WEBVTT - 9021-Boooo!

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<v Speaker 1>It's nine O gene one engine with Jenny Garth and

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<v Speaker 1>Tory spelling Hi Hi, Happy Halloween, Hio mg ars. It's

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<v Speaker 1>Halloween on the show, but it's not Halloween in real life.

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<v Speaker 2>It'd be nice if that was.

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<v Speaker 3>It always used to match up what do we do

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<v Speaker 3>wrong somehow?

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<v Speaker 2>Follow in July it could be instead of.

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<v Speaker 4>In July Halloween July Halloween six with the Roman numerals.

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<v Speaker 2>Get it.

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<v Speaker 1>But it's like the horror season right eat, it wasn't.

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<v Speaker 1>It wasn't listed as Halloween six on my my thingy

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<v Speaker 1>that I watched.

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<v Speaker 3>I noticed that too.

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<v Speaker 1>It was it had like ticks, no fleas and bats

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<v Speaker 1>and oh in another word that we're not allowed to

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<v Speaker 1>say anymore.

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<v Speaker 3>So yeah, that we use anymore. So that's why they

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<v Speaker 3>changed it six better. It works. Totally great episode, such

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<v Speaker 3>a great great episode, guys, you liked it? Yeah? Season

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<v Speaker 3>six for me is private.

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<v Speaker 1>It really is. There's so much going on and they're

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<v Speaker 1>so adult like.

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<v Speaker 4>Yes, yeah, toy, you were right when you said college

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<v Speaker 4>years are the best.

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<v Speaker 3>Like you were right.

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<v Speaker 2>I was one season off though. It wasn't like you

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<v Speaker 2>said something of the college years.

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<v Speaker 3>It was in mid guys, can I tell you something.

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<v Speaker 1>What.

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<v Speaker 4>I am so happy that we have had Joe show

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<v Speaker 4>up because who wait, Joe, that's badly all right, Joe Bradley,

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<v Speaker 4>he's the character that comes in this week. I loved

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<v Speaker 4>that dude when I was in college. Like, when that

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<v Speaker 4>guy showed up, I was team Cameron Bancroft microft hard.

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<v Speaker 3>Where did Cameron Bancroft come from?

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<v Speaker 2>Besides Heaven Anada, Canada?

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<v Speaker 1>Same thing, Heaven Canada.

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<v Speaker 4>He was so swoony swoon that I remember when he

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<v Speaker 4>showed up, just being like yes, like I Ray prewit

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<v Speaker 4>who like Jamie Walters was cute, but like for me,

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<v Speaker 4>I was all Cameron Bankropt Like I was just like

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<v Speaker 4>this guy. Yes.

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<v Speaker 2>I remember doing a chemistry read like one scene and

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<v Speaker 2>there was a kiss in the scene with three boys.

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<v Speaker 4>Oh awkward or any of the others anybody?

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<v Speaker 2>It was nice.

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<v Speaker 1>I call that Wait did they do that on like

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<v Speaker 1>your lunch hour? They're like, tor, can you come in

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<v Speaker 1>and kiss three guys and let's see which one you

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<v Speaker 1>like best?

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<v Speaker 2>And it was while they were doing your coverage in

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<v Speaker 2>a scene.

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<v Speaker 3>And one of them was camera.

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<v Speaker 2>It was it was on Yeah, they fitted out in

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<v Speaker 2>between scenes and like.

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<v Speaker 1>He went into Paul's office and made out.

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<v Speaker 2>Yeah, it was actually on set. And I remember one

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<v Speaker 2>of the boys because I had a crush on him

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<v Speaker 2>in high school. And do you remember Robert Conrad, the actor.

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<v Speaker 3>Yeah, but I remember him, I do.

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<v Speaker 2>Yeah, yeah, old school like friends with my dad. Yes,

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<v Speaker 2>he had these dreamy sons and he had the show

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<v Speaker 2>called High Mountain Rangers. That was when we were young.

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<v Speaker 2>And Shane Conrad, I remember he was so cute and

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<v Speaker 2>then I saw him in high school at my friend's

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<v Speaker 2>high school, and then all of a sudden he was

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<v Speaker 2>there and I was doing a chemistry read and I

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<v Speaker 2>was like gosh, and I got so nervous because I

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<v Speaker 2>liked that boy in high school. But it was all Cameron.

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<v Speaker 3>Cameron Conrad had those really dreamy blue eyes, did.

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<v Speaker 2>The sound, wondered what the kid looks like.

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<v Speaker 1>Now, I'm I'm so happy that Cameron like made it

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<v Speaker 1>happen for you, for me, for you. You had the

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<v Speaker 1>chemistry with Cameron Bancroft.

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<v Speaker 4>Apparently he's perfect and he's a round for a bit

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<v Speaker 4>a while, like a whole season.

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<v Speaker 3>Yeah, I think you could have been endgame with that guy.

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<v Speaker 1>But everyone says that, no, Yeah, he seems like sturdy

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<v Speaker 1>marrying stock.

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<v Speaker 2>So not my type, right, Jent Right, Okay.

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<v Speaker 1>I was bored immediately on Your Behalf Nice Guy.

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<v Speaker 2>We became great friends with the character Joe Bradley. Everybody

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<v Speaker 2>says that if it wasn't David, we always wanted it

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<v Speaker 2>to be Joe.

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<v Speaker 4>Yeah, Oh what I really to this day.

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<v Speaker 3>He could have been a game with that guy.

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<v Speaker 2>Keep my mind now that I'm watching it as an adult, right, I.

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<v Speaker 3>Mean, there's no one for you but David Silver, But

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<v Speaker 3>that guy was all.

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<v Speaker 1>I want to change your mind, Vanilla, I like it.

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<v Speaker 2>Maybe that'll actually like is that reverse psychology? Like fix

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<v Speaker 2>my brain for the future. You can just be kind

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<v Speaker 2>about my character.

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<v Speaker 1>Yes, because this is a cathartic process for you and

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<v Speaker 1>for me. We're learning so much about ourselves present day

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<v Speaker 1>by watching ourselves on the show in the nineties that

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<v Speaker 1>we're learning stuff.

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<v Speaker 2>We can't change Donna or Kelly's path, but by watching it,

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<v Speaker 2>we can change Jenny and Tory's path.

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<v Speaker 1>That's right. You know, you are not defined by you

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<v Speaker 1>are not defined by Donna's decisions, Donna's mistakes, Donna's way

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<v Speaker 1>of thinking.

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<v Speaker 3>Well, Donna's doing pretty good. It's Kelly that's not.

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<v Speaker 1>I don't know. I think we should just start talking

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<v Speaker 1>about it.

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<v Speaker 3>Can we just start at the top, you guys. Yeah,

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<v Speaker 3>we'll be right back and we'll get into it.

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<v Speaker 1>Yeah. iHeart podcasts. Listen on the iHeartRadio app. All right,

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<v Speaker 1>we are here, We are here. We are talking about.

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<v Speaker 4>This, right, sorry, Jenny, we are here.

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<v Speaker 1>We are talking about season six, Episode eight, Halloween six,

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<v Speaker 1>aired November one, nineteen ninety five.

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<v Speaker 2>Synop says Donna tries to enjoy Halloween with handsome newcomer

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<v Speaker 2>Joe Bradley, but gets haunted by her abuse of ex

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<v Speaker 2>Ray Pruett. Meanwhile, Stephen Claire get hot and heavy, David

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<v Speaker 2>and Valerie start Cohen Steady, Kelly and Colin do some

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<v Speaker 2>cowboy rekindling, and Dylan wants to take Tony to Hawaii

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<v Speaker 2>after her father finally confesses to killing Jack McKay.

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<v Speaker 1>Directed by Bert bringer Off, written by Christine McCarthy and

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<v Speaker 1>Sam's Oar car Stein McCarthy.

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<v Speaker 2>Christine owis, Oh.

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<v Speaker 3>My god, that's her. I wrote this. Yeah, good at that?

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<v Speaker 1>This is her, her WRI writer's name. What's that an alias?

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<v Speaker 2>We didn't know it was?

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<v Speaker 3>I still forgot. I got it.

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<v Speaker 2>It's always like, but I always saw her name. I

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<v Speaker 2>thought it was some like someone over the hill writing

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<v Speaker 2>in my dad's office somewhere that we never saw old Christine.

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<v Speaker 3>You're right, hair.

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<v Speaker 1>She starts it starts out with with Donna, and then

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<v Speaker 1>you can ray. I'm like, Ray, he's out there on

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<v Speaker 1>your porch with his pumpkins? Is he delusional? Yes, you

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<v Speaker 1>broke up with him. It's over. You told him, get it,

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<v Speaker 1>he's like a pumpkin head.

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<v Speaker 2>Well we don't you want him to come back like

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<v Speaker 2>that means there was nothing to him. If he doesn't, like,

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<v Speaker 2>try to die.

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<v Speaker 1>Back, I mean, no, that's not healthy. Okay, go away,

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<v Speaker 1>and he should just go away.

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<v Speaker 2>Yeah, it was modern day. I could just block him.

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<v Speaker 3>Yeah, he does a stunning job with those pumpkins. But

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<v Speaker 3>we'll talk about that later.

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<v Speaker 1>And you're too nice to him. Donna is too nice

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<v Speaker 1>to him, She'll says, instead of you shouldn't have said

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<v Speaker 1>we'll see, and you shouldn't have said maybe. Well, he says,

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<v Speaker 1>can I come to the thing, and you're like, we'll see. No, No,

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<v Speaker 1>it was the answer.

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<v Speaker 2>See that's becoming more jen and Tour because literally, you know,

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<v Speaker 2>in real life, I would say that, not meaning it,

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<v Speaker 2>but us to the conversation. They'll just go away and

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<v Speaker 2>not get mad at me, right, I know I should

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<v Speaker 2>have said no, Well, we.

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<v Speaker 1>Don't always take my advice.

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<v Speaker 3>So Jenny, you're one to talk.

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<v Speaker 4>I know, I know we'll get to That is amazing

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<v Speaker 4>because some of it is so relatable, like your relationships

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<v Speaker 4>and all that. And then it's also like insanely beyond

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<v Speaker 4>cray with everything happening with Dylan and Tony. Like that's

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<v Speaker 4>why I think I love it, because it's real and

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<v Speaker 4>so far fetched all the same time.

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<v Speaker 1>Well, put, yes, Dylan and Tony are shacking up now

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<v Speaker 1>because she left Daddy's mansion.

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<v Speaker 3>As he killed his father.

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<v Speaker 1>Well we don't know that yet. She doesn't know that yet. Yeah,

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<v Speaker 1>I guess we're left to think that. But then in

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<v Speaker 1>this episode.

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<v Speaker 3>His father and it's like, how could you ever put that?

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<v Speaker 1>Because she's like, have you put all that stuff behind you?

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<v Speaker 2>You don't?

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<v Speaker 3>How could you?

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<v Speaker 1>So is he just lying to her and saying that

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<v Speaker 1>yes I have, and yes I'll get rid of this gun.

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<v Speaker 3>At the spot where the murder happened, Like it's just like, what.

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<v Speaker 1>What a coincidence they went back there to throw the

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<v Speaker 1>gun away. I also, we're just skipping all around now,

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<v Speaker 1>But how many guns do you think are in that ocean?

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<v Speaker 1>Every show I've ever seen they chuck a gun in there.

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<v Speaker 1>Has that ever happened in real life?

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<v Speaker 4>You think, yeah, that's a good way to get rid

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<v Speaker 4>of a gun.

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<v Speaker 1>I would think it could be found.

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<v Speaker 2>Oh, you're right, and they're registered. No, because not back

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<v Speaker 2>then they are.

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<v Speaker 1>I don't know from the guns.

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<v Speaker 2>I don't mean there.

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<v Speaker 4>I think you got to get a guy that takes

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<v Speaker 4>care of that stuff.

