WEBVTT - #18 - Blxst

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<v Speaker 1>Hey, that's right, another edition of that Bootleg Cat podcast

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<v Speaker 1>officially here. Trying to remember what episode we're on. I

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<v Speaker 1>think we're on episode number eighteen. Possibly, I can't believe

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<v Speaker 1>I don't know what episode wrong. Nonetheless, we are here.

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<v Speaker 1>Shout out to everybody who gave us all the great

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<v Speaker 1>feedback on the MC eight interview a couple of weeks

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<v Speaker 1>ago and the Action Bronson interview that dropped last week.

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<v Speaker 1>We are on episode eighteen. Welcome to episode eighteen. The

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<v Speaker 1>Bootleg Cap podcast is officially old enough to buy porn

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<v Speaker 1>and cigarettes, ladies and gentlemen. So yo. I appreciate everybody

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<v Speaker 1>who's checked in right now. Got a really dope episode

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<v Speaker 1>for everybody tonight. Man, A lot of crazy shit going

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<v Speaker 1>on in the world right now. Donald Trump's got the RONA,

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<v Speaker 1>and I'd like to go on record and say if

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<v Speaker 1>I gave my true thoughts, I'd probably get canceled and

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<v Speaker 1>or fired from any sort of position that I'm in

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<v Speaker 1>in life. So I will go ahead and just say

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<v Speaker 1>we wish him a speedy recovery. And it's still fucked,

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<v Speaker 1>Donald Trump, you feel me? Nonetheless, Man, crazy like week

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<v Speaker 1>for hip hop. I gotta acknowledge some albums that came out.

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<v Speaker 1>I want to shout out to twenty one Savage and

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<v Speaker 1>Metro Boom and Savage Mode two dropped and did not disappoint.

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<v Speaker 1>Incredible body of work. Lord knows how they got Morgan

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<v Speaker 1>Freeman to narrate the entire project, but man it came

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<v Speaker 1>out incredible. Shout out to both of them. Also, new music,

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<v Speaker 1>Westside Guns new album is officially out finally his Shady

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<v Speaker 1>Records debut, and he has two Slick Rick features on

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<v Speaker 1>his Shady Records debut. So if he would have had

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<v Speaker 1>one slick Rick feature, I would have been extremely impressed,

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<v Speaker 1>but the fact he pulled off two is just insane.

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<v Speaker 1>So shout out to a West Side Gun. His official album,

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<v Speaker 1>Who Made the Sunshine is out this third project this year,

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<v Speaker 1>Griselda has put out Let's see they had the Conway

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<v Speaker 1>project that came out before that, Ari Caesar and then

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<v Speaker 1>you know Benny the Butcher's about to drop Burning Approve.

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<v Speaker 1>So shout out to the whole Griselda for just twenty

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<v Speaker 1>twenty just putting in work. Also went to shout out

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<v Speaker 1>to Smoke Dizzey's album, YG's album Roucchie from La put

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<v Speaker 1>out a decent project, and also Larry June and Harry

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<v Speaker 1>Fraud put some shit out, but nonetheless a great, great,

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<v Speaker 1>great week for hip hop. I suggest my first two

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<v Speaker 1>listens if you're listening right now, go straight to that

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<v Speaker 1>twenty one Savage album. Go straight to that West Side

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<v Speaker 1>Gun album. I haven't listened to Bryson Tiller's album yet,

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<v Speaker 1>I'm hearing good things about it. I really really enjoyed

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<v Speaker 1>Trap Soul, not so much the second album, but once

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<v Speaker 1>I hear that, I'll give you guys my feedback on that.

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<v Speaker 1>So yeah, some dope music out and today's podcast brought

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<v Speaker 1>to you by our sponsors, who we always got to

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<v Speaker 1>shut out and show love to shout out to odd socks.

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<v Speaker 1>thought were so fire, but they got the Nickelodeon licenses,

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<v Speaker 1>they got the god Father Mike Tyson, just so much

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<v Speaker 1>Go do that. Today's episode is an interview with the

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<v Speaker 1>hottest artist in La right Now the hottest up and

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<v Speaker 1>coming artist. DJ Head, my co host That Real ninety

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<v Speaker 1>two to three put me onto this kid a long

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<v Speaker 1>time ago. This is actually somebody had tried to sign

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<v Speaker 1>and man, such a talented guy, such a nice dude.

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<v Speaker 1>Super excited to talk to this guy. His name is Blast.

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<v Speaker 1>He put out a EP that's incredible and really just

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<v Speaker 1>on the cusp of being that next it guy. So

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<v Speaker 1>let's get into this podcast man, episode number eighteen with

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<v Speaker 1>Blast right here. Man, it's the boutleg Cab Podcast. Let's

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<v Speaker 1>get to it. Boutlet Cab Podcast special guest in here.

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<v Speaker 1>We got the hottest artist in LA right now. Damn

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<v Speaker 1>that's heavy, bro. His name is Blast. What's the deal man?

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<v Speaker 1>What's up? Man? It's crazy because DJ Head has been

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<v Speaker 1>telling me about you for so long. My co host

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<v Speaker 1>and I remember remember him and Sallas talking about you,

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<v Speaker 1>and I guess dj had tried to sign you or

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<v Speaker 1>approached you to the hell. I don't know. Yeah, but

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<v Speaker 1>he was like, yo, Blast, the only guy I ever

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<v Speaker 1>tried to like work with. Right, Yeah, he told me

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<v Speaker 1>that too. Shout out DJ Head. That's good people, always

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<v Speaker 1>giving good advice. Yeah, we definitely sat down before it

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<v Speaker 1>had some some talks. Give me some of your background, man, like, like,

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<v Speaker 1>where are you from in LA because a lot of

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<v Speaker 1>you know that I heard I see you rocking the

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<v Speaker 1>Cranshaw had sometimes like where are you from in the city,

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<v Speaker 1>So I just say I'm from LA. I grew up

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<v Speaker 1>on the east side of LA seventy fifth and Central, Okay,

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<v Speaker 1>over there by Freemont High. Then I moved to Inglewood

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<v Speaker 1>and then high school years I moved to the Ie

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<v Speaker 1>with my dad. Oh shit, So you're just like, yeah,

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<v Speaker 1>La through and through a Yeah, that's crazy. Yeah. So

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<v Speaker 1>your man, your shit is so fire. Bro. I first

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<v Speaker 1>like tapped in with you the project you guys drop

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<v Speaker 1>the joint tape together, which is fucking LA classic. But

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<v Speaker 1>give me some of your background as an artist, like

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<v Speaker 1>how long have you been making music? Man? Like? Like

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<v Speaker 1>when did this shit become your your job? Like Okay,

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<v Speaker 1>this is what I'm gonna do now, Like yeah, I mean,

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<v Speaker 1>I would say fresh out of high school. I started

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<v Speaker 1>producing and recording myself simultaneously. So I was just teaching

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<v Speaker 1>myself on YouTube, fucking with fl studio and in pro

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<v Speaker 1>tools and download downloading different programs, just teaching myself and

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<v Speaker 1>I fell in love with it. This was probably like

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<v Speaker 1>eight years ago. So okay, so you're you record yourself,

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<v Speaker 1>you make beats, ya, you sing? Yeah, do you mix

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<v Speaker 1>and master? Yeah? So you're like fucking Russ two point oh,

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<v Speaker 1>You're like LA's Russ, just the one fucking stop shot.

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<v Speaker 1>You're keeping all the money. Yeah. I do my my

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<v Speaker 1>cover art two and most of my post production on

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<v Speaker 1>my videos as well. You do your cover art, your

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<v Speaker 1>you know, your your EP artwork was fire and looking

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<v Speaker 1>shout out EP on my Eagle Team. She creatively put

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<v Speaker 1>that together. That shit's dope, man. So so you kind

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<v Speaker 1>of became a master of the craft, just every aspect

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<v Speaker 1>of it. What was your like childhood, like, like what

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<v Speaker 1>like were you you know, how did you grow up?

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<v Speaker 1>Like did you play any sports? What were you doing

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<v Speaker 1>like as a kid prior to music. As a kid,

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<v Speaker 1>it was just running around just figuring shit out. I remember,

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<v Speaker 1>like the first thing to come to my mind is

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<v Speaker 1>riding bikes with my friends. That was the best, right,

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<v Speaker 1>throwing rocks at house, having pegs, right, just a little

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<v Speaker 1>bait hop on the back tire bro exactly. Yeah, I

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<v Speaker 1>mean it was cool until you get older you realize,

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<v Speaker 1>like certain locations you're not supposed to go to and

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<v Speaker 1>stuff like that, territories and yeah, it kind of changed

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<v Speaker 1>my perspective as I grew up. But yeah, that was

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<v Speaker 1>part of the reason why my mom wanted me to

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<v Speaker 1>go to the i E. My dad to get away

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<v Speaker 1>from that that like exactly was uh going how much

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<v Speaker 1>of a because a lot of people who aren't from

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<v Speaker 1>the LA area, they'll hear someone from Riverside and they'll

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<v Speaker 1>be like, oh, that's La. Yeah, Like what's the big

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<v Speaker 1>difference culturally you think, like from what you were like

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<v Speaker 1>before your mom sent you to to I E. Like

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<v Speaker 1>what changed the most Just me knowing everybody in the

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<v Speaker 1>neighborhood really like everybody more to theyself out there. When

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<v Speaker 1>I was a late younger, It's like everybody's more outside

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<v Speaker 1>and vocal and you know, everybody on your block, you

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<v Speaker 1>know what I'm saying. Out there, it was just like

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<v Speaker 1>everybody to theyself. So I would say that's the most

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<v Speaker 1>change that I seen. Do you remember the first time

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<v Speaker 1>one of your records like like hit us, Like, like

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<v Speaker 1>do you remember like your first like song that got

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<v Speaker 1>moving online? Like what was like was it something when

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<v Speaker 1>you were in high school? Like what was like, like

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<v Speaker 1>even if it was like just the homies really like,

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<v Speaker 1>oh shit, Like people really like my music even if

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<v Speaker 1>it's like thirty of them, Like yeah, nah, for sure.

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<v Speaker 1>I used to put songs on my Space back in

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<v Speaker 1>the day, shout out to my space. You know who

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<v Speaker 1>was in your top eight though? Real quick, damn, I

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<v Speaker 1>don't even remember. That's that's a good question. Are they

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<v Speaker 1>still around? Would they from my top eight still around

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<v Speaker 1>to this day? That wasn't a solid top eight then?

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<v Speaker 1>So you had you were putting music up on MySpace, right,

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<v Speaker 1>and I feel like we'll reassured me to keep to

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<v Speaker 1>keep making music. Was girls used to upload my songs

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<v Speaker 1>on their page? You know how you can? Yeah, you

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<v Speaker 1>get paid someone else exactly. So I used to think

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<v Speaker 1>that was cool. I used to think I was somebody

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<v Speaker 1>because they were put if you if you had the

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<v Speaker 1>song choice on your Mindspace page was so important, that's all.

