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Speaker 1: Hey, that's right, another edition of that Bootleg Cat podcast

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Speaker 1: officially here. Trying to remember what episode we're on. I

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Speaker 1: think we're on episode number eighteen. Possibly, I can't believe

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Speaker 1: I don't know what episode wrong. Nonetheless, we are here.

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Speaker 1: Shout out to everybody who gave us all the great

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Speaker 1: feedback on the MC eight interview a couple of weeks

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Speaker 1: ago and the Action Bronson interview that dropped last week.

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Speaker 1: We are on episode eighteen. Welcome to episode eighteen. The

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Speaker 1: Bootleg Cap podcast is officially old enough to buy porn

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Speaker 1: and cigarettes, ladies and gentlemen. So yo. I appreciate everybody

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Speaker 1: who's checked in right now. Got a really dope episode

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Speaker 1: for everybody tonight. Man, A lot of crazy shit going

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Speaker 1: on in the world right now. Donald Trump's got the RONA,

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Speaker 1: and I'd like to go on record and say if

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Speaker 1: I gave my true thoughts, I'd probably get canceled and

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Speaker 1: or fired from any sort of position that I'm in

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Speaker 1: in life. So I will go ahead and just say

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Speaker 1: we wish him a speedy recovery. And it's still fucked,

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Speaker 1: Donald Trump, you feel me? Nonetheless, Man, crazy like week

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Speaker 1: for hip hop. I gotta acknowledge some albums that came out.

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Speaker 1: I want to shout out to twenty one Savage and

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Speaker 1: Metro Boom and Savage Mode two dropped and did not disappoint.

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Speaker 1: Incredible body of work. Lord knows how they got Morgan

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Speaker 1: Freeman to narrate the entire project, but man it came

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Speaker 1: out incredible. Shout out to both of them. Also, new music,

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Speaker 1: Westside Guns new album is officially out finally his Shady

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Speaker 1: Records debut, and he has two Slick Rick features on

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Speaker 1: his Shady Records debut. So if he would have had

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Speaker 1: one slick Rick feature, I would have been extremely impressed,

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Speaker 1: but the fact he pulled off two is just insane.

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Speaker 1: So shout out to a West Side Gun. His official album,

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Speaker 1: Who Made the Sunshine is out this third project this year,

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Speaker 1: Griselda has put out Let's see they had the Conway

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Speaker 1: project that came out before that, Ari Caesar and then

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Speaker 1: you know Benny the Butcher's about to drop Burning Approve.

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Speaker 1: So shout out to the whole Griselda for just twenty

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Speaker 1: twenty just putting in work. Also went to shout out

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Speaker 1: to Smoke Dizzey's album, YG's album Roucchie from La put

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Speaker 1: out a decent project, and also Larry June and Harry

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Speaker 1: Fraud put some shit out, but nonetheless a great, great,

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Speaker 1: great week for hip hop. I suggest my first two

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Speaker 1: listens if you're listening right now, go straight to that

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Speaker 1: twenty one Savage album. Go straight to that West Side

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Speaker 1: Gun album. I haven't listened to Bryson Tiller's album yet,

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Speaker 1: I'm hearing good things about it. I really really enjoyed

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Speaker 1: Trap Soul, not so much the second album, but once

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Speaker 1: I hear that, I'll give you guys my feedback on that.

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Speaker 1: So yeah, some dope music out and today's podcast brought

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Speaker 1: to you by our sponsors, who we always got to

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Speaker 1: shut out and show love to shout out to odd socks.

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Speaker 1: Let me tell you, man, these odd socks basics that

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Speaker 1: Like I just grabbed randomly some rugrat socks that I

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Speaker 1: go buy you a pair of the plain joints and

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Speaker 1: thank me later. All right, grab a pack of those,

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Speaker 1: Go do that. Today's episode is an interview with the

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Speaker 1: hottest artist in La right Now the hottest up and

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Speaker 1: coming artist. DJ Head, my co host That Real ninety

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Speaker 1: two to three put me onto this kid a long

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Speaker 1: time ago. This is actually somebody had tried to sign

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Speaker 1: and man, such a talented guy, such a nice dude.

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Speaker 1: Super excited to talk to this guy. His name is Blast.

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Speaker 1: He put out a EP that's incredible and really just

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Speaker 1: on the cusp of being that next it guy. So

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Speaker 1: let's get into this podcast man, episode number eighteen with

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Speaker 1: Blast right here. Man, it's the boutleg Cab Podcast. Let's

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Speaker 1: get to it. Boutlet Cab Podcast special guest in here.

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Speaker 1: We got the hottest artist in LA right now. Damn

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Speaker 1: that's heavy, bro. His name is Blast. What's the deal man?

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Speaker 1: What's up? Man? It's crazy because DJ Head has been

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Speaker 1: telling me about you for so long. My co host

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Speaker 1: and I remember remember him and Sallas talking about you,

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Speaker 1: and I guess dj had tried to sign you or

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Speaker 1: approached you to the hell. I don't know. Yeah, but

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Speaker 1: he was like, yo, Blast, the only guy I ever

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Speaker 1: tried to like work with. Right, Yeah, he told me

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Speaker 1: that too. Shout out DJ Head. That's good people, always

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Speaker 1: giving good advice. Yeah, we definitely sat down before it

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Speaker 1: had some some talks. Give me some of your background, man, like, like,

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Speaker 1: where are you from in LA because a lot of

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Speaker 1: you know that I heard I see you rocking the

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Speaker 1: Cranshaw had sometimes like where are you from in the city,

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Speaker 1: So I just say I'm from LA. I grew up

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Speaker 1: on the east side of LA seventy fifth and Central, Okay,

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Speaker 1: over there by Freemont High. Then I moved to Inglewood

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Speaker 1: and then high school years I moved to the Ie

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Speaker 1: with my dad. Oh shit, So you're just like, yeah,

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Speaker 1: La through and through a Yeah, that's crazy. Yeah. So

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Speaker 1: your man, your shit is so fire. Bro. I first

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Speaker 1: like tapped in with you the project you guys drop

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Speaker 1: the joint tape together, which is fucking LA classic. But

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Speaker 1: give me some of your background as an artist, like

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Speaker 1: how long have you been making music? Man? Like? Like

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Speaker 1: when did this shit become your your job? Like Okay,

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Speaker 1: this is what I'm gonna do now, Like yeah, I mean,

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Speaker 1: I would say fresh out of high school. I started

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Speaker 1: producing and recording myself simultaneously. So I was just teaching

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Speaker 1: myself on YouTube, fucking with fl studio and in pro

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Speaker 1: tools and download downloading different programs, just teaching myself and

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Speaker 1: I fell in love with it. This was probably like

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Speaker 1: eight years ago. So okay, so you're you record yourself,

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Speaker 1: you make beats, ya, you sing? Yeah, do you mix

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Speaker 1: and master? Yeah? So you're like fucking Russ two point oh,

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Speaker 1: You're like LA's Russ, just the one fucking stop shot.

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Speaker 1: You're keeping all the money. Yeah. I do my my

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Speaker 1: cover art two and most of my post production on

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Speaker 1: my videos as well. You do your cover art, your

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Speaker 1: you know, your your EP artwork was fire and looking

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Speaker 1: shout out EP on my Eagle Team. She creatively put

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Speaker 1: that together. That shit's dope, man. So so you kind

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Speaker 1: of became a master of the craft, just every aspect

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Speaker 1: of it. What was your like childhood, like, like what

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Speaker 1: like were you you know, how did you grow up?

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Speaker 1: Like did you play any sports? What were you doing

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Speaker 1: like as a kid prior to music. As a kid,

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Speaker 1: it was just running around just figuring shit out. I remember,

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Speaker 1: like the first thing to come to my mind is

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Speaker 1: riding bikes with my friends. That was the best, right,

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Speaker 1: throwing rocks at house, having pegs, right, just a little

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Speaker 1: bait hop on the back tire bro exactly. Yeah, I

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Speaker 1: mean it was cool until you get older you realize,

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Speaker 1: like certain locations you're not supposed to go to and

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Speaker 1: stuff like that, territories and yeah, it kind of changed

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Speaker 1: my perspective as I grew up. But yeah, that was

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Speaker 1: part of the reason why my mom wanted me to

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Speaker 1: go to the i E. My dad to get away

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Speaker 1: from that that like exactly was uh going how much

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Speaker 1: of a because a lot of people who aren't from

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Speaker 1: the LA area, they'll hear someone from Riverside and they'll

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Speaker 1: be like, oh, that's La. Yeah, Like what's the big

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Speaker 1: difference culturally you think, like from what you were like

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Speaker 1: before your mom sent you to to I E. Like

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Speaker 1: what changed the most Just me knowing everybody in the

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Speaker 1: neighborhood really like everybody more to theyself out there. When

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Speaker 1: I was a late younger, It's like everybody's more outside

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Speaker 1: and vocal and you know, everybody on your block, you

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Speaker 1: know what I'm saying. Out there, it was just like

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Speaker 1: everybody to theyself. So I would say that's the most

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Speaker 1: change that I seen. Do you remember the first time

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Speaker 1: one of your records like like hit us, Like, like

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Speaker 1: do you remember like your first like song that got

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Speaker 1: moving online? Like what was like was it something when

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Speaker 1: you were in high school? Like what was like, like

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Speaker 1: even if it was like just the homies really like,

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Speaker 1: oh shit, Like people really like my music even if

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Speaker 1: it's like thirty of them, Like yeah, nah, for sure.

