WEBVTT - Take the Wheel PT 1

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<v Speaker 1>I'm Kate Winkler Dawson. I'm a journalist who's spent the

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<v Speaker 1>last twenty five years writing about true crime.

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<v Speaker 2>And I'm Paul Hols, a retired cold case investigator who's

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<v Speaker 2>worked some of America's most complicated cases and solve them.

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<v Speaker 1>Each week, I present Paul with one of history's most

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<v Speaker 1>compelling true crimes.

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<v Speaker 2>And I weigh in using modern forensic techniques to bring

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<v Speaker 2>new insights to old mysteries.

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<v Speaker 1>Together, using our individual expertise, we're examining historical true crime

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<v Speaker 1>cases through a twenty first century lens.

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<v Speaker 2>Some are solved and some are cold, very cold.

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<v Speaker 1>This is buried Bones.

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<v Speaker 2>Hey, Paul, Akay, how's it going with you?

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<v Speaker 1>It's going well, And I'll tell you why. I want

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<v Speaker 1>to tell you about an episode that I don't know

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<v Speaker 1>if you've heard yet, that I recorded for Wicked Words.

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<v Speaker 1>I feel like I've interviewed some big names, including you

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<v Speaker 1>of course, like a David Grhan and you know, all

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<v Speaker 1>of these I feel like, really big nonfiction folks. And

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<v Speaker 1>then across my email comes do you want an interview

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<v Speaker 1>with Marcia Clark? Oh? Okay, So I was just awestruck,

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<v Speaker 1>I really was, and she could not be sweeter and

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<v Speaker 1>the interview is fantastic. You should listen to it. It

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<v Speaker 1>is not about OJ Okay, nor did she want. I

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<v Speaker 1>don't know if she ever wants to talk about OJ

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<v Speaker 1>Simpson ever again, she like she says, she sort of

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<v Speaker 1>blocked it out of her mind. Essentially, Where were you

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<v Speaker 1>when that case was going on? Were you in Northern

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<v Speaker 1>California or Central or where were you?

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<v Speaker 2>No? I was. I was working for the Sheriff's Crime

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<v Speaker 2>Lab at the time. In fact, I was some following

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<v Speaker 2>the case. It was a big deal in forensics because

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<v Speaker 2>of all the evidence, particularly DNA that was being presented,

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<v Speaker 2>and so we were following it pretty closely. In fact,

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<v Speaker 2>I actually faxed information down to the LAPD Crime Lab

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<v Speaker 2>because they're krim lists. Obviously didn't know what he was

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<v Speaker 2>talking about when it came to crime scene photography, and

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<v Speaker 2>the defense was really exploiting him on the stand, and

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<v Speaker 2>I was like, Okay, you need to really understand how

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<v Speaker 2>focal length with camera lenses can really change the front

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<v Speaker 2>to rear aspect ratios. So I compiled all this information

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<v Speaker 2>and faxed it down, But I distinctly remember that case.

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<v Speaker 2>Of course, I remember Marcia Clark in fact, I've spoken

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<v Speaker 2>with Marcia over the phone. She was getting involved with

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<v Speaker 2>TV production and I'm not sure if she still is

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<v Speaker 2>or not, but you know, we had chatted a little bit.

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<v Speaker 2>Then I actually sat next to Christopher Darden for dinner.

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<v Speaker 2>I think it was an award ceremony. I had a crime,

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<v Speaker 2>yeh know, So I got to chat with him a

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<v Speaker 2>little bit. Real nice guy. And of course, you know,

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<v Speaker 2>they have this whole OJ trial hanging over their heads

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<v Speaker 2>for you know, forever in essence, you know, but I

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<v Speaker 2>most certainly understand sort of how things kind of went

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<v Speaker 2>awry for them, and don't put a whole heck of

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<v Speaker 2>a lot of personal blame in either one of them. Yeah.

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<v Speaker 1>Absolutely, I read there was an article and I think

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<v Speaker 1>the headline was something like Marcia Clark has been absolved,

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<v Speaker 1>and it was kind of how she's gone from I

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<v Speaker 1>don't remember her being as villainized as you know, this

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<v Speaker 1>magazine and a lot of other media have said. Back

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<v Speaker 1>in ninety five, I was too busy working in a

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<v Speaker 1>news station to really even pay attention to all that.

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<v Speaker 1>But now she's become this feminist icon, which she is.

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<v Speaker 1>After talking to her, it is probably my favorite interview

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<v Speaker 1>of all the interviews, sorry everybody else that I've including you,

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<v Speaker 1>I've ever done on Wicked Words, because she's so engaging

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<v Speaker 1>and much like you. You know, she had the case

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<v Speaker 1>she had Oj Simpson, you had the Golden State Killer,

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<v Speaker 1>and she certainly could have taken money back from a

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<v Speaker 1>big book deal that she had and then just sort

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<v Speaker 1>of gone off. But she has just stayed so active.

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<v Speaker 1>She has novels, She's got now two nonfiction books, and

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<v Speaker 1>I was talking to her about the latest one that

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<v Speaker 1>set in nineteen fifty three. As you said, she does

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<v Speaker 1>TV stuff all the time, so she really has stayed active,

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<v Speaker 1>and it was just so interesting to talk with her

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<v Speaker 1>about the case that she was talking about on my show.

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<v Speaker 2>Yeah, you know, I've completely lost track of her, to

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<v Speaker 2>be frank, you know, so I didn't know. I don't

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<v Speaker 2>know what she's been up to. So this is the

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<v Speaker 2>first tim hearing.

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<v Speaker 1>Yeah, we talked a little bit about the misogyny that

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<v Speaker 1>was happening, which was pervasive, of course, and she was

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<v Speaker 1>told to soften her hair and she was told to

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<v Speaker 1>wear you know, kind of less I guess masculine was

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<v Speaker 1>the insinuation clothing, which she said, this is what I

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<v Speaker 1>wear to court. This isn't masculine to me to use

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<v Speaker 1>a softer tone. So there was so much stuff, you know,

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<v Speaker 1>looking back on it, she just said, it just takes

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<v Speaker 1>so long to process things like that. That's this is

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<v Speaker 1>stuff that you're just trying to do your job, and

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<v Speaker 1>that's the kind of thing that happens. She was investigating

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<v Speaker 1>a case from fifty three that the district attorney at

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<v Speaker 1>the time was heading up. This case. It was a

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<v Speaker 1>huge murder trial of a botched home invasion, and she

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<v Speaker 1>said that this district attorney was an icon to her

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<v Speaker 1>when she was working in la as a prosecutor. Everybody

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<v Speaker 1>knew who this guy was long after he was dead.

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<v Speaker 1>And then she said, I looked in the case and

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<v Speaker 1>it was awful. He was awful. He did so many

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<v Speaker 1>legal things then and now, and she said, it's really

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<v Speaker 1>dispiriting to have this person in your head like who

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<v Speaker 1>you're trying to strive to be. And then when she

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<v Speaker 1>actually looked and worked one of his cases, you know,

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<v Speaker 1>sixty seventy years later, to just see how many times

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<v Speaker 1>he failed and it was just really disheartening for her.

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<v Speaker 1>It was interesting.

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<v Speaker 2>Yeah, yeah, because I'm thinking nineteen fifty three. So we're

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<v Speaker 2>talking just a handful of years after the Black Dohlia case. Yeah,

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<v Speaker 2>out there in LA you know. So that kind of

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<v Speaker 2>puts some perspective because I've kind of dug into the

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<v Speaker 2>Black Dolly a little bit from the investigator side, you know,

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<v Speaker 2>and of course law enforcement was you know, so I

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<v Speaker 2>don't know primorgial, if you will, relative to today in

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<v Speaker 2>terms of how they handled investigations and crime scenes and forensics.

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<v Speaker 2>That case, of course never went to trial, but I

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<v Speaker 2>can only imagine you know, her assessment of sort of

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<v Speaker 2>the legal mind that she held in great and high

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<v Speaker 2>regard and now seeing oh well maybe not so.

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<v Speaker 1>Yeah. Absolutely, it was putting plants in jail cells with

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<v Speaker 1>a young woman, you know, not taking an account into

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<v Speaker 1>her background, and then you know, ultimately issuing a death

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<v Speaker 1>sentence to a woman who was executed for essentially, you know,

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<v Speaker 1>being a decoy. And that was it. And I said,

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<v Speaker 1>would you do that now? And she said no, Now,

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<v Speaker 1>they're accessory to murder, accessory after the factor, all these things,

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<v Speaker 1>you know. But she got looped in with the other

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<v Speaker 1>two robbers who ended up killing somebody, and she just

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<v Speaker 1>said it was a little stunning, and the district attorney

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<v Speaker 1>who she respected so much, could have said, you know,

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<v Speaker 1>sort of mitigating circumstances with leniency. She was saying, with leniency,

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<v Speaker 1>and he didn't do it. I mean, in this young

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<v Speaker 1>woman really did very little. She knew something was going

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<v Speaker 1>to happen, but she didn't suspect a murder would happen

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<v Speaker 1>at all. And then you're executing a mother of three

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<v Speaker 1>or four people.

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<v Speaker 2>Yeah, you know, and it really underscores, you know, the

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<v Speaker 2>power that the elected DA has, you know, And I've

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<v Speaker 2>been in the room where the death penalty is being

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<v Speaker 2>debated for a particular case, and of course that's led

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<v Speaker 2>by the elected DA, and then the prosecutor who's handling

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<v Speaker 2>the case presents the case. And now you have very

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<v Speaker 2>senior prosecutors chief of investigations. I happen to be in

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<v Speaker 2>a couple of these during the course of my career

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<v Speaker 2>at the DA's office, and today it is taken very

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<v Speaker 2>seriously and most certainly you know this scenario you're talking

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<v Speaker 2>about where sounds like she was an accessory in California.

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<v Speaker 2>Maybe this felony murder aspect is what they used to

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<v Speaker 2>go after her, but in essence to apply the death

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<v Speaker 2>penalty as if she's the one that's actually committing the murder.

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<v Speaker 2>You know that sounds way over the top.

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<v Speaker 1>Yeah, And I mean he nicknamed her the defendant Bloody

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<v Speaker 1>babs Oh in the courtroom in front of the jury,

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<v Speaker 1>and I said, is that Lee? I feel like every

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<v Speaker 1>other question was is that legal? Is that legal now?

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<v Speaker 1>Is that legal now? And every answer was like no, no, no, no,

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<v Speaker 1>And that's the issue.

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<v Speaker 2>Well the defense would object. You know, that's prejudicial, that's

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<v Speaker 2>influencing the jury.

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<v Speaker 1>It was startling to me. So anyway, Marcia Clark, I

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<v Speaker 1>am a huge fan. And I even said it from

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<v Speaker 1>the beginning. I said, I don't think I use the

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<v Speaker 1>word fangirl, but I'm really going to try to not gush.

