1 00:00:01,560 --> 00:00:05,880 Speaker 1: Every day, a weak up, the Breakfast Club finish for 2 00:00:05,920 --> 00:00:07,000 Speaker 1: y'all done. 3 00:00:07,440 --> 00:00:11,440 Speaker 2: Morning, everybody is dj n V just hilarious. Charlamagne the 4 00:00:11,480 --> 00:00:14,200 Speaker 2: guy we are the Breakfast Club. Laurla Roses here as well. 5 00:00:14,240 --> 00:00:15,320 Speaker 2: We got some special guests. 6 00:00:15,080 --> 00:00:15,520 Speaker 3: In the building. 7 00:00:15,640 --> 00:00:18,960 Speaker 2: Yes, indeed, you got Chris Lofton, we got Isaac Keys, 8 00:00:19,040 --> 00:00:20,240 Speaker 2: and we got Joseph Sicar. 9 00:00:20,360 --> 00:00:21,040 Speaker 3: Welcome, gentlemen. 10 00:00:24,079 --> 00:00:24,759 Speaker 4: Fantastic. 11 00:00:24,800 --> 00:00:27,240 Speaker 5: You saw that the first episode that drafts us heavy 12 00:00:27,400 --> 00:00:29,880 Speaker 5: last week. Guess right, set it up for the rest. 13 00:00:29,680 --> 00:00:31,640 Speaker 4: Of the season. It's going to be fire season. 14 00:00:31,880 --> 00:00:34,239 Speaker 6: How do y'all approach doing a final season? How does 15 00:00:34,240 --> 00:00:35,960 Speaker 6: that even make y'all feel? Is it bittersweet? 16 00:00:36,080 --> 00:00:36,159 Speaker 1: Like? 17 00:00:36,400 --> 00:00:37,320 Speaker 7: Is how do you approach it? 18 00:00:37,680 --> 00:00:39,440 Speaker 8: I think you like you just said a bittersweet, But 19 00:00:39,560 --> 00:00:41,320 Speaker 8: you know, I think once we know it's the final season, 20 00:00:41,360 --> 00:00:42,600 Speaker 8: I think it makes us to go a lot harder, 21 00:00:42,720 --> 00:00:43,800 Speaker 8: you know what I mean, like make sure we make 22 00:00:43,840 --> 00:00:45,159 Speaker 8: the scenes a little bit more intense. I think the 23 00:00:45,159 --> 00:00:47,120 Speaker 8: writing room did the same thing. Is just making sure 24 00:00:47,320 --> 00:00:50,080 Speaker 8: that every episode had a main factor to it. You know, 25 00:00:50,120 --> 00:00:51,720 Speaker 8: it's actors, you know, like we're gonna put our best 26 00:00:51,720 --> 00:00:53,239 Speaker 8: foot forward, and I think we did a great job 27 00:00:53,280 --> 00:00:53,559 Speaker 8: doing that. 28 00:00:53,800 --> 00:00:56,480 Speaker 2: Is it always that feeling like the last show will 29 00:00:56,480 --> 00:00:58,000 Speaker 2: be so amazing, but like, yeah, we just can't end 30 00:00:58,120 --> 00:00:59,600 Speaker 2: like that. We gotta do another one or another one. 31 00:00:59,680 --> 00:01:01,400 Speaker 2: Is that is that everal feeling all you're like now 32 00:01:01,400 --> 00:01:01,840 Speaker 2: as a rep? 33 00:01:03,400 --> 00:01:05,920 Speaker 5: Well, I think that Gary and I just wanted to 34 00:01:05,920 --> 00:01:09,759 Speaker 5: make sure that we gave Chicago Chicago's do. A big 35 00:01:09,760 --> 00:01:11,679 Speaker 5: thing was is that I didn't produce the first season, 36 00:01:11,800 --> 00:01:13,480 Speaker 5: just the second and the third season. And a big 37 00:01:13,520 --> 00:01:16,440 Speaker 5: thing for me was getting Chicago better, you know, a 38 00:01:16,520 --> 00:01:18,680 Speaker 5: little bit more realistic. Like even the Power Show is 39 00:01:18,720 --> 00:01:21,640 Speaker 5: kind of like New York adjacent, but we wanted to 40 00:01:21,640 --> 00:01:23,640 Speaker 5: be Chicago adjacent, but it's like it's a real place. 41 00:01:23,680 --> 00:01:28,000 Speaker 5: We wanted to show the diversity within the diversity, Like 42 00:01:28,120 --> 00:01:30,440 Speaker 5: I think it was kind of like like a globular 43 00:01:30,600 --> 00:01:33,240 Speaker 5: South side of Chicago, a globular West side and that 44 00:01:33,280 --> 00:01:35,759 Speaker 5: I just mean that there was no specificity or details, 45 00:01:35,760 --> 00:01:38,040 Speaker 5: and we do a lot more detail oriented stuff in 46 00:01:38,080 --> 00:01:40,200 Speaker 5: the third season, and I think that the city is 47 00:01:40,240 --> 00:01:43,000 Speaker 5: really going to bless this show for this final season. 48 00:01:43,200 --> 00:01:45,640 Speaker 9: What did you do to do? What was your research 49 00:01:45,760 --> 00:01:46,760 Speaker 9: like leaving this well. 50 00:01:46,800 --> 00:01:48,400 Speaker 5: Yeah, you know, I mean I moved I moved to 51 00:01:48,400 --> 00:01:50,240 Speaker 5: New York twenty six years ago. So it's like, you know, 52 00:01:50,280 --> 00:01:52,120 Speaker 5: I went back early, and I met with cops and 53 00:01:52,240 --> 00:01:55,200 Speaker 5: robbers and asked and learned more about the city, because 54 00:01:55,200 --> 00:01:56,800 Speaker 5: when I was there, there was really it was really 55 00:01:56,800 --> 00:01:57,640 Speaker 5: a city. 56 00:01:57,320 --> 00:01:58,200 Speaker 4: Of gang nations. 57 00:01:58,240 --> 00:02:00,440 Speaker 5: You know, there was folks and people and and a 58 00:02:00,480 --> 00:02:03,000 Speaker 5: lot of things that were the rules, that were street 59 00:02:03,080 --> 00:02:07,880 Speaker 5: rules that were followed. And now with the emergence of 60 00:02:07,960 --> 00:02:11,000 Speaker 5: kind of like all these renegade gangs and gangs within 61 00:02:11,120 --> 00:02:13,160 Speaker 5: that used to be nations that kind of went against 62 00:02:13,200 --> 00:02:15,640 Speaker 5: each other, where would the pipeline be coming from? How 63 00:02:15,680 --> 00:02:18,080 Speaker 5: would Tommy Egan survive in this? Who would want to 64 00:02:18,120 --> 00:02:19,919 Speaker 5: just make the money and who would just want to 65 00:02:19,919 --> 00:02:21,440 Speaker 5: see him dead? And I think that we do a 66 00:02:21,440 --> 00:02:25,040 Speaker 5: lot of responsible storytelling in like there's a million people 67 00:02:25,040 --> 00:02:27,000 Speaker 5: going at each other in on the south side and 68 00:02:27,120 --> 00:02:29,440 Speaker 5: on the west side, and where the distribution comes from, 69 00:02:29,520 --> 00:02:32,399 Speaker 5: and some of the cartels that would really truly exist. 70 00:02:32,120 --> 00:02:34,840 Speaker 4: That mimic the cartels in real life. That's what we did. 71 00:02:34,880 --> 00:02:37,040 Speaker 10: Were there any things in your research trying to get 72 00:02:37,040 --> 00:02:38,839 Speaker 10: it so real where you were like, nah, we don't 73 00:02:38,840 --> 00:02:40,960 Speaker 10: want to touch this just because of what may actively 74 00:02:40,960 --> 00:02:43,640 Speaker 10: be happen or just because his history wise, you just 75 00:02:43,680 --> 00:02:44,200 Speaker 10: don't want to. 76 00:02:44,560 --> 00:02:46,280 Speaker 9: You don't want to Yeah. 77 00:02:46,200 --> 00:02:48,120 Speaker 5: Well you know, yeah, I mean Chris and Ira bo 78 00:02:48,200 --> 00:02:50,960 Speaker 5: from Chicago, and there's definitely you know, I mean it's 79 00:02:51,040 --> 00:02:53,440 Speaker 5: not that I'm this age, this old. It's like in 80 00:02:53,480 --> 00:02:55,440 Speaker 5: my thirties and forties, even going back, I mean I 81 00:02:55,440 --> 00:02:58,760 Speaker 5: remember it'd be like, you know, you don't want people 82 00:02:58,760 --> 00:03:01,280 Speaker 5: from the past popping up and being like yo, man, 83 00:03:01,440 --> 00:03:03,160 Speaker 5: so how you why did you put it like that? 84 00:03:03,240 --> 00:03:04,280 Speaker 4: Or why did you do this like this? 85 00:03:04,760 --> 00:03:07,080 Speaker 5: And so you do there is kind of you know, 86 00:03:07,320 --> 00:03:10,120 Speaker 5: it's it's adjacent, but it but it mimics the real life. 87 00:03:10,160 --> 00:03:12,280 Speaker 5: It's like people if you know, you know style and 88 00:03:12,320 --> 00:03:14,320 Speaker 5: I think there's a lot of wink Wick non nods 89 00:03:14,320 --> 00:03:16,040 Speaker 5: to to real life stuff going in there. 90 00:03:16,040 --> 00:03:18,280 Speaker 4: But yeah, I mean you want to be careful, you know. 91 00:03:18,320 --> 00:03:21,160 Speaker 6: Tommy says an interesting tags Joseph, like, you know, he's 92 00:03:21,200 --> 00:03:25,280 Speaker 6: always either chasing control or power or loyalty or revenge. 93 00:03:25,360 --> 00:03:27,040 Speaker 6: Like what what's driving him this season? 94 00:03:27,560 --> 00:03:29,680 Speaker 5: Man, that's a great question. A lot I think a 95 00:03:29,680 --> 00:03:31,760 Speaker 5: lot of it is revenge and kind of this this 96 00:03:32,160 --> 00:03:36,120 Speaker 5: uh this hunger for power and how that that the power? 97 00:03:36,160 --> 00:03:40,840 Speaker 5: You know they say power corrupts of complete power, corrupts completely. 98 00:03:40,680 --> 00:03:43,880 Speaker 4: Absolutely absolute power collapse. Absolutely. I know it's always just. 99 00:03:43,840 --> 00:03:51,120 Speaker 5: A little smarter than me, but that's that's what it is. 100 00:03:51,160 --> 00:03:54,120 Speaker 5: And I think that again, it's it's like can you 101 00:03:54,200 --> 00:03:56,360 Speaker 5: have it all? And that's that's the question, because Tommy 102 00:03:56,400 --> 00:03:58,120 Speaker 5: is going for it all this time and is he 103 00:03:58,160 --> 00:04:00,800 Speaker 5: going to sacrifice loyalty with Diamond? Is he gonna is 104 00:04:00,800 --> 00:04:03,840 Speaker 5: he gonna do backhanded deals with Jennard who is a 105 00:04:03,840 --> 00:04:08,200 Speaker 5: backhanded deal master? But yeah, so it's a really exciting season. 106 00:04:08,200 --> 00:04:10,360 Speaker 5: Gary Lennon again, our showrunner in the whole writing room 107 00:04:10,400 --> 00:04:12,600 Speaker 5: did a fantastic job. I'm so proud of them, and 108 00:04:12,640 --> 00:04:13,480 Speaker 5: I think the fans are. 109 00:04:13,360 --> 00:04:14,200 Speaker 4: Going to be really happy. 110 00:04:14,400 --> 00:04:14,800 Speaker 11: For sure. 111 00:04:15,080 --> 00:04:17,080 Speaker 6: I always feel like Diamond's trying to move righteous in 112 00:04:17,160 --> 00:04:18,159 Speaker 6: a dirty world. 113 00:04:18,760 --> 00:04:22,520 Speaker 11: I agree, I'm doing a great job man. 114 00:04:24,160 --> 00:04:26,960 Speaker 8: Trying to portray I think you know it is like 115 00:04:27,000 --> 00:04:29,120 Speaker 8: you just said, like you can't it's not moral values 116 00:04:29,160 --> 00:04:30,800 Speaker 8: too much in the street now, that's the street codes. 