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<v Speaker 1>That's all the credit you needed. Back then, I would

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<v Speaker 1>put way too much thought into which songs that would

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<v Speaker 1>have as like my two or three on MySpace. So like, yo,

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<v Speaker 1>when people come to my page, I want them to

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<v Speaker 1>know how raw rap ship I'm into. I want them

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<v Speaker 1>to know I'll be fucking with the boom bab ship exactly.

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<v Speaker 1>That was your whole personality. Let me put this fucking this,

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<v Speaker 1>this re up gang, push your t ship on my page.

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<v Speaker 1>You know what I'm saying. So people know, like I

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<v Speaker 1>with the fucking with the Nelly shit. Feel me? No,

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<v Speaker 1>that's crazy. So how old are you? I'm fifteen, You're fifteen, Okay?

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<v Speaker 1>Well how where're you graduate? High school? Twenty ten? Okay

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<v Speaker 1>for sure? I graduated no five, So so yeah, I'm

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<v Speaker 1>just trying to judge the era of music you came up.

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<v Speaker 1>So you obviously are like I mean, sonically, man, you

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<v Speaker 1>can do anything. I feel like your melodies are crazy.

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<v Speaker 1>Where you think you get that from? Damn, that's a

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<v Speaker 1>good ass question. I probably would say just growing up

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<v Speaker 1>in my house, my mom and my older sister just

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<v Speaker 1>would play anything, you know, from Erica by Dude to

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<v Speaker 1>Jill Scott. But like that's where most some good shit. Yeah,

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<v Speaker 1>my melodic side came from. And that's what really attracts

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<v Speaker 1>to me the most. Like melodies, Yeah, like, and I

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<v Speaker 1>feel like too, like melodies are are the heart people.

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<v Speaker 1>You know, hear a lot of people talking about like

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<v Speaker 1>today's music is more melodic than like in the nineties

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<v Speaker 1>or the two thousands. But it's like, I feel like

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<v Speaker 1>the melody part is the hardest part. Like you, like,

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<v Speaker 1>anybody can write a bunch of lyrics on a page

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<v Speaker 1>and then they open their mouth and they sound god awful.

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<v Speaker 1>Right now. That's part of the reason why, like, when

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<v Speaker 1>I'm recording, I just like to go with whatever I'm feeling,

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<v Speaker 1>because when you write it, it's not the exact same

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<v Speaker 1>as you will perform it, you know what I'm saying.

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<v Speaker 1>That makes sense. So is that your process when you're recording.

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<v Speaker 1>Are you like just feeling the melody out. Yeah, I

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<v Speaker 1>just say a melody with no words, like to a beat,

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<v Speaker 1>and then feel the words in it and then as

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<v Speaker 1>it goes Yeah, exactly. Yeah. I mean I've been in

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<v Speaker 1>the studio a lot. I feel like a lot of

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<v Speaker 1>people are kind of that's kind of like the way

0:12:46.880 --> 0:12:48.720
<v Speaker 1>they record now because I feel like, like you said,

0:12:48.760 --> 0:12:53.199
<v Speaker 1>writing it down is like it's like you're reciting something. Yeah,

0:12:53.679 --> 0:12:56.160
<v Speaker 1>I mean, especially with me having a studio of my house,

0:12:56.880 --> 0:12:59.080
<v Speaker 1>it gives me the opportunity to take my time with

0:12:59.160 --> 0:13:02.000
<v Speaker 1>it too, so to say like I'm just freestyle and everything,

0:13:02.040 --> 0:13:04.439
<v Speaker 1>but I really like to take my time and fine

0:13:04.480 --> 0:13:07.920
<v Speaker 1>what feels good versus what sounds good. Okay, So outside

0:13:07.920 --> 0:13:10.280
<v Speaker 1>of you in the MySpace moment, what was the first

0:13:10.320 --> 0:13:13.440
<v Speaker 1>record of yours? Like what like? Like, I know that

0:13:13.520 --> 0:13:15.440
<v Speaker 1>the Bino Project made a lot of waves, and before

0:13:15.440 --> 0:13:17.280
<v Speaker 1>that you were making some noise, But what was that

0:13:17.320 --> 0:13:18.960
<v Speaker 1>record that kind of put you on in the city

0:13:19.000 --> 0:13:21.120
<v Speaker 1>where you were kind of like okay, like you know,

0:13:21.160 --> 0:13:26.200
<v Speaker 1>this shit's going in the right direction. Damn, that's a

0:13:26.200 --> 0:13:28.719
<v Speaker 1>good I wouldn't even say it was one record. It

0:13:28.800 --> 0:13:30.640
<v Speaker 1>was just a buy. I know you're dropping a lot. Yeah.

0:13:30.679 --> 0:13:33.320
<v Speaker 1>It was a slow build up until the point where

0:13:33.760 --> 0:13:35.880
<v Speaker 1>where I put out until I put out the six

0:13:35.960 --> 0:13:38.800
<v Speaker 1>tape and I was like, okay, I had this record

0:13:38.800 --> 0:13:42.160
<v Speaker 1>called Savage with Bino. That was the one that really

0:13:42.280 --> 0:13:45.760
<v Speaker 1>like caught everybody attention. And I was on Bino's Sorry

0:13:45.760 --> 0:13:50.600
<v Speaker 1>for the Way tape. Yeah, so you and Bino. By

0:13:50.640 --> 0:13:53.520
<v Speaker 1>the way, Bino's project outside is super slept on it.

0:13:54.280 --> 0:13:58.559
<v Speaker 1>Go check that shit out. Father, You're on your You're Yeah,

0:13:58.640 --> 0:14:01.240
<v Speaker 1>the singles crazy. We was running that shit up on

0:14:01.240 --> 0:14:03.720
<v Speaker 1>the radio for at least a month. Man shot out

0:14:03.760 --> 0:14:07.520
<v Speaker 1>that record is crazy. How did your guys' friendship like

0:14:07.679 --> 0:14:10.920
<v Speaker 1>start up. So it's this artist y'all may know his name,

0:14:11.000 --> 0:14:13.440
<v Speaker 1>Kaitlyn for real, for real, shout out to Kaylyn. I

0:14:13.480 --> 0:14:16.480
<v Speaker 1>produced this song. He got called right with it, of course,

0:14:16.679 --> 0:14:19.200
<v Speaker 1>and uh, Beino hit up Kaitlin, like, yo, who did this?

0:14:19.600 --> 0:14:21.520
<v Speaker 1>You know even didn't even know as an artist at

0:14:21.520 --> 0:14:23.960
<v Speaker 1>the time. Okay, a lot of people know me from producing.

0:14:24.600 --> 0:14:29.000
<v Speaker 1>So yeah, Kaitlyn exchanged our contacts. I sent Beino probably

0:14:29.040 --> 0:14:32.280
<v Speaker 1>like five beats and he recorded everyone and like like

0:14:32.360 --> 0:14:34.680
<v Speaker 1>a week. Wow. I sent them back, but he was

0:14:34.760 --> 0:14:36.720
<v Speaker 1>dropping them too and putting videos out to him and

0:14:36.720 --> 0:14:40.320
<v Speaker 1>they was all going viral, like you know, on YouTube, right,

0:14:40.640 --> 0:14:44.160
<v Speaker 1>So yeah, he started putting together He's Sorry for the

0:14:44.160 --> 0:14:47.360
<v Speaker 1>Weight tape. I sent them savage and he ended up

0:14:47.360 --> 0:14:50.440
<v Speaker 1>putting that on I'm Sorry for the Weight and then

0:14:50.680 --> 0:14:53.520
<v Speaker 1>we also ended up putting that on six tape, right,

0:14:53.840 --> 0:14:57.560
<v Speaker 1>And that's how we started our relationship. That's crazy because

0:14:59.680 --> 0:15:02.440
<v Speaker 1>it's it's like like you guys recently just started fucking

0:15:02.440 --> 0:15:05.360
<v Speaker 1>with each other. But chemistry's fire. I don't know what

0:15:05.400 --> 0:15:08.440
<v Speaker 1>it is, but just his workflow is just like mine.

0:15:08.480 --> 0:15:11.240
<v Speaker 1>So it was easy. We clicked right off the jump.

0:15:11.680 --> 0:15:16.800
<v Speaker 1>Do you feel like, like you said earlier, like you're

0:15:16.840 --> 0:15:19.880
<v Speaker 1>you're like your come up and it's still you're still

0:15:19.880 --> 0:15:23.120
<v Speaker 1>in the middle of it. But like the slow grinding

0:15:23.160 --> 0:15:27.400
<v Speaker 1>aspect of it was. Was it ever like frustrating or like,

0:15:27.440 --> 0:15:29.880
<v Speaker 1>were you ever hitting walls in the music industry where

0:15:29.880 --> 0:15:33.920
<v Speaker 1>you're kind of like almost like threw in the hat? Nah? Yeah,

0:15:33.920 --> 0:15:36.640
<v Speaker 1>you definitely had those moments. But I don't know. I

0:15:36.680 --> 0:15:40.240
<v Speaker 1>feel like me being able to produce my own sound

0:15:40.720 --> 0:15:45.000
<v Speaker 1>kept me like humble enough to believe that sooner or

0:15:45.040 --> 0:15:46.720
<v Speaker 1>later it was gonna work, you know what I'm saying.

0:15:46.840 --> 0:15:49.880
<v Speaker 1>I looked at it like I'm just developing my sound

0:15:50.280 --> 0:15:52.120
<v Speaker 1>instead of like when this shit gonna blow. Like I

0:15:52.120 --> 0:15:53.760
<v Speaker 1>felt like I was just like all right, like he

0:15:53.840 --> 0:15:57.600
<v Speaker 1>was in your reps up right, Yeah, it's gonna hit.

0:15:57.920 --> 0:16:02.400
<v Speaker 1>That's fair man, Damn. So the p is uh it's

0:16:02.480 --> 0:16:04.960
<v Speaker 1>fire straight through and through, man. I was. I was

0:16:04.960 --> 0:16:07.080
<v Speaker 1>just talking to my homie from New York about it

0:16:07.160 --> 0:16:09.680
<v Speaker 1>because all people be hitting me like yo, what's it?

0:16:09.720 --> 0:16:11.280
<v Speaker 1>What's going on in l A? And then I gotta

0:16:11.320 --> 0:16:16.160
<v Speaker 1>usually hit up DJ head But nah, I mean the

0:16:16.240 --> 0:16:22.280
<v Speaker 1>epy Phoenix. Yeah, we've never met, which is crazy because yeah,

0:16:22.320 --> 0:16:28.640
<v Speaker 1>but Uh, what was I fucking saying? I'm high ahead,

0:16:29.680 --> 0:16:32.160
<v Speaker 1>talking ahead? Oh your EP, we're talking about your EP.