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Speaker 1: I used to put songs on my Space back in

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Speaker 1: the day, shout out to my space. You know who

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Speaker 1: was in your top eight though? Real quick, damn, I

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Speaker 1: don't even remember. That's that's a good question. Are they

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Speaker 1: still around? Would they from my top eight still around

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Speaker 1: to this day? That wasn't a solid top eight then?

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Speaker 1: So you had you were putting music up on MySpace, right,

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Speaker 1: and I feel like we'll reassured me to keep to

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Speaker 1: keep making music. Was girls used to upload my songs

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Speaker 1: on their page? You know how you can? Yeah, you

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Speaker 1: get paid someone else exactly. So I used to think

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Speaker 1: that was cool. I used to think I was somebody

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Speaker 1: because they were put if you if you had the

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Speaker 1: song choice on your Mindspace page was so important, that's all.

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Speaker 1: That's all the credit you needed. Back then, I would

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Speaker 1: put way too much thought into which songs that would

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Speaker 1: have as like my two or three on MySpace. So like, yo,

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Speaker 1: when people come to my page, I want them to

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Speaker 1: know how raw rap ship I'm into. I want them

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Speaker 1: to know I'll be fucking with the boom bab ship exactly.

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Speaker 1: That was your whole personality. Let me put this fucking this,

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Speaker 1: this re up gang, push your t ship on my page.

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Speaker 1: You know what I'm saying. So people know, like I

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Speaker 1: with the fucking with the Nelly shit. Feel me? No,

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Speaker 1: that's crazy. So how old are you? I'm fifteen, You're fifteen, Okay?

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Speaker 1: Well how where're you graduate? High school? Twenty ten? Okay

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Speaker 1: for sure? I graduated no five, So so yeah, I'm

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Speaker 1: just trying to judge the era of music you came up.

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Speaker 1: So you obviously are like I mean, sonically, man, you

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Speaker 1: can do anything. I feel like your melodies are crazy.

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Speaker 1: Where you think you get that from? Damn, that's a

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Speaker 1: good ass question. I probably would say just growing up

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Speaker 1: in my house, my mom and my older sister just

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Speaker 1: would play anything, you know, from Erica by Dude to

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Speaker 1: Jill Scott. But like that's where most some good shit. Yeah,

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Speaker 1: my melodic side came from. And that's what really attracts

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Speaker 1: to me the most. Like melodies, Yeah, like, and I

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Speaker 1: feel like too, like melodies are are the heart people.

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Speaker 1: You know, hear a lot of people talking about like

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Speaker 1: today's music is more melodic than like in the nineties

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Speaker 1: or the two thousands. But it's like, I feel like

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Speaker 1: the melody part is the hardest part. Like you, like,

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Speaker 1: anybody can write a bunch of lyrics on a page

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Speaker 1: and then they open their mouth and they sound god awful.

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Speaker 1: Right now. That's part of the reason why, like, when

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Speaker 1: I'm recording, I just like to go with whatever I'm feeling,

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Speaker 1: because when you write it, it's not the exact same

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Speaker 1: as you will perform it, you know what I'm saying.

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Speaker 1: That makes sense. So is that your process when you're recording.

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Speaker 1: Are you like just feeling the melody out. Yeah, I

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Speaker 1: just say a melody with no words, like to a beat,

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Speaker 1: and then feel the words in it and then as

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Speaker 1: it goes Yeah, exactly. Yeah. I mean I've been in

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Speaker 1: the studio a lot. I feel like a lot of

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Speaker 1: people are kind of that's kind of like the way

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Speaker 1: they record now because I feel like, like you said,

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Speaker 1: writing it down is like it's like you're reciting something. Yeah,

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Speaker 1: I mean, especially with me having a studio of my house,

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Speaker 1: it gives me the opportunity to take my time with

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Speaker 1: it too, so to say like I'm just freestyle and everything,

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Speaker 1: but I really like to take my time and fine

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Speaker 1: what feels good versus what sounds good. Okay, So outside

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Speaker 1: of you in the MySpace moment, what was the first

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Speaker 1: record of yours? Like what like? Like, I know that

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Speaker 1: the Bino Project made a lot of waves, and before

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Speaker 1: that you were making some noise, But what was that

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Speaker 1: record that kind of put you on in the city

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Speaker 1: where you were kind of like okay, like you know,

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Speaker 1: this shit's going in the right direction. Damn, that's a

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Speaker 1: good I wouldn't even say it was one record. It

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Speaker 1: was just a buy. I know you're dropping a lot. Yeah.

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Speaker 1: It was a slow build up until the point where

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Speaker 1: where I put out until I put out the six

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Speaker 1: tape and I was like, okay, I had this record

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Speaker 1: called Savage with Bino. That was the one that really

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Speaker 1: like caught everybody attention. And I was on Bino's Sorry

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Speaker 1: for the Way tape. Yeah, so you and Bino. By

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Speaker 1: the way, Bino's project outside is super slept on it.

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Speaker 1: Go check that shit out. Father, You're on your You're Yeah,

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Speaker 1: the singles crazy. We was running that shit up on

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Speaker 1: the radio for at least a month. Man shot out

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Speaker 1: that record is crazy. How did your guys' friendship like

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Speaker 1: start up. So it's this artist y'all may know his name,

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Speaker 1: Kaitlyn for real, for real, shout out to Kaylyn. I

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Speaker 1: produced this song. He got called right with it, of course,

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Speaker 1: and uh, Beino hit up Kaitlin, like, yo, who did this?

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Speaker 1: You know even didn't even know as an artist at

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Speaker 1: the time. Okay, a lot of people know me from producing.

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Speaker 1: So yeah, Kaitlyn exchanged our contacts. I sent Beino probably

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Speaker 1: like five beats and he recorded everyone and like like

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Speaker 1: a week. Wow. I sent them back, but he was

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Speaker 1: dropping them too and putting videos out to him and

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Speaker 1: they was all going viral, like you know, on YouTube, right,

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Speaker 1: So yeah, he started putting together He's Sorry for the

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Speaker 1: Weight tape. I sent them savage and he ended up

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Speaker 1: putting that on I'm Sorry for the Weight and then

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Speaker 1: we also ended up putting that on six tape, right,

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Speaker 1: And that's how we started our relationship. That's crazy because

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Speaker 1: it's it's like like you guys recently just started fucking

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Speaker 1: with each other. But chemistry's fire. I don't know what

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Speaker 1: it is, but just his workflow is just like mine.

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Speaker 1: So it was easy. We clicked right off the jump.

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Speaker 1: Do you feel like, like you said earlier, like you're

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Speaker 1: you're like your come up and it's still you're still

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Speaker 1: in the middle of it. But like the slow grinding

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Speaker 1: aspect of it was. Was it ever like frustrating or like,

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Speaker 1: were you ever hitting walls in the music industry where

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Speaker 1: you're kind of like almost like threw in the hat? Nah? Yeah,

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Speaker 1: you definitely had those moments. But I don't know. I

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Speaker 1: feel like me being able to produce my own sound

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Speaker 1: kept me like humble enough to believe that sooner or

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Speaker 1: later it was gonna work, you know what I'm saying.

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Speaker 1: I looked at it like I'm just developing my sound

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Speaker 1: instead of like when this shit gonna blow. Like I

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Speaker 1: felt like I was just like all right, like he

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Speaker 1: was in your reps up right, Yeah, it's gonna hit.

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Speaker 1: That's fair man, Damn. So the p is uh it's

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Speaker 1: fire straight through and through, man. I was. I was

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Speaker 1: just talking to my homie from New York about it

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Speaker 1: because all people be hitting me like yo, what's it?

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Speaker 1: What's going on in l A? And then I gotta

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Speaker 1: usually hit up DJ head But nah, I mean the

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Speaker 1: epy Phoenix. Yeah, we've never met, which is crazy because yeah,

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Speaker 1: but Uh, what was I fucking saying? I'm high ahead,

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Speaker 1: talking ahead? Oh your EP, we're talking about your EP.

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Speaker 1: EP's crazy. I was extremely because I felt like every

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Speaker 1: time I was talking to anybody, uh, it was like

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Speaker 1: I've talked to people at def Jam, like and they're

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Speaker 1: bringing your name up, Like everybody's trying to sign this

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Speaker 1: full This was before this was like around the time

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Speaker 1: Beano dropped his project, but everybody had already kind of known,

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Speaker 1: like you're the guy that's next up. You signed with

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Speaker 1: Red Bull, which is very unconventional. I know Warren Bruce

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Speaker 1: was fucking with red and ye, why what kind of

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Speaker 1: give us the rundown on that decision? Because it definitely

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Speaker 1: caught me by surprise. So I'm signed under my own imprint,

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Speaker 1: which is Eagle, and we did a partnership with Red Bull.

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Speaker 1: So yeah, basically Eagle is my team that put together

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Speaker 1: and right now it's just like a management because I'm

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Speaker 1: the only artist that they focused on. Got you and

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Speaker 1: well red Bull. Yeah, everybody be saying like why you

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Speaker 1: do why you go with Red Bull? I wanted to

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Speaker 1: go to unconventional route because this was my first time

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Speaker 1: doing paperwork with anybody, So I wanted to be strategic,

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Speaker 1: and I didn't want it to be something where it's

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Speaker 1: like a long situation, you know what I'm saying. I

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Speaker 1: wanted to do something where I can learn the ropes

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Speaker 1: of things. And it was the perfect fit for me

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Speaker 1: because they understood my position and my value as being

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Speaker 1: a producer as well. So I feel like, yeah, it

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Speaker 1: was the perfect situation. It's a short term. It's a

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Speaker 1: short term deal. So are you a technically a free agent? Now?