117 00:04:30,920 --> 00:04:33,240 Speaker 8: You try to go buy those things, but those more 118 00:04:33,279 --> 00:04:35,200 Speaker 8: than values to get you killed. And he was trying 119 00:04:35,200 --> 00:04:36,880 Speaker 8: to play both sides for so long. And the thing 120 00:04:36,960 --> 00:04:38,800 Speaker 8: now is you started to see he's starting to like 121 00:04:38,839 --> 00:04:40,800 Speaker 8: he's choosing the side he's both feed in, you know. 122 00:04:40,920 --> 00:04:42,719 Speaker 8: Now he's actually kind of looking at at Tommy like 123 00:04:42,800 --> 00:04:44,760 Speaker 8: while you while you're in love, you know, looking at 124 00:04:44,800 --> 00:04:47,560 Speaker 8: his brother Jennar, because he wants that brother relationship, I believe, 125 00:04:47,760 --> 00:04:50,000 Speaker 8: But at the same time that's gonna it could be 126 00:04:50,040 --> 00:04:52,360 Speaker 8: his downfall. I mean, it's all about relationships and alliances 127 00:04:52,440 --> 00:04:53,960 Speaker 8: right now, and how you choose and what side you're 128 00:04:53,960 --> 00:04:56,040 Speaker 8: gonna choose to go on. And I think Domina's in 129 00:04:56,120 --> 00:04:58,640 Speaker 8: the calling that little Quandra right now, you. 130 00:04:58,600 --> 00:05:03,680 Speaker 10: Guys relationship, I was gonna say, Diamond and Tommy, Joseph Isaac, 131 00:05:03,720 --> 00:05:07,239 Speaker 10: you guys relationship in the new season kind of mimics 132 00:05:07,360 --> 00:05:09,360 Speaker 10: what the relationship was with Ghosts. 133 00:05:09,040 --> 00:05:10,560 Speaker 9: And Tommy a bit in the reverse. 134 00:05:10,640 --> 00:05:10,800 Speaker 11: Yeah. 135 00:05:10,920 --> 00:05:12,839 Speaker 10: Yeah, And it's weird because it's like, now you're in 136 00:05:12,880 --> 00:05:15,279 Speaker 10: that power seat, no pun intendent, but now you're in 137 00:05:15,320 --> 00:05:17,359 Speaker 10: a driver's seat, right and you're able to like choose 138 00:05:17,360 --> 00:05:19,080 Speaker 10: what you say what you don't say, and you're kind 139 00:05:19,080 --> 00:05:22,640 Speaker 10: of like controlling him. Was that purposely done for the 140 00:05:22,680 --> 00:05:24,520 Speaker 10: fans who've been following all the shows to kind of 141 00:05:24,520 --> 00:05:25,080 Speaker 10: put that together? 142 00:05:25,480 --> 00:05:26,960 Speaker 4: Yes, yeah, I think so. 143 00:05:27,120 --> 00:05:29,120 Speaker 5: But I also love how it mimics just like that 144 00:05:29,240 --> 00:05:32,280 Speaker 5: hurt people, hurt people and if you know, you kind 145 00:05:32,320 --> 00:05:35,560 Speaker 5: of follow the faults of your father or. 146 00:05:35,480 --> 00:05:36,720 Speaker 4: Whatever that expression. 147 00:05:36,880 --> 00:05:39,520 Speaker 5: Charla Mane will correct me, but there, you know, the 148 00:05:39,560 --> 00:05:42,200 Speaker 5: sins of the father. It's like there's there is there 149 00:05:42,279 --> 00:05:45,320 Speaker 5: is this kind of reverseness that's happening too, And we'll 150 00:05:45,360 --> 00:05:47,800 Speaker 5: see what happens to Tommy, because ultimately, what happened to 151 00:05:47,800 --> 00:05:50,400 Speaker 5: ghosts so you know, you gotta see what happened. 152 00:05:50,440 --> 00:05:52,479 Speaker 12: Definitely, there was a moment in the first episode where 153 00:05:52,480 --> 00:05:54,599 Speaker 12: there was that when you came to talk to him 154 00:05:55,200 --> 00:05:55,960 Speaker 12: in the warehouse. 155 00:05:56,120 --> 00:05:58,480 Speaker 7: I felt like you turned into ghost in that moment, and. 156 00:05:58,880 --> 00:06:00,480 Speaker 4: But Tommy checked himself too. 157 00:06:00,600 --> 00:06:02,039 Speaker 12: Yeah, but I felt like ghost would have did that 158 00:06:02,040 --> 00:06:03,880 Speaker 12: to you. It was almost like reverse psychology, like you 159 00:06:03,880 --> 00:06:06,400 Speaker 12: were just telling them what you know he needed hard. 160 00:06:07,480 --> 00:06:09,640 Speaker 10: Yeah, I felt like I didn't even know you thought 161 00:06:09,640 --> 00:06:11,080 Speaker 10: that you were checking yourself in that moment. 162 00:06:11,120 --> 00:06:12,320 Speaker 9: And it's hard to talk about, but. 163 00:06:12,240 --> 00:06:12,640 Speaker 4: It was real. 164 00:06:12,720 --> 00:06:14,480 Speaker 5: I mean, I think Tommy is an honest character in 165 00:06:14,520 --> 00:06:15,919 Speaker 5: the way when he's like, yo, man, I should have 166 00:06:15,960 --> 00:06:17,560 Speaker 5: told you everything. I should have done that, but it's 167 00:06:17,600 --> 00:06:20,520 Speaker 5: timely going to do it again. That's the that's the thing. Yes, 168 00:06:20,640 --> 00:06:22,920 Speaker 5: it's like it was smart. It's like kind of magniplance. 169 00:06:22,920 --> 00:06:24,640 Speaker 8: He knew how to he needed, knew how to dob 170 00:06:24,760 --> 00:06:27,760 Speaker 8: like minimize the situation at the time because that felt 171 00:06:27,800 --> 00:06:29,160 Speaker 8: diamonds coming out. And I think that was a different 172 00:06:29,240 --> 00:06:31,320 Speaker 8: level of seeing Tommy, you know, and Joseph play that. 173 00:06:31,400 --> 00:06:33,440 Speaker 8: So you know, yeah, I thought it was. It's a 174 00:06:33,440 --> 00:06:34,800 Speaker 8: great thing because it was even hard for me as 175 00:06:34,800 --> 00:06:36,880 Speaker 8: a character, like they like, no bring it. I'm like, 176 00:06:37,160 --> 00:06:38,839 Speaker 8: y'all want me to bring it, you knowing like that 177 00:06:38,960 --> 00:06:41,160 Speaker 8: no bringing And it's starting to it starts to build 178 00:06:41,240 --> 00:06:42,120 Speaker 8: with the character. 179 00:06:42,360 --> 00:06:44,279 Speaker 6: Chris, how do you see Jenaud did I see people 180 00:06:44,279 --> 00:06:46,480 Speaker 6: call him the smart villains and people call him a 181 00:06:46,600 --> 00:06:48,560 Speaker 6: monster as he just a man trying to out hustle 182 00:06:48,839 --> 00:06:50,800 Speaker 6: a system that's against against him. 183 00:06:51,080 --> 00:06:55,120 Speaker 12: Man, I think Jannard is misunderstood because honestly, Isaac hate 184 00:06:55,120 --> 00:06:57,000 Speaker 12: when I go off into this tangent, but I honestly 185 00:06:57,040 --> 00:06:59,520 Speaker 12: feel like nobody's looking at it the right way. I 186 00:06:59,520 --> 00:07:01,960 Speaker 12: feel like, cause I'm actually from Chicago, I try to 187 00:07:02,040 --> 00:07:05,120 Speaker 12: implement a lot of what I know the people are 188 00:07:05,120 --> 00:07:07,680 Speaker 12: gonna be watching this saying like, nah, that ain't that 189 00:07:07,720 --> 00:07:09,520 Speaker 12: ain't how we were doing in Chicago. Y'all really gonna 190 00:07:09,560 --> 00:07:10,840 Speaker 12: let this white boy come up in here and do that? 191 00:07:11,040 --> 00:07:13,320 Speaker 12: So to me, I feel like I'm the voice of 192 00:07:13,400 --> 00:07:16,240 Speaker 12: the fans. So to me, I look at Ginnard as 193 00:07:16,360 --> 00:07:18,160 Speaker 12: to me, the only one that got some sense for real, 194 00:07:18,200 --> 00:07:21,480 Speaker 12: Because why I'm supposed to not know anything about what 195 00:07:21,520 --> 00:07:24,160 Speaker 12: Tommy was doing those six years on power, I'm supposed 196 00:07:24,200 --> 00:07:25,920 Speaker 12: to not know that. To me, this is just a 197 00:07:25,960 --> 00:07:27,640 Speaker 12: white man in Chicago who may or may not be 198 00:07:27,720 --> 00:07:31,000 Speaker 12: the police. Nobody knows, Like, why are we all so 199 00:07:31,080 --> 00:07:31,880 Speaker 12: trusting in him? 200 00:07:32,160 --> 00:07:32,720 Speaker 7: Like nobody? 201 00:07:32,800 --> 00:07:35,800 Speaker 12: And then with my brother, I'm like, Okay, you were 202 00:07:35,840 --> 00:07:38,400 Speaker 12: in prison. I heard you like to cut hair in jail. 203 00:07:38,400 --> 00:07:39,880 Speaker 12: That's what you was in there doing, right, Bought you 204 00:07:39,880 --> 00:07:42,360 Speaker 12: a barbershop, Put you up. You're comfortable, You got something 205 00:07:42,360 --> 00:07:44,920 Speaker 12: to do. Stay out the way. You're on parole. 206 00:07:44,960 --> 00:07:45,320 Speaker 11: You hot. 207 00:07:45,360 --> 00:07:46,960 Speaker 12: You're not supposed to be touching the streets. You're gonna 208 00:07:46,960 --> 00:07:49,240 Speaker 12: mess up the whole organization. If you get caught, you're 209 00:07:49,240 --> 00:07:51,440 Speaker 12: gonna blow it all up. So I'll handle it, talk 210 00:07:51,480 --> 00:07:54,200 Speaker 12: to you, will deliberate, will be partners, brothers. 211 00:07:54,400 --> 00:07:58,040 Speaker 7: You know that was my goal. My dream didn't work. 212 00:07:58,040 --> 00:07:58,440 Speaker 4: Out like that. 213 00:07:58,600 --> 00:08:00,760 Speaker 2: Is that difficult to make it make sense? Because what 214 00:08:00,800 --> 00:08:01,960 Speaker 2: you just said is I have to make it me. 215 00:08:02,200 --> 00:08:03,640 Speaker 7: I had to make it make sense because you know, 216 00:08:03,760 --> 00:08:04,240 Speaker 7: we look at. 217 00:08:04,240 --> 00:08:07,320 Speaker 3: Him from we understand it. But this is a new series. 218 00:08:07,560 --> 00:08:09,680 Speaker 7: Yes, yeah, to me trying to make it make sense. 219 00:08:09,720 --> 00:08:11,600 Speaker 12: I did create that backstory, I said with I've remember 220 00:08:11,640 --> 00:08:14,400 Speaker 12: I told Joseph Isaac and with Gary lenn and our showrunner. 221 00:08:14,440 --> 00:08:17,320 Speaker 12: I created a whole backstory in my head to make 222 00:08:18,080 --> 00:08:20,000 Speaker 12: some of this makes sense. Because obviously I would never 223 00:08:20,000 --> 00:08:21,600 Speaker 12: go against my brother trying to kill my brother. 224 00:08:21,600 --> 00:08:22,200 Speaker 7: That's crazy. 