0:16:33.120 --> 0:16:36.560
<v Speaker 1>EP's crazy. I was extremely because I felt like every

0:16:36.560 --> 0:16:39.960
<v Speaker 1>time I was talking to anybody, uh, it was like

0:16:40.040 --> 0:16:41.880
<v Speaker 1>I've talked to people at def Jam, like and they're

0:16:41.920 --> 0:16:44.680
<v Speaker 1>bringing your name up, Like everybody's trying to sign this

0:16:44.720 --> 0:16:47.400
<v Speaker 1>full This was before this was like around the time

0:16:47.480 --> 0:16:50.680
<v Speaker 1>Beano dropped his project, but everybody had already kind of known,

0:16:50.800 --> 0:16:54.720
<v Speaker 1>like you're the guy that's next up. You signed with

0:16:54.800 --> 0:16:59.040
<v Speaker 1>Red Bull, which is very unconventional. I know Warren Bruce

0:16:59.200 --> 0:17:03.880
<v Speaker 1>was fucking with red and ye, why what kind of

0:17:03.880 --> 0:17:06.320
<v Speaker 1>give us the rundown on that decision? Because it definitely

0:17:06.359 --> 0:17:10.399
<v Speaker 1>caught me by surprise. So I'm signed under my own imprint,

0:17:10.400 --> 0:17:12.720
<v Speaker 1>which is Eagle, and we did a partnership with Red Bull.

0:17:13.480 --> 0:17:17.639
<v Speaker 1>So yeah, basically Eagle is my team that put together

0:17:18.200 --> 0:17:20.679
<v Speaker 1>and right now it's just like a management because I'm

0:17:20.720 --> 0:17:22.919
<v Speaker 1>the only artist that they focused on. Got you and

0:17:23.480 --> 0:17:26.399
<v Speaker 1>well red Bull. Yeah, everybody be saying like why you

0:17:26.440 --> 0:17:28.679
<v Speaker 1>do why you go with Red Bull? I wanted to

0:17:28.680 --> 0:17:31.640
<v Speaker 1>go to unconventional route because this was my first time

0:17:31.680 --> 0:17:34.959
<v Speaker 1>doing paperwork with anybody, So I wanted to be strategic,

0:17:35.000 --> 0:17:37.960
<v Speaker 1>and I didn't want it to be something where it's

0:17:38.000 --> 0:17:41.159
<v Speaker 1>like a long situation, you know what I'm saying. I

0:17:41.240 --> 0:17:43.359
<v Speaker 1>wanted to do something where I can learn the ropes

0:17:43.400 --> 0:17:45.720
<v Speaker 1>of things. And it was the perfect fit for me

0:17:45.760 --> 0:17:50.240
<v Speaker 1>because they understood my position and my value as being

0:17:50.240 --> 0:17:52.879
<v Speaker 1>a producer as well. So I feel like, yeah, it

0:17:52.880 --> 0:17:55.280
<v Speaker 1>was the perfect situation. It's a short term. It's a

0:17:55.320 --> 0:17:59.160
<v Speaker 1>short term deal. So are you a technically a free agent? Now?

0:18:01.320 --> 0:18:03.240
<v Speaker 1>I'm not gonna say that because I do want to.

0:18:03.400 --> 0:18:05.480
<v Speaker 1>I got some plans that I'm not speaking on right now.

0:18:05.600 --> 0:18:11.320
<v Speaker 1>So you've already signed the big, big deal. Nah? Nah.

0:18:12.680 --> 0:18:14.719
<v Speaker 1>I know. I've heard some people trying to get at you,

0:18:15.359 --> 0:18:18.000
<v Speaker 1>is it everybody? A lot of people have been tapping there,

0:18:18.080 --> 0:18:20.040
<v Speaker 1>But I'm just trying to take my time with it,

0:18:20.160 --> 0:18:24.320
<v Speaker 1>right Yeah. Like I feel like the mistake most people

0:18:24.400 --> 0:18:29.080
<v Speaker 1>make is like you're like, you're doing what you're supposed

0:18:29.080 --> 0:18:32.200
<v Speaker 1>to be doing. If a major label got involved tomorrow,

0:18:32.640 --> 0:18:36.760
<v Speaker 1>like it might beat up like some things, but you're

0:18:37.160 --> 0:18:39.119
<v Speaker 1>you're like, there's not a lot of major label can

0:18:39.160 --> 0:18:42.080
<v Speaker 1>bring to the table that you're not already besides money,

0:18:42.520 --> 0:18:46.679
<v Speaker 1>and that's gonna cut that's a fact. But even like

0:18:46.800 --> 0:18:50.440
<v Speaker 1>Red Bull, they definitely helped crazy, like with my situation,

0:18:51.080 --> 0:18:54.840
<v Speaker 1>like just with the publications and everything, helping me put

0:18:54.880 --> 0:18:58.480
<v Speaker 1>together my rollout. Oh, they was really on their ship.

0:18:58.640 --> 0:19:01.080
<v Speaker 1>Every idea we came up with it, they was they

0:19:01.200 --> 0:19:03.440
<v Speaker 1>was down there to produce it or you know, figure

0:19:03.440 --> 0:19:05.840
<v Speaker 1>out ways they can be a part of it. I

0:19:05.880 --> 0:19:08.000
<v Speaker 1>mean that company is very They do a lot of

0:19:08.040 --> 0:19:11.359
<v Speaker 1>dope dope ship that's like people obviously equated to an

0:19:11.440 --> 0:19:14.760
<v Speaker 1>energy drink, but they do so much ill shit. Nah. Yeah,

0:19:14.800 --> 0:19:18.119
<v Speaker 1>they fire fuck with Red Bull Records, absolutely fuck with

0:19:18.200 --> 0:19:22.240
<v Speaker 1>Red Bull Records and only drink red Bull because it

0:19:22.280 --> 0:19:26.800
<v Speaker 1>gives you wings. Do you get free Red Bull for life?

0:19:27.280 --> 0:19:29.840
<v Speaker 1>I hope so. I mean I'm assuming you have cases

0:19:29.880 --> 0:19:32.320
<v Speaker 1>and nah. Yeah. They definitely blessed me with the cases,

0:19:32.440 --> 0:19:35.439
<v Speaker 1>which is lovely, but yeah, I don't know if I

0:19:35.480 --> 0:19:37.919
<v Speaker 1>get it for life though. There's like a Red Bull

0:19:38.480 --> 0:19:42.200
<v Speaker 1>airplane competition. Have you seen that? They got so many

0:19:42.240 --> 0:19:45.280
<v Speaker 1>sports bro? No, but they have like a competition with

0:19:45.320 --> 0:19:48.640
<v Speaker 1>these fucking airplanes doing crazy ass ship bro. It's like

0:19:48.640 --> 0:19:54.040
<v Speaker 1>like what like tricks bro? Yeah, it's like wild. Yeah,

0:19:54.040 --> 0:19:57.080
<v Speaker 1>I've seen that fucking Red Bull man. They were raging

0:19:57.160 --> 0:20:00.879
<v Speaker 1>over there. Yeah, everything extremely part of it. That shit

0:20:00.920 --> 0:20:05.600
<v Speaker 1>crazy talk about man, Just like I know, you've had

0:20:05.640 --> 0:20:10.840
<v Speaker 1>a lot of people tap in with you. Like, like

0:20:10.880 --> 0:20:13.120
<v Speaker 1>I said, you're you're kind of the known. I feel

0:20:13.160 --> 0:20:15.280
<v Speaker 1>like it's the consensus amongst the taste makers out here

0:20:15.400 --> 0:20:18.280
<v Speaker 1>is like you're up next, who's tapped in? It's like

0:20:18.359 --> 0:20:21.640
<v Speaker 1>kind of surprised you that was somebody who you were

0:20:22.640 --> 0:20:24.320
<v Speaker 1>a fan of or somebody who you were like, oh

0:20:24.320 --> 0:20:26.440
<v Speaker 1>my god, this person knows who the fuck I am.

0:20:26.720 --> 0:20:29.560
<v Speaker 1>It's funny, as you said it earlier, Russ tapped in recently,

0:20:29.760 --> 0:20:33.359
<v Speaker 1>Russ Russ a great guy, solid dude. He shouted me

0:20:33.359 --> 0:20:35.879
<v Speaker 1>out on Twitter too. I saw that, Yeah, I just

0:20:35.920 --> 0:20:38.399
<v Speaker 1>saw that, You're right, Yeah, he just tweeted about you

0:20:38.480 --> 0:20:41.080
<v Speaker 1>like it was yesterday, the day before. Yeah, yeah, shout

0:20:41.080 --> 0:20:42.879
<v Speaker 1>out to Russ. That's crazy because I watched all his

0:20:43.000 --> 0:20:45.440
<v Speaker 1>interviews and I be feeling exactly how he be feeling

0:20:45.480 --> 0:20:48.680
<v Speaker 1>about everything. So shout out Russ. Sean love because he

0:20:48.720 --> 0:20:52.119
<v Speaker 1>didn't have to do that. You know, It's interesting with Russ.

0:20:52.160 --> 0:20:54.719
<v Speaker 1>I feel like he gets so much unwarranted hate and

0:20:54.760 --> 0:20:58.080
<v Speaker 1>I'm like, Yo, this guy's literally giving you guys priceless

0:20:58.160 --> 0:21:02.000
<v Speaker 1>game that's crazy for free, like shit, you can't pay

0:21:02.040 --> 0:21:04.360
<v Speaker 1>for shit that nobody will want to tell you. Who

0:21:04.359 --> 0:21:07.600
<v Speaker 1>could tell you? And he's just spreading the game to everybody.

0:21:08.240 --> 0:21:10.320
<v Speaker 1>And it's like, Yo, you could do nothing but appreciate

0:21:10.359 --> 0:21:16.040
<v Speaker 1>somebody like that too. Does that kind of staying independent

0:21:16.200 --> 0:21:20.520
<v Speaker 1>or or not necessarily going like the super major label

0:21:20.600 --> 0:21:23.320
<v Speaker 1>route to somebody like Russ and what he you know,

0:21:23.359 --> 0:21:27.320
<v Speaker 1>when he posted his tumb course, shit, that's just crazy, mom. Yeah,

0:21:27.359 --> 0:21:30.040
<v Speaker 1>that's pure motivation for me. When he even when he

0:21:30.080 --> 0:21:31.719
<v Speaker 1>tapped in, I was tellingim, but I was like, bro,

0:21:31.840 --> 0:21:34.840
<v Speaker 1>this is just reinsurance that I'm on the right path. Yeah,

0:21:34.920 --> 0:21:37.640
<v Speaker 1>things like that. Yeah, that's what motivated me for sure.

