WEBVTT - 28 Years Later: Our first reactions

0:00:00.400 --> 0:00:05.840
<v Speaker 1>Warning, today's episode contains spoilers for twenty eight years later,

0:00:06.040 --> 0:00:27.840
<v Speaker 1>the latest edition in Danny Boyle's Fast Zombie Infected Saga. Hello,

0:00:28.800 --> 0:00:33.479
<v Speaker 1>my name is Jason Cooncepcion Mersey Night, and welcome back

0:00:34.120 --> 0:00:36.640
<v Speaker 1>to X ray Vision, the podcast where we dive deep.

0:00:36.760 --> 0:00:39.520
<v Speaker 1>It's your favorite shows, movies, comics and pop culture. Company

0:00:39.520 --> 0:00:41.840
<v Speaker 1>over by our podcast where we'll bring to you three

0:00:41.920 --> 0:00:43.000
<v Speaker 1>episodes a week.

0:00:43.200 --> 0:00:48.240
<v Speaker 2>Hub plus news. In today's episode, we're jumping into the

0:00:48.280 --> 0:00:51.479
<v Speaker 2>quarantine zone where I should already be because apparently all

0:00:51.520 --> 0:00:54.240
<v Speaker 2>English people are in the quarantine zone and we are

0:00:54.440 --> 0:00:59.920
<v Speaker 2>recapping twenty eight years later. Bomp, bomp.

0:01:00.600 --> 0:01:04.160
<v Speaker 1>Let's talk about it, Rosie. The first thing I want

0:01:04.200 --> 0:01:07.520
<v Speaker 1>to ask you is what kind of English accents are these?

0:01:07.560 --> 0:01:09.800
<v Speaker 1>They feel kind of a little Liverpudlian.

0:01:10.560 --> 0:01:13.240
<v Speaker 2>Well, okay, so it is. I think I believe from

0:01:13.240 --> 0:01:16.360
<v Speaker 2>what we see at the beginning, they are somewhere in Scotland,

0:01:16.959 --> 0:01:21.040
<v Speaker 2>so I think you're getting like northern accents, Northern Scottish,

0:01:21.400 --> 0:01:25.880
<v Speaker 2>some Scottish. I was impressed by Aaron Taylor Johnson specifically,

0:01:26.319 --> 0:01:29.120
<v Speaker 2>I felt like he was doing a great accent. It

0:01:29.160 --> 0:01:34.080
<v Speaker 2>feels like the kid's accent was was definitely like his

0:01:34.120 --> 0:01:36.080
<v Speaker 2>own accent. He was doing a great job. The kid

0:01:36.080 --> 0:01:39.120
<v Speaker 2>who played Spike. And then obviously Jodi Comer is a

0:01:39.160 --> 0:01:42.520
<v Speaker 2>famous liver Pudley and I believe so I think that

0:01:42.720 --> 0:01:48.800
<v Speaker 2>her accent was also a correct accent. I'm I'm very

0:01:48.800 --> 0:01:56.160
<v Speaker 2>interested about the choice to tell the story in this

0:01:56.880 --> 0:02:03.080
<v Speaker 2>isolated little ta I have been so much interesting stuff. Okay,

0:02:03.120 --> 0:02:04.640
<v Speaker 2>what do you want to do? You want to off

0:02:04.720 --> 0:02:07.840
<v Speaker 2>the dome recap it together? And then they go off

0:02:08.080 --> 0:02:12.360
<v Speaker 2>about Okay, not that much, but there's a lot to

0:02:12.639 --> 0:02:16.200
<v Speaker 2>talk about, like psychologically, and.

0:02:16.760 --> 0:02:19.959
<v Speaker 1>Yeah, well we'll we'll plot it out and then we'll

0:02:19.960 --> 0:02:21.880
<v Speaker 1>do a quick off the dom recap and then we

0:02:21.919 --> 0:02:25.720
<v Speaker 1>will we'll really kind of dig in. So okay, we

0:02:25.760 --> 0:02:29.680
<v Speaker 1>open on a cold open of the spreading infection that

0:02:29.800 --> 0:02:32.400
<v Speaker 1>is now spreading to this part of the UK, which,

0:02:32.880 --> 0:02:36.040
<v Speaker 1>as you mentioned, appears to be in northern England, somewhere

0:02:36.680 --> 0:02:40.560
<v Speaker 1>towards the border of Scotland, and we watch as a

0:02:40.720 --> 0:02:44.720
<v Speaker 1>family home where a bunch of it seems like either

0:02:44.720 --> 0:02:48.040
<v Speaker 1>an extended family or a lot of different families from

0:02:48.040 --> 0:02:52.000
<v Speaker 1>the community have been sheltering and we watch this house

0:02:52.040 --> 0:02:55.720
<v Speaker 1>get overrun. We watch this young boy escape the house.

0:02:56.000 --> 0:02:59.200
<v Speaker 1>He runs to a nearby church where his dad is

0:02:59.360 --> 0:03:03.240
<v Speaker 1>the pre east and he says, Dad, what's going on? Like,

0:03:03.280 --> 0:03:05.440
<v Speaker 1>what's going on? His dad says, well, it's judgment day.

0:03:05.480 --> 0:03:07.160
<v Speaker 1>It's it's awesome, this is great.

0:03:07.200 --> 0:03:08.880
<v Speaker 2>Here take a day to be judged, a.

0:03:08.840 --> 0:03:12.160
<v Speaker 1>Beautiful day to be judged. Here, take my cross. He

0:03:12.240 --> 0:03:15.119
<v Speaker 1>takes off the golden cross necklace, hands it to his son.

0:03:15.200 --> 0:03:19.000
<v Speaker 1>His son hides in this like little cell, like under

0:03:19.000 --> 0:03:22.960
<v Speaker 1>a grate under the floor. The infected Russian. They overwhelm

0:03:23.080 --> 0:03:25.720
<v Speaker 1>his father, who turns into an affected as well, and

0:03:25.760 --> 0:03:29.440
<v Speaker 1>then we flash forward to twenty eight years later. Done

0:03:29.480 --> 0:03:33.520
<v Speaker 1>this dun dun duh. This community that lives on a small,

0:03:33.840 --> 0:03:39.840
<v Speaker 1>very very small maybe maybe three mile square or something

0:03:39.920 --> 0:03:45.080
<v Speaker 1>like that island that is I don't know, three hundred

0:03:45.200 --> 0:03:49.160
<v Speaker 1>yards off the coast and connected by a very very

0:03:49.160 --> 0:03:55.760
<v Speaker 1>small narrow causeway that is only available for like four hours,

0:03:55.800 --> 0:03:58.720
<v Speaker 1>five hours a day when the tide is low. This

0:03:58.800 --> 0:04:04.280
<v Speaker 1>community is completely self sufficient, and in this community lives

0:04:04.480 --> 0:04:10.840
<v Speaker 1>Jamie Aaron Taylor Johnson, a strapping father of young Spike

0:04:11.480 --> 0:04:14.720
<v Speaker 1>played by Alfie Williams, who is twelve and today is

0:04:14.760 --> 0:04:19.120
<v Speaker 1>getting ready for his first journey onto the Mainland for

0:04:19.160 --> 0:04:22.919
<v Speaker 1>really no reason. They're not going They're just going to

0:04:23.160 --> 0:04:27.120
<v Speaker 1>like get kills on Mike a kill, yeah, which is

0:04:27.200 --> 0:04:28.839
<v Speaker 1>our first hint.

0:04:29.440 --> 0:04:33.040
<v Speaker 2>First inkling Aaron Taylor Johnson is maybe not a good dad.

0:04:33.839 --> 0:04:37.520
<v Speaker 1>In fact, I will argue later spoiler that he is

0:04:37.560 --> 0:04:38.720
<v Speaker 1>the true villain of this day.

0:04:38.720 --> 0:04:40.520
<v Speaker 2>He is the true villain of this movie. And I

0:04:40.520 --> 0:04:45.880
<v Speaker 2>think that's actually a major plot point of this trilogy

0:04:46.000 --> 0:04:49.080
<v Speaker 2>as oh well, out of this duology and now new

0:04:49.240 --> 0:04:52.240
<v Speaker 2>entry into the franchise, we should say. Yeah. I also

0:04:52.360 --> 0:04:55.440
<v Speaker 2>think that something that was so interesting to me. I

0:04:55.480 --> 0:04:59.599
<v Speaker 2>don't really know if America has those kind of causeway

0:04:59.680 --> 0:05:03.159
<v Speaker 2>can in the same way, but when you are in England.

0:05:02.839 --> 0:05:05.320
<v Speaker 1>In some places, but not to that extent.

0:05:05.560 --> 0:05:08.800
<v Speaker 2>Yeah, in England it is really common. I have been

0:05:09.160 --> 0:05:12.440
<v Speaker 2>on many holidays with family, friends and stuff where there

0:05:12.520 --> 0:05:15.000
<v Speaker 2>is a part of the It's never usually to an

0:05:15.320 --> 0:05:18.600
<v Speaker 2>entire like functioning island, but there will be like a

0:05:18.600 --> 0:05:22.039
<v Speaker 2>little beautiful green island where you can go and see

0:05:22.080 --> 0:05:24.760
<v Speaker 2>certain kinds of birds, but you gotta go across the causeway.

0:05:24.800 --> 0:05:28.760
<v Speaker 2>So I thought that was a very interesting, unique kind

0:05:28.760 --> 0:05:31.520
<v Speaker 2>of spin. I feel like maybe these are supposed to

0:05:31.560 --> 0:05:36.560
<v Speaker 2>be like the Hebrides or Shetland or Orkney or something

0:05:36.680 --> 0:05:38.440
<v Speaker 2>like that, which are the kind of islands off the

0:05:38.480 --> 0:05:41.200
<v Speaker 2>coast of Scotland. But I thought the Causeway thing was

0:05:41.240 --> 0:05:45.360
<v Speaker 2>a very specific like that is something that you've experienced

0:05:45.360 --> 0:05:47.839
<v Speaker 2>if you've gone on like an English holiday, and I

0:05:47.880 --> 0:05:52.200
<v Speaker 2>thought that was like a really good culturally specific nod

0:05:52.320 --> 0:05:55.880
<v Speaker 2>and also very unique fun twist for a kind of

0:05:56.000 --> 0:05:59.479
<v Speaker 2>zombie monster movie where there is and this will also

0:05:59.600 --> 0:06:01.440
<v Speaker 2>lead to It's it's our hands.

0:06:01.880 --> 0:06:06.760
<v Speaker 1>It's in a sense an island on the island England.

0:06:07.040 --> 0:06:11.040
<v Speaker 1>It's a it's a microcosm of England itself, and then

0:06:11.040 --> 0:06:13.480
<v Speaker 1>the culture of this place speaks to that.

0:06:13.680 --> 0:06:17.600
<v Speaker 2>And very interestingly, And I do think I'm very intrigued

0:06:17.640 --> 0:06:19.599
<v Speaker 2>to see what the second movie is because I think

0:06:19.640 --> 0:06:23.359
<v Speaker 2>that this film actually offers up a lot of questions

0:06:23.720 --> 0:06:26.760
<v Speaker 2>about the community that we are on with Spike and

0:06:26.800 --> 0:06:28.520
<v Speaker 2>his father and his mom.

0:06:29.120 --> 0:06:31.920
<v Speaker 1>The last five minutes of the movie takes an insane

0:06:32.040 --> 0:06:36.039
<v Speaker 1>left turn, which po will discuss. Okay, so Jamie is

0:06:36.080 --> 0:06:39.040
<v Speaker 1>going to take Spike to the mainland, not to forge,

0:06:39.080 --> 0:06:40.800
<v Speaker 1>not to gather supplies, but literally just to.

0:06:40.800 --> 0:06:44.839
<v Speaker 2>Kill something that no one else would do until they would.

0:06:44.640 --> 0:06:48.120
<v Speaker 1>Play he's three years younger. He's three years younger than

0:06:48.240 --> 0:06:50.720
<v Speaker 1>normally they would do it, but apparently Jamie is convinced

0:06:50.760 --> 0:06:55.520
<v Speaker 1>them that now is the time. His Jamie's wife, Spike's

0:06:55.600 --> 0:07:01.200
<v Speaker 1>mother Isila, is very very ill and not quite sure

0:07:01.279 --> 0:07:04.040
<v Speaker 1>what's going on all the time, and when she learns

0:07:04.680 --> 0:07:09.960
<v Speaker 1>that Jamie is taking Spike on the mainland, she freaks

0:07:10.000 --> 0:07:13.920
<v Speaker 1>out naturally, and so they have to Jamie then has

0:07:13.960 --> 0:07:15.280
<v Speaker 1>to lie to her and says, oh, no, no, where,

0:07:15.320 --> 0:07:17.600
<v Speaker 1>He's just going to school. Okay. They head out, They

0:07:17.600 --> 0:07:20.800
<v Speaker 1>go through the town. The town is very excited. They're going, yeah,

0:07:20.840 --> 0:07:23.400
<v Speaker 1>go get them Spike. Yeah yeah, yeah, yeah, yah yeah yeah.