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<v Speaker 1>I like this stuff with Dylan and Tony and his

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<v Speaker 1>house where they're shacking up their room mates. Now. She

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<v Speaker 1>even says we're roommates now. And then you know, she

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<v Speaker 1>goes to get the skeletons and it's cute, cute. Scene's

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<v Speaker 1>cute with Dylan talking to the skeleton. He called it

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<v Speaker 1>young David Silver. I don't know if anybody got that,

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<v Speaker 1>but we got it because, yeah, David was you know,

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<v Speaker 1>thin and lanky.

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<v Speaker 2>Would the boys would always be on him, give all

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<v Speaker 2>the gears about that.

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<v Speaker 4>She's so stunning that I actually sort of am like, okay,

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<v Speaker 4>I'm in. Like there's something about them that I'm sort

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<v Speaker 4>of like, all right, I'm in.

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<v Speaker 3>There's one.

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<v Speaker 1>I'm one to talk because Kelly did it all the time,

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<v Speaker 1>baby talking like that little baby talk. She does it

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<v Speaker 1>sometimes and it really does bug me. I'm sorry to say.

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<v Speaker 4>A little note, a little trivia sort of note, that

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<v Speaker 4>you had said at the time, Jenny, you would have

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<v Speaker 4>loved to have Kelly have the.

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<v Speaker 3>Storyline that Tony has. Do you remember that at all?

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<v Speaker 4>And I'm probably jumping a little bit ahead because of

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<v Speaker 4>what's coming, But does that ring a bell to you

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<v Speaker 4>at all?

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<v Speaker 3>Who said this? I said this?

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<v Speaker 4>I saw it on the internet, The Worldwide Web said

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<v Speaker 4>that Jenny Garth at the time had said she would

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<v Speaker 4>have loved Tony's storyline.

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<v Speaker 1>Probably because I just wanted to marry Dylan. Okay, not

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<v Speaker 1>probably because I wanted Kelly and Dylan to be married

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<v Speaker 1>or to have a baby kitty, I don't know, but

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<v Speaker 1>not you know, no, right, no, I wouldn't wanted that.

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<v Speaker 1>I wouldn't wanted that, you know what at the end?

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<v Speaker 3>Yeah, right, Well, that's what I was wondering when I

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<v Speaker 3>read it. I was like, huh, we'll get into that

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<v Speaker 3>when we get there.

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<v Speaker 1>We go to the CU and then we see Brandon

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<v Speaker 1>with his wadded up money. I like that a want

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<v Speaker 1>of cash, whoever want? No, he had each piece individually

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<v Speaker 1>wanted into a little ball. I don't think Brandon would

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<v Speaker 1>do that to his money by it.

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<v Speaker 4>More cash back then too, Like think about it now,

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<v Speaker 4>like first of all, you'd use your phone, but you'd

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<v Speaker 4>also just use a credit card. But like back then,

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<v Speaker 4>we're all using cash.

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<v Speaker 2>But his girlfriend wrote it, so we did.

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<v Speaker 1>This is where Steve introduces Donna to the handsome Joe

0:12:16.920 --> 0:12:22.560
<v Speaker 1>Bradley and they flirt, flirt, flirt right away, he does,

0:12:23.720 --> 0:12:25.360
<v Speaker 1>I am a sucker for a good news.

0:12:26.280 --> 0:12:29.120
<v Speaker 3>He flirt so hard and yet is so charming.

0:12:30.320 --> 0:12:33.760
<v Speaker 1>He's a charmer mm hm and he seems so normal

0:12:33.880 --> 0:12:34.440
<v Speaker 1>and nice.

0:12:35.400 --> 0:12:40.800
<v Speaker 3>Yeah, they're kind of mfeo. What's made for each other?

0:12:41.200 --> 0:12:46.439
<v Speaker 1>Oh m fo Yeah, because he's good and she's good.

0:12:46.559 --> 0:12:50.160
<v Speaker 4>Well, soon we'll learn a lot about him that's very

0:12:50.160 --> 0:12:54.080
<v Speaker 4>similar to Donna, remember, do I do?

0:12:54.840 --> 0:12:56.520
<v Speaker 3>Yeah?

0:12:56.559 --> 0:12:58.800
<v Speaker 1>And this is also where Claire and Steve talk about

0:12:58.880 --> 0:13:00.840
<v Speaker 1>what a mistake, what about and if they had slept

0:13:00.840 --> 0:13:12.240
<v Speaker 1>together here here? Oh wait? Yeah, yes, speaking of the potion,

0:13:12.400 --> 0:13:16.360
<v Speaker 1>that's where we meet Madame Raven at the peach pit.

0:13:16.960 --> 0:13:18.440
<v Speaker 4>You know what, I was just confused about what was

0:13:18.480 --> 0:13:21.000
<v Speaker 4>she doing at the peach pit. That was where I

0:13:21.120 --> 0:13:22.480
<v Speaker 4>was like, what was she doing there?

0:13:22.640 --> 0:13:24.680
<v Speaker 2>We're having a burger fries like everyone else. Why do

0:13:24.679 --> 0:13:25.920
<v Speaker 2>you go to the peaks.

0:13:25.520 --> 0:13:27.880
<v Speaker 3>Behind the counter with Nat? I was like really confused,

0:13:27.920 --> 0:13:29.120
<v Speaker 3>like what is she doing?

0:13:29.640 --> 0:13:32.679
<v Speaker 1>She was using his pots and pans. It was very confusing.

0:13:33.040 --> 0:13:34.760
<v Speaker 1>I thought she was a friend of NAT's.

0:13:34.800 --> 0:13:35.160
<v Speaker 3>But no.

0:13:36.280 --> 0:13:39.319
<v Speaker 1>And then also you see like outside the peach pit

0:13:39.360 --> 0:13:42.520
<v Speaker 1>after dark, you see she has her her like you know,

0:13:42.720 --> 0:13:46.480
<v Speaker 1>van her Winnebago whatever thing, and then like a tent

0:13:47.840 --> 0:13:50.760
<v Speaker 1>set up, like she's set up out there.

0:13:51.200 --> 0:13:52.600
<v Speaker 2>Do you think there was a scene cut?

0:13:53.040 --> 0:13:54.160
<v Speaker 3>Do you think a scene got cut?

0:13:54.400 --> 0:13:56.520
<v Speaker 2>I don't know. Do you think she was hired for

0:13:58.480 --> 0:14:02.000
<v Speaker 2>all right, a month of Halloween and to bring something

0:14:02.000 --> 0:14:04.520
<v Speaker 2>in it after dark and they cut that sat.

0:14:05.840 --> 0:14:08.240
<v Speaker 3>It doesn't I don't know.

0:14:08.320 --> 0:14:10.800
<v Speaker 1>But VAL's not having it. She doesn't want her to

0:14:11.240 --> 0:14:13.880
<v Speaker 1>do any readings, which I thought was a bad business

0:14:13.920 --> 0:14:17.120
<v Speaker 1>decision honestly on VAL's part, because I would love to

0:14:17.120 --> 0:14:19.880
<v Speaker 1>go to a party where there's a lady telling fortunes

0:14:20.520 --> 0:14:22.360
<v Speaker 1>same same.

0:14:22.440 --> 0:14:23.520
<v Speaker 2>I forgot that.

0:14:23.640 --> 0:14:23.840
<v Speaker 5>Yep.

0:14:26.200 --> 0:14:28.800
<v Speaker 2>I always love those at parties or events.

0:14:28.880 --> 0:14:29.760
<v Speaker 3>I always go to them.

0:14:29.840 --> 0:14:31.440
<v Speaker 4>Think about it, I thought she was going to sort

0:14:31.440 --> 0:14:34.120
<v Speaker 4>of come around, like I thought she was gonna be like, okay, good,

0:14:34.120 --> 0:14:34.840
<v Speaker 4>I yeah, She's.

0:14:34.720 --> 0:14:37.360
<v Speaker 1>Just like yeah, I wanted her to change her mind.

0:14:38.040 --> 0:14:41.000
<v Speaker 1>But then then call and complains to Valerie about how

0:14:41.000 --> 0:14:43.320
<v Speaker 1>broke he is, and she promises to give him a

0:14:43.400 --> 0:14:45.200
<v Speaker 1>check by the end of the day and if he

0:14:45.360 --> 0:14:48.600
<v Speaker 1>needs anything, to ask for it.

0:14:49.440 --> 0:14:51.120
<v Speaker 2>But why is he broke, you guys.

0:14:51.560 --> 0:14:52.600
<v Speaker 3>Because he's shut mama.

0:14:52.680 --> 0:14:56.200
<v Speaker 2>So sugar mama, Yeah, but he had money from her.

0:14:57.760 --> 0:15:00.920
<v Speaker 1>She was funding she was paying his apartartment, she was

0:15:00.960 --> 0:15:05.640
<v Speaker 1>paying for his art supplies, right, so just like cuts off. No,

0:15:06.040 --> 0:15:10.080
<v Speaker 1>I guess. So she's like, we never see her again.

0:15:10.000 --> 0:15:13.040
<v Speaker 2>And then everything's just gone. I just assumed. Sorry, I

0:15:13.040 --> 0:15:15.080
<v Speaker 2>don't know. I've never had a sugar mama or sugar Dadden.

0:15:15.520 --> 0:15:17.920
<v Speaker 4>You're the sugar mama. Man, he's not gonna make out

0:15:17.920 --> 0:15:21.480
<v Speaker 4>with her anymore. She's like, then you're on your own bucko.

0:15:21.720 --> 0:15:22.240
<v Speaker 4>I don't know.

0:15:22.920 --> 0:15:25.520
<v Speaker 2>And he didn't save any of the money she gave him,

0:15:25.560 --> 0:15:26.600
<v Speaker 2>like anything.

0:15:26.320 --> 0:15:28.960
<v Speaker 4>She's paying the bills. I don't think she's just handing

0:15:28.960 --> 0:15:30.880
<v Speaker 4>the money to him. I'm just making this up.

0:15:30.960 --> 0:15:33.320
<v Speaker 1>But so now he has to pay his bills, so

0:15:33.360 --> 0:15:34.000
<v Speaker 1>he needs.

0:15:33.760 --> 0:15:35.160
<v Speaker 3>His check I think that's right.

0:15:35.520 --> 0:15:38.600
<v Speaker 1>For Yeah, I'm so nervous to see the mural at

0:15:38.640 --> 0:15:41.760
<v Speaker 1>this point, like when they're talking about the unveiling and

0:15:41.800 --> 0:15:44.360
<v Speaker 1>he's at the Beach apartment and he's saying, Kelly and

0:15:44.440 --> 0:15:47.920
<v Speaker 1>your thin eyebrows, will you please come to the unveiling

0:15:48.000 --> 0:15:51.240
<v Speaker 1>of the mural. I was so sweaty and panicked and nervous.

0:15:51.320 --> 0:15:52.720
<v Speaker 1>That's going to be awful. I know it.

0:15:53.240 --> 0:15:58.160
<v Speaker 4>And I was right you mentioned the eyebrows because literally

0:15:58.200 --> 0:15:59.960
<v Speaker 4>when I look in the mirror and go thank you

0:16:00.360 --> 0:16:02.600
<v Speaker 4>so much, Torri and Jenny because.

0:16:04.160 --> 0:16:06.680
<v Speaker 2>Just came back, thank God, Like, yeah, how come yours

0:16:06.720 --> 0:16:10.280
<v Speaker 2>are so good too, I see your beautiful brows among

0:16:10.360 --> 0:16:11.360
<v Speaker 2>both you girls.

0:16:11.080 --> 0:16:14.480
<v Speaker 3>Corey, not me. Mine are so thin compared to what they.

0:16:14.320 --> 0:16:16.600
<v Speaker 2>Were minor penciled in.