0:21:39.359 --> 0:21:43.680
<v Speaker 1>You have a crazy uh record with mis that you

0:21:43.680 --> 0:21:47.919
<v Speaker 1>guys just drop the video for. Are you prepared to

0:21:47.960 --> 0:21:50.360
<v Speaker 1>be the next like hook guy? I think Ty's gonna

0:21:50.359 --> 0:21:52.360
<v Speaker 1>pass you the baton. Hey, I'm not mad at that.

0:21:52.400 --> 0:21:54.600
<v Speaker 1>I'm not mad at that. Yeah, I definitely take that role.

0:21:55.119 --> 0:21:56.960
<v Speaker 1>I'm not mad at being the hook guy. I feel

0:21:57.000 --> 0:21:59.520
<v Speaker 1>like it's coming man, I do too. I feel like

0:21:59.560 --> 0:22:01.200
<v Speaker 1>it's like I feel like you're like tied. All the

0:22:01.240 --> 0:22:07.160
<v Speaker 1>sounds gonna be like yeah, t I got it for show. Yeah.

0:22:07.320 --> 0:22:10.359
<v Speaker 1>On Twitter, that's the trend, they say, blast everyone's coming

0:22:10.400 --> 0:22:13.480
<v Speaker 1>at you, Like, yeah, bro, you got to like, man,

0:22:14.480 --> 0:22:17.760
<v Speaker 1>who's your dream collaboration? Like, who's like that one artist

0:22:18.440 --> 0:22:22.399
<v Speaker 1>that even no matter how unrealistic, it is like that

0:22:22.400 --> 0:22:26.120
<v Speaker 1>that you you want to work with. People probably gonna

0:22:26.119 --> 0:22:28.600
<v Speaker 1>make fun of me, but I'll say Chris Brown. Hey,

0:22:28.760 --> 0:22:31.560
<v Speaker 1>I feel like Chris Brown is untouched with any anything

0:22:31.640 --> 0:22:34.159
<v Speaker 1>he touched it just turned it to go. I just

0:22:34.200 --> 0:22:36.600
<v Speaker 1>had a conversation with you know who, Gashy is, the

0:22:36.640 --> 0:22:40.720
<v Speaker 1>singer Gashy. So we had a conversation about how Chris Brown,

0:22:40.760 --> 0:22:44.640
<v Speaker 1>in my opinion, is the most talented artist to ever

0:22:44.880 --> 0:22:47.320
<v Speaker 1>that I've ever seen. And when I'm talking talent, I'm

0:22:47.359 --> 0:22:49.000
<v Speaker 1>not talking about I mean he could sing and he

0:22:49.000 --> 0:22:51.119
<v Speaker 1>could dance better than everybody, but he also paint your

0:22:51.119 --> 0:22:56.159
<v Speaker 1>house right and like he does murals and not humans.

0:22:56.400 --> 0:22:58.040
<v Speaker 1>I mean, he's obviously got his falls. We all got

0:22:58.040 --> 0:23:00.399
<v Speaker 1>our flaws, you know, his just much more public. But goddamn,

0:23:00.400 --> 0:23:02.520
<v Speaker 1>if you don't got more ten. This motherfucker hit a jumper,

0:23:04.160 --> 0:23:06.199
<v Speaker 1>now that's a fact. When he did that backflip on

0:23:06.240 --> 0:23:09.600
<v Speaker 1>stage and they was comparing them to Michael Jackson and yeah,

0:23:09.680 --> 0:23:12.800
<v Speaker 1>and and fair point, he'll probably take ninety nine percent

0:23:12.840 --> 0:23:17.159
<v Speaker 1>of everybody's wife's He's Chris Brown. That's a talent, you know,

0:23:17.640 --> 0:23:21.680
<v Speaker 1>gotta give it to him. M Yeah, I'm gonna put

0:23:21.720 --> 0:23:24.120
<v Speaker 1>I think you working with Chris Brown has gotta happen

0:23:24.160 --> 0:23:26.720
<v Speaker 1>in the next twelve months. I feel like it's happened.

0:23:26.840 --> 0:23:28.560
<v Speaker 1>I feel like that you can kind of you could

0:23:28.640 --> 0:23:31.120
<v Speaker 1>kind of put that in the like like in the atmosphere.

0:23:31.160 --> 0:23:33.399
<v Speaker 1>It's gonna happen. Yeah, I'm a manifest that for sure.

0:23:33.880 --> 0:23:35.600
<v Speaker 1>Chris Brown, I'm gonna work with two. Come on, what

0:23:35.680 --> 0:23:39.720
<v Speaker 1>about somebody like Super Unexpected Sada Babies a Nickelback fan,

0:23:40.320 --> 0:23:47.520
<v Speaker 1>which was fucking weird. That's the worst band ever, I

0:23:47.520 --> 0:23:52.000
<v Speaker 1>would say. Somebody like Adele Shout out to Adele Man. Yeah,

0:23:52.119 --> 0:23:54.840
<v Speaker 1>I think everything she makes is just big, like stadium

0:23:54.960 --> 0:23:58.040
<v Speaker 1>or her music is like obviously she just became meme.

0:23:58.720 --> 0:24:01.600
<v Speaker 1>Shout out to her for representing that's on Jamaica Day.

0:24:02.400 --> 0:24:05.240
<v Speaker 1>But no, but like her music is like timeless. It's

0:24:05.280 --> 0:24:09.760
<v Speaker 1>like it's like ship Like she's a living legend for sure.

0:24:09.920 --> 0:24:12.040
<v Speaker 1>Do you think you sing? Do you think when someone

0:24:12.080 --> 0:24:15.600
<v Speaker 1>loses weight like that? Does their voice change. I don't know.

0:24:15.840 --> 0:24:19.160
<v Speaker 1>That's a good question. I think I think her voice

0:24:19.440 --> 0:24:21.200
<v Speaker 1>is the same. I mean, I don't know. I don't

0:24:21.200 --> 0:24:22.920
<v Speaker 1>think we've heard Skinny Adel yet. I don't think she's

0:24:22.960 --> 0:24:26.560
<v Speaker 1>dropped some ship since she's she's been on her fitness

0:24:27.520 --> 0:24:31.679
<v Speaker 1>shout out to her though. Is there gonna be a

0:24:31.720 --> 0:24:35.720
<v Speaker 1>sequel to you and Bino Ship? Absolutely? I mean I

0:24:35.720 --> 0:24:38.160
<v Speaker 1>can't speak on Bino bed well no, he told me yes,

0:24:38.240 --> 0:24:40.840
<v Speaker 1>But you know, I just want to see. Yeah, it's

0:24:40.840 --> 0:24:42.680
<v Speaker 1>one hundred percent of go on my hand. How many

0:24:42.720 --> 0:24:44.680
<v Speaker 1>records you guys have together that are in the can?

0:24:44.760 --> 0:24:54.440
<v Speaker 1>If any, I'll probably say, like a cool ten ten Yeah, okay,

0:24:54.640 --> 0:24:56.959
<v Speaker 1>that's I mean, that's a project. There you go. Yeah,

0:24:57.440 --> 0:25:00.320
<v Speaker 1>but you know the vibes we gotta we gotta locke

0:25:00.320 --> 0:25:04.160
<v Speaker 1>in for sure. On a real note. Oh by the way,

0:25:04.480 --> 0:25:07.679
<v Speaker 1>I heard his new ship that you probably heard with

0:25:07.760 --> 0:25:09.680
<v Speaker 1>the big rapper on it. I ain't heard of it

0:25:09.720 --> 0:25:17.359
<v Speaker 1>yet him. Yeah. It's it's when you make an EP,

0:25:19.280 --> 0:25:22.600
<v Speaker 1>do you have? Because your debut album is going to

0:25:22.680 --> 0:25:26.879
<v Speaker 1>be very very important, right, Like it's like a moment

0:25:26.960 --> 0:25:29.080
<v Speaker 1>for everybody, but for you specifically. I think it's gonna

0:25:29.080 --> 0:25:33.359
<v Speaker 1>mean a lot and when you separate, like all right,

0:25:33.400 --> 0:25:36.440
<v Speaker 1>now this has got to be on the album. Yeah. Absolutely,

0:25:36.520 --> 0:25:38.800
<v Speaker 1>I got some records right now that that I know

0:25:38.880 --> 0:25:40.720
<v Speaker 1>for sure. It's like, all right, this is gonna be

0:25:40.760 --> 0:25:44.000
<v Speaker 1>on the album that I recorded probably like two years ago.

0:25:44.080 --> 0:25:45.840
<v Speaker 1>Like now, this one's got to make the album. Like

0:25:45.880 --> 0:25:48.480
<v Speaker 1>that's is timeless records that you come across. Yeah, you

0:25:48.520 --> 0:25:54.200
<v Speaker 1>gotta tuck those for sure. Has has h has Roddy

0:25:54.240 --> 0:25:57.280
<v Speaker 1>tapped interview at all? I've been already for a minute now.

0:25:58.200 --> 0:26:01.520
<v Speaker 1>I actually produced one record from It's not out though. Okay,

0:26:01.600 --> 0:26:04.160
<v Speaker 1>but yeah, Roddy, that's them, So you guys have already

0:26:04.160 --> 0:26:09.600
<v Speaker 1>had a relationship. Yeah. Absolutely. His melodies are also I

0:26:09.640 --> 0:26:12.640
<v Speaker 1>think he's got the best melodies in the game. Roddy's

0:26:12.960 --> 0:26:15.199
<v Speaker 1>the way he'd be skating on his verses, like Jesus,

0:26:15.280 --> 0:26:19.200
<v Speaker 1>it's like a soulful trap singer, Like, Yo, it's fucking crazy.

0:26:19.520 --> 0:26:23.320
<v Speaker 1>It's I saw glasses. Malone tweet something that the future

0:26:23.359 --> 0:26:26.760
<v Speaker 1>West Coast hip hop is very It lies a lot

0:26:26.800 --> 0:26:29.760
<v Speaker 1>on on whether or not it's on you, essentially. I mean,

0:26:29.920 --> 0:26:32.159
<v Speaker 1>I forget what he said and he's talking about that.