0:07:23.440 --> 0:07:26.240
<v Speaker 1>So they go out. They're walking around and they eventually

0:07:27.120 --> 0:07:30.760
<v Speaker 1>come to a point in the woods, past the beach,

0:07:30.920 --> 0:07:34.800
<v Speaker 1>past the hill, kind of skirting around the edge of

0:07:34.840 --> 0:07:36.559
<v Speaker 1>the town. They come to a place in the woods

0:07:36.560 --> 0:07:41.240
<v Speaker 1>where we meet our new zombie species, which is like,

0:07:42.000 --> 0:07:45.360
<v Speaker 1>I forget what they called them, slow mos, I think.

0:07:46.000 --> 0:07:48.000
<v Speaker 2>And look, I have to say, this is a classic.

0:07:48.320 --> 0:07:52.360
<v Speaker 1>This is the George Romero style, but it's a classic

0:07:52.720 --> 0:07:57.240
<v Speaker 1>Alex Goland, like Alex golland Danny Boyle, like these are

0:07:57.280 --> 0:07:59.000
<v Speaker 1>the fat zombies that crawl on the floor.

0:08:00.080 --> 0:08:03.520
<v Speaker 2>Guinea zombies get to live within community and run around together,

0:08:03.560 --> 0:08:05.680
<v Speaker 2>but the fat zombies they have to crawl around on

0:08:05.680 --> 0:08:08.240
<v Speaker 2>the floor eating worms. So you had lots of weird

0:08:08.240 --> 0:08:11.160
<v Speaker 2>internalized fat phobia there, but great creature design.

0:08:11.120 --> 0:08:12.480
<v Speaker 1>And also incredible creature drive.

0:08:12.560 --> 0:08:16.160
<v Speaker 2>Giving If you saw the Alex Garland movie Men, this

0:08:16.200 --> 0:08:19.600
<v Speaker 2>sequence is very giving like Men. It's very like they

0:08:19.720 --> 0:08:22.120
<v Speaker 2>crawl on the ground. The mushrooms are kind of part

0:08:22.160 --> 0:08:24.160
<v Speaker 2>of them. They almost seem like they're part of the

0:08:24.240 --> 0:08:26.200
<v Speaker 2>ecological maker.

0:08:26.400 --> 0:08:29.600
<v Speaker 1>Yeah, there's a crow like riding on the back of

0:08:29.640 --> 0:08:31.560
<v Speaker 1>this SloMo as it moves around.

0:08:31.760 --> 0:08:35.440
<v Speaker 2>Very nature focused and connected to kind of the land

0:08:35.520 --> 0:08:36.199
<v Speaker 2>and the ground.

0:08:36.640 --> 0:08:40.880
<v Speaker 1>Yeah, yes, very annihilation like, yes, the reclaiming of the

0:08:40.960 --> 0:08:44.600
<v Speaker 1>land by nature. So Jamie's like, perfect, Spike here, you

0:08:44.640 --> 0:08:46.840
<v Speaker 1>go kill him. You gotta hit him right in the

0:08:46.880 --> 0:08:50.360
<v Speaker 1>neck and then they die. So Spike takes a shot,

0:08:50.520 --> 0:08:54.080
<v Speaker 1>kills the SloMo, and then they get surprised by like

0:08:54.200 --> 0:08:58.400
<v Speaker 1>the slomo's partner and other SloMo who was there. Jamie

0:08:58.520 --> 0:09:01.520
<v Speaker 1>rises up, he kills this one, and then they see

0:09:01.520 --> 0:09:04.720
<v Speaker 1>the slow most child, which is our hint that this

0:09:04.840 --> 0:09:08.720
<v Speaker 1>is how the infected of replenishing their ranks. They are

0:09:08.720 --> 0:09:11.280
<v Speaker 1>breeding out here, and he's about to kill the child,

0:09:11.280 --> 0:09:13.560
<v Speaker 1>but then it runs off, okay, so they keep going.

0:09:13.600 --> 0:09:17.480
<v Speaker 1>They keep going. They come to like an abandoned house

0:09:17.559 --> 0:09:20.000
<v Speaker 1>on the edge of town, and in there they see

0:09:20.040 --> 0:09:23.600
<v Speaker 1>that some one of the human communities in there has

0:09:23.679 --> 0:09:27.040
<v Speaker 1>taken a person, maybe a criminal or for whatever reason

0:09:27.720 --> 0:09:30.000
<v Speaker 1>and strung them up with a bag over their head

0:09:30.120 --> 0:09:33.760
<v Speaker 1>from the ceiling so that they can be infected by

0:09:34.200 --> 0:09:37.640
<v Speaker 1>the infected. And this person is now infected. And Jamie's like,

0:09:38.200 --> 0:09:40.920
<v Speaker 1>Spike camere, you gotta see this. I really like, this

0:09:41.040 --> 0:09:44.440
<v Speaker 1>is sick. You gotta this. You gotta to learn about this.

0:09:44.520 --> 0:09:46.680
<v Speaker 1>Now you're twelve and it's time to learn about what

0:09:46.720 --> 0:09:47.440
<v Speaker 1>a terrible place.

0:09:47.600 --> 0:09:51.000
<v Speaker 2>And Spike is like puking, like he doesn't want to see.

0:09:51.000 --> 0:09:55.200
<v Speaker 2>That's also the body has uh as coughed into it,

0:09:55.280 --> 0:09:59.079
<v Speaker 2>which I think we're gonna be kind of learning more

0:09:59.120 --> 0:10:02.840
<v Speaker 2>about what this is in the follow up movie. I

0:10:02.880 --> 0:10:05.920
<v Speaker 2>think also I'm gonna pose a question here. I think

0:10:05.960 --> 0:10:09.680
<v Speaker 2>that the layout of this house looks identical to the

0:10:09.800 --> 0:10:13.439
<v Speaker 2>house at the beginning where the kids were watching Tellytubbies

0:10:13.480 --> 0:10:16.400
<v Speaker 2>and they all got eaten, because they very specifically show

0:10:16.440 --> 0:10:18.200
<v Speaker 2>that like the door is on the left and there's

0:10:18.240 --> 0:10:20.400
<v Speaker 2>stairs up there. So I'm interested to know if that

0:10:20.440 --> 0:10:23.040
<v Speaker 2>could be that house thirty years later, because the implication

0:10:23.200 --> 0:10:26.480
<v Speaker 2>is they're probably somewhere on the mainland. But yeah, very

0:10:26.520 --> 0:10:30.000
<v Speaker 2>creepy stuff. And you get some really good infected action

0:10:30.120 --> 0:10:32.839
<v Speaker 2>in this sequence because the infected do kind of break

0:10:32.920 --> 0:10:36.400
<v Speaker 2>in and Jamie and Spike have to kind of crawl

0:10:36.600 --> 0:10:39.600
<v Speaker 2>up to the attic and hide in the attic, which

0:10:39.640 --> 0:10:42.360
<v Speaker 2>is a really great chaotic scene.

0:10:42.720 --> 0:10:45.920
<v Speaker 1>It's very wonderful suspense here we.

0:10:45.840 --> 0:10:50.240
<v Speaker 2>Get to see life on the island is very calm.

0:10:50.600 --> 0:10:52.520
<v Speaker 2>The first thing I was thinking, and we'll talk about

0:10:52.559 --> 0:10:55.079
<v Speaker 2>this on our roundtable and we do it on Friday,

0:10:55.080 --> 0:10:57.760
<v Speaker 2>but I was like, we've got to compare Jackson Hole

0:10:57.880 --> 0:11:00.080
<v Speaker 2>to the weird little Scottish island, like who's.

0:10:59.880 --> 0:11:03.800
<v Speaker 1>The Like, what's going on in Jackson Hall? There's no question? Yeah,

0:11:04.600 --> 0:11:07.880
<v Speaker 1>well okay, so so we should add that one of

0:11:07.920 --> 0:11:12.319
<v Speaker 1>the things we learned about this community is that they

0:11:12.360 --> 0:11:14.880
<v Speaker 1>have a rule, and that's you can leave and you

0:11:14.920 --> 0:11:17.600
<v Speaker 1>can come back, but if you disappear, no one's coming

0:11:17.600 --> 0:11:20.559
<v Speaker 1>to look for you, because the people they learned the

0:11:20.600 --> 0:11:23.120
<v Speaker 1>hard way, because people don't come back. And I guess

0:11:23.160 --> 0:11:26.600
<v Speaker 1>they've had problems with infected or you're bringing back infected there,

0:11:26.960 --> 0:11:29.400
<v Speaker 1>so no one's coming to look for you. So they

0:11:29.400 --> 0:11:31.960
<v Speaker 1>have to spend the night up in this attic, and

0:11:32.040 --> 0:11:35.920
<v Speaker 1>that's when we learn more about the lore of twenty

0:11:35.960 --> 0:11:39.160
<v Speaker 1>eight years later, that being that, guess what the rest

0:11:39.200 --> 0:11:42.559
<v Speaker 1>of the world is fucking fine. Europe is fine. It

0:11:42.600 --> 0:11:47.120
<v Speaker 1>is England in the UK that is completely cordoned off

0:11:47.440 --> 0:11:53.120
<v Speaker 1>a la Jurassic Park from the mainland, and a kind

0:11:53.120 --> 0:11:58.600
<v Speaker 1>of joint European military task force is constantly patrolling. And

0:11:58.600 --> 0:12:01.960
<v Speaker 1>so like Jamie says this, like, look, there's a there's

0:12:01.960 --> 0:12:04.960
<v Speaker 1>a boat out there patrolling the waters to keep the quarantine.

0:12:05.040 --> 0:12:05.880
<v Speaker 1>Must be the French.

0:12:06.520 --> 0:12:07.679
<v Speaker 2>That must be the French.

0:12:08.200 --> 0:12:10.679
<v Speaker 1>And this is this is a thing about this this

0:12:10.760 --> 0:12:15.040
<v Speaker 1>community on the island is it's very much steeped in

0:12:15.120 --> 0:12:18.360
<v Speaker 1>the I don't know why I'm telling you this, but

0:12:18.440 --> 0:12:26.839
<v Speaker 1>to me as an American classic culture and iconography of

0:12:27.280 --> 0:12:31.720
<v Speaker 1>like conservative oh yeah, you know, God saves the Queen

0:12:31.880 --> 0:12:35.839
<v Speaker 1>England even even you know, even up to and including

0:12:35.960 --> 0:12:40.600
<v Speaker 1>this kind of historic antipathy towards the French, because they

0:12:40.640 --> 0:12:42.160
<v Speaker 1>just assume that it's the French.

0:12:41.920 --> 0:12:48.840
<v Speaker 2>That something that's extremely specific that they do in this movie,

0:12:48.880 --> 0:12:51.480
<v Speaker 2>and they focus on quite a lot, is the Saint

0:12:51.520 --> 0:12:53.960
<v Speaker 2>George's flag, which is the white flag with the red

0:12:54.000 --> 0:12:57.600
<v Speaker 2>cross in England. If you live in England, if you

0:12:57.800 --> 0:13:00.480
<v Speaker 2>especially I grew up in London, if somebody's flying that flag,

0:13:00.520 --> 0:13:03.960
<v Speaker 2>they're a racist. That's basically your read is like, don't

0:13:04.000 --> 0:13:06.040
<v Speaker 2>go in that part. If they have that flag up,

0:13:06.440 --> 0:13:09.719
<v Speaker 2>it's a level of nationalism that in the eighties led

0:13:09.760 --> 0:13:12.160
<v Speaker 2>to the National Front and other neo fascists and neo

0:13:12.240 --> 0:13:16.920
<v Speaker 2>Nazi organizations. So the fact that they fly that on

0:13:17.000 --> 0:13:19.560
<v Speaker 2>the island is a big tell. And there is so

0:13:19.720 --> 0:13:24.040
<v Speaker 2>interestingly some strange kind of we see some strange like

0:13:24.200 --> 0:13:27.480
<v Speaker 2>religious iconography on the island. They call it the Holy

0:13:27.679 --> 0:13:33.439
<v Speaker 2>Island that it's very vague, but there are odd trappings.