0:16:17.880 --> 0:16:18.160
<v Speaker 5>Mh.

0:16:20.240 --> 0:16:22.280
<v Speaker 1>Remember when eyebrow trend?

0:16:22.600 --> 0:16:24.000
<v Speaker 3>Why did that story?

0:16:24.200 --> 0:16:26.760
<v Speaker 2>I think like Drew Barrymore didn't known.

0:16:28.240 --> 0:16:31.640
<v Speaker 1>She did have them. But we were the first people

0:16:31.680 --> 0:16:34.720
<v Speaker 1>to do it on TV on a show like that,

0:16:34.840 --> 0:16:38.960
<v Speaker 1>like where people were actually looking to us to start

0:16:39.000 --> 0:16:41.160
<v Speaker 1>trends or to Yeah, that was a mistake.

0:16:41.960 --> 0:16:46.680
<v Speaker 3>M hm, we all did it. It didn't. It didn't,

0:16:46.720 --> 0:16:48.080
<v Speaker 3>it didn't. It didn't.

0:16:48.080 --> 0:16:48.880
<v Speaker 1>It look weird.

0:16:49.280 --> 0:16:51.280
<v Speaker 3>Look it looks good.

0:16:51.440 --> 0:16:58.720
<v Speaker 1>Like it looks good I think now looking back, whoa, no.

0:16:59.360 --> 0:17:02.080
<v Speaker 2>Everything comes, it'll come back again, sadly.

0:17:02.080 --> 0:17:05.160
<v Speaker 4>Will and it won't be good. Then Brooke Shields knows

0:17:05.160 --> 0:17:05.800
<v Speaker 4>what she's doing.

0:17:06.359 --> 0:17:09.360
<v Speaker 2>I know she never nah never anyway.

0:17:10.280 --> 0:17:13.239
<v Speaker 1>So do you think that when Colin asks Kelly to

0:17:13.320 --> 0:17:15.919
<v Speaker 1>come to the unveiling, she doesn't really commit to it?

0:17:15.960 --> 0:17:19.160
<v Speaker 1>Do you already know she's gonna go? Yeah?

0:17:20.080 --> 0:17:24.160
<v Speaker 4>Yeah, as a viewer, we do, right, I mean a

0:17:24.200 --> 0:17:26.040
<v Speaker 4>cute outfit and her cute we.

0:17:26.080 --> 0:17:26.679
<v Speaker 2>Want her to.

0:17:27.400 --> 0:17:30.240
<v Speaker 4>Yeah, a lot of cute face acting you did in

0:17:30.240 --> 0:17:31.200
<v Speaker 4>that scene.

0:17:31.000 --> 0:17:35.000
<v Speaker 1>Face acting, But hmm, I'm curious what's the difference between

0:17:35.040 --> 0:17:36.480
<v Speaker 1>face acting and just acting.

0:17:36.640 --> 0:17:41.080
<v Speaker 4>Me that face acting is a lot of like really

0:17:41.280 --> 0:17:45.200
<v Speaker 4>good face without words, and in that scene you get

0:17:45.240 --> 0:17:49.440
<v Speaker 4>pretty cute Jenny face acting. But that's a I don't

0:17:49.480 --> 0:17:52.880
<v Speaker 4>want to jump ahead, oh boy, because you're not talking

0:17:52.880 --> 0:17:56.000
<v Speaker 4>about you're giving some face acting and facetage.

0:17:56.080 --> 0:17:57.520
<v Speaker 3>And he's got face acting too.

0:17:59.240 --> 0:18:01.960
<v Speaker 2>I think what she's actually referring to is that you're

0:18:02.119 --> 0:18:02.919
<v Speaker 2>very talented.

0:18:03.200 --> 0:18:05.000
<v Speaker 1>Okay, good, Well, it was not hard to do.

0:18:05.119 --> 0:18:06.679
<v Speaker 2>If you don't have a line there, you have to

0:18:06.720 --> 0:18:08.560
<v Speaker 2>convey it without talking.

0:18:09.200 --> 0:18:10.400
<v Speaker 3>Yank credit for this.

0:18:10.560 --> 0:18:13.920
<v Speaker 4>But on another podcast called The Rewatchables where they kind

0:18:13.920 --> 0:18:15.280
<v Speaker 4>of do what we do with old movies, they were

0:18:15.280 --> 0:18:17.920
<v Speaker 4>talking about hand acting. I'm like, oh, I'm gonna have

0:18:17.960 --> 0:18:19.359
<v Speaker 4>to start studying hand acting.

0:18:19.400 --> 0:18:22.440
<v Speaker 1>Oh that's a whole thing. Yeah, yeah, you can tell.

0:18:22.600 --> 0:18:24.200
<v Speaker 2>I haven't writ me award if.

0:18:28.880 --> 0:18:31.840
<v Speaker 1>Well face acting acting. Thank you. I don't care what

0:18:31.920 --> 0:18:33.639
<v Speaker 1>it is, but as long as you enjoyed it.

0:18:34.119 --> 0:18:36.040
<v Speaker 3>Yeah, this episode is amazing.

0:18:36.119 --> 0:18:39.399
<v Speaker 1>Keep going back at Dylan's house, Tony finds his gun

0:18:39.440 --> 0:18:43.000
<v Speaker 1>in the first aid drawer because the cat scratches her,

0:18:44.320 --> 0:18:46.560
<v Speaker 1>and she makes Dylan promise to get rid of it.

0:18:47.160 --> 0:18:48.520
<v Speaker 1>Get rid of it, Dylan.

0:18:49.119 --> 0:18:52.480
<v Speaker 3>People are out to kill you. Get rid of this gun.

0:18:53.040 --> 0:18:58.000
<v Speaker 1>Yeah, she cares about him. If she cares about him,

0:18:58.560 --> 0:18:59.440
<v Speaker 1>he should keep the gun.

0:19:00.520 --> 0:19:03.560
<v Speaker 3>I'm living there protecting these people, isn't it.

0:19:03.680 --> 0:19:06.920
<v Speaker 1>Yeah. I guess it's like Tomato, Tomato a loose canon

0:19:07.000 --> 0:19:10.120
<v Speaker 1>that he's a loose can. But do you believe when

0:19:10.160 --> 0:19:14.280
<v Speaker 1>he's I see him making the choice, the tough, tough

0:19:14.359 --> 0:19:18.080
<v Speaker 1>choice of like, this is my woman, and this is

0:19:18.119 --> 0:19:20.159
<v Speaker 1>the person that I'm going to go against what I

0:19:20.200 --> 0:19:21.760
<v Speaker 1>want to do right now, and I'm going to listen

0:19:21.800 --> 0:19:25.000
<v Speaker 1>to her and what she's asking me to do. I

0:19:25.040 --> 0:19:28.159
<v Speaker 1>could actually see him making the choice.

0:19:29.000 --> 0:19:31.159
<v Speaker 2>I know what you mean. He was very adult of

0:19:31.240 --> 0:19:33.000
<v Speaker 2>him time.

0:19:33.920 --> 0:19:38.000
<v Speaker 4>I was very sucked into what you're saying, Jenny. I'm

0:19:38.040 --> 0:19:41.040
<v Speaker 4>having a more challenging time watching it now knowing that

0:19:41.119 --> 0:19:45.280
<v Speaker 4>Luke wanted to leave the show, So I'm getting a

0:19:45.320 --> 0:19:48.080
<v Speaker 4>little real life mixed in. Where when I watched it

0:19:48.320 --> 0:19:51.960
<v Speaker 4>back in the original day, I think I was where

0:19:52.040 --> 0:19:54.679
<v Speaker 4>Jenny's at that this guy loves her, and I was

0:19:54.720 --> 0:19:55.919
<v Speaker 4>just hook line and sinker in.

0:19:57.680 --> 0:19:59.320
<v Speaker 1>But it was all for a reason.

0:19:59.760 --> 0:20:06.040
<v Speaker 3>Right, It's all I'm in. Man, Okay, let's go to

0:20:06.040 --> 0:20:06.600
<v Speaker 3>the pea pad.

0:20:06.960 --> 0:20:11.159
<v Speaker 1>Uh. Donna finds Ray to warn him. I mean, you

0:20:11.200 --> 0:20:14.120
<v Speaker 1>know kindly that you know. She's trying to communicate, trying

0:20:14.160 --> 0:20:18.160
<v Speaker 1>to be mature and say, listen, I said you could

0:20:18.200 --> 0:20:19.760
<v Speaker 1>come tonight, but I need you to be okay with

0:20:19.800 --> 0:20:22.520
<v Speaker 1>me talking to other guys. And I'm like, oh my god, Donna, she.

0:20:22.600 --> 0:20:25.200
<v Speaker 3>Said I might dance with other guys. What did you say?

0:20:25.359 --> 0:20:26.720
<v Speaker 3>You sort of said it in a way.

0:20:26.720 --> 0:20:31.159
<v Speaker 2>Then I was like, I don't know, but you're Rachel,

0:20:31.280 --> 0:20:32.960
<v Speaker 2>Like she can't say no to him, but then she's

0:20:32.960 --> 0:20:33.760
<v Speaker 2>gonna tell him nits.

0:20:34.359 --> 0:20:38.080
<v Speaker 5>It's like, yeah, why did you even invite him to go?

0:20:38.119 --> 0:20:41.760
<v Speaker 1>And then why did you invite I can't.

0:20:40.840 --> 0:20:43.760
<v Speaker 2>Him to go? And then I want Joe Bradley there,

0:20:44.040 --> 0:20:45.879
<v Speaker 2>But then I have to tell Ray. I shouldn't have

0:20:45.880 --> 0:20:49.600
<v Speaker 2>told Ray, like so me, I would just excuse me

0:20:50.240 --> 0:20:51.639
<v Speaker 2>whole thing and hide in the corner.

0:20:53.400 --> 0:20:58.359
<v Speaker 4>Ray needed a harder line. I think that you're almost confusing.

0:20:57.840 --> 0:20:59.520
<v Speaker 3>Ray in a way in this.

0:20:59.680 --> 0:21:01.400
<v Speaker 1>In the in the top of the show, you were

0:21:01.400 --> 0:21:03.120
<v Speaker 1>confused and giving him mixed signals.

0:21:03.359 --> 0:21:07.440
<v Speaker 3>Now he acts like a lunatic. But I think you're

0:21:07.480 --> 0:21:12.480
<v Speaker 3>confusing on me. I was just.

0:21:12.480 --> 0:21:14.919
<v Speaker 1>Yelling, and I was yelling at you, like I was

0:21:15.000 --> 0:21:19.200
<v Speaker 1>yelling at you for giving him, not you, but Donna

0:21:19.560 --> 0:21:24.119
<v Speaker 1>for giving him mixed messages and and then expecting a different,

0:21:24.720 --> 0:21:27.200
<v Speaker 1>a better outcome, Like what do you think doesn't.

0:21:26.960 --> 0:21:28.879
<v Speaker 4>He say, like tell me I've got a chance, and

0:21:28.920 --> 0:21:30.680
<v Speaker 4>you're like, maybe we'll see me.

0:21:30.800 --> 0:21:33.239
<v Speaker 3>You talked about that, Jenny, like yeah, see, thank you,

0:21:33.320 --> 0:21:33.800
<v Speaker 3>And it's like.

0:21:34.520 --> 0:21:39.840
<v Speaker 4>Telling me you scared stares true, he's volatile and we

0:21:39.920 --> 0:21:40.280
<v Speaker 4>see that.

0:21:41.160 --> 0:21:42.040
<v Speaker 3>M hm hmm.

0:21:43.880 --> 0:21:46.639
<v Speaker 1>So he says fine, but he's gonna win her back.

0:21:47.760 --> 0:21:48.399
<v Speaker 1>Red flag.

0:21:49.920 --> 0:21:51.040
<v Speaker 2>Really, that's a red flag.