225 00:08:22,440 --> 00:08:24,320 Speaker 12: But I tried to make it make sense. To Jannar, 226 00:08:24,440 --> 00:08:27,080 Speaker 12: It's like, Okay, we talking about millions of dollars. This 227 00:08:27,200 --> 00:08:30,440 Speaker 12: organization CBR is supposed to be worth millions of dollars, 228 00:08:30,520 --> 00:08:33,360 Speaker 12: And if he's been in prison for fifteen years, that 229 00:08:33,480 --> 00:08:35,400 Speaker 12: means I kind of know more life without him than 230 00:08:35,400 --> 00:08:38,040 Speaker 12: with him. And now if we add millions of dollars 231 00:08:38,080 --> 00:08:40,840 Speaker 12: into the mix and some new person that nobody knows 232 00:08:40,840 --> 00:08:42,920 Speaker 12: who's white, how about I kill. 233 00:08:42,880 --> 00:08:43,240 Speaker 7: Both of you? 234 00:08:43,480 --> 00:08:45,560 Speaker 12: Right? How about I just killed both of you. You You 235 00:08:45,559 --> 00:08:47,440 Speaker 12: ain't even been here for fifteen years. Anyway I could 236 00:08:47,440 --> 00:08:50,560 Speaker 12: do without you. You know, so it's like I don't understand. 237 00:08:50,720 --> 00:08:52,720 Speaker 12: Like so that's how I had to convince myself. And 238 00:08:52,760 --> 00:08:55,360 Speaker 12: sometimes I get too invested in it and I'm like, yeah, 239 00:08:55,400 --> 00:08:59,439 Speaker 12: you know what, get to invest I get to invest 240 00:08:59,440 --> 00:09:01,360 Speaker 12: in sometimes and I'll be like, no, this is wrong. 241 00:09:01,440 --> 00:09:04,400 Speaker 7: Nobody gets you. 242 00:09:04,679 --> 00:09:05,920 Speaker 9: That across on screen though. 243 00:09:05,960 --> 00:09:07,640 Speaker 10: I feel like on screen you're like the little brother 244 00:09:07,679 --> 00:09:09,480 Speaker 10: that's like, no, I can do this, listen to me, 245 00:09:09,559 --> 00:09:10,000 Speaker 10: Listen to me. 246 00:09:10,000 --> 00:09:11,320 Speaker 9: But then you be messing up and then you gotta 247 00:09:11,320 --> 00:09:11,520 Speaker 9: call it. 248 00:09:11,840 --> 00:09:12,800 Speaker 11: Thank you me up. 249 00:09:13,600 --> 00:09:14,600 Speaker 9: That's what a little brother. 250 00:09:14,400 --> 00:09:16,319 Speaker 4: Thing though, what it's people? 251 00:09:20,520 --> 00:09:22,200 Speaker 7: I mean in New York, I told them. 252 00:09:22,120 --> 00:09:24,760 Speaker 9: That I was gonna say. 253 00:09:24,760 --> 00:09:28,320 Speaker 10: And speaking of the brother dynamic, you guys dynamic is 254 00:09:28,440 --> 00:09:30,640 Speaker 10: kind of like the same but a bit different in 255 00:09:30,679 --> 00:09:33,240 Speaker 10: this new season because you're kind of making your own 256 00:09:33,280 --> 00:09:34,720 Speaker 10: moves and you got your girl and she's you know, 257 00:09:34,840 --> 00:09:36,880 Speaker 10: helping you a bit more. You trusting them a little 258 00:09:36,880 --> 00:09:39,280 Speaker 10: bit more, but you're not. At the same time, what 259 00:09:39,360 --> 00:09:41,480 Speaker 10: do you guys want your relationship to say to people 260 00:09:41,480 --> 00:09:44,160 Speaker 10: in a regular world about brother relationships? 261 00:09:44,160 --> 00:09:47,400 Speaker 9: Big brother little brother relationships. People that don't sell drugs or. 262 00:09:47,360 --> 00:09:50,040 Speaker 12: They do, right, I would personally, I would probably say 263 00:09:50,080 --> 00:09:53,640 Speaker 12: like forgiveness could probably be a thing, and love Trump's 264 00:09:53,640 --> 00:09:55,600 Speaker 12: all and blood is definitely thinking the water. I think 265 00:09:55,640 --> 00:09:57,360 Speaker 12: I would want people to like take that from it, 266 00:09:57,480 --> 00:09:59,280 Speaker 12: like blood is truly thinking the water. 267 00:09:59,360 --> 00:10:00,680 Speaker 7: And your family. 268 00:10:00,720 --> 00:10:02,280 Speaker 12: I feel like the only people closest to you can 269 00:10:02,360 --> 00:10:04,880 Speaker 12: hurt you, because if you don't care about somebody, they 270 00:10:04,880 --> 00:10:08,200 Speaker 12: can't hurt your feelings. They can't they can't betray you. 271 00:10:08,200 --> 00:10:10,120 Speaker 12: You know, it has to come from somebody you love. 272 00:10:10,200 --> 00:10:12,640 Speaker 12: So I feel like learning to forgive and learning that 273 00:10:12,679 --> 00:10:15,280 Speaker 12: family Trump's all is something that I would want people 274 00:10:15,320 --> 00:10:15,520 Speaker 12: to know. 275 00:10:15,960 --> 00:10:19,840 Speaker 4: But blood is finite. Water is infinite, you know there's. 276 00:10:23,440 --> 00:10:26,520 Speaker 5: Yeah, I think water is going to make you survive 277 00:10:26,640 --> 00:10:29,319 Speaker 5: longer than blood. You drink that a little bit, you 278 00:10:29,400 --> 00:10:31,440 Speaker 5: know what I mean. The French soldiers with the Russian horses, 279 00:10:32,440 --> 00:10:35,920 Speaker 5: but the life giving the war. 280 00:10:35,800 --> 00:10:38,080 Speaker 11: Man you take it to war. I think, you know, 281 00:10:38,200 --> 00:10:39,200 Speaker 11: it's it's real life. 282 00:10:39,360 --> 00:10:40,880 Speaker 8: Like you know, we all have family members that we 283 00:10:40,960 --> 00:10:42,920 Speaker 8: necessarily don't get along, but we still kind of love them. 284 00:10:43,080 --> 00:10:44,480 Speaker 8: But we may have to keep it from afar, but 285 00:10:44,480 --> 00:10:46,280 Speaker 8: we should try to figure them out. I think it's 286 00:10:46,280 --> 00:10:48,600 Speaker 8: really deep about the relationships. I think the whole show 287 00:10:48,679 --> 00:10:51,600 Speaker 8: really dives into how the relationship and the toxicity of it, 288 00:10:51,720 --> 00:10:53,960 Speaker 8: you know, like you know, like you know, really all 289 00:10:54,360 --> 00:10:56,679 Speaker 8: just communicate if you just communicate with the person, if 290 00:10:56,720 --> 00:10:59,320 Speaker 8: his brother, if Dime just with the gave Gennard a hook, 291 00:10:59,720 --> 00:11:01,560 Speaker 8: you know, another hug or sometimes he might have made 292 00:11:01,600 --> 00:11:03,120 Speaker 8: him feel a little better or just talked about it, 293 00:11:03,240 --> 00:11:05,000 Speaker 8: like how do you gonna kill your brother? Like it's 294 00:11:05,000 --> 00:11:06,960 Speaker 8: the deepness and the deafiness of what you're willing to 295 00:11:07,000 --> 00:11:09,760 Speaker 8: lose and sacrifice for what you want to kind of 296 00:11:09,760 --> 00:11:12,320 Speaker 8: mold you want and then how does that align in 297 00:11:12,360 --> 00:11:15,560 Speaker 8: your life? Like to him killing his brother, that wasn't 298 00:11:15,600 --> 00:11:17,800 Speaker 8: nothing for him some people that's something hard to do. 299 00:11:17,880 --> 00:11:19,200 Speaker 8: We still get on the streets all the time like 300 00:11:19,200 --> 00:11:20,720 Speaker 8: why why you don't kill you? Why you don't kill 301 00:11:20,760 --> 00:11:23,120 Speaker 8: your brother? Why you don't you know, unlive your brother. 302 00:11:23,200 --> 00:11:25,000 Speaker 8: It's like can you do that? Would you be able 303 00:11:25,040 --> 00:11:26,679 Speaker 8: to do in the world? So that tussle, I think 304 00:11:26,800 --> 00:11:29,479 Speaker 8: is just amazing to be the show, the relationship to it. 305 00:11:29,640 --> 00:11:37,520 Speaker 6: You sound like saying this man just feel motivational. 306 00:11:37,080 --> 00:11:37,640 Speaker 8: For some reason. 307 00:11:40,720 --> 00:11:44,520 Speaker 6: Sometimes what does redemption look like for Diamond? Like now 308 00:11:44,559 --> 00:11:46,680 Speaker 6: that the streets, you know, keep pulling him back. 309 00:11:46,679 --> 00:11:48,800 Speaker 8: I think Ultimately, what Diamond wants he wants that be 310 00:11:48,840 --> 00:11:51,280 Speaker 8: able to make this money, have power, but he doesn't 311 00:11:51,280 --> 00:11:53,080 Speaker 8: want all the violence and stuff to go along with it. 312 00:11:53,120 --> 00:11:55,440 Speaker 8: At some point, like if it was the best world, 313 00:11:55,480 --> 00:11:58,840 Speaker 8: the coalition, everybody working together, you know, everybody's making money. 314 00:11:58,960 --> 00:12:01,320 Speaker 8: Let's just do that and be cool, you know, And 315 00:12:01,360 --> 00:12:03,320 Speaker 8: I think that, yeah, and I think but it's like, 316 00:12:03,360 --> 00:12:05,640 Speaker 8: you know, when you see the character of detimed character 317 00:12:05,679 --> 00:12:08,240 Speaker 8: coming with Joseph play so well, it's like, na, we 318 00:12:08,240 --> 00:12:10,040 Speaker 8: want more than that, we want more of that. So 319 00:12:10,080 --> 00:12:12,000 Speaker 8: he's still got to make his moves and make his moves, 320 00:12:12,040 --> 00:12:13,800 Speaker 8: you know, in align with how he wants to move, 321 00:12:13,880 --> 00:12:17,440 Speaker 8: so that somehow kind of creates that friction between everyone 322 00:12:17,559 --> 00:12:19,280 Speaker 8: in a sense because there's so many players in this. 323 00:12:19,559 --> 00:12:21,000 Speaker 8: You know, we still have the little Latin of the 324 00:12:21,000 --> 00:12:23,240 Speaker 8: cartel side and how the control that they have. So 325 00:12:23,320 --> 00:12:25,680 Speaker 8: now we're trying to you know, I think diamonds redemptious. 326 00:12:25,800 --> 00:12:27,640 Speaker 8: He really just wanted to He wants to be there, 327 00:12:27,720 --> 00:12:30,480 Speaker 8: but but you know, it ain't gonna work the way 328 00:12:30,520 --> 00:12:32,560 Speaker 8: he wants it to work, and that's how it works. 329 00:12:32,679 --> 00:12:36,520 Speaker 10: You do you think the world will ever look at 330 00:12:36,600 --> 00:12:40,199 Speaker 10: the game organization as like anything for anything righteous they've 331 00:12:40,240 --> 00:12:42,480 Speaker 10: ever done. I know with BMF fifty also try to 332 00:12:42,520 --> 00:12:44,240 Speaker 10: talk about the family union and stuff like that. And 333 00:12:44,240 --> 00:12:47,080 Speaker 10: it's very prevalent that you're that character in this show. 334 00:12:47,120 --> 00:12:49,320 Speaker 10: But people don't see that. They only say why would 335 00:12:49,360 --> 00:12:51,280 Speaker 10: you guys be in a show that showcases all these things. 