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Speaker 1: I'm not gonna say that because I do want to.

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Speaker 1: I got some plans that I'm not speaking on right now.

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Speaker 1: So you've already signed the big, big deal. Nah? Nah.

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Speaker 1: I know. I've heard some people trying to get at you,

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Speaker 1: is it everybody? A lot of people have been tapping there,

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Speaker 1: But I'm just trying to take my time with it,

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Speaker 1: right Yeah. Like I feel like the mistake most people

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Speaker 1: make is like you're like, you're doing what you're supposed

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Speaker 1: to be doing. If a major label got involved tomorrow,

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Speaker 1: like it might beat up like some things, but you're

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Speaker 1: you're like, there's not a lot of major label can

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Speaker 1: bring to the table that you're not already besides money,

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Speaker 1: and that's gonna cut that's a fact. But even like

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Speaker 1: Red Bull, they definitely helped crazy, like with my situation,

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Speaker 1: like just with the publications and everything, helping me put

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Speaker 1: together my rollout. Oh, they was really on their ship.

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Speaker 1: Every idea we came up with it, they was they

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Speaker 1: was down there to produce it or you know, figure

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Speaker 1: out ways they can be a part of it. I

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00:19:05,880 --> 00:19:08,000
Speaker 1: mean that company is very They do a lot of

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Speaker 1: dope dope ship that's like people obviously equated to an

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Speaker 1: energy drink, but they do so much ill shit. Nah. Yeah,

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Speaker 1: they fire fuck with Red Bull Records, absolutely fuck with

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Speaker 1: Red Bull Records and only drink red Bull because it

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Speaker 1: gives you wings. Do you get free Red Bull for life?

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Speaker 1: I hope so. I mean I'm assuming you have cases

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Speaker 1: and nah. Yeah. They definitely blessed me with the cases,

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Speaker 1: which is lovely, but yeah, I don't know if I

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Speaker 1: get it for life though. There's like a Red Bull

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Speaker 1: airplane competition. Have you seen that? They got so many

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Speaker 1: sports bro? No, but they have like a competition with

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Speaker 1: these fucking airplanes doing crazy ass ship bro. It's like

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Speaker 1: like what like tricks bro? Yeah, it's like wild. Yeah,

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Speaker 1: I've seen that fucking Red Bull man. They were raging

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Speaker 1: over there. Yeah, everything extremely part of it. That shit

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Speaker 1: crazy talk about man, Just like I know, you've had

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Speaker 1: a lot of people tap in with you. Like, like

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Speaker 1: I said, you're you're kind of the known. I feel

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Speaker 1: like it's the consensus amongst the taste makers out here

359
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Speaker 1: is like you're up next, who's tapped in? It's like

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Speaker 1: kind of surprised you that was somebody who you were

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Speaker 1: a fan of or somebody who you were like, oh

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Speaker 1: my god, this person knows who the fuck I am.

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Speaker 1: It's funny, as you said it earlier, Russ tapped in recently,

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Speaker 1: Russ Russ a great guy, solid dude. He shouted me

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Speaker 1: out on Twitter too. I saw that, Yeah, I just

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Speaker 1: saw that, You're right, Yeah, he just tweeted about you

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Speaker 1: like it was yesterday, the day before. Yeah, yeah, shout

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Speaker 1: out to Russ. That's crazy because I watched all his

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Speaker 1: interviews and I be feeling exactly how he be feeling

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Speaker 1: about everything. So shout out Russ. Sean love because he

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Speaker 1: didn't have to do that. You know, It's interesting with Russ.

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Speaker 1: I feel like he gets so much unwarranted hate and

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Speaker 1: I'm like, Yo, this guy's literally giving you guys priceless

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Speaker 1: game that's crazy for free, like shit, you can't pay

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Speaker 1: for shit that nobody will want to tell you. Who

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Speaker 1: could tell you? And he's just spreading the game to everybody.

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Speaker 1: And it's like, Yo, you could do nothing but appreciate

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Speaker 1: somebody like that too. Does that kind of staying independent

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Speaker 1: or or not necessarily going like the super major label

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Speaker 1: route to somebody like Russ and what he you know,

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Speaker 1: when he posted his tumb course, shit, that's just crazy, mom. Yeah,

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Speaker 1: that's pure motivation for me. When he even when he

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Speaker 1: tapped in, I was tellingim, but I was like, bro,

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Speaker 1: this is just reinsurance that I'm on the right path. Yeah,

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Speaker 1: things like that. Yeah, that's what motivated me for sure.

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Speaker 1: You have a crazy uh record with mis that you

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Speaker 1: guys just drop the video for. Are you prepared to

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Speaker 1: be the next like hook guy? I think Ty's gonna

389
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Speaker 1: pass you the baton. Hey, I'm not mad at that.

390
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Speaker 1: I'm not mad at that. Yeah, I definitely take that role.

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Speaker 1: I'm not mad at being the hook guy. I feel

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Speaker 1: like it's coming man, I do too. I feel like

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Speaker 1: it's like I feel like you're like tied. All the

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Speaker 1: sounds gonna be like yeah, t I got it for show. Yeah.

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Speaker 1: On Twitter, that's the trend, they say, blast everyone's coming

396
00:22:10,400 --> 00:22:13,480
Speaker 1: at you, Like, yeah, bro, you got to like, man,

397
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Speaker 1: who's your dream collaboration? Like, who's like that one artist

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Speaker 1: that even no matter how unrealistic, it is like that

399
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Speaker 1: that you you want to work with. People probably gonna

400
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Speaker 1: make fun of me, but I'll say Chris Brown. Hey,

401
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Speaker 1: I feel like Chris Brown is untouched with any anything

402
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Speaker 1: he touched it just turned it to go. I just

403
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Speaker 1: had a conversation with you know who, Gashy is, the

404
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Speaker 1: singer Gashy. So we had a conversation about how Chris Brown,

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Speaker 1: in my opinion, is the most talented artist to ever

406
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Speaker 1: that I've ever seen. And when I'm talking talent, I'm

407
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Speaker 1: not talking about I mean he could sing and he

408
00:22:49,000 --> 00:22:51,119
Speaker 1: could dance better than everybody, but he also paint your

409
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Speaker 1: house right and like he does murals and not humans.

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Speaker 1: I mean, he's obviously got his falls. We all got

411
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Speaker 1: our flaws, you know, his just much more public. But goddamn,

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Speaker 1: if you don't got more ten. This motherfucker hit a jumper,

413
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Speaker 1: now that's a fact. When he did that backflip on

414
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Speaker 1: stage and they was comparing them to Michael Jackson and yeah,

415
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Speaker 1: and and fair point, he'll probably take ninety nine percent

416
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Speaker 1: of everybody's wife's He's Chris Brown. That's a talent, you know,

417
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Speaker 1: gotta give it to him. M Yeah, I'm gonna put

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Speaker 1: I think you working with Chris Brown has gotta happen

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Speaker 1: in the next twelve months. I feel like it's happened.

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Speaker 1: I feel like that you can kind of you could

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Speaker 1: kind of put that in the like like in the atmosphere.

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Speaker 1: It's gonna happen. Yeah, I'm a manifest that for sure.

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Speaker 1: Chris Brown, I'm gonna work with two. Come on, what

424
00:23:35,680 --> 00:23:39,720
Speaker 1: about somebody like Super Unexpected Sada Babies a Nickelback fan,

425
00:23:40,320 --> 00:23:47,520
Speaker 1: which was fucking weird. That's the worst band ever, I

426
00:23:47,520 --> 00:23:52,000
Speaker 1: would say. Somebody like Adele Shout out to Adele Man. Yeah,

427
00:23:52,119 --> 00:23:54,840
Speaker 1: I think everything she makes is just big, like stadium

428
00:23:54,960 --> 00:23:58,040
Speaker 1: or her music is like obviously she just became meme.

429
00:23:58,720 --> 00:24:01,600
Speaker 1: Shout out to her for representing that's on Jamaica Day.

430
00:24:02,400 --> 00:24:05,240
Speaker 1: But no, but like her music is like timeless. It's

431
00:24:05,280 --> 00:24:09,760
Speaker 1: like it's like ship Like she's a living legend for sure.

432
00:24:09,920 --> 00:24:12,040
Speaker 1: Do you think you sing? Do you think when someone

433
00:24:12,080 --> 00:24:15,600
Speaker 1: loses weight like that? Does their voice change. I don't know.

434
00:24:15,840 --> 00:24:19,160
Speaker 1: That's a good question. I think I think her voice

435
00:24:19,440 --> 00:24:21,200
Speaker 1: is the same. I mean, I don't know. I don't

436
00:24:21,200 --> 00:24:22,920
Speaker 1: think we've heard Skinny Adel yet. I don't think she's

437
00:24:22,960 --> 00:24:26,560
Speaker 1: dropped some ship since she's she's been on her fitness

438
00:24:27,520 --> 00:24:31,679
Speaker 1: shout out to her though. Is there gonna be a

439
00:24:31,720 --> 00:24:35,720
Speaker 1: sequel to you and Bino Ship? Absolutely? I mean I

440
00:24:35,720 --> 00:24:38,160
Speaker 1: can't speak on Bino bed well no, he told me yes,

441
00:24:38,240 --> 00:24:40,840
Speaker 1: But you know, I just want to see. Yeah, it's

442
00:24:40,840 --> 00:24:42,680
Speaker 1: one hundred percent of go on my hand. How many

443
00:24:42,720 --> 00:24:44,680
Speaker 1: records you guys have together that are in the can?