0:21:51.440 --> 0:21:55.000
<v Speaker 1>Yeah in this case, Uh huh. Susan and Brandon run

0:21:55.000 --> 0:21:58.800
<v Speaker 1>into Madame Raven, who sees a letter with the name

0:21:58.880 --> 0:22:01.800
<v Speaker 1>Jonathan Caston On it it and then she reads her

0:22:01.840 --> 0:22:06.760
<v Speaker 1>fortune and tells Susan she isn't over, said Jonathan Caston, Well,

0:22:06.800 --> 0:22:07.280
<v Speaker 1>I think we.

0:22:07.200 --> 0:22:12.120
<v Speaker 3>Do meet him soon, if I you're right correct.

0:22:12.440 --> 0:22:13.840
<v Speaker 1>Wait, we didn't meet him before.

0:22:14.600 --> 0:22:17.080
<v Speaker 3>Oh I don't think we've met him yet. No, we

0:22:17.119 --> 0:22:19.160
<v Speaker 3>haven't met what I think saying we haven't met him yet?

0:22:19.320 --> 0:22:22.239
<v Speaker 1>Oh? Yeah, I didn't know she was in love with

0:22:22.280 --> 0:22:27.240
<v Speaker 1>somebody else like ever. Well, no, I just assumed this

0:22:27.359 --> 0:22:31.960
<v Speaker 1>was the first time for her. But it's kind of cute.

0:22:32.200 --> 0:22:32.520
<v Speaker 3>Again.

0:22:32.720 --> 0:22:37.760
<v Speaker 1>I'm really into you. The acting of Susan.

0:22:38.280 --> 0:22:40.960
<v Speaker 3>She's very good. Yeah, she's not irritated.

0:22:40.520 --> 0:22:44.159
<v Speaker 1>Ama Callfield. She does a great job. I like this character,

0:22:44.200 --> 0:22:46.520
<v Speaker 1>and I never ever would have known that I liked

0:22:46.560 --> 0:22:51.440
<v Speaker 1>this character character if I didn't watch the show back

0:22:51.720 --> 0:22:52.920
<v Speaker 1>on the OLOGI podcast.

0:22:53.520 --> 0:22:53.959
<v Speaker 2>There you go.

0:22:54.359 --> 0:22:55.560
<v Speaker 1>I loved this show.

0:22:58.040 --> 0:23:26.240
<v Speaker 5>Day by day, not one of them.

0:23:13.119 --> 0:23:15.280
<v Speaker 3>You guys, wait super fast. I have to tell you

0:23:15.280 --> 0:23:15.560
<v Speaker 3>guys this.

0:23:15.880 --> 0:23:18.120
<v Speaker 4>I watch a lot of shows and for some reason

0:23:18.200 --> 0:23:21.160
<v Speaker 4>lately and maybe it's season six and people can chime

0:23:21.200 --> 0:23:25.000
<v Speaker 4>in I'm more excited to watch our episode for the

0:23:25.000 --> 0:23:26.720
<v Speaker 4>week than some of these new shows.

0:23:27.960 --> 0:23:29.200
<v Speaker 3>That's weird.

0:23:29.840 --> 0:23:32.879
<v Speaker 1>Well, no, it's not because we're old friends like that.

0:23:33.040 --> 0:23:35.720
<v Speaker 1>You're so familiar with it, like it's like going home,

0:23:36.200 --> 0:23:39.600
<v Speaker 1>It's like putting on a comfy pair Chammis I want

0:23:39.640 --> 0:23:40.800
<v Speaker 1>to say for.

0:23:40.760 --> 0:23:45.400
<v Speaker 2>Those other shows, and Jen's like, no, but our personality.

0:23:45.720 --> 0:23:49.879
<v Speaker 3>This could be the pinnacle. I don't know. We'll discuss it.

0:23:50.080 --> 0:23:51.680
<v Speaker 3>Oh my god, you say that every week.

0:23:51.760 --> 0:23:55.360
<v Speaker 1>Okay, what I want you to continue saying that all

0:23:55.440 --> 0:23:56.680
<v Speaker 1>the way into season ten.

0:23:58.040 --> 0:23:59.439
<v Speaker 3>No, I don't got to be able to do that.

0:23:59.760 --> 0:24:02.280
<v Speaker 1>Well, I'm gonna need you to. We go to the

0:24:02.320 --> 0:24:05.879
<v Speaker 1>peach Pit where Tony Marchett shows up. I got a

0:24:05.960 --> 0:24:08.720
<v Speaker 1>little scared when he just slides right into the booth

0:24:08.800 --> 0:24:11.560
<v Speaker 1>to talk to his daughter. He wants her to come

0:24:11.600 --> 0:24:14.240
<v Speaker 1>home with him, and she says no. She asks him

0:24:14.359 --> 0:24:18.840
<v Speaker 1>to his face if he had Jack McKay murdered, and

0:24:18.880 --> 0:24:25.200
<v Speaker 1>he basically confirms it with his silence, crazy razy crazy

0:24:26.119 --> 0:24:28.520
<v Speaker 1>crazy murder and like everything.

0:24:28.960 --> 0:24:31.560
<v Speaker 3>So just lie to her.

0:24:31.600 --> 0:24:35.639
<v Speaker 1>Like say no, I didn't have anything to do with it, honey,

0:24:35.640 --> 0:24:36.600
<v Speaker 1>I love you, come home.

0:24:37.280 --> 0:24:38.600
<v Speaker 3>That's what I went through my mind.

0:24:38.640 --> 0:24:42.000
<v Speaker 4>I thought he could have said I didn't murder him

0:24:42.119 --> 0:24:43.439
<v Speaker 4>because he didn't.

0:24:43.880 --> 0:24:46.639
<v Speaker 1>Well, no, that happened. And then she said did you

0:24:46.680 --> 0:24:49.640
<v Speaker 1>have anything? Did you have him murdered?

0:24:50.600 --> 0:24:52.639
<v Speaker 3>And she felt strong on the first thing.

0:24:52.480 --> 0:24:56.040
<v Speaker 2>I know, but kids push parents boundary, so parents push

0:24:56.160 --> 0:25:02.680
<v Speaker 2>kids boundary. Sometimes he's seeing Yep, he could have lied.

0:25:02.720 --> 0:25:05.880
<v Speaker 2>You're right, they goulda lied. But then realizes to everyone else,

0:25:05.880 --> 0:25:06.680
<v Speaker 2>so I could have lied.

0:25:07.000 --> 0:25:09.560
<v Speaker 1>Yeah, I don't get it. Now he's got ethics and morals.

0:25:09.560 --> 0:25:13.400
<v Speaker 1>He's gonna not lie about this. The biggest thing Nana's bananas.

0:25:13.400 --> 0:25:15.800
<v Speaker 4>He just committed murder and told her about it, And

0:25:15.840 --> 0:25:18.160
<v Speaker 4>I think she's like an accessory if she doesn't tell

0:25:18.280 --> 0:25:20.040
<v Speaker 4>the authorities.

0:25:20.240 --> 0:25:21.679
<v Speaker 1>But she goes home and tells Dylan.

0:25:22.480 --> 0:25:23.000
<v Speaker 2>I feel like.

0:25:23.000 --> 0:25:23.520
<v Speaker 3>He's so.

0:25:25.440 --> 0:25:28.720
<v Speaker 2>A narcissist is a way that word people throw around softened.

0:25:28.800 --> 0:25:32.040
<v Speaker 2>But there's something about him that almost tells her on purpose,

0:25:32.080 --> 0:25:34.200
<v Speaker 2>because he wants to see how much power he truly

0:25:34.280 --> 0:25:37.000
<v Speaker 2>has deep down. But no matter what he says to her,

0:25:37.400 --> 0:25:40.240
<v Speaker 2>that he could always have her. Does that make sense

0:25:40.400 --> 0:25:45.480
<v Speaker 2>in any way? Hylan or Tony Tony the father Marshette,

0:25:45.480 --> 0:25:47.760
<v Speaker 2>the dad Tony Marshad to Tony.

0:25:48.640 --> 0:25:50.560
<v Speaker 1>I mean, I think, I guess that's what he's used to.

0:25:50.680 --> 0:25:53.520
<v Speaker 1>But then you know, kids, they grow up and they

0:25:53.520 --> 0:25:58.399
<v Speaker 1>develop their own identities. You see that with our kids,

0:25:58.440 --> 0:26:01.199
<v Speaker 1>Like they're not they don't want to do what we

0:26:01.760 --> 0:26:04.080
<v Speaker 1>want to do anymore, say what we want them to

0:26:04.080 --> 0:26:06.360
<v Speaker 1>say anymore. They're their own people. And she's like at

0:26:06.359 --> 0:26:11.560
<v Speaker 1>that formidable age where she's separating from him. But there

0:26:11.640 --> 0:26:12.480
<v Speaker 1>was things like.

0:26:12.440 --> 0:26:14.320
<v Speaker 2>She he could have lied, but I don't think he

0:26:14.359 --> 0:26:16.480
<v Speaker 2>wanted to lie. He kind of wanted her to know.

0:26:17.000 --> 0:26:20.000
<v Speaker 4>Yeah, yeah, but why would he want her to know

0:26:20.400 --> 0:26:22.320
<v Speaker 4>because he's never lied to her.

0:26:22.680 --> 0:26:24.239
<v Speaker 2>He wants to see his power with her.

0:26:24.280 --> 0:26:28.080
<v Speaker 1>It's it's a power trip, which is sad.

0:26:28.119 --> 0:26:30.080
<v Speaker 4>Nobody get mad at me because I'm just having some

0:26:30.119 --> 0:26:31.280
<v Speaker 4>sort of a glitch.

0:26:31.640 --> 0:26:33.800
<v Speaker 3>Do we know what happened to her mother? Where is

0:26:33.840 --> 0:26:36.160
<v Speaker 3>her mother? Her mother died?

0:26:36.640 --> 0:26:39.880
<v Speaker 2>A good question. I don't know what there is no can.

0:26:39.880 --> 0:26:42.040
<v Speaker 4>Somebody look that up while we're talking? Just because and

0:26:42.080 --> 0:26:44.960
<v Speaker 4>I'm sorry I can't remember, Paul Juice. I feel like

0:26:45.000 --> 0:26:46.639
<v Speaker 4>the mother died, but I also feel like I might

0:26:46.680 --> 0:26:47.359
<v Speaker 4>be making that up.

0:26:47.960 --> 0:26:52.680
<v Speaker 1>Maybe Daddy killed her too. She should have asked him that.

0:26:52.960 --> 0:26:54.440
<v Speaker 2>We won't know because he probably lied about it and

0:26:54.480 --> 0:26:55.320
<v Speaker 2>said it was someone else.

0:26:55.400 --> 0:26:59.240
<v Speaker 1>So no, maybe today if she asked him, he would

0:26:59.280 --> 0:26:59.920
<v Speaker 1>tell her the truth.

0:27:01.080 --> 0:27:01.440
<v Speaker 3>Mm hmm.

0:27:02.080 --> 0:27:05.920
<v Speaker 2>But we can't go back, go for thank god.

0:27:07.240 --> 0:27:09.439
<v Speaker 3>Okay, scary Halloween party.

0:27:09.680 --> 0:27:11.520
<v Speaker 1>You guys, I love a Halloween party.

0:27:11.800 --> 0:27:17.240
<v Speaker 4>You do break costumes, great freaking costumes.

0:27:16.160 --> 0:27:16.680
<v Speaker 3>So good.

0:27:16.880 --> 0:27:19.320
<v Speaker 1>The minute you walk into the peach pit after dark

0:27:19.560 --> 0:27:21.679
<v Speaker 1>and the first costume you see is like Marilyn Monroe

0:27:21.720 --> 0:27:23.200
<v Speaker 1>in the pink dress, You're.

0:27:23.040 --> 0:27:23.520
<v Speaker 3>Like a hi.