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<v Speaker 1>And she said, well, thank you. I listened to your show,

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<v Speaker 1>so very cool. Marcia Clark is a celebrity in my

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<v Speaker 1>little world of celebrities. So I thought you'd find that interesting.

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<v Speaker 1>And we are hanging out in southern California in the

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<v Speaker 1>Pacific Palisades Act for this story. But this is not

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<v Speaker 1>nineteen fifty three, this is nineteen thirty five. To me,

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<v Speaker 1>I think you're going to find this interesting enough. We're

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<v Speaker 1>making this a double and it involves Hollywood and an

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<v Speaker 1>actress who I found so interesting that I actually watched

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<v Speaker 1>one of her films from nineteen thirty I think it

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<v Speaker 1>was from thirty three or so. There's a lot happening

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<v Speaker 1>with this story.

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<v Speaker 2>No, it sounds sounds cool. Now. I don't think I've

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<v Speaker 2>ever been in Pacific Palisades, but of course I'm very

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<v Speaker 2>much aware of it.

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<v Speaker 1>Yeah, yeah, of course, especially with the fires earlier this year,

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<v Speaker 1>and I had been thinking about that. So I feel

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<v Speaker 1>like every time I have a case where I see

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<v Speaker 1>that phrase of that neighborhood, Pacific Palisades, I'm always going

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<v Speaker 1>to think about the fire. So we are really going

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<v Speaker 1>far back where we're looking at ninety years ago. So

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<v Speaker 1>let's go ahead and set the scene so we are

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<v Speaker 1>in nineteen thirty five. Remind me when Black Dahlia happened,

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<v Speaker 1>because I actually have not looked at the case at all.

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<v Speaker 1>I would love for you and I to talk about it,

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<v Speaker 1>and I think, will You're going to have to bring

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<v Speaker 1>it up if you think it reminds you of this

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<v Speaker 1>in any way.

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<v Speaker 2>Okay, Well, Black Dahlia was late forties. I believe it

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<v Speaker 2>was nineteen forty seven. But right now I'm a little

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<v Speaker 2>fuzzy on the exact year that it happened. I actually interviewed.

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<v Speaker 2>There was an author, this Steve Hodell, who's former LAPD homicide, robbery, homicide,

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<v Speaker 2>and he's written several books on the Black Dahlia and

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<v Speaker 2>he's claiming his father is the offender in the Black

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<v Speaker 2>Dahlia case. I'm not convinced, let's just put it that way.

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<v Speaker 2>But it is a case that I'm highly interested in.

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<v Speaker 2>And I actually did reach out to a professional friend

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<v Speaker 2>at lada's office saying I'd be willing to help. And

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<v Speaker 2>basically I got back from LAPD and the lada's office

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<v Speaker 2>well not at this time.

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<v Speaker 1>They have other priorities from something that was eighty years ago.

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<v Speaker 1>I guess you're right. It was in forty seven. Black

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<v Speaker 1>Dahlia was in forty seven.

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<v Speaker 2>Yeah, Well, basically they said that they were looking at

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<v Speaker 2>some things from the case, you know, So it sounds

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<v Speaker 2>like they have an interest in pursuing it. But of

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<v Speaker 2>course a nineteen forty seven case will take the back

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<v Speaker 2>burner when anything else pops up.

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<v Speaker 1>Well, this is a confusing case. I don't know if

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<v Speaker 1>it's a cold case. So this is nineteen thirty five

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<v Speaker 1>the morning of Monday, December sixteenth. There is a housekeeper

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<v Speaker 1>named May and she's a little bit more of an assistant,

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<v Speaker 1>I think, to an actress movie star. Really, I'm not

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<v Speaker 1>even gonna say actress movie star named Thelma Todd. And

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<v Speaker 1>you know, I really was curious about Thelma. I told you,

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<v Speaker 1>I'll watch one of her movies and I would say

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<v Speaker 1>movie star. I mean, she really has a presence. She

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<v Speaker 1>is very well known. And I'm going to show you

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<v Speaker 1>a picture of her shortly, which sometimes I show you,

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<v Speaker 1>you know, the people who are involved. Sometimes I don't.

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<v Speaker 1>If I think it's relevant, you know, I'll show it

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<v Speaker 1>to you and it'll be relevant, I think in this case.

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<v Speaker 1>So her housekeeper shows up. She is at a house

0:11:56.400 --> 0:11:58.960
<v Speaker 1>in the Pacific Palisades. As I told you, this is

0:11:58.960 --> 0:12:02.160
<v Speaker 1>a neighborhood of la If nobody knows that. It's a

0:12:02.160 --> 0:12:06.000
<v Speaker 1>seaside community that over the past decade or so has

0:12:06.040 --> 0:12:12.280
<v Speaker 1>emerged as a secluded neighborhood for movie stars and studio executives.

0:12:12.360 --> 0:12:16.640
<v Speaker 1>And they build these incredible Mediterranean style homes so they

0:12:16.679 --> 0:12:18.960
<v Speaker 1>can get away from the hustle and bustle of Hollywood.

0:12:19.400 --> 0:12:24.280
<v Speaker 1>It's very, very hilly, so the housekeeper May works for

0:12:24.720 --> 0:12:28.160
<v Speaker 1>twenty nine year old Thelma Todd. She is a movie star,

0:12:28.920 --> 0:12:32.000
<v Speaker 1>and I'm just gonna jump right to it. She's our victim.

0:12:32.240 --> 0:12:33.560
<v Speaker 1>I think I want to give you kind of a

0:12:33.600 --> 0:12:36.040
<v Speaker 1>lot of context about her upfront, because I do think

0:12:36.080 --> 0:12:40.240
<v Speaker 1>it's relevant, especially with witnesses coming up. So she is

0:12:40.320 --> 0:12:43.080
<v Speaker 1>not a small time actress. She was in one hundred

0:12:43.120 --> 0:12:47.040
<v Speaker 1>and twenty feature films, feature films and a lot of

0:12:47.080 --> 0:12:50.160
<v Speaker 1>shorts over the last nine years. So she starred with

0:12:50.240 --> 0:12:53.120
<v Speaker 1>names you're going to recognize, right, Buster Keaton, the Marx Brothers,

0:12:53.200 --> 0:12:55.680
<v Speaker 1>Laurel and Harty, and then a whole list of people

0:12:55.720 --> 0:12:57.440
<v Speaker 1>who I'm pretty sure are famous, but I had not

0:12:57.520 --> 0:13:00.800
<v Speaker 1>heard of. She was slapstick. That was specialty, and that's

0:13:00.800 --> 0:13:03.040
<v Speaker 1>why I wanted to watch one of her films. So

0:13:03.120 --> 0:13:06.040
<v Speaker 1>there's a film called The ten Man and it's a

0:13:06.080 --> 0:13:08.280
<v Speaker 1>short and it was really good. I watched it on

0:13:08.320 --> 0:13:12.400
<v Speaker 1>YouTube and she is very lucy, of I love Lucy.

0:13:12.880 --> 0:13:14.760
<v Speaker 1>She's paired up with a woman in the scene that

0:13:14.800 --> 0:13:18.679
<v Speaker 1>I was watching. You know, they're very very lucy and ethyl,

0:13:19.360 --> 0:13:22.280
<v Speaker 1>and so I watched it before I really dug into

0:13:22.320 --> 0:13:25.560
<v Speaker 1>the story, just because any opportunity I know you do

0:13:25.640 --> 0:13:28.280
<v Speaker 1>this too. Any opportunity I have to feel like I

0:13:28.280 --> 0:13:31.560
<v Speaker 1>have a deeper connection with our victim, I wanted to

0:13:31.600 --> 0:13:34.080
<v Speaker 1>take and so, you know, it just kind of left

0:13:34.120 --> 0:13:37.160
<v Speaker 1>me sad more than anything, but sad's appropriate when you're

0:13:37.240 --> 0:13:40.400
<v Speaker 1>looking into an investigation. Also, I assume, I know, you

0:13:40.440 --> 0:13:43.439
<v Speaker 1>want to know everything about the victim. I'm not sure

0:13:43.480 --> 0:13:46.560
<v Speaker 1>this movie that I watched was relevant to this case.

0:13:46.640 --> 0:13:50.040
<v Speaker 1>I actually know it it wasn't, but I just felt

0:13:50.080 --> 0:13:51.880
<v Speaker 1>like I really wanted to see. Do you feel like

0:13:51.920 --> 0:13:52.280
<v Speaker 1>that too?

0:13:52.440 --> 0:13:54.840
<v Speaker 2>Well? You know, with the cases that I work, you know,

0:13:55.400 --> 0:13:57.480
<v Speaker 2>one of the first things that I do is try

0:13:57.520 --> 0:13:59.960
<v Speaker 2>to learn as much about the victim as I possibly can.

0:14:00.360 --> 0:14:02.599
<v Speaker 2>You know, and I've said this over and over, victimology

0:14:02.679 --> 0:14:05.240
<v Speaker 2>is huge. You know, so who the victim is, what

0:14:05.360 --> 0:14:07.800
<v Speaker 2>the victim is up to, you know where the victim

0:14:07.880 --> 0:14:12.200
<v Speaker 2>is going. You know, all these circumstances surrounding the victim

0:14:12.480 --> 0:14:16.720
<v Speaker 2>sometimes can lead to the investigation to determine who's the

0:14:16.720 --> 0:14:20.000
<v Speaker 2>one that's the offender, who's the one that's responsible for

0:14:20.080 --> 0:14:23.400
<v Speaker 2>let's say, if it's a homicide. So that's that's important,

0:14:23.800 --> 0:14:26.960
<v Speaker 2>you know for the cases that I primarily focused in on.

0:14:27.000 --> 0:14:30.040
<v Speaker 2>You know, out of the sixties and the seventies. Oftentimes

0:14:30.040 --> 0:14:34.280
<v Speaker 2>I didn't have video of the victims like nowadays. You know,

0:14:34.280 --> 0:14:37.800
<v Speaker 2>if somebody ends up being a victim, there's all this

0:14:37.920 --> 0:14:40.560
<v Speaker 2>social media stuff that's been posted, and you can really

0:14:40.600 --> 0:14:44.200
<v Speaker 2>see the victim in life. In this case, you know,

0:14:44.280 --> 0:14:47.760
<v Speaker 2>nineteen thirty five with Thelma Todd. You know, this is

0:14:47.760 --> 0:14:51.200
<v Speaker 2>probably an unusual circumstance where now you know, a homicide

0:14:51.280 --> 0:14:56.280
<v Speaker 2>victim you can actually see in life. Now she's portraying somebody.

0:14:56.280 --> 0:14:59.280
<v Speaker 2>She's an actress, right, so it's not necessarily her and

0:14:59.320 --> 0:15:03.760
<v Speaker 2>her personality, but it's still a living person that you know,

0:15:04.080 --> 0:15:06.600
<v Speaker 2>ended up dying for one reason or another.