444
00:24:44,760 --> 00:24:54,440
Speaker 1: If any, I'll probably say, like a cool ten ten Yeah, okay,

445
00:24:54,640 --> 00:24:56,959
Speaker 1: that's I mean, that's a project. There you go. Yeah,

446
00:24:57,440 --> 00:25:00,320
Speaker 1: but you know the vibes we gotta we gotta locke

447
00:25:00,320 --> 00:25:04,160
Speaker 1: in for sure. On a real note. Oh by the way,

448
00:25:04,480 --> 00:25:07,679
Speaker 1: I heard his new ship that you probably heard with

449
00:25:07,760 --> 00:25:09,680
Speaker 1: the big rapper on it. I ain't heard of it

450
00:25:09,720 --> 00:25:17,359
Speaker 1: yet him. Yeah. It's it's when you make an EP,

451
00:25:19,280 --> 00:25:22,600
Speaker 1: do you have? Because your debut album is going to

452
00:25:22,680 --> 00:25:26,879
Speaker 1: be very very important, right, Like it's like a moment

453
00:25:26,960 --> 00:25:29,080
Speaker 1: for everybody, but for you specifically. I think it's gonna

454
00:25:29,080 --> 00:25:33,359
Speaker 1: mean a lot and when you separate, like all right,

455
00:25:33,400 --> 00:25:36,440
Speaker 1: now this has got to be on the album. Yeah. Absolutely,

456
00:25:36,520 --> 00:25:38,800
Speaker 1: I got some records right now that that I know

457
00:25:38,880 --> 00:25:40,720
Speaker 1: for sure. It's like, all right, this is gonna be

458
00:25:40,760 --> 00:25:44,000
Speaker 1: on the album that I recorded probably like two years ago.

459
00:25:44,080 --> 00:25:45,840
Speaker 1: Like now, this one's got to make the album. Like

460
00:25:45,880 --> 00:25:48,480
Speaker 1: that's is timeless records that you come across. Yeah, you

461
00:25:48,520 --> 00:25:54,200
Speaker 1: gotta tuck those for sure. Has has h has Roddy

462
00:25:54,240 --> 00:25:57,280
Speaker 1: tapped interview at all? I've been already for a minute now.

463
00:25:58,200 --> 00:26:01,520
Speaker 1: I actually produced one record from It's not out though. Okay,

464
00:26:01,600 --> 00:26:04,160
Speaker 1: but yeah, Roddy, that's them, So you guys have already

465
00:26:04,160 --> 00:26:09,600
Speaker 1: had a relationship. Yeah. Absolutely. His melodies are also I

466
00:26:09,640 --> 00:26:12,640
Speaker 1: think he's got the best melodies in the game. Roddy's

467
00:26:12,960 --> 00:26:15,199
Speaker 1: the way he'd be skating on his verses, like Jesus,

468
00:26:15,280 --> 00:26:19,200
Speaker 1: it's like a soulful trap singer, Like, Yo, it's fucking crazy.

469
00:26:19,520 --> 00:26:23,320
Speaker 1: It's I saw glasses. Malone tweet something that the future

470
00:26:23,359 --> 00:26:26,760
Speaker 1: West Coast hip hop is very It lies a lot

471
00:26:26,800 --> 00:26:29,760
Speaker 1: on on whether or not it's on you, essentially. I mean,

472
00:26:29,920 --> 00:26:32,159
Speaker 1: I forget what he said and he's talking about that.

473
00:26:32,200 --> 00:26:35,280
Speaker 1: I try to swar through glasses bullshit sports takes and

474
00:26:35,320 --> 00:26:37,280
Speaker 1: get something good, and he said something about like the

475
00:26:37,320 --> 00:26:40,760
Speaker 1: future of West Coast music depends a lot on me,

476
00:26:41,320 --> 00:26:44,840
Speaker 1: on your success. When you saw that, like like that mean,

477
00:26:44,880 --> 00:26:47,000
Speaker 1: you know, Glasses of a a og out here, Like that's

478
00:26:47,000 --> 00:26:49,600
Speaker 1: a lot of you know, that's a lot to carry,

479
00:26:49,720 --> 00:26:52,879
Speaker 1: a lot to handle, especially in my position. But I

480
00:26:53,040 --> 00:26:56,560
Speaker 1: just look at it as like, I don't know, I'm

481
00:26:56,600 --> 00:26:58,720
Speaker 1: just grateful, you know, at the end of the day,

482
00:26:58,840 --> 00:27:01,440
Speaker 1: Like I can't really I don't really like to brag

483
00:27:01,560 --> 00:27:05,520
Speaker 1: or nothing, Like I'm humble, like I keep everything not

484
00:27:05,600 --> 00:27:08,359
Speaker 1: too high and yeah, when I see stuff like that,

485
00:27:08,400 --> 00:27:11,879
Speaker 1: it's just reinsurance for me. Like I said earlier, it's like, damn,

486
00:27:12,040 --> 00:27:14,919
Speaker 1: that's big. Like g Malone is a legend. Shout out

487
00:27:14,960 --> 00:27:18,720
Speaker 1: to Glasses man. He's also just a very very He's

488
00:27:18,760 --> 00:27:21,960
Speaker 1: like the Skip baylist of hip hop. If you ever

489
00:27:22,000 --> 00:27:23,680
Speaker 1: want to follow someone on Twitter and want to break

490
00:27:23,720 --> 00:27:26,960
Speaker 1: your fucking computer screen, just follow glasses mom at gimlum.

491
00:27:27,560 --> 00:27:31,720
Speaker 1: That's my boy. What do you do, like, like give

492
00:27:31,760 --> 00:27:34,080
Speaker 1: me some some some some you know, it's like diving,

493
00:27:34,160 --> 00:27:36,760
Speaker 1: Like what are you doing like in your spare time, bro,

494
00:27:36,920 --> 00:27:39,399
Speaker 1: Like when you ain't fucking being a musical genius and

495
00:27:39,440 --> 00:27:42,679
Speaker 1: ship and and trying to take my job on real

496
00:27:42,760 --> 00:27:47,560
Speaker 1: naety two vacation. Yeah, but nah, what do you like?

497
00:27:47,600 --> 00:27:50,439
Speaker 1: What are you into? Man? Like? You watch fucking like

498
00:27:50,480 --> 00:27:52,720
Speaker 1: what kind of movies? Like you play video games? What

499
00:27:52,800 --> 00:27:55,119
Speaker 1: do you Yeah? I mean, of course I play video

500
00:27:55,200 --> 00:27:58,000
Speaker 1: games called it duty two k of something that people

501
00:27:58,040 --> 00:28:01,720
Speaker 1: don't know. I like sometimes I watch cartoon. I like

502
00:28:01,760 --> 00:28:07,560
Speaker 1: the Avatar, the Avatar cartoon. Yeah, that's the anime, right, Yeah,

503
00:28:07,840 --> 00:28:11,520
Speaker 1: they the movie wasn't good. They're like real life movie.

504
00:28:11,520 --> 00:28:15,080
Speaker 1: They's talking about the one with like the blue No no,

505
00:28:15,080 --> 00:28:16,880
Speaker 1: no, no no, no no, I mean the fucking that they

506
00:28:16,880 --> 00:28:20,120
Speaker 1: did an anime version of the Airbender ship. I don't,

507
00:28:20,240 --> 00:28:21,960
Speaker 1: I don't, Oh you're talking about it was like a

508
00:28:21,960 --> 00:28:24,439
Speaker 1: real life It was horrible. Yeah, but I I heard the

509
00:28:24,840 --> 00:28:28,520
Speaker 1: I'm not into my son's in the all the the

510
00:28:28,640 --> 00:28:31,960
Speaker 1: routo and you funk with that ship. I don't know.

511
00:28:32,240 --> 00:28:36,040
Speaker 1: That's like another air for me. But but the Avatar, Yeah, Avatar,

512
00:28:36,119 --> 00:28:38,440
Speaker 1: that's my ship. Do you ever watch that show where

513
00:28:38,440 --> 00:28:41,040
Speaker 1: they be in the middle of the fucking forest and

514
00:28:41,080 --> 00:28:43,480
Speaker 1: they have to survive for like I think I noticed

515
00:28:43,480 --> 00:28:46,440
Speaker 1: you talking they like on the island Bro, there's this

516
00:28:46,560 --> 00:28:50,040
Speaker 1: show called It's on an Amazon Prime or Netflix. That

517
00:28:50,080 --> 00:28:54,800
Speaker 1: shit is crazy. They're like dropped off. Is it's called lost? Maybe? Yeah,

518
00:28:54,960 --> 00:28:57,080
Speaker 1: it is called Lost and they got to survive off

519
00:28:57,080 --> 00:29:01,040
Speaker 1: the land. That ship is crazy. It is crazy. I

520
00:29:01,040 --> 00:29:04,800
Speaker 1: feel like you have to be Caucasian to do. I

521
00:29:04,800 --> 00:29:06,640
Speaker 1: don't know, man, I just feel like it's like they

522
00:29:06,720 --> 00:29:09,360
Speaker 1: just like who if, by the way, I'm white, So

523
00:29:09,400 --> 00:29:11,760
Speaker 1: it's just some white people ship, Like who's getting dropped

524
00:29:11,760 --> 00:29:14,640
Speaker 1: off in the middle of the desert, like voluntarily, Like

525
00:29:14,640 --> 00:29:17,000
Speaker 1: like that's some whole other ship. I couldn't be a

526
00:29:17,000 --> 00:29:21,360
Speaker 1: part of the way. I'm sorry. I don't know. I

527
00:29:21,400 --> 00:29:27,800
Speaker 1: don't want to get canceled for being racist. Bra, I

528
00:29:27,840 --> 00:29:31,520
Speaker 1: don't fucking know. Bro's canceled. Culture shit is real, Like yo,

529
00:29:31,680 --> 00:29:37,440
Speaker 1: this this I don't know, dog, I'm high as fuck anyway.