0:13:33.640 --> 0:13:36.720
<v Speaker 1>There are many paintings of the Queen. There's this huge

0:13:36.880 --> 0:13:42.560
<v Speaker 1>tapestry that says, you know, fail, we might fail, we might,

0:13:42.679 --> 0:13:45.800
<v Speaker 1>but go on most us. Yeah, this kind of like

0:13:46.000 --> 0:13:53.959
<v Speaker 1>England goes it alone, kind of classic English insanity. Yes,

0:13:54.480 --> 0:13:57.240
<v Speaker 1>so okay, So they spend the night there and then

0:13:57.280 --> 0:13:59.200
<v Speaker 1>important thing is Jamie.

0:13:58.920 --> 0:14:04.560
<v Speaker 2>Sees a fire and asks his dad fires nothing, don't

0:14:04.559 --> 0:14:05.160
<v Speaker 2>worry about.

0:14:04.960 --> 0:14:07.120
<v Speaker 1>It, and it's very clear that his dad knows what

0:14:07.160 --> 0:14:09.200
<v Speaker 1>it is but doesn't want to talk, like he says,

0:14:10.720 --> 0:14:13.360
<v Speaker 1>I said, I don't know, you know, or something to

0:14:13.400 --> 0:14:15.800
<v Speaker 1>that effect. And it's really burning out there. So then

0:14:16.120 --> 0:14:19.520
<v Speaker 1>Spike goes to sleep and he has troubling dreams, including

0:14:20.600 --> 0:14:23.480
<v Speaker 1>you know, about the anxiety is feeling about his mom

0:14:23.720 --> 0:14:27.160
<v Speaker 1>and and enlarge and what they've seen to the chase

0:14:27.200 --> 0:14:30.760
<v Speaker 1>that they had being pursued by the infected, and also

0:14:30.800 --> 0:14:35.360
<v Speaker 1>the fact that now he is increasingly concerned that his

0:14:35.480 --> 0:14:37.440
<v Speaker 1>dad is lying to him and the community is not

0:14:37.480 --> 0:14:40.240
<v Speaker 1>telling them a complete truth. He's very concerned about his

0:14:40.280 --> 0:14:43.440
<v Speaker 1>mother's health and he's thinking all the time about like,

0:14:43.600 --> 0:14:46.520
<v Speaker 1>isn't there anything we could do to help her? And

0:14:46.560 --> 0:14:51.240
<v Speaker 1>there seems to be nothing. Again, this very like NHS coded,

0:14:51.920 --> 0:14:54.480
<v Speaker 1>Well there's no doctor and we just have to go on.

0:14:54.800 --> 0:14:58.080
<v Speaker 1>You can't you can't dream of anything else. Don't even

0:14:58.560 --> 0:15:02.360
<v Speaker 1>think about wishing that there was medical help here. We

0:15:02.480 --> 0:15:03.400
<v Speaker 1>must sold.

0:15:03.280 --> 0:15:09.480
<v Speaker 2>Strange because obviously the NHS is like a founding principle

0:15:09.600 --> 0:15:11.680
<v Speaker 2>of what is great about England, even though it's only

0:15:11.720 --> 0:15:15.200
<v Speaker 2>been around for you know, just like under one hundred years.

0:15:15.280 --> 0:15:18.360
<v Speaker 2>But it is very interesting that on this island. There's

0:15:18.480 --> 0:15:25.120
<v Speaker 2>just no doctor and soldiers. Very specific and again probably

0:15:25.160 --> 0:15:28.000
<v Speaker 2>to do with whatever the weird cult aspects are that

0:15:28.040 --> 0:15:30.480
<v Speaker 2>we don't kind of fully learn about. But yeah, this

0:15:30.600 --> 0:15:33.920
<v Speaker 2>idea that there's no doctor and essentially that while the

0:15:33.960 --> 0:15:37.120
<v Speaker 2>rest of the island lives kind of in like a

0:15:37.240 --> 0:15:41.480
<v Speaker 2>cozy you know, this kind of feudal ideal of like

0:15:41.560 --> 0:15:44.120
<v Speaker 2>a past England, which is what I think they're kind

0:15:44.160 --> 0:15:49.120
<v Speaker 2>of playing on here. She lives in like a very dirty,

0:15:49.480 --> 0:15:54.160
<v Speaker 2>gross room where her sheets are likely filthy, yes, Isler,

0:15:54.680 --> 0:15:57.760
<v Speaker 2>and even downstairs, where Jamie and Spike seem to live,

0:15:57.880 --> 0:16:02.200
<v Speaker 2>is better. So there is a hint to Jamie Isler

0:16:02.320 --> 0:16:04.880
<v Speaker 2>is just like a burden, and it's very clear that

0:16:04.880 --> 0:16:07.680
<v Speaker 2>that's how he feels. I'm kind of get into that

0:16:07.720 --> 0:16:09.080
<v Speaker 2>even more so.

0:16:09.320 --> 0:16:11.920
<v Speaker 1>Spike's having bad dreams. But then he's awoken because the

0:16:11.960 --> 0:16:14.320
<v Speaker 1>house is just collapsing. It's a very old house and

0:16:14.360 --> 0:16:17.320
<v Speaker 1>it's been through a lot and it's partially wrecked anyway.

0:16:17.840 --> 0:16:20.000
<v Speaker 1>So they rush out of the house, but then they're

0:16:20.040 --> 0:16:23.200
<v Speaker 1>pursued by the infected, who were drawn by the sound.

0:16:23.280 --> 0:16:26.360
<v Speaker 1>And this is our first encounter with what they call

0:16:26.440 --> 0:16:30.840
<v Speaker 1>the alphas, which are like the biggest. They're like the

0:16:31.280 --> 0:16:35.720
<v Speaker 1>Boss infected. They're huge, they take like multiple arrows to

0:16:36.080 --> 0:16:38.920
<v Speaker 1>break down. In fact, it's only really like one of

0:16:38.960 --> 0:16:43.600
<v Speaker 1>the metal harpoons that they have back at that island

0:16:43.640 --> 0:16:47.200
<v Speaker 1>that can that are you know, like anchored into the ground,

0:16:47.880 --> 0:16:51.560
<v Speaker 1>that can really take one down. So they're pursued by this,

0:16:51.640 --> 0:16:53.920
<v Speaker 1>and they run all the way back to the shore,

0:16:54.080 --> 0:16:57.000
<v Speaker 1>back to the causeway, and it's very early and so

0:16:57.200 --> 0:16:59.720
<v Speaker 1>there's still water over the causeway.

0:16:59.280 --> 0:17:03.000
<v Speaker 2>But seeing the kind of the northern lights again, Yes,

0:17:03.240 --> 0:17:06.360
<v Speaker 2>they're in Scotland and they run across and they're being

0:17:06.400 --> 0:17:09.479
<v Speaker 2>pursued by what they call in this movie the Alpha.

0:17:09.560 --> 0:17:11.720
<v Speaker 2>And the idea here is like the Alpha is a

0:17:11.800 --> 0:17:13.959
<v Speaker 2>zombie that kind of well or an infected that in

0:17:15.080 --> 0:17:19.280
<v Speaker 2>experience is more understanding that waited for them, didn't just

0:17:19.400 --> 0:17:21.040
<v Speaker 2>run away there is.

0:17:21.200 --> 0:17:23.800
<v Speaker 1>It's a leader of It's a leader of some sort.

0:17:23.920 --> 0:17:27.119
<v Speaker 2>I will say, I do think that this leans into

0:17:27.160 --> 0:17:30.760
<v Speaker 2>one of in my opinion, Alex Garland less so Danny

0:17:30.760 --> 0:17:35.320
<v Speaker 2>boyle biggest issues, which is like, this is one of

0:17:35.359 --> 0:17:38.680
<v Speaker 2>the only brown characters in the movie, and talk about this,

0:17:40.400 --> 0:17:44.320
<v Speaker 2>Actually you think it fits into the space I actually fits.

0:17:44.560 --> 0:17:47.719
<v Speaker 1>I actually I think it actually fits into the not

0:17:47.760 --> 0:17:52.920
<v Speaker 1>even the subtext nationalists like yes, because to me, we'll

0:17:52.920 --> 0:17:55.199
<v Speaker 1>talk about this more in depth after. But to me,

0:17:55.520 --> 0:17:59.800
<v Speaker 1>twenty eight days later is about terrorism nine to eleven

0:18:00.040 --> 0:18:02.199
<v Speaker 1>and though it was you know, created obviously, while you

0:18:02.200 --> 0:18:03.560
<v Speaker 1>know nine.

0:18:03.480 --> 0:18:04.920
<v Speaker 2>Haven't happened while it was made.

0:18:05.000 --> 0:18:08.520
<v Speaker 1>Yeah, twenty eight weeks is about the Iraq occupation and

0:18:08.640 --> 0:18:12.840
<v Speaker 1>twenty eight years is about Brexit and nationalism in England.

0:18:12.960 --> 0:18:17.080
<v Speaker 1>So I think it actually I think it actually fits,

0:18:17.080 --> 0:18:18.760
<v Speaker 1>and we'll talk about that later. Okay, let's go to

0:18:18.800 --> 0:18:19.080
<v Speaker 1>break in.

0:18:19.160 --> 0:18:19.600
<v Speaker 2>We'll be up.

0:18:35.280 --> 0:18:38.359
<v Speaker 1>We're at Okay, So they run down the causeway. The

0:18:38.400 --> 0:18:42.639
<v Speaker 1>defenders are roused. They are you know, the defenders managed

0:18:42.640 --> 0:18:45.920
<v Speaker 1>to load that big crossbow and take down the Alpha,

0:18:46.119 --> 0:18:48.480
<v Speaker 1>and Jamie's pounding on the gate like let us say,

0:18:48.560 --> 0:18:50.320
<v Speaker 1>let us in, but they have to check their eyes

0:18:50.359 --> 0:18:53.840
<v Speaker 1>to make sure, you know, and like wait thirty seconds.

0:18:53.359 --> 0:18:56.760
<v Speaker 2>And they're both so stressed that you can't tell whether

0:18:56.800 --> 0:18:59.320
<v Speaker 2>it's very driver or so or not, you know, you understand,

0:18:59.640 --> 0:19:01.840
<v Speaker 2>and and they have to waste to be the logical

0:19:01.960 --> 0:19:04.959
<v Speaker 2>leader makes them kind of wait. It's a great tense moment,

0:19:05.800 --> 0:19:09.040
<v Speaker 2>and yeah, it's it's very interesting. Also should note has

0:19:09.080 --> 0:19:11.560
<v Speaker 2>come and just pulled up. They're on the house that

0:19:11.600 --> 0:19:15.119
<v Speaker 2>they hide in. Somebody just scrawled the word Jimmy on it.

0:19:15.160 --> 0:19:17.280
<v Speaker 2>And because we've got Jamie as the dad, you kind

0:19:17.280 --> 0:19:18.840
<v Speaker 2>of think, well, maybe the reason he knows how to

0:19:18.880 --> 0:19:21.760
<v Speaker 2>go there is he is Jimmy the kid from the beginning.

0:19:21.760 --> 0:19:24.840
<v Speaker 2>So there's lots of interesting twists there. How does Aaron

0:19:24.880 --> 0:19:27.760
<v Speaker 2>Taylor Johnson's character know this area so well? But then

0:19:27.800 --> 0:19:31.800
<v Speaker 2>they end up back on the island and there's a

0:19:31.880 --> 0:19:35.160
<v Speaker 2>huge party for them. They've already kind of started partying,

0:19:35.520 --> 0:19:39.080
<v Speaker 2>which is very funny, I think because again leans into

0:19:39.119 --> 0:19:42.120
<v Speaker 2>this kind of nationalistic idea of like, well, you know what,

0:19:42.200 --> 0:19:45.160
<v Speaker 2>even if they don't come back, we're still celebrating because

0:19:45.200 --> 0:19:47.720
<v Speaker 2>we're still like keeping on. You know, they don't really

0:19:47.720 --> 0:19:50.320
<v Speaker 2>care whether they come back or not, because it's quite

0:19:50.359 --> 0:19:53.320
<v Speaker 2>clear at this point they missed low Tide. Originally they

0:19:53.400 --> 0:19:55.679
<v Speaker 2>might not come back. But the party is going strong.

0:19:55.760 --> 0:19:59.359
<v Speaker 2>Everybody's wasted, and it's very chaotically filmed.