0:15:06.960 --> 0:15:10.360
<v Speaker 1>Yeah. One thing about Thelma that I think would occur

0:15:10.520 --> 0:15:13.320
<v Speaker 1>with any Hollywood actress or actor, or anybody who's well

0:15:13.360 --> 0:15:17.120
<v Speaker 1>known as this would be somebody who strangers would recognize.

0:15:17.200 --> 0:15:19.440
<v Speaker 1>You know, we're often talking about that. In all of

0:15:19.480 --> 0:15:22.000
<v Speaker 1>my cases, it feels like I hear the same thing

0:15:22.040 --> 0:15:24.280
<v Speaker 1>over and over again, especially in the eighteen hundreds. It

0:15:24.320 --> 0:15:27.720
<v Speaker 1>looks like that guy, Yeah, that guy looked like your suspect.

0:15:28.080 --> 0:15:30.560
<v Speaker 1>But Thelma Todd was and I'm going to show you

0:15:30.600 --> 0:15:32.920
<v Speaker 1>the photo in a second, Thelma Todd would have stood

0:15:32.960 --> 0:15:36.840
<v Speaker 1>out even in Pacific Palisades at this time. So that's

0:15:36.840 --> 0:15:39.160
<v Speaker 1>what makes to me this story really interesting too.

0:15:39.520 --> 0:15:42.480
<v Speaker 2>Well, it sounds like she was a highly successful actor,

0:15:42.800 --> 0:15:47.440
<v Speaker 2>you know, so she was celebrity famous. Yeah, you know,

0:15:47.520 --> 0:15:50.720
<v Speaker 2>the name is tickling my brain, you know, but I'm

0:15:50.720 --> 0:15:51.760
<v Speaker 2>not picturing who she is.

0:15:52.160 --> 0:15:55.400
<v Speaker 1>Well you can picture her now and this is a headshot.

0:15:55.760 --> 0:15:56.680
<v Speaker 1>Let me know what you think.

0:15:56.920 --> 0:15:58.920
<v Speaker 2>Oh yeah. One of the things that I do that

0:15:58.960 --> 0:16:03.720
<v Speaker 2>people might think is somewhat strange. There's a YouTube channel

0:16:03.760 --> 0:16:08.040
<v Speaker 2>called Hollywood Graveyard and it's very well done. And this

0:16:08.640 --> 0:16:13.200
<v Speaker 2>guy he goes to the various cemeteries around and he's

0:16:13.240 --> 0:16:14.880
<v Speaker 2>now doing it all over the world, but he started

0:16:14.920 --> 0:16:18.800
<v Speaker 2>out there in the LA area, and he, you know,

0:16:19.000 --> 0:16:22.120
<v Speaker 2>tells stories about the various celebrities that are buried or

0:16:22.160 --> 0:16:26.720
<v Speaker 2>interred in some manner at these various cemeteries. And I

0:16:26.920 --> 0:16:31.280
<v Speaker 2>believe that he's covered Thelma Todd if she's out there,

0:16:31.360 --> 0:16:32.840
<v Speaker 2>that she looks very familiar.

0:16:33.160 --> 0:16:38.040
<v Speaker 1>Yeah. So Gene Harlowe was considered the original bombshell, and

0:16:38.080 --> 0:16:41.280
<v Speaker 1>bombshell now I think would be considered an insult for

0:16:41.320 --> 0:16:44.680
<v Speaker 1>a woman, you know, dismissive and really concentrating on her looks,

0:16:45.200 --> 0:16:49.920
<v Speaker 1>but Thelma Todd was in that category for Hollywood in

0:16:49.960 --> 0:16:53.560
<v Speaker 1>the nineteen thirties. She was definitely considered the blonde bombshell.

0:16:53.960 --> 0:16:56.680
<v Speaker 1>I'm going to skip right over that and just say

0:16:56.880 --> 0:17:00.840
<v Speaker 1>she was an excellent actress, obviously incredibly success and she

0:17:01.000 --> 0:17:04.760
<v Speaker 1>was also somebody who had businesses. And that plays into

0:17:04.800 --> 0:17:08.160
<v Speaker 1>it a little bit here too. Where we are when

0:17:08.359 --> 0:17:11.240
<v Speaker 1>all this stuff starts to happen with Thelma is at

0:17:11.240 --> 0:17:13.480
<v Speaker 1>the time of her death, she was shooting a movie,

0:17:13.920 --> 0:17:16.840
<v Speaker 1>and she was starring in two, how roach films that

0:17:16.920 --> 0:17:19.840
<v Speaker 1>were about to be released. One was called All American Toothache.

0:17:19.840 --> 0:17:22.280
<v Speaker 1>I watched part of that, and another one was called

0:17:22.359 --> 0:17:26.720
<v Speaker 1>Bohemian Girl, and that's on my list. So she lives

0:17:26.720 --> 0:17:29.760
<v Speaker 1>in an apartment above the restaurant that she owns. She

0:17:29.880 --> 0:17:34.080
<v Speaker 1>runs this place. It's called Thelma Todd's Sidewalk Cafe, and

0:17:34.119 --> 0:17:37.240
<v Speaker 1>it's on what we now call the Pacific Coast Highway,

0:17:37.320 --> 0:17:39.639
<v Speaker 1>right on the ocean. So this is sort of her

0:17:39.760 --> 0:17:42.560
<v Speaker 1>retirement plan. And she was one of the very first

0:17:42.600 --> 0:17:45.960
<v Speaker 1>celebrities to sort of use her brand, you know, put

0:17:46.000 --> 0:17:49.400
<v Speaker 1>her actual name on a cafe rather than just calling

0:17:49.480 --> 0:17:52.280
<v Speaker 1>it the sidewalk Cafe. She put her name on it,

0:17:52.840 --> 0:17:55.800
<v Speaker 1>and that was not usual. So that's what we mean

0:17:55.800 --> 0:17:58.200
<v Speaker 1>by she was sort of innovative and somebody who really

0:17:58.200 --> 0:18:02.080
<v Speaker 1>wanted to be aggressive. Writing that at age twenty nine

0:18:02.240 --> 0:18:05.440
<v Speaker 1>in the nineteen thirties, she could have been not far

0:18:05.520 --> 0:18:08.760
<v Speaker 1>another decade off of her career. Unfortunately, I don't know,

0:18:09.359 --> 0:18:11.919
<v Speaker 1>but she was planning ahead. So now we've got a

0:18:11.920 --> 0:18:14.959
<v Speaker 1>Hollywood actress who also seems to have some money, and

0:18:15.000 --> 0:18:17.960
<v Speaker 1>she has an investment in a business and is well known.

0:18:18.200 --> 0:18:19.440
<v Speaker 1>So that's where we stand right now.

0:18:19.680 --> 0:18:23.800
<v Speaker 2>Okay, Yeah, So in essence, this celebrity aspect is of

0:18:23.840 --> 0:18:27.600
<v Speaker 2>course going to draw attention and just from her, you know,

0:18:27.920 --> 0:18:31.640
<v Speaker 2>the prolific nature of the number of films she's been in.

0:18:32.359 --> 0:18:35.960
<v Speaker 2>You know, people that may have bad intent of course,

0:18:36.000 --> 0:18:38.040
<v Speaker 2>are going to assume she's got a lot of money,

0:18:38.600 --> 0:18:41.240
<v Speaker 2>and it sounds like with some of the business aspects

0:18:41.320 --> 0:18:44.760
<v Speaker 2>she's utilizing her money wisely. So she even has more

0:18:44.800 --> 0:18:47.879
<v Speaker 2>money than maybe the average actress at that time. Yep.

0:18:48.280 --> 0:18:51.880
<v Speaker 1>So let's talk about her as a person. So May

0:18:51.920 --> 0:18:55.119
<v Speaker 1>the housekeeper wants to find out where Thelma is, but

0:18:55.640 --> 0:18:59.280
<v Speaker 1>she also kind of understands that Thelma is a young

0:18:59.320 --> 0:19:01.359
<v Speaker 1>woman who likes to go out a lot. She stays

0:19:01.359 --> 0:19:03.800
<v Speaker 1>out late at night. She might not come home, and

0:19:03.920 --> 0:19:07.400
<v Speaker 1>so I don't think she's particularly alarmed just yet. It's

0:19:07.440 --> 0:19:09.560
<v Speaker 1>not out of character for her to sleep away from home,

0:19:10.240 --> 0:19:13.320
<v Speaker 1>especially on a weekend. She has a really active social life.

0:19:13.320 --> 0:19:15.960
<v Speaker 1>And we have some more details on water social life

0:19:16.040 --> 0:19:18.600
<v Speaker 1>was like coming up, May looks through this apartment, there's

0:19:18.640 --> 0:19:22.760
<v Speaker 1>no one there. Then she goes to the house up

0:19:22.840 --> 0:19:26.679
<v Speaker 1>the hill, and this is where Thelma stays. Sometimes she

0:19:26.880 --> 0:19:29.840
<v Speaker 1>is not there either. Now here is just sort of

0:19:29.880 --> 0:19:33.560
<v Speaker 1>a theoretical question. I guess May has not decided to

0:19:33.560 --> 0:19:36.600
<v Speaker 1>call the police yet, and you know, I know it's

0:19:36.600 --> 0:19:38.840
<v Speaker 1>because she's thinking in her head, well, she doesn't have

0:19:38.880 --> 0:19:41.159
<v Speaker 1>to report to me when she's doing what and when.

0:19:41.960 --> 0:19:44.720
<v Speaker 1>But at the same time, you know, at what point

0:19:44.800 --> 0:19:47.760
<v Speaker 1>should somebody call the police? Is if somebody has not

0:19:47.800 --> 0:19:50.959
<v Speaker 1>come home and it's completely out of their character, I

0:19:51.040 --> 0:19:53.520
<v Speaker 1>just don't know what at what point do you sort

0:19:53.560 --> 0:19:56.800
<v Speaker 1>of draw that line. It's intimidating to call the police, Paul,

0:19:56.960 --> 0:19:59.800
<v Speaker 1>to me, at least, because you know, if somebody walks

0:19:59.800 --> 0:20:03.000
<v Speaker 1>through the door, you feel stupid. You have to explain stuff.

0:20:03.080 --> 0:20:05.359
<v Speaker 1>So I think probably a lot of people feel like that.

0:20:05.800 --> 0:20:08.200
<v Speaker 2>Yeah, I can see where there would be some reservation.