336 00:12:51,280 --> 00:12:52,439 Speaker 9: I'm sure you get that question on the time. Do 337 00:12:52,480 --> 00:12:53,559 Speaker 9: you think the world will ever say? 338 00:12:53,720 --> 00:12:55,800 Speaker 10: But wait, there was a righteous component to this, There 339 00:12:55,840 --> 00:12:58,480 Speaker 10: was a family aspect, yes. 340 00:12:58,520 --> 00:13:00,000 Speaker 8: And I think even outside the show, we make sure 341 00:13:00,080 --> 00:13:01,520 Speaker 8: we do a lot of stuff in the community. I 342 00:13:01,559 --> 00:13:03,880 Speaker 8: make sure we talking speaking engagements and talking to make 343 00:13:03,920 --> 00:13:05,920 Speaker 8: sure we know this is entertainment. It's telling the story, 344 00:13:06,120 --> 00:13:08,800 Speaker 8: you know, a story of some made up characters, of 345 00:13:08,880 --> 00:13:11,040 Speaker 8: some made up characters that you know, how they how 346 00:13:11,080 --> 00:13:12,440 Speaker 8: they move in the streets, and how their life and 347 00:13:12,440 --> 00:13:15,080 Speaker 8: how they find the family dynamics happen. And I think 348 00:13:15,120 --> 00:13:17,640 Speaker 8: that also by showing that in Chicago, with all the 349 00:13:17,679 --> 00:13:19,800 Speaker 8: things that's going on with the city of Chicago, we're 350 00:13:19,840 --> 00:13:21,800 Speaker 8: able to show the entertainment part of it, but we're 351 00:13:21,800 --> 00:13:23,400 Speaker 8: also able to talk touch on some of the things 352 00:13:23,400 --> 00:13:25,440 Speaker 8: of the diversity of the city and how the city 353 00:13:25,520 --> 00:13:27,839 Speaker 8: is made up. In the history and the architecture, and 354 00:13:27,840 --> 00:13:29,600 Speaker 8: and just kind of giving some more light on the 355 00:13:29,640 --> 00:13:31,439 Speaker 8: city in that way as well too. But I think 356 00:13:31,440 --> 00:13:33,240 Speaker 8: it's very important for people to know even as we talk, 357 00:13:33,559 --> 00:13:34,960 Speaker 8: is to make sure that we know that this is 358 00:13:35,000 --> 00:13:38,920 Speaker 8: a story. It's a TV series, it's not real life. 359 00:13:38,920 --> 00:13:40,920 Speaker 8: It's the Power Universe. We know that's not you know, 360 00:13:41,040 --> 00:13:42,640 Speaker 8: real life. It's so many things that happened that must 361 00:13:42,679 --> 00:13:45,600 Speaker 8: think pulls up anywhere and no parking tickets. 362 00:13:46,960 --> 00:13:50,120 Speaker 2: I will say that that these stories are might not 363 00:13:50,160 --> 00:13:52,520 Speaker 2: be based on somebody's real life, but they are lives 364 00:13:52,559 --> 00:13:54,920 Speaker 2: that's happening out there. 365 00:13:55,880 --> 00:13:57,080 Speaker 11: Every time. 366 00:13:57,360 --> 00:13:58,079 Speaker 7: Me and my brother. 367 00:13:59,280 --> 00:14:00,959 Speaker 3: That's how it was, you mean. And that's why I 368 00:14:01,000 --> 00:14:02,439 Speaker 3: think stories mean so much, you know. 369 00:14:02,600 --> 00:14:03,920 Speaker 2: And a lot of times, like she said, a lot 370 00:14:03,960 --> 00:14:06,559 Speaker 2: of people feel like, oh, well, they're idolizing or they're 371 00:14:06,559 --> 00:14:08,760 Speaker 2: making it seem like this, But for a lot of times, 372 00:14:08,760 --> 00:14:11,080 Speaker 2: that's what we grew up seeing, right, We grew up 373 00:14:11,080 --> 00:14:13,439 Speaker 2: seeing the local drug dealers, and you always wanted to 374 00:14:13,520 --> 00:14:15,160 Speaker 2: know what I always wanted to know, like how did 375 00:14:15,160 --> 00:14:15,920 Speaker 2: they do their business? 376 00:14:15,960 --> 00:14:16,520 Speaker 3: How did it work? 377 00:14:16,559 --> 00:14:18,280 Speaker 2: So I think this kind of gives you an inside 378 00:14:18,520 --> 00:14:21,600 Speaker 2: falls or not false but primarily true. 379 00:14:21,840 --> 00:14:23,840 Speaker 3: Of how would work and how it got down. So 380 00:14:23,840 --> 00:14:24,640 Speaker 3: when you tape so. 381 00:14:24,680 --> 00:14:26,120 Speaker 6: Things, so Tommy would have been in jail a long 382 00:14:26,160 --> 00:14:28,160 Speaker 6: time ago. Man, he drives the same getaway. 383 00:14:27,720 --> 00:14:35,800 Speaker 8: Car all right, and it's loud, hard to drive, toot, 384 00:14:35,920 --> 00:14:37,600 Speaker 8: it'd be pretty easy to peg Tommy. 385 00:14:37,600 --> 00:14:39,160 Speaker 4: He's not switching up rides all that much. 386 00:14:39,160 --> 00:14:41,160 Speaker 5: Although in the original Power Show they did, you know, 387 00:14:41,200 --> 00:14:43,240 Speaker 5: some of that some of that stick that. 388 00:14:43,280 --> 00:14:44,960 Speaker 12: I think that when you made that drive of Chicago, 389 00:14:44,960 --> 00:14:47,120 Speaker 12: you switched cars in the original. 390 00:14:46,760 --> 00:14:50,359 Speaker 5: Right, No, it's like they bucked me out of the car. 391 00:14:50,520 --> 00:14:51,760 Speaker 4: Let's not talk about season one. 392 00:14:53,360 --> 00:14:55,160 Speaker 2: I was gonna ask, you know, when you talk about 393 00:14:55,240 --> 00:14:57,920 Speaker 2: street credit and talking about what's real, how how important 394 00:14:57,960 --> 00:14:59,600 Speaker 2: is street code when you're doing these shows. 395 00:15:01,840 --> 00:15:04,880 Speaker 12: I honestly do think it's important. Honestly, we got to 396 00:15:04,960 --> 00:15:07,320 Speaker 12: keep it true to what it is. But also there 397 00:15:07,360 --> 00:15:09,120 Speaker 12: are some things that we don't want to touch on 398 00:15:09,200 --> 00:15:10,160 Speaker 12: because it's too real. 399 00:15:10,440 --> 00:15:12,560 Speaker 7: Like that's why they don't mention like real gangs. 400 00:15:12,600 --> 00:15:14,320 Speaker 12: We make up gang names because we don't want to 401 00:15:14,360 --> 00:15:18,400 Speaker 12: seem like we're promoting actual gang violence in the city 402 00:15:18,480 --> 00:15:21,360 Speaker 12: or making other gangs because our dms are crazy. I 403 00:15:21,360 --> 00:15:25,160 Speaker 12: can't speak for everybody, but mine is insane. Like my 404 00:15:25,320 --> 00:15:27,480 Speaker 12: dms get crazy when the show on the death threats 405 00:15:27,520 --> 00:15:32,160 Speaker 12: and a lot of people, oh dog, I get crazy DM. 406 00:15:32,280 --> 00:15:34,120 Speaker 12: So it's like we try to be careful with that 407 00:15:34,240 --> 00:15:34,640 Speaker 12: outen you. 408 00:15:34,800 --> 00:15:38,000 Speaker 5: Slipping little vernacular improves that every now and again when 409 00:15:38,040 --> 00:15:38,840 Speaker 5: I see in the cut. 410 00:15:40,760 --> 00:15:42,960 Speaker 7: Because I'm really from Chicago, so I'll try to slip in. 411 00:15:45,080 --> 00:15:45,320 Speaker 11: Again. 412 00:15:45,320 --> 00:15:46,600 Speaker 7: I'll try to slip it in and there. 413 00:15:46,520 --> 00:15:48,480 Speaker 12: Because I know the city is going to be like bro, 414 00:15:48,720 --> 00:15:51,840 Speaker 12: I know, I know like that the city of Chicago 415 00:15:51,920 --> 00:15:53,960 Speaker 12: is behind it. I feel like New York and Chicago 416 00:15:54,160 --> 00:15:57,480 Speaker 12: are two cities that they don't. We don't really particularly 417 00:15:57,680 --> 00:16:00,520 Speaker 12: like when actors portray being from there if they're not 418 00:16:00,560 --> 00:16:02,560 Speaker 12: really from there, Like we don't want you to come 419 00:16:02,560 --> 00:16:04,600 Speaker 12: from LA and try to be on a New York 420 00:16:04,680 --> 00:16:06,600 Speaker 12: TV show saying you a hood dude from New York. 421 00:16:06,760 --> 00:16:09,160 Speaker 5: I don't know, man, London Brown crushes it as I'm 422 00:16:09,160 --> 00:16:11,040 Speaker 5: gomor what he knows. 423 00:16:11,280 --> 00:16:13,760 Speaker 12: An exceptional case. London Brown shout out to London. That's 424 00:16:13,800 --> 00:16:14,200 Speaker 12: my dog. 425 00:16:14,280 --> 00:16:16,800 Speaker 7: But like, I don't feel like New York and Chicago likes. 426 00:16:16,640 --> 00:16:18,520 Speaker 2: That that LAY don't like it at all. LA is 427 00:16:18,520 --> 00:16:20,960 Speaker 2: another one, yeah, and they don't like it at all. 428 00:16:21,080 --> 00:16:24,040 Speaker 2: And I alway also wanted to know when y'all shoot 429 00:16:24,120 --> 00:16:26,160 Speaker 2: so many different films, how do y'all stay in character? 430 00:16:26,280 --> 00:16:26,840 Speaker 11: TV shows? 431 00:16:26,840 --> 00:16:27,560 Speaker 4: TV shows? 432 00:16:27,640 --> 00:16:29,520 Speaker 2: Yeah, how do y'all say in character in all the shows? 433 00:16:29,520 --> 00:16:31,400 Speaker 2: Because you have different characters in different shows. 434 00:16:32,520 --> 00:16:34,680 Speaker 12: I mean, for me, is the simple version for me 435 00:16:34,800 --> 00:16:38,000 Speaker 12: is action and cut, Like I'm not with you. Yeah, 436 00:16:38,320 --> 00:16:40,240 Speaker 12: I've never been that guy for real that really like 437 00:16:40,320 --> 00:16:41,080 Speaker 12: takes it home with me. 438 00:16:41,120 --> 00:16:42,000 Speaker 4: I just me neither. 439 00:16:42,240 --> 00:16:46,200 Speaker 7: Yeah, I just know how to disassociated a lot more from. 440 00:16:46,360 --> 00:16:48,160 Speaker 5: I just find that there's a lot more fun when 441 00:16:48,200 --> 00:16:50,600 Speaker 5: you get to it is. But also it's like coming 442 00:16:50,640 --> 00:16:53,200 Speaker 5: you know, coming from the theater. Do you know, It's 443 00:16:53,200 --> 00:16:55,040 Speaker 5: like if you're not going to bring that character home, 444 00:16:55,120 --> 00:16:57,000 Speaker 5: you're playing the guy for six months, you know what 445 00:16:57,000 --> 00:16:59,680 Speaker 5: I mean, You're just you just bring it to the theater. 446 00:16:59,720 --> 00:17:01,440 Speaker 4: That's what you warm them up. That's why you get, 447 00:17:01,440 --> 00:17:02,440 Speaker 4: you know, the whole thing. 