0:27:23.840 --> 0:27:25.200
<v Speaker 1>Yes, Halloween party.

0:27:26.440 --> 0:27:28.000
<v Speaker 3>It was hard for me to figure out who the

0:27:28.000 --> 0:27:28.760
<v Speaker 3>heck Brandon was.

0:27:29.600 --> 0:27:31.760
<v Speaker 1>Oh, come on, he was so good as Marlon.

0:27:31.920 --> 0:27:34.600
<v Speaker 3>I know. I did not It did not land on

0:27:34.680 --> 0:27:37.440
<v Speaker 3>me right away. I was like, you was very.

0:27:37.240 --> 0:27:41.480
<v Speaker 2>Excited to do that. Oh yeah, oh there's off camera too.

0:27:41.960 --> 0:27:45.080
<v Speaker 2>That was a long day. Sorry.

0:27:45.560 --> 0:27:47.320
<v Speaker 1>He loved being Marlon Brando.

0:27:47.920 --> 0:27:49.560
<v Speaker 3>Oh man, the cotton balls.

0:27:49.720 --> 0:27:52.720
<v Speaker 2>And then they all did it, Luke all did it

0:27:52.800 --> 0:27:55.960
<v Speaker 2>in the dressing rooms an entire episode. The week in

0:27:56.000 --> 0:27:58.800
<v Speaker 2>the dressing Rooms made their trailer.

0:27:59.400 --> 0:28:04.040
<v Speaker 1>Oh you know what I did not care for what

0:28:04.160 --> 0:28:07.920
<v Speaker 1>that mask that Ray put puts on. Oh my god,

0:28:08.240 --> 0:28:11.840
<v Speaker 1>that scare the crap out of me. That was so

0:28:13.200 --> 0:28:13.840
<v Speaker 1>not okay.

0:28:14.440 --> 0:28:15.680
<v Speaker 3>It was so scary.

0:28:17.119 --> 0:28:21.280
<v Speaker 4>The smile the whole it was not not not okay.

0:28:21.880 --> 0:28:24.200
<v Speaker 1>And he just has that on in his old regular

0:28:24.280 --> 0:28:26.120
<v Speaker 1>T shirt, like I'm not going to know that that's

0:28:26.200 --> 0:28:28.720
<v Speaker 1>him in a mask. I love that.

0:28:30.400 --> 0:28:33.359
<v Speaker 2>That they give serial killer vibes, like this dude is

0:28:34.280 --> 0:28:34.840
<v Speaker 2>messed up.

0:28:35.040 --> 0:28:39.720
<v Speaker 4>He is loco in luck com I scream before scream, Yeah,

0:28:39.880 --> 0:28:41.920
<v Speaker 4>it was it before it.

0:28:41.920 --> 0:28:43.240
<v Speaker 3>It was so many things.

0:28:43.320 --> 0:28:47.120
<v Speaker 4>Actually the original it was probably out, but like it was, Yes,

0:28:47.600 --> 0:28:49.360
<v Speaker 4>it was scary.

0:28:49.440 --> 0:28:54.920
<v Speaker 1>And then Madame Raven sort of puts Susan on blast

0:28:54.960 --> 0:28:57.400
<v Speaker 1>in front of Brandon and tells her that about the

0:28:57.440 --> 0:29:01.160
<v Speaker 1>whole Jonathan Caston thing, so she has to admit it

0:29:01.200 --> 0:29:05.120
<v Speaker 1>to him, and she does or anything, and then he

0:29:05.520 --> 0:29:07.600
<v Speaker 1>doesn't get mad at her, He kisses her.

0:29:08.000 --> 0:29:10.400
<v Speaker 3>It's also that woman's always like five dollars.

0:29:11.760 --> 0:29:16.280
<v Speaker 1>She's raking it in, especially off Susan. My lord, it's time,

0:29:16.480 --> 0:29:20.080
<v Speaker 1>it's time. It's time Valerie comes on stage. It's time

0:29:20.120 --> 0:29:22.440
<v Speaker 1>to unveil ther My god.

0:29:22.600 --> 0:29:25.720
<v Speaker 3>Can I say something really fast? Have you ever been

0:29:25.720 --> 0:29:28.880
<v Speaker 3>to a club where like the owner regularly goes on

0:29:28.960 --> 0:29:31.360
<v Speaker 3>stage other than the.

0:29:31.360 --> 0:29:33.920
<v Speaker 1>Peapad, I've never been to a club where the owner

0:29:33.960 --> 0:29:38.240
<v Speaker 1>is as hot as vowel Ma Malone so non Depp never.

0:29:38.080 --> 0:29:43.920
<v Speaker 4>Been to a club basically, I've never seen anything like

0:29:43.960 --> 0:29:48.880
<v Speaker 4>where the owner is always on stage making announcements, introducing

0:29:48.920 --> 0:29:52.000
<v Speaker 4>the acts, saying how great was that?

0:29:52.080 --> 0:29:55.040
<v Speaker 2>Like, it's just so it is not come when you

0:29:55.160 --> 0:29:56.760
<v Speaker 2>read a ticket that they got in that night to

0:29:56.760 --> 0:30:00.600
<v Speaker 2>see who's playing the background, aren't like, Oh, I'm psyched

0:30:00.600 --> 0:30:04.479
<v Speaker 2>to see this person. Someone has to introduce them. It's TV.

0:30:05.520 --> 0:30:06.960
<v Speaker 2>At least it's her, she's hot.

0:30:07.360 --> 0:30:07.520
<v Speaker 1>Yeah.

0:30:07.560 --> 0:30:07.800
<v Speaker 2>You know.

0:30:08.040 --> 0:30:09.920
<v Speaker 1>What did you guys think of Kelly's New York?

0:30:11.800 --> 0:30:15.640
<v Speaker 4>I did a lot, but once again, at what club

0:30:15.800 --> 0:30:17.040
<v Speaker 4>in the middle of a party?

0:30:17.440 --> 0:30:21.640
<v Speaker 3>Never anyone revealing a weird who cares? I don't don't care.

0:30:21.840 --> 0:30:24.000
<v Speaker 2>I'd hate to see like something I'm there for a Halloween.

0:30:24.160 --> 0:30:25.520
<v Speaker 2>I'd be out.

0:30:25.840 --> 0:30:28.120
<v Speaker 1>I like the mural, but they were very excited. I

0:30:28.400 --> 0:30:30.560
<v Speaker 1>did not like the mural. I thought it was weird

0:30:30.720 --> 0:30:32.840
<v Speaker 1>and I didn't get it.

0:30:34.760 --> 0:30:35.800
<v Speaker 3>At least don't work.

0:30:36.440 --> 0:30:41.400
<v Speaker 2>I just don't understand, Like Joe, why, I feel like

0:30:41.520 --> 0:30:46.240
<v Speaker 2>going back that you should have had some creative control

0:30:46.360 --> 0:30:49.360
<v Speaker 2>over Collin's art as his partner on the show.

0:30:49.400 --> 0:30:53.960
<v Speaker 1>I'm just asking, No, I don't want that. Oh, I

0:30:53.960 --> 0:30:58.000
<v Speaker 1>don't want that control. Who who. I don't know anyone,

0:30:58.000 --> 0:30:59.360
<v Speaker 1>because anyone because.

0:30:59.120 --> 0:31:02.280
<v Speaker 2>You can't check with him because he's you know, recurring whatever.

0:31:02.360 --> 0:31:04.160
<v Speaker 2>It's not up to him to make creative decisions.

0:31:04.160 --> 0:31:06.080
<v Speaker 1>So you don't you think that who?

0:31:06.200 --> 0:31:08.760
<v Speaker 2>Okay, this mural, I don't know, but no one that

0:31:08.800 --> 0:31:12.960
<v Speaker 2>should have. So one of our cats should have. And

0:31:13.080 --> 0:31:16.000
<v Speaker 2>I'm anointing you to do it because I feel like

0:31:16.120 --> 0:31:18.240
<v Speaker 2>it was your boyfriend, so you should have had some

0:31:18.280 --> 0:31:19.280
<v Speaker 2>say on his vibe.

0:31:19.520 --> 0:31:21.600
<v Speaker 1>Respectfully, I don't want that loads up.

0:31:21.520 --> 0:31:23.200
<v Speaker 2>On the show, but at least he should be a

0:31:23.200 --> 0:31:24.400
<v Speaker 2>talented artist. That's all.

0:31:24.520 --> 0:31:26.800
<v Speaker 1>Yeah, he's just not Where is that mural?

0:31:26.960 --> 0:31:30.320
<v Speaker 2>Too? Where is that? That's always a thing?

0:31:33.120 --> 0:31:34.880
<v Speaker 3>Is that in some warehouse?

0:31:34.960 --> 0:31:35.000
<v Speaker 1>Like?

0:31:35.040 --> 0:31:36.720
<v Speaker 3>Where is that? Is it any of those.

0:31:36.600 --> 0:31:39.440
<v Speaker 2>Stories at someone's house?

0:31:40.280 --> 0:31:42.640
<v Speaker 1>Why would someone have that in their house?

0:31:43.240 --> 0:31:44.800
<v Speaker 3>Because it's I would want that.

0:31:45.520 --> 0:31:48.520
<v Speaker 4>I could totally do something amazing with that. Wait, you

0:31:48.520 --> 0:31:50.280
<v Speaker 4>know what I wanted to ask you, as it's kind

0:31:50.280 --> 0:31:53.240
<v Speaker 4>of an interjection, but do you recall, like now that

0:31:53.360 --> 0:31:58.680
<v Speaker 4>Jason Priestley is a producer, was he doing any producing?

0:31:59.800 --> 0:32:01.400
<v Speaker 3>Like do you remember him?

0:32:01.920 --> 0:32:05.080
<v Speaker 4>I don't know making decisions playing because this is the

0:32:05.120 --> 0:32:08.520
<v Speaker 4>first season where he's in the credits as the producer, right.

0:32:09.520 --> 0:32:13.440
<v Speaker 1>I think he always had kind of was contributing down

0:32:13.520 --> 0:32:16.000
<v Speaker 1>the hall there and we just didn't know about it.

0:32:16.080 --> 0:32:18.560
<v Speaker 1>And now he was contributing in the same way, and

0:32:18.600 --> 0:32:22.600
<v Speaker 1>we knew about it because it said, ye are good.

0:32:22.480 --> 0:32:23.760
<v Speaker 3>Good.

0:32:24.960 --> 0:32:28.720
<v Speaker 1>Kelly. Kelly shows up as a cowgirl and conveniently Colin

0:32:29.000 --> 0:32:29.920
<v Speaker 1>is a cowboy.

0:32:30.520 --> 0:32:34.480
<v Speaker 3>Great costume. Yeah, it was very They started to dance.

0:32:38.360 --> 0:32:41.080
<v Speaker 2>Can I ask what your favorite Halloween costume is in

0:32:41.160 --> 0:32:42.800
<v Speaker 2>all six seasons? Wait?

0:32:42.880 --> 0:32:45.120
<v Speaker 1>I can only remember this one on the Witch.

0:32:45.440 --> 0:32:47.720
<v Speaker 2>I know me too, Wait, but that's my favorite of

0:32:47.760 --> 0:32:48.520
<v Speaker 2>your is Glinda?

0:32:49.520 --> 0:32:51.640
<v Speaker 1>Oh no, I was I was talking about the Bad Witch,

0:32:51.720 --> 0:32:55.160
<v Speaker 1>the one where she almost got the Good Witch. Yeah,

0:32:55.400 --> 0:32:56.920
<v Speaker 1>that was a good one.

0:32:57.120 --> 0:32:58.360
<v Speaker 3>I'd need to see all the photos.

0:32:58.400 --> 0:33:02.280
<v Speaker 1>This one felt like a very like I'm so mature

0:33:02.360 --> 0:33:03.360
<v Speaker 1>now for Halloween.