0:20:08.640 --> 0:20:12.600
<v Speaker 2>You know, it's so variable as to when somebody should

0:20:12.640 --> 0:20:16.439
<v Speaker 2>call the police. You know. Here with May, it sounds like,

0:20:16.520 --> 0:20:18.320
<v Speaker 2>I mean, you described her as a housekeeper, but it

0:20:18.359 --> 0:20:21.120
<v Speaker 2>sounds like she was more of a like an assistant yea,

0:20:21.200 --> 0:20:23.919
<v Speaker 2>you know, helping Thelma with all her day in and

0:20:23.960 --> 0:20:27.879
<v Speaker 2>day out activities, coordinating things, et cetera. So more of

0:20:27.960 --> 0:20:31.359
<v Speaker 2>like an executive assistant. And so I would say, you know,

0:20:31.480 --> 0:20:35.040
<v Speaker 2>under that set of circumstances, you know, it sounds like

0:20:35.280 --> 0:20:40.320
<v Speaker 2>Thelma not coming back to the apartment that particular night.

0:20:40.520 --> 0:20:42.960
<v Speaker 1>It's a Sunday night, and you know, we're going to

0:20:43.000 --> 0:20:45.800
<v Speaker 1>find out that she was last seen Saturday. Okay, So

0:20:45.880 --> 0:20:49.080
<v Speaker 1>as far as May new, Thelma went out, and I'll

0:20:49.080 --> 0:20:50.840
<v Speaker 1>tell you with who in a little bit Saturday night.

0:20:50.840 --> 0:20:53.320
<v Speaker 1>She hasn't talked to her since. And it's Monday morning,

0:20:53.359 --> 0:20:55.600
<v Speaker 1>and she I think she's thinking, well, I don't know,

0:20:55.680 --> 0:20:58.840
<v Speaker 1>because it's been Sunday and Monday. I'm surprised she's not

0:20:58.880 --> 0:21:02.320
<v Speaker 1>here Monday morning because she would have been working at

0:21:02.320 --> 0:21:04.080
<v Speaker 1>the cafe and doing stuff with the cafe.

0:21:04.520 --> 0:21:08.560
<v Speaker 2>I would say, you know, May's insight into what Thelma's

0:21:08.720 --> 0:21:13.960
<v Speaker 2>normal routine would be because of May's position with Thelma,

0:21:14.320 --> 0:21:17.679
<v Speaker 2>where she's now seeing Thelma is not doing what she

0:21:17.800 --> 0:21:21.520
<v Speaker 2>normally would, you know, now it's stepping outside the routine

0:21:22.200 --> 0:21:24.679
<v Speaker 2>depending on like if Thelma is not showing up at

0:21:24.680 --> 0:21:26.879
<v Speaker 2>the restaurant and the restaurant ends up having to be

0:21:26.960 --> 0:21:30.919
<v Speaker 2>closed or whatever, you know, or Thelma has some sort

0:21:30.960 --> 0:21:34.439
<v Speaker 2>of meeting with a network executive or whatever it is,

0:21:34.800 --> 0:21:38.879
<v Speaker 2>and May's going Thelma wouldn't do this now at this point,

0:21:38.920 --> 0:21:41.320
<v Speaker 2>then there should be concerned, Yeah, because now this is

0:21:41.440 --> 0:21:44.919
<v Speaker 2>outside of the victimology that we know of for Thelma

0:21:45.080 --> 0:21:48.399
<v Speaker 2>that May knows for Thelman. And I would say that's

0:21:48.480 --> 0:21:51.720
<v Speaker 2>kind of the same for any time somebody goes missing.

0:21:51.920 --> 0:21:54.040
<v Speaker 2>You know, law enforcement needs to do a better job

0:21:54.080 --> 0:21:57.520
<v Speaker 2>listening to the families because the families go, this isn't right, right,

0:21:57.960 --> 0:22:01.480
<v Speaker 2>But oftentimes they're reporting an adult missing, and so many

0:22:01.560 --> 0:22:05.760
<v Speaker 2>times when that happens, law enforcement, you know, goes, well,

0:22:06.119 --> 0:22:09.240
<v Speaker 2>this person has just left and they have an absolute

0:22:09.320 --> 0:22:12.280
<v Speaker 2>right to leave, and we're not going to spend resources

0:22:12.320 --> 0:22:15.399
<v Speaker 2>to try to track that person down until there's a

0:22:15.520 --> 0:22:18.439
<v Speaker 2>set of circumstances in which now we think there's an

0:22:18.600 --> 0:22:23.879
<v Speaker 2>endangered aspect to this missing adult. But with Thelma right now,

0:22:24.200 --> 0:22:28.520
<v Speaker 2>it seems like May is recognizing Thelma would not normally

0:22:28.600 --> 0:22:31.400
<v Speaker 2>be missing at this particular time during the day.

0:22:31.680 --> 0:22:38.199
<v Speaker 1>Absolutely, so May knows there are a few more places

0:22:38.240 --> 0:22:41.040
<v Speaker 1>she can check. She's not in the apartment down below,

0:22:41.320 --> 0:22:43.520
<v Speaker 1>She's not up the hill at this place, and this

0:22:43.560 --> 0:22:45.800
<v Speaker 1>is a big hill too, you know where she would

0:22:45.840 --> 0:22:47.600
<v Speaker 1>kind of go back and forth between staying at the

0:22:47.640 --> 0:22:50.320
<v Speaker 1>house at the top of the hill staying in her apartment.

0:22:50.840 --> 0:22:53.320
<v Speaker 1>So May decides she needs to look a few more

0:22:53.359 --> 0:22:57.119
<v Speaker 1>places before we talk about, you know where else she looks.

0:22:57.200 --> 0:22:59.800
<v Speaker 1>I want to say that the reason that Thelma stays

0:22:59.840 --> 0:23:01.840
<v Speaker 1>at the house on the hill sometimes is that she's

0:23:01.880 --> 0:23:05.199
<v Speaker 1>been dating a movie director for quite a while. His

0:23:05.280 --> 0:23:08.879
<v Speaker 1>name is Roland West, and he's the one who owns

0:23:08.920 --> 0:23:13.240
<v Speaker 1>that house. Nobody's at this house, and May has apparently

0:23:13.320 --> 0:23:16.040
<v Speaker 1>a key to be able to get in Roland and Thelma.

0:23:16.160 --> 0:23:18.399
<v Speaker 1>This is where things get a little complicated. Roland and

0:23:18.440 --> 0:23:22.040
<v Speaker 1>Thelma own the apartment above the restaurant together, but they

0:23:22.040 --> 0:23:26.720
<v Speaker 1>have separate bedrooms which are divided by a sliding wooden door,

0:23:27.160 --> 0:23:34.120
<v Speaker 1>and Roland is still technically married to another actress named

0:23:34.200 --> 0:23:38.760
<v Speaker 1>jul Carmen. Jewel is not a big Hollywood star. She's

0:23:38.880 --> 0:23:41.800
<v Speaker 1>a small time actress and it sounds like her career

0:23:41.880 --> 0:23:47.280
<v Speaker 1>acting might be somewhat over. So she is married to Roland,

0:23:48.240 --> 0:23:53.160
<v Speaker 1>and technically, while Thelma owns part of the restaurant Thelma

0:23:53.240 --> 0:23:57.480
<v Speaker 1>Todd's Cafe, Roland and Jewel together own part of it. Also,

0:23:57.960 --> 0:24:00.480
<v Speaker 1>it's a little murky with this whole relation ship thing

0:24:00.600 --> 0:24:03.439
<v Speaker 1>is like, but it doesn't sound like there have been

0:24:03.840 --> 0:24:08.159
<v Speaker 1>public blowups. They're not in the press. It seems like

0:24:08.200 --> 0:24:12.040
<v Speaker 1>whatever is happening seems kind of cordial in a way,

0:24:12.240 --> 0:24:14.400
<v Speaker 1>or maybe they've worked out some kind of an agreement.

0:24:15.000 --> 0:24:18.639
<v Speaker 1>But now you've got Thelma involved with another Hollywood actress

0:24:19.040 --> 0:24:21.560
<v Speaker 1>and then a director, and everybody seems to be kind

0:24:21.600 --> 0:24:25.760
<v Speaker 1>of sharing residences. It kind of gets odd after this, Yeah.

0:24:25.640 --> 0:24:28.240
<v Speaker 2>You know, of course, you know, this sounds like the

0:24:28.280 --> 0:24:32.080
<v Speaker 2>typical lover's triangle, you know, in which you could potentially

0:24:32.119 --> 0:24:35.760
<v Speaker 2>have jealousies arise. And it really does come down to,

0:24:36.520 --> 0:24:40.720
<v Speaker 2>you know, what does Jewel, Roland's wife know about his

0:24:40.760 --> 0:24:44.840
<v Speaker 2>relationship with Thelma. Is this something that she has accepted,

0:24:45.240 --> 0:24:49.800
<v Speaker 2>you know? So of course, early investigations into the victimology,

0:24:50.119 --> 0:24:53.639
<v Speaker 2>and once this is found out, then it's you know,

0:24:53.720 --> 0:24:56.880
<v Speaker 2>talking to Roland, talking to Jewel and go, okay, what's

0:24:56.920 --> 0:24:59.600
<v Speaker 2>going on here? You know? Is this something that's just

0:24:59.640 --> 0:25:02.879
<v Speaker 2>a an open type of marriage and this was an

0:25:02.880 --> 0:25:08.160
<v Speaker 2>accepted relationship. There's financial aspects that bind the three together

0:25:08.480 --> 0:25:12.080
<v Speaker 2>up and beyond the relationships, you know, with the ownership

0:25:12.119 --> 0:25:15.240
<v Speaker 2>of the restaurant, et cetera. So that's that's interesting.

0:25:15.440 --> 0:25:18.560
<v Speaker 1>What do you think about the separate bedrooms thing? Is

0:25:18.560 --> 0:25:21.480
<v Speaker 1>that surprising to you? Knowing he's married, and I do

0:25:21.560 --> 0:25:22.639
<v Speaker 1>think Jewel stays there.

0:25:22.880 --> 0:25:24.639
<v Speaker 2>I don't know, I don't think, you know, I'm not

0:25:24.680 --> 0:25:27.119
<v Speaker 2>overly surprised by that. I think it just depends on

0:25:27.440 --> 0:25:32.439
<v Speaker 2>what Thelma and Roland's relationship really is like, you know,

0:25:32.560 --> 0:25:35.199
<v Speaker 2>and it could just be a convenience aspect, you know,

0:25:35.240 --> 0:25:38.880
<v Speaker 2>whether maybe these these rooms above the restaurant are very small,

0:25:39.320 --> 0:25:42.760
<v Speaker 2>you know, or they just prefer to sleep separately when

0:25:42.760 --> 0:25:46.399
<v Speaker 2>they're not engaging together. You know. I don't know, you know,

0:25:46.440 --> 0:25:49.159
<v Speaker 2>I don't put a lot of weight on that right now,

0:25:49.480 --> 0:25:52.240
<v Speaker 2>you know, I think just the dynamics of the Thelma,

0:25:52.320 --> 0:25:57.639
<v Speaker 2>Roland and Jewel triangle, of course, is a red flag

0:25:57.880 --> 0:25:59.320
<v Speaker 2>at least at this stage.