448 00:17:02,760 --> 00:17:04,320 Speaker 3: Imagine Joe who pulled up to pick up his kid 449 00:17:04,359 --> 00:17:05,480 Speaker 3: from school. He pulled up in the car. 450 00:17:05,680 --> 00:17:09,600 Speaker 10: Yeah, when I see you, it's so hard to not 451 00:17:09,720 --> 00:17:11,879 Speaker 10: see Tommy, all of you guys. It's hard to not 452 00:17:12,080 --> 00:17:13,639 Speaker 10: envision y'all in the show. I'm like then, I was 453 00:17:13,640 --> 00:17:14,560 Speaker 10: just watching you last night. 454 00:17:14,600 --> 00:17:16,520 Speaker 11: Like me, I think Jo does. 455 00:17:16,440 --> 00:17:18,760 Speaker 6: A fantastic job acting because he's nothing like Tommy in 456 00:17:18,800 --> 00:17:19,320 Speaker 6: real life. 457 00:17:23,119 --> 00:17:24,560 Speaker 9: Too, but the voice is there. 458 00:17:25,080 --> 00:17:26,880 Speaker 4: He's selling copious amounts of drugs. 459 00:17:26,920 --> 00:17:32,400 Speaker 6: But I'll be wondering, with all the spin offs, what 460 00:17:32,600 --> 00:17:36,120 Speaker 6: makes four stand out to you creatively and just all 461 00:17:36,160 --> 00:17:37,919 Speaker 6: of the different shows when you got to show up 462 00:17:37,960 --> 00:17:39,520 Speaker 6: this Tommy, do these shows even feel different? 463 00:17:40,080 --> 00:17:41,840 Speaker 5: I mean they don't when I show up as Tommy. 464 00:17:41,880 --> 00:17:43,840 Speaker 5: Tommy is Tommy is Tommy. And I feel like on 465 00:17:43,960 --> 00:17:46,080 Speaker 5: the original it was fun doing the guests that's on 466 00:17:46,480 --> 00:17:49,920 Speaker 5: the Ghost Show just to be that, and I love 467 00:17:50,000 --> 00:17:51,840 Speaker 5: Michael so much, so it was always fun to come 468 00:17:51,880 --> 00:17:54,120 Speaker 5: back and do something with him. But I think that, yeah, 469 00:17:54,160 --> 00:17:56,359 Speaker 5: Tommy is kind of his own entity and one of 470 00:17:56,400 --> 00:17:58,600 Speaker 5: the fun things about taking the character home. I always 471 00:17:58,640 --> 00:18:01,200 Speaker 5: kept Tommy as close as I needed those first seasons 472 00:18:01,200 --> 00:18:04,160 Speaker 5: to make sure that, you know, everything was right and consistent, 473 00:18:04,280 --> 00:18:06,560 Speaker 5: and that was my job. But like now, it is 474 00:18:06,760 --> 00:18:10,119 Speaker 5: fun in some capacity this, you know, ten eleven, twelve 475 00:18:10,200 --> 00:18:12,639 Speaker 5: years on from the original to be just be like 476 00:18:12,760 --> 00:18:13,600 Speaker 5: let the light. 477 00:18:13,480 --> 00:18:16,240 Speaker 4: Switch go, just to see what happens, because I'm not even. 478 00:18:16,040 --> 00:18:18,520 Speaker 5: Positive what I'm going to do in those situations because 479 00:18:18,520 --> 00:18:20,920 Speaker 5: I have the luxury of like this character who's. 480 00:18:21,119 --> 00:18:23,520 Speaker 4: Got its own life, so you just flip it on. 481 00:18:23,640 --> 00:18:25,600 Speaker 4: Sometimes this happens. Sometimes it happened, I'm like, oh, that's 482 00:18:25,680 --> 00:18:28,560 Speaker 4: kind of funny or bizarre or whatever. So that that 483 00:18:28,600 --> 00:18:30,680 Speaker 4: has been a wonderful part of this journey. 484 00:18:31,160 --> 00:18:33,080 Speaker 2: I always want to go also too, when you took 485 00:18:33,080 --> 00:18:36,280 Speaker 2: the audition to play Joseph play time, I should say, 486 00:18:37,560 --> 00:18:38,680 Speaker 2: did you think it would be this far? 487 00:18:38,760 --> 00:18:40,080 Speaker 3: And did did you want to do it? 488 00:18:40,200 --> 00:18:41,280 Speaker 4: Was like the original audition. 489 00:18:41,560 --> 00:18:44,280 Speaker 5: I wanted to do it so bad because well, because 490 00:18:44,320 --> 00:18:46,439 Speaker 5: you know, I played around in the streets growing up, 491 00:18:46,440 --> 00:18:48,480 Speaker 5: and I you know, I was a very unsuccessful actor 492 00:18:48,480 --> 00:18:51,639 Speaker 5: for many years, and even in Chicago the lot of 493 00:18:51,640 --> 00:18:53,640 Speaker 5: the areas where you because I was a graffiti writer 494 00:18:53,760 --> 00:18:55,400 Speaker 5: that many people know. So you know what I mean, 495 00:18:55,440 --> 00:19:00,720 Speaker 5: You're dipping into these different kind of life and stuff 496 00:19:00,720 --> 00:19:02,399 Speaker 5: like that based Tommy a lot on guys that I 497 00:19:02,440 --> 00:19:04,239 Speaker 5: was scared of growing up and you know, making your 498 00:19:04,280 --> 00:19:06,320 Speaker 5: way through. So I think I felt like I just 499 00:19:06,320 --> 00:19:07,439 Speaker 5: just like, they're going to hire. 500 00:19:07,320 --> 00:19:09,000 Speaker 4: Some pretty guy and they're going to get it all wrong. 501 00:19:09,880 --> 00:19:13,119 Speaker 5: And but so I passed on the initial audition for it, 502 00:19:13,280 --> 00:19:15,960 Speaker 5: just because I was getting married, and so I was 503 00:19:16,000 --> 00:19:17,399 Speaker 5: just like, I can't make the audition. But then it 504 00:19:17,400 --> 00:19:19,040 Speaker 5: came back around because you guys know that Fifth was 505 00:19:19,080 --> 00:19:20,840 Speaker 5: originally going to play the ghost character, and then when 506 00:19:20,840 --> 00:19:23,360 Speaker 5: he wasn't going to anymore than they had re auditions 507 00:19:23,400 --> 00:19:24,040 Speaker 5: for everything. 508 00:19:24,400 --> 00:19:26,080 Speaker 4: And I like the script. 509 00:19:26,080 --> 00:19:27,719 Speaker 5: I thought this would be great, and I was a 510 00:19:27,720 --> 00:19:31,119 Speaker 5: fan of Fifth anyway. And then when I actually got it, 511 00:19:31,119 --> 00:19:32,800 Speaker 5: you know, I was the only one that auditioned from 512 00:19:32,800 --> 00:19:35,680 Speaker 5: New York, and so it was five auditions and finally 513 00:19:35,720 --> 00:19:38,280 Speaker 5: in La we did the chemistry reads and blah blah blah, 514 00:19:38,320 --> 00:19:40,800 Speaker 5: and when I booked it, I was really I was 515 00:19:41,119 --> 00:19:43,560 Speaker 5: super excited, and I said, the fifth is amazing. 516 00:19:43,600 --> 00:19:43,800 Speaker 4: Man. 517 00:19:43,960 --> 00:19:45,280 Speaker 5: You know, I hope it goes more than a season 518 00:19:45,320 --> 00:19:47,280 Speaker 5: or whatever. He goes, this can go seven, And he 519 00:19:47,400 --> 00:19:49,159 Speaker 5: was almost right. I mean six and a half is 520 00:19:49,200 --> 00:19:50,199 Speaker 5: pretty texting me. 521 00:19:50,440 --> 00:19:52,119 Speaker 6: I mean, actually more if you think about it, if 522 00:19:52,119 --> 00:19:53,840 Speaker 6: you yeah. 523 00:19:53,800 --> 00:19:55,800 Speaker 4: All the spin offs now it's been, it's been whatever. 524 00:19:56,000 --> 00:19:58,080 Speaker 6: You know, so what series means more to you, the 525 00:19:58,160 --> 00:19:59,960 Speaker 6: original Power or the four spinner. 526 00:20:00,560 --> 00:20:01,360 Speaker 4: It's hard to say. 527 00:20:01,440 --> 00:20:03,600 Speaker 5: I just like working with Gary Lennon as a writer, like, 528 00:20:03,720 --> 00:20:05,199 Speaker 5: that's what it means. I mean, I think that just 529 00:20:05,240 --> 00:20:08,840 Speaker 5: Gary bringing in the authenticity of his brothers being you know, 530 00:20:08,840 --> 00:20:12,240 Speaker 5: Westy's from a hell's kitchen and Gary's brings in so 531 00:20:12,320 --> 00:20:14,040 Speaker 5: much of the life of it. And even though Tommy's 532 00:20:14,040 --> 00:20:16,600 Speaker 5: from South Side Jamaica, I think, just like the whole 533 00:20:16,720 --> 00:20:19,359 Speaker 5: the authenticity of New York that Gary brings to the 534 00:20:19,480 --> 00:20:22,119 Speaker 5: character has really been a dance of two people. So 535 00:20:22,920 --> 00:20:25,159 Speaker 5: whatever Gary's writing means most of me. 536 00:20:25,200 --> 00:20:26,720 Speaker 4: But I like, I love these guys. 537 00:20:26,720 --> 00:20:28,639 Speaker 5: These are brothers and brothers for life, and I'm so 538 00:20:29,000 --> 00:20:31,080 Speaker 5: happy that I have you know, got to have friends 539 00:20:31,119 --> 00:20:33,120 Speaker 5: like this on the Force show, so that. 540 00:20:33,119 --> 00:20:33,560 Speaker 4: Means a lot. 541 00:20:33,600 --> 00:20:35,119 Speaker 5: But it was also a meant a lot for me 542 00:20:35,160 --> 00:20:37,840 Speaker 5: to produce the show. And finally, because it's hard, man, 543 00:20:37,880 --> 00:20:39,640 Speaker 5: people don't want to give you even when you've earned 544 00:20:39,640 --> 00:20:41,760 Speaker 5: your seat at the table. You guys know that nobody 545 00:20:41,760 --> 00:20:44,280 Speaker 5: wants to let you have that seat, and everybody's still 546 00:20:44,359 --> 00:20:46,600 Speaker 5: vying for it. And even when I'm doing it, especially 547 00:20:46,600 --> 00:20:48,520 Speaker 5: the second season, you had people like picking at you, 548 00:20:48,560 --> 00:20:50,600 Speaker 5: trying to put you down, like playing weird games. Behind 549 00:20:50,600 --> 00:20:53,800 Speaker 5: the scenes, You're just like, stop this nonsense. What is 550 00:20:53,800 --> 00:20:56,439 Speaker 5: happening here? But I think that I'm really proud of 551 00:20:56,440 --> 00:20:58,080 Speaker 5: the third season. I think the fans are going to 552 00:20:58,160 --> 00:20:59,520 Speaker 5: like it the best out of any of the season 553 00:20:59,520 --> 00:20:59,760 Speaker 5: at the four. 554 00:20:59,800 --> 00:21:04,840 Speaker 3: Shit, Now, what's more grueling NFL. 555 00:21:03,880 --> 00:21:04,679 Speaker 4: Or being an actor? 556 00:21:04,800 --> 00:21:04,960 Speaker 11: Right? 557 00:21:05,000 --> 00:21:08,000 Speaker 2: Because on Monday you're gonna get what you did wrong 558 00:21:08,040 --> 00:21:10,240 Speaker 2: in the NFL. But as an actor, you get that 559 00:21:10,520 --> 00:21:13,480 Speaker 2: every day that show comes on in the comments. So 560 00:21:13,560 --> 00:21:14,719 Speaker 2: what's more grueling for yourself? 