0:33:03.400 --> 0:33:06.520
<v Speaker 4>But we're almost over Halloween. We're bordering into the sexy

0:33:06.560 --> 0:33:08.160
<v Speaker 4>costume Halloween.

0:33:08.080 --> 0:33:11.320
<v Speaker 3>Ray bordering the devil.

0:33:11.600 --> 0:33:14.280
<v Speaker 2>I've been a hooker Halloween though since season one.

0:33:14.360 --> 0:33:16.520
<v Speaker 1>So yeah, yeah, but this one was good.

0:33:16.560 --> 0:33:17.760
<v Speaker 3>You look good in not red?

0:33:18.080 --> 0:33:18.240
<v Speaker 5>Oh?

0:33:18.400 --> 0:33:18.920
<v Speaker 1>Wow?

0:33:19.360 --> 0:33:23.360
<v Speaker 2>One Joe God, Hello, welcome Joe.

0:33:24.000 --> 0:33:29.200
<v Speaker 1>Wait do you guys did you see the musical act? No,

0:33:29.680 --> 0:33:30.920
<v Speaker 1>you got to see it.

0:33:31.080 --> 0:33:32.720
<v Speaker 2>I didn't on ours on your.

0:33:32.640 --> 0:33:35.160
<v Speaker 1>On the on the way. How are you watched this episode?

0:33:35.160 --> 0:33:36.760
<v Speaker 1>Did you get to see who performed at the peach

0:33:36.800 --> 0:33:37.440
<v Speaker 1>Pit after Dark?

0:33:38.160 --> 0:33:38.800
<v Speaker 3>I did you?

0:33:39.160 --> 0:33:39.400
<v Speaker 1>Yeah?

0:33:39.880 --> 0:33:40.640
<v Speaker 3>Who was it?

0:33:40.640 --> 0:33:44.640
<v Speaker 1>It was the Cramps, you guys, and what the show?

0:33:45.000 --> 0:33:46.920
<v Speaker 1>The peach Bit after dark just got cool.

0:33:47.840 --> 0:33:48.959
<v Speaker 2>We had the Cramps on.

0:33:49.360 --> 0:33:51.440
<v Speaker 1>They were amazing.

0:33:52.880 --> 0:33:55.320
<v Speaker 3>What watching it?

0:33:55.520 --> 0:33:58.000
<v Speaker 4>No, it's good that Jenny's watching it on the secret

0:33:58.040 --> 0:34:00.360
<v Speaker 4>thing that you got from Deren Martin, because.

0:34:01.720 --> 0:34:03.920
<v Speaker 3>Yeah, I didn't see any of it.

0:34:03.920 --> 0:34:06.280
<v Speaker 1>It was fun to watch and I would have been.

0:34:06.640 --> 0:34:10.240
<v Speaker 1>I mean it looked like the like everybody, the background actors,

0:34:10.280 --> 0:34:12.960
<v Speaker 1>everybody watching them was so into it, and I believe it.

0:34:13.560 --> 0:34:15.719
<v Speaker 2>Yeah, I've never seen that on our list of like

0:34:15.840 --> 0:34:19.319
<v Speaker 2>all right we've had in the history, Like, I never

0:34:19.360 --> 0:34:20.080
<v Speaker 2>saw the Cramps.

0:34:20.440 --> 0:34:21.600
<v Speaker 1>It was the Cramps.

0:34:21.920 --> 0:34:24.399
<v Speaker 3>It's arrogant. Give that to me. When we're doing.

0:34:26.080 --> 0:34:29.839
<v Speaker 1>What day November sweeps?

0:34:30.120 --> 0:34:32.120
<v Speaker 3>There's money, there's some money.

0:34:32.680 --> 0:34:37.560
<v Speaker 4>Yeah, that's because back then November episode there's money.

0:34:37.600 --> 0:34:39.440
<v Speaker 3>And now it all makes sense to me because we're

0:34:39.480 --> 0:34:42.799
<v Speaker 3>leading up to the you know what, yep, yep, yep.

0:34:42.920 --> 0:34:57.960
<v Speaker 1>Okay, wait, you guys, this is when David puts the

0:34:58.040 --> 0:35:00.880
<v Speaker 1>love potion inside valeries drink. I'm like, no, you're going

0:35:00.960 --> 0:35:03.719
<v Speaker 1>to get in trouble and basically roofying her.

0:35:04.160 --> 0:35:05.600
<v Speaker 3>Yeah that was not good.

0:35:05.960 --> 0:35:07.799
<v Speaker 1>No, not a good look. And then of course all

0:35:07.800 --> 0:35:10.200
<v Speaker 1>the classes get all switch rude.

0:35:11.560 --> 0:35:15.680
<v Speaker 4>Drinking, like they're all for drinking, Like what was that vodka?

0:35:15.760 --> 0:35:18.400
<v Speaker 1>Like like a screwdriver or something.

0:35:18.120 --> 0:35:21.000
<v Speaker 3>That look like seven up and I don't know, it

0:35:21.080 --> 0:35:22.920
<v Speaker 3>was all clear. It looked like water. But it's like,

0:35:22.960 --> 0:35:25.200
<v Speaker 3>what are they drinking? And are they all twenty one? Now?

0:35:25.239 --> 0:35:28.359
<v Speaker 2>I guess we literally every week we're like, are they

0:35:28.360 --> 0:35:30.399
<v Speaker 2>twenty one? Yes?

0:35:30.560 --> 0:35:35.320
<v Speaker 3>So the old sweitcheroom of the drinks with the blood

0:35:35.400 --> 0:35:36.279
<v Speaker 3>potion in it.

0:35:36.800 --> 0:35:39.439
<v Speaker 1>Yeah, and then they go upstairs so they can't wait

0:35:39.480 --> 0:35:41.800
<v Speaker 1>to get home because they're all hot and bothered.

0:35:42.800 --> 0:35:44.279
<v Speaker 3>Yeah, they start into like a room.

0:35:44.560 --> 0:35:46.919
<v Speaker 1>Yeah, they go it's like the green room.

0:35:47.360 --> 0:35:50.000
<v Speaker 2>Yeah, and my ears are burning.

0:35:49.800 --> 0:35:53.560
<v Speaker 1>They're they're they're talking. No, this is Stephen and Claire.

0:35:54.040 --> 0:35:54.840
<v Speaker 3>Yeah you're fine.

0:35:55.080 --> 0:35:56.640
<v Speaker 2>Oh I thought you were still ting.

0:35:57.440 --> 0:35:58.080
<v Speaker 3>No, you're okay.

0:35:58.239 --> 0:35:59.520
<v Speaker 2>I'm so hung up on that.

0:36:00.160 --> 0:36:02.920
<v Speaker 1>Steph and Claire are are They can't keep their hands

0:36:02.920 --> 0:36:08.520
<v Speaker 1>off each other? Uh huh ew and then ray together.

0:36:08.560 --> 0:36:13.360
<v Speaker 1>I thought I am over it. Here's what's happening the

0:36:13.480 --> 0:36:16.880
<v Speaker 1>scene when they're in that room and he's like Major

0:36:17.440 --> 0:36:19.000
<v Speaker 1>Tom or what does he made?

0:36:19.080 --> 0:36:22.880
<v Speaker 3>Colonel? He's from Apollo thirteen.

0:36:23.080 --> 0:36:27.600
<v Speaker 1>And she's d I Dream of Genie and then he's like,

0:36:27.920 --> 0:36:30.040
<v Speaker 1>gets up closer and all he's doing is staring at

0:36:30.120 --> 0:36:35.080
<v Speaker 1>her boobies. I didn't like it. I did not like it.

0:36:35.800 --> 0:36:38.160
<v Speaker 3>I thought he was Larry Hagman from Dream of Genie too.

0:36:38.160 --> 0:36:40.040
<v Speaker 1>I mean, he looked just like that guy that that

0:36:40.080 --> 0:36:45.400
<v Speaker 1>would have been better, but he claimed he was from Yeah.

0:36:45.440 --> 0:36:51.240
<v Speaker 1>This is when Ray did look very yeah, noticeable, juicy.

0:36:51.800 --> 0:36:55.000
<v Speaker 1>I can imagine why his eyes did not come up

0:36:55.080 --> 0:37:01.640
<v Speaker 1>to her face. But I was like, Okay, that's enough that.

0:37:01.640 --> 0:37:04.520
<v Speaker 1>That's when Ray catches Donna dancing with Joe and he

0:37:04.600 --> 0:37:09.080
<v Speaker 1>goes off on her and he laurn's Joe, watch this one.

0:37:09.200 --> 0:37:14.560
<v Speaker 1>She'll cut your heart out. Aggressive, very mean, mean words

0:37:14.680 --> 0:37:18.080
<v Speaker 1>Ray Pruitt. But I I honestly expected him to do

0:37:18.160 --> 0:37:19.719
<v Speaker 1>more than just that. Like, I didn't think he was

0:37:19.760 --> 0:37:21.840
<v Speaker 1>going to just say that and leave. I thought he

0:37:21.880 --> 0:37:23.959
<v Speaker 1>would flip out a little more.

0:37:24.360 --> 0:37:26.200
<v Speaker 2>It's like the time at the house and they accused

0:37:26.239 --> 0:37:27.280
<v Speaker 2>him of stealing and he's.

0:37:27.080 --> 0:37:28.319
<v Speaker 3>Like, jerks, you're all jerks and.

0:37:30.160 --> 0:37:32.240
<v Speaker 1>He's really not that tough we see.

0:37:33.880 --> 0:37:37.640
<v Speaker 2>Yeah, yeah, he's almost.

0:37:40.080 --> 0:37:43.000
<v Speaker 1>Colin tells Kelly that he's going to be taking the

0:37:43.080 --> 0:37:52.160
<v Speaker 1>teaching position at See You Okay, we're student.

0:37:52.680 --> 0:37:55.080
<v Speaker 3>Yeah, he's got bills to pay.

0:37:55.120 --> 0:37:57.680
<v Speaker 1>Got bills to pay, got them bills to pay back

0:37:57.719 --> 0:37:58.520
<v Speaker 1>of Dylan's house.

0:37:59.120 --> 0:37:59.480
<v Speaker 2>Mhm.

0:38:01.000 --> 0:38:03.799
<v Speaker 1>Tony is very sad. She doesn't want to play with

0:38:03.800 --> 0:38:08.000
<v Speaker 1>her kiddie, and Dylan tells her not to torture herself

0:38:08.040 --> 0:38:12.600
<v Speaker 1>over what her dad did. Now he's comforting her. Odd

0:38:14.200 --> 0:38:16.200
<v Speaker 1>because her dad killed his dad.

0:38:17.440 --> 0:38:21.200
<v Speaker 2>Yeah that's real nice of them.

0:38:21.360 --> 0:38:22.920
<v Speaker 3>Graggly but yet cute.

0:38:23.239 --> 0:38:25.759
<v Speaker 1>He loves her, Yeah, that's right.

0:38:26.160 --> 0:38:31.120
<v Speaker 2>It happened fast, but now we see it at least. Yeah, yeah,

0:38:31.239 --> 0:38:33.880
<v Speaker 2>it's being conveyed. Remember before we were like this is rushing,

0:38:33.920 --> 0:38:36.680
<v Speaker 2>we can't even get on board with this relationship, and

0:38:36.719 --> 0:38:40.960
<v Speaker 2>now you see true affections. Someone someone got notes there

0:38:41.000 --> 0:38:41.960
<v Speaker 2>and they added that in.

0:38:43.040 --> 0:38:45.440
<v Speaker 1>We need to see more that you guys like each

0:38:45.480 --> 0:38:46.160
<v Speaker 1>other more action.

0:38:46.520 --> 0:38:46.920
<v Speaker 5>Yes.