0:26:32.200 --> 0:26:35.280
<v Speaker 1>I try to swar through glasses bullshit sports takes and

0:26:35.320 --> 0:26:37.280
<v Speaker 1>get something good, and he said something about like the

0:26:37.320 --> 0:26:40.760
<v Speaker 1>future of West Coast music depends a lot on me,

0:26:41.320 --> 0:26:44.840
<v Speaker 1>on your success. When you saw that, like like that mean,

0:26:44.880 --> 0:26:47.000
<v Speaker 1>you know, Glasses of a a og out here, Like that's

0:26:47.000 --> 0:26:49.600
<v Speaker 1>a lot of you know, that's a lot to carry,

0:26:49.720 --> 0:26:52.879
<v Speaker 1>a lot to handle, especially in my position. But I

0:26:53.040 --> 0:26:56.560
<v Speaker 1>just look at it as like, I don't know, I'm

0:26:56.600 --> 0:26:58.720
<v Speaker 1>just grateful, you know, at the end of the day,

0:26:58.840 --> 0:27:01.440
<v Speaker 1>Like I can't really I don't really like to brag

0:27:01.560 --> 0:27:05.520
<v Speaker 1>or nothing, Like I'm humble, like I keep everything not

0:27:05.600 --> 0:27:08.359
<v Speaker 1>too high and yeah, when I see stuff like that,

0:27:08.400 --> 0:27:11.879
<v Speaker 1>it's just reinsurance for me. Like I said earlier, it's like, damn,

0:27:12.040 --> 0:27:14.919
<v Speaker 1>that's big. Like g Malone is a legend. Shout out

0:27:14.960 --> 0:27:18.720
<v Speaker 1>to Glasses man. He's also just a very very He's

0:27:18.760 --> 0:27:21.960
<v Speaker 1>like the Skip baylist of hip hop. If you ever

0:27:22.000 --> 0:27:23.680
<v Speaker 1>want to follow someone on Twitter and want to break

0:27:23.720 --> 0:27:26.960
<v Speaker 1>your fucking computer screen, just follow glasses mom at gimlum.

0:27:27.560 --> 0:27:31.720
<v Speaker 1>That's my boy. What do you do, like, like give

0:27:31.760 --> 0:27:34.080
<v Speaker 1>me some some some some you know, it's like diving,

0:27:34.160 --> 0:27:36.760
<v Speaker 1>Like what are you doing like in your spare time, bro,

0:27:36.920 --> 0:27:39.399
<v Speaker 1>Like when you ain't fucking being a musical genius and

0:27:39.440 --> 0:27:42.679
<v Speaker 1>ship and and trying to take my job on real

0:27:42.760 --> 0:27:47.560
<v Speaker 1>naety two vacation. Yeah, but nah, what do you like?

0:27:47.600 --> 0:27:50.439
<v Speaker 1>What are you into? Man? Like? You watch fucking like

0:27:50.480 --> 0:27:52.720
<v Speaker 1>what kind of movies? Like you play video games? What

0:27:52.800 --> 0:27:55.119
<v Speaker 1>do you Yeah? I mean, of course I play video

0:27:55.200 --> 0:27:58.000
<v Speaker 1>games called it duty two k of something that people

0:27:58.040 --> 0:28:01.720
<v Speaker 1>don't know. I like sometimes I watch cartoon. I like

0:28:01.760 --> 0:28:07.560
<v Speaker 1>the Avatar, the Avatar cartoon. Yeah, that's the anime, right, Yeah,

0:28:07.840 --> 0:28:11.520
<v Speaker 1>they the movie wasn't good. They're like real life movie.

0:28:11.520 --> 0:28:15.080
<v Speaker 1>They's talking about the one with like the blue No no,

0:28:15.080 --> 0:28:16.880
<v Speaker 1>no, no no, no no, I mean the fucking that they

0:28:16.880 --> 0:28:20.120
<v Speaker 1>did an anime version of the Airbender ship. I don't,

0:28:20.240 --> 0:28:21.960
<v Speaker 1>I don't, Oh you're talking about it was like a

0:28:21.960 --> 0:28:24.439
<v Speaker 1>real life It was horrible. Yeah, but I I heard the

0:28:24.840 --> 0:28:28.520
<v Speaker 1>I'm not into my son's in the all the the

0:28:28.640 --> 0:28:31.960
<v Speaker 1>routo and you funk with that ship. I don't know.

0:28:32.240 --> 0:28:36.040
<v Speaker 1>That's like another air for me. But but the Avatar, Yeah, Avatar,

0:28:36.119 --> 0:28:38.440
<v Speaker 1>that's my ship. Do you ever watch that show where

0:28:38.440 --> 0:28:41.040
<v Speaker 1>they be in the middle of the fucking forest and

0:28:41.080 --> 0:28:43.480
<v Speaker 1>they have to survive for like I think I noticed

0:28:43.480 --> 0:28:46.440
<v Speaker 1>you talking they like on the island Bro, there's this

0:28:46.560 --> 0:28:50.040
<v Speaker 1>show called It's on an Amazon Prime or Netflix. That

0:28:50.080 --> 0:28:54.800
<v Speaker 1>shit is crazy. They're like dropped off. Is it's called lost? Maybe? Yeah,

0:28:54.960 --> 0:28:57.080
<v Speaker 1>it is called Lost and they got to survive off

0:28:57.080 --> 0:29:01.040
<v Speaker 1>the land. That ship is crazy. It is crazy. I

0:29:01.040 --> 0:29:04.800
<v Speaker 1>feel like you have to be Caucasian to do. I

0:29:04.800 --> 0:29:06.640
<v Speaker 1>don't know, man, I just feel like it's like they

0:29:06.720 --> 0:29:09.360
<v Speaker 1>just like who if, by the way, I'm white, So

0:29:09.400 --> 0:29:11.760
<v Speaker 1>it's just some white people ship, Like who's getting dropped

0:29:11.760 --> 0:29:14.640
<v Speaker 1>off in the middle of the desert, like voluntarily, Like

0:29:14.640 --> 0:29:17.000
<v Speaker 1>like that's some whole other ship. I couldn't be a

0:29:17.000 --> 0:29:21.360
<v Speaker 1>part of the way. I'm sorry. I don't know. I

0:29:21.400 --> 0:29:27.800
<v Speaker 1>don't want to get canceled for being racist. Bra, I

0:29:27.840 --> 0:29:31.520
<v Speaker 1>don't fucking know. Bro's canceled. Culture shit is real, Like yo,

0:29:31.680 --> 0:29:37.440
<v Speaker 1>this this I don't know, dog, I'm high as fuck anyway.

0:29:38.560 --> 0:29:41.440
<v Speaker 1>Other collaborations, we talked about you being the hook guy.

0:29:41.600 --> 0:29:43.560
<v Speaker 1>You said, yeah, I could see that, which means that

0:29:43.600 --> 0:29:45.959
<v Speaker 1>you're definitely gonna be on some ship that's already been

0:29:45.960 --> 0:29:48.640
<v Speaker 1>recorded coming out. But like, what are you already having

0:29:48.840 --> 0:29:52.240
<v Speaker 1>it tucked like hook wise, I know you're gonna very shortly.

0:29:52.280 --> 0:29:54.280
<v Speaker 1>People aren't gonna be able to afford the feature. But

0:29:54.680 --> 0:29:58.320
<v Speaker 1>you know, right now, I just did some ship with

0:29:58.400 --> 0:30:03.760
<v Speaker 1>Tiger and I also did some shit with Russ recently.

0:30:04.160 --> 0:30:07.280
<v Speaker 1>Tiger and Russ, Yeah, well separately, but yeah, yeah. I

0:30:07.280 --> 0:30:09.240
<v Speaker 1>don't want to hear a Tiger and Rest song. I'd

0:30:09.280 --> 0:30:11.880
<v Speaker 1>like to hear Black. I'm just being honest. I don't

0:30:11.880 --> 0:30:13.720
<v Speaker 1>want to hear them together on song. I'd like to

0:30:13.720 --> 0:30:16.040
<v Speaker 1>hear you want a song with Tiger, right, I wouldn't

0:30:16.040 --> 0:30:17.760
<v Speaker 1>want to hear Tiger on a song with Tiger though.

0:30:18.000 --> 0:30:19.560
<v Speaker 1>I think I like, you'd have to be honest for

0:30:19.600 --> 0:30:21.680
<v Speaker 1>me to like shout out to Tager though last Kings.

0:30:21.680 --> 0:30:25.280
<v Speaker 1>You know what I'm saying, How did you Tiger? I mean, no,

0:30:25.440 --> 0:30:27.520
<v Speaker 1>Tiger's a legend. Let's not get a fucked up, But

0:30:27.640 --> 0:30:29.880
<v Speaker 1>how did you and Tiger get together? You just reach it?

0:30:29.920 --> 0:30:33.920
<v Speaker 1>Tapped in now, He tapped in on Instagram strength. It

0:30:34.080 --> 0:30:35.680
<v Speaker 1>was just like, let's work. And I was like, damn,

0:30:35.720 --> 0:30:37.720
<v Speaker 1>that's crazy. A lot of people be tapping in. E

0:30:37.880 --> 0:30:41.200
<v Speaker 1>forty reached out. You got you know what you always

0:30:41.200 --> 0:30:44.600
<v Speaker 1>got to give forty the feature. Man, that's that's automatic.

0:30:44.880 --> 0:30:47.400
<v Speaker 1>Forty Come on, you ever see like look at the

0:30:47.400 --> 0:30:50.280
<v Speaker 1>track list on E forty's albums and you'll see all

0:30:50.280 --> 0:30:52.480
<v Speaker 1>the features and you'd be like, nobody has ever told

0:30:52.480 --> 0:30:54.600
<v Speaker 1>E forty no for the feature because he'd be having

0:30:54.960 --> 0:30:59.120
<v Speaker 1>everybody on it ship no matter how big that It's like, Yo, no,

0:30:59.600 --> 0:31:02.840
<v Speaker 1>he's got E forty's album fucking track list. First of all,

0:31:02.880 --> 0:31:06.080
<v Speaker 1>they're like eighty songs, full drop a triple disc on

0:31:06.160 --> 0:31:08.800
<v Speaker 1>you bro. Nah. But one thing about forty he wanted

0:31:08.800 --> 0:31:11.800
<v Speaker 1>an artists. It's a few of them that never have

0:31:11.920 --> 0:31:14.960
<v Speaker 1>a week verse. Oh never. Mazi another one of them,

0:31:15.040 --> 0:31:19.040
<v Speaker 1>Oh forever. Yo, that's crazy. Mazi has never had a

0:31:19.080 --> 0:31:21.840
<v Speaker 1>week verse ever. And E forty is one of the

0:31:21.880 --> 0:31:24.600
<v Speaker 1>greatest of all time. I think he's on the West

0:31:24.600 --> 0:31:28.200
<v Speaker 1>coast when you do the round Mount Rushmore, he's the

0:31:28.240 --> 0:31:32.040
<v Speaker 1>only Bay representative up there. Shout out to forty man.