561 00:21:14,760 --> 00:21:14,960 Speaker 4: You know? 562 00:21:15,440 --> 00:21:17,600 Speaker 8: I don't miss you know, they always ask you that 563 00:21:17,600 --> 00:21:19,160 Speaker 8: what are you missing football? And I'm like, you don't 564 00:21:19,160 --> 00:21:21,119 Speaker 8: miss being out there like at this point in my life? No, 565 00:21:21,440 --> 00:21:23,080 Speaker 8: like no, you know me because it was you know, 566 00:21:23,080 --> 00:21:25,359 Speaker 8: it was the physical aspect. But for me, playing football was 567 00:21:25,400 --> 00:21:28,439 Speaker 8: actually more of a grind than his acting. You know, 568 00:21:28,520 --> 00:21:30,000 Speaker 8: I was always trying that I was making the team. 569 00:21:30,000 --> 00:21:31,600 Speaker 8: I was on actor roster, the practice squad. I didn't 570 00:21:31,600 --> 00:21:33,080 Speaker 8: know where I was gonna be at next you know, 571 00:21:33,160 --> 00:21:36,119 Speaker 8: but you know, you know, being emotionally unavailable to a 572 00:21:36,160 --> 00:21:38,720 Speaker 8: lot of outside relations because I just felt unstable in 573 00:21:38,760 --> 00:21:40,280 Speaker 8: the game at the time. And I feel like I 574 00:21:40,320 --> 00:21:42,240 Speaker 8: was giving so much to the game, but it wasn't 575 00:21:42,240 --> 00:21:44,520 Speaker 8: giving back to me, you know. So and if I 576 00:21:44,560 --> 00:21:46,919 Speaker 8: got an acting how to do that, and I don't know, 577 00:21:47,040 --> 00:21:48,280 Speaker 8: you know, they they say, maybe you two too many 578 00:21:48,320 --> 00:21:50,520 Speaker 8: hits in the here because you chose something it's very similar, 579 00:21:50,760 --> 00:21:52,840 Speaker 8: you know, because it's still it's unstable as well too. 580 00:21:52,920 --> 00:21:54,720 Speaker 11: But the things I've learned in the game. 581 00:21:54,560 --> 00:21:56,840 Speaker 8: Of football, I was able to transfer over to actor, 582 00:21:56,840 --> 00:21:58,679 Speaker 8: as far as the discipline, and far as the work ethic, 583 00:21:58,720 --> 00:22:00,480 Speaker 8: and far as the knowing how to deal with rejection, 584 00:22:00,680 --> 00:22:02,760 Speaker 8: because we get so many no's without them even saying 585 00:22:02,760 --> 00:22:04,880 Speaker 8: no to our face and acting, you know. So it's 586 00:22:04,920 --> 00:22:06,280 Speaker 8: like you just wait for that one yes, and you 587 00:22:06,320 --> 00:22:08,760 Speaker 8: realize how many people said have to say yes and 588 00:22:08,840 --> 00:22:10,879 Speaker 8: nord for you to get this role, you know, And 589 00:22:10,920 --> 00:22:12,840 Speaker 8: then so I look at it now it's like, you know, 590 00:22:12,880 --> 00:22:15,200 Speaker 8: you're grateful for it, but it's it's yeah, it's both 591 00:22:15,200 --> 00:22:16,640 Speaker 8: of them agouling their own aspects. 592 00:22:16,640 --> 00:22:16,840 Speaker 4: Man. 593 00:22:16,920 --> 00:22:19,080 Speaker 11: So you know, I'm just the grind on. Stop is 594 00:22:19,119 --> 00:22:19,840 Speaker 11: just changes. 595 00:22:20,480 --> 00:22:22,680 Speaker 6: Isaac and Christian. In regard to dealing with fifty cent 596 00:22:23,320 --> 00:22:24,440 Speaker 6: what did y'all learn from little meat? 597 00:22:26,600 --> 00:22:28,600 Speaker 7: I never want to be on fifties bad side, that's all. 598 00:22:28,720 --> 00:22:30,640 Speaker 12: I've just learned that. And I never I never want 599 00:22:30,680 --> 00:22:32,760 Speaker 12: to owe fifty money ever. In life, not from little Meets, 600 00:22:32,800 --> 00:22:36,560 Speaker 12: but just in general, just from no cause I know 601 00:22:36,600 --> 00:22:39,439 Speaker 12: he wants it by Monday, and I just you know, 602 00:22:39,480 --> 00:22:40,880 Speaker 12: and I just want to stay on this good side. 603 00:22:40,920 --> 00:22:41,280 Speaker 4: That's it. 604 00:22:41,359 --> 00:22:43,200 Speaker 12: I don't know, you know, with him and little whole 605 00:22:43,200 --> 00:22:45,840 Speaker 12: little Meats thing. I have no clue. I'm not privy 606 00:22:45,880 --> 00:22:49,000 Speaker 12: to truly what's going on there. I just know my 607 00:22:49,080 --> 00:22:52,120 Speaker 12: loyalty runs deep. I know today I booked this role. 608 00:22:52,600 --> 00:22:55,040 Speaker 12: One of the first things I did, you would appreciate, Charloane, 609 00:22:55,040 --> 00:22:57,000 Speaker 12: because you know you you a little messy. First thing 610 00:22:57,040 --> 00:23:01,480 Speaker 12: I did was I went straight to John Rule's Instagram pressed, unfollowed. 611 00:23:02,600 --> 00:23:05,960 Speaker 1: Followed back right now. This is followed back because I've 612 00:23:06,000 --> 00:23:09,200 Speaker 1: already met y'all. I already met him and long before 613 00:23:09,200 --> 00:23:10,800 Speaker 1: I got on followed. I met him, and he followed me, 614 00:23:10,840 --> 00:23:12,520 Speaker 1: his manager and everything. And I said, the one thing 615 00:23:12,560 --> 00:23:16,000 Speaker 1: that will not happen, Curtis Jackson will not just be 616 00:23:16,080 --> 00:23:18,320 Speaker 1: sitting down one day and go on John Rule's page 617 00:23:18,359 --> 00:23:20,399 Speaker 1: and see followed by Christy Lofton. 618 00:23:20,440 --> 00:23:24,320 Speaker 7: You will not. And I just unfollowed. I don't know, 619 00:23:24,400 --> 00:23:27,920 Speaker 7: God heavens know. 620 00:23:28,880 --> 00:23:30,000 Speaker 3: Everybody fifth got problems. 621 00:23:30,080 --> 00:23:33,440 Speaker 12: You won't follow I'll follow Rick Ross everybody. I don't 622 00:23:33,440 --> 00:23:36,320 Speaker 12: follow any of them. I swear when we get off, 623 00:23:36,359 --> 00:23:38,880 Speaker 12: I'm gon show yourself follow. 624 00:23:39,640 --> 00:23:40,720 Speaker 11: Here's the viral moment. 625 00:23:44,520 --> 00:23:49,399 Speaker 8: I answer what man, I've learned as you tell about football, 626 00:23:49,440 --> 00:23:51,560 Speaker 8: and that is walking my life, man like. I don't 627 00:23:51,600 --> 00:23:54,080 Speaker 8: get involved in the miss. I don't get involved anything, especially, 628 00:23:54,119 --> 00:23:55,520 Speaker 8: I got too many other problems my own to be 629 00:23:55,560 --> 00:23:57,600 Speaker 8: worried about something else and what's going on over there, 630 00:23:57,720 --> 00:24:00,439 Speaker 8: because you never know all the complete details. You never know, 631 00:24:00,520 --> 00:24:02,240 Speaker 8: So why passed judge? Knowing they try to, you know, 632 00:24:02,359 --> 00:24:04,240 Speaker 8: do whatever. I just mind my business. 633 00:24:03,840 --> 00:24:08,520 Speaker 10: Man cool answer, Joseph, I want to say, I saw 634 00:24:08,560 --> 00:24:10,280 Speaker 10: TMZ ran until you did. They asked you about the 635 00:24:10,320 --> 00:24:13,120 Speaker 10: meat situation fifty posted and it said you was too smart. 636 00:24:13,160 --> 00:24:14,200 Speaker 9: You got about it very easy. 637 00:24:15,000 --> 00:24:16,560 Speaker 4: I don't know if I got out there easy. I 638 00:24:16,560 --> 00:24:18,480 Speaker 4: think I chose my words pretty carefully. 639 00:24:19,119 --> 00:24:22,040 Speaker 5: But it's because I think Meets is a nice young man. 640 00:24:22,080 --> 00:24:24,760 Speaker 5: And I think that what people forget is that Fifth 641 00:24:24,760 --> 00:24:28,160 Speaker 5: paid for his acting classes. I mean, he invested into Meets. 642 00:24:28,800 --> 00:24:32,560 Speaker 5: So there's there's a certain amount there that's that's you know, 643 00:24:32,760 --> 00:24:35,240 Speaker 5: there there was love, and I basically what I said 644 00:24:35,240 --> 00:24:37,280 Speaker 5: to teams, if there was love there can be love again, 645 00:24:37,359 --> 00:24:39,399 Speaker 5: you know. There there's a certain amount of redemption or 646 00:24:39,400 --> 00:24:42,280 Speaker 5: forgiveness within there. So it's also just like I try 647 00:24:42,320 --> 00:24:44,320 Speaker 5: to stay in my lane as well. You know, it's 648 00:24:44,320 --> 00:24:46,760 Speaker 5: not again, Like Isaac said, it's not really my business, 649 00:24:46,760 --> 00:24:49,840 Speaker 5: but I I want everybody to get along, but you can't. Man, 650 00:24:49,840 --> 00:24:51,520 Speaker 5: I'm gonna keep it moving exactly. 651 00:24:51,560 --> 00:24:53,520 Speaker 10: You really think though, that there could be love again. 652 00:24:53,560 --> 00:24:56,560 Speaker 10: It seems like fifty's kind of like done with that situation. 653 00:24:57,040 --> 00:24:59,080 Speaker 5: I mean, he then he's probably then he's probably done, 654 00:24:59,119 --> 00:25:01,800 Speaker 5: you know, But I always there's always hope. 655 00:25:05,280 --> 00:25:07,359 Speaker 6: It's interesting with power too, because power is built on 656 00:25:07,480 --> 00:25:10,160 Speaker 6: loyalty is built on betrayal and ambition. So I want 657 00:25:10,160 --> 00:25:12,920 Speaker 6: to ask y'all in real life, what's more dangerous ambition 658 00:25:13,520 --> 00:25:16,040 Speaker 6: with no loyalty or loyalty with no ambition. 659 00:25:16,160 --> 00:25:19,640 Speaker 4: Wow, I'll go ambition with no loyalty the same. 660 00:25:19,960 --> 00:25:23,880 Speaker 11: That's what I would go. That's dangerous. I'm still processing. 661 00:25:23,920 --> 00:25:24,359 Speaker 11: That's deep. 662 00:25:25,840 --> 00:25:28,400 Speaker 4: Look, I'll be overthinking that something fantastic. 663 00:25:30,920 --> 00:25:35,520 Speaker 11: Loyal Lord, I probably to concur like ambition. 664 00:25:35,560 --> 00:25:37,560 Speaker 8: I think ambition can be because some too much ambition 665 00:25:37,600 --> 00:25:40,240 Speaker 8: can always be in a relationship. Because therefore, now you 666 00:25:40,440 --> 00:25:42,560 Speaker 8: just going for what you want, you can becomes you 667 00:25:42,560 --> 00:25:45,320 Speaker 8: can become very selfish in aspect. When you become selfish, 668 00:25:45,560 --> 00:25:47,080 Speaker 8: you end up hurting a lot of people around you, 669 00:25:47,160 --> 00:25:49,199 Speaker 8: especially when they try to be loyal to you, you know, 670 00:25:49,320 --> 00:25:51,640 Speaker 8: and then you ambition that you moving different. You say, 671 00:25:51,680 --> 00:25:54,000 Speaker 8: we're moving weird, you know, you know, so trying to 672 00:25:54,040 --> 00:25:55,960 Speaker 8: figure that out. I think that's that's a good question. 