0:25:59.440 --> 0:26:03.560
<v Speaker 1>Okay, tell me tell you about the connection and how

0:26:03.600 --> 0:26:07.400
<v Speaker 1>you would travel from the apartment, which is by the ocean,

0:26:07.600 --> 0:26:12.760
<v Speaker 1>up to this monster hill to get to Roland's beautiful house.

0:26:13.440 --> 0:26:17.520
<v Speaker 1>The restaurant and the apartment are directly downhill from Roland's house.

0:26:17.920 --> 0:26:21.280
<v Speaker 1>And I will have two incredibly confusing maps for you

0:26:21.560 --> 0:26:24.400
<v Speaker 1>in just a few minutes. And thank you for You're

0:26:24.440 --> 0:26:27.840
<v Speaker 1>welcome for that. Sometimes I think that these are awful maps,

0:26:27.880 --> 0:26:29.520
<v Speaker 1>and then you look at them and go, well, this

0:26:29.600 --> 0:26:31.320
<v Speaker 1>is the best thing I've ever seen, Kate. Thank you

0:26:32.000 --> 0:26:34.120
<v Speaker 1>bring me more of these terrible maps, so we'll see

0:26:34.119 --> 0:26:37.760
<v Speaker 1>what you say. But to get from the apartment or

0:26:37.800 --> 0:26:41.639
<v Speaker 1>the cafe up to Roland's place in a car, there

0:26:41.640 --> 0:26:44.240
<v Speaker 1>are a lot of little hairpin turns that you would

0:26:44.240 --> 0:26:45.919
<v Speaker 1>have to get to. It's not easy. It's not a

0:26:45.960 --> 0:26:49.439
<v Speaker 1>straight shot. And then if you're going by foot, it

0:26:49.440 --> 0:26:51.680
<v Speaker 1>would have been a hill of a climb. It's several

0:26:51.840 --> 0:26:56.960
<v Speaker 1>steep staircases in the hillside. Thelma, and I'll tell you

0:26:56.960 --> 0:26:59.160
<v Speaker 1>a little bit more about this in a second had

0:26:59.200 --> 0:27:02.919
<v Speaker 1>developed a heart can and May used to drive her

0:27:03.000 --> 0:27:06.280
<v Speaker 1>up in her car to get to the top. If

0:27:06.280 --> 0:27:08.680
<v Speaker 1>she wanted to spend the night at Roland's house, and

0:27:08.720 --> 0:27:11.560
<v Speaker 1>then Thelma would drive down or maybe May would walk up,

0:27:11.600 --> 0:27:13.880
<v Speaker 1>and it didn't seem like a huge deal for May,

0:27:13.920 --> 0:27:15.800
<v Speaker 1>but it was substantial. I don't know if you want

0:27:15.800 --> 0:27:18.240
<v Speaker 1>to see that now, but it does come into play

0:27:18.960 --> 0:27:21.200
<v Speaker 1>about Thelma and how she would have gone from one

0:27:21.240 --> 0:27:23.320
<v Speaker 1>place to the other if she had a heart condition,

0:27:23.920 --> 0:27:26.520
<v Speaker 1>or we could get to her what happens to her.

0:27:27.040 --> 0:27:29.639
<v Speaker 2>Yeah, let's get to let's get to sort of the

0:27:30.240 --> 0:27:33.880
<v Speaker 2>heart of the matter, and then we can expand out

0:27:33.880 --> 0:27:34.280
<v Speaker 2>from there.

0:27:34.600 --> 0:27:37.800
<v Speaker 1>There's no sign of Thelma anywhere. May looks in the

0:27:38.320 --> 0:27:41.920
<v Speaker 1>house's too car garage, So I think I said this before.

0:27:41.960 --> 0:27:43.880
<v Speaker 1>On most days May is going to park her own

0:27:43.920 --> 0:27:47.000
<v Speaker 1>car in this garage, so she'll drive up, she'll park

0:27:47.000 --> 0:27:49.280
<v Speaker 1>her car or walk up or whatever, and then she'll

0:27:49.359 --> 0:27:52.680
<v Speaker 1>drive Thelma's car to the bottom of the cliff where

0:27:52.680 --> 0:27:55.200
<v Speaker 1>the cafe and the apartment are, so that Thelma doesn't

0:27:55.240 --> 0:27:58.320
<v Speaker 1>have to make this track because she fainted on the

0:27:58.359 --> 0:28:01.439
<v Speaker 1>set of a film, and her mom says, the doctor

0:28:01.560 --> 0:28:04.080
<v Speaker 1>diagnosed her with this heart condition. So what would that be.

0:28:04.320 --> 0:28:07.120
<v Speaker 1>Is that just a slow heart rate or I don't

0:28:07.160 --> 0:28:08.879
<v Speaker 1>know what that would even be. It could be anything,

0:28:08.920 --> 0:28:10.840
<v Speaker 1>I guess.

0:28:10.000 --> 0:28:13.000
<v Speaker 2>Just low blood pressure, you know, you know she stood

0:28:13.080 --> 0:28:15.679
<v Speaker 2>up too quickly, and yeah, so it just depends. But

0:28:15.760 --> 0:28:18.479
<v Speaker 2>of course, you know, the heart condition is something that

0:28:18.520 --> 0:28:21.800
<v Speaker 2>has to be weighed in in terms of you know,

0:28:22.040 --> 0:28:24.960
<v Speaker 2>what happens to Thelma down the road, you know, is

0:28:25.000 --> 0:28:28.760
<v Speaker 2>this something where she could have had a fatal incident

0:28:29.280 --> 0:28:33.159
<v Speaker 2>and is found dead right now? Of course I know

0:28:33.240 --> 0:28:34.800
<v Speaker 2>nothing about what's going on with Elma.

0:28:35.280 --> 0:28:40.320
<v Speaker 1>So in the garage may finds Thelma's total kick ass car.

0:28:41.080 --> 0:28:44.680
<v Speaker 1>And I liked it so much that I included not

0:28:44.920 --> 0:28:46.760
<v Speaker 1>it because I couldn't find a photo of it, but

0:28:46.800 --> 0:28:49.560
<v Speaker 1>I included this type of car, so you probably know

0:28:49.640 --> 0:28:52.480
<v Speaker 1>it because you're smarty about cars. This is a chocolate

0:28:52.520 --> 0:28:55.280
<v Speaker 1>brown Lincoln Phaantin. Have you heard of that?

0:28:55.720 --> 0:28:57.480
<v Speaker 2>Oh yeah, I've heard of that for sure.

0:28:57.760 --> 0:28:59.440
<v Speaker 1>I just wanted to show it to you. I mean,

0:28:59.720 --> 0:29:02.160
<v Speaker 1>this car, and not to talk about her looks, but

0:29:02.200 --> 0:29:04.320
<v Speaker 1>she would have looked gorgeous in this car, and she

0:29:04.320 --> 0:29:07.200
<v Speaker 1>had a driver much of the time. I mean, this

0:29:07.240 --> 0:29:08.760
<v Speaker 1>is what I mean by later on when we have

0:29:08.800 --> 0:29:12.160
<v Speaker 1>witnesses to different things. She would have stood out on

0:29:12.200 --> 0:29:14.840
<v Speaker 1>so many different levels. And I know that this is

0:29:14.880 --> 0:29:16.960
<v Speaker 1>still Hollywood, but this was a beautiful car.

0:29:17.280 --> 0:29:20.280
<v Speaker 2>Yeah. No, that's a head turner. If Thelma's a head turner.

0:29:20.560 --> 0:29:23.600
<v Speaker 2>So of course you know she's you know, she's driving

0:29:23.600 --> 0:29:25.960
<v Speaker 2>around in a vehicle like this. She's not trying to

0:29:26.000 --> 0:29:29.640
<v Speaker 2>be discreet, you know that, she's like here, I am Okay.

0:29:29.760 --> 0:29:32.959
<v Speaker 1>May sees her car. She is alarmed because she couldn't

0:29:33.000 --> 0:29:36.480
<v Speaker 1>find Thelma anywhere else. She looks inside the car, and

0:29:36.480 --> 0:29:40.080
<v Speaker 1>this is where we see Thelma's body. May does not

0:29:40.160 --> 0:29:42.800
<v Speaker 1>examine her at all. She just sees her slumped over,

0:29:43.840 --> 0:29:47.240
<v Speaker 1>and she gets very upset. Of course, she runs down

0:29:47.360 --> 0:29:51.160
<v Speaker 1>to the cafe, flying down those steep steps. She finds

0:29:51.200 --> 0:29:54.800
<v Speaker 1>a general manager. He calls the police. So this is

0:29:54.840 --> 0:29:59.360
<v Speaker 1>all Monday morning, and she was last seen Saturday night

0:29:59.520 --> 0:30:02.640
<v Speaker 1>as far as we know right now. So I can

0:30:02.680 --> 0:30:05.080
<v Speaker 1>tell you what her body looked like. But I also

0:30:05.120 --> 0:30:07.120
<v Speaker 1>can immediately talk about the autopsy too.

0:30:07.240 --> 0:30:07.920
<v Speaker 2>So you tell me.

0:30:07.960 --> 0:30:10.080
<v Speaker 1>I know you like autopsy stuff, but what do you think.

0:30:10.320 --> 0:30:14.200
<v Speaker 2>Yeah, well, let's uh, let's get into the crime scene

0:30:14.320 --> 0:30:19.360
<v Speaker 2>first in terms of understanding her body in context, you know,

0:30:19.480 --> 0:30:21.959
<v Speaker 2>in sits you in the back of this car, and

0:30:22.040 --> 0:30:23.760
<v Speaker 2>then go into the autopsy.

0:30:24.360 --> 0:30:28.560
<v Speaker 1>So she has found slumped over the steering wheel. We

0:30:28.640 --> 0:30:31.920
<v Speaker 1>find out that her nose is broken and she was

0:30:31.960 --> 0:30:36.120
<v Speaker 1>bleeding from the mouth, but police think it's because she

0:30:36.360 --> 0:30:39.640
<v Speaker 1>passed out and hit her face against the steering wheel.

0:30:39.920 --> 0:30:42.239
<v Speaker 1>I think one of the reasons is, this is an

0:30:42.280 --> 0:30:47.479
<v Speaker 1>interesting bit here. May said the garage was closed and

0:30:47.480 --> 0:30:50.200
<v Speaker 1>that when she saw Thelma and she saw, you know,

0:30:50.480 --> 0:30:53.680
<v Speaker 1>a little bit of bleeding and she's laying over the

0:30:53.720 --> 0:30:58.360
<v Speaker 1>steering wheel, that she was unusually red. Her face was

0:30:58.400 --> 0:31:01.640
<v Speaker 1>really red. Let's kind of of start there. They're not

0:31:01.720 --> 0:31:05.800
<v Speaker 1>saying trauma, and their immediate response is not this is

0:31:06.000 --> 0:31:08.480
<v Speaker 1>you know, somebody who's been beaten up. But what do

0:31:08.520 --> 0:31:10.240
<v Speaker 1>you kind of think so far the way that I've

0:31:10.480 --> 0:31:12.320
<v Speaker 1>laid it out, or do you need more info?