530
00:29:38,560 --> 00:29:41,440
Speaker 1: Other collaborations, we talked about you being the hook guy.

531
00:29:41,600 --> 00:29:43,560
Speaker 1: You said, yeah, I could see that, which means that

532
00:29:43,600 --> 00:29:45,959
Speaker 1: you're definitely gonna be on some ship that's already been

533
00:29:45,960 --> 00:29:48,640
Speaker 1: recorded coming out. But like, what are you already having

534
00:29:48,840 --> 00:29:52,240
Speaker 1: it tucked like hook wise, I know you're gonna very shortly.

535
00:29:52,280 --> 00:29:54,280
Speaker 1: People aren't gonna be able to afford the feature. But

536
00:29:54,680 --> 00:29:58,320
Speaker 1: you know, right now, I just did some ship with

537
00:29:58,400 --> 00:30:03,760
Speaker 1: Tiger and I also did some shit with Russ recently.

538
00:30:04,160 --> 00:30:07,280
Speaker 1: Tiger and Russ, Yeah, well separately, but yeah, yeah. I

539
00:30:07,280 --> 00:30:09,240
Speaker 1: don't want to hear a Tiger and Rest song. I'd

540
00:30:09,280 --> 00:30:11,880
Speaker 1: like to hear Black. I'm just being honest. I don't

541
00:30:11,880 --> 00:30:13,720
Speaker 1: want to hear them together on song. I'd like to

542
00:30:13,720 --> 00:30:16,040
Speaker 1: hear you want a song with Tiger, right, I wouldn't

543
00:30:16,040 --> 00:30:17,760
Speaker 1: want to hear Tiger on a song with Tiger though.

544
00:30:18,000 --> 00:30:19,560
Speaker 1: I think I like, you'd have to be honest for

545
00:30:19,600 --> 00:30:21,680
Speaker 1: me to like shout out to Tager though last Kings.

546
00:30:21,680 --> 00:30:25,280
Speaker 1: You know what I'm saying, How did you Tiger? I mean, no,

547
00:30:25,440 --> 00:30:27,520
Speaker 1: Tiger's a legend. Let's not get a fucked up, But

548
00:30:27,640 --> 00:30:29,880
Speaker 1: how did you and Tiger get together? You just reach it?

549
00:30:29,920 --> 00:30:33,920
Speaker 1: Tapped in now, He tapped in on Instagram strength. It

550
00:30:34,080 --> 00:30:35,680
Speaker 1: was just like, let's work. And I was like, damn,

551
00:30:35,720 --> 00:30:37,720
Speaker 1: that's crazy. A lot of people be tapping in. E

552
00:30:37,880 --> 00:30:41,200
Speaker 1: forty reached out. You got you know what you always

553
00:30:41,200 --> 00:30:44,600
Speaker 1: got to give forty the feature. Man, that's that's automatic.

554
00:30:44,880 --> 00:30:47,400
Speaker 1: Forty Come on, you ever see like look at the

555
00:30:47,400 --> 00:30:50,280
Speaker 1: track list on E forty's albums and you'll see all

556
00:30:50,280 --> 00:30:52,480
Speaker 1: the features and you'd be like, nobody has ever told

557
00:30:52,480 --> 00:30:54,600
Speaker 1: E forty no for the feature because he'd be having

558
00:30:54,960 --> 00:30:59,120
Speaker 1: everybody on it ship no matter how big that It's like, Yo, no,

559
00:30:59,600 --> 00:31:02,840
Speaker 1: he's got E forty's album fucking track list. First of all,

560
00:31:02,880 --> 00:31:06,080
Speaker 1: they're like eighty songs, full drop a triple disc on

561
00:31:06,160 --> 00:31:08,800
Speaker 1: you bro. Nah. But one thing about forty he wanted

562
00:31:08,800 --> 00:31:11,800
Speaker 1: an artists. It's a few of them that never have

563
00:31:11,920 --> 00:31:14,960
Speaker 1: a week verse. Oh never. Mazi another one of them,

564
00:31:15,040 --> 00:31:19,040
Speaker 1: Oh forever. Yo, that's crazy. Mazi has never had a

565
00:31:19,080 --> 00:31:21,840
Speaker 1: week verse ever. And E forty is one of the

566
00:31:21,880 --> 00:31:24,600
Speaker 1: greatest of all time. I think he's on the West

567
00:31:24,600 --> 00:31:28,200
Speaker 1: coast when you do the round Mount Rushmore, he's the

568
00:31:28,240 --> 00:31:32,040
Speaker 1: only Bay representative up there. Shout out to forty man.

569
00:31:32,080 --> 00:31:34,680
Speaker 1: Forty water is a legend. Damn. So E fortyes tapped

570
00:31:34,720 --> 00:31:36,760
Speaker 1: in Russ. So you and Russ have actually done like

571
00:31:36,800 --> 00:31:41,280
Speaker 1: the record exists for you or for him both. So

572
00:31:41,320 --> 00:31:43,600
Speaker 1: you guys, you guys do too, Yeah, little trade off

573
00:31:44,160 --> 00:31:46,480
Speaker 1: something like that. Okay, is that gonna be the one

574
00:31:46,480 --> 00:31:48,160
Speaker 1: that you talk like? Okay, this is an album one

575
00:31:49,720 --> 00:31:51,880
Speaker 1: I'm having the base with Peru. Right now, I'm trying

576
00:31:51,920 --> 00:31:53,760
Speaker 1: to put it on the deluxe for no leve Loss.

577
00:31:53,800 --> 00:31:56,000
Speaker 1: Oh shit, Hey, honestly, it might be a moment man,

578
00:31:56,120 --> 00:31:59,479
Speaker 1: man honestly, especially because he just tweeted about you. Right,

579
00:31:59,840 --> 00:32:01,320
Speaker 1: Are you trying to put it on the album or

580
00:32:01,360 --> 00:32:04,160
Speaker 1: the or the deluxe of the EP? I want to

581
00:32:04,200 --> 00:32:07,560
Speaker 1: put it on the deluxe once I got something, I'm

582
00:32:07,560 --> 00:32:09,480
Speaker 1: ready to Hey, I'm voting for that because I like

583
00:32:09,520 --> 00:32:13,320
Speaker 1: to hear it. Yeah, but your boy probably it's still

584
00:32:13,360 --> 00:32:17,080
Speaker 1: in talks. It's still in talks shit, and then the

585
00:32:17,120 --> 00:32:19,960
Speaker 1: bino shit is just you guys. It's it's crazy because

586
00:32:19,960 --> 00:32:23,120
Speaker 1: now you guys are like, he's on def jam. Now

587
00:32:24,800 --> 00:32:28,080
Speaker 1: you got your situation. Is it harder to like, does

588
00:32:28,120 --> 00:32:30,360
Speaker 1: the business get any more difficult for you guys to

589
00:32:30,400 --> 00:32:33,080
Speaker 1: do some shit together as opposed to like when y'all

590
00:32:33,080 --> 00:32:35,320
Speaker 1: did the first one? Or it's like yolick licious put

591
00:32:35,320 --> 00:32:37,520
Speaker 1: the shit out because nobody can tell us any different. No,

592
00:32:37,680 --> 00:32:40,360
Speaker 1: I mean, yeah, it's the only thing I would say

593
00:32:40,400 --> 00:32:42,280
Speaker 1: is different is just signing papers. Now you know what

594
00:32:42,280 --> 00:32:47,200
Speaker 1: I'm saying. But it's the same workflow, Yeah, same workflow.

595
00:32:47,800 --> 00:32:50,800
Speaker 1: Have you ever switched up out of fruity loops. Yeah,

596
00:32:50,920 --> 00:32:55,040
Speaker 1: I mean I mess with able Teon, I mess with reason.

597
00:32:55,800 --> 00:32:58,560
Speaker 1: I feel like, yeah, that's like you can tell a

598
00:32:58,600 --> 00:33:00,680
Speaker 1: lot about our producer sometimes when you know, like what

599
00:33:00,720 --> 00:33:03,680
Speaker 1: they're what they use. Yeah, you know what I'm saying.

600
00:33:03,960 --> 00:33:06,960
Speaker 1: I feel like Ableton is uh is fire. Yeah, you

601
00:33:07,040 --> 00:33:10,440
Speaker 1: get more flexibility, like able Toon for sampling and stuff

602
00:33:10,480 --> 00:33:14,040
Speaker 1: rants from fifteen hundred put me on Ableson. Shout out

603
00:33:14,080 --> 00:33:16,400
Speaker 1: to fifteen hundred and nothing man, shout out to rets.