0:31:32.080 --> 0:31:34.680
<v Speaker 1>Forty water is a legend. Damn. So E fortyes tapped

0:31:34.720 --> 0:31:36.760
<v Speaker 1>in Russ. So you and Russ have actually done like

0:31:36.800 --> 0:31:41.280
<v Speaker 1>the record exists for you or for him both. So

0:31:41.320 --> 0:31:43.600
<v Speaker 1>you guys, you guys do too, Yeah, little trade off

0:31:44.160 --> 0:31:46.480
<v Speaker 1>something like that. Okay, is that gonna be the one

0:31:46.480 --> 0:31:48.160
<v Speaker 1>that you talk like? Okay, this is an album one

0:31:49.720 --> 0:31:51.880
<v Speaker 1>I'm having the base with Peru. Right now, I'm trying

0:31:51.920 --> 0:31:53.760
<v Speaker 1>to put it on the deluxe for no leve Loss.

0:31:53.800 --> 0:31:56.000
<v Speaker 1>Oh shit, Hey, honestly, it might be a moment man,

0:31:56.120 --> 0:31:59.479
<v Speaker 1>man honestly, especially because he just tweeted about you. Right,

0:31:59.840 --> 0:32:01.320
<v Speaker 1>Are you trying to put it on the album or

0:32:01.360 --> 0:32:04.160
<v Speaker 1>the or the deluxe of the EP? I want to

0:32:04.200 --> 0:32:07.560
<v Speaker 1>put it on the deluxe once I got something, I'm

0:32:07.560 --> 0:32:09.480
<v Speaker 1>ready to Hey, I'm voting for that because I like

0:32:09.520 --> 0:32:13.320
<v Speaker 1>to hear it. Yeah, but your boy probably it's still

0:32:13.360 --> 0:32:17.080
<v Speaker 1>in talks. It's still in talks shit, and then the

0:32:17.120 --> 0:32:19.960
<v Speaker 1>bino shit is just you guys. It's it's crazy because

0:32:19.960 --> 0:32:23.120
<v Speaker 1>now you guys are like, he's on def jam. Now

0:32:24.800 --> 0:32:28.080
<v Speaker 1>you got your situation. Is it harder to like, does

0:32:28.120 --> 0:32:30.360
<v Speaker 1>the business get any more difficult for you guys to

0:32:30.400 --> 0:32:33.080
<v Speaker 1>do some shit together as opposed to like when y'all

0:32:33.080 --> 0:32:35.320
<v Speaker 1>did the first one? Or it's like yolick licious put

0:32:35.320 --> 0:32:37.520
<v Speaker 1>the shit out because nobody can tell us any different. No,

0:32:37.680 --> 0:32:40.360
<v Speaker 1>I mean, yeah, it's the only thing I would say

0:32:40.400 --> 0:32:42.280
<v Speaker 1>is different is just signing papers. Now you know what

0:32:42.280 --> 0:32:47.200
<v Speaker 1>I'm saying. But it's the same workflow, Yeah, same workflow.

0:32:47.800 --> 0:32:50.800
<v Speaker 1>Have you ever switched up out of fruity loops. Yeah,

0:32:50.920 --> 0:32:55.040
<v Speaker 1>I mean I mess with able Teon, I mess with reason.

0:32:55.800 --> 0:32:58.560
<v Speaker 1>I feel like, yeah, that's like you can tell a

0:32:58.600 --> 0:33:00.680
<v Speaker 1>lot about our producer sometimes when you know, like what

0:33:00.720 --> 0:33:03.680
<v Speaker 1>they're what they use. Yeah, you know what I'm saying.

0:33:03.960 --> 0:33:06.960
<v Speaker 1>I feel like Ableton is uh is fire. Yeah, you

0:33:07.040 --> 0:33:10.440
<v Speaker 1>get more flexibility, like able Toon for sampling and stuff

0:33:10.480 --> 0:33:14.040
<v Speaker 1>rants from fifteen hundred put me on Ableson. Shout out

0:33:14.080 --> 0:33:16.400
<v Speaker 1>to fifteen hundred and nothing man, shout out to rets.

0:33:17.840 --> 0:33:20.760
<v Speaker 1>Do you have any idea when you're gonna drop? Well,

0:33:20.880 --> 0:33:25.959
<v Speaker 1>the Deluxe obviously is coming to and I'm assuming Yeah, no,

0:33:26.160 --> 0:33:29.040
<v Speaker 1>no specific date, but I plan to drop it late

0:33:29.080 --> 0:33:31.840
<v Speaker 1>October early. No. Besides Russ, is there gonna be any

0:33:31.880 --> 0:33:34.480
<v Speaker 1>other features on the Deluxe? There's gotta be right, yeah,

0:33:34.720 --> 0:33:40.040
<v Speaker 1>Like who just one out there, bru. I mean I

0:33:40.040 --> 0:33:43.600
<v Speaker 1>already mentioned his name earlier, but you mentioned his name earlier.

0:33:45.920 --> 0:33:49.120
<v Speaker 1>I still want people to anticipate. Oh you're talking about Tiger. Yeah,

0:33:49.200 --> 0:33:52.080
<v Speaker 1>but I still want people to anticipate me even doing feats. Wait,

0:33:52.120 --> 0:33:56.560
<v Speaker 1>so Tiger's gonna be on your Deluxe Fire shout out

0:33:56.560 --> 0:34:01.320
<v Speaker 1>to Tiger Man. That's lit yo, he's been he tapped

0:34:01.320 --> 0:34:04.000
<v Speaker 1>in man. Yeah, Tiger got his ears to the streets.

0:34:04.400 --> 0:34:06.520
<v Speaker 1>That was crazy. I wasn't expecting for him to even

0:34:07.240 --> 0:34:11.520
<v Speaker 1>know who I was. That's crazy. Your relationship with Bino

0:34:13.239 --> 0:34:16.520
<v Speaker 1>did that start after Nip had passed her around that time?

0:34:18.160 --> 0:34:20.480
<v Speaker 1>It was right before, right before I was gonna ask

0:34:20.520 --> 0:34:22.840
<v Speaker 1>you if you ever had any interactions with Nip. I

0:34:22.920 --> 0:34:25.520
<v Speaker 1>met Nip one time at the Racks in the Middle video.

0:34:25.600 --> 0:34:29.719
<v Speaker 1>Shit actually oh shit, okay you know Keifa? Yeah, of course. Yeah,

0:34:29.760 --> 0:34:32.920
<v Speaker 1>he introduced me to Nip and yeah, I told him

0:34:33.040 --> 0:34:35.920
<v Speaker 1>like I worked close with Bino. He was like, yeah,

0:34:35.960 --> 0:34:38.720
<v Speaker 1>he already know. I'm locked down with Beno. Damn. That's crazy.

0:34:38.719 --> 0:34:40.400
<v Speaker 1>That's it's terrible that it would have been crazy to

0:34:40.400 --> 0:34:44.200
<v Speaker 1>hear you guys do some sugar man legendary ship. Yeah?

0:34:44.680 --> 0:34:48.439
<v Speaker 1>Who Who's uh? Have you ever? Have you had any

0:34:48.520 --> 0:34:51.000
<v Speaker 1>artists try to sign you yet? Not like you know

0:34:51.000 --> 0:34:54.680
<v Speaker 1>how they're There's there's artists that have their situations. A

0:34:54.680 --> 0:34:57.279
<v Speaker 1>couple of artists as the same already. Did you Are

0:34:57.320 --> 0:35:00.680
<v Speaker 1>you entertaining it or absolutely not? I mean I feel

0:35:00.680 --> 0:35:04.520
<v Speaker 1>like I'm capable of left, like I said, producing my

0:35:04.560 --> 0:35:09.640
<v Speaker 1>own sound. I got my team, so it's like I

0:35:09.640 --> 0:35:14.200
<v Speaker 1>don't think I can ever signed to another artist? Is

0:35:14.200 --> 0:35:16.839
<v Speaker 1>it how important is it for you? Like if there's

0:35:16.840 --> 0:35:19.160
<v Speaker 1>an artist into watching this that doesn't that only knows

0:35:19.200 --> 0:35:23.320
<v Speaker 1>how to do the artist part, the singing, the writing,

0:35:24.719 --> 0:35:28.600
<v Speaker 1>Like what's the importance of having all that other shit? Like?

0:35:28.719 --> 0:35:31.680
<v Speaker 1>Is it freedom? Like? What is like? Because you? Because anybody?

0:35:31.760 --> 0:35:34.680
<v Speaker 1>I feel like if they really apply themselves, they could

0:35:34.719 --> 0:35:37.440
<v Speaker 1>learn how to record themselves. You know, they can like

0:35:37.560 --> 0:35:41.319
<v Speaker 1>mixing and mastering. Those are things you just just watching YouTube. Yeah,

0:35:41.320 --> 0:35:43.560
<v Speaker 1>I mean, for one, that's gonna save you money, of course,

0:35:44.239 --> 0:35:46.120
<v Speaker 1>and for til you want to just be hands on

0:35:46.239 --> 0:35:50.399
<v Speaker 1>with your creativity, like when somebody else put a hand

0:35:50.400 --> 0:35:52.800
<v Speaker 1>in it, then it's not one hundred percent of yours

0:35:52.800 --> 0:35:55.160
<v Speaker 1>no more. Which is not a bad thing to collaborate

0:35:55.200 --> 0:35:57.080
<v Speaker 1>of course, but I just want to be able to

0:35:57.120 --> 0:36:02.759
<v Speaker 1>know you know fully. I feel like in twenty twenty man,

0:36:03.400 --> 0:36:05.920
<v Speaker 1>with no touring and shit, a lot of artists need

0:36:05.920 --> 0:36:09.800
<v Speaker 1>to start. They got to bring their costs down because

0:36:09.840 --> 0:36:13.960
<v Speaker 1>the live show shit is crazy. Like when they costs down, yeah,

0:36:13.960 --> 0:36:17.160
<v Speaker 1>because they't like what features no no? Yeah, well that no.

0:36:17.239 --> 0:36:19.359
<v Speaker 1>I mean like there's a lot of artists who depend

0:36:19.440 --> 0:36:21.160
<v Speaker 1>so much on the road that they might want to

0:36:21.200 --> 0:36:23.480
<v Speaker 1>learn how to record themselves so they can save some

0:36:23.520 --> 0:36:28.200
<v Speaker 1>money because the live show game is like it's crazy

0:36:28.239 --> 0:36:30.640
<v Speaker 1>because you'll probably be back to normal by the time

0:36:30.640 --> 0:36:33.120
<v Speaker 1>it's gonna make sense for you to like headline some shit. Man,

0:36:33.160 --> 0:36:36.200
<v Speaker 1>I can't wait till I can perform. That's the one

0:36:36.239 --> 0:36:38.880
<v Speaker 1>thing that I haven't been able to do yet. Just

0:36:38.920 --> 0:36:41.719
<v Speaker 1>headline my own show. I feel like right now it's

0:36:41.760 --> 0:36:44.440
<v Speaker 1>the perfect time. But everything like that right now is

0:36:44.520 --> 0:36:46.880
<v Speaker 1>like the like, Okay, we got to go to the

0:36:46.960 --> 0:36:50.440
<v Speaker 1>Roxy Glass because he sold it out two days in

0:36:50.520 --> 0:36:54.160
<v Speaker 1>a row and he's gonna have all the special guests. Yeah,

0:36:54.200 --> 0:36:56.279
<v Speaker 1>that is crazy, man, And you know that's like a

0:36:56.320 --> 0:36:59.799
<v Speaker 1>moment every an LA artist has. They got that Roxy show.