0:38:47.080 --> 0:38:52.120
<v Speaker 4>Yeah, it's just such a strange storyline, like her dad

0:38:52.320 --> 0:38:55.279
<v Speaker 4>murdered his dad and we're just supposed.

0:38:54.920 --> 0:39:00.600
<v Speaker 1>To be like, yeah, okay, so back at the beach us, right,

0:39:01.560 --> 0:39:06.520
<v Speaker 1>Joe takes Stunah home and I'm like, yes, Joe, you're

0:39:06.600 --> 0:39:07.200
<v Speaker 1>so smart.

0:39:07.239 --> 0:39:08.719
<v Speaker 3>It's too soon. It's too soon.

0:39:11.480 --> 0:39:15.880
<v Speaker 1>Beautiful pumpkins, right, those were some nice bocons.

0:39:15.960 --> 0:39:18.960
<v Speaker 3>Those were that was beautiful.

0:39:19.920 --> 0:39:23.160
<v Speaker 4>And we're led to believe that it was like falling.

0:39:23.360 --> 0:39:27.759
<v Speaker 1>I guess my roommates did it, duh.

0:39:28.120 --> 0:39:29.360
<v Speaker 3>I was like, no, Donna.

0:39:29.520 --> 0:39:31.799
<v Speaker 1>I think I yelled at a lot of the TV

0:39:31.880 --> 0:39:32.960
<v Speaker 1>at Donna like five times.

0:39:33.000 --> 0:39:36.320
<v Speaker 3>No, Donna. Kelly didn't do that. It was right, He's.

0:39:36.160 --> 0:39:39.799
<v Speaker 4>Fine, creepy how he was hiding back there, oh boy,

0:39:40.920 --> 0:39:45.000
<v Speaker 4>Although I don't know Joe Bradley being like it's too soon.

0:39:46.719 --> 0:39:49.680
<v Speaker 4>That was a little and then he kind of that

0:39:49.760 --> 0:39:53.120
<v Speaker 4>was like too too good boy, Yeah.

0:39:52.960 --> 0:39:53.799
<v Speaker 3>But thank you.

0:39:55.880 --> 0:39:58.640
<v Speaker 2>He's not gonna do anything anyway. She's he comes back.

0:39:58.440 --> 0:40:01.520
<v Speaker 4>He leaves and then he changed his mind, but he

0:40:01.560 --> 0:40:04.840
<v Speaker 4>does come back and then he whoops Ray prew It's

0:40:04.880 --> 0:40:11.040
<v Speaker 4>but which wasn't hard and that has repercussions.

0:40:11.440 --> 0:40:11.840
<v Speaker 2>Mhmm.

0:40:14.160 --> 0:40:18.320
<v Speaker 3>What does he say? This isn't over? And I was like,

0:40:18.560 --> 0:40:21.040
<v Speaker 3>rampy fight. It was a scrappy fight. And I actually

0:40:21.040 --> 0:40:23.160
<v Speaker 3>think Ray Pruet could have taken Joe Bradley. But I

0:40:23.160 --> 0:40:26.680
<v Speaker 3>guess he is the football guy. I don't know. Yeah,

0:40:27.840 --> 0:40:28.399
<v Speaker 3>they're kind of.

0:40:28.680 --> 0:40:31.480
<v Speaker 2>I didn't personally, I guess being friends with Jamie Walters

0:40:31.520 --> 0:40:34.640
<v Speaker 2>and being like, having seen how this played out on

0:40:34.719 --> 0:40:38.719
<v Speaker 2>his behalf, I was sad that they didn't make him more.

0:40:39.000 --> 0:40:41.160
<v Speaker 2>I don't know. I didn't want him to go down

0:40:41.280 --> 0:40:44.759
<v Speaker 2>looking so weak, weak, but I know he was a

0:40:44.800 --> 0:40:46.480
<v Speaker 2>bad guy in the shopball.

0:40:47.000 --> 0:40:49.640
<v Speaker 1>He says this, and this isn't over. So is he

0:40:49.719 --> 0:40:53.680
<v Speaker 1>coming back? There's more? There's more Ray Prue, Yeah, oh,

0:40:53.800 --> 0:40:57.040
<v Speaker 1>Ray is coming back. And then Joe and Donna make

0:40:57.080 --> 0:41:02.600
<v Speaker 1>out on the couch. Cute, Oh black guy, can't it's

0:41:02.719 --> 0:41:04.840
<v Speaker 1>very stable. You're gonna hate on her and be so

0:41:04.960 --> 0:41:08.360
<v Speaker 1>bored anyway, good guess her.

0:41:08.440 --> 0:41:11.000
<v Speaker 3>I'm sure dream boat. He's just so dreamy.

0:41:12.320 --> 0:41:15.360
<v Speaker 1>And then after the Halloween party, David and Valerie start kissing.

0:41:15.360 --> 0:41:18.799
<v Speaker 1>Everybody's making out. He admits that he tried to give

0:41:18.840 --> 0:41:21.360
<v Speaker 1>her Madame Raven's love potion, but she says there's no

0:41:21.440 --> 0:41:26.680
<v Speaker 1>such thing as a love potion. David, there's someone was

0:41:26.719 --> 0:41:29.319
<v Speaker 1>in those little vials. Well, never know what it was.

0:41:29.480 --> 0:41:30.600
<v Speaker 1>I believe in love potions.

0:41:30.640 --> 0:41:30.920
<v Speaker 2>Do you.

0:41:32.840 --> 0:41:33.920
<v Speaker 1>I've made a love potion?

0:41:35.000 --> 0:41:38.240
<v Speaker 3>What do you put in it? Like more than an afrod.

0:41:38.680 --> 0:41:43.120
<v Speaker 1>She can't tell you. It was like essential oils and

0:41:43.280 --> 0:41:44.719
<v Speaker 1>like you.

0:41:44.719 --> 0:41:45.760
<v Speaker 3>Rub it on your body.

0:41:45.880 --> 0:41:47.839
<v Speaker 1>That was a kind of rubbed on my body. Oh,

0:41:48.320 --> 0:41:48.719
<v Speaker 1>they're like.

0:41:48.680 --> 0:41:51.200
<v Speaker 2>Your pheromones to attract your true love.

0:41:51.640 --> 0:41:55.840
<v Speaker 1>No, I I made a love potion that was supposed

0:41:55.840 --> 0:42:00.160
<v Speaker 1>to bring back love and it worked. Wow ooh I

0:42:00.160 --> 0:42:02.000
<v Speaker 1>still have it.

0:42:02.000 --> 0:42:02.960
<v Speaker 3>It's very powerful.

0:42:03.000 --> 0:42:04.239
<v Speaker 2>I don't I know what you speak of.

0:42:06.080 --> 0:42:09.399
<v Speaker 4>What about like aphrodisiacs, chocolate, like oysters? Yeah, I think

0:42:09.400 --> 0:42:12.160
<v Speaker 4>there's a chocolate. I think it's a Colla Bloo.

0:42:12.920 --> 0:42:13.719
<v Speaker 2>Yeah, I think so.

0:42:15.640 --> 0:42:17.440
<v Speaker 1>I don't know chocolate.

0:42:17.640 --> 0:42:21.520
<v Speaker 2>I know a gen's talking about. We've talked about this before.

0:42:22.640 --> 0:42:24.759
<v Speaker 2>But she's very powerful, so I understand this.

0:42:25.080 --> 0:42:26.000
<v Speaker 3>Maybe I don't know.

0:42:26.840 --> 0:42:29.000
<v Speaker 2>And strawberries and oysters, I just don't think so.

0:42:29.960 --> 0:42:34.520
<v Speaker 1>Yeah, but oysters, that's what they say. It's an aphrodisiac.

0:42:35.120 --> 0:42:40.319
<v Speaker 3>Would not touch an oyster. I love oysters, aren't they raw?

0:42:40.640 --> 0:42:42.680
<v Speaker 2>I've never felt horny after eating an oyster?

0:42:43.760 --> 0:42:45.719
<v Speaker 1>Oh, I would feel disgusting after.

0:42:45.960 --> 0:42:48.200
<v Speaker 2>Yeah, yeah, it's not something you want to eat and

0:42:48.239 --> 0:42:49.080
<v Speaker 2>then like make out.

0:42:49.280 --> 0:42:56.200
<v Speaker 1>No, no, it makes no sense none, But gents, that

0:42:56.239 --> 0:43:01.640
<v Speaker 1>gets me all hot and cur in those crab legs

0:43:02.360 --> 0:43:02.919
<v Speaker 1>pull it out.

0:43:02.920 --> 0:43:05.960
<v Speaker 2>The meat turns me on when you do it.

0:43:06.239 --> 0:43:08.520
<v Speaker 1>May you know what turns me on when you eat

0:43:09.160 --> 0:43:18.800
<v Speaker 1>shrill shrimp feet, my tail, the crispy tail, the tail

0:43:19.960 --> 0:43:24.200
<v Speaker 1>that's disgusting. All right, anyway, when do we learn that?

0:43:24.200 --> 0:43:24.560
<v Speaker 3>What's her?

0:43:24.560 --> 0:43:24.600
<v Speaker 2>Do?

0:43:24.760 --> 0:43:27.680
<v Speaker 3>Sesus? Fake? Right now? Right now?

0:43:27.680 --> 0:43:30.320
<v Speaker 1>The police come looking for the scam artist, Madame Raven,

0:43:31.400 --> 0:43:34.600
<v Speaker 1>who's been going around town selling her bogus love potion.

0:43:35.360 --> 0:43:39.480
<v Speaker 3>Yet it works, not focus is not crazy.

0:43:39.719 --> 0:43:42.000
<v Speaker 2>She's a scammers, but it's real.

0:43:42.880 --> 0:43:47.880
<v Speaker 1>It's like liquid ecstasy. Probably they're all doing drugs and

0:43:47.880 --> 0:43:50.879
<v Speaker 1>they don't even know it. But Nat, thank goodness, kept

0:43:50.880 --> 0:43:51.680
<v Speaker 1>one last bottle.

0:43:52.040 --> 0:43:53.279
<v Speaker 2>You should have hooked up with her.

0:43:53.800 --> 0:43:56.480
<v Speaker 1>Yeah. I was kind of hoping though the grave interest

0:43:56.560 --> 0:43:57.080
<v Speaker 1>for Nat.

0:43:57.280 --> 0:43:59.960
<v Speaker 3>Yeah, sort of thinking it was going.

0:44:00.040 --> 0:44:01.920
<v Speaker 1>He could have slipped she could have slipped him some

0:44:02.080 --> 0:44:04.880
<v Speaker 1>love potion in his mega burger m.

0:44:06.160 --> 0:44:09.200
<v Speaker 3>And then I'm sort of roofying it.

0:44:10.000 --> 0:44:12.680
<v Speaker 1>You can't really do that anymore. We go back to

0:44:13.440 --> 0:44:16.080
<v Speaker 1>the scene of the crime to end our show where

0:44:16.840 --> 0:44:17.960
<v Speaker 1>Jack McKay was killed.

0:44:18.960 --> 0:44:21.279
<v Speaker 2>Did you guys have PTSD being here a little bit?

0:44:21.440 --> 0:44:24.960
<v Speaker 1>I did, Yeah, But it felt like a natural progression

0:44:25.200 --> 0:44:28.560
<v Speaker 1>for their relationship. It felt like if I was struggling

0:44:28.600 --> 0:44:32.400
<v Speaker 1>to get over something that deep and that heavy. I

0:44:32.440 --> 0:44:35.960
<v Speaker 1>would take my partner there to like help me get

0:44:36.000 --> 0:44:38.839
<v Speaker 1>through it. Yeah, But he tells her they that they're

0:44:38.840 --> 0:44:40.480
<v Speaker 1>going to move to Hawaii instead.

0:44:41.360 --> 0:44:47.319
<v Speaker 3>Yeah, which is sort of a shocking logical sort of thing.