0:19:59.400 --> 0:20:03.080
<v Speaker 1>There's a lot of very much Yeah, it's very much

0:20:03.240 --> 0:20:07.359
<v Speaker 1>like the party is very much like you know, west

0:20:07.400 --> 0:20:09.080
<v Speaker 1>Ham just won the f A Cup.

0:20:09.280 --> 0:20:13.560
<v Speaker 2>Yes, very much like that. Also like very much in

0:20:14.080 --> 0:20:18.720
<v Speaker 2>very much giving like a slaughtered lamb from the American

0:20:18.720 --> 0:20:21.960
<v Speaker 2>wealth in London, and you know, and and and they did,

0:20:22.080 --> 0:20:24.240
<v Speaker 2>so we'd mentioned Boyle and Alex scland. But the other

0:20:24.240 --> 0:20:27.320
<v Speaker 2>big thing here is that Anthony DoD Mantle, who's the

0:20:27.359 --> 0:20:30.560
<v Speaker 2>cinematographer of the original movie, is back for this one.

0:20:30.600 --> 0:20:34.080
<v Speaker 2>And I think they do really interesting stuff with the

0:20:34.240 --> 0:20:38.440
<v Speaker 2>editing to make you feel structurally like you're in the.

0:20:38.760 --> 0:20:41.560
<v Speaker 1>In there's so much inter cutting. Yes, let's talk about

0:20:41.560 --> 0:20:44.000
<v Speaker 1>that in a second. So okay, the We're at the

0:20:44.000 --> 0:20:53.320
<v Speaker 1>party and Jamie is recounting Spike's kill to the Gathered community,

0:20:53.520 --> 0:20:58.200
<v Speaker 1>and he's he's embellishing to the point of lying about

0:20:58.400 --> 0:20:59.200
<v Speaker 1>what's saying.

0:20:59.240 --> 0:21:02.120
<v Speaker 2>He didn't just kill the one zombie. He doesn't tell

0:21:02.160 --> 0:21:04.679
<v Speaker 2>them that he missed any because once the fast zombie

0:21:04.680 --> 0:21:07.720
<v Speaker 2>started coming, Spike just couldn't keep up because he's literally

0:21:07.720 --> 0:21:10.760
<v Speaker 2>a baby, and Jamie doesn't care. He's calling him the

0:21:10.880 --> 0:21:16.520
<v Speaker 2>giant Killer. He's telling these stories and it's finally settling

0:21:16.560 --> 0:21:19.879
<v Speaker 2>in that his suspicions about his dad being a liar

0:21:20.240 --> 0:21:24.160
<v Speaker 2>are true. Spike is realizing his dad is a liar, and.

0:21:24.080 --> 0:21:24.959
<v Speaker 1>He's very troubled.

0:21:25.320 --> 0:21:28.520
<v Speaker 2>Her uncomfortable and then we get the kind of big

0:21:28.560 --> 0:21:33.040
<v Speaker 2>reveal about Jamie, which is we there was a woman

0:21:33.080 --> 0:21:36.440
<v Speaker 2>who when they were leaving, smiling at him, and then

0:21:36.520 --> 0:21:39.720
<v Speaker 2>we see that he's fucking a school teacher, and as

0:21:39.800 --> 0:21:44.040
<v Speaker 2>me and Joel were celebrating in our seats last night,

0:21:44.480 --> 0:21:48.080
<v Speaker 2>he happily eats out that teacher just on the street,

0:21:48.240 --> 0:21:51.320
<v Speaker 2>like in front of his child. By the way, he's

0:21:51.320 --> 0:21:55.199
<v Speaker 2>gone to the dark away, but come on that. It's like,

0:21:55.240 --> 0:21:58.879
<v Speaker 2>come on, and Spike sees them. He's very upset. He

0:21:58.920 --> 0:22:01.399
<v Speaker 2>goes back to his mum. Yeah, just going to notice

0:22:01.800 --> 0:22:04.080
<v Speaker 2>that's the second horror movie of the summer. Al he's

0:22:04.080 --> 0:22:06.560
<v Speaker 2>seen a woman get eating out on screen. Sinnas and

0:22:06.600 --> 0:22:08.960
<v Speaker 2>twenty eight Years like this go to celebrate.

0:22:08.640 --> 0:22:16.639
<v Speaker 1>And both both spoiler featuring Jack O'Connell. Anyway, So so

0:22:17.920 --> 0:22:20.240
<v Speaker 1>Spike goes home and there's an older member of the

0:22:20.280 --> 0:22:23.399
<v Speaker 1>community there and he was asleep, you know, kind of

0:22:23.440 --> 0:22:27.760
<v Speaker 1>like say, I'm watching the house, and Spike questions him

0:22:28.000 --> 0:22:32.320
<v Speaker 1>about he saw this fire and Sam is like, oh, yeah,

0:22:32.400 --> 0:22:37.040
<v Speaker 1>that's doctor doctor Kelson. And Spike's like, wait, there's a

0:22:37.080 --> 0:22:39.200
<v Speaker 1>doctor and he's like, yeah, yeah, there's a doctor out there.

0:22:39.280 --> 0:22:41.720
<v Speaker 1>He's probably gone crazy. By now nobody's seen him in

0:22:41.720 --> 0:22:43.960
<v Speaker 1>a long time, but like it's probably him, and so

0:22:44.960 --> 0:22:47.520
<v Speaker 1>now Spike really trouble. He crawls into bed with his mom.

0:22:47.600 --> 0:22:51.240
<v Speaker 1>They go to sleep. There's this wonderful more editing of

0:22:51.280 --> 0:22:55.600
<v Speaker 1>like Isla is like asking Spike who she thinks is

0:22:55.600 --> 0:22:57.919
<v Speaker 1>her dad, like to go to the store or something,

0:22:57.960 --> 0:22:59.920
<v Speaker 1>and we see like this wonderful.

0:22:59.520 --> 0:23:01.240
<v Speaker 2>Like uh.

0:23:02.680 --> 0:23:07.199
<v Speaker 1>Shot of the village on the mainland before and then now,

0:23:07.520 --> 0:23:11.040
<v Speaker 1>and then Spike wakes up. He goes down to breakfast,

0:23:11.040 --> 0:23:13.320
<v Speaker 1>and he confronts Jamie about the doctor. What was this

0:23:13.359 --> 0:23:15.399
<v Speaker 1>about the doctor? You didn't tell me there's a fucking doctor.

0:23:15.440 --> 0:23:18.720
<v Speaker 1>And Jamie is like's not a doctor, and he's like, yes,

0:23:18.760 --> 0:23:22.639
<v Speaker 1>there is, like Sam told me, and so Jamie is pissed,

0:23:22.640 --> 0:23:24.159
<v Speaker 1>but he tells him and he tells him like a

0:23:24.200 --> 0:23:26.280
<v Speaker 1>scary story. He's like, well, you know, when I was younger,

0:23:26.680 --> 0:23:29.800
<v Speaker 1>we creeped over there and we saw doctor Kelson with

0:23:29.920 --> 0:23:34.080
<v Speaker 1>all these bodies lined up like head to toe, very

0:23:34.160 --> 0:23:37.680
<v Speaker 1>very neatly, and he saw us looking at him from

0:23:37.720 --> 0:23:39.560
<v Speaker 1>the hill and he waved at us very casually, like

0:23:39.600 --> 0:23:43.080
<v Speaker 1>come on down, guys, have a spot of tea, and

0:23:43.119 --> 0:23:45.960
<v Speaker 1>we ran away okay, and so that's.

0:23:45.760 --> 0:23:49.760
<v Speaker 2>The story to say something. First of all, yeah, Jimmy, Jamie,

0:23:49.960 --> 0:23:52.200
<v Speaker 2>why your name is Aaron Taylor Johnson. I'm bad.

0:23:52.960 --> 0:23:54.680
<v Speaker 1>I love that we're just shitting on Jami.

0:23:54.880 --> 0:23:58.680
<v Speaker 2>I'm a Jamie hey, honestly, but he's very hateable. He's

0:23:58.760 --> 0:24:01.280
<v Speaker 2>very hateable, and Amaron Taylor Johnson does a great job.

0:24:01.440 --> 0:24:05.040
<v Speaker 2>But I think this is really interesting too because I

0:24:05.119 --> 0:24:11.360
<v Speaker 2>think this shows the kind of classic horror nature of

0:24:11.440 --> 0:24:15.200
<v Speaker 2>like lack of communication. Because my first thought, and look,

0:24:15.720 --> 0:24:19.520
<v Speaker 2>is doctor Kelson at least slightly crazy? Yes, but my

0:24:19.600 --> 0:24:21.960
<v Speaker 2>first thought was he is a doctor and he's just

0:24:22.119 --> 0:24:25.240
<v Speaker 2>burning all the infected like that seems kind of smart

0:24:25.359 --> 0:24:28.240
<v Speaker 2>to me. And it was interesting that in that moment

0:24:28.320 --> 0:24:30.639
<v Speaker 2>and in that tribalism, they saw this thing that was

0:24:30.680 --> 0:24:34.200
<v Speaker 2>obviously completely terrifying and he's dressed in like a doctor's

0:24:34.240 --> 0:24:36.679
<v Speaker 2>thing with a mask on, and they ran away. But

0:24:36.760 --> 0:24:39.280
<v Speaker 2>it's also like, Jamie, that guy is a doctor, like

0:24:39.280 --> 0:24:41.680
<v Speaker 2>your wife is clearly severely ill.

0:24:41.800 --> 0:24:43.880
<v Speaker 1>Again, I think when you kind of like dig under

0:24:43.920 --> 0:24:49.280
<v Speaker 1>the surface, it's like this anti science, anti immigrant, anti

0:24:49.760 --> 0:24:53.879
<v Speaker 1>the main absolutely knowing anything else about anything. It's this

0:24:54.119 --> 0:24:58.120
<v Speaker 1>very insular like again breaks it like.

0:24:58.480 --> 0:25:00.600
<v Speaker 2>Oh, very brexit, very co to.

0:25:00.920 --> 0:25:06.880
<v Speaker 1>Dedication to separation from everything, from every influence and making

0:25:07.160 --> 0:25:11.560
<v Speaker 1>everything seem like it's fucking great by lying about the

0:25:11.600 --> 0:25:15.879
<v Speaker 1>bravery that you're displaying when you're taking like twelve year

0:25:15.920 --> 0:25:19.360
<v Speaker 1>old boys out into the woods to get chased by zombies. Yes, exactly.

0:25:19.960 --> 0:25:24.119
<v Speaker 2>Oh also yes, just quickly to note it's I was

0:25:24.160 --> 0:25:24.640
<v Speaker 2>just googling.

0:25:24.640 --> 0:25:30.439
<v Speaker 1>It's slow lows slow lows okay, slow los okay. So

0:25:30.840 --> 0:25:34.639
<v Speaker 1>Spite decides, you know what, I'm taking Mom to the doctor.

0:25:35.040 --> 0:25:38.080
<v Speaker 1>So he sets a fire to kind of like create

0:25:38.119 --> 0:25:41.359
<v Speaker 1>a distraction, gets mom up, gets his arrows, he gets

0:25:41.359 --> 0:25:43.320
<v Speaker 1>his stuff, He gets a big bag of apples, and

0:25:43.359 --> 0:25:46.240
<v Speaker 1>they set off, and he.

0:25:46.240 --> 0:25:49.120
<v Speaker 2>Loves apples, like Kawi Lennard, loving apples.

0:25:49.240 --> 0:25:54.399
<v Speaker 1>You loveing these apple full of apples, full of apples.

0:25:54.440 --> 0:25:56.480
<v Speaker 1>So they go out. They spend the night in a church,

0:25:56.520 --> 0:26:00.520
<v Speaker 1>in this beautiful like stone church that I believe we

0:26:00.600 --> 0:26:04.280
<v Speaker 1>are meant to think is the church from the cold open.

0:26:04.800 --> 0:26:07.240
<v Speaker 2>Yes, I do think that we are supposed to see that.

0:26:07.480 --> 0:26:09.560
<v Speaker 2>I think that they are very close to that part

0:26:09.600 --> 0:26:10.320
<v Speaker 2>of the mainland.

0:26:10.359 --> 0:26:11.400
<v Speaker 1>And I agree, and.

0:26:11.359 --> 0:26:12.560
<v Speaker 2>It's clear by church.