673 00:25:56,000 --> 00:25:57,639 Speaker 5: But I like when The Power Show, in all of 674 00:25:57,680 --> 00:26:03,159 Speaker 5: its incurrent nations, shows that that that without loyalty, without this, 675 00:26:03,280 --> 00:26:06,080 Speaker 5: with just blind the ambition, things fall apart. 676 00:26:06,560 --> 00:26:06,760 Speaker 4: You know. 677 00:26:06,840 --> 00:26:09,399 Speaker 5: This kind of lifestyle is people you can't be happy 678 00:26:09,400 --> 00:26:11,040 Speaker 5: in a lot of ways. I always say Tommy's like a 679 00:26:11,160 --> 00:26:14,520 Speaker 5: vampire somebody she keeps living, but like he's living alone 680 00:26:14,560 --> 00:26:15,880 Speaker 5: and it could be a lonely life. 681 00:26:15,880 --> 00:26:17,080 Speaker 4: It's like it's not winning. 682 00:26:17,800 --> 00:26:19,919 Speaker 8: Yeah, every day is like you're looking over your shoulder, 683 00:26:19,960 --> 00:26:21,560 Speaker 8: You're trying to figure it out. There was some scenes 684 00:26:21,560 --> 00:26:23,480 Speaker 8: I always looking always admired, you know, when I Tolse 685 00:26:23,640 --> 00:26:25,760 Speaker 8: does because you talked about how can you walk away 686 00:26:25,800 --> 00:26:28,439 Speaker 8: from it? But there's scenes where you know, I'm just 687 00:26:28,640 --> 00:26:30,800 Speaker 8: only my first season doing it, and I'm like, but 688 00:26:30,800 --> 00:26:33,400 Speaker 8: you feel all the treachery behind you, the people that's 689 00:26:33,400 --> 00:26:35,520 Speaker 8: trying to do all these things, like feeling like Gennar 690 00:26:35,560 --> 00:26:37,960 Speaker 8: are trying to kill Diamond. I personalized that a little bit, 691 00:26:38,880 --> 00:26:40,639 Speaker 8: like so even on the set, like I couldn't talk 692 00:26:40,680 --> 00:26:42,439 Speaker 8: to him for a little while after that, like knowing how, 693 00:26:42,480 --> 00:26:44,080 Speaker 8: you know, just knowing how he moved. He's sitting around 694 00:26:44,119 --> 00:26:46,919 Speaker 8: the corner, over the corner, smoking the square, laughing, being 695 00:26:47,000 --> 00:26:47,640 Speaker 8: Chris as big. 696 00:26:47,680 --> 00:26:49,320 Speaker 11: I'm in a barbershop looking like this. 697 00:26:49,520 --> 00:26:51,680 Speaker 8: Like I still wasn't over with it for a time 698 00:26:51,760 --> 00:26:53,639 Speaker 8: because and I always admired about the you know, the 699 00:26:53,720 --> 00:26:56,480 Speaker 8: character Tommy's because he dealt with that for so many 700 00:26:56,480 --> 00:26:59,360 Speaker 8: seasons on Power over and over again. And then come 701 00:26:59,400 --> 00:27:01,760 Speaker 8: to this, I'm like, it takes some therapy. It takes 702 00:27:01,760 --> 00:27:03,600 Speaker 8: some you know, some some aspect later on to be 703 00:27:03,720 --> 00:27:04,760 Speaker 8: like okay, let me let that go. 704 00:27:04,880 --> 00:27:07,160 Speaker 11: It takes practice because it is deep. 705 00:27:07,000 --> 00:27:08,919 Speaker 5: Feeling still in therapy and you're talking to the right 706 00:27:08,960 --> 00:27:10,440 Speaker 5: guys here more advocates for. 707 00:27:10,480 --> 00:27:14,679 Speaker 6: Me, it's a cane and able dynamic that y'all relationship 708 00:27:14,760 --> 00:27:15,200 Speaker 6: on the show. 709 00:27:15,800 --> 00:27:18,200 Speaker 12: It definitely is, I think so, I definitely think it's 710 00:27:18,240 --> 00:27:20,879 Speaker 12: that that's a good analogy. 711 00:27:21,240 --> 00:27:26,120 Speaker 10: Can y'all talk about from from ghosts to force the 712 00:27:26,400 --> 00:27:29,800 Speaker 10: women that are involved with different characters throughout the series. 713 00:27:29,840 --> 00:27:32,800 Speaker 10: So shanty with you this season and then you're dating 714 00:27:33,760 --> 00:27:37,320 Speaker 10: Maria Miguel's sister, right there's and then you go in 715 00:27:37,359 --> 00:27:38,720 Speaker 10: and out of your situation. 716 00:27:39,359 --> 00:27:42,560 Speaker 9: Yeah, look for and all their wrong places all y'all 717 00:27:42,600 --> 00:27:42,960 Speaker 9: be though. 718 00:27:43,000 --> 00:27:45,040 Speaker 10: That's what I want to ask, like that that common 719 00:27:45,119 --> 00:27:49,240 Speaker 10: storyline is every chapter every season. But y'all never learned 720 00:27:50,080 --> 00:27:52,800 Speaker 10: people always end up dead? What is the reason for that? 721 00:27:52,840 --> 00:27:53,639 Speaker 10: Like why are we watching you? 722 00:27:53,640 --> 00:27:55,880 Speaker 4: Guys? Never learn why? Because mixed life. 723 00:27:55,880 --> 00:27:57,359 Speaker 5: I think that all the time, Like, oh, you know, 724 00:27:57,440 --> 00:27:59,200 Speaker 5: girls like the bad boy, but then I get hurt 725 00:27:59,480 --> 00:28:01,159 Speaker 5: and it's like what are you dating a bad boy for? 726 00:28:01,320 --> 00:28:03,640 Speaker 4: But because I like him? So you know, a lot 727 00:28:03,640 --> 00:28:04,040 Speaker 4: of that I. 728 00:28:04,000 --> 00:28:07,880 Speaker 5: Think just is again responsible storytelling, because that's what humans 729 00:28:08,000 --> 00:28:11,520 Speaker 5: do a lot of times. I think that that's not 730 00:28:11,560 --> 00:28:15,720 Speaker 5: necessarily Tommy's intention to speaking with Maria, but in a 731 00:28:15,720 --> 00:28:20,480 Speaker 5: lot of ways, like he demands loyalty or death, and 732 00:28:20,560 --> 00:28:22,880 Speaker 5: so I mean you think about with Lakeisha and he's like, Yo, 733 00:28:22,960 --> 00:28:24,240 Speaker 5: you want to be with me, keish, you gotta be 734 00:28:24,280 --> 00:28:25,920 Speaker 5: all in and he pulls out the gun she's like, 735 00:28:25,960 --> 00:28:26,359 Speaker 5: I'm all in. 736 00:28:26,400 --> 00:28:28,280 Speaker 4: He's like, Gonga slips back under the couch. 737 00:28:28,800 --> 00:28:32,240 Speaker 5: So with Maria just that she said, I'm choosing this 738 00:28:32,440 --> 00:28:35,120 Speaker 5: lifestyle to be in even though I've done everything in 739 00:28:35,119 --> 00:28:37,040 Speaker 5: my life to not be part of this. Although I 740 00:28:37,080 --> 00:28:39,080 Speaker 5: know what the game is and I grew up around it. 741 00:28:39,440 --> 00:28:41,440 Speaker 5: I'm gonna put all that aside for you. I'm gonna 742 00:28:41,440 --> 00:28:43,400 Speaker 5: put everything aside for you. I think in a lot 743 00:28:43,440 --> 00:28:45,440 Speaker 5: of ways, the Timmy that we know is like, Okay, 744 00:28:45,560 --> 00:28:48,200 Speaker 5: I'm gonna put everything away for you, and he means it. 745 00:28:48,240 --> 00:28:51,880 Speaker 5: And that's that's one of the attractive qualities about the character, 746 00:28:52,040 --> 00:28:55,080 Speaker 5: is that this extreme loyalty that you're almost like, but 747 00:28:55,160 --> 00:28:57,440 Speaker 5: hold up, you just know this, you just met. But 748 00:28:57,520 --> 00:28:59,080 Speaker 5: some people are like that, like when we move in 749 00:28:59,120 --> 00:29:01,280 Speaker 5: with each other, people too early, when we when we 750 00:29:01,640 --> 00:29:04,120 Speaker 5: I'm all for you, and like sometimes when you're all 751 00:29:04,160 --> 00:29:07,600 Speaker 5: for somebody, it actually you know, pushes them away with 752 00:29:07,680 --> 00:29:11,280 Speaker 5: that same that magnetism, because magnetism works both ways, right, 753 00:29:11,320 --> 00:29:13,720 Speaker 5: it either goes like this or if you flip it behind, 754 00:29:13,760 --> 00:29:16,200 Speaker 5: it goes like this. So it's it's gonna be a 755 00:29:16,240 --> 00:29:18,160 Speaker 5: little push and pull with Tommy and Maria. 756 00:29:18,080 --> 00:29:19,440 Speaker 10: And a lot of times with the women that y'all 757 00:29:19,440 --> 00:29:22,760 Speaker 10: are dating. There is no loyalty there, right, everybody wants 758 00:29:22,760 --> 00:29:25,480 Speaker 10: some good of situation. Do you think that you're able 759 00:29:25,520 --> 00:29:27,440 Speaker 10: to really be loyal in what you're doing a day 760 00:29:27,480 --> 00:29:29,120 Speaker 10: to day in your life if you can't be loyal 761 00:29:29,200 --> 00:29:30,960 Speaker 10: in your relationship from. 762 00:29:30,760 --> 00:29:31,880 Speaker 4: When you got communication. 763 00:29:32,160 --> 00:29:34,479 Speaker 5: If there's communications there and you say, hey, listen, like 764 00:29:34,520 --> 00:29:36,120 Speaker 5: Tommy said, listen, I can't tell you this. 765 00:29:36,200 --> 00:29:37,440 Speaker 4: I'm not this where you. 766 00:29:37,640 --> 00:29:41,480 Speaker 5: Everything is happening, all right, but you need plausible deniability. 767 00:29:41,520 --> 00:29:43,640 Speaker 5: I can't tell you everything because I care about you. 768 00:29:44,040 --> 00:29:45,800 Speaker 5: So as long as there's communication, I think that helps 769 00:29:45,800 --> 00:29:46,760 Speaker 5: a lot of stuff. But I want to hear what 770 00:29:46,800 --> 00:29:47,760 Speaker 5: you want to say about Jaunty. 771 00:29:49,120 --> 00:29:51,960 Speaker 10: What I want to say about Shaunty had you spinning? 772 00:29:52,400 --> 00:29:52,920 Speaker 4: That's the thing. 773 00:29:53,000 --> 00:29:54,880 Speaker 7: Like, I think there truly is love there. Because a 774 00:29:54,880 --> 00:29:55,480 Speaker 7: lot of people. 775 00:29:55,280 --> 00:29:57,480 Speaker 12: Always question does Shanti and jine I really love each 776 00:29:57,480 --> 00:30:00,160 Speaker 12: other or is she just using him or manipulating him? 777 00:30:00,360 --> 00:30:03,040 Speaker 12: I think she truly does love Jannar because she was 778 00:30:03,080 --> 00:30:04,320 Speaker 12: there for me when I was in the dark place. 