604
00:33:17,840 --> 00:33:20,760
Speaker 1: Do you have any idea when you're gonna drop? Well,

605
00:33:20,880 --> 00:33:25,959
Speaker 1: the Deluxe obviously is coming to and I'm assuming Yeah, no,

606
00:33:26,160 --> 00:33:29,040
Speaker 1: no specific date, but I plan to drop it late

607
00:33:29,080 --> 00:33:31,840
Speaker 1: October early. No. Besides Russ, is there gonna be any

608
00:33:31,880 --> 00:33:34,480
Speaker 1: other features on the Deluxe? There's gotta be right, yeah,

609
00:33:34,720 --> 00:33:40,040
Speaker 1: Like who just one out there, bru. I mean I

610
00:33:40,040 --> 00:33:43,600
Speaker 1: already mentioned his name earlier, but you mentioned his name earlier.

611
00:33:45,920 --> 00:33:49,120
Speaker 1: I still want people to anticipate. Oh you're talking about Tiger. Yeah,

612
00:33:49,200 --> 00:33:52,080
Speaker 1: but I still want people to anticipate me even doing feats. Wait,

613
00:33:52,120 --> 00:33:56,560
Speaker 1: so Tiger's gonna be on your Deluxe Fire shout out

614
00:33:56,560 --> 00:34:01,320
Speaker 1: to Tiger Man. That's lit yo, he's been he tapped

615
00:34:01,320 --> 00:34:04,000
Speaker 1: in man. Yeah, Tiger got his ears to the streets.

616
00:34:04,400 --> 00:34:06,520
Speaker 1: That was crazy. I wasn't expecting for him to even

617
00:34:07,240 --> 00:34:11,520
Speaker 1: know who I was. That's crazy. Your relationship with Bino

618
00:34:13,239 --> 00:34:16,520
Speaker 1: did that start after Nip had passed her around that time?

619
00:34:18,160 --> 00:34:20,480
Speaker 1: It was right before, right before I was gonna ask

620
00:34:20,520 --> 00:34:22,840
Speaker 1: you if you ever had any interactions with Nip. I

621
00:34:22,920 --> 00:34:25,520
Speaker 1: met Nip one time at the Racks in the Middle video.

622
00:34:25,600 --> 00:34:29,719
Speaker 1: Shit actually oh shit, okay you know Keifa? Yeah, of course. Yeah,

623
00:34:29,760 --> 00:34:32,920
Speaker 1: he introduced me to Nip and yeah, I told him

624
00:34:33,040 --> 00:34:35,920
Speaker 1: like I worked close with Bino. He was like, yeah,

625
00:34:35,960 --> 00:34:38,720
Speaker 1: he already know. I'm locked down with Beno. Damn. That's crazy.

626
00:34:38,719 --> 00:34:40,400
Speaker 1: That's it's terrible that it would have been crazy to

627
00:34:40,400 --> 00:34:44,200
Speaker 1: hear you guys do some sugar man legendary ship. Yeah?

628
00:34:44,680 --> 00:34:48,439
Speaker 1: Who Who's uh? Have you ever? Have you had any

629
00:34:48,520 --> 00:34:51,000
Speaker 1: artists try to sign you yet? Not like you know

630
00:34:51,000 --> 00:34:54,680
Speaker 1: how they're There's there's artists that have their situations. A

631
00:34:54,680 --> 00:34:57,279
Speaker 1: couple of artists as the same already. Did you Are

632
00:34:57,320 --> 00:35:00,680
Speaker 1: you entertaining it or absolutely not? I mean I feel

633
00:35:00,680 --> 00:35:04,520
Speaker 1: like I'm capable of left, like I said, producing my

634
00:35:04,560 --> 00:35:09,640
Speaker 1: own sound. I got my team, so it's like I

635
00:35:09,640 --> 00:35:14,200
Speaker 1: don't think I can ever signed to another artist? Is

636
00:35:14,200 --> 00:35:16,839
Speaker 1: it how important is it for you? Like if there's

637
00:35:16,840 --> 00:35:19,160
Speaker 1: an artist into watching this that doesn't that only knows

638
00:35:19,200 --> 00:35:23,320
Speaker 1: how to do the artist part, the singing, the writing,

639
00:35:24,719 --> 00:35:28,600
Speaker 1: Like what's the importance of having all that other shit? Like?

640
00:35:28,719 --> 00:35:31,680
Speaker 1: Is it freedom? Like? What is like? Because you? Because anybody?

641
00:35:31,760 --> 00:35:34,680
Speaker 1: I feel like if they really apply themselves, they could

642
00:35:34,719 --> 00:35:37,440
Speaker 1: learn how to record themselves. You know, they can like

643
00:35:37,560 --> 00:35:41,319
Speaker 1: mixing and mastering. Those are things you just just watching YouTube. Yeah,

644
00:35:41,320 --> 00:35:43,560
Speaker 1: I mean, for one, that's gonna save you money, of course,

645
00:35:44,239 --> 00:35:46,120
Speaker 1: and for til you want to just be hands on

646
00:35:46,239 --> 00:35:50,399
Speaker 1: with your creativity, like when somebody else put a hand

647
00:35:50,400 --> 00:35:52,800
Speaker 1: in it, then it's not one hundred percent of yours

648
00:35:52,800 --> 00:35:55,160
Speaker 1: no more. Which is not a bad thing to collaborate

649
00:35:55,200 --> 00:35:57,080
Speaker 1: of course, but I just want to be able to

650
00:35:57,120 --> 00:36:02,759
Speaker 1: know you know fully. I feel like in twenty twenty man,

651
00:36:03,400 --> 00:36:05,920
Speaker 1: with no touring and shit, a lot of artists need

652
00:36:05,920 --> 00:36:09,800
Speaker 1: to start. They got to bring their costs down because

653
00:36:09,840 --> 00:36:13,960
Speaker 1: the live show shit is crazy. Like when they costs down, yeah,

654
00:36:13,960 --> 00:36:17,160
Speaker 1: because they't like what features no no? Yeah, well that no.

655
00:36:17,239 --> 00:36:19,359
Speaker 1: I mean like there's a lot of artists who depend

656
00:36:19,440 --> 00:36:21,160
Speaker 1: so much on the road that they might want to

657
00:36:21,200 --> 00:36:23,480
Speaker 1: learn how to record themselves so they can save some

658
00:36:23,520 --> 00:36:28,200
Speaker 1: money because the live show game is like it's crazy

659
00:36:28,239 --> 00:36:30,640
Speaker 1: because you'll probably be back to normal by the time

660
00:36:30,640 --> 00:36:33,120
Speaker 1: it's gonna make sense for you to like headline some shit. Man,

661
00:36:33,160 --> 00:36:36,200
Speaker 1: I can't wait till I can perform. That's the one

662
00:36:36,239 --> 00:36:38,880
Speaker 1: thing that I haven't been able to do yet. Just

663
00:36:38,920 --> 00:36:41,719
Speaker 1: headline my own show. I feel like right now it's

664
00:36:41,760 --> 00:36:44,440
Speaker 1: the perfect time. But everything like that right now is

665
00:36:44,520 --> 00:36:46,880
Speaker 1: like the like, Okay, we got to go to the

666
00:36:46,960 --> 00:36:50,440
Speaker 1: Roxy Glass because he sold it out two days in

667
00:36:50,520 --> 00:36:54,160
Speaker 1: a row and he's gonna have all the special guests. Yeah,

668
00:36:54,200 --> 00:36:56,279
Speaker 1: that is crazy, man, And you know that's like a

669
00:36:56,320 --> 00:36:59,799
Speaker 1: moment every an LA artist has. They got that Roxy show.

670
00:37:00,040 --> 00:37:01,840
Speaker 1: That's like, yo, you gotta go through that tunnel to

671
00:37:01,840 --> 00:37:03,640
Speaker 1: get to the next level. And then and then you

672
00:37:03,680 --> 00:37:05,719
Speaker 1: get the Palladium one like a year later. If you

673
00:37:05,800 --> 00:37:07,880
Speaker 1: if you're do any right thing, I remember that specifically

674
00:37:07,880 --> 00:37:12,239
Speaker 1: with like that, like that first Rody show was so crazy.

675
00:37:13,920 --> 00:37:16,560
Speaker 1: Did you go to that? Nah? Didn't? Yeah? That ship

676
00:37:16,680 --> 00:37:21,640
Speaker 1: was that ship was like, okay, this is special what

677
00:37:21,680 --> 00:37:26,200
Speaker 1: with with the coronavirus? Ship has that like personally affected you,

678
00:37:26,400 --> 00:37:30,080
Speaker 1: like any any sort of Like my grandma died from

679
00:37:30,080 --> 00:37:32,960
Speaker 1: that ship, so I passed away from that too. Damn

680
00:37:33,239 --> 00:37:36,040
Speaker 1: sorry to hear that. Bro. Yeah, man, motherfuckers is really

681
00:37:36,080 --> 00:37:38,120
Speaker 1: out here on their conspiracy theory ship like it's fake.

682
00:37:38,200 --> 00:37:40,680
Speaker 1: I'm like, bro, yeah, I take it very serious as well.