0:26:13.040 --> 0:26:16.160
<v Speaker 1>Yes, he's clearly what happens at the end that we

0:26:16.200 --> 0:26:18.480
<v Speaker 1>are in the in the same area as the cold

0:26:18.480 --> 0:26:21.119
<v Speaker 1>over it. So they spend the night and Spike is

0:26:21.119 --> 0:26:24.199
<v Speaker 1>supposed to keep the watch, but he falls asleep, and

0:26:24.240 --> 0:26:26.679
<v Speaker 1>when he falls asleep, one of these slolos crawls up

0:26:26.720 --> 0:26:31.280
<v Speaker 1>and is about to bite them. But then next thing,

0:26:31.280 --> 0:26:34.080
<v Speaker 1>you know, like a dream, he wakes up in the

0:26:34.119 --> 0:26:37.240
<v Speaker 1>morning and the slolo is dead with a shirt or

0:26:37.280 --> 0:26:39.359
<v Speaker 1>something over its head so that it can be so

0:26:39.400 --> 0:26:42.080
<v Speaker 1>they could be killed without the blood splattering everywhere. And

0:26:42.119 --> 0:26:45.399
<v Speaker 1>we realized that it was his mother. Yeah, also doesn't

0:26:45.440 --> 0:26:47.239
<v Speaker 1>remember doing it, ilad did it.

0:26:47.359 --> 0:26:50.600
<v Speaker 2>She kind of has like a flashback protectiveness.

0:26:50.760 --> 0:26:51.359
<v Speaker 1>Yeah.

0:26:51.400 --> 0:26:54.680
<v Speaker 2>And also I thought this was really interesting too because

0:26:55.000 --> 0:26:57.639
<v Speaker 2>I thought that was kind of an implication head before

0:26:57.680 --> 0:27:01.960
<v Speaker 2>she got sick, she was probably like a.

0:27:01.800 --> 0:27:05.520
<v Speaker 1>Badass too, And I got that as well.

0:27:05.720 --> 0:27:09.960
<v Speaker 2>It fits Jamie's kind of old school version of life,

0:27:10.000 --> 0:27:12.320
<v Speaker 2>this kind of looking back at history where men are

0:27:12.359 --> 0:27:14.640
<v Speaker 2>the leaders and men are the ones who do everything.

0:27:14.920 --> 0:27:17.679
<v Speaker 2>It kind of suits him to have her trapped in

0:27:17.720 --> 0:27:18.840
<v Speaker 2>the house, you know.

0:27:18.840 --> 0:27:21.919
<v Speaker 1>I think that I think that's that's I think that's

0:27:21.960 --> 0:27:25.399
<v Speaker 1>the correct read. In fact, I think that to your point,

0:27:25.560 --> 0:27:28.520
<v Speaker 1>Jamie was probably now we're reading into it. But I

0:27:28.560 --> 0:27:30.960
<v Speaker 1>agree with where you're going. I believe that Jamie probably

0:27:30.960 --> 0:27:34.760
<v Speaker 1>felt like my wife's more badass than me.

0:27:34.880 --> 0:27:37.160
<v Speaker 2>What is exactly, I think it's a threat. I think

0:27:37.200 --> 0:27:38.280
<v Speaker 2>she was a threat to him.

0:27:39.119 --> 0:27:42.240
<v Speaker 1>So they wake up in the morning, they set off again.

0:27:42.880 --> 0:27:48.080
<v Speaker 1>Now there's a quick cut to eight soldiers from this

0:27:48.160 --> 0:27:51.080
<v Speaker 1>European task force. They're running. They're running along like a

0:27:51.119 --> 0:27:55.040
<v Speaker 1>sluiceway along the coast, and they're being chased by zombies

0:27:55.080 --> 0:27:57.600
<v Speaker 1>and they're getting wiped out one by one and eventually,

0:27:57.720 --> 0:28:01.840
<v Speaker 1>like an Alpha kills all but one of them by

0:28:01.920 --> 0:28:05.119
<v Speaker 1>tearing the head straight off the body so that the

0:28:05.200 --> 0:28:08.639
<v Speaker 1>spine is attached to We should add that the alphas

0:28:09.720 --> 0:28:13.679
<v Speaker 1>to your point about having more intellect, they also have

0:28:13.760 --> 0:28:17.440
<v Speaker 1>an They also seem to understand symbolism, because they will

0:28:17.520 --> 0:28:20.840
<v Speaker 1>take the heads that they pull off of deer or

0:28:20.880 --> 0:28:22.919
<v Speaker 1>whatever and they'll hang them in the trees as a

0:28:23.000 --> 0:28:24.840
<v Speaker 1>court of sort of street sign.

0:28:25.119 --> 0:28:31.199
<v Speaker 2>Yeah. Yeah, because the thing that's interesting, and I do

0:28:31.240 --> 0:28:33.200
<v Speaker 2>think we're going to learn more about this is there

0:28:33.240 --> 0:28:36.119
<v Speaker 2>was a great quote recently from Alex Garland where he

0:28:36.200 --> 0:28:39.240
<v Speaker 2>was essentially like, what you've got to understand is these

0:28:39.280 --> 0:28:42.200
<v Speaker 2>are actually not zombies. They have never gone, they've never

0:28:42.320 --> 0:28:44.840
<v Speaker 2>died and come back to life. Yeah, they are just

0:28:44.920 --> 0:28:48.120
<v Speaker 2>people who are extremely sick with the rage virus. So

0:28:48.280 --> 0:28:52.840
<v Speaker 2>this is essentially the movie begins to imagine what would

0:28:52.840 --> 0:28:56.200
<v Speaker 2>a society look like for those people. Now, it's very

0:28:56.320 --> 0:28:58.480
<v Speaker 2>loose and we don't get to see a lot of it,

0:28:58.760 --> 0:29:03.520
<v Speaker 2>but it's an interesting kind of trail of this tribalism

0:29:03.800 --> 0:29:08.840
<v Speaker 2>and also why raises the question of why does Jamie

0:29:09.440 --> 0:29:12.000
<v Speaker 2>need to go to the mainland to kill zombies. He

0:29:12.080 --> 0:29:14.840
<v Speaker 2>says multiple times they don't need anything from the mainland.

0:29:15.040 --> 0:29:17.600
<v Speaker 2>They don't need anything that they don't already have on

0:29:17.640 --> 0:29:23.120
<v Speaker 2>the village. The village is idyllicy, kind of leaning into

0:29:23.120 --> 0:29:25.800
<v Speaker 2>that notion of socialism, like Jackson Hall, you can take

0:29:25.840 --> 0:29:28.160
<v Speaker 2>what you need, don't take too much. But they don't

0:29:28.160 --> 0:29:30.840
<v Speaker 2>need to go there. So he's choosing to go to

0:29:30.960 --> 0:29:33.840
<v Speaker 2>another space which is now inhabited by different kind of

0:29:33.840 --> 0:29:35.720
<v Speaker 2>people and just kill them for fun, which is.

0:29:35.800 --> 0:29:40.920
<v Speaker 1>Very I agree. And this also I think, you know,

0:29:40.920 --> 0:29:43.320
<v Speaker 1>we've talked about our criticism of The Walking Dead, which

0:29:43.680 --> 0:29:46.400
<v Speaker 1>at a certain point I felt the show anyway became

0:29:46.480 --> 0:29:49.960
<v Speaker 1>a story about how Americans are obsessed with guns and

0:29:50.000 --> 0:29:53.280
<v Speaker 1>want to use them neighbors, and Jamie is very much that,

0:29:53.760 --> 0:29:54.960
<v Speaker 1>but in the English way.

0:29:55.040 --> 0:29:57.680
<v Speaker 2>And it's really interesting because because of gun laws in

0:29:57.720 --> 0:30:02.400
<v Speaker 2>England post the Tragedy of Thumb, English people, even in

0:30:02.560 --> 0:30:06.480
<v Speaker 2>rural countries like and rural areas, they don't they don't

0:30:06.520 --> 0:30:09.520
<v Speaker 2>get to have guns in the same way as Americans.

0:30:09.560 --> 0:30:11.960
<v Speaker 2>They don't get to and it is a conversation that

0:30:12.080 --> 0:30:15.120
<v Speaker 2>has always been going on about, you know, people trying

0:30:15.160 --> 0:30:17.400
<v Speaker 2>to take people's guns, just like it is here. So

0:30:17.480 --> 0:30:21.719
<v Speaker 2>I think there is an interesting idea of for Jamie,

0:30:21.800 --> 0:30:24.400
<v Speaker 2>what freedom is is like being able to just go

0:30:24.440 --> 0:30:27.200
<v Speaker 2>and kill somebody even when you don't need to. It's

0:30:27.280 --> 0:30:30.200
<v Speaker 2>really scary stuff. And I think that the more you

0:30:30.280 --> 0:30:33.120
<v Speaker 2>dig into this movie, I think it's a pretty deep

0:30:33.160 --> 0:30:36.640
<v Speaker 2>and amazing movie. Honestly, I thought I had some issues,

0:30:36.640 --> 0:30:38.600
<v Speaker 2>but I think they kind of. I think a lot

0:30:38.640 --> 0:30:42.920
<v Speaker 2>of what they do here is actually very intentional and.

0:30:42.880 --> 0:30:46.120
<v Speaker 1>The SAME's I'm eager to dig into it because I

0:30:46.160 --> 0:30:50.719
<v Speaker 1>had the same takeaway that it's a tremendously deep and

0:30:51.080 --> 0:30:55.880
<v Speaker 1>angry zombie film that is like worth thinking about. Okay,

0:30:56.240 --> 0:31:02.240
<v Speaker 1>so the last surviving Swedish named Eric, who's this wonderful

0:31:02.280 --> 0:31:02.840
<v Speaker 1>comic relief.

0:31:02.960 --> 0:31:03.959
<v Speaker 2>He's so funny.

0:31:04.200 --> 0:31:09.200
<v Speaker 1>It's so funny. He saves Spike and Isla from a

0:31:09.280 --> 0:31:12.320
<v Speaker 1>zombie attack at a shell gas station. The s has

0:31:12.360 --> 0:31:15.120
<v Speaker 1>fallen off, so which assists Hell and it's like which

0:31:15.160 --> 0:31:17.880
<v Speaker 1>is a joke from twenty eight Days.

0:31:17.920 --> 0:31:21.440
<v Speaker 2>Also, by the way, also as well, a great kind

0:31:21.520 --> 0:31:25.520
<v Speaker 2>of real English experience here, which is a side of

0:31:25.560 --> 0:31:28.760
<v Speaker 2>the road kind of restaurants. We don't even really call

0:31:28.800 --> 0:31:31.040
<v Speaker 2>them din as. They always have funny names like Happy

0:31:31.080 --> 0:31:34.120
<v Speaker 2>Eta and Little Chef, and that's kind of where they

0:31:34.240 --> 0:31:38.200
<v Speaker 2>end up here. It's Benzi and has kind of come

0:31:38.280 --> 0:31:40.960
<v Speaker 2>up from the ground of the shell you for years,

0:31:41.000 --> 0:31:43.960
<v Speaker 2>and it's full of gas. Eric manages to basically blow

0:31:44.000 --> 0:31:47.760
<v Speaker 2>the place up save them and then kind of realizes

0:31:47.840 --> 0:31:52.200
<v Speaker 2>he's stuck in this unusual situation where currently Eiler is

0:31:52.200 --> 0:31:57.840
<v Speaker 2>disassociating and thinks that Spike is her dad, and it's

0:31:57.880 --> 0:32:01.080
<v Speaker 2>really really they do a great job making this situation

0:32:01.160 --> 0:32:05.600
<v Speaker 2>that is quite heartbreaking, very funny just because of Eric's reactions,

0:32:06.080 --> 0:32:08.840
<v Speaker 2>and there's some great moments like Eric carries Eyler a

0:32:08.840 --> 0:32:10.920
<v Speaker 2>long way and then she kind of comes back to

0:32:10.960 --> 0:32:13.560
<v Speaker 2>herself and walks, and he goes, wait, she can walk

0:32:13.840 --> 0:32:16.080
<v Speaker 2>and everyone in the cinema was like cracking up a

0:32:16.320 --> 0:32:19.120
<v Speaker 2>very fat and they and they make their way to

0:32:19.200 --> 0:32:19.640
<v Speaker 2>get yes.

0:32:20.320 --> 0:32:24.440
<v Speaker 1>So Eric. From Eric, we learned that essentially life on

0:32:24.480 --> 0:32:26.680
<v Speaker 1>the European continent and presumably in the rest of the

0:32:26.720 --> 0:32:28.960
<v Speaker 1>world has gone on as normal without it.

0:32:29.040 --> 0:32:31.240
<v Speaker 2>They have mobile phones, they.

