: It's a fried peanut, butter and bananas sandwich, which.

805
00:45:08,760 --> 00:45:10,960
Speaker 2: Oh wow, No, actually that sounds me.

806
00:45:11,080 --> 00:45:16,359
Speaker 3: In the elf realm, they have bananashes bananas, which are

807
00:45:17,320 --> 00:45:21,280
Speaker 3: magical fruit that are akin to bananas, but not exactly

808
00:45:21,320 --> 00:45:22,360
Speaker 3: is there.

809
00:45:22,120 --> 00:45:25,040
Speaker 1: Is You didn't tell her what it actually says in Elvish.

810
00:45:25,120 --> 00:45:27,080
Speaker 1: You said it's written in Elvish, but you didn't tell

811
00:45:27,080 --> 00:45:30,560
Speaker 1: her what the language is, which is I believe it

812
00:45:30,640 --> 00:45:32,719
Speaker 1: says none but a hound dog.

813
00:45:38,840 --> 00:45:40,560
Speaker 2: And that is was just me kind of saying to

814
00:45:40,600 --> 00:45:44,120
Speaker 2: my family, like, yes, we are buried now, but on

815
00:45:44,120 --> 00:45:48,640
Speaker 2: some level, I will always be a how dog and

816
00:45:48,719 --> 00:45:49,719
Speaker 2: I'm gonna mess up.

817
00:45:50,320 --> 00:45:53,080
Speaker 3: Oh shoot, are you every once in.

818
00:45:53,080 --> 00:45:57,360
Speaker 2: A while, I Am gonna like go roaming and do

819
00:45:57,440 --> 00:46:00,640
Speaker 2: my thing and possibly marry another family.

820
00:46:01,400 --> 00:46:03,680
Speaker 3: Well, if you want to grow your family, you gotta,

821
00:46:04,000 --> 00:46:05,640
Speaker 3: you know, have me eventually.

822
00:46:06,080 --> 00:46:10,080
Speaker 2: You have to. That's what I've saying, and it's actually taught.

823
00:46:09,880 --> 00:46:11,879
Speaker 3: But it's actually not true. You don't have to marry

824
00:46:11,920 --> 00:46:13,040
Speaker 3: anybody to have a family.

825
00:46:13,080 --> 00:46:17,120
Speaker 2: Yeah, so that is what I've learned now, Yeah, and

826
00:46:17,440 --> 00:46:20,640
Speaker 2: that rocks and times change, and I we I have

827
00:46:20,719 --> 00:46:22,840
Speaker 2: to be open to this rock your.

828
00:46:22,680 --> 00:46:26,719
Speaker 3: World too much revealing that to you.

829
00:46:26,800 --> 00:46:29,080
Speaker 2: Some members of my family will be very happy to

830
00:46:29,120 --> 00:46:32,480
Speaker 2: hear this, and others will not. Let's just say, you know,

831
00:46:32,520 --> 00:46:35,239
Speaker 2: it's gonna be a lot of conversations verse one by one,

832
00:46:35,400 --> 00:46:37,800
Speaker 2: then in subgroups, and then in like the whole group

833
00:46:37,840 --> 00:46:40,360
Speaker 2: together where we talk about like what this means.

834
00:46:40,760 --> 00:46:43,239
Speaker 3: And I hope you don't mind me asking has there

835
00:46:43,280 --> 00:46:45,440
Speaker 3: been any divorce in your family?

836
00:46:45,600 --> 00:46:49,320
Speaker 2: Or uh we I mind?

837
00:46:49,600 --> 00:46:52,160
Speaker 1: Okay, just on record, sorry pissed.

838
00:46:52,520 --> 00:46:54,160
Speaker 3: Sorry, I didn't mean to piss you off.

839
00:46:54,320 --> 00:46:56,520
Speaker 1: Your piss is about to become very pissed.

840
00:46:57,280 --> 00:46:58,680
Speaker 3: I can she said that?

841
00:46:58,800 --> 00:47:02,560
Speaker 2: Is that? Can you hear her? Because she I know

842
00:47:02,640 --> 00:47:05,480
Speaker 2: your camera is off, but can you hear her because she.

843
00:47:05,200 --> 00:47:08,120
Speaker 1: She's turning the camera in the sound off? Okay, the

844
00:47:08,160 --> 00:47:13,840
Speaker 1: sound comes through the camera. Can you hear me, okay, who,

845
00:47:15,239 --> 00:47:18,319
Speaker 1: so you are responding to something. I'm just wondering what

846
00:47:18,360 --> 00:47:21,680
Speaker 1: you can hear. And if it's me, you would be responding.