0:37:00.040 --> 0:37:01.840
<v Speaker 1>That's like, yo, you gotta go through that tunnel to

0:37:01.840 --> 0:37:03.640
<v Speaker 1>get to the next level. And then and then you

0:37:03.680 --> 0:37:05.719
<v Speaker 1>get the Palladium one like a year later. If you

0:37:05.800 --> 0:37:07.880
<v Speaker 1>if you're do any right thing, I remember that specifically

0:37:07.880 --> 0:37:12.239
<v Speaker 1>with like that, like that first Rody show was so crazy.

0:37:13.920 --> 0:37:16.560
<v Speaker 1>Did you go to that? Nah? Didn't? Yeah? That ship

0:37:16.680 --> 0:37:21.640
<v Speaker 1>was that ship was like, okay, this is special what

0:37:21.680 --> 0:37:26.200
<v Speaker 1>with with the coronavirus? Ship has that like personally affected you,

0:37:26.400 --> 0:37:30.080
<v Speaker 1>like any any sort of Like my grandma died from

0:37:30.080 --> 0:37:32.960
<v Speaker 1>that ship, so I passed away from that too. Damn

0:37:33.239 --> 0:37:36.040
<v Speaker 1>sorry to hear that. Bro. Yeah, man, motherfuckers is really

0:37:36.080 --> 0:37:38.120
<v Speaker 1>out here on their conspiracy theory ship like it's fake.

0:37:38.200 --> 0:37:40.680
<v Speaker 1>I'm like, bro, yeah, I take it very serious as well.

0:37:41.560 --> 0:37:45.200
<v Speaker 1>But yeah, not as far as my workflow, everything been

0:37:45.200 --> 0:37:47.719
<v Speaker 1>the same because I record at the house anyway, and

0:37:47.760 --> 0:37:51.480
<v Speaker 1>I'm not really out and about like that unless you know,

0:37:51.800 --> 0:37:55.080
<v Speaker 1>duty calls. But everything been the same. What about like

0:37:55.120 --> 0:37:57.440
<v Speaker 1>the music video shit, like, because it felt like the

0:37:57.480 --> 0:37:59.759
<v Speaker 1>first couple of months people were like kind of scared

0:37:59.760 --> 0:38:02.160
<v Speaker 1>of you videos. I definitely I turned down by a

0:38:02.200 --> 0:38:05.400
<v Speaker 1>couple of directors, like early on. Now I feel like

0:38:05.440 --> 0:38:08.560
<v Speaker 1>it's like fuck it, We're doing it. We're pushing through. Right.

0:38:08.960 --> 0:38:12.120
<v Speaker 1>There was Motherfucker's shooting videos like like g Eaz and

0:38:12.239 --> 0:38:14.160
<v Speaker 1>Jack Harlow had a whole entire video that was just

0:38:14.200 --> 0:38:16.880
<v Speaker 1>people on Skype. I was like, bro, you could have

0:38:16.920 --> 0:38:19.000
<v Speaker 1>just waited like thirty more days and then everybody would

0:38:19.000 --> 0:38:22.239
<v Speaker 1>have chilled. Right. I got a video show tomorrow, matter

0:38:22.239 --> 0:38:25.120
<v Speaker 1>of fact, Oh you do? Yeah? Is it a solo joint?

0:38:25.600 --> 0:38:30.960
<v Speaker 1>Something off EP? Which record be alone Fire EP Special

0:38:31.000 --> 0:38:35.360
<v Speaker 1>Man it's it's something that I think is like it's

0:38:35.600 --> 0:38:39.080
<v Speaker 1>it's it's like it backed up the hype. You know

0:38:39.120 --> 0:38:40.200
<v Speaker 1>what I'm saying, because, like I said, a lot of

0:38:40.239 --> 0:38:42.080
<v Speaker 1>people talking about you, they just pressed play on that.

0:38:42.160 --> 0:38:45.040
<v Speaker 1>It's like, oh, I get it now. Yeah, that's why

0:38:45.200 --> 0:38:48.040
<v Speaker 1>the response being crazy. Like I've been putting out a

0:38:48.080 --> 0:38:50.839
<v Speaker 1>bunch of songs, singles, and then of course I put

0:38:50.840 --> 0:38:54.600
<v Speaker 1>out the tape with Beino. But people was anticipating, like

0:38:54.640 --> 0:38:58.080
<v Speaker 1>what can you yourself? Yeah? So I feel like, yeah,

0:38:58.120 --> 0:39:01.640
<v Speaker 1>like you said, it lived up to it's expectations. Are

0:39:01.680 --> 0:39:06.319
<v Speaker 1>you a smoker man? Nah? No, smoke no? Are you

0:39:06.320 --> 0:39:10.960
<v Speaker 1>a drinker? Sometimes? Occasionally? What is your vice? My vice?

0:39:13.680 --> 0:39:15.640
<v Speaker 1>You don't want to have me? He have me the

0:39:15.680 --> 0:39:17.799
<v Speaker 1>baby size down July? Bro? I know, they came back

0:39:17.800 --> 0:39:19.239
<v Speaker 1>from the liquature with these I'm like, what am I

0:39:19.239 --> 0:39:20.840
<v Speaker 1>supposed to do with this? Bro? Looks like a bottle

0:39:20.880 --> 0:39:24.840
<v Speaker 1>of potion from a wish. It's like somebody trying to

0:39:24.880 --> 0:39:29.000
<v Speaker 1>fucking give me mousey ors and some shit. Bro. No,

0:39:29.120 --> 0:39:35.040
<v Speaker 1>but what's your advice? I don't know. We all got vices, bro.

0:39:36.120 --> 0:39:38.960
<v Speaker 1>My vice? I don't know, probably some weird shit like

0:39:39.040 --> 0:39:42.239
<v Speaker 1>eating late Oh that's everybody walking to my life? You

0:39:42.280 --> 0:39:45.319
<v Speaker 1>see this belly bro shit. I eat late. I feel

0:39:45.320 --> 0:39:47.239
<v Speaker 1>like I can't go to sleep unless I eat, which

0:39:47.280 --> 0:39:50.319
<v Speaker 1>is a horrible thing I know. But fuck I mean yeah,

0:39:50.440 --> 0:39:52.840
<v Speaker 1>walking to my life? Yeah, so that I guess that

0:39:52.960 --> 0:39:55.799
<v Speaker 1>is a vice food. Yeah, I'm a fat fuck Yeah

0:39:55.800 --> 0:39:58.680
<v Speaker 1>that's fair. I mean, at least you didn't say like

0:39:58.760 --> 0:40:01.040
<v Speaker 1>some kind of weird ass like gory on porn hub

0:40:01.200 --> 0:40:04.080
<v Speaker 1>I have. Come on, man, I don't know, Man, come

0:40:04.120 --> 0:40:06.399
<v Speaker 1>on you When you said I got a weird one,

0:40:06.400 --> 0:40:11.879
<v Speaker 1>I was like, oh shit, this might get crazy. How

0:40:11.920 --> 0:40:15.160
<v Speaker 1>many records would you say you have for your album?

0:40:15.400 --> 0:40:17.480
<v Speaker 1>And is that is this something that we're gonna get

0:40:17.520 --> 0:40:19.799
<v Speaker 1>next year or towards the end of this year? Nah,

0:40:19.800 --> 0:40:23.759
<v Speaker 1>It's definitely gonna be next year. I really wanted to

0:40:23.760 --> 0:40:26.759
<v Speaker 1>put out six Tape two before this year ended, but

0:40:27.680 --> 0:40:31.360
<v Speaker 1>definitely want to put out the Deluxe before that. So, so,

0:40:31.520 --> 0:40:33.319
<v Speaker 1>is this six Tape two you think that's something that's

0:40:33.360 --> 0:40:36.919
<v Speaker 1>even like possible before the end of the year. Yeah.

0:40:36.960 --> 0:40:39.040
<v Speaker 1>But the only thing for that is like I can't

0:40:39.040 --> 0:40:41.399
<v Speaker 1>really speak on it entirely because you know, I'm only

0:40:41.440 --> 0:40:43.880
<v Speaker 1>one half of it, of course, But yeah, if it

0:40:43.920 --> 0:40:46.200
<v Speaker 1>was up to me, matter of fact, we gonna make

0:40:46.239 --> 0:40:48.439
<v Speaker 1>it happen. And there you go. You just spoke on both.

0:40:50.040 --> 0:40:52.359
<v Speaker 1>Who's another artist that you would love to do like

0:40:52.840 --> 0:40:55.600
<v Speaker 1>or like just a full collab project with that you

0:40:55.719 --> 0:41:02.319
<v Speaker 1>have great chemistry with. I wouldn't even want to do

0:41:02.440 --> 0:41:06.560
<v Speaker 1>a collab tape with anybody else, honestly, that's fire. Yeah,

0:41:06.800 --> 0:41:11.520
<v Speaker 1>nobody else, huh Adele the Adele Tape. I wouldn't even

0:41:11.520 --> 0:41:13.000
<v Speaker 1>want to do it with a It'll be called like

0:41:13.040 --> 0:41:16.200
<v Speaker 1>twenty nine or something. I just need like one or

0:41:16.200 --> 0:41:19.799
<v Speaker 1>two of a just one feature, just one feature, just

0:41:19.840 --> 0:41:23.040
<v Speaker 1>to give me up out of there one time. Yeah,

0:41:23.080 --> 0:41:26.760
<v Speaker 1>that'd be Yeah, that'd be pretty crazy. What about ghost writing?