0:32:31.080 --> 0:32:34.120
<v Speaker 1>Have the society has gone on. Nobody seems to miss

0:32:34.200 --> 0:32:38.520
<v Speaker 1>England that much. Eric the Internet. They have the Internet,

0:32:38.600 --> 0:32:41.320
<v Speaker 1>they have cell phones. Spiker's like, what is that? What's

0:32:41.360 --> 0:32:43.680
<v Speaker 1>the Internet? What's he doesn't under He's like Captain America

0:32:43.680 --> 0:32:47.560
<v Speaker 1>who just got woken up? None of the references. And

0:32:48.560 --> 0:32:52.200
<v Speaker 1>Eric shows like a picture of his fiance and what

0:32:52.440 --> 0:32:55.920
<v Speaker 1>is one of the most like just a hilarious moment,

0:32:56.040 --> 0:32:59.640
<v Speaker 1>like in any that. So and so they go on.

0:33:00.560 --> 0:33:05.360
<v Speaker 1>Eventually they they come to this train and Isla hears

0:33:05.360 --> 0:33:08.480
<v Speaker 1>these sounds from inside the train. She goes in. She

0:33:08.760 --> 0:33:11.320
<v Speaker 1>kind of breaks away from from everybody and goes inside.

0:33:11.320 --> 0:33:14.320
<v Speaker 1>And there we see and infected a pregnant effect in

0:33:14.440 --> 0:33:17.680
<v Speaker 1>giving birth. And we had seen this infected woman kind

0:33:17.680 --> 0:33:22.360
<v Speaker 1>of wandering around previously, and in this moment of true humanity,

0:33:23.040 --> 0:33:30.360
<v Speaker 1>Isla like reaches out and helps brace this infected woman

0:33:30.520 --> 0:33:34.840
<v Speaker 1>so that she can properly give birth and also have

0:33:34.960 --> 0:33:38.280
<v Speaker 1>this like kind of connection with another woman to support

0:33:38.320 --> 0:33:40.720
<v Speaker 1>her in this moment, like woman's woman and.

0:33:40.640 --> 0:33:44.000
<v Speaker 2>She's so scared and she's in so much pain, and.

0:33:43.960 --> 0:33:47.760
<v Speaker 1>There's this real, it's a real moment of like connectedness

0:33:47.840 --> 0:33:54.120
<v Speaker 1>where the infected nature of this person fades just enough

0:33:54.160 --> 0:33:59.200
<v Speaker 1>to allow her like essential womanhood and humanity to come

0:33:59.320 --> 0:34:00.920
<v Speaker 1>through a turn with another woman.

0:34:01.080 --> 0:34:03.600
<v Speaker 2>Yeah, and also as well, just another thing I thought

0:34:03.640 --> 0:34:06.959
<v Speaker 2>was really interesting here is I wonder this also hinted

0:34:06.960 --> 0:34:09.240
<v Speaker 2>to me that another reason why maybe they were happy

0:34:09.280 --> 0:34:11.600
<v Speaker 2>to allow Eila to just kind of rot in her

0:34:11.600 --> 0:34:14.120
<v Speaker 2>bed when she was clearly very ill, is I wonder

0:34:14.160 --> 0:34:16.720
<v Speaker 2>if there is a contingent of people on the island

0:34:16.800 --> 0:34:19.600
<v Speaker 2>or in the community who have maybe raised the idea

0:34:19.640 --> 0:34:25.279
<v Speaker 2>that the infected are not just mindless zombies. Because she

0:34:25.520 --> 0:34:30.560
<v Speaker 2>reaches out to that woman in just instantly, like it isstantly,

0:34:30.680 --> 0:34:34.520
<v Speaker 2>almost kind of natural to her, She slowly reaches out,

0:34:34.800 --> 0:34:39.239
<v Speaker 2>she helps the infected woman give birth, and then the

0:34:39.280 --> 0:34:42.480
<v Speaker 2>infected woman kind of turns back to her feral nature

0:34:42.520 --> 0:34:44.759
<v Speaker 2>when she sees Eric with a gun and Eric kills her.

0:34:44.880 --> 0:34:45.919
<v Speaker 1>Eric Eric kills her.

0:34:46.280 --> 0:34:47.520
<v Speaker 2>So it turns out the baby.

0:34:47.960 --> 0:34:55.279
<v Speaker 1>The baby's fine. Apparently the placenta a mother's womb is

0:34:55.320 --> 0:35:00.560
<v Speaker 1>an effective filter for infection. More on that later. And

0:35:00.640 --> 0:35:05.120
<v Speaker 1>now Ila and Spike go running away from the alpha

0:35:05.400 --> 0:35:09.719
<v Speaker 1>partner of this woman who has come raging through the

0:35:09.800 --> 0:35:12.319
<v Speaker 1>train and is now chasing them, chasing them across the field,

0:35:12.360 --> 0:35:15.759
<v Speaker 1>and just when he's about to get his paws on them,

0:35:16.160 --> 0:35:19.759
<v Speaker 1>a dart. And this, by the way, this alpha is

0:35:19.880 --> 0:35:23.719
<v Speaker 1>the blown uh person of color. As far as there

0:35:23.800 --> 0:35:25.000
<v Speaker 1>might have been others in the.

0:35:25.000 --> 0:35:27.960
<v Speaker 2>Crowd of people on the island, but.

0:35:27.920 --> 0:35:30.200
<v Speaker 1>They don't I think one of Asian.

0:35:30.360 --> 0:35:33.719
<v Speaker 2>All of the definitely Asian. So we do see. But

0:35:33.840 --> 0:35:38.960
<v Speaker 2>generally this is the predominant costing yeah, passion that we

0:35:39.040 --> 0:35:39.920
<v Speaker 2>have in the movie.

0:35:40.120 --> 0:35:43.680
<v Speaker 1>So so gets hit with like a sleep dart. And

0:35:43.840 --> 0:35:48.839
<v Speaker 1>now we meet doctor Kelson Ray Fines, Ralph Fines. He's

0:35:48.880 --> 0:35:52.200
<v Speaker 1>covered in iodine in order to stop like infected, to

0:35:52.320 --> 0:35:56.680
<v Speaker 1>kill in the infection within blood that splatters on him.

0:35:56.920 --> 0:35:59.440
<v Speaker 1>And he apologizes like I'm so sorry for my appearance,

0:35:59.520 --> 0:36:04.000
<v Speaker 1>and then he is like this alpha is and I

0:36:04.000 --> 0:36:07.280
<v Speaker 1>forget what he had named to Samson. This is Samson.

0:36:07.360 --> 0:36:11.160
<v Speaker 1>He's been in the area for about three years or so,

0:36:12.040 --> 0:36:16.320
<v Speaker 1>and It's clear that Kelson has this very interesting almost

0:36:16.800 --> 0:36:21.200
<v Speaker 1>this relationship with the infected where he views them still

0:36:21.239 --> 0:36:24.080
<v Speaker 1>as people and part of the natural world. He's unwilling

0:36:24.160 --> 0:36:25.759
<v Speaker 1>to kill Samson.

0:36:26.200 --> 0:36:30.000
<v Speaker 2>And he's been living essentially like a side by side

0:36:30.160 --> 0:36:34.400
<v Speaker 2>with him simply through this still like medication. But I

0:36:34.440 --> 0:36:38.240
<v Speaker 2>think it's very interesting because again it presents a different

0:36:38.360 --> 0:36:43.000
<v Speaker 2>way of living and thinking about things correct.

0:36:43.800 --> 0:36:50.399
<v Speaker 1>So they they retire to doctor Kelson's what they call

0:36:50.520 --> 0:36:53.360
<v Speaker 1>the Bone Church, what I'm calling Bone Henge, which is

0:36:54.960 --> 0:37:00.720
<v Speaker 1>this massive stonehenge of bones, which is what doctor Kelson

0:37:00.760 --> 0:37:04.439
<v Speaker 1>has been working on. He tells them, you know, they're

0:37:04.440 --> 0:37:07.279
<v Speaker 1>just people who are very ill, and I wanted to

0:37:07.440 --> 0:37:09.919
<v Speaker 1>create I was worried that I would live the rest

0:37:10.000 --> 0:37:12.319
<v Speaker 1>of my life and die without explaining what this is

0:37:12.360 --> 0:37:15.960
<v Speaker 1>to somebody. This is my memorial to everyone who has

0:37:16.080 --> 0:37:20.120
<v Speaker 1>died in the area. To make sure that people, whatever

0:37:20.239 --> 0:37:23.000
<v Speaker 1>happens in the coming years, that people will see this

0:37:23.080 --> 0:37:26.480
<v Speaker 1>and understand that these are all the human beings who

0:37:26.480 --> 0:37:31.000
<v Speaker 1>had thoughts and loved ones and emotions and they all perished.

0:37:31.000 --> 0:37:35.640
<v Speaker 1>And that includes the infected, whose bodies he gathers up

0:37:35.680 --> 0:37:39.640
<v Speaker 1>and burns and then places their skulls and bones in

0:37:39.680 --> 0:37:43.040
<v Speaker 1>these huge towers. So Spike's like, well, we've been looking

0:37:43.040 --> 0:37:44.759
<v Speaker 1>for a you're a doctor, can you examine my mom?

0:37:45.280 --> 0:37:49.239
<v Speaker 1>He doesn't. He realizes that Isla has cancer and it's

0:37:49.320 --> 0:37:50.000
<v Speaker 1>very far along.

0:37:50.160 --> 0:37:53.880
<v Speaker 2>Yeah, And it was always like if you've ever, you know,

0:37:53.960 --> 0:37:56.600
<v Speaker 2>watched a movie or a TV show, which, by the way,

0:37:56.800 --> 0:37:59.920
<v Speaker 2>some of the men on that island have they have

0:38:00.239 --> 0:38:02.520
<v Speaker 2>memories that are older than that. Because it's only twenty

0:38:02.520 --> 0:38:05.280
<v Speaker 2>eight years after this, it's very clear she has brain cancer.

0:38:05.600 --> 0:38:07.560
<v Speaker 2>Like just from the way she's behaving, there's obviously a

0:38:07.600 --> 0:38:12.719
<v Speaker 2>brain tumor. She's having nosebleeds, she's having disassociative kind of moments,

0:38:13.080 --> 0:38:15.440
<v Speaker 2>and it has missed because she's been in that bedroom

0:38:15.480 --> 0:38:17.839
<v Speaker 2>however long. It's metastasized and it's gone to the rest

0:38:17.920 --> 0:38:21.360
<v Speaker 2>of her body. And she kind of reveals at this

0:38:21.440 --> 0:38:23.800
<v Speaker 2>point that she sort of knew that was the case,

0:38:23.880 --> 0:38:26.040
<v Speaker 2>but she just wanted someone else to be the one

0:38:26.080 --> 0:38:28.799
<v Speaker 2>to tell her son. She didn't want to have to

0:38:28.880 --> 0:38:31.480
<v Speaker 2>deal with that and upset.

0:38:32.719 --> 0:38:39.720
<v Speaker 1>So Spikers obviously shattered that there's nothing that can be done.

0:38:39.840 --> 0:38:44.640
<v Speaker 1>And while he Ala is like holding him and trying

0:38:44.640 --> 0:38:48.719
<v Speaker 1>to comfort him, this kind of understanding passes between her

0:38:48.760 --> 0:38:52.480
<v Speaker 1>and the doctor that okay, go ahead and hit him

0:38:52.520 --> 0:38:54.200
<v Speaker 1>with a little bit of that tranquilizer.

0:38:54.239 --> 0:38:56.360
<v Speaker 2>She shit him a little bit of that morphine.

0:38:56.320 --> 0:38:58.600
<v Speaker 1>A little so he could do what comes next. So

0:38:58.640 --> 0:39:03.160
<v Speaker 1>he trank darts him, and then trank darts the mom

0:39:03.880 --> 0:39:08.680
<v Speaker 1>who and then they go off and she allows herself

0:39:08.719 --> 0:39:15.160
<v Speaker 1>to be euthanized. It's her choice, and he renders her

0:39:15.640 --> 0:39:18.759
<v Speaker 1>body into bones and returns with the skull. And when

0:39:18.800 --> 0:39:20.960
<v Speaker 1>Spike kind of is coming to he says to Spike,

0:39:21.080 --> 0:39:23.840
<v Speaker 1>you know, remember I told you this phrase and he

0:39:23.960 --> 0:39:28.320
<v Speaker 1>told her earlier Memento Morian's Latin, and remember you must die,

0:39:28.400 --> 0:39:30.799
<v Speaker 1>and you know remember that you are. It will give

0:39:30.840 --> 0:39:32.880
<v Speaker 1>your life, meaning it gives all of our lives, meaning

0:39:32.920 --> 0:39:34.959
<v Speaker 1>that there will come this moment when we're no more

0:39:35.440 --> 0:39:37.480
<v Speaker 1>and death comes for us all. And there's a lot

0:39:37.520 --> 0:39:39.080
<v Speaker 1>of bad ways you can go, but there are good

0:39:39.080 --> 0:39:41.520
<v Speaker 1>ways too, and the good ways are where you're with

0:39:41.560 --> 0:39:45.160
<v Speaker 1>your loved ones. You pass peacefully. And you know he's

0:39:45.160 --> 0:39:49.120
<v Speaker 1>trying to say that your mother decided, she took agency, decided.