0:31:12.880 --> 0:31:17.560
<v Speaker 2>Well, I think with sort of the thumbnail sketch, broken nose,

0:31:17.640 --> 0:31:21.040
<v Speaker 2>bleeding out of the mouth, which you know possibly can

0:31:21.120 --> 0:31:23.480
<v Speaker 2>occur as a result of you know, the trauma to

0:31:23.520 --> 0:31:28.320
<v Speaker 2>the nose, in terms of evaluating the fracture to the nose,

0:31:28.360 --> 0:31:32.160
<v Speaker 2>you know, is you know, how much damage is truly there?

0:31:32.280 --> 0:31:35.680
<v Speaker 2>Is it consistent with somebody who's just now passes out

0:31:35.760 --> 0:31:39.400
<v Speaker 2>and nose hits a hard steering wheel or is there

0:31:39.480 --> 0:31:42.360
<v Speaker 2>more damage to that, And so that'd be something that

0:31:42.400 --> 0:31:46.200
<v Speaker 2>would be determined at autopsy, as well as what other

0:31:46.280 --> 0:31:49.120
<v Speaker 2>injuries she has on her body. You know, the red

0:31:49.640 --> 0:31:53.040
<v Speaker 2>kind of it sounds like her face is flush, and

0:31:53.400 --> 0:31:56.080
<v Speaker 2>you know, there's a variety of reasons why that can occur.

0:31:56.320 --> 0:31:58.480
<v Speaker 2>You know, one of the first things, just due to

0:31:58.480 --> 0:32:00.920
<v Speaker 2>the context of where she's found out in a car

0:32:01.080 --> 0:32:05.840
<v Speaker 2>inside a closed garage, is is it possible that there's

0:32:05.880 --> 0:32:10.520
<v Speaker 2>a carbon monoxide poisoning accidental? Potentially? You know, she was

0:32:10.560 --> 0:32:13.800
<v Speaker 2>sitting in that that car for too long? Is the

0:32:13.800 --> 0:32:18.880
<v Speaker 2>car still running when may you know, enters in? Does

0:32:18.920 --> 0:32:22.240
<v Speaker 2>she detect something's wrong? Is a car completely out of

0:32:22.280 --> 0:32:25.160
<v Speaker 2>gas but the ignition is turd like it's still running?

0:32:25.600 --> 0:32:27.680
<v Speaker 2>You know, then that might suggest that you know, she

0:32:28.160 --> 0:32:31.160
<v Speaker 2>for whatever reason, drove into the garage, closed the garage

0:32:31.640 --> 0:32:35.320
<v Speaker 2>and stayed in there too long and then ultimately succumbed

0:32:35.320 --> 0:32:38.840
<v Speaker 2>to carbon monoxide. So there's that aspect, you know, is

0:32:38.880 --> 0:32:42.400
<v Speaker 2>there potentially does the heart condition weigh in? Is there

0:32:42.400 --> 0:32:47.120
<v Speaker 2>a circulatory type of issue that's causing the red flushing?

0:32:47.520 --> 0:32:50.280
<v Speaker 2>And then of course there's there's different acts of islence

0:32:50.520 --> 0:32:53.479
<v Speaker 2>such as strangulation, you know, which could cause that that

0:32:53.520 --> 0:32:56.200
<v Speaker 2>red flushing. So at this point, I think, you know,

0:32:56.240 --> 0:33:00.080
<v Speaker 2>the investigators are, they're evaluating what's going on. It. It

0:33:00.160 --> 0:33:05.840
<v Speaker 2>is unusual to see a homicide victim just seated in

0:33:05.960 --> 0:33:08.680
<v Speaker 2>a car, slumped over the steering wheel, if it's not

0:33:08.760 --> 0:33:12.320
<v Speaker 2>a gunshot victim. You know, we often see that today

0:33:12.520 --> 0:33:16.440
<v Speaker 2>with shootings. But I'm assuming right now she's not a

0:33:16.480 --> 0:33:19.440
<v Speaker 2>gunshot victim or a stabbing victim or something like that.

0:33:19.560 --> 0:33:22.480
<v Speaker 2>And so now they're assessing things and reconstructing, and they're

0:33:22.520 --> 0:33:27.400
<v Speaker 2>probably going this very likely could just be an accidental

0:33:27.920 --> 0:33:31.680
<v Speaker 2>death or could be a natural if she had if

0:33:31.680 --> 0:33:34.120
<v Speaker 2>the heart condition weighed in as to the reason why

0:33:34.160 --> 0:33:37.800
<v Speaker 2>she ended up deceased inside this vehicle.

0:33:37.760 --> 0:33:39.880
<v Speaker 1>Yeah, and I think there's a lot of speculation about that.

0:33:40.160 --> 0:33:43.440
<v Speaker 1>Was it the heart condition that contributed to this? Did

0:33:43.480 --> 0:33:46.160
<v Speaker 1>she climb up all of those stairs herself? And then

0:33:46.400 --> 0:33:49.120
<v Speaker 1>something happened she got into the car. So let me

0:33:49.200 --> 0:33:51.640
<v Speaker 1>just tell you a couple of facts that are important

0:33:52.240 --> 0:33:54.600
<v Speaker 1>and then we can get to the autop seat. Number One.

0:33:55.080 --> 0:33:59.000
<v Speaker 1>May saw Thelma Saturday night before she went to an event,

0:33:59.720 --> 0:34:02.960
<v Speaker 1>and she said she's wearing the same clothing she was

0:34:03.000 --> 0:34:07.080
<v Speaker 1>wearing a mauve and silver dress and a mink coat

0:34:07.840 --> 0:34:11.880
<v Speaker 1>and lots of expensive jewelry. She had an expensive handbag

0:34:11.920 --> 0:34:15.040
<v Speaker 1>with her. None of it was touched. It's all there,

0:34:15.640 --> 0:34:18.720
<v Speaker 1>so you know at first blush. She's been there since

0:34:19.000 --> 0:34:22.680
<v Speaker 1>Saturday night, early Sunday morning, whenever you know she left

0:34:22.800 --> 0:34:27.520
<v Speaker 1>this event. So they're trying to get a timeline together,

0:34:27.600 --> 0:34:30.479
<v Speaker 1>but that's going to come into questions soon. The other

0:34:30.600 --> 0:34:33.680
<v Speaker 1>note is that police do find the key in the

0:34:33.719 --> 0:34:37.520
<v Speaker 1>ignition to her fancy car. It was turned to the

0:34:37.600 --> 0:34:41.920
<v Speaker 1>on position, but the car was not running. So this

0:34:42.000 --> 0:34:43.400
<v Speaker 1>is out of my pay grade. So I'm just going

0:34:43.480 --> 0:34:44.640
<v Speaker 1>to tell you what it is and you can tell

0:34:44.680 --> 0:34:47.200
<v Speaker 1>me what you think. This is a combustible engine, so

0:34:47.280 --> 0:34:50.239
<v Speaker 1>there is no catalytic converter. I don't even know what

0:34:50.280 --> 0:34:52.520
<v Speaker 1>that was. I didn't until I had to pay for one,

0:34:52.640 --> 0:34:54.320
<v Speaker 1>and then I found out really quick witted.

0:34:54.600 --> 0:34:57.040
<v Speaker 2>Expensive because of the precious metals inside there.

0:34:57.280 --> 0:34:59.239
<v Speaker 1>I mean, I think it's the worst thing you can

0:34:59.280 --> 0:35:01.879
<v Speaker 1>pay for. So I can think my kids for all

0:35:01.880 --> 0:35:05.440
<v Speaker 1>the driving with them with a new catlet converter. He said,

0:35:05.480 --> 0:35:07.160
<v Speaker 1>how did you put this many miles on this car?

0:35:07.239 --> 0:35:10.760
<v Speaker 1>It's only a couple of years old. So the police

0:35:10.800 --> 0:35:13.440
<v Speaker 1>say that this is because the car's engine, because it's

0:35:13.440 --> 0:35:17.800
<v Speaker 1>a combustible engine, needs oxygen to run. So if something

0:35:17.880 --> 0:35:21.520
<v Speaker 1>happens and the car has turned on, once the garage

0:35:21.640 --> 0:35:24.440
<v Speaker 1>is filled up with carbon monoxide, there's no more oxygen

0:35:24.480 --> 0:35:27.279
<v Speaker 1>and the engine would just cut off. Does that sound right?

0:35:27.520 --> 0:35:28.120
<v Speaker 2>Yes, it does.

0:35:28.440 --> 0:35:31.120
<v Speaker 1>What happens now with the engine? First of all, what

0:35:31.200 --> 0:35:32.120
<v Speaker 1>kind of engines do we have?

0:35:32.160 --> 0:35:32.319
<v Speaker 2>Now?

0:35:32.360 --> 0:35:33.920
<v Speaker 1>I know we should know that I should know that.

0:35:34.239 --> 0:35:37.400
<v Speaker 2>It's the same, you know, in terms of for gasoline engines.

0:35:37.920 --> 0:35:41.640
<v Speaker 2>In essence, they're just combustion engines, and so you know,

0:35:41.680 --> 0:35:47.280
<v Speaker 2>they're fundamentally operate the same way as this particular engine,

0:35:47.600 --> 0:35:51.919
<v Speaker 2>just obviously more advanced. You need oxygen for fire. Well,

0:35:51.920 --> 0:35:56.120
<v Speaker 2>that's in essence what happens inside the cylinder of you know,

0:35:56.160 --> 0:35:59.120
<v Speaker 2>one of the chambers within these engines, and you know this,

0:35:59.120 --> 0:36:03.920
<v Speaker 2>this particular car possibly had anywhere from eight to twelve cylinders,

0:36:04.800 --> 0:36:08.520
<v Speaker 2>and there's a spark plug in each cylinder, and then

0:36:08.560 --> 0:36:12.480
<v Speaker 2>there's a source of fuel that sprays into the cylinder,

0:36:13.120 --> 0:36:16.319
<v Speaker 2>and so now you have this gas vapor and then

0:36:16.520 --> 0:36:22.439
<v Speaker 2>as the cylinder comes up and compresses that gas, there's

0:36:22.480 --> 0:36:25.520
<v Speaker 2>a spark from the spark plug that ignites the gas

0:36:25.760 --> 0:36:29.200
<v Speaker 2>and in order for that gas to actually combust to

0:36:29.280 --> 0:36:32.680
<v Speaker 2>produce pressure to force the cylinder down, which ultimately is

0:36:33.080 --> 0:36:37.040
<v Speaker 2>the mechanism that is translated into being able to move

0:36:37.080 --> 0:36:41.640
<v Speaker 2>the vehicle. Once there's no oxygen, that combustion engine can't

0:36:41.680 --> 0:36:45.880
<v Speaker 2>operate anymore. So if that garage filled up with sufficient

0:36:45.960 --> 0:36:49.880
<v Speaker 2>carbon monoxide, I would say, yeah, theoretically, it's possible that

0:36:49.960 --> 0:36:53.360
<v Speaker 2>the engine just died and had been left running for

0:36:53.480 --> 0:36:54.520
<v Speaker 2>a period of time.