0:41:27.080 --> 0:41:30.000
<v Speaker 1>Is that something that you writing for other artists? Is

0:41:30.000 --> 0:41:31.560
<v Speaker 1>that something that people are starting to try to get

0:41:31.560 --> 0:41:33.640
<v Speaker 1>out you more to do? Or Yeah? I mean I'm

0:41:33.840 --> 0:41:36.200
<v Speaker 1>I've definitely been in a couple riding camps. I actually

0:41:36.760 --> 0:41:39.239
<v Speaker 1>wrote a song on a new Scooby Doo movie, but uh,

0:41:39.560 --> 0:41:42.239
<v Speaker 1>the one that just came out. Yeah, okay, yeah, I

0:41:42.280 --> 0:41:46.400
<v Speaker 1>watched it co Roll one with Jack Harlowe. Shout out Dvo,

0:41:46.840 --> 0:41:51.040
<v Speaker 1>Dave Shout out to dave O. Davo is fucking just

0:41:51.120 --> 0:41:54.239
<v Speaker 1>salute bro, he's a good dude and he's running. He's

0:41:54.320 --> 0:41:57.400
<v Speaker 1>killing shit right now. He throws me so many Ali Oops,

0:41:57.760 --> 0:42:01.120
<v Speaker 1>it's crazy Davo solid. So. But but are you like

0:42:01.200 --> 0:42:03.600
<v Speaker 1>starting to Is that like even something you're like interested

0:42:03.640 --> 0:42:08.640
<v Speaker 1>in doing. Yeah, I definitely like writing for other artists. Yeah, yeah,

0:42:08.680 --> 0:42:10.520
<v Speaker 1>I feel like that. That's just the whole other side

0:42:10.520 --> 0:42:12.560
<v Speaker 1>of the hustle, like yo, your bag on the publishing

0:42:12.640 --> 0:42:14.839
<v Speaker 1>so I could be bigger than anything else. Nah, it's

0:42:14.920 --> 0:42:18.920
<v Speaker 1>definitely fire to hear your lyrics no matter what the

0:42:19.000 --> 0:42:23.120
<v Speaker 1>channel is. What kind of fucking movies were you watching

0:42:23.160 --> 0:42:25.080
<v Speaker 1>growing up? Like, what's your favorite movie of all time?

0:42:27.000 --> 0:42:34.120
<v Speaker 1>That's a good question. I'd probably say Hangover. That's number one,

0:42:35.080 --> 0:42:37.160
<v Speaker 1>just just for the simple fact the first time I

0:42:37.280 --> 0:42:40.080
<v Speaker 1>watched it, it was like the funniest movie. Oh for sure.

0:42:40.160 --> 0:42:43.040
<v Speaker 1>First time you watch Hangover, Yeah, that's like it was

0:42:43.080 --> 0:42:45.480
<v Speaker 1>a different type of comedy now the first yeah it was.

0:42:45.520 --> 0:42:48.879
<v Speaker 1>It was there was like a lot of shit going

0:42:48.920 --> 0:42:51.759
<v Speaker 1>on in that movie. Yeah, it was never it was

0:42:51.800 --> 0:42:56.000
<v Speaker 1>never a dead moment. Hangover is the other movie that

0:42:56.320 --> 0:43:00.880
<v Speaker 1>was like that for me was Old School? Nah, that

0:43:00.920 --> 0:43:03.960
<v Speaker 1>one wasn't like that. No, it was funny, but it

0:43:04.000 --> 0:43:07.160
<v Speaker 1>wasn't old school, bro, it's fool. The movie starts with

0:43:07.239 --> 0:43:11.600
<v Speaker 1>him walking on his wife getting gang bang. Bro, it's

0:43:11.680 --> 0:43:15.759
<v Speaker 1>fucking crazy, fucking Frank the Tank. And then Friday. When

0:43:15.760 --> 0:43:17.320
<v Speaker 1>I was a little kid and I first watched Friday,

0:43:17.320 --> 0:43:20.000
<v Speaker 1>I remember vividly and I was trying. I thought I

0:43:20.040 --> 0:43:23.319
<v Speaker 1>was Chris Tucker and for like seven years as a child. Yeah,

0:43:23.320 --> 0:43:27.879
<v Speaker 1>that's a classic. Yeah yeah. Anyway, Well, look, the EP

0:43:28.120 --> 0:43:32.879
<v Speaker 1>is out. It's called No Love Lost, and I think

0:43:35.120 --> 0:43:40.880
<v Speaker 1>the deluxe right around the corner. The deluxe is it

0:43:40.960 --> 0:43:42.719
<v Speaker 1>gonna be like a whole other album, because that's what

0:43:42.719 --> 0:43:45.160
<v Speaker 1>people are doing now. I'm so confused by the deluxe thing.

0:43:45.160 --> 0:43:46.560
<v Speaker 1>I know it's like a way to like stretch your

0:43:46.560 --> 0:43:49.640
<v Speaker 1>album's selves, but like the Baby dropped ten songs on

0:43:49.680 --> 0:43:51.279
<v Speaker 1>his like ten new songs, I'm like, bro, that's a

0:43:51.280 --> 0:43:54.760
<v Speaker 1>fucking album, right, Nah. I mean I don't plan to

0:43:55.200 --> 0:43:57.120
<v Speaker 1>drop like ten songs because at the end of the day,

0:43:57.160 --> 0:44:00.239
<v Speaker 1>it's still an EP, so it's kind of unconventional I'm

0:44:00.280 --> 0:44:03.080
<v Speaker 1>doing already because not like like a deluxe to a

0:44:03.160 --> 0:44:05.680
<v Speaker 1>EP don't even really make sense. Technically. It will be

0:44:05.719 --> 0:44:09.200
<v Speaker 1>an album then, right, But yeah, I'm just gonna add

0:44:09.200 --> 0:44:12.280
<v Speaker 1>about like four to five songs, and they probably remix

0:44:12.320 --> 0:44:15.680
<v Speaker 1>a couple of them. So your only vice, I've just

0:44:15.719 --> 0:44:17.640
<v Speaker 1>I just I want to know that you're like a

0:44:17.680 --> 0:44:22.279
<v Speaker 1>bad person too. Nah, I'm the coolest person ever. I

0:44:22.320 --> 0:44:24.680
<v Speaker 1>can't do it. Man, you give me some do you

0:44:24.760 --> 0:44:27.440
<v Speaker 1>get like ever gamble or anything. I just feel like

0:44:27.480 --> 0:44:29.560
<v Speaker 1>you're the nicest, sweetest guy I've met in this chair

0:44:29.560 --> 0:44:31.920
<v Speaker 1>in a long time. We just had a baby here

0:44:31.920 --> 0:44:37.040
<v Speaker 1>and it was interesting. He was falling asleep. Cool, respectable,

0:44:37.800 --> 0:44:40.400
<v Speaker 1>stand on integrity. I don't do too much out the

0:44:41.000 --> 0:44:43.320
<v Speaker 1>out the norm. I mean, I mean, obviously do you

0:44:43.400 --> 0:44:46.000
<v Speaker 1>have your music speak for yourself? But yeah, that's crazy.

0:44:46.200 --> 0:44:48.880
<v Speaker 1>What about it like a not even like a strip club.

0:44:49.600 --> 0:44:53.160
<v Speaker 1>I mean I indulge in you know, strip clubs, of course,

0:44:53.200 --> 0:44:55.800
<v Speaker 1>but it's not like I gotta go to the strip club?

0:44:56.120 --> 0:45:00.439
<v Speaker 1>Right Well, hey, you have you subscribed it the only

0:45:00.480 --> 0:45:07.120
<v Speaker 1>fans accounts? Hell no, none, have you thought about it?

0:45:07.160 --> 0:45:10.480
<v Speaker 1>Because you know you'll be on Instagram and then you'll

0:45:10.520 --> 0:45:12.799
<v Speaker 1>be like, oh shit, who is this and then you'd

0:45:12.800 --> 0:45:15.080
<v Speaker 1>be like, oh shit, I could just pay four ninety

0:45:15.160 --> 0:45:18.120
<v Speaker 1>nine and just see her naked. Right now, what's the

0:45:18.200 --> 0:45:20.359
<v Speaker 1>point of doing that? No, no no, no, I haven't done

0:45:20.360 --> 0:45:23.359
<v Speaker 1>it either. I'm just saying like I'm not. I'll try

0:45:23.400 --> 0:45:26.160
<v Speaker 1>to clean it up now. No I haven't. I ain't

0:45:26.160 --> 0:45:28.759
<v Speaker 1>give no bitches my money. I'm married. No, But like

0:45:28.920 --> 0:45:30.840
<v Speaker 1>you know, I'm just curious, like, you know, have you

0:45:30.880 --> 0:45:33.200
<v Speaker 1>thought about it? Because I mean I've obviously thought about it.

0:45:33.640 --> 0:45:36.560
<v Speaker 1>I'm like, wait, this bitch got a only fans. What's

0:45:36.600 --> 0:45:42.120
<v Speaker 1>the girl's name? Uh hmmm, Rosa Acosta has the only

0:45:42.200 --> 0:45:47.319
<v Speaker 1>fans the mariage after, I was like, should I give

0:45:47.400 --> 0:45:50.000
<v Speaker 1>my money to Rosa Acosta? Now it'll come up on

0:45:50.000 --> 0:45:51.680
<v Speaker 1>the credit card statement and my wife will be like,

0:45:51.719 --> 0:45:54.040
<v Speaker 1>you would you thirteen ninety nine on only fans? What

0:45:54.080 --> 0:45:56.040
<v Speaker 1>the fuck is wrong with you? I couldn't do. You

0:45:56.080 --> 0:45:58.239
<v Speaker 1>can't write that off on your taxes man, So you're

0:45:58.239 --> 0:46:01.280
<v Speaker 1>not spending money that you can't write off media research.

0:46:02.320 --> 0:46:06.440
<v Speaker 1>A media research might have to subscribe. And I was playing,

0:46:07.080 --> 0:46:08.839
<v Speaker 1>and you spend some money on them fucking shoes though

0:46:08.840 --> 0:46:14.680
<v Speaker 1>there's Alexander mcqueens. Them things, those things are not on

0:46:14.680 --> 0:46:17.080
<v Speaker 1>only fans, but he's got them on the mcqueens. Anyway,

0:46:17.120 --> 0:46:19.920
<v Speaker 1>go get the EP man. Hopefully you say by October

0:46:19.960 --> 0:46:22.479
<v Speaker 1>we'll get the end of October, we'll get the EP

0:46:22.760 --> 0:46:26.840
<v Speaker 1>or the deluxe, and then next year the album and

0:46:26.920 --> 0:46:32.040
<v Speaker 1>before twenty twenty one six tape two. Yeah, okay, that's

0:46:32.040 --> 0:46:35.920
<v Speaker 1>the timeline. That's gotta be the Okay, Yeah, there it is,

0:46:36.080 --> 0:46:38.880
<v Speaker 1>and Russ will be on the deluxe. He's killing me

0:46:38.920 --> 0:46:43.120
<v Speaker 1>over here. I gave him all the gyms. There it is,

0:46:43.160 --> 0:46:44.320
<v Speaker 1>Man Blast