0:39:49.160 --> 0:39:52.600
<v Speaker 1>Now I'm with my son, I'm with a doctor, I'm

0:39:52.600 --> 0:39:54.680
<v Speaker 1>with someone who values life, and now is the time

0:39:54.680 --> 0:39:56.879
<v Speaker 1>that I want to go not alone in this room

0:39:56.960 --> 0:39:59.920
<v Speaker 1>while my husband is out fucking the school teacher exactly.

0:40:00.600 --> 0:40:05.240
<v Speaker 2>And he passes the he passes the skull to Spike,

0:40:05.360 --> 0:40:08.880
<v Speaker 2>and interestingly, here Spike has actually already placed a skull

0:40:08.920 --> 0:40:13.040
<v Speaker 2>because they had Eric's head and the doctor decided he

0:40:13.120 --> 0:40:15.040
<v Speaker 2>was gonna render all the fout of that, give him

0:40:15.040 --> 0:40:18.200
<v Speaker 2>the skull and let Spike place it. And now he says,

0:40:18.280 --> 0:40:20.000
<v Speaker 2>he gives him his mum's skull, and he says, you know,

0:40:20.040 --> 0:40:22.360
<v Speaker 2>place it in the very best place. And so he

0:40:22.400 --> 0:40:25.120
<v Speaker 2>climbs to the top of this huge mountain of kind

0:40:25.120 --> 0:40:30.200
<v Speaker 2>of probably like thirty foot tall mountain of skulls, and

0:40:30.239 --> 0:40:31.960
<v Speaker 2>he places his mom's head on the top and he

0:40:32.000 --> 0:40:34.680
<v Speaker 2>watches the sunrise and then.

0:40:34.800 --> 0:40:40.360
<v Speaker 1>It's it's really moving. So it is an incredibly movies.

0:40:40.600 --> 0:40:44.680
<v Speaker 1>This sequence is we haven't even really timely gone.

0:40:45.120 --> 0:40:48.160
<v Speaker 2>Is like the cinematography in this is amazing and it's

0:40:48.200 --> 0:40:51.560
<v Speaker 2>gonna blow people's minds because guess what, as they have

0:40:51.680 --> 0:40:53.640
<v Speaker 2>talked about, but this has now been confirmed in a

0:40:53.680 --> 0:40:59.120
<v Speaker 2>recent La Times piece with the three major players, Garland

0:40:59.320 --> 0:41:03.080
<v Speaker 2>Boil and DoD Mantle, the cinematographer. In a chat with

0:41:03.120 --> 0:41:07.000
<v Speaker 2>Mark Olson, they confirmed that seventy five to eighty percent

0:41:07.040 --> 0:41:09.920
<v Speaker 2>of this movie was shot entirely on iPhones. I mean,

0:41:09.920 --> 0:41:13.359
<v Speaker 2>it looks and the cinematography is unbelievable. There are these

0:41:13.440 --> 0:41:16.680
<v Speaker 2>really beautiful shots of England and this kind of idyllic,

0:41:16.880 --> 0:41:22.719
<v Speaker 2>huge rural spaces. It's really quite fantastic to look at.

0:41:23.160 --> 0:41:27.320
<v Speaker 2>And that sequence leads to kind of our final moments

0:41:27.320 --> 0:41:30.799
<v Speaker 2>of the movie where Spike he takes the baby in

0:41:30.840 --> 0:41:33.800
<v Speaker 2>a little shopping basket which I loved, and he goes

0:41:33.880 --> 0:41:36.680
<v Speaker 2>back to that. He makes it back to the island,

0:41:37.080 --> 0:41:40.120
<v Speaker 2>and I thought that he was going to keep the baby,

0:41:40.160 --> 0:41:43.120
<v Speaker 2>but instead he goes across the causeway. He hangs the

0:41:43.160 --> 0:41:47.880
<v Speaker 2>baby up outside, leaves a note in it, and decides that.

0:41:47.920 --> 0:41:51.359
<v Speaker 2>We see twenty six days later he has left and

0:41:51.400 --> 0:41:53.839
<v Speaker 2>he is living on his own and he doesn't want

0:41:53.840 --> 0:41:56.080
<v Speaker 2>to return to his father understandable, who by the way

0:41:56.080 --> 0:41:59.200
<v Speaker 2>we see hit him earlier in the movie, who he

0:41:59.280 --> 0:42:03.919
<v Speaker 2>know kind of his mom sequested away like that, and

0:42:04.080 --> 0:42:07.360
<v Speaker 2>he decides he's just going to go it alone. His

0:42:07.520 --> 0:42:09.840
<v Speaker 2>dad is very mad about it. He wants to have

0:42:09.920 --> 0:42:12.560
<v Speaker 2>something to control. He kind of screams his way into

0:42:12.560 --> 0:42:16.120
<v Speaker 2>the center of the ocean, and you think you're like, oh,

0:42:16.160 --> 0:42:19.719
<v Speaker 2>this is like an emotionally raw place to end the movie. No,

0:42:20.560 --> 0:42:25.640
<v Speaker 2>because Danny Boyle has a trick off his sleeve, absolutely

0:42:25.800 --> 0:42:30.760
<v Speaker 2>deranged and on him insane. The moment where I felt like, Okay,

0:42:30.840 --> 0:42:34.160
<v Speaker 2>I'm totally in this was actually the thing I think.

0:42:34.120 --> 0:42:36.640
<v Speaker 1>I was in before this, but when this Okay, So

0:42:37.320 --> 0:42:40.120
<v Speaker 1>Spike is on his travels. He's on a kind of

0:42:40.400 --> 0:42:45.759
<v Speaker 1>lonely road, this one lane, twisty road heading up it

0:42:45.880 --> 0:42:49.960
<v Speaker 1>seems north, and he stopped to have a fish that

0:42:50.120 --> 0:42:54.360
<v Speaker 1>he had caught and he's eating it, but then the

0:42:54.400 --> 0:42:56.319
<v Speaker 1>infect had come, and so he takes a couple out,

0:42:56.360 --> 0:42:58.720
<v Speaker 1>but then there's more and he starts running. He comes

0:42:58.760 --> 0:43:00.800
<v Speaker 1>to a part of the road where it's been blocked

0:43:00.800 --> 0:43:03.920
<v Speaker 1>off by all these stones, and now the infected are

0:43:04.000 --> 0:43:07.279
<v Speaker 1>really racing. Enemy takes one down and then but there's

0:43:07.320 --> 0:43:09.520
<v Speaker 1>more coming up behind him, and then he hears the

0:43:09.640 --> 0:43:13.040
<v Speaker 1>voice and it's our friend Jack O'Connell from Sinners.

0:43:12.880 --> 0:43:16.360
<v Speaker 2>The Irish Empire, from Sinners Irish Skins.

0:43:16.800 --> 0:43:21.279
<v Speaker 1>Who was the who was the boy who survived from Open.

0:43:21.200 --> 0:43:24.440
<v Speaker 2>Not we assumed The film wants you to think that

0:43:24.480 --> 0:43:27.600
<v Speaker 2>it's Aaron Taylor Johnson because his name is Jamie, and

0:43:27.920 --> 0:43:30.640
<v Speaker 2>his name was Jimmy. But we see here that this

0:43:30.800 --> 0:43:36.279
<v Speaker 2>character who is wearing a full personal scribe with a

0:43:36.520 --> 0:43:40.960
<v Speaker 2>long blonde wig with a crown like a little tiara,

0:43:41.120 --> 0:43:43.879
<v Speaker 2>and he's on round his neck. He has the chain

0:43:43.920 --> 0:43:46.120
<v Speaker 2>that his father gave him, but he's wearing the cross

0:43:46.200 --> 0:43:50.239
<v Speaker 2>upside down and he's like, oh, hello, like, do you

0:43:50.280 --> 0:43:53.200
<v Speaker 2>need any help? May we step in? And suddenly he's

0:43:53.200 --> 0:43:54.040
<v Speaker 2>got like four.

0:43:55.880 --> 0:43:57.399
<v Speaker 1>The way, who I.

0:43:57.480 --> 0:44:01.960
<v Speaker 2>Learned are also all called Jimmy in this world, and

0:44:01.960 --> 0:44:04.560
<v Speaker 2>one of them is our favorite, Aaron Kellyman. We love her.

0:44:04.600 --> 0:44:08.920
<v Speaker 2>She's one of the Jimmy's from the fame.

0:44:08.760 --> 0:44:10.920
<v Speaker 1>Of Solo and Solo.

0:44:11.520 --> 0:44:16.320
<v Speaker 2>Yes, Brave Winter Soldier, Falcon and the Winter Soldier. She's

0:44:16.360 --> 0:44:19.240
<v Speaker 2>great and so yes, we end up in a situation

0:44:19.320 --> 0:44:23.719
<v Speaker 2>where these kids jump in or wearing different colored tracksuits

0:44:24.200 --> 0:44:29.680
<v Speaker 2>and doing some insane like gymnastics style fighting with golf

0:44:29.760 --> 0:44:34.200
<v Speaker 2>clubs and just take out the infected. And it's one

0:44:34.239 --> 0:44:37.719
<v Speaker 2>of the wildest left turns because.

0:44:37.520 --> 0:44:39.560
<v Speaker 1>Not only not only do they take them out, but

0:44:39.600 --> 0:44:47.880
<v Speaker 1>they take them out with this almost martial arts flips

0:44:47.920 --> 0:44:51.280
<v Speaker 1>like somersaults.

0:44:50.200 --> 0:44:53.920
<v Speaker 2>And they each have different moves kind of chopping off

0:44:53.960 --> 0:44:57.040
<v Speaker 2>the zombie heads. So this is my theory. When we

0:44:57.080 --> 0:45:00.000
<v Speaker 2>first meet Jimmy, him and the kids are in that room,

0:45:00.080 --> 0:45:03.120
<v Speaker 2>he sees them get killed. They're watching Tellytubbies on VHS.

0:45:03.360 --> 0:45:05.239
<v Speaker 2>I think we're going to find out that Jimmy and

0:45:05.280 --> 0:45:09.520
<v Speaker 2>his friends like taught themselves via watching like martial arts

0:45:09.600 --> 0:45:13.800
<v Speaker 2>movies on VHS. I think there's a big in here

0:45:13.840 --> 0:45:18.919
<v Speaker 2>with like reused footage, b roll kind of notions of

0:45:19.000 --> 0:45:24.560
<v Speaker 2>like what stories have impacted these kids who are fighting,

0:45:24.800 --> 0:45:28.600
<v Speaker 2>impact these kind of patriotic visions of like English people

0:45:28.680 --> 0:45:32.960
<v Speaker 2>shooting these arrows to warring countries, and and I think

0:45:33.000 --> 0:45:35.799
<v Speaker 2>that leads into this. But it's absolutely unhinged. And if

0:45:35.840 --> 0:45:38.720
<v Speaker 2>you don't, if it doesn't hit for you, I think

0:45:39.040 --> 0:45:41.279
<v Speaker 2>it could make you really dislike the movie. But I

0:45:41.360 --> 0:45:44.160
<v Speaker 2>loved it because what it implies. One it ties together

0:45:44.239 --> 0:45:49.160
<v Speaker 2>cold open clothes, but also it is very much about

0:45:49.680 --> 0:45:53.160
<v Speaker 2>You're starting to understand that the way that Spike and

0:45:53.239 --> 0:45:56.520
<v Speaker 2>his family lived is just one way that people are

0:45:56.560 --> 0:46:01.240
<v Speaker 2>living in this space in this apocalypse. And we're clearly

0:46:01.280 --> 0:46:04.440
<v Speaker 2>gonna learn more about people like Dr Kelson, about like

0:46:04.600 --> 0:46:07.280
<v Speaker 2>Jimmy's who I believe his name is, like sir Jimmy

0:46:07.360 --> 0:46:11.759
<v Speaker 2>Crystal is the full name, so like, I'm so excited

0:46:11.800 --> 0:46:15.120
<v Speaker 2>to see where that goes. And Jack O'Connell the last movie,

0:46:15.120 --> 0:46:16.600
<v Speaker 2>he kind of the last thing he says to him

0:46:16.640 --> 0:46:19.920
<v Speaker 2>is he's like, let's be pals and you kind of end.