847
00:47:21,719 --> 00:47:24,560
Speaker 2: Texting me some of what gets said some of it, okay?

848
00:47:24,560 --> 00:47:25,879
Speaker 2: And how are you choosing Kevin?

849
00:47:26,000 --> 00:47:27,960
Speaker 4: Kevin is texting me some of what gets said, and

850
00:47:28,160 --> 00:47:31,040
Speaker 4: and I so I'm on maybe a tiny bit of

851
00:47:31,080 --> 00:47:31,520
Speaker 4: a delay.

852
00:47:32,280 --> 00:47:34,920
Speaker 2: I'm picking the spots. I think Sean would most respond

853
00:47:34,960 --> 00:47:36,759
Speaker 2: to piss.

854
00:47:36,640 --> 00:47:38,400
Speaker 3: Sorry, okay, okay.

855
00:47:38,680 --> 00:47:41,279
Speaker 2: And this is Kevin. We don't really have to like,

856
00:47:41,920 --> 00:47:43,960
Speaker 2: we can actually cut out Kevin. Let's do that.

857
00:47:43,960 --> 00:47:45,600
Speaker 3: You should get Kevin.

858
00:47:46,239 --> 00:47:48,799
Speaker 2: It's warm down there, and and Kevin is scuttling back

859
00:47:48,840 --> 00:47:53,359
Speaker 2: into his hole. And do we Speaking of holes, how

860
00:47:53,400 --> 00:47:56,560
Speaker 2: do people watch your special?

861
00:47:57,600 --> 00:48:01,840
Speaker 3: I think they get a Netflix description and they type

862
00:48:02,080 --> 00:48:07,040
Speaker 3: Nate into the search bar and it comes up Nate's

863
00:48:07,200 --> 00:48:12,000
Speaker 3: a one man show, not Nate Burganza or what's that

864
00:48:12,120 --> 00:48:12,560
Speaker 3: other guy?

865
00:48:12,719 --> 00:48:17,280
Speaker 2: Yeah, this other Tennessee guy. Get the fuck out of here, fake,

866
00:48:18,200 --> 00:48:19,360
Speaker 2: we stole your name.

867
00:48:20,080 --> 00:48:23,279
Speaker 3: He sucks at sucking is what I heard just in

868
00:48:23,360 --> 00:48:25,720
Speaker 3: the Netflix realm. He's not a good sucker.

869
00:48:26,520 --> 00:48:28,640
Speaker 2: And like he was there first, but then you showed

870
00:48:28,680 --> 00:48:30,360
Speaker 2: up and it was like fuck, you. I'm doing this

871
00:48:30,440 --> 00:48:33,080
Speaker 2: now with your name. Get out of here. But I

872
00:48:33,120 --> 00:48:34,880
Speaker 2: would love to get him on the show. Oh, it

873
00:48:34,880 --> 00:48:37,879
Speaker 2: would be amazing. He's like, Kevin, can we do that? Sure?

874
00:48:38,040 --> 00:48:39,359
Speaker 2: Can we reach out? Yeah?

875
00:48:39,920 --> 00:48:42,960
Speaker 3: But he doesn't get nearly as much gush as I do.

876
00:48:44,800 --> 00:48:46,120
Speaker 3: I'm the one with all the gush.

877
00:48:47,760 --> 00:48:50,279
Speaker 2: So he gets you know, there's a handkerchief on.

878
00:48:50,400 --> 00:48:53,200
Speaker 3: His No, he doesn't get the handkerchief he gets. He

879
00:48:53,200 --> 00:48:54,160
Speaker 3: doesn't stabbing.

880
00:48:54,440 --> 00:48:57,040
Speaker 2: Oh okay, I thought he might get at it.

881
00:48:58,400 --> 00:49:01,279
Speaker 3: He gets gush from from time to time. He gets

882
00:49:01,520 --> 00:49:05,600
Speaker 3: he gets gush from time to time, but mostly he

883
00:49:05,680 --> 00:49:09,440
Speaker 3: gets that you know, stabbing pain up his you know.

884
00:49:10,040 --> 00:49:13,719
Speaker 2: Yeah, and your handkerchief whatever, your handkerchief is.

885
00:49:13,680 --> 00:49:19,239
Speaker 3: Just like you can't even see the handkerchief. It's it's

886
00:49:19,320 --> 00:49:21,000
Speaker 3: just mostly it's just all gush.

887
00:49:21,920 --> 00:49:24,880
Speaker 2: Bye. Wolywood, Hamburg,