0:44:47.600 --> 0:44:49.640
<v Speaker 3>He wants to go be by his mom now and

0:44:49.680 --> 0:44:52.799
<v Speaker 3>his sister. Well, I can understand the sister part, but like,

0:44:53.320 --> 0:44:55.000
<v Speaker 3>all right, he's not like ever gotten along with.

0:44:55.000 --> 0:44:59.759
<v Speaker 1>Iris that well, family's family, and I get it.

0:44:59.760 --> 0:45:02.239
<v Speaker 4>It's it's sort of logical that he's like, he's got

0:45:02.239 --> 0:45:03.680
<v Speaker 4>to leave Beverly Hills.

0:45:04.040 --> 0:45:07.279
<v Speaker 1>It's true, he needs to go. Yeah, things are not

0:45:07.400 --> 0:45:11.080
<v Speaker 1>going well for him, and now he has this new

0:45:11.640 --> 0:45:14.680
<v Speaker 1>person in his life, he needs to go put down

0:45:14.680 --> 0:45:16.719
<v Speaker 1>his own roots somewhere without all this like.

0:45:18.280 --> 0:45:18.960
<v Speaker 3>A mortgage.

0:45:19.320 --> 0:45:24.520
<v Speaker 1>I guess so. Unfortunately, because the truth of the matter

0:45:24.600 --> 0:45:28.759
<v Speaker 1>is Dylan's problems were always deeper than any of us

0:45:28.840 --> 0:45:33.440
<v Speaker 1>could go with him, his friends, even Brenda, anyone. His

0:45:33.600 --> 0:45:37.920
<v Speaker 1>problems were so deep that there's something about this starting

0:45:38.000 --> 0:45:40.359
<v Speaker 1>over for him, the idea of starting over with this

0:45:40.960 --> 0:45:43.440
<v Speaker 1>newish girl that doesn't really know the past.

0:45:43.600 --> 0:45:47.239
<v Speaker 3>And he's got some obviously some deep stuff too.

0:45:48.280 --> 0:45:53.680
<v Speaker 2>Yes, emphasizing it though like it's it would have been nice.

0:45:54.680 --> 0:45:57.160
<v Speaker 2>What if they moved to Hawaii? What would they do

0:45:57.239 --> 0:45:57.720
<v Speaker 2>for a living?

0:45:58.560 --> 0:46:01.160
<v Speaker 1>Well, she was going to go to school heat cobs

0:46:01.160 --> 0:46:03.520
<v Speaker 1>of money. Yeah, he was gonna go surfing.

0:46:04.080 --> 0:46:05.919
<v Speaker 3>And Iris has gobs of money too. I thought they're

0:46:05.920 --> 0:46:07.200
<v Speaker 3>going on the on the cash.

0:46:08.280 --> 0:46:09.920
<v Speaker 2>But imagine her and huli skirt.

0:46:09.680 --> 0:46:14.960
<v Speaker 3>And would look really cute.

0:46:12.920 --> 0:46:14.560
<v Speaker 1>Hula skirt if you go to Hawaii.

0:46:14.920 --> 0:46:16.600
<v Speaker 3>That actually would have been a nice spin off.

0:46:17.960 --> 0:46:23.000
<v Speaker 4>Oh, Dylan goes to Hawaii Maui O nine two two

0:46:23.080 --> 0:46:24.560
<v Speaker 4>seven or whatever it is, what is it?

0:46:24.719 --> 0:46:25.240
<v Speaker 3>N see.

0:46:26.920 --> 0:46:29.239
<v Speaker 2>And you go to at least in the world, we

0:46:29.280 --> 0:46:30.840
<v Speaker 2>could have had a franchise gin.

0:46:30.880 --> 0:46:35.640
<v Speaker 4>It was nice, could spin off like Dylan and Tony

0:46:35.719 --> 0:46:39.480
<v Speaker 4>and Hawaii and suddenly there's like, you know, drama and murder,

0:46:39.520 --> 0:46:40.719
<v Speaker 4>and I.

0:46:40.719 --> 0:46:45.960
<v Speaker 1>Wouldn't watch it. I would personally without like a cast

0:46:46.000 --> 0:46:48.760
<v Speaker 1>of characters that I cared about. Who are they gonna

0:46:49.280 --> 0:46:52.480
<v Speaker 1>introduce us to that's going to replace David and Donna

0:46:52.520 --> 0:46:55.360
<v Speaker 1>and brand all shlew of people.

0:46:56.160 --> 0:47:01.560
<v Speaker 2>But if it meant your favorite characters not disappearing from

0:47:01.560 --> 0:47:04.480
<v Speaker 2>the show and getting their own show, you'd be okay

0:47:04.520 --> 0:47:07.120
<v Speaker 2>with that because we could do crossovers which.

0:47:07.040 --> 0:47:10.920
<v Speaker 4>At some point Melrose moves to Wednesday and Monday at

0:47:11.000 --> 0:47:11.920
<v Speaker 4>nine was open.

0:47:12.440 --> 0:47:13.880
<v Speaker 1>Yeah, I guess that's what happened.

0:47:14.280 --> 0:47:15.680
<v Speaker 3>We get Party of five instead?

0:47:16.280 --> 0:47:18.920
<v Speaker 2>Mmmm on Wednesday?

0:47:19.239 --> 0:47:20.279
<v Speaker 3>Yeah what did? What did you?

0:47:20.440 --> 0:47:25.720
<v Speaker 4>What followed after Melrose went to Wednesday party at five?

0:47:26.160 --> 0:47:28.279
<v Speaker 3>Ye, take me some Scott Wolfe, that's fine.

0:47:28.520 --> 0:47:30.720
<v Speaker 2>And then Ali McBeal right, no that was Monday, Sorry,

0:47:30.920 --> 0:47:31.959
<v Speaker 2>Ally mcbill.

0:47:34.080 --> 0:47:36.600
<v Speaker 1>So Tony agrees to move with him if he agrees

0:47:36.840 --> 0:47:39.280
<v Speaker 1>to really let go of this feud with her father.

0:47:39.880 --> 0:47:42.760
<v Speaker 1>So he throws the gun into the harbor. And that's

0:47:42.800 --> 0:47:43.800
<v Speaker 1>the end of the episode.

0:47:44.160 --> 0:47:45.880
<v Speaker 3>What a time to be on Fox.

0:47:45.960 --> 0:47:49.719
<v Speaker 4>Sorry, but Ally mcbeil, Melrose Place nine O two one oh,

0:47:50.040 --> 0:47:50.800
<v Speaker 4>Party of five?

0:47:51.800 --> 0:47:52.760
<v Speaker 3>Hellolor?

0:47:54.160 --> 0:47:56.040
<v Speaker 2>And which one in Living Color?

0:47:56.640 --> 0:47:59.279
<v Speaker 3>Oh? Yeah? When was North Shore? That wasn't as good?

0:48:01.040 --> 0:48:03.920
<v Speaker 1>I mean I think this was a good one. Do

0:48:03.920 --> 0:48:04.839
<v Speaker 1>you guys give it a ten?

0:48:05.400 --> 0:48:05.640
<v Speaker 3>Ten?

0:48:06.320 --> 0:48:06.560
<v Speaker 5>Ten?

0:48:06.760 --> 0:48:10.239
<v Speaker 3>Ten verse ten? Season six is a ten.

0:48:11.040 --> 0:48:14.840
<v Speaker 1>Anytime there's costumes, I'm in for a ten. And great

0:48:14.920 --> 0:48:18.879
<v Speaker 1>face acting, great face acting by all.

0:48:19.080 --> 0:48:22.960
<v Speaker 4>By, and beautiful set design of pumpkins. I would have

0:48:23.040 --> 0:48:26.480
<v Speaker 4>loved that Halloween set up on my front porch.

0:48:26.560 --> 0:48:27.000
<v Speaker 3>Well, let's go.

0:48:27.080 --> 0:48:29.239
<v Speaker 1>We're gonna call Raye Pruitt and have him come come

0:48:29.280 --> 0:48:29.680
<v Speaker 1>on over.

0:48:30.200 --> 0:48:32.480
<v Speaker 3>Where is Jamie Tory? Can you please call him? By

0:48:32.480 --> 0:48:35.000
<v Speaker 3>the way, I just stopped him last week. He'd probably

0:48:35.040 --> 0:48:38.880
<v Speaker 3>bring you some pumpkins. He used to, come on Tory,

0:48:39.360 --> 0:48:44.600
<v Speaker 3>he needs to come on. Good stuff, guys, great episode, Thanks,

0:48:44.640 --> 0:48:48.879
<v Speaker 3>great performances. Hello Joe Bradley, Welcome to nine O two

0:48:48.920 --> 0:48:49.279
<v Speaker 3>one zero.

0:48:49.760 --> 0:48:51.920
<v Speaker 1>Yeah, you're welcome, ladies.

0:48:52.040 --> 0:48:59.279
<v Speaker 2>Yeah, a lot of crushes read this episode. What's next?

0:48:59.480 --> 0:49:04.759
<v Speaker 3>What's next? That is a very good question. She is

0:49:04.800 --> 0:49:08.840
<v Speaker 3>not a real thing. The next. Earthquake weather not a

0:49:08.880 --> 0:49:10.000
<v Speaker 3>real thing. What do you mean?

0:49:10.120 --> 0:49:11.759
<v Speaker 1>Earthquake weather is not a real thing. I say it

0:49:11.760 --> 0:49:12.200
<v Speaker 1>all the time.

0:49:12.840 --> 0:49:16.200
<v Speaker 3>It's not a thing. What's not real? Do you have

0:49:16.200 --> 0:49:18.080
<v Speaker 3>the World Wide Web? Google it? There's no such thing

0:49:18.120 --> 0:49:19.160
<v Speaker 3>as earthquake weather.

0:49:20.000 --> 0:49:23.359
<v Speaker 1>I have my instincts, and I live in southern California,

0:49:23.640 --> 0:49:26.800
<v Speaker 1>so I think it's a real thing when it's still,

0:49:26.880 --> 0:49:30.600
<v Speaker 1>it's warm and it's still, like the air doesn't move

0:49:30.640 --> 0:49:33.520
<v Speaker 1>at all. Then you go outside and you're like, ooh,

0:49:33.880 --> 0:49:34.640
<v Speaker 1>earthquake weather.

0:49:36.200 --> 0:49:39.160
<v Speaker 2>But amy's onto something. We were conditioned to think that, like,

0:49:39.200 --> 0:49:39.759
<v Speaker 2>it's not like.

0:49:39.640 --> 0:49:40.560
<v Speaker 3>It's ever happened.

0:49:40.560 --> 0:49:43.239
<v Speaker 2>In the middle of it being warm and it goes

0:49:43.440 --> 0:49:45.759
<v Speaker 2>cool to hot and then we're like, oh, we just

0:49:45.800 --> 0:49:47.759
<v Speaker 2>know to be like, oh, that's earthquake weather. Has it

0:49:47.840 --> 0:49:50.160
<v Speaker 2>ever acts not actually a scientific thing?

0:49:50.440 --> 0:49:51.080
<v Speaker 3>Who started that?

0:49:51.200 --> 0:49:51.399
<v Speaker 1>Then?

0:49:52.360 --> 0:49:52.520
<v Speaker 3>Yes?

0:49:52.680 --> 0:49:55.719
<v Speaker 1>Or because apparently Berely Hills down a two and oh

0:49:56.239 --> 0:50:00.759
<v Speaker 1>with a season season six, episode nine, earthquake weather. Watch it.

0:50:01.520 --> 0:50:02.840
<v Speaker 2>We're gonna be shaken.

0:50:03.440 --> 0:50:05.080
<v Speaker 1>Let's see, I'm excited.

0:50:05.280 --> 0:50:07.080
<v Speaker 2>Get it, get it Yeah,