0:46:20.000 --> 0:46:23.400
<v Speaker 2>So you imagine that Spike is gonna be with these characters.

0:46:23.520 --> 0:46:26.319
<v Speaker 2>Jay said before we end, give us your read on

0:46:26.360 --> 0:46:27.760
<v Speaker 2>this movie, because I think it's correct.

0:46:27.760 --> 0:46:44.600
<v Speaker 1>Well, let's take a quick break and then we'll come back. Okay,

0:46:45.880 --> 0:46:48.799
<v Speaker 1>we're back. Okay, here here's my reactions. Is me. First

0:46:48.800 --> 0:46:51.640
<v Speaker 1>of all, I really feel like, listen, it is notable

0:46:51.680 --> 0:46:55.040
<v Speaker 1>that there are so few characters color and none on

0:46:55.080 --> 0:46:57.200
<v Speaker 1>the island zero And I think.

0:46:57.160 --> 0:47:01.160
<v Speaker 2>I think there's a couple, maybe a kidney, but you don't.

0:47:01.160 --> 0:47:03.239
<v Speaker 2>They're not major play as. You don't see them a lot.

0:47:03.440 --> 0:47:07.600
<v Speaker 1>And I think it's very I think that's done very

0:47:07.680 --> 0:47:10.960
<v Speaker 1>consciously because I think this is essentially again, I believe

0:47:11.000 --> 0:47:16.560
<v Speaker 1>it's the Brexit slash nationalism twenty eight later entrant in

0:47:16.600 --> 0:47:21.360
<v Speaker 1>the franchise, and I think it's about how it's about

0:47:21.360 --> 0:47:26.359
<v Speaker 1>this reality in which England has separated itself or been

0:47:26.520 --> 0:47:30.520
<v Speaker 1>separated from the rest of the world. In europe Brexit,

0:47:31.000 --> 0:47:33.680
<v Speaker 1>and that the rest of the world has gone on

0:47:34.239 --> 0:47:39.719
<v Speaker 1>as normal, while in England they have been reduced to

0:47:39.840 --> 0:47:44.520
<v Speaker 1>this almost medieval regret type of reality where they're living

0:47:44.520 --> 0:47:49.319
<v Speaker 1>behind walls. And this is hammered home by these constant

0:47:49.480 --> 0:47:54.360
<v Speaker 1>snippets that are edited in of like John Gilgood movies

0:47:54.440 --> 0:48:01.000
<v Speaker 1>where you know where you're seeing classic scene classic movies,

0:48:01.040 --> 0:48:05.200
<v Speaker 1>scenes from classic English movies of you know, archers on

0:48:05.280 --> 0:48:10.120
<v Speaker 1>the on the hillside taking out like armies of cavalry

0:48:10.920 --> 0:48:17.239
<v Speaker 1>and sieges being undertaken against castles. And to me, it's

0:48:18.360 --> 0:48:22.440
<v Speaker 1>the movie very consciously is placing this film in a

0:48:22.520 --> 0:48:27.839
<v Speaker 1>continuum of an ideal English culture, even to the point

0:48:27.920 --> 0:48:31.840
<v Speaker 1>of there's like a Canterbury Tales type feel to the story.

0:48:31.680 --> 0:48:34.560
<v Speaker 2>Oh very much, with the with the way that different

0:48:34.680 --> 0:48:35.800
<v Speaker 2>characters coming.

0:48:35.600 --> 0:48:38.400
<v Speaker 1>In, like Eric coming in with these like absurd in

0:48:38.440 --> 0:48:42.720
<v Speaker 1>these kind of like absurd setups within a larger journey

0:48:42.800 --> 0:48:47.799
<v Speaker 1>to somewhere right. And the hero of the film is

0:48:47.920 --> 0:48:54.080
<v Speaker 1>not a Jamie who is this again insular kind of dunderheaded,

0:48:54.440 --> 0:49:00.720
<v Speaker 1>ignores his wife, kind of classic football hoodlum of a guy.

0:49:00.840 --> 0:49:04.720
<v Speaker 1>It's the son who is like all of this is lies,

0:49:05.400 --> 0:49:07.799
<v Speaker 1>All of this we go it alone is lies. My

0:49:07.880 --> 0:49:10.560
<v Speaker 1>dad is lying to me. All the stuff around me

0:49:10.640 --> 0:49:13.440
<v Speaker 1>in this town appears to be propaganda. I want to

0:49:13.520 --> 0:49:15.759
<v Speaker 1>know what the rest of the world is about. And

0:49:15.840 --> 0:49:19.799
<v Speaker 1>the other hero of this story is the doctor, right,

0:49:19.880 --> 0:49:26.000
<v Speaker 1>the man of sciences, humanity, who says, these are people. Samson,

0:49:27.719 --> 0:49:32.440
<v Speaker 1>again one of the few characters of color in the story.

0:49:32.840 --> 0:49:37.600
<v Speaker 1>In an indifferent zombie movie, they'd slaughter him, but doctor

0:49:37.680 --> 0:49:40.960
<v Speaker 1>Kelson is just like, no, no, we're not gonna We're

0:49:40.960 --> 0:49:42.719
<v Speaker 1>gonna put him to sleep, and then we're gonna go

0:49:42.760 --> 0:49:45.280
<v Speaker 1>away and we're gonna let the natural world take its course.

0:49:45.800 --> 0:49:49.759
<v Speaker 1>And that character is never killed, We never see you

0:49:49.760 --> 0:49:52.359
<v Speaker 1>know that he is, in fact just like living side

0:49:52.400 --> 0:49:57.080
<v Speaker 1>by side in a type of community amongst these these people.

0:49:57.160 --> 0:50:00.680
<v Speaker 1>And so I think that to me, this is this

0:50:00.760 --> 0:50:05.839
<v Speaker 1>is a story about the dangers of insolarity, of nativism

0:50:05.840 --> 0:50:10.320
<v Speaker 1>and disconnection from the rest of the world, of of

0:50:11.040 --> 0:50:18.200
<v Speaker 1>a antipathy towards learning and towards community. And in that sense,

0:50:19.920 --> 0:50:22.400
<v Speaker 1>I think it's a very deep and moving film and

0:50:22.440 --> 0:50:27.000
<v Speaker 1>a tremendously angry film. Also because it's also saying like,

0:50:27.040 --> 0:50:29.680
<v Speaker 1>look at what when we decide to do this, look

0:50:29.680 --> 0:50:32.160
<v Speaker 1>at what happens. Look at what we become. Look at

0:50:32.200 --> 0:50:36.279
<v Speaker 1>the way we're just letting this person die alone, and

0:50:36.719 --> 0:50:39.160
<v Speaker 1>we're so ashamed by it that we pretend that everything

0:50:39.239 --> 0:50:41.959
<v Speaker 1>is that these characters are pretending everything's actually a brain.

0:50:43.440 --> 0:50:46.160
<v Speaker 1>That my wife is dying like alone with no doctor,

0:50:46.640 --> 0:50:51.440
<v Speaker 1>And shouldn't we want more? Shouldn't we think where is

0:50:51.480 --> 0:50:52.000
<v Speaker 1>the doctor?

0:50:52.040 --> 0:50:57.080
<v Speaker 2>But no, the that's right, And I think you touch

0:50:57.120 --> 0:50:59.439
<v Speaker 2>on something really good. And in the in that New

0:50:59.560 --> 0:51:03.440
<v Speaker 2>alle Times article, they basically say that this is what

0:51:03.480 --> 0:51:06.200
<v Speaker 2>Boyle says. We had the idea of looking back and

0:51:06.480 --> 0:51:11.520
<v Speaker 2>valuing of these supposed English virtues of this heroic defiance.

0:51:11.600 --> 0:51:14.720
<v Speaker 2>You know, we few, we band of brothers, says Boyle,

0:51:14.840 --> 0:51:19.200
<v Speaker 2>quoting Shakespeare. And they talk about the sound that has

0:51:19.239 --> 0:51:24.040
<v Speaker 2>become like a viral TikTok sound, which was the extended

0:51:24.080 --> 0:51:27.640
<v Speaker 2>teaser trailer from last year, which had the really intense

0:51:27.719 --> 0:51:31.839
<v Speaker 2>nineteen fifteen recording of the Rudyard Kipling poem Boots read

0:51:31.840 --> 0:51:35.000
<v Speaker 2>by the actor Taylor Holmes, with its hypnotically repeated line

0:51:35.040 --> 0:51:38.400
<v Speaker 2>of boots, boots, boots moving up and down again, and

0:51:38.440 --> 0:51:40.400
<v Speaker 2>they kind of talk about how originally they were going

0:51:40.480 --> 0:51:44.359
<v Speaker 2>to use the speech from Henry the fifth the Saint

0:51:44.400 --> 0:51:46.719
<v Speaker 2>Crispin's Day speech, but it was too much. And I

0:51:46.760 --> 0:51:50.840
<v Speaker 2>think that it is really a movie about thinking about legacy,

0:51:50.920 --> 0:51:53.640
<v Speaker 2>what gets left behind, the ways that you kind of

0:51:53.800 --> 0:51:59.279
<v Speaker 2>stop this stuff unintentionally or intentionally. And yeah, I just

0:51:59.360 --> 0:52:01.880
<v Speaker 2>it's very interesting. I think it's going to be a

0:52:02.000 --> 0:52:04.640
<v Speaker 2>very interesting film to look back at. And I'm very

0:52:04.640 --> 0:52:08.359
<v Speaker 2>excited because the next movie, which is actually was made

0:52:08.400 --> 0:52:11.360
<v Speaker 2>by Nia da Costa, has already been filmed back to

0:52:11.400 --> 0:52:13.960
<v Speaker 2>back with this, and that is twenty eight years later

0:52:14.120 --> 0:52:18.400
<v Speaker 2>Bone Church, So it will be very interesting to see

0:52:19.120 --> 0:52:20.160
<v Speaker 2>what happens.

0:52:19.800 --> 0:52:23.239
<v Speaker 1>An incredible, incredible film where they haven't been able to

0:52:23.640 --> 0:52:25.319
<v Speaker 1>I haven't been able to stop thinking about it, and

0:52:25.360 --> 0:52:28.600
<v Speaker 1>I can't wait for the next one to come out.

0:52:28.840 --> 0:52:30.560
<v Speaker 1>Really fascinating movie.

0:52:30.920 --> 0:52:34.040
<v Speaker 2>Yeah, totally way more than I was expecting to chop up.

0:52:34.080 --> 0:52:36.400
<v Speaker 2>And it's going to be really fun to talk about

0:52:36.400 --> 0:52:39.640
<v Speaker 2>this on our round table. Oh I can't, Joelle, I

0:52:39.640 --> 0:52:40.200
<v Speaker 2>am common.

0:52:40.880 --> 0:52:43.160
<v Speaker 1>Yes. So on the next episode of X ray Vision,

0:52:43.200 --> 0:52:45.720
<v Speaker 1>We've got news in a special interview with Sam Bailey,

0:52:46.280 --> 0:52:51.360
<v Speaker 1>director of Ironheart on Disney Plus episodes one through three

0:52:52.080 --> 0:52:55.200
<v Speaker 1>or directed by Sam. So check that out. That's for

0:52:55.280 --> 0:53:00.840
<v Speaker 1>this episode. Thanks for listening. Bye Vision is hosted by

0:53:00.920 --> 0:53:03.520
<v Speaker 1>Jason Concepcion and Rosie Knight and is a production of

0:53:03.560 --> 0:53:04.520
<v Speaker 1>iHeart Podcasts.

0:53:04.840 --> 0:53:08.440
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kaufman.

0:53:08.680 --> 0:53:10.720
<v Speaker 1>Our supervising producer is Abu Zafar.

0:53:11.080 --> 0:53:15.040
<v Speaker 2>Our producers are Common, Laurent Dean Jonathan and Faye wag.

0:53:15.160 --> 0:53:17.919
<v Speaker 1>Our theme song is by Brian Vasquez, with alternate theme

0:53:18.000 --> 0:53:19.280
<v Speaker 1>songs by Aaron Kaufman.

0:53:19.440 --> 0:53:22.799
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:53:22.920 --> 0:53:24.680
<v Speaker 2>Heidi our discord moderator.