683
00:37:41,560 --> 00:37:45,200
Speaker 1: But yeah, not as far as my workflow, everything been

684
00:37:45,200 --> 00:37:47,719
Speaker 1: the same because I record at the house anyway, and

685
00:37:47,760 --> 00:37:51,480
Speaker 1: I'm not really out and about like that unless you know,

686
00:37:51,800 --> 00:37:55,080
Speaker 1: duty calls. But everything been the same. What about like

687
00:37:55,120 --> 00:37:57,440
Speaker 1: the music video shit, like, because it felt like the

688
00:37:57,480 --> 00:37:59,759
Speaker 1: first couple of months people were like kind of scared

689
00:37:59,760 --> 00:38:02,160
Speaker 1: of you videos. I definitely I turned down by a

690
00:38:02,200 --> 00:38:05,400
Speaker 1: couple of directors, like early on. Now I feel like

691
00:38:05,440 --> 00:38:08,560
Speaker 1: it's like fuck it, We're doing it. We're pushing through. Right.

692
00:38:08,960 --> 00:38:12,120
Speaker 1: There was Motherfucker's shooting videos like like g Eaz and

693
00:38:12,239 --> 00:38:14,160
Speaker 1: Jack Harlow had a whole entire video that was just

694
00:38:14,200 --> 00:38:16,880
Speaker 1: people on Skype. I was like, bro, you could have

695
00:38:16,920 --> 00:38:19,000
Speaker 1: just waited like thirty more days and then everybody would

696
00:38:19,000 --> 00:38:22,239
Speaker 1: have chilled. Right. I got a video show tomorrow, matter

697
00:38:22,239 --> 00:38:25,120
Speaker 1: of fact, Oh you do? Yeah? Is it a solo joint?

698
00:38:25,600 --> 00:38:30,960
Speaker 1: Something off EP? Which record be alone Fire EP Special

699
00:38:31,000 --> 00:38:35,360
Speaker 1: Man it's it's something that I think is like it's

700
00:38:35,600 --> 00:38:39,080
Speaker 1: it's it's like it backed up the hype. You know

701
00:38:39,120 --> 00:38:40,200
Speaker 1: what I'm saying, because, like I said, a lot of

702
00:38:40,239 --> 00:38:42,080
Speaker 1: people talking about you, they just pressed play on that.

703
00:38:42,160 --> 00:38:45,040
Speaker 1: It's like, oh, I get it now. Yeah, that's why

704
00:38:45,200 --> 00:38:48,040
Speaker 1: the response being crazy. Like I've been putting out a

705
00:38:48,080 --> 00:38:50,839
Speaker 1: bunch of songs, singles, and then of course I put

706
00:38:50,840 --> 00:38:54,600
Speaker 1: out the tape with Beino. But people was anticipating, like

707
00:38:54,640 --> 00:38:58,080
Speaker 1: what can you yourself? Yeah? So I feel like, yeah,

708
00:38:58,120 --> 00:39:01,640
Speaker 1: like you said, it lived up to it's expectations. Are

709
00:39:01,680 --> 00:39:06,319
Speaker 1: you a smoker man? Nah? No, smoke no? Are you

710
00:39:06,320 --> 00:39:10,960
Speaker 1: a drinker? Sometimes? Occasionally? What is your vice? My vice?

711
00:39:13,680 --> 00:39:15,640
Speaker 1: You don't want to have me? He have me the

712
00:39:15,680 --> 00:39:17,799
Speaker 1: baby size down July? Bro? I know, they came back

713
00:39:17,800 --> 00:39:19,239
Speaker 1: from the liquature with these I'm like, what am I

714
00:39:19,239 --> 00:39:20,840
Speaker 1: supposed to do with this? Bro? Looks like a bottle

715
00:39:20,880 --> 00:39:24,840
Speaker 1: of potion from a wish. It's like somebody trying to

716
00:39:24,880 --> 00:39:29,000
Speaker 1: fucking give me mousey ors and some shit. Bro. No,

717
00:39:29,120 --> 00:39:35,040
Speaker 1: but what's your advice? I don't know. We all got vices, bro.

718
00:39:36,120 --> 00:39:38,960
Speaker 1: My vice? I don't know, probably some weird shit like

719
00:39:39,040 --> 00:39:42,239
Speaker 1: eating late Oh that's everybody walking to my life? You

720
00:39:42,280 --> 00:39:45,319
Speaker 1: see this belly bro shit. I eat late. I feel

721
00:39:45,320 --> 00:39:47,239
Speaker 1: like I can't go to sleep unless I eat, which

722
00:39:47,280 --> 00:39:50,319
Speaker 1: is a horrible thing I know. But fuck I mean yeah,

723
00:39:50,440 --> 00:39:52,840
Speaker 1: walking to my life? Yeah, so that I guess that

724
00:39:52,960 --> 00:39:55,799
Speaker 1: is a vice food. Yeah, I'm a fat fuck Yeah

725
00:39:55,800 --> 00:39:58,680
Speaker 1: that's fair. I mean, at least you didn't say like

726
00:39:58,760 --> 00:40:01,040
Speaker 1: some kind of weird ass like gory on porn hub

727
00:40:01,200 --> 00:40:04,080
Speaker 1: I have. Come on, man, I don't know, Man, come

728
00:40:04,120 --> 00:40:06,399
Speaker 1: on you When you said I got a weird one,

729
00:40:06,400 --> 00:40:11,879
Speaker 1: I was like, oh shit, this might get crazy. How

730
00:40:11,920 --> 00:40:15,160
Speaker 1: many records would you say you have for your album?

731
00:40:15,400 --> 00:40:17,480
Speaker 1: And is that is this something that we're gonna get

732
00:40:17,520 --> 00:40:19,799
Speaker 1: next year or towards the end of this year? Nah,

733
00:40:19,800 --> 00:40:23,759
Speaker 1: It's definitely gonna be next year. I really wanted to

734
00:40:23,760 --> 00:40:26,759
Speaker 1: put out six Tape two before this year ended, but

735
00:40:27,680 --> 00:40:31,360
Speaker 1: definitely want to put out the Deluxe before that. So, so,

736
00:40:31,520 --> 00:40:33,319
Speaker 1: is this six Tape two you think that's something that's

737
00:40:33,360 --> 00:40:36,919
Speaker 1: even like possible before the end of the year. Yeah.

738
00:40:36,960 --> 00:40:39,040
Speaker 1: But the only thing for that is like I can't

739
00:40:39,040 --> 00:40:41,399
Speaker 1: really speak on it entirely because you know, I'm only

740
00:40:41,440 --> 00:40:43,880
Speaker 1: one half of it, of course, But yeah, if it

741
00:40:43,920 --> 00:40:46,200
Speaker 1: was up to me, matter of fact, we gonna make

742
00:40:46,239 --> 00:40:48,439
Speaker 1: it happen. And there you go. You just spoke on both.

743
00:40:50,040 --> 00:40:52,359
Speaker 1: Who's another artist that you would love to do like

744
00:40:52,840 --> 00:40:55,600
Speaker 1: or like just a full collab project with that you

745
00:40:55,719 --> 00:41:02,319
Speaker 1: have great chemistry with. I wouldn't even want to do

746
00:41:02,440 --> 00:41:06,560
Speaker 1: a collab tape with anybody else, honestly, that's fire. Yeah,

747
00:41:06,800 --> 00:41:11,520
Speaker 1: nobody else, huh Adele the Adele Tape. I wouldn't even

748
00:41:11,520 --> 00:41:13,000
Speaker 1: want to do it with a It'll be called like

749
00:41:13,040 --> 00:41:16,200
Speaker 1: twenty nine or something. I just need like one or

750
00:41:16,200 --> 00:41:19,799
Speaker 1: two of a just one feature, just one feature, just

751
00:41:19,840 --> 00:41:23,040
Speaker 1: to give me up out of there one time. Yeah,

752
00:41:23,080 --> 00:41:26,760
Speaker 1: that'd be Yeah, that'd be pretty crazy. What about ghost writing?

753
00:41:27,080 --> 00:41:30,000
Speaker 1: Is that something that you writing for other artists? Is

754
00:41:30,000 --> 00:41:31,560
Speaker 1: that something that people are starting to try to get

755
00:41:31,560 --> 00:41:33,640
Speaker 1: out you more to do? Or Yeah? I mean I'm

756
00:41:33,840 --> 00:41:36,200
Speaker 1: I've definitely been in a couple riding camps. I actually

757
00:41:36,760 --> 00:41:39,239
Speaker 1: wrote a song on a new Scooby Doo movie, but uh,

758
00:41:39,560 --> 00:41:42,239
Speaker 1: the one that just came out. Yeah, okay, yeah, I

759
00:41:42,280 --> 00:41:46,400
Speaker 1: watched it co Roll one with Jack Harlowe. Shout out Dvo,

760
00:41:46,840 --> 00:41:51,040
Speaker 1: Dave Shout out to dave O. Davo is fucking just

761
00:41:51,120 --> 00:41:54,239
Speaker 1: salute bro, he's a good dude and he's running. He's

762
00:41:54,320 --> 00:41:57,400
Speaker 1: killing shit right now. He throws me so many Ali Oops,

763
00:41:57,760 --> 00:42:01,120
Speaker 1: it's crazy Davo solid. So. But but are you like

764
00:42:01,200 --> 00:42:03,600
Speaker 1: starting to Is that like even something you're like interested

765
00:42:03,640 --> 00:42:08,640
Speaker 1: in doing. Yeah, I definitely like writing for other artists. Yeah, yeah,

766
00:42:08,680 --> 00:42:10,520
Speaker 1: I feel like that. That's just the whole other side

767
00:42:10,520 --> 00:42:12,560
Speaker 1: of the hustle, like yo, your bag on the publishing

768
00:42:12,640 --> 00:42:14,839
Speaker 1: so I could be bigger than anything else. Nah, it's

769
00:42:14,920 --> 00:42:18,920
Speaker 1: definitely fire to hear your lyrics no matter what the

770
00:42:19,000 --> 00:42:23,120
Speaker 1: channel is. What kind of fucking movies were you watching

771
00:42:23,160 --> 00:42:25,080
Speaker 1: growing up? Like, what's your favorite movie of all time?