0:36:55.239 --> 0:36:58.239
<v Speaker 1>Okay, well, let's keep that in mind, because you know,

0:36:58.320 --> 0:36:59.680
<v Speaker 1>there are a lot of theories that are going to

0:36:59.719 --> 0:37:03.759
<v Speaker 1>be flowing around nineteen thirty five LA. Pretty soon. There

0:37:03.840 --> 0:37:06.359
<v Speaker 1>is someone who comes, a doctor who comes and examines

0:37:06.600 --> 0:37:10.640
<v Speaker 1>her body. His name is JP Sampson. When doctor Sampson

0:37:10.719 --> 0:37:14.279
<v Speaker 1>looks at Thelma's body, he says, she has been dead

0:37:14.400 --> 0:37:19.480
<v Speaker 1>for about twelve hours. Now. I don't know how he

0:37:19.760 --> 0:37:23.080
<v Speaker 1>determines that. I don't think they use liver temperature, but

0:37:23.640 --> 0:37:27.000
<v Speaker 1>maybe it was rigor. But just doing math, let's say

0:37:27.000 --> 0:37:30.160
<v Speaker 1>this happens at nine am. That puts her death at

0:37:30.360 --> 0:37:34.319
<v Speaker 1>nine pm Sunday night. But she's wearing the clothes from

0:37:34.360 --> 0:37:35.120
<v Speaker 1>Saturday night.

0:37:35.680 --> 0:37:37.279
<v Speaker 2>So you know, one of the things I want to

0:37:37.400 --> 0:37:40.680
<v Speaker 2>address about her clothes. You know, may sees her leaving

0:37:40.760 --> 0:37:46.440
<v Speaker 2>Saturday night in those clothes. What we don't know is

0:37:46.560 --> 0:37:52.440
<v Speaker 2>it possible that she stayed in those clothes alive for

0:37:52.680 --> 0:37:56.600
<v Speaker 2>how long period of time? More did she redress into

0:37:56.640 --> 0:37:59.400
<v Speaker 2>those clothes, you know? And those are the clothes she

0:37:59.480 --> 0:38:03.840
<v Speaker 2>came back to Roland's place in this vehicle. So it's

0:38:04.040 --> 0:38:08.960
<v Speaker 2>kind of hard to draw a firm conclusion that whatever

0:38:09.080 --> 0:38:13.800
<v Speaker 2>happened to Thelma happened Saturday night because we just don't

0:38:13.840 --> 0:38:16.960
<v Speaker 2>know anything about her state of dress, and you know

0:38:17.040 --> 0:38:19.239
<v Speaker 2>how long she had those clothes on before she ended

0:38:19.320 --> 0:38:22.719
<v Speaker 2>up dying. So it's interesting it. I would say, what

0:38:22.800 --> 0:38:25.800
<v Speaker 2>you could conclude as well, she did not get back

0:38:25.840 --> 0:38:29.640
<v Speaker 2>to her residence or a location where she had closed

0:38:29.680 --> 0:38:32.440
<v Speaker 2>that she would be wanting to change into, you know,

0:38:32.800 --> 0:38:35.520
<v Speaker 2>that would be part of it. To try to timeline

0:38:35.600 --> 0:38:40.160
<v Speaker 2>exactly when something happened to Thelma based on her dress

0:38:40.360 --> 0:38:41.040
<v Speaker 2>would be tough.

0:38:41.520 --> 0:38:44.040
<v Speaker 1>Yes, I have had times in my youth where I

0:38:44.080 --> 0:38:48.160
<v Speaker 1>have been in the same clothing for six years and

0:38:48.200 --> 0:38:51.239
<v Speaker 1>I wasn't camping, I was living in New York, So yes,

0:38:51.360 --> 0:38:55.280
<v Speaker 1>well we'll see I don't trust the twelve hour timeline either.

0:38:55.320 --> 0:38:58.879
<v Speaker 1>I guess we'll just see how this progresses well.

0:38:58.880 --> 0:39:01.920
<v Speaker 2>And even the pathologist saying she's been dead for twelve hours,

0:39:02.800 --> 0:39:05.080
<v Speaker 2>that's just a rough rough guess.

0:39:05.400 --> 0:39:09.160
<v Speaker 1>So we've got the autopsy. Thelma's brain and organs are

0:39:09.200 --> 0:39:14.200
<v Speaker 1>described in the autopsy report as scarlet red of blood,

0:39:14.600 --> 0:39:19.120
<v Speaker 1>and her body is also discolored red. Her blood is

0:39:19.440 --> 0:39:23.560
<v Speaker 1>found to have a seventy five to eighty percent saturation

0:39:24.000 --> 0:39:25.800
<v Speaker 1>of carbon monoxide, which.

0:39:25.640 --> 0:39:29.280
<v Speaker 2>Is classic, you know, this is when you see somebody

0:39:29.360 --> 0:39:33.680
<v Speaker 2>like this and at autopsy the pathologist is immediately going, okay,

0:39:33.680 --> 0:39:36.320
<v Speaker 2>we've got carbon monoxide. You know, this is even before

0:39:36.360 --> 0:39:40.360
<v Speaker 2>there's any type of toxicology testing going on. It's that

0:39:40.440 --> 0:39:44.120
<v Speaker 2>this is almost diagnostic, you know. And the question is

0:39:44.120 --> 0:39:47.920
<v Speaker 2>is you know, at this point, okay, is this is

0:39:47.960 --> 0:39:52.040
<v Speaker 2>it accidental? Is it natural? Or is there a chance

0:39:52.640 --> 0:39:56.040
<v Speaker 2>that there is violence inflicted on her to a point

0:39:56.080 --> 0:40:00.160
<v Speaker 2>to where she is unconscious and is left inside this

0:40:00.280 --> 0:40:04.000
<v Speaker 2>garage and now the carbon monoxide is building up from

0:40:04.000 --> 0:40:07.040
<v Speaker 2>the running car and then she succumbs to the carbon

0:40:07.080 --> 0:40:11.520
<v Speaker 2>monoxide poisoning. But the reality is is that there was

0:40:11.680 --> 0:40:14.279
<v Speaker 2>a violent act at the hands of another you know,

0:40:14.400 --> 0:40:18.439
<v Speaker 2>so too early to really draw a conclusion, but most

0:40:18.480 --> 0:40:21.520
<v Speaker 2>certainly at this point unless you tell me of other

0:40:21.600 --> 0:40:26.000
<v Speaker 2>significant injuries to her. At this point, carbon monoxide sounds

0:40:26.040 --> 0:40:27.600
<v Speaker 2>like the primary cause of death.

0:40:27.920 --> 0:40:31.839
<v Speaker 1>Yes, and there are no other significant injuries other than

0:40:31.880 --> 0:40:33.759
<v Speaker 1>what I had mentioned before, a little bleeding at the

0:40:33.800 --> 0:40:38.680
<v Speaker 1>mouth and a broken nose, which investigators conclude very quickly

0:40:39.239 --> 0:40:43.360
<v Speaker 1>is because you know, when carbon monoxide started to take effect,

0:40:43.760 --> 0:40:46.080
<v Speaker 1>that her face hit the steering wheel, which would have

0:40:46.080 --> 0:40:48.960
<v Speaker 1>been a very heavy steering wheel, would probably or mahoggitting,

0:40:49.000 --> 0:40:50.319
<v Speaker 1>I don't know what it would have been, and broke

0:40:50.360 --> 0:40:53.000
<v Speaker 1>her nose. The question I think that is going to

0:40:53.000 --> 0:40:56.680
<v Speaker 1>come as is this suicide? Is this an accident? How

0:40:56.719 --> 0:40:59.720
<v Speaker 1>would this have been an accident? Or is this something else?

0:40:59.800 --> 0:41:02.880
<v Speaker 1>Because there are a lot of complicated things happening.

0:41:03.040 --> 0:41:09.800
<v Speaker 2>Right now, it appears that the medical findings aren't differentiating

0:41:10.040 --> 0:41:14.439
<v Speaker 2>the manner of death. So there is no sign of strangulation,

0:41:14.719 --> 0:41:18.560
<v Speaker 2>there's no defensive injuries obviously I've already asked, there's no

0:41:18.680 --> 0:41:24.280
<v Speaker 2>stab wounds, no gunshot wounds, etc. So fundamentally, you've got

0:41:24.320 --> 0:41:29.400
<v Speaker 2>a fractured nose, bleeding out of the mouth, and carbon

0:41:29.440 --> 0:41:34.239
<v Speaker 2>monoxide poisoning. Basically, all types of manners of death potentially

0:41:34.280 --> 0:41:38.520
<v Speaker 2>are on the table, though homicide kind of becomes less

0:41:39.080 --> 0:41:42.240
<v Speaker 2>likely but not eliminated. Based on these circumstances.

0:41:42.600 --> 0:41:44.560
<v Speaker 1>I'm going to talk in a little bit about what

0:41:44.680 --> 0:41:47.680
<v Speaker 1>she did that night, who she was with, and the

0:41:47.680 --> 0:41:52.360
<v Speaker 1>circumstances about why homicide definitely needs to stay on the table.

0:41:52.680 --> 0:41:56.040
<v Speaker 1>The corner, so there was doctor Sampson, but there's also

0:41:56.160 --> 0:42:00.160
<v Speaker 1>a corner, separate person who said after his examination and

0:42:00.600 --> 0:42:04.680
<v Speaker 1>that Thelma had been dead more like thirty hours when

0:42:04.719 --> 0:42:07.239
<v Speaker 1>she was found, which of course is much closer to

0:42:07.440 --> 0:42:12.560
<v Speaker 1>the Saturday night mark. Again, what's reliable here and what isn't.

0:42:12.920 --> 0:42:15.200
<v Speaker 1>I don't have notes on what they were using. I

0:42:15.239 --> 0:42:17.319
<v Speaker 1>think it was probably rigor. I don't think they were

0:42:17.480 --> 0:42:19.280
<v Speaker 1>using liver temperature at this point.