779 00:30:04,320 --> 00:30:06,000 Speaker 12: You know, Jannar was going through shit, he was battling 780 00:30:06,000 --> 00:30:08,760 Speaker 12: an addiction, he was everything like that. She was there 781 00:30:08,800 --> 00:30:10,640 Speaker 12: for him. I couldn't tell my brother because I was 782 00:30:10,640 --> 00:30:12,280 Speaker 12: trying to hide it. I was embarrassed. I didn't want 783 00:30:12,280 --> 00:30:15,760 Speaker 12: nobody to know that this is how Jennard was. So 784 00:30:15,840 --> 00:30:18,480 Speaker 12: Shati came to Jannard in a very dark place. So 785 00:30:18,480 --> 00:30:21,840 Speaker 12: I think there is love there. But I do think 786 00:30:21,920 --> 00:30:25,560 Speaker 12: that Jannard sometimes makes her think that she's in control 787 00:30:26,200 --> 00:30:27,840 Speaker 12: and that's why he ends up going out and doing 788 00:30:27,920 --> 00:30:30,240 Speaker 12: whatever he wants to do. Anyway, but he sometimes he 789 00:30:30,360 --> 00:30:31,360 Speaker 12: just tell her what you want to hear so she 790 00:30:31,360 --> 00:30:33,320 Speaker 12: can shut up. And I don't think and I think 791 00:30:33,400 --> 00:30:36,880 Speaker 12: it mimics real life because some boyfriend's husbands sometimes girls 792 00:30:36,880 --> 00:30:39,480 Speaker 12: do that. Okay, bab, yeah you're right, knowing damn well, 793 00:30:39,520 --> 00:30:41,720 Speaker 12: I don't think that, but yeah, you're right, just so 794 00:30:41,760 --> 00:30:43,880 Speaker 12: you can keep the peace, happy wife, happy life, but 795 00:30:43,920 --> 00:30:45,480 Speaker 12: then you're gonna end up doing your own things. 796 00:30:45,520 --> 00:30:48,120 Speaker 7: So I think that this season with Shanti and Gennard, 797 00:30:48,160 --> 00:30:48,880 Speaker 7: were just gonna. 798 00:30:48,720 --> 00:30:51,600 Speaker 12: See how that relationship truly on foes and I think 799 00:30:51,640 --> 00:30:55,080 Speaker 12: they love and loyalty and all of that will detested. 800 00:30:55,680 --> 00:30:57,040 Speaker 10: For me this season with you guys, one of the 801 00:30:57,080 --> 00:30:59,160 Speaker 10: biggest things I looked at it as in earlier episodes 802 00:30:59,360 --> 00:31:02,240 Speaker 10: was she so you as like almost like something that 803 00:31:02,280 --> 00:31:05,320 Speaker 10: she could like build up and use and dangle, like 804 00:31:05,440 --> 00:31:07,880 Speaker 10: you have a sort of power that you didn't know 805 00:31:07,920 --> 00:31:10,240 Speaker 10: and she saw it and she was using you for that, 806 00:31:10,320 --> 00:31:11,680 Speaker 10: and once she used you, it was going to. 807 00:31:11,680 --> 00:31:12,400 Speaker 4: Be like whatever. 808 00:31:12,560 --> 00:31:13,640 Speaker 7: That's what you take from it. 809 00:31:14,080 --> 00:31:17,120 Speaker 9: In the earlier episodes, Yeah. 810 00:31:17,000 --> 00:31:18,680 Speaker 7: You see that because it came across like that. 811 00:31:18,920 --> 00:31:22,280 Speaker 12: And I feel like while I was doing it subconsciously 812 00:31:22,480 --> 00:31:24,640 Speaker 12: because we never know what's going on with the scripts. 813 00:31:24,680 --> 00:31:27,000 Speaker 12: Every episode we get the script, like we never know 814 00:31:27,040 --> 00:31:29,120 Speaker 12: who about to die or nothing, right, you know, So 815 00:31:29,320 --> 00:31:31,960 Speaker 12: I'm I'm looking I'm like, okay, But in my head, 816 00:31:32,960 --> 00:31:37,040 Speaker 12: in my head, I always try to subconsciously play Jannar 817 00:31:37,160 --> 00:31:40,400 Speaker 12: in Shanty's relationship a little to the point where it's 818 00:31:40,440 --> 00:31:43,239 Speaker 12: like Jannar could possibly kill her if he wanted to 819 00:31:43,520 --> 00:31:46,840 Speaker 12: or if he has to, like he loves her, but 820 00:31:46,920 --> 00:31:48,080 Speaker 12: I don't know what was that look. 821 00:31:48,120 --> 00:31:49,760 Speaker 4: I just feel like Jannark could kill anybody. 822 00:31:49,800 --> 00:31:52,959 Speaker 12: That's what I tried to subconsciously implement that. Like, so 823 00:31:53,000 --> 00:31:54,920 Speaker 12: there would be moments in the script where it'll say, 824 00:31:54,960 --> 00:31:58,680 Speaker 12: like Jennar leans in and kisses Shanty passionately, and instead 825 00:31:58,680 --> 00:32:00,880 Speaker 12: of doing that I've just look at it and be like, 826 00:32:02,200 --> 00:32:05,719 Speaker 12: I fuck with you and do that instead of kissing her, 827 00:32:05,720 --> 00:32:07,560 Speaker 12: because I feel like that leaves room if I have 828 00:32:07,640 --> 00:32:09,800 Speaker 12: to kill her, it won't come as you know what 829 00:32:09,840 --> 00:32:11,880 Speaker 12: I'm saying, And in my head I played it like 830 00:32:11,880 --> 00:32:14,000 Speaker 12: that subconsciously, I'm not gonna kisser right here. 831 00:32:14,160 --> 00:32:14,640 Speaker 7: I did one. 832 00:32:14,680 --> 00:32:16,480 Speaker 12: I was like, you know, I'm fucking with the right girl. 833 00:32:16,720 --> 00:32:19,040 Speaker 12: I said that instead of the passionate kiss that was 834 00:32:19,040 --> 00:32:20,960 Speaker 12: supposed to happen. I just tried to keep that open 835 00:32:21,040 --> 00:32:22,560 Speaker 12: just in case because I didn't know where they were going. 836 00:32:23,080 --> 00:32:24,680 Speaker 6: Why you think would have made you look more grimy 837 00:32:24,680 --> 00:32:26,280 Speaker 6: if you kissed it and had a relationship and then 838 00:32:26,360 --> 00:32:26,640 Speaker 6: killed it. 839 00:32:27,120 --> 00:32:29,680 Speaker 12: No, I just wanted to leave fans in my head 840 00:32:29,760 --> 00:32:31,640 Speaker 12: and like I said, it might not have even been working, 841 00:32:31,680 --> 00:32:33,640 Speaker 12: But in my head, I was like, there might be 842 00:32:33,720 --> 00:32:36,800 Speaker 12: people watching this that are looking like, ooh, he might 843 00:32:36,880 --> 00:32:38,840 Speaker 12: kill her, Like you know what I'm saying, Like in 844 00:32:38,880 --> 00:32:40,920 Speaker 12: my head it might not even been the case, but 845 00:32:41,080 --> 00:32:42,600 Speaker 12: I just kept that window open. 846 00:32:43,160 --> 00:32:44,959 Speaker 6: Jodaph is there an end of the Power Universe? 847 00:32:45,040 --> 00:32:45,120 Speaker 8: Like? 848 00:32:45,320 --> 00:32:48,479 Speaker 6: Have there been talks like to the maybe to the 849 00:32:48,600 --> 00:32:49,680 Speaker 6: end of Tommy's character. 850 00:32:50,280 --> 00:32:53,880 Speaker 5: There's been talks Oh, but I feel like in terms 851 00:32:53,920 --> 00:32:55,960 Speaker 5: of the end of the Power Universe, I think that 852 00:32:57,320 --> 00:33:00,560 Speaker 5: most talks are about expansion. All right, where where can 853 00:33:00,600 --> 00:33:02,960 Speaker 5: we go next? You know, we're the only Power show 854 00:33:02,960 --> 00:33:05,680 Speaker 5: that takes place outside in New York, so that was 855 00:33:05,880 --> 00:33:07,960 Speaker 5: kind of a big thing for them at this point too. 856 00:33:08,000 --> 00:33:09,880 Speaker 5: But then with you know, with fifties other shows, with 857 00:33:09,920 --> 00:33:12,640 Speaker 5: fight Land coming out and in England, I feel like 858 00:33:12,680 --> 00:33:14,880 Speaker 5: they're going to probably be thinking about a little bit 859 00:33:14,880 --> 00:33:18,040 Speaker 5: of international expansion in some capacity through the Power Universe. 860 00:33:18,200 --> 00:33:20,719 Speaker 5: And then I'm sure that they'll they'll expand on stories 861 00:33:20,720 --> 00:33:22,480 Speaker 5: in New York like they are doing already in. 862 00:33:22,440 --> 00:33:23,800 Speaker 4: The Origin story. 863 00:33:24,480 --> 00:33:26,080 Speaker 5: But I bet there will be more spin offs that 864 00:33:26,120 --> 00:33:29,080 Speaker 5: take place around uh NYC. 865 00:33:29,400 --> 00:33:31,240 Speaker 6: Do you have an idea what what you would want 866 00:33:31,600 --> 00:33:32,080 Speaker 6: the ending? 867 00:33:32,800 --> 00:33:35,200 Speaker 5: I know exactly what I would want the ending for Tommy. 868 00:33:35,240 --> 00:33:38,760 Speaker 5: In fact, me and Gary Lennon are already starting to 869 00:33:38,880 --> 00:33:41,040 Speaker 5: make an outline for a for a movie, for a 870 00:33:41,080 --> 00:33:44,400 Speaker 5: feature that would be kind of the possibly the final 871 00:33:44,480 --> 00:33:45,240 Speaker 5: final chapter. 872 00:33:47,040 --> 00:33:53,800 Speaker 3: Hard Oh, he can't tell us. 873 00:33:52,000 --> 00:34:00,120 Speaker 4: You know about this. I don't want to. 874 00:33:58,440 --> 00:34:00,360 Speaker 5: Every move I make that has any thing to do 875 00:34:00,400 --> 00:34:02,160 Speaker 5: with Power, and almost any move I make anything he 876 00:34:02,160 --> 00:34:04,040 Speaker 5: wants to though he could know. But any move I make, 877 00:34:04,080 --> 00:34:07,320 Speaker 5: I fifth is all I always have because it's responsible. 878 00:34:07,560 --> 00:34:10,279 Speaker 5: He he's he's old it because yeah, because I'm a 879 00:34:10,320 --> 00:34:13,400 Speaker 5: loyal you know, friend or colleague or whatever. But he's 880 00:34:13,400 --> 00:34:15,120 Speaker 5: also old it because he's owded it because he's an 881 00:34:15,120 --> 00:34:17,040 Speaker 5: executive producer and a creator. 882 00:34:17,280 --> 00:34:18,760 Speaker 4: So he's old it twice. 883 00:34:18,800 --> 00:34:21,280 Speaker 5: But I also I always give the respect to Fifth 884 00:34:21,320 --> 00:34:23,479 Speaker 5: because there's a good guy. Like he's been a good 885 00:34:23,560 --> 00:34:26,160 Speaker 5: person of me, a great person of me. He's taught 886 00:34:26,200 --> 00:34:28,279 Speaker 5: me a lot, he sat down with me, he's been accessible, 887 00:34:28,360 --> 00:34:31,600 Speaker 5: Like I realize how much I owe fifty and I'm grateful. 888 00:34:33,040 --> 00:34:36,160 Speaker 2: Well, definitely check out the final season of Force. Make 889 00:34:36,200 --> 00:34:38,440 Speaker 2: sure you check it out. The first episode was last Friday. 890 00:34:38,440 --> 00:34:39,759 Speaker 2: And we appreciate you brothers for joining us. 891 00:34:39,760 --> 00:34:40,319 Speaker 4: Thank you so much. 892 00:34:41,520 --> 00:34:45,279 Speaker 3: Isaac Key's Christy Lofton. It's the Breakfast Club. Good wake 893 00:34:45,360 --> 00:34:47,120 Speaker 3: that ass up in the morning. 894 00:34:47,280 --> 00:34:48,280 Speaker 11: The Breakfast Club