772
00:42:27,000 --> 00:42:34,120
Speaker 1: That's a good question. I'd probably say Hangover. That's number one,

773
00:42:35,080 --> 00:42:37,160
Speaker 1: just just for the simple fact the first time I

774
00:42:37,280 --> 00:42:40,080
Speaker 1: watched it, it was like the funniest movie. Oh for sure.

775
00:42:40,160 --> 00:42:43,040
Speaker 1: First time you watch Hangover, Yeah, that's like it was

776
00:42:43,080 --> 00:42:45,480
Speaker 1: a different type of comedy now the first yeah it was.

777
00:42:45,520 --> 00:42:48,879
Speaker 1: It was there was like a lot of shit going

778
00:42:48,920 --> 00:42:51,759
Speaker 1: on in that movie. Yeah, it was never it was

779
00:42:51,800 --> 00:42:56,000
Speaker 1: never a dead moment. Hangover is the other movie that

780
00:42:56,320 --> 00:43:00,880
Speaker 1: was like that for me was Old School? Nah, that

781
00:43:00,920 --> 00:43:03,960
Speaker 1: one wasn't like that. No, it was funny, but it

782
00:43:04,000 --> 00:43:07,160
Speaker 1: wasn't old school, bro, it's fool. The movie starts with

783
00:43:07,239 --> 00:43:11,600
Speaker 1: him walking on his wife getting gang bang. Bro, it's

784
00:43:11,680 --> 00:43:15,759
Speaker 1: fucking crazy, fucking Frank the Tank. And then Friday. When

785
00:43:15,760 --> 00:43:17,320
Speaker 1: I was a little kid and I first watched Friday,

786
00:43:17,320 --> 00:43:20,000
Speaker 1: I remember vividly and I was trying. I thought I

787
00:43:20,040 --> 00:43:23,319
Speaker 1: was Chris Tucker and for like seven years as a child. Yeah,

788
00:43:23,320 --> 00:43:27,879
Speaker 1: that's a classic. Yeah yeah. Anyway, Well, look, the EP

789
00:43:28,120 --> 00:43:32,879
Speaker 1: is out. It's called No Love Lost, and I think

790
00:43:35,120 --> 00:43:40,880
Speaker 1: the deluxe right around the corner. The deluxe is it

791
00:43:40,960 --> 00:43:42,719
Speaker 1: gonna be like a whole other album, because that's what

792
00:43:42,719 --> 00:43:45,160
Speaker 1: people are doing now. I'm so confused by the deluxe thing.

793
00:43:45,160 --> 00:43:46,560
Speaker 1: I know it's like a way to like stretch your

794
00:43:46,560 --> 00:43:49,640
Speaker 1: album's selves, but like the Baby dropped ten songs on

795
00:43:49,680 --> 00:43:51,279
Speaker 1: his like ten new songs, I'm like, bro, that's a

796
00:43:51,280 --> 00:43:54,760
Speaker 1: fucking album, right, Nah. I mean I don't plan to

797
00:43:55,200 --> 00:43:57,120
Speaker 1: drop like ten songs because at the end of the day,

798
00:43:57,160 --> 00:44:00,239
Speaker 1: it's still an EP, so it's kind of unconventional I'm

799
00:44:00,280 --> 00:44:03,080
Speaker 1: doing already because not like like a deluxe to a

800
00:44:03,160 --> 00:44:05,680
Speaker 1: EP don't even really make sense. Technically. It will be

801
00:44:05,719 --> 00:44:09,200
Speaker 1: an album then, right, But yeah, I'm just gonna add

802
00:44:09,200 --> 00:44:12,280
Speaker 1: about like four to five songs, and they probably remix

803
00:44:12,320 --> 00:44:15,680
Speaker 1: a couple of them. So your only vice, I've just

804
00:44:15,719 --> 00:44:17,640
Speaker 1: I just I want to know that you're like a

805
00:44:17,680 --> 00:44:22,279
Speaker 1: bad person too. Nah, I'm the coolest person ever. I

806
00:44:22,320 --> 00:44:24,680
Speaker 1: can't do it. Man, you give me some do you

807
00:44:24,760 --> 00:44:27,440
Speaker 1: get like ever gamble or anything. I just feel like

808
00:44:27,480 --> 00:44:29,560
Speaker 1: you're the nicest, sweetest guy I've met in this chair

809
00:44:29,560 --> 00:44:31,920
Speaker 1: in a long time. We just had a baby here

810
00:44:31,920 --> 00:44:37,040
Speaker 1: and it was interesting. He was falling asleep. Cool, respectable,

811
00:44:37,800 --> 00:44:40,400
Speaker 1: stand on integrity. I don't do too much out the

812
00:44:41,000 --> 00:44:43,320
Speaker 1: out the norm. I mean, I mean, obviously do you

813
00:44:43,400 --> 00:44:46,000
Speaker 1: have your music speak for yourself? But yeah, that's crazy.

814
00:44:46,200 --> 00:44:48,880
Speaker 1: What about it like a not even like a strip club.

815
00:44:49,600 --> 00:44:53,160
Speaker 1: I mean I indulge in you know, strip clubs, of course,

816
00:44:53,200 --> 00:44:55,800
Speaker 1: but it's not like I gotta go to the strip club?

817
00:44:56,120 --> 00:45:00,439
Speaker 1: Right Well, hey, you have you subscribed it the only

818
00:45:00,480 --> 00:45:07,120
Speaker 1: fans accounts? Hell no, none, have you thought about it?

819
00:45:07,160 --> 00:45:10,480
Speaker 1: Because you know you'll be on Instagram and then you'll

820
00:45:10,520 --> 00:45:12,799
Speaker 1: be like, oh shit, who is this and then you'd

821
00:45:12,800 --> 00:45:15,080
Speaker 1: be like, oh shit, I could just pay four ninety

822
00:45:15,160 --> 00:45:18,120
Speaker 1: nine and just see her naked. Right now, what's the

823
00:45:18,200 --> 00:45:20,359
Speaker 1: point of doing that? No, no no, no, I haven't done

824
00:45:20,360 --> 00:45:23,359
Speaker 1: it either. I'm just saying like I'm not. I'll try

825
00:45:23,400 --> 00:45:26,160
Speaker 1: to clean it up now. No I haven't. I ain't

826
00:45:26,160 --> 00:45:28,759
Speaker 1: give no bitches my money. I'm married. No, But like

827
00:45:28,920 --> 00:45:30,840
Speaker 1: you know, I'm just curious, like, you know, have you

828
00:45:30,880 --> 00:45:33,200
Speaker 1: thought about it? Because I mean I've obviously thought about it.

829
00:45:33,640 --> 00:45:36,560
Speaker 1: I'm like, wait, this bitch got a only fans. What's

830
00:45:36,600 --> 00:45:42,120
Speaker 1: the girl's name? Uh hmmm, Rosa Acosta has the only

831
00:45:42,200 --> 00:45:47,319
Speaker 1: fans the mariage after, I was like, should I give

832
00:45:47,400 --> 00:45:50,000
Speaker 1: my money to Rosa Acosta? Now it'll come up on

833
00:45:50,000 --> 00:45:51,680
Speaker 1: the credit card statement and my wife will be like,

834
00:45:51,719 --> 00:45:54,040
Speaker 1: you would you thirteen ninety nine on only fans? What

835
00:45:54,080 --> 00:45:56,040
Speaker 1: the fuck is wrong with you? I couldn't do. You

836
00:45:56,080 --> 00:45:58,239
Speaker 1: can't write that off on your taxes man, So you're

837
00:45:58,239 --> 00:46:01,280
Speaker 1: not spending money that you can't write off media research.

838
00:46:02,320 --> 00:46:06,440
Speaker 1: A media research might have to subscribe. And I was playing,

839
00:46:07,080 --> 00:46:08,839
Speaker 1: and you spend some money on them fucking shoes though

840
00:46:08,840 --> 00:46:14,680
Speaker 1: there's Alexander mcqueens. Them things, those things are not on

841
00:46:14,680 --> 00:46:17,080
Speaker 1: only fans, but he's got them on the mcqueens. Anyway,

842
00:46:17,120 --> 00:46:19,920
Speaker 1: go get the EP man. Hopefully you say by October

843
00:46:19,960 --> 00:46:22,479
Speaker 1: we'll get the end of October, we'll get the EP

844
00:46:22,760 --> 00:46:26,840
Speaker 1: or the deluxe, and then next year the album and

845
00:46:26,920 --> 00:46:32,040
Speaker 1: before twenty twenty one six tape two. Yeah, okay, that's

846
00:46:32,040 --> 00:46:35,920
Speaker 1: the timeline. That's gotta be the Okay, Yeah, there it is,

847
00:46:36,080 --> 00:46:38,880
Speaker 1: and Russ will be on the deluxe. He's killing me

848
00:46:38,920 --> 00:46:43,120
Speaker 1: over here. I gave him all the gyms. There it is,

849
00:46:43,160 --> 00:46:44,320
Speaker 1: Man Blast