0:42:19.520 --> 0:42:21.279
<v Speaker 2>You know, rigor would be part of it. You know,

0:42:21.320 --> 0:42:23.719
<v Speaker 2>that's one of the first things that the pathologists are

0:42:23.760 --> 0:42:25.920
<v Speaker 2>going to note in terms of how long the body

0:42:25.960 --> 0:42:28.799
<v Speaker 2>has been dead, you know, the body temperature. You know,

0:42:28.880 --> 0:42:32.640
<v Speaker 2>this was occurring mid December, you know, but you're also

0:42:32.680 --> 0:42:35.959
<v Speaker 2>dealing with la you know, on the coastal front there.

0:42:36.040 --> 0:42:39.319
<v Speaker 2>You know, it's maybe seventy degrees in the winter time

0:42:39.360 --> 0:42:41.520
<v Speaker 2>at times. You know, it's not excessively hot, it's not

0:42:41.560 --> 0:42:45.319
<v Speaker 2>excessively cold. My assessment what I would want to be

0:42:45.400 --> 0:42:48.880
<v Speaker 2>taking a look at. You know, they're drawing a conclusion

0:42:48.920 --> 0:42:51.600
<v Speaker 2>that she hit her nose on the steering wheel. If

0:42:51.600 --> 0:42:55.640
<v Speaker 2>that's what happened, you know, you imagine her head going forward.

0:42:56.080 --> 0:43:01.280
<v Speaker 2>She's basically collapsing and probably doesn't revive after that point. Right, So, now,

0:43:01.320 --> 0:43:04.480
<v Speaker 2>are the blood flows out of the nose, the blood

0:43:04.520 --> 0:43:08.440
<v Speaker 2>patterns inside the vehicle consistent with that last movement of

0:43:08.480 --> 0:43:12.000
<v Speaker 2>her body that caused the bleeding to occur, or is

0:43:12.040 --> 0:43:17.600
<v Speaker 2>there blood in discrete locations that would not line up

0:43:17.719 --> 0:43:21.279
<v Speaker 2>with this idea of just slumping forward, as if she

0:43:21.800 --> 0:43:24.359
<v Speaker 2>let's say, somebody punched her in the nose, she gets

0:43:24.440 --> 0:43:27.000
<v Speaker 2>knocked out, and then that person puts her into a

0:43:27.120 --> 0:43:29.959
<v Speaker 2>seated position in the driver's seat, you know, and leaves

0:43:29.960 --> 0:43:33.879
<v Speaker 2>the vehicle running inside this closed garage. That's where now

0:43:33.880 --> 0:43:36.319
<v Speaker 2>you have to start really paying attention to the details.

0:43:36.880 --> 0:43:39.160
<v Speaker 2>And I'm not sure you have those details.

0:43:39.520 --> 0:43:42.080
<v Speaker 1>Well, let's see, we do have a lot of information

0:43:42.120 --> 0:43:44.160
<v Speaker 1>about what she did that night, and you're right, like

0:43:44.280 --> 0:43:47.400
<v Speaker 1>more theories and maybe a little bit more information do

0:43:47.480 --> 0:43:51.479
<v Speaker 1>you think that carbon monoxide poisoning would throw off time

0:43:51.520 --> 0:43:53.399
<v Speaker 1>of death estimations at all or.

0:43:53.600 --> 0:43:57.319
<v Speaker 2>No, generally not. Now, part of what you know we

0:43:57.400 --> 0:44:01.120
<v Speaker 2>look at at a crime scene is lividity. Blood settles

0:44:01.160 --> 0:44:04.439
<v Speaker 2>with gravity. After you die, your heart is no longer pumping,

0:44:04.840 --> 0:44:09.920
<v Speaker 2>and so as Thelma is seated there slumped over, heart stops.

0:44:10.160 --> 0:44:14.680
<v Speaker 2>Blood settles to the lower parts of her body, showing

0:44:14.719 --> 0:44:18.160
<v Speaker 2>the position that she's in. That lividity is something that

0:44:18.280 --> 0:44:20.759
<v Speaker 2>I would be paying attention to to see had she

0:44:20.960 --> 0:44:24.400
<v Speaker 2>laid in a position different than the position that she

0:44:24.560 --> 0:44:29.040
<v Speaker 2>is ultimately found in. Lividity sets after a certain period

0:44:29.040 --> 0:44:32.799
<v Speaker 2>of time, So if somebody has moved prior to the

0:44:32.840 --> 0:44:36.480
<v Speaker 2>lividity setting, then the lividity the blood shifts inside the

0:44:36.480 --> 0:44:40.960
<v Speaker 2>body and so the original lividity pattern is changed. But

0:44:41.080 --> 0:44:45.839
<v Speaker 2>once the lividity pattern sets, when the body's moved from

0:44:45.920 --> 0:44:49.200
<v Speaker 2>the time that they die to the time that they

0:44:49.280 --> 0:44:52.799
<v Speaker 2>ultimately are found, the libidity will show that. And the

0:44:52.920 --> 0:44:56.799
<v Speaker 2>extent of the lividity is possibly something the pathologists may

0:44:57.000 --> 0:44:59.720
<v Speaker 2>be relying upon to get a better sense in terms

0:44:59.760 --> 0:45:03.840
<v Speaker 2>of of how long somebody's been dead under select circumstances,

0:45:04.120 --> 0:45:07.680
<v Speaker 2>the carbon monoxide poisoning can make it tougher to see

0:45:07.960 --> 0:45:12.000
<v Speaker 2>the faint lividity aspects just because of the coloration due

0:45:12.040 --> 0:45:17.359
<v Speaker 2>to the carbon monoxide. Various decomposational processes are occurring, and

0:45:17.440 --> 0:45:20.840
<v Speaker 2>if she's been dead for thirty hours, it's possible you

0:45:20.880 --> 0:45:23.880
<v Speaker 2>could start to see some of like her veins become

0:45:24.000 --> 0:45:29.720
<v Speaker 2>darker as the bacteria are starting to decompose the blood

0:45:29.760 --> 0:45:33.400
<v Speaker 2>inside the veins, they become very prominent looking. This is

0:45:33.400 --> 0:45:37.719
<v Speaker 2>what we call marbling, and that possibly can occur within

0:45:37.760 --> 0:45:40.600
<v Speaker 2>that thirty hour period of time. Or you could start

0:45:40.600 --> 0:45:43.080
<v Speaker 2>to see the dissension of the you know, the bloating

0:45:43.120 --> 0:45:45.680
<v Speaker 2>of the abdomen, you know, as the gases from the

0:45:46.239 --> 0:45:49.719
<v Speaker 2>gut bacteria start to build up, or you get a

0:45:49.719 --> 0:45:53.600
<v Speaker 2>greenish tinge to the abdomen. You know, this is indicating

0:45:53.640 --> 0:45:56.279
<v Speaker 2>that she's probably been dead longer than twelve hours. So

0:45:56.400 --> 0:46:01.640
<v Speaker 2>the pathologist, if he's doing proper documentation in his autopsy report,

0:46:01.680 --> 0:46:04.080
<v Speaker 2>if he's saying she's been dead for thirty hours, then

0:46:04.120 --> 0:46:07.799
<v Speaker 2>he should be listing the characteristics that he is observing

0:46:08.200 --> 0:46:09.440
<v Speaker 2>to come to that opinion.

0:46:10.000 --> 0:46:13.920
<v Speaker 1>Well, as we wrap up this first episode, I'm going

0:46:13.960 --> 0:46:17.000
<v Speaker 1>to talk about why this is a two parter because

0:46:17.520 --> 0:46:21.879
<v Speaker 1>there were a lot of suspicions about her death. There

0:46:21.880 --> 0:46:24.760
<v Speaker 1>were a lot of things that investigators thought were really odd,

0:46:24.840 --> 0:46:27.440
<v Speaker 1>and her mother really thought was odd. So Number one,

0:46:27.480 --> 0:46:31.319
<v Speaker 1>we've already noted that her car is parked in the

0:46:31.360 --> 0:46:34.640
<v Speaker 1>garage at the top of this massive hill, and I

0:46:34.680 --> 0:46:37.680
<v Speaker 1>will give you a hint for the next episode. She

0:46:38.360 --> 0:46:42.200
<v Speaker 1>did not drive it. She had a driver who took

0:46:42.239 --> 0:46:45.040
<v Speaker 1>her to an event and then took her and dropped

0:46:45.040 --> 0:46:48.640
<v Speaker 1>her off at three am at her apartment. Oh right,

0:46:48.880 --> 0:46:51.920
<v Speaker 1>And her car had been at Roland's house up the

0:46:52.040 --> 0:46:55.240
<v Speaker 1>hill all day. She just didn't want to deal with driving,

0:46:55.239 --> 0:46:57.400
<v Speaker 1>and she had a driver, you know, take her places

0:46:57.400 --> 0:47:01.120
<v Speaker 1>that day. Her mother says that there is no way

0:47:01.360 --> 0:47:03.840
<v Speaker 1>at three in the morning she climbed the steps that

0:47:03.920 --> 0:47:06.439
<v Speaker 1>would have just taken her out completely. She had never

0:47:06.480 --> 0:47:09.719
<v Speaker 1>done it before to get up to Roland's house. How

0:47:09.760 --> 0:47:12.640
<v Speaker 1>did she get up to Roland's house? And she's also

0:47:12.680 --> 0:47:15.839
<v Speaker 1>had some threats in the last couple of months, so

0:47:16.120 --> 0:47:18.040
<v Speaker 1>there's a lot happening with this story.

0:47:18.520 --> 0:47:20.239
<v Speaker 2>Yeah, so the plot thickens.

0:47:20.600 --> 0:47:27.359
<v Speaker 1>Mary stole that from some hard boiled detective novel you read.

0:47:28.200 --> 0:47:30.360
<v Speaker 1>Have you ever said that in real life? The plot thickens.

0:47:30.520 --> 0:47:32.879
<v Speaker 2>No, not that I can recall except now.

0:47:33.719 --> 0:47:37.040
<v Speaker 1>Okay, So next week we will talk more about that

0:47:37.120 --> 0:47:41.760
<v Speaker 1>absolutely fantastic Thelmatod and the tragedy that is her death,

0:47:41.840 --> 0:47:43.080
<v Speaker 1>whatever happened to her.

0:47:43.640 --> 0:47:45.640
<v Speaker 2>Hopefully, by the end of the next episode we will

0:47:45.680 --> 0:47:46.680
<v Speaker 2>get to the bottom of this.

0:47:47.160 --> 0:47:49.120
<v Speaker 1>I hope so too. I will see you next week.

0:47:49.520 --> 0:47:50.920
<v Speaker 2>All right, kay, thank you. Thanks.

0:47:55.560 --> 0:47:58.160
<v Speaker 1>This has been an exactly right production for.

0:47:58.200 --> 0:48:00.960
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0:48:01.040 --> 0:48:03.480
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0:48:03.680 --> 0:48:06.000
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0:48:06.320 --> 0:48:10.560
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